PRINCIPLES IN PRACTICE: Concerns and approaches for the exhibition of highly sense-stimulating art

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PRINCIPLES IN PRACTICE: CONCERNS AND APPROACHES FOR THE EXHIBITION OF HIGHLY SENSE-STIMULATING ART by Linda Solay MASTER OF ARTS & CULTURAL MANAGEMENT at Lasalle College Of The Arts Singapore Goldsmiths College, University Of London May 2011

Transcript of PRINCIPLES IN PRACTICE: Concerns and approaches for the exhibition of highly sense-stimulating art

PRINCIPLES IN PRACTICE:

CONCERNS AND APPROACHES FOR THE EXHIBITION OF HIGHLY SENSE-STIMULATING ART

by Linda Solay

MASTER OF ARTS & CULTURAL MANAGEMENT

at

Lasalle College Of The Arts Singapore

Goldsmiths College, University Of London

May 2011

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Concerns & approaches for the exhibition of highly sense-stimulating art

Introduction: “Bigger - Better - Faster - More”

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BIBLIOGRAPHY ARKEN Museum of Modern Art. “UTOPIA - Olafur Eliasson: Din blinde passager,” November 27, 2010.

http://www.arken.dk/content/us/art/exhibitions/utopia_-_olafur_eliasson_din_blinde_passager. Art & Research. “The Phenomenology of Olfactory Perception: An Interview with Clara Ursitti,” 2008.

http://www.artandresearch.org.uk/v2n1/ursitti.html. Chew, David. Interview by Author. Singapore. May 1, 2010. Drobnick, Jim. “Scents of a Woman: Clara Ursitti.” Tessera. The Senses/Les Sens, Lianne Moyes, ed.

(Summer 2002): 85-97. Drumm, Perrin. “Olafur Eliasson’s ‘Utopia’ for the new year.” SUNfiltered, January 4, 2011.

http://www.sundancechannel.com/sunfiltered/2011/01/olafur-eliassons-utopia-for-the-new-year/. Eliasson, Olafur. “Olafur Eliasson Home Page,” n.d. http://www.olafureliasson.net/. Falk, John H. Identity and the Museum Visitor Experience. Left Coast Press, 2009. Fragrant Harbour, The. “The Colour of Change.” Beijing Calling, May 28, 2010.

http://beijingcalling.blogspot.com/2010_05_01_archive.html. French Institute Alliance Française NYC. “Crossing the Line 2010 - Ryoji Ikeda: datamatics [ver. 2.0],”

September 10, 2010. http://www.fiaf.org/crossingtheline/2010/2010-09-ctl-ikeda-datamatics.shtml. Griffin, Kevin. “Datamatics: Ryoji Ikeda Makes Data Visible.” The Vancouver Sun Blog: Culture Seen,

February 3, 2011. http://communities.canada.com/vancouversun/blogs/cultureseen/archive/2011 /02/03/ datamatics-ryoji-ikeda-takes-us-on-a-digital-trip.aspx.

Guerin, Frances. “Transforming Mathematical Ideas into a Physical Experience.” ArtSlant, January 6, 2009. http://www.artslant.com/ew/articles/show/7626.

Hampe, Benjamin. Interview by Author. Singapore. May 1, 2010. Ikeda, Ryoji. “Ryoji Ikeda Home Page,” n.d. http://www.ryojiikeda.com/, accessed May 2, 2011. Inc. “Feelings Are Facts.” In Art We Trust, July 18, 2010. http://inartwetrustblog.wordpress.com/. Jones, Caroline A., ed. Sensorium: Embodied Experience, Technology, and Contemporary Art. 1st ed. The

MIT Press, 2006. Li, Lawrence. Olafur Eliasson & Ma Yansong's Feelings Are Facts exhibition at UCCA, 798 Art District,

Beijing. Vimeo, 2010. http://vimeo.com/10840020. Lyall, Sarah. “Caution: Dangerous art at the Tate.” The New York Times, November 12, 2007.

http://www.nytimes.com/2007/12/12/arts/12iht-11crac.8710143.html. Museum of Contemporary Art Tokyo. “Ryoji Ikeda +/- [ the infinite between 0 and 1 ],” April 2, 2009.

http://www.ryojiikeda.mot-art-museum.jp/. Nottinghamshire County Council. “Risk Assessment Record - The Rufford Gallery,” March 3, 2010.

http://www.nottinghamshire.gov.uk/artsriskassess-gallery.doc Pulh, Mathilde, Severine Marteaux, and Remi Mencarelli. “Positioning Strategies of Cultural Institutions: A

Renewal of the Offer in the Face of Shifting Consumer Trends.” International Journal of Arts Management 10, no. 3 (Spring 2008).

PuSh International Performing Arts Festival. “Ryoji Ikeda - datamatics [ver.2.0],” February 3, 2011. http://pushfestival.ca/shows/datamatics-ver-2-0/.

Quinn, Ben. “Crowds are suffering for their art at the Tate Modern.” The Times, November 26, 2007. http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/visual_arts/article2943217.ece.

