JEZ 2014 Dossier
Transcript of JEZ 2014 Dossier
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JOCELYN E ZANZOT Assistant Professor Landscape Architecture Program School of Architecture, Planning and Landscape Architecture College of Architecture, Design and Construction September 2014
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STANDARD BIOGRAPHICAL DATA Name: Jocelyn E. Zanzot, ASLA Department: Landscape Architecture, School of Architecture College: College of Architecture Design and Construction Present Rank: Assistant Professor Education: University of Oregon, Eugene, Oregon Master of Landscape Architecture, 2003 University of Oregon, Eugene, Oregon Bachelor of Landscape Architecture, 2002 Reed College, Portland Oregon Bachelor of Art, Studio Arts, 1996 Boston Museum School, Boston Massachusetts San Francisco Art Institute, San Francisco, California Bachelor of Art coursework 1992-‐1994
PERCENT BREAKDOWN OF ALLOCATION OF TIME Teaching and Service 70% Research, Outreach, Creative Work 25% Service 5%
My teaching load has comprised one design studio and accompanying field studies course, four seminars in the graduate program of landscape architecture and one in environmental design for a total of 18 credit hours per academic year. In addition to courses taught within my nine-‐month contract, I have developed and taught required courses every summer. Serving on graduate thesis committees also figures into the teaching load, as I am selected by between two and five graduate students per year. As a member of a five faculty graduate program, I have dedicated a significant amount of service time in the last five years first to the accreditation, then subsequent redesign of our curriculum. I am the faculty advisor to the student American Society of Landscape Architecture, ASLA chapter. Additionally serve on the School of Architecture, Planning and Landscape Architecture Education and Technology and Lecture’s committees as well as the Faculty Senate and the Auburn Africa Initiative. The threads that connect my teaching, research, scholarship and outreach can be described as related dimensions of design for healthy community landscapes: regenerative practices, civic engagement, and landscape imagination. These issues connect the history and theory of landscape architecture in the public realm, with service learning design studios, and international research and scholarship in the related fields of civic health and healing environments. Published work has entered new media and online venues to reach a broader audience.
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HONORS AND AWARDS (see B7) National Design Award
Jocelyn Zanzot, Small Hospital Big Idea Winning Proposal with Aditazz Modern Health Care Design Award Honorable Mention, September 2012 This national professional award recognizes the innovative eco-‐friendly community-‐based hospitals developed by team Aditazz for Kaiser Permanente’s Small Hospital Big Ideas Competition. Aditazz’s proposal was selected from 105 entries as Modern Healthcare Design Awards Honorable Mention. As lead landscape architect, I developed the principles, practices and plan for integral biotic and civic health of this sustainable small hospital.
Modern Healthcare is a weekly, 70,037-‐circulation business publication targeting executives in the healthcare industry. It is an independent American publisher of national and regional healthcare news.
The publication is also known for providing statistical rankings, competitive insight, and practical information on topics such as information technology, federal and state legislation, Medicare/Medicaid, finance, access to capital, reimbursement, investing, supply chain, materials management, strategic planning, governance, managed care, insurers, EHRs, patient safety, quality, outpatient care, rural health, construction, staffing, legal affairs and international healthcare.
International Design Competition Jocelyn Zanzot, Consulting Landscape Architect on Winning Team Aditazz International “Small Hospital Big Ideas Competition” Kaiser Permanente March 2012
The competition generated widespread interest, with more than 108 design concepts submitted from around the world. After a rigorous evaluation process that narrowed the list to nine semifinalists, the design jury selected three finalists last May.
The finalists spent the next eight months evolving their initial concepts into modified schematic design packages, with detailed drawings, cost projections and thorough analyses to support their ideas. These proposals ran to several hundred pages. The finalists assembled teams of some of the world's top minds in health care design, technology and architecture, who later previewed their designs with Kaiser Permanente caregivers and staff for reactions and insights. The finalists submitted their final plans for a small hospital on Jan. 31.
Designs were judged on such factors as efficiency, including sustainability features; innovation; life-‐cycle costs, incorporation of methods to improve health outcomes; flexibility; and environment of care, including how successfully the design integrates the hospital into the local community. (From Buildings 3-‐26-‐12).
This first prize design award recognizes the team’s innovative approach to planning, designing, modeling, manufacturing and sustaining the next generation of smaller, eco-‐friendly, community-‐based healthcare facilities. The concept is to create a vibrant health-‐centered community place that maximizes the agile yet convergent capacities of technology and sustainability. My role as consulting landscape architect included site analysis, landscape planning and design, precedent studies, landscape planting plans and renewable systems design, diagram and rendering development and the executive site design summary.
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National Competition
Jocelyn Zanzot and Daniel Neil, Mobile Studio, Designing Alabama's Civic Health, National Civic Data Challenge: Honorable Mention, September 2012
This national award recognizes the quality of the video submission and the co-‐creative project described therein organized and produced 50/50 by Zanzot and Neil. The work investigates the status and potential of Civic Health in Macon County, Alabama by connecting high school students, college students, and local civic leaders through art, design, and civic engagement. These creative and dialogic processes become the basis for substantial civic infrastructure proposals.
The Civic Data Challenge was launched by National Conference on Citizenship in April 2012 to bring new eyes, minds, findings, and skill sets to “civic health” data ― information that shows how citizens are participating in their neighborhoods, communities and democracy. The Challenge asked applicants to turn the raw data of civic health into beautiful, useful applications and visualizations, enabling communities to be better understood and encouraged to thrive. The winners were announced at the 67th Annual National Conference on Citizenship.
More than 170 members joined the Challenge community, and the team of a dozen judges reviewed entries that came in from more than 60 participants. Winning teams spanned the country. The results of the Challenge have been covered by Fast Company in their post Visualizing Civic Data to Make the Case for Civic Health and Jake Brewer, Chief Strategy Officer at Fission and a strong advocate for open-‐data, speaks highly of the importance of civic health data in his post, NCoC’s Civic Data Challenge: So Much More Than Just Numbers.
Auburn University Award Jocelyn Zanzot, Barry Fleming, Daniel Neil, “Mobile Studio on Alabama's Old Federal Creek Road”. Auburn University Creative Scholarship Juried Faculty Exhibition: Best in Show, April 2012 This University-‐wide Creative Scholarship Juried Faculty Exhibition invited entries from across the Fine and Applied Arts programs. The Mobile Studio’s entry synthesized a year-‐long research and creative scholarship project focused on Alabama’s Old Federal Road. Working with students and faculty between CADC and CLA with an interest in public history and emerging ecologies, this Mobile Studio produced hundreds of drawings, photographs, prints and film now stored in a public catalogue in the RBD Library’s Special Collections and Archives.
Regional Design Competition Jocelyn Zanzot and Michael Robinson, “Sustainable Traveling Field Studies” Gold Prize $2500 Design Competition Award: Moss Rock Art Festival, Hoover Alabama 2009
This regional design competition recognized exceptionally creative and provocative design work. A total of 25 proposals were preselected for exhibition and jury. Internationally acclaimed juror Landscape Architect Tom Leader recognized this entry with the intention that prize money would inaugurate this sustainable traveling field studies initiative along route 66 from Alabama to Los Angeles. The concept has evolved into the Mobile Studio, a now internationally recognized approach to landscape studies in the field.
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SCHOLARLY CONTRIBUTIONS AS:
A. TEACHING
A1. Courses Taught Spring 2014 Urban Studies I: American Urban Landscape (LAND 5340/6340) Credit Hours 3 Enrollment: 10
Readings in Landscape Architecture (ENV 2200-‐001) Credit Hours 3 Enrollment 12
Outreach Seminar (LAND 7420-‐001) Credit Hours 3 Enrollment 10
Fall 2013 Studio II Neighborhood: (LAND 5230/6320)
Credit Hours 5 Enrollment: 10
Field Studies: (LAND 5231/6321) Credit Hours 1 Enrollment: 10
Directed Elective: Landscape Videography (LAND 7900-‐003) Credit Hours 3 Enrollment: 8
Summer Term 2013:
Urban Studies II: Global Urbanism (LAND 7140) Credit Hours 3 Enrollment: 20
Landscape Modernism (LAND 5140/6140) Credit Hours 3 Enrollment: 16 Directed Elective: Landscape Food Systems (LAND 7000) Credit Hours 3 Enrollment 1
Spring Term 2013: Urban Studies I: American Urban Landscape (LAND 5340/6340) Credit Hours 3 Enrollment: 19
Readings in Landscape Architecture (ENV 2200-‐001) Credit Hours 3 Enrollment 12
Outreach Seminar (LAND 7420-‐001) Credit Hours 3 Enrollment 11
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Fall Term 2012:
Studio II Schoolgrounds: (LAND 5230/6320) Credit Hours 5 Enrollment: 17
Field Studies: (LAND 5231/6321)
Credit Hours 1 Enrollment: 17 Directed Elective: Outreach Seminar (LAND 7900-‐003) Credit Hours 3 Enrollment: 6
Summer 2012:
Landscape Modernism (LAND 5140/6140) Credit Hours 3 Enrollment: 16
Global Urbanism (LAND 7140) Credit Hours 3 Enrollment: 18
Spring Term 2012: Urban Studies 1, American Urban Landscape (LAND 5340/6340) Credit Hours 3 Enrollment: 8
Readings in Landscape Architecture (ARCH 4900-‐001) Credit Hours 3 Enrollment 6
Fall Term 2011:
Studio II: Beltline (LAND 5230/6320) Credit Hours 5 Enrollment: 17
Studio II Field Studies (LAND 5231/6321)
Credit Hours 1 Enrollment: 17
Directed Elective Cordova (LAND 7900-‐003) Credit Hours 3 Enrollment: 6
Summer Term 2011: Landscape Modernism (LAND 5140/6140)
Credit Hours 3 Enrollment: 16
Global Urbanism (LAND 7140) Credit Hours 3 Enrollment: 18
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Spring Semester 2011: Studio1V: Directed Studio, co-‐taught w Michael Robinson (LAND 7970) Credit Hours 3 Enrollment: 11 Urban Studies 1, American Urban Landscapes (LAND 5430/ 6430) Credit Hours: 3 Enrollment: 7
Readings in Landscape Architecture (LAND 4900) Credit Hour: 3 Enrollment: 8
A2. Graduate Thesis Students whose work has been completed (* students won AL ASLA awards of Merit and Honor)
Thesis Committees 2012/2013
Seth Ristow: Design for Disobedience: Lafitte Corridor, New Orleans LA Sylvia Barnett: Landscape as Field: Westside Arts District, Atlanta Georgia Thesis Committees 2010/2011 Stephen Everett: Affective Urban Flows and Multimodal Transportation. Atlanta, GA Will Hargrove: Designing the Infrastructure of Urban Agriculture, Birmingham AL Shelby Newman: Storm water Design in an Emotional Landscape, Mobile AL Tyler Smithson: Topological Disturbance for Regenerative Urban Design, Chattanooga TN
Ran Ran: Strategic Insertions to Rekindle Community, Montgomery, AL
Thesis Committees 2009/2010 * Mathew Biesecker-‐ Emergent Design in Landscape Architecture, Asheville NC Alex Bonda: The Visible, Yet Invisible Cultural Network, Asheville NC Clay Craft: Urban Floodplain Design: Utilizing the Regenerative Disturbance of Flooding to Create Form and Habitat with the Urban Landscape, Birmingham AL Brad Murray: Putting the Landscape First: A Garden Subdivision, Auburn, AL Amanda Simpson: Urban Interstices: rethinking the built environment, Savannah, GA * Tongfei Zhou: Industrial Zone as Cultural Ecotone, Birmingham AL Thesis Committees 2008/2009 Joao Braz: Linking Fragmented Landscapes, Atlanta, Georgia * O’Neal Crawford: Landscape Intersections: Lexington, Kentucky Lauren Havard: Sustainability through Urban Agriculture, Layfayette Louisiana Sean Henderson: Design for Indeterminacy, Memphis TN Scott Holder: Connecting Bioregionalism and Historic Preservation in the Sequatchee Valley, Dunlap TN Qing Huang: An Eco-‐cultural Approach to Wetland Design, Bayou LaFouche, LA Brad Sprayberry: Human Ecology and the Urban Environment, Memphis TN
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A3. Graduate Students on whose committee the candidate is presently serving (decrease in number of thesis students reflects programmatic shift to not require thesis work.)
