THE SONG WONDER - Wikimedia Commons
304
us ..''1 \C if^r^ The &".^;ai )^f ;';3 '<K \ I rvv /
-
Upload
khangminh22 -
Category
Documents
-
view
1 -
download
0
Transcript of THE SONG WONDER - Wikimedia Commons
us
..''1 \C ,.if^r^ The &".^;ai )^f ;';3
'<K \I rvv /
'y\Aj
Coy^'i^^^^i',^' J^jiL,
'^^'-^
s^
d^L/y^ '^^
o^o^nisi^
8^^u
Digitized by the Internet Archive
in 2013
http://archive.org/details/songwonderverycoOObeir
THE SONG WONDERBY
Dr. ALFRED BEIRLY.
A Very Complete, Well-Graded Song Book
for the use of
GRADED SCHOOLS, SINGING CLASSES, MUSICAL
SOCIETIES, CONVENTIONS, ETC.
GIVING
ELEMENTARY AND PRACTICAL EXERCISES, SONGS,
GLEES, ANTHEMS, SACRED AND SECULAR
CHORUSES, DEVOTIONAL HYMNS. Etc.
PUBLISHER:
ALFRED BEIRLY,
CHICAGO, ILL.
copyright MCMVII by A. BEIRLY.
PREFACE
To compose ana to compile a song book tor Graded Scnoola and Singing
Classess is no small undertaking. Every department must te carefully considered
and supplied -witn the necessary matter to make an interesting, up-to-date and useful
work.
THE SONG WONDER tke public will find of more tkan ordinary
interest. It is a work that m every way meets all the needs of tke teacker and
tne singer. Not only kave all tke customary departments been amply supplied
witk tke best materials, but several new departments kave keen added to tkis book,
making tke ""S. ^^." over one kundred pages larger tkan books of tkis class are
usually made.
Do not neglect to give careful attention to tke Hymnology Department
comprising tke last sixteen pages. ,It -wul pay anyone to study tkis department
carefully on account of tke wealtk of fine karmony tkese pages contain.
Sing tkese selections frequently and understandingly.
^Vitk all good wiskes, I am,
ALFRED BEIRLY.
To assist tke teacker, tke following takle of skort selections appearing in
likis book IS presented :
SHORT SELECTIONS.
PAGES
Key of C. 25, 26. 27, 28, 29, 30, 31, 32, 33. 34.
35, 36. 37, 38, 39.
Key oi G. 40. 41, 42, 43, 44, 45, 46, 47, 48, 49,
50 92.
Key of D. 48, 49, 50, 51. 52, 53, 86. 91, 114.
Key of A. 57, 58, 59. 60, 61, 87, 90.
Key of E. 79.
Key of B. 74.
PAGES
Key of F .harp. 70.
Key of G flat. 47.
Key of D flat. 54, 55. 56. 103. 110.
Key of A flat. 62, 63, 64. 65. 80. 81. 82. 83. 9
98, 105.
Key of E flat. 75, 76, 77, 78, 79. 99. 101, 111.
Key of B flat. 71, 72, 73, 74, "93. 215.
Key of F flat. 66, 67, 68. 69. 70, 106. 120.
TO BOOK COMPILERS AND PUBLISHERS.
All parties are herehy cautioned against using, without 'written permission, either the words or musio or the -woris
and musie combined, or the arrangement of either, jointly or separately of the
songs published in Beirly"s "SONG WONDER."
Elementary Studies in Music. 3
1. The lan^age of music is composed of sound.2. Sound is audible—can be heard.3. A sound becomes a tone when its pitch can be
flistinguished.
4. Every musical tone has four properties, viz:
Length, Pitch, Power, aod Quality.
5. Length implies duration—long or short.
6. Pitch implies elevation—high or low.
7. Power implies force—loud or soft.
8. Quality implies a degree of per/ection—pureor impure.
Departments in Music.
9. The three general departments in music areLength, Pitch and Power.10. The tone-length department is called Rhyth-
mics.11. The tone-pitch department is called Melodies.
12. The tone-power department is called Dynam-ics.
13. Characters called Notes {^ f ) are used to
represent tones.
14. The names of notes are: JDovhle-Whole Note,
Whole Note, Half Note, Quarter Note, Mghth Note,
Sixteenth Note, etc.
15. Notes have relative value.
16. The Double Whole note (||(Cl) has a time val-
ue of two Whole notes.
17. The Whole note («) has a time value of twoHalf notes.18. The Half note (^) has a time value of twoQuarter notes.
19. The Quarter note( f ) has a time value of two
Eighth notes.
20. The Eighth note ( J ) has a time value of twoSixteenth notes.
21. Notes represent Ume lengths.
22. Bests represent silence.
EXAMPLE OF NOTES AND RESTS.
23. A Double-Whole note \\a\\ is equal in valueto two Whole notes a GA Whole note e> is equal in value to two Half
notese f* Por four Quarters, f f f for eight Eighths.
f f f f [J [Jor sixteen Sixteenths 5CCp5555 ^X^ 1-^^
24. A Dot { .) placed after a note or rest increasesthe time value of each by one half.25. A Double Dot ( • • ) placed after a note or restincreases the time value of each by one half andone quarter.
EXAMPLES.
Single Dot.
« 91
Double Dot.
J..
f r -»•;
THE MUSIC STAFF.26. The Staff is used for tone representation, an4
is composed of five parallel horizontal lines and thespaces between them.
EXAMPLE LLines. Spaces. Degrees.
ENLARGED STAFF.27. For extended tone representation, the staff if
enlarged by adding short lines below or above it^
according to requirements; such lines are calledaddxd or leger lines.
EXAMPLE II.
I o««»o .Kr..,.. — 2d added line above.' sl^e above:
-^'^'^«'>''°« »"<"«•
below. __ Added line below.2d space below. — ^ ^^^^^ jj^^ j^,^,^^
THE MUSICAL ALPHABET.28. The Musical Alphabet consists of seven let-
ters, viz: A B C D E F and G. These letters havefixed positions upon the lines and spaces of thestaff.
Example. .-o-
,G^Middle.B-C-*
IT?s.V^-
B.G5
CLEFS, OR VOICE SIGNS.29. Clefs are characters used to prepare the stall
for the different voices.
There are three kinds in common use.
The Soprano and Alto Clef:
The Tenor Clef:
The Bass Clef:
Soprano orG clef.
Tenor orC clef.
Bass orP clef.
-Tk -B--T~
i „ C "TTN Q A "V V- E *• ^-'
«.
n It*
» r** ^ A " ~E F "
A—C\* F- a• 1. „ JB5/ . H «A " '^
A
ELEMENTARY STUDIES.
' BARS AND MUSICAL MEASURE.30. A Bar is a line placed perpendicularly upon
tbe staff.
Two kinds are in common use, viz: Light ( | ) andHeavy bars
( | ).
31. The Light Bar is used to divide notation intotneasures: also to indicate the strong pulse or ac-cented part of the measure, the one right after the"bar.
32. The Heavy Bar is used to divide music intostrains and phrases.33. Two Heavy Bars form a close, indicating theend of a composition.
Light bar. Heavy bar Light bar. Close.
—measnre- -measiue-I measare- -measare-
]]
34. A fraction ( 5 ) or measure sign placed at thebeginning of a piece of music shows by its numer-ator* how many pulses there are in each measure80 indicated; and by its denominator the kind ofnotes adapted and performed to each pulse.35. The seven varieties of measure are : Double,Compound Double, Triple, Compound Triple, Quad-ruple, Compound Quadruple, and Sextuple.36. A Measure is a group of two or more regu-
larly recurring pulsations.37. Accent is an extra stress given by the per-
former to the part or parts of a measure upon whichoccur the stronger pulsations.
38. Double ineasure has two parts, or pulses, withaccent on the first.—( ^ ) the accent sign.
Double measure—beats, down, up.
-V
—
vi-
:p=P=P=ic ^39. Compound Double measure has two parts, or
pulses, with accent on ths first.
Compound Double measure—beats, down, up,
Pi-% r^—:r> r-v
40. Triple measure has three parts, or pulses, withaccent on the first.
Triple measure—beats, dowB right, up.
41. Compound T iple measure has three parts, orpulses, to the mea' are.
Oompoiind Triple measure—beats, down, right, up.
• Except in varieties known as Compound measure, where tne
numerator in-dioates a ouTtuiu number of noius to the measure.
42. Quadruple measure has four parts, or pulses,
with accent on the first and third.
Quadruple measure—beats, down, left, right, np.
-\ % r% % r\ ^-
43. Compound Quadruple measure has four parts,or pulses, with accent on the first and third.
Compound Quadruple measure—beats, down, left, right, up.
rpIjEE^Jfltf^L^^
^^^
44. Sexluple Measure has six parts, or pulses, tothe measure, with the accent on the first and fourth.
Sextuple Measure—beats, down, lelt, left, right, up, up.
DIATONIC SCALES.
45. A Diatonic Scale is a family ot tones ar-ranged in consecutive order from key tone to keytone, and numbered from the lowest tone upward.
'
46. Intervals called seconds exist between theadjoining tones of diatonic scales.
Of the interval known as the "second," there arathree kinds, namely:Minor—(lesser) second.Major—(greater) second, andAugmented—(enlarged) second.47. The following example shows the order of
intervals from tone to tone in the diatonic scales^
giving names for the same.
Major Scale. Minor Scale.
Minor -%-G-Second
-7-(5>-MajorSecond
-6-,5>-MajorSecond
Major-StS*-
Second—4 y^
MinorSecond -3(5'-MajorSecond -8-^-MajorSecond -\-^-
HalfStep
Step
Step
Step
HalfStep
Step
Step
MinorSecond
AugmentedSecond
MinorSecondMajorSecond
MajorSecond
MinorSecond
MajorSecond
-1-6
-5-(5»-
-8-<5>-
-1 -(Si-
HaltStep
Step&a halt
HalfStep
Step
Step
HaltStep
Step
48. Locating tone (Mie, the lowest member of atone-family or scale upon any degree of the staff,
determines the letter upon that degree a Key-letter,
and note and tone corresponding, a Key-note andtone.
4b A Major Scale is so named because certaininterval? in it are major,—greater by one half-stepthan, corresponding ones in a Minor Scale.
ELEMENTARY STUDIES.
50. A Minor Scale is so named because certainintervals in it are minor;—lesser by one half-stepthan corresponding ones in the Major Scale.
51. A Chromatic Scale is so named because theBhromatic (color) tones were written in colors^ be-fore sharps and flats were introduced in music.
THE DIATONIC SCALE.-MAJOR.
iLetternames.Numeralnames.Italian
15^
D2 3
j^-g- -&~ m
F4
G5
A6
B7
C8
Jjtla^ie Do, R«. Mi, Pa, Sol, La, Ti,* Do.
Baimonio oftl names.
'"'
52. Every Major Key has its relative Minor, theKey-note and Key-letter of which are found threedegrees lower than those of the Major
53. A Major Key and its relative Minoi' alwayshave (ke same signature.
THE DIATONIC SCALE.-MINOR.
Harmonic Fokm.
iABC12 3
La,
'^' -<S>-12?: U. -(21
D E F Gff A4 5 6 7 8
Ti, Do, Re, Mi, Fa, Si, La.
a
*The syllable "Ti" for seven of the major scale is preferred, a;
''Si" has its legitimate place in the minor and chromatic scales.
Melodic Form,—Ascending
•3 a
i•5?
-^- -^L^-^s>- -<5>- -^ip^= 1
1 2
La, Ti,
3 4
Do, Re,
5 6 7
Mi, Fi, Si,
8
La.
Melodic Form,—Descending.
^1 :s:'.SH -&-
-ry
8 7 65 43 21La, Sol, Fa, Mi, Re, Do, Ti, La.
54. The Chromatic Scale is composed of diatonicand chromatic tones recurring in a consecutiveorder by half-steps from key-tone to key-tone.
I
Ascending.
|^^ (5>-'^W iS-Igj^glgl^
1 \\ 2 S2 3 4 jt4 5 ff.'i 6 J{6 7
Po, Di, Re,ili,MLFa, Fi,Sol, Si,La, Li, Ti, Do.
Descending.
E^=^-^Vc ^V.•G>-
:r t? 3 2 t> 2 1
^^-sJ9l\
8 7 >7 6 t^6 5 1?5 4
Do, Ti, Te.La.Le, Sol,Se,Fa, Mi,Me,Re,Ra,Do,
Dynamics.
5"\ Dynamics is the department treating of the)
various degreeo of power, of which there are fiveb
Pinnissimo, or pp. indicating' a very soft tone.
Piano, or p, indicating a soft tone.
Mezzo. or m, indicating a medium tone.
F<n(i:. or/, indicating a loud tone.Fortisshao, or ^, indicating a very loud tone.
6 ELEMENTARY STUDIES.
56. The Tie ( or ) is a curved line used toconnect two or more notes on the same degree of astaff, thus:
$ i
57. The Slur (""^ or ^^ ) is a curved line used to
connect two or more notes on diffarent degrees of
a staff, thus:
i =F=#= :t=F
SHARPS, FLATS, AND CANCEL.
58. A Sharp, (Jf ) when placed before a note indi-
cates a new tone and pitch one half-step higher, thetendency of which is upward, thus:
IJ
59. A Double Sharp (SJ) has the effect of a sharp,and is only employed upon degrees affected bysharps in a Key-signature, thus:
k-m—5«i n
60. A Flat, {V) when placed before a note indi-
cates a new tone and pitch one half-step lower, thetendency of which is downward, thus:
^l^^^a6L A Double Plat (l?t?) has the effect of a flat,
and is only employed upon degrees affected by flats
in a Key-signature, thus:
*In example I, last note, the cancel destroys the effect of
the double sharp preceding it, and the F in the signature. Tolestore the degree again to F'L a sharp is placed after the
cancel.
tin example II, last note, the cancel destroys the effect of
the double flat preceding it. and the B^ in the signature. To
restore the degree again to B)f, a flat is placed after the can-
62. A Cancel, (tj) when placed upon a degreeaffected by a sharp or flat in or out of a signature,cancels (counteracts) the effect of either. It alsocancels the effect of the double sharp and doubleflat. See Examples.
m*fcEXAMPLE I.
E^#—•- ^^
I
EXAMPLE n.
^- ^
w~n#=p= gaSharps, Flats, and Cancels are used in trans*
position to properly arrange the intervals in scalesand keys; hence, become" "sigf»iatwres" for the keys.
63 . The Repeat Sign ^ indicates the repetition
of a phrase or strain. Appearing to the Ufl of a
the strain immediately preceding it isbar
repeated. Appearing to the right of a bar
strain following it is repeated.
the
64. The Brace IH is used to connect
two or more staves, forming them into a score
A score is an orderly assemblage of the parts of
a vocal or instrumental composition.
TERMS AND SIGNS OF EXPRESSION.
Piarw, or its abbreviation p, signifies a soft tone.Pianissimo, or pp—very soft.
Mezzo, (pronounced Metso,) or m—a medium force
of tone.
Forte, or/—-a loud tone.
Fortissimo, or ^--very loud.
Fortzando or fz\ ^^ ^ j^ ^^^Sforzanao, or sjz j
^
sudden diminishing in power.Crescendo, or Cres., or—==r:,—a gradual increase
of power.De Crescendo, or Decres. 1 -;-==_» gradual de-Bimtnuendo, or Dim. / - ' "e'»" »
crease, of power.Swell or ~=~,—increase and diminish.A Tempo—in time.
Accelerando, or J.ccel.,—gradually quickening th«>
movement.
S£lSo:i^aU. \^-dually delaying tha
movement.Ad Idbitum, or Ad lib.,—&t pleasure.
Fine—the end.
ELEMENTARY STUDIES.
EXPLANATION AND PRONUNCIATION OF MUSICAL TERMS.
A—in, at, for, with, etc.
Accelerando—(A-tchel-e-ran-do) moving faster andfaster.
Accento—(A-chayn-to) accent, accented.Adagio—(A-daft-jo) slow.Allegro—(A\lay-gro) a quick movement.Allegretto—(Al-lay-gfray-to) less quick than allegro.
Andante— ( An-daw-te) distinct; rather slow.
AndarUino— ( An-dan-tee-no) quicker than andante.A Tempo— ( Ah-tem-po) in time.Bis—(JSese) twice.
Canto6ite—(Can-tah-&ee-!e) elegant, graceful.
Con Spiiito—iSpir-i-to) with spirit.
Cloda—an additional close of a composition.Da Capo—(Da-caA-po, or D.C ) go to the beginning.Dal Segno—(Dal-say-no, or D. S.) go to sign.
Dolce—{DotrUihe) soft, sweet, delicate.
Fine—(^ee-ne) end.Finale—{Fee-nah-lee) the final movement.Fugue—(G, as in get) a flight; one part leading,
others imitating.Grave—(Grah-ye) slow and solemn.itargo—a. slow movement.Largketto—(Lar-get-to) not so slow as largo.
Legato—
(
Le-ga/i-to) smooth and connected.Lento—(iayn-to) slow and gliding.Maestoso—(M&-es-to-BO) majestically.Moderato—(Mod-e-ra/i-to) moderately.Obligato—(Ob-le-gra/i-to) necessary, indispensable.Presto—quick.Prestissimo—very quick.Primo—(Pree-mo) first.
Pastorale—(Pas-to-ra/i-le) in a genial style.
Becitative—(i?ec-i-ta-tive) in speaking style.
Bitard—slower and slower.Solo—for one voice or instrument.Soli—(So-lee) plural of solo.
Solfeggio—vocal exercise.Sostenuto— (Sos-te-nit-to) sustained.iSoto—under.Soto Voce— (So-to Fo-cha) with subdued voice.
Subito— (Su-6e-to) quick.Scherzo— (Skert-zo) in a playful manner, i
Tempo—in time.Trio— (Treeo) for three parts.
Tutti—(Tut-tee) all together.Vivace-^iVe-vah-tche) quick and cheerful.
Voce—( Fo-cha) voice.
INTERVALS.65. Two tones represented on the same degree
of the staff are called a Prime.
66. An interval involving two consecutive de-
grees of the staff is called a Second.
67. An interval involving three consecutive de-
grees is called a Third.
68. An interval involving four consecutive de-
grees is called a Fourth.
69. An interval involving five consecutive de-
grees is called a Fifth.
70. An interval involving six consecutive de-
grees is called a Sixth.
71. An interval involving seven consecutive de-
grees is called a Seventh.
72. An interval involving eight consecutive de-grees is called an Eighth or Octave.
73. An interval involving nine consecutive de-grees is called a Ninth.
74.
Illustration.
i4=1- ^—
h
-1—I—I—I—I—I
—
hn n I I n
•rJ \^-f-^-±^t^-t^
ig^ig^ig- -^- -^- t5>- -!«»- tS"- -^-
a
Principal Tones-75.
r—^««
—
'it^ ^~ —\—d—
h
1
\:#H-t=JH -#—#-^—#-L«—H
Passing Notes. tFore Note.
76.
^^ s
77.
I
Long Appoggiaturas.
Written.
I
^ ^ jizutm78.
Performed.
79.
Short Appoggiaturas.
Written. S80.
Performed.
i ^—
^
-#
—
0—*- i
8
Practical Exercises.
NOTE TO THE TEACHEBr—On the following, under "practical exercises," will be f««nd agreat sufficiency of matter covering the lessons intended, and if the teacher is well posted in tkework, and will carefully introduce and develop systematically all the ideas presented, the results will bemost beneficial; but a mere introduction will not suffice to attain the end desired. These lessons shouldbe rehearsed time after time, until your scholars are thoroughly posted.
Lessons well learned vnll be of lasting benefit. Teacher, do youe duty.
No. 1. Teacher explain the scale, key-letter, key-note, the Soprano or G clef. Explain and recitethe numeral, syllable, and letter names.
Scale—Ascending. Scale—Descending.
i I iIS. jSIsr -i5^- g' a>
e> ^ -<5 -orj^ c^ — — c^ ^Numeral names.12345678 87654321Syllable names. Do, Re, Mi, Fa, Sol, La, Ti, Do. Do, Ti, La, Sol, Pa, Mi, Re, Do.
letternames. C DEFGABC, C BAG FED C.
No. 2. Half-note tones are half as long zs, whole-note tones. Practice often by syllable, and "la.'
i=1 mI—r-r-i ~rJ <g
f
^-^—^-<g-gi-3 7^-&-^^&- -z;<-'g--G>~ -&-
e) ^ rJ ^ -&-
Do, Re, Mi, Re, Mi, Fa, Sol, Mi, Fa, Sol, La, Sol, La, Ti, Do, Re, Do, Ti, La, Sol, La, Ti, Do.
No. 3. Quarter-note tones are half as long as half-note tones. Sing by syllable.
m Im d <-#-J-^*-^-d-d-9-dr • # I !^^4 4 • • ^ ^ -#—•- -)
—
—
h
Do.
No. 4. Eighth-note tones are half as long as quarter-note tones. Sing by syllable.
Do.
-A—
P
I ^ s
IK—7—s:--IV-A—)r-\—^~^—I-
A—\—A—H—P—^—f—I-
—
\—I-^-^- d d d J r ^ N-H
—
\- Jtid W—0- *-d-S # m-f^ -0- *-#-
No. 5.
i II-<5>-is: i5>-
Sol.
vr-^ -(&--tS)-
No. 6. Teacher explain the C, or Tenor clef introduced here. Practice numeral, syllable,
fetter names. All should practice this and the following exercises.
II+
-z^—^-12?" -^—^- -<5>-
-i5>-1234567 8.
Do, Re, Mi, Pa, Sol, La, Ti, Do.ODEPGABC.-<5>-
8 7 6 5 4 3 2 1
Do, Ti, La, Sol, Fa, Mi, Re, Do.C BAGFEDC.
PRACTICAL EXERCISES. 9
Beginners should practice these exercises often, ana jeat the time.
No. 7 Explain Double measure, Internals, pulses in each measure, accent, hand beats, etc.
I I-+- -&--\ '—'—gl »-TTl2 12 12 12
. Do, Do, Re, Re, Mi, Pa, Sol, La, Sol,
No. 8 Explain the interval of a "third "
z^ _L
12 12 12Pa, Mi, Re, Do,
I-#-+^--1=±±
J- ^ '^ ~^2^Do.
No. 9. Explain the Tie (^~^) and accent when notes are affected by the tie.
m i-&-
t—
^
DoT"
No. 10 Explain Eighth Notes.
^ ^ S I4:5=Mn:l^-¥^—\ ^-^ -^ s:
^ ^ ^ ^—
f
ijzzatt' ' ^ J.
' -
4—j<'
-
^ s ^ sDo.
No. 11 Explain"the Whole Rest ( 1^ ), Quarter Rest (S) and Eighth Rest ( ^ ).
N s^ M ^ ^
Iir ^"y I
-jH?-^ Fr=^ -^ iS^i fl^l * «f t=±^Do.
No. 12 Begin with Sol.
m A--N- -fs—^- 5^ i?==i=itzt -^-^-<5^ -»—^
tv-N-
Sol.
No. 13 Begin with Mi
i iN .^ p i i^z:itzt
atizi -•—
#
^-hij—J-i-J J-LiL-±-#—
#
Mi.
No. 14 Begin with Do above.
^5^^*::& ±5:
:P I*Z3t s J< J # * ?^^ ^ J I ;^ ir^-t"^ -#—#-
Do.
iNo. 15 Explain the Numeral names of "one" above eight, and "seven" below one.
1 m? ,_,p_^H-^.3^ S t5?- -<5>-
Do.1^1
10 PRACTICAL EXERCISES.
No. 16. Explain the Whole rest («), Quarter rest (S) and Eighth rest (f).
itjt±±: :•_•_:*.-l-r-fi2=tc
:ci^- -&-^mNo. 17. Explain the numeral names of "one" above eight, and "seven" below one.
1
:c;::]=#:
:•—
t
f-^- -&- -&- &- 1
No. 18. Explain Triplets—Three notes instead of two to each beat.—Sing by syllable.
—-a-
H 11 l-^-iTiV
^-^-^+-"^'^~^' 33-N-A-N-•-J=it
' a-
-^-i<: Et?-:^5^=fc=bt£f
-(2- 1Do.
Note.—All "Compcapd Measure" has a light, implied accent on the pulses not regularly accented when the notation con-sists of Quarter and M^hth notes. When a variety of musical measure is "Compounded," we understand that a certainnote-value is added to each part or pul.se.
>'OTK.
—
After practicing Nos. 20 and 21 separately, divide the class and practice them togetner.
No. 19. Explain Compound Double Measure, the sign—( | ) six eighth notes to the measure.
\ \ \ \ \ ^—N— ^ ^
-A4V-A-:^-^-^-
:i-N-IS-H h-0-0-0- ^ m^ -#-#"#• ^9-0-^
Do.Down, up, etc.
No. 20. Explain a Duet.—Sing by syllable.
z^-^imz'Jii^-Ji
Sop.&Mto. MiTeii.&Bass. Do.
i
No. 21.
F*=t=d^± lH=i-=±i=tr=i=t
Sop. & Alto.1. While the morn - ing bells are ring - ing, We to Thee our song will raise;
2. Thanks to Thee, O heav'n - ly Pa - ther, For Thine all - pro - tect - ing arm;
Tenor & Bass.
9:^^t^
pi]- -X
i wm
1 /Thank- ing Thee for ThyThro' the day we pray
.-I ^^-PlEs *
pro - tec - tion,
Thee keep us
*Sing - ingFree from
P- -y '
to Theee - vil.
songs oi praise,
safe from harm.
:$^=t -N-r-
1
PRACTICAL EXERCISES. 11
TRIPLE MEASURE. Three Quarter Notes Fill a Measure.
iable.
No. 22. Explain Triple Measure, the measure sign,( | ) accent, and hand motions.—Sing bv syl-
iDo. Re, Mi, Sol, Fa, Mi, Ro, Mi, Fa, La, Sol, Fa, Mi, Fa, Sol, La, Ti, Do, Sol, Fa, Re, Do.
Count. 1 2 S, 1 2 3, 1 2 3, 1 2 3, 1 2 3, 1 2 3, 1 2 3, 1-2 3.
Down, right, up, etc.
No. 23. Sing by syllable.Sop. & Tenor.
\ ^-
F=t-@-
&B\^i-H-
"-fi?—#-
tEfc*z4i^
- —I-
:=1=:]=F:±
"2?-
d:
B
tlE^r^
1. Soft - ly fall
2. Soft - ly fallTenor Si Bass.
the shades ofthe shades of
eve - ning O'er the val - ley, hushed and still,
eve - ning On the bos - om of the deep;
§^3_.J
^-9 <5
-jsr
'^- -(2- m.ca :J il».
•3 • f w—
1
>r;-"
^1 •J>
fa - ding From the dis - tant west - ernmur - murs Woo the sweet wild-flow'rs to
(©•—hills,
sleep.
:^ ^=R&-EE
JZ-
11
COMPOUND TRIPLE MEASURE. Three Dotted Quarter Notes Fill a Measure.
No. 25. Explain the measure sign,|9
)accent, and beating time.
% \ % \ \
^ .Sol. • • *1 ' 2 3, 1 2 3,
Down, right, up, etc.
^t"* —l-g-^--^-i-
! . I±^1
No. 26, Sing by syllable.
Sop. & Alto.
1. One by one2. One by oneTenor & Bass.
the sands are flow-ing. One by one the mo-ments fall; Some arethe du - ties wait thee, Let thy whole strength go to each; Let no
^f^_^_^_
:t=?: -.-^ ^
12 PRACTICAL EXERCISES.
^1 N 1 1 ^ „, ^ N 1 ^ ^—,^ i
VZ" \^ "**^1
J e • # ^ _l Jl-iXZ- j N 4 tf _, V ai "
-» •—»-• a • 5^ t«u
comfu - -
t—ir^- <: m 1 9 w* i -m m 11
inof, some are goture dreams e - late
ing. Do not strivethee. Learn thou fii'st
to grasp themwhat these can
m . # -alT '
teach.
c\* 11 > 1 > ^ • ^ ^ ^
_j j
—
m • m Z -j" 11y^__j_ ,_ m m m _i
V a^ IT m1— *?-|
i
K -i^ . fHl^ '— - - - - -1
—
\
'_,| ^__ / L ^
—
i*^—• Ji
QUADRUPLE MEASURE. FOUR QUARTER NOTES FILL a MEASURE.
No. 27. Explain Quadruple Measure, the measure sign,( \ ) accent, and hand motions. Sing and
beat the time.
\ » \ \ \ \ \ \ \ Ji V % \ %
^iin^
H---!&—
L
:j=±:-I I I- -^ L_,ijizd: ^ • _:S--—5i- I^Jl
Do.-«^
Count. 12 3 4, 1-2 3-4, 1234, 1-2-3^, 1234, 1-2 3-4, 1-2 3 4. 1-2-3-4.
Down,left,right,up, etc.
No. 28.
Sop. & Tenor.
*^ Alto & Bass.
Birds are sing - ing, flow"rs are spring-ing, Green is field and wood gain.
No. 29. Sing by syllable.
4 ^-4-4-h' ~K:i:i^-^z:^^: :s:
-• « «—•-'-«&—15;
++-^—J—•— F-
J-J-4i:±
^1
1. Now the day is o - ver. Night is drawing nigh: Shadows of the evening Steal across the sky.2. When the morning wakens, Then may I a - rise, Pure and fresh and sin-less In Thy ho-ly eyes.
4^—I
—
V---
L(J2
^—wh-^-{—&>-
±-r:
COMPOUND QUADRUPLE MEASURE. FOUR DOTTED Quarter Notes fill a Measure.
No. 30. Explain the measure sign, (ij*
) accent, and beating time.
ES^^W:d=:
^--^-.^-^#
.
-T=:-^d-:*:d=-ij=-zdz::i -A-
•-^^^d=i 11
Do.1 2 3 4, I 2
Down,laft,right,up, etc.
3 4, 4, 1 4, 1-2 3 4.
;N'o. 31. Explain Repeat, First and Second Ending, etc.
Sop. & Alto.
Bet - ter far than gold or jew - els, In the night of grief and pain,
I*, the tho't, thro' joy or soi' - row. One true friend will (Ortiii. . . ) still re-main.
Tenor Si Eass.
:t=rtz=i:- "zirrrr'tZCZT_-^.
13No. 32. Sextuple Measure. Six quarter notes or thoir equivalent fill a measure. Explain the measure
sign 2 , Accent, Hand motions, etc. .
i J t'— * r-1 1 h-r-n i
1— t 1 hn-l r—1
m. ^ t^^3 5=?cs—i—^—•- v-^-
Count: 1 2 3 4 5 6, 1 2 345 6, 1 2 345 6, 1 2345(No. 33. Down, left, left, right, up, up, etc.
5^3 I^zi •-^
iSol
No. 34.
J-M—*—#—^—-f—hi-H--t9-:-^-^
2-~N- ?=^ ?c:j=^I*=* v-
iSol
No. 35.
S=1*^=nF=n
IS£ ^ ^=p= :n=I^^=3^4^ V-Mi W- -($*-
itNo. 36.
pii^'^E^PpNo. 37.
Sh^g
:;£=& N-!^ >^>I^-»
ti ^ ^-LJ—*^W-»-d -^-^
tzJ^itSol
No. 38.
^-# -&-'
14 Exercises in Tone Pitch
Demonstrating the Octave of difference in pitch existing-between the male and female voice.
No. 45. Practice carefully. Not too fast.Sopranos,
^ltu8,rr '^ -^-s^—
^
7^ U^-^^lDo re mi fa Sol la ti do lie mi fa sol La ti do re mi fa mi re
Tenors. .
^W^ -&--2^—^ ^ -^ A
Ui. esse .
IT^—^—i#^
t^r^-^rrrv}Altos.do re -do ti La ti la sol fa sol fa me Re oli re do ti do ti la
Tenors. J -# J I I ! I
ISol la Bol fa mi fa mi re dj sol la ti do re mi fa Sol do re mi fa sol la ti
N S S ^Tenors,
H«=# 'h^^=i:^^ ^ d •
^ l» m » *Basses.
ALL..- Sopranos. .
1
-?5
—
d—d-^r^^^-Hvk ^ ^ U-> ^ ^NN «^=^=*=-&—m-^±^--r F r ^ ^ -^
Do sol la ti do re mi fa Sol do re mi fa sol la ti (
^•0-
Sing the syllables.)
^:t H jS" -^=2-^ H-^'-P
^—^-1 1 ^=H1 g)—
1
L. . Mm
No. 46. Explain a musical interva'. Practice this exercise frequently.
i 1r^ lr^ # F-\-d—I—
—
v^— 1 V
i
Do re do mi do fa do sol do/ la do ti do do Do ti do la do sol do fa do mi do re do (}o.
No. 47.
:^ :?2: E4- :^ s
Do do ti
-^L.
tS^ ~drJo do ti do la do sol do
No. 48.
•^fa do mi do re do do do.
i ^-\-
I^?^
=E-^ 3 l^ l J-i" 1-22.
Do do ti do la do. sol do fa do mi do re do do do.
MUSIC INTERVALS AND HARMONY. 15
An Interval is the difference in pitch between two tones written or performed.An INIERVAL derives it name from the number of degrees of the Staff it Involves.
Intervals are always reckoned from the lowest tone upward.To measure Intervals, steps and half steps are employed.The names given to Intervals are, Prime, Secondj Third, Fourth, Fifth, Sixth, Seventh,
Octave, Ninth, as follows:
Prime. Second. Third.
-J21 G>--sr -&- "2?- -&-
Fourth. Fifth. Sixth. Seventh. Octave. Ninth.
Intervals are named Major, Minor, Perfect, Imperfect,, Diminshed and Augmented.
The different kinds of Primes, Seconds, etc., are represented in the key of C, as follows:
Primes. Seconds. Thirds.
^i,^-S—i^HPerfect. Augmented. Major. Minor. Augmented. Major. Minor. Diminished
S#Fourths. Fifths.
3=3i^H:
Perfect.^* V-
Dimiulshed. Augmented. Perfect.
If
Sixths. Sevenths.
Diminished. Augmented.
Octaves.
P^:3: 3:
4-v»- iJ
XE^ ilMajor. Minor. Augmented. Major. Minor. Diminished. Perfect. Diminished.
Harmony is the result of a proper combination of simultaneous tones represented or performed.
A Triad is a Chord consisting of a Tone witn its Third and Fifth added.
A Chord is designated "Major" when its Third is two Majorseconds (or whole steps) higher than its lowest tone, or root.
A Chord is designated "Minor" when its Third is one Major andone minor second higher than its lowest tone, or root.
iMajor Chords.
S -«s--G-
iMinor Chords.
ST
Chordpositions. i
Common Chords in the Key of C.
Tonic Chord. Sub-Dominant. Dominant.
^ -^I ez --^w_
-&-
^9-Ist. 2nd.
-^- S:[^=g=
'<g" hS"-
(S^-"&-
-Gh
iMajor. Minor.
3rd. 1st. 2nd. 3rd. 1st.
Chords of the Scale of C.
Minor. Major. Major.
2nd. 3rd.
Minor. Diminished.
:i:
is:
iE ^ is:
'-Sl
-&-
Names. Tonic. Super-Tonic. Mediant. Sub-Dominant. Dominant. Sub-Mediant. Sub-Tonic.
In analizing the above chords we find that those formed on the Tonic (Do), Sub-dominant(Fa), and dominant (Sol), are all Major. The chords founded on the Super Tonic (Re), Mediant(Me), and Sub-mediant (La), are all Minor.
The chord of the Dominant 7th consists of four tones, and is
formed by adding the tone of the 7th to the Dominant Triad, thus:-AE^'EE ^m\
16 PRACTICAL EXERCISES.
PRACTICE OFTEN.No. 50. Sing by syllable in unison—slowly at first, then faster.
Do re do mi do fa do, Re mi re fa re sol re, Mi fa mi sol
Si^i^ ^^^mi la mi, Fa sol fal la fa ti fa, Sol. la sol ti sol do sol,
i^m rzzci:•-if i
:a=i ILa ti la do la re la.
No. 51.
Ti do ti re ti mi ti, Do la fa re ti sol do.
i ici^i=t
bo ti do la do sol do, Ti la ti sol ti ,fa ti, La sol la fa
PI 5 'm =F^^^la mi la, Sol fa sol mi sol re sol, Fa mi fa re fa do fa.
fepi I* ^ • -# • T^ i^T^ * "^ "^ "*
:JMi re mi do mi ti mi, Ke do re ti re la re. Do ti do la do sol do.
No. 52.
i^^Do mi do fa do sol do, Ee fa re sol re la re, Mi sol
iH-
Ml
mi la mi ti mi. Fa la fa ti fa do fa, Sol ti sol do
I ?=i±=t 3=
sol re sol, Do la do sol do fa do mi ti re la ti do.
No. 53.
I3-=^^±
4- 3^; ?Do re do mi do fa re sol mi la fa ti sol do la re.
fe^^^ I3zz:Et=j:
Do ti do la do sol ti fa la mi • sol re fa ti do.
V
PRACTICAL EXERCISES. 17
No. 54.
s «—#^ 3EE^ H r•3EE3E3
:^ a=tg- « 1—« 1-__Lj—a—eg. itzd
Do do ti mi re ti la mi fa sol mi sol re sol do, Re re do fa
I S m '^m3tz:b*
ml do ti fa, Sol la fa la mi la re, Mi do fa do sol do la,
i i^Ei ^i-1^—»-
I
Fa re sol re la re ti, Sol mi la mi ti mi do. Fa sol mi sol re sol do.
No. 55.
^^ -f- ^^E^dE3 4- :=t
Ml do ti, re ti la, do la sol, ti sol fa, la fa mi, Sol mi
i i^^
sol re do; Mi sol mi do, fa la fa re,
33E3Eg^I
Sol ti sol mi, la do la fa, ti re ti sol, do sol la fa sol mi fa re do.
No. 56. Soprano.
Do. Alto.*
3i4-
Tenor,
-»i—«- S^Ei EmDo. Bass.
S i^^i -#—1—M—M-i -P—i^-
P:
9M 5E 1^
^^^^ i^^g^f^, ^a
18 ELEMENTARY STUDIES.
MAJOR AND MINOR SCALES FOR ALL THE KEYS IN MUSIQ*
£ach Key sigoature indicates ttm Keys, a Major and its Relative Minor
Natural or fundamental keys, C Major and A Minor.
M^or scale. DoHinor scale. La.m . I I ~J J J £^
TRANSPOSITIONS IN SHARPS.
G major and E minor.,
D major and B minor.
I
VT UlOiJUl' OiUU XU 111J.U\J1.. I
g ^if-rhHfprf m
A major and PJJ minor. E major and CJJ minor.
^^ ^yfff'ff^B major and Gjf minor.B major and G% minor. ill ^ major and Vf^ minor.
FFrrff
i
TRANSPOSITIONS IN FLATS.
F major and D minor. Bt^ major and G minor.
JG minor. ,
J U ipff^^^ I
.'>j J J. L^^P^pr^Eb major and C minor A]^ major and F minor.
mtttH-H^4#^^p^PFFFrDIt major and Bl?" minor.
Istii
y^J^||^-^^t^W/^-ftj
Gb' major and El^' minor.
uuJ j I I d ft
,.
PRACTICAL EXERCISES. 19
CHORD-SPELLING, PRONOUNCING AND RESOLVING.NOTE TO TEACHEBS.—The most successful method for giving a class the proper pitch of a pieoe
of music is, for the teacher to sound its key-tone or Do, requesting the class to sound it after him; thensay: Spell the chord of Do, and pronounce the first tones of your various parts,—then the class soundthe tones Do, Mi, Sol, and pronounce the tones forming the opening chord of the selection, thus making^a thorough preparation to begin singing either by word or syllable.
Spelling a chord is to sound its tones separately. Pronouncing a chord is to sound them simultane-
ToNic OB Do Chord in C. SirPBn-ToNic or Rk. Mediant or Mi. StrB-DoMnjAUX or Fa. Dominant or Souously.
ISpelling. yPrononncing.
Re Mi Fa SolwAlto.
Ten.
Do Mi Sol
-i-i r r r f \
^ ^DOMINAMT AK OcTATZ LOWER. SUB-MBDIANT OB La. Sue-Tonic or Ti. Dominant Seventh Chord.
SpelL Y Pronounce. Y Resolve.]|
Spell y Prononnce. y Resolve. [m w iPw^ m 5=
Tiw^^ "^
S(A^^ La Sol ^^i^ ip J^rr J.J
Tonic Chord in G. Don. 7th <fe Resolution. Tonic in D. Dom. 7th A Resolution. Tonic in A. Dom. 7THikREsonnnoK.^.^ iJ: yjg S# r <gi ^ ?e:_2
* ^Do Sol Do Sol Do
w^f&Xfe —
1
<j_ ^ FTIJt: ^Sol ma'
^ • li. ^ ^ # E^Tonic rsE. Dom. 7th & Resolution. Tonic in B. Dom. 7th& Resolution. Tonicin fJ. Dom.Tth&Resoldtion.
^ft «"A.itI !^
ia PSol
$ ^ • I* =^ * g • .^
Do SolDo Do Sol
m f^iriVUrrrr-|Jfrrp>ii
JE-ZS S3 ^ ^Tonic m F. Dom. 7Ta <t Resolution. Tonic in B[>. Dom. 7th <k Resolotion. Tonic in E[>. Dom. 7th & Resolution,
It
^^'jJ^^-ljjJ^JgPt- ^* ig 3*^SolDo Sol Do Sol Do
S i # 1 ^ F^I
ts»- ^^FIt S_t2_i.
Tonic in A k. Dom. 7th& Resolution. Tonic in D|>. Dom. 7th& Resolution. TonicinGJ;. Dom. 7th <fe Resolution.
^'iff- \]'Mtp^^^. vm^ i^^Do Sol
±:e ^ Sol Do Sol
P%t.Uf^r- l J^rr[:^^'rr'nrrrrreH»^S
20 Voice CultureBy D. A. CLIPPINGER, ... kimball hall, ohicaoo,ill.
Author of The Development of the Singing Voiob.
In tone production the most important thing is
ftoto it sounds, and the thought of the pupil fromthe beginning must be directed to the quality ofthe tone, rather than the development of a mechan.ical theory.
The mechanics of voice culture is of no valueunless guided by the thought of a beautiful tone.If the tone satisfies the trained ear of the musician,that in itself is a guarantee that it is properly pro-duced. Voice culture must be studied from thestandpoint of beautiful tone rather than that of de-veloping physical processes. The constant aimof the teacher should be to develop the pupil'ssense of beauty in tone rather than how to hold themouth and throat.
A Musical Tone must be smooth, steady, sympa-thetic, and have volume and intensity (resonance)
.
Having these elements in mind the following con.ditions are necessary for its expression, viz: a thor.onghly relaxed condition of the lips, tongue, lowerjaw and throat, and perfect control of the breath.
BREATHING EXERCISES.No. 1. Place the hand on the upper chest and
lift the chest slightly before breathing. Inhaleslowly, expanding around the waist. The dia-phragm at the front of the waist should move out-ward while inhaling. Hold the breath six seconds.Exhale suddenly through the mouth without drop-ping the upper chest. Do this six times.
No. 2. Chest as in No. 1. Inhale quickly throughthe lips and nose. Exhale slowly with the soundof s, made by putting the tip of the tongue justabove the upper teeth. Sustain fifteen seconds,later extend to twenty.flve. Also practice count-ing aloud to twenty-five, legato and staccato.
No. 3.
tt?^#^^ -#-#-•- •-•m, two, three, one, two, three, one, two, three, one, two, three.
Sing No. 3 with one breath, using the words, one,two. three, and holding the breath the fourth beatin each measure. This is to become able to stopand start the flow of breath at will. It is very im-portant.
No. 4.
I» 1^ vt|^3:
^rr*^
^7 ^-
^i^f-4^
Me - tho't the stars were blinking
sF^H^ f—
N
^-^ ^ :st
bright, And the old brig sails un - furled.
Sing No. 4 with a single breath; stopping thebreath at each rest. The last half of the phraseis legato.
No. 5.
^B=^5^i-N-
AhT I ha»e sighed to rest.
No. 6.
Ifc:l4=t
0-jit±jii :#!*
Soft-lj fall the shades of evening O'er the ral-lej hashed and stilL
The teacher should select long phrases similar toNos. 5 and 6 for further practice.
QUALITY.While the singer must have control of every
shade of tone-color, from the bright to the som-ber, it is not advisable to attempt it in the be-ginning. Develop first a normal tone, one neithervery bright nor very somber.
No. 7.
I -(S"- is:AhO
-G>- ISr ^^^
Breathe at the beginning of each measure. Me-dium power, sustain without ores, or dim. Try for
organ tone. Aim to secure tone-quality. Trans-pose as high as C.
To develop an even scale is an important pointin voice building. Practice descending scalesslowly, making all tones of the same power andquality.
No. 8.
I-Cl-
o ^ -&•Ah
For altos and basses begin with scale of A, Singo with ah position of the lips. Avoid pouching thelips and making them rigid.
There are often -J/- J in the female voice,
weak tones at about •
^tn' \ caused by a changexy..^ igj of register. To pro-
duce an even scale in that part of the voice, prac-tice the following;
No. 9.
Carry the middle reg-ister down, sin^ onlythe lowest note chestquality. Transpose up-ward by half steps untilI \
the lowest note is D.As long as there is any unevenness in the female
voice, scale practice should be descending. In this
connection use No. 22.
In preparing the upper voice, both male aud fe-
male, the important point is to be able to releaseit. £o do this use the following;
No. 10.Begin with medium pow-
er. Diminish ascending.The upper tone must betaken with no throat effort
whatever. Transpose to thetop of the voice.
No. 11. To equalize the vowels.
I oo ah
VOICE CULTURE. 31
Avoid extreme positions of the lips for the. dif-
ferent vowels. Form all vowels with as nearly thesame position of the lips as possible. The lips areslightly rounded for oo and o, but must remainrelaxed. Ah, a and e do not involve the lips.
Transpose throughout the scale of C. Use No. 12in the same way.
No. 12.
da me oi po ta,
Pronoanced, lah laj dah may nee po too.
RELAXATION.To be able to sing without muscular interfer-
ence is the secret of good voice production- Lips,tongue, lower jaw and throat must be relaxed.
Never try to hold the throat open or hold thetongue down. When sufficiently relaxed the throatwill open of itself and the tongue will be found inthe proper place.The following lines, which can be sung without
involving the lips, should be recited at each of thepitches given in Ex. 13.
No. 13.
I f:je2:
-O- IIt is all I ask.He is in need, and asks your aid.
Sail on, O Union strong and great.The nightingale sings round it all the day long.
The following exercise will be found an excel-lent way to remove a breathy quality from thetone and develop resonance, carrying quality.
No. 14.
i 1A L__ _ 1fTi « 1vy <^ <? 1J
M m m1 _^ J
m mN n n n nMaw maw maw maw mawNaw naw naw naw naw
Practice first with m and n then add aw. Form close the lips and teeth and put the tongaeagainst the roof of the mouth. Try for a reedytone. For n the lips are open.Transpose as high as C.
FLEXIBILITY.Practice slowly at first. Have perfect legato and pure tone quality. Gradually increase the tem'
po. Transpose to suit the voices.
No. 15. No. 16.
^ "°- P^»^us^^jvj'ij:g^j^i^-
AhO
No. 18.
^^^^No. 19.
AhO
1 1 1 ^1 I I I iy^t>^ <[llijH;Vocalize with oh aud ah, also with da, me, ni, etc. Can be used for practice in sustaining long
phrases. Breathe at each v. Breath may be taken at commas at first, if pupil is unable to sing fontmeasures. Sing legato and keep the tone an even power, sostenuto.
No. 23. .I
V
I4^ ^ 1^
t -^t
g^ e)^bg tS- -(§- :^=iftin-^r--+- tS"&—^-
-<s- J^&-
Da me ni po tu la be da me ni po tn la be da me ni po (tn la be)
i 2^
4=5= t * I^tS- -<Sr S: g=f*tS* • -(S- t^
i I I
9t^=^iii:
I I I
^ is: s:^U I \ I
fPl=p:-#^-y ?PE -&-
1^G>-
:^-^'
zy
22 VOICE CULTURE.
fen 1—
^r<5> iS'-
ZS--S-^^H^-A, ^
^—*-i^-rSi^
^^ aS^iEB^EJ -(S--i9- -^ -6^
Da me ni po tu la be da me ni po tu la be da me ni po tu la be.
^
i^^(i
I I I
-<SL
is:-(g 1-
-<& Gh
II
I
jSH
sz-f:^—
^
i^
-(•-• m-
-<Sr-g^ •--^ ^
-&-
5t*^
-•Si iS»-
H 1-
^ -*-
'i<51-
is:s:"2?- -s^—5)
—
'-<s>—<s-
All voices. It should be used by female Toices for blending the registers and producing an evenscale. Use dififerent vowels.
No. 24.
I#=«' » J J r#-»-d^m—I——
r
-n^D. A. C.
•
^J J I n^-•-^w*-m 1 I I I-
tfJTfT^^-i^^^*T^^ 32:
(I4^4:
yj j^^^V# #
9^1 jt=^4=^=^ iz:^ -•-^M-*
I^-j#^
#-^^^-m-
z^zit *-•-—I—
M
-i>^--I—I-
±±^1m—'——r-
^^*
(fe ^^ •a^ :^—tf^^~
fc:?« i* :*^4-^m *" € ^ •
liN*
IN* al=^ :dzi^
i i^^ :ai»^»-n *-«-«.#--#-
±± :*=•:#: ^^fi '-^-:^ ;]]#^
(«^ •
^"~<"
¥^ -Jk:—
^
# ^ #-<5^
te^1-^-1=^ -*-* IZSZ
•# • -f -t- ."S^
VOICE CULTURE. 23
No. 25.
Is the toDti smooth and steady, is it sympathetic, is it musical?
m s iH- :p=5^^^^ -*-^ -(5^ •-^
t^m^^ <s>—
^
Tu la be da me ni po tu la be da me ni po tu la be da me ni po tu la be da.AhO
Sopranos and altos should sing chest tones no higher than D below the staff.
Legato—to connect smoothly, and sostenuto—to sustain—organ tones form the basis of phrasing.Have this in mind in singing these studies.
No. 26.
1
X XW Q 1 1
1 11 1 1
1 1 1
JL *» \1 p J J 1 1 1 Jrm fl J J J 1
• ^ m )it\ \ \ J * * • « JVU4I:-* J m • .__• TI# o • m \ J • • m -^ •
La be da me ni po tu la be da me ni po tu la be da me ni po
1 V *l. . , .
,'/.Is*1
1"^
1 1>* 1 ^
1 1
^ ^ N.*1 1 ^ 1
frT^^ "^1
^ 1 •^ T"' 1
*" 1 1 •^ J J •*- J J •^ J J •V Jvl/4- J J 4 M '1 '* 4 4 4 4 ^ ^
1 1 1
ii tt tt ttC\»1 t f^ ' fp ra
1!••* _. -* '^ ^ "* ' >* ^ < >* ^z/ a si "^ fH), •< ^ "^ ^ ^ •s * ^ fi.| s
4- k? t^^
:3: ^ T^ -»• rZt>
:5:
i iTf—
^
It :t-#^
da me ni po tu la be da me ni.Tu la be da me ni po tu la be
i=t-«—•-:*=* 3t=i
te
-m—«- •—•-
r -&
-m—»-0r •0- tt
4 ^'r^~^'nr-«5ii-
s: ^ zzt^.S* "iH; "^It -tS^-
24 SCHOOL OPENING EXERCISE.
READING LESSON. No. 1.
Leader.—Blessed is the man that walketb not in the counsel of the ungodly, nor standeth in theway of sinners, nor sitteth in the seat of the scornful.
School.—But his delight is in the law of the Lord; and in his law doth he meditate day and night.
L.—And he shall be like a tree planted by the rivers of water, that bringeth forth his fruit in his
season; his leaf also shall not wither; and whatsoever he doetb shall prosper.
S.—The ungodly are not so; but are like the chaflP which the wind driveth away.
L.—Therefore the ungodly shall not stand in the judgment, nor sinners in the congregation of therighteous.
S.—For the Lord knoweth the way of the righteous: but the way of the ungodly shall perish.
All.—Make a joyful noise unto the Lord, all ye lands. Serve the Lord with gladness: come be-
fore his presence with singing. * * * For the Lord is good; his mercy is everlasting; andhis truth endureth to all generations.
READING LESSON. No. 2.
Leader.—The Lord is my shepherd; I shall not want.
School.—He maketh me to lie down in green pastures: he leadeth me beside the still waters.
L — He restoreth my soul: he leadeth me in paths of righteousness for his name's sake.
S.—Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thouart with me; tliy rod and thy staff they comfort me.
L.—Thou preparest a table before me in the presence of mine enemies: thou anointest my headwith oil; my cup runneth over.
S.— Surely goodness and mercy shall follow me all the days of my life: and I will dwell in the
house of the Lord forever.
All.—O praise the Lord, all ye nations. Praise him, all ye people. For his merciful kindness is
great toward us; and the truth of the Jjord endureth forever. Praise ye the Lord.
CaiCAOO, ILL.
EVELINE SMITH.OPENING HYMN,
ALFRED BEIRLY.
ti^ ^Ty »-^* -is^
ho - vahter - nal
dwell in
our God, Ex- alt - ed art Thou, Thy goodness is ev - er the same; Heav'nThy grace, And boundless Thy love, Our faith Thou dost rich- ly re - ward; ForThy light That shines from on high; What radiance and splendor are Thine! Rich
^ 4=- S=t^•
—
P- ^F=f=
^^ 5 I5^ s ES^ ^show-eth Thy splendor. Let earth joy - ful ren - der Thanks-giv-ing and praise to Thy name,humbly be- liev-ing. Thy Spir - it re - ceiv - ing. We en- ter the joy of our Lord,blessings Thou send-est, Our way Thou at - tend - est. Great King and Re-deem - er di - vine.
9iife
^i^
I ^5=^
-s^ I
THE
5ong Wonder. . . BY . .
Dr. ALFRED BEIRLY.
WORSHIP.W. HAMMOND. ALFRED BEIRLY.
Teaching Tune. Explain Quadruple Measure, Accent, Counts, etc. Sing by Syllable.
> A III! '^
1 1 |i » « tf # P i-O* a ^ m J^ ^ ^ ^ P^mig • 9 ^ u.*-
1 1
1. Lord, we come
n
be - fore Tbee now, At Thy feet we
1
1
hum - bly bow;
1
V i 11 1/ ^ 1 1
m JJ
fm i 1. M 1 «' A 1 1 i 1 rdV)) 4 ^ m ^ • • ^ 9 f m - 9 \ t>
^ ao-0- -S
2. Lord, OI
3. Grant th
-••
1 Theeat all
1
our souls de - pend; In coi
may seek and find Thee, a
1 1 .
m - pas - sion
I gra - cioua
now de - scend;
God and kind:
1
i:^* 9 1 <• |* 1.4 J » A dV iO do 1 .« ___ __ *_ * (^ < r i • •4 L-#1 4 1
1 ^
s Ip^ # (^iO do not our suit dis - dain; Shall we seek Thee, Lord, in vain?
I l-,lI J
j f ^I
J J -J H• • #—
#
^Fill our hearts with Thy rich grace. Tune our lips to sing Thy praise.
Heal the sick, the cap - tive free; Let us all re - joice in Thee.
* p ^ -G>-
4 4 ^^(25)
26 HOW PLEASANT.I. WATTS. ALFRED BEIRLY.
Teaching Tune. Explain Sharp Four(||)
and Cancel (J^). Sing by Syllable.
^E3E^::4£^80i»
1. How pleas- ant, bow di - vine- ly fair, O Lord of hosts, Thy dwell-ings are!
•-' ao-0- -0- -0-
i i #Ei t^^Ea2. Blest are the saints who sit on high, A - round Tby throne of maj - es - ly;
3. Cheer -ful tbey walk with grow-iiig strength Till all shall meet in beav'n at length.s91±^ :^^^ ^rr\
# #
iPS -f-
With long de - sire my spir - it faints, To meet th'as-sem-blies of Thy saints.^i^t=^Thy bright-est glo - ries shine a - bove, And all their work is praise and love.
Till all be - fore Thy face ap-pear, And join in no - bier wor - ship there.
F ^ '^^d d
LIGHT OF DAY.G. W. DOANE.Teaching Tune. Sinjf by Syllable.
RICHARD EARLE.
-^SOltf^ ^
-# # 5ii 4—4—0-
1. Soft - ly now tlie light of day Fades up - on our siglit a -way; Free from care, from
=¥ ^ ! I^ao-0- -0- •0- ' •* -5- -1^ -•
:± -#—
i
2. Thou, whose all-per- vad-ing eye Naught escapes, with-out, with-in, Pardon each in-
3. Soon from us the light of day Shall for - ev - er pass a - way; Then, from sin and^a<r#"
jQl^^
I 4 4 &t m-»—iSi- 4 4 ±=±:d- bor free, Lord, we would com-mune with Thee, Lord, we would com-mune with Thee.
m ± ^e^e4 i it^ i 2=rjp t=t -^—* ri*—i^-^ ' '^^I
firm- i - ty, - pen fault, and se - cret sin, O - pen fault, and se - cret sin.
sor-row free, Take us, Lord, to dwell with Thee, Take us, Lord, to dwell with Thee.
9t ^ ^1
SPRING DELIGHTS, 27ALFRED BEIRLY.
Teaching Tune. Explain Doubl B Measure. Sing by Syllable.
t i\ t
-pJi ^ ^ * tf ^ ^ ^ ^ "*
\ j M r1
1 ^ M M -1^TT—r ^SOI9 1^
1j
•. _^ i i 1 1
1
• '^1
1. Birds ate sing - ing, flow'rs are spving-ing, Green is
1 1
field and wood a - gain
;
i »> 11
1
iL ^ 1 ^ tf 1
fr^'i A ^ 1 ^1 a « e 11
V \) 4 ,„i^ fi « i_ J t J • i # _i d m
2. By the fountains, o'er tlie mountains, 'Mong the ros - es new - ly blown,
t^**> 1 1{
1A A 1 j 1
1
)'^ J r ^1 !^ >8 •'•• 9 9 m « « « i 1 # 9 J . «4 1 U^
I^ ?^s
Tliro' tbe landscape let us wan - der, Let the world not smile in vain
^ i #=^ i ^a=a^* #Iy Hg-
Un - der cool, green for - est shad - ows, We will call the world our own.
I
HUMILITY.Teaching Tnne. Explain Flat Seven (1?).
A. RIDDLE.
t *)-1 —
-1 1
i 1
s Ji do • Pr li 1 M . M M M ^ ^ 9 M - d iJ- f^-4 1
• 9 9 ^ r • ^9 * • 1^'
' n1. Dews that nour - ish fair- est flow'rs Fall un - ii<ard in si - lent hours;
n 1 1 1 1 1
J ^ ] ! .
