Wooden arch itecture in Karelia I I

Tmber Architecture as a Phenomenon of National Culture

editingStefano Bertocci

Sandro Parrinello

@ 2009 by Edifir-Edizioni Firenzevie Fiunc, 8 - 50123 Fir€oze

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À{ari MineoMerja ToritrcnBarbara Gasser

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Kari NiskasaariIrina BelyaevsLaya

Coocr picwrcs b1 Sand.ro Paninelh

tsRN 978-88-7970439-7

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II' International ConferenceP ec ozav o ósk, 22-26June 2009

Architutural P lanning Deparxnent of the Uniursitl of Fkrence,4rchitectural Planni.ng Depart nent of the Uniuersity ofFl.orence

P e * oz au o ds k S ta te Unioe rsityPeft ozduodJh Stdte Uniu ersit!

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Petrozauodsk S ta te Uniuersi tltPe tr o z au o ds k Stat e Unir er sitL

Arcbitectural Pkn Tìng Department of tbe Unioersitl of Florence

Arcbitectural Pknning Dep taent oftbe Llntuersit! ofFkreneeUrban PknningDepartment of tbe Ilniuersity ofFlorenceD e p ar tme n t of Agrar ian B i o te c h no logy Un io e rs ity of F k t e n c e

,4rcbitectural Pknning Departuent of the llnhtersity ofFlorence

Unioersi4 of Ouht.

URizenit! of Oulu

Mimar Sixan Fine Arts Unfuersity

Odessa Acad.eml of Construction dnd Arcbitectare

,4rchiteenral Planning Depdrt nenî oÍ the Uniuersity ofFlarence

Uniuersiq ofFlolencePetozao odsk S tate Uniaenity

Wooden Architecture in Karelia IITimberArchitectrue as a Phenomenon ofNational Culture

O*orntztne coiotnpaSrcfano BerrocciSandro ParrinelloVyacheslav P. OqphinskijIrina E.Grishina

S crE NTr Èr c Co ùl, rrf'fE E

Russia

Yyacheslav POrphinskiiIrina E.GrishinaAlexander V. PinrlihinYuri V Markadanov

Ital)'Marco BiniStefano BertocciRaffaele Paloscia

fuziero TiberiSandro Parrinello

-Frnland

Kaisa Broner-BauerPetri Vuojala

Trtk"ySibel Onat Hattap

Ukraine

Nadezhda Yeksarere

ScrENTtFtc SEalÉîtRYSandro Parrinello

ORG,íNlzrNc SECRETíRY

Barbara Gasser

Alexey Borisov

II rr.rex4ynapo4naa rou{epeuqra.allerpoaaro4cxuri, 22 -26 l4rc:e,:" 2009

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DANTETE PANERATI,I4ce President of Prodnce ofPrato

PTETRo GARoFAro, Vice Maltor of tbe Muniripality ofMontemark

Ur,rssr TneuoNlr, Directot ofthe Architectural PlanningDepartment - Unìuersitl ofFlorence

FoREwoRoSTEFANo BERToccI, SANDRo PARRTNEDo, Vvecnrsr,ev P. ORpHINsKU

ResEnRcH oF TRADIIoNAL wooDEN ARcHtrEcruRE tN THE coNTEXT oF HrsroRy AND cULTURE oF THE REGToNS

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24Principles and Leuel ofCredibilitl of Stad.ies on Histotical Setthments and. Larulseapes in Russia

SANDRo PARRINELLoRepresenting the Karelian Landscape

MTcHAEL I. MrLcHrK

LARTsA S. RoMANovAPreseruarton of the Russian Woodzn Architectare is an High-p/iorit! Problem of tbe State

NATATYA LrsovsKÀYASammary ofFour-year Reahzation of the Prcgramme 'the Conseruation ofWoodzn Arcbitecture of Tomsle"

PAVEL Y. RACHKovsKYoNarym is tbe Yenice of Siberia >>. Project on Establisbing a History, Cuhure and. Ethnograpbl Reserue Maseum in NarymItillage in Tomsle

Ertr'r.t M. Nrrr.rrw.rRegimal,4Euts of Vokgda Wooden,4rchitee nral Heritage

RoMANA CIELATKowsKAZhe Roh ofa Planned Management in tbe Protectior? ar?d Presen)ation of Wooden '4rchitexure

