Programme 5 Overview 6 Schedule

First Word 12 Greeting from Jennifer Dautermann, Director Classical:NEXT 13 Greeting from Dr. Michael Häupl, Mayor of the City of Vienna 14 Greeting from Rainer Kahleyss and Werner Dabringhaus, CLASS Association of Classical Independents in Germany 15 Greeting from Mario Rossori, Heinrich Schläfer, Frank Stahmer, Classical Partners Vienna

Network 19 Advisory Board 20 The Jury 22 Partners 26 Photographer 27 Advertisers A – Z

Classical:NEXT A – Z 30 From “Badges” to “Who is Coming”

Destination Vienna 37 Getting Around 37 Places to Eat 39 Shopping: Food, Music and Instruments 41 Things to See 43 Service

Expo 46 Exhibitor Presentation/Expo Map 47 Umbrella Stands A – Z 50 Exhibitors A – Z 54 Main Exhibitors A – Z

Conference 72 Conference Sessions 89 One-To-One Mentoring 90 Roundtable Mentoring 92 Biographies A – Z

Film Screenings104 Film Screenings, IMZ Video Library

Showcases108 Opening and Closing114 Live Showcases124 Video Showcases132 off C:N Showcases133 off C:N Sweden136 off C:N Korea

Delegates140 Companies A – Z180 Individuals A – Z

Credits194 Imprint195 Team

Front Flap Inside Floor Plan MAKBack Flap Inside Directions to Venues

Index

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news

march 2014 classicalmusicmagazine.org 15

The music industry is worth £3.5bn a year to the UK economy, according to a new report from UK music.

The report, commissioned by uK music (which lobbies on behalf of live music) and written by economist Jonathan Todd, is the most in-depth so far and assesses the economic contribution of the industry in terms of gross value added (gVa), exports and employment. The findings challenge figures in the recent official DCMS creative industries statistics that find that the whole sector was worth £71.4bn gVa in 2012, 5.2% of the economy, but which do not examine music as a stand-alone industry.

Music has been difficult to categorise specifically because of the difficulty in disaggregating it form other performing arts, such as dance, theatre opera, circus, comedy and variety. Difficulties in accurately capturing and reporting on the music industry’s large proportion of micro-companies, sole traders and freelancers mean that their contribution to gVa cannot be attributed to the music industry in official estimates, the report says.

The figure £3.5bn is made up of £1.65bn from musicians, composers and songwriters; £634m from recorded music; £662m from live music; £402m from music publishing; £151m from music representatives; £80m from music producers and recording studios; £1.4bn in the value of exports; and 101,680 full-time jobs in music.

‘This shows for the very first time exactly how much music – in all its guises – contributes to the uK economy in terms of gVa, exports and employment,’ said Jo Dipple, chief executive of UK Music. ‘government has said it wants to support the creative industries but until now they have not had the precise data to hand. They do now.

‘a realistic picture of the how the industry is made up will lead to a better understanding of what investment and regulatory environment is needed to help our industry thrive. it is a great uK success story, but now it can be even better understood and developed.’

www.ukmusic.org

uK music industry worth £3.5bnsIMOn TAIT

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36 classicalmusicmagazine.org march 2014

MeeT The MAesTrO

There is a rude joke about conductors that

turns on the contrasting position of horns

on bulls and orchestras. as a horn player

who has made it from the back to the front

of the latter, rafael Payare has turned the

joke on its head.Trained in Venezuela under el sistema,

Payare progressed to the principal horn chair

in the simón Bolívar orchestra, and was

eventually taken on as a conducting student

by sistema’s founder, José antonio abreu.

‘i had it at the back of my head that i really

wanted to be a conductor. But when i was

quite young i was maybe naive and thought i

was only going to be a conductor when i was

very very old with my hair very very white –

until this great italian maestro (may he rest

in peace) giuseppe sinopoli did a concert,

i think with the national Youth orchestra of

Venezuela. That changed my mind: this is

what i want to get on and do with my life.’

is it rare for a conductor to have started

out on his instrument? ‘i want to believe

not,’ he laughs, ‘but i really don’t know. Yes,

there are more conductors who are, let’s say,

piano players and some string players. But in

the end that is not what makes you want to

be a conductor or not. i think it’s something

that you are just born with. if you want to be

a conductor, it doesn’t matter the instrument

you play – you study a lot and with good

discipline, and hopefully you can make it. or

not.’it seems more likely, now, that Payare

can. Winning first prize at the 2012 Malko

competition for young conductors was

obviously something of a turning point – the

contest was in may, he had tidied up his

horn duties with the simón Bolívars by July.

‘after that, it completely changed. so, good!’

as well as putting in the yards around

europe with orchestras as part of his

malko prize, he went on to spend time

as a Dudamel fellow at the los angeles

Philharmonic, and has been invited to

conduct at lorin maazel’s festival in

Castleton and Penderecki’s 80th birthday

celebrations in Warsaw. and now he has

signed a three-year contract as chief

conductor with the ulster orchestra, which

moved quickly to offer him the job, to his

evident surprise, after one concert in october

last year. ‘i did of course want to have an

orchestra on my own. But i have to say i

thought it was going to come a little bit later.’

at that time, as CM reported in november,

the uo was undergoing discussions about

rafael payareIf you’re a curly-haired Venezuelan conductor emerging from El Sistema, there’s a big shadow to contend with, writes Toby Deller

Meet themaestro

CM-C-Mar_R - Maestro.indd 36

20/02/2014 13:16:51

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march 2014 classicalmusicmagazine.org 43

sIr peTer BAZALGeTTe

At the height of an extremely successful career in television production and dur-ing a time of cuts to public spending on the arts, what moved you to take up the post as the head of the Arts Council?Actually, at the time, I had just been made chair of English National Opera. I’d been on the board for about seven years involved in fundraising, which had been a glorious experience, if a little like standing under a cold shower tearing up £20 notes. I received a phone call asking me to put my name for-ward. Liz Forgan, who had done a marvel-lous job, hadn’t been invited to do another term, which was mildly controversial I’m told, and so I was faced with this rather enormous decision. I thought about it for half a day during which I considered the last 20 years I had spent campaigning for the creative sector as an independent television producer, getting the law changed, trying to push arts up the policy agenda of govern-ment, and I thought, ‘Yes, I do have views on the arts and what the future of the arts is. I want to put my name forward.’

You made it clear from the outset that you disliked the term ‘subsidy’, prefer-ring to describe Arts Council funding as ‘seed-corn’ or ‘investment’ money. Can you explain the significance behind this shift in emphasis when it comes to the council’s raison d’être?The word ‘subsidy’ sounds passive, wet and rather pathetic, as if there is a reli-ance on government. The people I know in the arts are not like that at all. They are fantastically innovative, entrepreneurial and creative. Take the main organisa-tions funded by the Arts Council [national portfolio organisations,

It was in February 2013 that Sir Peter Bazalgette, the man who brought Big Brother to Channel 4, took over the reigns from Dame Liz Forgan as chair of Arts Council England. One year on and in an interview with Harry White as part of Young People in the Arts’ lecture series at the Hospital Club, Covent Garden, Sir Peter, or ‘Baz’ as he likes to be known, reveals how it’s gone so far

baz of the ace

‘subsidy is a negative word’ – sir Peter Bazalgette

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20/02/2014 13:29:15

from£4.45 a month*

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2014_160_209_ClassicalNEXT.indd 1 11/03/2014 10:40:17

PROGRAMME First WordNetworkC:N A – Z Destination ViennaExpoConferenceFilm ScreeningsShowcasesDelegatesCredits

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relevantinternationalbusiness contacts

your artist/business to classical music professionals and companies

how to make themost of C:N NET -find us at the expo or contact us atnet@classicalnext.com

Classical:NEXTdelegates throughC:N NET - all year round

new artists and free-to-stream music

*Your Classical:NEXT registration includes a free 1-year membership

www.classicalnext.com/net

YOUR ONLINE ACCESSto the professional classical & art music community Overview

10:00 – 14:00 Expo Set Up (Exhibitors Only) at MAK, ground floor14:00 – 18:00 Expo, Registration and Badge Pick Up at MAK, ground floor19:30 – 22:30 Opening Night at MAK Columned Main Hall

10:00 – 18:00 Expo, All-Day Registration and Badge Pick Up at MAK, ground floor11:00 – 18:00 Conference Sessions at MAK, upper floor14:00 – 15:30 One-to-One Mentoring at MAK Lounge, ground floor 18:00 – 20:00 Film Screening at MAK Lecture Hall, upper floor19:00 – 19:45 off C:N Sweden at Musikverein 20:30 – 23:10 Live Showcases at Porgy & Bess

10:00 – 18:00 Expo, All-Day Registration and Badge Pick Up at MAK, ground floor11:00 – 16:45 Conference Sessions at MAK, upper floor13:15 – 14:15 Video Showcases at MAK Lecture Hall, upper floor14:00 – 14:30 Roundtable Mentoring at MAK Lounge, ground floor18:00 – 20:00 Film Screening at MAK Lecture Hall, upper floor18:00 – 19:00 off C:N Korea at Wiener Konzerthaus20:30 – 23:10 Live Showcases at Porgy & Bess

10:00 – 12:00 Expo at MAK, ground floor11:00 – 11:45 Conference Session at MAK, upper floor12:00 – 13:00 Networking Farewell at MAK, foyer upper floor13:00 – 14:00 Closing at MAK Lecture Hall, upper floor14:00 – 18:00 Expo Take Down (Exhibitors Only) at MAK, ground floor

Wednesday 14 May

Thursday 15 May

Friday 16 May

Saturday 17 May

Daytime Schedule

11:00 – 11:45 Conference Session 1 Korean New Waves in Classical MusicComparative study of the classical music and concert market in KoreaPark (South Korea)

12:00 – 12:45 Conference Session 3 The Night ShiftOld music for new audiencesNorris (UK)

13:00 – 13:45 Conference Session 6 Programming for Life, Broadcast and Digital AudiencesDeveloping arts presentations for the modern consumerGruits (US)

15:00 – 15:45 Conference Session 10 Classical Subscription: The Future or the Enemy?Does the streaming/subscription model work for classical music? O’Reilly (UK), Widauer (Austria), Long (UK), Sacks (The Netherlands)

16:00 – 16:45 Conference Session 12 NEXT:Generation ArtistsWho will they be and how will we find them? Barthelmes (Germany/UK), Savery (Denmark), Kuyvenhoven (The Netherlands)

18:00 – 20:00 Film Screening Freddie Mercury: The Great Pretenderwith Rhys Thomas (UK)

14:00 – 15:30 Mentoring One-to-One Mentoring Ilic (Serbia/US/France), Kleeblatt (Germany), Piendl (Germany)

11:00 – 11:45 Conference Session 2 Continuous InnovationHow programmers and music makers embrace genuine entrepreneurialismPay (Canada), Hickey (US)

12:00 – 12:45 Conference Session 4 The Future is Audio-VisualHow to succeed in financing your audio-visual music production Patay (Austria)

13:00 – 13:45 Conference Session 7 Education Innovators Network MeetingClassical music education now and in the futureKojima (Japan)

15:00 – 16:00 Conference Session 11 All in the Same Boat?Music education and the value chain of classical musicThilo (Germany), Hartig (Germany)

16:30 – 17:00 off C:N Presentation Sinfini Music: Making Classical Music Digital From concept to reality: a new digital platform for classical musicPoyser (UK)

20:30 – 21:00 Live Showcase Hiroaki Takenouchi (Japan/UK) 21:10 – 21:40 Live Showcase Joan Martí-Frasquier (Spain)

22:00 – 22:30 Live Showcase Matthias Jakisic “Jig” (Austria) 22:40 – 23:10 Live Showcase Kristallkvartetten (Sweden)

19:00 – 19:45 off C:N SwedenDas Orchester40fThere Are No More Four Seasons

12:00 – 12:45 Conference Session 5 Tech Express24classics.com | Haitjema (The Netherlands) Audience and Revenue Development Kleeblatt (Germany), Graf (Austria)

13:00 – 13:45 Conference Session 8 Earning Money with Your Music The benefits offered to composers by collective management societiesGraninger (Austria), Koblanck (Austria)

14:00 – 14:45 Conference Session 9 A Strong Global Network An introduction to IAMIC’s future projects and plansEastburn (UK)

17:00 – 18:00 off C:N PresentationCreating Value for the ClassicalRecorded Music IndustryThe Qobuz tools, projects, new featuresand international openingsRiesel (France)

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Nighttime Scheduleincluding Opening, Live Showcases, off C:N

WED 14 MAY

THU 15 MAY

6 7

MAK Lecture Hall Conference Sessions, Video Showcases, Film Screenings, Closing

MAK LoungeMentoring

MAK Conference Room 1Conference Sessions

Porgy & Bess Live Showcases

MAK Conference Room 2Conference Sessions

Musikverein (Metallener Saal) off C:N Showcases

19:30 – 20:15 Admission, Welcome Drink20:15 – 21:30 Opening Concert and Keynote: Artemandoline (Luxembourg), Jean Muller (Luxembourg), United Instruments of Lucilin (Luxembourg), Cathy Krier (Luxembourg) and Keynote: Thomas Hampson (US) 21:30 – 22:30 TASTE Luxembourg! Luxembourg Reception

MAK Columned Main Hall Opening

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11:00 – 11:45 Conference Session 13 Catalist Brasil: A Transformative Vision of the Future How can classical music play a significant role in the 21st century? | Becker (Germany/Brazil), Fischer (Brazil), Carvalho (Brazil), D. Chew (Brazil)

12:00 – 12:45 Conference Session 16 What’s Next for Composers?With boundaries loosening, will sounds and practice radically change? | Wiegold (UK), Barrett (UK/Germany), Harnik (Austria)

13:15 – 14:15 Video Showcases Nikola (The Netherlands), Paternel, a Chamber Opera (Belgium), dolce risonanza & Profeti Della Quinta (Austria), ensemble rhapsodie (Germany), JETZT – a New Opera (Germany), BBC National Orchestra of Wales (UK)

15:00 – 15:45 Conference Session 20 Doing it YourselfWhen traditional record company models no longer work, what next? | Jolly (UK), Tritschler (Germany), Prokofiev (UK), Anderson (US/Italy)

16:00 – 16:45 Conference Session 22 Tragedy or Chance?Older audiences in classical concerts | Dürer (Germany), Gilhooly (Ireland/UK), Naske (Austria)

18:00 – 20:00 Film Screening Gergiev – A Certain Madnesswith Alberto Venzago (Switzerland)

14:00 – 14:30 Mentoring Roundtable Mentoring van Peursen (The Netherlands), Still (Finland), C. Chew (Brazil/UK), M. Chew (UK/Brazil)

11:00 – 11:45 Conference Session 14 Who’s Listening?Reach, relevance and re-invention Pemberton (UK), Mera-Nelson (UK)

12:00 – 12:45 Conference Session 17 Panorama BrazilConnect to the Brazilian classical music scene Cury (Brazil)

13:00 – 14:00 Conference Session 19 Using Data to Understand AudiencesInsights into data-driven audience development Eastburn (UK), Sherrard (UK)

15:00 – 15:45 Conference Session 21 Future of the OrchestraThe survival of a very special landscape Richter (Germany)

16:00-16:30 off C:N PresentationMeloMeThe first streaming platform exclusivelydevoted to classics and jazzCooper (UK)

11:00 – 11:45 Conference Session 23 Classical Music is Dead Long live classical music!Walsh (UK/The Netherlands)

11:00 – 11:45 Conference Session 15 The New CreativityWhy staring thoughtfully out of the window is business-vital Inverne (UK), Fraad (Ireland)

12:00 – 12:45 Conference Session 18Tech ExpressThe Music Animation MachineAbelin (Switzerland), Walsh (UK/The Netherlands) Hello Stage Kerres (Austria)

SAT 17 MAY

MAK Lecture Hall Conference Sessions, Video Showcases, Film Screenings, Closing

MAK LoungeMentoring

MAK Conference Room 1Conference Sessions

MAK Conference Room 2Conference Sessions

Updated 4 April 2014, programme subject to change.Please check www.classicalnext.com, twitter.com/classicalnext or the media counter for the latest updates.

12:00 – 13:00 Networking Farewell Foyer Lecture Hall

13:00 – 14:00 Closing Speech and ConcertDich, Teure Halle! How physical, virtual and corporate structures shape music | Alan Fletcher (US) Joby Burgess (UK) moderated by David Baile (Canada/US)

20:30 – 21:00 Live Showcase Powerplant (UK) 21:10 – 21:40 Live Showcase Daniel Murray (Brazil) 22:00 – 22:30 Live Showcase Plenum + Katharina Ernst (Slovenia/Germany/Mexico/Austria) 22:40 – 23:10 Live Showcase Voix de Stras’ (France)

18:00 – 19:00 off C:N Korea June-Hee LimWon IlSoo–Nyeon JeongJi-Young Lee Kwon–Soon KangGaminJinsang LeeJoon–Ho Shim

Porgy & Bess Live Showcases

Wiener Konzerthaus (Berio-Saal) off C:N Showcases

FRI 16 MAY

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The business magazineEverything about the business: news and back-ground reports, releases and a comprehensivecharts service online and in the print edition.

www.musikmarkt.de

Programme FIRST WORDNetworkC:N A – Z Destination ViennaExpoConferenceFilm ScreeningsShowcasesDelegatesCredits

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S Classical music is dead. It’s an accusation we hear so often, it almost falls on deaf ears. But in reality, this attitude from the media should not make us sit back and roll our eyes, but sit up and take notice. We, my fellow fighters on the front line of music, have work to do! Regardless of the actual situation, these attitudes are proof of the need for us to convince people otherwise. It’s time for us to pro-actively shape opinions, broaden horizons and open minds.

We know that classical music is a living, breathing thing. It is gradually evolving and adapting to today’s world. It is up to us to keep encouraging this evolution and, just as importantly, to show the unconvinced and the uninitiated just how lively, lovely and luscious an encounter with classical music can be.

Classical:NEXT exists for two important reasons: firstly, to bring together individuals from all over the world to share ideas and forge partnerships; and secondly, to investigate progressive paths into the future. In order to further encourage and draw international attention to the people who are doing the most to push things forward, we plan to establish the Classical:NEXT Innovation Award starting in 2015.

Our coming together is the result of the work of many people. On behalf of the Classical:NEXT team and Piranha Arts, I would like to offer my deepest thanks to our initiating partner, the Association for Classical Independents in Germany (CLASS). I’d also like to thank our local production partner, Classical Partners Vienna, the Museum of Applied Arts (MAK) and the city of Vienna. And most of all, my heartfelt thanks go to each of you, the individuals who have joined the Classical:NEXT movement. Both individually and collectively, we can shape opinions, broaden horizons and open minds. It is up to us to make it vividly apparent that classical music is not only alive, but also beginning to kick.

Alive and kicking

Dr. Michael Häupl

Classical:NEXT turns three

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© Hubert Dimko

Dear visitors of Classical:NEXT 2014, dear guests in our city,

Vienna is, in many ways, a city that has been fortunate. The Viennese love music, and music, it seems, loves Vienna.

The great masters of classical music such as Haydn, Mozart or Beethoven lived here, but also many popular composers of light entertainment, such as Johann Strauss, were at home in Vienna.

In recent times, next to its great musical tradition,Vienna has also become a top international destination for conventions and forums, scientific meetings and corporate events of all kinds – more than 2,000 each year. However, to host the main professionals‘ forum, where the future of the classical music genre is discussed and outlined and the international music scene gets together, here in this musical city, is a special honour that we are truly proud of.

Therefore I am particularly pleased that Classical:NEXT, with its 2014 edition, is taking place in Vienna already for the second time. Personally speaking, I could not imagine a better place.

In this sense, I wish all delegates an exciting and fruitful time at the expo, the conferences and with the concerts during Classical:NEXT and exhilarating hours with fascinating artists of the next generation.

Foreword

Jennifer DautermannDirector Classical:NEXTwww.classicalnext.com

Dr. Michael Häupl, Mayor of the City of Vienna

© Michael Mann

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Ad multos annos – here’s to a long life!

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SAll good things come in threes, as the saying goes. Classical:NEXT has become a very good thing indeed and is now embarking on its third edition. What started life a few years ago as an abstract idea at the Association of Classical Independents in Germany (CLASS) has quickly grown into a tangible reality. Classical:NEXT has become a highly respected international market of opportunities, contacts, projects, collaborations and visions, thanks to our successful partnership with the team from WOMEX.

So we can all feel a little proud: Classical:NEXT has already become the definitive annual meeting point for classical music professionals – and its unique, open and innovative concept will prevent Classical:NEXT from ever getting stuck in a rut.

We’re looking forward to watching our brainchild grow even further. Together with everyone involved in Classical:NEXT, we want to prove with a passionate crescendo just how thriving classical music is today and will continue to be in the future.

Rainer KahleyssEditor and distributorwww.class-germany.de

Werner DabringhausDiplom Tonmeisterwww.class-germany.de

CLASS – Association of Classical Independents in Germany – initiating Partner of Classical:NEXT

Dear guests of Classical:NEXT 2014, the year 2014 is an important milestone for classical music. It marks 300 years since the birth of that great reformer of opera, CW Gluck – and, more importantly (and this can be proven by historical fact), it’s also the 300th anniversary of the first viola joke! This year would also have been the 200th birthday of Adolphe Sax, whose masterpiece of woodwind invention not only added new patterns of sound to classical music but also created an instrument that would give rise to a whole new genre – jazz music.

