Almost, Maine - Providence Players of Fairfax

Providence Players of Fairfax – AUDITION ANNOUNCEMENT – Almost, Maine

Mon. Nov. 30th, Thurs Dec 3rd, Mon Dec 7th – Call Backs (Invitation Only) Tues Dec 8th

6:45 – 9:45 All Dates

Almost, Maine By John Cariani Directed by Chip Gertzog

8-10 Actors to Portray 19 Roles (10 Men – 9 Women) – All Open

• The Providence Players of Fairfax is a non-profit community theater troupe. All participation is on a volunteer, non-compensated basis.

The Providence Players of Fairfax is a membership organization. Membership is not required to audition. If cast, actors in addition to production team members will be asked to become members of the Providence Players ($10) for the season (if they are not already).

There are 19 roles in the play. It was written to be performed by four actors doubling the various roles. The play is structured as 8 vignettes with a prologue, interlogue and epilogue. With the exception of the pro, inter, and epilogues, no character is repeated in any of the vignettes so we will be doubling. I expect that each actor cast will perform in two, maybe three roles in two or so vignettes. This may change depending on how auditions go. I expect to cast 8-10 actors evenly divided, more or less between men and women. There will be roles for actors who can portray characters in their mid/late 20s to mid/late 30s and roles for actors who can portray characters in their 40s and 50s. This is an actor’s play with each role presenting unique and interesting challenges especially considering the characters appear in only one scene….a lot of role/character development in a short burst on stage…each character is its own “star turn” on stage. It is also a nice play to get involved with since the scenes are discrete and, at least in the early parts of our rehearsal schedule, not every actor will be needed for each rehearsal so the experience will be a little less intense than in many productions. Availability of the Play for Review The Providence Players does not post pdf copies of plays on their website, however, Almost, Maine is readily available in pdf format on the internet. Two locations are: http://www.evergreentheater.org/uploads/2/2/7/0/22702990/john_cariani_-_almost_maine.pdf http://theloftstage.org/wp-content/uploads/2014/11/Almost-Maine-Script.pdf

Welcome to Almost, Maine. A town so far north it’s almost in Canada. Well, almost. One cold, clear Friday night in the middle of winter, while the northern lights hover in the sky above, Almost’s residents find themselves falling in and out of love in the strangest ways. Knees are bruised. Hearts are broken. Love is lost, found, and confounded. And life for the people of Almost, Maine will never be the same. Witty, romantic and clever: a real crowd-pleaser.

http://www.evergreentheater.org/uploads/2/2/7/0/22702990/john_cariani_-_almost_maine.pdf

http://theloftstage.org/wp-content/uploads/2014/11/Almost-Maine-Script.pdf



6:45 – 9:45 All Dates

Performance Dates and Times Preview: March 31st, 2016 7:00pm Curtain

Evening Performances: Thursdays, Fridays, Saturdays; 7:30 pm Curtain April 1, 2, 7, 8, 9, 14, 15 & 16 Matinees: Sundays; 2:00 pm curtain April 5 & 12

Audition Dates Mon Nov 30, 6:45 - 9:45 pm (In the James Lee Urbanites Room) Thurs Dec 3, 6:45 - 9:45 pm (In the James Lee Urbanites Room) Mon Dec 7, 6:45 - 9:45 pm (In the James Lee Multipurpose Room) Call-Backs (if needed - by invitation): Tues Dec 8, 6:45 - 9:45 pm (In the James Lee Multipurpose Room)

Location The James Lee Community Center 2855 Annandale Road Falls Church, VA 22042 Auditions will be held in the Urbanites and Multipurpose Rooms – NOT IN THE THEATER. The Urbanites Room is located to the left of the main desk at the front entrance of the community center. The Multipurpose room is located to the right of the main desk and down the first hall on the left. Signs will be posted. Audition Information/Instructions

PLEASE RSVP to [email protected] with the dates you plan on auditioning. HOW WE WORK: You are welcome to come to auditions on more than one of the initial

audition evenings. This is not a requirement. Most PPF auditions have actors up and down to read multiple times in multiple combinations and scenes. Most actors find this fun. As space allows, you will be able to watch all the auditions. You may be asked to go into the hallway with audition partners and work a bit on a scene. We will do our best to get you up multiple times reading for parts you are interested in. You will also be asked to read for other parts you may not be auditioning for. The Providence Players strives to make our productions open to interested and engaged actors & actresses, regardless of their level of experience. We try and make our auditions as relaxing and fun as possible.

