72 July 2006 art4d

Hubert-Jan Henket integrates Dutch characteristicsalongside Thai traits for the new ChancelleryBuilding of the Royal Netherlands EmbassyBangkok. Kanokwan Trakulyingcharoen writes.Teerawat Winyarat photographs.

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art4d July 2006 73

74 July 2006 art4d

∂â“À“°§«“¡‡ª≈’ˬπ·ª≈ߢÕßÕ“§“√°“√µà “ߪ√–‡∑»¢Õß À√—∞Õ‡¡√‘°“„π™à«ßÀ≈— ߠߧ√“¡‚≈°§√—Èß∑’Ë 2  “¡“√∂„™â‡ªìπÀ¡ÿ¥‡«≈“‰¥â·≈â« °ÁÕ“®∂◊Õ‰¥â«à“‡Àµÿ°“√≥姫“¡¢—¥·¬âß„πªï 1959 ∑’Ë™“«‚∫≈‘‡«’¬π°«à“10,000 §π¢«â“ߪ“°âÕπÀ‘π„ à ∂“π∑Ÿµª√–®”°√ÿß La Paz ‡ªìπ®ÿ¥‡ª≈’ˬπ∑’Ë ”§—≠Õ—π𔉪 Ÿà ç¿“æ≈—°…≥å¢Õß°“√‡ªìπªÑÕ¡ª√“°“√∑’Ë¡—Ëπ§ß·≈–ª≈Õ¥¿—¬é „πªí®®ÿ∫—π ‡æ√“–‡Àµÿ°“√≥åπ’ȉ¥â∑”„À⇰‘¥°“√µ√–Àπ—° ·≈–°“√„À⧫“¡ ”§—≠°—∫§«“¡ª≈Õ¥¿—¬Õ¬à“ß™—¥‡®π ®“°π—Èπ√“« 1970s ¡’ºŸâ°àÕ°“√√⓬‡¢â“¬÷¥ ∂“π∑Ÿµª√–®”°√ÿß Khar-toum „π´Ÿ¥“π·≈– Teheran „πÕ‘À√à“π ´÷Ëß àߺ≈„Àâ„πªï 1980 ¡’°“√𔇠πÕ ùRein-forced concrete pillboxû ‡ªìπ·π«§«“¡§‘¥„π°“√ÕÕ°·∫∫ ∂“π∑Ÿµ À√—∞Õ‡¡√‘°“„π°—«≈“≈—¡‡ªÕ√å ®π∑⓬∑’Ë ÿ¥ “¡ªï„ÀâÀ≈—ߪؑ∫—µ‘°“√√–‡∫‘¥æ≈’™’æ∑’Ë°√ÿ߇∫√ÿµ‰¥â𔉪 Ÿà°“√ÕÕ°¢âÕ∫—ߧ—∫ the Inman Standards (1985)´÷Ëß¡’ “√– ”§—≠ à«πÀπ÷Ëߧ◊Õ Õ“§“√µâÕß¡’≈—°…≥– Risk-free Õ¬à“߇ÀÁπ‰¥â™—¥·≈–¡’√–¬–∂Õ¬√àπÕ“§“√‰¡àµË”°«à“ 100 øÿµ ‚¥¬ ∂“π∑Ÿµ À√—∞Õ‡¡√‘°“„π°√ÿ߇∑æœ ∑’ˉ¥â√—∫°“√ÕÕ°·∫∫‚¥¬ Kallmann McKinnell & Wood(1992) °Á‡ªìπº≈ß“π¿“¬„µâ‡ß◊ËÕπ‰¢¥—ß°≈à“«

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Hubert-Jan Henket  ∂“ªπ‘°™“«¥—µ™å‡ªìπºŸâÕÕ°·∫∫Õ“§“√„À¡àÀ≈—ßπ’È·≈–°“√øóôπøŸ ¿“æÕ“§“√„π‡¢µ∫â“πæ—°´÷Ëßπà“®–·≈⫇ √Á®„πªï2007 Henket ‡ªìπ»“ µ√“®“√¬å¢Õß¡À“-«‘∑¬“≈—¬ Delft ÷Ë߇ªìπ∑’Ë√Ÿâ®—°°—π„π∞“π–ºŸâ√‘‡√‘Ë¡·≈–°àÕµ—Èß DOCOMOMO (DOcumen-tation and COnservation of buildings,sites and neighborhoods of MOdernMOvement) √à«¡°—∫ Wessel de Jonge„πªï 1988 ¥—ßπ—Èπº≈ß“π∑’ˉ¥â√—∫°“√查∂÷ß

