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UNIVERSITÀ CATTOLICA DEL SACRO CUORE Formazione permanente Facoltà di Scienze linguistiche e letterature straniere Dipartimento di Scienze della comunicazione e dello spettacolo

WRITING FOR CINEMA. WRITING FOR TV. 11th International Conference of the Screenwriting Research Network (SRN) Milan, 13th-15th September 2018

Largo Gemelli, 1 – Milan Plenary sessions in room G.127 - Pio XI

Program

Wednesday, September 12th

13.30-18.00 Registration Open

14:00-17:30 Pre-conference for Ph.D students (room G.005 – Cripta Aula Magna)

18:30-20:30 Aperitif

Thursday, September 13th

8:45 Open Registration

9:30 Introduction and Welcome

10:00 Keynote 1: Neil Landau, UCLA Global TV On Demand: Authenticity and Empathy Across the Cultural Divide

11:30 Coffee Break

12:00 Parallel Session I

13:30 Break

14:45 Parallel Session II

16:15 Coffee Break

16:30 Keynote 2: Paolo Braga, Università Cattolica del Sacro Cuore Different Industries, Different Screenwriting Schools. The Italian storytelling approach to TV seriality compared to the US method

18:00 End of Session

18:00-19:00 Visit to Università Cattolica historical buildings

18:00-19:00 Test of Freelance Game, a computer game for screenwriters by Louise Lindbom (Room G. 127 Pio XI)

18:00-19:00 Presentation and invitation to collaborate for the research project Worlds of storytelling, by Terence Bailey and Maxine Gee, Bournemouth University (room G.125 Bis)

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Friday, September 14th

9:15 Keynote 3: Warren Buckland, Oxford Brookes University “Mind our mouths and beware our talk”: Stylometric analysis of character dialogue in

The Darjeeling Limited

10:45 Coffee Break

11:15 Parallel Session III

12:45 Break

14:00 Parallel Session IV

15:30 Coffee Break

16:00 Keynote 4: Eleonora Andreatta, Head of Tv series Rai Public broadcasting in the global market era

18:00 General Assembly of SRN

19:30 Official Dinner

Saturday, September 15th

9:15 Keynote 5: Daniele Cesarano, screenwriter and Head of Tv series Mediaset The Pleasure of Storytelling. From Cinema to Television

10:45 Break

11:00 Panel on Animation

11:00 Parallel Session V

13:00 Break - SRN Working Groups meeting opportunity

14:00 Parallel Session VI

15:30 Coffee Break

15:45 Parallel Session VII

17:15 Keynote 6: Luisa Cotta Ramosino; screenwriter and creative producer Medici. Masters of Florence. Challenges and compromises of an International coproduction: characters, storytelling and production issues.

18:45 Farewell

Sessions

Parallel Session I 1 Adapting a movie into a TV series 12:00 Room G.127 Pio XI

Chair: Paolo Russo

Castrillo, Pablo The Two Shooters: Adapting the Political Thriller from Film to Serial Television

Echart, Pablo - Noguera, María

From film to TV Series: the successful case of Fargo

Geerts, Ronald Bastard children: one movie, one TV mini-series, same screenplay

2 Screenwriting and adaptation 12:00 Room G.113 Meda

Chair: Isadora García Avis

Baucia, Francesco No Country for Old Men: from screenplay to novel to screenplay

Hermansson, Joakim “I am the One! Ok?” – lessons about adaptations and adulthood in The Road

Yeoman, Lydia The Leftovers as magical realism: character, genre and reality

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3 Serial writing and narrative universes 12:00 Room G.114 Bisleti

Chair: Craig Batty

Bosch Fragueiro, Teresa

World Building according to the perspective of Alex Mc Dowell, a contribution from Cinema to TV

Kocak, Can Agents of Multimedia Storytelling: How the MCU Eases the Transition Between Narratives of Cinema and TV

Johnstone, Stephanie Trilogy in the Making: Discovering Narrative Form across Media through Practice-led Research.