A4. Courses and Curricula Developed I primarily teach seminars and design studios. My courses provide students within the MLA program an understanding of the modern history and contemporary theory of the discipline and an opportunity to build their landscape architectural skills directly in the field through approaches that advance intertwined biotic and civic health. The following courses are integral to our program establishing a knowledge base of cultural landscape studies, including the history, theories and design of public places. Design proposals are developed through hybrid practices of landscape drawing and image-‐making extended through my own international research and creative practices. The courses draw examples from multi-‐media sources and are well equipped to help students advance graduate level critical reading, writing and oral presentation skills as a matter of landscape architectural practice. Many of the courses have been supported with grant funding, and enhanced through my own research and scholarship.
a. American Urban Landscapes: LAND 5430/6430
This course addresses the evolution of the American landscape, its current conditions, and prospects. The landscape is introduced as an embodiment of American culture. The themes of individualism and community, mobility and change, technology, and idealism are examined in the context of the contemporary landscape. The landscape of the American Dream, American landscape tastes, and spatial history and the role of design within participatory democracy are discussed. The course introduces a range of research methods for critical observation and analysis of contemporary cities and places. Critical reading, writing and communication skills are cultivated. While this course has been a long-‐standing component of the Auburn MLA curriculum, I have strengthened its approach to teaching writing skills and photographic documentation as students hone their ability to read, debate and publish their critical reflections on our contemporary American landscapes. In the last several years, the course has additionally introduced temporary public landscape art installations and the students have responded positively to this opportunity for embodied leaning and hands-‐on design research. b. Global Urbanism: LAND 5430/6430 This course considers the major global drivers of urban change and the ways in which landscape , architectural and planning practices are shifting to adapt to a changing planet. Major themes include rapid urbanization and burgeoning informal settlements, competing needs and desires for public space, and the affects of climate change from coastal cities to the inner city. Through a selection of readings from the interdisciplinary fields of urban theory and cultural geography the course advances students’ ability to identify, relate to and debate theoretical positions, and develop their own working propositions regarding 21st century city-‐making and the design of resiliant urban environments. Case studies of landscape architectural practices in these fluctuating and non-‐formal conditions are evaluated. Students advance map and model-‐making skills in the course that account for dynamic conditions and advance adaptive design proposals.
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c. Landscape Modernism: LAND 5140/6140 This new course examines issues in the modern history of landscape architecture from the mid-‐ 19th century to the present day. It seeks to elucidate the ways that the practice of Landscape Architecture: its design methods, representations, programmatic intentions and built environments, has evolved through the 20th century and has been shaped by the larger forces of modernity. Through the study of seminal texts and built projects, students are introduced to the body of work that defines landscape architecture’s responses and contributions to modernism. The ruptures and raptures that characterize the revolt of post-‐modernism are also introduced and opened for debate. Modernism is thus set in relief and re-‐evaluated. Through the course students gain an understanding of what beyond the perfunctory drives the contemporary productions of landscape architecture and how such theories position themselves in relation to discourses in Art, Architecture, Ecology and other modern movements. Graphic essays, in-‐class presentations, and design exercises advance the learning outcomes of the course. d. Regenerative Technologies: LAND 7180
This new course introduces issues and theories of landscape reclamation including emerging regenerative design strategies and technologies for remediating contaminated lands towards community revitalization. The course presents a spectrum of regenerative landscape-‐based technologies such as phytoremediation, founded on an understanding of the underlying properties and behaviors of critical environmental pollutants and regulatory pathways through the requisite research and analysis of soil and water-‐born toxicities on site. Class research projects are creating a database of Alabama brownfields and superfund sites. Case studies of innovative international projects inform the class approach to a local design research project.
e. Videography for Designers: LAND 7970/ARCH 4960
This course was initially developed with the support of the Breeden Grant to offer a combination of hands-‐on techniques-‐ both hardware (camera) and software (editing) as well as theoretical platform from which to investigate the art of digital videography in relation to design of the built environment. Developed in collaboration with Professor Mathew Davis at the University of Philadelphia, the first course offered an innovative cross-‐University blog to facilitate the review and dissemination of work. The additional Special Program’s grant funded a University-‐wide Lecture on the topic of The Cinesthetic Landscape and enriched the theoretical basis for the course. The course is enhanced by enrollment of students across the disciplines of the college, building a vocabulary and methodology for the use of film towards design. The award of a $4000 Concessions Board grant has further enabled students to apply this coursework to advanced independent studies with a dedicated video-‐editing computer, video camera, and tripod. f. Design Studio II: LAND 5300/6300 and Field Studies This studio tackled the problems and potentials of the public school ground. Too often an institutional landscape in the meanest sense of the word, these key places can better sustain community health and civic life, if as George Washington Carver suggested a century ago, they ground education in Nature Study and Gardening. The Studio partnered directly with three schools in Lee, Macon and Montgomery counties to design for better
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integrated teaching, learning and imaginative play out of doors. The work was reviewed at Dudley Hall by a distinguished panel of faculty and local practitioners, and then exhibited as Re-‐Imagining Schoolgrounds for a broader audience at the historic Shiloh Rosenwald School in Notasulga. School administrators, teachers, students and civic leaders came together to consider the resourceful approaches and innovative proposals co-‐created with children at D.C. Wolfe in Shorter, Notaulga and Fews School in Montgomery. A forthcoming book on the future of sustainable schools in Alabama advanced through this Mobile Studio will help guide future planning and design decisions. g. Design Studio IV: LAND 7130 The Design Dynamics Studio is a second-‐year graduate studio. This studio posits the question: how can a dynamic ecosystem inform the design of a new community? What new resilient cultural and environmental practices might emerge by foregrounding the dynamic living systems of a place? Ecology, like creativity becomes a model for being in the world-‐ in relation to others, and a mode of becoming through relations and encounters. Design is approached as the cultivation of new possibilities based on a rigorous study of existing conditions, the modeling of open-‐ended processes, the calculated insertion of systems of waste, water, energy, and the construction of a multiplicity of new economies, assemblages and situations. Materiality and form are generated in adaptation to local dynamics, capacities and resources. Emphasis is placed on the succinct and compelling communication of design thinking, and the translation and iteration of ideas in physical form through time.
h. Thesis: LAND 7900
With guidance, students investigate the potential of landscape architecture to re-‐imagine the civic landscape: to enable a multiplicity of encounters and evolve through time. Topics have included revitalizing mill districts, designing urban foodsheds, regenerating urban creeks, stitching neighborhoods together through innovative community+ industry + arts partnerships, remediating toxic sites towards community health, and revealing hidden or invisible histories towards new civic engagement. In advanced research seminars that accompany thesis I teach the critical and creative independent development of design methodologies that test student’s research questions and activate design as a mode of learning and generating new knowledge. Students advance thesis work through a mixed-‐media approach including: photography, videography, mapping, drawing and modeling, and produce self-‐published work on the web and in thesis books.
i. LA’Journal
In this course students design and publish a peer-‐reviewed journal featuring the breadth and depth of design research advanced within Auburn’s Master of Landscape Architecture program. Each student contributes a submission to the volume advancing their own skills at crafting, editing and publishing peer-‐reviewed scholarship in the field. Graphic design skills are advanced as the journal is produced in both hard copy and on-‐line.
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j. Outreach Seminar: x Boundary After Emergencies Cordova Alabama, 40 minutes west of Birmingham, is rebuilding after the tornados of 2010 and 2011 damaged many homes and decimated their historic downtown. Design, planning and immediate planting of the new downtown community area is critical to restoring a feeling of the familiar, and to seeding the next generation of collective living. This 3 credit inter-‐disciplinary directed elective is organized in partnership with Professor Cheryl Morgan and The Urban Studio to plan for regeneration with community members and city leadership from Cordova, FEMA and other regional partners. Work continues with Design Build, and through advanced thesis projects.
k. Outreach Seminar: on Wishes and Resistance in Landscape Architecture The class explores and advances creative and critical community-‐based approaches to the design of our shared or common landscapes. Outreach begins with a position of resistance against inequitable access to civic infrastructure and rights to the city. The wish is to activate landscape thinking and design opportunities that expand and enhance the realms of eco-‐civic health, imagination and delight for all through strategies of what Dr. Martin Luther King described as creative protest. The course begins with a literature review and offers students the challenge and opportunity to both apply theory to their own direct studio and/or thesis work as well as engage short local community-‐based projects. k. Outreach Seminar: Rural Regeneration, Sustainable Networks This course builds skills in design outreach or community-‐based design. Here the designer is more than a site builder, rather a coordinator between diverse agencies on behalf of an often underserved community. Having a critical approach to this work is fundamental to its role not only as service but as scholarship. The class explores and advances creative and critical community-‐based approaches to the design of our shared or common landscapes. Outreach here begins with a position of resistance against inequitable access to civic infrastructure, or rights to the city. The wish is to activate landscape thinking and design opportunities that expand and enhance health and delight for all. Specifically the course offers opportunities to collaborate with community partners in Macon County to envision, plan, draft, and write grants for community landscape projects. Community outreach is work based on practices of listening and reciprocity. This course is both productive and reflective and ask students at times to work as team.
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A5. Grants Related to Teaching (see B8) total $56,826
The following grants support and enrich my teaching of contemporary cultural landscape studies with emphasis in public space, civic health, design and diversity. Funding that supports field work and design development on interdisciplinary projects becomes important to teaching students about collaborative community-‐based design research in Outreach Seminars and Studio settings.
CIVIC ENGAGEMENT
Grant Title: Competitive Outreach Scholarship Grant: Macon A Moveable Feast: Food Health and Celebration in Macon County
Date: January 2013-‐ January 2014 Participants: Dr. Michelle Worosz Rural Sociology, Dr. Conner Bailey Rural Sociology,
Dr. Norbert Wilson Ag. Econ, Dr. Claire Zizza, Nutrition Grant Agency: Auburn University Office of the Vice President for Outreach Amount: $5340 The landscapes that comprise food systems are integral to future sustainability in both rural and urban settings. Increasingly food security is understood as a need to be addressed not only on a site by site basis but planned and designed strategically as a network. This grant brought Mobile Studio methodology to the project of a food security assessment for Macon County, a very distressed neighboring county. In addition to funding a graduate research assistant, the project informed both in classroom teaching and learning opportunities as well as the development of peer-‐reviewed scholarship.
Grant Title: Design Development of the Shiloh Community Landscape Date: January 2011-‐May 2011 Participants: The Shiloh Community Restoration Foundation & Rural Initiative Project Grant Agency: The Deutche Foundation and match by Auburn University Master of
Landscape Architecture Program Amount: $5682
This grant enabled a graduate research assistant to advance and compile the work of an MLA service-‐learning studio for community use to leverage future site and program development. Products included a master plan that facilitates visitor access to this National Historic Site including the Shiloh Missionary Baptist Church, the Shiloh-‐Rosenwald School and the Shiloh cemetery, and enables a new generation of community programs from Head Start activities to adult health and education classes. The work makes rooms for re-‐telling the stories of the past and honoring the members of the community who died in the Tuskegee Syphilis Study within the landscape. REGENERATIVE PRACTICES Grant Title: Ecosystem Services for Community Health: A Dynamic Trans-‐
disciplinary Framework, Turneffe Atoll, Belize Date: November 2009-‐ December 2010 Participants: Jocelyn Zanzot P.I. in partnership with Dr. Birgit Wining, The Oceanic
Society, Dr. Nanette Chadwick, Marine Biology, Dr. Mark Dougherty, Biosystems Engineering, Dr. Wade Morse, Forestry and Wildlife Science
Grant Agency: CADC Seed Grant, Auburn University Amount: $10,000
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In collaboration with the Oceanic Society and the University of Belize’s Environmental Research Institute this project began as a second year graduate studio and with the support of a SEED grant and matching funds from the Oceanic Society resulted in a published report and scholarship.
LANDSCAPE IMAGINATION
Grant Title: Summer Workshop Series: Videography for Design Date: January 2009-‐December 2010 Participants: Jocelyn Zanzot P.I with Professor Mathew Davis of Temple University Grant Agency: Daniel F. Breeden Endowed Grant, Auburn University Amount: $2500
The Breeden Grant funded an intensive summer workshop series: Digital Videography for Designers to enhance both teaching and learning capacity in the School of Architecture by bringing Professor Mathew Davis, a recognized expert in the field to Auburn University. Digital video is an important tool in the research of public space and design of the built environment, yet training had not offered to students. The funding also supported a graduate student in the construction of a website and video archive-‐ enabling virtual dialogue and advancement of this media within the College of Architecture, Design and Construction. This work led to the successful $4000 Concessions Board Grant to start the Landscape Imagination Lab for advanced video productions within the MLA program.
