UK/US Drama Bibliography

66
Works Cited Abbott, S. 2010. 'Observations on Cult Television' in The Cult TV Book, Abbott, S. (ed). London: I.B. Tauris. 7-18. Abbott, S. 2013. 'Walking Corpses, Regenerating Dead and Alien Bodies: Monstrous Embodiment in Torchwood.' in R. Williams (ed). Torchwood Declassified: Investigating Mainstream Cult Television. London: IB Tauris. 120-136. Abercrombie N., Longhurst, B. 1998. Audiences. London: Sage. Albrecht, T.L. et al. 1993. 'Understanding Communication Processes.' in D. Morgan (ed). Successful Focus Groups: Advancing the State of the Art. London: Sage. Aldridge, J., Charles, V. 2008. 'Researching the Intoxicated: Informed Consent Implications for Drug and Alcohol Research.' Drug and Alcohol Dependence. Vol. 93. 191–196. Alter, P. 1994. Nationalism, 2 nd Ed. London: Arnold. Amy-Chinn, D. 2014. 'Amy's Boys, River's Man: Generation, Gender and Secuality in the Moffat Whoniverse.' in A. O'Day (ed). Doctor Who, The Eleventh Hour: A Critical Celebration of the Matt Smith and Steven Moffat Era. London: IB Tauris. 70-86. Anderson, B., 2010. Imagined Communities 3 rd Edition. London:Verso. Anderson, C. 2008. 'Overview: Producing an Aristocracy of Culture 1

Transcript of UK/US Drama Bibliography

Works Cited

Abbott, S. 2010. 'Observations on Cult Television' in The Cult TV Book,

Abbott, S. (ed). London: I.B. Tauris. 7-18.

Abbott, S. 2013. 'Walking Corpses, Regenerating Dead and Alien

Bodies: Monstrous Embodiment in Torchwood.' in R. Williams (ed).

Torchwood Declassified: Investigating Mainstream Cult Television. London: IB

Tauris. 120-136.

Abercrombie N., Longhurst, B. 1998. Audiences. London: Sage.

Albrecht, T.L. et al. 1993. 'Understanding Communication

Processes.' in D. Morgan (ed). Successful Focus Groups: Advancing the

State of the Art. London: Sage.

Aldridge, J., Charles, V. 2008. 'Researching the Intoxicated:

Informed Consent Implications for Drug and Alcohol Research.' Drug

and Alcohol Dependence. Vol. 93. 191–196.

Alter, P. 1994. Nationalism, 2nd Ed. London: Arnold.

Amy-Chinn, D. 2014. 'Amy's Boys, River's Man: Generation, Gender

and Secuality in the Moffat Whoniverse.' in A. O'Day (ed). Doctor

Who, The Eleventh Hour: A Critical Celebration of the Matt Smith and Steven Moffat

Era. London: IB Tauris. 70-86.

Anderson, B., 2010. Imagined Communities 3rd Edition. London:Verso.

Anderson, C. 2008. 'Overview: Producing an Aristocracy of Culture

1

in American Television.' in G. Edgerton and J.P. Jones, (eds).

The Essential HBO Reader. Lexington: University of Kentucky Press.

23-41.

Anderson K, 1999. 'Introduction' in Anderson K., Gale F., Cultural

Geographies. Reading: Addison-Wesley Longman, 1-24.

Andrews R, Mycock A., 2008. 'Dilemmas of Devolution: The 'Politics

of Britishness' and Citizenship Education,' British Politics 3,

139-155.

Ang, I. 1985. Watching Dallas: Soap Opera and the Melodramatic Imagination.

Della Couling (tr). London: Routledge.

Ang, I. 1986. 'The Battle Between Television and its Audiences:

The Politics of Watching Television,' in Television in Transition,

Drummond P., Patterson, R. (eds). 250-266.

Ang, I. 1990. 'Culture and Communication: Towards an Ethnographic

Critique of Media Consumption in the Transnational Media System'

European Journal of Communication 5: 239-260.

Ang, I. 1991. Desperately Seeking the Audience. London: Routledge.

Angelini, S and Booy, M. 2010. 'Members Only: Cult TV from Margins

to Mainstream' in The Cult TV Book, Abbott, S. (ed). London: I.B.

Tauris. 19-27.

Anyon, J. 1981. 'Social Class and School Knowledge.' Curriculum

2

Inquiry, Vol. 11, No. 1. 3-42.

Appadurai, A. 1996. Modernity at Large: Cultural Dimensions of Globalisation.

London: Univ. of Minnesota Press.

Ashuri, T. 2005. 'The Nation Remembers: National Identity and

Shared Memory in Television Documentaries.' Nations and Nationalism.

11(3) 423-442.

Auge, M. Non-Places: An Introduction to Supermodernity. Howe, J (tr).

London:Verso, 2008.

Backstein, K. 2004. 'Flexing Those Anthropological Muscles: X-Files,

Cult TV, and the Representation of Race and Ethnicity.' in S.

Gwenllian-Jones and R. E. Pearson. (eds). Cult Television. London:

University of Minnesota Press. 115-146.

Bacon-Smith, C. 1992. Enterprising Women: Television Fandom and the Creation of

Popular Myth. Philadelphia: University of Pennsylvania Press.

Barbour, R. 2007. Doing Focus Groups. London: Sage.

Barker, C. 1999. Television, Globalisation and Cultural Identities. Buckingham:

Open University.

Barker, M. 2008. 'The Functions of Fantasy: A Comparison of

Audiences for The Lord of the Rings in Twelve Countries.' in Barker,

M., Mathjs, E. (eds). Watching Lord of the Rings: Tolkien's World

Audiences. Oxford: Peter Lang. 149-180.

3

Barron, L. 2010. 'Out in Space: Masculinity, Sexuality and the

Science Fiction Heroics of Captain Jack.' in A. Ireland (ed).

Illuminating Torchwood: Essays on Narrative, Character and Sexuality in the BBC

Series. London: McFarland. 213-225.

Bartelson, J. 2000. 'Three Concepts of Globalization' International

Sociology, 15: 180-196.

Bass, J., 2006. 'In Exile From the Self,' Ethos, Vol. 34 No. 4,

433-455.

Bayart, J-F., 1996. The Illusion of Cultural Identity. London: Hurst&Co.

Baym, N. 2000. Tune In, Log On: Soaps, Fandom, and Online Community. London:

Sage.

Beattie. M. 2010. 'A Kiss is Just a Kiss (Except When It's Not):

Life and Breath in the Whoniverse'. in Garner R., Beattie M,

McCormack U (eds). Impossible Worlds, Impossible Things: Cultural Perspectives on

Doctor Who, Torchwood and The Sarah Jane Adventures.

Beattie, M. 2013. 'The ‘Doctor Who Experience’ (2012—) and the

Commodification of Cardiff Bay' in M. Hills, (ed). New Dimensions

of Doctor Who. London: I.B. Tauris. 177-191.

Beattie, M. 2014. 'A Most Peculiar Memorial: Cultural Heritage and

Fiction', in J. Schofield (ed). Who Needs Experts? Counter-Mapping

Cultural Heritage. Aldershot: Ashgate.

4

Becker, C. 2007. ‘From High Culture to Hip Culture: Transforming

the BBC into BBC

America.’ Anglo–American Media Interactions, 1850–2000. Joel

H. Wiener and

Mark Hampton (eds). New York: Palgrave. 275–94.

Bednarek, M. 2010. The Language of Fictional Television: Drama and Identity.

London: Continuum.

Bennett, T. et al. 2009. Culture, Class, Distinction. London: Routledge.

Berger, R. 2010. 'Screwing Aliens and Screwing With the Alien:

Torchwood Slashes the Doctor.' in A. Ireland (ed). Illuminating

Torchwood: Essays on Narrative, Character and Sexuality in the BBC Series.

London: McFarland. 66-75.

Berry, D., 2000. 'Unearthing the Present: Television Drama in

Wales', Blandford, S. (ed), Wales on Screen. Bridgend: Seren,

128-151.

Bertrand, C. and Bourdeau, L. 2010. 'Research Interviews by

Skype: A New Data Collection Method.' in J. Esteves (ed.)

Proceedings of the 9th European Conference on Research Methods in Business and

Management. Madrid: IE Business School. 70-79.

Bettis, J. 2007. Investigating Farscape: Uncharted Territories of Sex and Science

Fiction. London: I.B. Tauris.

5

Bhabha, H. K. 1990. 'Introduction: Narrating the Nation.' in H.

K. Bhabha (ed). Nation and Narration. London: Routledge. 1-7.

Bhabha, H. K. 1990. 'DissemiNation: Time, Narrative, and the

Margins of the Modern Nation.' in H. K. Bhabha (ed). Nation and

Narration. London: Routledge. 291-322.

Bignell, J. 2014. 'The Look: Style, Technology and Televisuality

in the New Who.' in A. O'Day (ed). Doctor Who, The Eleventh Hour: A

Critical Celebration of the Matt Smith and Steven Moffat Era. London: IB Tauris.

123-140.

Billig M., 1976. Social Psychology and Intergroup Relations, London: Academic

Press.

Billig, M., 1995. Banal Nationalism. London: Sage.

Billig, M. 1999. Freudian Repression: Conversation Creating the Unconscious.

Cambridge: CUP.

Biltereyst, D. et al. 2008. 'An Avalanche of Attention: The

Prefiguration and Reception of The Lord of the Rings.' in Barker, M.,

Mathjs, E. (eds). Watching Lord of the Rings: Tolkien's World Audiences.

Oxford: Peter Lang. 37-58.

Biltereyst, D. and van Bauwel, S. 2008. 'The Fantasy of Reading:

Moments of Reception of The Lord of the Rings: The Return of the King.' in

Barker, M., Mathjs, E. (eds). Watching Lord of the Rings: Tolkien's

6

World Audiences. Oxford: Peter Lang. 199-205.

Bird, S. E., 2003. The Audience of Everyday Life: Living in a Media World,

London:

Routledge.

Black. D.A. 2004. 'Charactor [sic]; or, The Strange Case of Uma

Peel.' in S. Gwenllian-Jones and R. E. Pearson. (eds). Cult

Television. London: University of Minnesota Press. 99-114.

Blandford, S. 2005. 'BBC Drama at the Margins: The Contrasting

Fortunes of Northern Irish, Scottish and Welsh Television Drama

in the 1990s.' in J. Bignell, S. Lacey (eds). Popular Television

Drama: Critical Perspectives. Manchester, Manchester University Press.

Blandford, S., 2007. Film, Drama and the Break-Up of Britain. Bristol:

Intellect.

Blandford, S. and Lacey, S. 2011. 'Screening Wales: Portrayal,

Representation and Identity: A Case Study.' Critical Studies in

Television. Vol 6/2. 1-12.

Bongco, M. 2000. Reading Comics: Language, Culture, and the Concept of the

Superhero in Comic Books. London: Garland.

Booy, M. 2012. Love and Monsters:The Doctor Who Experience, 1979 to the

Present. London: IB Tauris.

Born, G. 2004. Uncertain Vision: Birt, Dyke and the Reinvention of the BBC. London:

7

Vintage.

Bourdieu, P. 1984. Distinction: A Social Critique of the Judgement of Taste. R.

Nice (tr). Cambridge, MA: Harvard University Press.

