DICKIE VALENTINE TO QUIT DECCA - World Radio History

INSIDE: 'BANDLEADl"G

0nr 114,000 Coples Weekly

500 BBC MUSICIANS SAY:

' ■ pvE hundred BBC staff musicians are

walking around in fear of the sack. And they have been doing so for the last seven months.

They include members of the Northern Dance Orchestra, whose days are rumoured to be " numbered." I

HUSH-HUSH ATTITUDE But a hu1h-hu1h attitude on the part of the BBC and

tt. Mu1idans' Union continues to keep everyone in the dark.

The MU says: "No comment.'' The BBC saya,: "No decision has been made,." Ancl aclcl1: "It's one of tho1e scare stories that eets around.'' I

But rumours perai1t that wholesale sackings are in the

l'OR BEGINNERS'

by Johnny Dankworth 4-page SUpplement

offing. Ther were sparked off

lay the setting up of a fl••.. n committee to ad•iH th• IIC on streamlining and economies.

DICKIE VALENTINE TO ltalfan ,111otno ,car DomenicO .lltoduono mode a /11/fno vf11t to London lcuc wee.tend to oppeo-r tn " Sund41 Hfoh.t At Tiu London PollGdfum." TluJ " VoloTe" ster -pictured (above) alter llu TV nx,t- rdw·necl t o BonMt ahorrl11 a/tff the 1hmo. (Se.e

COST PROBE The committee looked

into the nece11itr of the IIC retaining lt1 S 00 ataff mu1icion1 ot an onnucd cost of ES00,000.

DICKIE VALENTINI is quitting Decca - the

label with which he won Tocal atardom. QUIT DECCA

A report wos 1ultmitted V Back Page, Col J

This week he told the MELODY MAlttlt that h e had asked to be released from his recordtng contract. "I wrot.e to Decca. over the V{eek-end.'' said Dickie. .. So tar, I haven't had a reply ...

Dickie's ncllon rollowa hl.s blast against Decca for the n on-release of hla " singles.'' "allnoat non-exlst.ent" e.-tplottat.lon and ~e 12-month delay 1n 1aau1ng hb l&t t.n LP.

The ValenUne outbursi was

CHRIS BARBER FANS MAY GET PRIORITY

exclusfvely frontpaged ln \be MM last week.

''No point' "There's no point in carrying

on a., things are:· added D ickie. "And as my contract e>q>ires in March an,yway, they might Just a., well release me now.

• Thi.a ls not the case of asking tor release In order to Join another company - though naturally I have ha.cl offers lrom ti.me to time.

~Incensed' " I am still so Incensed at the

way Decca have trenled me Iha~ I wa.nt to ge~ awn,·---i:ven

I If I never mnke another record."

Commented a Decca spokes• man: "We certainly would not want him to stay with us II he ,,-as unhappy."

000 "'1011 8.)

Top LPs TB& IOLODY NAIUR

-•h• n .. t papw • pl'lnt an LP Supplemeat -thl• week oHa• a aew ae.-vlce to ha thoa•ada ol dlac-mladecl ... ~

* It I■ a lll■t ol tbe Top Ten LPa. 1.'bla will be publl■bed each w-k la coal unction with die P••••at MN Top Tweaq cbaH ol be■a.,•ellla• "1ln1Je1." (SeePqe6).

* Sale■ ol LP■ ••• boomla1 both In Briaala and tbe Stat••• 90 BBBP IN 'l'OIJCB Wini TOP TAST&S.

Rewards for Roy

Chn• llurlu:r ond ht, band ho1111 /it$t /lnf,"44 I £d(tfe Smith and Cllrb BarbM'. The band .;J u ,oot 111 c, lltt1 ,crun ~non o/ Jo/In O.tbonus' , /ca-tur,:d (n a /on club ,eQ~.!'. Auoetat

1 "Looi.: Back Iii .,&~.- ~tlired on tt~ Nf,,,. Bntuh laoi,e co CUf'GflO:• • ,,,.,..__. 10rten1ng o (l•tl tile JU•·· ,,,.,, .a.a-,& Btwton, befl{oed UM mm '"' mcnnbn1 el UM 8/IT~ FAIi C'lub.

l N ATV serlea and a record-'- Ing contrac~ with Pye ha\'e

• been awarded to Roy Cast le. 26-1 \'ear-<>ld Yorkshire lad who

woke up t.o find hlmselr n star nrter Monday's Royal Varletr Performance.

Sydney Grace, Lew and Leslie Grade executive. I.Old the i\.lM 0 11 Wednesday:

·• In 30 years or show business I've n ever known 11 react.Ion like lht.s. The phones never stopped ringmg In this offloc o.11 day ,•csterday. We were t>e.,!eged by rcporteni and pho~ruphera: •

rm .not a !1\mod lnl.ervlew

with Rov and telescreened II that same evening

The ATV fortni1thtlv ~ rlea will s tArt on December U. teaming Roy with Bruce P'Olls~·the. com~re or .. Sunday Night A ~ The Pallad ium:·

Vafentine prot~• On~ or the flrot peof)le to

congrutufu.te Rm· en.,tte &lier h l.S •· Royul " success waaotckte V~lentln~L who hM ·'ttPonwbHd"" Roy for we pa.st t.wo yeara.

Roy sto.rt.11 a Cortnlghl:s ..., son at Lond,m':s ~I.or Ohlb • M.oncb.J

SKYLIFT TO PRESLEY

ho• BOW AIU> UJCll.Al'T

H OLLYWOOD, Wcdne9d&J. - RCA \ ' lctor It fl ytuc lta

nirlnttrs to Gum.any for Sll'b &o make an LP or b111>ns dedicated to b la late mother .••• Sinatra's nest LP will be " Bir Bonu For LltUe Room•" wllh bacl&lns by Georie Shearin. • • • . .lnnlt Rou baa a new LP wilb the GUTJ Mulllpn Quar~t. . • • t:t:mer Bernste.ln II doln1 11 at.erto albam of the mmlc rrum "Anna Luc:asta." • • • COLUt.t,NlST ArmJ Arcb&rd

rtporu that on the "Ptve Ptnnln ·• tet o.nn, KUe walked up "° bancUttdcn. Bob CrosbY..r RaJ Antbon,. Shelly Mannr ano BobbJ Troup and Wd: •• Tak• me to your leader." •• 5ammY Dan, Jr. Cell from t.be aecond • &.<>r, "lf • buUcllna on I.he " Porn and Be111 • aet with 110 appareM lnJurtes • • • R IC'KY and Dave Ndson art

expected LO appear ln •• BIUII Mua11n11 " with Pop d1rectlna. • Oa.rr Oroaby movea Into Pnlnk Sinatra's old two-bedroom ftat on Wllahlre Bou1eva,_rd •. . e1n1er Molly Bce'1 current beau -mu11c1an Dave SOmmeTflcldj!ew Mlh MoUy and her exTommy Sanwi-on the ume plane t0. Honol~lu. •

T o make " Beat Oeoerat1on -more tactual, R&J Anthony

ll no• pJa,tos Ma.mJe van Dortn'1 dloor«d buab:uul ••• AU lhe On»b,. u o.a " The Old MUI Stream u a party at Romt n •ff I Camoua eatery ID BeVtrl r flllll. • Bob Crollb7 wlll n!UIC'mble bl1_11-re-war J3ob O&tl tor a bla Jazz TV lbo-w. -

FOR

8 ouT oFIO

BOY PLUMMER

.. Th• man who never wa~ "No. I chosl on ,eeordina ano ,-dlo sessions - lhe boy who pi,ys so much of that scinllllat· fnc ltchnlal stuff you bur whllst " Iron, men" sen their '°"'' A Cleal 1ul1Jrisl and , ltlunch Hofne, supportu.

H•la•,ullo1t0t•ht~d•-.d l/ ,_ dtd~ ,. _,, •I st•d. -a, I., ,C).~ •,-•IJ.u• to:-

§eihmer 114 c•w, em, llud, u11doa, w.c.2

,-----------------------~-------Jazz enters El~ineil

the U.S Hit Parade

NEW YOIK, Weclnesclor,- The loteat pop chClrt trend ? Th• an••• : Jax&

"Topsy II "- the second side of a two-part record-ls on top ot many trade charts this week. It'a by Joiz drummer Cozy Cole on the Love label.

·• Topsy I " la also on mnny

~:r:!·nJ3~~ aUght).y lower lJJ MEET THE SJARS Al.!lo Lhls week. t.wo new

entries hlL the market. of t.be old Stan Kenton tune " loter• mJsalon Rill ."

with REN GREVATT The Olp of one, by I.he Bernie

Lo'l\e Ork, Is anot.he.r Jau clasalc "Sing S lnr Sing " orlgl-g"~~ul11riaed bY l3 en n y PAUL ANKA

Theo ot.hr.r record In question ls by the Mickey Leona.rd Ork and hl\S Parts I and n of " Jni.ermiASton RUf.•

• Tffn Commandments' T HE new records to wat~b:

CONNIE FRANCIS A dltterent disc on ABC

ParnmounL pntn Paul Aoka.. G e o r a e Rnmllton IV and

In top Pa~L..,.,.• J ohnny No.ah on n recitation of -•• "The Teen Oommnndment.s."

DISC Jockey Ted Steele tnkeo; J immie Rodgers oewe.st-B leaf ouL of Alan F'reed's " Blmbombey" a n d ·• You

boOk when he brings an all-star Puonndle~~- .~0e,:,ft anPtdtenTdSb~

rock 1Lnd P00 ahow Into the ._..,.,. --. New York Parnmou.oL Theatre. and .. seven Mlnutu In Beaven .. November 28-30. both ~utt to move fa.st.

Rlghl llhters will be the Kalin The late Chuck Wlllb ls T'Wlns, Connie Francis. Cozy represen~ on wax with the Cole, Olyde McPhatter. B ig laa-t. he ever cut-.. Keep A

D uke Ellfnoton oeu o lluo /Tom .ror itmnfcon pf4nur.:. entcrtalna 1/ou:I Scott lat uieek ,u he .-mvc, JOT a c:oc:ktall t)ort11 at tlu: Amencan Cultura l Cantre tn Par<,. Tile Duke '"• ,,.. Paru /or rvo dap of COflCaU •t tlU Pola&, de Cllolllot-. ~per Jimmy o 1 an ton . Ortvlng."

Prankle Avalon. Jerry Butler . .---------------------------------------

~f~~5:i~11~ JOHN LEWIS IN 'EXILE' hts annual Cbrlsunns Show. to

rroo\itedPo~~he!rr'!. ~!ne~1 NEW YORK, Wednesday.- FOR A MO NTH his rteord-brenklng shows ln J ohn Lewis, MD of t.he Auguat. Modern Jazz Quartet, ts

THE PLATTERS going Into" exile." He pinna to ·• hole up " In hls

Home again T HE Platters have returned

at lBal. to the Slat.e$ alt.er an extended ~ tour.

Tomorrow tlley are due to ~n a seven. week eDpgement at. t.he 11wank Plamlngo Hotel In Laa Yep.a.

It·a the aame Flamingo where the group nr, t broke l nto tht' bualne.,a prior to t.helr ~t. hit • Only You."

Me r c u r r Records prexy lrvlng Green and J oe Glaser. head of A880Clat.A,d Booking. were expec:Led to be on band to irreeL the itroup.

TONI CARROLL World-wide stars T HRUSH Toni Carroll who

rec en t. I y completed a suc~rul enpgement at Lon• don·, Colony, baa returned from a seven-day vlalt to RUl55ia. The MOM acar I.old me that. the name. ahe was Baked most about by t~ Moscow clliz.ens we.re Ella PitrJrernld, Lows Armatronii, Dorl a Day and Dave Brubec:lt.

Long l!lo.nd home tor a month LO cal4:h UD OD his composing chores. John wlll write new material tor the group o.nd handl@ a ,~ oilier commisSlons.

Art Pepper aigns

concor ut nnd 1ualon1 111nce he came to New York rroin SaJt Lllke City, He h H a la.rae t0Uowln1 In t)le New York MetroooH• um art'll .

• King Slae '

T ms wttk COntemporar, Re-corda &.Old me tbat Art

Ptppcr one or tbe moat lndlvt• dual of Lbo modern alt-o plafer5. -bad bren a11nect &.O a Iona-term ucluah•e contract .

T IIE lllllph Marnrle Orc-beiitna bll• bffn enP~d to

'f"t a, onkl.41 c-OOd\\111 am~ t,3,,-acJor for lurlboro Clc:ar• eltf'I.

Snw t hl" bllllnr on oil the b:mrl'I 11roJec't1 "Ill ttnd, " ftlllli,h lta rttrlt and Ula lfnrlttum Ort'ht Ira.'• Pft>IK'rt who cue. a bNt-scUlna

LP for lne WOAL Coaat Indte In 19&7. 11 11re1>1rin1 hi.I tlrat album under the new contro.cL.

Swinging 1eulon1 AL " JAZZBO '' OOLLfNS-New

Yor1t'1 berirded Juz dce--Jayh A1 ILQt U'd weekly Jam lieUlolUI a.t tho Club 65 JD Oreenwlcb v,11 1110

The nnt n1 held on Frida; and ruturcd auch a t.a.re or modern Jan u Kenn, Dorham. O l'Orac Walllnaton, Roy Barnes ■nd Addlaon Pa.nncr

.. I Intend to DUC. tocuh~ 1o0me • hard 1wtnatn1 · RU!ona:· Al IOld me .. The kle11 that b ~-;k the mocs,m mo•c:ment can now bal'"e a Ola.cc to ao to. ma1. and • 0 1a · their ruourttu."

Colllna hu been ora:inl~lntt

l'he c·l11nrttte l'Ollll)nnr had bc!rn lool<lnr ror a n l'tllab-11,htil orrh r11t r11 lt,adtr 11er~nnnt I)' tu rt l}rtill"lll the pro-

cll•~•!,~0~rii~~,~~e Jf,'!,~· lldded 11 rew 111ure mc-n In the hand.

_ Now 11 '1 KI NO S IZE!"

The 'real' sound ATLANTIC RECORDS Ja.zz

Utcutlve Nts\lhl Brtttun and recordlnir en111lnttr Tom Dowd Jett tor New OrlHn■ yeuerday to record "authentic· braa bands.

'Il1tV 1>l1n to make rccordlna durln1 a nr1r1 or 1treet parades which the label 11'111 fl>ODRIJ'.

lillr Tarlor returns

director of AUantlc, told me : • 1 plan to d o ail lltnda Qt thlnp W1Lh Taylor. He hua nn exce1>uona1 talent and mould not bll llmlled c.o tbe trio ronnai.."

Jottln11 TBE opcnlq of the PalU Pap

TV Jazz •lllnu over ABO gpotl~ crene Krupa p lay1n1 OD • mat.ch box with wooden matcllee. Oene did thla rouune JS years all(I In the motion PIC\Ure, .. Ball Of Flro.'' • .. The r.hulle ttt1n1u1 Quintet opens a, the iar Note next week.

Jazz composcr•tooorlAt Tee Mattro wa.s neml'd A&:R man lor Jau nl. Oolumhll\ Rc•cord.1, ••. 'I'bclonlus Monk IA In n relit h ome .. . • l.lonl.'I Rampton ma, d elay hlA world tour to anawcr d1

emanda for hla bnnd on tile col• eae circuit .. . • Lou11 Arm•

strong wlll lntroeluce hlJI new Decca _platter " I Lou• Jaza " OD Lhe "Tlmu Jau. Show."

He found fame as film songwriter

NEW YORK. WNlnHdaJ.-Blt &ongwrlter Harr, Rtvel died

bere JCl!ilerday at tbe nae or 62.

LUXURY BALLROOM PLANNED BY MECCA

BILLY TAYLOR. wbo nl'llt recorded for Atlantic Rtcords

In 10111, bu returned to the label.

:-lcsuh l ErLewun. J11112 A&a

Bregman is to wed Hollywood singer

H OLLYWOOD, WfdneldaJ.-MD Budd)' BrtemAn, •ho bu accompanltd dl&OI by Bila P1t.v.aerald and Bina Croal>J. II to Wed 22-Jtar~ld aona thrush Anna Mela Al becrahet U.

Bom In London Harry Revel arrived In New York In 1020. Re sub&cqucouv 1.umrd up wl1b slnir1.'l8<omedln11 Mac-le Oordon

1 and me two.some rormccJ onr o, the m O!lt 8UCC!C81i fUI ROng-wrltlnl; partners.hips or the 'lh lrtlc.-a. They wrote tor many Roll>-wood films, tnoludlor tb01e 1r.rr1nr Bina 0roeby

Hl t.s cred!l.ed to the duo Include " Did You E•er fke A Dream wawn,., .. " Sta_y ,.. S wHt As You Are.'' Lou TbJ Netahbor." " Ooodotabt My Love " and ~ Wltb IIJ BJe■ Wide Open l'm Ore&a:1lo,a ...

1':f ECCA are taking a 4S--year ! T. cease on I.he dance hall which torma P4rt of Covent.ry'a new Ci t.y Cent.re.

The hall wlll caw far 2.000 and wtll be ft&..ted out at a cost or £'76.000.

Mecc • wbJch bu the 01>tloo or a rur1ber 45 rn1-· Jeue. W1II ruo t.be 1'1111 :in , club bu1I. locludlna Suocta, oJabta.

• • • 8R l 4-TOL. - Mu BJgravea,

bacllcd by tbe Sid PhllllDS Ore-he11 ra, c:cme. to tbe COlatoo HAIi Lbl111 Sundjll,'. . John Roh!'ru SPA Orcbeatn, with dla• covery S h ella southern. plays tor Brlltol Presa Ball t.Onlllh t IPrldllYI Roy cuuo 11 amona tbo cab,m~t acta.

• • • l,PU't!"iTP.R.--Brtan Wooller1

Jau.rr,,.n will ptar at tbe L&n· cuur Hall oo November 21. • • •

1, Et:o R.-The t.ndl or Johnn, Wolluton. Johnn, Addle.-tone. Jacll N eon. Cbarlm Benoeay and two Old Time orcbestnu were Cratured at the local lftJ Benevolent PUnd Ball ~ week

• • • LIVE..,l'OOS-Pormu band•

leader H.tl Edward.I pt&na to mum t.n tbo bualoeea atu:r a lon11 _,pen or 111-heall.h. Prom 111~:1-H nq wu In chal'lJe or entt'rtAlnment at Ula 08AP bale at Brlu NortolL

SOllTHPOHT. - Mlell Mulllnn'1 Band .~Ith Oeorae Melly appeara at u,O PIOral Hall OD N'OYftllbtr 2&

NEWSBOX ... by Jerry Dawson

Al!HTOS•UNl>t; R-1,\ 'Sf:. -The Ray EJllnfl'U)n Qu11rc.e1. will nppear Wnlabt IFrldfWI 1H tbc Pala1, de Danae.

• • • HUOR\',-T'hc Rod Stovellt

Jov. 811 opene,t 11t Ru1by'1 oewcat Jau tP0t,-(JJub 11-tut week.

• • • D R\ --O'lub Matnatream re

ope~~!> Ou1 Pawkes Nlaht at Lile ........... and H.orae. Hotel and teatwed tbt Rod Hamer Jazz Wen

• • • LUT0:,1-Tht ltlub lt&lt1do

KOl)O-de,oted 14 Cb■-cha-dlaOpena a• Ult' OOonaua1n Hall nut P'r1daJ 1Nonm!M!r 7J. wi th Lbe Chrll MOrrll QuJot.ei.

• • • TUNBRIDGE W£t.l.S.-Revert

ln ,i to n,une-ba.nd aura.cllona. tht AIM!mblr Hall featurea Sid PhlUlpa OD Novomber 22

◄ ~sson.. -~ C.A.I>:EIWY-'1

T■OMBONIS f"or rich Iona and lruc latonaLlon, "Ar;ulcm)'" Trombonro are unr lnlled. Tba, couplrd whb abe 1nJOOthe\l •effr tlldo arflou, lino •rpeanu:ieo and 01c1ulJtlle •01 i. .... a. 1hlp !brougbou1, baa made "Aeade,.y" tho d,oka ol tud11)' • leodlag pl.a) cn, fDClu.dlal :-

NAIIIY IOCIE c..e,,..,. r., .. - IN-41AJ Artld

Hlll PEIIIII c,.-,u II~•·• o,,...,.,,. CL.UH IAIJEI c,.t, ,...,_., o,...,.,,. DAHIE ElWOOD ,..._, o..t-•·• o..., .. ,. TOIY IUSSEU , .. .., o...t..,._.., o,clw'd,• DAVE SitAIIIUI PETE NOHE

eic.,, ·-

II.. M Mlial ... • t ()r~.t,•

~ .. ,.w,,.., ·•■4 ,,, .. .,,o,,,d 1 •Al'adcmy 40.J," £50,7.J. t.,, ,,,,., at•flilb/4. Stt 7■,-, .,,..,, ., ,,_.

1., , .... ,

1.,._ 10

IUIOI I CO. LTD., 15 WEIT ITIEET, LONIOI, W •. C.2

eJallN •11oe••

~• MR.ODY MAKEa IMli•w•• that the time

ha1 co ... to caR a hcrlt in th• atwount of trash con-1i1tentlr being feel to the

• Vic llwis ' 00111PUUOfY ~If

• Harry Francis · uu, l u-no1.-

• Imel T1raer • rock-boat •

Coll a -halt now public, uncle, the guise of 12,0()0,000 vlewera-fllur times !nr,.,r~." '<1 pnrlll'S could be lhe s top mt!mbl'r., iv.r 1ml)'1nvlnc et1tet'tainment, with the the t.een&Rc oonutatlon." MM b tt flr.ir. Jt.l.'fl " bad perCormi,rJ on r.i(fol ind TV . •• cu.. AL-t "this •.• crll Jack O00d, ma.srer~mlnd O[ . e er pop Viet.Jr Knight put.s forward .. I'd like to see the Mil °"' " Oh Boy l " Wl\4 more 11c1d. t he tdc , of a protat mee-ting revive the d ,nc.: band ch'\111-ther ,eaMr want." " Vic Lewis 's Grtlcle ls -' u.se- to 1,hich ot1rent. and teachers• pion.ships that ollct• " 1ve IJlo.

It believes ln the Intrinsic ~~w~~k :it ~ ~r~f:c1t-~ ~~~: mus·c campa·,gn =~t~~~o?1'::'~ f ~~?t:i_rgnn- ce~~v~t~11l::1~:~u.;:~1~~30-. S'OOd t a.;w ot the publlc and ment.s I.hat h ave ever been lev- I · Th"Y ! hould demand that. d l.st.s or tradby mu.,ic- to 1w'lkfoa t h t. l t d oes not want. the elled q o.lnn rock-'n '-roll Rois- re,.."\)rd!nl;! and broadcasting to their pubhc re.,pon.i lnllt.r. type or song (and type o f Lerous, boute.rou,. m tUlcal- C\lmp.tnlM nop thl'I f?Ol&onlng T he musical n.!WJp~p .. rA 'Nhicil ~rrorme r ) wltb wblcb Its pubUcntlon-ftlling hot-..1.ir. T o or :l!JU'.h lmmedl11tcly. prlnL e,\·crythm.c ~,t th• s..-nM~ll are dally be ing square It. ogalMi. the racts A.:ssOclatlon would eertatnt·, At ~he IMhntton or M ELODY P.honeh stari~•«:~111. the raa bludDoon"d . would, I'm aure. be unfair to wish LO all1 l~Jf wiLb any l l \ KOi re;ide:-s. Vac Lewis offers thal t 1ey can't .tllli

.. ~ ,. tho wrl••r'tln•·ntl........ move •--•·- ... e .,hn.,~-'- ., .. •, ... 011n ·u"""'·llons "The dlac-Jock"'• who ct>0,-lL bellcv~ that It would pre- "" ""' v,.... .., • • ...., "'' ..... ....,,.... v, • '":. I 'd ·.1~1< .. •S:':." ...... t·he •ro lm- cen t rate tth:1r •tt'orLi on LM

!er '·> ll.•ten LO t.a.len' _., artisLS Vic Lew m.ide the point popult\r mu.ale," says MD.:\ ,. "' "'"'" ~• " " IC'-' t.bat 11 cam pnlgn W1l.i needed ~retary Bertie Owt'D. po::;e , wmpulaory test. or JOUJllf record bu~,.,,. ,~norins

pt!rr11rmlng worthwhile material to rally rel'f)On til>/e 1Jpln ion. .. My su~gestlon ? A round- wu.,lc.l11.>hlp. And l he UnJon to Page 13 ► -tr 11. 'Nere glven the chance. .. ........... ~,,. o,r ec• or " ' hble con erencc--' or shoul1 certatnl« t11ke act ion to I t 1>olh!ves that n lnety-n1ne ,__

4_ .... ___ __ ~ ... ____ .. __ ... __________ .. ..,,__ .. _..,.....,.. _________ ~ __________________ _

per cen e ot tbe profession and nmuLy-nino per oent. or lihe m u111c in du&tr)'• would prefer to deal In better material-11 it were given Uie chance.

◄ Rebel It t,ell;:vc., Ute time has come

tor the publlc. the pro!essloo nod the lndUSU'l' to rebel agamsi u,e handful or men who are rea110nslbl,e tor tbl.s lower• ln11 or mu.,tcal standards: the 11\all \31!1"1, dlao-Jookeys, A&:R men. agents and " talent scout:. " whose aole amblUon 1s t.o ch us.• the slmmlct 1n &ea.rch or 11 qutck profit.

T ho.I. as why such prominence was i;lven laali week to Vic Lcwill s outllpolten attack on the de1m 1ved smodarda at the Hit Parade.

T he response from readers w Immediate and heartening. It conl\rmed our view &.bat m ost 101.1.oK people today are tnr tmm t>eln1< mu.sk:al morons.

it . .mv tttl that they have ~n Jeluded Loo IODR.

Prum the profession Itself. wwus iicu much aupport..

- ·r1tc Lewla art.tcre." writes Viet.or KnlgM ol Ule Songwrl~ns Oulld or G reat B r,l.ilin. "ts the m ost public• JOlratl•d ti> R(lpea? 1D the h lsti,ry or the MttOIIT M AKER.

· Hl.i .,ununmg.up was cor• red .md mMt.e:rfy.•

ffara v Franol5, for t.he Mlli;ll:1 UL'\' Union, made th is Cl)II IIIICllt. : .. 1' wn.s adm.1ra.ble nnd co11111lctely righ t in prin• .:11,to w e !lre sUfferlng from un Qvc1·d ·~ ol lmportlltlons from t he Jungle ot American cn1c:rt unmcnt.

" 1·ve a hlabei- opinion or public t.kite t-bo.n some people. The kuJ.., h.ive rubbish tori:ed uµon th •m-and c.ll06e who ch11rn Ollt. the rubblsb IA.re Llrgcty CH> o t. rolled f rom Acnc,lcl

◄ False • Tit ,• MU mus t be concern ed

with 11lr\Odord.s where they arf<.-ct. Lh ll Hvelihood or niembt!ni. IC poor musicians 1u·c r,u,-hcd ur1 ant.a the ~P level or ent1•r1.n1nm,mt, t11en lnevitnblv the v,llu,• of the skilled pl.o.\er l3 d 1111 Lmshed. " w ... JI rn·~ too hBPJ.>}' abouL the v..iv in which ou:- membens .lit: u..,-J bv .recording :;tud1~ t.n create Ci~ reputa.llof\S for poor 11..rrom,ers. e1lhtr.tt

The1e were adverse comnienc., a~, "6 5 Soeclal" producer

nu ~II Tumer. " P.1r ir,1m pushlnst dance

b::andh ,11r the nlr. we ha,•e 54 tlrawl,L.i. muslclnns In Lhc -'tllli lr» cvorv week-bnnds or the c:alllJro 1f Ki:ath, Oankworlh and Dol.unoy. Wo irtve viewe~ t.he rock•~t aa well But Lho proaro.mmc Is aimed at

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Jazz ought to be a

happy music!

ThM• are hectic days for the Inhabitants of No. 33, Margaret Stnet, London, W.1. For this Is the home of the Performing Right Society. And the Society is under fire.

JAMES RICHARD SK.1D-1'10RE wa.s playln 1 and

talk.Ins with my dos-. .. You are supposed to be

t:alk.in1 to me, Jlmm7." With hi• back to me h e pointed at t.be. ct.lllnr.

.. There's somethtn1 up lhe re.'' he satd, "and it·• 1 olnl{ r ound and r ound. Be careful it doesn ' t t all on J OU."

I watched ln al.Jenee.

From the ballroom proprietors of Britain.

What. hu happened? The Society bas announced n

chan1e ln lta useument of tea. PreviO\.LIIJ' thed a.ocordlnl to capacity and ortce of admission. thete a.re now to be two per cent. of a hall'a 1r01S annual revenue.

And thl&. 511.J the ballrooms. ls M monatrou.s ... monopolistic . .. es ton.Ion ate ...

These tenna were used thls week when the Scotti.sh Ball-

p;~:iit~· ~,_. ~r• .... JIMMY SKIDMORE Una me old not." be aa.id. ~ You're Iookint a:rent. We've both been Ill. haven•, we 1 HoW are you?"

•· Pine. What WU the matter -,,.Ith JOU, ..

M ouoden&I. ulcer. I h ad It tor 24: )'ears. Recentlv I bad a m&Jor operation &ad I'm ciutd. lL n.s dllllcult becll.UR my atornacb muscles •we over-

eloped t.hrouab blowthe ienor:•

e leaned back 1n the chair and lit a dl:areu:e.

"'All my Ufe," fie aaid. • I lad UU. cloud b&rul· tn« over me and It held mp back-you have to be n1. to be 1n t his bus.Ines&. But now I Utlnlt I olay betler and have a much rrea,t.er apprectaUon t or Ille. ..

tells Maurice Burman

••• • • • • • •• ••• •• . , •• •• •• • • • • •• • . , • •

Another POlnt made at the met:Llng WU Lhls: " I t Lsn 't what's pin.Jed that attracts the public; il'a the band that plays IC"

Ominous

SAID Mr. l'V. R. Grlen, QC. reprtsenllna- t be North

British Ballrooms Aaociatlon : .. Dance balls do not ad-rer1l1e thlll the:, will nlay • Tip-toe Throurh the Tulips.' Nor do thnr a dnrll1e BIii Bunter and I

room .USOClaUon, with the Aaso- b la Bor1 playlnr 'Tip-toe elation of Ballroom• nnd lhe Throu~b the Tull111.' North Brltlah Bllllroom, Auo- " I h b I " d clo. t!on a a lni,-•,-• t,nrtl,., t s l e and t mt o • , ..., .. -u ,·ertlM!d," protested before Lhe Per ormtna: Addinsr. omlnom:ly tha t n Rla:bt Tribunn.J. I h Ii I Why ohould -, dh•ulio our m u t or t e new ru n11 mist n

.. be to cut. down the size or gross takinp? they demMded . bands. Suppoee Lhey " leak " to com· The hearlna ls now •'1.1:oumP,1 petltora? And why penaltae an ,11 J 13 h PRS owner accordinll' to the success un anuaey . w en l e

• luty Strayhorn ~eo " Three / or Dvke? • he mnkes or hiS hall? will state Its point or view.

