GPA - Granicus

EXHIBIT B

CONSULTING

GPA

Landmark Report Update Memorandum

Date: March 24, 2017

Re: Landmark Designation of the Ahrya Fine Arts Theatre, located at 8554-8558 Wilshire Blvd

To: Beverly Hills Cultural Heritage Commission

From: Laura O’Neill, Sr. Architectural Historian, on behalf of the Property Owner

Introduction

The purpose of this memo is to provide an update to the City Landmark Assessment AndEvaluation Report for the Regina-Fine Ads Theatre prepared by Jan Oshtashay for the City ofBeverly Hills in January 2014 (see Attachment A). The theater, now known as the Ahrya Fine ArtsTheatre, is located at 8554-8558 Wilshire Boulevard. The current property owner wishes to havethe property listed as a Beverly Hills Landmark.

Background

At the October 9, 2013 meeting of the Cultural Heritage Commission, the Commission initiatednomination proceedings for the theater. The City commissioned the Oshtashay report accordinglyto determine if the property met the criteria for Landmark designation. The report concluded thatthe property met criteria A.], A.3, and A.4, that it retained integrity from its period of significance,and that it has historic value. Thus, the report concluded that the property was eligible for BeverlyHills Landmark designation.

The Commission heard the Landmark nomination at its January 8, 2014 meeting. The Commissionvoted to continue the item till the April 9, 2014 meeting. At the April 9, 2014 meeting, the item wascontinued again due to a pending change of ownership. Since 2014, the potential designation ofthe theater has not been brought back to the Commission for consideration, and the propertyhas not been designated to date. The current property owner is in favor of Landmark designationand is requesting that the Commission consider designation at its April 2017 meeting.

Instead of completing a new assessment and evaluation report, City Staff requested that theproperty owner prepare a brief memo identifying any changes to the property since thecompletion of the 2014 Oshtashay report. This memo has been prepared to respond to thatrequest.

Ahrya Fine Arts Theatre Landmark Report Update Memo8554-8558 Wilshire Blvd Page 1

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Methodology

To prepare this memo GPA Consulting (GPA) performed the following tasks:

1. Reviewed existing information on the propertya. City Landmark Assessment And Evaluation Report for the Regina-Fine Arts Theatre

prepared by Jan Oshtashay for the City of Beverly Hills in January 2014b. Fine Arts Theatre Photo-Recordation Document prepared by Jan Oshtashay for the

City of Beverly Hills in January 2013c. Building permits on file with the City

2. Reviewed applicable City ordinancesa. Historic Preservation Ordinance codified in the Beverly Hills Municipal Code, Title

10, Chapter 3, Articles 32 and 32.53. Reviewed videos of past Commission hearings related to the property’s Landmark

designationa. October9,2013b. January8,2014c. April9,2014

4. Conducted a site visit to the property to determine alterations since 20145. Compiled the results of the above tasks into this memo for the Commission’s consideration

Summary of the Oshtashay Report

The 2014 City Landmark Assessment And Evaluation Report for the Regina-Fine Arts Theatre wasvery thorough and logical in its conclusions. The report found the property to be eligible as aBeverly Hills Landmark for the following reasons:

Criterion A.1 (page 13):

The subject property is directly associated with the early recreational, entertainment, social,and architectural history of the community. Within the City of Beverly Hills the Regina-Fine ArtsTheatre is the last remaining neighborhood theatre venue still intact. It was one of five motionpicture theatres constructed prior to World War II in the City that reflected the varied “hayday” of early theatre design philosophy. Designed by noted theatre architect B. MarcusPriteca, the Regina-Fine Arts Theatre is a local extant representative example of the Art Decostyle as used in a small housed neighborhood movie theatre built prior to World War II. Whenthe theatre became the Fine Arts Theatre in 1948 (new owners) the venue was the site of anumber of motion picture premieres. It was also considered a very popular venue in BeverlyHills for younger theatergoers, particularly when they showed classic horror films such asDracula or Frankenstein. Since the subject property visually and physically manifests significantcontributions to the early social, entertainment, recreational, and architectural history of thecommunity in the form of a neighborhood motion picture theater it appears to satisfy thiscriterion.


Within the City of Beverly Hills the theatre building, despite its alterations, is a rare extantexample of a modest size Art Deco inspired neighborhood theatre. It retains sufficient historicalintegrity to convey its distinctive characteristics of a particular style, property type, and


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historical period. The structure with its small scale, Ad Deco designs, and neighborhoodorientation further establishes its historical use and function. Sited along Wilshire Boulevard itsornate, cantilever marquee with period neon lite font lettering and decorative parapetsculminating in a tower were designed to be the focal point for the venue and render it highlyvisible along the busy street. Stylistically, the property also embodies a number of distinguishingarchitectural characteristics of the Art Deco idiom, including its vertical emphasis utilizingstepped parapets and reeded pilasters, as well as the stepped neon wrapped central tower.Hence, it can be concluded that the property appears to satisfy this criterion.


This propedy was designed by noted architect B. Marcus Priteca. The City’s list of MasterArchitects includes architect B. Marcus Priteca. Priteca is considered one of America’s mostprominent and prolific theatre designers in the country because of his work during the first halfof the twentieth century. He established a trend with his use of the Moderne and Art Decostyles in theatre architecture. Priteca ‘s portfolio of theatre design included venues for both liveproductions and motion pictures. His commissions varied from large elaborate moviepalacelike structures to small-scale aptly designed neighborhood theatres. His work spannedacross the country and Beverly Hills was fodunate enough to have two theatres designed bythis prominent and well-established architect (though only the subject propedyremains extanttoday). The Regina-Fine Ads Theatre, therefore, satisfies this criterion.

Furthermore, the report found that the property retained integrity from its period of significance of1936 to 1949 (page 15):

Those important features of design, materials, location, setting, workmanship, feeling, andassociation from the period of significance are still evident in the subject propedy and help torender it historically significant.

And that it has historic value (page 15):

Because of its distinct property type, architectural styling and character, association with amaster architect and its contribution to the City’s historical and architectural heritage thepropedy is considered to have historic value.

The report did not find the property to have any significance under Criteria A.2, A. 5, or A.6.

Alterations to the Property since 2014

Only one building permit has been filed with the City since the Oshtashay report was completedin January 2014:

• Permit #BS1405436 — Reinstate/maintain existing fire alarm system.

The site visit conducted by GPA staff on March 21, 2017 revealed the following alterations sinceJanuary 2014 based on visual inspection and comparison with photos in the Oshtashay report:

• Exterior paint — The exterior has been repainted. The new paint scheme highlights thebuilding’s Art Deco horizontal and vertical elements.

• Interior paint—The lobby ad concession areas have been repainted. The auditorium spaceappears to retain the same color palette as in 2014.


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• Patterned film applied to storefront glazing — Glazing film with a pattern of gold squareshas been applied to the storefront doors, windows, and transoms.

These alterations are all minor and have not impacted the property’s integrity in anyway. Itcontinues to retain sufficient integrity of design, materials, location, setting, workmanship, feeling,and association from the period of significance to convey its significance under Landmark CriteriaA.1, A.3, and A.4.

Findings

In our review of the Oshtashay report and its supporting materials, GPA agrees with all of thefindings. The property is eligible for designation under Landmark Criteria A.1, A.3, and A.4. GPAfurther finds that alterations to the property since 2014 have not impacted its historic integrity, thatthe property retains historic value, and that the property remains eligible for listing as a Beverly HillsCity Landmark.

Because the City’s Landmark definition allows for the inclusion of publicly assessable interiors, suchas theaters, GPA recommends considering the addition of the following character-definingfeatures to the character-defining features list in the Oshtashay report on pages 15-16. These wereeach identified as original in the report:

• Reeded, curved walls from lobby to auditorium• Sunburst on auditorium ceiling at the stage• Plaster walls and ceiling in the auditorium• Reeded columns behind the screen at the original proscenium• Original red stage curtains• Palm tree murals flanking the original proscenium

Thank you for your consideration of this memo. I’m available to answer any questions you mighthave at [email protected] or (310) 383-5205.

Sincerely,

Laura O’NeillSenior Architectural Historian

Attachments:

A. City Landmark Assessment And Evaluation Report for the Regina-Fine Arts Theatreprepared by Jan Oshtashay for the City of Beverly Hills in January 2014

B. Current Photographs

CC: Sally Fujimoto (property owner’s representative)


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January 201 3

FINE ARTS THEATRE8554 WILSHIRE BOULEVARD, BEVERLY HILLS, CA, LOS ANGELES COUNTY

City of Beverly HillsCommunity Development Department

Planning Division455 North Rexford Drive,

Beverly Hills, CA 90210

PREPARED BY:

Jan Ostashay, PrincipalOstashay & Associates Consulting

P0 BOX 542, Long Beach, CA 90801T: 562-500-9451 E: [email protected]

PREPARED FOR:

Fine Arts TheatrePHOTO-RECORDATION DOCUMENT

INTRODUCTIONThis report is intended to provide photo-documentation of the Fine Arts Theatre building located at 8554(8554-855 8) Wilshire Boulevard in the City of Beverly Hills. The contents of this report include a briefhistorical narrative, existing conditions outline, digital photographs, historical photographs, and othersupplementary materials relevant to the history of the property. The sublect property was identified as ahistoric resource as part of a City initiated California Environmental Quality Act (CEQA) review process for aproposed prolect that includes rehabilitating the exterior of the building and remodeling the interior spacesfor reuse as a contemporary motion picture theatre.

As a condition of approval for the prolect the preparation of a photo-recordation report was required thatincluded adequate explicative and illustrative information to document what is historically significant orvaluable about the property. Depending on the nature and significance of a property the level ofdocumentation can vary. As such, certain liberties have been taken in the preparation of this report.Nonetheless, the basic format and content of the document is similar and consistent with the guidelines andpurpose of a Historic American Buildings Survey (HABS) Level Ill document. As a significant piece of thereport key photographs in visually understanding the history and configuration of the property have beentaken in digital color format. These photographs have been indexed and are included in this report.Additional digital photographs that fully document the exterior and interior of the building have also beenincluded on the accompanying CD.

This document was prepared to preserve an accurate record of the historic property that can be used byothers in future research endeavors and other preservation activities. Any use of the material other than forresearch purposes must be with the approval of the City of Beverly Hills or the owner of particular image inquestion.

BACKGROUND INFORMATIONThe Fine Arts Theatre, located at 8554 Wilshire Boulevard, was previously identified and evaluated forhistorical significance as part of the City’s on-going historic resources survey efforts. The property was firstevaluated and recorded in 1 986 as part of a city-wide survey and at that time was found to be historicallysignificant at the local level as part of a thematic grouping of neighborhood theatres along WilshireBoulevard. It was re-evaluated and documented as part of a survey update in 2004 and found to be eligiblefor individually listing in the National Register of Historic Places because of its Art Deco styling and also as acontributor to the locally significant neighborhood theatre thematic grouping. An additional survey of theproperty conducted in 2006 erroneously identified the property as demolished, and as such is not relevant(City of Beverly Hills Historic Resources Survey Report, Survey Area 5: Commercial Properties, dated June2006, rev. April 2007). For CEQA purposes the property is considered a historical resource pursuant toSection 1 5064.5(a) of the CEQA Guidelines.

Fine Arts Theatre Photo-Recordation Document

Fine Arts Theatre-8554 Wilshire Blvd.

GENERAL SITE OVERVIEW

The property is situated on the south side of Wilshire Boulevard just east of South Stanley Drive and west ofSouth Le Doux Road. Charleville Boulevard is immediately to the south of the theatre site and La CienegaBoulevard is a few blocks to the east. Located on Tract #4988 (APN 4333-01 8-030), the subject propertyoccupies lot 655 and the eastern half of lot 656.

Location: Fine Arts Theatre8554 Wilshire BoulevardBeverly Hills, CA 90270

Beverly Hills, California 7.5-minute USGS Quadrangle,Universal Transverse Mercator (UTM) Coordinates:Zone 11, Easting 372844, Northing 3770265Latitude: 34.06529/Longitude: -11 8.3779

Present Owner: Ferncrest International61 6 Arden DriveBeverly Hills, CA 9021 0

Original Use: Movie (motion pictures) Theatre

Present Use: Vacant

Significance:

The property is locally significant for its strong association with the early social, recreational, and economichistory of the City of Beverly Hills. It is also a prime extant example of an Art Deco designed localneighborhood movie theatre located within the boundaries of the city. As such, the property was found to beeligible for individual listing in the National Register of Historic Places because of its historical associations, ArtDeco styling (with Streamline Modern influences), and association with prominent theatre architect B. MarcusPriteca. The property has also been associated with a locally significant neighborhood theatre thematicgrouping.

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PHYSICAL HISTORY

Date of Construction:

Original permit date: November 5, 1 936; completed in 1 937.

Previous Venue Names:

Wilshire Regina Theatre (1 936 — 1 948)

Fine Arts Theatre (1948 — 1993)

Cecchi Gori Fine Arts Theatre (1993 — 2004)

Fine Arts Theatre (2005 — 2009)

Cecchi Gori Fine Arts Theatre (2009 — 201 0)

Fine Arts Theatre (2010 — present)

Architect:

Original Architect: Benlamin Marcus Priteca, Los Angeles and Washington; with Joseph Mush, Los Angeles.

Fox 1 948 Remodel Architect: Unknown.

Cecchi Gori 1 993 Remodel Architect: Joseph Musil.

Original and Subsequent Owners/Operators:

Joseph A. De Bell (original owner)

Fox West Coast Theatres

National General Theatres

Mann Theatres

Laemmle Theatres

Cecchi Gori Films

Ferncrest International (current owner)

Original Plans and Construction Information:

Original plans, as-built construction plans, and other relevant construction information were not discoveredduring the preparation of this recordathon document.



Building Condition:

The building is currently in fair condition. The interior spaces of the flanking commercial units with their small

mezzanine floors have been extensively altered and incorporated into the larger theatre space and

converted to use as restrooms and a concession stand that serves the theatre facility. The interior spatial

relationships that define the design and function of a neighborhood theatre (distinct foyer, lobby, auditorium

spaces, etc.); however, are still evident.

Building Permit History:

MO/YEAR DESCRIPTION OF WORK

May 1936 Office building (illegible)

Aug 1936 Steel sign tower ($1000); (stores and garage under construction)

Nov 1936 Motion picture theatre ($4000); building alterations “convert office building to theatre”

Dec 1948 Remove existing ceiling/replace with new ceiling in marquee, change name on marquee ($900)

Dec 1942 Addition of new stairs (second egress) from projector room ($500)

Dec 1948 Install temporary ticket office in store($500)

Dec 1948 Install small awning over window on west end of building ($40)

Dec 1948 Install double face vertical neon sign at center front of building ($2000)

Oct 1954 Install temporary bleacher seats on sidewalk for motion picture premier on 11-4-1954 ($75)

Aug 1957 Remove auditorium doors and build new light locks to aisles of auditorium ($3500)

Sept 1957 Enclose toilet and wash bowl ($150)

Sept 1961 New box office, new showcases, three new pairs of entry doors ($5500)

Nov 1961 Install temporary bleachers for premiere on Nov 21, 1961 only ($200)

Oct 1968 Install temporary bleachers for premiere on Oct 24, 1968 only ($200)

Nov 1991 Re-roof ($8800)

Apr 1993 Theatre remodel (lobby, auditorium, restrooms, concessions, selective demo, etc. ($100,000+)

Feb 2008 Install fire sprinkler system and evacuation system ($6000)

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HISTORICAL NARRATIVE

American Movie TheatresIn the year following the turn of the 2Oth century, moving picture theatres enloyed a remarkable rise inpopularity. Almost unknown in 1 903, there were between 5,000 and 10,000 moving picture theatres in theUnited States by 1910. A strong national economy and a rapidly growing population supported the popularentertainment business. The earliest movie theatres, often known as nickelodeons, occupied storefronts in themain streets of commercial districts across the country between 1 900 and 1 91 5. By 1 915, enterprisingbusiness people began constructing buildings specifically to house movie theatres.

