Teaching music composition Creating form in time - Helda

musical form

Musiikin muoto

de facto

“If we want to expand artistic horizons and foster creativity there is no better approach than improving our understanding of how minds work.”

“While styles of composing come and go, the human need to create remains constant; the purpose of seeking appropriate compositional models is to help us structure our musical

ideas in effective and appropriate ways.”

Gregorian chants

music

expressivepharmaceutical

linguistic

architectural

produce produced

de facto

music composition

meaningmusic

Frames of mind

salience cues

how-to

Models for Beginners in Composition Fundamentals of Musical Composition

formal modelsstructure organism

basic formal principles

A practical guide to musical composition

Psychology for Musicians

status quo

musician

Composers and the nature of music education Theory and practice The Cambridge history of Western music theory

Music composition pedagogy: A history, philosophy and guide

maestro

OdysseyIliad

mousik

kithara

non artifice aliquo docente

De nuptiis Philologiae et Mercuriitrivium quadrivium

quadriviumDe institutione musica

musica mundana musica humana musica instrumentalis

Musica enchiriadis

Micrologus

rotta

troubadours trouvères Minnesänger

Libro de música de vihuela de mano intitulado El maestro

Declaración de instrumentos musicales

tonos antiguos

discantus

De música práctica Practica musicae Prattica di musica A plaine and easie introduction to practicall musicke

Syntagma musicum Règles de composition L’art de toucher le clavecin

organa

cantabile

Gradus ad Parnassum

Kontrapunkt

Gradus

Der neue GradusGradus ad Parnassum

sui generisDocumenti

armonici Musico prattico Gradus ad Parnassum

Kunst der reinen Satzes in der Musik

Versuch einer Anweisung die Flöte traversiere zu spielen Versuch über die wahre Art des Clavier zu spielen Versuch einer gründliches Violinschule

c

conservatoire conservatoriocastrati

conservatorio

HarmonieGradus ad Parnassum

Chroniques de ma vie

Simple composition

is is not

musical compositions

howwhat for

message

per se

processcomposer

object

Composition technique

improvisation

works-in-progress

per se—

sine qua non

central idea of the compositiongeneral pitch organisation and stylistic knowledge

top-down

bottom-up

sensationperception

On the sensations of tone as a physiological basis for the theory of music

tonal fusionTonpsychologie

wholeness

Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik

Von Musikalisch-Schönen

Prägnanzgestalt

processes structuresschemata

Cognitive psychology

Emotion and meaning in music

Prägnanz

La perception de la musique

learnt expectation

grammar

A generative theory of tonal music

compositional grammar

input organisation listening grammar

natural artificial

data-driven schema-drivenprocessing predispositions

Sensory storeechoic memory

short-term memory

way long-term memory

episodic memory

veridical expectations

processing predispositions

Ursatz

schema-driven expectancyveridical expectancy

stylistic expectancy

imagination

tension

prediction

reaction

appraisal

being aware

meaning

emotional meaning enjoyment

grammars

noumenaphenomena

The language of music Subjet strategies in music

synoptic comprehensionimmediate apprehension

attentive non-attentive

hearing listening deep listening

deep listening

understanding

conscious cognition or thought

understood

meaning

means

absolutist

understood

intuition intelligence

intelligence creativitycreative creativity creating

intelligencecreativity

imagination

ability process create

ex nihilo

products

process

individual

environment

divergent thinking convergent thinking

divergently

creative intelligence

self-permissioninjunctions

Self-permission

talent

talented gifted

talent

talent talented

sain ky iku

talent

creative

oddities

UnusualnessAppropriateness

TransformationCondensation

saturation incubation illumination

verification

preparation

incubation illuminationverification

formulation

what is creativity? where iscreativity?

fielddomain

individual

Goldberg Variations

agent

object

process

creative situation

perform create

musicality

practical

sine qua non

spontaneously inspired

constructive

traditionalist

pioneer

unusual

appropriate

transforming

Le sacre du printemps

Das Musikalisches Opfer

condensing

sui generis4.33

gleich alles zusammen”

