Anth.310 Ppt. lecture-16: Akhenaten (Amenhotep IV), part-2: his reign, new royal capital...
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Transcript of Anth.310 Ppt. lecture-16: Akhenaten (Amenhotep IV), part-2: his reign, new royal capital...
ANTH 310:
Imperial & Post-Imperial Egypt: 1550 – 332 BCE
(Amarna period: Akhenaten)
Lecture 16: A.IV / Akhenaten& his new City of the Horizon of the Aten (Akhetaten).
© Gregory Mumford 2021
CONTENTS: Amenhotep III / Akhenaten.
(1). Planning the new royal city of Akhetaten (“Horizon of the Aten”) 5
(2.a). Quarrying talatat blocks for the new Aten temples 11
(2.b.). “Custom post” or related facility guarding access to N. plain … 14
(3). The North Riverside Palace 17
(4). The North Palace 24
(5). The North Suburb 33
(6). The City “Centre”: Palaces, temples, administration 38
(7). The Main City: Immediately south of the city “centre” 89
(8). The South Suburb 102
(9). The Meru Aten: “Pleasure Garden” … 120
See next lecture for continuing coverage of Tell el-Amarna, etc.
(10). Selected SOURCES on the city: 128
Instructor tips for lectures, etc.:
(1). Attend class regularly (& listen) …→ Many clarifications, tips, announcements,
reinforcement & reviews of materials/concepts.
(2). Take notes on lectures, etc. …→ The act of writing down notes, even with
most course materials and instructions online,
serves as an invaluable aid to one focusing on
a class topic and retaining information better.
(3). Complete the required textbook
readings, and/or review the ppt.,
prior to the specific class day …→ This will provide greater clarity and
comprehension of the material, and will enable
asking focused questions where something
may be less clear (in the textbook or lecture).
(4). Ask questions during the class if
you are confused/wish more data→ The class is an ideal place to ask for more
clarity or further information not contained in
the textbook, ppt., and/or lecture (If nobody
asks questions, the lecture proceeds …).
(5). Complete optional materials:→ Additional reinforcement, studying & bonus?
https://howtostudyincollege.com/how-to-get-good-grades/note-taking-strategies/
Amenhotep IV
(renamed: Akhenaten)
Ca. 1352 – 1336 BC
(1). Planning the
new royal city
of Akhetaten
(“Horizon of the Aten”)
Akhenaten:
City planning:
- Solar symbolism and symmetry
underlying main elements of city:
a. Royal tomb at apex & point of
rebirth (dawn) where sun rises.
b. Small Aten temple midway between
Stelae X and M bounding plain.
c. Other major structures along N-S
Great Royal road.
d. Temples open to sky
(like Heliopolitan sun-temples).
e. Some similarities to Thebes:
1. Opet festival route & procession of
Amun, Mut, and Khonsu
2. Royal road and procession of
Aten, Akhenaten, and Nefertiti
Akhenaten: City of Akhetaten
City planning:
- Solar symbolism and symmetry
underlying main elements of city:
a. Royal tomb at apex & point of
rebirth (dawn) where sun rises.
b. Small Aten temple midway between
Stelae X and M bounding plain.
c. Other major structures along N-S
Great Royal road.
d. Temples open to sky
(like Heliopolitan sun-temples).
e. Some similarities to Thebes:
1. Opet festival route & procession of
Amun, Mut, and Khonsu
2. Royal road and procession of
Aten, Akhenaten, and Nefertitihttps://www.amarnaproject.com/pages/preservation/small_aten.shtml
Akhenaten:
City planning:
- Solar symbolism and symmetry
underlying main elements of city:
a. Royal tomb at apex & point of
rebirth (dawn) where sun rises.
b. Small Aten temple midway between
Stelae X and M bounding plain.
c. Other major structures along N-S
Great Royal road.
d. Temples open to sky
(like Heliopolitan sun-temples).
e. Some similarities to Thebes:
1. Opet festival route & procession
of Amun, Mut, and Khonsu
2. Royal road and procession of
Aten, Akhenaten, and NefertitiRoyal family procession replaces the Theban
Opet procession & other cult processions
Dyn. 5: Sun Temple at Abu Ghurab
Traditional
festival
processions
of cult images
in public
= now gone!
