On Montparnasse Street Art in the Summer of 2014
Transcript of On Montparnasse Street Art in the Summer of 2014
Montparnasse Street Art
Joseph Nechvatal
Published as
Street Art Subversion Goes Retro in Paris at Hyperallergic
http://hyperallergic.com/140848/street-art-subversion-goes-retro-in-paris/
Paris is rightly recognized as an interesting place for street art, especially on
the right bank in the scruffier neighborhoods, where I am used to seeing
plenty of it. But when it pops up in the rather chic areas, such as my
Montparnasse, it tends to stand out even more. And I take notice. The more
stylish surroundings frame and contrast the work better, enhancing its
presence and impact.
This has been the case this summer with a spate of interesting examples
along boulevard Raspail.
I first notice two rather discrete, but hilarious small posters, that cheekily
tweaked establishment rule through Duchampian understatement. Next to
official metal plaques announcing a restricted area that forbids posters were
placed rectangular posters agreeing with the restriction.
But then came a wave of full-sized human figure posters that confronted and
provoked. This work consisted of a series of young people holding
announcement cards presenting themselves to the street as queer, lesbian,
and alternative sexual preference.
There was a fourth and different lesbian poster immediately across the street
from my front door, but that one was torn down the day after it was placed
there, leaving behind a ghostly witness.
I don’t exactly know what meaning the posters are trying to convey, but I
take them to insist something such as: We are Queer, We are here, Get used
to it.
And we are used to it. Directly around the corner from the destroyed Lesbian
poster, at 27 rue de Fleurus, sits permanently the marble plague announcing
the abode of the famous lesbian couple Gertrude Stein and Alice B. Toklas.