Yamaha Pro Audio global web site:http://www.yamahaproaudio.com/
Yamaha Manual Libraryhttp://www.yamaha.co.jp/manual/
U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation© 2006 Yamaha Corporation
WH63250 608POAP3.3-01A0Printed in China RU
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎflêÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
MIXING CONSOLEMIXING CONSOLE
îÛÌ͈ËËÇıÓ‰Ì˚ ͇̇Î˚.....................................................................................ÒÚ. 10ë ÔÓÏÓ˘¸˛ ˜ÂÚ˚Âı ËÎË ÚÂı ÏËÍÓÙÓÌÌ˚ı/ÎËÌÂÈÌ˚ı ‚ıÓ‰Ó‚ (˜ÂÚ˚Âı ‰Îfl ÏÓ‰ÂÎË MG102C) ÒÚÂÂÓ‚ıÓ‰Ó‚ Í ÏËͯÂÛ MG ÏÓÊÌÓ Ó‰ÌÓ‚ÂÏÂÌÌÓ ÔÓ‰Íβ˜ËÚ¸ ·Óθ¯Ó ÍÓ΢ÂÒÚ‚Ó ‡Á΢Ì˚ı ÛÒÚÓÈÒÚ‚: ÏËÍÓÙÓÌ˚, ÛÒÚÓÈÒÚ‚‡ Ò ÎËÌÂÈÌ˚Ï Ò˄̇ÎÓÏ, ÒÚÂÂÓÒËÌÚÂÁ‡ÚÓ˚ Ë ‰Û„ËÂ.
äÓÏÔÂÒÒËfl................................................................................................ÒÚ. 9äÓÏÔÂÒÒËfl Û‚Â΢˂‡ÂÚ Ó·˘ËÈ ÛÓ‚Â̸, Ì ‚ÌÓÒfl ËÒ͇ÊÂÌËÈ, ÔÛÚÂÏ ÒʇÚËfl ÒÎ˯ÍÓÏ ‚˚ÒÓÍËı ÔËÍÓ‚ ‚ Ò˄̇·ı Ò ÏËÍÓÙÓÌÓ‚ Ë „ËÚ‡.
艇˜Ë AUX Ë ‚ÓÁ‚‡Ú ÒÚÂÂÓÙÓÌ˘ÂÒÍÓ„Ó Ò˄̇· AUX ........ÒÚ. 12åÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ „ÌÂÁ‰Ó AUX SEND ‰Îfl ÔÓ‰‡˜Ë Ô‰‡‚‡ÂÏÓ„Ó Ò˄̇· ̇ ‚̯Ì ÛÒÚÓÈÒÚ‚Ó Ó·‡·ÓÚÍË Ò˄̇·, ‡ Á‡ÚÂÏ ‰Îfl ‚ÓÁ‚‡Ú‡ Ó·‡·ÓÚ‡ÌÌÓ„Ó ÒÚÂÂÓÒ˄̇· ˜ÂÂÁ ‡Á˙ÂÏ RETURN.
Ç˚ÒÓÍÓ͇˜ÂÒÚ‚ÂÌÌ˚ ˆËÙÓ‚˚ ˝ÙÙÂÍÚ˚ (MG82CX)..............ÒÚ. 13, 19ë ÔÓÏÓ˘¸˛ ‚ÒÚÓÂÌÌ˚ı ˆËÙÓ‚˚ı ˝ÙÙÂÍÚÓ‚ ÏËͯ MG82CX ÒÔÓÒÓ·ÂÌ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ¯ËÓÍËÈ ‰Ë‡Ô‡ÁÓÌ ÒÓÁ‰‡ÌÌ˚ı ËÏ ‚‡Ë‡ˆËÈ Á‚Û͇.
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl MG82CX/MG102C
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* ï‡ÌËÚ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ‚ ·ÂÁÓÔ‡ÒÌÓÏ ÏÂÒÚÂ. éÌÓ ‚‡Ï ¢ ÔÓ̇‰Ó·ËÚÒfl.
èêÖÑìèêÖÜÑÖçàÖ
ÇÓ ËÁ·ÂʇÌË Ò¸ÂÁÌ˚ı Ú‡‚Ï Ë ‰‡Ê ÒÏÂÚË ÓÚ Û‰‡‡ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ, ‡ Ú‡ÍÊ ÍÓÓÚÍÓ„Ó Á‡Ï˚͇ÌËfl, ÔÓ‚ÂʉÂÌËfl Ó·ÓÛ‰Ó‚‡ÌËfl, ÔÓʇ‡ Ë ‰Û„Ëı Ë̈ˉÂÌÚÓ‚ ‚Ò„‰‡ Òӷ≇ÈÚ ÒÎÂ‰Û˛˘Ë ÏÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË:
• àÒÔÓθÁÛÈÚ ÚÓθÍÓ Ì‡ÔflÊÂÌËÂ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ÛÒÚÓÈÒÚ‚Û. çÛÊÌÓ ̇ÔflÊÂÌË Û͇Á‡ÌÓ Ì‡ ÛÒÚÓÈÒÚ‚Â.
• àÒÔÓθÁÛÈÚ ÚÓθÍÓ Û͇Á‡ÌÌ˚È ‡‰‡ÔÚ ÔËÚ‡ÌËfl ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ (PA-10) ËÎË ‡Ì‡Îӄ˘Ì˚È, ÂÍÓÏẨӂ‡ÌÌ˚È Yamaha.ÖÒÎË ÛÒÚÓÈÒÚ‚Ó ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‚ ‰Û„ÓÈ „ÂÓ„‡Ù˘ÂÒÍÓÈ Ó·Î‡ÒÚË, ˜ÂÏ Ú‡, „‰Â ÓÌÓ ÍÛÔÎÂÌÓ, ÔË·„‡ÂÏ˚È Í‡·Âθ ÔËÚ‡ÌËfl ÏÓÊÂÚ Ì ÔÓ‰ÓÈÚË. ë‚flÊËÚÂÒ¸ Ò Â„ËÓ̇θÌ˚Ï ‰ËÎÂÓÏ Yamaha.
• 䇷Âθ ÔËÚ‡ÌËfl Ì ‰ÓÎÊÂÌ Ì‡ıÓ‰ËÚ¸Òfl fl‰ÓÏ Ò ËÒÚÓ˜ÌË͇ÏË ÚÂÔ· (̇„‚‡ÚÂÎflÏË, ‡‰Ë‡ÚÓ‡ÏË Ë ‰.). ç ‰ÓÔÛÒ͇ÈÚ ڇÍÊ ˜ÂÁÏÂÌÓ„Ó Ò„Ë·‡ÌËfl Ë ÔÓ‚ÂʉÂÌËfl ͇·ÂÎfl, Ì ÒÚ‡‚ Ú ̇ ÌÂ„Ó ÚflÊÂÎ˚ Ô‰ÏÂÚ˚ Ë ‰ÂÊËÚÂ Â„Ó ‚ Ú‡ÍÓÏ ÏÂÒÚÂ, „‰Â ̇ ÌÂ„Ó ÌÂθÁfl ̇ÒÚÛÔËÚ¸, Á‡‰ÂÚ¸ ÌÓ„ÓÈ ËÎË ˜ÚÓ-ÌË·Û‰¸ ÔÓ ÌÂÏÛ ÔÂÂ͇ÚËÚ¸.
• ç ÓÚÍ˚‚‡ÈÚ ÛÒÚÓÈÒÚ‚Ó Ë Ì Ô˚Ú‡ÈÚÂÒ¸ ‡ÁÓ·‡Ú¸ ËÎË ÏÓ‰ËÙˈËÓ-‚‡Ú¸ Â„Ó ‚ÌÛÚÂÌÌË ÍÓÏÔÓÌÂÌÚ˚. Ç ÛÒÚÓÈÒÚ‚Â ÌÂÚ ÍÓÏÔÓÌÂÌÚÓ‚, ÍÓÚÓ-˚ ‰ÓÎÊÂÌ Ó·ÒÎÛÊË‚‡Ú¸ ÔÓθÁÓ‚‡ÚÂθ. èË ÔÓfl‚ÎÂÌËË ÌÂËÒÔ‡‚ÌÓÒÚË ÌÂωÎÂÌÌÓ ÔÂ͇ÚËÚ ˝ÍÒÔÎÛ‡Ú‡ˆË˛ Ë Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í Í‚‡ÎËÙˈËÓ‚‡ÌÌ˚Ï ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË Yamaha.
• Å„ËÚ ÛÒÚÓÈÒÚ‚Ó ÓÚ ‰Óʉfl, Ì ËÒÔÓθÁÛÈÚÂ Â„Ó fl‰ÓÏ Ò ‚Ó‰ÓÈ, ‚ ÛÒÎÓ‚Ëflı Ò˚ÓÒÚË Ë ÔÓ‚˚¯ÂÌÌÓÈ ‚·ÊÌÓÒÚË; Ì ÒÚ‡‚ Ú ̇ ÌÂ„Ó ÂÏÍÓÒÚË Ò ÊˉÍÓÒÚ¸˛, ÍÓÚÓ‡fl ÏÓÊÂÚ ‡ÁÎËÚ¸Òfl Ë ÔÓÔ‡ÒÚ¸ ‚ÌÛÚ¸.
• çËÍÓ„‰‡ Ì ‚ÒÚ‡‚ÎflÈÚÂ Ë Ì ‚˚ÌËχÈÚ ‚ËÎÍÛ ˝ÎÂÍÚÓËÌÒÚÛÏÂÌÚ‡ ÏÓÍ˚ÏË Û͇ÏË.
• Ç ÒÎÛ˜‡Â ËÁÌÓÒ‡ Ë ÔÓ‚ÂʉÂÌËfl ͇·ÂÎfl ÔËÚ‡ÌËfl ËÎË ‡Á˙Âχ, ‡ Ú‡ÍÊ ÔË ‚ÌÂÁ‡ÔÌÓÏ ËÒ˜ÂÁÌÓ‚ÂÌËË Á‚Û͇ ‚Ó ‚ÂÏfl ˝ÍÒÔÎÛ‡Ú‡ˆËË, ÔË ÔÓfl‚-ÎÂÌËË ÌÂÓ·˚˜ÌÓ„Ó Á‡Ô‡ı‡ Ë ‰˚χ ÌÂωÎÂÌÌÓ ÓÚÍβ˜ËÚ ˝ÎÂÍÚÓÔËÚ‡-ÌËÂ, ‚˚Ì Ú ‚ËÎÍÛ ËÁ ÓÁÂÚÍË Ë Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í ÒÔˆˇÎËÒ-Ú‡Ï ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË Yamaha.
• Ç ÒÎÛ˜‡Â Ô‡‰ÂÌËfl ËÎË ÔÓ‚ÂʉÂÌËfl ‰‡ÌÌÓ„Ó ÛÒÚÓÈÒÚ‚‡ ËÎË ‡‰‡ÔÚ‡ ÔËÚ‡ÌËfl ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ ÌÂωÎÂÌÌÓ ‚˚Íβ˜ËÚ ÔËÚ‡ÌËÂ Ò ÔÓÏÓ˘¸˛ ‚˚Íβ˜‡ÚÂÎfl ÔËÚ‡ÌËfl, ‚˚Ì Ú ˝ÎÂÍÚ˘ÂÒÍÛ˛ ‚ËÎÍÛ ËÁ ÓÁÂÚÍË Ë Ô‰ÓÒÚ‡‚ Ú ÛÒÚÓÈÒÚ‚Ó ‰Îfl ÓÒÏÓÚ‡ Í‚‡ÎËÙˈËÓ‚‡ÌÌ˚Ï Ò‚ËÒÌ˚Ï ÔÂÒÓ̇ÎÓÏ Yamaha.
ÇçàåÄçàÖ!
ÇÓ ËÁ·ÂʇÌË ̇ÌÂÒÂÌËfl Ò¸ÂÁÌ˚ı Ú‡‚Ï ÒÂ·Â Ë ÓÍÛʇ˛˘ËÏ, ‡ Ú‡ÍÊ ÔÓ‚ÂʉÂÌËfl ËÌÒÚÛÏÂÌÚ‡ Ë ‰Û„Ó„Ó ËÏÛ˘ÂÒÚ‚‡, ÔÓÏËÏÓ ÔÓ˜Ëı ‚Ò„‰‡ Òӷ≇ÈÚ ÒÎÂ‰Û˛˘Ë ÏÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË:
• éÚÍβ˜‡ÈÚ ÛÒÚÓÈÒÚ‚Ó ÓÚ ˝ÎÂÍÚÓÒÂÚË, ÂÒÎË Ô·ÌËÛÂÚ Ì ËÒÔÓθÁÓ‚‡Ú¸ Â„Ó ‚ Ú˜ÂÌË ‰ÎËÚÂθÌÓ„Ó ‚ÂÏÂÌË, ‡ Ú‡ÍÊ ‚Ó ‚ÂÏfl „ÓÁ˚.
• èË ÓÚÍβ˜ÂÌËË Í‡·ÂÎfl ÓÚ ÛÒÚÓÈÒÚ‚‡ ËÎË ÓÚ ˝ÎÂÍÚÓÒÂÚË ·ÂËÚÂÒ¸ Á‡ ‚ËÎÍÛ, ‡ Ì Á‡ ͇·Âθ. à̇˜Â ÏÓÊÌÓ Ôӂ‰ËÚ¸ ͇·Âθ.
• óÚÓ·˚ ËÁ·Âʇڸ ‚ÓÁÌËÍÌÓ‚ÂÌËfl ÌÂÊ·ÚÂθÌÓ„Ó ¯Ûχ, ۷‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ‡‰‡ÔÚ ÔËÚ‡ÌËfl ̇ıÓ‰ËÚÒfl ̇ ‡ÒÒÚÓflÌËË Ì ÏÂÌ 50 ÒÏ ÓÚ ÛÒÚÓÈÒÚ‚‡.
• ç ̇Í˚‚‡ÈÚÂ Ë Ì Á‡‚Ó‡˜Ë‚‡ÈÚ ‡‰‡ÔÚ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ ‚ Ú̸͇ ËÎË Ó‰ÂflÎÓ.
• è‰ ÔÂÂÏ¢ÂÌËÂÏ ÛÒÚÓÈÒÚ‚‡ ÓÚÒÓ‰ËÌËÚ ‚Ò ͇·ÂÎË.
• è‰ ̇ÒÚÓÈÍÓÈ ÛÒÚÓÈÒÚ‚‡ ۷‰ËÚÂÒ¸, ˜ÚÓ ËÒÔÓθÁÛÂχfl ˝ÎÂÍÚÓÓÁÂÚ͇ ΄ÍÓ ‰ÓÒÚÛÔ̇. Ç ÒÎÛ˜‡Â ‚ÓÁÌËÍÌÓ‚ÂÌËfl ͇ÍËı-ÎË·Ó ÌÂÔÓ·‰ÓÍ ÌÂωÎÂÌÌÓ ‚˚Íβ˜ËÚ ÛÒÚÓÈÒÚ‚Ó Ë ÓÚÍβ˜ËÚÂ Â„Ó ÓÚ ˝ÎÂÍÚÓÒÂÚË.
• àÁ·Â„‡ÈÚ ÛÒÚ‡ÌÓ‚ÍË ‚ÒÂı ̇ÒÚÓÂÍ ˝Í‚‡Î‡ÈÁ‡ Ë ÏËͯ‡ ̇ χÍÒËχθÌ˚È ÛÓ‚Â̸. Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â, ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ
ÒÓÒÚÓflÌËfl ÔÓ‰Íβ˜ÂÌÌ˚ı ÛÒÚÓÈÒÚ‚, ÏÓÊÂÚ ‚ÓÁÌËÍÌÛÚ¸ Ó·‡Ú̇fl Ò‚flÁ¸ Ë Ôӂ‰flÚÒfl ‰Ë̇ÏËÍË.
• ÇÓ ËÁ·ÂʇÌË ‰ÂÙÓχˆËË Ô‡ÌÂÎË Ë ÔÓ‚ÂʉÂÌËfl ‚ÌÛÚÂÌÌËı ÍÓÏÔÓÌÂÌÚÓ‚ ·Â„ËÚ ÛÒÚÓÈÒÚ‚Ó ÓÚ ˜ÂÁÏÂÌÓÈ Ô˚ÎË Ë ÒËθÌÓÈ ‚Ë·‡ˆËË Ë Ì ËÒÔÓθÁÛÈÚÂ Â„Ó ÔË Ó˜Â̸ ‚˚ÒÓÍÓÈ ËÎË ÌËÁÍÓÈ ÚÂÏÔ‡ÚÛ (̇ÔËÏÂ, ̇ ÒÓÎ̈Â, fl‰ÓÏ Ò Ì‡„‚‡ÚÂÎÂÏ ËÎË ‚ χ¯ËÌ ‚ ‰Ì‚ÌÓ ‚ÂÏfl).
• ç ÓÒÚ‡‚ÎflÈÚ ÛÒÚÓÈÒÚ‚Ó ‚ ÌÂÛÒÚÓȘ˂ÓÏ ÔÓÎÓÊÂÌËË, ˜ÚÓ·˚ ÓÌÓ Ì ÓÔÓÍËÌÛÎÓÒ¸.
• ç ËÒÔÓθÁÛÈÚ ÛÒÚÓÈÒÚ‚Ó ‚ ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓÈ ·ÎËÁÓÒÚË ÓÚ ÚÂ΂ËÁÓ‡, ‡‰ËÓÔËÂÏÌË͇, ÒÚÂÂÓÓ·ÓÛ‰Ó‚‡ÌËfl, ÏÓ·ËθÌÓ„Ó ÚÂÎÂÙÓ̇ Ë ‰Û„Ëı ÎÂÍÚÓÔË·ÓÓ‚. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓfl‚ÎÂÌ˲ ÔÓÏÂı Ë ÔÓÒÚÓÓÌÌÂ„Ó ¯Ûχ Í‡Í ‚ Ò‡ÏÓÏ ÛÒÚÓÈÒÚ‚Â, Ú‡Í Ë ‚ ‡ÒÔÓÎÓÊÂÌÌÓÏ fl‰ÓÏ ÚÂ΂ËÁÓ ËÎË ‡‰ËÓÔËÂÏÌËÍÂ.
• è‰ ÔÓ‰Íβ˜ÂÌËÂÏ ÛÒÚÓÈÒÚ‚‡ Í ‰Û„ËÏ ÛÒÚÓÈÒÚ‚‡Ï ÓÚÍβ˜ËÚ Ëı ÔËÚ‡ÌËÂ. è‰ ‚Íβ˜ÂÌËÂÏ ËÎË ÓÚÍβ˜ÂÌËÂÏ ÛÒÚÓÈÒÚ‚ ÛÒÚ‡ÌÓ‚ËÚ ÏËÌËχθÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË.
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4
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl MG82CX/MG102C
• ÇÓ ËÁ·ÂʇÌË ÔÓ‚ÂʉÂÌËfl „ÓÏÍÓ„Ó‚ÓËÚÂÎfl ÔË ‚Íβ˜ÂÌËË ÔËÚ‡ÌËfl ‡ÍÛÒÚ˘ÂÒÍÓÈ ÒËÒÚÂÏ˚ ‚Ò„‰‡ ‚Íβ˜‡ÈÚ ÛÒËÎËÚÂθ ÏÓ˘ÌÓÒÚË èéëãÖÑçàå. èÓ ÚÓÈ Ê Ô˘ËÌ ÔË ‚˚Íβ˜ÂÌËË ÔËÚ‡ÌËfl ëçÄóÄãÄ ÒΉÛÂÚ ‚˚Íβ˜‡Ú¸ ÛÒËÎËÚÂθ ÏÓ˘ÌÓÒÚË.
• ç ‚ÒÚ‡‚ÎflÈÚ ԇθˆ˚ ËÎË ÛÍË ‚ ÓÚ‚ÂÒÚËfl ̇ ÛÒÚÓÈÒÚ‚Â (‚ÂÌÚËÎflˆËÓÌÌ˚ ÓÚ‚ÂÒÚËfl, Ë Ú. ‰.).
• àÁ·Â„‡ÈÚ ÔÓÔ‡‰‡ÌËfl ÔÓÒÚÓÓÌÌËı Ô‰ÏÂÚÓ‚ (·Ûχ„Ë, Ô·ÒÚËÍÓ‚˚ı, ÏÂÚ‡Î΢ÂÒÍËı Ô‰ÏÂÚÓ‚ Ë Ú.‰.) ‚ ÓÚ‚ÂÒÚËfl ̇ ÛÒÚÓÈÒÚ‚Â (‚ÂÌÚËÎflˆËÓÌÌ˚Â, Ë Ú.‰.). ÖÒÎË ÚÓ ÔÓËÁÓ¯ÎÓ, ÌÂωÎÂÌÌÓ ‚˚Íβ˜ËÚ ÔËÚ‡ÌËÂ Ë ‚˚Ì Ú ‚ËÎÍÛ ËÁ ÓÁÂÚÍË. á‡ÚÂÏ Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË Yamaha.
• ç ÒΉÛÂÚ ‡·ÓÚ‡Ú¸ Ò ÛÒÚÓÈÒÚ‚ÓÏ ËÎË Ì‡Û¯ÌË͇ÏË Ò ‚˚ÒÓÍËÏ ËÎË ÌÂÍÓÏÙÓÚÌ˚Ï ÛÓ‚ÌÂÏ „ÓÏÍÓÒÚË, Ú‡Í Í‡Í ˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚ ÒÎÛı‡. èË ÛıÛ‰¯ÂÌËË ÒÎÛı‡ ËÎË Á‚ÓÌ ‚ Û¯‡ı Ó·‡ÚËÚÂÒ¸ Í ‚‡˜Û.
• ç ӷÎÓ͇˜Ë‚‡ÈÚÂÒ¸ ̇ ÛÒÚÓÈÒÚ‚Ó, Ì ÒÚ‡‚ Ú ̇ ÌÂ„Ó ÚflÊÂÎ˚ Ô‰ÏÂÚ˚ Ë Ì ÔËÍ·‰˚‚‡ÈÚ ÒÎ˯ÍÓÏ ·Óθ¯ÓÈ ÒËÎ˚ ÔË ÔÓθÁÓ‚‡ÌËË ÍÌÓÔ͇ÏË, ‚˚Íβ˜‡ÚÂÎflÏË Ë ‡Á˙ÂχÏË.
ÇÒ„‰‡ ‚˚Íβ˜‡ÈÚ ÔËÚ‡ÌË ÔÓÒΠÓÍÓ̘‡ÌËfl ‡·ÓÚ˚.
чÊ ‚ ÚÂı ÒÎÛ˜‡flı, ÍÓ„‰‡ ‚˚Íβ˜‡ÚÂθ ÔËÚ‡ÌËfl ̇ıÓ‰ËÚÒfl ‚ ÔÓÎÓÊÂÌËË STANDBY, ÛÒÚÓÈÒÚ‚Ó ÔÓ‰ÓÎʇÂÚ ‚ ÏËÌËχθÌ˚ı ÍÓ΢ÂÒÚ‚‡ı ÔÓÚ·ÎflÚ¸ ˝ÎÂÍÚÓ˝Ì„˲. ÖÒÎË ÛÒÚÓÈÒÚ‚Ó Ì ËÒÔÓθÁÛÂÚÒfl ‰ÎËÚÂθÌÓ ‚ÂÏfl, ÓÚÍβ˜ËÚ ‡‰‡ÔÚ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ ÓÚ ÓÁÂÚÍË.
䇘ÂÒÚ‚Ó ‡·ÓÚ˚ ÔÓ‰‚ËÊÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚, Ú‡ÍËı Í‡Í ‚˚Íβ˜‡ÚÂÎË, „ÛÎflÚÓ˚ „ÓÏÍÓÒÚË Ë ‡Á˙ÂÏ˚, ÒÓ ‚ÂÏÂÌÂÏ ÛıÛ‰¯‡ÂÚÒfl. èÓÍÓÌÒÛÎ ÚËÛÈÚÂÒ¸ ÒÓ ÒÔˆˇÎËÒÚ‡ÏË ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË Yamaha.
èË ‚Íβ˜ÂÌÌÓÏ ÔËÚ‡ÌËË ÏËͯ MG ÏÓÊÂÚ Ì‡„‚‡Ú¸Òfl ‰Ó 15–20°C. èÓÏÌËÚÂ, ˜ÚÓ ÔË ÚÂÏÔ‡ÚÛ ÓÍÛʇ˛˘ÂÈ Ò‰˚ ·ÓΠ30°C ÚÂÏÔ‡ÚÛ‡ Ô‡ÌÂÎË ÏÓÊÂÚ Ô‚˚¯‡Ú¸ 50°C. ÅÛ‰ ÚÂ
ÓÒÚÓÓÊÌ˚, ˜ÚÓ·˚ ËÁ·Âʇڸ ÓÊÓ„Ó‚.
* чÌÌÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl Ô‰̇Á̇˜ÂÌÓ ‰Îfl ÏÓ‰ÂÎÂÈ MG82CX Ë MG102C. éÒÌÓ‚ÌÓ ‡Á΢ˠÏÂÊ‰Û ‰‚ÛÏfl ˝ÚËÏË ÏÓ‰ÂÎflÏË Á‡Íβ˜‡ÂÚÒfl ‚ ÚÓÏ, ˜ÚÓ ÏÓ‰Âθ MG82CX
ÔÓÁ‚ÓÎflÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ˆËÙÓ‚˚ ˝ÙÙÂÍÚ˚, ÚÓ„‰‡ Í‡Í ÏÓ‰Âθ MG102C Ì ËÏÂÂÚ ‚ÒÚÓÂÌÌ˚ı ˝ÙÙÂÍÚÓ‚.
* Ç ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÚÂÏËÌ «ÏËͯ MG» ÓÚÌÓÒËÚÒfl Í‡Í Í ÏÓ‰ÂÎË MG82CX, Ú‡Í Ë Í ÏÓ‰ÂÎË MG102C. Ç ÒÎÛ˜‡flı, ÍÓ„‰‡ ËϲÚÒfl ‡Á΢Ì˚ ı‡‡ÍÚÂËÒÚËÍË ‰Îfl ͇ʉÓÈ ÏÓ‰ÂÎË,
Ô‚ÓÈ Û͇Á˚‚‡ÂÚÒfl ı‡‡ÍÚÂËÒÚË͇ MG82CX, ‡ Á‡ÚÂÏ ‚ ÒÍӷ͇ı ı‡‡ÍÚÂËÒÚË͇ MG102C: MG82CX (MG102C).
* àÎβÒÚ‡ˆËË ‚ ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â Ô˂‰ÂÌ˚ ‰Îfl ÒÔ‡‚ÍË Ë ÏÓ„ÛÚ Ì ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ‚̯ÌÂÏÛ ‚Ë‰Û ÛÒÚÓÈÒÚ‚‡.
* ç‡Á‚‡ÌËfl ÍÓÏÔ‡ÌËÈ Ë ËÁ‰ÂÎËÈ ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â fl‚Îfl˛ÚÒfl ÚÓ‚‡Ì˚ÏË Á͇̇ÏË ËÎË Á‡Â„ËÒÚËÓ‚‡ÌÌ˚ÏË ÚÓ‚‡Ì˚ÏË Á͇̇ÏË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ‚·‰ÂθˆÂ‚.
íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË Ë ‡ÁÏÂ˚ ÔË‚Ó‰flÚÒfl ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ËÒÍβ˜ËÚÂθÌÓ ‚ ÒÔ‡‚Ó˜Ì˚ı ˆÂÎflı. äÓÔÓ‡ˆËfl Yamaha Corp. ÓÒÚ‡‚ÎflÂÚ Á‡ ÒÓ·ÓÈ Ô‡‚Ó ËÁÏÂÌflÚ¸ ËÎËÏÓ‰ËÙˈËÓ‚‡Ú¸ ÔÓ‰ÛÍÚ˚ ËÎË ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË ‚ β·Ó ‚ÂÏfl ·ÂÁ Ô‰‚‡ËÚÂθÌÓ„Ó Û‚Â‰ÓÏÎÂÌËfl. í‡Í Í‡Í ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË, Ó·ÓÛ‰Ó‚‡ÌËÂ Ë ÍÓÏÔÓÌÂÌÚ˚ ÏÓ„ÛÚ ÓÚ΢‡Ú¸Òfl ‚‡ÁÌ˚ı Òڇ̇ı, Ó·‡ÚËÚÂÒ¸ Á‡ ËÌÙÓχˆËÂÈ Í Ò‚ÓÂÏÛ ‰ËÎÂÛ Yamaha.
åÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ÔË ˝ÍÒÔÎÛ‡Ú‡ˆËË
äÓÔÓ‡ˆËfl Yamaha Ì ÌÂÒÂÚ ÓÚ‚ÂÚÒÚ‚ÂÌÌÓÒÚË Á‡ ÔÓ‚ÂʉÂÌËfl, ‚˚Á‚‡ÌÌ˚ ÌÂÔ‡‚ËθÌÓÈ ˝ÍÒÔÎÛ‡Ú‡ˆËÂÈ ËÎË ÏÓ‰ËÙË͇ˆËÂÈ ÛÒÚÓÈÒÚ‚‡, ‡ Ú‡ÍÊ Á‡ ÔÓÚÂflÌÌ˚ ËÎË ËÒÔÓ˜ÂÌÌ˚ ‰‡ÌÌ˚Â.
äÓÔËÓ‚‡ÌË ‰ÓÒÚÛÔÌÓÈ ‚ ÔÓ‰‡Ê ÏÛÁ˚ÍË ËÎË ‡Û‰ËÓ‰‡ÌÌ˚ı ÍÓÏÂ Í‡Í ‰Îfl ΢ÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl ÒÚÓ„Ó Á‡Ô¢ÂÌÓ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò Á‡ÍÓÌÓÏ Ó· ‡‚ÚÓÒÍÓÏ Ô‡‚Â.
ëӷ≇ÈÚ Á‡ÍÓÌ Ó· ‡‚ÚÓÒÍÓÏ Ô‡‚Â. èË ‚ÓÁÌËÍÌÓ‚ÂÌËË ÒÓÏÌÂÌËÈ ‚ ‰ÓÔÛÒÚËÏÓÒÚË ËÒÔÓθÁÓ‚‡ÌËfl ÏÛÁ˚͇θÌÓ„Ó ÔÓ‰ÛÍÚ‡, ÔÓÍÓÌÒÛÎ ÚËÛÈÚÂÒ¸ ÒÓ ÒÔˆˇÎËÒÚÓÏ ÔÓ
‡‚ÚÓÒÍËÏ Ô‡‚‡Ï.
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl MG82CX/MG102C
5
ǂ‰ÂÌË ............................................................ 5
ëÓ‰ÂʇÌË ............................................................................ 5
è‰ ‚Íβ˜ÂÌËÂÏ ÏËͯ‡................................................. 5
ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl................................................................ 5
éÒÌÓ‚˚ ‡·ÓÚ˚ Ò ÏËͯÂÓÏ
ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ...................................... 6
èÓÎÌÓÙÛÌ͈ËÓ̇θ̇fl ‡·ÓÚ‡ Ò ÏËͯÂÓÏ........................................................ 7
Ň·ÌÒÌ˚È Ë Ì·‡Î‡ÌÒÌ˚È Ò˄̇Î: ‚ ˜ÂÏ ‡ÁÌˈ‡?............ 7
ìÓ‚ÌË Ò˄̇ÎÓ‚ Ë ‰ÂˆË·ÂÎ˚ ................................................ 7
àÒÔÓθÁÓ‚‡Ú¸ ÎË ˝Í‚‡Î‡ÈÁÂ?............................................... 8
é·‡·ÓÚ͇ Á‚Û͇ ..................................................................... 9
åÓ‰ÛÎflˆËÓÌÌ˚ ˝ÙÙÂÍÚ˚: .................................................... 9
Ù‡ÁËÌ„, ıÓÛÒ Ë ÙÎ˝Ì‰ÊÂ.................................................... 9
äÓÏÔÂÒÒËfl ............................................................................. 9
ëÔ‡‚Ó˜ÌÓ ÛÍÓ‚Ó‰ÒÚ‚Ó
è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë Á‡‰Ìflfl Ô‡ÌÂθ ......... 10
é·Î‡ÒÚ¸ ÛÔ‡‚ÎÂÌËfl ͇̇ÎÓÏ ............................................. 10
é·Î‡ÒÚ¸ χÒÚÂ-ÍÓÌÚÓη.............................................. 11
ñàîêéÇõÖ ùîîÖäíõ ...................................................... 13
ᇉÌflfl Ô‡ÌÂθ ‚‚Ó‰‡/‚˚‚Ó‰‡.............................................. 13
ç‡ÒÚÓÈ͇ ........................................................ 14
ëÔËÒÓÍ ‡Á˙ÂÏÓ‚ .................................................................. 14
èÓËÒÍ Ë ÛÒÚ‡ÌÂÌË ÌÂËÒÔ‡‚ÌÓÒÚÂÈ......... 15
ìÒÚ‡Ìӂ͇ ̇ ÏËÍÓÙÓÌÌÛ˛ ÒÚÓÈÍÛ.................................... 15
íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË ...................... 16
ǂ‰ÂÌËÂ
Å·„Ó‰‡ËÏ Á‡ ÔËÓ·ÂÚÂÌË ÏËͯÂÌÓ„Ó ÔÛÎ Ú‡ YAMAHA MG82CX/MG102C. ÇıÓ‰Ì˚ ͇̇Î˚ MG82CX/MG102C Ó·ÂÒÔ˜˂‡˛Ú ¯ËÓÍËÈ ÒÔÂÍÚ ÔËÏÂÌÂÌËfl. åÓ‰Âθ MG82CX ÔÓÁ‚ÓÎflÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ‚˚ÒÓÍÓ-͇˜ÂÒÚ‚ÂÌÌ˚ ˆËÙÓ‚˚ ˝ÙÙÂÍÚ˚, ·Î‡„Ó‰‡fl ÍÓÚÓ˚Ï ‰ÓÒÚË„‡ÂÚÒfl ‚˚ÒÓÍÓ͇˜ÂÒÚ‚ÂÌÌÓ Á‚Û˜‡ÌËÂ.чÌÌ˚È ÏËͯ ı‡‡ÍÚÂËÁÛÂÚÒfl ΄ÍÓÒÚ¸˛ ‚ ÛÔ‡‚ÎÂÌËË Ë ¯ËÓÍËÏË ‚ÓÁÏÓÊÌÓÒÚflÏË ÔËÏÂÌÂÌËfl.è‰ ̇˜‡ÎÓÏ ËÒÔÓθÁÓ‚‡ÌËfl ÏËͯ‡ ‚ÌËχÚÂθÌÓ ÔÓ˜ËÚ‡ÈÚ ‰‡ÌÌÓ ÛÍÓ‚Ó‰ÒÚ‚Ó. ùÚÓ ÔÓÁ‚ÓÎËÚÔÓÎÌÓÒÚ¸˛ ËÒÔÓθÁÓ‚‡Ú¸ Â„Ó ‚ÓÁÏÓÊÌÓÒÚË Ë Ì‡Ò·ʉ‡Ú¸Òfl ·ÂÁÓÚ͇ÁÌÓÈ ‡·ÓÚÓÈ ‚ Ú˜ÂÌË ÏÌÓ„Ëı ÎÂÚ.
1
ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ‚˚Íβ˜‡ÚÂθ ÔËÚ‡ÌËfl ÏËͯ‡̇ıÓ‰ËÚÒfl ‚ ÔÓÎÓÊÂÌËË STANDBY.
2
èÓ‰ÒÓ‰ËÌËÚ ‡‰‡ÔÚ ÔËÚ‡ÌËfl Í ‡Á˙ÂÏÛ AC ADAPTORIN (1
) ̇ Á‡‰ÌÂÈ Ô‡ÌÂÎË ÏËͯ‡, ÔÓÒΠ˜Â„Ó ÔÓ‚ÂÌËÚÂÍÂÔÂÊÌÓ ÍÓθˆÓ ÔÓ ˜‡ÒÓ‚ÓÈ ÒÚÂÎÍ (2
), ˜ÚÓ·˚Á‡ÍÂÔËÚ¸ ÒÓ‰ËÌÂÌËÂ.)
3
èÓ‰ÒÓ‰ËÌËÚ ‡‰‡ÔÚ ÔËÚ‡ÌËfl Í Ó·˚˜ÌÓÈ ÒÂÚ‚ÓÈÓÁÂÚÍÂ.
肉ËÚ ‚˚Íβ˜‡ÚÂθ ÔËÚ‡ÌËfl ÏËͯ‡ ‚ ÔÓÎÓÊÂÌË ON.ÖÒÎË Ú·ÛÂÚÒfl ‚˚Íβ˜ËÚ¸ ÔËÚ‡ÌËÂ, Ô‚‰ËÚ ‚˚Íβ˜‡ÚÂθÔËÚ‡ÌËfl ‚ ÔÓÎÓÊÂÌË STANDBY.
è‰ ‚Íβ˜ÂÌËÂÏ ÏËͯ‡
àÒÔÓθÁÛÈÚ ÚÓθÍÓ ‡‰‡ÔÚ PA-10, ÔÓÒÚ‡‚ÎflÂÏ˚È ‚ÏÂÒÚÂÒ ÏËͯÂÓÏ. àÒÔÓθÁÓ‚‡ÌË ‰Û„Ó„Ó ‡‰‡ÔÚ‡ ÏÓÊÂÚÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ Ó·ÓÛ‰Ó‚‡ÌËfl, ÔÂÂ„Â‚Û ËÎË‚ÓÁ„Ó‡Ì˲.
•
ÖÒÎË ÏËͯ Ì ËÒÔÓθÁÛÂÚÒfl, ‡ Ú‡ÍÊ ‚Ó ‚ÂÏfl „ÓÁ˚Ó·flÁ‡ÚÂθÌÓ ÓÚÒÓ‰ËÌflÈÚ ‡‰‡ÔÚ ÓÚ ÓÁÂÚÍË.
•
óÚÓ·˚ ËÁ·Âʇڸ ‚ÓÁÌËÍÌÓ‚ÂÌËfl ÌÂÊ·ÚÂθÌÓ„Ó ¯Ûχ,۷‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ‡‰‡ÔÚ ÔËÚ‡ÌËfl ̇ıÓ‰ËÚÒfl ̇‡ÒÒÚÓflÌËË Ì ÏÂÌ 50 ÒÏ ÓÚ ÏËͯ‡.
ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl
é·‡ÚËÚ ‚ÌËχÌËÂ, ˜ÚÓ ÂÒÎË ‚˚Íβ˜‡ÚÂθ ̇ıÓ‰ËÚÒfl ‚ÔÓÎÓÊÂÌËË STANDBY, ÚÓ Ì‡ ‡ÔÔ‡‡Ú ÔÓ‰ÓÎʇÂÚ ÔÓ‰‡‚‡Ú¸Òfl˝ÎÂÍÚ˘ÂÒÍËÈ ÚÓÍ. ÖÒÎË ÏËͯ Ì ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‚Ú˜ÂÌË ‰ÎËÚÂθÌÓ„Ó ‚ÂÏÂÌË, Ó·flÁ‡ÚÂθÌÓ ÓÚÍβ˜ËÚ‡‰‡ÔÚ ÓÚ ÓÁÂÚÍË.
ÇçàåÄçàÖ
21
ÇçàåÄçàÖ
ÇçàåÄçàÖ
ëÓ‰ÂʇÌËÂ
èË̇‰ÎÂÊÌÓÒÚË
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
ĉ‡ÔÚ ÔËÚ‡ÌËfl ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ (PA-10)
*
* åÓÊÂÚ Ì ÔÓÒÚ‡‚ÎflÚ¸Òfl Ò ÏËͯÂÓÏ ‚ Á‡‚ËÒËÏÓÒÚËÓÚ ÒÚ‡Ì˚/„ËÓ̇. é·‡ÚËÚÂÒ¸ Á‡ ËÌÙÓχˆËÂÈ ÍÒ‚ÓÂÏÛ ‰ËÎÂÛ Yamaha.
éÒÌÓ‚˚ ‡·ÓÚ˚ Ò ÏËͯÂÓÏ
6
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl MG82CX/MG102C
ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó
ÑÎfl ̇˜‡Î‡ ÌÂÓ·ıÓ‰ËÏÓ ÔÓ‰Íβ˜ËÚ¸ ‰‚‡ „ÓÏÍÓ„Ó‚ÓËÚÂÎfl Ë Ó·ÂÒÔ˜ËÚ¸ ‚˚ıÓ‰ÌÓÈ ÒÚÂÂÓÒ˄̇Î.é·‡ÚËÚ ‚ÌËχÌË ̇ ÚÓ, ˜ÚÓ ÓÔ‡ˆËË Ë Ôӈ‰Û˚ ÏÓ„ÛÚ ÌÂÒÍÓθÍÓ ÓÚ΢‡Ú¸Òfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚËÒÔÓθÁÛÂÏ˚ı ‚ıÓ‰Ì˚ı ÛÒÚÓÈÒÚ‚.
1
ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÏËͯ ‚˚Íβ˜ÂÌ Ë ‚Ò„ÛÎflÚÓ˚ ÛÓ‚Ìfl* ÛÒÚ‡ÌÓ‚ÎÂÌ˚ ‚ÏËÌËχθÌÓ ÔÓÎÓÊÂÌËÂ.
* å‡ÒÚÂ-ÍÓÌÚÓÎΠSTEREO, „ÛÎflÚÓ˚ ÛÓ‚Ìfl, „ÛÎflÚÓ Gain Ë Ú.‰.
èêàåÖóÄçàÖ
ìÒÚ‡ÌÓ‚ËÚ „ÛÎflÚÓ˚ Ô‡ÌÓ‡ÏËÓ‚‡ÌËfl ‚ ÔÓÎÓÊÂÌËÂ
t
.
2
Ç˚Íβ˜ËÚ ‰Û„Ë ‚̯ÌË ÛÒÚÓÈÒÚ‚‡, Á‡ÚÂÏ ÔÓ‰Íβ˜ËÚ ÏËÍÓÙÓÌ˚, ËÌÒÚÛÏÂÌÚ˚ Ë „ÓÏÍÓ„Ó‚ÓËÚÂÎË.èêàåÖóÄçàÖ
* èÓ‰Ó·ÌÂÂ Ó ÔÓ‰Íβ˜ÂÌËË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ ÒÏ. ÔËÏ ÔÓ‰Íβ˜ÂÌËfl ̇ ÒÚ. 14.
* èÓ‰Íβ˜‡ÈÚ ˝ÎÂÍÚ˘ÂÒÍËÂ Ë ·‡Ò-„ËÚ‡˚ ˜ÂÂÁ ÔÓÏÂÊÛÚÓ˜ÌÓ ÛÒÚÓÈÒÚ‚Ó, ̇ÔËÏ ‡ÒÔ‰ÂÎËÚÂθÌÛ˛ ÍÓÓ·ÍÛ, Ô‰ÛÒËÎËÚÂθ ËÎË „ËÚ‡Ì˚È ÍÓÏ·ËÍ. èflÏÓ ÔÓ‰Íβ˜ÂÌË ÚËı ËÌÒÚÛÏÂÌÚÓ‚ ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓ Í ÏËͯÂÛ MG ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÛıÛ‰¯ÂÌ˲ Á‚Û͇ Ë ÔÓfl‚ÎÂÌ˲ ¯Ûχ.
3
ÇÓ ËÁ·ÂʇÌË ÔÓ‚ÂʉÂÌËfl „ÓÏÍÓ„Ó‚ÓËÚÂÎÂÈ ‚Íβ˜‡ÈÚ ÛÒÚÓÈÒÚ‚‡ ‚ ÒÎÂ‰Û˛˘ÂÏ ÔÓfl‰ÍÂ: ÔÂËÙÂËÈÌ˚ ÛÒÚÓÈÒÚ‚‡
→→→→
ÏËͯ MG
→→→→
ÛÒËÎËÚÂÎË ÏÓ˘ÌÓÒÚË (ËÎË ‡ÍÚË‚Ì˚ „ÓÏÍÓ„Ó‚ÓËÚÂÎË). Ç˚Íβ˜‡ÈÚ ˝ÎÂÍÚÓÔËÚ‡ÌË ÛÒÚÓÈÒÚ‚ ‚ Ó·‡ÚÌÓÏ ÔÓfl‰ÍÂ.
èêàåÖóÄçàÖ
èË ËÒÔÓθÁÓ‚‡ÌËË ÏËÍÓÙÓÌÓ‚, ÚÂ·Û˛˘Ëı Ù‡ÌÚÓÏÌÓ„ÓÔËÚ‡ÌËfl, ‚Íβ˜ËÚ هÌÚÓÏÌÓ ÔËÚ‡ÌË ̇ ÏËͯ MG Ô‰‚Íβ˜ÂÌËÂÏ ÔËÚ‡ÌËfl ̇ ÛÒËÎËÚÂΠÏÓ˘ÌÓÒÚË ËÎË Ì‡ ‡ÍÚË‚Ì˚ı„ÓÏÍÓ„Ó‚ÓËÚÂÎflı. èÓ‰Ó·Ì ÒÏ. ̇ ÒÚ. 12.
4
ç‡ÒÚÓÈÚ „ÛÎflÚÓ˚ ͇̇ÎÓ‚ GAIN Ú‡ÍËÏ Ó·‡ÁÓÏ, ˜ÚÓ·˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë Ë̉Ë͇ÚÓ˚ PEAK ·˚ÒÚÓ ÏË„‡ÎË Ì‡ ÔËÍÓ‚˚ı ÛÓ‚Ìflı.
5
ìÒÚ‡ÌÓ‚ËÚ χÒÚÂ-ÍÓÌÚÓÎΠSTEREO ‚ ÔÓÎÓÊÂÌË «
t
».
6
ç‡ÒÚÓÈÚ „ÛÎflÚÓ˚ ÛÓ‚Ìfl Ú‡ÍËÏ Ó·‡ÁÓÏ, ˜ÚÓ·˚ ÒÓÁ‰‡Ú¸ Ê·ÂÏ˚È Ì‡˜‡Î¸Ì˚È ·‡Î‡ÌÒ, Á‡ÚÂÏ ÛÒÚ‡ÌÓ‚ËÚ ӷ˘Û˛ „ÓÏÍÓÒÚ¸, ËÒÔÓθÁÛfl χÒÚÂ-ÍÓÌÚÓÎΠSTEREO.èêàåÖóÄçàÖ
* à̉Ë͇ÚÓ LEVEL ËÒÔÓθÁÛÂÚÒfl ‰Îfl ‚ËÁۇθÌÓ„Ó ÓÚÓ·‡ÊÂÌËfl ÛÓ‚ÌÂÈ Ì‡ ¯Ë̇ı STEREO L/R.
* ÖÒÎË Ë̉Ë͇ÚÓ PEAK ˜‡ÒÚÓ ÏË„‡ÂÚ, ÌÂÏÌÓ„Ó ÛÏÂ̸¯ËÚ ÛÓ‚Â̸ „ÛÎflÚÓÓ‚ LEVEL ‚Ó ËÁ·ÂʇÌË ËÒ͇ÊÂÌËfl.
Ç˚‚Ó‰ Á‚Û͇ ̇ „ÓÏÍÓ„Ó‚ÓËÚÂÎË
PAN
1, 4ê„ÛÎflÚÓ˚
GAIN
4 à̉Ë͇ÚÓ˚ PEAK
ùÍ‚‡Î‡ÈÁÂ
1, 6 ê„ÛÎflÚÓ˚ ÛÓ‚Ìfl 1, 5, 6å‡ÒÚÂ-ÍÓÌÚÓÎΠSTEREO
6 à̉Ë͇ÚÓ ÛÓ‚Ìfl
3 èÂÂÍβ˜‡ÚÂθ PHANTOM
1, 3èÂÂÍβ˜‡ÚÂθ POWER
22
2åËÍÓÙÓÌ˚, ËÌÒÚÛÏÂÌÚ˚2
äÓÌÚÓθÌ˚ „ÓÏÍÓ„Ó‚ÓËÚÂÎË
ç‡Û¯ÌËÍË
ìÒËÎËÚÂθ ÏÓ˘ÌÓÒÚË
ÉÓÏÍÓ„Ó‚ÓËÚÂÎË
éÒÌÓ‚˚ ‡·ÓÚ˚ Ò ÏËͯÂÓÏ
7
éÒÌÓ‚˚ ‡·ÓÚ˚ Ò ÏËͯÂÓÏ
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl MG82CX/MG102C
èÓÎÌÓÙÛÌ͈ËÓ̇θ̇fl ‡·ÓÚ‡ Ò ÏËͯÂÓÏ
àÚ‡Í, ‚˚ ÔËÓ·ÂÎË ÏËÍ¯Â Ë „ÓÚÓ‚˚ Â„Ó ËÒÔÓθÁÓ‚‡Ú¸.èÓ‰Íβ˜ËÎË ‚Ò ÌÂÓ·ıÓ‰ËÏÓÂ, ÔÓÍÛÚËÎË Â„ÛÎflÚÓ˚ Ë ÏÓÊÌÓ Ì‡˜Ë̇ڸ?äÓ̘ÌÓ, ÂÒÎË ‚˚ ‰Â·ÎË ˝ÚÓ ‡Ì¸¯Â, ÔÓ·ÎÂÏ Ì ·Û‰ÂÚ, ÌÓ ÂÒÎË ‚˚ ‚ˉËÚ ÏËͯ ‚Ô‚˚Â, ÎÛ˜¯Â ÔÓ˜ËÚ‡Ú¸ ˝ÚÓÚ Ì·Óθ¯ÓÈ Û˜Â·ÌËÍ Ë Ì‡Û˜ËÚ¸Òfl ‡Á‡Ï ÏËͯËÓ‚‡ÌËfl, ÍÓÚÓ˚ ÔÓÁ‚ÓÎflÚ ‚‡Ï ÔÓÎÛ˜‡Ú¸ ÎÛ˜¯Ë ÂÁÛθڇÚ˚ Ë ÒÓÁ‰‡‚‡Ú¸ ÏËÍÒ˚ ÔÓ Ò‚ÓÂÏÛ ‚ÍÛÒÛ.