ANDREY V. IvANovConseruation ofRussian Wood.en Toun: the Last Chance

NeoIye Yprsanrva, Vr.eprÀ.rrn Yr,rsAnev

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Rovene Cru4rxowsr,r.Ihe Heùtage of Wood.en Arcbitectare in

Slr,reNo Bnnt:occrWooden Arcbitectare and Landscape: tbe S*n eying of the l.ilkge ofBoLsbaya Selga in Karelia

K-n ru Nrsr,rsllnl

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Autheniritl oJHeritage and Liuuik Karelian ldentiry', Researcb ofTiaditional Wooden Arcbitectare in tbe Corrtext of History

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Menxru NnurNrNPaanajàrui - Ibe Ilillage as a Part ofWord

HELENA G. LEYTÌSLow'rise ExperimenÌal House Consnuction Mosroa in 1920's by the Examo/e ofa Ho*sinp Eíate ofa Sokol I/illaqeand Researíh Workers' Housing Complex Solometnaya Storozhia. Probkns ofinaesngoiìn and Píeseruation ......'....

Srrrr, ONer HerrepWood.en Mansions of l*anbulon on Both Si.des of Bospborus

RrrcrN Becrn.et Ozrun x. Av5ru CttEN OzruRÍTIte Intestigation of the Sustainabiiity ofWood.en Baild.ing Culture on the Sanple of Cumalikizik - Bsrsa

Srtne K-enur,ocru K-a.n-e.osu.rr

114

Tiaditional Use ofJuniper Wooden Strxcture in Shephetds' Shehers: tbe Chozones Case ofstudy

Srr,vro VeN furr1he Paesani ll'oodcn Fishing Haî on the Rinini Wharf: Problems ofArcbitectural and Stractural Conseruation

ANDREY B. BoDERegarding Soonces ofArchhectutal Concept of Preobrazhenskay Church ofKizhskù Ch rcbtard

IcoR N. SHURGTNTbe ,4rehiteetural Pecaliatities ofthe Woodex Cburches in tbe Soloycbegodsk District ofthe ltokgda Regi0n............................-.......160

Orce SuorrNsr,r, PETER RycHKovSacred Wooden Arcbitecture ofl/olh1n 1 th - early 2Oh Centaies : Local Traditions and External Infuences

VIxronA. PopovInsuffcicntf Knoan Wooden Ceremonial Buildings of tbe XWI-XIX Centaies in Noztgorod Region

Crno Roaorrr1he Wood.en Domes of tbe Catbedral of Saint Math in lrenice

PnesrRvnrroru oF THE wooDEN ARcHlrEcruRE oBJEcrs

Mernr MertIlrNP ri n d ples lo r C o n s erua ri o n of l.a/o o d e n Bu i I di ngs

ALf,XANDER V NIKITIN

lindlngs ollnuangation inro Charch ofSr. George ( ló85) after Disasscmbly done in rhe l/illage ofSemenooskoye.

ANroÀÌ MA.rrsrv1be Churcb ofElijah the Prophx

ALEXANDERY LYUBIMTsEVPreuenting tbe Deterioration of Monuments of Wooden,4rchherture

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ANNer'.rente Roso:tt:r1he Wood.en,4rchiteetare of Venke : fom Foundations to Roof

Ker ToroNsN, KArsA BRoNER-BAUERFinnisb ,4rehitects Ttaoels to Karelia - Infaence to ,4rchitecîure - Deuelopment ofsaxna as an Example

VIcronV LeNrspvStractural Peculiarùies ofPeasanr'Hoases in Pshoa Region (late 1P - early 2P Centuries)

JosÉ RAMóN Rurz Cnece, VeLENrrre CnrsrlNr

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Wooden Architecture n Karelia ll

Lrprve S. MrsnenrxeIbe Issues Conceming Restoration of Wooden Mansions of'Btrnt-ort" Moscou aitb Disclosure of tbeir,4rtistic Puuliariîiet.........208

ANDREY V. MÀRKEToVReconstruction Project ofthe Wooden Fire Tower on tbe main BuiLling of the Fire Station in Prubistinkd Street (18i5) in Moscou ..212