,
A L ^ft a 1 fl m ^r^ 1 ,
f(T) 4. so)d ' \
9 ...^ J ^ 9 .«' ^ _ J .. . - « ^ I
2. Vio - lets hid - den in the ground, Throw their balm - y - dors 'round;
3, Em- blems these which well ex - press Vir - tue's mod - est love - li - ness;
1 , , i ,
cr\'*t 1
1*^ J J J^ R <lu« i • 9 rj 9 • •4 ' 9 9 • * Usi
i r i r r i r n-i
—
f^ ^eStreams which keep the mead-ows green Oft - en flow themselves un - seen.
i T**n-
i iJ'i g t=j 1^^ iI,iew - less in the vault - ed sky. Larks pour forth their mel • o • dy.
Un - ob - tru - sive and un - known, Felt but in its fruits a - lone.
^^ J^ I
28 GOD IS LOVE.Teaching Tune. Explain Triple Measure and the Slur (~^). Sing by Syllable.
R. B. GEORGE.
iH3 iSo? ^ 2z: ^ g E #—
^
i. God is love; His mer - cy brigbt- eus All the path in which we rove:^ ^^P ^=^^^.sii^^ ^ g? -(5^
2. He with earth - ly cares en - twin - eth Hope and com - fort from a - bove
;
3 i^mZ^' 'a do.
-iS^ -&-^
i^—^ ^^g 5 ^g -(S^
Bliss He wakes, and woe He light -ens; God is wis- dom, God is love.
i ^^^^^^^-<5>r E* aP^
Ev - 'ry- where His glo - ry shin - eth; God is wis - dom, God is love.
?2=
gs: ^^
HEART SUNSHINE.Teaching Tune. Sing by Syllable.
P. MALLORY.
MrfT.^^--: ^^
-(!2-
0—&
1. Car - ry in thy heart a song, On life's path to cheer thee;
^*\-J^io\i5,
n\\^ # ^-iS^ * i^^:^=^j^ -iS>-
2. In thy heart may sun - shine dwell, And be cloud -ed nev - er;
^S 42-
12. g? ^ Z2=Zj^4p^
-f$^ -^ ^ ^ r-^ J ^^^:^=MJKeep it sing - ing all day long, When a cloud comes near thee.
fe^r^^f^
-!£^- ^ 10th - er hearts shall own the spell, And be blest for - ev er.
^i-:t
rS^Z? ^"
^22 I
OUR PRIDE. 29RICHARD EARLE.
Teaching Tune. Explain Compound Double Measure, Accent, Hand Motions, Counts, etc.
V- "f^ ?^1. Here's to the boy wbo's not a- fraid To do liis share of work;
!^ S^—t ^f
2. The boy
3. All honwho al - ways means to do The
. or to the boy who is A
*=#ver
many best he
at heart, wecan,
say;
9y^ i ^^ 3
£Who nev - er is by toil dis-mayed, And nev er tries to shirk.
iti -N—
^
5 ^=H-r^PlisWill al - ways keep the right in view, And aim to be a man.Whose leg - end on his shield is this: Right al - ways wins the day.
§^ :J5: 5-y-
LITTLE THINGS COUNT.Teaching Tune. E. W. CRAWFORD.
HS5tS:* I t s-8-'°'»?c^
1. Lit - tie drops of wa-ter, Lit - tie graios of saad,
•-^ <lo-#- • #-
Make the mighty o - ceaa
t ^^e2. And the lit - tie moments, Humble tho' they be,
3. Lit - tie deeds of kindness, Lit - tie words of love,
Make the mighty a - ges
Make our earth an E - den
:t5:9 &^4 4 4 d: -d-^ :d=±-0—•-
i IS ?=^ -!•—f-
tEAnd the beauteous land; Make the might-y o - cean
j^t^^^lj JJi^And the beauteous land.
i ^ I±=lt ^^=^?
Of « - ter - ni - ty
Like the heav'n a-bove;
Make the might-y a - ges
Make our earth an E - den
-•
—
P-H
-V- :£
Of e - ter - ni - ty.
Like the heav'n above.
V^—4—^—WT- m
30ALFRED TENNYSON.Teaching Tune.
THE BROOK,ALFRED BEIRLY.
X^^ tttiUa^ ij s ; K1. I steal by lawns and grassy plots, 1 slide by ba - zel cov-ers;2. I mur-mur un - der moon and stars, In brambly wil-der-ness- es;
I move the sweet for-
I lin - ger bv mv
F=^ w~w~r~F 1^9 S:p=pE:
f» » »- -j-nij-
it: :fc
i:t 5 t ±:
g g 9 f=^ * :^^Eti' ^ —h-
^^^
^ -€-, ^ ^ ^ ^;
get - me-notsThat grow for hap - py lov - ers; I slip, I slide, I gloom, I glance, A-shin- gly bars, I loi - ter round my cress - es; And out a-gain I curve and flow. To
f- f- f- ff m
^ r^^ t—%^
i i/TS
i 5^i3 ^ij^a * K^mong my skimming swallows; I make the net-ted sunbeams dance Against my sandy shallows
join the brimming riv-er ; For men may come and men may go. But I go on for ev - er.
:t=t=t rI5
t=t^9—»- •
—
9-
:w—
W'1i=^
V- -V- t^ -t^- -t^
JAMES R. LOWELLTHE FOUNTAIN.
RICHARD EARLE.Teaching Tune. Explain Compound Triple Measure, Hand Motions, Counts, etc.
^S^i aia ^t
p^1. In - to the sun-shine, Full of the light, Leaping and flash-ing From morn till night;
2. Glad of all weath- er. Still seeming best, Up-ward or downward Mo-tion thy rest;
3. Ceaseless as- pir- ing. Ceaseless con-teut. Darkness or sun-shine. Thy el - e - ment;
m'—
"
-• m
'^r r r it S i±4
it i»=^y-p-
tec :p=fc
»-=— •^
-»
—
w-
v-^fi-
^[—r
<\
^ I5m ^=^iirrr. t ^4==i^
In - to the moonlight, Whit-er than snow, Wav-ing so flow'r-like When the winds blow.
Full of all na - ture. Nothing can tame; Changed ev'ry mo-ment, Ev - er the same.
Glo- ri -ous fountain, Let my heart be Fresh, changeful, constant. Upward like thee.
-I 1
m.—\—,-1
11—!ff.i_ m
. .
9^P ^ ^ti=fc=f±z3: ^-&-vffsp^
I
THE SABBATH DAWN. SIALFRED BEIRLY.
Teaching Tune. Explain Compound Double Measure, Hand Motions, Counts, D. S. and J^ and Fine.
n Anaante.
ra^iS :fc i ^^^^^^t't t t t I. i t
1. The dawn of God's dear Sab - bath Breaks o'er the earth a - gain,
2. And we would bring our bur - den Of sin - ful tho't and deed.
F^F^'^1:1 2 r^^ V^ f~
&.
fi
^k. _^- N
FII«fE.
) i
i P 1 P .^^*^1
iL N N ^ 1 A J J i . « 1rn> J J '' ' J ^ * • 5 1vV J ^ J m J ^
.
m _^ • _ _.!^n __ 2 « ^ * -^ 1*J t ^ ^ -d- ^ -0-^
As some sweet sum - mer morn -
In Thy pure pres - ence kneel -
ing
ing,
Aft - er a
From bond.age
night of
to be
rain
;
freed
;
t"V' » • • r p r • i -f* to # to . to 1J* 1 1 1 1 '*r i
1-J » • • b » • • m » J ! K • • 1
r r '>'--" 6
^ ^ 1 ^ 1 y^
1
^"^^
D. S.-^s shade of clus - tered palm • trees. 'Mid ivear - y wastes of sand.D. 'Si. -So man - y tal - ents wast - ed! So few bright lau - rels ivon!
i U-^ jr+-n^ I), s. to i;^
st^ -toHr
It comes as cool - ing show - ers To some ex - haust - ed land,
Our heart's most bit - ter sor - row For all Thv work un - done;
TrrTr-tr"'f=i—f^-t-^T^f
STAR OF BETHLEHEM,Teaching Tune.
Slowly.
RICHARD EARLE.
^ ^=^1. When, marshaled on the night, iy plain, The glit-t'ring host be- stud the sky, One2. Hark! hark! to God the cho - rus breaks, From ev - 'ry host, from ev - 'ry gem; But
T2=F m i±=Jr
^ 5 V-
^ H i^7\
:mi I-*:*-^-to-
star a - lone of all the train Can (ix the sin - ner's wan- d'ring
one a - lone the Sav - ior speaks, It is the Star of Beth - le -
eye.
hem.
f S ItL:V- ^
32 GENTLE RAIN-DROPS.JENNIE WILSON.
Gracefully.
ALFRED BEIRLY.
P fl y±^*i*i=±t^^ mr^^ ^=^1. Gen - tly are the rain - drops fall . ing On the roof and win - dow - pane;
2. Gen . tly are the rain - drops fall - ing On the trees and thirst. y ground;3. Gen - tly are the rain - drops fall - ing, 'Tis a wel - come mel - o - dy;
4. Geu - tly are the rain - drops fall - ing On the moun. tain and the plain;
SP mi! t^¥=^ f
Ep^-^^-
Utt'^T^Lis - ten to the lull - ing mu - sic
Trees are bud-ding, flow'rs are bloom-ing,
When its soothing strain is end - ed,
Soon the clouds from sight will van - ish
Of the spark - ling sum-mer rain.
Bless, ing in their touch is found.
Birds will sing in hap . py glee.
And the sun will shine a - gain.
9^-P-;^^ ^ -.-*?-
CHOKUS.
N-fV-^ --{^^^^-^ ^ [S^-^-^ ^ py^ fs ^ -^v-N-A-N-
d m « 0rH 1 h
Pat-ter, pat-ter, pat-ter, pat-ter, pat-ter, pat-ter, Patter, pat-ter, patter, patter, patter, patter,
s :^
PHow the crvs tal
pat-ter. pat-ter, pat-ter, patter, pat-ter, pat-ter, Pat-ter, pat-ter, pat-ter, pat-ter, patter, patter.
9^ E^^ram is fall ing! Hear the sound so
pat-t(T, pat-ter, low and sweet; Oh, it seems a
Pat-ter, pat-ter, pat-ter, pat-ter, pat-ter, pat-ter, patter, patter, patter,
N ^ ^ |N |N ^ NV-i^ d d id—^ J=J
^•^«^f^^I^^[^^^^d S *^ J . J J J J J J
9'
fl((w and
Small notes for Inst.
-s»-.
sweet
;
U f ^
Gentle Rain-Drops. 33
Iiij=PP 51 Tgrt*==* -iS^
song from dream - land, That the fall - ing drops re - peat,
pat-ter, pat-ter, pat-ter, pat-ter, pat-ter, pat-ter,
^^^^^^^^^^^^^^izi v-v ^JzzJ: itzit 4 4 4 E ^^:
-
r .
-^ *-«»-.
^9^ ->$^ E^ t
(S-tS^
H. MABEL WOOD.
Brightly.
SUNBEAMS.
i i
ALFRED BEIRLY.
t=t^
H y^ h^ of1 h
33 t4 i i t
1. Just a gleam of sun - shine, Shed a - cross our way, Makes our path - way2. Just a gleam of sun - shine Makes the world more bright. Helps to cheer the
3. Let us all be sun - beams. Shin - ing ev - 'ry day, Cheer - ing fel - low
-#. -ft
r s^^^ ?£ f ^ V-
KEFRAIN.
I-H- ^ N N ^ I I I ^ ^ • I j=^ -H «—B^ y-
*bright-er, Bringing joy each day.
lone - ly, Bringing sweet de - light.
trav-'lers On their lone - ly way.
Sunbeams, bright sunbeams, We can all be
-•- S-
I+-,—h—b-9t
V-
m ^-bV1
^ 9 ^—
^
sun-beams; Mak - ing earth a fair
3t±:^
y bow'r, Ev - 'ry gold - en hour.
V- V- I
34 PLEASURE WITHOUT MEASURE.JAMES MUIR. A. RIDDLE.Brightly.
e mA ^ :fc
:& t ti It ^^^1. Sweetest pleasure, without measure, Greets US in the woods to-day, As we haste with2. Kindness gleaming, bright e5'es beaming, Merry hearts and friendly smiles Wait us in the
-«- •«--#- •«-•«- -# •^-#- «-#--#
^1
XiF^=F^J:G
&^^^^ ^^S i a I I
^ i^i=t s^f rI ^ 'f> ^
dear com-pan-ions From the nois- y town a-way; Brooklet flowing, zeph-yrs blowing,
wood-land yon-der, Where each scene the heart be-guiles ; Blessings rare and flow- ers fra-grant
,
-0- A ^ .#.
%ri...s
n, * *abtf
fV—P-
:^=^^-V-
-V-»-
i:& ^S=P^^ ^ \ p ^ ^ ^^ p, [
t^^. ^s^*¥=^ **Singing birds in branches high. All in - vite us and de-light us, Giv - ing joy weGive us roy - al feast to - day ; Hearts are light and fa - ces brigh-ten. As to groves we
r^.* * r\. *.t»I
*^ ^ -V-
£^=tf=^:^
uxi: J i \l'iM1<-*-Hf V f=^
can -not buy; All in-vite us and delight us, Giv-ing joy we can -not buy.
haste a- way; Hearts are light and fa- ces brighten, As to groves we haste a-way.
* T•* -^
tEt ^p^ "'
I r r r^ -u
—
fh
KEFKAIN.^ I N -^ ^ s
?5ili^^^-=i- ^at^-
Come, come, come. For happiness is ours to-day, Come, come, come, come to the woods to-day.
0- ,-f; ,
0--f- -f- -f- f- -f- m •0-. -#-.-#-#- 0- •- -0- m -^ -0\-0-
THE FARMER GIRL. 35
Soprano and Alto Dao, and Choru8<Dr. RODNEY DAY.
1. Oh, I'm a mer- ry farm-er girl, Just turning sweet six-teen, As full of mirth and
2. Let oth- er girls who love it less, En -joy the gloomy town, O'er dust- y walks and
f P P P PAP P P-
gP P ^—
^
9 w^ ^=^ > ^ ^ k ijct^ ^-^ ^ ^ ^ > ^
'^ ^ i/ ^
¥¥^. ti: ±- >—
N
^ ^t ^ t=^t=i Tjoy and glee As an . y yoa have seen :
, „ . „ , ^ ,
,
, ,
dirl.y streets To ram - ble up and down; f
S""" 0°"-"'J' ««''''"""' *'"'
^ r f f ig
- dy nooks And
?«=iCI9^
r r p k k k K•t^ V- ^ ^ ^
^#N^; iU:-Mjt=?^-#• • * -a- *• #• •sun - ny skies for me; If e'er I mar - ry in my life, A farm-er's wife I'll be.
p p p ^Hff9^ $^=^=k: ^*f-^V •
^ ^ i^
ffi#^T=^=^^^ «-5- S N N
^=^Tra, la, la, la, la, la, la, Tra, la, la, la, la, la, la, A farm-er's wife I'll
la, la, la, la, la, la, A-^^ -* ^-^-P- J^ ^ fi fl JL ^
U U U U [p-U-
"^MM Wl ir^m ^ p > > ^V^-^/-V fc=^^:^fc^ 5=t
^ fflr^
h ^ N ^ N N-K -A--^-N ^
-# \p »1^^
t ibe. A farmer's wife I'll be; If e'er I marry in my life, A farmer's wife I'll be.
farmer's wife she'll be, A farmer's wife; If e'er you marry in your life, A farmer's wife she'll be.
9 'k r r k^ £- t^:=^=^=^ L^ u^ L^
^k=fit
Iv^ n ^ -»
—
0-
36 THE SOCIAL HOUR.RICHARD EARLE.
^^^^i^ P^=^M r-0—#-
1. O come, come a - way, From la - bor now re - pos - ing, Let bus - j' care a-
2. From toil and from care, On which the day is clos-ing, Tlie hour of eve brings
3. The bright day is gone, The moon and stars ap - pear-ing. With sil - v'ry light il-
^ *I=f f \p f ^i=p: £3^NN *=1c
:J=^ ^ 51^=* m^ -•— ^^^-^r-^.r^
while for-bear, O come, come a - way. Come, come, our so - cial joys re - new. Andsweet re-prieve, O come, come a - way. come where love will smile on thee, Andlume the night, O come, come a - way. We'll join in grate- ful songs of praise. To
4—p0- -F -^1^
-^p I p J s *
-» -f- -»
M'=f=^? ^
/TV
f—ttr"^"H> fc m* '^\\-^4f=i=^=^^y^there with trust and friendship, too. Let true hearts welcome you, O come, come a - way.
round the heart will glad-ness be. And time fly mer - ri - ly, O come, come a - way.
Him who crowns our peaceful days With wealth, hope. hap-pi-ness, O come, come a - way.
k k ^ 5=i k p 1^-^^
iS -V-Vi/
THE SPIDER AND THE FLY.Three-part Round.
W. G. McNAUGHT.
m1 Allegro, (n
#a=jE—fc i «-+-« S J S-L^'Will you come in - to my par - lor?" said the spi - der to the fly."
mfc^=f^©f-f^J- =F=iv
4 t^--* ^ »ij
^-—^-
I"'Tis' the pret . ti . est, snuggest, lit - tie par - lor that ev - er you did spy."
=^ :^
"Not to - day, thanks, Mis - Icr Long - shunks. I've oth - er fish to fry."
CHEER UP.ALFRED BEIRLY.
37
Jin \n iij-^-j^p =ijftd=i
1. A- way with need-less sor - row, Tho' troub-le may be- fall; A briglit-er day to-
2. Let us but do our du - ty, In sun-shine and in rain; A heav'n all bright with
? M9tS2 ^ f ^^Al v—v -V—tr-V^ ^ ^ '^/
I ^t^-N mi : i 3 a 4 4 ^
mor-row May shine jip - on us all. We can - not tell the rea - son For
beau - ty Will bring us joy a - gain, Tho' eve - ning shades shall low • er, The
^g i=^ Jk=JFy^^^V t^
5
all the clouds we see, Yet ev - 'ry time and sea - son Must wise-ly ordered be.
morn-ing shall be fine. For He who sends the sliow-ers Can cause the sun to shine.
N ! f 1 1 ^: Ii^J-f4| ^ r i r ? g .[ ^
REFRAIN.
^^^ ^ i i 4Then a way, way with sor - row, Tho' troub - le may be-
P-- [ n ^ ^ i
^^m^^^3f
fall:
I
tr VA bright - er day to - mor - row May shine up - on
-b^•V-
all.
I
38 TIME TO BE BUSY.WM. J. C. THIEL
It ^fizzf ^mg~3 J i ir^^ J J J J
1. O now is the time to be bus-y, And now is the sea - son for toil,-
2. Be up with the dawn of the morning', In time to j'our la - bor re - pair,
^S^ f f ^ PE 11=^iZZl ^ ^£9 v-v
V \^ \f \f^ h^i^^ s^ €-^
*1^ lt—V9 *—*-
work while 'tis Spring, and the Autumn Will bring you the fruits of the
And tho' you do ev - er so lit - tie, Be sure that you do it with
soil,
care.
^*=FF %±A9^ :t=i:
ty-
ir ^ r r
•
^ ^m I 133* -^ J J J *There's no time for work like the pres-eut, Let i - diers not lead you a
And should the world tell you to lin - ger, And join for a mo - ment in
-^ -•- ^stray
;
play,
> ^ S g |» K tfel±=fI9^ H4e-^-^-4H^ CZl
f~r-f—^ ^^^ ^J=4^' ' I V
"nev - er put off till to - mor - row The thing you can do to-day."Don't put off the work till to - mor - row, The work you can do to - day.
£8=1
^'_l I
I ^ V- -^
THE BELL.Round.
2
i 37?^^ ^r^\ ^
€The bell doth toll, its ech-oes roll, I know the sound full well. Bim, bom, bim,bom,bell!
3-v—-
S
N N
S S m^^^^=i: 225
I love its ringing, for it calls to singing. With its bim, bim, bim. bom. bdSI.
SONG OF FREEDOM.Words selected.
Teaching Tune.
Dr. B. LESTER MASON.39
^NE^^:E^ V1. Mer - ri - ly ev - 'ry bos - cm2. Cheer - i - ly then from hill and
boundetli, Mer- ri - ly oh!
val - ley, Cheer- i - ly oh!
^ S 5It& ? ^^
llll\^^ ii:* *
17-1;.
mer . ri • ly oh!
cheer • i - ly oh
!
v i> lWhere the song of freedom sound-eth, Mer - ri - ly
As when lake and zeph-yr dal - ly, Cheer - i - ly
^ ^» ^ ^T^ fi*
I±= V^ 7^ H lJiliJ ^^—f^—
^
:i= €^< Id- J> V V
I ;-.-j J J
oh!
oh!
^' ^ ^'
Mer - ri - ly oh! There the gath'ring smiles of peace are beam-ing,
Cheer - i - ly oh! While the chil-dren shout their loud ho - san - nas,
* % s t-#•• -•##-#-•#•#-
^ £$m I
5=
it 1 ^^ iWhere the star - ry flag is gai • ly stream-ing;
Where they wave the na - tion's star-ry ban - ner;
Ev - 'ry joy the land re-
Round the flag of free - dom^ ^ JHS^ ^^^V-
I I^ f—h-1 *» Nf
'
T3r -^-e -t
oh! Mer - ri - ly
oh! Cheer - i - ly
trsound - eth, Mer - ri
ral - ly, Cheer - i
^ ^
ly
ly
^ [^ b
oh!,
oh!.
?^* 7 y I
40 Transposition by the order of Fifths
From C Major to G Major.
mKey of C MajonSop, & Alto.
*Key of G Major. Signature one sharp.
i «=s#^-4tJ gi' I # ^i iiiT^—
#
Do re mi fa sol fi sol.
Ten. & Bass.
^—1^
Do ti la sol fa mi re do sol mi re do^ p^f-f^:?—
»
^^=^ ?^^±Z^
fe^Spell and pronounce the chord.
iI g?
I
|-d^ 3 \\
ti fa mi re do sol fa mi re sol do. Do mi sol.
_d fL_sol
.^2.
giT-g?-
i9s ^
MEYER.
Teaching Tnne. Sing by syllable.
hRICHARD EARLE.
i d d d4 ^I
^—^ ^ ^ I^ J '^ J l-i • #
1. A . way with needless sor-row, Tbo' trouble may be - fall; A brigbt-er day to-
i¥J jlj JMlj.^ P±^ -0—
«
2. We can - not tell the rea - son For all the clouds we see, Yet ev - 'ry time and
E TE
5yP nrrrrr • *4-
fc t-4-nM7^-^»-tf # W 9
mor - row May shine up - on us all, May shine up - on us all.
fr-n^tl J \ \ ^ f^LJ_j_U^_Unrr^r-^ 12.
sea • son Must wise - ly or - dered be. Must wise - ly or - dered be.
m-#—#- ? ^ ^ i
MAIN.(Study this page carefully.)
Rev. I. WATTS.Teaching Tune. Here is a good lesson on hymnology. Sing by Syllable.
41
ALFRED BEIRLY.
* ^*=l3=e fe-tS^ -^-^
1. Come, ye that love the Lord, And let your joys be known; Join
^m ^ i ^2 t-*v -7^ £5 ^ '^ la^i|^>
2. Let those re - fuse to sing, Who nev - er knew their God, But3. Then let your songs a • bound, And ev - 'ry tear be dry; We're
^E ^=P^^
s: ^^^ -i5>-
M i5^ ^ 5 i-(S^
in
fcia song of sweet ac - cord. While ye sur - round the throne.
i I I2S:& -*- -(5i-
-s^- f-1^^
~s?
—
broad,
high.
serv-ants of the,
marching thro' Imheav'n-ly King May speak their joys aman-nel's ground To fair - er worlds on
9^#-i'-r:s:
I?^^^-1$^
^-(5^
tS^
WM. J. C. THIELTeaching Tune. Sing by Syllable.
BELL.B. LESTER MASON.
« ^ ia -rS?-^=^ -tS* ^^ atznt
1. Sal - va-tion! Lord, for this I crave, For Thou a - lone, my soul canst save; In
I3: =#!^—
^
-^K^ i^ -tS^
2. With grat-i - tude 1 raise my voice, In Thee, O Lord, I now re- joice; Oh,3. A - bide with me. O gra- cious Lord! Lead me to feed up - on Tliy word; May
pja ^^ t
s: s>-^ -0 #- -<5> (5^
S=?E=F :^=i ^ •b^ -s^ I
±Thee my spir - it shall be blest, For in Thy pres-ence there is rest'.
=S u i im^ a
-<$L- 3 atr* r^ I
— iE I
P=^
may my heart re - main sin -cere. And Thee a .. bove ail else re - vere.
I per-ceive Thv truth di -vine; Live ev - er wor - tliy to be Thine-<5i>- la:
^i^sz
-iSh i
42 MAKE SOMEBODY HAPPY.ANNA BLANCHE McCUNE. A. RIDDLE.
t±1 Si t^^*: *4—
i
t^ i—
#
1. Kind friend, strive to make some one happy each day, A word of re - spect may a-
2. Kind friend, strive to make some one happy each day, Think of all that to you has been
9*P Jt Jt.^^^ ^ I
* ^~y > U Kg#=p
&=ts
I 1/'/
^* t-#-^
Help some fel - low trav - 'ler life's bur . dens to bear. SuchSuch treas- ure of kind, ness poured in - to your life. Like the
^ -»• -F- -»• -p H«- 4— -F- -#-jS2..
9^^\ F ^^
Ifc ^^ ^^T^i i—
S
^^
—
^—^^—^
of love can - not
and sun - shine of
O speak a kind word or per-
Then share the great bless - ings that
mo - tives
sweet-ness
fail:
heav'n:^ '^ *^ ^V T -V-
i ^ d^ P^ f^form a kind deed, Bid some - one "good cheer" by the
you have re- ceived,—But try, you will soon find the
m^^way; Be-way
;
Then
J J V^^ V-
f-6>^
i=fhr^.: il\J ; ; J^
^stow-ing a kind-ness brings joy to the heart, -Make somebody hap-py each day.
fill oth . er hearts with true glad-ness and love,—Make somebody hap-py each day.
:^ k k J: s ^ u^ b u^ te^i
W. C. J.
HAPPY ROVERS. 43W. C. JORDAN.
It t^=^=^ i ^*s TPI #- rr1. We all are bap - py ro - vers, No heav . y hearts we bear, (no, no,")
2. No cloud of fan - cied sor - row Shall dark . en o'er our way, (no, no, y3. The sun his light shall send us. When winds are soft and warm, (yes, yes,
)
m \f, f. f. ^. t f I V4-^
^ N N 1^ i^-^i *, * >td Id *
i * ^ fSweet na - ture's loy - al lov - ers,
What tbo' it rain to . mor - row,
And night shall e'er be - friend us,
m *
We seek the good and fair.
If skies are bright to - day?With shel - ter from the storm.
^ y- ^
^KEFBAIN.^—^-
^
:fc=t=:fc-N—
^
t\ \ \ \
H h
i_s_s_i_i^ ^t=r t=S:^ S 0- 0—tf #-
Haste a - way o'er land and sea, We haste a- way o'er land and sea. No bird more lightly
m ^?^=f=^
^ fWe haste a - waj' o er land and sea, No bird more
fS^^i
-fs—h^—
K
-fs—PS—
^
&=t^^^ i-i—ij-t-r 1st t=t=tTT^ -0 0-
m
y ^ ¥flits than we. No bird more ligUt-ly flits than we; Hap-py songs of mirth and glee. Our
1 1 ^ ^^ j^2>^ii,imm:iI^ f
light flits than
i-N—N—
^
pwe; Our hap
N S ^ .
i=^
py songs of
:t=l H h^—P^\
^
i ^mt-t-t-0 ^tr
mhap - py songs of mirth and glee Are ech- o • ing so full and free, are ech- o - ing so free.
^^4^J1?i^mirth and slee Are ech ing so full and free.
44Anon.
BE KIND TO THE AGED.Dr. RODNEY DAY.
Ik
i54-d-*--«- a s ^-gj-r-S-
Ifei;
Don't for - get the
Don't for - get poor
Don't for - get dear
old folks,
fa - ther,
moth - er.
Love them more andWith his fail - ing
With her furrowed
more,
sight,
brow
;
^^^As they turn their
With his locks onceAir the light of
i^ «±±^i-^
i^ ^^^
n tt1
11
V ff 1 N u 1
/_ m 1 ^ 1
* ^f&\ « (0^ « i s ^ ^ 9'V 1 fiS
11 n ^ ^ ^ 1
J 9
long -
thick
oth
-#
in
aner
g eyes Tow'rdd brown, Scant -
years Time
I
•
the
yhas
gold - en shore;
now and white;
fa - ded now;
J 1 1 JT*
• •
LetTho'
Mem
yourhe
- or
i
wordsmay
- y
t
be
be
is
t^'ft 1
m <i _| « d ' B • B w 9 1
J»rr L B ^ « ._._.• ^ r '
i
,
37 " F r J ' 1 ' i> 1'
i
1 # m m 91 1
I^ ^-*- :S: ^=^r—• 99 ' ^soft and low,
ev - er kind;
light will fail;
ten - der, Lov - ing,
child - ish, Still, be
wan - ing. Soon it's
Let their last days be the best
Think of him as years a - go,
Guide her gen - tly till she rests
-^ -^ ^^
^ 1^-©'-•-
sRKFKAIN.
iijS±^ttl*f
*-^
^^r^They have known be-low.
With his mas - ter mind.
Safe with- in the vale.
Don't for - get the old folks. Life will soon be
« 1 ^±=*^9- -i9-
A±"&-
t:
^^^.=^T^
V-*T-^.- -^ 5
o'er. Guide them till
P^^5their wear - y
• 9-
-^
feet Will tread the gold - en shore.
^-^ 9 1^ ^- '^
1
Anon.
Ht^rn 1
THE CHEERFUL TRAVELER. 45ALFRED BEIRLY.
«*«1 P^^-,—
1
S—,—
,
N H-i—i===^-|1
7^^ V ["^ ^~s~-J ^
—
\
-^n
—
m—1—
^
"7p~S ^^fm o N J M i
^1 4 J s J n • • • i>
V]) a J ^ d P r \ . r J - 2 • • ^ i 1 !
1. On foot
2. No snail -
I gai - ly take my way, Hur-rah, bur - rah, bur. rab! O'er
paced friend 1 want, not 1; Hur-rah, bur - rah, bur- rab! At
^'A(\ -J—•—f r i
.
-f
—
A—J
—
H P- P f— ^' *\—^—^"^ST~ :^
i^ U-^ F19
—
-» » » i-j 1
1
#
—
^ a_^ 1
'^
/ H—t^—h—^^LJ^-J—t^—
1
ih i ^i:
f^ r^=^ •I—•h ^^-# #^
mountain bare, and meadow gay, Hur-rah, hur-rah, bur - rah! And be who is not
ev - 'ry step to slop and sigh, Hur-rab, bur-rah, bur - rah! No gloom-y man to
-^ N
Pt=^
? » »
r\ ^ [sI 1
1
N ^ ,N1 w
I 4 f^ m _i i s K # ^ J J piL 'J i « 1 4 M ^ J d J IIrm « '
fl ^ J ^ U> ^"
!! 2 d « s F 1
v\) * » » r 9 J m 9 » # 1
of my mind. An - ot
scowl or groan. And c
la - er trav - 'ling mate> .- ver oth - eis' sins
may find,
to moan,
1 i,
He can -
I'd rath -
not goer trudge
P- -P-1 1
with
a-
O'tt F F » p F • F b k » 1
/•rf 11 A i' « L. 1^
\ y / k p • # ly 1 V r F'
r 1
1 r, ,
'1 , 1
1 V ^1 • k-
*Hur-rnh!
1J t'^Wf
me, He can - not go with me.lone, I'd rath - er trudge a - lone.
%^^ r r Me
-\^-
Tra la la la la la la la,
Hurrah! ^_^^^^_^^^^_^^^. .
.
-^-*=^
-^—
^
Tra
J^
> k r-^Ov
."^ \^-Bd TJ^i
//-^-#- ^.PrP
I^ ^ F—
*
hurrah, Hurrah,.... hurrah,..,., hur-rah!Hurrah, hurrah,hurrah,bur- rah!
^ I I s K
I
^^r^^^ ^ElZ^jr
la la la la la la la, hurrah!
m\ S r ^ s
-0-0-n
iHFHF F- -^
^5Hurrah, bur - rah!
vt. HF—-F-*Small iioifs for lii.--i oul
bI-1
46 TELL IT OUT!F. R. HAVERGAL.
sdA 1
^i
Dr. RODNEY DAY.^
^ ^ ^ ^ ^ 3i -0~Tr*^1. Tell it
2. Tell it
3. Tell it
^ ^
^=5=*=!=^ ^^ ^ a:-
^out among the na-tions that the Lord is King; Tell it out!
out among the peo-ple that the Sav - ior reigns;
out among the peo-ple, Je-sus reigns a - bove; Tell it out!
Tell it
N N
9ig J I i
=?^=^ r^n^3=^^:^ ^ ^ b k
IH»—•-tti?—5^
i^
^ ^
N A -^—N-
^ t^^=^i=f 1=^
out!
Tell
^1 - - ^ ^ ^Tell it out a-mong the na-tions, bid them shout and sing; Tell it
Tell it out a-mong the hea-then, bid them break their chains;
it out! Tell it out a-mong the na-tions that His reign is love;
?=^ f—g k p^-^—t^ [^ -i/^^
ps
out! Tell it out!
Tell it out! Tell out!
Tell
Tell
Tell
it
it
it
out
out
out
with ad - o - ra - tion that Hea - mong the weep-ing ones that
a - mong the high.ways and the
H#^—»-=£ h ^ K-v-
-b^ -V- 45?-
I:! i=&:
*=t^ E*iE^ 3^1*^^ V Vshall in-crease,
Je - sus lives,
lanes at home.
^^That the might - y King of glo - ry is
Tell it out a - mong the wear - y ones
Let it ring a - cross the mountains and
-s—
K
i?=^ ^^the King of peace;
what rest He gives;
the o-cean's foam,
Tell it
Tell it
That the
N ^r \
p^=^t=l»:
* N N N N ^ S
:iI^^^^^ -t-9—4—S^ ¥^^
out with ju - bi - la-tion, let the song ne'er cease; Tell it
out a-mong the sin-ners that He now re - ceives;
wear-y, heav-y - la-den need no Ion - ger roam;
out! Tell it
Tell it out! Tell it
out!
out!
42JL
I^—
^
p —t^—^=p -V—^ iS>-^
* Small note.* for Instrument only.
MISSION.Parallel Keys. G Major and G^ Major
47
Teaching Tune. Sing by Syllable. Sing in both Keys. B. LESTER MASON.
i2:7 i,Q (S^ s: ^^^^ ^—
#
-T^^
^fesaa1. Go forth a - mong the poor, The path - way lead - eth there; Thy
IP i ±F4^=a i J *=s3t=Sr> ^ > • -^ y
2. Go forth thro' all the earth, There wait - eth work for you; The
te^s: 1$^
:;3idz s^ I3IS ^-iSi-
-? gg
gen . tie voice may soothe their pain. And blunt the thorn of care.
g^^ ibar • vest tru - ly seems most fair, But la - bor - ers are few.^^» -(2-
ftt^^ a EW. W. HOW.Teaching Tune. Sing by Syllable.
HERNDON.ALFRED BEIRLY.
ff^|u^J-i^ 3^I ^1. Sum - mer suns are glow - ing O - ver laud and sea;
2. Ev - 'ry - thing re - joi - ces In the mel - low rays;
^a I J^-^-€ ^^^ w3. God's free
4. Broad, andmer - cj'
deep, andstream - eth
glo - rious.
=#=^I L
- ver all the world.
As tlie heav'ns a - bove,
§!*lit i^^^-^ ?^^ -i5>-
:^ 3 i IB?^Hap • py light is flow - ing, Bonn - ti - ful and free.
Earth with ail her voi - ces Swells a song of praise.
J^ ^i±{~n I^"^ F dat ^Ev -
His
-i5>-
r^ 1* ^
ry - where un - furled,
e - ter - nal love.
J J J ^And HisShines in
ban - ner
might vie
gleam
to -
eth
rious
aa£^ f f
^-?-i,-fn s I
48
t
Key of G Major.•Sop. & Ait.
«
Transposition by the order of FiftFisFrom G Major to D Major.
Key ofD Major. Signature two sharps. Spell and pronounce the chord.
^^^^^^ dog? Tl
© t—^ —
I
Do ti la sol fa mi re do. Do mi sol do.Do re mi fa sol fi sol.
Ten, & Bass.
#—
^
» ^^^ ^m
^—0 •sol
Bt::;-9 h^T
Cheerily.
THE GLAD MAY MORNA. RIDDLE.
:t K—
^
N-K
^^^^^i^^ ^iN-A-
1.
2.
3.
O the glad May morn With ber ro - sy light is breaking O'er tlie bills so love - ly andO'er the rus - tic wild, Where the i - die winds are blowing, We will roam with pleasure to-
O the glad May morn, Like a child she comes to meet us, With her brow all covered withJL M. .». M.
I-*-*-
^:bl-^H* ^'m^^ b D b D-=Mt^V-^' V-
ii ^^^ £^^ m tt^^=s=^
fair; And the pure young buds From their dew- y sleep a - wak - ing,-Mirth aud-day; On the moss - y bank, Where the crys - tal brook is flow - ing, We will
flow'rsjAnd she calls the birds—All the mer - ry birds to greet us. And the
^ ^ ^B^ "^-^-f-T-S=dt
r V-
fct=^CHORUS.
m -•;*: i© i i 3 i -t—^-[^ t=t
mu - sic float in the air.
crown our Queen of the May.laugh-ing, bright sum-mer hours.
Then a - way, a - way,
A - way, a - way,
tI s ii=t
9^. t^^-I^ ^
:ftIP 433way, a - way, A - May-ing let us go, A - May-iiig let us go.
A - way, a - way,
fi ± ^ fi JL M. JL .^ ^' ^ ^ j" ^ ^ ^^^ 7 7 1^ '>—V- l^3^» SLLL:jLia
W. H. GODFREY.Teaching Tune. !- '"j: by Syllable.
MABEL.ALFRED BEIRLY.
49
«»3 zjia 5ig^ # ig # «=IS=-5B e 7^^-|
i1. Soft - ly fall the shades of eve - ning O'er the val - ley, Lushed and still,
m -^ tr'^i v^^^H^-^^—^=^^—
i ' ^—
^
2. Soft - ly fall the shades of eve - ning On the bos - om of the deep;
S^jtf^Jf4^ ^ -<5^
^ e
« t^^3 5 a I:^
IAs the sun's last rays are fad - ing From the dis - tant west - em hill.
Is= ^3 iSh aWinds in gen - tie whis-p'ring mur - murs. Woo the
-^ i^—^-^
—
t ' eJ-'
sweet wild-flow'rs to sleep.
>^% j r1-^?^ W^ -s^—i^
J. ALLEN.
Teaching Tune.
NELLIE. p. MALLORY.
«fL2 t-# # 1# 9-
t.A-1. Sweet the mo-ments, rich in bless- ing, Which be
IJ—I—I—I I J 9—m-
fore the cross I spend;
Sa \
—^—pH-hH -d—
^
\
\
^m«—
•
r^2. Tru - ly bless- ed is this sta - tion, Low be
3. Here it is I find my heav - en, While up
CT^fore the cross to lie;
on the cross I gaze;
ai%%- -P #
P=Pf=^=^ ^^ 12.
%. fe^g^ ft:\ Iazzjt -m #—
t
Wsa:Life and health, and peace pos - sess - ing, From the sin - ner's dy - ing Friend.
feiI
% Ii-^^-t-A ^ r »=^ rrrWhile I see di - vine com - pas-sion, Beam- ingLove I much? I've much for - giv - en; I'm a
min His gra- cious eye.
mir - a - cle of grace.
rrMr^ ? t-i5>- s
50 COME TO THE HILLS.w. c. J.
Cheeritigly.
W. C. JORDAN.
m^ :^=^ mt=r t ^ t ^ J=i=|4^1. Come to the hills, be hap - py to-day, Come where the wild - bird
2. Come to the hills this glad sum-mer morn, Na - ture in - vit - eth
^ A M. M. M. ^ ^ M. NNNSings;
thee;
S ^ k k ^^ ^ ^
^H»
• »
V 1^
*tis ^ ^ ^
t^^Ei i^=t S3 *Sfi±3==^
r^
Ban - ish all sor-row, and has-ten a - way. While sweet-ly the wood-land rings.
List to the sound of the ech - o - ing horn, And rest 'neath the green-wood tree.
J^ ^ ^f > > *H h
K K k KIt ^ ^
? v=^ tezzc^—^—y-
CHORDS.
t t^1 t-i-^ |g=:^=t
Oh, 'tia pleasure this bright, glad day, Thro' the val - ley and wood to stray;
m. I*=^ E i
I*=^
I-^
^^ ^ u V—
^
:p=i :4=?: ?:^P=jtZ3t
t-tr
9^
^ ^ ^ U* ^ ^ I
Home of the wild-bird so hap-py and free. There would my dwelling-place be;
J=J: k k M»^-! 9 p-
V-
>—
^
-V--t^ 1^:t=4A :fc=i^
^se3^f d d
^Home of the vild-bird so hap-py and free. There would my dwelling-place be.
-^. _*. _«. -A. _-'^
»—»-
V 1^ ^Ht b b-
^ 1
Andantiho.LOOK TOWARD SPRING. 51
p. MALLORY.
1. Leaf by leaf. . .
.
2. So, ia hours ....
3. Some sweet hope ....
Tra la la la
c c f c^*^ 'f"'P"j'r^^ 77"?"?"^^
the 103 - es fall,
of deep-est gloom,....
to glad-ness wed, ....
la la la la la
y </ / ^Drop by drop. . . . the springs run
When the springs. . of glad - ness
That will spring. .. . a - fresh andTra la la la la
pip L L L^m t=t •-^ ^=^^ g«i n^ \^ ^ ^
^ ^_n±-# ^ ^f^ 55^T^J^ ?Fi -Mzzzz^- z^
^pYY ^ • • 9
One by one, .... beyond re - call, ....
And the ros - es in their bloom, .
.
new. . . . When grief's win - ter shall have fled, . . .
la la la la Tra la la la 1^ 1^ 1^ 1^ 1^
Summer's beauDroop like maidGiv - ing place
Tra la la lala la la la Tra la la la la ^X%}h}h.
I -^ 1 W-ai \j ' \jAj-\j~^ y 1 \ ¥ ¥ V ^
ties fade andens wan andto sun and
la^V-9>-y-
SS^3 N N NN N N
-'^^ ^^m ^^ tt44-^-^ '0^m-43tEji as
1/
^ ^ ^ I
Tra la la la la la la la la Tra la la la la
die; But the ros - es bloom a- gain, . .. And the springs willgusha-
pale; We shall find. . . . some hope that lies. . . . Like a si - lent germ a-
dew; Some sweet hope. ... that breathes of spring, Thro'the wear _^- y win-ter
la la la *^ J:IJ^A,^. J:IIA,I^
^
new, In the pleas
part, Hid-den far
time;....,. Budding for
la la la la Tra la
aut A-pril rain,
from careless eyes
its blos-som-ingla la la Tra la la la
^ M. ^ ^
In the sumIn the gar
In the spir
mer's sun andden of the
it's si- lent
Tra la la la la
|j-)B-^hi^^mk^p %» f »—p *i f *i y=^-^-^ ^ ^ YV-Y
i^1 1 m M ,
* * * r—dew,. ... In the pleas
heart;... Hid-den far.,
clime;... Bud-ding for..
Ia la la la
-0-0-0-
- anc A - pril rain,
. from careless eyes
its bios- som - ing
3aiIn the summer's sun and dew.
In the gar-den of the heart.
In the spir- it's si - lent clime.
m.I m ^ fct
tH -f-
Ifc^m=n •V-V=aV= ^E=^
52 SONG OF THE CLOCK.WM. H. GARDNER. J. H. ROSECRANS.
I« 44=1^ i r ^^^=r1. All the day2. When the hap3. While we grow
Tick, tock, tick,
and all the . night, How the
py boys and girls. En - ter
and learn each year, Pa - tient-
tock, tick, tock, tick, tock. Tick, tock,
94»=^^m "•-^ -•-^t= f
§I^ i ^nizH ii—i i i -(5)-^
old clock ticks a •
with their bags andly it ticks a •
tick, tock,
way!books,
way,
Tick - ing when the sun shines
On bright eyes and shin . ing
And we leave it with a
tick, tock, tick, tock, Tick, tock, tick. tofk.
pi ^7 ! 7^7 ! ?t t5k 1/ k ^q= V-
iftr^ t I^=^
bright,
curls,
tear,
tick, tock, tick, tock.
Tick - ing when the sky is gray.
With a wel - come face it looks.
When there comes our parr - ing day.
Tick, tock, tick, tock, tick, tock, tick!
m. £^ 5» 7 I 7 f-^ 9-^f-f-^h-p-^
5 V-V"
«
pKEFBAIN.
t i*: ±3E * -7-H^
^=f i^EEt^ *±-^
^^^-^f-
mTick, tock, tick, tock! Al- ways cheer-ful is its greet- ing; Tick, tock, tick, tock!
t s*fe ^7-* 7» 7^ 7
ift -N——^ S-
i=^^ ^=^Hark! 'tis sing - ing, "time IS fleet - ing; Work a - wiiv then.
m H-V- ^
^ ^/ l^ > ^From "The Messenger of Song." By per.
:rt=i=d=^Song of the Clock. 53
i^ff i^-f^ T 5:
mchil - dren, dear, You
Youmust start your life work here."
must start your life work here.
"
"m^ t/- -^
J<X\^^A1V^ jJ^ PADDLE YOUR OWN CANOE.
ORLANDO. O. S. GRINNELL.
5—g—rj^r~^~*-*1. If called to stud-y, work or play, Whut - f"er Ihy hands may find to do,
2. The great- est thing in life to know, Is do the right in what you do,
3. See those in life who've made a mark, Whose no - ble deeds the world can view.
^^=^9%S4%i >^ £-V- > > > -^
mm W^^ -^. * +-s^
p^
Ac - cept the help that oth - ers bring, But pad - die your own ca - noe.
And this is most-ly done by those Who pad - die their own ca - noe.
Their life should lead you in the way To pad - die your own ca - noe.
I I m1= 5^ 1r—
^
-V-
CHOKUS.
Ii
i^ 3ES t^—i—i ^=t
mJust pad -die your own ca - noe (ca-noe,) Just pad -die your own ca - noe (ca-noe;)
^E=^=:^ -»—P-
^l-- ^
V-V- -^
^=^i
ii*^ 8 t S * £3
Sue- cess in the end will sure - ly at-tend ; Just pad - die your own ca - noe.f
i^•^ A •»
^ f-
b ^ ^ S-
-V- -\^
H 1
—
V
—
^ ^m i
54 MUIR.Parallel Keys. D Major and D^ Major.
Teaching: Tune. Sing by Syllable. Sing in both Keys.R. EARLE.
tefesg :^ a rJ d#=^ r^—
^F=^-is:
1. See the mora - ing sun-beams, Light- ing up the wood,
S^ mtHy-HMy i:?=3t ^. ^,-
i^ W * :^
2. In the leaf . y tree - tops, Where no fears in - trude,
3. Bring, my heart, thy trib - ute, Songs of grat - i - tude,
Ft^ izi=ft^ -# ^^ p^^^rr^v-f-
^:^9ttt ^—rs^^-g^
Si - lent - ly pro -claim - ing, 'God is ev - er good."
^«=a|=^ -fSJ-f
-t-^I3t ^ ^ :.'i '^^Mer - ry birds are sing - ing, "God is
While all na - ture ut - ters, "God is
I i—
I
ev . er ^ood."ev - er good."
^mP^nz: i pf^^ d rJ
A. B.
Teaching Tune. Sing by Syllable.
WILLSON.Teacmng '
ALFRED BEIRLY.
d d-\ ^
d d It H—
^
d d9 9
1. March-ing forth in life's great con - flict, On to con - quer ev
sa ^^^-t~i-t-i 4-J-^ I^-m—m—m—
«
-m m m m'—
H
\ H—'—S'•# 0- ^ • ^
2. Firm and stead • y, still ad -vane -ing, 'Tis a sight most glo - rious;
m^ 4Wf=i=M' ?^?^^^
mm^ #=^p^ ^ ^ 0- 0-H h I*—
^
Fierce - ly tho' the bat - tie ra - ges, W^e will fal - ter iiev er.
» i i Ifc^ i^^i^ H h^ #^ ->;I ^ » *
In the name of Christ our Cap - tain, We will be vie - to -
-^
nous.
-^—^—^
—
p-
-0—•-
?^ P=^=^ ^ I
HAIL, CHARMING SPRING!LIZZIE DeARMOND.
I
RICHARD EARLE.
55
^
Come, Spring, with thy bow'rs of beau - ti • ful flow'rs, Frommoss-y beds creep-ing each
The birds now re - joice with ju . bi - lant voice, The brook-let is rip-pling a
I g^^f^l^ ^ ^ r [If ^ t^—t^i/ ^' ^ 1/
^^£M=ri S£ ^J j IJ a J J ^^
oth - er to greet ; Bright sunbeams are gleam-ing, Earth wakes from her dreaming, Tosong on its way; O'er mead -ow and moun-tain, By riv - er and fountain. Spring
I9^ b ¥ ^ K t ^fc^=t
^_; ; ; «r j^ :il
REFRAIN.
A-N ^5Me^ H^ ea tiK?
wel - come the springtime so charm-ing and sweet. ) m i i i + i i i
reigns m her beau - ty so cheer-ing and gay. [' '
• _ N N .^ ^»^ ^m. .m.
*-
—
\-j—u;
—
i-^
?ii^ ? :^=t:^-»-^5^ :t^ V- -t^—
»
Hi^ u U^ U^
I2± ai±=^ r^^~^~^ t*=^All hail to the spring-time so charm-ing and sweet; Tra la la la,
r r f^^ 1=^S{>-i»- *-^it ^ rH^ '
^ \'K 11^i^ -t^
Irft=t^ ^
Ip-«- 1^H>S ^J ^
tra la la la. With songs of re - joic - ing her com - ing we greet.
-t—
h
H»—»-
±i^?
, ^ ^ ^V-^^ =^ ^
v- I
56A. H.
KIND WORDS CAN NEVER DIE.ABBY HUTCHINSON.
Pl^^T^i 3 i ^^^EEJ I^4- 3t=ffi S
1. Kind words can nev - er die: Cher-ished and blest, God knows bow deep they lie,
2. Sweet tho'ts can nev - er die, Tho', like the flow'rs, Their brightest hues may fly
3. Our souls can nev - er die: Tho' in the tomb We may all have to lie.
1I m
-&- -i5>- -&• -i5>-^ . 1, 4 r-:=:- 4==^-ts^ -rS^
?
I ^yz ^ttJ i J. ^> 'j. i i 'jf :^
Stored in the breast: Like childhood's sim- pie rhymes, Said o'er a thou-sand times,
In win - try hours ; But when the gea-tle dew Gives them their charms a- new.
Wrapped in its gloom. What tho' the flesh de - cay! Souls pass in peace a - way.
# SS^ ^
-^^
'iSr w-i5>-
m? '^ ^ r^ > > ^
^§ i ^ ^3 ^f sz^ :sL
Ay, in all years and climes, Dis - tant and near. Kind words can nev - er die,
With many an add - ed hue They bloom a - gain. Sweet tho'ts can nev - er die.
Live thro' e - ter - nal day With Christ a - bove. Our souls can nev - er die,
^^ -#..-#- -^-(5>-M -r5>-
-t5>- ?^ 45^
>> k,- r
-7^—*-i
I-^>-
t=^=^ i a i^n^^ -g^ 's:
Nev - er
Nev - er
Nev - er
die, nev - er die, Kind words can nev - er die, No, nev
die, nev - er die, Sweet tho'ts can nev - er die, No, nev
die, nev - er die, Our souls can nev - er die, No, nev
-^ r-f- -i5>-
er die.
• er die.
er die.
m- -0- Ji— -^^^ I9i*lB-$S 14^X f-
-i5>- ^rV- -/S>-
f:^
ROUND.(Divide the Class into Four Parts.)
3
I ^ iRow. row, row your boat, Gen - tly down the
4stream
:
fe^: e^ I iP-V-zWz-V--A-
3t=i:-d d &
Mer - ri - ly, mer - ri - ly, mer - ri - ly, mer - ri - ly. Life is but dream.
Transposition by the order of Fifths 57
Key of D Major.
Sop. & Alto.
From D Major to A Major.Key of A Major. Signature three sharps.
Spell and pronounce the chord.atf i^—
^
'M fdo ^y-
Do re mi fa sol fi sol.
Ten. & Bass.
Do ti la sol fa mi re do, De mi sol.
s ^M Ie
-^rv I-#m
-0- SO\f^4—
^io
—
f5>—
I=#=^i
i
E. H. GATES.NOBLE DEEDS. ALFRED BEIRLY.
y i^^T ^=1?i-^ ?^ JTi±^ ^*'-; ^F
1. If you can - not " on the o - cean Sail a-mong2. If you are too weak to jour . nay Up the moun.
3. If you can - not in the har - vest Gar - ner up
#4 :&
the swift
tain steep
the rich—
#
a—
- est fleet,
and high,
. est sheaf,
Wi9i% t
-^ -*-M»-^^^GIM V—V-
, ^
^ Uee^s ms• J"v i
|tfr^^Rock-ing on the "high - est bil - lows, Laugh-ing at
You can stand with . in the val - ley, While the mulMan - y a grain both ripe and gold - en Will the care
^jtfj^-
the stormsti - tudeless reap -
—
^
\
you meet,
go by;ers leave:
i V-
^^^^ i~s- J- ^You can stand a
You can chant in
Go and glean a
mong the sail - ors,
hap - py meas - ure,
mong the bri - ers,
mAn-chored yet
As they slow
Grow -ing rankN N I
with • in
• ly pass
a - gainst
the bay,
a- long;
the wall.
*P
-i*t mf ^ V-
-f^
** i^ ms Si^i=?: ^
gig
You can lend a
Tho' they may for
For it mav be
hand to help them. As they launch their boat. get the sing . er, They will not for - getthat the shad - ow Hides the fin - est wheat
a - waj.
the song.
of all.
-V- ^^S -\— t±g J
-i5>-'-
^- I
58S. LONGFELLOW.Teaching Tune.
MARGUERITE.ALFRED BEIRLY.
feft—I
f—i—I-
i¥ ft ^^s1 A - gain, as eve - ning's shad - ow falls, We gath . er in these hallowed walls;
:hkm^OviJ^O^^^E^ ^ ^^i5>- -iS>-
2. O God, our Light! to Thee we bow, With - in all shad-ows stand, est Thou;3. Life's tu-mult we must meet a - gain, We can - not at the shrine re - main;
^3'H'Tifs ^
-^ji-± -0—0-
u^ ^f Iatfzi: -(22-3tzi ^
I»*
And ves - per hymn and ves - per pray'r Rise mingling on the ho - ly air.
^Ot ^¥ 1 I1-^4-^-^ fr^^I? ^^=i:f *
*Give deep - er calm than night can bring. Give sweet-er songs than lips can sing.
But in the spir - it's se - cret ceil, May true de - vo - tion ev - er dwell.
^^Wl #=F mfJI P^ ^H. AUBER.Teaching Tune.
WELLINGTON, RICHARD EARLE.
;i ^ a i^ i^* 1. With joy we hail the sa - cred day Which God has called His own;
^^^ i^ #'^-&- '-
J.' J. 2 d^i ^ -i-^
^2. Thy chos - en tem - pie, Lord, how fair! As here Thy ser - vants throng,
3. Let peace with - in her walls be found; Let all her sons u - nite
^^ is:e "7? a i5> <5>-
fe It ^ s is:
maWith joy the sum - mons we o - bey To wor - ship at His throne.
d ^ IW=^ ^ is:
S==J=^ * i—
^
-(^^^^r c-^^-^—* =^- ^ 9 •— jr^ ^
To breathe the hum - ble, fer - veat pray'r. And pour the grate- ful song.
To spread with ho - ly zeal a - round Her clear and shin - ing light.
^ i ^£ is:
:s: I
WALKING IN THE SUNLIGHT. 59F. M. D. ^ FRANK M. DAVIS.
i^ 1&^=^=*f' N t' i; 31.
2.
3.
Are you walking in the sun. light of the Lord to - day, Walking in the suu-light,
Are you walking in tlie sun-light of the Sav- ior's smile, Walking in the sun-light,
Are you walking in the sun-light, gleaning from the word. Walking in the sun-light,
teS S N Np r 1^ p
-0 « « 0r-
^ ^
5-tS^ -•—»-^^^ I' \^ \^t y-^ ^ # V—
i
^
fi ^ ri ^ X V I 1
A V ^ii-^ P N ^ V P N V i
<-' '' '
/- "if ^ J P ^ V ^ K '^ N J !^ > s orm ^ • •^ ^ N r J \
4 d ^vy) i
1
• 1 J J « J " 5 m ^-
ev - er in the light? Is your life re - fleet- ing Je - sus all your pil.grira way,
ev . er in the light? Does it keep your life from e - vil and your heart from guile,
ev - er in the light? Thro' it can you see the bless - ed - noss of Christ the Lord,
C\'¥f J |# f 1 1 •1 1
ii,i" 111\ P ' '
I'ffn-^ p ^ b • 4 4 1 1 i 1 111 L ~"-^ 'if r 1 1
I 1 1 1 1 til 1
^ ff ^ ^ U
—
V—
«
# 4 ^###« d
itfCHORUS.
dt et=i —1
• 1:^ fl -m #—
Walk- ing in the sun-light clear and bright? Sun - - light, beau - ti - ful
Light, beau-ti-ful light,
9#T~gn? £^w=^u P u ^s=^
1/ l^ ]/
Is ^=^ ^a^fi=±: *3i^ ^t=P^r-^3BE# « •
sun - light. Shining from the Father's radiant home above; Sun - light,
light, beautiful light. Light, beautiful light,
i* P • P p ^-^r* -i5^ g-g g c c1^ g rnt f=F^^I5[^ ^ ^ t/ [/ ^ [^ -v-v-
a - ^ pTJ r ^ N s V N ^ I "~n
beau-ti-ful sun - - light, Are you feast-ing in the sun-light of His love?light, beau-ti-ful light,
t*1^ ^ -P—0-
tk k k k kI ^ ^^ 1/
pr r r
:f=e:
W ^t
[) i) \^ '
'
^ \^ ^
-iSf-
r9
60 GOLDEN DAYS OF YOUTH.JENNIE WILSON. ALFRED BEIRLY.
if All sing H>>i>raii(> in unff A .- r
ison to Chorag.