Ň·ÌÒÌ˚È Ë Ì·‡Î‡ÌÒÌ˚È Ò˄̇Î: ‚ ˜ÂÏ ‡ÁÌˈ‡?
é‰ÌËÏ ÒÎÓ‚ÓÏ — ¯ÛÏ. ëÏ˚ÒÎ ·‡Î‡ÌÒÌ˚ı ÎËÌËÈ ‚ ÚÓÏ, ˜ÚÓ ÓÌË ıÓÓ¯Ó ÔÓ‰‡‚Îfl˛Ú ¯ÛÏ˚. ã˛·ÓÈ ÓÚÂÁÓÍ ÔÓ‚Ó‰‡ fl‚ÎflÂÚÒfl‡ÌÚÂÌÌÓÈ, ÔËÌËχ˛˘ÂÈ ı‡ÓÚ˘ÌÓ ˝ÎÂÍÚÓχ„ÌËÚÌÓ ËÁÎÛ˜ÂÌËÂ, ÍÓÚÓ˚Ï Ï˚ ÔÓÒÚÓflÌÌÓ ÓÍÛÊÂÌ˚: ˝ÚÓ ‡‰ËÓ ËÚÂ΂ËÁËÓÌÌ˚ Ò˄̇Î˚, ‡ Ú‡ÍÊ ÔÓÏÂıË ÓÚ ÎËÌËÈ ˝ÎÂÍÚÓÔ‰‡˜, ‰‚Ë„‡ÚÂÎÂÈ, ˝ÎÂÍÚÓÔË·ÓÓ‚, ÍÓÏÔ¸˛ÚÂÌ˚ı ÏÓÌËÚÓÓ‚Ë ÏÌÓÊÂÒÚ‚‡ ‰Û„Ëı ËÒÚÓ˜ÌËÍÓ‚. óÂÏ ‰ÎËÌÌ ÔÓ‚Ó‰, ÚÂÏ ·Óθ¯Â ÔÓÏÂı ÓÌ ÔËÌËχÂÚ. èÓ˝ÚÓÏÛ ·‡Î‡ÌÒÌ˚ ÎËÌËË fl‚Îfl˛ÚÒflÓÔÚËχθÌ˚Ï ‚˚·ÓÓÏ ‰Îfl ÒÓÁ‰‡ÌËfl ÔÓÚflÊÂÌÌ˚ı ͇·ÂθÌ˚ı Ú‡ÒÒ. ÖÒÎË ‚‡¯‡ «ÒÚÛ‰Ëfl» Ó„‡Ì˘Â̇ ‡·Ó˜ËÏ ÒÚÓÎÓÏ, ‡ÔÓ‰Íβ˜ÂÌÌ˚ ÛÒÚÓÈÒÚ‚‡ ̇ıÓ‰flÚÒfl ̇ ‡ÒÒÚÓflÌËË Ì ·ÓΠӉÌÓ„Ó-‰‚Ûı ÏÂÚÓ‚, ÔÓ‰ÓȉÛÚ Ë Ì·‡Î‡ÌÒÌ˚ ÎËÌËË, ÂÒÎËÛÓ‚Â̸ ˝ÎÂÍÚÓχ„ÌËÚÌ˚ı ÔÓÏÂı Ì ÒÎ˯ÍÓÏ ‚ÂÎËÍ. ëËÏÏÂÚ˘Ì˚ ÎËÌËË Ô‡ÍÚ˘ÂÒÍË ‚Ò„‰‡ ËÒÔÓθÁÛ˛ÚÒfl ‚ ÏËÍÓÙÓÌÌ˚ı͇·ÂÎflı. è˘Ë̇ ‚ ÚÓÏ, ˜ÚÓ ‚˚ıÓ‰ÌÓÈ Ò˄̇Π·Óθ¯ËÌÒÚ‚‡ ÏËÍÓÙÓÌÓ‚ Ó˜Â̸ Ò··, ÔÓ˝ÚÓÏÛ ‰‡Ê ÌÂÁ̇˜ËÚÂθÌ˚ ÔÓÏÂıË·Û‰ÛÚ ‰Îfl ÌËı „Û·ËÚÂθÌ˚, ‡ ÔÓÒΠÔÓıÓʉÂÌËfl Ô‰‚‡ËÚÂθÌÓ„Ó ÛÒËÎËÚÂÎfl ÏËͯ‡ ÓÌË ÛÒËÎflÚÒfl ‰Ó ÓÔ‡ÒÌÓÈ ÒÚÂÔÂÌË.
ìÓ‚ÌË Ò˄̇ÎÓ‚ Ë ‰ÂˆË·ÂÎ˚
ч‚‡ÈÚ ‡ÒÒÏÓÚËÏ Ó‰ÌÛ ËÁ ̇˷ÓΠ˜‡ÒÚÓ ËÒÔÓθÁÛÂÏ˚ı ‰ËÌˈËÁÏÂÂÌËfl Á‚Û͇ — ‰ÂˆË·ÂÎ (‰Å). ÖÒÎË Ì‡ËÏÂ̸¯ÂÏÛ ÛÓ‚Ì˛ Á‚Û͇,‰ÓÒÚÛÔÌÓ„Ó ˜ÂÎӂ˜ÂÒÍÓÏÛ ÛıÛ, ÔËÒ‚ÓËÚ¸ ÔÓËÁ‚ÓθÌÓ Á̇˜ÂÌË 1, ÚÓÒ‡Ï˚È „ÓÏÍËÈ Á‚ÛÍ, ÍÓÚÓ˚È ÏÓÊÌÓ ÛÒÎ˚¯‡Ú¸, ÔË·ÎËÁËÚÂθÌÓ ‚1000000 (Ó‰ËÌ ÏËÎÎËÓÌ) ‡Á „ÓϘÂ. ùÚÓ ÒÎ˯ÍÓÏ ·Óθ¯‡fl ˆËÙ‡ ‰ÎflÔ‡ÍÚ˘ÂÒÍËı ‚˚˜ËÒÎÂÌËÈ, ÔÓ˝ÚÓÏÛ ÔËÏÂÌflÂÚÒfl ·ÓΠۉӷ̇fl‰ËÌˈ‡ ËÁÏÂÂÌËfl, ÔÓÎۘ˂¯‡fl ̇Á‚‡ÌË «‰ÂˆË·Âλ (‰Å). Ç ˝ÚÓÈÒËÒÚÂÏ ‡ÁÌÓÒÚ¸ ÏÂÊ‰Û Ò‡Ï˚Ï ÚËıËÏ Ë Ò‡Ï˚Ï „ÓÏÍËÏ Á‚Û͇ÏË,ÍÓÚÓ˚ ÏÓÊÌÓ ÛÒÎ˚¯‡Ú¸, ÒÓÒÚ‡‚ÎflÂÚ 120 ‰Å. ëΉÛÂÚ Û˜ËÚ˚‚‡Ú¸Ú‡ÍÊ ÌÂÎËÌÂÈÌÓÒÚ¸ ˝ÚÓÈ ¯Í‡Î˚: ËÁÏÂÌÂÌË „ÓÏÍÓÒÚË Ì‡ 3 ‰ÅÙ‡ÍÚ˘ÂÒÍË ÔË‚Ó‰ËÚ Í Û‰‚ÓÂÌ˲ „ÓÏÍÓÒÚË ËÎË Â ÛÏÂ̸¯ÂÌ˲‚‰‚ÓÂ.åÓÊÌÓ ÒÚÓÎÍÌÛÚ¸Òfl Ò ÏÌÓÊÂÒÚ‚ÓÏ ‡Á΢Ì˚ı ‚‡Ë‡ˆËÈ ‰ÂˆË·Â·: ‰ÅÌ,‰Å‚, ‰ÅÏ Ë ‰Û„ËÏË, ÌÓ ÓÒÌÓ‚ÌÓÈ Â‰ËÌˈÂÈ fl‚ÎflÂÚÒfl ‰ÅÌ. á̇˜ÂÌË«0 ‰ÅÌ» ÓÔ‰ÂÎÂÌÓ Í‡Í ÛÓ‚Â̸ Ò˄̇· 0,775 Ç. ç‡ÔËÏÂ, ÂÒÎËÛÓ‚Â̸ ‚˚ıÓ‰ÌÓ„Ó Ò˄̇· ÏËÍÓÙÓ̇ ÒÓÒÚ‡‚ÎflÂÚ –40 ‰ÅÌ (0,00775 Ç),ÚÓ ‰Îfl ÔÓ‰ÌflÚËfl ˝ÚÓ„Ó ÛÓ‚Ìfl ‰Ó 0 ‰ÅÌ (0,775 Ç) ‚ ÒÚ‡‰ËËÔ‰‚‡ËÚÂθÌÓ„Ó ÛÒËÎÂÌËfl Ò˄̇Π‰ÓÎÊÂÌ ·˚Ú¸ ÛÒËÎÂÌ ‚ 100 ‡Á.åËͯÂÛ ÔËıÓ‰ËÚÒfl Ó·‡·‡Ú˚‚‡Ú¸ Ò˄̇Î˚ ‚ ¯ËÓÍÓÏ ‰Ë‡Ô‡ÁÓÌ ÛÓ‚ÌÂÈ Ë Í‡Í ÏÓÊÌÓ ÚӘ̠Òӷβ‰‡Ú¸ ÛÓ‚ÌË ‚ıÓ‰Ì˚ı Ë‚˚ıÓ‰Ì˚ı Ò˄̇ÎÓ‚. Ç ·Óθ¯ËÌÒÚ‚Â ÒÎÛ˜‡Â‚ ÌÓÏË̇θÌÓ Á̇˜ÂÌË ÛÓ‚Ìfl ‚ıÓ‰Ó‚ Ë ‚˚ıÓ‰Ó‚ ÏËͯ‡ ÓÚϘÂÌÓ Ì‡ Ô‡ÌÂÎËËÎË Ô˂‰ÂÌÓ ‚ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl.
èÓÏÂıË ÛÒÚ‡ÌÂÌ˚
èÓ‰‡‚ÎÂÌË ÔÓÏÂı ‚ ·‡Î‡ÌÒÌÓÈ
èÓÏÂı‡
ÉÓfl˜ËÈ (+)
áÂÏÎfl
ïÓÎÓ‰Ì˚È (–)
䇷ÂθàÒÚÓ˜ÌËÍ ìÒÚÓÈÒÚ‚Ó ÔËÂχ Ò˄̇·
àÌ‚ÂÚËÓ‚‡ÌËÂÙ‡Á˚
ë˄̇ηÂÁ ÔÓÏÂıàÌ‚Â-
ÚËÓ‚‡ÌË هÁ˚
èÓ‰‚‰ÂÏ ËÚÓ„Ë.
åËÍÓÙÓÌ˚. àÒÔÓθÁÛ˛ÚÒfl ·‡Î‡ÌÒÌ˚ ÎËÌËË.
äÓÓÚÍËÂ ÎËÌÂÈÌ˚Â Ú‡ÒÒ˚.
緇·ÌÒÌ˚ ÎËÌËË ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‚ ÒÎÛ˜‡Â Ì‚˚ÒÓÍÓ„Ó ÛÓ‚Ìfl ÔÓÏÂı.
èÓÚflÊÂÌÌ˚Â ÎËÌÂÈÌ˚Â Ú‡ÒÒ˚.
Ç˚·Ó ÚËÔ‡ ÎËÌËË ‚ ÓÒÌÓ‚ÌÓÏ Á‡‚ËÒËÚ ÓÚ ÛÓ‚Ìfl ‚̯ÌËı ˝ÎÂÍÚÓχ„ÌËÚÌ˚ı ÔÓÏÂı, ÌÓ ËÒÔÓθÁÓ‚‡ÌË ·‡Î‡ÌÒÌ˚ı ÎËÌËÈ ‰‡ÂÚ ÎÛ˜¯ËÈ ÂÁÛθڇÚ.
+ 20 dBu
0 dBu 0.775 V
-20 dBu
-40 dBu
-60 dBu
ÇıÓ‰˚ Ë ‚˚ıÓ‰˚ Ó·˚˜Ì˚ı ·˚ÚÓ‚˚ı ‡Û‰ËÓÔË·ÓÓ‚ Ò ÌÓÏË̇θÌ˚Ï ÛÓ‚ÌÂÏ –10 ‰ÅÌ.
èÓÙÂÒÒËÓ̇θÌ˚ ÏËͯÂ˚, ÛÒËÎËÚÂÎË ÏÓ˘ÌÓÒÚË Ë ‰Û„Ë ÚËÔ˚ Ó·ÓÛ‰Ó‚‡ÌËfl ËÏÂ˛Ú ‚ıÓ‰˚ Ë ‚˚ıÓ‰˚ Ò ÌÓÏË̇θÌ˚Ï ÛÓ‚ÌÂÏ +4 ‰ÅÌ.
ìÓ‚ÌË ÏËÍÓÙÓÌÌ˚ı Ò˄̇ÎÓ‚ ËÁÏÂÌfl˛ÚÒfl ‚ ¯ËÓÍÓÏ ‰Ë‡Ô‡ÁÓÌ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÚËÔ‡ ÏËÍÓÙÓ̇ Ë ËÒÚÓ˜ÌË͇. ìÓ‚Â̸ „ÓÏÍÓÒÚË Ó·˚˜ÌÓÈ Â˜Ë ÒÓÒÚ‡‚ÎflÂÚ ÔË·ÎËÁËÚÂθÌÓ –30 ‰ÅÌ, ˘Â·Âڇ̸fl ÔÚˈ˚ — ÏÓÊÂÚ ·˚Ú¸ ÌËÊ ˜ÂÏ –50 ‰ÅÌ, ‡ ·‡Ò-·‡‡·‡Ì ÏÓÊÂÚ ÔÓËÁ‚ÂÒÚË ÛÓ‚Â̸ ÔÓfl‰Í‡ 0 ‰ÅÌ.
8
èÓÎÌÓÙÛÌ͈ËÓ̇θ̇fl ‡·ÓÚ‡ Ò ÏËͯÂÓÏ
éÒÌÓ‚˚ ‡·ÓÚ˚ Ò ÏËͯÂÓÏ
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl MG82CX/MG102C
àÒÔÓθÁÓ‚‡Ú¸ ÎË ˝Í‚‡Î‡ÈÁÂ?
Ç ÓÒÌÓ‚ÌÓÏ, ˜ÂÏ ÏÂ̸¯Â — ÚÂÏ ÎÛ˜¯Â. ëÛ˘ÂÒÚ‚ÛÂÚ ÏÌÓ„Ó ÒËÚÛ‡ˆËÈ, ‚ ÍÓÚÓ˚ı ÔÓÚ·ÛÂÚÒfl ÓÒ··ËÚ¸ ÓÔ‰ÂÎÂÌÌ˚˜‡ÒÚÓÚÌ˚ ‰Ë‡Ô‡ÁÓÌ˚, ÌÓ ÒÚ‡‡ÈÚÂÒ¸ Í‡Í ÏÓÊÌÓ ÂÊ ÔÓθÁÓ‚‡Ú¸Òfl ÛÒËÎÂÌËÂÏ ˜‡ÒÚÓÚ. èË Ô‡‚ËθÌÓÏ ËÒÔÓθÁÓ‚‡ÌË˽͂‡Î‡ÈÁ‡ ÏÓÊÌÓ ËÁ·Âʇڸ ‚Á‡ËÏÌ˚ı ÔÓÏÂı ËÌÒÚÛÏÂÌÚÓ‚ ‚ ÏËÍÒÂ Ë ÛÎÛ˜¯ËÚ¸ Ó·˘Â Á‚Û˜‡ÌËÂ. çÂÛ‰‡˜Ì˚ ̇ÒÚÓÈÍ˽͂‡Î‡ÈÁ‡ (Ó·˚˜ÌÓ ÌÂÛ‰‡˜ÌÓ ÛÒËÎÂÌË ˜‡ÒÚÓÚ) ·ÂÁ̇‰ÂÊÌÓ ÔÓÚflÚ Á‚ÛÍ.
éÒ··ÎÂÌË ˜‡ÒÚÓÚ ‰Îfl Ó˜ËÒÚÍË ÏËÍÒ‡
ç‡ÔËÏÂ, Á‚Û˜‡ÌË ڇÂÎÓÍ ËÏÂÂÚ ·Óθ¯Û˛ ˝Ì„˲ ‚‰Ë‡Ô‡ÁÓ̇ı Ò‰ÌËı Ë ÌËÁÍËı ˜‡ÒÚÓÚ, ˜ÚÓ Ì ‚ÓÒÔËÌËχÂÚÒfl ͇ÍÏÛÁ˚͇θÌ˚È Á‚ÛÍ, ÌÓ ÏÓÊÂÚ ÔÓ‚ÎËflÚ¸ ̇ flÒÌÓÒÚ¸ Á‚Û˜‡ÌËfl‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚ ‚ ˝ÚËı ‰Ë‡Ô‡ÁÓ̇ı. åÓÊÌÓ ÔÓÎÌÓÒÚ¸˛ÒÂÁ‡Ú¸ ÌËÁÍË ˜‡ÒÚÓÚ˚ ̇ ͇̇·ı Ú‡ÂÎÓÍ ·ÂÁ ËÁÏÂÌÂÌËfl ËıÁ‚Û˜‡ÌËfl ‚ ÏËÍÒÂ. é‰Ì‡ÍÓ ‚˚ ÛÒÎ˚¯ËÚ ÓÚ΢Ëfl: ÏËÍÒ Á‡Á‚Û˜ËÚ·ÓΠ«Ó·˙ÂÏÌÓ», Ò ‡ÍˆÂÌÚÓÏ Ì‡ ËÌÒÚÛÏÂÌÚ˚ ‚ ‰Ë‡Ô‡ÁÓ̇ıÌËÁÍËı ˜‡ÒÚÓÚ. ì‰Ë‚ËÚÂθÌÓ, ÌÓ ÙÓÚÂÔ¸flÌÓ Ú‡ÍÊ ËÏÂÂÚ Ó˜Â̸ÏÓ˘Ì˚ ÌËÁÍË ˜‡ÒÚÓÚ˚, ÔÓ˝ÚÓÏÛ ÏËÍÒ ÚÓθÍÓ ‚˚Ë„‡ÂÚ, ÂÒÎË˝ÚÓÚ ‰Ë‡Ô‡ÁÓÌ ÌÂÏÌÓ„Ó ÓÒ··ËÚ¸, ˜ÚÓ·˚ ‰Û„Ë ËÌÒÚÛÏÂÌÚ˚(̇ÔËÏÂ, ·‡Ò Ë Û‰‡Ì˚Â) Á‚Û˜‡ÎË ÊË‚ÂÂ. ê‡ÁÛÏÂÂÚÒfl, ˝ÚÓ„Ó ÌÂÌÛÊÌÓ ‰Â·ڸ, ÂÒÎË ËÒÔÓÎÌflÂÚÒfl ÒÓÎÓ Ì‡ ÙÓÚÂÔ¸flÌÓ.ÑÎfl ‡·Ó˜Â„Ó ·‡‡·‡Ì‡ Ë ·‡Ò-„ËÚ‡˚ ı‡‡ÍÚÂÌÓ Ó·‡ÚÌÓÂ: ˜‡ÒÚÓËı ÎÛ˜¯Â ÓÒ··ËÚ¸ ‚ ӷ·ÒÚË ‚˚ÒÓÍËı ˜‡ÒÚÓÚ, ˜ÚÓ·˚ ‰Ó·‡‚ËÚ¸ÔÓÒÚ‡ÌÒÚ‚‡ ‚ ÏËÍÒ ·ÂÁ ͇ÍÓ„Ó-ÎË·Ó ‚‰‡ ‰Îfl ı‡‡ÍÚ‡Á‚Û˜‡ÌËfl ˝ÚËı ËÌÒÚÛÏÂÌÚÓ‚. é‰Ì‡ÍÓ Î˛·ÓÈ ÂÁÛÎ¸Ú‡Ú ÌÂÓ·ıÓ‰ËÏÓÒÎÛ¯‡Ú¸, ÔÓÒÍÓθÍÛ Í‡Ê‰˚È ËÌÒÚÛÏÂÌÚ Ë̉˂ˉۇÎÂÌ Ë ÏÓÊÂÚ,̇ÔËÏÂ, ÔÓÚ·ӂ‡Ú¸Òfl ·ÓΠ„ÎÛ·ÓÍËÈ Á‚ÛÍ ·‡Ò-„ËÚ‡˚.
ÅÛ‰¸Ú ‚ÌËχÚÂθÌ˚ ÔË ÛÒËÎÂÌËË ˜‡ÒÚÓÚ
ÑÎfl ÒÓÁ‰‡ÌËfl ÒÔˆˇθÌÓ„Ó ËÎË ÌÂÓ·˚˜ÌÓ„Ó ˝ÙÙÂÍÚ‡ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ Á̇˜ËÚÂθÌÓ ÛÒËÎÂÌË ˜‡ÒÚÓÚ. çÓÂÒÎË ÌÛÊÂÌ ÏËÍÒ Ò ıÓÓ¯ËÏ Á‚Û˜‡ÌËÂÏ, ÔÓθÁÛÈÚÂÒ¸ ˝ÚÓÈÙÛÌ͈ËÂÈ Ó˜Â̸ ÓÒÚÓÓÊÌÓ. ç·Óθ¯Ó ÛÒËÎÂÌË Ò‰ÌËı˜‡ÒÚÓÚ Ôˉ‡ÂÚ ‚Ó͇ÎÛ ·Óθ¯ËÈ «˝ÙÙÂÍÚ ÔËÒÛÚÒÚ‚Ëfl».ìÒËÎË‚ ‚˚ÒÓÍË ˜‡ÒÚÓÚ˚, ÏÓÊÌÓ ‰Ó·ËÚ¸Òfl ·ÓΫ‚ÓÁ‰Û¯ÌÓ„Ó» Á‚Û˜‡ÌËfl ÓÔ‰ÂÎÂÌÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚.èÓÒΠÛÒËÎÂÌËfl Ó·flÁ‡ÚÂθÌÓ ÔÓÒÎÛ¯‡ÈÚ ÂÁÛθڇÚ.ÖÒÎË ÒÚ‡‰‡ÂÚ ˜ËÒÚÓÚ‡ Á‚Û͇, ÎÛ˜¯Â Ó·ÂʸÚ ˜‡ÒÚÓÚ˚,«Á‡„ÓÏÓʉ‡˛˘Ë» ÏËÍÒ, ‡ Ì ÛÒËÎË‚‡ÈÚ Ëı.ëÎ˯ÍÓÏ ·Óθ¯Ó ÛÒËÎÂÌË ˜‡ÒÚÓÚ ÏÓÊÂÚ ÔË‚ÂÒÚË Í˜ÂÁÏÂÌÓÏÛ ÛÒËÎÂÌ˲ Ò˄̇·, ÒÓÁ‰‡‚‡fl ‰ÓÔÓÎÌËÚÂθÌ˚ÂÔÓÏÂıË Ë ÔÓÚÂ̈ˇθÌÛ˛ ÓÔ‡ÒÌÓÒÚ¸ Ô„ÛÁÍË ‚ ˆÂÔËÒ˄̇·.
çÂÒÍÓθÍÓ ÒÎÓ‚ Ó ˜‡ÒÚÓÚ‡ı
ó‡ÒÚÓÚ˚, ÍÓÚÓ˚ ÏÓÊÂÚ ÒÎ˚¯‡Ú¸ ˜ÂÎӂ˜ÂÒÍÓ ÛıÓ, Í‡Í ÔÓ·„‡˛Ú, ‡ÒÔÓ·„‡˛ÚÒfl ÔË·ÎËÁËÚÂθÌÓ ‚ ‰Ë‡Ô‡ÁÓÌ ÓÚ 20 Ɉ‰Ó 20000 Ɉ. é·˚˜Ì˚È ‡Á„Ó‚Ó ÔÓËÒıÓ‰ËÚ ÔË·ÎËÁËÚÂθÌÓ ‚ ‰Ë‡Ô‡ÁÓÌ ˜‡ÒÚÓÚ ÓÚ 300 Ɉ ‰Ó 3000 Ɉ. ó‡ÒÚÓÚ‡Òڇ̉‡ÚÌ˚ı ͇ÏÂÚÓÌÓ‚, ËÒÔÓθÁÛÂÏ˚ı ‰Îfl ̇ÒÚÓÈÍË „ËÚ‡ Ë ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚, ÒÓÒÚ‡‚ÎflÂÚ 440 Ɉ (˝ÚÓ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚÍ·‚˯ «A3» ÙÓÚÂÔ¸flÌÓ, ̇ÒÚÓÂÌÌÓ„Ó Ì‡ ÍÓ̈ÂÚÌÓÈ ‚˚ÒÓÚ ÚÓ̇). 쉂ÓË‚ ˝ÚÛ ˜‡ÒÚÓÚÛ, ÏÓÊÌÓ ÔÓÎÛ˜ËÚ¸ ‚˚ÒÓÚÛ ÚÓ̇ӉÌÓÈ ÓÍÚ‡‚ÓÈ ‚˚¯Â, Ú.Â. 880 Ɉ (Í·‚˯‡ «A4» ÙÓÚÂÔ¸flÌÌÓÈ Í·‚ˇÚÛ˚). í‡ÍËÏ Ê ӷ‡ÁÓÏ ÏÓÊÌÓ ‡Á‰ÂÎËÚ¸ ˜‡ÒÚÓÚÛ̇ ‰‚‡ Ë ÔÓÎÛ˜ËÚ¸ 220 Ɉ, ÚÓ ÂÒÚ¸ Í·‚Ë¯Û «A2» Ó‰ÌÓÈ ÓÍÚ‡‚ÓÈ ÌËÊÂ.
