Vineet hudda TARA BLACK SCREEN. TEXT - Unigigs
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Transcript of Vineet hudda TARA BLACK SCREEN. TEXT - Unigigs
Written by:- Vineet hudda
TARA
BLACK SCREEN.
TEXT:- INSPIRED FROM TRUE EVENTS
FADE IN.
EXT. BUS STAND. NIGHT.
At some distance. A bus arrives at the stand. Along with the
passengers steps out our man;- "ZEESHAN HUSSAIN",(26),
genuine, funny, witty and little bit responsible.
TEXT:- KASHMIR, BARAHMULLA.
TEXT:- EID. 9:45 P.M
Carring one backpack, he walks towards the bus-stand’s exit
gate. A calm and genuine smile on his face.
He exits the gate. Gets on the busy road. Stops at the
footpath, looks around for a taxi. Suddenly an empty auto
arrives in front of him. The driver;- "ALTAF", in his 40s.
Zeeshan is happily shocked, as he wasn’t expecting the auto
to be empty and this quick.
ALTAF
kha jaana h bhaijaan?
ZEESHAN
Dargah road.
ALTAF
Baitho.
ZEESHAN
Andar(inside) tk jaoge?
ALTAF
Arre, aap baitho.
ZEESHAN
Jldii phochna h.
ALTAF
Special?
Zeeshan nods- yes.
2.
ZEESHAN
Wah Baitho.
Zeeshan gets in. Altaf hits the gas.
INT. AUTO. DRIVING. NIGHT. CONTINUOUS.
Zeeshan seated comfortably, maintaining the very smile.
Altaf driving passionately.
Zeeshan leans a little forward, Looking at the street shops,
and the traffic.
Peeping a little out of the auto, to feels the soft wind,
blowing his hairs softly, putting his smile wider. He stays
there for a while to feel the moment a little longer.
Random shops and vehicles are passing by. Zeeshan is staring
at them as an new born child. His smile and eyes are getting
more and more wider, his face is glowing as he’s just
embracing the highest level of peace.
Zeeshan’s P.O.V-
A man with his two children, aged (4-6)yrs on their bike
driving right beside the auto. The children seated backside
are cuddling each other.
Zeeshan looking at them. Happy. Don’t want the biker to
overtake and drive away. But he drives away. Zeeshan, a
little disappointed, but happy.
Some moments later, he switches his position to the left,
looking outside he assumes something and pulls out his
smartphone and calls someone. Someone receives it.
ZEESHAN
(On call furiously)
Cake taiyaar h? (BEEP) -- Haa mein
phuch gya hu. (BEEP)-- Thik h. Haa
thik h-thik h.
And he hangs up. Looking on his left, fully focused. Then
suddenly_
ZEESHAN (cont’d)
(On his edge)
Roko-roko-roko-roko!.
Altaf takes a while to absorb the information then stops
infront of a bakery shop.
3.
ALTAF
(Turning back)
Kya Hua?
ZEESHAN
(Getting out)
Bss doo minute m aaya.
EXT. BAKERY-SHOPE NIGHT. CONTINUOUS.
Zeeshan gets out.
At some distance zeeshan is walking through the footpath to
the bakery shop. Gets in.
The auto is on its parked aside. Traffic on the road. Altaf
unwantingly waiting for zeeshan. After a while zeeshan comes
out of the bakery and heads to the auto, gets in and the
auto drives away.
EXT. HOUSE. NIGHT. AUTO. CONTINUOUS.
At some distance, the auto stops infront of a big two-storey
house, in a V.I.P neighbourhood. Zeeshan gets out, pays
Altaf, waves thankyu and altaf drives away.
Zeeshan, alone on the street. Walking towards the house
entrance. The smile on his face has reached at its extreme
level. Reaching the gate. He takes a deep breath and rings
the doorbell. Standing still, with increasing enthusiasm, he
waits.
After some exited waiting, the Door opens. Infront of him is
his mother;- "HAMIDA", in her 50’s, educated, cute, simple
and delicate, just as any other mother. She’s happily
shocked. Zakir just stares back. Happy, Satisfied.
HAMIDA
Zeeshan? ___
ZEESHAN
Haa mouj(mother). Zeeshan.
And they hugs each other, tight for a while.
HAMIDA
(While hugging, concerned)
Zeeshan -- Kya baat h?
Hugging is over. Both holding each other by shoulders.
4.
ZEESHAN
Aapko sahii nhii lga ho to vaapas
chala jaata hu?
HAMIDA
Muje, achha nhii lagega? --
pael(nuts), Harr roj isii intejaar
m rehti hun ki tu kb aaega. Or tu
muje keh rha h?
Hamida slaps him adorably. Zeeshan giggles, puts his hand
around her shoulders, pulling her over, as buddies, both
enters the house(living room). Closing the door on their
back. Halfway through Hamida stops him.
HAMIDA (cont’d)
(Looking at his shoes)
Joote, pehn kr ander aaega?
ZEESHAN
Arre meri moujii, y lo. -- pura
moment kharab kr diya.
Zeeshan unholds her and get back to the shoetable near the
door, removes his shoes, and then again joins her.