The Aten is
visible to all
during the day
i.e., don’t need
a public procession
BUT
the Amarna royal
procession essentially
now takes this role
Amenhotep IV
(renamed: Akhenaten)
Ca. 1352 – 1336 BC
(2.a). Quarrying
talatat blocks
for the new Aten temples
Quarrying talatat blocks:
- Sandstone
- Smaller blocks
- Easy to cut and handle by
1 person.
- Allowed rapid construction
of new temples.
- Plastered and incised
decoration.
- Another idea: The blocks
replicate Djoser’s Dyn.3
Step Pyramid stones
(i.e., with solar affiliations)
Building entirely new city & other temples in 5 years:
using $$$, 1000s of workers, and “talatat” blocks
Amenhotep IV
(renamed: Akhenaten)
Ca. 1352 – 1336 BC
(2.b). Northern
“custom post” or related
facility guarding access to
northern plain of Amarna
Tell el-Amarna: The “North City,” includes a complex of mudbrick structures
at the entry to the Amarna plain, which probably reflects a ‘guard post’ (“N.A.B”)
N.A.B. = Northern Administrative Building
“North City”
N.A.B.
See Whittemore, T., 1926. “The excavations at El-‘Amarnah, season 1924–5.”
Journal of Egyptian Archaeology 12, 3–12.
“Checkpoint” / N. Admin. Building:“At the far northern end the character of the
site changes. A single major building ran
down the slope on a series of terraces,
effectively blocking land access from the
north. At its centre was a large courtyard cut
back into the rocky slope, leaving a projecting
platform of rock. The plan of the whole
buildings suggests that storage and admin-
istration were its main functions, but in what
ways it fitted into the organization of the city
is not known. For convenience it is known
as the North Administrative Building. It was
excavated by T. Whittemore in 1924–5.”See:https://www.amarnaproject.com/pages/amarna
_the_place/north_city/index.shtml
Stevens (2020: 76, fig. 51 detail)
https://www.amarnaproject.com/pages/amarna_the_place/map.shtml
https://www.amarnaproject.com/pages/amarna_the_
place/north_city/index.shtml
Amenhotep IV
(renamed: Akhenaten)
Ca. 1352 – 1336 BC
(3). The North
Riverside Palace
at Tell el-Amarna
Tell el-Amarna: North Riverside Palace, villas opposite palace.
- Well-fortified, isolated main residence for the royal family: see great gateway.
- Heavily fortified & guarded; beginning of royal processional route to town.
Great Gateway
North
Gate
Amenhotep IV
(renamed: Akhenaten)
Ca. 1352 – 1336 BC
(4). The North Palace
of Nefertiti → Meritaten
at Tell el-Amarna
Limestone slab: sculptor’s model of princess nibbling a duck
North Palace:
North Palace:- A door jamb naming last
occupant: Prs. Meritaten
- Inscribed over an earlier
name possibly Nefertiti?
North Palace:
- Palace residence intended
for Princess Meritaten
(= eldest; palace for senior
princess/queen).
- Theorized as her place of
“refuge” following notion
she had fallen from favour.
- Many jar sealings bearing
her name.
Wall-paintings with many
scenes of marsh life.
- Possibly zoological garden
North Palace:
- 14 limestone animal
mangers set in brick
troughs around room,
depicting domesticated
& wild animals: e.g.,ox
- Tethering stones with
Akhenaten’s cartouche
Reconstruction of the North Palace of Meritaten:
See B. J. Kemp (2012), The City of Akhenaten and Nefertiti: Amarna and its People
Amenhotep IV
(renamed: Akhenaten)
Ca. 1352 – 1336 BC
(6). The City Centre
(palaces; temples; admin.)
at Tell el-Amarna
Tell el-Amarna: Central city –the Great Palace
- State audiences, receptions, matters of state, some administrative offices, etc.
- Also harem quarters for various lower to medium ranked concubines/queens.
River Nile
(somewhere close-by to the West: i.e., depictions of palace show quays)
Tell el-Amarna: Central City, Great Palace complex along the river front
All external
arrivals by river
Amarna Tomb of Meryre: Akhenaten & Nefertiti inspect …
ships and reward ‘Admiral’ Meryra (“chief of the Menesh-boat”).
Riverine harbour at Akhetaten (Amarna)
Great Palace: North Harem quarters & Garden Court
• Reconstruction of the harem quarters in the
Great Palace, with a central courtyard garden into
which 30 single rooms look: retainer quarters?/other?
• 10 larger suites lie to north+south: higher status?