S i i ^Mr s. s. t 'i.'^w • a m w
—
!HI I U
^1. Oil, the skies a - bove us are clear and bright, la tlie gold-en days of youth;2. There are voi. ces sweet that we love to hear, In tbe gold-en days of youth;3. Thro' a ver . dant vale we are pass - ing on, In the gold-en days of youth;
M± ^ -^ r g^-)8#-
IHr^ H^ k I* »--^^>-
ii
Not a cloud o'er - shad - ows the ro - sy light. In the gold- en days of youth;
And their sil - v'ry tones promise pleasures dear, In the gold- en days of youth;
O - ver pleas -ant paths have our foot-steps gone, In the gold- en days of youth;
mi p—H: ^p=yf f
^^^m #=f^^L/f^i^Li'1^1 uAll a - round us beau - ti - ful land-scapes He, Love-ly flow - ers bloom to de-
0ft the win - ning ac - cents of hope are heard. And by joy's ap - peal ea - ger
There are loft - y slopes for our feet to climb, In the un - tried paths of the
Pfc=fel=S f-)J»-
.k k rM^
4 J ^•^[f J J il l
J- /F=F-^-ttd-I
light the eye, And the mo-meuts swift- ly fly,
hearts are stirred, As we wel-come each glad "^ord,
fu - ture time. Let u« look to heights sub.lame,
In the gold-en days of youth.
In the gold-en days of youth.
In the gold-en days of youth.
^ i ^-f5^
-4—#-
Golden Days of Youth. 61CHOKUS. Sing: »11 parts.
fe^ i=i^*
la the gold - en days of youth, Time of in - no - cence and truth!
^—
g
Ir-^ £ ^ f^rf: ^^^JEe *±:5: -©-^
Iy: i
;i if *=*i:
Life is free from care, and the world is fair, In the gold-en days of youth.
# ^ h\ \
\ VfT^1^^=^ :N=^
W. T. W.
^THE DEAREST SPOT.
W. T. WRIGHTON.
—r"'—
r
t^i=s±J -5^ * ^: ^ ^
D. C. 1. The dear-est Spot of earth to me Is home, sweet hume; The fair- y land I've
2. I've taught my heart the way to prize My home, sweet home; I've learned to look with
rv-H J. r rf * r f '^Tf J f ^
I ^
.
' a. I ^— 1?
^. ^ ^. K±^ t^=^ 1c=^i^
U ^ I
Fine.
j::|:^:£[
-^^Is^^Sii^^^^i^T^t #—«r^«r'-^^—
#
-^longed to see Is home, sweet home. There how charmed the sense of hearing! There where
lov - er's eyes On home, sweet home. There where vows are truly plighted! There
are
hearts are
9# -^- ^^- ^^^-^fe
#—
^
^—^»—
^
t ME jU » ^-^ ^=tf=FF^
so en - dear - ing! All the world is not so cheer-ing As home, sweetso u - ni - ted! All the world be - side I've slight.ed For home, sweet
P p^^—»-
f:fe -W W~
home,home.
^
62 SWANDER.Parallel Keys. A Major and A^ Major.
Rev. I. WATTS. P. MALLORY.Teaching Tune. Sing by Syllable. Sing in both Keys.
?i—3—_
—
L-^-~^—I—^—1^—iw L—
1—,—1^— I ]—
.—, iL , .—[S,—
^
1
-^-yd d d £3
4ft
—^5-*
1. When I sur-vey the wondrous cross On which the Prince of glo-ry died, My
!S -^--v
i-M m -r-
3_^| l_J 41 H—gF
2. For- bid it, Lord, that I should boast, Save in th'edeathof Christ, my God; All
^ -0—#- ^^^=N=-N—N-
d—dr-rP d ^ 5 -#—#-^/—^
wyit 5 g
-^-V b^ v-
rich - est gain I count but loss. And pour con-tempt on all my pride.
m^ ^ it=j -2*:
T*-^Jrthe vain things that charm me most I sac - ri - fice them to His blood.
mi im -A-
Rev. I. WATTS.Teaching Tune. Sing by Syllable.
BEAUMONT. B. LESTER MASON.
ir
Ia "f5^ s:
tli 2^ i:^
1. Come, Ho - ly Spir - it, heav'n-Iy Dove, With all Thy quick'ning pow'rs; Kin-
te33iE^ —(5t-m -G>r 3-iSr S -^—^
2. Look how we grov3. Come, Ho - ly Spir -
el here be - low. Fond of these earth - ly toys; Ourit, heav'nly Dove, With all Thy quick'ning pow'rs; Come,
9SM ;^ -7^—^ 'Say..
ir-^y:H-d :^
(K^ ^d=^=^ I^ 5 :a: 15?;-(S^
hdie a flame of sa - cred love la tbese cold bearts of
B^^^^ iE^our?i.
^^a -i55h
I^ -(5^
souls, how heavshed a - broad^
I
a
15>-
ly they go,
Sav - ior's love,
ToAnd
—!^-
reach e •
that shall
ter
kin
nal
die
h22—"^
joys,
ours.
Z?2Z I
LAND OF OUR LOVE. 63LIZZIE DeARMOND.
> ^ N
ALFRED BEIRLY.
^ ^5^=F=^T^^TT^1. Land of our love, we hail thee, Pride of each pa-triot breast, Un -der thy flag of
2. Land of our love, blest coun-try, Well may we loy - al be. Home of our pil - grim
9idrt*:±^ * 0^0- -0 0-
k ^ M > ^ K JIS:
-»-^h—
H
^=N:^ ^ ^^' ^ ^ '^ ^ 1/
i i^5^ ^3t^ 1 H 1 J M^^ '
beau - ty Free - men in safe - ty rest
;
fa - thers, Lift we our hands to thee;
Long may its folds un - sul - lied
Ev . er thy sons and daugh-ters
I9nJr^ > r7 *=?: I^E 5 *=^Hr P: V
m ^=^N > ^
:i=4: iJ—I—I - I
—^^3^ I ;iwt SIk i1'tf
—
—0- ^ ^ V'VWave to the skies a-bove; Great is thy fame, honored thy name, Landof our true love.
Grlad-ly their vows re-new; Pa - tri • ots we, hap-py and free, Loy-al, brave and true.
#^?#- ^—
^
iE P ^ ^=tp-p-^ 3^> ^ ^ ^ ^^i^ • •/ / /
CHORUS.
^ N
I-f-N-
yi^:li 4^3^ iSfe-#j-* Sd d V^^ = * ^=*
§S^
Hail, fair country ! land of our hope and pride ! Hai' *be na-tion free-dom has glo-ri - fied
!
t±f H -+-:«c^^^^0 t^ t=^ infcjz l^c^ ^ ^
^ w ^
^ -N">.IT^ :?3t
i^ -«—«i
atzjcSEfe
d ^p'd^^.t - 0-^
Crowned with world-wide honor, how thy fame expands ; Hail, all hail ! hail, all hail ! dearest and best of lands.
#-JL
9^5M^^-MH> S E3 -(S?-
:• ^^^-0-H—)
—
y-
PP^ S^ i^ :r>«|# f |i-
v-y- ^ i
64IDA SCOTT TAYLOR.Strong accent.
WHY SHOULD NOT WE?Dr. RODNEY DAY.
Ia
5=^12Z4: ^J^f^^ :1=4::^=iF^L * ii^L :^[ i^
1 . The heav-ens are smil-ing, the land-scape is bright, The birds in the tree-tops are
2. The o - cean is sound-ing the won. der- ful theme Of God, the Great Ru - ler, the
3. The won - der-f III Gos-pel has told of His love, O'er-reach-ing the glo - ries of
-^ ^£ ^^fc-
#IP^=R I^=^X ff ^ ^ ^ k
^ ^
s •\
'\AHz 1^5: :t^^^ ^i=t v^
+ > i ^ ^wild with de - light, There's sun-shine and glad - ness from sea un - to sea. All
Fa - ther su - preme; The hills and the val - leys in prais- es a - gree, Ali
heav - en a - bove; The saints and the an- gels are bend-ing the knee ToI N
in f P %9i*r V-£f K k k r
1^ :t^
/r\ CHORUS.
** a=J=r=? S fi fN ^ fN
:& -I^
-* ^
—
^d ^—
^
^iK
'^' ^* *^'^ ^ ^ ^
na - ture re - joi-ces, and why should not we? Give thanks un-to Godna-ture a-dores Him, and why should not we?wor-ship the Father, and why should not we?
^—#-
£/?v
Give thanks unto Gods s N ^ I
§!a I4^ -Jt=xzJt—s^^Bp—»- HP »- ^?—
^
k k k H=^ 44 4 4 ^-v-v-
^ /
i*-l5= ^ 3
I9sf f C f r 1 s-^* sf r c c r7 s-
for goodness to men. . ............... His glo - ry re-sounds
.
for goodness to men, His glo - ry resounds
ii£fc^r—s-^"v ^^ ^ ^-1 (—
u- t^ ^ U'
k^=zfc=:tfni^£ te
11^
IlBiW. •- -#—#—#-
Jt- 1^ / / •1/ / 1/ • I
o'er meadow and glen ; Oh, let us give praise
o'er meadow and glen; Oh, let us give praise.
-# 9 • • #
I:^"{?=^=i^ >—
^
^ ^
Hf '^I'lUcmWhy Should Not We? 65
^ 4^Ball.
^ m^^m#—^—
^
3BI a:^E=fc^^ ^ ^ ^-ft ^ d &—I 1—3J
—
w—
I
1 i 1 1 1
'— n1 1
w w -m g- \1—
again and a-gain, Sing ho- san- na, ho-san-na, a - men!again and a-gain, a-men!
"
m^-^' v-'i^^^^^f^^3E* u«^
JENNIE WILSON.NEW YEAR SONG.
ALFRED BEIRLY.
/l 1 ^ N 1*^ N ^. SV \> j(* 1 J ^ > N 1
1 P 1 « V 1
JL J \
'^*» « lJ •^ 1 J ** * uA m ^ N •frm'^ t* w \^ ~, w 4 4 M m '
1 M J y /
v|^ n - d J J J S 9 _J ^J . .. __ .- d . i'J # hj *
1. Hear the glad bells
2. Wei- come the year
3. Ech - the mu -
N N S» J / -f-
' ' " ' ' ' ' " • • * *that ring so clear, Peal- ing forth mu - sic sweet and clear;
so j'oung and fair, Ev - 'ry - where now let love a -bound;sic of the bells, Speak-ing kind words that joy im - part;
LA. L /• • • r f r ^ ' r^ J. \) j\r\j ,j 'j i
,
k k p 1 k k k * F •f-^ 7 u G -^ k* u^ y r r 11 r 1
! 71? > « -1
—
U— Lv V / ^J* c—p 1
«^ ^ -«—-J—I
—
*¥wei - come the New Year,
peat their cheer - ing sound,
glad - den ev - 'ry heart.
Hark to the raes - sage that they bring, Bid - ding us
Sweet is the mu - sic of the bells, Glad - ly re .
Now at the New Year's por - tal stand, Read - y to
h ^ h * * .t9as\^ \^ \y
-
f-fi—b-k—
REFKAIN. \' N—
h
1 A ^J^ 11 z"^—
.1
/tVlf" 1 K^3tL J'"^ "J r—Y^^'^^^^—"^ fv J d- -li- d-^r-
r V, -* ^ ^ • • • • / ^ • ^ ^ /1
V)/ M ' • '~ ^ s» A A A A 8 « « S ^5. ^ .^ i.
-^
1/ ^ '• 'k/
Sweet is the
1 I r^ k^ 1/ 1
time, Glad...
xlad are
9 m ^ WWare the hearts. .
the hearts, glad are
mm 11
w w^ !
Sweet is the time, s
^ > > ^^ M M ^
weet is the time, ( the hearts,
^ 1
^1 ^i^' 1
1 1
* 9 it <* • W V g g* )' \f J \ \ ^ 8 B i « •f k ^ « « >^
1 J ! J i ' 1 *» 1
-^ JW 1 J J \ ^ r , ) 1-^ U' U' k
1/
V \) d d d d Lv ^^ u 1 _JV^/-^^j 1
>-fi—U^K- ^ V > ^ ff » H ^ -N ^^ V 1^ Ni --N-,7^71"^"^^^-^- hT F ^ i h^ 1
—
d ^ * d—s— j^j-i7-HrMl^ ; ^ . «i M mm ' • i 5
11 '^ • k ' IIV lv • « « - ^ _^
i ^ '• 8 « M m M J ^ n II•^
f J f r / ^ k^ '
Gay . ; are the bells that are ring-ing An -
Gay are the bells, the bells that are ring-ing
t t t t ^***^^-oth - er glad New
P f" • #
Year in.
i^* II 1' 1 1
" " ~1 ^
1 •i r II
}• -^blj J u !j ^ k k k P •r II^^-i 1
1^ 1/ W 'V 1 iV ^ i> 1^ p p p'
1 II1^
t* i> l> 'V \j P • b II^ U' t^
66 Transposition by the order of FourthsFrom C Major to F Major.
Key of C Major.8op. & Alto.
i
Key of F Major. Signature one flat. Spell ar; d pronounce the chord.
^^ 1^ miIdoI
Do sol la te la sol fa.
Ten. & Bass. .
Do re mi fa sol la ti do. Do mi sol.
^ ^ol-ig
i±* wm -\^-lo-^-B
WISDOM'S BELLS.Mrs. F. A. F. WOOD-WHITE.
^ I
ANNIE HARRISON.
i ^m-^^ t; s g s:
Hark!BraveThen
I Lear the school-bells ring - ing, Sound - ing out the
of heart, and strong of pur - pose, Nev - er heed - ing
to hon - or and to glo - ry, On we march with
:i
morn - ing call
wrong or sin,
stead • y tread,
^-*
e." -«?-
-V- ff\ I
^1 1
1
\U . \ ^ \ \ ' ^/_ i^ m . « 4 • « M 1
i
1
r/TM^ 1 1 «1
• • i 4 ' ' ' I'd^ m ' # # a 9 « 2 f «J•J #• » • W ^ •*• -«r
V • ^
To the chil - dren of the Na - tion: "Come to hon - or, one and all!''
These the men to mould a Na - tion, These the tho'ts and acts that win.
Year by year a bright - er rec - ord By the na . tions to be read.
^ • • - 1 A •#-. • ^i^' s • £ ff J
l»• t m m p # # fiS, 1
i'l r r r ^ S S r 1 : 1
|—
^
^ k • • » r W » 10 • • »1^
1 1^1
1^1 1 1
y 11 r 1 , 1 ^
r 1
1
1 r*^ ^ 1 1
1' N
'
iL 7 1
'1
11
1 _i i in < 1
fm'^ ^ M d ^ \ J • J ^ * tU ' iVW j4k -• s J i k« m,_ __ f S ..__.« •! f S V^ i W'5rJ 7 ^-' '
Come to
Worn - enWhat a
^ • ^
wis-dom, come to knowledge—These are free for all to - day;
fair, and pure, and no - ble, Trained to thought in learning's halls,
vi - siou stands be - fore us Of the com • ing gold - en days,
mm ^ d^m m \\m, -P- »» hm ^ ^\>d£^* S • S B m iP • • r 'b ••1. • r
1
r ' ^^•^ -« ' 1 LA lA m ^
1
• f^t? 1^ P P P p
I
1 1 1 • 1
i=fc 15±^ *=?S:
not the sum-mons, He will nev - er wm the way.
of a peo - pie, Quick to an - swer du - ty's calls.
bloom-ing daughters Walk a - breast in wis - dom's ways.
Who - so heed - eth
These the moth - ers
When brave sons and
»rf^=H^l
WEBER. 67A. RIDDLE.
Teaching Tune. Sing by syllable.
* '1 ^ 1
K s S N* 7»* J d P • « ^ P P \
' 1^
^ \^ a m •1
•1 m ]JfA ^
i 1 4' \y '\j • tl# 9 • ^' » » 1
1. Wbere the flow'rs are sweet - ly sleep - ing, In the deep
1
and si - lent
y *\ K N N P N '^ ^ 1 , t ' 1
vl f»* ^ P J ^ m H^ 1
rr^'^i J m « « • i i d J « 1 1 W-l 1
V J 4- |» •# 1 •• • # « 5 __. Z\ J # J # 1
2. Where the bird's wee3. Where the night-bird's
nest
songis swing - ing,
is sound - ing,
• • m '
In the be-'ch-tree
With the gen . tie,
boughs a -
coo - iug
k \* Q « m « * « ' '> S V 1
^ 1. »S f f r f ^ ^ ^ V \ N 1^ 7 'B J ' F , 1 , 1 , _i « ^ \
r> 1.
1
.
[^4: W ^ ^ k' ^ # L#-^-HI J J
i :t^ ^ ^^^ IS-tS^ V-
grove, There the moon's
isoft beanas are creep ing To speak of love.
i H :^P 32—i^i F
bove, Theredove, There
the naoon'i
the quiv
pale beams are bring - in^
'ring leaves are bound- ins
A thought
To notes
of love,
of love.
9^ -^-
^=^ V--V-
Teaching Tune. Sing by syllable.
EMERY. RICHARD EARLE.
# #=^-i:^ =^
1. From skies that were so gloom - y, The clouds have rolled a - way;
t*# ^ 1ii ^^a^i^i^EiEEE^SEE^I
(S^-^
2. The birds are sing - ing sweet - ly, I hear their glad re - frain;
vr^zff g 3^ ?^
MT-
i^ ^ -<5>-
And now a - mong the ro - ses The sun-beams are at play,
^ tJt±ZZ^i J d—^1—kg
—
9^~i—g -St
And with them I'm re - joi - cing That sun-shine's come a - gain.
9' ^—:^ I
68 ANGRY WORDS.Mjn&fi. B. LESTER MASON
-f^ ms i=i—
1
sa ^ t1/ 1/ 1/
1. Aq - gry words are light - ly spo - ken In a rasb and tbo't - less hour;2. Poi - son - drops of care and sor - row, Bit . ter poi - son - drops are they,
3. Love is much too pure and bo - ly, Friendship is too sa . cred far,
9^ ^^=^^^ ^ ^ -V- -V-
:^=a: * ^=i-+- ^':?
Bright - est links of life are bro - ken By their fell, in - aid - ious
ing for the com - ing mor - row Sad-dest mem - 'ries of to
a mo-ment's reck- less fol - ly Thus to des - o - late and
•- ^ P^ ^ ^ ^ ^ ^ ^ ^u.' r-^i U IC
WeavFor
pow r.
day.
mar.
e e'\? ^ u
f ^ fc=tz:
s BE^S ?t—4: -V-
Hearts in
An - gry
An - gry
spired by warm - est feel - ing, Ne'er be - fore by an - ger stirred,
words! oh, let them nev - er From the tongue un- guard - ed slip;
words are light - ly spo - ken, Bit-t'rest tho'ts are rash - ly stirred,
#• #• X #• #-
§S >—jy-
^ U^ -V- -V i> ^
I9~^ ^ i
Oft are
May the
Bright - est
rent past hu - man heal - ing By a sin - gle an - gry word,
heart's best im- pulse ev - er Check them ere they pass the lip.
links of life are bro - ken By a sin - gle an - gry word.
t=^a= y->-
-\^—V- i^
THE RAIN STORM.KoumJ in Four Uivisions.
2
Drip, drop, drip, drop, drip, drop, drip, drop!
(^^^^^ a^g^^a^:{!=ft—!;5={!=£^
Pu,' • ter, pat - ter, pat - ter, pat - ter, pat - ter, pat - ter, pat - ter, pat- ter, Pour!
Anon.
HOME OF LIBERTY.
N
69
^ iDr. RODNEY DAY.
i;4~=!Vt J-^-^4:-3-4 1±it :ittr
0^-0^
1. Let U3 glad-ly sing, Hill and val - ley ring, Sons of free -dom, join the lay;
2. Let the might-y sound King the earth a-round, That we fear no ty - rant's sway
;
^ ^—U—
g
:^^
i9?^ T^M^ :^c=^ ^ t^- w :^-V-tr
3^
i~J J *:
i: JZ-n^ ^ 5C=*:s ^?*E8
fAnd with heart and voice We will all re- joice. Hail Co - lum - bia's Na - tal day!
And from shore to shore Let the can - non roar, Dear Co - lum - bia's Na - tal day!
^ t m9t^^a ^
^CHORns. -^a i^ ^rTs 1/ ^ ^
Sing for joy, Co - lum - bia's free, Wave ber
Sing for joy, Co - lum - bia's free,
'P^f -•-*-
:^
I
im /^
A7^
#^ *^iF-#-^ ^7
flag.
9^
Waveo'er land and sea! Raise a
her flag o'er land and sea!
_# p-^,
# «H P #S*-t*r
-i5?- ua i1^5fct p. ^ J J^-J+5=^^-^—
^
songRaise a
^,
s If 1/ I!!
to our dear land, Glo-rious home of lib - er - ty
song to our dear land.
t^^ >_r 'V s9^=^U' ^ ^ ^z^=^
IV fj I # I
70 CHASE.Parallel Keys. F Major and Ftt Major
Rev. J. A. WALLACE.Teaching Tune. Read by Syllable. Sing in both Keys.
feW}?^"^ ^"^:zzss i f ^
p. MALLORY.
>^ N ^it ^^ W
l^te1. There is an eye that nev . er sleeps Be -neath the wing of night;
I N ^
J fefe^4
»
1 8 « ; « :
*=^^ i 9 *
3f^«==^
^2. There is an arm that nev-er tires, When hu-man strength gives way;
a-t 3E? s H h I^V-
^ s 3«=i: Itz=lc ^There is an ear that nev - er shuts, When sink the beams of light.
§^ igg^ :^ 5 i SThere is a love that nev - er fails, When earth - ly loves de - cuy.
t^zzz-^—i ^i—N N—:r-
—
~r~,—N V 1 ^ti^
-^—^
—
^ -id ^ I
Rev. ]. S. B. MONSELL.Tepf'hing Tune.
MOUNTZ. RICHARD EARLE.
^«| i -^- ^ 2^
1. Sweet is Thy mer - cy, Lord! Be - fore Thy mer - cy - seat My
^teI i Xtf-^ ^ ^ ^F-g EE^^^^^ :^
¥2. My need, and Thy de - sires, Are all in Christ com-plete; Thou3. Wher - e'er Thy name is bfest, Wher - e'er Thy peo - pie meet. There
4-^jja ^
l5>-i-
St^^—g-
»6 :^^ ? ?^
H h
3soul, a - dor - ing, pleads Thy word, And owns Thy mer
%i-^^ ^\ U-, \ f^ \ ^-r-H —-^•
cy sweet.
ms i^ i^t a J ^it? ^I
cy sweet,
cy sweet.
hast tiie jus - tice truth re - quires, And I Thy merI de - light in Thee to rest, And find Thy mer
1 f-^ g I
Transposition by the order of FourthsFrom F Major to B^ Major.
71
i
Key of F Major.Sop. & Alto.
Key of B^ Major. Signature two flats. Spell and pronounce the chord.
IigDo sol la
Ten. & Bass.
te la sol fa.
=t
I
I
Do re mi fa sol la ti do. Do mi sol
p p-^mlSi
i=^-•—
^
i'J^
19 12p: i #—
^
* 3t=t ^ZZt^ hS^r
v^
W. C. J.
SILVERY MOONLIGHT.
m^ §
W. C, JORDAN.
ijt^ »ii^iij ; ; ^ ^^^
1. The sil -
2. Our eyes
ver mooD ad . van - ces
she gen - tly clos - es,
O'er lof - ty bill and tree; Who,When dai - ly toil is o'er; The
i=fLi I t i t§5i^f r=i^ -w-
»-*—»—»-
-V-
^^^3 J J
'mid the star - ry dan - ces,
wear - y earth re - pos - es
So beau - ti - ful as
Be - neath her sooth.inK
I^^ ^ i £P—»-
1 tr
i^ I:^
i3^- i^She comes,
Our heav'n
INST. ^
SO soft - ly steal - ing,
ly Fa - ther lends us
A - cross the still - y night;
This trust - y friend by night;
How manMay He
§sfei
y hearts are hail - ing
a spir . it send us
Her mild and friend - ly light.
As pure as her pure light.
i -« F F- if—^-+-|>^_^pH
72 SPREADING A RUMOR.THEO F. SEWARD.
Says Gos-sip One to Gos-sip Two, "Wbile shopping in the town, Old Mis-sus Pry toSays Go8-sip Two to Gos-sip Three, Who cast her eye-lids down, "I've heard it said, to-
Says Gossip Three to Gossip Four, With something of a frown, "I've heard strange news, whatSays Gos-sip Four to Gos-sip Five, Who blazed it round the town, "I've heard to-day such.M. .m. .M., .m.. JL ^ ^ ^ ^
J—I—.—
—
^^-^
Tt^TTT
I^^ ^ ^ N
^^ 3t^ ? Iy y y 7 - -T:±jjii=Mt^:at i^ '^^=^i=i
me remarked. Smith bought his goods of Brown, Smith bought his goods of Brownday, my friend, Smith got his goods from Brown, Smith got his goods from Brown,do you think? Smith took his goods from Brown, Smith took his goods fromBrown,shocking news, Smith stole his goods from Brown, Smith stole his goods from Brown,
Of Brown? Of Browu,From Brown? From Brown,From Brown? From Brown,
k. ». From Brown? From Brown, ^ ^
^^1 ^».7 iP= ^ V-^
Sostenuto.
i-^^
GOOD-NIGHT.(Male Voices.)
ga y ^4^ i^ ?t=^
1. Good - night, la -dies! Good • night, la - dies! Good • night, la -dies! We're2. Fare - well, la. dies! Fare -well, la - dies! Fare -well, la -dies! We're3. Sweet dreams, la - dies! Sweet dreams, la - dies! Sweet dreams, la- dies! We're
I III! /z_'4 gj
, Ji-S—
#
-^^ ^ t ^3
M ^ :« "^M«^i ^m^ 17—rt
goin to leave you now.
^!^4±^UU^=i^k^MMer - ri - ly we roll a - long, roll a - long.
Jl_ti. j:^
•#—
#
I^-1^—d^-#—^ ^^
Repeat
^PP
e^—r-r * f~T7-=8?: 5
roll
^
^a - long, Mer^ ^ ^
^
§ari- ly we roll a - long, o'er the dark, blue sea.
CITY BRIGHT AND FAIR.Mrs. F. A. F. WOOD-WHITE.
N-^
73
^ALFRED BEIRLY.
-N
—
^ N J ^ N ^ r *
1. I am tbink-ing of a cit - y bright and fair, Inthat land of love and beau-ty o - ver
2. There's no weep-ing in that cit - y bright and fair,—Nev-er,nev -er wail of sor-row nor de-
3. I am speed-ing to that cit - y bright and fair; As I jour-ney I'll for-get my load of
tP P ^ P F P P f .P P P P H h #^—
^
n4 E > k K k K -^g
I-*—
h
-»
—
9- -»—»-
P=fct=t^=tC
I
^^ ^ U' t^ ^ ^
N ^ ^i^^ fc=^=*:i^^—iH-
^-t[^g—
^
15 ^^—*^^4-
there;
spair,
care
;
I shall join the ran-somed throng, Praising God in joy - ful song, For there's
For there's gladness o - ver all, And its gio- ries nev- er pall, And there's
For my Sav . ior went be - fore. And I'm long-ing more and more For the^^^^ ««.«>.t—f. t g—^—g l> % ^=^
9fe t ^ ^HS?-*- V--V-
t\ 1
Ik N ^Ik N ~
f,'^
CHORDS.) \\^ s P 1 J J ^ ^ s 1 # m •
iLb J « •^i
^ 1 « /-^ • "^ 1 r r rITV d '« 9 2 J ' 4 • ^ •^ 1 m La • m m J\> y r r • * ^ i 3 m ^ ^ 1 • 9
hapnevman
m
• pi - ness and wel-coine
- ver room for sigh - ing
- sion tiiat a - waits us
P P P P F
ev - 'ry-where (ev - 'ry-where).
o - ver there (o - ver there).
o - ver there ( o - ver there).
J ^ ^ 1
[we
m
have
m .
"i 1
a man
m m
sion
•i^' 1. u L . S m ' m ^ 11 1
!• > • » » b P F r R • X* \w » • F • p-^ -» 1 1 1 \ , \ \ \ \ W\ rD • "^ 1 r C^ ,i—-u u '^ 'y y_^ 1^ t^
'—
I
-l-U-V—-^
^ i^-i5>-
t J^Cj-j-^g < 4 l^ —S-^—J-^ 3t=PE
full of light and glo - ry, Where for aye we'll sing prais - es to our King;
-U^^
^^M' ^ ^ ^ b^ V-V
^^ =F^ A—
^
/C\
id <
We have a man-sion full of lightand glo - ry, There we will maketiieSavior'spraises ring.
p p-p r p9^^fe*=^
P P P P P—P- ^ P P P P-F A U 1
\
—* ^^^—^ H» » * »-
-1 1-1
'
—
'^ [^ w ^ fv-±
-r-
I
74 CARR.Parallel Keys. B^ Major and B Major.
Teaching Tune. Sing by Syllable. Sing in both Keys. ALFRED BEIRLY.
sj==r S -^ -s^ * i ^1. Gen - tly eve - ning bend - etb O - ver vale and hill-.,
2. Save the wood-brook's gush - ing, All things si . lent rest;
3. Rest - less thus life flow - etb, Striv - eth in my breast;
£: -f^
I1 42-
-^5^ ^ ^4 ^i ^
scend - eth,
rush - ing
stow - eth
-T$>-
world is still.
o - cean's breast,
eve - ning rest.
iJi
Soft - ly peace de
Hear its rest - less
God a - lone be
-:^
AndOnTran
the
to
quil
i _/C2L
I3^«1^^ f P -r5>-
J. MONTGOMERY.Teaching Tune.
ROSCHE. ALFRED BEIRLY.
^ 1©- *^T a
1. High - er, high-er will we climb Up the mount of glo - ry,
2. On - ward, on - ward may we press, Thro' the path of du - ty;
mm mrt^"T ^ f
mfcim i© ^^^^^ 1^ 3^
rt
I
That our names may live thro' time, In our coun- try's glo - ry;
Vir - tue is true hap - pi - ness, Ex - eel - lence true beau - ty;
^ - ' - - ^ Sr - -^ -F -^J£ ^ P^rr-f-r
% id:* ..Li I ^ ii3t=if
S;
Hap - py, when her wel - fare calls, He who con - quers, he who falls.
Minds are of ce - les - tial birth, Make we then a heav'n of earth.
<Z-it ^m
Transposition by the order of Fourths
From B^ Major to E^ Major.£e7 of B^ Major.
75
Key of E^ Major. Signature three flats. Spell and pronounce the chord.
/TV,
1atz* iat ^^d—»-
#—P- ^=^80l-(5?
i±
Do sol la te la sol fa. Do re mi fa sol la ti do.
^ -#-
_ ^ -# -F- 4-
IT^^ ^ iAo-^-
sr d .. <?
I^aModerato.
I g
VESPER HYMN. THOMAS MOORE.
tii T * -t'^ V :t -(5^
1. Hark! the ves - per hymn is steal - ing O'er the wa - ters, soft and clear;
2. Now like moon - light waves re- treat- ing To the shore, it dies a - long;
fz * =^^9^ ^ ^?^f-^-z f
i^a ^i ? t'^ ^ I
Near - er yet, and near - er peal - ing, Soft it breaks
Now, like an - gry surg - es meet - ing, Breaks the ming -
upled
ontide
the ear
of song.
i: s^z-ir-r-^ E±±z f f
i i ^^J^ ^=* T -rS^
Ju- bi - la* - te, Ju - bi - la - te,
Ju - bi - la - te, Ju . bi - la - te
Ju - bi - la - te, *A - men.
Ju - bi - la - te, A - men.
ui ^:N=^ ^
rit.
Iiii i >*W-ir^Far - ther now, now far - ther steal • ing, Soft it fades up - on the ear.
Hark! a - gain, like waves re- treat -ing To the shore, it dies a - long.^tI 1E
f I•-^
v=F^=F=*Pronounce as in Id or/a-ther.
76 SWEET MUSIC.LIZZIE DeARMOND. ALFRED BEIRLY.
^m*1. Sweet mu - sic gives new joy to life, Drives sor-
2. The earth entranced ia si - lence lies, While na.3. Sweet mu - sic gives to pleas- ure birth, Tunes life
-'S^^^
^Jifcfe-^- -(S-
i5>-
'r^ f
rows's clouds a - way, Withture's glad re - frain, Liketo mer - ry lays. Up-
P f ^—HS2O ^s* :^
W- EP^E^:^3 ^=j=
=^-($^-^j-^
rain- bows paints the dark - est sky. Turns night to
wave- lets rip - pling on the shore, Floats o - ver
lifts the soul where bright-ly shine The sun . set's
glo - rious day. Whenhill and plain; Ascloud . less ravs. Then
£ -S>-
3E^P^- fafeti
I;'
r? K—
^
W- -s'-H*-
t* ^ -!^-Cit (S^-*--«-^-
-iS- 3^wear - y spir - its
loud and clear the
sing, and flood the
faint and flag, It calms the troub - fed breast, Withfes - tal notes Jn har - mo - ny as - cend, Fondworld with song. It needs a strain of joy; Let
e fe e ^ -^ -(2-
iifefc^ * +5^
i% W-
^ P^^F=F
± ^itk ^^^5^-<^ ^' -<5>--&- -<5>-
mag - ic pow'r soothes ach - ing hearts, And lulls the soul to
mem - o - ries of oth - er years With them re - joic - ing
mu - sic's thrill - ing har - mo - nies Their mys - tic spell em
rest.
blend.
ploy.
e^^^E^^f^-^ ^r=^^
^t ^F
CHORDS. Spirited.
i^E? iarTzit=a(:
>^^ # »^
^'hen sing in sweetest meas-ure. Fill life with endless pleasure, O cheer the world a-
J I N!
J'3t3t :£ ^ p ^ ^ '~
9iifc4£3=f=lf
rt=gr- m ^
Sweet Music. 77
I fa-^4^^aa ±tfc
r
aE^3^s* H-i-
--^=^=n^i :^
long, With hap -py notes of song; Blend your voi-ces, sweet -ly sing - ing, Like the
_ ^ nitpC:
-#-•#-•#- 19>-
lEf9^I
t!5^
^dz +5'-^
i""I rm—7*5
i
"
i- I*^^ ^PSEg ^i^i=i=i- -<5>-^
birds that soar above, Set the sil-v'ry ech-oes ringing, Swell the golden chords of love.
4 8=*^ Is±
I^
fcZ2^
iiLegato.
INVOCATION. Words and Music by
T. LORIETTE HARPER.
f^=^ :^^ 3^^?=i Tdawn fromday, in
the
1. When at
2. All thro'
3. When at
the
the
life's close
mfr^r~Ffe
rest - ful sleep a - wak . ing,
Thy dear love a - bid - ing,
deep - 'ning shad - ows length - en.
S -^ V-
^^fcfcS: ^ I i=lt JES aZlL PWhen beams the sunMay thought and deedA - bide with us
\t=^
I
on us with cheer-ing rays,
be pleas - ing in Thy sight;
as e- ven- tide draws nigh;
^2—
Then, Heav'n-ly Fa - tlier,
Tho' wild the way, in
Our shrink-ing souls do
^t £X »=ttHr V- PV-
rp^
j;^M-/ I%-i-^i—i ^=t ^world
ThyThou
§5^
- ly cares for - sak-ing, To Thee would we di - rect our songs of praise.
kind care con -fid -ing, With steadfast hearts, oh, may we walk a - right.
in mer - cy strengthen, And take us to our Home-land in .^ . . the sky.
tt fr t
-^1:s:
f^m^W I
78 SHALL WE MEET?AMANDA R. MEUSCH. ALFRED BEIRLY.
pm^i^-'^i^^hau^^si^1. On that hap.py, gold-en shore, When all earth-ly strife is o'er, Shall we meet2. In that cit - y fair and bright, By the throne of heav'niy light, Shall we meet3. In that realm of light and love, Our e - ter - nal home a-bove, Shall we meet
Sliull we meet
^i 4^PJ^4^4^^ I
—
p-
I*=|c £Si *—i.' V^
:t^ ii=m^ ^^ 5 S^^by and by? Tho' we jour-ney thence to stay. In that land of end-less day,
by and by? Tliere's no sor - row there nor pain, Where the blest shall meetagain
;
by and by? Will we join the an- gel throng In their glad triumphant song?by and by?
^^^i
m ^^ A-#—#-^' *^ f P > P ^-s -pj—
^
V—V—V:•^1-y—
^
CHORUS.
i ifeWL S_ ^21 ^3^
Shall we meet our friends in glo - ry by and by? We shall meet o- ver
We shall meet
—P^-#—^; '^ k I r r f-m^Vizit
r-p 17 M-
^^^ ^ h ^ t^ a ^253t^ :fc t=fc:iSm ^H * i^ bt j 1 ^ » *
there. In the pal-ace of our King, We'll u - nite His praise to sing; Yes, we'll
o - ver there,
^ ^ ^ I
' -»-•«--•4—^
—
.^-0^0—^—1-4^ ^—
^
^9^ :^-H P m p p p p-s ^ • ^ ^/^
i^=t£v=?=
-1-^- it:^ A-^--<5>— M=^g=p=^ * tS^
meet o - ver there. In that laud of love and beau-ty bright and fair.
Yes, we'll meet o - ver there,
9'^—
^
P- y ^E»^ r-r-^-it—f—0-
Mj vr^1/
^ ^ l^
SHERWOOD.Parallel Keys. E^ Major and E Major.
CHARLES WESLEY.Teaching Tune. Sing by Syllable. Sing in both Keys.
79
p. MALLORY.
w^.H ^±jt. ^i* ^
I
-z^1. Depth of mer-cy! can there be Mer - cy still re-served for me?2. 1 have long withstood His grace; Long pro-voked Him to His face;
3. There for me the Sav-ior stands, Shows His wounds and spreads His hands;
j!2^
'Um-p-f-m ± En a2=:^s £2:4 f=f P r^t-f
ii i3EJ ^Can my God His wrath for - bear, Me, the chief of sin - ners, spare?
Would not heark-en to His calls; Grieved Him by a thou-sand falls.
God is love! I know, I feel; Je - sua weeps, and loves me still.
^m i 5 =^If
H!5^
f
THOMAS SHEPHERD.Teaching Tune. Sing by Syllable.
Itt
McELWAIN.
nALFRED BEIRLY.
-& P^m ±ji: 3t^Ut^ t* i 'Up T1. Must Je - sus bear the cross a - lone, And all the world go free?
2. How hap - py are the saints a- bove, Who once went sor - rowing here!
3. The con - se - crat - ed cross I'll bear, Till death shall set me ^free;
wmf ^ f[ir ^ p4^n^^^^
ifeim i ISEES# iS^
^QNo, there's a cross for ev - 'ry one, And there's a cross for me.
But now they taste un - ming - led love, And joy with - out a tear.
And then go home my crown to wear. For there's a crown for me.
Pi *t) n
Ifw I
80 Transposition by the order of FourthsFrom E|> Major to A^ Major.
Key of E^ Major. Key of A^ Major. Signature four flats. Spell and pronounce the chord.
j^l-^ ^^^ /TN
u\^4S^smi^^Do mi sol te la sol fa.
^—(S>-
Do re mi fa sol la ti do.
I:i=?c ^-T^ £ -dom^!^?U^Jyw^
s^
OUR NATION'S BANNER.LIZZIE DeARMOND. ALFRED BEIRLY.
i:??: i i ^^*
4=^ ^itt ^J=lT 7^,~i~^'
ty bright,
a - far,
er die;
-H ^ J-
f1. Wave high our Na - tion's Ban - ner, Gleam - ing with beau2. Borne through the din of bat - tie, Hon - ored by all
3. O - ver its blue is writ - ten Names that shall nev
M f"—
q
T^ ^
I ^B-#^
—
u ji^ ^5-^Tell - ing
Long mayPride of
the world of free
the light of free
our hearts for - ev
dom, Em - blem of truth
dom Shine from each stripe
er, Float, proud - ly float
and right.
and star.
on high.
tfe^g2^ES ^^=F
^-»- rf^CHORUS.
i ±1N-^i-Uj—J—J—>-^:
Let its folds wave high to the sun
ti=S: ^^
.^ .^ J J
lit sky. Pure and stainless may ttiey be
;
is:wm^^^^= ^^rn2=5^=y: ^ -V—fa^- !?^
-w—
^
i !
I'Of:SES*! -N-H5 ^feyjimt
-^i^-^ r^ 3tzZ^
For our flng so dear "five a heart
-0 'zr»
^ 3^13^
. y cheer, 'Tis tliepledgeof
-#
—
^^ ktf-
Lib
-b-iL
or - tv
f^i^-^
^ I
HOMEWARD BOUND. 81
W. F. WARREN. C. S. HARRINGTON.(Harmonized.)
im :£ ULJ-^UJtk t^ .^^ V :i:^=J: :^1. Out on2. Wild - ly
3. In - to
an o - cean all bound - less
the storm sweeps us on as
the bar - bor of heav'n now
we ride, We're home-ward bound,
it roars, We're home-ward bound,
we glide, We're home at last.
\——^ •—"—I—
i!iSigJilJUt, 1p=^
i^ ^s ^ ^^ i3=^ :i= -^^—
^
home - ward bound;
home - ward bound
;
home at last;
Tossed on the wavesLook! yon-der lie
Soft - ly we drift
of a rough, rest - less tide,
the bright, heav - en - ly shores,
on its bright sil - ver tide.
-f'
\ r'
r I L L^^ J ^
^ ^± i t ^1 .L-^.hi l-l:;-:4^-j-^Trm
We're home-ward bound, home-ward bound.
We're home-ward bound, home-ward bound.
We're home at last, home at last.
Far fi'om the safe, qui - et bar - bor weStead -y, O pi - lot! stand firm at the
Glo - ry to God! all our dan - gers are
-*—5 5^
i fei-^—
.
tk -&- -^n >^J J. J I J J.-=^
-TSh ^ ^- j^:^-•^—•^
rode, Seek - ing our Fa-ther's ce
wheel. Stead- y! we soon shall out
o'er, We stand se - cure on the
• 9^—fi-
les - tial a - bode,
weath - er the gale;
glo - vi - fied shore;
Prom - ise of
Oh, how weGlo - ry to
9 »-.
-»-
fe- M- :N=N:^-
Wk mi±^ S=St^^which on us each He be - stowed;
fly 'neath the loud-creak-ing sail;
God! we will shout ev - er - more,^We're homeward bound,We're homeward bound,We're home at last.
home - ward bound,home - ward bound,home at last.
i§^ r r- e—
^
21:>—^->u kJ
82 BEYOND.HORATIUS BONAR.
i ^- N—N-
ALFRED BEIRLY.
r^ -N-!
i'i J ^ ^^ **^=^H (-
I^tjttJtlt =^~f • ^- ^ * ^
I I . . I
1. Be - yond the smil-ing and the weeping, I shall be soon; Be-yond the wak-ing2. Be - yond the blooming and the fad-ing, I shall be soon; Be-yond the shin-ing
3. Be - yond the part-ing and the meeting, I shall be soon; Be-yond the fare-well
-#—#- ^ t~9—P-
-^tm g ^I
'^^
^- s h I h h ?^ t?r K' k K ?
^-^I,Nj ^r^ fcrtr ^*-
5 :it=? prt3 < < j i ^-^#i^and the sleeping, Be-j'ond the sow - ing and the reaping, I shall be soon,
and the shading, Be-yond the hop . ing and the dreading, I shall be soon,
and the greeting, Be-yond the pulse's fe - ver beating, I shall be soon.
^ &=f:g % > xp k r gb—1-2—h
i b—ta-P-
#—•- JT.
I
9^ i^IP f=P^t^=^
H» • #
^'\J ^ '^ -^
u ii^-V-Vi/
BEFKAIN.
IiJdiAirj i^-H^-^ 3tE=^-
:i^ ^-J'v -r v^r=^ ^#- i jat ^ #—j-^—I—
h
^-.* #•#Lov^, rest, and home!. ..Sweet, sweet hope! Lord, tar - ry not, but come!
ijtgte:^r-T7G^^ 9^9- #-T-^-f -9^^-m-
9J^^^ -^^^
LIZZIE DeARMOND.
HPUSH AHEAD.
(Children's Song.) P. MALLORY.
^3L^i=^ ^T*-^1. Per - se - vei'-ance gains the day, Push a - head, pusli
2. Let j'our aim be ev - er high. Push a - head, push
£^a - head; Learning paves with
a -head; You will con-quer
^=?=9Sfe 3t=^
-h hat=it: S^y4> ^ fT :t: -V- V-
1/ ^ U 'k^ 't^
Cho.—Per - se - ver-ancewins the race, Push a - head, pu.sh
\ ,.Fine.
^a - head; At the top you'll
S K
i =!^^=^ mtk t I III^-'^-^—m i h _ _#•-#•- "* #• -^-joy our way. Push, oh, push a - head. Seeds of knowledge glad - ly sow,
if you try. Push, oh, push a - head. No such word as "fail" we're told,
I
4m^ +-; T hr SJind a place, If you push a - head.
Push Ahead. 83
m ^ 4^^U. C. for Ctao.
mP=P^^i *=* J'^=i ^ ?i*•^ •# H'
I ^fSoon their man-y fruits will grow, Then a har-vest rich you'll know, If you push a - head.
Write it out in let- ters bold ;la your heart this mot-to hold: 1 will push a - head.
P P ^ i 4^ #—
^
^—p- ^inr—
r
1c=^ ^^=^i^i/r ^ r f=t£=^ ?
i/ ^ [/ i,i-l-U—
u
f d » »t- b b l- D-
I
JENNIE WILSON. THE CAROL OF SPRING. alfred beirly.Brightly.
%3:5 ^^3 =it=^
: * * f 25*-
1
.
Oh, the car - ol of spring, Its sweet ech - oes ring, Thro' depths of the
2. When that joy - ous re - fraiu We hear once a - gain, The cold, storm - y3. la the sea - son of spring, Wild birds gal - ly sing, While mer - ri . ly
^ri. L t^^=^w^ ^
f iF=^=M^f^^^m %•
^ ^f^^J 3^ ^ I
I
for - est, o'er bill. side and vale; As it floats on the air. While earth seems sowin - ter has van-ished a - way; And from beds in the mould New flow - ers un.flit - ting from tree un - to tree ; And there's man-y a voice That bids us re-
*^^^^^• •: E E^
it:
1^D. S. Wel-come, car - ol of spring! Glad car • ol of
Fine. ^ 1^
i ^I^#-
m
fair, It tells us that na - ture's rich gifts will not fail, \
fold, A - wak-ened from slum - ber by spring's gentle sway, v Hap - py car - ol ofjoice, Oh, beau- ti - ful spring-time that fills us with glee.
)^ ^ !^ I I
^:^ ^N^ ^i
f=f
i
spring; We list to its mu - sic ivith grate-ful de - light.
I
4 ^ fe^ D. S. al Fine.
a i© s^^ i i^rspring! Sweet car - ol of spring, Re-sound-ing when days have grown balmy and bright.
I JL ^ M. .^ ^ III94-^-J- S
?* i
I
84 MARCHING ON TO VICTORY.H. R. P. H. R. PALMER.mm i S=:t^=:>^«^=^ 3^ ^^^=P= *
1. March -ing, march-ing, march-ing on to vie -to - ry, Eaise our ban - ner high,
2. March-ing, march-ing, march-ing on to vie -to - ry, See the dread-ful foe!
> k k^IM ss=4^
t= =^=^Cho.—Marching, march-ing, marching on to vie - to - ry, Raise our ban -ner high,
n I+ s IS s.
Ft N C ^ r:? m * 1 « !
' L^ 1 1
i L 1 _P m' i ^^ ^ fl « d 8 • S * i M J^rm « • f 2 • • r^*^^ 8 9 9s ? 1• F a * 4 dV y ^ S • 1
• • • »1 J 5_ . . . _C • •
Tj J•J
1
• •1
Let it reach the sky;
Hear the cry of woe;
• • • •
March-ing, march-ing.
Weep • ing thou-sands• • • •# -^ #• «•
1 1 1
march-ing on to
urge us on to
vie - to - ry.
vie • to - ry,
t^*^ f F • • F • i» '^ k * k k • . • F • F k • k F-JaIf r (^
I
^ III V 1 &1 P rzf^T^ \j ^ L/ S 1 ^ S b Tj \j fj 1
K- 1. . , , , ,
i
Zet it reach the sky; March-ing, march-ing, march-ing on to vie - to - ry,
\ ^ Fine.^ ig ^S£m^ r=ni^r^^Lift the temp'rance banner high, "Touch not, taste not, ban- die not" the dread-ful thing,
Fal - ter not, but on - ward go. Sweep -ing, surg-ing, like a might-y ti . dal wave,
9# I
*" f f'.fr*'' rt:^ ^ p=^rrr -V1/ V '/ k'
i^yf i/ie temp'rance banner high.
e; fe
i ^^i * 8 I » S:^"^
94
Serpent fangs lie bid-deo Id tbe bowl; "Touch not, taste not, ban-die not" the
Far and wide tbe wbelm-ing wa.ters roll; Vie-tims soon will be be«yond our
5 £i-t^-
^-
:i=D. C. for Cho.
ff#3^*^|iEaiPP^T^^fffl^dread - ful thing; Poi - son not the pre-eious soul. Broth-ers, let us then be
pow'r to save. Soon they'll reach the hor - rid goal. Broth-ers, let us then be
5*: * ?^M: I
Used by per. of H. R. Palmer, owner of copyright.
SING FOR JOYI 85
Brightly.
Words and Musi~ by
ALFRED BEIRLY.
-N H HY^"^ r^ s—N.-K r I —p—N—^-4^->d- —-d y-"-*-
J^ ^ * * 51. Wake, ye Lap-py hearts, and sing On this glorious day! Let your sdngs of gladness ring
2. Let your songs of mirth resound On this glorious day ! Pleasures ev-'ry-where a-bound
P^ ^rr^ % i9- Mt * p\f »=p=
E *=t 1^- >—b-y4^ =^^ ^ ^ ^ ^ ^
iI:
-N—N ^
—
\t N s—1—r—V iv r-—sn—^—N r
-<&
* ^ s ^On this glorious day! We arei hap - py, one and all, Hearts are light and fa - ces bright,
On this glorious day I !0o not let your tho'ts be sad; There is more de-light in store:
m -^ -^ -^ ^ t^ -#. -#-
H 1 h h—rtTH» * »- tr ,f f-^-V
—
^-V ^ b' S^-H^ ^ -V 1^ IH' V
—
'^
^ v ^
K^ i
CHORUS.' Ni^n^tm^^ ^
s^^*y T^ #^
And re-spond to pleasure's call, On this glo-rious day.\ (\ f •
f•
i
Lifeholdsmuch to makeus glad, On this glo-rious day.j
° J jj & J j
BiM ti^-h h h h\^ ^
"f.-V—t^—t^—b^i^ 1^
*»:/
fc^^riifej_i i < j j i
j i-8-*g I ,^(^ifbj=jFf"T
Hearts are full of glee; Sing for joy, sing for joy! We are gay and free: Sing for joy,
fct ^m I iS^ i^=*
^ ^ '• 1/
ECTgt#at?^/i3:' ijij.asing for joy! All is bright and fair! Heaven smiles up- on us all, There's gladness ev'rywhere.
m^^. ^f=f^ *—^—K f:n ^^F^^.»—m-
IJ ' tr3—1»i^=^-» »—# 0-
i> 'v ij/ 1/ • 1/
V 1^ ^ u^^ ^ y y i^—y-
86 THE HARBOR BAR.
JENNIE WILSON.Moderato.
(May be sung as a Baritone Solo.)
RICHARD EARLE.
% ia ^^\-^-^^^^ ^ i <: ^j—j^^^^-
1. On the might-y o - ceaa of life I sail Where the waves are white with foam,2. I can see a gleam, o'er thesurg-ing tide, Of the bea - con burn- ing bright,
3. O'er the har - bor bar is the rest I seek ; There the wa - ters are se - rene,
4. Oh, the home that lies o'er the har - bor bar Has a beau - ty nev - er told;
^' ^ ^i±3E
A At=^ 1^
=#=F:ru
:^ ^^M j-u-^H-t^^ ^
But 1 know, while fac - ing the storm- y gale. O'er the har - bor bar is home.
O'er the dusk - y bil- lows my course to guide By its pure and con- stant light.
In that port no wind blow- eth cold and bleak, And no dark- ling clouds are seen.
There we'll an-chor soon where the ran-somed are, And our Pi - lot's face be • hold.
PiA ^ -s^
-u- r—TT-r.#-.# •#^- -^ -^
1^—
iI V- *=t Si^
' I
KEFRAIN.
3/TV
*I ' I » -y-^T^^*
^^—;r
O'er the har - bor bar is home, .
.
is home,
9^ f'^^
I I
i
O'er the har - bor bar is home;..is home;
fc3^*^^
fc=t
fe^^^iE^^^ ^-=—«—^^3
1 shall moor at last, with all per - ils past, O'er the liar - bor l)ar at home.
^m- i*•-«*
3=^^^ ^^~p- ^^
1
OUR HEROES. 87EBEN E. REXFORD. B. LESTER MASON.
^mrr ^-^
1. Here's a band to the boy who has cour- age To do what he knows to be
2. There's man - y a bat- tie fought dai-ly The world knows nothing a
3. Be stead-fast, my boy, when you're tempted, To do what you know to be
Hright;
bout;
right;
P^PE'"-i^-^-^-^^ f-=fz ^^—0 m4=it t
»¥=¥
ii=d d d d d ^ »—»—»- :^+-s=^.1 ^^—I—1
—
^ u
:^=^^ ^^^ *=^=4:
J_J* * *
When he falls in the way of temp- ta - tion, He has a hard bat - tie to fight.
There's man • y a brave lit - tie sol- dier Whose strength puts a le - gion to rout.
Stand firm by the col-ors of man-hood, And you will o'er-come in the fight.
^te^^ ^L-^» ^ £¥ > >I
\»—»—»-
rk k k tet>!-* V- ^^^^'• 1/ ^
IM: tnrtE: t:
M-r-ZIJi: j'lj,^^^
-«-T-«-
St=J:
fWho strives against self and his com - rades Will find a most pow - er - ful foe;
And he who fights sin sin- gle - hand . ed. Is more of a he r ro, I say,
"The Right" be your bat. tie - cry ev - er, In wag-ing the war- fare of life;
« !-• # # 0-
r r rI
g ^EfTf ?^
,1^ i r i ;i ig_8 ^ d . d d ^ ^ J M,^
All hon - or to him if he conThan he who leads sol-diers to bat
And God, who knows who are the he
9#^ y d5^=y= a »—F- ^
. quers, A cheer for the boy who says "NO!"tie, And conquers by arms in the fray,
roes, Will give you the strength for the strife.
H#—»- ^±^¥—¥-
88 CHARMING NATURE.ALFRED BEIRLY.
Not toofast.
t iw- * -d- * ^ • r
t:
1. How love » ly, how charm - ing hath na . ture been made! The hill in the
2. How green are the mead - ows, how bright is the morn! How glit - ter the
3. The as - pen tree flut - ters, and whis - pers it's fear; The lin - den in-
^ I#. #. ^ ^
9^^-ir i r r r i£
r r r' r
ip * w- ^ # -«^ -^ • • f
£ ^ *i^ ' *sua-shine, the walk in the shade; The wild rose a-dorn-ing the hedge with its
dew-drops on lau - rel and thorn! How pearl - y and pure is the bri - er in
vites all the bees to draw near; The wil - low bends low, its frail branch-es to
^ F^f^-^mfi-t^
KEFKAIX.
-tS- #s ^-^J^
bloom, And load - ing the air with its wealth of per - fume.
bloom! How love . ly the May-flow'rs, how sweet their per -fume I
lave In the lake, where the clouds seem to float on the wave.
i^e^ 1
O na-ture, sweet
w mt--^^
^^^
^ Ii -<&-
^1^-^-* it^na-ture,Thy cbarmsare uQ-told; We love,dear Cre • a . tor, Tby works to be. bold.
wm ^=F t ^ # pIr—r=g ^ # 1^
i^=t=t ^K K K 4S^
THE WILD ROSE.Andante. WERNER.
1. Once a boy a wild rose spied. In the hedge-row grow - ing, Fresh in all
2. Said the boy, "I'll gath-er thee. In the hedge-row grow - ing;" Said the rose,
3. Thoughtlessly he pulls the rose, In the hedge-row grow - ing, But her thorns
-V- -V- J=^—tf=3N: :t *
The Wild Rose. 89^ *:
i^^^a_B_
its youth - ful pride, When its beau-ties he"Then I'll pierce thee, That thou may'st re- memhis arms op - pose, Vaia - ly he la- ments
•
, _ J . .
€ «-
des - cried, With joy his heart wasber me," Thus re - proof be-
his woes, With pain his hand is
mm iv^^#-^ ^Cres.
m Kni H-j^yj^j^i=itt
glow • ing; Lit - tie wild rose, wild rose red,
stow • ing; Lit • tie wild rose, wild rose red,
glow - ing; Lit - tie wild rose, wild rose red,
In the hedge - row grow . ing.
In the hedge - row grow - ing.
In the hedge - row grow - ing.
-» W'-^-J
^f
*4 t=]cff
mf Lively.
i
SOME FOLKS.
(College Song.)
Words and music by
STEPHEN C. FOSTER.
^^f=i=.%i i i-^ i i d,
\ i 8—8-i1. Some folks like to sigh-
2. Some folks fear to smile
3. Some folks fret and scold
4. Some folks get gray hairs
Some folks do, Some folks do; Some folks long to die,
Some folks do, Some folks do; 0th - ers laugh thro' guile,
— Some folks do. Some folks do; Oth-er's hearts are cold,
— Some folks do. Some folks do; Brood- ing o'er their cares,
^ N
ml I I biU^ h t-
V- f=f: t=f^V—V- V-
CHOBDS.
-
J I J i j'
l^ ^ tBut that's not me nor you. Long live the mer - ry, mer - ry heart That
id T^W 5V 9 9 V 9 V
^^ *i I^? A-^a W * i^4^i-t
laughs by night and day, Like the queen of mirth. No mat - ter what some folks say,'
_ - _ - _ * •^- -
9'
r^=^ 51 t
v-^-
H
n :N=N:-t*—
V
^
90 THE SKATERS.
Cheerily.
Words and Music by
ALFRED BEIRLY.