20 50 100 200 500 1 k 2 k 5 k 10 k 20 k (Hz)
îÓÚÂÔ¸flÌÓ
ŇÒ-·‡‡·‡Ì
å‡Î˚È ·‡‡·‡Ì
ŇÒ
ÉËÚ‡‡
íÓÏ·ÓÌ
íÛ·‡
í‡ÂÎÍËl
éÒÌӂ̇fl ˜‡ÒÚÓÚ‡: ˜‡ÒÚÓÚ‡, ÍÓÚÓ‡fl ÓÔ‰ÂÎflÂÚ ÓÒÌÓ‚ÌÛ˛ ÏÛÁ˚͇θÌÛ˛ ‚˚ÒÓÚÛ ÚÓ̇.
ɇÏÓÌ˘ÂÒÍË ˜‡ÒÚÓÚ˚: ÔÓËÁ‚Ó‰Ì˚ ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚÓÚ˚, ÍÓÚÓ˚ ˄‡˛Ú Óθ ‚ ÓÔ‰ÂÎÂÌËË ÚÂÏ·‡ ËÌÒÚÛÏÂÌÚ‡.
éÒÌÓ‚Ì˚Â Ë „‡ÏÓÌ˘ÂÒÍË ‰Ë‡Ô‡ÁÓÌ˚ ˜‡ÒÚÓÚ ÌÂÍÓÚÓ˚ı ÏÛÁ˚͇θÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚.
ìÓ‚Â̸Ò˄̇· (‰Å)
ó‡ÒÚÓÚ‡ (É )
çËÁÍË ˜‡ÒÚÓÚ˚ ÛÒËÎÂÌ˚
çËÁÍË ˜‡ÒÚÓÚ˚ ÎËÌÂÈÌ˚Â
çËÁÍË ˜‡ÒÚÓÚ˚ ‚˚ÂÁ‡Ì˚
ë‰ÌË ˜‡ÒÚÓÚ˚ ÛÒËÎÂÌ˚
ë‰ÌË ˜‡ÒÚÓÚ˚ ÎËÌÂÈÌ˚Â
Ç˚ÒÓÍË ˜‡ÒÚÓÚ˚ ÛÒËÎÂÌ˚
Ç˚ÒÓÍË ˜‡ÒÚÓÚ˚ ÎËÌÂÈÌ˚Â
Ç˚ÒÓÍË ˜‡ÒÚÓÚ˚ ‚˚ÂÁ‡Ì˚
ë‰ÌË ˜‡ÒÚÓÚ˚ ‚˚ÂÁ‡Ì˚
9
éÒÌÓ‚˚ ‡·ÓÚ˚ Ò ÏËͯÂÓÏ
èÓÎÌÓÙÛÌ͈ËÓ̇θ̇fl ‡·ÓÚ‡ Ò ÏËͯÂÓÏ
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl MG82CX/MG102C
é·‡·ÓÚ͇ Á‚Û͇
åËÍÒ˚ ÏÓÊÌÓ ÛÎÛ˜¯ËÚ¸, ‰Ó·‡‚Ë‚ Ú‡ÍË ˝ÙÙÂÍÚ˚, ͇Í‚·‡ˆË˛ ËÎË Á‡‰ÂÊÍÛ. ÇÌÛÚÂÌÌË ˝ÙÙÂÍÚ˚ MGÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸, ˜ÚÓ·˚ ‰Ó·‡‚ËÚ¸ ‚·‡ˆË˛ ËÎËÁ‡‰ÂÊÍÛ ‰Îfl ÓÚ‰ÂθÌ˚ı ͇̇ÎÓ‚ ÚÂÏ Ê ÒÔÓÒÓ·ÓÏ, ˜ÚÓ ËÔË ËÒÔÓθÁÓ‚‡ÌËË ‚̯ÌÂ„Ó ˝ÙÙÂÍÚ-ÔÓˆÂÒÒÓ‡. (ëÏ.ÒÚ. 13).
ÇÂÏfl ‚·‡ˆËË Ë Á‡‰ÂÊÍË
Ç˚·Ó ‚ÂÏÂÌË Â‚Â·Â‡ˆËË ‚ ·Óθ¯ÓÈ ÒÚÂÔÂÌË Á‡‚ËÒËÚÓÚ ÚÂÏÔ‡ Ë «ÔÎÓÚÌÓÒÚË» ÏÛÁ˚ÍË. ä‡Í Ô‡‚ËÎÓ, ·Óθ¯Â‚ÂÏfl ‚·‡ˆËË ıÓÓ¯Ó ÔÓ‰ıÓ‰ËÚ ‰Îfl ·‡Î·‰, ‡ÏÂ̸¯Â — ‰Îfl ÍÓÏÔÓÁˈËÈ Ò ·˚ÒÚ˚Ï ÚÂÏÔÓÏ. ÇÂÏflÁ‡‰ÂÊÍË ÏÓÊÌÓ ÓÚ„ÛÎËÓ‚‡Ú¸ ‰Îfl Ô‰‡˜Ë ÏÌÓÊÂÒÚ‚‡ËÚÏÓ‚. ç‡ÔËÏÂ, ÔË ‰Ó·‡‚ÎÂÌËË Á‡‰ÂÊÍË Í ‚Ó͇ÎÛÔÓÔÓ·ÛÈÚ ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ÂÏfl Á‡‰ÂÊÍË Ì‡ ‚ÓÒ¸Ï˚ ÌÓÚ˚ ÒÚÓ˜ÍÓÈ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÚÂÏÔÛ ÏÂÎÓ‰ËË.
íÓÌ Â‚Â·Â‡ˆËË
ê‡Á΢Ì˚ ÔÓ„‡ÏÏ˚ ‚·‡ˆËË ËÏÂ˛Ú ‡Á΢Ì˚È«ÚÓÌ Â‚Â·Â‡ˆËË» ËÁ-Á‡ ‡Á΢Ëfl ‚Ó ‚ÂÏÂÌË‚·‡ˆËË ‚˚ÒÓÍËı Ë ÌËÁÍËı ˜‡ÒÚÓÚ. ëÎ˯ÍÓÏ ÒËθÌ˚È˝ÙÙÂÍÚ Â‚Â·Â‡ˆËË, ÓÒÓ·ÂÌÌÓ Ì‡ ‚˚ÒÓÍËı ˜‡ÒÚÓÚ‡ı,ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÌÂÂÒÚÂÒÚ‚ÂÌÌÓÏÛ Á‚Û˜‡Ì˲ Ë ÒÓÁ‰‡‚‡Ú¸ÔÓÏÂıË ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‚˚ÒÓÍËı ˜‡ÒÚÓÚ ‚ ‰Û„Ëı ˜‡ÒÚflıÏËÍÒ‡. èË ‚˚·Ó ÔÓ„‡ÏÏ˚ ‚·‡ˆËË ‚Ò„‰‡ÒΉÛÂÚ ‰Ó·Ë‚‡Ú¸Òfl Ú·ÛÂÏÓÈ „ÎÛ·ËÌ˚ Á‚Û˜‡ÌËfl ·ÂÁÒÌËÊÂÌËfl ˜ËÒÚÓÚ˚ ÏËÍÒ‡.
ìÓ‚Â̸ ‚·‡ˆËË
èÓ‡ÁËÚÂθÌÓ, Í‡Í ·˚ÒÚÓ ÒÎÛı ÏÓÊÂÚ ÔÓÚÂflÚ¸ÔÂÒÔÂÍÚË‚Û Ë Á‡ÒÚ‡‚ËÚ¸ ‚‡Ò ÔÓ‚ÂËÚ¸ ‚ ÚÓ, ˜ÚÓ ÔÓÎÌÓÒÚ¸˛«‡ÁÏ˚Ú˚È» ÏËÍÒ Á‚Û˜ËÚ ‚ÂÎËÍÓÎÂÔÌÓ. óÚÓ·˚ Ì ÔÓÔ‡ÒÚ¸ ‚˝ÚÛ ÎÓ‚Û¯ÍÛ, Ò̇˜‡Î‡ Á‡‰‡ÈÚ ÏËÌËχθÌ˚È ÛÓ‚Â̸‚·‡ˆËË, Á‡ÚÂÏ ÔÓÒÚÂÔÂÌÌÓ ‰Ó·‡‚ÎflÈڠ ‚ ÏËÍÒ,ÔÓ͇ Ì ÛÒÎ˚¯ËÚ ‡ÁÌˈÛ. чθÌÂȯ‡fl ‚·‡ˆËflÓ·˚˜ÌÓ ÒÚ‡ÌÓ‚ËÚÒfl «ÒÔˆ˝ÙÙÂÍÚÓÏ».
åÓ‰ÛÎflˆËÓÌÌ˚ ˝ÙÙÂÍÚ˚:
Ù‡ÁËÌ„, ıÓÛÒ Ë ÙÎ˝Ì‰ÊÂ
ÇÒ ˝ÚË ˝ÙÙÂÍÚ˚ ‡·ÓÚ‡˛Ú ÔÓ Ó‰ÌÓÏÛ ÔË̈ËÔÛ: ˜‡ÒÚ¸‡Û‰ËÓÒ˄̇· Ò‰‚Ë„‡ÂÚÒfl ‚Ó ‚ÂÏÂÌË, ‡ Á‡ÚÂÏ̇Í·‰˚‚‡ÂÚÒfl ̇ ËÒıÓ‰Ì˚È Ò˄̇Î. ÇÂ΢Ë̇ Ò‰‚Ë„‡Â„ÛÎËÛÂÚÒfl (ÏÓ‰ÛÎËÛÂÚÒfl) „Â̇ÚÓÓÏ ÌËÁÍÓÈ ˜‡ÒÚÓÚ˚(LFO).뉂˄ ‰Îfl ÒÓÁ‰‡ÌËfl ˝ÙÙÂÍÚ‡ Ù‡ÁËÌ„‡ Ó˜Â̸ χÎ. ê‡ÁÌÓÒÚ¸Ù‡Á ÏÓ‰ÛÎËÓ‚‡ÌÌÓ„Ó Ë ËÒıÓ‰ÌÓ„Ó Ò˄̇ÎÓ‚ ‚˚Á˚‚‡ÂÚÔÓ‰‡‚ÎÂÌË ӉÌËı ˜‡ÒÚÓÚ Ë ÛÒËÎÂÌË Ò˄̇· ‰Û„Ëı, ‚ÂÁÛθڇÚ ˜Â„Ó Ì‡˜Ë̇ÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl «Ïˆ‡˛˘ËÈ»Á‚ÛÍ.
ÑÎfl ıÓÛÒ‡ Ë ÙÎ˝Ì‰Ê‡ ÏÓ‰ÛÎËÛÂχfl LFO Á‡‰ÂÊ͇Ò˄̇·, ̇Í·‰˚‚‡ÂÏÓ„Ó Ì‡ ËÒıÓ‰Ì˚È Ò˄̇Î, ÒÓÒÚ‡‚ÎflÂÚÌÂÒÍÓθÍÓ ÏËÎÎËÒÂÍÛ̉. äÓÏ ÓÔËÒ‡ÌÌÓ„Ó ‚˚¯Â ˝ÙÙÂÍÚ‡Ù‡ÁËÌ„‡, ÏÓ‰ÛÎflˆËfl Á‡‰ÂÊÍË ‚˚Á˚‚‡ÂÚ ‚ÓÒÔËÌËχÂÏ˚ÈÒ‰‚Ë„ ‚˚ÒÓÚ˚ ÚÓ̇, ˜ÚÓ ÔË‚Ó‰ËÚ Í ÒÓÁ‰‡Ì˲ „‡ÏÓÌ˘ÌÓ„ÓË Ì‡Ò˚˘ÂÌÌÓ„Ó Ò‚ËÒÚfl˘Â„Ó Á‚Û˜‡ÌËfl.ê‡Á΢ˠÏÂÊ‰Û ˝ÙÙÂÍÚ‡ÏË ıÓÛÒ‡ Ë ÙÎ˝Ì‰Ê‡ ÒÓÒÚÓËÚÔÂʉ ‚ÒÂ„Ó ‚ ËÒÔÓθÁÛÂÏÓÏ ‚ÂÏÂÌË Á‡‰ÂÊÍË ËÓ·‡ÚÌÓÈ Ò‚flÁË. Ç ˝ÙÙÂÍÚ ÙÎ˝Ì‰Ê‡ ËÒÔÓθÁÛÂÚÒfl·ÓΠ‰ÎËÚÂθÌÓ ‚ÂÏfl Á‡‰ÂÊÍË ÔÓ Ò‡‚ÌÂÌ˲ ÒıÓÛÒÓÏ, ‚ ÍÓÚÓÓÏ ËÒÔÓθÁÛÂÚÒfl ·ÓΠÒÎÓÊ̇fl ÒÚÛÍÚÛ‡Á‡‰ÂÊÍË. ùÙÙÂÍÚ ıÓÛÒ‡ ̇˷ÓΠ˜‡ÒÚÓ ËÒÔÓθÁÛÂÚÒfl‰Îfl ÛÔÎÓÚÌÂÌËfl Á‚Û˜‡ÌËfl ËÌÒÚÛÏÂÌÚ‡, ÚÓ„‰‡ Í‡Í ˝ÙÙÂÍÚÙÎ˝Ì‰Ê‡ ËÒÔÓθÁÛÂÚÒfl Í‡Í ÒÔˆˇθÌ˚È ˝ÙÙÂÍÚ ‰ÎflÒÓÁ‰‡ÌËfl Ò‚Âı˙ÂÒÚÂÒÚ‚ÂÌÌ˚ı Á‚ÛÍÓ‚˚ı ‡Ú‡Í.
äÓÏÔÂÒÒËfl
é‰Ì‡ ËÁ ÙÓÏ ÍÓÏÔÂÒÒËË ËÁ‚ÂÒÚ̇ Í‡Í «Ó„‡Ì˘ÂÌË»,ÍÓÚÓÓ ÔË ‡ÁÛÏÌÓÏ ËÒÔÓθÁÓ‚‡ÌËË ÏÓÊÂÚ ÒÓÁ‰‡‚‡Ú¸Ó‚Ì˚È Á‚ÛÍ ·ÂÁ ˜ÂÁÏÂÌ˚ı ÔËÍÓ‚ ËÎË ËÒ͇ÊÂÌËÈ.íËÔ˘Ì˚Ï ÔËÏÂÓÏ ËÒÔÓθÁÓ‚‡ÌËfl ÍÓÏÔÂÒÒËË fl‚ÎflÂÚÒfl«ÛÍÓ˘ÂÌË» Ëϲ˘Â„Ó ¯ËÓÍËÈ ‰Ë̇Ï˘ÂÒÍËÈ ‰Ë‡Ô‡ÁÓÌ‚Ó͇· ‰Îfl ÛÔÎÓÚÌÂÌËfl ÏËÍÒ‡. èË ‚˚·Ó ԇ‚ËθÌÓÈÍÓÏÔÂÒÒËË ÏÓÊÌÓ flÒÌÓ ‡Á΢ËÚ¸ ¯ÂÔÓÚ, Ë ‚ ÚÓ Ê ‚ÂÏfl„ÓÏÍË ÍËÍË ·Û‰ÛÚ „‡ÏÓÌ˘ÌÓ Ò·‡Î‡ÌÒËÓ‚‡Ì˚ Ò Ó·˘ËÏÁ‚Û˜‡ÌËÂÏ ÏËÍÒ‡. äÓÏÔÂÒÒËfl ÏÓÊÂÚ ·˚Ú¸ Ú‡ÍÊ ÔÓÎÂÁ̇‰Îfl ·‡Ò-„ËÚ‡˚. ëÎ˯ÍÓÏ ·Óθ¯‡fl ÍÓÏÔÂÒÒËfl ÏÓÊÂÚÒÚ‡Ú¸ Ô˘ËÌÓÈ ‡ÍÛÒÚ˘ÂÒÍÓÈ Ó·‡ÚÌÓÈ Ò‚flÁË, ÔÓ˝ÚÓÏÛËÒÔÓθÁÛÈÚ ˝ÚÓÚ ˝ÙÙÂÍÚ Ò ÓÒÚÓÓÊÌÓÒÚ¸˛.ÑÎfl ‰ÓÒÚËÊÂÌËfl ÓÔÚËχθÌÓ„Ó Á‚Û˜‡ÌËfl ·Óθ¯ËÌÒÚ‚‡ÍÓÏÔÂÒÒÓÓ‚ Ú·ÛÂÚÒfl Ô‡‚Ëθ̇fl ÛÒÚ‡Ìӂ͇ ÌÂÍÓÚÓ˚ıÍËÚ˘ÂÒÍËı Ô‡‡ÏÂÚÓ‚. äÓÏÔÂÒÒÓ MG ÔÓÁ‚ÓÎflÂÚ̇ÏÌÓ„Ó ÔӢ ‰ÓÒÚ˘¸ ‚ÂÎËÍÓÎÂÔÌÓ„Ó Á‚Û˜‡ÌËfl.í·ÛÂÚÒfl ̇ÒÚÓËÚ¸ ÚÓθÍÓ Ó‰ËÌ Â„ÛÎflÚÓ ÍÓÏÔÂÒÒËË,ÔÓÒΠ˜Â„Ó ‚Ò ÌÂÓ·ıÓ‰ËÏ˚ ԇ‡ÏÂÚ˚ ·Û‰ÛÚ Ì‡ÒÚÓÂÌ˚‡‚ÚÓχÚ˘ÂÒÍË.
(åËÌ.)
(å‡ÍÒ.)
ÇïéÑ
ÇõïéÑ
ëÔ‡‚Ó˜ÌÓ ÛÍÓ‚Ó‰ÒÚ‚Ó
10 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl MG82CX/MG102C
è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë Á‡‰Ìflfl Ô‡ÌÂθ
ëÎÂ‰Û˛˘‡fl ËÌÙÓχˆËfl ÓÚÌÓÒËÚÒfl Í ÏÓ‰ÂÎflÏ MG82CX Ë MG102C. Ç ÒÎÛ˜‡flı, „‰Â ËϲÚÒfl ‡Á΢Ì˚ ı‡‡ÍÚÂËÒÚËÍË ‰Îfl ͇ʉÓÈ ÏÓ‰ÂÎË,
Ô‚ÓÈ Û͇Á˚‚‡ÂÚÒfl ı‡‡ÍÚÂËÒÚË͇ MG82CX, ‡ Á‡ÚÂÏ ‚ ÒÍӷ͇ı ı‡‡ÍÚÂËÒÚË͇ MG102C: MG82CX (MG102C).
é·Î‡ÒÚ¸ ÛÔ‡‚ÎÂÌËfl ͇̇ÎÓÏ
1 ÇıÓ‰Ì˚ „ÌÂÁ‰‡ MIC (CH 1 - 5/6)ùÚÓ ·‡Î‡ÌÒÌ˚ ‚ıÓ‰Ì˚ ÏËÍÓÙÓÌÌ˚ „ÌÂÁ‰‡ ÚËÔ‡ XLR(1: Á‡ÁÂÏÎÂÌËÂ; 2: ÔβÒ; 3: ÏËÌÛÒ).
2 ÇıÓ‰Ì˚ „ÌÂÁ‰‡ LINE (CH 1, 2)ùÚÓ ·‡Î‡ÌÒÌ˚ ÎËÌÂÈÌ˚ ‚ıÓ‰Ì˚ „ÌÂÁ‰‡ ÚËÔ‡ TRS ‰Îfl̇ۯÌËÍÓ‚ (T: ÔβÒ; R: ÏËÌÛÒ; S: Á‡ÁÂÏÎÂÌËÂ).Ç ˝ÚË „ÌÂÁ‰‡ ÏÓÊÌÓ ‚ÒÚ‡‚ÎflÚ¸ ·‡Î‡ÌÒÌ˚ ËÎË Ì·‡Î‡ÌÒÌ˚¯ÚÂÍÂ˚ ̇ۯÌËÍÓ‚.
3 ÇıÓ‰Ì˚ „ÌÂÁ‰‡ LINE (CH 3/4 – 7/8 (CH 3/4 - 9/10))ùÚÓ Ì·‡Î‡ÌÒÌ˚ ÎËÌÂÈÌ˚ ÒÚÂÂÓÙÓÌ˘ÂÒÍË ‚ıÓ‰˚ ‰Îfl̇ۯÌËÍÓ‚.
4 ÇıÓ‰Ì˚ „ÌÂÁ‰‡ LINE (CH 7/8, (CH 7/8, 9/10))ùÚÓ Ì·‡Î‡ÌÒÌ˚ ¯Ú˚¸ÍÓ‚˚ ÒÚÂÂÓ„ÌÂÁ‰‡ RCA.
èË ‡·ÓÚÂ Ò ‚ıÓ‰Ì˚Ï Í‡Ì‡ÎÓÏ, Ëϲ˘ËÏ „ÌÂÁ‰‡MIC Ë LINE ËÎË „ÌÂÁ‰‡ LINE Ë RCA, ËÒÔÓθÁÛÈÚÂβ·Ó ËÁ ˝ÚËı „ÌÂÁ‰, ÌÓ Ì ‚ÏÂÒÚÂ. ç‡ Í‡Ê‰ÓÏ͇̇ΠÔÓ‰Íβ˜‡ÈÚ ¯ÚÂÍÂ˚ ÚÓθÍÓ Í Ó‰ÌÓÏÛ ËÁ˝ÚËı „ÌÂÁ‰.
5 ÉÌÂÁ‰‡ INSERT (CH 1, 2)ä‡Ê‰ÓÂ Ë ˝ÚËı „ÌÂÁ‰ ÛÒÚ‡ÌÓ‚ÎÂÌÓ ÏÂÊ‰Û ˝Í‚‡Î‡ÈÁÂÓÏ Ë„ÛÎflÚÓÓÏ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó ‚ıÓ‰ÌÓ„Ó Í‡Ì‡Î‡ (CH 1, 2).ÉÌÂÁ‰‡ INSERT ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ÌÂÁ‡‚ËÒËÏÓ„ÓÔÓ‰Íβ˜ÂÌËfl ÛÒÚÓÈÒÚ‚, ̇ÔËÏ „‡Ù˘ÂÒÍËı ˝Í‚‡Î‡ÈÁÂÓ‚,ÍÓÏÔÂÒÒÓÓ‚ ËÎË ¯ÛÏÓÔÓ‰‡‚ËÚÂÎÂÈ. ùÚÓ „ÌÂÁ‰‡ ‰Îfl ̇ۯÌËÍÓ‚ÚËÔ‡ TRS (tip, ring, sleeve — ̇ÍÓ̘ÌËÍ, ÍÓθˆÓ, „ËθÁ‡), ÍÓÚÓ˚ÂÓÒÛ˘ÂÒÚ‚Îfl˛Ú Í‡Í ÓÚÔ‡‚ÍÛ, Ú‡Í Ë ‚ÓÁ‚‡Ú Ò˄̇· (̇ÍÓ̘ÌËÍ= ÓÚÔ‡‚͇/‚˚ıÓ‰; ÍÓθˆÓ = ‚ÓÁ‚‡Ú/‚ıÓ‰; „ËθÁ‡ = Á‡ÁÂÏÎÂÌËÂ).
ÑÎfl ÔÓ‰Íβ˜ÂÌËfl ‚̯ÌËı ÛÒÚÓÈÒÚ‚ ˜ÂÂÁ„ÌÂÁ‰Ó INSERT ÌÂÓ·ıÓ‰ËÏ ÒÔˆˇθÌ˚ÈÍÓÏÏÛÚ‡ˆËÓÌÌ˚È Í‡·Âθ, ÔÓ͇Á‡ÌÌ˚È Ì‡ ËÒÛÌÍÂÌËÊ (ÍÓÏÏÛÚ‡ˆËÓÌÌ˚È Í‡·Âθ ÔËÓ·ÂÚ‡ÂÚÒfl‰ÓÔÓÎÌËÚÂθÌÓ).
