orthodox

imitating architectural and sculptural motifs.

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-logical analysis helped to decode the messages. The choice of traditional, not to say

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influenced not only the contents of this book, but also, directly, its structure. The -

of the church. The second chapter focuses on the history of finding the paintings

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and textual characteristics can be seen in this book. In religious art, style is almost -

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, representations of prophets, and the The

icon from

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landscape and architectural motifs. The paintings in the orthodox church in Posada could be described in the same

-antine painting, and at the same time it is marked by traits characteristic of local

-nomena also happen in the field of iconography. It is dominated by compositions

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to some extent, natural.

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not coincidence that some pictures, such as and

deeper and hidden meaning, such as the and , belong -

are placed. On the other hand, though, such an arrangement of paintings creates a

on earth, all the articles of faith cannot be understood. Therefore, representations

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traditional scheme of decoration of orthodox churches, it has many features in com--

-cessful attempt at including representations depicted on the icons of the altar screen

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departures from the arrangement of the scenes in the sanctuary typical of the mon-

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its clear and logical arrangement, clear thematic cycles and understandable ideolog-

an important source in understanding the spirituality of the Ruthenian people, and

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Diese Entscheidung hat sich nicht nur auf den Inhalt, sondern auch auf die gesamte

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thetische Wert kaum noch zu erahnen.

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und --

und

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dennoch die meisten Gemeinsamkeiten mit Dekorationen in russisch-orthodoxen

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