Artists in the city. Another way of looking at artists’ studios

13
ARTISTS IN THE CITY. ANOTHER WAY OF LOOKING AT ARTISTS’ STUDIOS Tatiana Debroux Laboratory of human geography Université Libre de Bruxelles/ Free University Brussels Field trip in artists’ studios in Berlin – november 7-10, 2013

Transcript of Artists in the city. Another way of looking at artists’ studios

ARTISTS IN THE CITY.

ANOTHER WAY OF LOOKING AT ARTISTS’

STUDIOS

Tatiana Debroux

Laboratory of human geography

Université Libre de Bruxelles/

Free University Brussels

Field trip in artists’ studios in Berlin – november 7-10, 2013

1. THE GEOGRAPHER INSIDE THE STUDIO

Source: Sjöholm, 2013.

Source: Bain, 2004.

2. OUTSIDE THE WALLS: THE STUDIO AS AN URBAN COMPONENT

Source: Boichot C. (2011) "Centralités artistiques et recomposition des espaces urbains: les enjeux d'une géographie de l'art à Paris et à Berlin", Mondes du Tourisme,

septembre, p.350-361

2.1. STUDYING AND QUESTIONING ARTISTS’ LOCATION

How to analyze artistic concentrations?

Source: Mathews, 2010.

Source: Molotch & Treskon, 2009.

Galleries as (contested) alternative indicators

Why do artists concentrate in specific neighbourhoods?

Source: own datas, PhD thesis.

Political exploitation of local artistic "label"

Parcours d’artistes à Saint-Gilles, 2012. Map of the open studios and signaling in the streets. (Author’s photographs)

2.2. CONSEQUENCES /INSTRUMENTALIZATION OF THE ARTISTIC PRESENCE

The "stage model" and the aestheticization of urban space

An artist’s studio located rue Lens in Brussels (Ixelles). Source: Google Street View, 2009.

Pioneers or indicators? Comparing artists and the « precarious new middle class »

Artists per neighbourhood (density)

Precarious new middle class (density)

Résidus de la

Linear regression line between the 2 variables

Precarious new middle class (density)

Residuals of linear regression

(Source: own datas, PhD thesis)

(Source: own datas, PhD thesis.)

(Source: own datas, PhD thesis)

(CC = creative class) Source: Van Heerden & Bontje, 2013.

Source: Van Heerden & Bontje, 2013.

A powerful theory: the creative city

Explanation factors of creative workers’ location

Planned developments using artistic tools

Artists housing in a former brewery warehouse

Cheval Noir/Black Horse: a Trojan horse?

Artists: designated pioneers of a "soft gentrification"

“If gentrification already punctually touched the old-Molenbeek in the form of ‘strongholds of lofts’, it has now crossed the canal under the action of the government. The Black Horse project (…) which aimed to reassign an industrial blight, is the expression of the political will to open up the area.” [translated from Brunfaut, 2010: 23]

The Black Horse should be a flagship building, dedicated to provide the area a new identity, “the idea being to use the transformative virtue of the presence of artists to influence [its] image.” [translated from Brunfaut, 2010: 23]

Social and spatial consequences for artists

Source: Podmore, 1998.