Breuilly, J. 1993. Nationalism and the State. 2nd Ed. Manchester:

Manchester University Press.

Britton, P., Barker, S.J. 2003., Reading Between Designs: Visual Imagery

and the Generation of Meaning in The Avengers, The Prisoner and Doctor Who.

Austin: University of Texas.

Britton, P. 2011. TARDISBound: Navigating the Universes of Doctor Who.

London: IB Tauris.

Britton, P. 2014. '”It's All-New Doctor Who: Authorising New Design

and Redesign in the Steven Moffat Era.' in A. O'Day (ed).

Doctor Who, The Eleventh Hour: A Critical Celebration of the Matt Smith and Steven

Moffat Era. London: IB Tauris. 141-158.

Brooker, W. 2001. 'Readings of Racism: Interpretation,

Stereotyping and The Phantom Menace, Continuum: Journal of Media &

Cultural Studies, 15:1, 15-32.

Brooker, W. 2002. Using the Force: Creativity, Community and Star Wars Fans.

London: Continuum.

Brooker, W. 2011. 'Balance of the Force,' SCMS 2011.

Brown, A. 1998. 'United We Stand: Some Problems With Fan

8

Democracy.' in Brown, A. (ed). Fanatics! Power, Identity &Fandom in

Football. London:Routledge. 50-68.

Brown, J., 1997. ‘Comic Book Fandom and Cultural Capital’, Journal of

Popular Culture, 30 (4), 13-31.

Browne, K. 2005. 'Snowball Sampling: Using Social Networks to

Research Non-heterosexual Women.' International Journal of Social Research

Methodology. Vol 8 (1). 47-60.

Brubaker, R, 1998. 'Myths and Misconceptions in the Study of

Nationalism' in Hall, J. (ed). The State of the Nation: Ernest Gellner and the

Theory of Nationalism. Cambridge: CUP. 272-306.

Brunsdon, C. 2010. 'Bingeing on Box-sets: the National and the

Digital in Television Crime Drama,' in J. Gripsud (ed). Relocating

Television: Television in the Digital Context. London: Routledge. 64-78.

Bruzzi, S. 1997. Undressing Cinema: Clothing and Identity in the Movies.

London: Routledge.

Bryde, L. 'Love Captain Jack or Hate Him: How Torchwood Has

Polarized [sic] the Doctor Who Fandom.' in R. Williams (ed).

Torchwood Declassified: Investigating Mainstream Cult Television. London: IB

Tauris. 175-190.

Buhler, J. et al. 2010. Hearing the Movies: Music and Sound in Film History.

Oxfoerd: OUP.

9

Burgess, J. 1987. 'Landscapes in the Living Room: Television and

Landscape Research,' Landscape Research 12:3 1-7.

Burke, P.,1992. 'We, the People: Popular Culture and Popular

Identity in Modern Europe' in Lash, S. and Friedman, J. (eds).

Modernity & Identity. Oxford: Blackwell, 293-308.

Burn, A. and Parker, D. 2003. Analysing Media Texts. London: Continuum.

Burwell, C. and Boler, M. 2008. 'Calling on the Colbert Nation:

Fandom, Politics and Parody in an Age of Media Convergence.' The

Electronic Journal of Communication. Volume 18 Numbers 2, 3, & 4.

Busse, K. 2006. 'My Life is a WIP on My LJ: Slashing the Slasher

and the Reality of Celebrity and Internet Performances.' in

Hellekson, K and Busse, K (eds) Fan Fiction and Fan Communities in the Age

of the Internet. London:McFarland. 207-

Busse, K. 2011. 'The Ethics of Selection: The Role of Canonicity in

Acafannish Pedagogy and Publication.' SCMS 2011.

Butcher, M. 2003. Transnational Television, Cultural Identity and Change: When

STAR Came to India. London: Sage.

Butler, D. 2013. 'The Work of Music in the Age of Steel: Themes,

Leitmotifs and Stock Music in the New Doctor Who.' Donnelly, K.

J. and Hayward, P. (eds). Music in Science Fiction: Tuned to the Future.

London: Routledge. 163-178.

10

Butler, D. 2013. 'A Good Score Goes to War: Multiculturalism,

Monsters and Music in New Doctor Who.' in M. Hills, (ed). New

Dimensions of Doctor Who: Adventures in Space, Time and Television. London: I.B.

Tauris. 19-38.

Butler, J. G. 2002. Television: Critical Methods and Applications 2nd Ed.

London: LEA.

Butler, J.G. 2010. Television Style. London: Routledge.

Caldwell, J. T. 1995. Televisuality: Style, Crisis and Authority in American

Television. Rutgers, Rutgers University Press.

Caldwell, J. T. 2008. Production Culture: Industrial Reflexivity and Critical

Practice in Film and Television. Duke: Duke University Press.

Caldwell, J. T. 2013. 'Authorship Below-the-Line.' in J. Gray, D.

Johnson (eds). A Companion to Media Authorship. Chichester: Wiley and

Sons. 349-370.

Calhoun, C. (ed) 1994. Social Theory and the Politics of Identity. Oxford:

Blackwell.

Calhoun C, 1994. 'Social Theory and the Politics of Identity' in

Calhoun, C. (ed) 1994. Social Theory and the Politics of Identity. Oxford:

Blackwell. 9-36.

Campbell, J.E., 2011. 'Aca-Fandom and Beyond: John Edward

Campbell, Lee Harrington, and Catherine Tossenberger (Part

11

One)' [online] Available from:

http://henryjenkins.org/2011/07/aca-

fandom_and_beyond_harringt.html (Accessed 13/11/11).

Caputi, M. 1996. 'National Identity in Contemporary Theory,' Political

Psychology, Vol 17, No 4, December, 683-694.

Cardwell, S. 2005. '”Television Aesthetics” and Close Analysis:

Style, Mood and Engagement in Perfect Strangers (Stephen

Poliakoff, 2001).' in J. Gibbs and D. Pye (eds.) Style and Meaning:

Studies in the Detailed Analysis of Film. Manchester: MUP. 179-194.

Carey, J. 2005. What Good Are the Arts? London: Faber and Faber.

Casey, B. et al. 2008. Television Studies: The Key Concepts 2nd Ed. London:

Routledge.

Caughie, J. 2000. Television Drama: Realism, Modernism and British Culture.

Oxford: OUP.

Caughie, J. 2007. Edge of Darkness. London: BFI.

Cavallero, J. J. 2004. 'Gangsters, Fessos, Tricksters, AND

Sopranos: The Historical Roots of Italian American Stereotype

Anxiety.' Journal of Popular Film & Television. 32.2. 50-62.

Chalaby, J. K. 2009. Transnational Television in Europe: Reconfiguring Global

Communications Networks. London: IB Tauris.

Cheyne, R. 2010. 'Touching the Other: Alien Contact and

12

transgressive Touch.' in A. Ireland (ed). Illuminating Torchwood:

Essays on Narrative, Character and Sexuality in the BBC Series. London:

McFarland. 43-52.

Chiaro, D. 2010. 'Laughing At or Laughing With? Italian Comic

Stereotypes Viewed from Within the Peripheral Group.' in G.

Dunphy and R Emig, Hybrid Humour: Comedy in Transcultural Perspectives.

Amsterdam: Rodophi. 65-84.

Chin, B. 2014. 'Conventions, Hierarchies and Forced Diversity.'

[online]

http://the13thcolony.wordpress.com/2014/08/18/conventions-

hierarchies-and-forced- diversity/ (18 August 2014; accessed 25

September, 2014).

Cho, S. 1997. 'Converging Stereotypes in Racialized Sexual

Harassment: Where the Model Minority meets Suzie Wong.' Gender,

Race and Justice. Vol 1. 177-204.

Chung, H.S. 2006. Hollywood Asian: Philip Ahn and the Politics of Cross-Ethnic

Performance. Temple: Temple University Press.

Church Gibson, P., 2012. Fashion and Celebrity Culture. London:

Bloomsbury.

Chute, M., Dekoven, M. 2012. 'Comic Books and Graphic Novels.'

in D. Glover and S. McCracken (eds) The Cambridge Companion to

13

Popular Fiction. Cambridge: CUP. 175- 195.

Claessens, N and Dhoest, A. 2010.'Comedy taste: Highbrow/lowbrow

comedy and cultural capital,'

Participations, Vol 7:1.

Click, M. 2011. 'Eclipsed Fan-Groups: Why Aca-fans Should Study

What We Do Not Love,' SCMS

2011.

Coker, C., Benefiel, C. 2010. 'We Have Met the Fans, and They Are

Us: In Defense of Aca-Fans

and Scholars,' Flow TV Vol 13. [online]

http://flowtv.org/2010/12/we-have-met-the-fans/

(accessed 22/3/12).

Cooke, L., 2003. British Television Drama: A History. London: BFI.

Cooke, L. 2013. Style in British Television Drama. Houndsmills: Palgrave

MacMillan.

Cooper-Chen, A. 2005. 'The World of Television' in Cooper-Chen, A.

(ed), Global Entertainment Media: Content, Audiences, Issues, London: LEA, 3-

16.

Couldry, N. 2000. Inside Culture: Re-Imagining the Method of Cultural Studies.

London: Sage.

Couldry, N. 2003. 'Television and the Myth of the Mediated Centre:

14

Time for a Paradigm Shift in

Television Studies?' Media in Transition 3 conference, MIT, Boston,

USA 2-4 May 2003.

Couldry, N. 2003. 'Passing Ethnographies: Rethinking the Sites of

Agency and Reflexivity in a Mediated World.' in P.D. Murphy and

M.M. Kraidy, (eds) Global Media Studies: Ethnographic Perspectives.

London: Routledge. 40-56.

Crawford, G. 2003. Consuming Sport: Fans, Sport and Culture. London:

Routledge.

Crawford, G. 2012. Video Gamers. London: Routledge.

Creeber, G. 2004. Serial Television: Big Drama on the Small Screen. London:

BFI.

Creeber, G. 2008. 'Genre Theory.' in G. Creeber, (ed.) The Television

Genre Book, 2nd Ed. Houndsmills: Palgrave MacMillan. 1-2.

Creeber, G. 2013. Small Screen Aesthetics: From TV to the Internet. London:

BFI.

Crisell, A. 1997. An Introductory History of British Broadcasting. London:

Routledge.

Crothers, L. 2013. Globalization and American Popular Culture, 3rd Edition.

Plymouth: Rowman & Littlefield.

Cubbison, L. 2012. 'Russell T. Davies, “Nine Hysterical Women,” and the Death of Ianto Jones,' in

15

B.T. Williams and A.A. Zenger (eds). New Media Literacies and Participatory Popular

Cultures Across Borders. London: Routledge.

Cull, N. J. 2001. 'Bigger on the Inside...Dr Who as British

Cultural History' in Roberts, G and Taylor, P.M. (eds). The

Historian, Television and Television History. Luton: University of Luton. 95-

112.

Cumberbatch, G. Howitt, D. 1989. A Measure of Uncertainty: the Effects of the

Mass Media.

London: John Libbey.

Davies, G. 2005. Queer as Folk. London: BFI.

Davies, R.T. 2008. Mark Lawson Talks to Russell T. Davies. BBC4.