Following the first quarter of the 20th century, movie-going became an established practice across the country,and patrons witnessed the birth of a distinctly modern and quintessentially American architectural creation, theneighborhood motion picture house. While theatres in the downtown areas became known as movies palaces,the neighborhoods boasted having their own movies houses. The unique development and functionalnecessities of the film business demanded more than imitation. The architects of this new building type werefaced with complex needs requiring a vast collection of rooms under one roof. Often times, neighborhoodtheatres were designed with flanking storefronts, a typical scheme of the 1 920s and 1 930s property type, toattract both shoppers and theatre-goers.

The exterior of these theatres helped to fill this role, using forms and styles that made them stand out fromtheir surroundings. As with earlier generations of live theatres and opera houses, the primary facades ofmovie theatres expressed the popular architecture of their day. Creative owners took advantage of stockterra cotta ornament to embellish the fronts of their theatres while others adopted the stylized features of theJazz era into their facades. By the 1 930s and 1 940s geometric Art Deco and Streamlined Moderne motifswere popular for movie theatre design. A broad canopy marquee, often accompanied by a toweringvertical sign, announced the building’s name and purpose. To make sure that nobody missed the message orthe latest film, tracer lights and/or neon were used to trim the often elaborate signs. To help sell tickets,ornately decorated box offices, typically stand along, were often added to the foyer area of theatres.Inside, the architects sought to impress theatre goers with an abundance of lobby space. Chair stands weretypically tailored to match the overall decor of the theatre. The auditorium lighting had to be sufficientlybright for patrons to find their seats, but otherwise subdued for proper atmosphere and film viewing. Covelighting was one solution; concealed by ornamental surfaces and features, cove lights bathed the auditorium ina soft multi-color glow. Backstage equipment included the usual rigging and lighting for stage performers, ifthe theatre was so designed for live productions. Asbestos curtains were included to shield the audience incase of fire on stage. Architects developed circulation patterns to ensure safety and convenience. Aidingtheir efforts were the theatre’s own the ushers, many of them uniformed and trained, who providing additionalassistance in entering and existing the auditorium. Together, it provided and defined the unique building typeof the local neighborhood movie theatre.

Fine Arts TheatreThe sublect property (currently vacant) is situated on an irregular shape parcel measuring approximate 1 32feet (west) by 63 feet (north) by 11 9 feet (east) by 60 feet (south). The theatre was built along thecommercial business thoroughfare of Wilshire Boulevard within the City of Beverly Hills and adjacent to theCity of Los Angeles to the east. The backside of the property (south side) abuts some of the City’s residentialhousing stock dating from the 1 920s and 1 930s. Because of its geographic location along Wilshire Boulevard



and near La Cienega Boulevard the theatre offered similar program features as the movie palaces indowntown Los Angeles or Hollywood. Typical of the period, the theatre was built with a central auditoriumspace with small stage, an entry foyer, and lobby, along with flanking commercial storefronts. Constructedwith approximately 800 seats the Wilshire Regina Theatre, as it was initially called, officially opened onApril 21, 1 937. The first program included a double featuring the films “That Girl from Paris” and “BlackLegion.” According to the newspaper advertisements of the time, the admission fee was 25 cents for adultsand 1 0 cents for children. When it was built the theatre featured a stand-alone ticket box in the foyer, afountain in the lobby, and a “theaterette” or crying room in the ladies lounge. The theatre changed handsand name (Fine Arts) in 1 948 when Fox West Coast Theatres took it over and remodeled portions of theexterior and interior to reflect the Post-World War II taste and trends of the time. It operated as a Foxtheatre for several years with a seating capacity of roughly 700. Re-launching as the Fox Fine Arts, theopening feature on December 28 was the film “The Red Shoes.” The anchoring storefront units continued tooperate over the years as various commercial ventures, including a shoe shop, barbershop, ladies clothingstore, etc.

The property continued to operate as a Fox West Coast theatre house for several years eventually changingownership to the National General Theatres and then Mann Theatres. Laemmle Theatres purchased thebuilding in 1 984 and operated it until 1 993 when it was taken over by Cecchi Gori Films. It was at this timethat the theatre underwent major renovation to its interior features. The remodeling work included theconversion of the flanking retail shops into additional spaces of the theatre. In addition, Art Deco inspireddecorative features and furniture were added to the lobby and auditorium areas as part of the renovationwork. And a larger movie screen was installed in front of the original elevated stage area. Almost then yearsafter re-opening the Cecchi Gori Fine Arts Theatre closed in 2004. A year later the theatre was leased to theScreening Services Group and re-opened in 2005 with the U.S. premiere of the film “Mrs. HendersonPresents.” During this time it was utilized primarily as a rental venue and the theatre was then equipped tohandle multiple film and video formats, including 2K Digital Cinema and Dolby Digital EX. In 2009, CecchiGori Films took over ownership of the theatre once again and operated it for a short time. The venueultimately closed in the fall of 2010 and has remained vacant since that time.

Page 6

ARCHITECTURAL INFORMATIONThe voluminous one-story movie theatre designed by B. Marcus Priteca exhibits many key features of the ArtDeco, Streamline Moderne style, including its asymmetrical marquee and stepped tower. With approximately6,862 square feet of space the building has a rectangular shape footprint that fronts Wilshire Boulevard.Architecturally, shallow setbacks, reeding, and a strongly geometric pattern articulate the tower and theparapet on either side of it. Below the parapet, the north (primary) elevation of the stucco structure containstwo storefronts and the centered theatre entrance. This floor plan configuration with central theatre space and

adlacent flanking storefronts typify the kind of local movie theatre design that was prevalent in SouthernCalifornia in the 1 930s.

Architectural details include reeded piers that anchor the corners of the building while a horizontally groovedban tops the openings. The storefronts have been re-glazed and the once recessed storefront openings havebeen pulled to the northern property line. The once open foyer has been enclosed with aluminum framedglazing, double doors and a faux partially reconstructed non-original ticket booth. The marquee, with theexception of its name, is original as are its accented miniature “pilasters” and neon lighting.

In terms of the historic interior spatial relationships of the theatre the foyer, lobby and auditorium with narrowstage are still evident. Despite previous interior modifications made to the foyer, lobby, and flanking shopunits, the auditorium space still retains some early elements of its original use and design, including the metaltheatre seats, narrow stage, racking floor, quilted wall coverings and plaster ornamentation on the side walls,decorative sunburst feature on the ceiling, reeded curved entrance walls into the auditorium from the lobbyarea, reeded plaster columns at the rear doorways adjacent the stage, and floor to ceiling expressionisticpainted murals of palm trees on both side walls of the stage (murals are severely deteriorated andcompromised). The highly ornate metal light fixtures on the ceiling in the auditorium replaced original fixturesas part of the building’s remodel in 1 993.

The Cecchi Gori film company took over the property and renovated it in 1 993. Theatre designer JosephMusil, who also assisted in the re-model of the El Capitan Theatre in Hollywood and the Crest Theatre inWestwood, brought his colorful, but historically unsympathetic theatrical flair to the re-christened Cecchi GoriFine Arts Theatre. The entire lobby area was remodeled and enclosed at the sidewalk frontage withaluminum double glazed doors. The front of a faux stand-alone ticket booth was built and sandwichedbetween the flanking glazed double doors. In addition, the lobby was enlarged by encroaching into theflanking storefronts and extending the rear wall of the lobby slightly into the auditorium space. A new, largerscreen was installed several feet in front of the old proscenium to accommodate wider film aspect ratios. Thisre-configuring and the use of somewhat wider seats reduced the theatre’s seating capacity to 41 0. Thestorefront space (8552 Wilshire Blvd.) to the west of the lobby was converted into a full concession standwhile the other storefront space (8554 Wilshire Blvd.) was re-modeled to allow for the expansion of thewomen’s restroom (for more stalls and sinks). The original “theaterette” (crying room) window from theauditorium to the women’s restroom area was also coveted over as part of this work. The theatre’s originalArt Deco neon marquee and façade; however, were not touched by the 1 993 remodel and remain essentiallyunaltered today.



SOURCES OF INFORMATION

Architectural DrawingsNo original or as-built drawings were uncovered during the preparation of this photo-recordation document.The City of Beverly Hills does not have copies of the original architectural plans.

Historical ViewsCinema Tour — Cinema History Around the World.

Los Angeles Public Library, photography database.

Bison Archives — Marc Wanamaker, Hollywood, California

InterviewsNo interviews were conducted as part of the compilation of this photo-recordation document.

Bibliography

Publications

Blumenson, John. Identifying American Archifecture. New York, NY: W.W. Norton & Company, 1981.

Cinema Tour. “Cecchi Gori Fine Arts Theatre,” www.cinematour.com.

Cinema Treasures. “Cecchi Gori F.A. Cinema,” www.cinematreasures.org.

Edwards, T.J. Cinema Tour — Cinema History Around the World website. www.cinematour.com.

Harris, Cyril M. American Architecture: An Illustrated Encyclopedia. New York, NY: W.W. Norton & Company,1998.

Los Angeles County Tax Assessor. Parcel Maps, Index Map. www.

McAlester, Virginia & Lee. A Field Guide to American Houses. New York, NY: Alfred A. Knopf, 1 997.

Naylor, David. Great American Movie Theatres. Washington, D.C.: Preservation Press, 1 987.

Sanborn Map Company. Insurance Maps of Beverly Hills, California. New, York, NY: Sanborn Map Company.

Stote, Helen M. The Motion Picture Theatre: Planning and Upkeep. New York: NY: Motion Pictures Engineers,Inc., 1 948.

Valentine, Maggie. The Show Starts on the Sidewalk: An Architectural History of the Movie Theatre. NewHaven, Connecticut: Yale University Press, 1 994.

Wanamaker, Marc. Early Beverly Hills (Images of America). San Francisco: Arcadia Press, 2005.

Wanamaker, Marc. Beverly Hills, 7930-2005 (Images of America). San Francisco: Arcadia Publishing, 2006.

Page 8

Whiffen, Marcus. American Architecture Since 1780, A Guide to the Styles. Cambridge, MA: The MIT Press,1993.

Newspapers and Periodicals

Los Angeles Times, “Showhouse Construction Takes Advantage of Low Costs: Theater Work Planned,” 4 May1930, p. Dl.

Los Angeles Times, “Theater and Store Building Planned,” November 29, 1 936, p.E4.

Los Angeles Times, “Display Ad -- No Title,” April 20, 1 937, p. 1 3.

Los Angeles Times, “Classified Ad -- No Title,” April 21, 1 937, p. 1 5.

Los Angeles Times, “Classified Ad -- No Title,” April 22, 1 937, p. 11.

Los Angeles Times, “Regina Will Be Renamed,” December 14, 1 948, p. A7.

Los Angeles Times, “Gala Event Due Dec. 28,” December 20, 1 948, p. B7.

Los Angeles Times, “Heiress Will Star Rath bone,” December 28, 1 948, p. 14.

Los Angeles Times, “Display Ad -- No Title,” January 3, 1 949, p. B7.

Los Angeles Times, “Rites Held for Joseph De Bell; Philanthropist, Investor, Builder,” January 1 6, 1 977, p. B2.

Los Angeles Times, “Architecture on the Grand Scale: Theaters Are Gems of Design,” June 21, 1 981, p. J25.

Likely Sources Not Yet Investigated

Other potential sources that may have additional information on the sublect property include the following:

Library of Congress: Washington, D.C. (on-line resources have been verified)

• Huntington Library: San Marino, CA

• UCLA Research Library: Los Angeles, CA

• UC Santa Barbara Architectural Archives: Santa Barbara, CA



PROJECT INFORMATIONThe Fine Arts Theatre building has been evaluated for historical significance on a number of differentoccasions. The property has been found to be historically significant and as such is considered a historicalresource for the purposes of CEQA.

The proposed project calls for the rehabilitation of the exterior features and remodeling of the interior spacesof the existing movie theatre located at 8554 Wilshire Boulevard. The current structure is proposed to beremodeled into a luxury movie theatre with three separate screen rooms within the existing buildingauditorium space. Other work also includes renovation and remodeling of the lobby area, restrooms, foyer,staircase, and adlacent concession stand area. The existing mezzanine level would also be modified to addhallways, prolector room, office space, and employee locker rooms. Exterior work includes renovatingportions of the building’s storefront configuration on the north elevation and restoring and repairing otheraspects of the building’s façade (i.e. marquee, signage, lighting, etc.). The building’s west and southelevations would also be renovated. As a condition of approval for the proposed project the City requiredthe preparation of a photo-recordation document that documented in digital photographs the extant buildingin its current condition prior to any changes occurring to its interior and/or exterior features.

The basic format and content of the document is consistent with the HABS guidelines and recommendations forHABS Level Ill recordation. It includes digital photography of the exterior and interior of the Fine Arts Theatrebuilding prior to any alteration occurring associated with the proposed project. A brief historical narrativeand architectural description has also been included as part of the recordation package.

REPORT PREPARATION INFORMATION

Prepared For: City of Beverly Hills

Community Development DepartmentPlanning Division455 Rexford DriveBeverly Hills, CA 9021 0

Prepared By: Jan Ostashay, Principal

Ostashay & Associates ConsultingP0 BOX 542Long Beach, CA [email protected]

Date: January 2013

Page 10

SKETCH PLANMain (First) Floor, Existing Conditions

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KEY:

1. Concession area

2. Lobby area with stairwells

3. Lounge

4. Expanded women’s restroom

5. Women’s restroom

6. Men’s restroom

7. Auditorium

8. Rear exit and stairwell (west)

9. Stage area1 0. Rear exit and stairwell (east)

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SKETCH PLANUpper Floor, Existing Conditions

KEY:

1. Auditorium space below2. Projection room3. Film storage room4. Stairwell to lobby5. Office6. Restroom7. Crawl space/ceiling rafters8. Stairwell to lobby9. Storage1 0. Rear office and stairwell (east)11. Rear office and stairwell (west)

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Page 1 2

SKETCH PLANMain (First) Floor, Original Configuration

KEY:

1. Shop unit w/mezzanine (west)

2. Foyer

3. Shop unit w/mezzanine (east)

4. Men’s restroom

5. Lobby with stairwells

6. Women’s restroom

7. Auditorium

8. Rear exit with stairwell (west)

9. Stage area1 0. Rear exit with stairwell (east)

0N



INDEX TO PHOTOGRAPHS

The subject property was professionally photo-documented on May 201 2 in digital, color format. Selectiveviews that best visually represent the property’s exterior and interior important features are itemized in thephoto log below and illustrated in the photographs that follow. All photographs of the property taken aspart of the recordation process have also been copied onto CDs and are included as supplemental fieldrecords in the bound report.

Photo Log

PHOTO-DOCUMENTATION: 1 1 exterior photographs (201 2)58 interior photographs (201 2)

Grins & Goosebumps Photography, Denise Dube, Photographer, May 201 2.

