Promise - World Radio History

80
R &R ROUND TABLEI COUNTRY RADIO: OPPORTUNITIES AND CHALLENGE ment, Brand Extension Top Programmer Prio ERICANA SPECIAL Years LU Autumn Harvest, Americana Reporters pp. 23-30 RADIO & RECORDS www.PadoandPecords.com READY FOR OVERDRIVE: PAISLEY TAKES IT UP A GEAR THE PPM RAISING ADVERTIS- ERS' AWARENESS I GETTING THE MOST OUT OF YOUR STATION VOICE TALENT: THE CARE AND FEEDING OF PRODUCERS ADVERTISEMENT Duets Certified Platinum! #1 Album in Billboard's Top 200 First Week. 305 Thousand Units Sold First Week. Billboard's Woman Of The Year. Reba. "Because of You" - Massive First Single! Now "The Only Promise That Remains" Duet with Justin Timberlake Written by Justin Timberlake On Your Desk and MPE Player Now Immediate Airplay MCA .. - M.R...yy.I. www.americanradiohistory.com

Transcript of Promise - World Radio History

R &R ROUND TABLEI COUNTRY RADIO: OPPORTUNITIES AND CHALLENGE

ment, Brand Extension Top Programmer Prio

ERICANA SPECIAL Years LU Autumn Harvest, Americana Reporters pp. 23-30

RADIO & RECORDS www.PadoandPecords.com

READY FOR OVERDRIVE: PAISLEY TAKES IT UP A GEAR

THE PPM RAISING ADVERTIS- ERS' AWARENESS

I GETTING THE MOST OUT OF YOUR STATION VOICE

TALENT: THE CARE AND FEEDING OF PRODUCERS

ADVERTISEMENT Duets Certified Platinum! #1 Album in Billboard's Top 200 First Week. 305 Thousand Units Sold First Week. Billboard's Woman Of The Year. Reba. "Because of You" - Massive First Single!

Now

"The Only Promise That Remains" Duet with Justin Timberlake Written by Justin Timberlake

On Your Desk and MPE Player Now Immediate Airplay MCA

.. - M.R...yy.I.

www.americanradiohistory.com

CROSS CANADIAN RAGWEED mission colIÍornic

one of the botter-krpt . rots around" - ( ,).

mum

JOE NICHOLS REAL THINGS

SH INGS

-

711E WOLF SHOOTER JENNINGS

THE WOLF

PHIL VgSSAR

kr GEARING . UP FOR 2008

JENNIFER HANSON

www.americanradiohistory.com

WWW.RADIOANDRECORDS.COM: '.

NewsFocus Poleman Stays Put

lion Pol.m.tn has inked a multiyear deal

to rcm.nn .n OM of Clear Channel 'I lit top art WHTZ (Z1011)/New

York and senior VP of programming and marketing of CONY. which in- cludes WAXQ. WKTU. WWPR. WLTW and WALK . As part of his new

deal. Poleman will also play a major role in the tun )))) al

expans' of "Elvis Duran & the

Morning Zoo :' currently heard on

1.I1n1 and WHY! (YIIM) /Miami. Its no secret that EMI North

America was also romancing Poleman

for an executive -level position: "I think EM! is in a great position with Terra

Firma." Poleman says. "Guy Hands.

Ashley Unwin and Billy Mann are bril- liant. and I have no doubt that they will do amazing things to benefit our entire

industry." he says. "But at this time in my

life. radio is still my h . I have six

great radio brands to work with. and

we're at the birth of a new ratings

methodology. and that is very exciting. We continue to he at r crossroads fix radio with new technology and I

believe there is a way for that technolo- p' to work to our advantage. I want to

see that through.' - K('rus Carer

Palmist

Cumulus Signs For PPM

C lus Media has signed a multiyear agreement for Arbitrons Portable People

Meter ratings service for 33 sta : in

eight markets: Atlanta. Cincinnati. Dallas-Fort Worth. Houston- Galsaston.

Indianapolis. Kansas City. Nashville and

San Francisco.

Artimon says the agpeennennt provides that

( : Ito will subscribe to the I'PM service

as and when it is introduced in each market.

Arhitron has now inked deals with 13 of the top 13 radio groups.

Enters Comtnunica and Salem

Conununica . have et to sign.

Houston and Philadelphia are current- ly live with the l'I'M service: New York

goes s live later this year.

-Mike Wyk and Katy Bachman

NOVEMBER 2, 2007

Mason Shuffles CBS Radio Management Team Seven months into his position is president /C.EO) of (:BS Radio. Dan

Mason ruled out a major restnuturing in the executive suite.

Hastening the reporting structure and eliminating the remaining three

regional manager positions. Mason will assume direct owersiOit of the

company's 57 stations in the top markets: Boston. Chicago. Dallas.

I )rouit. Houston. Los Angels. New York. Philadelphia. San Francisco and Washington.

Scott Herman-who was named executive VI' of operations. from executive VI' of the Eastern region -will oversee the 87 sea - outside the top In.

Regional managers Zhu Iktulo:kos and Lisa I)esker uke on new roles: lktuloukos

Ikcontes seniorVP /nurket nunager for New York and seniorVP /GM of sports WEAN in the market. Decker is now senior VP /GM in Seattle and Portland. ore.

Mason also named Michael Weiss president of sales fix the

group. replacing Michael Kincaid. who recently resigned due to medical reasons. Long familiar with CBS' radio portfilio. Weiss

has served as president of sales for the CBS Radio division of Interep since 1'$)4.

This reorganiza is designed to implement a streamlined

chain Of c and. moving our divis toward a (idly

responsive and profitable position :' Mason says. -Katy Bachman

Mason

Hamm

VBFR CRJ CCI

73% 136 The percentage of 14- to 24 t,.

year -olds m a Paragon Media

study who said that a majority

of their music hsteninq hoe rt

spent on source* other than ter

restral radio, including C(h. MPS.", 1Pgxfs. streaming .uxt

reütasas nus .

House Members Pressure Martin To OK Satellite Merger Eleven members of the House -all but one of them Democrats -sent a letter to FCC chair-

man Kevin Martin Oct. 25 to express their "ardent support" for the proposed 513.6 billion

merger between satcasters Sirius and XM. They believe the proposal is in the public interest

and that the new entity will be "able to meet the content needs" of the public with excep-

tional digital sound quality and no commercials at relatively low costs to the consumer."

The lawmakers argue that "consumers have a plethora of choices for their music and

audio entertainment needs" but that in the 10 years since the radio industry has undergone

"overwhelming consolidation," diversity in programming has decreased. They contend that

"synergies created by the merger of Sirius and XM will create new opportunities for this

type of diverse programming that has been overlooked by terrestrial radio broadcasters."

NAB executive VP Dennis Wharton rejected the claims that a merged operation might

serve "consumers better than competition" and that radio programming diversity has suf-

fered in recent years; One need only look at the explosion in foreign- language radio sta-

tions -where the number of Hispanic stations has doubled in the last 10 years -to appreci-

ate the fact that local radio is indeed responsive to serving niche audiences with specialized

formats" -Jeffrey Yorke

C

ON THE WEB

WCKG Ends A Decade Of FM Talk A change at ( :Bs Radio :WCK(i /( :hicago

has left a format void in the city that belled pioneer I'M talk. Stn. ing since [Iowan' Sterns January 21111h departure tin Sirius

Satellite I(adio. WCKG kt its .tabk. of talk

Roosts )po Oct. 29. shuttling thermion driver

Stew I /AI to morning, on adult hits sister

WJMK (Jack -FM). The mow cnad more

than a decade in the tiwnut lis W(:K( ; and

sets up r morning bank between two old

te.unnutes. I )ahl and )(nudism Braahneier. who seventh. ntth retuned to tat g drive at

làmntis anat. ruck WLUP (the Loop).

Akmg with Garry Meier and Danny

Ikouoluce. I )ahl and Branihteier ver' pan

of Evergreen Media: personality-centered

version of die Loxop.a titrenmter of the IM talk fornut in Chicago.

"I applaud Ilis K VP /market ( : managea Rod R canut for keeping

a legend like Steve Dahl in Chicago and

c g the trail' of great radio

personalities no other market can c -

pete with :'WLUP GM Mary Nyren says.

The WCKG Hip also creates a new

sports radio battle. With the Chicago Bulk leaving WCKG to return to I:SI'N spoons

WMVI', they got tip against the Chicago

Blackh awks. whsle games air of rival (115 sports WSCR. -Mike Sims

Lincoln Expected To Sell Broadcast Unit

I insult Financial. which weeks ago began

weighing opt' (or ih hnudcast div has appanntly received an acceptable 31 2

billion order fron privately held "IV group Raycomn Media.acconling to Reuten. It is

Teear whether Raycom will keep the

radio station. or sell therm to .n third party.

The broadcasting division umlade. IN

radio nations. three TV stations and a sport.

syndication and production business.

Reportedly. another leading bidder was

the Randy Michaels -led Oak Hill Pan-

nen. which has Ixen pun ' g creation of

a radio unit. Other groups ltelieved to be

interested in Lincoln: radio stations are

Cent Radio. C Ios. 1k villa and

Enters . -Miry iry linke

3

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O &A Dropped By Three CBS Affiliates CBS Radio rock WYSI' /l'hiLKkIphia dropped the synJkited"Opie R Anthony Showy ()ct. 24. orle day after Greg}

Opur Hughes called WYSI' PI ) John

0110k a "wttssie boy-on the air and rained

alxnt IKws he aid co -host Awhnm ( :Amnia

had not been in Coulon with the station in

nixe than .1 month. WYSI' is currently

playing, music in th

time slot. while nur- ket speculation has

WYSI' afternoon lK)st Kitod Chris slid- e and Anthony ing into inomings.

tlo ulflt station GM !herd Yann omit says

tlut "then: is nothing to report" regarding (:hris or anther host for mornings.

(WA 2n1t1 Chris are treadling up in adults

I14-34 in their 'eves-five d ypans. according to June- Stptttnlov Ik)rtab ltople Mener

dru for Philadelphia. (WA %writ 2.5-3.3- 4 33 -1.3. \\hik Chris nKwtd 3.4-3.7-6.9-7.0.

( buse also lost nso other CBS Radio affiliates: ulk W( 'X( i /(:Iik.i n, due to a fir-

% nut Hip. stol alurnutivt WPtf % /West Ihlm Brach. mind" has yet to ottit i III \' .11111 t11K't

Its IKV\' morning show. -.111Le Ikqt

r,,

Ar&

Senate Committee Clears Way For Thousands Of LPFMs The 'Senate Caw11nKne ( :Itnllliu s.

opened the door (kt. 311 iIi thousands Ilium LI'FM stations tu hit tlw air in rural coin-

and nujtr market. alike. By a con - sensus vote. the panel sent the IdK-Jl

(:unununiIy Radio Act uf21M17 (5.1675) to Sell. Majority I eaekr !Lim. Iicid; (I ) -Nev.) office. when it could Ix scheduled for a bill Senate vote. probably early next year.

I he nleawn. mirk wed by a I knx sr skin. dn.'', third adlarenKy- clunnel protections

to an th. It. '( ". current 1.1"I 'M guikklin s and

Tens the \Ixttrlllll to thousand.. IIK1n IKtI- onnnenl.d and nhgrosk lmnps.11k NAB

oplvne. tel.' IIK'.l.tIr.. I1 111lirle

Flor+entino Shines At Sunny

Tony Fkm etilo is the 11CW PI) at Saga A( :

WSNY (Sunny 95) /Col bus. Ohio. caulking the gap (shuck Kniggt: tkpamin nude in August. ! ík'll sun Nov. 12.

I k ,nIItino t1tiWs from thtVP of opt ratKKw

rhair at Marshall Arts ( :ummunicatitms. hut has .l long rí%utuí that includes four years

pn>er.uunling WMTX /Tampa, plus stints as

t) \t of ( :uaakl /Nova ()rkanv anti UM of

WIVR "We took our time and did a pretty

exhaust'se stanch :' Saga cus'utise VI' Steve

(.okdstrjn sa\s."At the elan of the day.louv was a great tit : -faith !imano z

NAB's Withers Wants 'Reasonable' Ownership Deregulation NAB Radio Board chairman Russ Wither. told a Senate CtimIllcn'e Committee that

broadcaster. an: not asking the 1 (:(: for "total deregulation.- but rather just cul nimlai-

ing of radas. "Our message is s pee: We must have n.IMnahle rules that reflect the cur- rent . petitise radio environment:. the veteran Midwest broadcaster told c

chairman Sen. I )arid Inouye. I ) -I Loran. Oct. 2-1. Withers operates 31i local radio sta-

. and six TV su ' s sewn states.

-Ss will argue that the changes to the broadcast osvncrshil) rules adopted in the 'N1 Telec Act have noir send the publie interest. But they forget that ... the fug

merited hnudcast industry- particularly radio -seas in serious tremble Ithenl" No matter how thoughtful Withers' art, nt was. he's got tough sledding ahead.

Following a press conference in the U.S. Capitol held by Sens. Byron I ) or,zin.

and lient Lott. R- Miss.. where they launched an all -out effort to stop R :C chairman Kevin Manin from loose g ownership rules. Lait showed no sympathy for struggling media c panics seeking the synergies of owning a newspaper and several broadcast

properties in the salle ciq:"They need to get into the game and give people what they want.- Lait said." I find it extremely offensive (that aongl ratas nuke the poverty ar)n1-

menti. Give me a little option !for nevus sources' hem- -Jeffrey Bolt

Swedberg Upped At Clear Channel Clear Channel Radio /Minneapolis OM

Gregg Swedberg adds regional VP of

programming duties for Minneapolis, as

well as Omaha and

Iowa's Des Moines,

Cedar Rapids, Iowa

City and Davenport

markets. The posi- tion is new for this region.

Mineappolis Swedberg regional VP /market

manager Mike Crusham says that Swedberg "has demonstrated in the first four months that I have been here that he

is the one to take Clear Channel and our

audio brands where we need to be. Having

the ability to affect the entire region with Minneapolis as the programming hub also

played a role in the decision."

-Susan Visakowitz

McDonald Takes Over CBS /Portland, Ore. Dave McDonald returns to CBS Radio's six -

station Portland, Ore., cluster as senior

VP/GM, the same post he held from 1996 to

2004. He moves from the market manager

post at CBS' Seattle group, where he's spent

the last four years. The 34 -year industry vet

will oversee KUFO, KUPL, KVMX, KLTH,

KINK and KCMD. Mark Walen -who was

VP/GM of KUFO, KUPL, KVMX and KCMD- and Stan Mak -VP/GM of KLTH and KINK - have left the company. "While I've grown

very fond of living and working in Seattle,

I'm excited about getting back to Portland,"

McDonald says. -Keith Berman

THERE'S MUCH MORE www.RadioandRecords.com

MOVERS

Stephanie McNamara joins CBS Radio

sports WFAN /New York as general sales

manager. Predecessor Tony Hamel exited

the station Oct. 28. McNamara was most

recently director of sales at CBS Radio in

Hartford ... Sony BMG Nashville senior

director of digital business Heather McBee rises to the newly created position of VP of digital business. McBee is a 14-

year company veteran ... Jill Tomalty is

upped to director of marketing for Word

Records. She was manager of national

promotions at the label.

5HA1\tk5

Rebecca Purley, Mark Bolke, Bob Taylor

and Karol Baumeister are named to the Conclave's board of directors. Pixley, VP

of affiliate relations for Envision Radio

Networks, started at KEZO /Omaha. She

joined MJI Broadcasting in 1997, where

she held positions as project manager and OM of affiliate relations. MusicMaster COO Bolke boasts a 30- year broadcasting history, including PD

positions in Denver and Minneapolis. Taylor, PD of Clear Channel/ Binghamton, N.Y., has held positions ranging from VP of programming and

operations at NBG Radio Network to

consulting. Baumeister is a career serv-

ices representative for Brown College

specializing in radio broadcasting ... Bonneville International controller Paul Yates, treasurer Alvin Cottrell and

Bonneville Communications /Bonneville

Satellite controller Kent Nate are all

promoted to VP ... Andy Anderson rises to VP of sales for the Eastern region at Sheridan Broadcasting's American Urban Radio Networks.

Business Briefing

By Jeffrey Yorke

Sirius Q3 Rev Up 45 %, Subs Up 19% A sharp increase in new subscribers

helped propel a third -quarter 45 ",. rev- enue increase at Sirius Satellite Radio. to S24 I .M mill' . up tomb SI67.I mil - t .a ve.lr .ago. Sirius added 524.938 subscribers during the quarter. a 19%

increase. to 7.6 million subscribers -a 50X% increase Mini 5.1 million in Q3 '06. Sirius is pmjcating f( million sub- scribers by year's end and total revenue approaching El bill'

Sirius' Q3 net kiss inlprwed by 26%,

to SI211.1 milt or f( cents per share.

tium S162.9 milt or 12 cents per

share. in third-quarter 21 Mwt, in lime with Wall Street expectations.

"We !use been greatly ramping up

our relationship with Ford.- CE( ) Mel Karmazin tells analysts -The volume that

sue are getting with Fond is reflected in

our extraordinary hers.'

XM Q3 Rev Hits $287M, Loss Widens; Subs Grow XM Satellite Radio had third-quarter revenue of 5287 million-1 21r'., incre.ne

over the S244 I nlilhum earned nl the

period in 21Mw,. Marketing eslxnses

widened XM'\ quarterly loss tu Sl45.3

million from S83.8 milt . It lost 47

cents j)er share. l pared with 32 cents

per share in Q3 1 w1 Analysts expected a

45 -cent Ioss.The Q3 lows ilk-lurk, S9

rill in expenses related to the c pa-

tsy's pending merger with Sirius. XM added 952.11110 subscribers, compared

with Wi8.(NNI in Q3 2006, for a total of K.57 milt subscribers. However. r. the

company had a 22" s, drop in seuil vos of its .after -market receivers.

Other Results .. .

Milwaukee -lased Jo urtul (: ' oboes says its third -quarter radio rave was $22.5 million. down 2.3'%, pared with $23 milt earned

during the same period in 21Mw1 . .

'Frannie Co. said its (13 radio/entertain- ment operating rash How tall S3 million e pared with Q3 211I 16, primarily due

to higher player costs and three fewer

home games fì)r the Chicago Cubs. No specifics were released about the compa-

ny's sale radio property. WGN /Chicago

MORE ONLINE: www.RadioandRecords.com

NOVEMBER 2, 2007

www.americanradiohistory.com

RCS, Nokia Team For Visual Radio

Broadcast software company. I&CS is

wattling with cell phone maker Nokia tor Visual Radio. .a service that allosss

mobile device users to rtrise FM

radio hoadiats With ttdly synchro- nized imteraetivr graphics contrat. This is the secoua .Ittrntpt to launch

the service. In April 21115. Hewlett- Packard and what was then Infinity.

Broadcasting announced that the two

i panics should work together to

deploy the Nokia-developed serviet` in

the United States.

l&( S' It.IdioShow software. which

.sas originally developed to send Syn-

i Itnuiited data and graphics to .I station's

Web site -from RCS' Selector. Master

Control and Nex Gen pn>.lucts. h.l. since

been updated and preside. the mean. by

ss Inch data .sill Ise transferred from sta-

tion. to phone..

Users will La able to see real -tinte

i t lt-t ni l.ltit)tI ç tl artists. tips..111 li l lg concert

dates and other music-related topics un

the phone display while listening to FM.

The service .l.0 allows interactivity.

including p.lrticipaton in listener con-

tests and pu'ni'tions. Aud it rnable..ta- t1011, to transmit visual ads at the sank*

tittle listeners hear spot, on radio.

The cocotent seen on the nubile device .sill .l.o .Ippear sinndtanruusly un

multiple digital platforms. including I II )

radio. the Internet. I )AIS I )igital Radio

and I)VIS -11.

" I&.tdio should be part of the mobile

phone experience:' It( :s VP of market- ing I )wight I )ouglas say's. -We've got to

be front and center on availability.

-ken 7iteker

Munn Named VP /GM Of Entercom /Rochester EIIlereulll Communications names

Susan M VP /GM of its tour radio stations in Rochester. N.Y.:

country WBEE:. 'Sus WISZA. adult hits WFKI. and talk WRUC. Shc

asuntes the duties of Michael )ovle. who was

recently promot- ed to regional VP

Munn began her

Entercont career in

2.11411 as director of

client marketing services in the

Rochester market.

She was named Munn

director of sales tiff the cluster in 211014.

mol h.I. led the group to record increas-

es in revenue .Ind market share each year

since her appointment. -.Susan I'isaknu'ii:

NOVEMBER 2, 2007

Shareholders Want Smulyan To Take Emmis Private A third Enani.sh.Ireholder has gotten

in line to push the multimedia compa-

ny to go private. Anthold and S.

Bleichn eder Advisers. which own of Enunis shares, wrote in

.1 letter to independent Emmis board

directors on Oct. 25.-We strongly sup-

port the idea ()fa buyout. funded in part

by asset sales. that delivers .t substantial

premium to the current trading price of approximately S5 per share.'

ht .recent sleeks. Noonday Asset

Management and Martin Capital. each oÌ whorl hold about I1r".. of the company.

made s Isle requests. Nearly 14 months

ago. I:nunis finutder .nod ihairnl.in Snuly.ul dropped his hid to t.tke the

company private but has said several

times since he would revisit the idea.

They are our longtime investors..tnd

we value their input.' Ennuis spokes-

woman Kate Snedeker says of Arnhold

and S. Bleichrocder Advisers. She say's the

letter was Ionsared to the Fnnnis

board tier consideration. --Miry V'r(r

Bernstein Joins Syndication One Gary Bernstein has returned to syndica-

tion in .1 till -time role as president of programming for Radio One-owned

Syndication Une. Bernstein unexpected-

ly lets syndicator StlpeRadio Netssork. sshen he was president. .utter 14 years in

August 204 l6 to work with Radio One

urban Wi 'TA (Hot II17.'))1Atlant.l per-

sonality Co(:o Brother on landing afìil- i.Ites for his "The Spirit of I lip -Hop" program. In addition tu "1 he Spirit of Ilip -Hop;' Syndication Une offerings

include "The Yolanda Adams Morning Show." "The Al Sharpton Show" and

"Tite Itickey Smiley. Morning Show.'

-I)arruella Dunham

CBS Radio Consolidates L.A. Management (:BS Radio has maligned management at

three of its Los Aitg ks stations: classic

hits KKTI I (K- F..Irth) and news outlets

KNX and KEW'S.

Market manager Jeff Federman picks

up) GM responsibilities for KNX.in addi-

tion to alternative KILUQ and adult hits

KCBS (lack FM). Dan Weiner. director

of sales for the cluster and (;M of smooth

jazz ICI WV (the Wave). tacks on GM duties for KEW'S .old KRTH.

Exiting are KNX /KFWB VP /GM l'.0 I)tlth and KRTIIVP/GM Maureen

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c:: e s ISSUE #1734 NOVEMBER 2, 2007

FORMAT Page Title /

CHR /TOP 40 '.-

RHYTHMIC

URBAN 42

URBAN AC 44

RAP

GOSPEL 47

CHRISTIAN AC

CHRISTIAN CHR 50

CHRISTIAN ROCK 50

INSPO I 50

COUNTRY 53

AC 56

HOT AC 58

SMOOTH JAZZ 61

ALTERNATIVE 63

ACTIVE ROCK 66

ROCK 65

TRIPLE A 68

AMERICANA, 69

LATIN ROCK / ALTERNATIVE 70

REGIONAL MEXICAN

LATIN POP 72

TROPICAL

LATIN RHYTHM

Stronger /

Crank That (Soulia Boy) /

No One /

No One /

Good Lofe /

Never Would Have Made It /

East To West /

The Older I Get '

Comatose r

East To West /

Dont Blink /

By Girls Don't Cry /

Bubbly /

Am t No Women (LA. The One I Got) /

The Pretender /

The Pretender

The Pretender / 20

Washington Square Seeende /

Volver A Comenzar /

71 Estos Celos /

Me Enamora /

73 La Travesea /

73 Sey Movimiento r

SKILLET

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What's New This

Week Online

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12 EXCLUSIVE: Prepping for the PPM, talent recruitment and brand extension are top programmer priorities.

20 READY FOR OVERDRIVE Five -time Country Music Assn. Award nominee Brad Paisley takes it up a gear.

23 AMERICANA SPECIAL WDVX /Knoxville celebrates 10

lustrous years in the format. Plus, Autumn Harvest releases and Americana chart reporters.

78 PUBLISHER'S PROFILE CBS Radio VP of programming Kurt Johnson knows more than Jack.

DEPARTMENTS 9 MANAGEMENT/MARKETING/SALES

Sales is about closing the deal. The first order of business: A purchase price must be agreed upon.

32 NEWS/TALK/SPORTS Overworked, underpaid and rarely appreciated: The care and feeding of talk show producers.

to STREET TALK Corina, co -host of the "Kid & Ruben" morning show on CBS Radio rhythmic KZON/Phoenix, remained on air for 60 hours and raised $50,000 to fight breast cancer.

s.

35 THE SPIN Alicia Keys sets the Urban AC mark for most No. is as "No One" becomes her seventh to top the list. The 2 -1 chart move gives Keys an entire year at the top, the most by any artist.

WWW.RADIOANDRECORDS.COM:

thU Nov. S

Beasley releases

its third-quarter

finandal results

today. Stay

tuned to R &R

for complete

Coverage. . bookmark

Radioand- Records.com

Nov.6 Cox Radio hosts

third-quarter

financial tele-

conference

today. Trust

R &R to

bring you an

in-depth report. Bookmark

Radioand- Records.com

Nov. 7

Salem and

Spanish

Broadcasting

System reveal

third- quarter numbers today.

Keep it locked

on R &R for

full coverage. boottrn+.

Radioand- Records.com

'If I lose a morning man tomorrow, it's a crisis. If I lose

might be six it

months before he gets replaced, because I've got a part -time kid that can get stuff on the Web. That mentality has to change.' p.113

COLUMNS 36 CHR/Top 4', 39 Rhythmic 41 Urban

48 Christian 52 Country 55 AC/Hot AC

60 Smooth Jazz 62 Rock 67 Triple A 70 Latin 74 National Airplay

Nov. 8 It's Clear

Channel's turn

to share third -

quarter finan-

cials. Count on

R &R fora com-

plete analysis. Bookmark

Radioand- Petords.com

D Nov. 9 Entercom jumps

on the third -

quarter results

bandwagon.

Make R &R your

source for an in-

depth analysis

of the numbers. Bookmark

Radioand- Records.com

www.americanradiohistory.com

BY THE NUMBERS

MARKET SNAPSHOT:

One day after Mayor Kwame M. Kilpatrick reported in

October on the progress of his NEXT Detroit

Neighborhood Initiative, Bank of America donated Si

million to the five -year neighborhood revitalization

strategy, the largest by a single organization thus far.

POPULATION. 3,888,300

RADIO MARKET RANT 10

8 DEMOGRAPHICS:*

AGE 1646

AGE 25-36

AGE 3544 AE 4634

IMAM WNW

MEAN AMMAN ASIAN

TOTAL

91- HARRET

POPULATION %

13%

109

MIN sIb S3N

INN

1519

3N H AD 6 W MFISAT RADIO SUB (NEXT 12 MOS.)

1%

NO. OF RADIO STATIONS: 30

RADIO OWNERSHIP: ONO MOESTA1O6 RA1RIS5)MRi* ELM OM NI. 1 AM. S RA (R 23.119

fix 2 AM. 4 RIM) MAIN MOIL I AM, 2 RA (3) 11.264

FORMATS: 6 WE 3 country, 2 urban AC, 2 urban,

2 AC, 2 oldies, 2 sports, 1 CHR/top 40, 1 rock, 1 hot

AC, 8 other

RATINGS LEADERS: ** STAMM FORAM WMNxR1 IR IAN AN AC

W WA#M NEWS

MAN 1lWSRAL1

MARRI MUM WVIIVi11 SAICOIH JAZZ

AQH SHARE 12-PLUS

V SJ

SA

4.9

4.9

INTERESTING FACT: * ** Detroit's country listeners are 22% more likely to

have seen movies on opening weekend in the past

12 months than all other listeners in the market.

bvtr 4tno.y.IAA. M.M Sed,. R.4.v I H707 "Snvre: AfMrm S,.r.... 2C07 Report Sov.r Stabauph Woo I.ar Ma4rt Study. RHrew I

Winter Migration llle winter trawl season is hastily appn>.ic hing. so this week sce'n taking .1 look at the travel habits of listeners in I N trait. specifically A(: listener...1s that is the seetntd -in sty listened -a) tonn.lt in the metro arra,atier news/talk/information.