6 ê„ÛÎflÚÓ GAINê„ÛÎËÛÂÚ ÛÓ‚Â̸ ‚ıÓ‰ÌÓ„Ó Ò˄̇·.óÚÓ·˚ ‰Ó·ËÚ¸Òfl ÓÔÚËχθÌÓ„Ó ·‡Î‡ÌÒ‡ ÏÂÊ‰Û ÓÚÌÓ¯ÂÌËÂÏÒ˄̇Î-¯ÛÏ Ë ‰Ë̇Ï˘ÂÒÍËÏ ‰Ë‡Ô‡ÁÓÌÓÏ, ̇ÒÚÓÈÚ ÛÓ‚Â̸ڇÍ, ˜ÚÓ·˚ Ë̉Ë͇ÚÓ PEAK 9 Á‡„Ó‡ÎÒfl Î˯¸ ‚ÂÏfl ÓÚ‚ÂÏÂÌË Ë ÌÂ̇‰ÓÎ„Ó ‚ ÒÎÛ˜‡Â ̇˷Óθ¯Ëı ‚ÒÔÎÂÒÍÓ‚ ‚ıÓ‰Ì˚ıÒ˄̇ÎÓ‚.ò͇· ÓÚ -60 ‰Ó -16 ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ‰Ë‡Ô‡ÁÓÌÛ Â„ÛÎËÓ‚ÍË‚ıÓ‰ÌÓ„Ó Ò˄̇· MIC. ò͇· ÓÚ -34 ‰Ó +10 ÒÓÓÚ‚ÂÚÒÚ‚ÛÂډˇԇÁÓÌÛ Â„ÛÎËÓ‚ÍË ‚ıÓ‰ÌÓ„Ó Ò˄̇· LINE.
7 èÂÂÍβ˜‡ÚÂθ (ÙËÎ Ú ‚˚ÒÓÍËı ˜‡ÒÚÓÚ)ùÚÓÚ ‚˚Íβ˜‡ÚÂθ ÒÎÛÊËÚ ‰Îfl ‚Íβ˜ÂÌËfl Ë ‚˚Íβ˜ÂÌËflÙËÎ Ú‡ ‚˚ÒÓÍËı ˜‡ÒÚÓÚ. óÚÓ·˚ ‚Íβ˜ËÚ¸ ÙËÎ Ú, ̇ÊÏËÚÂÍÌÓÔÍÛ ÔÂÂÍβ˜‡ÚÂÎfl ( ). îËÎ Ú ‚˚ÒÓÍËı ˜‡ÒÚÓÚ ÓÚÒÂ͇ÂÚ˜‡ÒÚÓÚ˚ ÌËÊ 80 É (ÙËÎ Ú Ì ÔËÏÂÌflÂÚÒfl ‰Îfl ÎËÌÂÈÌ˚ı‚ıÓ‰Ó‚ ‚ıÓ‰Ì˚ı ÒÚÂÂÓ͇̇ÎÓ‚ 34).
1
6
A
B
C
9
0
3
7
C
B
A
0
3
41
2
5
6
8
A
B
C
9
0
7
ä‡Ì‡Î˚7/8 (7/8 Ë 9/10)
(ÒÚÂÂÓ)
ä‡Ì‡Î˚1 Ë 2
(ÏÓÌÓ)
ä‡Ì‡Î˚3/4 Ë 5/6 (ÒÚÂÂÓ)
MG82CX
ë˄̇Π„ÌÂÁ‰‡ INSERT ‚˚‚Ó‰ËÚÒfl ‚ ÔÓÚË‚ÓÙ‡ÁÂ. èËÔÓ‰Íβ˜ÂÌËË ÏÓ‰ÛÎfl ˝ÙÙÂÍÚÓ‚ Ì ‰ÓÎÊÌÓ ‚ÓÁÌËÍÌÛÚ¸ÔÓ·ÎÂÏ, Ӊ̇ÍÓ ÒΉÛÂÚ ÔÓÏÌËÚ¸ Ó ‚ÓÁÏÓÊÌÓÈÔÓÚË‚ÓÙ‡Á ÔË ÔÓ‰Íβ˜ÂÌËË ‰Û„Ëı ÚËÔÓ‚ ÛÒÚÓÈÒÚ‚.
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ä ‚ıÓ‰ÌÓÏÛ „ÌÂÁ‰Û ‚̯ÌÂ„Ó ÔÓˆÂÒÒÓ‡
ä ‚˚ıÓ‰ÌÓÏÛ „ÌÂÁ‰Û ‚̯ÌÂ„Ó ÔÓˆÂÒÒÓ‡
ÉËθÁ‡
ç‡ÍÓ̘ÌËÍ: ÇõïéÑ
ç‡ÍÓ̘ÌËÍ: ÇïéÑ
ä „ÌÂÁ‰Û INSERT I/O
ÉËθÁ‡ ÉËθÁ‡ äÓθˆÓ: ÇïéÑ
ç‡ÍÓ̘ÌËÍ: ÇõïéÑ
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ëÔ‡‚Ó˜ÌÓ ÛÍÓ‚Ó‰ÒÚ‚Ó
è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë Á‡‰Ìflfl Ô‡ÌÂθ
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl MG82CX/MG102C 11
ëÔ‡‚Ó˜ÌÓ ÛÍÓ‚Ó‰ÒÚ‚Ó
8 ê„ÛÎflÚÓ COMPê„ÛÎËÛÂÚ ÒÚÂÔÂ̸ ÒʇÚËfl, ÔËÏÂÌflÂÏÛ˛ Í Í‡Ì‡ÎÛ. èËÔÓ‚ÓÓÚ „ÛÎflÚÓ‡ ‚Ô‡‚Ó ÔÓ‚˚¯‡ÂÚÒfl ÒÚÂÔÂ̸ ÒʇÚËfl,‡‚ÚÓχÚ˘ÂÒÍË Â„ÛÎËÛfl ÍÓ˝ÙÙˈËÂÌÚ ÛÒËÎÂÌËfl ̇ ‚˚ıÓ‰Â. ÇÂÁÛÎ Ú‡Ú ÔÓÎÛ˜‡˛ÚÒfl ·ÓΠ҄·ÊÂÌÌ˚Â Ë Ó‚Ì˚‰Ë̇Ï˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË, ÔÓÒÍÓθÍÛ ÏÓ˘Ì˚ Ò˄̇Î˚ÓÒ··Îfl˛ÚÒfl, ‡ Ó·˘ËÈ ÛÓ‚Â̸ ÛÒËÎË‚‡ÂÚÒfl.
ç ÛÒڇ̇‚ÎË‚‡ÈÚ ÒÎ˯ÍÓÏ ‚˚ÒÓÍÛ˛ ÒÚÂÔÂ̸ÒʇÚËfl, Ú‡Í Í‡Í ·ÓΠ‚˚ÒÓÍËÈ Ò‰ÌËÈ ÛÓ‚Â̸‚˚ıÓ‰ÌÓ„Ó Ò˄̇· ÏÓÊÂÚ ÔË‚ÂÒÚË Í ˝ÙÙÂÍÚÛÓ·‡ÚÌÓÈ Ò‚flÁË.
9 à̉Ë͇ÚÓ PEAKàÒÔÓθÁÛÂÚÒfl ‰Îfl ÓÔ‰ÂÎÂÌËfl ÔËÍÓ‚Ó„Ó ÛÓ‚Ìfl ̇ ‚˚ıӉ½͂‡Î‡ÈÁ‡. ÖÒÎË ÛÓ‚Â̸ Ò˄̇· ‰ÓÒÚË„‡ÂÚ Á̇˜ÂÌËfl ̇ 3‰Å ÌËÊ ÛÓ‚Ìfl Ô„ÛÁÍË, Á‡„Ó‡ÂÚÒfl ͇ÒÌ˚È Ë̉Ë͇ÚÓPEAK. ÑÎfl ‚ıÓ‰Ì˚ı ÒÚÂÂÓ͇̇ÎÓ‚ Ò XLR (3/4 Ë 5/6)ÓÔ‰ÂÎfl˛ÚÒfl ÔËÍÓ‚˚ ÛÓ‚ÌË Ë Ì‡ ‚˚ıӉ ˝Í‚‡Î‡ÈÁ‡ Ë Ì‡‚˚ıӉ ÛÒËÎËÚÂÎfl Ò˄̇· ÏËÍÓÙÓ̇, ‡ Ë̉Ë͇ÚÓÁ‡„Ó‡ÂÚÒfl ͇ÒÌ˚Ï, ÂÒÎË Ó‰ËÌ ËÁ ˝ÚËı ÛÓ‚ÌÂÈ ‰ÓÒÚË„‡ÂÚÁ̇˜ÂÌËfl ̇ 3 ‰Å ÌËÊ ÛÓ‚Ìfl Ô„ÛÁÍË.
0 ùÍ‚‡Î‡ÈÁ (HIGH, MID Ë LOW)íÂıÔÓÎÓÒÌ˚È ˝Í‚‡Î‡ÈÁ „ÛÎËÛÂÚ ÛÓ‚ÌË Ò˄̇ÎÓ‚ ‚ ÔÓÎÓÒ‡ı‚˚ÒÓÍÓÈ, Ò‰ÌÂÈ Ë ÌËÁÍÓÈ ˜‡ÒÚÓÚ. ä‡Ì‡Î˚ 7/8 (CH 7/8, 9/10)ËÏÂ˛Ú ‰‚ ÔÓÎÓÒ˚: ‚˚ÒÓÍÛ˛ Ë ÌËÁÍÛ˛. èË ÔÓ‚ÓÓÚ „ÛÎflÚÓ‡‚ ÔÓÎÓÊÂÌË t Ó·‡·ÓÚ͇ ˜‡ÒÚÓÚÌÓÈ ı‡‡ÍÚÂËÒÚËÍË Ò˄̇· ‚ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÔÓÎÓÒ ˜‡ÒÚÓÚ Ì ‚˚ÔÓÎÌflÂÚÒfl. èÓ‚ÓÓÚ„ÛÎflÚÓ‡ ‚Ô‡‚Ó ÛÒËÎË‚‡ÂÚ ÛÓ‚Â̸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÔÓÎÓÒ˚˜‡ÒÚÓÚ Ò˄̇·, ‚ÎÂ‚Ó — ÓÒ··ÎflÂÚ Â„Ó. Ç Ô˂‰ÂÌÌÓÈ ÌËÊÂÚ‡·Îˈ ÔÓ͇Á‡Ì ÚËÔ ˝Í‚‡Î‡ÈÁ‡, ˜‡ÒÚÓÚ‡ Ë Ï‡ÍÒËχθÌÓÂÓÒ··ÎÂÌËÂ/ÛÒËÎÂÌË ‰Îfl ͇ʉÓÈ ËÁ ÚÂı ÔÓÎÓÒ.
A ê„ÛÎflÚÓ EFFECT (AUX)àÒÔÓθÁÛÂÚÒfl ‰Îfl „ÛÎËÓ‚ÍË ÛÓ‚Ìfl Ò˄̇· ͇̇·,ÔÓÒÚÛÔ‡˛˘Â„Ó Ì‡ ¯ËÌÛ EFFECT (AUX). é·‡ÚËÚ ‚ÌËχÌËÂ,˜ÚÓ ÛÓ‚Â̸ Ò˄̇·, ÓÚÔ‡‚ÎflÂÏÓ„Ó Ì‡ ¯ËÌÛ, Ú‡ÍÊÂÓÔ‰ÂÎflÂÚÒfl „ÛÎflÚÓÓÏ ÛÓ‚Ìfl C. ç‡ ÒÚÂÂÓ͇̇·ı (CHÓÚ 3/4 ‰Ó 7/8 (CH ÓÚ 3/4 ‰Ó 9/10)) Ò˄̇Î˚ ÓÚ Í‡Ì‡ÎÓ‚ L(̘ÂÚÌÓ„Ó) Ë R (˜ÂÚÌÓ„Ó) ÏËͯËÛ˛ÚÒfl, ‡ Á‡ÚÂÏ ÓÚÔ‡‚Îfl˛ÚÒfl̇ ¯ËÌÛ EFFECT (AUX).
B ê„ÛÎflÚÓ PAN (CH 1, 2)ê„ÛÎflÚÓ PAN/BAL (CH 3/4, 5/6)ê„ÛÎflÚÓ BAL (CH 7/8 (CH 7/8, 9/10)ê„ÛÎflÚÓ PAN ËÒÔÓθÁÛÂÚÒfl ‰Îfl ÓÔ‰ÂÎÂÌËfl ÔÓÁˈËÓÌËÓ-‚‡ÌËfl Ò˄̇· ͇̇· ̇ ÒÚÂÂÓ¯Ë̇ı L Ë R.ê„ÛÎflÚÓ BAL ËÒÔÓθÁÛÂÚÒfl ‰Îfl ÛÒÚ‡ÌÓ‚ÍË ·‡Î‡ÌÒ‡ ÏÂʉÛ΂˚Ï Ë Ô‡‚˚Ï Í‡Ì‡Î‡ÏË. ë˄̇Î˚ ‚ıÓ‰‡ L (̘ÂÚÌ˚È Í‡Ì‡Î)ÔÓ‰‡˛ÚÒfl ̇ ÒÚÂÂÓ¯ËÌÛ L; Ò˄̇Î˚ ‚ıÓ‰‡ R (˜ÂÚÌ˚È Í‡Ì‡Î)ÔÓ‰‡˛ÚÒfl ̇ ÒÚÂÂÓ ¯ËÌÛ R.
ç‡ Í‡Ì‡Î‡ı, „‰Â ˝ÚÓÚ Â„ÛÎflÚÓ Ó·ÂÒÔ˜˂‡ÂÚ„ÛÎËÓ‚ÍÛ PAN Ë BAL (͇̇Î˚ 3/4 Ë 5/6),„ÛÎflÚÓ ËÒÔÓθÁÛÂÚÒfl ‚ ͇˜ÂÒÚ‚Â ÍÓÌÚÓηPAN, ÍÓ„‰‡ ‚ıÓ‰ÌÓÈ Ò˄̇ΠÔÓÒÚÛÔ‡ÂÚ ˜ÂÂÁ„ÌÂÁ‰Ó MIC ËÎË ÚÓθÍÓ ‚ıÓ‰ L (MONO), Ë ‚͇˜ÂÒÚ‚Â ÍÓÌÚÓη BAL, ÍÓ„‰‡ ‚ıÓ‰ÌÓÈ Ò˄̇ÎÔÓÒÚÛÔ‡ÂÚ Ó‰ÌÓ‚ÂÏÂÌÌÓ ˜ÂÂÁ Ó·‡ ‚ıÓ‰‡ L Ë R.
C ê„ÛÎflÚÓ ÛÓ‚Ìflê„ÛÎËÛ˛Ú ÛÓ‚Â̸ Ò˄̇· ͇̇·. ë ÔÓÏÓ˘¸˛ ÚËı„ÛÎflÚÓÓ‚ ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ ·‡Î‡ÌÒ ÏÂÊ‰Û ‡ÁÌ˚ÏË Í‡Ì‡Î‡ÏË.
ìÒÚ‡ÌÓ‚ËÚ „ÛÎflÚÓ˚ ‰Îfl ÌÂËÒÔÓθÁÛÂÏ˚ı͇̇ÎÓ‚ ‚ ÏËÌËχθÌÓ ÔÓÎÓÊÂÌË ‰ÎflÛÏÂ̸¯ÂÌËfl ¯Ûχ.
é·Î‡ÒÚ¸ χÒÚÂ-ÍÓÌÚÓη
1 ÉÌÂÁ‰‡ 2TR INòÚ˚¸ÍÓ‚˚ „ÌÂÁ‰‡ RCA ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ‚‚Ó‰‡Ò˄̇· Á‚ÛÍÓ‚Ó„Ó ÒÚÂÂÓËÒÚÓ˜ÌË͇. àÒÔÓθÁÛÈÚ ˝ÚË „ÌÂÁ‰‡ÔË ÌÂÓ·ıÓ‰ËÏÓÒÚË ÔÓ‰Íβ˜ÂÌËfl ÔÓË„˚‚‡ÚÂÎflÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚ ̇ÔflÏÛ˛ Í ÏËͯÂÛ.
C ÔÓÏÓ˘¸˛ „ÛÎflÚÓ‡ 2TR IN ÏÓÊÌÓÓÔ‰ÂÎËÚ¸, ÍÓ„‰‡ ·Û‰ÂÚ ÓÚÔ‡‚ÎflÚ¸Òfl Ò˄̇Î, ‡Ú‡ÍÊ ÓÚ„ÛÎËÓ‚‡Ú¸ ÛÓ‚Â̸ Ò˄̇· ÒÔÓÏÓ˘¸˛ „ÛÎflÚÓ‡ 2TR IN ‚ ӷ·ÒÚËχÒÚÂ-ÍÓÌÚÓη.
2 ÉÌÂÁ‰‡ REC OUT (L, R)ùÚË ¯Ú˚¸ÍÓ‚˚ „ÌÂÁ‰‡ RCA ÏÓÊÌÓ ÔÓ‰Íβ˜ËÚ¸ Í ‚̯ÌÂÏÛÛÒÚÓÈÒÚ‚Û Á‡ÔËÒË, ̇ÔËÏ ÛÒÚÓÈÒÚ‚Û Á‡ÔËÒË ÏËÌË-‰ËÒÍÓ‚,‰Îfl Á‡ÔËÒË ÚÓ„Ó Ê Ò˄̇·, ÍÓÚÓ˚È ‚˚‚Ó‰ËÚÒfl Ò ÔÓÏÓ˘¸˛„ÌÂÁ‰ STEREO OUT.
å‡ÒÚÂ-ÍÓÌÚÓÎΠSTEREO ÏËͯ‡ Ì ‚ÎËflÂÚ̇ ‚˚‚Ó‰ Ò˄̇· ˜ÂÂÁ ˝ÚË „ÌÂÁ‰‡. ì·Â‰ËÚÂÒ¸,˜ÚÓ ‚˚ÔÓÎÌÂÌ˚ ̇‰ÎÂʇ˘Ë ̇ÒÚÓÈÍË Ì‡Á‡ÔËÒ˚‚‡˛˘ÂÏ ÛÒÚÓÈÒÚ‚Â.
ÑˇԇÁÓÌ íËÔ ó‡ÒÚÓÚ‡ å‡ÍÒËχθÌÓ ÓÒ··ÎÂÌËÂ/ÛÒËÎÂÌËÂ
HIGH ë„·ÊË‚‡˛˘ËÈ ÙËÎ Ú 10 ÍÉ
±15 ‰ÅMID Ç˚ÒÓÍÓ˜‡ÒÚÓÚ̇fl ÍÓÂ͈Ëfl 2,5 ÍÉ
LOW ë„·ÊË‚‡˛˘ËÈ ÙËÎ Ú 100 É
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08
A
D
B
1
3
4
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9
C
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12 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl MG82CX/MG102C
è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë Á‡‰Ìflfl Ô‡ÌÂθ
ëÔ‡‚Ó˜ÌÓ ÛÍÓ‚Ó‰ÒÚ‚Ó
3 ÉÌÂÁ‰‡ RETURN L (MONO), RùÚÓ Ì·‡Î‡ÌÒÌ˚ ÎËÌÂÈÌ˚ ‚ıÓ‰˚ ‰Îfl ̇ۯÌËÍÓ‚. ë˄̇Î,ÔÓÒÚÛÔ‡˛˘ËÈ Ì‡ ˝ÚË „ÌÂÁ‰‡, ÔÓÒ˚·ÂÚÒfl ̇ ¯ËÌ˚ STEREOL/R. ùÚË „ÌÂÁ‰‡ Ó·˚˜ÌÓ ËÒÔÓθÁÛ˛ÚÒfl ‰Îfl ÔËÂχ Ò˄̇·,‚ÓÁ‚‡˘‡ÂÏÓ„Ó ‚̯ÌËÏ ÛÒÚÓÈÒÚ‚ÓÏ ‰Îfl ÒÓÁ‰‡ÌËfl ˝ÙÙÂÍÚ‡(‚·‡ˆËfl, Á‡‰ÂÊ͇ Ë Ú.‰.).
ùÚË „ÌÂÁ‰‡ ÏÓ„ÛÚ Ú‡ÍÊ ËÒÔÓθÁÓ‚‡Ú¸Òfl ͇͂ÒÔÓÏÓ„‡ÚÂθÌ˚È ÒÚÂÂÓ‚ıÓ‰. èË ÔÓ‰Íβ˜ÂÌËËÚÓθÍÓ Í „ÌÂÁ‰Û L (MONO) ÏËͯ ·Û‰ÂÚ‡ÒÔÓÁ̇‚‡Ú¸ ÒË„Ì‡Î Í‡Í ÏÓÌÓÙÓÌ˘ÂÒÍËÈ ËÔÓ‰‡‚‡Ú¸ ÚÓ˜ÌÓ Ú‡ÍÓÈ Ê Ò˄̇Π̇ „ÌÂÁ‰‡ L Ë R.
4 ÉÌÂÁ‰Ó SEND EFFECT (AUX)ùÚÓ Ò·‡Î‡ÌÒËÓ‚‡ÌÌÓ ÔÓ ÒÓÔÓÚË‚ÎÂÌ˲* ‚˚ıÓ‰ÌÓ „ÌÂÁ‰Ó¯ÚÂÍÂÌÓ„Ó ÚËÔ‡, ˜ÂÂÁ ÍÓÚÓÓ ‚˚‚Ó‰ËÚÒfl Ò˄̇ΠÓÚ ¯ËÌ˚EFFECT (AUX). åÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ˝ÚÓ „ÌÂÁ‰Ó, ̇ÔËÏÂ,‰Îfl ÔÓ‰Íβ˜ÂÌËfl ‚̯ÌÂ„Ó ÔÓˆÂÒÒÓ‡ ˝ÙÙÂÍÚÓ‚.
5 ÉÌÂÁ‰‡ STEREO OUT (L, R)ùÚÓ Ò·‡Î‡ÌÒËÓ‚‡ÌÌ˚ ÔÓ ÒÓÔÓÚË‚ÎÂÌ˲* ‚˚ıÓ‰Ì˚ „ÌÂÁ‰‡¯ÚÂÍÂÌÓ„Ó ÚËÔ‡, ˜ÂÂÁ ÍÓÚÓ˚ ‚˚‚Ó‰ËÚÒfl Ò˄̇Î,„ÛÎËÛÂÏ˚È Ï‡ÒÚÂ-ÍÓÌÚÓÎÎÂÓÏ STEREO. åÓÊÌÓËÒÔÓθÁÓ‚‡Ú¸ ˝ÚË „ÌÂÁ‰‡, ̇ÔËÏÂ, ‰Îfl ÔÓ‰Íβ˜ÂÌËflÛÒËÎËÚÂÎfl ÏÓ˘ÌÓÒÚË, ÛÔ‡‚Îfl˛˘Â„Ó ÓÒÌÓ‚Ì˚ÏË„ÓÏÍÓ„Ó‚ÓËÚÂÎflÏË.
6 ÉÌÂÁ‰‡ MONITOR (L, R)ùÚÓ Ò·‡Î‡ÌÒËÓ‚‡ÌÌ˚ ÔÓ ÒÓÔÓÚË‚ÎÂÌ˲* ‚˚ıÓ‰Ì˚ „ÌÂÁ‰‡¯ÚÂÍÂÌÓ„Ó ÚËÔ‡, ˜ÂÂÁ ÍÓÚÓ˚ ‚˚‚Ó‰flÚÒfl Ò˄̇Î˚,ÍÓÚÓ˚ÏË ÏÓÊÌÓ ÛÔ‡‚ÎflÚ¸ Ò ÔÓÏÓ˘¸˛ „ÛÎflÚÓ‡MONITOR/PHONES. èÓ‰Íβ˜ËÚ ˝ÚË „ÌÂÁ‰‡ Í ÒËÒÚÂÏÂÍÓÌÚÓÎfl.
7 ÉÌÂÁ‰Ó PHONESèÓ‰Íβ˜ËÚ ̇ۯÌËÍË Í ˝ÚÓÏÛ ÒÚÂÂÓÙÓÌ˘ÂÒÍÓÏÛ „ÌÂÁ‰Û¯ÚÂÍÂÌÓ„Ó ÚËÔ‡. óÂÂÁ „ÌÂÁ‰‡ PHONES ‚˚‚Ó‰ËÚÒfl Ú‡ÍÓÈ ÊÂÒ˄̇Î, ˜ÚÓ Ë ˜ÂÂÁ „ÌÂÁ‰‡ MONITOR OUT.