CHRISTINA HAMMARsTRÓMRural Eeonomy and,4grìcabural Societl ofVrìsterboxen. Restoring the Hoase ofDabrot in

GIAMMARco PIAcENTI

216

JeNNr Jorrr,erNnrTao LI.ay to Repait Log Frame

ALEXANDER Y KosENKovOn Classifling Framework St':uctrales in Tiaditional North Rwsian Arcbitectare

M.c.R c aa.r :re Krs.rsxreye, Vere nv Kozr-ov, ANrrr Pr axereDating oftbe sbingle Roofon tbe Kesalabti Bell Toaer (F;nland)

fuzIrno îsrnr, Mrcstre Ceunrorrr, PERLÀ TERRENT, MATTEo BR-A.cALrNr

226

236

Mercenrre KtstEnNaye, Ver,rny Kozr,oyBiokgical Conîlol of Wooden Architeaural Monuments as at Efectiue LVaT oftbeir

OLGA A. SoKoloYAWall Paintings in tbe Timber Hoase at Hertsen st. j8 (Itologda Citl: Researcb and Restoration

Nelaly DrlrrsoveWooden Arcbitecture in Russian Cuhure ofXIX-XX Centuries

Fe.uzr.r F,r.nrqr,rr

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,4rchitectural lllusions on Wooden Supportt: Conseruatian Issues

ANonre Cer',fltu, PeoLA PUMA. EsMERAr,pe Rruot.I:rD ismouti ng, Conserui ng, Displayi ng Sh ips : t heoJ Cento di Restauro dcl L?g o Bagnato diPirx

MNAP - Museo delle Naui,4ntiche di Pisa and tbe Actiuitl

ANDREY B, BoDEYuriegorsleaya Cloisnre: Losses and Reconsî/uction Projectt

Jervr J. Frnnrn FonÉs

Kdrelid: Poetics ofsite and Materialitl

Exposrrrorus

Aur,rrrr HrnNro;e, RAIMo AHoNENExbibitions in Process oJ Building Loral ldentity. Design and Realization Cate: Wooden l4llage of Kinerma, Exhibitions:Elàvà Kinnermàki (2003), KinetmaLive (200ó.). Vooden Village of Kinerma at Karelia (2002)..................

,4rchitectaral Doc*mentation ofthe l4llage ofBokbay Selg, Karelia

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H.A. AEHracoBAfepealtuoe soò*cmao a pyccxo,ír rynmype XIX-XX

@, @,tpnrrrlApxumermlpaa,t xuaonuco aa òepea.*aaom nomotxe: npo6,ceubt coxpavea&a.............,.......-...............,....,.,,..264

A. Keuua,ru, lL lIyMA, 3. PEMorrvPasdopxa, co*parexue a àeuoucmpa4ua. Aepeaauuoa cyAoa: Aaztnenuncmb 4etutnpa ko peemaapa4a* ApeeecumL

A.E. EoAa

.4,. @rllrr, @oprKap et u -r. : n o o m a ra u e czn a t/. t4 a?n e p /.t d4 b a o e rn a

"'

flpr-r.,r.o>rcr,q r-r r,

A. XxPHxor, P. AxoHEHBotcmaoxx a xoAe pa3aurr?ttt ectn*ozo cmpoumetoaoeo caoeoípasua, Ilpoexm a pea,tusa4ua: Aepeaa-t Kaaepua ,,.,............292

,4pxumeanlpwe ìoryuermapoaacae Aepeaua Eotouaa Cetoza

284

296

300

11

Mewò1aapoòuotù no,txAuulunt*aapuorù ceu*xap a [Ianosepo, Kapetu.a.Ce,r.o cxoxo s.tù cma eatoe o 64 ecmao B ecmep 6ome a.

ry\l[#&

Wooden Arch techrre in Kare a I

2. Sr p D (L+r) FoLTND Lrps Dr Do,rNj sÈ p C (RcHr), uNoER ExcAVAroN

eistilìg to-be-Ìes.ored lìisrorical building. larcr locared in rhc build-ingofthe ancielt Mcdici arsenals ofrhc town ofPisal;- rhe resrorarion merhod ofrhe $ips had to be comparible rvirh theenvironmenr ofconservation: \rìrhout perforrning huge and compLex wo*s ofconditioning on such Large scale.