À≈“¬Ê™‘Èπ¢Õ߇¢“®÷߇ªìπß“πÕÕ°·∫∫„π‡¢µÕ“§“√Õπÿ√—°…åÕ¬à“ß the Taylormuseum,Haarlem ·≈– the Catharijneconvent,Utrecht πÕ°‡Àπ◊Õ‰ª®“°ß“π·π«∑“ߥ—ß°≈à“«·≈â« ‡¢“¬—߉¥â∑¥≈Õßæ—≤π“·π«§«“¡§‘¥„π‡√◊ËÕß‚§√ß √â“ß√–∫∫Õÿµ “À°√√¡°—∫§«“¡¬◊¥-À¬ÿàπ„π°“√„™âß“π‰ª„π¢≥–‡¥’¬«°—π ÷Ëß·π«§‘¥π’ȇÕß∑’Ë°≈“¬‡ªìπ∑’Ë¡“¢Õß·π«∑“ß°“√ÕÕ°·∫∫Õ“§“√À≈—ßπ’È

·π«§‘¥ Skeleton ·≈– Facade ¢ÕßHenket ‡√‘Ë¡µâπ¢÷Èπ„π‚§√ß°“√ Barth LijtenFabric, Boxtel (1978) ·≈–ª√“°Ø™—¥‡®π¬‘Ëߢ÷Èπ„π Employment Office, Veghel(1983) ´÷Ë߇ªìπÕ“§“√ Õß™—Èπ∑’Ë¡’ atrium µ√ß°≈“ߺ—ß∑’Ë«“ß·°π ¡¡“µ√∑”Àπâ“∑’ˇªìπ‚∂ß°≈“߇™◊ËÕ¡µàÕæ◊Èπ∑’˵à“ßʇ¢â“‰«â¥â«¬°—π·∑π corri-dor ‚¥¬¡’‚§√ß √â“߇À≈Á°√—∫À≈—ߧ“∑’Ë≈Õ¬µ—«ÕÕ°®“° Facade ‡æ◊ËÕº≈¥â“π¡ÿ¡¡ÕßÕÕ° Ÿà¿“¬πÕ° µàÕ®“°π—Èπ°Á¡’°“√æ—≤π“·π«§‘¥π’ÈÕ¬à“ßµàÕ‡π◊ËÕß„πÕ’°À≈“¬‚§√ß°“√ ·≈–≈à“ ÿ¥Õ“§“√À≈—ß„À¡à π’È°Á‡ªìπÕ’°Àπ÷Ëß∑’Ë∂Ÿ°∑’˵àÕ¬Õ¥ÕÕ°¡“®“°°√–∫«π°“√π’È

(∫π) °“√‡ªî¥ §«“¡‚ª√àß„  §«“¡∫“ß·≈–‡∫“ ¢Õßß“π ∂“ªíµ¬°√√¡∑’Ë ∂“ªπ‘°ÕÕ°·∫∫¥â«¬§«“¡‡¢â“„®„πÕ“§“√‡¢µ√âÕπ™◊Èπ(≈à“ߴ⓬) ¡ÿ¡¡Õß√Ÿª¥â“πÕ“§“√∫√‘‡«≥∑“߇¢â“®“°∫â“πæ—°‡Õ°Õ—§√“™∑Ÿµ(≈à“ߢ«“) æ◊Èπ∑’ˇªî¥‚≈àߥâ“πÀπâ“Õ“§“√°—∫∫√√¬“°“»æ√âÕ¡µâÕπ√—∫ºŸâ¡“‡¬◊Õπ

