iii
ABECEDNO KAZALO
A TOI (Joe Dassin) ................................................................................................. 215 A WHITER SHADE OF PALE (Van Morrison) ...................................................................... 259 ABSOLUTE BEGINNERS (David Bowie) ........................................................................... 166 AKO SU TO SAMO BILE LAŽI (Plavi orkestar) ................................................................... 118 AL' SE NEKAD DOBRO JELO (Đorđe Balašević) ................................................................... 10 ALOJZ VALČEK (M. Brecelj) ....................................................................................... 37 ALWAYS LOOK ON THE BRIGHT SIDE OF LIFE (Monti Python) ................................................ 257 AMERICA (Simon & Garfunkel) ................................................................................... 304 AND I LOVE HER (Lennon / McCartney) ......................................................................... 150 AND NO MORE SHALL WE PART (Nick Cave) .................................................................... 175 ANGIE (Rolling Stones) ............................................................................................ 294 ANNIE’S SONG (John Denver) .................................................................................... 221 ARE YOU LONESOME TONIGHT (E. Presley) .................................................................... 276 AS TEARS GO BY (Rolling Stones) ................................................................................ 295 BABY CAN I HOLD YOU (Tracy Chapman) ....................................................................... 189 BALKAN (Azra) ........................................................................................................ 3 BALLADE DE MELODY NELSON (Serge Gainsbourg) ............................................................ 240 BELA NEDELJA (R. Rezso/V. Kreslin) ............................................................................. 64 BELLA CIAO (partizanska) ........................................................................................ 113 BELLA CIAO (trad.) ................................................................................................ 330 BILEČANKA (partizanska) ......................................................................................... 114 BIT (Zmelkoow) .................................................................................................... 141 BLESS HIS EVER LOVING HEART (Nick Cave) ................................................................... 176 BLOWING IN THE WIND (B. Dylan) ............................................................................... 233 BLUE MOON REVISITED (Cowboy Junkies) ...................................................................... 209 BOLJE BITI PIJAN NEGO STAR (Plavi orkestar)................................................................. 119 BOOKENDS (Simon & Garfunkel) ................................................................................. 305 BOŽA ZVANI PUB (Đorđe Balašević) .............................................................................. 11 BREAKFAST AT TIFFANY'S (Deep Blue Something) ............................................................. 220 BREATHLESS (Nick Cave) ......................................................................................... 177 BRIŠKULA (Iztok Mlakar) ........................................................................................... 87 BROMPTON ORATORY (Nick Cave & The Bad Seeds) .......................................................... 178 BROTHERS IN ARMS (Dire Straits) ............................................................................... 223 BROWN EYED GIRL (Van Morrison) ............................................................................... 260 BUDI MOJA VODA (Laufer) ......................................................................................... 79 ČAKAJ ME (Lačni Franz)............................................................................................ 76 ĆALATEVA PESMA (Đ. Balašević) .................................................................................. 12 CALIFORNIA DREAMING (Mammas & Papas) .................................................................... 254 CAN'T HELP FALING IN LOVE (E. Presley) ....................................................................... 277 C'EST LA VIE (Emerson, Lake and Palmer) ..................................................................... 237 CHAMPS ELYSEES (Joe Dassin) ................................................................................... 216 CHAN CHAN (Buena Vista Social Club) .......................................................................... 172 CHANGES (David Bowie) .......................................................................................... 167 CLOTHES OF SAND (Nick Drake) ................................................................................. 228 COLD COLD GROUND (Tom Waits) ............................................................................... 348 CORCOVADO/QUIET NIGHTS OF QUIET STARS (A. C. Jobim)................................................. 247 DAJ NAM SUNCA (Plavi orkestar) ................................................................................ 120 DALEČ JE MOJ ROJSTNI KRAJ (V. Kreslin) ....................................................................... 65 DALEČ JE ZA NAJU POMLAD (A. Smolar) ........................................................................ 128 DAN LJUBEZNI (Pepel in kri) ..................................................................................... 117 DANCE ME TO THE END OF LOVE (L. Cohen) ................................................................... 198 DANES BO SREČEN DAN (T. Domicelj) ............................................................................ 50 DEATH IS NOT THE END (Nick Cave) ............................................................................ 179 DESIRE (U2) ......................................................................................................... 336 DEVOJKA SA "ČARDAŠ" NOGAMA (Đorđe Balašević)............................................................. 13 DIAMONDS AND RUST (Joan Baez) ............................................................................... 145 DIVLJI BADEM (Đorđe Balašević) .................................................................................. 14 DJEVOJČICE KOJIMA MIRIŠE KOŽA (Zabranjeno pušenje) .................................................... 136 DJEVOJKO MALA (Idoli) ............................................................................................ 55 DODIRNI MI KOLJENA (Zana) ..................................................................................... 140 DOK DOBUJE KIŠA (Idoli) ........................................................................................... 56 DONNA (Ritchie Valens) ........................................................................................... 344 DON'T DREAM IT'S OVER (Crowded House) ..................................................................... 212
iv
DON'T LOOK BACK IN ANGER (Oasis) ............................................................................ 268 DON'T WORRY ABOUT THE GOVERNMENT (Talking Heads) ................................................... 326 ĐURĐEVDAN (Bijelo Dugme) ....................................................................................... 40 DVAJSET LJUBIC (A. Smolar) ..................................................................................... 129 ELEANOR RIGBY (Lennon, Mc Cartney) ......................................................................... 152 EMINA (I. Jusič) ..................................................................................................... 60 EN CHANTANT (Michel Sardou) .................................................................................. 299 EN GLAŽ VINA MI DEJ (Iztok Mlakar) ............................................................................. 89 EN HUD PESJAN (otr.) ............................................................................................. 104 ET SI TU N'EXISTAIS PAS (Joe Dassin) ........................................................................... 217 ETERNAL FLAME (The Bangles ) .................................................................................. 149 EVERYBODY HURTS (R.E.M) ...................................................................................... 286 FA FA FA (Azra) ....................................................................................................... 4 FALL ON ME (R.E.M.) .............................................................................................. 287 FAMOUS BLUE RAINCOAT (L. Cohen) ............................................................................ 199 FAST CAR (Tracy Chapman) ...................................................................................... 190 FATHER AND SON (Cat Stevens) ................................................................................. 316 FIND THE RIVER (R.E.M) .......................................................................................... 288 FIRST CUT IS THE DEEPEST (Cat Stevens) ...................................................................... 317 FOR MY LOVER (Tracy Chapman) ................................................................................ 191 FOREVER YOUNG (Alphaville) .................................................................................... 142 FRAGILE (Sting) .................................................................................................... 323 FRIDA (Psihomodo pop) ........................................................................................... 125 FRIDAY, I’M IN LOVE (The Cure) ................................................................................. 213 GANGSTER ČOMBE (otr., (Neca Falk) ........................................................................... 106 GLEDAL TVOJE SEM OČI SANJAVO (V. Kreslin) .................................................................. 66 GODINE PROLAZE (Bajaga) .......................................................................................... 5 GORSKA ROŽA (A. Šifrer) ......................................................................................... 132 GREENSLEEVES (trad.) ............................................................................................ 332 GUSARSKA (otr.) ................................................................................................... 105 HALLELUJAH (Leonard Cohen) ................................................................................... 200 HAPPY TOGETHER (The Turtles) ................................................................................. 335 HASTA SIEMPRE COMANDANTE (Carlos Puebla) ................................................................ 281 HAVE YOU EVER SEEN THE RAIN (CCR) .......................................................................... 186 HEAD OVER FEET (Alanis Morrissette) .......................................................................... 263 HEAVEN (Talking Heads) .......................................................................................... 327 HELLO (Shakespeare Sisters) ..................................................................................... 303 HELP (Lennon, Mc Cartney) ...................................................................................... 153 HERE'S TO YOU - LA MARCHE DE SACCO ET VANZETTI (Joan Baez) ......................................... 146 HEROES (David Bowie) ............................................................................................ 168 HEY JUDE (Lennon, Mc Cartney) ................................................................................ 154 HEY, THAT'S NO WAY TO SAY GOODBYE (L. Cohen)........................................................... 201 HIT THE ROAD, JACK (R. Charles) ............................................................................... 193 HORSE WITH NO NAME (America) ............................................................................... 143 HOTEL CALIFORNIA (The Eagles) ................................................................................ 236 HVALA ZA VIJOLICE (Bilbi) ......................................................................................... 36 I HOPE THAT I DON'T FALL IN LOVE WITH YOU (Tom Waits) ................................................. 349 I STILL HAVEN'T FIND WHAT I'M LOOKING FOR (U2) ........................................................... 337 I WALK THE LINE (Johnny Cash) ................................................................................. 173 I WANNA HOLD YOUR HAND (Lennon, Mc Cartney) ........................................................... 155 IL EST CINQ HEURES, PARIS S'ÉVEILLE (Jacques Dutronc) .................................................... 232 I'LL BE GONE (Tom Waits) ........................................................................................ 350 I'LL STAND BY YOU (Pretenders) ................................................................................. 280 IMA NEŠTO OD SRCA DO SRCA (Crvena jabuka) ................................................................. 42 IMAGINE (J. Lennon) .............................................................................................. 251 IMAM PJESMU ZA TEBE (Rade Šerbedžija) ...................................................................... 130 IN GOD'S COUNTRY (U2) .......................................................................................... 338 IN MY LIFE (Lennon / McCartney) ............................................................................... 151 IN THE ARMY NOW (Status Quo) ................................................................................. 315 INTO MY ARMS (Nick Cave) ....................................................................................... 180 IT'S THE END OF THE WORLD AS WE KNOW IT (R.E.M) ....................................................... 289 IVO BALILA (Iztok Mlakar) ......................................................................................... 90 JABUKE I VINO (Zana Nimani / Željko Bebek) ................................................................. 139 JE V ŠIŠKI ŠE KAJ ODPRTEGA ? (Martin Krpan) ................................................................. 81 JESEN STIŽE, DUNJO MOJA (Đ. Balašević) ....................................................................... 15 JESEN U MENI (Parni valjak) ..................................................................................... 109 JOHNNY I HARDLY KNEW YE (trad.) ............................................................................. 333 KAD JA POĐOH NA BEMBAŠU (nar.) .............................................................................. 99 KAO TI (Parni valjak) .............................................................................................. 110
v
KATJUŠA (nar.) ..................................................................................................... 100 KNOCKING ON HEAVEN'S DOOR (B. Dylan) ...................................................................... 234 LA BAMBA (Ritchie Valens) ....................................................................................... 345 LA CHANSON DE PRÉVERT (Serge Gainsbourg) ................................................................. 241 LADY D'ARBANVILLE (Cat Stevens) ............................................................................... 318 LADY IN BLACK (Uriah Heep) ..................................................................................... 343 LAYLA (E. Clapton) ................................................................................................ 195 LE DÉSERTEUR (Boris Vian) ....................................................................................... 347 LE TEMPS DE VIVRE (Georges Moustaki) ........................................................................ 264 LE VENT NOUS PORTERA (Noir Desir) ........................................................................... 267 LED S SEVERA (Big Foot Mama) ..................................................................................... 9 LEP DAN ZA SMRT (Niet) .......................................................................................... 103 LEPA PROTINA KČI (Đ. Balaševič) ................................................................................. 16 LET IT BE (Lennon, Mc Cartney) ................................................................................. 156 L'ÉTÉ INDIEN (Joe Dassin) ......................................................................................... 218 LET'S TWIST AGAIN (C. Checker) ................................................................................ 194 LIGHT MY FIRE (Doors) ............................................................................................ 226 L'IMPORTANT C'EST LA ROSE (Gilbert Becaud) ................................................................. 163 LITER BREZ DNA (Frane Milčinski - Ježek) ...................................................................... 86 LJUBAV SE NE TRŽI (nar.) ........................................................................................ 101 LORELEI (Pogues) .................................................................................................. 274 LOVE IS ALL AROUND (Wet Wet Wet) ........................................................................... 353 LOVE ME TENDER (E. Presley) .................................................................................... 278 LOVE SONG (The Cure) ............................................................................................ 214 LOVELY (The Mission) ............................................................................................. 256 LOVER, LOVER, LOVER (L. Cohen) ............................................................................... 202 LUCY (Nick Cave) .................................................................................................. 181 MA LIBERTÉ (Georges Moustaki) ................................................................................. 265 MAČEK MURI (otr., Neca Falk) ................................................................................... 107 MAČKA (I. Jusič) .................................................................................................... 61 MAD ABOUT YOU (Sting) .......................................................................................... 324 MALA TERASA (Bele Vrane) ........................................................................................ 34 MALENA (Idoli) ...................................................................................................... 57 MALJĆIKI (Idoli) ..................................................................................................... 58 MAN ON THE MOON (R.E.M) ...................................................................................... 290 MARJO ŠPINEL (Iztok Mlakar) ..................................................................................... 88 MI PLEŠEMO CIJELI DAN I NOČ (Prljavo kazalište) ............................................................. 123 MIRKA (Đorđe Balašević) ........................................................................................... 17 MISS SARAJEVO (The Passengers) ................................................................................ 271 MOJA JE PJESMA LAGANA (Parni valjak) ....................................................................... 111 MOJA MATI KUHA KAFE (nar.) .................................................................................... 102 MOJA PRVA LJUBAV (Đ. Balaševič) ............................................................................... 18 MOJA PRVA LJUBAV (Haustor) .................................................................................... 54 MOONDANCE (Van Morrison) ..................................................................................... 261 MOONLIGHT SHADOW (Mike Oldfield) .......................................................................... 269 MORNING HAS BROKEN (Cat Stevens) ........................................................................... 319 MRS. ROBINSON (Simon & Garfunkel) ........................................................................... 306 MRTVA REKA (M. Smode) ......................................................................................... 127 MY WAY (F. Sinatra) ............................................................................................... 312 NA DALJNEM KOLODVORU (T. Pengov) .......................................................................... 115 NA VRHOVIMA PRSTIJU (Bajaga) .................................................................................... 6 NAMESTO KOGA ROŽA CVETI? (V. Kreslin) ....................................................................... 67 NE DAJ SE, INES (A. Dedić) ........................................................................................ 39 NE LOMITE MI BAGRENJE (Đ. Balaševič) ......................................................................... 20 NE VOLIM JANUAR (Đ. Balašević) ................................................................................. 21 NEKAKO S PROLJEČA (Crvena jabuka) ........................................................................... 43 NEKEGA JUTRA, KO SE ZDANI (V.Kreslin) ....................................................................... 68 NEKI NOVI KLINCI (Đ. Balašević) .................................................................................. 19 NELLIE THE ELEPHANT (Toy Dolls) .............................................................................. 329 NESRETNIK (Ko to tamo peva) .................................................................................... 62 NEW YORK TELEPHONE CONVERSATION (Lou Reed) .......................................................... 282 NIGHTS IN WHITE SATIN (Moody Blues) ......................................................................... 258 O KAKO TUŽNIH LJUBAVI IMA (Đorđe Balašević) ................................................................ 23 OBRNI, OBRNI (M. Tomassini, V.Kreslin) ......................................................................... 69 OCTOPUS'S GARDEN (Richard Starkey) ......................................................................... 157 OD ROĐENDANA DO ROĐENDANA (Plavi orkestar) ............................................................. 121 OD VIŠINE SE ZVRTI (Martin Krpan) .............................................................................. 82 ODE TO MY FAMILY (The Cranberries) .......................................................................... 210 ODLAZI CIRKUS (Đorđe Balašević) ................................................................................ 22
vi
OLD FRIENDS (Simon & Garfunkel) ............................................................................. 307 ONA SE BUDI (Šarlo Akrobata) ................................................................................... 131 ONE NIGHT IN BANGKOK (Murray Head, Chess)................................................................ 266 ONLY YOU (Platters) .............................................................................................. 273 OPROSTI MI KATRIN (Đ. Balašević) ............................................................................... 24 ORDINARY WORLD (Duran Duran) ................................................................................ 231 OSTANI (Crvena jabuka) ........................................................................................... 44 OSTANI Z NAMI (A. Šifrer) ........................................................................................ 133 PASSENGER (Iggy Pop) ............................................................................................ 275 PATIENCE (Guns and Roses) ...................................................................................... 243 PEOPLE ARE STRANGE (Doors) ................................................................................... 227 PEPI ŽBARADORIJA (Iztok Mlakar) ................................................................................ 92 PERFECT CIRCLE (R.E.M.) ......................................................................................... 291 PERFECT DAY (Lou Reed) ......................................................................................... 283 PILATE'S DREAM (Jesus Christ Superstar) ....................................................................... 246 POT V RAJ (V. Kreslin) ............................................................................................. 70 PRASLOVAN (Lačni Franz) ......................................................................................... 77 PREKO MURE, PREKO DRAVE (Vlado Kreslin) .................................................................... 71 PRIČA O VASI LADAČKOM (Đ.Balašević) .......................................................................... 25 PRISON TRILOGY (Joan Baez) .................................................................................... 147 PROUD MARY (CCR) ................................................................................................ 187 PROVINCIJALKA (Đ. Balašević) .................................................................................... 26 PUBI, USIDMA SE (Iztok Mlakar) ................................................................................... 93 PUNTARSKA (Iztok Mlakar) ........................................................................................ 94 PUTTIN' ON THE RITZ (Irving Berlin) ............................................................................ 164 RAČUNAJTE NA NAS (Đ. Balaševič) ............................................................................... 27 RAIN DOGS (Tom Waits) .......................................................................................... 351 RATNIK PAORSKOG SRCA (Đ. Balaševič) ......................................................................... 28 REPUBLIKA PALMA DE COCO (Iztok Mlakar) ..................................................................... 95 REQUIEM (Đorđe Balašević) ....................................................................................... 29 REVOLUCIJA (Jani Kovačič) ....................................................................................... 63 RING OF FIRE (Johnny Cash) ..................................................................................... 174 ROAD TO NOWHERE (Talking Heads) ............................................................................ 328 RODOVNIK VINA (Tomaž Pengov) ................................................................................ 116 RUBY TUESDAY (Rolling Stones) ................................................................................. 296 RUDEČI CVET (Beneški fantje) .................................................................................... 35 RUDI VALENTINČIČ IN PEPA ŽGABUCIN (Iztok Mlakar) ......................................................... 96 RUDI, A MESSAGE TO YOU (The Specials) ...................................................................... 313 SA DRUGE STRANE JASTUKA (Bajaga i instuktori) ................................................................ 7 SA TVOJIH USANA (Crvena jabuka) ............................................................................... 45 SAD LISA (Cat Stevens) ............................................................................................ 320 SAILING (R. Stewart) .............................................................................................. 322 SALUT LES AMOUREUX (Joe Dassin) ............................................................................. 219 SAMO DA RATA NE BUDE (Đorđe Balašević) ..................................................................... 30 SAMO EDINI (Siddharta) ........................................................................................... 126 SARA (B. Dylan) .................................................................................................... 235 SATELLITE OF LOVE (Lou Reed) .................................................................................. 284 SATURDAY NIGHT (Suede) ........................................................................................ 325 SAVA TIHO TEČE (Plavi Orkestar) ............................................................................... 122 SCARBOROUGH FAIR (Simon & Garfunkel) ..................................................................... 308 ŠE JE ČAS (Martin Krpan) .......................................................................................... 83 SELMA (Bijelo Dugme) .............................................................................................. 41 SEVEN DRUNKEN NIGHTS (Trad. Arr. Dubliners) ............................................................... 230 SHOULD I STAY OR SHOULD I GO (The Clash) .................................................................. 197 SING (Travis) ....................................................................................................... 334 SIVA POT (A. Mežek) ............................................................................................... 85 ŠKANDAL V RDEČEM BARU (M. Brecelj) .......................................................................... 38 SLOVENSKEGA NARODA SIN (T. Domicelj) ....................................................................... 51 SO LONG MARIANNE (L. Cohen) .................................................................................. 204 SO. CENTRAL RAIN (R.E.M.) ...................................................................................... 292 SODADE (Cesaria Evora) .......................................................................................... 238 SOLO LE PIDO A DIOS (Leon Gieco) .............................................................................. 242 SOMETHING (G. Harrison) ........................................................................................ 158 SOUND OF SILENCE (Simon & Garfunkel) ....................................................................... 309 SPACE ODDITY (David Bowie) .................................................................................... 169 STAIRWAY TO HEAVEN (Led Zeppelin) .......................................................................... 250 STAND BY ME (Ben E. King) ....................................................................................... 249 ŠTEFANA IN BERTOLIN (Iztok Mlakar) ............................................................................ 97 STRANGE MEETING II (Nick Drake) .............................................................................. 229
vii
SUMMER IN THE CITY (The Lovin' Spoonful) .................................................................... 252 SUNDAY, BLOODY SUNDAY (U2) .................................................................................. 339 SUZANNE (L. Cohen) .............................................................................................. 205 SVE JE DOBRO, KAD SE DOBRO SVRŠI (Đ. Balašević) ........................................................... 31 TALKING 'BOUT THE REVOLUTION (Tracy Chapman) .......................................................... 192 TAMARA (Bajaga) ..................................................................................................... 8 TAMO GDJE JE SVE PO MOM (Jinx) ............................................................................... 59 TE IGRE BO KONEC (Martin Krpan) ............................................................................... 84 TELEGRAPH ROAD (Dire Straits) ................................................................................. 224 TEMPERA (Gibonni) ................................................................................................. 53 THANK YOU (Dido) ................................................................................................. 222 THE BOXER (Simon & Garfunkel) ................................................................................ 310 THE DRUGS DON'T WORK (The Verve) .......................................................................... 346 THE FOGGY DEW (trad.) .......................................................................................... 331 THE FOOL ON THE HILL (Lennon / McCartney) ................................................................ 159 THE GHETTO (E. Presley) ......................................................................................... 279 THE GIRL FROM IPANEMA (Antonio Carlos Jobim) ............................................................. 248 THE HOUSE OF THE RISING SUN (The Animals) ................................................................ 144 THE LUDLOWS (“Twilight and Mist”, James Horner) ......................................................... 244 THE MAN WHO SOLD THE WORLD (David Bowie) .............................................................. 170 THE MERCY SEAT (Nick Cave & The Bad Seeds) ............................................................... 182 THE NIGHT THEY DROVE OLD DIXIE DOWN (Joan Baez) ...................................................... 148 THE ONE I LOVE (R.E.M.) ......................................................................................... 293 THE PARTISAN (L. Cohen) ........................................................................................ 203 THE ROAD TO MANDALAY (Robbie Williams) ................................................................... 354 THE SHIP SONG (Nick Cave) ...................................................................................... 183 THE WAY (Fastball) ................................................................................................ 239 THE WAY YOUNG LOVERS DO (Van Morrison) .................................................................. 262 THE WEEPING SONG (Nick Cave) ................................................................................ 184 THIS IS THE LIFE (Amy MacDonald) .............................................................................. 253 THOSE WERE THE DAYS (Gene Raskin) .......................................................................... 298 TISTA ČRNA KITARA (V. Kreslin) .................................................................................. 72 TO FRANCE (Mike Oldfield) ....................................................................................... 270 TROUBLE (Coldplay) ............................................................................................... 207 TVOJE JUTRO (V. Kreslin) ......................................................................................... 73 TWIST (Demolition Group) ........................................................................................ 49 TWO PRINCES (Spin Doctors) ..................................................................................... 314 U RAZDELJAK TE LJUBIM (Đorđe Balašević) ..................................................................... 32 UHVATI RITAM (Parni valjak) ..................................................................................... 112 USPAVANKA (otr., Neca Falk) ................................................................................... 108 USPAVANKA ZA EVO (A. Šifrer) .................................................................................. 134 UZALUD VAM TRUD SVIRAČI (Prljavo kazalište) ............................................................... 124 VAN DIEMEN'S LAND (U2).......................................................................................... 340 VANDIMA (Iztok Mlakar) ............................................................................................ 98 VINCENT (Don Mc Lean) ........................................................................................... 255 VODA (Dan D) ....................................................................................................... 48 VOLIO BIH DA SI TU (Crvena jabuka) ............................................................................. 46 VRISKANJE IN JOK (V. Kreslin) .................................................................................... 74 VSAK PO SVOJE (Nika Manevski) .................................................................................. 80 VSE MANJ JE DOBRIH GOSTILN (A. Šifrer) ...................................................................... 135 VSI SO VENCI VEJLI (prekm. nar., arr. V. Kreslin) ............................................................. 75 WALK ON THE WILD SIDE (Lou Reed) ............................................................................ 285 WE ARE THE WORLD ............................................................................................... 355 WEDNESDAY MORNING 3AM (Simon & Garfunkel) ............................................................. 311 WHEN YOU'RE GONE (Cranberries) .............................................................................. 211 WHERE DO YOU GO TO MY LOVELY (Peter Sarstedt) ......................................................... 300 WHERE HAVE ALL THE FLOWERS GONE? (P. Seeger) .......................................................... 302 WHERE THE STREETS HAVE NO NAME (U2) ..................................................................... 341 WHERE THE WILD ROSES GROW (Nick Cave) ................................................................... 185 WHO BY FIRE (L. Cohen) .......................................................................................... 206 WHO'LL STOP THE RAIN (CCR) ................................................................................... 188 WHY WORRY (Dire Straits) ....................................................................................... 225 WICKED GAME (Chris Isaak) ...................................................................................... 245 WILD HORSES (Rolling Stones) ................................................................................... 297 WILD WORLD (Cat Stevens)....................................................................................... 321 WIND OF CHANGE (Scorpions) .................................................................................... 301 WISH YOU WERE HERE (Pink Floyd) ............................................................................. 272 WITH A LITTLE HELP FROM MY FRIENDS (The Beatles) ....................................................... 160 WITH OR WITHOUT YOU (U2) .................................................................................... 342
viii
WONDERFUL TONIGHT (E. Clapton) ............................................................................. 196 WONDERFUL WORLD (Sam Cook) ................................................................................ 208 YELLOW SUBMARINE (Lennon, Mc Cartney) .................................................................... 161 YESTERDAY (Lennon, Mc Cartney) .............................................................................. 162 YESTERDAY IS HERE (Tom Waits) ................................................................................ 352 YOU'RE BEAUTIFUL (James Blunt) ............................................................................... 165 ZAGRLI ME (Zdravko Čolić) ........................................................................................ 47 ZAMISLI ŽIVOT U RITMU MUZIKE ZA PLES (Film) ................................................................ 52 ZARJAVELE TROBENTE (Lačni Franc) ............................................................................. 78 ZENICA BLUES (Zabranjeno pušenje) ........................................................................... 137 ZIGGY STARDUST (D. Bowie) ..................................................................................... 171 ŽITIJE MIĆE MURIQUIJA (Zaklonišče prepeva) ................................................................. 138 ŽIVOT JE MORE (Đ. Balašević) .................................................................................... 33
1
STVARNO KAZALO
A
Alphaville .................................................... 142
America ....................................................... 143
Animals, the ................................................ 144
Azra ................................................................. 3
B
Baez, Joan ................................................... 145
Bajaga.............................................................. 5
Balašević, Đorđe ........................................... 10
Bangles, The ................................................ 149
Beatles, the .................................................. 150
Becaud, Gilbert ........................................... 163
Bele Vrane ..................................................... 34
Beneški fantje ................................................ 35
Berlin, Irving ............................................... 164
Big Foot Mama ............................................... 9
Bijelo Dugme ................................................ 40
Blunt, James ................................................ 165
Bowie, David .............................................. 166
Brecelj, Marko............................................... 37
Buena Vista Social Club ............................. 172
C
Cash, Johnny ............................................... 173
Cave, Nick ................................................... 175
CCR ............................................................. 186
Chapman, Tracy .......................................... 189
Charles, Ray ................................................ 193
Checker, Chubby ......................................... 194
Clapton, Eric ............................................... 195
Clash, the ..................................................... 197
Cohen, Leonard ................................... 198, 199
Coldplay ...................................................... 207
Cook, Sam ................................................... 208
Cowboy Junkies .......................................... 209
Cranberries, the ........................................... 210
Crowded House ........................................... 212
Crvena jabuka ............................................... 42
Cure, the .............................................. 213, 214
D
Dan D ............................................................ 48
Dassin, Joe .................................................. 215
Dedić, Arsen .................................................. 39
Deep Blue Something ................................. 220
Demolition Group ......................................... 49
Denver, John ............................................... 221
Dido ............................................................. 222
Dire Straits .................................................. 223
Domicelj, Tomaž ........................................... 50
Doors, the .................................................... 226
Drake, Nick ................................................. 228
Dubliners, the .............................................. 230
Duran Duran ................................................ 231
Dylan, Bob .................................................. 233
E
Emerson, Lake and Palmer ......................... 237
Evora, Cesaria ............................................. 238
F
Fastball ....................................................... 239
Film ............................................................... 52
G
Gainsbourg, Serge....................................... 240
Gieco, Leon ................................................ 242
Guns and Roses .......................................... 243
H
Haustor ......................................................... 54
Horner, James ............................................. 244
I
Idoli ............................................................... 55
Isaak, Chris ................................................. 245
J
Jacques Dutronc .......................................... 232
Jesus Christ Superstar ................................. 246
Jobim, Antonio Carlos ................................ 247
Jusić, Ibrica ................................................... 60
K
King, Ben E. ............................................... 249
Ko to tamo peva ............................................ 62
Kovačič, Jani ................................................ 63
Kreslin, Vlado ............................................... 64
L
Lačni Franc ................................................... 76
Laufer ........................................................... 79
Led Zeppelin ............................................... 250
Lennon, John .............................................. 251
Lovin' Spoonful, the ................................... 252
M
MacDonald, Amy ....................................... 253
Mammas & Papas ....................................... 254
Manevski, Nika ............................................. 80
Martin Krpan ................................................ 81
Mežek, Aleksander ....................................... 85
Milčinski, Frane - Ježek ................................ 86
Mission, the ................................................ 256
Mlakar, Iztok ................................................ 87
Monty Pyton ............................................... 257
Moody Blues ............................................... 258
Morrison, Van ............................................. 259
Morrissette, Alanis ...................................... 263
Moustaki, Georges ...................................... 264
Murray Head ............................................... 266
2
N
narodne ......................................................... 99
narodne - tuje .............................................. 330
Neca Falk .................................................... 106
Niet ............................................................. 103
Noir Desir ................................................... 267
O
Oasis ........................................................... 268
otroške ......................................................... 104
P
Parni valjak ................................................. 109
partizanske .................................................. 113
Passengers, the ............................................ 271
Pengov, Tomaž ........................................... 115
Pepel in kri .................................................. 117
Pink Floyd ................................................... 272
Platters, the.................................................. 273
Plavi orkestar .............................................. 118
Pogues, the .................................................. 274
Pop, Iggy ..................................................... 275
Presley, Elvis .............................................. 276
Pretenders ................................................... 280
Prljavo kazalište .......................................... 123
Puebla, Carlos ............................................. 281
R
R.E.M. ......................................................... 286
Raskin, Gene ............................................... 298
Reed, Lou .................................................... 282
Rolling Stones, the ...................................... 294
S
Sardou, Michel ............................................ 299
Sarstedt, Peter ............................................. 300
Scorpions .................................................... 301
Seeger, Pete ................................................. 302
Shakespeare Sisters ..................................... 303
Siddharta ..................................................... 126
Simon & Garfunkel ..................................... 304
Sinatra, Frank .............................................. 312
Smode, Marjan ............................................ 127
Smolar, Adi ................................................. 128
Specials, the ................................................. 313
Spin Doctors ................................................ 314
Status Quo ................................................... 315
Stevens, Cat ................................................. 316
Stewart, Rod ................................................ 322
Sting ............................................................ 323
Suede ........................................................... 325
Š
Šarlo Akrobata ............................................. 131
Šerbedžija, Rade .......................................... 130
Šifrer, Andrej ............................................... 132
T
Talking Heads ............................................. 326
The Eagles ................................................... 236
Toy Dolls ..................................................... 329
Travis ........................................................... 334
Turtles, the ................................................... 335
U
U2 ................................................................ 336
Uriah Heep .................................................. 343
V
Valens, Ritchie ............................................ 344
Verve, the .................................................... 346
Vian, Boris .................................................. 347
W
Waits, Tom .................................................. 348
Webber, A.L. ............................................... 246
Wet Wet Wet ............................................... 353
Williams, Robbie ......................................... 354
Z
Zabranjeno pušenje...................................... 136
Zana ............................................................. 139
Zmelkoow.................................................... 141
3
BALKAN (Azra)
G Am C Em …
Jednog dana nema me da nikada ne dođem
Prijatelje koje znam ne poznajem kad prođem
Kao da me nikada na svijetu nije bilo
Kao da me njezino tijelo nije htilo
Moja pjesma miruje a furala bi furke
lepe dekle moderne ne padaju na žurke
Brijem bradu brkove da ličim na Pankrte
Još da imam fendera vidio bi svirke
Balkane, Balkane, Balkane moj
Budi mi silan i dobro mi stoj
Balkane, Balkane, Balkane moj
Budi mi silan i dobro mi stoj
Mi smo ljudi cigani i sudbinom prokleti
Uvijek netko oko nas dođe pa nam prijeti
Ni bendovi nisu više kao što su bili
Moj se amaterski priprema da sviri
Balkane, Balkane, Balkane moj
Budi mi silan i dobro mi stoj
Balkane, Balkane, Balkane moj
Budi mi silan i dobro mi stoj
4
FA FA FA (Azra)
Em Am
Ti i ja lutamo kroz noć D G
potmulo je stenjao moj grad Em Am
Ispred nas put bez povratka D G
daleko se čula muzika na na na na na na na
Asus2 D G Em
Fa fa la si mi ti fala ti lalalalalala lalalalala Asus2 D G
Fa fa la si mi ti fala ti
Ulica hladna, bešćutna,
nezgodno se voljeti na njoj
daću ti sve što zaželiš
potaknimo ponos zajedno
Fa fa la si mi ti fala ti lalalalalala lalalalala Asus2 D G
Fa fa la si mi ti fala ti
D C D
Dodirni me samo jednom draga D C Am
Dodirni me samo jednom draga B
Moja draga G D B
Dodirni me jednom popuši mi ponos draga
5
GODINE PROLAZE (Bajaga)
G C G
Sećam se slike ja, Am F
od pre par godina, C G C
na slici proleće i sunčan dan.
U bašti mirisa
cvetovi irisa
šarena hartija i ti i ja.
Sećam se slike ja
pre jedno mjesec dva.
Na slici septembarski vreo dan.
Na reku uzdaha
sunce se ne vrača.
Zelena obala i ti i ja.
Godine prolaze nervoznim korakom.
Godine prolaze, mi stojimo.
Jesmo li sretniji, jesmo pametniji?
Godine prolaze, mi gledamo.
6
NA VRHOVIMA PRSTIJU (Bajaga)
Am G C E …
Te noči dok su pevali
veliki modri talasi,
na vrhovima prstiju
na moje srce stala si.
Hteo sam di ti pokažem
gde nebo more preseca,
da vidiš ribe srebrne,
što lete oko meseca.
Aaa...iskre lete.
Koraci ko laki oblaci,
skoči, nek te zemlja odbaci.
Koraci ko laki oblaci,
zvone tiho zlatni praporci.
Koraci ko laki oblaci,
hajde, hajde treba ti.
7
SA DRUGE STRANE JASTUKA (Bajaga i instuktori)
Bm G# Bm
Ljubim te i pokrivam krilima plavog goluba G#m F#
sanjivu te ostavljam u hodnicima sećanja F Bm G# Bm G#
sa druge strane sa druge strane jastuka
šaljem ti tajne poruke dahom noćnih vetrova
a ne znam da li prolaze pored rajskh vrtova
sa druge strane jastuka
jos želim da ti poklonim listove divljeg kestena
jos jednom da te žaštitim dok te magla zaklanja
sa druge strane jastuka
8
TAMARA (Bajaga)
C G
Ispred teatra Balšoj a F
Ja sam te čekao satima
Tvoj beli hrt Berzoj
Je lajao na vratima
Na -26 Moskva je tonula u mrak
Ja sam se topio ko sneg
Kada ga staviš na dlan
a G a
Tamara, čekanje me strašno zamara G a
Bele noči vetar šamara G F
A tebe nema
Tamara, nikad nije bilo tužnije
Da smo samo malo južnije
Negde dole južno
A ja sam bio strašno kul
I nisam padao na fore
Dali je tako bilo hladno
I mornarima iz Aurore
Ma da si bila lepša od Neve I razkošnija od Jermitaža
Ne bi te čeko ni Žilber Beko
To bi za njega bila blamaža
Tamara, čekanje me strašno zamara
Bele noči vetar šamara
A tebe nema
Tamara, nikad nije bilo tužnije
Da smo samo malo južnije
Negde dole južno
9
LED S SEVERA (Big Foot Mama)
F#m A Hm
Mlin na veter me bo gnou E F#m
Da ne bom nikol' pristou
Glih zdej plavam čez oblak
In me reže težek zrak
Al bo sonce, al bo sneg
Mene grab nervozn smeh
Rad bi ujel le njeno dlan
Da ne odplavam predaleč stran
Dnevi niso rok'n'roll
Ampak vedno tišji mol
Oči mi grize mrzu led
Samo jaz vidim njeno sled
Umikam se, da jo ne mot'
Ampak izpadem idiot
Zato pa jadram u ekstrem E E
Da spoznam tist, kar že vem D
Prou dobr' vem
A C#m
In jaz grem tja D A
Kjer je led iz severa A C#m
In jaz grem tja D A
Kjer je plesna muzika
Trgam zlato jabolko
Lohk bi rezu mavrico
Čuvam sonce in nebo
In to res sam' za njo
A vse to spremla črn ptič
In mi zmeri vse unič'
Zato pa jadram u ekstrem
Da spoznam tist, kar že vem
Prou dobr' vem
In jaz grem tja
Kjer je led iz severa
In jaz grem tja
Kjer je plesna muzika
In jaz grem tja
Kjer je led iz severa
In jaz grem tja
Kjer je sam patetika
In jaz grem tja, jaz grem tja
Da uničm, kar se da
In jaz grem tja, jaz grem tja
Izzivat, kar je črn'ga
In jaz grem tja, jaz grem tja
U men je še dost upanja
In jaz grem tja, jaz grem tja
Da ujamem krokarja
In jaz grem tja
Kjer je led iz severa
In jaz grem tja
Kjer je plesna muzika
In jaz grem tja
Kjer je led iz severa
In jaz grem tja
Kjer je sam patetika
10
AL' SE NEKAD DOBRO JELO (Đorđe Balašević)
Nema više dobri svete, one lepe še'setpete
Kad smo bili na svečari' kod kumova naši' stari'
Klizio je voz ko sanke, al' smo stigli do Palanke
Severac je duvo 'ladan, pa ko ne bi bio gladan
(dabome).
I ćim smo stigli, viknu kum svoju ženu
Sido, postavljaj, bog te vid'o.
Spremila nam kuma naša, za užinu paprikaša
Pa kolače, kremenadle i par sarmi svakom
Mesto leba, mesa bela, princes krofne, vangla
cela
Suvi' šljiva i variva i rezance s makom.
E, kad se samo setim, al' se nekad dobro jelo baš.
(Pa da, znas kako se klopalo)
Do večere vreme kratko, za kiflikez i za slatko
Da odbiješ, to ne vredi, da se kuma ne uvredi
Nas kum Pera dipl. agronom, reč o ovom, reč o
onom
Sve uz vino Portogize, di gutljaji sami klize.
Taman šmo bili gladni, kada se zaću
Sido, večeru, bog te vid'o.
Odjedared astal šaren, sos paradajz, krompir
varen
Fine šnicle ko promincle, kara batak svakom
Na podvarku ćurka, zna se, di je ćurka, tu je
prase
Ondak torte razne sorte i rezanci s makom.
E, kad se samo setim, al' se nekad dobro jelo
baš.
Vejao je sneg po soru, sedeli smo do pred zoru
Pava reče, deder kaput, radni dan je, 'ajmo na
put (nema tu, jel' da)
Al' kum Pera o'ma' skoči, šta to vide moje oči
Sido, ne daj nikom kaput, prvo fruštuk, ondak
na put.
Ne drema vredna kuma, ne sluša prve petle
Brža je od raketle.
Nosi vruče leba kriške, feferone, čvarke friške
Zaćas sprema šunke, 'rena i pihtije svakom
Pitamo i' ljudi dokle, kažu čekaj, još dve nokle
Pa štrumfrudle i dvi štrudle i rezanci s makom.
E, kad se samo setim, al' se nekad dobro jelo
baš.
I ondak sat i frtalj tako, kol'ko iš'o sinobus
Nismo ništa jeli
I kad smo stigli na stanicu
Odma' kupimo burek lep, frišak, mastan
Sve nam onako mast curila niz bradu
Pa ondak opalimo preko toga jednu tepsiju
šampita
I gajbu piva mlakog, crnog.
11
BOŽA ZVANI PUB (Đorđe Balašević)
C (A)
Ovo je priča koju vrlo rado pričam
To je priča o Boži zvanom Pub
Jedni ga hvale, drugi žale, treći kažu, e moj brale G (E)
Taj je bio kvaran kao šupalj zub. F (D) C (A)
Odavde, pa sve do Pešte i do Srema na jug F (D) C (A)
Još priča bajke o njemu mutni kockarski krug F (D) C (A)
I kažu, taj u životu nije igr'o na dug G (E) C (A)
I svi se slažu kako danas nema takvih kao Boža
Pub.
Negde je imao imanje, to se znalo više-manje
Mada o tom nije prič'o ni za lek
Treb'o je biti veterinar, al' je ter'o neki inat
Pa je živeo od kocke ceo vek.
O, taj je pratio karte ko da vidi kroz njih
I uvek hladan ko špricer i uvek opasno tih
I samo kad tera maler, on bi rekao stih
I svi još pamte reči kojim maler tera Boža zvani
Pub.
F (D)
Džaba vam novci, moji sinovci C (A)
Džaba vam bilo dobre volje F (D)
I pogledi čvrsti i lepljivi prsti C (A) G (E)
Al' ja ipak varam malo bolje, e pa da. F (D)
Al' karta je kurva, izvin'te me što psujem C (A)
Ja samo pričam onako kako čujem G (E) C (A)
I ako su lagali mene i ja lažem vas F (D)
Tu priču zna svako od vraga do popa C (A)
Jer mnogi su mangupi ostali tropa G (E)
I kockar se krije i čući u svakom od nas C (A)
I čeka pravi čas.
Jednom se kart'o s nekim ruskim emigrantom
To je bio lihvar bogat kao knez
Igr'o je i upravnik pošte zvani Ljupče od
milošte
I neki švercer kog je jurio sav srez.
Uh, to je partija bila, još se priča o njoj
Kibiceri u transu, 'ladan probio znoj
Na stolu kamara para, da ne spominjem broj
I povuk'o je damu na osamnaest mrtav-ladan
Boža Pub.
A znate l' za ono kad je s izvesnim baronom
Igro čet'ri dana, to je bio rat
Išle ga stalno karte jake, pa je odneo i fijaker
Crnog konja, tabakeru, štap i sat.
Baron je pričao posle da je špil bio star
Da je previše pio, da ga poneo žar
Pa svi što gube se ljute, to je poznata stvar
I svatko gubi bar ponekad, ali nikad Boža
zvani Pub.
Džaba vam novci…
Sa švalerske strane nije spad'o u Tarzane
Al' daleko od tog da je bio zec
Im'o je neke tu i tamo, al' svi vrlo dobro znamo
Da kod žena igra neki peti kec.
Ljubav je igra u kojoj često ne pali blef
Srce se otvara teže nego najbolji sef
Im'o je on svoje dame: karo, pik, herc i tref
I bio im je veran sve do sudnjeg dana Boža
zvani Pub.
Gospodo draga, on je nestao bez traga
I to celoj priči daje čudan ton
Neki se džambasi kleli da su kod Sombora
sreli
Jednog tipa što je bio isti on.
Možda ga odvela karta ćak u Prag ili Beć
Već dugo niko o njemu nije čuo ni reč
Dal' se još drži na svetu il' je predao meč
Pa s anđelima navrh neba igra raub, preferans i
ajnc.
Džaba vam novci…
12
ĆALATEVA PESMA (Đ. Balašević)
Am
Ne pitaj me nikad više, zašto neven ne miriše, Am A7 Dm
ne sjećam se, to je priča duga. G
Ne pitaj me tu pred svima, šta to na dnu čaše ima. C
Ne pitaj me nikad, zašto cugam.
E
Bolje da šešir nemam, Am G
pod njime đavo drema, sneva i izvoljeva. C Bdim
Đavo mi je kriv
Dm Am
Budi me u zlo doba, za njega red ne važi. E Am A
On mora sve da proba, to đavo vino traži.
Dm Am
Ne pijem što uživam, nit što mi dobro stoji. E Am
Pijem, da njega napojim.
Ne pitaj me, neznam kaz’ti, di će koja zvezda pasti,
di će pasti dugme s mog kaputa.
Ne pitaj me što na kraju svi kerovi za mnom laju.
Ne pitaj me nikad, zašto cugam.
Bolje da šešir nemam,
pod njime đavo drema, sneva i izvoljeva.
Đavo mi je kriv.
Budi me u zlo doba, za njega red ne važi.
On mora sve da proba, to đavo mesto traži.
Ne lutam što uživam, nit miris druma volim..
Lutam, da njega umorim.
Ne pitaj me, dal je zima,
dok po rosi s ciganima brilijante za kravatu biram.
Ne pitaj me zašto ptice ne sleću na svake žice.
Ne pitaj me nikad zašto sviram.
Bolje da šešir nemam,
pod njime đavo drema, sneva i izvoljeva.
Đavo mi je kriv.
Budi me u zlo doba, za njega red ne važi.
On mora sve da proba, to đavo pesmu traži.
Ne sviram što uživam, nije to pesma prava..
Sviram, da njega uspavam.
13
DEVOJKA SA "ČARDAŠ" NOGAMA (Đorđe Balašević)
Am Dm Am E Am
Nosila je jelek svileni kao u pesmi narodnoj Dm Am E C
I krstić, znak na lanćiću, da nekog čeka navodno E Am E Am
O, to su bili svatovi, sve kičeni i zlaćeni Dm Am E F
A mi smo bolje svirali neg sto smo bili plaćeni Am
Al dobro sad
Nosio sam šal od kašmira
I prsluk protkan tajnama
Baš od takvih su je čuvale
Tetke sa ladnim trajnama
Ko srna me je gledala
Žalosnom pesmom sluđena
Čije si, pile pirgavo
Što nisi meni suđena, eee
C G
Hej, pusti kose pune polena Dm C E
Ajde, baš u inat babarogama C G
Opla, digni suknju iznad kolena Dm C E
Znam da kriješ čardaš u tim lepim nogama
Rekoh joj beži, mani se
I traži bolje partije
Premala je moja tambura
Da te od kiše sakrije
Rekoh joj : Ja sam samo tu
Da vreme brže proleti
Ja nosim čizme skitaljke
Mene je teško voleti...badava
Hej, pusti kose pune polena
Ajde, baš u inat babarogama
Opla, digni suknju iznad kolena
Znam da kriješ čardaš u tim lepim nogama
Hej, doleti mala senice
Tu, na moje zlatne čivije
Vatra šara moje zenice
Razbij nešto i zaigraj ludo, divije
14
DIVLJI BADEM (Đorđe Balašević)
Am E
Vrteli se točkovi mog bicikla. Dm E Am
Gde god je stao taj rulet beše premija. Am E
Smakla se o stepenik njena štikla. Dm E Am A7
Nekad su pogledi bili čista hemija.
Dm G
Dobro je počela nedelja, C Am
poslednje pripreme za maturu. Dm E
Virili smo u daljine Am
puni nade.
Preko gimnazijskog bedema,
k'o pravi dekor za avanturu
prosuo je nežni purpur
divlji badem.
Poneli nas vetrovi k'o maslačke.
Jedni su leteli lako, drugi padali.
I curice su postale prve mačke
a loši djaci odjednom svetom vladali.
Sve mi je odlično zvucalo.
Dobro sam stajao tih sezona.
Ljuljale mi oči širom
promenade.
A nju sam sretao slučajno,
uvek je s pogrešnim bila ona,
ali znao sam da sanja
onaj badem.
Stane sve u strofu - dve u baladi:
pustinja prošlih minuta i poraza na sat.
I pred treć'i refren već' nismo mladi.
Ušla je nedavno sama u kafe "Petrograd".
Suviše tajni u očima,
u zlati okov joj prstić' pao.
Molio me dugi pogled
da je kradem.
Dovraga, kafa je gorčila,
al' taj sam ukus odnekud znao:
probao sam jednom davno
divlji badem.
15
JESEN STIŽE, DUNJO MOJA (Đ. Balašević)
Am C G
Toga jutra sam stigao putničkim klasom, Dm Am F G Am
pa kući sa stanice časom kroz bašte i prečice znane. Am C G
A u vojsci sam stekao druga do groba Dm Am F G Am
i hroničnu upalu zgloba, suvenir na stražarske dane. G C F G C
Ušao sam na prstima, mati beše več budna i brzo se prekrstila. G C F G
Reče: prošlo je ko za čas, baš si stigao dobro, C E F
jer svatovi su tu do nas, pa će ti svirati a ti češ birati.
Svatba beše ko svatba i što da se priča,
parada pijanstva i kiča i poznata cura u belom.
Več po redu poželih im zdravlja i sreče,
iz ruku mi otela cveče i sakrila pogled pod velo.
Tad me spaziše cigani,
kum je tražio pesmu, al ja sam stigo, briga njih.
Širok osmeh i zlatan zub,
znam, da nije ti lako, al danas nemoj biti grub,
nego zapovedi, šta čemo svirati.
E Dm
Svirajte mi Jesen stiže, dunjo moja, jesen rana, G C
nek zazvone tambure u transu. Dm E Am C
Znam, da nije pesma ova za veselje i svatovac, Dm G C
al ja moram čuti tu romansu.
Svirajte mi Jesen stiže, dunjo moja, al polako,
da mi ne bi koja reč promakla.
Sklon'te čaše i bokale, razbio bi sve to čale,
da je samo slučajno od stakla, dunjo moja.
Retko dolazim kuči, a pišem još ređe
i slike su bleđe i bleđe, pa lepe odtiskuju ružne.
Al nekad poručim piče i tako to krene,
a stignem u svatove njene, sve prave su ljubavi tužne.
Nikom ne pričam o tome,
brzo dođe taj talas i znam, da ću da potonem.
Spas mi donose cigani,
oni imaju srce za svakog od nas, briga njih,
i ne pitaju, šta da sviraju.
Svirajte mi Jesen stiže, dunjo moja, jesen rana,
nek zazvone tambure u transu.
