Work in Progress IAP - Actions -Artefakt -Acontecimientos

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Actions - Artefakt - Acontecimientos In the name of the Father and the Son and the Holy Spirit, performance. ©HGJ, ©CGCH & ©MGCH, idea, manus & performers. foto ©Wladimir Rupcich Skirting of parish church La Matriz. Valparaiso, Chile January 6, 2013. Work in progress, ©HGJ, Master Project “Platform, AI / Auténticas Internacionales: Authenticity and Public Spaces”

Transcript of Work in Progress IAP - Actions -Artefakt -Acontecimientos

Actions - Artefakt - Acontecimientos

In the name of the Father and the Son and the Holy Spirit, performance.©HGJ, ©CGCH & ©MGCH, idea, manus & performers.

foto ©Wladimir RupcichSkirting of parish church La Matriz.

Valparaiso, ChileJanuary 6, 2013.

Work in progress, ©HGJ, Master Project “Platform, AI / Auténticas Internacionales: Authenticity and Public Spaces”

In the beginning the ancient cultures in the now called Central America has a rich culture tradition, calendar, language, religion.For them Ometeotl, Teteo Inan, Teteo Itah 1, (Father of the gods, Mother of the gods) was a pair of divinities, it means a divine Father and Mother. If you think at they has a cosmogony with a equal relationship between man and women and thereby a particular relationship with all things in the earth (Gaia, Mapu).

Mapuche´s Calendar. 28 days based on the moon.

Work in progress, ©HGJ, Master Project “Platform, AI / Auténticas Internacionales: Authenticity and Public Spaces”

1 Miguel Angel Portilla, Náhuatl Philosophy (comments of the Códice Florentino, 1977, VI, 71 v.)

Pedagogy - Pedagogiken - Pedagogía

Work in progress, ©HGJ, Master Project “Platform, AI / Auténticas Internacionales: Authenticity and Public Spaces”

Last year I started a workshop with 14 children between 3 and 5 years old in the Kindergarden Lill-Martina, a Waldorf School in Kortedala. The aim is to work with aesthetics assignments without any other intention that to enjoy an aesthetics experience itself. The photography above is a collective drawing that we did. The instructions were to take a color pen, red or green, and draw a line: I didn´t said how long, or which kind of line either nor why or for what. In the following sessions have we work with favorite colors, favorite words and sounds mades by their own bodies.

Work in progress, ©HGJ, Master Project “Platform, AI / Auténticas Internacionales: Authenticity and Public Spaces”

Method - Metod - Método / Philosophy - Filosofi - Filosofía

... “The meaning of any photograph is always determined by discourses surrounding it ... social institutions are regarded as the main generators of a photograph´s perceived messages, which are seen to predominantly prop up existing social power relations and dominant ideologies” J. Tagg.... “We inevitably perceive things as being in space and time. ... But space and time encountered immediately in intuition and are, at the same time, a priori or, to speak figuratively, lenses through which we always see objects of experience ...” E. Kant... “ The body cannot be used as a “true” structure outside of discourse ... the physical body appears and is made legible only through these structures and patterns” ... J. Butler.... “ Trauma is precisely what suspends language and blocks meanings” ... R. Barthes.Bibliography - The Nag Hammadi Library, James M. Robinson (Ed.), Harper Collins Publisher San Francisco (NY:1990)- Imperialismo Cultural en América Latina: Historiografía y Praxis, Robert Austin Henry (Ed.), Ediciones CECATP, Chile (Santiago:2006)- Epistemology and Cognition, Alvin I. Goldman. Harvard University Press. (London:1986)- El País de las Mujeres, Gioconda Belli. Ediciones Premio de Novela: La Otra Orilla, Grupo Norma. (Barcelona:2010)- El Evangelio según Jesucristo, José Saramago, Alfaguara Editores. (Buenos Aires:1998)- La Psiquis Divina, el Aquí y Ahora de la Vida Eterna, Carmen Bunster Reyes, (Autopublicación, Santiago-Chile:2011)- La Obra de Arte en la Era de su Reproducción Técnica (1939) Walter Benjamin, Jorge Monteleone (Ed.) El Cuenco de Plata Ediciones. (Buenos Aires:2011)- Qué es un Autor (1969), conferencia de Michael Foucault, Silvio Mattoni (Trad.) (1983). El Cuenco de Plata Ediciones. (Buenos Aires:2010)- El Carácter Afirmativo de la Cultura (1965), Herbert Marcusse, Claudia Kozak (Ed.) El Cuenco de Plata Ediciones. (Buenos Aires:2010)- Secret Societies and the Hermetic Code, the Rosicrucian, Masonic, and Esoteric Transmission in the Arts, Ernersto Frers. Ariel Godwin (Trans.) (Vermont:2008)- Benjamin, Barthes and the Singularity of Photography, Kathrin Yacavone, Continuum International Publishing Group. (London:2012)- The Categories of Thought and the Forms of Intuition, E. Kant in Philosophy: History and Problems. 305-323 (4th edition) Samuel Enoch Stumpf, McGraw-Hill Book Company. (Singapore:1989)- Códeices Etnográficos: El Código Florentino, Manuel Barbero Richard, EHSEA #14, Ene-Jun 1997, pp. 349-379 Universidad de Cuenca (Cuenca:1997)- “Ometeotl, el supremo dios dual, y Tezcatlipoca “Dios principal” Estudios de Cultura Náhuatl, México, UNAM, Instituto de Investigaciones Históricas, v. 30, p. 133-152. (Ciudad de México:1999)

Work in progress, ©HGJ, Master Project “Platform, AI / Auténticas Internacionales: Authenticity and Public Spaces”

Network - Nätverk - Red de Trabajo

After my first journey in my field studies I have opportunities to organize 2 curatorial works, one in Buenos Aires, Argentina for December in this year and the other in Valparaíso, Chile, for the next year.

Also I contacted the producers and artist of 2 festivals, they are organized for to participate live or streaming, with live actions or video art (physical cinema). One in Bogotá, Colombia and the other in Caracas, Venezuela.

Of course Europe is also within my interests, and I have good perspectives to star a interchange with Portugal, Norge, Spain and Croatia.

Peras de Olmo, Ars Continua. Buenos Aires, Argentina

Oceanía de Valparaíso, Desórdenes Aislados, Cultural PlayAncha, Valparaíso, Chile

En Vivo y Diferido, Bogotá, Colombia

Global Performance Art Walk, from Caracas, Venezuela.

Work in progress, ©HGJ, Master Project “Platform, AI / Auténticas Internacionales: Authenticity and Public Spaces”