art4d July 2006 75

‚§√ß √â“ßÀ≈—°¢ÕßÕ“§“√ª√–°Õ∫¥â«¬ Õß à«π§◊Õ  à«πÕ“§“√§Õπ°√’µ‡ √‘¡‡À≈Á°·≈– à«π‚§√ß √â“߇À≈Á°√Õß√—∫À≈—ߧ“ metaldeck ‡π◊ËÕß®“°§«“¡ª≈Õ¥¿—¬‡ªìπ ‘Ëß∑’˵âÕߧ”π÷ß∂÷ß¡“°∑’Ë ÿ¥„π°“√ÕÕ°·∫∫ §«“¡¬◊¥À¬ÿàπ„π à«π facade ∑’ˇ§¬¡’∫∑∫“∑ ”§—≠„πº≈ß“π°àÕπÀπâ“∂Ÿ°≈¥∫∑∫“∑≈ß‚¥¬¡’ºπ—ß pre-cast concrete ‡¢â“¡“·∑π∑’Ë ‚¥¬¡’°“√µ‘¥µ—Èßfin ´÷Ëß∑”®“°«— ¥ÿ‡∑ø≈Õπ∑’Ë¡’§«“¡‚ª√à߇∫“‡¢â“°—∫‚§√ß √â“߇À≈Á°√Õß√—∫µ—«À≈—ߧ“‡æ◊ËÕ∫—ß·¥¥„Àâ°—∫∫√‘‡«≥™àÕ߇ªî¥¢Õß à«π ”π—°ß“π ´÷Ëß∑—ÈßÀ¡¥π’Èπà“®–™à«¬·°âªí≠À“‡√◊ËÕß ¿“æ¿Ÿ¡‘-Õ“°“»‰¥âÕ¬à“ß¡’ª√– ‘∑∏‘¿“æ°«à“√–∫∫ dou-ble facade ∑’˪√“°Ø„π Delftech ParkOffice complex, Delft (1999-2000) ∑—È߬—߇ªìπ°“√·¬°„Àâ‡ÀÁπ∂÷ßÀπâ“∑’Ë¢Õß‚§√ß √â“ßÀ≈—ߧ“‡À≈Á°∑’Ë·ºà™“¬§“ÕÕ°¡“‚¥¬√Õ∫„π°“√ª°ªÑÕßµ—«Õ“§“√®“°¿Ÿ¡‘Õ“°“»√âÕπ™◊Èπ„Àâª√“°Ø™—¥‡®π¡“°¬‘Ëߢ÷Èπ Õ’°∑—È߬—߇ªìπ°“√ √â“ß™àÕß«à“߇æ◊ËÕ√–∫“¬§«“¡√âÕπ„µâÀ≈—ߧ“ÕÕ°‰ª ‡Àµÿº≈Õ’° à«πÀπ÷Ëß„π°“√„™â‚§√ß √â“ß∑’Ë¡’≈—°…≥– È”-´âÕπ‡™àππ’Èπà“®–¡“®“°°“√∑’˺ŸâÕÕ°·∫∫µâÕß°“√

𔇠πÕ∑—Èß≈—°…≥–√à«¡¢Õߥ—µ™åÕ¬à“ß open-ness, transparency, lightness ·≈–functional beauty °—∫§«“¡‚ª√à߇∫“ (light-ness) ∑’Ë¡—°ª√“°ØÕ¬Ÿà„π√Ÿª∑√ߢÕßÕ“§“√„π‡¢µ√âÕπ™◊Èπ‰ªæ√âÕ¡Ê°—π Õ¬à“߉√°Á¥’¡—π°Á™à«¬µÕ∫‚®∑¬å‡√◊ËÕß ¿“æ¿Ÿ¡‘Õ“°“»‰¥â¥’‡™àπ°—π