FIGURE DESCRIPTION

1 Exterior: NORTH ELEVATION (FRONT), LOOKING SOUTH

2 Exterior: NORTH ELEVATION (FRONT) AT DUSK, LOOKING SOUTH

3 Exterior: NORTH ELEVATION (FRONT) OBILQUE VIEW, LOOKING SOUTHWEST

4 Exterior: NORTH ELEVATION (FRONT) OBLIQUE VIEW, LOOKING SOUTHEAST

5 Exterior: NORTH ELEVATION AND PORTION OF WEST ELEVATION, LOOKING SOUTHEAST

6 Exterior: NORTH ELEVATION (FRONT) THEATRE ENTRY, LOOKING SOUTHEAST

7 Exterior: WEST ELEVATION, LOOKING SOUTHEAST

8 Exterior: WEST ELEVATION DETAIL, LOOKING SOUTHEAST

9 Exterior: NORTH ELEVATION DETAIL, FRONT ENTRY, LOOKING WEST

10 Exterior: MARQUEE DETAIL, LOOKING SOUTH

11 Exterior: SOUTH ELEVATION (REAR), LOOKING NORTHEAST

1 2 Interior: LOBBY-FOYER AREA, LOOKING NORTH

1 3 Interior: LOBBY-FOYER AREA, PORTION OF EAST WALL, LOOKING NORTHEAST

1 4 Interior: LOBBY AREA, EAST WALL, EAST STAIRWELL ENTRY (LEFT), LADIES RESTROOM, EASTENTRY PORTAL TO AUDITORIUM (RIGHT), LOOKING EAST

1 5 Interior: LOBBY-FOYER AREA, BACK WALL, LOOKING SOUTH

Page 14

1 6 Interior: LOBBY AREA, WEST WALL, MEN’S RESTROOM (RIGHT) AND ENTRY WEST PORTALTO AUDITORIUM, LOOKING WEST

17 Interior: LOBBY-FOYER AREA, WEST WALL AND SHOP UNIT SPACE (CONCESSION AREA),LOOKING NORTHWEST

1 8 Interior: WEST SHOP UNIT SPACE (CONCESSION AREA), LOOKING NORTH

1 9 Interior: EAST SHOP UNIT SPACE (WOMEN’S RESTROOM), LOOKING NORTH

20 Interior: EAST SHOP UNIT SPACE STOREFRONT DETAIL (IN FRONT OF WOMEN’SRESTROOM AREA), LOOKING NORTHEAST

21 Interior: LOBBY-FOYER AREA, MEN’S RESTROOM AREA WITH BACK SIDE OF WEST ENTRYPORTAL DETAIL TO AUDITORIUM (LEFT), LOOKING SOUTHEAST

22 Interior: AUDITORIUM, FRONT OF HOUSE, LOOKING SOUTH

23 Interior: AUDITORIUM, BACK OF HOUSE (EAST SIDE), LOOKING NORTH

24 Interior: AUDITORIUM, BACK OF HOUSE, LOOKING NORTHEAST

25 Interior: AUDITORIUM, EAST WALL WITH EAST EXIT HALLWAY TO CHARLEVILLE BOULEVARDIN VIEW (RIGHT), LOOKING EAST

26 Interior: AUDITORIUM, WEST WALL, STAGE AND WEST EXIT HALLWAY TO CHARLEVILLEBOULEVARD IN VIEW (LEFT), LOOKING SOUTHWEST

27 Interior: AUDITORIUM (WEST SIDE), LOOKING NORTHWEST

28 Interior: AUDITORIUM, SUNBURST DETAIL ON CEILING IN FRONT OF STAGE/SCREEN AREA

29 Interior: AUDITORIUM, SUNBURST DETAIL ON CEILING

30 Interior: AUDITORIUM, VINTAGE STEREO SOUND SYSTEM EQUIPMENT ON WEST WALL,LOOKING NORTHWEST

31 Interior: AUDITORIUM, CHAIR FRAME DETAIL, LOOKING WEST

32 Interior: AUDITORIUM, EAST EXIT PORTAL TO LOBBY, LOOKING EAST

33 Interior: AUDITORIUM, WEST EXIT PORTAL TO LOBBY, LOOKING NORTHWEST

34 Interior: AUDITORIUM, EAST EXIT HALLWAY TO CHARLEVILLE BOULEVARD (ADJACENTSTAGE/SCREEN, RIGHT), LOOKING SOUTH

35 Interior: AUDITORIUM, EAST EXIT HALLWAY TO CHARLEVILLE BOULEVARD, LOOKINGSOUTH

36 Interior: AUDITORIUM, WEST EXIT HALLWAY TO CHARLEVILLE BOULEVARD (ADJACENTSTAGE/SCREEN, LEFT), LOOKING SOUTH

Fine Arts Theatre Photo-Record ation Document


37 Interior: AUDITORIUM, WEST EXIT HALLWAY TO CHAR LEVILLE BOULEVARD, LOOKINGNORTH

38 Interior: AUDITORIUM, STAGE AREA (BEHIND SCREEN, LEFT), LOOKING EAST

39 Interior: AUDITORIUM, STAGE AREA (BEHIND SCREEN, RIGHT), LOOKING WEST

40 Interior: AUDITORIUM, FRONT OF STAGE (SCREEN, LEFT), LOOKING EAST

41 Interior: AUDITORIUM, STEPS FROM AUDITORIUM TO STAGE (BEHIND SCREEN), LOOKINGNORTH

42 Interior: AUDITORIUM, COLUMN DETAIL ON EAST WALL OF STAGE, FACING EAST

43 Interior: AUDITORIUM, MURAL ON EAST PROSCENIUM SIDE WALL, FACING EAST

44 Interior: AUDITORIUM, MURAL ON WEST PROSCENIUM SIDE WALL, FACING WEST

45 Interior: MEZZANINE LEVEL, WEST STAIRWELL LANDING, FACING EAST

46 Interior: MEZZANINE LEVEL, WEST STAIRWELL FROM PROJECTION ROOM, FACING WEST

47 Interior: MEZZANINE LEVEL, WEST STAIRWELL TO PROJECTION ROOM, FACING EAST

48 Interior: MEZZANINE LEVEL, ENTRY DOOR INTO PROJECTION ROOM, LOOKINGNORTHEAST

49 Interior: MEZZANINE LEVEL, PROJECTION ROOM, LOOKING WEST

50 Interior: MEZZANINE LEVEL, PROJECTION ROOM, LOOKING SOUTH

51 Interior: MEZZANINE LEVEL, PROJECTION ROOM, REEL WALL AND SPLICING EQUIPMENT,FACING WEST

52 Interior: MEZZANINE LEVEL, PROJECTION ROOM FLOOR, FACING NORTHEAST

53 Interior: MEZZANINE LEVEL, PROJECTION ROOM, VIEWING WINDOWS TO AUDITORIUM(SOUTH WALL), LOOKING SOUTHEAST

54 Interior: MEZZANINE LEVEL, PROJECTION ROOM, VIEW OF AUDITORIUM FROM VIEWINGWINDOWS, LOOKING SOUTH

55 Interior: MEZZAININE LEVEL, OFFICE AREA, LOOKING NORTH

56 Interior: MEZZAININE LEVEL, OFFICE AREA, LOOKING SOUTH

57 Interior: MEZZANINE LEVEL, EAST STAIRWELL LOOKING DOWN TO LOBBY, FACING WEST

58 Interior: 3rd FLOOR, BACK OF HOUSE, EAST STAIRWELL DETAIL LOOKING DOWN TO EASTEXIT HALLWAY, LOOKING NORTH

59 Interior: 3rd FLOOR, BACK OF HOUSE, EAST STAIRWELL MID-LEVEL LANDING, LOOKINGSOUTH

Page 1 6

60 Interior: 3rd FLOOR, BACK OF HOUSE, EAST STAIRWELL 3RD FLOOR LANDING, LOOKINGSOUTHWEST

61 Interior: 3rd FLOOR, BACK OF HOUSE, EAST OFFICE SPACE OFF EAST STAIRWELL, LOOKINGNORTH

62 Interior: 3rd FLOOR, BACK OF HOUSE, EAST OFFICE SPACE OFF EAST STAIRWELL, LOOKINGSOUTH

63 Interior: 3rd FLOOR, BACK OF HOUSE, MECHANICAL ROOM OVER STAGE, ELECTRICALPANELS, FACING SOUTH

64 Interior: 3rd FLOOR, BACK OF HOUSE, MECHANICAL ROOM OVER STAGE, VENT ANDWINDOW DETAILS, FACING SOUTHEAST

65 Interior: 3rd FLOOR, BACK OF HOUSE, MECHANICAL ROOM OVER STAGE, MACHINARYEQUIPMENT DETAIL, FACING NORTHWEST

66 Interior: 3tc FLOOR, BACK OF HOUSE, WEST STAIRWELL DETAIL, LOOKING NORTH

67 Interior: 3rd FLOOR, BACK OF HOUSE, WEST STAIRWELL DETAIL, LOOKING EAST

68 Interior: 3’ FLOOR, BACK OF HOUSE, WEST OFFICE SPACE OFF WEST STAIRWELL,LOOKING NORTH

69 Interior: 3’ FLOOR, BACK OF HOUSE, WEST OFFICE SPACE OFF WEST STAIRWELL,LOOKING SOUTH



PHOTO LOG FIGURES

Page 1 8

PHOTO LOG FIGURES

•1

FIGURE 10: MARQUEE DETAIL, LOOKINGSOUTH

FIGURE 11: SOUTH (REAR) ELEVATION,LOOKING NORTHEAST

FIGURE 12: LOBBY-FOYER AREA, LOOKINGNORTH

FIGURE 13: LOBBY-FOYER AREA, PORTIONOF EAST WALL, LOOKING NORTHEAST

FIGURE 14: LOBBY AREA, EAST WALL, EASTSTAIRWELL ENTRY (LEFT), LADIES RESTROOM,

EAST ENTRY PORTAL TO AUDITORIUM(RIGHT), LOOKING EAST

FIGURE 15: LOBBY-FOYER AREA, BACK WALL,COOKING

FIGURE 16: LOBBY AREA, WEST WALL, MEN’SRESTROOM (RIGHT) AND WEST ENTRY

PORTAL TO AUDITORIUM, LOOKING WEST

FIGURE 17: LOBBY-FOYER AREA, WEST WALLAND SHOP UNIT SPACE (CONCESSION AREA),

LOOKING NORTHWEST

FIGURE 18: WEST SHOP UNIT SPACE(CONCESSION AREA), LOOKING NORTH

FIGURE 19: EAST SHOP UNIT SPACE(WOMEN’S RESTROOM), LOOKING NORTH

(CONCESSION AREA), LOOKING NORTH

FIGURE 20: EAST SHOP UNIT SPACESTOREFRONT DETAIL (IN FRONT OFWOMEN’S RESTROOM), LOOKING

NORTHEAST

FIGURE 21: LOBBY-FOYER AREA, MEN’SRESTROOM, BACKWALL OF WEST ENTRY

PORTAL TO AUDITORIUM (LEFT)



PHOTO LOG FIGURES

0%

FIGURE 22: AUDITORIUM, FRONT OF HOUSE, FIGURE 23: AUDITORIUM, BACK OF HOUSE, FIGURE 24: AUDITORIUM, BACK OF HOUSELOOKING SOUTH LOOKING NORTH

( EAST SIDE), LOOKING NORTHEAST

FIGURE 25: AUDITORIUM, EAST WALL WITH FIGURE 26: AUDITORIUM, WEST WALL, STAGE FIGURE 27: AUDITORIUM, BACK OF HOUSEEAST EXIT HALLWAY TO CHARLEVILLE AND WEST EXIT HALLWAY TO CHARLEVILLE (WEST SIDE), LOOKING NORTHWESTBOULEVARD (RIGHT), LOOKING EAST BOULEVARD (LEFT), LOOKING SOUTHWEST

FIGURE 28: AUDITORIUM, SUNBURST DETAIL FIGURE 29: AUDITORIUM, SUNBURST DETAILON CEILING AT FRONT OF STAGE/SCREEN ON CEILING, FACING WEST

FIGURE 30: SOUND SYSTEM EQUIPMENT ONWEST WALL, LOOKING NORTHWEST

FIGURE 31: AUDITORIUM, CHAIR FRAME FIGURE 32: AUDITORIUM, EAST EXIT PORTAL FIGURE 33: AUDITORIUM, WEST EXIT PORTALDETAIL, LOOKING WEST TO LOBBY, LOOKING EAST TO LOBBY, LOOKING NORTHWEST

Page 20

Içfu

PHOTO LOG FIGURES

FIGURE 35: AUDITORIUM, EAST EXITHALLWAY TO CHARLEVILLE BOULEVARD,

LOOKING SOUTH

FIGURE 34: AUDITORIUM, EAST EXITHALLWAY TO CHARLEVILLE BOULEVARD

(ADJACENT STAGE/SCREEN, LEFT), LOOKINGSOUTHEAST

FIGURE 36: AUDITORIUM, WEST EXITHALLWAY TO CHARLEVILLE BOULEVARD

(ADJACENT STAGE/SCREEN, RIGHT), LOOKINGSOUTHWEST

\ Lf

FIGURE 37: AUDITORIUM, WEST EXITHALLWAY TO CHARLEVILLE BOULEVARD,

LOOKING NORTH

FIGURE 38: AUDITORIUM, STAGE AREA(BEHIND SCREEN), LOOKING EAST

FIGURE 39: AUDITORIUM, STAGE AREA(BEHIND SCREEN), LOOKING WEST

\‘ .

FIGURE 40: AUDITORIUM, FRONT OF STAGE(SCREEN LEFT), LOOKING EAST

AUDITORIUM TO STAGE (BEHIND SCREEN),FACING NORTH

FIGURE 42: AUDITORIUM, COLUMN DETAIL ONEAST WALL OF STAGE, FACING EAST


Fine Arts Theatre-8 554 W i I s h I r e Blvd.

PHOTO LOG FIGURES

Page 22

PHOTO LOG FIGURES

— er’FIGURE 55: MEZZANINE LEVEL, OFFICE AREA,

LOOKING NORTH

FIGURE 52: MEZZANINE LEVEL, PROJECTIONROOM FLOOR, FACING NORTHEAST

FIGURE 53: MEZZANINE LEVEL, PROJECTIONROOM, VIEWING WINDOWS TO AUDITORIUM

(SOUTH WALL), LOOKING SOUTHEAST

FIGURE 54: MEZZANINE LEVEL, PROJECTIONROOM, VIEW OF AUDITORIUM FROM VIEWING

WINDOWS, LOOKING SOUTH

1’

FIGURE 56: MEZZANINE LEVEL, OFFICE AREA,LOOKING SOUTH

FIGURE 57: MEZZANINE LEVEL, EASTSTAIRWELL LOOKING DOWN TO LOBBY,

FACING WEST

FIGURE 58: 3RD FLOOR, BACK OF HOUSE,EAST STAIRWELL DETAIL LOOKING DOWN TO

EAST EXIT HALLWAY, LOOKING NORTH

FIGURE 60: 3RD FLOOR, BACK OF HOUSE, EASTSTAIRWELL 3RD FLOOR LANDING, LOOKING

SOUTHWEST

FIGURE 59: 3RD FLOOR, BACK OF HOUSE,EAST STAIRWELL MID-LEVEL LANDING,

LOOKING SOUTH


Fine Arts Theatre-8554 Wilshi re Blvd.