The uue ard actual plenning stralegv insread ro-oh,es on a clcarlyidentificd supporcing idear che choice ofa rnuseum strongly cen,tered on the exceptional pisan discoveries drar mÀkes aD inrrodlrc-tion to the theme ofthc i:à\lgatioll a Múse m lfthe Sbips ofPisar "r

hcr rh,r ,r.o hcr ,a i, ! i q ùJ tLc l\nt i\.rtoq.. Iha Medici Arsenak: Cosnno I Medici had rhc 1ìrst idea ofbuild-ing in Pisa, around 1540, rn arselal for the ships of drc porverfulTuscan ffeet, rhar made part ofa projecr aimec.l to rcrlrrn to Pisa rheancienc splendour, rvhich *-as lost after the surrender of che rorvnto the Florenrine in 1509; the conscruction of the Mdícì lrsenalssrarted cluring rhe years of power of Cosnno I (t537-1574) andwas latcr continued by rhe sons Franccsco I (Ì564-87) an.l Ferdi-nando I (Ì587-1609) in rhe sourhern zone ofthe rowD, berrveenthc Bridge ofdre CinrdelLa, rhc church ofS. Agnesc ancl the church

The arsenal, ro *'hose accomplishmenr partic+àted elso BrontÀlen,ti, was articúlxted in eighr naves 60 mcrcrs longon averagc,8 ùere rs

Ligh - ìJ Jbo rr l0.nerer, " ide b,,cd o ì J,.l .. lúning or f ilLlt.rvirh doping roofwith woodcn srrucÈure.

The cornpetition ofthe shiplards olLivorno and Porroferraio anda changcd naritime polirics, horvever, decrccd soon irs slow bur in,cxorable declhe urril, in the middle olthe X\III cenrury, under che

Lorena. thc buildinghad been rransformed ro hosr rhe horses ofrhcregtuenr ofthe Dragons.\Xrith rhe \li'orld \n'ar II, the bombardnena desuoyed all rhe areaofthe Strongholcl (Cirradella), causing rhe complcrc collapse ofoneofthe sheds.

r Thc poincs ofarcìcularion ofrhe muselrm rules arc rhe following:- thc chronological contextualizarion: rhe chrorologicrl lirnits arcdrosc incìuded h the spherc ofthe dìscoveries ofrhe site, berrveenthc Etruscan phasc and the larc anliqrityi

rhe enr rror.rncrr:l .or.rerru liz.Lron: rhc cnnrc.rr and ir. di.or eries help to supply a framel'ork of the ?isan palcocnvironmenc inia becomìng, under the varied laturalistic, geological, reonorpho,logical andhuman topographyaspects;

212

- the Mediterrancan dimension: through thc dìscoveries we can sup-ply a harncwork ofthe movemenrs ot herìrage, people and icleas inthc ancient N{edicerranean sca;

'the ancienr cechnology rvich special rcfcrence to rhe Daval or.ìe,

comprehensiblc thanks ro lhe inÌporranr .liscoverics ofthe sire;- che rnoclern rechnologv applicd 6r rhe research and for rhe pteser-varion ofrhc heritage, conprehcnsible thanks ro rhe exempll6cadonofthc innovative cechnologies applied h rhc corrse ofthe rescarchl- a srrong educational irrprinr, consentcd by the obvious possibili$ ofcontexcualizing rhe 6nds and bv thc rlpology ofthe available spaces.

The archaeoÌogical materials, cven che most relcvanr ones, will comerherefore placcd in three diflerent narrations, the hiscorical andmethodological one (theme arcas I-III), rhe conrexmal one (IV),the lunctional and socio-econornic one (V,Vlll).So ir rvill bc possible to place rhc large quantitics of archaeologicalmatcriaÌs, not only likc ponìr oÉ arrival of thc information ("de-scribed" objecrs) and likc point ofdevclopnent ofche infonnarion("describing" objccts), bLu also and above all like infòrmarion irself,through the reprodLrction ofrhe original environmenrs eirherofemploymcnr or of discovcry.The result js a muscurì project of considerable scalc, rcalized onrarher possibly modular supports, in order ro be able to ldapt andtransfornì rhc crhibirion *'ith the continuingofthc rcse;rrches, aldwjdr a raúer modesr employrncnr ofrechnology, givcn rhe alreaclysufficicnt spectacular aspecr ofthe herltage in cxhibition.The largc quancicy ofexposcd materials rvill aÌlow ro supporr il de-rail, rvith the varied typoÌogies ofbuilding, rhe theme routes (func-tionaÌ, typological and documenrarv reading), withour horveverimpovcrish ing the original coltexrs ofthe ships. r'hich remain hol-cvcr rhe local ponrt ofrhc museunr narracion.The museum is articulared in a themc route subdividcd ìn eight