Davis, G. T. 'The Eternal Vigil: Captain Jack as Byronic Hero.' in

A. Ireland (ed). Illuminating Torchwood: Essays on Narrative, Character and

Sexuality in the BBC Series. London: McFarland. 79-89.

Delanty, G. and O'Mahony, P. 2002. Nationalism and Social Theory, London:

Sage.

Derhy, B. W. L. 2013. 'Cult Yet? The “Miracle of

Internationalisation.' in R. Williams (ed). Torchwood Declassified:

Investigating Mainstream Cult Television. London: IB Tauris. 51- 64.

Devine, F. 2004. Class Practices: How Parents Help Their Children Get Good Jobs.

16

Cambridge:

CUP.

Dicks, B and van Loon, J, 'Territoriality and Heritage in South

Wales: Space, Time and Imagined Communities,' in Fevre R., and

Thompson, A., (eds) 1999. Nation, Identity & Social Theory: Perspectives from

Wales, Cardiff: University of Wales Press, 207-232.

Dicks, B., 2000. Heritage, Place and Community. Cardiff: University of

Wales Press.

Dicks, B., 2003. Culture on Display: the Production of Contemporary Visitability.

Maidenhead : Open University Press.

Dickinson, K. 2008. Off Key: When Film and Music Won't Work Together. Oxford:

OUP.

Dittmer, J and Dodds K. 2008. 'Popular Geopolitics Past and

Future: Fandom, Identities and Audiences' Geopolitics Vol. 13 No.

3, pp. 437-457.

Donnelly, K.J., 2005. The Spectre of Sound: Music in Film and Television.

London: BFI.

Drever, E. 2003. Using Semi-Structured Interviews in Small-Scale Research: A

Teacher's Guide. Revised Ed. Glasgow: University of Glasgow.

Dunleavy, T. 2009. Television Drama: Form, Agency, Innovation. Houndmills:

Palgrave MacMillan.

17

Dunn K. M, Winchester, H. P.M., 1999. 'Inventions of Gender and

Place in Films: Tales of Urban Reality' in Anderson K., Gale

F., Cultural Geographies. Reading: Addison-Wesley Longman, 173-198.

Dunn, C. 2010. 'The Alien Woman: Othering and the Oriental.' in A.

Ireland (ed). Illuminating Torchwood: Essays on Narrative, Character and

Sexuality in the BBC Series. London: McFarland. 113-120.

Dunn, C. 2010. 'No Consent Necessary: A Feminist Perspective on

Non-Consensual Penetration.' in A. Ireland (ed). Illuminating

Torchwood: Essays on Narrative, Character and Sexuality in the BBC Series.

London: McFarland. 203-212.

Dwyer, M. 2010. 'The Gathering of the Juggalos and the Peculiar

Sanctity of Fandom,' Flow TV,

Vol. 13. [online] http://flowtv.org/2010/12/the-gathering-of-

the-juggalos/ (accessed 22/3/12).

Edwards, D. 2005. 'Discursive Psychology,' in Fitch, K.L.,

Sanders, R.E., (eds) Handbook of Language and Social Interaction. London:

Erlbaum, 257-273.

Egan, K. and Barker, M. 2008. 'The Books, the DVDs, the Extras,

and Their Lovers.' in Barker, M., Mathjs, E. (eds). Watching Lord of

the Rings: Tolkien's World Audiences. Oxford: Peter Lang. 83-102.

Elliott, A. 2014. Concepts of the Self, 3rd Ed. Cambridge: Polity.

18

Ellis, J. 1982. Visible Fictions: Cinema, Television, Video. London: Routledge.

Emig, R. 2010. 'The Empire Tickles Back: Hybrid Humour (and Its

Problems) in Contemporary Asian- British Comedy.' in G.

Dunphy and R Emig, Hybrid Humour: Comedy in Transcultural

Perspectives. Amsterdam: Rodophi. 169-190.

Espenson, J. 2010. 'Playing Hard to 'Get'- How to Write Cult TV'

in The Cult TV Book, Abbott, S. (ed). London: I.B. Tauris. 45-54.

Fairclough, N. 1995. Media Discourse. London: Arnold.

Feasey, R. 2008. Masculinity and Popular Television. Edinburgh: EUP.

Ferris, K. O. 2010. 'The Next Big Thing: Local Celebrity.' Soc.

Vol. 47. 392-395.

Fevre, R. & Thompson, A. 'Social Theory and Welsh Identities' in

Fevre R., and Thompson, A., (eds) 1999. Nation, Identity & Social Theory:

Perspectives from Wales, Cardiff: University of Wales Press, 3-24.

Fiction Factory. 2011. 'Hinterland/Y Gwyll' [online]

http://www.fictionfactoryfilms.com/programmes/hinterlandy-

gwyll/ (accessed 30/08/14).

Findlayson, A., 1998. 'Psychology, Psychoanalysis and Theories of

Nationalism,' Nations and

Nationalism, Vol 4(2), 145-162.

Finlay, A. 2001. 'Reflexivities and the Dilemmas of

19

Identification: An Ethnographic Encounter in Northern

Ireland.' in M. Smythe and G Robinson (eds.) Researching Violently

Divided Societies: Ethical and Methodological Issues. London: Pluto. 55-76.

Fiske, J. 1987. Television Cultures. London: Routledge.

Fiske, J. 1992. 'The Cultural Economy of Fandom' in The Adoring

Audience: Fan Culture and Popular Media. Lewis. L. (ed) London:

Routledge. pp. 30-58.

Fiske J and Hartley J. 2003. Reading Television: 2nd Ed, London:

Routledge.

Forster, L. 2009. 'Farmers, Feminists and Dropouts: The Disguises

of the Scientist in British Science Fiction Television in the

1970s' in Geraghty, L. (ed) Channeling the Future: Essays on Science

Fiction and Fantasy Television, Plymouth: Scarecrow. 75-92.

Foucault, M. 1977. "What is an Author?", Donald F. Bouchard and

Sherry Simon (tr), In Language, Counter-Memory, Practice. Ithaca, New

York: Cornell University Press. pp.124- 127.

Foucault, M., 1973. The Birth of the Clinic, London: Tavistock.

Foucault, M. 1972. The Archaeology of Knowledge. London: Routledge.

Fowler, P. 1992. The Past in Contemporary Society: Then, Now. London:

Routledge.

Frankel, V.E. 2010. 'More Than Just a Hero's Journey: Harry

20

Potter, Frodo Baggins, and Captain Jack Harkness.' in A.

Ireland (ed). Illuminating Torchwood: Essays on Narrative, Character and

Sexuality in the BBC Series. London: McFarland. 53-65.

Frankel, V.E. 2010. 'Gwen's Evil Stepmother: Concerning Gloves and

Magic Slippers.' in A. Ireland (ed). Illuminating Torchwood: Essays

on Narrative, Character and Sexuality in the BBC Series. London: McFarland.

90-101.

Freeman, N. 1999. 'See Europe with ITC: Stock Footage and the

Construction of Geographic Identity.' in D. Cartmell et al

(eds). Alien Identities: Exploring Difference in Film and Fiction. London: Pluto.

Freud, S. 1951. Group Psychology and the Analysis of the Ego. Strachey, J.

(tr). New York: Liveright.

Frey, J. 2013. 'Whose Doctor?' in G. Leitch et al (eds). Doctor

Who in Time and Space: Essays on Themes, Characters, History and Fandom, 1963-

2012. Jefferson: McFarland.

Froud, J. et al. 2009. 'Stressed by Choice: a Business Model

Analysis of the BBC.' British Journal of Management. Vol. 20. 252–264.

Garner, R.P. 2013. 'Access Denied? Negotiating Public Service and

Commercial Tensions through Torchwood's Intertextual Barricade.'

in R. Williams (ed). Torchwood Declassified: Investigating Mainstream Cult

Television. London: IB Tauris. 13-32.

21

Garner, R.P. 2014. 'Friends Reunited? Authorship Discourses and

Brand Management for The Sarah Jane Adventures “Death of the Doctor.”'

in A. O'Day (ed). Doctor Who, The Eleventh Hour: A Critical Celebration of the

Matt Smith and Steven Moffat Era. London: IB Tauris. 247-264.

Geczy, A. and Keraminas, V. 2013. Queer Style. London: Bloomsbury.

Gee. C. 2011. 'Torchwood Miracle Day Episode Three Review.' [online]

http://www.telegraph.co.uk/culture/tvandradio/doctor-who/8668716/T

orchwood-Miracle- Day-episode-three-review.html (accessed

17/6/13).

Gellner, E., 1985. The Psychoanalytic Movement, London: Paladin.

Gellner, E. 1987. Culture, Identity, and Politics, Cambridge: CUP.

Gellner, E., 1994. Encounters With Nationalism, Oxford: Blackwell.

Geraghty, C. 1991. Women and the Soap Opera: A Study of Prime Time Soaps.

Cambridge: Polity.

Geraghty, C. 2003. 'Aesthetics and quality in popular television

drama.' INTERNATIONAL journal of CULTURAL studies. Vol. 6(1). 25–45.

Geraghty, L. 2009. 'Animating Science Fictions of the Past and

Present in Futurama,' in Geraghty, L. (ed). Channeling the Future: Essays

on Science Fiction and Fantasy Television, Plymouth: Scarecrow. 149-166.

Geraghty, L. 2014. Cult Collectors: Nostalgia, Fandom and Collecting Popular

22

Culture. London: Routledge.

Gershon, R. 2005. 'The Transnationals' in Cooper-Chen, A. (ed),

Global Entertainment Media: Content, Audiences, Issues, London: LEA, 17-38.

Gibbs, J. 2002. Mise-En-Scene: Film Style and Interpretation. London:

Wallflower.

Giddens, A. 1991. Modernity and Self-Identity: Self and Society in the Late Modern

Age. Cambridge: Polity.

Gilligan, S. 2010. 'Fashioning Masculinity and Desire.' in A.

Ireland (ed). Illuminating Torchwood: Essays on Narrative, Character and

Sexuality in the BBC Series. London: McFarland. 153- 164.

Gilligan, S. 2013. 'Refashioning Sherlock: fandom, digital spaces

and performativity’. Conference paper presented at MeCCSA 2013 –

Spaces and Places of Culture. University of Ulster, Derry-

Londonderry. 9-11th January.

Gilroy, C. 2010. 'The Doctor's Burden: Racial Superiority and

Panoptic Privilege in New Doctor Who' in Garner R., Beattie M,

McCormack U (eds). Impossible Worlds, Impossible Things: Cultural Perspectives on

Doctor Who, Torchwood and The Sarah Jane Adventures. Newcastle:

CSP. 25-44.

Gilroy, P. 1997. 'Diaspora and the Detours of Identity' in

Woodward, K. (ed). Identity and Difference, London: Sage. 301-346.

23

Ginn, S. 2010. 'Sexual Relations and Sexual Identity Issues: Brave

New Worlds of More of the Old One?' in A. Ireland (ed).

Illuminating Torchwood: Essays on Narrative, Character and Sexuality in the BBC

Series. London: McFarland. 165-180.

Gitlin, T. 2000. Inside Prime Time. London: University of California

Press.

Gorton, K. 2009. Media Audiences: Television, Meaning and Emotion. Edinburgh:

EUP.

Gray, A. 2003. Research Practice for Cultural Studies. London: Sage.