Only a hundred years ago, classical music was witnessing its first major intellectual property case: Parsifal succeeded in his bid to escape from the magic garden of the Wagner family and the opera entered the public domain in 1914. Cosima Wagner, who went to the highest courts in her fight to protect the work from the abuse of non-authorised orchestras, conductors, singers and stage designers, failed. The rest is history.

Today, authors’ rights remain a highly political issue on a global scale. The laws once agreed upon by the creators of classical music and other art forms have become a source of major controversy ahead of the European elections in May 2014. The value of intangible creative values (such as music) and how we use them in our societies will continue to be a subject of debate well into the future.

So what does Parsifal’s grail look like in the 21st century? As Classical:NEXT delegates, we have the opportunity to help shape this grail for the sake of classical music and all those who desire to make a living from it. From Luxembourg to Brazil, from Korea to Sweden and around the world, an exciting and intense musical journey lies ahead of us. We hope that you will find your time here informative and productive, and that inspirational new musical experiences will enrich your stay.

Welcome to Vienna – and to those of you who joined us last year, welcome back!

Classical Partners Vienna is the local production partner of Classical:NEXT 2014 in Vienna

Mario RossoriHeinrich SchläferFrank Stahmer

Welcome to Classical:NEXT in Vienna

A music history

© Rainer Gregor Eckharter

Programme First WordNETWORKC:N A – Z Destination ViennaExpoConferenceFilm ScreeningsShowcasesDelegatesCredits

INTERPRETEN

Immer hautnah dabei: Ob Jonas Kaufmann, Alfred Brendel, Cecilia Bartoli oder Anna Netrebko – in FONO FORUM sprechen große Interpreten in aller Offenheit.

Sie wollen mehr als Klassik und lieben an-spruchsvolle Musik? Jeden Monat entführen wir Sie auch in die Welt des Jazz – vom Standard bis zum Freejazz und empfehlen die besten CDs.

Spannende Reportagen geben Einblicke in das aktuelle Musikgeschehen: Mit aktuellen Themen aus Gesellschaft, Wissenschaft und Medizin bewegen wir uns am Puls der Zeit.

JAZZ

REPORTAGE

Auch als E-Paper

Ab sofort ist das E-Paper (6,99 Euro) von FONO FORUM auch im E-Paper-Abo für 69,99 Euro erhältlich. Es kann auf jedem Computer und mit allen Mobilgeräten bequem heruntergeladen und gelesen wer-den. Mit dem E-Paper steht FONO FORUM in digitaler Form für Android- und Apples iOS-Geräte zur Verfügung.

Info für Print-Abonnenten:Sie möchten die Fono Forum weiterhin auf Papier lesen und zusätzlich das E-Paper

beziehen? Kein Problem – einfach auf www.fonoforum.de unter „Abo“ anmelden,

und Sie erhalten das E-Paper gratis.

Klassik undJazz hautnah erleben

Jeden Monat im gut sortierten Zeitschriftenhandel. Oder nutzen Sie die vielen Vorteile eines Abonnements. Infos unter:

www.fonoforum.de www.nitschke-verlag.deZusatzangebote & Dienstleistungen für Abonnenten gelten nur für Kunden der Reiner H. Nitschke Verlags-GmbH

ClassicalNext.indd 1 06.03.14 09:29

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We deeply thank all advisory members for their guidance in shaping Classical:NEXT.

Advisory Board

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Matthias Brixel (Germany) Publisher of klassik.com, director of eMusici GmbHwww.klassik.com

Christian May (Germany) Founder of concert agency MELOS KONZERTE in Vienna, member of the Board of Directors at the International Artists Managers‘ Association – IAMA London, advisor for a number of festivals and orchestras in Europe and South America, jury member for competitions in Switzerland, Italy, Mexico and Portugal and of the MIDEM Classical Award

Moritz Eggert (Germany) Pianist and composer, Professor at the University of Music and Performing Arts Munich www.moritzeggert.de

© Mara Eggert

Michael Nieuwenhuizen (The Netherlands) Independent performing arts consultant, strategist on international cultural collaboration, policy advisor for the ‘Raad voor Cultuur’ (National Arts Council, The Netherlands), initiator and programme manager of Dutch Classical Music Meeting

© Jeroen Dietz

Guo Shan (China)President of the China Symphony Development Foundation since 2004, founder of the League of CSD, chairwoman of the Alliance of Asia-Pacific Region Orchestras since 2008, Chinese contemporary classical pianist

© Zhang Jianshe

For all your news, views and features from the global

classical music industry

ONLINE • PRINT • DIGITAL

internationalartsmanager.com

artsmanagerINTERNATIONAL

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The Jury

Thiago Cury (Brazil)Label manager and composer : www.aguaforte.org, www.thiagocury.com, www.strangemusicfestival.com Thiago Cury is a Brazilian arts manager, producer and studied composer. He has written music for cinema, theatre, opera, dance and visual arts exhibitions, and his work has been performed at several high-profile contemporary music festivals. In 2006 he founded ÁguaForte, a record label and publishing company that also produces concerts and festivals. In 2010, he was appointed as director of the Music Center of Funarte, the Brazilian national foundation for the arts. In 2013, he had created and curated Strange Music Festival, in São Paulo.

Gale Mahood (US)Artistic planning professionalA British-born American, Gale Mahood recently relocated to Berlin following six years as director of planning and orchestra management at the Royal Scottish National Orchestra. She has also worked in management positions at the Charlotte Symphony Orchestra in North Carolina. Mahood holds a Bachelor’s degree in journalism and theatre arts from Indiana University. In 2000, she participated in the American Symphony Orchestra League’s Seminar in Artistic Excellence, and in 2012 she took part in a course run by the UK’s Clore Leadership Programme.

Dean Kustra (Canada/Austria)Orchestra manager and producer : www.wienerakademie.atCanadian Dean Kustra studied in Toronto and London and is now managing director of the Orchester Wiener Akademie and Musikkonzept Veranstaltungsservice, a company based in Vienna that produces classical music-based concert and theatre projects. His recent projects include a series of stage pieces with actor John Malkovich and a collaboration with former pop star David Sylvian. Under Kustra’s management, the Orchester Wiener Akademie has achieved a greater international profile and is increasingly engaged in new recording and theatre projects.

Rainer Kahleyss (Germany) Editor and distributor : www.classicdisc.de, www.class-germany.de Rainer Kahleyss trained as an economist before going on to study for a doctorate in music ethnology and communication in Berlin. In 1984, he was appointed as an editor at music publisher Bote & Bock in Berlin. He has also previously worked for music publisher Bärenreiter and the Neuwerk music shop. Since 1996, Kahleyss has been running his own production and distribution company, Klassik Center Kassel. He is also a co-founder and chairman of the Association of Classical Independents in Germany (CLASS).

Sarah Osborn (UK)Music publisher : www.mpaonline.org.ukSarah Osborn was appointed chief executive of the Music Publishers Association in December 2013. She has worked in music publishing throughout her entire career, initially at Faber Music and for eight years at Schott Music where latterly she was Head of Contemporary Music. She holds a degree in Music from Goldsmiths College, University of London and is Treasurer of the National Music Council.

We would like to thank all jury members for their help and support in selecting the Classical:NEXT 2014 showcase and conference programmes*.

* Please note, the jury was responsible for selecting the conference and showcase sessions marked ’jury selected‘ only.

© CJulio Kohl

© Sharron Gibson

© Doris Schmidl

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Partners

We proudly present our growing network of Classical:NEXT partners.

SUPPORTED BY

AKM www.akm.at

Austrian Music Exportwww.musicexport.at

Bundeskanzleramt Österreich – Kunstsektionwww.kunstkultur.bka.gv.at/kunst

departure www.departure.at

FAMA Film and Music Austria www.filmandmusicaustria.at

LSG Wahrnehmung von Leistungsschutzrechten www.lsg.at

OESTIG www.oestig.at

Stadt Wienwww.wien.gv.at

VeranstalterVerband Österreich www.veranstalterverband.at

Vienna Convention Bureauwww.vienna.convention.at

WKO Fachverband Tourismus & Freizeitwww.wko.at

WKO Wirtschaftskammer Wienwww.wko.at

IN COOPERATION WITH

CLASSwww.class-germany.de

Classical Partners Viennawww.classicalpartners.at

IMZ International Music+ Media Centrewww.imz.at

WOMEXwww.womex.com

VENUE PARTNERS

MAK Austrian Museum of Applied Arts / Contemporary Artwww.mak.at

Musikverein www.musikverein.at

Porgy & Bess Jazz & Music Clubwww.porgy.at

Wiener Konzerthauswww.konzerthaus.at

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Ö1 oe1.orf.at

Rhinegold Publishingwww.rhinegold.co.uk

University of Music and Performing Arts Vienna www.mdw.ac.at

VIENNAMUSIC GROUP

Vienna Music Group www.viennamusicgroup.at

VivaMúsicawww.vivamusica.com.br

ISPA International Society for the Performing Artswww.ispa.org

Konservatorium Wien Universitywww.konservatorium-wien.ac.at

Musik Heutewww.musik-heute.de

Musikmarktwww.musikmarkt.de

MusikWochewww.musikwoche.de

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FURTHER PARTNERS

ABO Association of British Orchestraswww.abo.org.uk

BBC Music Magazinewww.classical-music.com

C3 Festivalwww.C3festival.de

concerti – Das Konzert- und Opernmagazin www.concerti.de

Crescendowww.crescendo.de

Diapasonwww.diapasonmag.fr

film, sound & mediawww.filmsoundmedia.at

Fono Forumwww.fonoforum.de

Gramophone Magazinewww.gramophone.co.uk

IAMA International Artist Managers’ Associationwww.iamaworld.com

IMPALAwww.impalamusic.org

International Arts Managerwww.internationalartsmanager.com

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Photographer Advertisers A – Z

Documenting Classical:NEXT Thanks to the advertisers in this year’s Classical:NEXT guide book and delegate bag

Eric van Nieuwland (The Netherlands)eric@thedigitalphotoexperience.nlwww.thedigitalphotoexperience.nl/muziek/Mobile: +31 610 934 495

Besides music photography, Eric also does portraits and reportages for various companies. His pictures have been used in several (photo) books. Eric has been an official Classical:NEXT and WOMEX photographer for the past five years. Organisations such as Bureau Podium Kunsten, Music Matters, Piranha Arts, North Sea Round Town and many artists have hired him for his live photography.

As Classical:NEXT photographer, he will be up night and day to catch the best moments of Classical:NEXT. His work will be posted daily on his website and anyone needing photos can contact him directly to discuss terms. Check out his portfolio for current and past work.

A selection of the photos will also be made available on the Classical:NEXT Flickr page under a CC-BY creative commons license which lets others distribute these photos free of charge, as long as they credit the photographer for the original creation.

www.flickr.com/photos/classicalnext/sets

© Ron Beenen

91 Analekta130 BBC Music MagazineFRONT FLAP CLASS2 Classical Music Magazine4 C:N NETBACK COVER concerti – Das Konzert- und Opernmagazin LAST GUIDE PAGE Crescendo122 Diapason16 Fono Forum84 Gramophone Magazine70 Profil Medien GmbH102 IMZ – International Music + Media Centre18 International Arts Manager44 ISPA International Society for the Performing Arts10 Musikmarkt34 MusikWoche28 Piranha Arts (Piranha Research & Development)42 Pure Audio GroupBACK FLAP WOMEX 14

The following companies booked inserts in the Classical:NEXT bag before the guide went to press:

BBC Music MagazineClassical Music Magazineconcerti – Das Konzert- und Opernmagazin CrescendoDavid SereroDiapasonExport Music Sweden/Musikcentrum RiksFono ForumIMZ – International Music + Media CentreInternational Arts ManagerISPA International Society for the Performing Artsmusic:LXMusikmarktMusikWochePure Audio GroupQobuzWienTourismus

City map inside the bag courtesy of WienTourismus

Programme First WordNetworkC:N A – Z Destination ViennaExpoConferenceFilm ScreeningsShowcasesDelegatesCredits

In coorperation with

Piranha Research & Development - A division of Piranha Arts

Piranha Arts AG is a music-, event- and networking-company „Made in Berlin“. Since 1987, Piranha crosses socio-cultural, political and commercial borders and thereby creates value for business-partners regionally and worldwide - not only by organizing leading international music industry events WOMEX - The World Music Expo and Classical:NEXT.

Having gained experience in the fi elds of music- and creative industries as well as informati on technology by engaging in several music- and metadata-related research projects, such as SyncGlobal in cooperation with reknown MP3-inventor Frauenhofer IDMT, Piranha Arts has turned this aspect of its dynamic portfolio into a separate division. Piranha Research & Development offers consultancy in music and IT and supports the development of modern creative technology to increase value for business partners and artists.

Contact Bettina Schasse de Araujo, director of Piranha Research & Developmentbettina.schasse@piranhawomex.com

Our current scientifi c collaboration project ART-e-FAKT focuses on effi cient IT-solutions for the problems caused by the various media discontinuities that disrupt the administration of business-data within the music industry. The project‘s goals are to reduce mistakes that come with manual transfer of metadata and to design effi cient work processes, supported by suitable information technology, and thus to enable a seamless management of music and media artefacts.

ART-e-FAKT is a collaboration project of Piranha Arts AG, the Institute for Applied Informatics e.V. (InfAI), adjunct institute of the University of Leipzig, and AGETO AG, an IT consultancy for web-based business processes. The project is funded by the German Federal Ministry of Education and Research (BMBF), as part of the initiative KMU-Innovativ, for small and medium-sized enterprises (SME). It was launched on January 1st, 2013 and will continue until end of 2014.

For further information, please visit our project homepageartefact.uni-leipzig.de

ART-e-FAKT - Seamless Media Artefact Management

Partners

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audio-visual media. It also offers an overview of the productions and programmes from the extensive IMZ membership base and network. Internet There will be Wi-Fi free of charge at the venue, plus you will find a number of public internet terminals in the expo area. Note that all of this is subject to capacity. Language To keep communication between all participants practical and efficient, Classical:NEXT has chosen International English as the lingua franca. Being the standard throughout the professional music community, this is the logical choice for successful interaction. Live Showcases Classical:NEXT showcases offer a wide range of high-quality artists and outstanding productions, from well-kept secrets to rising stars in every category from early to contemporary, traditional to experimental. In this section, artists and productions are presented in a series of short live performances – a unique opportunity for promoters, labels or media to experience many performances in a minimum amount of time and for music makers to present their work to an international, professional audience.> Showcases/Live Showcases

Media Counter Journalists who require specific information, artist or speaker contacts, who need recording permission or a quiet interview room or who just want to say hi should come to the media counter in the MAK entrance area – the media team will be happy to help you.

Non-Smoking Smoking is not allowed indoors at the MAK – If you need to smoke, please head for the closest outside area.

off C:N Showcases As an addition to the jury-selected showcase programme, the off C:N format provides an opportunity for organisations and artists to expose their selection of outstanding talent and innovative projects. In 2014, off C:N showcases will take place at the Musikverein and at the Wiener Konzerthaus.

Press & Press Corner For all press inquiries, head to the media counter (see above). In addition, there will be a press corner in the expo area where you can contact or meet selected press representatives. For a list of all accredi ted journalists present at Classical:NEXT, go to: www.classicalnext.com/press/accreditation Service For tips on local transport, food and sightseeing during your stay, check our Destination Vienna and Service section in the guide.> Destination Vienna> Service Student Tickets Classical:NEXT is offering a full-access badge for a reduced price to students, for 80 euro plus 20% VAT (subject to capacity). The ticket is valid for four days from Wednesday, 14 May to Saturday, 17 May. www.classicalnext.com/net/registration/classicalnext/2014

Classical:NEXT A – Z

From “badges” to “who is coming”

Badges and WristbandsClassical:NEXT will issue wristbands as well as badges on arrival. Both must be worn at all times during Classical:NEXT and are not transferable. For this reason, delegates may be asked to provide proof of identity. Classical:NEXT is unable to replace badges and/or wristbands that have been lost. Replacements are charged a full price registration.

Catering Two bars and catering areas will be open in the expo area during the opening hours, serving coffee, drinks and snacks. There is also a restaurant located in the MAK. The “Österreicher” is open daily from 10:00 in the morning to 01:00 in the night. Food is served between 11:30 – 15:00 and 18:00 – 23:00. You can order food and drinks at Porgy & Bess and we have also put together a list of nice restaurants, most of them located close to the MAK – check our Destination Vienna section for all details.

CloakroomWe will have a cloakroom ready at the MAK on the ground floor, where you can leave your belongings. Please note that, due to fire regulations, all MAK visitors are obliged to leave their bulky items at the cloakroom before they are allowed in. C:N NET Want to find agents in Austria, venues in the US or labels in Japan? C:N NET is the online tool that helps you contact delegates, network and promote your music as well as publish your service and products among classical and art music professionals. An online expo open 24/7, all year round. Everything can easily be found using advanced search functions. www.classicalnext.com/net Filming and Recording Audio and audio-visual recordings are not allowed without expressed consent and contractual permission. Recording agreements can be obtained at the media counter in the registration area at the MAK.

IMZ Video LibraryClassical:NEXT is proud to present the IMZ Video Library, which features some of the best performing arts films ever made. The library will be open to all Classical:NEXT delegates, offering festival directors, curators and film aficionados alike the chance to sample some real audio-visual gems. The library’s catalogue comprises the highest-quality examples of films in various genres of classical music, using various different types of

© Eric van Nieuwland

© Eric van Nieuwland

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Tickets for the Classical:NEXT Festival The film screenings and showcases on the evenings of Thursday, 15 and Friday, 16 May are open to the general public, as are the partner events in the frame of the Classical:NEXT Festival that runs from Monday, 12 May to Sunday, 18 May. Classical:NEXT delegates are granted free access to all festival events (subject to capacity). The film screenings are open free of charge to the general public as well. Tickets to these events can be purchased via our website (www.classicalnext.com/festival), via OETicket (www.oeticket.com) or directly at the venues.

Transport The MAK is situated in the centre of Vienna. All showcase venues are within walking distance. Parking is available for free. You can reach the MAK via public transport by taking trains to either “Stubentor” (Tram No. 2, Subway U3) or “Landstrasse-Wien Mitte” (Subway U4, U3, CAT, regional S-trains). To get to Porgy & Bess: On foot, the Porgy & Bess music club is just 400 metres away from the MAK. The closest subway station is “Stubentor” (Subway U3, Tram No. 2). From there, it is an approx. 300 metre walk. To get to the Musikverein: If you do not want to walk from the MAK, take Tram No. 2 from station “Stubentor” (in front of the MAK building) and go two stops to “Schwarzenbergplatz”.

From there, it is a 200 metre walk to the Musikverein (Musikvereinsplatz 1). If you take the U4 from “Landstrasse Wien-Mitte”, get off after two stations at “Karlsplatz” and follow the signs to the Musikverein. To get to the Konzerthaus: The Konzerthaus is a nice walk through the “Stadtpark” (Central Park) away from the MAK. If you decide to take public transport, take Tram No. 2 and go two stops to “Schwarzenbergplatz”. From there, it is a 200 metre walk to the Konzerthaus main entrance (Lothringerstraße 20). You can also take the U4 from “Landstrasse Wien-Mitte”, get off after one station at “Stadtpark” and follow the signs to the Konzerthaus which is next to the Hotel InterContinental. For more information regarding public transport, visit: www.wienerlinien.at The address for each venue can be found at the end of this section as well as inside the back flap.> Back Flap Inside

Updates For late-breaking news about the Classical:NEXT programme or anything related, check www.classicalnext.com or twitter.com/classicalnext

Video ShowcasesSeek and Find: Classical:NEXT Video Showcases are an ideal opportunity for delegates to get a quick overview of new and exciting projects by large ensembles and staged productions. Short pitches are presented in nine minute brackets, including a short video screening followed by a representative from each showcase introducing the project, allowing for a targeted, fast-moving session for creators and those on the lookout for new creations.> Showcases/Video Showcases

Venues Classical:NEXT will take place in four venues in Vienna:

The main venue of Classical:NEXT 2014(Opening & Closing, Expo, Conference and Film Screenings):

MAK Austrian Museum of Applied Arts / Contemporary Artwww.mak.atStubenring 51010 Vienna, Austria

Tram/Metro station: Stubentor (Tram No. 2, Subway U3) or subway and train station: Landstrasse-Wien Mitte (Subway U4, U3, CAT, regional S-trains)

> Front Flap Inside> Back Flap Inside

The evening venues of Classical:NEXT 2014(Live Showcases and off C:N):

Porgy & Besswww.porgy.atRiemergasse 111010 Vienna, Austria

Tram/Subway station: Stubentor (Tram No. 2, Subway U3)

Musikvereinwww.musikverein.atMusikvereinsplatz 11010 Vienna, Austria

Tram station: Schwarzenbergplatz (Tram No. 2)

Wiener Konzerthaus www.konzerthaus.at Lothringerstrasse 201030 Vienna, Austria Tram station: Schwarzenbergplatz (Tram No. 2)

Subway station: Stadtpark (U4)

> Back Flap Inside

Entrance to all events is subject to capacity

Who is ComingYou can find the contact details of all Classical:NEXT delegates at our website www.classicalnext.com/participate/who_is_coming, or at the C:N NET database (see above). © Eric van Nieuwland

© Eric van Nieuwland

Programme First WordNetworkC:N A – Z DESTINATION VIENNAExpoConferenceFilm ScreeningsShowcasesDelegatesCredits

Seit 20 Jahren sind wir der Hit für Musik-und Live-Branchemit News, Dossiers, vielfältigen Specials & aktuellen Trends.