The Mozart myths: a critical reassessment

Miten sävellykseni ovat syntyneet

creative

Musica

TonsatzTonsatz

Tonsatz Tonsatz

Tonsatz

goût

de facto

idea technique structure

The composer in the classroom

constructive alignment

Komposition im 20. Jahrhundert

time

musical time

Ideas of time in music .

in timein music

The time of music

ordinary musical time

linear non-linear time

growth development

power of music to create, alter, distort, or even destroy time itself, not simply our experience of it

time modes

Tonal (goal directed) linearity

predictablenon-predictable

Atonal (non-directed) linearity

predictable non-predictable

Tonal non-linearity

Non-tonal non-linearity

Multiply directed linearity

tonal non-tonal

Moment time

a priori

Vertical time

Total linearity total non-linearity total linearitytotal non-linearity

linear circular branching time

inabsolute realmusical experienced

musical space

Formenlehre

generated constituted functions

structure

form

Formenlehre

form

form structureform structure

formform

forms structure

Form in music Formenlehre der Musik

formsform

form structure

Organicism

formforms

Trattato di forma musicale

shape form forma

contour

unity

Gestaltwhole

gestalt

form

spatial form

structure

sine qua non

organicism

inorganic non-organic

dramatic shapedramatic rhetorical

attacca fermata

boundaries

Structural hearingKatechismus der Kompositionslehre Trattato di forma musicale

dramatic shape

how why

temporal

spatial

Momentforma posteriori

Glassworks In C

implicitexplicit

structureprolongation form

design

form

material structure form

forma

exordio narratio propositioconfirmatio confutatio peroratio

organicismvitalism

holism

organic

Urtypen Urtiere UrpflanzUrpflanz

whole complete

episodic

development logicconsequence

referentialabsolute

absolutist referentialist

Leitmotiv

Vom Musikalisch-Schönen

Artist Nature

On the musically beautiful. A contribution towards the revision of the Aesthetics of music

Structural hearing

Katechismus der Kompositionslehre Fundamentals of musical composition

Grundgestalt

sine qua non

overall shapehomogeneity

dramatic shapedramatic structure

Freytag’s pyramid

wholeness

form

dramatic pyramidBruyères

Increasing – Diminishing Mikrokosmos

in-between

Internationale Ferienkurse für Neue Musik

Technique de mon langage musicalforms

static dynamic

after

The technique of my musical language

teleological form

moment form

New directions in music

form

new music calls for new forms

sine qua non

cross-cultural

distinctive transitionscues

understanding

in time

synoptic comprehensionimmediate apprehension

experienced listener

dedicated listener

Taxonomic

Empathetic

Figurativisation

Search for a law of organisation

Immersed listening

Non-listening

Le marteau sans maître

Structural hearingUrsatz

Zeitschrift für Musiktheorie

Poetics

inner form

intuitions

salience

shaping

repetition change

statement change sameness differenceconstancy change

repetition

change

new

Repetition

Variant

Diversity

Contrast

Lack of relationship

Primary

secondary

mf f p

dramaturgy

intrinsic extrinsic

a prioria

posteriori

musical dramaturgy

dramaform

form as “out of time”

denial a priori

Momentform a posteriori

form as “in time”

Ursatz

narration

a priori

narrativité musicale narratologie musicale

syntaxdiataxis syncrisis syntax

Diataxis

formsyncrisis

syntaxis diataxis

prima materia

pp ff senza vibrato > molto vibrato

Katechismus der Kompositionslehre

Twentieth-century harmony


The thematic process in music Tonality, atonality, pantonality Formenlehre der Musik Komposition im 20. Jahrhundert

Basic atonal theory Materials and techniques of twentieth century music Materials and techniques of post tonal music Introduction to post-tonal theory

Techniques and materials of music

top-down

bottom-up

Tonsatz

forms

satsioppi

how-to

Techniques of twentieth century composition Twentieth-century harmony Materials and techniques of twentieth-century music Materials and techniques of post tonal music

Basic atonal theory Introduction to post-tonal theory

Exploring twentieth-century music New directions in music Twentieth-century music Oxford history of Western music The rest is noise

composition manuals

New Grove dictionary

Musical composition

Models for beginners in composition Fundamentals of music composition

Fundamentals

form forms

logic coherence

Fundamentals

Fundamentals

Harmony

Models for beginners in composition

Fundamentals

Structural functions of harmony Preliminary exercises in counterpoint


quod natura non dat Salamantica non præstat

The craft of musical composition

Technique de mon langage musical Unterweisung im Tonsatz

Craft of musical composition

Craft of musical composition

Internationale Ferienkurse für Neue MusikA bas les disciplines!