Theme Arca I: A sire and its environmentTheme Area II: Porcs. rivcrs and lloodsThcnìe AreÀ III: Medrodologies ofthc rcsearchTheme Area IV: The ShipsTheme Arca V: The sea tradcs.Thernc Arca VI: Thc NavigarionThcme AreaVII: ]lìc Life on BoardThcme AreaVÌII: Comparisons fòr rhe Naval Arch:reology.

ANDREA CAMTLLT, Peore Puur, ESMERALDA REMoIrr, DBMauNrNc, CoNsERvtNG, DtspuytNc SHtps; rut ll|NAP MusEo DELLE NAvtANflcHE Dt PtsA

(DowN, FrcHr)

On the basis ofwhat gatÀered, ít has t-herefore been established toproceed to a light and flexible preparation, in order to allow the m-hancerient ofthe monument-conraine! rccov€ring in the dispositionof the l.recks and the exposed reconstrucdons, the original fimctionofarsenJ. and using to adr.anrage, ir theparrs ùar *ere uansformedin stable, the original fragmentadon ofrhe spaces with the treatmentofthemes that precede and condude the visit ofthe ships.

At the same time the routes will be organized in order to allow paus,es, planning small interruptions moving to relax rooms, true and ac-tual studios with small theme libraries where t1-re iconographical rep-ertory ofthe museum will be repeated, and to the pro.jection halls,that will deepen the diferent th€mes ofthe museurn "story'lThe isolation of tlle divided bays with the sheds, dark, allusive, withan illumination coming Gom tl-le windows and from spotlights 6red

213

Wooden Arch lecirrre in Kare la ll

4. CoNsrFLrcrNc crass F BER BoxFoR SH p D (Lrp, rEFr);SH p C sEFoRE LFr NG FRorú oN

S IE LocAÌ oN (L]P, R GHI); NsoEWAIER-PLUM8NG FoR MANIENANCEoF SFP D (Do\^IN,

LEÍ);THF pRow oF sH p D oN s rÉ DlrR Nc cLÉaN Nc opÉRAroNS (DowN, F GHr)

on wells aùd grarings, will favour the concentration on theroute andon the úeat€d themes, while the free bays, more prope y comrecredto rhe original function ofships recovering, wirh rheir more lighr-ingwillallowthe contextualization ofthe most relevanr 6nds ofthemùseum, the ships..,4ccessibilít1 t0 the dísabhd: the route, beìng almost totallyplain, is entirely accessible co rhe dìsabled. ln rhe same mannerche controls ofthe ìnteractive insrrumen$ will be, compatible tothe applied technology, located ar accessible heights and posi-tions. Some subsections will be irnmediately supplied wirh fa-cilities for the unsighred, in the form oIa specially studied small

. Mweum and Púlícwlrrr rh€ nìuseum roure is spacious and ex-

tremely articulated and will allow ro spend, to highly cautious visìtors, aconÌplece vìsit in around 6/8 hours.

In the preliminary srudìes four dilferenc targets were idenrìEed:

(F) Fazniliar Target, prirate tourists, groups of3-6 persons(S) School nrga, groups of 15 60 persols(W) 'Weeh-end" Targa, groups of 1-2 persons(T) Stbolar/Scien tilic Th,3'et groups of I person/groups.

The high scienrìficvalue is associarcd therefore ro a strong multilcveleducational and popular componenq forming the speci6city ofthismuseum, all comprehensive ofall thc aspeccs ofthe ancicnt naviga-

tion ofthe classic age, Érom the hislorical ones to the rechnological,through articulated graphical, textual, multinedia and interactivecommunìcation sysr€ms.