Wöchentlichder beste Mix

WÖCHENTLICH DER BESTE MIX.

Jetzt kostenlos testen unter www.musikwoche.de/kostenlos

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Welcome to Vienna

Whether it’s St Stephen’s Cathedral, the old town, Schönbrunn Palace or the Hofburg Castle complex, Vienna is famous for its rich cultural heritage. There are countless places in the Austrian capital where history can be seen and felt.

And what’s more, Vienna is a hub for traditional Austrian cuisine. The Viennese ‘Kaffeehaus’ is famous all over the world, and there are still plenty of traditional coffee houses to be found here. The city is also known for its historical wine taverns, or ‘Heuriger’: it is a little known fact that Vienna is the only metropolis in the world to maintain its own large-scale wine agriculture.

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Public transport Vienna’s public transport (the ‘Wiener Linien’) is con-sidered to be one of the fastest and best-connected networks in the world. It consists of the subway lines (U-Bahn) U1, U2, U3, U4 and U6, tram and bus lines as well as regional trains (S-Bahn) that will bring you quickly and reliably to your destination. All major stations and platforms have disabled access and are equipped with electronic information displays that show the waiting time and destination. The underground trains run from about 5am at three to five-minute intervals. Trains run until about midnight on weekdays and there is a 24-hour service on Fridays, Saturdays and public holidays. A map of the Vienna Metro can be found in your personal delegate bag.

Rates: Single ticket: € 2.10 (pre-paid), 24-hour Vienna ticket: € 7.10, 48-hour Vienna ticket: € 12.40, 72-hour Vienna ticket: € 15.40. Vienna weekly ticket (only valid from Monday to Monday at 9.00 am): € 15.80.

Tickets are valid on all trams, buses and subway trains. They must be stamped before your journey and are valid for journeys that include transfers. Stamping machines can be found at the entrance to the subway platforms, and inside buses and trams. Tickets are available at the multilingual ticket machines (in subway stations), at all advance sales points, from the online Wiener Linien shop and from most tobacco shops (‘Trafik’).

For more information about public transport in Vienna, please visit www.wienerlinien.at.

Taxis Phone: +43 140 100 | +43 131 300 | +43 160 160 +43 122 822 (Airport Driver), www.airportdriver.at/en

CityBikewww.citybikewien.at 24-hour hotline: +43 810 500 500kontakt@citybikewien.at

CityBike is a public bike rental system that allows you to ride through Vienna by bicycle at your convenience. Vienna is very easy to explore by bike, not least because of the extensive cycle path system and the safe driving culture.

Vienna’s eateries offer a whole spectrum of regional and international delights to please the palate. The Viennese coffee house is known around the globe for its cosy atmosphere, or ‘Gemütlichkeit’. Traditional cafés offer a wide variety of coffees, international newspapers and pastries. In October 2011, the Viennese coffee house culture was listed in the Austrian section of the National Agency for the Intangible Cultural Heritage, part of UNESCO. Most coffee houses offer free WiFi.

PLACES TO EAT

Österreicher im MAK www.oesterreicherimmak.atStubenring 51010 WienPhone: +43 171 401 21Open: Daily, 10:00 – 01:00

Österreicher im MAK is the restaurant of the MAK museum (the main venue for Classical:NEXT). Enjoy modern Viennese and international cuisine surrounded by modern architecture and design in a classical atmosphere.

Destination Vienna

Top tips for getting around and eating out in the Classical:NEXT host city

But first and foremost, Vienna is about music!

The Golden Hall of the Musikverein, the Vienna State Opera, the Konzerthaus and many more leading musical venues serve as symbols of the exceptional quality of musical culture in the city. Mozart, Mahler, Haydn, Beethoven, Strauss and Schönberg are just a few names from the extraordinary line of composers who lived and worked in Vienna, and it is home to world-famous orchestras such as the Vienna Philharmonic and Concentus Musicus Wien. Vienna sees itself as the global capital of classical music – and with good reason. Every day, thousands of music concerts are given in the city to the delight of some 10,000 classical music lovers from around the world. Alongside the classical tradition of Vienna, a new wave of contemporary music

is also emerging. With a thriving electronic and contemporary classical music scene, the city continues to drive creativity and innovation forward to create the music of the 21st century.

More info on the web at www.wien.info/en and in the tourist brochure in your personal delegate bag.

© WienTourismus/Manfred Horvath

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Indochine 21 www.indochine.at Stubenring 181010 Wien Phone: +43 151 376 60 Open: Monday to Sunday 11:30 – 24:00 Saturday 17:30 – 24:00

Within walking distance of the MAK, the Indochine 21 is located on the Ring Boulevard and is a recommended destination for authentic Southeast Asian specialities of the highest quality. Also offers lunch meals at reasonable prices.

3 Hacken Magazin www.vinum-wien.at Riemergasse 141010 WienPhone: +43 151 277 87Open: Monday to Saturday 10:00 – 24:00Sunday and public holidays 10:00 – 23:00

Across the street from the Porgy & Bess Club, the location of the Classical:NEXT live showcases. The 3 Hacken Magazin combines an in-house vinothèque with a restaurant and meeting place for lovers of traditional cuisine and fine wines.

Shopping Centre “The Mall”www.wienmitte-themall.atLandstraßer Hauptstraße 1B, 1030 WienOpen: Monday to Wednesday 09:00 – 23:00 Thursday to Saturday 09.00 – 24:00 Sunday 09:00 – 22:00

Shopping Centre with various gastronomic offerings (Chinese, Sushi, Fast Food, Supermarkets, etc.)

SHOPPING: FOOD, MUSIC AND INSTRUMENTS

Vienna offers excellent shopping opportunities to suit all tastes, including designer stores, antique shops, fine delicatessen boutiques, excellent music and bookstores and nostalgic special interest shops. The main shopping streets in the inner town are the Kärntnerstrasse and Am Graben, both joined in the centre by St Stephen’s Cathedral. Shoppers can also sample Europe’s longest shopping street, the Mariahilfer Strasse, which runs from the museum quarter to the Westbahnhof station (along the U3 line). Many Vienna museums supplement their exhibitions with wonderful gift shops, where you can find all manner of unusual and elaborate items and wonderful souvenirs. Next to the MAK, you will find the newest shopping centre in Vienna, The Mall, part of the Landstrasse/Wien Mitte train station. Along the street heading into the inner city from the MAK, the Wollzeile, you will find many different boutiques, bakeries and other stores. What follows is a small selection of what Vienna has to offer.

FOOD

Altmann & Kühne Confiseriewww.altmann-kuehne.atAm Graben 30 1010 Wien

Manner Shopwww.manner.comStephansplatz 7 1010 Wien

Meinl am Grabenwww.meinlamgraben.at Am Graben 19 1010 Wien

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Café Prückel www.prueckel.atStubenring 24 1010 WienPhone: +43 151 261 15Open: Daily, 08:30 – 22:00

Café Prückel is just across the street from the MAK and has existed since the turn of the century as one of the few traditional Viennese coffee houses on the Ring Boulevard. With its original 1950s style, the Prückl offers everything that has made Viennese coffee world famous. Café Engländerwww.cafe-englaender.comPostgasse 2, 1010 WienPhone: +43 196 686 65Open: Daily, 08:00 – 01:00

Café Engländer is a traditional café-restaurant just 200 metres away from the MAK. Its light, fresh interpretation of classic Viennese and Mediterranean cuisine and its selection of excellent wines and beverages are highly recommended.

Harry’s Time www.harrys-time.atDr. Karl Lueger Platz 51010 Wien Phone: +43 151 245 56Open: Monday to Friday 11:00 – 01:00Saturday 18:00 – 01:00

Very close to the MAK, Harry’s Time offers sophisticated cuisine and a fine selection of wines at reasonable prices. The restaurant offers special evening courses and house specialities as well as a lunch offer that you are sure to enjoy.

Plachutta Wollzeile www.plachutta.atWollzeile 381010 WienPhone: +43 151 215 77Open: Daily, 11:30 – 24:00

The Plachutta is famous for its ‘Tafelspitz’ (boiled beef ). People from all over the world love coming to the famous restaurant to savour its classic Viennese cuisine.

Sofie’s Bar www.sofiesbar.at Biberstrasse 9 1010 WienOpen: Tuesday to Thursday: 17:00 – 01:00Friday to Saturday: 20:00 – 04:00

Sofie’s Bar offers fantastic cocktails and drinks at reasonable prices in a cosy atmosphere and is situated just around the corner from the MAK. Open until very late and certainly one of Vienna’s best-kept secrets.

Santo Spirito www.santospirito.at Kumpfgasse 7 1010 WienPhone: +43 151 299 98Open: Daily, 18:00 – 02:00

Close to the Porgy & Bess Club, the location of the Classical:NEXT live showcases. Definitely a place for the early music lover, the Santo Spirito is a unique café and restaurant which plays classical music and offers cultivated wines and culinary delicacies with a Mediterranean accent.

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Demel/K&K Hofzuckerbäcker Café and Confiseriewww.demel.atKohlmarkt 14 1010 WienPhone: +43 153 517 170Open: Daily, 09:00 – 19:00

Naschmarkt www.naschmarkt.euWienzeile 1060 Wien U1, U2, U4: Karlsplatz

Vienna’s largest and best-known permanent open-air market

MUSIC AND MUSICAL INSTRUMENTS

Gramola – CD Store Classicalwww.gramola.atGraben 161010 WienPhone: +43 153 350 34Open: Monday to Wednesday 09:30 – 18:30Thursday and Friday 09:30 – 19:00Saturday 09:30 – 18:00

Doblinger Publishing & Music Housewww.doblinger.at Dorotheergasse 101010 WienPhone: +43 151 50 30 Open: Monday to Friday 09:30 – 18:30Saturday 10:00 – 13:00

EMI Store Wien – CD Store ClassicalKärntner Strasse 301010 WienPhone: +43 151 236 75Open: Monday to Friday 09:30 – 18:30Saturday 09:30 – 18:00

Haus der Musik – Interactive Music Museum and Shopwww.hausdermusik.atSeilerstätte 301010 WienPhone: +43 151 348 50Open: Daily, 10:00 – 22:00

DaCapo Klassikwww.dacapo-klassik.at Seilerstätte 301010 Vienna Phone: +43 1 513 18 88Open: Monday – Friday 09:30 – 18:30Saturday 09:30 -18:00

Bösendorfer Stadtsalon – Piano Showroom stadtsalon.boesendorfer.com Bösendorferstrasse 12 1010 WienPhone: +43 150 466 513 10Open: Monday to Friday, 09:00 – 18:00

Steinway-Haus Wien – Piano Showroomwww.steinwayaustria.atOpernring 6-81010 WienPhone: +43 151 207 12Open: Monday to Friday 09:00 – 12:00, 14:00 – 18:00

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From magnificent Baroque buildings to classic Art Nouveau, cutting-edge modern architecture and more than 100 museums, there is plenty to discover in Vienna – not least the MAK, a unique museum for applied art and the main Classical:NEXT venue. In the historic city centre, a UNESCO world heritage site, the gothic St Stephen’s Cathedral and enormous Imperial Palace (‘Hofburg’) are must-sees. It’s also worth taking a look at the Haus der Musik, with its interactive music exhibition; the Albertina museum; and the Art Nouveau splendour of the Secession.

Take a stroll from the Museum of Fine Arts to the MuseumsQuartier, stopping off at the charming Spittelberg, a Biedermeier quarter in the seventh district. It’s all within walking distance.

Step into the footsteps of the Habsburgs by visiting the splendid baroque Schönbrunn (see picture below) and Belvedere palaces; explore the famous Spanish Riding School and get to know Sisi, the legendary empress. Or just take a walk along the magnificent Ring Boulevard, which you can also explore by taking the yellow Vienna Ring Tram. Movie lovers can retrace the paths of Harry Lime on the ‘Third Man Tour’ sewer tour, which starts from the Giant Ferris Wheel at the Prater or the Third Man Museum.

More info on the web at www.wien.info/en and in the tourist brochure in your personal delegate bag.

© WienTourismus/Manfred Horvath

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Handy information for your stay in Vienna

Vienna InformationInformation about the city of Vienna can be found at www.wien.info/en.

Airport www.viennaairport.comThe main airport is Vienna International Airport/Flughafen Wien Schwechat.

Transport Maps www.wienerlinien.at/enA map providing a good overview of Vienna’s subway lines and regional train lines can be downloaded from www.wienerlinien.at/media/files/2013/schnellverbindungsplan_oktober_2013_106713.pdf

Trains/City Airport Trainwww.oebb.at | www.cityairporttrain.com If you are travelling to Vienna by train, you will arrive either at the Westbahnhof or at Meidling station. All Classical:NEXT venues are easy to reach from both stations by subway (U-Bahn) or regional train (S-Bahn) lines. If you take the City Airport Train (CAT) from the international airport (which takes no more than 16 minutes), alight at Landstrasse/Wien Mitte station, just 200 metres away from the MAK, the main Classical:NEXT venue.

Subway (U-Bahn) and Regional Trains (S-Bahn)To get to the MAK from the Westbahnhof train station, take the subway line U3 (direction Simmering), travel six stops and alight at Stubentor (this journey takes

approximately ten minutes). From other destinations, such as the Musikverein (Karlsplatz), Konzerthaus (Stadtpark) or Meidling station, take the U4 and alight at Landstrasse/Wien Mitte. From there it is just a 200 metre walk to the MAK. Landstrasse/Wien Mitte is also on the regional S-Bahn lines S1, S2, S3 and S7, which can be used to reach the airport in 35 minutes. For the city centre, alight at Stephansplatz (subway lines U3 or U1).

TramsTo reach the MAK, take the tram line 2 and alight at Stubentor station. The same line can also be used to reach the Musikverein and the Konzerthaus, the locations of the off Classical:NEXT showcases. The station for both locations is Schwarzenbergplatz, just two stops from the MAK. From there it is only a short walk to either location.

BusesThe bus line 1A runs through the historic city centre, passing practically all the major sights in the old town. It also stops at MAK, station Stubentor.

EmergenciesIn case of emergency, dial 133 to contact the police, or 122 to call for an ambulance or the fire brigade.

PhoneThe international dialling code for Austria from abroad is +43. The area code for Vienna is (0)1.

You can find directions to all venues on the back flap.

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Programme First WordNetworkC:N A – Z Destination ViennaEXPOConferenceFilm ScreeningsShowcasesDelegatesCredits

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Exhibitor Presentation

Introducing the exhibitors at the Classical:NEXT expo

The third edition of Classical:NEXT continues with 76 stands and 170 exhibiting companies. This chapter introduces you to the umbrella stands, the main and co-exhibitors. The exhibitor listing is organised alphabetically.

Entrance

Meeting AreaMeeting Area

Meeting Area & Catering

Meeting Area & Catering

BELGIUM

Flanders Music Centre Stand No. 07, 08

Bl!ndman CollectiveBookman Artist ManagementHet Collectief Chamber Music Quintet Groslot MusicHardscoreMusic Centre De Bijloke Ghent

Wallonie-Bruxelles Musiques Stand No. 09

AvanticlassicClaraMusica Artist ManagementEnsemble Musiques Nouvelles Festival de WallonieDaniel GazonLa Boîte à Musique/ Pavane RecordsLavialLes MuffattiMusique en WallonieOpéra Royal de Wallonie

AUSTRIA

Austria Stand No. 15 – 18

AKMAquädukt Artists AgencyAustrian Composer SocietyAustrian Music CouncilCadence Artist ManagementCapriccioClassical Partners ViennaClub Engelsharfen & Teufelsgeigencol legno Produktions- und VertriebsgmbHdolce risonanzaDonau-Universität Krems, ZZMFilm Sound & Media (Kronos Verlag GmbH)Fritz & Friends International Trade & PR AgencyGlatt & Verkehrt – NÖ Festival und Kino GmbHGramolaHarnik ElisabethHaydn Festival EisenstadtHello StageInandout Distribution GmbHJeunesses Musicales AustriaKAIROS Musikproduktion GmbHKarajan Music Productions

kdg Holding GmbHLiakakis PeriklisMarco Battistella e.U.Masoli Music GmbHmdw – University of Music and Performing ArtsMelos Konzertemica – music austriamissionCultureObsculta-MusicORFpaladino media gmbhPlenumPorgy & Bess Jazz/Music ClubPreiser RecordsRadio StephansdomREBEAT Digital GmbHSchläfer Heinrich – music | culture | arts | brandingServusTVSony DADC Austria AGSony Music AustriaTheater an der WienUniversal Edition AGVideoland – Medienvertriebs GmbHWiener StaatsoperWiener SymphonikerYamaha Austria

Umbrella Stands A – Z

List of expo stands representing more than one exhibiting company

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BRAZIL

Brasil Music Exchange Stand No. 63, 64

A Casa EstúdioÁgua Forte ProduçõesDell’Arte Soluções CulturaisLitoral Produções

DENMARK

Danish Agency for Culture / Danish Arts Council Committee for Music

Stand No. 51, 52

Concerto Copenhagen Copenhagen Phil Dacapo Records Danacord Danish Arts Foundation OH Musik Our Recordings SPOR/Scenatet

FINLAND

Music Finland Stand No. 40, 41

FRANCE

France Pavilion Stand No. 35 – 37

Bureau ExportCalliope – Régine Théodoresco, Voix des femmes

LITHUANIA

Lithuanian Music Information Centre

Stand No. 43 Lithuanian National Philharmonic SocietyBOD Group

SLOVAKIA

Music Centre Slovakia Stand No. 02

SLOVENIA

Slovenian Music Information Centre Stand No. 69

RTV Slovenija Helena Gardina Music Agency The Society of Slovene Composers (DSS)

Chœur BrittenChœurs & Solistes de Lyon – Bernard TétuContinuo MusiqueDistrArt MusiqueEnsemble VariancesFevisHortusLa Camera delle LacrimeLa NacreLe Concert de l’Hostel DieuLe Festival Cordes en balladePercussions Claviers de LyonQuatuor DebussyRhone-Alpes Music

ITALY

Puglia Sounds Stand No. 33, 46

Amici della Musica “Arcangelo Speranza”Ensemble ‘05

SPAIN

Government of Catalonia – Catalan Music

Stand No. 13

GEMC Gremi d’Editors de Música de Catalunya – Symphonic.catInstitut Català de les Empreses Culturals (ICEC)Institut Ramon Llull Joan Martí-Frasquier Notes in Cloud Tritó

SWEDEN

Export Music Sweden Stand No. 53, 54

Festival di Musica Sacra “Via Francigena del Sud”Gabriele Panico / LarssenHelios Salah – Zauberarts MusicRobert EspositoSanteramo Musica

LATVIA

Latvian Music Information Centre Stand No. 56

Latvijas Koncerti, State Ltd (Latvian Concerts)Latvian National Symphony OrchestraLiepāja Symphony OrchestraRīga Professional Symphonic BandCēsis Concert HallYouth Choir ”Kamēr...”

SWITZERLAND

Fondation Suisa Stand No. 25 – 28

bmn-medienDisque VDE-GALLODoron musicGuild GmbH Horn Buser Classica Musikpodium Zürich Musikvertrieb AG Musiques Suisses Pro Helvetia, Swiss Arts Council Schweizerischer Tonkünstlerverein Schweizer Musikzeitung Serenaden im Park der Villa Schönberg Swissperform / SIG Tudor Recording AG

© Eric van Nieuwland© Eric van Nieuwland

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dolce risonanza Stand No. 15 – 18

Donau-Universität Krems, ZZM Stand No. 15 – 18

Editions Henry Lemoine Stand No. 24

Ensemble ‘05 Stand No. 33, 46

Esposito Robert Stand No. 33, 46

Evil Penguin Productions Stand No. 07, 08

Export Music Sweden – ExMS Stand No. 53, 54

Festival di Musica Sacra “Via Francigena del Sud” – Festival dei Monti Dauni

Stand No. 33, 46

Festival Ritratti Stand No. 45

FEVIS Stand No. 36

Film Sound & Media (Kronos Verlag GmbH)

Stand No. 15 – 18

Flanders Music Centre Stand No. 07, 08

FONDATION SUISA Stand No. 25 – 28

Föreningen Svenska Tonsättare Stand No. 53, 54

4andMore Music Stand No. 53, 54

A Casa Estúdio Stand No. 63, 64

A Filetta / Sarl Deda Stand No. 70

ÁguaForte Stand No. 63, 64

AKM Stand No. 15 – 18

Alba Records Oy Stand No. 40, 41

Aliud Records Stand No. 47

Amici della Musica “Arcangelo Speranza” Stand No. 33, 46

Anima Eterna Stand No. 07, 08

Aquädukt Artists Agency Stand No. 15 – 18

Arts Council Korea Stand No. 68

Austrian Composer Society Stand No. 15 – 18

Austrian Music Council Stand No. 15 – 18

Bl!ndman CollectiveStand No. 07, 08

bmn-medien Stand No. 25 – 28

Bookman Artist Management Stand No. 07, 08

Brasil Music Exchange Stand No. 63, 64

BRD/The member of BOD Group Stand No. 43

Bureau Export Stand No. 37

Cadence Artist Management Stand No. 15 – 18

Capriccio Stand No. 15 – 18

Caprice Records Stand No. 53, 54

CLASS Association of Classical Independents in Germany e.V.

