Indian Literature in English (1820s onwards) - WordPress.com

8
M.A. (PART- I) ENGLISH Indian Literature in English (1820s onwards) (Paper I) April 2016

Transcript of Indian Literature in English (1820s onwards) - WordPress.com

M.A. (PART- I) ENGLISH

Indian Literature in English (1820s onwards)

(Paper – I) April 2016

M.A. (Part-I) ENGLISH

Indian Literature in English (1820s onwards)

(Paper – I) (OCT-16)

8249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

52

8249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

52

8249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

52

8249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

52

8249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

52

8249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

52

8249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

52

8249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

52

8249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

52

8249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

52

8249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

52

8249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

52

8249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

52

8249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

52

8249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

52

8249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

52

8249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

52

8249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

52

8249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

52

8249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

528249B

C3D

B426B

A1554D

464856A

E2FD

52

8249BC3DB426BA1554D464856AE2FD52

Q.P.Code: 28829

(3 Hours)

[Total Marks: 100

N. B. (1) All questions are compulsory

(2) All questions carry equal marks.

1. (a) The introduction of English studies in India during the first half of the nineteenth

century proved to be a boon in disguise. Elucidate this statement.

OR

(b) Comment on the contributions of Mahatma Gandhi and Jawaharlal Nehru for the

development of prose in Indian English Literature.

OR

(c) Discuss the functions of myth and history in the contemporary Indian English

literature.

2. (a) Rajmohan’s Wife is a story of trials and tribulations of Matangini, a beautiful and

heroic women character representing the 19th century India. Sketch the character in the

light of this statement.

OR

(b) Indian English poets during the pre independence period followed suit in terms of

themes, forms and prosody of the Romantic and Victorian poets. Elucidate.

OR

(c) Comment on the use of humour, irony and satire in R. K. Narayan’s Swami and

Friends.

3. (a) “Although Shashi Deshpande does not have an overt feminist agenda, women are

at the centre of her writing”. Illustrate this statement with appropriate examples from the

novel, A Matter of Time.

OR

(b) Amitav Ghosh’s Calcutta Chromosome is a science fiction with post-colonial

undertones. Justify your answer with appropriate examples from the novel.

OR

(c) The post independence Indian English poetry is very Indian and experimental.

Discuss.

4. (a) “A woman in man’s world is considered progressive, but a man is a woman’s world is considered pathetic.” Substantiate this statement from Mahesh Dattani’s Dance

Like a Man.

OR

(b) Illustrate the statement that “Pratap Sharma’s Touch of Brightness deals with the

matter that is highly undesirable to show on the stage.”

OR

(c) Compare and contrast the women’s issues in both the plays, Mahesh Dattani’s Dance Like a Man and Pratap Sharma’s Touch of Brightness.

***

IDLAB1-24
Stamp

Q.P.Code: 37310

(3 Hours) [Total Marks: 100]

N. B. (1) All questions are compulsory

(2) All questions carry equal marks.

1. (a) Do you agree with the view that the introduction of English in Indian 25

education system proved to be a boon in disguise?

OR

(b) Consider the impact of Gandhi and Nehru’s vision of India and how they are reflected in Indian English Literature.

OR

(c) Discuss the trends and tendencies of the contemporary Indian English

literature.

2. (a) Sketch the character of Matangini from Bankim Chandra Chatterjee’s 25

Rajmohan’s Wife.

OR

(b) Comment on the experimentation with language, theme and form in the

colonial Indian poetry in English.

OR

(c) Consider R. K. Narayan’s Swami and Friends as an early Indian English

Novel.

3. (a) Discuss themes of silence, gender difference, passive suffering and familial 25

relationship as reflected in Shashi Deshpande’s A Matter of Time.

OR

(b) Consider Amitav Ghosh’s Calcutta Chromosome as a science fiction.

OR

(c) The post independence Indian English poetry is very Indian and experimental.

Discuss.

4. (a) “A woman in man’s world is considered progressive, but a man in a woman’s 25

world is considered pathetic.” Illustrate the statement from Dattani’s Dance

Like a Man.

OR

(b) Comment on the man-woman relationship in Pratap Sharma’s A Touch of

Brightness.

OR

(c) To what extent do Mahesh Dattani’s Dance Like a Man and Pratap Sharma’s Touch of Brightness contribute to the growth and development of Indian

English Drama?

______________________

0A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

516

0A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

516

0A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

516

0A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

516

0A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

516

0A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

516

0A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

516

0A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

516

0A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

516

0A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

516

0A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

516

0A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

516

0A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

516

0A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

516

0A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

516

0A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

516

0A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

516

0A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

516

0A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

516

0A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

5160

A54

FFA

210D

BC

E47

6F85

AC

3B7C

FFE

516

Q.P.Code: 28828

(3 Hours)

[Total Marks: 100

N. B. (1) All questions are compulsory

(2) All questions carry equal marks.

1. (a) Critically evaluate Macaulay’s statement in his famous minute “we must at present do our best to form a class of persons Indian in blood and colour and English in

taste, opinions in morals and in intellect.”

OR

(b) The partition literature is marked by emotional outburst and the prime concern of

this literature is a range of issues like massacre, rape, destruction, displacement and

migration of population. Elaborate.

OR

(c) Discuss the trends and tendencies in the post independence Indian English

literature.

2. (a) Discuss Bankim Chandra Chaterjee’s portrayal of Matangini as a ‘New Woman Power’ in the nineteenth century India in general and Bengal in particular.

OR

(b) “Indian poets writing in English have succeeded to nativize or indianize English in order to reveal typical Indian situations.” Substantiate the statement.

OR

(c) Critically examine the theme of friendship being fraught with quarrel, disputes,

and rivalry in R. K. Narayan’s Swami and Friends.

3. (a) Explain how Shashi Deshpande has explored a complex human nature in her

novel, A Matter of Time.

OR

(b) Do you think that Amitav Ghosh’s Calcutta Chromosome is a perfect blend of

fact and fiction? Justify your answer with appropriate examples from the novel.

OR

(c) “The rise of female poetic-voice is the most significant event in the post

independence Indian English poetry which depicts the changing position of a woman in

the modern Indian society.” Elaborate. 4. (a) “The gender notions of Amritlal in Dance Like a Man foil his son’s desire of

becoming a Bharatnatyam dancer.” Discuss Mahesh Dattani’s Dance Like a Man in the

light of this statement.

OR

(b) Comment on the main thematic concerns of Pratap Sharma’s play, A Touch of

Brightness.

OR

(c) Compare and contrast the dramatic techniques employed in Mahesh Dattani’s Dance Like a Man and Pratap Sharma’s Touch of Brightness.

***

Paper / Subject Code: 93906 / English - Paper I - Indian Literature in English (1820s onwards)

0A54FFA210DBCE476F85AC3B7CFFE516

Admin
Stamp