ZEESHAN (cont’d)
Ab thik h?
HAMIDA
(Giggling)
Haa. Thik h.
Now they heads toward the dining hall crossing the living
room.
ZEESHAN
Kya yrr mouj, itti door se. Itte
time baad aaya hu, fir bhi, aapke
to bss, ’farsh sahii rehna
chahiye’.
HAMIDA(CONT’D)
Beta pochha(clean the floor) lagana
pdta h roj. Or tuje doo second
lagte h ganda karne m. -- Waa chhod
na. Asli baat to bta hi nhii rha h.
- Abhi koi chhutti milli h? Ya, koi
or baat h?
ZEESHAN
Chhutiyaa miltii nhii, lenii pdti h
meri maa.
5.
HAMIDA
Abhi kisliye li h fir?
ZEESHAN
Sab btata hu. Aap pehle y btao,
Mole(father) kha h?
They have reached to the dining table. Zeeshan turns to the
table and unloads his stuff on the it. Hamida sees it.
HAMIDA
Dabbe m kya h?
Hamida tries to hold it.
ZEESHAN
(Stopping her)
Mein kya puchh rha hu? - mole kha
h?
HAMIDA
Bahar Gye h. Aajaenge__
Background:- Zeeshuuu...(a girl’s voice)
Zeeshan and hamida turns towards the noice. It’s his
sister’s:- "FAIZA", in her 20’s, student, savage, Basically
a perfect sibling. Running towards them from a room next to
the dining hall. Exited as hell. She arrives and bumps onto
zeeshan.
zeeshan Instantly pushes her away.
ZEESHAN
Ae, door re, door re. Or y,
zeeshuu.... kya hota h? M teri
chhoti behen hun?
Faiza’s excitement gets ruined, she backs off in
disappointment. Hamida doesn’t like his behaviour.
HAMIDA
(Pulling his hand in
aggression)
Y Kya tarika h? -- sahii behen
milgyii h isliye? Jinke pass nhii h
unse puchh?
ZEESHAN
(Giggling)
To mouj, pyar krna h to door s hi
krle. - Ek to y nhati nhii h. Or__
Faiza has enough of this.
6.
FAIZA
Abe ae.., nhata tu nhii h. Or aap
rehne do mauj, meri galtii h, jyada
muhh lga liya h to, sarr p chadh
gya h.
HAMIDA
TO tu baat hi kyu krtii h isse.
Band(stop) krde krna, apne aap line
p aajaega.
Zeeshan’s giggle transforms into laughter as he sees things
going to far.
ZEESHAN
Arre meri maa__
FAIZA
Chup!
Both women sad and angry.
ZEESHAN
Arre meri maa-behen, kyu dono bina
mtlb hyper ho rhe ho? Mein majak kr
rha tha.
HAMIDA
Y Majak h? -- Y bechari hrr roj,
din m dus baar yaad krti h tuje.
’Mauj, bhaijaan kab aaenge,
bhaijaan kb aaenge’.
Zeeshan looks at faiza. She’s looking sad and victim. It
actually did hurt her feelings. Zeeshan feels it. He’s
shocked as he has never seen her savage sister getting so
emotional.
HAMIDA (cont’d)
(Cont’d)
Or tuje doo minute lge dhakka dene
m.
Zeeshan pulls faiza near to hug her. She opposes. He
forcefully pulls her and hugs her. Hamida watches them, sad
but adorable.
ZEESHAN
Wah sorry na. Muje ni pta tha, tuje
itta bura lg jaega.
7.
FAIZA
(While hugging)
Or tune kbhi samne s phone kiya h?
Hmmhi krte h hamesha. Kyu? Hmm tere
kuch nhii lagte kya? Hmme to kuch
samajta hi nhii h__
ZEESHAN
Aise kyu krr rhii h yaar? Kiya to
thha.
Faiza instantly backs off breaking zeeshan’s grip.
FAIZA
kab?
ZEESHAN
Aaj. Abhi. Abhi doo gante pehle
paanch baar phone kiya tha, tab kha
thhi tu?
HAMIDA
(To zeeshan)
Vaa Jaane de na?
ZEESHAN
Achha? Kyu? Muje sunnane k time to
koi bhi jaane nhii deta h?
Abhi javab dene_do isko. - (to
faiza) Haa tu bol, phone kyuni
uthaya? bol?
FAIZA
Meri marzii.
Zeeshan(male ego hurted) grabs faiza’s hand, bends it
around, softly. She yells faking her pain as he just broke
her hand.
ZEESHAN
Itti bdi ho gyii? H? Mere samne
hosiyaari? Dekha mouj, jab phone
kiya to uthaya nhii, or ab bakvas
kr rhi h.
Hamida dives between and breaks his grip. Faiza freed, still
yelling as she’s in great pain. Hamida holds it from here.
HAMIDA
Sharam Nhii aati h tuje? apni behen
pr hath uthata h?
8.
ZEESHAN
Mouj bss hath lagaya h.
FAIZA
(Showing her bended hand to
hamida, still crying)
Mouj dekho, purra nishan padh gya
h. Abhi tk dukh rha h.