PHOTO LOG FIGURES

F,

MECHANICAL ROOM OVER STAGE,MACHINARY EQUIPMENT DETAIL, FACING

NORTHWEST

FIGURE 67: 3RD FLOOR, BACK OF HOUSE, FIGURE 68: 3RD FLOOR, BACK OF HOUSE, FIGURE 69: 3RD FLOOR, BACK OF HOUSE, WESTWEST STAIRWELL DETAIL, LOOKING EAST WEST OFFICE SPACE OFF WEST STAIRWELL, OFFICE SPACE OFF WEST STAIRWELL,

LOOKING NORTH LOOKING SOUTH

FIGURE 61: 3RD FLOOR, BACK OF HOUSE,EAST OFFICE SPACE OFF EAST STAIRWELL,

LOOKING NORTH

FIGURE 62: 3RD FLOOR, BACK OF HOUSE,EAST OFFICE SPACE OFF EAST STAIRWELL,

LOOKING SOUTH

FIGURE 63: 3RD FLOOR, BACK OF HOUSE,MECHANICAL ROOM OVER STAGE,

ELECTRICAL PANELS, FACING SOUTH

FIGURE 64: 3RD FLOOR, BACK OF HOUSE,MECHANICAL ROOM OVER STAGE, VENT

AND WINDOW DETAILS, FACING SOUTHEAST

FIGURE 65: 3RD FLOOR, BACK OF HOUSE,

FIGURE 66: 3RD FLOOR, BACK OF HOUSE, WESTSTAIRWELL DETAIL, LOOKING NORTH

Page 24

APPENDICES/EXHIBITS

- Photographs

- County Assessor Map (Los Angeles)

- San born Fire Insurance Map

- Early Building Permits

- Historical Data


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U’s

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U) CD 0

Fine Arts Theatre, looking south

Fine Arts Theatre at dusk, looking south

Fine Arts Theatre, west elevation, looking east

Fine Arts Theatre, oblique view, looking southeast

LOBBY AREA, LOOKING NORTH

LOBBY AREA, LOOKING SOUTH

AUDITORIUM, LOOKING SOUTHEAST

AUDITORIUM, LOOKING SOUTHWEST

REGINA THEATRE (FINE ARTS THEATRE), C 1938

-

_

I-WELLES

FINE ARTS THEATRE, C 1948

FINE ARTS THEATRE, C 1950

COUNTY ASSESSOR MAP (LOS ANGELES)


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SANBORN FIRE INSURANCE MAP

Sheet 2304: Los Angeles, 1 906, Jan 1 951 vol. 23, 1 927 August 1 950 paste-up


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2365 _-----— —01

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.fill FINE ARTS!

REGINA WILSHIRE THEATRE

Sanborn Map paste-up 1951


EARLY PERMIT HISTORY

Page 38

.\U Apphcabons must b6llecl out by Applicant

PLANS SPEC1FIC&34dfSand ocher data must 3k6 be fred

DEPARTMENT OF BUiLDINGSApplication for the Erection of Buildings 1.0 936

CLASS--C1TO TH CITY Ft’fl, OF THu CiTY OF tIE VFRLY lliL.Lii:AppiritInn Ia hereby pladI- to liii- Cuuu-fl of the City of Beverly little. through the oflee of the Chief tuapeetor 01 BuIldtu. tot a permit iii eordanrr with Lhi d.-—i ittlints and fur thupurpoar hereinafter act forth. TbIe applirailert Ia made aub)eet0. Lh• folio log n:.41t lone, which shall be deemed eetsditicns entering into the esercise of the permitFIIIST •c permit doe. nut 5rant i.ny right or i.tl.11 gi In erect any hulidin; or usher etructur. herein de.tcrIbed, or‘57 portion theteuf, I5flfl •5)’ atteet, at1y, or tither pubtir place or portion thereolSSCQNI): That lb. t°rmli 4”.. not reant any rirhi or orivileec to tiac any hqlldtng or tth”r ettuctura therein described,n any portion thoreut. t..r city purpose that Ia. may b.’rrntt.rba protithited by u,.tinaiire iii ü, ty of fytl 11111..TMiKt) Thai i . t granting i.e the permit hue not tfeei or tsr. ..,j. city nato, it title to, or right of pusseeston to, Lb.ii’perty .o.cd ‘ .i”h permit.

14

lb

is35

Foundation Material

lot No. 655—f ioct Ileacription of Job)

No.

Tract

‘iSSC IN) OR INDELIBLE PENCIL)

1.2.3.4.S

6.

No. at families

tV

Purpose of Buitding Z..-.ea..€-coc. No ot RoomsOwners Name J,Owner s Addro.s , 7 ,..

Aeel,tvct’rName J.J. ,E.a.a-pa .%d’hone .Contrators Nanw f5—_-m..st, Phone (-1Cuntraccor’5 Address

VAt tjATION OF PROPOS1 ) L’.l l)t ,li’r :$eni’l. na. .31 Labor. tie J

Phone

Is there an existing building on totCkar Height of Ceiling: Bath. Fc’i)et

10.II.

12

How ut.ed?living Rooms

iStte I.iwtV Halls Cellars

Number of Stories .2. height to Highest Point 3GSize 0f Lot V x. Area at Lot Per Cent of Area Covered by Alt BuildingsIFW nut Item I on s... ii in ‘nac of Courts. Apartments, hotels only.)Set Back from Property Line Ittiluiditig toil, ..,.i. hays, porches, Ifront

tb Inn’ a eop., ci r.

Footing Width

Rear ‘°“

GirdersWall Width

x

Side

Depth Below Natural Ground

x

x

Mud Sills x

21)

Second Floor JoistsCeiling .loists x

Height of Foundation Above Finished Ctrad.Joist Clearance from Ground Posts Under Girders - x . -.Chimney Materiel No of tnteistn Flue Si,.et. flues x Thi:kness of Chimney WallMaterials of Exterior Walk aMerial of Interior ConstructionV.’ilt all Provisions of State Dwelling Ilousc Act complied with?IEX1ERIOR Studs INTLRLOR BEARING Studs.. x ... interior Non-Bearing Studs

Roof Rafters x FIRST FLOOR 3OLSTS.__..x._.....Roof Material.

.

l.o.st;on of Plumbing (leanoucs :. Depth of Seer ‘Y” Sewer Length Fall per ft...........I have carefully examined and read the above application and know the same to be true and correct,and that all provisi..s of the Ordinancea’and Law governing Building Construction will be complied with,whether herein specified or not.

Sipn Here,c2 r1edij

FOiL. t’i-:P.CILTMItX US

PERMIT t’10 tla,,e .-.td’-ctl..’,e clint k.uiAppitr.ilI(’n rhecke4 and tmindt Stamp hen. when permit I.V ‘sai to,t,..l rout... ii, i’ tirdi — O.l. is.uedittiticeC. t’tate Law,.. 1:1.-

I Plan lcsaminer..

\ ,

.. t

.11 Applications must be

6Q*td out by ApplicantPLANS SPEC1FICAT1O4‘nd other data

DEPARTMENT OF BUiLDiNGSApplication for the Erection of Buildings

• 14* TilI IITY it ‘tIlWTH CIPV OF BuVKIUY HIU.S:.pp-aifun I ti*.rtlq made là ihi- e.mncfl of ihc Citt ot BcEeri) HOle. thmngh the omce d tln’Cbkt tn*iprctor of Build-

mu.. ‘ra i..rt*ii, n i cnrde with tbc dcii -ripihin and for thepurpose-hrr.Iustter set ronh. Tiappikathin le made subjectfit Ito- ftIittit1g .-iini1Itt*ns. which shall be dcrmed c-iindftlonw eitrrI mitt the exercise of the prrflji

I- I IL I -it I hr permit tltis ci t raui .toy Ight or prh II .. to rrrI sn bulldioK or oilier utmict ore ht-relu described or•

-V dttV p-a-lion ;..*r,tofupnh any strect, alley. itt other pnbllrplltw orporthia thereof..

-• , K4iiSls- Thi no pt-rout does not grant an rbht or prieilce. inUtit’ an blaltdVlug .r olIo’r strUcture thiacin described.ru I 1 4 r ..u p rita,- ii at I r nu4 Ii T at? rli ticohililt I liv i rønqncc nt the I itritttHererli Hilts

TI.’ I 1(1) Thu t ‘t tie !r1104 iI4$ of *1w io’rrnIt ttti.- nut tttcI it.’ prejudice any cinbi f!t tO Ic to, itt tight of p..ecestdnn b. thepIort’rt ,h.nilltc4 iti.stich iurn.it • V••

1 ; d .5 7 jloik Tract %J?YItescriptinu of Job) -_ , V

Nut. . ‘••.• 3’6•• •)i4.,4:%fir..e•

-- V (l.,tei&tiith of Propurtyt

- VVV - • •

- ‘USE 1NxoIDzuELEPENCaI Purpu u I ikt4d n 5i?/ /q,ilNo of

•i Ownct’s Narn •-T De.e/1: • V• -

-çV,.. /sAte j”5%64.• ‘4. .0 r’sddr.’u

-,

- • Nast-. Contractor’s amc:

-- 6. Contractors Address

S Al VA’] ION 01 PROPOSI t) hI D(.11fl1, C-n tting’ur c

Ic there an cxsring budding on Ii t‘

bi

i1td” ‘ ‘°7.I’ ?‘• Clear Height of Ceiling: Bath. l’oilet Living Rooms .. Halls Cellars ..-

• -- - V . - ,iSt.il.i Lawi-, -. -

C; tirnber of Stories Hetht to Highest Point- -r

11 Size ul Lot x Area of I in P r C ni of n.rra Covered by All Buildings —- VV

(Fiti o*t inooVi .ii it itt. ts,’ ,tfC..urtu, VApS,tnientt. lintel, only.) V V

1” S PCi k front Propvrt Ltnu ] 1*1 ti,diu, ii.. nit,’ tni porches tFronr Rear — Side114011 1 1 11

13 tuindatton Materiji I ootsng ‘.5 udth Depth Below tt’Jaturat Ground —

14 H ight of Foundation Aboic Finish d Grade ‘.5 nfl Width Mud Sills ...x33. •Jojt Clearance from Ground . -- - Girders • •• x. - - - Posts Under Gitdeta V

-X..

V

16 (hirnn 51 arcrual No of inluti o flue Sazus Flues x 1 hickness of Chtmney Wall —

17. Materials ci xcerior \Valts Material of Interior Consteuction . *

l& Will all Poeisioni of Sate Dwelling Housf Act be complied witb. V •,• - •• —19 [Xl I RIOR Studi it iN It R1O’ BLARING Studs at interior,’ Non Bearing Studs

x CLtlln.b. Ii isti ‘ Roof Rafters x fiRST FLOOR JOIST&_ -. x ——Second Floor Jo,stc x Roof Material

—— —

21) 1 oatic it of Plumbing C .anoutk Depth of $ewer Setter Length ., F r ftI hav en efuth u’eimtne and xead thu zbot application and know the same to be e and correct

nil *1 a 1 ft (Tuic1c 1 ci tite-Ordinanuec and I att gut rning Ottlding Construction will complied withih ilur Ii tell s1t-il,d e r n it

=

f Ositer ic Authorized Agent)-

- V •• ‘ - • ‘riflt I)KPAflTMEtT rsi o,..k.i’i V _•___ - -

PERMIT I%JO 1’bnmo S’” tkeAptuu1”ui’,uuuut,-”k- anti roon, uamj, li wh n j,’1it 15• •

itil fit.,d 1” ton (trio ii Ordi. - - f-i_K. $ - Iratelli?eTttr I

V” -• ‘ - - Plan iunmtn.r [ • -

. “trek I ‘ V

- ‘

‘ :

- - -

Street • -

\o of3fami]tcs — -

Phone •••;

Phon€4I7Phone

All Applicationa muet be PLANS A. SPECWICATIONS

filled out by Applicant and other data must

DEPARTMENT OF BUILDINGSApplication for the Erection of Buildings

____

CLASS--CTO THE CITY cOUClL OP THE CITY OP EEYERL1Y HILLS:

Appilcatton hi hereby made to the CouncIl of the City at Beverly IHflt, through the office of the Chief Inspector of Build

ings tar a tiermtt In iecordance with the description and for the purpose hereinafter set torth. This application is made subject

to the following conditions, which shall be deemed conditions entering Into the exercise ot the permit:I’1RST: That the permit does not grant any right or privilege to erect any building or other structure herein described, 0?

nny portion thereof, upon say street, alley, or other public place or portion thereof.SECOND; That the permit does not grant any right or privilego to use any building or othor structure therein described,

r any portion thoreof, for any purpose that is. or may horoatterhe prohibited by ordinance of the City of Beverly Hills.THIRD: Thnt the granting of the permit (bC! not affect cc prejudice any claim of title to, or right of imaseesion In, the

property tlescrihed in such permit.

Lot -. 2. .. Block___..(Description of Job)

No. ..... ..S’4 _.. Street(Locution of Property)

ad1flIDLtBLEY

___

I. Purpose of BuildinfltCi!7. I F of Rooms.... .__.No. of families

2. dwnr’ Name s1i2ç/i8f4 __...__..Phone

3. Owner’s Address .JLLfbV” --

4. Architect’s —._. .__Phone —

5. Contractor’s Name.o Ld22e/Z... .... _........_Phone .J&

6. Contractor’s Addrcss....... .. _.._ .

7. VALUATION OF PROPOSED BLDG.1luciudngpIumbingGuaFItttng,Sew1,d’ I

H. Es there any existing building on ...,....How used?9. Clear Height of Ceiling: Bath, Toilet.... ....__..Living Rooms ___....HaIts....____.Ceibrs —..--

(State Law)

tO. Number of Storks... ..I2_e.................... Height to Highest ._.. .-

it. Size of Lot._.i._.x..........___Area of Lot.._ .....Per Cent of Area Covered by Alt Bullding&_.(Fill out Item 3 on No. 11 In case of Courti, Apartmenta, Hotels mily.) J t -

I 2. Set Back from Property Line J Including balconies, bays, porches, tfrot..L.-.. RcarL.__ Side17

chimneys, steps, etc. 4

13. Foundation MateriaI./Q_, 2C....Footing tVidth ...........Dcpth Below Natural Ground____

14. Height of Foundation Above Finished Gradc........_....Wall Width_ _Mud Sills__. x -

15. Joist Clearance from Ground_.__.Girders -- x _.._.._Posts Under Girders — x —.

16. Chimney Materia1.._..No. ofjnlcts Co Flue............Sizes. Pfucs....... x_._.Tbickncss of bijianv W L____.

17. Materials of Exterior WalisA S’?Z%t.......Matcrial of Interior COnSttUCt1On’22V / -. yI1,t .‘-‘

18. tViIl all Provisions of State Dwelling House Act be complied withL.,S — -

9. EXTERIOR Sruds.........x.. INTERIOR BEARING Studs.- x --Interior Non-Bearing Studs -

..........x____.Cciling Joists ... x........ Roof Raft _.x...__,FIRST l9RjOISTS

Second Floor Joists x Roof MarcrialC’t)2Zt7c’fT\ir/- .--:

20. Location of Plumbing CCeanouts.._.......Depth of Sewer “Y ..._Sewcr Lcngtb___Fall per ft._____

I havc carefully e’at,ined and read the above application and know thc same to be true and correct,and that all provisions of the Ordinances and Lawa governing Building Construction will be complied with,whether herein specified or not.

-- (FOR DEPART?dENT USE ONLY)

pERM IT NO L’lna & Speciflcatlon. checked Application checked and found Stamp here when permit Iiand found to contorm to OrdI O.K. ISSUed

- minces. State Laiss, Etc.

Foes C41T—ttt-$.41—W. P. k 5. Cc.

