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Postmodernism and theEn-Gendering of Marcel DuchampAmelia JonesA critical analysis of postmodernism in the visual artssince the 1960s, focusing primarily on Americantexts that reference and construct Marcel Duchampas die originator of postmodern art.£13.95 PB 0 52145654 1 336 pp.Cambridge Studies in New Art History and Criticism

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The Collages of Kurt SchwittersTradition and InnovationDorothea DietrichAt the end of World War I, the German artist KurtSchwitters dramatically broke with dominant artistictraditions by adopting collage as the primarymedium for his literary and visual production. InThe Collages of Kurt Schwitters, Dorothea Dietrichdemonstrates how collages function for the artist.£14.95 PB 0 521498910 252 pp.

TANVANEY^RNOLFI

PORTRAITStories of an Icon

LINDA SE1DEL

The Enigmatic BodyEssays on the ArtsJean-Louis ScheferEdited and Translated by Paul SmithForeword by Jean-Louis ScheferThis volume presents for the first time in Englishsome of the most original interpretations of artavailable today. The selection represents the whole ofJean-Louis Schefer's career, from the 1960s, when hewas influenced by structuralism, to his more lyricaland autobiographical essays of the 1990s, whichmeditate on the role of the spectator in relation toart practice.£30.00 HB 0 52137204 6 206 pp.Cambridge Studies in New Art History and Criticism

Federal Art and National CultureThe Politics of Identity in New Deal AmericaJonathan HarrisThis book examines the role of the visual arts in theUnited States during the 1930s. Analysing the FederalAn Project, it draws on theories of the state, culturalproduction and ideology as they pertain to Roosevelt'ssocial agenda, also considering visual art of theDepression years in the context of a broader Americanculture, at a time of radical political activity.£40.00 HB 0 521 44268 0 250 pp.Cambridge Studies in American Visual Curture

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Jan Van Eyck's Arnolf ini PortraitStories of an IconLinda SeidelThrough die implementation of a variety ofinterpretive strategies and in consultation withdifferent types and categories of information, thisbook informs the viewer about the function andnature of early European painting, and invites thereader to reflect on the many ways in which works ofart can be examined and reconfigured centuries aftertheir creation.£12.95 PB 0 52148487 1 326 pp.

Reading ImagesNarrative Discourse and Reception in theThirteenth-Century Illuminated ApocalypseSuzanne LewisReading Images focuses on the multi-layeredrelationships between the textual image and itsreader-viewer in the Apocalypse manuscriptsproduced in England during the thirteenth century.Reader-viewers cultivated the art of memory andcontemporary theories of vision, which investedimages with the power to promote memory and offerspiritual sustenance.£50.00 HB 0 521 47920 7 489 pp.

CAMBRIDGEUNIVERSITY PRESS

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The Journal of Design History plays anactive role in the development or designhistory (including the history of crafts andapplied arts), by publishing new research,by providing an international forum fordialogue and debate, and by addressingcurrent issues of interest. The journal alsoseeks to promote links with otherdisciplines which explore visual andmaterial culture. In addition, it is theeditors1 expressed wish to encouragecontributions on design in preindustrialperiods in nonEuropean societies, as wellas on hitherto neglected or unfamiliarareas, periods or themes.

In addition to full-length articles, theJournal of Design History publishesshorter case studies, carries regular bookreviews, and reports on new educationalinitiatives, and on resources for designhistory, including the application of newtechnology.