Wh.v sboUld " non~opyr\ll'hl " 'Impossible , than It can on a.n American hlt nlirbta (old time and countrv In BriLaln .' ' dancing) be taken Into account? T"£ SMlt:ty 11 abo undr.r ftre Pa.ued to you, PRS. <Theae And Lm' t ballroom bualneu bad from 0..-enu-1 oubllshers are buiY Umes. aren' t they?J enouah already without lncreu- wbblnr to one.n up In DrHa ln, s~a..,.e ? lng recs 5 or 8 per cent.? Bttauae of the new- lhtte-part w

P RS ntllnir. Whkh 1ta1es : 0 "6 of the ,tronger pheno-h'1 the Mn• Bef~ admlssion to PRS mena of the Rock Age b

# membcn.hlp. nrms must be (a) that, when a t unGJJc ",ua, .. U

ONE ballroom proprietor told In residence for one \'ear before tU,eor.:tred, it Ii not n,-ce11arll1 rne th1- week : " We are rKelvlna: t.helr ftr.r.t PRS che-aue he who oe1, blg-head,d-ft 1-1

bclns aueued Gft l:ut year'• -which 15 dependent UPOI\ fbl u1uaU11 the nOllflNII I/ u;ho htu (TOA. But a.hu.dr I am ,;NO their havlnsr publ!shed 24 num- dl,covertd lum and appointed down on lut year-nd there'• bert-frorn which fCl 20 pe.r hlmsd/ hi, m~rnogerl no 1ip of thln11 lmpro1•ln1. cent. of the re"enue stems rram Three for Duke l

"Resul t : I h aven' t been able British numbers. to book an, name bands. .. Ho11.· man}'." bk the queue- THE Ellln.-U,n Band bas ldt

.. Pun.her, ahould I book ll I bll h .. I ,, n Brllaln. And • ·llh It ban • · -d l ,.. 1 n1 pu s ers. ex s ng nns ,one tb·oe u,t,•·• ,on,po,l-name .,.., a u..v, ....., or a dertve this percent.age rrom • "' nlstbt and make only .CID proftt, British numbers? or doesn't tlen, . By Alan Clare,

99 per cent. why .should I be usessed on this rulln1t apply to u iem? And th e man who has taken what I've h ad to PM' out to the " In anv case. It Is virtually them nway Is ElliniUon a r-

He smiled a crtnkl.v band?" lmpoulble for a.nv publishlnt ran1er Bllly Strayhorn Cwho, If anile. .. And by t he - - - - - - - - - - -. nrm In the world. apart perhap5 h e hnd WTitlen 110 more than way, there 's aomethlng I rrom America. to get this per- the Jyr\ca or " Lu.sh Life.'' uo there.'' He looked Sar• Skidmore about centqe of rnenue rrom • h ome · would be balled aa a a:enlusl . 0 ~ . ~ :_v,nc. the Lyttelton group: "I I products." Cl~~lytnd1f~~n1~t.Ra~~

.. Well, t.h1s 1a the think it II the Nit ,matt I Whr? M for a rew minutes " durtn1 the haoole1t period of my I Elllnaton tour. heard All.n life. I am musically Hncl In the country.'' J ASKED one would•be pub- plaslna-and sl&Yed. happy and lhal.'a 99 per I tb ht.r • •by Amerlean non, Whtn Alan played the ftnt. ee.nt. - - - - - - - - - - - - - - - - wanted to open up lbe:lr own of hla o•'n compositions. BIiiy

M The one pe:r cent? That's man. He thinks about all the " How good u the band?" oftlcu here inslead of b«oml_n.- cancelled all further appoin t.-taken up with parking problems re11cnr, tn the band and sees He thoqht for• moment and 1ublldlarle. to exbllna Brltlab mentl and llAked for more. and coppera. tbat e,eeyone 1a re1tUttd. pulled on hll lower Up. 8Jowly Orms. Three-cnd•-haJt hOUrti later,

M But the 99 per CC!D.t.-111·ell, "l wu oa work for 14 weeka h e Aid : "I thlnk 1t II the be5\ I was told : he wu dem1ndln1t copies of H umph ii tbe createst renow I a.nd be paid me my f ull ulary amaU band. 1n the country. .. Because most ex11un« pub- " hLt.lra.a:e, .. "Ouke'a Joke " and b&ve ever meL He'• a 1entle- u well as paytnl ror my deputy, There wu tht Don Rendell Six, llshers already have a ireat .. uxury Plat "-which may ,m~•~";..;";;...;"~"~';..;";;.;boln;;::~•~•~•~"';;;;;"~•..,:K&lb;;;;~••:..:•;lObut.;;;;;.;~-----.. but that Mil broken-up.'' many sub51dlaries. And beeause &000 form pan. or the Ellln&ton • "How does Lytteltob'a play- an American company has lltlle library. mt I'll wt.th the rtlSl.f " Chance. of obtainina- Brt t lah Thea- at last.-lntemattonat

Good players arc relaxed pbyen1 and the quickest

way to relaxed playing

is with a Brilhart. By

choosing Brilhart you

pin the luxury of only

having to breathe, nor

blow, to attain tha1

modern relaxed style.

Writt for lta/ltt giving f11/l details and priceJ.

All 600D DEALERS CARRY A WIDE RAR&E

LOOKING FOR A SOOD REED? , ..

S11/1 D l11 11la,1or1 ta 1h1 r,ad,: IIU, IIGlllS I CO. LTI. ?IJH P11I llntl, lHIH, l .C.2

It does. U's aurprtslna. True, sonaa. since these rilmost in- recornlUon ma,• come to this he haa been UIOClat.ed wllh t.ra- varf•bly go 1,0 the British " mualctan·1 mwlcla n." d1tlon1l Jau, but be ls playtna · parent• 4nn. 1h? really well"

ID the put alll: Jeer■ the 4:2. " And It ls ob\' lously bene- H OWARD LUCRAFT ,u.t, ti :,ea.r-old, London-born Skid- ft clnl to a n e.wlv opened com- /'i,e heard oJ Uu: w u t more has worked with many panv to foster Brlt.l&h material coast modcrnfrt 1uho tt.'0$ ,ua,tba.nds, In cluding o eorse Shear- since It can make more money inp ,u.oa.v beearue he re/u,ed to lnr, Kenny Baker. P&rnell• r-'-"'-''-•-•-•-"-" .. " ..... "-" .. l~• .. •~m;;;.;,~•l~ca;..~'°~' .. •;..;•~••~•~•~•~•~•~eo~I~. ___ _ Lewis and Eric Delaney, He ls married, with & 16-yea.r-old son, Alm, who plays tenor.

Becan with Basie He 11 mer 1lx reet1 haa Lhlek

black bAtr rrertnc •~ the akles , .. I use Omo'") a nd took.a like Cary G rant.

.. What irtyie would you eall YOUr own?'"

"I don't. know. I latched on ta jam 1n 1934 with Bule'a Kansas City Seftn and Lester. Then ln IH3 I tried to cha.nae LO bop, but I waan't young enough. So now I play lhe way I reel-sort or malnatream.''

" I belle-re )'OU lnnnted the term ' nut'? "

.. Yea. lt'1 a term or endi!:arment, but the real rtuon 11 I can never remember Chrl.sUDn names."

" You called me •nut'." "That·a r1Jht. What IS your

nrat name? " You're iiupposed to be

fu nny, Make me laugh." He rubbed Ills hand all over

hla lace &nd looked worried.

Corny? Maybe " Come to our next concert.' '

he aal.d. " I don' t •now U l am comy, but I do feel Ulat one shouldn't look like rour penn'orth or cod on the stand an1' one should hue fun , pr~ vided It doun'~ lnterfere with the mUIIC.

" .Jazz II • happy mu.sic. and tha.t'a what I think la wron1 with the ultra-modem f!':mtn. All Of us. I belle,e, are cally rntertatnera.'"

" Any ambttlona? .. "Yea. To keep alive, Then'•

.somethlna Up I.here, you know:• (Thue IOIUft'f G:111/lhlng VP

~here, ,ou bOID onr11 the ceU• , .. .1

RUSS HAMILTON Things I didn't say Strange are the ways

of love

NEW RECORDS

DOMENICO MODUGNO

Strada 'Nfosa Laazarella

!Cl JOOI " ' 71 1,p.• • ind of tCM&rM

Yolare (Nel Blu dlplnto di Blu:

NINO RICO and his orchestra

Rito Vatilon Cha-Cha-Cha

ca ''" -ut;1 ' ·" ·•· {al.w, on E.P.'s)

I C■ J- 4J/JI 1.p •·

ORIOLE

RECORDS LIMITED

315-3'7 01110,d Sl rHI W.1

I AM among those who believe that the present Basie Band is one of the greatest things that have ever happened in Jazz.

I like at.oat •••~ about it. I Uke the lead•~ COUWT an olt•IOUI fn1plratfon to n· '4 S' TV 'S his men ltut ne•er ca solo- rl iJ!./ ho•

I llke the fact that the band ls dedicated prima rlly to the a rt of ensemble playing, and only secondarlly to the showcasing of individuals.

DETAILS CoHtlu.leOrdtHtra 1 We■llltll Caler (aolo tna,.1). c.., .... .,,., Neal Hefti. lee. Oct. 1957. O.nitiH : 4 .._ 40 MC. (11111•• 33 sx 1014 s ''TN AtoMk Mr. ........

I like the I nt. e graUon or the front Une, and the s w l nglng s I mpllclty or those tu n e ful Neal Be rt,l scores.

On the next Buie V Isl t ln early 1959 I hope to 11 k e t.wo fur t her thing.ct: a mor e ~ taxed, sec

t \on-coru;clous Sonny Payne. and an lld~uately featured Be.nny Powell. •

''Ll'L DARLIN''' My first hearing o r "Ll'I Dar

lin' " was unrorgetlable. I was slttlog In the stalls aL

t.he Royal Fesllval Hall, a bout half way back, alt.ernately thrilled by that tremendous ensemble, and-though I sather I was practlcally alone In this ~xasperaled by Its drummer's at.tempts l,O force the tempos.

Enthu. ia lie The audience WII.S receptive

and enlhuslastlc. lls1enl~ att.ent-h,ely to the music. and reaisterlng 1Ls approval In the rigllt places.

At. an earlle-r staae In the conc:e.rt I had wished ror a seat. nearer the front.. When .. Ll'I D arlin'" begllJ\ I" slow and oozenlng." In Barry Olanov·s phrase) I wa.s glad l-0 be silting ln row u, because In some curious wav It was the rt"h t. plAce LO be at tbru, moment..

Down on the st.age. the Buie

Orchesl.ra seemed more or a unit.. les., a collecllon or lndl• vldual.s.

The music spread like a warm blanket over the ro\\-s or silent headsL u~ntU . somehow the nudl• enu oecamr almost a part. or the orchestra. BY the end o[ the number I fott. the \ray Dlana Dora feels when someone 1lves her a Golden Ood• win.

Wh«:.~, l&t.er. •· The Atomic Mr. Baaie .. LP arrived. with Its 11ppaJllngly wt~less cover but lt.s magntftcent muslcal contents. r turned lmmedlat.ely to tht. N Ll'l Darlin' " track. and s.at Dack 1,0 enjoy another bout..

I wasn'L dtaappalnted. On the contrary. given aood sound reproducllon t!qulpment. He.ltl's quiet. mute_rplece sounds even belt.er on wa,c lbo.n In I.he con• cert. hall.

Apology The Basie Band had preV1•

ously been recorded In what sounded llke a sewer. with s11ch dire results lhat. no self-resr..ccllng disc-Jockey could brine himself to play a three-minute track wltho.ut adding o. threeminute apology.

by Hubert W. David t found that here the Basic

concert sound hAd not. only been captured but e_nhanced. with " Ll1 Darlln' " outstanding m a recordlna which at one moment or another e.'thiblls I S the nry u rl1 •~ea

or com muclal te levision , J obnn, J ohns ton founded J. J. JlnJ lt:9, Ltd. lie ""• In on the .-round fl oor . for a l the ou~ t &be Ulllei.t fo rm o f Jlnclt w:u a-1ways prutnttd "llh a slnrinc (TOUp. J obnny-wtth b ll own .,roap, tbe K t> not~ uld have hMl no btttu aet-op.

one or hla nrat. big successes wiu his fnmou.s .. Yowo" for Boumvlla, and II, was Johnny himself who supplied the yawn!

He hos Rone on 1,0 wr ite and presanL 11,e Jlnales In a var iety or pntterM, somellmea emotoyln& an orchestra or more l.hl\n 40 mu:dclons.

'Urge' created ll Ill the mood 11\JlflCSted by

the p roduc t whtrh ~ctJI the pattern. rn the cue or R4el· Brook To~lln Shirt.,. ror ln:.tance.r a Mr lt» or ll ne d ra111l n1S arouno tbe word• .. Ratt-Brook Toplin " wu t>:\rkf'd up with Johnr.y•a fl'OUP u.1n1 a vocal riff on on Motndlns p lant So an .. Uf'8"e .. "~~ creatNI. Wllh the Dllll IPt.tlOI a IIU !I' loudl' r ndi time lt ...... repntf'd. l llhould l that Jln11c ha.- done plen ty In , ~ttJntr tho.e ,-h lrtt. on tht' rront rack In e¥ery outftttt-r·• window.

do murh "° that •hen .Johr;ny la d t.i,c1L~~1n1 new Jln1I~ with pJ'Oj<ptrll•I' adlltrt\Jlf~;. th.P .. ,n, will o t trn rt'mllrlt •• woat abOut a Rael • Droolc for lbls one. Jol'ln11y1.. A , 1n111no trade mark 1 1u uudout>lr<II)' bt!en created tor th lx prortur t .

To dl\lll Johnny Johtu ton hM crutcd onr 500 Jlnstea- a ,.1,aurr1n1 flin1re. ttnnt on hl.s h ~I• COIIIO Kini J lnalOllt Ltd .• who'<r mo,,~ ramoWI cootrloutton IIO ftir IA pr rhap, th l' OMO Bd, Ktn1 JIDRIN, Lt.cl., UI an offlhOOt

Thi• HUOOn ,n, llln '" to ''" ••••11 on 1nr on, "n1 or i,,1, ,ou ma, t11u written, Oft an an••" 1a • Nnawrltlll& . .,,.

... •1111 INar MaM - ~ . .... , .... , '"' .. ,. .. ,, .,.. 1111111 N au-,ianlctl 11, a.a.a POii •• ..,.,.,u.,,· Atl,IH iu,aa:■• " Mdttlr Maller," •• • HIii! Helllern. Len .. n. w.c.1.

Tit, /#Jmi, , .,. lll'tt,, .. fwJ,,11•~ f,,r lnu nr ~ o/ \I\"\ ,,.,. .. 111r11 TIii• «-"" u _,,J """' v.,.,,..,.,., u . 19SI. {M n ,,1,, • I " If 11 ""'' .,,.,., O,tt1111tff 2l l ~H. f . ., ,.,,,,,,. •' Colo"'41 ~.,. .. ,,,,,,.

A slogan All really aood 11dverU1ln.r baa

bttc ba.'ICd ror m11.0:, ycani on a idoaan. or the W-1." of nvr or - •it word,,! which aouncf wrll toarther . A t)'l)lcal cllftmple L'S .. Wl\l\l WI! wan t ls Watne)'!! "-nnd thex11 woraa are uaea 1n au rorn11 or publicity.

Thl!i convention t-, mOHt 11 ppareht ln tht' OMO ct\mpalan. ror lbe ftrat TV Jlnale told u " that " OMO 11ddil brlah tnlN .. They rollowed thLII up with .. OMO adCIS brlahtnc.<111 I,() white• CCIIS.'. and DOW we have .. OMO Mid., brllfb tnua to cloann t91i and wh I tene:\!3."

Tbe lntcmn la never allowed to Gq. but the appro:ich 11 thl' same. u.sln~ t h e Alile 11t)'le , i.,.u111 bacqround. u you •11nt to see bow liOme or tho Jlnllm bav-e bttn •rlttcn Kina .nn.1•. Ll-d~ ban• 1at,ued a bait-crown album •hlc:h oontalns the word." and mwtc of .amc 30 Jtnate:. on •hlch lheJ ha.e oo-operated. It'• aomethlDC dla'uent ID olbUO'VI. ftDd tr :,ou have any thouaht o.f uylnsr Ull/. .-on of tbln-tr. It LO\ wonb nndlna ouc how the nut. mnn dOl'II I t. Next WN'k-6 word abOUL tbc "new 1>0v1 .. In the 11n11e flllme.

" M-'1 " ·o~uq, ·1,;.: We arr J>(l6tponlnst the nnal liet of Que..• lions until oeitt wcek.

Bilk marches on AOKER BILK'S Nllta EP .. Mr.

Acltcr Bilk Marche. on •· 11, the "fMteat aclllna SP on the market. .. 11.ccordlna to Pyo-NI.a.

Currc,otlY number 1111 In the MM& 11-t or best 1cu1na Jazv LPa and £Pa. the dllC la follOWIOI tbe 5UCcalll of BIik'• Orn LP, " Mr. Acker BIik ReQuaat1.'' whlcb bad 13 Wffltl lD the J'1U R.lt Parade.

Tbe bllnd OIM'n.t a nn tour or tbe Provtncu at tbo Trent Brldae Hotel . Jllo tt lo1bam. un Nottmbu 25.

lt then p lays Manch oatAr (.26tb) , 01.U,OW C21tb J, AJT (Utb l. Ardrwan 12llthl . New• c:ut.le !December 11, Cannock 12nd) . Edlnburab (3rd 1. Airdrie 14th ). Cowdfflbeatb (6\t) l. KelaO (6th) and U-.erpool l 'ilhl.

It hU a1rcsc11 bttn ut ro r lt.t rourt.h ScoLlllh \Our lD llarcb 1951.

lust about all the jazz qualities here are. The form or the number Is

lfonmb.r e. 1958. NnOI>T llllll!K~ve s

What 11illes " l, .. I D,rlin"' 1 great record? Artistry, inspir1tioa, reslr •int-sheer hem? White.er it is, i1 corutitutes • superfJ juz experie1K9.

slmpllclty Itself. Basie's Introduction set.s the mood wllh quiet. grace : the theme Ls stated on trumpet. <rather nat, lncldcn1.allyJ O\'er the nve ~xes. punctuated by spread chords trom Freddie Oret!ne.

Under Wendell Culley•a sens itive mut~ solo the saxes a.re scored In a way somehow remtnlsc.eol. o r the old LUnceford band: then the theme returns In lt.s orll'tn&l form. A short coda. and the number ls over.

'Ibat•s all . What. Is 1t that makes "Ll1 Darlin'.. one or the ,real. reoords or our time?

Artistry. inspirat ion. restraint • •• sheer h«-rt?

What.ever It m&J be. those rour and a half mlnut.es constitute ror me a superb Jazz

experience: a reminder or that evening when Count Basie cap. Lured the elU&lve wence of beauty. and for a moment a whole &Ud!ence seemed to hold its breath.

Th• recotis M fu D~ np (Modem Jau

Quartetl: Melane.boly Blues CLouls ArmSlt'ODIJ : Call· rornla Salte (Mel Torm6) : Slutn' The BJues (Blx Betc!erbeckel : BopllcliJ (Miles Oavls): Fner (Peggy Lee>; Fraalcle a JobDD7 (Erroll Gomer).

NEXT WEEK : Stnup Fnrll (J osh White).

EXCITING /All FIF.''l!EN Brit.oils PIUI one

American tut. Prldny addOd up to o mos1. ucttlna Ja.a eo1.1nt1. n wu Jimmy Rusblna'• nnal London concert . and. aCttr IOIIID tJPle&llJ awlns1na Ru., ttlna. Humph led OD 1~ plr<:c 11ll•1tar sroup.

T h e llne-UJ) ....,. Hwnpb. Bobbr Prate. 'Eddie Bllllr and Ben Court le, t tpu . l. Ronnie Ross. Tony Coe. Katble Stobart. Jimmy Slt tdmott and Joe TempcrleY 111:lltUI. Eddie Ra"eJ, Ktllb Cbrtsue and Jobn Picard ctmbsl . tan Armlt CPDO.) , Brian Broctl,..

hunt (bass) and Eddlt T aylor (dra. ).

The remartable thln1 about. the band was the w~r each numbu sounded u lboueh the bad beon playtn1 to•

er ror years. The whole oud. bruay, toek.lna aound

produced an almose>here race tn ao-y concert ball. The ll&JIN lD pe.rtlcullU' produced • 1uDC'l"blJ lDtesrate:d and cofourful cffed.

Let 'a hope thla L!5 ona e&• &)tTtmCD L Lb:!. l wut pay oa: 1.ufflclenu, ror Humph to rcatul"e lt reKUtarlJ .-UOb u:awb:ln1.

Page S-MELODY MAKER. Nonmbe-: I , 1958

TOP 10 LPs I SOUTH PACIFIC FDm Soundtrack

RCA 1 COME FLY WITH ME Frank Stnatra

cap1to1 J ELVIS'S GOLDEN RECORDS Elvll Presley

RCA .. l<ING CllEOLE RCA

EIYts Presley

' MY FAIR LADY Ora,tnal Broadway PlltHps cut

• WARM Fontana

Johnny Mathis

7 THE KING AND I Fffm Soundtrack capttot

• DEAR PERRY Perry Como RCA

• OKLAHOMA Ftlm soundtrack Capttol

10 SONGS BY TOM LEHRER Decca

Will Presley ta"e top honours in the LP chart?

fTlllE LP chart kicked otf 1hls week with the "South Pnctnc" .J.. ~-60undtrack taking the honours In a photo-finish lrom

Slnatl"IL'a A Oomc Ply With Me." But the signs nre that both these dJsca wlll soon be making way for the 1.wo Prcslry entnes.

The Oklahoma nnd The Kin& Ancl I soundtmcks. both bestaeJlers or lonll atnndlog, must shortly be due for replacement. nnd one like!, successor ts the second voJume or 'J'hl1 Is Slrullra.

ll's n fc-e to &e-e both J ohnny Mathis and -Perry Como doing well 1n thls ~ction. Como's otrertna. Dear PuTy, ho.s obviously been boos.ted by hls TV show.

In the slnalcs race. Tommy Ed\\·ards's It's AJI In The Canu Juat falled LO topple Bird Dos f rom Its perch, bul. It looks a ce-ri.a!nty fo:r top place next weelt.

Perry Como. wllh the entry or hls Love l\l:lk« Thr World Go Round, now hna two discs In the chnrt, bolh or which look dcs-Uned for future hl1&h plocings. •

Malcolm Vnuahnn·s l ion Than Enir. crept two pince.~ nearer t.o .Marino Marfnl's vt'rsion. but the l Lalltm·s rlvol In the \'olare battle. Dean Martin. took n steep dive. from No. 10 to 19 !

Also slipptna ll P:resle}•'s Ktnr Creole. and for once the Pelvis h&5n•t got a replacement tn &iaht.

CURTIS'S RICORD SHOP. IDi:h auttt. Knou.lt s..11111111 U1rmln1ha1n

T HIE LAT!Elrr r,corda 1&rt alll'lll"i 1111 ,«,cit lncl11dln1J 1Unnu,re IIUll'ltltl"li on 1-ln ◄~ 1pt,d - ll.i•llltlr. 'I lb(IIO 11-nd Ttk,•t,ton, Lid,. 4, Loitlla Ro11 d, 8 lrmlnah,1111 IU.

* B RADFORD * WOORIEI OF lllADFORD. H«o rd

.. Ion, 21. Nortll Pandt. •

rlf B RIGHT ON AND HOVE * DO■nL·S RECORD SHOP, - 104,

Wntf'm Ro.,d ur1a111on. WAOMAN'S ol ICIMnOWN tor all

r our ftCQIUI tl'f, Ill Oto,.,•, Road. WICKHAM, KIMIIR lllld OAKLEY

lor one of th, ■UT atorli.l of <IAU r1eorda In O rtai llrllaln.-1. Otor11t •1.nci, Bo,~ ------* BRISTOL *

ITAN'S, Fnr D!nm.nll 8truL Jau 8pttl:aUall. S,,c:ondhlOCI df"pl. Dubl. Pr1va1• r-uordl111

* CARDIFF * CITY RAD IO ,oardl trJ Ltd. ' ·

O>urehlll Wa~ OarClltr ' Phon, UIGI, T b• onlv 6JHClll lllfCI Jan ncord •hop la Walta

WHEThER POP or r la••lc JOllf ntonl .-ill M at lht RKwd 8nWWrlt. Jamn l:tow,11 and Co.. Ud.., c1n1ta. --------* CROYDON *

■RIXTON. - CRANER 1Brl1t o11) Ltd .• rompnhtn11\P rrr .. ,d .. ncl niu•,r-:il ln)lrumrlll alllt'III • • Acrt I.an•, 8.W 2. ___ _

11,0 ,1,-CRAHAM'I . 14, Eunouth Mnrkrt.

1 ,0 ,3.-,IAN EI AIMAN'S REC ORD QEHTnE. 31, C11m11111111 SIJ'ftl, Ulahop•1a1t. _ __ _

IIL INCTOH.-AL'S RICOIIDS, 0 r Pal.I t.aqn1 100 In North 1.on. 11on,-U, Cn,u Strttt, N. l . Caoon, bur, 6SU.

MUIWELL HILL I.II ALDRICH ,•L l"lrt Polrade tntar od,0111. All :11,cl._

PLAY IT COOL I !Ind buy nur rt~o roa llt COLLET'& RECOR D SHOP. 70. Nrw OslonS IUOtl . WC 1. .Jau. ntw or atcaodhand, boolt• m.a1allnu.

l T. .ONH'S WOO D. NATIONA L II 010 SIRVICIE. D 81. J.,i,,11 a '\\1000 HIib 8lTttl. N,W I , Ja.u; pops cla&llca. ____ '

W,1.-AIIOLUTl:L.Y amulntr bar, olna lo 11t1hlly uu4 ttrords 11 MOIIT OH'S, 10. Wullu r'a Courl, Dre•tr 81rtt1 11\.q. 7924) .

W.O.L-DO■ll.L'S. Jau on1,.-n . Chlrlllll' Orau RolUS Otr. ,Oi$.

W,O.t..-.lAMU AIMAN Qlftn uptn nmce tor all ,~tord bunn: al RHOAD CtHTRI, na. Nrw Row, 8L MarUa'a I.ant. CoY. lsto.

w .c .t.- WALIH , HOLMH, 141. Oh1nn1 Cross BOll CI , Ttmple Bu ..... rLLDER'S of CROYDON, all moltu

al ap,rclJ. pgp •nd rlua1ca.-Nor1b lllld, Ororllon Crn ◄tn. * MANCHESTER * * DARLINGTON * MARIHALL' I RECORD CENT RE.

010, A. WILLIAMS alld &all. Ltd., U~ Oaford Road, M.anthuler I, A.rel. • 10. 'l\lb-.r,11 R.lw, Dn40111111 11 '-

ctmo. * NOTTINGHAM * * HARROW * RltDlflJIUIION ACCORD Cr ntrt t or IOIJCRI Of' HARROW.., LT D,, Sia• all Ult Illa\ r econb.-Antel Row,

Uoa Road RarTOW 1u2~,. coniprt , No, u111.ham. 11tm1h·e rann of tlu•lta and poo11, * -S-·H-. _E_F_F_I_E_L_D_ * lar rtcoreh and fflUlorntnt.

OOX RAOIOVIIIOH IBh•ffl~ICll * HORNCHURCH * Lid I Ml, All.erclllf• k oad, Bhtllidc! • UHUDUS ACINOY," 17. Bllltt t , Phone f t20 __ 1. __ _

= I

I

•

•

7

8

• 10

11 11

IJ

14

IS

16

17

18

'' 10

TOP TWENTY WIIK INDID NOVIM■II 1a 1958

r...-W•II: TIU.

(I) BIRD_,... . . .t.CUrJ,ROSJ:

ou.r dlec-hlll •Jdl ISJ!lb).

(S) rrs ALL IN THE GAME TofflfflY Nwam JU,OSSOM

Nu w 1Dlll w 0llle 10.ol: BuTr Enwlall £Sabi,

(1) STUPID CUPID/CAROUNA con.• Fnncll MOON

.Al,OONtlu\Wll&NCZ WJUODT lllllllld OQ,td-Maur«A Enm rEmbl. Ulrulll) ; 0.XC.. JlamlltoD l V llllWl ;

(J) MOVE IT 1L ~. \\'00D

II.al Bunmt (Eab).

(7) A C.ERTAIN SMILI Joflnny Nathb .UUIIUIN'4

J- Bo,w IOall I Andr 11C'la'II IROA.l; l'aul lUdl (Zlab),

(0) COME PRIMA (MORE Mar•no Marini THAN EVER)/VOLARE (NEI. BLU DIPINTO DI BLU)

Lahel

~ l.ond•

MGM

MGM

Columbia

Fontana

Durham

■TII l tl ,I S1 I 1108-UU."'S · - l'rtma-Jad.le t)nala (Decl : .Joe u- ITDIV): 11.abat l'!&,I IPlln . ?Amw,d Bot"'-11•-:-111: Tuai Valli 1\.'0II ; , Uakalm ,·...,_11an ID1:!J,b Kcrie Pa..- lOlll ; J ac\-lc RM If'.,.,: ); ,, Uon-dl IP&II: 1'Clll ucal b tliecl; 111,rr, I( IRll1bl: , ·~n-~1 , ,_,_., '"~''I ' Allln llale U,U;MJ • t'llarlw IJra.bt IPul; llllll U-sar- l&xibl : Joe I- 11111\ 1 ; 11nm M.n a ll'ar•I: Mc.<:uln """"" 1\ ',n»1: Doawlloo Modwruo IOtU; )Id- 111,1,ll,e .... ,., : IJta 11-11•.:;1&1 ; An• Sbcllw l.l' bJI : 0,,rU Sta1>letcio 1Uec, l Jlmm1 YOWII IUOII I \'olo.n: Ma.rcll-N ll catb H>o.:I,

(S>) HOOTS MON Lord R'Kldnpam's Decca tiUU'rtlll lll'i XI

(4) KING CREOLE bl,\ L!\"n;t,S 8.A\UU ROW

J .. l,Mr \fonb 11:rnltl.

(8) BORN TOO LATE l 'IIAl'l'Hl,1,

Monn,im Enne 1£mhl.

( 11) WESTERN MOVIES 1<1111)mm: A~n mu;r uwouo

,lulmnr WonJI 1&111111.

(13) MORE THAN EVER (14) MY TRUE LOVE

bOl' l 111 IIS l'•ul 11kb rr.mhl,

( 18) TEA FOR TWO CHA CHA l llAl'l 'l:1 ,1,

( 11) POOR Llffl.E FOOL lO)l~III IKHll\• U.IPl:lt l,\L

1';1111 lllrh 1t:mb>.

(16) MOON TALK 11 1.11'\

IIIUI IJt-n<ltcrnm tEmb).

Elvn Praley

Poni-Tatls

Olympia

Malcolm Vaupan Jack Scott

Tommy Dorsey Orchestra

Ricky Nebon

Perrycomo

RCA

HMV

HMV

HMV London

Brunswick

London

RCA

( 19) WHEN KaUn ·Twins Brunswick lilll III V,IIS

' ""''' nulM'll mMYl ! .J11hnn1 W111 lh rr.1111>I.

(IS) MAD PASSIONATE LOVE Bernard Bresslaw HMV '" I Ill .. i

(17) SOMEDAY ( YOU'LL WANT Jodte sands HMV ME TO WANT YOU)

Lrl,IH 111111 1'11rttll lPhll; Tik-1.'7 ~cs.en tLmil.