Gray, J. 2003. 'New Audiences, New Textualities: Anti-Fans and

Non-Fans.' International Journal

of Cultural Studies. Vol 6. 64-81.

Gray, J, 2005. ‘Antifandom and the moral text: Television Without Pity and

textual dislike’,

American Behavioral Scientist, 48, 840-858.

Gray, J. et al. 2007. 'Introduction: Why Study Fans?' in Gray,

J. et al (eds) Fandom: Identities and Communities in a Mediated World.

London: NYU Press. 1-18.

Gray, J. 2007. 'News: You've Gotta Love It.' Gray et al. (eds),

Fandom: Identities and Communities in a Mediated World. London: NYU Press.

179-196.

24

Gray, J. 2010. Show Sold Separately: Promos, Spoilers, and Other Media Paratexts.

NY: NYU

Press.

Gray, J. 2011. 'I really don’t care much for the term acafan',

SCMS 2011.

Gray, J. and Lotz, A.D. 2012. Television Studies. Cambridge: Polity.

Green, J. P. 2010. 'The (Re)Generation Game: Doctor Who and the

Changing Faces of Heroism' in Garner R., Beattie M, McCormack U

(eds). Impossible Worlds, Impossible Things: Cultural Perspectives on Doctor Who,

Torchwood and The Sarah Jane Adventures. Newcastle: CSP. 3-24.

Grenfell, M. 2004. Pierre Bourdieu: Agent Provocateur. London: Continuum.

Griffin, M. and Welch, R. 2013. 'Crisis of Authority/Authoring

Crisis: Decision and Power in Torchwood- Children of Earth.' in R.

Williams (ed). Torchwood Declassified: Investigating Mainstream Cult Television.

London: IB Tauris. 104-119.

Griffiths, A. 1996. 'Ethnography and the Politics of Audience

Research,' in Crawford P. and

Hafsteinsson, S. (eds). The Construction of the Viewer. Hojbjerg:

Intervention. 47-68.

Gripsrud, J. 2002. Understanding Media Culture. London: Arnold.

Grossberg, L. 1992. 'Is There a Fan in the House?: The Affective

25

Sensibility of Fandom.' in Lewis, L. (ed) The Adoring Audience.

London: Routledge. 50-68.

Gruffudd, P, 'Prospects of Wales: Contested Geographic

Imaginations' in Fevre R., and Thompson, A., (eds) 1999. Nation,

Identity & Social Theory: Perspectives from Wales, Cardiff: University of

Wales Press, 149-167.

Guéhenno, J-M, 1995. The End of the Nation-State V Elliott (tr). London:

Univ. of Minnesota Press.

Häkli, J. 1999. 'Territory and National Identity in Finland' in

Herb G. H., & Kaplan, D.H. (eds). 1999, Nested Identities: Nationalism,

Territory and Scale, Oxford: Rowman and Littlefield, 123-150.

Hall, J. (ed). 1998. The State of the Nation: Ernest Gellner and the Theory of

Nationalism. Cambridge: CUP.

Hall, S. 1992. 'Recent Developments in Theories of Language and

Ideology: a Critical Note,' in Hall, S. et al., Culture, Media,

Language, London: Routledge. 157-162.

Hall, S. 1997. 'Introduction' in Hall, S. (ed). Representation: Cultural

Representations and Signifying Practices. London: Sage. 1-12.

Hall, S. 1997. 'The Spectacle of the 'Other',' in Hall, S. (ed).

Representation: Cultural Representations and Signifying Practices. London: Sage.

223-290.

26

Hammersley, M. & Atkinson, P. 1993. Ethnography: Principles in

Practice, 2nd Ed. London: Routledge.

Hanna, P. 2012. 'Using Internet Technologies (Such as Skype) as

a Research Medium: a Research Note.' Qualitative Research. 12(2).

239-242.

Harrington, C.L. And Bielby, D. 1995. Soap Fans: Pursuing Pleasure and

Making Meaning in Everyday Life. Philadelphia: Temple University Press.

Harrington, C.L., Bielby D. 2005. 'Global Television Distribution:

Implications of TV 'Travelling' for Viewers, Fans and Texts'.

American Behavioral Scientist, 48: 902-921.

Harrington, C.L. et al 2011. 'Life course transitions and the

future of fandom,' International Journal of Cultural Studies. Vol 14. 567-

590.

Harrington, C.L. 2013. 'The Ars Moriendi of US Serial Television:

Towards a Good Textual Death.' International Journal of Cultural Studies.

Vol 16(6). 579-595.

Harris, C. 1998. 'A Sociology of Television Fandom.' in Harris, C

and Alexander, A. (eds) Theorising Fandom. Cresskill, Hampton Press.

41-52.

Hartley, J. 1999. Uses of Television. London: Routledge.

Haslop, C. 2013. 'The Shape-shifter: Fluid Sexuality as Part of

27

Torchwood's Changing Generic Matrix and 'Cult' Status.' n R.

Williams (ed). Torchwood Declassified: Investigating Mainstream Cult Television.

London: IB Tauris. 209-225.

Haslop, C. 2013. '“I certainly wouldn’t want to be portrayed as a

boring straight person”: Torchwood, meaning-making and the

performance of gender and sexual identities.' Participations. Vol

10(1). 36-52.

Heck, M.C. 1992. 'The Ideological Dimension of Media Messages' in

Hall, S. et al., Culture, Media, Language, London: Routledge. 122-127.

Held, D. and McGrew, A. 2007. Globalisation/Anti-Globalisation: Beyond the

Great Divide. 2nd Ed. Cambridge: Polity.

Hellekson, K. 2011. 'Acafandom and Beyond: Week Two, Part One

(Henry Jenkins, Erica Rand,

and Karen Hellekson)' [online] available from:

http://henryjenkins.org/2011/06/acafandom_and_beyond_week_two.html

. (Accessed

13/11/11).

Herb G. H., & Kaplan, D.H. (eds). 1999, Nested Identities: Nationalism,

Territory and Scale, Oxford: Rowman and Littlefield.

Herb, G.H., 1999., 'National Identity and Territory' in Herb G.

28

H., & Kaplan, D.H. (eds). 1999,

Nested Identities: Nationalism, Territory and Scale, Oxford: Rowman and

Littlefield. 9-30.

Herbert, D. 2006. 'Sky's the Limit: Transnationality and Identity

in “Abre los Ojos” and “Vanilla Sky”' Film Quarterly Vol 60 No 1

28-38.

Herman, RDK, 1999. 'The Aloha State: Place Names and the Anti-

Conquest of Hawai'i,' Annals of the Association of American Geographers, Vol

89, No. 1, 76-102.

Hester S., Housley, W. (eds)., 2002. Language, Interaction and National

Identity. Aldershot: Ashgate.

Hester S. 2002. 'Bringing it All Back Home: Selecting Topic,

Category and Location in TV News Programmes'. in Hester S.,

Housley, W. (eds)., 2002. Language, Interaction and National Identity.

Aldershot: Ashgate. 16-37.

Hexel, V. 2014. 'Silence Won't Fall: Murray Gold's Music in the

Steven Moffat era.' in A. O'Day (ed). Doctor Who, The Eleventh Hour:

A Critical Celebration of the Matt Smith and Steven Moffat Era. London: IB Tauris.

159-177.

Hills, M, 2002. Fan Cultures, London: Routledge.

Hills, M. 2005. 'Cult TV, Quality and the Role of the

29

Episode/Programme Guide' in Hammond M and Mazdon, L (eds). The

Contemporary Television Series. Edinburgh: EUP. 190-206.

Hills, M. 2005.‘Patterns of Surprise: the “aleatory object” in

psychoanalytic ethnography and cyclical fandom’, American

Behavioral Scientist, 48:7. 801-821.

Hills, M. 2005. 'Get a Life?: Fan Cultures and Contemporary

Television,' Spectator Vol 25:1, 35- 47.

Hills, M. 2005. The Pleasures of Horror. London: Continuum.

Hills, M and Luther, A., 2007. 'Investigating 'CSI Television

Fandom': Fans' Textual Paths Through the Franchise,' in M. Allen

(ed.) Reading CSI: Crime TV Under the Microscopre. London: I.B. Tauris.

208-221.

Hills, M. 2008. 'Doctor Who' in G. Creeber, (ed.) The Television Genre

Book, 2nd Ed. Houndsmills: Palgrave MacMillan. 40

Hills, M. 2009. 'PARTICIPATORY CULTURE: Mobility, Interactivity

and Identity' in Creeber, G. Martin R., Digital Cultures: Understanding

New Media. Maidenhead: Open University Press. 107-121.

Hills, M. 2010. The Triumph of the Time Lord: Regenerating Doctor Who in the

Twenty-First Century. London: IB Tauris.

Hills, M. 2010. 'BBC Wales' Torchwood as TV I, II, and III:

30

Changes in Television Horror' Cinephile Vol 6 No. 2. 23-29.

Hills, M. 2011. 'Torchwood Episode Three: Tonight's the Night?'

Antenna. [online]

http://blog.commarts.wisc.edu/2011/07/29/torchwood-miracle-

day-episode-three-tonights- the-night/ (accessed 30/08/12).

Hills, M. 2011. 'Television Aesthetics: A Pre-structuralist

Danger?' Journal of British Cinema and Television. Vol. 8.1. 99-117.

Hills, M. 2011. 'Acafandom and Beyond: Week Two, Part One'

[online] Available from:

http://henryjenkins.org/2011/08/aca-

fandom_and_beyond_jonathan.html (Accessed

13/11/11).

Hills, M. 2013. 'From Chris Chibnall to Fox: Torchwood's

Marginalised Authors and Counter- Discourses of TV Authorship.' in

J. Gray, D. Johnson (eds). A Companion to Media Authorship.

Chichester: Wiley and Sons. 200-220.

Hills, M. 2013. 'Transmedia Torchwood: Investigating a Television

Spin-off's Tie-in Novels and Audio Adventures.' in R. Williams

(ed). Torchwood Declassified: Investigating Mainstream Cult Television.

London: IB Tauris. 65-85.

Hills, M. 2014. 'The year of the Doctor: Celebrating the 50th,

31

regenerating public value?' Science Fiction Film and Television. 7.2. 159–78.

Hills, M. 2014. 'Rebranding Doctor Who and Reimagining Sherlock:

“Quality” Television as “Makeover TV Drama.”' International Journal of

Cultural Studies. Vol. 20(10). 1-15.

Hills, M. 2014. 'Hyping Who and Marketing the Steven Moffat Era:

The Role of “Prior Paratexts.”' in A. O'Day (ed). Doctor Who, The

Eleventh Hour: A Critical Celebration of the Matt Smith and Steven Moffat Era.

London: IB Tauris. 181-203.

Hilmes, M. 2012. Network Nations: A Transnational History of British and American

Broadcasting. London: Routledge.

Ho, P. 2003. 'Performing the "Oriental": Professionals and the

Asian Model Minority Myth.' Journal of Asian American Studies. Volume 6,

Number 2. 149-175

Hobsbawm, E.J, Ranger, T., (eds) 1983. The Invention of Tradition.

Cambridge: CUP.

Hobsbawm, E J., 1991. Nations and Nationalism Since 1870: Programme, Myth,

Reality, Cambridge: CUP.