I ^I
ifad^^=JF=S=
i=T 3E -m ' #
1. With spir • its high and fa - ces bright, And joy - ous bursts of song,
2. Come, join our gay and fes - tive sport, And fill your heart with glee;
ti
^ k F^^=^
IM
i& «-»-j- i : i i ^ w^A . cross the frost - y plain of ice We gai - ly speed a - long.
A - mong the joys for old and young There's none more pure and free.
9# i m-4—
f >-^f
su REFRAIN.
:^^ ^ t>> ;
M' *' * •'
Our joy - ous hearts are light and gay, We're free fromOur joy-ous hearts are light and gay,
P^S 4-fi—
^
— —•
—
0-
£s 7 y •/ -^f—s—
^
nPfe ^ i 5?—
:t^ ^y f f f -
L'lM^i^'; blbT'T^'? Mbl^^^care, no ills be - tide; Our songs re-souud both far andWe're free from care, no ills be-lide; Our songs re-sound
-#
—
0-^^fTTf t IS 7 y •/- » 7 y 7-:^E=^
^ i iit^ -(5?- ^=^iitljt
-#
—
0-^' rr^r r
"7 >? 7 >.
P^near, We know no fear as on we glide
botli far and near, We know no fear as on we glide, as on we glide
ftn—
V
D=F^-s- ^ i
^—ft—0-
^ I* :tzt
:a; &
ffl Moderato. Gracefully.
KEEP SINGING. 91
mDr. RODNEY DAY.
^ I I
I i*=^ %r. Sing on, sing on, while yet the days Are bright with flow'rs of glad-ness;
2. Sing on, sing on, the balm - y air With joy - ous mu - sic fill - ing;
3. Sing on, sing on, the list.'ning birds At -tune their cheer -ful voi-ces;
p
S -pT ti
i ^i S ^s F=^=f ^ ^m
V I 1/']
i'
Sing OQ, siag OD, nor let a tear Dim this glad hour willi sad - ness.
Sing on, sing on, the tiap - pi • ness Of youth . fal hearts dis til • ling.
Sing on, sing on. while na - ture glad In Ter • nal spring re - joi - ces.
* ^S: f^^^^
Ii
KEFRAIN.
^^-r^ -.._A^^ j^a j^-ih-t-
^ F 1 'xT~y ^r^
m1/
.
Sing on. sing on. To care a thought de - ny - ing. Sing on, sing
•> ^ JSlug on.
-•—#- f=f 4:1 ^^-#—»-
5tf-i^
Sing on, sing on,
^ u I'—- 1 ^ f^
i r--«^ •^^#
—
0- ±jLon, While mo-ments fast are fly • ing, are fly - ing
;
sing on, ^ ^ ^ , , , ,
^S £
Sing on, .... sing on, Sing
^=1= ^s -t^-#-+-
^
iI
Sing on, .
.
Sing on, sing on, sing on
,
sing on;.
i ^v—
«
d: i M^ ^—^-
^^^F^Sing on, sing on, Sing on, sing on,
on, sing on
i: ir ' xi ^
m.T^- ,t=J-
1^ -S-^
^Sing on, sing on, sing on
92 MUSIC EVERYWHERE.
i,
Words and music by
ALFRED BEIRLY.
I-t5>r iT
1. There's mu - sic in the for - est wild, In coves and dells en- tranc - iug; The2. The wav - ing trees chant sym-pho-nies, While bloom the fra-grant flow . ers; In
3. All na - ture swells the joy-ful strain lu grand, me - lo - dious meas - ure, And
ii»^ % t4S^
^ * ^f f -J^-^lt~-^id-S—^ li—#-
mbrook-let sings in mer - ry tones While o - ver peb-bles danc - ing. The Day-god doth dis-
dul - cet lays the mer-ry birds Re-joice 'mid sha - dy bow -ers. The o - cean waves in-
gloom-y shad-ows fly a. way, Dispelled by smil- ing pleas-ure. There's joy-ous mu . sic
^ 0- M -^ -^ m ^ ^ ^^ ^ P Hr-l
£ X
Ii: i 5tM %J \ (—W"l « . m -. ' h^—^-^#
—
0-
^ -i&
pel the night With radiance ev - er cheer -ing, And na-ture voi - ces her de- light Eachtone a song Of deep and full vi- bra - tion,Whilehillsand val-leysvoicetheirjoy In
ev • 'ry-where, Ore - a-tion's voice is ring - ing ; From ear - ly morn till e - ven • tide The
pirgtrrp >T > s '¥=W-
^ ^ P >
f ^=^
sI
rrsBEFKAIN.
i=i :a=a::££
«-i^ s^t^ 3t=i:•0- •0- -(9- -^
morn at his ap - pear - ing, \
loft - y ex - ul - ta - tion. VRe-joice, re-joice! lift up the voice Of tune-ful ad - o-
world's great voice is sing - ing.j
m H »\—H*-^—»—b-TH
—
^ ^ ^H» »-
i—«
—
d—J—I
—
\
—\
—-)
—
^
^r\
^#-#^-^ ^4 ^ra - tion! Re-joice, re-joice! let all a - dore The won-ders of ere - a - tion.
H * j=tI ai ^
n
BOYS MAY WHISTLE, GIRLS MUST SING. 93
Arr. by F. E. R. FRED A. FILLMORE.
I^ =^^^ ^5^^^^^:s£
1. Grandma Gruflf said a cu - rious thing, Boys may whis-tle, but girls must sing;
2. Boys may whistle, of course they may, They can whis-tle the live-long day;
3. Grandma Gruflf says it would not do, Gives this ver-ygood rea - son, too:
4. I asked Father the rea - son why Girls couldn't whistle as well as I;
-N—Pv-^--> i-r-kg^ P F P ^ i9^^ -^—^
—
\
—^—I
—
'—E
—
w-»—»—»—»
—
» 9 PF^-\i^—^
i?c^
f ^-^ t-t'-' r r H I J ^ ^3n?#^g
r-^*_* -s^
That's just what I heard her say, 'Twas no longer than yes • ter - day.
Why can't girls whistle, too, pray tell. If they manage to do it well?
Whis - tling girls and crow - ing hens Al-ways come to some bad ends.
Said he, the reason that girls must sing, Is be - cause they're a smgr-u-lar thing.
r ^ ^ ^ ^ ~^~^UhhhU- -f-f-r-
^ ^H H-
-«—
«
-9^=^0-
IH»—
»
^H^H»—»-
-b^—t^-V-T/-^—V
ICHORUS.
Boyg whistle.IB tits. ^^Girls sing:.
^ nA2^
4.^=^
Boys may whis-tle, Girls must sing, tra, la, la, la, la, la, la;
m^ 9 »
^-b^^^
d: ^ i?v=-N ^E^^^^^^S^^^^f=i
r3=
Boys may whis-tle, but girls must slug, Tra, la, la, la, la, la, la, la, la.
Tra, la, la, la, la.
wjfrf. r r-r-^jE^ -1^^-^
If==^Used by per. of Fillmore Bros., owners of copyright.
^±
94 LOVE AT HOME.J. H. McNAUGHTON.
^^- i^-3^:-^ ga. y
ty all a - round,
tage there is joy,
en smiles a - bove,
Tliy mer - cy mine,
When there's love at
When there's love at
When there's love at
Then there's love at-#-* #-
home;home;home
;
home;
1. There is beau
2. In the cot •
3. Kind • ly heav
4. Je - sus, show
Iff:m^s^f-
-^--^^5= :^
lit * :^
There is 3oy
Hate and en
All the earth
Sweet - ly whis
in ev - 'ry sound,vy ne'er an - noy,
is filled with love,
per, I am Thine,
When there's love at
When there's love at
When there's love at
Then there's love at
home,home,home,home.
-iS>-
Ef5>^*?^= (S-
I ^ -^>-
-^-<5>-
Peace and plen - ty here a - bide, Smil - ing sweet onRos • es bios - som 'neath our feet, All the earth's a
Sweet - er sings the brook - let by, Bright - er beams the
Source of love, Thy cheer - ing light Far ex - ceeds the
ev - 'ry side;
gar - den sweet,
az - ure sky:
sun so bright,
9:,l>^k f=f^ ti—t ~^-
%IS-
Igi^ I a ^=^^^=^5± * 1^3^
-J^-^ ^
,
Time doth soft • ly,
Mak - ing life aOh, there's One whoCan dis - pel the
at home;at home;at home;at home;
-iS^-i-
sweet - ly glide, When there's
bliss com-plete, When there's
smiles on high, When there's
gloom of night, Then there's
love
love
love
love
~f5>- J=^=fi^
Love at home,Love at home,Love at home,
Love at home.
1?=^-©^
rOv iTy
'^
1l±3^ t tz IK
P V-
Time doth soft - ly, sweet - ly glide, When there's
Mak -ing life a bliss com-plete, When there's
Oh, there's One who smiles on high, When there's
Can dis-pel the gloom of night, Then there'sI h -I
I
Love at home,Love at home,Love at home,Love at home.
^ r^s:-w-
-I
—
^love at home,
love at home,
love at home,
love at home.
-G>ravc/ W
E. A. BRININSTOOLModerato.
THE OLD BIRCH GAD.(Humorous.)
95
ALFRED BEIRLY.
rTN my "K
~N -l-t-j
t=i^1. How those boy-hood rec - ol . lee - tions thrill a
2. In my mind I still can pic - ture the im-
3. Whenmy heart was all a- flat- ter, and my4. Oh, those hap- py days of boy-hood! How I
-^^^ ^ ^
^ J Ji i j-«—#-
)"
^
I-N—N- -K—N-
,f J r J- ^ p p ^ 9 P 9^W=W-
5 i=at-#— ^ M—¥- ^-^chap from head to toe, As I let my mind me. an - der to the days of long a - go!
press-ive lit . tie scene-Scholars' hearts all pit - a - pat- ter, and the mas-ter, grim and keen,
pas-sionin a whirl, For a cer- tain red-cheeked, stocky, pig-tailed, little, country girl,
look back to the time When the world was gay and ro-sy, and when life was one sweet rhyme I
. ,
^1^
V ^ 7 ^ N 1 V N N r^ r^N N '^ !> P' 1
/_ 7 1
^ J ^ V r y J J m m P P J ^rm^ > • d d a P ' m m
1 r r ' « •vw ' • d 9
1 1 r'"^ L;
When a fre(
1 can ses
I conceive
How each tec
3k-led, bare-foot youngster,
! the an - gry pas - sion
da cer . tain long- ing
L - der rec - ol - lee - tion
H
I was ta
gath - er
to let
left its
ught to learn
on his mo -
all school du .
im - print on
the ru
bile fa
ties sti
my he
le
ce,
•ay,
art,
Laid downAs the
And to
As I
-0 [. t- 1
^"^1
-k-fy^—
•* *f 1 •? J —ir 1
1
—
•f ^ V "~P—5~N»
frY\> •^ ' J ~ « / « 7 2 ~ 72* i •V
\>\) « « 8 pj* 1^P
A•9
- r .5. -#•V •
r—^ 1
C\' L ^ -^ p-)• \> 1 ^ •f V !•<»]*» P _ N»^ ,',1/ .V / /
i ' /\
" "^ -- >
^ > » m ' k i ^
ii'
96 The Old Birch Gad.
J.r 1 V /O^ m(-V '' -T ' ^. N S fL N N n > N 1 _ 1
/L J r • J > NP» s J 1
' 1 k srm ' « ^ M J J « K ' * ' ^ « ^v]) / • • J^ "^ - J -»j ^ ^
by the Stern old mas - ter in the lit - tie coun- try school! Ho'T myau - thor of a cer - tain bit of draw- ing he would trace. I re-
toss love - la - den mes - sa - ges that blush-ing maid • en's way. I cancall to mind the "do - in's" in which I per.formed a part. But of
/-€—frk- T/V\
/TTti"^•r~±~ •f
1—•i *r *r 1 *f
^^v»
\ fr?)^ \> V d / m 1 • / 1 \~
1 __ i r*<
[vy -' -J « m J ' ^ 1
^ J »- ^ 5 tl^ i 9* *
i L\* 1
11
i
#• > 7 •1 1 *r - •r rl ^ *^ i ____ •* « 1« 1 N* 1
\ ^ 7 l/ ^ / ' Hi / ' 1/ _ _ •^ 1
\ P > « ^1 \ \ m 1
-+ —t-
•m•
+T-*- # -# -\r
A==1^^=^:??
-#—#- f=qct A—f^-
=J4 4 ± V-^' t^
mind grows rem - i - nis-centwhen I think a- bout the days That come trooping, crowding
mem- ber how he questioned ev- 'ry schol- ar in the room; I can see my - self, the
look back to that morning when I hap-penedto in -cur The master's wrath byall the scenes that haunt me of that dead and bur . led past. There is one act in life's
I I
iI J
-\ Sd 4 S d
t=s
d-^d—d
^T^-^
^ f ^-
-N—^ fTS i^^^^^T-^=#d—d -d—
d- ^ ^F=^ f d d s/^-
for-ward in a dream-y, mist - y haze! And my back still seems to tin - gle, as it
cul- prit. draw-ing near-er to my doom; And 1 tec - ol - lect the pain- ful aft - er-
flip-ping honeyed "po - e - try" to her. Then I wished my flim-sy trou-sers held a
dram-a which in mem- o - rv will last: 'Tis that vi - sion of the mas- ter, as he
The Old Birch Gad. 97
iN N N
t1
P—
N
^tk J=3^ ^did just as a lad,
meeting that was bad,
cot- ton- bat-ting pad,
put me to the bad
When the mas-ter warmed it for me with the Old Birch Gad!When the mas-ter made me « 'holler" with that Old Birch Gad!As he raised the welts and ridg-es with that Old Birch Gad!
With the smarting business-por - tion of an Old Birch Gad!
„ cnoRVs.-A lleg-ro Moderato.4'^!^ N N N
:^=3tI»-^H»- ^ lF=t
And your back still seems to tin - gle, as
And you rec - ol - lect the pain - ful aft
Then you wished your Aim - sy trou - sera held
'Tis that vi . sion of the mas - ter as
it did just as a lad,
er - meet - ing that was bad,
a cot - ton - bat - ting pad,
he put you to the bad.
^m^^ --^=^ ?2=5:g ^ b g ^\i^
$r*5
^3^I—I
-g:^
U-iiTTTl" ^^f ^
*»-^
—
tr
liSl fcl§m ^\t±±i f ^=F\^
\ I
/TN
/ 1
-> b ^ V p ',V \ ^ ^ J IIVL r? 1
'1
'
J , 1
' "^ \ 1 : ^ J i IIrm "^ ^ J m ^ « I
'
« flw Wl C IB
y}]) 9 •, • i A ^ 9 w J 1
WhenWhenAsWitlj
- •
•
the
the
he
the
•
-0-
mas -
mas -
raised
smart •
#-
ter
ter
the
ing
• i
warmed it
made youwelts andbusi - ness
1^ ^
for
'hoi -
ridg
por -
you with the
ler" with that
- es with that
tion of an
•
OldOldOldOld
•
f
Birch
Birch
Birch
Birch
-0-
Gad!Gad!Gad!Gad!
r\» u 1 , f f
""
""
r ^1 II
T'l \^^ P 10 1 'I ^ lA A 9 II->' b K 1
'
m b1
1 1 IIl^ !> U \j ^ 1 J
11 b II
_c L_.| |„m,„ 11 f^"" r-
'^ k ^
1
1
iibt^ r^
'
-f^ ^ \ -d d h-Hrm" ^ J ^ ^ ^ i . . ._ « d tp* • a a 4 1
\ vM; J ^Zi <! ^ 2 1
1
« -^ -0- d 9 • w w
Jn\' '
1
F f w P w ' El( * 1. > J » 1 19 t il\^ 7 r i
k iw P
II\ V \) \ b -M——
P
^ —J—-«
1 k—
u
1
98 THE CUCKOO.IRA B. WILSON.
imw- tr-fH^--^-
_
51^ s ^ >^ N—1
—
—V-I
, ^-—1-—^—I—^1 SD-
r-s r-s ^*—y^—
#
1/ ^ I
"^ 'y ? '^ v^
1. Now the sun is set-ting in the west, (in the west,) Sinking low be-hind theSinking low be - hind the
2. Cheer - fnl-ly you see yon shepherd boj(8hepherd boy) Climbing up the crag-gyClimbing up the crag - gy
- • - - ±_,_^_*_^_^_!_^_^^ a—a—• p«-^«—^^^—^ ar:
^ ^ ^ ^' S^ ^ ^
1i=5=l^=t -^g-1^=g^
fc=fc:^=tiE—
I
=:^1
—
I
s I . I ^ —!-:—^—
^
"i
-#-.-#- #-.-#- =- -0-lhU%--0-. ^' -0-' -0- -0- -m-.-^- f ff -#
^ ^ ^ ^trees,
trees, be-hind the trees,
rocks, ; .
.
rocks,the crag-gy rocks,
And the cuck - oo, as a wel - come guest. Gen - tly
a wel-come guest.
As he then be-holds the dap - pled sky, Pleased,thethe dap-pled sky.
Hy-^-te k~|
-#—#-*—#-•-*—•-
^» ^ ^-^i=^^-r-y :
CHORUS.
i±i^»=tc=l5=»:
l- i i/ 5! l-»-^
m &^-v
1^ ^
,^:^
I-N-^ ^ a
P ^ •• ^ I Ui b ^ > 5woos the eve-ning breezeGen - tly woos the eve - ning breeze, the eve-ning breeze.
cack - . - - oo's notes he mocksPleased,the cuckoo's notes he mocks,his notes he mocks.
N Nrrs
Cuckoo, cnck-oo.Cuck-oo, cnck-oo.
La, la, la.
^mm
THOMAS MOOREm
EVENING ROWING SONG.ALFRED 6EIRLY,
99
± ^It-A-^- S
1. Faint- ly as tolls the eve - ning chime, Ourvoic-es sing, our oars keep time;
2. Why should we yet our sail an - furl? There's not a breath the waves to curl;
3. O - ver the tide, this trem-bling moon Shall see us float o'er sur - ges soon;
k^ M>4 I \j \j I h-
:^c=^ :Ml-^-^
i^=?:
i itIgSt
t *i^:
t=#i s^#—#-
Soon as the woods on shore look dim. We'll sing our part - ing hymn.But when the winds blow oflf the shore, We'll quick- ly rest our oar.
May the good Spir - it hear our prayer: Oh, grant a fav - 'ring air. (Row, row.)
* * ^^ n LAi
y'PK E :N=N:-»-=- f
it: •<C .ST
CHORUS.
P^fii-PS—
^
^^*-iSf' S
runs fast,Then row, brothers, row, For the tide
Row, row, row, row, row, row, row, row.
J
P^^W=tirE>EEJEg
i -» h
*=^-•—!•—#-
-V-J-
Row, brothers, row, row, brothers, row,
I2=»:s S: ** ^ -^
i/
brothers,
row.
And there's dan ger be - yond; Then row,
Row, row, row. row.
^ 3 L I ttfc
I^
^ ^ \JRow, broth-ers, row,
4S ^fci:g?: t i=^>-r1^
•^ ?: ;k~
row. And day - light fair is,past,
row, row, row,
•|-I -I I s --J
past.
-(^
^^ ^^ ^s -0-^ ^rev, brothers, row. And day - light fair is past. Then row, brothers, past.
100 SWEET AND LOW.ALFRED TENNYSON.
P Larghetto.Jff,
JOSEPH BARNBY,
Ej^#^^-+—
—
h -^^-^'^' ^ ii~M^=i=^ -•—-•-+t
IfS—^—-i^ 0^-^
1. Sweet and low. sweet and low. Wind of tiie west - erit sea. l.ou. low.
2. Sleep and rest, sleep and rest ; Fa . tber will cotne to thee s>oii. Pn st, rest on
5^ jc^i; -p-ir •—•^
£ fc=p: -jg-—ff
»-
-v'—V-
A;: a:
i«/*rrN / ^ mf
ern sea.breathe and blow, Wind of the west
moth - er's breast; Pa - ther will come to thee soon
O - ver the roll - ing
- - ver the
Fa-^her will come to his
Fa - - ther will
5t ^: i» C-3E3E ^9= E *^ -V- -t^
vc/
^-^ ft
H ^ iatft ^fc?1^ ^•-^va - ters go: Come from the dy -
wa - ters go: Come frombabe in tlie nest; Sil - ver sails
ing moon and blow; Blow him a -
the moon and blow;
all out of the west; Un - der the
gain to
sil - ver
come to his nest; Sil ver sails out of the west;
r-
i:
^ N ^ r*,
jiz:±L 0-^ /_ ^9^=^
-V- f> ¥ k^
V ^*=^
Dint
:^:^
<7\ Rail, e dim - in
^—r^- i=^- ^«
I
- - - -I
do.I
khfcf( Ip-#^•^
* ' -0- •#-
me, While my lit - tie one, while my pret-ty one sleeps.
moon.... Sleep, my lit - tie one, sleep, my pret-ty one, sleep..
mSi/
t4 it td-ia^^itk^S*^ ^ i^a
t'
ROCKING THE MOON TO SLEEP. 101
(Affectionately dedicated to my little son, Bdbert KniglU Wilson.)]
H. LEE ROY HEYWOOD. IRA B. WILSON.
Andante. M v^^ ^—^-±:
^ l^w^^-^ ^^i=^^^^ t=r M ^V
and the winds are low, And the flow-ers are sweet,
ing a mournful song, With the whis-per-ing of
ly a -cross the sky, And they whisper with ev -
1/
1. The night is still
2. The winds are sing
3. The stars trip soft
so sweet;
the deep
;
'ry peep
I§iHS: w \j \^-
^^^Flowers are sweet, so sweet;
Whis-per-ing of the deep;
Whis-per with ev - 'ry peep,
Ifc=:s£5 it
T^ ^—are rock- ing the
that fol - low wherea - rock - ing the
AsAndAt
the mist •
the dream-the dream.
y streams from the hill - side flow, As the clouds
boat glides with its sails set long, On the mists
•ship sail - ing so slow - ly by, To the clouds
V S. / J ' ' '
*4p^^mmHe
Ii^^^ ^ * #
so soft . ly, love, As the
ding gen - tly, love. As the
a - sleep, my love, While the
moonnight
moon
to sleep; And why do you sigh
tides creep; Your head is now nod -
to sleep; And now you have fall'n
fe^ ^^fe';.'r r r- ^5^=*V
i^ t
Rit.
% Pt* ii=J: J*1^ ^i—ii^
clouds are rocking the moon to sleep?
clouds are rocking the moon to sleep,
clouds are rocking the moon to sleep.
J J^ h ,s
^m Ji=?c S
Rocking the moon to sleep.
Rocking the moon to sleep.
Rocking the moon to sleep,
f ^ M S^I^ -^^:tc
ing, rock-ing, rocking The wild and la - zy moon to
ing, rock-ing, rocking The la - zy, wan-ing moon to
ing, rock-ing, rocking The tired and drowsy moon to
Copyright, 1907, by J. S. Fearis. Used by per.
Rock-ing, rock
Rock-ing, rock
Rock-ing, rock
sleep,
sleep,
sleep.
102
Moderato.
FARM JOYS.The verses are effective as a solo.
r - J' J' J
Words and music by
ALFRED BEIRLY.
_ N N
f ^1 P"^-
I Ev .
« ( Life^-
\ But
"*•
I Ho!
the ear - ly
• 'ry maid - enup - on the
there's pleas - ure
. 'ry farm - er
the stur - dy
morn, when he hears the roost - ers crow, That's the
bright, with a break-fast to pre - pare, Should befarm is not all a pleas- ant dream—There is
rare in the sun - shine and the rain, In the
should be con . sid - er - ate and kind To his
lives of the peo - pie on the farm! The ere-
^^- ^ t=f% M
^=t=^
Ifc
,S N N N—+^—p—
h
H ^ ^-d d d-
^—fv-^__^.__|S N P 'r I
5 0—0-' '
' ^i^— fir r
time a lad should rise on the farm;
stir-ring ere the night-fad - ing hour;
oft- en strenuous work to be done;
com-ing of the pigs and the lambs;
wife, and to the help he em - ploys;
a - tors of our great wealth un- told,
If at first his limbs are stiff, and heLa-bor in the ear • ly morn makes of
What those no - ble folks en- joy, are fresh
Wel-come are the calves and colts, tur-keys,
What a no - ble thing to be ev - er
Ev - er hon- est folks and true, they will
-• -F -^ -^
9^ ^ -V—i^-
n tt\ \ rrs
^ V^ ^
f
/ +' _i J A ^ » -P-J ^ V p 1• 1
"i L ^ * i f ' f d 1 f 1 ^ • 1rm ^ - 1^ 1^ L^1 VI J ^ d p ,>n • 1
IM; • ^ r 1^ J J 9 iD J • 1J ^ b1
r" • •f- ^-
moves a tri - fle slow. 'Tis no sign that work has done Jim harm.
her a maid - en fair, Like the sweet. ness of a new - blown flow'r.
but - ter , eggs and cream, And the great
•
ness of the crops they've growngeese anc . chick- ens plain. So are hors . es, cat tie. mules and rams.
gen-'rous3 - ly in - clined! 'Tis the yield ing of our high - est joys.
nev - er do much harm, They're as ster- ling as the pur est gold.
V-^ •# • • -#- ^ ^
P44 •1 1 r ^ ^ ^ t_ # f^^' • 1
l*f' • m \^ W
1
1 1 m S • 1zJ n r r. • * F « b P • • 1\j u J J
~ ^ ~ f r r o • 1y y\. •J
^ ^ ^ u ^ k1
•
CHORUS.
iqa' i
fJ ; i mT
the mornOn the farm ] ^l^ \ rise ear
^' M. M. M. ^ ^ly in ing. in the
0' #^*"We" for fanner folk; "they" for vthers.
^0Farm Joys.
J . .
103
i t Imorn
mID the morn - ing; Sbirk - ing work does not pay, So
t i
they're 1
we're j
4s J=^c
ifc ^ SEESJ EPSE *
fit
94
^' W U' .1
up and a - way To the fields bright and ear • )y in ttie mora - log.
qc^ct
f=^=t PV-
OUR OWN DEAR LAND.Mrs. M. A. G. EDINGTON. ALFRED BEIRLY.
• -#-• -0- ' ^ #• 5- -# •tT^
1. There is a land where beau- ty reigns, A land with rng. ged mountains grand;
2. There is a land where plen - ty reigns, Where earth yields up her treasured ores
;
3. There is a land where free-dom rules, Where all may climb and all at - tain;
r r r~r~r£J—I
—
\—I—hs^^p^ ^P^=w^ ^k k k N=^^ ^ ^' ^' ^'
i ^^:rf^^=rtg 3 3^^ : i 'j^^g^^—
^
3With love - ly vales and fer - tile plains, And streams that run o'er goid-en sand.
Where spread wide fields of gold - en grains, And barns are filled with bounteous stores,
A land of church- es and of schools, Where peace and vir - tue ev - er reign.
_'
_ M ^ ^ ^ -^fe=F^F=£ k k K k ^9-^
i± ^^=^
iw r^ ^ SP^
/CN
iJ IM t I f ^f-O fav - ored land of which we tell, Our own dear coun - try loved
Our own dear land where plen - ty dwells, All oth - er lands on earth
O land of sa - cred lib - er - ty. Our own dear land, we sing
so
ex.
of
^ H»
—
»--0. -^ V
§SI
well,
eels,
thee.
£;-t^
f^ ^H»—
»
fe>:
104 ALL GOOD NIGHT.A. RIDDLE.
i 4- • *F--<g-i^ sii?^rv^
1. All good night, all good night Now is la - bor end>edAll good night, all good night,
2. Sweet-ly rest, sweet-ly rest, Wear- y eye - lids down-wardSweet-ly rest, sweet - ly rest.
3. Peaceful sleep peace-ful sleep Sleep till mora-ing's dawn dothPeace-ful sleep, peace - ful sleep.
ipizp:jlJ^A^ .f: ^ S-iI^
^^-^ ^4^ ¥—^
Sfe i riu% i: I * 8^^^ * i^
clos - ing. Bus - y bands from toil re-
moun- tain, Soft-ly mur-mur brook and
mor - row Brings its du - ty, joy or
quite; Now the dayend - ed quite;
pressed! Si-lence rest
down-ward pressed!
peep! Sleep un . til
dawn doth peep!
is soft - ly
o'er field and
an . oth . er
m A- J£ F M r^ t=^
-V—b^
u* w
iij ^jeji i J- ^^ E^=n i^
-^ilF ^ *bt
Turn to slum - ber with de - light.
All the birds have sought their nest. .
Sleep, our Fa • ther watch will keep.
pos - ing, Turn to slum -ber with de - light,
foun - tain; All the birds have sought their nest,
sor - row; Sleep, our Fa - ther watch will keep;
pTjF #
:f=|c £•-^ -0- ^.
f=^^^ rrr^^TTT
g I-tS^
I«—
^
« w
g ITJ \^
Good night, good night;
J iGood night, good night.
s J I ^II^I^
?-iS^ -iS^
^:i=?E^ -©^
Good nigiit, good night, .... good night; Good night, good night, good night.
COMRADE, REST. 105
The Author of this poem is Past Chaplain, U. S.
Grant Pdst No. 28, G. A. R., Chicago, 111.
The Poem by
JAMES M. EMERY.S
:t^ i
The Music by
ALFRED BEIRLY.
1^ 5S=
rade, rest! thy toil is end - ed, Life's last con -
rade, rest! '-Old Glo - ry's" o'er thee, Mute re - mindrade, rest! the bells are toll - ing Re-quiem-tones
rade, rest! our thin-ning pha - lanx, Oue by one
flict now is o'er,
. er of the fray,
from shore to shore,
aug- ments the host
t S ^^S
€— -(S^-
*=t fRefrain.
^ ^ U '1/ ' '1/
rade, rest! thy toil is end - ed, Life's last con - flict now is o'er.
IJi i
Fine.mE^g *T r i4 J J ; :
Bu - gle calls to death or bat - tie Can dis - turb thy peace no more.
And these man - ly fa - ces near thee, Moist with tears their love por - tray.
'Tis a Na - tion's trib - ute swell - ing, Love for Pa - triots ev - er -more.
God is sum - mon - ing to - geth - er, As one Great Grand Ar - my Pest.
^^S ^ I1/
'
u Mk 3^yz
Bu • gle calls to death or bat • tie Can dis • turb thy peace no more.
r\ L fc. ^ N Ik
f \> f f\ 'r' \
' J ^ s 1^ < 1
iL ? 1
"1 J ^ U J 1 « ^ 1 K ^"^ 1
rm'^ /J i f LfUfl s \}m 8 ^ i A J ^ 1V]) ' f 9 •—tEII ^ s m t .« d J « $ 1c/ • V • - i^# •
to von bourne.Thou hast gained the joy su - per . nal. Pi! - grim trav - 'ler
Thou wast not a man to fal - ter. When thy sword should lead the strife.
While thy loved ones weep in sor - row, Com - rades come with meas-ured tread.
In the camp be - yond the shad - ow, We'll a - gain the sto - ry tell,
• • • . ^ P P Pi*' ]• ^C\' II l_i_ _i- 1
[1
"1 r • r 1
)• 1^ f * F b • » » • inL W 1 r' 1^ J l/ .1 Hr 1 lA lA * m 1
V > / 1/ \j \j 1 ^! , \j ' r 1k"
f 1 V ^
^rt iD. C. to Refrain.
m5I 1"^=«r "^ vw
In the realms of life e- ter - nal, Now re - ceive thy well-earned crown.
But . up - on our coun - try's al - tar, Of - fered all; if need be. life.
Feel - ing keen - ly this mo - ni - tion, In the biv - ouac of our dead.
There in pas - tures green a - bid - ing. Rest thee. Com -rade; fare - thee - well.
|7.^ir
^ \^ ^1^ 1
106 THE SCHOOL BELL.
i
Words by ALFRED BEIRLY.
2 ::tr=i: * ^ *: sii I ^ ^r^ ? i*f »-^1/ * s * s
1. Hear the tune - ful school bell ring- ing Loud and clear, Loud and clear, Ev - 'ry
2. To my les - sons now I'm turn - ing With a will. With a will, In my3. May we ev - er prove in- dus-trious,Aim - ing high, Aim - ing high, Work-ers
^ *^9SS¥=^ -V- V—
^
-t^ \> \J -p-—»—I--V-
i t itEa i^»-Vp^M l=Fj=^ < r <-«i—^—p.
tone
memoft
is glad-ness bringing To my ear,
.'ry wealth of learn- ing To in - stil,
be - come il - lus-trious If they try.
t=«:
To my ear; To the school-room I'll a
To in -stil; Witli my ef - forts aimed aIf they try; We would min - gle with the
h^9^P^ '^ \> i>- V ^ V- ]^ \>
T
^ ti=^ t=r t-V-
-1—j-i—
^
way, Leav -ing work and mer-ry play. And the call - ing bell o - bey. Full of
right, It will prove a true de- light, Ev - 'ry high re- solve so bright, To ful-
wise. To a life of great-ness rise. And to win a gold-en prize, By and
-V- -V—y--V- l> ^ -t^
/TN ^ N fr\
m^^^^^ Hr^^cheer, Full of cheer; And the call - ing bell o - bey. Full of
fill, To ful - fill, Ev - 'ry high re -solve so liright. To ful
by, By and by. And to win a gold -en prize. By and
m iv,^-
-V—b^- V-v-v
5^»si/-
I 1/
cheer(Full- fill (To.
by (By
5*
i
of cheer),
ful . fill),
and by).
m
MY COUNTRYI(A New National Htmn.)
107WORDS AND MUSIC BT
ALFRED BEIRLY, Mus. Doc.
Ift? ^
r ^ ^ * # -a-— ^^ ^-»^
1. My coun2. My coun3. My coun4. My coun
9t^ 4
try! to thee .
try! thy browtry! thy fame
.
try! dear land .
m TAl - le
With jewGives free
So grand
giance I bear; Dearels is crowned; Ex -
dom new birth; Howly ar - rayed, Cre -
I^ -& 9
—
w-g±
^ fr~
ife ^ ^* W * #-i-
frland of
alt - edster - ling
a - tion's
the free, . . . Thy bless
art thou, . . . And justthy name, . . En - cir
own hand . . . Thy won
# ^ings I share; Re -
ly re - nowned; Thycling the earth! Dearders dis - played: How
P
II: A
-i^ wI
pubbrightha -
syl
lie, sostar - ryven of
no - ble,
ban - ner,
re - fuge.
van thy wood - lands
!
ma - jes - tic and grand, En -
by breez - es ca - ressed. Pro -
un - fet - tered for all, Nothy val - leys, how broad! Hail I
m ^ ^ -gz- ^^^ p^ rm^^ iT y=i^ ^
m
raptclaimsty -
Na -
I exthy glad
?tol
ti
rant shall evtion re ful
thee,
dingser
gent,
UJmyto
thythy
t
ownnapeoMak
. hal - lowed land,
tions op - pressed,pie en • thrall,
er is God.
e I^ ^-!S^
rCopyright, 1907, by Alfred Beirly.
N. B.—^The owner of this song will grant free permission to republish it to any onewhe will ask him for the favor.
108E. A. SINE.
A RURAL CONCERT.SOIiO, Medium Voice.
ALFRED BEIRLY.
A Rural Concert.
iCHORUS. .
i* -f—
T
* ^.=^109
3t;it\—r*^'
r=r*^^
^^'j^l^
passed a night down on the farm# #-T-# #-
r
£A year a - go
» w-last
-•
—
5-1^?—4-
^:^-V^r >—
r
:^=N:
i#^=i «—«-
^^ /Ts
*—*-J- i ^ 3^31=4I?3±« ^: ^ ^ ^ ' V- V
May; And while it did \^^\ lit- tie harm, |^f]'i"fhenceforth stay a - wuv.
I9^i^^^P±^ S3± *=^t^ ?U -w-
Ni^
Moderato.
SERENADE.(For Male Yokes.) ALFRED BEIRLY.
1. The day a-sleep is fall -en, My heart is wide a- wake, Andthro' the night low
2. Now all is hushed in slumber, But, search-ing far a - way, Mine eye doth sweep as
3. Ye stars, se-rene - ly burn- ing, Ye lift our thot's a-bove, Can ye al - lay the
e-^ ^=^1
te-/.
J-r 1 \—mt
:s=tzk^; W-'JSl
-n'—jtr
mur - mur The dear old songs do make. O won-drous, ho - ly still - ness, Ofree - ly As in the o - pen day ; To think of thee, be - lov - ed, Beyearn- ing Of deep and ten - der love? 0! heart to heart is dear - er In
^^ii^X-l-^ ^ if±it=^ r^
nm<'
}> i» i
dreamful, sweet re-pose, The wear-y day's wide por - tals With key of gold ye close,
now my whole de-light! For me a joy-ful morn - ing, And, Sweet, to thee good-night,
these still hours, I trow; Tho' part-ed, we draw near - er To one an . oth - er now!
1^1 H T
—
\—-W^-—V«V-_—
*
\:/-
SA/
f^^nr^J—i^f—i-g—f-,g-J—
J
a
110 BEAUTIFUL HOME-LIGHTS.JENNIE WILSON. P. MALLORY.
W^ ^ iN-^^M-^^^f-^ i i; y-iM-^t=v=i=iF=i
-^—N-•-;-«-
MitjL------ •^- -v _______1. When night spreads her shad-ow-y man - tie So gen -tly down o- ver the earth,
2. Far out on the broad, roll-ingprai - rie, Where winds in their wild freedom sweep,3. They glow in the close crowded cit - ies, So burdened with sor-row and sin,
SfefcMjsp-h i
Jtli ^ ^-!^0-V—t^
—
\i^—t^
—
\f>
—b^ V- -t^—V-
•^^ • 4 4 ^0-
And veils from the wis-dom of day-time The scenes both of sor-row and mirth,
And close to the vast, som-ber for - ests, Fair home-lights their bright vigil keep.
And glad-den the hap-py home-cir . cles That sbel- ter- ing walls have shut in.
+- -I— -F- #-•• -#- m •#-. •
i!Si3*=tc=*=t »-^ ¥ ^—fc* V- »St
r i=*«=S=^=^=T^=# i 33
^ b b
•-V—
#
tt»; gThen outthrough the dusk, with a bright-ness Like
They gleam through the gloom where the ocean E'er
The beau - ti - ful home-liglits are em -blems; O
that of a bright, beaming star,
sings to the wave-beat-en strand
;
won - der - ful light that will shine
-^ -«-
P '
f ^g-j—j-
i^ k h h H H-9iSBl ?v=t= rk V—V—t^
Tj II VN S N1
1 -1
^ ^ s1
' > N"^
^ V s V ^ _ ^
/ (^ 7 ^ m J m * M !^ < « ' J d' « 1i L »
1"^ 1
14 J 1 i ^ F « - «
1
* n 1rm "^ > b P^ J M * m 4 3 f • J • 8 « W « S «' ' 1V ; ' p' ' r W • « • • • • • •,#•# IJ ]/
—•
Full man - y a home-light is gleam -ing To glad-den way - far- ers a - far.
As ta.pers on home's hallowed al-tar, They're ligh-ted by some lov.ing hand.
For us in the house of our Fa- ther, When rest comes in mansions di - vine!
C\* 1 \ m F F 9 1^ M F » p - I- r
'' 1
T» -'7 J L •1
i r » • • r tt * A 1^ ,1
/ y1 J u-* u^ J
1 J L^ y/ i> ^ ^ <> r 1...y \> 7 1^
1
—•'"
' / 1/ ''1
I
REFRAIN.^ N
iz =t^s 1^==^m 1^^^^ '^-i—i-M-i-4 4 % 5 #^O beau-ti- ful, beau-ti- ful home-lights, Now gleam-ing from moun-tain and valel
-»—•-» Ii nmSee -y—y—t^—t^- ?^ -V- t^- ^ ^ ^
^^- ^Beautiful Home-Lights. XU
i3Ei i^^Ei J f^^While love dwells in man-sion and cot. tage, Their gold -en rays will not fail;
5^ ^--^?^i4= -v-n^
^ J =f^
^~t-i-d—9—J—^ g <? "•
^ ^~^^i=^ * r?=rT^ #^
Oh, beau - ti - fui beau- ti - ful home-lights, Now gleaming from mountain and vale!
t^ ^ -^ ^
Mf=rf^—»-
t=V—fc*'—b^
—
y—1^—y-^ ^ ^- ^ U/ ^
I i i-I1 3E33t=i:
While love dwells in man-sion and cot -tage, Their gold - en rays will not fail.
^- ^ ^ JL :^
g I-V
—
^ \
fc^ u^ u^ ^ =t=^
STARS OF THE SUMIVIER NIGHT.LONGFELLOW.
Anda7ite. poco cres.
i iI^f -d-^—t&- -<5^ r
p1. Stars of the sum - mer night, Far in yon az - ure deeps, Hide, hide your2. Moon of the sum - mer night, Far down yon west - ern steeps, Sink, sink in
3. Dreams of the sum - mer night, Tell her, her lov . er keeps Watch while, in
poco cres. _
-^ -WTi W- §=^=^ 42-
§!&2T^ 1f=^I
-^^ ^^=p=^=B^dim.
:s: gPB^E?±3^^ t=^ 7^ ^ y ^^ 1^- -(^- rgold - en light, She sleeps, my la - dy sleeps. She sleeps, She sleeps, my la - dy sleeps.
sil - ver light, She sleeps, my la - dy sleeps, She sleeps. She sleeps, my la - dy sleeps.
slumbers light, She sleeps, my la - dy sleeps, She sleeps, She sleeps, my la - dy sleeps.
-•—^^ 4 i £e-1^- *
dim.ji2_
B:p=p: :^ F=^
'ZZ.
w c^
THE WHISTLING FARMER BOY.^ Good for Coucerts. ALFRED BEIRLY.
:^^^ *=*^p=t t-^ ^=i=S:
i4i
1. Hear the mer»ry farm - er boy, In the ear- ly morn, How he whis • ties
2. See the mer « ry farm - er boy Turning up the soil. How he whis - ties
3. Hear the mer-ry farm-er boy Teacliing young and old, That to whis - tie
•#• ^ ^ M.# • —H # 1 Ha U 9—9—r*-. [-• • #-ic=^^tt^ I
^-«^
^ ^^ V-
:ff= i M :i^ ^=^ tin the field, A - mong the tan - gled corn,
as he ploughs, To light -en all the toil,
as we toil Is bet - ter than to scold.
Some-times low and sometimes high.
>—r»^ ^'f=^-^—b*
—
y-
Ii
h N
After the 2nd verse go to "Marching Thre' Georgia.'After the 3rd verse whistle all the airs.
S= ^^ izztA^i^t: a;
»But in joy - ful glee, Does this mer - ry farm - er boy Whis-tle loud and free.
tE^ 1.=*: t ^V—
^
-V-1i^=PE:
WHISTLING CHORUS. All whistle the Air.
,Hail Columbia. Yankee Doodle.
-& -^
The Whistling Farmer Boy. 113
D, C. to 2nd verse.After 2nd verse. Marching Through Georgia.
'^P'^s. *.Ff^v fe&S^ ,^[-r^n.w^^ #^^#^H^ ^v#^ 33 ^-s a-0 ^^*
-0—»-
Moderato.
g 3P=P8 f »g # M -»—
#
Hi 1 ..
I^ f^m^America
& ^ -^
D. c. to 3d verse. Star-Spanglcd Banner.
fc=^ H*ii» h I ids :ii i—H^-
ii^^S;^-?-#IHt-^ 2± s
? s ;^SE4^ -*
g Ih*^ * i9 iI»—•- « F^r=^•ip_
=± -s^-
I^ t^^ ii i^/c\
Dixie.
^W^^^TJ--G^
i5>—0-
2: «3^ —0—0-toofast.
V*SiVtf/
35iS*—
»
•3^
/r\
2^v
s: ^^^ ?; ?^h-^ £
114 THE MELLOW HORN.
J Moderate
.
Dr. RODNEY DAY.
^^ =t=gg^=^At dawn Au - ro - ra gai
I
ly breaks In all her proud at - tire, Ma-
:f^ :JI r I I W^S:§^ ^^^^ ^^ 1E=^H ^
V-
t^i PE3^J m W 4 - J-^iit—I #—9-
jes - tic o'er the glass-}' lake, Re- fleet - ing liq - uid fire; All na -ture smiles to
^^m *rt=»9t #—»-::^i^=^
f-p-#-
V-
i^ Sr^i i\i V. 4i^^ ^3=^5-trJV
17 - u'
ush - er in The blushing queen of morn; And huntsmen with the day be -gin To
lifct i^ 3Cip: ±9^ ic
^ '
te^fe \ it-i^^ #-«-#-
^wind the mel - low horn ; The mellow horn, the mellow horn, The mel - low horn, the
m1 # jI
> ^-g—f-
^ -if—
t
Q^!>?^ ^ ^
^^E^f
-0-0-
V
9t
mel-low horn. And hunts - men with the day be - gin To wind the mel - low
^^ -* -•* -* ^^ f- ^„-^ t^ P -^ f-—tTH 1 i±-t—r-ta b b tar-k k g
ifcSA^
»^ I
i-^
The Mellow Horn.
^ I . . . r^ ^
115
m s Fine.
• ^ » f •lil^-V—
t
born; And hunts - men with the day be - gin To wind the mel - low
And hunts-men
y +--•-•# s-#- -^ -^ — •^-#-
horn.\^
./^
I Tl I * P9^ £y ' '^ K -t^
I^ Andantino.
4- S ;g^Hz *^ ifn!^ !pEC5f-^^r-5—
^
At eve, when gloom-y shades ob - scure The tran - quil shep-herd's cot,
f ,f J* V ^^l±=t^ 1^.£
When
9 fc^i E=13Fg *=*:
f
i ^ # 8 #fe^
?^^^^^^SS*
-(S^ I
got;tink- ling bells are heard no more. And dai - ly toils for 'Tis
^i»—
»
£:9'i
f Moderato.
^G>-
then the sweet, en-chant-ing note. On zeph-yrs gen - tly borne, With witching ca-dence
y . t- f T d ^J ^ Jf- a- T •PPT t9imi k k k ^ ? PsHr-^ f
^ fi ^D. C.
m itt^ < 0-&H^'^ t ^-^--r
seems to float A-round the mel-low horn,
np-^pk -d—f 9^^
A - round the mel-low hoin
i Imu
B9^r ^j*s i»=* *=lcf= ^tcqc r VJ/
Around the mel-low, mel-low horn.
116
Andantino.Inst.
SUNBEAMS ARE GLANCING.Dr. B. LESTER MASON.
Rit.
m^fc=t-f^^^^5>^ *
P^#• # p rH
1. The suQ .
2. Let's go
beams are glanc
to the peak
ing o er
where the
J^^/r\
g^8& mlast.
pi>-vi i—t-
i^ S=^i ^^ *for
last
est and mounsun-beam lia
tain, The hill
gers And gazetops are tinged
on the Davwith their
god as
^iT^^tt v-^- p=^^£^Si- i.t±
of the
with our
last
calm
fee-ble ray
;
ly he sinks
;
Let's dip
The lau
in the stream
rel we'll wreathe
^ ^h
i-*f—
r
3 m -^—
r
It-fc-
r~fT4 -i^S3=4s ^
:i^ ^ s I ^T^ et ^ s=^it^ #^ ^f=^
bright flowing foun-taiu, And steal its sweet vio - lets and lil - ies a. way;
own fair-y fin - gers, And rob the night-shade of the dew that it drinks;
^ft
?i ^ ^=AP^
rf\
t-t^ *t
Sunbeams are Glancing. 117
mCHORUS. Brightly.
^ -t
1^—J
—
i i F ^^t^^^^^^^-V-
The wild - rose and myr . tie their soft leaves are clos - ing, The
Let's go to the val - ley where dark- ness is wreath -ing, And
i::$=^
-^ V-
r\ix.
^ N ^ N V 1
^.._.N 1 s
u ^ P J P V V J m ^ I 1 1 ' 1
/L 41 _i J f - ^ ^ A _i H 1
» « « ^ 1
rm S J '« 9 ^ s • il-j i 4 • L^ M u 1 1 ; s 1
\>\) • # » • • - fw a' ,• rj»* r - ' ^ « ^1
cov
mo? - slip is catching
ck the cool stream as
1 '^ -
the dew in its bells; The ring-
it murmurs a - long; Let's count
dove
the
WWand thrush, in
wild flow- crs
their
whose
n* l«B b ^ B b ' P • r 1 S m m 1 1
*i. r L L r r ' 1^ IV IV IV 1 IV 1* r 1 y P 10, 10 * w m 1
1/ \J1 ^ / / 1 V
$^ si :«: F^=^* ^nest are re
o - dors are
pos - ing, And young leaves are sigh - ing
breath-lng, And make hill and val - ley
^mto
re-
9^ gE-V- v-
i^ Slower.
t S ^?V/^ /?s
I#Ni J. 1^ i :^^ ?€
rr ^F=i4
day. light fare- well. To day - light fare- well (fare-well), To day. light fare-well,
ech - our song, Re - ech - o our song (our song), Re - ech - o our song.
J-^ i^ ?^. !^f- f-
-• J ^ ^ -0- ^ ^
I 1^ '• rf=f
^ .
1^ VJ/'
1
118 ROAMING IN THE GLOAMING.JENNIE WILSON
Moderato.-""""^
ALFRED BEIRLY.
1 . Stray- ing by2. Calm and dim3. In the dew
the riv - er in the gloam - ing,
the world is round me ly - ing,
y dusk of e - van roam - ing,
When the
And its
All the
I 5m
3 ^9t=^-^
^ ^ ^3t=i= 3tzf-+- V-
Gen - tly peace descends up . on myNoth-ing breaks the si-lence of the
And 1 look a-Ioft with faith and
I
lab - or of the Sum-mer day is done;
oft dis-cord-ant voi - ces now are still
;
wear- y burdens that were mine have flown
;
5H h
^
-h#-ti^ :±
§5iSf- Sfr
22-T5*- -7^
-N
g ^f s 3t=jt^spir - it,
twl-ligh*-,,
cour-age.
As the stars be - gin to twin-kle one by one.
But the plaintive call - ing of the whip-poor-will.
As I'm stray-ing in the gloaming all a - lone.
iraORCS.
p^^f^^^
Roaming in the Gloanning. 119
3 h=^1aKoam ing in the gloam ing, While the
f^^ ' ' lF^^ ^V-
Roam - lag IQ tbe gloatn - iog, in tbe gloam.ing sweet, While the
Ii ife- J^
f-t-^^9± ^
i;H-^ i ?2:
i ir r ^ j--^-^
=F
9^
7~^moon and twinkling stars are shining bright;
S ^ ^ N I^ ; i ; I ^_AJLARoam - ing
Srn—
T
I5^moon and twink - ling stars are shin • ing bright; Roaming in the gloam-
I ^ WiSatrit
^^T^9^
^ &-«5^- ^ -^—^j—
^
g tP
SPi=t: ^ f-f-f-t t ^Pf=^
in the gloam - ing, Rest and qui - et come with sc^ft - ly fallj^ing night
-#- -0- .0- 0- -0- •0- .#..*..#..#..#.^#- ^'"-'M.
1^=^ ^ i If=^ -»—»-
# E±V—^ u^ u^ -i^^-V-
mg,
ij 'v ij
in the gloaming sweet, Rest and qui - et come with soft - ly fall - ing night.
^ i I t I i i' lF^=^ -&-
(iH 1—-» W-
P ^RK3£ a 5 S-i^i-
120 CALLING FOR THEE.Words by
JOHN S. FEARIS.Melody by CHARLES GOUNOD.
Arr. by ALFRED BEIRLY.
i -i^i^-y
1. "Come! wear- y waa-der-er," a sweet voice is say - ing, "Bring me thy
2. E'en now Histhorn-crowned browa - bove thee is bend- ing, Com - fort He3. Hold out Tby wound-ed hands to me, dear Lord Je - sus, Pil . low my
*sam 5 -^-V- ^»z
I J J .1- T^1-H
\ d ±~i: n—r-r*t 1^^ * ^ ^ ^^.
bur-dened soul with sin
of - fers to the heart
head up - on Thy gea -
^s—
^
tJ* *^*
t*
^ J
op-pressed ;"Far from Ju . de - a, in tones of love anddis-tressed; Oh! what com-pas-sion, and love that hath notie breast; Ban - ish the shad-ows of doubt and fear a-
^I - - 13-«-ifl^—
^
fteZZJE M
:^=5zi=U: -^ ^±E^ :^c=tf\> ^
* 99-
long - ing, Je - sus
end - ing! Still Heround me; In Thee
m*—|: rt*V #is call - ing, ten - der - ly call - ing: "Come un - to
is call - ing, ten - der- ly call - ing: "Come un . to
I'm trust - ing, pray'r - ful . ly trust - ing; Mas - ter, I
^^9^ V- fel>
3— ' -^—'
—
m ar*•#-#•#• -^-<5^
wear - y wan -
^i
me, and I will give you rest." Come, weai - y waume, and I will give you rest." Come, wear- y waacome to Thee for peace and rest. In Thee I'm trust
• I^ ^^ . K ^^ . 1 I Ii
d'rer,
d'rer.
here
here
pray'r
find thy
find thy
ful - ly
9^frr? i» » ^
f
i-«—-*—
ref - uge, "Come un - to
ref • uge, "Come un - to
trust - ing; Mas - ter, I
';)t^J>.
V
me, and I
me, and I
come to Thee
will
will
for
give
give
peace
youyouand
£ :^t^=t.tTt^=£
Words used by per.
^f>- ^^
rest."
rest."
rest.
—fSr^
Andante.
OUR SCHOOL DAYS.(Oood for Graduation.)
^ s ^
121
i 33Ancient Melody.
3^^=i J ^.S t=^^ -0—?
1. Our school-days now are past and gone, And yet we fond - ly lin - ger
2. Long will our hearts re - call each joy That bound us in sweet friendship
9- 49Vt^ ;, c c P^
+- -F- -#-.^ ^^-t^-b^ 5
^ •?r ^
here; For sweet each joy that we have known :'T is sad to part from comradeshere; For time can nev - er-more de - stroy The light of mem - 'ry burn-ing
m -P-' -0- -0- 0- #-. -^ -0- m ^
^-i\\'[7' ' UJ ^ i^ e£
H h h h--V-
:t^=U:
I m i—•—«• i?-«-i- 3t=3tH^ ^J 7 3^^^^ a!3da^
dear. The world be- fore us bright-ly lies, [Yet here fond mem-'ry loves to dwell ; Withclear. Of oth - er scenes and oth - er cares Our lips must now their sto - ry tell ; Each........... _N_N
^'? £tfe
X fh-t
i^>—\-
Cres. ^ mf^9—0r 4
, ii^ f^—
h
^'^ J J J- i.i 1^
• y eyes We bid to all a sweet fare, well!
'ry shares, Teach - ers and com-rades, now fare, well!
saddened hearts and dewheart your ten - der mem
9;.Hg ; p=:i^ s1^ ^ f :N=^ V^?v,
im/ ^
./^
ffii^ 4=s: g± ^^ ip *:S ^
91*1
Fare
Fare
well ! Farewell! Fare
^
well! We bid to all a sweet fare-well!
well! Teach-ers and com-rades, now fare-well!
timff: -t t: f: ^
ntf VA/
'I I Mrf • t .r
I\i/
122 MY FATHER'S COMICAL MULE.
Words by ORLANDO.(For Male Voices.)
0. S. GRINNELL
ftL tt r* N ^ ^ ^ N ^ N N N""
-5- V P r !^ V K ..
zN ! ," l'^ m '^ a h m ^ ^1 n • • • ^ ^ •- ^ • - www
1.
2.
3.
4.
5.
My fa - ther, he
To church I wouldWhile rid . ing oneI tell you I
But vis - ions of
kept a
go with this
day with mythought mybliss were
com - i - cal mule,
com - i • cal mulela - dy love fair,
hour had comefill - ing my soul,
9As fun - ny as
You'd think by his
I plucked up my; My heart it was
My sens - es were
y^H fi ^ •<1
m, 1 1 •f 1 •? -rF^n1
1 1
rTS tt ' ' ^ « 'dm 7 - 1 7 J ^ J J JI vU n « 5 f • J J a%/
11I
* ^
J J
* ^ •# -r -jr
r\' tt p 4 * m • « . m. ^)• tf M "f - r^ 11 o /
i 11
1 f\ n l_J^ -m^ 11—#'-, d-, 1 •—
u
I ii:t^=t^ -W-
ev - er could be, . .
.
act, all the while,
courage to say :
—
heav - y as lead ; .
fly - ing a - way, .
.
So do - cile at times, but oft - en so bad. ToThat nev - er a bray he'd of - fer to make To"I love yon, my dear," I looked at the mule. HeBut swift - ly we rode in si - lence a - long, WhenWhen back flew the ears of that com - i - cal mule. And
:^ ^ M—^:
I- kCiJOJ ^.
•~&
wor - ry the life out of me . . .
stir up my dan - der and bile ; .
act- ed as tho' he would bray;,
all of a sud - den she said:-
once more he set up his bray ;
.
When-ev - er I went to
But, when at the church if he
He did so, and hor - rors, but
•'Don't whip the mule so, but
But what was the use, the
.Copyright, 1893, by O. S. Grinnell. |>abli8hed in sheet form, price 40 cents.
*My Father's Comical Mule. 123
-#-^
V-sta - ble or stall He'd set up a com - i - cai
hap - pen to see A car-riage and horse pass-ing
was - n't 1 mad, She laughed at the com - i - cal
place your arm there"—What fol-lowed I scarce-ly dosto - ry was told To Mol - ly so close by my
bray; He'd'long, o He'dmule, Andknow, Theside And
(Itl:
wig - gle his ears, and lift up his voice, A won-der-ful com-i - cal way .
.
toss up his head and throw back his ears, And set up his com-i - cal song.
.
said not a word, but "ha-ha'd" a-way, And did-n't I feel like a fool.,
lines to my side, dropped sndden-ly down, "Twas foolish," she said, "to act so.".
.
what did I care for that mulish "aw, aw," For now she will soon be my bride.,
-#—•—*—#-
^3^(^
»— ^-^
r^ "Ctrr-CHORUS.
MyMy
y '^ 'y [^ u u .
ther's com-i - cal mule, As fun-ny•ther's com-i - cal, com-i - cal mule, As fun-ny
-N—fv ^ h:i^=t
as ev
as ev
er you saw ;
er, as ev - er you saw
^t 5=5=1-*^^—i^—
#
-#—t^—b^—t^- V—w-
*^ rTN
it *H-W—p-
^He'd
•w4
V—t^
—
V
wig
I
1 ^gle his ears, and lift up his voice, Aw
Awee
ee awaw
ee aw - ee aw.