All Applications must befitted out by Applicant

.PlANS AND SPECIFICATIONSand other data must also be filed

DEPARTMENT OF BUILDINGS

Application for the Erection of Buildings

ZONE -FIRE DISTRICT TYPE ‘_GROUP DIVISION_________

TO THE CITY COUNCIL OF THE CITY OF BEVEBLY HILLS.Appitcattoc 1, hereby made to the Council of the City at Beverly 11111., through the dIce at ttve Chief Impector of Buildings far a permit

In accordance with the description and for the purpose hereinafter act forth. Tide application Is made subject to the toltowlog conditIons, whichshall he deemed conditions entering Into the eserciso of the jwmilt:

FIRST: That tita permit does not grant any right ot privilege to erect any building or other itrucure herein described, or any portiontbareol, spn any street, alley, or other public ptaca or portion thereof.

SECOND: That the permit does not grant a,ty right or prlvHeo to use any building or other stnwt,tr therein described, or any portionthereof, for any purpose that te, or may hereafter he prohibited by ordinance of the City of Bcverly ItWe.

TIURD: That the gmnting of the permit does not affect or prejudice any claim of title to, or right at passesalon In. the property describedin such penal:.

FOWITH: Applicant agrees to hold the City of Berorly hills, and all aEcers and empinycea harmless from all cotta and damages, per5cc. Il.2O(t), Beverly huh Municipal Code.

Lot No. Block Tract 34f1fDescription of Work 1j’pvt? Y15 7/A/6 I& ‘rIc PNI AEPAJ

t-rI/ ij/iW ct?tjjAtJh’ MR’4E 44t1Ah

Street aitci No4’J4 - (4’ I144t I t t f3J. L.’ O(Location of Property)

(USE INK OR INDELIBLE PENCIL)..r1.

2.

3.

4,

5,

6.

7.

8.9.

10.

IL

12.

Purpose of BuilcIing ThLE,4T IIE ... . .... No. of FnmHte

Owner’s Name_& T#ia Phn 4/

Owner’s AddrrssZ p 9’ a-’. fA’JAIi? 75//

Architect’s Name—--’ A1z

____________

Contractor’s Namo h’/hi 1NRiT CO1 City License Na-- 5tatc License No 4?6

Contractor’s Address ¼) 5’! W///T rIIJ’ f3L ThonoR1o4l4a

VALUATION OF PROPOSED BLDG. $[Vcothleting, Paiailog.’inh1ting, oh Labor, etc. j / “

State how many buildings NOW on ho’ How used?_____________________________________

Clear Height of Ceiling: Both, Toilet-_- living Rooms Halls Cellars(State Law)

Areas: 1st lIe- fir 3rd flr-_______ _._..4th fir- Ith fir-———

Totat floor are” No. of Siorks_.. Height to Highest Point____________________

Size of La’ - Area of La’ Per Cent of Area Covered by All Buildings(Fill out kern 3 out Nv. 12 in cane of Courts, Apartments, Hotels only.) - -

S Including balconies, bays, porches. - - .

Set Back from Property Line chimneys, elope, etc. Front Reae- Side—

Fottndetion Material Footing With Depth Below Natural Ground

Height of Foundation Above Finished Grud’ Wall Width Mud Sills

Joist Clearance from Ground Girders v -_Posls Under Girders

Chimney Mcterial_ No. of Inlets to Fluo Sizes, Flues Thickness of Chimney WaIL___

Materials of Exterior Walls Material of Interior Wail Sut-for,_

Will Provisions of Stoic Housing Act be complied with? (If Groups H. &L,

EXTERCOR Stu’ls iNTERIOR BEARING Studs Interior Non.fleoring Studs

Ceiling Joist’ v Hoof Rafters _v FIRST FLOOR JOISTS .__

Second Floor Joists Hoof Material__________________________________________________________

13.

Jut,

15.

16.

17.

18.

19.

20.

I have carefully examined and read the above application and know the same to be true and correct, and that alli)toViens of the Ordinautces and Laws governing Building Construction will be complied with, whether hereirt specifiedor not.

NOTE: If work is not started within ninety days this permit expires. Application for refund ot permit fee must be madebefore expiration dote.

(Sign Here)

p E

/L’M 1A161?T Af/OA1 E,

(FOR DEPARTMENT USE ONLY)fOwueror Authorized Agent)

I R M I T- N 0 Plane & Sped5cetlons checked and Plans red Application rechecked Stamp here when permit Is istuad.I • tound le conform to OrdInances, and appcnvrd.I Soce Laws, Etc.

I .r.L

[

j\-

Phin

__________

.r.on ce1—Itt-4.1t—w. P S.C.,



ZONE FIRE DISTRICI TYP GROUP DIVISION —

TO TilE CIT’t COUNCIL OF THE CiTY OF BEVERLY PIUS:ApplIcation 1, limeby made to the Council of the City of &vezly 111111, through the otice at the Chief Inspector of Buildings for a permit

In gctordace with the descriptIe sad for the purpose hereinafter ott forth. Thu application (a made subject to th0 following condhlans, whichshaft be deemed conditions entering into the exercise of the permit:

FIRST: That the permit does not grant any right oy privIlege to ct-vet any building or oilier structure herein described, or any portionthereof, upon any Street, alley, or other public place or portion thereat,

SECOND: That the permit does not grant any r1glst or pdvtleo to rue any building or other structure therein described, or any portionthereof, far any eurpose that 1g, or may hereafter lie prohibIted by ordinance of the City at Beverly 11111g.

THIRD: ‘that the granting of the permIt does not affect or prejudice say claim itt title to, or right of pomeatlon In, the property desceibodIn inch: garrett.

FOURTh: Applicant apart to hold the Ctty of Beverly Hill,, and all ailcare s::d employer: harmtts, from itt costs and damages, perSec. 11.206(f), ilecerty *1111. Municipal odc,

Lot

1.

2.

3.

4.

5.6.

7.

8.9.

10.

U.12.

13,

14.

15.

10.

‘7.

18.

‘9.

20.

Second floor Joists -v_ - —Roof ‘i---’ -‘

PE R M I 1’

rnc 1’- 14$

All Applications must befilled out by Applicant

.PLANS AND SPECIFICATIONSand other data must also be filed

No. Latc Licente

Purpose of

Owncr’e

Owner’s

Architect’sContraclor’Contractor’s

VALUATION OF PROPOSED BLDG. ‘ gncs0i7atng andVentilating, Painting. Finishing, all Labor,

State how many buitding NOW on tot IClear Height of Ceiling: Both, Toilet T.iving

(Stats Law)Areas: 1st fir— 2nd llr— 3rd fir- 4ih th.,./t-’-—5th fir—

Total floor aren No. of Storipe 4i4t to Highest Point____________________

Size of Lot Area of Lot P cut /1i( Cofered..ofl Buildinga(Fill out hem S on No. 12 In c of Aparinients,1H only.)

5 IncludIng balconies, ha aSet Beck from Property Line ebimneyc, ateps, etc. Fron Roar ctd

Foundation Material ‘ Footing tth —“ flcpth e1orc.1aturaI Grountl

Height of Foundation Above Fintslted Cr Wail Width Mud Sill,

Joist Clearance tram Grop G Posts Under Girders

Chimney Material ‘ of Inlets to Flue - cizcs, Flues x Thickness of Chimney WaIL_.....

Materialo of Exr1r Walls Material of InterIor Wall Surfaccs_____

Will Provisi of State Housing Act be complied with? (If Groups H. & 1.)

_____________________________________

-:

EXTERIOR Studs w INTERIOR BEARING Stuil Interior Non-Bearing Studs

- --Ceiling Joists- —‘ Roof Rattcr& w- - FIRST FLOOR JOISTS .

I have carefulty examined end read the above application ottd know the same to be true and correct, and that allprovisions of the Ordinances and Lairs governing Building Construction will be complied with, whether herein specifiedor not.

NOTE: If work Is not started within ninety days this pe - cx ‘res.Application for refund of permit tee must be madebefore erpiration date. /

(Sign Hero) LL.L...,(Owner or Authorized Agent)

(FOR ARTMENT USE ONLY)

O found to confarifia Ordinances, and approved.Stain Laws,

N “‘ SpeelficatloD CheVkrd and Plans and Application rechecked Stamp here when permit it hssue

fiE -

7L----.c-::-Z•

/ BuildIng hnapector -- -

r

.Term C3O7—5tt—34T—W. I’. S 5. Va.

.



Descripiipn;f WorL._1 J7 7z17. ‘1-r

Street and (%LtL%L__’(Locoilon of Property)

(USE INK OR INDEUSLE PENCIL)

Architect’s Na i4A_Phe t.e

Contractor’s Nama -- -City License No. —--—State Licensa No- - - ‘

Contractor’s Address P1

VALUATION OF PROPOSED BLDG. $t Veniflaitus. Pstntb, FinIshing, 0it Labor,

______________

Stnte how many buildings NOW on lot OTL.C_-,- How uscd? - 4’

Clear Height of Coillng: Bath, Toilet Living Room-a__ Hulls Cet1nraf5tatet.aw)

Areas: 1st fir. - —2nd fir,..... nrd fir- 4th fir---- 5th fir_______________

Total floor nre° — No. of Storic&_... height g t t Point -.

Size of Lot _x Area of Lot Per Cent of Area ered by All Buildings —

(FBI out Item 3 on Ko. 12 in cete nt Courts. Ape eta, Hotels only.) ‘ •-.-.

f Teciading balconies, hays, porches, , -

Set Back Cram Property Line (chimneys, itcss, etc. F a’ flcnr_ Side -

Foundation Material Footing Wit Depth Below t”uturaI Groan’l

Height ot Foundation Abose flnisherl Cm Wall Whit ud StIl° -._

Joist Clearance from Gmouwl Circle Posts Under Girders -.-

Chimney Material Na. of Inlets to Fl i

_______Thickness

of Chimney WalI_

Materials of Exterior Wall ‘i i Interior nil Surfaces

Will Provisions of State Housing A c complicvft . Groups H. & I.)

EXTERIOR Studs INTE ?I)f.M’A7 G Studs. —x_.. Interior Noa.Bearing Studs .

Ceiling J . -._Y__ of Roftcr& - FIRST FLOOR JOISTS. ic__... -

-

Second Floor Joists Roof Id anal

I have carefully examined and rend die above application and know the same to he true and correct, and that allprovisions of the Ordinances and Laws governing Building Construction will be complied wIth, whether herein specifiedor not.

- NOTE: If work Is not started within ninety days thi craft - ‘on for refund of permit fee must be madebefore expiration date.

(Sign Item’

z -,

or Authorized Agent)

/ FOR DEPARTMENT VSE ONLY)

P E R M i T N 0 ens & SpcctPcatloes checked end Plain and Appilcotton rccbeck’.d Stamp hare when permtt Is Issued.‘ found to conform to OrdInances, and approvJ.

. State Laws, Etc.

‘I’-+M ndnor


PLANS AND SPECIFICATIONSand other data must also be filed

ZONF_ FIRE DISTRICT - TYPE _GROUP DIVISION

TO THE CITY COUNCIL OF TIlE CITY OF BEVERLY HILLS:Application Is hereby made to the Council of the Ctty of Beverly ttIi1, through the alice at the Clilet Inspector of BuildIngs far a permit

In accordance with the description and for die pampas. hereInafter Set forth. This application Is made subject to tlio followIng conditions, which

nisali be deemed conditions entering into the exercise of the permit:FIRST: That die pariah does not grant any right or privIlege to erect any building or other structure herein described, or any portion

thereof upon any street, alloy, or other public place or portion iliercnt.SECOND: That the permit does net grant any right or primlcco to use any Imuiding or other in:cturc therein described, or any portIon

Lbercot far any purpose that ii. .sr may hereafter be pruhibited by ordinesco ot the City of Beverly thus.THIRD: ‘[list the granting of the portals does not affect or prejudice any claim of title to, or right of possession In. the property described

in such permit.FOURTH: Applicant agrees to i,old the City of Beverly 11111,, and all aHccrs and employees morales, train all costs end damages. par

See. 206, Beverly Hills Mutilcipal Cede.

Lot N0_1._Bloek__- Tract 4t,8r

1.

2.

3,

6.

5,

6.

7,

8.9.

10.

11.

12.

13.

14.

15,

16.

17.

IS.

19,

20.

I-.& 7 ChkfDuildiEtor

-

.r, —s:—.ii.--w. r. & s.

Lot “

PLANS AND SPECIFICATIONSand other data must also be filed

DEPARTMENT OF BUILDINGSApplication for the Erection of Buildings

Description of Work 4’r4-L L .t4-2. S. 9 ‘4/A’ 1 ia...it’ o

________:..z:- EAt c,p L

Street and No- H I

(Location of Praperir)

(USE INK OR INDELI5LE PENCIL)

Purpose of Buildin ___fl+EWt -‘ No. of Rooms— No. of Familb’i’

Owner’s Numei” EI/’f ThEf/ .Plion”

Owner’s AddresL 16 I”

Arcbkect’s Narns Phons—

Contractor’s Nam 1t4L4t /M1 ‘1idIsV License No. state License No l

Contractor’s Addrcs” 8’t).Is .-ñA-7, Jrfs.e ‘Zv’-. . Phopl’ 2.-P-

VALUATION OF PROPOSED BLDG. $ i”Venittuting, I’alntlng, F1nfehfn, cii Labor, etc. I s

State how many buildings NOW on lot How used?____________________________________

Clear Height of Ceiling: Bath, Toilet I.tving Room’ -Halls Cellars- “.

(Siato Law)Areas: 1st fir- 9nd fIr. 3rd fir- --- 4th fir. 5th fir-_—

Total floor area - —No. of Stories Height to Highest Point___________________

Size of Lot -_-Area of Lot Per Cent of Area Covered by All Building”

fF111 out Item 3 on No. 12 in cue of Courts, Apattescate, Hotels onty.)

f Including hilcont aya, porchoalSet Back from Property Line 1 chimney,, step,, Front - Rear Side

,

Foundation MaterIal a ig With - Depth Below Natural Ground7

Height of Foundation Above Finished C ‘ Wail Width Mud Sills.... ‘-

Joist Clearance trorn Grout: Gir _Poats Under Girders _y

chimney Material. No. ott to Flue! Sizes, Flues__. Thickness of Chimney WalL...........

Materials of Ecterior Walls / Material of Interior Wall Surfaces_________________________

Will Provisions of State H u n A bee mplicd with? (It Groups lt& 1.1

__________________________________

EXTERIOR Stu . INTERIOR BEARiNG Studs --.-_Interior Non.flearing Studs

_____________c

un j Roof Rafter” __v FIRST FLOOR JOISTS

Second Floor lois -‘ Roof Material —

t have carefull) cx ed and teat! the above ajiplicetion and know the same to he true and correct, and that altprovisions of the Or in cci and Laws governing Building Construction will be complied intl:1 whether herein specifiedor not.

NOTE: If work is np started within ninety days thIs permit expires. Ajipfication for refund of permit tee must be madebefore expiration dCte. s ?/Afc.

(Sign Herc) tt. -Z7y (Owner or Authorized Agent)

(FOR DEPARTMENT USE ONLY)

rechecked I Stomp here when permit Is liaised. -

DEC 1B48 .

-.

chief Building inipectot

At) Applications must befilled out by Applicant

.

ZONE FIRE DISTRICT TYPE GROUP DIVISION__________

TO TH CITY COUNCIL OF TUE CITY OF BEVERLY HILLStApplication Is hieseby made to the Councit of the City of Beverly Hill,, through the office of the Chief Inspector of Buildings [or a permit

In accordance with the description and for the purpose heretnetter act forth. This appiicattan it made nubject to the following condftlon, whichshall be deemed conditions entering Into the excretes at the permit:

FIRST: That the permit does nut grant any right or privilege to erect any building or other structure herein described, or any portion

thereof, upon any street, alloy, or other public place or portion thereof.SECOND: ‘That the permit does not grant any right or privilege to use any building or other structure therein described, or any portion

theecof, for any pprposc that is, or mar hereafter be prohibited by ordinance of the City of Bcverty’Ililu..THIRD: That the granting of the permit does not affect or prejudice any claim of title to, or right of possession In, the properly described

In such persub. . -

FOURTh: Applicant agrees to hold the Oty of Beverly Hill,, and alt officers and cauptoyrca harmless from alt coStS and damages, perSec. 11.206(t), Beverly 11111, Municipai Cede.