Holman, R. 2013. Pers. Comm.

Holt, J. 2003. 'Vertical Vision: Deregulation, Industrial Economy

and Prime-Time Design' in Jancovich, M., Lyons, J., (eds),

Quality Popular Television: Cult TV, the Industry and Fans. London: BFI. 11-31.

32

Hoskins, C. et al., 1997. Global Television and Film: An Introduction to the

Economics of the Business, Oxford: Clarendon.

Housley, W., Fitzgerald, R. 2002. 'National Identity,

Categorisation and Debate' in Hester S., Housley, W. (eds).,

2002. Language, Interaction and National Identity. Aldershot: Ashgate.

38-59.

Hroch, M. 2000. Social Preconditions of National Revival in Europe. New York:

Columbia University Press.

IcebergInk. 2011. 'TORCHWOOD: MIRACLE DAY – Episode 3 (Dead of

Night).' [online] http://icebergink.blogspot.co.uk/2011/07/tv-

review-torchwood-miracle-day-episode.html (accessed 17/6/13).

Iosifidis, P. et al. 2005. European Television Industries. London: BFI.

Ireland, A. 2010. 'Playing to the Crowd: Torchwood Knows We're

Watching.' in A. Ireland (ed). Illuminating Torchwood: Essays on

Narrative, Character and Sexuality in the BBC Series. London: McFarland. 11-

21.

Jackman, J. 2010. Lighting for Digital Video and Television. Abingdon: Focal.

Jacobs, J. 2000. The Intimate Screen: Early British Television Drama. Oxford:

Clarendon.

Jacobs, J. 2003. Body Trauma TV: The New Hospital Dramas. London: BFI.

Jacobs, J. 2006. ‘Television aesthetics: an infantile

33

disorder.’Journal of British Cinema and Television. Vol. 3.1. 19-33.

James, G. 2013. '”Cool But High Quality”: Torchwood, BBC America and

Transatlantic Branding, 1998-2011.' in R. Williams (ed). Torchwood

Declassified: Investigating Mainstream Cult Television. London: IB Tauris. 33-

50.

Jancovich, M. 2000. ‘A Real Shocker’: Authenticity, Genre and the

Struggle for Distinction’,

Continuum: Journal of Media and Cultural Studies, 14 (1): 23-36.

Jancovich, M. 2002. ‘Cult Fictions: Cult Movies, Subcultural

Capital and the Production of Cultural Distinctions’, Cultural

Studies, 16(2): 306-322.

Jancovich, M. and Hunt, N. 2004. 'The Mainstream, Distinction and

Cult TV,' in S. Gwenllian-Jones and R. E. Pearson.(eds). Cult

Television. London: University of Minnesota Press. 27-44.

Jaramillo, D.L. 2013. 'Rescuing Television from the “Cinematic”:

The Perils of Dismissing Television Style.' in J. Jacobs, S.

Peacock (eds.) Television Aesthetics and Style. London: Bloomsbury. 67-76.

Jeffers McDonald, T. 2010. Hollywood Catwalk: Exploring Costume and

Transformation in American Film. London: I.B. Tauris.

Jeffery, C., 2006. 'Devolution and Local Government,' Publius: The

34

Journal of Federalism, Vol 36 no 1, 57–73.

Jeffery, C., Wincott, D, 2006. 'Devolution in the United Kingdom:

Statehood and Citizenship in Transition,' Publius: The Journal of

Federalism, Vol 36 no 1, 3–18.

Jenkins B and Sofos S., 1996. 'Nation and Nationalism in

Contemporary Europe: A Theoretical Perspective' in Nation &

Identity in Contemporary Europe. London: Routledge, 9-32.

Jenkins, C. 2013. '”I'm Saving the World, I Need a Decent

Shirt;” Masculinity and Sexuality in the New Doctor Who.' in S.

Bruzzi and P.C. Gibson (eds) Fashion Cultures Revisited. London:

Routledge. 377-389.

Jenkins, H. 1992. Textual Poachers:Television Fans and Participatory Culture.

London: Routledge.

Jenkins, H. 2006. Convergence Culture: Where Old and New Media Collide.

London: NYU Press.

Jenkins, H. 2006. Fans, Bloggers and Gamers. London: NYU Press.

Jenkins, R. 2002. Pierre Bourdieu, Revised Ed. London: Routledge.

Jensen, K.B. (ed). 2002. A Handbook of Media and Communication Research:

Qualitative and Quantitative Methodologies. London: Routledge.

Jenson, J. 1992. 'Fandom as Pathology: The Consequences of

Characterisation' in The Adoring Audience: Fan Culture and Popular Media.

35

Lewis. L. (ed) London: Routledge. pp. 9-29.

Johnson, C., 2005. Telefantasy. London: BFI.

Johnson, C. 2005. 'Quality/Cult Television: The X-Files and Television

History' in Hammond M and Mazdon, L (eds). The Contemporary

Television Series. Edinburgh: EUP. 57-71.

Johnson, C. 2012. Branding Television. London: Commedia.

Johnson, C. 2013. 'Doctor Who as Programme Brand.' in M. Hills,

(ed). New Dimensions of Doctor Who: Adventures in Space, Time and Television.

London: I.B. Tauris. 95-112.

Johnson, C. 2013. 'From brand congruence to the “virtuous circle”:

branding and the commercialization of public service

broadcasting.' Media, Culture Society. Vol 35(3). 314- 331.

Johnson, D. 2013. Media Franchising: Creative Licence and Collaboration in the

Culture Industries. NYC: NYU Press.

Johnson-Smith, J. 2005. American Science Fiction TV: Star Trek, Stargate

and Beyond. London: IB Tauris.

Johnston, D. 2013. 'The Sound of Civilization [sic]: Music in

Terry Nation's Survivors.' in Donnelly, K. J. and Hayward, P.

(eds). 2013. Music in Science Fiction: Tuned to the Future. London:

Routledge. 123-134.

Jones, D. 2014. 'Changing Narratives of Identity in Welsh and

36

Basque Film,' in H. Jones, The Media in Europe's Small Nations.

Newcastle: CSP. 87-104.

Jones, M. 2010. 'Butch Girls, Brittle Boys and Sexy, Sexless

Cylons: Some Gender Problems in Battlestar Galactica.' in R. Kaveney

and J. Stoy (eds). Battlestar Galactica: Investigating Flesh, Spirit and

Steel. London: IB Tauris. 154-184.

Jowett, L. and Abbott, S. 2013. TV Horror: Investigating the Dark Side of the

Small Screen. London: IB Tauris.

Kedourie, E., 1966. Nationalism, 3rd Ed. London: Hutchinson.

Kellner, D. 1992. 'Popular Culture and the Construction of

Postmodern Identities' in Lash, S. and Friedman, J. (eds). Modernity

& Identity. Oxford: Blackwell, 141-177.

Khanna, R., 2003. Dark Continents: Psychoanalysis and Colonialism. London:

Duke University Press.

Kinvall, C., 2004. 'Globalisation and Religious Nationalism: Self,

Identity and the Search for Ontological Security,' Political

Psychology, Vol 25, No 5, 742-767.

Knight, P. 2000. Conspiracy Culture: From the Kennedy Assassination to The X-

Files. London: Routledge.

Knowles, A. K., 1999. 'Migration, Nationalism, and the

Construction of Welsh Identity.' in Herb G. H., & Kaplan, D.H.

37

(eds). 1999, Nested Identities: Nationalism, Territory and Scale, Oxford:

Rowman and Littlefield, 289-316.

Knox, S. 2014. 'The Transatlantic Dimensions of the Time Lord:

Doctor Who and the Relationships between British and North

American Television.' in A. O'Day (ed). Doctor Who, The Eleventh

Hour: A Critical Celebration of the Matt Smith and Steven Moffat Era. London: IB

Tauris. 106-120.

Kompare, D. 2005. Rerun Nation: How Repeats Invented American Television.

London: Routledge.

Kozloff, S. 1992. 'Narrative Theory and Television,' in R. C.

Allen (ed) Channels of Discourse, Reassembled 2nd Edition. London:

Routledge. 67-100.

Kress, G. and van Leeuwen, T. 1996. Reading Images: The Grammar of Visual

Design. London: Routledge.

Kress, G and van Leeuwen, T. 2002. 'Colour as a semiotic mode:

notes for a grammar of colour.'

Visual Communication. Vol. 1 no. 3. 343-368.

Kuipers, G. and de Kloet, 2008. 'Global Flows and Local

Identificaions? The Lord of the Rings and the Cross-National

Reception of Characters and Genres.' in Barker, M., Mathjs, E.

(eds). Watching Lord of the Rings: Tolkien's World Audiences. Oxford:

38

Peter Lang. 131-148.

Kumar, K., 2003. The Making of English National Identity. Cambridge: CUP.

Kuppers, P. 2004. 'Quality Science Fiction: Babylon 5's Metatextual

Universe.' in S. Gwenllian- Jones and R. E. Pearson.(eds). Cult

Television. London: University of Minnesota Press. 45- 60.

Kydd, E. 2010. 'Cyberwomen and Sleepers: Rereading the Mulatta

Cyborg and the Black Woman's Body.' in A. Ireland (ed). Illuminating

Torchwood: Essays on Narrative, Character and Sexuality in the BBC Series.

London: McFarland. 191-202.

Lacey, N. 2000. Narrative and Genre: Key Concepts in Media Studies.

Houndsmills: Palgrave MacMillan.

Lacey, S. 2013. '”When you see Cardiff on film, it looks like LA”

(John Barrowman): Space, Genre and Realism in Torchwood.' in R.

Williams (ed). Torchwood Declassified: Investigating Mainstream Cult Television.

London: IB Tauris. 137-153.

Lancaster, K. 2001. Interacting with Babylon 5. Austin: University of

Texas Press.

Landon, B. 1992. The Aesthetics of Ambivalence: Rethinking Science Fiction Film in

the Age of Electronic (Re)production. London: Greenwood.

Lerner, N. 2008. 'Music, Race, and Paradoxes of Representation:

Jubal Early's Musical Motif of Barbarism in “Objects in

39

Space.”' in R.V. Wilcox and T.R. Cochran, (eds.) Investigating

Firefly and Serenity: Science Fiction on the Frontier. London: IB Tauris. 183-

190.

Liebes T. and Katz E. 1993. The Export of Meaning: Cross-Cultural Readings of

Dallas. Oxford: Blackwell.

Livingstone, S. 1998. Making Sense of Television 2nd Ed. London:Routledge.

Livingstone, S. 1998. 'Audience Research at the Crossroads: The

'Implied Audience' in Media and

Cultural Theory.' European Journal of Cultural Studies. Vol 1. 193-

217.

Longhurst, B. 2007. Cultural Change and Ordinary Life. Maidenhead: McGraw

Hill.

Lotz, A. D. 2007. The Television Will Be Revolutionized. London: NYU Press.

Lotz, A.D. 2007. 'If It's Not TV, What Is It? The Case of U.S.

Subscription Television.' in S. Banet- Weiser et al (eds). Cable

Visions: Television Beyond Broadcasting. London: NYU Press. 85-102.

Lotz, A.D. 2014. Cable Guys: Television and Masculinities in the Twenty-First

Century. NYC: NYU Press.

