'Terrence Malick's The Thin Red Line and Homeric Epic. Spectacle, Simile, Scene and Situation.' In...

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Transcript of 'Terrence Malick's The Thin Red Line and Homeric Epic. Spectacle, Simile, Scene and Situation.' In...

Page 1: 'Terrence Malick's The Thin Red Line and Homeric Epic. Spectacle, Simile, Scene and Situation.' In *War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict*
Page 2: 'Terrence Malick's The Thin Red Line and Homeric Epic. Spectacle, Simile, Scene and Situation.' In *War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict*
Page 3: 'Terrence Malick's The Thin Red Line and Homeric Epic. Spectacle, Simile, Scene and Situation.' In *War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict*
Page 4: 'Terrence Malick's The Thin Red Line and Homeric Epic. Spectacle, Simile, Scene and Situation.' In *War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict*
Page 5: 'Terrence Malick's The Thin Red Line and Homeric Epic. Spectacle, Simile, Scene and Situation.' In *War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict*
Page 6: 'Terrence Malick's The Thin Red Line and Homeric Epic. Spectacle, Simile, Scene and Situation.' In *War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict*
Page 7: 'Terrence Malick's The Thin Red Line and Homeric Epic. Spectacle, Simile, Scene and Situation.' In *War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict*
Page 8: 'Terrence Malick's The Thin Red Line and Homeric Epic. Spectacle, Simile, Scene and Situation.' In *War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict*
Page 9: 'Terrence Malick's The Thin Red Line and Homeric Epic. Spectacle, Simile, Scene and Situation.' In *War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict*
Page 10: 'Terrence Malick's The Thin Red Line and Homeric Epic. Spectacle, Simile, Scene and Situation.' In *War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict*
Page 11: 'Terrence Malick's The Thin Red Line and Homeric Epic. Spectacle, Simile, Scene and Situation.' In *War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict*
Page 12: 'Terrence Malick's The Thin Red Line and Homeric Epic. Spectacle, Simile, Scene and Situation.' In *War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict*
Page 13: 'Terrence Malick's The Thin Red Line and Homeric Epic. Spectacle, Simile, Scene and Situation.' In *War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict*
Page 14: 'Terrence Malick's The Thin Red Line and Homeric Epic. Spectacle, Simile, Scene and Situation.' In *War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict*
Page 15: 'Terrence Malick's The Thin Red Line and Homeric Epic. Spectacle, Simile, Scene and Situation.' In *War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict*
Page 16: 'Terrence Malick's The Thin Red Line and Homeric Epic. Spectacle, Simile, Scene and Situation.' In *War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict*
Page 17: 'Terrence Malick's The Thin Red Line and Homeric Epic. Spectacle, Simile, Scene and Situation.' In *War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict*
Page 18: 'Terrence Malick's The Thin Red Line and Homeric Epic. Spectacle, Simile, Scene and Situation.' In *War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict*
Page 19: 'Terrence Malick's The Thin Red Line and Homeric Epic. Spectacle, Simile, Scene and Situation.' In *War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict*
Page 20: 'Terrence Malick's The Thin Red Line and Homeric Epic. Spectacle, Simile, Scene and Situation.' In *War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict*
Page 21: 'Terrence Malick's The Thin Red Line and Homeric Epic. Spectacle, Simile, Scene and Situation.' In *War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict*
Page 22: 'Terrence Malick's The Thin Red Line and Homeric Epic. Spectacle, Simile, Scene and Situation.' In *War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict*
Page 23: 'Terrence Malick's The Thin Red Line and Homeric Epic. Spectacle, Simile, Scene and Situation.' In *War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict*
Page 24: 'Terrence Malick's The Thin Red Line and Homeric Epic. Spectacle, Simile, Scene and Situation.' In *War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict*
Page 25: 'Terrence Malick's The Thin Red Line and Homeric Epic. Spectacle, Simile, Scene and Situation.' In *War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict*
Page 26: 'Terrence Malick's The Thin Red Line and Homeric Epic. Spectacle, Simile, Scene and Situation.' In *War as Spectacle: Ancient and Modern Perspectives on the Display of Armed Conflict*

Simile/Metaphor Hunt - Kearsney Parks

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Lancione, M. 2014. “The Spectacle of the Poor. Or: ‘Wow!! Awesome. Nice to Know That People Care!’” Social & Cultural Geography. doi:10.1080/14649365.2014.916742.

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“From Homeric to Tragic Madness”, In: H. Perdikogianni (ed.), The concept of Madness from Homer to Byzantium: History and Aspects. Byzantinische Forschungen; Bd. 32: 1-34, 2016

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