RECENT AND FORTHCOMING ARTICLESChris Bailey on the work of the RuralIndustries BureauGerry Beegan on nineteenth-century woodengraving and mechanizationChristine Boydell on women freelance textiledesigners in Britain in the 1930'sBarbara Burman on the Men's Dress ReformPartyRafael Cardoso Denis on the rise of Victorianart and design educationHeather Hendershot on the shifting design ofBetty BoopJohn Hewitt on Tom Purvis's poster designsfor the LNERGuy Julier on recent initiatives in SpanishdesignRichard Martin on Japanese fashion designLesley Miller on the eighteenth-centuryLyonnais silk designer Jean RevelCharles Saumarez Smith on architecture andmuseumsClaire Walsh on shop design and the displayof goods in eighteenth-century LondonJonathan Woodham on the early years of theCouncil of Industrial Design

Journal of

HistoryVolume 9 1996

Edited byJeremy Aynsley;Christopher Bailey;Charlotte Benton;Anthony Coulson; Pat Kirkham;Tag Gronberg; Tim Putnam;Jonathan Woodham

1996 ORDER FORM• Please enter my subscription toJournal of Design HistorySubscription rates Volume 9 (four issues)• Institutional US$125/£67• 'Personal US$55/£30• 'Student US$50/£25* Rate includes the cost of membership to the Societyof Design History(Please note: £ Sterling rates apply in United Kingdomand Europe, US$ rates elsewhere. Customers in theEC, and in Canada are subject to their local sales tax.)

• Please send me a free sample copy• I enclose the correct remittanceNameAddress

City/StateZipPlease debit my American Express/VisaDiners/Mastercard card number:

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OXFORDJOURNALS

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de-, dis-, ex-.Volume One

Ex-cavating Modernism

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Andrew Brighton, Peter Halley, Brian Hatton, Susan Kandel, Fred Orton,IMikos Papastergiadis, Katerina Riiedi, Juliet Steyn and Jon Thompson.

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RETHINKING ENGLISHNESS: ENGLISH ART 1880-1940

A THREE DAY CONFERENCE AT THE UNIVERSITY OF YORK

Thursday 24 to Saturday 26 July 1997

Scholarship on modern English art has been reluctant to engage with cultural history. Werequire more studies which, like those of French art of the period, aim to deal properly with theimpact of modernity and the cultural conditions in which artists lived and worked. Thepotential for such studies is enormous.

This three-day conference offers an opportunity to rethink English art between 1880 and 1940.Our intention is to address issues of nationality, identity, and cultural representation, and toassess the relevance of perspectives offered by work in social history and cultural theory.Papers are invited which address the character and meanings of works of modern English artthrough these and related issues. Proposals to re-read the work of individual artists orgroupings of the period in this way will be particularly welcome.

Abstracts of proposed papers (1-2 sides of A4) should be sent to Dr David Peters Corbett,Department of History of Art, University of York, Heslington, York, YO1 5DD by 1 February1997. If you would like to attend the conference without giving a paper, then please write andwe will put you on the mailing list.

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"October, the I 5-yc.ir-uld

Art | Theory | Criticism | Politics

quarterly of soci.il .uuJ rulcur.il

theory, has always

OCTOBEREdited by Rosalind Krauss, Annette Michelson, Yvc-Alain Bois,

Benjamin H.D. BucMoh, Hal Foster, Denis Hdlter, Silvia Kdbowski

its crnss-disf iplin.ity forays inm

film and psychoanalytic thinking,

and its unyielding cuiiinutiiT. nt

L<* Imtury bit it .ip.iri frtmi ihi-

TheMITPress

At the forefront of contemporary arc criridsm and theory,

OCTOBER focuses critical attention on the contemporary arts

and their various contexts of interpretation: film, painting,

photography, performance, sculpture, literature. Forthcoming

issues include: OCTOBER 75 (Winter 1996). Christina Kiaer

on Rodchenko, Hal Foster on Warhol, Benjamin Buchloh on

Richter, Harry Cooper on Adomo, and a project by Peter

Eisenman and Silvia Kolbowski; OCTOBER 76 (Spring 1996):

essays by Mikkel Borch-Jacobsen, Annette Michelson, Sally Stein,

and George Baker, and a project by Allan Sekula; OCTOBER 77

(Summer 1996): Visual Culture: A Special Issue

Available at fine arts and scholarly bookstores worldwide, includ-

ing: Buchhandlnng Ilka Koenig (Munich), ICA Bookshop

(London), Jaap Rietman (New York), The MIT Press Bookstore

(Cambridge), and Museum of Modern Art Store (San Francisco)

or by contacting MTT Prcu Journals

55 Hayward Street, Cambridge, MA 02142 USA

Tel: 617. 253. 2889, Fax 617. 577. 1545

[email protected]

