Cultural Landscape Report: Tiger Cave Temple (Wat Tham Sua) in Krabi, Thailand
Transcript of Cultural Landscape Report: Tiger Cave Temple (Wat Tham Sua) in Krabi, Thailand
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TABLE OF CONTENTS
Page
Part 1: Introduction………………………………………………………………….....1
Part 2: Site History, Existing Conditions, Analysis and Evaluation…………………..6
2.1 Site History ………………………………………………………………..6
2.2 Existing Conditions……………………………………………………....11
2.3 Analysis and Evaluation………………………………………………….11
Part 3: Recommendations…………………………………………………………….15
Part 4: Bibliography………………………………………………………………….16
Part 1: Introduction
This report is attempted to explain the cultural landscape definition that should
appropriated with Thailand and why the cultural landscape should be in the category
of site history, existing conditions, analysis, evaluation and recommendation in Tiger
Cave temple, Thailand. The cultural landscape study should provide more
understanding the old place and rural context in Thailand and increasing local
knowledge and awareness to protect destroying its cultural heritage and footprint in
the past. The concept of cultural landscape should be part of study, analysis,
evaluation and recommendation of cultural landscape for both local people and rural
planner. This case is Wat Tham Sua Or "Tiger Cave temple" is located Krabi
province in southern Thailand, the area is a center for meditation where teaches a
form of Buddhism called Vipassana (insight meditation) and main tourist attraction in
the temple complex where is the 1,237 steps climb up a limestone tower to see the
footprint of the Buddha and the replica of the Lord, Buddha's footprint, the Pagoda of
the Holy Relic, and a huge Buddha image.
The aim of this report is to deep understand on Tiger Cave temple cultural
landscape. To analyze and identify the significance of landscape characteristics and
features in the context of the landscape with creative ideas and future challenges. To
recommend the preservation strategy for long-term management of cultural landscape
based on its significance, existing condition, and use.
1.1 Cultural Landscape Definitions
The term “cultural landscapes” has broadly been used, with different places in
different contexts. However, its use is commonly known that there must be the
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correlation between the culture which is occurred and is based on nature (Muanyai,
2008). Cultural landscape is as a part of “build environment” and“setting”.
Sometimes the explanation through covered the term ‘built environment’ did not
covered some cultural issue and ‘setting’ the term of culture (Shinawatra, 2011).
To sum up, the world “Cultural Landscape” has its specific meaning according
to different part of the world and needed different interpretation. Here are some
definitions about cultural landscape as following:
1.1.1 UNESCO’s term of Cultural Landscape
The Committee acknowledged that cultural landscapes represent the
"combined works of nature and of man" designated in Article 1 of the Convention.
They are illustrative of the evolution of human society and settlement over time,
under the influence of the physical constraints and/or opportunities presented by their
natural environment and of successive social, economic and cultural forces, both
external and internal.
The term "cultural landscape" embraces a diversity of manifestations of the
interaction between humankind and its natural environment. Cultural landscapes often
reflect specific techniques of sustainable land-use, considering the characteristics and
limits of the natural environment they are established in, and a specific spiritual
relation to nature. Protection of cultural landscapes can contribute to modern
techniques of sustainable land-use and can maintain or enhance natural values in the
landscape. The continued existence of traditional forms of land-use supports
biological diversity in many regions of the world. The protection of traditional
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cultural landscapes is therefore helpful in maintaining biological diversity (UNESCO,
2015).
1.1.2 U.S. National park’s term of Cultural Landscape
A geographic area, including both cultural and natural resources & the
wildlife or domestic animals therein, associated with a historic event, activity, or
person, or that exhibits other cultural or aesthetic values. 4 types recognized:
1. Historic site
2 .Historic designed landscape
3. Historic vernacular landscape (everyday landscape)
4 .Ethnographic (Indigenous) landscape
1.1.3 Australia ICOMOS’s term of Cultural Landscape BURRA
CHARTER
For Australia ICOMOS (2015) purposes of this Charter:
1. Place means a geographically defined area. It may include elements,
objects, spaces and views. Place may have tangible and intangible dimensions.