-0—0- 1
124 MY DEAR OLD HOME.ALFRED BEIRLY
i^m
^—0-
1. On - ly a dream of the
2. On - ly a dream of the
3. On - ly a dream of the
mk:± ~m— —0~-»—»—«-
•
—
m—•--«
—
m—m-^ -^ -^
Tempo.^ # #
i i^^
iIm^^~~<I^ -h 1-^—•—•
old home,
old home,
old home,
Bring - ing a thrill to my heart;
And of the joys that I know;
On - ly a vi - sion most fair;
My Dear Old Home. 125
i ^ £ FSoon it will fade from my spir - it, Caus - ing the sad tears to
Par - ents, and broth - ers and sis - ters. Oh, how they crowd on myOh, for the days of my child - hood, Free from the bur - den of
±rh^^=i . JMz^z :T
:=!:
i J^^ r=r -•-•^#
—
0-m-»- t-t& -^ & ^ & -& ^ -^
te ^K=*=^ ^=^S
it^iS 4=^ -<5>-
-15'-*-
start.
view;
care;
(P
Oh! what a beau - ti - fnl vi - sion.
Once more their soft tones are o'er me,
Wei - come thou beau - ti - ful vi - sion.
T-^-j-^ H- ^ g* r b*^ ^ It -^ -& # -w^^ &
ig^ 7 J7 I 7 ^ ^-
-<5h -&r
d==*-iS-
Bright as the stars of the sea,
Once more their sweet smiles I see.
Bright as the stars of the sea,
Oft in the ev' - ning of
As in the days of myWei - come thou ev' - ning of
(^^ -tSih
-s^
Crr^!7 [7 17
)
7 i^
126 My Dear Old Home.
ii^:-^-
jo:-A
si
child
si
me.me.me.
I
lence
hood,lence.
Kind - ly ap-pear - eth to
Sweet - ly ap-pear - ing to
Bring - ing the old home to
—\—•—4
—
h?r**—I-
#• #• -^ ' -0-4-#-
t§a :i-^-^ «? i~it^ m- -<^- Sih
CHORUS.
^M-
\^ *=^-&--
t::tli=
On - ly a dream, on
-J--Sh
-#-^?=
ly a dream. Bright is the vi - sion,
__^ ^^_J V ^^I
^s
the
I
-(«-
On - ly a dream, on
-^ ^- ly a dream. Bright is the vi - sion, the
:^5!i
'^--^ -V-
Repeat Chorus pp.
^+HiH, _' « N V
n >'1 « • « A ^
H ' >1
^j
m ^1 b Ly
'
1^ [> 1
vi
see:,...
sion I see; On
1
ly a dream of the
i\ T '
f''' \
i L »1 l'^ N \
f VI / '^ - '^ s •vy ' • m ,^ m s ^ « ^
VI sion I see; On ly a dream of the
r\* 1. 1-^ "1
J' i> m m c-.» « • « b« ^^ T 1. m *] 1' l> * J L/ 1 L> iV 1
' l> ^
1V \j -J
Cres. - •
iz—HRit. m?d2=-t
I
old, old home, Kind ly ap - pear - eth, ap - pear - eth to me.
i^fc. to me-rrs--^
-&-
old, old home. Kindr
r'C^^^rf
ly ap - pear - eth, ap - pear - eth to me.to me.
§S :nT
R;=?=^ ^
^>« ^w
hh CONWAY.
^miOVER THE DANCING SEA.
^ ^
127J. S. FEARIS.
:K=p: ^ m i4^^ * i E1. My heart is gay, as the breez - es play. So fresh o'er the danc - ing
2. When winds are high, may the good ship fly, Her can - vas nev - er
^ .f P P hf - - ^ - ----- -ft^^ 5 *=|c
i i d g— imr^r t^ t
N
'^ 1^
^^T^ ^
^» »
n—d <i
I
^ S
si^^^3t#^ M^sea,
furled,
For a bark
Kiss genas true and her
tie gales the
gal - lant crew, Arehoi - low sails. And
i^kfe?-4—
t±
(^ m-€—
i
t: t=r t *
^9^^ N^m '^=^ ^^
speed- ing
send her
to land anda . cross the
^ -0-
me. .
,
world.
When the
Givesouth - emme the
wind plays
breeze that
S^—^ .- *9i
V- ?^S^
iii=l)it ^5T*—Sr
?=t^Copyright, 1907, by J. S. Fearis. Used by permission.
128
^Over the Dancing Sea.
Poco Rail. ^ ly
< \ \ \ a /T\ A tempo.
^ Hr
"g^warmbeDds
and kind, 'Tis sweet in the fields to roam,
ttie trees, And shore - ward drives the foam,
0- -0- 0- -^ J m -^ •§
-\\ 1 b—I—r—f-—h-^
But 1
For I
P i i;^ ^^^ *=*
* %-•
9=u^ .> 'f
/•(j^:^ ra//.
* 1*^*-
i
A=?c:
-Ov Vi/
IV*- ^f=#t
love it best, when it blows from the west And wafts my sail . or home.
I ?a±Ef^ V 1
1
^ ^ >-—
t
>->^-k^f
^ /CN
1^ ^3*^5*1*: t
_!s -2^
£9^5M%-i i i i f
-t-*-
ir J r5^ifc2± i±-»^
bend to the breeze, Hith- er fly o'er the
. . J' / /Bend,
I
mast,
I
if
(^
rS^
Bend, O mast, yes, bend to the breeze, Hith - er fly,
-PM fv
j'es, fly o'er the main!
1^ *
m•#•*•* *F
i ^'^^ ^ -iT^
Over the Dancing Sea. J 29
i i ^^^^ H^ ^—P
—
0-. P-J5a
—
m—^—H «^t»«#f•i-»-
And come, love, come from the seas, Nev - er to sail a - gain.
i£9^ Ea ^* • » •
(i €—#—«—«-
*fT^ :»* * # ^^1:^: ^ r^S 4-^-fr4-4- S^^^^
I
'^^:J: ? ':J
H^ ^ :^=^r=r^fBend, mast, bend to the breeze, Hith-er fly o'er the main!,
S. J.
I
/§a ^fcJE V 1^
11
Bend, O bend, yes, bend to the breeze, Hith . er fly,
-K-] N
yes, fly o'er the main!
i m tig-li-l—
8
tF^ rf i+-0—
#
(ii =^fc*
^t-v ^^-«'-« ^ • 1- ^-V
i?fl//.
i ^!^ ^ aS^ 1^f—
r
f^^1^ t? t^ ^ t^And come, love, come from the seas, Nev - er
M. It' \?^ ^ "^
to sail a gam.
ih /T\
tk k i» I-Jll
rMy:?o:
il2=4: t=S: ^—«-#—#- ^ ^^ is± ^
iwV f f_fr: i 41 ^
if±ft: f=? ^
130
Moderaio.
TALLY-HO.Tal . ly-ho,
\ \ '\
ALFRED BEIRLY:
Tal -ly-ho,Tal -ly-ho, tal-ly-
Tal-ly- ho,.|....|...
' N Ni .ni ,
Tal - ly - ho,
Ij^_S.l-X^ ff\ \
r7\
r—rt!~t-•—#-
ho, tal - ly - ho,...,. tal-ly-ho, tal
f^ s s sly-
-^-K
tal - ly - ho,tal - ly - ho,
1 *••*
jN-i^-i-K^ho,
^ S^ -*?—
b
I—ph5=¥
It is a glo-rious day, To
V—^—^—k/-
t *>--tr
^ N
^ 1/
It is a glorious day, To pleasure
i
* *EsE* f-^^-^-
^-tv-j_«_,_>^__,
pleas-ure haste a - way,
^ ^ ^ j^ J#•#-###•.It IS
9--+-
a glo-rious day,
^ ^ ^ J.'
To pleasure haste a - way;
t:-+-
-h?"
haste way, a - way, It IS a gloriousTal - ly - ho,
day. To pleasure haste a - way;
^ ^
Tal-ly-ho.Tal - ly - ho, tal - ly -
Tal-ly - ho,\ \
N N S N S
Tal - ly ho.
S N SN N I «
«=^
ff-#-rT- ^ N
:N=N
-^-^^
^E^S3E*iiE::t-N-
--t-^—^4^ 5^ I i^ /*
ho, tal - ly - ho,tal-ly-ho, tal
J^ ^ ^ ^
-K—K-
9'
|-J—!/ (/
ly - ho, tal-ly - ho. It
•r -^ # •#• -^
g=s±r:-^—^'
t:
is a glorious day,
1^
To
-#
—
0-
-t'—w—y—v-'- ^JTo pleasure
Tally-Ho. 131
i.^ff
pleas-ure haste a - way, To pleas - ure haste, Yes, haste
Fine.
--(Sfhj—©-. ^ m
haste
'm Moderato-
A-r-1 N
^ei=«^The wind
m^.ffiEBt
in the sou'
I !
4-±-
eou'-west, A fine
rx
'-I
ii=it
It
and cloud-y morn - ing. It
^ #• 0- <# #-••. •#•
:^ -y-
i
95
1*^ r 1
l
T:^:-Nr-
Si=i3EE: -\- r-h
1^ I ^is a glo - rious hunt - ing day The cheer - y dogs give warn - ing, The cheer - y dogs give
-t^
-+-
^==^0-
:t/=t::
P=P#^ -0.
±:
warn - ing; The wind is in the sou' - sou'-west, A fine and cloud - y morn - ing, It
•0- #--!-It: H F I h- -I
\
• ^ -]—a—!--»— -tf-#
—
0-
itr:
* Small notes for Instrument only.
Glo - rious hunt-ing
132 SWEET BE THY DREAMS.(A Serenade for Male Yoices.)
First Tenor.Andanlino. With expression.
Words and Music by
ALFRED BEIRLY.
^^eSe^ mt*^i^ ^*S-A -9 #- -Gi- V-
i
1. Sleep on thy pil-low, maid - en so fair, While the stars in their splendor shineSecond Tenor.
^-W^4^ ^^:S -r5?- ^ -i5>- ^t=g^^ V—
*
-^^
2. Sleep on thy pil- low, maid - en so sweet, Ev - 'ry rose in its beau-ty thy
Sleep, sleep,
Rit.
hA tempo.
-f-^ W- g^ a? ^i^- -i&-
-**^ ^S T=^
love-ly. and bright; Sweet be thy slumbers, and deep thy re - pose, Till the radiance of
Imm fePT^ i J ^^^3 T?c^ - =i=?F i^ #—#- -* ^
splendor portrays; Wake on the mor-row de-light-ful and pure, And the day will be
1^ u te^ #—
^
-rS'-i-
--^ B^-#—•- ^Tr#
-it- i
-<5Kr
-^5^•
^ /--
y4 tempo.
-i-S*^ '5'-.
iijSi:
i
,*?--1^^
StSr^#
-;«-r«-
^S'-f J_^^ ^i=^ilcJ
fe ^p=^ ^
Sweet be Thy Dreams. 133
#-^M-^ ^S^^-#-^#-
^E^^^^imorning doth ban-ish the night, Till the radiance of morning doth ban-ish the niglit.^ -K—
N
I^ —P^—S*
—
nr^ 1
—
^ I, r—\
-<5>-
ladea with the charms of thy grace, And the day will be laden with the charms of th}' grace.
ZZJ, L 7y \* ^ lip j:;jj-p-f-iflf-F"{^^Lp--f
"1 3 I
lEEiEm^^^-3-^3ji=i
il i=.: «-Cf^(i^ ^^ itf'^y
jr /i
ir\
t ^W=W=Fg iat*=*:st #*
r-•
—
m- H h
F ^:SJ: :^U-^^-^U ^ & -^
REFRAIN,U REFl m ^^9^
^tf^^^^^f ^fl//.
iis^^
Softbetbyslumbers,Andsweet be thy dreams. And sweet be thy dreams.
jj: _ »i
^=?^^s =^=^ M-#—#- #—#—
#
Soft be thy slumbers, thy slumbers, And sweet be thy dreams, And sweet be thy dreams.Soft be thy slum - bers.
& %M * ** 5 I£Si^tp M3^ t^=f1$^
Soft be thy slum bers,r r
134
PF J. DENNETT.
With rniich energy
THE SKIPPER.
SONG FOR LOW VOICE. W. H. JUDE.
-N-
-0— —e stacc.
-m—m--*-
S=l
9!#=i0-^ -G>-
^ -a. ^-W—n-
n f N/ K ^J N S 1
i f — '^* \» • \» 1
' » • P \ V ^ ;'1
rT^ •< 7 *, 1
1 r • '>
> 1' J ii
"k 1 ,• J 1 « • ^*/
•
*s^
1. A skip - per am I,
2. But though I love
• •no dan - ger
to brave the
n • m^^
J r m ^ ^1
\ 1
i r- r 1 i -r -^ "r •f ^1 •? '-« ' '
1 •?
f^-4-#-J—L-—y
—
~/ /
-^-f'-#^ •»^ -e-i—
^
—?-T-
!>1
J-X:i
#-#
1
* *
-:^--|^^:r r •9-
1 ^ ^ -^ ---?
—
y^ I H—
*
-^-^-^=-• 0--.— ^^=T^m 1 =1 i
^
—^-1 ____..
1
i
^ i ^ T" k.1iC "i ^1 V 1/m (^ • m ^ ^ m ^ T_
J ' ^ 11
t^ \) ^ _,•
1 1
• • J 1
i^
can MyMy
—1-
^ ;#
ar - dent,
heart.
my ar - (]enV. Hpir - it
-^rlfliint,
storm, my heart with joy will beat .^..
/^J N \_ ^ 1 \ N 1 ^
1 N 1 ^ ik 1
r" N«- ;1 !' >• ^ i= N. Y" IT ^ r 1
- '^ M m^
•^
d-s s -^•^•^^ •^ J J r> 1
\j 2 S 00 00 00 00 ^ m >
I-^ t ^ ^ ^ ^ w -^ # ^ -^ -^ -r
^ i
^^^^
^\«.. .^,_.
CJ • • N. • • m1. 1
1 1 ^ \ \ * m •< "v' 1 1 1 (^ •
> m ^ ^ J\
•" • V 1 --
_,j
—^—V ^. ^-j\—V—I —-^-IH--
P^
As I guide my craft o'er the deep blue sea, NoWhen from the deck I see the land Where
-*-- ^—0-0-—0-0- :=r
The Skipper. 135
i :^=:1: 4=-1:-N ^^
:fc:]:^—
#
-f-»-
fears my con - science haunt, No fears.
Poll and I will meet, Where Poll.
.
myand
(i-«
—
0r y d <-?-#- -•—*?^^ -^-^-^-^^-
^
-« H ^
inr^ -* —
*
*r */^c marcato.
-*-4P=#:
-•—#-
»
—
m- ^*=E=E=¥»—•-;>: ± Af^»fi=^I^l
'J
i^-Nn
tzt -#-T--T-^-/ N—IV—
^
-+^ H ••
con - science haunt,
.
I will meet,
.
Though storms a - rise and rend the skies, whatShe's just the lass for a sail-or's wife,
^Nn7=-X
-0.—•-•-
-N«--• 1—I 1^
-0-^-0—1^
-0—0-
"f-^—j- :•—t:
-t^
stacc.
-s=t
i-N—N—
N
A—N-1^-=—
h
r=q: _^j—I
—
:i=Z*=a=z:iL-j:Jvzd^ Itfcpl:^-^^
—
\-
KZ^-P
mat - ters it to
faith - ful as can
me?be;
My life is as free as the wind that blows, for myFor, come what may, she'll ne'er be - tray her
IAn
M=i^
stacc.
P^= :(i=p:
* -0-0--^=^\^=*^
±t
r ^tE^E:t:
Stacc.
136 The Skipper.
f ^-N--
P—^-V r-N-
^-00—0-
home is on the sea, My life is as free as the wind that
skip - per on the sea, Far come what may, she'll ne'er be-
$:
blows,
tray,..
-H^---^ 1^=^-: -^\—r
Arad lib.
H '
For my home is on.
Her skip - per up - on.
the sea. Yo ho! yothe sea. Yo ho! yo
S^^^lNt:^-5-3-± :^- 3z;!' -sf—S—^-
'/
__5_5_«. ¥i^zt:
S—tf-i—•-
5r=?_, ;^5 -#
—
0- -0 N--
ho!.... Then give. ... me a right good craft and crew, And I'll. con-
0^T-0-^ed. — *
i -^-
tent ed be
;
1
^-V-
t^4
g—i-
For
The Skipper. 137
-A—A- -^-
.^_. —•-*
—
there's no tack in the wide, wide
m—-N—I ^-^:4:
:it:
H 11-
-•-*-
:p=p=i::p=pzp:
:i:
/
•*•-#-*-•*- d^ «- ^
138 GENTLY SIGHS THE BREEZE.(Duet.)
J. E. CARPENTER. STEPHEN GLOVER.
¥¥^13 BJiS-r ; «^-^J* J
1^ '^ 5y at«^
mi.
9€^-•I—# »
/^ m^-*^^^ i=lC1-^ y^[-^
r
0^ =?^=?f= £ i^-^—0-12.
tf
1. Gently, gentl)' sighs the breeze, Like a whisper through the trees, Like a
2. Good night, the evening breeze Seems to whisper through the trees; Now the
1 Fl?^^^ * ^ ^i^
tfT^^--
H hI l l h H h ^^!•
*^ €—^I H
zi.^^'^z^^zi^ i t^ J T*^w <if^=^ "y H y --rSh ^*^^-
Ifet
/?.^—
y
^ft-^—f-H*- i=3t ^3:z«:-hi 1-
^M^voice of ser - aph bright
wood-land murmurs cease!
Singing to the world "good night." Gen-tlyAll is sweet re - pose and peace; Now the
u i^-> mw- -i ^
•-i^^jr-g.-
tf ^^^i ! i IB H# J-
-I—
f
iti^?=i!
gLi:f-(5*-
Gently Sighs the Breeze. 139m
Mgen - tly sighs the breeze, Like a whis - per thro' the trees, Like a
wood-land mur - murs cease! Ail is sweet re - pose and peace; We must
mB^ ^—f«««*—f*^—1*«»—«*P«—^—^—^ 1
'—s*—1^—1^—1*^—^-g—1
—
-n—I—I
—
\—I—r—^\
—J.Uj>—^
—
\—i
—
\
—^—H— ^^
-H '\
\
\ \ 1 \ ^ Pi P
mi ^ '^T . —=rr
Pvoice of ser - aph bright, Sing- ing to the world good night, goodwhis - per now good night, We must whis- per now good night, goody m-
't=^- =?=^ ES ±j^¥M-M-
Like a voice of ser- aphWe must whis - per now good
bright Sing - ing to the world goodnight, We must whis-per now good
*s -iS^
%A time^Ts go to Coda.
ff =J=^i=^'
'
^-i—-a-Good night, good night good night!
Must whis - per now good night!
night; Sing-ing to the world goodnight; We must whis-per now good
night,
night.^ fe:^^ :*3at^—•- ^ #-v-
ianight;
-?$*-
t ¥^j^ I * rr\
^P S
k^ i-
^=^r^ -v-^H#- -^-*H# P f=^V-
-<S-
:^
140 Gentiy Sighs the Breeze.U if First Voice. . —
v
U. -^-p^ ^ ^:: -*^ff-4-i* ipzz^
i ef :^If^ =t^=P^-
wbis- p'ring breezes say
y__^=^ -'Or - i - sons for close of day.
Sf -m—^0 v-0—^- d 4H f-
H—
d
\- -V•
—
—#-
g1*
^=!-S-f->i^=j:^ :8=;r
# ^-^7 L "^ J ^^j-^
^ ^ * *^
M Second Voice.
Pt=S=^m -#^-H < *f=T-^ N-
-# 9- li-d^d -€^m-
Hush! the birds have gone to rest O'er the earth night's sa-ble vest Hides the
U Rail.
t-# 0-
^2- lz±A-Af=±
:^=r^—^ 1beau-ties from our sight; We,sweet frieud, must breatbe good night.
A tempo
-^k'H—'ii-^-'—^^-J- ^-i-tf —~0—t-
9i|t :*^:z«'
*Aprayer; accent on first syllable.
i^*fe=
A tempo.
Gently Sighs the Breeze.
ES i^ •m
i4:# 9-
%
141
*IL^ -i5'
ili
Good night, good night, good night, good night, good night.^ ^f ^at=^ ^-^^ 4^^-i5> «
(Ife ^^^^^
pa_^ D. S. to yi
% ii :g^^fff-s-f*- ^^-*- ii^^^r
(:^ &i. M J
??=
f s -f^f^ -#^*?-^
I^-^ =?=^=^ :^ *
Itf
CODA. ,<rN
^^ n***-
^f S ^w -*^night, good night, good night, good night, good night,
night.
m ir\
good night, good
3^^ ?'#^ -($^
^good night, good night,
¥ <5>~,~f
good night, good
^ .« \ \ H#I
1
Ptt-#
—
\-&-
A d 4 jL ^ d^d^drHXiM ili
^ ^ ^ ^i
*r y r -
' g ^ s=n^=*^ -f-^-
r
itf
Dm.rr\
Rii. FINE,
^=^ ^-7^- :s?i: W-^-^-^
itf
night, good night, good night. ^% t
ynight. good night, good night.
-^—\—h-fF-h-H—h—H
—
\—\—
* * * 4-^FINE.
-» » »-I ^ 1
^*ffr^ J:^:£^= ;^-TW-^ii^-^^ ^^
Dim. Kit. PP^ =^=f frw^^^^ww^ 3hi ^ > re-9-
i/ '• '/<-!5?-~
142 THE VILLAGE BELLS.(The verses may be rendered as a solo.)
ALFRED BEIRLY.Moderate.
t^^CP
mf^-^-\—I-
A -
How
H--*- ^ •ol
1 #-j_ 1 1
C 1_' -0- -^ ' -0- '0-
gain I hear them soft and low,
many a scene to mem - 'ry dear,
9:;_• •_
^J ^J ^ •/
-7^-
:^-
I
Come sweep-ing o'er the
Their plaint-ive notes re
plain,
call,
:^z± t:
WithThe
-&-^-
I
i
IP
:?-3:ed-5#—I-
-9 wr
2^:
H^^^
ji~9~W
A-A-A£ ,J_L^ ^.
'9 r W«f-H^^H^-!—1-^--
-a=«j=3iJ
—
-^-tS-
-iS^ T©'- -(^-
s*- t:!-
s^-^-
H—*--H 1
—1—I—e—«—^- -^feel - ings once 'twas heav'n to know,
school, the dance up-on the green.
-H=±t-i
And bliss to feel a - gain;
And thee, more dear than all;
For
Dear
pH:Itlzt
:p=«=p: 3-rs^-
I:
rr 1^^^
rpzT=t:
f'-^-
-©>-
*
-i1 r
-±ir*-m—I-'^^.
9' :^::
-(&-
^r
-<5>--(5>r-
^'^r-^
zq:
--trxH-#-
:q:^-•—1-#—«-*v:^
-ii5^1^ ^
-0-
I1:
The Village Bells. 143
JEt n ^^'-
i i *^sii-^--&-
though I dwelt where mu - sic all The soul
one, when life's long noon is o'er, My fan
^ I ^ A «•#- •
-fc—i-!:i—b •-
with rapt-ure swells,
cy fond-ly tells
t *I
In
i '"^^^^^-iS*'
quiheard
- et
sound that thrills my heart,
may we pass our daysLike thine,
Where soundmy vil - lage bells;
the vil - lage bells;
I
In
144 The Village Bells.
CHOBUS. Legato.
^ c
—
m—r—
^
-—I ^—•
—
f(S>~—m 1—h—^1
—
:f=s: -<s>- -#—
•
ISweet vil - lage bells sweet vil - lage bells,
.
m
-f ^-
-H ^
A f^ E^—Hv-fi a tf
i—^—*?—*-
-#-x
Sweet vil - lage bells,,
m
-9 H -f—^-
—^—^
—
-^—/—Sweet vil - lage bells,
-#-^
sweet vil - lage bells.
1
sweet vil - lage bells.
•< "^
love to
-^ 1^ -&
hear the chim - iiig of the bells, my vil
ISS=:S^F=K
lage bells,
-A- —N-
tli^:
love to hear the chim - ing
—V ^ V s
of the bells, my vil - lage bells,
\- A-
The Village Bells. 145
-^-i
ff
+-
C^:^-
-t5>-
Sweet vil- lage bells sweet vil - lage bells,.
m mf
T \
\-^—*-
-^-
Sweet vil - lage bells,
iI:
•mf
sweet vil - lage bells,
-^- ±Sweet vil - lage bells, sweet vil - lage bells,
/Tsad lib. /T\
^mer sounds could thrill my heart "Like thine, my vil-lage
/TV
bells.
/T>
—^-:J^-r—* * ti
No oth - er sounds could thrill my heart Like thine, my vil-lage bells.
F«-
No
I i^ H—1—
j^!: fL 1/
^J,^
—
L.^1^
^—1/_
er sounds could thrill my heart Like thine, my vil-lageoth
Pi^g?
*Sing the high G if the voice is capable
flbells.
146 THE STORM.A. B. ALFRED BEIRLY.
I/ Moderato.
^ 1:A V
=*—F—tf—F—
1
^-^
u
9^-.^
Deep roll - ing clouds now gath
,•—1 .n >j , ^
^?*=£ St^
er black-ness. Dark - ness en -
;^ H 1
^*=S H ^ U»^ i:^It:
^; -I
1 ^— t=t
s4=^ /f
qzzi(5'-
m/'
??: 3:l:^: x--=xshrouds the skies
^^=^
a - bove us, And sway - ing the wind,
Sway - ing the wind,
And
^^ i-li jLJ.9J,
?Ss#-F :pt:
t
ira «t.
T^-*3333e :^=zt
y
:S: V-?2:a:
sway-ing the wind, The loft tree
-^ ^—
i
:t^±
tops low - ly bend.
^f©>-*-t-:Uit ^^: #—
^
Sway-ing the wind, uJ-
/ Allegretto e staccato.
i=j.=i
Slower, Legato.
,:^==
»»
9^
Now darts the light - niug, Now darts the light - ning. Through the
Now darts the light - ning, the light - ning,
i J- ^:t=t=
dark
:t: tEk:J^t-
Ej:tzi
-t~
i/ Allegretto e staccato.
-^'-
--t--^ozzf^
-Gh-^
9^
night, Through the dark
-«S-*—r-^ • •-
night,
'.-cy
—t——
I
—S)
Viv id ly flash - ing,
Viv - id ly
—I 1
i
The Storm.
ff Slower, Legato.
147
4=^: mt—r-
ly flash - ing,
ly flash - ing,
f-^5^ a- :«:
in night,Fear - ful
±: -0-
-Jzz ±z It:
fear - ful
1
—
=^=3
'--r-t
fflf Moderato.
if/' «i-<5'- H^-
f-«5^ *
M-0-^
W-tor
Now comes the
*
rents. In tor
rain In tor
-J.
rents pour - ing, Sweeps o'er
rents pour - ing,
V-
the3
I9- —I-—©>- -©>-
Il^
•zzi:
r -h-
« plain, The wind loud - ly roar - ing. Sweeps o'er the
Sweeps o'er the plain, the
:t:-IS"- J
/^/^ rit.
-0— —»—
t
-<5>-
r—t-
'iS*- -^-
I I '
plain, Sweeps o'er
wind loud-ly roar - ing,
S=t=|:
the plain,
:^:^:
-©^
the wind loud - ly roar - ing.
* ^ X 5^p: ¥a
148 The Storm.
/ Moderato.
'^^W^-:ti* iziiii se':eie3"3
In aw - ful wild - ness comes the gale, And fiercely shrieks the fear - ful wail, May
f^ uj^ ^ IfL
# -IW -.#hJ jTi
A L — L h—J-t j/ J
mI
11
1t M 1 1 ]
ri f/ 1 1
]
1 ; J J J ^^J ^ J J M 'iLh J fl m
11 J J ^ "^
i 'T r •^ srT\*^ f M J J i i J J 2- A « 1
i
« |# « L "vy i # ^ 1 d € 9 5 * # d 5# if**
He
-#-
who • ev
0-
- er reigns on high, In
tf
safe-ty keep, whe
1
Q dangers nigh, May He who - ev - er
1 1 r^
£-k. L - « r • u- ^ ^p • • r i
I* 1
^ » »_._ a : ^^ • 11
1 ^ U^ J 1i
1 1 ^ 11 1 'm • u *^ •'I'll tt=r=^=t--U ' L ^_^ 1^- -h—
'
id=d: :«•=*
=ic:c?:^=*3(t5:l=JEj-'C^
«-,»- ^i t;q:
9'
reigns on high, In
Jill"*,safe - ty keep when danger's nigh; To God
To God
^=^=^
we glad-
we glad-
:t^tJ^- ^-^ :t:
ly raise a
ly raise
<#- -#-
:»-fz=:1—f=^
SJ- f/'
-p—•—f—#-
r^- riS^
i:-©i'- I^
^^zt
9tei3
song of grate - ful praise, A song of ev - er
A song of grate - ful praise,^^M.^^^ ki rjii ^is- » H*- -fi- -H^ #- S I
*»••-F 1 1
•—r b?3 *-r# ^4
—
grate ful
:t;
:^ V -f2.
-(S"- tz
Sf- -i5>-l—v I
rit.
l\75*-
-?^- :zs: :??:
f^T=^&-
praise
.
tiP=i^^
song
0- -»--©'-
-i^: -&-
of
-(5?-—
1
ev - er grategrate ful.
—S?-
4^--p-»-
ful praise,
praise.
-(^6?-
—P—
L
::s;'Z?"
ll
teTHE HEAVENS DECLARE.
Maestoso. f ^=~ >~ >^
J49ALFRED BEIRLY.,
1
The heav'ns de - clare Thy glo - ry,
s^ ~^-
-s*-
tS"-^
F :rESf
Maestoso.
-<5i (g--i$i—(S-
S -iS"-3t3tjt
-e^
^#-(S-
* i^zzigiS^
-f2 (Z-
-<&-
-^-
-f2- ^-#-^ -(2- .,5^
'i!i^ ^ -t—
H
-1^—e*- ^—#^
m^ f=t f -©"-M*- -is*- p f
if
i; - ^ d: iJ
I^H^jt :*—
^
-i5>--<5h^ -«5!-r
#==it=P=^ -jg' » s.tipLord; In ev - 'ry star Thy wis -
-^ ^ •*- >:- :=^ >r. # *#
i^—I - ; »- *i
:^
dom shines; But when our eyes be
:tTg h^•J'f i ©>-
I-tS (Sti^ S?=3E'^^ 2E£ -ga y i ^7^r- Ji= iS
9ifet^=^i^ -0.
-Gh
-7^
-iS^-^-(2-
iS'-
/
re -Gh
iSir
i—»-i—
J50 yhe H^civenp Declare.SOIiO. Alto or Baritone.
Xhc H®ov®"P Declare. ]51
Obllgrato Sop. Solo.
ie a
i^
The roll
jPjO CHORUS.
ing sun,. the chang mg light, .... And
fitz^=r^^i?iz=fc5=&=fct=t A^—N—N^ -N—
N
«-'^^tr-ir-tr-^^—i-i-^-m—# # #-
^ ^ ^ i j^ $-f^The roll -ing sun, the chang-ing light, The roll - ing sun, the changing light, And
0—r—0 0—m #—t—^ f^—^ f^—I 1
—'H 1—^H u 7 b—^ 7 I
1
—
*h^—I—'H —I—T-' 1—^-f
—
is^T—V-tr
!^ U' U' L^ l^
^i- & ---•I 1 r^-J"^^
—J^-^^^^r^ 7- -1—•—!
—
V3t± -#-±
'^pfct
»»
3i=5:-•-i- i
-=r
P -•— S-#-^
nights
.
and days. Thy pow r con fess ;
.
P
But
-iv7 N N'T .
Nv—Tr ^7=^^^^^^=h^ N7 N N7—
N
H^7—
f
J J J ' J J J j-L-^ ^ ^ ^"^ ^ T^ 1^ *nights and days. Thy pow'r con- fess, And nights and days. Thy pow'r con-fess; But
]52 Xhc H®ciYcn^ Declare.
i:Q= ^^5^
Re.the blest vol ume Thou hast writ
.
iN~\s—^—
N
N-Aa—^—
V
A5: > N 7- ^7 ^ ^ 7 ^
—
i^ p 7
the blest vol - ume Thou hast writ, But the blest vol - ume Thou hast writ Re-
-«—«- --H« ^L_#.
m^ 0—#- -#—•- S^3^i^*ti E»—»-U' I 1^ U^ V ?:-: tS:1
—
hy y 1^ ? V^^ v^
i ^ •? n ^ J J^^ —^1-H—#-
§!i^3—4:
I? < . ^ ^
f- i2t/.
^/^
5--P=
=B=-#—
veals Thy jus tice and
.
Ii
Thy grace.
Bit. /TN
0^^5J3 N-A- ^-tr N-A:S^t -7—J-i-^- 7 p 1^7 N^i
-«—€-
IF^^F* \^
-#
—
0- 1^:Thy grace.veals Thy jus - tice and Thy grace, Re-veals Thy jus - tice and
_/•_•_ -^L-r-^ -0-t-^^=H=^^^^iS t
^ -^ ^ ^ •/-;;f—7-ft=i=l/ f-v-t^-
-y-4
ip^tfi^^^
/CS
3^iit'ir-'' r^
l1/T\
^—«— ^ *v
Xhc H^ciYcn^ Declare. 153
ii
J* ModeratoK=»- >rH^ -^—4.^ :*zz#: -H 1- ^^=^-»—*-^ i:i-e± -^—7^-
. . .
' rThy noblest won - ders here we view, In souls renewed and sins for-sriv'n:
§S^ V—^^—»-*- :M^Ei -©>-
Ij_^ i
4=^ ^ ^^4 ttf^r^^ r 3t-2: r tff^ -«—
^
-<=2-
^=:H=-(9- -(5^a -»—»-
f=^ i^"-
^ ll-^75^
i»
t=fe\
—
V *P—*- I -« «-
P-r-^-•— ^
Lord, cleanse my sins, my soul re
F f> P
new, And make Thy word my
f f r liX-
guide to heav'n;
if^»— *: :^^=^^=N:?—»—»—
»
tr
I1 -i i i=i=^
9—«- i i a ^^*=*«
JTirr=
n 3t=a|: -tS»-
^'^^-^* ^
IMM-^ f. n . J I
I-«-i—:+-
?—«-12^:
-T^-i-
4 S 4 ±=3t r=fLord, cleanse my sins, my soul re - new. And make Thy word my guide to heav'n
* -•—#—F-
-\ 1-
* J* r^ g?-
-©>—©>-_^_
I-V—ii>^,»— -©"-^
1^ #
Eii
E ^
^ f-«-i—
«
fe^=»:
1f
^^ -iSih
zr*
154 AMERICA.HENRY CAREY.
P iust4-^-4 i=t=t^" i^ i. i9-'
1. My country, 'tis of thee, Sweet land of lib - er • ty, Of thee I sing; Land where my2. My na-tive country ! thee, Laud of the no - ble free, Thy name I love ; I love thy
3. Our fathers' God! to Thee, Au-thor of lib - er - ty, To Thee we sing: Long n>ay oor
•—•—# # -^ -^ #-. -^—#- -<S-
iSM -•-^
m. *3=P=1C ^^=^75*-
fa-thers died, Land of the pilgrim's pride.From ev-'ry mount-ain side Let free-dom ring,
rocks and rills, Thy woods and templed hills ; My heart with rap-ture thrills Like that a - bove.
land be bright With freedom's ho-ly light, Pro-tect us by Thy might, Gkeat God, our King.
#• -^^ •#-•«-#- •# -#•• -#•-#-•# •^•- Jj •• •• # J-*- •iz-^Tz—t-H \ ta-n \
1 nr ^# iL . »—•—r" (—
i-»-»—»—
»
IS'-s
^f=5=T=ff=[ :^3=^=p: V=^- -m
] WILL LIFT MINE EYES.
fflModern to.
ALFRED BEIRLY.
P6iA-^-^
i=j^s=r-^^:^
-»—-0-
I will lift up mineteyes un - to the hills, (un - to the hi'ls,) I will
irSSEtmM^ ^
i:
r / V -y
3 3
fr=* :^^kt=t--#—
-iSt-T-
lift
^^up mine eyes un - to the hills, (un - to the hiMs,) I wiBl
4=#^uV- f
m1 Will Lift Mine Eye^.
_^ \ I . S NfeM i -+^—
h
155
^ifc^zgm^zii:-3^=^^=^-\ h- ag--^n-±^
H H«—« #-
lift up mine eyes, I will lift up mine eyes, From whence cometh my help; I will
-f5»- 3CZ^^ ^ :1cit^' ^'
^ ^ > & i i -fs—
^
Iji=f\^H ?
lift up mine eyes, I will lift up mine eyes, From whence com-eth my help.
^ -s 1V- V-- -=tp=3]
Andante e Maestoso. Very firm.Basses St Tenors.
:\-N»5fe=^ =^
f^ P (Si-r~p
—
r
My help, my help com-eth from the Lord, The
Note.—This Solo may be sung by the basses alone if volume enough can be had, or by a Full Choir.
1^(i
1 :iffi-
m5^ §ir"i * -#
rTwir^^^*5- P r -*-f-F
'-^ tfj ^fci lE^:-<5'-
-©>-
^^^-n,'1S>:^N,
Ores. f
ELord who made heav'n and earth
!
The
i/^
^(^^^ 35^ P i^^
m i Ores.
ir
i^^
t?^ 3?;
u_^
f CjT/-«—#1-
^*—
^
•• -te- -+
I r^ #-^1^
156 ] Will Li^t Mine Eye?.
5^ :^ -&-^^
Lord who made heav'n, made heav'n and earth, The
(Ii:
^M=f>.(«-
* -tS--ts- -(S-
te:^
s^ -•' # ^
zzffzdBtS5^ -(S-
-#(S'- ~&- ^
1 Wi" Lift Mine Eye?. 157
iSOL.O. Tenor or Soprano.
mi i^ -<5>— 313*:zfa^ 12^
He will not suf
P*
fer thy feet to be mov - ed
;
4^
4z^ s: * ii :^-j$^'
fziii: -# _
i?i«.
i-(5>- ^ ==^-:^ ^=^
-<5>:^
He will not suf fer thy feet to be mov ed;
(i<s— fe-S'rv- Jg: 3tfi*:
f *^te f ^
s
*1Tempo.
Z2n 1^—JZ.:^
He ........ that keeps Is ra - el shall nev - er slum ber;
(1^ <5h% ^-!$»-•
-1^'
6 -f ^ f _ -G^-
fi-+#-
8^— Rit.
I:^ ^-
2±
He will not slum ber, not slum ber, nor sleep.
(i?,T
iJ i^ i^-(S"- -•—«—
«
6 # ^
5*
]58 1 Will Lift Mine E/e^.He that keeps Is
f TCTTI.ra - el Shall. . nev- er
Trust in the Lord, Trust in the Lord, He will de - fend,
f _
I
Tempo.slum ber, He will not slum ber, Not
tS^-s- i-^ 4
I II I I I i I
He will de - fend: Trust in the Lord, Trust in the Lord,
45'-
slum ber, nor sleep.
I/r\ Am ^ ^?=^:^ e* i&- ^^
I I I
»—(51-
r-25^ ^^#
Bit. T. r«»-
e will not slum- ber, nor sleep, (will not sleep.
)
The Lord is thy keep- er, Thy
it » #:J
3F? f-^^—^
^^# ^=^ ^ F=F=F=^
I P^^-^-«-J-4?=^ TSi- ^tMI m t- * J<5^
shade on thy right hand. The Lord is thy keep - er, The Lord is thy keep - er,
w -^ ^-0- ^ p p J • ^ -^ 0- 0- tsL- ^m^s^ -#—#-:ti=^ ^f=P^ ef
Iir^ ^
jRii,
I Irtf—it-1—(- -h—#- tS s: #4J^
•rrfi
Thy keep-er and thy shade up- on thy right . . . . hand. The sun shall not smite thee,
m #-r^—J»—^f—
•
^_ji_*_^<Lj_J-*^ ,r?.JB—loi—1»- -<5>
1l3=MeI
K=g-|_8u^-g--gL
f=F=F=1^—
^ -iSh
#t=^=id:pntit irf
-15'-
izsi-<5i- I
I I
The sun shall not smite thee, Not smite thee by day, nor the moon by night.
u f
42-
:^E -©'-
1^^ -©'- -H^^-v
-3>--!5^ 1
1 Will Lift Mine Eyep. 159
i mf^ P 12L is:-#—^-^
^-Tiie Lord shall pre - serve, Pre
The Lord shall pre-serve thee; The Lord shall pre - serve, . ..
serve thee from all e - vil ; He shall pre-serve, pre-serve thy soul, He shall pre-
lg« e—?—
1
=rfit= F=f=F-»«<.
iin
/TV
i^ a tSJ- £ :^i^
serve, pre - serve thy soul. The Lord shall pre - serve thy
-G^
^-m P fJ--iJ-.
\iA P- •#•
Si=^
go . mgf^ ^
^ -i—h-
F^ ^ t=t-»—itH^
^_-J^^ir- r r ii^^ 1^=1-2^
F^^= • I *
r r-^out, The Lord shall pre-serve thy com - ing in.
i * gLU^-^^M tS-r
/i? -For - ev - er.
5>- <5' <5>-^
^'- F?^ FFrom this time forth,
.
Sit
\f-G^ -G>-
9=^ - ^ J- 1^=^Ir"p"7r3r~~! rf 2^ :^
For - ev - er. From this time forth for - evFrom this time forth From this time,e- ven for - ev
^ / -^-&-
-G^'^T,» r-f
-V—1*^
-©L
er - more,
er - more.
jg-'-^i
J60 ] WILL PRAISE HIM.Allegretto.
mJ. H.ALLEMAM.
t^3 i-^5>- £^^3
I will praise Him, I will praise Him, I will praise His ho lyN ^ I
^ ^ ^ ii ii ^5=r
-«-i—«-
=??F=
I will praise Him, I will praise Him, I will praise His ho • ly
-#-#^^ -^
f5>-^^ Efi l
l' <--> d d ^^I
name, I will praise His great and ho • ly name for ev • er • more,
i ii 5t=H»: ^mn f=^
name, I will praise His great and ho ly name for ev • er - more,
^^^ E ^
f^m
t ^ s: -<5>-
I will praise His great and ho - ly name for ev - er •
I t i a^more.
IPT ip:
^^
fI will praise His great and ho • ly name for ev • er - more.
^EgI
-i5>-
-y- -^ -^^
Jll TRIO. Alto, Tenor and Bass. /
I¥5 ft
-ir^-^Vi^-(S*- #-#^
^To Him, our Fa-ther, and our Friend, Our great High Priest and King,
V-iP IH^ =^-ig--s?- i
fi-pT^
s
1 Wiil praise Him. 161
-&--s>- r^^-^—J.^' sJ. -^
We'll hon - or,praise and glo - ry give,Lord, hear us while we sing.
A. ^ i^-^ -^
3iifc-1^-
IS-s*- g' * rg v»
P;^-
MoSerato. m OBIilGATO SOIiO. Tenor or Soprano.
i^^ IfH+ ^ =fH»-#—^SZ^Z^
I will praise His ho - ly name,Flay only the Chorus masic.
I wUl
i
Inst.
DHOKUS.^yi* P^:*
p^^=g=J=S±j=J=^ t=^ i^m
p * p * ^i
I will praise His ho - ly name,• • "
^ r» A.
^"TT-rrr-rr r^ r r ^f-rt
f4+-
HfF=^ ^ £^praise His ho - ly name, From the ris - ing of the sun Till the
^=l=f ii=i='rr^I will praise His ho - ly name, will laud and
f f-^r r r
/?N
1^=*: -«i-
5 -tS"-
go • ing down there-of. Will I praise the Lord.
i(TS
imag ni
iF=iHis ho - ly name for ev - ev - more.
^^s £
1621 yjiU Praise Him.
OBIiIGATO DUET. Soprano and Tenor, or two Sopranos.
-^-N
ih^—h-t—
I
N-NTM U£g^ ^ k'
I will praise His ho-ly name, I will praise His ho-ly name;
:i:ziz^^ -V. ^ ^
s ss p^4+-+H I^LL-jUU- -^
I
I will praise His name, His holy name, I will praise His name, His holy name.
if-^s- i^=i=s=^=i=^ 3^2*1; i=i=*I will praise His ho • ly name, I will praise His ho - ly name,
• • •
# ^ »A^ -€-(f-
^ 12=^ -»-r
IPf=P f=F f=F=f
-#—#-/r\
^=W^-N~^
? E ^ itt•--fe" =^
3tEa: 5Z=? it
I will laud and mag-ni-fy,Praise and glo-ri-fy His ho ly
^JtdEname.
is it ^uFi^3tEi
I will praise and glo - ri - fy His ho ly name.
I/rv
I3i>—*-
l=r r=i=«^ i=* ^=•=1=*=*
I will praise and glo - ri - fy His ho - ly
^igfe
name for ev - er more,
-it—it—^k-^^
-t=t=t\f=P T^ M=^
''oilModerato.
L CHORUS. J^tY. _
•=r=?^ mV-7^—a<-^^-
-0-^-0-0 -#-*-#-^Praise ye the Lord for ev - er - more,Praiseyethe Loi'd for ev - er - more.
-<^-i-«-
i
Praise ye the Lord for ev - er - more. Praise ye the Lord for ev - er - more.
i^:?:-iS" iS*- -/5>-
iH^ :p^3r
?-<5» <$>-
-iShri
AS THE HART PANTETH. J63Andante e legato.
DUKT. Sop. & Alto.
ALFRED BEIRLY.
P^ d—
zi—« •
-#,
I
^±±it -•-p»-—
#
€— "^-—
^
As
P-0-
the hart pant-eth aft - er
I
the wa - ter brook, So
m ~-i
4-^- 1%
S ^i
-«-*—-h -^-
nj
«^ i^
-&
1 I
^ ^ ^ ^
^ 3t
r-1^-
Ptoy 18 measures of the accomp. for a Prelude,
$,me^^^s* i
> I
I -€ ^ -1$^
^::^#
pant - eth my soul aft - er
I
Thee, O God;
«m^^m ^-U—!a
i^ *
^W W P W PI
II I rrsrr jr#-
g -(©•-
i,me^ I . f\ , f—l. ?°N P
^ * Eii; I -€—«-
:^ -#—#-
, SoAs the hartI
pant-eth aft - er the wa - ter brook
n Q^^ fe=t=lm—s-
f A A A A A A A A A ji. •jAAAAA 3^'^ P
tS'^
164 j{p the Hart Pantcth.Ores. -. _ - — — f Ad lib. Dim.
iFor the liv ing God!
^2_if H—ITF—t- J5S(ffii: -#-*- ^—
^
^^=^For the liv
*soul thirst - eth for God,
ing God! O
wwmFor the liv
eIt
/?«
—^- +^-^ -P #it
I
when shall I come, And ap - pear be- fore
I s s IN
God? when shall I
t ^x-(51-
±f f itz^
when shall I come, And ap - pear be-fore God? when shall I
?;=t^ '• ' •
^=^ ^ -^^-
Im
J\^ the H^J*^ Panteth. ]65
-#—#--iS'-*- -fi>- -iS^ 1^H h-y-^
II:
come, shall I come,
mwhen shall I come and ap
• . Kfc=l-<s»-
r ^^ -©>-
come, O when shall I come, when shall I come and ap-^-tSf- :i=l
I:|
/^
5 -(!5»-
II
pear be - fore God, And ap - pear, and ap - pear be - fore God?
1^5: J i^ it 'j——^-&- -0-^
pear be - fore God, And ap - pear, and ap - pear be - fore God'
:^I
-4^ P
-i5^
Andante.SOI.O. Bass.
-<s>-
ii s j=^iWhy art thou cast down, my soul? And why
F^ §: 1
(I<
i
art
/-i5>-
thou dis - qui - et - ed with in
^la^J. 1
*
-i*;
me?
:9-.
^\
-0i5>-
'-^
—W
J66 ^5 t^»<^ Hart Pantcth.
Allegretto.
Hope thou in God, for
i :^
shall yet praise Him, For
N r-
shall yet
-15>- -+-•-*-^ tELmEtSEElEEt.
Hope thou in God, for I shall yet praise Him, For I shall yet
/Ts ^'^ • 0-=f-^
S>-
praise Him, for
i
shall yet praise, Him
!
Hope thou in God,
i s f3
#-1#—
3t^1^*
i=p:
praise Him, for shall yet praise Him!
1Hope thou in
^i ^
Wi:
«
Hope thou in God,
Cres. - -^ — .-'
—
^ nHope thou in God,
;i^ JF=
#-#- tS^
u ^^u- ^in God, For
H h i;^^ d—'-1+-I—t-
• 0- ^•0-I shall yetGod,
SHope thou in God,
Inst.
-&-^
m m
^; -<&- ^iE3
^
I^ 4=^
For the health of my coun - te-nance. And my God, For the
And my God,
fe:iE^ti*praise Him, For the health of my coun - te-nance.
m w=^^
And my God, For the
-.^^ Nx-1 :
-*—I-
^ --^- H
a^ the Hart Panteth. 167
ii
Bit.
-*-*--^- Ist. Sd. nTtt s'-i^-:!^I i
health of my coun te - nance, and my God, God.Inst.
m-+-4-
I I I I <
t ±jL \ 4 \ 4
?•--m-^
rzrT^^ I
ga—•^^-;|-(SH«^^—-<
health of my coun—
=
/
te - nance, and my God. God.
t ^ 1 1 L^ -M
Ik -0 1
=fc# • # r
^ ^1i^ ^
Hope thou in God, for I shall yet praise Him, For the health of my
P^
Hope thou in God, for I shall yet praise Him, For the health of my
*: £-^
iI
Rit.—^^— 1st. YiT Ad lib. /C>
E:^ ^^1s^zt^ I-iS^ ^^^--V 0-<5^-^ ^^
coun - te-nance, and my God.
fc
God. men. men.
coun - te-nance, aaid my God. God. men.
I'
,
^•^cr^-
men
9^ 1$^ atf:i-^-H^^^-t I I
. .
-I—I-
^-^V£^
J68E. H. SEARS, tr.
ib*
THE ANGEL-CHOIR.Interibed to Mrs. E. L. Ashford,
H^
J. A. PARKS.TDTW.
s s#-?# ^-9-^iirzJ
Calm on the list - 'ning ear of night, Come
^ ^—
_
1 -v
^iSI 5fe
Andante moderaio.
iii
=1^
{^m
J2t (^-*l4—r—K—^-
-.{r-^*-V-^
J-^r-^-i^^^li^da^
f-^^—
*
i?i±s:-<S'- -^22-
~s>- 3S
t2=1. DDET.V-N
it^:1^
TDTTI.
-4—TH -H—??=
heaven's me-lo
-^-r
#-*--•-
P^^-r=?-«
I
dious strains,
I
Where wild Ju - de stretch -es far Her
s
—
M
s w--
I^^ A:i S^ ^fcitdip^f
^^f-H-4
•-£>«-
dati;t=6
JPri*5^ -i—'t'"^*—
^
g^fefefeg^-^- ±ZJt
I s^^n'^
is: is: ? f-^Rit. e dim.m '^EE^ mat -}s±%=%
sil - ver manV^'^ f^:::^ 1
—
\ ^^ -¥
mm -#-^
tied plains, Her sil - ver man - tied plains.
is: A: Sgr f=F- ^
tS ^=^.i * is^ ay ^ -•
—
—0-tr-
#—•—
•
Rit. e dim.
-^'-fA-^
=t
li•-±m^ ^^yf=fi -(S-
-H 1- s-'5'^-^
TSt-«5»-.
Copyright, 1895, by A, Belrly.
yhc y^ngcl-CHoir. J69
^ JOBLIGATO S01.0. Bass. MaSStOSO.
i& -^^ -1^--4-
f^^—
k
Ce - les tial choirs ... from courts a
M CHORUS. Staccato. rp\
±^=*:
i
< 'Peace on earth, good-will to men;"
-• • ft_^f-__f^ ^-
\>, k k—N-=N=N3:=f=
An - gel choirs
-^ • ft—from
a_
t± f fPtoy Chorus music only.
^ -^St-
>^_^--^;^BE -S^rVbove,
.
Shed forth their sa
1^^cred glo - ries there ;
,
And an • gels
i^=1^=* -^-—w~credcourts a - bove, Shed their sa glo - ries there
;
jt—•
—
m—fc^ f f f
-#—»-•--K-i^—
t
J(Z- ^.i=^^=»^^=^fc^=icfe±:5iSzi
with< thair spark-ling lyres, .... Make sweet-est mu sic on the
IHl€ # #An - gels with their spark-ling lyres,
!
—
m—•
—
Make sweet - est mu SIC
i^fe^E^ ^=r=r=r:±«^F^ f f
iSffi(2-
t: V'—^- :^: n—9-M—y M—
I
air; The an-sw'riog hills of Pal
P
es tine,' Send back to
tfc-i ^on the
=1:
sair; From the hills of
_#_
f- ¥
Pal - es - tine.
:t=t
]Y0 yhe y^ngcl-C^^o^J^-
-^^ -#-• #. #• #-
9^ ^u^=^-^—^-
^-fJ
h22-H T—
n
earth the glad re - ply, And greet from all their ho • ly
^e^^^eSe£ tm •- ^Comes a - gain the
•#-—I
—
glad re - ply,
/0« .
.0 0^
i i ._3:
Greet - ing from their
# ^ ft f^1=
ji—^—^-
f
-fC-J?i7. /r\ rrs
Siigfe ±=5 rfdil=it r~i^TaMlheights, . . With joy, the Day
^^^^Spring from on high.
Bit. ^— -/r\ /CN
IS€ €-#
Day-Spring from-f^~-
ho - ly heights, The on
^^^^m #
higb.
J ^ J >^
^^
.iS-
f ^
MALE QUARTET,^-f ^wdmife.
> -J -I \--I
iieffliEigffiEi:i f=5 tSi- ^Uh-<5i-
2S=!t at*
O'er the blue depths of Gal - i • lee There comes a ho - Her calm. And Sha - ron
tS'—#-Hs>
—
m- W ijji—^—^— 1_^ pzti^zzpzb^
(S*-?*- :^:
?;
i^-^
-?=Fr
S^^ f4
f= ^g4#fep^^waves, in sol -emn praise, Her si - lent groves of palm, ... . Her si-lent groves of palm.
lissfeg-^-p#-+, W :«* -ifitH :g:
^=N: :^=i* $J'—I
—
M
Allegro. rT\ f kVl.1. CHOKUS.n\
^110=1 IT :^ti
-^L. -»
-^ -^ y The sounding skies, Tiieir
Glo-ry to God, Loud with their an -
^J J \ ^
#-l- r#
—
m-^9-Gi-S7r ± ±
15'- #
—
•—9-<S^srr
^iibSlEiEi r
::1il:^ ^-
b-r^d=il
- i
I; !^I
~—-1
-—
1
Small notes for instrument only.'-n
i-y-=t~-l—i --^i- -s-^t bt i-.-T -S-*tan-themsring; Je - ru - sa - lem, The
thems ring; Light on thy hills, The Sav - ior now ....
11^. S7J^l A V. -
g^^ -<5?- -<5'-
s-rV'-#-^-#—^^S*-
t' ^ f f ' f P
.i^F^^T-^f
:^=-t:it=i:z=^=i:J#—^^-ir-*—
•
:^rwt-^^^r^
:t=^3ZD(^it-#—#-
]=p:
Savior's born ;And bright on Bethl'hem's joyous plains, And bright on Bethl'hem's joyous plains,
is born
;
ii.
E^3^ZZriT^n —--f — y ^—
I
^1 1 F^^^-v-p—f~m- -I h-
.—• •-
f r r*t±t=t:: ^-^-h
i»i
?^§ -^^# "g •"
^s*-
t-1 r
ii*i
1^ fBreaks the first Christmas morn, Breaks the first Christmas morn,
Breaks the first Christmas morn, Breaks the first Christmas
^z-^-^—ft—t-
p- ^=^-+3 tr—.F-fl»'
I^tl^f/^ /^
mr
-•—-#-ii T^^^4^^^=•^5*^=?^^: sii*4^—
f
*£*:ff^-*-i&-4*-*-P^
And bright on Bethl'hem's joyous plains, Breaks the first Christmas morn.
mom, On Bethl'hem's plains,
^
•^-'
Bvri2zklE_^4fi2zi±
I 1 _.!_ I l__ I .
-
i a+*-
172 WE THANK THEE, FATHER.Moderato. Strong accent. ALFRED BEIRLY,
W-^ i ±=t i^c±i -<5>- -&-
We thank thee, Fa - ther, and praise thy name, We thank thee, we
i tqri$-1=3 -&-q:
4=^ 1- =F=^-ig-
r^(5'-
We thank thee, Fa - ther, and praise thy name, We thank thee, we
P^^g^I^t :p: t li i^ X 113
3
glUI i> ^ « 1—- ^- N—^n-^ V-—h-nn' 1 « "' « • m m ^ I 1 -' -" A d 9^ f— 1 —K—/ 1 r •^ • » • w • •
thank thee,
-fr~4, J -!
— 1—y—1^
—
and praise
— i*t1
thy name
N 1
for - ev -
11
er. For the won - der -
-1
ful
J", > f J p IS J - -^ j
iLh> 1 tk m - d J _J^ ^rm'^ _i J a • m 9 J M *•\:\) m m 9 ^ • • m :!:j~_ « w « • 1 d^ f d 1
thank thee, and praise thy name for - ev -
1
er, For the won - der - ful
rv* u ' 1 11^ C 1 ^ —•-— r~'
—
1 y—
'
A A —^
—
y*t^^ ^ - ^ —^-r- ^ i J~-?^^—p—tf •— • _E_ t^ ^ -[_: j
tk=:t=i :t
-^-,:^^=:4=q=d
-(&- -•-TT-m- -^- -#T—#-
mer - cies be - stow'd on our land. And a - bun-dant sup - plies from
:d=:(5^- K ^ ~^ L.
thy
•-^ 31: * ,—#—s=
-©>-+ -b!-
I I r^
^^mer - cies be - stow'd on our land. And a - bun- dant sup - plies from
:iEz:
thy
-a.
f=F=-(S- *
m :fc± :=i: :i :q=:
boun - ti - ful hand; For the won- der - ful mer- cies be - stow'd on our
^^^^kE^- npE :i
q:t^tJ
r*
^PEE
boun - ti - ful hand; For the won- der -ful mer- cies be - stow'd on
^^=rEl -^—F-e-15; lii
our
Hid
Copyright, 1889, by A. Beirly.
VV^e yhank yhcc, Q father. 173- - /T\
\-G>-
M--G-
r-
-s'—
;
=F
=lz=2
land. And a - bun - dant sup - plies from thy boun - ti - ful hand.
r-w 4
—
\•-4 -X :±r?\
I-©>-?•»-S- ±3t
fifTt
:S]=
-tS--f^-
-•—r
-tS-
-rs--r ^ ^i I I
land. And a - bun - dant sup - plies from thy boun - ti - ful hand,
d=:±^c^
Ip-I-^
-9-^ * -^-
SOtO. Soprano or Tenor.