·π«√—È«‚ª√àߥâ“πÀπâ“∑“߇¢â“Õ“§“√™à«¬‡ √‘¡„ÀâÕ“§“√¥Ÿ‚¥¥‡¥àπ∑à“¡°≈“ßµâπ‰¡â„À≠à∑’ˇ¢’¬«¢®’Õ¬Ÿà ‡∫◊ÈÕßÀ≈—ß·≈– –∑âÕπ„Àâ ‡ÀÁπ∂÷ß∑à“∑’∑’Ë·µ°µà“ß®“° ∂“π∑ŸµÕ◊ËπÊ√«¡∂÷ß°“√ √â“ߧ«“¡√Ÿâ ÷°‡ªî¥°«â“ß µâÕπ√—∫„Àⷰຟ⡓‡¬◊Õπ‰¥â‡ªìπÕ¬à“ߥ’ ¥â«¬‡Àµÿº≈„π‡√◊ËÕߧ«“¡ª≈Õ¥¿—¬ µ—«Õ“§“√∑—ÈßÀ¡¥®÷ß≈Õ¬Õ¬Ÿà°≈“߇°“–∑’Ë≈âÕ¡√Õ∫‰«â¥â«¬§≈Õß∑’Ë¢ÿ¥¢÷Èπ„À¡à ´÷Ëß àߺ≈„Àâ™àÕ߇ªî¥¢ÕßÕ“§“√‰¥â√—∫°“√ºàÕπ§≈“¬®“°‡ß◊ËÕπ‰¢¥â“𧫓¡ª≈Õ¥¿—¬·≈–∫“ß∑’Õ“®∑”„À⺟⡓‡¬◊ÕπÀ√◊ÕºŸâ„™âÕ“§“√‰¥â√–≈÷°∂÷ߧ«“¡ºŸ°æ—π°—∫πÈ”¢Õß™“«¥—µ™åÀ√◊Õ°“√¥‘Èπ√π¡“·µàÕ¥’µ∑’Ë®–Õ“»—¬√à«¡°—∫πÈ”„π¥‘π·¥π∑’Ë√“∫µË”·Ààßπ’È

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76 July 2006 art4d

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°“√®—¥·∫àßæ◊Èπ∑’Ë„™â Õ¬∑—ÈßÀ¡¥‡ªìπ‰ªµ“¡À≈—°°“√¢Õß free plan √«¡∂÷ß™àÕ߇ªî¥∑’ˇªìπ·π«¬“«¢¬“¬¡ÿ¡¡Õß„π°“√√—∫√ŸâÕ“≥“‡¢µ‚¥¬√Õ∫„π·∫∫ strip window ·πàπÕπ«à“°“√‡ªî¥√—∫¡ÿ¡¡Õß®“°¿“¬πÕ°‡™àππ’ȬàÕ¡‡™◊ËÕ¡‚¬ßºŸâ∑’ËÕ¬Ÿà¿“¬„πÕ“§“√°—∫∏√√¡™“µ‘¿“¬πÕ°‡¢â“‰«â¥â«¬°—πÕ¬à“ß°≈¡°≈◊π·≈– –∑âÕπÕ¬à“ß™—¥‡®πµ√߉ªµ√ß¡“∂÷ß transparency ∑’Ë«“ßÕ¬Ÿà∫πÀ≈—°°“√ 5 ¢âÕ¢Õß Le Corbusier ·≈–¥â«¬§«“¡‰¥â‡ª√’¬∫®“° ¿“æ·«¥≈âÕ¡∑’˵—Èߺ—ß™—Èπ≈à“ß·≈–™—Èπ “¡®÷߉¥â√—∫°“√ÕÕ°·∫∫„Àâ¡’ à«π‡©≈’¬ß∑’˧àÕπ¢â“ß„À≠à ”À√—∫°“√ÕÕ°¡“∑”°‘®-°√√¡æ—°ºàÕπÀ¬àÕπ„®µà“ßÊ∑à“¡°≈“ß ¿“æ·«¥≈âÕ¡∑’ˇªìπ∏√√¡™“µ‘·≈–¬—ߙ૬‡πâπ„À⇰‘¥§«“¡≈Õ¬µ—«¢Õߺ◊πÀ≈—ߧ“∑’Ë™—¥‡®π¬‘Ëߢ÷Èπ