Points de repèreDiscipline et communication

ex nihilo

Les lettres nouvelles Points de rèpere Discipline et communication

Orientations The teacher’s task

Orientations

Boulez on music today Musikdenken heute Penser la musique aujourd’hui

Musiques formelles

Formalized music


Komposition in 20. Jahrhundert. Details-Zusammenhänge

how-to

Simple composition

Basic atonal theory

TonsatzTonsatz

Tonsatz

Serial composition Musical composition

a priori

, Musical composition

Form and method

wholeness sine qua nonintegrity coherence

method

An approach to the pedagogy of beginning music composition

Creative music composition

Sacbeob

fruición artística

idea

project

prosaic poeticstory technical rendering

performance

reflection of reality

Método para procesos creativos compartidos: Etapas y pasos

Tonality, atonality, pantonality: A study of some trends in Twentieth century music Método de composición melódica

Teaching composition: Facing the power of the respondentComposición musical en el siglo XX: Dialéctica de la creación

Creative music composition: The young composer’s voice

Method for shared creative processes. Stages and steps.Melodic composition method.

: Music composition in 20th century. The dialectic sense of creativity

A practical guide to musical compositionMusic composition for dummies

Musical composition: Craft and art

Tonsatz

Musica

stylus gravis

In CAtmosphères

stylus luxuriansstylus teatralis

frozen material

Säveltäjien sävellyspedagogisista näkemyksistä

On composers’ points of view on composition pedagogy

satsitekniikka29

Learning from masters of music creativity

Enseñanza de la composición como construcción personal de oficio

Music composition pedagogy: A history, philosophy and guide

Säavellyksen synty: Tapaustutkimus säveltäjän ajattelusta36

Composition teaching as a personal construction of craftsmanshipmetrópoli

Composition’s birth. A case study of a composer’s mind

Academia Nacional de MúsicaAcademia Nacional de Música “Alcedo”

Conservatorio Nacional de Música

Escuela Nacional de Música

Universidad Nacional de Música

Conservatorio

Conservatorio

Helsingin musiikkiopisto, Helsingin konservattorio Sibelius-akatemia

University of the Arts

Helsinki Music InstituteHelsinki ConservatoireTaideyliopisto

Tampereen ammattikorkeakoulu

Keski-pohjanmaan konservatorio

the likelihood

sui generis

material formstructure

Tonsatz

ad hoc

Tonsatz

logotrope paidotrope

what the student iswhat the teacher does

what the student does

Famous Polite Masters of the drills Personalities

Opetushallitus

Kuuluisat Kiltit Harjoitusmestarit Persoonallisuudet

Principles of orchestrationThe craft of musical composition

Suomen säveltäjät

proper compositional

The composer in the classroom The rhinoceros in the classroom

Sound and silence La creatividad en el campo musical escolar: Experiencias

iniciales en el puericultorio Pérez Aranibar

Musiikin didaktiikka

Luova ajattelu ja toiminta Creative thought and action

Creativity in the school field. Initial experiences at the Pérez Aranibar orphanageMusic didactics

Researching children’s compositional processes and productsAssessment rubrics for music composition

Why and how to teach music composition

Children composing 1–14

Mapping pathways: Fostering creativity in composition Problem solving and creativity: Insights from students’ individual composing pathways

Effects of different teaching styles on the development of musical creativity

New music alive!