Faiza cries. Hamida sympathises. Zeeshan shocks about the
loud and fake reaction.
Zeeshan grabs her hand again.
ZEESHAN
Kha h dikha? Dikha? Mouj kuchh nhii
h. Faltu m natak krr rhi h.
Faiza again frees her. Zeeshan stands still, looser. Hamida
showing as she’s on her daughter’s side.
HAMIDA
(Shouting at zeeshan)
Todhde(break it). Pura hath hi
todhde. Koi tooti(broken) hui ladki
se nikah nhii krega. Fir lekar
baithe rehna apni behen ko yhii,
poori zindagii.
Faiza reacts as she didn’t wanted such sympathetic insult.
Zeeshan obviously laughs. Hamida innocently looks back at
faiza, surprised as why faiza is not happy with her
statement.
ZEESHAN
Y baat to shii khii mouj, isko
lekar to koi nhii jaega. Or agr
toot-woot(broked) gyii to fir koi
ummid bhi nhii bachti h. -- khair
ummid to vaise bhi nhii thi.
And he bursts with laughter. Faiza disappointed. Hamida gets
it now. She too laughs.
HAMIDA
(To faiza)
Janne de, isko pta h(that you
aren’t hurt).
ZEESHAN
(Massaging her head)
Arre chhod na yrr. Mouj majak kr
rhi thii, ho jaega tera nikah. Mill
jaega tere jaisa koi tuje.
9.
Faiza slips down his hand off her head. Punching on his
back. Zeeshan overreacts as he’s also got hit too hard.
Faiza blushes then bursts into laughter. Hamida is just
laughing back at them. A light and funny moment for the
family.
HAMIDA
Pr beta, apne, mole ko phone kyu ni
krta tu? H? Hmesha vo hi krte h
samne_se. Unhone muje bohot baar
kha h ki, ’Tu hmme mumbai jaakar
bhul gya h’.
FAIZA
Meine to pehle hi kha thha.
ZEESHAN
Tu chup re na doo minute. (BEEP)--
(to hamida) Or, Nhii bhula hu meri
maa, Meine aapko btaya na, mein
’C.A’ kr rha hu. Isme puure din
rgdte(drags) h. Bs shaam ko time
milta h. Or uss time, aap vaise hi
phone krr dete ho, to.___
HAMIDA
Ek din tere mole ne kha thha muje,
ki ’mein bhot door reh liya apne
parivaar se. Pr zeeshan ko door
nhii rehne dunga’. - Or pehli baar
meine unko rote(crying) hue dekha.
Hamida frequently gets emotional. Zeeshan and faiza can see
the sheer amount of emotions in her glittery eyes. Zeeshan
instantly hugs her tight.
ZEESHAN
kaam K liye jaana pdta h mouj.
HAMIDA
(While hugging, with glittery
eyes)
Mein kuchh ni jaanti. Y tera jo bhi
h. Wo khatam hone k baad, tu khii
nhi jaega. Tere mole tere liye yhii
koi kaam dhundh lenge.
FAIZA
(Done with the drama)
Thik h yrr mouj, khii nhii jaega y.
(to zeeshan) Ab tu y bta, Cake
laaya k nhii?
Hugging is over.
10.
HAMIDA
(Shocked)
Cake?
ZEESHAN
(Pointing on the packet)
Itta bdda dabba ni dikhrha tuje?
Faiza Steps towards the packet on the table, to unwrap it.
Gets stopped by zeeshan. Hamida is still unanswered about
the cake.
ZEESHAN (cont’d)
Rukja bhukkad(hungry). Kbhi cake
dekha nhi h kya? Mole ko to aane
de.
FAIZA
(Stands still)
Tujse jyada cake khae h, samja. Or
tu na bohot jyada bolne lg gya h
aaj-kal. Kmm krle isko, nhii to mrr
jaega mere hath s.
HAMIDA
Kyu Ladh_rhe(fighting) ho dono. Or
mein kb s puchh rhi hu, y cake kyu
laaya, koi javab hi nhii h.
ZEESHAN
Aap ko nhii pta kya h aaj?
Faiza and zeeshan looks at hamida with shock and shame.
HAMIDA
Nhii to. - kya h aaj.
ZEESHAN
Aaj aap___
FAIZA(OVERLAPPING
Shshsh... koi ni btaega.
Hamida is left to guess. She’s trying hard, but can’t guess.
Siblings staring at her, expresses her that its shame with
there eyes.
HAMIDA
Kya h aaj? -- b’day h kisika?
Siblings exitedly on their edge.
11.
FAIZA/ZEESHAN
Prr kiska?
BEEP.
HAMIDA
Tere kissi ddost(friend) ka h?
Siblings nods in disappointment - No.
HAMIDA(CONT’D)
(With a deep guess)
Mera.
FAIZA
Arre Nhii yaar mouj. Aap ko pta
nhii kya aapka b’day kb aata h?
ZEESHAN
Haan...
HAMIDA
Muje nhii pta.
ZEESHAN
Arre meri maa, aaj aapke
roon(husband) ka b’day h.