A6. Publications pertaining to teaching (see B1, 2, 3) Book Chapter
Zanzot, Jocelyn and MacCannell, Dean (50/50 authorship, 2013, forthcoming) “Design’s Diaspora” chapter, book edited by Robert Hewitt, Associate Professor of Landscape Architecture at Clemson, for the Landscape Architecture Foundation. Over the past 15 years, the number of people crossing borders in search of a better life has been rising steadily. At the dawn of the 21st Century, one in every 35 people is an international migrant. Design processes as well as designed places are challenged to respond to difference and inequity on the one hand, hybridizing identities and global citizenry and technology on the other. Urban issues such as access and equity, agency and representation, and potentially conflicting needs and desires for public space are critical to the future of sustainable and resilient cities. This chapter explores a range of responses from an international selection of notable artists, designer and critics advancing hybrid practices and cross-‐boundary enrichment. This work, initiated in collaboration with Dean MacCannell at University of California, Davis is part of the Landscape Architecture Foundation’s Landscape Future’s Initiative. This initiative is the development of a platform for practice in light of the 21st century drivers of global urban change. The 2007 symposium at Davis, one of 6 held across the country, sought to explore the implications for landscape designers, architects, artists and planners of changing urban demographics related to both temporary and permanent migration. We consider
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the future of public space that is increasingly the meeting ground of peoples from every other place on earth.
Peer-‐Reviewed Journal Articles (see C2)
2013 Zanzot J. and Neil, D, Sams, B. “Common Ground Alabama”, (Zanzot 70%), PUBLIC: A Journal of Imagining America
PUBLIC is a peer-‐reviewed multimedia e-‐journal for projects, pedagogies, resources and ideas incorporating humanities, arts, and design in public life. Acceptance into the inaugural addition indicates an alignment of Zanzot’s work through the Mobile Studio’s with the critical and creative intentions of Imagining America and points to the work’s quality and competence as a teaching/learning video production for diverse audiences.
Imagining America is a consortium of 90 colleges and universities, and their partners, IA emphasizes the possibilities of humanities, arts, and design in knowledge-‐generating initiatives. Readership includes both academics and community leaders.
This video explores four years of emerging pedagogy and methodology for community-‐based art and design practice. Mobile Studio is an inter-‐media, co-‐creative collective actively representing, reinterpreting, and reimagining Alabama landscapes in the field. Through this process the studio advances the delicate work of creating and sustaining reciprocal partnerships between academic and community partners, and civic and political leaders. Findings suggest that a commitment to lifelong learning is integral to creating the scaffolding necessary to engage the arts and politics of place-‐making. Common Ground in Alabama reports on the long-‐term goals and missions of Mobile Studio through the media of film to traverse time and reveal diverse perspectives.
International Peer-‐Reviewed Conference Proceedings 2013 Zanzot, J. “From the American South to South Africa, Re-‐Activating Sites of Rural Resistance”,
International Federation of Landscape Architecture (IFLA), Capetown, South Africa. IFLA is the professional body representing Landscape Architects worldwide. Its purpose is to coordinate the activities of member associations when dealing with global issues, and to ensure that the profession of landscape architecture continues to prosper as it continues to affect the design and management of our environment. This publication is the outcome of the 2012 Conference: Landscape and Values, hosted in Capetown South Africa. The double-‐blind peer-‐reviewed article makes a bridge between contemporary South African Landscape design and design in Alabama and the greater Southern United States in relation to histories of rural resistance through times of segregation and civil rights protest.
2010 Zanzot, J. “The Cinesthetic Landscape; A Critical Realm of Design Research” Landscape
Legacy: Landscape Architecture and Planning Between Art and Science, proceedings of the CELA/ISOMUL Conference, Maastricht, Netherlands. This international conference combined CELA with ISOMUL the International Study Group on the Multiple Use of Land, in the Netherlands. Abstract and paper were accepted and
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published in the conference proceedings. The Conference theme was Landscape Legacy Landscape Architecture and Planning between Art and Science. The paper considers the historic and future role of movies (videography + filmic studies) within Landscape Architecture, as a medium most suited for handling movement, time and experiential quality in the built environment. An emerging theoretical platform, pedagogy, and series of new works were presented for evaluation. The research is advanced by design in courses and grant-‐funded work within the MLA Program at Auburn.
2011 Zanzot, J. “Extraordinary Vessels: Urban Landscape Inversions and New Civic Imaginaries
presented at ARCHI-‐AFRICA 2010, Event + City, Johannesburg, South Africa (See B3 for details)
National Peer-‐Reviewed Conference Proceedings 2014 “Landscapes in Motion, Birmingham Intersections”, CELA Exhibition Peer-‐Reviewed, National
Conference, Mobile Studio, Zanzot, Neil . March 2014 2011 Zanzot, J. “Design Research and the Rural LANDSCAPE Studio: Learning from Shiloh”,
CELA’s Erasing Boundaries Symposium, peer-‐reviewed abstract accepted and published in conference proceedings.
“Erasing Boundaries represents the work of a consortium of educators, students and
community partners from the disciplines of architecture, landscape architecture and urban planning interested in furthering the pedagogy of service-‐learning, and community engaged teaching/research.”
The paper documents and evaluates design and planning proposals developed in
collaboration with the Shiloh Community Restoration Foundation at their 4-‐acre national historic site in Macon County Alabama. The paper reflects on the evolution of a service learning studio through a small grant to fund a graduate research assistant and beyond.
2010 Zanzot, J. “Writing Architecture: To Unsay the World and Imagine it Anew” Made: Design Education and the Art of Making, Proceedings of National Conference on the Beginning Design Student, 2010, (abstract acceptance 33%, refereed proceedings)
The National Conference on the Beginning Design Student (NCBDS) is a national peer review scholarly gathering dedicated to the study and practice of beginning design education. For over 25 years, the NCBDS has provided a forum for design educators to present papers and projects and hold discussions related to introductory design issues. The paper establishes a pedagogy of teaching writing in the fields of Landscape Architecture and the allied arts of place-‐making through the theoretical framework that writing must be at once critical and creative. The paper develops a trilectic approach that integrates historic research with first-‐hand observation with the perspectives/knowledges of others. This is a platform for teaching diversity within the curriculum: advanced design research and writing for landscape architects.
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2009 Zanzot, J. “Teaching Abundance in the Context of Scarcity” paper presented at CELA, Council of Educators in Landscape Architecture, January 2009, abstract published in the conference proceedings.
This presentation was given at the Council of Educators in Landscape Architecture’s
(CELA) National conference: Teaching + Learning Landscape, Sustainability session in Tucson Arizona. Acceptance rates were 30%.
The paper explores a challenge regarding the teaching of sustainable design, a practice which requires an inclusive, participatory model of design as well as designed spaces that support vital civic life. The enduring relationship between post Apartheid South Africa and the legacy of the Jim Crow south is considered within the context of studio teaching. The classroom and the studio become sites and venues of exchange, catalysts of dialogue across difference, and potential change by design. And while this work requires boundary crossing that might be critical to the future of the profession, it is often glossed over in the charrette model if introduced at all during a three-‐year degree program. This paper focuses on the engagement of students in the study and design of public space and the role of democratic meeting grounds in to which all enter on equal footing, within the larger context of advancing sustainability.
2009 Zanzot, J. “Eidetic Alabama: Film and the Meander”, presented at CELA, paper presented
at CELA, abstract published in the conference proceedings.
This presentation was given at the Council of Educators in Landscape Architecture’s (CELA) National conference: Teaching + Learning Landscape, Communication and Visualization session, in Tucson Arizona February 2009. No media better lends itself to change over time, to documentation of landscape than film. Film has the unique ability to enter, move through, and record the very breath and spirit of place. Additionally through interview, thoughtful editing, and soundtrack, film can investigate, and imagine landscape narrative to convey and visualize evolving relationships of people to place. This paper focuses on the use of film and videography in landscape design for visualization and communication. Case studies from Auburn’s MLA program filmic productions consider collaborations with local film artists and instructors, as well as other programs in art and public history. The approaches are evaluated to determine both the potentials and problems of using film to support landscape architecture design research, the future and quality of the practice.
Papers and Invited Lectures Invited Lectures 2013 FALL, invited lecture "Mobile Studio, On the Road and in the Field” invited as first international lecturer of the annual Lecture series at Birmingham City University, Institute of Art and Design, Birmingham England.
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2013 FALL, invited scholar "South + African Dialogues: Activating Civic Engagement by Design” Emerging Scholars Program, Troy University Rosa Parks Museum What is the role of civil society in meeting the challenges of minority-‐majority tension in the modern nation? The Civil Rights Movement of the United States and the Anti-‐apartheid movement in South Africa have forever changed our national and global sensibility and the places where we search for truth. Annett du Plessis’ presentations, with introductions and discussions guided by local scholars with expertise in historical/cultural South African events, provide an opportunity for public intellectual exchanges on how the past is studied and presented using the lens of public memorials (Museums) and the history they impart. Using the specific isolationist practices of segregation (United States) and apartheid (South Africa) of the two countries, special emphasis will be placed on the world said practices create, race and class perspectives and the need for effective communication among diverse audiences. The content of the lecture/discussions will use language, history, art, and popular culture to cross the historical and cultures landscapes.
These lecture/discussions will challenge participants to think about: stereotypes; the position of privilege to secure the stability nations; societal rules in the past and how they have changed; why rights matter; the importance of intergenerational dialogue and the question of national identity.
Scholars will introduce each program and guide the discussions that follow. They will also be responsible for reading list and any information disseminated to the audience. They will be available for interviews and quotes for the media.
NATIONAL GARDEN CLUB LECTURES 2009-‐2013 2013 “Landscape as a Learning Experience” and “Community Landscape Management”
National Garden Clubs Inc., Landscape Design Study Program, Alabama Garden Club 2012 "Development of Landscape Architecture 1940 to the Present",
National Garden Clubs Inc., Landscape Design Study Program, Alabama Garden Club 2012 " Contemporary Landscape Architecture", National Garden Clubs Inc., Landscape Design
Study Program, Alabama Garden Club, October
2011 "Community Landscape Management", National Garden Clubs Inc., Landscape Design Study Program, Alabama Garden Club, October
2011 " Landscape as A Learning Experience ", National Garden Clubs Inc., Landscape Design Study Program, Alabama Garden Club, October,
2010 “Maintenance and Design on the Land: Regional Expression”, National Garden Clubs Inc., Landscape Design Course Georgia Garden Club, La Grange Chapter (October 9, 2010, duration 2 hours)
2010 Alabama Garden Club May, Landscape Design Course Lectures: Community Landscape
Management, and Landscape as A Learning Experience, (May 4th 2010, duration 2 hours) 2009 Alabama Garden Club October, Landscape Design Course Lectures: Design on the Land:
Regional Expression, and Development of Landscape Architecture from 1840-‐1940 (October 15, 2009, duration 2 hrs)
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A7. Other Contributions to Teaching (see D2)
a. Curriculum Review: Since successful re-‐accreditation, the MLA faculty has focused on the development of a new curriculum reflective of a new vision for the program. This is a matter of re-‐crafting the core mission statement, goals and objectives and identifying the requisite coursework and educational approaches/opportunities to advance these intentions. I have been responsible for a comparative study of curricular design of the top programs across the country, and am playing an integral role in the visioning, and development of the new curriculum. As the new program is inaugurated, and test-‐driven by the first cohort of students, I continue to assist with the scheduling of courses and end of term assessments and the administering of student awards.
b. Co-‐Organizer of the MLA Accreditation Exhibit:
This formidable task of accounting for the last six years of Auburn’s MLA program in a four-‐floor exhibit entailed a framing of the program’s philosophy, methodology, learning outcomes, assessment mechanisms, and future trajectory that continues to inform curriculum review. The collection and re-‐presentation of student work also proved useful for recruitment and dialogue across the CADC disciplines. The accreditation review was a success resulting in accreditation of the program for another six years with minor recommendations for improvement.
c. Graduate Research Assistants and Student Work Hours
Bringing in funding that supports graduate research positions is very important to both student experience within the program and the competitiveness of the program as a whole. In addition to supervising graduate research assistants that are funded by the School of Architecture I have generated additional funds through grants to support an increasing number of assistantships. * Indicates grant-‐funded positions.
2013-‐ 2014
• * Yubei Yu: Food Systems Macon County • Elizabeth Matthews, Dakota Neighborhood
2012-‐ 2013
• Marco Giliberti: Journal Publications • * Felipe Palacios: Schoolyards Publication • Christina Argo: MLA Journal Publication • Michael Kuras: MLA Program Advancement
2011-‐ 2012
• * Jingjing Lin: Healing Garden Design/Build • Linda Qing Lin : Community and Civic Health • Yimiao Yu: Mobile Studio: Old Federal Road • * Shelby Newman: Small Hospital Big Ideas Competition
2010-‐ 2011
• * Jonathan Lewis, Old Federal Road Initiative, Design Research of a Vanishing Landscape, archival research and map making.
• * Shelby Newman: Ecosystems Services for Community Health, Dynamic Systems Design, for the Oceanic Society, Blackbird
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Caye, Belize, production of publication and development of website
• * Qingxin Yu: Advancing work on the Shiloh Community
Restoration Foundation Landscape Design Plan.