Minds on music

Musical creativities in practice

Säveltäjäksi kasvattaminen. Pedagogisia näkökulma musiikin luovaan tekijyyteen

Very Young Composers

Growing as a composer. Pedagogical views towards creative authorship

https://nyphil.org/education/learning-communities/very-young-composers

Kuule, minä sävellän!

ad hoc

Säaveltäjä musiikkioppilaitoksessa

Ääneni äärelle

Kuule, minä sävellän!

Listen, I’m composing!http://www.kuuleminasavellan.fi

Suomen säveltäjätThe composer in the classroom

Spreading my voiceTraining in composition teaching

New music alive!

communication message

meaning

positive

form

creators teachers

Tonsatz

appropriate time

time shaping

musical form

sound entities

sounds pitches

New music alive!

Tonsatz

sine qua non

sound

spectral

ad hoc

tertiary education level

summative formative

how can I help you?

Oppimisen arvioinnin teoriaa ja käytäntöä Teaching for quality learning at university

Creativity in context

ex professo

prima materia

ad hoc

Erotismo en la Vía Expresa Eroticism on the ExpresswayKeski-Vantaan musiikkiopisto

Poemas humanos

ad hoc

Philosophy of new music

The Musical Quarterly

Sävellys ja musiikinteoria

The Journal of Aesthetics and Art Criticism

Creativity in context

Poetics

La creatividad en el campo musical escolar. Experiencias iniciales en el Puericultorio Pérez Araníbar

The music instinct. How music works and why we can't do without it

Children composing

Psychology of Music

Mikrokosmos: 153 Progessive Piano Pieces 2 Nos. 37 66

Trattato di forma musicale

Revista Musical Chilena

Revista Musical Chilena

Teaching Music

Sacbeob. Escritos latinoamericanos

Método para procesos creativos compartidos. Etapas y pasos

A practical guide to musical compositiion

Music composition. Craft and art

Musikvetenskap: En översikt

Journal of Cognitive Neurosciences

Techniques and materials of music from the common practice period through the twentieth century

Grove Dictionary of Music and Musicians

Musical form, forms & Formenlehre: three methodological reflections

Declaración de instrumentos musicales

Games people play. The psychology of human relationships

Form in music

Intuition in judgement and decision making

Music Perception

Musica

Teaching for quality learning at university

How musical is man?

Canadian Music Educator

The Journal of Musicology

Boulez on music today

Orientations

Handbook of creativity

A history of Western music

Musica poetica

Musical creativities in practice

Music Education Research

International Journal of Music Education


Ideas of time in music. A philosophico-logical investigation applied to works of Alberto Ginastera (1916–1983)

Musical form, forms & Formenlehre: three methodological reflections

Melodic perception and analysis

The Cambridge history of Western music theory

Gender and the musical canon

New music alive! Composition resources for the classroom

A preface to logic

Perception and Cognition of Music

The act of musical composition. Studies in the creative process

Nature

Musical form and musical performance

Music Theory Spectrum

The language of music



Women in music: an anthology of source readings from the Middle Ages to the present

What to listen for in music

International Journal of Thinking Skills and Creativity

Annals of the New York Academy of Sciences

The nature of creativity. Contemporary psychological perspectives

Handbook of creativity

Brockhaus Riemann Musiklexikon in zwei Bänden

Schoenberg and the New Music

The idea of absolute music

Techniques of twentieth century composition. A guide to the materials of modern music

Musica

Musica

Journal of New Music Research

Music Perception

Contemporary Music Review

Psychology of music

Psychology of Music

Perception and Cognition of Music

Exploring twentieth-century music

The act of musical composition. Studies in the creative process

Annals of the New York Academy of Sciences

Contemporary music: Theoretical and philosophical perspectives

The nature of the physical world

Drawing on the right side of the brain

Drawing on the Artist Within. A Guide to Innovation, Invention, Imagination and Creativity

The Dynamics of Musical Expectancy. Cross-Cultural and Statistical Approaches to Melodic Expectations