Stand No. 38

Classical Partners Vienna Stand No. 15 – 18

Club Engelsharfen & Teufelsgeigen Stand No. 15 – 18

Cluster Stand No. 07, 08

col legno Produktions- und Ver-triebsgmbH

Stand No. 15 – 18

Concerto Copenhagen Stand No. 51, 52

Copenhagen Phil Stand No. 51, 52

Dabringhaus und Grimm Audiovision GmbH

Stand No. 39

Dacapo Records Stand No. 51, 52

Danacord Stand No. 51, 52

Danish Arts Foundation Stand No. 51, 52

Dell’Arte Stand No. 63, 64

Disques VDE-GALLO Stand No. 25 – 28

Fritz & Friends International Trade & PR Agency

Stand No. 15 – 18

Gabriele Panico / Larssen Stand No. 33, 46

GEMC – Symphonic.cat Stand No. 13

Ginga Productions Stand No. 74

Glatt & Verkehrt – NÖ Festival und Kino GmbH

Stand No. 15 – 18

Gramola Stand No. 15 – 18

Gramophone Stand No. 48

Groslot Music Stand No. 07, 08

Guild GmbH Stand No. 25 – 28

Hardscore Stand No. 07, 08

Harmonia Mundi Stand No. 62

Harnik Elisabeth Stand No. 15 – 18

Haydn Festival Eisenstadt Stand No. 15 – 18

Helios Salah – Zauberarts Music Stand No. 33, 46

Hello Stage Stand No. 15 – 18

Helsinki Festival Stand No. 40, 41

Het Collectief Chamber Music Quintet Stand No. 07, 08

ICEC Catalan Institute for the Cultural Companies

Stand No. 13

IEMA – IAMIC – MINSTREL Stand No. 01

IMZ – International Music + Media Centre Stand No. 22, 23

Inandout Distribution GmbH Stand No. 15 – 18

indésens calliope Stand No. 35

Institut Ramon Llull Stand No. 13

Jeunesses Musicales Austria Stand No. 15 – 18

KAIROS Musikproduktion GmbH Stand No. 15 – 18

Karajan Music Productions Stand No. 15 – 18

kdg Holding GmbH Stand No. 15 – 18

Klassik Center Kassel Stand No. 38

La Boite a Musique Stand No. 09

La Nacre Stand No. 35

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Exhibitors A – Z

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Latvian Music Information Centre Stand No. 56

Latvijas Koncerti / Riga Festival Stand No. 56

Lavial sprl/bvba Stand No. 09

Le Concert de l’Hostel Dieu Stand No. 35

Le Manège.Mons/Musiques Nouvelles Stand No. 09

Liakakis Periklis Stand No. 15 – 18

Liepaja Symphony Amber Sound Orchestra

Stand No. 56

Lithuanian National Philharmonic Society Stand No. 43

Litoral Produções Artísticas Stand No. 63, 64

Marco Battistella e.U. Stand No. 15 – 18

Marketing Design Stand No. 75, 76

Martí-Frasquier Joan Stand No. 13

Masoli Music GmbH Stand No. 15 – 18

mdw – University of Music and Performing Arts

Stand No. 15 – 18

MeloMe Stand No. 07, 08

paladino media gmbh Stand No. 15 – 18

Percussions Claviers de Lyon Stand No. 35

Pille Lill Music Fund Stand No. 73

Plenum Stand No. 15 – 18

Porgy & Bess Jazz/Music Club Stand No. 15 – 18

Preiser Records Stand No. 15 – 18

Pro Helvetia Stand No. 25 – 28

Profil Medien GmbH Stand No. 55

Puglia Sounds Stand No. 33,46

Pure Audio Group Stand No. 49, 50

Qobuz Music Group SA Stand No. 04, 05

Quatuor Debussy Stand No. 35

Radio Stephansdom Stand No. 15 – 18

REBEAT Digital GmbH Stand No. 15 – 18

REMAOP – Rete dei Festival di Musica Antica ed Operistica di Puglia

Stand No. 34

Melos Konzerte Stand No. 15 – 18

mica – music austria Stand No. 15 – 18

missionCulture Stand No. 15 – 18

Music Centre De Bijloke Ghent Stand No. 07, 08

Music Centre Slovakia Stand No. 02

Music Finland Stand No. 40, 41

Music Lithuania Stand No. 43

Music: LX Stand No. 71

Musik i Syd Stand No. 72

Musikcentrum Riks Stand No. 53, 54

Musikverlag Doblinger Stand No. 61

Musikvertrieb Stand No. 25 – 28

Musique en Wallonie Stand No. 09

Musiques Suisses Stand No. 25 – 28

Naxos Deutschland Musik & Video Vertriebs GmbH

Stand No. 42

Rhone-Alpes Music Stand No. 35

Riga Professional Symphonic Band Stand No. 56

Rio Cello Stand No. 63, 64

Rondeau Production GmbH Stand No. 12

Santeramo Musica Stand No. 33, 46

Schläfer, Heinrich – music | culture | arts | branding

Stand No. 15 – 18

Schweizer Musikzeitung Stand No. 25 – 28

Schweizerischer Tonkünstlerverein Stand No. 25 – 28

ServusTV Stand No. 15 – 18

SIGIC – Slovenian Music Information Centre

Stand No. 69

Skarbo Stand No. 37

Sony DADC Austria AG Stand No. 15 – 18

Sony Music Austria Stand No. 15 – 18

SPOR / SCENATET Stand No. 51, 52

Sprl Puremusic Stand No. 07, 08

Naxos Global Logistics GmbH Stand No. 42

Naxos Group Stand No. 42

Naxos Japan Inc Stand No. 42

Naxos Korea Stand No. 42

Naxos of America Stand No. 42

Naxos Sweden Stand No. 42

New Arts International Stand No. 57, 58

note 1 music gmbh Stand No. 03

Notes in Cloud s.l. Stand No. 13

Obsculta-Music Stand No. 15 – 18

Odradek Records Stand No. 14

OH Musik Stand No. 51, 52

ORF Stand No. 15 – 18

OUR Recordings Stand No. 51, 52

Outhere SA Stand No. 10, 11

StillArt International Stand No. 40, 41

SWISSPERFORM / SIG Stand No. 25 – 28

T2 Entertainment B.V. Stand No. 06

The Canadian Music Centre Stand No. 44

Theater an der Wien Stand No. 15 – 18

Tritó S.L. Stand No. 13

Tudor Recording AG Stand No. 25 – 28

Universal Edition AG Stand No. 15 – 18

Videoland – Medienvertriebs GmbH Stand No. 15 – 18

Wallonie-Bruxelles Musiques Stand No. 09

Wiener Staatsoper Stand No. 15 – 18

Wiener Symphoniker Stand No. 15 – 18

Yamaha Austria Stand No. 15 – 18

Zamzama Productions Stand No. 70

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Main Exhibitors A – Z col legno Produktions- und VertriebsgmbH : dolce risonanza : Donau-Universität Krems, ZZM : Film Sound & Media (Kronos Verlag GmbH) : Fritz & Friends International Trade & PR Agency : Glatt & Verkehrt – NÖ Festival und Kino GmbH : Gramola : Harnik Elisabeth : Haydn Festival Eisenstadt : Hello Stage : Inandout Distribution GmbH : Jeunesses Musicales Austria : KAIROS Musikproduktion GmbH : Karajan Music Productions : kdg Holding GmbH : Liakakis Periklis : Marco Battistella e.U. : Masoli Music GmbH : mdw – University of Music and Performing Arts : Melos Konzerte : mica – music austria : missionCulture : Obsculta-Music : ORF : paladino media gmbh : Plenum : Porgy & Bess Jazz/Music Club : Preiser Records : Radio Stephansdom : REBEAT Digital GmbH : Schläfer Heinrich – music | culture | arts | branding : ServusTV : SKE Fonds of austro-mechana : Sony DADC Austria AG : Sony Music Austria : Theater an der Wien : Universal Edition AG : Videoland – Medienvertriebs GmbH : Wiener Staatsoper : Wiener Symphoniker : Yamaha Austria

STAND NO. 63, 64

Brasil Music ExchangeContact person at Classical:NEXT: David McLoughlin

Brasil Music Exchange is a programme managed by Brasil Music and Arts (BM&A), a not-for-profit arts organisation, in conjunction with the Brazilian Trade and Investment Promotion Agency (Apex-Brasil). Its purpose is to help Brazilian music companies to export their work. At Classical:NEXT, Brazil Music Exchange has four co-exhibitors: A Casa Estúdio, Água Forte Produções, Dell’Arte Soluções Culturais and Litoral Produções. For more information, see www.bma.org.br/brmusicexchange.

Co-Exhibitors:A Casa Estúdio : Água Forte Produções : Dell’Arte Soluções Culturais : Litoral Produções

STAND NO. 37

Bureau ExportContact person at Classical:NEXT: Sophie Schricker and Françoise Clerc

Bureau Export is a French non-profit organisation and network created in 1993. It helps French and international music professionals to work together on promoting French-produced music around the world and encourages pro-fessional exchange between France and other countries. Bureau Export members include French labels, publishers, distributors, promoters, artist management agencies and ensembles.

STAND NO. 47

Aliud RecordsContact person at Classical:NEXT: Jos Boerland | Tel +31 630 123 153

Aliud produces high-class recordings in very diverse genres, from modern classical to jazz, brass and wind band mu-sic. The musicians, ensembles and orchestras represented by Aliud are world class, recorded with the best equipment and technicians using Super Audio CD technology. Aliud recordings are also available on all known download portals in normal wave file, MP3 and 192 kHz/24 bit formats. Artists working with Aliud include Liebrecht Vanbeckevoort, Anneleen Lenaerts, Niels Bijl, Ronald Moelker, the Lacrimae Ensemble, Concerto Barocco, Ensemble Rabaskadol and many others.

STAND NO. 68

Arts Council Korea/ACOMFContact person at Classical:NEXT: Jake Lee

The Arts Council Korea (ARKO) Contemporary Orchestra Music Festival (ACOMF) was launched in 2007 to provide new works of art for Korean fans of Western classical music. Providing support to conductors, composers and players, the ACOMF focuses on orchestral works for both full symphony orchestra and traditional Korean orchestra. The aim is to give composers the opportunity to write large-scale works for live performance.

STAND NO. 15 – 18

AustriaContact person at Classical:NEXT: Frank Stahmer

Welcome back to Vienna – and welcome back to the Austrian booth! Here, you can get in touch with producers, labels, composers and artists, promoters and educational institutions. Come and see us to discover the complete spectrum of the Austrian classical music scene, explore new productions and meet fascinating artists. A secret tip: the easiest way to get a cup of our highly praised coffee is to be invited by one of our exhibitors. Be our guest!

Co-Exhibitors:AKM : Aquädukt Artists Agency : Austrian Composer Society : Austrian Music Council : Cadence Artist Management : Capriccio : Classical Partners Vienna : Club Engelsharfen & Teufelsgeigen :

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STAND NO. 44

Canadian Music CentreContact person at Classical:NEXT: Allegra Young

The Canadian Music Centre (CMC) has been supporting, preserving and promoting works of Canadian composers since 1959. The CMC maintains an archive of works by Canadian composers in its library and publishing house. Commercial recordings are offered via the award-winning Centrediscs label and archival recordings via an online streaming service. The CMC is always looking for new ways to showcase Canadian talent, whether it’s through social media, exports, sponsorship or educational programming. Most importantly, the CMC is about connecting the world with Canadian music.

STAND NO. 38

CLASS Contact person at Classical:NEXT: Rainer Kahleyss | Tel +49 172 720 70 72

The Association of Classical Independents in Germany (CLASS) is an alliance of independent record manufacturers and distributors for classical music, world music and jazz. Klassik Center Kassel – Distribution of fine classics to the trade. Around 40 labels like BIS, Dynamic, Hungaroton, Claves, Guild, Urania, Centaur, Tahra, Alba, Ambitus, Concerto and other. Also engaged in digital distribution. Strong interest in seldom recorded repertoire, high resolution and multichannel recordings. Focus on music from the Baroque era, chamber music from the 19th century and modern/contemporary music on the own classical labels Cantate and Musicaphon.

Co-Exhibitors: Klassik Center Kassel

STAND NO. 51, 52

Danish Agency for Culture/ Danish Arts FoundationContact person at Classical:NEXT: Bodil Høgh | Tel +45 408 127 66

The Danish Arts Foundation supports the production and promotion of Danish creative arts both nationally and internationally in the fields of literature, music, performing arts and visual arts. The Danish Agency for Culture is an administrative unit under the Danish Ministry of Culture. The agency administers Danish state support for artists and artistic activities.

Co-Exhibitors:Concerto Copenhagen : Copenhagen Phil : Dacapo Records : Danacord : Danish Arts Foundation : OH Musik : Our Recordings : SPOR/Scenatet

STAND NO. 61

DoblingerContact person at Classical:NEXT: Renate Publig, M.A.

Publishing house Doblinger has been one of the most important pillars of music in Austria for more than 130 years. The company represented many of the great composers of the late 19th and early 20th centuries as well as leading practitioners of operetta and the Wiener Lied (from Ziehrer to Lehár and his Merry Widow). Its name has become synonymous with Austrian musical activities. Since the turn of the new millennium, Doblinger has also entered partnerships with several of the most promising composers of the younger generation.

STAND NO. 24

Editions Henry LemoineContact person at Classical:NEXT: Benoît Walther | Tel +33 608 357 621

Editions Henry Lemoine was established in 1772 and has published the works of many famous composers including Chopin, Berlioz, Donizetti, Halévy, Franck, Gounod, Messiaen and Piazzolla. Since 1980, the company has also develo-ped a strong taste for contemporary music. As well as representing prestigious composers such as as Hugues Dufourt, Tristan Murail, Michaël Lévinas, Edith Canat de Chizy, Ichiro Nodaïra, Philippe Hurel, Michael Jarrell and Gérard Pesson, Editions Henry Lemoine also has relationships with young composers such as Brice Pauset, Régis Campo, Bruno Mantovani or Yann Robin.

STAND NO. 53, 54

Export Music SwedenContact person at Classical:NEXT: Jesper Thorsson | Tel +46 725 865 060

Export Music Sweden was formed by a consortium of international music industry associations with the aim of promoting Swedish music worldwide. The organisation encourages and co-ordinates Swedish participation in international trade fairs, seminars, festivals and other activities with the aim of furthering the promotion of Swedish music around the world. It also keeps the international music industry informed about what’s going on in Sweden and the industry at home up to date about opportunities for exposure through seminars and education.

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STAND NO. 45

Feste MusicaliContact person at Classical:NEXT: Massimo Felici | Tel +39 320 664 63 95

FMP is a line-up of four festivals rooted in Apulia, which bring together outstanding stars with rising young artists in an itinerant project that draws from classical and experimental innovative languages, offering avant-garde cultural treats in an ideal journey through the (re)discovery of enchanting settings, including tourists into the daily lives of the community while showcasing the best regional stages and goods combined with the international nature of the shows: a real army in the defense of beauty, in a land chosen as National Geographic‘s and Lonely Planet‘s “Best travel destination” for 2014.

Co-Exhibitors: Ritratti Festival : A.G.I.Mus Festival : Barletta Piano Festival : Rassegna ICM Polignano a Mare

STAND NO. 36

FEVISContact person at Classical:NEXT: Marie Hédin | Tel +33 659 175 318

The Federation of Specialist Vocal and Instrumental Ensembles (FEVIS) is a consortium of 106 French independent ensembles. It aims to create a united community and ensure that specialist ensembles have a voice in the music busi-ness and in shaping public policy. The group regularly conducts research into the artistic, economic and social impact of its members, and the results are communicated to the media, students and decision makers. It also provides information for members on tax law, employment law and funding opportunities. FEVIS has launched a European network, FEVIS Europe, to extend its collaboration network.

Co-Exhibitors: FEVIS France/Europe

STAND NO. 07, 08

Flanders Music CentreContact person at Classical:NEXT: Katrien Van Remortel | Tel +32 475 683 839

Flanders Music Centre is an organisation established by the Flemish government to support the professional music sector and promote music from Flanders in Belgium and abroad. Its mission is to reward expertise, exchange knowledge and stimulate debate about music from Flanders.

Co-Exhibitors: Bl!ndman Collective : Bookman Artist Management : Het Collectief Chamber Music Quintet : Groslot Music : Hardscore : Music Centre De Bijloke Ghent

STAND NO. 74

Ginga Productions/Richard GallianoContact person at Classical:NEXT: Jean Michel De Bie | Tel +33 687 398 650

Richard Galliano is one of the most prominent jazz artists in France and is among the most famous accordion players in the world. He has recently embarked on a classical music career and signed a contract with Deutsche Grammo-phon. His debut album on the label, the Bach Project, has sold more than 50,000 copies – funny when you think that the accordion didn’t even exist in Bach’s time. His latest album has seen him reinventing Vivaldi’s Four Seasons with similar success.

STAND NO. 13

Government of Catalonia/Catalan MusicContact person at Classical:NEXT: Neus López (ICEC Berlin) | Tel +49 160 907 944 47

The Catalan Institute for Cultural Companies (ICEC) is a public body attached to the Catalan Government’s Depart-ment of Culture and charged with the promotion of the arts in Catalonia across all fields: music and the performing arts, audio-visual arts, publishing and media, visual arts, gaming and digital arts. The ICEC supports Catalan cultural companies to develop their business internationally, co-ordinates their presence at international fairs and key events, offers market research and consultancy on export projects and supports professional networking in Catalonia and abroad.

Co-Exhibitors:GEMC/Gremi d’Editors de Música de Catalunya/Symphonic.cat : Institut Català de les Empreses Culturals (ICEC) : Institut Ramon Llull : Joan Martí-Frasquier : Notes in Cloud : Tritó

STAND NO. 48

GramophoneContact person at Classical:NEXT: Esther Zuke | Tel +44 750 085 65 31

Gramophone, which has been serving the classical music world since 1923, is a monthly magazine delivered in both print and digital formats. It boasts an eminent panel of experts, who review a full range of classical recordings. The magazine’s reviews are completely independent. In addition, its interviews and features help readers to explore in greater depth the recordings that the magazine covers, as well as offering insights into the work of composers and performers. It is the magazine for the classical record collector, as well as the enthusiast starting out on a voyage of discovery.

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STAND NO. 62

Harmonia Mundi SAContact person at Classical:NEXT: Tarik Tamzali | Tel +33 699 086 377

Harmonia Mundi is an independent record label based in Arles, Provence, which works with more than 300 partners in countries all over the world including France, the US, Canada, the UK, Germany, Austria, Benelux and Switzerland. Its services cover all the different aspects of the publishing business, from production to distribution, from physical to digital. The company is also are involved in a retail network of 15 shops in France.

STAND NO. 22, 23

IMZ – International Music + Media CentreContact person at Classical:NEXT: Ruth Pfletschinger

Since its foundation in 1961, the International Music + Media Centre (IMZ) has become a global association and advisory body for everyone involved in any aspect of audio-visual music and dance. Based in Vienna, the organisation provides an international networking platform for leading producers, distributors, labels, cultural and educational institutions, opera houses and festivals. Among its 140 members are some of the world’s key decision-makers from brands such as the BBC, the Metropolitan Opera and Universal Music, as well as recognised composers and directors.

STAND NO. 56

Latvian Music Information CentreContact person at Classical:NEXT: Ināra Jakubone | Tel +371 263 873 32

The Latvian Music Information Centre (LMIC) exists to promote Latvian contemporary and classical music. The centre provides information on Latvian composers and their works, and on the Latvian music scene in general – performers, concert and festival organisers, publishers and educational institutions. It also facilitates contact between foreign and Latvian performing artists, composers, researchers and the media. The LMIC takes care of Latvia’s representation at international music exhibitions and fairs, produces CDs and publishes informative materials.

Co-Exhibitors:Latvijas Koncerti, State Ltd (Latvian Concerts) : Latvian National Symphony Orchestra : Liepāja Symphony Orchestra : Rīga Professional Symphonic Band : Cēsis Concert Hall : Youth Choir ”Kamēr...”

STAND NO. 75, 76

Marketing DesignContact person at Classical:NEXT: Dorota Calka | Tel +48 512 477 950

Marketing Design was established in 2001 as one of the leading promotion agencies in Poland. In 2010, the company acquired Gigant.pl, the most popular e-shop in Poland. Since then, it has been distributing top quality classical music records and currently renders its services directly to more than half a million retail customers. It delivers to Poland, the Czech Republic, Slovakia and Lithuania and its portfolio contains more than 20 labels, such as Brilliant Classics, Berlin Classics and Polish publishing house Selene..