8 èÂÂÍβ˜‡ÚÂθ PHANTOM +48 ÇùÚÓÚ ‚˚Íβ˜‡ÚÂθ ‚Íβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ Ù‡ÌÚÓÏÌÓÂÔËÚ‡ÌËÂ. äÓ„‰‡ ˝ÚÓÚ ÔÂÂÍβ˜‡ÚÂθ ‚Íβ˜ÂÌ, ÏËͯ ÔÓ‰‡ÂÚÙ‡ÌÚÓÏÌÓ ÔËÚ‡ÌË +48 Ç Ì‡ ‚Ò ͇̇Î˚, Ëϲ˘Ë ‚ıÓ‰Ì˚ÂÏËÍÓÙÓÌÌ˚ „ÌÂÁ‰‡ XLR (CH 1–5/6).ÇÍβ˜ËÚ ˝ÚÓÚ ÔÂÂÍβ˜‡ÚÂθ ÔË ËÒÔÓθÁÓ‚‡ÌËË Ó‰ÌÓ„Ó ËÎËÌÂÒÍÓθÍËı ÍÓ̉ÂÌÒ‡ÚÓÌ˚ı ÏËÍÓÙÓÌÓ‚, ÚÂ·Û˛˘ËıÙ‡ÌÚÓÏÌÓ„Ó ÔËÚ‡ÌËfl.
ÖÒÎË ˝ÚÓÚ ÔÂÂÍβ˜‡ÚÂθ ‚Íβ˜ÂÌ, ÏËͯÂÔÓ‰‡ÂÚ ÔËÚ‡ÌË +48 Ç ÔÓÒÚÓflÌÌÓ„Ó ÚÓ͇ ̇ÍÓÌÚ‡ÍÚ˚ 2 Ë 3 ‚ÒÂı ‚ıÓ‰Ì˚ı „ÌÂÁ‰ MIC INPUTÚËÔ‡ XLR.
9 ê„ÛÎflÚÓ RETURNàÒÔÓθÁÛÂÚÒfl ‰Îfl „ÛÎËÓ‚ÍË ÛÓ‚Ìfl, ̇ ÍÓÚÓÓÏ Ò˄̇Î,ÔÓÎÛ˜‡ÂÏ˚È Ì‡ „ÌÂÁ‰‡ı RETURN (L (MONO) Ë R) ÓÚÔ‡‚ÎflÂÚÒfl̇ ¯ËÌÛ STEREO L/R.
èË ÔÓ‰‡˜Â Ò˄̇· ÚÓθÍÓ Ì‡ „ÌÂÁ‰Ó RETURN L(MONO) ÏËͯ ÔÓÒ˚·ÂÚ ˝ÚÓÚ Ê Ò˄̇Π̇ Ó·ÂÒÚÂÂÓ¯ËÌ˚ L Ë R.
0 à̉Ë͇ÚÓ POWERùÚÓÚ Ë̉Ë͇ÚÓ „ÓËÚ, ÂÒÎË ‚Íβ˜ÂÌÓ ÔËÚ‡ÌË ÏËͯ‡.
A à̉Ë͇ÚÓ ÛÓ‚ÌflùÚÓÚ Ò‚ÂÚÓ‰ËÓ‰Ì˚È Ë̉Ë͇ÚÓ ÓÚÓ·‡Ê‡ÂÚ ÛÓ‚Â̸ Ò˄̇·,ÔÓÒ˚·ÂÏÓ„Ó Ì‡ „ÌÂÁ‰‡ MONITOR Ë „ÌÂÁ‰Ó PHONES. ë„ÏÂÌÚ«0» ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ÌÓÏË̇θÌÓÏÛ ‚˚ıÓ‰ÌÓÏÛ ÛÓ‚Ì˛. äÓ„‰‡‚˚ıÓ‰ÌÓÈ Ò˄̇Π‰ÓÒÚË„‡ÂÚ ÛÓ‚Ìfl Ô„ÛÁÍË, Ò„ÏÂÌÚ PEAKÁ‡„Ó‡ÂÚÒfl ͇ÒÌ˚Ï ˆ‚ÂÚÓÏ.
B 2TR IN• èÂÂÍβ˜‡ÚÂθ 2TR INäÓ„‰‡ ‰‡ÌÌ˚È ÔÂÂÍβ˜‡ÚÂθ ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË TOSTEREO ( ), Ò˄̇Î˚ ÔÓÒ˚·˛ÚÒfl ̇ ¯ËÌ˚ STEREO L/R.ÖÒÎË ‰‡ÌÌ˚È ÔÂÂÍβ˜‡ÚÂθ ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË TOMONITOR ( ), ‚ıÓ‰Ì˚ Ò˄̇Î˚ ˜ÂÂÁ „ÌÂÁ‰‡ 2TR INÔÓÒ˚·˛ÚÒfl ̇ „ÌÂÁ‰‡ MONITOR OUT, „ÌÂÁ‰Ó PHONES ËË̉Ë͇ÚÓ ÛÓ‚Ìfl. îÛÌ͈Ëfl MONITOR MIX ÒÚ‡ÌÓ‚ËÚÒfl‰ÓÒÚÛÔÌÓÈ, ÍÓ„‰‡ ÔÂÂÍβ˜‡ÚÂθ ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË TOMONITOR ( ).
* : èË Ì‡ÎÓÊÂÌËË Á‡ÔËÒÂÈ ÏÓÊÌÓ Â„ÛÎËÓ‚‡Ú¸ ÛÓ‚ÌË Ò˄̇· ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÓÌËÚÓ‡ Ë Ò˄̇·, Á‡ÔËÒ‡ÌÌÓ„Ó ÓÚ‰ÂθÌÓ.
èÓÚÓÍ Ò˄̇ÎÓ‚ MONITOR MIX
• ê„ÛÎflÚÓ 2TR INàÒÔÓθÁÛÂÚÒfl ‰Îfl „ÛÎËÓ‚ÍË ÛÓ‚Ìfl Ò˄̇·, ÔÓÒ˚·ÂÏÓ„Ó Ò„ÌÂÁ‰ 2TR IN ̇ ¯ËÌ˚ STEREO L/R.
C ê„ÛÎflÚÓ MONITOR/PHONESàÒÔÓθÁÛÂÚÒfl ‰Îfl ÛÔ‡‚ÎÂÌËfl ÛÓ‚ÌÂÏ Ò˄̇·, ‚˚‚Ó‰ËÏÓ„Ó̇ „ÌÂÁ‰‡ PHONES Ë MONITOR.
D å‡ÒÚÂ-ÍÓÌÚÓÎΠSTEREOàÒÔÓθÁÛÂÚÒfl ‰Îfl „ÛÎËÓ‚ÍË ÛÓ‚Ìfl Ò˄̇·, ÔÓÒ˚·ÂÏÓ„Ó̇ „ÌÂÁ‰‡ STEREO OUT.
* ÉÌÂÁ‰‡, Ò·‡Î‡ÌÒËÓ‚‡ÌÌ˚ ÔÓ ÒÓÔÓÚË‚ÎÂÌ˲èÓÒÍÓθÍÛ ÔÓÎÓÊËÚÂθÌ˚Â Ë ÓÚˈ‡ÚÂθÌ˚ ÍÓÌÚ‡ÍÚ˚ ‚˚ıÓ‰Ì˚ı„ÌÂÁ‰, Ò·‡Î‡ÌÒËÓ‚‡ÌÌ˚ı ÔÓ ÒÓÔÓÚË‚ÎÂÌ˲, ËÏÂ˛Ú Ó‰Ë̇ÍÓ‚ÓÂÒÓÔÓÚË‚ÎÂÌËÂ, ˝ÚË „ÌÂÁ‰‡ ‚˚ıÓ‰‡ ÏÂÌ ÔÓ‰‚ÂÊÂÌ˚ ‚ÎËflÌË˛Ì‡‚‰ÂÌÌÓ„Ó ¯Ûχ.
• ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ÔÂÂÍβ˜‡ÚÂθ ‚˚Íβ˜ÂÌ( ), ÂÒÎË ÌÂÚ ÌÂÓ·ıÓ‰ËÏÓÒÚË ËÒÔÓθÁÓ‚‡ÌËflÙ‡ÌÚÓÏÌÓ„Ó ÔËÚ‡ÌËfl.
• ÖÒÎË ÔÂÂÍβ˜‡ÚÂθ ‚Íβ˜ÂÌ ( ), Ì ÔÓ‰Íβ˜‡ÈÚ ͂ıÓ‰Ì˚Ï „ÌÂÁ‰‡Ï XLR (CH: 1-5/6) ÌË͇ÍË ‰Û„ËÂÛÒÚÓÈÒÚ‚‡, ÍÓÏ ÍÓ̉ÂÌÒ‡ÚÓÌ˚ı ÏËÍÓÙÓÌÓ‚. èËÔÓ‰Íβ˜ÂÌËË Í ËÒÚÓ˜ÌËÍÛ Ù‡ÌÚÓÏÌÓ„Ó ÔËÚ‡ÌËflÛÒÚÓÈÒÚ‚‡ (ÍÓÏ ÍÓ̉ÂÌÒ‡ÚÓÌ˚ı ÏËÍÓÙÓÌÓ‚) ÏÓ„ÛÚ·˚Ú¸ ÔÓ‚ÂʉÂÌ˚. é‰Ì‡ÍÓ Ó·‡ÚËÚ ‚ÌËχÌËÂ, ˜ÚÓÔÂÂÍβ˜‡ÚÂθ ÏÓÊÌÓ Ì ‚˚Íβ˜‡Ú¸ ÔË ÔÓ‰Íβ˜ÂÌËËÍ Ò·‡Î‡ÌÒËÓ‚‡ÌÌ˚Ï ‰Ë̇Ï˘ÂÒÍËÏ ÏËÍÓÙÓ̇Ï.
• ÇÓ ËÁ·ÂʇÌË ÔÓ‚ÂʉÂÌËfl „ÓÏÍÓ„Ó‚ÓËÚÂÎÂÈÔ‰ ÛÒÚ‡ÌÓ‚ÍÓÈ ˝ÚÓ„Ó ÔÂÂÍβ˜‡ÚÂÎfl ‚Ó‚Íβ˜ÂÌÌÓ ËÎË ‚˚Íβ˜ÂÌÌÓ ÔÓÎÓÊÂÌË ӷflÁ‡ÚÂ-θÌÓ ‚˚Íβ˜‡ÈÚ ÛÒËÎËÚÂÎË (ËÎË „ÓÏÍÓ„Ó‚ÓËÚÂÎËÒÓ ‚ÒÚÓÂÌÌ˚Ï ÛÒËÎËÚÂÎÂÏ). êÂÍÓÏẨÛÂÚÒfl Ú‡ÍÊÂÛÒÚ‡ÌÓ‚ËÚ¸ ̇ ÏËÌËÏÛÏ ‚Ò ‚˚ıÓ‰Ì˚ ÍÓÌÚÓÎÎÂ˚(χÒÚÂ-ÍÓÌÚÓÎΠSTEREO Ë Ú.‰.) Ô‰ÔÂÂÍβ˜ÂÌËÂÏ ‚˚Íβ˜‡ÚÂÎfl ‚Ó ËÁ·ÂʇÌË ËÒ͇ÒÓÁ‰‡ÌËfl „ÓÏÍËı ¯ÛÏÓ‚, ÍÓÚÓ˚ ÏÓ„ÛÚ ÔË‚ÂÒÚË ÍÒÌËÊÂÌ˲ ÒÎÛı‡ ËÎË ÔÓ‚ÂʉÂÌ˲ ÛÒÚÓÈÒÚ‚‡.
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2TR IN ê„ÛÎflÚÓ 2TR IN
å‡ÒÚÂ-ÍÓÌÚÓÎΠSTEREO
ê„ÛÎflÚÓ˚ MONITOR/PHONES
òËÌ˚STEREO
REC OUT
ÉÌÂÁ‰‡ MONITOR/ PHONES
è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë Á‡‰Ìflfl Ô‡ÌÂθ
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl MG82CX/MG102C 13
ëÔ‡‚Ó˜ÌÓ ÛÍÓ‚Ó‰ÒÚ‚Ó
ñàîêéÇõÖ ùîîÖäíõ *ñËÙÓ‚˚ ˝ÙÙÂÍÚ˚ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÚÓθÍÓ ÔË ËÒÔÓθÁÓ‚‡ÌËË ÏÓ‰ÂÎË MG82CX.
1ÉÌÂÁ‰Ó FOOT SWITCH艇θÌ˚È ÔÂÂÍβ˜‡ÚÂθ YAMAHA FC5 (ÔËÓ·ÂÚ‡ÂÚÒfl ‰ÓÔÓÎÌËÚÂθÌÓ)ÏÓÊÌÓ ÔÓ‰Íβ˜ËÚ¸ Í ˝ÚÓÏÛ „ÌÂÁ‰Û Ë ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ‚Íβ˜ÂÌËfl/‚˚Íβ˜ÂÌËfl ˆËÙÓ‚˚ı ˝ÙÙÂÍÚÓ‚.
2 ê͇ۘ PROGRAMë  ÔÓÏÓ˘¸˛ ÏÓÊÌÓ ‚˚·‡Ú¸ Ó‰ËÌ ËÁ 16 ‚ÌÛÚÂÌÌËı ˝ÙÙÂÍÚÓ‚.èÓ‰Ó·ÌÂÂ Ó ÚËÔ‡ı ‚ÌÛÚÂÌÌËı ˝ÙÙÂÍÚÓ‚ ÒÏ. ÒÚ. 18.
3 ê„ÛÎflÚÓ PARAMETERàÒÔÓθÁÛÂÚÒfl ‰Îfl „ÛÎËÓ‚ÍË Ô‡‡ÏÂÚ‡ („ÎÛ·Ë̇, ÒÍÓÓÒÚ¸ Ë Ú.‰.) ‰Îfl‚˚·‡ÌÌÓ„Ó ˝ÙÙÂÍÚ‡.ëÓı‡ÌflÂÚÒfl ÔÓÒΉÌ Á̇˜ÂÌËÂ, ËÒÔÓθÁÓ‚‡ÌÌÓÂ Ò Í‡Ê‰˚Ï ˝ÙÙÂÍÚÓÏ.
èË ‚˚·Ó ‰Û„Ó„Ó ÚËÔ‡ ˝ÙÙÂÍÚ‡ ÏËͯ ‡‚ÚÓχÚ˘ÂÒÍË‚ÓÒÒڇ̇‚ÎË‚‡ÂÚ Á̇˜ÂÌËÂ, ÍÓÚÓÓ ËÒÔÓθÁÓ‚‡ÎÓÒ¸ Ò‰‡ÌÌ˚Ï ÚËÔÓÏ ˝ÙÙÂÍÚ‡ (ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÚÂÍÛ˘Â„ÓÔÓÎÓÊÂÌËfl „ÛÎflÚÓ‡ PARAMETER).ùÚË Á̇˜ÂÌËfl Ô‡‡ÏÂÚ‡ ÒÓı‡Ìfl˛ÚÒfl ‰‡Ê ÔÓÒ΂˚Íβ˜ÂÌËfl ÔËÚ‡ÌËfl.
4 Ç˚Íβ˜‡ÚÂθ ONàÒÔÓθÁÛÂÚÒfl ‰Îfl ‚Íβ˜ÂÌËfl/‚˚Íβ˜ÂÌËfl ‚ÌÛÚÂÌÌÂ„Ó ˝ÙÙÂÍÚ‡.ÇÌÛÚÂÌÌËÈ ˝ÙÙÂÍÚ ÔËÏÂÌflÂÚÒfl ÚÓθÍÓ ÔË ‚Íβ˜ÂÌÌÓÏ ÔÂÂÍβ˜‡ÚÂÎÂ.ÖÒÎË ÔÂÂÍβ˜‡ÚÂθ ‚Íβ˜ÂÌ, Ë̉Ë͇ÚÓ „ÓËÚ Ó‡ÌÊ‚˚Ï.ÑÓÔÓÎÌËÚÂθÌ˚È Ô‰‡Î¸Ì˚È ÔÂÂÍβ˜‡ÚÂθ YAMAHA FC5 (ÔËÓ·ÂÚ‡ÂÚÒfl‰ÓÔÓÎÌËÚÂθÌÓ) ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ‚Íβ˜ÂÌËfl/‚˚Íβ˜ÂÌËflˆËÙÓ‚˚ı ˝ÙÙÂÍÚÓ‚.
èË Ì‡˜‡Î¸ÌÓÏ ‚Íβ˜ÂÌËË ÔËÚ‡ÌËfl ‚ÌÛÚÂÌÌËÈ ÏÓ‰Ûθ˝ÙÙÂÍÚÓ‚ ‡ÍÚË‚ÂÌ ÔÓ ÛÏÓΘ‡Ì˲ Ë „ÓËÚ Ë̉Ë͇ÚÓ‚Íβ˜ÂÌËfl.
5 ê„ÛÎflÚÓ EFFECT RTNàÒÔÓθÁÛÂÚÒfl ‰Îfl „ÛÎËÓ‚ÍË ÛÓ‚Ìfl Ò˄̇·, ÔÓÒ˚·ÂÏÓ„Ó ÓÚ ÏÓ‰ÛÎfl‚ÌÛÚÂÌÌËı ˆËÙÓ‚˚ı ˝ÙÙÂÍÚÓ‚ ̇ ¯ËÌ˚ STEREO.
ᇉÌflfl Ô‡ÌÂθ ‚‚Ó‰‡/‚˚‚Ó‰‡
1èÂÂÍβ˜‡ÚÂθ POWERàÒÔÓθÁÛÂÚÒfl ‰Îfl ‚Íβ˜ÂÌËfl ËÎË ÔÂÂÍβ˜ÂÌËfl ÏËͯ‡ ‚ ÂÊËÏSTANDBY.
2 ê‡Á˙ÂÏ AC ADAPTOR INèÓ‰Íβ˜ËÚ ‚ıÓ‰fl˘ËÈ ‚ ÍÓÏÔÎÂÍÚ ‡‰‡ÔÚ ÔËÚ‡ÌËfl PA-10 Í ‰‡ÌÌÓÏÛ‡Á˙ÂÏÛ (ÒÏ ÒÚ. 5).
é·‡ÚËÚ ‚ÌËχÌËÂ, ˜ÚÓ ‰‡Ê ÍÓ„‰‡ ÔÂÂÍβ˜‡ÚÂθ ̇ıÓ‰ËÚÒfl ‚ÔÓÎÓÊÂÌËË STANDBY, ̇ ÏÓ‰Ûθ ‚Ò Ê ÔÓÒÚÛÔ‡ÂÚ Ì·Óθ¯ÓÂ̇ÔflÊÂÌËÂ. ÖÒÎË Ì Ô·ÌËÛÂÚÒfl ËÒÔÓθÁÓ‚‡Ú¸ ÏËͯ ‚ Ú˜ÂÌˉÎËÚÂθÌÓ„Ó ‚ÂÏÂÌË, ÓÚÍβ˜ËÚ ‡‰‡ÔÚ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ ÓÚÓÁÂÚÍË.
àÒÔÓθÁÛÈÚ ÚÓθÍÓ ‡‰‡ÔÚ PA-10, ‚ıÓ‰fl˘ËÈ ‚ ÍÓÏÔÎÂÍÚ ˝ÚÓ„ÓÏËͯ‡. àÒÔÓθÁÓ‚‡ÌË ‰Û„Ó„Ó ‡‰‡ÔÚ‡ ÏÓÊÂÚ ÔË‚ÂÒÚË Í‚ÓÁ„Ó‡Ì˲ ËÎË ÔÓ‡ÊÂÌ˲ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ.
3
4
5
2
1
MG82CX
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ëÔ‡‚Ó˜ÌÓ ÛÍÓ‚Ó‰ÒÚ‚Ó
14 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl MG82CX/MG102C
ç‡ÒÚÓÈ͇
ëÔËÒÓÍ ‡Á˙ÂÏÓ‚
* ä ˝ÚËÏ „ÌÂÁ‰‡Ï ÏÓÊÌÓ Ú‡ÍÊ ÔÓ‰Íβ˜ËÚ¸ ÏÓÌÓÙÓÌ˘ÂÒÍË ¯ÚÂÍÂ˚. èË ËÒÔÓθÁÓ‚‡ÌËË ÏÓÌÓÙÓÌ˘ÂÒÍËı ¯ÚÂÍÂÓ‚ ÔÓ‰Íβ˜ÂÌË ·Û‰ÂÚ ÌÂÒ·‡Î‡ÌÒËÓ‚‡ÌÌ˚Ï.
DI
MG82CX
ÄÍÚË‚Ì˚Â
á‡ÔËÒ˚‚‡˛˘Â ÛÒÚÓÈÒÚ‚Ó
èÓË„˚‚‡ÚÂθ ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚
ÉËÚ‡‡
ŇÒ
åËÍÓÙÓÌ
ëËÌÚÂÁ‡ÚÓÄÍÚË‚Ì˚ ÍÓÌÚÓθÌ˚Â
„ÓÏÍÓ„Ó‚ÓËÚÂÎË
ç‡Û¯ÌËÍË
èÓˆÂÒÒÓ ˝ÙÙÂÍÚÓ‚(‚ÓÁ·Û‰ËÚÂθ) 艇θÌ˚È ÔÂÂÍβ˜‡-
ÚÂθ (YAMAHA FC5)
èÓˆÂÒÒÓ ˝ÙÙÂÍÚÓ‚
ÇıÓ‰Ì˚Â Ë ‚˚ıÓ‰Ì˚ „ÌÂÁ‰‡ èÓÎflÌÓÒÚ¸ ‡Á˙ÂÏÓ‚ äÓÌÙË„Û‡ˆËfl
MIC INPUT äÓÌÚ‡ÍÚ 1: Á‡ÁÂÏÎÂÌËÂäÓÌÚ‡ÍÚ 2: ÔÓÎÓÊËÚÂθÌ˚È (+)äÓÌÚ‡ÍÚ 3: ÓÚˈ‡ÚÂθÌ˚È (–)
LINE INPUT (CH 1, 2)STEREO OUT, MONITOR OUT, EFFECT (AUX)*
ç‡ÍÓ̘ÌËÍ: ÔÓÎÓÊËÚÂθÌ˚È (+)äÓθˆÓ: ÓÚˈ‡ÚÂθÌ˚È (–)ÉËθÁ‡: Á‡ÁÂÏÎÂÌËÂ
INSERT ç‡ÍÓ̘ÌËÍ: ‚˚ıÓ‰äÓθˆÓ: ‚ıÓ‰ÉËθÁ‡: Á‡ÁÂÏÎÂÌËÂ
PHONES ç‡ÍÓ̘ÌËÍ: LäÓθˆÓ: RÉËθÁ‡: Á‡ÁÂÏÎÂÌËÂ
RETURNLINE INPUT (CH 3/4–7/8 (CH 3/4–9/10))
ç‡ÍÓ̘ÌËÍ: ÔÓÎÓÊËÚÂθÌ˚ÈÉËθÁ‡: Á‡ÁÂÏÎÂÌËÂ
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ç‡ÍÓ̘ÌËÍÉËθÁ‡
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êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl MG82CX/MG102C 15
ëÔ‡‚Ó˜ÌÓ ÛÍÓ‚Ó‰ÒÚ‚Ó
èÓËÒÍ Ë ÛÒÚ‡ÌÂÌË ÌÂËÒÔ‡‚ÌÓÒÚÂÈ
* ë̇˜‡Î‡ Ô˂‰ÂÌ˚ Ô‡‡ÏÂÚ˚ MG82CX, ÔÓÒΠ˜Â„Ó ‚ ÒÍӷ͇ı Ô˂‰ÂÌ˚ Ô‡‡ÏÂÚ˚ MG102C: MG82CX (MG102C).
åËͯ Ì ‚Íβ˜‡ÂÚÒfl. èӂ¸Ú ԇ‚ËθÌÓÒÚ¸ ÔÓ‰Íβ˜ÂÌËfl ‚ıÓ‰fl˘Â„Ó ‚ ÍÓÏÔÎÂÍÚ ‡‰‡ÔÚ‡ Í ËÒÔ‡‚ÌÓÈ ÓÁÂÚÍÂ. èӂ¸Ú ÔÓ‰Íβ˜ÂÌË ‚ıÓ‰fl˘Â„Ó ‚ ÍÓÏÔÎÂÍÚ ‡‰‡ÔÚ‡ Í ÏËͯÂÛ.
çÂÚ Á‚Û͇. èӂ¸Ú ԇ‚ËθÌÓÒÚ¸ ÔÓ‰Íβ˜ÂÌËfl ÏËÍÓÙÓÌÓ‚, ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Ë„ÓÏÍÓ„Ó‚ÓËÚÂÎÂÈ.
ì·Â‰ËÚÂÒ¸, ˜ÚÓ Â„ÛÎflÚÓ˚ GAIN, LEVEL Ë Ï‡ÒÚÂ-ÍÓÌÚÓÎΠSTEREO ̇ÒÚÓÂÌ˚ ̇ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÛÓ‚ÌË.