Znam, da nije pesma ova za veselje i svatovac,
al ja moram čuti tu romansu.
Svirajte mi Jesen stiže, dunjo moja, polagano,
da mi ne bi koja reč promakla.
Sklon'te čaše i bokale, razbio bi sve to čale, da je samo slučajno od stakla, dunjo moja.
16
LEPA PROTINA KČI (Đ. Balaševič)
a e
Još sam bio sasvim mlad C G
Neke barske ptice sam lovio tad d a E
Kad je došla da se kupa a
Lepa protina kči
Nije znala, gde sam ja
da je gledam krišom kroz trsku i šaš
a preko reke noč je pala kao plašt
d G C
Mesec ptinja nad Vrbakom d G C
Srebri nebo zvezda roj d G C E a
Kapi vode kao biseri C E
koji blistaju svud po njoj
O sve ludo, ludi sni
več se moji drugovi momčili svi
a ja sam hteo samo jednu
lepu protinu kči
Čudnom pesmom zvoni drum
Te su zime svatovi došli po nju
Iz daleka neki svet za mene tuđ
Baš sam prešao sokakom
padao je prvi sneg
I još ponekad zazvone praporci
što je odnese ko zna gde
Da se ženim imam kad
ja sam eto ostao momak do sad
nikad više nisam sreo
lepu protinu kči
Jedan život miran, tih
nekad bacim kartu il napišem stih
Stvari teku, ja se držim izvan njih
I ljubim dobre, ljubim lake
neke prave, a neke ne
I sve su vile i sve su kraljice
I sve su nevažne naspram nje
17
MIRKA (Đorđe Balašević)
Am G
Čuli ste za "Zlatni bokal" F
To je jedan sumnjiv lokal C
Al' je kuvar pravi as Am G
Sedeo sam sam za stolom F
Pio viski s coca-colom C
Kada zaćuh neki glas
Am G
Znam Vas, pardon, s televizije Am G
Vi ste ponos naše vizije Am G
Moja kći od devet godina F
Sve vaše pesme zna G
Vaš svaki stih, pa reče:
C F
Mirka, ljubavi jedina moja ti G
'Ko te sada dirka C
I 'ko ti pod prozore dolazi F G
Da ti svirka C F
Mirka, možda bi i sretno živeli C G
Samo da si ti našla pravi put F C
Do mog tužnog srca
Na te reči izvanredne
Ponudih da sa mnom sedne
Čekao je samo to
Reče: "Ja sam iz orkestra
Ta što peva mi je sestra
Tu smo već mesec i po
Mi Vas ne bi maltretirali
Al' bi nešto sad odsvirali
To je jedan šlager lično naš
Želimo čuti Vas cenjeni sud", pa reče:
Mirka...
Rekoh da ću im pomoči
Kol'ko je u mojoj moći
Ali ja sam pevač tek
Reče: "I svi su producenti
Promašeni dirigenti
Nitko od njih nema šmek
I mi već godinama sviramo
Al' strašno slabo prosperiramo
Poslušajte još jedanput bar
Ovo je prava stvar, veliki hit, pa reče::
Mirka...
Pričali smo posle dugo
O muzici, šta bi drugo
Popili smo o-ho-ho
Ja od tada slabo radim
Stvarno nije da se vadim
Al' je razlog tačno to
Ta mi se interpretacija
Javlja k'o halucinacija
Proganja me, muči, vraća se
Uvek k'o bumerang taj smešni, divni refren:
Mirka...
18
MOJA PRVA LJUBAV (Đ. Balaševič)
A
Tad još nisam ništa znao
i još nisam verovao, D
da na svetu tuge ima E
Jedino mi važno bilo,
da postanem levo krilo A
il' centarfor školskog tima
Kad sam iznenada sreo
najtoplijeg leta deo
to su njene oči bile
Imala je kose plave
i u njima navrh glave
belu mašnicu od svile
Bm
Prva je ljubav došla tiho, A A A#m Bm
nezvana, sama Bm
Za sva vremena sakrila se tu E
negde duboko u nama
Kad je prošlo đačko vreme
Padeži i teoreme
i stripovi ispod klupe
Nije više bila klinka,
počela je da se šminka
i da želi stvari skupe
Tako mi je svakog dana
bila na sve više strana
slutio sam što me čeka
Pa sam prestao da brinem,
kako da joj zvezde skinem
Postala mi je daleka
Prva je ljubav...
Danas je na sedmom nebu
kažu mi da čeka bebu
Našla si je drugog, sreču, dom
Ima muža inženjera,
pred kojim je kariera
i mesto u društvu visokom
Ja još kradem dane bogu,
ja još umem, ja još mogu
da sam sebi stvorim neki mir
Još sam sretan što postojim,
pišem pesme, zvezde brojim,
još sam onaj isti vetropir
Prva je ljubav...
19
NEKI NOVI KLINCI (Đ. Balašević)
Am ‚ C G
Moj deda več dugo ore nebeske njive, Dm Am
ali baka još čuva sve stvari i sliku našeg sveca. Am ‚ C G
Na dan, kad sam rođen, tu je posađen orah Dm Am
I u avli i pod gustom krošnjom sad igraju se deca. F
Neki novi klinci E
Neki novi klinci Am
Neki novi klinci
Kroz maglu treperim, 9 sveča na torti,
kad sam imao par mandarina I malog belog zeca.
U maju još uvek zriju komšijske bašte,
ali trešnje I zelene kajsije kradu druga deca.
Neki novi klinci...
Moj drugar Milutin, druga klupa do vrata
ima klinca od četiri i po i uči ga da peca.
Ponekad ga sretnem, mahne kroz prozor kola,
a u porti za loptom sad jurcaju neka druga deca.
Neki novi klinci...
A ja, ja se kockam s prevarantom životom
iz rukava on svakoga dana izvuče nekog keca.
I stariji mi kažu, sad si u pravom dobu,
a u ulici Jovana Cvijića rastu druga deca.
Neki novi klinci...
20
NE LOMITE MI BAGRENJE (Đ. Balaševič)
a
Verujem, cenjeni sude, C
da dobro poznaješ ljude G
Vi barem imate posla, F a
Jer čud je čud, a sud je sud
Verujem, cenjena glavo,
da si i učio pravo
Da svakom sudiš pošteno F a E
Jer čast je čast, a vlast je vlast
F
I sve po zakonu, G
zato sam prvi ne bi bilo ove krvi, C
da je bilo sve po zakonu E F
Vlast je vlast, i ja to poštujem G
Tu su paragrafi pa zagrabili C
Nek isto je i đavolu i đakonu, E
pa nek se zna...
Nek su mi gazilli njivom,
mojom se sladili šljivom
Uvek je lopova bilo
Jer čuk je čuk, a vuk je vuk
Nikada zlotvora dosta,
kiša mi uništi bostanj
I led se prospe pred žetvom
Al led je led, a red je red
I prekardašilo, imao sam bagremovu šumu
tamo dole prema Drumu, pa sam čekao
Red je red, polako komšije
ne može samo da se uđe, da se ruši tuđe, lepo
sam rekao:
d
Ne lomite mi bagrenje E a
Bez njih če me vetrovi oduvati C G
Pustite ih, moraju mi čuvati d a
jednu tajnu zlatnu kao dukati d
Ne lomite mi bagrenje
a
Pod njima sam je ljubio E a
Bosonogu i odbeglu od sna
Ljudi smo, cenjeni sude,
pa rekoh: bude šta bude
žao mi marama crnih
al plač je plač, a mač je mač
Ne pitaj šta bi sad bilo,
kad bi se ponovo zbilo
Ne pitaj, dali se kajem
Jer jed je jed, a red je red
I sve po zakonu,
tu su paragrafi pa zagrabi pošteno
i za veru i za neveru
Red je red, sve ja to poštujem
Jer više bilo bi ubica,
nego ptica, koje odleče ka severu
Ne lomite mi bagrenje
bez njih če me vetrovi oduvati
Pustite ih moraju mi čuvati
jednu tajnu zlatnu kao dukati
Ne lomite mi bagrenje,
pod njima sam je ljubio
Pa zar moram, da vam ponovim:
okanite se njih, jer sve ču da vas polovim
21
NE VOLIM JANUAR (Đ. Balašević)
Am E Am
Ne volim januar i bele zimske bragove C G C
U svakom snegu vidim iste tragove Dm Am
Tragove malih stopa, broj 30 F E Am
i ko zna kako polako odlaze.
Više ne prolazim ulicom dositevom
i nemam pojma, kad neko pita, gde je to
Tih 206 koraka, dužine tog sokaka,
nikad ja nisam brojao.
C G
Nisam te nikad čuvao, E Am
nisam te nikada mazio, pazio. C G
Tvoju sam ljubav gazio, E Am
svemu smišljao broj.
Nisam te nikad štedeo
i nisam umeo stati i ostati.
Šta će od mene postati,
mali anđele moj.
Ne gledam filmove iz ranih 70e
dosta je suza i rastanaka nesretnih.
Ko takve stvari sniva,
baš čudnog sveta ima.
Tako se lako razplačim...
22
ODLAZI CIRKUS (Đorđe Balašević)
E Am
Odlazi cirkus iz našeg malog grada E F
Širokim drumom što izlazi na most E Am
Odlazi cirkus i ja se pitam sada Dm G C
Ko je domaćin, a ko je bio gost E Am
Nestaje cirkus u širokoj ravnici E F
U kišnoj noći za njim se srebri trag E Am
Odlazi fakir i artisti na žici Dm G C
I tužni pajac što bio mi je drag
E F
Dal' je sve bilo samo fol G C
Dal' je sve samo jeftin trik E F
Il' sve te maske kriju bol G C
I neki sasvim drugi lik
Pričaće deca o svetlima arene
Vežbaće krišom kod kuće neki štos
Ali već sutra čim prođe neko vreme
Samo će retko pomišljati na to
Ostaće okrugli trag na mestu šatre
Tu gde se hrvao s tigrom hrabri Grk
I par plakata, na njima gutač vatre
Kome će klinci već nacrtati brk
Dal' je sve bilo samo fol
Dal' je sve samo jeftin trik
Il' sve te maske kriju bol
I neki sasvim drugi lik
Am F
Laku noć, dame i gospodo Dm E
Eto i ova predstava je završena
Nadam se da ste uživali u njoj
Bilo je zadovoljstvo glupirati se za vas
Sve ove godine
Nadam se da ćemo se još videti
U nekom drugom gradu, na nekoj drugoj
predstavi
U nekom drugom cirkusu
Odlazi cirkus iz našeg malog grada
Širokim drumom što izlazi na most
Odlazi cirkus i ja se pitam sada
Ko je domaćin, a ko je bio gost
Odlazi cirkus, za sve je bolje tako
Mnogi su predstavu shvatili do sad
Nove pajace će masa naći lako
Jer drugi cirkus ce doći u nas grad
E F
Ma sve je bilo samo fol G C
Sve je to samo jeftin trik E F
I sve te maske kriju bol G C
I neki sasvim drugi lik
Pa ipak...laku noć, prijatno
23
O KAKO TUŽNIH LJUBAVI IMA (Đorđe Balašević)
C F
Profesor Lukić sa četvrtog sprata,
je živeo prilično sam.
A decu je učio ljubavne pesme,
sonete i šta ti ja znam.
d G C
O kako tužnih ljubavi ima, baš nešto
razmišljam: a F G
njegova žena, Lukić Milena, s drugim je otišla. d G C Am a
O kako tužnih ljubavi ima, ovaj svet je ispunjen
njima, d G F C
sve više sumnjam da neko sretno i voli još.
A gospodja Ruža je radila goblen
i subotom igrala tač.
Od muža joj ostalo par žutih slika,
oficirska kapa i mač.
O kako tužnih ljubavi ima, baš nešto
razmišljam:
poručnik Bata, iz prvog rata, nije se vratio.
O kako tužnih ljubavi ima, ovaj svet je ispunjen
njima,
sve više sumnjam da neko sretno i voli još.
a G
Pišu romane, pesme, novele, a G
o tome kako ljubav uvek nadje put. a G
Znam neke sive, tužne hotele F G
i neke prazne sobe gde je uvek onaj strašni mir.
O kako tužnih ljubavi ima, baš nešto
razmišljam.
Dal' je i naša tu medju njima, brinem se
ponekad.
O kako tužnih ljubavi ima, ovaj svet je ispunjen
njima,
sve više sumnjam da neko sretno i voli još.
Andjelija Prokić je čekala princa
i njegovu čarobnu moć,
da joj otplati kredit, da joj napravi klinca,
da je voli do kasno u noć.
O kako tužnih ljubavi ima, baš nešto
razmišljam:
njen suprug Bane, noći i dane, nije se treznio.
O kako tužnih ljubavi ima, ovaj svet je ispunjen
njima,
sve više sumnjam da neko sretno i voli još.
A kad se jednom, u dva i deset,
vratio kući željan ljubavi i sna,
našao pismo, pao u nesvest,
žena mu s Lukićem iz prve strofe pobegla u
noć.
O kako tužnih ljubavi ima, baš nešto
razmišljam.
Dal' je i naša tu medju njima brinem se
ponekad.
O kako tužnih ljubavi ima, ovaj svet je
ispunjen njima,
sve više sumnjam da neko sretno i voli još.
24
OPROSTI MI KATRIN (Đ. Balašević)
Am Dm
Na stanici u Puli, pod vrelim suncem leta, E Am
ja sam čekao autobus i svirao gitaru.
Tad sela je kraj mene, i piala da l' smeta,
i znam li dobar hotel u Rovinju il' Vrsaru.
G F
Oprosti mi Katrin, možda nisam bio fin, Am
mada si mi bila draga. G F
Oprosti mi Katrin, sve je sada samo dim. E
Našoj ljubavi ni traga.
Još reče da je stigla tog jutra iz Dižona.
Odvedoh je u mali restoran s dobrom klopom.
Uz senviče i kafu, onako iz fazona,
Predložih joj da dalje krene sa mnom auto-stopom.
Oprosti mi Katrin...
A sutra, sve je bilo k'o da se dugo znamo.
Na plaži joj, na poklon, izronih morskog puža,
i nije rekla ništa. Nasmešila se samo.
I pružila mi ruke kao sebe da mi pruža.
Oprosti mi Katrin...
I mahala mi dugo sa prozora vagona
i pisala mi posle, da pamti sunce juga.
I zvala me u jesen, da dođem do Dižona,
al tamo ne bi bila ista, nego neka druga.
Oprosti mi Katrin...
25
PRIČA O VASI LADAČKOM (Đ.Balašević)
Am E Am
Znate priču o Vasi Ladačkom C G C
i ja sam je tek onomad čuo Dm Am
Jednom devet dana nije izlazio iz birtije E Am
kažu, da je bio čudne sorte.
Otac mu je bio sitni paor,
hranio je devet gladnih usti.
Mati mu je bila plava,
tiha, nežna, jetičava,
umrla je s 30 i nešto.
Imali su par jutara zemlje,
malu kuču na kraju sokaka
na stolu malo hleba,
taman tol’ko, kol’ko treba,
al je Vasa hteo mnogo više.
C G C G
Želeo je konje vrane, po livadi razigrane, Dm E Am
sat sa zlatnim lancem i salaše. C G C G
Želeo je njive plodne, vinograde blagorodne, Dm E Am
u karuce pregnute čilaše. E Am
Ali nije mogo, da ih ima.
Voleo je lepu, al sirotu.
Uzo bi je samo da je znao.
Voleš jednom u životu,
sad bogatu il sirotu,
to ne bira pamet, nego srce.
Sve se nado, da će ljubav proči,
zanavek je otišo iz sela,
nikad nije piso nikom,
venčo se sa birašđikom,
jedinicom, čerkom nekog gazde.
Dobio je konje vrane, po livadi razigrane,
sat sa zlatnim lancem i salaše.
Dobio je njive plodne, vinograde blagorodne,
u karuce pregnute čilaše.
Sve je imo, ništa imo nije.
Propio se, nije prošlo mnogo,
dušu svoju đavolu je prodo.
Znali su ga svi birtaši,
tražio je spas u čaši,
ali nije mogo da ga nađe.
Mlad je, kažu, bio i kad je umro
sred birtije od srčane kapi.
Klonula mu samo glava,
ko da drema, ko da spava,
i još pamte što je zadnje reko:
Đaba bilo konja vranih, po livadi razigranih,
đaba bilo sata i salaša.
Đaba bilo njiva plodnih, vinograda
blagorodnih,
đaba bilo karuca, čilaša.
Kada nisam s onom, koju volim,
kada nisam s onom, koju volim..
26
PROVINCIJALKA (Đ. Balašević)
Dm E Am
Rekli su mi, da je došla iz provincije, Dm E Am
strpavši u kofer snove i ambicije Dm E
Drug je studirao sa njom, Am F
pa smo se najzad sreli ona i ja. Dm F E Am
Shvatih, bože, oj sazvežđe za nju, provincija.
Srce stade kao dete, da se otima,
tražili smo se po predhodnjim životima.
Postavih iza sebe svet, zablude, promašaje koji tište,
prosto, lako, ko neko beznačajno pristanište.
Dm E Am F
O, da mi je, da se još samo jednom zaljubim, C E
opet bih uzeo kostim večnog dečaka. Dm E Am F
I opet bih smilio kako da prodangubim, Dm E Am
dok ona ne sleti niz hodnik studenjaka.
Gorda naspram podsmeha i spletki poslednjih
Usamljeni galeb iznad mora.
Posred njih reči bi sve pokvarile,
samo se ćutke pokraj mene stisle.
Sami, svojim, izbeglice iz bez smisla.
O, da mi je, da se još samo jednom zaljubim,
opet bih gledao niz kej, kao niz prugu.
I opet bih znao da se u oblak zadubim,
i čekao bih samo nju, ni jednu drugu
27
RAČUNAJTE NA NAS (Đ. Balaševič)
Am
U ime svih nas iz 50 i neke C G
za zakletvu Titu ja spevo sam stih Dm Am
Ne spominjem prošlost, ni bitke daleke, G F E
jer rođen sam tek posle njih
Al život pred nama još bitaka skriva
i preti nam preti, ko duboki vir
Ja znam, da nas čeka još sto ofanziva
Jer moramo čuvati mir
Računajte na nas
C G
Sumnjaju neki, da nosi nas pogrešan tok, Dm Am
jer slušamo ploče, i sviramo rock C G
Al negde u nama je bitaka plan Dm E
i kažem vam, šta dobro znam: Am
Računajte na nas
U nama je sudbina budučih dana
i možda se netko i plaši za nju
Kroz vene nam protiče krv partizana
Jer mi znamo, zašto smo tu
Računajte na nas
Sumnjaju neki, da nosi nas pogrešan tok,
jer slušamo ploče, i sviramo rock
Al negde u nama je bitaka plan
i kažem vam, šta dobro znam:
Računajte na nas
28
RATNIK PAORSKOG SRCA (Đ. Balaševič)
Am C
Kada se braca devetnajste vrno G E
z dalekog fronta die Soldatt je bio
Pričo nam kako ga strefilo zrno
pa zavrto rukav i to pokazivo
Dm E Am
A mi, a mi smo bili derani Dm E Am
a mi, mi smo bili derani
Pričo nam braca o mirisu mora
i o patroli od koje je bežo,
pa kako je opsovo nekog majora
i zbog toga posle na robiji ležo
A mi, a mi smo bili derani
a mi, mi smo bili derani
C G
Pričo nam kako je prešo Karpate E Am
zujali meci ko rojevi pčela C G
Reko je rat vam je krvav, da znate E Am
Al mi nije žao ni ljudi ni sela E Am
Hej, žao mi konja
Kada se braca devetnajste vrno
svake je večeri pričo na šoru,
kol'ko je curica usput prevrno
i kako topovi livade ore
A mi, a mi smo bili derani
a mi, mi smo bili derani
I čim braca korak iz avlije kroči
skupi se društvo iz našeg sokaka
Pa svi smo imali velike oči,
prepuna srca i maštu dečaka
Pa da, jer mi smo bili derani
a mi, mi smo bili derani
Psovo je braca i krivce i žrtve
puške i vaške i rov, prepun blata
Reko je: “Ne mož izbrojati mrtve,
jer su se carevi igrali rata.
Ej, žao mi konja.”
Nekde u braci je paorski koren
i može rata i rata da bude
kad nije paor za soldata stvoren,
volije konje i zemlju neg ljude
A mi, a mi smo bili derani
i sve još je vredjelo za nas
Hej, hej, konji beli, nebom terani
kroz san i kroz oblake u kas
29
REQUIEM (Đorđe Balašević)
a C F
Kad god prođem ulicom sa tvojim imenom G C
Pomislim na onu pesmu G d E
Već je godinama ne pevam a F
Stari refren nikom ne treba E F E
A ljudi pesme kratko pamte a
Komandante
Ostat će u knjigama i priča o nama
Balkan krajem jednog veka
Svako pleme crta granicu
Svi bi hteli svoju stranicu
Tope se snovi kao šante
Hej komandante G C G
Na barikadama su opet zastave d E a
Svet ide ko na praznike G C G
I decu izvode s jutarnje nastave d E a
Da vide gladne radnike d E
A gde smo mi naivni a a/F? a/E? a/D? a/C?
Što smo se dizali na 'Hej Sloveni' d a E
Kao da smo uz tu priču izmišljeni
Vremena su nezgodna za momka kao ja
Koji gleda svoja posla
Jer nisam lutak da me naviju
Imam samo Jugoslaviju
Sve druge baklje bez mene plamte
Ej, komandante
Na barikadama su opet zastave
Svet ide ko na praznike
I decu izvode s jutarnje nastave
Da vide gladne radnike C E
I svi su tu da dobiju a E a
na toj lutriji G C G d
Na barikadama su uvek najbrži, al nikad E a
i najmudriji
A gde smo mi naivni
Što smo se dizali na 'Hej Sloveni'
Kao da smo uz tu priču izmišljeni a
I prevareni
Kad god prodjem ulicom sa tvojim imenom
Pomislim na onu pesmu
Bacit će se tako neki lik
Kamenom i na tvoj spomenik
Jer sve se menja
I sve teće
Čoveče
30
SAMO DA RATA NE BUDE (Đorđe Balašević)
Dm A Dm
Pijani momci prolaze A Dm
Duž naše tihe ulice F C
Oni u vojsku polaze Gm Dm
Prate ih tužne curice A# A
Brinu ih slutnje sulude Dm
Da rata ne bude
Ne mogu da me ne sete
Suze navrh tvog nosića
Devetsto osamdesete
Ulice Brane Čosića
I voza crnog ko da s njim
Zauvek odlazim A Dm
Znaš šta, neka mora sve potope F C
Nek se gleceri rasture F
Večni snegovi otope F# Gm Dm
Pa šta, neka kiše ne prestaju A
Neka gromovi polude Dm
Samo da rata ne bude
Zna šta, nek se groblja preokrenu
Nek se zvezde uznemire
Nek se planine pokrenu
Pa šta, vetri nek pomahnitaju
Nek se vulkani probude
Samo da rata ne bude
Ko zlatni prah
Oreol sna oko malenih glavica
I tvoja ljubav vrednjiva
Čuva ih kao lavica
Loše te vesti uzbude
Da rata ne bude
A Dm
Znaš šta, neka mora sve potope F C
Nek se gleceri rasture F
Večni snegovi otope F# Gm Dm
Pa šta, neka kiše ne prestaju A
Neka gromovi polude Dm
Samo da rata ne bude
Zna šta, nek se groblja preokrenu
Nek se zvezde uznemire
Nek se planine pokrenu
Pa šta, vetri nek pomahnitaju
Nek se vulkani probude
Samo da rata ne bude
Samo da rata ne bude
Ludila medju ljudima
Veliki nude zablude
Plaše nas raznim čudima
I svakoj deci naude
Samo da rata ne bude
31
SVE JE DOBRO, KAD SE DOBRO SVRŠI (Đ. Balašević)
C F C
Lana je vozila sanke, G C
a ja sam pravio sneška. C F C
Dugo sam plačao danke G C
zbog jednog Laninog smeška.
F C
Bili smo klinci, bilo je hladno G C
i sneg je padao krupan F C
Te sam se zime zatreskao gadno, G C
ko pravi pubertetski tupan.
Lana je volela cveće,
a ja sam voleo Lanu.
Korak od tuge do sreće
u jednom jedinom danu.
Prošlo je proleće, leto i jesen,
ko nežni ljubavni sonet.
Ja sam još bio u glavnom zanesen,
ko leptir vihorom gonet.
Lana je pratila modu,
a ja sam pratio Lanu.
Ljubavi dođu i odu,
al Lana je uvek u planu.
Ima detalja za koje baš ne znam,
dal mogu u pesmu da stanu.
Jer Lana je imala muža,
a ja sam imao Lanu...
32
U RAZDELJAK TE LJUBIM (Đorđe Balašević)
E a d
Kad je pre mnogo leta bal pravio baron, G C
Fon Ligenštul je pozvan da naidje i on. E a d
Čim uš'o je u salu onako lep i mlad, G C E
prišla mu neka dama, i uzviknula tad:
a
"U razdeljak te ljubim, d
svim žarom srca svog, G
jer hoću da poludim C E
zbog razdeljka ti tvog.
U razdeljak te ljubim,
jer želim da se zna,
zbog njega razum gubim,
zbog njega nemam sna."
Fon Ligenštul je hitro napustio taj bal,
želeći da, pre svega, eskivira skandal.
Al' već sledećeg dana ponovilo se zlo,
Stiglo je njeno pismo, na kom je pisalo:
"U razdeljak te ljubim,
svim žarom srca svog,
jer hoću da poludim
zbog razdeljka ti tvog.
U razdeljak te ljubim,
jer želim da se zna,
zbog njega razum gubim,
zbog njega nemam sna."
Fon Ligenštul je bio zbunjen stvarima tim.
Izgubio je živce. Promen'o se sasvim.
I poč'o je da traži u alkoholu spas,
mesto miševa belih, prividj'o mu se glas:
"U razdeljak te ljubim…."
33
ŽIVOT JE MORE (Đ. Balašević)
Em Am
Am Dm
Život je more, pučina crna, B Em B
E Am E
po kojoj tone mnogi što brode. Em Am Am Dm
Nije mi srce plašljiva srna. C B Em B
F E Am E
Ja se ne bojim velike vode.
Lome me vali, nose me struje.
Oseka sreće, a tuge plima.
Šiba me nebo bičem oluje,
al' još se ne dam i još me ima.
Am B Em
Dm E Am
U jutra rana plaše me senke minulih dana. Am B Em Dm E Am
Sećanja mutna. Kao u laži, kao u snu... Am B Em Am
Dm E Am Dm
Ipak se borim, ipak se nadam. Sve manje letim, sve više padam. Em Am B
Am Dm E
I sve su jače ruke, što me vuku dnu.
Možda će žena svilenog bedra,
koja me zove i pruža ruke,
uliti vetar u moja jedra,
do nove žene, do nove luke.
Život je more...
34
MALA TERASA (Bele Vrane)
D G D
Mala terasa in spodaj Ljubljana, pomanjšana, A D A
da odnesla bi od tu, bele hišice v predpasniku D G
Tukaj s te male terase na sredi Ljubljane D A
ta hip lahko bi dosegla Krim z roko.
F B
Sva šla na malo teraso, nad širno Ljubljano, F C
da najina vsa Ljubljana bi bila
G# D#
Na Nebotičnik sva odšla Fm B D#
bliže sonca in modrega neba G# D# F#
Pozabiva, da premajhna za dva C# G# B D# G# C# G#
in žalostna sobica je najina
35
RUDEČI CVET (Beneški fantje)
D
V laseh nosila rožo je rudečo, A
kot živi ogenj rožo plamenečo. E A7
Vabile modre so oči sanjave D
dekle z gore Kadore, Kadore, Kadore.
Mlad hribolazec je prišel v planine,
dekle prelepo je takoj zasnubil.
Zapeli v ranem jutru so zvonovi,
up je vedi Kadore, Kadore, Kadore.
D A D
Rudeči cvet ljubezen je razvnel, A D
dekle odpeljal je v prelepi čarobni svet
Kadore, Kadore, Kadore.
Po dolgih letih pa očeta vpraša:
„O dragi oče kje je mati moja?”
„Odšla je tvoja mati v hrib Kadore,
da ti prinese rožo rudečo, rudečo.”
Ko je prišla na pisane livade,
lepoto njeno gora je opazila.
Kadore se je vanjo zaljubila,
več se ne bo vrnila.
Rudeči cvet ljubezen je razvnel,
dekle odpeljal je v prelepi čarobni svet
Kadore, Kadore, Kadore.
Odtlej pa nosi rožico rdečo
v laseh še njena mala hčerka zala.
Da fanta mladega bo tam spoznala,
ko pojde v hrib Kadore, Kadore, Kadore.
Tako ljubezen se naprej ponavlja,
združuje srca v belem pajčolanu.
Pomladi spet cvetejo rdeče rože,
vabijo v hrib Kadore, Kadore, Kadore.
Rudeči cvet ljubezen je razvnel,
dekle odpeljal je v prelepi čarobni svet
Kadore, Kadore, Kadore.
36
HVALA ZA VIJOLICE (Bilbi)
E7
Am7 E7 Am7
Ta tvoja žena mi je že prijatelj'ca Am7 E7 Am7
Ne vem, če ne bi ji kar vse povedala Dm C G
Da skupaj šmirava odkar tvoj mali Jan Dm C G
V vrtcu je vsak dan.
Ko prvič prišel si skoz’ vrata nasmejan,
Prevzel me je občutek – »vse lahko ti dam«,
Zdelo se mi je, da pač tak’ si strašno sam,
Da rabiš nežno dlan.
Am7
Hvala za vijolice, Dm
Torbe, čevlje, vrtnice, G
Vse parfume, ogrlice. Cadd9
Kaj pa tvoje srce? E7
Kaj pa tvoje ime?
Hvala za počitnice
In prekratke vikende,
Verze mal’ pocukrane.
Kaj pa tvoje srce?
Kaj pa tvoje ime?
37
ALOJZ VALČEK (M. Brecelj)
C Am C
Alojz Podre, mojster za vse, G7 C
mojster za mafijo, mafijo. Am C
Alojz Podre, kriv si za vse, G7 C
venem brez radosti, radosti. Am C
Točka in pol, človek in pol, G7 C
človek brez milosti, milosti.
E Am
Fleten kvartir, preste in pir E Am
Pesem in smeh sanje so le. E Am
Mlade oči, dolge noči, E Am - G
kratek poljub, kratka mladost.
Šel bom na pot, daleč od tod,
daleč od mafije, mafije.
Alojz brez vas, v prostor in čas,
v leta brez žalosti, žalosti.
Štempelj in pol, služba in pol,
osem ur brez skrbi, brez skrbi.
Zrase mi sin, zrase mi hčer.
Leta prevesijo se v večer.
Takrat za hip, za bežen utrip,
vrne mi čas ta pesem za vas.
Alojz Podre, mojster za vse,
mojster za mafijo, mafijo.
Alojz Podre, kriv si za vse.
venem brez radosti, radosti.
38
ŠKANDAL V RDEČEM BARU (M. Brecelj)
Am C
V rdečem baru, v sobi rdeči, D/F F E
s kroglo v glavi, z dušo v sreči.
Slišali so strel in videli obraz v krvi.
Škoda, bil je mlad, ta je to sezono prvi.
Prvi tak škandal, ki spravlja nas
in rdeči bar ob dober glas.
V rdečem baru, v sobi rdeči,
s kroglo v glavi, z dušo v sreči.
Skrijte ta obraz, dve gospe sta omedleli.
Skrijte uprt nasmeh, madež rdeč čez madež beli.
Škoda, bil je svež, ta je to sezono prvi.
Lani pa na vrvi trije so končali, tak škandal,
ki spravlja nas in rdeči bar ob dober, dober, dober glas.
Škoda bil je lep, lahko bi bil pri njej,
tako pa fej, umivamo ga stare babe.
Oblečen v pražnje gre, odhaja v kraj pozabe.
V rdečem baru, vobi rdeči,
Plešemo spet z dušo v sreči.
Skrijte mi obraz, gospa, v kožo mehko.
Čuden, oster mraz, to je bil moj prvi, prvi moj mrlič,
ki spravlja nas in rdeči bar ob dober, dober, dober glas,
ki spravlja nas in rdeči bar ob dober, dober, dober glas.
39
NE DAJ SE, INES (A. Dedić)
Am Dm
Ne daj se, Ines,
Ne daj se godinama, Am
moja Ines, drugačijim pokretima E
i navikama,
jer još ti je soba topla;
prijatan razpored i rijetki predmeti. Dm G
Imala si više ukusa od mene. C F Dm
Tvoja soba - divota - F E
gazdarica ti je u bolnici.
Uvijek si se razlikovala Am
po boji papira svojih pisama, Dm
po poklonima,
pratila me slijedečeg jutra oko deset
do stanice. Am
I ruši se zeleni autobus E
tjeran jesenjim vjetrom, kao list, Am
niz jednu beogradsku padinu. Dm
U vječernjem sam odjelu
i opkoljen pogledima. E
Ne daj se, mladosti moja, Am Am Dm Am
ne daj se, Ines.
Dugo je pripremano naše poznanstvo
i onda, slučajno, uz vruću rakiju
i sa svega nekoliko rečenica
loše prikrivena želja.
Tvoj je način gospođe
i obrazi seljanke
Prostakušo i plemkinjo moja!
Pa tvoje grudi, krevet,
i moja soba, obješena u zraku
kao naranča,
kao narančasta svjetiljka
nad zelenom i modrom vodom Zagreba;
Proleterskih brigada 39, kod Grković.
Pokisla ulica od prozora dalje i šum
predvečernjih tramvaja.
Ljepi trenuci nostalgije,
ljubavi i siromaštva,
upotreba zajedničke kupaonice i
- molim vas ako me tko traži...
Ne daj se, Ines - evo me,
ustanem tek da okrenem ploču.
Da li je to nepristojno u ovakvom
času, Mozart, Requiem, Agnus Dei.
Meni je ipak najdraži početak.
Razpolažem s još milijon nježnih i
brezobraznih podataka naše mladosti,
koja nas pred vlastitim očima vara,
krade i napušta.
Ne daj se, Ines,
poderi pozivnicu, otkaži večeru,
prevari muža odlazeći da se počešljaš u
nekom boljem hotelu.
Dodirni me ispod stola koljenom,
generacijo moja, ljubavnice.
Znam da će još biti mladosti, ali ne više
ovakve; u prosjeku 1938a.
Ja neću s kim ostati mlad,
ako svi ostarite,
i ta će mi mladost teško pasti,
a bit će ipak da ste vi u pravu,
jer ja sam sam na ovoj obali
koju ste napustili i predali bezvoljno,
a ponovo počinje kiša kao što već kiši u
listopadu na otocima.
More od olova i nebo od borova.
udaljeni glasovi koji se miješaju:
glas majke, prijatelja, kćeri, ljubavnice,
broda, brata.
Na brzinu pokupljeno rublje pred kišu
i nestalo je svjetla s tom bjelinom.
Još malo šetnje uz more i gotovo;
ne daj se, Ines.
40
ĐURĐEVDAN (Bijelo Dugme)
Am
Proleće na moje rame sleće Dm Am
Đurđevak se zeleni Dm Am
Đurđevak se zeleni F G Am
Svima osim meni
Drumovi odoše, a ja ostah
Nema zvjezde danice
Nema zvjezde danice
Moje saputnice
E i kome sada moja draga
Na đurđevak miriše
Na đurđevak miriše
Meni nikad više
C Dm
Am Dm Am Dm
Evo zore, evo zore, bogu da se pomolim Am Dm F
Evo zore, evo zore, ej Đuđevdan je Dm Am G Am
A ja nisam s onom koju volim (2x)
E i kome sada moja draga
Na đurđevak miriše
Na đurđevak miriše
Meni nikad više
Njeno ime neka se spominje
Svakog drugog dana
Svakog drugog dana
Osim Đurđevdana
Evo zore, evo zore, bogu da se pomolim
Evo zore, evo zore, ej Đuđevdan je
A ja nisam s onom koju volim (2x)
41
SELMA (Bijelo Dugme)
Am B7
Selma putuje na fakultet Dm G C
Ona putuje, ja kofer nosim, molim. Dm E
Težak je al' pošto njen je lično, Am C Dm Am G F E
ja i taj kofer volim.
Selma, na ulazku u voz ti htijedoh reč'
nešto nježno, nešto što izaziva pozor.
Al' rekoh samo zdravo Selma
i molim te ne naginji se kroz prozor.
Dm
Selma, Selma, G C zdravo Selma Dm E
putuj Selma Am
i molim te ne naginji se kroz prozor.
Selma, na ulazku u voz ti htijedoh reč'
nešto nježno što izaziva pozor.
Al' rekoh samo zdravo Selma
i molim te ne naginji se kroz prozor.
Selma, Selma,
zdravo Selma
putuj Selma
i molim te ne naginji se kroz prozor.
42
IMA NEŠTO OD SRCA DO SRCA (Crvena jabuka)
Am Dm Am
Oči tvoje boje nade Fmaj7 E7 Am
Zaspati mi ne daju Am Dm Am
Zadnji komad mire krade Fmaj7 E7 Am
Ta suza na jastuku
Ima riječi koje bole
Skloni ih sa usana
Kada stvari krenu dole
Samoća krug zatvara
Dm Am
Ima nešto od srca do srca Dm Am
neka tanka nit Dm Am
koja čini naše snove Fmaj7 E7 Am
A ne da se dirati
I si moja rijetka ptica
Kako da te ostavim
Bez tvog tijela bez tvog lica
Kao da ne postojim
Ima stvari koje trebaju
A nikad se ne dese
Neke druge opet ne daju
Lako da se dokuće.
43
NEKAKO S PROLJEČA (Crvena jabuka)
D A G D
Nekako s prolječa,uvijek meni doluta A G D
Neka čežnja tamna, neka mudrost davna G D G D
Spuštam ja stare kofere na perone sudbine G D
To je miris zrelih godina A G A D
Moj kaput baš je težak najdraža
Nekako s prolječa, ja se sjetim starih drugova
probude se u meni svi derneci pijani
Tad nosim stare cipele one znaju moje ulice
To je boja crno-ponoćna
Moji koraci baš su teški najdraža
D A
I opet taj osječaj samoče D
kad neće drugog mene krene i hoče A
I opet mrakom svoje pjesme bojim G A D
pijan od čeznje za usnama tvojim A G A D
Sav sam ti od ludila nekako s prolječa
Nekako s prolječa, sjeti mene nepravda
Na pobjede, poraze i sve lažne obzire
Napravim račun praštanja popijem pusta maštanja
To je ukus lijepog kajanja
Moji kapci baš su teški najdraža
Nekako s prolječa, noč mi oči otvara
Nemam san da uhvatim, nema dana da ne izludim
A hoću da te vodim ja tragom sunca jugom maslina
To je dodir tvojih bedara
Moja duša baš te voli najdraža
I opet taj osječaj samoče
kad neće drugog mene krene i hoče
I opet mrakom svoje pjesme bojim
pijan od čeznje za usnama tvojim
Sav sam ti od ludila nekako s prolječa
44
OSTANI (Crvena jabuka)
C G C
Ostani F G
Ostani još ove noći F G
Lakše će mi san na oči F G
Budi drug mi ti F G C
Hajde ostani.
Ostani
Vidi kiša napolju šapče
Jos sat-dva i ona stat će
Budi dobra ti
Hajde ostani.
F G
Pobjeći sad od svega želim C Am
Da ovaj tren sa tobom dijelim F G
Svi su zaspali F G C
Hajde ostani.
Ostani
Vidim, oči ti sjaje u mraku
I tvoje kose miris u zraku
Budi moja ti
Hajde ostani.
Pobjeći sad od svega želim
Da ovaj tren sa tobom dijelim
Svi su zaspali
Hajde ostani.
45
SA TVOJIH USANA (Crvena jabuka)
Am Dm
Kad sat zazvoni na kuli E Am E7
Kraj Begove džamije
Ja sići, siću do bašte
Šatro šljive da poberem
Ti uzmi ibrik, srebrn ibrik
Ko fol vode da doneseš
Dm Am
I tada priznat ću ti sve E
Šapnut riječi te Am A
Uuuu,volim te
Sa tvojih usana,vručina upija
Još pamtim legende starih plemena
što za ljubav glavu gube
I umiru kada ljube
46
VOLIO BIH DA SI TU (Crvena jabuka)
Em
Volio bih da si tu, D Em
ove noći kako trebaš mi. Am Em
Kao more mornaru, B Em
nemam s kim nadu djeliti, B Em
djeliti, i sačuvati.
Volio bih da si tu,
noćni program je na radiu
puštaju neku dragu muziku,
moje misli tebi putuju,
putuju, da te pronađu.
Am D G Em
Noćas zvijezde padat će, Am D G Em
jedna od njih naša je, Am D Em
jedna nosi utjehu, B
ko u snu, Em
volio bih da si tu.
Noćas zvijezde...
Volio bih da si tu,
ove noči da pričas mi,
slavili bi do zore,
svu bi nježnost svijeta popili,
popili pa se ljubili.
47
ZAGRLI ME (Zdravko Čolić)
Am Am7
Ne trebaš mi nista reći, Dm Am
svoju prošlost svoje ime. F
Ako če ti biti lakše G Am
zagrli me, zagrli me.
Uzet ću te u naručje,
da te čuvam usred zime.
Grijat če te moje tijelo,
zagrli me, zagrli me.
C G
Zagrli me oko vrata, oluja se diže. F C
Nemože ti vjetar ništa ako priđes bliže Dm Am E
ako priđes bliže, ako priđes bliže.
Ukrao bih sreću za nas,
platio bih, nemam čime.
Jedino si moje blago,
zagrli me, zagrli me.
Ne treba ni tebi draga
moje pjesme, moje rime.
Najviše je što se može
zagrli me, zagrli me.
Zagrli me oko vrata, oluja se diže.
Ne može ti vjetar ništa ako priđeš bliže,
ako priđeš bliže, ako priđeš bliže.
48
VODA (Dan D)
E, h, fis, a
Bolečino pijemo,
skozi dno se vidi svet.
Lepota je skrita v nas,
vse navidezno je laž.
Sijaj in beda, drek, zlato,
v žepih ni to kar imaš.
Pripada ti le to,
kar na srečo zaigraš...zaigraš.
In pusti, naj te nosi voda.
Param, param, param...
Povej vsem, da si odkrit.
Streljaj ravno v oči.
Poljubi roko bližnjega,
da bi videl če še znaš.
Tam kjer si ustavil film,
tam kjer ostali so ljudje,
spomni se zdaj ko si sam,
reci: ljubiti še znam.
In pusti, naj te nosi voda.
Param, param, param...
49
TWIST (Demolition Group)
F G C Am
F G C Am
F G C Am
F G C G
C A Dm
Sonce zašlo je, še ena nora noč F G C
na nebu je prižgala zvezdice.
V meni prebuja se počasi moč,
ki v ples do jutra spet požene me.
Polnoč že odbila je,
a zate še ne vem, če prideš ali ne.
Polnoč že odbila je,
a zate še ne vem, če prideš ali ne.
Naj punčka mlada, pravi mama ti,
ponoči raje se doma uči.
Lahko učiva se, če si želi,
s poljubi šteti vsaj do tristotri.
Polnoč že odbila je,
a zate še ne vem, če prideš ali ne.
Polnoč že odbila je,
a zate še ne vem, če prideš ali ne.
Polnoč že odbila je,
a zate še ne vem, če prideš ali ne.
A to noč čakal več ne bom,
veliko drugih čaka name lepih še deklet...
50
DANES BO SREČEN DAN (T. Domicelj)
C
Vem da danes bo srečen dan, G C
to sem začutil že zjutraj;
zagotovo danes bo srečen dan, G C
tudi to se zgodi.
G
Morda se genij bo, C
res nekje rodil, F C
in vojna se bo končala tam, F G
kjer si vsi žele.
Vem da danes bo srečen dan,
to sem začutil že zjutraj;
zagotovo danes bo srečen dan,
tudi to se zgodi.
Kaj, če ladja bo
rešila brodolomca,
in dež bo padal kjer suša
že traja vrsto let.
Vem da danes bo srečen dan,
to sem začutil že zjutraj;
zagotovo danes bo srečen dan,
tudi to se zgodi. Tudi to se zgodi.
Tudi to se zgodi.
51
SLOVENSKEGA NARODA SIN (T. Domicelj)
C
Na planini je živel G
Rad je stare pesmi pel F
Se življenja veselil, C
mnogo vinca je popil
Ko je prvič šel v svet,
si pripel rdeč je cvet,
ki ga z žuljavo roko
mati dala je v slovo
Oče zgubljal ni besed,
bil je vajen tujce klet
Sinu dal je v spomin
zeleneči rožmarin in dejal:
G Am Em
"Koder hodil boš z njim, F C G C
vedi da si le slovenskega naroda sin."
Sam utiral si je pot,
videl mnogo je zarot,
težko se premagoval,
ker ubijati ni znal
Večkrat jokal je na glas,
Čakal je vrnitve čas
Nič več ni le zmagoval
in zato si je lagal iz dneva v dan:
"Ni mi mar bolečin, z njimi živim,
kot slovenskega naroda sin."
52
ZAMISLI ŽIVOT U RITMU MUZIKE ZA PLES (Film)
A E A E
Zamisli život u ritmu muzike za ples A E A E
Zamisli život u ritmu muzike za ples D E
Zamisli život drugačiji od ovog A D
I igraj, igraj, igraj, igraj A E A
Zamisli život u ritmu muzike za ples.
Ako zamisliš život u ritmu muzike za ples
Ako zamisliš život u ritmu muzike za ples
Doči če do promjene u tvojoj glavi
I vjerovat čes da postoji nada
Ako zamisliš život u ritmu muzike za ples.
Sjeti se kako smo živjeli nekad
Pet dinara u đuboks, pet dinara u fliper
I pet piva u sebe
To je bilo rješenje
Rješenje za osvježenje.
A sad je sve drugačije
Pogledaj, ulice su pune ljudi
Dječaci koracaju s tranzistorom na uhu
Muzika dolazi iz podruma, iz krova
I čitav grad pleše kao da je lud, lud, lud
I ja sam lud.
Zamisli život u ritmu muzike za ples
Zamisli život u ritmu muzike za ples
Zamisli život drugačiji od ovog
I igraj, igraj, igraj, igraj
Zamisli život u ritmu muzike za ples.
Pogledaj, ulice su pune ljudi
Dječaci koracaju s tranzistorom na uhu
Muzika dolazi iz podruma, iz krova
I čitav grad pleše kao da je lud, lud, lud
I ti si lud.
53
TEMPERA (Gibonni)
Dm Bmaj A7
Ispod moga pramca jutro zapleteno u dubinama
Dm Bmaj A7
Kao lice starca naboralo se more u daljinama
Kao
D/Fis Gm7 A7 Dm /
tempera kiša nebo oboji / x2
Bmaj C Fmaj A7
Takve je boje srce moje od kad me ne voliš
Dm Bmaj A7
Kada krenu zime i nakupe se alge na koritu
Dm Bmaj A7
I na moje ime u zaboravu tvome duboku
E---------------------5----5--------3----------
H-------8----8-8------5----5--5~----3-3-3-2-3--
G-------5----5-5------5----5--5~----3-3-2-2-2--(2X)
D-----7------7-7----------------------------0--
A---5------5-----5--3----3--------1-----0-0----
E----------------------------------------------
E-----3-2~3-3-----------5----------------------
H---1-1-0~1-1-----6-6-5-5----------------------
G---2-2-2---2-----7-6-6-6----------------------(2X)
D---0---0---------8-7-7------------------------
A----------------------------------------------
E---------------6---5-5------------------------
E------------2---------3-2~3---------------5-----------------
H--------2-----2-------3-2~3-----------5-----5------8--6-5~6-
G------2---------2---3---2~3-------5~6---------6----5--5-5---**
D---------------------------------------------------7--7-7---
A-------------------------------------------------5----5-5---
E--0~2-----2-------3----------3--5-------5-------------------
E----------1--------------3-----------------1---------------------
H------3-----3-------5-------5----------------1---1------3------2-
G----3---------3-------5-------5-------1--------2------0------2---
D------------------------------------2----------------------------
A--1-----1--------3-------3---------------------------------0-----
E---------------------------------1-------1----------0------------
ponovo **
E-----------1--------3~5--5-5-5-----3---3~5--5-5-5----3--0--
H-------3-----3---3--5----5-5-5--6--5---5----5-5-5--6-5--2--
G-----3---------3----5----5-5-5--5--5---5----5-5-5--5-5--2--***
D-----------------------------------------------------------
A--1------1----------3----3-3-3--3--3-3-3----3-3-3--3-3--0--
E-----------------------------------------------------------
ponovo ***
Solo pratnja: Hm, F#m, G, Gm, A, Hm, F#m, G, Em
E----------
D---7--7--
A---7--7--
E---------
itd.
-
H---6--6-- (ona dva jazzy akorda na kraju sola)
G---6--6
54
MOJA PRVA LJUBAV (Haustor)
C a F G C …
Djevojke u ljetnjim haljinama volim,
Djevojke u ljetnjim haljinama volim,
Ljubim ih u leđa,
Mirišu na smolu,
Djevojke u ljetnjim haljinama volim,
Djevojke u ljetnjim haljinama volim,
Ljubim ih u leđa,
Mirišu na smolu,
Moj je grad većeras dobio luku,
Moj je grad većeras dobio luku,
Ulje je na vodi,
Ulje je na vodi,
To je moja, to je,
To je moja, to je,
Moja prva ljubav,
Moja prva ljubav.
To je moja, to je,
To je moja, to je,
Moja prva ljubav,
Moja prva ljubav.
55
DJEVOJKO MALA (Idoli)
E Am
Djevojko mala, Dm
pjesmo moga grada E
što si mi dala Am E
srce puno sna
Pošto se sjetim
kišu da ti kupim
I oblak mali
pod kojim stojim ja
Dm
Nemoj da budiš Am
oči moje snene F
kad kiša pada E
ja sam oblak taj
Djevojko mala
pjesmo moga grada
tvoju ču sjenku
vječno da ljubim ja
56
DOK DOBUJE KIŠA (Idoli)
C D G
Dok dobuje kiša u ritmu tam-tama kroz noć C D G
Ja ljubavi našoj ne vidim kraj da će doč. C D G
Naše se senke spajaju tu iznad tla C D G
Izgleda na svetu da sami smo ti i ja.
C D G
A a a, nestaje nam sna C D G
Laku noć C D G
A a a, sad si blizu ti C D G
I zvuci.