Lowenthal, D., 1994. 'European and English Landscapes as Symbols'

in Hooson, D. (ed), Geography and National Identity, London:

Blackwell 15-38.

40

Lunt, P & Livingstone, S. 1996. 'Rethinking the Focus Group in

Media and Communications

Research.' [online]. London: LSE Research Online. Available

from:

http://eprints.lse.ac.uk/409/.

Lury, K. 2005. Interpreting Television. London: Hodder.

Lury, K. 2011. 'In Thrall to the Archives of Empire: Torchwood –

‘Children of Earth.’' Journal of British Cinema and Television. 8.2. 252–

271.

Lury, K. 2013. 'Lost Boys and the Fantasy of Empire: Torchwood-

Children of Earth.' in R. Williams (ed). Torchwood Declassified:

Investigating Mainstream Cult Television. London: IB Tauris. 87-103.

Lyons, J. 2005. ‘Think seattle, act globally.’ Cultural Studies. 19:1.

14-34.

MacDonald, M. 2003. Exploring Media Discourse. London: Arnold.

Machin, D. 2002. Ethnographic Research for Media Studies. London: Arnold.

Magill, D. 2008. '”I Aim to Misbehave”: Masculinities in the

'Verse.' in R.V. Wilcox and T.R. Cochran, (eds.) Investigating Firefly

and Serenity: Science Fiction on the Frontier. London: IB Tauris. 76-87.

Maio, B. 2008. 'Between Past and Future: Hybrid Design Style in

Firefly and Serenity.' in R.V. Wilcox and T.R. Cochran, (eds.)

41

Investigating Firefly and Serenity: Science Fiction on the Frontier. London: IB

Tauris. 201-210.

Maitland, R. 2009. 'Introduction: National Capitals and City

Tourism,' in Robert Maitland and Brent W. Richie (eds) City

Tourism: National Capital Perspectives. CABI: Wallingford. 7-8.

Maitland, R. 2010. 'Tourism and Changing Representation in

Europe's Historic Capitals. Rivista di Scienze del Turismo. 103-120.

Mann, C. & Stewart, F. 2000. Internet Communication and Qualitative

Research: A Handbook for Researching Online. London: Sage.

Martyn, W. 2008. The Torchwood Archives. London: BBC Books.

Mayer, V. et al (eds).2008. Production Studies: Cultural Studies of Media

Industries. London: Routledge.

McCabe, J. and Akass, K. 2007. 'Sex, Swearing and Respectability:

Courting Controversy, HBO's Original Programming and Producing

Quality TV.' in J. McCabe and K. Akass (eds). Quality TV:

Contemporary American Television and Beyond. London: IB Tauris. 62-76.

McCloud, S. 1993. Understanding Comics: The Invisible Art. New York:

HarperCollins.

McCreary, B. 2013. '0-8-4.' [online]

http://www.bearmccreary.com/#blog/blog/agents-of-s-h-i-e-l-d-0-8-

4/ (accessed 1/10/13).

42

McCrone, D. 1998. The Sociology of Nationalism: Tomorrow's Ancestors. London:

Routledge.

McElroy, R. et al. 2010. 'Executive Summary of the Landmark

Television Survey.'

McElroy, R. 2011. '”Putting the landmark back into television:”

Producing place and

cultural value in Cardiff.' Place Branding and Public Diplomacy. Vol.

7.3. 175–184.

McKee, A. 2003. Textual Analysis:A Beginner's Guide. London: Sage.

McKee, A. 2004. 'How to Tell the Difference between Production

and Consumption: A Case Study in Doctor Who Fandom.' in S.

Gwenllian-Jones and R. E. Pearson. (eds). Cult Television. London:

University of Minnesota Press. 167-186.

McMuria, J. 2003. 'Long-format TV: Globalisation and Network

Branding in a Multi-Channel Era.' in M. Jancovich and J. Lyons

(eds). Quality Popular Television. London: BFI. 65-87.

McNaughton, D. 2010. 'Regeneration of a brand: the fan audience

and the 2005 Doctor Who revival.' In Hansen C (ed.) Ruminations,

Peregrinations, and Regenerations: A Critical Approach to Doctor Who. Newcastle:

Cambridge Scholars Publishing. 192–208.

Mera, M. 2005. 'Reap Just What You Sow.' in Lannin, S. and Caley,

43

M. (eds) Pop Fiction- The Song in Cinema. Bristol: Intellect. 86-98.

Messaris, P. 1994. Visual “Literacy”: Image, Mind, and Reality. Oxford:

Westview.

Messenger-Davies, M. 2007. 'Quality and Creativity in TV: The

Work of Television Storytellers.' in J. McCabe and K. Akass

(eds). Quality TV: Contemporary American Television and Beyond. London: IB

Tauris. 171-184.

Meyer, M and Stern, D. 2007. 'The Modern(?) Korean Woman in Prime-

Time: Analyzing the

Representation of Sun on the Television Series Lost.' Women's

Studies: An inter-disciplinary journal. 36:5. 313-331.

Miller, D., 1995. On Nationality. Oxford: Clarendon.

Miller, J.S. 2000. Something Completely Different: British Television and

American Culture. London: University of Minnesota.

Miller, T., McHoul, A. 1998. Popular Culture and Everyday Life. London:

Sage.

Mills, B. 2008. 'My House was on Torchwood! Media, Place and

Identity.' International Journal of Cultural Studies. Vol 11(4). 379-399.

Mills, B. 2013. 'What Does it Mean to Call Television

“Cinematic”?' in J. Jacobs, S. Peacock (eds.) Television Aesthetics

and Style. London: Bloomsbury. 57-66.

44

Mills, J., 2005. 'A Critique of Relational Psychoanalysis,'

Psychoanalytic Psychology, 22(2), 155- 188.

Mitchell, J., 2006. 'Evolution and Devolution: Citizenship,

Institutions and Public Policy,' Publius: The Journal of Federalism, Vol 36

no 1, 153-168.

Mittell, J. 2004. Genre and Television: from Cop Shows to Cartoons in American

Culture. New

York: Routledge.

Mittell, J. 2008. 'Genre Study-- Beyond the Text.' in G. Creeber,

(ed.) The Television Genre Book, 2nd Ed. Houndsmills: Palgrave MacMillan.

9-13.

Mittell, J. 2009. 'The Aesthetics of Failure.' The Velvet Light Trap. 64.

76-77.

Mittell, J, 2013. Complex TV: The Poetics of Contemporary Television Storytelling.

[online] http://mcpress.media-commons.org/complextelevision/

(accessed 17/6/13).

Money, M.A. 2008. 'Firefly's “Out of Gas”: Genre Echoes and the Hero's

Journey.' in R.V. Wilcox and T.R. Cochran, (eds.) Investigating

Firefly and Serenity: Science Fiction on the Frontier. London: IB Tauris. 114-

125.

Moores, S. 1993. Interpreting Audiences: The Ethnography of Media Consumption.

45

London: Sage.

Moran, A. 1998. Copycat TV: Globalisation, Program Formats and Cultural Identity.

Luton:

University of Luton Press.

Moran, A. 2009. New Flows in Global TV. Bristol: Intellect.

Morgan, P. 1983. 'From a Death to a View: The Hunt for the Welsh

Past in the Romantic Period,' in Hobsbawm, E.J, Ranger, T.,

(eds). The Invention of Tradition. Cambridge: CUP, 43-100.

Morgan, S. 2013. 'Development dynamics within creative media

industries: the case of television and digital media in

Wales.' Regional Science: Policy & Practice. Vol. 5(4). 385-400.

Morley, D. 1992. Television, Audiences & Cultural Studies. London:

Routledge.

Morley, D. 2004. 'Broadcasting and the Construction of the

National Family' in Allen, R.C., Hill, A.

The Television Studies Reader. London: Routledge. 418-441.

Morley, D. 2006. 'Unanswered Questions in Audience Research.' The

Communication Review. Vol

9:2. 101-121.

Morris, N. 2002. 'The Myth of Unadulterated Culture Meets the

Threat of Imported Media' Media,

46

Culture & Society, Vol. 24: 278–289.

Mullen, M. 2008. Television in the Multichannel Age: a Brief History of Cable

Television. Oxford: Blackwell.

Murray, S. 2004. ‘”Celebrating the story the way it is”: Cultural

Studies, Corporate Media and the Contested Utility of Fandom,'

Continuum, 18:1, 7-25.

Nairn, T., 1981. The Break-Up of Britain, 2nd Edition. London: Verso.

Nairn, T. 1997. Faces of Nationalism: Janus Revisited. London: Verso.

Neal, C. 2008. 'Marching Out of Step: Music and Otherness in the

Firefly/Serenity Saga.' in R.V. Wilcox and T.R. Cochran, (eds.)

Investigating Firefly and Serenity: Science Fiction on the Frontier. London: IB

Tauris. 191-200.

Neale, S. 2001. 'What is Genre?' in Creeber, G (ed). The Television

Genre Book. London: BFI. 1-3.

Neale, S. 2008. 'Genre and Television' in G. Creeber, (ed.) The

Television Genre Book, 2nd Ed. Houndsmills: Palgrave MacMillan. 5-6

Needham, G. 2009. 'Scheduling Normativity: Television, the Family,

and Queer Temporality.' in G. Davis and G. Needham. Queer TV:

Theories, History, Politics. Abingdon: Routledge. 143- 158.

Neighbors, R. C. 2010. 'Existentialism and Christian Symbolism,'

in A. Ireland (ed). Illuminating Torchwood: Essays on Narrative, Character and

47

Sexuality in the BBC Series. London: McFarland. 22-29.

Nelson, R. 1997. TV Drama in Transition. Houndmills: Palgrave MacMillan.

Nelson, R. 2004. 'Hill Street Blues' in Creeber, G. (ed). Fifty Key Television

Programmes. London: Arnold.100-104.

Nelson, R. 2007. State of Play. Manchester: Manchester University

Press.

Nelson. R. 2007. 'TV Fiction Exchange:

Local/Regional/National/Global.' Critical Studies in Television. 2/2. 4-

17.

Nelson, R. 2008. 'Studying Television Drama' in G. Creeber, (ed.)

The Television Genre Book, 2nd Ed. Houndsmills: Palgrave MacMillan. 14-15.

Newman, M. Z., Levine, E. 2011. Legitimating Television:Media Convergence

and Cultural Status. London: Routledge.

Ng, E. 2010. 'Telling Tastes: (Re)producing Distinction in

Popular Media Studies,' Flow TV Vol 13.

[online] http://flowtv.org/2010/12/telling-tastes/ (accessed

22/3/12).

Niebur, L. 2013. 'Babylon 5: Science Fiction, Melodrama and Musical

Style.' Donnelly, K. J. and Hayward, P. (eds). 2013. Music in

Science Fiction: Tuned to the Future. London: Routledge. 151-162.

Noy, C. 2008. 'Sampling Knowledge: The Hermeneutics of Snowball

48

Sampling in Qualitative Research.' International Journal of Social Research

Methodology. Vol 11(4). 327-344.

O'Leary, B, 1998. 'Ernest Gellner's Diagnoses of Nationalism: A

Critical Overview, or, What is

Living and What is Dead in Ernest Gellner's Philosophy of

Nationalism?' in Hall, J. (ed). The State of the Nation: Ernest Gellner and

the Theory of Nationalism. Cambridge: CUP. 40-88.