• * Chen Long: Advancing work on the Shiloh Community Restoration Foundation Landscape Design Plan.
• Jiayang Xie: CEBE, Civic Engagement for the Built Environment,
design research and planting plan for the East Alabama Mental Health Garden.
• Junyi Li: Advancing American Urban Landscapes through image
scanning for lectures. Exhibit production and competition design.
d. SoAPLA Technology and Education Committee
As a member of this committee I advise the School Head and IT director on annual software and hardware purchases, and decisions that reflect the goals and objectives of the various programs within the school. I represent the MLA program’s needs and desires for educational technology with an eye for both the standards of practice and advancements in the field.
e. SoAPLA Lectures Committee
As a member of this committee I have been responsible for bringing one Landscape Architect per year to lecture to the School of Architecture lecture series. In 2009 Kenny Helphand from the University of Oregon presented the lecture Defiant Gardens. In 2010 Trisha Martin of WE Design in New York City presented Community Entanglement: A Philosophy and Method for Design. And in the spring of 2011, Tom Leader of Tom Leader Studio in Berkeley shared his recent work in Birmingham’s Railroad Park. In 2012 Charles Waldheim, Chair of the Landscape Architecture Program at Harvard lectured on Landscape Urbanism. The 2013 lecture will bring Kathryn Moore to the CADC from the Birmingham Institute of Art and Design, Birmingham City, England. Her talk is entitled Design: Philosophy and Theory into Practice.
f. Invited External Juries
Invited Juror for the Student Design Competition, International Federation of Landscape Architects IFLA, Capetown, South Africa September 2012
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A8. Statement of Teaching Philosophy Contemporary landscape architecture requires critical distance from, and on-‐the ground engagement with the rapidly changing conditions of the built environment. Vital public landscapes are constructed with increasingly diverse constituencies and in relation to dynamic complex systems. I am interested in landscape architecture as an agent of change, not only in human experience of the built environment, but in the way we think of our relation to each other and the planet. This is urgent practice in light of the pressures of 21st century urbanism and climate change, and requires critical and creative practice. For this reason I teach students to design for landscape sustainability, resilience and health and contribute to an emerging scholarship in landscape architecture design research. I typically teach 6 seminars/year and 1 or 2 studios. In Studio Two, I introduce site and neighborhood scale design problems that asks students to evaluate and regenerate civic infrastructure and mixed meeting grounds. Techniques for working reciprocally with community members are introduced. Experimental and evaluative drawings advance design research to develop proposals that simultaneously remember, resist, and re-‐imagine future opportunities. A care for the crafts of construction and presentation is cultivated. I introduce and advance a variety of approaches to explore and assess scenarios of landscape transformation. Auburn’s MLA program teaches hybrid drawings that fluidly combine analogue and digital techniques and bring forward the dynamic and intangible qualities of landscapes. In all of my courses, studio and seminar alike, I teach the history and contemporary theory of the integral relationship between landscape and image, helping students refine their skills to make images that pose significant questions and offer vital propositions. Images are further advanced in relation to text; whether with bold headlines, or poignant captions, rough notes or articulate essays. Together the practice of intentional image making and (re)storying, both critical and creative becomes the foundational media of landscape architecture. Field studies and hands-‐on learning opportunities are also key to my approach to engaging the landscape and making the work relevant. I have traveled with students to Portland Oregon, to explore the theme of integrating habitats through green infrastructure and new configurations of eco-‐urbanism. I organized a studio in Belize that challenges students to analyze and design the resourcefully integrative living systems required for resilient inhabitation of a hurricane prone landscape. The work in Belize further asks students to understand systems across landscape scales and national boundaries, to conceive of new eco-‐cultural practices by premising existing landscape dynamics. Most recently I have led students on a four day trip across the state of Alabama to better understand the civil rights history and regional landscape context of the citizen-‐based design projects that we engage in our neighboring Macon County. Working locally in studio we visit the site repeatedly: to survey the land and study its emerging ecologies and layers of history, to work with community partners and finally to test and refine design proposals. Such immersive experiences deepen the knowledge base of the course at hand, but as importantly build and support the personal investment in the subject matter that inspires students to excel. These types of projects further prepare students for collaborative, interdisciplinary practice. My courses across the six semester program provide students within the MLA program an understanding of the modern history and contemporary theory of the discipline and an opportunity to build their landscape architectural skills directly in the field gaining community-‐based design skills. They aim to educate a next generation of designers to be able to carry their own ideas forward through collaborative processes and the practices of design research and development towards place-‐making that will advance the biotic and civic health of our shared public realm.
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B. RESEARCH/CREATIVE WORK My research and creative work are explorations and productions at an intersection of ecologic and civic health: diversity. Having participated as a key organizer in the Landscape Architecture Foundation’s Landscape Future’s Initiative, I brought with me to Auburn a focus on the role of the designer of 21st public space given the tensions and potentials of increasing diversity and disparity in cities around the world. Diversity is a key indicator of eco-‐cultural resilience, yet a characteristic that requires research and interpretation to become an active agent of design. I explore educational methods and theoretical frameworks, design processes and designed landscapes that challenge and advance diversity towards the cultivation of healthy people, sites, communities and cities. Scholarship aimed at teaching methodology is reflective of the effectiveness of approaches to cultural landscape studies and design that combines primary, secondary, and tertiary research-‐ a way of accounting for diverse perspectives and histories. Of primary interest are reciprocal and co-‐creative approaches to citizen-‐based design in the evolution of new public/civic meeting grounds. These investigations are advanced through multi-‐media or inter-‐media productions such as digital photography, internet platforms and videography. This technology is also evaluated in terms of its effectiveness of relating to diverse audiences, and its capacity to synthesize and communicate complex information. The audience is principally academic, though recent work is aimed at a broader civic audience. International case studies and local creative outreach practices reflect on questions of design of public spaces given increased diversity and disparity with a specific interest in civic health. I have focused my international research on contemporary design projects in post-‐apartheid South Africa because they are significant testing grounds of the world’s most progressive democratic constitution. The research is connected to Alabama both theoretically and by design as the testing ground of a collective approach to community-‐based design that increases civic health.
B1. Book Chapter (See A1)
Zanzot, J. and MacCannell, D. (2013, forthcoming) “Design’s Diaspora” edited by Robert Hewitt for the Landscape Architecture Foundation
B2. Peer-‐Reviewed Journal Articles 2007 Zanzot, J. “From Pixels to Starlight, The Luminous World of Artist Lily Yeh. South African
Journal of Art History, Special Issue, Beauty, Ugliness, and Sublimity, Vol. 22 The South African Journal of Art History is a peer reviewed journal publishing articles and reviews on the following subjects: Art and architectural history, Art and architectural theory , Aesthetics and philosophy of Visual culture, Art and the environment, Film and Craft. This international peer-‐reviewed journal, published twice a year since 1987, in English and Africaans is read by South African, African, European and American audiences. American artist Lily Yeh has worked the last twenty years to create beautiful democratic spaces that function as public urban sanctuaries in the most disturbed and violent places. Through her visions of peace as well a cultivated method of community training and development, the resulting gardens and guardians: mosaic angels, sculpted figures and
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brightly painted murals, “push open the dark steel gates of hell and let in some sunlight and air.” The sublime that this article addresses exists in the chasm between neglect and intention, in the transformation from despair to hope through art. The article investigates the underlying Eastern concepts of beauty that guide Yeh’s work, examining her methodology to understand the transformative power of the artist to cross between worlds and in translation give form to spirit. Conversations with Yeh throughout this paper offer insight in to the significance of an unintended sublime, one perceived only in the raw reversal of periphery and center, ugliness and beauty. Yeh’s work illustrates a potential of the sublime to function as a lever in the aesthetics of landscape regeneration.
2013 Zanzot J. and Neil, D. Common Ground Alabama, video essay in peer-‐review for PUBLIC,
Imagining America’s on-‐line double blind peer-‐reviewed journal.
B3. Papers and lectures (see A3, 4, and C6 )
a. International Peer-‐Reviewed Conference Papers 2013 Zanzot, J. “From the American South to South Africa, Re-‐Activating Sites of Rural Resistance”,
International Federation of Landscape Architecture (IFLA), Capetown, South Africa. IFLA is the professional body representing Landscape Architects worldwide. Its purpose is to coordinate the activities of member associations when dealing with global issues, and to ensure that the profession of landscape architecture continues to prosper as it continues to affect the design and management of our environment. This publication is the outcome of the 2012 Conference: Landscape and Values, hosted in Capetown South Africa. The double-‐blind peer-‐reviewed article makes a bridge between contemporary South African Landscape design and design in Alabama and the greater Southern United States in relation to histories of rural resistance through times of segregation and civil rights protest.
2011 Zanzot, J. “Extraordinary Vessels: Urban Landscape Inversions and New Civic Imaginaries presented at ARCHI-‐AFRICA 2010, Event + City, Johannesburg, South Africa
This international conference was hosted by WITTS, the University of Johannesburg and the South African Institute of Architects. The conference was booked not merely as an academic gathering but as a major cultural event designed to catalyze new thinking about downtown Jo’burg. The conference was described as South Africa's first architecture mega-‐event AZA 2010 is set to become Africa's premier urban culture festival.
“The event – which [ran] in Johannesburg from September 21 to 28 – [aimed] to bring architecture back to the public domain with exhibitions, performances, films, a student congress and a star-‐studded multi-‐disciplinary conference”. The general public [was] also included in the seven-‐day event thanks to a variety of events and exhibitions across Johannesburg including poetry readings, city walking tours, live music and drama performances and photography and architecture exhibitions”.
The paper examines new thinking and place-‐making that goes beyond accessibility to connect a diversity of imaginations about the past and future city. Two new nationally significant public places Freedom Park and Constitutional Hill are examined and analyzed in light of the way that the landscape sustains or affects participatory democracy and civic imagination.
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2012 Zanzot, J. “The Cinesthetic Landscape; A Critical Realm of Design Research” Landscape Legacy: Landscape Architecture and Planning Between Art and Science, proceedings of the CELA/ISOMUL Conference, Maastricht, Netherlands. b. National Peer-‐Reviewed Conference Papers (see A3, 4)
2012 Zanzot, J. "Finding Multiplicity at the Center: Lessons from Contemporary South African
Landscapes" (CELA) University of Illinois at Urbana-‐Champaign, peer-‐reviewed abstract accepted and published in conference proceedings.
This presentation advances research on the design of 21st century public space design in light of expanded democratic rights and increased diversity and disparity. This paper presents two contemporary South African public spaces that re-‐configure the rules of the public realm in a post-‐apartheid democracy, expanding the story of who is included and how this realm is defined by new thinking about the South African landscape. This paper presents a comparative analysis of two new national landmark projects: Freedom Park in Pretoria and Constitutional Hill in Johannesburg as they seek to uphold the world’s most progressive democratic constitution.
2008 Zanzot, J. “Urban Inversion, Rewriting South Africa’s Public Landscape” presented at ACSA
National Conference Visionaries on the Margins, and published in the peer-‐reviewed proceedings.
B4. Exhibitions (see B7) ROSA PARKS 100 WISHES ROSA PARKS MUSEUM, TROY UNIVERSITY MONTGOMERY ALABAMA December 2013-‐January 2014
This exhibition consists of 100 framed and mounted original broadside prints on handmade paper created in honor of Rosa Park’s 100th memorial birthday celebration at the Troy University Rosa Parks Museum in Montgomery Alabama. The 13-‐month long series of events, lectures, public art opportunities, at Troy University Rosa Parks Museum is recognized by the United States Senate as the official re-‐activation of Mrs. Parks enduring contribution to civil rights in the United States of America and the world. The exhibition also includes a series of maps that spatially render the intentions of young Montgomerians for the future of their neighborhoods and communities, the city itself. Just as Rosa Parks’ activities catalyzed the transformation of public transportation systems and social equity in 1955, the Wishes Project presences the voices of youth for positive social change in the 21st century. Landscape architectural proposals for new civic infrastructure will be developed that activate wishes in the form of new community programs, places and infrastructures. A kiosk that shows a video of the project’s creation, citizen participation, and proposals for civic infrastructure will be shown throughout the run of the exhibition. Four didactic panels will contextualize the exhibition for visitors. Digital versions of all exhibition components other than the framed prints will be provided to host institutions. An interactive web-‐based portal will also be created to provide for on-‐going participation with the exhibition.
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RE-‐IMAGINING SCHOOLGROUNDS DUDLEY COMMONS GALLERY SHILOH ROSENWALD SCHOOL, NOTASULGA AL Fall 2012-‐ Spring 2013
Second year studio landscape architectural proposals for Notasulga School, Deborah Canon Wolfe Elementary in Shorter and the Fews Alternative School in Montgomery Alabama were featured at an exhibition hosted first at the Dudley Commons Gallery in and then at the historic Shiloh Rosenwald School in Notasulga. This second show is an exhibition of regional significance.