Dok dobuje kiša u ritmu tam-tama kroz noć
Ja ljubavi našoj ne vidim kraj da će doč.
Naše se senke spajaju tu iznad tla
Izgleda na svetu da sami smo ti i ja.
A a a, ima načina (dok dobuje kiša)
Ja te znam (u ritmu tam-tama)
A a a, sad si blizu ti (dok dobuje kiša)
I zvuci. (u ritmu tam-tama)
57
MALENA (Idoli)
C G
Jedina, malena Am G
Volim te, sakam te C G
Jedina, malena Am G
Želim da fukam te.
Jedina, malena
Volim te, sakam te
Jedina, želim da
Fukam te do zorata.
F C Dm
Bez tebe ne mogu da spavam F C Dm F
Bez tebe vise ja ne učim ko pre F C Dm
I samo mogu još da lutam F C Dm F
I tako probam da zaboravim sve.
Jedina, voljena
Želim da fukam te
Godine, malena
Mimo nas prolaze
Mojata, o željata
Da fukam te ne prestaje.
58
MALJĆIKI (Idoli)
E Am E Am E
Plamene zore bude me iz sna Am E Am E
Fabrička jutra, dim iz dimnjaka C G C G
Pesma se ori mladi radnici C G Am E
Čelična jutra hitam k fabrici
Drugovi moji hrabri veseli
Bicikle voze, ponositi svi
Drugovi moji, hrabri, veseli
Pobede nove nosit ćemo mi
Sunce vec greje, vetar čarlija
Jutarnja rosa, zemlja mirisna
Sunce već greje, aaaaa
Bogata žetva, radujem se ja
Visoke peči potpaljujem ja
Ruda se topi, nasmejan sam ja
Pesma se ori, peva fabrika
Pesma se ori, aaaaa
59
TAMO GDJE JE SVE PO MOM (Jinx)
Cmaj7 Dm7 Cmaj7 Dm7
Tko je kralj, tko pleše sam, Cmaj7 Gdim D9
sve tajne ovog karnevala znam, Dm7 Fdim Cmaj7 A7
muči me samo dal' tu sam gost, Dm7 G7 Fdim ???
možda i moje lice krije lica još,
čemu strah i čemu sram,
Ja neću više čekati ni dan,
galama zove, ali neću s njom, Dm7 G7 C
idem tamo gdje je sve po mom,
Dm7 G7 Cmaj7 A7
da ne poludim, da ne mislim, Dm7 G7 Cmaj7 Gdim
da ne čujem i ne vidim, Dm7 G7 Cmaj7 A7
da ne izgorim u sjaju tom, Dm7 G7 C
idem tamo gdje je sve po mom,
Cmaj7 Hmaj7 Bmaj7
Amaj7 Dm7
Tamo gdje je davno stao san G7 Cmaj7 Cmaj7 Hmaj7 Bmaj7
I vrijeme broji se na bezbroj nacina Amaj7
Tamo gdje jos ima snova Dm7
Tamo gdje je parada ova F7 F#dim G7 G#dim
Nema puno smisla vjeruj mi
Cmaj7 x32000
Dm7 xx0211
Gdim7 xx2323
D9 x54555
Bdim7 xx0101
G#dim? xx3443
60
EMINA (I. Jusič)
Sinoć, kada se vraćam is topla hamama
Prođoh pored bašče staroga imama
Kada tamo u bašči u hladu jasmina
S ibrikom u ruci stajaše Emina
Ja joj nazvah selam, al tako mi dina
Nešče ni da čuje lijepa Emina
No u srebren ibri zahvatila vode
Pa niz bašču čune zaljevati ode
Pa niz bašču čune zaljevati ode
S grana vjetar duhnu
A niz pleći puste
Razplete joj njene pletenice guste
Zamirisa kosa, ko zumbuli plavi
A meni se krenu burburet u glavi
Malo ne posrnuh mojega mi dina
Al' meni ne dođe lijepa Emina
Samo me je jednom pogledala mrko
Niti haje alčak što za njome crko
Niti haje alčak što za njome crko
Ajši, ajša, jabaša, konja jaše subaša
Ajši, ajša, jabaša, konja jaše subaša
Po bašči se šeće i plečima kreče
Njih oči ni zapis više pomoć neće
Ja kakva je pusta, tako ni imama
Stid je ne bi bilo, da je kod sultana
Umro stari pjesnik,
Umrla Emina
Ostala je pusta bašča od jasmina.
61
MAČKA (I. Jusič)
Am
U gradu, nije važno ime, F G C
u praznoj sobi kaže priča Dm Am
i usred ljeta, usred zime F G Am
ja vidim tužnoga mladiča
On živi sam i ko zanese
u svome svijetu od papira
A vani sunce, kiša, jesen
a vani vergel nešto svira
G C
No jednog dana šum kraj vrata Dm Am
to netko neznan kuči želi Dm B
u njegov život poput tata Am E
da njegovu samoču djeli
A vani zima, vani snježi
i pored praga mačka želi
On pruža ruke, kao da sanja
A vani zora, svetlost danja
No u tom času, u tom trenu
pred sobom vidje nagu ženu
i on joj reče: budi moja
a ona kaže: ja sam tvoja
I sve što ima, mladič skupi
i stavi trgovcu na vagu
da prsten nje od zlata kupi
i haljinu za svoju dragu
Ta zlato želi al ne kaje
za skromnu halju, što joj daje
i tužni mladič svako veče
u novu krađu opet kreče
Jer on je želi, on je ljubi
i volio bi, da je mazi
a zna, da svoju ljubav gubi
bez darova i ruku praznih
I rješi tada još i ove noči
u zadnju krađu on če poči
i u zoru se mladič vrati
da strašnim novcem ljubav plati
I donese joj dragi kamen
u svjetu največi od sviju
U kom se kao jedan plamen
sve vatre ovog svjeta kriju
i vidje žena ruke pruža
i ljubi kamen kao muža
i kao što njega nikad nije
uz tjelo hladan kamen grije
I dok se njemu lice grči
u sobu uđe miš i trči
i kao mačka skoči žena
na pljen se baci istog trena
Stigne ga, a njeni zubi
več traže meso koje peče
i ženi, koju mladič ljubi
sa kuta usne krv poteče
U strahu mladič oči sklopi
te strašne slike neka odu
on vidje lađu što se topi
i svoju ljubav na tom brodu
I kada opet nađe snage
on digne vječe, žene nema
i tada mjesto svoje drage
on vidje mačku kako drijema
Kroz prozor uđe svjetlost danja
on pruža ruke, ko da sanja
Sad opet samo mačku ima
a vani studen, snjeg i zima.
62
NESRETNIK (Ko to tamo peva)
Em A Em
Sviće zora u subotu A Em A Em
dan doleće iz daljine A Em
siromasi ovog kraja B E
čekaju da sunce sine B E
čekaju da sunce sine B E B E
joj, joj, joj, joj
E
Za Beograd, Za Beograd E
firmom Krstić, firmom Krstić A
upravo se narod sprema E
sve razloge za put ima B
samo sreće valjda nema, samo sreće valjda nema F# B
nema, joj
Nesretnik sam od malena,
od sve tuge pesme pevam.
Voleo bih majko mila,
da sve ovo samo snevam,
da sve ovo samo snevam.
Joj, joj...
Puče puška iz postaje.
Učitelja našeg nema.
Proleće je 41’,
proleće je zlo se sprema,
proleće je zlo se sprema.
Joj, joj...
Iznad polja gavran leti
i okuplja svoju jatu.
Ova ptica zloslutnica,
predoseća, biče rata,
predoseća, biče rata.
Joj, joj...
Švaba jaše crnog konja.
Potresla se sva Evropa,
naša vojska napad čeka,
spremila je malog topa,
spremila je malog topa.
Joj, joj...
Spremao je dugo švaba
ovaj ludi strašni let.
Obeč’o je da uništi
i izgradi novi svjet,
i izgradi novi svjet.
Joj, joj...
Zemlja drhti, sve se ruši
i nedelje nema više.
Fašističke mutne ptice,
sve pod sobom uništiče,
sve pod sobom uništiče.
Joj, joj...
Nesretnik sam od malena,
od sve tuge pesme pevam.
Voleo bih majko mila,
da sve ovo samo snevam,
da sve ovo samo snevam.
Joj, joj..
.
63
REVOLUCIJA (Jani Kovačič)
Am
Trojka pelji me nazaj E Am
Od zadnje postaje transsibirske G C
V gozdove Sibirije E Am
Kjer sem jo srečal.
Lase je imela spete v figo
V očeh je imela srp in kladivo
Vzela me je nase
In jaz, jaz, jaz postal sem njen.
E Am G C
Revolucija, revolucija, revolucija, revolucija, Dm Am
Revolucija ja, ja, ja, revolucija, ja, ja, ja, E Am
Revolucija, revolucija. 4x
Am E
Kje so tiste sibirske noči G C
Ko sem ob sveči bral Marxa in Engelsa? Am Dm
Kje so tisti sibirski dnevi Am E Am
Ko sem odkrival dialektiko sveta?
Kje so tiste sibirske noči
Ko smo recitirali Lenina?
Kje so tisti sibirski dnevi
Ko smo ozdravili levico sveta?
V Sibiriji so Zemljina nedra čista in polna
Pridi socializem vsega Sveta, napij se atomov
Vseh snovi, ki jih rabiš
Vse rešitve so tu doma.
Revolucija...,
64
BELA NEDELJA (R. Rezso/V. Kreslin)
Am F
Bela nedelja v meni spokoja ni Dm E
sence me spremljajo vse dneve in noči F Am
vonj krizantem te nikoli zbudil ne bo Dm E
črna kočija te vzela je v nebo.
Am F
Vem, da te angeli več ne pustijo čez, Dm E
a naj dovolijo, da pridem samo še jaz. Am
To nedeljo.
Bela nedelja in sence se zbirajo,
srce šepeta mi naj danes končam vse to.
Potem pa, ko solze in sveče zasvetijo,
zapojte mi raje, da slišim vas v nebo.
Draga, naj moja ti pesem ne skruni sna
v beli tišini poljubiva se oba.
To nedeljo
65
DALEČ JE MOJ ROJSTNI KRAJ (V. Kreslin)
Slika že rumeni,
slika, tvoji in ti,
čeveljčki in nov gvant, gibanica diši,
pa tvoja mama,
tak lejpa tak šlank!
Kdo je mož, ki sedi
in dekle, ki te v naročju drži?
Tu stoji zdaj nov blok,
vse kot včeraj se zdi,
si bil pa res srčkan otrok!
G D
Daleč je,daleč, Am C
daleč je zdaj, G D Am C
moj začetek in moj rojstni kraj.
Nad hribe spušča se mrak
zdaj prižigam luči,
dolga leta so sprala
mi lesk iz oči
in slika vsak dan
bolj bledi.
Daleč je, daleč
daleč je zdaj
moj začetek in moj rojstni kraj!
66
GLEDAL TVOJE SEM OČI SANJAVO (V. Kreslin)
Gledal tvoje sem oči sanjavo
tvojih ust poslušal zvok mi drag,
las me tvojih mili vonj opajal
in utonil ves sem v sen sladak.
V sanjah živel sem življenje srečno
skusil usten tvojih dah sem vroč
upal lažno sem, da vse je večno,
da resnica vsa odšla je proč.
Dekle, daj, razodeni
zakaj vse lepo je le san,
ta čas, dekle verjemi,
da upam dočakati dan!
Ko verjeti mogel bom besede,
ki jih ustne tvoje govore
mnogo bolj ljubiti znal bom tebe,
kot bi mogla ti ljubiti,
mogla ti ljubiti,
mogla ti ljubiti me
67
NAMESTO KOGA ROŽA CVETI? (V. Kreslin)
Am Dm G C E
Kakšno noč, ko pri štorkljah prespim, pod visečo meglo Am Dm E Am
Tiho sam med njimi stojim, le noge nad vodo
Ko pa žarek pregrize temo, prebudimo se iz sanj
Močvirje novih želja bo odletelo v nebo
Am Dm
Namesto koga roža cveti? G C E
Namesto koga sem jaz? Am Dm
Katera koža najbolj diši? E
Čigava pesem rabi moj glas? (2x)
Am Dm E
Na na na na na…
Če pa trava nad mojo zemljo bo pognala kak cvet,
enim tiho kapljo v oko, drugim dal bom med.
Namesto koga roža cveti?
Namesto koga sem jaz?
Katera koža najbolj diši?
Čigava pesem rabi moj glas?
68
NEKEGA JUTRA, KO SE ZDANI (V.Kreslin)
C F
Prvi žarek že dviga se iz sna C F
glej, nad vodo je svetloba vzšla! C C/B a F Dm
Ko poslednjemu v temi poidejo moči, C C/B a G
novih stotero se sonca veseli.
C C/B a
Nekega jutra, ko se zdani F Dm
in se glave ohladijo, C C/B a G G7
vsak odide svojo pot. C C/B a
Nekega jutra, ko se zdani F Dm
in se solze posušijo, F G F C C/B Dm C
nekega jutra, ko se zdani.
Tam, pri peči stari, kot včasih tiste dni
s klobuki na omari in toplimi dlanmi,
spomnimo se pesmi stare, ki bila je še od vseh,
glasneje ob viharjev se slišal bo naš smeh.
Nekega jutra, ko se zdani
in se glave ohladijo,
vsak odide svojo pot.
Nekega jutra, ko se zdani
in se solze posušijo,
nekega jutra, ko se zdani.
69
OBRNI, OBRNI (M. Tomassini, V.Kreslin)
d F G7 C e a
Kjer Mure valovi se ovijajo z meglo, C D F G
vrteči krogi v globine vabijo. a F G7 C e a C
Bučanje silno napolni z mračno me strastjo D F G
in preglasi še srce in glavo.
Vprašanje kratko.
Razjeda, odgovora ne da:
ali na breg, ali v vodo?
Ali to al ono povej mi, draga
kaj naj zdaj storim,
kako tem silam, temnim, ubežim?
G F a G F
Ne odlašaj prehitro, Mura mojih dni; C G F a G E d
obrni, obrni, še kamen al' dva, al' tri.
Ljubezen moja prav potiho obrne stran glavo,
pusti me samega, samega z vodo.
Kjer Mure valovi bregove lastne izpodjedajo,
šumeči krogi vrtijo moje telo
Ne odnašaj prehitro, Mura mojih dni;
obrni, obrni, še kamen al' dva, a d G C
saj spet, čez nekaj mojih let se vidiva.
Ne odlasaj prehitro,
Mura mojih dni;
obrni, obrni,
se kamen al' dva,
obrni, obrni,
se kamen al' dva,
al' tri
70
POT V RAJ (V. Kreslin)
Vedno mi je pred očmi, pa je še opazim ne
Vidi jemljejo mi stvari, ki bleščijo se
Morda še bog ne ve, morda se mu le zdi
Morda tudi on le slučajno tam sedi
Še norci ne gledajo več direkt v oči
Pod nogami se motajo mi tuje sledi
Morda ničesar ni, morda je vse le gesta
In stara, prazna pot, ki jo je skrila cesta
Pot v raj, pot v raj...
71
PREKO MURE, PREKO DRAVE (Vlado Kreslin)
C G Am
Lahko bi bila idealen par F
z diplomami in otroki. C G
Tudi to ima svoj čar,
komaj zdaj vem, Am F
s krediti in obroki.
Zmeraj si bila večja kot vse,
kar nama je življenje dalo.
Kakšen dan se mi zdi,
da dojenček sem,
ki ga še vedno štorklja nosi.
D A
Preko Mure, preko Drave, Hm G
prek Save vse do morja. D A
Morda še prek oceana, Hm G
od zibelke do neba. (2x)
Lahko bi bila idealen par
starčka na klopi v parku
in Jumpin' Jack Flash,
ki si mi ga dala v dar,
še zdaj preskakuje v taktu.
Zadnji avgust, poletje je šlo,
siva te naredi še lepšo.
Dosti mene je ti,
dosti tebe sem jaz,
dosti mene še zdaj leti.
Preko Mure, preko Drave,
prek Save vse do morja.
Morda še prek oceana,
od zibelke do neba.
72
TISTA ČRNA KITARA (V. Kreslin)
e
Bil sem še Vladek C H C e
ko so, kot vedno za praznik prišli H e H C
brkati cigani v hišo igrat. e C
Oče je stopil v sobo H C e
po tisto črno kitaro, H e H C
ki jo je kupil za prvo plačo.
e C H e
Gospod, tisto kitaro še imate C H e
Gospod, tisto črno kitaro še imate? C H e
Gospod, tista bila je res dobra.
H e H w
So ga spraševali še dolgo potem H e H e
zmeraj, ko hoteli so prositi drobiž. H e B e
Zmeraj, ko igrali so v vaški gostilni H e C
in hodili v pavzah do šanka. H e
In njihove žene, H e
ko prišle so pred vrata, H e
po stare obleke, H C
so rade vprašale:
Gospod, tisto kitaro še imate
Gospod, tisto črno kitaro še imate?
Gospod, tista bila je res dobra.
e C
Včasih, ko pridem domov, H e H
sedim pod kostanji in pijem, H e H C
pijem s prijat'li, ki tam še živijo. e C
Takrat, skoraj vedno pri mizi H C e
za nas zaigrajo in vprašajo H e H C
otroški obrazi s hripavim glasom:
Gospoud, tisto gitaro šče imate
Gospoud, tisto čarno kitaro šče mate?
Gospoud, tista je bijla dobra
Tista je bijla dobra.
73
TVOJE JUTRO (V. Kreslin)
C G F G …
Nočne sence se poslavljajo v dan,
v megli nad vodo star mlin,
poslednje sanje se umikajo stran
nazaj v lepši spomin.
Prvi žvižg se zareže v zrak
in žarek se zarosi
nad strehe mesta, v glave, srca in kleti
še en nov dan se rodi
Novo jutro, nov dan...
Včasih, redkokdaj se fino ti zdi,
da si živ in da te nič ne boli;
da je najlepši žarek, ki tebe zbudi, ko si ga odgrneš z oči
To je tvoje jutro, tvoj dan...
74
VRISKANJE IN JOK (V. Kreslin)
a
Včeraj umrl je en norc, F
vaški umetnik, skratka norc G e
vsem predmet za smeh, E E7
vsem ogledalo za lastni uspeh.
S sabo je vzel le nasmeh,
otroško predrznost, naivni pogled,
žarek iz oči, ki zažari in zaskeli. F E C a
Naj sliši se, naj, vriskanje in jok, F E a E a
naj nas spremljata še na zadnjo pot !
Včeraj je umrlo nebo,
modro, nedotaknjeno,
vsem cilj zaželen,
nikdar ujet,oddaljen kot sen.
S sabo je vzelo le klic
čiv, čiv, čiv osamljenih ptic,
zadnjo kresničko v temi,
ki zažari in odleti.
Naj sliši se, naj, vriskanje in jok,
naj nas spremljata še na zadnjo pot !
75
VSI SO VENCI VEJLI (prekm. nar., arr. V. Kreslin)
C F G C
Vsi so venci vejli C
vsi so venci vejli G
vsi so venci vejli C F G C
samo moj zeleni...
Al' ga jez zalivlem
al' ga jez zalivlem
al' ga jez zalivlem
s svojimi skuzami...
Ak' bi moja skuza
ak' bi moja skuza
ak' bi moja skuza
na kamen stopila...
Kamen bi se razklal
kamen bi se razklal
kamen bi se razklal
na dvoje, na troje...
76
ČAKAJ ME (Lačni Franz)
Hm A
Mojih pet minut je danes F#7 Hm
brez kravate in vezalk Hm A
in če mi še stopinje vzameš F#7 Hm
bom kot plesalec brez plesalk
Mojih pet minut je danes
stražarji puškam pojejo
ko sonce jutru zarjo vname
jim bodo pesmi vračale
Hm C
Mislim samo tiste misli, G F#7
ki jih seveda ne bi smel Hm C
in ko se vrnem sem še vedno tisti G Hm A G
ki na postaji prosi: čakaj me!
Danes se mi zdijo zvezde...
na prste stopim in so tu
Polne žepe jih prinesem
Verjame sreča vitezu?
Potem bom samo tvoj heroj za večne skupne čase
predpražnik, senca tvojega psa
potem obešalnik, kahla za otroke
kava v postelji, ljubimec za oba
77
PRASLOVAN (Lačni Franz)
Am
Horde slovanske krvi preko reke skozi dni, E
spredaj poglavarji in direktorji, Am
za njimi kurbe, mladci, upokojenci. Am
Spolno močni, silno zdravi, E
zakladi step iz pradavnine so prišli
po stotih generacijah sposobnih gospodinj Dm
in nam po vseh predpisih Am E Am
zabelili vse kar se je zabelit dalo.
Am G C E Am
Kdo je tebe praslovan plavati učil? G
Da si preplaval tisto rusko reko C E Am
in se v mojih genih naselil?
Usmerjeno izobraženi zjutraj v službo skozi dni
Spredaj so grobovi in sirote,
za njimi mrtve ribe in crknjeni psi.
Brez pigmenta smo spočeti sodobna brozga iz betona
se množimo križani kastrirani korakajoči
da si bomo po vseh predpisih
zabelili vse kar se bo zabelit dalo
Kdo je tebe praslovan plavati učil?
Da si preplaval tisto rusko reko
in se v mojih genih naselil?
78
ZARJAVELE TROBENTE (Lačni Franc)
C G
Nostalgičen, neki večer, F C
Franc in Liza, C G
na trapezu sta plesala F C
v cirkusu Gvalabladala.
Žirafe, opice in tigri,
žalostni so afriški levi.
Franci poslušal je trobente,
raztrgal cirkuške plakate.
F G
Franci je pozabil Lizo C Am
visoko nekje v zraku, F G
zagledal je njene oči C Am
na parketu Gvalabladala.
Želel je, da sloni letijo
in jo zbudijo, in jo zbudijo
zarjavele trobente s svojo glasbo,
da jo zbudijo, da jo zbudijo...
79
BUDI MOJA VODA (Laufer)
C G
Ostao sam sasvim sam F Em Am
Da ležim na suncu
Zvao sam te da dođes iz snova
I pružiš mi ruku
Ja molio sam da se napune
Moja mora i rijeke
U njima još jednom da osjetim
Novu ljubav da teće
I pjevam:
Budi moja voda
Ja sam sada vatra
Izgorjet ću
Prolij se po meni
Budi sve što želim
Ja živjet ću
Ostao sam sasvim sam
Da ležim na suncu
Zvo sam te da dođes iz snova
i pružiš mi ruku
Znao sam da čes doći
Doći i donijeti kišu
Ja čekao sam kao suha zemlja
Kad čeka svoju vodu
I pjevam
Budi moja voda
Ja sam sada vatra
Izgorjet ću
Prolij se po meni
Budi sve što želim
Ja živjet ću
80
VSAK PO SVOJE (Nika Manevski)
F Dm Am
F9 Dm Am7
A sploh kdo ve, kdo je, kam gre
in kaj je blo pred tem?
Veliki pok, bog, kura, jajc? Bmaj
Ni važno, je, kar je.
Gm Dm
Kdor zna letet, čeprav brez kril, Am
ima oblak in grad, B Am Dm
star, mlad, ptič, miš – ni važno, kaj, C7
če si sam svoj kralj.
F Cm7 B D#
Kdor zna, zna. In mi znamo.
Brez kril v gradu spimo, letimo.
Spimo, letimo, spimo, letimo.
Vsak je, kar je, kam gre, ne ve,
gre pa vsak po svoje,
eni peš, drugi leže,
tretji pa v troje.
Jaz sem, ti si, on, ona je,
v ednini in množini,
če sva dva, sva brez besed,
letiva v dvojini.
Kdor zna, zna, in midva znava,
brez kril, v gradu, spiva, letiva.
Spiva, letiva, spiva, letiva.
Vsak je, kar je, kam gre, ne ve,
gre pa vsak po svoje,
eni peš, drugi leže,
tretji pa v dvoje.
81
JE V ŠIŠKI ŠE KAJ ODPRTEGA ? (Martin Krpan)
C F G F …
Belo mesto utonilo je v mrak,
zdaj spi že vsak lojalen rojak.
A zmeraj se jih najde eno par,
ki ni jim dosti te dežele mar.
Je v Šiški še kaj odprtega?
A v Šiški še kdo da?
Je v Šiški še kaj odprtega?
A v Šiški še kdo da?
Ob praznikih, ob delovnih dneh,
v zimskih in poletnih nočeh,
na vsakem koncu mesta se zdi,
da ni bolj radovednih ljudi.
Je v Mostah še kaj odprtega...
Prijatlje včasih nas premaga noč
in vsak ta drug bi rad preskusil moč.
Enotni bomo že naslednji dan,
zdaj tolkel rad bi vsak na svojo stran.
Je v centru še kaj odprtega...
82
OD VIŠINE SE ZVRTI (Martin Krpan)
C Am Em
Nikdar več, oh saj ne more biti res C Am Em
Nikdar več, oh saj ne more biti res C Am Em
Krila so se mi stopila od strahu C Am Em
Nikoli več ne poletim na njih F G F
in nikdar ne izvem, da so samo papir G F
zmaji, ki že tol'ko let G C
visijo nad menoj
Saj že mama govorila je,
da z višine se ne vidi vse,
da nikdar ne izveš,
da so samo papir
smehljaji, ki že dolgo let
smejijo se s teboj
C F
Od višine se zvrti Dm Am
Skrij me v svojo dlan F
svojo mehko dlan, G
v svojo toplo dlan
Vzemi me na svojo stran
skrij me v svojo dlan
Lahko mi vrneš karto še nocoj,
hočem le, da me vidijo s teboj
83
ŠE JE ČAS (Martin Krpan)
C Em7 F G
Lesk v očeh zamenjal sem za pesek C Em7 F G
za opeko prodal sem svoj obraz C Em7 F Em
svojo senco za petsto kvadratov F G C F C
in nabavil nekaj psov, da krajšajo mi čas
C Em7 F G
Zdaj živim v tej hiši C Em7 F G
svoji zlati hiši Em7
Vrata odpiram le še tistim Am G F#m
ki prinašajo mi sveža jajca F G
in odnašajo smeti
C Dm
Še je čas, da izvem, F G C
kaj je bolje - naj ostanem ali grem Dm F
Še je čas, da izvem G C
kaj je prav in kaj ne smem Dm F
Zdaj je čas, da izvem G Am G
da ostanem ali grem
Morda kdaj podrl bom ograjo
morda kdaj pobegnil bom odtod
V hišo se vselil bo nov obraz,
z novimi, iskrivimi očmi
isti ostanejo le psi
Še je čas, da izvem,
kaj je bolje - naj ostanem ali grem
Še je čas, da izvem
kaj je prav in kaj ne smem Em Am Em F
A izdalo mi bo oblačno nebo
84
TE IGRE BO KONEC (Martin Krpan)
Vsak dan igrali smo karte
ob okrogli mizi tej
Igrali smo, igrali vso noč in ves dan
iskali konca smo zaman.
Kartali smo za velik denar,
ki po mizi bil je nametan; nekoč pa
te igre bo konec, te igre bo konec
te igre bo konec, te igre bo konec
In res bili smo štirje, sedaj pa sem sam
postrelil sem ostale tri.
Pobral sem denar in zbežal drugam,
kjer si me čakala ti; saj
Te igre bo konec, te igre bo konec
te igre bo konec, te igre bo konec
85
SIVA POT (A. Mežek)
C Am
Skoraj raj si, ti Gorenjska G F C
sive gore in zelene reke C Am
Tu življenje skriva svoj zaklad G F C
Stara si kot sonce, mlajša kot pomlad
C G am F
Siva pot, vodi me , kamor hoče srce C G
Na Gorenjsko, kjer gore so F C
vodi me siva pot
Le spomini še živijo
zemlja stara, trda neizprosna
Rdeča roža v tvojih je laseh,
nežna mesečina, solza v očeh
Siva pot...
Ko vstaja jutro slišim ptice iz daljave,
radio spominja me na dom tam nekje
In ko se vozim po betonskih magistralah,
mislim nate le, nate le
86
LITER BREZ DNA (Frane Milčinski - Ježek)
Iznajdbe nove dan na dan pretresajo ta svet,
za vikend kmalu bo zemljan na luno šel letet.
A kje je znanstvenik, učenjak, ki rešil bo problem,
ki muči me, da siromak ne spim več in ne jem.
Zakaj ma liter vsak na koncu dno?
Kako naj, siromak, prenašam to?
Brez dna naj liter bo, kot je nebo,
da vanjga litrov šlo bo sto in sto.
Men ni za satelite, men ni do raket,
samo neskončen liter hotel bi imet.
Zakaj ma liter vsak na koncu dno?
Kako naj, siromak, prenašam to?
Kopernik, Newton, Galilei
in Einstein in še kdo,
vsi so ti iznašli marsikej,
kar nam je prav prišlo.
Jaz pa le čakam dan na dan,
kdaj v listih vest bo izšla,
natisnjena čez celo stran:
TU LITER JE BREZ DNA
Zakaj ma liter vsak...
87
BRIŠKULA (Iztok Mlakar)
-------------0--------------------------------0-----------------------2----------------------------2---------
----2--0--2-----0--2--0--------------2--0--2-----0--2--0-----------2-----2---2---------0--------3-----3---3--
----------------1--------------------------------1-------------------2-----2---------1------------4-----4----
----2--2--2-----2--------------------2--2--2-----2---------------2-----------------2----------4--------------
-0--------------2--------------0--0--------------2-------------0-----------------2----------2----------------
-------------------------0--2--------------------------------------------------------------------------------
--------------------0-----2--2--0--2---------2-------------------------------------------2-----2-----2------
-------0-----2-0-2--------0--0--0--------3-----3---3-----------0------------------2--------2-----2-----2----
-----1-------------------------------------4-----4---------1-----1---1--------2-----2--------2-----2-----2--
---2---------2-2-2--------------------4------------------2---2-----2--------2---2-----2---------------------
-2--------0------------------------2-------------------2------------------0---------------------------------
------------------------------------------------------------------------------------------------------------
---------2--------------------------------------0--2--2--0--2--------2---------------------------------------2--
-----3-----3---3----------0------------2--0--2-----0--0--0-------3-----3---3----------0---------------2---------
-------4-----4--------1-----1---1----------------------------------4-----4--------1-----1---1-------2-----2-----
---4----------------2---2-----2--------2--2--2-----------------4----------------2---2-----2-------2-----2-------
-2----------------2-----------------0-----------------------2-----------------2-----------------0---------------
----------------------------------------------------------------------------------------------------------------
----------4-------------------------2----------------------0---2--2--0------------------------------------------
--------5--------------2----------3---------0------2--0--2------0--0--0-----------------------------------------
------6--------------3----------4---------1---------------------------------------------------------------------
----6--------------2----------4---------2----------2--2--0------------------------------------------------------
--4--------------4----------2---------2---------0---------------------------------------------------------------
---------------2------------------------------------------------------------------------------------------------
A E
Oprosti, če sem reku, da si pijan, A E
k igrali briškulu smo tisti dan, Hm E A
ma gledu si me strašno šutasto. A E
An metu karte ku en pantalon. A E
Danari, kopa, špada al bašton. Hm E A
Za tebe je vse ista pašta blo.
Hm E A
Nisem vedu, da u boški si že vejo zbrou, Hm E A
nisem vedu, da naštiman štrik si mel. Hm E C#m F#
Nisem vedu, kej si tou reč, anci, anci zdej to vem. Hm E A
K si reku "Klapa, zadnji štih, jaz grem."
Partida teče, še zmeram karte padajo.
Punti gor, punti dol, kukr kdaj, kukr kdo.
Iz dneva v dan an iz štiha v štih
dolgcajt je, ma, igraš vseglih.
Življenje je navadna briškula.
Od takrat je pasalo že en par let,
kar šou po štriki si na uni svet.
Po malem gre u maloru klapa vsa.
Počasi, ma za gvišno staram se,
že dolgo karta več ne mara me.
E, tud sreča ni več tisto, kar je bla.
Kolkokrat pobral sem same liše an puntov neč,
kolkokrat vržt mislu sm že karte preč.
Preklinjam, jočem an stočem,
genjat ne, genjat pa ne znam.
Do čer mam še kej v rokah, jaz igram.
Partida teče, še zmeram karte padajo...
88
MARJO ŠPINEL (Iztok Mlakar)
C F
Je jemu dolge lase an oblaču se je u štrace C G
smrdu je tako ku kšne stare škovace. C F
Živu pej tako, da ni dal vedet, da je živ, C G
an strašno rad je tiste čudne, čudne cigarete kadil.
An to ne samo vsako tolko, veste, on je prou pretiravu.
Vleku je ku fabriški kamin an se ni ustavu.
An zmerom je pravu: "Ma je brezveze živet,
če ne skadiš en špinel in si malo zadet. Pa kaj."
Zna bet, da ste ga poznali, Marjan Benededič se je klicu.
Zato, k je šou glas od njega, da je mamilje szi žlicu.
Al pej samo zato, k je bil tak zaherjen kapelon,
so ga žandarmi stalno tukli an vlekli u pržon.
Ma ni blo pravga radžona, Marjo ne bi zmutu vode.
Od njega ni blo nankar koristi, nankar škode -
od njega ni blo neč. Me kej če od tazga bet,
on je skadil kak špinel in je bil malo zadet.
In pravli smo mu Marjo, Marjo Špinel
pravli smo mu Marjo, Marjo Špinel.
Čeprav še sam ni vedu, kdaj se je zadnji bot okopu,
an še svojga dreka ni znou najt, če ni glih v njega stopu,
so pupe, ma, nej jih zastope tist, k če,
zmeram ratale vse mhke an vse blažene,
če jih je Marjo tako ku kšen pesnik biondasto pogledu.
Ma on jih ni porajtu, sej še zase ni vedu.
Je pravu tko: "Da sem srečen, ne rabim jaz deklet,
jaz skadim en špinel in sem malo zadet."
Neč ga ni tokalo an neč se mu ni dalo,
nankar jest, nankar pit, ben, še dihu je bl malo.
An stalno si ga vidu kje u kantoni sedet,
tam je kadil svoj špinel in je bil malo zadet.
Za neč se ni brigu an u neč se ni vmešu.
An če kdo bi mu kdaj reku: "Marjo, ti cel svet boš rešu,
če zdej numalo, ma lih nu malo zmakneš soju ret,
bi on skadil en špinel in bi bil malo zadet.
An pravli smo mu Marjo, Marjo Špinel
pravli smo mu Marjo, Marjo Špinel.
Od špinela do špinela mu je pamet šla u maloru.
An kšenkrat, če si se usedu z njim an če si mu govoru:
"Dej, Marjo, sej ni treba bet zadet prou vsaki dan,
dej, prim se kahga dela rajši an kadi malo manj.
An dej poglej se malčk u špegu, Marjo, ma kej se tu pravi,
henjej sesat tistu reč, k maš oči že prou krvave."
Te je gledu ku ena mona an reku:
"Kaj težiš že spet, če skadim en špinel in sem malo zadet.
En dan se Marjo na štacjonu je na šveler usedu.
Zna bet, da je skadu neki močnega, kdo bi vedu.
K je prpelju vlak, on nankar zmaknt se ni tou,
vlak pej se ni ustavu an Marjo je na kose šou.
Ljudje so žleht, an kadar so stavli Marjota Špinela
u trugu, zrezanga na tanko, kukr mortadela, so rekli:
"Ben, zdej ma, kar ceu cajt tou je met,
ka bolše k taku člouk res ne more bt zadet."
"Gandža, man. Rastafarijan know the truth."
Rasla je rasla, travica zelena.
Po njoj se je šetala dušca zakajena.
89
EN GLAŽ VINA MI DEJ (Iztok Mlakar)
Cmaj7 d
En glaž vina mi dej, prej ku voct z njega rata, G
dej nu mejčk se nasmej, kelnerca moja zlata, Cmaj7
ancuj sem ledih nu frej.
Jaz spet vostu sem sam, d G
kadar štorja konča se, ni lepo sej priznam, C
ma treba je miselt nase, en jas kar tku se ne dam.
C7 F C Cmaj7
Ma huodi huodi, si že najdeš kej bujšga Dm7
svjet se ne bo podrov G C ¸ C7
od tega in če ni hujšga, ni nobeden še umrov.
F f C C
Ma huodi huodi an boh stoj ti ob strani, A7 Dm7 G7
preveč rad sem te imel, da bi ti reku ostani, Cmaj7
ma da bi vsaj jokat znal
Mrak se nardu je že, ncoj so zvjezde res krasne.
Muoj ti buh ma jih je an če kera ugasne,
kuos neba z njo umre.
Anu mejčk manj luči je ostalo za tabo,
ma ncoj pije se mi, ncoj jas vina bi rabu,
da bi mi svjetlo v temi.
Ma huodi, huodi...
lalalalala, lalalalala,
Preveč rad sem te imel, da bi ti reku ostani,
ma da bi vsaj jokat zna,...
90
IVO BALILA (Iztok Mlakar)
[1]:
Em F H
|-----0-----0-----1-----2----
|-----0-----0-----1-----4----
|-----0-----0-----2-----4----
|--------2-----3-------------
|--------------------2-------
|--0-------------------------
[2]:
Em
|-----0-----0-----0-----0----
|-----0-----0-----0-----0----
|-----0-----0-----0-----0----
|--------2-------------------
|----------------------------
|--0-----------0-----3-------
[3]:
Am H Am H
|-----0-----0-----2-----2-----0-----0-----2-----2
|-----1-----1-----4-----4-----1-----1-----4-----4
|-----2-----2-----4-----4-----2-----2-----4-----4
|--------2-----------4-----------2-----------4---
|--0-----------2-----------0-----------2---------
|------------------------------------------------
[4]:
Am H
|-----0-----0-----0-----0-----2-----2-----2-----2
|-----1-----1-----1-----1-----4-----4-----4-----4
|-----2-----2-----2-----2-----4-----4-----4-----4
|--------2-----------------------4---------------
|--0-----------0-----0-----2-----------2-----2---
|------------------------------------------------
Em F H Em
Gospod sodnik, vam povem kar u faču, F H Em
jz sm za vse kriv an jz bom tud plaču F H Em
za tistu reč, k se je un dan zgodila.
Am H
Ljudje smo enaki po črki zakona Am H
samo, eno je človek an drugo je mona. Am H [1] [1]
An vsi vemo, kdo je Ivo Balila.
[1] [1]
Gospod sodnik, taki ku Ivo me spravjo na obrate [1] [2]
an to je krivo, da danas smo pršli sm k vam na
sodnijo. [3]
Za moju nervozu ga ni apaurina,
edino, kar nuca, je kajšen glaž vina, [4]
k grem ga spit u miri če v oštariju.
An tist večer sm gruntu pr enem kvartinu,
kako bom se sz plaču čez mesce pr'rinu
k se v oštariju prkazu glih on je.
Ma rajši ku Kristus bi trpu na križu,
rajši bi fasu enu krvavu grižu,
mi mogu ni nardit mi večje škalonije.
Sem muču en cajt, hehe, ma mi ni dalo mira,
poklicu sem kelnarco: "Slišiš, Elvira,
zna bit, da sifonja vm je zamašila.
Nekej smrdi tule ku ena kagada,
a, zdej sm pej vidu račun tega smrada.
"Živjo, kaku si kej, Ivo Balila?"
Se nardu je gluh, "Kako, prosim?"
"Neč, samo sem vprašu lepo te, kako si?"
"Ali mogoče žališ ti mene?"
"Ma ne, samo pravim da slab zrak je ratu,
zato prosim te, nardi enu pasedžatu,
sej veš, zakaj, zaradi higiene."
"V tej državi vsi državljani smo enakopravni,
in kdo lahko brani mi tu v miru popit eno kavo?"
"Ma kdo ti kej brani, jaz bi te prosu, da greš,
dočer si še v enem kosu,
k da se mi kažeš tole, ni zate zdravo!"
Je dvignu nos u luft, "Te ignoriram!"
"Neč novga, ignorant si bil zmeram."
"Kaj si ti misliš, mi je vseeno."
"Ma dej, hodi proč, dočer maš še noge,
k če ti dam zdej jz en punj med roge
boš ko da bi speštu bi te avtotreno."
"Ohoho, je to grožnja mogoče?
Pazi na svoje besede, če nočeš,
da jaz tu pri priči pokličem organe!"
"Ma neč ku pokliči, da neboš pozabu jim reč,
da nej enu metlo prnesejo s sabo,
da pometejo tisto, kar od tebe ostane."
"Ti mene blatiš, vsi so mi priča."
"Jenji že en bot za rep cukat hudiča."
"Ti sploh ne veš, kaj sem jaz naši stranki."
"O, z lepim se hvali, pogledi ti njega,
ben če češ vedet, prou glih zarad tega
mi nimaš kej smrdet tole pr sanki!
Kdo šinfa oblast? Si prej leta an leta
ku član občinskega komiteta po oštarijah vleku na
uha.
Zdej hodš pej k maši an šinfaš tardeče.
Si se ku kalceta obrnu, se reče.
Ti smrad si, Ivo, k se ga na delč zaduha!"
Da bi vi vidu, kako je ratu rdeč u lica
an začnu jecljat, "Ne, ne, to to je neresnica,
jaz sem vedno spadal med demokrate."
"Ne, Ivo, ti si zmeram spadu med gnide,
k vejo, kako se oblasti u ret pride,
an k so usrani ku soldaške gate."
"Daj, no, takrat je bila druga scena."
"Ma jenji govorit, k nima pomena."
"E, rad bi ti rekel, tako kot človeku."
"Nastoj, k te bog je narobe sestavu,
91
an jemaš ret tam, k bi mogu met glavu.
Zato bo smrdelo vse, kar boš reku!"
"Poslušaj, no, tisti časi so mimo,
zdaj je drugače, raje bodimo prijatelji."
Ni jenju, ni jenju.
Sem rekel: "Ma komu jz govorim, zidu?
U gnoj sm že stopu an sm ga tud že kidu,
prjatu pej neb'm z njim nikdar u življenju."
An glih so se mi malo ofrišali živci,
sem slišu ga reč naskrevš: "Primitivci!
Vsem se vam toži po bivšem sistemu."
Godpod sodnik, glih to je še falilo,
an se mi je pred očmi kr zoblačilo,
an je ku toča padalo po njemu.
"Gospod sodnik, če ne b' bli zraven drugi,
bi danes Ivo ležal u trugi.
So k sreči skočli vmes moji prjatli.
Sej oni ‘teli so pomagat možu,
ma sproti mu je vsak še kej naložu,
an je zgledalo, ko da bi vsi ga mlatli."
Ma pustmo stat, pustmo stat.
"Gospod sodnik, vam povem kar u faču,
jz sam sm za vse kriv an jz bom tud plaču.
Ivo pa nej plača čimprej enu mašu.
Sej, ljudje smo enaki po črki zakona,
samo eno je človek an drugo je mona.
An k glih pr tem smo, bi vas nekej še vprašu.
Po tisti barufi sm res fajn se skalmiru.
En cel mesc ku dojenčk spat sem reveru.
Ma zdej spet nervozen ratavam nu malo.
An dejte mi povedat, taku na samem,
samo tolko, da vem, če kredit nej uzamem.
Če še en bot ga, kolko bo koštalo?"
92
PEPI ŽBARADORIJA (Iztok Mlakar)
C
E tu je ena prou žalostna štorja
o enmu ka se je klicu Pepi Žbaradorja
kr zase je vijedu je držu pikon
ma drgače je bil prou en velik kaštruon
Na prou vsak sestank na firmi je šou
ma tudi nigdar gobca držat ni znal
na vsakem sestanki je tou met besjedo
en ka jo je dubu takuo je povedu:
F C G C
"Nastujte nastujte dio di buog, F C G C
nastujte mi take nakladat okruog F C F C
du takrat ku jest Žbaradorija Pepi F C F C
en bot ne bom jemu lih tolkor u žepi G7
lih tolkor ku jemaju uni tam gor,
mhm, ehe, aha, he he...
ma mi je prou žal, Am
ma do takrat na svjeti naba nč prou F C G C
nastujte nakladat, pamet vam gnjilu, F C G C
nastujte nastujte, k vam prejem žilu!"
Na izrednem sestanki se je zbral sindikat
je Pepitu reku dej njehi ga srat
Pepi dej nehi ne stoj nuo mečkat,
Pepi ne stoj k bos zgubu prjatle,
Ma Pepi je reku jest vem kaj vas matra
dio šanto di buh k vam vsem pojem jetra
tuo da nimaste jajc to jest dolgo že vem,
ma jest jih še jemam takuo vam povjem:
"Nastujte, nastujte...”
Ni bal se povedat nobenmu u faču,
da narvečje mone maju narvečo plaču.
Ko enkrat to reku je šefu u menzi,
ni dosti pasalo je bil u suspenziji.
Ma Pepi ni njehou je šou u ošterijo,
je plačal pijačo za usu kompaniju
en celo je klapo povabu za šank an je reku:
"Fantje, tole bomo meli zdej en sestank…“
"Nastujte, nastujte...”
Ee do takrat ko jemu je šolde za šnopc
do takrat je lohko vrtu za gobc
ma ku enkrat taku jih ni jemu je sušu
takrat ga ni več nobeden poslušu
kej tobu je Pepi je kupu flaškon
se napil ko šilur ga povozu kamjon.
En pole tako so zavili ga u deko
an ko je krepaval še zadnič je reku:
"Nastujte, nastujte...”
Taku ku je pepi šel pod kolesa
eno je zletu direta v nebjsa
En spet na sestanki se je zbrat sindikat
en je reku da bi blo treba Pepita pokopat si,
Zmerom rad je delou špetir
ma zdej bo u gruobi jema vsaj mjir
Sej če se prou razmisli tudi na nek način
za samupravljanje in medčloveške odnose
in afirmacijo delovskega razreda nekako
bi se reklo v firmi jemu zasluge...
Takrat se je neki zadrlo iz struge:
"Nastujte, nastujte...”
93
PUBI, USIDMA SE (Iztok Mlakar)
D e
U livarni, u vročini, kjer ti pamet odpove A D
proizvodnja je obstala, sredi delovnega dne, A
jahm lalejlolololala lalelolelelola,... D
proizvodnja je obstala, sredi delovnega dne.
D A
Vsak nas kamandira an nam mitinge drži, D
vsi so strašno kunštni, ja delamo pa mi, A
godrnjali so livarji, nekdo pa rekel je, D
pubi kam se šihta, pubi usidma se A
jahmlalejlolololala lalelolelelola,
kadar rečejo livarji, pubi vsidma se,...
Prihitel je šef izmene, ja fantje kva je to
za kva ste usedel, a vam je slabo?
Kurjač je vzel kladivo:"Da nauš ti slab zdej ratu,
vset ke v kot pa tih bot, da te neum ušlatu!"
jahmlalejlolololala lalelolelelola,
kadar rečejo livarji, pubi vsidma se,...
Prihitel je delovodja, a tudi on je obsedel
in direktor v beli srajci je na premogu čepel
tako livarji priredili so za poslovodni organ,
v vročini svojih plavžev informativni dan,
jahmlalejlolololala lalelolelelola,
kadar rečejo livarji, pubi vsidma se,...
In so zvišali jim plače, vse se srečno je izšlo,
zgodba ni šla v tisk in škandala ni bilo,
a še danes vsi fabriki, ob čikpavzah se zgroze,
kadar rečejo livarji: Pubi, usidma se!
94
PUNTARSKA (Iztok Mlakar)
a E a
Pred več ko dvjesto leti, nam štorja govori, C G C
da strašno so nervozni bli naši nonoti, d a
če kej jim je sfalilo, če kej jim ni blo prov, E a
so grofa tko ku prasca nataknli na kol.
C d a
An vse so mu pobrali, kar vrednega je blo, E a
požrli v grajski kleti vse vino, vse meso. d a
Jen potlej so grofico, ma ben tisto pustmo stat, E a
da vidli pot domov bi, so še zažgali grad.
a E a
La la la....
Zdaj pravjo, da ne dela več takih se reči,
ka zdej baje živimo u civilizaciji,
kjer treba ti ni delat, če dobro znaš gobcat,
ma če garaš ko živina, pej moraš gobc držat.
Jest sm, kot bi se reklo, nekvalificiran kmet,
jen ku sak kmet znal zmeram sem dosti potrpet.
Nervozen zdaj ratavam, pomagat si ne znam,
ma sej nisem kriv če take jest prednike imam.
La la la...
U meni zdej prebuja spet puntarski se duh,
marskeru vidim monu, ku žre zastonj mi kruh,
jen nikdar nič ne dela, vsamo iz kruha drek,
ma čakte, čakte pršu bo zlati srednji vek.
En takrat, ko spet pride tisti zlati cajt,
ne skrbte znal orodje si bom pravo najt.
Sm se modernizirov, sekirce nimam več,
ma tudi se z motorko bi padla glava preč.
La la la...
95
REPUBLIKA PALMA DE COCO (Iztok Mlakar)
E A H
Poletje spet zdej k nm prihaja, E A H
an spet regres sem dobil, E A H
ta moj dopust mi družba daja, ojej jej, A H E
en sam samcat miljončk ušiv.
Zapil ga nisem še nobenkrat,
u kalcetu zmerm ga dam,
k puhne bo vn zbejžu enkrat,
u kraj, ki ga samo jaz poznam.
Tam se da živet tudi sz moju plaču,
če res jest enkrat bm šou,
ma od tm se nkar v sanjah ne bom vraču,
e ben kartoline be vsem vm bom poslou.
Republika Palma de coco,
je kraj samo za fejst ljudi,
tam je dno flašk strašno globoko,
tam fešti nikdar kraja ni.
Tm sambo plešejo kreoli,
an take črnke,
k majo rt za dve karjoli,
vsaka greha vredna je.
Če noč prekrokaš niso nate jezni,
oštirjem tam ni treba nikdar vračavat puf,
ma tm nkar policaji niso trezni,
tam ni pržonou an nankar baruf.
V republiki Palma de coco
fešta je fešta za vse,
n'kar predsednik Loco Loco
ne pozna protekcije.
Tm lohko v miri prazniš flaše,
an delaš to, kar se ti če,
tm lohko rečeš, kar ti paše,
noben zato u pržon ne gre.
Kadar se sred noči u jark bm zvrnu,
od ruma pijan ku zmaj,
ljubezni in obzira poln pogrnu
s svojo srajco me bo policaj.
Ne stojte šlatat me za čelo,
an me sprašavat kej mi je,
ne ne mislt da me je ujelo,
an da mi na otročje gre.
Jst, jst se bom smeju na široko,
k boste enkrat te dni,
z republike Palma de coco,
dobili kartoline vsi.