Olson, S.R., 2004. 'Hollywood Planet: Global Media and the

Competitive Advantage of Narrative Transparency' in Allen,

R.C., Hill, A. The Television Studies Reader. London: Routledge. 111-

129.

O'Regan, T. 2000., 'The International Circulation of British

Television' in Buscombe, E. (ed) British Television: A Reader, Oxford:

Clarendon, 303-322.

Ouellette, L. & Hay, J. 2008. Better Living through Reality TV. London:

Blackwell.

Özkirimli, U. 2000. Theories of Nationalism: A Critical Introduction.

Houndmills: Palgrave MacMillan.

Page, A. 2008. 'Postmodern Drama.' in G. Creeber, (ed.) The Television

Genre Book, 2nd Ed. Houndsmills: Palgrave MacMillan. 54-59.

Palmer, C, Thompson K. 2010. 'Everyday Risks and Professional

49

Dilemmas: Fieldwork with

Alcohol-Based (Sporting) Subcultures.' Qualitative Research. Vol.

10. 421-442.

Pank, D and Caro, J. 2009. '”Haven't You Heard? They Look Like Us

Now!”: Realism and Metaphor in the New Battlestar Galactica.' in

Geraghty, L. (ed) 2009. Channeling the Future: Essays on Science Fiction and

Fantasy Television, Plymouth: Scarecrow. 199-216.

Parekh, B. 2008. A New Politics of Identity: Political Principles for an Interdependent

World. Houndmills: Palgrave Macmillan.

Park, J. et al. 2006. 'Naturalizing Racial Differences Through

Comedy: Asian, Black, and White Views on Racial Stereotypes in

Rush Hour 2.' Journal of Communication. Vol. 56. 157–177.

Pearson, R. and Messenger-Davies, M. 2014. Star Trek and American

Television. London: University of California Press.

Peirson-Smith, A. 2014. ‘O brave new world that has such costumes

in it: an examination of Cosplay and the fantastical

presentation of self.’ Fashion in Fiction Conference, Hong Kong.

Pells, R. 1997. Not Like Us: How Europeans Have Loved, Hated, and Transformed

American

Culture since World War II. New York: Basic.

Perren, A. 2011. 'Acafandom and Beyond: Week Two, Part One'

50

[online] Available from:

http://henryjenkins.org/2011/08/aca-

fandom_and_beyond_jonathan.html (Accessed

13/11/11).

Perryman, N. 2014. '”I Am the Doctor!”: Transmedia Adventures in

Time and Space.' in A. O'Day (ed). Doctor Who, The Eleventh Hour: A

Critical Celebration of the Matt Smith and Steven Moffat Era. London: IB Tauris.

228-245.

Phillips, T. 2010. 'Embracing the “Overly Confessional:” Scholar-

Fandom and Approaches to

Personal Research,' Flow TV, Vol 13. [online]

http://flowtv.org/2010/12/embracing-the-

overly- confessional/ (accessed 22/3/12).

Piper, N. 2013. 'Audiencing Jamie Oliver: Embarrassment,

Voyeurism and Reflexive Positioning.' Geoforum 45. 346-355.

Pittock, M.G.H., 1999. Celtic Identity and the British Image. Manchester:

Manchester University Press.

Pizania, C. 2000. 'Habitus revisited: Notes and Queries from the

Field' in Brown N, Szeman, I. Pierre Bourdieu: Fieldwork in Culture.

Lanham: Rowan and Littlefield. 145-164.

Polan, D. 2007. 'Cable Watching: HBO, The Sopranos, and Discourses of

51

Distinction.' in S. Banet- Weiser et al (eds). Cable Visions:

Television Beyond Broadcasting. London: NYU Press. 261-283.

Porter, L. 2011. 'Torchwood's “Spooky-Dos”: A Popular Culture

Perspective on Celtic Mythology.' in A. Becker (ed.). Welsh

Mythology and Folklore in Popular Culture. Jefferson: McFarland.

Porter, L. 2012. The Doctor Who Franchise: American Influence, Fan Culture and

the Spinoffs. Jefferson: McFarland.

Potter, A. 2010. 'Beware Geeks Bearing Gifts' in Garner R.,

Beattie M, McCormack U (eds). Impossible Worlds, Impossible Things:

Cultural Perspectives on Doctor Who, Torchwood and The Sarah Jane

Adventures.

Powell, A. 2005. Deleuze and Horror Film. Edinburgh: EUP.

Powers, T. 2010. 'Outside the Heroic Paradigm.' in A. Ireland

(ed). Illuminating Torchwood: Essays on Narrative, Character and Sexuality in the

BBC Series. London: McFarland. 121-132.

Poynter, R. 2010. The Handbook of Online and Social Media Research: Tools and

Techniques for

Market Researchers. London: Wiley and Sons.

Price, M., 1995. Television, the Public Sphere, and National Identity. Oxford:

Clarendon.

Priest, S.H. 2010. Doing Media Research. 2nd Ed. London: Sage.

52

Pullen. C. 2010. '”Love the coat”: Bisexuality, the Female Gaze

and the Romance of Sexual Politics.' in A. Ireland (ed).

Illuminating Torchwood: Essays on Narrative, Character and Sexuality in the BBC

Series. London: McFarland. 135-152.

Rabiger, M. 2008. Directing: Film Techniques and Aesthetics. 4th Ed. London:

Elsevier.

Rawcliffe, D. J. 'Transgressive Torch Bearers: Who Carries the

Confines of Gothic Aesthetics?' in A. Ireland (ed). Illuminating

Torchwood: Essays on Narrative, Character and Sexuality in the BBC Series.

London: McFarland. 102-112.

Renan, E. 1990. 'What Is a Nation?' in H. K. Bhabha (ed). Nation and

Narration. London: Routledge. 8-22.

Rixon, P. 2003. 'The Changing Face of American Television

Programmes on British Screens.' in M. Jancovich and J. Lyons

(eds). Quality Popular Television. London: BFI. 48-61.

Rixon, P. 2007. 'American Programmes on British Screens: A

Revaluation.' Critical Studies in Television. 2/2. 96-112.

Robbins, D. 2000. Bourdieu & Culture. London: Sage.

Rogers, M. C. et al. 2002. 'The Sopranos as HBO Brand Equity: the

Art of Commerce in the Age of Digital Reproduction' in Lavery

D. (ed) This Thing of Ours: Investigating the Sopranos. London: Wallflower.

53

42-59.

Ruddock, A., 2001. Understanding Audiences: Theory and Method. London:

Sage.

Rulyova, N. 2007. 'Domesticating the Western Format on Russian TV:

Subversive Glocalisation in the Game Show Pole Chudes (The Field of

Miracles).' Europe-Asia Studies. 59:8. 1367- 1386.

Russell, I, 2006. 'Freud and Volkan: Psychoanalysis, Group

Identities, and Archaeology,' Antiquity, Vol 80, No. 307, 185-195.

Rutherford, A. 2010. 'Doctor Who Slays St George'. The Guardian

[online] available at

http://www.guardian.co.uk/commentisfree/belief/2010/apr/21/st-

george-patron-saint.

21/4/10.

Sandvoss, C. 2003. A Game of Two Halves: Football Fandom, Television and

Globalisation,

London: Routledge.

Sandvoss, C. 2005. 'One-Dimensional Fan : Toward an Aesthetic of

Fan Texts,' American Behavioral Scientist, 48:7, 822-839.

Sandvoss, C. 2005. Fans: The Mirror of Consumption. Cambridge: Polity.

Sarup, M. 1996. Identity, Culture and the Postmodern World, Edinburgh,

Edinburgh University Press.

54

Schiller, N. G. 1997. 'The Situation of Transnational Studies,'

Identities: Global Studies in Culture and Power, 4:2, 155-166

Selznick, B., 2008. Global Television: Co-Producing Culture. Philadelphia:

Temple University Press.

Selznick, B, 2010. 'Rebooting and Rebranding: The Changing Brands

of Doctor Who's Britishness' in Ruminations, Peregrinations, and

Regenerations: A Critical Approach to Doctor Who. Hansen, C. (ed) Newcastle:

CSP. 68-84.

Sender. K. 2012. The Makeover: Reality Television and Reflexive Audiences.

London: NYU Press.

Shimabukuro, K. 2014. 'The Winter Soldier as an Indictment of the

Post-9/11 Military Industrial Complex.' [online]

http://sequart.org/magazine/41748/captain-america-winter-soldier-

as- indictment-of-post-911-military-industrial-complex/ (accessed

25/09/14).

Short, S. 2011. Cult Telefantasy Series. Jefferson: McFarland.

Skeggs, B. 2004. Class, Self, Culture. London: Routledge.

Skeggs, B. et al. 2008. '”Oh goodness, I am watching reality TV”:

How Methods Make Class in Audience Research.' European Journal of

Cultural Studies. 11. 1. 5-24.

Skeggs, B and Wood, H. 2012. Reacting to Reality Television: Performance,

55

Audience and Value. London: Routledge.

Silverstone, R. 1981. The Message of Television: Myth and Narrative in

Contemporary Culture. London: Heinemann.

Sipos, T. M. 2010. Horror Film Aesthetics: Creating the Visual Language of Fear.

Jefferson, NC: McFarland.

Slade, A. and Narro, A.J., 2012. 'An Acceptable Stereotype: The

Southern Image in Television Programming.' in A.F. Slade et al.

(eds). Mediated Images of the South: The Portrayal of Dixie in Popular Culture.

Plymouth: Lexington. 5-20.

Smit, A. 2013. 'Visual Effects and Visceral Affect: “Tele-

affectivity” and the Intensified Intimacy of Contemporary

Television.' Critical Studies in Television. Vol 8/3. 92-107.

Smith, A. 1998. Nationalism and Modernism: A Critical Survey of Recent Theories of

Nations and Nationalism, London: Routledge.

Smith, E. 2011. 'Selling Terry Pratchett’s Discworld:

Merchandising and the Cultural Economy of Fandom ' Participations,

Vol 8:2.

Smith, J. 2011. Withnail and Us: Cult Films and Film Cults in British Cinema.

London: IB Tauris.

Smith. M. 2012. 'Sex, Society and the Slayer.' in B. Glynn et al

(eds). Television, Sex and Society: Analyzing Contemporary Representations.

56

London: Continuum. 17-32.

Somers, M.R., Gibson, G.D. 1994. 'Narrative and Social Identity'.

in Calhoun, C. (ed) 1994. Social Theory and the Politics of Identity.

Oxford: Blackwell. 37-99.

Southall, J.D. 2013. 'Interview: Chris Chibnall Part 1 Torchwood.'

STARBURST. [online]

http://www.starburstmagazine.com/features/interviews/4568-

interview-chris-chibnall-part-1- torchwood. (accessed 17/6/13).

Spicer, A. 2001. Typical Men: the Representation of Masculinity in Popular British

Cinema. London: I.B. Tauris.

Spigel, L. 2008. TV by Design: Modern Art and the Rise of Network Television.

London: U Chicago Press.

Stabile, C.A., 2000. 'Resistance, Recuperation, and Reflexivity:

The Limits of a Paradigm.' in Brown N, Szeman, I. Pierre Bourdieu:

Fieldwork in Culture. Lanham: Rowan and Littlefield. 44-64.