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 —®∏√√¡ª√–°“√Àπ÷Ëß„π°“√ÕÕ°·∫∫°Á§◊Õ™àÕß«à“ß√–À«à“ß·π«§«“¡§‘¥°—∫°“√°àÕ √â“ß®√‘ߥ—ßπ—ÈπÀπâ“∑’Ë„π°“√‡™◊ËÕ¡µàÕ™àÕß«à“ßπ’È®÷ßµ°‡ªìπ¢Õß ∂“ªπ‘°ºŸâ¥Ÿ·≈·≈–§«∫§ÿ¡°“√°àÕ √â“ß®“°∫√‘…—∑ ∂“ªπ‘° 49 ®“° ¿“æ∑’˵—Èß∑’ˇªìπæ◊Èπ∑’Ë ’‡¢’¬«¢π“¥„À≠à„®°≈“ß°√ÿß´÷ËßÀ“‰¥â¬“°„πªí®®ÿ∫—π °“√√—°…“µâπ‰¡â„À≠à∑—ÈßÀ¡¥‰«â®÷߇ªìπ‡°≥±å ”§—≠„π°“√∑”ß“πµ—Èß·µà°“√°”Àπ¥µ”·ÀπàßÕ“§“√ °“√«“ß·ºπ«‘∏’°“√°àÕ √â“ßµ≈Õ¥®π°“√ÕÕ°·∫∫„π√“¬≈–‡Õ’¬¥Õ¬à“ß‚§√ß √â“ߧ“π摇»…‡æ◊ËÕ√—°…“§«“¡‰¥â‡ª√’¬∫„π¢âÕπ’ȉ«â§«“¡·µ°µà“ß√–À«à“ß°ÆÀ¡“¬-¢âÕ∫—ߧ—∫Õ“§“√

(´â“¬) ‡ â𠓬¢ÕßÕ“§“√∑’ˇ°‘¥¢÷Èπ®“°°“√®—¥«“ß™àÕ߇ªî¥„π≈—°…≥–µà“ßÊ°—𠇪ìπ à«πÀπ÷Ëß∑’Ë∑”„Àâª√‘¡“µ√¢ÕßÕ“§“√∂Ÿ°≈¥∑Õπ ‰¡à„À⥟Àπ—°Õ÷Èß®π‡°‘π‰ª(¢«“) ∫—π‰¥‡«’¬π ’¢“«∑’˵—¥°—∫√–π“∫ºπ—ß ’ â¡¥Ÿ®–‡ªìπ —≠≈—°…≥å∑’Ë®¥®”‰¥âßà“¬¢ÕßÕ“§“√·Ààßπ’È(≈à“ß) §≈Õß‚¥¬√Õ∫Õ“§“√πÕ°®“°®–™à«¬≈¥§«“¡√âÕπ ¬—ß –∑âÕπ∂÷ß∫√‘∫∑¥—È߇¥‘¡¢Õߪ√–‡∑»‡π‡∏Õ√å·≈π¥åÕ¬à“ß™—¥‡®π

art4d July 2006 77

¢Õ߇π‡∏Õ√å·≈π¥å°—∫‰∑¬·≈–¢âÕ∫—ߧ—∫‡©æ“– ”À√—∫ ∂“π∑Ÿµ°Á‡ªìπÕ’°ªí®®—¬Àπ÷Ëß∑’Ë∑”„Àâ°“√∑”ß“π¡’§«“¡ —∫ âÕπ¡“°¬‘Ëߢ÷Èπ ‚¥¬‡©æ“–Õ¬à“߬‘Ë߇¡◊ËÕ°“√π”‡¢â“«— ¥ÿ®“°µà“ߪ√–‡∑»∂◊Õ‡ªìπ∑“߇≈◊Õ° ÿ¥∑⓬¢Õß°√–∫«π°“√µ—¥ ‘π„®·≈â« §«“¡æ¬“¬“¡„π°“√∑”ß“π¿“¬„µâ‡ß◊ËÕπ‰¢∑’Ë®”°—¥„π‡√◊ËÕß∑—°…–™à“ß·≈–‡∑§‚π‚≈¬’Õ“§“√-«— ¥ÿ®÷ß𔉪 Ÿà°√–∫«π°“√∑¥≈Õߧ‘¥À“ de-tail „À¡àʇ¢â“¡“√Õß√—∫ß“πÕÕ°·∫∫ ´÷Ëß àߺ≈„Àâ°“√°àÕ √â“ß°‘π√–¬–‡«≈“∂÷ß 1 ªï µ—«Õ¬à“ß∑’ˇÀÁπ‰¥â™—¥°Á§◊Õ°“√∑¥≈Õß„™â metal deck«“ß∫π‚§√ßÀ≈—ߧ“∑’ˬ÷¥‰«â¥â«¬°“√∂à«ßµ—«¢ÕßπÈ”Àπ—°‚§√߉¡â·≈–·ºàπ«’«“∑’ËÕ¬Ÿà¥â“π∫π ´÷Ëߙ૬ªÑÕß°—π°“√¬°µ—«¢Õߺ◊πÀ≈—ߧ“∑’ˇ°‘¥®“°·√ß≈¡·≈–°“√¢÷Èπ‰ª àÕ¡·´¡¥Ÿ·≈ º◊πÀ≈—ߧ“®÷߉¡àª√“°Ø°“√¬÷¥µàÕ„¥Ê°—∫‚§√ß√—∫‡≈¬