STAND NO. 39

MDG – Musikproduktion Dabringhaus und GrimmContact person at Classical:NEXT: Werner Dabringhaus and Manfred Goergen

MDG – Musikproduktion Dabringhaus und Grimm: “Rare repertoire,” “outstanding performances”, “audiophile sound” – these are some of the phrases that have been used in the trade press to describe Musikproduktion Dabringhaus und Grimm (MDG) over the past 35 years. With its newly developed 2+2+2+2 recording technique, MDG has now further improved its high level of reproduction quality, proving that first-class sound need not remain two-dimensional. MDG’s audio releases have achieved a three-dimensional quality that sets new benchmarks in spatial imaging quality.

STAND NO. 01

Minstrel/IAMICContact person at Classical:NEXT: Kostas Moschos | Tel +30 694 455 57 38

The Music Network Supporting the Trans-National Exchange and Dissemination of Music Resources at European Level (Minstrel) is an EU project with the participation of 12 cultural organisations across Europe. Its aim is to promote local music around the world and support music exchanges. The International Association of Music Information Centres (IAMIC) is a worldwide global network of 41 music organisations active in the fields of documentation, information, promotion and export. Each member is a key cultural operator focusing on the musical life of its own country or region across many musical genres.

Co-Exhibitors: MINSTREL (International Association of Music Information Centres) : IAMIC (MusIc Network Supporting Trans-national exchange and dissemination of music Resources at European Level) : IEMA (Institute for Research on Music and Acoustics Greek Music Documentation Center) : CyMIC (Cyprus Music Information Center) : POLMIC (Polish Music Information Center) : CMIC (Croatian Music Information Centre)

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STAND NO. 02

Music Centre SlovakiaContact person at Classical:NEXT: Viktória Slatkovskám and Eva Planková

Music Centre Slovakia (MCS) is a centre for the documentation and promotion of Slovak music. It maintains a database system with information on Slovak composers and musicians working in all genres. MCS also organises the international festival of contemporary music Melos-Ethos, the Central European Music Festival in Žilina and other mu-sic events. The centre also produces CDs and publishes sheet music, books and the magazine Hudobný Zivot (‘Musical Life’). MCS participates in several European project and takes part in the annual MIDEM trade fair. It is a member of several international trade bodies.

STAND NO. 40, 41

Music FinlandContact person at Classical:NEXT: Kristiina Vuorela | Tel +358 405 160 656

Music Finland is an organisation dedicated to promoting awareness of Finnish music at home and abroad. It creates and manages a wide variety of services including events, networking opportunities, training, consultancy, support, research, information and funding programmes. These activities aim to maximise the success of Finnish music and music companies and increase Finnish music export revenue.

STAND NO. 43

Music LithuaniaContact person at Classical:NEXT: Linas Paulauskis | Tel +370 686 695 5

Music Lithuania documents, provides access to and promotes music by Lithuanian artists. The organisation main-tains a library of sheet music and recordings, runs an online database of information on music and musicians, and co-organises performances of Lithuanian music at international events. At Classical:NEXT, Music Lithuania will also present the Lithuanian National Philharmonic Society, the largest and oldest concert organisation in Lithuania, and the BOD Group, the largest CD/DVD/Blu-Ray manufacturer in the Baltic countries.

Co-Exhibitors:Lithuanian National Philharmonic Society : BOD Group

STAND NO. 71

music:LX/Luxembourg Export OfficeContact person at Classical:NEXT: Patrice Hourbette | Tel +352 621 279 033

music:LX is a not-for-profit organisation and network created in 2009 with the aim of developing the careers of musicians from Luxembourg working across all genres and around the world. The organisation promotes professi-onal exchange between Luxembourg and other territories, supports artists with the promotion of releases outside Luxembourg and helps to organise international tours and showcases. music:LX aims to establish and consolidate relationships between artists from Luxembourg and international music professionals.

STAND NO. 72

Musik i SydContact persons at Classical:NEXT: Magdalena Fronczak and Andreas Baur

Musik i Syd is a regional music institution that produces and promotes concerts and festivals in south Sweden. The organisation plays a co-ordinating role and makes a strong contribution to the development of musical life for both children and adults. Through collaboration with freelance musicians and local concert organisers as well as participation in a number of projects and festivals, Musik i Syd presents both international and national artists, ensembles, choirs and orchestras in musical genres such as chamber music, jazz, folk music and international music. In total, it presented around 2,700 public concerts in 2013.

STAND NO. 42

NAXOSContact person at Classical:NEXT: Julia Sturm | Tel +49 151 628 349 31

Naxos is the largest independent classical label in the world and one of the two largest-selling classical labels. Found-ed by Klaus Heymann in 1987, the label offers one of the fastest-growing catalogues of unduplicated repertoire, with more than 8,000 titles to date. In 2003, long before music streaming entered the mainstream, it started the Naxos Music Library as a paid subscription service providing access to music online and to the catalogues of more than 640 labels. Since 2009, the company has also been distributing Blu-Ray discs, streaming web radio and podcasts.

Co-Exhibitors:Naxos Far East : Naxos Deutschland Musik & Video Vertriebs-GmbH : Select Music & Video Distribution Ltd : Naxos of America Inc. : Naxos of Canada Ltd. : Select Audio-Visual Distribution Company Pty Limited : Naxos Norway AS : Naxos Sweden : Naxos Japan : Naxos Korea : Naxos Denmark : OY Fg-Naxos Ab

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STAND NO. 10, 11

Outhere SAContact person at Classical:NEXT: Julien Lepièce | Tel +32 478 206 092

Independent music group, Outhere Music, produces around 100 recordings every year, ranging from early music to contemporary, jazz and world music. These are released all over the world in physical and digital form. Nine labels are part of the group: Aeon, Alpha, Arcana, Fuga Libera, Outnote, Phi, Ramée, Ricercar and Zig-Zag Territoires. In summer 2013, Outhere Music began handling distribution for its proprietary labels and selected guest labels in the Benelux countries, and in May 2014 it will also begin distributing in France. This has been made possible through its two affiliate companies, Outhere Dustribution and Outhere Distribution France.

STAND NO. 73

Pille Lill Music FundContact person at Classical:NEXT: Leelo Lehtla | Tel +372 564 842 44

The Pille Lill Music Fund (PLMF) was inaugurated in 2003 with the aim to support the development of talented professional musicians in Estonia by organising master classes (incl. the Rapla Summer Academy), opportunities to perform (incl. the Tallinn Chamber Music and Winter Festivals, the Rapla Church Music Festival, series of concerts with over 120 concerts per year) and by introducing them internationally. In addition we have grown to be a trustworthy partner for international co-operation projects and concert production in the Baltics, don’t hesitate to contact us for more information on different possibilities for collaboration!

Co-Exhibitors:Estonian Music Development Center : Eesti Kontsert

STAND NO. 55

Profil Medien GmbHContact person at Classical:NEXT: Kerstin Hänssler | Tel +49 174 712 10 26

Profil Edition Günter Hänssler – a young ambitious independent classical label – unites an innovative, dynamic selec-tion of artists with quality repertoire policy to ensure the highest level of artists’ commitment to the label’s program-me and to establish the basis for a label profile with a difference! Therefore, the catalogue focus is primarily to release the magic moments of music – concerts with great conductors like Gunter Wand, Christian Thielemann, Semyon Bychkov, Sir Colin Davis, and Bernard Haitink.

STAND NO. 57, 58

New Arts InternationalContact person at Classical:NEXT: Sarina Pfiffi

New Arts International is an innovative producing and marketing company with its roots in the music industry. It has experience in marketing and promotion, web solutions, mobile solutions, graphic and interactive design, downloads and streaming platforms, digital and physical distribution and bookings.

STAND NO. 03

note 1 music GmbHContact person at Classical:NEXT: Uwe Miethe | Tel +49 157 738 102 51

Since 1996, Note 1 Music has developed into one of the leading German independent distribution channels for clas-sical music, working with labels such as Alpha, Carus, Chandos, Hyperion, Mariinsky and Supraphon. The company’s commitment and expertise allow labels to present and place their products on the German market in the best possible way. Following a merger with MusiContact in 2011, Note 1 Music now also handles the export of German and foreign labels. In co-operation with established local partners, it offers labels unhindered access to international markets.

STAND NO. 14

Odradek RecordsContact person at Classical:NEXT: John Clement Anderson | Tel +39 333 986 23 12

Odradek Records is a democratic, non-profit and artist-controlled label. A&R is decided by a panel of roster members who democratically and anonymously evaluate submitted demos. The label’s goal is to create a system of merito-cratic evaluation analogous to the scientific peer review process, ensuring a system that is both fair and produces credible and artistically strong products with real cultural relevance. The result so far has been an eclectic group of artists, united by excellent musicianship and an adventurous approach to repertoire, creating albums that speak for themselves musically.

Co-Exhibitors:NO-TE e.U.

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STAND NO. 34

ReMAOPContact person at Classical:NEXT: Prontera Cosimo | Tel +338 668 94 51

ReMAOP is a collective of early music festivals and opera companies based in Puglia. It is supported by the Puglia Sounds network and consists of five festivals: the Barocco Festival Leonardo Leo, Festival della Valle D’Itria, Giovanni Paisiello Festival, Anima Mea Festival and Via Francigena del Sud Festival. The ReMAOP calendar starts in July and ends in October, with events taking place at historical sites in Puglia. Many of the works have not been performed for many years and the performances involve many international artists.

Co-Exhibitors: Cosimo Prontera

STAND NO. 35

Rhône-Alpes MusicContact person at Classical:NEXT: Laetitia Mistretta | Tel +33 661 254 821

The Rhône-Alpes region is the richest and most populated French region after Paris. The Rhône-Alpes regional council has a proactive policy of supporting cultural activities: it subsidises 600 performing arts companies including 70 musical ensembles and 180 festivals, among them 25 classical music events. The region’s classical music scene is dynamic and internationally renowned. Exhibiting for the first time at Classical:NEXT, the regional council is suppor-ted here by the Federation of Specialist Vocal and Instrumental Ensembles (FEVIS) and La Nacre, a regional agency for the performing arts.

Co-Exhibitors: Calliope – Régine Théodoresco, Voix de femmes : Chœur Britten : Chœurs & Solistes de Lyon – Bernard Tétu : La Nacre : Le Concert de l’Hostel Dieu : Le Festival Cordes en ballade : Percussions Claviers de Lyon : Quatuor Debussy

STAND NO. 12

Rondeau Production GmbHContact person at Classical:NEXT: Frank Hallmann | Tel +49 178 356 65 12

Rondeau Production is a label based in Leipzig, the hometown of Bach. Over the past few years, it has established itself as a specialist in artistically and technically high-class recordings of sacred vocal music. The label’s co-operation with world-renowned choirs and its focus on the highest musical standards have generated a unique CD catalogue encompassing famous ensembles such as the Thomanerchor Leipzig. The label also has relationships with with choirs from Hannover and won Echo Klassik awards in 2006 and 2010.

STAND NO. 33, 46

Puglia SoundsContact person at Classical:NEXT: Maddalena Ciocca | Tel +39 338 948 80 60

Puglia Sounds is the first public project in Italy to develop the musical life of a dedicated region. It operates along three different lines of action: export, live and recording. The export arm supports Puglia artists’ tours abroad and promotes events featuring music from Puglia in Italy and abroad. The live arm aims to support and strengthen live music in Puglia, and the recording arm exists to produce new records. As a project involving all three areas of activity at the same time, Puglia Sounds is also responsible for Medimex, Italy’s only music market fair.

Co-Exhibitors: Amici della Musica “Arcangelo Speranza” : Ensemble ‘05 : Festival di Musica Sacra “Via Francigena del Sud” : Gabriele Panico/Larssen : Helios Salah – Zauberarta Music : Robert Esposito : Santeramo Musica

STAND NO. 49, 50

Pure Audio GroupContact person at Classical:NEXT: Stefan Bock | Tel +49 170 586 64 14

The Pure Audio Group, founded at MIDEM last year, deals with the strategic marketing of pure audio Blu-Ray, a physi-cal audio delivery format for high-resolution stereo and multi-channel music productions (up to 192 kHz/24 bits). Its members comprise 55 renowned companies representing the music and audio industry. Pure audio Blu-Ray has the familiar functionality of a CD and, thanks to a screenless navigation concept, can be operated via a Blu-Ray player’s remote without the need for a television.

Co-Exhibitors: AREA Entertainment

STAND NO. 04, 05

Qobuz Music GroupContact person at Classical:NEXT: Joanna Beaufoy, Head of Cultural Partnerships | Tel +33 672 915 766

Qobuz is a digital music service that delivers more than 18 million tracks in high quality from all the major labels and numerous independents. It offers unlimited musical streaming subscriptions in genuine CD quality (FLAC 16 bits/44.1 kHz) on iOS, Android, Windows 8, web and Kindle, as well as lossless downloads in genuine CD quality (16-bit/44.1 kHz) of the entire catalogue. The music includes classical, jazz, blues, country, folk, pop, rock, soul, funk, rap, electro, children’s, ambient, world and film music. High-definition downloads are also available of more than 11,000 Qobuz Studio Masters albums (up to 24 bits/192 kHz).

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STAND NO. 69

SIGIC Slovenian Music Information CentreContact person at Classical:NEXT: Tanja Benedik | Tel +386 408 853 33

The Slovenian Music Information Centre (SIGIC) is the central information point for Slovenian music. It promotes Slovenian music and musicians, and has connections with numerous institutions at home and internationally.

Co-Exhibitors:Helena Gardina Music Agency : RTV Slovenija : Society of Slovene Composers (DSS)

STAND NO. 25 – 28

Switzerland Contact person at Classical:NEXT: Marcel Kaufmann

The Swiss stand is presented by Fondation Suisa, Pro Helvetia (a foundation run by the Swiss Arts Council) and the Schweizerische Interpretengenossenschaft. It is the contact point for Swiss music professionals at Classical:NEXT as well as an information desk for anyone with questions about Swiss music.

Co-Exhibitors:bmn-medien : Disque VDE-GALLO : Fondation Suisa : Guild GmbH : Horn Buser Classica : Musikpodium Zürich : Musikvertrieb AG : Musiques Suissa : Pro Helvetia, Swiss Arts Council : Schweizerischer Tonkünstlerverein : Schweizer Musikzeitung : Serenaden im Park der Villa Schönberg : Swissperform / SIG : Tudor Recording AG

STAND NO. 06

T2 Entertainment BVContact person at Classical:NEXT: Theo Lap | Tel +31 623 954 264

T2 Entertainment is a highly professional distribution company based in the Benelux region and representing many established labels. Experienced in both physical and digital distribution, it serves more than 400 customers, many of them exclusively. The company’s in-house labels Newton Classics, United Classics, Gega New, Quintone and Jazzwerk-statt are sold worldwide through its A&R department T2 International.

STAND NO. 09

Wallonie-Bruxelles MusiquesContact person at Classical:NEXT: Patrick Printz | Tel +32 475 677 625

Wallonie-Bruxelles Musiques was created in 1984 to help artists, producers and publishers from the French-speaking community of Wallonia and Brussels to export their work and make their mark in the international creative industry. Since then, it has increased the scope of its work by developing a presence at music markets, supporting artists at major festivals, programming to support professionals and welcoming foreign artists. At Classical:NEXT, the agency will present a wide range of players on the classical and contemporary music scene in Wallonia and Brussels.

Co-Exhibitors:Avanticlassic : ClaraMusica Artist Management : Ensemble Musiques Nouvelles : Festival de Wallonie : Daniel Gazon : La Boîte à Musique/Pavane Records : Lavial : Les Muffatti : Musique en Wallonie : Opéra Royal de Wallonie

STAND NO. 70

Zamzama ProductionsContact person at Classical:NEXT: Sabine Chatel Ceo | Tel +33 611 874 176

Zamzama Productions is a music agency founded in 2000 and based in Paris. It represents musicians and compo-sers who interpret the classical repertoire of their countries or compose new pieces based on and inspired by their musical background, whether Western or non-Western. Its artists include Goran Bregovic, the most famous composer from the Balkans; Le Trio Joubran, a trio from Palestine; António Zambujo, a talented interpreter of Portuguese Fado; Jasser Haj Youssef, a young Tunisian violin virtuoso; and Ensemble Al-Kindi, a classical Arabic ensemble.

Co-Exhibitors:A Filetta/Sarl Deda

Programme First WordNetworkC:N A – Z Destination ViennaExpoCONFERENCEFilm ScreeningsShowcasesDelegatesCredits

Edition

HänsslerGünterProfil

E r h ä l t l i c h i m F a c h h a n d e l !

Profil Medien GmbH . Edition Günter Hänssler . www.haensslerprofil.de

Vertrieb: NAXOS DEUTSCHLAND GmbH . www.naxos.de

NEU

Edition

HänsslerGünterProfil

EDITIONSTAATSKAPELLEDRESDEN VOL. 34 FERRUCCIO BUSONI Nocturne symphonique op. 43 HANS PFITZNER Konzert für Klavier und Orchester op. 31 MAX REGER Romantische Suite op. 125 Tzimon Barto - Klavier,Staatskapelle Dresden,Christian Thielemann 2 CD PHPH12016

NEU EDITIONSTAATSKAPELLEDRESDEN VOL. 37 EDWARD ELGAR Der Traum des Gerontius Paul Groves,Sarah Connolly,John Relyea,Chor der Staatsoper Dresden,Staatskapelle Dresden,Sir Colin Davis

CD PH12017

ZUM 100. GEBURTS-TAG VON CARLO MARIA GIULINI CD 1: FELIX MENDELSSOHN-BARTHOLDY Konzert fürVioline und Orchester op. 64 CLAUDE DEBUSSY - La Mer Kölner Rundfunk-Sinfonie-Orchester(heute: WDR Sinfonieorchester Köln)Pinchas Zukerman - Violine CD 2: JOHANNES BRAHMS Sinfonie Nr. 1 op. 68CD 3: JOSEPH HAYDN Sinfonie Nr. 94MAURICE RAVEL Ma mere l´ oye - Suite Symphonieorchester des Bayerischen Rundfunks CD 4: FERRUCCIO BUSONI Zwei Studien zu »Doktor Faust«– Sarabande und Cortège CÉSAR FRANCK »Psyché et Eros« ANTONÍN DVORÁK Sinfonie Nr. 8 (4) op. 88 Kölner Rundfunk-Sinfonie-Orchester(heute: WDR Sinfonieorchester Köln) CD 5 & 6:GIOACCHINO ROSSINI Il Barbiere di Siviglia Luigi Alva, Melchiorre Luise, Maria Callas,Tito Gobbi, Nicola Rossi-Lemeni,Piereluigi Latinucci,Anna Maria Canali, Giuseppe Nessi,Orchester & Chor: Teatro alla Scala

6 CD PH14006

GÜNTER WAND & NDR SINFONIE-ORCHESTERCD 1:ANTON BRUCKNER Sinfonie Nr. 3CD 2:ANTON BRUCKNER Sinfonie Nr. 7 CD 3:ANTON BRUCKNER Sinfonie Nr. 8, Teil 1CD 4:ANTON BRUCKNER Sinfonie Nr. 8, Teil 2 CD 5:ANTON BRUCKNER Sinfonie Nr. 9 CD 6:WOLFGANG AMADEUS MOZART Serenade Nr. 9 in D Dur KV 320 (»Posthorn«) JOSEPH HAYDN Konzert für Oboe und Orchester in D Dur VIIg:c1 Paulus van der Merwe - Oboe CD 7:ROBERT SCHUMANN Konzert für Klavier undOrchester op. 54 Gerhard Oppitz - Klavier WOLFGANG AMADEUS MOZART Sinfonie Nr. 40 KV 550

7 CD PH12044

6 CD 7 CD

JAROMIR WEINBERGER Schwanda, der Dudelsackpfeifer Christoph Pohl, Marjorie Owens, Ladislav Elgr, Tichina Vaughn,Tilmann Ronnebeck, Michael Ede, Simeon Esper,Chor der Staatsoper Dresden, Staatskapelle Dresden, Constantin Trinks 2 CD PH13039

�Fo

tolia

Classical NEXT.3.14 11.03.2014 9:05 Uhr Seite 1

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conference programme, there are “Network Meetings”, which provide a place to deepen existing or form new alliances. This semi-formal format provides a platform for international networks to hold their meetings, get together, brainstorm, develop ideas and connect with potential members while also leaving plenty of scope for new networks to form.> Conference/Sessions

Mentoring Ask all your burning questions and benefit from the knowledge of experts from a wide variety of fields either at an individual consultation (one-to-one mentoring) or at a collective session (roundtable mentoring). > Conference/Mentoring

BiographiesThere is a short biography of each Classical:NEXT speaker and mentor at the very end of this chapter.> Conference/Biographies A – Z

All Classical:NEXT conference rooms are at the MAK:

Conference Sessions – MAK Lecture Hall and Conference Rooms 1 & 2 (upper floor)Mentoring – MAK Lounge (ground floor) Keynote – Columned Main Hall

> Showcases/Opening & Closing> Programme/Overview> Programme/Schedule

The conference programme has established itself as one of the key features of Classical:NEXT. For its third edition, the conference section will entail a richer, more diverse offering than ever before. Set up to help delegates keep up-to-date with new developments and the right know-how to cope with current issues, the conference is also a place to network, find new partners from different sectors and form new alliances.

The jury and the Classical:NEXT team have put a lot of effort into adapting the conference to the community‘s needs: interactive exchange and hands-on information is key in more than 25 expert discussions, network meetings and presentations. All delegates are invited to join in and discuss the state of the art, today‘s challenges and the future potential of classical music. The inter-national and varied orientation of Classical:NEXT is highlighted by the wide range of speakers, session formats and topics that comprise the Classical:NEXT conference. Thomas Hampson will start everything off with his keynote at the opening on Wednesday evening. All formats will be presented in English.