96
RUDI VALENTINČIČ IN PEPA ŽGABUCIN (Iztok Mlakar)
Bil je Valentinčič Rudi, lep ku špadni fant.
An tudi znau je vse, kar je pr pupah treba znat.
Vsaki znau je zmešat glavu, vsako v level je spravu.
Ta res na pupah nardu doktorat.
Včasih je zadosti blo, če je reku enu besedu,
An če zraven še tako izpod čela je pogledu.
Kukr drevje ob burji hudi vse je padalo na kup.
Prav res, Valentinčič Rudi, ta je bil za babe strup.
More, bjonde an brunete je menjavu ku kalcete,
so metale se u naročje mu na glih.
Člouk prav res težko zastope, toda zarad ene pupe
Rudi Valentinčič ni imel prav vsih.
Tista ena pravzaenprav še slišat ‘tela ni za njega,
ma nej je nardu, kar je tou an bogi revež zarad tega
se počutu je škovaca an preklinju svoj deštin.
Ta prefrigana furbaca bla je Pepa Žgabucin.
Bog mi priča je, da Pepa ni bla kdo ve kolko lepa.
Ne, to se zanjo prou res ne bi dalo rečt.
Brez zamere, grda bla je ku poziv na orožne vaje,
še medvedu bi ponoči storla utečt.
Ma zanjga blo je stvar časti, on je mogu dobit Pepu,
Kar kej če, nej se zgodi, pej magari, če bo krepu.
Rekla "Ne!" je dosti botov, ma to ni ustavlo Rudita.
Končno u cerkvi eno sobotu rekla "ja" sta obadva.
Zdej življenje mu ni sladko, Pepa ga drži na kratko.
Kej se je zgodilo z njim, vam rečt ne znam.
Tud če pride vn iz bajte, ni več tak ku svoje cajte.
An zdi se, ku da ga je glih nu malu sram.
Lohkor srečaš ga kak bot, če mu rata utečt pred babu,
u betuli se skrije u kot an se meni sam sz sabu.
Kako b' se to zastopit dalo, ženske so ena čudna reč -
če jih vse maš, je premalo, če maš enu, je preveč.
97
ŠTEFANA IN BERTOLIN (Iztok Mlakar)
Am E
Bertolin je bil strašen temperament E7 Am
Zaradi njega su babe, ku bi se reklo, padavale u žveniment. Dm Am
Ma njega ni brigala nobena pupa, ne gospa, E Am
samo ljepa Štefana mu pri srcu je bla.
Tisto leto na jesen jo vlih mislu je vzet,
ma pršla je vuojska in Bertolin, ni blo druge, je mogu jet.
Se je Štefana prdušala, da bo osala mu zvjesta,
en k bo pršu nazaj, bo njegova nevjesta. Am Dm Am
Ma Bertolin je raztjegnu hramoniku soju, E Am E Am
si obrisu je solzu, en tako je zapoju:
A E
“Moja Štefana, življenje al smrt, A
ti si za mene, tko ku rajski vrt. Dm A
Ma boh ni tov, da b jest ratu tvoj mož, E A E A
bla svoj cajt si moja, več moja ne boš.”
Bertolin je pisu Štefani vsak dan,
ma ona pa njemi zmeram menj an menj.
Ga je jenjala čakat, en jo drugi je vzov,
ka Bertolin se je vrnu, je vlih na ohcet pršov.
Se je vsedu za mizu in je gledal Štefanu,
kejšen drug bi jo scagu in jo zmerjal s putanu,
kejšen drug bi na ohceti nardu kašin.
E ja, kejšen drug, samo ne Bertolin.
Ma Bertolin je raztjegnu hramoniku soju...
si obrisu je solzu, en tako je zapoju:
“Moja Štefana, življenje al smrt,…“
E je od takrat pasalo, e je že dosti let,
od takrat že stokrat se obrnu je svet.
So šle vašu loštji dve, tri države,
ma ni ugasnu ogenj, e ljubezni taprave.
Je umrla Štefana, en je umrov Bertolin,
ma ostov je en ljep, en ku bi se reklo, žlahten spomin.
Tudi soj cajt ljudje so zaljubljeni bli,
ma to ble so ljubezni, ku zdej jih več ni.
98
VANDIMA (Iztok Mlakar)
C
Pod noč rad z doma jaz zbežim, Dm
en svoji babi neč ne rečem. G7
Pred njo se šempjota nardim, C
naskrivš ji v betulu utečem. Em Am
Pej tam popijem glaž al dva, F C
en k ta treči prav me prime, Am Dm
se svet ‘nu mečk zadondola, G7 C
en zmislim tiste se vandime.
Bil takrat jest še junc sem mlad,
u glavi neč, u grli suša.
Sem mel življenje srašno rad,
ku vsak, kdor čera ne poskuša.
Cel dan smo bli u vinogradi,
en sonce je ku zlodij peklo.
Se z vinom smo se frišali,
po grli je ku potok teklo.
D
Tam sem jo vidu prvikrat, Em
požirk se je v grli ustavu. A
Jest lohkor umrov bi tistikrat, D
jest lohkor bi, ma kej bi pravu... Hm
Ka se ti taka reč zgodi, G D
ti glava ražonirat njeha Hm Em
en slepe ratajo oči, A D
ni več boha, nankr grjeha.
Me je spod čela gledala
en se mi furbasto smejala,
pod noč pej h meni je pršla,
en že med trte sva zbežala.
Ma za povedat kej blo tm je,
ku nej človk besede najde,
jest use zvjezde vidu sem,
en trjesle, trjesle so se brajde.
Tako tista noč je lepa bla,
ko nikdar pol en prej nobena,
ma ko je pršla, tko je šla
Nankr ji ne vem imena.
Je nisem videl nikdar več,
e človk obrača, boh obrne,
mladost je šla od mene preč,
kar cajt uzame več ne vrne.
Sej zdej prov neč mi ne fali,
mam en par brajd en kakšnu njivu.
Mi želje en bolezni ni,
ženu mam še zmeraj živu.
Ma kadar spijem glaž al dva,
en ko ta treči prov me prime,
se svet no mečk zadondola,
en zmislim tiste se vandime.
99
KAD JA POĐOH NA BEMBAŠU (nar.)
a (a)(G)
Kad ja pođoh na Bembašu, d a
na Bembašu, na vodu, d a
ja povedoh bijelo jagnje, E a
bijelo jagnje sa sobom.
Sve djevojke Bembašanke
na kapiji stajahu,
samo moja mila draga
na demirli-pendžeru.
Ja joj nazvah dobro veče,
"dobro veče, djevojče",
ona meni "dojd doveče,
dojd doveče, mangupče".
Ja ne odoh isto veče,
već ja odoh drugi dan,
drugog dana moja draga
za drugog se udala.
100
KATJUŠA (nar.)
Am E
Zacvetele jablane in hruške, Am
vstale so meglice iznad rek. C Dm Am
Prišla je na strmi breg Katjuša, Dm Am E Am
prišla na visoki, strmi breg.
In zapela pesem čez poljane,
o sokolu širnih je planjav
in o njem, ki ljubi ga vdano,
ki ji pismo drobno je poslal.
Ti letiš od drugih ptic hitreje,
mojo pesem nesi v daljni kraj.
Partizanu, ki nam brani meje
lep pozdrav Katjušin mu predaj.
Misli naj na ljubico edino,
ki mu pesem poje čez gore.
Naj ohrani našo domovino,
jaz ohranim svoje mu srce.
101
LJUBAV SE NE TRŽI (nar.)
Dm Gm Dm
Ljubav se ne trži, niti ne kupuje. Dm Gm Dm
ljubav se ne trži, niti ne kupuje. Dm Gm
Ki ljubiti ne zna, ki ljubiti ne zna, A Dm
šaj, nek' se ne hapljuje.
Če pak nam je ljubav istinska i prava,
če pak nam je ljubav istinska i prava,
s srca ju ne spere, s srca ju ne spere
Mura niti Drava.
Ljubav ne raspari zbiri ni žandari,
ljubav ne raspari zbiri ni žandari.
Zbiri ni žandari, zbiri ni žandari,
niti puglavari
Ljubav se ne trži...
102
MOJA MATI KUHA KAFE (nar.)
C F C
Moja mati kuha kafe G C
samo s cikorje, samo s cikorje. C F C
Moja mati kuha kafe G C
samo s cikorje, ma samo da je.
Moja mati kuha kafe
od sam'ga ječmena, sam'ga ječmena
moja mati kuha kafe,
od sam'ga ječmena, ma samo da je.
Moja mati kuha kafe
od same rži, same rži
moja mati kuha kafe,
od same rži, da vsa hiša smrdi.
Žgali smo ječmen, zrnje, vse
pa je vinjalo, pa je vinjalo,
žgali smo ječmen, zrnje, vse,
pa je vinjalo, ma kakor kafe.
Naši ta stari prav'jo tako,
da je mižerja, da je mižerja,
naši ta stari prav'jo tako, da je mižerja,
ma vseeno lepo.
103
LEP DAN ZA SMRT (Niet)
e G D H
Sonce je sijalo, in sirene so tulile.
Nebo bilo je modro, skoraj brez oblačka.
Pod svetlo rumenim soncem sva tekla po cesti,
Ko naju je objel prvi blisk sva padla
G D C D
Aaaa, pa tako lep dan je bil, preveč lep za smrt. (4x)
Ležala sva v krvi sredi gorečega
Zraka in ognja, ležala pod soncem.
Razžarjenim, rdečim, neresničnim,
Sredi obzorja zavitega v dim,
Sredi prvega dne vojne.
Aaaa, pa tako lep dan je bil, preveč lep za smrt. (4x)
Moj strah in zadnji dih, drgetanje in jok,
Bliža se smrt, smrt in ne ljubezen.
Tvoje oči s pogledom tja, kjer je nekoč sijalo sonce,
So bile mrtve.
Aaaa, pa tako lep dan je bil, preveč lep za smrt. (4x)
104
EN HUD PESJAN (otr.)
D A
En hud pesjan je živel, se futral je z ljudmi, D
z njih župco si je kuhal, obral jih do kosti.
Enkrat pa en'ga najde, ga hoče v lonec dat',
preveč je čudno dišal, preveč je bil kosmat.
G D G D
Kdo bil je ta kosmatež, lahko ugane vsak. E A
Dihur je bil kajneda? Narobe, bil je vrag!
Pesjan čez kotel padel, pa s kropom se polil,
ga vrag je brž oglodal, pa župco vso popil.
Uči nas tale štor'ja, da če sta vraga dva,
da tisti zmeraj zmaga, k'ma več pesjanskega.
105
GUSARSKA (otr.)
Am
Sredi morja črna vihra Dm Am
Sredi vihre črn brod E7 Am
Sredi broda črno jadro E7 Am
Sredi jadra bela smrt.
Heja bumbarasa…
Grom buči in strela udarja
Zli valovi v dalj hite
Sedem gusarjev grozeče
Morju kažejo zobe.
Pod palubo so zakladi
Sedem mrtvih, črnih glav
V vsaki glavi sedem nožev
Vsak od nožev je krvav
Za kajuto pa igrajo
štirje divji gusarji
Dobre karte vsi imajo
Kapitan gre solo tri
Kapitan pagata vrže
Vsa posadka obnemi
Kuhar mu ga s škisom vzame
že mu glava odleti
Bliža ladji se oklopnjača
Kapitan veli "Na boj!"
Kaj bo stara ta krastača
Hej, barabe za menoj!
Vname se mesarsko klanje
Gusarji gredo na nož
Sam ostal še kapitan je
Kot poslednji zadnji mož
Kapitan cink-žorno vzame
V podpalubje z njo hiti
S fajercajgom pulfer vname
Z ladjo vred v luft zleti.
Buuum!!!
106
GANGSTER ČOMBE (otr., (Neca Falk)
a E
Ko se noč spusti na mesto, kdo hiti cez mačjo cesto? d E a
To je strašni ropar Čombe, ki nastavlja pasje bombe.
Z masko si zakriva lice, v šapah nosi pokalice.
Naj bo pošta ali banka, pri obeh je stalna stranka.
G C
Mucej, Macej mačka zvita, pa ga zmeraj ulovita. E E7 a
Čombe mora s prazno vrečo za rešetke v mačjo ječo.
Mucej, Macej mačka zvita, pa ga zmeraj ulovita.
Čombe mora s prazno vrečo za rešetke v mačjo ječo.
107
MAČEK MURI (otr., Neca Falk)
A
Ko zapoje zvonček v uri, Hm
prebudi se maček Muri, D C#m E
s taco si oči pomane, D G E
vzdigne rep in hitro vstane, hitro vstane.
A Hm
Na na naj… D C#m E D A
Na na na...
Mačjo posteljo prezrači,
mačjo suknjo pokrtači
in za zajtrk se odpravi
v krčmo Pri veseli kravi.
Tam ga čaka stalna miza
in točajka muca Liza,
ki prinese lonček mleka
in se mačji kruh od peka.
Ob jedači poglobi se
Muri v mačje časopise,
vse prebere brez razlike,
tudi vejice in pike.
Potlej plača in čez cesto
gre na sprehod v mačje mesto.
108
USPAVANKA (otr., Neca Falk)
Am Dm Am C
Muce bele, muce črne, muce zlate in srebrne Dm Dm7 Dm6 Esus4 E E7
Več ne smejo klepetati morajo takoj zaspati.
Zlato sonce gre za morje, bele sanje čez obzorje
Sanje so velika skleda pol iz mleka pol iz meda
Ko jim sanje zadišijo bele muce brž zaspijo
In za njimi tudi črne in še zlate in srebrne.
109
JESEN U MENI (Parni valjak)
Am E
Ma što da želim, sve je tako daleko Am E
I sad mi žao, sve bih opet ponovo Dm G C E
Najljepšu pjesmu tebi bih pjevao Dm G F E
Hej kamo sreće da sam pjevat mogao
Ptice u bijegu, tišina gradi zidove
Zvoni zbogom, riječi kazne božije
Te tvoje usne, opojne
Još uvijek sanjam kako su me ljubile
Dm G G7 C
Jesen u meni tuguje, zašto sanjam čemprese Dm E Am A
Moje ceste ne vode nikuda (bez tebe) Dm G G7 C
Jesen u meni caruje, a u tebi proljeće Dm F E
Ni sunce ne može, ne može kroz oblake Am
Rano moja, hej…
... s kime sada putuješ
Ma što da bilo, nemoj da mi tuguješ
Najljepšu pjesmu tebi bih pjevao
Hej kamo sreće da sam pjevat mogao
Jesen u meni tuguje, zašto sanjam čemprese
Moje ceste ne vode nikuda (bez tebe)
Jesen u meni caruje, a u tebi proljeće
Ni sunce ne može, ne može kroz oblake
Rano moja, hej…
110
KAO TI (Parni valjak)
G Bm Am D
Ti mi činiš krasne stvari, ti me činiš sretnim G Bm Am D Am D G
I kada loše mi krene ti si tu, uuuuu, uvijek kraj mene.
Od kada su igre grube lijepo je znati
Da čovjek ima nekog kao ti na svojoj strani
G Am D Am D G
Kao ti, kao ti, kao ti
Ti znaš da ja nisam od velikih riječi
Ono što osječam teško je reči, ipak želim da znaš, volim te
Kao ti...
C
Ja nisam od jučer G
Imam dosta iza sebe C
Al ni jedna od prije D
Značila mi nije
Kao ti…
111
MOJA JE PJESMA LAGANA (Parni valjak)
a F G C
Tužna je naša ulica od kada nisi tu,
a F G a
jer tužnu pjesmu pjevaju oni što ostaju.
G C E a
Ne bi ti rekao ostani, ne bi ni probao.
G C E a
Ne bi ti rekao volim te, samo čuvaj se.
d a G C
Moja je pjesma lagana, polagana i tiho se ispija,
d a F E a
sasvim lagana i bez pitanja što si otišla.
Nije mi žao što si otišla, znam da si morala.
Jedino boli, malena, što se nisi javila
Iste smo snove sanjali, istom se nadali
Ja nisam smogao hrabrosti, da se probudim.
Moja je pjesma lagana, polagana i tiho se ispija,
sasvim lagana i bez pitanja što si otišla.
112
UHVATI RITAM (Parni valjak)
A C#m Bm E
Ne govori ništa, prepusti se, uhvati ritam, A C#m Bm E
zažmiri i zaželi cijeli svijet, uhvati ritam, Bm E Bm E
sanjaš o ljepim stvarima, zar ne znaš, da so one u nama.
Igraj svoju igru, opusti se, uhvati ritam,
nitko nam ništa ne može, uhvati ritam,
prije ili kasnije, bit če svima jasnije.
A C#m Bm E
Slušaj ljubav kako dolazi, A C#m Bm E
ljubav če nas jednog dana voditi, A C#m Bm E
iz daljine ponekad se čuje glas, A C#m Bm E
strpi se još malo doč' če red na nas.
Ti i ja, sunčan dan, eto razloga za smijeh,
mislit' svojom glavom, ponekad, nije grijeh,
kad bi mene pitali, svi bi samo plesali...
Igraj svoju igru, ma boli te, uhvati ritam,
nitko nam ništa ne može, uhvati ritam,
prije ili kasnije, bit če svima jasnije.
Slušaj ljubav kako dolazi,
ljubav če nas jednog dana voditi,
iz daljine ponekad se čuje glas,
strpi se još malo doč' če red na nas.
113
BELLA CIAO (partizanska)
Em
Ko neko jutro sem se prebudil
O, bella ciao, bella ciao, bella ciao, ciao, ciao Am Em
Ko neko jutro sem se prebudil, F#7 B Em
Sovražnik stal je pred menoj.
O, partizani, naj pojdem z vami
O, bella ciao...
O, partizani, naj pojdem z vami
Pa čeprav me čaka smrt.
In če bom padel med partizani
O, bella ciao...
In če bom padel med partizani,
Me pokopljite, tovariši.
Grob izkopljite mi pod planino
O, bella ciao...
Grob izkopljite mi pod planino,
Kjer raste rdeča vrtica.
Ljudi ki bodo prišli kdaj mimo
O bella ciao...
Ljudi ki bodo, prišli kdaj mimo
Bo spomnil njen krvavi žar:
Da je vzcvetela iz partizana
O, bella ciao...
Da je vzcvetela it partizana,
Ki umrl je za svobodo.
114
BILEČANKA (partizanska)
Em Am Em Am Em
Sredi pušk in bajonetov, sredi mrkih straž Am Em F#7 H Em Em7
Se pomika naša četa v hercegovski kras.
C D7 G Em
Čuje se odmev korakov Am Em
Po kamenju hercegovskem Am H7 Em Am H7 Em
He-ja ho, he-ja ho.
Daleč zdaj si domovina nas izgnali so
Ko da krivi smo zločina, ker te ljubimo.
Čuje se odmev korakov
Vzeli materi so sina, ženi so moža
Lačna je doma družina, dosti je gorja.
Čuje se odmev korakov
Že v sibirijo gonili, brate so nekdaj
Pa je prišel konec sili, kje si zdaj tiran.
Čuje se odmev korakov
Skoz pregnanstvo in trpljenje, skozi ječe mrak
Prišlo novo bo življenje, čujte mu korak.
Čuje se odmev korakov
Ko brez pušk in bajonetov, prosta nam bo pot
Stopala bo naša četa, svobodi naprot'.
Čuje se odmev korakov
115
NA DALJNEM KOLODVORU (T. Pengov)
Na nekem daljnem kolodvoru
bedi popotnik s svojo senco
kot da je gost na čudnem dvoru
je zgrešil dan, zgubil kadenco
ob mizah roj dvorjanov vztraja
cvet rahlih damic pohajkuje
samo korak je še do raja
taka se noč napoveduje
kar tam sedi in se sprašuje
kod bi še hodil kaj razdajal
čigav obraz še pričakuje
s katero vilo bi še rajal
zaspal je, kot da svet odhaja
med pripovedke njemu tuje
vlak je oznanil ot do kraja
kjer bo še lepše in še huje
bilo je dolgo potovanje
obstal je sredi tihe jase
nevedoč, da so ga sanje
prepletle v večne, zvezdne čase
prišla je lahka kot obljuba
stegnila roko, mehko ptico
zbudi se in v naročju najde
le njeno belo rokavico
na nekem daljnem kolodvoru
bedi popotnik s svojo senco,
kot da je gost na čudnem dvoru
je zgrešil dan, zgubil kadenco
pred njim je prazna rokavica
ne spomni se, kje jo je našel
morda je laž, morda resnica
morda pohojena kresnica
116
RODOVNIK VINA (Tomaž Pengov)
G D
Iz zemlje gre v trto, lavindi undi trto, C D7 G
trti, trtula vindijo, oj, trta, živijo.
Iz trte gre v grozdje, lavindi undi grozdje,
grozdi, grozdula vindijo, oj, grozdje, živijo.
Iz grozdja gre v brente, lavindi undi brente,
brenti, brentula vindijo, oj, brenta, živijo.
Iz brent gre pa v prese, lavindi undi prese,
presi, presula vindijo, oj, prese, živijo.
Iz pres gre pa v sode, lavindi undi sode,
sodi, sodula vindijo, oj, sodje, živijo.
Iz sodov gre v litre, lavindi undi litre,
litri, litrula vindijo, oj, litri, živijo.
Iz litrov gre v glažke, lavindi undi glažke,
glaži, glažula vindijo, oj, glažki, živijo.
Iz glažkov gre v grlo, lavindi undi grlo,
grli, grlula vindijo, oj, grlo, živijo.
Iz grla gre v glavco, lavindi undi glavco,
glavci, glavcula vindijo, oj, glavca, ziv.jo.
Iz glavce gre v zemljo, lavindi undi zemljo,
zemlji, zemljula vindijo, oj, zemlja, živijo.
117
DAN LJUBEZNI (Pepel in kri)
A Hm
D Em
Pusti tisoč dni in tisoč noči, D E G A
ki jih več ni. Saj sam ne veš, A Hm E7
D Em A7
da so kdaj bili. A
D
Vzemi le en dan, Hm D
Em G
ki skril si ga tja na srčno stran. E E7 A A7 A A7 D D7
Pozabil ga nikoli več ne boš.
D G
To je bil tvoj dan ljubezni, A A7
D D7
najlepši dan, ki ne mine nikdar. D
G
Svet živi za dan ljubezni, A
D
dan ki da ti vse in vse ti vzame, E
A
tega nikdar ne veš.
A E A D E D A D G A
Kdaj prišel, bo zate spet ta dan, D E D A G A G D
naj te upanje ne zapusti. D E A D E
G A D G A
Le zaspi ko jutro se zbudi, D E A
G A D
to bo ljubezni dan.
118
AKO SU TO SAMO BILE LAŽI (Plavi orkestar)
C Dm
Život ide dalje, život brzo prolazi, G F C G
al' osjećam da to više nisi ti, a ni ja.
Možda bi i mogli pokušati ponovo,
al' bojim se da ovaj je put gotovo.
Dm F G
Jer samo ti mi ubrzavaš disanje, Dm F G
jer se ja još uvijek palim na tebe.
C Dm
Ako su to samo bile laži, G F C G
lažimo se bar još malo.
Ako su to samo bile varke,
varajmo se, varajmo.
Život ide dalje, život brzo prolazi,
a osjećam da to više nisi ti, a ni ja.
Ljubavi i mržnje, težko je preskočiti zid,
al' bojim se da dobar smo par bili mi.
Jer samo ti mi ubrzavaš disanje,
jer se ja još uvijek palim na tebe.
Ako su to samo bile laži
lažimo se bar još malo.
Ako su to samo bile varke,
varajmo se, varajmo.
119
BOLJE BITI PIJAN NEGO STAR (Plavi orkestar)
Am
Kad pomislim nate, C
stara ljubavi d
žao mi je što smo bili Am E Am
samo dobri drugovi
A život leti, leti
mladost krača je
sve če jednom da se vrati
samo ona ostaje
Am E Am
Bolje biti pijan nego star G C
Bolje biti pijan nego star Dm Am
Vino nezna, da smo nekad bili sretni par G Am
Bolje biti pijan nego star
Kada dođe zima
i prve pahulje
čekaču te moja buco
kraj prve gimnazije
A nečeš, nečeš doči,
znam te dobro, znam
možda je i tako bolje
naviko sam biti sam
Bolje biti pijan nego star…
120
DAJ NAM SUNCA (Plavi orkestar)
Ja sam po krugovima vode brodao
i zrna sreče sebi tražio
a vidio sam samo maglu u očima
Svako jutro novi strah
svako jutro nova laž
A u srcu pustinja
Ljubav na bjelim krilima če doči
i okajati naše grijehe sve
i povesti u zemlju sunca i zlatnih jabuka
Daj nam ruku milosti,
budi ista kao mi
i od zla nas izvadi
Ako vjeruješ u snove
zagrli me nočas ti,
zagrli me moja draga,
jer život prolazi, sad je čas
svega če biti na svjetu,
samo neče biti nas
Osječam, tvoje nas oči sada gledaju
I ljubav ista kao majka
u naša mlada srca
vratit če sjenke radosti
Daj mi ruku ljubavi,
budi ista kao ja
Tamo nema oblaka
Daj nam sunca,
daj nam sunca, daj
da nam sunce vječno sja
Daj nam sunca...
121
OD ROĐENDANA DO ROĐENDANA (Plavi orkestar)
A E F#m D
Ponekad se probudim, A E F#m D
želim da te poljubim. Hm E
U sobi bez ijedne sjene, Hm E
nikog, samo ja i vrijeme. F#m E D
Sve se može srediti, Hm E A D A D
ali tebe ništa nemože zamijeniti.
Kradem noći danima
s najboljim jaranima,
ponekad sam slabe volje,
prazno mi je, ali bolje.
Sve se može srediti,
ali tebe ništa nemože zamijeniti.
A E F#m D
Ja od rođendana, pa do rođendana A E F#m D
čekam samo poziv tvoj, A E F#m
makar prazne riječi bit' će D Hm E A
dovoljan mi znak da još nije gotovo.
Svaka nova godina
je slatka, nepredvidljiva,
u danima budućnosti,
hiljadu mogućnosti.
Sve će se promijeniti,
ali šta će tebe, šta će mi zamijeniti.
Ja od rođendana, pa do rođendana
čekam samo poziv tvoj,
makar prazne riječi bit' će
dovoljan mi znak da još nije gotovo.
122
SAVA TIHO TEČE (Plavi Orkestar)
Am Dm
Pokraj Save breze male G C E
Tvoje oči vesele Am Dm
Ove noći čudno sjaje F E Am
Mene više ne vole
Nije meni što te moram
Što te moram gubiti
Več je meni da'l čes moći
Poslije mene ljubiti Dm
Sava tiho teče Am
Zadnje nam je veče E Am A
Draga ostala si sama
Dm
Sava tiho teče Am
Zadnje nam je veče E G Am
Draga postala si dama
Slomile se naše grane
Više nemam prava ja
Na te tvoje oči male
Nisi moja curica
Nije meni što ja neću
Više tebe vidjeti
Več je meni neće mi se
Nove oči svidjeti
123
MI PLEŠEMO CIJELI DAN I NOČ (Prljavo kazalište)
D G A
La la lala la la, la la lala, la la la la ...
I zato što sam tako mlad, što sam tako mlad
I zato što ne mogu s tobom drugačije
I zato što nemamo kamo, što nemamo
I zato što nemamo love za skupe provode.
Mi plešemo cijeli dan i noč ...
Mi plešemo cijeli dan i noč ...
124
UZALUD VAM TRUD SVIRAČI (Prljavo kazalište)
Bm Em
Sto put sam se evo zakleo, A7 D F#7
pred jutro te prevario. Bm Em
Drugoj ja sam bagrem nosio, A7 D
tebe iznevjerio.
Sto put sam se evo zakleo,
pa te prevario.
Sad bih dukate od jada D0 F#7 Bm
Baš u blato bacio.
Bm Em
A za oblak mi se mjesec skrio, A7 D F#7
sakrio mi pute. Bm Em
Uzalud vam trud svirači, Bm F#7 Bm
za drugog su dunje žute.
A ja evo nekad sjetim se,
što moj čača znao reći je,
Sveti duše s idile slavonske,
uz pjesmu prebole, al ne oproste.
Uz pjesmu mi se evo rodimo
uz pjesmu umiremo.
Slavonijo, tko te nije volio,
ne zna šta je izgubio.
Bm Em
A za oblak mi se mjesec skrio, A7 D F#7
sakrio mi pute. Bm Em
Uzalud vam trud svirači, Bm F#7 Bm
za drugog su dunje žute.
125
FRIDA (Psihomodo pop)
C E F
Frida je bila moja kraljica, C G Am
Frida je bila moja kraljica, C E F
Frida je bila moja kraljica, Am F C G
ali nitko nije bio njezin kralj.
Ja sam radio, a ona je čekala.
Ona je čekala, da padne mrak.
Ona se čudila, što ne znam uživati.
Ja sam joj rekao: “Hey honey, nije to sam tak’.”
Pod nama su pucali kreveti.
Mi smo se pucali, dok ne pukne dan.
Ja sam je gadjao, al’ nisam pogodio,
taj joj metak nije dovoljan.
Frida, ja ti nisam dida.
Imas dobre uši, slušaj kroz njih.
Ti si bila moja jedina pracka,
a ja sam bio samo sprih
Frida je bila moja kraljica.
Frida, jesil' čula za Lou Reeda?
Frida je bila moja kraljica,
a nitko nije bio njezin kralj.
126
SAMO EDINI (Siddharta)
Am
Vem, da nisem prvi, ki ne zna, G F Am
stopit na divji vrh sveta in ne bom ta zadnji, k’ te vid v sanjah.
Kol’k jih je pred mano dihal zrak
in kol’kim se rodi najlepši otrok,
kol’k jih še pride sem za nami v ta rod.
Dm G C F
Sem pa edini, ki nosi najino kri, Dm G Am
jaz sem edini, ki tvoj jok umiri.
Jaz sem edini, ki ne obstaja,
ne obstaja brez tvojega sveta.
Vem, da nisem prvi, ki ne spi,
zaradi udarcev in skrbi
in ne bom ta zadn’, ki se enkrat ne zbudi.
Drugim sem kazal svoj nasmeh,
drugi so videl’ solze na tleh.
Drugi so grizli kožo z mene spet in spet.
Ampak sem edini, ki s tvoje rane liže kri,
jaz sem edini, ki tvoj jok umiri
Jaz sem edini ki ne obstaja,
ne obstaja brez tvojega sveta.
In vedno več je upanja v ta svet.
Slišal sem, da z mano hoče živet
in s tem to edino to življenje dati za me.
Zato sem danes jaz vdihnil zrak,
in danes je moj najlepši otrok,
danes zaspim, ker jutri s tabo se zbudim.
127
MRTVA REKA (M. Smode)
G C
Starec je govoril mi, da bila si lepa ti, D C G
kakor rosa jutranja, polna si življenja b'la G C
Zdaj pa gledam reka te, ko vališ počasi se, D C D G
zdaj osamljena si vsa, polna mrtvega blaga.
G C
Mrtva reka, kam hitiš? D G
Mrtva reka, kam bežiš? G C
Kje zelenje vse je zdaj? D G
Kje so ribe, tvoj sijaj?
Mrtva reka, kam greš zdaj,
kot popotnik v tuji kraj?
A morda, nekoč pa le,
čista reka vrneš se.
Zdaj pa gledam reka te, ko vališ počasi se
zdaj osamljena si vsa, polna mrtvega blaga
Kam življenje je odšlo, kot skopnelo bi bilo?
Umirat gledali so te, a pomagal ni nihče.
Mrtva reka...
128
DALEČ JE ZA NAJU POMLAD (A. Smolar)
Am Dm
Danes stara sva in siva, G C Cadd9 Am
pozna se težko breme let. Am Dm
Postala sva tako ranljiva, E Am
mnogo prehiter je za naju svet.
Najine poti so kratke,
le redko kdaj še greva kam.
Vedno skupaj vedno sama,
ona vse je, kar imam.
Daleč, daleč je za naju pomlad,
leta prinesla so jesen.
Daleč, ko dekletu sem govoril: Rad te imam,
in ko bil jaz fant sem njen.
Daleč, daleč je za naju pomlad,
in za mladostjo je hudo.
A ne bi hotel sam postati spet mlad,
raje star sem, star in z njo.
Govoriva si spomine,
mnogo vsega je bilo.
Rečeva, kako vse mine
in malo nama je hudo.
A nato se nasmejiva,
srečna, ker sva se našla.
Kako lepo je, da sva se spoznala
in skupaj skozi življenje šla.
Daleč, daleč je za naju pomlad...
Ura prepodi spomine,
greva spat, zašepeta.
Trdno me pod roko prime
in s težavo vstaneva.
Ponoči k meni se privije,
vsak njen dotik takoj poznam,
mi prežene grenko misel:
kdo od naju ostal bo sam.
Daleč, daleč je za naju pomlad...
129
DVAJSET LJUBIC (A. Smolar)
Am E
V ognju mam železja dost, ker nočem sam ostat Am
in zato kar dvajset ljubic j'st mam na enkrat Dm
vendar moti se kdor misli da lepo mi je Am E Am
me vsaka le ob pamet spravlja in mi živce žre.
Ena ljubica bi rada spremenila spol
je druga splezala na poštarja in noče dol
tretja tol'k je shujšala da je nikjer več ni
četrta je v arestu, peta pa v norš'nci.
Joj mene joj mene jej hata ja...
Šesta tolk zaudarja da'b naj raj' jo pokopal
sedma nora je kot noč a hoče zmer' met prav
osma pravi: "Dnar mi dej, če hočeš z mano spat",
deveta tolk teži da bi najraj zavil ji vrat.
Joj-mene-joj...
Moram vam priznat deseta se kar gnusi mi:
"Najprej zdravje, pol kultura", pravi in ga kar spusti
sumim da enajsta garje in uši ima,
na kup masti in žolce me spominja dvanajsta.
Joj-mene-joj...
S trinajsto t’ko al t’ko nikol' ni sreče b'lo,
štirinajsto vse boli in zmer' ji je slabo
bi rada petnajsta postala nuna n'č nimam od nje,
šesnajsto pa nosi luna hodi kdo ve kje.
Joj-mene-joj...
Sedemnajsto bi najraje v dom za starce dal,
osemnajsta tepe me od kar sem jo spoznal,
za devetnajsto smisel življenja je prepir,
dvajseta nenehno uliva vase rum in pir.
Joj-mene-joj...
V ognju 'mam železja dost, ker nočem sam ostat,
in zato kar dvajset ljubic jest 'mam na enkrat
vendar kvantiteta sinonim za srečo ni,
pameten le eno kvalitetno si dobi.
130
IMAM PJESMU ZA TEBE (Rade Šerbedžija)
Am E7 Am
Imam pjesmu za tebe, godinama čeka ta E4 E7 Am A7
i strpljivo namigne sa dalekih obala. Dm Am Dm Am Ddim
U njoj vrani konji svi što su davno zbrisali, Am G#dim E7 Am
jednom lica poznata, ne pamtim ih više ja.
Am E7 Am
Imam pjesmu za tebe, sama sebe pisala, E7 Am
od Silbe do Santa Monice, mora se nadisala. A7 Dm G7 C
U njoj miris prošljih ljeta, sjaj i bijeda trošnog svijeta. Am Ddim E7 Am
U njoj boja lijepih dana pada preko naših rana.
Imam pjesmu za tebe, da te malo razgali.
Neće prognat tuge te al će da ih ublaži.
I na tren će vrijeme stati i na časak ćemo znati,
gdje se tajna skrivala, gdje je sreća ostala.
Imam pjesmu za tebe, poslije ću je svirati.
Nek se ona omakne kad sjećanje provali.
Kao nekad ti i ja, tamburaši za nama,
pod prozore dragih žena ulicama uspomena. (2x)
Imam pjesmu za tebe, prava je i jedina,
vozi znane puteve bez granica, carina.
Rijetke minute toči, radost srcu smijeh za oči.
U njoj još smo djeca mi, još nas nisu slomili.
U njoj još smo djeca mi, još nas nisu sudili
Kao nekad ti i ja, tamburaši za nama,
pod prozore dragih žena, ulicama uspomena. (2x)
Imam pjesmu za tebe...
131
ONA SE BUDI (Šarlo Akrobata)
Ona puni 18 godina u junu
Nezna šta da radi, kada položi maturski ispit
Ljudi su vrlo zlobni dok gledaju njene grudi
Ljudi su vrlo zlobni dok gledaju njen ten
Ona se budi
Ona se budi
Ona nema nikoga, da ji kaže: ti si moja, ti si moja,...
Celoga života nečim joj pune glavu
Punčkice i krpice, srčice
su stvari za devojčice
Igrati elastiš ona nikada nije znala
Skuvati rućak nikad nije bila njena stvar
Ona se budi
Ona se budi
Ona nema nikoga, da ji kaže: ti si moja, ti si moja,...
Ljudi se čude, zar ona moče da misli
Ljudi se čude, zar ona sve da zna
Ljudi su vrlo zlobni, dok gledaju njene grudi
Ljudi su vrlo zlobni, dok gledaju njen stas
Ona se budi
Ona se budi
Ona nema nikoga, da ji kaže: ti si moja, ti si moja,...
132
GORSKA ROŽA (A. Šifrer)
A D A
Odšel bom tja, kjer je daljši dan, kjer se mestni svet konča, E
kjer namesto asfaltnih cest vodi le steza
Hiše razpršene kot jata plahih jerebic
čas utripa drugače če živiš v eni od gorskih vasic
Tisti dan sem žganje pil kot ga pije gospodar
Bog mi v jezik je dal moči in takrat sem jo spoznal
Soseda mlada prisedla je, srečal njene sem oči
Ko smo peli sem jo gledal, kako se mi smeji
D A
Gorska roža čaka me, E A
gorska roža, da vrnem se D A
Moji Špeli iz planin E A
pod srcem pustil sem spomin
Brez staršev je, a fantov ni, ki bi ženili se v gore
Zjutraj gre v tovarno saj z majhno kmetijo pač ne gre
Vzljubila me je, čeprav sem bil zanjo skoraj še otrok
Naučila me je piti meda, jaz sem dal ji svojih 18 let
Gorska roža čaka me,
gorska roža, da vrnem se
Moji Špeli iz planin
pod srcem pustil sem spomin
Od takrat sem pri njej živel na gruntu ob koncu vasi
Čez dan kitaro sem igral in ljubil Špelo vse noči
Bil opran sem in vedno sit jedel kruh sem iz njene peči
Vstajala je zgodaj na delavski avtobus se vedno mudi
Gorska roža čaka me,
gorska roža, da vrnem se
Moji Špeli iz planin
pod srcem pustil sem spomin
133
OSTANI Z NAMI (A. Šifrer)
G C Am F …
Ostani z nami, ostani z nami do jutra
Ostani z nami vse do belega dne
Vem da dovoli tvoja mama
in je prikimal tudi ata
pa preslišal stari deda
babica rekla je seveda
Ker se stinja zbor tet,
je privolil hišni svet
Ostani z nami...
Odprli bomo nov sod
da bomo vidli, kaj je not
Točajke lepe, mlade
v čaše vlijejo razvade
Primakni hitro svoj stol
in ne sili domov
Ostani z nami...
Mi bomo peli, mi bomo pili in peli
Mi bomo peli, dokler grla zdrže
In ko poidejo moči
ko večina obleži
V kozarcih se pokaže dno
Preden petelin zapoje
Takrat te primem za roko,
šepnem ti na uho
Ostani z mano...
134
USPAVANKA ZA EVO (A. Šifrer)
C Am Dm G
Vsaka zvezda na nebu zamiži, C Am Dm G
teta Luna prikima, se zasmeji. C Dm Em F G C
Pogasili smo vse luči, da naša Eva lahko zaspi.
Vsaka zvezda na nebu zamiži,
teta Luna prikima, se zasmeji.
Pogasili smo vse luči, da naša Eva lahko zaspi.
Am G
Pa naj zaspi, naj skrije svoje trudne oči, Am G
pa naj zaspi, da se malo srce umiri C Dm
in naj sanja le o lepih stvareh. F G
Ko sonce zbudi jo, na ustih bo smeh.
Vsaka zvezda na nebu zamiži,
Evin kužek zalaja, se poslovi.
V kraljestvo škratov, sanj in vil
jo nese sila nevidnih kril.
In že leti daleč proč od tega sveta,
od tega kar ne razume in kar ne pozna,
saj jo čaka svet drugačen od sanj.
Kako naj svarim jo, kaj rečem ji v bran?
F Dm
Boj se ljudi, ki ne znajo jokati, Em G
ne gledajo v oči in ne znajo stisnit dlan! F Dm
Boj se množic, ko mahajo s pestmi, Em G
šoferjev s klobuki, nabitih na volan!
Pa naj zaspi, naj skrije svoje trudne oči,
pa naj zaspi, da se malo srce umiri
in naj sanja le o lepih stvareh.
Ko sonce zbudi jo, na ustih bo smeh.
Vsaka zvezda na nebu zamiži,
teta Luna prikima, se zasmeji.
Pogasili smo vse luči,
da naša Eva lahko, pst! zaspi.
135
VSE MANJ JE DOBRIH GOSTILN (A. Šifrer)
C F C F C
Vse manj je dobrih gostiln C F G
Vse manj je dobrih ljudi F C F C
Vse bolj nas dolgčas razjeda G G7 C F C
Nekoč prijatlji, zdaj tujci smo si
C F C G
Znanost in tehnika, avto, televizija C G
so prikovali nas v zlati brlog. C F C G
Več ne poznaš ljudi, vsebolj se ti mudi. C G
In prehitevaš čas, ne znaš več priti v vas.
Vse manj je dobrih gostiln
Vse manj je dobrih ljudi
Vse bolj nas dolgčas razjeda
Nekoč prijatlji, zdaj tujci smo si
Mreža nevidnih ječ stiska nas preko pleč
stiska nas in duši, tako smo sami
Pustil bom mestni čas, šel bom živet na vas
čas si bom sam vzel, ne bo me vec v rokah imel
Šel bom v dobre gostilne
šel bom med dobre ljudi
Nalil si bom čistega vina
in zapil se s prijatlji do dne…
136
DJEVOJČICE KOJIMA MIRIŠE KOŽA (Zabranjeno pušenje)
C
Uzalud glancaš svoje špicaste cipele F
uzalud otkopčavaš zadnje dugme košulje
one se neče nasmijat’ na tvoje loše folove
neće se osvrnuti na tvoja dobacivanja
Možeš im lagat da ti je babo direktor
ili da si treča godina prava
one će znati da si niko i ništa,
običan uhljup s’ Koševa
I opet ćes teturati uz memljiv zid
na iskrivljenoj česmi ces oprati lice
sjesti na plocnik, zapalit' cigaru
i gledati na drugu stranu ulice.
C G Em
A sa one strane ulice stanuju Am F C G
djevojčice kojima miriše koža…
One vole frajere koji nose bradice
i čije ih riječi ostave bez daha
koji nikad ne prave belaja
koji nikad ne psuju Allaha.
Ne znaju one da ti je srce veče
nego u tog bradatog gmaza
nikad ti nece pružiti šansu
ne poznajes dovoljno efektnih izraza.
I opet ćes teturati uz memljiv zid
na iskrivljenoj česmi ces oprati lice
sjesti na ploćnik, zapalit' cigaru
i gledati na drugu stranu ulice.
A sa one strane ulice stanuju
djevojčice kojima miriše koža…
Alo, ... Alo ... dođite vamo e'...
Šta se okrećeš ...
nemoj, bolan nemoj...
137
ZENICA BLUES (Zabranjeno pušenje)
C G C
U Zenicu kada pođem ja C F G
prate me pet-šest drotova F C Am
okružni sudija rek'o dvanaest godina C G C
dvanaest godina strogog zatvora.
Tužna je moja sudbina:
ženu mi je kreč'o Hakija
kreč'o Hakija, presudila mu ćakija
ne razumijes ti to, druže sudija.
Zenico, mrzim svaki kamen tvoj
zbog tebe ja mrzim život svoj
ko preživi dvanaest godina u KP domu Zenica
taj je pravi hađija.
'vala ,Mujo!
Raduje me jedna istina:
iz KP doma vratiću se ja
ali Hakija nikad neće sa Bara
sa Bara se niko ne vraća.
138
ŽITIJE MIĆE MURIQUIJA (Zaklonišče prepeva)
G e D C
Ovo je priča još od pre rata
Kad ljudi imali su šiptara za brata.
Tad su se rađali dobri mladići,
Jedan od njih bio je naš Mićo Muriqui.
Ujak Fadil, poznati fudbaler,
Reče: "Miće biće isti švaler."
"Šutiram dobro al'loš sam u driblanju,
burekmajker ostaću, to sam po zanimaju."
G D e C
Šoti mori, šoti, šoti, mašala,
Ova zemlja predugo je spavala.
Šoti mori, šoti, šoti, mašala...
A posle smrti Tita - maršala
Život na Kosovu nije više šala.
Da ne bih Mića porastao u zlikovca,
Morao je van iz rodnog Uroševca.
Lepa Usnija, njegova sestra,
Reče: "Pamti ko si, to je 'koza nostra"
Od tad se lozinka više ne glasi:
Titovim putem i živeo Azem Vlasi.
Šoti mori... (2x)
I tako se malji Mića Muriqui odazvao
Pozivu domovine i zaključao svoja
Buredžinica u Ljubljana. Tata Valter po
prvi put postao ponosan na svoga sina,
pošto je ovaj odlučio da se bori za
bodućnost malji deca na Kosova. Tada su
Sotir, malji Mahir, Redžep in on po tajnim
Koridorima slali naoružanje za
Oslobodilačku Vojsku Kosova...
"Kosova - republjik Kosova - republjik!"
"Nemoj Mićo, nemoj danas."
Al on se nije srušio pod pritisak nego je i
dalje vikao: "Kosova - republjik! Kosova -
republjik!"
Šoti mori... (2x)
"Kosova - republjik..."
139
JABUKE I VINO (Zana Nimani / Željko Bebek)
Dobro veče dragi,
Uvek si rado viđen gost.
Jabuke i vino čekaju,
I res prepećen tost.
U bašti mesec sija žut,
I laste već odlaze na jug,
A mi se vrtimo u krug.
Dobro veče draga,
Kažem ti, lijepa si ko bog,
Zašto žuriš, kada
Patim bez milovanja tvog.
Sad spavaj, pokrivaću te ja,
Sanjaj, dok plamen svijeća sja,
U snove utonimo do dna.
Ljepoto!
Pa hajde usreći me malo, što pre,
Zbog nas je ovo veče palo, zar ne?
I zvezde rasule po nebu, baš sve.
Iz ovog našeg gnijezda, gdje bi?
140
DODIRNI MI KOLJENA (Zana)
C#m
Hej moja dušice izbaci bubice B
iz svoje lepe lude plave glavice
ne budi dete C#m
Obuci papuče, dodaj mi jastuče B
nežno me zagrli i ponašaj se prirodno
D#m
Skuvaj mi kafu,napravi sendvič G#
lepo ugosti i zadovolji me
Hej moja dušice, ostavi lutkice
koje te jure i stalno ti dosadjuju
ne budi dete
Kupi mi haljine, srebrene lančiče
crvene maline i kartu do Amerike
Znamo se skoro, već deset dana
daj mi svoj auto i ključ od stana
C#m F#m C#m
Hej, na sveže mleko miriše dan F#m C#m
ptice pevaju na sav glas F#m
jutro njiše vetar G#
dodirni mi kolena, to bih baš volela
Hej, plavo nebo žuri u stan
žuti leptir mazi moj vrat
jutro njiše vetar
dodirni mi kolena, to bih baš volela
141
BIT (Zmelkoow)
D Es
Zadeli smo filozofijo v čelo, B E A
našli smo bit okroglo in debelo.
Se je skrivala na otoku sredi oceana,
s sladoledom v roki, vsa nasmejana.
O bit ti nesrečna, zakaj si se skrila?
Ko te ni bilo, je svet zmeda prekrila.
Ljudje levo desno brezglavo hitijo,
smisla in bistva si srčno želijo.
O bit usmili se nas in povej enkrat za vselej na glas:
kaj je smisel in namen, kako je treba živet,
da bomo srečni in zdravi od glave do pet?
h E A D A
Smisel življenja je ležanje na plaži z možgani na off in čiwawo na straži.
Visenje v mreži med dvemi drevesi, slalom v ravnini z zarjavelimi kolesi.
Smisel življenja je jahanje oblakov, pihanje v sonce in lomljenje korakov.
Sanjanje parnika na modrem ogledalu, piknik z mravljico in luknja v sandalu.
Kasneje je priznala, da je že nekaj spila,
in da sta z aristipom enega prej pokadila.
Vseeno se ni zmedla in je še enkrat ponovila
modri recept in plava navodila.
Smisel življenja…
142
FOREVER YOUNG (Alphaville)
C G Am
Let's start in style, let's dance for a while F G
Heaven can wait we're only watching the skies Am F
Hoping for the best, but expecting the worst G6 - FMaj7 - G6 - C
Are you gonna drop the bomb or not?
Let us stay young or let us live forever
We don't have the power, but we never say never
Sitting in the sandpit, life is a short trip
The music's for the sadman
Can you imagine when this race is won
Turn out all the faces into the sun
Praising our leaders, we're getting in tune
The music's played by the madman
C G
Forever Young Am F
I want to be Forever Young G Am
Do you really want to live forever? F G
Forever, you'll never C G
Forever Young, Am F
I want to be Forever Young G Am
Do you really want to live forever? F G C
Forever Young.
Some are like water, some are like the heat
Some are a melody and some are the beat
Sooner or later they all will be gone
Why don't they stay young?