( I 0) VOLARE (NEL BLU Dean Marttn DIPINTO DI BLU)

Capitol

(-) LOVE MAKES THE Perry Como WORLD GO ROUND

RCA

C'TI\ l' l'U,L

noaa IUPPLYINO .1Xf'ORMA1'TC)1' F01l 1'01'17t.AR R£CORD ClRARTI LOlfOOlf - Popalar IIUllo l!Of-. £.11 : l\41. W. ac.d, U4 .. s.£.15 : IMdJu Lllhl.lu. W.1 1 W. A. Clarll:t 9 W 9 · 1mb ""W,0.1 1 A. a. TI.PP1•1 Ll'l.16 1 RAllo for "-rd.•. s .10. M,UICJ.lESTER- Du•-. Wboluale. Lid..; J I H. , . Catroi1. is. WORTHIWd :::J..i. W, Mamfleld. W , JreWCA.ffL&-J. 0 . Wln~~Oft l.14 .. I. BOURNMOUTK- BMJ-. IWU,-IVi!My Sc;, rborou•h WI auuDl.fl3BROUOB-8Jlru ll«ord. Sbop. 8 01.TOH - DNrtnv Stn!N Co. OLAIOOW-lllllClormaclt's. U4 .. C.2, BRIOl'rrc»i - DoNU'• Bacanl ~p. I, IOOT1.IAJIP'l'-O?tl- Tb1 Shop. CBAWLEY- 1. 0. WIU.:... ILOUOlf- llJtlll1'1. EOINBUROH - lludpa,U Kll&lc II.- L.14 •• t . IOU'IB llimLDS-luW. B:n111- WI. 81.AQKWOOD-Otn t.cwh. U4 LEED$-R. I. IUluu. UL. L PO.IITIMOUTU- WlliOo 8&rt. JAL 8.UUO?tlGBAll- 8. 0. ~IM., .. nYNoU'fH-c. B. y.,.._ ... Co.

llricnin ·., Cop . d. JUI.I. l~t'.'-

i\111t•ri~i1 · s f••1• dis~s

llrifui11•s :!O fop Cune•s

Wcrll cn4N1 so,·embn I, ltlt

1, Il l MY l'AIR LA OY (Lil) st:.cllr Manne t \'QiUO

A& Ua4cd by .. YllrlflJ' "-t IIUt Claled Noffmbcr S, ltst. THUi ropyrl1h1 U•I of 111, 20 bl•I•

«111n1 ,onu ror th, ,.,,.,_ •ndtd NOTtaubc-r '· ltll. b ~uppll,i. b• lh~ Popular Publl•h"n Coma1111,, c,I the Music Publl,ht-n' AUMlllll&in, l,ld. 11.&tL w«lt 'a plac1n11 In p.,rcntht•" •I

t. (I I CH RIS ■AAHR IN CONCERT- Vol, Ill (LI')

l f'H$laa}

,. m n u SINQI THI DUl( I! IU.INCTON SONQ ■001(Vela. 1 •nd 11 • (LP 'O

El la PIUltr• ld t tntVl

4. (I) T H E ATOll410 MR. ■AIIE Couo1 Bu,t <Coiumti ... 1

I. Ill " P AL ,IOEY (LfJ) And re Pr<1 ln (V~t l

I. ('1) MR, ACKER ■ I L i( MARCHEi OH ( EP>

IP)'c•Hlu )

, . Ill on:r Ml!ETS MULLIOAN (LI') 811.11 OU.1. a nd Our,

M1tlll1u1 tCo; llnbla-<l!d l

L (-) JAY AHO KAI ftl.US IIX (LP) Jay J 11 J ohn•on and

Kal WIndIn1 1r ~n1an• }

t . (-) OLAAINCE WILLIAMI <IAU IUHQI (IP)

IP\,ntana )

1, t41 T OM DOOLEY lUnpton Trio tOapl toll

2. (I) IT ' I ONLY MAKE HUIVe Con•ay T11 IU) lkOMI

3, 12J TOPSY c.o,y Ool1 (Lovt) 4. Il l IT' I ALL IN THI OAMI

Tommy Ednrde l kOM)

6. (a) TO ICHOW H IM II TO LOVI HIM Tt ddr Bun 1Dorc)

I , (ti CHAHTI U Y UCI n., .Bopper Oltl'Wry}

7, 171 TU POR TWO CH A OHA Tomm, Donry Orc:hftl\ra

CDe~J I , (-) HlfJ ■EEP

P J.irm11tt1 IROlllellt ) t . tel THI IND

EArl Or&II\ (Dtoca) ti. Cit ) CALL ME

J ohnny MaUU. (CollJalble) 11. (t) SUIII DARUN•

Robin Luh (°°'I (-J l ' YI OOT A PHLINQ

l llclty Ntl&on t lmpertalj tS. (10) LONIIOMI TOWN

I. (l) COMC PR IMA CMOAI THAN AV■R) (Pl (~ ·) SUd ..

2. (21 VOLARlt ( HEL ■LU OIPIN• TO 0 1 ■LU) 1PJ 1:I , )

Robbin• J. (3) TRUDIE 181 (:I '•I

BtndtrHII 4. (6) A OIRTAIH SMIL E t AI 12 ·I

Roboll11 L C•I CAROLINA MOON f Al f2/·)

IA•rrnce w r11hl t. ti) WHEN fAl 12. •I • , l!ou thtrD l, 17) I OR H T OO LATI! CA) 12'·1

An1 lo, Plo I. (111 YOU NHD HANOI 16 1 12/.1

1.1111:nlfW L (1) MAD fJAIIIONATI: LOYC

IAI 12 •I ........ Duchul 11. It) ITUPID CUPID CAI (2 •I

Aldoo 11, (JI) RETURN T O ME CAI f2/·I

Southtrn 1L (le) I I RD OOG (Al (2 ' ·)

AtUlt•R 0 It ta, (10) TULIPS l'ROM AMl"TIRDAM

11"1 ,2 , .... c:n,pnonlc 11. (It) IUCH SWEE'T THUNO£R

(L.P)

i.u-. Jlo.nuh _ _ u_rc.;.n___ WILaON fJflCK , L&~_. YOUR fKOrel * HOUNSLOW * dolu - Pllrpu. llhuutld.

R.(cltJ Nellon Umper(al) 14. (-) fllRlflLY

Ton, ~ n-ctu (Cl>lllMla) (-) ,oROET ME HOT

14. (-1 IT 'I AU, IN THI! CAMI t A)

WAI.OUN'I; • f4. msb 111rcct. * STOKE-ON-TRENT * Dultc El ltn1ton (Pbllll)C) Sw.ukl•. Mlada.

- - ------ •••• or ■URILIM t or all YOllr • Jfot ao:ci aeparat•l7. * LEEDS * rtco,da. All maltu, •Pt.ell anG lJPft, &TOR.1:8 ~IJPPLY"IS() J/l.1'01UlAnO N f(ITCNIH'S Of' LIIDI. lkcord DAVIIION LTD • ._ea, lf1nll..r\ 8UteL, PO'R J AZZ ftUX>RD OffART:

ealG~ K ln1 z.11,ard .,,,.-,,1., Lo.n11on. ll~lr.t-oll•'J'l'tD \ :it733,

...................... -............................. . '-t Y .. . "MM T-, 20" (above) recortils fr• Steci

These J'OP RECOR.D DEALERS carry comp,.,: hensive stocks of current hit• for your selection .................................................. ..,.._.,

LOh"DON-.Jam u Mm1D'1 Jau 0-,(rt, WJJ2 Ot.AllOOW- M cQo,-. _.._, Ltd , C 2 B£lJ".uT'- Allan-Cle Jl«o.... MMC:ff1:aT1rR-.f11111e ... AckUaan, I.cd.. and &cord Rea._._ BIQKL',OlfAM n C lilacN IL W .. 6 , 1bt D.~ , r,, ,. ' t.aw. ~ . 0 W 111C1ow1, Lld I U:--...ooL-Beaur R.Ml lo, Lid', 1:

IJ IIMM IClr.NJO), a....

K ali n T•uie (Dtola) 1', (- ) ONI HIQHT

lrhia Pratt J IROA VIO&or) 17, (II) H IDIAWA Y

l!:aqulr• IPullJ ti, (12) QUIIH OP THI HOP

~, Darin IAtc,o) 11, 1111 THI DAY THI ftAINJ OAM«

Ra moncs 1.c.Pure IK&wl (-) HO ONE llHOWI

O.oa •Dtl 8-Do.DCa • lt.lUUJ

&ep11DMO b7 pctrimaioc oJ ''Vlldla,."

,, I • • • • ... • .. Blouor■

1L (II) POOR LITTLE FOOL IA\ ,2. I C...mmodort•1m1Hrl 11

11. (HI ON THI ITREIT WHIRi YOU LIVI IAI (2.'11

Ohac,pell 11, (Ii) MOON TALK IAl (21-)

Lt, .. Cit) If' ORIAMI CA1141f TRUI IA)

11'·) .. .. • .. • .. Or111naor IL (I I ) IIOVI IT IBI II. · t

B. P, W.od .. (-} MARY'S ■OY CHILD (Al

(2/11 .............. Bo11r•• 4-,Ultrlt&ll , 0 - Btllbh, r --ou..u

tA1l 11,bu r u,ned.)

've DO -I ea!

PAT BOONE HH the LP a, the main hope of aanlty in popular mualc. Not that the moderate Mr.

loon• puts it preclHIJ In thoH terms. "Th• recording lnclu1try gets a demand for the latHt craa•. lu function i1 to meet It," h• poinb out.

.. Discs are poured out until the craze ts saturated. The youngsters tum t.o something new. But novelty has always been the essence or pop muslc."

Boon e goes on to point out p • • tha.t there ls a wider variety al Boone-... u1el studious or music to be found on LPs. ._ I I u And. as more LPs are bel ng 111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111 111111111111111111111111111111111111

sold every week. the sttua- • • kl h •c1 tton seems to be baJonclng 91fflffllC 8SS - aS ft0 I 8a 1~~h11t I do think la allly la tnlllllllllllllllllllllllllllllllllltllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllUIIIIIIIIIIIIIIIIIIIIIIIIIIIII

the way record comparues h h f folloW•UP n hi t. gimmick wlt.h W r, 8 r0S8 to Gffl8 0ft what a lmost amount.s t.o a repetition or the same trick. B y 11111111111111 1111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111 the time they get the dLsc out, =.:rh,~~ t~ .. hns cban&ed to lhe crest of the rock wave

While Pat Boone hAs been UJIIIIIIIIIIIIIIIIIIIIIIIIIIIIIWlllllllllllllllllllllllllllllllfllllllllllllllllllllllUUIUllllllnlll1ffillllllllllllllllll L550Cln~ with some rook-beat hits o.nd belle,·es he must meet P.Ubllo demand. he stlll re8crves t.be rlght t-0 sing quality 101'88. enn U they nppc:Rl to t.be

"In ~ TV show recenur, I It ls an unuliual and beautiful ~!. a Inur~v81eu8 tacor'!'.posl'l'hl 'l8nt. bap1ad.~ 1 1 ft... 1 ..__

..,.,... ...,. v • ~ peop e ... ,ou d .,.,.

mlnorltv. brought more criticism than given t c opno1 tunity or hcnr• anything etse I've done. But Ing sonas o this type. A per-_______________ ...., ____________ Conner al lea.sL s tands lho

chance or mnklng them more populAr. o:artlcularlY U he on communlcnte ,;ometl11ng or bls own reellna ror bClllads t.o his audience:·

It m11y be ,Ylld lhal Boone's heart Is in tho rlgt.c. pince -musically. He went !or Ormby

~ I, 1851. NELOt>Y NAJCZ'R-P4ge a

oy Beverie lor C1.Dce at th · ers Ted

·• Pirst records tbot caught my attention were S<lme of those We:.tema. Then I admired Bing's • Bells or st.. Mary'&.' • Oo1nR My Way • and olhen1 of lh.Bt period. Bing Just. doesn't l!eem lo date."

Hls primr favourites are Blnit, Belofonte and! Ella. But he strikes no attitude ago.Inst rook-·n ·-roll.

"I enJoy aome or I~ I t's lnvtiroratlni."

Yet Boon e acknowled&ea that. since he Is primarily a ballad singer. his rlse on the Ude of rock V.'tlS strange.

" rd put It 11trongecr than that. The whole story Is quite extrnordlnary. Wh:,, dJd they pick on me-on unknown from Nashville. Tennessee? "

Boone m l&ht hove added that his whole personalhv and approach were hardl}' th~e of a tttnage Idol. He Is qwet and studloua rather than brasll and dynamic. He flogs no gimmick. ffnunt.s no ou1 rngeous wo.rd• robe.

He cnn'L PXplnln It. The girl rans who trekked to London

• Bing Crosby • •• a D oo11e JauourlL,s

Airport to med him had t,he OMWCT. But. Boone wa.a pro. \"ented from mf"tUnt them. The police fea red mobblnR.

"The car WM sent out. t.o meet. me at the tannac. But I did a circuit or the aerodrome before we mode orr.

- I wanted t.o say hullo." Tony Brown !Tom An enrly age. -----------------------------

The Kl11q1to11 T rio. a 1kl/ltt1-tl/Pf! group. I, making a bfg ,,ame /or ftset/ ,,, the Stoic~ with Tom Doole)'., a Jolky ,io110 about a ma11 co11den111cd to hang /or tl1e m11rcf11r of llf.s su;ectlleart, It could click here, too. Backing-Ruby Red-is the aort o{ a ustl,J mw11Jer a11ootatcd tDith Gu11 l'rlftcllell. (Capito

45-CLH951).

Hit No. 2 for Cliff Richard?

wnEN Columbia A&R man Norrie Para mor firsl beard a tes t rccordln r by CJlff Richard, he t ells me, h e was

s lruck by the bent In his voice. Thnl'i; how " Move It"

cnme to b<' released- nod to g1111111111111u111111111111111111111111111111111111111111~

hit. t.hc Jo.ckpot. § POP DISCS § Oll fC•~ follow-up d isc seems § §

llkely to do the same thing. = lay = Thu youni;,,tu mnv be obvl- § = oualy Pre!'ile,·-tnfluenced. but. be = La i H h § cerutnl~ sings with tremendous ~ ur e ens aw § co~t~Ll~nli,,nd \~8 f".,t'I I Ill The =;1IIIIIIIIIIIIIIIUUIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII~ <Jrttlllltl 1111th , •in,.. llubv-ore W o111u11 • 'rum Llbe rlll l ll D hl1rm11y rocommcndod lO ,r Move bcl\ty encore from (be •· Klues Jt "• 1on11 Sweeter Thon Wine'' boy.

( l 'ulttlll hln ~J•UlJ~ '.!03) ((' OIUIIHlbl .a:,.UU4l!UO)

Johnnie Ray Ricky Nelson .. J ou,~n. 1c.n· ln Las

\ c>,:., .. •·--or any placewtll ,1111t the R.1f adcll rtt. On L11I• LP J ohnnie iJJ heard durlna 11 l)(!rlot 1111'.I IICl' :u Lile Der.trt Jnn.

k c 111trod11ccs 11111 own nwn• b or,1 ond drop .. hl'I \'Oleo w1tJ\ npp1 ourln tt' , cvcrcuct' whrn arrlv• lnl Ill 1'111 t, 1111 11.1 \\.1ll. j \ 11d Talk \VU h "> I uni- whlc , aceme aJnarularh· OUL or pil1CO$ 1D lobta parllr11h1r conteat .

Tltleto .. h1111l,l I : h:lke A 111111,1, \111 I '11, IH'h,l\ln' ; A.s TIIIII" , ...... "' : I ,,.111rllc- ; .Ju l \}.ll l.111~ 111 I 11,- Ruin Jo•rlllllnef \l.'• ll'rllllh: 1· ,, "'""' ~•> llead • 1irllf -'111 •11· Ill 'I'll,· ,\ Ir ; lJon'L \Vurr)' 'hnul ~It•: Thr Lltl le \\'hhr f ' h1111I 1 l ull <' rlr1I ; C,-y ; 1•111 1,11111111 \\'ul l. ,\111.I Tulk Wllb M.1 Lurd

C i•hlll1~ 11111.;:!J I)

Jimmie Rodgers J IMl\11£ RODGERS i.toe t_bo

tllrl In Thf' \\'omt-orl1tn. tJlr reconli-ct b)' Pr.inlillo l.Alne -nd ln\'hl'- IL w\{h Ii b&UDtlDC Ucl ~pl)Oilllua Qll..lUU.

R ICKY NELSON'S l 'n Ool A tullni: i. aoolher rocttt'r

L-blL .. ,comln.!} up rut ln the StalCI

R11.1k)' d r1101~ hla Wl1 ih.rOl.lllh the O&:W i.l )•led :-.11111,dU)' ,

Idea tor HO O(IWrltCl'R : 111,Umd of "Don' t Knock Tbc Rock." bow about. •• Yau Can't. Kill '1111• Rock"? .

(Lomlun ULt•8,3.!)

Connie Francis I T IOOIIJI :u thou1h Connie

Vranc1.. has d one ll 111111 Either 1·1111111· o r I 'll Ud ll) could 11wtn11 h er rl;h~ lO the LOP ot the Ille. 1•ar11de-1t "f:ltup ld Cupid " and " Oarollna" a.rcn' l atlll up Uu1re

C Hi- \lG)l0!>3)

Tommy Steele T oaos Y STEELE'S <'htertul

Oodrnei; 'l'olce finds a anll· able OUllOt In l'ut .\ ltln11 On Urr l.l'ln.crr.

Thia one I" more clfer th·e lhllll tt>.o 110L.:w C11111r uni 1..-t'11 Uo.

(lJrcN l'l 07~)

··-··auv-v·ouR RECORDS

theMODERNWAYI§ at NO EXTRA COST f S, .. ... -·~- •= ., . . . . '

~ ___ ..__

:FBAHE 81H4~BA 'MR SUCCESS

B/ W .: SLEIEIP 4$,CLl-49$0 (Also available on 78 r.p m . )

IDJ.lliAN

MARTIN •on~eupon

a fin1e· b/w • The Magician' " 5•CL1"943

THE

'IAIY DADDY-a~ E.M.I. RliOORDI L. TD. • 8· 11 OREAT CASTLE ITRIIET , LONDO

Po.- 8-NELOl>Y MAXEJt ftonmbet t, 1"8

MM SPOTLIGHT ON THE SHOW

M a.r. IJJIOl'Or'f!'S uatr/11'£ 11(1rt O/ tllt lflOIO /rom the ,,au, dunno rehPJrsau. One of three band, cho~cn for o,e lioar .Uaruorana Orcl1e,1 ra. Mont i, 11 p1l't11ted

ira~ the huh I /u s 4& muricfan, . . Bendu acoompanJrlnQ .some of the U"ltll -ome O/ ,tar, the Ol"C!hutro / lad "' oion IOIO IIJ)Ot •

Dates with the Stars t Wttt cOfllfflenr,n r :.o\fmber • 1

■1111 1 ANTHONY Wtell : Empire, Zdlnl:>1111h.

"'"" 11-AIIRY Wcrlr. : llcll'Opo!! tan, W. CHlit CALVERT

Wttll : J:mpln, P ntbury hrl:

MlcllUI HO LUDAY Wtet . 6.l•o1, t..11icotn

D-1■ LOTII Wtelr. : ~p rt, O lH to•

MUDLARICI Wttll: Dnc,lrt, Gia.co,,.

l)e,i,ir PURCHQ Wctll: Balll(rf, 1..Hi:s

hlh WITH Wttt . To11X11r Mute Tour

TaMmr ITEEL.E 8undar: Oran11da, Maid•

atone WNlneklar: O r11n11Ja. B~d

ford Pr.dlJ. Ol"lltladia, 8brcwa

lturJ 8a1un:~r: Granada, K,ller•

Ina TANHIA llllan

Wcat a.,al. Rrdn&lh f'r..,1111 VAUQHAN

Bllndtls: Brll t \fut, Allin• thc,nn

Mon41ay St. Anclrt•'• R11U o:.~o•

1"Ndar: C.i.ltd )tall. dte

WN!nf'l.dar: Oahu 14.nllursb

N .. ev WHISKEY we,11.: lfdropo1111n, W.

M•r,r WILDE Wetll : lltlro;>olllln , w.

~ · llllll I Ill I 1111111111111111111111111111111111111111111111111 g

HEATH WANTS A~ IT'S BETTER ~

i ~~!~~.J:~~1.r. I S I N G ER BUT

~ ~:er.a81~t ~~!0 ve1~:ro~ ~

§ Obeni, tomo&Tow (Satur-- E ;::: da:, ). = e With relerence to tbe re- =

' ■ ■ ■ I= ~~~~~::~tu::~~~=~ all roes well. I ahall Ol)l'D In

BANDLEADEI Ted Heath 6 N b d QD' t !Jo,e II dr«nt ba.tlad . And E cabaret at the oarco, io = ii scouting out for a wlnlna rou tine Is out where I § He b aa alread, lru.urect bl.a E 0 a 1hu Jumplnr around and hip- = Club on MondaJ." E

Joung male aln1•r to am con<'.erned. § bon1oe31 § groom for stardom with lefinenMnt, too :.illlllllllllllllllllllllllllllllllllllllllllllllllllllllllllll?r

hi~~~~~llo n s? He must habits ' be about 17, 1000 looklnc. and have "no bnd vocal habit., and mnnnertsms." And, o f course, he must be able to sing.

Ke will Lalce the plac e or Bobble B ritton. He1\lh ,~oc.al

" I -nt a tellolf wltll a bit or re'/loemm1. too. Oen~7. 111>eak-1n1, ow audlencea oo L ot a morr ral11f.d type o! pmso11. l

Eric Winstone is ordered to rest 11tnr • ·ho left. the band Just t,e. 1 certalnl, don' t want to p ut. an1

core It. made ll.'I recent. trip to ubn.kempt people l.n fl'Onlo of Lhe St.ates. t em .

" I don ·t wnnt. anv youn~ " l am ofte.r a qtiwoomer with A SPEOIAUST enmlnl"d band. rock-~. n ·-rol ler .. •r-.a told ••ie no annoying babl l.4 Lhat need leader IMc Wlnstone thla

• ""' w ellm lnatlna. week and told bJm " No one--MM this week. " Anyone wbo tblnlts he ftt.a nl•btens for llbout three wcelt&."

• J •-.nt a rhythmical alnacr, tho blll mun Drat or all send a So Eric. wbo lnJured hla ankle but be mun ai.-o be ab!e to alna rtcoraln, and pboto,nph tor at Butun·• 11.n aummer. baa bad

JEREMY LUBBOCK a ballad. ThHe rock• n·•ro!lera conaJderatton." to restrict l:lla acll•tty to broad•

cut.I. Vlblltt Ro, Marsh LI cur-

D ■ M d renur front.Joa tbe Wln.at.ono

P0

.~!sT!~o !RHJ~ rm~-L~ ~ -,men1co O ugno ~~~~!!;0;l~l~~,i~~ bock WIil fty to New York ■ ■ b k a.m·a F1>1llea atarllnsi nut

~~;t~~:~~ ~r;~JJ; IS coming ac m~~~IO B~EAK FOR You'rf' Not Around, · and will i.alle onr i.oml! tr-arkx from DOMENICO MODUGNO. Itrtl!Bn song star who made his REX RUTTLEY ORK h:.:' ffrLhcamtna LP tor Patio- I Britis h d6but on "Sundny Night Al The P aJladlum " Tbe Ru Ruuley Orcb ealM1. re-p J°:;M,y ts re.ld l'nt a t thf' ,Satire Inst week-end. plans to r e turn to Britain In lhe New Year. ,.,dent at Ktneatnm•·i. Ritz Ball• Clubf W.. and tho M•>' Pair I Normnn Payne. ei..ecuth·e ot - - ----- room. ma1tr11 I~ broadcutlna Hotr lhe Mu.sic Corporation or BASIL KIRCHIN dfbuL n ext Tbur d aJ 111.30 a .m. '!::'!~-------------------------. America. told the M:\t : ·· w e LllnLI. It. air,. aaatn on Novem-

• hope to brtnJ h im back for TV ber 27.

Bf!~s:~~1118ggte\r:~4h~1 the GOES CHA-CHA Joi3J~~hc'1i~~~ntnL~f:.~~~t 'M

New Year. &'I WO h&VI' llllf'd UJ) a klnley. C)'nthln. who won a

/

blR SUHl.'!>ldc tour tor l\lodurno 1.> ASlL KmCJUN I.JI re-rorm•na " Mualclan or The Day ·• award followtna h i!! prc,-cnt 11:m com- 1 J.> hi, band u I cba-cha outnt In n Ma.oov M,onit cont~, In mttmenc.. In Rome. I .. With- cha•chn cau•hlng 0 0 In 10&8. 11'1 the wire of Edmundo Roa 1

New disc a bit WI\•, J fil\.lte n ow• .. the tlme trumpeter Trl'vor Lanapn. to laun c:b out w11 h an outfit on

I "A moor the p:al't hf' will be tht'lf' lines.' Bt.bll to!d the M~ I a ppeunni; la at. L:ia V~.-i• •• Ullllnr wtU bt' Ba~ll Klrchln

Moc:tuano mad, a hltr 1111 when and his R.ock•a-Cha-Cba Band. Jazz Adriser

... OF THE YEAR

Eartha purrs Tf1c1c comedl(llll arc Bnr11ord Drr.-,luw (8/t. IS fn .) amt Clu:irhc Droke t&/C. 1111.1 ••

rc/1ear.sala.

her way to success f"E loyal Va,ietJ Show-that mixture of chao,, cigar smoke and on-stage

n•••1-i1 o•er for another year. celVed lj1!.neral IPS)IOYal.

()penin• wUb l h.e hull at " Laay River •· cwcn co111po,.rr Ho&o c.armlct111et could rm, ... The 30th show presented

on Monday at the London Oollseum, will be remembered ror two vasLty dllferent act.a-America's Eartha Kitt o.nd Brita.In's Roy Castle.

Owners o! her recordlnp will know that. Miss Kitt, bas a. voice that. sounds like Spike Ml-uiaan slnain1 from the bottom ot a waLer tanlc- In the ftesb she ndds a feline ferocity and a auper'b sense or Llmlng to gtve

,---DATE FOR---. R«onllocs made durtns

Monctar·s Ko,-at \ "IU'll'IJ PUfomtan« at the London roll.enm ~ffl be IJ l'Olldcast In t he BBC 1J1ht Pro• 1r1o1111me between o and 10 pru on Nonmber &.

'---SUNDAY--' added point to h er brand or sophisticated n l1hl,<ilub sonJtS.

Sheathed In the Ughl$ dre:ia aeen since tile Jui Egyptian. mummv v;as excn,1ntea, her wavering purr hnd the trndJUonally blw audience eatlng ouL or her hands (I n ear!}· \\-'TO le po. vrs, .

'Encore' SharlDJf with EartJla tile

honour or being the only artist nocorded c ries or "Encore," ~ayear--otd Roy Oaatle sot a big ~ to a promlatna career.

Unknown six months no. the

r--------------------------. qe,-Pat ffM'ed \JP I\ romantic

I .. April Love " and took hi;, how B• BOB DA WBARN ll'i~r, Bfuca~·i;owd•PICl\lil lli .. ~t.

# Mu e,aravca acored both " .. ---------------------------: comr,ere an d e>n tertalnn- hJa

c re w-e u t t e d Y ork.sh!reman , He certain 1, earned b.la auccaa DaClced PIS. sonp dancin,: Ute h•rcS n1-tn101 more utrum~t and oultar playln~ pcr1enced aru,t.1 would haH

... hffn p u L o ff br the UICTt'Cllble lnto Is brier nee. J d in rrom behind h im u the ai.qe

was r,rJparcd tor the tonowlna •• 0()()(1 Old 01)'8 •• potl)Ourrl.

'Mio abo.., 1111 a whole b-ad obvlou,ty been p lanned u an at.tempt to pie~ rver,bodv. There Wl're ~le! UCCl'J)l& from .. ..... hlr l..&df.'' h Wbl'rc·a Ct>arue1'• And u The Hern' Widow;· c,om'"' ttl&ne. Uaht mualc. pop alnpra

I Spanl~h ballet. vocal irroup:i and Jazz-elabt bnt11 Of Don Rtn dcll'II t enor wlth tb~ C1rll Stapleton 5 1\0W Band.

lelaxed Pot loone Lacll or $\l.l'Dcseot rehmrsal and

nl'rvu led to dt.v.ppolnunrnt Wltb IIUUal b lJ naml'll. whlle n. H . Elll.ott·• • coon " act can hllrdly br c:onaldereg Ill the bm~ or l!Uil.C In ~hie dl\Y and aae.

'l'hc btr occa.alon and notorl• nu¥1r ~o!d audience d td. b.owcvcr. act u n spur In some cases. Pa~ Boone wu a cue In polnt. H LI l'UJ, relaxed pertornunce re-

anns lllld d'ance acl with lllm at&r Kenneth ~tore ~lna onr or '1\e b lahll>O'LII Mu. DAturally, rave w. bl.A •• Y'ou Need Hanll•:· oountered later b)· a nennUA Barnard Bre,.,taw •Ith bl• " )'ou Netfd Feet,"

Top band, The b::1nw. ol t.111ntovnnl. C)•rll

St4r,leton a nd Victor ::,11\utf'r were UHd chh:Hy Lo acco1111111ny otber ac\a. but ucb tuid one number to ILac-lt

Pnlnkle V11uaruan. Tonf H11ncoct . Antonio and ht• Sp.1n11h dancera. l b e Be\'erley bi11 era ventrl loqub•t non Parr)· ll 11d •• Sunday NIAM At 1bc London P111lloc1Jum .. co1npf're. B nil't' 1-·or• aft.h. nll reat11erNI 11tron;ty.

The Old Time Mu3IC H.,11 acencs DalU,..11)' IOt n bli; hund - Brttu.h a 'ud1rnecc bfo1n11 u aJmpathcl le to t hf' " Good 0111 D.ira " u thrr uc to r,crtorm1na nnln1ols nnd chlldrc-n

Mo,·1n1 mr 111tn1·ned ler t om u,e lhratrc- &rtrr the- lhrrl'•::ind• a-lu1:t hour pf'rfnrmnnct . 1 w~, lea wltb lllln(CA lull or l'lll1J~ amoke &nd nwmorl!'11 or mort' 11abt oo•ra and •ho•• mu..lc thi.n t hear tn an a\fra1u· dtt.1dc.

.---------------------------NEWS SPOTLIGHT ht' appr11rt'd In Amrrlu durtna 8 1111 KJrc:hln bll'I bee:n re• Ntw comm ltntcmtJI have torud

Auru,1 ;ind Sc•ptemll-clr I bookrd

at '. he h it of Man nut PNer Burman to rewl,rn b u. poal• £art/la K o,, 1t11oe in 11111· fcbulou.11 £1 .. 000 a11eath T ONI DALLI'S Columbia LP of t.hc •• s tudent Prince," released Tho "Yotarc .. Al.Ir'" latClit disc: ,um,ner. He ~Pl'nt b l.s fir.ti lion us A&R man or saaa Rl'• 0011•11 . ,: u 10110,c, u p 1,er f10J1al VCJrf11t11 Perform- this week. features a ,o-plece orche)l tra-Lhe bl~test assetn•

111Nr "~uarell£a " ahnd " Strada Jitt'h~)~.,u the SLr>1nd P,11115. I oM. «1rd11. He wlll, )lowrvrr, Nmlaln U!WQ u.· 1,11 , rarr(np 011 "S11rula11 N1011C ,H Tho bled bu E~~IT to accompany a • Inger. It ,_ condu"l" !>' ~•ichacl

spuh conclu• aively for I heir -.,.rlorlty,

You c111 ,eaddy ob!

fail! l uffil ltom yow Joe.al 1n&ulc shop. The r.twork of f1movs music clule,s who slock and reco mmen d Dalles lnsl rumanll covau l h• M11a count,,.