FROM CLAY AND IMAGES: BECOMING ALABAMA CAROLINE MARSHALL DRAUGHN CENTER FOR ARTS AND HUMANITIES BECOMING ALABAMA: THIS GOODLY LAND CONFERENCE Fall 2012
This invited installation piece provoked questions about the relationship between land and education in Alabama’s history and future. Made of a slab of gold-‐ochre Macon County Clay, and trees constructed of images of the ruined South Macon County High school, the piece casts a curiously disturbing shadow: reminding us to reflect on the processes by which we come together as a community to organize, create and sustain civic infrastructures.
MOBILE STUDIO: ON THE ROAD AND IN THE FIELD RALPH B DRAUGH LIBRARY, AUBURN UNIVERSITY Spring 2012
This exhibition created in partnership with Barry Fleming, Associate Professor of Art, and Mobile Studio Co-‐director Dan Neil had three key pieces: 1, a set of posters that won Best in Show at the Auburn University Creative Scholarship Juried Faculty Exhibition, 2, a pop-‐up gallery in the RBD Library and 3, a 4 day event that brought the Mobile Studio Samford Park where the broader University community could examine themes of labor and craftsmanship, participatory democracy, urban ecology and public space.
EPHEMERAL ENCOUNTERS: DARING TO ENGAGE JULE COLLINS SMITH MUSEUM OF ART Spring 2011
Featured at the School of Architecture Faculty Exhibit at the Jule Collins Smith Museum this mixed media installation of pano-‐photography and peep boxes offered the ephemerality of public space as a provocation: to re-‐conceive boundaries, to re-‐imagine the public realm, to bring forth new architectures, to de-‐form design.
CHUCK WAGON: SUSTAINABLE TRAVELING FIELD STUDIES (See A7 Competitions) MOSS ROCK ART FESTIVAL, HOOVER AL
This design proposal created with Michael Robinson won a Gold Prize and $2000 in the strictly design category at the Moss Rock Festival, Hoover Alabama 2009. (top 5 in a group of 25 regional entries)
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B5. Performances 2013 “Rites/Rites of Spring, Revolutions in Beginnings” 2112 Salon, San Francisco, CA Mobile Studio,
2112, Inc. creates opportunities for the powerful exchange of ideas between artists and scientists. Through publications, initiatives and open dialog, 2112, Inc. facilitates cross-‐disciplinary research in these fields, seeking to catalyze and implement ideas and solutions. By enhancing communication between artists & scientists 2112, Inc. supports experimental projects and aims to interact with established institutions of art and science to contribute to a broader transformation in the integration of art& science for research and educational purposes.
2112, inc. formed to advance and promote knowledge and education by engaging in, encouraging and supporting cross-‐boundary ties between music; literature; medicine; architecture; painting; sculpture; dance; theatre; mathematics; philosophy; fashion, film.
2013 “Hospitals as the Common Grounds of Physical and Civic Health: Studies from
Montgomery Alabama”, 2112 Salon in Honor of the Life Works of Architect Peter Scher, The Quintessential East Londoner, San Francisco CA
B6. Patents and Innovations None
B7. Other research/creative contributions
2012 NATIONAL DESIGN COMPETITION
“Designing Civic Health”, a Mobile Studio Production, National Council on Citizenship Civic Data Challenge, Honorable Mention
2012 INTERNATIONAL DESIGN COMPETITION
“Small Hospital Big Ideas Competition” submission with team Aditazz, FIRST PLACE international design completion.
2009 CONFERENCE PANEL ORGANIZER
Co-‐organizer and moderator with Professor Douglas Pardue, University of Georgia, of the two part panel: Shifting Ground: Towards an Architecture of Movement, Adaptation and Flux, ACSA SE Regional Conference
2009 CONFERENCE PANEL ORGANIZER
Co-‐organizer with Professor Mathew Davis, Temple University, Philadelphia, and moderator of the panel: The Cinesthetic Art of Urban Inversion, at the ACSA SE Regional Conference
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B8. Grants and Contracts (see C8) a. Grants received ($36,526 total)
Grant Title: Excavating Local Narratives in Advance of the HS2: TAMED Date: (2013-‐2014) Participants: Sally Robertshaw, Community Programs Manager, MADE
Kathryn Moore, Institute of Art and Design, Birmingham England, Jocelyn Zanzot, Master of Landscape Architecture Program, Auburn University, Daniel Neil, Curator of the Troy University Rosa Parks Museum, Montgomery Alabama, Mobile Studio
Grant Agency: MADE, a centre for place-‐making, Birmingham England Amount: Total $5000
This project has been commissioned by MADE, a centre for place-‐making in Birmingham England to facilitate three artists residencies to work with engineers, communities and landscape architects as flood defences and a pedestrian cycleway are created along the industrialized River Tame river that runs through Birmingham. These infrastructural investments run in advance of of the HS2, a multi billion-‐euro high-‐speed rail line that will connect London and Birmingham, eventually with Leeds and Glasgow in the next 20 years. The work grows directly from Mobile Studio’s national and international scholarship in mobile art + design workshops in the field, drawing diversity into design.
Project Title: Macon a Movable Feast: A Celebration of Food and Health in Macon
County Alabama APLA PI: Jocelyn Zanzot Participants: Dr. Norbert Wilson, Dr. Conner Bailey, Dr. Michele Worosz, Dr. Claire Zizza Grantor: Vice President of Outreach and Scholarship Start/End: March. 2013 – December. 2013 Grant Amount: $20,000 -‐ $5798 to CADC Mobile Studio
Optimum health is a term that includes physical health and the fitness of the total environment as it contributes to, or hinders the health of the individual and community. Landscape architecture research provides the platform for healthy community living planning and design. Previous outreach scholarship conducted by this team finds a great concern about hunger among residents across Alabama. This proposal extends Mobile Studio work on civic health in Macon County, a rural county, to conduct a community food security assessment, to use the “mobile studio” approach to assess food concerns, and to develop a local food festival to celebrate local food ways. Proposals for enhanced community sites and infrastructure to improve food security and health will be presented to the Macon County Commision for implementation. Our efforts are to develop white papers to support the local and statewide Food Policy Councils and to provide templates of activities to develop citizen scientists to support these efforts. A graduate level seminar is being andscape architecture
Grant Title: Mobile Studio Project: Advancing Sustainable Futures Along a
Vanishing Road Date: February 2011-‐12 APLA PI: Jocelyn Zanzot Participants: Barry Fleming, Associate Professor of Art, Mark Wilson, Director of Civic
Learning Initiatives Grant Agency: CADC SEED Grant, Auburn University Amount: $9470
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The Mobile Studio Project, funded by the AU Level 2 Intramural Grant, and a CADC Seed Grant, produced collaborative documentation and representation of contemporary landscapes of the Old Federal Road. Like the Dorothea Lang and Walker Evens WPA photojournalism of the rural south in the 1930s this project has sought to represent and interpret the remnant landscapes along the disappearing historic route. The Mobile Studio methodology was tested at different well-‐researched historic crossroads, and the resultant works have been peer-‐reviewed presented and published. The project has demonstrated success in terms of academic rigor and creative enterprise.
Grant Title: Federal Road Initiative: Design Research of a Vanishing Landscape Participants: P.I. Jocelyn Zanzot, Co-‐Investigators: Barry Fleming Interim Chair of the
Art Department, Dan Neil Exhibit Director of the Jule Collins Smith Museum and Greg Schmidt of Library Special Collections and Archives
Grant Agency: AU Office of the Vice President for Research Amount: $ 8000 (2010-‐2012)
The Federal Road Initiative: Rural Outreach and Design Research proposal activated the Old Federal Road as a cultural transect through the multiple histories and landscapes of south eastern Alabama. The Seed funding enabled an emerging interdisciplinary partnership to investigate and draw attention to the multiple notions of land-‐use and societal change along this historic route, and contributed to the network of efforts to revitalize rural economies within the region. This one-‐year investment was used strategically to generate extramural support and advance peer-‐reviewed publication.
Grant Title: Landscape Imagination Lab (see D1) Participants: Jocelyn Zanzot with Philip Shell president of the AU student ASLA Grant Agency: Concessions Board 2011 Funding: $4,000 Grant Title: Ecosystem Services for Community Health: A Dynamic Trans-‐disciplinary
Framework for Design: [Turneffe Atoll Belize] (see A4) Participants: P.I. Jocelyn Zanzot Grant Agency: CADC Seed Grant Amount: $10,000 (2009-‐10)
Grant Title: Summer Workshop Series: Videography for Design (see A4) Participants: P.I. Jocelyn Zanzot in collaboration with Mathew Davis Grant Agency: Office of the Provost, Biggio Center, Daniel F. Breeden Endowed Grant
Amount: $2500 (2009-‐2010) Grant Title: The Cinesthetic Landscape (see D4) Participant: Professor Mathew Davis, Temple Grant Agency: AU Special Lectures Committee, Office of the Provost Amount: $1000 funded (2009)
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b. Grants applied for but not funded
Project Title: Rosa Parks 100th Birthday Wishes Project APLA PI: Jocelyn Zanzot Grantor: Graham Foundation Start/End: May 2013 Grant Amount: $25,000
Project Title: Shiloh Community Garden APLA PI: Jocelyn Zanzot Grantor: National Park Service Community Garden Grant Start/End: February. 2013 – December. 2014 Grant Amount: $6500 Grant Title: Rosa Park's 100th Birthday Wishes Project APLA PI: Jocelyn Zanzot and Daniel Neil Grantor: Central Alabama Community Foundation Start/End: December. 2012 – December. 2013 Grant Amount: $15,400
Grant Title: Picturing the Landscapes of the Old Federal Road Participants: Dan Neil Exhibit Designer of the Jule Collins Smith Museum, Barry
Fleming, Interim Chair of the Art Department Grant Agency: AU Cooperative Extension Grant: Federal Road Initiative 2010-‐2011 Funding: $25,000
Grant Title: An Integrative Approach to Agricultural Research and Education: A
Uganda-‐Alabama Partnership Participants: Co-‐PI Jocelyn Zanzot, Co-‐P.I Dr. Brian Parr in Agricultural Education (co-‐
PI) and Dr. Willie Cheatham (co-‐PI) , Professor/Chair of Agribusiness, Alabama A&M.
Grant Agency: USDA International Science and Education Competitive Grant 2009-‐2010
Amount: $150,000, special 2011 re-‐submission Grant Title: Advancing Research on the Cinesthetic Landscape: Digital Video Lab Participants: Jocelyn Zanzot Grant Agency: CADC Seed Grant 2009-‐2010: Amount: $10,200 Grant Title: URBAN GAMBITS: Design for Dialogue Across Difference Participants: with Trisha Martin of WE Design NYC Grant Agency: Van Allen Institute: New York Prize Fellowship: politics and culture
category: 2009 Amount: stipend for production of work in NYC.
Grant Title: Forest Ecology Preserve Master Plan and Design Participants: Professor Linda Ruth and FEP Director Jennifer Lolly Grant Agency: AU Competitive Outreach and Scholarship Grant 2008 Amount: $15,000
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B9. Description of Scholarly Program
My research is focused on the regeneration and re-‐imagination of civic life and the public realm as part of the project of sustainability and health. I am interested in design processes and designed places that presence diverse histories and reconstruct local ecologies in imaginative ways that expand the significance of public space and make new opportunities and encounters across difference possible. My research and creative work looks at these design challenges both internationally and here in Alabama as a matter of outreach and scholarship. My own scholarship on design across difference towards new civic meeting grounds is gaining funding, peer-‐reviewed recognition, and consequence for the local and international communities with which I work.