The lint chart below examines domestic places that I>etn)it'i A(: listen- ers visited in the last 12 months.Yuu'II notice that these listeners are 51

likely than all other adults in the .lna to have visited North Michigan/Traverse City: in the past year. with a lid! 26'.. making the trip. These listener. an: also (ir likely to have visited Mackinac Island and 35% likely to have Hocked south to Orlando.

The second chart below lists hotel and motels most used by I) trait'. A(: listener. in the past year This group is 77" more likely than all other In(tm area adults to have stayed at .1 Super K and 28 more likely to have stayed

at a Marriott. -Swan I ïs,rkouv:

Domestic Places Visited By Detroit AC Listeners PERIOD: PAST 12 MOS.

100300 11111111% OTHER MICHIGAN 30 27 NORTH MICHIGAN - TRAVERSE CITY W M CHICAGO 17 M NONE M 1M

OTTER U5. PL ACE OCUJNICALASICAMDIWINN 17 R FRANKENMUTH 13 WESTERN MIQIIGAN. LAM 11100311111 II OTHER RARER u OTHER M OWEST 11

ORLANDO MACKRIAC (SLANG 7 EAST MICHIGAN - LAKE HURON 7

REEX 131

151

119

69 103

127

124

112

119

135

146

116

Hotels /Motels Most Used By Detroit AC Liste PERIOD: PAST 12 MOS.

ANY HOTELMOTEL OTHER HOTEL OR MOTEL HOLIDAY INN

BEST WESTERN

COMFORT INN

MARRIOTT

ANY UPSCALE HOTEL

DAYS INN

COURTYARD BY MARRIOTT SUPER 8

1110101r T11RfAT% ROEX

p 65 106

M 23 129

ó 16 104

12 15 120

O 12 ne I n 128

10 127

7 9 115

n 8 77 4 8 177

SOURCE: Scarborough Metro Local Market Study 2007 Release 1

Transactions at a Glance NRG Matla's KIEN- FMINor(a1(, KTCH -AM and KCTY- F'M/Wayne, Neb. to Red Beacon Cornnarratiaro for $3 prion ... Family Educational Broadcasting s WPFF- FM and WRGX- F1dlStugeon Bay, Wis., to Bethesda Christian Broadcasting for 51.7 union ... Regent Broadcasting's WThU l- AMIRensaetaer. N.Y., to Capital Broadcasting for $850,000.

Deal of the Week WIOU -AM and WZWZ- FM/Kakonw: WBAT -AM. WMRI -AM and WXXC- FMlM rion (Mu nde-Marionk WMYK- FM/Peru; and WCJC -FMNan Butin (Muncie- Marlon), Ind. PRICE: $11.1 million TERMS: Asset sale for cash

BUYER: Vox Media, headed by president/CEO Bruce Danziger. Phone: 781- 239 -8018. It owns 12 other stations. This represents its entry into this market.

SELLER: Mid -America Radio Group, headed by president David Keister. Phone: 765- 349 -1485

FORMAT: Talk/news/sports; AC: oldies, nostalgia: soft AC; classic rock; country

BROKER: Dick Blackburn of Blackburn & Co.

COMM1EHT: Mid - America Radio Group's seven Indiana stations to Vox Communications Group for $11.1 million, payable in cash at closing with a

$ 500,000 escrow deposit. Purchase price includes consideration for non- competition and nonsolicitation agreements.

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NOVEMBER 2, 2007

www.americanradiohistory.com

'The cheapest price might be what everybody is looking for, but what good is a low price if a product or service doesn't deliver on what it's sus ,posed to.

-Mark Hunter

NOVEMBER 2.200'7

MANAGEMENT / MARKETING / SALES

Sales is about closing the deal. The first order of business:

A purchase price must be agreed upon

Price -Cutting Is For Wimps By Mark Hunter

t one time or another, all salespeople have had their price chal- lenged. What do your reps do when that situation arises? As

amuch as everyone in sales would like to consider himselfa great closer, many salespeople are milksops when it comes to this important skill -often boasting about never discounting their products, then folding faster than a cheap umbrella on a windy

day when confronted on price. Consider the following scenario:Your top sell- er is on the verge of closing the biggest deal of your team's career. Doing so will put a nice fat commission check in his hands, and you'll soon receive kudos from everyone in the company. Now comes the curve ball: He discovers that the customer is looking for a price discount and, to top it off, an equally qual- ified competitor is willing to undercut your company's price. Your rep is left with two options: He can hold the line and not cut the price to keep the prof- it potential intact, or he can cut the price and be willing to take a lower mar- gin for the sake of landing the big order. He comes to you for guidance. W hich do you choose? Although the tendency for many is to give in to the price discount, you can make sure your reps avoid caving to the pressure of the moment by preparing them ahead of time as to why your product /service can better fill a client's need than your competitor can.

1 Self- Assurance Is Critical Reps need to be confident in what they say and - more importantly -ensure that the

cuffoner is certain of the benefits he will receive.

The cheapest price might be what everybody is

looking nix. but what good is a low price if .a prod-

uct or service doesn't deliver on what its supposed

to? When the customer requests a price disc .

tell your team to ask him about how he intends

to use your pnxduct /service and what he expects

to gain.Your goal should be to persuade him to express both the pain his company will experience

if what he's about to buy doesn't help him accom- plish what he wants it to. as well as the need his

e pang has for your type of product /service.

2 Establish A High Level Of Confidence

In Your Price One of the test ways

to do this is by mints' ' g a fuU

sales pipeline.This means that you have pnxpects

and customers at each phase of your sales process.

so you don't have to worry about clnintg every.

sale. Assurance comes in knowing that you're

nuking the right decision by not discounting

because you fed as though you haw to.

3 Don't Give It Away The worst thing any salesperson can do when a cus-

tomer is looking for a price beak is

give in. UntortunateI% nary cannot confidently communicate their price. and they oticn caw. To

owe-come this problem. nuke slum your salespeo-

ple know that they need to understand the buyers

perspective of the ways in %chich he can benefit

team the product/service. I'm example. if I'm going

to take .a trip and my destination is I INTO miiks

assay; I lase several options to gat there. I could hitchhike% Which would cost etc virtually nothing

but %couldn't guarantee when Ill arrive. I could drive any car. which would entail immediate costs

amounting to primarily the gasoline. but my trav- cI time could take several days. Or I could Hy:which could probably hasi the greatest %hate cost

but would undoubtedly be the fastest. . Because your goal in selling should be to help

ensure the ffecass of your customer.. you can see

from this ex.unpk' dut the cheapest appnal'h is nei-

ther rrliabe nor would it saw tine. In addition.

most people wouldn't scant to take several city, to

drive to and from the destination. Then'fiore, the

best option is flying, even though it's probably the

most expensive. Because tine is of ilk' essence in

nuny industries. this value is mirth the c\tea

money. The cheapest price is clearly not usually the

most beneficial or efficient option.

4 Dispel Quota Misconceptions Aside

fn)n being mute to confidently communicate price. another cont-

11Wm reason miesPenple give in when challenged

is that they believe the misconception that. by

offering a discount on the initial order. they can

MAC it up on the next ore. However. the truth is

that there is DO way to ever regain the lost revs". Otte the customer accepts a loser price. that

amount becomes s his new level of expevtatio n.Atw ether price is considered an increase. Think of it from the following perspettive:Would you believe

a promise from your boss that. if he were to hold back your next raise tit a sear. it would be nude up to you later? We often kid (titmice, belies' -

uag dui 'sc eau get the higher price out of IN: ills- tonal' on the next order.

Don't Lose Profits Finally. when a

cult 'r requests a discounted

price. it is important to remember

that giving in is an immediate redue

total profit. Depending on how drastic you are

willing to go. you are ultimately the one taking the pay cut. Is that what you really seam to do?

( :oirider that decreasing your price nay help you

land the initial sale. but it does not nuke up for the revenue you'll lose over

MJinta' g pricing integrity is a challenge. It sums with a self -assured team and extends to the service you deliver and to the expecu of the cuff ers. Don't entertain their requests for a

discount.Without confidence in your price. you can say goodbye to your profits. Price -cutting is

for wimps. AMR

Atari: ihunter. "ten Sales /Imam" is a sales expert who

speaks to thousands rash year ont houe to increase sales

profitability. This ahunn tint appeared in Sales £-

Marketing .11angssnn'mt, a leading authority for exec-

utives in the sales and ,marketing fie1J.

24/7 NEWS ONLINE @ www.RadloandRecords.com

9

www.americanradiohistory.com

STREET TALK

Fast photo of Elk &

'Cod Pa'

Baby Poop Congrats to Consultant - to- the -Stars Mike

McVay, who is now

officially a grandfather.

His daughter, Nikki,

gave birth to Elle

Jaimes Lanigan at

4:20 p.m. Oct. 24. its amazing, McVay says.

"But I'm much too

young and hip to be a

grandpa. I wanted to be

called 'Captain Mikey;

to but my daughter decid-

ed that I should be

'Cool Pa.

By Kevin Carter and Keith Berman

Mutant Çheese Fry Terrorizes Area Village WFBC/Greeeville, S.C., svakeup artist Tom Steele reso(1 \ struck show gold when he dug .,his greasy fingers deeply into a hag of Tom's Bacon & Cheddar Osen Baked Fries and extracted j rare. 5- inch -long cheese fry. We're not exactly sure what the length ofyour average cheese fry would be (or even what one looks like). hut. judging by Steele's unnaturally elevated level of enthusiasm. %%e imagine that would be considered fairly large by his standards. Never to underestimate the stupidity of the American people. Steele immediately posted the danger-

ly oversized cheese fry on May with the description .umsssrring those ever- popular FAQs: "1 have been asked if this unusually long T Bacon & Cheddar Cheese Fry looks like the Virgin Marys or Jesus. No. not in my opinion. How- ever. if you sure at it lift a really long it gets blurry and begins to look really tasty.-

Attracted by all the excitement down the hall. Steele's bossWFBC l'1) Chase Murphy. decided to get up off his ass and wander down to see what

was going on. He too ssas ' diately enthralled by the sheer length and

majesty of Steele's oversized cheese fry. "After the bidding hit Stu. Steele

said to nme.'Chase. this is my ticket out of this hell hole: " Murphy tells ST. "Tom is a boy with a dream -a dreamt to finally make it big on cltay ... following in the footsteps of IVirgin VP of promo'' I Dave Reynolds .- I )o the math: I he

auction still has two days to go. Extrapolating from I much

e'y has been hid thus fir, just imagine the small fi tune Steele will haul in from his savvy purchase. " th the way ; Ionm

has no plats on sharing this , with a charity:' Murphy says. "He does plan on buying re cheese fries"

Dramatic epilogue: The battle ended Oct. 25. and we are

proud to announce the giant cheese fry has a new owner: "A man by the name of Bo McDonald bought the massive cheese

fry for a whopping $265.' an amazed Murphy says. "Ile ¡?dins

on displaying the fry at his place of business, encased in glass and surround- ed by velvet ropes. I'm not kidding.'

.44s e, :coy ekPeKNe

In/ r.ltRI alongside

morass-sad fry

Levy Heads Downtown Pronto set Allmon Levy has joined I )(minims) Records as national director of promotion. where she will work with Doss moss!) arts

including Kevin Michael. Justice. Gnarls Barkley and others. Levy crosses the street from Jive Records. where she's worked since 2t 1112. most

recently as Northeast regional pronmotion man- ager. She will work in conjure vwith Del

WNlants. who has run rock promotion for Downtown s' -c its incep and report to chairman /CF.( ) Josh Deutsch." I'm looking for-

sward to j g I)owntenwns already stellar team

in this quely creative environment :' Levy says. "Our business is changing every day. and

I'm inspired to be working with a forward- thinking company that is fix-used on changing the paradigm of how music is delivered.

received and experienced. To he able to work with Josh Deutsch and the entire Downtown train while collaborating to help deliver

Downtown's musical w' to radio is a thrill and a blessing.'

Jock -O- Rama -Lama Tyler Molnar has been upped to the scnmipr stigious position of pro- ducer of "The Elliot in the Morning Show" on Clear Channel alter-

native WV/DC (DC101)/Washington. Molnar has been a mem-

ber of the Elliot crew for sewer.) wears and also manages

Elliot's Web site. He replaces Craig Henderson. who Irti in August. Here's l'1) Crum to defend, er. explain his

decision: "It takes a special form of dementia to fit

in properly with the cast of Elliot 's show. and the

demented people I spoke with about the posi-

. the I realized that Tyler was the pertct fit. He's got the perfect combination of passion for cool bands, off - Broadway plays. NASCAR and 'Dancing With the Sun: How could we make any other choice ?"

Times-Shamrock alternative KMYZ (2104.5 the Edge)/Tulsa has tilled its night opening with the talents of mar- ket vet Lunchbox, who was most recently a member of the morn- ing sl across the street at Renda CHR /top 4(1 KHTT. Schor

Box replaces Amber Fiedler. who recently moved up to daylight glory as KMYZ's ruing -sl producer. Commenting on his

hiring of Lunchbox. loquacious KMYZ PD Kenny Wall tells ST,

"Happy to have him ... blahs blahs blah."

Where's Whoops? Clear Channel rhythmic oldies KOCN (K-

Ocean 105.1)/Montersy is no longer carrying Premiere's 'syndicat-

ed "Wake Up With Whoopi:' For now, afternoon personality Xavier

the X Man is running around like a crazy person doing both

drive -time shows.

After tilling in on nights all summer, part-tinier Turk is given the official nighttime nod at

Citadel CHR /top 40 KKMG (98.9 Magic FM) /Colorado Springs. which means there's a

pretty good chance he might he getting his own

business cards soon.

Night jock Austin has left ( :ox rhythmic WETS

(95.5 the Beat)/Atlanta. which sparks a minor person -

Airs ,i .mLumchr: Afternoon talent Diane James tills the void

in nights. while API ) MI) /midday personality- Maverick

replaces James in afternoons.

Mixer DJ Phlava (may not be his birth nine), last heard on KOHT

(Hot 98.3)/Tucson has magically reappeared up the road a piece at

CBS Radio rhythmic KZON (101.5 JamZYPhoenix. "Its a great team

at JaniZ. and I'm poking forward to my career here." Sehor Phlava tells

ST. "API )I Dennis Martinez and ND' Mikee Mike have the station

going in a great direction, and I'm real excited that I can be part of it." Label reps can easily locate Phlava at djphlava«ijaoLconm.

Police artist sketch of Lunchbox

24/7 NEWS ONLINE Ip www.RadioandRecords.com NOVEMBER 2, 2007

www.americanradiohistory.com

Poi N T- T O- P O I N T D I R E C T M A R K E T I N G INNOVATIONS

ri

The Programming Department Michael Steele has resurfaced as head of the music department at social net-

working site Ubc r.c ono. "At tiller. we Locus on nutsic, fashion, photography,

conredy.tilm,TV and independent thinking, says Steele. best -known for his

stints as PI) of KDLD /KDLE (Indie 103)/Los Angeles and API) /MI) of KIIS- FM/Los Angeles. It you arc a musici.ut. manager, agent, promoter.

radio programmer. music supervisor or just a tan of music, I encourage you

to check out the site.' Here's Steeles new contact info: 310-854-1264 or

[email protected]. Nice to see our old friend Deanne Saffron has landed a sweet gig as OM

of Premiere's two syndicated Blair Garner country projects. "After

MidNite" and "The Blair Garner Show" She replaces current OM Sam

Thompson, who leaves after nearly eight years to go work for consultants

Albright & O'Malley, but will continue to consult both shows. "I could not

be happier to be joining such an antaiing team." says SafFren, who was most

recently API) /MI) of KYSR (Star 98.7)/Los Angeles. She was also the for-

mer promotions director at Sur as %sell as the late KZLA/Los Angeles.

P1) /MI) of KHTY/Santa Barbara, Calif.. and MI) of KJEE/Santa Barbara

He didn't quite nuke it to a year - l'1) 'midday personality Tony Tecate has

left Clear Channel rhythmic KIKI (Hot 93.9)/Honolulu. Ircate left his gig as

API) /M1) /afterm on dude at CBS Radio rhythmic KSFM/Sacramento in

January to take on his first PI) gig at KIKI. No replacement has been named,

and the rotating wheel of meat will take turns covering midday-s. Find Mr.

Tecate at tonytecate@,hotnrail.com.

JayTek. who has been wearing interim l'I ) stripes at Cumulus urban

KMJJ/Shreveport, La.. since April. has officially had those stripes made per-

manent. Ile will retain his afternox>n shift.

Bald Truly Is Beautiful Our best wishes and a ton of respect go out to

Corina, the co -host of the Kid & Ruben morn-

ing show on CBS Radio rhythmic KZON (101.5

JamZ) /Phoenix, who earned a well- deserved

nap after a sleepless weekend -all for a good

cause: She remained on the air for 60 straight

hours and raised more than $50,000 to help

the fight against breast cancer. To culminate

her heroic effort, Corina went another step

above and beyond by allowing her head to be

shaved and donating the two feet of collected

hair to the Locks of Love program. This has

to be one of the greatest personal and profes-

sional missions that I have ever seen," JamZ

PD Dennis Martinez says. "She didn't go

home, she didn't see her kids, she used the

bathroom sink to bathe, and what did she get

for it? A bald head! Never has a shaved head

looked so good. Trust me, I'm an authority."

Minutes after regaining consciousness,

Corina spoke up: "This is the reason I call

Phoenix home, and I couldn't be any happier

to be back where I belong, doing what I love to

do and where I love to do it. Our community

restores my faith that there are still plenty of

good people. I received the ultimate support

from Arizona, CBS Radio, [senior VP /market

manager; Mark Waters, Dennis Martinez, 'Kid

& Ruben in the Morning' and Matt

Kirkpatrick, and I've never been happier.

Check out the pics at 1015jamz.com.

NOVEMBER 2, 2007

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12

EXECUTIVE ROUND TABLE

Countdown To Ratings Reality

More Listening Occasions, Fewer Interruptions Top

Country Radio's PPM Prep List

By Paul Heine

24/7 NEWS ONLINE fp7 www.RadioandRecords.com

As diary -generated ratings give w.ay to Arbitnm: Portable People Meter (l'PM). pn)- grammen an: destined to focus mow intently on ins nasing listening occasions. decreasing interruptions and training jocks in the art of brevity. At the taie tinge.

there will he more programming experimentation and a cottage industry is bound CO spring up to foster nest' riting% manipulation techniques to replace the tine -worn tricks that programmers have used tir years to maximize results in the diary wodd.

These are some of the conclusions among country radio: top programmers. who convened Oct. 111 tir "Country Radio: Opportunities and Challenges.- the latest in

R&R.% ongoing series of executive Hound -table discussions intended to shine a light on issues. challenges and opportunities crucial to radio's future. Seated in the con- ference room in Radio & Records Nashville bureau, the group. who collectively represents radio's three largest companies. the satellite radio industry and the research business, had tar more than just the l'PM on their mind.And their free -flowing dia- logue. moderated by R&R country editor R.J. Curtis, could just as easily apply to any music format today. While eager to get on with the PPM, the participants voiced serious concerns about Arbitron's difficulty in consistently producing a reli- able sample that represents all demos equally. Continued on pope 14

NOVEMBER 2, 2007

d

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14

EXECUTIVE ROUND TABLE

Continued from pope 12

"1 he No. I issue is samples ;'said Mike Peterson.

l'I ) of ( :I(S Radio W(ISN (US oM)) in Chicago,

svhrn I'l'N1 ui .. inntent I tgiII 1.n1. IO.2tft1)(." If country is sampled even nit HtIely consistently with boas it is nos% meaning that the right people get

...slicked and then country- triendb then coon

to J III do well. !tut if see get a bad sample. we'll

take .1 hit. I lhat's the big unktloav n. the churn.-

Cl.i Hunnicutt. country brand manager for

( :Iear (:h.tnuel and ( )M of its Atlanta cluster. yid electronic audience measurement will force pro- grammers to focus Inure Hi the listener. "It has

to be much more listener focused .old listening occasion -Housed. he said. For heritage station..

the l'I'M will bring an end to the I SI -inflating practice oÌ listener, 5%riting call letters in their :\rhitron diary and then -draw ing the .uros low IC the page.

-Ns .tie still driving listening. (1ur core will drive the big uuud+trs. IÌyoure doing well with your tone. you'll have success I1etersm said.

Iunuirutt added. -You're going to have to bring them back for occasions. It's not going to he own or three hours of liste g

.it .1 time. hut more like 45 minute or in_ minute increments.-

Sating listening appointments to torque I SI

is nothing new Sirius Satellite Radio director oI

ountry pnogr.unuung S ott I mdy reminded the

room. Programmers who have oriented their st.l

tiers around the oonrrpt bast' set theulsIves up

for l'l'S1 cur lies,.

ISullscye Marketing Itese.arch Iiwuder John I Lot said that as long as Arhitron con tuners to recruit participants yi.I telephone.

.allnut research tirIlls like his ssitl secure

'You're going to have to bring them back for more occasions. It's not going to be two or three hours of listening at a time, but more like 45- minute or 30- minute increments.'

-Clay Hunnicutt

movie -te.t participant, the same way.

l'eters n, whose station marked .1 quarter cen-

tury in the country format this year. said that the

l'I'M will elevate the importance of "marquee

contesting.- Setting appointments for even' sta-

tion Ixnchmark will encourage listeners to stick

around or return fist- spxcific programming de- ments. he slid. More than ever. programmers will be required to-train the anstalf to come up suit)

great teases to hold p,tople through the stopset.

If we can't drag them through the stopst. let's

give them .1 reason to come hack:

Hunnicutt stressed that "a good st. a

g I station in either system: and Pete

reminded that the fundamentals of music

radio were developed to drive actual listening. "We still have to play the best music. have

great content between the music and keep

interruptions to a minimum.- While the ability to capture listener.' attention

with as few words as possible is seen As vital to

PPM success. Citadel country WK I )F' N.tsllville

PI) lied Fund insisted that's already the caw.-We

live in a syindow that% this big he said. holding

Iris thumb and fsrtinger une inch apart.-When you're in the car and the phone 's going on- and

you've got other things going ton. the talent has

three to six seconds to get your .attention 111 this

AI )1) world we live in. Lindy said he gives his talent just six seconds

to execute a liner that contains flour bullet point.: I ever. they are not expected to include all lour points in one break. "They need to make sense

of it and make an inlpnssion. locks that get it and

do it consistently get excited .bout It .and try no

trim it down" even flintier. Peterson predicted that the PPM will he used

.1..1 tuotiv.rti011.11 tool flit' P'' ing brevity And

simplification among .fir talent. "You don't need

to us a 25 se 1 song intro to promote

thing %.hers you can do it in sic or right Wet/lids:.

he .aid.

-Mastering the craft of execution Is what this

is all allow.- 1 ltnulicAin added. "IÌ you an going to stop the music. it has to Ix r.II rel.ttable:

But moving to metered ratings will not

diminish the importance of truly entertaining persnlalitIt -C Peterson s.tid. -"Flieres ahca room

in radio for a really good story."

Asked if ( :Ie.Ir Channel 's decision to reduce

from three I stupsets to two on Its music

FMs in the PPM- cunnnerrialürd market of Houston is .a harbinger for other markets. I Iun- nirutt said one sin does fit .Ill: USIIII IC1k.ar (:h.uulrl country WUSY. ( :hatt.lutxog.I.

'linn.I or VIM X'. in Baltimore can get .Iw.1%

with interruptions than others. because

they're histor-hard stations built on great jocks,

great content and gnat music.- usii - New stations or outlets engaged in competitive battles may lie

better off with lesser stofsets. he noted. "It depends tin the stations. the show and the jock...

Petersen forecast more experimentation IS

programmers and researchers an.il,e the

rieh data on audience beh.wior. With the new

technology. it's possible to turn on .I lies\ station.

play long sets of uninterrupted movie with less

commercials and no jocks and produce strong

ratings. he olstred. "You don't nrcesvri II.Ive

to Create the IMIIlll with the listener to generate

actual listening. With the diary, you needed that:' l'I'M results mono Philadelphia And I louston

have .how -u sine surf in listening Ixh.IVior.

Continued on pope 16

24/7 NEWS ONLINE fpl www.RadioandRecords.com NOVEMBER 2, 2007

www.americanradiohistory.com

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EXECUTIVE ROUND TABLE

Continued from page 14

I Lin s üd. "Things we've .nwlnatil for \eon an URIC

necessarily true. Radius going to have to barn to do it in a different way and still }net results. What we're looking at on the n.irrh side is building databases of hyper Ns to extend time spent lis- tening thnxihfi appointment listening"

üxp notion will go far bond a t.ition: on -air pr ogranuning.I lunnirutt sumested. "It will go to online and to I II ) and how % $U Call extcml tboM hr.1114 : I le said Clear Clumel is dabbling

with product placements. kayssonis and other alternatives to traditional ad mixkñ "to gat away

fnnn the car dealer remote awry Saturday from 2

to 5. It i a little hit of a abtatOfy. Its a tine an to inte}grate J them: pnohxt with yollr pnofrram-

g.A heal (:bevy dkakr who scants to do his

oven spa nay not be as willing to experiment as

J svinkss pnvidkv or a technology company:

Lindy brought up the sobering reality that slla-

casstid pnxluct }m in a purely audio media like radio is "a renurkable at plish- ment: c paned with the ease ill such visual

media as TV. Clear (:h I WSIX /Nashville

16 horning nun Gerry !louse "can do an en-

dorsement without anyone realizing it: Lindy said. "But it's a kernel skill that hasn't been

couched over . Na only may you not sell

product. you may blow the personality out of the

nurket : he said. because listeners could get the

impression that the personality is constantly try - ing to ,all them something.

R d -uWe participants don't envi that the I'l'M's add. of the t.- to I I -war -old de will givatly edict their pmgra g. In

IJCt. they (petit. hove successlid Arbitnw will of ally be in iii g tweet) listening Ie- hasior."My kid is 7. and I can't imagine him C.ir-

ning a people meter." 1I slut said.

Peterson said tweet). aren't On his radar at

WUSN. apart from p ' ally expl g

huge events that c to Chicago. "If Ilannah Montana comes into your market. you maybe strategizc .i I that : he d. adding that held rather grow his 25 -34 share than that Ofthe 6- I I age group.

However. tinily called the Disney Cha I

"the new MTV" and "the seed c for every

radio station in America. I don't know how you

monetize or program that hut research On it suns

would be nice." I It also noted hove core acts for the I )isnae Clunnel and Kadin I )isuev such as

M area. the Cheetah (;irk and the "I high

School Musical 2"Mxnxhratk -sill halfa still' units in their debut week and that Sirius. which has panncn d with I )isneyt not only targets tss cells

but 5- to 9- year -ooh. "There% a la ofdolLirs then:' Lindy sud. And

li utt suweste d that "I lanna Montana" star

Mylie Cyrus "almost broke Garth Bnxoks record.

The tickets ill Atlanta were gone in three -

utes.They clearly Ltovw what they're listening to and what they like and don't like and will tell you

about it. We sasv it with the genera that rte now t%engmethinln Aid we're seeing it even

more mow. It's that txu- denund got-to-haw-it- now mentality." RJR

'When you're in the car and the phone's going off and you've got other things going on, the talent has three to six seconds to get your attention in this ADD world we live in:

24/7 NEWS ONLINE fQÔ www.RadioandRecords.com

-Bud Ford

Challenges For 2008: Fresh Ideas, New Thinking Asked by R &R country editor R.J. Curtis to

sum up his top challenge for the rest of 2007

and into 2008, Clay Hunnicutt, country brand

manager for Clear Channel and OM of its

Atlanta cluster, was quick to respond.

"Recruiting" he replied. "It's about finding

great people in every aspect of our business.

And finding people that aren't traditional radio

people that bring great things to radio. We

have to look in nontraditional places to find

those people. I think we've shut the door on a

lot of people because they weren't radio guys

and they don't have experience. Let's look at

things differently [and realize] they're going to

bring something fresh to the approach."

Similarly, Sirius Satellite Radio director of

country programming Scott Lindy says finding

a fresh approach is an issue. 1 need idea peo-

ple," he said. "I need people who say, 'How

come we never ... 7 1 want somebody to say,

'I've always had this idea . . : or 'Why don't we

have this channel? Those are the people that I

want to be in touch with. You'd think that

there'd be thousands of those people out there,

but there's not. There's tens."

Citadel WKDF/Nashville PD Bud Ford also

agreed that recruiting is an issue that may

cause him to look outside the normal venues.

Finding a moaning show, for example, is not as

easy as it once was, he said. While there yeas a

time when you could simply offer more money

and lure a top morning show away from anoth-

er station, those days are gone. "They're being

rewarded by the people they work for and

that's a good thing," he said. "There's no rea-

son to leave:

Combining callout and online testing is

Bullseye Marketing/Research founder John

Hart's priority "so that you can have a combi-

nation of research information to bring into the

radio station," he said. "That's where our

clients want to go in all formats."