Artist• on ■uffel WOODY HI.AMAN

Amcrltu'1 Toti ARTIE SHAW

Amerkon \ ' lr,ua,o CLIFF TOWNSEND

s,u.,,onelru HENRY MACKlN1:t.E

Tttd llao1h ltu LEWINGTON

WALLY FAWKH T ro1tody1a,

•"" heoh •f 8rlthh, A'"••lc-....i c .... ,._..,.

clerln•NJ .. •

FREE! ---------1 mv,,,.,., , ... , ol l wllet O..lfNtt, I I Su~ .. , •"-. •~ I I I H,,.. ,.----·--- -,

Ad'1m..--·-----·----, I . • ··-··-···""·•·.. •••1111u I

IUUI IUJUINI. cun11 nam . ......... ~ C.2

'. OH An .P. w 1cb wl:l In• "" " r. w,tb thl' luhel a,, Ja:EZ Advl, cr. /•allodium" t11f1 &rtckend. ~ ,~.u ., u, .. .. • 4 cludl' thl' .. <' tll.l· ~1 1 1).1' u.-urd _____________ .:..;;.;.;.;;.;~.;;.;;;,;.:;;.:;.=;.:::.;..:.;;;,;.;._:_ ____ .,..,;..:.:,::.:,;.::,:.:;_..:.;:;.:.:.:,::.:;;:;..;;:;:.;. ______ .;..;..;.;....;.. _____ ....;.., .... _ _, Q>lllns by l h Orlo!t lat,t, t II.Ctr thl A lao due OUl lh1$ month Is month Toni Dalli's 1,itesl sln11e-·· I

Wlllk Wllh Ood," coupled wiU1 •. So Deep Is Tho Night.." LONNIE DONEGAN

IN DISC RACE Brllhh d lac tabt'le arr n.c1n1 10

cover Amtrtca's l111' t hit w.uln1, • Tom Ooolt -; .. b) tbf' Ktns,.ton Trio On Wedn~dl)' ll r .. lched lhc No. I ~pol Oil lht' us rha ru.

N11ca·1 !\11chart BIi r.•·>· /Int to Ol11111c.w l,1.-L w,•ek 10 rl'C:Ord Lonnie Doneaan'a Vl'rlllon ol t h l' bOllf.

NI•• wtre hopln1 to ru'1\ thf' d i.-<c OU~ he lore today I PrldlJ t •hen tile or1111ul K111a,.ton Tr10 p .lltrr wt!I ht' 1.11.,utd on Capitol.

Tape of the Donf'tan , t'l'Slon have bec.-n llown 10 the S1ate.; for reltut tbl're on the Dot lahcl.

A third wulnci or .. Tom Dool!')','' by Rikki P rlcc Is dllf' tor rcle11,.,o by Poman1,. ·

Boathouse trihute to Bob Wallis

T or, modern and tradlUonal Juamen aathcred u Ke.., .. Boat• hou.1e " tu~ WCl'lc for the •• 1968 JIU Muatclans' Oat-'ro"etll•r S.11," • ~

Thi Bau. wblch ma, bfCOme 1111 annual affai r, wu hrld at Kew U a t.rlbute LO Bob W11!11s. YhO ha.. recenu, nlumfd from bo.p l\11 and WbO.C SI.OrYl'lllt JIU• DIMl ~ rt.&Jdenl at lbt .. Boatbou.u.'

THE CRICKETS

It's so easy Q 7.aa•a 4ts/7a

CORAL

DALE HAWKINS

La-do-dad a

THE DEOoA a&O0RD COMPAN~ LTD DEC0A 110 & ALBERT E.MDAN.KME.NT LONDON SE U

. . . Voc.ll'l l Denn i._, PC'lrr11 has left

BIiiy 1 t't'DC'lll'li Orchc!• tra arter t.wo-1nd•tl-l1alf > ears. . . . B ••• l.t Jack Jurl'U has Jolnrd

the Ro> Kenton Band aL tbc.- Emb&•,, BAilroom. Well• 1n1, In i>l:icc of ~u11111l' ;5u1>rook.

Pianllt Jilek Ohll•er11 hu Jolnt'd Oeraldo 'i; "T11lk or The

'fo11,•n " Orch,.-strn, conducted I>> n.1rnond GorcJon. He P.UCCei:Cb !"rank Horroit. wbo 11111... lrft to rn,i!l&nc,•. •

,~ dl k lll'Orc for thf' >110Uft rac United ArH.,1.11· ntm •· I Wan t To LHt" Iii. compcued by Johnn)· Mandel and p i\Hd h)' " JIIN. RWIII) which In • c lucto~ Ocrr;, Mu ll ltran. Shelly :\1~11111. Rl'd Ml tt ht-11. Prank Ro..ollno and Bull ~hank. Su..-.1n H •> 1,ard b th"' &tar.

• • • Top aklffle atan. lnt'llldlnt Lon

nie Doneaan will attend a party at the Soho Crll.ar Club on Nov.-mhpr 26 to II\Unch Brian Bird" "8kltrlt'" t he lir,t book 10 bu wrtLtcn on Lili: aubJrcl. . . . 6 It nars In •· 'rhe Ted R&J

U8 Show .. on 80C•TV on :so,·rmber 22 lnctudl' Peart Car r and Tcddr J ohn...on. . . IBBC Will vlslt th«! Humr,hrf'Y

LYlltllon Oll ttl tor ll\"l' 01r-1n1111 by Ohrl11 Bnt bcr nn l\londn)' nod Humphrl'Y L,) ltl·llOD on December l .

A sonsation in tho musical world!

tU1nlral4'd It I ha lf.M'II bl•Mod•I u ,n 110~ ..

F■EE ! u .... Gull•

Now JOU con afford to enjoJ the luxurJ of Framus Sup,eme qualitJ New, lavour1blo HP. Term, now br 1ngs theH SuP1!rb 1n• strumenh wllh,n lhe rcnch ol •II who UPIIO lo play btllt r. P,ice.l unge from 6 gn> f~ 1 JW11or n,ocfel up 10 7 J il"l for lht GRANO STAii Cu, ... .,,. reson1n<0 eleclrtc mod,1 All ob l11n.1blo lrom your loc.l Mus,c Dule,.

A.II OANU OF OU1STANDJNC Cl/ITAi VAIi/£ 11 th

CALYPSO Cello Model tht hui. gu,11, 11 w,th lhe b ,9 1ono •• GnJ. or 311· o.pos11 ond 12 monthly p1ymtnll ol "2011d. ............................ ,

I N.., --·-··---~ -··· ·---- • • AdJnu ----·---·----·- I

--•let ,Duu,11'"9 10 lhel II IIIW '" c...,, .... , ., . ..... ,.., ..... ,.. • 111111 ether lratld 1na1,,.,t11h, ....... , .. , • , • .. WMf/ll fW I

JOHN E. DALLAS• SONS LTD., Oallu 1149., Cllllon St , London, E C.l :

Powe t 0-MtLODY IIAKEJ\. ~ I, 1958

• WI 11111111111111111111111111

!t!111111111!l11111111:l111111111! I are to Ill Ill Ill 111111111111111 1 Ill II Ill 11111111111111111111

AS a teenager, I know the teenage public

usuallw buys what it is told to buy. I onlr hope that Vic Lewis (MM last week), Steve llace and Co. wlll continue to plug wood music.-1. Fitckt~ Doncutrr.

The Dark Ages

SURELY this present era must go down 1n his

tory as the Dark Ages of popular music-and the silly teenagers are much more to blame than Vic Lewis suggests.

However. there have been encour alng signs of lateand rrom the old .. Six-Five" or all places- which seema to Lndlcale that. o revival may be OD the wny.-K. H . La/ford, Chtltcnham , Glo1.

MAIL BAG

Every week Uu1 MM awards 12 i1. LP1 for lively letters. Write t1 the MELODY MAKER, 189 High

H1lbor1, L11do1, W .C.1.

Hope, yet

T BANKS tor the Mllcle by Vic Lewis. which In my

oplnJon la one o! the finest. t<> appear In the MM ror years. Damn1n1, yeL DOL •ilhout bOl)C, It b a valiant effort by the mlUlcal professton·a 1reatest trier. Well ptared. Vlc.G. Brennan. Stoke-on-Trent.

TV's role A PART from hls at.atement

i"1 lhat popular mualn 1a an art tonn, I wholebeA~ly agree with Vic Le•·ls.

Let'a rtve the tttnn1era that betwr dCA-1 he speak.I or. It. can

be done thro111h the medium or 11uch programmes as " Oh. Boyl " and "Sl:.-Fivc Speclal.''C. M. \Vill1a111Jo11. cac/ord, S.E.6.

Integrity A. OAMPAION aaalnsl the

pop mustc rac1'eteers ts certainly what ls n~ded And we need men or the musical lnle,rlty or Vic Lewis. Humph and J ohnny Dankworth lo lead lt,-K . E. Ai hbJI, Darla1ton, Sta/JI,

Afraid to speak I AM aure Vic Lewis has ex

pressed the U1ouall1.& of ------------------------

many or us who are only a!rold to apeak out tor rear o! .belna lau1hcd at.- A. D. Morrl•. Stourport--011-Sei:cm. Worcs.

The unfortunates BEFORE nadln' the Vic

Lewis article. had come lo rt'l«rd the 11vern1c pop lovl'r u fully to blame for bet.na so ~Uy exploited.

I DO\\' realise how wrona I was. and bow much one must search to ftnd atncere llaht mualc.

Plt.v the unrortunat.e who doe, noL search-It on11t only toke a Cew months before be hu lost all ability t.o listen lo anything requlrtoc c:onc:entra• Uon-K. Morru, London, s.w. 1'1.

Brilliant VlO LEWIS'S aane article was

both relevant and brllllant.. -IV. IVl&Jlle, Dundee.

'Commercial' T EN years aao I apent many

Of course I am uncritical

:!III I II I I II I I I I I I I I II I II I II II II ll II I I I I II I I I I I l I I l II I I U II I!,;

says HUMPHREY LYTTELTON

Sunda.v afternoons at concerts by bands such aa Ted Heath, the Squads 11nd Vic Lewis.

We used to moan Lhen about t.hc "commercial ·• ltems-lhe ..-c11 arraDSed. well 6\Jnt pops from the CUl'l'Cnt Hit Parade. LltUe did we realise ho11,• bad the Hit. Parade could become.R. v. Coates. Fell:ratowc.

eTbue are Ju■t some of the lclttrt 1upportlo( Vic Lewis. OnJ,- on.e rudn- dlsAfl'eed. • ••

I MA KE no apolon for reharnlp;, In the com

paralh•e u lm or :aftermath, to the topic of Duke Ellington :and the critics.

Vic BPllerby, In char1lnc me with " netlr-hysterlca.l praise o f a 11 vl1JUn1 musicians." ratses luu9 which o beyond the current controver,-.y.

In pu.1n1. I do not recall be I n I overwhelmed ...-Ith hy:.tc, lo.1 In the presence or Brubtdc. thl' MJQ Ol' the Hinei.-Tt>ac,udro comb!Dallon, but •e'll lrt th.It pa.sa.

• .,_... or Ell'-aton pe-- Nonnnse I - li'6 ,v..-- And ls It t.oo much lo expect

tive" and free SHLJ. whose a critic ,..orth}' or the uue to SEEMINGLY Ju.st awakened fu1Dctlon It ls to wl1le up the ffet behind 11 pteJudict against from a lonalsh snooze. Vic concerti. · sweet.·• alnging, t.o point out Lewis realise$ that. pop music ls

A generous, but possibly ml$- the brl!Jlonce and buuty or not what It used to be, and t.hat guided, editor gives me carte lht" voice. bantone and violin ll charocter nomed Presley ls blanc/10 t.o dlscuss whatever I set Ung t.o .. Autumn uaves ''? · the l■le3t fad." like. It. la neithe_r my Job nor a r b r his 1 mu lncllnatlon lo crmc•·• in e ore uytn1 Onto t re -,._ ... _ "'" C f f • low·• records. It 11ppear5. v.e un: aenae or findln1 fault. OffS rUC IVe muat anal~-se his ,·ocal ability

1 dld not complain about the and ,tud•· our n10•1•·- ror Ilk• ODenlna Elhngt.on ,hows ror Allow Ing tor the tact. that we I h ~ • •,... the almple reason that my en- all hGve in our minds an n1 ts records. What nonsense ! Joyment or whnt. I did henr tor "Ideal " Ellington concert Not. content with turning us outweighed my regret tor what which "''l' would llkr to heo.r away from our peMs•1 \'rallng I dld not ht'ar. <tho111h ,hort or callllli In the Path or sin. Mr. Lewis picks up

And in wamtna olJ those combfnC!d U&_btnnce or the his Jillie Union Jack and tells wbo w.ould puncturt- my en- Almltht,· and Vic Bf'llerby, I us that Da,•ld \Vhltfteld Ila chaot'Jl.-nL Wlth crU;d$ms. I can·, 1tt ho"· Dukt could ha~ worth llst4>mn1 tO-\\hether or waa no more ~ threatening provided it to suJt all wtes1. not \l.l' hke his , otce because

H Ith • violence" than o mnn v,bo "''44 there not enouah wonder- · he ls thorouahly British"! ea Y Slflff h\lnP " Bewnre of the Dog •• OD fut mua10 In tho.➔c opening I wonder how many readtrs

• Ernoll Garner I RECENTLY came

across a 12·1.n. LP.. Classical Mu&lc For Pe~ pie Wb.Q Know Nothlnc About Olrus.sical Mu.sic."

'Wby can't. we have a almlw record lo the Jazs apbere for "outsldcra" who know utllc about Juz?-J. Moore, Rut.tlfp, Mfdd.:.

e Splendld Idea! Read.• !Uoore susre1t1 Gamer, Jonah Jones and the MJQ h masts ror aucb a dbo: Who ..-ould l.'OU aurceslt LP \VU-.-,_'ER.

In our last SOnpl!ters Guild bulleLln we drew att.entlon to t.he arrival oC American publishers In this country, and fore. ca.st. that they were qult-e likely to ftnd and publish IOOd BrtlJ.ab Items.

Now the PRS hu taken acllon lo ensure not only u,at they shall do so but that when they do, they wlh rive the son111 full exploitation.

A1aln the sonawrlt..ers are indebted to the PRS. to lhose who keep a watchful eye open on behaU of 1~1:· fcllow-,·rlters-and to you ror publishing thl• splendid ne9,•.s-Vlclor K night , The So11gwrltcr, Guild, W.l.

• All p:irt or the service.

Raw deal \ FTER rendtnri Jut -..·ee1t·1

• story on Dtcltll' Valentine, one must agree that he has had a rll\\ deal f rom hi!» recordln1 compnny.

JI the BBO understand hi., value sufficll'nth to fcaturt> him l'\·er,· day m Ulr1r rte\\ ma1az1ne pro Ir am 111 e · Roundabout." !-Ur<'I}' ~ should re-alise his V.1>llh.-P. Tc1111ant, Harrogau.

• Dickie's not 11-lone. See below. bis ILlle. allows to hnve fllled the will sell all lhelr Ba.sic records

On the count or "uncrlUcal But Just how "crlllcal" were critical columns or t. he to buy some .. thoroughly D kw aduL1t1on.· I chttrfully plead the critics? IC ph1au1 like Mo.on l\1.\KCR with construe• Brttla.h •· Chris Barber dLSCS?- an orth, too IUll l~ I 1ubm1t that adula- .. Ozzie Bailey's drootlnas." live pmbe and enthu lasm ? L ROJI, croJ1don t.,on ot me1 like H\Jdaea. • the ap~llln.g drum aolo .. and U I ha,e bttn .. uncrmcal" • nu, ho" many B:arber rans R E Dick.le Valentine's artlrle Came\· Cl. 1k Tem•. Stray- "the dreaded medlry •• fall In the put or Amulrong. colfrcl 8 le rtt0rd,-~ lut v,eek : another artl6L hom and Dukte EUinaton la not. rrom lhe cnUcaJ pm or Vic Hampton and Duke. u. Is be- with lood cau.~ ror complaint only permLMlble but beall.hy Bellerby> really connltul-e caw;e I om prepnred «> n.ccept Cheaper discs would be Johnn,· Dankv.orth. in a mu lcton mature crltlcal Judaemeut, the mnstr1-s or my u de on La.at November the Danie-

When lhry 111 r ncknowled1ed I.hen you have permwlon t.o Lhrlr own t,erms. J HOPE Decca "111 extend worth Bond recorcltd for Parlo• and rt,crt'd b}' lht1r Pttra In caJl me Emesc. Newman. Ir they nrl' prone to human their " Ace or Clubs " Iden phone 11n a lbum of standards Amertca~ t.ho am 1 not to fallibility, It has bttn recogrus. <or aelllna cl&$.SICal LPa at re- "hlch has sllll to be released. adulatr , Brll" able tor years-I do not expecl duced pnees• to Jazz L.Ps.- The onl>• other Issues by the

Ii. LI onlv mt"n of the dllltlnc. I lance th m to ahld n m1ruculously D, Padt,1u11. Cllt1t~r/frld. band this YNr l\te two smatu tloo of V c Bt>llerbv. Pint 1 uJ when lhey play ror me • LP WISSER. and an EP-deplorable ror the Chair Lcctttrl'r on Duke Elllna- bow \n~n!a~u~ d~~~~:t Seelns and beanna thtm ror Debt to PIS country·.s No 1 band!-Bnan ~ho ac'1n ~.ltTbcorldl •.}~!Coor.~ .. !hlhop, Ing "Salin Doll .. or th• lloohe fibr.ubat,,U,me lnl m~, lire. Iham p Court, Norwood, S .E.19. .. • .. "" P - c Hod " ~ enm ng ron, l em AT BRAND'S "On The • A fel\· polot•d l•tt•rs lo •he guts t.o er.tic, e:• as hr put.I It.. lft'.I "I Oot n Bad," no to find time to lecturr them on Beat" Is a l\l.a~·s entertain- ... .. "' • Personal!\', I nm more In• matLcr how fragmentary they whnL t.htv ahould do or be Is I a a d 1 . ,. recordlnr compllnlea concuor d t~e.,! rd In n cr1 IIC'6 ears thBn rmfiigb~:'"t "':h:o:'v':c'::btt;~:n.ii~§§~i~~~t.;,;h~a,;.t ..;;bod.;;;,;;;,.;.? ______ • __ .::!:n•::,:,:_:n~~as=c. !!!'1.~•tt~ • - 1-t _ v._·l\5-!m~l:!rh:l_d_o _Ul_e_l_r_lc_k_. _L_P_W_l•N•• his 1111.-: do•mrlaht lru;plrln1 NUt.

A.. for h~l111 M 11ncrlt1ca1,• I • - -ffll.bt. ~tall• Ill\' POEiltlOD Mn!. Thf' :'111 t f)l)\ :'11.\KCR hu a ru11 atatr or p1 otl',~1n11al critics. ruur, LOUIS equipped \I. 1th "saroolty, •

Footnote from Basil Kirchin

I SAW 10 Ellln:ton concerts and at tach one-partlcu

larly the l"COnd concett ac. t.he Oaumom on Saturday-aomewbere n11u1cal hlatory wu created . And 1'hat I \\'Ollld lllle to kM"' Is u://11 u:a,n 't U reoordrd?

~n r..P or tragmtnl.$ from each concert \\·ould hue aold well. and would ha,·e been a marnll1J a kttJhalce for Lh~ who u an• "f the concfftl.

J.tSt nne more point: lh01e t.lna•!>:Ud l'IOt.•l.S -..:ho CTIUClled Ule cytt>IC't' of prograuune 1hou.ld real~ that II rach member or every aurflt'OCC' had COlllPO$Cd hi, Ide-al prcitramme, Elltn1ton would hl\l' had to pla} about '10.000 programmts.

I •• nC'idrnlalh . Htnry Ka.lln

rc-porla that at Ou.lle'1 flm Pana cnnctrl la11 weetc. On.Lt ll&lw'1 "Anl,vmn 1-Ya" an.I one o, , .. MIier DU.mben WUI ~

.., ..

DUKE'S PLACE Dub Elllnsion, w1th his orcheun and Spac.men. BBE 12199

I

LOUIS ARMSTRONG and his hot five No. l l8E llltS

THE NEW ORLEANS WANDERERS Pt1d1do SI II.- G11""°"4h, P~ Oip1 Too T1Dh1 llue~ Ill ll:204

Giants Jazz

PHILIPS

N~ I, 1951. MELODT MAJ(Eft- Pa~ ff

BLUES pl•nllt Soa Price, who 11 .,. .. --4 on

a Contlne11tal tour with Jar Hl99lnbotha111, Doc ChNthata, J.C. Heard •nd oth• note4 iaza,tlen, II W\hoppJ about the "aa11-p,ocluctlon complex" ln lass.

ove_r here," he told ltabn, .. the 11rat ahoclt la ftndJna that people want. hJa autograph. In car:nerie Hall the rana hardly noUce who la Pl1'Ylna."

pla)'lna at the P and J Lounae hl3 t.umbler of whisky up, and ln Oary. Indiana. We'll be at thou1htruUy poured half Int.a SmlU.y's, Tuesdav. mr, 11ua

" We ltO t.o Oary every 11.1eek- • There's no WIJ ln the t.hal.'11 our only oul. or toW11 date v.·orld I can fNl the same -a.nd play at Smltly•s Comer bluea the •-av I u.eed to. And lladdr Waten

MUDDY WATERS, tbal .. tonlahlna blaea artlst

frorn Lake Park An nue. Cblca,o, departed for home on Monday nlrbt wltboul too m&DJ repela.

li\·e nl1hl4 a 1ottlt." ;ou don't w.rite blUNI down. H You Ju.st s ins and play and Old songs fetl th.e blues. and can't nobody

" There ore ~ many record companies, too many record.a. too many atara wbo are too qudly made," be COid Henry Kahn 1n Parts. " Sooner or 1au.r u:a 1ot to crash. You cannoL mou-produce art.. We're aUII en,loylna the greatncu of the grent Jau names of the past 35 yen.rs. but. where do we 10 trom here~"

Not lhat. he hn.d a bad tlme here. On the conlrary, he made friends all over the country and became quite happy about British audiences.

MUDDY'S onl1 rff?el W'H JJlnty Lhem except. these that. I hat nobody had told him ~~h ~~~j, 1~~l•~n'L play them

In advance about our tut" In A1i Muddy wa~r• 1astd goodlbe nllllltr or blues and Colk b;e. he added: " I lhouglit. we

"~tow I ltnow thal the people \Orstt. 0.c~p ~:"lrto"r loodt•· IOJ? .. ~! In Ena land like sofL ~I tar and tllry p:.Ci e~ hlmo i:-~.~ the ofd blues." he mid ·· Back "Olla aa the 1reateat blues home thcv want t.o hear the pla>·er In the world loday, on But he was DJ1Xlou.s to get !(Ultar ring ouL-<>ver here they piano He·s my nee I browrht. Somm11 Pncl!. Amrr1t·o11 p1011i1l. listen lO whnt you sing. Next. h im over Ill m}' own 'c-xpense. 7t promoter 011d ja:.: lrct11ru. f, lime I come, I'll learn aome old It. was a stroke or luck !OI' iroublcd a bout th r •· mru.!-pro-

Sammy alto aald : " I don't beheve modern Jazz ls goln, to htlp mat.tera much. elUier. I'm not against It. buL I believe that 1he compllcallons arialoa out. or l'-0 schoola are DOI. Ultely \0 help Jazz."

~Y Max Jones son1t1 n rst." Brill.th blues lovers. ductfon complrz" '" 1a-..z. Peraonall)'. I ltlte .,,hal he -------------------------

alnp today, and what he u, ed

Ari Tatam " FOR me, all lbe Important

thlnp In ,tau were t1napped up In one man-Art Tatum. He always produced new IOUTidJ.

" In the long run. I hope Jn.z:z will be Sll\tCd by 'middle or the road' at.ylea wbJch will atve most o/ the fllDS everyl.hl~ the\• wanL"

Price h u spent quJle a bit or l1me ln Europe since 1948, when he visited the Nloe Jllz:z Festl,·nl. and ho hos Conned a hlllh opin ion of European audiences.

" When nn American comes

bnck l O work. Durlni:t hla Inst week he did one sona on television- on cxeepllonally 1ood performance ot " Roll in' Stone" with on uncredited Ot is Sp:mn on plano-CUld aang a t London·s Roundhouse and Llverl)OOl's Mardi O ru Club.

The ldlt'nCSS WIU not t.o his liking, thouah he cnJo~cd nunself runnln1t through b1ucs wi th gultnrlst. Alex Komer and lea m ln '- 10me old ones from Korner, records

" It's a1t3lnst my nature lo be doing nothln1t ror four da,·s." he t.old me. .. Now we·u be In New York Tuc.sdny mom lnir. nv ntralght. to Chieng<>. nnd bv Wednesday e\•enlna we'll be

to do. But. I v.ns lnlt'rt'Sted co know how he rated h ta preant music.

.. When I pla\' In Ohlca10 I'm playing up LO dale." he declared. " Not. the blues I wrus born with. People ahould hear the pure blues-the bluea .,.e used to have .. ·hen we had no money

·· rm talking about .,hen you couldn't even b"!~'. moonfthlne. a hot dog evt'n. when ~•ou were moklng 35 ccnta a dny.''

The Ace

'V ,R~JISG to bis uplanatlon, l luddty flshrd out a

bll: handful o notu and Oourh1hed them.

" How can I have thnl kind or blues with l h ls In my pockrt ?" he asked. He lift ed

1T1mta: 01.M'I 11.Jo-., .• a T : Rrpe~t of I It. TUUOAY. NuY.-MatA " ' Y 12 0-1 0 E•Q : laturdar Nf&hl Ch1b, 4 ,o ~ 0 •• m. 0 2 . Jau Mutlr .

IATUADA , NOVIIMIER I I l~-2 0 II~ NollrWOOd•N•• York. 4 4,)-5 D P' I. P farr, Arn, , " Jau 1).11-11 U am A I: Mtadl Ltwl1, Hew Ce11t1•1i0ft " "''"•

R111hwtl, DlaitlO, K. Cla,kt, A•• , l>l t T · olonah olonu, lhaw. dt.ll. Mullis11tt. SUNDAY, NOVEMBER t a Carntt. Herma•.

?2 t,•.J 41 pm O 2: Dutch lwlna 7 IW I T · Ma,, HtrtJ J1lrlu. HI• I 1>!11 O 1 H-••Hlnft. C.nOOn•T -CotllJI aanct. LA••• lhurtn1. Pre W11 R111u11. Jam11 P., loo

I:? 2>12 40 A • 2: s, ..... , HOPI, I a., 0 T : or,. Ptcou. lhank, Dir. Ca11. Ahmad J amal, Sh11rfn1• l'ive lllnd Ion, Riv. 1<1110, J lmmr lmllh J lmm, R•no. M•r. Norwo•Wc.b1Ur•lidl100. M• r•• 1<ni1h1. Or•••• lralt. :J. V1nnf1 lurkr. 1 J0-10 o N Jau Pro1ramm1.

2 •r..2 4) •• 2 Rhrlhm II T heir ■uJ I• 0 10 10 0 II. ..., Ja.u ,.... I O I !'>I J Modern JIU IIH. ncu t 3,..9 U u · Pa,1nu11 911 Leult. t •• •• 1 Jau 1n .... _

> :D-l 40 n Jan In Dnei.pm•t. 1: ~:, t tt· J•u Oiset- 10 •1: • o t. ■oer•• Na• Denn. 4 1M U I. lw1n1 Strtll■N. I ,0..7 O D L Chari~ Mtlwlllt. WCONUOAY, HOVtMatA 111 l.•M O T M1K1nt1r, Olen Qrar, MONDAY, NOVCMIER 111 $JO-$$) pm P I Modern Jau

P ea.a, Lff, Rlddle. I 0-1 0 11 m O L : aan11boa. I 16 G ·~ 0 C. Jau h u •on. a 6-ll o J . Th1 1<1n1 01 8wln1. 1. •s .. 1 o T : 1 .0 .. Sh11r1n1, IJna•ra, ? ••• • o 1•: 1 .0 .. Ella. Pr•cJo. aa,r, . e l!t•9 o 1 ; Tatum, w1t•r•■u111••••d, Prado. Jamu. Herman, l<rup■, l;rti&ln1 H■wll l na.

M ill J. •Ch■rlH. Coolltr•lhanll, AnlllOnr. 8 . 15•W O T lb Olindtm:ann Ork. MJQ. Cennor, CandOli, M••U• I 15·0 0 T . T01h1ko Alllr .. hl. Wt.II• COtnmull) . Herb 1111,. l!ldr id~. IOfflff1 lrellMra. alcr. T . ■ealt, Diz. CtU.JU, Leu,s lddll Oa•••• l1lwer ,H1ncknen.

to., U W Jau TlmL 1m•th,Oh1r l11 Rouse. • •• , Clb•H-Jollr t ~I U C • Edtlhaaen. Rlt• Ana. Clatll, Ari T■rf§r, Paul Chim• I O t O t' l J■.11 1-, t,tryena. t 10-1 :loi t • Carlot de R■llm,11,. bin. t :0-10 o Q Cannn Ja.u 1'110,a1. t ~9 u p ◄ oa11,nan H••ll lnt. 9.»t $S J Ill 8.1nd Sounaa. 10 1 11 o o J•u J1urn••· t J!>•lO.O , . Ja11 Qall1r,. S >0•10 JO aa,p K . The Oullt In 11 10-!J O I. Joa h Whitt, Lerer t M-11 o II •o•• .o II m. 1: SchnH• Sw1drn Vlnn,au Si•. Muhlto ('l"lilh

1t1ql. Mlilltr, Dltc Newt, ate. 0 3)•10 0 I. Ja,1 Actualll lct . Hawman and Adderl1-,). :o 0-11 o c . .... , and l■tchmo. 10 &-•2 O J . O.J lhowt 1n11hi.l1 to II lO 1115 am. T : ~peat o f a. 1,

_ •_0_s_- ,_2_o_J __ o_ ... _ . _h_ ..... ________ n_ ,_,,_a.<1_ .. _~_,_. ________ .. THURSDAY. NOYCMatR U I

I t O IO pm r ◄ Ollcrwalll 111111. , 0-, 10 P I Mtlltrn C.mbe.

PARLOPHOHE WELCOMES

TIN eontroHr■Jal

LAURIE with an l!lP

•JUNOLa JAZZ•eleev• note by C)' Laurie

...... JUNGLlt BLUaa

KINO O~ THI£ ZULUa

WILD MAN ■LUK-a

ALLICIA TOR HO~

.,.,..ennel Celln Smith • T~u-, l',tlJ C, U,Utlt • Ron Wulh«Mn

Won• ChlllldW • SIJ/1 Lttd• &II O'M•llr.1 ;.::-.1.,

PAR.LOPHOME r,.....,,_,., .. ,-11.,,,,n.,-..-t' .. UI.)

,... .. , ..... ~,ia, ....

8 ,M.I. -•ores• L•• .,.. .._ C.-• •1. a.onoon w.1

, ll• IO T C.11 J■m-. Krupa. I 11, t O 'f ..... DIIYII. Ll,tnctlOrll.

NHnt. ■ult. P11rra1n, John Lrwlt.

I U ti U I' 1• Jar, Primer. !I lU 1n II P' ◄ • J lm.,I• Noone. 10 o 11 O P Ellln•ton1 Liberian

111111. T•llootd arldo. 10 10 11 Ill DI Jau Cha.

.. RIOAY, HDYtMll" H I 4 JO.It p • t. Chick WIMI and

£Ila .......... _, t 10·1 -'II O 2 Jau Mu1lt. i U IO T : T .D., J .D. , Thornl Ill.

Horne Shaw. 7 ◄ 0·1 0 Z Jau • •• Carll 1 1.,, o T Anita o •oa,, l'1t1non.