Research on contemporary South African landscape + architecture projects focuses on the question of how these new places re-‐conceive the public realm in the design process, in constructed detail and programming. Focus has been on Freedom Park in Pretoria and the new Constitutional Court in Johannesburg, two internationally significant landmark projects. Scholarship focuses on the design challenges and strategies engaged by their respective design teams for overturning past societal divisions and making places which are in dialogue with the experiences and imagination of the diverse South African population which will visit and use the respective sites. This research investigates the new rituals of public space made possible through design that gives voice to previously underrepresented constituencies and investigates the role of landscape architecture specifically in such an enterprise. These design research questions are also tested and advanced through local and international outreach projects that provide students opportunities for civic engagement. Collaborative design work with the Shiloh Restoration Community Foundation is an example that advances scholarship about dialogue across difference as a creative strategy for regenerating the public realm. First explored in the studio setting with students, the Deutsch Foundation has funded continued design development for the community’s site in Notasulga Alabama, which has been placed on the National Historic Register. The work tests processes of engagement and translation that communicate the stories of this community to visitors, as it empowers a new generation of community programs and regenerates local ecologies. As part of this research, I am interested in the media through which such civic projects emerge and with which such projects communicate to a broad audience. I have been awarded several internal grants, including the Daniel F. Breeden Endowed Grant to support this dimension of the work, specifically videography for its double capacity to engage landscape in time and movement and to immediately reach diverse publics. The jury of the 2010 AL ASLA awards said of the winning student with whom I worked, that his filmic production was engaging in a way that would benefit the entire profession, for its capacity to emotionally and intellectually captivate its audience. Several other projects that have been funded grant funded and published. The first, funded by a $10,000 CADC Seed Grant is called Ecosystems Services for Community Health, A Dynamic Trans-‐disciplinary Framework for Design, Turneffe Belize. The second project received a level two OVPR interdisciplinary grant to explore issues of contemporary land-‐use and landscape perception along the spine of the Old Federal Road through the state of AL. More recent projects include collaboration with Troy University Rosa Parks Museum to envision new civic infrastructure for the City of Montgomery on the occasion of Ms. Park’s 100th Birthday. And another partnership with Tuskegee Center for Human Rights and Bioethics looks at Food Security, Food Systems and Food Health in Macon County.
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C. OUTREACH
C1. Commentary
The design and planning of healthy landscapes that enhance the ecological capacity of their urban areas, and provide vital public space is central to landscape architecture practice and the regeneration of healthy environments around the world. Equity of access is critical to the sustainability of such civic places/networks and the overall resilience of cities. Community-‐based design becomes a critical educational thread of Auburn University’s Master of landscape architecture program and has been developed through the Mobile Studio to facilitate local partnerships for sustained service-‐learning studios, research and creative collaborations, outreach and scholarship. The Studio connects Auburn and local students with other academic practitioners, citizens and artists to excavate local narratives, identify opportunities and propose new civic infrastructure throughout Alabama and abroad. Auburn University’s Master of Landscape Architecture program has three main objectives in the education of professional landscape architects: 1. to train creative and adaptive leaders 2. to create a vital design research culture 3. to practice critical civic and social engagement through outreach. Zanzot founded the Mobile Studio to enhance and expand at the third objective developing a participatory citizen-‐based design/action model here in Alabama. This lightweight, portable design service studio has been introduced to students in their second design studio within the six-‐semester curriculum. Students learn to set up a mobile operational field space across Alabama; to invite dialogue from diverse constituencies, identify opportunities to build new civic infrastructure and enhance the growth of healthy communities. The work of the studio has been peer-‐reviewed nationally and internationally, and published in local papers and on-‐line media journals. My outreach scholarship tests and advances participatory design practices that imagine and construct new civic infrastructures for optimum health. I have formed the Mobile Studio, in partnership with the Troy University Rosa Parks Museum to develop an adaptive, collective approach to design for environmental and social justice that collaborates with communities across the state to continue the work of civil rights, promoting a new generation of programs that build civic health. Design studios teach students strategies of co-‐creative design, or design across difference, within the student group and between the group and the outside stakeholders as a matter of formal, spatial, regenerative, landscape design. The extension of opportunities for Landscape Architecture education and impact beyond the campus is analyzed and evaluated in terms of the equity and efficacy of these partnerships and the role of the design arts particularly in rural economic development. The National Council on Citizenship has recognized this work, as well as the U.S. Senate. Currently, with Dr. Carla Jackson Bell, I am developing a National curriculum for diversity in Design Education and Architecture. My integrated approach to service learning studios, design research and outreach scholarship builds local and international opportunities for graduate research students on collaborative interdisciplinary teams. These projects provide students and graduate research students with hands-‐on teaching/learning opportunities and valuable experience partnering with agencies of urban change. In larger civic projects, this collaboration is integral to the framing of the research question, as well as the delivery of desired outcomes. In the more informal community-‐based projects resourceful collaborations are pursued.
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a. Overview
In response to the need for landscapes that better contribute to physical and civic health both locally and abroad, my outreach work has coalesced in a program called the Mobile Studio. Motivating the work are the research interests outlined above including diversity and public space, civic health and imagination, and regenerative design practice. The studio works in partnership between the Master of Landscape Architecture Program, other Auburn University units such as Community and Civic Engagement, Agricultural Economics and Rural Sociology, Art, Public History, Journalism, Special Collections and Archives and neighboring communities particularly between Lee, Macon, and Montgomery Counties. The Mobile Studio developed out of a series of collaborative projects with Linda Ruth in Building Science under the Course Title: Civic Engagement for the Built Environment. Between 2009-‐2011 built projects included the Forest Ecology Preserve, the Early Learning Center, and the East Alabama Mental Health Clinic Garden. This collaborative work mentored first by D.K. Ruth and the Master of Design/Build Program and then Linda Ruth and CEBE led to a long-‐term community design partnership with the Shiloh Community Restoration Foundation in Notasulga, Alabama. These first projects established a model for teaching landscape architecture service-‐learning studios that work with local communities to build vital public spaces. Tested and now beloved landscapes in the Auburn-‐Opelika area, and nationally recognized in the popular press including USA Today and the ASLA (American Society of Landscape Architects) website. These first projects established key partnerships and paradigms. The Mobile Studio was founded to combine proactive design/build praxis with community-‐based landscape architecture through the service learning studio, creative research and outreach scholarship. The Mobile Studio Goals:
§ To facilitate meaningful co-‐creative partnerships with community members, and create opportunities for citizens that might not otherwise have points of entry into higher education to the see themselves within the continuum of critical thought and discourse regarding the health of the built environment.
§ To plan, design, and build new meaningful public places and civic
infrastructures through these partnerships that regenerate local ecologies, economies and communities.
§ To publish and exhibit the collective images, plans, and productions for
subsequent critical evaluation, scholarship and open-‐source reproduction. Projects provide a forum for community members to research and reveal diverse histories and visions for the future. In the last three years the following projects have been introduced in graduate level courses, funded by both internal and external sources and been nationally and internationally recognized. The work impacts the communities in which these gardens are built, student education in the professional practice of landscape architecture, and design education as the model is evaluated critically and published as scholarship.
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Graduate Courses Funded Outreach Scholarship Publication/Recognition Foundation Studio: Forest Ecology Preserve Master Plan
S.W.a.M.P. grant Forests Forever grants (grants enabled by my work)
USA Today WSFA Feature Kaboom ASLA website
Design Studio 2: Re-‐Imagining Schoolyards
Shiloh Community Restoration Foundation Design Plan, Deutche Foundation
Erasing Boundaries, CELA Paper IFLA Paper Report to the Macon County Commission and School Board
Design Studio 4: Dynamic Systems
CADC Seed Grant: Ecosystem Services for Community Health, Turneffe, Belize
Report to the Oceanic Society
Urban Theory: American Urban Landscape , lectures on the evolution of American urban landscapes
CADC Grant: Federal Road Initiative, Design Research of a Vanishing Landscape OVPR Inter-‐disciplinary Grant: Mobile Studio Project, Advancing Sustainable Futures Along a Vanishing Road
Best in Show in Juried Faculty Exhibit of Creative Research Papers presented at CELA and Imagining America
Outreach Seminar: On Wishes and Resistance
Designing Alabama’s Civic Health, and Rosa Park’s 100th Birthday Project Appalachian Regional Council with CLA
National Council on Citizenship Honorable Mention Recognition for the Mobile Studio Rosa Park’s 100th by the U.S. Senate Common Ground Alabama, in PUBLIC, journal of Imagining America
Landscape Food Systems Seminar
“Macon a Movable Feast: Food Systems, Food Health, Food Security and Celebration in Macon County” Competitive Outreach Scholarship Grant
Macon County Food Security Assessment and Macon it Good, Landscape Cookbook both forthcoming…
b. Mission
The School of Architecture, Planning and Landscape Architecture’s Outreach Mission is dedicated to providing planning, design and construction expertise to communities typically underserved by the design professions. Landscape Architecture brings to this work the knowledge to enhance ecological function/health by design and through the construction of landscapes that perform year round to the benefit of communities. By nature the work crosses scales from watersheds and ecosystems, to civic infrastructures, down to the site situation. The mission of my work is to work with communities to presence their own histories and reconstruct local ecologies in imaginative ways that expand the significance of public space and the civic realm. I aim to assist in making new opportunities and encounters across difference possible by design. Deliverables include Documentation of Research and
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Analysis, Master Plans and Design Proposals and future opportunities for student + community construction and installation.
c. Outreach Scholarship Outreach scholarship investigates both the Mobile Studio pedagogy, and the efficacy and equity of the University-‐community partnerships cultivated within course settings and through my work in the MLA program. The recent publication of Common Ground in Alabama, in the on-‐line peer-‐reviewed journal PUBLIC validates the co-‐creative premises and approach to the scaffolding of design and implementation of new civic infrastructure up the ladder of civic engagement the politics of place-‐making.
d. Impact
The impact of my outreach activity and outreach scholarship can be found in three areas: the impact on local community groups, the impact on the design education community, the impact on Auburn students.
COMMUNITY GROUPS: The work has had a significant impact on several community groups across the State of Alabama, as well as internationally. Civic health projects have directly touched the quality of life needs of varied communities, from long term policy outcomes related to global environmental change to built environments that enhance recreational and educational needs of local citizens. DESIGN EDUCATION COMMUNITY: Whereas the practice of Landscape Architecture has traditionally been restricted to large scale municipal projects or well funded individual clients, my outreach approach extends the departmental ethos of the “Citizen Architect” first articulated by the late Samuel Mockbee in the formation of the Rural Studio, that espouses the principle that professional expertise should be made available to citizens and community members that might not otherwise be able to access design professions that are capable resolving complex issues within their communities. My practice extends the precedents of community engaged design by not only acknowledging diversity as a component of practice, but making manifest diverse voices and needs as the central principle of design decision making. Further, as my outreach approach addresses the needs of these emerging places and acknowledges their role in societal resistance to untested change, my work extends the role of landscape architecture in civic life. This approach centers the needs of practice within the flow of rapidly changing professional roles and their relationship to client and community.
AUBURN STUDENTS: This approach affords Auburn University students the opportunity to develop significant and meaningful interactions with clients faced with genuine need and asks them to develop a practice based in social responsibility.
C2. Activities
a. Other Outreach Activities and Products I developed several courses including design studios, seminars, outreach projects and field days and workshops to support the community-‐based design research of the Mobile Studio, advancing a pedagogy and practice that extends the college’s civic traditions through landscape architecture. Courses connect the theories of participatory action research with communities in need of renewed investment in healthy civic infrastructure. The studio collaborates with diverse partners to identify local landscape potentials and build meaningful public spaces. Several recent
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projects partner with AU Civic Learning Initiatives to connect students between Macon, Lee and Montgomery Counties-‐ Auburn, Tuskegee, and Troy Universities.
1. Advancing Food Systems, Food Security, Food Health and Celebration in Macon
County through Landscape Architecture (2013-‐2014) Funded by an AU Competitive Outreach and Scholarship Grant: $20,000 LAND 7000: Landscape Food Systems Seminar
This outreach has been advanced through the creation of a new graduate level seminar on the topic and with a graduate research assistant on design research in Macon County. Deliverables include:
o four Mobile Studio field days/ listening sessions
o mapping of food production districts, transportation networks and points of
delivery for locally and regionally produced food products
o Food Security Assessment for Macon County to inform the Alabama Food Policy Council
o production of a Local Food Festival
o publication of a Macon County Landscape Cookbook
o future white papers and external grant funding
2. Rosa Parks 100th Birthday Wishes Project (2012-‐2013) LAND 7420: Outreach Seminar: On wishes and Resistance
In collaboration with the Troy University Rosa Parks Museum, Troy University Department of Graphic Design
In honor of the occasion of Rosa Park’s 100th birthday celebration the Mobile Studio developed a hands-‐on, participatory series of activities that will manifest the community wishes of the children of Montgomery, Alabama through co-‐creative art making and civic engagement. The children of Montgomery have been asked by the Museum Director, Georgette Norman to reflect on Ms. Park’s vision for her city during her life time and write down their own vision and wishes for their city today. Mobile Studio in collaboration with AU MLA Students, Rosa Parks Museum Youth Ambassadors and Troy University Graphic Design Students transform these wishes into public messages and buildable projects. The wishes have been mapped spatially and transformed into actionable design proposals. This dimension of the work is advanced through Mobile Studio’s position within Auburn University’s Master of Landscape Architecture Program. Here are opportunities for two more Ambassador workshops one that develops a map of wishes and a second that translates these wishes into photomontages that turn wishes into proposals for neighborhood transformation. Such images can become documents to be carried forward with the City of Montgomery Planning and Development Department and local neighborhood organizations.