Siblings giggles. Hamida shocks.
HAMIDA
Tere mole ka?
FAIZA/ZEESHAN
Haa.
ZEESHAN
(Cont’d)
Kya yrr mouj, apne roon(husband) ka
b’day tk nhii pta aapko, kaisi
zanan(wife) h aap?
Sibling giggling continues. Faiza standing near the packet,
secretly starts unwrapping it, exitedly. Zeeshan facing
hamida, busy in conversation, unaware of the unwrapping.
HAMIDA
Kam(less) bol tu? -- Hmare jamane m
koi date nhii hoti thi. Samja. Bss
bachha ho gya, or bs, ho gya. - Or
pehle to kabhi bataya nhii tune,
tuje bhi aaj hi yaad aaya h?
12.
ZEESHAN
(Still giggling)
To y cheez, mein thodi bataunga
aapko. - Apne roon s puchho.
HAMIDA
(Blushes and slaps him softly)
Tere kuchh nhii lagte h kya vo?
Faiza is done with unwrapping. Happy. In the packet is an
amazing cake. ’TARA’- written on it.
FAIZA
(Exited laughter)
Tu Sahi_me likhva_ke le aaya?
This grabbed mother-son’s attention. They turns to her.
ZEESHAN
Raha_ni gya tujse, h?___
HAMIDA
(Watching the text on cake)
Kya likha h?
FAIZA
’Tara’.
HAMIDA
Prr, tere mole ka naam to "TARIK" h
na?
FAIZ
Unka hi to likha h.
And the siblings bursts. Hamida is again left to guess. She
thinks hard. After a moment she too gets it. She slaps
zeeshan again on his back.
HAMIDA
Apne mole k liye koi ijjat bachhi
nhii h tujme? H?
ZEESHAN
(Dodging the slap)
Mole, isne bola tha. Meine manna
kiya tha. Isne kha, ’mein sambhal
lungii’.
Hamida aggressively turns to faiza.
13.
FAIZA
Chalta h yrr mouj. Mole ko pta h
hum unhe:- tara bulate h. Aap load
mt lo, m dekh lungii?
ZEESHAN
Arre, pr tara__. Mera mtlb.
sorry-sorry. Mera mtlb, mole heh
kha?
Hamida gives an scolding look. Sibling giggles. Zeeshan says
sorry again.
FAIZA
Ek ganta pehle Sabji Lene gye thhe.
abhi 5-10 minute m aajaenge. Tu
kapde badl_le tab-tak.
ZEESHAN
(Picks his bag. Ready to go)
Haa, y thik h. Mein kapde badal
leta hu. Or fresh ho leta hu.
Kabhi-kabhi thodi dhang_ki baat kr
leti h tu.
FAIZA
(Swag)
Haa, thhik h, ab nikll.
And he heads towards his room, on ground floor, right after
the dining hall But halfway through gets called back by
hamida.
HAMIDA
Rukja Doo minute, kha bhag rha h?
kaam kaisa chal rha h, kya kr rha
h, itte time baad aaya h. --
baith_ke kuchh, batt to krr?
ZEESHAN
(Returning back to hamida,
holding her shoulders)
Arre meri maa, doo minute kyu, puri
zindagi batt krenge. Abhi thoda
pressure bna hua h, isliye jaane
do. Abhi vaapas aakar baith kr baat
krte h. Thik h.
HAMIDA
Abhi kitte din rukega tu?
14.
ZEESHAN
(Ready to go)
Aap bolo jitte din. - Abhi muje
jaane do, kyuki agr yhii kuch ho
gya to Fir aap khud muje grr s
bahar nikal doge.
FAIZA
Arre mouj jaane do, jaane do isko,
nhii to yhii pharsh(floor) kharab
kr dega.
And faiza bursts alone. Zeeshan stays still, to respond.
ZEESHAN
(Giving a happy to loose
smile.)
Bhot tej ho gyii h aaj-kal, h?
Koi_ni bade bhai se kuch to sikha.
Zeeshan giggles. Faiza makes face(whatever), zeeshan
continues his way to his room.
Zeeshan enters in his room. The room is nicely maintained.
until, zeeshan throws his bag on the bed, then his jacket
too, pulls out his smartphone from his right pocket and his
earphones from his left. Merges them. Plugs it in his ears.
Hits a track(some soulful stuff). We can hear it. Puts
Mobile back to the pocket, and leaves the room.
INT. WASHROOM. CONTINUOUS.
The track Continues. Zeeshan is pooping. Staring on the
gate. Mesmerised by the track, feeling the peaceful vibes
again. Then suddenly--
"BOOM"
A hard knock on the door. So hard, it crossed into the
track. Zeeshan disturbed, pulls out his left earphone and
yelled.
ZEESHAN
Ae faiza. Pagal ho gyii h kya.
Aarah hu naa. Doo minute
Hugne(potty) to de shanti se. --
Abhi vaapis mt krna.
And he plugs back in. Back into the vibes. The track on its
peak. Zeeshan again lost into it. But then again --
15.