Andantino.
±f-W—f- -IS*-#-»
-f
;teHe on - ly is the Ma ker Of
A
all things near and
t±±.
fl^-
j>
(^^ -<&- -<S- -<S- -,$1--^-
-^--s^- -;^-
-75f-
:4=d *=±r^^-^- ifzzt
-f2^- -• m-
far; He paints the way - side flow er, He lights the eve-ning
g^^?^t^-^ ^>r*::^
:i^sx
r=^= :#> -s^- -^
-(©^
6 ^-&- -^ ¥=
star; The winds and Avaves o him, By him the birds are
•^-
J74 VVe Thank Thcc, Q father.
Im^ 5=^?=^i q=:t
/TN
'^-^^ I q
*-f ^ ^» -^-•—#—•-
2^
fed; Much more to us, his chil - dren. He gives our dai - ly bread.
(I^i^l -i5>-
.1
tC-iblsfi—
y
I • s m •
/^
2^
r
-a.
[^* ^*
U-(5>-± h
-t5h -#•
^ S ^ »—^^ I^ ^tf3t^-^>v ? -85^ v^
DUET. Soprano or Tenor and Alto.
i:t=t
-«S— ^-=2:-•—«-
=3=£ iz-S:s?-^
good.
-^
d=^=#S -i$^ lz=2—i—
»
•—
•
The seed - time and the har - vest, Our life, our health,our
--X
jr#-r^^-#-
S^'6^—r» »—'"Ti—
^
• \d •^
m^=^=-- 22^ss:
-^
J^ SJ75
3E e^.^ s25 M\ h
-• ! 1 br-4
food; Ac - cept the gifts we of fer For all thy love im -
1^ S =1^ 4 S"~i~*—
-
'•H^ -+5V -f#• -i-
• ga.tS"- -(©-
:s:-^-27- 75»-'
i//» /?\
-^=aI^-&-^ l=;=MSg=^^: -g?
parts. And what thou most de - sir - est, Our hum-ble,thank-ful hearts.
-<d
Graceful.??L '
1^ > i '^ • « ) ) ^ >
C T "f f / • f ^ ' ' ^ ^ *r f 1L' 7 A A A A : p ,^ 7 A 1
iV \J \j
(\ 1.
Grive thanks to the Lord,k. w w
J , 7 -k 1 Z? 1i i i p p \ -k 1
^ r f /•/'J 1
f ' _i J J "f f 1
vt' / A A ^ • A A « « # 7 A« » m m m •
We will giveGive thanks
thanks un - to
to the Lord,the Lord, We will give
r^ 1/ « 1* '1 ^ \ -^^^ ^A L m ft '\
LI.., 1? f r 1 \j t ^ *"^ f D^ ^ r1^ (? Tj "i^^" '*' , Hr i, \j -1
g 1/ y IK L ^-^- ^- ^—
k
1^
*^ -I"—^- :i=4 17^1 K 1- :^
+H fc^—W—1^—b^—^^i^
^ 1^-
Give thanks
$^:i=^.=|=;4"g y
to the Lord;We will sing praise un - to his
We will sing praise^—^—^-l:r-^ -r-v N—N— ""
-«
—
m.—•-^d d & d—d—7i~ji
'^^=i--&-
^^-.
Give thanksthanks un-
-V-5—^-
to the Lord;We will sing praise un - to his
to the Lord; We will sing praise
]76
WWe Thank Jhcc, Father.—H—^--A-
-(5"-
=^ ifziit-#—•—
^
-V—t^—v-v- rt^vl^
r^^^=^
name, We will mag-ni - fy the Lord for his good-ness;
un - to his name.
-»—m—«-^—^—± -jizjt jhzMl -i^r-^ ^—^ i
name, We will mag-ni - fy the Lord for his good-ness;
un - to his name. We will give
/
ggfc -N—N~A-^-
m—^_^/_/_ -^
3-#—#
—
9 •- i^-i^V-
igEi =l=F=F=F-^-|=zz==4
Give thanksV 1/ k-to the Lord,
A:&^ i===l :t^ :|=:=l
Give thanks
-A -1—
-d-^-
8—y^
^^Give thanks
thanks un - to the.a p. N__.
to the Lord, Give thanksLord, We will give thanks .... un - to the
~& -•——-«—#--&-
+-b'-^
V
—
ffg^
I
V—t^-
to the Lord;:^-y—:i
e will smg praise
^ N
t=^- -<s-s= 5£
Lord;.-f2
to the Lord;We will sing praise unWe will sing praise
to his
i^£fc
m n^-iTs
-U- V--V- v-v—^^-^' -t^—1^
d2=^:
un- to his name, We will mag-ni - fy the Lord for his good
____ s. iN J ,N IS. I
ness.
I-N—^- :s:
-<s>— -0—#-
t=r^-m—id
-G>
name. We will mag-ni - fy the Lord for his good - ness.
un- to his name, ^cs
i'l4_i>__^_-• #-
-^ u^ u i7
-0—0-
v-v--G>- i
Wc X^cink Xhcc, Q Father. 177Allegro.
tli^xi*'V—t'-
i-#-
-»i—
#
i=i:
f=F=fI^IT
r :t^±t r =^Hal - le - lu-jah,hal - le - lu-jah,hal - le - lu-jah, A-men! Hal - le - lu - jah, hal - le -
:^ N S ] ^JV_J I \ ^_^_ ^ J [,j B_—^—^ _j.
4^7i^i^i
13:
:i—#—
^
* itztti .,_^.l-hz;*—al-
-IM^-
3tz#:
Hal - ie - lu-jah, hal - le - lu-jah,hal - le - lu-jah, A-men! Hal - le - lu - jah, hal - le
^Jt^^: -/—^ i=± -<5>-
V-
^—A--•
—
m-
:tr--N-
I-s>-^
3t3t -<^- t=F
lu-jah, hal-le - lu -jah, A - men! Hal-le
1^ ^. I
lu
:4=^=i=i
jah, for
m3t3t^ -<Sh m - 8-1f=-/S^ 1^ 1^
Hal - le - lu - iah, for -lu - jah, hal-le - lu -jah, A - men!
9Sfci iPV—w- -/5>-V—/-
II 1) > —1 ^ 1 1—1—1—
r
p " "1
n b 1* m A f ^m A m ^ • 1
Hr 1
^^ A r r 'dm 1'1 1 1
'I "1 _ \j 1, 'III
ev - er,
n i1 1
1
A - men!Hal-le
H^l-!^- lu
lu - jah, for
jah.
- ev - er,
1
A -
\^/ 1
\f J 1 N i" A • ' 1 "1
i\_w m - 1 A ' - ^ m J * Jt\y m A c __ ^ T_ m iU m _ * f iW ivy • # • ' • j0 • ^ n#
ev - er. A - ]
/Su-
llen!
f3
•^ Hal-le - lu - jah, for - ev - er,
1
ff
A -
t^* 1. « \ 1 p m • 1 1* 1., ^ * • -' -
1 /\ m P J ^ ^ -\^ t 1 ' A !/ >.
1
m ^ » 1
^\
'
i^ ^ —u 1
i :^=f ±=i/CN
Adagio.
i-(S^ -(S*- -fS"-
t: i:
men! Hal - le-lu - jah, hal - le - lu - jah! praise ye the Lord!.
A—
A
-<5>-^~m-0—•- •
—
m-
men! Hal -le -lu - jan, hal-le -lu - jah! praise ye the Lord!
§i5fc JZ-t -^S?-*-
-f-iG>-^ -i&~
-$1
178 THE LORD IS MY LIGHT.
Moderaio
IWj
I-^-^-^1-^
TThe Lord is
' my light, my light and my sal - va . tion, The
9^ y • yiH s -#-F-Ftt-^ ?=V-
-tr-h—
t
Ii?-1-»g
:
fc=a±=l
-»-*—»-^-!-* m~9. JrTT" ^^TVT * i *
m4M—
K
-#—•-#-H 1 1 h-# •-» »--»-*- H» » » »-
-hrH h
-T' V
jgfP^J^ ^
m-m—
h
H H*h*-i^^^ 1^-^If
»» ,,#.i
. L 7»—^ ^ -»-^ •-^—tf
—
0- » ' »
light, my light aud my sal - va - tion: Whom shall I fear?Lord is my
i _^J_«_,_«^
9^2—
F
-•—»-
?-»-H»-
ii. K '^"
1 tr-V-
U^ 'j —
j
-m-0-^0-^
\§»sfc
H 4-•-T
-« «-
*+=i^
-J-^JiEE?E!33
-#-^St le^
^-F-^
T—#--«—«#
r=p=^
s
. y •
IM^
The Lord i? My Light
7
N^- u I N ^ N
JZ9
i i n h ,
-m-r-m—«- -4 *=*is
H \+ ^^ t :^-|>
^ ^« ^ » T^ d m d ^
Whom shall I fear?, * The Lord is my strength, Of whom shall 1 be a - fraid?
#^—
^
-^ fct-»—*-
-h—
^
_^L_^H »-
feTi-»-*—•- w^- ^^^3 «^ •—ir-
g- ^ <rt_»
1=^=^ E^iizizi#..n-^:^
'^g ?
^-^ JB •--#-^^^^ 3tl=3t
# . •#-^
^rr
I/ Andaniino.
w1 I 'i /=F
m-2^- :ptzt^
-#-p#s-/^n 1
—^f— I—
^
a host should en-camp a - gainst me, My heart shall not fear, myThough
J. J J /-/J J ^^=J I I I
I^^ -t^ ^f f
Legato.
^: =^: 1$—•-
^ t :a<=?" -1—#-
m c si—#-
^
5^ ^^ 3t:^a -r-M- ME #--IT
sJ
(©"-i- -tS^ «—(S* «—#•1^ :;9-^r t:|=+3
heart shall not fear!
J >I
d 4 d
ThoughI
war should rise a - gainst me,
A. i A. i i9ir
-<5>~
H
—
\
—s
—^7T-^ U^-*-
r_(i2-
TtZX?^d-^^^»' i
-<g-
n9i -(5^
i I I i- H-«-#y^gH-H-;^^ *
l V>
I—2:^—1-^#-^
J80 The Lord ip My Light.
i:!2^=it=*
/ m-Gh -m—«-
-<s- H \ h ^ «- ^ ^i5^ 'w—w—m I ^ ^—g--^
In this will I be con - fi - dent, In this will I . be con. ti -dent; One thing have
fL^_-fL^ # -|2- ^^- r^ * ^I
i htS" 1 ^
t1« # « •- -;jH-#—• «-
^t=s=i: i^ Szzft ^if
?=i= ^2-^#^
> k K ^-
f—•-
-!$^ #
P • ^ -G>-
-i9-
X\m
-^f=
-#—»
—
m--&- r^ *—-t
i ^ J -Os
iSIt
iEi t -•—«-
3frde - sired of the Lord, That will I seek aft er.
Oj^- -^- •iS>-
IS—/TN
i-f5L ^^^FP^ i5hr-
-» ^0-
i ^5/T\
;?* * *S:-^- f 12^:^
-^-
'tfc^ ? t -m—p#:S
Moderate. First time Obligate Solo, second time fall Choir.
Solo mf, Cho. p.
f *\'*-tS>- "C/
^fi^ Hr^ -V= :^ -^-^ z^v=
5:n!5*—
-^^#?f^^=#P= -^^ -#—izzfzzi:^-
r -7 X^^jF|J
That I may dwell, that I may dwell, May dwell in the house.
May dwell, may dwell, Inthehonse
wm^ H—: 1-
0—/ Wv' -^^^ »-^
f-^H-^ ^^ -•--—•-
*=»s^' ^^i^;±*:
•*"#*->rrn a - -*-i^jtjtEJL
? *r ^iT-
_•_<! •_=5^—r= -^-^
I
Th<i Lord i^ My LigJ^^.
-^—pv-
J8J
-N-N -tS?- ^=it-#—#-
« <^ * • I y . tf ^iC
•7 X- r I ^ r
•—#-
fijizzi:
tite1^
-#
—
0-
-?—^^ -^—^^, , , ^ ^ ^ M
The house of the Lord; May dwell in the house, the house of the
of the Lord, May dwell in the house,
_• •_ -*—*—• P W-
»5fc l^ l^ I
*? j^^—
^
"r~r -^—
^
v-y-
f
z^tt-#—#- -^-^
_• •_ LlA ^—^-W^-^—e- -+-; h-^-^ ^^ -^K^ -^—^^
ttdc^
i1/^ * A-i- 3
/CN
\9~^
9—» —# »-\ * ^—^-f» »—»—» »-
i/ ^ l^ MLord, All the days, all the days
the house of the Lord,
-5—
p
-w ^
of my life, (of my life.)
±.
a§a lt b lt ^ jl . ^ ^-*-
f-»—p-^
h 1- ^jHr^T-;/—/—k^—
^
1^JM-
-#—
#
*
Dzpcrr-r; sd ,'^ ?
H» » »
1 h P -t
I 3 ^^T# iJ, rJ'
r^ ^itS^fe iS*- -^i^r^
I
life, (of my life.^
J. I
" j2-«
A men.
-^5t
I^^4 f T r -rv^?
—
0-^ 45?
-t
i s ^ 4^7^ S=-|L-+^—«5l ^ES -^^^f=3d =P^T
J ^rSS^-^
^ 4^
—
15>^ g^R=^ i=^i-
^ All Sopranos sing apper melody.^5t i -^ "~:5'""
]82 BLESSED IS THE PEOPLE-
iI
Moderato.
^—N-
ALFRED BEIRLY.
/i ^ ^
^ «^-I 1-
3st -^—-iS*-
-•1-^H 1-
•—«—#-
9
Bless - ed is tlie peo - pie that know the joy- ful sound, Bless - ed is the
^' ^ -^ -0- m -^ m ^.^#.#. .12.. . -0- m ^
4 -4t—
^
W K^ i.^
-»—»—»- V—^—/-W \ \
-
^1= d=^^r^g==5=i=3!^ :^ -<s-(Si-i- -#-s #—# #-
mf ^7^ ^ ^ I=S^
# # -^^ .^.
:|±d£=ti:P^
:^HP—» »-
^5=S
iP
B--f->- :^—^- =#—
^
-<5>-:si|=4:
i|i= -75*- i^—#^ -*—#-
peo - pie that know the joy -ful sound; They shall walk, O Lord, They shall
Pe^ *-^- * >
H#-=- -i§-HSi'-
II:
-# # #-
^ ^ -^ f^
-! F U-
A=r-
'^P*
^—
^
/?
i
-#-^-tsi- ^=*
^/—
*
^.
mm^ff
^—»^N_ N
:4=i«-•—r-
-i!!^-
-<$'- -m—
«
-US'-*
walk, Lord,
They shall walk,
pi: * i=|:±:
Lord,
±:
m the light of Thy
-•/—^
* V^^(S—-<S>~
^-t^~
(^-^
-(^i-
r
:t5
ly^
H»—«-
-• •-
-&-
ff
-&.-:^ tl
-#—^'#
IH ffS-
Ifc^ ,
mf,
i^Iep^ed i^ the People./TV
183,
1.
*=€^ •—
»
^^
countenance, they shall walk, . . . O
ja •
1—
I
^=^-1 \^—\ i^ 1^ —
a
! f ^—IF i:
W^r^-W 1^—
^
:?tz5=ic
Lord, in the light of Thy countenance. In Thy
^-^^LA H9ii :*=*:-•-^H»- -y5>-
-fr-Vr M^^- -+1—t-
-t^^-?'- i^=5^
i=j:; I n-«—
•
H l=f * ^-#-*-•-
-#—#-
PI^^i?i<.
^—
^
«-*-•—«-"i-^Jnt
/^
^f
^=^ H h^LM»^
©>-
r^-
I1= ^-^- .NN. aH^-ah^ H f- #-i-*-
^=!=tf
V-3!:-t^-i^
name shall they re-joice, shall they re
^
joice all the day ; In Thy name shall they re-
m ^ /n±j} -(Z-u
\ F h—F--^ :tt=:;^-I—
h
^ '\y1>^^—
h
^ ^ ^illname shall they re • joice
.
ILj. ^,n
the day;
A-*.
±^g: S3£ 3tt=it^^
-(S--($1-
'g -^-^An /9 P ^-+—I—F-=#=?=-V-fcUj ^-^ -rS"-
^ ir^ ^
Ifc
*^ Sr-Vf
^I^— -<^T^ -«-f—•|-^-«h/ r f » ^ -iS^f->-/ f
li
joice,
J shall they re - joice all
H :M 1 ^
the
And in
day. Ji
Thy right-eous-ness shall
I
f±=M=S:^-h -#-^
^-#-#-t^-V—t^ H 1 1- -i^-
II ^9-5-
y 7 !
&-.— =^--(5S-
-tS^
=^-IS*-
€—€-
•-^ t ^^f ^^
£-«-
'i« -7-y—»—.»
-^ s ^ -/L_^
Ut
184 ^]e^^ed i^ the people.
they be ex • alt • ed, and
A. #.^ ^ ^ ^in
A 1,^ 1 '
1 I L_l
^-T] ^ r tr-yThy righteousness shall they be ex - alt - ed ; Eor the
H h-(2. g^ ^ X
I«: ^^ I W: iv—J^-i-
IN N 4v
-€-i—
«
St:g:
=3=3t^
Lord is our de - fence, And the Ho - ly One of Is - ra-el
^. ^ ^ #. .fS.
Lord is our de - fence, the
» ' V k-> :p=p:1.2=^^ ^
:^ -9.~9r<Sr-»-«-»-©^!
^ 1
—
-—»—b—
I
\ y->^:| i s s*^ * -€—
€
*^-gj-
€—#—#-
-#—i^ * I -^I
S1t^=)i=F=J
-•—=i=^ 3^^S
IHBit,
S tS^-
N N•H- f :p=^-
-+-:^
/1^
-#—»—
^
i-^2-tiS-i-
iiS
is ... . our King, the Ho - ly One of Is
fe*
? -I 1
•^ -0- M -#•-#
ra - el
:i=P2
13
iour King.
-(S»-
-(22-^-k/-^
Ife .;;fc
^
T&-ftli
J
rr\
ES
:i±=i=^f=f/T>
-.^^^+-^ S3:
d:
T/TV
f#—
*
—
^
Tn#:i2i7.
-ts-
-i5«-i
/TV
I
THE TWO CITIES. 185Alison Dene.
1st Tenor.
Hamilton Gbat.Arr. by J. S. J.
-ri-
/v
—
\ :F=S ^^ "^mEE g^f=^J- -V—^'-
I It comes in the gath'ring twi - light, When the sky turns red and gold, The
2d Tenor. _^^^ t^ ^-#-# ^H ?=+=P±P^
"gi^—f-
2. I watch the gath'ring shad - ows, Till my sad heart seema to rise
1st & '/id Bass.I I
Be-
mpi iP^ jtMI..U-J L-5M Pt=pt ^. i^E m
f^=m pInst.
;:p! 3 5?atn^
dream of a dis • tant cit A cit - y quaint and old;
I A^
l^"-?-
f-T-^i^—
k
yond earth's doubt and sor
-J-iJ-
row, Be-yond the star-ry skies;
N _J_ ^ ^§S I E^=f f *=r
.vj>yjiijinc, ii,u7, uy J. S. Fearis. Used by per.
186 The Two Cities.
To 2d. ending. ["
r-r-:.'w^^ ^ 15>-^
V^^
stand by the grand old min - ster, We meet as we met of yore; The
t ^=^m 9 ±±: ^-^M^see a ra-diant vi
J-^/J J ij
sion, The clouds are back-ward rolled,
-NJ /-/J J
The
^' t5>-^^^ V--=^rr^^ -^^—ti^ i^-^
f f
^To 2d ending. -1
,.
tt t *
^^HJ3^ ^ 3iJ^m
-W-i5^ f=f•^ •^
Rail.
: J Ii; |i ^/^ jp
^ ^^mu - sic of your voice re - turns, I see your face once more.
ITS
:i::pz:J I J J I ^^^EE^fte i^
?mu - sic of your voice re - turns, I see your face once more.
Rail.
J J J ; I
J
s ^i^fcI g s=^
\u
rrs
IP ^>^^ -^
v^a//.
iJ: MP
[^gj bd
SA/ f<—
:^
The Two Cities. 187
1
i
-^ ^r-H^-0—0 9P- ^And I dreara of a dis - tant
And I dreaia of a dis - tant
U ^—s-f-t—f.m^ ^_.i_t^_^v^^i
(i
-t5^
i ^ J—1^
»-.—J- UUMHfc=tfe^^ Hf" P^*^n(s
^ Ki.
:^^iTnjm*2=:
4-4+- i|Molio rail, f
!?#"• #
A tempo.
F=r# •• -N-^
^ ^ 77IJ J'^ r-
F
city With gates of pearl and gold. And I dream of the ra-diant
B ^—•-9^
^ P P^ S t^*-^
t=M==¥^
city. With gates of pearl and gold.
Ito rail.1
^ t> u u^ !» r h--—
^
1 i
4=
—
And I dream
And I dream of the
A tempo.
i=^
of
ra.diant
i J
f2fc=5: #—#-
"W^
of pearl and gold. And I dream
-^^
ofcity With gates of gold,
. -ZT-
188 The Two Cities.
J4^>Hg^ fi^^e-V—
^
w I ^ ^
H+-
bnght - ness Of a land where they know no night;
J ^ JV
^-^[^-^N"
The cit . y gates will
1^"?—!5?- is:
bright - ness Of a land where tbey know no night; The gates will
The cit - y gates will
^ I !
f f-The gates will
•^-WW^-9"
3t=i^ i^'
Pf^ f -iS^
2:s -N—
^
^^^#
—
0-
J J J J A—
^
^7y3t3t
pen, And faith will be lost in sight,
i -N—
N
And the vi - sion fair of that
^Sfc1^"-!- -t^-^ ;fc^? g iSH -# #-
^~J J J
pen, And faith will be lost in sight, And the vi - sion fair of that
m ^m^ i^Srir
J J i j J J"; s ^ *^ -^
i1» |gas#SH H
^tii:-d-dr-d-tti^tt^
i*««^
^ ^1^1 -M3 £
ii3 IP
tSK-^-^ (4)
-f ^-4- ^—^
The Two Cities* 189
f r rr r-#—•- *^m t^-#-
^lf=^
^V—
^
^ ^M—>/~
kingdom, Brings peace to my heart dis - tressed;.
-N-N
We shall meet iu that gold-ea
i ^ N—
>
-N-^-
» 9--0- :-«: -fS?- 3H h# « 0- ^ P
12L
kingdom, Brings peace to my heart dis - tressed;. We shall meet in that gold-en
4.
i,^ ^
i ^^^M t*m^ # ^^m
H^i£ ^ i^
rin
s i9sfc3!* tSf-
f=ftS^ S^
-i&-
T T
n -^-
^ \0>—
^
1^
y, Where God gives His chiUdren rest.cit
^ T^'-r-
? ^ i^ -V-
cU y, Where God gives His chil-dren rest.
§5ifc E
r^EE^ i-^
V—
^
15"-!- ^p^^^ i
^ >j >i=jr
i*^ 1^J
^fer
n«-
3^si-T -r5l-
190 GREETING GLEE.
*Allegretto.
Words and Music by
ALFRED BEIRLY.
ms?--^ -^^-^ :r^t^We come, we come, we come, We
§^i
' *f -^IZ -#-ir -# #-#-
S;
SSi
it
We come.
m& -X—
N
^: i * tJ3m
Bfe-#—«- ^L^ i»—#- -«—«- •—•p-
i=^ ?$ ^ ^?3^y=H=&
-»—
^
->^ ^vi/
:t: S*- #•*• t
li'^ '
^-i1-
9i
come with our song of
* * * .
^cheer; We come, we come, we come! To
We come,
II t ^mB? fci± Nf •
8=r^-^r
»l^4^
I *=* 1=5=^^I i
"2 TDTTI. Sop. & Alto.
^^^
5*3iI—r«-
tell of )'our wel-come here.
i -^ 4 * •<"
9%' ' '~^^here. We come, we come, we
We come, we come.Tenor.
^ft ^^— -^-^<1-
-*?—^^-
fcgS^j :J=d:-^
—
\
—-A— t—f-
-t-# *-# H?^^^
9^ fe^3±Efc
^- -^
tS^iV
-•/--
»-•^-^-^ -H—v^^ -•?-^^
Greeting Glee. 191.
%v^
iShr-£!vz-s?!zJ^
C3lt l^Jts -fc s^Ht^
P^
come, To greet you all with songs of cheer;
we come, we come. To greet you all with songs of
•^
—
-m- • -^ -I——I #-
P^ -V- ^^-v- V-
fe= ^^^# 1^-!^-.—p*-
1^,—^-r^^ztii-
5 '^-* •/ y -«—^-^ -^—
^
-'^^ -»—"f-s-*-
«
S. A. T. B.
m ->-•- E —
—
m r- -<5h :i *3Sa: -f^- f-#—#
94
. . . . We come, we come, we come, we comecheer; We come, we come, we come, we
##-#-# _ -^ -^
Tocome.
-^-^- ^f-^ -s—»-
-t^
i# -*f—>—
^
^s ^3-J—^—s_^_-.^--P^r
^=r^& ti^^j ^K <^ m-
PI'i^
-«—^-*-.--H—^^-^ -•^-^^ -m—^-
:^
*:^H ^-«-r^
i^^/. . . .
T T T^ -« «—-«-
T^ *- l^-^n-g
r?N FINE.
i^i!
s^greet you with songs of
^ ^ ^ f: t^3=tV k- ?^
cheer. And tell of
^ ¥ r—-^
youry
wel-come
-t^
P ¥ •-
Oi p
here.
r.
•'
^ H
AU
^-«—«—^ii#—«-
^^?i^4^
rrs KINE.
-0r-—m—-*
9 ^^Rit. .
fIjzizBI
-•l^ .1
^ ^_ S• » »- ^ P^^ -#•
UJ^ u* i^
r?N
-«-i—•-
#• »
?«
i
192 Greeting Glee.UDET. Sopranos & Altos.
Andanti?io. fflj y
i t A-^itiT ^^iE^^t
t *" V a
T-N-
Ife
We sjieet you all with right good-will, A pleasing sight, your faces bright; O
-^-^« -«—^- -*^^ i-i-+&EI^^^^
a Sl*fe^#-TPI—* #-V :?^^
(»
I1= V^H-^= -f-^-
»i/.
fa-«-i^E ^-#— :^ H h Sh-0—w- -^^
*may your hearts with pleasure thrill, As we prolong our feast of song. Where,
-^ N-f-lu^ 53 r*—4> ^=tt -«—
r
-,M-^- ^#zr#-
Pi^
*m * ^—
V
?s «T^
E ^S H ^
-4-; ^ i -^--A-
A charming hour in mu - sic's pow'r?
-# r-ra r r««»=^ r—ii*^—i—
H
where the soul that doth not love O
*mA--^=^^=8^
^*=
-«—
iQiixzii:
:^=3j:
-#—
--p—N—v I ^ N I
I
'
is ^
gift di-vine, from heav'n a - bove, Thy rich-est store up-on us
I^
pour.
^mf>.
^\ *
PI rt * -5^
^^B ^^
:iZg_^ 1~4^
y?//.
£
#-.-^
^
SL-i:
Greeting Glee. 193
S A. & T. humming; softly.
Andantino.u5 -'?—
^
9 4 ^ ^ 4—
#
€ *f ^
Hm, Hm,
«;^
4- ~r f •>*Jkf ^S*. ^—
*
-*? S- ^ / «^-
:4:
Basses.
^"We greet you all with right good . will,
.-^mi—A pieas-ing
^^^^J W=^-
-tS^
f-# i/-
ifc
©*1 Nf
#:3—
#
# « #- f-R^^# #—h-#—#—^—^-
^-^ Adm
:# T^.^» •# -^s ^
i# ^^—5^
Hm, Hm
u -^ -f—^_n:C= -V-
sight, vf)iir fa - ces bright;
,
may your
9*<^-
^^s==s:V- S £ P—#^V #-
i^^ \^ ^
i=3
194 Greeting Glee.
m ^—
^
-^f—^-
Hm.
i*
Hm.^^?—
•
f—h
—
^ ^ ^ ^
mhearts
.
with pleas-ure thrill. As we pro-
Z ,'rAr ^-f^5^=v
^^^--•—*-^ as# I
' J+-#- r
pJ
IV^^r^-\
Rit.
±i>. c.
I-^^ ^ ^—
#
^ ^* ^
Hm. Hm,
*^ #
id 1 y n» ^
long.
pi:
our feast of song.
iI ,
-
f dV—\
t^ -4-^
*# -« »-
is:
S». o.
^^" >/?zV.
')*=i=-<5^
:. T. ROWE.Allegretto.
WELCOME TO SPRING.IRA B. WILSON.
196
I •>S5
The
-^^-^^-^ ^^=rr=m^j# 5=^#^
The leaves are bright with ten-der green, The haw-thorne bends with heav-y spray: The
^ ^^ !^ ,n N ! . 1 ^ , J" J J ^ ^' '
r
gen - breeze wafts in - cense rare, And sweet per-fume o'er meads doth fling; Then
t^-# #-r k ^t;—I—b-
f-p—» V
Sr^—^-
i3= ^-*— -#-T
^3^ zE t^f1
—
r-tCopyright, 1907, by J. S. t'earis. Used by permission.
196
SWelcome to Spring
i iS i
flet ns roam the dais -ied fields, Aud wel - come in tlie spring;.. Then
#= ^ *=*9St S*=t >—n--V- y D >
B^ love-ly spring;/TV
i^-^^ 8 J *
i i *(9^ >—^—
>
^^—^tj
?=f17-
let us roam the dais - ied fields, And wel - come in tlie spring.
1 \ V-^ -^
^-^^^r-yt—^f^ ^i^- ^-V-
And wel
i
- come,
N I
wei-come in the
4±t
mt=9-p" r ':i^^^^f^
g^TTTT-t^r—*r^ia 8* d= -«Tr-
f^ ^ ^V ' ^--
ii2=a= fc^i —1«^^
—
—i
wei-come in ther
J
spring,
IS^wei-come in
1 ^I
llio
S
i
spring
.
<^
-V p 1^
spring, wei-come in the spring, . . ^ the spring.
-•hr
H» -VC/
Vi/
—
I
Welcome to Spring. 197
^Twwn i la:4Mrr rIt is the sweetest, brightest time, When na - ture looks su-preme- ly fair, No
^ ^^ 1^ n s I .1 _ J I J V J^ '4U^^f ;^ j^- ^^^ i* *=ii -»»-,
Tfl-When na - tore's fair,
^T^-
i ^ s^s ^; *Ji- « r ^ n ^f
^f-^-^ ^»r
9^5fe=^ * r^ ,'^ -•H-
f-t^
sa ture
i fe^gives; ^,^t—j.-^N^^ * rTT ; 'if^^r g ' r g ^r "
fe'bliss so pure as na - ture gives, No
^^ ^^ -i V" J
1/
joy with
J=^
it can e'en com-pare; Then
^ J J -
^^ # »-
T'^—
^f^i=
na - ture
kfj / i]^ iiE^k
f# ^ *-
^KxT *=^£-?—
r
^ -^ ^^ / i
;
^¥-M^ #-^ -#-^- £ V-Vi/
i4^ 5 :f5:
n >d* d
,
i 3t^ =3= i??^
let us roam the fresh green fields, AndN N_
I
hear the feath-ered cho - rus sins; A
^g C g g ^E^f
-#-.fut
I
U^ !
=i :tit
fefcfP—•- r—r ; j
1 ^ I ^- -#-i-
—r^
i
t:
198
i -I——I ^—^1-
Welcome to Spring.N
I
/rs'
f© *i-^m 9 m •
lov - ing song of joy - ous praise To wel - come in the spring;.... A
^P *=*-V-
9. •-
i!*—t- *
r
^i=^
:i
=^^4-
^^ #^
^» » » k
i^-t^
Welcome to Spring. 199
ir -s—
^
A h^t=pt
^mWel - come in the spring,
J ^ I ^ J
wel- come in the
2^ / J
spring, Wel-come,
I
i^-0^^ f
sprint Tbe mer-ry spring,
J^=f iJ -»—s—'^ 5^=f-?(5ih-
i i^ ^b=t5tzfe jr^^^ ^
rt -^
i-(5^
/^
—I
—
*k-
?f>M^4^^ 7 a •>
^^H ^
-•^-1^
welcome in the
I
spring;
met • ry
.^^
f^=r t^
spring;
*^-^
Welcome in the spring.
•i :*I
«^"
9iSS -«—
?^ -#—
h
e n>The mer-ry spring, The mer-ry
-#-d- i-«- t=r5
-7^7 • 7^7"^
^^f^-#. ^^^_, f^ JL ^(5'-i-
?^ ^ i^E
sid* M i N-#-r^
^ =^:}5 J£ -^^r-^=pt *^=^
-# #- -^#-
welcome in the spring, Welcome,I
1N I h
d d d dVSH
welcome in the mer-ry spring
If
i19$-^—H^^- M^^ i»-
spring.
^-0—d d
i
i^-f-i"
-»—
^^-V-#-T-
^ ^' I
f-
^-^#-
•-^ =N*f^
200 CROWNING THE SEASONS.H. CONWAY.Allegretto animato. mi
y T t=^J. S. FEARIS.
N I
^ Is1/ > 1/ 1/ V
In buds the hedge-rows tell the tale, The birds in h"ap • py strain,
J^ ^ hap.py strain,
4- •#^* *fz M^9t^^V^-f+P -V- i^=^
1/ /
^ -^—fe 1^-«-g3t:t3t3 *=F^^T ^
Gone, gone the win - ter's bit - ter gale, The spring has come a - gain!
9^ i 4
i s
it9—^
i
The spring has comeCres.
a
rail.
gam!
-fS^
—
^N/Tv
is
The spring has come, has come a - gain!
* *=rI9^3 P-i
M- -w-
Merrily.
i i
" ^i^ 3t=it
;^*TT"^^1 ^ ^
O lads
Vand las - sies, come with me, The lark is on the wing, (the wings,)
i^^ S » « V ; f f f .f
L F L k l bV-fr=p -^^-
-^^-u- ii^ i^The lark, the lark is on the wing,
i^?hC
^—\^^=* V-
*: * ^f^
§SfcP
Gay spring has set the blos-soms free, We'll hail him as our king.
I^f4=f:I
4±* 3 i^ f1^ ^
Copyright, 1907, by J. S. Fearis. Used by permission.
Crowning the Seasons. 201
imf Slower.
^ m~#^ ^^.^^^^ «—*
But May has sung a mer - ry tune To A - pril's fleet - ing woes,
Ei=fc: ^^ *§
i I^
itMi^=S * -^ * f-Sf-* * ^' C
And Boft - ly melt • ed in - to June, And June Las brought the rose!
i d J ^ ^» T- f- U hi h H-r
¥i—V- —-^—t^—
'
has brought the rose!
iP
And June
Rail.
P^^ -H H>i H h
^: i < ii\-
b;^t=*#^
And soft - ly
JLl
melt - ed in - to June, And June has brought the rose!
^ ^ 1^ ^ ^ ^d' d" d d
t t-y-
r^V-
-niP\
ii
Has brought
f Merrily.
irt
the rose
!
^c/
^.^J^'-.-#-#
It ^~P^ t=^--J F F ^O lads and las - sies, come with me Wuere branch - es shad - ows fling,
^BSfeS s -^ h
-^ -V—----•/-
-V- -^
^r\
^—P^Jr=^
ti ^ jife
i^j
9^
i/^ • - ^ -j^
^And hail, be - neath the for - est tree, Bright suin-raer as our kin^
SV- -^ V- -^-h»-
^c/
202 Crowning the Seasons.
Pyimo tempo
fcml^£^^ S
The grain in lieav - y sheaves is down, The sick - le sharp has sped;
-#- J^ ^ has sped, has sped;mm \ \ -^ "I'fT -ft -^ •E P=59!6fc LH ^" Fv=
V- -^3 ^-^ i^
1^ tf ft &-d » d i ^3 ^MM=S^ ^#
to brown, And ap . pies blush - ing red.Green leaves are fad - ing in
i
1/'^
Ead - in
# -^ # 1 i^y ,
-r s^ ?:
J?a/l. ff
Green leaves are fad - ing in - to brown, And ap - pies blush ing red.
Merrily.
i 4_
-#-#-
f3^=^ -=^ H Y
<i±^=^o lads and las - sies, come with me. And home the liar - vest briug,
r u K9^-w- -V- ^^—t^ V-
^2=^ —
V
E ^1r^zzjc V W=t=^\We'll gath - er au - tumn's gifts in glee, And hail him as our king.
9SSi^ 1 at^ ^ 1
H - V- -b^:^
Crowning the Seasons. 203
mf Slower.
tF :tF=? ^lEi ^3F-^-
j|>+^^-3H-i 1^-w-
The snow- flakes fall, the frost is white. And drear and dark the days,
1 i: tS^-Fq*-#Pi!it i^
?=
I±p: ^ -Nr—
^¥f^Yet red the hoi - ly ber -ries bright. And clear the yule - log's blaze;
^ ; ^
-w- -b^ :^
P/?
And clear
Rail.
the yule-log's blaze;
^s-
Yet red
P
W ^ ^ ^ i' ^the hoi - ly ber - ries bright, And clear the yule - log's blaze
N N ^ N ^ ^ NJ_i / iL-^ i * mis
f £ -fe^-
f7«it/t^ SA/
^'Phe yule
/ Merrily.
log's blaze,
^^. gaj.ii
ci'
t
lads and las • sies, come with me And form
JL 4t ^ ^ -0- •- S
.
^a mer - ry ring.
^—0^g 4;i=tip—
^
-t^ V-
fc«:
/CN
.^\- ^^^t «: is i^ 511 ?»-
rA sea
' 9 17son of good cheer 'twill be, Old win - ter is our king.
?tt?*JL
-^- -F ^ F—V-
-«^
-V-VC/
I
204 THE JOLLY SAILORS.
f
-&--h:
tS£^
Brightly.
L -\—^-
Words and Music by
ALFRED BEIRLY.
-^-T-
!•—^i:^i=#^
# L-#- -^
-i*^-
—I-
5^
btziziiizt: -F-#—' l-H-#-H—' 1- 1}
—\-^ 1——f- -^ \-
Yo, ho, yo, ho, a jol - ly, gal-lant sail -or crew are we! And ev - 'ry heart is
m f^'H ^-JTJ^-
'#
—
m—•
—
0--0 0- -0 *
aczic:
T -r-
-0—0-0—•-
^-^p-0t ^1
±=5:
i«—•• »^
I -0. #
i^tzt S A-F=A-
+-.#-^^
9^=E
true, and ev - 'ry heart is true; Yo, ho, yo, ho, up - on the crest-ed
•:•* -^ •#• •• --»—•— — —ri -I ^ :t^:^
--•=t=:^=t^=P^=i:iN:^=ci_.~i;i=r_
4—
P
l=f=^j-#-—
^fil^
(BI=^lz^
!=tfes
f
*^
:#=pc-#— '—/-
tz=izzi:--N- H 1-
1=0
r:
i q=? ^iThe Jolly Sailors. 205
:•—ItH-d-
-f^T-
Iltl^Ztt:^
-^-«
tbil - lows now we ride .... Out on the beau - ti - ful o - cean blue, Out on the o - cean
:p=^-:^=t=p: ±
-t--(-
I-y—^ / ^ -
U'
^^ J^^^-«—•-
S=t»*-«—••
i>=c 1^*=^=*
0- ^ -^
:l r:4=1:fe?
_0—gi—^_
itzt
s=?':.'*- * i^?eM -(5^
<5i^;
FINE.
-#-=-
r-=:ri-G>-r^<& \
blue; . . Out on the o - cean blue, Out on the o cean blue.
I
1/
Moderato. "*/ SOtO. High Voice.
1^ n-^i P—0~m--b'-t—h- F-
.t
CHORUS.With joy - ou3 hearts and fac - es
c:-*?-«-
-«-«—•-•-
^il^^
La, la, la, la, la,
-I—I—I—k^—i 1
/ I
-^^-^
/^ Moderato.
a±a:
:^||-.L-J-I-
-# ^ 1 -•-0--0- ^0-
-^-^-
ilztz:*-*-y-
#-^#-^
-•—-•-«—•-•-t-t:::^^-
_*_«_
H K:^=iczpz|c±^
/ I
206 The Jolly Sailors.
i m I j_^ I -•-^—tizir!- -«MS-4--fi*rv-
bright, Up-on the deep. we gai - ly sail,
.
We
sfvn—A:-«-*- ^-^ -^H^ -^^-
iFit=t^-m—m—«—€- -«—#-«—•-«-
la, la, la, la, la, La, la, la, la, la. la, la, la, la, la,
^ n—^ ^—
^
^—^ »—W—K -H-^-MiMJtzzt/zr:=U=t=5z*:
:p=*^zipzpzz^ipizi:*:
i :^-j—^4Z=^^-->!* ,»-
^1zz5z^:•—«—#—#- i=u=iFt
q—^^p: _• •_
ipczp—p_^:J=M=M
t=5i«:-+3—I h
-«-•—«-•-
q_p_^_«_p:^zpzzpzp: --A-
I^-*
—
»--« =t—
I
H-P-#-+—P-
.^_A. -H-*f-J 1 1-
<5>-^ -e=i—K--»—
t
Jfr^d
ride. the bil-lows with a cheer Be-fore a strong and driv-ing
ILa, la, la, la, la,
-^—^-^-•- ^q=i^:t=5z^zi:•
—
*-m—m-0-
^^--«—•-•—
•
Vvla, la, la, la, la.
•
—
wni-
La, la, la, la, la,
^i=p=ip=pz=pzip=x:*zzr-^
:• #_•_:pz=p=pz=pizp=?=^zz:
-•_• «.£>-! p/-
1— I
\— ' '—— '
I -N-^—^-^^-• •—• •—•- -•—•-•—•-•-
f^
t5-^
:q—•_•—p_,«__ — q=pzp=zp=p::i=pzzp=pzip-^-^-— i^zipipizpip:fcpipizpip=:^iJi|zz:
_# •_-•—»-•-
F- *1—t^=v=P
^*-
The Jolly Sailors. 207
m :^±--^=^-s-
:1: :4=Sq: W-i^TTf-S=E?3
V-!
gale;. With joy - ous hearts and fac-es bright, Up-on the
I I f y i
—
*Hh -f-^-m—c-e—«-#
la, la, la, la, la,
^=f*=j=i -«—•-•—«-«-
La, la, la, la, la. la, la, la, la, la,
MMJ: l=IJ=M:9i -<?-«-•—*-#_^pip:
^ _i I 1 : I , J !-iU-f 5E^ 1^--^-^-^ H h -l-= 1 <r
9-0- ^ a -# I
'
I# #-
j^ <(^ d ^ ^ •- -# #-
-v—#--J-"—^-•-
i:^-l!5^^
-h~^-» H
^I±=t±=1-*-f=^ * i=P-
V-
deep. we gai - ly sail;. We ride., the bil-low8 with a
1^ -«f-^ -^-^-^ ^i=^>*,.«.
^=ri=^fLa, la, la, la, la,
•
—
0-0- -0-0 0-0-
la, la, la, la, la. La, la, la, la, la,
9'-p=pZpCL_#_p_1=tzt: -^-^
-•-•—»-•-
_• •_ -#—#-#—•-•-
:^^pzp=z:^zp:-^-^-•-
I^1
i -#—
h
iS -# 1 H^ 1—
^
\-^ ^ i-
*-l^j(-B «-,-
]^- TS r::—I ^^ ^ •s^-E
-0 0-1-
9^ _^ >• » J « >* * .^_...
•0- •
208 The Jolly Sailors.
s^^ -ff.
=^-h=^=#=#^ziif
Bit.
9-+-^-\^-
-^:
-t:
cheer,., Be-fore a driv
ff^
ing gale.
J^s
^^t=i=iF=t^—^^^ -s-zif!:
«-#-«J-l-i——I i-
:5^t:^-4^
f
32_..._#_.
-J^
i-#-#
la, la, la, la, la. A driv
A driv
k-5- 11 1 H-•—•
—
»—•- ^^-
ing gale
ing gale, a driv - ing gale.
zpipzizpizp:±:
;i-w-
(I-f-nttzi »—
^
-^ J7\
^—5_•__. E
Pt^^
mff Bit.
^eMJ'7\
-^-p « ^ -^--H-»—*-»—•- itz*: ^1^;^
l=q:ff-
-.»-»-
^ :;?.:5t
Moderate, f
—^-"--hr-H h—h—h—h—"-I b—I —'
-N—A—^—N-r-J-H 1 1-' 1— "
^- E^^1 '• '• i/ V
O who so jol - ly and gay as we? Our hearts are mer - ry with sport and glee, A il
# -^ -^
iili t'-H 1 hi^zifc-b'— fc^ -t^-
:t=c::ji^p=p=p=:pzzp-I \-.—I-— 1-^
—
\-.—I-
Wz
tr-tr-[r-lr
-) 1—• •-
-y-
Moderato.
^i
3:
•-1
—
i^e?e;ei:-n 1 >-
•—•- -I 1—•—•-
-I
:[:=[:=t:p=p=p:
:t=U:
The Jolly Sailors. 209
210 THE SKIPPERS OF ST. IVES. -
Prkd. Weatherlt.
^
J. L. ROECKBIi.
Arr. by J. S. Fearis.
#—
^
S^f T
Allegretto con spirito.
i 3^ s'^=f f•
—
li- ^ ^ ^
l8t Tenor.
^^ ^tt
1. 'Twas on2d Tenor. i
Mon - day morn - ing. As I came thro' St. Ives,
:=?^:U=t^ -i&-i
2. So these four and3. So these four and
l8t & »d Bass.
twen - ty skip - pers Stole off most qui - et - lee,
twen - ty skip - pers, They rose from out the main,
Ai J_l J w.1-==4 Mf^r J l ^ ^i^i-H^-"^
^
s 1:?m^ ^ 0-
>* *^ s»" i^s=s ¥=fl^
^-N-A-W^ -0—0- ¥^^-
-0—0-
There were four and twen - ty skip - pers, And four and twen - ty wives,
I-^f^^ -^—
p
-r tH-^^ir^ ^-^^
Aad court - ed those
And came to St. Ives
r^zr-N-
i-
N N
fair meron a Mon
^ ^ 1
maids At the bot - tom of the sea.
day, To find their wives a - gain.
^^fti S^^^^9i:
^ ^ V-V- »=^V-^^ 1^1/
il§5 f -($^
> '^'ight, 1907, by J. S. Fearis. Used by per.
The Skippers of St. Ives. 211
^ £?#
—
—
#
• ^ *
And each wife she would be talk - ing, Each wife she would be heard,^0 # # ±=jL
And when they'd court - ed gal - ly,
"Ah! 'tis a thou - sand years, boys,
9,^^ i=f
A thou - sand years, or so,
1 fear they're gone,'' said Will,
f-; i ^ ^ . ^ W ^m ^
i ^^ fcj
:i9i;
-gy
ZJ/ fl«d? 2fl?.
-^' 0-
-Pv-A/CNS^ s^ ^
-W—b^
1, "It seems to me," said Jack, said he, "We can't get in
&
i^ t
a word.
?E=?LZ^3t=:i: P is?-'^^-
1^=tc j^^—
^
2. They re-mem-bered their wives in old St. Ives, And tho't it was time to go.
^=^ ( L. J. . ! ;^^1
i=^^ F=S=g^^^ S*=t
fcT^^- 1^=V=i^
75/ awrf 2^.
i i/TN
Ifri^^i- i^
*i*i ^
/T\
\^' 'IZ.
tS?- ^^ 5
212 The Skippers of St. Ives.
/ Allegretto vivo.
3;a tt=& ^^ i=± iizzqc^H~r-^ 3t=^V- -t^
'Clack-e- ty clack, " said Wiil to Jack, • "Clack -e - ty clack, " said he.
m -N—fN—N-
8—^^—W—^-
-^ ^ ^
s—#— -4 4- Ws-
Clack-e- ty clack," said Will to Jack, '-Clack-e - ty clack,' said he,
N ^ L N _ I N N N L ^i ^^<i * i i i *—
*
^ ^1^&r
said he,
P^ -F'
t^ £ V^
(^B9 I
I# #'
^J3fe=jt i i^E -V-
^/T\ ^TN D. C.
:i=^i V- -V-v-
'Polks say out there live mer-maids fair! Say, boys, shall we go out to see?"
-A-
^ f^^ r r r J- TiJ=Tfr^=K
'D'ye think they're at their same old chat? Say, boys, shall we go home to see?"
> J >i
-V—[—^^—y^ fc ati^ fe^P-•—#—
#
rrv
^fe
g^
yf-
^iE
f:«=*-
gl ^ ^=A9 JtL <
•si/
>1—^—^-
S^
*..__-feL
^j_teD. C.
^*E
The Skippers oj^t. Ives.
3d.
213Long pause. „
, ,^ Solemnly.
IH h
But be just peeped round the cor . ner, And there they were taik-ing
I ^^^rr\
S-#—#- E W, WBut he just peeped round the cor - ner,
-i&
And there they were
-w—rr
talk-ing
^ U -h- ^ 1i 1
\
1=^^
\ \
H 1—'^—!=-M ! 1 !
l—l ¥ 1—
r?\
i^
3d.
m i/0\
3=^^ m1$-
i/T\
^^ :2:33
^ W: z?-
f Allegretto vivo
^ ;J ;i;ffF=^ it=^ :^=qB* (Si-
1^3still. "Clack - e - ty clack," said Will to Jack, "They nev • er will stop," said
ftz:>—^=^ ^^^-s^ :^=iS^i^Still. "Clack- e • ty clack, " said Will to Jack, "They nev - er will stop," said
.^^ ^^ ^^\
VI N N ^ ,N
INI .7 r r i^ I r . i
i i i i i-^—
^
-•- -^
i * t-^ ?:
9 ^Marcato.
^-^
3E
#• X
%(4)
214
t
The Skippers of St. Ives.
Rail. ^ ^ ^ ^ ff~
m ^ p p -m—
^
#-^
V k^
lie. 'A chat - t'ring wife's the plague of one's life, Come, boys,
i ^—
^
-d •:t^=y:
vc/
be,. "A chat - t'ring wife's the plague of one's life, Come, boys,
i^ ^-^Rail. /T\
^—N- r^ ii^?-V-
5= V-
V
said he,
/CN ^s?^ i;?«//. I*= jr
^E^* #.
f—
?
?9tg
-*?—
«
^^
rttil
/CN
a??-**—^^ ^ -^ ^—
^
U^ 'I
to sea!".let us go back
I^ -^^—s- -*^-^-
let us go back to sea!"
^ I ^^ I^i —#-^ *7 y ^ -^5^
—
^^-^
Sva'
tm m /TV Jt 1^^^^?—
^
lK:^-t
WF~W
Presto.
^ZltZ^
i
OUR COUNTRY'S FLAG. 215
(fivdtabk for Peace Jubilees and Patriotie
Celebrations, etc., etc.)
In Ma/rch JHme.FREX.UDB.
Words and Music by
ALFRED BEIRLY.
1^^ i d H ^ ^ h dt i i\^^r-i. i i ^^
-4 P*
*=« *=3t^ • "^=>'
f^^ i*t ^-«-*-
f-^
^^ 3 ^ ^^—#-
^^ :jr i ^^^- >
^i^-H *-
i i i J '
1. Un • furl our conn-try's flag, and let it wave on land and sea; Sa •
2. Un • furl the flag that made as free, we loye it more and more; The
-^ ft (• ^ ^i ^1 ^1 P , P ^ -#^-*-# ^3!4 T-J L
-# #-
-»—•- y »
—
» » #—»——
»
»—* »—p-*—F—»-
iT I—r—I—^ ' r ? r-—g? r—f g
(IJ
p—4-—J N-«
t^=t: 3t=4[* I
—
t^kt i- t^i^'«—#- 1—g—j J «^..^<^'#—#-
1* * -^-*-
i^ *F ^*••
Otyyrigbt, 1888, by A. B*tri|l,
216
Ii
Our Country's Flag.
i:^^atzt ^1 i^i r—
r
r^q^HIt
Its
Inte it, ev - 'ry free - man trne, and cheer it three times three;
flag for which our fa • thers fought and died in days of yore;
# -^
r=r ^ r«: :jc=t V-
.0.1, I—^-J
—
K-4- -0-—0-
ms^^^mr
(Mr-r4* it=fe^ ^^^
*—t'6id-^i—»-^' »' <=i jfe=3t
waves for Godbril - liant field
and Lib - er . ty, and
of stars now shine aa
all that would be
ne'er they shone be
_/ ft ft. t=4
free ;— Wavefore
;
Wave
^ -» » 9-'—p—f- l=f
:£^^ i-» »
r~i~~i^ ^=^ *=««:L' I
* -#-1-
f;-H 0-H 1-
-»—I-
f^F•Z^'
i^7^
:S
on (wave proud - ly on),on, O glo - rions flag, wave proud - ly
^^r—f=^=^^ b—-r
Is
^
1=^
J. Ag. ^—*-
«—
Jl
-0^,^
OHOBUS.
I^
Our Country's Flag. 217
N x/'
"( t^ It'-' 'rrrrn
=^^eK i-r-^r-
Hail ! O glo-rious land,
Hail! O glo-rious land, Haill O glo-rious land,
FirmFirm shall Freedom stand!
#—^-#
—
f^-m- -#-#—^—#-S t ±=t t-»—m-
i^-:^ ^-»—»-
f-»—»-
-=^
(i
1/^
^s>— Vf^T^ I^
f=^"ri~"^^ ^^3fsr
cr
1m—ft—^—PL -^—P-
^irf—r-rr^-1^—»- -^-^
-»-^-»-
:*=3t3t=it=*•—»—»
—
9—»-1 1/11/1
^J- ^J-
1^—#
Ii: h^ ^ iBt=^ f^ ^ T ^ T 5 f • f
shall freedom stand! .^TT' Hail!,
i?^ -^ 5^
Firm shall Free-dom stand! Haill our flag so grand!
our flag BO
§& -•-'- :?=g1= ^
i« h^ =vfes ^ ±=t5
-(5>- «-^- *q_s T^
rrrr ^=3^rTTT
(5tfc S^—S^
f=5^ 1
—
1/ 1—1
^^1^ ^ 1^
Ii^?5^ -«:^-«-
±3±lt ^ r
grand! We love the dear old Star- Span-gled Ban - ner.
Hail! our flag so grand!
9^~~^ ^—^ PyffLi.
I U I I
(I<
f± ±f
T t f X*
H ^—ft.
-»-i-
^_j—^_J—^__|—^_ ^^
-e-i-
s±
5t
Si
i^=^H -! J H ijr-^-^-^
218 MY COTTAGE HOME.ALFRED BEIRLY.
Andantino.
"* SOLO. Medium Voice.
PS^^2:^=*: ±; :^
1. I love to wander back a -gain In mem - 'ry to the spot Where
2. The pict - ures, too,are hang - ing still A - round the white-washed wall, And
3. On the same shelf I still be-hold, Grown rough with age and gray, Our
mf-G>'
V-
stands be - side the nar - row lane My
faint - ly o'er the dis - tant hill I
an - cient clock, which always told The
child - hood's hum - ble cot
;
I
hear the wa - ter-fall; My
hour to sing and pray; But
j^ =S --I—I, h
"^^1-^
-iS^-
^-
:f=T'm>-^
:^:
—I-
-0-
--^=t.
—-X 3
:q:
i^
1^-!—i-=r—^-
-i5>^-
Copyright, 1907, by A. Beirly.
My Cottage Home. 219
pif
i^^^r=i^-V__N-—^—#-
t:
fan - cy that while standing there With - in the cot - tage door, I
fa - ther's mild and gen - tie face Drawn by the paint - er's hand, Is
now those strains sub -lime - ly sweet Are heard with -in no more, And
S=t-
gaj'm -^-
3=r'^=^i
iiir
2^ It
^-
m q=H:
no
:s:
see my moth - er's old arm-chair, Just where it stood of yore, I
still in its ac - cus-tomed place, Just where it used to stand, Is
one ev - er stands to greet Me at the o - pen door. And
ffr~N-
/T\ rTN^see
still
my moth - er's old arm chair Just where it stood
in its ac - cus-tomed place, Just where it used
one ev - er stands to greet Me at the
of yore.
to stand.
pen door.
220 My Cottage Home.
1Andante Moderato.CHOKUS.
i^=*kfel-^—^-i^^-^m
-N—N—A—
N
-«—«—
#
-#
—
—m—0--d-^—^—*- -f--^
-V N iv-
itt;*iSES$|3
My cot-tage home,
N—\—\—\-P—h^
—
\-—I-
my dear ol<l home, No spot on
N N N ^--+^—
-t-
:?zifc# «^^—*- ? m 1^
^StPf^ NH"-ap p-#—(- :^ i--fz--j=t_^—^-
My cot-tage home my dear old home,
.
p^a ^^-^-
5?ai*sn^
'^ ^—
H
^—*?—3-H ^
1 ^ 1
1
m
:^::
-i-i i=t
-<&-
^
-A—#-—t-
kt-'H-iS'-
-A
—
'^—\
^==^^
-•
—
—0- t:i=i:^' r
-^—»
earth.
#&
-^
so dear to
--v—V—\-
me;
^\—' * * ^ ^- -0- -f 3^-
No spot on earth. so dear to me;
mM -s \-
B|:-H ^- -(5>- -0 0-
-0—-h
No spot so dear to me; My cot - tage
m, -i
—
\-
-#—t: ^—
I
^—r--~
' • 11
1
—
t ^E3 r
-(S- -(5>-
-^^
My Cottage Home. 221
rMy cot - tage home, my dear old home,
w=^--^--^
-0—0-
^- -^—b'-.^=:?z=ir=?^=:,:
t^—^
—
'—^ i
^i;-<5>-
^-A V-
:p=t=lzi:a=:^=:f: -A—
home, my dear old home, No spot on
f A—H:
»;^-^'
ft: -fe^-
!^M^^ :t-X
/T\
p=s:=fi=fz=p=JJ'1/ U ^^ ^
No spot on earth so dear to me. (so dear to me.)
-^- —A- -K-/7\
~N—^^^-^—i
—
^u
m^=3t >;!i=i-t^
/T\
II
earth. so dear to
^=tl
^m:
:g|^^q=^S: ziii:
tf 1-
-^ « # tf «-
-C^^
-4
i=S^d:
-(S-
-•—*-^--S
/r\
ill!-H
—
222 SMILING MORN.
iModerate.