Conference SessionsAt the heart of the conference are the jury-selected conference sessions featuring presentations, debates and discussions. These are complemented by formats that were selected according to the community’s demand, e.g. “Tech Express” sessions, which are short introductions to new tools, “off C:N presentations”, which take a more in-depth look at new projects, products or services and the “World Café”, which

Conference

Keep up with changes, trends and innovations

Wednesday 20:15 – 21:30Opening : Columned Main HallKeynote

Thursday 11:00 – 11:45 Session 1 : Lecture HallPresentation

The Informed Performance The culture warriors of the digital generation

Presented by Thomas Hampson (US)Classical artist, founder and director, Hampsong Foundation

More than ever before, we have the opportunity – and, for that matter, the responsibility – to invite our audiences to explore the background behind our most valued musical treasures, to understand their languages and origins. Developments in technology are providing unprecedented access to the world of the musicians, performers, presenters, academics, journalists and authors who shape the classical music idiom. What was, for generations, a rarefied community is now a lively forum for the curious. And if we can so easily open the doors and windows on performances of classical music, we must ask ourselves: how well are we answering the question of “why is it classical”? The digital generation is re-shaping ownership of the arts and humanities within our society, and we must constantly re-develop our ability as artists to help define their heritage.

Korean New Waves in Classical Music Comparative study of the classical music and concert market in Korea

Presented by Moon-Seon Park (South Korea)General manager, Daewon Cultural Foundation

The South Korean classical music market is changing rapidly. In this presentation, Moon-Seon Park will reveal how the country’s young artists are breaking into the worldwide market while also helping to boost the classical music scene at home. He will also discuss an emerging trend towards mixing traditional and contemporary music, exploring how this can create opportunities in a diminishing classical music market. Finally, he will ask how artists and producers can make the most of other emerging new waves in the traditional music market.

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Thursday 11:00 – 11:45Session 2 : Conference Room 1Presentation

Thursday 12:00 – 12:45Session 3 : Lecture HallPresentation

Thursday 12:00 – 12:45Session 4 : Conference Room 1Presentation

Continuous InnovationHow programmers and music makers embrace genuine entrepreneurialism

Presented by David Pay (Canada)Artistic director, Music on Main

with Sean Hickey (US)Vice-president, sales and business development, Naxos of America

When we talk about entrepreneurship and innovation in classical music, we are most often talking about new ways to fill seats or novel formats for how our music is shared. But how can adopting genuine entrepreneurial practices and theories from other industries have an impact on why, how and what we programme in the classical world? Continuous innovation involves constant, thoughtful upgrades and enhancements, and can help refine and improve what we offer. David Pay, artistic director of Vancouver’s celebrated Music on Main series, explores how adopting business strategies such as the Lean Startup method could have a positive effect on artistic programming itself. Sean Hickey, national sales and business development manager for Naxos of America, shows why there’s never been a better time for music makers to take their art to a wide public.

Jury Selected

The Night ShiftOld music for new audiences

Presented by William Norris (UK)Communications and creative programming director, Orchestra of the Age of Enlightenment

This session will explore the development and results of the Orchestra of the Age of Enlightenment’s late-night series The Night Shift, which is designed to attract an audience of under-35s to performances of the orchestra’s core repertoire. William Norris, who was closely involved with developing the series, will touch on how the format of the events was decided upon, how the concerts were marketed and the results of research into audiences. This session will also provide a forum for questions and an opportunity for delegates to share their own experiences with developing concert formats for under-35s.

Jury Selected

The Future is Audio-VisualHow to succeed in financing your audio-visual music production

Presented by Franz Patay (Austria)Secretary general, International Music and Media Centre (IMZ)

In this session, delegates will receive a compact overview of best practice in modern audio-visual music production, including performance recordings, transmissions and documentaries. They will learn about standard and alternative financing models for audio-visual programmes, and will get an overview of the economic impact such productions can have on artists, opera and concert houses, record labels, etc. What are the economic implications of cinema transmissions, second screen use, streaming platforms, etc? Franz Patay will also provide an in-depth introduction to the Avant Première Music and Media Market, the annual networking event for the audio-visual music industry.

Thursday 12:00 – 12:45Session 5 : Conference Room 2Tech Express

24classics.com Using the internet to seduce a new classical music audience

Presented by Corine Haitjema (The Netherlands)Founder, 24classics.com

24classics.com is a streaming platform featuring 24 experts and 24 playlists. The website’s founder will reveal how she aims to make the service profitable for artists, the industry and advertisers.www.24classics.com

Jury Selected

Audience and Revenue DevelopmentHow to increase ticket sales and revenue: best practice strategies

Presented by Anna Kleeblatt (Germany)Consultant, Kleeblatt – Culture. Marketing, Sales & Serviceand Wolfgang A. Graf (Austria)Chief executive and managing partner, Graf Moser Management

How modern database analytics tools can help to reveal the interests and motivations of customers. Presentation includes an introduction to business intelligence and data analytics tool Kulturplanner.www.kulturplanner.com

Jury Selected

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Thursday 13:00 – 13:45Session 6 : Lecture HallPresentation

Thursday 13:00 – 13:45Session 7 : Conference Room 1Network Meeting

Thursday 13:00 – 13:45Session 8 : Conference Room 2Discussion

Programming for Live, Broadcast and Digital AudiencesDeveloping arts presentations for the modern consumer

Presented by Christopher Gruits (US)Executive director, Interlochen Presents, Interlochen Center for the Arts

Arts audiences have moved beyond the concert hall and are consuming content in a variety of formats. Arts programming is no longer just limited to live presentations and must now be leveraged for use in broadcast and digital media. How do programmers best address this opportunity? What are some of the challenges involved in engaging with audiences inside and outside of venues? What type of programming works best across multiple platforms and how can artists themselves be engaged to participate? In this presentation, Christopher Gruits will review examples and strategies from American presenting organisations and facilitate a question and answer session with the audience.

Jury Selected

Education Innovators Network MeetingClassical music education now and in the future

Co-ordinated by Reiri Kojima (Japan)Research associate, Waseda University WBS Research Center

Classical music education means many different things to different people. However, we all agree on the importance of education itself and an educational component for classical music organisations. Over the past decade, new models such as El Sistema, Teaching Artistry, Creative Learning and many others have expanded dramatically, making a difference around the world. In this session, innovators will get together and discuss some of the opportunities, difficulties and challenges facing classical music education today and in the future. Topics will include global updates, good practice and more.

Jury Selected

Earning Money with Your MusicThe benefits offered to composers by collective management societies

Chaired by Gernot Graninger (Austria)Chief executive, AKM

with Astrid Koblanck (Austria)Managing director, Universal Edition

Collective management societies have always played a key role in helping composers to earn money with their music. From licensing to royalty payments, this session will reveal how the system of collective management works. It will also explore the role of such societies as promoters of cultural diversity. Online use of musical works has increased rapidly over the past decade, broadening the way we consume music beyond traditional live performances and broadcasting. This has created new challenges for collective management societies, posing questions about how they should respond to best serve the community of composers. The forthcoming Collective Rights Management Directive sets out a legal framework for the cross-border licensing of online use of musical works. Will the directive help the European online music market to prosper to the benefit of all European composers?

Thursday 14:00 – 14:45Session 9 : Conference Room 2Network Meeting

A Strong Global NetworkAn introduction to IAMIC’s future projects and plans

Co-ordinated by Susanna Eastburn (UK)President, IAMIC

A networking session for organisations interested in collaborating internationally to develop the market for music. In this session, the International Association of Music Information Centres (IAMIC) will introduce its future ambitions and breadth of membership. The organisation’s aims include facilitating exchanges and new development initiatives between members and with other cultural partners. As a network, IAMIC can help organisations access information, materials and products from beyond their own borders, and support and facilitate the promotion and export of music worldwide. A key part of the network’s activities is also to encourage the exchange of ideas, expertise and skills. IAMIC will use this session to share some of the ways the network operates, and to give other organisations the chance meet like-minded groups interested in international collaboration.

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Thursday 16:00 – 16:45Session 12 : Lecture HallPresentation/Discussion

NEXT:Generation Artists Who will they be and how will we find them?

Chaired by Susanne Barthelmes (Germany/UK)General manager, Menuhin Competition

with Uffe Savery (Denmark)Chief executive and artistic director, Copenhagen PhilChristiaan Kuyvenhoven (The Netherlands)Pianist, presenter and producer, Certo Productions

Classical:NEXT is one of many outlets for exceptionally talented young artists vying for their big break into a lucrative and fulfilling international career. It is a tough place to be and luck, talent, determination, innovation and nerves all play a role in deciding who makes it and who doesn’t. There are numerous initiatives to promote, train and support the next generation of musicians but are they in tune with the demands of a rapidly changing music industry? How do we identify musicians with star qualities? Are competitions still relevant and how are they adapting? What is our collective responsibility towards these young artists and towards our audiences? On the panel alongside competition specialist Susanne Barthelmes will be Uffe Savery, chief executive and artistic director of the Copenhagen Phil, and Christiaan Kuyvenhoven, a young Dutch pianist with a thriving career.

Jury Selected

Thursday 15:00 – 15:45Session 10 : Lecture HallDiscussion

Thursday 15:00 – 16:00Session 11 : Conference Room 1World Café

Classical Subscription: the Future or the Enemy?Does the streaming/subscription model work for classical music?

Chaired by Chris O’Reilly (UK)Managing director, Presto Classical

with Christopher Widauer (Austria)Head of digital development, Vienna State OperaSteve Long (UK)Managing director, Signum RecordsJared Sacks (The Netherlands)Director, Channel Classics

Subscription and streaming services have quickly become a vital part of the wider music industry. For classical music these business models pose perhaps unique challenges, which are not always the same as with other genres of music. At the same time, orchestras and opera companies have embraced streaming, and live music now competes in the home for the same consumer’s monthly entertainment spend.This session asks what’s working and what’s not working in the current set up, where it is all leading, and what needs to change to ensure a healthy future for all. Can all music (regardless of length and who the performers are) really all have the same value? Does sound quality matter any more? Will studio recordings remain financially viable? How urgently do Smart TVs need a common standard? There are no shortage of questions but unfortunately not many easy answers.

Jury Selected

All in the Same Boat?Music education and the value chain of classical music

Moderated by Andrea Thilo (Germany)Journalist and facilitator

with Kai-Michael Hartig (Germany)Head of culture department, Körber Foundation Hamburg

How can concert promoters, artist managers, concert halls, radio stations and publishers work more closely together in order to foster a thriving classical music scene and lobby against financial cuts in education and culture? If music education is seen as an investment, how can it be thought through and set up as a successful business model?

Presented by Körber-Stiftung

Thursday 16:30 – 17:00off C:N Presentation : Conference Room 1Presentation

Sinfini Music: Making Classical Music DigitalFrom concept to reality: a new digital platform for classical music

Presented by Tina Poyser (UK)General manager, Sinfini Music

Sinfini Music is an online classical music destination for new and existing audiences, making music come alive through features, filmed sessions, animations, interviews and comic strips. Launched in November 2012 and funded by Universal Music, Sinfini Music is editorially independent, covering music and releases from all record labels, artists and venues. Label owners, artist managers, orchestra executives, festival organisers, writers and performers are all invited to attend this session to discover a new and exciting platform for classical music, learn how they can benefit and get involved and explore the most effective ways to reach new audiences for classical music.

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Friday 11:00 – 11:45Session 14 : Conference Room 1Presentation/Debate

Creating Value for the Classical Recorded Music IndustryThe Qobuz tools, projects, new features and international openings

Presented by Yves Riesel (France)President and founder, Qobuz

It is unusual in our business to have classical music serve as the template for other genres but Yves Riesel and the founding team of Qobuz come from classical. In 2003, wanting to explore the transition to online music – and pessimistic about mainstream players responding effectively – they sought, through Qobuz, to build a dedicated service where sound quality, clear indexing, recommendations and quality documentation were paramount. During this process, they expanded their offering to include all other genres, giving the company greater stability and an international reach. In this presentation, Yves Riesel and Sébastien Alexandre (Head of Business and Legal Affairs) will present the innovations and solutions that Qobuz will be unveiling over the coming months that will enable classical labels and artists to further increase the value of their work and content of their customers.

Who’s Listening?Reach, relevance and re-invention

Presented by Mark Pemberton (UK)Director, Association of British Orchestras

with Claire Mera-Nelson (UK)Director of Music, Trinity Laban Conservatoire of Music and Dance

So often, we talk about the importance of our art form and how great our artists and ensembles are. But have we ever asked the audience and the public what they actually think? Do we take them – and their money – for granted? Do we need to get better at arguing our public value? And if it is true that audiences are getting older and smaller, what new audience engagement strategies are needed to reignite the general public’s interest in classical music? Breaking away from the usual panel format and drawing on existing data and case studies on audience engagement, Mark Pemberton of the Association of British Orchestras and Dr Claire Mera-Nelson of Trinity Laban will lead a provocative debate on the challenges and solutions.

Jury Selected

Friday 11:00 – 11:45Session 13 : Lecture HallPresentation

Catalist Brasil: A Transformative Vision of the FutureHow can classical music play a significant role in the 21st century?

Presented by Cristina Becker (Germany/Brazil)International entrepreneur, curator and expert in arts management

with Heloisa Fischer (Brazil)Founder, VivaMúsica!Leandro Carvalho (Brazil)Founder and artistic director, Mato Grosso State OrchestraDavid Chew (UK/Brazil)Founder and music director, Rio Cello

Brazil has emerged as a major economic power, building strong links across the world and defining its future global relations. It is essential that the mutual benefits flowing between Brazil and other countries also extend to its cultural players in the coming years. In the future, Brazil will be recognised for its high-profile cultural agenda, which aims to improve quality of life, reward excellence and champion the future of creative businesses. This country presentation will introduce some of the country’s top international classical music specialists and explain their relevant contributions to the sector. The speakers will reveal how Brazil aims to establish sustainable global connections and how much it can contribute to the development of a new generation of creative leaders worldwide in the 21st

century.

Friday 11:00 – 11:45Session 15 : Conference Room 2Presentation

The New CreativityWhy staring thoughtfully out of the window is business-vital

Chaired by James Inverne (UK)Managing director, Inverne Price Music Consultancy

with Eric Fraad (Ireland)Director, Heresy Records

Having now been on both sides of the music industry, as journalist and as manager/PR, James Inverne has a unique view of the way the classical music industry must now interact with its customers, both on and offline. Old norms are breaking down in many places, what were once the laws of survival are crumbling and need to be reimagined. In this session, he and Eric Fraad, the innovative Director of Heresy Records (and former colleague of Andy Warhol) will reveal why getting this process right is crucial to the industry’s survival. At a time when creativity is under threat, he believes his theory of “the new creativity” is more vital to our businesses than ever. And yes, it all comes down to staring out of the window.

Jury Selected

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Friday 12:00 – 12:45Session 17 : Conference Room 1Network Meeting

Friday 12:00 – 12:45Session 18 : Conference Room 2Tech Express

Panorama Brazil Connect to the Brazilian classical music scene

Co-ordinated by Thiago Cury (Brazil) Director, ÁguaForte, Strange Music Festival

The session is focused on connecting to Brazil’s classical market. The structure proposes to make use of the idea of traditional pitching, and invert it. In the first section, a selection of relevant cultural agents, such as institutions, orchestras, festivals and classical producers will present their bases and interests. Participants: Carlos Prazeres (Artistic director, Orquestra Sinfônica da Bahia)Claudio Dauelsberg (Special projects director, Dell’Arte Soluçoes Culturais)David McLoughlin (Trade developing manager, Brazil Music Exchange – Brasil Música e Artes )Marcelo Lopes (Executive director, Orquestra Sinfônica do Estado de Sao Paulo)

The Music Animation MachineA GPS for music

Presented by Etienne Abelin (Switzerland)Founder, classYcaland Brendan Walsh (UK/The Netherlands)Founder, BRENDING

With the Music Animation Machine digital score tool, music is represented in patterns that can be seen before they are heard. This technology has received more than 100 million views on YouTube and has been the subject of two TEDx Talks.www.etienneabelin.com

Jury Selected

Hello StageThe first online platform for classical musicians

Presented by Bernhard Kerres (Austria)Chief executive, Hello Stage

Hello Stage was founded in 2013 to enable professionals working in the classical music community to connect, furthering global access and visibility. For more information see: www.hellostage.com.

Friday 12:00 – 12:45Session 16 : Lecture HallDiscussion

What’s Next for Composers?With boundaries loosening, will sounds and practice radically change?

Chaired by Peter Wiegold (UK)Director, Institute of Composing

with Richard Barrett (UK/Germany)ComposerElisabeth Harnik (Austria)Composer, pianist

Classical music has always been driven by composers, and in this session we ask three composers to envision the future. We will ask about the specifics (what will the next harmonies, rhythms and forms be like?) but also about practice – will there be more collaboration and new ensembles? Will art form boundaries melt and will new media radically change practice? How do they envision the future of the profession generally? The composers will share their imaginative and provocative views on arts policy, funding and organisational structures. The panel will be: Richard Barrett, who combines complex scores with improvisation and electronics; Elisabeth Harnik, a freelance composer and pianist based in Austria; and Peter Wiegold, who includes improvisation and has often worked cross-culturally.

Jury Selected

Friday 13:00 – 14:00Session 19 : Conference Room 1Presentation

Using Data to Understand AudiencesInsights into data-driven audience development

Presented by Susanna Eastburn (UK)Chief executive, Sound and Music

with Nick Sherrard (UK)Head of development, digital and communications, Sound and Music

There is no shortage of imaginative ideas when it comes to developing audiences for classical music: presentation and communication initiatives; themed programming; artistic collaborations. What artists and arts organisations really need to know is what approach will work for best them. Digital technology has opened up the potential for incredible sophistication in data analysis and insight. ‘Big data’ techniques can bring you invaluable information about your audiences, whether you are a solo artist, independent producer or larger arts organisation. This session will reveal how we can share, analyse and build on knowledge that we can then apply and further test in different international contexts.

Jury Selected

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as chosen by our expert critics, including:as chosen by our expert critics, including:as chosen by our expert critics, including:as chosen by our expert critics, including:as chosen by our expert critics, including:as chosen by our expert critics, including:as chosen by our expert critics, including:as chosen by our expert critics, including:as chosen by our expert critics, including:as chosen by our expert critics, including:as chosen by our expert critics, including:as chosen by our expert critics, including:as chosen by our expert critics, including:as chosen by our expert critics, including:as chosen by our expert critics, including:as chosen by our expert critics, including:as chosen by our expert critics, including:as chosen by our expert critics, including:Sir John Eliot GardinerSir John Eliot GardinerSir John Eliot GardinerSir John Eliot GardinerSir John Eliot GardinerSir John Eliot GardinerSir John Eliot GardinerSir John Eliot GardinerSir John Eliot GardinerSir John Eliot GardinerSir John Eliot GardinerSir John Eliot GardinerSir John Eliot GardinerSir John Eliot GardinerSir John Eliot GardinerSir John Eliot GardinerSir John Eliot GardinerSir John Eliot GardinerSir John Eliot GardinerSir John Eliot GardinerPatricia KopatchinskajaPatricia KopatchinskajaPatricia KopatchinskajaPatricia KopatchinskajaPatricia KopatchinskajaPatricia KopatchinskajaPatricia KopatchinskajaPatricia KopatchinskajaPatricia KopatchinskajaPatricia KopatchinskajaPatricia KopatchinskajaPatricia KopatchinskajaPatricia KopatchinskajaPatricia KopatchinskajaPatricia KopatchinskajaPatricia KopatchinskajaPatricia KopatchinskajaPatricia KopatchinskajaPatricia KopatchinskajaPatricia KopatchinskajaPatricia KopatchinskajaPatricia KopatchinskajaPatricia KopatchinskajaPatricia KopatchinskajaPatricia KopatchinskajaPatricia KopatchinskajaJonas KaufmannJonas KaufmannJonas KaufmannJonas KaufmannJonas KaufmannJonas KaufmannJonas KaufmannJonas KaufmannJonas KaufmannJonas KaufmannJonas KaufmannJonas KaufmannJonas KaufmannJonas Kaufmann’s powerful Wagner’s powerful Wagner’s powerful Wagner’s powerful Wagner’s powerful Wagner’s powerful Wagner’s powerful Wagner’s powerful WagnerSir Mark ElderSir Mark ElderSir Mark ElderSir Mark ElderSir Mark ElderSir Mark ElderSir Mark ElderSir Mark ElderSir Mark ElderSir Mark ElderSir Mark ElderSir Mark ElderSir Mark Elder’s epic Elgar’s epic Elgar’s epic Elgar’s epic Elgar’s epic Elgar’s epic Elgar’s epic Elgar’s epic Elgar’s epic Elgar’s epic Elgar’s epic Elgar’s epic Elgar

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• Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Celebrating the guitar’s great champion, • Who did you vote • Who did you vote • Who did you vote • Who did you vote • Who did you vote • Who did you vote • Who did you vote • Who did you vote • Who did you vote • Who did you vote • Who did you vote • Who did you vote • Who did you vote • Who did you vote • Who did you vote Artist of the YearArtist of the YearArtist of the YearArtist of the YearArtist of the YearArtist of the YearArtist of the YearArtist of the YearArtist of the YearArtist of the YearArtist of the Year Terms and conditions: Overseas rates are available on +44 (0)1722 716997. Visit

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Friday 15:00 – 15:45Session 21 : Conference Room 1Network Meeting

Friday 16:00 – 16:45Session 22 : Lecture HallDebate

Future of the OrchestraThe survival of a very special landscape

Co-ordinated by Andreas Richter (Germany)Arts consultant

This session will explore the future of orchestras in Europe in light of public spending cuts. The discussion will cover areas including the possibility of increased touring and changing audience expectations of what an orchestra should be. Which orchestras are best prepared for the upcoming changes – private or state funded? Which funding structures are able to make orchestras flexible and safe at the same time? What expectations do young musicians have about their future in an orchestra? All these questions will be put to orchestra managers, musicians, promoters, festival leaders and other industry experts in an open discussion.