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To date, the project has accomplished:
o The Wishes Program has collected responses from more than 2000 people in
Montgomery, Alabama and around the world regarding the future they would like to see for their communities and city inspired by the life work of Rosa Parks.
o Field Days: paper-‐making at the Rosa Parks Museum, silkscreen printing in
Montgomery’s Court Square with approximately 150 people
o Workshops: graphic design, poster production, mapping and design proposals with the Rosa Parks Museum Youth Ambassadors and the greater community.
o Recognition of this project by resolution of the US Senate as the official National
Celebration of Mrs. Parks 100th Birthday Memorial: more than a remembrance or even an event, it is an unfolding process of education and engagement with our sense of place designed to activate wishes inspired by Rosa Parks into the future.
o Press: several feature stories in the Montgomery Advertiser, WSFA, and Troy Public
Radio
3. Designing Alabama’s Civic Health (2011-‐2012) Funded in part by Dr. Mark Wilson, Director of Community Learning Initiatives Appalachian Regional Council Grant. LAND 7420: Outreach Seminar: On wishes and Resistance Publications: PUBLIC, journal of Imagining America: “Common Ground Alabama” Award: NCOC Civic Data Challenge Honorable Mention
Designing Alabama’s Civic Health is a collaboration between the Mobile Studio and Community and Civic Engagement at Auburn University, the David Mathews Center for Civic Life in Montevallo, and Macon County Bridge Builders. The project engages civic health data through art + design education towards the re-‐presentation of local issues, the re-‐imagination of local opportunities and the regeneration of community landscapes. The work began as a challenge to visualize data about civic health and use the media arts : 1. to communicate and interpret the information 2. Broadcast the data and connect people to it 3. and most importantly from our perspective, leverage the significance of the data towards new opportunities for the future of Macon County youth that are economically viable, ecologically responsible and culturally vital.
To Date, the project has accomplished:
o Two Mobile Studio Field Days: paper making and silkscreen poster printing for approximately 300 students
o Four civic health posters produced, distributed to 15 + local organizations that positively contribute to civic health in Macon County. The original prints now hang in the Macon County Courthouse in Tuskegee.
o Several feature stories published in the Tuskegee News, Alabama School Journal
o Creation of a new website: http://www.designingcivichealth.com
o 15 minute video submission Mobile Studio: Designing Alabama’s Civic Health to
the NCOC Civic Data Challenge, Honorable Mention among 60+ entries
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4. Vanishing Landscapes Along the Old Federal Road. (2011-‐2012) Funded by CADC Seed Grant and OVPR Level 3 Interdisciplinary Grant Published at CELA and in PUBLIC, Journal of Imagining America
In response to the State of Alabama’s Department of Tourism initiative, Becoming Alabama, a multi-‐year, multi-‐site celebration of the unique anniversaries that formed the state, The Federal Road Initiative: Design Research of Vanishing Landscape researches and documents the Old Federal Road in Alabama that runs through 13 contemporary counties. Auburn University Office of the Vice President for Research Interdisciplinary grant funded the development of the co-‐creative field method for documenting the landscape that has evolved into the Mobile Studio. The studio worked with communities to identify landscapes along this historic route that could serve as strategic nodes for rural economic development. These strategic points were located and informed by archival studies of the route’s significant history since its inauguration in 1806. The methods of investigation include: writing, drawing, photography and videography. The three sites selected along the AL Federal Road open conversations about the history, present and future of these landscapes to diverse publics. The field days tested the methods and verified the approach’s capacity to yield meaningful results within the year. This project is well positioned to add a critical dimension to the study of this historic road and its role in generating economic development opportunities in adjacent rural communities.
The work has resulted in the following to date:
o Three field days in the communities of Uchee, Burnt Corn, and Mount Vernon, Alabama
o An exhibition at the RBD Library
o Best in Show at AU Research Week Faculty Exhibit of Fine and Applied Arts:
Creative Research
o Presentations and Papers at AU Research Week, CELA, and IFLA, PUBLIC
5. Shiloh-‐Rosenwald Community Restoration Foundation, Notasulga Alabama (2010-‐ongoing) Master Plan, Schematic Site Design, and Construction Detail Development Publication of Design Research and Proposal Conference Papers National: Design Research and the Rural LANDSCAPE Studio: Learning from Shiloh International: From the American South to South Africa: Re-‐activating sites of rural resistance IFLA 2012
Work with the Shiloh-‐Rosenwald Community Restoration Foundation (SCRF) has focused on creating a master plan for their site that facilitates visitor access to this National Historic Site including the Shiloh Missionary Baptist Church, the Shiloh-‐Rosenwald School and the Shiloh cemetery, and enables a new generation of community programs from Head Start activities to adult health and education classes. A critical dimension of the work is to sensitively acknowledge the loss of human life through institutional neglect that community members and families suffered during the Tuskegee Syphilis Study and to
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celebrate the courage and resilience that the community has in bringing about global change in the role of human subjects in governmentally sponsored medical research. With the physical work of restoring the school near completion (accomplished as a collaboration between SCRF and the Design Build Master Program, 2009), the studio team of seven graduate students surveyed the site, which has a significant slope and erosion issues. Working with Chairman Lou Maxwell of the County Commission, the Macon County civil engineer, Mayor of Notasulga and Angelo Franceschina of RIPI, the design team drafted plans that will address issues of automobile access to the property off Route 81, and wheel chair accessibility. To date: the project an increased the capacity of the community by:
o Receiving a Deutche Foundation Grant to develop the plan
o Papers Published and Presented at CELA, Erasing Boundaries, Imagining America, and IFLA
o Schoolyards Exhibition hosted at Shiloh inaugurated the Rosenwald Schools new
community programming
o Landscape Plans available at two Annual Gala’s and Re-‐Unions
o Students invited to Three Shiloh Galas
6. East Alabama Mental Health: Parking Lot to Paradise (2011)
Working with the staff and clients of the East AL Mental Health Clinic and a group of students enrolled in CEBE, I have helped consult on the design plan, construction details and plant selection in the conversion of their back parking lot into a garden. The project received the following external funding, and recognition resulting in several significant outcomes:
o Lowes Grant of $2000 for materials
o Financial support from Gene and Jonna Chizic
o Donations and a long-‐term partnership with Blooming Colors Nursery
o The creation of this garden transformed the physical space but also facilitated the implementation of much needed outdoor therapy and recreational activities for the clients of the program.
7. Auburn University: Louise Kreher Forest Ecology Preserve (2008-‐2011) This project was the result of collaboration between Building Science, Forestry and Wildlife Science, the former Master of Design/Build program in CADC , and the Master of Landscape Architecture Program. It began in the Summer Foundation Studio as an introduction to Site Analysis and Planning. Subsequent graduate research assistants
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advanced the Natural Playground Design to enable Preserve Director Jennifer to gain Forest Forever Grants, volunteers and donations to construct and open the Recently the grand opening of the Natural Playground received national recognition in a USA Today article April 2010 on exceptional playgrounds across the country.
o Master Plan produced, Parking lot and Natural playground designed and built, used and loved by thousands of people.
o Work enabled the Preserve to win a $10,000 S.W.a.M.P Grant (Saugahatchee
Watershed Management Plan) towards sustainable parking lot construction, and
o Forest Forever grants for the construction of the Natural Playground.
o Recognition in local papers such as the Plainsman and the Auburn Opelika News, USA Today, WSFA News, publication on Kaboom, American Society of Landscape Architects website.
8. Auburn University: Early Learning Center (2008-‐2010)
This service project was explored with graduate research assistants and in the context of the LAND Construction Course 1, Fall 2009. This work is situated in new theories of childhood development and the geography of childhood, building on the assertion that children develop a broader set of cognitive and motor skills in situations of open-‐end play and exploration rather than the prescribed and circumscribed play offered by the standard sets. Consultancy and design work with the ELC in their three connected outdoor classrooms has helped gain
o $30,000 funding to construct a new outdoor solar-‐powered pavilion
o matching funds from local businesses and campus groups.
o Design and construction of new gardens including fig tree, blueberry bushes, a banana, new dry creek, stepping stones, climbers, outdoor stage, wave field and trike path.
9. Turneffe Belize, Ecosystem Services for Community Health, A trans-‐disciplinary
dynamic framework for testing resilient futures, Turneffe Atoll, Belize (2008-‐9) Research, Analysis and Design Proposals for Resilient Futures Publication of Design Research and Proposals
In collaboration with the Oceanic Society and the University of Belize’s Environmental Research Institute this project began as a second year graduate studio and with the support of a SEED grant and matching funds from the Oceanic Society is advancing towards a published report and published scholarship. Turneffe is the most biodiverse atoll in the western hemisphere, fringed by a healthy reef system and home to an endangered population of saltwater crocodile. Just 35 miles east of
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Belize City, the atoll, of which Blackbird Caye is one island is threatened by overfishing and land clearance for both temporary fishing camps and speculation for development. The design studio examined the ecological and cultural dynamics of Turneffe Atoll in order to develop sustainable + resilient proposals for future inhabitation of Blackbird Caye as alternatives to The Blackbird Caye Special Development Area Master Plan-‐ a proposal on the table for a Cancun style resort in this sensitive landscape. The Project Produced
o A report that summarized the group analysis, findings, plans and detailed design development scenarios for Blackbird Caye that take into account the Turneffe Island Development Guidelines (TIDG) and value ecosystem services whilst creating new local economies and opportunities. The report was distributed to the partners and invested agencies.
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8. Outreach Publications (see A3) 2013 Zanzot J. and Neil, D. and Sams, B. “Common Ground in Alabama”, video essay, PUBLIC,
Imagining America’s on-‐line double blind peer-‐reviewed e-‐journal 2013 Zanzot, J. “From the American South to South Africa, Re-‐Activating Sites of Rural Resistance”,
International Federation of Landscape Architecture (IFLA), Capetown, South Africa. 2012 Zanzot, J. “Mobile Studio: Landscape Studies on the Road” Council of Educators of
Landscape Architecture, (CELA) University of Illinois at Urbana-‐Champaign CELA, the Council of Educators in Landscape Architecture is the National Body dedicated to
research and scholarship in the discipline. The Annual conference is competitive and acceptance rate is 30%. The theme of this conference was Finding Center, Landscape and Values.
This paper describes and evaluates the Mobile Studio’s year-‐long study of the Old Federal
Road through the state of Alabama as the formative landscape structure of the state. The paper further considers an emerging theory, pedagogy of practice, and approach to participatory action research advanced within the MLA program at Auburn. One of the outcomes of this presentation was an invitation to partner with the Birmingham Institute for Art and excavate narratives along the proposed route of the HS2, 30 billion pound high speed rail that will connect London and Birmingham, eventually with Leeds and then Glasgow.
2012 Zanzot J. and Neil D. "Designing Alabama's Civic Health" Imagining America Conference, On
the Practical Uses of Media Arts for Economic Revitalization, New York, September, 2012
This conference is a national double blind peer-‐reviewed conference with a focus on Arts, Design and Humanities in the Public with a concern for equitable partnerships between Universities and their Community Collaborators. This year, Imagining Alabama took root at Auburn as a unique partnership between Arts and Humanities, Community and Civic Engagement and Multi-‐cultural and Diversity Outreach Scholarship.
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2012 Zanzot, J. “Mobile Studio: Landscape Studies on the Road” Council of Educators of Landscape Architecture, (CELA) University of Illinois at Urbana-‐Champaign, March
2012 Zanzot J. " Mobile Studio on Alabama's Old Federal Creek Road", Auburn University Research
Week, April
2011 Zanzot, J. “Design Research and the Rural LANDSCAPE Studio: Learning from Shiloh”,
CELA’s Erasing Boundaries Symposium, peer-‐reviewed abstract accepted
2009 Zanzot, J. “Inserting Difference: Teaching Civic Engagement by Design” paper presented at CELA, February 2009, abstract published in the conference proceedings
9. Electronic Products Designing Civic Health Website: www.designingcivichealth.com Mobile Studio Website: www.mobilelandscapestudio.wordpress.com
10. Other Outreach Products, Videos, Job Aids Common Ground In Alabama Video: 10 minute video designed to explain Mobile Studio’s pedagogy of place through making. Available to a diverse audience through PUBLIC, the on-‐line journal of Imagining America. Re-‐imagining Schoolyards Publication: A synopsis of the MLA Design Studio that explored the potentials of school yard transformation at three schools in Macon and Montgomery Counties. The designs serve as both site specific propositions and templates for re-‐considering all school landscapes as productive, performative places of learning and imagination. Self-‐published, available in the College Library. Designing Civic Health Posters: displayed prominently in Macon County schools and businesses reminding citizens of positive civic attributes as well as challenges. Design Alabama Civic Health Video: 15-‐minute synopsis of Macon County students efforts to interpret, and take ownership of Civic Health Data through arts and design productions. The video is available on line at the two websites above. The Cinematic Landscape: kinesthetic.blogspot.com: shared site/platform between Auburn MLA students and Phildelphia University Landscape Architecture for research and design with videography. Master Plan for the Forest Ecology Preserve, Design for the Natural Playground: These documents represent many months of field research, site analysis, precedent studies of other nature centers and environmental education preserves. The plans consider past present and future use, management and long-‐term sustainability of the site. The playground drawings have been built and published. Report for the Oceanic Society: Valuing Ecosystem Services for Community Health: This report is based on four days of intensive field study at Blackbird Caye with local professors, ecologists, and citizen fishermen, as well as remote GIS analysis and literature reviews. Plans identify sustainable development scenarios informed by an understanding of the dynamic Caribbean systems within which Turneffe atoll is situated. Ecological design proposals were presented to the potential developer and proved successful in encouraging a more environmentally sensitive approach.