The Portable People Meter is the priority for

WUSN (US -99) PO Mike Peterson, since

Arbitron will move to electronic measurement

in Chicago in early 2008. "We've got to hit the

ground running in January," he said. We don't

have a year to figure it out. We're looking at

data from Houston and Philadelphia."

"It's all about the message," he added.

"What do these numbers mean for our sales

staff? How do I take these numbers and paint a

picture of how were doing as a radio station?

That's the priority." -KT

NOVEMBER 2, 2007

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EXECUTIVE ROUND TABLE

Web sites and HD2 channels are no longer value -added propositions - they're part of a radio station's main mission. In a word: Commit

B rand Extension By Ken Tucker

Even though a programmer's responsibilities still lie primarily with his or her over- the -air stations, Web sites and I II ) radio streams are now taking more of his or her time and energy. Add to that shrinking staff: and smaller budgets and it's clear that creative solutions are needed. At R&IZ's executive round table -Country Radio: Opportunities and Challenges,- held Oct. 111 in Nashville, top programmers were united in their belief that it's a sink -or- swim) xvorld. The days of station Web sites being the place to dump unwanted promotions and bonus advertiser banner ads are long gone. participants agreed. And svhile there was a time when a Web site pretty much mirrored its accompanying station. that is not necessarily the case anymore.

"Our gosh is to create a much different experience om the Web site (:BS Radii..

WUSN Chicago l'1) Mike Peterson said.

"Not only does it need to be .Ill r\ttIlSion of the radio station, but we're g g to produce .1 hunch 4,101rrent content just for the Web.

"We want .1 Very high-trafficking Web site that

I. run b\ .1 country radio station in ( :Iiu.igo :' he

Aided. "It\ going to be hlesnie. pop culture: it

going ro be .lout e,untn 11111,13. I hen .are sonar

dull)s on the Weh site that will !WWI' .q +peals tin the rod In st.lt ion .111d \lee %rrs.a..

I he trick, though. is figuring out \what

resatrer, arc awail.iMe to tre.ie the content. Peterson aid. "I think we can all .agree that prob- ably every station is Ierst.lfed, atld they are

pn,bably overworked and multitasking as it is.'

But creating than (totem -ewtIl something as

seemingly simple as writing copy hir.1 Web sir - ,.it Ix a eh.11enge Gor pmgr.mmIrrs raised on

radio. " \Y'e.e been doing radio great. but we

sonotinaes Aut k .tit getting it out Of our (read and

onto .a Breen." aitI (1.I. I liinüitt. country brand manager k'r Clear Channel Radio and

( )M of Its Atlanta cluster.

Changing Priorities As important as the Web has become, it still plays

Set omd fiddle to the over the .air tiluit tchen

n t canes to stating. "IÌ I lose .1 rnonlilg man

tumors.'\%, It'..1 Brisis ( atadel WKI )F /N.nhville I'I ) Bud ford and. yx.d.mg hypothetically. "It Mt,. ant \k'd, Gu\ nt might he si months Itttore he gets replaced because I've gut a part-time kid that tan Get Ault on the Web..

I hat mentality has u+rhange.lord aid. "Ifwe'r. going tut reste n' \41111 titan this, then ae'n going

to laser to dew ate the arme .imuun1 Of energy in

Sttoking..tailing and making stare that product is

a. gtl.xl as 55 hat we pot un the air. - As Hait has the tendency can Ix to use sonIr-

24/7 NEWS ONLINE (pl www.RadioandRecords.com

OW already on .tall. I Iunn1\11a ..lid .t.1ä011\ need

to hire 1xtple that an ingrained in the Web and it\ ctltiine. "I need to Ix able to ety.'I 'ere; my vision,

hen'. what it's got to ekt. go make it happen: " M.un time\ that person doesn't conte Inttm

radio. participants agreed." the roles of the Web

site .are miel ditinnt." Peterson ..lid. "It .just

need. to Ix oser -friendly and contain reasons for

people to come and use your Web ate:'

II 11 tt expl,tioed that (Near ( :hannrl; "Stripped ".Irtist series is an ex.onple ut What i311

Ix donc %%I)cn tittle .und nvmrce..tn d(Voted to

.1 Web pnxluct. "It; the deeper richness that makes

It ga.).' he s.tid. "We can all put on live p t rtorm- ant es by Artists. hut it all the content that comes

.lung \Vial it -their video.. the behind- the -scenes

interview.," --that stakes it .t ddstinatioti.

I'ntntpted by a question fout no derator and

Ittt12 COW/try editor It J.Curtis, participants said

they were open tu finding employees outside the

radio husiness. s.hüh npnsents a change in think- ing fenil relent yeah. "l'in looking for mineunr tlt.ats fairly .cell- n,unded:' I Iunniciut s.tid."i hove

finding people that have dime other things.'

(:nativity i\ alw key, especially wI)eu it rlmlr-s

to the Web."1 scant some to aV.'I get %wh.et

you're aying. Clay. you tuant to give .ny.ay tick- ets to It.ascal Fl.ltts. but here.. how visu.11y we

ought to say that: " he .added.

"There's .1 different I.mpnl.nge:' Peterson said.

"and if you c.111 timd sontrune that inderstamds

it:' it will work to .1 station; advantage.

The HD2 Challenge While haLutcing duties tier the Station and the

Web site are challenging enough. a tiimber of I,\ note 11.1W 1 II )2 i h.uutrl. within their oversight.

i'eteram said those who pan little or no atten-

tion to their I II ) channel Ixcaus few people are

liste gare doing themwlves 1 disservice."It% a

poxes Nol).xly is going to stop tee hnokogy

tote) evolving. You've got to continue to vest

yourself nxrotally and physically into it because

it will evolve to a place where if you're not a part

of the perfection process, wane else .will be.

Ultimately. every radio brand needs to continue

tu evolve.-

Peterson doesn't foment I I1 with hotu

quickly or sloa"ly III) is reaching the audience.

"I've got to have Illy brand in there somewhere :' he aid."I don't kmo%% exactly %where it is wet. but

ws hen that day conte.. I will Ix a part of that:' I Iunnicutt ses .t parallel between III) and banc

pnogr.unnocrs treated their Web sites early un." I hey

were thnnsassJvs.he aid. "We mi. that cunt Ile s'ui't make the .amps naist.tke again. "\C'ho

know. if it'. going to be bigger the I M band

in tax) years% he ..lid oÌ I II ). "I don't lknowvl the

answer to that. but I sure want to Ix. there."

I )spite challenges, the terrestrial programmers

in the oeil agreed than III) radio is worthy of their attention. "There's a humdnd nason, wshc

wyr shoukhl't do it. hit there .In .1 lilt of reasons

wsr should :'h linnicitt Mill. ..YOU 11.1ve to con mit to It. Its .ut extension of the brand::

liullsyc Marketing. Research founder John

I !art said that I II) radio is not on the horiion for .1 vast majority of (oi\unners."For 71r.. it's a lac k- il- awannes. issue, he .aid. "Thirty percent .11n

aware. luit don't really know what it i. :' Sirius Satellite Radio director of country pnm-

grumnting Scot Lunch aid. "Itwih not in the car.

you don't count. We found that oit tows years .Igo..

I.Irt .agreed. "You have to build and they %sill

conte. ( )Ili e w71í get into Csar.. it ),mi lug fo ht. .1

admit. new h.11lganr"

Now that the col lllllllllllll -fret' rein. art Oft.

Peterson said that monetiiation of I II ) is key.

WUSN III )2. which in addition to music .Jr- rids NAS(:Alt programming. is now selling

sponsorship packages. One advertiser mentions

the side ih.uu1\1 in its spots on WUSN." u he%'re

not looking for the traffic of the Iil)2 listening:

the\' want the branding :. he said. "We gut the

branding. they got the branding. and we actually

made .n little \ :' WK I )1.: Furl enlphastied the need for qu.al

ity iontent. "We can stick it in every csar ut the

world. hut if it doesn't nl.uter to the consnner. It, just ill the away."

NOVEMBER 2, 2007

www.americanradiohistory.com

CONGRATULATIONS

WI NN ER 2007 CMA AWARD

National Broadcast Personality of the Year

fr,

JONES A A 0 1 O NETWORKS.

je11e1xaie.a.

The Lia Show Monday to 8áturday Seven to Midnight

800.426.9082 www.americanradiohistory.com

20

Five Time CMA Nominee Paisley

Takes It Up A Gear

READY FOR

OVER by R.J. Curtis

D R Next year when the Country Music Assn. (CMA) nominations are announced, it's OK to wake up 13rad Paisley. The West Virginia native is in such a zone, career -wise, it might feel gored to know that recent events haven't been a dream. I lis latest CI), "5th Gear;' released June 19, has sold more than 640.1N I copies. according to Nielsen SoundScan, yielding two No. 1 radio hits: "Ticks" and "Online.' A third single, "Letter to Me" is No. 30 on ItikR's Country chart. A headliner since 2006% Time Well Wasted tour, Paisley took his road show to another level this year, as Bonfires and Amplifiers played to sold -out arenas in the United States and Canada. According to Billboard Boxscore, Paisley's tour has grossed more than $25 million so fir, placing it fourth among country shows behind Kenny Chesney,Tint McGraw & Faith I till and Rascal Hails. Along with Country Music Hall of Fanner George Strait. Paisley garnered five (:MA nominations this year, mom than any other artist. Even tòr a busy guy. its (lard to believe he slept through possibly the greatest validation of his eight -year career.

IA not that Paisley wasn't aware the final nominations would be announced. "You know when you wake up because somebody made the mistake of telling yota'gnod luck' the day before, and you think. 'Another day when things are going good, and it could all look horrible by noon' ?" Paisley says. He adds that artists go into nomination day knowing what they're eligible for. And while he realized he wouldn't get every nod in every category in which he %vas eligible, he thought "a few of theta world Ix nice :. When he awoke on his tour bus at la a.m. Aug. 30, the morning CMA nominations were announced. Paisley checked his phone and e-mail. and found no messages. "I figured they should have announced theta by then, but maybe. not." he recalls thinking. He went back to sleep and %yoke up an hour later. Again. nothing. Curious, Paisley checked his Web site and found a

single post. asking. "What are your thoughts ?" Now beyond curious, Paisley went to the Tennessean Web site and discovered he'd been nominated for entertainer. male vocalist, single, album and video oldie year. "Then I started getting mad, thinking,'IMy managers can't call and tell rate:' " Paisley remembers. "I called manager! Bill Simmons and he says,'Wcll, I know you like to sleep Lite. I said,'You can wake me up with that.' "

24/7 NEWS ONLINE www.RadiondRecords.com

I VE Five 1 s sstn gratihting sharing the

spotlight with hem Strait was icing on the cake.

"He% a nujor influence." Paisley cant.

It somehow t' g that he shares the spot- light with such an icon. His steady caner tra- jectory has a similar lei to Straits. as it does with Arista Nashville lahelnute Alan Jackson's. Paisleys live alb have only turned out sitimature radio hits. they have sold well. "Who Needs Pictures" and "d'art II" have both sold

slightly than I mill' alb "Time Well Wasted" is at re than 2 mill' . and "Mud on the Tires" has chalked up 2.2 mil - I. ."Christmas : which came out in 211116. has

moved 21NIINNI.

That each alb adds an layer on top of his prior release doesn't happen by chance. I'aisles never wants to take a step back. "It nerds to he a little different and yet how rcc,,ttnirahle." he says. "I've still got to he pro- grc.sisr. but I don't suant to offend: to have the

elements of h that people expect. but not be corm :"

Another pan of the balancing act is to find sand /or write ballads "that are little pieces of art:' while "avoiding something tow tar gone ss here people say.'l don't even know what he: d g " he says.

NOVEMBER 2, 2007

www.americanradiohistory.com

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Bred For Success At this point úa Paisley's C.Ireer..i concern alxot being "too tar gout'" seerls unfounded. Paisley

has know esa. dv sw Ii.at Ili. is doing since he was

K years old and first received guitar lessons front his grandfather.

\('rnmg his own songs by age 12. Paisley was

opening tier the Tikes ot( horgr Junr..u1J husky Skaggs by I i. Alter .attending Nashville's Bel- mont University on .1 scholarship, Paisley si}mei A s% riling deal ssIIIi I.MI Music l'uhishing.Iits music t I its slaw t, country radio Via I )avid Krrsli. syhose Version of p'arley's "Another You bet. .I top live single.

Paisley signed to Arista Nashville in It)')7. but like mans artists. had to wait his turn on the latIihII pail for two Irustr.ting years. (:.pitol N.Ish%ille president /(:1'.O Mike I >Wig.n, Who 55.15 then \'I' of ..Iles wind ul.irketing at Arista Nashville. helped Paisley remain cimtitleitt. I

ouldu't help but think it was .i Lick of belief. - I .coley s.is. but Dungan would disagree. "I Ir used to say.'I'III lokiug out for you

When Arista introduced Paisley in early V')t) duuimrw r.ldlu rtsptilided positively to his

22 unlhun.ulon ill a Itoger Miller like sense of humor. strong Inu.iral chops .nd the .ability to ticker a tender h.dlatl. Arista Nashville West

('oast regional I uri I larllgau took Paisley to his / first station visit, a stop, .it KS()N /San Dirge. "All vse kid Ito talk abotnl \v.is the smg he'd

%%ritten for I Livid Kcrs11. she remembers. "I le

had a tip five record h\ somleouc else.' j Palsies pert., owined the sung arutistI1.11y. along with .a iiss Inhers.iii liidulg Ins first single.-Who

jNerds Ihrtures..According to I hart igan." I le was j a smash esery5%here \Vt. \Vent.' Scott 1 holy. director of Country programming

for Sirius Satellite Radio, swats pox ranauuug

( clear (:hamlet's Wit( X : Baltimore ss hen he first met Paisley. -Brad always wanted to Jo wliatey- er it took to 1x a star.' he says. noting that Ìrouu

tie lids innuag. fatale %%as not pretentious. I le

"hasn't lust that humble anima( h.' I indy .odds.

-Who Needs Itirnum.- pi l'.uslty on the radii)

.ulei bet .une What he calls -.1 marginal hit.' (In fat. the sing was lit )1 marginal at all it peaked just nit -

side the top, In.) While Paisley recalls getting great

resist apse In ii ii pn ogr.unnlers for sings with Clever

b ri s and a sense of humor like-1 nog Sermon-And

-Nit. Neither.- it was"! le I hdn't I I.IVC 10 Ike" th.t cnlrnled hi. Ii1tire. "It slat. like I could we 111

evenixxds'. eyes instantly that they gut who 1 ova.

and nnayix %Vitt I was capable of iii the future" I hat: when Paisley felt "country radio w.s \Viil-

ing to Inuit in me. I I hey sverel .dole to nl.nix we my plienu.iI "line nontls .tier it dlIxned in lane l'rr), the song

iueu.0 a his first Nn. I and I.utgavl 11I weeks

on the Nielsen III )S rated Country Chin. ( hautes are gtxut that Paislew' \y ill pick

up some kind of hartlss.ui. the night of the ( :MA Awards. but it wouldn't Ise

his first (:MA success-ht: won the

luring Asc.ud in 21NN1. That smile

Scar lie took hulule the At-.Jelin of ( uuntrV Music: best ncV mt.Je

sotalst ass-.td. Both trophies

'Careers

don't last

forever,

and you

have this window to

say what you want to say.'

-Brad Paisley

were hurled by "Ile Didn't I lave to Be.-

After establishing his credentials as .a pure

country singer capable of Cranking tint .1 power ballad. Paisley showed the vvorbd his cary sense

of )ttor. Not only was "I'm ( ;mina Miss I Ier

(The Fishing Sung)" a No. I Country radio Iiit, the video- vs hich lc.tured Dan Patrick. Jerry Springer. Little Jimmy Dickens and Paisley's

future wife, Kimberly Willi. -- \vas .a smash.

too. 'I he nlad(ap video wVon Paisley .a (:MA Award for video of the year in 2(12.

Creative License The .ability to become a double -barreled threat

a5 an artist is the result ofcarefully choosing sin -

gles...iys paisley. who mix:mhers that the slow-

moving charts earlier this decode kept anyone

other than .a superstar from showcasing more than two songs per year. "I've always thought Ichtxning singles i.l .a very precious thing:' he

says." (:anen don't Last forever. and you have this

Windows to say what you want to sat' When then -1(.(:A Label Group chairman

Joe Galante (now Sony 13M(; Nashville chair- man) added Arista Nashville to his oversight. -we lucked otat. Paisley say.." Ihis partnership firmed between usi :'

Paisley looks fonvari to the single selectiiin process. -I love the way they let sae Ix. .a part of it. the way every now and then Joe v% ill stick to

his gulls and say they') sending 'She's ...very -

thing' and Ill say. I )o you really think a ballad

is right' Then the song is .a smash and hr's

right. Conversely. Paisley says he suggested the

Libel release "I'm Gonna Miss iler" "That : been the fiuu for ire :' Paisley says.

"haying these little Victories a..1 teamu. I credit everything I've got right at this point to songs.'

date. lie ha. generated I (u top 1 hits. nine of which went to No. I.

While Paisley and Galante appear to 1x in sync

with ss hat will lx single... Litho is onboard as \Veil.

\yhetiler it: one of Ids signature ballads or his

trademark sense of humor. I l.lrtig.un says country radio has given Paisley "license to do loth" and

it: something the .artist clearly .appre-

ciate..Tyro so thankful to radio for

allowing tae to Ix. so Jivers :' he

says. "Luckily l'in known for .1

couple of thinly now. and its

nice to meet a balance :' The two sounds Paisley has

established work for radio. says 7ioiya Campos. PI ) at Mount Wilson

liradcastrs' KKGO /l . An- geles. "His music is good. \vIietiler it is a ditty or .a

: 3

powerful ballad :' she says. "They are all

relatable sings and sonic of

therm are about subjects present in every -

d.i hilt." Citadel'. KIIM' Tucson l'I ) Run Jackson

cite. "nucaningful lyrics-artistry. a sense of

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humor and guxxl looks- ti+r p'aisley's t t insistent

Carrer grows th. "It .11,o helps that lie uss his pxosi-

tioo to iliVolVe wane Of the tùnu.its iron.- -I )(illy

I 'an ui. tùr example in ttxl.ts's nwsü"

As Paisley has taken care of business by cresting

what he calls "eight years of hits to play.' his live

showy 11.1s taken shape and growl) exp imenti.Jly in

the past three yea). After supporting such .its as

Brooks R I)urn. then co- headlining 5%ith Itrl +.t

Mdlintirt. Paisley set out on his ulwn I iine Weil

Wasted tour in 21Mku.When the tour hit the road.

-we could tell things wen right :' l'.iiJry sass.

With .a corporate sponsorship from Hershey's

and lots of high -ted i gadgetry. this year: tour .Vas

next. -I'm not the Ie.ist hit afraid to overdo it in

ternis of video content onstage Mcause the ven-

ties we're playing are so big.' he says.-It's the hest

vv.iy to reach the List ro\s." After planning this

year\ tour. Paisley says he and his test) tallied tip

the cost for taking the production out and re.l- i ed they'd spent Sin million more than Lust wear.

"I really .uni loving this level we're at now; I !Live

the feeling of sparing no expense already.-

In spite of I TI) walls. video and set design.

Paisley says the shUW is still all .lout songs.

According to Westcoast Broadcasting's KJUG Visdi.u. (:.Jill. PI ) I ).eve h ). .his. p'aisley's

recent graduation to Arena shoals happened be-

cause he did all the right things. " Reliure going on the ri.id doing huge arenas. he built his .utdi

rice by doing smaller theaters and radio station

shows.- I )auiels sps. "I le built .i bond With radio and the listeners:'

With so mild) emphasis on his Inv .bony during the p.ist two years and playing to large crowds this

war. aould .t ( :MA entertainer tnophy titer .0 xoth-

er level of .idirmaatiun Mr Paisley? "Its almost hike

the nomination is" the y.tiidltiun, he says. I Ile lint time he reeeìved a (:MA entertainer nominatiou a

fist' years .I ) it was validating and spooking.

"People sa :'Is it rime to Win it? " l'.u.l.h says.

"And I si.No' "The idea scan-. him) to death. he

sus. (xd.uis I don't ewer feel dulupxtitive hl that

MiIM..' A. I:1r as the .actual .iWani I I es." l'd he just

tine standing tip and Clapping for somebody else.

but to say Ed never \V.ut to w im it wouhdu't 1x true.

don't think this year Will 1x niv List ch.lncr" Paisley believes he can still grow his live show.

which in 21it 1)( I iershey's will again yonwr. "hut wvejtst need to look me into places than are the

right sue flu- the crowed that's showing up.- I le

Buys he: also Joking forward to recording .1 nrvs

instrumental album that will -have .0 song or two I'll sing on"

Paisley says he: exceeded hi% uwu expecta- duns. "Most people in this business who get tip in front of an audience and sing. hehieye in

themselves to the degree that success is some-

thing you ropes t.You have things in mind that

you want to read]; levels. places you \Vaunt to gin

and a Certain sire tend you'd like to see showy

up for your d -hut this is .lout three per-

eh [last what I even thought \v.is possible. All of this just rents vo f it past meeting my goals that

I'm a pletciy shocked :' KV(

NOVEMBER 2, 2007

www.americanradiohistory.com

Americana Soecial

Americana outlet WDVX/Knoxville celebrates 10 years

AMfÁÏ . .....>,.*,..

East Tennessee's Own By John Schoenberger

Tony Lawson, founder and GM /PI) of W1)VX/ Knoxville, is mighty proud of how the noncommer- cial station has evolved in the 111 years since it signed on.The entire process has been a labor of love for him:

love of the cultural history of Eastern Tennessee, of the organic music the station champions and of building the station into an important institution in the locale.

WI)VX is licensed by the FCC to Cumberland (:ommunities Communications, and it plays a broad spectrum of music that tilts in the Americana direc- tion. It was incorporated in 19o)1, but didn't sign on until 1997.

"We Bought. got heat down and'cratched hack

up for six years to get this station going: Lawson

says of the early oLn.. "We initially set up the sli- dios in a camper. where sse broadcast tir the tint ,l \'sell ,cale,:

But W I )VX has c ,n long way. Nadal\. the

station operates from studios in doss rosi Knoc%ille in .1 building it shares with the

KnowilleTourism K. Sports Corp. In addition, WI)VX has grossi ill sash, recently adding a

full -time development director and business

manager. I his 11.11, ,horsed L.rvson to euncen- trate more on programming and to return tu the airwaves.

Ilie sslnule dosviu,ssII area Of Knoxville is

going through .1 renaissance and we are right ii the middle of it: he says. 1 h station also just gut

its lint grant from the I( :urp. tir Public 13road-

c.tstingl and that is ver exciting tir us. This will help us t) relaunch a new ,und improved Web site.

l hat site. Alt with visitors g to Knoxville tnn all over the world, has given us naine and

reputation %.ty beyond Last ünntsse. TI new dips hase also helped WI)VX

expand one of its progr, g benchmark... the

daily "Blue Plate Spy noon. l he show

original started is .1 theme set..l historical ret- rospective or artist towns piece. and it has grad-

evolved into the live performance event it

is today. It took otl.sshen the station secured per -

lirnnance space at the Knoxville Visitors ( :enter.

which allows tir .bout HMI people.

"We are looked tour tu six sleeks in advance

s' ith that show now. and the ytt.tlity of the tal-

ent has Ixrn pretty amazing lately.' Lawson says.

"( )hsioush we try to spotlight as name region -

.l artists as sve can. and with N,lshville. lust dosse

the maul that Ix: pretty easy."

IO tlt1. t i .istcrn li nnissee s '11 heritage

and omnipresent Southern Appalachian tradi-

tion,. WI )VX plays a lut of bluegrass and old-

NOVEMBER 2, 2007

tonic music. In fact. its nu, g'I is dedicat- ed to those genres. But for the nest of the day the

mix is broad. utilizing a library that includes the

older country, rock and folk artists of the 't,1Is and

70k and mixing it with American... "nesvgrass : At-country and triple A acts of today.

Lawson says that like most triple A stations, one

of the gn.uest challenges is capturing younger lis-

teners. Fortunately. there are many young artists

carrying on the tradition of their musical ances-

tors. %s Rich is helping the station achieve that

goal. Since many y g adults enjoy acoustic

music and are immersed in the live experience.

heritage on-air destinations like "Blue Plate

Special" also act as .1 young audience magnet.

With that in mind. WI)VX began using .I

new positioning statement: In addition to "Last

lenuessees Own.- wn it is imaged as .siring "Re.l Live Music"

The station is marking its Ittt11 anniversary in

several says. First. it is sponsoring a celebration

concert at Knoxville 's Bijou Theatre. which will he broadcast on the station and hosted by lint

auderdale. Performers include Robinella, the

Red Stick Ramblers, the llackcusas Boys, the

F.veryMx fields and Alex I eah. For several seam the stani1i hosed an annual

event called (:.mgxrfest. which allossed music

fans to pitch .1 tent for the weekend and enjoy

live music. Nosy that the station is more closely

aligned with the city. Lawson and others hope to take the show and expand it into a three- or firtr -day tisival that turns into a citywide event,

to be sponsored by the recently formed Knox- ville American.. Music foundation. with which WI )V X is closely aligned.

The station also has three compilations in the

works:The first will include performance high- lights from "Blue Plate Special:. It is being pro-

duced in cooperation with the tourist bureau.

concentrating mostly on regional artists.Tlne sec-

'We fought, got beat down and scratched back up for six years to get this station going.'

-Tony Lawson

Local and National Recognition

Bluegrass radio station

of the year in 2003,

2005 and 2007 from the

Society for Preservation

of Bluegrass Music

in America

"Blue Plate Special"

as attraction of the year

by the Knoxville

Tourism Alliance

Synergy WDVX has forged

partnerships with

several local and

regional organizations.

including:

City of Knoxville and surrounding towns

Knoxville Americana

Music Foundation

East Tennessee

History Center Museum of

Appalachia

Local theaters

Local music

promoters

and .sill feature ,electron, front the p.ist II t scar,

of live broadcasts Irone -Mile Plate Special- per- t. aire,. perlirnu.mes recorded at \ierlclirt and other archived m,ueri,l.'I he IA't pn,jeet 5% ill IX' .I series of (:I )s containing archived ,Ross that

late songwriter and (.canine Asard- snning artist John Hartford made tir die station boni his

hotue. called "The Anderson (:punts . \h'hilc I Ionic Comp.11l un:

1.1ver.Ill. I awson is pleased ssith the progress

the station has made in its tint Jrradc and ILtIs

It i, just hitting its stride. ssc de% clop these uess rel.mon,lnp, ss nth

the city .nid other org.mü.ttion, .und broaden

our reach. I fiel 55e have cstahhshrd purselses. enough that V sill he arnuid another tit \VAT'SAuJmaybe ItoAfter th.tt.he,,IS,.'WeSy! Molt to do .thing .nid sse h.tsc .moon pushed th.0 initial goad. Noss it is about itak- utg it inure ,und better hvs

WDVX Music Monitor Oct. 10, 3 p.m.

Robert Plant & Alison Krauss,

Old Crow Medicine Show, ;.1

James McMurtry, Shawn Camp, ..,1 Patty Griffin, L onq R,de Home

The Band,

The Everybody Fields, nplane" John Hartford. ...red Aeropl,rne

Be Good Tanyas, .. . nose, Co,

Emmylou Harris, Rodney Crowell, ',heater From the Stone"

Bob Dylan, 'Angled Up m Blue Merle Haggard, `.lama Teed.

Stanley Brothers, 4len10ry of your Soule'

24/7 NEWS ONLINE www.RadioandRecords.com

www.americanradiohistory.com

.45P&;- Americana Suecial

Autu m NEW RELEASES

n

RYAN ADAMS "Follow the Lights" (Lost Highway) followimg his tint top Ito- charting album 2tNi7\ crin -

.als acetones "l'..is 'lag r - -Ryan Ad. has just re-

leased .1 Hess I'I' called -I-allow the I Ights: It deludes three previouJy unreleased tracks: the title track. "Blue I 'ter and "Ms I use Iior You Is !tear ° I he List tsso %sill

soon be k.ttllred in the AB(' I V drama -October Road" lite set also has live In .ttkl u Venions of five songs. An Adams hosed set is reportedly iii the ssorks.

BLUE RODEO "Small Miracles" (TeleSoul) Since 19x7 jimmy (:eddy. Greg Keelor and the band

k %\n as Blue Rodeo have been slaking their assn

24 unigto: brand of pop infused country music that is

universal in appeal and timeless in message. I hey

'unnnur that tradition ssuh the release id their I Ith studio chart. "Small Miracles.- Railing i ( .u1.u1.1. Blur Rodeo has peen nominated for 24 Juno j/ gss.trds and has taken eight of them home. including dour tor group ut the scar.