AUDITION PROCESS: Auditions will consist of readings from the script - No monologue

required although one of the sides may be a monologue from the play.

mailto:[email protected]



6:45 – 9:45 All Dates

AUDITION SIDES: Sides for the audition process will be supplied at auditions and are included in this announcement. Additional sides may be added at the auditions.

AUDITION FORM: Resumes and headshots will be accepted, but are not required. Please

ALSO COMPLETE the attached PPF Almost Maine Audition Form and bring it with you to the audition.

MEMBERSHIP: The Providence Players of Fairfax is a membership organization. Membership is

not required to audition. If cast, actors in addition to production team members will be asked to become members of the Providence Players ($10) for the season (if they are not already).

RSVP: Please send us an RSVP if you plan to audition to [email protected] (or email us

any questions you may have).

Rehearsal Schedule:

A copy of the preliminary stage rehearsal schedule is included with this announcement and will be available online and at auditions. Stage rehearsals begin February 29, 2016. In addition to the stage rehearsal schedule, additional full cast readings of the play and some selected scene study and character work will scheduled based on actor availability in January and February prior to the stage schedule. The schedule for these will be finalized a week or two after casting. Unless indicated otherwise, all rehearsals will happen at the James Lee Community Center. Rehearsals will be held in the evenings roughly from 6:45 to 9:45 pm and on Saturdays and Sundays as indicated.

Please come to auditions prepared to list any availability conflicts over this time period. Space is provided on the audition form for this purpose.

Almost, Maine by John Cariani From the Author: Welcome to Almost, Maine, a town that’s so far north, it’s almost not in the United States—it’s almost in Canada. And it almost doesn’t exist. Because its residents never got around to getting organized. So it’s just…Almost. At 9 PM, one cold, clear Friday night in the middle of winter, while the northern lights hover in the sky above, Almost’s residents find themselves falling in and out of love in the strangest ways. Knees are bruised. Hearts are broken. Love is lost, found, and confounded. And life for the people of Almost, Maine will never be the same. ALMOST, MAINE: It’s love. But not quite.

Director’s Take On the Play: • A delightful, thought provoking, funny and entertaining set of interlocking vignettes that

explore sudden love, love lost, love’s humor and both soaring and broken hearts. • It is beautifully structured play and is sometimes realistic, sometimes absurdist and

almost always magical. • The author, describes the play’s subject as “falling in and out of love…but It is just as

much about pain”. Amidst the humor and quirkiness, there is actually a fairly broad range of emotional context and content in the play that needs to be developed.

mailto:[email protected]



6:45 – 9:45 All Dates

• The vignettes are intended to be presented as concurrent moments in time, one wintry Maine night.

• The people in the play are not caricatures. They are real people, basic and honest, and speak from the heart. As a director, I will treat them this way. They can be eccentric but the writing will convey that and it does not need to be overdone and won’t be.

• “Cute” will kill this play. It is inherently sweet and does not need to be sweetened at all. • The multi-scene setting requires clever staging to promote flow and continuity while at

the same time using the interludes to allow the audience to give each vignette it’s moment.

Staging

• There are 8 distinct vignettes with a prologue, interlogue and epilogue – the play generally runs 2 hours with intermission.

• There are 6 primarily outdoor settings and 3 “indoor” settings. There is no time for major set changes so that must drive the set design and staging.

• The magical nature of the play (and part of the “wow factor” potential of this production), I believe, is best emphasized with a basic setting of a vast wintry Maine expanse achieved though the creation of a snow scape of varying levels, with some trees, a big Maine “sky” and changing locations achieved through lighting, projection and gobos.

• The indoor settings will be achieved through either or both simple abstract set elements and lighting (“indoor” vs “Outdoor” lighting) and/or simple moving settings.

• Utilization of the whole stage will promote the feeling of different locations. • The play calls for music transitions (the official soundtrack or other music TBD) that I

would punctuate with a recurring Aurora Borealis lighting effect as a scene transition that should be quite captivating.