It's so hard to get old without a cause
I don't want to perish like a fading horse
Years like diamonds in the sun
And diamonds are forever
So many advantages given up today
So many songs we forgot to play
So many dreams swinging out of the blue
Oh let it come true
Forever young…
143
HORSE WITH NO NAME (America)
Em D6/9
On the first part of the journey
I was lookin at all the life
There were plants and birds and rocks and things
There were sand and hills and rings
The first thing I met was a fly with a buzz
and the sky with no clouds
the heat was hot and the ground was dry
but the air was full of sound
Em9 Dmaj9
I've been through the desert on a horse with no name
it felt good to be out of the rain
in the desert you can remember your name
'cause there ain't no one for to give you no pain
la la la la lalala la la la la la
After two days in the desert sun
my skin began to turn red
After three days in the desert fun
I was looking at a river bed
And the story it told of a river that flowed
made me sad to think it was dead
I've been through the desert on a horse with no name
it felt good to be out of the rain
in the desert you can remember your name
'cause there ain't no one for to give you no pain
la la la la lalala la la la la la
After nine days I let the horse run free
'cause the desert had turned to sea
there were plants and birds and rocks and things
there were sand and hills and rings
The ocean is a desert with it's life underground
and the perfect disguise above
Under the cities lies a heart made of ground
but the humans will give no love
I've been through the desert on a horse with no name
it felt good to be out of the rain
in the desert you can remember your name
'cause there ain't no one for to give you no pain
la la la la lalala la la la la la
144
THE HOUSE OF THE RISING SUN (The Animals)
Am C D F
There is a house in New Orleans Am C E
They call the Rising Sun Am C D F
It's been a ruin of many a poor boy Am E Am
And God, I know, I'm one
My mother was a tailor
She sew my new blue jeans
My father was a gambling man
Down in New Orleans
The only thing a gambler needs
Is a suitcase and a trunk
And the only time that he is satisfied
Is when he's on a drunk
Oh mother, tell your children
Not to do what I have done
Just spend your life sincere in misery
In the house of the Rising Sun
One foot on the platform
The other on a train
I'm going back to New Orleans
To wear that ball and chain
Well there is a house in New Orleans
They call the Rising Sun
It's been the ruin of many a poor boy
And God, I know, I'm one
145
DIAMONDS AND RUST (Joan Baez)
Em C
Well I'll be damned, here comes your ghost again G
But that's not unusual D
Its just that the moon is full Em
And you happened to call
And here I sit, hand on the telephone
I'm hearing a voice I'd known
A couple of light years ago
Heading straight for a fall
As I remember, your eyes were bluer than robins' eggs
My poetry was lousy you said
Where are you calling from?
A booth in mid-west
Ten years ago I bought you some cuff-links
You bought me something
We both know what memories can bring
They bring diamonds and rust
You burst on the scene already a legend
The unwashed phenomenon
The original vagabond
You strayed into my arms
And there you stayed temporarily lost at sea
The madonna was yours for free
The girl on the half-shell
Could keep you unharmed
Bm
Now I see you standing with brown leaves falling all around Am
And snow in your hair Bm
Now you're smiling out of the window of that crummy hotel Am
Over Washington square C
Our breath comes out of white clouds G
Mingles and hangs in the air Fmaj7
Speaking strictly for me G B7
We both could have died then and there
Now your telling me you’re not nostalgic
Then give me another word for it
You who are so good with words
And keeping things vague
'Cos I need some of that vagueness now
Its all come back too clearly
Yes I loved you dearly
And if you're offering diamonds and rust
I've already paid
146
HERE'S TO YOU - LA MARCHE DE SACCO ET VANZETTI (Joan Baez)
C G Am Em
Here's to you, Nicola and Bart
C G Am G
Rest forever here in our hearts
Em Dm G C
The last and final moment is yours
C G Am Em Am
That agony is your triumph!
Maintenant Nicolas et Bart
Au fond de nos coeurs vous dormez
Vous ýtiez tout seuls dans la mort
Mais par elle vous vaincrez!
Canto aqui Nicola y Bart
Vuestra fin y vuestra prisýn
Et morit os dý libertad
Y un lugar en mi corazýn
Canto asý Nicola y Bart
A quiýn odia la esclavitud
A quiýn sabe amar la verdad
Canto fuerte i Libertadi
147
PRISON TRILOGY (Joan Baez)
G Bm
Billy Rose was a low rider, Billy Rose was a knife fighter C Bm G D
Billy Rose knew trouble like the sound of his own name C Am
Busted on a drunken charge driving someone else's car C Am G
The local midnight sheriff's claim to fame
In an Arizona jail there are those who'll tell the tale
How Billy fought the sergeant for some milk that he demanded
And knowing they'd remain the boss and knowing he would pay the cost
They saw he was severely reprimanded
Em Bm Em Bm
In the blackest cell on "A" block, he hanged himself at dawn Em Bm Am D
With a note stuck to the blanket, "Don't mess with me just take me home" Em D G
So come and lay, help us lay young Billy down
Luna was a mexican, what the law calls an alien
For coming 'cross the border with a baby and a wife
Though the clothes upon is back were wet still he thought that he could get
Some money and things to start a life
It hadn't been too very long when it seemed like everything went wrong
They didn't even have the time to find themselves a home
This foreigner, a brown-skineed male, throw inside a Texas jail
Left his wife and baby quite alone
He eased the pain inside him with a needle in his arm
But the dope just crucified him and he died to no one's great alarm
Come and lay, help us lay poor luna down
Kilowatt was an aging con of 65 who stood a chance to stay alive
And leave the joint and walk the streets again
As the time he was to leave drew near he suffered all the joy and fear
Of leaving 35 in the pen
And on the day of his release he was approached by the police
Who took him to the warden walking slowly by his side
The warden said "You won't remain here But it seems a state retainer
Claims another 10 years of your life."
He stepped out in the Texas sunlight and the cops all stood around
Old Kilowatt ran 50 yards then threw himself down on the ground
They might as well just have laid the poor man down Em D G
And we'll raze, raze the prisons to the ground
148
THE NIGHT THEY DROVE OLD DIXIE DOWN (Joan Baez)
Em C Em
Virgil Cain is my name and I drove on the Danville train G Em C Em
Till Stoneman's cavalry came and tore up the tracks again C G Em C
In the winter of '65, we were hungry, just barely alive Em C G Em A
I drove a train to Richmond, Nefelle. It was a time I remember very well
G Em C G Em
The night they drove old Dixie down, and all the bells were ringin' G Em C G Em
The night they drove old Dixie down, and all the people were singin', (they went) G Em A C
"Naa na-na naa na-na, na-naa na-naa na-naa naa na-naa na-na-naa"
Back with my wife in Tennessee, one day she said to me
"Virgil, quick come see, there goes the Robert E Lee."
Now. I don't mind choppin' wood, and I don't care if the money's no good
You take what you need and you leave the rest, but they should never have taken the very best.
The night they drove old Dixie down, and all the bells were ringin'
The night they drove old Dixie down, and all the people were singin', (they went)
"Naa na-na naa na-na, na-naa na-naa na-naa naa na-naa na-na-naa"
Like my father before me, I'm a workin' man
Like my brother above me, I took a rebel stand
He was eighteen, proud and brave, but a Yankee laid him in his grave
I swear by the blood beneath my feet, you can't raise a Cain back up when he's in defeat.
The night they drove old Dixie down, and all the bells were ringin'
The night they drove old Dixie down, and all the people were singin', (they went)
"Naa na-na naa na-na, na-naa na-naa na-naa naa na-naa na-na-naa"
149
ETERNAL FLAME (The Bangles )
G Hm C D7
Close your eyes, give me your hand, darling. G Em C
Do you feel my heart beating, D7 Em
do you understand? H7 Em
Do you feel the same? A D7 Hm
Am I only dreaming, or Am
is this burning an eternal flame?
I believe, it's meant to be, darling.
I want you when you are sleeping,
you belong to me.
Do you feel the same?
Am I only dreaming, or
is this burning an eternal flame?
D7 G D
Say my name, sun shines through the rain, F G C Cadd6 Am
a whole life so lonely and then come and ease the pain. D Hm F C D7
I don't want to lose this feeling, oh
Close your eyes, give me your hand, darling.
Do you feel my heart beating,
do you understand?
Do you feel the same?
Am I only dreaming, or
is this burning an eternal flame?
150
AND I LOVE HER (Lennon / McCartney)
F#m E6 F#m
-đ-------------------------------------------------------------
-đ-------------------------------------------------------------
-đ-------------------------------------------------------------
-đ-------------------------------------------------------------
-đ------7--6--4---------7--6--4---------7--6--4----------------
-đ---7---------------7---------------7-------------------------
F#m C#m F#m C#m
I give her all my love That's all I do F#m C#m A B7
And if you saw my love You'd love her too E
And I love her
She gives me everything
And tenderly
The kiss my lover brings
She brings to me
And I love her
C#m B C#m G#m
A love like ours could never die C#m G#M B7
As long as I have you near me
Bright are the stars that shine Dark is the sky
I know this love of mine Will never die
And I love her
Gm Dm Gm Dm
Bright are the stars that shine Dark is the sky Gm Dm Bb C7
I know this love of mine Will never die F
And I love her
151
IN MY LIFE (Lennon / McCartney)
G Em G7 C Cm
There are places I'll remember all my li--ife G
though some have changed, G Em G7
Some forever not for better, C Cm G
some have go--one and some remain. Em C
All these places had their moments, F G
with lovers and friends I still can recall, Em A7 Cm
Some are dead and some are living, in my life G D
I've loved them all.
G Em G7
But of all these friends and lovers, C Cm G
there is no one compares with you, G Em G7
And these memories lose their meaning, C Cm G
when I think of love as something new.
Em C F G
Though I know I'll never lose affection for people and things that went before, Em A7 Cm G D
I know I'll often stop and think about them, in my life I'll love you more.
(G Em G7 C Cm G)
Though I know I'll never lose affection for people and things that went before,
I know I'll often stop and think about them, in my life I'll love you more. Cm G D D7 G
In my life I'll love you more.
152
ELEANOR RIGBY (Lennon, Mc Cartney)
C Em
Ah, look at all the lonely people!
Em C
Eleanor Rigby picks up the rice in a church where a wedding has been Em
Lives in a dream, waits at the window C
Wearing a face that she keeps in a jar by the door Em
Who is it for?
All the lonely people
Where do they all come from?
All the lonely people
Where do they all belong?
Ah, look at all the lonely people!
Father Mc Kenzie writing the words of a sermon that no one will hear
No one comes near, look at him working
Darning his socks in the night where there's nobody there
What does he care?
All the lonely people...
Eleanor Rigby died in the church and was buried along with her name
Nobody came, Father Mc Kenzie
Wiping the dirt from his hands as he walks from the grave
No one was saved
All the lonely people...
153
HELP (Lennon, Mc Cartney)
G Bm
When I was younger so much younger than today Em C F G
I never needed anybody's help in any way G Bm
But now these days are gone I'm not so self assured Em C F G
Now i find, I've changed my mind, I've opened up the doors
Am
Help me if you can I'm feeling down F
And I do appreciate you being round D7
Help me get my feet back on the ground G
Won't you please, please help me?
And now my life has changed in, oh, so many ways
My independence seemed to vanish in the haze
But every now and then I fell so insecure
I know that I just need to like I've never done before
Help me if...
154
HEY JUDE (Lennon, Mc Cartney)
D A
Hey Jude, don't make it bad A7 D
Take a sad song and make it better G D Remember to let her into your heart A7 D
Then you can start to make it better
Hey Jude, don't be afraid
You were made to go out and get her
The minute you let her under your skin
Then you begin to make it better
D7 G And any time you feel the pain h e Hey Jude, refrain A7 D don't carry the world upon your shoulders
For now you know that it's a fool
who plays it cool
by making his world a little colder
Hey Jude, don't let me down
You have found her, now go and get her
Remember to let her into your heart
Then you can start to make it better
So let it out and let it in
Hey Jude, begin
You're waiting for someone to perform with
And don't you know that it's just you
Hey Jude, you'll do
The movement you need is on your shoulders
155
I WANNA HOLD YOUR HAND (Lennon, Mc Cartney)
C G7
Oh yeah, I'll tell you something, Am Em
I think you understand, C G7
Then I'll - say that something: Am Em
I wanna hold your hand F G7 C Am
I wanna hold your hand. F G7 C
I wanna hold your hand.
Oh please, say to me
you'll let me be your man
And please say to me
You'll let me hold your hand
I wanna hold your hand...
Gm7 C7 F Dm
And when I touch you I feel happy - inside. Gm7 C7 F
It's such a feeling that my love G7 F G7 F G7
I can't hide - I can't hide - I can't hide!
Yeah, you got that something
I think you'll understand
When I feel that something
I wanna hold your hand...
And when I touch you
I feel happy inside
It's such a feeling that my love
I can't hide, I can't hide...
156
LET IT BE (Lennon, Mc Cartney)
G D
When I find myself in times of trouble Em C
Mother Mary comes to me G D C G
Speaking words of wisdom, let it be
And in my hour of darkness
She is standing right in front of me
Speaking words of wisdom, let it be
Em D C G
Let it be,... D C G
Whisper words of wisdom, let it be
And when the broken hearted people
living in the world agree
There will be an answer, let it be
For though they may be parted
There is still a chance that they will see
There will be an answer, let it be
Let it be,...
And when the night is cloudy there is
Still a light that shines on me
Shine until tomorrow, let it be
I wake up to the sound of music
Mother Mary comes to me
Speaking words of wisdom, let it be
Let it be...
157
OCTOPUS'S GARDEN (Richard Starkey)
E C#m
I'd like to be under the sea A B
In an Octopus's Garden in the shade. E C#m
He'd let us in knows where we've been, A B
In his Octopus's Garden in the shade. C#m
I'd ask my friends to come and see A B
An Octopus's Garden with me. E C#m
I'd like to be under the sea A B E
In an Octopus's Garden in the shade.
We would be warm below the storm
In our little hideaway beneath the waves.
Resting our head on the sea bed
In an Octopus's Garden near a cave.
We would sing and dance around
Because we know we can't be found.
I'd like to be under the sea
In an Octopus's Garden in the shade.
We would shout and swim about
The coral that lies beneath the waves.
Oh, what joy for every girl and boy
Knowing they're happy and they're safe.
We would be so happy, you and me.
No one there to tell us what to do.
I'd like to be under the sea
In an Octopus's Garden with you,
In an Octopus's Garden with you,
In an Octopus's Garden with you,
158
SOMETHING (G. Harrison)
C Cmaj7
Something in the way she moves C7 F
Attracts me like no other lover d G
Something in the way she woos me Am G#+
I don't want to leave her now C/G D F Eb G C
You know I believe in how
Somewhere in her smile she knows
That I don't need no other lover
Something in her style that shows me
I don't want to leave her now A
You know I believe in how
A C#m F#m
You're asking me will my love grow A/E D G A G# G F# F E
I don't know I don't know A C#m F#m
You stick around and it may show A/E D G C
I don't know I don't know
Something in the way she knows
And all I have to do is think of her
Something in the things she shows me
I don't want to leave her now
You know I believe in how
159
THE FOOL ON THE HILL (Lennon / McCartney)
C F
Day after day alone on a hill the C F
man with the fool grin is keeping perfectly still, But Dm G7 C Am
nobody wants to know him, they can see that he's justa fool and Dm G7
he never gives an answer.
Dm7 Cm Ab Cm Ab
But the fool on the hill sees the sun going down and the Bb Cm C
eyes in his head see the world spinning round
Well on the way head in a cloud, the
man of thousand voices talking perfectly loud, But
nobody ever hears him, or the sound he appears to make and
he never seems to notice.
Day after day alone on a hill the
man with the foolish grin is keeping perfectly still, And
nobody seems to like him, they can tell what he wants to do and
he never shows his feelings.
Day after day alone on a hill the
man with the foolish grin is keeping perfectly still.
He never listens to them he knows that they're fools
They don't like him.
160
WITH A LITTLE HELP FROM MY FRIENDS (The Beatles)
C G Dm
What would you do if I sang out of tune? F G7 C
Would you stand up and walk out on me? C G Dm
Lend me your ears and I'll sing you a song F G7 C
and I'll try not to sing out of key
B F C
Oh, I get by with a little help from my friends
Mm, I get high with a little help from my friends
Mm, I'm gonna try with a little help from my friends
Am7 D7
Do you need anybody? C B E
I need somebody to love
Could it be anybody?
I want somebody to love
What do I do when my love is away?
Does it worry you to be alone?
How do I feel by the end of the day?
Are you sad because you're on your own?
Oh, I get by...
Would you believe in a love at first sight?
Yes, I'm certain that it happens all the time
What do you see when you turn out the light?
I can't tell you but I know that it's mine
161
YELLOW SUBMARINE (Lennon, Mc Cartney)
In the town where I was born
Lived a man who sailed to sea
And he told us of his life
In the land of submarines
So we sailed up to the sun
Till we found the sea of green
And we lived beneath the waves
In our yellow submarine
We all live in a yellow submarine
yellow submarine...
And our friends are all aboard
Many more of them live next door
And the band begins to play
As we live the life of ease
Ev'ry one of us has all we need
Sky of blue and sea of green
In our yellow submarine
162
YESTERDAY (Lennon, Mc Cartney)
Yesterday all my troubles seemed so far away
Now it looks as though they're here to stay
Oh I believe in yesterday
Suddenly I'm not half the man I used to be
There's a shadow hanging over me
Oh yesterday came suddenly.
Why she had to go?
I don't know, she wouldn't say
I said something wrong, now I long for yesterday
Yesterday love was such an easy game to play
Now I need a place to hide away
Oh I believe in yesterday
Why she had to go?
I don't know, she wouldn't say
I said something wrong, now I long for yesterday
Yesterday love was...
163
L'IMPORTANT C'EST LA ROSE (Gilbert Becaud)
C C7
Toi qui marches dans le vent F C
Seul dans la trop grande ville F C
Avec le cafard tranquille Bb G7
Du passant
Toi qu'elle a laissé tomber
Pour courir vers d'autres lunes
Pour courir d'autres fortunes
L'important
Dm G7
L'important c'est la rose Em A7
L'important c'est la rose Dm G7
L'important c'est la rose C G7
Crois-moi
Toi qui cherches quelque argent
Pour te boucler la semaine
Dans la ville où tu promènes
Ton ballant
Cascadeur soleil couchant
Tu passes devant les banques
Si tu n'es que saltimbanque
L'important
L'important c'est la rose
L'important c'est la rose
L'important c'est la rose
Crois-moi
Toi petit que tes parents
Ont laissé seul sur la terre
Petit oiseau sans lumière
Sans printemps
Dans ta veste de drap blanc
Il fait froid comme en Bohème
T'as le cœur comme en carême
Et pourtant
L'important c'est la rose
L'important c'est la rose
L'imporlant c'est la rose
Crois-moi
Toi pour qui donnant donnant
J'ai chanté ces quelques lignes
Comme pour te faire un signe
En passant
Dis à ton tour maintenant
Que la vie n'a d'importance
Que par une fleur qui danse
Sur le temps
L'important c'est la rose
L'important c'est la rose
L'important c'est la rose
Crois-moi
164
PUTTIN' ON THE RITZ (Irving Berlin)
If you're blue and you don't know where to go to why don't you go where fashion sits
Puttin' on the Ritz
Different types who wear a day coat pants with stripes and cutaway coat perfect fits
Puttin' on the Ritz
Dressed up like a million-dollar trooper
Tryin' hard to look like Gary Cooper (super duper)
Come let's mix where Rockefellers walk with sticks or um-ber-ellas in their mitts
Puttin' on the Ritz
Have you seen the well-to-do
Up and down Park Avenue
On that famous thoroughfare
With their noses in the air
High hats, and arrow collars
White spats, and lots of dollars
Spending every dime
For a wonderful time
If you're blue and you don't know where to go to why don't you go where fashion sits
Puttin' on the Ritz
Different types who wear a day coat pants with stripes and cutaway coat perfect fits
Puttin' on the Ritz
Dressed up like a million-dollar trooper
Tryin' hard to look like Gary Cooper (super duper)
Come let's mix where Rockefellers walk with sticks or um-ber-ellas in their mitts
Puttin' on the Ritz
Dressed up like a million-dollar trooper
Tryin' hard to look like Gary Cooper (super duper)
If you're blue and you don't know where to go to why don't you go where fashion sits
Puttin' on the Ritz
Puttin' on the Ritz
Puttin' on the Ritz
Puttin' on the Ritz
Move...
Gotta dance
Gotta dance...
If you're blue and you don't know where to go to why don't you go where fashion sits
Puttin' on the Ritz...
165
YOU'RE BEAUTIFUL (James Blunt)
C
My life is brilliant G
My love is pure Am
I saw an angel F
Of that I'm sure
She smiled at me on the subway
She was with another man
But I won't lose no sleep on that
Cause I've got a plan
F G
You're beautiful C
You're beautiful F G C
You're beautiful, it's true
F G
I saw your face C G Am
In a crowded place F G Am
And I don't know what to do F G C
'Cause I'll never be with you
Yes, she caught my eye
As we walked on by
She could see from my face that I was
Fucking high
And I don't think that I'll see her again
But we shared a moment that will last to the end
You're beautiful…
Am Am Am D
La-la-la-la La-la-la-la La-la-la-la La-a
You're beautiful…
There must be an angel
With a smile on her face
When she thought up that I should be with you
But it's time to face the truth
I will never be with you
166
ABSOLUTE BEGINNERS (David Bowie)
D Bm C#m Gdim F#7 I've nothing much to offer, there's nothing much to take G D C Bm Em A I'm an absolute beginner, but I'm absolutely sane D Bm C#m Gdim F#7 As long as we're together, the rest may go to hell G D C Bm I absolutely love you, but we're absolute beginners G D F# A
With eyes completely open, but nervous all the same
Em A D G
If our love song could fly over mountain Bm F#
Could laugh at the ocean, just like the films Em A D G
There's no reason to feel all the hard times Bm A
To lay down the hard lines, it's absolutely true
Nothing much could happen, nothing we can't shake
Though we're absolute beginners, with nothing much at stake
As long as you're still smiling, there's nothing more I need
I absolutely love you, but we're absolute beginners
But if my love is your love, we're certain to succeed
If our love song could fly over mountain
Could laugh at the ocean, just like the films
There's no reason to feel all the hard times
To lay down the hard lines, it's absolutely true
167
CHANGES (David Bowie)
C Em
I Still dont know what I was waiting for F G
And my time was running wild, F
A million dead-end streets. C Em
And every time i thought I'd got it made F G13
It seems the taste was not so sweet, C Dm7 Em7 Ebm7
So I turned my self to face me Dm7 G7
But I've never caught a glimpse C Dm7 Em7 Ebm7
Of how the others must see the faker Dm7 G7
I'm much too fast to take that test
F C Em Am
Ch-ch-ch-changes, turn and face the strange. C F Am D
Ch-ch-ch-changes, you wanna be a richer man, G7 F C Em Am C F
Ch-ch-ch-changes, turn and face the strange. Am D
It's gonna be a different man. Am G Bb(add 9) F Am G G11 C
Time may change me -- but i cant trace time
I watch the ripples change their size
But never leave the stream
Of warm impermanence.
And so the days flow thru my eyes
But the days still seem the same.
And this children you spit on
As they try to change their worlds,
Are immune to your consultations.
Theyr'e quite aware of what they're going thru.
Ch-ch-ch-changes, turn and face the strange
Ch-ch-ch-changes, don't tell them to grow up and out of it.
Ch-ch-ch-changes, turn and face the strange
Ch-ch-ch-changes, there's your shame,
you've left us up yo our neck in it.
Time may change me, but you can't trace time.
Strange fascination fascinating me.
Oh changes are taking the place I'm going thru.
Ch-ch-ch-changes, turn and face the strange,
Ch-ch-ch-changes, Oh look out you Rock 'n rollers
Ch-ch-ch-changes, turn and face the strange
Ch-ch-ch-changes, pretty soon now you're gonna get a little older.
Time may change me, But i can't trace time.
168
HEROES (David Bowie)
D G
I, I will be king D G
And you, you will be queen C D
Though nothing will drive them away C D
We can beat them just for one day C G D
We can be Heroes just for one day
And you, you can be mean
And I, I'll drink all the time
'Cause we're lovers and that is a fact
Yes we're lovers and that is that
Though nothing will keep us together
We could steal time just for one day
We can be Heroes for ever and ever
What do you say?
I, I wish you could swim
Like the dolphins, like dolphins can swim
Though nothing will keep us together
We can beat them for ever and ever
Oh we can be Heroes just for one day
I, I can remember
Standing by the wall
And the guards shot above our heads
And we kissed as though nothing could fall
And the Seine was on the other side
Oh we can beat them forever and ever
Then we can be Heroes just for one day
169
SPACE ODDITY (David Bowie)
C Em C Em
Ground control to Major Tom Ground control to Major Tom: Am Am7/G D7
Take your protein pills and put your helmet on C Em C Em
Ground control to Major Tom: Commencing countdown engine's on Am Am7/G D7
Check ig-nition and may God's love be with you C E7 F
This is ground control to Major Tom, you've really made the grade! Fm C/E F
And the papers want to know whose shirts you wear, Fm C/E F
now it's time to leave the capsule if you dare C E7 F
This is Major Tom to ground con-trol, I'm stepping through the door Fm C/E F
And I'm floating in the most peculiar way Fm C/E F
and the stars look very difeerent today
Fmaj7 Em7 Fmaj7 Em7
For here am I sitting in a tin can, far above the world Bbmaj7 Am G F
Planet Earth is blue and there's nothing I can do
Though I'm passed one hundred thousand miles, I'm feeling very still
And I think my spaceship knows which way to go,
tell my wife I love her very much she knows
Ground control to Major Tom:
Your circuit's dead, there's something wong. D7
Can you hear me Major Tom? C/G
Can you hear me Major Tom? G
Can you hear me Major Tom? Can you ...
Here am I floating round my tin can, far above the moon
Planet Earth is blue and there's nothing I can do
170
THE MAN WHO SOLD THE WORLD (David Bowie)
Dm A7 Dm
We passed upon the stairs, We spoke of was and when A7 F
Although I wasn't there, he said I was his friend ‚ C Gm A
Which came as some surprise, I spoke into his eyes Dm C (play r2)
I thought you died alone, a long long time ago C (play r2) F (r3)
Oh no, not me Bbm F (r3)
I never lost control C (r2) F
Your face to face Bbm A (repeat intro. )
with the man who sold the world
I laughed and shook his hand, and made my way back home
I searched for form and land, for years and years i roamed
I gazed a gazely stare at all the millions here
We must have died alone' a long long time ago
Who knows? not me
We never lost control
Your'e face to face
with the man who sold the world
r1:
G:--2-2-2-0-2-3-2-0-----2-2-2-0-2-3-2-0-----2-2-2-0-2-3-2-0-------
r2:
C
E:--------------------------------------------------
B:--------------------------------------------------
G:------------2-4-5---------------------------------
D:------2-3-5---------------------------------------
A:--3-5---------------------------------------------
E:--------------------------------------------------
r3:
F
E:--------------------------------------------------
B:------------3-5-6---------------------------------
G:------2-3-5---------------------------------------
D:--3-5---------------------------------------------
A:--------------------------------------------------
E:--------------------------------------------------
171
ZIGGY STARDUST (D. Bowie)
G Bm C
Ziggy played guitar, jamming good with Wierd and Gilly, C/G-C D
and the Spiders from Mars. G Em Am
He played it left hand, but made it too far, became the special man, C
then we were Ziggy's fans. G Bm C
Ziggy really sang, with screwed up eyes and screwed down hairdo, C/G – C D
like some cat from Japan. G Em Am
He could lick 'em by smiling, he could leave 'em to hang; he came on so loaded, man. C
Well-hung and snow-white tan. A G F G
So where were the Spiders? A G F G
While the fly tried to break our bones. A G F G
Just the beer light to guide us. D E
So we bitched about his fans and should we crush his sweet hands...
Ziggy played for time, jiving us that
we were voodoo and the kids was just crass.
He was the nazz with God-given ass.
He took it all too far but boy could he play guitar.
Making love with his ego,
Ziggy sucked up into his mind
Like a leper messiah.
When the kids had killed the man I had to break up the band.
172
CHAN CHAN (Buena Vista Social Club)
Dm F Gm A …
De Alto Cedro voy para Marcané
Luego A Cueto voy para Mayarí.
El carino que te tengo
Yo no lo puedo negar
Se me sale la babita
Yo no lo puedo evitar
Cuando Juanica y Chan Chan
En el mar cernían arena
Como sacudía el 'jibe'
A Chan Chan le daba pena
Limpia el camino de paja
Que yo me quiero sentar
En aquel tronco que veo
Y así no puedo llegar
173
I WALK THE LINE (Johnny Cash)
A E7 A
I keep a close watch on this heart of mine A E7 A
I keep my eyes wide open all the time. A D A
I keep the ends out for the tie that binds A E7 A
Because you're mine, I walk the line
I find it very, very easy to be true
I find myself alone when each day is through
Yes, I'll admit I'm a fool for you
Because you're mine, I walk the line
As sure as night is dark and day is light
I keep you on my mind both day and night
And happiness I've known proves that it's right
Because you're mine, I walk the line
You've got a way to keep me on your side
You give me cause for love that I can't hide
For you I know I'd even try to turn the tide
Because you're mine, I walk the line
174
RING OF FIRE (Johnny Cash)
G C G C
G C G
Love Is A Burning Thing C G
And It Makes A Firery Ring C G
Bound By Wild Desire C G
I Fell Into A Ring Of Fire
D C G
I Fell Into A Burning Ring Of Fire D
I Went Down, Down, Down C G
And The Flames Went Higher
And It Burns, Burns, Burns C G
The Ring Of Fire C G
The Ring Of Fire
(2x)
The Taste Of Love Is Sweet
When Hearts Like Ours Meet
I Fell For You Like A Child
Ohh, But The Fire Went Wild
I Fell Into A Burning Ring Of Fire
I Went Down, Down, Down
And The Flames Went Higher
And It Burns, Burns, Burns
The Ring Of Fire
The Ring Of Fire
(2x)
And It Burns, Burns, Burns
The Ring Of Fire
The Ring Of Fire
175
AND NO MORE SHALL WE PART (Nick Cave)
Bb7 A7 Dm
And no more shall we part Bb7 A7 Dm
It will no longer be necesarry F Gm C7
And no more will I say, dear heart Bbmaj7 A7 Dm
I am alone, and she has left me.
And no more shall we part
The contracts are drawn up, the ring is locked upon the finger
And never again will my letters start
Sadly, or in the depths of winter
And no more shall we part
All the hatchets have been buried now
And all of birds will sing to your
beautiful heart
Upon the bough
And no more shall we part
Your chain of command has been silenced now
And all of those birds would've sung to your beautiful heart
Anyhow
F C
Lord stay by me Gm C
Don't go down F C
I will never be free Gm C
If I'm not free now
Bb7 A7 Dm
For no more shall we part Bb7 A7 Dm
And no more shall we part
176
BLESS HIS EVER LOVING HEART (Nick Cave)
F Dm C Am Dm
Bless his ever loving heart G C
Only he knows who you are F Dm C Am Dm
He may seem so very far G C
Bless his ever loving heart
F Dm
And when your feeling sad Gm Bb F C
And everywhere you look you can't believe the things you see F Dm
When it all comes down so bad Gm Bb F C
And beauty lies exhausted in the streets
F Dm C Am Dm
Hold his ever loving hand G C
Even when you do not understand F Dm C Am Dm
Sorrow has it's natural end G C
Hold his ever loving hand
And when your feeling lone
And everyone you meet you can't believe the things they say
When there's no place left to go
Where someone isn't moving you a little further down the way
Bless his everloving heart
What you do is what you are
When it all comes down so hard
Bless his everlovning heart
Hold his ever loving hand
When it seems you aint got a friend
Only he know who you are and what you are
Bless his everlovning heart
Bless his everlovning heart
177
BREATHLESS (Nick Cave)
C G C
It's up in the morning and on the downs G F
Little white clouds like gambolling lambs G C
And I am breathless over you
And the red-breasted robin beats his wings
His throat it trembles when he sings
For he is helpless before you
The happy hooded bluebells bow
And bend their heads all a-down
Heavied by the early morning dew
At the whispering stream, at the bubbling brook
The fishes leap up to take a look
For they are breathless over you
G
Still your hands C
And still your heart G F
For still your face comes shining through G C
And all the morning glows anew
Still your mind
Still your soul
For still, the fare of love is true
And I am breathless without you
The wind circles among the trees
And it bangs about the new-made leaves
For it is breathless without you
The fox chases the rabbit round
The rabbit hides beneath the ground
For he is defenceless without you
The sky of daytime dies away
And all the earthly things they stop to play
For we are all breathless without you
I listen to my juddering bones
The blood in my veins and the wind in my lungs
And I am breathless without you
Still your hands…
178
BROMPTON ORATORY (Nick Cave & The Bad Seeds)
C Am
Up those stone steps I climb Dm G
Hail this joyful day's return C Am
Into it's great shadowed vault I go G# Gm F
Hail the Pentecostal morn
The reading is from luke 24
Where christ returns to his loved ones
I look at the stone apostles
Think that it's alright for some
And I wish that I was made of stone
So that I would not have to see
A beauty impossible to define
A beauty impossible to believe
A beauty impossible to endure
The blood imparted in little sips
The smell of you still on my hands
As I bring the cup up to my lips
No God up in the sky
No devil beneath the sea
Could do the job that you did, baby
Of bringing me to my knees
Outside I sit on the stone steps
With nothing much to do
Forlorn and exhausted, baby
By the absence of you
179
DEATH IS NOT THE END (Nick Cave)
A
When you're sad and when you're lonely
And you haven't got a friend E A
Just remember that death is not the end
And all that you held sacred
Falls down and does not mend
Just remember that death is not the end
Not the end, not the end
Just remember that death is not the end
When you're standing on the crossroads
That you cannot comprehend
Just remember that death is not the end
And all your dreams have vanished
And you don't know what's up the bend
Just remember that death is not the end
Not the end, not the end
Just remember that death is not the end
When the storm clouds gather round you
And heavy rains descend
Just remember that death is not the end
And there's no-one there to comfort you
With a helping hand to lend
Just remember that death is not the end
Not the end, not the end
Just remember that death is not the end
A D
For the tree of life is growing A
Where the spirit never dies D
And the bright light of salvation A E
Up in dark and empty skies
When the cities are on fire
With the burning flesh of men
Just remember that death is not the end
When you search in vain to find
Some law-abiding citizen
Just remember that death is not the end
Not the end, not the end
Just remember that death is not the end
Not the end, not the end
Just remember that death is not the end
180
INTO MY ARMS (Nick Cave)
F C
I don't believe in an interventionist God F C
But I know, darling, that you do F C
But if I did I would kneel down and ask Him F C
Not to intervene when it came to you F
Not to touch a hair on your head Dm
To leave you as you are G
And if He felt He had to direct you Em G
Then direct you into my arms
Dm
Into my arms, O Lord C
Into my arms, O Lord Dm
Into my arms, O Lord C
Into my arms
And I don't believe in the existence of Angels
But looking at you I wonder if that's true
But if I did I would summon them together
And ask them to watch over you
To each burn a candle fr you
To make bright and clear your path
And to walk, like Christ, in grace and love
And guide you into my arms
Into my arms…
But I believe in Love
And I know that you do too
And I believe in some kind of path
That we can walk down, me and you
So keep your candles burning
And make her journey bright and pure
That she will keep returning
Always and evermore
Into my arms…
181
LUCY (Nick Cave)
G Em
Last night I lay trembling, G Em
the moon it was low G Em
It was the end of a love C D
of misery and woe. G D
Now the belltower is ringin' G D
and night has stole past Em G
Oh Lucy, can you hear me C D
where ever you rest?
182
THE MERCY SEAT (Nick Cave & The Bad Seeds)
It began when they come took me from my home
And put me in Dead Row
Of which I am nearly wholly innocent, you know
And I'll say it again
I am not afraid to die.
Em B(addE)
I began to warm and chill
To objects and their fields
A ragged cup, a twisted mop
The face of Jesus in my soup
Those sinister dinner deals
The meal trolley's wicked wheels
A hooked bone rising from my
food. All things good or ungood.
E5
And the mercy seat is waiting E5(addB)
And I think my head is burning E5 E5(addB)
And in a way I'm yearning to be D5 D5(addA)
done with all this measuring of D5 D5(addA)
truth, An eye for an eye and a tooth for a F5 F5(addC)
tooth, And anyway I told the C5 C5(addG)
truth, And I'm not afraid to die.
Interpret signs and catalogue
A blackened tooth, a scarlet fog
The walls are bad. Black. Bottom kind.
They are the sick breath at my hind
They are the sick breath at my hind
They are the sick breath at my hind
They are the sick breath gathering
at my hind.
I hear stories from the
chamber, How Christ was born into a
manger And like some ragged stranger
Died upon the cross, And might I
say it seems so fitting in its
way He was a carpenter by
trade, Or at least that's what I'm told.
Like my good hand
I tattooed E.V.I.L. across it's
brother's fist
That filthy five! They did
nothing to resist.
In heaven His throne is made of gold
The ark of His testament is
stowed, A throne from which I'm told all
history does unfold, Down here it's
made of wood and wire, And my
body is on fire
And God is never far away.
Into the mercy seat I climb
My head is shaved, my head is
wired, And like a moth that tries to
enter the bright eye, so I go
shuffling out life, Just to
hide in death a while
And anyway I never lied.
My kill-hand is called E.V.I.L.
Wears a wedding band that's G.O.O.D.
'Tis a long suffering shackle
Collaring all that rebel blood
And the mercy seat is waiting…
183
THE SHIP SONG (Nick Cave)
G D
Come sail your ships around me C G D
and burn your bridges down G D
We make a little history baby C G D
everytime you come around
Come loose your dogs upon me
and let your hair hang down
You are a little mystery to me
everytime you come around.
C G D
We talk about it all night long C G D
we define our moral ground Em G
But when I crawl into your arms C G D
everything comes tumbling down.
Come sail your ships around me
and burn your bridges down
We make a little history baby
everytime you come around
184
THE WEEPING SONG (Nick Cave)
Gm F Gm
Go son, go down to the water
and see the women weeping there
then go up into the mountains
the men they are weeping too.
Father why are all the women weeping?
They are all weeping for their men
Then whay are all the men there weeping?
They are weeping back at them
F Gm F Gm
This is a weeping song, a song in which to weep Gm F Gm
while all the men and women sleep F Gm F Gm
this is a weeping song but i won't be weeping long.
185
WHERE THE WILD ROSES GROW (Nick Cave)
Gm C5 Gm
He called me the wild ro-ose A# D
But my name was Elisa Day Gm C5 Gm
Why he called me that I do not kno-ow F5 Gm
For my name was Elisa Day Gm A#
From the first day I saw her I knew she was the one Cm D
She stared in my eyes and smiled Gm A#
Her lips were the colour of the roses Cm D
That grow down the river all bloody and wild
Gm A#
When he knocked on my door and entered the room Cm D
My trembling subsided in his sure embrace Gm A#
He would be my first man and with a careful hand Cm D D7
He wiped off the tears that run down my face
He called me the wild ro-ose…
On the second day I brought her a flower
She was more beautiful than any woman I'd seen
I said "Do you know where the wild roses grow
so sweet and scarlet and free?"
On the second day he came with a single red rose
He said "Give me your lust and your sorrow"
I nodded my head as I lay on the bed
"If I show you the roses, will you follow?"
He called me the wild ro-ose…
On the third day he took me to the river
He showed me the roses and we kissed
And the last thing I heard was a martyr word
As he knelt above me with a rock in his fist
On the last day I took her where the wild roses grow
She lay on the bank going light as a thief
And I kissed her goodbye, said all beauty must die
And I leant down and planted a rose between her teeth
He called me the wild ro-ose…
186
HAVE YOU EVER SEEN THE RAIN (CCR)
C
Someone told me long ago
There's a calm before the storm G C
I know, it's been coming for some time
When it's over so they say
It'll rain a sunny day
I know, shining down like water
F G C
I want to know have you ever seen the rain? F G C Am
I want to know have you ever seen the rain F G C
coming down a sunny day
Yesterdays and days before
Sun is cold and rain is hard
I know,it's been that way for all my time
Till forever on it goes
Through the circle fast and slow
I know and it can't stop I wonder
I want to know have you ever seen the rain?
I want to know have you ever seen the rain
coming down a sunny day
187
PROUD MARY (CCR)
D
Left a good job in the city
Working for the man every night and day
And I never lost a minute of sleeping
Worrying 'bout the way things might have been
A
Big wheel keep on turning Bm
Proud Mary keep on burning D
Rolling, rolling , rolling on the river
Cleaned a lot of plates in Memphis
Pumped a lot of pain in New Orleans
But I never saw the good side of the city
Until I hitched a ride on a river boat queen
Big wheel keep on turning
Proud Mary keep on burning
Rolling, rolling , rolling on the river
188
WHO'LL STOP THE RAIN (CCR)
G C G
Long as I remember, the rain been coming round. G C G
Clouds of mystery pourin', confusion on the ground. C G C G
Good men through the ages, trying to find the sun, C D Em G
And I wonder, still I wonder, who'll stop the rain.
Heard the singers playing, how we cheered for more.
The crowd had rushed together, tryin' to keep warm.
Still the rain kept pourin', falling on my ears.
And I wonder, still I wonder, who'll stop the rain.
I went down Virginia, seeking shelter from the storm.
Cought up in the fable, I watched the tower grow.
Five year plans and new deals, wrapped in golden chains,
And I wonder, still I wonder, who'll stop the rain.
189
BABY CAN I HOLD YOU (Tracy Chapman)
D
Sorry A7sus A7 Em
Is all that you can't say A7sus A7 D
Years gone by and still A7sus A7 Em
Words don't come easily G A G A
Like sorry like sorry
Forgive me
Is all that you can't say
Years gone by and still
Words don't come easily
Like forgive me forgive me
A D
But you can say baby Em G D
baby, can I hold you tonight. Em G Bm
Baby, if I told you the right words, A D
oo, at the right time, you'd be mine.
I love you
Is all that you can't say
Years gone by and still
Words don't come easily
Like I love you I love you
190
FAST CAR (Tracy Chapman)
e-----------0----0----------|5------4----4--------
B--T------------------------|---------------------
G--A--6-7-6-----------------|---------------------
D--B--7-----7----------7----|7------7--------7----
A---------------------------|---------------------
E---------------------------|---------------------
You got a fast car, I want a ticket to anywhere
Maybe we make a deal, Maybe together we can get somewhere
Anyplace is better, Starting from zero got nothing to lose
Maybe we'll make something, But me myself I got nothing to prove
You got a fast car, And I got a plan to get us out of here
I been working at the convenience store, Managed to save just a little bit of money
We won't have to drive too far, Just 'cross the border and into the city
You and I can both get jobs, And finally see what it means to be living
You see my old man's got a problem, He live with the bottle that's the way it is
He says his body's too old for working, I say his body's too young to look like his
My mama went off and left him, She wanted more from life than he could give
I said somebody's got to take care of him, So I quit school and that's what I did
You got a fast car, But is it fast enough so we can fly away
We gotta make a decision, We leave tonight or live and die this way
D A
I remember we were driving driving in your car F#m
The speed so fast I felt like I was drunk Esus
City lights lay out before us D F#m
And your arm felt nice wrapped 'round my shoulder E D F#m
And I had a feeling that I belonged E D E
And I had a feeling I could be someone, be someone, be someone
You got a fast car, And we go cruising to entertain ourselves
You still ain't got a job, And I work in a market as a checkout girl
I know things will get better, You'll find work and I'll get promoted
We'll move out of the shelter, Buy a big house and live in the suburbs
You got a fast car, And I got a job that pays all our bills
You stay out drinking late at the bar, See more of your friends than you do of your kids
I'd always hoped for better, Thought maybe together you and me would find it
I got no plans I ain't going nowhere, So take your fast car and keep on driving
You got a fast car, But is it fast enough so you can fly away
You gotta make a decision, You leave tonight or live and die this way
191
FOR MY LOVER (Tracy Chapman)
Em G
Two weeks in a Virginia jail D A
For my lover, for my lover. Em G
Twenty thousand dollar bail D A
For my lover, for my lover. C A(add9) (x02420)
And everybody thinks I'm the fool. D C
They don't get any love from you.
Em A(add9)
Things we won't do for love Em
I'd climb a mountain if I had to, G
risk my life so I could have you D Cmaj7 (x32000)
you- you- you- you...you- you -you -you -you.
Everyday I'm psychoanalyzed
for my lover, for my lover.
Dope me up and I tell them lies
for my lover, for my lover.---
And everybody thinks I'm the fool.
They don't get any love from you.
Cmaj7 Em
I follow my heart and leave my head to ponder D Cmaj7
deep in this love no man can shake.
I follow my heart and leave my mind to wonder,
is this love worth the sacrifices I make?
192
TALKING 'BOUT THE REVOLUTION (Tracy Chapman)
G Cadd9 Em D …
Don't you know talking about the revolution sounds like a whisper
Don't you know talking about the revolution sounds like a whisper
While they're standing in the woeful lines
Crying in the doorsteps of those armies of salvation
Wasting time in the unemployment lines
Siting 'round waiting for a promotion
Don't you know talking about the revolution sounds like a whisper
Poor people are gonna rise up
And get their share
Poor people are gonna rise up
And take what's theirs
Don't you know you better run, run, run,...
I said you better run, run, run,...
Cause finally the tables are starting to turn
Talking 'bout the revolution
Yes, finally the tables are starting to turn
Talking 'bout the revolution, hold on
Talking 'bout te revolution, oh
While they're standing in the woeful lines
Crying in the doorsteps of those armies of salvation
Wasting time in the unemployment lines
Siting 'round waiting for a promotion
Don't you know talking about the revolution sounds like a whisper
Yes finally the tables are starting to turn
Talking 'bout the revolution
Yes, finally the tables are starting to turn
Talking 'bout the revolution, hold on
Talking 'bout the revolution, hold on
Talking 'bout the revolution, hold on
193
HIT THE ROAD, JACK (R. Charles)
Am G F E Am …
"Hit the road, Jack, and don't you come back no more..."
"Oh woman, oh woman don't treat me so mean
You're the meanest old woman I've ever seen
I guess if you say so
I'll have to pack my bags and go"
"That's right, hit the road Jack..."
"Now baby, listen baby, don't you treat me this a way
Well I'll be back on my feet someday!"
"I don't care if you do cause it's understood
You ain't got no money
You just ain't no good!"
"Well I guess if you say so
I'll have to pack my bags and go..."
"That's right, hit the road Jack..."
194
LET'S TWIST AGAIN (C. Checker)
C Am
Let's twist again like we did last summer F G
Yeah, let's twist again like we did last year C Am
Don't you remember when things were really hummin' F G C
Yeah, let's twist again, twistin' time is here
F C
Yeah round'n a round'n a up'n down we go again F G
Oh baby make me know you love me so and then
Let's twist again like we did last summer
Yeah, let's twist again like we did last year
195
LAYLA (E. Clapton)
What'll you do when you get lonely
With nobody waitin' by your side?
You've been runnin' and hidin' much too long
You know it's just your foolish pride
Layla you got me on my knees:
Layla I'm beggin' darlin' please:
Layla darlin' won't you ease my worried mind
Tried to give you consolation
Your old man won't let you down
Like a fool I fell in love with you
Turned the whole world upside down
Layla you got me on my knees:
Layla I'm beggin' darlin' please:
Layla darlin' won't you ease my worried mind
Let's make the best of the situation
Before I finally go insane
Please don't say we'll never find a way
And tell me all my love's in vain
Layla you got me on my knees:
Layla I'm beggin' darlin' please:
Layla darlin' won't you ease my worried mind
196
WONDERFUL TONIGHT (E. Clapton)
C G
It's late in the evening F G
She's wondering what clothes to wear C G
She puts on her make-up F G
And brushes her long blond hair F G
And than she'll ask me: C Am
Do I look allright? F G C
And I say: Yes, you look wonderful tonight.
We go to a party
And everyone turns to see
This beautiful lady
That's walking around with me
And then she asks me:
Do you feel allright?
And I say: Yes, I feel wonderful tonight.
F G
I feel wonderful because I see C Am
The love light in your eyes F G
And the wonder of it all F G
Is that you just don't realise C
How much I love you
It's time to go home now
And I've got an aching head
So I give her the car keys
And she helps me to bed
And then I tell her
As I turn out the light
I say: Darling, you were wonderful tonight
Oh, my darling, you were wonderful tonight
197
SHOULD I STAY OR SHOULD I GO (The Clash)
D G D
Darling you've got to let me know D G D
Should I stay or should I go G F G
If you say that you are mine D G D
I'll be here till the end of time A
So you've got to let me know D G D
Should I stay or should I go
It's always tease, tease, tease
You're happy when I'm on my knees
One day it's fine and next is black
So if you want me off your back
Well come on and let me know
Should I stay or should I go
Should I stay or should I go now
Should I stay or should I go now
If I go there will be trouble
And if I stay there will be double
So c'mon and let me know
This indecision's buggin' me
If you don't want me set me free
Exactly whom I s'posed to be
Don't you know which clothes even fit me
Come on and let me know
Should I cool it or should I blow
Should I stay or should I go now
Should I stay or should I go now
If I go there will be trouble
And if I stay there will be double
So you've gotta let me know
Should I cool it or should I blow
198
DANCE ME TO THE END OF LOVE (L. Cohen)
Cm
Dance me to your beauty Gm
With a burning violin Cm
Dance me through the panic Gm
Till I'm gathered safely in Cm
Lift me like an olive branch Gm
And be my homeward dove D7 Gm
Dance me to the end of love D7 Gm7add11-Gm
Dance me to the end of love
Let me see your beauty
When the witnesses are gone
Let me feel you moving
Like they do in Babylon
Show me slowly what I only
Know the limits of
Dance me to the end of love
Dance me to the end of love
Dance me to the wedding now
Dance me on and on
Dance me very tenderly and
Dance me very long
We're both of us beneath our love
We're both of us above
Dance me to the end of love
Dance me to the end of love
Dance me to the children
Who are asking to be born
Dance me through the curtains
That our kisses have outworn
Raise a tent of shelter now
Though every thread is torn
Dance me to the end of love
Dance me to the end of love
Dance me to your beauty
With a burning violin
Dance me through the panic
Till I'm gathered safely in
Touch me with your naked hand
Or touch me with your glove
Dance me to the end of love
Dance me to the end of love
199
FAMOUS BLUE RAINCOAT (L. Cohen)
Am7 F
It's four in the morning, the end of December Dm7 Em7
I'm writing you now just to see if you're better Am7 F
New York is cold, but I like where I'm living Dm7 Em
There's music on Clinton Street all through the evening.
Am7 Bm7 Am7 Bm7
I hear that you're building your little house deep in the desert Am7 G Am7 G
You're living for nothing now, I hope you're keeping some kind of record. C G
Yes, and Jane came by with a lock of your hair Am7
She said that you gave it to her 6 Bm7
That night that you planned to go clear F Em
Did you ever go clear?
Ah, the last time we saw you you looked so much older
Your famous blue raincoat was torn at the shoulder
You'd been to the station to meet every train
And you came home without Lili Marlene
And you treated my woman to a flake of your life
And when she came back she was nobody's wife.
Well I see you there with the rose in your teeth
One more thin gypsy thief
Well I see Jane's awake --
She sends her regards.
And what can I tell you my brother, my killer
What can I possibly say?