4 Different industries, different practices and the writer’s room 12:00 Room G.115 Ruffilli

Chair: Claus Tieber

Krauß, Florian Writers’ Room and Showrunner: Discourses and practices in the German TV industry

Phalen, Patricia Television Writing Across Cultures

Carpin, Alessandro Who is Running the Writer’s Room? Shifting Practices in Italian Televisual Writing

5 Originality and the screen idea 12:00 Room G.121 S. Anselmo

Chair: Eva Novrup Redvall

Gee, Maxine Cyborg Screenwriters and Posthuman Screenplays

Giarrusso, Vincent A Country Practice

Macdonald, Ian W. Originality, and the Development of the Screen Idea

6 Character and character types through stories and platforms 12:00 Room G.124 S. Chiara

Chair: Ritta Koivumäki

DePaoli, Maria-Teresa Guillermo del Toro’s Creative Process: Writing the Vampire in Cronos, Blade II, and The Strain

Frago, Marta From The Queen to The Crown: Peter Morgan and the royal biopic

Larlar, Fulten Living up to Your Grandfather’s Expectations: The dramatic analysis of Darth Vader and Kylo Ren characters

7 Dramaturgy and screenwriting 12:00 Room G.125 Bis

Chair: Louise Lindbom

Brütsch, Matthias Notes on the Dramaturgy of Serial Storytelling: 12 Monkeys, Gomorra and Westworld from Big to Small Screen

Sengupta, Rakesh At the Margins of Media: Screenwriting Practice and Discourse in the First Indian Talkies

Thornton, Christopher

Characterization in Film and Television: A New Frontier

Parallel Session II 1 Studying, researching and practicing screenwriting/Diversity 14:45 Room G.113 Meda

Chair: Ian W. Macdonald

Senje, Siri Artistic integrity and the external voice - dealing with multiple voices in the development of original screen fictions

Maras, Steven The Discursive Construction of Screenwriting in At the Movies (2004–2014)

Ayodeji, Jools Imitations of Life? The challenge for black screenwriters

2 Writing Genres 14:45 Room G.114 Bisleti

Chair: Christina Milligan

Burne, Philippa Crossing borders with love - Writing the romantic comedy

Moulton, Erica Crafting an Authentic Monster: Screenwriting Strategies in Netflix's Mindhunter

Yule, Eleanor Authorship and the Supernatural : A Case Study

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3 Screenwriting and authorship 14:45 Room G.115 Ruffilli

Chair: Daniel Ribas

Nichols, Phil Re-Writing by Fax: Ray Bradbury and Global TV Production

Seager, Andrew “There’s nae words in it, it’s all pictures”: Screenplay-Novel Hybrids in the University of Dundee’s ‘Alan Sharp Archive’

Murray, Mikey To what is extent is the screenwriter entitled to create fiction that focuses on a culture that is not their own?

4 Writing comedy, writing sitcoms 14:45 Room G.121 S. Anselmo

Chair: Maria-Teresa DePaoli

García Avis, Isadora - Domingo Domingo, Lourdes

“Teach me how to change”. Character development in American sitcoms: The case of The Good Place.

Klika, Deborah The Ghost in the second act: The structural relationship between Film and TV Sitcoms

5 Writing female characters. Gender equality 14:45 Room G.127 Pio XI

Chair: Rosanne Welch

Kobacker, Sophia Riley

The female hero: research-based screenwriting practice

Novrup Redvall, Eva Manus-Festet: Creating gender awareness through a screenwriting manifesto on character stereotypes in Danish film and television

Weinstein, Anna When Female Playwrights Write for the Screen: A Study of Adaptation and Transformation

6 Screenwriting history 14:45 Room G.124 S. Chiara

Chair: Patrick Cattyrisse

Henschen, Jan From Caligari to Hollywood. Carl Mayer and the Invention of Rhythm in Screenplay

Pereira, Ana Sofia Portuguese Cinematic Culture and History: Who Makes / Writes the movies in Portugal?

Tieber, Claus Walter Reisch: The Musical Writer

Parallel Session III 1 About time 11.15 Room G.113 Meda

Chair: Patricia Phalen

Brenes, Carmen Sofia The dialogue between time and identity as cornerstone of the German TV-series Dark

Koivumäki, Ritta Poetic dramaturgy: The function of the three-act-structure in A. Tarkovsky’s film Andrei Rublev (1966).

