powerpoint lecture 4
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Transcript of powerpoint lecture 4
ArchitectureWhat are the ways that architecture encloses interior spaces?What impact do materials have on your impression of a building?What kinds of shelter have been designed for group living?What architecture has been developed for the commercial world?How do structures that serve the same purpose vary in design across cultures?Why have artists and architects designed shelter that goes beyond functional considerations?What are some of the general characteristics of places of worship?How do people identify sacred spaces?How does the use and design of religious structures reflect the religious experience there?How can large scale sacred architecture also be an expression of political power?
Stonehenge• Neolithic• 4 phases (bce):
– 3100-2300– 2100-2000– 2000-1550– 1550-1500
• Post & Lintel• Trilithons • Sarsen/Blue stones • Ashlar Masonry• Cromlech• Calendar
Pyramids, Giza, Egypt, 2600-2475 bce• Old Kingdom• Menkaure, Khafre,
Khufu
• Ashlar Masonry• Cardinal points
• Tombs• Power• Protection
Chapter 3: Egyptian Art• 3500-400 b.c. • Nile• 4,000 m. long• 31 Dynasties• Pharaohs • Upper and
Lower Egypt• Religion
(immortality)
Great Sphinx, Giza, 4th Dynasty, 2575-2525 b.c.• Hybrid• Protection• Khafre and
Lion• Pre-Egyptian?• 65’• Faces rising
sun
Teotihuacan, 1st - 7th centuries c.e., n.e. of Mexico City• 250-1100• Cardinal points• Lower world/upper world• “Birthplace of the Gods”• Axis mundi• Aztec rule (c. 1200 - 1521)
• Pyramid of the Sun / Moon• Ciudadela• Temple of the Feathered Serpent • Avenue of the Dead (8 sq. miles)• Talud-tablero platforms
Pyramid of the Sun, Teotihuacan, Mexico, 200 - 450
• Unknown origin• Later Mayan/Aztec• Avenue of the dead• East/west • 215’• Sundried brick / White
limestone stucco • Temple on top• Underground caves• Solar calendar • Universe• Axis Mundi• Rebuilt every 52 years
(long count calendar) • Pyramid of the moon
bilateral axis
Pyramid of the Moon, Teotihuacan, Mexico, 100 - 450
• Built over pre-existing pyramid
• 5-tiered platform• 6 renovations• Tunnels• Tomb• Mimics Cerro
Gordo (volcano to the north)
• Ceremonies for Great goddess
• Sculptures to Goddess
Temple of the Feathered Serpent, Teotihuacan• Quetzalcoatl (Aztec): Quetz - Bird / Coatl = snake• Dual nature• Heaven and Earth
• 6 levels
Iktinos and Kallikrates, Parthenon, 447-432, bce• Acropolis• Athena• “Refinements”
– Entasis– Sloped floor– 3/4 view– Tilted facade
• Doric, Ionic, Corinthian
• Facade• Visual Symmetry
Pantheon, Rome, 118-125 c.e.Hadrian (Spanish Emperor)
Ruled: 117 - 138 c.e.
Agrippa (1st Architect)
Apollodorus of Damascus (2nd)
Pan (All) Gods
Greek elements?