Hard continuous knocking on the door. Disturbed again,
Zeeshan, irritated, does his stuff rapidly with murmuring
about faiza as he’s gonna teach her a lesson. Wears his
pants faster. Washes his hands. and pulls open the door.
But stops on the spot. Holding his gate open. Staring
straight infront. Stunned and pale. Heart pumping out loud.
The Track stops, as he unplugges his earphones from his
ears.
Silence.
INT/EXT. WASHROOM/HALL. CONTINUOUS.
He has bumped into a ’Militant:-"MUSTAAK",(19), confused,
pointing his AK47 straight on Zeeshan’s face. maintaining
distance, staring like an owl. Pumped up ready to act.
basically an intern.
MUSTAAK
(backing off and shouting)
Baahr nikle.
Zeeshan doesn’t moves a single muscle, Just staring back at
him. Seeing his instructions not been followed, mustaak
calls out loud--
MUSTAAK
’Saddam’--’saddam’..
Zeeshan looks pale. Comes a little further, Hesitantly.
MUSTAK(CONT’D)
Saddam!.. sadda___
From left corner of zeeshan’s eye enters
another-Militant:"IQBAAL",(30),Tall, rough, intense, smart,
and a militant with a cause. He too with an AK47, rushing
towards mustaak. Gesturing him to be quite. But gets shocked
seeing zeeshan. Zeeshan holds the gate’s handle tight, in
fear.
Iqbal takes charge. Mustaak back offs. Both are in too much
of rush.
IQBAL
(With gesture, To zeeshan)
Baahar aa.
Zeeshan just stares back. Clueless. Trying tu grasp the
situation.
16.
IQBAL(CONT’D
Kya hua? samaj ni aaya?
Controling his shiver. He steps out of the bathroom.
Militants watches him coming out.
IQBAL(CONT’D)
Mole kha h?
Zeeshan stunned by the question, trying not to look
frightened. Looks around the hall then asks to iqbal in a
shivering and highly concerned voice.
ZEESHAN
Yha. - Grr m doo Zana[U+FFFD]men)
thi. Kha h wo?
Iqbal rapidly steps closer to him, pointing his gun on him.
IQBAL
(Louder)
Marr gyii doono. Ab bata tera baap
kha h?
Zeeshan is shocked, shivering, but it’s about his family
now, so he takes his stand, with clarity. He looks into
iqbals eyes and--
ZEESHAN
Meri beni(sister), aur mouj kha h
Iqbal gives an (I’m listening look), when zeeshan and iqbal
are interfered by faiza, entering the hall rapidly from
zakir’s right side, through the stairways.
She is hyperventilating, pumped up ready to cry. Looking at
zeeshan, hopelessly. Her face looks swollen.
Behind Her is another militant: "SADDAM" (24), a short
temperd guy who doesn’t just hate the indian government, but
the entire humanity, pointing his AK47 on her face and
groping her hairs.
Zeeshan Looks at her, shocked and angry. Loosing his breath.
ZAKIR
(With helpless Shock)
Faizaaa!..
She just stares back at him, eyes wide with fear, breathing
fast.
17.
IQBAL(O.S)
(To saddam)
Kya hua?
SADDAM
(Tu iqbal)
upper koi nhii h.
Zeeshan sees how upset faiza looks, he can hear her
breathing, she’s almost whimpering in fear.
IQBAL(O.S)
Sab jagah dekha?
Saddam nods- yes.
Zeeshan can’t bear the look on her face. He eyes on saddam
with extreme frustration and anger.
Saddam looks back at him. giving zero fucks about his
existence.
SADDAM
Y kon h?
MUSTAAK(O.S)
uska boi(son).
IQBAL(O.S)
(To zeeshan)
Idhr dekhle.
Saddam and zeeshan still maintaining the eye contact.
Suddenly, iqbal comes closer to zeeshan and snatches mobile
from his hands, and back offs. Zeeshan looking alternately
at iqbal and saddam.
IQBAL
Niche baith!. -- (louder) baith!
Zeeshan loosing his shit. Breathing heavily through mouth,
blinking with a long pause, looking hard on iqbal with deep
frustration. Pointing his hand towards saddam.
ZEESHAN
Isko bol. Usko chhode.
IQBAL/MUSTAAK
Hen..!
ZEESHAN
(Louder)
Isko bol. -- Hath, chhod uska.
18.
Iqbal and mustaak stays there, just staring, shocked. But
Saddam looses it. He gets onto zeeshan and throws faiza upon
him. Yelling as ’how dare he’. But stopped by iqbal yelling
back to him.
Zeeshan catches her. Instantly gets her seated beside him.
She’s whimpering. Looking upon saddam, zeeshan gets up,
pumped up ready to fight.
ZEESHA
(Shouting at saddam)
abe ae!..
He too gets stopped by iqbal. Iqbal forcefully pushes him
back. He falls down across faiza.
Iqbal gestures saddam to shut the fuck up. And hands him
over to mustaak. Mustaak being an intern holds saddam
Hesitantly and gets pushed by saddam. Iqbal now pulls out a
dining chair in anger, places it infront of zeeshan,
maintaining some distance. Saddam and mustaak standing
behind him. Obeying iqbal.