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Õ¬à“߉√°Á¥’∂â“¡Õß«à“æ◊Èπ∑’Ëπ’ȧ◊Õµ—«·∑π¢Õß√—∞„πµà“ß·¥π·≈â« °Áπà“®–∂◊Õ‰¥â«à“ openness·≈– transparency ∑’˪√“°Ø„πß“π‰¥â –∑âÕπ¿“æ≈—°…≥å¢Õߧ«“¡‡ªìπ¥—µ™å‰¥â ¡∫Ÿ√≥å„π√–¥—∫Àπ÷Ëß ‡æ√“–𗬬–Àπ÷ËߢÕߧ”·√°π—Èπ “¡“√∂À¡“¬∂÷ß ‘Ëß∑’ËÀ¬—Ëß√“°≈÷°Õ¬Ÿà„π«—≤π-∏√√¡ ∑’˺Ÿâ§π„π —ߧ¡¡’§«“¡‡ªìπ‡ √’π‘¬¡¡“Õ¬à“߬“«π“π´÷ËßÕ“®π—∫¬âÕπ‰¥âµ—Èß·µà¬ÿ§ªØ‘√Ÿª§√‘ µ»“ π“„𻵫√√…∑’Ë 16 „π¢≥–∑’˧”À≈—ßπà“®– –∑âÕπ∂÷ß√—∞∑’Ë¡’ good governance‡ªìπæ◊Èπ∞“πÕ¬à“߇π‡∏Õ√å·≈π¥å‰¥â‡™àπ°—π ·µà∑—È ßπ’È ‘Ë ß∑’Ë ”§—≠°«à“πà“®–Õ¬Ÿà∑’Ë∑à“∑’∑’Ë –∑âÕπÕÕ°¡“‡æ◊ËÕ¬◊π¬—π∂÷ß°“√¥”√ßÕ¬Ÿà¢Õߧ«“¡ —¡æ—π∏å∑’Ë ç‡ªî¥°«â“ß·≈–‡ªìπ¡‘µ√é ‡æ√“–∂Ⓣ¡à¡’„§√ —°§πÕÕ°¡“¬◊π¬—π„π ‘Ë߇À≈à“π’È·≈â«À≈“¬§π°ÁÕ“®®–≈◊¡‰ª·≈â««à“„πæ®π“πÿ°√¡¬—ß¡’§” Õߧ”π’ÈÕ¬Ÿà

For almost half a century the design ofmost Embassy buildings have followedsome kind of a fortress-like structure toprovide security and durability. Interna-tional relations among countries arecomplicated, however, a small and newlyrich country whose economy is based oninternational trade and investment, suchas The Netherlands, tries to present atotally different image and pay attentionto creating a more open relationship.Thus reflecting this relationship throughspace design also starts to represent thiscountry’s way of thinking.

Sandwiched amidst noisy WirelessRoad, peaceful Soi Tonson and the USEmbassy, is the plot where the newChancellery Building of the RoyalNetherlands Embassy Bangkok is located.The former building was totallydemolished, and to avoid the heavy trafficof Wireless Road, to safeguard privacy,and enhance a friendly atmosphere, thenew chancellery can now be accessedfrom Soi Tonson. Together with the siteof the US Embassy, it forms a beautifulpark and an exceptional green oasis of

trees, space and tranquility amidst thehustle and bustle of this denselypopulated area in the city of Bangkok.

Dutch architect, Hubert-Jan Henketundertook the responsibility of designingthis new building and the renovation ofthe residency, which is expected to becompleted in year 2007. Henket, a pro-fessor at Delft University, is known as theinitiator and founder of DOCOMOMO(Documentation and COnservation ofbuildings, sites and neighborhoods of theMOdern MOvement, founded in 1988),together with Wessel do Jonge.Undoubtedly, his remarkable designsinclude many projects in conservationzones such as the Taylor Museum inHarlem and the Catharijne Convent inUtrecht. Henket also explores the essenceof industrial structures and usage flexibi-lity, and this essence is the design approachfor the new Embassy building in Bangkok.