2. Cultural significance means aesthetic, historic, scientific, social or spiritual
value for past, present or future generations. Cultural significance is embodied in the
place itself, its fabric, setting, use, associations, meanings, records, related places and
related objects. Places may have a range of values for different individuals or groups.
3. Fabric means all the physical material of the place including elements,
fixtures, contents and objects.
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After, Emeritus Professor Ken Taylor, a member of Australian ICOMOS and a
visiting fellow to Humanities Research Center, the Australian National University in
Canberra, had defined the term of “cultural landscape” as
We are surrounded by landscapes that people have
settled, modified, or altered over time. These landscapes
are“cultural landscapes”, the ordinary, everyday landscapes
which surround us and in which we conduct our activities.
They are the result of human intervention in the natural
landscape and present a record of human activity, human
values and ideologies. In this way they do not simply
represent physical changes brought about by human
intervention. They also represent evidence of material
culture manifested in the landscape and thereby reflect
human relationships with our surrounds. They are an
inextricable and coherent part of our intellectual and
cultural background. Cultural landscapes are literally
an imprint of human history. They can tell us, if we care to
read and interpret them, something about an achievement
and values of our predecessors. In this way cultural landscapes
are symbols of who are and can serve to and remind us of the past.
Because they are records of past and present actions, cultural
landscapes are product of change. They embody physical changes
which in turn reflect evolving attitudes towards the landscape.
It is important that we learn to interpret cultural landscapes
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as living history and as part of our national identity. They contain
a wealth of evidence of our social and material history with
which we readily associate heritage value. (Taylor,______: 3)
From the beginning, the Australian concern more on ‘every day landscape’ of
their way of living in the past after they landed on this continent a hundred years ago
and lastly they founded that they should respected and take the world vision, way of
living and culture of the Aborigine or “Indigenous” people, who lived before them,
into account of the definition of cultural landscapes reflected in the definition of
cultural significance in Burra Charter too.
Recently In Thailand, The Ministry of Culture had informed the term and
definition of “Cultural Landscapes” both local and central government agencies. In
December 2010, The sub commission of conservation and development of cultural
heritage in Thailand (Sub CDCH) in the Commission of Religion, Merit, Morality,
Arts &Culture, Senate (RMMAC) such as The Auluru-Kata Tjuta National Park is
one of the cases of Cultural & Natural Heritage to applied using this definition in
Australia and then the Borobudur in Indonesia with buffer zone that covered the
surround mountain ICOMOS Association of Thailand had developed a draft Thailand
Charter for Cultural Heritage Management and prepare to apply for the whole country
and after will send to UNESCO through ICOMOS International Committee for
declaration. Their definition of the term of “Cultural Landscape” is very interesting.
Thailand Charter on the Management of Cultural Heritage Site (3rd
Commission Office, Secretary to Senate Office. 2010 p. 18)
“Cultural landscape” means the geography had been affected by human
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intervention and changed the natural landscape. This imprint indicated the
relationship between human and nature and reflected human’s way of living, belief
and religious faith where formed the unique identity through time.
Part 2: Site History, Existing Conditions, Analysis and Evaluation
This part provides documentation about and an evaluation of landscape
characteristics and associated features, materials, and qualities that make a landscape
eligible for heritage conservation in Asia. The site history, existing conditions, and
analysis and evaluation sections identify the historical values associated with the
landscape, document extant landscape characteristics and associated features, and
define the significance and integrity of the landscape. All three sections of part 2 must
be completed before any treatment decision for a landscape can be made.