Faiza holding zeeshan’s hands, sobbing, frightened as hell.
Both leaning on the washroom wall. Zeeshan loosing his
breath, staring anxiously at militants alternately.
Militants staring back hard on siblings.
IQBAL
(Holding his anger)
- Kha h?
Zeeshan barely gets it. He’s isn’t ready to answer anything.
Fighting his breath, he cross questions.
ZEESHAN
(Looking straight at Iqbal)
Meri ammi kha h?
IQBAL
Dekh mere pass jyada time nhii___
ZEESHAN
Meri ammi kha h?
SADDAM
(Hyper)
Bhaijaan. Goli(shoot) marro na
matherchod ko? - Iski bakchodi
sunenge kya ab?
Iqbal instantly turns to him. Stares as ’is this it’. Saddam
lowers his tone.
19.
SADDAM (cont’d)
lardki s puchhlo na?
Iqbal just stares back. Same expression. Seeing no response,
Saddam shuts up. Expressing:’get lost man’. Iqbal turns back
to zeeshan. With a little pause.
IQBAL
Ab btta. Abba kha h?
Zeeshan still clueless about the question.
ZEESHAN
(Terrified)
kyu?
IQBAL
(Keeping it simple)
Dekh. Tu jaanta h, hum log kon h.
Tuje pta h hmm kya krte h. Dekh
hmme koi shauk(interest) nhii h,
apne hi logon ke grr m, aise, raat
ko, banduk lekar gusne ka. Pr tere
abba. Tarik sahb. Inspector h. Hm?
(Zeeshan:-pale) -- or aaj-kal bhot
jyada search operations ho gye h
unke. Bss, thoda cum krle. ussi
silsile m baat krne k liye aaye h.
Thodi si baatchit krenge, or, chale
jaenge.
Everyone in the hall is stunned by Iqbal’s change in
behaviour and the statement.
This straight forward behavior ain’t helping the siblings in
any way. They are terrified as hell.
IQBAL(CONT’D)
(Friendly bends towards
zeeshan)
To ab tu bina time khrab kre, apne
abba ko phone lga. unko bol, grr
jaldi aane ko. Bol, ammi ek dum s
behosh ho gyii h. Jldii aao.
ZEESHAN
To m baat krlunga unse. Is baare
m?__
IQBAL
(Light laughter)
Yhii To baat h. Tujse samaj_jaate
to hmm kyu aate. Wo deshbhakti m
(MORE)
20.
IQBAL (cont’d)
doobe hue h abhi. Unko samjaana
tere bus ka nhii h. Tu bus phone
lga. Baaki hmmpr chhodde.
Zeeshan just stares back. Clueless. Faiza looking down.
Shivering, insecure. Mustaak staring at the siblings. Saddam
irritated, roaming around the hall behind iqbal. Just an
order away to shoot the siblings.
IQBAL
(Little bit irritated)
Dekh. Darr mt. Kuchh nhii hoga. Or,
baar-Baar mt bulvaa mujse. Tu
chahta h hmm yha purii raat ruke?
Hn? -- Tu cake lekrr aaya h. Isko
kb khaoge?
Zeeshan pretends as he’s listening.
IQBAL(CONT’D)
Vaise kiske liye laaya h?
ZEESHAN
(With a terrified pause)
Mole.
IQBAL
(Louder)
Haa to kyu late kr_rha h fir, bulla
mole ko. Hn? Lga phone.-- Moje
behosh pdii hui h. Unko bhi to
uthana h.
Zeeshan sees iqbal loosing his temper. He can’t ignore this
now. But he’s out of answers too
ZEESHAN
Pr vo to ’Shopian’ gye hue h.
IQBAL
(Shocked, on his edge)
Shopian? Abhi? Kyu?
ZEESHAN
Btakr(told) nhii gye. Bola
doo-chaar din rukenge.
Iqbal is highly shocked and gets more irritated by the sound
and disturbance Saddam is making by roaming around. He turns
to him and yells him to shut the fuck up. Saddam stops,
stares back at him. Mustaak just being an intern, stands
quietly.
21.
IQBAL
Doo minute sidha khada ni rha jaata
h tujse?! (BEEP) -- idhr nhii khada
rha jaara h to gate p chala
jaa.(BEEP) -- koi aata dikhe to hi
vaapas aana. Nikle ab.
Saddam hyperactive, angry, gives a terrible look at iqbal
and siblings and then walks away to the living room, pushing
mustaak on his way, one more time, for no reason.
Siblings watches him going. Iqbal back to zeeshan.
IQBAL (cont’d)
Haa. Kab gye tere mole? Shopian?
ZEESHAN
(Maintaining the confidence)
Kal. Kal hi nikl gye thhe wo to.
Iqbal gives a suspicious look. Then --
"SHÂd".
Iqbal hits a tight slap on zeeshan’s face. zeeshan gets
stunned, holding his slapped chick. Faiza terrifies,
sobbing. She gives cover to zeeshan, as she could save her
brother.