RYAN BINGHAM "Mescalito" (Lost Highway) I here isn't anything hike

the ...him] ut hard

knn. ks tu Burr .I

singer sung%\ rilri .1 I1ut-

II iuiIt.s pool dit Illsplr.l- nun. .Ind that certainly holds truc tor Itv.ut Bingham. As a kid gross.-

tug up In \L't.t 'CV'.. he

was shuffled .1r I a lut

and ended up stepping

out oil his assn at .1 swung age. I Ir stirvisrd by partici- pating in rt,a;lon.d rodeo events .old pl.lyimg music for loess and trirnds. A myriad of roots influence .sound here .111(1 even .1 lit utClsut rot lòr oomph but at

his essence. Bingham is rarryiug on the tine troubadour tradition of his home state.

p vwti "RAM

DOYLE BRAMHALL "Is It News" (Yep Roc)

I )unir Itranu;.al began his Music career in I ).uII.I. when the Vaughan Brothers %sere cutting their nm.ic.a teeth. and ni tact. hr pl.rd \soh thrum ii several bands .dong

the %s .ay. Ile even ssrote .1 lins sonos Stevie It.1s made

t nimis. including " I ig;trope. "I )irts' Ptah" and (l singe It.- Uhrough the )ears. playing guitar in banni %s tub .Irculnphshrd 'sums has loom Braumh.als mesa

n. ket. I I oweser, tVt ry now and again he seps out un his

assn tu release a solo proµit. I lis latest eft.' rt h "1s It pni.hlcrd by longtime friend (:(: Adcock. It fea-

tures several guets. including sour ut time lx-,t micmac

slmgers 'texas has tu uflir.

24/7 NEWS ONLINE @ sww.Radioanditecords.com

Harvest PIETA BROWN "Remember the Sun" (One Little Indian) firma Itrown i. the

d tighter of (auniu y

Award- nominated singer/songwriter (:reg Bron. and there is

certainly ,1 fancily like- n,. \shun it Conns to uulsle. Strprisin0y. she

never teen considered

taking up the wic.tion until her slid -2t K. Rot

when Brown holed lienclÌ tip in .I died .it her did: place

in Iowa (:it she emerged \\ith enough tunes fior her first

self-titled indic release. Bnwsm returned with atm impressive

Bo It.unsy- produced sophomore eflixt. "In the (:Wool: in

211115. She tiollows withi "Rets euiher the Sun ssitch .;r co- pnraluced with Ramses .utd (had (:ronssell.

SHAWN CAMP & BILLY BURNETTE The Bluegrass Elvises Vol. 1" (American Roots)

At first blush. it may seem an odd idea to take some

of the songs Elvis Presley made uno and recast

them in a bluegrass style. but it you go hack to the

roots of the King's musical genesis. bluegrass music

played ,I crucial role. Bringing it all full circle. blue- grass /country .artist Shawn (:amp and rockabilly pur- veyor Billy Bonmette got together and cut an album of some of their favorite Elvis nine..T;e result is" I he

Bluegrass insides"

DEANA CARTER "The Chain" (Vanguard) Bettore you d .. this .is just another cover album com- ing down the pike. take a tiiuntrst to consider the moti- vation Ixhind I)eana Garter's mess all . "l Ile (: ;.tin., ter f:Ither. I red Carter jr.. is considered one of the top

..slur guitarists. and through the years he recorded writ; an aniaiing list of artists. Each song selected for this album

involved her I:utIer in the original recording. For " IIie (:halm : she s% as able to entice many of those artists to

rerecord the songs with her. too. And. of course. that: her

dad on the 511it.ar. ( islets include Kris K ris ittersni. I tolls fanned lcssi (:ulcer. Shooter Jennings. Willie Nelson and

Gturgc lours.

STEVE EARLE "Washington Square Serenade" (New West) I lying in Ness York ssith his new bride. Allison Mnorvr. tin' the past couple of years. Stese Lark has been busy

5%ith multiple project.: playing a recurring character ou

Ih O'. l he Wire.- hosting .a weekly show on Sirius

Satellite Radio and working on .1 novel. lu that time

Lade has also been taking in the sites .und insights New York has to offer. and it has protiniuidly influenced his

latest eflurt. "W.i.lungtou Square Serenade: Produced by

John King of the I >wit Brothers in the legendary Iileetric Lady Studio., it fi..tures .I introspective but no less

socially e artist.

AIIAÌ .

ssIorarur

THE EVERYBODY FIELDS "Nothing Is Okay" (Ramseur) Itemenlxr the tint tinte %loti heard Whiskeytu%.ii. (Alan Welch or the Ike (inoxllanya. ?The feeling is similar on the

debut album lis the h serbody h ields.When music is gtxxl. original and honestly wnnigdtt. something in die grooves

just roaches out to fini. This quartet hails from Iinne..ee and is rapidly building .0 ngiun.a touring base that kill sure-

ly expand leni, the nation in shun iinter.The hand has a

way of talking tried -and -true sounds .nid wpm-posing them

in first) and inventive ways on "Nothing Is Okay.-

JOHN FOGERTY "Revival" (Fantasy /Concord)

lui ,1 sttltlge twist of fate

john fogerts has retunied

to the place that started it

all mur him. Fantasy. the

%err smile Libel he t.oged \sit; in coon for sears.

I he spirit of hunxeeunm-

1115 is .lido incoris rated ii the music of "Itesisal:' ss Inch channels amans of the early sounds and vilos

that musically intitriid him in his ('rttkitue ('leans.iter

Revival dam. I losve%er. it is Ito leers a socially conscious album

than .uivthiiut he h.h dim ili the recent past.

MARY GAUTHIER "Between Daylight and Dark" (Lost Highway) Mary ( iauthuer takes her lit: experience and turns them

into somebody heart-wrens hing,somettnmes lime- atiiruiiing testimonials. Alter a couple of critically acclaimed Indic

releases. she ed to Nashville and shamed with I ost

I;gh%vay. I 1er tint project for the label- "Mercy Noss; produced by Guff Morli\ established hier as an artist

s%ithh depth. Gauthier moss return with "Between I ).iy-

ligh t and I )ark. Produced by kx I Ieury, the project reseal

.1 painful but lxautitiiI side to (iutthier: ramps-Ming.

TOM GILLAM "Never Look Back" (Treehouse) I om ;111.m is .I perfe t testanueut to the flit that the noon

of Auuerican.l can curie from any part Ili. the Uuitetl State, L Ile hails front the I'hiladulphi.a South jelNey area. (all.un broke through in a big %sav in the Americana community ssit) 2(N )i: "Shake My I Lod: and it poked like every- thing s.as on a IxsitiVe climb Iirr the artist. [hen dis.ister

.truck. III March 2.1N N1 Is lie w.as Isegii niug to cut his

fiitirdu all . Gillamt suffered three heart attacks. After a

sucttsstrl r ctwen, he and his hand. Ir.tttor Pull. resumed)

recording to complete "Never I took Back.-

MERLE HAGGARD "The Bluegrass Sessions (McCoury) Merk I Iagg,inl has eydond many musical ttrrituries in his

storied and sic at'Jill career. but until tows Ix ;.il never dkoue

.1 pun: bkiegra..album. Sao Ix called tip Ronnie Ite1NI .uu.1

asked if lied like to pnoduce nor Mr him. After some discus-

sion, the tssu lw.oktl to Ricks Skae}s studio in I lendkrso. ei It m.:.grablxd a bunch all I !award-pelmet! hid tilaxl .n id J kW

Choke %n ntn: al ud Iwdkd in s N 1 ie al m I. V11 ll; plrvrs: Marty Stain

(}ait.Ir and mandolin). Rob IA. (tkolwo), Charlie (u.hni.ui ` xii rat o). (:.11 lit ks It (t u iit.Ir). Atihre ' I Iselin (folk.). Scott Jos.

(toklle). JAL Wilke (harmonica). Ik'II Ixm o\ (bah.) and Alison

Krauss ducking oxal.). Ilw result is .1 killer album.

Continued on page 26

NOVEMBER 2, 2007

www.americanradiohistory.com

Thankyou_AMER1CANIRAD Ö t y úpØort m 2001

411' rifteLbV 'ANUNISCARCEBAND lrr'i

-4 IT'S NOT_ BIG IT'S LARGE 'ä

C ommi up

New Releases by Shelby Lynne, WiI1îeNeisofi &ãyet ! Carl I.

www.americanradiohistory.com

Americana S.ecial

Continued from page 24

EMMYLOU HARRIS "Songbird: Rare Tracks and Forgotten Gems" (Rhino) There ate artists who hase hits and those who haw unct s-

fid capers. But o ccasimully there are artists Who become

iC011it and inHuelcc -tenrecs lives-both Idknv mttsiciatn and tain. Iinmqkrn I Llrris certainly tin in that rare (-aeep-

n. During a lengthy and prolific caner. she Iras issued

non hits packages and ninospe tivos. but pefups her latest is the one that is closest m her ban. "Songd,ind: Rare hacks retie IiorglItten ( Kitts' is a tiner -(:1) sat of songs hand -

picked Iw Harris that yon her entity rawer,llx boxed set

also has .t I WI ) of tare Ins. petornuuces.

LEVON HELM "Dirt Farmer" (Vanguard) lieu-known as the drllllllllt'r w ilh the deeply soulful voice

tier legendary gn nip the Band, I even I Ie lna rot mined .1

nulsiàal fierce to be reckoned scith earn after the group'%

demise. HtInl was sidetracked a few Sears ha: k when his

Woodstock. N.Y. -based studio seas largely destroyed Lw

tire. only to be topped by the Inns oÌ his voice due to throat

cancer. Ikth have since been resound to their former 26 gIon: as is evitkncetl by his first solo recording in 25 years.

"Dirt Farmer:. Produced by Larne CamplxIl and Helms daughter Ann: the project features traditional 'amp that / shaped his musical psyche while growing up in Arkansas.

as well as s)11W modern -users.

JASON ISBELL "Sirens of the Ditch" (New West) l'an of Southern nck revivalists the I )rive- By 'Fruckers. Jasa Isbell has s e sapped out on his wen. A native

of Muscle Shouk.ALi.. Isbell lus been nuking music since

the age of 6. c lha ling much of the style that his I

town is f for. He recorded his solo debut at the city's egentiary Faille studios and co-produced it with his friend Patterson Flood. You'll hear influences rang- ing from rock to blues to soul in the t I tunes on "Sirens of the I )irt:'

SHOOTER JENNINGS "The Wolf" (Universal South) Iry difficult for a nest -

genera child of a

legend Tike Waylon Je g' to cane out his

town path. and for a

while Shooter Je gs

did so by lea g

in a nxk dire- with his hand Stan,

However. his pertionn- alce of "I've Always

Been Crazy" at his father's nit I service pnwtd to he a tar g point tar hint. Afterward. he decided to revisit the nok and country perspective his father had

so %titet- filily blended together. Je gR continues with his latest CHion."The Wolf;' which offers a blend of musi- cal styles and well- cr.tied introspective sags.

JIM LAUDERDALE "The Bluegrass Diaries" (Yep Roc)

Aliet \s inning .1 (4anum Award in 241412 for his collab- oration unit Italph Stanley on "I ost in tilt I s

Pintes' and tyceiving a G for 21N16s

"Bluegrass." Jim Lauderdale is hack at it again. "The Bluegrass !harks" is tiolt -. pin'. good - ' inspired music that can nuke you cry and huge- sometimes within the sanie song. J g are usual cohorts Randy Kohrs (dohro). Richard Bailey (banjo)Jay Weaver (bass).

Cooly Kilby (guitar) and Aaron Till (fiddle). Guests

abound on the project. including Shawn Camp. Clay Hess and Jesse Cobb.

LYLE LOVETT "It's Not Big It's Large" (Lost Highway) The remarkable and

iusiglufid Lyle Lovett

returns with his first

studio album of new material in four years.

"It's Not Big It's

Large" was produced in I.ts Angeles with I ovens [mgt. col- laborator Billy Wil- di.0 us. and it tiatures Ire

new Lovett-pc d songs and a couple of choice coven. It also etc passes the talents of 16 band members. a

variety of guest players and a handful ofvocalists.As with most of his Projects. it rovers a broad spectrum of musi- cal grimes toot Nues to folk. jazz to gospel. old sends to new. yet the distinct talents of Lovett as a songwriter. singer and arranger brilliantly bring it together into a

cohesive musical statement.

ROBERT PLANT & ALISON KRAUSS "Raising Sand" (Rounder) A erse years back Robert Plant and Alison Krauss sang

together for the first e during a Leadbelly tribute at

the Rock and Roll Hall of Fame. It was so nttch tiro that the pair said they'd like to work together again.That vow has nove e true with the release of a duet album. "Raising Sand :'The project features all eclectic hein of

Old and new songs that are informed by blues. Western

swing and traditional tiolk. The album was produced by

the perfect person for the project. too: T Ikon Burnet.

THE SADIES New Seasons" (Yep Rock)

The Sadie, have barn spearheading a miiossilltilt among puny noes -bused artists to break (knit stalk bottom gen-

us and stvks.lb then it isn't so much about slick produc- tion and pristine sound as it is about raw tilxxion and

organic deliver: In atklition to touring regularly as a !wad-

i. g act. the Inter has worked àksely with Neko Case.

Join Spence and Garde I ludko n. The Sadies now return with their fifth effort. "New Season;' produced by the

Jayhawks (Lary Lauri,.

BILLY JOE SHAVER "Everybody's Brother" ( Compadre) Billy Joe Shaver has been plying his musical wares for a long time. He has had radio hits and radio misses. and

he's written songs for and recorded with of coun- try's elite. He's been called an outlaw and a has- hect,. and he's acted in movies. Earlier this year. Shaver

released a greatest -hits package chronicling his 311 -year-

plus career. He delivers the John Caner Cash -pro- duced'Everyhody% Brother." an album that he classi-

fies as a spiritual effort. but as always. on his own terms.

Music tTlO

CHP TAYLOR & CARRIE RODRIQUEZ "Live From the Ruhr Triennale: October 2005" (Train Wreck) Prior to stepping out again as solo rconIing artists. (:hip Taylor and Carrie Rodriquez were actively touring together all over the world. In October 211(15. guitarist Bill Frisch invited then to participate in Gernunys annual Ruhr Triennale Festival. l'art of a "Century of Sting" series. the event has the prformers play songs by

their favorite songwriters from the past century as well as some of their own c positions. Taylor and Rodri- quez were hacked onstage by FriscH. Iii -instr n talk Greg Lisz and special gust guitarist Buddy Miller. along with bassist David Pilch and drummer Kenny

Wollensen.

VARIOUS ARTISTS "Song of America" (31 Tigers) Once in a while, a proj- ect conies along that's so

ambitious and so all- elic passing that it is

hand to wrap your head

around it right away.

Such is the case with the incredible "Song of America." Comprising three CDs-red (1á92- 1M611) white (1t61- 1945) and blue (1946-present)-this colleà of 511

songs coven the history of America. from its t' ling days to some of its most recent events. Produced and

guided by Ed Pettersen. "Song of America" featut s a

broad gamut of artists. from the Blind Boys of Alabama

to John Wesley Hanhing.Toon O'Brien to Suzy Ikoggnuss

and John Mellencanlp to Andrew Bind.

PORTER WAGONER " Wagonmaster" (Anti- /Epitaph) The late Porter Wagoner. who just passed away Oct. 2s. is

All icon from the golden age of country . Iven dur- ing the Llays of outlaws and country-rock he remained

steadfastly dedicated to his oven brand of ctontry -tunk. W.tganer,w.n also une of the first multimedia country sun using the stagne. the recording studio and 1V as %chicks to get his music out to the public. Ili, last album was pro-

duced by one of his longtime admirers. Marty Stuart.

Sometimes. what was o11CC considered old and dated Can

Income mesa and exciting .nad the reaction from the

Americana Conuuunity tuW.Ign aster-drives that point hot n ne.

WALT WILKINS & THE MYSTIQUEROS "Diamonds in the Sun" (Palo Duro) Walt Wilkins and his Mystiqueros are s thing of an

Americana supergroup in the Hill C ry reg' of Texas. Wilkins (vocals. guitar) has bien recording and

touring for 311 years and each of the other members- Rodriguez (d . vocals). Bill Small (bass. gui-

tar. vocals). John M. Greenberg (guitar. sonals) and

Marcus Eldrige (guitar. vocals) -are succtssfid artists in

their own right. Yet when they get together onstage or in the studio. the egos are left at the door and these five

players dedicate themselves to nuking sweet r ootsy

music. Indeed. great playing. thoughtfid arrangements

and super harmonies are the order of the day on

"I)ia ds in die Sun. Continued on page 28

24/7 NEWS ONLINE @ www.RadioandRecords.com NOVEMBER 2, 2007

www.americanradiohistory.com

OCTOBER 31 TO AME CAN NOVEMBER 3, 2001

80

A iVI WJ W ASSOCIATION

TIMM 110111

Presented By The

Catch these performances at the AMA Convention ADRIENNE YOUNG AMELIA WHITE ANY LAVERE BLUE MOUNTAIN BLUE RODEO .

BUDDY MILLER BUZZ CASON CADILLAC SKY CAMERON MCGILL & THE

QUARTET OFFENSIVE CARY ANN HEARST CHUCK PROPHET DALE WATSON DARRELL SCOTT DAVID OLNEY DEL CASTILLO DEVON SPROULE DIANA JONES EILEN JEWELL ELIZA GILKYSON ELIZABETH COOK GRAYSON CAPPS GURF MORLIX

HOOTS h HELLMOUTH JAMES INTVELD JESSE DAYTON JIM LAUDERDALE JYPSI KANE WELCH KAPLIN KING WILKIE LAURIE LEWIS LUC DUCET MATT HOPPER MATTHEW RYAN VS THE

SILVER STATE MELINDA SCHNEIDER MIKE FARRIS MIKE YOUNGER OTIS GIBBS OTIS TAYLOR PAUL BURCH AND THE

WPA BALLCLUB POLECAT CREEK RAY WYLIE HUBBARD RON SE %SMITH ROSS BARENBERG

SARAH BORGES AND THE BROKEN SINGLES

SCOTT MILLER AND THE COMMONWEALTH

SORTA STACEY EARLE &

MARK STUART STACIE COLLINS STEVE FORBERT SUNNY SWEENEY TEXAS SAPPHIRES THE HACKENSAW BOYS THE LANCASTER

ORCHESTRA (SWEDEN) THE WRIGHTS TIFT MERRITT TOMMY WOMACK TRENT SUMMAR AND

THE NEW ROW MOB

UNCLE EARL WEBB WILDER WHITEY JOHNSON WILL KIMBRODGH

Performing at the Honor and Awards show PATTY GRIFFIN LYLE LOVETT EMMYLOU HARRIS GUY CLARK DARRELL SCOTT JOE ELY

RICKY SKAGGS WITH BRUCE HORNSBY

LOST HIGHWAY s E s e c

TODD SNIDER GURF MORLI% THE AVETT BROTHERS AMY LAVERE ELIZABETH COOK

SUNNY SWÉENEY

THE HACIENDA BROTHERS OLD CROW MEDICINE SHOW

BMI em

echomusic

www.americanradiohistory.com

Continued from page 26

DWIGHT YOAKAM "Dwight Sings Buck" (New West) It no secret that Dwight Yuakan Was profoundly influenced by his mentor and friend Buck Owen% and hc, n than . was deeply a e ii d by Owens' passing earlier this year. Perhaps as a cathartic exercise a% well as an All of I r and respect. Yoakam now returns with all entire alb of his (Jvorite Owens songs. Further, r por of the proceeds from "Dwight Sing, Buck" will be donated to the Buck Owens American Music Founda ' . a charity devot- ed to the prewrvJtiun of the Bakersfield d and t )vein' legacy..

RECENT RELEASES THE AVM BROTHERS "Emotionalism" (Ramseur) 1 he Avert Brothers are two siblings -Scott (vocals. brnju) And Seth (vocals. guitar) -and one brother - in- arms. Bob Crawford (upright bass. vocals). The

28 trio arose fr In ashes of popular North Carolina rock hand Ne and Iras been officially recording s c 2002. through g I press. constant touring j and significant radio airplay. they have built a fan hase that goes crazy over the hand's duc blend of j/ folk. country. hillbilly JIM blues. spiced with a rock stnsihility.

THE GOURDS "Noble Creatures" (Yep Roc) Whatever those Austin boys have in their jug. they .l Id keep drinking it. because their creative juices are running as strong as ever. Since fio g in I'))2. the Gourds have defied classifica by blending All eclec- tic assorunent of styles -Hock. country. zydeco. soul. Iex -Mex. folk and blues an I , good sound that always seems to latish the masses. "Noble ( :rcaturc.' is their eighth effort and in many ways it reveals the members at their most relaxed And Iodised in (Wile s . Still. they memo) off the wall and lull of surprises.

KANE WELCH KAPLIN "Kane Welch Kaplin" (Compass) Timis is the third wilting f Jet' -

plished singer/ g- writer /musicians Kieren Kane, Kevin Welch And fats K.Iplin. and even though each easily stands as a success on his own. they Also like the idea of playing in J hand of kindred spirits. "Kane Welch Krplin" is a basic. bare -hones endeavor. with just the right amount of instrunmentr and vocal inflection to convey the message and e of the gs. Plus. they have added a nee clement to the process. with Lucas Kane (Kieren's son) j -

Mg on drums.

24/7 NEWS ONLINE @ www.RadloandRecords.com

AMY LAVERE "Anchors & Anvils" (Archer) There is s thing about a tinxod- hooking woman mowing her hand up and down the neck of a stand -up hass guitar and singing in a sweet and see gly ' cent

voice. Such is your tint impress' of Amy I.aVere. but there is more to this talent than meets the eye. LaVere is a Well -traveled entertainer who tried out several styles of music and hand configure ' before she got it right. For "Anchors & Anvils.' I.AVere enlisted the help (Wilber-mots producer Jim Dickinson to find the cor- rect blend of'traditiuual and modern for an album that takes her to new places.

{

94(

LORI MdCENNA "Unglamorous" (Reprise) Lori McKenna has always written songs. but it wasn't until the age o4'27 that she started perto g her music Mr the public. Since. McKenna has released tive albums. including her latest. "UngIanuoous:' And a tiny of her songs have been recorded by some big stare, such as Faith Hill and Sara Evans. McKenna i new album may have been produced by Tim McCraw and Hymn (fall re. but don't get the idea that she is just a c try artist. McKenna is a singer /songwriter who writes slugs with organic flavor and universal appeal.

GURF MORUX "Diamonds to Dust" (Blue Corn) One way or her. Gurf Morlix has been involved with some of the taunt important Americana and Hots artists during the past two decades. He has produced. recorded with or pertimued with Warren Zevon. Mary Gauthier. Robert Earl Keen. Staid (leases. Ray Wylie Huhhanl. Buddy Miller. Julie Miller. Lucinda Williams. J. , LaFave.J Dale (oil . Butch Hancock. Jim Lauderdale. Jerry Lee Lewis. Bob Schneider. Steve Earle.Victoria Williams. I)ave Alvin and many . But he is also a recording artist in his own right. releasing tour albums. including his latest. "I)i- ds to Dust."

DOUG SPPAM "The One Who's Leavin' " (Great North) M' vital -based moots

artist !Mug Spartz has

been nuking sonic for tour de des

although there .I

12 -war hiatus just prior to his self-

releacd 2tNKi

Americana success

"American Stories.

Lie's & Tales:" In spite of ensuing health issues. Spanz was motivated and deter-

' d to record a tiolkow -up album and "The One Who; Leavin' ' is the result. Spartz again references many American musical styles :and blends them into an organic sound.

s

. .i'.; 1. 1v. .,

DOUG SPART7

'-

AMFUICANA Ml71B=rt ss.otars.a

THE SUBDUDES "Street Symphony" (Back Porch/BLG) Formed in 1987, the Subdudes took the bluest/ and soulful sounds of New Orleans and blended them with the vibe of the Rocky Mountains. It was the simple fact that they preterred to play music that was acoustic -based and a hit on the subdued side that birthed their name. A desire to branch out and play with other artists led to the I'$)7 breakup. I loweser. the flame was rekindled and the 'Dudes refimned in 2004. recently releasing "Street Syntpl

VARIOUS ARTISTS "Anchored in Love: A Tribute to June Carter Cash "(Duakone) It is impossible to overstate the impact and lasting influence the Carter family has had on Americ for the past Mu gears. and when you attach that pedi- gree to the deep stark left by Jol (:ash. the line- age becomes even more amazing. Such is the family history of producer /songwriter /musician /author John Carter Cash. the only child of June and Jul Cash. For the past couple of years. he has been focus- ing on a tribute alb to his her called "Anchored in Love: A Tribute mimic Carter Cash." as

Well as writing the first biography about her.The (1) features a stellar collection of perlimnen and musicians who .worked with June through the years. as well as

family members.

KELLY WILLIS "Translated From Love" (Rykodisc) Kelly Willis has always

been of the best

examples of what Americana is all

about: a fresh perspective Mt-tanned by what carte Won. her. Musically sassy and defiant

Mt. full of rfer- dice and respect the next. Willis is always

direct and I st- however she decides to play it. l'nxluced by longtime collaborator Chuck prophet, her first new album in five years features a collection of orig- inals and cl e cower.

ADRIENNE YOUNG "Room to Grow" (AddieBelle) Just like her h

grown Way of recording and remarketing her

sic. Adrienne Young takes an organic approach to the way she

I«oks at lite. She contin- ues her dedica ' to p g local Mod systems and is involved with the American C Garden Assn. and the Save a Seed I' I. As with past projects.Y g c to collaborate with in- demand guitarist Will Kimhrough. "Roonm to Gnny" also features musical contrit by Mike Gordon (bass). Conlon Stone (pedal steel) and I )ale Ann Bradley (backing vsxals). g others.

NOVEMBER 2. 2007 www.americanradiohistory.com

LOUISIANA. RECORDING IN PROGRESS.

If you're looking to increase your volume in the recording industry, Louisiana Economic Development

invites you to experience the Sound Recording Investor Tax Credit. It reimburses 25 percent of your

investment in sound recording, production, recording studios and infrastructure projects. Much like

Louisiana's motion picture program, the Sound Recording Tax Credit is designed to boost record

production by reducing your costs.

LOUISIANA / ECONOMIC DEVELOPMENT

TO LEARN MORE, CALL 225:342.5403 OR VISIT LOUISIANAFORWARD.COM /ENTERTAINMENT

© 2007 Louisiana Economic Development

www.americanradiohistory.com

Americana S.ecial AMI "110-''j laTIOM

Americana .Airplay Chart Reporters

30

Islllowing arc the call letters and mailing and Well .itc addn..c, for the radio outlets that repos each week to the Americana airplay chai. For names. phone numbers and

e -mail addn:Mxe. pleas contact the Americana Mu.ic A,.n. at (,I5 -32I -3 -15(1.