Pope, Thomas Aristotle and Einstein: The Protagonist in Plot/Time

2 The writing process: techniques behind the script 11.15 Room G.114 Bisleti

Chair: Adam Ganz

Oney, Justin Reading Between the Lines in Hollywood Screenwriting

Thompson, David Switching channels: my process from writing feature film to writing television

Ksenofontova, Alexandra

Experimental screenwriting: the beginnings

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3 The episode/series relationship 11.15 Room G.115 Ruffilli

Chair: Ronald Geerts

McCann, Beth From the Big Screen to the Small Screen: The Art of Recycling in Pilot Episodes

Signorelli, Valentina Quentin Tarantino and CSI 5x24/25 Grave Danger: a Screenwriting Perspective

Munt, Alex Woody Allen’s Crisis in Six Scenes

4 Screenwriting in an era of technology 11.15 Room G.127 Pio XI

Chair: Ian W. Macdonald

Cappa, Felice The narration in the age of etheric (re) production

Manzi, Luca The blurred horizon. Old tools to intercept differences and similarities in TV and Cinema writing during a fast-changing technology era

Stål, Torkel The film experience in a new media context

5 TV Series May Escape Film’s Canonical Narrative Structure 11.15 Room G.121 S. Anselmo

Chair: Jeff Rush

Danielpour, Debbie The boom of television’s limited series: the screenwriter’s benefits and burdens

Russo, Paolo Suburra from novel (to trial) to feature to TV serial

6 Writing long running series 11.15 Room G.124 S. Chiara

Chair: Øyvind Vågnes

Lavik, Erlend The art of long-form storytelling

Nodding, Phil The Americanization of Paul Abbott’s Shameless

Philipsen, Heidi National specificity in writing for film & television – from a Danish approach

Parallel Session IV 1 New digital practices for writing and for narrative

analysis/Screenplay as a text 14:00 Room G.113 Meda

Chair: Anna Zaluczkowska

Dooley, Kath Scripting the virtual: Formats and development paths for recent Australian narrative 360-degree virtual reality projects.

Marinov, Samuel Pattern recognition as a new method of computer-based screenplay genre analysis

Bovey, Simon Show Business: The Development of a Language for the Screenplay

2 Screenwriting and authorship 14:00 Room G.114 Bisleti

Chair: Paolo Russo

Davies, Brett Kurosawa to Kasdan: Storytelling Influences

López Osa, Pedro The poetics of screenwriting and postmodernism in Inglourious Basterds, Django Unchained and the Hateful Eight, by Quentin Tarantino

Tagliabue Sweta Writing for film, writing for TV: adapting Sherlock Holmes

3 Cases outside mainstream 14:00 Room G.115 Ruffilli

Chair: Carmen Sofia Brenes

Amaral, Marcela The intermidiatic and realistic elements of The class screenwriting process

Cruz, Nélia Show me stories

Jackson, Dave Violet City: Adapting a Fantasy Novel into a Low Budget Feature Film

4 Character motivation and audience engagement 14:00 Room G.121 S. Anselmo

Chair: Adam Ganz

Cattrysse, Patrick Empathy and audience involvement: Updated reflections on Stuart Hall's negotiated and oppositional readings

Giles, Danica Character motivation and audience engagement

Weaving, Simon Who is this plot? Revisiting the character-plot relationship using McClelland’s achievement motive

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5 Writing the border. Co-productions between neighbouring

countries 14:00 Room G.124 S. Chiara

Chair: Ronald Geerts

D’hiet, Rik Writing: why series in a border setting are trending

Wijs, Carly Acting: cultural and linguistic gaps as challenges and opportunities

Nuyens, Bart Borderline cases: the logic of negotiating stereotypes.

6 The screenwriting Ph.D. 14:00 Room G.127 Pio XI

Chair: Isadora García Avis

Batty, Craig Expanding knowledge, expanding practice: Screenwriting transitions

Burne, Philippa Expanding knowledge, expanding practice: Screenwriting transitions

Ianniello, Marco Expanding knowledge, expanding practice: Screenwriting transitions

Johnstone, Stephanie Expanding knowledge, expanding practice: Screenwriting transitions

Panel on Animation The American Dream of European Animation 11:00 Room G.127 Pio XI

Chair: Armando Fumagalli

Gaia Bracco (Scuola Civica di cinema Luchino Visconti)

Jordi Gasull (4 Cats Pictures)

Chris Pallant (Canterbury Christ Church University)

Giorgio Scorza (Movimenti Production)

Paul Wells (Animation Academy, Loughborough University, UK)

Parallel Session V 1 Screenwriting beyond traditional boundaries 11:00 Room G.113 Meda

Chair: Steven Price

Takala, Päivi, Koivumäki, Marja-Riitta

Pedagogical platform: Screenplay text and music on stage

Welch, Rosanne Why (and How) I Created a History of Screenwriting Course and NOT a History of Film Course

Finnegan, John Beyond the Page: Crowdsourcing as a Case Study for Digital Screenwriting Techniques

2 Transmedia storytelling 11:00 Room G.114 Bisleti

Chair: Rosamund Davies

Bailey, Terence Cinema, television and the challenges of transmedia narrative

Erzurum, Funda Does Transmedia Start with Film?