FAIZA
(To iqbal)
Bhaijaan. Bhaijaan__
IQBAL
Bhosdike. Hath m gun h. - Tere baap
ne hamare pta ni kitne bhaiyo ko
maar diya. Fir bhi tamiz s baat kr
rha hu. Or gaandu tu mere muh pr
joot bol rha h. -- Agr tera baap
kal shopian chala gya thha, to aaj
kya uska bhoot aaya tha dargah? H?
Zeeshan stunned and pale. No answers.
FAIZA
Isko_isko pta nhii tha bhaijaan. Y
aaj hi aaya h. Meine, meine galat
bataya thha ise.__
IQBAL
(Furiously to faiza)
Achha!? Le fir. - Tu phone lga ab.
Or ab mein wapis nhii bolunga.
22.
Iqbal gets up. Reloads his gun. Points it on zeeshan. Throws
zeeshan’s mobile towards faiza. Mustaak comes forward,
pointing his gun too.
IQBAL (cont’d)
(To faiza)
Lgga.
Faiza whimpering, sobbing in fear grabs the mobile with her
shivering hands. Zeeshan terrified, nodding to her:-no. But
faiza ain’t seeing any way out. She keys down her fathers
numbers.
IQBAL (cont’d)
Speaker p daal.
Faiza did it. The ringer is ringing loud, the only sound
next to faiza’s sobbing.
Males in the hall looking at each other, randomly. Ringer
ringing continuously. No one picking the call. The call
ends.
IQBAL (cont’d)
Ek baar or lga.
Faiza hesitates, but seeing Iqbal’s terrific look, she calls
again. The ringer is ringing again. No picking this time
too. Halfway through the ringer. Saddam runs in the hall
crossing into the ringer. Stopped by iqbal.
SADDAM
(Quick)
Wo aagya. Baahar khada h.
Faiza starts sobbing louder. Zeeshan, jaw dropped. Staring
at iqbal. Holding faiza.
IQBAL
(To zeeshan)
Chup kra isko. -- (to saddam) kha
h?
SADDAM
Gate pr phuchne walla h. (Kicking
zeeshan) Chup kra isko.
Zeeshan holds faiza tight. Tells her to be quite, and to
trust him as he’ll figure a way out. His eyes wide with
fear, staring at the militants who are murmuring and
pointing on the siblings and the living room. zeeshan Can’t
figure what they are actually planning. Then suddenly--
23.
The Dorbell rings. Everyone on their edge. Siblings hearts
pumping like it’s gonna burst. Zeeshan holds her more tight.
Saddam runs to the living room. Mustaak instantly runs into
zeeshan, gropes faiza’s hand. Snatches her away from zeeshan
breaking his grip. He tries to oppose but gets pushed by
iqbal. Mustaak drags her to the front room. And stays there.
Zeeshan can’t see them.
The doorbell rings again. From living room arrives saddam
draging hamida holding both her hands.
Zeeshan helplessly watches both the women getting dragged
away infront of him.
Iqbal pats saddam to move fast. Saddam drags hamida through
the hall to the same room where faiza is held. And they too
disappears. But saddam comes out. Giggling on zeeshan. Iqbal
strictly gestures him to get to his position.
Hard knocks on the door, along with the doorbell.
Iqbal gestures zeeshan to get up. Zeeshan’s feets are
stiffed. But he gets up. Iqbal pushes him to the living
room.
Zeeshan turns back falling to his feet, begging, sobbing and
whimpering. Trying his luck.
ZEESHA
Bhai jaane do na? M samjadungaa
unko. --Bhai aapke bhi to mole h
na. -- Woh, woh retire hone walle
h. -- Ye cake unki retirement ki
khushii k liye hi toh h.
Iqbal is just pushing him towards the room. Giving no
attention to him.
ZEESHAN(CONT’D)
Bhaijaan muje pta h meine juthh
bola, pr woh apne mole ko bachhane
k liye bola thha. Prr y baat juthh
nhii h bhai, woh sach_me retire
hone walle h.___
Iqbal
Iqbal
(Pushing him to get up again)
Tu itna darr kyu rha h. Mein kuchh
kar thodi rha hu. Dekh. Mera or
time kharab mt kr, jldi s gate
kholde, thoda sa dhamkaenge or
(MORE)
24.
ZEESHAN(CONT’D) (cont’d)chale jaenge. Tu jaanta h na, tu
bhi to college m gya h. Thodi si
ragging hogii or bss. Fir hum chale
jaenge. Fir manana apne mole sahb
ka b’day or retirement, dhum-dham
s.
Iqbal gets zeeshan up. Pushes him into living room. Gestures
him to not waste his more time and open the fucking gate.
Zeeshan looks toward the gate. He sees saddam hiding behind
the gate gridding for action. Holding his gun tight. Staring
at zeeshan. Zeeshan looks back to the hall. No one’s there.
Iqbal disappeared. Zeeshan walks alone to the gate. Staring
back at saddam.
Sadddam gesturing him hard to open the gate. Zeeshan,
Controlling his shiver and assuming there’s no way around,
he opens the gate.
Infront of him is his father:-"TARIK HUSSAIN", in his 50s,
intense, sweet, an strong man, in his traditional clothes.