STATION ADDRESS WEB SITE STATUS I STATION ADDRESS WEB SITE STATUS

KAXE 260 Send St NE, (rand Rapids, MN 55744 kamag Noma merdi I WEVL 518 Saudi Mid Mempik TN 38103 sevl.ag Noncommercial

KBCS 3000 Lamderhobm Circle SE, Bellevue, WA 98007 Nimbi' NaKOmercial I WFDU 1000 River Road, Teaneck, NJ 07666 whfo.hn Noncommercial

KCUB 471N. Harbk Sub 10Z, Step4arEe, TX 76401 eeasraäo947.cam (asrcial I WFHB 108 W. Farti St. Bomingto . N 47402 Akins Nommmmerdd

KCUV

KOHX

KDNK

KEXP

KFAN

120118th Street, Suite 220, Dever, C080202

3504 Wpm - Aue. St Lark MO 63118

PA. Ba 1388, Carbondale, CO 81623

113Orin AWN. Sexte, WA 98109

P.O. Bag 311, Fredericksburg TX 78624

kcurrada.com

kddc.arg

lanai

tnasrtbekadio.com

Commercial

Nomoumerci l

Noncommercial

Nomonnerdal

Comercial

WFPK 619 South Fourth SL. Lnuiseik, KY 40202 wfPk-a9 Noncommercial

WGCS 17005. Maim St. (mks, 8146526 iloier++aan Nmtmmmrtial

WGWG 106 Enmir Lane, Eking Springs, NC 28017 04.9.,9 Noncommercial

WHAY PA Bon 69, M / City, KY 42653 hay91Lonn Noncommercial

WHEE P.O. Ba 3551, Martinsville, VA24115 0hee.met Commercial

KF1C 12345 O Made Road. 16202. Los Altos His (A 94022 Ica Noncommercial WNCX 24100 Time Bhd. Site 10, Port Claudette, A. 33980 Akan Commercial

KGSR 8309 North I -H 35 Austin, TX 78753 *ram Commercial WJIMQ 33 East Third Si. Clntomie, WI 54929 hogcaatry923.com Comercial

KHTZ 530 West Main St. Benham, TX 77833 enestrilmmn Camnrdal WLKIi-2 40MmnmstOnJe,Saite600. eiraapais, N 46204 HD-2 darnel

KHYI

KNET

KOPN

12225 Gretna*Ase., Datas. TX 75243

1540 Lag 337 Noté New Brendels, TX 78130

1713 Rose Drive, Columbia. MO 65202

khyi.con

knbthamm

kopn-ow9

Commercial

Co mer ial

Non c twn ç ial

WMKV 132 Breckenridge, Maelsead, KY 40351 mnsuradio.com Noncommercial

WMMT 91 Naas Awe., Whtesburg KY 41858 app+ebopAw9/wwswt Noncommercial

WMNF

MON

WNRN

1210 E. Martin Luther King Blvd, Tampa, FL 33603

P.O. Ba 804, *dale, NC 28160

22500M hey Roan, Suite 2, Charlottesville, VA 22903

wmd.org

.mn.or9

wncn.rk.net

Noncommercial

Noncommenial

Noncommercial

KPFA 1929 Martin Luther King*. Vise, Berkeley, CA 94704 kpia,ag Nomommerdd

KPFT 419 Lovett Blvd., Houston, TX 77006 kpla.ar9 Noncommercial

KPIG 1110 Main St, Suite 16, Watson'', CA 95076 109.0An Comnrcial WOW 9 Sad Cole4e St, Admin. OH 45701 wouó.or9 Noncommercial

KRCB P.O. Bor 4262, Santa Rosa, CA 95402 heighttraidtoogirrnn Noncommercial WQBR 330 IkElmrtan Or., McElhattan, PA 17748 bear999.can Commercial

KRCL 197 West North Too le. Salt lake Ot UT 84403 ludtug Noncommercial WQNR 294 S Cdege St. Sate 104, Aabmn, AL 36832 sprmm (.ummndal

KRFC

KRSH

619 Seth College Ave. No. 4, Fat Colas, CO 80524

3565 Slavish Ase. Salaam, U95407

krk hn.org

krsh.mm

Noncommercial

Caonnd+l

WRFL

WSGE

WSYc

P.O. Ba 777, University Station, Lexington. KY 40506 w+fl.mJry.edu

402 West Gold 5410 paMeaub.NC28086 wilco"

Cumberland Union Bldg. Third Fb. Shippensbag Ir1417,257 wsK.,9

Noncommercial

NosommercW

Noncommercial KSIL 306 W. Broadway, Siger City, NM 88061 km$adio.com Comercial

KSUT P.O. Ba 737, Ignacio, C0811Á haunt Nammmerod WTCR 134 FauthAue.lkathwgtm, WI 25701 wta-ameriuna.cam Camnercial

KSYM 7519 Del Oak, San Aso ion, TX 78218 accd.edu/tcmn Noncommercial WUMB 100 Morrissey Blvd., Boston, MA 02125 mnnb.org Noncommercial

KTHX 300 East Secad Si, Sute 1400, Remo, NV 89501 Ida.mm Commercial WWUH LiUwntpdHartford West Hartford, CT06117 wndamg NmKanmeróal

KTX N 302 Sam Houston, Victoria, TX 77901 teras nia.com Commercial WXLV 4525 Education Park Dr, Schnecksvie, PA 18078 wrlv.ag Noncommercial

KUSH P.O. an 791, Cushing OK 74023 1600lomkam Commercial WYOU 1056Cammobre 0r, Yrynmia Bead', VA 23454 Iryw.lm Nocammmcial

KUT KUTFM Camrmiatges Bldg B. Smite 3142, Austin. TX 78712 Iot.or9 Noncommercial 'Ausesek CM4 285 E. Liberty, Am Arbor, MI 48104

%kWW P.O. Bat 55014, Sherman Oaks (A 91413

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NEWS / TALK / SPORTS

Overworked, underpaid and rarely appreciated . .. ask about producers

The Care And Feeding Of Producers Mike Stern MSterneDRadloandRecords.com

hey .ore the backbone of the radio station. who make amazing 32 things happen and usually receive no credit. Producers are the

unsung heroes of spoken -word ti)rmats.These essential staffers dis- cuss their triumphs, failures and frustrations, so we all might know a little more about their world. Raymond Lopez. executive pro- ducer for the .1011 K Ken afternoon show on Clear Channel talk

KFI /Los Angeles. has been in the chair for inure than III years. He says that he -creates an atmosphere where the hosts can just do their show -to not have to worry .shout management screaming or station nonsense."

I ()Inv ws the hardest part of the gig is "getting e%eryl'xl on the sonne page.' II. management is

on, crntd nit %what .1 ho st is saying. it% I op c/. poh to c.ihii ut.uaagrnaeut .uni make sure ditty kilos% we arc ionsidrnug all the r.nnifications-

I Ir also s%urLs the other side, informing talent

heu management is at odds with un air Con- trit .nad svr have to create sonic \wiggle nom

Remember, It's Only A Game In nine year. at LSPN sport. WMVP /('hirigO. Adam I kleyitt spent six pnxlucing the highly rated

Mac.Iurku K I Limy afternoon show.I le has moved

up to All ).

I )dtvitt believes the biggest differ-owe . produc- ing worts radio is that -we don't have to take our- selves uo seriously. Even in a .ports town like

cnR THE RErn1' In the Oct. 26 column,

Mark O'Neill's

company should have

been identified as

ROI Media Solutions.

( :hicago. it should be tine` Making sure host.

don't just "look fìir the negative" is important. I le also points out redundancy as .i challenge

in sports radio." l:dking baseball day slier d.ìv over

.1 king s.M)Ii gets repetitive. Mc challenge is to find an .uigle..1 weird twist on the story.'

Another role that most pnxlucers find thent- sh'es taking on is that of therapist. I )(Levitt points

out that sports talent tend to comprise limner player. with eytra -large egos: You got to give

them some love" Rebecca I og.ui %cork. Mr the i li.p.utic

Communications Network .as pnxlucer for two Spanish- lanlntage program.. "Iietivetiidos a

A tii rica "and "Epiceutni i')iitüo; and pn.. ious- ly vorketl at AO1. I mum. 11er .hallruge. darer

fnmi those that English- laulniage producers face.

"Because our audio is in Spanish. I can't us the same sound hitr. or the .unr people that

other producers have .access to.' she says. Bern .1

simple press conference on ( capitol I Till requires

"making sure that someone there .peak. Spanish. -This also affects looking guests. I o >gau

has to find people who can "speak Sp. It that

is hoop enough for everyone to undrr.t.uxl.Innii texas to New York:.

According to I oit.m. Hispanic broadcasters

haven't alays received the respect they deserve. If you call a senator and yeti don't have an VaMished relationship, she says. "there is quite a difirnnce Ixtsvern nor AIM the Wi.hiiituii Viva c.tiiit :' I 10%ever.she believes the situation is inaprn ing as

.vy.nness of I lispanic bniadca.trn gnvvs.

Even (tiring people is more difficult. A good Spanish- Language producer nerds all the some

skills as an English-language producer-phis a

fill understanding of I .vino culture.

Where Do They Come From? The pnxlucer% tie G. Gordon Liddy. Michael Reagan, Greg Knapp and Doug Stephan all

have one thing in conunnu: They report to

of Americans say they

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Rich McFadden. AS operations director for Radio Am- rri:.l. M :I sadden manage. .1 crt%y of pnxlucen Auld was

.1 pri 111 r himself for many year.. When it comes to

hiring people to produce. he says "I look at the person

before I look at skills. I value people who exhibit st.Ibilits..i %%ork ethic and being

part of .1 te.un. M: I atklen adds.-When you hire a produc-

er. it is a muter of knlxving the host. When

intnnluted pnxIucer I ranklin It.Ifi to G.

Donlon I idth. I slid.( üve titis Isly .1 touille Of weeks. At tint. you're going to think he's

-axe he is but Iie\ also .1 genius:

McFadden tkv'rilx' IR.di .IS "knowing the

fed of radio. I le ktttxs. 110x% to make a show

I:iI rurrgntit and Iuxv to spin All issue" 'l'hr molt: Ntxv they art. .1 resin that is iserfitt together. - Mtl a.kk n s1). that Itadt.m- conmmunitate something into

I idly: e.Ir..md he will retxat it 'sithout .coal- gnle..ing

hint.Ixcaus they trust one another.

lit 'di I )elesitt and Mt Fadden agree that. unless yitl.an sitting in the chair pnxlucirg %%Iiilt. the sii5S Is live. you

ply cannot grasp %shalt the risk. is all alx,ut.

.. 111111). change %s hen %o1) Are 1)11 the air."

McFadden says. "It Ji tsilì .iI.ts Hots

exactly as you thought it %5otild :When nets.

breaks. "suddenh. w,1.1 are sending All iiittnl to do research and .asking your creative guy

for something nee% :' I >clevitt adds. "hut upper

mat.lgenxnt dtxsn't see that.- hey also unanimously agree that m.In.Ige-

Ilent dM.nt necessarily re.li/e the .amount

of time it takes to lx. All .tk' tivc pnxIucer.

"I don't think they we the pnxlucen talking to the talent at night and on the %%etkends.

%Yith nonstop e -mails and texts:' I )cicvitt says.

I ape/ says. "We might Ix at the station eight or nine

hours a Clay. Isar see meser stop pnxl11ting.'

Lopez

Garbage In, Content Out: High Tech Producers Digital platforms and new technology have had signifi-

cant impacts on news/talk producers. The impact can be

felt before and after the show.

Adam Delevitt, APD at ESPN sports WMVWChicago,

who spent six years producing the Mac, Jurko & Harry

afternoon show, says it has made things tougher

because listeners often already know what has hap-

pened within the realm of the station's content: "They

don't need to listen, making it even more important to

find a unique angle,' he says. Researching topics on the Web can be a double-edged

sword. According to Raymond Lopez, executive producer

for the Jon & Ken afternoon show on Clear Channel talk

KFVLos Angeles, it allows him to research more efficient-

ly, but the volume of information is almost overwhelms g. Radio America operations director Rich McFadden,

who manages a crew of producers and was a producer

himself for many years, worries that you can find any-

thing on the Internet. The important thing is whether or

not it's right. You have to verify."

After the show, there are new outlets for content. For

syndicated shows, McFadden notes that podcasting

means we can reach everyone in the country, not just in

our affiliates' signal range. The Internet is such a mas-

sive outlet. All you need to know are the right keywords

to get someone to trip on your audio."

But Rebecca Logan, producer of Spanish -language pro-

grams for the liispartic Carnmuricatians Network says,

"People think, 'Oh, yeah, let's hase a bldg, let's have a pod -

cast; but they don't consider who's going to do it." This often

falls onto producers who already hase a huge workload.

McFadden says, If your radio show suffers because

you're spending so much time trying to get it out on pod-

casts, you're not being true to your listeners." Lopez

agrees: "Al that matters is what goes on the air. We're

competing with your mom. In your car, if we aren't inter-

esting, you are going to cal your mom. We want to be

more important than your mom." -MS

I ope/ \\ .11/15 to kui%e th.0 Ill.lnIgelllelll 5\ 111 sI.nld

hehiul pr.du :ers .Ind talent. "Itight or 5% 1011g.- he 5.1%'.

inlpurt.lnt fill r11.11I.1ge111e11t to hd the biggest f.uas of t11r 51105%. II.ltk yçllr guns I Inv.,. 1)u nl.utrr %sh.0 :

I ng.ln .adds th.11 busses Should he gentle %%ith t rit it ism. "It's eaS% to hear something and think it t oul.l he better or executed dilit remtly, but you don't real

lie 5% h.1) it took to get to that point. II there is .111% -

thing %%rung %sith the sterns. It .d%s.l\s weal. ro end 1)l

being the producer'. fault she .old. %%ith .a %wank.

Mt I .ldden sly.. "I'ruduters %%irk tiretes.1% and don't

get all the money the% dtserse. I Ile y.re there ber.ulse

then Iove

What Talent Doesn't Get oixvl nickname is "the Sheriff" becaus he is respo si

Me for setting members of the shoe% straight. I Iv ..n s that

".I good pnxluctr can sec %shalt the problems are and put

people in their place. Worku,g ss 1111 1 %1,1ui1.11e people

me.lnS there %%ill Ix disagreements. but the bottom Ilse a.

it all has to Ix good radio. All the other BS that happens

Ixhind the erne. IS 11151 cr.Ip'.

I )el.sitt non. 111.11 t.lcnt 11.10' their ass 11 ease 14.11111C

utirn mte.nnng that tilt' \ 111.1% not understand the time It

takes pnxlucen t, prepare .1 sgiiicnt Behind the s: dies.

"l hr% don't get that a bit or p.mxiy song takes more than

41 seconds to m..kd.YOm can't just %. hip that together. 111.%

don't re.11ue (kit it takes tinee to produce thing.: Iin.11ls. Mcl -olden hit. on the I +iggest :h.11enge be-

tween talent and producers: snupl5. "host humiliating it is. Talent never 'Walls to he mean. I he% Iicer nle.ua

to degrade you 1)r treat you poorly. But its tough %%hen

you .Ire trying to keep all this .tuff str.ugit and this gu. Is just heating sou up. telling sou tills 1, hornhle and

that suck.'

Lope/ reluctantly Agrees.- I here .Ire not a 101 of pec,-

ple .rho Ii.mr .1 thick - enough .kin to 1x .able to Come back

and rake a hraung dash tLly.Wt just 55am our host to look good 110 matter how Ix.n cop %%e gel:'

A great producer 1. .1 r.lre tine. I d5% people an put then

egos in :heck and %sort 15, make other people h,t,k gt,nd.

Try to Ix aware 01 their t h.uilenges and trustr.mom.. Ask

yoursclt. "I lase %o1) hugged .1 rot hit CI' tins ?

33

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843.972.2200 * * * * * * * * * * * * *

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NOVEMBER 2, 2007 24/7 NEWS ONLINE @ www.RadioandRecords.com

www.americanradiohistory.com

BIG SHOTS

Compiled by Alexandra Cahill [email protected] ds.c m

34

R.O.C.K. In The U.S.A. 1. Kid Rock performed scaled -down versions of songs from his latest CI), "Rock N Roll Jesus," for a taping of CMT's "Unplugged at Studio 330:' From left are "Unplugged at Studio 330" director Eric Welch,Vector Management president Ken Levitan, CMT producer Ellie Chandler, Rock, CMT manager of music and talent relations Kellie Robinson and Webster Public Relations' Kin Webster. Photo: Brian Tipton

He big shot! E-mai high -resolution photos from you promotions, appearances, promo

tours and other rado and record industry events to arme @RadioandRecow',.cun.

24/7 NEWS ONUNE www.RadioandRscords.com

2. Anrrka's Nod Top Magri Jack Diamond celebrated his 17th anniversary hosting mornings on Citadel hot AC WRQX/ Washington with some help from "America's Next Top Model" host/judge Tyra Banks. 3. The Sporting Ufa Bob Costas, host of Premiere Radio Networks' "Contas on the Radio," strikes a pose with two recent guests: Football Hall of Farmer and co -host of NBC's "Sunday Night Football" John Madden, left, and Texas Tech men's basketball head coach Bob Knight, right. 4. The McLaug it Group Sartres Tarzian -owned AC WAJUFort Wayne, Ind., PD Barb Richards snuggled up to Island artist Jon McLaughlin at a recent Borders appearance. Acmrdng to Richards, more than 150 fans showed up for the sirgerlsorgwriter's performance. S. Songe h, Tho Kay Of Lila Atlantic artist Trey

Songz, left, got acquainted with Radio One urban WPHI on-air personalities Laiyah, center, and Poochxnan during a promotional visit to Philadelphia. 6. Toast Of Thu Town Jive Records artist T -Pain received a

m ultiplsti um plaque marking digital sales of 3 million units of his single "Buy U a Drank

(Shawty Snappin'r featuring Yung Joc. From

left are Zomba Label Group president /CEO Barry Weiss, ZLG senior VP of R &B promotion Larry Khan, T -Pain, ZLG VP of A&R Mickey "MeMpHiTz" Wright, T- Pain's manager Michael Blumntein and ZLG senior VP of U.S. record labels Peter Thea. In front is

UniversaUMotown artist Akon's brother, Abu Ilion. 7. The Cowboy Way CBS Radio

country WQYK -FM PO Mike Culotta, left, caught up with Arista Nashville sigerlsorgwriter Brad Paisley during a

Bonfires and Amplifiers tour stop in Tampa.

(For more on Paisley, see page 20.)

www.americanradiohistory.com

mats The gateway to music formats, the week in charts and airplay data.

TIMELINE Dave Numme transfers to KITS

(Live 105) /San Francisco as PD,

retaining his role as CBS Radio VP

of alternative and active rock. APD Derrick

Baker is named PD of urban WEDR (99

Jamz) /Miami. Chase becomes FM OM for

Emmis /Austin as day -to -day PO of KDHT (Hot

93.3), with oversight of KLBJ, KROX, KBPA

(103 Bob -FM) and KGSR.

Christopher Gould tapped as GM for

Salem's WTBN and

WTWD/Tampa.

WGFX /Nashv lle welcomes Rich

Brother Robbin as PD. Renee

Bell earns senior VP stripes at

RCA Label Group!Nashville.

Valerie DeLong appointed VP at

Universal Records. Lyric Street

hires Kevin Herring as director of

national promotion. T.J. Lambert rises to VP

of sports at ABC Radio Networks.

Jeff Wyatt upped to PD at KITS AM-

FM /Los Angeles.

Dave Robbins and Bob

Moody are promoted to group

program managers for

Nationwide Communications.

Clark Ryan joins KPOP and

KGB /San Diego as PD.

t it

Brad Hunt is upped to senior VP of

promotion at Elektra /Asylum.

Charles Bortnick becomes GM of

KKHT /Houston. KMPS -AM -FM /Seattle ropes

in Tim Murphy with programming reins.

25 WARSAW

Jhani Kaye is named PD at

KOST /Los Angeles.

RCA Nashville elevates

Joe Galante to division VP

WLUP /Chicago announces

Jonathon Brandmeier as morning

man. He starts five months

later, following expiration of his

contract with KZZP /Phoenix.

c..,i.nr,.

Bill Todd joins KRLY /Houstoi

operations director. WAVA'

Washington appoints Tim Powell

as PD. Bob Cole garners PD stripes

KMEL/San Francisco.

OVEMBER 2. 2007

THE SPIN

Swift Logs Third Straight Top 10 Newcomer Taylor Swift collects her third consecutive top 10 on the Country chart as Our Song" (Big Machine) gains 1.7

million audience impressions and jumps 13 -10. Swift becomes the third solo female this decade to score three straight top 10 singles from a debut album, following Gretchen Wilson ( "Redneck Woman," "Here for the Party" and "When I Think About Cheatin' ") in 2004 -05 and Carrie Underwood (four top lOs from Some Hearts ") this year and

last. Swift's latest single also marks her quickest top 10 climb, reaching the lofty level in 11 weeks. Her debut single, "Tim McGraw," needed 24 weeks, and "Teardrops on My Guitar" cracked the top 10 in its 20th stanza.

By Wade Jesses, Gary Tnnt, Anthony Colombo and Raphael Gunge

Radiohead 'snatches' First Alternative Hit In

Four Years Radiohead makes its first

Alternative chart appearance in

more than four years as

"Bodysnatchers" (ATO) debuts at

No. 35. The track marks the Thom

Yorke -led quintet's 12th chart

appearance and its first since "Go to

Sleep" peaked at No. 32 in

September 2003. "Bodysnatchers" is the first track from the group's

album in Rainbows," which is avail-

able for download at the band's

Web site for any cost that a con-

sumer is willing to pay. A physical

CD is expected to be made available

at retail, but no release date has

been announced.

Alicia Keys Is Second To 'No One

r

At Urban AC Alicia Keys sets the Urban A( mark for mort No. Is as "No ( )nc" (RM( i) becomes her seventh to top the Iist.The 2 -I chart ntnr unravek the fixer -way tic she slum! with Ioni Braxton. Brian McKnigju and

LutherVandrow. and gists Keys an

entire year (52 sstrks) at No. I. the

most los' ans' artist.Vandross is we- ulx1, with 38 frames in the lead.

Since her elebut in 2111)1. only three

ut Keys' In chart appearances haw tailed to wadi No. I. "No Otw" also spends .1 second seek atop

Urban. climbs bs 111-9 at Rhythmic and debuts at No.35 at CI IR /Tvp -In and No. 29 at Smmeh Jazz.

Elliot Switches No. is Atop Smooth Jazz I:I, hard Elliot replaces himself at the Snxooth Jazz summit. as "Ain't

No Wonsan (Like the One I Got)" (BLG), by Jeff Golub featuring

Elliot, rises 2 -1, halting the eight -week reign of "R n It" (AliTizen)

by Elliot and Rick Braun. Saxnun Elliot is the first artist to replace

himself at No. 1- including lead and featured billings-on any RXR Nielsen BI)S -based monitored chart this year.

Two Out Of Three Ain't Bad Timbaland becomes the first lead artist in more

than three years to occupy two slots in the

CHR/Top 40 chart's top three, as "Apologize"

(Interscope) catapults 4 -2 to join his former No. 1

"The Way I Are" (No. 3) in the list's upper reaches.

OutKast was the last lead act to accomplish the

feat, with "Hey Ya!" and "The Way You Move" in

February 2004, while Akon was the last overall,

with his own "Don't Matter" and as a guest on

Gwen Stefani's The Sweet Escape," in April. In the

Nielsen BDS -based CHR/Top 40 chart's 15 -year

history, only Bryan Adams in 1994 and Mariah

Carey in 1995 had previously claimed two of the

chart's top three as leads.

Familiar Faces Return To Hot AC Top 10 Two Hot AC chart veterans each notch their latest top Ilk. At No. 9. Pat

Monahan hops three spots with "Her Eyes" (Columbia). his first top IO as a

solo artist after scoring six as lead singer ofTrain.The group. scheduled to reunite for a new album next -year.

last pulled into the top III with "Cab" in March 2006. At No. Ifs, "Into the Night" (RMG), written by and featur- ing (:had Kroeger. becomes Santana 's

fifth Hot AC top If) (13 -1f)). Santana

last visited the top tier with "I'm Feeling You." featuring Michelle Branch & the Wreckers. in late 2005.

'Sexy' Borings Duo Badc To No.1 Wrsin & Yandel match Daddy Yankee's mark for the

Latin Rhythm chart's speediest trip to No. 1 in 2007

as "Sexy Movimiento" (Machete) bolts 4 -1 in just its

second week. In April, impacto" by Daddy Yankee

featuring Fergie beelined 12 -1 in its second frame,

beginning a 13-week stay at the top. "Sexy" becomes

Wisin & Yandel's fourth No. 1, a mark that also ties

Daddy Yankee's al-time chart record. The duo last

led with "Pam Pam" for eight weeks last fai.

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CHR/TOP 40

Having fun kicking ass while school's out ... wish you were here!

CHR Basks In The Warm Glow Of Summer

Kevin Carter

here is a sizable group of radio fans who are enjoying the tprocess of perusing the recently released summer book be- cause the pages are just chock -full of good news for fans of CHR /top 40. From coast to coast, the format has performed above and beyond the call ofduty, usually cutting a wide swath of success across many key demos. What say we take a little

tour of America and visit some of our wildly grinning friends to find out what went s(xxx) right this summer?

The View From The Top Lot the first since parachute pants mauled the earth. W I I l-1 (Z11141) sits atop the radio that is New York with a re-

ul.lrkrhle r ratings achievement: No. I

in the market 12+ (up 4.6 -5.I). No. I with ptrums I8 -34 (up 9.I- 111.4) and No.2 persons

25 -54. The %tabors also chalked up a ridicu- lously lengthy list Of No. Is in many of America's fay oritc demos. including such line nunllxn as 12. 17. 18. 34. 44. 4') and 54. IA an achievement that is not taken for granted by Clear Channel/New York w VI' of pro- gr g and marketing 7- Polemist and /.11141 PI) Sharon Urstur.

-Sharon and I both cants hen I I years ago

when this st. was in IBth place :' Polenun says" Lor this train to ai blue then bers fit the tint since the 'SH% is such an indtsrib- aNe experience. h) be No. I in the market and No. 2 25 -54 in New York: last diary -based sur-

vey is nosy gratifying : (Nosy in pre- currency mode. the tint currency ratings for New York from the Portable People Meter IPPMI are due

)ec. 31.)

Oh. and did we mention that ZIIN1: t is now up to 2.71 mill ? As in enough peo- ple to populate .1 decent -sired Wand nation? I.ikc. say. Manhattan? "There is a great term of people in this building who have worked hard and waited a long for this tat.

and of us takes it for granted : Poleman says. "-L I with r report card this good is the sweetest victory that atayltllt in

radio could ask for.' Meanwhile. over on that really long island

nearby that : refer to as Long Island. 1'1)

Jeremy Rice is equally ecstatic. sitting in his

office at Cox Radio's WBLI /Nassau- Suffolk. .. '131.1 had its biggest hook in lice years!" he

yells. frighte g passers-by in the hallway.

"We're No. I with persons 25 -54-wow! Maybe I should play 'Soolja Boy'?

"I don't know of any other major -market CHIC that is No. I persons 23-54. 'BIT is also

No. I with worsen 25 -54 for the first tine that

I can remember. and our cunic also broke an

all record with 437,114141 : he says. pi ing to one of the major factors he believes

contrihutts to his success: "The is really strong right at (MR. This is the end of the diary on Long Island and the start of the PPM what a way to go out. We have an awe- some staff and a great e piny: Cox Radio is

dedicated to w- g :'

Hot For Hot 99.5 "Sec I place is the highest 18 -34 f h in the six -plus years that Hot ($)3 has been on

the air." Clear Channel's WIHT /Washington OM /PI). JeIT Kapugi says. "Actually it: the first time in over two sear. that sr. one other than Iurban sta 1 WPGC or WKYS has

been in the top two I8 -34. I guess it must be

getting boring for them. so they tl ght they'd give us a chance. Thanks. grays'.

You can't pull off bers like that without

24/7 NEWS ONLINE ell www.RadioandRecords.com

a solid jock staff; and that stain with the nitm ing shore "The Kane show is on fire : Kapugi says. "No. 1 18 -34 cunae. Thais a feat that had

only been accomplished e prior to Kant- and he did it in his third full book:

Meanwhile. Vibegrrl was No. 2 18 -34 in midday% and Toby Knapp was No. I in after -

noons -both highs for the sta

"Hot had never been No. 1 in any

daypart 18 -34 before: Kapugi says.

"Toby is d g big thins in after- noons. We also killed it 25 -54. rank- ing eighth in share-another new

high for the sta that I hope the salts department doesn't get used to :

Pohlman

Pk.

Winning Uke The Packers Entere WXSS (103.7 kiss FM) /Milwaukee l'1) Brian Kelly wanted to show tale some numbers.

just lier the fun of it :' so 1 badly let

hint. "Kiss is No. I persons, wt 'nand men I8 -34. and top tine with women

and persons 25-54: he says.

Kelly points to an extensive exter- nal marketing campaign in the spring f g term Wes. Rahnv X: Allah

that paid off long -terns. "Judging by

the numbers. we had untie new peo- ple try them for the very first and

liked what they heard.' he says."W. R

and A are inns No. I with w n 18-

3.1 with a 20.3 share: he says.

that the No. 2 station in the de

a 111.5.

Ile also deployed classic

tried -and -true p like the giant umbrella of the II13 7 Days of S r and used the old -school -sticker spotting" technique. We

gave listeners their choice of live dii- ferent brand -new cars :' he says.

Listeners qualified by sporting a "Kiss Kling" on their car. according to Kelly. "If we spotted you. we gave you

SI03.07 in cash and you qualified to pick out a ear at the end of the sum- mer." The su also had free Kiss

Parties in the Park with acts that included the Plain White T's and the Jonas Brother.. among others.

N of it would have run as

smoothly as it did without the experi- enced hand of dedicated p

princess Natalie I )iPietro. "I really have

to hand it to Natalie and her promo- tintas team fior keeping us visible all

summer long: Kelly says. "I also want to acknowledge hay API ) /MI) JoJo tier

making every music log a work of an: p.m. driver Kraig Karson fin our cut- ting edge imaging: John Mci) gh

tiff his tireless eflirts of shooting video and get- ting it up on our Web site and Yoti lapse s) quickly: and Brett Andrews. our night guy who just caste onboard and debuted with a No. I

spot in the de N+R

has

NOVEMBER 2, 2007

www.americanradiohistory.com

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www.americanradiohistory.com

RHYTHMIC

Lawman's annual music presentations return

The Music Meeting Of The Year

Darnella Dunham DDunham @RadloandRscords.com

Ile 1,,IWIllall 4th Quarter Music Presentations. orchestrated each

t year by Lawman Promotions president Greg Lawley, bring together a few dozen pm},ranners to listen to new music from) various labels.This year's event included plenty of hip -hop and R&D tracks, in addition to sonic club music that rhythmic out- lets can truly take ownership of. Established artists have music

on deck. but newcomers are also bringing potential hits to the format.