Current issue price $9

100 pp per issue, 7 x 9 , illustrated

Published quarterly

ISSN 0162-2870

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Association of Art Historians22nd Annual Conference 4-6 April 1997 at the Courtauld Institute of Art, London

Structures and PracticesThe conference will address issues raised by artistic structures and practices and the relationships between them. Theidea of structures is treated in the broadest terms. It will explore art institutions and the more conceptual frameworkswithin which art and architecture have been made and interpreted, including questions of language and gender.

The Conference will Include the following academic sessions:

• Architecture and Language

• British Portraiture: structures and practices

• Patronage at the European Courts c.l 500-1800

• The Renaissance Fork: European Decorative Arts

c. 1300-1600 and their Display

• Words for Images: The Vocabulary of British Art

Criticism c. 1550-1850

• The Legacy of Surrealism

• Academics of Art and the Transmission ofArtistic Knowledge

Performance and the Performative

Landscape, Space and Gender

Patronage in German Art 1870-1945

The Making of the Illuminated Manuscript Book

Producing the Past: Aspects of Antiquarian

Culture and Practice 1600-1850

Plan/Non-Plan in 20th century Architecture

Spanish Art and its Regulators

Ars Longa? The Trouble with Public Art

The Museum and its Metaphors

Feminising the Framework

Conference convenors: Susie Nash and John House

Reduced conference fees for members of the Association of Art Historians

FREE ENTRY FOR ALL TO THE ART HISTORY BOOK FAIRIn addition to the academic sessions, there will be a plenary lecture by the architect Daniel Libeskind, and parties inthe National Portrait Gallery, the Banqueting House in Whitehall, and the Courtauld Gallery.

Conference and Book Fair Administration: Susie Nash and Lyn Baber, Courtauld Institute of Art,Somerset House, Strand, London WC2 0RN Tel: 0171-873-2408 Fax: 0171-873-2781

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For information onadvertising in this journal

please contact:

Jane ParkerOxford Journals Advertising

19 Whitehouse RoadOxford 0X1 4PA

Tel and fax: 01865 794882E-mail:

[email protected]. co. uk

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assemblage

A Critical Journal of Architecture and Design Culture

An advanced journal of architectural theory and criticism,

Assemblage seriously and thoughtfully appraises contem-

porary practice. Provocative, polemical, and exploratory,

Assemblage examines the relationships between culture

and design, and between theory and material reality. Each

extensively illustrated issue presents essays, projects, and

debates by leading and emerging scholars, theorists, and

practitioners. Work is drawn from a wide range of fields:

architectural and art history and theory, cultural criticism,

literary theory, philosophy, and politics.

1996 tubfeription prices: Individual $60/ Institution till I Student* S Retired

J38 *Copy of current ID required. Outside USA. add $16 sUppli^. Cinjd&ra

ibo idd 7% GST. Prepayment Is required. Send check—dnwn against a U.S. tank

lnU.S.fundj,payabl«toAu«nWaje—MC AMEX or VISA number to MFT Pros

Journals, 55 Hayward Street, Cambridge, MA 02142 Tet 617-253-2889

Fix: 6I7-577-IM5 |oumals-ord*rs®mlt.edu Three times a year April/August/

Dacvntw 112 pp. ptr issue. 8 3/8 x 10 1/4, Oujtrated ISSN 0889-3012

Published by Th« MIT Pros. Prices are subject to change without node*.

k. mlchael hays

Catherine ingraham

aJIda kennedy

editors

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