[14tlllsc· CIU Dl••l.lllMn. lll■• CMt-.J111,. Dlcun...,., ICrl,llt&.

a »t t n.nam Th• "••• Jau. I IM 4) P' I Jacll Stl:i Quarllt t "·' O t,1 · .,.,, Prai,amme. I ~Q.I.N J • ll ■ ra er Ju,. •o 1r..11 o O I : Jau IU1l1n. 11 ,0..12 II II m T: R.·pt,11 of • I~ Prot r;amniu 111bJtct 10 chan••

KEY TO ITATIONI ANO 'WAVlLl!NCTHS IN MtTIIIH

At RTI' l'ra11ct I. I - int. 41 J9 2 - 111

a i RTI' Prano 2. no. "'· ,11. l)t Jjt 44) . 01

0 : H1h,,..11m I Ol 2 ltl. DI DOC E-◄f◄ . 1.,-•'°o. 241. I! : t,101\ WOR: :sot. •n. I t U f : Otlal•n Radio: l - 414 2- '2•

:I 217. 4 - IH H t RIAS Dtrlla 303 11 &WP' 8-Dad,n 21s. ,., IU, 41 " · o1 1 """ :,o na. kl •1 8BC IIOtkholm 1'11. W. 20,

JOI. MN. 4t ltand L1 NR 0-lo 11,1. 3.J7. 221. 477. ••• 2S

or 31 band•. Nr a.•on1• c .. ,10: 20$. ◄9.?I con. 0 1 DR Wonlc/1 311. 111, 0 7 P l l:IDR lllllll•fl 621. 4111. 0 : HI\ P,,onkhzrl ~ 111 : 1\AI n.,u,. ~. 290. 2•. 41 II I : Cu,.~ I : ICC T : \ OA 7 11 and I tt· 49 SI 21. It.

II rnfllf'-11.!Rdl. II 10. Ii,. tl.W) wa Lu1rmbnur1· JOI. •• 21. Yt SIIC Lupno: OIi I . Z1 SIIC 0,nr•• l.a11111nn1: .,. II

IIILuCL -F. W. StrNt

vor, 9et llftwe TWO IPHDSI l l end 11 ,,,_ r • r '" rhi'- .,. c->1raorJm.1n rt.,"'• 1rmc .t O\ff ◄ haun..,, - Ttl<lur,\ra D.P. ·repe l with

* TELEFUNKEN IEAL Bl•FII ~1h(tt<111n'M;, un11toffo.16.Cfl• 11 JI Ip• , ,,11 ~ti t,Jchl)' of rtproducuno th•••" far l11, ~ .. s-tthlc ....,1, •• , t and c, ca '"chtt ,pc,rJ .. more for

your money I l IUNDRED POPS ~O DI OU TAPEI 11-11 NIIIJII I 11 ◄ I. I' rttnrd• e.nd • t (;o.. 10 .000 C , •• ■ tlUAhl\ -.h1ch

II al •~ i. 11uh 1•l,r,w,1o,crull more playing time I higher fidelity I Pill IUTTON CONTROLI

indud,n,r •l"K" atrop anJ ',-u,J..

A, -,, Tablr Modd for d1 -r<1 u,e ""11h

IUfd loo~ attluJle

• Hl!IAJ prtl:BI

TWO IIAONUIC HEADS -. uh 1u('C'r11n, ••I u ""''"' fo, lo~ hie anJ 1111, 111•d11) •• low apccJ.

MODUllTOR CONTROL for m><rnrl -"C' ~1 , .. ,.., .... ...,. cwnhocd1n• C"11bM~t:J9 ruordon, Ind.

TILIPUNKIN

Hl •I I t~•pcncnt and n.Jio.na, So KL7JK GNI

r.,,,..,., "'''""'" ... KL 7 J T-4S GNI w, ... ,.. Mien..,._

••• and ber1'1 the 1at tllat made Ht-Fl hlatoryl :a onl ,pn\.rn ba,c 11rl i. ••• ._. uo&a ••th l ll<PIJ'1llC '"""' • ... .....

F ru puu, but,..,. i,1H 111,n.nlu1, conuol ..,,h quotl. .,,.,, e,.J anck bunone ... hich """" IUIICIIIO~• .... of rccord1r&1t.

O.u4haunpu, •11I, l'clcfonhn T■-e 11 Jk•P" u•,ni ; "" h r«le. TM Kl.ls • can 1w ....... ............ . ~h-~ uw ,r,,,\,,. uoal , __ ,°"""· ,1..,,, ... 1, .. 1, __ lffll and bUJla.,n •rl.ut h,r cJ11,..,. u..i jojnlna u pa.

TILIPUNKEN KL IJK

TELEFUNKEN * Tbe orlg)utors ,, tape recordinc

-----~------------, JI ___ .J ·116JJ I Pleue ecnd m" foll dca,ulJ ur the I Pfllffl HUl'II' I Telcfwtken T11pc N.c..:urJrr• I for ,, .. 111ualrated I I broch11rHolTal.. NAN[ ----·-··-··----.. -·--lun••n fflodala 10 I I U.K. D,1lt1bu1ore I wu••• I ADOkW .. -·--"···-········-··-""''--"·--u1N1tant1 tff I

I ....... ".""""· ···"'"'"""""""""········..... "" ...... ·"·" I UJITHD ltDtlWD L..---------::...1

Pog-• 1 2-MELODY MAKEll November I, 109 • SUNDAY-contd. •

IIUltlPBBE'Y L'l'TTELTON

CLUB Mack's, 100 Oxford St .• W.1 Friday, Noucrnber 7th

WAlLY FAWKES AMD HIS TIOCilODYTES

S ot11rda)I, Novcmber 8 rh ALEX WWH AND HIS IAND

whl, lll'n IIYDIH

'"'·"··· lty o•t DIIUY' I IOHO lfflNG QUINTIT

S unday , Nov('mber 9th MR. ACKER IILK'S

PAR.AMOUNT Jlll IAND Monda y, N 01Jember 10th

OtRIS IAllER'S JAll IAND whl, Ona.ti PATTlllfON

Tuesdo)•, NO'Ucmbnr Uth MIO<Y ASHMAN'S JmMEN

1- t ....... o•aut lrlHOP

W ed n.-sdo)', Nowmber J2dt HUMPHREY lfflllTON

ANO HIS IAND ... , .... a1. lty-WAUY PAWICII' QUASTff

Thursday, N O'llcmber I 3rh mtRY UGHTFOOTS JAUMEN

~ui..uc-. 7JO ~ Slllli.1,15~ O.•••h o1 Cul, - 54,...,,1, omH.U:. O.'Jlu. I C.,-u t o,,...•Sll•e l, W. I. GertWd 7'9•

KEN COLYER

CLUB &t Studit ' 51 10/11, Cl. Newpon Slntt,

l1 lcu111 s,,m (Tu••> Open at 7 .30

Fa/DAY KEN COLYD'S JAllMIN SATURDAY KEN COLVER'S JAllMIN SUND.~Y (7.15 ) DAVE REYNOLDS' JAZ%MIN M OSD.-\Y KEN COL Y£R'S JAllMIN 'Vf:ON&SPAY TMIE DAUPtHN STU:n SIX

ILL ll5"T IUIIOI, SAT .. NOY. 15

PARK LANE .JAZZ CI.IJII C,.,.u,. .. u . ltetLea1 LC:..,...• Tiu L1u .1t1itc.11 at1uluwow fo, Jinn

MODlllN IAD ,,,.,., .... nlay

TED POmR'S All STARS lay ,.,i.11c de .....

BUDDY FEATHERSTONHAUGH CHARLES IUROtEll

TrHitioul Jau THJS FIIDAY DICl CWUSIIITI JAU WI

Tttnw1dou1 ,ec,ptlOIIJ n'2'!~( , •• OfARLESWORTH u.,ERS

,,._ ... , hnS. ... C..,-. ..... ... I a ,_ --~ ... ...... .... .--.. ---· """.--. .... -. ---·"·" -.s..---. r--.1 .. ll ---°"'• ... Cllaa. ......... u ~ .... Pwlo,. -. . ... Uftt- ..... ~

IAHES TATII AG I NC'r CHI S~I

Ttff

NEW ORJ.UNS JAZZ CLUB

■RISTOL Pre■ellla Ille

At

AVON CITIES JAZZ BAND

fl. MICIIAIL'• NALL, CITY on Tuo1day1 ... '"·

wo■■ALL ■OOMS, CLlffON on Friday■

7 . IS-10.30 •U i-u•UJN

IF IT'S MUSICAL

let Lhe M.M. sell I t ror you -whether lt.'a an old banjo or a &.op-da.sa tenor ax. uiue·• a bu)'er amonpt our t 50,000 rudera. You can buy throu1h the M.AL Loo.

Advertise wher? the mu.!lc&I oro re.lon wUI aoe It. ln the el&lllil\ed columns of MnoDT MAICER.

POr ■mall ad.-ertt.sement.a 1A t.hia I.MU" Kt &lao l)&&e.11 LI, H an.d l&.

RliO 1.IOH Lepl.Onatone. Naw CUI■ FREHEIII CHA,CHA,CHA, ,It,%%. 1.30.

$0UTHCHD4W CLIJ■._ArU"!l1,on Hell Ll lllh♦on.se.a. a.-ss- : TelTY UttbUool New O rkaru Jaume:o.

CLUB CALENDAR 1 ,_ oer word

• SATURDAY • GLU■ • II," .,ulerMAIII UM ..... , ...

ll•1t11t1tn1. •1 Cewllll,Y a, .. . . ,. "LetlMft'e I nUst aaele111,"

•l'■IOAY, ,...,..-., llb l TONrCHT. .,,.,,._ ucltl.. al~ nllhlff f .. l!lfl lll RHYTHM 'N' llUJU/ IAJ:V DHA•OHA~HA, DMre 00111 11 p.JII, !llllll 1.311 a,m. Y• I A l'IVE,AND•A·HAL.l'•HOUR HISION, •IATURDAY ,IIU.•NICHT IIHU>H 1 " IAZZMA•■RI "I Yeu wue fan• latlel Wut • MAlaft WI WNII I •11• wh••II Mt,_..,._.. Jllll ffllll ... HI t:an .. .,_. te aiu when II a ll "-"' ua•n thl• w-♦ AL.UN CAN&.CY. RON NIJ! ROIS. Art Elel'MA. IUII ,o...._ llan •a- appear aaa111 a•onlllldie "' ••nr aue.t ar11111, •• I URE TO COIi■ EARLY, Til1 doOre

A ■IC Of/MA.NO ror l'RAH• MO■~•• Modn n Oroup at ftlcl111tocd OOlDmtlllllf C:COl l'fl, I.Otlllbt. 1-11,

aloeed at 1,llt r"'• lul WHtl, Oeore oa,111 12 111t•nt l until 7 a.111. Yea,• A HY■N-HOU aa.lllON.

•&UNOAY AnDNOON,_W lllJ!'•: ............ .l RHYTHII •n · ai.u .. a. ,IAZZ. CHA•11>HA•CHA.

■Htalft'• ..-,., IIIOdtni Lau ,,~. Open • n l-1111 ••dllr, 52 "*' per ,..,, .ta• l(f'!,lllt' e

"MU al the l'LAM•HOO," 2347 'WIITIMIU' llr .. 1 W ,I.

•TONIGHT tPIUDA.Y) at ~ 1 1 THa ,IAll COURl■II

TONY ltU.EY QU•HTn ••-'-""' ... wra, .......... ~., •IATUIIOAY Cllh) at 1 1 111.e a,ew e,ouodl ~ •l"Offlbol'lf l

TONY Kl..-, GUl!fffT BJ dem.aadl L.Qttflll UST QUARTET •IUffDA.Y •ftll) al 71 rrTop Two"; TH■ MU COUIIIIRI tMOr'ttlln 11 .... ... tt. TIMr Har•

":OMY KINlff QUIHTIIT PRU MIM■IRIKIP TILL "INO 01' YEAR If ,au - kl- ... I •WWDHEIOAY (UUI) at 71 •• 60-601 ,. ; Marr, W a.I la C ha.clla J J&a bJ TONY Kl...-, QUIHTlrT

Oamc,tra: T•, HIIIJ ■Is Curll .. IP-S:CIAL Mbl eRSHIP Ol'P■R I 11

-"" fW llriu el '211 ODIJ 10 • 4111 Joaa'ii. INOI 6eod P .O .. •·!-J~!' to t . W 114M, Nonb B.a.r1"0W -die• «ex, at-••

ITREATMA_M__,DO"""""L.ftfl--N CLU I , DS, atrnU- m.11 Road tatruuam l l SI), "'t7 l'i'1d&J a.i I p a • TM MU:e W'Ul1- O rO'llp . Ro,- aanDanS Oniup, Oery wthtrs &Del IIUHI eC4rs 11'tdll.rad6J: WUre WIUlanu Oroup Dia.a ~ - l"tlll, llcvlwd. Mein• bershlp tee ~ , lq uar&er ). FNc ad· m!ldoa oo ar-n n t111t.

• FRIDAY (TODAY) • AUHOON LUNCHTIME A,ATHYI

CUT Ttfll OUT-ll'a worth II at Pl.HT ITIIUT TODAY. RoJal &coc· tlllll o:,,,pora.t1on ... _Fau«r i..~ t'I.Al-1.a. llOaM of we PMSI OAHO,

ALL Cff RA M mtin~nbtp, .-alld THAIIQ HOTCL. Bamp1011 Cour t : IOIU! DANIR.I b!:LTA ,IAZUHH, Llaun. Jin. U cenafll. l •I t n m. AT THa "LLAR-THI CITY

RAIIILUII and •ACK u.LIOTT. AT aTRCATHAlh 8Yin~n" -.ulollol

In Qi, DAY11 C.AUT .tAll.■ANI), -~ l'aJ1t Uoul Wllclum L.IM 1.)0 p .m.

a1RDU.HD, De.nt10W lltlld loe. Oll&Cl• ell He:iLh . UIO , Thllil •e~k: RONHll ROIS , ,IC>ffNNY HAWHWORTtf,

■RUG« TURNl■'I J Ulllp B& n.d Tectulkal CoU- t:. Wallh.ai:ul ow. T • • t.omall1.

CMU.M■,o•o ,IAll uua. OdNMI 01- llallr-. Dllddo• Rolld, 1 lA Ala. WeWI 9-Dd -wllb Be"I DrJClfD,

CROYOON .,,.zz C4.Ua. ITAfl HOTU.1 MICKY ASHMAN i,nd hi~ Band: 1.Ditn&l 0r1, u.1 P11••c~ JaU • baAd.

CY LAUR IE Club, C, Lau ri, ll.lnd . l . • ~l0,4t ,

DARTl'OlUh OOH n u .a.,; .tA.Z:Z. IHN. - Bull B~L

DICK CHARLUWORTH. Par\: LAne. cror don. - - - -l!RIC IIL•'I I OUTtUUI N ,lr\U, IAND,.!IOUlhern Jau Club. MUOIIIC Ball. - . llllb Road. r..e,1on1tone.

oa:.v:.=._ ALU. W ■ LI N Dt>n ~ . aodal Clllll

HUCKU■UClt, Sddl • Thomtuon QuultL-.. a..s uon:• 112, W«ll· lllllU\U Dr1dll Road, ILK.I ,

.tin tonl1h\ a, aRIXTOH flOLLaR RINK, 1..IO JI.hi,., to Pal Zv1uu J illi Or-01111. Followtn1 ~ la.11, . No,,mber HUi: lformao Dar aJld Illa Dl • l tl:and Jaumm.

• OLO TIQU'I HEAD." t.ft : 11111c mtdlcoct·• Qlll ntn. 111•1.1. 110 Admla&loa tr-. ----PANAMA "'!DIEN. " CRaY• HOUND," IIIOHILL.

IT. LOUIi Jua Club, S im P■ rlt Bo~ . Hom chunb lftH.rt.U IIUlon · Elm Pa.rlt l. .Ouie.a 10 hold, ca.r Pllrlt ad,Jolaln1: tan B«II'• Juziund Nut wull:: Diel Cllarluwonh..

AT THfl C£LL.ARJ. THE crtY flAM-•1.1111. Th• •ETIIOPOLITANIS, EDDIE P&ARCII,

And Anolh H Orf'llt All•Nlahl Beulon. ,nldnla h l UII 1.30 a fl\ ,

WIIT INO ,IAZZ.MI H IOHO aTOMP£111

OUP ■A'fOU ,IAU..IHH and O IIMl Mu.s1ct.1n,

IE1lKl!HHAM1 PANAMA ,IAUME.N Nl!JlT WUK 1 f'aacy Dreu Ball,

n~~l~~:~~d ~~~n:1'7it.t~0'i~:

102. 10, 20$ IIOP ouuld e. QUttn E11Db,1h • ••Pl hfrt. LORD CHARLII• WORT H Pl1n1 htrel Phu, 1onl11h 1. THE aAIHTI, I p m.•11 pm, :J I

CHIIL(HURIT CAVU , London'• GIOal UllUJll;>.I CIIIII. 1011l1h1· Tbc fabulous IClHNY aAu. and hi, :a».nd , ptiu •ups,orttnJ 1ro11ps. No.l to Chblt.h1.1r,,1 dtallOft (22 m ini lrom Chartn1 CrOHI. Ha\'I a ■AI.L W'lth ■ALL I

COOl('I PERRY l"!Nr ■IU. ■ROHIKILL'S ,IAZZMl!N.

CROYOON JAU CU.II, 81Jlr Uotel. M ll1e Dantell ~ll:1 Jaumtn

CY LAURII Club. Ortat Wlndmlll SLrUI. 1. 1'-IO.O· C, l.;illrie Band.

01c• CHARLUWORTH. no,al Porell ffolfl, Chlnaford,

DICIC CHARLUWORTH. All,nlchl Oha rltr J 11u !hit. ldtrathnm.

HARRINOAY IAU CLU■ 1 MICICY ASHMAN JAUMIH • lUl OICICII IIIHOf' Trio 8ff Wf'dnelda• ror Mlduu.

IATUflOAY, NOYEIIHII 111 A " HIT " HAUOWEEN IALLI

MR . .... I( . , wrw Ille lllr~ .. EYSRY■ODY WELCOME. Fllh and

t11u 1 e1ele1t1 · ~, B&Lurdar. KIW IOATHOUH. Cb111-0ha. rec.

wll h J ohan, Rom:.no·a Caribbean Quln ltl, 4/•. ----

PINHIR_.._ Whllllncton llolt:l. v•DDOn u .nt .

No mttllna ~ wetk. ,uc•MANIWORTH: Tb• , .moll.I

IOUTHlillN ITOMKIII and PAM . • . •• H l1h &oc.ltlJ " V nnbu a. , ueau.Oddfrllowa Ha;;.;.;11.,__ __

TERRY LIOHTPOOT'S N t • Ortu,u Jenmtn The C>eol"lll•n Jua Club. Hllh Slrtel, C01'Lty.

WOOD CRHH: FAIRWCATNIR• lflOWN ALL .. TAIIIS • 8M TblU 'S.

■=- CLUl1 ICIN KENNEDY J•U.• ~ct. All 8:1lnU lblL WntUIDnt , N.20. C'Dfflnt• nt1n1 I P-ffl-

• SUNDAY • A BALL wlU1 OALIRAITH'I JUZ•

MEN. A:11 ,IIVI CONTUT - thll'd heot.-Tham" Ho tel . llamptoa Oourt

AnEflNOOH. l◄ pm CY LAURIE: ctab; lhll Ontnulll'a J;iumta I VIN• INC, 7 ,~10 O ; 81'1:in n,to1' Dana.

AT THI CELLAR- THI! CIT\' RAIIILCIII and STEVE IE:Naow. Ope:o lkuion . .;.. ___ _

■ALL.ADI ANO 11.UEI, " THE HOOTEHHANY ," llor•t1 8h11, 1\llltl rne.u Dominion Thflal1'rl , Tou,11 \i:lnt Ooun Road: 1,11c&o McColl. h i ,roy Colt.m11n J;,rll ElholL Plar.-w,11 pro-an-t.-'1 u~-- -

UROH o, TMJ: ■AIIITOtff, IUOOY l'f.ATHERITONHAUOH, IOIIY WCLL•NS. 11£HHY IARICIR Tr,o Sfa.1 .ona• ftr'lt .inn1•erorr -.. 6'ar and o~rl,r." Pa1nr1. r , trn• aion L I' pr,r_,_, __ _

CUI■ OCTAVII tlOMd unlll t ur•II•• ftOtlu _.,, It I OOdtna wuc h th lt •I-.

COOK'I ' IR IIIY INH1 Br1 q ,c,ur rrv, cnr ror 11·, C'f LAUIIIII ANO H•I ■ANO.

DICK CHAIILUWOIITK. ~ r bf Amu. &;ul 6 . .;.h;...tt;...'I;.._ __

EAL.INC I ROAOW AY. " f'r,1•hrr1 ". T V. Sl.lrt ALPHA JAllMEN, .1,rirho e11.11n, ___ _

HION WYCOMIE. C,dtn ., Hall . Pr,,.11U1r•. 2 1t• fllOflCAtOll:O AND RIOPl:H;...E;:,:D:;.;';.._ __

HOT OLUI OP 1.DMOOH, 1 pm • Rtturn •JU or I.hr fnuloua IIE:N COLYl:R'I ,IAUMl"Nc Wl\h •.nttrn! olanull ROH YICICEAI. - 8hat,s. Pf:&r-e Hot.I. Po• h Slrcot. Woolwich

HUCKI. IIUCIC '! 15. Rh•lhm anti Dtur a and O,,a-Ch !ii. 18tt Ptldllfl ,

un•11 lo.•••• ·•• ,lau •11,11 lfllTANNIA INN,

&!!bu 101111• Rd IOI! Fore Ill I. Umon toa ·

Tnd Jan ;al Ila b.,\ U MICICY i.lHMAN'I ,IAUIAHO,

OIGICII IIIHOP OflOUP1 • J lwe. t.uttn Bu . Luir,Jr, ON11.

.. OLD TIO-Cll' I HEAO," i..-,· Ertr Hltehcock'• Quint~,. 7 p , 111 , Adm l11lon ,,,~.

OUEIN VICTOII IA.,_ North a,,am: MIU DAHIii.i 01;LTA ,IAUMDf.

usun Jl•e U ct-d. ·1-10 p .m

SHELLEY MARSHALL The Personalilr Girl

wHh lhe Go/den Voice ,asotlAt MAHAGE• :

IOIEIT IIOIJ.AND.FOID l ETHR snm, MOSTOtt,

MAHCHESTO, 10 Tel. COU-,nu11t 33'4

WOOD ORUlh TlMI l'AIUL.OUI WELSH aAHDI See 'I'lrlln4af,

e MON0AYi • AGAIN ■LUI OIRCL■.1 IIUIILIP,

J au P.utr: DAVE MORal Qual'Ul. ~ lal 1unt ART ELLIPaON. I.· lllcllldi-"- DitifcL

AH i TUXi ll- 0- ,-"""Te:-rr,'1 .. nano• Ro~ (If. II, n. IC Duaes: 8udbar1 Totr11 &utlon l: Tlle Pamoua IOUTHIIIN ITOMPER• and ,_,.M, .M.e.mbe,- ' , . ()uc,sla ~ --

AT THa CI LI.Afl- lRUO& TUIINIR JUMP IAHD, _ __ _

CY LAURIE Club: Br1all Tutor -S:and.

DICK CHARLOWDRTH, Bo:al • how,. K_... Briou.

ooani.·1 RECORD Ree•Let Club: Redd 8111llwan. " )tu.ale O Mb u ,11!~ " . _ .. Whllc Dur ... I.late S LrHl, W.C.'J. 7-'0. Adm laaton 21 .

Pou• MUIIO Con cert: ITIVE H.NIOW POUR, IHI RL&Y COWNS o.nct othtr,.-,. ~ ~nl 'a Pu ll RolMI . N.W 1 1Chm4cn Town Tllbe l u . at d oor ftcfrnhmt Dta. 1,JO.

HAMP'l'OH COURT: UNHII aHT. CHARUI IURCtKU. CLI,, HAU. TEO POTTIR. ,IOHKNY dll IOCIC,Tllamet u -1. • 11 m.

• Ew IOATNOOISE, IUU a nd 1hr wor ld ravu Wilh )'OU, o•CIC CHARLUWORTH'I new molio, Now o.t111lcl ln1 a ll l ht debe l o Kew.

S WANL.SY .tAU CUii. Bull Hotel . BlrohwOOd, ';~ :'• Aeller BUit I P;anmourK J.;;.... _ _ _

WCIT HAMPSffAD Jua Olub "No a«w.on 1hia wcu., Nest Mondar : ART CUMMINI' ,IAZ:XMEM.

• TUESDAY e A aAO TNINO to mta .. J Q . pl&\'$

•· One Sntr Kno-... ", ill TIO'I Record 8fVIOCI. t . o,1rl ocb Road. C,inbf r«t II

AOA IH, I OUTHAU. " Whll~ Ban ": IOD•■ fflOMHON QUIN, TET l t aturtnc .IOHHNY aeon.

AT THa CELLAR-IENIOW ,ou11. MA!ICAfllT IARRY, HYI.DA IIM!J ,IOHN AND AITA FOllllllAN, ,IIMMY IIACOII I COR and Co.

IAR....-T, Aaemb!Y If.ill. Onion Slrttl. Mr ArU-r B!lll' • Pu &lllOUDl J uimnd. ■ROML&Y, Keal. .. Whitt Ra.rt,"

? .)IM O ,0 p m UH COLYIR'I J IU• mtn.

CY LAURla Olul» : 9oany M OITIII J11nmti1.

DICK CHARL.l!IWOIITH, Ooldeo Gale Club Nt• Cl'OA O~lt .

HARROW ,IAU CUI■. 1Sl1Uah Lutoa Ball Soat.h Harrow: C, Lauri« B.alld ----

RAILWAY NOT■J.. Q:,tom. commenc-lns l'lonmbu ll . E'Ptom'a ftr, , e.-cr modr~ Jeu clab ftalurln« PRANK NOll,1 Oroup Wllh alcola, PETE KIHQ, 1.45-10.~ .

TNE lRIM■NOOUI CLUI MATA • OOR " &.Ar a.lld O11rtu " 0OUL PUTNO B nd~.i for i:ttc Cllit.ATUT MODERN••- CHA CHA CH~ Bel:lttd 0.nn t.o BotmJ ■REIN, Al:in IRANICOIIIIL Pr.a&lt. HOLDER and the HAR RY WHl'l'I ALWTARS.

WOOD QRHH1 KIEHHY IALL'S JAltME:HI & e Tllurtd!IIJ,

• WEDNESDAY e A ■A~ CAUUPLOWIR,

W ll. lfh Ro:l.d. llford. THE: .UU.lllAKeRI.

11011, GANL EY. EUUIOH. AT THI Cl!"LLAR-OWt.N l fl YC E

IAND, KIN HINE DIXll!LAHDI RI . CY LAORII Club: Cy L•u rle Band.

1 1$•10 ◄ S,

DAQrNHAM JAU CLU■. Rout 0:111: Holt!. Micky A.91unan 8 1111<1 wllh D,d1, r 8 ..ahoo ____ _

DICIC CHAR I.UWORTH. Pur lrr Rall Purlt J

HARR I N"'O:-A_Y_ J_A_Z __ Z CLU I 1

T£"RY LIOHT,OOT N. O. ,a,,me11, u a ,.. o r r11d .o, t • lt ,·l11Do and Columbla Reco;d• IIVIR'fBODY WELOOMI!, 3 • " Ruawll•Va lt " lhft(lna &-hoot. Wl!I n~don Road . s,, (OUI lO

" Wttlbun-" pubJ . •. C.A . 1; Oo•tT aunt W.J

IRUC[ TUANIR - 1.IVI COHCIRT, I I& Adm, IOU l •

ICl"N COL'l'IR'I JA Z-Z.MIH, " Whlu lfan ," 8o:Jlh.'11'

OPIN I HO T"'O,..H_I_C_H_T_.--ewl11a M lht , " Crt • ·• 0..bln." Sl14 r and Oa rtt r !loot. P111n,,. South Wuc London•, M • nt J,UI c:lub. Ount lllr. ICATHU!CN I TOIAAT. I p m.

I T, ALIAttS, lbrlr.tl Ha'I Mr. Adu D,tt • P-.1r:am.o.unl J•~nd ,

" T•CER'I HEAD," Bromln Road. Callord. ALl!X WELSH IAHO I

• THURSDAY • AT THE CILLAR- THI! ,IUIIUE

CROUP, 1 llt TONY PITT TIIIO. ■LUH AND IIAAAtL.KOUH, R.o ·1 nct110•nt. • Wantour au·cet

THAHIII, MUDDY a.cd OTII , OY LAURII c:ub. Dr,.;ip ,..,,or

B.1nd,

JI/\M ,~ URD•a PELICAN JAUMllH.Ra l ,,.. ,

•ew IOATHOUII!. Rotltln1 DISC Nlahc. •

IUNO'I CAO S S " CU MAX "1 MOdern JIU - Klnl',Ult R ,uura.ra (Olle llllOUt ,r al~IIOl)I , ~.U

TH£ MOHII I JAU.UNO. "Tbt Muter Roll~n:• Ort .ii Wtll Road Bounttow. ____ •

• • WA1

Tl'ORD JAU CLUB ,_ Unlltct ~. ~ c-n. Ohab. & . AID OD.I Road: _,QnJ 0.11 J.1nmtll

WOOD ORI.IH. " CI.UI o.lAHCO " fl:. r &hi' "'-inhardl f &as 011 Ola. LEY '& OUINTIT. Th.s •t-.X • 00f'K DDIH\' WfllQHT t a.to.lop Ill .. p..-,: IIIODtM• Arl'll.\ " 12 m 1nuua from Ooeln1rcr.1nd1.

INSURANCE ,,. ,., -, IIOTOR IHI UIIAHC£-lowu1 ntt1

bMt &emu HO REITftlCTION'I OH ocou,ATION.- W C. Cdtlu\1 aad Cd fWllrllOCe Brehnl. 14•11 Qu t ni Ylruma Strtfl E c • cC'ltr iiu1 oar &n:ialoJ taalrllllltnl Lo&.uraau e<h-t a ln:adJ wldtlJ ltnotr11., ra i. Cl p,,r .:100 an(I pro nta Also ur, &odow11mu . Hoiu, PQrdl.ua. •

Jl ll lT TH[ MARQUEE I II • • • e 11 • •••'

This Saturday, 8th Nov. * ,,. ,...., lu:a ............

JOE HARRIOTT'S QUINTET * lutv ....

HARRY KLEIN * at,d 11, •

MICHAEL GAIRJCK QUAim * wllh ou, voc•I • find 1

JOSEPHINE STAHL This Sunday, 9th Nov. * ku ,-, .._.,. w,tti

JOE HARRIOTT'S QUINTET * .. the ••1'19lll9 •ua TURNO IAND

.,_.,4•,.•• hr, .. t •u D-• flee, - ceUea laun1e, •le,

ADMISSION : 5 / • ( lllemi.era} IN.I. S.hldaftll, Mune.l ....

NM. ftn•• aftly 216 .., Sunday1J Mnnlier,hfp onl, 216

Sr1-1lon1 .... 7 .30 p.m. ro 1J " ·'"·

N.J.F. BRANCH CLUBS M,mbn,h /p 2J6 ollly on.d _,, oll ,_,J .P. Clubs lncludl,._ IM

More,,,._ Sr1dons 7.30 p,m. AOMISSION : 4 /- (Members) fotu 1, NvrMt, Sllld•nh, JJl10.-.ta ,,.