Shocked and extremely happy to see zeeshan.
TARIK
Zeeshan? Tu? abhi?-- Kya hua?
ZEESHAN
(Trying hard to speak)
Kuch nhii.
Tarik hugs him tight. Zeeshan standing like a soulless body,
Hesitantly, puts his hands around tarik. Tears in his eyes.
He then too hugs him tight.
TARIK
(While hugging)
Eid k liye aaya h?
ZEESHAN
Nhii. - haa, mtlb haa.
TARIK
(Done with hugging)
Kamaal h, pehli baar Eid p Chutti
milli h tuje. Hnn?
Zeeshan hiding his tears. Gives a fake smile. Tarik gets in,
removing his slippers.
25.
TARIK (cont’d)
Gate kholne m, itta time kyu lgaya?
- Or wo doono
mouj-te-kurY(mother-daughter) kha
h?
Tarik is done with slippers. He Heads to the hall. Zeeshan
holding gate open, hiding saddam, don’t know what for.
Moving around according to tarik’s movement. Tarik watching
the cake on the table.
TARIK (cont’d)
Y, eid p cake tu laaya h? Or ispe
y, T-A-R-A. Tara? Y kiska naam h?
He too gets it. Turns to zeeshan instantly to scold him.
TARIK (cont’d)
(Giggling)
Achha boi. H? Apne baap tk ko nhii
chhoda tuune? H?
Then he holds his words, as he sees a gun’s point and a hand
peeping out of the gate, right beside zeeshan. He’s taken
aback. It probably wrenched his guts. He’s alternately
looking at zeeshan and Saddam’s gun.
Zeeshan just stares back. Pale, Heavily breathing, his hands
shivering holding the gate’s handle.
Silence.
Breaking the silence, saddam pushes the door. Zeeshan falls
down. Saddam runs towards tarik yelling, aiming gun upon him
Shouting him to get down and raise his hands.
Zeeshan instantly gets up. He too runs toward tarik.
On their right side, iqbal and mustaak too arrives running
towards Tarik pointing their guns on him, giving him the
same orders.
Tarik surrounded by three militants, breathing heavily, he
surrenderes, But doesn’t give ups. Raising his hands towards
them, begging for a talk.
Zeeshan stunned, looking at everyones faces, don’t know what
to do. He started bargaining with iqbal and mustaak,
standing near to him, saying ’he got it, he got it, just be
polite’. But no one’s listening to him, instead pushes him
away, to not to disturb.
Militants are yelling on tarik in kashmiri for his deeds.
26.
Meantime faiza has too arrived there, whimpering louder,
struggling to snatch gun from mustaak.
Zeeshan tries again but gets pushed back again.
Tarik putting his shivering hands carefully on the
gunpoints, trying to lower them, getting up a bit higher.
But gets pushed back by militants.
Now the militants reloads their guns. The sound of
reloading, hits zeeshan harder, so, seeing no way around he
throws himself on iqbal and saddam, smacking them on the
floor. Gets hold of Saddam’s gun. Both militants are
snatching his body parts, struggling to get rid of him.
Zeeshan putting his all might in holding Saddam’s gun.
Then--
Four gun shots fired. The men on the floor stopped
struggling. Zeeshan looses his grip. The sound sended chills
down his spine. The frozen zeeshan chugs quitely, suspended
in time.
Saddam snatches back his rifle. Both of them rapidly gets
up. Zeeshan too gets up, turns to tarik, gets shell shocked
finding him lying on the floor, dead. Faiza sitting beside
him, crying her hearts out. Mustaak aiming the gun on tarik.
Smoke coming out of his gun point. Mustaak, shivering, but
happy. Gives a childish winning look to zeeshan. Zeeshan
eyes glittery, jaw dropped, staring at mustaak as asking
’Why?’. He’s overflowed with emotions
Behind mustaak, Iqbal and saddam insuring tariks death and
instantly gets on their way to get out.
Zeeshan, barely holding his ground. With a deep anger, roars
and charges himself on the militants but instead gets hit
hard by saddam through the back of his gun on his eardrums,
forcing him to fall down instantly.
Lying on ground, he can only hear his own eardrums damaged
sound, with a little bit of faiza’s cry and a visual of the
militants getting away by smashing the door closing back at
him.
Holding his bleeding ear, zeeshan gets up, runs toward the
gate. Smash opens it. Then stands there, motionless,
Paralyzed. His eyes are fixed on the militants getting away
in a van. Grasping the situation. One of the militants
rushes to get in, in the moving van. Zeeshan is just
watching them get away
27.
Faiza, crying loud in background. The van has now
disappeared. But Zeeshan stays there. Looking at the empty
street with his empty mind and soul. Some of the neighbours
have come out looking at zeeshan with shock and discussing
about the gunshots.
Zeeshan staring at the street. He’s trying to grasp what he
has just witnessed. Then with his awaken and numb eyes, he
looks directly into the camera. We Can’t figure out, if he’s
asking, "Is this it", or conveying us that "This is it".
DISSOLVE TO BLACK.