143 x143’
•Oculus (30’)•Coffers•Niches w/ Planetary Gods
•Mercury, Venus, Mars, Jupiter, Saturn, Sun (Apollo), Moon (Diana)
ROMANESQUE ARCHITECTURESt. Sernin, Toulouse, France, 1080-1120
• St. Saturnius (bones)
• Latin cross• Crossing• Transcept• Radiating chapels• Heavy, low lying
walls
Gothic Cathedral Design
• Master Mason – Lead Architect– 6-year apprenticeship– Assigned Building Hut
• Expert in wood, stone & concrete
Notre Dame, Paris, France, 1163-1225• Ile de-la-Cite• Seine river• Original settlers• Charlemagne
Chapel• Bishop Maurice
de Sully
Notre Dame, Paris, 1163-1225
• Replaced 5-aisled Basilica
• Master masons: Jean de Chelles, and Pierre de Montreuil
• 78’ tall
Chartres Cathedral, 1194-1260, Gothic• Town of Chartres• Relic of Virgin Mary• Pilgrimage• 10th c. - 16th century• 118’• Latin cross plan• Ziggurat, Mayan temple,
Pyramids, Parthenon
Chartres Facade
• Towers Gothic and Baroque Design• Rose Window• Portals• Incarnation/Christ in Majesty/Christ
Blessing/
Masjid-I-Shah, (Royal Mosque), Isfahan, Iran, 1612-1637
• Iwan (arched entryway)
• CourtyardInterior• Prayer Hall• Mihrab• Minbar• Mecca
Buddhist and Hindu ArchitectureGreat Stupa, Sanchi, India, 3-1st a.d.
• Cosmos as World Mountain
• Womb of Universe• Dome: Heaven• Chatres (Umbrellas):
Unite levels of human consciousness)
• Life of Sakyamuni (Buddha)
• Footprints• Wheel: Cycle of
reincarnation• Yakshi• Gates: Toranas• Pilgrimage -
Cliff Palace, Mesa Verde (Green Table), AZ.• Anasazi (Enemy ancestors)• S.W.: CO, AZ, NM, UT (4 corners)• Chaco Canyon• 550-1000 semi-subterranean
pithouses (roof ladder)• 1200-1300 cliff dwellings • Late Anasazi Pueblo • Roofs timber, sandstone blocks,
rubble, mud mortar • Faces south (cool summer, warm
winter)• 600 dwellings• Defense?
The Pueblo (Town), Taos, New Mexico• SW U.S.• Hopi (Pre-Colombian)• Classic (1100 a.d.)• Design:
Environmental conditions
• Contemporary changes (iron, windows, doors, chimneys)
• Little change
Pueblo Bonito, AZ, 11th century
• 1000 yr const.
• Rectangular & circular (sub)
• Kivas -Spirtual rooms
• Hole in center• Ceremonial
dress• Paintings
Thomas Jefferson, Monticello, Virginia, 1770
• Neo-Classical• Roman Influence• Vitruvius/Palladio• Hidden second story• Local Materials• U-shaped design
Pantheon, Rome, 79 a.d.
MODERN ARCHITECTURELouis Sullivan, Carson Pirie Scott and Co., Chicago, IL., 1904
• Chicago School of Architects
• 1st truly modern building• Steel beams allowed for
vertical bldgs.• FORM FOLLOWS
FUNCTION• Department Store
Mies van der Roe, Seagram Building, New York, 1958
• Intl. Style– Volume– Regularity– Avoid Decoration
• Less is More• Manufactured materials• Rectilinear Urban
Landscape• Utopia
Frank Lloyd Wright, Fallingwater (Kaufmann House), 1936-7
• Student of Louis Sullivan
• Organic Arch.
• Cantilever• Japanese and
Chinese infl.
Modern ArchitectureLe Corbusier, Notre Dame du Haut, Ronchamps,
France, 1950-55• Bauhaus • Emphasis on
Design• International Style• Steel beams &
mesh• Destination for
Pilgrims• “Praying hands”• Dove• Outdoor altar
Postmodern Architecture• Frank Gehry• Guggenheim, Bilbao,
Spain• “Anything Goes”• “Presence of the Past”• “Less is a bore”• Cubism, Surrealism,
etc.• Hybridity• Titanium Steel• Reflection, organic,
transformative, abstract
Charles Moore with U.I.G. and Perez Associates, Piazza D’Italia, New Orleans, 1975-80
• Classical Influences?• Why Postmodern?• Disney land• Las Vegas• Italian Piazza• St. Joseph’s Festival• Annual (April)• Gift to Italians of New
Orleans
Joern Utzon, Sydney Opera House, Sydney Australia, 1959-72
• Reinforced concrete
• Free form system
• F.L. Wright • Sculpture• Rhythm