ALFRED BEIRLY.
t^-^—I—
r
-^^
^Lil
Hail, hail, hail, smil - ing morn, emil-ing morn, That
$^§=Ja^«i^SJ=
mtfizt8-H?-
i^t^:Silt*:*
-«-#-F-l-tal
—
:1itit
sr=^= N^=9ES
•-i—#-
"==^1—*-
-1^--t
V-N
•-*—•-
'3zfn^
:J:
r
*
^
:^3=q:
;izJi=PJi^-g3=i-
liizx:
H
—
s
^ '^
.H:
^z^i-#-#-
^ '-¥=^-# '—0 '— -0 '^0- 0—
tips the hills with gold, that tips the hills with gold;
pfes^^^^:Wzt:[:^t:
-r^--
Hail, hail,
:tt^=5:
hail, smil - ing
t #z=iii:
r-:t:
_^__
(^^--^ -0-0-
^^^\^-
•-^ 0-•^-i ^ « « ^-•-- 1 1-
-H-#-i—^0-\0-0-0-0-
-.-x^
-^
:q:
-^-
-h-
^.
H-^YI^
-0 Mi#—
^
^SESli
U
^^=^ tX^'--i—-—^-i
:*5=*=^*
y *t]:
^- »ite;*a:
morn, smil-ing morn. Whose ro
§a{^^-0—
t:
WsmWhose ro
sj' fin-gers ope the gates of da.v. WhoseWhose ro
!
>^^W- ^ •
—
—P
—
WA-0-^-0—0-
:^-±t:.
9ii^EfeE5E^q=-z7=
#-i— 0r
o - sy fin - gers ope the gate of dav... Whose
^d-^-^0
'0 0-
:t:
R-»—• m-
?E*:
>i.
#-=—•-t^: -j^-
^- #
Smiling Morn. 223-\-#-
M^z^ ^-3:3-—-^ t^3
ro - sy fingers, ro - sy fin-gers, ope the gates of day; Whose ro - sy fin
sy fin-gers ope the gates of day;gers
Whose ro - sy fin-gers
m^ :=^ »-^±1^-^:
-h
W
fin - 'gers ope the gates of day;
Hail, smil - ing morn, Smil - ing morn, all
Smil - ing morn, smil - ing morn, all
hail,
hail.
:r^zi5l2p.-=:p:
224
$mf
Smiling Morn.
N f
s= izcpj-^ z^^r^tin w^ 5=•—I- W^=f=Wtr v-r- -^-t-
Who the gay face of nat - ure doth un - fold;.
Of nat - ure doth un - fold, Of
\iik=^J-
f^fc '=^m^-Km-s—0- ^f—^—^-
-^'-
t#i
liri^itlSq
^ 'jrjr -9^0--•-d—
nat • ure doth un - fold;
At whose bright pres - ence
iS^;T-S
ffi
lif s^dark-ness flies a - way, At
-F-l h:t: -^-
(I
=^-
fefc-*—•-
:^-=iti
(te; t
m^rzif
#^=^#--?—i—*?-
¥=^
-l^-i-
=it^
«—«—•-
=#'
:F5^>-^
qi*=:«:flziqi*izfli
-9-9-
^P=£ t=ij
::l^:1=Sq
»St=l:
Ig^_^_5_^_5_:5--J---^-
-^-
m-H ^ 1
\- 1-. m—
#
1=8J*|iSj4
-I— I—I- lfl=l«i:•-I—I-
9!-A=
whose right pres - ence dark-ness flies a - way,
^Flies a - way.
' ^—9-^-^-^-
^
p^;-iz***
9^k^=*=^"t=^^=t=^•±:^:fc
M-*^-
:»=P^»:
r^::!:
--N
:q=q=q:
Pd:E?ES^
nr/)
*-^iqzTizt:
^
Smiling Morn. 225
-A- ^^-J
jft—p(>
_^-
^3^itm :|T-J=j; w H H
at whose bright pres - ence,
-^—
#
At whose bright pres-ence,
9^.^S-*-#
-—-S:
—
^ -P=^ ±^t:-•— p^piizpz^i]
^=:d
9ife^
T=^:^:jT=j=r ;ftt
=ff
=P=^=s^
-€—«- 13:d- :<=:i=*0—#—^
—
N_J^M=^n^
226
Moderato.
THE GIPSY MAID.(Quartet for Mixed Voices.)
ALFRED BEIRLY./^
IS 4^^ ?^S^ lEESS^
\—
h
t ^4-f; -l-« h
/^
^-^-•t^* , thi\f 1. J-
t5^n V-^ ^
iSOLO. Sop.
f±^=5^^A-f ^ J^ ^ ^ s #--5^
I'm a free and laughing Gipsy maid, And in the green fields I love to roam; The
^=^
PP—
1
HsT-H i h +^I ^i=d: :i
9S ^^-^ 1 y -
s-y
Ifr v-N
I^ i^^—f^ v-J-B^
t=^ ^=t2:
bus - y town's no place for me, For in the wild - wood I make my
i I ^r^-^ -f-^ -^ -f—f—f—*-«—oi—•-
if^
si±E:
-^
Allegretto,f
:^#=F ^^-P^ t^ #: 4^t^
home. Come, ye who wish your for - tune told, Your
>5=4S5-^a-99- tE^
^t=± t-
-A-f^-l ^S± *7
133^——p—V-
EiP
The Gipsy Maid.
_^ rrs ^•^_'^ X_—2 ~r ~1 if^-*—I P -
227
iii=^ # V-
fu - ture life
mcan re veal;
/TV
If you're in love
t ^«-*€*r='8 • +
JI
I
^ ^ w ^ # ^rf /Z(^. ^/
-I 1i
! !
9^ :r^^f
i ^^ V-V-
sure can tell By mug - ic art the fa - tal spell; Come,
^X eSE iat * I H +-
^'=^^.
(S:^
i>
^S =^^ f-^-r—K-m jr~l 1
1
1 r^—1~
f= -f* ^ ^ ^ ; u^ -^^-f-
ye who wish your for - tune told, Your fu-ture life I can re - veal; If
^N^:e n-4=^
# SS I
95 3^y?2V.
^ r N-^/r\^ I-t^ -# • ,#—b'
you're in love I sure can tell By mag-ic art the fa - tal spell.
i i w^m tel^» f
mRit
^
228
|l
spirited.The Gypsy Maid.
-+-
rrOb,
'> ^^ i^
^ '
a Gip-sy's life is the life for me, O'er hill aud dale
i ^
^ i *Bt6 -F ^ « F-
8-- -t^-t^
/Ov «^
*fi i^^^^ T¥^*=t
0\
'^%# 3^
Ir ^ f>-^-J
? * i i J «=^trlove
^=to roatu ;Wheie hearts are jol . ly and free from care, 'Tis there
f: ^ ^ It ^1 love
*
to
1*=^ ^ :p=t
d: ^ iI * 3E ^=^ 4^IT
^' i^czdc ii^ v
^-^ h
at*:^^^ * rmake my home; Where hearts arr jol - ly and free from caio, I love to make my
1^
S
^ V—b>^-I V-
*
*£ i I
^
(^^ ^-
—^
—
JEEt -y-
The Gipsy Maid. 229
I:?Eii:p: v-N
Rit. ^ mAd lib.
nrrv
3E
Fine.
. . S
B|t:
borne, Where hearts are jol - ly and free from care, I love to make my Ijome.
4^ iSH :|c=|c
9^">Z>Zf ±=l i5=t^t
te^ ss B/r\
fS^^*=f f ^ 9^•-f
e1^ ^f *=4 i^'- ^m
^/tn
^=fE^3=^3^ i?^-
i/ :St_:i:
DCBT. Sop. & Alto,
Allegretto.
t^m >
n=i P! i=^s^> §1^f^^ m-. i \ i-^fi-h—
^
^—b* 1^^Tra la la la la la, la la la, Tra la la la la la la la
^gS3 * 3 ^ i *=#* I i
f^ ^^ w-s—s- ^Eg5 ^ ^
^^ N ^ Nh—h
ii6=K*=&tnt t ^t=f sa ^
i
la,.... Tra la la la la la, la la la la, Tra la la la la la la la
-r^1 i
=rv=
=it^33-w-
s I
t=^ r
^
230 The Gipsy Maid.Come, ye who wish your for- tune told,
mf ^I
N ^
i
Your fu - ture^
£i=i:
#±^ ^-^ f-
la.
^ ^J
^ -r
Come, ye who wish^ ^ ^ ^
your for - tune told, Your
(in~rT S^&jj^ t **-^
»i
35::^
jLX^L ^life
^«=
I can re - veal!
mv- V—^—
^
»* -V-
fu - ture life she can re - veal! If you're in love|^J^[
^nj]i±^ 4^
§S£3C
*± ^5
?==1?i
-m—0-
-»—T"
Andantino.The Gipsy Maid. 231
SOLO. Low voice. May repeat in unison.^ N ^ s—I , . N ^ J I IV ^ 1
^ M ~1
The twilight hour .... serene and calm, .... The Gipsy's life and work dis-close
;
^ 3-^cr fzjt
I I I I
-
/^
-C'^-t-i
^^s ^i m ^^^ #—#- m^M^ j 7 y 7-^ pP=F^ 3 3^ -^^^—jt ^
Rit.« *^ »<>
a -P-fv--^v-
i^ ^; =*5— "-0--^
They meet to talk .... of barter won, Then turn to calm and sweet repose.
It
^^^—
h
? •—
h
iK43 S =^5^=;/CN
d—I—^-
jt±L 5! ! I \j
•r^
g$^
^T^ ti.H.
5t^54*y—
y
b5S5?tt
^
Allegro moderato.
^ ^^f-g:r
Meet and dance while zeph - yrs blow, zeph - yrs blow, zeph . yrs blow,
^ -#- -»-•--#- -k- -^ -#-^^ ^ i £=F^ If
^
IS^=^ ^^W^ £=£
J
i
?=^^
* ^% ^ -•-
g
232
m ^g=^The Gipsy Maid.
:t=^eg e^
#= i^
Meet and dance while zeph- yrs blow, Gen - tly in the eve. uing glow;
^ ^^ :t=^9^-V-
V- V-
i r: fi i^'^T'5-^-^i#^::f
S H £ r -
f:-#- -^ mm ^^^^
Im^ 1^ / ^ -^£S i -p-'f—5^H i^
Meet and dance while zeph-yrs blow, Gen - tly in the eve - niug glow.Tralala la
s s s s
^^ ^ n^44in/
t^95 1c=tc ?^V-1/ 1^ i;
' p 1/
i j^^ il i -^f—s-
f?,/^ "*
§5iE^^ ?^
La la la la la la la la la,
^ ^La la la la la la
\ ^ V V
^ N-
la la la,
^^7 r f-7—7-
La.I' U '• ^la la la la.
§La, la la la.
1*=?:=P=
>—^^'^-^
(lis?csfe:
m/
Sis-^^^ ^—^p^*'
^=^
:?=#- —f-
m
i-t ^
t^E^
La la la la la la
The Gipsy Maid. 233la la la la, La la la la la la la la;
s
La la la la la
'^.^ t N^.Pj^i? N ^ -
la la, La la la la la la
^^^la la la,
Ifli ^£^ s s^—
^
3C*
LaLa^ ^ '•
la Ifi la la
^ / •
la la la,
=^ ^ ' ' ^ t=u^ ^
11fee
?:4Ci[fes: P^^ =?-^ P!^
t=2:5:
£^
(^ SE^ i^ . T ^"1^' [^'/CN
i:p=P^ 5:1^ ^e[
D.S. to fl*
^=4 -m—•-
i=s^^i=r- mH h -#
—
m-m—»
—
m- -9—^
la la
la la
La la ia. la la la, La la la la
La la
la.
la.
1^^ -0^ -0-£ :&
Oh.
<T\
ITla
la
la la.
la.
mt^=t=^ :^=p:-^-^*?-^-
[/' » »--V-
-hi
—
yV^/ y^^
(Ia
^' m 4.
t tf—#-
3tii: Pf^f=?=-•
—
w- I/CN
_*! .~e-Z=fc I
(S-•_^_ -^
£-»—*r
• » -*—»- :fc=^ !,
*y yV M-
234
i
Words b>
ALFRED BEIRLY.Anda?iiino.
^ ff \.
m
HAIL! GLORIOUS DAY.Arr. from "Lucia " by
ALFRED BEIRLY.
^-^—
*
fe:-^-^
^N^
Hai!. glo - rious day;.-1
gSt^=^ =^ IS^ ?^Li2:S -t^ -^^
Jl^4» ^ ^ ^ZZpEIipCZg«—i—
t
7 ^ 1=i t t 9 f-^--»—
»
H»—»-?=
H#—» »-H h
Atidaniino .^P=t£ -Mfg» -'f-^- ^
n?:
Moderate.
EEfcE/?
»< N,» «"7 S
'±. 3f^^
-#-•- J3¥5Hail! glo - rious day, all bail!
9^(— L-F- +-p—-S-»—
»
4
w—S—S—d—S—d- i1—
^
^g 1» *f s»i±zfte±
:i^=^ t ^-
9i^ ±zfe
Bese
Moderato.
^,-r,M^^-^2 ^:
Hail! Glorious Day.
/ h ^ s ^^ . P
235
&-r i-•—«-^ h1
d # -# 0-
We love to wan - der, This hap py
-# #-
hour, Each
^ifefe J I-» * »-:t^=i^
/ / ^
:i2=?c ^ 3E:?^ -# 0-0-
:g>— * . y
f r ^ i S[J rj' ' U =g
t^ P d
/-
Hr-r© » » ^ f ^heart with rapture fills. O day of
i^ H-f=l^-* •-
r-tr
^^c^^^3 iE +—I-
:t|^^ ^?^
^
tess^^gt± -s-
s; f^^^^fci
?i5>- :p—
^
3p:*—H- ^' U L^
236 Hail! Glorious Day.
s 2^ff
9^
joy, all hail!
!-^
^All
£2-
J?Z
V-^ J !^*W ! ! -*k^ I
i ^J Ii
* J. !^l^^3i
9S ?f- f=^ ?=P=F m g-«—«—*-
t^=flp ly ^ ^W ^—r^ I I
I L
K=?^ -gz. Sh-
^-^&-
hail! day
T-ys
of mirth and of
?:fcfc
^^^ # J ! »I
—
PNn^^J?^^^ -R--#-#- —#-#-
§i ^S P#4^
W b 7 ::^=^ ^I \
^ u 1— -7 ^fmirth and joy, of mirth and joy.
9^ 2=e % k «^ y-
f
fe^g
(^g*r S *7
g^j=^
^sO-]Larghetto.
I
:^^ S~Y
1:—•?—^^
:zt
Hail! Glorious Day. 237SOLO. Sop.
Larghetto. ^/
-^—N-N--^-^-
•Z=3L
Joy 0U3 and gai ly.
^1 -*- ^—#
—
0—0—0
In the for-est we ram
-^-^^-ble;
3t:±*—1^
«i
tt^ g 8 g g=g^szl: ffi
•—
»
t^ » 0r
t=t ^h-0-
$ii=r[
-^—
^
^=±:-^-^-
3tz±:
Deep in the woods and dells, Here of pleasure we seek the best.
&der the oak tree And its shel-ter-ing branch - es,
i^ 0^f jiz±
j_g_g gij: U=lf4 t=t=t=t fzgzigzg=g9B P P^P-^-W^ « -» » • »—H»- i f P F
a ^ -^f-^-
Let us as . sem
I N I
it=^
ble To feast and rest.
i^ 1^m^ 0^ -^f—^-"^ K J-
ff
te^tM: -#-#-ja^i=* I^^ •Q^rm ^
238 Hail! Glorious Day.
^&^-f SOLiU. Sop. or Ten.
:ilt #Sweet are the mo ments While
ItS£ ^ Uml
=t=l=|:
^=1?:f5:
1[^± tl^
Kin - dred and friends meet To of - fer words of cheer.
ifct
Unison.
ifcl^s -N h
5 ^ iZ=tZ3t
Hail! day of
I
glad - ness, Here is pleas-ure a-
£tlE
f
i=i=i=fc4: M=t=f=S ^—^—
^
iti? P~P~F P :^_^ ^E 8=8=i\l±z^^
iH-#-
^#-^
bound - ing, Songs are re-sound - ing, all hearts.... to
I \ 1
Idr^± iat 5
F--#-^
i
a^m m^- f^m9^^^ ^ m
Hail! Glorious Day. 239
Use large notes if voices can do it well.
I/^ ^-^ -f--^
M; ^ '^ ^f
love and ]oy.
%Hail! Lap py
^' ^ 7 S-
edz: 1^^=^^
Use small notes if not too difficult.
Il^ r P f f=p: ^ -7^
itfi f J f JIf K=^ ^ -+-#—
t
1—
b
+-(»- -tft^
-f^ » » r ^>^ ^^ ^^ ^^ i/^ 1/^ V^ ^^ ^^ ^^ ^^ 1>^^
mo - ments of hope, love and pleas-ure, of hope, love and joy
.
lb V,J V\j V.J l !v Uv =- i>b U^v Uv Mv Uv Ub=^5r-I^gfe;|!* V^ \ii v^ \\r^
* # ^^^ :)G_
:i2v:t^^- W- V-
\z=^y^ f -tS-
:S,i:'J^ :^ -^?-P-^- :<!2:
^--s^'
*If sufficiently skillful, play small notes; if not, play laige ones.
240 ON THE ROLLING DEEP.
Andantino. In a rocking movement./m First four measures Basses alone or Cnlsnn,
kit-
Words and Music by
ALFRED BEIRLY,
mfcfc :^=ft &-^^—1^ —
\—^—f—+^
TVf II
'^MWe're sail - ing ia our gal - lant boat, And love its rock - ing mo - tion;
>s r , V I ! N ^s I !
—> ^ V \^j—^i s ^ w^=^^tv tr-u- -V- VTuttl.
I:P
y? -+—(-^—
-
'f±pjt=%i
No otb . er bark more staunch and true That plies the roll - ing ocean, That
t\^tizi^. V-
^ II ^ M
f T ^ • I
J ^ ^ '
"^
b u D r r b / It
plies the roll . ing o - cean;
t-t-^ #-,^1
Up - on the foam - ing bil - lows high, So
t ^t=^ ^-t^ fc=ii -L^-M^
u^
s t-t
-^^—
N
pg^^E ^j j'yj j"^ ^^ g-^^—^?f
swift - ly now ad - vane- ing, We sing the song of sail-ors true, We sing the song of
i ^ -#-r^ 4^f r^^
J L_i 1 Lj^^3E i> 7^ u'-^v—Hz:
1 iT m7 1/ >*
Im
^Fine.
ssfcfczj: -tH*?- ^^
sail - ors true, For life is mostr^ •^ #^ ^^en-tranc - ing, For life is most en-tranc - mg.
r f p ^S5 5
On the Rolling Deep.Allegretto.
i
241
^
%5 Vl-i\i^-i^^ 3^=^^
Our hearts,. are joy - ous, light and free, (are light and free,) tVe
^^ J^ t^ 4^^-V- *i^- f^^=?
Ij^ i 1 ^-V-
ing, roll - ing sea,sail the sea, the roll
^ #.
We sail.
*i ^^9^-V- -t^
fj^j^t^ a^=fci
I=UN ;=rnr*.SL'^
S ISt *? ^ 3t=?C
the roll ing, roll- ing sea, We sail the roll-ing, roll- ing sea.
^ iX n r>y
1 I I
3tJ: ^ w=mas* t^ (S'-^
-V-
sea. the
f • f
roll-ing sea.
M3 j ; i\i I ±3t
Up on the foam - ing bil - lows high, So swift - iy now
fc=fc^
ad. vane - ing,
9S it!^^f t^
^//.
J N hD=l^--^.i
D. C./TV
Ii¥-"^»^
We sing the song of sail - ors true,
* ^f-^
en - tranc - ing.For life 13 most
9^ I—> t ^ 8 ^-V-•Small notes for instrument onlv.
2^2 THE MAIDS OF LEE.F. E. Wkatheblt.
jsi verse brightly, 2d verse somewhat slower.1st Tenor.
ir
J. S. Fearis,
K3 » Ig?
.
t iS ^ tP P4^
1. There were three young maids of Lee,
2cl Tenor.
They were fair aa fair can be,
Mtzt ;i J J J^ ^ ^ ^ i'^-#—
#
2. There are three old maids at Lee,
Ist & 3d Bass.
PpiMfii
One is deaf and one can't see,
-P-+^n—*- <22-
:t E :^^:i=i±3i
»—P-
f^
ii
^tf-j-j^zB^ F=^=^ #? <^-M^ ^S"-*-
lUBt.
^i ^fck+zs: ^ E ^P^£M:
OJ ^
^f^/TV
s frfr s I
And they had lov - ers three times three. These three young maids, these three yniing maids,
muiU-^M^ ^^ » * » fH 1
(-
^And they're all as cross as cross can be, These three old maids, these three old maids.
1^ NI I
I SI I
^i*«»1-
? su
9igt
gj^M^Ni^^^;^
^
*^
5#^
^ S^zt ^ir=
:S
^n«
^-ta^^- =Jt
H H h-r^-^-^it
S'tst=
Copyright, 1907, by J. S. Fearis. Used by per.
The Maids of Lee. 243
-- 17 > #:fi > * t
These three young maids of Lee. But these young maids they can - not find A
^^^P^Prfl^^^EEjThese three old maids of Lee. Now if an - y one chance ('tis a chance re-mote),
h—
I
^
\ P'^m- -I—I—L^
One
P ^ i-^
F= ^^ ^ IT^
^ ^j^-f—-L- £ =S=P=#9^ ^ ^ ?^Wt ae±
F^p:tr -^
^^[>''IHM>>
:S=s :e: S *iii3t ^3t-t
lov - er each to suit her mind; The plain-spoke lad is far toorongh, The
^'-V^'.^^ r
i ^fcfc^;4^^jVi4j^.g J
I f c^j;^One single charm in these maids to note, He need not a po-et, nor handsome be, For
^^^ ^-^S fe* t=^
1—1-4 h—b-
AJlJ_JL^ ^
p24 -#—
#
sin - gle charm in these maids to note,
ffiH h H E £ ^m^ ^ ip^EJgEE^ f
^^SE
^ '(=*: :^ -# ^
5i^
244 The Maids of Lee.
s ^:^^ =P=
rich young lord not rich enough; And one's too poor, and one's too tall. And
ikbii=^~~J J X--Hr-d—o-
9^
one is deaf, and one can't see; He need not woo on his bend-ed knee, For they're
' n.I—
N
JZZI ^ -^-1^
% feittif^— ; Stat f-#^#^
-k** -p1=^
r
^ -«W-«b
r TP^-l^
i^ ^Mia ^«=? -#-^
efcfc^r'—
^f
* tt -1**^
tW^ ^ ^ ^—^-Cres.
r-r' r f r =t=f^s^ttlJ-^lT: 5=?: u^ '> 1^ '^
one's just an inch too short for them all; >• > 'Others pick and choose, and
^-^r-^- -N—
N
:f^ihji:
V—V—N—PV
^iQzi £^ ::t=± ^^
—
it I 4^]^
all as will-ing as will-ing can be; He may take the one, or the
Cres. -—
^
i^9^ :P=P:
m
-^-^- -»—»—»—»-
§ 3l=S=i
4^=W
1=^ i
v^^-
f=J
The Maids of Lee.
/M+^ ^—
N
Rail. iTs ^r^
Ptt-VTt J J'
pt^^JI^ZI^
V=^'P0~F -9-
¥ ^-9—<s-\^y-=^^-
345
A tempo.
why not we? We can ver - y well wait," said the maids of Lee. There were
/TV
^?^-^-0—0- ^ :^t«=3t «—0—\ ^ VT ^—
I-»—&-
two,
2=T
or the three, If he'll on - ly take them a - way xium Lee. There are
^-^^ Rail. f^ ^^ A tempo.
N N ^ ^ ,1^ ^
i^zat^tflsttz^ -h—
^
H»-
y-i^
N A_
/r\
N S
3t=^y:—
^
B S feiff^ gg^ ^
i?^//.
i
t.-/ tempo.
9i,VV1—
J
t^ -i* :±* ^
i?=P= ^*^- ^ ^':>4 -(^-^ -«> #-
t -I H
three young maids of Lee, They were fair as fair can be,
N—
N
And
&^^-&- ±jiL
three old maids at Lee,
aivj.p p ^^^They are cross as cross can be,
N N :«L^t=l
And
^ ^ ffcdr
i ^ :tF:j y l^r^:
%w -^ -G>- ^
f&i=46yrTTT i f^'+-*-^ 1^4: ^J^::^«.^ -#—#-
246 The Maids of Lee.
P mf+ 1 L^ ^^- -0—#- -0 #—#- •^-^r
t7»-* * F
-V- :1V-^j^ -^-^
i::^
tbey had lov - ers three times three, For they were fair as fair can be, These
] M N-AS—
N
-0- -0—#-ii d S# #—
#
there they are, and there they'll be To the end of the chap-ter, one, two, three, These
N N ! I I
I \
—\
— ^ \ p p \ \j \
:C^l^—^ 1 >»
±iL 4 4 4V—>!-
w U^
(i i^ i i-«—
i
i I^^ #**=^jH^ >»^V
1-^4 ip m/
-:k9^^ 3=*:iPfclE
^^=F=q:3tzt|pr
/^ ^m 1g±^''IJtn
three young maids, these three young maids. These three young maids of Lee.
/T\
F-F ^___^^ i> r r f^£E^^ ? s-^
i!5fe^
three old maids, these three old maids, These three old maids of
I' Lj u I r ' ^ Lj I r
Lee.
^ii^& a=e
i rrs
im^ •4^ -^ -0r 0- 0-
J*i^P—4-^
-F-^^ i-!!$^.
HYMN TO MUSIC. 247
^
Maestoso.
1
Air: "Glorious Apollo."
' J 1 fo * J 1 :
/^iS • ^ jr- ?d— —^—
S
—«— —^ ^ 1
1 rvi *j •1 J J1
—
^ . ^ —
#
L—#— —#— -^ ^ -<^1 1•
!
^ { Full and bar - mo - uious,
1 Join - ing the notes of
„ ( Mu - sic's the meas - ure
( Fugue-like the streams roll.
let the jo}
a - ges lou
of the plan
and the choi
' - ous
g be -
- ets'
- al
-^
chofore
moo -
• rus Burst
us, Voic -
- tion, Heart -
cean Heaves
» mfrom our
ing the
beat andin o-
^ mPi-M!«>•<? # « 1 i » b r* » i i
ijii '^ •1 1 ! 1
i^ '
i r i
" \^ ^\
\:7^ «i • L L f^ ^ III r-^1
£i ' \^ r r r i
'
1
1 I
1
1 1 11
Ifc ^^tr*
. 3 1± -<Sh a3t=^ ^=^ -&--Zir -4—i^ -T:t ^
lips in one glad song of mirth;
praise of heav'n-ly mu - sic's birth,
rhythmof all the glo - rious whole;)^^^^.j,^ ^^^^, ^„ ^^^^^^^ ^^^
be-dienceto its uign con - trol,j
-^! -^ -^ -^ -19- -^5^ ^
;;|Bright from the heav'ns it long a - go de-
u - ni - form vi-
p^H# »-
_(^
iJ-V-
^^ -s>-
Ifc s ^a iS^
:^=^ -Z5^
-&- S^
lifc
scend - ed, Loud to these heav'ns our voi - ces we'll raise, Ev . 'ry young heart in
bra • tion, Start - ing from God, and felt from sun to sun; God gives the key-note,
tS>-:^—>—
^
iSr e £ ^?^-^—
^
^ Ei5^ -iSi- -t!5^
fH^-f=^ -
-e^
Itri^ *=i|=at: :^ i-rS-
-Z5^^ ' d d -&~ -(©l-^
PS^
one full cho- rus blend, ed, Sing -ing in mel-o-dy sweet mu - sic's praise, sweetLove to all ere - a - tion; Join, O my soul! and let all souls be one, all
^9- ^ -0. ^ ^' ^ -^ ^*-*--» » i*-
-^ -* -^
e^ *-(9- ^-
:p:-s*- -iS^ -i>^
-©^
^
:f: ^^-^ :^1&.
-<§- -<Srr iS- I^I^ -iS^ ij&L
mu - sic's praise, sweet mu - sic's praise, sweet mu - sic's praise, sweet mu - sic's praise,
souls he one, all eouls be one, all souls be one. all souls be one!
m hS. J2- J2^' .^ JS- j(:i.' # 422. .^ .^. ^ ^-
\—
h
-i^^ ^ -a- isi
248 HOSANNA IN THE HIGHEST.j^ndante e grave. (Sanctus.) ALFRED BEIRLY.
Sab
Hosanna in the Highest!/ Allegro.
' 249
^3^ ±'i«-*-^
i9- =P^=^ta:
-•
—
0-P: :t:^
a - oth! Heav'n and earth are full of Thy maj - es - ty,
7^-
g= ^zi- E2=^/
-a-g- -«--•I—z;^-
t^-
Sab a - oth! Heav'n and earth are full of Thy maj - es - ty,
m^^^ m2=fL- -(2- 5^- -•—
^
kf. g L*
:«i—za-=HBlt#^ •Zd- :z5*:
-z^-/
-^-:^=g=
ir;r^rX'i—f^-=t
p^ 2: =5^ -ZH-(SZ- '^S- '-^
#.=1 *EEE-z^ t=t=
Heav'n and earth full of Thy glo ry! Full of Thy
i «-Z5»-
ffi^ 3/
S*- -G- -&-=#»
Heav'n and earth are full of Thy glo ry! Full of Thy
M 1 ii-a-
^RTSir I^ -z^
-<&-
St-
/rfvi-rf^
^-^3?^^
250 Hosanna in the Highest!
Hosanna in the Highest! 2S1
1n=-^--^-•-
:t- ¥=E=^E^^ua, ho-saa-ua!
g:]=
Ho - sau - sa, lio-san-na!
lil :3^S3
:^#
-»—»-
fc^! ±EE =F=
na, ho- san - na! Ho -san - sa, ho-san-ua!
^E ==l=- -(2-
^^ -P^t
tegiipi^: * •
-»^-^r^«-«-i-«-|:lg-
•~»eir#"
-5—«-» m—\
M i i-•—•—•-
A. d 4 #- -(2- -^ -^-
f2- -»—
^
-3 - rr-Z7-
-ff _ v« f~• •— P *^^
/ _•^ ^
Ho - san - na, ho - san - na! Ho - san - na, ho - san - na in them ^E — S-
-• «> m- y ——5H
Ho - san - na, ho - san - na!
B-- y
Ho - san • na, ho - san - na in the
-• • = . • 3.(z—m—^_^—^. ^—
^
i::
A ig: ^ j t: -i-
*Siiia11 notes for highest voices only.•Tsr
252 OUR HOLIDAY.
mWords and Music byALFRED BEIRLY.
:#-rt -^
—
m m
=(=
±^ii= -al ah
PSjSS -iS>-
LJ
ps m/s= ¥ s sli—
«
•#—g—
i
Trip, trip, trip, this is our hoi - i - day;Light and gay, light and gay,
e£e^• • • • • •
—
r* • •-
n T-^- •—•—• *-•I
1 1- *=:tb i/ U
>—V-
f*d=£?^^
Old and young join the throng. Brightly voic-ing out a mer-ry song,
U- :ii—r—»-
fe ^ ^ ^^ ±E«s^
Merry song,^ mer-ry song. Gai - ly, gai - ly singing all day long, And
ft=fcj=t=EEfeE^ =^^
^^^^m^.Our Holiday.
ri—T-2—
/
263
^J^^driving ev'-ry care a - way. way.
=^=|c1^
b b ^This is our hoi - i - day!
iJ T I .. • #-• -t— -1—-I
1
1 S
^1 :gF--U b b *=VP^ -i/—i/-
This is our |tflo
^^^S ±::s=*
hol - i-daylThisisour
j-dz—i—*: -=1—
^
f f*-^-^^^-
:*=^f=tc i/
-«
-N—N j *H «-
-• «-=^ ^=f :^=q:••-v--- # ir
t—y-
mfe-
—5 • -This is our hol - i - day! Joy fills ev' - ry heart,
-©I-
gio nous hol - i - day!
r. 1 \^=^- 4 1-
*r-^'~7St
-S 0- •^i—
*
.k--
ait ^E^ :t=t=:t=
ff.
iiilis *=fc=ts: EEE fe^EffiE#—•-
b " bGloom - y tho'ta de - part;
le*
Ev' - ry voice is gay This glo-rious hol
M «>-
J. ^ * -e>—
i - day.
1
P9s^^ i -^-•-=- i?=f:1
#-^r iPii
Si ^-^i^i ^r^3^^s
-?5*-
Moderato.
254 Our Holiday.For one brief hour.
mur- m'ring brooks and aha
-\-. gA_J,_^__J3-L ^S—
g
-£i-£^
dy glades— What lovely scenes a - wait us there!
Our Holiday.
i/ Allegretto.
-A- '
255
B -•-s- 3^1==* S -•-= ^ ^ =;=r1^=*: >~r^ -=1-^ X- X^ -•-t-i^
g
Hail, fes-talday! Hail, fes-tal day! Bright, beau-ti - ful day, all hail!
im i ^=*=I^ >-^ >i^y-
^=—4=
^^5j=l1 ^^34:*--*:
& =?i=i» -wt—^
f
mp
#-•>-
1^1 II
§i]ifi-5-K ES: ^ 1^f P 1 »*=* rr^•i-;*-
m/ Soprano or Tenor Solo.
-(S-
We roam a - mid the for - est
fj i»]2r lZ_j r fp^^y ^ I
y p 1
1
> i» ^ ^
7:7Rli r-^ ^—• ^—r-^ = P P—r-^ p—P P—r-»
A - long the brooks.
^ \^—-?5H
# ^ 8—» ^ »
LJ ^n^i— ,__. k/mP^ 1 K
11 r •' ^« ft r
/ B ^ V J 1 f,!
1• r J n Jr \ tt r ^ • J ^ 1 i ^
J• • p « •
*fc-r :. • rj ' • J * 1 ^
n# 1
where fair - ies
^ 4
. . . Where hap py
•
dwell;. birds.... make mu - sic all the
^"^1 1
t'Sii N 1 1'"' • • m ty. 1
1
dr^^—t-J j"- -1—-r^-i -^J—H^-*- - ' '—f2_1 j , r^ j,^ ;—
1
i^l s_*^ r
i ?_l1 S- r^,r H' ^r 1
^-L-?-i-;-S-=H-f-'
• •^•^4 1 r r r 1 r 1 1 r • » 1 1
^''•fri^ •1 N.. • *iL 1 1 L •] s.. U *i • • 1 • • *1 S a *1 •cS~5 1 •<
1' L ' '
1' "^
11
1i
11 1
' r 1 ' '^^It ^
1 P 1 p
1 ^*J <^
^ :n=::1:
/ J.-f—--(Z.^ -^-^
day,. In ev - 'ry wild. .
.
en - tran cing dell.
Pitt—T F=^
^_j=:^r[:jz;;^ij=fiqi*±=gr—i^^3== f:i-__^__^_^
=-rdi • •—
•
•—r» •-* r* •—• •—!-' ' 1 —I r» ^-^-» P—r»'• m—
*
m—!-• ' r» •—• •—n' '1 ~' r» •
* ^—r»
266
mOur Holiday.
mf Soprano Obligato Solo and Chorus.
We roam.
p Chords.
a - mid the for - est glades, A - long the brooks.
'
J '1
/ .ff.
m•zb- -^-*'
In ev - 'ry wild. ... en - tran
m yr-N—N—^
—
^-l-^
- - cing dell.
-fv-N -f-r-h-
— — —,_-iS •-•—ttS—•—$->-# J
La la la la la la la^
la la la la la la.
-yi—V-
?-*T-0—#—•—•—r* '—' '—rl ff^'
—Q-S rr—I
"'
I—I fT ]
^-1
—
l-r'^ >v I -fr-i-#-^ *
—
I—I
"
p-
i^ '
I
f^^ J • - p^ a;i-^=*—1"?~ m i —Jm- ttg-^g—g-*i-g—F^gHr- F*^^"j^g^ff f ^M. ^ ^ M.
^
1
— —^^ ^1
\
'
^ I
ff
Our Holiday. 257
^^Ft=
••-7-m ¥j:
Hail,
4L-
mfes - tal day!.
mHail, fes - tal day! Bright, beau - ti - ful
ji-3Z «•-
ff
4-^-All hail!
^=?t=± •^f^
day, all hail! This beau-ti -ful day, all hail, all hail, this beau -ti
mm ji
mi--i- j-j^j^
ful day!
^ I-•—r*
—
All
-«--
All hail!
fe5:<==3: -^ j^ :^ -^ ^-
t^* -•-
/
g^ Jl-i- j^rr ±it * rf
«*
iCres.
'ff=3c: ^:#,
•J.
I£
hail! all hail
tei ie
our fes tal
-9-r-
day!.
-# • 0-
•=FF^g=gt**-*^-*i-FS=g=S=^g=g=g=FS-S-S-S-T=5=F«=«^tr:==:L?=p=gi=tz(i=:(cpia.=:?zM=:=:=:=pi=*
I!
1 i__^^!
L,1 ).
I
^
1
LI I I p—
I
L« •-*—»—i(-
-ff.-
^i|=^ I 1 IF=F=
••—#--a—*-
-»? -»?^ JC. ~jl
-J 1 11 1—,—I—I— 1—I—I
—
^-\ ,,—»^ -l—-^
—
'^-1—=. — ^ _•— —,--
*—a—i^—<!—»—*— -ii-^-j—^»i-5-=F»'-^—*—r~Frr^
—
f—t:z=fct"'==^t=B
PE-#• •#
=i s
258 COLUMBIA, QUEEN OF NATIONS.From "Lucrezia Borgia."
Poem by Arr. and composed in part
Mrs. F. A. F. WOOD-WHITE. by ALFRED BEIRLY.
Andantirw.*^ s;;=F f^-«^m 4=2-
5 mPRELUDE. - Rail.
^ jt m mm f m
-N#-H»-> -IN»-l»-l*-|t-
f^3 3
"N* m * * m tas-+-
3S=£Sjt#-
-JK
Basses, Tutti. Tenors & Basses.
PFP^ 3E ^^ e -i—^-#- ^-t^—t^ -V—li^--W—fi- V—*•
Co-lum-bia, proud Queen of the na - tions, Kob'd in splen-dor of pur-ple and gold, Tho' ex-
§If* Hf
H*-* «-«-* ffi :^=R=Tihdi -€-M—«•#-#
(^=55=5^ W^ t5=S^
m
^ =^" 3=5. =t =1:
t:t i? t:U 1$ ^-Sopraaos & Altaa,
5h> . 14=2-
e:Z_M- ^=t^-> -V V-
alt - ed in song and in sto - ry, Not the half of thy glo - ry is told; Oo-
^li ''ijjI
'^.jij. ""^SJ- * ''iii- ''Ui * '-j3j—^-flIt# ^5TT =5^ =5^^ w* 11=1 t#=5= t5i
iff wf
^ ^ -=^J-^
^ 57^7 H: :S:. ;J:
i— —Pi ^ 1-' S 1 H h-
*?arInm bia,proud Queen of the na
Co - lumTenor.^ J.-J,^4^i--^
tions, Rob'd in splen-dor of pur - pie andbia,
=^=R= m mWf-d d d-
d S -d-d- -d-
m^3.
Oopyrigbt, 18tt2, by A. Beirly.
mColumbia, Queen of'Nations. 259
^ S* W^ -« ^n—N-ah_i M g ^ fi-
^S^ pS3 -N—i-
fgr tlgold, Tho' ex-alt - ed in song and in sto
Kob'd in splendor,
^ ^J> 3^^^ ^^4 ^ R
ry. Not the half of thy glo - ry is
Thy
-^li- ZitZ^ J=M^g S' N
^=ni=t =t=T ;4=n71 'm mid-d- 44 4-»-0 m
r44^mm m
44 4mm mearn^
i-+—v-i—
4
4=^=^ 3• .<!
' -ae?^=*=
5 utotjttsi
told;
glo - ry is told;
On thy hill-sides, in jo}"^ wave the har - vests. In thy val-leys fair homesteads a-
-J^.^-0- J^.^A A 4_-Af4_ 4_'jIjl 4_' J:^
^m :;=*: m «««- <l*<i 4rw m ^\> 44^ ^^ 111 1JI
tii ^ta^
m »t
I/ dim. f dim. - - -
:£= ^ :tL=^rise ! While thy sons and thy daughters in cho
-4--^..
f f i/ g-I J U kz fci- ^ U
rus, Lift their voices in thanks to the
^>g ^bix p i p r'Pr^:tz
Bass. A - rise!
1 pfa"-i S : S I»— i : g
i—I J J J—r F -r-=-»
f ^= i^ ^In cho-rus, glad chorus,
i ^ Knf fji n \-^ -k
* /. ^^^ aim. - ' ^=^ - - ^^ *>^ J. ^^dim. - ^^^•^J 3 3 3 3/3 3
fg Jjg
-K K-
UiJiMskies.
3E*While thy sons
—w w ' r -T7' w 1 wa—n«»
~
and thy daugh-ters in cho-rus, Lift... their grate-ful
4 i* 2=P=^ i
r rg:ic=lc ^ £rLift their voices. In cho - rus. Lift their
pl m gJS J] J ..JIMgi! y^
-^ -m
'cres.
0r 4fm^^ m m •
260
^dim.
Columbia, Queen of Nations.
i^ 1P^^ s^ 3 -•ar
While thy sons and thy daugh-ters invoic - es in thanks to the skies,
^ ^ w ^* ^ ^ ^su u-5^-*
Lift their Yoic-es,
ms
s 3SI ^=i=^
?^^S =Sh « ?^:«:«-#-»
dm». cres.
^-r"
—* 1 W. M fi_ ?=3fcs r 1^ ^m
:j^ i-
=F^ ^chocho
- - rus, Lift their voic - es in thanks to the skies,
rus, Lift their thanks to the skies.
Ad lib. ^ ^ . T" _ -^i^Oh,
2=^ -^ ^J- S^m r -i> .n fe^:^*^#fe-#«#ftf4 ^^
#S=ES^ ^
-dd lib.
i^3
m Tempo.
'^SZ:i^#-N-
ii
m
i ?^ -3^ ^i
Home - land.dear IS our Home
gi ..Li Jland, Our
J-
fair
5
i
g
_^-
—
^^ 3 ^.' '^ 3 a-3 3 ;-r-3 ^ l^fc --J/' \ 3 =-3 H^£— ^> ' '•. ^ ii''='^ 3
^ * 1^^ ^ I r J —
'
o Q *^U Q Q Q Q -m-3
m
^^ ^der,
r '^—f-A—^-
Though we may wan Though we may roam; O^oiour
Columbia, Queen of Nations.
i*r-f:^!?=* J. fi i . i J
:^ • • . J ' # •^ # -5 4
261
^ -fv—
N
^-^To our Homeland we cling, tho' we wan-der, Tho' weHomeland wecling,tho' we wan-der,
^•K
1^ m:».••
1^w» ^zUnbil £
-I—.J I A I
'
^ I
^"In^ i7j « . <i»: »li:si : S stl"llt^^4-^ : e S ': i 5 : f
-H—H—I—H—-)-—^--j—
—
^—
I
. jl* : < 1 1 « » :»- ,* : r p : f—r .f w ; w w0 .* p , » w 'w w 'W
^^CJ'^-v JT^f^-^-^LJU. ' ' .
O Co-lum
i r >, J/
bia,
I=^=»
T ^ =5= ^r-^ iD»• »
Co-lum-bia, proud Queen of the na - tions.Rob'dinwan-der, the' we wan-der;
^ sr tttr^ fcfei ^ z^zmi=^^
1^^ m.-^-i
:t=U
We hail thee!
>a»j>-=^=i;a J UjjjJ^Jj
ij^^ii^ ¥*=?
, s/
ig^
We hail
.
Our dear Co - lam
±^E
r TJ r f^ g r g tT r-splen-dor of pur- pie and gold, (pur-ple and gold,) Tho' ex -alt - ed in song and in
£ g;^ ± i^
-n-4- 5=i=^:S= =^=ip*w ^^ 3=^^i=-i^*g*- ^i=r^ l!^Ki.
ibia,
sto - ry, Not the half of thyglo - ry is told; On thy hill-sides, in joy wave ths
g ^ m f ri:£- i^^M I^ mu. J^-y-v-4=2-
(iiJJ J ^<lThnou I s^
335j;
* T^-*-»-
«^^ r ^tt
262
i-Msi^
Columbia, Queen of Nations.z==>-_ , ===>^ ff dim.
r iftnp=^-
3^ ^ iSi it
har - vests, In thy val- leys fair homesteads a-rise! While thj' sons and thy daughters in
Allegro, mColumbia, Queen of Nations. 263
12=3^ H --A
iS
skies.
-] '• Ki ^-i pi ' "I u
Oh, Co - lum - bia, Queen of Na - tions,How our hearts re - joice in
i ^-ql-ia=d:&
r-
:1^;:i2=t I^=S3=^Allegro, m'
B- -fH^=£u-7Ft^^^E^ -!•—
^
^/
ui^
f^±E£-N=H s^^^^=^ 1^
g
thee, Re-joice in thee, re -joice in thee, Our hearts re - joice
^—J^—^—s—g-r-r. f- r r -r:
in
/thee.
±:
V: 'rrfv- J-^-^ .U N-
:^ :£;p:
f""/m g^^ ^ T :p=P=-i»-T»-:^ SEE^=^
Faster./
master.
"ti^
i^=±j-cce?.
m Op:
re-joice
:tt^ f=l^thee, Our hearts re - joice in thee. Our hearts
T -r r t ^-—g
—
.^—^—^ 3-in
jIZ-
thee, Re-joice in
t i ^-I W ! m^ t.M^ 1^
P±3E^ =t±^ J « I J. J. J ^^ PfcTif-h^^M^i^ 4^.Faster. /
(^^ • I 111 J-4^cceL _
I I II I
?d \ *\ \ f \^ ^ I \ r r
V * ^=?-^ » ^ .»—LA
Our hearts re - joice
,
thee.
^J 9- 15t-:£: <S'-
thee, re-joice in thee, Our hearts re-joice, re - joice
i W . -^ ^k-
Sr =^' ^thee.
J(2- JfZ L^- -12- ^I I SI
i Ji=ai 13^ St- iE—-t=¥=5= -I* ; F 8 s
1=f=f :i?±S pr r r r'r ftI*-»I»-
:gr -a • • i>I
• • js'- '- J _ _ I I ^
^)j L r
' r rr
'
'r r r 'r r r ttt
p p p P P ^^ -P-^^
^ Prr -b-r-t3 •
264Full Chorus.
Andantino.
O HOW EXCELLENT.ALFRED BEIRLY.
Prom the Oratorio "Emmanael."
B:£ £Glo - rious Lord, Fa - ther Al-
d:IE± ^ =P mm M-f-^=-f
Glo - rious Lord, Fa - ther Al-
IS
te s ^ '^^I
£3^-«i S
r Tf ir7t-
^^^W^^^^^^fe i^^SE 3^ i^—-X-
might - y, Laud and praise Him, Praise the Lord! Glo - rious
P ?1^ E
might - y. Land and praise Him, Praise the Lord! Glo - rions
m i^ -3?—-*-
II I-
1^ its
P=fe
rrP^^ S e ^-=i—^- E f--^
-r -0-
$ m mE^Lord, Fa - ther Al - might - y. Laud and praise Him, . Praise the
rt:
f;^r=qi^: =f =K
Sf^ £^:
Lord, Fa - ther Al - might - y,
e ^Laud and praise Him, Praise the
^^ 0
ifes
pd!^
^P3:
-J^-f—,
--I—
j^E.j3r4
t I.N i'
'™
ppip^psipl^ -=»-*-
Copyright, 1902, by A. Belrly.
O How Excellent. 265
§
mf ^fe^ e # nuzyH (-
Lord! Let hear'n and earth Thy name a - dore, Hail!
M W g:^ » ^ "TT
i-/
5^ife#—^
—
—p-
t—r-t:=mLord! Let heav'n and earth Thy name a - dore, Hail!
m £ feEJEEfi E
#^W^^*#^^^^ap^^@^ I 4=M= SfeS^-E^^^-•'
C•*
1
^"^ l''!'P |
> 11' ^ t- -Lp^
JC /
3e ET gurq
hail! hail ev - er more! Glo rious Lord, Pa - ther Al-
j=^=^ m0 4- ^^= 4 4
il/ f f^^ ^^^i=:*
mhail! hail 67 - er more! Glo rious Lord, Fa - ther Al-
S: ^fejrryjg^ 3=^^ pilp^i^^ F^^^s^f^'/
g i=i/,
-si-
3^ iE ^^= =^ * -#-
/^ #^^^F ^^Ef^ X X
might - y, Laud and praise Him, Praise the Lord! Glo
f m-^ *-
i^i
—
4 ^ m,/-
y=i
^m4 4
might - y. Laud and praise Him,
m J^£ 11
Praise the Lord! Glo
£ =S==F
I
P^J-tiff':
l—i:e-tZ- ;£ 3=%:1=q
266 O How Excellent
sfeEi
^ .t^^R- f^^^f- ai::^
Lord, Fa - ther Al - might - y, Laud and praise Him, Praise the
151^ P i*^iiC^
il3=JEEJ^^^=^^^^g3E^F^^fEEEi^^^^:^pi^^^Lord,
E^^fEleEEjfFa - ther Al - might - y,
-t-:r~^~1g
Laud and praise Him, Praise the
m s i^ ^r\1^ -a*—j- i=i=
^ 3=«=i^ "2- IjP y^^^-^
m ^^ ^^ ii 1=1^^=1=^.=^: 5=^=
P^rit. f Allegro.
i=^ *=:? :e^ EeEEjE
Lord! Lord, how ex - eel - lent, how ex - eel - lent is Thy name, how
1 i^'Zg~ S>-i-
rit.
I/
E3=^EELord!
mLord, how ex - eel - lent, how ex - eel - lent is Thy name, how
£EES ^i;—^——'—I—
' '
QE&::t?if?:^]f:J 1
rit.
{mf\
Allegro.
i=S^3=4:
s-M—1
—
i:-^ \ 4-
-0 0-
TX"aEiEE^E
:a=rt3^ i^ r^
•zd-
^ESe^
* g.
w.p—p
--f=f=^the
^—y-
¥—v--s^z. p—
ex - eel - lent is Thy name, how ex - eel - lent is Thy name in all
3^iiii^^^^ -»-s-
iteV-- ±: m^f^ m. ^^ /
p-r-
e gex - eel - lent '9 Thy namp, how ex - eel - lent is
-^^. '^^
g:~^'—VW-±; V- V-
Thy name in
iall
<9-the
£
^P=F=F=F
P1#—•—• * • ^-. «
—
0.—•—« •— -a—t:« i
T^^^ gg^=^ri^1^^
-•—-*- ?sa :SE,Ji
O How Excellent. 267
5earth;
i
Praise ye the Lord, praise His ho - ly name.
¥^^ 3^=^ ^^^
ms.4fj J J: S 3E tS—
T©-^
earth;
gPraise ye the Lord, praise His ho - ly name,
^$ m^^f^^3^-#- :J-^^—.:^^—.5ir-^
E^E5E= _i—J——I1 1 1 1—=.
"-=r
/ ff.-!»— ^^
Praise ye the Lord, praise His ho - ly name. Lord, how
-i- --^z
B=;3= i=E
3^^jf
E i^
Praise ye the Lord,
^praise His ho - ly name,
tLord, how
i5>-^ Hi=^ J^U :
F^ iiM=^^^^s^^^/
3:#
i^i^ I -s—
—
^^I I
*^ -0—f-
?^:ex - eel - lent, how ex - eel - lent is Thy name;.
w fe^ iESEES :^=•-i-
«=Lord, how ex - eel - lent, how
i^ 3^fei^ 0-
V—k—
L
feex - eel - lent, how ex - eel - lent is Thy name:
5^Lord, how ex - eel - lent, how
;^=i
;^ Ps^:&=
y - f .
s= ^
268 O How Excellent
fiS-^
-\^
eel - lent,How
h K l^a 3E^:
tl
ex - eel - lent is Thy name, How ex - eel - lent,
j^gEEEgEE^jS mm^E^^
eel - lent is Thy name. How
g5PtES3Ei=^T ^ V
rt^^ p^^s ^^•—#-
How ex - eel - lent is Thy name.
3^tEE^. « *
i Jt* •
eel - lent. How ex - eel - lent. How ex - eel - lent is Thy name.
m^ i=^=Ee=^^ ?EJEi
(^^^^^^^Pi=r=r=3=^^ ^Bif
-*-*- -J ij—4-
'^ f g=^^r^iTl
f sall. the earth; How ex - eel - lent, How
s::r=^
^-l^-=mw:r^
all. the earth;
mSEE£ :-£
How ex - eel - lent, How ex - eel - lent,
4f~
PJ
m r
. 3E
i^t-35
1. I T I
- ^ - vT::s«- P _#—,__
O How Excellent. 269
i iE N^f—
T
W-V—V-
*ieel - lent, How ex - eel - lent is Thy name all. the
^ How ex - cpI - lent is Thy
g^P^F^ 3^^3 iIe3—t^ ^=^= 'm -A—\-
^=^ J=ei4s=%j=£=i^ld-^=^:
i=3f r^^--r
(p
/
^EE^i^K
Lord, how ex - eel - lent, how ex - eel - lent is Thj name. how
i J 0=4f=^'^-
i s^s^ e EEE^EEE V K
earth; Lord, how ex - eel - lent, how ex - eel - lent is Thy name, how
mmms: W g ^ W W
im^ 8=¥*=|:
.J ^ B = » 93 ^'
—
•—» * *-
im^».-<-
r'zi-
S • •!-sj-
^^9? i^Pi a—^^ 3
t. ]E=Z3E N h
l^=f^F^liO
9 V
ex - eel - lent is Thy name, how ex - eel - lent is Thy in all. the
±s
—
\
w.3H --N— "^
ii l>
—
w¥—V- ^ 1=1=^=^^^^ -tw-
ex - eel - lent is Thy name, how ex - eel - lent is Thy
'^—r—d *
name.. in all. the
m^i^^^^^ 5EJ
t^J=ipN^^^N^^^iSa=j rT=j I—|-ii!3
i^^^Pi=^f^=:t±^
270 O How Excellent.
-&- -G^i-
)k-
earth;.
4^53 SE ^g^ Lord,
* • * S—how ex - eel - lent, how ex - eel - lent is Thy name,
i ^ •^ F^='r=^i=r=r=czry—^ iiearth; Lord, how ex - eel - lent, Iww ex - eel - lent is Thy name,
^«^ - f- -p- -p- r)m
:E'^ ^^ '^.
£:-•=*-
* iS:m r—1- -^ ?^r=^
^S fe«
s^S^I^^5^-1—4
/
'^^mw^ ^z
erea.-
rmLord, how ex - eel - lent, Lord, how ex - eel - lent. We will re-
5:SE5£
§h^
Lord, how ex - eel - lent, Lord, how ex cel - lent.
lt=:sp—p- ?:«< ~»c '1^'M *
,a-^Lord, how ex - eel - lent, Lord,
S^ihow ex eel - lent. We will re-
^^m -s—
^
> #:
ij=i 7!i— i i^^= EE3^
I I
5^^^ M JO.'
^^^g^^urt^f^fe#^^mf=^
EgE Xjoice, re - joice m sal tion.
-^^m ^^ ^"2?"
« «-
e ^^ -^^^^m T*-
joice, re - joice in our sal - va tion.,
pt^ Mf^^F p I3?=^;s
iff:
j:::^.
^ 3^- -^
^^i
=v-a| <©•
^=¥^=5=t
:^^^- ^=.?
HALLELUJAH CHORUS. HANDEL.271
Arranged with simplified voice parts by A. BEIRLT.
^^^i
/ Hal - le-lu-jah!
-!v-A ^-«-
Wm » » »
u u u/ Hal - le-lu-jah!m m t^
in33 jA iDjmIWtsjJ-^
f
m rrn ji^.u mi
8va.'
>
8va.
¥^ai * *i
P, P 1 ? ^m £P P lu U 5=^=1/^^ Hal • te~lu-3ali! Hal-le-lu-jah! Hal-le -lu-jah! Hal-le - - lu-jah! Hal - le-lu-jah!
IE 3T^7T^=^S^^^M^^ i=^;=-s=
:i=itS*—
r
e e |
i^ t m* * f 'i e^ ^ Hf c r1 ff ^ =^—
F
^-«-«<—«<-
w u u -p—t^ v==ftHal - le-lu-jah! Hal-le-lu-jah! Hal-le-lu-jah! Hal-le
mlu-jah! Hal-le-lu-jah! Hal-le - - lu-jah! HaHal - le-lu-jah!
^i 9^^^ ^f fi/ -e^ Ff
M m1^8va.'
>
;rc ^ggHH^isrc niLT^ ^^Hal-le-lu-jah! Hal-le-lu-jah! Hal-le-lu-jah! Hal-le - lu - jah! / For the Lord
t7T77 ^ /JI J'J' ^^j;j' ^ JIJ. „J-J 1=^Nt r ^tr ""E4[f^ ^g g f r^ ^
J' Hal>
gle - lu-jah
!
Hal-le -lu-iah! Hal-le-lu-jah! Hal - le
£lu-jah! / For the Lord
I-i— -( S^ ^±=v- ^=t^"^ V V 1 vv
^^^^^mn\^p f/Wii^^^p^3# 7
^^frirtf"ii^ ^s>-
Copyright, 18»1, by A. Beirly.
273 Hallelujah Chorus.
^S5^V v' I ^ [j
<> jl J—J > ^ \^ V ^ \J ^ V \IE^God om-nip - o-tent reign-eth, Hal-le-lu-jah! Hal-le-lu-jah! Hal-le- lu-jah! Hal-le-lu-jah!
% n ; ; ^ / / n- j ii; ; ^ .^^^^^^i^^ 4^r^Jr
^JJtTT^ggr c^gglrr ^ g g^^^ ^-V- -^^-^
^God om-nip - o-tent reign-eth, Hal-le-lu-jah! Hal-le-lu-jah! Hal-le-lu-jah! Hal-le-lu-jah!ioa om-nip - o-t
11 "
^ I^11'^
l^ l-'
if=f7^ S ^ f^
i^ ?t=s=
ffig-^yu^yttfttf^E h tftr^ir^^^frLJ r- pr'r-
P - o-tent reign-eth, Hal-le - lu-jah! Hal-le-lu-jah! Hal-le^For the Lord God om - nip
^ EfelH:?;;=«
^m ^t^—
^
^^For the Lord God om-nip - o-tent reign-eth, Hal-le- lu-jah! Hal-le-lu-jah! Hal-le
5^-4J *w ? ^=ff=ff^ 4-H*-^ » ' ^ J-E tU=fe P—P-
^ :^=^^^=^=^^3^ rr 1*—
^
-^r
^^ flJ^^J^j^^^*—
r
^ Ped."f ^aa^ ^ C*«^ ^
i ^^^ f igggg yi^^^ P w wlu-jah ! Hal-le - lu-jah
!
f^^^^^¥¥^^^^
For the Lord God om - nip o-tent
mf Hal-le-^ i^=^=^K ^^=^s^ ^v—v- -^'-v'
lu-jah ! Hal-le - lu-jah
!