I hr corn[ moved slightly southeast this year.

from its usual San Francisco loxa to the Silicon Valley. While the hxa ' changed, the

music prsentatxxls were as engaging as always.

with pnogranunen and LIM1 execs hanging out. networking and just having a good listen

ing to new music.

Up Close And Personal In addition to audio and video presentations

made, by Zabel execs. artists stopped by to per- form. talk about their music or interact with the rhyth community. Scan Kingston.Yung Berg. Baby Bash and Ray J opened up about their upcoming projects. Nina Sky. former Destiny's Child member Michelle Williams and

independent artist Nodle hung out in the audience. and Ashanti posed for photos with the programmers.

New artist Meech played his debut single,

"Thicka Than a Snicks.- and then treated the

audience to a freestyle. style. He's only 15. but doesn't

sound like a kid when he rips -and he oozes

charisma. "1 think hes really marketable and its a really marketable title." liuckley's KSEQ (Q97) 'Fresno MI) /afternoon personality I )J

I ace said. "The beat is cool, and the'thicka than

a -L.1' sample that they use sticks in your heady

IIurricane Chris performed his hit "A Bay

Bay.- Rose Hip Recors"liomi delivered a med- ley of his songs. and the Pack presented its new

video for "In My Car.- Of the three on per- formed by C -Side. the single "Boyfriend/ ( ;idfriend" received the hiR.,est response. nse.

NOVEMBER 2, 2007

Enter( s KIX:S (Power 93.9) /Wichita I'I)/ afternoon personality Greg Williann said the song

reeeistd"instant reaction from the very first spin

on KIX:S:' While he. too. believes "Boyfriend/ Girlfriend" will work for his station. Morris C a KKUU (U92) /Pill[ Springs.

Calif:. 1'1) Antdog said. "We have a stereotypical

sound in Palm Sprints. and its a totally different song for us

When he performed "Ready or Not" and "Fu (ke La :' Fugees tnciuber Pras made everyone

remember why we keep hope alive for a

nutlil . debut. Unfortunately. he seemed to sug-

gest that it's not likely to happen anytime son when he said. "fray for Laurvu Hill" and "L- Boogie. get back to your senses please " Pras also

performed his new single. "Pop Life:* which wended great lice. "1 was excited .tbntt Pras

c g thnxtgh and doing some of the songs

from the Fugets:' DI Lace said. About the new

single. Lace added. "It's one of those sings where

people are going to have to like it before radio

jumps on it."

New Sounds While hip -hop and R &B dominate rhythmic

playlists, labels are also pnwiding some interest-

ing alternatives. "Physical" from new Universal

Republic act the lknefits has a Caribbean and

dandy eel. It may not work for every station. but

its far from boring. Jive/Zomba previewed

tracks from Barney Spears' new Blackout'. alb -"Itadar " and "Piece of Me "are anything but typical pop songs. Epic's presentation itxlud-

Undo

ed Natasha Bedingieldc new single. "Lowe Like This:' which datums Sean Kingston; it debuted

on R&R's (lilt/top 441 chart last month. With Kingstons strong presence. it just might work on SOW rhythmic cutlets, too.

Thanks to the success of Tinlbaland% "The Way I Are." SOOCent's "Ayo Technology- and sev-

eral of Justin Timberlake% singles. Imterseope

understands that listeners and cons n support

electronic and eclectic sounds. Songs

played by M.I.A.. the Paradiso Girls.Valeria and

Ashlee Simpson during the label\ pry neat tit this descrip . "Apologize.' Timihalands latest

single. is a unique- sounding record that moves

22 -17 on It &his Ithvthmmic chart this week. "It s s pop. but it's the brat that makes it

crossover:* I )J Lace said.

Whik R &I3 is hardly a new sxmxd, its a defi- nite first for Asylum-Spokane latiw Adrian is they

labels first RAH artist. KXIY Bnuckast Group%

KEZE (Wired'Nt.9) /Spokane PI) Iloomer I)avis

is a believer in Adrian's first sings. "7cmpution :' and thinks listeners relate to the lyrics."lt%a com- mon estxricnce laMotl !wing .1 got :' I)avis said.

Miser I )J Mayhem xkkd.'I got chills up my spine

on the bridge of this song two listens in a nrv.Thc tint time that was hot. the second ' I knew it was quality. Its got relay value, so l'nt on it. Ile produced it. he wrote it. he sang it-he's Itital- cntsd. and I think its a hit rconl"

Radio Reacts Several songs had progra rs buzzing. includ- ing l'itbdls "Secret Admirer" and an min-leased song by Clyde Carson tcaturimg the Game. Fur Entravision's KBMB (113.5 the Iknnb) /Sacra-

mxnto MI) /akcnnon personality Shoe- E. "In- depeudent" by Webbic \vas of the standouts.

"When the bass kicks in. everybody's going to savant to dance:' he said. Another highlight fix hint was 'Frey So ngz' "Can't Help but Wait,' which Short-E described as' just an all -around fed-good song."

Jive /Zomba played some heaters that Results

Radio's KEWB (Power 94) /Redding. Calif.. PI) /afterntx ti host Rico was feeling. "As ouch hair as I've lost trying to shcdule E- l'air's 83 songs. 'Church' caught me oil' guard." Rico said. "I (ngot how cool he sounds when he

drops the voice box and starts trying to com- pete with Twista."

I ) olla's "Who the F * ** Is That" was a favorite of Davis and Rico. "That record really stuck out to inc." Rico said. "The hook is nuts -can't wait to sec hose it reacts in the club"

M was what hrught everyone tale togeth r. but racting with rhyth radio and record execs

made the lawman presentations memorable. "Its a great show and a lot Of tun :' I )evils said. -Its def- initely nice to put some faces to names :'

)l Lace said he was able to make great con- nections. "Its a gtxxl networking event. I [net a

lot of people that I had talked to oser the phone

but I had never tort in person. Greg bailee should Ise coil inlet for putting something like this together" 11 "1

24/7 NEWS ONLINE @ ww.RadioandRecords.com

www.americanradiohistory.com

"GIRLFRIEND,' THE LEAD TRACK FROM BOW WOW & OMARION'S UPCOMING COLLABORATIVE ALBUM '

"FACE OFF," ROCKETS 40 -26 AND GAINS 490 SPINS IN ITS SECOND

WEEK ON THE CHART. RHYTHMIC

1 1 IS

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www.RadioandRecords.com

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CHART LEGEND Charts are ranked by plays ((incept for Country chart which K based an audi- enee impressions. computed by cross - referencing exact times of arp(ay with Arbrtron listener data).

Songs showing an increase in LA plays (audience fa Country) over the previous Week, regardless of chart movement. A sag will also receive a tweet if its percentage loss in plays (audience for Country) does not exceed the percentage of moni- tored station downtime for the for- mat. Exempting the Country chart, a

sag that has been on the chart for more than 20 weeks will genera11y not

receive a bullet, even If rt registers an

increase n plays. Country tiles that decline in audience but increase n plays wil also receive a bullet if the total audience erosion for the week does not exceed 396. A sag in its first week at No. 1 will always receive a bullet, even If rt has lost plays (audince for Country).

AUDIENCE TOTALS: Derived. in part using certain Mbitron Inc. copyrighted Persons 12. audience estimates, under license.

AIR POWER: Awarded to songs appearing in the top 20 on both the Airplay and Audience charts for the first time with increases in both plays and audience.

BREAKER: Awarded solely on the Country chart to songs that receive airplay on 60% of the panel for the first time.

NOT SHOT DEBUT: Awarded solely on the Country chart to the highest-ranking new entry.

MOST INCREASED PLAYS: Awarded to the five songs with the largest increases in plays (audience for Country). Title with the top increase will also be highlighted if on chart. If two or more songs have an

equal increase, the song ranked higher on chart will be listed first.

MOST ADDED A listing of songs with the total MONO/

24/7 NEWS ONLINE www.RadioandRecords.com

of New adds ether reseeded by each

stator a by automatic add thresholds. Title with tap most added totals will also be highlighted If On chart.

NEW AND ACTIVE: Current songs be the chart threshold that are showing an ncrease in plays.

TIES ON CHART: A sag with the best plays ddferental (audience fa Country) over the previ-

ous week is ranked first if tied with another song on the chart. If the songs are stn tied at this point, the title that Is being played on the most statcns at that format Mil be ranked first.

RECURRENT RULE: Songs below the top 20 (top 15 for

Urban AC, Hot AC. Christian AC,

Christian CHR, Inspo, Christian Rock, Gospel, Rock, Triple A and Smooth Jazz) become recurrents and are removed from the chart after 20 weeks. In addition. songs that have been on the chart for more than 52 weeks and rank below No. 10 become recurrents and are removed from the chart. Descending Country titles move to recurrent after 20 weeks if they rank below No. 10 in either audience or plays. Descending AC titles move to recur- rent after 52 weeks if they rank below No. S. after 26 weeks if they rank below No. 10, or after 20 weeks If they rank below No. 15. Songs on Latin charts move to recurrent after 20 weeks if they rank below No. 20

in both audience and plays.

mNelsen DOS certification for

airplay of 100,000 plays on all

monitored stators, including satellite and national networks. across the United States and Canada. Numeral following symbol indicates multiple level of 100.000 plays.

krdcates DOE earned HaP ed(tor status in research data provided

by Re ose(ued Songs are tested aie by Rmrosquad uses mltple listens

and a nationwide sample of carefully profiled musc =su o%

laIndicated solely on the Camden charts fa sags meeting

Canadian COrtart neguremeYts.

NOVEMBER 2, 2007

www.americanradiohistory.com

URBAN /URBAN AC /GOSPEL

DJ Khaled juggles radio, recording and management

Doing It All

Darnella Dunham DDunhampRad IoandRecords.com

utside of radio, DJ Khaled has more than enough to keep him busy. Hr's the night show host at Cox's W El )It (t9)

0 Jamz) /Miami, but that's just one tacet of his camer. He's also a

producer, a 1)J % Vho mice+ several nights per week in Miami's clubs, the manager of production duo the Runners, an A&R rep for Koch Records and the host and mixer of a SupeRadio -syn-

dicand program. Oh, yeah, and he's also working on album No. 3. After releas- ing two ('I)s on Koch, Khaled has become a national presence, and urban radio lus responded svannly to his sin}les: "We Ttkin' Over" went top 20 and "Holla at Me" top 25. Current single "l'in So Hood,- featuring T- -Pain, Trick Daddy, Rick Ross & Plies, is his biggest hit yet, occupying the No. 8 spot on R&R's Urban chart.

Granted, ft's important for any personality to seize whatever opportunities that are pre- sented to theist. But how does this poster child for multitasking find the

time to make his show a pri- ority with so many other re- sponsibilities um his plate:

!Outlet' says. "P) Jam/ has

supported nie so well throughout my whole career and at the same

radio is a priority. My album is .1 priority too. but I feel

like I can go out of town on

the sveekends and still he

home and do my slow on

the ss eekdays. It's a lot of work. but yuu'se got to ssork to win.'

Dedication and discipline .Ire essentu.d. he adds. "I work 24 hours on the

clock. and I .cork hard

Khaled and ('13S Radio

WJHM (In lamv)' Orlando 's

I)l Nasty work together managing the Runners. Both are responsi- ble for getting their tracks placed on as

many projects as possible. But he says it's not all that taxing. Its of .n phone thing and relationships and e- trailing hear and

going over contracts with lawyers and stuff like that.-

this summer SupeRadiu announced plans

to syndicate ..The lake Over Mix w /I)J Khaled-- 01 weekly three -hour mix show that includes inter - views and features. The program made a soft debut during the Jul 4 nseekend

\vith plans to exp.utd iii 21 i1 iü. But instead of haling the network secure Al Of

the Affiliates. guess who intends to get involved?

"I'm reaching out to s cities that I have great

relationships with.- Khaled says. I want to be more involved locally with them,

too. because I know hors

important .1 local sl is. At

the same time. touring the

city helps.- TI gh he's plied his

trade beyond radio. Khaled still has loftier goals. "What's next is to he

the next big music exec in the game. like an

L.A. Reid. Alan Grumblatt, Jay -Z. Lyon

Cohen. Kevin I ides or Steve l&ilkiu .' Does that mean Khaled is trying to move

NOVEMBER 2, 2007

behind the scenes? "I'll uutinuc doing my

albums.- he s.o- s."You we I l'ulb did it? I'm the millennium version. My swagger is totally

different. but you gut to respect .0 guy like Puff I )Addy be..ntse he has his own record Com.a- ny, his own clothing cump.tuy. his moss n I V

slims. his uss a cologne, and dealt with .t hunt It

01 .trusts. You've gut

to respect his hustle

and at the same tithe. all that ties in to the tttttst, :'

K success as

an artist has helped drays .attention to South liurid.t rap-

per., many of sshom

nosy h.tc record deals of their (mil. "kight now you've got Ho Itid.t that's

blim% g up eras. and he's got more

records besides 'I ass:'

1 hen you gut Rick Russ that's just hurt mg the g.une..t mess

guy named liriscu and a hunch of groups cumuug out. It

feo:Is good to he part of all that because talent brings unity to the city.'.

Listeners to K haled 's night .bus on'>V Lund

have Ws! led to his national exposure." I he

c cheers me on and loses me: of course they listen to the show:' he sass." I hey

bring excitement to the shuns because %% hen

I'M on TV or if I'm s g an award. run

repping theist. My motto is. 'I rep my city' If l'un in New York. I rep Mi. . It l'mn in I .A.. I rep ML If I'm on [WI or MTV, I'm rep -

ping Miami.- Concerned that c petiug mixers would

refrain from supporting their music on-air. lath Is were reluctant to sign I )Is to record deals. But Khalcd'. strong and con- sistent airplay on mix shims and in rotation has helped that perception dissipate:Inunis KI'WIL (Power Itió) /Los Angeles music co- ordinator I)J lelli fed just signed ssith Island Urban.

Khaled is pleased that his success night help other I )Is get label deals. "I'm so happy for them because I alssays tell I)Is to take their career to . her level he says. I Ius .dvirr: Grab an AK It gig. put an album out. manage

.artists or produce. "Do something else with your trade. he-

cause nothing is guaranteed and you don't want to 11.nr your talent Wasted. I .ilw'ass

tell everyone I meet. 'You're killing in this market. but expand your .sings. Prepare for the future because radio is a weird business.

You could c and go. or they could switch the lformn,ml on you. or you could he

there for 311 year. litit still exp.mnd yotir wings, because music has so many different outlets' "

'It's a lot of work, but you've got to work to win. I work 24 hours on the clock, and I work hard.'

-DJ Khaled

24/7 NEWS ONLINE

www.americanradiohistory.com

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24/7 NEWS ONLINE (QE) www.RadiondRecords.com

www.americanradiohistory.com

48

CHRISTIAN

Are programmers still passionate about music?

Time For A Gut Check

Kevin Peterson [email protected]

Cs why MI )s gut into radio. Svhy promotion executives went to work for a record label and why artists write, record and

Iperform music -it passion. Rut is there still passion for the music. or is it just about business? EMI Christian Music Group manager of national promotions Andrea Kleid asked that yuestiun in a recent e -mail. She .wasn't being negative;

she just sundered .'here the passion has gone for good songs. "I )o you know bow long it's been Since I've had a PI) or MI ) call n)e and say,'This is a smash'" she asks. I Bonder it there is just too much music hitting the marketplace now or if everyone is just too busy to be nu)S'ed or liis'e're just) jaded :'

K( :MS , Seattle MI ) Sarah 7:tylor says she: in- cnJibly pr%siuuatc .boot the nuasic." In fact.- she

uys.'it is the lyrics and the .artists silo inspire

me the most. Ihr lyrics often bring me back to s hat life i. all .about and .chat Gaol has purposed 11 /f ate. 1 he artists share their lives and their.mo- tions. nInch m.pirr. lilt to Jo Ilk' 'AMC.-

l'.ison Jrlinnrlc t nit's out na nna.ir mccting. especially it the PI /and MI ) don't .agar un .a saug.

.15 I'i: /. Austin MI ) Stur I.thendgt ix tints out. "Same of my favorite moments are n hen I'D (;.In' Wahl' and I .Gs agar on .a sog and st' hate

tu make a tonwonnig caw ti,r it: he "We're Ixith hand- loaded:

WIL(:M /('parlour PI ) I ).ame I l.urisun says there son'n't many mini( meetings sehen he

really hears a smash. "Maybe a coupit. toners .i

year.- hr s.1. -II c.in think of four big onts over

tilt' past year -and-a -halt: l'oint ut (1race's 'I Iosw

You I iwr. Men'yML's 'Bring the Rain: Thini )ay's'Mountain of (bof and Casting (:nive

'Praise You in this Storm: KI l Y Dallas API )/M1 ) Mike Prendergast

think the p.i..in i is still then but that sometimes

.1 little caution is sarr.n fed." I hen .are Jcfiiiitelc ùnws schrn tau hear something and you think. . Ih.at% a hit; he says.- l heu then' .an times you

miss on something you thought for sure it sas

.1 hit and it niter goo off the ground: l he latter

.i tuation molts in Prendergast being "a bit nette

reluctant to pnxi.tinm u+ a I.drl that their sug is .a

hit right out of the gate.-

WAY( /(rand R.tpid. l'I) MI ) Mike Conch- 111.111 thinks programmers can learn film) hsnners.

Maid

Etheridge

Taylor

hi: Jac. of main. l'I )s and MI h pnaicti elv

souring the wont liar songs their .audience will love .rent no Ise gone: he says.-If w,tnethiug i'iit on I'l.n ! 1l F.. .m c hart or the album of a

corer :aw,r ite artist. many lal iv det'isiol -makers Jun't know it exists and won't bother to kook Ibr it. In

contrast-1 majority of the tacrlxook or MySpace

page. of (:I11) target .Irmo Iisteners .an Ball of

)ngS .um .artists they either slight out or sere

made as.an of uhruuglt .1 mead.\ í aren't passion

ately hunting for hits like our listeners sae

The question of .whether then% two, nnwlt

nwsic warn. into play for programmer, as sell. WIIS'Sar.aso.a GM MI ) Jett. NIA-hi-lane says,

-When I visit Play N111. and it tells ine.'Weliume. Jeff, there have been M new tides released in the

past tour weeks: it seems a little much. S1/1 114, that

truly nuor nmi an still lmeuuig nIea.ed. but there's

lots of teak. in the stack that are just sort of ìhen.

KWNI) Springfield. Mo., l'1) ewtin Nlorris

.admits than patience is also .nt issue.' I.ven .shin faced smith a large mass of indistiugni.h.thle snits. there are a tìs farm. that rest to the top front tone

to timae, but thew an' s, wen' ran' ,u1d most of Its

pmgranuurrs sire not ['anent enough to st.ait fit ,r

them : he

-The he thinning utpl.iii.ts and the bmadrnuig of the pruspretiw' pool of music 11.1s brought us

It/ .a point of being .m industry that can't support

itself from out artist ptrspridve.' say. Walls

)eiker. l'I ) MI ) of WAIF/ I Greenslxono. But he

ha .1 volution. "rd love to see each major label

commit to one nesw .artist per genre l'ut ewrrvthing you have into that artist and allusc

greater opportunity for their Jrselupmrnt in

ever)- t :acct of the nidustr.'' With PI h and MI )..snaring so main hats.

sometimes there aren't enough hours in the day.

"I hour to say it. but I gxent all of ;t i minutes lis-

tening to new music last seek:' ( :ouchni.ui saws.

"The nest of any time ss.s Ixnt nt unr of the other

tktieu arras I'm responsible for.-

Prendergast. n ho dunks it: iinlxmrt.uit to vet .side

time to listen to muusic, has Ins oss n s+ludon. 'l haw

.1 lung commute to cork. ss hicI in itself may not

lx a good thing. but that give. Inc tune to listen to

.a kit of mess music in the t ir:'h' sass. K( kw

listens on the sway Ihome. ''I'nt usually pretty tined at

that Ixmiut of .lac mid pic.illc stuck ni top- .umJ -gs,

traffic. Its gnat to listen in my car. because I'm no

longer the MI ).1. n just Sarali..i tined in-king niuni s ho: hungry for it er and neatly to see her fam-

ily once the traffic clear." !kR

24/7 NEWS ONLINE ip1 www.RadioandRecords.com NOVEMBER 2, 2007

www.americanradiohistory.com

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49

KLYT /AÖuquerque, NM OM: Johann "Yo" Snyder MD: Joey Belville

KAEC/Anchorage, AK OM/PD: Mark Guy APD/MD: Mike Carrie(

WHIM/Bangor, ME OM/PD: Tim Collins APD/MD: Morgan Smith

WONU/Chicago, IL' OM: Justin Knight PD MD: Johnathon Eltrevoog

KXWA/Denver, CO D: Scott Veigel

NOVEMBER 2, 2007

KZZQ/OBs Maines. IA PD: Mike Schlote

WJRF/Ouluth, MN PD /MD: Terry Michaels

KNMI/Farmington, NM OM /PD: Darren Nei MD: Kenny Montano

WSCF/Ft. Feme, FL PD /MD: Paul Tipton

WORQ/Green Bay, WI OM /PD: Jim Raider

WAYK/Kalanazoo, MI PD/MD: Mike Cou hinan

CHRISTIAN CHR REPORTERS W YLY/KEKREville, TN4 KJTH/P8nca City, OK PO /MD: Jonathan Unthank PO/MD: Tony Weir

APO: Jes Wes WAYWNashville, TIN OM: Dave Serres PO: Jeff Brown MD: Stace Whitmire

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WJLZINorfoNE, VA* OM/PO: JP Morgán APO: Anne Verebely

KZRUPortald, OR* OM: Mike Novak PO: David Pierce APO: Eric Allen

KTPT/Rapid City, SO OM: Tom Schoenstedt PD: Jennifer Walker

WPRJ/SagMMw, MI OM: Gary Hugh PD /MO: Aaron Dicer

KLFF/San Lids Obispo, CM PD: Matt Williams MD: Norse Fugler

WBYOWSelersv1Me, PA OM: David Baker PD/SAD: Kristine McClain

KAM/Sprkwfeld, MO' PD/MD: Rod Kittleman

WBVM/TaRpl, FL* PD: Wendy Templeton MD: Olivia Paff

WYSZ/Toledo, OH PD/MU: Jeff Howe APO: Rob Fairchild

KOWMsatla, CM PD: Joe Croft APO/MD: Shannon Steele

WCLQ/Wa1sa1, WI PD /MD: Matt Deane

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KLYT /Albuqu.cqu., NM OM: Johann "Yo" Snyder M0: Joey Belyille

WCVK/BowlMp Greer. KY OM: Ken Burns PD: Susan Woodard MD: Whitney Yule

spat, CT Bob PD/MD: e Felberg

WCWP/Brookville, NY PO: Peter Bellota MD: Piena Tembul ni

WWII/Columbus. OW OM: Michael Buckingham PD/MD: Nikki Cantu API: Laine Moneyhon

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KBNJKarpus Christi. TX PO: Anon Daniels

KVRK /Dagan, TX PO: Chris Goodwin MD Drue Mitchell

WSW/Flint, MI MD: Brian Goodman

WORQ/Green Bay, WN OM/PD: Jim Raider

WBFJ/Greemboro, NC

PO/MD: Wally Decken

API: Darren Stevens

CHRISTIAN WJTL1Lancaster, PA' PD: John Shirk MO: Phil Smith

KIBZ/LIncnr(, NE OM: Lester St. James PD/MO Ron Drury

WOMJMarion, L MD: Tom Schroeder

WMKL/WNd, FL PD: Rob Robbins MD: Kelly Downing

Effect Radio/Network PD/MO: Brian Harman APO: Amanda Harman

ROCK REPORTERS WJLZ/Norfolk, VA' OM/PD: JP Morgan API: Anne Verebely

WfTR/RoclMShr, NY PD/MD: Same Palermo API: Will The Tuna" Benson

WPRJSagbaw, MI OM: Cary Bugh PD/MD: Aaron Dicer

WJISSaraeots, FL OM: Kris Byefly PD: Michelle Tellone MD Elisha Skorski

Positive Rock Show/Satellite PO/MD: Josh Booth

Red Letter Rock 20/Satellite PD: Cody Christopher MD: Reid Johnson

Sirius Spirit 66/Sitelite PD: Al Skop

MD: Joey Black

The Sound Of Light/Satellite PO/MD: Bill Moore

Whip Of CMrdsSMLIS to Matt Rhodes

KCLC/St. Louis, MO MD: Dave Merkel

WBVM/Tompa, FL' PD: Wendy Templeton MD: Olivia Paff

WYSZ/Toiedo, OH PO/MD: Jeff Howe

WCLQ/V4arsau,Wi PD/MD: Matt Deane

www.americanradiohistory.com

CHRISTIAN

CHRISTIAN AC REPORTERS KGNZAIdkNS. TX PQMIY Gar y fiE

WFSH/Ael.dn GM PO:IWn Awry MD: Wiz Stoldt

WVF1/AflE1Ra1. GA' ONPIF Don Schaeffer APQ StFle WrllkaRn

WAFJ/AMquta GM POND: Stew Swanson

KPEZ /Awk TX DM: Ma Daniels PD: Gay Walsh APQ/bN: Steve Etheridge

WRasAIrdti ono. MD' PD: David Paul MD: Mie Airy

WILE/llre1iN%rR AL' APDIMD: Ronnie Fit tK e

KTSV /Boisa, D' Oki Chris Gbreth PD: Jerry Woods APtYt UY TrawsfIV,

MICVkm_ Grow, KY Oki Ken Burns PD: Susan Woodard MO Whitney Yule

WAYR/Brlwwld(, GA MAID: Bart Wagner

WM:Wat.MNeL NC' OM: Gay Malad POE Dwape Harrison

wBml/OMEN.sew TN' OM/PD: Jason McKay AMMO: Justin Wad,

WJXL$l. rqa L' wAKwlcrdu.Mi.OH' PO: Rob Leven MD: Daryl Pierre

WFIBLIOowIwd.OHM POE Len Hamer MD: Josh Booth

KGTSICwga Plan. WA PD/MD: Elizabeth Nelson

KBIOKawnda Springs, CO' Po- Bret Stevens MO: lark Hamilton

KCVO Cá öa. MO 014/ 1,0- Jam McDermott

INNFOUCohmibiL SC' P0: Steve Sunshine

WCYO/ l us OH' OW it Hahn PO Kat Wallace APOIMO: Mir Russell

KBIIUCarpw Midi. TX' PO Joe fahl

KLTY/llis, TX' PO: Chak Frey APD/A40: Michael Prendergast

KW/MN Adam IA PhIY Dave St. John

WM 7JO14Mt. MM POE Miranda Belcher APD: Rand Myles MO. Jon Culbert

WWBIEwt Clio. WI OM: POW Anthony P(LMQ Caeq Steward

WCTL/Eelt. PA OM: Ronald Raymond PD/MO Adam Fase

KHPE/ENgwL OR MO Paul Hernandez

KYTT/ENgrle, OR OW Dare DPArdrea PD/MR RSA Stevens

Kl1Ä'JFawMId/a. AR PD/MD: Mark Michaels

NOVEMBER 2, 2007

wQ.N/FayaltaVhLkt. NC OM/PD: Dan De&ukr APO: Synd Long MO: Steve Turley

KGCBIFUpttll, AZ OM: Daniel White POND: Mie Medlin

wPER/Fieirldlirs, VA PD: Frank* Mara

KD(ZFL Smith. AR OM/PD: Dave ELrdlre

WLABIR. sea flor.11 Po- Don Buettner MD: Melissa Madan

WCSG/Card Rapids, kor Okk Don Michael PUiiMO:Chris Lemke APD: John Balyo

WJa(IGrand Rapids. UM 01.4/PO: Troy West AMMO: Ga y Tlornpsan

WMFJlfiaeni.a, NC PQtMO: Way Decker APD: Darren Stewnn

W MGrome 14 SC' POE Rob Dempsey APD: Gay Miler

KAMMalMV1u IM' OM Jank Walls PD/MD: Cary Rryrldds

KS8YNaIIstOq TX' PD: Chuck Rya MOE Jim Beeler

wcuj/Jadlsaa.BL. FL' PO Roger Henderson MD: Theresa Ross

rreywrwrwwr City, TN' APO: Chàner Harper

KOBC/Japi4 MO CXYi/PD: Lisa DaM

KUC/Kassas City. MO' PO/MD: Michael Green

WJTL/lancaalar, PM PO: John Shirk MOE PM Smith

WIDULansims, MI Po- Jem helada

KFSHnaa Amain. CA' OM: Jim Tinker PIE Ch ILk Tyler

APO/MD: Bob Skew

WJE/LarlMEle. KY' PD: Joni Capra, APO/MO: Chris Cran

WRWladwrb KY OAVPO: GC. Matthews APO: Dave Firer'

KSWWLeiD. TX OMmo- Al Ross APDIMD: MiM4 Ross

KVMwkkA9w, TX' PO: James Gamble' APO/MO: Bob Malone

KALAdo is. KS PEYMO: MOW Luskey

WFZEUMiMMi.L Wi' PCs. Danny Clayton MD: Rick HA

KTISIMIwaapais. IMI' PQ Jason Shop MO: Paul (errant

KBMOIMMaaa. LA PD/MD: Phis Brooks

VIFFHMdwra, TIM PD/MD: Var, Dard

Now Ufa Malin NMrrrk/Nalwk PD/MOE Joe Buchanan

WBSNMaw OrisR LA' OM: Julie Headrick PD: Tan Krinnsier

MO Läby Kummer

WAWZNaW York. NY' OM: Scott Tayh PD: Johnny Stone MD: Keith Stevens

MN/Omaha. NE' PO Melpdy Mi4r

MD: Jeff Devereaux

WPO7J0elo da. FL' OM/PD: Dean O'Neal APD: Jeff Cruz MD: Scott Smith

wMSJ/POrdand. ME' PD: Paella K.