1.

2.

3.

4.

5.

6.7.

8.9.

10.

11.

12.

‘S.

14.

15.

16.

IT.

‘a

19.

20.

p E R M i T N 0 Plan, Sc SpedReatlesi ekeckad and Plans nod Applicationapproved.

tore, C-S —mx—z-u—w. r. &


PLANS AND SPECIFICATIONSend other data must also be filed

(Location of t’raperty)(USE INK OR INDELIBLE PENCIL)

Purpose of Buildisig 77fIF_ 1 No. of Rooms. No. of Families 2

Owners Nom- Tffi?I7EAI 5 ....__________

Owneris AddressArchitect’s Nom’ Phono’ _,

i

Contractor’s Name A A1/A’4)Q7’ Ni!tu1t 0, City License No. _State License No-#Z ZD

Contractor’s Address 4”DI t,J#tTrUF $JL.t.’IJ. e’’LJ1, Ptzonp

VALUATION OF PROPOSED BLDG. fng} ________________Ventilating, Pointing, Finishing, alt Labor, etc.

State how many buildings NOW on tot How used’ -

Ctcar Height of Ceiling: Bath, Toilet Living Rooms Hells CelIars__ _L(State Low)

Areas: let flr - —_

!nd fIr. 3rd IIr._......... — ,__4itt fir. 5th fIr——-

Total floor arco - No. of Storiw’g Height to Highest Pain’

Size of Lot. Area of Lot — Per Cent of Area Covered by All Building’ ..--,

(Fill oat Item 3 on No. 12 In case of Courts, Apartments, Hotels only.)

f including balconies, bays, porches, -.

Set Back from Property Tine chimneys, seeps, tic. Front Rear ..._Sld

Foundation Material Footing WitlL Depth Below Natural Ground

Height of Foundation Above Finished Grade Wall Width -Mud SIlls v.Z

Joi5t Clearance from Grounrt. —Girders. _ x....__Posts Under Girders ‘ --

Chimney Material No. of Inleb to Ftur ...__.Sizcs, Flues..._..._j Thickness of Chimney WaILLL

Materials of Exterior Walls —_

Material of Interior Wall Surfac

Will Provisions of State Housing Act be complied wiih? (It Groups H. & l.). -:

EXTERIOR Studs x. INTERIOR BEARING Stude-—

Interior Non-Bearing Studs

Ceiling Joisesc Roof Rafters _x FIRST FLOOR JOISTS x.._...,Second Floor Jolsis__! Roof Material --

I have carefully examined and read the above application and know the same to be true and correct, and that alltrovisions of the Ordinances end Laws governing Building Constructian will be compllcd with, whether herein specifiedor not,

NOTE: If work is not started within ninety days this permit expires. Application for refund of permit fee muit be madebefore expiration date.

-

(FOR DEPARTMENT USE ONLY)

P E R U I I N 0 PLans & Specifications checked and‘ Found to conform to Ordinances,

State Lows, Etc.

p1 n,

b1fM,AIAflT ,V/.b 0(Sign Here)

C arc or Authorized Agent)

Plans end Appllcatton rechecked Stomp here when permit to issued.end approved. - -

-

______

ding Jnapsctot - -,, -



ZONE FIRE DISTRiCT. TYPE GROUP DIVISION_________

TO THE CITY COUNCIL OF THE CITY OF BEVERLY HILlS:Application is hereby made to the Council of the City of Heverly Hills, through the oflico of the Chkt Inspector of Buildings for a permit

In accordance with time description and for the purpose hereinafter set forth. Title appllcatioii Is made subject to the following conditions, whichshall be deemed conditions entering into the exercise of the permits -

FIRST: That the permit does not grant any r4ght or privilege to erect say building or other .Lnlctaro herein dasceibed, or any portionthereof upon any street, alley, or other public piece or portion thcrcnf.

ECONI): That tho permit does not grant any right or privilna to use any building or other tiructure therein described, or any portionthereof, for any purpose that (a. or may iiereaftcr ho prohlWted by ordinanco of the City of Barony 111th.

THJRO That the granting of the permit does not afTect or prejudice any claim of tub to. or right of possession tn, the property describedin such pennlt. -

FOURTH: Applicant agrees to hold the City of Dererty 11111,, and alt officers and emp1oyee itanniess horn all costa and damages, perSee tl.206(f), Beverly Hilts htuntctpai Code.

flinchLot N’s-Description of Wnrh -

yg 2!3±A1T% i’iLoAIT .-

IA) .c7r2LL -l — A J FA-LI l/1T, W1i4)‘I’. —

24t W/LSN)1 1JifrO

%‘“t(

1.

2.

3.4.

5.

6.

7.

2.9.

10.

“.

12.

fE4/tI

13.

14,

15.

16.

if.

18.

19.

20.

eea,4 raSaR-Sbi-fl•5s.w.S.L..bO.


Application for the Erection of BuildingsZONE FIRE DISTRICT WPE__GROUP DIVISION -

TO THE CITY COUNCIL OF THE CITY OF BEVERLY HILLS:Application Is hereby meda to she Council of the City of Beverly Huh, through the oEce of the Chief Inspector of Buildings for a permit

In accordance with the description and for the purpose hereinafter set forth. ThIs application Is made subject to the following conditions, whichshall he deemed conditioni entering into the exercIse of tha permIt:

FIRST: That the permit does not grant any right or privilege to erect any building or other structure herein described, or any portionthereof upon any Street, alley, or other public place or portion thereof.

ECOND: That the permit dues not grunt any right or privilege to use any buIlding or oilier structure therein described, or any portionthereof, for any ptrposo that ii, or may hcreaftor be prohibited by ordinance of the City of Otvcrly 11111!.

THIRD: [hat the granting of the permit dues nor affect or preindice any debt of title to, or right of possession In, the property describedIn such permit.

FOURTh: Applicant agrees to hold the City of Beverly Hills, and alt officers end employees harmless from all costs and damages. perSec. 11.206(f), Beverly Hill. Municipal Code.

Lot No. 6 Block Tract________________

L Description of Work_/ . ‘6’ C.

5 - 7;c’ /‘ h4.’:-,e

______________________________

21 se....’ ,c., .i’€ ‘,Pc:14

(State LAw)N... of r

All Applications must befilled out by applicant

PLANS AND SPECiFICATIONSand other data must also be filed

2. Street and No. fAJ 5 7-P - L’i.2.(Locatton of Prcperty)

(USE INK OR INDELIBLE PENCIL)

____________________________o.

of R.....

;Jv.w Aq4__

4;, •J5rS-%

.No. of Chimneystttli fir ,I, a..

3. Purpose of Building . ........... No. of Families—4.. Owner’s Name “?7-s *4’p” Phone5. Owner’s Address -44” -‘t 5’ ‘

6. Architect’s Name - -. State License No. Phone7. Engineer’s Name C4tat License No. PhoneB. Contractor’sNanie’ YG’?.’ - _ 2’cifLicenso No. 74’ State License No. 3’’9. Contractor’s Address 7..T 9 A”O, ‘3?..

_____________

10. VALUATION OF PROPOSED BLDG. 1 urn siWs,EiCCtric1 s Z1. Ventilating, Painting, Finishing. all Labor, etc.

11. State how many buildings NOW on lot How used?____________________________________12. Clear Height of Ceiling: Bath, ToiLet I4ving Rooms —Halls - Ccflar-_

13. No. of Baths___________________ ...

______________________

14. Areas: let fir. 2nd fir. 3rd fir. ,_. .... .. -

15. Total floor area No. of Stories Height to Hihicst Point____________________16. Size of Lot -

_________trea

of Lot Per Cent of Area Covered by All Buildings --

(Fill out Item 3 on No. 16 In case of Courts. Apartment., Hotels only.)f Including balconlcs, hays, perches, 1

17. Set Back from Property Line chimneys, steps, etc. Front Rear Side18. Foundation Material Footing With Depth Below Natural Ground19. Ht-’ight of Foundation Above Finielted Grade Wail Width Mud Sills x20. Joist Clearance from Ground Girders x Posts Under Girders21. Materials of Exterior Walls Material of Interior Wall Surfaces_______________________________

22. EXTERIOR Studs_ x INTERIOR BEARING Studs x - Interior Non.Bearing StudsCeiling Joists x Roof Rafters x —- - FIRST FLOOR JOISTS...——-——x..............

Second Floor Joist&. K Roof Covering Roof Pitch

I will comply with the State Labor Code and Workmen’s Compeneatian insurance Provisions.I have carefully examined and read the above application and know the sonic to he true and correct, and that all

provisions of thc Ordinances and Laws of the City of Beverly Hills and the State of California governing BuildingConstruction will be eomplicd with, whether herein spcci5cd or not.NOTE: It work is not started withits ninety days tids penilit expires. Application for refund of permit fee must be modebefore expiration date.

(Sign Here) 1.Vt7%’& S C- t4 (Owner or Authorized Agent I

(FOR DEPA1VIENT USE ONLY)

P E R M I 1 N 0 Plans & Specillcadons checked end Plans and Application rechecked Stamp here when permit Is Issued.found to contorm to Ordinances, and approved.State Laws, Etc. - , —

Oi’I ‘7 l9%

‘‘‘ PlEamI

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The greatly reinvigorated Investment demand for apartment.

houses in Los Angeles area, ap.

parent soon after the first of thisyear, has intensified to the extent that an estimate of this sit.

San FernandoValley PtopettiesPurchased

Large RevenueTularci’lpton dairymen

ceiveci $297,9S1.35 for their 0her production, the ,largest sOctober revenue In sl years.

uation places the number ofsuch sales thus far in 1tt6 at $30with a combined valuation of$33,000,000.

This activity and volume oftransactions are disclosed in aswdy just completed by theApartment Association of LosAngeles County. Inc.. and arcseen reflecting investment stim.ulat ed by occupancy increaseand higher rental returns.

Construction is scheduled In hest:,rted on a theater and storehui:dlng at the corner of \Vil.shire Boulevard and StanleyDrive. I3everly Hills, tar .t. DcBell of Ilevcrly Hills. B. MarcusPriteca and S. E. Sonnichsen arethe archttects.

The proposed structure willre. contain a theater auditoriumto with a seating capacity of 750C ersons and two storerooms. it— tvlll be of reinforced concrete

and brick construction and teillhave ground dimensions 60 by120 feet.

Work Startedon School Addition

tVnrk has been started on aonc.story and basement additionto the classroom building at theFtolly•avenue school site, Hollyavenue and Duarte Road Ar.cadla. Contract at i1,530 wasawarded to John W. Thlescn ofPasadena. Paul t(lngsbury is thearchitect.

RoskEence ScheduledA t6,000 residence Is to he

erected at 285 North Saltair avcflue tot’ Froth. MacMurray it.will contalti nLn rooms an 1 totiave ground dl tncnslons forty’lIve by flfty.four feet.

&CREAGE ONPAlISADES BOUGHTFOR $150,000

The last undeveloped parcel of

icrcage in Pacific Palisades

ronting on Roosevelt Highway

‘etween Santa Monica Canyonmd flel-Air Bay Club was bought‘luring the week for 5150.000 bythomas M. Miller from the SantaMonk-a Land and tvater Corn.’.any. it was reported by the lat.er. The purchase price estab.jshcd a new record for sales inham territory, it was stated.The new owner Is to Invest

30.O(X) in the immediate eonitruction of a unique automobilean to occupy the lbwer ten acres.tecording to L. A. Hardie. salesmanager ot the land and waterompanv. The heights ate to beieveloped as eciuslvc residen.:ial sites.

Ic. Miller Is a wcll.known uh’itlr. having been associatedli Ft. .1. Whltley. one of theeiopers of Hollywood and Sanmandn Valley.

rmt Issued for4,000 Dwelling

‘crmnlssion has been grantedthe building department forstructinn of a 814,000 rcsicc at 5031 Havcnhurst avenueMerritt B. Gerstad. P. P.

wis is the architect and Henrycy Is the builder.

APARTMENT-HOUSE SALES REPRESENT HUGE VALUATIONLos Angeles Times (1923-Current file,), Nov 29, 1936;ProQuest Historical Newspapers: Los Angeles Times (1881-1987)pg. E4

APARTMENT-HOUSE SALESREPRESENT HUGE VALUAItON

In the final quarter of theYear, such transactions havetransferred ownership of variousof the largest apartment build.ings in the city.

Ptirchase of an estate on Sher. Considering all classifications

man Way. San Fernando Valley. of housing. which, of course,

by Mr. and Mrs. .Iack Doyle Includes apartrnent.houses. the

trorn ob Whitworth and John associations survey estimates

F). Bac.So. for 57500. it’as one of that. the average rent increase

the San Fernando area sales an. here this year has been between

nounced during the week. ? rs. 12 wI 1 per—ecnt.

Doyle is Judith Allen, moti a.picture player.

A flve.acre tract on Enc no ‘[heater and Storeavenue was bought by Gorc ontVart’en of Hollywood ft mMary Hond of 1.’orm. wa.ne or Buitding Planned pl2,500. according to the rep irttrom the Vhit.worth organ a- $tion. I mmctliatc improvctfle its

olanned by Mr. Warren Inch doconstruction of a ninerc rnhome. swimming pool, ten tiscourts afldl stables.

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FORMER WISCONSIN RESIDENTS. OWN ITThe.obove-shpwn Georgitmn-type, nine.roon7 residence at 781 Mocolm avenue, West-wood Hills, has been purchased by Mr. and Mrs. Arthur W. Greenwood, former residents of Lokemilis, Wis,, from Sam J. Katz. Land and structure,i represent an investment of approximately $16,500. Th dwelling’s site Is egst of th University of Calllomb atLo Angeles, Irm residential area developed by Janss lnvestmert Corporation.

&

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.

CAMEO “Time. Sousre Lady”526 s. nowy, “OUR RELATIONS”MUted 1674 (All Seats tile)

COZY326 , ROWY. “ROBERTA”— “CIMARBON”

— DOWNTOWN BROADWAY THEATRES, INC.