2.1 Site History
Wat Tham Sua Or "Tiger Cave temple" is located Krabi province in southern
Thailand. Tiger Cave Temple is located in the area of Ban Tham Sua, Krabi town,
about 9 kilometres away from Krabi town. The area is about 200 Rai (320 sq.
kilometres) comprising the plains, valleys and peaks. Once they make it to the top,
they are rewarded with stunning 360? views of the surrounding countryside and the
Andaman Sea, down to the far South as Krabi Town, while in the North are the lofty
Phanom Bencha Mountains, and the agricultural area where is rubber and palm
plantation. In 1975, Tiger Cave Temple was named “Na Ching Abbey” which was
named after the village. Occurred from Monk Jamnian who has lead a group of monks
and novices
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2.2 Existing Conditions Tiger cave temple is a center for meditation where teaches a form of
Buddhism called Vipassana (insight meditation), which is based on the teachings of
the earliest Buddhist texts. Some 250 Monks and Nuns live in the temple compounds
at the moment.
It is one of the more interesting temple complexes in southern Thailand, as
the monks live and worship within a maze of natural caves in an overgrown jungle
valley, a deep natural amphitheater entirely and the main tourist attraction in the
temple complex is the 1,237 steps climb up a limestone tower to see the footprint of
the Buddha and the replica of the Lord Buddha's footprint, the Pagoda of the Holy
Relic, and a huge Buddha image. Once they make it to the top, they are rewarded with
stunning 360? views of the surrounding countryside and the Andaman Sea, down to
the far South as Krabi Town, while in the North are the lofty Phanom Bencha
Mountains, and the agricultural area where grow both rubber and palm plantation as
far as the eyes can see. Absolutely, this one feature a shine perched at the very tip top
of a massive limestone tower jutting out of the local karst landscape.
2.3 Analysis and Evaluation
Wat Tham Sua Or "Tiger Cave temple" is located Krabi province in southern
Thailand. The area is about 200 Rai (320 sq. kilometres) comprising the plains,
valleys and peaks.
Its spectacular setting in the Ao Luek Thanu mountain ranges provides the
necessary quiet atmosphere for meditation. The main vihara or the sanctum sanctorum
is inside a small shallow limestone cave. Both sides are lined by cells like caves
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which are called monastic cells. Inside the cave there are what appear to be tiger paw
prints in the stone. The areas is well lit and very well maintained preserving the
serenity of the environment or the temporary of the body and help the monks and
nuns to focus on more spiritual matters (Krabi Tourism, 2004). The surrounding area
is covered with large trees hundreds of years old, particularly in the Khiriwong
Valley. Mountains are on all sides and there are smaller caves in great number. It is
also a place of archaeological and historical interest. The whole area is full of caves
and limestone rock formations. Archeologists have found remnants of ancient
habitations as old as from stone age. Stone tools, shards of pottery and beads, idols of
clay have all been unearthed which bear testimony to the cultural heritage of the area
(Krabi-info.com, 2015).
According to the general geology of Tiger Cave Temple is a jungle with
hollow caves and natural resources. Some cave is the Meditation centre of
contemplative monks and worshipers. With the greenery atmosphere inside the temple
is also an important archaeological site during Prehistoric times and the early
Prehistoric. Numerous artefacts have discovered such as stone tools, pottery.
fragments, votive tablet and many other important value for history
Nowadays the temple is still a center of the Buddhist traditional practice
because of the continuity of the specific worship and the unique living religious
activity of the world.
Criterion (i): Tiger Cave Temple represents the Buddhism’s system of belief
through its architectural design and planning. The buildings and their elements are
plenty of meaning in Buddhist philosophy. It presents to the human creative genius in
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conceptual design. Phra That Chedi Yod Khoa Kaew (A big Buddha placed on top of
the Khoa Kaew Mountain), The footprint of the Buddha and the Pagoda of the Holy
Relic not only be a masterpiece in regional but also a symbol of Theravada Buddhist.
As a result, the architectural design of the main building of the temple presents a
masterpiece of the creative genius of the artisans.
Criterion (ii): With the greenery atmosphere inside the temple is also an
important archaeological site during Prehistoric times and the early Prehistoric.
Numerous artefacts have discovered such as stone tools, pottery.
Criterion (vi): Tiger Cave Temple is directly and tangibly associated with the
history of the spread of Buddhism, one of major religion in the world. The people’s
belief in the sacred of Buddha Relics is one of the most important of Buddhism, lead
to performing of various ceremonies connected with the religious traditions.