I guess that I miss you, I guess I forgive you
I'm glad you stood in my way.
If you ever come by here, for Jane or for me
Your enemy is sleeping, and his woman is free.
Yes, and thanks, for the trouble you took from her eyes
I thought it was there for good so I never tried.
And Jane came by with a lock of your hair
She said that you gave it to her
That night that you planned to go clear --
Sincerely, L. Cohen
200
HALLELUJAH (Leonard Cohen)
C C/B Am
I heard there was a secret chord C C/B Am
that David played and it pleased the Lord F G C G
But you don't really care for music do ya C F G
It goes like this the fourth the fifth Am F
the minor fall and the major lift G E Am
The baffled king composing hallelujah F Am F C G C G
Hallelujah, Hallelujah, Hallelujah, Hallelujah
Your faith was strong but you needed proof
You saw her bathing on the roof
Her beauty and the moonlight overthrew ya
She tied you to a kitchen chair
She broke your throne, and she cut your hair
And from your lips she drew the Hallelujah
Hallelujah, Hallelujah, Hallelujah, Hallelujah
Maybe Ive been here before
I know this room Ive walked this floor
I used to live alone before I knew you
Ive seen your flag on the marble arch
Love is not a victory march
It’s a conan it’s a broken hallelujah
Hallelujah, Hallelujah, Hallelujah, Hallelujah
There was a time you let me know
Whats real and going on below
But now you never show it to me do you?
I remember when I moved in you
The holy dark was moving too
And every breath we drew was hallelujah
Hallelujah, Hallelujah, Hallelujah, Hallelujah
Maybe there’s a better bow
Then all I ever learned from love
Was how to shoot at someone while I drew
you
Its not a cry you can hear at night
Its not somebody whos seen the light
It’s a conan it’s a broken hallelujah
Hallelujah, Hallelujah, Hallelujah, Hallelujah
You say I took the name in vain
I don't even know the name
But if I did, well really, what's it to ya?
There's a blaze of light in every word
It doesn't matter which you heard
The holy or the broken Hallelujah
Hallelujah, Hallelujah, Hallelujah, Hallelujah
I did my best, it wasn't much
I couldn't feel, so I tried to touch
I've told the truth, I didn't come to fool ya
And even though it all went wrong
I'll stand before the Lord of Song
With nothing on my tongue but Hallelujah
Hallelujah, Hallelujah, Hallelujah, Hallelujah
201
HEY, THAT'S NO WAY TO SAY GOODBYE (L. Cohen)
A
I loved you in the morning our kisses deep and warm F#m
Your hair upon the pillow like a sleepy golden storm D
Yes, many loved before us I know that we are not new A
In city and in forest they smiled like me and you F#m
But now it's come to distances and both of us must try D
Your eyes are soft with sorrow E A E
Hey, that's no way to say goodbye
I'm not looking for another
As I wander in my time
Walk me to the corner
Our steps will always rhyme
You know my love goes with you
As your love stays with me
It's just the way it changes
Like the shoreline and the sea
But let's not talk of love or chains
And things we can't untie
Your eyes are soft with sorrow
Hey, that's no way to say goodbye
I loved you in the morning
Our kisses deep and warm
Your hair upon the pillow
Like a sleepy golden storm
Yes, many loved before us
I know that we are not new
In city and in forest
They smiled like me and you
But let's not talk of love or chains
And things we can't untie
Your eyes are soft with sorrow
Hey, that's no way to say goodbye
202
LOVER, LOVER, LOVER (L. Cohen)
Em Am
I asked my father, Em
I said, "Father change my name." Am
The one I'm using now it's covered up Em
with fear and filth and cowardice and shame.
C
Yes and lover, lover, lover, lover, lover, G
lover, lover come back to me, C
yes and lover, lover, lover, lover, lover, G
lover, lover come back to me.
He said, "I locked you in this body,
I meant it as a kind of trial.
You can use it for a weapon,
or to make some woman smile."
yes and lover, lover, lover, lover, lover,
lover, lover come back to me.
"Then let me start again," I cried,
"please let me start again,
I want a face that's fair this time,
I want a spirit that is calm."
Yes and lover, lover, lover, lover, lover,
lover, lover come back to me
yes and lover, lover, lover, lover, lover,
lover, lover come back to me.
"I never never turned aside," he said,
"I never walked away.
It was you who built the temple,
it was you who covered up my face."
yes and lover, lover, lover, lover, lover,
lover, lover come back to me.
And may the spirit of this song,
may it rise up pure and free.
May it be a shield for you,
a shield against the enemy.
Yes and lover, lover, lover, lover, lover,
lover, lover come back to me
yes and lover, lover, lover, lover, lover,
lover, lover come back to me.
203
THE PARTISAN (L. Cohen)
(capo 3)
Em G (prehod preko F#) Em
When they poured across the border G (prehod) Em
I was cautioned to surrender, G (prehod) D
this I could not do; C G (prehod) Em
I took my gun and vanished.
I have changed my name so often,
I've lost my wife and children
but I have many friends,
and some of them are with me.
An old woman gave us shelter,
kept us hidden in the garret,
then the soldiers came;
she died without a whisper.
There were three of us this morning
I'm the only one this evening
but I must go on;
the frontiers are my prison.
Oh, the wind, the wind is blowing,
through the graves the wind is blowing,
freedom soon will come;
then we'll come from the shadows.
Les Allemands e'taient chez moi,
ils me dirent, "Signe toi,"
mais je n'ai pas peur;
j'ai repris mon arme.
J'ai change' cent fois de nom,
j'ai perdu femme et enfants
mais j'ai tant d'amis;
j'ai la France entiére.
Un vieil homme dans un grenier
pour la nuit nous a cache',
les Allemands l'ont pris;
il est mort sans surprise.
Oh, the wind, the wind is blowing,
through the graves the wind is blowing,
freedom soon will come;
then we'll come from the shadows.
204
SO LONG MARIANNE (L. Cohen)
A Bm
Come over to the window, my little darling, D A
I'd like to try to read your palm. G D
I used to think I was some kind of Gypsy boy F#m E Esus4 E E7
before I let you take me home.
E7 A F#m
Now so long, Marianne, it's time that we began E Esus4 E E7 E Esus4 E E7 A Asus4 A Asus4
to laugh and cry and cry and laugh about it all again.
Well you know that I love to live with you,
but you make me forget so very much.
I forget to pray for the angels
and then the angels forget to pray for us.
Now so long, Marianne, it's time that we began ...
We met when we were almost young
deep in the green lilac park.
You held on to me like I was a crucifix,
as we went kneeling through the dark.
Oh so long, Marianne, it's time that we began ...
Your letters they all say that you're beside me now.
Then why do I feel alone?
I'm standing on a ledge and your fine spider web
is fastening my ankle to a stone.
Now so long, Marianne, it's time that we began ...
For now I need your hidden love.
I'm cold as a new razor blade.
You left when I told you I was curious,
I never said that I was brave.
Oh so long, Marianne, it's time that we began ...
Oh, you are really such a pretty one.
I see you've gone and changed your name again.
And just when I climbed this whole mountainside,
to wash my eyelids in the rain!
Oh so long, Marianne, it's time that we began ...
205
SUZANNE (L. Cohen)
E
Suzanne takes you down to her place near the river F#m
You can hear the boats go by, you can spend the night beside her. E
And you know that she's half crazy but that's why you want to be there G#m A
And she feeds you tea and oranges that come all the way from China. E F#m
And just when you mean to tell her that you have no love to give her E F#m
Then she gets you on her wavelength and she lets the river answer E
That you've always been her lover.
G#m
And you want to travel with her A
And you want to travel blind E
And you know that she will trust you F#m E
For you've touched her perfect body with your mind.
And Jesus was a sailor when he walked upon the water
And he spent a long time watching from his lonely wooden tower.
And when he knew for certain only drowning man could see him
He said, "All men shall be sailors then until the sea shall free them."
But he himself was broken long before the sky would open
Forsaken, almost human, he sank beneath your wisdom like a stone.
And you want to travel with him
And you want to travel blind
And you think maybe you'll trust him
For he's touched your perfect body with his mind.
Now Suzanne takes your hand and she leads you to the river
She is wearing rags and feathers from Salvation Army counters.
And the sun pours down like honey on our lady of the harbour;
And she shows you where to look among the garbage and the flowers.
There are heroes in the seaweed, there are children in the morning,
They are leaning out for love and they will lean that way forever.
While Suzanne holds the mirror.
And you want to travel with her
And you want to travel blind
And you know that you can trust her
For she's touched your perfect body with her mind.
206
WHO BY FIRE (L. Cohen)
Am G Am
And who by fire Am G Am
Who by water, C G7 C
Who in the sunshine C G7 C
Who in the night time
Am G Am
Who by high ordeal Am G Am
Who by common trial, C G7 C
Who in your merry merry month of may, C G7 C
Who by very slow decay, Am E
Wnd who shall I say is calling?
And who in her lonely slip, who by barbiturate,
Who in these realms of love, who by something blunt,
And who by avalanche, who by powder,
Who for his greed, who for his hunger,
And who shall I say is calling?
And who by brave assent, who by accident,
Who in solitude, who in this mirror,
Who by his lady's command, who by his own hand,
Who in mortal chains, who in power,
And who shall I say is calling?
207
TROUBLE (Coldplay)
Gadd6 Em Bm
Oh no, I see Fmaj7 Amadd9 Gadd6
A spiderweb is tangled up with me Em Bm
And I lost my head Fmaj7 Amadd9 Gadd6
And thought of all the stupid things I'd said
Gadd6 Em Bm Gadd6 Em Bm
Gadd6 Em Bm
oh no, what's this? Fmaj7 Amadd9 Gadd6
a spiderweb and I'm caught in the middle Em Bm
so I turned to run Fmaj7 Amadd9 Gadd6
and thought of all the stupid things I'd done
Aadd9 Em
and I never meant to cause you trouble Aadd9 Em
and I never never meant to do you wrong Aadd9 Em
ah, well if I ever caused you trouble Aadd9 Em
oh no I never meant to do you harm
Gadd6 Em Bm Gadd6 Em Bm
oh no, I see
a spiderweb and it's me in the middle
so I twist and turn
but here am I in my little bubble
singing and I never meant to cause you trouble
and I never meant to do you wrong
ah, well if I ever caused you trouble
oh no I never meant to do you harm
Em F#m G F#m Em
they spun a web for me F#m G F#m Em
they spun a web for me F#m G F#m Em
they spun a web for me
208
WONDERFUL WORLD (Sam Cook)
C Am
Don't know much about history F G
Don't know much biology C Am
Don't know much about science books F G
Don't know much about the French I took C Am
But I do know that I love you C Am
And I know if you love me too F G C
What a wonderful world this would be
C7 G C
Now, I don't claim to be an "A" student G C
But I'm trying to be G C
Maybe by being an "A" student baby F G
I can win your love for me
Don't know much about geography
Don't know much trigonometry
Don't know much about algebra
Don't know slide rule is for
But I know that one and one is two
And this is one could be with you
What a wonderful world this would be
History, biology, science books, French I took
But I do know that I love you
And I know that if you love me too
What a wonderful world this would be
209
BLUE MOON REVISITED (Cowboy Junkies)
C Am F G7 …
I only want to say
That if there is a way
I want my baby back with me
Cause he's my true love, my only one don't you see?
And on that fateful day
Perhaps in the new sun of May
My baby walks back into my arms
I'll keep him beside me forever from harm
You see I was afraid
To let my baby astray
I kept him too tightly by my side
And then one sad day, he went away and he died
Blue Moon you saw me standing alone
Without a dream in my heart
Without a love of my own
Blue Moon you knew just what I was there for
You heard me saying a prayer for
Someone I really could care for
I only want to say
That if there is a way
I want my baby back with me
Cause he's my true love, my only one don't you see?
210
ODE TO MY FAMILY (The Cranberries)
D Bm F#m G …
Understand the things I say, don't turn away from me
Cause I spent half my life out there, you wouldn't disagree.
D'you see me, d'you see, do you like me, do you like me standing there.
D'you notice, d'you know, do you see me, do you see me, does anyone care.
Unhappiness, where's when I was young, and we didn't give a damn.
'Cause we were raised, to see life as fun and take it if we can.
My mother, my mother she hold me, did she hold me, when I was out there.
My father, my father, he liked me, oh he liked me, does anyone care.
Understand what I've become, it wasn't my design.
And people everywhere think, something better than I am.
But I miss you, I miss 'cause I liked it, I liked it, when I was out there.
D'you know this, d'you know, you did not find me, you did not find,
does anyone care.
Unhappiness, where's when I was young, and we didn't give a damn.
'Cause we were raised, to see life as fun and take it if we can.
My mother, my mother she hold me, did she hold me, when I was out there.
My father, my father, he liked me, oh he liked me, does anyone care.
211
WHEN YOU'RE GONE (Cranberries)
C Am Em G
Hold onto love that is what I do now that I've found you.
And from above everything's stinking, they're not around you.
And in the night, I could be helpless,
I could be lonely, sleeping without you.
And in the day, everything's complex,
There's nothing simple, when I'm not around you.
But I'll miss you when you're gone, that is what I do. Hey, baby!
And it's going to carry on, that is what I do. Hey, baby...
Hold onto my hands, I feel I'm sinking, sinking without you.
And to my mind, everything's stinking, stinking without you.
And in the night, I could be helpless,
I could be lonely, sleeping without you.
And in the day, everything's complex,
There's nothing simple, when I'm not around you.
But I'll miss you when you're gone, that is what I do. Hey, baby!
And it's going to carry on, that is what I do. hey, baby...
212
DON'T DREAM IT'S OVER (Crowded House)
Asus F#m
There is freedom within, there is freedom without G F#m
Try to catch the deluge in a paper cup Asus F#m
There's a battle ahead, many battles are lost G
But you'll never see the end of the road F#m
While your traveling with me
G A D Bm
Hey now, hey now, don't dream it's over G A D Bm
Hey now, hey now, when the world comes in G A D Bm
They come, they come to build a wall between us G
We know they won't win
Now I'm towing my car, there's a hole in the roof
My possessions are casuing me suspicion but there's no proof
In the paper today tales of war and of waste
But you turn right over to the T.V. page
Hey now, hey now, don't dream it's over
Hey now, hey now, when the world comes in
They come, they come to build a wall between us
We know they won't win
Now I'm walking again to the beat of a drum
And I'm counting the steps to the door of your heart
Only the shadows ahead barely clearing the roof
Get to know the feeling of liberation and relief
Hey now, hey now, don't dream it's over
Hey now, hey now, when the world comes in
They come, they come to build a wall between us
Don't ever let them win
213
FRIDAY, I’M IN LOVE (The Cure)
D G
I don't care if Monday's blue, D A
Tuesday's great and Wensday too. Bm G
Thursday, I don't care about you, D A
It's Friday, I'm in Love.
214
LOVE SONG (The Cure)
Am G F Em
Whenever I'm alone with you Am G F Em
You make me feel like I am home again Am G F Em
Whenever I'm alone with you Am G F Em
You make me feel like I am whole again
Whenever I'm alone with you
You make me feel like I am young again
Whenever I'm alone with you
You make me feel like I am fun again
F G Am C
However far away I will always love you F G Am C
However long I stay I will always love you F G Am C
Whatever words I say I will always love you F G
I will always love you
Whenever I'm alone with you
You make me feel like I am free again
Whenever I'm alone with you
You make me feel like I am clean again
215
A TOI (Joe Dassin)
Am
A toi, Dm
A la façon que tu as d'être belle, G7
A la façon que tu as d'être à moi, C
A tes mots tendres un peu artificiels, E7
Quelque fois,
A toi,
A la petite fille quetu étais,
A celle que tu es encore souvent,
A ton passé, à tes regrets,
A tes anciens princes charmants,
Am
A la vie, à l'amour,
A nos vies, à nos jours, E7 Am
A l'éternel retour de la chance,
A l'enfant qui viendra,
Qui nous ressemblera, G7 E E7
Qui sera à la fois toi et moi.
A moi,
A la folie dont tu es la raison,
A mes colères sans savoir pourquoi,
A mes silences et à mes trahisons,
Quelque fois,
A moi,
Au temps que j'ai passé à te chercher,
Aux qualités dont tu te moques bien,
Aux défauts que je t'ai caché,
A mes idées de baladin.
A nous,
Aux souvenirs que nous allons nous faire,
A l'avenir et au présent surtout,
A la santé de cette vieille terre,
Qui s'en fout.
A nous,
A nos espoirs et à nos illusions,
A notre prochain premier rendez-vous,
A la santé de ces milliers d'amoureux,
Qui sont comme nous.
216
CHAMPS ELYSEES (Joe Dassin)
C E7
Je me baladais sur l'avenue Am C7
le coeur ouvert a l'inconue F C
j'avais envie de dire bonjour D7 G7
a n'importe qui
N'importe qui et ce fut toi
Je t'ai dit n'importe quoi
Il suffisait de te parler Dm G7 C
Pour t'aprivoiser
Aux Champs Elysees...
Au soleil, sous la pluie
A midi ou a minuit
Il y a tout ce que vous voulez
Aux Champs Elysees
Tu m'a dit j'ai rendez-vous
Dons un sous-sol avec des fous
Qui vivent la guitare a la main
Du soir au matin
Alors je t'ai acompagne
On a chante on a danse
Et on n'a meme pas penser
A s'embrasser
Aux Champs Elysees...
Hier soir deux inconnus
Et ce matin sur l'avenue
Deux amoureux tout etourdis
De la longue nuit
Et de l'Etoile a la Concorde Un orchestre a mille cordes
Tous les oiseaux du point du jour
Chantenet l'amour
Aux Champs Elysees...
217
ET SI TU N'EXISTAIS PAS (Joe Dassin)
Gm
Et si tu n'existais pas Cm
Dis-moi pourquoi j'existerais D7
Pour traîner dans un monde sans toi Gm
Sans espoir et sans regret Gm
Et si tu n'existais pas Cm Cm6
J'essaierais d'inventer l'amour Cm F7
Comme un peintre qui voit sous ses doigts B
Naître les couleurs du jour D7
Et qui n'en revient pas
Et si tu n'existais pas
Dis-moi pour qui j'existerais
Des passantes endormies dans mes bras
Que je n'aimerais jamais
Et si tu n'existais pas
Je ne serais qu'un point de plus
Dans ce monde qui vient et qui va
Je me sentirais perdu
J'aurais besoin be toi
(Solo: Hm Em Hm Em A)
Et si tu n'existais pas
Dis-moi comment j'existerais
Je pourrais faire semblant d'ętre moi
Mais je ne serais pas vrai
Et si tu n'existais pas
Je crois que je l'aurais trouvé
Le secret de la vie, le pourquoi
Simplement pour te créer
Et pour te regarder (Dm Gm Dm - x2)
218
L'ÉTÉ INDIEN (Joe Dassin)
Dm Gm A7
Tu sais, je n'ai jamais été aussi heureux que ce matin-lŕ Dm Gm A7
Nous marchions sur une plage un peu comme celle-ci Dm A
C'était l'automne, un automne oů il faisait beau D7
Une saison qui n'existe que dans le Nord de l'Amérique Gm
Lá-bas on l'appelle l'été indien E
Mais c'était tout simplement le nôtre Dm
Avec ta robe longue tu ressemblais Bdim
A une aquarelle de Marie Laurencin E7 A7
Et je me souviens, je me souviens três bien
De ce que je t'ai dit ce matin-lá A7
Il y a un an, y a un siêcle, y a une éternité Dm A
On ira oů tu voudras, quand tu voudras D7 Gm
Et l'on s'aimera encore, lorsque l'amour sera mort E Dm
Toute la vie sera pareille á ce matin Bdim E7
Aux couleurs de l'été indien
Aujourd'hui je suis três loin de ce matin d'automne
Mais c'est comme si j'y étais. Je pense á toi.
Où es-tu? Que fais-tu? Est-ce que j'existe encore pour toi?
Je regarde cette vague qui n'atteindra jamais la dune
Tu vois, comme elle je reviens en arrière
Comme elle je me couche sur le sable
Et je me souviens, je me souviens des marées hautes
Du soleil et du bonheur qui passaient sur la mer
Il y a une éternité, un siècle, il y a un an
219
SALUT LES AMOUREUX (Joe Dassin)
C G C
Les matins se suivent et se ressemblent, Am F C
Quand l'amour fait place au quotidien. C G C
On n'était pas fait pour vivre ensemble, Am G C
Ca n'suffit pas toujours de s'aimer bien. Am
C'est drôle, hier, on s'ennuyait Em
Et c'est à peine si l'on trouvait, G D
Des mots pour se parler du mauvais temps. Am
Et maintenant qu'il faut partir, Em
On a cent mille choses à dire, G G7 C
Qui tiennent trop à coeur pour si peu de temps.
F G7 C
On s'est aimé comme on se quitte, Am F C
Tout simplement sans penser à demain, G7 C G Am D7
A demain qui vient toujours un peu trop vite, F G7 C
Aux adieux qui quelque fois se passent un peu trop bien.
On fait c'qu'il faut, on tient nos rôles,
On se regarde, on rit, on crâne un peu,
On a toujours oublié quelque chose,
C'est pas facile de se dire adieu.
Et l'on sait que tôt ou tard,
Demain peut-être ou même ce soir,
On va se dire que tout n'est pas perdu,
De ce roman inachevé, on va se faire un conte de fées,
Mais on a passé l'âge, on n'y croirait plus.
On s'est aimé comme on se quitte…
Roméo, Juliette et tous les autres,
Au fond de vos bouquins dormez en paix,
Un simple histoire comme la nôtre,
Est de celles qu'on écrira jamais.
Allons petite il faut partir,
Laisser ici nos souvenirs,
On va descendre ensemble si tu veux,
Et quand elle va nos voir,
La patronne du café,
Va encore nous dire "Salut les amoureux".
On s'est aimé comme on se quitte…
220
BREAKFAST AT TIFFANY'S (Deep Blue Something)
D G A D
You say that we've got nothing in common, G A D
no common ground to start from, G A D G A
and we’re falling apart.
You'll say, the world has come between us,
Our lives have come between us,
but I know you just don't care.
D A G
And I said, What about Breakfast at Tiffany's? D A G
She said, I think I remember the film D A G
and as I recall, I think, we both kinda liked it. D A G
And I said, well, that's the one thing we got.
I see you the only
one who knew me,
and now your eyes see through me.
I guess I was wrong.
So what now?
It's plain to see we're over,
and I hate when things are over,
when so much is left undone.
221
ANNIE’S SONG (John Denver)
G C D Em C G
You fill up my senses, like a night in the forest. C D Am C D
Like a mountain in springtime, like a walk in the rain. C D Em C G
Like a storm in the desert, like a sleepy blue ocean. C D Am D G
You fill up my senses, come fill me again.
Come let me love you, let me give my life for you.
Let me drown in your laughter, let me die in your arms.
Let me lay down beside you, let me always be with you.
Come let me love you, come love me again.
You fill up my senses, like a night in the forest.
Like a mountain in spring time, like a walk in the rain.
Like a storm in the desert, like a sleepy blue ocean.
You fill up my senses, come fill me again.
222
THANK YOU (Dido)
Em C D
My tea's gone cold, I'm wondering why G G/F# Em
I got out of bed at all.
The morning rain clouds up my window
and I can't see at all.
And even if I could it'd all be grey,
but your picture on my wall
it reminds me that it's not so bad, C
it's not so bad
I drank too much last night, got bills to pay,
my head just feels in pain.
I missed the bus and there'll be hell today,
I'm late for work again.
And even if I'm there, they'll all imply
that I might not last the day.
And then you call me and it's not so bad,
it's not so bad and
G C
I want to thank you G C
For giving me the best day of my life.
Oh just to be with you
Is having the best day of my life
Push the door, I'm home at last
and I'm soaking through and through.
Then you hand me a towel
and all I see is you.
And even if my house falls down,
I wouldn't have a clue.
Because you're near me and
I want to thank you
For giving me the best day of my life.
Oh just to be with you
Is having the best day of my life
223
BROTHERS IN ARMS (Dire Straits)
Am F G
These mist covered mountains C Gm
Are a home now for me Am Em
But my home is in the lowlands F G
And always will be Am Em
Some day you'll return to F G
Your valleys and your farms Am
And you'll no longer burn Dm G Am F G
To be brothers in arms
Through these fields of destruction
Baptisms of fire
I've watched all your suffering
As the battles raged higher
And though they did hurt me so bad
In the fear and alarm
You did not desert me
My brothers in arms
Am G Am G
There's so many different worlds F G
So many different suns Am G Am G And we have just one world F G F But we live in different ones
Now the sun's gone to hell
And the moon's riding high
Let me bid you farewell
Every man has to die
But it's written in the starlight
And every line on your palm
We're fools to make war
On our brothers in arms
224
TELEGRAPH ROAD (Dire Straits)
A long time ago came a man on a track
Walking 30 miles with a sack on his back
And he put down his load
Where he thought it was the best
He made a home in the wilderness
He built a cabin and a winter store
And he ploughed up the ground
By the cold lake shore
And the other travellers came riding down the track
And they never went further and they never went back
Then came the churches than came the schools
Then came the lawyers then came the rules
Then came the trains and the trucks with their loads
And the dirty old track was the telegraph road
Then came the miners then came the ore
Then there was the hard times then there was a war
Telegraph sang a song about the world outside
Telegraph road got so deep and so wide
Like a rolling river
And my radio says tonight is gonna freeze
People driving home from the factories
There's six lanes of traffic, three lanes moving slow
---
I used to like to go to work but they shut it down
I've got a right to go to work
But there's no work here to be found
Yes, and they say we're gonna have to pay what's owed
We're gonna have to reap from some seed that's been sowed
And the birds upon wires and the telegraph poles
They can always fly away from this rain and this cold
You can hear them singing out their telegraph code
All the way down the telegraph road
I'd rivers of rain from the anger that
Lives on the streets with these names
Cause I've run every red light on memory lane
I've seen desperation explode into flames
And I don't want to see it again
From all these signs saying sorry, but we're closed
All the way down the telegraph road
225
WHY WORRY (Dire Straits)
Baby I see this world has made you sad
Some people can be bad
The things they do, the things they say
But baby I'll wipe away those bitter tears
I'll chase away those restless fears
That turn your blue skies into grey
Why worry, there should be laughter after pain
There should be sunshine after rain
These things have always been the same
So why worry now
Baby when I get down I turn to you
And you make sense of what I do
I know it isn't hard to say
But baby just when this world seems mean and cold
Our love comes shining red and gold
And all the rest is by the way
Why worry, there should be laughter after pain
There should be sunshine after rain
These things have always been the same
So why worry now
226
LIGHT MY FIRE (Doors)
Am7 F#m7 …
You know that it would be untrue
You know that I would be a liar
If I was to say to you
Girl, we couldn't get much higher
G A D
Come on, baby, light my fire G A D
Come on, baby, light my fire G D E
Try to set the night on fire
The time to hasitate is through
No time to wallow in the mire
Try now we can only loose
And our love becomes a funeral pyre
227
PEOPLE ARE STRANGE (Doors)
Em
People are strange Am Em
When you're a stranger Am Em
Faces look ugly B Em
When you're alone
Women seem wicked
When you're unwanted
Streets are uneven
When you're down
B
When you're strange G B
Faces come out of the rain
When you're strange G B
No one remembers your name
When you're strange...
228
CLOTHES OF SAND (Nick Drake)
Who has dressed you in strange clothes of sand,
Who has taken you far from my land,
Who has said that my sayings were wrong,
And who will say that I stayed much too long?
Clothes of sand have covered your face,
Given you meaning but taken my place,
So make your way on down to the sea,
Something has taken you so far from me.
Does it now seem worth all the colour of skies,
To see the the earth through painted eyes,
To look through panes of shaded glass,
See the stains of winter grass?
Can you now return from where you came,
Try to burn your changing name,
Or with silver spoons and colored light,
Will you worship moons in winter night?
Clothes of sand have covered your face,
Given you meaning but taken my place,
So make your way on down to the sea,
Something has taken you so far from me.
229
STRANGE MEETING II (Nick Drake)
Deep down in the depths of forgotten dreams,
So far away so long ago it seems,
The memory comes of a distant beach,
Pale sand stretching far from reach,
It was then I found my princess of the sand.
As I traced the foam, pebbles beneath my feet,
I looked behind, I saw this one so sweet,
She came to me and I saw in her eyes,
The heavy toll of a thousand sights,
I called her my princes of the sand.
She stared at me and my mind was in a maze,
As we moved along in a summer sea dream haze,
She moved her mouth but there came no sound,
The message she brought can never be found,
But I called her my princess of the sand.
One moment we walked with the night breeze in our face,
Then I looked, she'd gone,
Of her presence there was no trace
Where she went or came from who can know,
Or if she'll ever return to help me know,
Who she is, my princess of the sand.
Sometime, when the summer nights come back,
I'll go back to the sea, follow that sandy track,
I'll look around, hope to find
That strange young dream, close behind,
I'll call her my princess of the sand.
230
SEVEN DRUNKEN NIGHTS (Trad. Arr. Dubliners)
As I went home on a Monday night
As drunk as drunk could be
I saw a hart outside the door
Where my old hart should be
Well I called me wife and I said to her:
Will you kindly tell to me
Who owns that hart outside the door
Where my old hart should be
You drunk, you drunk, you silly old fool
Still you cannot see
That's a lovely sow that me mother sent to me
Well it's many a day I travelled
A hundred mile no more
But a seddle on a sow sure I never saw before
And as I went home on a Tuesday night
As drunk as drunk could be
I saw a coat behind the door
Where my old coat should be
Well I called me wife and I said to her:
Will you kindly tell to me
Who owns that coat behind the door
Where my old coat should be
You drunk, you drunk, you silly old fool
Still you cannot see
That's a woolen blanket that me mother sent to me
Well it's many a day I travelled
A hundred mile no more
But buttons in a blanket sure I never saw before
And as I went home on a Wednesday night
As drunk as drunk could be
I saw a pipe upon the chair
Where my old pipe should be
Well I called me wife and I said to her:
Will you kindly tell to me
Who owns that pipe upon the chair
Where my old pipe should be
You drunk, you drunk, you silly old fool
Still you cannot see
That's a lovely tin whistle that me mother sent to me
Well it's many a day I travelled
A hundred mile no more
But tobacco in a tin whistle sure I never saw before
And as I went home on a Thursday night
As drunk as drunk could be
I saw two bots beneath the bed
Where my old boots should be
Well I called me wife and I said to her:
Will you kindly tell to me
Who owns them boots beneath the bed
Where my old boots should be
You drunk, you drunk, you silly old fool
Still you cannot see
They're two lovely duranium pots me mother
sent to me
Well it's many a day I travelled
A hundred mile no more
But laces in duranium pots I never saw before
And as I went home on a Friday night
As drunk as drunk could be
I saw a head inside my bed
Where my old head should be
Well I called me wife and I said to her:
Will you kindly tell to me
Who owns that head with you in the bed
Where my old head should be
You drunk, you drunk, you silly old fool
Still you cannot see
That's a baby boy that me mother sent to me
Well it's many a day I travelled
A hundred mile no more
But a baby boy with his whiskers on I never
saw before
231
ORDINARY WORLD (Duran Duran)
C#m E B
Came in from a rainy Thursday on the avenue C#m E B
thought I heard you talking softly C#m E B
I turned on the lights, the tv and the radio C#m E B
still I can't escape the ghost of you
C#m
What is happened to it all? G#m
Crazy, some say D# A
Where is the life that I recognize?
gone away
B F#m
But I won't cry for yesterday A
there's an ordinary world B
somehow I have to find F#m
And as I try to make my way A
to the ordinary world B
I will learn to survive
Passion or coincidence
once prompted you to say
"Pride will tear us both apart"
Well now pride's gone out the window
cross the rooftops, runaway
left me in the vacuum of my heart
What is happening to me?
Crazy, some say
Where is my friend when I need you most?
Gone away
But I won't cry …
Papers in the roadside
tell of suffering and greed
feared today, forgot tomorrow
ooh, here beside the news
of holy war and holy need
ours is just a little sorrowed talk
And I don't cry …
every world is my world
(I will learn to survive)
232
IL EST CINQ HEURES, PARIS S'ÉVEILLE (Jacques Dutronc)
Am
Je suis l'dauphin d'la place Dauphine C
Et la place Blanche a mauvaise mine Am
Les camions sont pleins de lait C
Les balayeurs sont pleins d'balais
E7
Il est cinq heures Am Bm
Paris s'éveille E7 Am
Paris s'éveille
Les travestis vont se raser
Les stripteaseuses sont rhabillées
Les traversins sont écrasés
Les amoureux sont fatigués
Il est cinq heures…
Le café est dans les tasses
Les cafés nettoient leurs glaces
Et sur le boulevard Montparnasse
La gare n'est plus qu'une carcasse
Il est cinq heures…
Les banlieusards sont dans les gares
A la Villette on tranche le lard
Paris by night, regagne les cars
Les boulangers font des bâtards
Il est cinq heures…
La tour Eiffel a froid aux pieds
L'Arc de Triomphe est ranimé
Et l'Obélisque est bien dressé
Entre la nuit et la journée
Il est cinq heures…
Les journaux sont imprimés
Les ouvriers sont déprimés
Les gens se levent, ils sont brimés
C'est l'heure oů je vais me coucher
Il est cinq heures…
233
BLOWING IN THE WIND (B. Dylan)
G C D G
How many roads must a man walk down C D
Before you call him a man?
Yes and how many seas must a white dove sail
Before she sleeps in the sand?
Yes and how many miles must the canon balls fly
Before they're forever banned?
C D G C
The answer, my friend, is blowing in the wind D G
The answer is blowing in the wind
How many times must a man look up
Before he can see the sky?
Yes and how many ears must one man have
Before he can hear people cry?
Yes and how many deaths will it take,
Till he knows, that too many people have died?
The answer...
How many years can a mountain exist
Before it's washed to the sea?
Yes and how many years can some people exist
Before they're allowed to be free?
Yes and how many times can a man turn his head
Pretending he just doesn't see?
The answer...
234
KNOCKING ON HEAVEN'S DOOR (B. Dylan)
C G Dm
Mamma put this badge off of me C G F
Cause I can't use it anymore C G Dm
It's getting dark, too dark to see C G F
I feel I'm knocking on heaven's door
Knock, knock, knocking on heaven's door...
Mamma put my guns in the ground
I can't shoot them anymore
That long black cloud is coming down
I feel I'm knocking on heaven's door
Knock, knock, knocking on heaven's door...
235
SARA (B. Dylan)
Em Am
I laid on a dune I looked at the sky D Em
When the children were babies And played on
the beach Am
You came up to behind me I saw you go by D Em
You were always so close and still within'
reach
G Bm C
Sara, Sara D C Em
Whatever made you want to change your
mind G Bm C
Sara, Sara D C Em
So easy to look at, so hard to define.
I can still see them playin'
With their pails in the sand
They run to the water
Their buckets to fill
I can still see the shells
Fallin' out of their hands
As they follow each other
Back up the hill
Sara, Sara
Sweet virgin angel, sweet love of my life
Sara, Sara
Radiant jewel, mystical wife
Sleepin' in the woods
By a fire in the night
Drinkin' white rum
In a Portugal bar
Them playin' leap-frog
And hearin' about Snow White
You in the market place
In Savanna-la-Mar
Sara, Sara
It's all so clear, I could never forget
Sara, Sara
Lovin' you is the one thing I'll never regret
I can still hear the sounds
Of those Methodist bells
I'd taken the cure
And had just gotten through
Stayin' up for days
In the Chelsea Hotel
Writin' "Sad-Eyed Lady
Of the Lowlands" for you
Sara, Sara
Wherever we travel we're never apart
Sara, oh Sara
Beautiful lady, so dear to my heart
How did I meet you
I don't know
A messenger sent me
In a tropical storm
You were there in the winter
Moonlight on the snow
And on Lily Pond Lane
When the weather was warm
Sara, oh Sara
Scorpio Sphinx in a calico dress
Sara, Sara
You must forgive me my unworthiness
Now the beach is deserted
Except for some kelp
And a peice of an old ship
That lies on the shore
You always responded
When I needed your help
You gimme a map
And a key to your door
Sara, oh Sara
Glamorous nymph with an arrow and bow
Sara, oh Sara
Don't ever leave me, don't ever go
236
HOTEL CALIFORNIA (The Eagles)
Hm
On a dark, desert highway F#
Cool wind in my hair A E
Worm smell of colitas rising up through the air G D
Up ahead in the distance I saw a shimmering light E
My head grew heavy and my sight grew dimmer F#
I had to stop for the night
There she stood in the doorway
I heard the mission bell
I was thinking to myself: "This could be heaven and this could be hell."
Then she lit up a candle and she showed me the way
There were voices down the corridor
I thought I heard them say: G D
"Welcome to the Hotel California E F#
Such a lovely place, such a lovely face.
Plenty of room at the Hotel California
Any time of year you can find me here."
Her mind is Tiffany-twisted, she's got the Mercedes bends
She's got a lot of pretty, pretty boys that she calls friends
How they danced in the courtyard
Sweet summer sweat
Some dance to remember, some dance to forget
So I called up the Captain: "Please bring me my wine!"
He said:"We haven't had that spirit here since 1969."
And still those voices are calling from far away
Wake you up in the middle of the night
Just to hear them say:
"Welcome to the Hotel California
Such a lovely place, such a lovely face."
They're livin' it up at the Hotel California
What a nice surprise bring your alibies
Mirrors on the ceiling, pink champagne on ice and she said:
"We are all just prisoners here of our own device"
And in the master's chambers
They gathered for the feast
They stab it with their steely knives
But they just can't kill the beast.
Last thing I remember I was running for the door
I had to find the passage back to the place I was before
"Relax," said the night man, "We are programmed to receive
You can check out any time you like but you can never leave"
237
C'EST LA VIE (Emerson, Lake and Palmer)
C'est la vie
Have your leaves all turned to brown
Will you scatter them around you
C'est la vie.
Do you love
And then how am I to know
If you don't let your love show for me
C'est la vie.
In the night
Do you light a lover's fire
Do the ashes of desire for you remain.
Like the sea
There's a love too deep to show
Took a storm before my love flowed for you
C'est la vie... Oh, c'est la vie
Who knows, who cares for me
C'est la vie.
Like a song
Out of tune and out of time
All I neede was a rhyme for you
C'est la vie.
Do you give
Do you live from day to day
Is there no song I can play for you
C'est la vie... Oh, c'est la vie.
238
SODADE (Cesaria Evora)
Quem mostra’ bo
Ess caminho longe?
Quem mostra’ bo
Ess caminho longe?
Ess caminho
Pa Sâo Tomé
Sodade, sodade
Sodade
Dess nha terra Sâo Nicolau
Si bô ’screve me
’M ta ’screve be
Si bô ’screve me
’M ta ’screve be
Até dia
Qui bô voltâ
Sodade, sodade
Sodade
Dess nha terra Sâo Nicolau
239
THE WAY (Fastball)
F#m
They made up their minds Bm
And they started packing C# F#m
They left before the sun came up that day F# Bm
An exit to eternal summer slacking F#m Bm C# F#m
But where were they going without ever knowing the way?
They drank up the wine
And they got to talking
They now had more important things to say
And when the car broke down they started walking
Where were they going without ever knowing the way?
E A E
Anyone can see the road that they walk on is paved in gold F#m
And it's always summer C#
They'll never get cold D
They'll never get hungry A E
They'll never get old and grey
You can see their shadows wandering off somewhere
They won't make it home
But they really don't care
They wanted the highway A E C#
They're happier there today, today
Their children woke up
And they couldn't find them
They left before the sun came up that day
They just drove off and left it all behind 'em
But where were they going without ever
Knowing the way?
Anyone can see the road…
240
BALLADE DE MELODY NELSON (Serge Gainsbourg)
F#m
Ca c'est l'histoire D F#m
De Melody Nelson D F#m
Qu'a part moi-meme personne A C#m
N'a jamais pris dans ses bras D#m
Ca vous etonne D F#m
Mais c'est comme ca
Elle avait de l'amour
Pauvre Melody Nelson
Ouais, elle en avait des tonnes
Mais ses jours etaient comptes
Quatorze automnes
Et quinze etes
Un petit animal
Que cette Melody Nelson
Une adorable garconne
Et si delicieuse enfant
Que je n'ai con-
Nue qu'un instant.
Oh! Ma Melody
Ma Melody Nelson
Aimable petite conne
Tu etais la condition
Sine qua non
De ma raison
241
LA CHANSON DE PRÉVERT (Serge Gainsbourg)
Am C
Oh je voudrais tant que tu te souviennes F C
Cette chanson était la tienne G C
C'était ta préférée je crois E7 Am
Qu'elle est de Prévert et Kosma F C
Et chaque fois les feuilles mortes G C
te rappellent à mon souvenir F C
Jour après jour les amours mortes E7 Am
n'en finissent pas de mourir
Avec d'autres bien sûr je m'abandonne
Mais leur chanson est monotone
Et peu à peu je m'indiffère
A cela il n'est rien a faire
Car chaque fois les feuilles mortes
Te rappellent à mon souvenir
Jour après jour les amours mortes
N'en finissent pas de mourir
Peut-on jamais savoir par où commence
Et quand finit l'indifférence
Passe l'automne vienne l'hiver
Et que la chanson de Prévert
Cette chanson les Feuilles Mortes
S'efface de mon souvenir
Et ce jour là mes amours mortes
En auront fini de mourir
Et ce jour là mes amours mortes
En auront fini de mourir
242
SOLO LE PIDO A DIOS (Leon Gieco)
Em
G C G
Sólo le pido a Díos C (walk down) Am
que el dolor no me sea indiferente Bm G D
que la reseca muerte no me encuentre C (walk dowm) Em
vacio y sólo, sin haber hecho lo suficiente.
Sólo le pido a Díos
que lo injusto no me sea indiferente
que no me abofeteen la otra mejilla
despues de que una garra me araño esta suerte.
Sólo le pido a Díos
que la guerra no me sea indiferente,
es un monstruo grande y pisa fuerte
toda la pobre inoscencia de la gente.
Sólo le pido a Díos
que el engaño me me sea indiferente,
si un traidor puede más que unos cuantos
que esos cuantos no lo olviden facilmente.
Sólo le pido a Díos
que el futuro no me sea indiferente
desahuciado está el que tiene que marchar
a vivir una cultura diferente.
Solo le pido a Díos
que la guerra no me sea indiferente,
es un monstruo grande y pisa fuerte
toda la pobre inoscencia de la gente.
243
PATIENCE (Guns and Roses)
C
Shed a tear 'cause I'm missing you G
I'm still allright to smile A D
Girl I think about you every day now
Was a time when I wasn't sure but
you set my mind at ease
There is no doubt you're in my heart now
C G
Said woman take it slow C Em
It'll work itself out fine C G D
All we need is just a little patience
Said sugar make it slow and
It'll come together fine
All we need is just a little patience
I sit here on the stairs 'cause I'd rather be alone
If I can't have you right now I'll wait dear
Sometimes I get so tense
But I can't speed up the time
But you know love there's one more thing to consider
Sid woman take it slow
And things will be just fine
You and I just need a little patience
Said sugar take the time
Cause the lights are shinning bright
You and I've got what it takes to make it
We won't fake it
I'll never break it
Guess I can take it
244
THE LUDLOWS (“Twilight and Mist”, James Horner)
D A
As evening fell, a maiden stood Bm G
At the edge of a wood. D Bm
In her hands lay the reins G A
Of a stallion.
D G
And ne'er I'd seen a girl as fair, A Bm
Heard a gentler voice anywhere. D
Whispered, "Alas..." G
She belonged, belonged to another-- D
Another forever. G
Yes, she belonged to D
the twilight and mist.
245
WICKED GAME (Chris Isaak)
Bm A E …
We were on fire
No one could save me but you.
Strange world desire make foolish people do
I never dreamed that I'd meet somebody like you
I never dreamed that I'd lose somebody like you
No, I don't want to fall in love
No, I don't want to fall in love
With you
With you
What a wicked game to play
To make me feel this way
What a wicked thing to do
To let me dream of you
What a wicked thing to say
You never felt this way
What a wicked thing to do
To make me dream of you
And I wanna fall in love
And I don't want to fall in love
World was on fire
No one could save me but you
Strange world desire make foolish people do
I never dreamed that I'd love somebody like you
I never dreamed that I'd lose somebody like you
And I wanna fall in love
And I wanna fall in love
With you
With you
Nobody loves no one
246
PILATE'S DREAM (Jesus Christ Superstar)
Bm Em A7
I dreamed I met a Galilean Bm C
A most amazing man F#7 F#7+ G Em6
He had that look you very rarely find F#7 Bm
The haunting, hunted kind
I asked him to say what had happened
How it all began
I asked again, he never said a word
As if he hadn't heard
B B7
And next the room was full Em A
of wild and angry men A7
they seemed to hate this man D
they fell on him and then F#7
they disappeared again
Then I saw thousands of millions
crying for this man
And then I heard them mentioning my name
And leaving me the blame
247
CORCOVADO/QUIET NIGHTS OF QUIET STARS (A. C. Jobim)
D9
Quiet nights of quiet stars,
Um cantinho, um violao
Abo
Quiet chords from my guitar,
Esse amor uma cancao,
g7 Gb7 Fmaj7
Floating on the silence that surrounds me.
Pra fazer felice a quem se ama.
f7
Quiet thoughts and quiet dreams,
Muita calma pra pensar,
e7 F+7
Quiet walks by quiet streams,
E ter tempo pra sonhar,
D9 d7 Abo
And a window looking out on the mountains and the sea, how lovely!
Da janela ve-se a Corcovado o Redentor, que lindo!
D9
This is how I want to be,
Quero a vida sempres assim,
Abo
Here with you so close to me,
Com voce perto de mim,
g7 Gb7 Fmaj7
Until the final flicker of life's ember.
Ate a apagar da velha chama.
f7 f6
I who was lost and lonely,
E eu que era triste,
e7 F+7
Believing life was only,
Descrente desse mundo,
d7 G(b9b13) e7 a7
A bitter tragic joke have found with you,
Ao encontrar voce eu conheci,
d7 G13 G(b9b13) C Bb9 F+7
The meaning of existence, oh my love.
O que e felicidade, meu amor.
248
THE GIRL FROM IPANEMA (Antonio Carlos Jobim)
Fmaj7
Tall and tan and young and lovely G7
the girl from Ipanema goes walking, and when Gm7 Gb7 Fmaj7 Gb9
and when she passes, each one she passes goes a-a-h...
When she walks she's like a samba
that swings so cool and sways so gentle Fmaj7
that when she passes, each one he passes goes a-a-h... Gbmaj7 Cb9
Oh, but I watch her so saddly. F#m7 D9
How can I tell her I love her? Gm7 Eb9
Yes, I would give my heart gladdly. Am7 D7-9
But each day when she walks to the sea, she Gm7 C7-9
she looks straight ahead not at me.
Tall and tan and young and lovely the girl
from Ipanema goes walking, and when
she passes I smile, but she doesn't
see.
(2.) Fmaj7
...see. Gb7 Fmaj7
She just doesn't. see.
No, she doesn't see.
249
STAND BY ME (Ben E. King)
C
When the night has come Am
And the land is dark F G C
And the moon is the only light you see
No I won't be afraid
No I won't be afraid
Just as long as you stand, stand by me
Oh darling, darling…
Stand by me, oh, stand by me
Won't you please
Stand by me, stand by me
If the sky that we look upon
Should tumble and fall
And the mountain should crumble to the sea
I won't cry, I won't cry
No I won't shed a tear
Just as long as you stand, stand by me
Oh darling, darling…
Stand by me, oh, stand by me
Won't you please
Stand by me, stand by me
250
STAIRWAY TO HEAVEN (Led Zeppelin)
There's a lady who's sure
All that gliters is gold
And she's buying a stairway to heaven
When she gets there she knows
If the stores are all closed
With a word she can get
What she came for
And she's buying a stairway to heaven
There's a sign on the wall
But she wants to be sure
'cause you know sometimes words have two meanings
In a tree by the brook
There's a songbird who sings
Sometimes all of our thoughts are misgiven
There's a feeling I get
When I look to the west
And my spirit is crying for leaving
In my thoughts I have seen
Rings of smoke through the trees
And the voices of those of stand looking
And it makes me wonder
It really makes me wonder
And it's whispered that soon if we all call the tune
Then the piper will lead us to reason
And a new day will dawn for those who stand long
And the forests will echo in laughter
If there's a bustle in your headgerow don't be alarmed now
It's just a spring clean for the May queen
Yes, there are two paths you can go by but in the long run
There's still time to change the road you're on
And it makes me wonder
Your head is humming and it won't go in case you don't know
The piper's calling you to join him
Dear lady can you hear the wind blow
And did you know your stairway lies on the whispering wind
And as we wind on down the road
Our shadows taller than our soul
There walks a lady we all know
Who shines white light and wants to know
How everything still turns to gold
And if you listen very hard
The tune will come to you at last
When all are one and one is all
To be a rock and not to roll
And she's buying a stairway to heaven
251
IMAGINE (J. Lennon)
C Cmaj7 F
Imagine there's no heaven
It's easy if you try
No hell below us
Above us only sky F Am Dmin7 G G7
Imagine all the people living for today
Imagine there's no countries
It isn't hard to do
Nothing to kill or die for
And no religion too
Imagine all the people living life in peace
You may say I'm a dreamer
But I'm not the only one
I hope someday you'll join us
And the world will be as one
Imagine no possession
I wonder if you can
No need for greed or hunger
A brotherhood of men
Imagine all the people sharing all the world
You may say I'm a dreamer...