Private tomb depictions of harem quarters:
• Note corridor, outer main pillared chamber, and
two smaller inner chamber depicted & on plan.
• Illustrations reveal the outer chamber = used
for entertainment: seating, music, dining, etc.
• Back rooms: tables, storage chests, supports
for wine jars, musical instruments, beds(?), etc.
Syrian
women
Another private tomb illustration of the harem quarters in the Great Palace:
Note: the illustrations are more schematic providing only a sense of the layout.
Guards at entry:
- Sweeper, etc.
Reception room:
- Cushions, tables
- Various foods
- Harps, lyres. etc.
- Females eating,
relaxing, playing,
grooming, etc.
Inner rooms:
- Chests, tables, …
- Mus-instruments
- Wine jars, jugs,
cosmetic jars, …
• 3, 4, & 6 persons shown in outer roomsSyrian
women
Painted flooring in Great Palace
• Decorative motifs of bound
POWs on walkways; marshes
and vegetation on side areas.
Great Palace in city centre at Tell el-Amarna (Akhetaten)
Painted flooring in Rm-F: i.e., replicating nature throughout palace
Tell el-Amarna:
Central City:
- Bridge crossing main
N-S road between the
king’s house and the
Great Palace.
- Ensuring privacy/safety
- Providing major public
window of appearances
- Public rewards
Bridge spanning the King’s road
might look similar to this.
Window of appearances
Tell el-Amarna:
Central City: King’s House
• King’s small residence in the
city centre (opposite the main
Great Palace).
• Wall painting showing family
A reminder of his family life painted in the King’s House within the city:
A semi-private setting showing human persona in the person of the king & family
Akhenaten:
Controlling the elite:
- Akhenaten = sole mediator
between populace and the
Aten.
- No other gods available to
elite & populace (in theory)
*-Actually common folk retain deities
Another window of appearances
may lie nearer ground level in
the king’s small town residence:
- Rewarding officials → buying
their continued loyalty publicly
- Illustrating publicly the
benefits of loyal service.
- SEE later coverage on mortuary
cult changes.
Private tombs illustrate high officials receiving
lavish rewards from the king & queen in public
Official Buildings in
the Central City …
• Records office …
• “House of Life”
• “Office of the Royal
Scribe …”
• “Office of the Town
of the Aten”
Central city: “Office of the correspondence of the pharaoh”
Mud brick stamped with:
“House of the
correspondence of
the Pharaoh” Petrie’s plan of the find spot of some Amarna tablets
The Amarna Letters: - International correspondence
- vassal correspondence
Spans last years of Amenhotep III (co-regency?)
to advent of Tutankhamun
Small Cult-statue shrine of the king
Structure R43.2 in/near central city
• To the SE of the “King’s House”
and the “Small Aten Temple”
Amarna Great Palace and a recently found adjacent “House of Rejoicing”
• 1934 excavation of 2 stone structures
• 1996 re-examination of this area:
- Traces of mud brick and stone in dump
- Southern courtyard discovered
- Additional mud brick walls
- Block citing “House of Rejoicing”
Reconstructing the Great Temple to the Aten …
Stevens (2020: 126, figs. 97-98)
Stevens (2020: 94, fig. 68)
Tell el-Amarna: Central City, Gem-Aten in the Great Temple.
Note: numerous offering tables under the sun = new feature!
Offering tables
Great Temple of the Aten:
Block showing altars filled with offerings
Gem-Aten & adjacent altars at the West end of the Great Temple of the Aten
Tell el-Amarna: Central City, Sanctuary in the Great Temple.
Butchery yardBenben altar + stela
(sacred solar symbol)
Sanctuary
Amarna Tomb of Meryre I: illustrating butchery yard, stela, & Aten Sanctuary
Osiride-style
statues of king
Stela
Tell el-Amarna:
• Feeding the
city centre:
State offices,
temples, etc.
& private homes
• Grinding grain,
making bread,
beer, etc.
Faience & glass production:
• The main city has yielded many
workshops, including furnaces for
producing glass & faience items.
House P.47 and associated workshop of the sculptor Thutmose
A favoured sculptor of the royal family and nobility.
Thutmose’s studio:
sculptures still in-situ
Workshop of the sculptor Thutmose
unfinished statue of Akhenaten,
in the process of being sculpted
using black-painted guide-lines.
Unfinished sculpture of a princess: classic Amarna “egg-head” skull shape)
From the studio/workshop of the sculptor Thutmose
(beside his house at Akhetaten = Area P.47)
Realism?
i.e., Marfens synd.