Musical Perception


Annual Meeting of the American Educational Research Association

Journal of Aesthetics Education

To Improve the Academy

Johan Sebastian Bach. His life, art and work

The structure of atonal music

Introduction to Schenkerian analysis. Form and content in atonal music

La perception de la musique

The Perception of Music

The First International Conference on Music Perception and Cognition

Technique of the Drama. An Exposition of Dramatic Composition and Art

La estética musical desde la Antigüedad hasta el siglo XX

Source readings in music history

Anales del Instituto de Investigaciones Estéticas

Creatividad para el cambio. Innovación para la vida y la empresa

Frames of mind. The theory of multiple intelligences

Creating Minds. An Anatomy of Creativity Seen Through the Lives of Freud, Einstein, Picasso, Stravinsky, Eliot, Graham and Gandhi

The creative process

Komposition im 20. Jahrhundert. Details - Zusammenhänge

An evaluation of compositions for wind band according to specific criteria of serious artistic merit: A replication and update

The Cambridge History of Western Music Theory

International Review of Aesthetics and Sociology of Music

Children composing 4–14

Musique, narrative, signification

The Cambridge History of Western Music Theory

Music education in the Middle Ages and the Renaissance

A History of Western Music

Documentary Report of the Ann Arbor Symposium on the Applications of Psychology

to the Teaching and Learning of Music: Session III Motivation and Creativity

Resonancias

Prenatal Styles in the Arts and the Life

Twelve lectures on the history of pedagogy, delivered before the Cincinnati teachers' association

The dance of life: the other dimension of time

Vom Musikalisch-Schönen. Ein Beitrag zur Revision der Ästhetik der Tonkunst

On the musically beautiful. A contribution towards the revision of the Aesthetics of music

The developmental psychology of music


Musiikki

Kompositio

Ensayo sobre el despertar de la creatividad musical en los adolescentes

On the Sensations of Tone as a Physiological Basis for the Theory of Music

Music Educators Journal

Journal of Research in Music Education

Why and how to teach music composition. A new horizon for music education

Journal of Technology in Music LEarning

Journal of Human Evolution

The craft of musical composition

Elementary Training for Musicians

Journal of the American Musicology Society

Sweet Anticipation. Music and the Psychology of Expectation



Método de composición melódica

Consciousness and the Computational Mind

Journal of Personality

Music Composition for Dummies

Cerebro y aprendizaje. Competencias e implicancias educativas

No es nuestro destino, es nuestra programación. Texto de Análisis Transaccional

Notation in new music. A critical guide to interpretation and realisation

Minds on music. Composition for creative and critical thinking

ATENDO (Análisis Transaccional en desarrollo organizacional)

Journal of Research in Music Education

The Journal of Philosophy

Pierre Boulez: A World of Harmony

Materials and Techniques of Twentieth-Century Music

Materials and techniques of post tonal music

Musicae Scientiae

The Time of Music. New Meanings, New Temporalities, New Listening Strategies

Formenlehre der Musik

Perception, time and music analysis. An introduction to analytic-generative methodology (AGM)

Musical Perception

Philosophy of Music Education Review

Composers and the nature of music education

Bulletin of the Council for Research in Music Education

Psychology for Musicians. Understanding and Acquiring the Skills

Generative process in music: The psychology of performance, improvisation and composition


Tonal pitch space

A generative theory of tonal music

Cognition


Music in the moment

This is your brain on music. Understanding a human obsession

The Journal of Musicology

Yliopisto-opettajan käsikirja

Yliopisto-opettajan käsikirja

The New Grove Dictionary of Music and Musicians

Musiikin didaktiikka

La notación de la música contemporánea

Leonardo Music Journal

American Psychologist

Musiikin modernismi 1945 1962

Theory and practice: the great composer as student and teacher

Empirical Studies of the Arts

On repeat. How music plays the mind

Teoría de la inteligencia creadora

A handbook for teaching and learning in higher education. Enhancing academic practice

Die Lehre von der musikalischen Komposition


Der volkommene Capellmeister

The Growth of Biological Thought: Diversity, Evolution and Inheritance


Music Perception

Anais III Encontro da Associaçâo Brasileira de Teoria e Análise Musical

An investigation on creative potential in high school musicians recognizing, promoting, and assessing creative ability through music composition