ì·Â‰ËÚÂÒ¸ ‚ Ô‡‚ËθÌÓÒÚË Ì‡ÒÚÓÈÍË ÔÂÂÍβ˜‡ÚÂÎfl MONITOR. 臂ËθÌÓ ÎË ÔÓ‰ÒÓ‰ËÌÂÌ˚ ͇·ÂÎË „ÓÏÍÓ„Ó‚ÓËÚÂÎÂÈ Ë Ì Á‡ÍÓÓ˜ÂÌ˚ ÎË ÓÌË? ÖÒÎË ÔÓÒΠ‚˚ÔÓÎÌÂÌËfl Ô˜ËÒÎÂÌÌ˚ı ‚˚¯Â ‰ÂÈÒÚ‚ËÈ ÔÓ·ÎÂχ Ì ËÒ˜ÂÁ·, Ó·‡ÚËÚÂÒ¸ ‚
Ò‚ËÒÌÛ˛ ÒÎÛÊ·Û ÍÓÏÔ‡ÌËË Yamaha. (ëÔËÒÓÍ Ò‚ËÒÌ˚ı ˆÂÌÚÓ‚ Ô˂‰ÂÌ Ì‡ ÒÚ. 59.)
á‚ÛÍ Ò··˚È, ËÒ͇ÊÂÌÌ˚È ËÎË Ò ÔÓÏÂı‡ÏË.
ì·Â‰ËÚÂÒ¸, ˜ÚÓ Â„ÛÎflÚÓ˚ GAIN, LEVEL Ë Ï‡ÒÚÂ-ÍÓÌÚÓÎΠSTEREO ̇ÒÚÓÂÌ˚ ̇ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÛÓ‚ÌË.
èӂ¸ÚÂ, ÔÓ‰Íβ˜ÂÌ˚ ÎË ‰‚‡ ‡ÁÌ˚ı ËÌÒÚÛÏÂÌÚ‡ Í „ÌÂÁ‰Û XLR Ë „ÌÂÁ‰Û ¯ÚÂÍÂÌÓ„Ó ÚËÔ‡ËÎË Í „ÌÂÁ‰Û ¯ÚÂÍÂÌÓ„Ó ÚËÔ‡ Ë „ÌÂÁ‰Û RCA ̇ Ó‰ÌÓÏ Í‡Ì‡ÎÂ. Ç˚ÔÓÎÌflÈÚ ÔÓ‰Íβ˜ÂÌËÂÚÓθÍÓ Í Ó‰ÌÓÏÛ ËÁ ˝ÚËı „ÌÂÁ‰ ̇ ͇ʉÓÏ Í‡Ì‡ÎÂ.
èӂ¸Ú ԇ‚ËθÌÓÒÚ¸ ̇ÒÚÓÈÍË ÛÓ‚Ìfl ‚ıÓ‰ÌÓ„Ó Ò˄̇·, ÔÓ‰‡‚‡ÂÏÓ„Ó Ò ÔÓ‰Íβ˜ÂÌÌÓ„ÓÛÒÚÓÈÒÚ‚‡.
èӂ¸ÚÂ, ÔËÏÂÌfl˛ÚÒfl ÎË ˝ÙÙÂÍÚ˚ ̇ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏÛ ÛÓ‚ÌÂ. ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÏËÍÓÙÓÌ˚ ÔÓ‰Íβ˜ÂÌ˚ Í ‚ıÓ‰Ì˚Ï „ÌÂÁ‰‡Ï MIC ̇ ͇̇·ı ÓÚ 1 ‰Ó 5/6. èË ËÒÔÓθÁÓ‚‡ÌËË ÍÓ̉ÂÌÒ‡ÚÓÌ˚ı ÏËÍÓÙÓÌÓ‚ ۷‰ËÚÂÒ¸, ˜ÚÓ ÔÂÂÍβ˜‡ÚÂθ PHANTOM +48 Ç
‚Íβ˜ÂÌ.
ùÙÙÂÍÚ Ì ÔËÏÂÌflÂÚÒfl. (èË ËÒÔÓθÁÓ‚‡ÌËË MG82CX)
èӂ¸Ú ԇ‚ËθÌÓÒÚ¸ ÔÓÎÓÊÂÌËfl „ÛÎflÚÓ‡ EFFECT Í‡Ê‰Ó„Ó Í‡Ì‡Î‡. ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÏÓ‰Ûθ ‚ÌÛÚÂÌÌËı ˝ÙÙÂÍÚÓ‚ ‚Íβ˜ÂÌ. èӂ¸Ú ԇ‚ËθÌÓÒÚ¸ ÔÓÎÓÊÂÌËfl „ÛÎflÚÓÓ‚ EFFECT PARAMETER Ë EFFECT RTN.
Ç˚ ıÓÚËÚÂ, ˜ÚÓ·˚ ˜¸ ·˚· ·ÓΠ‡Á΢Ëχ.
ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‚Íβ˜ÂÌ˚ ÔÂÂÍβ˜‡ÚÂÎË . éÚ„ÛÎËÛÈÚ ˝Í‚‡Î‡ÈÁÂ˚ (HIGH, MID Ë LOW) Í‡Ê‰Ó„Ó Í‡Ì‡Î‡.
Ç˚ ıÓÚËÚ ‚˚‚ÂÒÚË ÏÓÌËÚÓÌ˚È Ò˄̇Π˜ÂÂÁ „ÓÏÍÓ„Ó‚ÓËÚÂÎË.
èÓ‰Íβ˜ËÚ ‡ÍÚË‚Ì˚È „ÓÏÍÓ„Ó‚ÓËÚÂθ Í „ÌÂÁ‰Û EFFECT (AUX)*. á‡ÚÂÏ ÓÚ„ÛÎËÛÈÚÂÛÓ‚Â̸ ‚˚‚Ó‰‡ Ò ÔÓÏÓ˘¸˛ „ÛÎflÚÓÓ‚ EFFECT (AUX)* ‰Îfl Í‡Ê‰Ó„Ó Í‡Ì‡Î‡.
ìÒÚ‡Ìӂ͇ ̇ ÏËÍÓÙÓÌÌÛ˛ ÒÚÓÈÍÛ
1 è‚ÂÌËÚ ÏËͯÂ, Á‡ÍÂÔËÚ ‡‰‡ÔÚÂÏËÍÓÙÓÌÌÓÈ ÒÚÓÈÍË (BMS-10A; ÔËÓ·ÂÚ‡ÂÚÒfl‰ÓÔÓÎÌËÚÂθÌÓ) Í ÓÒÌÓ‚‡Ì˲ ÒÚÓÈÍË Ú‡ÍËÏ Ó·‡ÁÓÏ,˜ÚÓ·˚ ÓÚ‚ÂÒÚËfl ‰Îfl ‚ËÌÚÓ‚ ÒÓ‚Ô‡‰‡ÎË (1).燉ÂÊÌÓ Á‡ÍÂÔËÚ ‡‰‡ÔÚ ‰‚ÛÏfl ‚ËÌÚ‡ÏË (2).
2 èËÔÓ‰ÌËÏËÚ ԇ‚Û˛ ÒÚÓÓÌÛ ÏËͯ‡ ËÛÒÚ‡ÌÓ‚ËÚÂ Â„Ó Ì‡ ÏËÍÓÙÓÌÌÛ˛ ÒÚÓÈÍÛ.
3 éÒ·· Ú „‡ÈÍÛ-·‡‡¯ÂÍ (1), ÓÚ„ÛÎËÛÈÚÂÔÓÎÓÊÂÌË ÏËͯ‡ (2), Á‡ÚÂÏ Ì‡‰ÂÊÌÓÁ‡ÍÛÚËÚ „‡ÈÍÛ-·‡‡¯ÂÍ (3).
èÓ‰Ó·Ì ÒÏ. ‚ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ‰Îfl BMS-10A.
• èË ËÒÔÓθÁÓ‚‡ÌËË ÏËͯ‡ ̇ ÏËÍÓÙÓÌÌÓÈ ÒÚÓÈÍÂÛÒڇ̇‚ÎË‚‡ÈÚ ÒÚÓÈÍÛ Ì‡ Ó‚ÌÓÈ Ë ÛÒÚÓȘ˂ÓÈÔÓ‚ÂıÌÓÒÚË. ç ÛÒڇ̇‚ÎË‚‡ÈÚ ÒÚÓÈÍÛ ‚ ÏÂÒÚ‡ı,ÔÓ‰‚ÂÊÂÌÌÓÈ ‚ÓÁ‰ÂÈÒڂ˲ ‚Ë·‡ˆËË ËÎË ‚ÂÚ‡.
• é·‡ÚËÚ ‚ÌËχÌËÂ, ˜ÚÓ ÔË Ô‡‰ÂÌËË ÏËͯ ÏÓÊÂÚ·˚Ú¸ ÔÓ‚ÂʉÂÌ. äÂÔËÚ ͇·ÂÎË ÔÓ‰Íβ˜ÂÌËfl Ú‡ÍËÏÓ·‡ÁÓÏ, ˜ÚÓ·˚ Á‡ ÌËı ÌÂθÁfl ·˚ÎÓ Á‡ˆÂÔËÚ¸Òfl, ˜ÚÓÏÓÊÂÚ ‚˚Á‚‡Ú¸ Ô‡‰ÂÌËÂ. ç‡ÔËÏÂ: ÍÂÔËÚ ͇·ÂÎËÔ‡‡ÎÎÂθÌÓ ÏËÍÓÙÓÌÌÓÈ ÒÚÓÈÍÂ.
• éÒÚ‡‚ Ú ‰ÓÒÚ‡ÚÓ˜ÌÓ Ò‚Ó·Ó‰ÌÓ„Ó ÏÂÒÚ‡ ‚ÓÍÛ„ ÒÚÓÈÍË.
ÇçàåÄçàÖ
Reference
16 MG82CX/MG102C Owner’s Manual
íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË
íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË
鷢ˠı‡‡ÍÚÂËÒÚËÍË
ÇÒ „ÛÎflÚÓ˚ ÛÓ‚Ìfl ÌÓÏË̇θÌ˚Â, ÂÒÎË Ì Û͇Á‡ÌÓ.Ç˚ıÓ‰ÌÓ ÒÓÔÓÚË‚ÎÂÌË „Â̇ÚÓ‡ Ò˄̇·: 150 éÏ
* ë̇˜‡Î‡ Ô˂‰Â̇ ı‡‡ÍÚÂËÒÚË͇ MG82CX, ÔÓÒΠ˜Â„Ó ‚ ÒÍӷ͇ı Ô˂‰ÂÌ˚ Ô‡‡ÏÂÚ˚ MG102C: MG82CX (MG102C)
åàç çéå åÄäë ÖÑ. àáå.ó‡ÒÚÓÚ̇fl ı‡‡ÍÚÂËÒÚË͇ STEREO OUT GAIN: ÏËÌ. (CH 1-5/6)
20 É – 20 ÍÉçÓÏË̇θÌ˚È ‚˚ıÓ‰ÌÓÈ ÛÓ‚Â̸ ÔË 1 ÍÉ
–3,0 1,0 ‰Å
EFFECT SEND(AUX SEND*)
–3,0 1,0
MONITOR OUT, REC OUT –3,0 1,0
鷢ˠÌÂÎËÌÂÈÌ˚ ËÒ͇ÊÂÌËfl (éçà + N)
STEREO OUT +14 ‰ÅÌ, 20 É – 20 ÍÉ , ÏËÌËχθÌÓ ÔÓÎÓÊÂÌË ‚ıÓ‰ÌÓ„Ó Â„ÛÎflÚÓ‡ Gain
0,1 %
ÉÛÎ Ë ¯ÛÏ
èÓÏÂıË Ë ¯ÛÏ ËÁÏÂÂÌ˚ Ò ÙËÎ ÚÓÏ 6 ‰Å/ÓÍÚ‡‚‡ ÔË 12,7 ÍÉ ; ˝Í‚Ë‚‡ÎÂÌÚÌ˚Ï ÙËÎ ÚÛ Ì‡ 20 ÍÉ Ò ·ÂÒÍÓ̘Ì˚Ï ÓÒ··ÎÂÌËÂÏ ‰Å/ÓÍÚ‡‚˚.
ÇıÓ‰: CH INPUT 1, 2 MIC EIN (˝Í‚Ë‚‡ÎÂÌÚÌ˚È ‚ıÓ‰ÌÓÈ ¯ÛÏ): Rs = 150 éÏ, GAIN: χÍÒËÏÛÏ (CH1, 2)
–128 ‰ÅÌ
STEREO OUT å‡ÒÚÂ-ÍÓÌÚÓÎΠSTEREO ̇ ÌÓÏË̇θÌÓÏ ÛÓ‚ÌÂ, ‡ ‚Ò „ÛÎflÚÓ˚ ÛÓ‚Ìfl CH ‚ ÏËÌËχθÌÓÏ ÔÓÎÓÊÂÌËË.
–87
EFFECT SEND(AUX SEND*)
ÇÒ „ÛÎflÚÓ˚ CH EFFECT (AUX*) ‚ ÏËÌËχθÌÓÏ ÔÓÎÓÊÂÌËË.
–85
STEREO OUT å‡ÒÚÂ-ÍÓÌÚÓÎΠSTEREO Ë Ó‰ËÌ Â„ÛÎflÚÓ ÛÓ‚Ìfl CH ̇ ÌÓÏË̇θÌÓÏ ÛÓ‚Ì (CH1, 2)
–64
STEREO OUT éÒÚ‡ÚÓ˜Ì˚È ‚˚ıÓ‰ÌÓÈ ¯ÛÏ –100
èÂÂÍÂÒÚÌ˚ ÔÓÏÂıË (1 ÍÉ ) ëÏÂÊÌ˚È ‚ıÓ‰ CH1, 2 –70 ‰Å
ÇıÓ‰ – ‚˚ıÓ‰ STEREO L/R, CH 1, 2, PAN: Ô‡ÌӇχ ÔÓÎÌÓÒÚ¸˛ ‚ÎÂ‚Ó ËÎË ÔÓÎÌÓÒÚ¸˛ ‚Ô‡‚Ó
–70
å‡ÍÒ. ÛÒËÎÂÌË ÔÓ Ì‡ÔflÊÂÌ˲ (1 ÍÉ )
ÇÒ „ÛÎflÚÓ˚ ÛÓ‚Ìfl ÔË ËÁÏÂÂÌËË ÛÒÚ‡ÌÓ‚ÎÂÌ˚ ‚ ÔÓÎÓÊÂÌË χÍÒËÏÛχPAN/BAL: Ô‡ÌӇχ ÔÓÎÌÓÒÚ¸˛ ‚ÎÂ‚Ó ËÎË ÔÓÎÌÓÒÚ¸˛ ‚Ô‡‚Ó.
Rs = 150 éÏINPUT GAIN: χÍÒËÏÛÏ
MIC – CH INSERT OUT 60 ‰Å
MIC – STEREO OUT 76
MIC – REC OUT 58,2
MIC – MONITOR OUT 92
MIC – PHONES OUT 81
MIC – EFFECT SEND (AUX SEND*) 76
LINE – STEREO OUT 50
LINE – EFFECT SEND (AUX SEND*) 47
ST CH 7/8, (CH 7/8, 9/10*) – STEREO OUT 26
Rs = 150 éÏ RETURN – STEREO OUT 12
Rs = 600 éÏ 2TR IN – STEREO OUT 23,8
î‡ÌÚÓÏÌÓ ̇ÔflÊÂÌË MIC ·ÂÁ ̇„ÛÁÍË 48 Ç
ÇıÓ‰ ÙËÎ Ú‡ ‚˚ÒÓÍÓÈ ˜‡ÒÚÓÚ˚ CH 1-5/6, 80 É , 12 ‰Å/ÓÍÚ‡‚‡
ÇıӉ̇fl ÍÓÂ͈Ëfl
ó‡ÒÚÓÚ‡ Ô‚ÓÓÚ‡/ÒÔ‡‰‡ ҄·ÊË‚‡˛˘Â„Ó ÙËÎ Ú‡: 3 ‰Å ÌËÊ χÍÒËχθÌÓ„Ó ËÁÏÂÌflÂÏÓ„Ó ÛÓ‚Ìfl.±15 ‰Å χÍÒ.
CH 1-5/6 ÇõëéäàÖ óÄëíéíõ 10 ÍÉ (҄·ÊË‚‡ÌËÂ)
ëêÖÑçàÖ óÄëíéíõ 2,5 ÍÉ (‚˚ÒÓÍÓ˜‡ÒÚÓÚ̇fl ÍÓÂ͈Ëfl)
çàáäàÖ óÄëíéíõ 100 É (҄·ÊË‚‡ÌËÂ)
CH 7/8 (CH 7/8, 9/10*) ÇõëéäàÖ óÄëíéíõ 10 ÍÉ (҄·ÊË‚‡ÌËÂ)
çàáäàÖ óÄëíéíõ 100 É (҄·ÊË‚‡ÌËÂ)
à̉Ë͇ÚÓ PEAK ä‡ÒÌ˚È Ò‚ÂÚÓ‰ËÓ‰Ì˚È Ë̉Ë͇ÚÓ Á‡„Ó‡ÂÚÒfl, ÂÒÎË Ò˄̇Π̇ ‚˚ıӉ ˝Í‚‡Î‡ÈÁ‡ (̇ ‚˚ıӉ ÏËÍÓÙÓ̇ ËÎË Ì‡ ‚˚ıӉ ˝Í‚‡Î‡ÈÁ‡ ‰Îfl CH 3/4, 5/6) ‰ÓÒÚË„‡ÂÚ ÛÓ‚Ìfl ̇ 3 ‰Å ÌËÊ ÛÓ‚Ìfl Ô„ÛÁÍË (+17 ‰ÅÌ).
ÇÌÛÚÂÌÌËÈ ˆËÙÓ‚ÓÈ ˝ÙÙÂÍÚ* 16 ÔÓ„‡ÏÏ, „ÛÎflÚÓ PARAMETER艇θÌ˚È ÔÂÂÍβ˜‡ÚÂθ (‚Íβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ˆËÙÓ‚Ó„Ó ˝ÙÙÂÍÚ‡)
ë‚ÂÚÓ‰ËÓ‰Ì˚È Ë̉Ë͇ÚÓ ÛÓ‚Ìfl
ìÓ‚Â̸ ‰Ó MONITOR ë‚ÂÚÓ‰ËÓ‰Ì˚È Ë̉Ë͇ÚÓ 2x7 ÚÓ˜ÂÍ (PEAK, +6, +3, 0, –5, –10, –20 ‰Å)à̉Ë͇ÚÓ PEAK Á‡„Ó‡ÂÚÒfl, ÂÒÎË ÛÓ‚Â̸ Ò˄̇· ‰ÓÒÚË„‡ÂÚ ÓÚÏÂÚÍË 3 ‰Å ÌËÊ ÛÓ‚Ìfl Ô„ÛÁÍË.
ĉ‡ÔÚ ÔËÚ‡ÌËfl PA-10 38 Ç ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ (Ò Â„ÛÎËÓ‚‡ÌËÂÏ ÔÓ Ì‡ÔflÊÂÌ˲), 0,62 A, ‰ÎË̇ ͇·ÂÎfl = 3,6 Ï
ùÌ„ÓÔÓÚ·ÎÂÌË 21 ÇÚ
ê‡ÁÏÂ˚ (ò x Ç x É) 256,6 ÏÏ x 62,2 ÏÏ x 302,5 ÏÏ
ÇÂÒ ·ÂÁ ÛÔ‡ÍÓ‚ÍË 1,6 Í„ (MG82CX), 1,5 Í„ (MG102C)
íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl MG82CX/MG102C 17
ëÔ‡‚Ó˜ÌÓ ÛÍÓ‚Ó‰ÒÚ‚Ó
ÇıÓ‰Ì˚ ı‡‡ÍÚÂËÒÚËÍË
0 ‰ÅÌ = 0,775 Ò‰ÌÂÍ‚‡‰‡Ú˘ÂÒÍÓ„Ó ‚ÓÎ Ú‡, ‡ 0 ‰Å‚= 1 Ò‰ÌÂÍ‚‡‰‡Ú˘ÂÒÍËÈ ‚ÓÎ Ú
* óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸: Ò‡Ï˚È ÌËÁÍËÈ ÛÓ‚Â̸ Ò˄̇·, Ó·ÂÒÔ˜˂‡˛˘ËÈ ‚˚ıÓ‰ÌÓÈ ÛÓ‚Â̸ +4 ‰Å (1,23 Ç) ËÎË ÌÓÏË̇θÌ˚È ‚˚ıÓ‰ÌÓÈ ÛÓ‚Â̸, ÂÒÎË Á‡‰‡ÌÓ Ï‡ÍÒËχθÌÓ ÛÒËÎÂÌË Ò˄̇· ‚ ‡ÔÔ‡‡ÚÂ. (ÇÒ „ÛÎflÚÓ˚ ÛÓ‚Ìfl ÛÒÚ‡ÌÓ‚ÎÂÌ˚ ‚ χÍÒËχθÌÓ ÔÓÎÓÊÂÌËÂ.)