Renger, Sarah German Transmedia Script & Project Development

Zaluczkowska, Anna Writing for Transmedia TV in the UK

Parallel Session VI 1 Screenwriting and animation 14:00 Room G.113 Meda

Chair: Craig Batty

Wells, Paul Using the Animation Bible: Devising and Development

Oltolini, Maria Chiara Screenwriting, adaptation and anime: the case of ‘Anne of Green Gables’

Pallant, Chris National specificity and technological progress as narrative constants in the animated worlds of Smallfilms: Ivor the Engine, Noggin the Nog, and Clangers

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2 Screenwriting and videogames 14:00 Room G.114 Bisleti

Chair: Patricia Phalen

Bordin, Alberto Video Game's Narrative Evolution

Di Crosta, Marida Between TV series and videogames. Towards cross-media “meta-development”?

Lindbom, Louise A serious computer game for screenwriters

3 Brasilian TV and cinema industry/The documentary form 14:00 Room G.115 Ruffilli

Chair: Margaret McVeigh

Leal, Rafael From comedy to drama: the Queenpin ’s curious case study

Mazon Miranda, Clarissa

TV and Cinema in Brazil: studies on how soap operas´ production influence the work of the Brazilian screenwriters

Milligan, Christina Reframing The Price of Peace: taking a small-screen documentary to the big screen

4 Screenwriting for the eastern markets 14:00 Room G.121 S. Anselmo

Chair: Adam Ganz

Haddad, Fadi G. Screenwriting Transnational Pan-Arab Dramas: Gatekeeping Story Development

Slater, Ben “We are almost hidden”: Screenwriting in Asia

McAulay, Alec; Williams, John

Transnational Screenwriting in the Japanese Context: Theory and Practice

5 Adapting the Russian novels 14:00 Room G.127 Pio XI

Chair: Eva Novrup Redvall

Martianova, Irina - Stoliarova, Irina

Russian Adaptations of Classic Literature for Cinema and TV

Fumagalli, Armando Anna Karenina for cinema and Tv

Recalcati, Eleonora The Brothers Karamazov through cinema and television: the medium in the adaptation of polyphony

6 The screenplay as a text 14:00 Room G.124 S. Chiara

Chair: Rosanne Welch

Price, Steven David Mamet: A Writer’s Cinema

Curran, Stephen Screenwriting Teachers in the Studio Period

7 Structure and dramaturgy 14:00 Room G.125 Bis

Chair: Carmen Sofia Brenes

Fuster, Enrique Enlightening the inciting incident

Maderna, Marco From Myth to Epic or: An Apprentice’s Struggle to Turn His Hero’s Personal Journey into a Communal Experience

Taggi, Giacomo It has happened before. “From Acts” to “Chapters”: the new Arc of Transformation.

Parallel Session VII 1 From literature to television 15:45 Room G.127 Pio XI

Chair: Pallant Chris

McVeigh, Margaret Telling Big Little Lies

Fornasari, Eleonora Adapting Pippi Longstockings: the 1969 television series from Sweden to Italy

2 The ontology of a screenplay 15:45 Room G.113 Meda

Chair: Steven Price

Davies, Rosamund The Screenplay as Boundary Object

De Brito Benis, Rita Portuguese "Screenplay" dual designation, Argumento vs Guião: terminological and etymological impact on the perception of a text

Ganz, Adam Screenplay as Boundary Object- some theoretical reflections

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3 Writing “the dark side”/Complex narratives 15:45 Room G.114 Bisleti

Chair: Patrick Cattyrisse

Peirano, Nicola The figure of the police officer as antihero in Italian television dramas: La porta rossa

Vågnes, Øyvind The Changing Worlds of Black Mirror: Charlie Brooker's Stories, From Channel Four to Netflix

Ribas, Daniel, Castro Maria Guilhermina

Complex Narratives in Portuguese Cinema

4 Screenwriting and non-fiction 15:45 Room G.121 S. Anselmo

Chair: Ronald Geerts

Rush, Jeff Docudrama, Narrative Structure and the American Presidency of Donald Trump: A Thought Experiment

Pousa, Laura Between television fiction and non-fiction cinema. The case study of Spanish series Muerte en León y Lo que la verdad esconde: caso Asunta