KFIS/Pardand. OR' PD: Clave lu Om MD: Kat Taylor

KSLTIRapid CJwy, SD OM: Tom Schoenstedt PO: Dave Masters

KSGWRMuW. CA' PD/AID: Bryan O'Neal

WPMR/Rawds. VM OM: Jackie Howard MO: Brian Sumner

MRIO/RdMO1r. NY' PD: Mark Shutleworth

WQFIJRwwrwr. L Oki Ralph Trentadue PO Darren Malar MD: Joe BYhaiw

KKFSISavrnrlE. CA' PD/MD: Max Mie

KOAY/SaR Lake Oty. UT PD/ML} Alan Hap*

Sirius Spirit 66/SahMe' PQtMIOE Al Slop

XM T e wa.ams/Sat/Rlw OM: Jon Zeiler PD: Mit Ahans MD: Jim Epperlen

KOÖñwttls. WM PO Scott Vaientme MD: Sarah TM°,

WFRN/South not RI

PD: Jim Carter /AD: Doug Moore

ZWIPZSoite Bald. IN PQtMIQ Torn Stott

KTSUSpsh VA* PO/MO: Beau Tyler

KWICVSprimplIaid. MO' PO/MO: Jeremy MORS

KKJWSL. Clet In 01A/PD: Diana Madsen

Klel/SL Lads. MO' OM: Sandi Brown PDAAD: Grog Cassidy

WLPLTaa pa. FL' PO: Carmen Brown APD: Dam Cruse MO: Jeff MacFarlane

KKCM/Talm, OK' OW Steve Hunter POE Chris Kelly

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KXOYTidsa OK' PQ Bob Thornton APD: Dave Cordon

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WGRC/WM.m sit. PA 0M: Don Castekre PO/MO Larry Wedian

WXHL/widRllow OE OM: Dan Edwards PO/MD: Dave Kirby APR Sal Awl

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TkYopme1466 616,4 /.06GialmInt °nine music screed conducted by (heathen oMstallsaowsPineconey.Total saw* sine te 1095 neeparldwK Ted enrage tavaabitty ea.rt are based on scale of FS. (I dont Er I at aA. S Io.e t} Total familiarity represents the percentage of respondents who recognized the song. Total burn represents the nudist of moon- dents who said Rey are tired of hewing the song. Swede composition is based on persan 12. Persans are iccered w the interne. Ong pawed they can tab the nunc test when invited to do so by d i local redo station Mien comparing this data with what is happening at sour station please heep n nid that curer of spin. percentage of tamirity, and other factors Trust be considered and Out sour molts new wry a®rdndy. WttI.e RnwWdrmn results are ntreled b slow opinions of par -

UciparSi on the hornet ody. hit Music Reward. is a registered trade rra d litAWscReseardmom The HIAR system is avail- dote nrdeively Ior kcal Christian radio stations by contacting Ken Farley at (615) 33110736 or

FOR WEEK ENDING °Crania2e.2007 24/7 NEWS ONLINE (5I r,ww.RadioandRecords.com

as

www.americanradiohistory.com

COUNTRY

First -time, female, Hispanic PD ready to rule L.A. country

Minority Report

R.J. Curtis RCurtiseRadloandRcords.tcom

,Ilya Campos remembers the exact moment that Saul Levine, owner of Mt. Wilson Broadcasters' KKGO ((:o Country) /Los Angeles. asked her to become the station's PI ). Her eyes welled

52 tip,and Levine asked if everything. seas OK. "I said they were tears of joy :' (;:unlxr recalls. "It's a big deal to me because I had just celebrated nn 3 ti year in radio?' She also remembers Sept.

17. her first official day as l'I ), sVilich Was just six months and tìve days after her first official (lay at KK( iO. March 12. And that milestone was 12 years. one month and final- days after she started her country career on Feb. 7, 1994. at KZLA /Los Angeles. It was 'Irving to ( yet ( )per You' by Vince (gill ;' Campos says of the first song she played on that t itefìtl day

I Irr %error into tumor cone six pear,. three mouths.rod six ein. Ater she initially sei Root an Los Angele. o I ( )rt. I, I')ttï. Ihr do of the Whittier I('alu.l earthquake,- arthehake ('.onyx,. sus. Ixp.}tung to Ix challenged on her "Italia M.tn " -hkr nknaon.

KK( a( ) started ton scratch early this sear .mud the cyer- gnn%II g ethnic ,hvrnitp of Inn Angeles. "euch is .tnvaMy the rannt c h.tllenging tint roll- Meat for Country radio in the United States. It%

euuoated that in less than .t decade. C.mcasians \\ Ito .ire esst Ith.dly the hacklose of con country listeners \ III by. o itnumlxn I In I hspanie.. swho

make up I11.7 of the mrtno, acconhng to Arbi- lron. Not only that. but Spanish is oil, our of more teh.u, ?tnnn languages spoken in I .A.

Campo.. herself .t I Ii.p.mic tem.lc. is .1 hi-st- unk. I'I ) nil the nation'. second-largest radio mar- ket. se.. It: atom \- .n lag dtal."You have peo- ple oatcluug %eh.tt voun douag : ( sup..

I beseel sning.'It's her tint time programming: Is .hc pang to Lill oil her race?'

.. I he n: a litte hit of pressure. she ad s,

adding. "hut I kross that it I lidernst everything 1%-c

learned .und \\ hat ho. Ixen through iu all of rile torm.tts I've %worked lint. hopp lath, \sell rer.tul station.'

A Better Appreciation In the sake of last )Vacs high - profile flip from ,ountr for K/I A, it's natural to \\ Vander if ( ..nhpxn felt .u pn uns or exp et talons tit am the outside %%orld for KK(:O. -Ye. rod

-1 hr question in the hack of listeners minds is

'Will this go away no I lilt the advantage fixKK( (),(:amp°.Ilelie es,

is that cone country fins in L.A. Weill to lx rnhhrx- mg the fionn.0 non: hilly than lxfore. 1pc.ua.a they had it and they lost it.- She says that as a sail; KKGO is keeling happy al out the return, not to mention fortunate. "'Mt.Wils n Broadcasters' n,d- Iy Ixlit%e in this f at. and that: .1 great feeling. I hey could ha\e picked any other format, but they

picked country' Campus laughs about the interesting set of

(sent, th.0 h.oe t ranspired. ..If you told me a year a}pI ttxlay there \yould he another country sta- tion in I_A.. that I'd be the l'I) and that Garth Books .could Ix nut of retirement %with a single on tine Chart. I would have ..0 i.'yyah..md then

\okc up..

/lut . Am, interesting is that Campxn..ts a mem- ber of the Country Itadio Broadcasters' agenda tunuuittce.Is spearheading .I pan(I lair (:I&S 3') in March Called "W an to Woman :'

File session \VIII exauune Careen Of succt.stitl \s0111en I the radio and record industries and let attendees network with Iemale cxecutivls. "1 see

.1 lot of great females that could ...oily program

.1 country. %/a non.- ion.- (:.uop.). whys. "Ihit ryery time there: a programming opening, I newer hear .1

female included in the group of names i en- tioned. °I hat dtxsn't make .ens to her." In most markets. the target listener is a female. and it stomps me as to why more 'women aren't hold- ing do\%o PI ) positiotn...tcros the country."

24/7 NEWS ONLINE @ www.RadioandRecords.com

Pantpos

'If you told me a year ago today there would be another country station In L.A., that I'd be the PD and that Garth Brooks would be out of retirement with a single on the chart, I would have said, "Yeah, and then I

woke up." '

What Women Want After log ing mhauv e.tn ill the fi,rnt.tt and \s ith consistent run nn the market here she's inns pro granumihng, ( :ampxn feels she can bring certain nu.unets to the p.trtp. lint and fiawl ot, she tinder- staid, hon.- the female inane' \works." We're always getting ribbed Axone not Lien mg htnv guys think:' she sys." I think then', a nnsnnceill nu that

It a female is in charge. all of a sudden. the station paps pink:'

For the lint dine in history. there's a set

fìm.dc contender for president and a female com- mander of tine international spare .t.uion. (:.uu- p os points out.

'Iifty percent of the nation is single: there aren't a lot of \\ omen staying home and onak- ing dinner or just caring for kid,:' Radio should start reflecting the current situation. she ìmists. .'l'tol+lr .ire people. and they \v.uht inti,rmation and great nnlsit. hh.u'. not s.n\'ing men r.m't pro - grain for women, but women knows lions .%o-

men think.' Another ingortant element of the eyu.uion nor

(:.unpin in this now role is her hispanic ha: k- ground. there's bee, plenty of conversation this year about how cola itr radio can protect itself Ivy attracting a portion of the burgeoning tinmyide i h,p.tnir population. "Country radio right now is having a knee -jerk ractiom, think- ing use have to change everything to lure I lisp. . she says.

A huge misconception .flout I hspanics. ('.uu- Io. says. is "that a lot of them don't speak Eng- lish.- In fact, the opposite can Ile true. "tiring I-Iisp.mir. 1 get .1 couple nnag,a7ine. I'd lo%'c to Ix Able to real. but I moiler Mrans they're written in Spanish.'

( Amex,. Agness with the notion that similar valor systenhs. such a. ingortance of f.unily, .nn

potential common threads for country radio and

I Iispanii fistrurn. But she adds. "A lot of them don't vrniure to hip ueighlorhtxxl, .rod tend to t.n elustered to their families even it:thty earn a

,ix- figure st.iry and drive a Merced%,- lien,.ihts st.q clone to homy"

There are opportunities in Spanish- speaking urighlwrhtmods and businesses. Campo,. ',chews. "Maylx country radio should venture into anise nrighlorhnkxls and \Ay.'We're here for sou. We don't kntnw it you'll like its or not, l'ut we 'w.nht

you to krnnv .seen .n.nilal,Ie: "

First Things First I Irlping females attain high -pfile programming positions and tackling the I Ii.panit issar is .t lot to take on .when %ou'\e only been on the job fior

less than ts%u mouths. Ehe first order of I,usime.s

for (:,uopo. is KKG(1 and its immediate ch.l- lengt..'',t nerd to get out to As nutty iv( ple a.

pxnsible. -she sas-s.

A lot of listeners simply arvu't a%van that tilt nr.trlw S- month -old station exist.. (:.opt os be- lieve.. An her priorities fior 2011s are "no let

thou know se's .n ne%' and ehtennt station %%ith

our own Identity.' she \A,. (nìì that 11.11)1,01s. sou C.mh Ixt that ('alaixn

\sill nnnentxr tlhc e..k't .Litt.

NOVEMBER 2, 2007

www.americanradiohistory.com

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53

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.eicales Cream

NOVEMBER 2, 2007 www.americanradiohistory.com

AC/HOT AC

One last look as the convention fades like the sunset

R&R '07: The Final Recap

Keith Berman K Berman@Rad loand Records. cole

t was months in the making, so it's only right that we give Mthe information that came out of R &R Convention '07

Ienough of a forum so everyone can benefit from it ... although if you didn't attend, you missed out on sonic great moments and seeing old friends (and making new ones). Last week, I took a look at the adult formats session "Keeping

Adults on the Radio,' moderated by R &R industry executive of the year and all around great guy Mike McVay, president of McVay Media.

This week. I'll polish off the convention recap by going (v1.1* what happened at the twu AC: and hot AC sessions. "BTW. What's Up With Your Web Site ?" and "Which Pan of the Radio o reo Is More Delicious?"

In the first. moderated by JeWMcl lugh. PI) of KRSK (I11S -I the Buzz) /Io)rtland.O e.. a panel of Internet- .md test h- nurketing exports discussed

how radio can extend its brand by taking full advantage of the Internet. text messaging. a -mail marketing and database g.

Lint oft: Amy Van Hook of Liquid C pass

(55 Mich provides strea g and interactive serv- ices) and Reg Johns of Mass2Onc Media (which works with stations on database marketing) ret-

nded going outside the radio industry to see what other companies are doing to reach their customers.httild brand loyalty and Firing in NTR.

Ivan Braiker. CEO of bile marketing sen- ices pnnider HipCric ket. advised that stations can

oven- a lack Of mllne and manpower by tap- ping local high school and colleges to recruit

erns who are tech- sassy, passionate and will- ing to work on their Web sites.

Van Hook and Johns rev )led social net- working and Ntlw¡ng. "Liseners want to see and

know more about the talent:' Johns said. "They want to hear what the jocks think about vinous 1..11(5. IloxksI can put extra content online that they couldn't say on air. "Van Htok concurred: "It also Crates r unlior. C ding people to their favorite radio station with your brand in the center.That%extremely valuable :'

Johns had an interesting metaphor for radio and

NOVEMBER 2, 2007

technology: "Inlagitw wou'se got this 31111 -pound. b- fixe -lt -inch fiotb.dl player and a midget. Somehow this midget who knows karate is bring- ing the football player to his knees. I see the tixt- hall player as mass media and the midget as the people. What's the fixothall player to del? Leans

karate. Clear Channel. which is the bi est radio pmoup in the free world, is at lx-st a S23 billion company. Gex>gfe. which stand filer years ag41. is

S15U hilt . Wlut part don't you get? Advertising is our business, and we need to learn s karate.

Send the gaff to school. We are in .1 r.ICC :' Lincoln Financial Media manager of interac-

tive media T Jackson ha rod home the overall messaging of the session: There's a mis- guided not' hat those who listen to older for mats are not interested in going online tier their sta . "You're letting your stereotypes tome into play h too much:' pee sad. "They're investing online. They'll C tu your site if there: e pilling info. Many stations cony[ sec

the need to ims>s in their sites. so the numbers aren't there. and its a self- fulfilling prophecy."

At the second session. things quickly got start- ed as the panel (moderated by yours truly) got down to the business of discussing the formats changing musical landscape, e, the role of person- ality and A(:% annual laud rush to be the tint to play Christmas music. When the subject of TV's role in exposing sings to adults was discussed.

Island Iht Jalons Laura Curtin cited "Greys Anet ' and "Ánerican Idol" as giving some artists a litige advantage--and. some

stiff c petition -in the radio marketplace.

Curtir

McHugh

Edison Media Research VI' of music and pro - gra g Sean Ross countered that TV is help- ing pop songs gain trac more quickly and raised the quest. of artist ownership. Who will own the adult music like KT hinsullAmy Wined se and Snow Patrol ?" he asked. "The A(: and hot A(: formats are closer than ever.

What; the center lane ?"

I brought up the dichotomy of how hot A(: is the new top 411 in so markets. but they than is also seeing an influx of singer/songwriters. Mark Edwards. who programs AC KEZK and hot AC KYKY (VW) St. 1- responded that them really aren't "A(:- only" records any

"We're playing Fergie on KEZK. and the lis- teners don't care that its Fergie:" he said. "Stop being PI )s and listen like a listener -if its melodic and adult -- ling and it tits, who tares who it's by? At the end of the day. A(: is

still made up of mostly library -based st ."

I k advised soaring titles and looking for new eve for finding new music but stnsstd that its important to brand artists s -Uy. bringing up Fergie again: "It'll be 'Big Girl I )on't (:n: not 'London Bridge. Adults still want to fear hest 1114C, dill' too i .IM:m want to hem-Jessie: Girl: "

Neal Sharpe. PI ) of hot A(: /ulk hybrid WIN( (107.1) the Link) /( :harlt)tte, explained that while his station is personality -hand and only plays music sporadically during the (day (and exc hKnely after III p.m. and on weekends). it has

actually nude the Link: sic pos. stronger. "Because we (don't play as h the

sonpn wr do play sund out. and It culuntes our amerce' nt value." he said. "Play the right songs and make a hipster impact :'

Greg Dunkin of Wile-Ric haul -I ktxvan (aka "the Fnshmaker ") red tided that radio create sutionality by sit' g ownership of the music it pl ns. "It doesn't mean even' current. but look for the mono that stet you span from other fionnats. Me g the importance of artist visits. Sharpe and 1 )u11kin recalled when Anna Natick showed up at their statinos ill a van

and gave a riveting performance. then hung with the staff: Apparently. this is the kind ofthing that pukes artists stick out in PI )s' minds . -

With Christmas approaching, attentions are

tur g to A(: sta and when they'll start g g all -Christmas -and turn into ratings jug - gernauts. The panel discussed how to counter- program this. including going personality-bawd like the Link.

"1 wouldn't too it just to ci unterpmgranl against

Christman music:' Sharpe said. "Tisu surion% hen in Charkxte battle it out fior the Christmas rat- ings. and we always have a good 1 ecendxr. but I

wouldn't rev end Cooing it unless )sea plan on blowing up your sea alud going more in dut direction in January:*

flow ss early is too early? Edwards, who .ICttlalls

programs against hinnelf when KEZK goes all

Christmas andY98 stays hot A( :. said research tends

to indicate that estiu if a station goes early, people u.u.11hv don't want to hear holiday music until after

'Ihanksgiving. "We're ready to go on I I.Illoscen 111 t.ls MneYxle else gives. but we cm 11 the 1)..1

111)11 Ito the market. and we'r pnp.ared" 16N

24/7 NEWS ONUNE (D www.RadioandRecords.com

www.americanradiohistory.com

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TOR WEEK FNINNG OCT09ER jL. 2007 24/7 NEWS ONLINE @ www.RadioandRecords.com

www.americanradiohistory.com

SMOOTH JAZZ

Win -win: Sellers share responsibility to raise

advertisers' awareness

Radio Sales On Planet PPM Carol Archer CAfClllrepQ/ÓIOMIIdiiCOf df.001E1

&going tu Arbitnii's Portable People Meter iii thtxlologv i. .1 little like so itching to the metric system. Ultiniatel, the same

results are achieved. but peuple must learn tu think in new

ternis. ( :entnntttn. meter. and kilometers .in in: inches. yards

and miles are out.

In I'hil.ldclphi.ì and I Ioustou (.salien l'I'M is currency) .nid Ness York is%here the srstte SS ill Ix tonunenia[ivet I>cc.3I).Arbitmn Iras conduct- ed ssorkshops and pnntations gt.md to .advertisers. Station sdeyxuple can contribute their t 1sertisc no,. by leading change in the hosing community Tike an advance-away

te.ini' cydoriug planet l'l'M. 'I'hdadelphia station manager /till I4nns n says that Arbitnm lises doue .t guxxl joli

In mulling out tu the buying community. I Ir .ils, lx[Ilels that electronic measurement

Iodes %sell t Ir.III. "Iii the past. bents might boy 21 h Ix,Íiits per %.etk.but with new Incas - unmeut. maybe only lit! plinth. an needed to drive the same results. he says. i new meth kiokig\ is generating .1 heightened gn'vth curse and with New York. I u. Angeles

and ('hic.igo nest tip lin the l'I'M,.nvant.s is likely to -fist-track,- he sv'. I he story that W111.\ sellers tell III the marketplace is that the station's tinier 'lowed

in July. and tunic 23 -54 nearly doubled in thn months. But the big story in l'hilalpliia is compression. llnwvn s. s. While the top live satiohn an: in une category. those ranked

sis through 12; vary only M 11.3 -ti. ,.U.isd un UMW grin% th. wr Cali market ourselves,

gons I SI and ris ti' tilt' top of the pack by the enrol of (),.2 IN:. he stns.

(;rc.ttcraccountability to clients as the real goal for the industry-it-cording to [(moil. We have an opportunity to change how advertisers perceive us. Radin was last when

it r. to distribution of ad dollars. but gn.vtli in Internet usage and our strength in

estent marketing ss ill benefit us. Matai 111.11 wsitI1 PPM .0 id it V.111á Tt's radio. Itadio has

akv.tys had .a healthy reputation k'r solving clients' pnddeiiis: I'I'M will .111wc us to raise

the bur for the industry."

Ik( )1 Media -tIi.a Si douons partner lo wli Rose stresses several salient 'omits for sellers to con-

vey to iheiit.. First. the conversant al mus change. localise the same .audience is meas-

ured differently. Iernnnok.g\ has changed as well. from -IN:. to -average %%wkly' time rq,wtd: Iule the value of the audience remains undiuiiinishttl.

se's company put u,gcther .a hypothetical schedule based on fill 211116 diaries and

comp.and u .still Nonrinlxr 21NII, [I'M data. A schedule that yielded IINI grins rating

'oints usng disants concerted In 71I (;Ill's with the l'I'M.-Yet both reach die saine num- Ixr of listeners: hose says.

Adccnis n hase .tissai. bought radio because it ssork.. he .1114.15.-( ;Rh, rating ',oint. .md 'leach- aloi- Iteyuenic an nitenurdiatr'Miius lia catcul.1tion. Hut draw. hack and you're

buyinng the salue of the .adieuic. schich Iha.n't 111.tiigL I.

the '11.e1 repnvnts .1 ',artic11L1r1i ad..uita>eVns sales i ' WIn twtty in its abilit to kniaistrate .atiountability, Row .ti..." Ititiled in -stone audio is the ultimate account-

Willi Ow the t\tepuon ofiou'oxis. I "'ICI dunk of another medium that tittnlm c\lowun and iou.unirr .11-1t1 in. the concept 11.0111 quite gained tr.i(tiou. and it SS ill take

.1 %%Inle.Ixt the sales potential ssith l'I'M can rc.11l. lx.1 game-changer lier radio

('aime is tip tlr.uiuttcally .xnws the board ssitii the l'l'M. Bowe says that for the aver-

age stallion ni l'hiladclphia, hall die canne listens ton lour -phis quarter -hour. per week and

halt tin It.s thym that. But the il r'.. that listens longer contributes 92-.. of the station's AOI I.

24/7 NEWS ONLINE @ www.RadioandRecords.com

EVERETTE HARP

TIME ARTIST

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'PPM data shows that it's difficult to impossible to reach any station's core audience on another station.'

-Josh Rose

1 111.n'. iniident.d tr'ph.intoni' etnne..n cvenonr susptitrd. that w.tsn't rclxtrtcd ill diaries.. (Lost .n,."i'i'M dt.a really shows

that it's Jidicult to inipossihlc to re.atli any station 's con .audience

011 .Itllithti .rlt hob1.-even loll stallions sill high crossover .nd even

in competing formats.

KIIIZ!fhxason st.uiun man.agergeuer.d sales manager Muriel flinches has also seen phantom dune reduced. "I'I'M supports s.h.tt

we've always known: that mon'xvoplc listened to radio than diary

nethtxkokig ntiectttl :'Aicl t1tt.dit.nivc 11.,A.'.111-11 011 this 10T111.1 0. lis-

tcncn, shot: cxlxwun to rttlio IoM mcasun.,shI$%s "smooth .1.vi

has All .mesaiit audiercce. 4 says." I his ti+rnrtt is 24- t:ar.at ga,Iti.

/Wit positions itself as "smooth A( "'.wrong the buying com- munity to cniphasi7c the tonuat's iiiainstwain attributes and to

rncrconw ohjcttions. Finches agnts that the l'I'M makes stations

more .accountable than the diary's "voting niethtxl: "l'I'M brings

radio won into line %with similar measurement methodology in

TV' she says.

The transition Ixrioxl from diary to the l'I'M require. "high com- munication- %sith .agencies. I-tmihe. sivs.'fh.t 'bridge. will help

.IgelICIL. better communicate with their clients to help thew under

stand hire the I'M .nets rid Results. "rim not talking al',tut molts in terms of him. much we helped them sell this sseekend. but the

measurement. Itadio, generally. is still pricing on suppt% and demand.

loo raise rate. you sell on the duality of yinir radio station. When I

can afford to give I ,aLverthers1 better rate.. I du. M. f:norite pl.tic

to be IS.'I mill if I can:

lin.db', a senior manager ho heads n-wanli for an agency that

minwilts some of America. Itadiug ad.cnisrs, s xaking on t1Na-

ditiun of anonyniin, says that learning the intricacies of the l'I'M i. a ryxwsibility shined by agtni it...mhcrtisn..lien surd busen.

"IIuven Will iImnasuigI Ii.1.e to think more strategically.- the

agility' manager sys. 'As our ncirits get Ixttcr. our effectiveness ss will ii'lpnwe. I the I'I'MJ is a .mall step .doug .a long p'iin c

-We bane to think about how autheni cs are cspanding ainws dig -

it.l platform... 311 of %%hid) should Ix ciIt,xlcd :' the executive stns

"1"n" ct1utcsxat1u1,- Fsenonc Jnuld stork cos .ml ep.wdmg tike

eni.xliig footprint .1. I+nutlh a.'ow.114e" K R

NOVEMBER 2, 2007

www.americanradiohistory.com

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24/7 NEWS ONLINE Qil www.RadioandRecords.com

www.americanradiohistory.com

ALTERNATIVE/ACTIVE/ROCK

le%

Production vet Rich VanSlyke on getting the most out of your station's imaging and creative elements

Inside Imaging

Mike Boyle M B oy I eta R a d l oa nd R ecord s. caw

rum alternative to active rock and from rock to news /talk 62 and all formats in between, Rich VanSlyke has his hands on

the pulse of the ever- changing world of imaging and cre- ative. Since 2001 the 20 -year radio production veteran- WK LS/Atlanta and WCMF /Rochester, N.Y., are among the stations he's worked for-has operated Rich VanSlyke Voice

Guy (richvanslyke.com), an imaging and creative production company that now wrves more than 40 radio clients.

At the recent BAR Conse in Char- lotte. VanSlyke and 1 -we had never met before -- struck up a conversa about the ins

and outs of what goes into sun on imaging and

creative. We also discussed what pr og rs look for when selecting a "voice" for their sta-

. and the potential ekes that su make when pl g what to do with daily on air progra g elements.

What The PD Wants As in any business. when it c to selecting an imaging /creative person fire his or her su -

a progra r is looking fine creativity and

receiving a good quality product on tinne.

"Radio is all about having tint and hearing w thing that nukes yin smile :'VanSlyke says.

Your No. I goal as a prog r sl Id be

to bring alise the magic of radio with elements

that celebrate the :' That goal can he

.rc,nitir ishcd by sontcthiug as plc is cdit-

ing together three or tinir songs' hooks and

adding ropy "that makes listeners feel like they're a member of an exclusive dub and that IthcyI just happen to hose the saine music that you do.That is the e I rear hat you

are going for." Pnogra rs want the process to he easy.

VanSlyke says "and people that do what I do make it easy And 'easy' means 'well done' dry voice or production that does not have to he

changed or revised.' It also means doing things quickly and accu-

rately, and ge g it hack to the station in a

Iy manner"! hear from a lot of PIS that it takes tow long to get things hack from their voice people :'VanSlyke says.

While things Tike imaging and creative being delivered on tine. being on budget and all

expectations being met seem like °Mious pro- gununer "wvnts:'VanSlkc says there are things

progra nunen should absolutely seek out when selecting their station voice.

Its important that the progra er and station voice are on the same page cre- atively and that the voice -over person is

the voice you hear in your head as a

programmer Van- Slyke says. "What is

your vision for the

radio station? Does

"I'I I.\I I\ I I I \ I 1\\I }'\'

Clear Channel rock WEBN/Cincinnati's latest billboard campaign, illustrated above, continues the station's longstanding tradition of pushing the envelope.

24/7 NEWS ONLINE 0 www.RadioandRecords.com

Top Imaging Blunders (And How To Fix Them) Voice guy Rich VanSlyke offers the

top five errors that programmers

make when contemplating their

stations' imaging and creative

needs, and simple solutions to

those mistakes.