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g. Contracts, grants and gifts. (see B8.a)
Project Title: Macon a Movable Feast: A Celebration of Food and Health in Macon County Alabama
APLA PI: Jocelyn Zanzot Grantor: Vice President of Outreach and Scholarship Start/End: March. 2013 – December. 2013 Grant Amount: $20,000
Grant Title: Mobile Studio Project: Advancing Sustainable Futures Along a
Vanishing Road Date: February 2011-‐12 Participants: Barry Fleming, Associate Professor of Art, Mark Wilson, Director of Civic
Learning Initiatives Grant Agency: Special Lectures Committee Grant, Auburn University Amount: $9470 Grant Title: Design Development of the Shiloh Community Landscape Plan Date: January 2011-‐May 2011 Participants: The Shiloh Community Restoration Foundation and Rural Initiative
Project Grant Agency: The Deutche Foundation and match by Auburn University Master of
Landscape Architecture Program Amount: $5682
Grant Title: Federal Road Initiative: Design Research of a Vanishing Landscape Date: January 2011-‐December 2011 Participants: P.I. Jocelyn Zanzot, Co-‐Investigators: Barry Fleming Interim Chair of the
Art Department, Dan Neil Exhibit Director of the Jule Collins Smith Museum and Greg Schmidt of Library Special Collections and Archives
Grant Agency: AU Office of the Vice President for Research Amount: $ 8000 Grant Title: Ecosystem Services for Community Health: A Dynamic Trans-‐disciplinary
Framework for Design: Turneffe Atoll Belize Date: December 2009-‐December 2010 Participants: P.I. Jocelyn Zanzot, in collaboration with Birgit Winning, Director of The
Oceanic Society, Dr. Elma Kay, Director of the University of Belize Environmental Research Center, Dr. Wayde Morse, AU School of Forestry and Wildlife Sciences, Dr. Mark Dougherty, AU Biosystems Engineering, and Dr. Nanette Chadwick, AU Marine Biology
Grant Agency: CADC Seed Grant Amount: $10,000 (2009-‐10)
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D. SERVICE
D1. University Service: a. Auburn University Committees:
2010-‐present Auburn University School of Architecture Senator
I represent the School of Architecture at the Faculty Senate. This includes the dissemination of relevant issues to the faculty and representation of our’s School’s interest on action items that come before the Senate for a vote. The Senate meets once a month.
2010-‐present Auburn University Africa Initiative: Committee for Water, Energy and the Built
Environment
The African Initiative was inaugurated in 2010 to bring together teaching, research and outreach initiatives across the University based in Africa. The idea is to increase support for projects and learning/ exchange opportunities and build capacities in the continent of Africa. I bring to the effort research and connections in South Africa as well as previous experience in West Africa and the professional skills to work with infrastructure and ecologies of the built environment.
2010-‐ present Auburn University Forest Ecology Preserve, Board of Directors As a member of the board, I offer technical assistance with planning and design
decisions. Additionally the Board consults on issues of fundraising, management of the Preserve, educational programming and community support. Since its founding, I have provided technical assistance to guide the drafting of a master plan and the design and construction of the playground, the new watershed smart parking lot, and many other new features.
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b. School of Architecture Committees:
2009-‐present Education Technology Committee
As a member of this committee I advise the School Head and IT director on annual software and hardware purchases, and decisions that reflect the overall goals and objectives of the various programs within the school. I represent the MLA program’s needs and desires for educational technology with an eye for both the standards of practice and advancements in the field.
2009-‐present Lectures Committee
As a member of this committee I have been responsible for bringing one Landscape Architect per year to lecture to the School of Architecture lecture series. In 2009 Kenny Helphand from the University of Oregon presented the
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lecture Defiant Gardens. In 2010 Trisha Martin of WE Design in New York City presented Community Entanglement: A Philosophy and Method for Design. And in the spring of 2011, Tom Leader of Tom Leader Studio in Berkeley will be speaking on his recent work in Birmingham’s Railroad Park: Landscape Urbanism Emerging In Alabama. The 2013 Lecture is Kathryn Moore of the Birmingham Institute of Contemporary Art… Grant Title: Landscape Urbanism Birmingham England Date: Fall 2013 Participants: Kathryn Moore, one time funding for University-‐wide lecture to
supplement the School of Architecture Lecture Series. While here she will review MLA student work.
Grant Agency: Special Lectures Committee Grant, Auburn University Amount: $1200
Grant Title: Landscape Urbanism Birmingham Alabama Date: February 2011 Participants: Tom Leader, one time funding for University-‐wide lecture to
supplement the School of Architecture Lecture Series. While here he will review MLA student work.
Grant Agency: Special Lectures Committee Grant, Auburn University Amount: $1200 Grant Title: The Cinesthetic Landscape Date: June 2009 Participants: Mathew Davis, one time funding for University-‐wide lecture to
supplement the summer workshop series. Grant Agency: Special Lectures Committee Grant, Auburn University Amount: $1000
2010-‐present Faculty Advisor to the AU Student Chapter of the American Society of
Landscape Architects As Faculty Advisor to the ASLA, I help students fundraise and support student
travel to conferences. I offer guidance on their outreach projects and have recently helped them secure a $4000 grant to establish their own digital media office, under the title of the Landscape Film Initiative. When needed I represent their issues to the LA faculty of School.
Grant Title: Landscape Film Initiative Date: One time funding, Jan 2011 Participants: Jocelyn Zanzot with Philip Shell president of the AU student
ASLA Grant Agency: AU Concessions Board Funding: $4,000
2009-‐2010 Landscape Architecture Curriculum Review Committee
Since successfully gaining accreditation, the MLA faculty has focused on the development of a new curriculum reflective of a new vision for the program. This is a matter of re-‐crafting the core mission statement, goals and objectives and identifying the requisite coursework and educational approaches/opportunities to advance these intentions. I have been responsible for a comparative study of
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curricular design of the top programs across the country, and am playing an integral role in the visioning, and development of the new curriculum. As the new program is inaugurated, and test-‐driven by the first cohort of students, I continue to assist with the scheduling of courses and end of term assessments and the administering of student awards.
Invited Lectures within Auburn “Landscape Architecture: Re-‐Imagining the Future” (Spring 2013) This lecture introduces landscape architecture as a discipline and practice that is inherently
collaborative, as a way of seeing the built environment inextricable from the history, culture, and dynamic ecologies of which they are a part. The lecture underscores the breadth of work to be done in the world across the interconnected scales of region, neighborhood and site as well as the urgency and hopefulness of the work. The art of design is illuminated as one of critical skill and imagination. Invited by Paul Zorr to Arch 1000 an introductory design seminar as well as at the request Dr. Carla Jackson Bell for prospective students.
“Landing: A haptic and phenomenological approach to discovering landscapes, and “Mobile Studio: a co-‐creative approach to citizen-‐based design” (Spring 2013) A two part lecture invited by Michael Robinson for Environmental Design ENVD 4000 that
considers approaches to site analysis that register the many systems and encounters already at play in the terrain. The second part develops an approach for engaging in landscape dialogues with diverse communities to identify and advance local economies and ecologies.
“Race, Class and Gender in Landscape Architecture", (September 2012) This lecture explains that issues of race, class, and gender shape the form, experience and
design of the built environment. Landscape Architecture provides both a theoretical framework for deconstructing and re-‐constructing the public realm to expose, reflect on or re-‐conceive power in the landscape. Examples of practitioners and designed landscapes offer students concrete examples of this work. Invited by Drs. Becki Retzlaff and Carla Jackson Bell for Community Planning, CPLN 5970/6970
“Design at the Crossroads of Ecology and Industry, Case Studies in Regenerative Design”, (June 2010)
This lecture considers the cultural, historical and toxicological legacies of the post-‐industrial and looks at the role of landscape architecture design and planning in regenerating the health of these sites and rebuilding local economies. Several international case studies become touchstones for key design principles that consider the crossroads of ecology and industry, art and community. Invited by Dr. Mark Barnett’s for Environmental Engineering 7210
“The Art of Design, Landscape as Art” (November 2009)
Image making is central to landscape architecture and the places we make in the world are inextricably linked to the places we paint, draw, write poems about and otherwise imagine as our mythological home. We know the world through not only the stories we tell but the pictures we draw. This lecture flies through history to reveal this reciprocal relationship and consider where it is going next as our technological modes of representation and communication evolve. Invited by Scott Finn for Landscape Architecture History LAND 5120/6120.
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Invited Internal Juries
I have served as an invited juror on many reviews across all of the disciplines of the School of Architecture including interior architecture, design-‐build, community planning and architecture. 2008-‐13. Summer 2014 ARIA Studio Reviews Fall 2014 Community Planning Historic Preservation Landscape Architecture Thesis Reviews Landscape Architecture Second Year Review Spring 2014 Community Planning Historic Preservation Landscape Architecture Thesis Reviews Fifth Year Architecture Thesis Reviews Spring 2013 Architecture Thesis Reviews Landscape Architecture Thesis Reviews Landscape Architecture First Year Reviews Fall 2012 Community Planning Historic Preservation Third Year Architecture, Landscape Architecture Terminal Studio Review Landscape Architecture Thesis Review
Spring 2012
Community Planning Research Methods Design Build Midterm Review Second Year Architecture Landscape Architecture Thesis Reviews Landscape Architecture First Year Reviews Fall 2011 Third Year Architecture First Year Architecture Landscape Architecture Thesis Reviews Landscape Architecture First Year Review Landscape Architecture Second Year Review Spring 2011 Second Year Architecture Fourth Year Architecture First Year Landscape Architecture Landscape Architecture Thesis Review
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D2. Professional Service
IFLA International Federation of Landscape Architects International Student Design Competition Juror Alabama American Society of Landscape Architects (ASLA) Regional Representative Alabama ASLA Student Design Award Juror Alabama and Georgia Garden Club Lecturer
CELA Council of Educators in Landscape Architecture Paper Reviewer ACSA Regional Council: Panel Organizer
Peer-‐reviewer for the CELA conferences in the area of Landscape Ecology and Planning Peer –reviewer for PLACES journal.
Professional Affiliations 2112 Inc. Imagining America Community Design Alliance American Society of Landscape Architects Council of Educators in Landscape Architecture Architects Designers and Planners for Social Responsibility Honorary Member of Institute of Landscape Architecture South Africa
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AUBURN UNIVERSITY
Standard Biographical Data for Submission with Promotion/Tenure Review
Name__Jocelyn E. Zanzot_____________________ Department__Landscape Architecture_ College: CADC College of Architecture, Design and Construction Present Rank_Assistant Professor____________ Years Completed in Present Rank_____5________ Years in Faculty Service at AU_____6_______ Years in Faculty Service Elsewhere__3_____________ Type of Current Appointment: ________Tenured ___X____Non-‐Tenured Pay Basis: ___X____9 mo. ______12 mo. Graduate Faculty Status: __X___Member_____ None Date Awarded:___2008____ Education: Institution List most recent first. Degree Major Date Awarded Masters of Landscape Architecture MLA Landscape Architecture 2003 Bachelors of Landscape Architecture BLA Landscape Architecture 2002 Bachelors of Art BA Studio Arts 1996 Professional Experience: Institution Rank Period of Appointment Include AU Experience. List most recent first. Auburn University Assistant Professor 2008-‐2013 Auburn University Visiting Assistant Professor Spring 2008 Auburn University Adjunct Professor Fall 2007 University of Pretoria, South Africa Visiting Senior Lecturer Spring 2006 University of California, Davis Adjunct Professor 2004-‐2006 Sierra Community College Lecturer 2004-‐2006 I have reviewed (except letters) the contents submitted in the attached dossier: Signature: _________________________Date:_________________________