The Technique of my Musical Language

Emotion and Meaning in Music

Psychological Review

The Musical Quarterly

Scientific Creativity: Its Recognition and Devlopment

Twentieth-Century Music. A History of Music Style in Modern Europe and America

Composers on Music. An Anthology of Composers' Writings From Palestrina to Copland

Action, Criticism & Theory for Music Education

Symphonic Unity. The Development of Formal Thinking in the Symphonies of Sibelius

Cognitive Psychology

PLoS ONE

The sounding symbol. Music education in action

Musical creativity: insights from music education research

Perceptual learning styles as an influence on the practicing of instrument students in higher music education

Space in Music Semiosis: An Abductive Theory of the Musical Composition Process

Säveltäjäksi kasvattaminen. Pedagogisia näkökulmia musiikin luovaan tekijyyteen

Deep listening. A composer's sound practice

An evaluation of wind band literature according to specific criteria of serious artistic merit

World Encyclopedia

Dialéctica y música. Espacio sonoro y tiempo musical en la obra de Pierre Boulez

Sound and silence. Classroom projects in classroom music

The Neuroscientist


Sävellyksen synty. Tapaustutkimus säveltäjän ajattelusta

Basic atonal theory

Suomen musiikin vuosikirja 1958–59

Why and how to teach music composition: a new horizon for music education

The Thematic Process in Music

Tonality, Atonality, Pantonality. A Study of Some Trends in Twentieth Century Music

Form and Method: Composing Music. The Rothchild Essays

Katechismus der Kompositionslehre

Principles of orchestration with musical examples drawn from his own works

The Free Library (December, 1)

The Rest is Noise. Listening to the Twentieth Century

Thinking about Music. An Introduction to the Philosophy of Music

Composition with Twelve Notes Related Only to One Another

Miten sävellykseni ovat syntyneet

Diccionario enciclopéidco Salvat

Structural Hearing. Tonal Coherence in Music

British composers in interview

The composer in the classroom

The rhinoceros in the classroom

Harmony

Of two minds: The revolutionary science of dual-brain psychology

Models for Beginners in Composition

Preliminary Exercises in Counterpoint

Fundamentals of Musical Composition

Structural Functions of Harmony

Theory of harmony

Style and Idea

The Musical Experience of Composer, Performer, Listener

Opinto-opas 2012 2013. Tutkintovaatimukset

The Musical Mind. The cognitive psychology of music

Structure and Perception of Electroacoustic Sound and Music

Psychology of Music

Serial composition

Musical Composition

Music and memory. An introduction

Composición musical en el siglo XX: dialéctica de la creación

CIRCOMPER discussion list

Johann Sebastian Bach. His work and influence on the music of Germany, 1685 1750

The Mozart myths: a critical reassessment

Musical composition. A short treatise for students

An Approach to the Pedagogy of Beginning Music Composition: Teaching Understanding and Realization of the First Steps in Composing Music

Jounal of Educational Sociology

Why and how to teach music composition? A new

horizon for music education

Handbook of Creativity

Handbook of Creativity

TA today. A new introduction to transactional analysis

Cognitive Science. An Introduction

Perspectives of New Music

Music notation in the Twentieth century. A practical guidebook

Introduction to post-tonal theory

The poertics of music

Poética musical

Children composing

Nurtured by Love: The Classic Approach to Talent Education

¿Se nace musical? Cómo promover las aptitudes musicales de los niños

Towards a definition of ‘Music’

Music's meanings. A modern musicology for non-musos

A theory of musical semiotics

Oxford History of Western Music

Journal of Music Theory

Minä säveltäjä 2. Nykysäveltäjät kirjoittavat työstään

An evaluation of compositions for wind band according to specific criteria of serious artistic merit: A second update

The Elements of Music: Concepts and Applications

Journal of Interdisciplinary Music Studies

Musical creativity: insights from music education research

Creative music composition: The young composer's voice

Music Educators Journal

Journal of Music Theory

Die Reihe

Sibelius. Lähikuvia ja keskusteluja

Simple Composition

Subject strategies in music. A psychoanalytical approach to musical signification

La Revue Musicale

Formalized Music: Thought and Mathematics in Composition

Teaching music composition Creating form in time - Helda

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