252
SUMMER IN THE CITY (The Lovin' Spoonful)
Hot town, summer in the city
Back of my neck getting dirty and gritty
Been down, isn't it a pity
Doesn't seem to be a shadow in the city
All around, people looking half dead
Walking on the sidewalk, hotter than a match head
But at night it's a different world
Go out and find a girl
Come-on come-on and dance all night
Despite the heat it'll be alright
And babe, don't you know it's a pity
That the days can't be like the nights
In the summer, in the city
In the summer, in the city
Cool town, evening in the city
Dressing so fine and looking so pretty
Cool cat, looking for a kitty
Gonna look in every corner of the city
Till I'm wheezing like a bus stop
Running up the stairs, gonna meet you on the rooftop
But at night it's a different world…
Hot town, summer in the city
Back of my neck getting dirty and gritty
Been down, isn't it a pity
Doesn't seem to be a shadow in the city
All around, people looking half dead
Walking on the sidewalk, hotter than a match head
But at night it's a different world
253
THIS IS THE LIFE (Amy MacDonald)
Bm G D F#
Oh the wind whistles down
The cold dark street tonight
And the people they were dancing to the music vibe
And the boys chase the girls
With the curls in their hair
And the shy tormented youth sit way over there
And the songs they get louder
Each one better than before
And you're singing the songs
Thinking this is the life
And you wake up in the morning and your head feels twice the size
Where you gonna go
Where you gonna go
Where you gonna sleep tonight
So you're heading down the road
In your taxi for four
And you're waiting outside Jimmy's front door
But nobody's in and nobody's home 'til four
So you're sitting there with nothing to do
Talking about Robert Riger and his motley crew
And where you're gonna go and where you're gonna sleep tonight
254
CALIFORNIA DREAMING (Mammas & Papas)
Em B7
Em D C D F#m7 B7
All the leaves are brown, and the sky is grey C G B7 Em (Am) B7 Am6 B7
I've been for a walk, on a winter's day Em D C D F#m7 B7
I'd be safe and warm, if I was in L.A. Em D C D F#m7 B7
California dreamin', on such a winter's day
Stopped into a church, I passed along the way
Oh, I got down on my knees, and I pretend to pray
You know the preacher likes the cold, he knows I'm going to stay
California dreamin', on such a winter's day
All the leaves are brown, and the sky is grey
I've been for a walk, on a winter's day
If I didn't tell her, I could leave today
Em D C D Em
California dreamin', on such a winter's day D C D Em
California dreamin', on such a winter's day D C D Cmaj7 Em
California dreamin', on such a winter's day
255
VINCENT (Don Mc Lean)
G
Starry Starry night Am
paint your pallete blue and grey C
Look out on a summers day D7 G with eyes that know the darkness in my soul Am
Shadows on hills sketch the tress and daffodils C
Catch the breeze and the winter chill D7 G In colors on the snowy linen land
C G Am D7 G Em
And now I understand what you tried to say to me Am7 D7
How you suffered for your sanity Em
How you tried to set them free A7 Am7
They would not listen the did not know how D7 G perhaps they 'll listen now
Starry starry nite flamings flowr's that brightly blaze
Swirling coulds in violet haze reflect in VIncents eyes of china blue
Colors changing hue, morning fields of amber graing
Weatherd faces lined in pain are soothed beneath the artists loving hand
And now I understand what you tried to say to me
How you suffered for you sanity, how you tried to set them free
They would not listen, they did not know how
perhaps they 'll listen now G Am7 D7 G
For the could not love you but still your love was true Em Am7 Cm6
And when no hope was left in sight on that starry starry nite G F7 E7 Am7
You took you life as lovers often do But I could of told you Vinvent C D7 G
This world was never meant for one as beautiful as you
Starry starry nite portraits hung in empty halls
frameless heads on nameless walls with i's that watch the world and cant forget
Like the strangers that youve met,the ragged men in ragged clothes
The silver thorn the bloody rose Lire crushed and broken on the virgin snow
And now I understand what you tried to say to me
How you suffered for you sanity
How you tried to set them free
They would not listen they’re not listening still
perhaps they never will
256
LOVELY (The Mission)
I believe in angels
heaven
colors
sunshine
laughter
crying
magic
dreams
lovely
friends
love
dreams
children
deliverance
me
But most of all I believe in you
257
ALWAYS LOOK ON THE BRIGHT SIDE OF LIFE (Monti Python)
Am D G Em
Some things in life are bad they can really make you mad Am D G
Other things just make you swear and curse Am D
When you're chewing a life's gristle G Em
Don't grumble give a whistle Am D7
And this'll help things turn out for the best
G Em Am D7 G Em Am D7
And always look on the bright side of life G Em Am D7 G Em Am D7
Always look on the light side of life
If life seems jolly rotten there's something you've forgotten
and that's to laugh and smile and dance and sing.
When you've feeling in the dumps don't be silly chumps
Just purse your lips and whistle - that's the thing
And always look on the bright side of life
Come on always look on the bright side of life
For life is quite absurd and death's the final word
you must always face the curtain with a bow
Forget about your sin - give the audience a grin
Enjoy it - it's your last chance anyhow.
So always look on the bright side of death
just before you draw your terminal breath
Life's a piece if shit when you look at it
Life's a laugh and death's a joke it's true
You'll see it's all a show
keep'em laughing as you go
just remember that the last laugh is on you
And always look on the bright side of life
Always look on the right side of life
(Come on guys, cheer up) A F# Bm E7 A F# Bm E7
Always look on the right side of life A F# Bm E7 A F# Bm E7
Always look on the right side of life ....
258
NIGHTS IN WHITE SATIN (Moody Blues)
Em D
Nights in white satin Em D
Never reaching the end C G
Letters I've written F Em
Never meaning to send
Beauty I'd always missed
With this eyes before
Just what the truth is
I can't say anymore
A
Cause I love you C
Yes I love you Em D Em D
Oh how I love you
Gazing at people
Some hand in hand
Just what I'm going through
They can't understand
Some try to tell me
Thoughts they cannot defend
Just what you want to be
You'll be in the end
259
A WHITER SHADE OF PALE (Van Morrison)
C Am
We skipped the light fandango F Dm
And turned cartwheels across the floor G Em G7
I was feeling kind of seasick C Am Em
But the crowd called out for more
F Dm
The room was humming harder G Em G7
As the ceiling flew away C Am Em
When we called out for another drink F Dm
The waiter brought a tray
G13 C6 Cmaj7 Am C
And so it was that later F Dm
As the miller told his tale G Em
That her face at first just ghostly G7 C F C G7 C
Turned a whiter shade of pale
She said "There is no reason,
And the truth is plain to see,"
But I wandered through my playing cards
And would not let her be
One of sixteen vestal virgins
Who were leaving for the coast
And although my eyes were open
They might just as well have been closed
260
BROWN EYED GIRL (Van Morrison)
G C G D
Hey, where did we go, days when the rain came
Down in the hollow, playing a new game
Laughing, and a running, hey, hey
Skipping and a jumping in the misty morning fog,
with our hearts a thumpin' and
C D G Em
you, my brown eyed girl C D G
You, my brown eyed girl
Whatever happened to Tuesday and so slow
Going down to the old mine
With a transistor radio
Standing in the sunlight laughing
Hiding behind a rainbow's wall
Slipping and a sliding
All along the waterfall
With you, my brown eyed girl
You, my brown eyed girl
D7
Do you remember when we used to sing G C G D7
Sha la la la la la la la di da Just like that G C G D7 G
Sha la la la la la la la te da la te da
Now that I'm all on my own
I saw you just the other day
My, how you have grown
Cast my memory back there Lord
Sometimes I'm overcome thinkin' 'bout it
Laughing and a running hey, hey
Behind the stadium
With you, my brown eyed girl
You, my brown eyed girl
261
MOONDANCE (Van Morrison)
Am7 Bm7 Am7 Bm7 …
well it's a marvelous night for a moondance with the
stars up above in your eyes
a fantabulous night to make romance 'neath the
color of october skies
all the leaves on the trees are falling to the
sounds of the breezes that blow
and I'm trying to place to the calling of the
heartstrings that play soft and low
Dm7 Am7
and every time I touch you Dm7 Am7
you just tremble in-side Dm7 Am7
and I know how much you want me Dm7 E7
that I can’t hide
Am7 Bm7 Am7 Bm7 …
Can I just have one more moondance with you,
my love?
Can I just make some more romance with you, Am7 E7
my love?
well I want to make love to you tonight
I can't wait til the morning has come
and I know that the time will be just right
and straight into my arms you will come
when you come my heart will be waiting
to be sure that you're never alone
there and then all my dreams will come true dear
there and then I will make you my own
you know the night's magic seems to
whisper and hush
and all the soft moonlight seems to shine
on your blush
Can I just have one more moondance with you my love?
Can I just make some more romance with you my love?
262
THE WAY YOUNG LOVERS DO (Van Morrison)
Am
We strolled through fields all wet with rain
And back along the lane again Dm Am
There in the sunshine, in the sweet summertime E Am
The way that young lovers do
I kissed you on the lips once more
And we said goodbye at your front door
In the nighttime, yeah that's the right time
To feel the way that young lovers do
C G
Then we sat on our own star and dreamed C F E
Of the way that we were and the way that we wanted to be C G
Then we sat on our own star and dreamed C F E
Of the way that I was for you and you were for me
And then we danced the night away
And turn into each other and say
I love you, I love you
The way that young lovers do
Then we sat on our own star and dreamed
Of the way that we were and the way that we wanted to be
Then we sat on our own star and dreamed
Of the way that I was for you and you were for me
263
HEAD OVER FEET (Alanis Morrissette)
D A Bm G …
I had no choice but to hear you
You stated your case time and again
I thought about it
You treat me like I'm a princess
I'm not used to liking that
You ask how my day was
B E C#m A B
You've already won me over in spite of me E C#m A B
Don't be alarmed if I fall head over feet E C#m A B
Don't be surprised if I love you for all that you are G D
I couldn't help it A B
It's all your fault
Your love is thick and it swallowed me whole
You're so much braver than I gave you credit for
That's not lip service
B E C#m A B
You've already won me over in spite of me E C#m A B
Don't be alarmed if I fall head over feet E C#m A B
Don't be surprised if I love you for all that you are G D
I couldn't help it A B
It's all your fault
You are the bearer of unconditional things
You held your breath and the door for me
Thanks for your patience
You're the best listener that I've ever met
You're my best friend
Best friend with benefits
What took me so long
I've never felt this healthy before
I've never wanted something rational
I am aware now
I am aware now
264
LE TEMPS DE VIVRE (Georges Moustaki)
A E F#m C#m
Nous prendrons le temps de vivre D A D E
d'etre libre, mon amour
Sans projects et sans habitudes
Nous pouvans rever notre vive
A E
Viens, je suis la F#m C#m
je n'attends que toi D A
tout est possible D E
tout est permis
Viens ecoute, ces mots qui vibrent
sur les murs du mois de mai
ils nous disent la certitude
que tout peut changer d'un jour
265
MA LIBERTÉ (Georges Moustaki)
Am
Ma liberté Dm Dm7
Longtemps je t'ai gardée G G7 C E7
Comme une perle rare Am Dm
Ma liberté, C'est toi qui m'a aidé E7 Am
A larguer les amarres C F
Pour aller n'importe où C
Pour aller jusqu'au bout E7
Des chemins de fortune Am C
Pour cueillir en rêvant E7
Une rose des vents Am
Sur un rayon de lune
Ma liberté
Devant tes volontés
Mon âme était soumise
Ma liberté, Je t'avais tout donné
Ma dernière chemise
Et combien j'ai souffert
Pour pouvoir satisfaire
Toutes tes exigences
J'ai changé de pays
J'ai perdu mes amis
Pour gagner ta confiance
Ma liberté
Tu as su désarmer
Toutes Mes habitudes
Ma liberté, Toi qui m'a fait aimer
Même la solitude
Toi qui m'as fait sourire
Quand je voyais finir
Une belle aventure
Toi qui m'as protégé
Quand j'allais me cacher
Pour soigner mes blessures
Ma liberté
Pourtant je t'ai quittée
Une nuit de décembre
J'ai déserté les chemins écartés
Que nous suivions ensemble
Lorsque sans me méfier
Les pieds et poings liés
Je me suis laissé faire Dm Am
Et je t'ai trahi pour G
Une prison d'amour Am
Et sa belle geôlière
266
ONE NIGHT IN BANGKOK (Murray Head, Chess)
Bangkok, Oriental setting and the city don't know that the city is getting
The creme de la creme of the chess world in a show with everything but Yul Brynner
Time flies -- doesn't seem a minute
Since the Tirolean spa had the chess boys in it
All change -- don't you know that when you
Play at this level there's no ordinary venue
It's Iceland -- or the Philippines -- or Hastings -- or -- or this place!
One night in Bangkok and the world's your oyster
The bars are temples but the pearls ain't free
You'll find a god in every golden cloister
And if you're lucky then the god's a she
I can feel an angel sliding up to me
One town's very like another when your head's down over your pieces, brother
It's a drag, it's a bore, it's really such a pity to be looking at the board, not looking at the city
Whaddya mean? Ya seen one crowded, polluted, stinking town --
Tea, girls, warm, sweet
Some are set up in the Somerset Maugham suite
Get Thai'd! You're talking to a tourist
Whose every move's among the purest
I get my kicks above the waistline, sunshine
One night in Bangkok makes a hard man humble
Not much between despair and ecstasy
One night in Bangkok and the tough guys tumble
Can't be too careful with your company
I can feel the devil walking next to me
Siam's gonna be the witness
To the ultimate test of cerebral fitness
This grips me more than would a
Muddy old river or reclining Buddha
And thank God I'm only watching the game -- controlling it --
I don't see you guys rating the kind of mate I'm contemplating
I'd let you watch, I would invite you but the queens we use would not excite you
So you better go back to your bars, your temples, your massage parlours --
One night in Bangkok and the world's your oyster
The bars are temples but the pearls ain't free
You'll find a god in every golden cloister
A little flesh, a little history
I can feel an angel sliding up to me
One night in Bangkok makes a hard man humble
Not much between despair and ecstasy
One night in Bangkok and the tough guys tumble
Can't be too careful with your company
I can feel the devil walking next to me
267
LE VENT NOUS PORTERA (Noir Desir)
Em
Je n'ai pas peur de la route
Faudrait voir, faut qu'on écoute
Des méandres au creux des reins D
Et tout ira bien Em
Le vent l'emportera
Ton message à la grande ourse
Et la trajectoire de la course
A l'instantané de velours D
Même s'il ne sert à rien Em
Le vent l'emportera D
Tout disparaîtra Em
Le vent nous portera
La caresse et la mitraille
Cette plaie qui nous tiraille
Le palais des autres jours
D'hier et demain
Le vent les portera
Génetique en bandouillère
Des chromosomes dans l'atmosphère
Des taxis pour les galaxies
Et mon tapis volant lui
Le vent l'emportera
Tout disparaîtra
Le vent nous portera
Ce parfum de nos années mortes
Ceux qui peuvent frapper à ta porte
Infinité de destin
On en pose un, qu'est-ce qu'on en retient?
Le vent l'emportera
Pendant que la marée monte
Et que chacun refait ses comptes
J'emmène au creux de mon ombre
Des poussières de toi
Le vent les portera
Tout disparaîtra
Le vent nous portera
268
DON'T LOOK BACK IN ANGER (Oasis)
C G Am
Slip inside the eye of your mind E7 F
Don't you know you might find G C Am, G
A better place to play
You said that you'd never been
But all the things that you've seen
Slowly fade away
F Fm C
So I start a revolution from my bed F Fm C
Cos you said the brains I have went to my head F Fm C
Step outside the summertime's in bloom G
Stand up beside the fireplace G#/E7
Take that look from off your face Am G F G
Cos you ain't ever going to burn my heart ouuuuuuuuuut
C G Am E7 F
So Sally can wait, she knows it's too late G C
As we're walking on by C G Am E7 F
Her soul slides away, but don't look back in anger G C
I heard you say
Take me to the place where you go
Where nobody knows
If it's night or day
Please don't put your life in the hands
Of a Rock and Roll band
Who'll throw it all away
Gonna start a revolution from my bed
Cos you said the brains I have went to my head
Step outside the summertime's in bloom
Stand up beside the fireplace
Take that look from off your face
Cos you ain't ever gonna burn my heart ouuuuuuuuuut
So Sally can wait...
F
But don't look back in anger Fm
Dont look back in anger C
I heard you say at least not today
269
MOONLIGHT SHADOW (Mike Oldfield)
e C
The last that ever she saw him D G D
carried away by a moonlight shadow e C
she passed on worried and warning D G D
carried away by a moonlight shadow G D
lost in a riddle that Saturday night e C D
far away on the other side G D
he was caught in the middle of a desperate fight e C D
and she couldn't find how to push through.
The trees that whisper in the evening
carried away by a moonlight shadow
sing a song of sorrow and grieving
carried away by a moonlight shadow
all she saw was the silhouette of a gun
far away on the other side
he was shot six time by a man on the run
and she couldn't find how to push through.
D G C D
I stay, I pray, see you in heaven far away G C D
I stay, I pray, see you in heaven one day.
Four a.m. in the morning
carried away by a moonlight shadow
I watch your vision forming
carried away by a moonlight shadow
the stars move slowly in a silver night
far away on the other side
would you come to talk to me this night
but she couldn't find how to push through.
I stay, I pray...
Caught in the middle of a hundred and five
the night was heavy and the air was alive
but she couldn't find how to push through.
270
TO FRANCE (Mike Oldfield)
C
Talking on wather
a G
sailing a restless sea C D C
from a memory a fantasy
the wind carries a
into white water G
far from the islands C
don't you know you're
e D a e C
never going to get to France D
Mary Quin of chance e
will they find you e D a e C
never going to get to France D
could you new romance e
ever bind you
Walking on foreign grounds
like a shadow
roaming in far off sanctuary
over your shoulder
stories unfold
your searching for sanctuary
you konw you're
never going to … C a
I see a picture G C D
by the lamp's flicker C a
isn't it strange now G C D
dreams fade and shimmer
Never going to…
I see a picture
by the lamp's flicker
isn't it strange now
dreams fade and shimmer
Never going to…
271
MISS SARAJEVO (The Passengers)
F#m
Is There A Time For Keeping Your Distance H
A Time To Turn Your Eyes Away
Is There A Time For Keeping Your Head Down
For Getting On With Your Day
Is There A Time For Kohl And Lipstick
A Time For Cutting Hair
Is There A Time For High Street Shopping
To Find The Right Dress To Wear E
Here She Comes F#m
Heads Turn Around E
Here She Comes G#m
To Take Her Crown
Is There A Time To Run For Cover
A Time For Kiss And Tell
Is There A Time For Different Colors
Different Names You Find It Hard To Spell
Is There A Time For First Communion
A Time For East 17
Is There A Time To Turn To Mecca
Is There Time To Be A Beauty Queen
Here She Comes
Beauty Plays The Clown
Here She Comes
Surreal In Her Crown
Dici che il fiume trova la via al mare
E come il fiume giungerai a me
Oltre i confini e le terre assetate
Dici che come fiume
Come fiume
L'amore giunger
L'amore
E non so pi pregare
E nell'amore non so pi sperare
E quell'amore non so pi aspettare
Is there a time for tying ribbons
A time for Christmas trees
Is there a time for laying tables
And the night is set to freeze.
272
WISH YOU WERE HERE (Pink Floyd)
C D
So, so you think you can tell Am
Heaven from hell G
Blue skies from pain? D
Can you tell a green field C
From a cold steel rail Am
A smile from a vail? G
Do you think you can tell?
Did they get you to trade
Your heroes for ghosts
Hot ashes for trees
Hot air for a cool breeze
Cold comfort for change?
Did you exchange
A walk on part in a war
For a lead role in a cage?
How I wish, how I wish you were here
We're just two lost souls
Swimming in a fish bowl
Year after year
Running over the same old ground
What have we found?
The same old fears
Wish you were here
273
ONLY YOU (Platters)
Only you can make all this world seem right
Only you can make the darkness bright
Only you and you alone can thrill me like you do
And fill my heart with love for only you
Only you can make all this change in me
For it's true you are my destiny
When you hold my hand I understand
The magic that you do
You're my dreams come true
My one and only you
274
LORELEI (Pogues)
C
You told me tales of love and glory F
Same old sad songs, same old story C Am
The sirens sing no lullaby Em G
And no one knows but Lorelei
By castles out of fairy tales
Timbers shiver where once there sailed
The lovesick men who caught her eye
And no one knew but Lorelei
F
River, River, River have mercy G
Take me back to the sea F
For if I perish on these rocks G
My love no more I'll see
I've thought of you in far-off places
And puzzled over lipstick traces
So help me God, I will not cry
And then I think of Lorelei
I travel far and wander wide
No photograph of you beside me
Ol' man River's not so shy
And he remembers Lorelei
River, River...
If I should float upon this stream
And see you in my madman's dream
I'd sink into your troubled eyes
And none would knew 'cept Lorelei
River, River...
But if my ship which sails tomorrow
Should crash against these rocks
My sorrow, I will drown before I die
It's you I'll see not Lorelei
275
PASSENGER (Iggy Pop)
Am F C G …
I am the passenger and I ride and I ride
I ride through the city’s backsides
I see the stars come out of the sky
Oh yeah, the bright and hollow sky
You know it looks so good tonight
I am the passenger I stay under glass
I look through my window so bright
I see the stars come out tonight
I see the bright and hollow sky
Over the city's a rip in the sky
And everything looks good tonight
Singing la,la,la...
Get into the car, we'll be the passenger
We'll ride through the city at night
And see the city's ripped backsides
We'll see the bright and hollow sky
We'll see the stars that shine so bright
A star is made for us tonight
Singing...
Oh, the passenger, how, how he rides
Oh, the passenger, and he rides, and he rides
He looks through his window
What does he see?
He sees the side of hollow sky
He sees the stars come out tonight
He sees the winding ocean drive
And everything was made for you and me
All of it was made for you and me
Cause it just belongs to you and me
So let's take a ride and see what's mine
276
ARE YOU LONESOME TONIGHT (E. Presley)
C Em
Are you lonesome tonight Am
Do you miss me tonight C C7 F
Are you sorry we drifted apart
G
Does your memory strain G7
To a bright summer day C
When I kissed you and called you sweetheart
C7
Do the chairs in your parlour F
Seem empty and brave D
Do you gaze at your doorstep G
And picture me there
C Em
Is your heart filled with pain D
Shall I come back again G G7 C G7
Tell me dear, are you lonesome tonight
I wonder if you are lonesome tonight
You know someone said that the world is a stage
And you must play a part.
Fate had me playing in love twes my sweet heart.
Act one was when I met you, I loved you at first glance
You read your line so cleverly and never missed a 'q'
Then came act 2, you seemed to change and you acted strange
And why I'll never know.
Honey, you're lying when you said you loved me
And I had no cause to doubt you.
But I'd rather go on hearing your lies
Than go on living without you.
Now the stage is bare and I'm standing there
With emptiness all around
And if you won't come back to me
Then make them bring the curtain down.
Is your heart . . .
277
CAN'T HELP FALING IN LOVE (E. Presley)
Wise men say only fools rush in
But I can't help falling in love with you
Shall I stay, would it be a sin
If I can't help falling in love with you?
Like a river flows surely to the sea
Darling so it goes some things are meant to be
Take my hand, take my whole life too
For I can't help falling in love with you
278
LOVE ME TENDER (E. Presley)
Love me tender, love me sweet
Never let me go
You have made my life complete
And I love you so
Love me tender, love me true
All my dreams fulfill
For my darling I love you
And I always will
Love me tender, love me long
Take me to your heart
For it's there that I belong
And we'll never part
Love me tender, love me dear
Tell me you are mine
I'll be yours through all the years
Till the end of time
When at last my dreams come true
Darling this I know
Happiness will follow you
Everywhere you go
279
THE GHETTO (E. Presley)
A D A
As the snow flies. Amaj7 Bm E
On a cold and grey Chicago morn' another little baby child is born A D A D A
In the ghetto
And his mother cries ( in the ghetto )
'Cause if there's one thing that she don't need,
It's another little hungry mouth to feed
In the ghetto
E D A
Now people don't you understand The child needs a helping hand D E A
Or he'll grow up to be an angry young man some day E Bm A
Take a look at you and me Are we too blind to see D Amaj7 Bm E
Or do we just turn our heads and look the other way
As the world turns
And a hungry little child with a runny nose
Plays in the streets as the cold wind blows
And his hunger burns
So he starts to roam the streets at night
and he learns how to steal and he learns how to fight
In the ghetto
E Bm A
And then one night in desperation A young man breaks away D Amaj7 Bm E
He buys a gun steals a car tries to run but he don't get far A D A
and his mother cries
Amaj7 Bm
As a crowd gathers 'round an angry young man face down in the street E
with a gun in his hand A D A
as her young man dies Amaj7 Bm E
on a cold and grey Chicago morn' another little baby child is born A D A
In the ghetto
And his mama cries
280
I'LL STAND BY YOU (Pretenders)
D F#m
Oh, why you look so sad? G
Tears are in your eyes D A
Come on and come to me now D F#m
Don't be ashamed to cry G
Let me see you through Bm A
'Cause I've seen the dark side too F#m Bm
When the night falls on you F#m Bm
You don't know what to do G
Nothing you confess A7
Could make me love you less
D
I'll stand by you Bm
I'll stand by you Am7
Won't let nobody hurt you D F G
I'll stand by you
C Em
So if you’re mad, get mad F
Don't hold it all inside C G
Come on and talk to me now C Em
Hey, what you got to hide? F
I get angry too C G
Well I'm a lot like you Em Am
When you’re standing at the crossroads Em Am
And don't know which path to choose F
Let me come along G
'Cause even if you’re wrong
I'll stand by you
I'll stand by you
Won't let nobody hurt you
I'll stand by you
Take me in, into your darkest hour
And I'll never desert you
I'll stand by you
And when... F#m
When the night falls on you, Baby F#m
You're feeling all alone A A7
You won't be on your own
I'll stand by you
I'll stand by you
Won't let nobody hurt you
I'll stand by you
Take me in, into your darkest hour
And I'll never desert you
I'll stand by you
I'll stand by you
Won't let nobody hurt you
I'll stand by you
Won't let nobody hurt you
I'll stand by you
281
HASTA SIEMPRE COMANDANTE (Carlos Puebla)
F#m E D C#
F#m Bm D C#
Aprendimos a quererte
Desde la histórica altura
Donde el sol de tu bravura
Le puso cerco a la muerte.
Aquí se queda la clara
La entrañable transparencia
De tu querida presencia
Comandante Che Guevara
Tu mano gloriosa y fuerte
Sobre la historia dispara
Cuando todo Santa Clara
Se dispierta para verte.
Aquí se queda la clara
Vienes quemando la brisa
Con soles de primavera
Para plantar la bandera
Con la luz de tu sonrisa.
Aquí se queda la clara
Tu amor revolucionario
Te conduce a nueva empresa
Donde esperan la firmeza
De tu brazo libertario.
Aquí se queda la clara
Seguiremos adelante
Como junto a ti seguimos
Y con Fidel te decimos:
“¡Hasta Siempre Comandante!”
Aquí se queda la clara
282
NEW YORK TELEPHONE CONVERSATION (Lou Reed)
C G F G a E a E a
I was sleeping, gently napping, when I heard the phone a G C G F G C G C
Who is on the other end talking, am I even home
Did you see what she did to him, did you hear what they said
Just a New York conversation, rattling in my head
Oh, my, and what shall we wear
Oh, my, and who really cares
Just a New York conversation, gossip all of the time
Did you hear who did what to whom, happens all the time
Who has touched and who has dabbled here in the city of shows
Openings, closings, bad repartee, everybody knows
Oh, how sad, why do we call
Oh, I'm glad to hear from you all
I am calling, yes I'm calling just to speak to you
For I know this night will kill me, if I can't be with you
If I can't be with you
283
PERFECT DAY (Lou Reed)
Am D
Just a perfect day G C
Drink sangria in the park F Dm
And then later, when it gets dark E
We go home
Just a perfect day
Feed animals in the ZOO
Than later a movie, too
And then home
A D
Oh, it’s such a perfect day C#m D D/C# D/B
I’m glad I spent it with you A E
Oh, such a perfect day F#m E D
You just keep me hanging on F#m E D
You just keep me hanging on
Just a perfect day
Problems all left alone
Weekenders on our own
It’s such fun
Just a perfect day
You made me forget myself
I thought I was someone else
Someone good
Oh, it’s such a perfect day
I’m glad I spent it with you
Oh, such a perfect day
You just keep me hanging on
You just keep me hanging on
C#m G D D/C# D/B A
You’re going to reap, just what you sow...
284
SATELLITE OF LOVE (Lou Reed)
G A7 C D
Satellite’s gone up to the sky G A7 C D
Things like that drive me out of my mind Em D C
I watched it for a little while Am C
I like to watch things on TV
G D
Satellite of love F C
Satellite of love G D
Satellite of love G D C D
Satellite of...
Satellite’s gone way up to Mars
Soon it will be filled with parking cars
I watched it for a little while
I love to watch things on TV
Satellite of love...
I’ve been told that you’ve been bold
With Hary, Mark and John
Monday, Tuesday, Wednesday, Thursday
With Hary, Mark and John
Satellite’s gone up to the skies
Things like that drive me out of my mind
I watched it for a little while
I love to watch things on TV
Satellite...
285
WALK ON THE WILD SIDE (Lou Reed)
C F6
Holly came from Miami, F-L-A C F6
Hitchhiked her way across the U-S-A C D
Plucked her eyebrows on the way F
Shaved her legs D
Then he was a she
C F6
She says hey babe, take a walk on the wild side, C F6
She say hey babe, take a walk on the wild side
Candy came from out on the island
In the back room she was everybody's darlin'
But she never lost her head
Even when she was givin' head
She says hey babe, take a walk on the wild side
She says hey honey, take a walk on the wild side
And the colored girls sing
Doot, doo doot, doo doot, doo doot doo doot
Doot, doo doot, doo doot, doo doot doo doot
(etc)
Little Joe never once gave it away
Everybody had to pay and pay
A hustle here and a hustle there
New york city's the place where
They said hey babe, take a walk on the wild side
They said hey joe, take a walk on the wild side
Sugar plum fairies came and hit the streets
Lookin' for soul food and a place to eat
Went to the apollo
You should have seen him go go go
They said hey sugar, take a walk on the wild side
They said hey babe, take a walk on the wild side
Jackie is just speedin' away
Thought she was james dean for a day
Then i guess she had to crash
Valium would've helped that bash
She said hey babe, take a walk on the wild side
She said hey honey, take a walk on the wild side
And the colored girls sing
Doot, doo doot, doo doot, doo doot doo doot
Doot, doo doot, doo doot, doo doot doo doot
286
EVERYBODY HURTS (R.E.M)
D G D G
When the day is long and the night, the night is yours alone, D G D G (walk down)
when you're sure you've had enough of this life, well hang on. Em A Em A Em A
Don't let yourself go, cause everybody cries and everybody hurts D G
sometimes.
Sometimes everything is wrong. Now it's time to sing along.
When your day is night alone, (hold on, hold on)
if you feel like letting go, (hold on)
when you think you've had too much of this life, well hang on.
Cause everybody hurts. Take comfort in your friends.
Everybody hurts.
F# Bm F# Bm
Don't throw your hand. Oh, no. F# Bm C
Don't throw your hand. G C C/B Am
If you feel like you're alone, no, no, no, you are not alone
If you're on your own in this life, the days and nights are long,
when you think you've had too much of this life to hang on.
Well, everybody hurts sometimes,
everybody cries. And everybody hurts sometimes.
And everybody hurts sometimes. So, hold on, hold on.
Hold on, hold on. Hold on, hold on. Hold on, hold on.
(Everybody hurts. You are not alone.)
287
FALL ON ME (R.E.M.)
Dm Am
There's a problem, feathers iron Dm Am
Bargain buildings, weights and pullies Dm Am Dm Am
Feathers hit the ground before the weight can leave the air Dm G C Dm/F Dm C G7
Buy the sky and sell the sky and tell the sky and tell the sky
C Dm F G
Don't fall on me
Fall on me F G F Fmaj7
Fall on me
There's the progress we have found (when the rain)
A way to talk around the problem (when the children reign)
Building towered foresight (keep your conscience in the dark)
Isn't anything at all (melt the statues in the park)
Buy the sky and sell the sky and bleed the sky and tell the sky
C Dm F G
Don't fall on me
Fall on me F G F Fmaj7
Fall on me Am F Am
Well I could keep it above G Am
But then it wouldn't be sky anymore F Dm G
So if I send it to you you've got to promise to keep it whole
Buy the sky and sell the sky and lift your arms up to the sky
And ask the sky and ask the sky
C Dm F G
Don't fall on me
Fall on me F G F Fmaj7
Fall on me
288
FIND THE RIVER (R.E.M)
D F A7sus4 G
Hey now little speedy head the read on the speedometer says D F A7sus4
you have to go the task in the city D F
Where people drown and people serve A7sus4 G D F A7sus4
Don't be shy, your just deserve is only just light years to go
G A D Em
Me my thoughts are flowers strewn, an ocean storm may bury them G A D (Dsus)
I have got to leave to find my way G A D Em
Watch the road and memorize this life that passed before my eyes G A D
and nothing is going my way
The ocean is the river's goal, the need to leave the water knows
We're closer now, but light years to go
I have got to find the river, Bergamot and bed of rose
Run through my head and far away
Leave the road and memorize this life that passed before my eyes
and nothing is going my way
There's no one left to take the lead, but I'll tell you and you can see
We're closer now and light years to go
Pick up here and chase the ride, river empties to the tide
Fall into the ocean
River to the ocean goes a fortune for the undertow
None of this is going my way
There is nothing left to grow but ginger, mint, and indigo
Coriander stem and rows of hay
Strength and courage overrides, these privileged and weary eye
River poets search naivete
Pick up here and chase the ride, the river empties to the tide
All of this is coming your way
289
IT'S THE END OF THE WORLD AS WE KNOW IT (R.E.M)
D G
That's great it starts with an earthquake D
Birds and snakes and aeroplanes G
Lenny Bruce is not afraid D
Eye of a hurricane listen to yourself churn G
World serves its own needs dummy serve your own needs C
Speed it up a notch speed grunt nose street burn G
The ladder starts to clatter with dinner fight down height F
Wire in a fire room represent the southern gangs E
In a government for hire and a combat site
Lefty wasn't coming in a hurry
With the furies breathing down your neck
Team by team reporters grapple trunk tethered crop
Look at that low plane fine then
Uh oh overflow population cornered
But it'll do save yourself serve yourself
World serves its own needs listen to your heartbeat
Tell me that the reds are in the reverend in the right right?
You patriotic patriotic slam fight right might feeling pretty psyched
D A Em
It's the end of the world as we know it D A Em
It's the end of the world as we know it D A Em G
It's the end of the world as we know it and I feel fine
Six o'clock TV hour don't get caught foreign tower
Slice and burn return listen to yourself churn lock him in uniform
And book-burning blood-letting every motive escalate
Automotive incinerate light a candle light a motive
Step down step down watching heel crush crush
Uh oh this means no fear cavalier renegade steer clear
A tournament a tournament a tournament of lies
Offer me solutions offer me alternatives and I decline
It's the end of the world as we know it (It's time I had some time alone)
It's the end of the world as we know it (It's time I had some time alone)
It's the end of the world as we know it and I feel fine
The other night I drifted nice continental trip to find
Mount Saint Edelite Leonard Bernstein
Leonid Brezhnev Lenny Bruce and Lester Bangs
Birthday party cheesecake jellybeans boom
You symbiotic patriotic slam foot neck right right
290
MAN ON THE MOON (R.E.M)
C D C
Mott the Hoople and the game of Life. Yeah, yeah, yeah, yeah.
Andy Kaufman in the wrestling match. Yeah, yeah, yeah, yeah.
Monopoly, Twenty one, checkers, and chess. Yeah, yeah, yeah, yeah.
Mister Fred Blassie in a breakfast mess. Yeah, yeah, yeah, yeah.
Let's play Twister, let's play Risk. Yeah, yeah, yeah, yeah.
See you heaven if you make the list. Yeah, yeah, yeah, yeah.
Am G Am G
Hey, Andy did you hear about this one? Tell me, are you locked in the punch? Am G C D
Hey Andy are you goofing on Elvis? Hey, baby. Are we losing touch? G Am C Bm G C D
If you believed they put a man on the moon, man on the moon. G Am C Bm Am G Am
If you believe there's nothing up my sleeve, then nothing is cool.
Moses went walking with the staff of wood. Yeah, yeah, yeah, yeah.
Newton got beaned by the apple good. Yeah, yeah, yeah, yeah.
Egypt was troubled by the horrible asp. Yeah, yeah, yeah, yeah.
Mister Charles Darwin had the gall to ask. Yeah, yeah, yeah, yeah.
Hey Andy did you hear about this one? Tell me, are you locked in the punch?
Hey, Andy are you goofing on Elvis? Hey, baby. Are you having fun?
If you believed they put a man on the moon, man on the moon.
If you believe there's nothing up my sleeve, then nothing is cool.
Here's a little agit for the never-believer. Yeah, yeah, yeah, yeah.
Here's a little ghost for the offering. Yeah, yeah, yeah, yeah.
Here's a truck stop instead of Saint Peter's. Yeah, yeah, yeah, yeah.
Mister Andy Kaufman's gone wrestling [wrestling bears]. Yeah, yeah, yeah, yeah.
Hey Andy did you hear about this one? Tell me, are you locked in the punch?
Hey Andy are you goofing on Elvis, hey baby, are we losing touch?
If you believed they put a man on the moon, man on the moon.
If you believe there's nothing up my sleeve, then nothing is cool
291
PERFECT CIRCLE (R.E.M.)
F F/G D F F/G G
Put your hair back, we get to leave F F/G D G
Eleven gallows on your sleeve F F/G D F F/G G
Shallow figure, winner's pain F F/G D F G F Dm7
Eleven shadows way out of place
C F C Dm
Standing too soon, shoulders high in the room C F C Dm
Standing too soon, shoulders high in the room C F C F
Standing too soon, shoulders high in the room
Pull your dress on and stay real close
Who might leave you where I left off?
A perfect circle of acquaintances and friends
Drink another, coin a phrase
Heaven assumed, shoulders high in the room
Heaven assumed, shoulders high in the room
Heaven assumed, shoulders high in the room
Try to win and suit your needs
Speak out sometimes but try to win
Standing too soon, shoulders high in the room
Standing too soon, shoulders high in the room
Standing too soon, shoulders high in the room
Standing too soon, shoulders high in the room
Standing too soon, shoulders high in the room
292
SO. CENTRAL RAIN (R.E.M.)
C Em Gm F
Did you never call? I waited for your call C Cm Bb C
These rivers of suggestion are driving me away C Em Gm F
The trees will bend, the cities wash away C Cm Bb C
The city on the river has a girl without a dream C Dm
I'm sorry
Eastern to Mountain, third party call, the lines are down
The wise man wrote his words upon the rocks
But I'm not bound to follow suit
The trees will bend, the conversation's dimmed
Go build yourself another home, this choice isn't mine
I'm sorry
Did you never call? I waited for your call
These rivers of suggestion are driving me away
The ocean sang, the cities wash away
Go build yourself another dream, this choice isn't mine
I'm sorry
293
THE ONE I LOVE (R.E.M.)
Em Dsus2 Em Em7
This one goes out to the one I love Em Dsus2 Em Em7
This one goes out to the one I've left behind Gsus4 D Am7 C
A simple prop to occupy my time Em Dsus2 Em Em7
This one goes out to the one I love
Em Dsus2 Em
Fire...
This one goes out to the one I love
This one goes out to the one I've left behind
A simple prop to occupy my time
This one goes out to the one I love
294
ANGIE (Rolling Stones)
Am E7
Angie, Angie... G F C
When will those clouds all disappear? Am E7
Angie, Angie... G F C
Where will it lead us from here? G
With no loving in our souls Dm Am
And no money in our coats C F G
You can say we're satisfied
Am E7 G F C
But Angie, Angie...you can't say we never tried
Angie, you're beautiful, yeah
But ain't it time we say goodbye?
Angie, I still love you
Remember all those nights we cried
All the dreams we had so close
seem to all go up in smoke
Let me whisper in your ear
Angie, Angie...where will it lead us from here?
Oh Angie don't you weep
All your kisses ain't they sweet?
I hate that sadness in your eyes
But Angie, Angie...ain't it time to say goodbye?
With no loving in our souls
And no money in our coats
You can say we're satisfied
Dm Am
But Angie, I still love you baby Dm Am
Everywhere I look I see your eyes Dm Am
But there ain't a woman that comes close to you C F G
Come on baby, dry your eyes
Angie, Angie...ain't it good to be alive?
Angie, Angie...you can't say we never tried
295
AS TEARS GO BY (Rolling Stones)
D e G A
It is the evening of the day D e G A
I sit and watch the children play G A
Smiling faces I can see D e
But not for me G A
I sit and watch as tears go by
My riches can't buy everything
I want to hear the children sing
All I hear is the sound
Of rain falling on the ground
I sit and watch as tears go by
It is the evening of the day
I sit and watch the children play
Doing things I used to do
Then think of you
I sit and watch as tears go by
296
RUBY TUESDAY (Rolling Stones)
Am C F G C
She would never say where she came from Am C F C G
Yesterday don't matter if it's gone Am D7 G
While the sun is bright Am D7 G
Or in the darkest night C G
No one knows, she comes and goes
C G C
Goodbye, Ruby Tuesday G C
Who could hang a name on you C G Bb F
When you change with every new day G C
Still I'm gonna miss you
Don't question why she needs to be so free
She'll tell you it's the only way to be
She just can't be chained to a life where
Nothing's gained and nothing's lost at such a cost
Goodbye,...
There's no time to loose I heard her say
She'll catch your dreams before they slip away
Dying all the time, loose your dreams and you
will loose your mind. Ain't life unkind?
297
WILD HORSES (Rolling Stones)
Bm G Gsus Bm G Gsus
Childhood living is easy to do Am G C D G Gsus G D Dsus2 D C
The things you wanted I brought them for you Bm G Gsus Bm G Gsus
Graceless lady you know who I am Am G C D G Gsus G D Dsus2 D C
You know I can't let you slide through my hands Am G C D G F G C Bm
Wild horses couldn't drag me a- way Am G C D G F G C
Wild wild horses couldn't drag me a- way
I watched you suffer a dull aching pain
Now you've decided to show me the same
No sweeping exits or off-stage lines
Could make me feel bitter or treat you unkind
Wild horses couldn't drag me away
Wild wild horses couldn't drag me away
I know I've dreamed you a sin and a lie
I have my freedom but I don't have much time
Faith has been broken, tears must be cried
Let's do some living, after we'll die
Wild horses couldn't drag me away
Wild wild horses we'll ride them some day.
Am7 3 0 2 0 1 3
Gsus 3 2 0 0 1 x
Dsus2 x x 0 2 3 0
Fsus2(VIII) 8 10 10 10 10 8
298
THOSE WERE THE DAYS (Gene Raskin)
Dm
Once upon a time there was a tavern, Gm
where we used to raise a glass or two. Dm
Remember how we laughed away the hours, B7 A
and dreamed of all the great things we would do.
A Dm
Those were the days, my friend, Gm
We thought they'd never end, C C7 F
We'd sing and dance for ever and a day; Gm
We'd live the life we choose, Dm
We’d fight and never loose, A Dm
For we were young, and sure to have our way.
La la la...
Those were the days, oh yes those were the days.
When the busy years went rushing by us
We lost our starry notions on the way
If by chance I'd see you in the tavern
We'd smiled at one another and we'd say
Those were the days, my friend,...
Just tonight I stood before the tavern
Nothing seemed the way it used to be
In the glass I saw a strange reflection
Was that lonely woman really me?
Those were the days, my friend,...
Through the door there came familiar laughter
I saw your face and heard you call my name
Oh, my friend, we're older but no wiser
For in our hearts the dreams are still the same
299
EN CHANTANT (Michel Sardou)
D
Quand j'étais petit garçon
Je repassais mes leçons Em
En chantant A7
Et bien des années plus tard
Je chassais les idées noires D
En chantant
C'est beaucoup moins inquiétant
De parler du mauvais temps Em
En chantant A7
Et c'est tell'ment plus mignon F#
De se faire traiter de con Bm
En chanson G D
La vie c'est bien plus marrant A D
C'est moins désespérant en chantant
La première fille de ma vie
Dans la rue je l'ai suivie
En chantant
Quand elle s'est déshabillée
J'ai joué le vieil habitué
En chantant
J'étais si content de moi
Que j'ai fais l'amour dix fois
En chantant
Mais je n'peux pas m'expliquer
Qu'au matin elle m'ait quitté
Enchantée
L'amour c'est plus marrant
C'est moins désespérant
En chantant
Tous les hommes vont en galère
A la pêvhe ou à la guerre
En chantant
La fleur au bout du fusil
La victoire se gagne aussi
En chantant
On ne parle à Jehova
A Jupiter à Bouddha
Qu'en chantant
Quelles que soient nos opinions
On fait sa révolution
En chanson
Le monde est plus marrant
C'est moins désespérant
En chantant
Puisqu'il faut mourir enfin
Que ce soit coté jardin
En chantant
Si ma femme a de la peine
Que mes enfants la soutiennent
En chantant
Quand j'irai revoir mon père
Qui m'attend les bras ouverts
En chantant
J'aimerai que sur la terre
Tous mes bons copains m'enterrent
En chantant
La mort c'est plus marrant
C'est moins désespérant
En chantant
300
WHERE DO YOU GO TO MY LOVELY (Peter Sarstedt)
C, Em, F, G …
You talk like Marlene Dietrich
And you dance like Zizi Jeanmaire
Your clothes are all made by Balmain
And there’s diamonds and pearls in your hair
You live in a fancy appartement
Of the Boulevard of St. Michel
Where you keep your Rolling Stones records
And a friend of Sacha Distel
But where do you go to my lovely
When you're alone in your bed
Tell me the thoughts that surrond you
I want to look inside your head
I've seen all your qualifications
You got from the Sorbonne
And the painting you stole from Picasso
Your loveliness goes on and on, yes it does
When you go on your summer vacation
You go to Juan-les-Pines
With your carefully designed topless swimsuit
You get an even suntan,
on your back and on your legs
When the snow falls you're found in St. Moritz
With the others of the jet-set
And you sip your Napoleon Brandy
But you never get your lips wet
But where do you go to my lovely
When you're alone in your bed
Tell me the thoughts that surrond you
I want to look inside your head, yes I do
Your name is heard in high places
You know the Aga Khan
He sent you a racehorse for chistmas
And you keep it just for fun, for a laugh haha
They say that when you get married
It'll be to a millionaire
But they don't realize where you came from
And I wonder if they really care,
they give a damn
Where do you go to my lovely
When you're alone in your bed
Tell me the thoughts that surrond you
I want to look inside your head
I remember the back streets of Naples
Two children begging in rags
Both touched with a burning ambition
To shake off their lowly brown tags
So look into my face Marie-Claire
And remember just who you are
Then go and forget me forever
Cause I know you still bear the scar, deep
inside, yes you do
I know where you go to my lovely
When you're alone in your bed
I know the thoughts that surrond you
Cause I can look inside your head
301
WIND OF CHANGE (Scorpions)
C Dm
I follow the Moskva C
Down to Gorky Park Dm Am7 G
Listening to the wind of change C Dm
An August summer night C
Soldiers passing by Dm Am7 G
Listening to the wind of change
The world is closing in
Did you ever think
That we could be so close, like brothers
The future's in the air
I can feel it everywhere
Blowing with the wind of change
C G Dm G C G
Take me to the magic of the moment on a glory night Dm G Am G
Where the children of tomorrow dream away in the wind of change
Walking down the street
Distant memories
Are buried in the past forever
I follow the Moskva
Down to Gorky Park
Listening to the wind of change
Take me to the magic of the moment on a glory night
Where the children of tomorrow share their dreams with you and me
Take me to the magic of the moment on a glory night
Where the children of tomorrow dream away in the wind of change Am G
The wind of change blows straight Am
Into the face of time G
Like a stormwind that will ring C
The freedom bell for peace of mind Dm
Let your balalaika sing E
What my guitar wants to say
Take me to the magic of the moment on a glory night
Where the children of tomorrow share their dreams with you and me
Take me to the magic of the moment on a glory night
Where the children of tomorrow dream away In the wind of change
302
WHERE HAVE ALL THE FLOWERS GONE? (P. Seeger)
C Am F G
Where have all the flowers gone, long time passing?
Where have all the flowers gone, long time ago?
Where have all the flowers gone?
Young girls picked them everyone. F C F G C
When will they ever learn, when will they ever learn?
Where have all the young girls gone, long time passing?
Where have all the young girls gone, long time ago?
Where have all the young girls gone?
Gone to young men everyone.
When will they ever learn, when will they ever learn?
Where have all the young men gone, long time passing?
Where have all the young men gone, long time ago?
Where have all the young men gone?
Gone to soldiers everyone.
When will they ever learn, when will they ever learn?
Where have all the soldiers gone, long time passing?
Where have all the soldiers gone, long time ago?
Where have all the soldiers gone?
Gone to graveyards everyone.
When will they ever learn, when will they ever learn?
Where have all the graveyards gone, long time passing?
Where have all the graveyards gone, long time ago?
Where have all the graveyards gone?
Gone to flowers everyone.
When will they ever learn, when will they ever learn?
303
HELLO (Shakespeare Sisters)
G A
Woke up this morning and the streets were full of cars, C G
all bright and shiny like they'd just arrived from mars, A
and as I stumbled through last night drunken to be, C G
the paperboy screamed out the headlines in the street, Dm C
another war, and now the pound is looking weak, Bb A
and tell me, have you read about the latest freak ? Dm C
we're bingo numbers and our names are obsolete, Bb A
why do I feel bitter, when I should feel so sweet ?
D Bm F#m A
Hello , hello, turn your radio on, D Bm F#m A
is there anybody out there, help me sing this song, G F#m
la la la love is a strange thing; G A D
just when you think you've learned how to use it it's gone.
Woke up this morning and my head was in a dace,
a brave new world had downed upon the human race,
but words are meaningless and everything's so real,
gonna have to reach my friends to find out how I feel.
And if I taste the honey - is it really sweet ?
And do I eat it with my hands or with my feet ?
Does anybody really listen when I speak ?
Or will I have to say it all again next week ?
304
AMERICA (Simon & Garfunkel)
C C/B Am C/G F C C/B Am C/G F
Ooh ooh ooh a ooh a ooh, ooh ooh ooh a ooh a ooh C C/B Am C/G F
Let us be lovers, we'll marry our fortunes together C C/B Am Am7
I've got some real-estate here in my bag Em7 A7 Em7 A7
So we bought a pack of cigarettes, and Mrs. Wagner pies D C G C C/B Am Am7/6 F
And walked off to look for America
C C/B Am C/G F
Cathy I said as we boarded the Greyhound in Pittsburg C C/B Am Am7
Michigan seems like a dream to me now G
It took me four days to hitch-hike from Saginaw D G D Cmaj7 C
And I've come to look for America
Bbmaj7 Bb C
Laughing on the bus, playing games with the faces Bbmaj7 C C/B Am C/G
She said the man in the gabardine suit was a spy F Fmaj7 C C/B Am C/G Am6 Fmaj7
I said be careful his bowtie is really a camera
Toss me a cigarette I think there's one in my raincoat
We smoked the last one an hour ago
So I looked at the scenery, she read her magazine
And the moon rose over an open field
Cathy I'm lost, I said, though I knew she was sleeping
I'm empty and aching and I don't know why
Counting the cars on the New Jersey Turnpike
They've all come to look for America
They've all come to look for America
They've all come to look for America
Do do do do-da-do, do do do do-da-do (repeat and fade)
305
BOOKENDS (Simon & Garfunkel)
Time it was and what a time it was it was
A time of innocence, a time of confidences.