Hart, Phoebe Re-writing theatrical documentaries: The broadcast version

5 Screenwriting and the documentary form/Digital storytelling 15:45 Room G.124 S. Chiara

Chair: Louise Lindbom

Burke, Liz - Gough-Brady, Catherine

Screenwriting and the documentary form

Burke, Liz - Gough-Brady, Catherine

Screenwriting and the documentary form

Mariani, Andrea The Digital Storytelling Lab at University of Udine. An Experiment in Media Education

6 Writing complex TV 15:45 Room G.125 Bis

Chair: Matthias Brütsch

Crisóstomo, Raquel The aestheticization of Bryan Fuller’s Hannibal as a script resource

Ianniello, Marco The Leftovers (Reheated): Basic Plots and Character Archetypes in Damon Lindelof’s The Leftovers

List of panelists

Panelist

Affiliation

Session

Panel

Amaral, Marcela Rio de Janeiro State University, Brazil IV 3

Ayodeji, Jools Nottingham Trent University, UK II 1

Bailey, Terence Bournemouth University, UK V 2

Batty, Craig RMIT University, Australia IV 6

Baucia, Francesco Università Cattolica del Sacro Cuore, Italy I 2

Bordin, Alberto Università Cattolica del Sacro Cuore, Italy VI 2

Bosch Fragueiro, Teresa Austral University (Argentina) and Montevideo University (Uruguay)

I 3

Bovey, Simon University of Worcester, UK IV 1

Bracco, Gaia Scuola Civica di cinema Luchino Visconti, Italy Panel on Animation

Brenes, Carmen Sofia Universidad de los Andes, Chile III 1

Brütsch, Matthias University of Zurich, Switzerland I 7

Burke, Liz University of Canberra, Australia VII 5

Burne, Philippa University of Melbourne, Australia II IV

2 6

Cappa, Felice Civica Scuola di Cinema Luchino Visconti, Italy III 4

Carpin, Alessandro Brown University, Providence, US I 4

Castrillo, Pablo Universidad de Navarra, Spain I 1

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Castro, Maria Guilhermina VII 4

Cattrysse, Patrick Universiteit Antwerpen, Université Libre de Bruxelles, Belgium

IV 4

Crisóstomo, Raquel Universitat Pompeu Fabra, Spain VII 6

Cruz, Nélia University of Lisbon, Portugal IV 3

Curran, Stephen Oxford Brookes University, UK VI 6

D’hiet, Rik RITCS, School of Arts, Belgium IV 5

Danielpour, Debbie Boston University, US III 5

Davies, Brett Meiji University, Japan IV 2

Davies, Rosamund University of Greenwich, UK VII 2

de Brito Benis, Rita University of Lisbon, Portugal VII 2

DePaoli, Maria-Teresa Kansas State University, US I 6

Di Crosta, Marida LYON 3 University VI 2

Domingo Domingo, Lourdes

Universitat Internacional de Catalunya, Spain II 4

Dooley, Kath Curtin University, Australia IV 1

Echart, Pablo Universidad de Navarra, Spain I 1

Erzurum, Funda Anadolu University, Turkey V 2

Finnegan, John Falmouth University, UK V 1

Fornasari, Eleonora Università Cattolica del Sacro Cuore, Italy VII 1

Frago, Marta University of Navarra, Spain I 6

Fumagalli, Armando Università Cattolica del Sacro Cuore, Italy VI 5

Fuster, Enrique Pontificia Università della Santa Croce, Italy VI 7

Ganz, Adam Royal Holloway University of London, UK VII 2

García Avis, Isadora Universitat Internacional de Catalunya, Spain II 4

Jordi Gasull 4 Cats Pictures, Spain Panel on Animation

Gee, Maxine Bournemouth University, UK I 5

Geerts, Ronald Université Libre de Bruxelles; Vrije Universiteit Brussel, Belgium

I 1

Giarrusso, Vincent Swinburne University of Technology, Australia I 5

Giles, Danica Royal Holloway University of London, UK IV 4

Gough-Brady, Catherine RMIT University, Australia VII 5

Haddad, Fadi G. The American University in Dubai, UAE VI 4

Hart, Phoebe Queensland University of Technology, Australia VII 4

Henschen, Jan University of Erfurt, Germany II 6

Hermansson, Joakim Gothenburg University and Dalarna University, Sweden

I 2

Ianniello, Marco University of Notre Dame, Australia IV VII

6 6

Jackson, Dave Liverpool John Moores University, UK IV 3

Johnstone, Stephanie Royal Melbourne Institute of Technology (RMIT) University, Melbourne, Australia