Jury Selected

Tragedy or Chance?Older audiences in classical concerts

Chaired by Carsten Dürer (Germany)Publisher and chief editor, STACCATO-Verlag

with John Gilhooly (Ireland/UK)Director, Wigmore HallMatthias Naske (Austria)Chief executive, Vienna Konzerthaus

Promoters of classical concerts spend a lot of time complaining about the structure of their audiences and bemoaning the fact that young people are not attending their concerts. The same questions are being asked in almost every field of classical music. But shouldn’t we also focus on trying to earn money from the audiences we already have by offering concerts that are specially tailored towards older people? Advertisements for so-called “mass products” already see older, wealthier people as their main customers. They can afford certain offers that other demographics can’t, because they belong to a group of people who have money to spend. What should special offers for older audiences look like? This is also a big opportunity for record labels and other organisations working in classical music.

Jury Selected

Friday 15:00 – 15:45Session 20 : Lecture HallDiscussion

Doing it YourselfWhen traditional record company models no longer work, what next?

Moderated by James Jolly (UK)Editor in chief, Gramophone

with Marc Tritschler (Germany)Chairman of the board, TestklangGabriel Prokofiev (UK)Director, NonclassicalJohn Anderson (US/Italy)General manager, Odradek Records

Three dynamic and entrepreneurial musicians discuss the processes involved in challenging the traditional recording model. They will discuss topics including peer review-led A&R decision-making, co-operative funding, the recording environment and philosophy, and working with partners to get the message across. John Anderson of Odradek Records, Gabriel Prokofiev of Nonclassical and Marc Tritschler of the record co-operative Testklang join Gramophone magazine’s James Jolly to explore alternative ways of connecting recordings with audiences.

Jury Selected

Friday 16:00 – 16:30off C:N Presentation : Conference Room 1Presentation

MeloMe The first streaming platform exclusively devoted to classics and jazz

Presented by Ginny Cooper (UK) Head of sales and marketing , New Arts International MeloMe fuses Spotify, Youtube, and iTunes functionalities in a streaming tool designed for the classical music and jazz enthusiast. The core of MeloMe is a database of downloadable performances of classical and jazz tunes, stored in high resolution formats and linked to various types of accessible background (liner notes, reviews, alerts to upcoming live performances).The main asset of MeloMe, however, is a search engine which extracts a consumer profile on the basis of your previous downloads and which uses these profiles to propose new music suggestions that lie at the centre or the periphery of your taste – depending on the degree of downloading adventurousness you have previously manifested. Since user profiles in MeloMe are incrementally updated, they are increasingly efficient in predicting something as probable and individual as musical taste.

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Saturday 13:00 – 14:00Closing : Lecture HallSpeech

Dich, Teure Halle!How physical, virtual and corporate structures shape music

Presented by Alan Fletcher (US)President and chief executive, Aspen Music Festival and School

The buildings in which we present concerts have a powerful effect on the nature of the concert experience and on the organisations that perform in them. Some arts organisations are even named after the spaces they perform in. Presenting classical repertoire in innovative spaces encourages us to form new ideas about how we listen and what we are listening to. New media and interactive formats expand the possibilities for how we prepare to experience music, the experience itself and what follows the experience. But the governance of our organisations – their corporate structures and missions, which are also a kind of edifice – can still be quite prescriptive and predictable. This talk will explore what is working, what ought to work and what is perhaps not working as the classical tradition does what it has always done: adapts.

Saturday 11:00 – 11:45Session 23 : Conference Room 1Presentation

Classical Music is DeadLong live classical music!

Presented by Brendan Walsh (UK/The Netherlands)Founder, BRENDING

Generation Y musicians are rebelling: not against classical music, but for it. In the past year, an attractive variety of classical music events have been set up by young people. In this session, Brendan Walsh will explain the philosophy behind events such as the Classical Music Rave, Rheingold on the Rhine, indie classical club nights, operatic dance events and classical concerts with DJs. Such events are attracting substantial groups of young audience members who love the idea of classical music. Who are they and why do we not see them in concert halls? Step one in acquiring an audience is getting to know them. Step two is seduction. Step three is relationship building. The question is: will they move in with you, or will you move in with them?

Jury Selected

Ivan Ilic (Serbia/US/France)Pianist | www.ivancdg.com

Help Is Out There – Find It and Use It!Ivan Ilic hires virtual assistants all over the world so he can delegate the work he doesn’t have time for. Translations? Publicity? Invoices? Social media? Online research? All of this can be done by virtual assistants around the world. Their salaries are tiny; the impact is incredible.© Jean-Marie Laugery

Stefan Piendl (Germany)Managing director, ARION ARTS | www.arion-arts.com Creating Your Own Label: Pros and ConsThe decision to establish your own label can only be made after various factors have been analysed. During this mentoring session, the basic requirements will be discussed by Stefan Piendl, who will draw on his longstanding experience as a consultant to orchestras’ own labels.© Bianca Claße

Anna Kleeblatt (Germany)Consultant, Kleeblatt-Culture. Marketing, Sales & Service

Modern Database Marketing: How to Use Your DatabaseThis session will offer delegates the opportunity to discuss individual questions on modern database marketing and how to create successful audience development strategies.

© I. Theis

One-to-One Mentoring

Thursday 14:00 – 15:30 : MAK Lounge

Take advantage of a private 15-minute consultation free of charge with any of our special mentors from various fields and occupations. If you haven’t signed up, stop by to see if there are still slots available or to be put on the waiting list.

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Roundtable Mentoring

Friday 14:00 – 14:30 : MAK Lounge

Receive personalised advice from specialists from various fields and occupations. Each expert will lead a 30-minute roundtable mentoring session with max. 5 participants. If you haven’t signed up, stop by to see if there are still slots available or to be put on the waiting list.

Davo van Peursen (The Netherlands)Managing director, Donemus www.donemus.nl

Magnus Still (Finland)Project manager, StillArt www.stillart.eu

© Davo van Peursen © Richard Emeléus

Mariana Chew (UK/Brazil)Producer and curator, Rio Cello www.riocello.com

© M

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© Stella Morais

Carolina Chew (Brazil/UK)Producer and curator, Rio Cello www.riocello.com

Realising Social Change Projects for Children in Underprivileged CommunitiesUsing their own experience working with children from unprivileged parts of Rio, (our mentors) will show participants how to fund and maintain such arts projects under difficult conditions. Topics will include: festival planning; budget planning; fundraising; team work; platform; classical music; community art; and discussion. Participants are invited to ask for advice and tips as well as compare and contrast their own experiences.

ANGÈLE DUBEAU BLANC

KARIN KEI NAGANOMOZART: PIANOS CONCERTOS

Recently ReleasedVALERIE MILOT & LES VIOLONS DU ROY / MOZART - HANDEL - BOIELDIEU: HARP CONCERTOS

ENSEMBLE CAPRICE / ADAGIO

JULIE BOULIANNE / HANDEL & PORPORA: THE LONDON YEARS

HÉLÈNE GUILMETTE / L'HEURE ROSE

Recently #1 on the classical music sales chart in Canada

The largest classical music label in Canada

A New Platform to Link Commissioners to ComposersHow can we connect private markets to composers? How can we bring the concept of personalised art into the domain of music? Donemus has developed a new platform where anyone can find a composer and invite them to write a composition. The service is used by people who want music for an important moment in their life, such as a wedding, party or funeral. Composers can build profiles on the Donemus website and upload samples. Customers can also connect with performers to bring the music alive.

Growing Subscribers by 100 Per Cent and MoreWith its Subscription Builder service, StillArt has helped several European orchestras to significantly grow their subscribers. These include the Bergen Philharmonic Orchestra (96 per cent) and Gävle Symphony Orchestra (400 per cent). The service has also helped the Gothenburg Symphony Orchestra to reach 90 per cent capacity and made concerts in the Master Pianists series some of the best-attended events in the Amsterdam Concertgebouw. Attend this session to learn more about these examples.

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Etienne Abelin (Switzerland)

www.etienneabelin.com© Gil Selinger

Etienne Abelin is a violinist, conductor and founder of classYcal, a start-up dedicated to innovations in classical music including the Ynight club nights. He is a member of the Lucerne Festival Orchestra and the Orchestra Mozart Bologna and has also worked as a music curator at the Festspielhaus St Pölten in Austria.Speaker > Conference/Session 18

John Anderson (US/Italy)

www.odradek-records.com© Leonardo Onetti Muda

John Anderson is the founder of Odradek Records. He graduated from Oxford University in 2004 with a First in music. He also has two Master’s performance diplomas from the Music Academy of Pescara, where he studied with Bruno Mezzena, a former pupil of Michelangeli. He specialises in 20th-century piano repertoire.Speaker > Conference/Session 20

David Baile (Canada/US)

www.ispa.org

David Baile is chief executive of the International Society for the Performing Arts (ISPA), based in New York. ISPA is an international network of more than 400 leaders in the performing arts from 50 countries. Prior to joining ISPA in 2007, Baile enjoyed a 20-year career in the arts in both management and consulting roles. Speaker > Conference/Closing

Richard Barrett (UK/Germany) www.richardbarrettmusic.com

© Ute Wassermann

Born in 1959 in Swansea, Richard Barrett is internationally active as a composer and performer. He studied composition principally with Peter Wiegold and teaches at the Institute of Sonology in The Hague.Speaker > Conference/Session 16

Susanne Barthelmes (Germany/UK)

www.menuhincompetition.org© Roger Wilson

Susanne Barthelmes is a freelance arts manager and consultant. She is a specialist in international music competitions, having worked with the Hannover International Violin Competition, the Vendome Prize and the Yehudi Menuhin International Violin Competition, which she has managed since 2002.Speaker > Conference/Session 12

David Chew (UK/Brazil)

www.riocello.com www.davidchew.com.br© André Pinnola

In 2009, David Chew was awarded an Order of the British Empire (OBE) for his services to music in Brazil. He is principal cellist with the Brazilian Symphony Orchestra and music director of the Rio International Cello Encounter. He is also the founder of O Music, an NGO to help bring music to underprivileged communities.Speaker > Conference/Session 13

Mariana Chew (UK/Brazil)

www.riocello.com© Maíra Levier

Graduated in Arts and Management in Brazil. Executive Producer, fundraiser and administrator of Socio-Cultural Projects. A professional dancer, she also studied piano and cello. Mariana is currently Curator of Cello Dance, Director of Production of Rio International Cello Encounter-FREE Music Festival and teaches children in communities in Rio.Mentor > Conference/Roundtable Mentoring

Ginny Cooper(UK)

Ginny Cooper is head of sales and marketing of New Arts International UK. She is vice-chair of the BPI Classical Committee based in the UK and is a respected and well-known figure within the classical music industry. She has also worked for EMI Records and Chandos Records and was managing director of Codaex UK Ltd. Speaker > Conference/off C:N Presentation

Cristina Becker (Germany/Brazil)

www.atosdefala.com© Vânia Laranjeira

Cristina Becker is an international expert in strategic partnerships, policy making, effective management and business across the arts and creative industries in Brazil, the UK and other countries. She has a wealth of experience of networking, relationship building and engendering trust among key leaders in the sector.Speaker > Conference/Session 13

Leandro Carvalho (Brazil)

www.orquestra.mt.gov.br© Protasio Moraes

Known for his vitality and unique approach to a wide variety of repertoire, Leandro Carvalho has become one of the most prominent conductors in South America. Currently a conducting fellow with the Philadelphia Orchestra, he is also the founder and artistic director of the Mato Grosso State Orchestra. Speaker > Conference/Session 13

Carolina Chew(Brazil/UK)

www.riocello.com© Stella Morais

Carolina Chew works with the cultural scene in communities around Brazil and UK. Her aim is to use art as a tool for social change and engagement. Carolina has achieved a Master’s degree in Curating Contemporary Design. ’Cello Tintas (Paint)’ is her latest project as part of Rio Cello Festival.Mentor > Conference/Roundtable Mentoring

Biographies A – Z

Including keynote, mentors, conference and closing speakers

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Thiago Cury (Brazil)

www.aguaforte.org www.thiagocury.com© Julio Kohl

Thiago Cury is a Brazilian arts manager, producer, composer and pianist who works across many art forms. In 2005, he founded Água-Forte, a record label and publishing company that also produces concerts. He has also worked as a consultant for the Brazilian Ministry of Culture and as director of the Music Center of Funarte. Speaker > Conference/Session 17

Carsten Dürer (Germany)

www.pianonews.de www.ensemble-magazin.de© Yoko Tsunekawa

Carsten Dürer founded his own publishing house, STACCATO-Verlag, in 1996. He is editor in chief of the magazines PIANONews and ENSEMBLE. He is also on the jury of the Echo Klassik Awards, and is a board member of the Anton Rubinstein International Academy in Düsseldorf and the European Chamber Music Teachers’ Association.Speaker > Conference/Session 22

Susanna Eastburn (UK)

www.soundandmusic.org© SoundandMusic/Rleahair

Susanna Eastburn is chief executive of Sound and Music. She has also previously worked as director of music at Arts Council England and artistic director of the Huddersfield Contemporary Music Festival. In September 2013, she was elected president of the International Association of Music Information Centres.Speaker> Conference/Session 9 & 19

Alan Fletcher (US)

www.aspenmusicfestival.com© Lynn Goldsmith

Alan Fletcher is president and chief executive of the Aspen Music Festival and School in the US. He has previously held leadership positions at the music school at Carnegie Mellon University and the New England Conservatory. He is also an accomplished composer, lecturer and writer on both music and music administration. Speaker > Conference/Closing

Heloisa Fischer (Brazil)

www.vivamusica.com.br© Leonardo Aversa

Heloisa Fischer is a Brazilian entrepreneur devoted to classical music. In 1994 she founded VivaMúsica!, which produces digital and printed content including the directory Anuário VivaMúsica!. She also hosts a five-minute radio programme that is aired nationwide. Her focus now is on new audiences.Speaker > Conference/Session 13

Eric Fraad(Ireland)

www.heresyrecords.com© Winifried Dulisch

Eric Fraad is a director, producer, cultural entrepreneur and the founder of Heresy Records. He was born in New York City and lives in Ireland. His productions of opera and theatre have caused a stir at festivals and theatres in Europe and the US. He holds an MBA from Columbia Business School.Speaker > Conference/Session 15

Christopher Gruits (US)

www.interlochen.org© Bernard Hallstein

Christopher Gruits is executive director of Interlochen Presents at the Interlochen Center for the Arts. He was previously Carnegie Hall’s first director of e-strategy and was responsible for the ‘digital composer in residence’ competition run by the website Dilettante Music. He has also has worked with the Seattle Symphony.Speaker > Conference/Session 6

Corine Haitjema (The Netherlands)

www.24classics.com© Eline Hensen

Corine Haitjema studied musicology and digital marketing. After working as head of the classical music department at AVRO Television, she started her own company, producing classical music TV programmes and concerts. In May 2013 she started 24classics.com, a classical music streaming website.Speaker > Conference/Session 5

Thomas Hampson (US)

www.thomashampson.com© Kristin Hoebermann

Thomas Hampson is an opera singer and recording artist with an active interest in research, education outreach and technology. He is the founder of the Song of America project, a collaboration with the Library of Congress, and also promotes intercultural dialogue and understanding through the Hampsong Foundation.Keynote Speaker > Conference/Opening

John Gilhooly (Ireland/UK)

www.wigmore-hall.org.uk© Ben Ealovega

John Gilhooly OBE joined Wigmore Hall as executive director in December 2000 and was appointed overall director in 2005. During his tenure, he has transformed the hall’s artistic, financial and administrative affairs. He is also chairman of the Royal Philharmonic Society and led the society’s bicentenary celebrations in 2013.Speaker > Conference/Session 22

Wolfgang A. Graf (Austria)www.grafmoser.comwww.kulturplanner.com www.ticketgretchen.com© Lukas Beck

Wolfgang Graf is chief executive and founder of Graf Moser. His company develops IT-based tools to assist cultural companies increase their income and use their resources more efficiently. Their products include the business intelligence and data analytics tool Kulturplanner, which helps organisations with budgeting, reporting and forecasting.Speaker > Conference/Session 5

Gernot Graninger (Austria)

www.akm.at© AKM

Born in 1963 in Salzburg, Gernot Graninger studied law and history of art before gaining an MBA from Webster University. Since 2006 he has been chief executive of AKM, the Austrian management society for authors, composers and music publishers. He is also member of ALAI Austria and the International Commission of Jurists.Speaker > Conference/Session 8

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Elisabeth Harnik (Austria)

www.elisabeth-harnik.at© Beba Fink

Elisabeth Harnik is a composer and pianist who studied classical piano and composition at the University of Music and Performing Arts in Graz, Austria. Her compositions are performed regularly at concerts of contemporary music and she has appeared as a pianist at national and international festivals of improvised music. Speaker > Conference/Session 16

Kai-Michael Hartig (Germany)

www.koerber-stiftung.de© Christina Körte

Kai-Michael Hartig trained as a classical pianist before going on to study arts management. He has worked in arts sponsorship, cultural politics and European cultural affairs. He is now head of the culture department at the Körber Foundation Hamburg, where he has helped to develop new cultural and educational activities. Speaker > Conference/Session 11

Sean Hickey (US)

www.seanhickey.com© Karen Wise

With over 20 years experience in the record business, Sean Hickey is the vice-president of Naxos of America, the world’s largest distributor of classical music. He is also an award-winning composer whose works have been performed throughout the world. His most recent disc of concertos was released on Delos in 2013.Speaker > Conference/Session 2

Reiri Kojima (Japan)

© Motoco Nishida

Reiri Kojima is a Tokyo-based arts management and cultural policy expert, performing arts interpreter, independent consultant and producer. She holds PhD from Tokyo University of the Arts and now specialises in music education and education programmes for performing arts organisations, and entrepreneurship in the arts. Speaker > Conference/Session 7

Christiaan Kuyvenhoven (The Netherlands)

www.christiaankuyvenhoven.com© Allard Willemse

Christiaan Kuyvenhoven is a pianist, presenter and producer. In 2005 he won the third prize at the International Franz Liszt Piano Competition in Utrecht. He regularly presents and produces TV and radio programmes. In 2013, he released his CD Liszt and the Great Italians and premiered his theatre production Cosima. Speaker > Conference/Session 12

Steve Long (UK)

www.signumrecords.com© Johnny Greig

Having been an amateur musician from an early age, Steve Long studied economics at university. He is now responsible for the running of Signum Records and Floating Earth, a music recording and production company based in West London. Speaker > Conference/Session 10

Ivan Ilic (Serbia/US/France)

www.ivancdg.com© Jean-Marie Laugery

Ivan Ilic is a Serbian-American pianist. His latest CD, of Chopin Studies by Godowsky, was described as “breathtaking” by BBC Radio 3 and was a Top 5 CD of The Daily Telegraph, German radio station MDR Figaro and French website Classique News. He organises his career with the help of a team of virtual assistants.Mentor > One-to-One Mentoring

James Inverne (UK)

www.inverneprice.com© Haymarket Media Group

The former editor of Gramophone magazine, James Inverne has also worked as an arts writer for Time magazine, the Wall Street Journal and many other publications. He now lends his expertise to leading institutions and artists, from Lang Lang to the Aspen Music Festival.Speaker > Conference/Session 15

James Jolly (UK)

www.gramophone.co.uk© Lucie Carlier

James Jolly was editor of Gramophone magazine for 15 years and is now editor in chief. He is also a regular voice on BBC Radio 3, where he hosts the Sunday Morning programme. He makes regular podcasts and artist videos, hosts conference sessions and frequently comments on new media. Speaker > Conference/Session 20

Bernhard Kerres(Austria)

www.hellostage.com© U-Shin Kim

Bernhard Kerres started his career as an opera singer before gaining an MBA from the London Business School. He then spent five years working as a consultant for Booz & Company before going on to lead various technology companies in Europe. He was chief executive of the Vienna Konzerthaus for six years before leaving in 2013.Speaker > Conference/Session 18

Anna Kleeblatt (Germany)

www.kulturplanner.com© I. Theis

Anna Kleeblatt studied business administration and has worked for the Bayreuther Festspiele and Ludwig Musical. From 2006 to 2012 she was head of sales and marketing at the Bavarian State Opera. Since 2013 she has been an independent consultant for cultural institutions specialising in marketing, sales and customer service.Speaker > Conference/Session 5Mentor > One-to-One Mentoring