ALMOST, MAINE – Scene Summaries/Characters The Prologue of Almost, Maine introduces the only recurring characters in the play: Pete and Ginette (Have been dating awhile, in their 20s/30s Pete is an out of box thinker and Ginnette will do what she can to show Pete her love). The couple is sitting on opposite ends of a bench in front of Pete’s house in the town of Almost, Maine. After some awkward false starts, Ginette confesses her love to Pete. When Pete does not immediately return the sentiments, Ginette is flushed with embarrassment. Just when it seems as if things have gone terribly wrong, Pete admits his love as well. When Ginette comments on how close they are, Pete points out that the opposite is also true: if you measure the distance between them by going all the way around the globe, they are actually as far apart as possible. A bewildered Ginette starts to walk away from Pete to get closer to him. She continues until Pete finds himself alone on the bench. Scene 1, titled “Her Heart,” (East a repairman and Glory, a widow, a camper and broken hearted on a mission 40s/50s). opens outside of a farmhouse in a different part of Almost. A woman named Glory enters carrying a bag. The porch light comes on and East, the owner of the house, comes out to find out why there is a strange woman standing in his yard. Glory, who is not from Almost, explains that she traveled a very long way to get here and would like to camp out on East’s property. East is puzzled until Glory explains that everything she read about Mainers indicated that they were very open; therefore, she assumed it would be no problem to camp out on a stranger’s yard. As the two get to



6:45 – 9:45 All Dates know each other, East suddenly kisses Glory and tells her he thinks he is in love with her. Glory is offended and informs him that she is in Almost to pay her respects to her dead husband, whom she hopes to see in the Northern Lights. East kisses her several more times, and with each embrace the bag gets passed back and forth between them. Glory reveals that the bag contains the pieces of her broken heart. East, a repairman, vows to put the pieces back together for her. As he begins to do so, Glory watches the Lights and says goodbye to her husband. “Sad and Glad,” Scene 2, (Jimmy – a heating and cooling guy, Sandrine (Jimmy’s ex engaged to another man and a waitress named Villian – 20s/30s). The two are estranged lovers who happen to run into each other at the back of a bar in Almost. Sandrine makes repeated attempts to get away, stating that her girlfriends are waiting for her. When she notices a mark on Jimmy’s arm, he reluctantly shows it to her. The tattoo reads “Villian” a misspelling of “Villain,” which explains how Jimmy feels about letting Sandrine get away. Sandrine finally admits she is here with her girlfriends for her bachelorette party; she is getting married the next day. As they part, the obviously wounded Jimmy tries his best to put on a good face. When he is alone, the waitress who has been waiting on Jimmy and Sandrine returns. She notices Jimmy is feeling down and tells him to call her if she needs anything. The scene ends with her mentioning that her name is Villian. Scene 3, “This Hurts,” moves the action to a laundromat, where Marvalyn and Steve (20s/30s) meet. When Marvalyn accidentally hits Steve in the head with the ironing board, Steve tells her he has a condition that prevents him from feeling pain. As a result, he keeps a journal of things that hurt so he knows to avoid them. As Marvalyn presses him about his unusual disease, Steve admits that he’ll never know what love is like because it hurts. Marvalyn spontaneously kisses him to test his theory. Although they are obviously attracted to each other, Marvalyn fears the reaction of her boyfriend, Eric, who doesn’t trust her to be out of sight for long. As she leaves, she accidentally hits Steve again with the ironing board. To their great surprise, Steve cries out in pain. Scene 4, “Getting It Back,” takes place in Lendall’s (20s to 40s+) living room. Lendall’s angry girlfriend, Gayle (20s-40s+), barges in bearing a heavy bag. She continues to bring in bag after bag, and she tells him the bags contain all of his love for her. She is fed up with their dead-end relationship and wants all of her love back in exchange for his. Lendall reluctantly presents Gayle with a very tiny bag, and she cannot believe that he loved her so much more than she loved him. When she finally looks in the bag, she finds an engagement ring. Lendall transformed her bags and bags of love into this ring, and the scene ends with the couple reunited. The Interlogue revisits Pete, who is still alone, sitting on the snowy bench. With only a snowball as his company, he patiently awaits Ginette, whom he hopes will return. Scene 5, “They Fell,” finds two working-class guys, Randy and Chad (20s-50s), having a few beers in a potato field. After exchanging lousy date stories, Chad admits how happy his relationship with Randy makes him. Randy becomes uncomfortable and tries to change the subject. When Chad stands up, he abruptly falls to the ground and tells Randy that he “fell” in love with him. Randy angrily accuses Chad of ruining their friendship with his confession. Immediately following his tirade, Randy also falls. The two men repeatedly attempt to get to each other but continue to fall. In Scene 6, “Where It Went,” unhappily married couple Phil and Marci (40s/50s) have just finished an evening of ice skating. As Marci tries unsuccessfully to find her missing shoe, Phil asks her why she’s angry. Marci finally explains that it is their anniversary and Phil forgot. Both agree that it’s not working. When Marci’s shoe inexplicably drops from the sky, both take it as a sign. Marci drives off alone and leaves Phil to ponder their future.