Long ago it must be, I have a photograph.
Preserve your memories, they're all that's left you...
306
MRS. ROBINSON (Simon & Garfunkel)
E7 A D G C Am E7 D
De de de de de de de de de de de de de
D G Em
And here's to you Mrs. Robinson G Em C Am D
Jesus loves you more than you will know, wo wo wo D G Em
God bless you please Mrs. Robinson G Em C Am D
Heaven holds a place for those who pray, hey hey hey
E7
We'd like to know a little bit about you for our files A
We'd like to help you learn to help yourself D G C Am
Look around you all you see are sympathetic eyes E7 D
Stroll around the grounds until you feel at home
Hide it in a hiding place where no one ever goes
Put it in your pantry with your cupcakes
It's a little secret just the Robinsons' afair
Most of all you've got to hide it from the kids
Koo koo ka choo Mrs. Robinson...
Sitting on a sofa on a Sunday afternoon
Going to the candidates debate
Laugh about it shout about it when you've got to choose
Any way you look at it you lose
Where have you gone Joe DiMaggio
A nation turns its lonely eyes to you, woo woo woo
What's that you say Mrs. Robinson
Joltin' Joe has left and gone away, hey hey hey, hey hey hey
307
OLD FRIENDS (Simon & Garfunkel)
Fmaj7 Cmaj7 Famj7 Cmaj7 Dm7 G7 C Am
Old Friends. Old Friends. Sat on their park bench like bookends. Dm7 G Am
A newspaper blown through the grass falls on the round toes of the Cmaj F C6
high shoes of the Old Friends.
Fmaj7 Cmaj7 Dm7 G7 Fmaj7 Em7 Dm7
Old Friends. Winter companions the old men. Lost in their G7 C Am Dm7 G7 Em7
overcoats waiting for the sunset. The sounds of the city, sifting Am G F C6
through trees, settle like dust on the shoulder of the Old Friends.
Dm7 G7 Cmaj7 F Fm C
Can you imagine us years from today, sharing a park bench quietly? Dm7 Am
How terribly strange to be seventy.
Fmaj7 Cmaj7 Dm7 G7 Fmaj7 Em7 Dm7 G7
Old Friends. Memory brushes the same years. Silently sharing the C6 Am
same fears.
308
SCARBOROUGH FAIR (Simon & Garfunkel)
Am G Am
Are you going to Scarborough Fair C Am C D Am
Parsley, sage, rosemary and thyme C Bm Am G
Remember me to one who lives there Am G Am
She was once a true love of mine
Tell her to make me a cambric shirt
(On the side of a hill in the deep forest green)
Parsley, sage, rosemary and thyme
(Tracing of sparrow on snowcrested brown)
Without no seams nor needle work
(Blankets and bedclothes the child of the mountain)
Then she'll be a true love of mine
(Sleeps unaware of the clarion call)
Tell her to find me an acre of land
(On the side of a hill a sprinkling of leaves)
Parsley, sage, rosemary and thyme
(Washes the grave with silvery tears)
Between the salt water and the sea strands
(A soldier cleans and polishes a gun)
Then she'll be a true love of mine
Tell her to reap it with a sickle of leather
(War bellows blazing in scarlet battalions)
Parsley, sage, rosemary and thyme
(Generals order their soldiers to kill)
And gather it all in a bunch of heather
(And to fight for a cause they've long ago forgotten)
Then she'll be a true love of mine
Are you going to Scarborough Fair
Parsley, sage, rosemary and thyme
Remember me to one who lives there
She was once a true love of mine
309
SOUND OF SILENCE (Simon & Garfunkel)
Am G
Hello darkness, my old friend Am
I've come to talk to you again C F C
Because a vision softly creeping F C
Left its seeds while I was sleeping F C Am
And the vision that was planted in my brain still remains C G Am
Within the sound of silence
In restless dreams I walked alone
Narrow streets of cobble stone
'Neath the halo of a street lamp
I turned my collar to the cold and damp
When my eyes were stabbed by the flash of the neon light
That split the night
And touched the sound of silence
And in the naked light I saw
Ten thousand people maybe more
People talking without speaking
People hearing without listening
People writing songs that voices never share and no one dare
Disturb the sound of silence
"Fools!" said I, "You do not know
silence like a cancer grows,
hear my words that I might teach you
take my arms that I might reach you."
But my words like silent raindrops fell
And echoed in the walls of silence
And the people bowed and prayed
To the neon God they made
And the sign flashed out its warning
In the words that it was forming
And the signs said, "The words of the prophets
Are written on the subway walls and tenement halls
And whispered in the sounds of silence
310
THE BOXER (Simon & Garfunkel)
C
I am just a poor boy. a
Though my story's seldom told, G
I have squandered my resistance G7
For a pocketful of mumbles, C
Such are promises a
All lies and jest G F
Still, a man hears what he wants to hear C G C
And disregards the rest.
When I left my home and my family,
I was no more than a boy
In the company of strangers
In the quiet of the railway station,
Running scared,
Laying low,
Seeking out the poorer quarters
Where the ragged people go,
Looking for the places
Only they would know.
a e a G
Lie-la-lie...
Asking only workman's wages
I come looking for a job,
But I get no offers,
Just a come-on from the whores
On seventh avenue
I do declare,
There were times when I was so lonesome
I took some comfort there.
Lie-la-lie...
Then I'm laying out my winter clothes
And wishing I was gone, going home
Where the New York City winters
Aren't bleeding me,
Leading me, going home.
In the clearing stands a boxer,
And a fighter by his trade
And he carries the reminders
Of ev'ry glove that laid him down
And cut him till he cried out
In his anger and his shame,
"I am leaving, I am leaving."
But the fighter still remains
Lie-la-lie...
311
WEDNESDAY MORNING 3AM (Simon & Garfunkel)
C Am F Em
I can hear the soft breathing of the girl that I love,
C Dm G
As she lies here beside me asleep with the night
C Am F Em
And her hair in a fine mist that floats on my pillow
C Dm F G C
Reflecting the glow of the winter moonlight
She is soft she is warm but my heart remains heavy,
As I watch as her breasts gently rise, gently fall.
For I know with the first light of dawn I'll be leaving,
And tonight will be all I have left to recall.
Oh what have I done, why have I done it,
I've committed a crime, broken the law.
For twenty five dollars and pieces of silver,
I held up and robbed a hard liquor store.
My life seems unreal, my crime an illusion,
A scene badly written in which I must play.
And I know as I gaze at my young love beside me,
The morning is just a few hours away.
312
MY WAY (F. Sinatra)
D F#m
And now the end is near, F#m7 B7
And so I face the final curtain, Em Em7
My friend I'll say it clear, A7 D
I'll state my case of which I'm certain. D D7
I've lived a life that's full, G Gm
I travelled each and every highway, D A7
and more, much more than this, Em D
I did it my way.
Regrets I've had a few,
But then again, too few to mention,
I did what I had to do,
And saw it through without exemption.
I planned each chatered course,
Each careful step along the byway,
And more, much more than this,
I did it my way.
D D7
Yes, there were times, I'm sure you knew, G
When I bit off more than I could chew, Em7 A7
But through it all, where there was doubt, Fm7 Bm
I ate it up, and spat it out, Em7 A7
I faced it all and stood tall D
And did it my way.
I've loved, I've laughed and cried,
I've had my fill, my share of losing,
And now as tears subside
I find it all so amusing.
To think I did all that,
I may I say: not in a shy way.
Oh no, oh no, not me,
I did it myway.
What is a man, what has he got?
If not himself, than he has not,
To say the things he trully feels
And not the words of one who kneels.
The record shows, I took the blows,
And did it my way.
313
RUDI, A MESSAGE TO YOU (The Specials)
D G A
Stop your messing around
Better think of your future
Time is stritting right out
Creating problems in town
Rudi, a message to you
Rudi, a message to you
Stop your fooling around
Time is stritting right out
Better think of your future
Or else you~ll wind up in jail
Rudi, a message to you
Rudi, a message to you
Stop your messing around
Better think of your future
Time is stritting right out
Creating problems in town
Rudi, a message to you
Rudi, a message to you
314
TWO PRINCES (Spin Doctors)
D Bm A G
One two, princes kneel before you, that's what I said now
Princes, princes who adore you, just go ahead now
One has, diamonds in his pockets, and lots of bread now
This one simply wants to buy you rockets, hangin in his head now
This one has a princely racquet, That's what I said now
Got some big symbol on his jacket, Ain't in his head now
Marry him your father will condone you, how 'bout that now
You marry me, your father will disown you just go ahead now
Marry him, or marry me,
I'm the one who loves you baby can't you see
I ain't got no future or family tree but
I know what a Prince and lover ought to be
I know what a Prince and lover ought to be
So If you, want to call me baby, just go ahead now,
And if you'd like to tell me maybe, just go ahead now,
If you wanna buy me flowers, just go ahead now,
and if you'd like to talk for hours, just go ahead now
315
IN THE ARMY NOW (Status Quo)
Am
A vacation in a foreign land
uncle Sam does the best he can Dm
You're in the army now Am
Oh, oh, oh you're in the army now.
Now you remember what the draftman said
Nothing to do all day but stay in bed
You're in the army now
Oh, oh, oh you're in the army now.
You'll be the hero of the neighbourhood
Nobody knows that you left for good
You're in the army now
Oh, oh, oh you're in the army now.
Smiling faces as you wait to land
But once you get there no one gives a damn
You're in the army now
Oh, oh, oh you're in the army now.
316
FATHER AND SON (Cat Stevens)
G D C Am7
It's not time to make a change, just relax and take it easy G Em Am D
You're still young that's your fault, there's so much you have to know G D C Am7
Find a girl, settle down, if you want to, you can marry G Em Am D
Look at me, I am old, but I'm happy
G Bm7 C Am7
I was once like you are now, and I know that its not easy G Em Am D
to be calm, when you've found something going on. G Bm7 C Am7
But take your time, think a lot, think of everything you've got G Em D G
For you will still be here tomorrow, but your dreams may not
G-C G-C
G Bm C Am7
How can I try to explain? when I do he turns away again G Em Am D
it's always been the same, same old story G Bm C Am7
From the moment I could talk I was ordered to listen G Em D G
now there's a way and I know I have to go away D C G G-C G-C
and I know I have to go
It's not time to make a change, just sit down and take it slowly
You're still young, that's your fault, there's so much you have to go through
Find a girl, settle down, if you want to you can marry
Look at me, I am old, but I'm happy
All the times that I cried, keeping all the things I knew inside
It's hard, but it's harder to ignore it.
If they were right, I'd agree, but it's them they know, not me
Now there's a way, and I know that I have to go away.
I know I have to go.
317
FIRST CUT IS THE DEEPEST (Cat Stevens)
G C G F G …
I would have given you all of my heart
But theres someone who has torn it apart
And shes taken just all that I have
But if you want I'll try and love again
Babe I'll try to love again but I know
The first cut is the deepest cuzz baby I know
The first cut is the deepest
When it comes to being lucky she's cursed
When it comes to loving me she’s worse
Yes I want you by my side
Just to help me dry the tears that I cry
And I'm sure going to give you a try
Cuzz if you want I'll try to love again
Baby I'll try to love again but I know
The first cut is the deepest cuzz baby I know
The first cut is the deepest
When it comes to being lucky she's cursed
When it comes to loving me she’s worse
Yes I want you by my side
Just to help me dry the tears that I cry
And I'm sure going to give you a try
Cuzz if you want I'll try to love again
Baby I'll try to love again but I know
318
LADY D'ARBANVILLE (Cat Stevens)
Em D
My Lady D'Arbanville
Why do you sleep so still? Em D
I'll wake you tomorrow Bm Em
And you will be my fill, yes you will be my fill
My Lady D'Arbanville
Why does it grieve me so?
But your heart seems so silent
Why do you breathe so low, why do you breathe so low?
My Lady D'Arbanville
Why do you sleep so still
I'll wake you tomorrow
And you will be my fill, yes you will be my fill
My Lady D'Arbanville,
You look so cold tonight,
Your lips feel like winter,
Your skin has turned to white, your skin has turned to white
My Lady D'Arbanville,
Why do you sleep so still?
I'll wake you tomorrow
And you will be my fill, yes you will be my fill
La la la la la la...
My Lady D'Arbanville,
Why do you grieve me so?
But your heart seems so silent,
Why do you breathe so low, why do you breathe so low?
I loved you my lady
Though in your grave you lie,
I'll always be with you
This rose will never die, this rose will never die
(2x)
RIFF 1: RIFF 2: RIFF 3:
E --------------- ----------------- -------------------------
B -12-12-10-8-10- --10-10-12-10-8-- -------------------------
G --------------- ----------------- ---------0---------------
D -12-12-10-9-10- --10-10-12-10-9-- -----0h2---2-0-------0-2-
A --------------- ----------------- -0h2-----------2-0h2---2-
E --------------- ----------------- -------------------------
319
MORNING HAS BROKEN (Cat Stevens)
D G A F# Bm G7 C F C
C Dm G F C
Morning has broken, like the first morning Em Am D7sus D G
Blackbird has spoken, like the first bird C F C Am D
Praise for the singing, praise for the morning G C F G7 C
Praise for them springing fresh from the world
F G E Am G7 C G7sus
Sweet the rain's new fall, sunlit from heaven
Like the first dewfall, on the first grass
Praise for the sweetness of the wet garden
Sprung in completeness where his feet pass
C F G E Am F# Bm G D A7 D
D Em A G D
Mine is the sunlight, mine is the morning F#m Bm E A
Born of the one light, Eden saw play D G D Bm E
Praise with elation, praise every morning A D G A7 D
God's recreation of the new day
G A F# Bm G7 C F C
Morning has broken, like the first morning
Blackbird has spoken, like the first bird
Praise for the singing, praise for the morning
Praise for them springing fresh from the world
C F E Am F# Bm G D A7 D
D7sus = xx0213
G7sus = xx0011
320
SAD LISA (Cat Stevens)
Em D C
She hangs her head and cries in my shirt, D Em D G
she must be hurt very badly. D Em A
Tell me what's making you sadly ? Em A D C
Open your door, don't hide in the dark, D Em D G
you've lost in the dark, you can trust me D Em A
'cause you know that's how it must be. Em A H (H7) Em D Em
Lisa, Lisa, sad Lisa, Lisa.
Her eyes like windows tricklin' rain,
upon her pain getting deeper.
Tho' my love wants to relieve her.
She walks alone from wall to wall,
lost in a hall, she can't hear me,
tho' I know she likes to be near me.
Lisa, Lisa, sad Lisa, Lisa.
She sits in a corner by the door.
There must be more I can tell her,
if she really wants me to help her,
I'll do what I can to show her the way.
And maybe I will free her,
tho' I know no one can see her.
Lisa, Lisa, sad Lisa, Lisa.
321
WILD WORLD (Cat Stevens)
Am D7 G
Now that I've lost every thing to you G Cmaj7 F
You say you wanna start something new F Dm E
And it's breaking my heart you're leaeving E
Baby I'm grievin' Am D7 G
But if you want to leave take good care G Cmaj7 F
Hope you have a lot of nice things to wear F Dm E G7
But then a lot of nice things turn bad out there
C G Am F
Oh baby baby it's a wild world G F C
It's hard to get by just upon a smile C G Am F
Oh baby baby it's a wild world G F C D E
I'll always remember you like a child, girl
You know I've seen a lot of what the world can do
And it's breaking my heart in two
Because I never want ot see you sad girl
Don't be a bad girl
But if you want to leave take good care
Hope you make a lot of nice friends out there
But just remember theres a lot of bad out there
Oh baby baby it's a wild world
It's hard to get by just upon a smile
Oh baby baby it's a wild world G F C D E Am D7 G Cmaj7 F Dm7
I'll always remember you like a child, girl Am D7 G Cmaj7 F Dm7
E Am
Baby I love you Am D7 G
But if you want to leave take good care G C F
Hope you make a lot of nice friends out there F Dm E G7
But just remember theres a lot of bad out there
322
SAILING (R. Stewart)
C Am
I am sailing, I am sailing F C
Home again across the sea D7 Am
I am sailing stormy waters Dm7 C G7
To be near you to be free
I am flying, I am flying
Like a bird across the sea
I am flying, passing high clouds
To be near you to be free
Can you hear me, can you hear me
Through the dark night, far away?
I am dying forever trying
To be with you, who can say
We are sailing, we are sailing
home again across the sea
We are sailing stormy waters
To be near you, to be free
G7 Dm C
Oh lord, to be near you, to be free
Oh lord, to be near you, to be free
323
FRAGILE (Sting)
Part I (Intro):
e------7p5--5h7--I-----7p5--5h7--7p5--5h7--7p5h7Đ0--I---
B---5------------I--5-------------------------------I---
G----------------I----------------------------------I---
D----------------I----------------------------------I---
A----------------I----------------------------------I---
E----------------I----------------------------------I---
e------7p5--5h7--I-----7p5--5h7--7p5--5h7--I---
B---5------------I--5----------------------I---
G----------------I-------------------------I---
D----------------I-------------------------I---
A----------------I-------------------------I---
E----------------I-------------------------I---
Part II:
e------------------------I-----------------------------I---
B---12---------10-----8--I--12--12-----8--------7--5---I---
G------------------------I-----------------------------I---
D---12-----10---------9--I--12--12-----9-----7-----5---I---
A------------------------I----------0-----0--------0---I---
E----0--0----------0-----I---0---0---------------------I---
e---------------------------------I--------------------I---
B---8--8--8--------7--5--5--4--4--I--7--------5--8--8--I---
G---------------------------------I--------------------I---
D---9--9--9-----7-----5--5--4--4--I--7-----5-----9--9--I---
A---0--0--------------------------I--------------------I---
E---------7--7--------7--7--7--7--I--0--0--------0--0--I---
e-----------12------------------------I-------------------------I---
B---12--12------12---------10--8--8---I--12--12--8--------7--5--I---
G-------------------------------------I-------------------------I---
D---12--12-------------10------9--9---I--12--12--9-----7-----5--I---
A-------------------------------------I----------0--0--------0--I---
E----0---0----------0----------0--0---I---0---0-----------------I---
e------------------------------------------I-----------------I---
B---8--8--8-----8--8--------7--5--5--4--4--I--7--------8--5--I---
G------------------------------------------I-----------------I---
D---9--9--9-----9--9-----7-----5--5--4--4--I--7-----9-----5--I---
A---0--0-----------------------------------I-----------------I---
E---------7--7--------7--------7--7--7--7--I--0--0--------0--I---
If blood will flow when flesh and steel are one
Drying in the colour of the evening sun
Tomorrow's rain will wash the stains away
But something in our minds will always stay
Perhaps this final act was meant to clinch a lifetime's argument
That nothing comes from violence and nothing ever could
For all those born beneath an angry star
Lest we forget how fragile we are
On and on the rain will fall
Like tears from a star
On and on the rain will say
How fragile we are
On and on the rain will fall
Like tears from a star
On and on the rain will say
How fragile we are
324
MAD ABOUT YOU (Sting)
Am m/C
A stone's throw from Jerusalem Fmaj7 Eaug
I walked a lonely mile in the moonlight
And though a million stars were shining
My heart was lost on a distant planet
That whirls around the April moon
Whirling in an arc of sadness Am Am/C E Eaug
I'm lost without you I'm lost without you
Fmaj7 Dm7
Though all my kingdoms turn to sand Adim7 E
And fall into the sea Am Am/C E Eaug
I'm mad about you I'm mad about you
And from the dark secluded valleys
I heard the ancient songs of sadness
But every step I thought of you
Every footstep only you
And every star a grain of sand
The leavings of a dried up ocean
Tell me, how much longer? How much longer?
They say a city in the desert lies
The vanity of an ancient king
But the city lies in broken pieces
Where the wind howls and the vultures sing
These are the works of man
This is the sum of our ambition
It would make a prison of my life
If you became another's wife
With every prison blown to dust
My enemies walk free
I'm mad about you I'm mad about you
Cadd9 E7aug
And I have never in my life Asus4
Felt more alone than I do now A# F
Although I claim dominions over all I see C/E
It means nothing to me Dm7
There are no victories Adim7 E E7
In all our histories, without love
A stone's throw from Jerusalem
I walked a lonely mile in the moonlight
And though a million stars were shining
My heart was lost on a distant planet
That whirls around the April moon
Whirling in an arc of sadness
I'm lost without you I'm lost without you
And though you hold the keys to ruin
Of everything I see
With every prison blown to dust,
My enemies walk free
Though all my kingdoms turn to sand
And fall into the sea
I'm mad about you I'm mad about you
Chords used:
Am 002210
Am/C 032210
Fmaj7 033210 (132211)
Eaug 132111
E 022100
Dm7 x00211
Adim7 x01212
Am/G 302210
F 133211
Cadd9 032030
E7aug 032130
Asus4 002230
A# 113331
C/E 032010
E7 020100
325
SATURDAY NIGHT (Suede)
A C#m G D
Today she’s been working, she’s been talking, she’s been smoking, Dm
but it’ll be alright,
A C#m G D Dm
Cos tonight we’ll go dancing, we’ll go laughing, we’ll get car sick, E7
and it’ll be okay like everyone says,
it’ll be allright and ever so nice,
Bm
We’re going out tonight, out and about tonight.
D E7 A F#m
Oh, whatever makes her happy on a Saturday night, D E7 A Bm Fadd9
Oh whatever makes her happy, whatever makes it alright.
Today she’s been sat there, sat there in a black chair, office furniture,
but it’ll be alright,
Cos tonight we’ll go drinking we’ll do silly things,
and never let the winter in,
And it’ll be okay like everyone says, it’ll be alright and ever so nice,
We’re going out tonight, out and about tonight.
Oh, whatever makes her happy on a Saturday night,
Oh, whatever makes her happy, whatever makes it alright.
we’ll go to peepshows and freak shows,
We’ll go to discos, casinos,
We’ll go where people go and let go
oh whatever makes her happy
326
DON'T WORRY ABOUT THE GOVERNMENT (Talking Heads)
C A
I see the clouds that move across the sky C A
I see the wind that moves the clouds away G F/G Am
It moves the clouds over by the building G F/G Am
I pick the building that I want to live in C A
I smell the pine tress and the beeches in the woods C A
I see the pine cones that fall by the highway G F/G Am
That's the highway that goes to the building G F/G Am
I pick the building that I want to live in
C Dm7 G/A
It's over there, it's over there D G D
My building has every convenience D G D
It's gonna make life easy for me D G D
It's gonna be easy to get things done D G D
I will relax along with my loved ones E Dmaj7 Bm7
Loved ones, loved ones, visit the building E Dmaj7 Bm7
Take the highway, park and come up and see me E Dmaj7 Bm7
I'll be working, working, but if you come visit E Dmaj7 Bm7
I'll put down what I'm doing, my friends are important Dm7 G/A D Dm7 G/A D
Don't ya worry 'bout me, I wouldn't worry about me Dm7 G/A D Dm7 G/A D
Don't ya worry 'bout me, I wouldn't worry about me
I see the states across this big nation
I see the laws made in Washington, D.C.
I think of the ones I consider my favorites
I think of the people that are working for me
Some civil servants are just like my loved ones
They work so hard and they try to be strong
I'm a lucky guy to live in my building
They all need buildings to help them along
327
HEAVEN (Talking Heads)
D ‚ Em
Everyone is trying to get to the bar A G D
The name of the bar, the bar is called heaven Em
The band in heaven plays my favorite song A G D
They play it once again, they play it all night long
Bm Am C G
Heaven is a place where nothing ever happens Bm Am C G
Heaven is a place where nothing ever happens
There is a party, everyone is there
Everyone will leave at exactly the same time
It's hard to imagine that nothing at all
Could be so exciting, could be so much fun
Heaven is a place where nothing ever happens
Heaven is a place where nothing ever happens
When this kiss is over it will start again
It will not be any different, it will be exactly the same
It's hard to imagine that nothing at all
could be so exciting, could be so much fun
328
ROAD TO NOWHERE (Talking Heads)
Well we know where we're going
But we don't know where we've been
And we know what we're knowing
But we can't say what we've seen
And we're not little children
And we know what we want
And the future is certain
Give us time to work it out
---
We're on a road to nowhere, come on inside
Taking that ride to nowhere
We'll take that ride
I'm feeling OK this morning and you know
We're on the road to paradise
Here we go, here we go
We're on a ride to nowhere, come on inside
Taking that ride to nowhere
We'll take that ride
Maybe you wander who you are, I don't care
Here is where time is on our side
Take you there...take you there
We're on the road to nowhere (3x)
There's a city in my mind
Come along and take that ride
And it's all right, baby, it's all right
And it's very far away
But it's growing day by day
And it's all right, baby, it's all right
Would you like to come along
Would you like to sing that song
And it's all right, baby, it's all right
They can tell you what to do
But they'll make a fool of you
And it's all right, baby, it's all right
We're on the road to nowhere...
329
NELLIE THE ELEPHANT (Toy Dolls)
To Bombay
A travelling circus came
They brought an intelligent elephant
And Nellie was her name
One dark night
She slipped her iron chain
And off she ran to Hindustan
And was never seen again
Whoa…
Nellie the elephant
Packed her trunk
And said goodbye to the circus
Off she ran
With a tropply trop, trop trop trop
Now Nellie the elephant
Packer her trunk
And trumbled off to the jungle
Off she ran
With a tropply trop, trop trop trop
Night by night
She danced to the circus band
When Nellie led the big parade
She looked so proud and grand
No more tricks
For Nellie to perform
They taught her how to take a bow
And she took the crowd by storm
Nellie the elephant…
And everyone heard the story
Far far away
And then one night in silver light
They're off to Mandolay
Nellie the elephant…
330
BELLA CIAO (trad.)
Una mattina mi son svegliato,
O bella ciao, bella ciao, bella ciao, ciao, ciao
Una mattina mi son svegliato,
E ho trovato l'invasor.
O partigiano portami via,
O bella ciao, bella ciao, bella ciao, ciao, ciao
O partigiano portami via,
Perche mi sento di morir.
E se io muoio da partigiano,
O bella ciao, bella ciao, bella ciao, ciao, ciao
E se io muoio da partigiano,
Tu mi devi sepelir.
Me sepelirai la su in montagna,
O bella ciao, bella ciao, bella ciao, ciao, ciao
Me sepelirai la su in montagna,
Sotto l'ombra di un bel fior.
E tutti quelli che passeranno,
O bella ciao, bella ciao, bella ciao, ciao, ciao
E tutti quelli che passeranno,
Dirano o ma che bel fior.
331
THE FOGGY DEW (trad.)
Am G Am G Am
As down the glen one Easter morn, to a city fair rode I Am G Am G Am
There armed lines of marching men in squadrons passed me by C G Am
No pipes did hum, no battle drum, did sound its loud tattoo Am G Am G Am
But the Angelus bell o'er the Liffey swell, rang out in the foggy dew
Right proudly high in Dublin town, they flung out the flag of war
'Twas better to die 'neath an Irish sky than at Suvla or Sud El Bar
And from the plains of Royal Meath strong men came hurrying through
While Britannia's huns with their great big guns sailed in through the foggy dew
O, the night fell black and the rifles' crack made 'Perfidious Abion' reel
'Mid the leaden rail, seven tongues of flame did shine o'er the lines of steel
By each shining blade a prayer was said that to Ireland her sons be true
And when morning broke still the war flag shook out its fold in the foggy dew
'Twas England bade our Wild Geese go that small Nations might be free
But their lonely graves are by Suvla's waves or the fringe of the great North Sea
O, had they died by Pearse's side, or had fought with Cathal Brugha
Their names we'd keep where the Fenians sleep, 'neath the shroud of the foggy dew
But the bravest fell and the requiem bell rang mournfully and clear
For those who died that watertide in the springtime of the year
While the world did gaze with deep amazeat those fearless men, but few
Who bore the fight that Freedom's light might shine through the foggy dew
Ah, back through the glen I rode again and my heart with grief was sore
For I parted then with valiant men whom I never shall see more
But to and fro in my dreams I go and I'd kneel and pray for you
For slavery fled, O glorious dead, when you fell in the foggy dew
332
GREENSLEEVES (trad.)
Alas my love you do me wrong
To cast me off discourteously;
And I have loved you oh so long
Delighting in your company.
Greensleeves was my delight,
Greensleeves my heart of gold
Greensleeves was my heart of joy
And who but my Lady Greensleeves.
I have been ready at your hand
To grant whatever thou would'st crave;
I have waged both life and land
Your love and goodwill for to have.
Greensleeves was my delight,
Greensleeves was my heart of gold
Greensleeves was my heart of joy
And who but my Lady Greensleeves.
Thy petticoat of sendle white
With gold embroidered gorgeously;
Thy petticoat of silk and white
And these I bought thee gladly.
Greensleeves was my delight,
Greensleeves my heart of gold
Greensleeves was my heart of joy
And who but my Lady Greensleeves.
333
JOHNNY I HARDLY KNEW YE (trad.)
Am Em
While goin' the road to sweet Athy, hurroo, hurroo Am C
While goin' the road to sweet Athy, hurroo, hurroo C G
While goin' the road to sweet Athy, F E
A stick in me hand and a drop in me eye, Am G F E
A doleful damsel I heard cry, Am G Am
Johnny I hardly knew ye.
With your drums and guns and drums and guns, hurroo, hurroo
With your drums and guns and drums and guns, hurroo, hurroo
With your drums and guns and drums and guns,
The enemy nearly slew ye
Oh my darling dear, Ye look so queer
Johnny I hardly knew ye.
Where are your eyes that were so mild, hurroo, hurroo
Where are your eyes that were so mild, hurroo, hurroo
Where are your eyes that were so mild,
When my heart you so beguiled
Why did ye run from me and the child
Oh Johnny, I hardly knew ye
Where are your legs that used to run, hurroo, hurroo
Where are your legs that used to run, hurroo, hurroo
Where are your legs that used to run,
When you went for to carry a gun
Indeed your dancing days are done
Oh Johnny, I hardly knew ye
I'm happy for to see ye home, hurroo, hurroo
I'm happy for to see ye home, hurroo, hurroo
I'm happy for to see ye home,
All from the island of Sulloon;
So low in flesh, so high in bone
Oh Johnny I hardly knew ye
Ye haven't an arm, ye haven't a leg, hurroo, hurroo
Ye haven't an arm, ye haven't a leg, hurroo, hurroo
Ye haven't an arm, ye haven't a leg,
Ye're an armless, boneless, chickenless egg
Ye'll have to put with a bowl out to beg
Oh Johnny I hardly knew ye
334
SING (Travis)
Em Am
Baby, you've been going so crazy Em
Lately, nothing seems to be going right Em Am
Solo, why do you have to get so low Em
You're so… You've been waiting in the sun too long
G D Am
But if you sing, sing G
Sing, sing, sing, sing G D Am
For the love you bring won't mean a thing G
Unless you sing, sing, sing, sing
Colder, crying on your shoulder
Hold her, and tell her everything’s gonna be fine
Surely, you've been going too early
Hurry, cause no one's gonna be stopped
But if you sing, sing
Sing, sing, sing, sing
For the love you bring won't mean a thing
Unless you sing, sing, sing, sing
Baby, there's something going on today
But I say nothing, nothing, nothing
Nothing, nothing, nothing, nothing
335
HAPPY TOGETHER (The Turtles)
Em
Imagine me and you, I do D
I think about you day and night, it's only right C
To think about the girl you love and hold her tight B
So happy together
If I should call you up, invest a dime
And you say you belong to me and ease my mind
Imagine how the world could be, so very fine
So happy together
E Bm E
I can't see me lovin' nobody but you G
For all my life E Bm E
When you're with me, baby the skies'll be blue G
For all my life
Me and you and you and me
No matter how they toss the dice, it has to be
The only one for me is you, and you for me
So happy together
I can't see me lovin' nobody but you...
Me and you and you and me
No matter how they toss the dice, it has to be
The only one for me is you, and you for me
So happy together
E Bm E G
Ba-ba-ba-ba ba-ba-ba-ba ba-ba-ba ba-ba-ba-ba E Bm E Bm
Ba-ba-ba-ba ba-ba-ba-ba ba-ba-ba ba-ba-ba-ba
Em B
So happy together
How is the weather
So happy together
We're happy together...
336
DESIRE (U2)
F C G C G F C G C G …
Lover I'm off the streets
Gonna go where the bright lights and the big city meet
With a red guitar on fire
Desire
She's a candle burning in my room
I'm like a needle, needle and spoon
Over the counter with a shotgun
Pretty soon everybody got one
And the fever when I'm beside her
Desire
(Burning, burning)
She's the dollars
She's my protection
Yeah, she's the promise
In the year of election
Sister, I can't let you go
I'm like a preacher stealing hearts on a travelling show
For love or money, money, money,...?
Desire...
337
I STILL HAVEN'T FIND WHAT I'M LOOKING FOR (U2)
D
I have climbed highest mountains
I have run through the fields G
Only to be with you D
Only to be with you
I have run I have crawled
I have scaled these city walls
Only to be with you
A G D
But I still haven't found what I'm looking for
But I still haven't found what I'm looking for
I have kissed honey lips
Felt the healing in her fingertips
It burned like fire
This burning desire
I have spoke with the tongue of angels
I have held the hand of the devil
It was worm in the night
I was cold as a stone
But I still...
I believe in the Kingdom Come
Then all the colors will bleed into one
But yes, I'm still running
You broke the bonds
You loosed the chains
You carried the cross
And my shame, and my shame
You know I believe it
But I still...
338
IN GOD'S COUNTRY (U2)
Desert Sky
Dream beneath a desert sky
The rivers run
But soon run dry
We need new dreams tonight
Desert rose
Dreamed I saw a desert rose
Dress torn in ribbons
And in bows
Like a siren she calls (to me)
Sleep comes like a drug...In God's Country
Sad eyes crooked crosses...In God's Country
Set me alight
We'll punch a hole right through the night
Everyday the dreamers die
To see what's on the other side
She is Liberty
And she comes to rescue me
Hope faith, her vanity
The greatest gift is gold
Sleep comes like a drug...In God's Country
Sad eyes crooked crosses...In God's Country
Naked flame
She stands with a naked flame
I stand with the sons of Cain
Burned by the fire of love
Burned by the fire of love
339
SUNDAY, BLOODY SUNDAY (U2)
I can't believe the news today,
I can't close my eyes and make it go away.
How long, how long must we sing this song?
How long? Tonight we can be as one.
Broken bottles under children's feet,
Bodies strewn across a dead end street,
But I won't heed the battle call,
It puts my back up, my back up against the wall.
Sunday, bloody Sunday.
Sunday, bloody Sunday.
And the battle's just begun,
There's many lost, but tell me who has won?
The trenches dug within our hearts,
And mother's children, brothers, sisters torn apart.
Sunday, bloody Sunday.
Sunday, bloody Sunday.
How long, how long must we sing this song?
How long? Tonight we can be as one.
Tonight, tonight.
Sunday, bloody Sunday.
Sunday, bloody Sunday.
Wipe the tears from your eyes,
Wipe your tears away,
Wipe your bloodshot eyes.
Sunday, bloody Sunday.
Sunday, bloody Sunday.
And it's true we are immune,
When fact is fiction and T.V. is reality,
And today the millions cry,
We eat and drink while tomorrow they die.
The real battle just begun.
To claim the victory Jesus won,
On a Sunday, bloody Sunday,
Sunday, bloody Sunday.
340
VAN DIEMEN'S LAND (U2)
C F C F C
Hold me now, oh hold me now F G
Till this hour has gone around Em F
And I'm gone on the rising tide C G C F C
For to face Van Diemen's land
It's a bitter pill I swallow here
To be rent from one so dear
We fought for justice and not for gain
But the magistrate set me away
Now the kings will rule and the poor will toil
And tear their hands as they tear the soil
But a day will come in this dawning age
When an honest man sees an honest wage
Hold me now,oh hold me now
Till this hour has gone around
And I'm gone on the rising tide
For to face Van Diemen's land
Still the gunman rules and the widows pay
A scarlet coat now a black beret
They thought that blood and sacrifice
Could out of death bring fourth a life
341
WHERE THE STREETS HAVE NO NAME (U2)
D
I want to run, I want to hide G
I want to tear down the walls that hold me inside Bm7 Asus4
I want to reach out and touch the flame Cm9
Where the streets have no name
I want to feel sunlight on my face
I see the dust cloud disappear without a trace
I want to take shelter from the poison rain
Where the streets have no name
Where the streets have no name
Where the streets have no name
We're still building then burning down love
Burning down love
And when I go there I go there with you
It's all I can do
The city's a flood and our love turns to rust
We're beaten and blown by the wind trampled in dust
I'll show you a place high on a desert plain
Where the streets have no name
Where the streets have no name...
342
WITH OR WITHOUT YOU (U2)
C G Am
See the stone set in your eyes F C
See the thorn twist in your side G Am F C
I wait for you
Sleight of hand and twist of fate
On a bed of nails she makes me wait
And I wait without you
With or without you, with or without you
Through the storm we reach the shore
You give it all but I want more
And I'm waiting for you
With or without you, with or without you
I can't live with or without you
And you give yourself away
And you give yourself away
And you give, and you give
And you give yourself away
My hands are tied my body bruised
She's got me with nothing to win
And nothing left to loose
With or without you, with or without you...
343
LADY IN BLACK (Uriah Heep)
Em
She came to me one morning
One lonely Sunday morning D
Her long hair flowing Em
In the midwinter wind
I know not how she found me
For in darkness I was walking
And destruction layed around me
From a fight I could not win
She asked me name my foe then
I said the need within some men
To fight and kill their brothers
Without thought of love or God
And I begged her give me horses
To trample down my enemy
So eager was my passion
To be your this way of life
But she would not think of battle
That reduces men to animals
So easy to begin
And yet impossible to end
For she, the mother of all men
Did council me so wisely than
I feared to walk alone again
And asked if she would stay
Oh lady land your hand I cried
Or let me rest here at your side
Have faith and trust in me she said
And filled my heart with life
There is no strength in numbers
Have no such disconseption
But when you need me be assured
I won't be far away
Thus having spoke she turned away
And though I found no words to say
I stood and watched until I saw
Her black cloak disappear
My labour is no easier
But now I know I'm not alone
I find new heart each time
I think upon that windy day
And if one day she comes to you
Drink deeply from her words so wise
Take courage from her as your prize
And say hello for me
344
DONNA (Ritchie Valens)
C F G
Oh Donna...(4x)
C
I had a girl F G
Donna was her name C
Since she left me F G
I've never been the same Em Am
Cause I love my girl F G C
Donna oh where can you be? F C
Where can you be?
Now that you're gone
I'm left all alone
All by myself to wonder alone
Cause I love my girl
Donna where can you be?
Where can you be?
F
Well darling now that you're gone C
I don't know what I'll do F G G7
I'll die and all my love for you
I had a girl...
Oh Donna...
345
LA BAMBA (Ritchie Valens)
Para bailar la bamba
Para bailar la bamba
Se necesita una poca de gracia
Una poca de gracia pa mi y pa ti
Ahi arriba ahi arriba
Ahi arriba ahi arriba
Por ti sere por ti sere por ti sere
Yo no soy marinero
Yo no soy marinero
Soy capitan soy capitan soy capitan
Bamba, bamba...
346
THE DRUGS DON'T WORK (The Verve)
C
All this talk of gettin' old Am
it's gettin' me down my love Em
like a cat in a bag F
waiting to drown G C
this time I'm coming down
And I hope you're thinking of me
as you lay down on your side
now the drugs don't work
they just make you worse
but I know I'll see your face again
now the drugs don't work
they just make you worse
but I know I'll see your face again
But I know I'm on a losing streak
cause I passed down my old street
and if you wanna show
then just let me know
and I'll sing in your ear again
now the drugs don't work
they just make you worse
but I know I'll see your face again
F Em
cause baby ooohhhh Am G
if heaven calls I'm coming too F Em
Just like you said Am G
you leave my life I'm better of dead.
All this talk of gettin' old
it's gettin' me down my love
like a cat in a bag
waiting to drown
this time I'm coming down
now the drugs don't work
they just make you worse
but I know I'll see your face again
cause baby ooohhhh
if heaven calls I'm coming too
Just like you said
you leave my life I'm better of dead.
but if you wanna show
then just let me know
and I'll sing in your ear again
now the drugs don't work
they just make you worse
but I know I'll see your face again
yeah I know I'll see your face again
yeah I know I'll see your face again
yeah I know I'll see your face again
yeah I know I'll see your face again
Never coming down,
I'm never coming down
no more no more no more no more no
more
347
LE DÉSERTEUR (Boris Vian)
Monsieur le président
Je vous fais une lettre
Que vous lirez peut-ętre
Si vous avez le temps
Je viens de recevoir
Mes papiers militaires
Pour partir á la guerre
Avant mercredi soir
Monsieur le président
Je ne veux pas la faire
Je ne suis pas sur terre
Pour tuer des pauvres gens
C'est pas pour vous fâcher
Il faut que je vous dise
Ma décision est prise
Je m'en vais déserter
Depuis que je suis né
J'ai vu mourir mon pêre
J'ai vu partir mes frêres
Et pleurer mes enfants
Ma mêre a tant souffert
Elle est dedans sa tombe
Et se moque des bombes
Et se moque des vers
Quand j'étais prisonnier
On m'a volé ma femme
On m'a volé mon âme
Et tout mon cher passé
Demain de bon matin
Je fermerai ma porte
Au nez des années mortes
J'irai sur les chemins
Je mendierai ma vie
Sur les routes de France
De Bretagne en Provence
Et je dirai aux gens:
“Refusez d'obéir
Refusez de la faire
N'allez pas á la guerre
Refusez de partir “
S'il faut donner son sang
Allez donner le vôtre
Vous ętes bon apôtre
Monsieur le président
Si vous me poursuivez
Prévenez vos gendarmes
Que je n'aurai pas d'armes
Et qu'ils pourront tirer
348
COLD COLD GROUND (Tom Waits)
Crest fallen sidekick in an old café
never slept with a dream before he had to
go away
there's a bell in the tower
Uncle Ray bought a round
don't worry bout the army
in the cold cold ground
cold cold ground
Now don't be a cry baby
when there's wood in the shed
there's a bird in the chimney
and a stone in my bed
when the road's washed out
they pass the bottle around
and wait in the arms
of the cold cold ground
cold cold ground
There's a ribbon in the willow
and a tire swing rope
and a briar patch of berries
taking over the slope
the cat'll sleep in the mailbox
and we'll never go to town
till we bury every dream
in the cold cold ground
cold cold ground
Gimme a Winchester rifle and a whole box
of shells
blow the roof off the goat barn
let it roll down the hill
the piano is firewood
times square is a dream
I find we'll lay down together
in the cold cold ground
cold cold ground
Call the cops on the Breedloves
brig a bible and a rope
and a whole box of rebel
and a bar of soap
make a pile of trunk tires
and burn'em all down
bring a dollar with you baby
in the cold cold ground
cold cold ground
Take a weathervane rooster
throw rocks at his head
stop talking to the neighbours
till we all go dead
beware of my temper
and a dog that I've found
break all the windows
in the cold cold ground
cold cold ground
349
I HOPE THAT I DON'T FALL IN LOVE WITH YOU (Tom Waits)
C F G
I hope that I don't fall in love with you C F G
Cause falling in love just makes me blue F C F C
Well the music plays and you display your heart for me to see F C F G
I had a beer and now I hear you calling out to me C F G
And I hope that I don't fall in love with you.
Now the room is crowded, people everywhere
And I wonder should I offer you a chair
Well if you sit down with this old clown,
he'll take that frown and break it
Before the evening's gone away, I think that we could make it
And I hope that I don't fall in love with you
Now the night does funny things inside a man
These old tomcat feelings you don't understand
I turn around and look at you, you light a cigarette
Wish I had the guts to bum one, but we've never met
And I hope that I don't fall in love with you
And I can see that you are lonesome just like me
And I'm feeling like you'd like some company
Well I turn around to look at you, and you look back at me
The guy you're with is up and split, the chair next to you's free
And I hope that you don't fall in love with me
Now it's closing time, the music's fading out
Last call for drinks I'll have another stout
I turn around and look at you, you're nowhere to be found
I search the place for your lost face, I guess I'll have another round
and I think that I just fell in love with you
350
I'LL BE GONE (Tom Waits)
Tonight I'll shave the mountain
I'll cut the hearts from pharoahs
I pull the road off of the rise
tear the memories from my eyes
and in the morning I'll be gone
I drink a 1000 shipwrecks
tonight I'll steal your paychecks
I paint the sheets across my bed
the birds will all fly from my head
and in the morning I'll be gone
take every dream that's breathing
find every boot that's leaving
shoot all the lights in the café
and in the morning I'll be gone
I bet a 1000 dollars
I have a french companion
I tie myself below the deck
I pull the rope around my neck
and in the morning I'll be gone
It takes a life to win her
there is a drum of bourbon
800 pounds of nitro
his boots are thunder as he plays
there is a stone inside it
tonight his bones will ride it
and in the morning I'll be gone
and in the morning I'll be gone
and in the morning I'll be gone
351
RAIN DOGS (Tom Waits)
e
Inside a broken clock
Splashing the wine F
With all the rain dogs e
Taxi, we'd rather walk
Huddle a doorway F
with the rain dogs B7 e
For I am a rain dog too
H7 e
Oh, how we danced and we swallowed the night H7 e
For it was all ripe for dreaming H7 e
Oh how we danced away all of the light a e F#7 H7
We've always been out of our minds
The rum pours out strong and thin
Beats out the dustmen
with the rain dogs
Aboard a shipwrecked train
give my umbrella
to the rain dogs
for I am a rain dog too
Oh, how we danced with the rose of Tralee
Her long hair black as a raven
Oh, how we danced and you wispered to me
You'll never be going back home
352
YESTERDAY IS HERE (Tom Waits)
Am E
If you want money in your pocket Am E
and a top hat on your head C
a hot meal on your table E
and a blanket on your bed
A C
well today is grey skies G F
tomorrow is tears Am E Am
you'll have to wait till yesterday is here
Well I'm going to New York City
and I'm leaving on a train
and if you want to stay behind and
wait till I come back again
well today is grey skies
tomorrow is tears
you'll have to wait till yesterday is here Am F
If you want to go Am F
where the rainbows end Am F E
you'll have to say goodbye Am F
all our dreams come true Am F
baby up ahaed Am Dm E
and it's out where your memories lie
well the road is out before me
and the moon is shining bright
what I want you to remember
as I disappear tonight
well today is grey skies
tomorrow is tears
you'll have to wait till yesterday is here
353
LOVE IS ALL AROUND (Wet Wet Wet)
D Em G A D Em G A
I feel it in my fingers, I feel it in my toes
Well, love is all around me, and so the feeling grows
It's written on the wind, it's everywhere I go
So if you really love me, come on and let it show
G Em
You know I love you, I always will G D
My mind's made up by the way that I feel G Em
There's no beginning, there'll be no end G A
Cos on my love you can depend
I see your face before me as I lay on my bed
I kinda get to thinking of all the things you said
You gave your promise to me and I gave mine to you
I need someone beside me in everything I do
You know I love you, I always will
My mind's made up by the way that I feel
There's no beginning, there'll be no end
Cos on my love you can depend
It's written on the wind, it's everywhere I go
So if you really love me, come on and let it show
Come on let it show…
354
THE ROAD TO MANDALAY (Robbie Williams)
Fm Fm6
Save me from drown-ing in the sea Cm
Beat me up_ on the beach Fm Gm7
What a lovely holiday G7 Csus4 Cm
There's nothing funny left to say
Fm Fm6
This sombre song would drain the sun Cm
But it won't shine until it's sung Fm Gm7
No water running in the stream_ G7 Csus4 C7
The saddest place-we've ever been
Ab Bb/Ab
Ev'rything I touched was golden Eb
Ev'rything I loved got broken
On the road to Mandalay Ab Gm
Ev'ry mistake I've ever made Fm7
Has been rehashed and then replayed Bb
As I got lost along the way
Fm Bb
Bom-bom-bom bah_ dah_ dum-bom_ bom__ Eb Cm
Bom-bom-bom bah_ dah_ dum-bom_ bom__ Ab Bb
Bom-bom-bom bah_ dah_ dum-bom_ bom_ Cm
Bom-ba-dum_
Fm Fm6
There's nothing left for you to give Cm Cm
The truth is all that you're left with Fm Gm
Twenty paces then at dawn G7 Csus4 Cm
We will die and be reborn
Fm Fm6
I like to sleep beneath the trees Cm Cm
Have the universe at one with me Fm Gm
Look down the barrel of a gun G7 Csus4 C C7|
And feel the moon replace the sun
Ab Bb/Ab
Ev'ry thing we've ever stolen Eb
Has been lost, returned or broken
No more dragons left to slay Abmaj9 Gm
Ev'ry mistake I've ever made Fm7
Has been rehashed and then replayed Bb
As I got lost a-long the way
Fm Bb
Bom-bom-bom bah_ dah_ dum-bom_ bom__ Eb Cm
Bom-bom-bom bah_ dah_ dum-bom_ bom__ Ab Bb
Bom-bom-bom bah_ dah_ dum-bom_ bom_ Cm
Bom-ba-dum_(3x)
Fm Fm6
Save me from drowning in the sea Cm Cm
Beat me up_ on the beach Fm Gm7
What a lovely holiday G7 Cm
There's nothing funny left to say
355
WE ARE THE WORLD
E A H E
There comes a time When we heared a certain call A H E
When the world must come together as one C#m H
There are people dying and its time to lend a hand A H
On life. The greatest gift of all.
We can go on, pretending day by day
That someone somewhere will soon make a change
We are all a part of god's great big family
And the truth you know »love« is all we need.
A H E
We are the World. We are the children. A H E
We are the ones who make a brighter day so let's start giving C#m H
There's a choice we're making. We're saving our ones lives. A H E
It's true we make a better day just you and me.
Send the, your heart so they'll know that someone cares
And their lives will be stronger and free
As god has shown us by turning stones to bread
So we all must lend a helping hand
C D E
When you are down and out there seems no hope at all C D E
But if you just belive there's no way we can fall cis H
Let us realize that a change can only come A H7
When we stand together as one
We are the World… (2x)
B C F
We are the World. We are the children. B C F
We are the ones who make a brighter day so let's start giving d C
There's a choice we're making. We're saving our ones lives. B C F
It's true we make a better day just you and me.