Integrity
Those are many attractions as follow:
Phra That Chedi Yod Khoa Kaew. A big Buddha placed on top of the Khoa
Kaew Mountain for about 600 meters height above sea level. Stairs 1,237 rises take to
the peak for the panoramic view of Krabi. It is also where an imitated Buddha
Footprint located.
Phra That Chedi Big Bell is 90.90 meters in height and 58 meters in base
width, inside has 5 storey floors as the following.
The1st Floor is an antiquities museum.
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The 2nd Floor is multipurpose hall.
The 3rd floor hung the world's largest ancient bell.
The 4th floor is the antiquities Buddha Status Museum and
The 5th floor is Phra That Museum.
Khiri Wong Valley. The valley is surrounded by hundred years old trees and
many caves such as Tham Kon Than Cave, Tham Lod Cave and Tham Lun Thanu
Cave. Stairs entry is at the Guan Yin Palace.
Bodhisattva Guan Yin height of 5 meters, it is a unique and famous favourite
worship place for both Thais and foreigners tourists.
White jade Buddha status is the centuries old Burmese’s art enshrined at the
Tiger Cave Temple.
Tourism also exerts considerable pressure on the property and its hinterland.
There is a growing rate of deterioration of the building stone, the cause of which
needs further research. There is also a small degree of damage caused by
unsupervised visitors.
Authenticity
The temple has conserved its initial appearance, and in particular its historic
feature. Though the temple was partially restored traditionally at some points of times,
the people’s belief to respect the original form of the buildings tends to preserve the
authenticity of the stupa and the religious buildings of the temple. Though the present
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state of temple is the result of restorations, it retained more than enough original
material when re-discovered to make a reconstruction possible.
Nowadays the property could be used as a Buddhist pilgrimage site. Its overall
atmosphere is, however, to a certain degree compromised by the lack of control of
commercial activities and the pressure resulting from the lack of an adequate tourism
management strategy.
Part 3: Recommendations
First, in case of deterioration of the cultural and natural environment, the
government of Krabi province must identify on environmental and natural resources
conservation. To solve these problems, the development of infrastructure and tourism
services must be restricted, strongly controlled. In addition, the local government
assists local communities to develop capacity to participate and benefit from tourism.
Stakeholders, including residents, business owner, tourists, and government officials,
need to cooperate the environment and natural resources ethically and responsibly.
Second, the lack of control of commercial activities and the pressure resulting
from the lack of an adequate tourism management strategy, local government has to
set the zoning for tourism development in the future.
Final, development of cultural tourism is critical for Tiger Cave Temple to
improve the temple’s economy and tourism. The stakeholder should establish policies
to preserve this unique, historical attraction. In addition, they should be taken of the
area's ancient tri- culture, language and dialects, and local garments while planning
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for sustainable tourism development, and planning should be undertaken to preserve
the traditional context such as culture learning center, traditional boat festival etc.
Part 4: Bibliography
Australia ICOMOS. (2015). The Burra Charter 2013. Retrieved from
http://australia.icomos.org/wp-content/uploads/The-Burra-Charter-2013-
adopted-31.10.2013.pdf
U As Traval. (2012). Tiger Cave Temple. Retreived from
http://packagethailandtour.com/travel/tiger-cave-temple-wat-tham-sua-204
Krabi Tourism. (2004). Wat tham sua. Retrieved from http://www.krabi-
tourism.com/krabi/watthumsua.htm
Krabi-info.com. (2015). Wat Tham Seua. Retrieved from http://www.krabi-
info.com/see/area_sightseeing.html#KrabiNatural
Muangyai, N. (2008). Cutural landscapes and management plan for cultural and
historical tourism in palaces dating from King Rama VI’s reign. Unpublished
doctoral dissertation, Silpakorn University, Bangkok, Thailand.
UNESCO. (2015). Cultural landscape. Retrieved from
http://whc.unesco.org/en/culturallandscape/#1