6:45 – 9:45 All Dates Scene 7, “Story of Hope,” shows the title character, Hope (40s/50s), arriving at a porch in Almost. She rings the doorbell, and an unfamiliar man (Daniel 40s/50s) answers the door. Hope explains that she was looking for a man named Daniel who asked her to marry him many years ago. Instead of giving him an answer, she left to travel and find herself. She desperately wants to apologize to him and thought he might still live in the family homestead. The man listens intently to the story and speculates about how slow and agonizing it must have been for Daniel. Finally, Hope recognizes the man as Daniel, who has been physically transformed into a figure half his original size because of all the hope he lost. Hope is just about to answer the question from so many years ago when Daniel’s wife, Suzette, calls from inside the house. Daniel and Hope part once again. In Scene 8, “Seeing the Thing,” friends Dave and Rhonda (most likely 20s/30s but maybe older) have just finished snowmobiling and arrive outside her shack of a house. Dave gives her a pointillist painting he painted for her. Dave confesses his love for her, but she tries to avoid his advances by trying to figure out the image in the painting. Rhonda, a tomboy, admits that most men don’t think of her romantically; she has never been kissed nor has she slept with a man. When Dave kisses her, she gives into their passion and the two comically remove numerous layers of clothing before heading in for the romantic liaison. As they exit into the house, the painting is finally revealed to the audience: a heart. In the Epilogue, Pete is still looking for Ginette, who went away to get close to him. Nervous and impatient, he crosses over to where she exited to see if she might return. Just then, Ginette re-enters from the opposite side of the stage. Pete notices her presence and quietly asks her if she really has traveled all the way around the world to him. She confirms this, and the two embrace. The play ends with the reunited couple sitting on the bench, taking in the stars in the evening sky. About the Director Almost, Maine will be Director Chip Gertzog’s 11th directorial outing for PPF. He is a founding member and past president of the Providence Players and a devout community theater junkie having actively participated in more than 50 productions over the past 18 years. His directing credits include:

The Philadelphia (One Act) (2000) Sorry Wrong Number (One Act) (2001-2002)

George Washington Slept Here (2002 -2003) Heaven Can Wait - with Barbara Gertzog (2004-2005) The Time of Your Life (2006-2007) Saturday Sunday Monday (2007-2008) Rehearsal for Murder (2008-2009) Harvey (2009-2010) You Can’t Take it With You (2012-2013) Little Shop of Horrors (2013-2014) Chip has served the company as technical director, lighting, sound, set designer, stage manager, production photographer, and, on occasion, has acted for the company. He remains active on the PPF Board and in marketing and publicity for the company. He has been nominated for more than 20 WATCH awards and is an eight-time WATCH award winner in a variety of production categories. As a director, Chip’s focus is on holistic, balanced productions with strong, tightly integrated production values and on ensuring that all involved have a great time working on the production.

Providence Players of Fairfax Audition Form

Almost, Maine

Please fill out each section below Attach a resume and/or headshot to this form (optional)

NAME

ADDRESS

Home Work Phone Cell

Email Note: The Providence Players of Fairfax is a membership organization. If you are cast and are not already member, you will be asked to become one. Membership is $10 per season. ROLE PREFERENCE The nature of Almost, Maine and the character doubling envisioned for the production requires that the director cast the show based on scene pairings, age matching and scene flow. It is likely, if you are cast, that you will be offered 2 to 3 roles and that the casting offer will be contingent on you accepting all roles offered. Depending on how auditions develop, it is possible, although not the director’s intent, that you may be offered only 1 role in a single vignette. If you are unwilling to be considered in that context, please let the director know here:

___ I only wish to be considered if offered at least 2 roles. CHARACTER AGE AND GENDER The first page of the audition side document which accompanies the audition announcement contains a matrix of character names by scene with the anticipated age range. This information is also included in the scene summary in the audition announcement.