Hal-ie-lu - jah! Hal-le - lu - jah! Hal-le - lu
Hallelujah Chorus. 273
i-^^—
^
"J?—ff—
'
?-g »' J' -' g 5 :m mreign eth, Hal-le-lu-jah! Hal-le - lu jah! Hal-1& - lu-jah! Hal-le-
i^ sW ? ?S **
jah! Hal-le- lu - jah! Hal-le - lu
m w^
jah! For the Lord God om-nii
-.TiP^
od om-nip c-tent
^^^?- ^Hal-le-lu-jah!
m-j^/
i Ieeee^^^?-*- y~~r 1^=f
i M-^Ai -> isijr SE l=f?^ m4^V. lu jah!
ii—ii- ^-yHal-le-lu-jah! Hal-le-lu-jah! Hal-le-lu-jah! Hal-le-lu-jah!
JJI: " M^^mjah! Hal-le-lu-jah! Hal- le- lu-jah ! For the Lord
IS=i=*^32 =^? • 1 ^
?-?^
reign - ethjHal-le-lu
m ZIZ t:^jah! For
-^g^the Lord
-\ ^ ^ I r^
-f^—p^ -g-^'i-'f-H*^tL^
s^
Hal-le-lu-jah ! Hal-le - lu-jah!
giHal-le-lu-jah! Hal-le-
i Pm Wf^ £i ^ ^ gy^•#-
i 1 js j<r r—« « W J- ^t»^—t^5'
—
V-Hal-le - lu-jah ! Hal- le - lu jah! Hal le lu - jah!
0-^^ 3 =F^eth, Hal-le - lu - jah ! _Hal - le - lu-jah!Godom - ni o - tent reign
Sg^Godom - nip tent reign eth, Hal
Wt y~y
al-le - lu - jah
!
-^r^le lu-jah!
^I
:±z±pi—5>-
lu-jah! Hal-le-lu-jah! Hal-le -lu
... . ^^..» ^
?
^r -CJ^i r rrL' J
274 Hallelujah Chorus.
i ^^^11:^=St
p The king-dom of this worldm is be - come -^The king-dom of our
^"^^ ^3=^ WThe king-dom of this world be - come The king-dom of our
mp The king-dom of this world is be - come -^The king-dom of our
^-LU-^ ^sr-
f f f f~lr^
Ht-nhAHi^ ^mmwsuw^^
1^ X ^^ ff
*?^ fT r ^ T^Tt-m
4r^—r f f 1^- ; J ^
1W=^
Lord, and of His Christ, and of His Christ; ^=>? 4*^
Lord, and of His Christ, and of His Christ;
S5-
mLord, and of His Christ, and of His Christ; And He shall reign for - ev - er and ev - er. And
E^i^V-J^
J- N„j l
J. / jN ii ——5^^F
g/
ii: S?T ?
-*--#- -3^-
/
iPreign for - ev - er andAnd He shall^^m m^£
He shall reign for - ev - er and ev
^and He shall reign for- ev - er and
—P. S; ^ ^^=^=^ =^=F W ^S—?E ^Por-ev-er and cy - er, aad He shall reign,and He shall reign for - ev- er, for-
^P( ^=^ ^
(^^^ ^ •^^ ^ J^^m!i. ;^f"PN £a ^ :S=^
Hallelujah Chorus. 275^ ^^^n\j I
i ^~rij:
And He shall reig-n for ev - er and ev er,
j^J—JL ^ ^er, for-ev - ei-, and He shall reign for - ev and
V—y—h* ^=^=? =f=P:
ev
i^ t-t^ -^t r 3^ ^—f^and He shall reign for- ev-er and ev - er,^^ • • 1 ^1 U -
for - ev - er, for-ev-er and ev - er,ev-er, for-ev - er, for - ev-er and ev-er,
^ ^=^IE^m f ? =F=
^g=ji-i:3u-^r Lr^ r. LJT^a
»r..J .-^j-
I^ a^
i^^^om here to the Fortissimo a Cres. eflfect.
w-s-
-t9- # « &King of kings. m And Lord of lords,
I^ tS"- 15'- tS>-
^ -^c r c ^ rp^^-^ g r c
•5 gimr-—^c~nrn:
gm For-ev-er and ev-er, Hal-le-lu-jahl Hal-le-lu-jah!
7tC "^
c1 C-i"^ c^H T
f^^^g^f^
m For-ev-er and
g^S^TR =^FP
^a::^m
ft rr t LT^m
i*5=^ 9F3 Bi
-TSr
$f King of kings,.
=«^^
lX-e^i4-4-/ For -ev-er andSi=^^S =s=^?
ev - er, Hal - le - lu - jah!
-M. ft—fl^Hal - le - lu - jah! / For -ev-er and
:^=^=^— -f ^ ^ -s—=^-
9' u ' U S H/
^^=^
276 Hallelujah Chorus.
32: iS>-
i/^J-;i s^^j'j
And Lord of lords,
;^J'" j'NiiJ"'^s - *^
^"^ev-er, Hal-le-lu-jah! Hal-le - lu-jah!
^ r ^M f=?For-ev-er and ev-er. Hal-le-lu-jah! Hal-le-
N—N—N Ki—^—N N - N ^—N ^—N-.ij';j-. Ji;j'^j^;jnjj^^5 u I
-j^
^L-fi-
ev-er, Hal-le-lu-jah! Hal-le-lu-jah! For-ev-er and ev-er, Hal-le-lu-jah! Hal-le-
ig^'^^pc J'^P ^ IN'^ - h^TTf^c i r
f^'SgC f'Sg
B » -J- J M 0¥ -J .^=f=5 nrr} r} .i{^:i-M^.^n^i UJlKrUUWL^[jm
Hallelujah Chorus. 277
m i ^^^ ^And He shall reign for ev - er and ev - - er,
mmmpi=i?=t^^^-?reign7 and He shall reign.
^m. ^^ -N—JV
for ev - er and ev^ J^' i , 4 '^
er, j^' King of^:|S^
er, And He shall reign for - ev er and ev
^'; r i r a^
King of
i=#=?==^=^
ev And He shall reign for - ev - er and ev - er, King of
{$Ul^ i i - -i
g .^ # r r
qr LHr J -^-r-
p eSX 1 f £^^ y 1 ff ff b it=^
I
For-ev-er and ev-er,
^^^=^Hal-le-lu-jah! Hal-le-lu-jah! And He shall
^l^^ -e^-£v
J ^ J ^^? ^IE?kings, for-ev-er and ev-er, And Lord of lords, Hal-le- lu-jahT Hal-le - lu-jahi And^ =^-^
^kings,
.
And Lord of lords,
.
And He shall
r r f if ^r c •'T ' g L_E ,.* f^
^^=^P—fri it
i
kings for-ev-er and ev-er, And Lord of lords, Hal-le - lu-jah! Hal-le - lu-jah!
^dM g S #9?^j^_^jl=^ -i^—=;——
-
^^^ ^^^r
Kit ^mir f r r
:^=^
fl J]m I f i-x-^ :s=^
§=S=:v
f» # #v—
u
reign for - ev - er, for-ev-er and ev King of kings! and Lord of
Hew ^^=fe 3=^^ =^=v
~*—
^
shall reign for - ev-er and ev
# ' ' *
I
er. King of kings! and Lord of
V—
V
:s=v #=FF P^n* w0—0- —(Si-
reign for - ev - er, for-ev - er and ev King of kings! and Lord oi
tv—
K
r i j' 7 #=^JCZK y~yw^^Af-
J r^^j i; {]*' f=^ ^^=^
'l"J i i fl'ii ! It - n 1
i it "i r-^
S78 Hallelujah Chorus.
i ilords! King- of kings! and Lord of lords! And
iw lords! King of kings! and Lord of lords! And
lords! King of kings! and Lord of lords! And
^ ^ ^mAnd He shall
fnrr¥TimMrf¥Tirn ,nifi¥^^m ig •< X r 'c -^ ^ r ' g ^ ^
^ i NN! ! J ! i! i^-^ 5—
T
^-^
He shall reign for - ev - er and ev King of kings! and Lord of
m ^ =N=^^^ J ^ J^
iHe shall reign for - ev - er and ev For-ev-er and ev-er, for-ev-er and
^^^^S^?^r [:rr r
He shall reign for - ev-er and ev er, For-ev-er and ev-er, for-ev-er and
^ J 1 r-: J I'lnrr^f^
reign for - ev - er, for-ev - er and ev
^k^ ru- iEEE^t^ &am^ggf
r 3. 3
SACRED HYMNS.(For Devotional Exercises.
)
279
Rev. ISAAC WATTS.L. M.
^^iRAYMOND.
MUSIC COMPOSED IN ISOe. ALFRED BEIRLY.
^-=
—
m ^ ' S—
I
^••^T'd ^—
'
|N—1^ • ^1 II
^-"^ •3§:r^ i-^-M:
U^f~W^
1. When I
2. For - bid3. Were the
I
sur - vey the won drous cross On which the Prince of glo - ry died, Myit, Lord, that I should boast, Save in the death of Christ my God; Allwhole realm of na - ture mine, That were a pres - ent far too small; Love
^3e^S=F&
iff ^^Ss ^^E^%S>- T'^
I
rich
theso
<s-
est
vaina -
gamthingsmaz -
^fet
I count but loss, And pourthat charm me most, I sacing, so di •- vine, De - mands
conri
my
fa^-^tempt onflee themsoul, my
all my pride,to His blood,
life, my all.
^BEP—rV^P^
SARAH F.
6, 4, 6, 4,
ADAMS.6, 6, 4-
ISABELLE.MUSIC COMPOSED IN 1906. ALFRED BEIRLY.
^^i i
r^^-S(-
\^ -^=t
1. Near - er, my God, to Thee, Near2. Tho' like the wan - der - er. The3. There let the way ap - pear Steps4. Or if, on joy - ful wing, Cleav
er to Thee! E'en tho' it
sun gone down, Dark - ness beun - to heav'n; All that Thouing the sky, Sun, moon, and
^^ S3Sl7-4^g^: V—t^-
=F rtr
3==3 i ^^-
fefcr
-:^- '^-
&
beosendstars
a cross Thatver me, Mj'est me Infor - got. Up
-S
—
-Cj^-st-^
rais - eth me;rest a stone,
mer - cy giv'n;
ward I fly,
Still all my song shall be,
Yet in my dreams I'd beAn - gels to beck - on meStill all my song shall be.
d-t; :^:t=
r1^ is^:
Near - er, my God, to Thee, Near - er, my God, to Thee, Near - er
^ I1=-«i-zct:
s:x^
to Thee!.(=2-
^ i
280FREDERICK W. FABER.
8s, 78.
LUELLA.MUSIC COMPOSED IN ItOt. ALFRED BEIRLY.
&^ i r^ -*—:*r it^ -|725*-
1. There's a wide - ness in God'a mer - cy, Like the wide - ness of the sea;2. There is wel - come for the sin - ner, And more grac - es for the good;3. For the love of God is broad - er Than the meas - ure of man's mind;4. If our love were but more sim - pie, We should take Him at His word;
VWi—^ £ £ W1r^i^-» ^fcr dr ^^^^^S -^ I
There's a kind - ness in
There is mer - cy withAnd the heart of theAnd our lives would be
PS^=T=F^
HistheEall
jus - tice, Which is more thanSav - ior; There is heal - ingter - nal Is most won - der •
sun- shine In the sweet -ness
lib - er
in Hisful - ly
of our
zSt E^ i
ty.
blood,
kind.Lord.
i
SYLVANUS D. PHELPS.6, 4, 6, 4, 6, 6, 6, 4.
'^ ^=
ELMHURST.MUSIC COMPOSED IN t90e. ALFRED BEIRLY.
ii^5 3*
:=2=S tJz ±Sz
1. Sav - ior, Thy dy - ing love Thoa gav - est me,2. At the blest mer - cy - seat, Plead - ing for me,3. Give me a faith - ful heart, Like- ness to Thee,4. All that I am and have, Thy gifts so free.
^or should I aught with-hold,Wy fee - ble faith looks up,That each de - part - ing dayIn joy, in grief, through life.
i± £ £ #fc^ ^
Fi2=^ r
t^ s^:^ ^^^ nrs^
Dear Lord, from Thee;Je - BUS, to Thee;Hence -forth may seeDear Lord, for Thee!
^^^-r-t^EE^
In love my soul would bow,Help me the cross to bear.Some work of love be - gun.And when Thy face I see,
-^2.
r
My heart ful-
Thy won - drousSome deed of
My ran - somed
i 3=t
fc*: t^ ^ -]=-. ^m 1=^^ 122
fill its vow, Some of - f'ring bring Theelove de - clare. Some song to raise, orkind - ness done, Some wan - d'rer sought andsoul shall be, Through all e - ter - ni
^^m -I
—
rP ggi
now,prayer,won,ty,
s
Some - thingSome - thingSome - thingSome - thing
^
for
for
for
for
Thee.Thee.Thee.Thee.
=^ i
SAMUEL LONGFELLOW.L. M.
VESPERS.MUSIC COMPOSED IN 1906.
281ALFRED BEIRLY.
S: ^4^ :?2= ^" =«5I
1. A - gain as eve - ning's shad - ow falls, We gath - er
3. May strug - gling hearts that seek re - lease Here find the
3. O God, our light! to Thee we bow; With - in all
4. Life's tu - mult we must meet a - gain, We can - not
"Sp-
in these hal - lowed walls;
rest of God's own peace:shad - ows stand - est Thou;at the shrine re - main;
=^ ^=^=^ :E=rp£
r I
^^ ct
p-is- ^
^ i s^qg=gg- tt-^ :^
m
I
And ves - per hymn and ves - per prayer Rise min - gling on the ho - ly air.
And, strengthened here by hymn and prayer. Lay down the bur - den and the care.
Give deep - er calm than night can bring; Give sweet - er songs than lips can sing.
But in the spir - it's se^ - cret cell May hymn and pray'r for - ev - er dwell.
P ^m -m^ -<s- ^=^-f=2- -^ -ts^=^.
i?^ r
ALFRED BEIRLY.6,4- D.
HAYES.MUSIC COMPOSED IN 1006.
^ iALFRED BEIRLY.
:=P=?M iIE 3=*:1^
1. My Mas - ter calls to - day In ac
2. My Mas - ter sweet -ly calls, I feel
3. My Mas - ter bids me come, And not
1 rcents clear,
no fear;
de - lay;
Dear Lord, I will o-
His love my soul en-I hear His "Wei - come
^ n g nr M^^^ ^ft
Si f^ff
:^^ ^i^& shear;near;bey;
bey, Thy voice I
thralls And draws mehome," And now o
* ^=te:
A wan - d'rer dost Thou call,
O clasp my hand in Thine,God's bound - less love is mine,
Hi^^t^
ToMyOur
^m --=r•o-
-=r
ffi ^ ^ i^ 3=^^~
-If- -=?-
gra - cious Lord,heav'n - ly Friend,me de - scend.
learnwayspir
P=PV-
Thy word; Sus - tain me lest I
at - tend; Thy grace is all di
its blend; O Ho - ly Ghost di
.S>- t^-P- •-. m m -
i g
fall,
vine,
vine,
AMyDearOn
nrrfgTT^5*=:
282FRANCES R. HAVERGAL.
6s, 5s. O.
BUCK.MUSIC COMPOSED IN 1909
^^ALFRED BEIRLY.
^^^^^^& -^-.
r^=^=^^-pr-SI-a
=f^
1. Gold -en harp8 are2. He who came to
3. Plead-iug for His
sound- ing, An - gel voi - ces ring,
save us, He wlio bled and died,
chil - dren, In that bless - ed place,
^m. -^- ^^R^-
Pearl - y gates areMow is crowned withCall - ing them to
X -I-l;4r-^
?^v-^ :t=
^ g ^ -r^-
-^ogloglo
m
pened,
ry.
O - pened for the King.At His Fa - ther's side.
Send - ing them His grace,
Christ, the King of gloNev - er-more to sufHis bright home pre - par
-^- fre- £=S=^ -^^
i :3e£
fer,
ing,
A&^»«-
Ne33^ S 3t:»:
••-IrSE ^^ ^
Je - sus, King of love,
Nev - er - more to die;
Faithful ones, for you.
Is gone up in tri
Je - sus, King of gloJe - sus ev - er liv
:a.
umph To His throne above.ry. Is gone up on high,eth, Ev - er lov - eth too.
m iE ^ 1 -•tt^-^-mil i^k_ iP,« * ^r
Bishop THOMAS KEN, 1695.L. M.
^^
WORSHIP.MUSIC COMPOSED IN 1901. ALFRED BEIRLY.
:f3=
^^%-^^1. A • wake, mj' soul, and with2. Wake and lift up thy - self,
3. All praise to Thee, who safe
4. Praise God from whom all bless
H-
the sun Thy dai -
my heart. And withhast kept, And hastings flow; Praise Him,
I
ly
there-
all
stage of du - ty run:an - gels bear thy part,
freshed me whilst I slept:
crea-tures here be- low;
Ste d=Ae=*=F^=£ H.I^ :^^ P ^
¥=t m rx^Pi^E^g^^^^t*-•-ii
=S 3^^ShakeWhoGrant,Praise
off
all
Lord,Him
^dull sloth, and joy - ful rise To pay thy morn - ing sac - ri - flee,
nightlong, un-wear - led, sing High praise to the E - ter - nal King,when I from death shall wake, I may of end - less light par -take,
a - bove, ye heav'n - ly host, Praise Fa- ther, S6n, and Ho - ly Ghost.
^ , in=F ^ -^
-«^^4 :fi
r=^F=g i i
REGINALD HEBER.II, 12, 12, lO.
ROSE.MUSIC COMPOSED IN 1906
283ALFRED BEIRLY.
=t,^ & 5
J*:m^ ^ J #=^ ^ES^^
1. Ho - ly, ho - ly, ho2. Ho - ly, ho - ly, ho3. Ho - ly, ho - ly, ho4. Ho - ly, ho - ly, ho
ly,
ly!
ly!
ly,
1
Lord God AI - mightall the saints a - doretho' the darkness hideLord God Al - naight
- y! Ear - ly in theThee, Cast - ing down their
Thee, Tho' the eye of- y! All Thy works shall
^ e i^ ^
^F
.-J- ^ m s±C^U' \j
m
morn - ing our song shall rise to
gold-en crowns a-round the glass - ysin - ful man Thy glo - ry may notpraise Thy name, in earth, and sky. and sea;
Thee; Ho - ly, ho - ly, ho - ly,
sea; Cher - u - bim and ser - a - phimsee; On - ly Thou art ho - ly;
Ho- ly, ho - ly, ho - ly,
iP
^n n ^^ £
/ ^i s is 3^ ?=t^ 2i^S i-tla=
pL -P \> A 3=3=f1 I
God in Three Per - sons,
Which wert, and art, andPer - feet in pow'r, in
God in Three Per - sons,
1 c?
mer - ci - ful and might - y!fall - ing down be - fore Thee,there is none be - side Thee,mer - ci - ful and might - y.
W-
bless
ev -
lovebless
-ed Triner - moreand pu-ed Trin
- i - ty.
shalt be.- ri - ty.
- i - ty.
W^^ ^_r_Sl KE^FEESite:
:fcf!-<s>-
RICHARD H.
7.7.7. S.
ROBINSON.
i
EMERSON,MUSIC COMPOSED IN 1906. ALFRED BEIRLY.
^ :«= r^^ 1 3i^SE *, d ^i==^
1. Ho - ly2. Ho - ly3. Ho - ly
4. Ho - ly,
r—r 1=^
Fa - ther, cheer our waySav - ior, calm our fearsSpir - it, be Thou nighbless - ed Trin - i - ty.
I
With Thy. love's per - pet -
When earth's bright-ness dis -
When in mor - tal pains weDark-ness is not dark to
ualap
ray;
pears;lie;
Thee:
^ ^ ^^ PWii«n.j^j:i^^-A
SSfc*:
» ^E^-I ^ IESE #
ing dayer yearsto die,
ways see
Grant us ev - 'ry
Grant us in ourGrant us as weThose Thou keep - est
clos
lat -
comeal
^ ^ -•-
Light at
Light at
Light at
Light at
eve - ning time,eve - ning time,eve - ning time,eve - ning time.
^ ifcr EE e r
284FREDERICK W. FABER.
8s, 6s.
BERNARD.MUSIC COMPOSED IN leOS. ALFRED BEIRLY.
ii==^^==^= 3==s -m:"- -J-
'^
Who would not seek theWho would not be at
I want to be asAnd guide me to that
1. O Par - a-dise! O Par - a -disel Who doth not crave for rest?
2. O Par - a-dise! O Par - a-dise! The world is grow-ing old;
3. O Par - a-dise! O Par - a-dise! I want to sin no more,4. Lord Jesus, King of Par - a-dise, O keep me in Thy love,
^ %±^^w-%£ f=^^sppaSi?
^- ^ . Refrain. i^S>-r-
iEEfEt^ * =¥m^hap - py land Where they that loved are blest.
rest and free. Where love is nev - er cold; titu„.„ •„„ „i k^.,_»„ „„^ * „„pure on earth As on thy spot - less shore;
^^^^^^ '^y -*» ^®"*^ ^^^ ^'^'^^^
hap - py land Of per - feet rest a - bove.
^ ^.T^^f^ ^, ^ 4L i
Stand
?: ^-fS-
1*
s J;^J4J^JLUB3b:=tf^'hi^ il*t
=^ -je=^ =P=Tev - er in the light, All rap - ture thro' and thro' In God's most ho
^^^f-f-MN^rrt-Phfrr^ly sight.
IT
HENRY W. BAKER.,8s, 7S.
MITCHELL.MUSIC COMPOSED IN ISM.
i ^ALFRED BEIRLY.
t^^i[:^E^
Zf^:t5^ ^
1. The King of love my Shep - herd is, Whose good - ness fail • eth nev2. Where streams of liv - ing wa - ter flow, My ran - somed soul He lead
3. In death's dark vale I fear no ill. With Thee, dear Lord, be - side
4. And so thro' all the length of days. Thy good - ness fail - eth nev
mm P^^ t iEl ii=^f?=l
er;
eth,
me;er;
»5t^
r T
3=g i ^ ^i^ IF IS
noth - ing lack if am His, And He mine for evAnd, where the ver - dant pas - tures grow,With food ce - les - tial feed
Thy rod and staff myGood Shep - herd, may I
^J£-f- =£:
com - fort still, Thy cross be - fore to guidesing Thy praise With - in Thy house for - ev
-*- f- fr —V, m-^ ^-^
:t
er.
eth.
me.er.
^>0L
GEORGE KEITH.IIS.
BLISS.MUSIC COMPOSED IN IIM.
286ALFRED BEIRLY.
z=t^—
^
ii^E^*^- -d—*
1. How firm a foun - da - tion, ye saints
2. "Fear not, I am with thee, O be3. "When thro' the deep wa - ters I call
4. "The soul that on Je - sua still leans
of the Lord, Is laid for your faith in Hisnot dismayed, For I am thy God, and will
thee to go, The riv - era of woe shall not
for re - pose, I will not, I will not de-
^^ £ '¥-m M *=^mX6^
^^ -I 1 ^ ^.^^=^ -St- ^ •Sl-r-
-*-*- JC^Z zi: -
fj - s rjr
W
ex - eel - lent word. Is laid for your faith in His ex - eel - lent word! What more can Hestill give thee aid, For I am thy God, and will still give thee aid: I'll strengthen thee,
thee o - ver - flow. The riv - ers of woe shall not thee o - ver-flow; For I will besert to his foes, I will not, I will not de sert to his foes; That soul, tho' all
-CZ- r^ H» m^,^ *=fe^1 :t:^ -r
ii^ii^^^P^^^Sae: Gtc-
crsay than to you He hath said, To you who for ref - uge to Je - sus have fled?
help thee, and cause thee to stand, Up - held by my right- eous, om - nip - o - tent hand.with thee, thy troub - les to bless, And sane - ti - fy to thee thy deep - est dis - tress.
hell should en deav - or to shake, I'll nev - er, no nev - er, no nev - er for- sake."
t=^%^W^- =^"^=^ ^r=M^ ^E E^'-^
I :t£=tt
JOHN NEWTON.8s, 7s.
^^ROCKFORD.
MUSIC COMPOSED IN 1909.
^mALFRED BEIRLY.
4^-:±3tS
1. May the grace of Christ our Sav2. Thus may we a - bide in un
tl^^^
ior. And the Fa - ther's boundless love,
ion With each oth - er and the Lord,
n - _
^=B^^^ n^W:-m f^ -(=2-
i ^
i- ii slY: ¥^4~t^ 5=J-*-Fs^^I
1
With' the Ho - ly
And pos - sess, in
^-^— 1!«'
—
:*3=g—1^-zEEE
Spir it's fa - vor. Rest up - on us fromcom - man - ion, Joys which earth can - not
£K t
a
af
bove.ford.
^Wi§l±t:
-G
286CHARLES WESLEY.
7S. With Alleluia.
ALLELUIA!MUSIC COMPOSED IN ItOS. ALFRED BEIRLY.
I ^^ A ^.;si%=i=* mw r T^g^ '^fi"I
1. Christ the Lord is ris'n to - day,2. Love's re-deeming work is done;3. Vain the stone, the watch, the seal,
4. Lives a- gain our glorious King;5. Soar we now where Christ has led,
:?=
AlAlAlAlAl
Sons ' of men and an - }j;els say:
ia! Fought the fight, the bat - tie won:Christ has burst the gates of hell:
Where, O death, is now thy sting?Fol - low our ex - alt - ed Head;
I
ia! Sing, ye heav'ns, and • earth re - ply, Alia! Lo! he sets in blood no more; Alia! Christ hath o - pened par - a - dise; Alia! Where's thy vie - fry, boasting grave? Alia! Ours the cross, the grave, the skies! Al
^ fa*-p-
r^
lu
lulu
lu
lu
ia!
ia!
ia!
ia!
^^I:^Z^ --r^r «^ titzt
r-
RAVENSWOOD.MUSIC COMPOSED IN leOrt.ISAAC WATTS.
L. M.ALFRED BEIRLY.
ii ^^i_g__jiL ^-"^ ??2='?=^
1. When2. For -
3. See,4. Were
I sur - vey thebid it. Lord, that
from His head. Histhe whole realm of
won - drous cross On which the Prince of glo - ry died,
I should boast, Save in the death of Christ, my God;hands, His feet, Sor - row and love flow min - gled down!na - ture mine, That were a pre - sent far too small;
/^•^•Q&z=x=rz^.
S^ -ts*-
-c:2Z ::?2-
:^::?2i
-^t
'f
f^r^^My rich - est gain I count but loss. And pour con -tempt on all my pride.
All the vain things that charm me most, I sac - ri - fice them to His blood.
Did e'er such love and sor - row meet. Or thorns com - pose so rich a crown?Love so a - maz - ing, so di - vine, Demands my soul, my life, my all.
-«^- i;tt^=nyg-fzz
£: •IS- m :^I
Rev. F, T. BASTEL.EVERETT.
MUSIC COMPOSED IN ISOt.
287ALFRED BEIRLY.
10, lO, 10, lO.
^^s^ iSs^ -2^
=i=*-s>- S(-
-zJz^rfepzz
Fa - ther of light! whose word is ev - er true, Whose grace and fa - vor ev- 'ry morn are new
—
O Lamb of God! whose love for sin-ful men, Sealed on the cross, sur - pass-es hu man ken,Spir - it of Truth ! our Com-fort-er and Friend, Guide Thou our lives un - to our journey's end;God of our Sires! to whom our hearts be-long. Bear with the weak, be near and make us strong;
^m -^—^ -f=—#- (=—f=- .€2-.
^ -tS- -^-
I^- i SrF^ i i lt=^
^n^-- f^ =g=217" 6^Thou art our Guide, our Guardian and our King,Impress up - on our hearts Thy form divine;Lift up the clouds of sin, anoint our eyes.Inspire Thy church with ar-dor as of yore
—
Accept the homage which Thy children bring.Thou hast redeemed us, Savior, we are Thine!Be Thou our help—our passion and our prize!
O Lord of Hosts! be with us ev - er - more!
-<=a- &d^f^^ -*—!*-^I|»n s
1 I r:
HENRY ALFORD.7, 6,8,6. D.
FAIRBANKS.MUSIC COMPOSED IN 1903.
^ALFRED BEIRLY.
m ^S -tS^- ^-*!-*-
Ht S^trc^
1. Ten thou-sand times ten thou- sand, In spark-ling rai -ment bright, The ar -
2. What rush of hal - le - lu - jahs Fills all the earth and sky! What ring3. O then what raptured greet - ings On Ca - naan's happy shore, What knit
mies of
- ing of
ting sev -
thea
ered
m^^m^^l % ^. 5i=£: 1^^^E^ :t=t*cit:
^^^P -m-Efc ^"2:?-
I
ran-somed saints Throng up the steps of light: 'Tis
thousand harps Be - speaks the tri - umph nigh ! Ofriendships up. Where partings are no more! Then
fin -
day,eyes
ished, all is fin
for which ere - awith joy shall spark
ished. Theirtion Andie. That
m e^^ ^ e^fc*
-^-
-!S- PPi,---^
—
^
p^ It:.cL %z
i 3E^ iRit.
^-
I^^^*^fight with death and sin: Fling o - pen wide the gold - en gates, Andall its tribes were made! O joy, for all its for -mer woes Abrimmed with tears of late, Or-phans no Ion - ger fa - ther-less, Nor
let
thouwid -
:a^
thesand-ows
vic-fold
des -
tors in!
re - paid!
o - late.
^i?.
^^=t= ir==fe -ft^i
i:^E=t
288EDWARD HOPPER.
7*. 6 Lines.
LUTKIN.MUSIC COMPOSED IN leoo. ALFRED BEIRLY.
1 Je - SU8, Sav - ior, pi - lot me O - ver life's tem-pest-uoua sea; Unknown waves be-fore me roll,
2. As a moth- er stills her child, Thou canst hush the o-cean wild; Boist'rous waves o- bey Thy will
3. When at last I near the shore, And the fear - ful breakers roar 'Twixt me and the peaceful rest,
-ft.. -^-^ -0. .(S2-
m^^^ tmus^ ^m^ ^^ ^w^^ ^ m:i=P*-«-«ir riSt-
Hiding rock and treach'rous shoal; Chart and compass came from Thee: Je -sus, 8av- ior, pi- lot me.When Thou say'st to them,"Be still!" Wondrous Sov'reign of the sea, Je - sus, Sav - ior, pi- lot me.Then, while leaning on Thy breast. May I hear Thee say to me, "Fear not, I will pi - lot thee!"
m P m ^ M.^- 4=2- ti^^^ ^- ^i-
i ^^ i^ Etea
ANNA L. WARING.7s, 6s. D.
^^
PRINCETON.MUSIC COMPOSED IN 1906.
^ALFRED BEIRLY.
^^^ 5^—L^ * ^^^^=it
1. In heavenly love a- bid - ing. No change my heart shall fear; And safe is such con-2. Wher - ev - er He may guide me, No want shall turn me back; My Shepherd is be-3. Green pastures are be - fore me. Which yet I have not seen; Bright skies will soon be
m^ i ^^^^m i^ ?
^^ :* E^ t1 f
^ ^^^
^
fid - ing. For noth - ing chang - es here. The storm may roar with - out me, Myside me, And noth - ing can I lack. His wis - dom ev - er wak - eth. Hiso'er me, Where dark - est clouds have been. My hope I can - not meas - ure. My
m ^%^i^%.%.fAp^:^ X ~pr-
^^^^^m r^-z:x3J
-Si-:§-^-
heartmaylow be laid. But God is round a - bout me, And can I be dis - mayed?sight is nev - er dim, He knows the way He tak - eth. And I will walk with Him.path to life is free. My Sav- ior has my treas - ure, And lie will walk with me.
JtCSeS:i^ S JZJ-
rfw^m#?I-^ '-"p^-t^-
ALFRED BEIRLY.March Time.
mVICTORYIWRITTEN AND COMPOSED IN ItOC.
A Christian Battle-Hymu.
iv-
289ALFRED BEIRLY.
Pi g^=|5=:
g-gTJnT' ^
|3rrrj-# 2:±: r^r
1. To2. To3. To
VIC
vie
vieI
to - ry! to vie - to - ry! In the name of the King of glo - ry, The re-
to - ry! to vie - to - ry! For the hand of the Lord will guide us, 'Gainatthe
to - ry! to vie- to - ry! In the strength of the Rock of A - ges, Firm-ly
:?*=F? mmStp^ "C r r/ "F> r
m ^^^^^^ p ^sj=>: ^* ^- XI ^deemed of the world march with ban-ners unfurled, And pro-claim sal - va - tion's sto - ry. Press-ing
ranks of the foe He commands us to go, And His pres- enee is be - side us. With a
trust in the Lord, ev - er true to His word, While the con-flict fiercely ra - ges. We will
'^T ^' r ^-^s: r if TT.m EJ^ f f^£i V-.—•3-^ g jtrzi
id=^^=fcp< t^^ ^^ -fr^—i-^^ 2:?*^=* 2i:
»t^^-li^-> ^
^on brave and true, ev - 'ry foe to sub-due. Raising high the cross be -fore us, Rightwillrush and' a shout we will put them to rout, May Je - ho-vah'sarm de - fend us; We arestrive with a will ev - 'ry pledge to ful - fill. That our cause may be vie- to - rious; Withour
-^ ^ -f^ b^ m . m
m "•-5
—
m^- P-^-i". J^ r r: r iM
5^^^:-g-ir ff=E g5^
surely prevail, and our cause cannot fail,For vic-t'ry's flag waves o'er us, For vic'try's flag waves o'er us.wag-ing a fight for salvationandright, And vie- t'ry will attend us. And vic'try will at - tend us.
Lord in command we shall conquer the land. His triumph will be glorious, His triumph will be glorious.
r ^^ ^^m^ »,»:g1
S|±p ^-w
V-1^Refrain.
dt^ ^:j-j-^j-L^-^ 1 «: t sr-i ^*=^
We march, we march with ban - ners bright, Je - ho - vah is our De - fend - er!
I
He shall
^^E£ g=T'-e-r:r c r=w=^ ^f E =5 f= ^ ^^ ±=^ l/ ,#.
3i-j^i j.Ai-r[^^ ^ 17?'::^ ^
the right.
mlead us on Till our work is done; The Lord is our Com-mand -er In the bat- tie for
.0' tiT ^ ^ . far? -^ - . -^ -F- 2^ -^^^ #--is>- :t;«:
290ALFRED A. WOODHULL.
L. M.
TOWANDA.MUSIC COMPOSED IN t90«.
tt Ei
ALFRED BEIRLY.
^- :1^H -SH
^^^ 3^^ :?=
1. Great God of na - tions, now to
2. Thy name we bless, Al - might - y3. Here freedom spreads her ban - ner4. Great God, pre - serve us in Thy
TheeGod,widefear;
^M
Our hymn ofFor all theAnd casts herIn dan-ger
I
grat - i -
kind - nesssoft andstill our
tudeThouhal -
guard
1-we raise;
hast shownlowed ray;
ian be;
f=r=^ S ^t-j
Kr^-t^^ ss ^
PJiJ IJ .l'lf^H^^ ^imizi:
^^Ti^
With hum - ble heart and bend - ing knee We of -
To this fair land the pil - grims trod, This landHere Thou our fa - thers' steps didst guide In safe
O spread Thy truth's bright pre -cepts here; Let all
fer Thee our song of praise,we fond - ly call our own.ty thro' their dangeroug way.the peo - pie wor - ship Thee.
1^1-J* r-gj^ ^^
?=:^—F-
\
i(=2-
tz:-r P=^t=fe a^
HUGH R. HAWEIS.78, 6s. D.
i
PALMER.MUSIC COMPOSED IN 1906 ALFRED BEIRLY.
^ ^i^ 33t1. The Homeland! O the Homeland! The land of souls free -born! No gloom-y night is
2. My Lord is in the Homeland, With an -gels bright and fair;. . . . No sin - ful thing nor3. For loved ones ii. the Homeland Are waiting me to come.... Where nei-ther death nor
^m s^ m :*c=t: ^^:Jt^:
known there, But aye the fade - less morn: I'me - vil. Can ev - er en - ter there; Thesor - row In - vades their ho - ly home: O
sigh - ing for that coun - try,
mu - sic of the ran - someddear, dear na - tive coun - try!
£=£=te=F£ =g=%
MyIs
O
^ ^ r "^
^ -S-IV4 a iPP1^ :*=it
heart is ach-ing here; There is no pain in the Homeland To which I'm drawing near,
ring -ing in my ears. And when I think of the Homeland, My eyes are dim with tears,
rest and peace a bove! Christ bring us all* to the Homeland Of His e - ter - nal love.
Sem ^?^r^8-£=^=ff if f ¥ ^s ^ ±«L.
^^pga7=^ ^
THOMAS HASTINGS.
LEMONT.MUSIC COMPOSED IN ttOS.
291ALFRED BEIRLY.
IS, lOS.
1. O tell me, Thou life and delight of my soul, Where the flocks of Thy pastures are feed2. O tell me the place where Thy flocks are at rest. Where the noontide will find them re-pos3. And why should I stray with the flocks of The foes, In the des-ert where now they are rov4. A voice from the Shepherd now bids me return By the way where the footprints are ly
J^r^ I.(=2- i^
iDg;ing;ing,
ing.
?^fcB: ^ g ^M:
^E^gI seek Thy protection, I need Thy con- trol, I would go where my Shepherd is leadThe tempest now ra-ges, my soul is distressed. And the pathway of peace I am los
Where hunger and thirst, where aflflictions and woes, And temptations their ru - in are provNo Ion - ger to wander, no longer to mourn; And homewardmy spir-it is fly
^^fnr^^^ m ft*^
ing.
ing.
ing?ing.
tsz m ^ _^ f^ « _^j^j
I i=N:^±t.
JOHN NEWTON,8s, 7S.
REFUGE.MUSIC COMPOSED IN 1006. ALFRED BEIRLY.
1. Glorious things of thee are spoken, Zi - on, cit -y of our God; He, whose word can-not be2. See, the streams of living waters. Springing from e - ter-nal love. Well sup -ply Thy sons and3. Round each hab-i-ta-tionhov'ring. See the cloud and fire ap - pear For a glo - ry and a
S-tL^^ojn^^^^^^Fn^^m
bro - ken. Formed thee for His own a - bode; On the Rock of A - ges founded. What can shake thydaughters, And all fear of want re -move: Who can faint, while such a riv - er Ever flows theircov -'ring. Showing that the Lord is near! Glorious things of thee are spoken, Zi - on, cit-y
^ £ J=S= tte_?uE^-tIIf^^- :lK=|Bit=*:
tt * =i ^ =g^5=3=P tp: «=t:f-jr rf :3f
surethirst
of
re - pose? ,With sal - va - tion's walls surrounded, Thou may'st smile at all thy foes,
t' as - suage? Grace which, like the Lord, the giv - er, Nev - er fails from age to age.our God; He, whose word can - not be bro-ken. Formed thee for His own a - bode.
^# i^.ri=<h
J3t: fe^ ^l»-rt^m^^^^m?2-
:t=
292Rev. THOMAS R.TAYLOR.
6, 4, 6, 4, 6, 6, 6, 4.
HOLBROOK.MUSIC COMPOSED IN 1902. ALFRED BEIRLY.
M^ i3eTfWTJ- ^^ ^^E^S^
-*S: -ipr ^ o-
1. I'm bjat ai stranger here,—Heav'ri is my home; Earth is a desert drear—Heav'n is my home;2. What tho' the tempest rage? Heavn is my home; Short is my pilgrimage, Heav'n is my home;3. There-fore I murmur not,—Heav'n is my home; Whate'er my earthly lot, Heav'n is my home:
i4s^ ^8^ mUs^ m Is zz*—#
Dan - ger and sorrow stand Round me on ev - 'ry hand, Heav'n is my Fatherland, Heav'n is my home.Andtime'swlld, wintry blast Sood will be overpast, I shall reach home at last,—Heav'n is my home.And I shall surely stand There, atmy Lord's right hand; Heav'n is my Fatherland, Heav'n is my home.
^ ^^m i ^^i
22= %^ iS-T-r-^^
THOMAS KELLY.8,7.8.7,4.7.
^^^mTRIUMPH,
MUSIC COMPOSED (N 1906.
^ALFRED BEIRLY.
mw*^^1. On the mountain's top ap - pear - ing, Lo! the sa - cred her - aid stands,
2. Has thy night been long and mourn-ful'.'' Have thy friends un - faith - ful proved?3. Peace and joy shall now at - tend thee; All thy war - fare now is past;
^sE-e^I
£ £ S -i^ 1—£
a*:T
^^^^^^^m -w——mI
Wei - come news to Zi - on bear - ing.
Have thy foes been proud and scorn - ful,
God thy Sav - ior will de - fend thee;
Zi - on, long in hos - tile lands:
By thy sighs and tears un - moved?Vic - to - ry is thine at last:
^g^^P^^^^^P^i^^ i
/M-*-a=j 1ta
aGod Him- self shall loose thy bands.Zi - on still is well be - loved.
End in ev - er - last - ing rest.
Mourn-ing cap - tive, mourn - ing cap - tive,
Cease thy mourning, cease thymotirn-ing;All thy con - flicts, all thy con - flicts
^Ff=^- i ^"^^i^H-F-tr s^ I
Bishop E. H. BICKERSTETH.7,6,7,6. D.
ELGIN.MUSIC COMPOSED IN 190S.
293ALFRED BEIRLY.
^t±^^\^m g^^^=5=r :«=
O God, the Rock of A - ges, Who ev - er - more hast
Our years are like the shad - ows On sun - ny hills that
O Thou who canst not slum - ber, Whose light grows neverLoM, crown our faith's en-deav - or With beau - ty and with
£ IB=B: i*^
been, What time thelie. Or grass - espale, Teach us a -
grace. Till, clothed in
Ttem - pestin theright to
light for-
-ha f b^-Pft
^S i 3E3# S^t
g
ra -
meadnam -
ev -
owsberer.
Our dwell - ing - place se - rene:That bios - som but to die;
Our years be - fore they fail;
We see Thee face to face:
Be - fore Thy first ere - a - tions, OA sleep, a dream, a sto - ry ByOn us Thy mer - cy light - en, OnA joy no lan-guagemeas-ures, A
r-r^
%f f if^r UI 17 ri«=^
I J^Tj^^ ^^^^^^m^ m *=9^4= «=rI
Lord, the same as now,strangers quickly told,
us Thy goodness rest,
fountain brimming o'er;
To end - less gen - er - a - tions The ev - er - last - ing Thou!An un • re - main-ing glo - ry Of things that soon are old.
And let Thy Spir - it bright - en The hearts Thy-self hast blessed.
An end -less flow of pleas-ures; An o - cean with- out shore.
rrtrf •
F ITIf f^ 1^ ^ :tci=^
G. MATHESON.8,8,8,8^6.
MATHESON.MUSIC COMPOSED IN tSOa. ALFRED BEIRLY.
i d ^a i 5 iiPS s^- =t|^ z^:^^-* js^
1. O Love that will not let
3. O Light that followest all
3. O Joy that seek - est me4. O Cross that lift - est up
me go, 1
my way, I
thro' pain, I
my head, I
rest my wear - y soul in Thee; I give Theeyield my flickering torch to Thee; My heart re-
can - not close my heart to Thee; I trace thedare not ask to fly from Thee; I lay in
m J r±L ^P~1^-
s:V:e:-<=2- -ft- :^ if: -^.-i 1 .-l_ K——K=5 1» , I
i^
I a z? Pf^
t m. i3^ zt:^EiJ tM :2=atF^^ !=F=9:^s^vr I
backstores
rain -
dust
theits
bowlife's
m -^-j-
life I owe. That in Thine o - cean depth its flow May rich - er,
borrowed ray, That in Thy sun-shine's blaze its day May brighter,thro' the rain, And feel the prom - ise is not vain That morn shallglo - ry dead, And from the ground there blossoms red Life that shall
full - er
fair - ertear - less
end - less
be.
be.
be.
be.
^-m- -ft- --g-- ^»- 4==- -#*- -<=2-
f£-^
1-Y ^m
294FANNY J. CROSBY.
78. 6 Line*.
CROSBY.MUSIC COMPOSED IN IfiOO.
i
ALFRED BEIRLY.
wmm^^ mi^u j j: im^lESr
1. Life has many a pleasant hour, Many a bright and cloudless day; Sing-ing bird and smiling flow'r2. Earth has many a cool re - treat, Many a spot to mem- 'ry dear; Oft we find our wear-y feet
i^^M -m—p~:^- jiL
|g' b (*r»:
J=P^
* pi r-T^rm"^
sA i-^j:^j=j^ri4^fe^Scat-ter sunbeams on our way; But the sweetest bios- soms grow In the land to which we go.Ling'ringby some fountain clear; Yet the pur -est wa-ters flow In the land to which we go.
ms?^ ^mf-
-(=- .0
^11 s^
Rev. JAMES G. SMALL.8,7.8.7. D.
i
DEMMING.MUSIC COMPOSED IN 1888. ALFRED BEIRLY.
i^ ^ 5 ^SF^-W- V ^ "^in^I
1. I've found a Friend; O such a Friend! He loved me ere I knew Him: He drew me with the2. I've found a Friend; O such a Friend! He bled, He died to save me; And not a -lone the3. I've found a Friend; O such a Friend, So kind and true and ten - der! So wise a Coud- sel-
^mI [ [ iFFF
:gj-_^r—r^I i>» ii" i>>
'
F~"y
PE
P* ^:t=t --^t—^ p—r
m
cords of love. And thus He bound me to Him; And round my heart still close-ly twine Thosegift of life, But His own self He gave me. Naught that I have mine own I'll call, I'll
or and Guide, So might - y a De - fend - er! From Him who loves me now so well What
L_t-£ m £5f f-f—f'^ =F=:t±JK
pi^^^?i«iiii d=--^=^^
ties which naught can sev-er, For I am His and He is mine, For - ev - er and for- ev - er.
hold it for the Giv - er; My heart,my strength,my life.myall, Are His, and His for- ev - er.
pow'r my soul shall sev - er? Shall life ordeath, shall earth or hell? No: I am His for- ev - er.
mB±=&=C=^ i.=£
I
mE^: :t2=^it2=t^
GENERAL INDEX(The ''Song Wondet")
AU Good Night . . , .
.
104America 154
Angry Words 68
A Rural Concert 108
As the Hart panteth 163
Beaumont 62
Beautiful Home Lights 110
Be Kind to the Aged 44
Bell 41
Beyond 82
Blessed is the People 182
Boys May Whistle but Girls Must Sing 93
Calling for Thee 120
Carr 74
Charming Nature 88
Chase 70
Cheer Up 37
City Bright and Fair 73Columbia, Queen of Nations 258Comrades, Rest 105
Come to til; Hills 50Crowning the Seasons 200
Emery 67Evening Rowing Song 99
Farm Joys '. 102
Gentle Rain Drops 32Gently Sighs the Breeze 138God is Love 28Golden Days of Youth 60Good Night 72Greeting Glee 190
Hail, Charming Spring 55Hail, Glorious Dav 234Hallelujah Chorus' 271
Happy Rovers 43Heart Sunshine 28Herndon 47Home of Liberty 69Homeward Bound 81
Hosanna in the Highest ' 248How Pleasant 26Humility 27Hymn to Music 247
Invocation 77I Will Lift Mine Eyes 154
Keep Singing 91Kind Words Can Never Die 56
Land of Our Love.. . 63Light of Day 26Little Things Count 29Look Toward Spring 51Love at Home 94
Mabel 49Make Somebody Happy 42McElwaiu
,79
Main 41Marching to Victory 84Marguerite 58Meyer 40Mission 47Mountz 70Muir 54Music Everywhere 92My Country 107
My Cottage Home 218My Dear Old Home : 124My Father's Comical Mule 122
Nellie 49New Year Song 65Noble Deeds 57
Oh. How Excellent 264On the Rolling Deep 240Our Country's Flag : 215Our Heroes 87Our Holiday 252Our Nation's Banner 80Our Own Dear Land 103Our Pride 29Our School Days 121Over the Dancing Sea 127
Paddle Your Own Canoe 53Pleasure Without Measure 34Push Ahead 82Parallel Keys, G to G flat 47Parallel Keys, D to D flat 54Parallel Keys, A to A flat 62Parallel Keys, F to F sharp 70Parallel Keys, B flat to B. . 74Parallel Keys, E flat to E 79
Roaming in the Gloaming 118Rocking the Moon to Sleep 101Round 36Round 38Round 56Round 68Rosche 74
Sacred Hymns 279Scripture Reading Lessons 24Serenade 109Shall we Meet 78Sherwood 79Silvery Moonlight 7iSing for .Joy 85Smiling Morn. . 222Some Folks 89Song of Freedom 39Song of the Clock 52Spreading a Rumor 72Spring Delights 27Star of Bethlehem 31Stars of the Summer Night IllSunbeams. 33Sunbeams are Glancing 116Swander 62Sweet Be Thy Dreams 132Sweet Music 76Sweet and Low 100
Tally-Ho 130Tell it Out 46Time to be Busy 38The Angel-Choir 168The Bell , 38The Brook 30The Carol of Spring 83The Cuckoo 98The Cheerful-Traveler 45The Dearest Spot 61The Farmer Girl 35The Fountain 30
The Gipsy Maid 226The Glad May Morn 48The Harbor Bar 88The Heavens Declare 149The Jollv Sailors 204The Lord is My Light 178The Maids of Lee 248The Mellow Horn 114The Old Birch Gad 95The Rain Storm 68The Sabbath Dawn 31The School Bell 106The Skaters 90The Skipper 134The Skippers of St. Ives 210The Social Hour 36The Spider and the Fly 36The Storm . 146The Two Cities 185The Village Bells 142
The Whistling Farmer Boy 112The Wild Rose ggTransposition from C to G 40Transposition from G to D 48Transposition from D to A . . . 57Transposition from C to F 66Transposition from F to B flat 71Transposition from B flat to E flat 75Transposition from E flat to A flat ^Vesper hymn . 75
Walking in the Sunlight 59Weber 67Welcome to Spring 195Wellington 58We Thank Thee, O Father 172Why Should Not We 65Willson 54Wisdom's Bells 66Worship 25
HYMN-TUNE INDEX(Choice Old Hymns with New Music.)
Alleluia .
Bernard.Bliss
.
Buck. .
.
286 Lutkin 288
284285282
Crosby 294
Demming 294
Elgin 293Elmhurst . 280Emerson 283Everett 287
Fairbanks 287
Hayes 281Hoibrook 292
Isabelle 279
Lemont 291Luella 280
Matheson 293Mitchell 284
Palmer 290Princeton 288
Ravenswood 286Raymond 279Refuge 291Rockford 285Rose 283
Towanda. 290Triumph 292
Vespers 281Victory 289
Worship 282
DEPARTMENTAL INDEX
Elementary Studies (beginning) 3Practical Exercises (beginning) 8Musical Intervals and Harmony 15Major and Minor Scales 18Chord Spelling 19Voice Culture (beginning) 20Opening Hymn and Scripture Reading 24Teaching Time Department (beginning) 25Transposition and General Song Department (beginning) 40Glee Department (beginning) - 114Anthem Department (beginning) 149Chorus Department (beginning) 185
iXiiJ
I
•^,
/f^'ass ane 3BIE ac ac
i
• MUSIC BOOKS OF QUALIH *"^
By DR. ALFRED BEIRLY
Desirable Son^ BooksFOR
SCHOOLS, EVERY GRAOE-Primary, Grammar, Hiorh,
Academy, Seminary, Cv liege, University. aIsofor Musical Festivals, Conventions, SingingClasses, etc.
I
KAMGS
SONG WC.^DERNATIONAL S1.;GERCONCERT MASTERSONG M01t,.r.CIIi
FESTAL DAYSSON«^ TRIUMPHSCBOOL SONGSINSTITUTE .'i'JNGS
ETC., iSrrc.
Tbeaiunt ^n? all standard works.
in poini; ot merit, noT^ excel them.
li A Ooa|>!ele Siii<ple Gopf
tor Ex^mitis-i: mailed to anyaddi«8u for 40 '^'Ots casiL. Fuzl-uor hoRored rates at -; nuaiMUir'.
,w-'rs» va:
HilpVE YOL EVER' Acquainted yourself with the
" POPULAR CHOIR SFRfAL,
"
Bclrly's Monihly Choir Journal?If you -f in uny niarmor interesti J in Ch.;rchCtoir wo; < and are' not fuinilia wifh the publi^a-tidti ', , sho,.lt» iofje no time in lorUfne up *he mevitsoi. liiis motv xiellentof a!I Choir MontiUies.
Thv: lirss fublisbed .n Amj'-ica of its kind, .t
has for QJn' ijen 'ears held lire-cmineiice over it'
iinitaioraT'" Its cire-ilation '•< phenoniinal. ManyfT'l'.M.is- of copies have found their way into thebanc! of the choirs of Americn mucli to i^ic .
'
>yai.J iati.sfaction. From 3 <o & SeIectlo;iv v'mtiliiim-erade Anthems i>r«s»:nted in each u,L,af.
BSTTUR lOOK I<VTO TiliSl>y<:le- ^ a ^; 1- f imple cop,-. T*--.^ .'at. L,; aocaui t or reirret as it will surely r •. uve satisfaf torj-.
1 By til-? month, par 1" py. . . jo.nF { Rates, y 1 to4 copies, ^a^'.i, V^r j^air. . ,9()
Ho Ulwouc 1 5 <iO 9 opies. eaci.. rer year. . /li
V10< morccopio3.e?-;ii,i>ery..»ar .iJ5
^
Desirable Aathem BooksFOR
CHURCH CHOIRS of every grade from Amateur toProfessional. Also for Choirs who lack profi-ciency in the art of music reading, or have littls
time for rehearsing.
NAMIr.S
TEMP'':,!=; WO!?.SH*i?'
CROWW OF PRAISEPEGAL CHOIR
CHAPEL A\1i*<F:..S
DAY OP r>».AISE
. SACBflD P.m - DTLPILEE C'!P>Om
ELITE CMOmKTc. r:Yc.
Thousands of Chs'; i i
sw.Vi.-! of these wo -Ks .
,
o<c«,t satistao tory
.
A Gomplefe ^ .pi« G«|ty
tcr Kxamlnaiinn ma' ,v U> any^di 8 for j.e sritii t.^n '/i f ij cts.ItozenHal.; so lov thsta/er*' ''oir
.. canaiTord iz-opply.'II
SONG BOGIES FOR SUNDAY SCHOOiSfan .ilE WHOLE SCHOOL
uOLr.EN CRAri^T No. 1. . . . . .
COIJJEN f- 2A1N No. 2. . . . . ,
t=.OXJ>fcN I, -lAlir Niia. I and ?. Com'oined.
&ep1ci« I "•»>! . intrSr". eheeriui. soagi.
>».;t<3 tor lovest rates
FOU TBK ftLlM\nf C.fi.SS
2?4 paees224 pagres4'<8 pai;es
n
U
It "*
Sis .
•71 "O
i!
tcs.: 's^^uiiaie:
E L"^
•3 5a-2
OS
A VvT.' Cli ar ratio ^ and r„,Ia<*ntf OratorioPro lounced by many c; ifics to be che
'MOS'' It-OPuJL'R AMERICAN ORATORIO'Pablidy pprformed in ir> C'^Ics .ind '^awiis i.i five yean".
A wonderful rprord.
, Etc.>;• IS AlSAPnO VyORR f« Cborsl Soel«lM, Son« Fc< ltj|>. CimA Chain, 8w.,
Written tn tv;o i^arts. Specially ailai^feil for ChristmaB and Taster.SSf" Ratea very low. (Jive it atrial. .\ single copy Xo: 'S cents, post-paid.
^ r— < TESTIMOK I ALS f^ -<
"We ».' loheai .'iinit the Oratorio 'Emmanuel' and 1 id it par excellence. Thesiii=ri»i < :.r.' .' -»f!y phased with the whok- work. I ca.u truthfully say that it is
o»i • Mincful oratorios that I Unow. .lust dit'icult enough to be veryFrom I»iof. J. W. C. Portsmouth, Va.
is a work '!e.'!ervin<r of liifh
iinu favor .er./ rttnerully."'. A. W.. Uuinior.y Teacher. C/'i
I your tiffltr.iuu'-l' in fiill .;'
\-af indeed a frran ;
Prof. J. W. S.. r .
r-commendation. I am sure tho
;-:i^;o. Cunservatory of Music.•hi> University Commencement
"i:-: M'lO people that heard it wereiwn; J Uni., Washington. D. C
S re M •
» c. «
5€ a O O L3J ;J
.••aai.'-iT.WAi24 uatrea1<3 pages1." pagesSi p«Kes
FOR CHIIDREN'S DAYT OUR MISSION FRIEND No. !, .
I OlIK MIS.S1GN FRIEND No. 2, .
.i OUi; -'MSSION FRIEND, Nos, 1 and 2.
Combined,lot. t4.i5 rt<|l«k{,'Jr,S'i.Ot> ot»KV~<l: per Jmso, 55 ceatt, prepild > ilajl* copT, S «e»u
iXJ^v usinglit "';. ' iher.i
;t
HEtii'INd IIAN03 ia a bonk of bsautj/nl. ar uroBriate sonrsfor children, wri ,im low in pifch sf ii not to strain tl.tir
youni.: vo '-e^. I . conti r, <. 17^? so-^,i:' -s'.A 19 pa^cs of i'ni£L'<-Mtk.
r sou i n -iter, such a^ Peatit-rtta, !>. \-J'8 Pt.\yer, Ten C<b;i-inar;' nr'itj, Ail>.<8 V-s Cret*!. Dialo^uea. Uecitatic i, etc.
f.t , iSO ceaia per copy, post-oai.-i
« »1 tf fT V-J.3 ..
* .o o 5'£i'4'«)«> Cj».'-'f-;i3 =i&- >
!(»» O
CriNGERT EXERCISES ^16 ptttjTS
16 pasres
SZpagaM
•'N'D ALL. OJIDER3 TO THi!
*iED BEIRLY MUSIC COMPANYCHICAGO. 111.
sc 53IISiLr» ajc acac ac TirTr,s