Ç˚ıÓ‰Ì˚ ı‡‡ÍÚÂËÒÚËÍË
0 ‰ÅÌ = 0,775 Ò‰ÌÂÍ‚‡‰‡Ú˘ÂÒÍÓ„Ó ‚ÓÎ Ú‡, ‡ 0 ‰Å‚= 1 Ò‰ÌÂÍ‚‡‰‡Ú˘ÂÒÍËÈ ‚ÓÎ Ú
* ë̇˜‡Î‡ Ô˂‰Â̇ ı‡‡ÍÚÂËÒÚË͇ MG82CX, ÔÓÒΠ˜Â„Ó ‚ ÒÍӷ͇ı Ô˂‰ÂÌ˚ Ô‡‡ÏÂÚ˚ MG102C: MG82CX (MG102C)
ÇıÓ‰Ì˚ ‡Á˙ÂÏ˚
ìÒËÎÂÌËÂÇıÓ‰ÌÓÂ
ÒÓÔÓÚË‚ÎÂÌËÂê„ÛÎflÌÓÂ
ÒÓÔÓÚË‚ÎÂÌËÂóÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ *
çÓÏË̇θÌ˚È ÛÓ‚Â̸
å‡ÍÒ. Ô‰ ̇„ÛÁÍÓÈ
ÍÚÂËÒÚËÍË ‡Á˙ÂÏÓ‚
CH INPUT MIC (CH 1, 2)
-60 ‰Å 3 ÍΩ åËÍÓÙÓÌ˚ 50–600 Ω
-72 ‰ÅÌ (0,195 ÏÇ) -60 ‰ÅÌ (0,775 ÏÇ) -40 ‰ÅÌ (7,75 ÏÇ) íËÔ XLR-3-31(Ò·‡Î‡ÌÒËÓ‚‡ÌÌ˚È [1 = Á‡ÁÂÏÎÂÌËÂ, 2 = ÔβÒ, 3 = ÏËÌÛÒ])
-16 ‰Å -28 ‰ÅÌ (30,8 ÏÇ) -16 ‰ÅÌ (123 ÏÇ) +4 ‰ÅÌ (1,23Ç)
CH INPUT LINE (CH 1, 2)
-34 ‰Å 10 ÍΩ ãËÌÂÈÌ˚ ÛÓ‚ÌË 600 Ω
-46 ‰ÅÌ (3,88 ÏÇ) –34 ‰ÅÌ (15,5 ÏÇ) -14 ‰ÅÌ (155 ÏÇ) òÚÂÍÂÌÓ „ÌÂÁ‰Ó TRS (Ò·‡Î‡ÌÒËÓ‚‡ÌÌ˚È [̇ÍÓ̘ÌËÍ = ÔβÒ, ÍÓθˆÓ = ÏËÌÛÒ, „ËθÁ‡ = Á‡ÁÂÏÎÂÌËÂ])
+10 ‰Å -2 ‰ÅÌ (0,615 Ç) +10 ‰ÅÌ (2,45 Ç) +30 ‰ÅÌ (24,5 Ç)
ST CH MIC INPUT (CH 3/4, 5/6)
-60 ‰Å 3 ÍΩ åËÍÓÙÓÌ˚ 50-600 Ω
-72 ‰ÅÌ (0,195 ÏÇ) -60 ‰ÅÌ (0,775 ÏÇ) -40 ‰ÅÌ (7,75 ÏÇ) íËÔ XLR-3-31(Ò·‡Î‡ÌÒËÓ‚‡ÌÌ˚È [1 = Á‡ÁÂÏÎÂÌËÂ, 2 = ÔβÒ, 3 = ÏËÌÛÒ])
-16 ‰Å -28 ‰ÅÌ (30,8 ÏÇ) -16 ‰ÅÌ (123 ÏÇ) -6 ‰ÅÌ (389 ÏÇ)
ST CH LINE INPUT (CH 3/4, 5/6)
-34 ‰Å 10 ÍΩ ãËÌÂÈÌ˚ ÛÓ‚ÌË 600 Ω
-46 ‰ÅÌ (3,88 ÏÇ) –34 ‰ÅÌ (15,5 ÏÇ) -14 ‰ÅÌ (155 ÏÇ) òÚÂÍÂÌÓ „ÌÂÁ‰Ó (ÌÂÒ·‡Î‡ÌÒËÓ‚‡ÌÌ˚È)+10 ‰Å -2 ‰ÅÌ (0,615 Ç) +10 ‰ÅÌ (2,45 Ç) +30 ‰ÅÌ (24,5Ç)
ST CH INPUT (CH 7/8 (CH 7/8, 9/10))
— 10 ÍΩ ãËÌÂÈÌ˚ ÛÓ‚ÌË 600 Ω
-22 ‰ÅÌ (61,5 ÏÇ) -10 ‰ÅÌ (245 ÏÇ) +10 ‰ÅÌ (2,45 Ç) òÚÂÍÂÌÓ „ÌÂÁ‰Ó(ÌÂÒ·‡Î‡ÌÒËÓ‚‡ÌÌ˚È)ÉÌÂÁ‰Ó RCA
CH INSERT IN (CH 1, 2)
— 10 ÍΩ ãËÌÂÈÌ˚ ÛÓ‚ÌË 600 Ω
-12 ‰ÅÌ (195 ÏÇ) 0 ‰ÅÌ (0,775 Ç) +20 ‰ÅÌ (7,75 Ç) òÚÂÍÂÌÓ „ÌÂÁ‰Ó TRS(ÌÂÒ·‡Î‡ÌÒËÓ‚‡ÌÌ˚È [̇ÍÓ̘ÌËÍ = ‚˚ıÓ‰, ÍÓθˆÓ = ‚ıÓ‰, „ËθÁ‡ = Á‡ÁÂÏÎÂÌËÂ])
RETURN (L, R) — 10 ÍΩ ãËÌÂÈÌ˚ ÛÓ‚ÌË 600 Ω
-8 ‰ÅÌ (308 ÏÇ) +4 ‰ÅÌ (1,23 Ç) +24 ‰ÅÌ (12,3 Ç) òÚÂÍÂÌÓ „ÌÂÁ‰Ó (ÌÂÒ·‡Î‡ÌÒËÓ‚‡ÌÌ˚È)
2TR IN (L, R) — 10 ÍΩ ãËÌÂÈÌ˚ ÛÓ‚ÌË 600 Ω
-22 ‰Å‚ (79,4 ÏÇ) -10 ‰Å‚ (0,316 Ç) +10 ‰Å‚ (3,16 Ç) ÉÌÂÁ‰Ó RCA
Ç˚ıÓ‰Ì˚ ‡Á˙ÂÏ˚Ç˚ıÓ‰ÌÓÂ
ÒÓÔÓÚË‚ÎÂÌËÂê„ÛÎflÌÓÂ
ÒÓÔÓÚË‚ÎÂÌËÂçÓÏË̇θÌ˚È
ÛÓ‚Â̸å‡ÍÒ. Ô‰ ̇„ÛÁÍÓÈ
ÍÚÂËÒÚËÍË ‡Á˙ÂÏÓ‚
STEREO OUT (L, R) 150 Ω ãËÌÂÈÌ˚ ÛÓ‚ÌË 10 ÍΩ
+4 ‰ÅÌ (1,23 Ç) +20 ‰ÅÌ (7,75 Ç) òÚÂÍÂÌÓ „ÌÂÁ‰Ó (Ò·‡Î‡ÌÒËÓ‚‡ÌÌÓ ÔÓ ÒÓÔÓÚË‚ÎÂÌ˲ [̇ÍÓ̘ÌËÍ = ÔβÒ, ÍÓθˆÓ = ÏËÌÛÒ, „ËθÁ‡ = Á‡ÁÂÏÎÂÌËÂ])
EFFECT SEND (AUX SEND*)
150 Ω ãËÌÂÈÌ˚ ÛÓ‚ÌË 10 ÍΩ
+4 ‰ÅÌ (1,23 Ç) +20 ‰ÅÌ (7,75 Ç) òÚÂÍÂÌÓ „ÌÂÁ‰Ó (Ò·‡Î‡ÌÒËÓ‚‡ÌÌÓ ÔÓ ÒÓÔÓÚË‚ÎÂÌ˲ [̇ÍÓ̘ÌËÍ = ÔβÒ, ÍÓθˆÓ = ÏËÌÛÒ, „ËθÁ‡ = Á‡ÁÂÏÎÂÌËÂ])
CH INSERT OUT (CH 1, 2)
75 Ω ãËÌÂÈÌ˚ ÛÓ‚ÌË 10 ÍΩ
0 ‰ÅÌ (0,775 Ç) +20 ‰ÅÌ (7,75 Ç) òÚÂÍÂÌÓ „ÌÂÁ‰Ó (ÌÂÒ·‡Î‡ÌÒËÓ‚‡ÌÌÓ [̇ÍÓ̘ÌËÍ = ‚˚ıÓ‰, ÍÓθˆÓ = ‚ıÓ‰, „ËθÁ‡ = Á‡ÁÂÏÎÂÌËÂ])
REC OUT [L, R] 600 Ω ãËÌÂÈÌ˚ ÛÓ‚ÌË 10 ÍΩ
-10 ‰Å‚ (0,316 Ç) +10 ‰Å‚ (3,16 Ç) ÉÌÂÁ‰Ó RCA
MONITOR OUT (L, R) 150 Ω ãËÌÂÈÌ˚ ÛÓ‚ÌË 10 ÍΩ
+4 ‰ÅÌ (1,23 Ç) +20 ‰ÅÌ (7,75 Ç) òÚÂÍÂÌÓ „ÌÂÁ‰Ó (Ò·‡Î‡ÌÒËÓ‚‡ÌÌÓ ÔÓ ÒÓÔÓÚË‚ÎÂÌ˲ [̇ÍÓ̘ÌËÍ = ÔβÒ, ÍÓθˆÓ = ÏËÌÛÒ, „ËθÁ‡ = Á‡ÁÂÏÎÂÌËÂ])
PHONES OUT 100 Ω 40 Ω 3 ÏÇÚ 75 ÏÇÚ òÚÂÍÂÌÓ ÒÚÂÂÓ„ÌÂÁ‰Ó
18 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl MG82CX/MG102C
íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË
ëÔ‡‚Ó˜ÌÓ ÛÍÓ‚Ó‰ÒÚ‚Ó
ëÔËÒÓÍ ÔÓ„‡ÏÏ ˆËÙÓ‚˚ı ˝ÙÙÂÍÚÓ‚
* «LFO» Ó·ÓÁ̇˜‡ÂÚ Low Frequency Oscillator („Â̇ÚÓ ÌËÁÍÓÈ ˜‡ÒÚÓÚ˚). LFO Ó·˚˜ÌÓ ËÒÔÓθÁÛÂÚÒfl ‰Îfl ÏÓ‰ÛÎflˆËË ‰Û„Ó„Ó Ò˄̇·, ÓÔ‰ÂÎflfl ÒÍÓÓÒÚ¸ ÏÓ‰ÛÎflˆËË Ë ÙÓÏÛ ‚ÓÎÌ˚.
ëıÂχ ÛÒÚÓÈÒÚ‚‡ Ò Û͇Á‡ÌËÂÏ ‡ÁÏÂÓ‚
No èÓ„‡Ïχ 臇ÏÂÚ éÔËÒ‡ÌËÂ
1 REVERB HALL 1 ÇêÖå¸ êÖÇÖêÅÖêÄñàà ùÙÙÂÍÚ Â‚Â·Â‡ˆËË, ÒÓÁ‰‡˛˘ËÈ Á‚Û˜‡ÌË ‚ ·Óθ¯ÓÏ ÔÓÒÚ‡ÌÒÚ‚Â, ̇ÔËÏ ÍÓ̈ÂÚÌÓÏ Á‡ÎÂ.
2 REVERB HALL 2 ÇêÖå¸ êÖÇÖêÅÖêÄñàà
3 REVERB ROOM 1 ÇêÖå¸ êÖÇÖêÅÖêÄñàà ùÙÙÂÍÚ Â‚Â·Â‡ˆËË, ‚ÓÒÒÓÁ‰‡˛˘ËÈ ‡ÍÛÒÚËÍÛ Ì·Óθ¯Ó„Ó ÔÓÒÚ‡ÌÒÚ‚‡ (ÍÓÏ̇Ú˚).
4 REVERB ROOM 2 ÇêÖå¸ êÖÇÖêÅÖêÄñàà
5 REVERB STAGE 1 ÇêÖå¸ êÖÇÖêÅÖêÄñàà ùÙÙÂÍÚ Â‚Â·Â‡ˆËË, ‚ÓÒÒÓÁ‰‡˛˘ËÈ Á‚Û˜‡ÌË ̇ ·Óθ¯ÓÈ ÒˆÂÌÂ.
6 REVERB STAGE 2 ÇêÖå¸ êÖÇÖêÅÖêÄñàà
7 REVERB PLATE ÇêÖå¸ êÖÇÖêÅÖêÄñàà ÇÓÒÔÓËÁ‚‰ÂÌË ˝ÙÙÂÍÚ‡ ÛÒÚÓÈÒÚ‚‡ ‚·‡ˆËË Ò ÏÂÚ‡Î΢ÂÒÍÓÈ Ô·ÒÚËÌÓÈ, ˜ÚÓ Ó·ÂÒÔ˜˂‡ÂÚ ·ÓΠÊÂÒÚÍÓ Á‚Û˜‡ÌËÂ.
8 DRUM AMBIENCE ÇêÖå¸ êÖÇÖêÅÖêÄñàà äÓÓÚ͇fl ‚·‡ˆËfl, ÍÓÚÓ‡fl ˉ‡θÌÓ ÔÓ‰ıÓ‰ËÚ ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl Ò ‡·Ó˜ËÏ ·‡‡·‡ÌÓÏ.
9 KARAOKE ECHO áÄÑÖêÜäÄ ùıÓ ‰Îfl ͇‡ÓÍÂ.
10 VOCAL ECHO áÄÑÖêÜäÄ ùÙÙÂÍÚ ˝ı‡, ÔÓ‰ıÓ‰fl˘ËÈ ‰Îfl ‚Ó͇·.
11 CHORUS 1 ó‡ÒÚÓÚ‡ LFO ëÓÁ‰‡ÌË ÔÎÓÚÌÓ„Ó Á‚Û͇ ÔÛÚÂÏ ÏÓ‰ÛÎflˆËË ‚ÂÏÂÌË Á‡‰ÂÊÍË.ë ÔÓÏÓ˘¸˛ „ÛÎflÚÓ‡ PARAMETER ̇Òڇ˂‡ÂÚÒfl ˜‡ÒÚÓÚ‡ LFO*, ÍÓÚÓ‡fl ÏÓ‰ÛÎËÛÂÚ ‚ÂÏfl Á‡‰ÂÊÍË.12 CHORUS 2 ó‡ÒÚÓÚ‡ LFO
13 FLANGER ó‡ÒÚÓÚ‡ LFO ùÙÙÂÍÚ ÒÚÂÏËÚÂθÌÓ„Ó Á‚Û͇.ë ÔÓÏÓ˘¸˛ „ÛÎflÚÓ‡ PARAMETER ̇Òڇ˂‡ÂÚÒfl ˜‡ÒÚÓÚ‡ LFO*, ÍÓÚÓ‡fl ÏÓ‰ÛÎËÛÂÚ ‚ÂÏfl Á‡‰ÂÊÍË.
14 PHASER ó‡ÒÚÓÚ‡ LFO î‡ÁÓ‚‡fl ÏÓ‰ÛÎflˆËfl Ó·ÂÒÔ˜˂‡ÂÚ ˆËÍ΢ÂÒÍËÈ ˝ÙÙÂÍÚ Ù‡ÁËÌ„‡.ë ÔÓÏÓ˘¸˛ „ÛÎflÚÓ‡ PARAMETER ̇Òڇ˂‡ÂÚÒfl ˜‡ÒÚÓÚ‡ LFO*, ÍÓÚÓ‡fl ÏÓ‰ÛÎËÛÂÚ ‚ÂÏfl Á‡‰ÂÊÍË.
15 AUTO WAH ó‡ÒÚÓÚ‡ LFO ùÙÙÂÍÚ «‚‡Û-‚‡Û» Ò ÏÓ‰ÛÎflˆËÂÈ ˆËÍ΢ÂÒÍÓ„Ó ÙËÎ Ú‡.ë ÔÓÏÓ˘¸˛ „ÛÎflÚÓ‡ PARAMETER ̇Òڇ˂‡ÂÚÒfl ˜‡ÒÚÓÚ‡ LFO*, ÍÓÚÓ‡fl ÏÓ‰ÛÎËÛÂÚ ‚ÂÏfl Á‡‰ÂÊÍË.
16 DISTORTION àçíÖçëàÇçéëíú ÑÓ·‡‚ÎÂÌËÂ Í Á‚ÛÍÛ ÓÒÚÓ„Ó ËÒ͇ÊÂÌËfl.
256.6
302.
5
62.2
55.2
2
300
Ö‰. ËÁÏÂ.: ÏÏ
íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl MG82CX/MG102C 19
ëÔ‡‚Ó˜ÌÓ ÛÍÓ‚Ó‰ÒÚ‚Ó
ÅÎÓÍ-ÒıÂχ Ë ‰Ë‡„‡Ïχ ÛÓ‚ÌÂÈ
CH IN
LIN
E G
ain:
Min
[+10
dBu]
CH IN
MIC
Gai
n:M
in [–
16dB
u]
Clip
Lev
elC
lip L
evel
CH
Lev
elS
T C
H L
evel
[Nom
inal
:–6d
B]
CH
EF
FE
CT
/AU
X[N
omin
al:–
6dB
]
ST
CH
EF
FE
CT
/AU
X[N
omin
al:–
6dB
]
EFFE
CT/A
UX S
END
[+4d
Bu]
RE
TU
RN
2TR
IN[N
omin
al:–
6dB
]
ST
CH
IN[–
10dB
u]
RE
TUR
N [+
4dB
u]
2TR
IN [–
10dB
V]
[–7.
8dB
u]
Clip
Lev
elC
lip L
evel
ST
OU
T [+
4dB
u] MO
NIT
OR
/PH
ON
ES
[Nom
inal
:–16
dB]
PHON
ES
[3m
W @
40o
hms]
MON
ITOR
OUT
[+
4dBu
]
RE
C O
UT
[–10
dBV
] [–
7.8d
Bu]
ST
[Nom
inal
:–6d
B]
ST C
H EF
FECT
/AUX
SEN
D [+
1dBu
]
Clip
Lev
elC
lip L
evel
Clip
Lev
el
CH IN
LIN
E G
ain:
Max
[–34
dBu]
CH IN
MIC
Gai
n:M
ax [–
60dB
u]
ST C
H LI
NE IN
G
ain:
Min
[+10
dBu]
ST C
H M
IC IN
G
ain:
Min
[–16
dBu]
ST C
H LI
NE IN
G
ain:
Max
[–34
dBu]
ST C
H M
IC IN
Gai
n:M
ax [–
60dB
u]
+20
dBu
+30
dBu
0dB
u
+10
dBu
–20d
Bu
–10d
Bu
–40d
Bu
–30d
Bu
+20
dBu
+30
dBu
0dB
u
+10
dBu
–20d
Bu
–10d
Bu
–30d
Bu
–50d
Bu
–40d
Bu
–60d
Bu
–60d
Bu
–50d
Bu
HP
FC
OM
P
HA
HP
F
HA
[0dB
u]
[0dB
u]
[0dB
u]
[0dB
u]
[0dB
u]
[0dB
u]
[16
to 6
0dB
]
80G
AIN
Trim
[–60
to –
16dB
u]
[0dB
u]
[–34
to +
10dB
u]
MIC
[–60
to –
16dB
u]
MIC
[–34
to +
10dB
u]
[–34
to +
10dB
u]
[–34
to +
10dB
u]
LIN
E R
LIN
E L
/MO
NO
(CH
3/4,
5/6
)S
T C
H IN
PU
T
(CH
1 to
2)
CH
INP
UT
[6 to
50d
B]
GA
IN T
rim
LIN
E
INS
ER
TI/O
TH
+G
AIN
+48
V
PH
AN
TOM
RE
80
3-S
tage
EQ
[0d
Bu
][–
6dB
u]
[–6d
Bu
]
[–6d
Bu
]
[–6d
Bu
]
[–6d
Bu
]
[ –6d
Bu
]
[–6d
Bu
]
[–6d
Bu
]
[–14
dB
u]
[ –6d
Bu
]
[ –16
dB
u]
[0d
Bu
][+
4dB
u]
[ 0d
Bu
]
[–14
dB
u]
[0d
Bu
]
[0d
Bu
]
[0d
Bu
]
[0d
Bu
]
[0d
Bu
]
[0d
Bu
][+
4d
Bu
]
[+4
dB
u]
[+4d
Bu]
[3m
W @
40oh
ms]
[–1
0d
BV
][–
7.8
dB
u]
[0d
Bu
]
[0d
Bu
]
LOW
MID
HIGH
RE
PE
AK
3-S
tage
EQ
LOW
MID
HIGH
HA
RE
PE
AK
ST
CH
LE
VE
L
CH
LE
VE
LPA
N
ST
ER
EO
STEREO L
STEREO R
EFFECT/AUX
LED
ME
TE
R
MO
NIT
OR
/PH
ON
ES
ST
ER
EO
L
MO
NIT
OR
OU
T
RE
C O
UT
ST
ER
EO
OU
T
PH
ON
ES
ST
ER
EO
R
L RL RL R
BA
L/PA
N
BA
L
RE
TU
RN
2TR
IN
EFF
EC
T R
ETU
RN
EF
FE
CT
(M
G82
CX
)A
UX
(M
G10
2C)
EF
FE
CT
(M
G82
CX
)A
UX
(M
G10
2C)
EF
FE
CT
(M
G82
CX
)A
UX
(M
G10
2C)
TO S
TER
EO
/TO
MO
NIT
OR
ST
CH
LE
VE
L
3-S
tage
EQ
HA
ST
CH
INP
UT
(CH
7/8)
(CH
9/10
) (o
nly
MG
102C
)[–
10dB
u]
2TR
IN[–
10dB
V]
[–7.
8dB
u]
RE
TU
RN
[+4d
Bu]
L R
L/M
ON
O R L R
HA
HA
INV
INV
INV
INV
ON
YE
PAR
AM
ET
ER
PR
OG
RA
M(1
-16)
only
MG
82C
X
FO
OT
SW
EF
FE
CT
ON
/OF
FLO R
O IN
BA
BA
SU
M
SU
M
BA
DR
DR
BA
BA
BA
BA
BA
BA
SU
MB
A
SUM
+ –SUM
+ –
2-S
tage
EQ
2-S
tage
EQ
LOW
HIGH
DIG
ITA
LE
FF
EC
T(D
SP
)
EF
FE
CT
SE
ND
(M
G82
CX
)A
UX
SE
ND
(M
G10
2C)
[+4d
Bu]
MO
NIT
OR
MIXon
ly M
G82
CX
одробную информацию о продуктах можно получить у ближайших представителей компании Yamaha или авторизованного дистрибьютора, список которых приведен ниже.
CANADAYamaha Canada Music Ltd.135 Milner Avenue, Scarborough, Ontario,M1S 3R1, CanadaTel: 416-298-1311
U.S.A.Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A.Tel: 714-522-9011
MEXICOYamaha de México S.A. de C.V.Calz. Javier Rojo Gómez #1149,Col. Guadalupe del MoralC.P. 09300, México, D.F., MéxicoTel: 55-5804-0600
BRAZILYamaha Musical do Brasil Ltda.Rua Joaquim Floriano, 913 - 4' andar, Itaim Bibi, CEP 04534-013 Sao Paulo, SP. BRAZILTel: 011-3704-1377
ARGENTINAYamaha Music Latin America, S.A. Sucursal de ArgentinaOlga Cossettini 1553, Piso 4 NorteMadero Este-C1107CEKBuenos Aires, ArgentinaTel: 011-4119-7000
PANAMA AND OTHER LATIN AMERICAN COUNTRIES/CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A.Torre Banco General, Piso 7, Urbanización Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panamá, Panamá Tel: +507-269-5311
THE UNITED KINGDOMYamaha Music U.K. Ltd.Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, EnglandTel: 01908-366700
GERMANYYamaha Music Central Europe GmbHSiemensstraße 22-34, 25462 Rellingen, GermanyTel: 04101-3030
SWITZERLAND/LIECHTENSTEINYamaha Music Central Europe GmbH, Branch SwitzerlandSeefeldstrasse 94, 8008 Zürich, SwitzerlandTel: 01-383 3990
AUSTRIAYamaha Music Central Europe GmbH, Branch AustriaSchleiergasse 20, A-1100 Wien, AustriaTel: 01-60203900
CZECH REPUBLIC/SLOVAKIA/HUNGARY/SLOVENIA
Yamaha Music Central Europe GmbH, Branch Austria, CEE DepartmentSchleiergasse 20, A-1100 Wien, Austria Tel: 01-602039025
POLANDYamaha Music Central Europe GmbH Sp.z. o.o. Oddzial w Polsceul. 17 Stycznia 56, PL-02-146 Warszawa, PolandTel: 022-868-07-57
THE NETHERLANDS/BELGIUM/LUXEMBOURG
Yamaha Music Central Europe GmbH, Branch Benelux Clarissenhof 5-b, 4133 AB Vianen, The Netherlands Tel: 0347-358 040
FRANCEYamaha Musique France BP 70-77312 Marne-la-Vallée Cedex 2, FranceTel: 01-64-61-4000
ITALYYamaha Musica Italia S.P.A. Combo DivisionViale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771
SPAIN/PORTUGALYamaha Música Ibérica, S.A.Ctra. de la Coruna km. 17, 200, 28230 Las Rozas (Madrid), SpainTel: 91-639-8888
SWEDENYamaha Scandinavia ABJ. A. Wettergrens Gata 1, Box 30053S-400 43 Göteborg, SwedenTel: 031 89 34 00
DENMARKYS Copenhagen Liaison OfficeGeneratorvej 6A, DK-2730 Herlev, DenmarkTel: 44 92 49 00
NORWAYNorsk filial av Yamaha Scandinavia AB Grini Næringspark 1, N-1345 Østerås, Norway Tel: 67 16 77 70
RUSSIAYamaha Music (Russia)Office 4015, entrance 2, 21/5 Kuznetskii Most street, Moscow, 107996, RussiaTel: 495 626 0660
OTHER EUROPEAN COUNTRIESYamaha Music Central Europe GmbHSiemensstraße 22-34, 25462 Rellingen, GermanyTel: +49-4101-3030
Yamaha Corporation, Asia-Pacific Music Marketing GroupNakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650Tel: +81-53-460-2313
TURKEY/CYPRUSYamaha Music Central Europe GmbHSiemensstraße 22-34, 25462 Rellingen, GermanyTel: 04101-3030
OTHER COUNTRIESYamaha Music Gulf FZELOB 16-513, P.O.Box 17328, Jubel Ali, Dubai, United Arab EmiratesTel: +971-4-881-5868
THE PEOPLE’S REPUBLIC OF CHINAYamaha Music & Electronics (China) Co.,Ltd.25/F., United Plaza, 1468 Nanjing Road (West),Jingan, Shanghai, ChinaTel: 021-6247-2211
INDONESIAPT. Yamaha Music Indonesia (Distributor)PT. NusantikGedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, IndonesiaTel: 21-520-2577
KOREAYamaha Music Korea Ltd.8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong, Kangnam-Gu, Seoul, KoreaTel: 080-004-0022
MALAYSIAYamaha Music Malaysia, Sdn., Bhd.Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, MalaysiaTel: 3-78030900
SINGAPOREYamaha Music Asia Pte., Ltd.#03-11 A-Z Building140 Paya Lebor Road, Singapore 409015Tel: 747-4374
TAIWANYamaha KHS Music Co., Ltd. 3F, #6, Sec.2, Nan Jing E. Rd. Taipei.Taiwan 104, R.O.C.Tel: 02-2511-8688
THAILANDSiam Music Yamaha Co., Ltd.4, 6, 15 and 16th floor, Siam Motors Building, 891/1 Rama 1 Road, Wangmai, Pathumwan, Bangkok 10330, ThailandTel: 02-215-2626
OTHER ASIAN COUNTRIES Yamaha Corporation,Asia-Pacific Music Marketing GroupNakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650Tel: +81-53-460-2317
AUSTRALIAYamaha Music Australia Pty. Ltd.Level 1, 99 Queensbridge Street, Southbank, Victoria 3006, AustraliaTel: 3-9693-5111
COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation,Asia-Pacific Music Marketing GroupNakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650Tel: +81-53-460-2313
NORTH AMERICA
CENTRAL & SOUTH AMERICA
EUROPE
AFRICA
MIDDLE EAST
ASIA
OCEANIA
PA21 HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument DivisionNakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650Tel: +81-53-460-2441Yamaha Pro Audio global web site
http://www.yamahaproaudio.com/
Yamaha Manual Libraryhttp://www.yamaha.co.jp/manual/
U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation© 2006 Yamaha Corporation
WQ44990 807POAP3.3-01A0Printed in China