Almost, Maine

Scheduling Conflicts? Please review the audition announcement, show dates, and preliminary production calendar

The Director will schedule read-throughs and table work sessions in January and February, following casting, prior to starting the in-theater production schedule. These will be based on actor availability. The time commitment will not be heavy during this period, will be scheduled based on actor availability and will entail approximately three dates in January and three to four dates in February.

Please list January and February pre-stage rehearsal availability conflict dates – dates when you could NOT participate in off stage read throughs and table work.

Please list known conflicts for March 2016 Stage Rehearsals (Stage rehearsals begin February 29th):


Almost, Maine

Give us a sketch of your Theater Background A resume may be attached in lieu of filling out the table below, though it is not required. Acting Experience: High School ___Y ____N - Approx. Number of Productions _______ College ___Y ____N - Approx. Number of Productions _______ Community ___Y ____N - Approx. Number of Productions _______ Pro (Paid) ___Y ____N - Approx. Number of Productions _______

Overall Production Experience:

Production Role

#

Shows

Production Role

#

Shows

Production Role

#

Shows Directed Set Decoration Choreography

Stage Managed Props Musician

Stage Crew Lighting House Mgmt

Set Design Sound Publicity

Set Construction Costumes Photography

Set Painting Makeup/Hair Musician

Important: Would you be interested in getting involved in the production if you are not cast?

_______Yes _______ No _______ Unsure Please give us a brief sense of any theater work over the past three years:

Providence Players Almost, Maine, Preliminary Production and Theater Use Schedule Note – Times Noted in the Stage Rehearsal Schedule in March and April are Theater Access Times NOT Call Times

Providence Players Almost, Maine Production Calendar as of Nov. 2014 Subject to Revision Page 1 of 6

January – two full cast read throughs will be scheduled based on cast availability. January and February - Scene, character and table work off stage in January and February but this will NOT be an intensive rehearsal

period in these months and will be scheduled based on actor availability. February 29th thru March 30th – Stage Rehearsals at James Lee. Usual call for non-dress rehearsals during the week will be 6:45 PM and

rehearsals will run to approximately 9:45 PM. Saturday and Sunday rehearsals will usually run 9:30 to 4:30/5 with a lunch break. Actors should make themselves available on all scheduled theater access days, however, you will most likely NOT be called every night in the early rehearsals.



December 2015 Sunday Monday Tuesday Wednesday Thursday Friday Saturday

Nov 30th Auditions 6:45 – 9:45 PM James Lee Urbanites Room

1

2

3 Auditions 6:45 – 9:45 PM James Lee Urbanites Room

4

5

6

7 Auditions 6:45 – 9:45 PM James Lee Multipurpose Room

8 Call Backs – Invitation Only James Lee Multipurpose Room

9

10

11 Snow White and The Family Dwarf Performance Opening Night

12** Snow White and The Family Dwarf Performances

13** Snow White and The Family Dwarf Performance

14**

15** 16** 17** Snow White and The Family Dwarf Performance

18** (2 Hrs) Snow White and The Family Dwarf Performance

19** Snow White and The Family Dwarf Performances

20** Snow White and The Family Dwarf Performances Strike After Show

21** PPF Board Meeting

22** 23**

24**

25** Christmas Holiday

26**

27**

28**

29** 30** 31**



January 2016 Sunday Monday Tuesday Wednesday Thursday Friday Saturday

1 New Year’s Day Holiday

CJG To BWI

2 JLCC Closed

3 JLCC Closed

4 PPF Committee Meeting Date

5 6 7 8 9

10 11

12 PPF Play Reading Night

13 14 15 16

17 18 PPF Board Meeting

19 20 21 22 23

24 25 26

27

28

29 30

31

Almost, Maine Full Cast Read through week of 1/4/16 – 1/8/16 Date, Time and Location to be Determined – One Evening Only

Almost, Maine 2nd Full Cast Read through week of 1/18/16 – 1/22/16 Date, Time and Location to be Determined – One Evening Only

Almost, Maine Scene, character and table work off stage in January and February but it will NOT be an intensive rehearsal schedule in these months and will be scheduled based on actor availability. Schedule TBD.



