THE INSTIGATIONS OF EZRA POUND BYERNEST FENOLLOSA, II, LARCENY:

POUND, THE TELLURIC MASS OF MISSLOWELL, AND THE PILFERING OF

'THE CHINESE WRITTENCHARACTER AS A MEDIUM

FOR POETRY', 1914-1921*

David Ewick

Ezra Pound's edition of Ernest Fenollosa's 'The Chinese Written Language as a Medium for Poetry', better known by the title Pound gave it,'The Chinese Written Character as a Medium for Poetry' (hereafter CWC),is central to understanding Pound's mediation of East-Asian subjects andforms, Pound's 'ideogramic method', and the larger study of his poetics. Italso, therefore, by way of Pound's influence, is central to understanding theliterary history and poetics of Anglophone literary modernism. The historyand reception of the essay, though, is a convoluted affair. It nearly did notsee print at all, and when it did decades would pass before anyone butPound made notice of its importance, few even of its existence.

*This is the second of a series of essays which trace the literary history and reception ofEzra Pound's version of Ernest Fenollosa's 'The Chinese Written Language as a Mediumfor Poetry', better known under Pound's title as 'The Chinese Written Character as aMedium for Poetry'. Part I of the larger study, 'The Chinese Written Character, AtlanticCrossings, Texts Mislaid, and the Machinations of a Divinely-Inspired Char Woman', willappear in F^M&j^^fclgg: iJra&J/Essays and Studies (Tokyo Woman's ChristianUniversity) 66.1 (Sept. 2015). Part HI, 'Intertextuality, the Invention of China, and theScholarship of Elision: Ezra Pound and a Chap Named Waley', will be in print within ayear or so. I am grateful to Lucas Klein, Dorsey Kleitz, and Michael Lewis for generositieswhich have helped with this essay. Errors and infelicities, of course, are mine.

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