OLYMPIC witi Uogrr,6th & RflWY. “STATE FAiR”MiehItdfl 6272 “FRONT PAGE”

ORPHEUM Cite ‘an—on 5tae6th 4 DOWY, “Her Husband Lies”Mltn 112,2 “NAVY SPY”

PRESIDENT “HOLY TERROR”6th 4 ROWY. Jesnette MacDonaldMIchl. 6272 Nrteon £dd7

“MAYTIME”RIALTO

SIC & BOWY,Mhhiein 0272

TOWER6th 4 BOWY.U ichIis 6272

Phi ACE —Miriam Hopkins

Lee Dixonma , nnwv, Men Are Not GodsMiehlpo r272 Ruby Keeler

OIUFI“Ready Willing and Able” “THE GREAT O’MALLEY”

Crole Lombard-Fred MacMurraycc • i For Additional Downtown flroadwy Thea-Swing Highs Swing Low ire., Inc., Information Call

SANTA MONICA — BRENTWOOD — SAWTELLEELMIRO IacMuray-OteteIe, NUARTSANTA MONICA “Champagne IV*Iti.” $AWTELLE “Borderland”SM, 22144 “Ynit Oni,’ Live Onre” WLA 2.1700

MAJESTIC F.rrol r’ynnJan, flarwefl - Lout; WI1,on

SANTA MONICA “GREEN LIGHT” “Laughing at Trouble”LU, 22406 “4 DAYS WONDER”

WILSHIRE John flarrymore TIVOLJSANTA MONICA “Bill ot Divorcement” 1AWTELLE “Daniel Boone”S. U, 20693 ‘Love’ 1911101’C TUtsk1i,t’ WLA 1(1154

rentwood “Bulld.ø Orunm.od -in, £. Drown - ?‘ls1sp March

11611 Wit.,5flIfl Cepm” “Generel Spinky’ “vVhen’s Your Birthday”WI.. A. 14t77 Snecisi Attraction

. WHITTIERROXY “Man Who Reclaimed IWARDMAN “FiIcyrnvmerw Stint, 111* Stead” IWUITTIERWHITTiER “Adventure In Minhltten” 14)422 AFFAiR”WHITTIER Static Frtdayl J FF.RXAND CRAVETWHITTiER “OUTCAST”423261 “TaD Town” King and Chorus Girl”

LONG BEACH — WILMINGTON8iCONT William Powell ILEE William Pow4)15 E. 2ND. “One Vay Faucet” 2071 E, 4TH, “Arter the Thin Mm”Stoat “s Men on a nor.e”162352 “Uiider Your Snelt”

EBELL. P*tricla Ellis IAVALON “UNDERCOvER MAN”3rd 4 CERRITOS “l,nve flegin, at IWILMINGTON Johnny Mark Drown51066 “BENGAL TIGER” t “No Man of dIet Own”

SUBURBAN an COMMUNITYSTRAND “DLACK LEGION” EGYPTIAN GARBO-TAYLOR -

BELVEDERE 606. “SEA DSVIt.S” MAYW000 “CAMILLE”AN;tlits 3607 BIg Acts Vaudryille LA. 5434 ‘WIIITE IIUNTF,R”

GARDEN “t,arcepv on the Air” MONTROSE GARBO-TAYLOR446 Tlerayh Rd. “Lady From Nowhere” MONFROSE “CAMILLE”AN. 14444 Free Chin* to Ladle; “We’re On the Jury”

MADRID Stattt Tburedar ORANGE Slmont Simon.CANOGA PARK “BELOVED ENEMY” ORANGE “SEVENTH HF.AVEN”

Selected Shorti “HAPPY CO LUCKY”

OVINA Jensle Matthews OX’NARD COME EARLYCOVINA “Hesd OnUr Heel. In Levi” OXNARD “Last of 21t6, Cheyne,”11091 “LaughIng at Trouble” nerd RI “REiltflflAt’IDT”

MERALTA Edmund LoweDOWNEY “Under Corer at Nlrht”4106 “SECRF.T VALLEY”

YOSEMITEEAGLE ROCkA L, She

El Ce’ttroBROAD WA’i’

FILLMORE “Don’t Tell the Wife”FICLUOOE cuy 1’ibbee -

HUNTINGTON “RHODES”HUNTINGTON PE. ‘RED LIGHTS AHEAD’I E.G InC

SEVILLE iIce Fay,INGLEW000 “SING dIARY SING”

“CraIg’a_WIf,

UA JLLA “ADVENTURE INGRANADA MANHATTAN”

PALM SPRINGS MAIOR FEATUREPALM SPRINGS Sefectod Short SubjectsRENNIE Claire Trtyor,SAN FERNANDO “TIm, Out icr Rewire.”

Sp,clal Attraction

MISSION —EARPHONES—PLAYHOUSE “SoldIer and the LatIn”SAN GABRIEL “Miitdrr Geeo_ti Celled.”

GEM Boris RacIal?SOUTH GATE “Man WI’e Lived Aril”

“Slti at Children”

SOUTH GE tVHhlim Powefl,SOUTH GATE “Atter The Thin Man”LA. 1W — “WOMAN WtSE”

UPLAND Pst O’BrienUPLAND “The GreaL O’Maflev”

“They Winted 0. Marry”

MISSION “YELLOW CARGO”VEHIUSA Conrad Nagcl

LYN WOOD Edmund Lowe CONSULT tHE DAILY GUIDE FORLYNW000 “Under Cover a)LylIwncd 533 “Don’t Tell he wit.” REST IN THEATER ENTERTAINMENT

Classified Ad 1 -- No TitleLos Angeles Times (1923-Current File,),’ Apr 21, 1937;ProQuest Historical Newspapers: Los Angeles Times (18$ 1-1987)pg. 15

LOS ANGELES — N1GHBORHOOD

AMERICAN4727 8. ODWY.AOe,t G56I

I ARLINGTON2317 W, WASH.PArkay IHU31

BALbOA “PARK AVENUELOGGER”

JEANETTF. MacUONALD’NELSON EDDY

“MAYTIME”

I LOS ANGELES — DOWNTOWNARCADE “Girl From 111th Ave.”534 5, GDWY, “Tilt. GLASS KEY”MUtual 2120 tAll Stats lIe)

MILLION S “You Only I,ive Once”BROADWAY it 3rd, “hATS OFF”MIchigan 0761 Stenn:39_Wendar Arliut;

XIE “SEAICC S. BOWY. DEVILS”MUtual 7011

Grrgc flrent’lteyerly Roberi.

‘God’s Country & Woman’GRAND A:isi.i Program730 5, Grand “SODEUKOKAW’MU, 5121 Added Swedish Shirt Flit,,,

TOWN444 5, HILLTiJ,frer 41)7

BROADWAY (larbo-Tayjor42* , nowy, “CAMILLE”MIehI;a 11272 “Plough & the Stars”

‘Br, Jekyll & 3lr, Bide’Fredrlc Mrc)t, ‘MaryHurt,,, Foeltir,,’ Sidney

“DAMAGEDGOODS”

ADAMS vtucilturrmy-Oakle METRO “CLARENCE”ions w, ADAMS “Champagne I’’aIIt” 4720 W, WASH. “I Promime to Pa,”PAtk4ty 3454 “WIiITF, IiIJNTER” WHItney 4913 SPecial Attraction

“STATE FAIR,” Wilt PARK “Cutilut Girl I Wind”“IIIDEOUT”Rogers. “With Love 5525 N. FIGUEROA Spetlal AttractIonandKtisea.” Tomlin AL 0654

“Old’, Cauntry 4 W.mun” PLAYHOUSE Deanna Durbln,“CAMILLE” 1254 W, 7th, “ , SMART GIRI.S”

— —Spetttt AttractIon VAndik. 6579 ‘WtNTERSET”

- —- -

PRINCESS Errol Flynn “CHAIOGE6105 8. MAIN OF i,IGIIT BRIGADE”

“Stare Thin Secretary”

REGENT Merle Obtrnn4012 8, VERMONT “HEI,OVEI) ENEMY”AD.mi 7023 “GENERAI SPANK?”

BARD’S Michael Whalen RIVIERA Melvyn DotIginsCnanshsw.Ado,n,PAtkwy 3105 ‘Time Out for Romance’ 5002 W. ADAMS “IVomen at Glamour”

OReish 1301 “CJ,ARENCE”JEANETYE MacBONALD-NELSON EDDY bYAL “OUR RELATIONS”

“MAYTIME” 1716 5, MAiN ROSE HOIVL”

CENTURY Merle ObeconSnerlal Attrttlon

ro*:s a, nOW’n’, “BEI,OVEO ENF-3t1” STRAND tCont. from 1 P.M.)THaruwull 3133 “SEA DEVILS” 4411 8. DOWY, “HOLY TERROR”

ADam. 6144DRIVE—IN Joacok Caflela 3tIRlAI HOPKINSPIce Wautwoed “Man of the People” “MEN ARE NOT GODS”Fitzroy 2111

JOE E, RROWN-htAflIAN MARSII -______________________________

‘When’s Your Birthday?’ SuN “36ad Holiday” Edmund14th W, PICO Lowe, “2 in a Crowd”

Mills g’redrlc March,willi Joel MeCrea

3511 8. CENTRAL “Anthony Adrerne” TIVOLI Dick PowtIi“Come COnner Folke” 4210 9. CENTRAL “ON TilE AI’ENUE”

HOLLYWAY Stachturray-OakIe’ADam’ 73*7 “SEA DEVILS”

1623 SUNSET “Chemnagne IVlta” TROJAN “LET’S MAKEMUtual MGI “SEA PEVIC,S” 931 W, IvIl,,, Blvd. A MILLION”

PR, 9661LA TOSCA “a SMART GIRLS” Gary Cnoper-Je,n Arthur

2030 6, VERMONT “Here Comes Carter” PLA1NSMAN”tAil Seats lilt.)

Manchester “PAROLE RACKET” [CTORIA “Dvil’s Mayground”Manchester 4 Odwy, Errol Flynn Pico at VERMONT Bruce - DouglagTWioxaks 6171

“GREEN LIGHT” “WOMEN OF GLAMOUR”6 BIG ACTS VAUDEVILLE SPECIAL ATTRACTiON

MAYNARD “I,rginn at TerrOr” Wa5hington ‘CRAIG’S IVTFE.’ JohnBolrst “EI’ERl’TIIING2466 W. WASH. ‘I4’eek End MillIonaIre’ w. WASH,

PArkway 7167 Special Attrscthofl IS ThUNDER”

MERALTA Rdmun Lowe, YRK - “DANIEL BOONE”ms E, 1ST, ‘tInder Cnvrr at NIght’ 44 Vent BInd, “PAROLE RACKET”AN. 7614 ‘Men wtte Wetted Miracle.’ Al, 5013 Special AttractIon

. LOS ANGELES — WILSHIRE DISTRICTAmbassador “STOLEN HOLIDAY,” RAMPART “Happy Co Lucky” -

3400 WILSHIRE Kay FrancIs- TenIc at RampunlDRen,I 7000 Claude Ralno FE, 0820 Lee Tracy

EL RE”t”‘ portion “SOLDIER AND “CRIMINAL LAWYER”Wilihlre A Burnald,, THE LADY” SPECIAL ATTRACTIONYOrk 0688

Chorles Ruggles-APice Drxdy WILTERN “PLOUGH AND

Ill4

THE STARS”“vlint’l Ynur ‘wn Rndnpec” WIl,hlraat Weitrrr

I’GRAND OPENING Clark Gable - Joan Ctawtord

Wltehtr Nest Tonight—6 P.M, ‘LOVE ON THE RUN”La Cleeea

MQLLTOODHUNLEY’S Deanna BurMa, ORIENTAL — “WHITE HUNTER” -

31i5 Hnllywwd Bind, “Three Smart GIna.” 7423 SUNSET “WE’RE ON TOTEOLympia 4111 ‘Nepalen5..isIdy Retires’ HIiliIda 1148 JURY”

LSFELIZ (leone Brent CALL HILLSIDE I 14$ FORVdnmant at Fr*nklln “Gad’. CeUntry & W.man” SIAL ATTRACTIONOLYmpIa 2188 “You Only Live Once”

MARCAL U, S. flo,’t Film VOGUE Boric Kantoff -

6025 Hollywead Blvd “TIlE PLOW THAT 6875 Halbywsnft Blvd. “BLACK ROOM”HEmpuiend 7500 BROKE THE Pt,AINS” FREE PARKING

Errol Flynn Clark Gahlr.Car&e Lombard“CHARGE OF LIGhT DRIGADE” ‘NO MAN OF HER OWN’(Alt Seats SOc Tnt, Laces—Tree Parking)

VISTA WIllIam Lowell CONSULT THE DAILY GUIDE FOR3410 SUNSET “1ait ot Mt., Cheyfley” BEST IN THEATER ENTERTAINMENTOLCmpta 5206 “BREEZING HOME”

PASADENA — ARCADIABARD’S “BRITISH AGENT” STATE Gary CooperCeinraie .1iRI “Larceny an the Air” PASADENA “THE PLAINSMAN”g,’I’7rd 72444 Special Attraction Cilsride 4643 “ - “A,, Old Spinl,h Cuitma”

FAIR OAKS ‘IVINTERSET,’ Burg WASHINGTON I’redrfc Macrh15 N, FAIR OAKS Meredith, aHo 645 1, WASH, ‘ANTHONY ADVERSE’C,I’rade 2359 “FLYING BOSTESS” Sten1Ie fli4O “The Plot Thickens”

PARK flick Powell — CAD1A Last Time Tenight1273 N. FAIR OAKS”Gold Digger, at ‘.17” ARCADIA. CALIF. “ON THE AVENUE”NIper 3115 “Sinner Take All” “flt.ACK LEGION”

PASADENA flomphrey Botatt CONSULT THE DAILY GUIDE FORPASADENA “BLACK LEGION”Ferrite 322-1 “SIng Me a Lore San;” BEST iN THEATER ENTERTAiNMENT

“Ged’s Cautny & WeaaW’“SEA DEVILS”

“Cauntty CouqineIVallace fleer,’

“QLD DUTC1I”‘PADREE

- COREEDA”

5ELECTED SHORTS — LATEST NEWS ON ALL PROGRAMS

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission,

‘Thit Otri Iran POOiI’°

“BLACX T.EGION”

II

TloA4Iooi

BEVERLY Litrxt Mickey Mouse

QUALITY SnOT

I Simxne Simon3smr. Stewart

SEVENTH HEAVENi Boulevard 50003 510310 1* Sf10100

Wuw. aid V.rm,nt GREEN LtflhtT1I,5 at Time

ICalifornia A DOCTOR’SNTlF DIARY

SimoSImon..Jsmso

ISEVENTH HEAVENCARLTON The Great OMalicyFCEEpARl(INO When Love In YsunCARMEL Tb, Great O’M.lIcy0103 Scott Mrnioi Virginia Bruce

I2720 When Love Ii Vox,e

EMBASSY CRIStONAL iWEa333 b, Woolen, Victor S0oLauir

IFREE PAnKINS SEA DEVILSFAIRFAX Dote, Open R:55Osonrin at FaiotoO Hoe Hrabood’a Ocototajy

MAYTtME

FIGUEROA (DooroOernitir,)

1tt pt01 QUALITY STREETCarol, Lombard-Feed MacMurray

ISwing High, Swing LowFILMARTE STARTS23.Vir, FRIDAY!. An Hocdlne.Maey AatoE. C. 5.03.0.0. A,..

— HOUDAYI Dub Poo,Pi.Arn Deorak.Fy,d AIi.e

THANKS A MILLIONFLORENCE Lnot Duet

Rlv NObODY SAW. Grace Moore-Corp Grnot

IWHEN YOU’RE IN LOVEGolden Gate MARCH OF TIME5171 WhittIer Clod. Fair Warning

I , Eceonod Gruvrt-iann Dh.odrit

IKING & CHORUS GIRLHERMOSA Wi Hao 003 M*0n,021HERMOOA 124

SEVEPATII 310AVENHighland * Soijoe Scoy3054 5. P1010014 When You’re to Love

MAJOR PREVIEWI APOLLO Wii. it Rho Uornlep

Hoilyvoodor. Walcott CPanllttd.Pio.Il.U,oI.

IFoe. PoohIvo tewop—Loot xl Mc,. Chevy.yEGYPTIAN Cont,frem 12:30p.m.P1,4,1,,. iSO A FAMILY AFFAIR

IFOcnrtoiflombntd.yrr4 MacMurray

Swing High, Swing Low

IIRIS lCovt. 13 Nnovlusse Hellyvood Sled. DANtEt, bOONEFe,. Pueblo, Loot at Sip.., Chrreoy

I“LIoten On To Fox OVest Cox,t Theatre,‘Slorttme’ T,esday. 7:00 cm. On KU!”