February 2016 Sunday Monday Tuesday Wednesday Thursday Friday Saturday


2

3

4

5 6

7

8


10

11

12 13 JLCC Closed

14 JLCC Closed

15 President’s Day Holiday PPF Board Meeting

16

17

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19 20 Providence Players Board Retreat Date James Lee Black History Month Celebration 21

22

23

24

25

26

27

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29 PPF Theater Use Rehearsal 6:00 PM –10PM





March 2016 Sunday Monday Tuesday Wednesday Thursday Friday Saturday




4

5 Theater Use Set build Weekend 9 AM – 10 PM Actors participate in set build

6 Theater Use Set Build Weekend 9 AM – 6 PM Actors participate in set build


8 PPF Theater Use Rehearsal 6:00 PM –10PM PPF Play Reading Night



11

12** PPF Theater Use Rehearsal 9:00 AM – 6 PM

13** ALL ACTORS MUST BE AVAILABLE – 1st Full Stumble Through PPF Theater Use Rehearsal 9:00 AM –5 PM

14** PPF Theater Use Rehearsal 6:00 PM –10PM

15** ALL ACTORS MUST BE AVAILABLE – 2nd Full Stumble Through PPF Theater Use Rehearsal 6:00 PM –10PM

16** PPF Theater Use Rehearsal 6:00 PM –10PM

17** ALL ACTORS MUST BE AVAILABLE –3rd Full Stumble Through PPF Theater Use Rehearsal 6:00 PM –10PM

18** PPF Theater Tech Set Up 6:00 PM –10PM

19** PPF Theater Use Rehearsal Tech Weekend 9:00 AM –10 PM

20** ALL ACTORS MUST BE AVAILABLE

PPF Theater Tech weekend 9:00 AM –5 PM

21* PPF Board Meeting

22* ALL ACTORS MUST BE AVAILABLE – Cue to Cue

PPF Theater Use Rehearsal 6:00 PM –10PM

23* ALL ACTORS MUST BE AVAILABLE – Full Run


24* ALL ACTORS MUST BE AVAILABLE – Full Run


25* Good Friday

26 ALL ACTORS MUST BE AVAILABLE

PPF Theater Use Dress Rehearsal 9 AM – 6 PM

27 Easter

28* ALL ACTORS MUST BE AVAILABLE

PPF Theater Use Dress Rehearsal 5 PM – 10 PM





31 PPF Student & Senior Preview Performance 7PM 5:00 PM –11PM

*FCPS Spring Break **McD



April 2016 Sunday Monday Tuesday Wednesday Thursday Friday Saturday

1 Almost, Maine Performance 7:30 5:00 PM –11PM


3 Almost, Maine Performance Matinee 2 PM 12 PM-6PM


5 6 7 Almost, Maine Thursday Performance 7:30 PM Use 5 PM –11PM



10 Almost, Maine Performance Matinee 2 PM 12 PM-6PM

11


13 14 Almost, Maine Thursday Performance 7:30 PM Use 5 PM –11PM



17 PPF Almost, Maine Strike 9 AM – 5 PM Actors Required

18 PPF Board Meeting

19

20

21 22 23

24 25

26

27

28

29 30

Male Female Male Female Audition

Scene/Characters 20s/30s 20s/30s 40s/50s 40s/50s Side/Pages

Pro/Inter/Epilogue Side 1 13‐15

Pete x

Ginnette x

Her Heart Side 2 18‐20

East x

Glory x

Sad/Glad Side 3 24‐26

Jimmy x

Sandrine x

Waitress/Villian x Side 3A 29‐30

This Hurts Side 4 34‐36

Steve x

Marvalyn x

Getting it Back Side 4 37‐40

Lendall x

Gayle x

Interlogue NA

Pete x

They Fell Side 6 46‐48

Randy ? x

Chad ? x

Where it Went Side 7 50‐53

Phil x

Marci x

Story of Hope Side 8 55‐57

Hope x

Daniel x

Seeing The Thing Side 9 ‐ 60‐62

Dave x

Rhonda xEpilogue NA

Pete x

Ginnette x

Almost Maine Character Age Range, Scene and Audition Side Number and Pages

Please note that age ranges are approximate and some may change based on

auditions.

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Almost, Maine - Providence Players of Fairfax

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