. C0? n nication sytems' the texrs ofthe panels or wall screens/to-tem will be extremely reduced, editedwith caution ro the exposìrorysimplicity and designed according to the general Communicationproject, including banners, signals ìnternal/external, informativematerials. web sito web etc.

Dislnounting, conseraing, displalying ships: the actirit! of Centr7 diRestauro del legno bagnato in Pia

Cantiere delle Navi Antiche di Pna started in 1998 after the unaspected

discovery of a wìde archaeological cornplex near the S. Rossore rail-way sration, in Pba. Thc research staned as a rescúe excavation, bring-ing soon to the light a serious a,'nount ofvarious ages shiprvrecks. Theunderstanding ofthe real size ofthe archaeological contexr caused theabandonìng of the former rescue meúods, úe plaming of a detailedproject and the long rirre plarning for the ending ofthe excavations.

The site is a unique conrext úrder many aspects. ln short, it consis* ofa thick group ofsandy or clayish riverbeds, mixed up wìth complu clay

and sand layers offlood origin. ln these flood layers, dated from II cen-

rury b.C. to at least VII cerrmry 4.D., lay úe remains ofat leasr 30 boats,

Rrlly presewed (at least 9) or lragmenrary The ground composition andthe presence ofwaters, fltered by the sandy layers, allowed a remark-

abÌe conservation for organic finds, being bigger boats or smaller objects(boad tools, ropes, baskea,leather, amphorae contains etc.).

The site can be interpreced as awide riverbed, probably the formerbed ofthe Serchio rivet in its crossing with one ofthe canals of

5 UPTFTNG SÈrP D LN 2006

274

ANDREA CAMTLLT, PAoLA PUMA, ESMERALoA REMort, DtsMouN NG, CoNsERvtNG, DtspuytNG Sílps; rHE lllNAP - MusEa DELLE Navt AN cHE Dt PtsA

6. SIRVEY oF BoaÌ F, I c. A.D. {up), RENDERTNG oF sF p D, V -Vl c A.D. {DowN, rEFr), REcoNSrRUcroN oF sH p C, eEG NNrNc oF rNE I c. A.D. (DowN, RLGHÌ)

the centuriated roman land. Not far from the city walls. The slowflowing of the wacers, due to the crossing oÉ the screams, gener'ated a deposit area in which were collected sediments and waste

brought by the river The dramatic floods ofArno dver (at least 6were identified in a range of9 centuries) brought here rhe wrecksLo \rnk. some oI them 5till * ith cheir cargo.

The discovery of many organic Énds, such as vegetal 6bers, leatherwood, immediet€ly brought co evidence the sudden necessity ofon

site 6rst aid and laboratory cons€rvation. It was then necessary to de-

velop on site techniques to preserve fragrle 6nds in conditions mosdysimilar to those who preserved them for two thousands years.

It was necessary, at the same time, to prevent any damage from objectwho became lragile during rhe transporradon, bodr in the sructure ofthe mounted objectand in the struccure ofthewood.The use ofGberglass shells seemed dren the best solùtion to these

6rsr preservation needs, to obtain a good coflnection between liÍt-

275

Wooden Architectlre n Karelia I

7 l\4usEUM oF ANc ENr SH ps oF Psa, RENDER NG FRoM I\,4LlsELlM DESLGN pRorÉcr

ing ;urd ultimate conservarion process. 'Ihe system, schemaricallyneeds, after lying on the wooden surface a net ofsmall silica pipesto maintain it wet r, the creation of a shell built wirh various layersof.clccred Lnd' oi6bergl,* and r."in.. rnd ir h-. been exper,.mented on widewooden sÍucrurcs roo, such as enrire ships.The experience gained on the 6eld brought to the opporrmity ofcreating, ìn connection rvith rhe sire, a fully equipped conservationlaboratory, wirh proper spacc and instruments lor conservation oforganic and inorganic 6nds, such as leather,wood, ceramics, metals.bones, glass.

This project broughr to rhe crearion, in 2006, of rhe Cenrro diRestauro del Legno Bagnato -CRIB 5, nearbythe site.\lhen the archaeological emergency ended and the site ended robe a rescue excevation, srarted rhe necessiry of reconsiderìng allrhe ueratae qkaestiones concerning wer wood treatnenr, borh ina concrete way (involving impregnation, diagnosric, reversibilityof treatmenr, subslances ro us€ matters) and in a more ethic andtheoretical way 6.