J~~l &I HI( DOLPHIN • ... • • • I I

Monday, 10th Nov. * ,-, •II• f lffl la- Iha

JAZZ COURIERS ••u•u1111t

TUBBY HA YES and RONNIE SCOTT

JA IZATTHE FALCON ' A,,O JC '"Ofh .,, '•, ••• • "•1 •§

W~nesday. 12th Nov. * 1111- •1 only AU•UA.l - P

JOE HARRIOTT'S QUINTET * , .. ,.,,,,,, HARRY KLEIN

ROYAL f ESTIVAL HAll U CtrAL a00M

Tuesday, '1th Nov. at 7.30 * DIXlllAHO SHOWCASI

ALEX WELSH & HIS BAND lldr••·· ,, •.• ,.. ., .. • , .. ,,. ,_ L f.M lea Office (WAT >•••1 -,,,d _., ,.,,,., .

HAIIOHAl IAll fEDERAIIOH

PEIIIUL ,,. ,., ..,. A·LA fTALIAN Oba~ ~-

l ~'Chor41, AH orta:laala Mia. 11w, Piccadlll7 MILiie. le, !ital eirtct.

.,• C2. AU. ■ It.All IJll t nun,;11 U lau&ll l, .,._

f ,norn .Ml ad_.aoced..-brk•n I, ,~111C'Y Pace. " •' · O uranl iik

IIL.L IUJ'OLIPP .. Bu, T'lilUoo.' ilf. 4 J '12. 80■ Plll=ni>er, Bua T\I.IUoa.

\lnt.ml rietr 4 CUPP ROG RI, A,cc,ofdl111, Plano,

, u :opbaat. ciartoct, moclua lUJIIOll • • rsou&L/pOltaL-urlulwood IHI.•• Tbon>e Road Walltlamnow.

LUDII &.a.-D6 1 LHDII ltOII IRANDOM lndu• Tna.taPtt.-l D, t lrolDI& View I.Mela. 7. SAXOPHCIH■ AND OLAR,HIT

OONSULTAN1', .A np p roblem, ar1e am11U. couulL Johnny Ro<laho1111,

~l. Oxford Road. AU &.ilnta, M.aa·"t" I. Ard. 6'ht. SA XO .. HOH■. VOCAi. TUlt1oa. • •fl~ metbOd ror bqlllnen.-Are.

).- ■Ulll■■I Al a lltllU. 6/2 •jlOSt rr-et l,- Dunn PUbllcallona. 1'1,

.1.ndas su-cet. O1u10•. Cl .

RECORDS FOR SALE u . ,., ..,., IETTER? ■IIT Record I.fall Ordtr

tltt"\IO:t. POROt:1 1 . OVERSEAS or HOME CW\Omtn obtain RIAL ad• , ,1nt:lf;U. - Booklet drtal1-: Ania •nd CO.. Ltd. CO.PL J.11 , fl, Cbartn1 l f"" Road London. W.C.2.

Buddy Tate is the essence

of mainstream

November I, 1958. M.ELOOY NADR-Paiie t 3

WINBL GRAMOPHONE RECORD BICC.ER Hd ■ETTER barttaloa.

,lf,.-e aitaln. we otnr ueme.naoua uk-o-1 on ,«-ond-'l!lnd llem.1. P lua all new llf'nU, nat11.ra llv1 OVIRIHAI 11111 l rt-0, c·:01N1 Thurldat 1 o.m. Open all ThdlV ,. ,turd&\· AJl,1111n11 not c.o.d. - 1 f\ri'ord Shop, 100 Clfar1n11 Crou Road, wo.i. ~m NtO

IUDOY TAT I! AND HIS OROHQ T RA 11..PJ

,. 8wln,1n1 I.Ike • , • Tat.I " lo1tl1 It l b!: Wa1!1 Th-1t Walk (bl;

MIii ladle lrow11 (bl: Moon ttrn 1111: ROcll ln ' 1101 (al; ROfflJ)ln1 With l11~k la) ,

Ef~d, Ari l lllfHn (Lnrt. l : Rtlt (nn.1: Calort fl,pq; ChllM lm CUDb.1; Watt t lbau/; Cllnl t i, ldl't ,J. I J. 2'~8. Do. IDo,I

(d)--Ptuonuel &1 for (0>1.....u ccpl Johnnr llcolt \tnr,J repl&~ 1a1.1cC1oa.. u. :z. $8. Do. 1Do.J

CASES • ALBUMS • CABINETS • COVERS, ETC.

NEW' ATTRACTIVE MODELS LITERATURE 1./

LONDON ,IAZZ RECORD CIHTRI olltr .IAll ■AIICAIHI by mall, .. tan,. 11:0lb eomc,rtlwlUtt'I montblJ c.alll• ;r-io contaw rare B.rtUsb. Amc.r,caa i nd oaau11mc.a1 dl-«:a. 6.&.e. lor C11l'rrn1 ll1U.-4 O tNn'a CoUrL W,I. Otmard 1411.

POST FRIii orden Ol"t r £1 or CO O. TAX ,REE aaywhert ABROAD, PIIU month!}' c:&1110,Ut Oft rtqUUL-IAn Danlw • • Soho SlfUI. Oalo1d 811'Nl . Loii'doc, W.I.

RECORDS WANTED u. ,-r ..,.. A SlTTIII prtct tor 7011.r LPL

P1onta Sala ru. tlonh Street. Bomlord. ElseL Rom. 0111.

JAll REQDfllDI boU&}ll (l.000 In u oct).-Moxiom·•. 201. f'ol'elll Road, e 11, al

TRADtTIONAL ,IAU., Orcheaj , Yoca1s, Film LORI P l.ia:yera., 12 11,. 11 • e&oh. Oood con4JUou taftDI a&. Cl<h by rtt UJ"D; call,n we!Come.Rt<ord IWldffTOW, :u,. lttDI SUHI, tlammfnln!tb. Rlt<fftlde '7902.

LONDON MU QCORD CIKTIII rt11u1re 100,000 e ll1ht11 u.i.ed LPI. £Psi 11\ Rtcord &hoPJ, pltue aote Tt wll 11 n ,-our deleted or U!l411!eable Jau recordJ, any qu~nlll)', IJIOI cub. Pull dt llll lt. --4 Orctn. court. W.l. Oerr-.rd 1411.

WAHTID1 IIIOOltDIHQI bY Vici-Or ~l,utu lrom orlt ln:al .-ar•llm• n• IUIU 011 Columbia. " Tan~•rtat." - )lll.dtlln~ - •• Mir.a Yoo . elf ~,bu records or lll~-R. Slnhb. :04. cam,OI) Strut, a. Bamllton Ontario. C11l&d11.

RECORDING ,,. ~• _,.. MUSIC OH TA .. f:-p~ruorded.

, .. ,n,trac. It IAOH or fnll.\lC foT dlllt• IDS ba<:QTOUOd mualc, llt bt oro:htl• ,.-.1 aad 1n11rumttU11l mu.at~o mtnutn and 14 mtnulu pl.aylq tlrn, a l :su. and 141. rrspuUnlr.-AII 11u111lrlts t o J.f1Ule on 'l"lpe. I. Laurtncr Pountnt:r HUI. E.O.t. TAPE/DIIOfTAP■ t ra.naftr , l\udlo

lacllllln (audlUonl)_~ l'tJUQfd WU.It• t nd rates. - sound neWI. 10~ 91l lford 8t rttt, London. w ,1. Rec. ;,745,

11, BOHO IQUAII■. w .1.- Modtrn rtwrdln1 studio: all lJPta ncordln.-.. prof~llonaVamauur: nu'llAJ 10-atona u.1ula.rtab11 .-I ONOTA"E. 0 111. .....

MUSICAL SERVICES ,,. ,-r -

(l'elaltcf ., In . PA,JJ~ JI. l id.) <• >-Tate llnr, I: Earl Warr,n

(alto, bar I: ■11cll Clar lon IIPL. I : Dlcllr Welle Umb I: Skip Hall Cpllo.l ; Lord W11U1r .... f(tr.1; Aal"Otl lall lbllff); Jo JOf!n ldra.). 12/21$1. Ne,r York. (Am. PwlaUd,)

(b)-Ta11 (Lilt., e ll ,): 1111 Allhlrd• IOII !alto, ell.): .. II Jank t"t II Pt ) : Ell ROblnM 11 limb, I; Hall (pao ) ; lwHWtt ■al'tlldalt IIU-,); .a .. ■tit• .la .. 111 (baul: Htr9J Lo,1111 (011.1 21'2 51. Do. fDo.1.

TllE ftnlt or St.antey Dance•• Pcllt.eda to come u p ror

review, \ bla presen t.a t.wo Tllte srroupa r l\Ooe spiri t 18 t he eMfflCe o whut ha.a been dubbed lda lnatre6m Jou.

Tbe drat aide featuree a combination aimllar to the one Tate leads t0d■7 at t be OeJobr1lJ Club ln New York, l ea muale. bNYll:, blUU-llden. la virile lo ton.e atid att.Aclt, uncompllcat-ed

--

• Buddy Tate MUSIC TO LYRIOI. Orchcatrallont, I IIJ'lhln1.- u ammonc!,, 3&, Sudbury A\'Pnut. Wembley. wcm. 34N , In lnu ntlon, and relas.l'd ln

I ONQWRITIRI, your WMII II.. rhythmic ll'OOYt. fttllo1111l.1 . ICI to mUJIO. - Trot:o • • Skip HAU Plll)'II nctllent plano 81· ln1cr Howe, Nuual S\rHt. 11• to lntroduc. lbc medlum..iow 4 0~c,~~C AIIIIANO I II dou modtralt blues, " Walle That Wa.lk," l!uetd arraanamu.a.-Bcn 1316. one of tbe plc-.nt.est tracu.

,...,. .. Rlcbarcuon·• clarlntt, much of lt In ibe low tetrlater, l1 lint

FOR HIRE ,,. r" _., rue and Tate untold.I bl\1111 QliOROE IV HOTIL. 144. Briston ph rases which 810 1 ,

n H1. a.w.1. Tulae n Ut '°"· The.!~~m T he ellcctlve Dickie Wella lounp 11 •"llalllt for • t-.. .... v nrranfement nndJI room tor Maki.lip taccommoda.&lon 100-1:ao1 lor cuua. vocal hamlony by the tourOld-TT~ D;anctn, and Clab lhtldu. hornmcn berore the ftnAJ bra.u ..,,. Ttr111& mOdttatc.. aDd clartnctc cnarmble.

£It Robl.Non'a •• Mlss Sadie" SOUND EQIIIPMEJfT w. Pff _., more mfll!um blues, 1$ notable TRIX POl'ITAIUI AmpUft.er , 2 tor tenor and mutl'd t rum1>41t .

11: .. ,.. n d Pia.. £11 Alur a 11Uc.1ty uan., Jenk)JU w:~1,~"':r(' niuru~I~~ Roa<l~r•sutui;- drlns out b lUCII Which, like 11\lrrey, rnuoh on t hlll l'ddc, tibOWII t he

aontln ulnv 1nn u ernie or B 11111e. BUSINESS FOR SALE •t- rn -~ Skip Hall'• fMt blues,. "Bottll' WUT LONDON uuabtlabrd 1'11111tal lt," brina on aoloa bJ Hall.

lllttrumc.nVR.teord Shop, wttb 11\1n1 BarkldaJe. Tate and Bobl~n. accommodaUou: 1cue 11 run.- Side two ls by tbe rront line aoa u,, . .. IOL'. Ola,ion promtua to brln1 to

rtlB.8 latt uro month.a hue .L seen the releaae ot aevem n rst-rate Btt t lah l'ftlO.rdJ n11-1md lbl.s •• lbe beat or Lhe lot l

Side One 11 devoted t.o MouJo•a .. Wlnd l o The WWowa.. aulc.e and It al11mJ:>S blm a.a our moat matu re arranK11r<0mpoM1r.

The suite La In four part.-tho rockinl( "Boat.a." t.bo _ cllarmt·n• "Mouse." Jaunty "ldr, Toa41' Incl DOSt:al1Ic " Wt.nd."

I t. 111·-eat effect e:tem.t f rom It.a apparent almpllclty and the w1.1 lo wllJc:?1 e1·e.r, bar I.I n.ec....,-, l,O the W!li:>le. The UDta.ual lineup I$ UWlaed to t.be f ~ ond I purt.lculorl)I onJoy MouJo a IIOOr-101 tor the two n u t es bot.b In t.bo dueta an d I.he enaemble &~-:i•ae,.

OhJ.5bolm , Scott and 11N1 tile bat or uu1 eoto.tau. but Uoule's wrlllna la t.be real aw of the suite.

8Jde two PrueDC. MoUle arra.naement'I or Dve Brltlah tunes-sandy WUaon'a " :OOY7 Prle.nd " Dun Rendell'• " WW-0 • T he-W(sp," Ronnlo RDulller'a " Poor Arthur:· Ton1 Klu.ev'e " Pt.ahln' The Blues " and Ronnie Boss's •. Bluet Orua. •

'Ihe aide hu aome excellent momenLS but deftnltel:, auJJen bJ oompul.llOn with the Sutie.

Pull marks too, to Per.a- Oam• mood·• arnuJ\01 alecve noto and tbe :Srlo Jelly IIOOlt Jolly on the reool'd I cover pbot.osr~pb .- Dob Duwhnn 1,

West Coast ■IU. HOLMAN fl.Pl

• The J'a-11l oua Bill Boman ,. Alraa)n (bl; 1 , 11 a,11 ca1: Yiu

And I al : ■r1111t aua (a ); Clmt Rain o, Oomt thine (bJ : The I ll ltrttl lbJ ,

(Coral t2 In, LVA~e. lld,) (1>-Holman 11nr., arr .• lt.ldtt):

Herti QeU.r, CJ\ar111 Wulanl 1al\01J; Riehle IC .. UU. C!lar llo IC1n1t1dr flora.) ; ltn1 ,.,r,- tbar1.): C111111 Canllltll, Rar Uinn, Al Perelnt 1'9'.a,I; l l u W1lllaa,tHn llpt., ••ht-Lmb,I : Harr, •• ,... lob PIU1Jatrl11!, ... , l ltn• llmbt.l; LIii l.e"II' IPOO,); MIi lennt1II l batll; Mtl Llwla (dn. ) . 2S/ 4•il. USA. t Am . Ooral. )

(b)-8:ua, PUIODDel. u ccpt ..... Md!ruri, ltlDb I npl.aoaa BttU. 29 t !n Oo tOO I

OVER the :,e&l"II I b.al'e C<lme to dlnruat the WOTlt ol the

West Coast achoo! or mwtm Jl\2111111en . True a lot or cxcellco, work hBs cmeniedh but lt baa been mixed UP wit. a welt.er ot em114Culated and over•eAned 110unds owtn• more to nn Pao Al~7 tha n Ula U'&dltlons uf JIU.

Tbls belOn.» hi.ah ln Uu u.t or the but Weat Coan eft'oru. Kolman h u wrtlten almple, 1wlnsln1 arran1rement1 wblch are elven mlrltea. treatment b7 hl'I 16-plcce r ecord lnc ouUU . Th1it Wrat Cout annctlon,_ pret«-ntlousne~,. h aa been b11n\1Jled ror t.he occ.u lon.

" The Btc Street.. l'l a 15-

• REDUCED PRICES uf,;/ef;, HENRY ELWIN LTD. ( DEPT.M 6 ) PLUMPTRE STREET · NOTTINGHAM (YOU CAN DEPEND OH THE QUALJTY, STYL£ & FlHlSH>

~11111111111111111111111111111111111111 Ill Ill 1111111 IIJ II 111111 U 1111111111111111111 I I I I I II 1111111111111111 Ill 11111111111111~

THE WOILD'S GIEATEST IOOKSHOP

~~L~~~I?.., ~~~~~: .?~!:~ I modem listening-booths a t Foy le-a, with absolutely

I ~~~~;~;;~~~~:~: :~~ I -====_; Stock or over three million volumes and -_:;_

Quick. efficient postal service. Drituin's biggeat ecledioo of 1bcct uuaic. _===

~ u 9-125 CHARING CROSS ROAD, LONDON, w.c.i I w m ml 5660 (10 lina) * Op«.n 9-6 (luwdln1 Sarurcloya) ~

~== RECORD DEPT. CLOSES 1 P.M. T HURSDAYS ~== Nearest Station: Tottenham Court Road

~ IIIIIJjf llU II 1111•1111111111111111•1111111f1111 11111111n111111111111m11111111111111111111ur1111u lllllUUlll 11111111i

AMAZING o,, •• ! !---c:. .. .... o, ..

Dired from the Monulodurer

CONSOLE RECORD CABINET * Holli over 300 ltconl1

HLY

75'· ''" 1/1 c.m.

T111ofullydetignedandsolid l • conS11ucted 1n Mahogany type mulh ply and d,oim Hardwood. h•ullfully polhhed In light-med. Oak finish. Htlthl JO' ' 1 Wlcll1' 11" 1 0._.h U", n., ,._ w ,11 ,..,,J,.rtabl, Illa Jtvl ,tc. a.a., , .. , ...

Maltu a handlo me p iece of I u r niture

• _____________ _, Brlt.al n . An tll·BDMC! oomp:im,.