Rothstein, Kris. “PuSh Festival: Datamatics.” Geist, February 4, 2011. http://www.geist.com/blogs/kris. SPILL Festival of Performance. “Ryoji Ikeda: datamatics [ver.2.0],” April 18, 2011.

http://www.spillfestival.co.uk/datamatics-ver-2-0/. Ullens Center for Contemporary Art. “Olafur Eliasson & Ma Yansong - Feelings are facts,” April 4, 2010.

http://www.ucca.org.cn/index.php?option=com_content&view=article&id=910&Itemid=39&lang=en Woolongong City Gallery. “Gallery Hire - Terms and Conditions,” n.d.

BIBLIOGRAPHY ARKEN Museum of Modern Art. “UTOPIA - Olafur Eliasson: Din blinde passager,” November 27, 2010.

http://www.arken.dk/content/us/art/exhibitions/utopia_-_olafur_eliasson_din_blinde_passager. Art & Research. “The Phenomenology of Olfactory Perception: An Interview with Clara Ursitti,” 2008.

http://www.artandresearch.org.uk/v2n1/ursitti.html. Chew, David. Interview by Author. Singapore. May 1, 2010. Drobnick, Jim. “Scents of a Woman: Clara Ursitti.” Tessera. The Senses/Les Sens, Lianne Moyes, ed.

(Summer 2002): 85-97. Drumm, Perrin. “Olafur Eliasson’s ‘Utopia’ for the new year.” SUNfiltered, January 4, 2011.

http://www.sundancechannel.com/sunfiltered/2011/01/olafur-eliassons-utopia-for-the-new-year/. Eliasson, Olafur. “Olafur Eliasson Home Page,” n.d. http://www.olafureliasson.net/. Falk, John H. Identity and the Museum Visitor Experience. Left Coast Press, 2009. Fragrant Harbour, The. “The Colour of Change.” Beijing Calling, May 28, 2010.

http://beijingcalling.blogspot.com/2010_05_01_archive.html. French Institute Alliance Française NYC. “Crossing the Line 2010 - Ryoji Ikeda: datamatics [ver. 2.0],”

September 10, 2010. http://www.fiaf.org/crossingtheline/2010/2010-09-ctl-ikeda-datamatics.shtml. Griffin, Kevin. “Datamatics: Ryoji Ikeda Makes Data Visible.” The Vancouver Sun Blog: Culture Seen,

February 3, 2011. http://communities.canada.com/vancouversun/blogs/cultureseen/archive/2011 /02/03/ datamatics-ryoji-ikeda-takes-us-on-a-digital-trip.aspx.

Guerin, Frances. “Transforming Mathematical Ideas into a Physical Experience.” ArtSlant, January 6, 2009. http://www.artslant.com/ew/articles/show/7626.

Hampe, Benjamin. Interview by Author. Singapore. May 1, 2010. Ikeda, Ryoji. “Ryoji Ikeda Home Page,” n.d. http://www.ryojiikeda.com/, accessed May 2, 2011. Inc. “Feelings Are Facts.” In Art We Trust, July 18, 2010. http://inartwetrustblog.wordpress.com/. Jones, Caroline A., ed. Sensorium: Embodied Experience, Technology, and Contemporary Art. 1st ed. The

MIT Press, 2006. Li, Lawrence. Olafur Eliasson & Ma Yansong's Feelings Are Facts exhibition at UCCA, 798 Art District,

Beijing. Vimeo, 2010. http://vimeo.com/10840020. Lyall, Sarah. “Caution: Dangerous art at the Tate.” The New York Times, November 12, 2007.

http://www.nytimes.com/2007/12/12/arts/12iht-11crac.8710143.html. Museum of Contemporary Art Tokyo. “Ryoji Ikeda +/- [ the infinite between 0 and 1 ],” April 2, 2009.

http://www.ryojiikeda.mot-art-museum.jp/. Nottinghamshire County Council. “Risk Assessment Record - The Rufford Gallery,” March 3, 2010.

http://www.nottinghamshire.gov.uk/artsriskassess-gallery.doc Pulh, Mathilde, Severine Marteaux, and Remi Mencarelli. “Positioning Strategies of Cultural Institutions: A

Renewal of the Offer in the Face of Shifting Consumer Trends.” International Journal of Arts Management 10, no. 3 (Spring 2008).

PuSh International Performing Arts Festival. “Ryoji Ikeda - datamatics [ver.2.0],” February 3, 2011. http://pushfestival.ca/shows/datamatics-ver-2-0/.

Quinn, Ben. “Crowds are suffering for their art at the Tate Modern.” The Times, November 26, 2007. http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/visual_arts/article2943217.ece.

Rothstein, Kris. “PuSh Festival: Datamatics.” Geist, February 4, 2011. http://www.geist.com/blogs/kris. SPILL Festival of Performance. “Ryoji Ikeda: datamatics [ver.2.0],” April 18, 2011.

http://www.spillfestival.co.uk/datamatics-ver-2-0/. Ullens Center for Contemporary Art. “Olafur Eliasson & Ma Yansong - Feelings are facts,” April 4, 2010.

http://www.ucca.org.cn/index.php?option=com_content&view=article&id=910&Itemid=39&lang=en Woolongong City Gallery. “Gallery Hire - Terms and Conditions,” n.d.