I IV

3 6

Klika, Deborah Middlesex University, UK II 4

Kobacker, Sophia Riley Macquarie University, Austrialia II 5

Kocak, Can Istanbul Bilgi University, Turkey I 3

Koivumäki, Ritta Aalto University, Finland III 1

Krauß, Florian University Siegen, Germany I 4

Ksenofontova, Alexandra Freie Universität, Germany III 2

Larlar, Fulten Bilkent University, Turkey I 6

Lavik, Erlend University of Bergen, Norway III 6

Leal, Rafael Pontifical Catholic University, Brazil VI 3

Lindbom, Louise Umeå University, Sweden VI 2

López Osa, Pedro University of Granada, Spain IV 2

Macdonald, Ian W. University of Leeds, UK I 5

Maderna, Marco Università Cattolica del Sacro Cuore, Italy VI 7

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Manzi, Luca Università Cattolica del Sacro Cuore, Italy III 4

Maras, Steven The University of Western Australia II 1

Mariani, Andrea Università degli Studi di Udine VII 5

Marinov, Samuel Georgia State University IV 1

Martianova, Irina Russian State Pedagogical University, Russia VI 5

Mazon Miranda, Clarissa Antonio Meneghetti Faculdade, Brazil VI 3

McAulay, Alec Yokohama National University, Japan VI 4

McCann, Beth John Moore’s University, UK III 3

McVeigh, Margaret Griffith University, Australia VII 1

Milligan, Christina Auckland University of Technology, NZ VII 6

Moulton, Erica University of Wisconsin, Madison II 2

Munt, Alex University of Technology Sydney, Australia III 3

Murray, Mikey University of Lincoln, UK II 3

Nichols, Phil University of Wolverhampton, UK II 3

Nodding, Phil Nottingham Trent University, UK III 6

Noguera, María Universidad de Navarra, Spain I 1

Novrup Redvall, Eva University of Copenhagen, Denmark II 5

Nuyens, Bart RITCS, School of Arts, Belgium IV 5

Oltolini, Maria Chiara Università Cattolica del Sacro Cuore, Italy VI 1

Oney, Justin University of Cambridge, UK III 2

Pallant, Chris Canterbury Christ Church University, UK VI 1 And Panel on Animation

Peirano, Nicola Università Cattolica del Sacro Cuore, Italy VII 3

Pereira, Ana Sofia Universidade Nova de Lisboa, Portugal II 6

Phalen, Patricia The George Washington University, US I 4

Philipsen, Heidi University of Southern Denmark III 6

Pope, Thomas The Minneapolis College of Art and Design, US III 1

Pousa, Laura Universitat Internacional de Catalunya, Spain VII 4

Price, Steven Bangor University, UK VI 6

Recalcati, Eleonora Università Cattolica del Sacro Cuore, Italy VI 5

Renger, Sarah University of Leicester, UK V 2

Ribas, Daniel Catholic University of Portugal, Portugal VII 3

Rush, Jeff Temple University, US VII 4

Russo, Paolo Oxford Brookes University, UK III 5

Scorza, Giorgio Movimenti Production, Italy Panel on Animation

Seager, Andrew University of Dundee, UK II 3

Sengupta, Rakesh SOAS University, UK I 7

Senje, Siri Kristiania University College, Norway II 1

Signorelli, Valentina University of Westminster, UK III 3

Slater, Ben Nanyang Technological University, Singapore VI 4

Stål, Torkel Swedish Film Institute, Sweden III 4

Taggi, Giacomo Università Cattolica del Sacro Cuore, Italy VI 7

Tagliabue, Sweta The London Film School IV 2

Takala Päivi, Marja-Riitta Koivumäki

University of the Arts, Finland V 1

Thompson, David Manchester School of Art III 2

Thornton, Christopher Zayed University, Dubai, United Arab Emirates I 7

Tieber, Claus The University of Vienna, Austria II 6

Vågnes, Øyvind University of Bergen, Norway VII 3

Weaving, Simon University of Newcastle, UK IV 4

Weinstein, Anna Auburn University, US II 5

Welch, Rosanne Stephens College, US V 1

Wells, Paul Loughborough University, UK VI 1 and Panel on Animation

Williams, John Sophia University, Japan VI 4

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Wijs, Carly RITCS, School of Arts, Belgium IV 5

Yeoman, Lydia Royal Holloway, University of London I 2

Yule, Eleanor Liverpool John Moore University, UK II 2

Zaluczkowska, Anna Leeds Beckett University, UK V 2