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l’Exposition internationale de Turin en 1911. Torino: Silvestrelli e Cappelletto, 1915. A. 79; Pica V. L’arte mondiale a Roma nel 1911, Bergamo: Istituto Italiano d’Arti Grafiche, 1911. A. CXXI.

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1 O4.: Spiridovitch A.Les derni�res ann�es de la cour de Tzarskoie-Selo. Paris: Payot, 1928. !. 1. A. 300–303.

2 O4.: Un granduca russo // Gazzetta di Venezia. 1914. 29 aprile. A. 4.

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1 Di Mart ino E. , Rizz i P. Storia della Biennale 1895–1982. Milano: Electa, 1982. A. 31. O4. $#-:" >/.%/9,15 /$6"$ /9 F$/4 (/91$)), >/.;/$/&=",,15 #.4),)($%#$/%/4 Q)",,#=" A/4/=/ Q#00/,) & -,);": Bazzoni R . 60 anni di Biennale di Venezia. Venezia: Lombroso, 1962. A. 97–99.

2 Di Mart ino E. L’opera Bevilacqua la Masa, 1908–1983. Venezia: Marsilio, 1984. A. 34.

3 O4.: Zorzi E. Le Biennali veneziane – dalla prima alla quindicesima // Le tre Venezie. 1926. Febbraio. A. 5–13.

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1 L’inaugurazione del padiglione russo // Il Gazzettino. 1914. 30 aprile A. 3.2 L’inaugurazione del padiglione russo all’Esposizione internazionale di

Venezia // Gazzetta di Venezia. 1914. 30 aprile. A. 3.

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1 Ojetti U. L’undicesima biennale veneziana – I russi // Corriere della sera. 1914. 16 maggio. A. 3. (.#="" 0)$#$1 >%)&/.*$(* >/ F$/5 >79=)-#0))). O$#$@8 $#-:" 4/:-,/ >%/6"($@ & -,);": Ojetti U.Undecima Esposizione internazionale d’arte della citt� di Venezia, Milano: Treves, 1914. A. 13.

2 L.V. Padiglioni stranieri all’XI Internazionale // La difesa. 1914. 30 aprile–1 mag-gio. A. 3.

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1 Ojetti U. L’undicesima biennale veneziana – I russi. 2 O4.: Maretto P. Venezia. Genova: Vitali e Ghianda, 1969. P. 77.3 Zevi B. Cronache di architettura. Bari: Laterza, 1978. T. 3. Scheda 110.

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1 Lancellotti A. Le Biennali veneziane dell’anteguerra (dalla 1 alla 11). Alessandria: Casa d’arte Ariel, 1926. P. 223.

2 Thovez E. L’arte a Venezia: concludendo – Il padiglione russo // La stampa. 1914. 23 giugno. P. 3.

3 Colasanti A. Esposizioni italiane: la Mostra internazionale d’arte a Venezia II // Emporium. 1914. Settembre. P. 214.

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1 Aimone L. I Miriskussniki in Italia // Mir Iskusstva. La cultura figurativa letteraria e musicale nel Simbolismo Russo. Roma: edizioni e/o, 1984. A. 65–70.

2 Ojetti U. L’undicesima biennale veneziana – I russi.

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2 J/(=".,** &=#."=)0# >#=#00/ G# J"2#%/ ;"%0/;),* R"=)6)$# Q"&)=#-7# D# P#2# 2#&"?#=# ";/ I","0)) .=* $/;/, 6$/91 7($%#)&#$@ & ,"4 &1($#&-) >%/)2-&".",)5 4/=/.13 37./:,)-/&. I )(>/=,",)" "" &/=) &=#($) ;/%/.# 76%".)=) </,. «'>"%# Q"&)=#-7# D# P#2#», # & 1902 ;. & ,# /.,/4 )2 F$#:"5 >#=#00/ %#24"($)=(* P":.7,#%/.,15 472"5 (/&%"4",,/;/ )(-7(($&# (>%)4. >"%"&.).

3 Di Martino E. L’opera Bevilacqua la Masa, 1908–1983. P. 28–34.4 O4.: De Angelis D. Un dipinto «veneziano» dimenticato. La tela «Il Pessimista» di

Vladimir Schereschewsky della Collezione del Quirinale // Quaderni della donazione Eugenio da Venezia. 2001. [ 8. P. 45.

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1 L’arrivo dei sovrani d’Italia a Venezia // Gazzetta di Venezia. 1914. 27 maggio. P. 4; La seconda giornata e la partenza dei Sovrani // Gazzetta di Venezia. 1914. 28 maggio. P. 4; La visita ai padiglioni // Il Gazzettino. 1914. 28 maggio.

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1 L" )4* 7>/4),#"$(* & (=".78?)3 )2.#,)*3 ) >79=)-#0)*3: E/%@-)5 ) %7((-#* :7%,#=)($)-# ,#6#=# KK &"-#: S")2.#,,#* >"%">)-(-#. D)$"%#$7%,/" ,#(=".($&/. !. 95. P.: S#7-#, 1988. O. 356, 770; J)(@4# I. K/.#("&)6# - S. Q"%9"%/&/5 / J79=. CF&).# Q"$"# // P),7&H"". Paris: Atheneum, 1988. [ 5. C. 231, 243, 244; )"2"4,& 3 . J7$,)- >/ &("=",,14, P.: O/&"$(-#* A/(()*, 1990. O. 369; 5"678*#,9 ) . G#4"%-<7%@"%(-)5 :7%,#=. P.: Z==)( D#-, 2002. C. 397; G/,($#,$), Q#=@4/,$ – B&#,7 W4"="&7, >)(@4# ) ($)3/$&/%",)* 1926–1936. P.: S#7-#, 2005. O. 89; I#="%)5 Q%8(/& – S),# J"$%/&(-#*. J"%">)(-#: 1904–1913. P.: S/&/" =)$"%#$7%,/" /9/2%",)", 2004. O. 727–728. O%".) ,/&13 >79=)-#-0)5 (4.: J"%">)(-# P.+. I/=/H),# ) L.\.E%);/%/&)6 / J/. %".. A.Q. W)H-),# ) I.J. G7>6",-/ // A7((-/-)$#=@*,(-)5 +%3)& VII / Archivio russo-italiano VII. Salerno: Collana di Europa Orientalis, 2011. P.189–206.

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