The solution chosen and applied was to keep on experìmcnringtreatmenrs (not being available an universally accepred conser-vatìon technìque), and strengthening in the effora of detaileddocumentation (to save at least formal shape data in case oftrear-ment failure).Various 6nds, between which the ships found, carl be ordered in anexcepdonally wide range ofcategories, in terms ofwood species, con,servation level, compl€niry of assemblages and scructural morphoÌogy

ofwood irself; rve manage from single rvooden pieces from collapsedwrecks to almost tully preserved ships (85% ofrhe original).The tedrniques applied in lhe CRLB are úen widely diFerenl undervarious aspects, and chosen singularly for any object or cornplex. Inmechanical terms we adopt boÈh rechniques of dismounting and con-serving rhe enrire ship; rve use consolidarrs such as poliedrlene Glycole(PEG), Colophonìa vehicled in Acetone and a Melaminìc resin (Kau-ramirf) 7; wer tr€ar€d objects are dried in conrolÌed atmosphere, usingliofilization or microwaves.

An irnporrant question, which can condition seriously the futurernuseurn display ofthe object, is the surface t:ttue and the colour ofrhe reated wooden objects. lVhile traditional PEG treatmenm bringto dalk and plasticJike surfaces, colophonia or kauramin rreatmenrsbring to lighr surÀces, and allow rhe firther applicatìon ofcolouredwaxes to r€construc! the original colou

CreditsAndrea Camilli Dtrector of Cantiete delle Naui Antiche in Pisa-CNAP and Direccor of Centro dì Restauro del Legno Bagnata-CRLB; MNAP scientific project.Paola Puma Consuldng coordinator, for rhe University ofFlorenceArchltexutal Planning Department, for theMNA.P project. Esrner,alda RemorriDocumentacion Coordinarcr in Cantlere delle Na"i ATtticbe di Pha

CNAPi MNAP scienriGc and project collaboraror

?76

ANDREA CAM LLr, Peou Pur',tA, ESMERALDA REMorr, Dtst'touNnNc, CoNsERvtNc, DtspraytNc Sítps; rHE MNAP MusEa DELLE NAvt AN cH€ Dt PtsA

Bibliography.4ncíent Ship' ofPira, Ca.t?Jogo de e nosrra di N€w York, New York,200IA. C^MtLLt, The Sbiplard ofAnîieù Ships lfPin: Notes on the enl)itonment

and ,be peiadk,iion of tbe /e1rr,t, in <Archeologia MiriÍima Mediterr3-

nea>. I (2004).

A. CAMrrr! "Port" structutes of the excaîation of Pitd-San Rossare, in A.GAILrNA Zrvr-R. TuRc H errr (edited 6y), Struatres of Ports and ,4ntient

P,,tt Soverie Mmnelli, 2004.

A. CAMrr.Lr-À. DE L.{uRrxzr-È. Sffl.ru (edited by) , PIa. ,4 Jounel into

tbe Sed ofAùiEtiries (Catalosue ofrhe exhibirion in Rome), Milan, 2006

A. CaMrLÌ-r'A. Dr LAURENZT'E. REMorrr'E. srraRÌ, (edi.€d by),,4lrr-do. Shipr, gooÀ and traàe in the Rond Pid (C*,Jogue ofrhe exÀibition in

Pisa), Pontcden, 2006

A. CAMrÌ-rr-E. srrARÌ, 7h e Arlcitnt Sh;ps lfPìsa. Arrbaeokgbal gide, Mrlin,2005F. SE.*^FIN\, Ndrdl Mb.rms anrÌ lntmatíonal Malitime Collecti|ns, CJ'neo, 1997

E. Sttr*r, Projea ofthe Shi? M6ern, (in Pi'd. Shi?tard of,4ncient Sùíps

and the CentîefÍ Restordtion of Wet Wood. Actiubtei Relort of2007-2008,

edited fu,a. Canilli), in .News ofthe Superintendence for Archaeological

Heritag€ of Tus€any>, 3 / 2007 (2008)