Vangyhe

Imaging that is not within context of the station. The

easiest way to fix that mistake

is to know what your overall

message is. Is it We are the

station you grew up with or

We are the party station "? Once you know what the

message is, make sure every

promo has the same underlying,

between- the -lines message. Get

creative. Don't just give away a

snow mobile, give away a "Sled -

Zeppelin" if that fits your

station. Its as simple as

having the right attitude. PDs don't communicate

what they want to their voi, peraon /imaging producer. People

hesitate to ask for what they

want. Most voice and creative

people are eager to please, so ask

for exactly what you want. After

all, you're paying for it, right?

Forgetting that it's all about

the music. k's not about the

station: It's about the music.

Imaging and promos that are

about the music keep the station

focus on the reason people listen

to music outlets.

Not using the Web. POs should

use the Web to listen to other

stations if they want to find

different ways to deliver the

message. It's also useful for finding

other voice professional Web sites.

Forgetting to have fug' Be playful

and make fun of yourself. And if

you need to learn how to do that,

watch Stephen Cobert's The

Colbert Report" on Comedy Central.

He is constantly telling people what

a great show he has, but he's also

having fun while he's doing it. -MB

'Your No. 1

goal as a programmer should be to bring alive the magic of radio with elements that celebrate the music.'

-Rich VanSlyke

your voice person sound like he or she fits?

Does this person exemplify the kinds of things that your radio station is all about ?"

For exampleVanSlyke says. "If you've got a

wild and rnzy party sta . then the person should have a lot of that in his or heraoice and

imaging. I don't think that program directors should be afraid to fro with exactly what they

want. Its got to he a I that they are happy

with every single day.

The trend of" leess is " in a rcial

stopsets also applies to imaging pieces. sweep-

ers and promos VanSlyke says. "But I have to stress that it's just a trend. and I've seen this

trend go hack and forth over many years. The

pendulum will eventually swing hack to being more re creative and engaging. which will mean

longer pre and sweepers.'

Both approaches work well. he says."Short- er pis work because you get hack to music

faster. Longer. creative p can also

work because they nuke better impressions on

listeners.'

VanSlyke says that a lot of research has been

done about how radio messages create pictures

in people's Is.

"The ones that do that the hest cunununi- cate and art' retained by the listener. The ulti- mate would he an engaging. entertaining. me gfid pre that's 13 sac Is long. It's

hard to do. hut I think we have to do it.' RoR

NOVEMBER 2, 2007

www.americanradiohistory.com

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NOVEMBER 2, 2007

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NOVEMBER 2, 2007

www.americanradiohistory.com

TRIPLE A

Doing what triple A has always done best

Discovering New Music

John Schoenberger JSchaassbargareRadimendReawda.com

here has been a lot of talk about the new music that triple A has been champ' ' g during the past 18 hs. In real-

ity. the format is s' ply d g what it always has done: dis-

covering and playing new artists that mix sell with the

established acts in which it is already invested.

But as such filrulats as AC and hot AC are looking to

revitalize themsehes. they are adopting these new arts xwner rather than later.

Triple A has always had to contend with this erussover situa and find ways

to ensure it still has equity with the artists it supports. but the timetable is speed-

ing up.

Edison Media Research VI' of music and pro}, g Sean Ross recently swot(

his weekly Web col about this "new adult music" and offered his thoughts

about why so many new artists are getting attention these days.

I decided to follow up with Ross on the subject and dig a little deeper to find

out what triple A can do to stay ahead of the curve in recognizing these acts and

taking advantage of the excitement surrounding their music.

A number of formats are embracing these "new adult" artists right now. Can triple

A stay ahead of the curve?

This has happened before and it will happen again. It is really the type of musi-

cal outreach triple A has always done -finding the lest of the new adult music

and devising ways to blend it with the artists it already plays.

This around triple A has a smaller window to Owl) many of these artists

bfore they start to get played at other formats. though. Every format likes to

own its own staple of acts. but I ant of the belief that it is good for a given for- mat when they have established an act to a point that they cross over to other

torntats.To my way of thinking. it is hard to totally own the music and still be a

successful triple A sta

Is triple A at a disadvantage to own these newer artists because it doesn't have

the market penetration that AC and hot AC have?

Wynn want to view it nationally. that may he true. but if you approach it on a

market-by-market basis. then triple A has as much of a chance as any other for- mat to get the most out of playing these artists. It will ultimately he some

different in each market and it might not even he radio format vs. radio format.

In some markets the outlet that gets the most out of exposing and identifjing with these artists could be another need' such as TV. Even the Internet e

into play.

It is wise for radio to follow trends and react to them. It is also wise to count-

er it and be aggressive about it.This gets back to each market being tip for grabs.

The advantage triple A has is that it is based on customizing itself to the

market it is in than most other formats its c 'q- lednes% and adapt-

ability can be an important edge.

Can triple A embrace this new crop of artists without sacrificing some of the acts

it has supported through the years?

NOVEMBER 2, 2007

STEVE EARLE

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The nature of triple A. playing the best of then and sets

itself up to do that but you still have to be tl ghttìl and

intelligent about I you execute that. You also have to accept that there may be artists you have to let go of along the way.

Most adults understand that James Taylor. !hunk & the Blowfish and Kl "Tunstall all belong to the saute acoustic tra-

dition. But I will say we are beginning to we a generational divide among older and younger adults where that line of recognition may be as obvious as we think. The tactic of playing different library songs by established artists to dif- ferentiate yourself from the AC or classic hits station. means

that thew songs are less familiar to the ger adults or others you want to invite into your sta ' . hat's where the challenge lies.

The station that.has authority with its listeners and can

hold their attention can pull this blending of old and new off easier than those who haven't clearly defined themselves

with their audience.

Aside from the younger singer /songwriters, is triple A filling a void by playing many of the indie rock artists, since much of

alternative radio isn't embracing them now?

These artists are still welt- in places within the alternative community. but certainly not all. We could think that alternative should he the natural I for them and

at one time they probably were. but alternative is 41 g

a different kind of battle with nwk radio right now.

Triple A is smart to fill that void, and by doing so. is

attracting younger adults who grew up on alternative radio in the 'Soc and '911s and no longer identify with that for nut.

Triple A has to look beyond where a record e s from and simply deter if it is good and If it can mix well with what it already plays. The premise of the format is to play

the best of the past and the present. so it needs to find the

lest of the present in any way it can.

24/7 NEWS ONLINE @ www.RadioandRecords.com

67

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24/7NEWSONUNE a www.RadioandRecords.com NOVEMBER 2, 2007

www.americanradiohistory.com

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WASHINGTON SWAIN SfDMAOE STEVE EMIf

REVIVAL *PI MINTY

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se 00011. 11.8

LATIN

Is there a lack of pop hits? Or is pop radio too conservative to try new music?

Making The Pop Hits Jackie Madrigal [email protected]

he Lamas pop format has had its share of ups and downs dur - ing the last few years. It took a big hit %Olen regEnetón became mainstream e gh in 210 to prompt %,cram radio c pa

70 nies to introduce the Latin rhythm format. But ng aetön is not much of an issue nosy. So what% stop- / ping pop from rep' g its former luster? A g the reasons

cited by so prugra ers are scarcity of new pop hits. a F ed number of pop stations in the United States and differences in sisal tastes from one region to another. Label execs. meanwhile. say it's an overall conservative clinute at radio.

Universal Music La se VI' of marketing and AMR Walter Kolm isn't buy- / ing the argt -nt that then is a shortage of pop hit material. "There are a lot of pop hits. The problem is that pop stations in the United Stites are not promoting them :' he says. Nielsen% Music Control (the Mexican equivalent of Nielsen BI )S) docu- ments the of pop hits in Mexico. and them are plenty in other Latin -

jAmerican c s. Kohn says. But with so few pop sta in the U.S., those hits / don't hoe a chance. And its nos because they aren't priorities for the labels but because the IItIlI)hi r of p you Call work in the U.S. are so f d duc to the limited number of ." he adds.

I he problem is mot-old. according to Santon Latin Media president José Santos.

who consults Entnvision Radio% pre r pop outlet. KSSIì (Síiper Estrella) /Lon Angels. among others. There an: lisser pop su especially on the West Coast. where the mg. I Mexican fòrnut ek)nliIutas. And st pop stations are not play- ing the right music to create a w' g cation in their markets.

Another factor is differences in reg' I tastes. which ran create difficulties when choosing which songs to pre mationall: "It% a very complicated issue. and it gets

worse because you're talking about na ality traits and lifestyle issues :' Santis sass.

"That% why labels have to be careful with which songs they choose to put on the platform to he No. L lie very selective On which songs will be hits na ally, and don't kid \7n1Selves JUSt because it's No. I in Puerto Rico, New York and Miami. it won't necessarily 1w No. I in Los Animes."

Warner M Latina marketing director Albert R. z also disagrees with the notion that poop music is somehow not holding its ossn.'The problem is that radio is chasing the doors. like in the caw of Súpev Estrella. that has very f-ew spots open for now music because of the pnlfm g changes they've made-adding English Illlusic :' he says.

The light at the end of the tunnel may be pop stations in Texas, such as Liberman Broadcasting's KTCY (X0)/Dallas, which gives new music a chance, according to Ramírez. Then there are the Digital stations (Border Media farmers' pop KRIO /San Antonio and KXXS /Austin) and the Exa oudets (MVS Radio's pop XHPX /EI Paso and XGLX /San Diego). In addition, former' Clear Channel Latin rhythm outlets KLOL (Mega) /Houston and WMGE (Mega) /Miami have gone pop, and some existing Latin rhythm stations, such as KVIB (Latino Vibe) /Phoenix, play some pop tunes, Ramirez says.

Uni Radio pop XHFG (Pulsar) /San Diego PD ElvisValle says that right now, there is no shortage of pop hits to choose from. "There are many new artists-

that hit it big only a few years ago and have now become core artists for sta-

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'There are a lot of op hits. The problem is that pop stations in the United States are not promoting them:

Komm

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starae:tan aMaaWn1

tions, such as La 5ta Estación and Camila.' Valk says. San

Diego and other border markets are exposed to music trends from Mexico. an advantage for stations like Pulsar.

Even when market competition forces most stations to walk on the conservative side. Valle says sta like Pulsar can take a

feu risks and exper' nt a hit more with new music because Mexican-owned stations don't rely as heavily on research

as their U.S. counterparts do.

According to Santos. new pop artists need exposure on radio. TV and in print. especially on the West (:oast. "Only a

select tw new artists have made it. and it's because they have

tone far and beyond to expose themselves :' says Santos. citing La 5ta Estación as a perfect example. But he questions what has

been done for other artists, such as Kalituba or Brlanova. "lielanova's song 'Baila Mi Corazón' is great. but it does not have

enough exposure.'

Santos says pop music and the pop format have a bright future, but it is time to find the next Ricky Martin.Juancs and Shakira. "It is as much the responsibility of labels as of radio to develop new acts. If we don't do it, the format could eventu- ally go stale." AA

NOVEMBER 2, 2007

www.americanradiohistory.com

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1111B/Carpus Christi, TX OM: Clayton Allen PD/MD: Luis Munoz

OAP/Corpus Christi, TX OM: Paula Newell PD/MD: Dan Pena

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oM TX

Po- Chayan Ortuno

TX PD: CyhayDanOrturo

KBNO/Davr, CO PD: Soro Rios MD: Zenon Ferrufino

PD: Napokon S. co Xli1a/EI Pß4, TX PD: Francisco Aguirre MD: nrostro uro Bue

PD/MD: Jorge (Alen

KOII/Feso,CA PD: Juan Fernando

PO: K OQ01FT CA

KLTNMaMtoii. TX PD: Raul Brind.s Ma Angel Basulto

KW/Houston, TX PD: ArrNlfo Ramirez

KTJ14Monston, TX PD: Ezequiel Gonzalez

WECU/D Manuel Sepulveda

KISF/Las Vegas, NV PD;Jose Ramon Draw

KBUE/Los Amass, CA PD: Pepe Garza

KLAX/Los MOH, CA DM: Rio Ferro PD: Juan Carlos Hidalgo MD: Lupita Del Castillo

KLYY/Los A0EahL CA OM/PD: Elias Autran

KSCA/Los AN /Pm CA PD: Verona Nava

KGBT/McAUS.. TX PD: Hugo De La Cruz Ma As mando Aknazan

P San

TX PD: Mando San Ron MD: Robert Montalvo

KSKOI4rad, CA OM: Debbie Cornez PD: Saul Fiallos

KPAY/MaRw.N CA PD: Vicente Romero

WQBU/NEw Auk. NY PD: Gerardo Lopez APO: Gabriel Pino

KTIAJDWhRM Oty, OK OM: Kevin Christopher PO/MD: Sammy Soto

PO/MD: Prieto

KNOT/PhdE, AZ OM: Eleazr Garcia PD: Nelson Osecia

WYMY/RaMfl h, NC PD: Julie Garza

10S8/Rive side CA PD/MO: Salvador Prieto

KTTAISa.sonos. CA PD: Juan Gonzalez

KOUT/Salt LakCRIT, UT OM: Cabs Martin Valdez PO: Cesar Valdiosera

KLEYISsa ARta ko, TX OM: Robin Flores PD: Rudy Ramos APD/M : Danny D.

KROMIS.R Antonio. TX PCt Ragelio Leal

KSAWSn Antonio, TX OM: Robin Flores PD: Alfonso Flores APO: Minnie Ochoa MD: Juan Mar tine,

KXTWSan Antonio, TX PO: Jon RAMI,'' APO: Pete A. Morale: I II

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KLNVISaR Okt CA APD: Gabriel Alvarez

XNTY/San Diego. CA PD: Elvis Valle

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OM: Jose Nelson

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WVOZ /ALMO Rico PD: Jamie Ortiz

MO: Edgar Diaz

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NOVEMBER 2, 2007

www.americanradiohistory.com

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92- Got something to say but nowhere to say it? Rock 92

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If you've got the attitude, we've got the time. No MP3's.

T &R to WKRR. 192 E. Lewis St.. Greensboro, NC

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AAA station seeks midday host. Extensive music knowledge and conversational, relatable announc- ing style required. Your passion must be to educate and inform listeners about new music. This is not a

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COMPLETE COUNTRY CHART ON PAGE 53

24/7 NEWS ONLINE @ www.RadioandRacords.com FOR WEEK ENDING OCTOBER IB, 2007

COMPLETE URBAN CHART ON PAGE 42

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COMPLETE AC CHART ON PAGE 56

NOVEMBER 2, 2007

www.americanradiohistory.com

THE BACK PAGES

P O W E R E D B y

111ClsC11

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COMPLETE ACTIVE ROCK CHART ON PAGE 64

NOVEMBER 2, 2007

SMOOTH JAZZ

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IMPRINT / PROMOTION LABEL

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COMPLETE ROCK CHART ON PAGE 65

ALTERNATIVE

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TOP 5 NEW AND ACTIVE TEN TON E RICIL qat (CAPITOL)

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COMPLETE ALTERNATIVE CHART ON PAGE 63

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COMPLETE TRIPLE A CHART ON PAGE 68

24/7 NEWS ONLINE @ www.RadioandRecords.com

77

www.americanradiohistory.com

Rsil?

78

lacer Noter

PUBLISHER'S

1

Profile: Kurt Johnson

TRH: CBS Radio VP of

programming

Favorite radio tonna%:

"Jack, then CHR, AC

and oldies."

Fewest, son¢ ` ,Happy

Birthday.' I enjoy it more

every year. -

Favorita book: " 'Endurance' by

Caroline Alexander

and 'When Pride Still

Mattered, the Viner

Lombardi bio by

David Maraniss."

Favorite movie.

-Recent is 'Crash. Of

all time is To Kill a

Mockingbird:

E-mail address: kurt.iohnson(a7c bsradio.

com.

CBS Radio VP of programming knows more than Jack

Kurt Johnson By Erica Farber

kurt Johnson caught the radio bug early. With experience both on and off the air, he has fostered success in (:I !IL A(:, hot A(:, classic rock, oldies, smooth jazz and most recently, adult hits %v"ith Jack. Johnson currently serves asVi) of programming for (:BS Radio. overseeing Jack stations in eight markets as Well as six CBS stations ill I )allas.

Getting into the hutiine,s: When I % %.1, Ii1, Inv

dad got a inb selling ad, for a little AM radio sta-

tion in Wison,in. I Ir look in there day and

that %%as it. I nmemlxr everything about that

day: the people Iinri. the smells. the sight, and

the sound,. I went home and knr%y I had found my career. I hung out there and tried to talk

them into putting 111e on the .tir. When I was I I they toId ire I could have .t show if I could ,ell the advertising on it. Seo I %Vent aCno,s the street

and ,old spot, to tilt local record store. the rlre- Ina)ir store .utd a Clothing ,tore that a neighlwr owned. and aid) did a Couple trade deals. I he

( IM was so shocked at the audacity that he had

to put me on the .tir. I'%e been on .und in pro

gr.unnung ever since.

Moving to the programming side When I gut .I

cob .It WI=YR /Chicago in I'm. that %,a. the

h.nu r.lJ ( :its for rte. My I'I ) there des& rased ne as the must adequate itxk heil Liver !lean'. I Lnc%.

that. too. It was about the timer M.nry (:.Itherine Sneed 14tk over. She gale me my tint PI) gig.

Joining CBS: I was %corking for AMIM in Phila-

delphia in 2104)1 and sse %sere going to AIite In4.5 /WL('E. which wan d g %% ell. It was .tit

u\%nership change and the nos% os,ners %siren'%

really sore what to make of this new hybrid Mr- mat %sc'd cone up %%itI). About %11.11 time. 111tì11)4, called and said that they needed help at

VII in Dallas. I cure here in March 21H I.

Describe your programming philosoph , Making snit' every day. % %e strprkt people and push nur

radio st.nIons to he Ixttrr (h.111 the das hrtore.A. there .tic nrc .u) snore rho)Ces. sou I1.ue to

nt.LL& sun. VOW' .%.Minn i, rele%.u)t .uxd .tans .tt the

24/7 NEWS ONLINE to www.RadioandRecords.com

front of the h.u. A Itt of Challenges arc bur g

people out. and you have to have .1 sense of hunuor.dxxtt your situation.A lot of people hate

their Jobs. We're blessed to Come to .1 place that.

Liven on our iurst challenging day. we have fin and access to .1 lot of .IiII rent people and situ.t-

tion. that people only dream ot:

Launching the first Jack station: We had Wild

1414.3 on the air at the tine. and it was not aChicv-

tu gwhat ssr nddoktiL Mo %sr nvanhdtl tle market

and had to make an e hit.ued attempt at .ktrnnin- ing what it .%null w.mt. We knew if ssv put oil

something unique. we could Catch tlxir incgmn'tioa).

and ,e thought Jack could do that.'I hr attitutk, the

irnyrnucr.thr pLnfilntys.111(1 tltt 11111%1C I111X C.11101t

Ixv)plc Iw surprise. I'he bunch was huge. We %sent

turne I!1 ,hare to .1 ii) share to.14.1I share Inthree

mouths. Wen 1x s% in our finirth sear. We're proud

Ixt.itNc .1 lot of people hase achieved success. and

this 1. the mulet % e the in the U.S.

In addition to your Jack responsibilities you over-

see the cluster in Dallas: I have great Pl l,..md l'en

fortunate they all work hew. I pr o%ide help when

they need it. We t.tlk .t lot. span information ale 'tit

C petition and make sure %,c're informed.

I hcv'rc wry Contlx e. I1%erybo d, %%ant, to be

on top. and rvrn Mxly ,rent, to get their turn.

With all the new %cans people

are Consuming media and purchasing music. you

have to lead everything that:. going on in the dig-

ital plattònu and in the music iiidustrv.We It.tve to

make sure Our brand, .tn ready ro Ix used in wh.n-

esCr audio des-ices Ix )plc are listening to. I )sing

that means you need to have an understanding of delivery channels and 110W cons Tint is evoh'-

mg. Making sure we 1111d ways to moneuie .lI these 11r%% places i, our hit.14e1t challenge.

State of radio: Radio is more entertaining and

diverse than ever. I .1111 proud that sshen lack hit

the land,ralx .1 few years .ego. it hook thing' up.

It made people rr.tess ,4/111C of their paradigms

of what .1 nm,iC station ,huuId or .hou151u't do.

and you se that reflected in several formats ttxda,

%s nit that deliver more variety and dust'!"

sity. lark I'M s.tys .1 lot . about radio moving tor-

ward. l'nogranuners need to Ise creative and kilos%

hose to compete against friends on the I Al or

AM dial - and how to compete against several

plat% and avenues of audio. People program-

ming nos% .tn doing .1 letter job of that.

Something about your company that would stir

: irise readers to leap', All dining!) Consolidation.

CBS never gawk' tip its indisidu.l .%.pion rutitie, Lich st.ttion is individually programmed. and the

I'I) and ( IM realty chart the ci tirs of that radio

station. As Large a corporation as it is. the individ- ual station identity has never been lost.

highlight First No. h book .ItWLIW /Ney%

York. rot. a anall- toss i) Midwestern kid. It ws .m

unintaginabhe L xIxrirnte.AIMI.suct eeding nn right

different firman has been ver rvyv.tnling.

Career disappointment: Not hawing more time to

teach young iscople lust getting into radio. The

business needs it desperately. I wouldn't have suc-

ceeded without great mentors.

Most influential individual: My .cite. It I start a

list Of the great people who influenced nn in

radio, you'd fill this page and I'd still miss some.

Advice for radio Iklie e. eie%ision.\Y:Rs. MTV satellite and iItxl. put together hayent done as

much damage tu radio as the lack of c ndit %%r gne

oursI%ts. and wr don't get near elle rts1/1CI %%r

dtse eve a..1 result.

'Making sure we find ways to monetize all these new places is our biggest challenge.'

-Kurt Johnson

NOVEMBER 2, 2007

www.americanradiohistory.com

STIAN

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November 15 -16, 2007 Marriott at Vanderbilt University Nashville, Tennessee

MltldlaI W. Smith Caa/inaa1e CaN

Kerry. Sad Paul dew Mart Waltz aMllar Kan

A/NeM And Laura Mary Fee

NIA UMW raeba NMI Keay Puss

UMW

Meona Wallin wad

Mil Rafts

THURSDAY 11/15/07 $:111ahl -$1 m REGISTRATION OPENS

8:30- 10:NAN1 OPENING KEYNOTE/BREAKFAST

Featuring Dave Burchett Sponsored by Integrity Label Group Performance by Paul Baloche & Kathryn Scott Emmy Award -winning television sports director. author and Christian speaker Dave Burchett will open

the Summit with his unique blend of humor. compas-

sion. insight and honesty . He is the author of 'When Bad Christians Happen to Good People" and -Bring'em Back Alive -A Healing Plan

For Those Wounded by the Church." He and his

wife. Joni. were also staff members of Campus

Crusade's Athletes In Action. To learn more about

Burchett. go to wwwdaveburchett corn

10:15- 11:38am GENERAL SESSION

Facing The Facts About New Media Internet radio, satellite radio. podcasis social networking sites and other forms of new media that

compete for listeners attention surround terrestrial radio This panel will cover not only how to compete with new media. but now to use new inedia to pro- mote your radio station and engage the new- media-

savvy listeners of today.

Moderator. Mark Adkison. EMI CMG VP of digital strategy & development. Panelists: Alan Mason. Goodratings Strategic Services partner. Scott Lindy. Sirius director of country programming: Joe Galante. Sony BMG chairman

V INTEGRITY

11:45am- 1:30pm LUNCH

Sponsored by Word Entertainment Performances by Mark Schultz Stellar Kart Cadia

1:45- 2:45pm GENERAL SESSION

One Step Closer To The Truth: Arbitron's PPM Arbdron will host this session to bring you up to speed on the latest PPM information. including the most recent numbers from PPM

markets. and some of them may surprise you. PPM is definitely chang- ing the way programmers think. Well find out why. what they're doing

differently and how its working.

3:00- 5:OOpm GENERAL SESSION

Radio And Records Group Therapy Performance by Justin Unger Co- sponsored by Heights Music Group and ONdO Entertainment This panel is back for the third year in a row by popular demand. Panelists from the Christian radio community and from the Christian

record community will discuss what's most important to their com-

munity right now. With interaction from audience members. well all

discuss how we can continue the growth of the Chris- tian music industry. radio and records. and continue to

lead people to Christ.

Marlaraler. John Styli. Gospel Music Association president Panelists: Mike Novak. EMF Broadcasting.

Grant Hubbard. EMI CMG: Dave Senes, WAY -FM: Derek Jones. Word Records: Jim Kirkland. Blue Ridge Broadcast-

ing: John Butler. Curb Records: Brian Dishon.

Provident Label Group

5:30.700pm DINNER Sponsored by EMI -CMG

Performances by Mandisa. Matthew West. Britt Nicole. Robbie Seay.

Daniel Doss. Josh Wilson

EMI Music quietism Musk Group

7:15pm CLUB R&R (White) Sponsored by Curb

CURB

FRIDAY 11/16/07 8:OOam- 5:OOpm REGISTRATION OPEN

8:30- 10:OOam KEYNOTE/BREAKFAST

Featuring David Nasser Sponsored by INO Records Performances by 33Moles. Addison Road. Laura Story Author. speaker and minister David Nasser will deliver the Friday morning keynote with his amazing

story of his family's escape from Iran when he was

just 9 years old. They moved to the United States. where he struggled as a young man. then found Christ in college and began sharing his story with others. Today he speaks to over 500.000

people a year Nasser also authored -Glory Revealed." which was released along with the "Glory Revealed" CD.

and joined Third Days Mac Powell and other artists on

the -Glory Revealed tour.

10:15- 11:30am GENERAL SESSION

The Slacker And The Spoiled: Engaging Gen X & Y

Sponsored by INO Records Performance by Fee

How can you attract and keep younger listeners tuned in to your

station? Well find out from one of the top experts in this field. The

Intelligence Group. a division of Creative Artists Agency that focuses on consumer insights and trend forecasting. They will first explain what these two very different generations want and then

share how Christian radio stations and record labels can

meet those needs in a way that will resonate and have a

lasting impact. tail]

11:45am- 1:30pm LUNCH Sponsored by Provident Label Group Performances by Michael W Snuth.Leeland. Brandon Heath. Kelly Pease. Matt Maher

1:45- 2:45pm GENERAL SESSION

Brand Development Making The Big Idea Happen

Sheri Warnke is a senior media and marketing execu- tive with more than 25 years of national experience in

magazine publishing. national advertising. entertain- ment and music marketing. experiential marketing

and event promotion. If you've had big ideas but

have never been able to pull them oft. Sheri will let

you know how strategic partnerships with national corporations or companies in your own community can help make

them happen.

Q

3:00- 4:OOpm GENERAL SESSION

Creating Powerful Radio Geller Media International president and 'Creating Powerful Radio' author Valerie Geller will show you how to get. keep and grow your audience by creating powerful radio. Most importantly. she'll talk about how to never lose a listener!

4:15- 5:30pm GENERAL SESSION

Christian Rate -A- Record' Another populai panel returns for the third straight year as panelists from radio and labels. as well as audience members. get to listen to

brand -new music. then rate each song using Broadcast Architecture's Mix- Master digital dials. Panelists: Dan Michaels. INO Records. David Pierce. K-LOW/Air 1: Andrea Kleid. EMI CMG. Scott Smith. WPOZ Orlando

5:30- 7:30pm R&R CHRISTIAN INDUSTRY ACHIEVEMENT AWARDS DINNER Sponsored by INO Records Performances by MercyMe. Caedmons Call. The Afters. Skillet R&R Christlas Industry Achievameat Awards Once aggro this year. awards will be presented for sta- tions of the year in all market sizes. plus PD. MD and per -

sonalities of the year. Well also crown labels and record promoters of the year as nominated and voted on by you

©N'

HURRY! PRE -REGISTRATION

ENDS NOVEMBER 9, 2007!

R e n i st e r www.radioandrecords.com www.americanradiohistory.com

Taylor Swift's Del will be in -stork

The CD /DVD Collection includes 3 New Songs,

Behind the Scenes video, Home Movie Clips, Live

Performances and features the #1 selling singles and

accompanying videos for "Tim McGraw,"

"Teardrops On My Guitar" and "Our Song."

THE NEW SMASH HIT SINGLE "OUR SONG"

IS ALREADY TOP 10!!! For more information on Taylor and her upcoming release visit her on the web at: TaylorSwift.com MySpace.com/TaylorSwift BigMachineRecords.com/TaylorSwift BigMachi neRecords.com MySpace.com/BigMachineRecords

002007 BIG MACHINE RECORDS, LLC. All rights reserved. Distributed by Universal Music Distribution.

M _ JL www.americanradiohistory.com