It prov1dai the kind o! none111>0rlmental Jnu U1at we have

~~~ ¾,::i:.;ttt0 iwr.~:~ VIKING FURNITURE INDUSTRIES LTD. occu1on11lly. Holman hlmti'LC. the nlot~t, rueJv rue above t.ho (MM) 4 Sydtnh•m Stn. Approt<h, london. S.E.l6. u lJ,n V111..,.,.._

POP ROT! (fro■ Page 3)

their duty to entertain the Wbole o[ the public. It ls Lhls Lhal. has made lhein Int.a little more than record pluggera.

" And I urge every read~ or Lhe 114Bl.Oov .MAKEII to combat lhe lake r~uest.s that puab bad records Into prominence. How ? By r~utt.tlng bett.er lhlnRS and higher standard.a from producera and dJao Jockeys.'

Victims The MELODY MAKDI support,

Vic Lewis in his drmand tor acUon. It t:no111,•s t.bat even the m~ who bela t4 produce Lhe rubblah. prh•ald)' deplore It.. TheY clalm to be u much •lctfms of the vlclous circle nf lnrer1or entut.D.lnmenl. aa t.be public it.self.

lndlvldually, of course, Lhey can do nothJnJ. ACl.lng ln concert, &hey could achieve a ~eat deal

Tbe _populu music pro.resalon ww ne\"er be more than a Proftkbadna ,rat-race unlw

natb le mem~ra or _I~ Jet. er to re-atM>lllb llJ.lllOr

come to eapect from t bc Olayton LPs.

One dUferenc(' II D lckY Well.II. He dlspl1111 a oaprlclous apl)roach to melod:, and. on Clarton·a " Jloctln' •• and Tau.•·• "Rompln'.'' Mtouc;s out more 1u,tll:, than he bu donr ror aome Lime on dl101.

The form.er. with really IOVf'IJ' Cla1ton. hu liOI~ all round ror horn.s nnd uu1trw "Rompln'" I" 111.0 atrona ror tho 110lolst11, but on this lut, Jonn'II dnunmlna bfl'Come& unchDl'llCWlstlcal , tuay c.owa.rcq 1he end,

Allde !rom Olhtr Ylrtucs. tht LP hu ~ful nott.'I and plc1ur111 to oomplete a btab-leve.l LP -Mu Jona.

Moule is fops ICIH MOULl'I MUS IC IU'

" Jau Al To..d llall " Mut lilt' Allout hi INlt 111: MtUM

C.rel 1b1: Mr. TMd lal ; wr"" l a TIit Wllltwa tbl, Thi ~ P,lr.:! ,c , , WIU,O'•T h.a•WLIJI ld l ! ... , Arthur ldl; P i.hlft' T he 1111 .. tel; 8 1111 Cran fdl

(DtcH It 1ft , LICl.-,-aS..) <•>- Moua. 11Udrr l; Jllhnny lctll,

Rn Wllloa IClutnll Do!.1111 " •"'· MIi 1at10,: I .et lftrd 1t nr . 1; n."nl1 R ... Cbul 1; LN1t C.lnrl llpt. 1; D!ult H••- 1tnr -honu; a.,,. OllltMh11 11.alb, I, Ar l llur Wati. lllaat ; ■- ldw1r• 1tuba11 All•• OMltr tdn. , . >I t ,M. Lon.doc IDtcoa.J

Ol)--Bamt iwraoonc-1, HU1Jt D11111 Orot1111Uh cnutcl rrp:acea WUlo,;. v.1/N, Do. (Do. )

(a)-Movll tpno J; R••- la.i&.);

competent h•ve, but llll-lo-llll , ___________________________ _. thla make11 abovo uera1e lltten-

1 ___________________________ _

tna.-Bnh ll11w1ta rn.

MU TI RI OUHDI 112) " 1 ht K 1111 And 1 "

M1dl1r Cl Haw, o,u1111d1 A ltuul► mi n t : l ome1111n.1 W_.n11t>: Ma rch 01 TIit II.- Ohlldtlfl l CUlltll T l IC1t- Yau: Mr &..d And Muttr l Medlt, CH.Ille \'1111111 L.onn: I w 11ta111 A HaDp, TUl\l) I We IClu In A lhadOwl lllall Wa Dance?: lpl ... ut.

CV11u1 12 In, 1.Al tltlt,-,he. Jd.)

A QUART£']' comp~ Ylbl'I piano, electric bMS and

drum.~ 11ve,1 a rather water:, lml• tatlon ot lh«' Modem .Jau Quartet. utterly laclllna that 1roup·1 \nvC'ntlvenea. dellCIMI:, and rorm. - n. o. OHICO HAMIi.TOH QUINTET tt..P) I 1Cnow1 Ohan1I IJ ■-t•lk; 1111,

ttmea, lt1t11 11,c1..oua1ro1 Mr. .lo J HHI I Kt1ow1 l atln Doll i Lllllan: Rtltflloi,.11 loll Wlndll 0 aravan ,

(V1111e ti 1ft, 1.A IE t - U., U .)

111:lrS one tmphaat.ses Jwt bow tmponant a.xtn-aaut1.1t

Buddy Collt!tl.t WU to the 1roup. His teJ>laceme&L, Paul 1:lOm, Ill not In tho aa.mo claa u an 1mprov1M!r.

Thr new album WIii d 1MPP91n\ 14mlr~ or Lbe ea.rller B&m.Utoo iuuea.-B. o.

ROU' ■n1caOH It.P l "8c.u1on tn &tockhor.m"

T.N.T. 1 ■ 11• ANlt And I (11;

TM,alllh ar1 lat: K-ttr Pa_rae1t lbl ; 8allad N ldltt (l-tt'l l-1 Dam Tu t Drum: &.:nbrauule You: Tendu1, lbl : R._ MIi Arlene lbl . .. 11rnch (b).

(N i u ••u Tocsa, tt Ill, N,11.1.,_ Us. 11d.)

UNOOMl'RO!\OSINO rrtt-blOW· .lnir Jou. from a Swedlllh front

llpc-Rolt £rte.on t tpt. I . Uaclce BJorluilen and l'!tlk Nordstrom IUlr&.I and Alee P rruot rtmb.1-and an Amcrtcan rhythm uct on -Pteddll' Rtdd I PDO.). Tomm:, Potter tbM.sl and Joe llama (dr&.I .

Be:.t or tht' cotolsts 1s PC~!! wbo rombln~• a tull-l.O!lru warmth with t.eehnlcal afllltr and wit.. A aood bUJ.-B. D .

LIi ICONIT:t ILP) • VtfJ' Cool "

lu11 ... tT1 ltalrwar Te The 1111111 MMln' Ar-cl: K•o•• T·r•Mtt C,uy llte 0..Ut Nt; lllllt • ._., .. (~I 11 Ill. ISCX1111t-

411, l i d ,)

APTER tlle tlLbapl,)Olntmcnt of b\.s reccnl Brttlab tour,

Kon.lta a tonoa WIUl 60m. utW}I•

ln1 alto and t enor aound1. Illa front-line coll1:11rue. trwny,e•~ 0o3Cll~~~~t· ~e~!lrli:r~~1\~ l11Y1°la BounGC."-H. 0 ,

DUICli S LUNQTOH 11:PI "o,;~,·, P...a~" Didi•'• ,.IHII Jone:.: u, Hnrt, Mr

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F OR ffl08\ JIU tans tbl& wtll be OOt-alclC.-d I the nrau.

" Du1te·1 l'lr.c:e." a rlfff tblna built around "0 Jam B U CI," ii p lavcd with lmmrnR n,lnl and ual. "Jone•·· tnamcd at~r an u -t,;andbof) ta ll1e cto.llnl b lue.. uaed b7 Dulte on bt:A eonceru. This vtnlon hu no talk or nnaer-1n11nu1na. but i. devoted to Oo11~111,•ci.·1 lcnor ancl fine brt.65. It• b}' & nlne-pfecr unit .

The atnatna on " Place " Ls b:, O=lc Ballry, ual.sloed bJ Uia trombone arc:tlon an OCtaYe below, und the number •oulcs b&'fl' nude &n ltU11ctlYO aublltl• lUle tor .. Autumn i.ea,... ID the lhow.

J lmmr Or1uoal tallcs onr ro:r tbe elder'Y "T~ethL"T " 11 a aUcltr El'rlnRl.on ballad, · MJ' Heu ." which bouui a " Soll• lude .. mlddk· tlaht. Bo~ au wiln•ltlna M . J .

•

Page 14 - Mt:LODY MAKER. Nov~mbor 8, 1958 ________ , ________ -------- , ___________ ........ ---..

PART • 2 YEAR EHIHT EXCIAKE liUAUITIE • TEJUII

IM.tT EXCKA/111/F SA~E&T r,~M&

tl,tt/Howir,rrrethhd PWIIDINT MUSICAL INSJIDIIEHT CO.

U / 70 SHAfTISIUl'I' AVlNUf, W,1 OPIW AU. UY UY

BILL LEWINGTON 11 IUCCLnncu SHUT IUl ,-1 u1nu1111Y H t.. W.1 1£1 UII ..., - ...,_ ___ ___.

l;~1r~ oL___.l,~L,__. 5 GE Rl:ARD STR£LT )1 1,yrr,eu:f •

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I 1 "Melody Maker" Oassfr,ed Advertisement Rates i ENGAGEMENTS

B• nds. Mualcbn• W•n••d lftS l,V• Pvllllc Nollu• SPtcla l Hotlcu . Loat me111a f or 1.010 o, W•ntllCI. e11oro..no.s .. 1u11,-Aucllo11,Perao11al.

f Acc ,sso r l• • • Mou tlt Plecea . lna1rurnan1 R•P•111. lulllon.Mu1lca l

I WANTED ~d WPerd :,~:',!~~o;!::~.;:. 8d. Per ::7.•~~=i1~.,u:.~:.~·:.·. IJ- WPer,. _, e or Ilona • • ,c... e lc. Word A,co tdln, &. P1ln1lna. Ora

ALL T■.1na.as- A~IIOt!l\f'IUII.Nl'll I /• P ■ WOIID AU ••Nia talcer ,1n1 c.-et la ■I..IC1' C'APITAU. a4 ••r w•N ealr&, ■•"II flt• ,_ , Pl•ea• ..._ ~• C.atra Weriu. •·- I/ • ••nlc• t'ee.

A■ , .men e ttw<'IIM,...,.11 rnusl Ila prepaid a nd ■11111,w • n1n 1101 .. ,., 111en n,a, pot! f 1lda1 for l11Ht1l• 11 I• Illa follo•IIII ,,,11.,., ....... -A.dllH communlcallo1h IO -Clnsiflctd Ad. Deot~ - M£l.ODY MAK CA." 96. Lo111 Acre. London. W.C,2 Pllono: T EM. Bn 2468. Ext. 211 and 283, Tho full 11am, and odd reaa of Illa Ad•ertlHr, 1101 n tc•n••IIV tor publlc• llon. muu accornpan1 1111,x • d~elllaement . Rei,lln co • Bo e Number m ual II• addreued to lhe " Mtlod y Maller " olllcu . P IHH mall• • " rem111,ncH p.,ratal• to .. MtLOOY MAll tA:· Cllequn a nd ... o. lo lie CIOHtd' .. c .. ,.

SPECIAL NOTICES ,,. p#I.... I MUSICIANS WAWTEO--l. I ENGAGEMENTS WANTED u. '6'-' AC•HOWl.(OCEO Al THE aHT MAR.HE MOUNTINCI. LTD~ Nwh AILC ACCORDIONIST a,allablt.-

t\fr wra1,n J1mm, Or1n t •4 POSTAL Wrou;ht oa. Swindon w ,111 h •" .,,,. OI' PIANO COURIE: Enc O•IJrr • \ ,undu In lhcl r .\J lltt.H') U i nd l,1r I AILE PIANIST P rll 4512 " MOOEflH HARMONY." •• THtOflY Dbot, Ctarlnt&. Corn•t H ,m • "IJ AC CORDION ° OLAl,.IOLINE Plano OF MUSIC " f1>r Df'll•nn«.. IYOR Tromboae pla:,_,n . Olh•r :n.irru~:11 , r, I tb't - r,• )ll) Pop &412 MAIRAHTI' P O I T A L CUITAR rnruldtrfd, Eactlltnt 11r--m,•1, t ,,r • ' ' ' • COURSU ( f'LC!CTRUM OR FINCl!R rn,n anslow 10 u11,• ;i:,:r•••I "I ALTO and \ 1uhn )hr U SS. ST'l'I.El . r,mNL\n. CttDll 1111. I tn«latutns. 1tsr,lltnt c•rJ.•1 "'· /ILTO CUR. Dtr•k Ri,;,n. 81:i w.ar,h•n a· u~i,., .:>tC.irJ dtr, , . w I 1o'ld bonua ur"1n,• p .. , ,., • ,. ,, •• ·r !ua 0 Rttf!\L M Ii , . """b b:ind r~ntrun~ h ,\ ::,,,:1·. ALT CUR.. • .• , prrm. - Byr

F•RST-CUSS OUARTtT AVAIL• ~uslul Olnct r a,1~ AIL.£ :-, .., y,.,1r't f. ... H ch •~ ?.I J . P IAN.ST. OIIUIIIIM CII, S•-.:-C.•r Al.TO Cl.AR Oua!••rc,rd at>I. d r v-uru un•c -an ... la all lnst.nlmtnlt r -4,i r _ f ·r R , ALTO CUii. HA IIRY PURDY. Lff .. ln1 - I llllklllllll PU 1:.., u . ~ .. , 1 •u. :, •: Or f"I l .:6)

OUINTCT, IMMACULATE. mu,•I• \·etiarD a11uJCl~rtJ 0., • : , .,; ; •r Al.TO CLAII. .. Cl)fn f r C'IJ· - Mac lnJlru!Ul"\~I r"'•ld•n~ Wut £,J clu J lf,UlUDI U m11.it,1!\• W•.• r a.:iJ• JI i i l.Uth!>.., 1111J N.t•-ml>"r.-Bn •iu. rn:isttr. BuUn IJ I' PO I) Al.TO CLAR. Wor. n u . .. 1'1'1 " P•ANIIT ,o·n CONTINENT. ,1.u :• Al.TO CLAR. \'11,ll n. rfl\d/bUtlr. -

lnM oeo. 1: JSRIIEI.Y ..ia.on 1 , !o.,,,,.. out t, 1u MUSICIANS WANTED Id pn r<>tJ 1ooe1 money; Wl'Yt -&tnJ :,tut•>, So• AL TO TENOR Cl.lr.-OII. 4111 .

ll'f. " MM." Al. TO VIOi.iN a'l•llublt. - Amh A IANO • 1n,J- :i. CH.l.lr7 e .. M .... NIST. LUO TIIUMPET. TROM• ,S:>I ou:, Q-..1 .. " • fl....11.11 l.\11,..:J ..:ao orr•r aONl&T waalf'd. O~'ln .n,1n,n•:1, AMATEUII TIIUMPCT. &rad wuhea

I~ ua11>1n ,1 Y..lt'.1DC'IU r.>r 11,, COIU1Clt~. - Ap~t,. e,:1J:i ... •. r, ri••r r ,..1,., s,..- Or'nn, fTCUP B.in-u P'lr •-cl l.M o,ncot J'1 cuu. Co>m• noza1 1nautslUa1 o- ,,,.,o ou_.~l,. 1o111n 1.11:ulon :-.onn b;.arrt1.-Bos ;,t1'1l4 ~11.ir Tromooa.& ,.o~~t il'r•• o ... P .O. IL I un. ·· >-•~ runsh. !'rend, H irn :,bru o r ,1•"'tSTI ~1 lur.ttt . oUirn m , p .1:,;,lp. Skllltd "" a,t. ,, p•nn ,n"Tl! or IARITOHC AL TO C:arlnfl. pro. prrf.-nnrra ••:CM1i . P l<'.u.Jnt ,wit in t ~mporu y Wtflr,.nd :.,11n, · -... o1rk .. , 1lhb!, ltnmtdi .. u h 11n1 .,.hert. -In o •ruuar. Ti.. Biad 'a ,.., .. mu hoa.td eootae\ Ctarm , n • lma•-J.. P h<l"t Ol1l•n11on :<141' Inc lull• orch,•aU•.al .>Chi b l"' J , nu b.1na alt ncaac.lu.- 1Jut1,p,:..1u 1,11 IAII.-B.1rn~t U~I • • tdar). 8AII . c.1r. - UcnJ•mlJI. Brl 1$14. .-orlt. 6111"11 com1>•n u 1oiu 1,h nce .... f'IAN~T, •MMC0IATC!I.T. R •~J IASS. r .. r .- 0~01"• nuurll. U OUIIA• ■tra•tlhU , •oc.al 1ro11111. U K. .ind b " ~ c.,n11ntnul ,n,•, ,etneau. bnndutl• lib. o Alto ;aaci Ten 1r 3.111 - BJ' 111..- OUO I ., !.i Im. " Mil.I," IAll,- O l,1d1tunP 3~1. ,~ia.~~"r.-f~~n:~~ .l~ 11;~~r',~1;:: lll!GIM&HTAL ■ANO OF THE ..... TIIAHSPOIIT. - AIIO. 21M. - P.a:UCIIIUa ff"lra 8.:&Ddnu.alfr ltl\ IIOYAL NOR,ol.K ll ■CIMEHT bu ■All, lratuport.-Bal. 1n,. UDC~ts Bn'"411\ t"Ort"f'> P-. Ollk" : ~ ,aunda ro r a.II IIIAU .. nll WOOD• IAUIST UP"rltncrd modffll '

AMATliU4' cuatNCT. 1;t 11-H! WINO lculnfflltill~UIII R,-,ra:i •• 1ud w Ull&nch .. Ir.JI>• a..t11rda1 for Nor\.h 1.oo4o2 u- - Mo..i 111t:, 111.au, acapl«d. a.uie1m:u1,: ;a, ..i.- 6;.anelsr - Pn. T,)i • 1n.-a1•• able or ln'«rrtt'" llllel JI Udlll .l!U "' a •• S p '

AMATCUII l,l,1Jn .. l .... .lm T•n'lr, lilt ~I.. Rotal Norfolk l\t,1"1:n,·:\I. A • T.- •n'1H llU. Cl.u•nfl.. AUdlU\)IU 7 ,o :, m 10111 Br'ltannta Barruu. N<m•lth 1mm CILLO. TENOR, Alto Clartn,1.-Novta1llr r .1, J7. Alu:ini.l r .1 n o.•d. November II 10 No\emlM'r :ia · la OolJmart , 3;2. ti<'HD Slttffa ~ad . Turnplk<' 1..,n~ Na. Tr:ivd urpenau rtlund~d - l1111lr. N 4.

AMATEUR fllAO. U '\W o1nd lhnJo/ IJa ndm•ate r, l at IJn. Th,• R<lv:tl ~ur• CLARINCT ALTO. ) nun11 fUIIJ H• Oulwr c;,1mp,1tn~ ~nd cnthu, 1 un• roll Rulmtnl. O, PO J ◄ pnl1ncrd. proltt•lrn;.I C I, ?Ill. u,fflU.ll. n!hur.1n1 8..£. t.onll•Jn IAXOPHONIIT OR TRUMPE'TILA OIIUWM"'R• Arn ffll , W .i:~ • ·uun.c - P l.-u. wnt~: dul doub:.011 Plano rtQa.:"CI ror h ,1,-<.••~ 0IIUMMER ........ -,:,. car .-cro • a1>111. ,o o,kcr>" n.,,:t 3 E 11 l\:l(cl dance lu114 10 So·1\h .u :-.ca: :l , 1,1

A MUii CAL CAll~tll i.. ~ llf~ ror m->llllu' coauac, &lid oe11 ID ,., :trnr 0IIUMMER. car - HOIIMlow . .... JOU 1n ll•• II.la J or I.tie ,Uh 111\ - Por IDl•nk• .n Loti.:on Yr.le 0IIUMMEfl . (luUlll:c1 , ·ocala. 0111-fl0JAL 0IIACOON CUAfl0S. M htar, r l•~ ckl.&Ua \0 Bu l»J. MU" tar. U'br:ir. 1t~n,por1 - Arc. U II. and D;allc,t e , n j cntu•Ct.lru n-qu,rtd. THE IIOYAL AITILLIIIY aAHO. ORUMMl£R. Clltt - uaruJ. Or•ll&6-bp,-c,ull• Cl , rt'l•L. :5.U">Pllor,~ WOOLW ICH 18•mphoQ) ~ll,..tU o.•-.1 .OU Eupbon.um in:i Dua 0 .Nd >P?<>f • llllltar, B&l)d a.lid OlnN' or,11,.t:al 0AUMMEII. flll)tr1taccd. - Cot ,uruu,, r ,ir "',cul.an. Wllh .ir 1Ulh~UI hat Y&Uadu l or P:utr. Cunlltl. 4011 m~1c,1 ttp•rt"ncr: N:n l1Jn.1I ~r••ct • Snophoat , OOrllfl and T umlnnt 0IIUMMER. uptrltnc,d.-Mount-mf'll corutdtrl'd. tra nar,r. • .iho b<>r1 6h11e.n . Hlrh a111nd~rd rf<t:nrtd. , 1tw SHI btiLW('fn 15 .-rid 17 fHf4, C,111rfrt .'ti lllloaal Strvtc,mtn trlfUlh.l rrrd. OAUMMCR. to11n1, 'AOrll prtrcned. 1t1e RDHI ~llhurr acho.,1 .-1 lllu1c ~caaciu alao tnr Boy• U , 1111 1·r..1n. - n,1, ll09S. ror IUIUbl• lnnc-,v1cc l'"'(Ultn offtrt111 OPPOrlUltlllftl .-r an n c .. 11• ::lt DIIUMMCR. r nlC:fDl 1111.--Ctia. &1lld pr~ .rl~ ror ru LI ,tU>A a•ct n1iu1n.1 cantr,-Ai>PIJ t -> 0 1:rc:,u o r MU art tr 5 11 pm. ,nr Ill lh• 0 K.- W rir.1 .... n, -~, Mu.ale. RoJ&l 4.rUllt.rJ o .. nJ Vi"o.>I• ORUMWEII . .,.,,,,pro• , 111an OIIU1\ t 11penr11e- r :inr. hr ron ~ ~nic111an •teb. s 1:.11. prtftrrf'd. nr Hu row 4U1. ~ •• 'l--0MOD\N ""c""'u 'A·o"1". Bn, . .... "-2.~.~ THIE 110\'AL AIITILUIIY P l nt• OIIUWWER. ·••NC. \trUlllf . na4.. POI\ .. om--.

10 " ....... ~""- mouth BaaCI lla<"t ,,,.,.ao ... u t:i: uaa,pon.-Am .. d Llndm, ana. :t212.

A MUll"·L c· ··-- • llh a trah1td mwldaa• CJll P1..1n J .acid ,1 ;1 OflUMMEII. 1r .. :,1por\. - O ladatout - ............ a111n11. Vatandr.a r rt111 .. r1, o«ur 2'11.

C::.nlrt• U.1 nJ Mt n frl)ffl II n.1r1. f1>r .. u Wood.,.,tad, e mu .inc: P • rcu,, 0AUMMIR. 1ran1port.-Rcllanu bo,a ron1 IS rt •"' can train t or 1ton~11nc1. orcht11ral .1nd nulil ,.r, tiu. l.!l;u.1 II\ Tr ul..,mfn U ~hu1c1.1na Znlll lmenl. lf•tnlltllntM Jr 1nru1rr 0IIUMMl!II •ttk•t nda onl,.-Lar. Kntlltr Ii.ill C'OUn,., 11•.-•lmblr. AIIPIY, N .. ttona l 8trYleotmcn a tctrl.-.t : f ;>tr• 1081 ll.ullmuitr :Src.l cu-,blnltl'S IP rtntt rorm.ance ala ndarll tlll 1b1,. TIit 0IIUMMER )f'\ln. uptrllDCfd. ~ w .. 1n· Or.ac-,on o ,.nnul BP PO lbnd'a PrrllUlllt:111 hto1Cl'1U.lr'tr. :.t pro . aho.- I. I F... IIU.

■AHO OI' THI ■Aff IUfllllY In one o r <hmuJIJ ·a Llrc••t nun OIIUMI. c.a.r lolc.ue.1, ltw Ul2. IIEC•w'~. _ v,-,n•1- • • ••• rot Wllh l ull loot metltal ani ,~:1unl OIIUMS • .,. .. ~•tLC:1 n..d•WNk car "'"' •• , • • ,A • rac•Ullu. 8 .111d main ta int full .in-bta• \\ ti. t;:J · • · ·•-SI .a nd fll.1.0 ,aurum~llhlhU tra . d•ace 1ia11d Hd mll,urr IU:td ILECTII IC OUITAIIIIT. Eal. 14$1. lhllooa1 8fotylt"'ffl,O OODUdfr'f'd ao,. - Appl.J ror aadl\1011 \0 °"l>ll P >nJ• IL(OTfl•C CUITAflllT, -•-a" 4'10 ~lllTffl I& a n1 11 run ot 'Hf wllh mOlllh Rac:nllWI n • 0

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conlldu"l:I - AOPl r. lbndmultr TflUllttf'ff, btt'IDDtl' •22• ..,, ,ho P.oalllon. Rfftrtr u .-001 ISll 'll Cl··- ,uru... .. UM ~~'::!~':.~ :,•,~~:uuvn. Klll,lllO II • mttt olhtn lnltrnl.O rornun , l r.>UP • ) ,O,I " • _, ... n11t■a wilt! .... ,... IANOI. MU I ICIANI. N.Y.£ .- Pro. Wht n prnllcleal . London ..1ru.-Boa NIW OIILEAN5 Trump, l a\lllable _. 1N1 Ii•• 1a&4Hr. 451t. Hi t , • Ml>l .'' tur Jolla, P htnr s•n u:a.

llTOI 10■ ALL a,&1 or ILICTIIIC OUITAR. d ouble ,-AU .. ET, TROMION■. l'ff'lr PfA~IIT. ab:, Pro. 0 42, D1 k- .. -.1.1 ft•••-' ,. lN wll 1t b t1trc JllU L.tl n IMln1ffl l Ork•not-e\714. rahca ,- W n\ L">n<loa PIAnllT. ab'• 8n t)IS .,.. • ,.._,. •-'""'• II"' ... :I • fll • 11,n ltHD --"'~ 11-.... •• o • n .... b ftaH f'IAHIIT ACCORO IOr.· Mal . 112• ----. .z ir. .. ... ••• au , n11t>o1e, r,,, 1,,,n Tr10 West &nJ -- • • - n • ... &a. J~ ... •• Cltlb, l\o,an It om Mwl but r,p•r 11.1,ol't - cu, Cl, .. ,. f'IAHI ANO ALT , ( r.-8n'm-

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LONOON. w .1. c..n.N 4SII DRUMMC11 r<>r anuwor Juua n<S •maltur ltOJP wtlllnc · D r~l1·•~:•• PlAHIIT. • "a , r.c t , - Ptr. f111 . m:i.t ta,- U • n - &-c. l!.. 8'1Ulhcnd a na - P h•'lf o-U •!14 f'IAH IIT Y~CAU. rcoclcra. DOW s ;•11:~u!!~~•&~ r;;,,~~ t 121D. b rtwttn 1-10 pm

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AC(ORDION RE-PAIRS u «Utl.¥ uutn -""'· -- 1 •ld• 9,a11os w•N1EO u Ct:, ;'IJ la,c - Bqa GM M MM• "'1'I " - f"' - TCNOII ALTO. l ,11 ~'8 fLUTEI. QIOH . Bb and Eb rllllT.CI.AU !O t:,;,:, * B•r.J ,r. TENOR. CLAR, ·,"le! \•t,iab. U SHr1·

•TUNING • OVUHAUU • NlW ■ILLOWI

Clulnt~ and D.uiool\a w:intNI ror o ulNld for h 0Uda1 ca mo • 'lmmrr ••1- , nod, rH1u.rro 111 m• 11n)v.htr•.-B01t the 11 •lu r st. ,cr o,n t o f tht Roul 100,_ d.an.ce alld alnl~hl. JJ.l•nr 02& ... .\SM," Ann, &en,ce Orl r~. l!"fmlll\f'llllf wees - Jlt1oto, iUICI paru,, t HI Bo• TIINOR CUR.- Bob Kno1. Wal. U l \lon"CJ Aldttallot.. ()-1 Pf1•· Ille. "UM.· ' l'a,.

M. CILKA peel.I for th- n~h l m"II - Wntf' tn TVUKfla INVITC01 T • c -:i:« TINOII CLAIII.-C .. .ar lHI O recwr or MIi.aie. 011U.u Bsrr.10,. 0 olt:1.1 Ytrt•• . • .\fu- ·o. TCHOR CUii. ni,. :.rnctd. rndl AJd-nr,.,, D r«-10: wl l.la ab'-11:, t• :s.; = t:i 1!11 • Tu 7:W:

CU.TAIi. YIIIU. Ac:onL~:a rf'- :ia: nut ~ ",,...,. du:, ~ 111.U < TlNOII CURINCT, rllf>4 ruc:n .

• ADYANCl:D TUfflON

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HARRY HAYES New Model

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INSTRUMENT REPAIRS ,,. ,., • ..., LAWBACK aROI, for UPffl re•

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K~ CHSNS • UHl-27131 '- llctlf11 ltrnL CHCNS • l[WCAITLE- 11 .Nlff P.-. oo••• • IUlf'IU-U 1erU I'.,._

KIT M

U , EDS lllU Nf;\VCI\STL£ 21500

IJRADf'ORD 23577 ~

A H lectlon from the 0,000 Stock £1

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no WARREN ORUM SHOP Sl!I.SCTID ■All0AIHS:-hlr tnlt• chod 14' K Z1ldjl• n• (14, ditto IS ' ,11. ,s· Super z,11 LS. ,.1, 1r Sun. z,,., o . ,r IC . Zlltlab• . ...... C,. 01,111,w: H H. & P,. u· c,.-.i, a. " "''PH&! o 1s. Pr••·• ' llT ,. ,r Ac• ~ Pott 1 '0 '" IL .-.,a Ne l S,D. ,u. 4'11• 16" • tr T(T. I Lop CII. A11tocnt &lue P .. ,11(11 il$. Pr. OIJIIIIH' W h/Prt. lo111N1 U. Alu WII/Ch. 10' • 11• I JD, Cl2 II. StcOMMn,I )U11 from 00, 10' Ian Drum• from Cl II, Sn•re Drum, r,om U ID, Tom•T-• U It. Al.I. N I W MAal.S OIIUHI, ACCUSOIUU, •ITI, CYHa~l:!J Part b d-•• t"' Wolc.om..S.. 8&.IJT CALF HEADS lautt or s....,. >th U.·, .... M .. •• •""· 11.otu,,. PosL

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PLECTIUM GUITAI GIANT MONEL

178 1,1 179 2nd

Pi.In 10d.

• IOd. 181 3rd Monet Wound 1/3 182 4th 115 183 51h 1/9 184 6th ,. 2/3 185 54,1 8 1' HITISI! (IHII IIUIIC STRllliS l TO. 131 suullwtll UH, L.l'NH. E.I

BARGAINS AT SCARTHS

•

I IOVEMIER I, 1951 EVER'f FIIIIY N. I Frank Sinatra in new Press clash NEW YOIK, Wednesday.-Another stormr chapter

in Frank Sinatra'• feud with the Preu waa written

■ TITO IUtNS hel .. ,, ..

notice t• fl•• Jaaa musldana froa Ma atl-n.r Slx•Fl••n-on• of th• resident 9roup1 ln IICTV'a "Six-Fl•• $pedal."

They are nxls ta RonnJe Scott, Tubby Hnye, and Harry Kleln. trumpeter Albert H&U &11d drUmmer Bobby Orr.

T1to told the MM: "The

'A change of policy'

boya have done nothing 'fironr ond their pJaylnc still knocks me out but. I want to r et a dla'erent so und.

'Quite new '

TllllbJ Hayes said: "Tito tole a. 1ut nelc Uiat ft d-'dn1 adlipt ourselves to ~ DiUl1o and U\&C. be wanted a chance ot polloy."

B&rrF IDetii acldcd : .. l haft heard LbaC Tito wane. to ~ OUl a clJt:ren,nt comblDAtlon. Bui 1.o an, CUC I am very llllld tba\ l ban 1er~."

Airport teleca&t

this week. I 'QH The slngei: Is accused of deliberately running down a , BOYl'-TWO DISC STARS

.. I may iet a different Instrumentation Md the re-!onned band-whloh will be something quite new- mokes lu debut on No\•ember 15. For the show at Swo.n.sea tom orrow iSoturdav> I shall ~ using deps unill I fb: regular reptncementa.'•

• 81Jr·Pl•e •• n tana to te:1oean trom London Air-pore. on December 20. " We hope \0 aho• • ,me o r the pla ne.a :unvlng. •nd •MYtMs lnlrodUCO 110me VUllUni l)fln;Q~ ollUee," ldld 0 BBO•TV ll)Okuama.n.

Amo1111 ,hOIJC oppurlna In thle nonl trt11U1mtsston wlll be th• Eric Delano Otcbest.ra , 11ru Dale. the Dallas Boya, Doll Lani, Don Rennie. Oar7 MWc and l Ila a.t udl:,rlul.

cameraman 1n hls car. 'nle Inciden t ts aneaNi to

have occurred on :\londay when Sln&tra \\1\S Joumerlna between n tRhi clubs. \Ylth h im i.O. hia ellr were h is ch auffeur . model Non Wha ney, film &t.llr David Nh'en nnd comedian Joe l E. U wLs.

Aa:ordlna to New York's .. Journal-American." Sinatra I had a slan1t1n~ match wlLh a I ~pore.er • ·ho asked h im wbal

1

bill plans 11 ere. ' lunch of -f'

6pOUlnlt a Ph0t.olJ'tJ)be r oamed Plnkt'l.f'le ln, Sinatra la a ll -,red c.o h ll\ e t'houtNS M You ~ ~tn a.re al! a bun.ch oi

He io~ ln t.o bla C'&T and .,. ~n.lte~\n WU In f ro.nt u,1.DI t o t&U hll p lctu : «'. S !natra la r eporl.t'd c.c> ban 1old hla cbawteu.r IO - Run t-he -- down. KJI: Che Q01r00d - - ." I

The c:a r'A tmmper U\llhl P1n.• 1te1.1te,1n. wbo 11\ler went \0 boepll&l fo r eu.m lllAUOn.

BALLROOM FIGHT I t

Humph & Rushing 'Jazz Club' ••

ID I

J IMMY RUSHINO will be b acked by Hum phrey Lyttelton's experiment.al 15-plece big bo.nd ror I.he B90

L ight. ProgTamme's "JG.Z2 Club" on November 13. The personnel or tbe group ls

e.~pect~ t.o be the same as for lasi, F riday's concert wh,h Rushing aL London·• Conway Ha ll-Hump'll. Bobbv Prati..

I Eddie Blnlr nod Bert Courtley 1 tola. \ . RA)nnle Rof.s. T ony Coe. Kothle Slobart. J tmm}' Skid• more nod J oe •remperle; 1sa.'<esl , KeHh Obrlstle, Eddie Harvey and John Picard •LtnbS.), Ian Armlt (pno.>.

MARINI QUARTET FOR BRITAIN

THE Morino Mculr\l Quarte\, w hOIIC " Come Prima i Mo,..

Than Evcr l " i., r lcllns hllh ta t.b e d llc 1>en._11,rs. ma_kea lea Br1tlab Variety bow at tba Pa1K6. ~nchl)flter. tor tbe wou al .Novtmbe-r 17. OVER 2 PER CENT

,-,0 Pertonnlr11 R labt TrlbU• I. nal had Ell l lnp o n Monc1aJ,

Tul9daJ and W N:IDtt<daJ "° .. ~nak!w the P1tlormln1. rwllU, SOClotJ'a prol)()Nl. rb&t b allroom ~ •to1' lhould J>l1 2 pet cmt o( \btlr STOA w l op \0 me SOoleLJ (l<e •• On Th• Beai.-11G99 f)

T o n111111 Steele mad, ono oJ hu ror• TY a,>~arance, 011 Sar 11rda11 WIien he ,tarred ,n ABC·TV·, • Oh, Bo11 I • , hoio. "· l.t pic ture<& (abooe) llurlno ,~rqu wuh rinocr 01111 Rfc/14.rd.

Brian Brocklehurst <b:Wli and Eddie Taylor ldr&) .

Four concerts Ye11terdar (Tbuntday). R111h1n1

new c.o Sw1uer1and for rou r concrr t apptarantta and be wUI co-1l&t wltb B ill ie Bolldar a~ lbe o :,mp ta , Pa r!,,, on WC'dnes4aJ. He tlle.t back to Londo n toe \he broad can on Tbunda}'.

Tbc Marini bo711 are ft JIDC' O'l'W trom tt&IY 1oec1all1 tor the eniraa:emcn;.., •bleh 111 followed b r A1' V'11 " aunda}' Night Al; Th• PallMlluru " on tbe 23:rd.

8loce 111411 c.ht ftU 'ha'l'I bee ealoula t od on 1h e cap1c:IQ' ot \be b.alla mu111p:1«1 by o ne per oont o( tb.o entrancl! !et.

Al\er hearina th r c&H tOI' tbl Ballroom PropT!l'tOl'I" AUOCU· ~11 wblcb OJ>POKd Ult h1' i,ropo,a I. 111 tin ,.1, 1rr.t- ad ,ou.rn ed um.u J anuarr 13 11,bm n tdence w1ll be 1h,•n far 1b e PRS

HIS 'CINDERELLA I

LOOKS A SELL-OUT Jimmy a&Hli t rom Sout-bamp 1on

ro r Nev,, York on FrldB)".

MIKE DELIVERS A 'KNOCKOUT'

'Cl,rysantl,emam ' is taking o,er

" Obr)'l4nthcmum.'' a ne• mua1c111 auirrlna Pot l<irkwooct Rod Hu bcrt. OrClnl, 0 J)Cn 'I flt IAn• don'• Pr ince or W11lea Tbclltre oo Novembe.r 13.

Ii I

I 11

I

IT Joolca Hke be1ns a tell-out. Ior Tomm~· S tee!e's rour•mnnt.h pan tomJme seuon •~ the London Coltseum. Althouah the

£100 000 Rodlera and H&mmerstem ,-cnston dot! not open unul I · Dec~mber 18, adi-ance bookings

have been h ea,;,. ~like P rcs1on . ex•Army middle-S a n 8 l l'Ple'£ boolUna a; t,nl bn welJhL clt11ml)lon i umed -1 n11er,

Bco n : •· We upeci lo Olkln to hn.t acored a lulockou, h1 tbe

n auccttds tbe .. Mtattt Ve:nu.a •· allow starrlns Pran.k1• Ho•uc:t. Wblcb m da a 17-dar ruo tomorrow !Sa turday) .

Tho book and tyrlca of " Ohrr • unthemum " ore b,)' N'nllt• PbllUPII and Robin Cbancellur. Mu1l0 la b)' Robb Stewnr t. ORCHETTES

S•rlu Xe. I Too'r• DriTiDt Me c, .. 7 ... _., F■aa, Tbat Wa7 I N .. e, lttew

(Tbat R oeH Orew) LoYe I, tlae Swccteec Tbl•• lb Blue U«...-cD

S•rles Ne. 3 at.a 807 .tJwr You"re Goo• la A Llulc Spanieb To,ro n. Oae I Lon (Beloa,-

To Somehodr Bin) •;• JS7e Bln kblrd

S.ries Ne. 2 It Bed To Be YTlaar Olda't JSdieH Mo Blue Moo• Poor Bunerff7 Doa't Be Tlaat Way

SerlNJ Ne. 4 lb Mela-lu>ll' ~ MIN AaaakU. 1-Rattlme Cowboy 1-Sbloe Oa liarToet Mooa A Brok_ca DoU

IIOW RIAOY ORCHETTES SERIES No. 5

1.llLI.ABll' IN RHVTIIM AI.L OF lHE

I'll SITl'INC ON TOP OF THI£ WOBl..O LIJLI.AB'I" OF TUI! I.FAVD SWl:;£"1' GEORGIA BROW8

Compll,d ., Ind , prndtnt Poli0:1

.... I. PlaM CWlll'I Acc. 51d,ele)

._. J . Bu,-V'aol,a

._. J . Onuiu-Guit&t

ao.11 4. Tnimlld-Tromllene I-' S. I• Atta-I• T~Mr Sn .... 6, J-, AJC.-JM TeN r ~

Price Each Book 2/- Net N~!;lr•

lhC blH IMU a.cl \' unce b QOkln" or SU:,.'fr.11nn.t Dtcca dl S<l . .. A H OUSl' ~fr r:it~!.100• ■P6rl l rom · ~Jy A car An d A Weddlnir Rlna:i

The .tiow .u: a111o ata r J lmm7 - rt'lnat'd on t hl! London l■btlEdwarda, Van&. Bruce Tn-n,.. b lLS iOnl 0\'tr W> bJg th.at :.like Ke:nnetb Wtlll1ma and Bettl' d ie. t.o the S late's u 1morrow Maraden 1Saturd l\11 tor a v.•ttk o r TV 10d

FOOT.~OTB: On Wednl'..ctay. , radio apptarancc,;.. S teele bad fu l17 r l'C0 ttrf'd f rom I ~riu:ha:~~::nr=lv~ r i:.~v.~~ Muddy Waters tour Into a tNe. The mnMh eawrd him to ml• two oonceri, at uie

OCS~ll. No\Uoc!lam. planned for 1959

MARTYWILDE ON TOUR Mart,- WIide bu bun bOOlltd

for Bee-TV·• •• Sllt•Ftve Special " on No Tem t>u 16.

Tbe fotlowlna d aJ I JOtbl be ataru a ae ve n-day packa,a &our wltb the John Barry Seven aD4 Nancr Wbh1kc.y, at WorkaOJJ.

The oo,ckaac v t.,lta Womt>well lt 7tb)L Scun tho~ 118ml. Newarir; • 19th) . Pontefra.ct 1:l0tbl, Bu rnlfll' (21.t) and Yorl t 22nd),

Rock-a-Cha-Cha World tributes to Mrs. Reg Connelly

Piao.a are a!.rrad• undl'T • ~, rfW blUOI 11n ,~r Mud d }' Water• c.o make • •ttond BTIUah i.our !I le In 1111!11. St.arUna on TuM d l J, tb4

M uddJ and bla J)llnl'll Otl• Cresta BDllroom: Luton, la to ru 11 Spann Iott Lon don Airpor t fo r 11, weekl f • Rock-a.Qba-Obt.