M. TiNcHERoNT (€dited l>y), Pna and the Meditertanean (C*alogùe of theexhibirion of Pisa), Milan, 2003.

7be part of la Maraùlla. Catalogue ofthe exhibirion ofAlicante, Cadix,

Tavons de la valldigna (spain), oeirà (PortuSal), Alicùte,2002Pîe-fed'ibiliry

'tudt îu d Shíp Musean i,? Pisd, AsK - Bocconi Univ€rsity,

Scuole Normale, Pisa, 20M

Notes

' General Coordinarot Mdio leglno Lolli Ghettì; scientific project:

Andrcd Cdntlli, Elísabettó,tcl,,.i, scientific and exÀibition path project

collzborztion: Angelina De Lastenzi, Alessandra Marino, Annd Pata/1,

Paola Pwa Eweralàa Remottì; Soprintendentc' F Lo Schidva;

Conservation proceses -E Fie'oli, E Gnnai; grafr.s and rendering. CBdIí"i, A. Camilli A. Cutfllzzok, G. Degli Innucnt;, L lacobelli, FPaoli, M.C. RínaAoni M. Zanzatn; mneripJs analisys and producdon

techniques: Sauro Gadzli, An?dea Ce$ Bi/tncbi, Paolo Mdchetti, Frdncesco

Pip?ia; wet' d6t'gn: M. Mistì! Comue di Pis4 Ptu r ;l Museo de a Nauigazíone. Mzter;dli e Pelorsi ?er

un Piano Regolatore delh Grandí lstìt'zioni, Pisa,20oI. Cornune di Pisa,

Ecosfera S.p.A., RPA S.p.A., Error & Young Financial Business Advisors

S.rl., Leonardo S.r.l., Srzzy'ta dífduíbilità ?ú la úaulifcaiore rban;'tìtd

di afte della città dí Pisa. Rec&pùo e lalonzzdzione afni turistíco'ricenit'i

e rcsidenziali dí tre caseme sel. tîadiPisd,Pis,200I;CornunediPisa.Esosfera S.p.A.. RPA Sp.A., Ernst & Young Financial Business Advisors

Sr.l., StuAio di Fattibilità per la riqbdl|frcdzione arbanisti.d ài nee deua

città.li Pisd. Prina doc&nenro opetuti'o di s;nte'; ssJle i?atesi di artl',1zione

legli i"teîrnri prcunti dalh stuàk dì fattitilìtà, Plsa, 2002]. AAllY. Latrasfornazione delle Caseme Storich?. I.dlonzz'úione nrbana e 2etrorsi di

fd t, ib i I i t ì, Rom4 2004.I In manteinance ard 6rst realmenr phÀses, ràshing of absorbed minents,

fin& are kept unda demineraliz€d water, somerimes wirh idded biocide.a DiFerent chamcrerisria for used fiberglass materials, such as of th

percenege ofthe epory resin with which have to be evalued for any singlc

obje€t, consjderin8 weiSh!5 The CRLB staFworked in partnerhip wirh sweral UE progrrms, such

x,4n'er ,4 imt Sea Rortet ofMedirúónedn (2004-2006), md Rete deiMasei del Mdre (2oo7).-rhe CRIB staffworks as scienrific consl ring formain navisarion musueums: M,rR.q (AÌicanÉ, Spagnz), Museo Natianalde .arqwolosa Maritind (C,Jr geùa, Spry a), M*em fir AntikeSú ffd,t (Maiùl, Germ^ùir).

' Cfr. A. CAMrlLr, in Conference proceedings "La Diagnostica e leConservazione di Manufaai Lignei, il legno bagnato: hnp://rw.cantierenavipisr.itlPubblicuioni_Gradus4.hrnl

? 'tlle proces is b€ing qperilnenred through r colhboradon wirh rhe

Museum Fur Antile Schiffirt, M nz (GeÍnany), whose conservation

centre applied this techniquc for 30 years. Sc€ Ma*us rùrittkóppe, Currentdevelopmena in che preservation of archaeological wet wood withmelamin€/amino r€sins at the Romisch-Germarisches Zentralmuseum

hap;//w2.rgzm.de/navis/Conservation/ConservtionuK.htm.'ft e

method seems to be actually one of the best for wide dimension woods.

217