Emulation?
i.e., of Akhenaten
Exaggeration?
i.e., Amarna art style
Clay casts (with some sculpting/shaping) from real facesFrom the studio/workshop of the sculptor Thutmose (beside his house)
Youthful woman? → royal family? Older woman
Amarna tomb of Huya: illustrating the workshop of another sculptor, Iuty.
Production of similar works to those found in Thutmose’s workshop.
Iuty adding
finishing touches
to princess statuette
Iuty’s apprentices at work
on various wooden sculptures
Tell el-Amarna: housing sizes
Serration of House sizes:
10 x 10 m+ 100-149 m. = 60.1%12 x 12 m+ 150-199 m. = 11.7%14 x 14 m+ 200-249 m. = 9.2%16 x 16 m+ 250-299 m. = 8.4%17 x 17 m+ 300-349 m. = 3.8%19 x 19 m+ 350-399 m. = 2.7%20 x 20 m+ 400+ m. = 4.1%
(4 x as large)
Tell el-Amarna: Elite house.
Note:
These expansive homes & gardens are more typical of rural villas than traces
suggest for a ‘normal’ Ancient Egyptian city, which appear to be more congested.
However, like the king, the upper nobility might often have multiple homes &
estates, including a dwelling near the place of business and a more expansive
residence further away from the city where one might relax during weekends, etc.
Garden plot from an elite dwelling / larger home at Tell el-Amarna:
See B. J. Kemp (2012), The City of Akhenaten and Nefertiti: Amarna and its People
Excavated well & adjacent grainaries from one of the private villas from Amarna:
See B. J. Kemp (2012), The City of Akhenaten and Nefertiti: Amarna and its People
Private (elite) garden shrines: Akhenaten = mediator to the Aten
Private household cults of the royal family and the Aten:
Amenhotep IV / Akhenaten:
Royal cult in private homes:
• An unfinished slab stela came
from House O.49.12.
• This is quite unusual unless the
house represented a craftsman’s
home, or a craftsman’s work in
progress that had either been
sent to the patron, or simply was
discarded otherwise in this area.
• It appears to show a queen(?) in
the Blue Crown serving a seated
king wearing the bag-crown:
poss. Nefertiti & Akhenaten?
Reconstructed view of interior living room
in the house (K.50.1) of the Vizier Nakht
Tell el-Amarna (Akhetaten):
- Other examples of floor plans of villas
- House T.36.11.a & house of Vizier Nakht
Reconstructed, isometric drawing of an elite home at Amarna:
See B. J. Kemp (2012), The City of Akhenaten and Nefertiti: Amarna and its People
Bedroom niche, stone footings, and abandoned bed in dwellings from Amarna:
See B. J. Kemp (2012), The City of Akhenaten and Nefertiti: Amarna and its People
Bedroom niche & proposed ventilation system (i.e., models; images) from Amarna:
See B. J. Kemp (2012), The City of Akhenaten and Nefertiti: Amarna and its People
Bathroom with toilet and bathing basin in larger dwelling in main city at Amarna:
See B. J. Kemp (2012), The City of Akhenaten and Nefertiti: Amarna and its People
Amenhotep IV
(renamed: Akhenaten)
Ca. 1352 – 1336 BC
(7). The Meru-Aten
(“Pleasure garden”)
at Tell el-Amarna
Maru-Atenlater belongedto Meritaten(eldest daughter)
• Pleasuregarden
• Shrines
• T-shapedofferingbasins andinstallations.
• Storerooms:100s of winejars + docketsnoting eachlocal supplier.
• Small officialbuilding withreceptionarea (throne).
Adjacent kennel:
Dozens of bodies
of “greyhounds”
occur in a building
beside these two
complexes.
The Meru Aten:
Model in B. J. Kemp, 2012. The City of Akhenaten and Nefertiti:
Amarna and its people. London: Thames & Hudson
Pa-Maru-en-Pa-Aten: “The-Viewing-Place-of-the-Aten”:Complex focusing on veneration of Aten; texts call it sun-shade of Princess Meritaten
Cross-section through (reconstructed) shrine & island installation
Important studies on the city of Akhetaten (Amarna) & related matters
1980 (L. Borchardt & H. Ricke)1894 (reprinted 2013)
Important studies on the city of Akhetaten (Amarna) & related matters
1999 2012 (Friederike Seyfried ed.)