I Alexander OrlHt.Uury Urine05,00 34525 Romance nd RIchco

IMAJOR ‘, PREVIEWCAPITOL * CONT. DAILY0Uo00 CIRCUS GIRL!United Artisix * Cant’. 0a3yBLIMII034 70431 Let’. Get Married

Carp Geant.Marp BrianROMANCE Cr RICHESRIALTO * Cent, from 1 P.M.)50. rotH,. 3111 Trouble in Morocco

Virgi010 Crore.KeeL Tailor

WHEN LOVE IS YOUNGRITZ * bVtiee j’ao’re to Love54. en,. IL. 71100 . flyroo.Aeitu ionic,53,1215 GREON LIGhT

Lorchmont Rsa,o, wuiiuo, ltd AbleIioOtle, Lorohaint iteyboro-Tobo

QUALITY SrREET

C5 PACKIHO flatly, Wililni &Katharto, hIrpiourn.Fioonhot Toe.

QUALITY STREETLYRIC SEA DEVILSHUNT1NOtOo4 OK, 0,0, CreStLA. 0022 Coda oxoniry C yyMarquis*,’. GIRL OVERbOARDMu * D.hene VIctor MeLiule,F,,. p03020, Nov01 5i,uIj0.j.eiO

MELROSErOtE P405142 GREEN LIGhT

MESA lobe 200.40. bVxmoC

Crov,hax 4.5) anton Leroita Young. LOVE i/a NEWS_,

PARISIAN 000CC Open 0:45V,no.vt ot liii GIRL OVERDOABOFr,. Par02ve

RAFE. 0*00 Frau PkO. STOLEN nOLtD.L

RIDOi,,&Th. Chauau 0th

5754 StarchOR. DouroOrrOH.34

WithIn .1 La Cool Roade. Whim, 4. AblaK.ihc03nr llepburv-Frnoehot Toor

QUALITY STREET

TOWER Crime Nobody SawCDMPT2N Grace Mn,rrKu. 2.377 When Veer lv Lore

UPTOWN A FAMILY AFFAIR1001 *1.010,0 MAYTIMEVILLAGE Simon.5ttwart

Seventh HoivcnIMPORTANT

MAJOR PREVIEWWESTERN Door, Open 4:453531 I. We,iare Noroo 71.11, I, MissIveFREf 0*05155 GREEN LICilT

WSTLAK scot. orIon 0135 p.m

Fr.13O1OL r’pe.”°- witti,, 4. ASia,Knth.rInr llrohxrn-Feorrhot Toor

QUALITY STREETWILSHIRE Cod. tree 700 P.540442 Wiihhlr, SttONIPsOtT TAXEwy visa Poyo.aat Property“Lt,ien ix Ta F., SEnt Coa.t Theutrne‘Sioattmt’ Tu.odar. 000 v,m. On KIlT0

HOLLYWOOD Coot, From 1 P.M.M.liyn,ed. Hluhi.od GIRL OVERROARD’

V. yroLatlen.p. Lt.re,.J. Laor

Nancy Steele Is MissingParamount (EonS, ISO P.M.)5550 bob Sonic. Clede, WIllinl .04 ASIcFlex Cookiep QuALITY STREET

El Portal * Goon Opeo 5:30CIt0lvdPaok Avenue Logger

Kaihucine licoboyn.Fronohot Tone

QUALITY STREET

California *5Mw Start, 5:30 p.m.OU,h. 14307 Let’s Get MarriedLLOYDS OF LONDON:

MICKEY MOUSE CARTOON

Gateway * Doaro Open 5:1517130,100 F.,n.rdo Lot of Mm, CheyneyLooettt Y000o-T, Power-Den Amrnb.,

LOVE IS NEWS -

STRAND * Coot. DullyTa lila A Doctor’s Diary

Cburfeo Sloper-Jean Arthor

Is Made at NiteTOWER * Coot. DailyW. CIRCUS GIRLF, 000*t,olonoo.ModtI,ie. C..yn,ii,T. ProopLLOYDS OF LONDONLYRIC * Dinernne NeonberMONMOVIA

DANFEL OON

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Classified Ad 3 -- No TitleLos 1ngeles Times (1923-Current File,); Apr 22, 1937;ProQuest Historical Newspapers: Los Angeles Times (1881-1987)pg. 11

GUEST TICKETS FOR ‘S)NGTIME° UPON REQUEST ATANY FOX WEST COAST THEATRE!

COME EARLY!— WHERE YOU SEE STAR *ALCAZAR lurk Avenue Louaec LA BREA Door. Ouro 0:10DELL Fe.. Victor McLaotra 0th .04 La 1,00 315.0 You’re Jo L.re’LA. MEt Pao0200 Nxooy Sloolo to . GREEN LIGHT

LOS ANGELES — NEIGHBORHOODAUAMS SiaeMurroy-OokIc MRALTA Edmund Lone.iron W. ADAMS “Chanio.ecu Wotti” 2033 0, tSr. ‘Coder Cover ci Nt,bLPA,b..o 7103 “WtthTC lOONIER” AN. 5,14 ‘5..

LOS ANGELES — DOWNTOWNTIIEGLAS5KE3T’

MILLION $ “DELOVED EroEMrNUtuol solo (All Seal. ISo) MIohI.n MM’ Sn HTAGE ARTISTS

soon DOW)’, ‘1° nhATIoss” ROXIE “SEA,,eUlaul 0074 I/alt Seat. 2201 MUt,il 7o33 DEVILSCOZY Aotutoo.ttogeoo, Goon, flreot.Boceeiy RoherO.520 5. HOW)’. 1God’s Country & Woman’GRAND All Swedish Pro,ya TOWN ‘Ut. JekpIt A Mr. Hrde’750 0. COoed “SODEIoKOKAR” 443 0, HiLL Foedolo Macnb, ‘StacyMU. 1121 44404 nn,4tol, COurt P154, TUolac 1077 - Duo,:,, reduce.’ Mdc,,

DOWNTOWN BROADWAY THEATRES, INC.BROADJAYMt,hl,00 0275 “Ptouoh & the 01mev”OLYMPIC WiU Oloecroclii 4. IOWV. ‘ “STATE FAIR”SloSh., 1575 “FRONT PAGE’

ORPHEUM Gua Van—no StairnIb 4. newy, “Hot hla.hand Lie,’

PRESIDENT “lOOt.Y TERROR’

Ml,Hp,ra277 Noloon ddy

“MAYTIME”RIALTO 4’DAMAGEDvoiiuaunosts’ GOODS”TOWER Miriam Hopkins

“Mon Aro Nat Gods”Pat O’Brien

‘tTHE GREAT O’MALLEY”

ARICAN “STATE PAID,” ‘VIII METRO — nicsanoous -. -

1727 5. l0W Decor., “Wluh Lone 4120 W. WAIH. “Dceli’o Phaynround”Aocer, 6210 cad Klooeo,” romlle WHI1 n.e 42t3”Wotnen of Giuotuuc”ARLINGTON Memos Let PARK “oro Thn, a Seoc.iaoe’

:2317 W. WASH. “IVIIIVSIW” 00230, FICUERDA “SMART BLONDE”PAebeuy 0571 “fl,oeeroAo Nowhne” AL 0054 0, Till 5 P.M. Eon. 21BALBOA “PARK AVENUE PLAYHOUSE U cocoa florhin,17150. VESMONT ,, 204 W. 7*5. oS ASOAIUT GIRLO’THonnnaii 41(4 LOGGER VAodlb. 3070 “St’ONTEIISET”JEAMETTE MiODONALD-NELSON EDDY PRINCESS Darbara Macneck

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ProQuest Historical Newspapers: Lospg. A7

In 21 years on the screen Lo,ta Young has appeared In 87us, the latest being “The Acsed”—suspense drama currentthe Paramount Hollywood andwntoWn.Loretta began her acting ar in 1927 with a small part dxiraughty But Nice.” “The Acsed” reunited the star and Di.Dtnr William Dieterle, who were

Dual Westernhow Nearing

All-western and all-Technicolor,ilversal - International’s re-rese bill, “Canyon Passage” androntier Gal,” will take oyer torrow at Fox Ritz, United Art, Iris, Guild and Studio City!aters.

together on “Grand $l#rn” a1933-

The performance of t psyciChogy professor In “The ACCUSed”

lengthens Miss Young’s string ofvaried roles, which have rcentrly included a farmer’s daughterand a bishop’s wife-

Robert Cumming costan iMWendell Corey Is featured ,ja“The Accused-”

Antheit Preludes”Adapted for. DanceDrama at Coronet

Twelve prelUdes by George AfrI beil, originaUy written In 1933or his “Woman With a Hundred

heads” and never perfodeddI iave. been adapted by the :9Db’I msçrbr the Minsa Craig psy4zo-I ogical dance drama, “The Cay.1Vithin,” coming to the Coronet‘rheater for two performances,rjdy and Saturday nights.

REGINA WILL BE RENAMEDLos Angeles Times (1923-Current File); Dec 14, 1948;

Angeles Times (1881-1987)

- IORETTA YOUNG DOESI FILMS IN 21 YEARS

‘IREGINAWILL.BE RENAMED

Southern California’s new

est ‘do luxe showcase, the Fine

Arts Theater, in which first- ft

run films from studios Cl

throughout the world will bepresented, wilt open Dec. 28,It was announced yesterday rby Fox West Coast Theaters. “

Plans are being drafted toI a u a c h the first attractionwith a typical gala Hollywoodpremiere. The film is J. Arthur Rank’s dramatic musical,“The Red Shoes,” photographed in Technicolor.

Located on Wilshire Blvd.near La Cienega and . flowknown as the Regina, thehouse is In the process of U

being remodeled and redecorated. It will have a seatingcapacity of 700.

- —is

— )escribed as a pretentious drama of Oregon and the Northwest,Walter Wanger’s “Canyon Passage” stars Dana Andrews, Brian “The Cave Within” “articUlatesDoplevy and Susan Hayward. I he disturbances and emotioäal

“Frontier Gal,” action melodra-1 irives evident in every.day: livema in aetting of Western-moun- 1 ng.” It features Fay Wray, ;thelain wilderness, presents Yvonne ;eorgia Phillips Verse ehoir AndDe Carlo and Rod Cameron. t chamber-music ensemble1


Gala EventDue Dec. 28

Typical Hollywood premiereranfare will open the Fine ArtsTheater, formerly the Regina, thenight of Dec. 28.

Located on Wilshire oulevardnear La Clenega, the Fine Artsis embarking on a policy ofscreening distinguished motionpictures from studios throughoutthe world. First of these will be“The Red Shoes,” Technicolorproduction which was a year Inthe making in London and Monte

Stuart Loyalto ‘Drunkard’

George S t u a r t joined “TheDrunkard” at the Theatre Martshortly after it opened In 1933,appearing as a “walk-on” in thewedding scene. Soon thereafteran actor playing Bill Dowton became ill and George replaced hum.Next the stage manager left andGeorge took over those duties.One night the master of ceremonies was taken sick, so they allsaid “let George do it,” which hedid and has been doing for 15years with time out for duty inthe Navy.

‘Romance toKeynote Film

Appealing romance keynotes“Enchantment,” Samuel Goldsn’s film drama which ushersIn the holiday season at RICO Hill.street and Pantages Hollywoodtheaters with a world premierenext Thursday.

David Niven, Teresa Wright,Evelyn Keyes and Fancy Grangerenact stellar roles in this storyof two love affairs that take placehalf a century apart, but both inthe same setting, an old Londonhome.

Gala Event Due Dec. 22Los Angeles Times (1923-Current File); Dec 20, 1948;ProQuest Historical Newspapers: Los Angeles Times (1881-1987)pg. B7


‘Heiress’ Will Star RathboneLos Angeles Times (I 923-Csiren! Filed; Dec 28, 1948;ProQuest Historical Newspapers: Los Angeles Tunes (188 1-1987)pg. 14

It I I

HeiTcSS. .: Witi.StaT Rathbone

Basil Rathbone, who comes toLos Angeles tomorrow evening Inthe Jed Harris play “The Heiress” is back in the theater after10 years of film work. The lean,precise actor admits he Is “stage-struck and proud of it.”

“The Heiress,” based on HenryJames’ ‘Washington Square,” hasprovided Rathbone with the longëst run Cf his carëer. When ftbegins its two-and-one-half-weekengagement at the Biltmore tomorrow evening, it will haveamasse1 over 500 performances,Including a full year in New YorkCity.

Rathbone, now making his firstpersonal appearance on the stageIn a decade,. has appeared Inscores of movis, -most notableof which were “Anna Karenina”with Garbo, “Romeo ad Juliet’with Norma Shearer and “RobinHood.” While on the West Coast,he became a popular radio performer, playing Sherlock Holmesfor four years.

Hope’s WardrobeNow Enlarged byDesperado Outfit

Bob Hope’s all rigged up Inchaps and spurs, complete withmatching six-guns, for his role inthe Technicolor laugh film, “ThePaleface,” opening New Year’sEve at the Paramount Hollywoodand Downtown theaters.

Perhaps the most diversifiedwardroe In Hollywood belongsto Funnyman Hope. He has appeared as a French barber, amythical king—and his adventureson the “Roads” to Rio, the frozenNorth, Singapore, Zanzibar andMorocco have revealed him accoutered to fit each clime.

OLWIER GOESAGIN’ NATURE

Laurence Olivier’s “HenryV,” currenUy revived at theStudio Tlieatr, Is deliberately “antinaturallatic.”

Olfvier, with British Cameraman Robert. Krasker, tookgreat care to make ft so, believing that extensive use oftwo-dimensional backdropsproduces . a - sIial]ow. photographic perspective well suited to Shakespeare’s medievalpageantry.

Fine Arts WillPresent BalletFilm Tonight

Tonight at 8 o’clock the pagean.try that Is a special part of theHollywood premiere will be ondisplay at the Fine Arts Theater,Wilshire Blvd. near La Cienega,

the benefit showing of 3.Arthur Rank’s Technicolor balletfilm, “The Red Shoes.”

A turnout of stars, Is expected,among them Susan, Hayward,Joan Crawfoi’d, Linda Darnell,Edward G. Robinson1, VirginiaMayo, Eleanor Powell, ShirleyTemple, Glenn Ford, CliftonWebb, Ava Gardner, Cornel Wflde,Jean Hersholt, Pat Knight, AnnBlyth and June Haver..

The Fine Arts was formerly theRegina Theater,

Itatian nemaStudio-Due at

The spectacular st’le dwelopedby postwar Italian ifim makers Isdocumented once again In “MonteCass1no,” opening tonight at theSunset Theater.


Display Ad 35 -- No TitleLos Angeles Times (1923-Current File); Jan 3, 1949;ProQuest Historical Newspapers: Los Angeles Times (188 1-1987)pg. B7

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Rites Held for Joseph De Bell; Philanthropist, Investor, BuilderLos Angeles Times (1923-Current File); Jan 16, 1977;ProQuest Historical Newspapers: Los Angeles Times (188 1-1987)pg. B2

Rites Held for Joseph Dc Bell;Philanthropist, Investor, Builder

Private funeral services for Joseph Dc Bell, 81, philanthropist, investor and builder, were held at Church of theHills, Forest Lawn Memorial Park Saturday.

A native of italy, Do Bell came to Hollywood 52 yearsago. He died Thursday in Daniel Freeman Memorial Hospital in Inglewood which has a wing named after him. Onlythree years ago he donated $1 million to the hospital1 DcBell leaves a cousin in Arizona.

------- -- -. --


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