Tbo world of muate 1>a ld trl- CblcatrO on Mondar nl1M at t b r NlaM " feat~ Rorr Blee&· b u~ to O11'1'-Wlte o r Rea Con• tnd ot !Jlr :.r tour wttll tbe Chr!s wl'll 'a B tactJacu. o~IJ'. m1UU1&1111 C11rrctor o f Barber Band . Tht-l r la.n en11ce- On th• aame u enlnp tha Campbell Connell, . Ltd.- whoae I Dll'Dt ll'U bffore a carar h1 audl• heat.a or \he "Dall)' Herald d eat h 11,•u ttPOr.ed last week. r n ce at t.he n tw lJard Ora. Club Hu la-Booo Competition WUl !Joe

M - fN 01 lll'mP."lthJ b11ve LIVl'l'l)OOl. OD Sundar . . held . bl'en r « t1l•ed f rom all pan.a of r.=~~~~~~-------------------.... ~~=== t b e 1VOrld, lncludln a A111orlca, I • • • • • • • • • • • • • 1G Canada, AuatraUA, New Z~lllRn d . ... tir~g~~~ and every Oonuncn- I M E LO D Y MA K E R I

Tbe funeral took pla.ca In Vol. 33 No. I 305 .a Bournemouth Im 1bunMlaJ . I I

lDff0RIAL OrFIWs 119, High Holborn, W.C.1 BBC I SILENCE 1

• T•t•~A• 1 CHAau,. Jl4a M ite,, PAT HA.NO i V From Page 1 ADVEJtltSEMfNT OfTICU: 96, Long Acre, w.c.t ◄ t0 \bl B80 In Ma'l'Ch. But the I T•••~•"• • TIMPI• ••• >••• M . M•,.e••• , JOHN A. o•■atlN I nndlop b.an no t breo made Provlnclal Ntw1 l!dllors JERRY DAWIOH 2◄, Os.ford R,oe,d , Ila.II public. I rh,al tr 1. ~ n1ra1 3232. • 4

R11mour bu It that tht 18- I Pl«e Northern Done, Orrht'11lra Belfut . e m RUlh trfotll. 111', le• York . R~ OrtVlllt, •• I.I \0 be d lll'bandNS "wbc-n p re- • Orb7 Drh t . BtU.ut. • C')Op•r Aw, 1111• ◄ stnL contra.e l.a upl r t'." and t hat I ,u,ir,.., r.a,o . Uppu .Uo>l\lcht r. Nt.• Jtn,, I ' b l' OrCbNlr& w111 l>• replattd by Cblc1g1. Brrnard Altlfoll Im 1...0Clarll Pnthr r . ) 40, IU•• r-1·11 a •maUu ou lft t lf'd b1 orpnli.t • b•t 541th is1ret1' Dn we, N v Bun Kcirall, n .. ~fi/,~>' i.e.ch. current ly whh the I Ctllra10 u , l lltnob . . ' M1l11n, 1.<11l Strtet, Moua, Vt.m u•. I

Hu t AlJn AlMWorlh , COl\dUl:IOT Cologne• D. 0 1, trlrh a rhul: - N.Y. • or U\• N'OO. •~ya: .. 1t th l' BBC I ~ ' . l<o•ltn, A\'er, tt'II U I P1ri, ·. Renr, Kahn, If, fW• •• bu p l&ne \0 CUSpen" with the · ' · Cnlli=n• -1' lppf'~. du Loune, Parla, 1<t1• FRANCIS, DAY tt.,_ HUNTER, LTD.

. ua Chcufft9 C,.u ■oad, London, W.C.1. TIM OlS1 h . .... ... b Copenb1•en . H. n I Jor,, n ◄ t~~1~t~,•. , ..0.1 .... ve never ern I O • Pe.lern n , !Mu· Rl■t • 1. 11, u r • 0 o • Wll\ ln•o•. 1

.. l.foreo, n . ,.. hau been &ali:ed " l 10 . R, 1.,rJ p. Dr n,11ut . • tnampa Eatu• VIA •IIA t-o d o t wo TV t b on In th,, ~- Dublin • Oolnr--• R~ t •lt 11 Mtrc.td• )i, Ro>mt.

LATEST GUIT Alt DUET

T\NO l's BOOGIE Composed end arr. by ROY PLUMMER

PM Mn 1/6-,,oet,.. .. 1,.

IIOBEIIN MIJSI«:. 2a Wanlear St.. W .I

Year-Got of atx m ont~• dur■• I • W~!ey Road. RtMt,cu: R_..-d . Anion Kop. Ou • • t!Ol'I . Radio CGmmllmtnLII a re n Jltll n IOublln IOHlil. •LWJ I■. AU.:ard Plt.rM•

:.~h.=ui:f »B~~I~ 1:! I Hollywood : :~erd D<,~um : :: IU'all so. RoUnd.1111, : I I i

band ua·,.. liolh·•ood 2t, Cali forn ia , 0 8 A. lt1cll1I■ : p'ho"" p u, •• ,nqu,;.: • comment. Jtmmr Let.ch : MIi -.. Thi■ rumour ob, IOWIIJ a rose I In • O hu• ppe ll~: l t 1'lll, B*llhulnt '1. • ~

f rom ~ta f&C\ tb.at l I Ubmltted ' 10. VI& Mon1nldf0, ' an ldta to uie BBO fo r a 10-c, lcce 1111 ,n. i o T•lltl • H~i .. n l f r lh ' 14"'

band to .:::to "MU.do Wblle You • ·••tnal: Rllranrr ,i:- ~~\!~D: Tvroei.o. • T M<lnl ll' T • l~Ull ! Work ' na.. n ,... done d • - -wiLb I.ha lalOWlec:lh and ~ • • B11IIJl n1t. M••r11r~al. ,.,,._.,,, ,.....,..,.. St•

uonot AJ,-o ·· • • - • • • • • • • - • - • · • --.i.~• " \lie 0-'.0, .. a ••••i>al'U, Prlllkd .ad pa.b&&all.O La O'- bmala -, Uell&&a Pua t..n. woe Acn. t..lal1Jo. W,O.l. Poet.ca uca Measle CIIPI•: Lat....a ,.11., .&Mo6' tlel,, O&u4a IL

IELOIY .IIAIEI IIPPWIEIT : PAIT OIE

First what size should it be?

SOME lffllllonal llnu of Shakesp .. re, with slight modiflcatlom, can beco,.. surprisingly appropriate when applied to the art of banc1Jea41ng. Some

people are ltorn with It, some aclli••• It, and others ha•• it thrust upon them. Ir you're o. practising

muslclo.n --or even perhaps It you don't play an Instrument at all-you may be drsuned to le11d a group of musicians one day, and to mould them 1n to what In l'ommon English usage Is known as a b11nd.

But lhe " 'BYS or anlvln« at. 11uch a destination are varted. &>me musJclans start their t'areer fully Intent. on bavlnl a b:l.nd or their own and do. Jn facll. become band.leaders before they are " 'ell known muslcurns.

Born leaders

This group Includes Duke Elltngton. and comes undcr t.he c,as.31ficatlon or "born" band. leaders.

Then there Is the musician who works h is normal way through the profession under Lhe command or others. untll he reels a certain Inadequacy In the policy which his b&ndleadcr Is pursuing. He then decides to form a comblnallon or hls own and carr~· out ht, own Idea.a or lllWilcal pollcv.

This ls pel'haps the most usual category nnd lncldcnL• a lb• this ls t.he v.a~· thal. I bLIU"led my b a n d leadln1 career.

'Mllrdly, there 111 t.hc case of the musician who, by vlrt.ue of a cerlaln set. or cir• cums i.ances, ilnds hnn5elf required to lead a band.

FOUR-PAGE SPECIAL

He mav be working with a leader who ha.s to depart tor some reason. or he may be elected by a group or

In Ull1 special 11ppl1■eat, the flrst of two, lrit.111'1 ant ,.,a11r luder, J11t11y D11kwortll, deals wltll till pr1ble■1 1f b11dl1adl1g frt■ A to Z. Retai■ tlll1 111pplea11t fer fibre reftrtlCI ... doa'l ■Ill llll wetk'I.

musicians. all or whom feel the desire t4 be part or a band. DB the m oaL suitable lo cBrry out the duties or leadership

The size ~

This happened lo a number of musicians during their service with the armed forces durln2 the IBSt war.

But wha~evcr l 'Our rea.sooa for belnc; a potcnf:al bandlel\der t he problem~ are the same. What lS th, first step? Sell!Ct.tni men. purchaalng equipment. or seeking N1Ja1rments?

Perhap1, the llllll thing to decide Is t.hc nlu or your future band. This must often be dictated largely by economJc llml• t.atJon.s. ollhou&h lhla ls n ot. or course a !w&\'S lhe case.

Ne\·erthCle!.$ IL ls a quest ion lo consider vcr) carefully even If one Intends only lo play for lhe Jove or ploylnJ. n. la the easiest thl.ng In the world to assemble a larac band o! musl• c l,rns. but vartou., problems arise tberearttr.

Is the general l\landard or mualclansblp ttolng to be hlJh e.noush to a:allsfy the belt.er players-and yourseU? Is there

or say, sbc or seven pieces. Money? The root. or all C\•ll

perhaps. but . n sµbJect which looms very laraely a· a very c&rly s1a1e In the me of a band. Let.'a consider all lhe aspects or It. In the lighl or n 7-plece oulfil,.

P l.nanclng a barns Is like fur nishing a room. You can spend a little or a. lot according to )'OUr means. Md tho results wlll bo more or less lu:rnrtoua according to the price you pay

But mone~• sensibly spent can 10 0 IOl further. And or COUl"lt' If you can do some or the JobS ,·ourself you can sare accord• lngly

The cost

Onlforms cnn cost anythlns :•nm £5 lo £15. Music desb are a,11llable from about. ~ each. Music folClcns are also on the market from about. .Cl each This may se~ an eKtravnsnnce, but unless you can get really suitable ones from n cheaper source It. Is v.•ell v.·orlh while; your music library will

to page ii

r---------------------1 I HI-SPo·r ~=:::;,~!!~_in;:~v::~;,,., .. \' \ 67 playing star-ltigh I Htrt•s solid sowtd and a \

anchor,d pi/Ian on tht lower Joint. \ , spark/in, finish, wltlr nlcktl-silver keys and i• \ • ~---_ _.,_~;::::: Ask your d~a/er for H I-Spot or stnd for Illustrated : \ lta/ftt, 10 Ro.still of Fitzroy Court, London, W I \ '

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lJke most TOJ> 8101,

Men, Mick b01 d11 covered tho sheet delight

of plaring 0 aali.mon• built ' IMPERIAL' by 8. & H. Long eq,ezieace ln the duiga of br011 lnlbumonta coupled with modem ea• qin-ting know•how. e.nsuu, purity of tone. 000u1oa,

of lntonotlon, comfortable balonco and eloganco-ln foc i all you would oxpoct from o top•gtado lnruumonl

You •• ln,ihd lo put rla 'l,t,1PU/Al ' to IA. Int. ,,_ 11to1•ll dt>:lc, will o; .. )OU ,v,,,., foci14,.

PRICE £51 • 2 • 6 (1.ACQUEUO IIASS}

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JOHNNY DANIWORTH: " Thanl you' Modern Music•

for giving some of our mosl talented and ambihous comlPO)efl an oppor1umly they M>

rightly deserve and who in

the past have been o verlooked • : ; they can rest M5ured tha t a compos,hon qi musical value -w,11 be given every atlenhon • . . besl wishe.\ 101 even bigger sue-

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MODERN MUSIC LTD. 26 WAIDOUI STllll, W.1

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to aaiciMI .,,.,.,.., .,.., - ...... ,i.i...,, .. • -•i.- op-we •• MPPl' to -· "-AM,, lftlt,_,. la noel Md 1111 _ie,-tll1 -- Mile ..... < ..... __, ...,..., .,_,.ht ......

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:SUophoM1, Clan-ta, Drv••• Tniapeh, Trolllboftfl, w it.,,,

A«onfiOfls, tau.., A,apl,f,e,a at h eMtt p nCH

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FOOTE • NUNY ~ NIADI I FOOTE STUDIOS offe, ~innen' • HUNT FOa HEADS aMJrSts, .it t111lrvmenls.

• HUNT FOi HEAD$ I flf [NDL y. PUSDNAL SERVI&[ • MUNT FOR HE .aos CMS. r. ,oou. lit.. )II ...... mm. WJ

_,. 0,. ~ .. S "'- 1111

1-f.."!!!! ... .... 1 I ?,,te l,11, it I ------------" ,.._ __ _..,. JI 71•u ----~

J oh11n11 Da11k'W<Jrth adi:ue1-" /ind the bf-1t OVttiltwk mualdoru then mah them into 11our bcusd." £e4der Dffln¥ Bovee (at the L]ICelOJI

m London·• Stran4) did tu,t t hat K'h£n he adected U-r) Jlarfl Lou Cbari.). ,Dol,l!fK

8tifruon (alto) Gnd '""'" GUlupie ( Git~).

Don't knock ttingos ◄ from page I be your mosL pnclou, piece ot equipment a.nd m u.st be pn>t«ted f rom the rtaou.rs of onenllnt engagement&

Arrangement.a can cost. a tot. of money, bu t prln~d arrange. ment.a and unwritten l'outiriea C4Jl bolster up a thin library. Profes$10na l arnanrements can cost. qpv.ards or £5 ea.ch, and lhcn they musi bit oapled out. from l he score.

This can cost. from about 108. to £2 according to len&~h . copylst.s usually chcug.lng a nxed amount per pace o1 writ.In,.

The n umber of arrang~ents you •·Ill n~ • ·ltl vary accordIng to the type of •-ork YOU wJU be doing. Mosi. bands are formed for p la:rlnJ ar. normal dn.nces. and thla u.sually means pla>•ina ~or about throe boura In. aay, Lwo apell.s oC an hour &lld a hall.

50 numbers

and waltzes now become lmown a_c; a ~laJ.. lsL orcheauu that \\'e don L .have to obey t.-he rul04 u reaartl! tempos aJld 1enernl bollroom policy. It ·~ been a t-lruaRlC wblcb has LOken ,·ears. liO d110'\ expect w bypass a In n nash or dedicat.ed atncerlt,·. You 'll probably 4 nd youri."elr without a band,

Band coach ~

Transport I.a another bl17 Uen when aSSC&SJnic costs. A t.LatJon wngon or 11 couple 0 1 rart, wall probabl,r aumce. and U1uv may be alreadr nt hnnd rta ~on,c of the miwclans who ar1: LO be

danc d d wtth :rou. like ~;n ccnf.;!

0 a:r-rne ~c.e: Ir YOU n eed to hn,·e .Public Oordoni:; .-bffi required. transport. a co:1ch on rhart.er

On c,ne Jru.>, 1our, \\'hen play. Is usuallv the t>est memhod to ln each half you will need In Jn11 nt a t lm • ,•1110,lJe h all. we adopt. Apllrt rrona beJDr IJ'M!

Ute region or 24 numbers. You dlSC'o,·ered thnL the only musto IC1'-St e.'Cpensh•e methOd I u rowlll nrtd about 18 .. gwckslep " •·hlch v.1onld llCL t,h,e dancers on vldes door-to-door trnnspotL Jot numbers. 12 toxtrot.s" to t he fioo.r waa Vlennr.se Instrument.a. nnd reduc-et weAr• tallhouan tb:ese can vary m .-Alu.es. nnd-tea·r and loases. and eJ1m~ style a great deal nowada.ra1. Wr played e\-rry one we knew. nates tu.l-tnres and tJ~ wh1r.b llx Y.1lltzes and about a dozen nnd EJ)e'J'l l lbe ma.erval. Tons would be lm•oh·ed II the rrul-..Q IJ)eelallUes, Uke r bum b as. Kinsey. Bill le S.nse, Jlmmv we.re ust'd. lMiOS, cha~a.,a aambo.a, Vlrn• Oeuchar. Don Rendell and I . There you have II. It JOU ncse wnltus nn the Ute. wracking our brnln s for more ho.ve £100 to spend. It can be

The requirements vary tre- tor the ~ ond h nlr. casUy and well spent. Jr :,ou mendously a,ccordlni to the It Is on! becnuse we h nve CConllnu d J · ) type or cllenlele. Some crowds i::====::::::::~~~~......,-------f!i-•o•n.;..a_ci_n..;o;..;.JKI. O;.c~ wlll be shocked IC they do not hear a 4.8-bar-a-mlnut.e qulrk&Up or a 32-lXl.r•a-mlnute !ox· U OL.

Others \\'OUld IAUflh if }'OU played R wait?. nL nil. But the music must be there If you are to be n oond equloped for llll \ ' cont1n1enc:r. nnd about 50 numbers miidv ror playing . whether " s pecl.11 .. scores r>rlnLNI pans or memorised roullncs. Is the mJnlmum for a comple~ dnnce.

Party dances -Anrl " ..-ord to buddlns l eaders c,f Jan comblnnuons "'ho mJght 11coff n~ lhe mcmlon ot waltze.s nnd 1.nngos.

L<'l me nr.~urc you thal throughout the lhrce-nnd-a-hatr ,·enrs of CAl!itcmco ot mv 1• se,·rn." "·htc:h suit lingers ln

some J>C!Op!e·s memories as an OUt•ftnd-ouL )87.l C0fflbloatlon. w.e pla) eel waJt.1~ M every

;_, ·'.,

• ••. p,owkled your o rron9•r wliU k t •n to <-omments and

augge~tJona , •• •

u ~~~~;~~..:.'.l:..;._,;._;_...,

STYRATONE FELT LINED TRUMPET MUTES

Slyralone Mutu ••• moulded in du11ble hlgh-im~d malerl1I ln duo-toM ,ed arid uc,am lm~h. The basa of each Mute and a aoctlon of the lnlM\41 <or1t: ho,o a !ch l,r.111g which acll iu o rosonenc.e c.onlrol.

l he o tc ,.,,on tunnel on lhe "Wow" M111e is posllivaly localed and t,uily acf1ui

1 d twQU!.e of 111 ~aling ,n • rubbe, grummet. Th• " Cup" Mule is hll~d Wdh lht" llta,ble buJlt-n wh,e the cup "'"'• Iha 1ns:1,umcn1 bell •

~,, h " 8 ., •o•g 1 •· 6d. "Cup" 91. 6d. "Wow" 91, 6 d.

Sot o f thr•o fflUIH , 1.,.0 .

~ n• CHAalHO cao,, aOAD LONDON WC2

I

•

The perfect bandleader-arranger set-up

(Jrom f a.clno pa~) a.-,en't. you'll JusL have lo te\ aJoa1 u well as you ca.o.

Bue. 11 vou bavtn'L a beMl. you could nlll come C.O acme arranaemenc. with a number of eolhualutlc muaiela_na and form a co-operau,,e group . .

11 you do so, appoint a manacer trom amoniist. you and be esDedally dlreJul t.o do eyeryJ.blnl ln a business-Ul.e manner eo I.bat every member cao aee tbac. money ta not. be1D1 Wol&ed m WlJlec:essaJ)· expenae.

Instruments ~

And make sure lhaL t.he wor1t • tatde of acu1al pla}l.Ds Sa u ..,mly dlalnbut.ed u poalble, and does noc. fall on onty an• or WO pelra or shoulder&. Start aa You wlah to ao on.

The Instrument.a ? Thia 1a a lrao lnto .. ,htcb the unwary leader may fall. He DlAY choose h1a ldeal lma,:tnary band, ools '° and llu.L the pla}'Ua ot \be IDslnlmenta he baa chc.en are aowbere to be found.

No, e,•en In the h l1heat prof ealonal circles my 11dvtce to Ule would-be tmndlender ts alwa,- to look around and ftnd the beat nvnllable maulcfan,. Tbm . .. ,hatever the\' play, make &hem Into your b&nd.

Of courw. there mun be a reliable rh,·thm 11«llon, bUt. over and Rbove tht'm the mOSL amazing comblnntlona or lnaLrument.1 have bffn bot.h ftnanclalh• and mu"1callv •uceaa1ul ln the 1>ast.

life-blood

8o tnr ,50 Mood, Now we have • band or. Stl\'. six mW1lclana. Our problem nov: la how to Jnake them Into a mu~ col unit.

. B ut. before we C'Orwder the ..-ueallon of 1niu en arran Kemen Ls. do not Jet u o,·erlook lhe Immense potmlll'lllUes which lie In diligent rthl'flranl and mualcnl unc1erin.t1ndln1t

\"ou·ue got to get ~r a:udlencr dancing, aav• Dankworth. The above J10ung1ter, are 11,Jl. but at one dance the Da11kwortll Seven had to plov Viem1r1e a.oaltu1 to utt dancer,

on the /foor.

11:rlthoot written mualc. Some n lque a-ralloble. A &rr.ole ot ua R'fet&test band& In the routine can aomeUmn be rar paaL. amon,t lhem Ellington. more effective than an ambl• Bute and Hennan h ave pro- UOUI' bUt over-fussy ..-rttlen dueed some or their ftnesl acore. mus1c solely with the ldeaa put On the other hand, It. m1111L forward by the mll4lclons I.hem- ~ conceded LhoL the " 'Tilltn selv~ durina rehearsal aDd arranaement. ls the lll~blood of lnteD11ent mu.slcal results can m Mt bands. U you are luckv (requenth• be obtolned I.his .... ,.. t"OOlllh lO be a bandleader y,•h (l

Morco,•er, unsuitable musical 1ll nlM> ~ood at arranl1ng, then ldeaa can be rejected stra.1ah1 1hr task or p ravldlng your away without. wasting time In l!roup·a music In t.he style you an nt1emp1, to ma.st.er something hn\f• In mind wW bell relallvely beyond the limits or the tech- Eln,pl~ one. -------------------------- 5 e tt Ing style

11,e"ENSA FESTIVAL•'' :r b c new "ENS A Festival" has !Kt'n tlevC'lc,p• ~d from the c,riain1l '"Grampian E."-=SA" 'l.h1ch bu nmt'd a world•"•dc repuullon for r ch:ib ihty and &Cf\ice. The new outfit hu • gR111cr power ou1pu1 with 3 u•p:aratt'ly control It' d ini,u 1', 2 Irnp.rovt'd 9" Joudi.J)C.'llken and new .. Pmc,I" Jymmlc MJCTophone for band or aundud u~e.

The amplifier has • puah• pullou1r,u1 o f c,,•cr J~ W31tl

end Is fined ~ ith ""o Jack

aoc:kMI for Microphone ind one for • guitar or other Instrument. The whole ou1fi1 cbps toaether for euy 1ranspon and i, ideal fo r clubs, dance b:inda, ho1els~ etc.

CAIB PRIA £52

cC1mi,lc1c ,, 11h wucrproof 1l1p--on

Thc Gnmr,ian " ENS/\" 11anmrd m odel aJ~o av:illablc.

..

C.&Jh Prk e - 1:48

REPRODUCERS LIMITED

:10 ............ YNlll.1 .. latato, foll..._, IIWdJL Telept,one , rtl I ham 2657

\\1hat. lr more, e,•cm If you d1in·1 intnld to-or c:annot...:-..11,ply all the mualc personal!}. dvmc the first. rew kurc~ your• !WU 1,1. IIJ "set. Lhe at.yle" 01 u, .. unit. And lhl.s wlll 1h•e a valu• a blt- p(nnter Lo olhera y,·ho v.· II Jaltr lake onr t.h• Job ,r arrnr,1m1.

Whf"n you U$e other people's ru nmcl'menta. h owtver. do nnt rtt£nrcl them as ancred. Tlllnk ol l'<•urself as the producer ol a l'lrt\' nnd ol tllo arranger iu Lht- author.

n 11 the producl'r'a task to ert the best. out. of the o••~ wh Ch hns bttn ~lf"Clffl. ~ome• 1.n,~ 1a the ~tent or alltnni, thl' lines or removlni; n scl'nl', or tven nsklng the author to v. rrtr fr t i.h mat,rlnl.

Thi!! :-hould be the sort of Tf'lat .OOJthlp bet."·een bandleade-r a ri11 nrmng,r. The lead,r \\ho IP3\4"' lhl' sole reaponalblllty or mu, t Bl • producl.lon" 1.4 h is B ftlll f t"r ls doing .. hat mlghl fo('l'-• ilJI~· be o danacrou.~ ond ,rn •, l•«·nllle thing.

Comments ~

1nll r mre lhat. , ·our arran1tr· u.tn1, are mana~ieable- b,· tht' mu• c ians at. your dt.snosnt. In lam with your ldc.>a!I on 111us1r. nncl n111 o,1er-burde>ned with COIi•! 11'.>.II~•.

7111 n. provide-d vour nrmnac-r w II la! ten to cornmenta and sut•

t t o page f11)

• ••• W1.suitobl• mu.skat ldeas can lie refert•d • . .'

You, too, will ezperience a new thrill when you play a Buffet. Try Ofle at yolA' local Doolerl• ahop todoy.

FREE ! llluatratod broehvre Buffet I • Saxophonu. Clarlnota. Aeeda. flCI. I I I I Name ...... - ........... ................. ·····- I , Addre-u .... _,_ ............ ,_,___ _ I

I ----------- I I ................. I

DALLAS IUILIIH, cuno• ITIIEET, LOHGI, LU

JOHNNY ROADHOUSE ALL SAINTS--MANCHESTER

\\'£'YE WT T IIE

~ CAD012,n,.

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THIS SPACE ...._ ,. ... ,,._. .. ca ---. anti.a ~"., •• __.. -

tSN'T BIG ,_, -.. r..i., o i. •- • ._ -

ENOUGH TO =:: =:t.:.,~;-:_.._" '- = DESCJll9E ,._,.._ .,..,.. n .. , """'- .. .,.., •

TH S ~ -,u ... ••· "'- .. • I _,.,.....,, ",_,.,..,.. .. • WONDERRn- ,,..,... a...111 .; .... ,_ •• •• • ••

"99 ... , B. AII M•c•1I •lrop ...tl, J Ill U rNSY■UMENT. "-..., a.,11 1 ,._ .. .. au u COMI AND --• , ,...11 ,.. ,.,.,. O L. .. - M ,.,.._, ._,. ,_._, .. .... -. ■LOW IT I ........, Udo.I.rt. o i... ...t..- . - •

'" I•• In Sr~• ...,,._. .,_ - • • .-. . . • 1 n ~., ~ - • T alnoolo ., •• GI t

IIUUII .. VI IOPtlANO 77 .-, _,, ..., 0...-• •f .. • UI Ill IILMIII MIC VI ALTO IOS ..,,. Al a..u-..i, LP , .. o.a,i... •~ C.-IILMO MJC VI tnfOll 1U an•. C.OJ), IIW.M.an"t<l""~ •l - •-

JQDn ll(IAII.IIOOR n:uoHU.T,. ·~ill.DU UTVWDAt . 12J OlfORD IIOAD, ALL SAIITI, IIUICIEJTO, 1, Tai. AIID 5741

"/Je Sef,ne1·wi.~e

. .. pfay teller ,, • • •

hit "'" fi"'1 ,,._ o Cu•fc,,.fa.,fl -ilt,.ittt t iYn bul 1uull1. H~•• ore ,,.~ /ocin91 u1NI 11, 10m, /,odl~o plott••• w11lo opclcg,u •• liundrtd1 of ellltu oairtNI by /,m,1-110•1 of spae.

1Ct1th lud Tr,,or f (bis. 0.,.. I*

C•I 1Mn1,111C••Mru1 ( LIi 1Cl'WIUt9d '** ooue a.._ C• c,n1 Rnlbcn c. lohll R~ C•• Lou W_.JUl10II C• No,m,n Hunl f I.rt ,-.,, Sprt911e HS• 0<'119 Slimffl HS• DOIi ,ailllty C*

! 'Ult·- ,. Ai.Nnbot L ldt Al'la C• 11.,-, c- D. H.ny S•lh C* M-1hlel ICrtia C• Al Bobal C• Roy W1Uo1 0 lA,y L 0 . P0910fl C * Htny c-.-, L l""Y Sy-, C•• ltd Paw. 0. J.ilo 1cnor C. Vic l.lh C• 1 .. DftMa C•• ,,1 S-,u 0. 11-~ 0. £:dd.t ,..._ f . Lt-w Saith D. hd Thoroe C•• B1ll ltwin91on E. J.c~ Gocld..-d D. JM~ Dnhs 0. All,n f,ris C• Jot-, Driwor3 0.

~ At ony , , d J,al,r

114 Charing Cros.s Road, London V Cl

The Dankworth

Story 1927: ... ,t~

£1111, u Se11te■hr 20, Ell■c1te ll at S•l•J• Ann• st••11. C.lqfonl, ■- llr atw1• lttuU a,__. Scb•I. Wnt• fnt erra.ceaut, .. n. ,.., Y•nJ llu 81 Th FIJlll TIIISU," ll ....

f944: W• 11111,Malsl't _.... fw d ... t llfUi FrrMI• MlrfW• llfhl• ■n at 1 "lltl811J .. Iller" CHtHt fl ltJtallltr. At ■-t .... PIIN * UUJI. w:t• .... .,. at loyal ~ •f llntc..

1949: Finl .. .... ... , .. ,lier" 11•11 IICCIII II top afteltt IN 11nlclu •f Ui• year. Ar•• t~ tm playetl wtUi lludl •f PHJ Fnhat. Tilt ..............

1950: Denttll wlO Sn.-1 • bu 5, ll a Tn Ital.II LHtlN Palld laa Swb( Ins•

1953: Ill bill •llltN n Octelltr 23, ll Alltrll lallnl•, lolUapaa.

1956 ! lls "b,eri■,au Wit• llln" 11M --..... ..uer.

1957: T•p,...a fivt MC•

tltlls of Ui• "ll•l•llr 11•••1"'' ,ell, as aaslcl1111 th year, t•p UN· ,....,., llt•lst, •-.nu ... .,..,ff.

Two evtrJl(l411 fnckknt, In the U/e o/ the Donlc1Dorth Orche8t ra, Johnn11 c:on,1111. a road map /or Ule

..

qutckut route to a daU an4 trumpet man Colin Wright m atcfau wm. 1ko,, on thtJ lOGJI to the job.

Uniforms-bright from pagr. iii

1esttoM from memben of the band, and wlll take the opPof'tunlt.y to leam from each acore and Incorporate the lessons learnt. Into hls ruture work, then your a rrangemenla will present no great problem, and should, Indeed, provide you with your 1:re-ateat l>OUlble asaet-aultable and ldentitlable mu.sic.

as possible A word about prlnt.ed arranae-

menta. These can aomeL!mes be used as they atand1 but far more ofl~o are uae!u1 In the aplrlt or a guide. by which the pla1era can finalise their own methods ot phraaln,. Some

9 •

PICTUREGOER brings yoa news of lhe latest act-ft-yowself-wifb..thestus disc craze fn Ammca. It coaltl happen ~re ! Rfad all about this fascinating reconlinc &immJck ID next wttk '• Issue.

publlahera provtde orchestral c:Jubs, the facUltlea of whtah are well worth invesLtsatlna,

lndlvlduallty Any bandle&der will be re

quired lo supply quite • cons1derable amount or equipmen t for the use or hL<J band. Apart f rom the ob,rtou.s. such u mu.,lc 11tands. music. library containers. uniforms and so on. there a re many other Items which can raise a band above the ordinary luel

BL"<ophone stands, mute stands, or even a set or special mutes if your brass seaLlon la a Jorge one. can be a great asaet towards Individuality.

Por a small band playing malnly In small halls. an almost essential piece or equJpmen~ ls a reliable ampllllca· lion un1t te.spcclally It your bond carrlc11 o. voca.1-lst.i.

oo ot the out.JU la a good and ecooomlcal Idea. Apart f rom looklns very attncllve, the Jacket.a can be replaced aloaly.

MU.SIC desu should be ch05en ror c. he I r transportability. Nolhlna can be more of a handicap when t.ravelllns than a badly destined set o! desks.

Incldentally. remember lhat the mu.sic desk la tl1P mwlcla.o'a " home " for many hours of hi.a life. and nothing wm mak~ hlm !eel more mlaerable than to be behind an unslahtly or unprac• tJcal musJc desi.

Malte sure It ls the_ r11ht he_lght and alant for h im to reaa wlthou~ stra in, thaL It will hold a sufficient spre_ad of mwtc and a aulnclent. weight of manuscript paper. and that I t

PICTUREGOER also features a fasdnatJng picture story of Pat Boone (wbo•s beaten by the bongos) and six miashi.oe full,. colour photos of your f uourlte Western mo,ie stan ud lots more too.

But ror o. lar1te band tn larRe e:stabllah m en t.s I.be advantage of .such equipment ls doubtful. OWinJt IA> lhc nec:es.iity for bullt,.ln tunPll• ftcallon In order LO reooh All parts 0( the hall. CA 1,10rd or wnmln_it here. Auxiliary

". •. o IPla•h •f colou~ la oJways wokeme."

MAKE SURE YOU GET THIS WONDERFUL ENLARGED

FULL-COLOUR ISSUE

ampllflera. whelber for lf\,lltar, ba&S or ,•olc,e, can be very drut• geroua when used In conjunction wlt-h thr exlaUnr " house " wilt, It one or other ls not oroperly euthed.)

Colour ~

Uniforms, to my mind, ahould surely be aa br1aht u pcalble. Ba.nda have to play In ao many drab l'lUrroundlnp that a splash of colour la always welcome. And colour ls alwaya a irreat ass.et In any venue with theatrical lighting.

With a amall band of not more lhan al1t plecea a d ifferent .:oloured Jacket for every mem-

___ ...... ____ ._,_ D ell Milton u mu of rea..on~ Jo, the Dankwort/1 orQant, a. t1on running lllre a wdl-olled machine. She t, Johnn11•• 24-

jNr-414 ,ecr,uu,,.

wtll not topple over at the sllithl~l "l"OYOC&llon.

Row we ve arrived at a polnt whtre our band ls fully equipped, but we still have some of the blageaL problems to face.

Problems llke the rllht way to rehearac, the way to obtain am! ntWoUate enpgffllent.a, how to brfng the band to the noUce of record compcuiles, radJo and TV proclucera, and doz.ena of othera which beset not only tllou In lhe thl"O'IS or formlns a aroup, but bandleadera who are established, and perhaps thrlvln1 somewhere In the_tr home-town and aakln' the question: Where do '-'e go rom 11ere?

I WILL TRY TO FIND SOME OF TUE ANSWERS TO TB-ESE AU. • IMPORTANT ~.lATTEllS IN NEXT WEEK'S " MELODY MAKER.."

BANDLEAOERS! Ar• )IOU plo)•ln~ all tl1•

Hit Tunur * AU Publishen' Orchtwations by relwn. * Speci,I At,anoements written f« uy combination.

,c~•P row IJt-1 ~ t• dale •1 /ol11l,_. 1W 'T~ 20' S.Jiaa._,• Cl.J,.

s..J /• d nils :-MAYF llll OICIEITUL lflVIC[, 15/27 Oaftnl Street.~. W.1.

,,._ : CUroTll 4112

DICKIE VALENTINE TO QUIT DECCA - World Radio History

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Transcript of DICKIE VALENTINE TO QUIT DECCA - World Radio History