Lecture 7 Surface and Substance - the matter of skin and ubiquitous thin-ness
Transcript of Lecture 7 Surface and Substance - the matter of skin and ubiquitous thin-ness
CDT 09/09/13LECTURE #7 : : SURFACE & SUBSTANCE
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LECTURE #7 : : SURFACE & SUBSTANCE .66
SURF
ACE
AND
SUBS
TANC
E
the matter of skin
and ubiquitous
thin-ness
body
to fo
rm
in his
tory
skin &
surfa
ce in
cont
empo
rary d
esign
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A rela=onship of the body to form in historyPA
RT
B PART
concep=ons of skin & surface in contemporary design
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BASILICA OF SAN VITALE Ravenna, Italy, 527—48 AD Mosaic surfaces
allowed for the DIVINE light of GOD to fill the space of the Church
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Building as TEXT, site of meaning formed through stories told on its surfaces
CATHÉDRALE NOTRE-‐DAME DE CHARTRES West Front
Chartres, France, 1193—1250
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MAESTÀ Duccio di Buoninesgna
1308–11
Stories told on both the internal and external surfaces of the building
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CATHÉDRALE ROYALE DE SAINT-‐DENIS Paris, France, 1081—1151
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PROPORTION IN ARCHITECTURE DRAWN FROM THE HUMAN BODY
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1Fluid and/or indeterminate form
MOVEMENTS’CARLO ALLE QUATRO FONTANE Francesco Borromini
Rome, Italy, 1640—67
EMPATHY the architect wants
you to feel something—
to be emoRonally moved by it
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SANT’ IGNAZIO Andrea Pozzo
Rome, Italy, 1691—94
opRcal relaRons theatrical effects
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the theatrical interior Jean-‐Jacques Lequeu, c. 1790
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empathy and the emoRve force of human expression
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THE DEVELOPED SURFACE DRAWING
EMERGES
SYON HOUSE Robert Adam England, 1761
the unified body of the interior
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ROOMS AT OSTERLY PARK Robert Adam
London, England, 1762
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A rela=onship of the body to form in historyPA
RT
B PART
concep=ons of surface & skin in contemporary design
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SYON HOUSE Robert Adam England, 1761
RECREATION OF SALON DE MADAME B Piet Mondrian 1970 (1926)
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RECREATION OF SALON DE MADAME B Piet Mondrian 1970 (1926)
THE PROBLEM OF THE CORNER
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THE DAZZLE SHED Elenberg Fraser
Carlton, Melbourne, 1996
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AVONDALE HEIGHTS LIBRARY AND LEARNING CENTRE H2o architects Melbourne, 2008–10
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CARTIER Jean Nouvel
EBBERSWALDE SENIOR TECHNICAL SCHOOL LIBRARY Herzog & de Meuron with Thomas Ruff Ebberswadle, Germany, 1993—9
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RICOLA FACTORY BUILDING Herzog & de Meuron with Thomas Ruff Mulhouse-‐Brunstae, France, 1993—9
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SEATTLE CENTRAL LIBRARY OMA
Seaele, USA, 1999—2004
curtain as facade curtain as skin
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CASA DE MUSICA OMA Porto, Portugal, 2001—5
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Petra Blaisse CURTAIN IN LENSVELT MULTISPACE Petra Blaisse
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CURTAIN IN SEATTLE CENTRAL LIBRARY Petra Blaisse
Seaele, USA, 1999—2004
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CURTAINS FOR THE EXHIBITION DIANA & ACTAEON Petra Blaisse
SRgung Museum Kunstpalast, Düsseldorf, Germany, 2009
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VANNA VENTURI HOUSE Robert Venturi
Pennsylvania, USA, 1964
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‘VANNA VENTURI HOUSE’ Ashton Raggae McDougall (ARM) + photocopier 1994
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HOWARD KRONBORG MEDICAL CLINIC Ashton Raggae McDougall (ARM)
Melbourne, Australia, 1994
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NATIONAL MUSEUM OF AUSTRALIA Ashton Raggae McDougall (ARM)
Canberra, Australia, 2001
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EYEBEAM MUSEUM OF ART AND TECHNOLOGY Diller + Scofidio
New York, USA, 2002
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WITNESS FLAT Jurgen Bey, 2008
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OORSTOEL OR EAR CHAIR Jurgen Bey, 2002
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HIGH ROLLER CHAIR Karim Rashid, 2011
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SUSTAINABLE HOME WITH DUPONT CORIAN Karim Rashid, 2010
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Marc Newson
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LOCKHEED LOUNGE CHAISE Mark Newson, 1986
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WICKER LOUNGE Mark Newson, 1990
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ORGONE CHAIR Mark Newson, 1993
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Zaha Hadid
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HOTEL PUERTA AMERICA SUITES Zaha Hadid
Madrid, Spain, 2003—5
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GUANGZHOU OPERA HOUSE Zaha Hadid
Guangzhou, China, 2003—10
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JACK FLURO Tom Dixon, 1994
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VOID LIGHT COOPER, BRASS, POLISHED STAINLESS STEEL Tom Dixon, 2010
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COSMIC LANDSCAPE Ross Lovegrove, 2010
Ross Lovegrove
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COSMIC LEAF Ross Lovegrove, 2009
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KUNSTHAUS GRAZ Spacelab (Colin Fournier & Peter Cook)
Graz, Austraia, 2000—4
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the BIX-‐facade
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the interior/exterior is indisRnguishable
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viewing through the Kunsthaus’ pours
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de-‐skinning to get to the ‘maeer’ of the body
SUPERFICIAL BLOOD VESSELS OF THE HEAD AND NECK J. F. GauRer D'Agoty, 1748
STANDING MALE ÉCORCHÉ Juan Valverde de Amusco, 1556
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contemporary design
is about de-‐skinning
DOMESTIC SLOUGH Olivier Goulet, 2004
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.66PERPLICATIONS COEXISTENT GEOMETRY MARK BURRY
—the digital skin— destrucRon of the skeleton
destrucRon of bodily substance and maeer
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BLUR Diller & Scofidio
Yverdon-‐les-‐bains, Switzerland, 2002
to find the ‘maeer’ within...
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...space as ‘maeer’
...space as sensory body
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fin.
the matter of skin
and ubiquitous
thin-ness
body
to fo
rm
in his
tory
skin &
surfa
ce in
cont
empo
rary d
esign
66
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