Steemers, J. 2004. Selling Television: British Telefantasy in the Global Marketplace.

London: BFI.

Stein, L. 2011. 'On (Not) Hosting the Session that Killed the Term

“Acafan”,' Antenna. [online]

http://blog.commarts.wisc.edu/2011/03/18/on-not-hosting-the-

session-that-killed-the-term-

57

acafan/ (accessed 22/3/12).

Stenger, J., ‘The Clothes Make the Fan: Fashion and Online Fandom

when Buffy the Vampire Slayer Goes to eBay’, Cinema Journal, 45

(4), 2006, pp. 26-44.

Stepan, A, 1998. 'Modern Multinational Democracies: Transcending

a Gellnerian Oxymoron' in Hall, J. (ed). The State of the Nation: Ernest

Gellner and the Theory of Nationalism. Cambridge: CUP. 219-242.

Stewart, D. et al., 2007. Focus Groups: Theory and Practice. London:

Sage.

Stilwell, R.J. 2011. '”Bad Wolf”: Leitmotif in Doctor Who (2005).'

in J. Deaville (ed.) Music in Television: Channels of Listening.' London:

Routledge. 119-142.

Straubhaar, J. D. 2007. World Television: From Global to Local. London:

Sage.

Svennevig, M., 1998. Television Across the Years: The British Public's View. Luton:

University of Luton.

Talbot, M. 2007. Media Discourse: Representation and Interaction. Edinburgh:

Edinburgh

University Press.

58

Tal-Or, N, Cohen, J. 2010. 'Understanding audience involvement:

Conceptualizing and manipulating identification and

transportation.' Poetics 38. 402–418.

Théberge , P., 2005. 'Everyday Fandom: Fan Clubs, Blogging, and

the Quotidian Rhythms of the Internet,' Canadian Journal of

Communication, Vol 30, No 4.

Thomas, H., 'Spatial Restructuring in the Capital: Struggles to

Shape Cardiff's Built Environment,'in Fevre R., and Thompson,

A., (eds) 1999. Nation, Identity & Social Theory: Perspectives

from Wales, Cardiff: University of Wales Press. 168-188.

Thompson, A. and Day, G. 'Situating Welshness: 'Local' Experience

and National Identity.' in Fevre R., and Thompson, A., (eds)

1999. Nation, Identity & Social Theory: Perspectives from Wales, Cardiff:

University of Wales Press. 27-47.

Thompson, M. 11/02/11. 'There's a British in BBC', The Guardian

[online] available from:

http://www.guardian.co.uk/commentisfree/2011/feb/11/bbc-

billion-pound-move-north?

CMP=twt_gu.

Thornham, S. and Purvis, T. 2005. Television Drama: Theories and Identities.

Houndmills: Palgrave MacMillan.

59

Thornton, S. 1995. Club Cultures: Music, Media and Subcultural Capital. London:

Polity.

Thurlow, C. and Aiello, G. 2007. 'National pride, global capital:

a social semiotic analysis of transnational visual branding in

the airline industry.' Visual Communication. Vol 6(3). 305- 344.

Todorov, T. 1977. The Poetics of Prose. Ithaca: Cornell University

Press.

Tolson, A. 1996. Mediations: Text and Discourse in Media Studies. London:

Arnold.

Tomlinson, J. 1999. Globalization and Culture, Cambridge: Polity Press.

Toynbee, J. 2006. 'The Politics of Representation.' in M.

Gillespie and J. Toynbee (eds) Analysing Media Texts. Milton Keynes:

Open University Press. 157-186.

Trpcic, S. 2013. Pers Comm.

Triandafyllidou, A., 2001. Immigrants and National Identity in Europe.

London: Routledge.

Tryon, C. 2011. 'Representing the Presidency' in Kackman, M. et

al. Flow TV: Television in the Age of Media Convergence. London: Routledge.

Tulloch, J. and Alverado M. 1985. Doctor Who: The Unfolding Text.

Houndmills: Palgrave Macmillan.

Tulloch, J. 1990. Television Drama: Agency, Audience and Myth. London:

60

Routledge.

Tulloch J., Jenkins H. 1995. Science Fiction Audiences: Watching Doctor Who

and Star Trek. London: Routledge.

Tulloch, J. 1995. '”But Why is Doctor Who So Attractive?”:

Negotiating Ideology and Pleasure.' in J. Tulloch and H. Jenkins

Science Fiction Audiences: Watching Doctor Who and Star Trek. London:

Routledge. 108-124.

Tulloch, J. 1995. “We're Only a Speck in the Ocean”: the Fans as

Powerless Elite.' in J. Tulloch and H. Jenkins Science Fiction

Audiences: Watching Doctor Who and Star Trek. London: Routledge.

144-172.

Tulloch, J. 2000. Watching Television Audiences: Cultural Theories & Methods.

London: Arnold.

Turkle, S. 1995. Life on the Screen: Identity in the Age of the Internet. New York:

Touchstone.

Turnbull, S. 2007. 'The Hook and the Look: CSI and the Aesthetics

of the Television Crime Series.' In M. Allen (ed). Reading “CSI”:

Television Under the Microscope. London: I.B.Tauris. 15- 32.

61

Turnbull, S. 2008. 'Understanding Disappointment: The Australian

Book Lovers and Adaptation.' in Barker, M., Mathjs, E. (eds).

Watching Lord of the Rings: Tolkien's World Audiences. Oxford: Peter

Lang. 103-110.

Turner, G. 2008. 'The Uses and Limitations of Genre' in G.

Creeber, (ed.) The Television Genre Book, 2nd Ed. Houndsmills: Palgrave

MacMillan. 6-7.

Turner, G. 2008. 'Genre, Hybritity and Mutation.' in G. Creeber,

(ed.) The Television Genre Book, 2nd Ed. Houndsmills: Palgrave MacMillan.

8.

TVTropes. 2011. 'Torchwood.' [online]

http://tvtropes.org/pmwiki/pmwiki.php/Series/Torchwood?

from=Main.Torchwood. (accessed 17/6/13).

Van Zoonen, L. 2005. Entertaining the Citizen: When Politics and Popular Culture

Converge. Oxford: Rowman and Littlefield.

Veenstra, G. 2007. 'Social Space, Social Class and Bourdieu:

Health inequalities in British

Columbia, Canada.' Health & Place 13, 14–31.

Vermeulen, J. 2013. 'Quaint Little Categories: Gender and

Sexuality in Torchwood and its Importance to the Fandom.' R.

Williams (ed). Torchwood Declassified: Investigating Mainstream Cult Television.

62

London: IB Tauris. 191-208.

Walsh, K. 1992. The Representation of the Past: Museums and Heritage in the

Postmodern World. London: Routledge.

Walsh, M. 1996. 'National Cinema, National Imaginary,' Film History,

Vol 8 No. 1, Spring. 5-17.

Walters, B. 2008. The Office. London: BFI.

Warner, H. 2014. Fashion on Television: Identity and Celebrity Culture. London:

Bloomsbury.

Watson, M. A.2008. Defining Visions: Television and the American Experience in the

20th Century. 2nd Ed. Oxford: Blackwell.

Webb, J. et al. 2002. Understanding Bourdieu. London: Sage.

Weinmann, T. et al. 2012. 'Testing Skype as an Interview Method

in Epidemiologic Research:

Response and Feasibility.' International Journal of Public Health. Vol

57:6. 959-961.

Weiss, R. 1994. Learning From Strangers: The Art and Method of Qualitative

Interview Studies.

New York: The Free Press.

Weissmann, E. and Boyle, K. 2007. 'Evidence of Things Unseen: The

Pornographic Aesthetic and the Search for Truth in CSI.' In M.

Allen (ed). Reading “CSI”: Television Under the Microscope. London:

63

I.B.Tauris. 90-102.

Weissmann, E. 2012. Transnational Television Drama: Special Relations and Mutual

Influence Between the US and UK. Houndmills: Palgrave MacMillan.

Welch, R. 2013. 'How the Growing Popularity of the English Who-

niverse (including Torchwood) Effected [sic] American

Television: A Catalog of Changes in Cross-Continent Collaboration,

Diversity in Casting and Methods of Distribution.' [online]

http://welchwrite.com/rwelch/2013/08/24/video-how-the-growing-

popularity-of-the- englishwho-niverse-including-torchwood-

effected-american-television-a-catalog-of- changes-in-cross-

continent-collaboration-diversity-in-casting-and-

meth/#sthash.DcIgfCGQ.5Y0FCRti.dpuf (accessed 10/09/14).

Wengraf, T. 2001. Qualitative Research Interviewing: Biographic Narrative and

Semi-Structured

Methods. London: Sage.

Whiteman, N. and Metivier, J. 2013. 'From post-object to “Zombie”

fandoms: The “deaths” of online fan communities and what they

say about us.' Participations. Vol 10.1. 270-299.

Wilkinson, S. 2004. 'Focus Group Research' in D. Silverman (ed.)

Qualitative Research: Theory,

Method and Practice. 2nd Edition. London: Sage. 179-199.

64

Williams, C., Mooney, G., 2008. 'Decentring Social Policy?

Devolution and the Discipline

of Social Policy: A Commentary.' Journal of Social Policy, 37(3),

489–507.

Williams, K. 2004. 'Constructing the National: Television and

Welsh Identity,' in M. Scriven and E. Roberts (eds). Group Identities

on French and British Television. Oxford: Berhahn. 34-40.

Williams, R. 2011. '‘Wandering off into soap land’: Fandom, genre

and ‘shipping’ The West Wing,' Participations. Vol 8:1.

Williams, R. 2011. '“This Is the Night TV Died”: Television Post-

Object Fandom and the Demise of The West Wing.' Popular Communication:

The International Journal of Media and Culture. 9:4. 266-279.

Williams, R. 2013. 'Tonight's the Night with... Captain Jack!

Torchwood's John Barrowman as Celebrity/Subcultural

Celebrity/Localebrity' in R. Williams (ed). Torchwood Declassified:

Investigating Mainstream Cult Television. London: IB Tauris. 154-173.

Winters, P. 2010. '”Loving the Alien”: the Erotics of Technology.'

in A. Ireland (ed). Illuminating Torchwood: Essays on Narrative, Character and

Sexuality in the BBC Series. London: McFarland. 181-190.

Wodak, R. et al. 1999. The Discursive Construction of National Identity.

Edinburgh: EUP.

65

Wolfe, S.J. and Wika, C.H. 2010. 'Policing the Rift: The Monstrous

and the Uncanny.' in A. Ireland (ed). Illuminating Torchwood: Essays

on Narrative, Character and Sexuality in the BBC Series. London: McFarland.

30-42.

Woodward, K. 1997. 'Introduction,' in Woodward, K. (ed). 1997.

Identity and Difference, London: Sage. 1-6.

Zaring, J. 1977. 'The Romantic Face of Wales,' Annals of the Association

of American Geographers. Vol 67, No 3, 397-418.

Zhang, Q. 2010. 'Asian Americans Beyond the Model Minority

Stereotype: The Nerdy and the Left Out.' Journal of International and

Intercultural Communication. Vol. 3(1). 20-37.

Zubernis, L. and Larsen, K. 2012. Fandom at the Crossroads: Celebration,

Shame and Fan/Producer Relationships. Newcastle: CSP.

66