Henket’s Skeleton and Facade conceptbegan with the Barth Lijten Fabric,Boxtel (1978). Then it appeared evenmore obviously in the EmploymentOffice, Veghel (1983). The project in

78 July 2006 art4d

(∫π) ·π«∫—π‰¥‡«’¬π°—∫§«“¡ª√–≥’µ„π‡™‘ß™à“ß ∑’Ë∑”„À≥â√Ÿª∑√ß‚¥¬√«¡¡’≈—°…≥–§≈⓬ߓπª√–µ‘¡“°√√¡(≈à“ߴ⓬ ¢«“) √“¬≈–‡Õ’¬¥‚§√ß √â“ß·ºß∫—ß·¥¥‡∑ø≈Õπ ∑’˙૬≈¥§«“¡√âÕπ·≈–∑”„Àâ√Ÿª∑√ßÕ“§“√¥Ÿ¡’¡‘µ‘∑’Ëπà“ π„®

Bangkok is a two-storey atrium buildingwithout corridors, where the public andpermanent facilities run symmetrical tothe central axis. The steel supportingstructure of the roof is detached from theinside and this new building also reflectsa more recent extension of this concept.

The main structure consists of twoparts: the reinforced concrete building andthe sheet structure supporting a metaldeck. As safety is the most important fac-tor to be considered here, the flexibilityof the facade that played a crucial role inprevious projects had to be reduced andreplaced by pre-cast concrete. A light-weight Teflon fin attached with the steelsupporting structure to block the sun forthe office windows should be more effec-tive for Thailand’s weather conditions, ascompared to the double facade used inDelftech Park Office Complex, Delft(1999-2000). Despite its heat ventilationutility, the enormous cantilevered roofcreates a multiple structure in which thearchitect aims to reflect Dutchcharacteristics and traits of openness,

transparency, and functional beauty,alongside Thai traits of tropical lightness.

A transparent fence enhances theelegance of the building, which issurrounded with mature trees, reflectingthe distinction from other Embassies aswell as being invitingly open to allvisitors. For security reasons the buildingis placed on a newly dug island. This isalso to remind visitors of the connectionbetween Dutch people and water, andtheir historical struggle of living on a lowland plane in their country.

Located along the east-west side, thebuilding has two accesses to isolate visitorsand staff. The west side, on Soi Tonson, isthe entrance for visitors of the chancelleryin particular. The staff entrance bears tothe east of the building whose mainentrance on the south offers continuingviews to the greenery of the residence.

The ground floor is fully dedicated asa general office space. The second floormostly belongs to personal offices, andthe third is for services and facilities.Even though this is an extension of his

previous ideas, but the architect lightensthe building with a semi-indoor, semi-outdoor atrium connecting the frontoffice with the back meeting room andcafeteria. The main components insidethe building consist of a long walkwayalong the building, connecting each floor’smain components. The atrium functionsas a semi-outdoor space connecting themain entrance with the building as well asproviding climate protection. Thefacilities zone includes an elevator, asculptural fire stairway in transparentglass, and bathrooms. The orangebackground colour creates a dynamicfeeling for both inside and outside spaces.

All functional space is directed as freeplan, including the strip window thatbrings nature into the building accordingto Le Corbusier’s five principles.

A few decorations can be traced insidethe building. The colour tone, mainly huesof orange, is used as gimmicks in someparts and some blue is included inpeaceful corners. The floor is domesticblack granite, while the exterior is white

mixed with material colours.Incorporating the truth principle of Le

Corbusier and the attempt to respond totropical conditions are the great parts ofthis project. And it makes us wonder ifthe location of this building was someother cities with different context, notBangkok, would it still look like this?

However, seeing that an Embassy isthe office building representing a nationin a foreign country, it seems that thisbuilding successfully reflects the Dutchimage of openness and transparency tosome extent. The former implies the longhistory of being a liberal country whilethe latter reflects the country of TheNetherlands that is based on goodgovernance.

Above all both are firm gestures, thatof “open relationship” and “friendship”.And lets face it, if these two terms arenot reconfirmed over and over again,many may forget that they still exist inthe dictionary.