Astrid Koblanck (Austria)

© Aleksandra Pawloff

Astrid Koblanck has a background in law and worked for several years as assistant to the managing director of Literar-Mechana. She joined Universal Edition in 1996 and has been managing director since 2004.Speaker > Conference/Session 8

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Claire Mera-Nelson (UK)

www.trinitylaban.ac.uk© Colin Crisford

As Director of Music at Trinity Laban Conservatoire of Music and Dance, Dr Claire Mera-Nelson is responsible for 600 higher education students and 350 junior musicians. She also oversees access, learning and professional development opportunities in music for thousands of people across London and South East England.Speaker > Conference/Session 14

Matthias Naske (Austria)

www.konzerthaus.at© Sébastian Grébille

Matthias Naske is chief executive of the Vienna Konzerthaus. He has previously worked at the Gustav Mahler Youth Orchestra, Camerata Academica Salzburg, Jeunesses Musicales Austria and the Philharmonie Luxembourg. He is also a founding member of Écouter pour Mieux s’Entendre (EME), which funds innovative music projects.Speaker > Conference/Session 22

William Norris (UK)

www.oae.co.uk© Megan Russell

William Norris is communications and creative programming director at the Orchestra of the Age of Enlightenment, where he was involved with the development of The Night Shift. He recently completed the Devos Fellowship at the Kennedy Center in Washington DC and is a 2014 Fellow of the International Society of Performing Arts.Speaker > Conference/Session 3

Tina Poyser (UK)

www.sinfinimusic.com© Sinfini Music

Tina Poyser was appointed general manager of Sinfini Music in 2012. She joined Universal Music Group in 1998, initially setting up the company’s global intranet system and later specialising in electronic customer relationship management. She previously worked for the International Federation of Phonographic Industry.Speaker > Conference/ off C:N Presentation

Gabriel Prokofiev (UK)

www.nonclassical.co.uk© Alicia Clarke

Gabriel Prokofiev is a London-based composer, producer, DJ and founder of the Nonclassical record label and club night. Composing music that both embraces and challenges western classical traditions, he has emerged at the forefront of a new approach to classical music in the UK at the beginning of the 21st century.Speaker > Conference/Session 20

Davo van Peursen (The Netherlands)

www.donemus.nl© Davo van Peursen

Davo van Peursen is managing director of Donemus, a Dutch publishing house that has published more than 11,000 contemporary classical compositions. He has led the company’s transition to more advanced methods of publishing, preparing it for a digital future where composers, commissioners and performers are closely linked. Mentor > Roundtable Mentoring

Chris O’Reilly (UK)

www.prestoclassical.co.uk© Dave Perry

Chris O’Reilly is managing director of Presto Classical. After studying cello and conducting, he joined Presto Classical in 2001. Since then, through a firm understanding of what the consumer wants and innovative and imaginative routes to market, he has built the company into one of the biggest retail websites in the world.Speaker > Conference/Session 10

Moon-Seon Park (South Korea)

www.daewonculture.org© DK LIM

Moon-Seon Park studied economics at Dongguk University in Seoul, South Korea. He has been working in the music industry since 1995 and has held roles with Sony Music Entertainment Korea and Universal Music Korea. Now he is working for Daewon Cultural Foundation as General Manager.Speaker > Conference/Session 1

Franz Patay(Austria)

www.imz.at© Simlinger

Since completing a law degree in 1986, Franz Patay has worked in leadership and management roles in the field of music and media. He is secretary general of the IMZ and head of Konservatorium Wien University. He is also active as a lecturer at universities worldwide and member of the International Music Council.Speaker > Conference/Session 4

David Pay (Canada)

www.musiconmain.ca© Sven Boecker

David Pay is the founding artistic director of Vancouver’s Music on Main, for which he has earned an international reputation as one of today’s leading-edge classical and new music programmers. He is a frequent visiting artist at the Banff Centre and Toronto’s Royal Conservatory and has published numerous essays on music.Speaker > Conference/Session 2

Mark Pemberton (UK)

www.abo.org.uk© Joe Plommer

After graduating from Oxford University, Mark Pemberton worked at the Quicksilver Theatre for Children and the Drama Centre London, as head of development and marketing at Mountview Theatre School and as chief executive of the National Operatic and Dramatic Association. He joined the Association of British Orchestras in 2007.Speaker > Conference/Session 14

Stefan Piendl (Germany)

www.arion-arts.com© Bianca Claße

Stefan Piendl has been working in the music industry for more than two decades and has held international management positions with Sony, EMI and BMG. He established ARION ARTS, a music consultancy company, in 2007. He also lectures on cultural management, moderates expert panels and writes books and articles.Mentor > One-to-One Mentoring

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Andreas Richter(Germany)

© Sonja Werner

Andreas Richter has worked for more than 18 years in leading positions in the orchestral world. He is the former general manager of the Mahler Chamber Orchestra and has also worked as director of the Deutsches Symphonie-Orchester Berlin. He specialises in developing strategies around artistic profile, fundraising and communications.Speaker > Conference/Session 21

Yves Riesel(France)

www.qobuz.com© Jean-Baptiste Millot

Yves Riesel has been a classical music and distribution professional since 1978. He founded Abeille Musique in 1997 and Qobuz in 2008 with Alexander Leforestier. Qobuz offers a high quality music streaming and download service across all genres, throughout Europe and soon, North America. Speaker > Conference/off C:N Presentation

Jared Sacks (The Netherlands)

www.channelclassics.com© Jonas Sacks

Jared Sacks is the director, producer and recording engineer for Channel Classics Records, a quality record label based in Holland. He makes all the recordings himself, including editing and post-production.Speaker > Conference/Session 10

Christopher Widauer(Austria)

© Christopher Widauer

Christopher Widauer studied philosophy before moving into arts management in 1986 as director of the Styriarte Festival in Graz. He is the founder of a puppet theatre for new literature and music. He has also worked for the Vienna Councillor of Cultural Affairs as head of department for performing arts and is now head of digital development at the Vienna State Opera.Speaker > Conference/Session 10

Peter Wiegold(UK)

www.wiegold.co.uk© Maurice Foxall

Peter Wiegold is a composer and conductor. He is also director of the Institute of Composing, the Brunel Institute for Contemporary Middle-Eastern Music and Club Inégales, a performance venue in London. He has recently worked with Royal Scottish National Orchestra, Birmingham Contemporary Music Group and the Composers Ensemble.Speaker > Conference/Session 16

Uffe Savery(Denmark)

www.copenhagenphil.dk© Stine Thomas Larsen

Uffe Savery is chief executive and artistic director of the Copenhagen Phil. He began his career as a founding member of the Safri Duo, a successful classical percussion group which later evolved into a dance and electronica project. He then studied for a Master’s degree in cultural leadership before taking up his current role. Speaker > Conference/Session 12

Nick Sherrard(UK)

www.soundandmusic.org

Nick Sherrard is head of development, digital and communications at Sound and Music. Since 2012, Sound and Music has been working to establish the UK’s first data-driven audience development programme, working with partners across the country to track what works and what doesn’t in growing new audiences for new music. Speaker > Conference/Session 19

Magnus Still(Finland) www.stillart.eu

© Richard Emeléus

Magnus Still is the former chief executive of the Finnish Radio Symphony Orchestra. His company StillArt provides an international team of arts management and marketing mentors who are currently working with clients including the Gothenburg Symphony Orchestra, Master Pianist series in Amsterdam Concertgebouw and Swedish Radio Symphony Orchestra.Mentor > Roundtable Mentoring

Andrea Thilo (Germany)

© Andrea Katheder

Andrea Thilo is a journalist and documentary film producer whose credits include the films Rhythm Is It! and Trip to Asia. She studied communications at the University of Arts in Berlin and now works across the fields of arts and culture, helping institutions to reach out to audiences in new ways.Speaker > Conference/Session 11

Marc Tritschler(Germany)

www.testklang.net© Gela Megrelidze

Marc Tritschler is a pianist, music director and producer. His varied career has included the performance and production of classical and contemporary music, and he has also worked as music director of international music theatre productions. He is a founding member and chairman of the board of the record co-operative Testklang.Speaker > Conference/Session 20

Brendan Walsh (UK/The Netherlands)

www.brending.eu© Merlijn Doomernik

Brendan Walsh is a classical music agitator at the forefront of a cultural revolution. As well as being the founder of strategic marketing agency BRENDING, he is also a cellist, DJ, presenter, conductor and producer of events such as classical raves, operatic club nights and an indie-classical concert series. Speaker > Conference/Session 18 & 23

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Recorded: 2012, UKDirector: Rhys Thomas (UK)Producers: Jim Beach, Rhys Thomas, Joss Crowley (UK) Duration (film): 84’

Produced by: Eagle Vision

Presented by: IMZ International Music + Media Centre in Vienna

www.imz.at> Expo/Exhibitors

Freddie Mercury: The Great Pretender

www.eagle-vision.tv

Thursday 18:00 – 20:00MAK Lecture Hall

Freddie Mercury is one of the most charismatic, complex and fascinating characters ever to have emerged from British rock music. The story of Queen has been told many times, but this new documentary focuses on Freddie and the solo projects he worked on outside of the band. The film uses extensive archive footage of interviews with Freddie, concerts and video shoots. There is also previously unseen personal material, plus new interviews with friends and colleagues. The result is a picture of a man who was very different from his flamboyant stage persona. This portrait reveals the man behind the superstar image.

Rhys Thomas, the director, will be present to answer the audience‘s questions.

2013 Rose d’Or winner2013 International Emmy Award winner

Film Screenings

IMZ Video Library

In addition to the film screenings, Classical:NEXT is proud to present the IMZ Video Library, which features some of the best performing arts films ever made. The library will be open to all Classical:NEXT delegates, offering festival directors, curators and film aficionados alike the chance to sample some real audio-visual gems.

The library’s catalogue comprises the highest-quality examples of films in various genres of classical music, using various different types of audio-visual media. It also offers an overview of the productions and programmes from the extensive IMZ membership base and network.

Visit the IMZ Video Library at stands 22 and 23, browse the catalogue, pick a film and enjoy the best music that audio-visual media has to offer.

About the IMZThe International Music + Media Centre (IMZ) in Vienna is a global networking platform for leading international production companies, public TV stations, broadcasting and distribution institutions, opera houses, cultural and educational institutions, festivals and music labels. It is dedicated to the promotion and dissemination of classical and contemporary music, jazz and world music as well as classical and contemporary dance in audio-visual media.

This year, Classical:NEXT has once again teamed up with the International Music + Media Centre (IMZ) in Vienna to present two special film screenings that are open to all delegates as well as public audiences.

Take a break after your expo day and immerse yourself in the world of cinema. Travel with your eyes and don’t miss two astonishing documentaries, whose subjects could not be more different: one about the controversial and ingenious Valery Gergiev, the other about Farrokh Bulsara, aka Freddie Mercury.

Classical:NEXT has invited the makers of both films to showcase their pieces to the classical music community and to participate in an onstage question and answer session. We’d like to invite you to be a part of this event and learn more about how these two pioneering films were made.

For more details about Gergiev: A Certain Madness by Alberto Venzago and The Great Pretender by Rhys Thomas, please see the descriptions on the following pages.

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Recorded: 2010-2012, Moscow, St Petersburg, Yaroslavl, Voronezh, Krasnodar, Kislovodsk, Vladikavkaz, Volgograd, Saratov, Orenburg, Cheliabinsk, Ekaterinburg, Omsk, Astana, Lipez, Voronesh, Kiev, Vladikavkaz, Vilnius, Minsk, SmolenskDirector, Producer: Alberto Venzago (Switzerland)Conductor: Valery GergievOrchestra: Mariinsky OrchestraDuration: 84’

Gergiev – A Certain Madness

www.gergiev-acertainmadness.com

Friday 18:00 – 20:00MAK Lecture Hall

Every year at Easter, Valery Gergiev and 115 musicians from the St Petersburg-based Mariinsky Orchestra tour Russia and its neighbouring countries. Performing every night in a different city along the Trans-Siberian Railway from Moscow to Siberia, they travel 14,320 km during this three-week cultural tour de force. “We need to bring culture to the people, not the other way around” is the credo of Gergiev. Carried by the sound of the orchestra and the power of unexpected images, we experience the magic of Tchaikovsky, Shostakovich and Prokofiev against the backdrop of modern-day Russia – immense and fascinating, disturbingly beautiful, funny and intelligent.

Alberto Venzago, the director and producer, will be present to answer the audience‘s questions.

Presented by: IMZ International Music + Media Centre in Vienna

www.imz.at> Expo/Exhibitors

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Opening Wednesday, MAK Columned Main Hall19:30 admission and welcome drink20:15 concert21:30 – 22:30 TASTE Luxembourg! Luxembourg reception> Showcases/Opening> Conference/Sessions> Conference/Biographies A – Z

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ClosingSaturday, MAK Lecture Hall & Foyer12:00 networking farewell13:00 speech and concert> Showcases/Closing> Conference/Biographies A – Z

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At the gala opening in the beautiful columned hall of Vienna’s Museum of Applied Arts (MAK), Luxembourg will present a selection of its finest musicians in a programme that will showcase the richness and variety of the country’s musical landscape. The journey begins with the baroque sonorities of Artemandoline, pays homage to Vladimir Horowitz via the masterful playing of Jean Muller, features the contemporary ensemble United Instruments of Lucilin and comes to a close by juxtaposing early and modern sounds through the skillful fingers of Cathy Krier. The keynote speech will be delivered by celebrated baritone Thomas Hampson, whose BBC Hardtalk appearance last year demonstrated his skill in facing the tough questions posed by “classical outsiders” – questions that face all of us.

After a last chance to mix and mingle with fellow delegates over drinks, the closing event will wrap up Classical:NEXT 2014 with insightful and inspiring words from composer Alan Fletcher, president and chief executive of the Aspen Music Festival and School (US). His talk will explore what is working, what ought to work and what is perhaps not working as the classical tradition adapts to today’s world. UK percussion virtuoso Joby Burgess (Powerplant) shows how naturally multimedia and music can work together to form a perfect whole. Moderated by David Baile of the International Society for the Performing Arts (ISPA), the closing event will look forward to 2015, when the fourth edition of Classical:NEXT will coincide with ISPA in Malmö, the two major international meetings taking place in Europe within days of each other.

Opening and Closing

Food for thought, delights for the ear and moments to mingle

Evaristo Felice dall’AbacoConcerto a più Instrumenti Op. 5 No. 6 (excerpts),Allegro, Ciaccona (Allegro e Spiccato), Rondeau, Allegro

Giuseppe Antonio BrescianelloChaconne

Opening

Artemandoline (Luxembourg)Baroque Ensemble

www.artemandoline.comContact: Music:LX (Patrice Hourbette)Label: Brilliant Classics, K617, Sony

Wednesday 20:15 MAK Columned Main Hall

Founded in 2001, Artemandoline is a baroque ensemble dedicated to the revival of the mandolin and other period instruments such as guitars and lutes. The group prides itself on its thorough research and has undertaken extensive study of early instruments and playing styles in order to approach the music of composers such as Scarlatti, Vivaldi and Weiss as authentically as possible. It is also dedicated to reviving forgotten masterpieces of the baroque repertoire and has worked closely with eminent sound producers, publishers, musicologists and instrument makers. Artemandoline has played at early music festivals all over Europe and beyond, with upcoming concerts in Chisinau, Graz, Oberbronn and Stockstadt am Rhein. The ensemble has recently been working on a new recording with soprano Nuria Rial and the CD will be released on Sony label in December 2014. Previous recording activity includes two albums on Brilliant Classics in 2013.

Juan Carlos Muñoz, baroque mandolin Mari Fe Pavón, baroque mandolinAlla Tolkacheva, mandola & baroque mandolinManuel Muñoz, baroque guitarJean-Daniel Haro, viola da gamba Jean Christophe Leclère, harpsichord

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Raymond Murray Schafer String Quartet No. 3II. Allegro Energico

Opening

United Instruments of Lucilin (Luxembourg)

www.lucilin.luContact: Ensemble Lucilin (Florence Martin)Label: Outhere

Wednesday 20:15MAK Columned Main Hall

Founded in 1999 by a group of musicians from Luxembourg, United Instruments of Lucilin is dedicated to works from the 20th and 21st centuries. The group gathers performers, composers and artists from many different genres and art forms. Its performances aim to touch the audience not only through acoustic sensations, but also in an intellectual, spiritual and visual way. The ensemble has commissioned and premiered works by composers such as Toshio Hosokawa, Brice Pauset, Claus-Steffen Mahnkopf, Arturo Fuentes, Donnacha Dennehy, Jean-Luc Fafchamps, Marcel Reuter, Michael Riessler and Martin Matalon. Its first CD (awarded four stars by specialist magazine Le monde de la musique) was a project conducted by Mark Foster in 2003. Like the group’s 2007 recording Goldberg’s Ghost, it was released on Fuga Libera, a division of Outhere. With 20 to 30 concerts a year, United Instruments of Lucilin performs in Luxembourg and around the world.

André Pons-Valdès, violinTomoko Kiba, violinDanielle Hennicot, violaChristophe Beau, cello

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Franz Lisztarr. Ferruccio Busoni & Vladimir HorowitzMephisto Waltz No. 1

Opening

Jean Muller (Luxembourg)

www.pianistjm.com Contact: Music:LX (Patrice Hourbette)Label: JCH Productions

Wednesday 20:15MAK Columned Main Hall

Luxembourg-born pianist Jean Muller is an artist known for his artistic authenticity. Hailed as a “major talent” by the Gramophone magazine, he has studied in Brussels, Munich and Paris, gaining exposure to the most diverse pianistic schools. Muller has won 12 first prizes at international competitions and was recently named Export Artist of the Year 2013 by music:LX, the non-profit organisation created in 2009 to promote the music of Luxembourg around the world. He has performed with ensembles including the Bavarian State Orchestra, Münchner Symphoniker and Luxembourg Philharmonic Orchestra. Following a successful international Chopin recital tour in 2013, this year Muller will embark on a project called Transcendence. This will comprise a global tour and an album of Liszt’s Transcendental Etudes and the Mephisto Waltz No 1. Other upcoming projects include performances in Luxembourg, Paris, Frankfurt, Berlin, New York and London.

Jean Muller, piano

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Joby Burgess (UK) Schubert, Soda and Lost Works

www.jobyburgess.comContact: Powerplant (Joby Burgess)Label: Signum Records / Nonclassical Records

Saturday 13:00MAK Lecture Hall

Percussionist Joby Burgess is best known for his virtuosic performances, daring collaborations and extensive education work. He regularly appears throughout Europe, the US and beyond, and has performed, recorded and collaborated with artists including Joanna MacGregor, Peter Maxwell Davies, Nitin Sawhney and Eric Whitacre. Recent highlights have included extensive tours with Peter Gabriel’s New Blood Orchestra and the premiere of Gabriel Prokofiev’s Concerto for Bass Drum and Orchestra. In 2014, he will embark on a new collaboration with the Smith Quartet and perform new commissions from Graham Fitkin and Will Gregory. Burgess spends much of his time performing with the audio-visual collective Powerplant, a collaboration with sound designer Matthew Fairclough and visual artist Kathy Hinde. This afternoon, Powerplant will present Max de Wardener’s Schubert-inspired Winterreise mash-up, an excerpt from Gabriel Prokofiev’s Import/Export and Steve Reich’s recently revitalised My Name Is.

Joby Burgess, percussion and electronicsMatthew Fairclough, sound designKathy Hinde, visual artist

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György LigetiMusica ricercata I. Sostenuto – Misurato – Prestissimo

Jean-Philippe RameauNouvelles Suites de Pièces de Clavecin La Poule

György LigetiMusica ricercataVII. Cantabile, molto legato

György LigetiMusica ricercataXI. (Omaggio a Girolamo Frescobaldi) Andante misurato e tranquillo

Opening

Max de Wardener

Im Dorfe

Steve Reich My Name Is

Gabriel ProkofievFanta®

Closing

www.cathykrier.comContact: Music:LX (Patrice Hourbette)Label: CAvi-music

Wednesday 20:15MAK Columned Main Hall

Cathy Krier began taking piano lessons at the Luxembourg Conservatoire at the age of five and in 1999 she was admitted to study with Pavel Gililov at the Hochschule für Musik und Tanz in Cologne. As a student, she won some important prizes including the Prix Norbert Stelmes and the IKB International Foundation Prize. Her first solo recording was released in 2008 and features works by Scarlatti, Haydn, Chopin, Dutilleux and Mullenbach. In 2007, she performed at the Luxembourg European Capital of Culture opening ceremony. Her concert engagements have included performances in the US, the Netherlands, Austria, Spain, Germany, Latvia, Andorra, Italy, France and Belgium. She has also been invited to be artist in residence at the Biermans-Lapôtre Foundation in Paris. In 2013, she released a recording of Janácek’s piano works. Highlights of 2014 will include concerts in Athens, Limoges, Naples, Hamburg, Luxembourg and Saint-Ursanne.

Cathy Krier, piano

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Cathy Krier (Luxembourg)

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Sachiyo TsurumiToy2, for piano & electronics

Jonathan HarveyFour Images After Yeats IV. Purgatory

Johann Sebastian Bacharr. Ferruccio Busoni Nun komm‘ der Heiden Heiland

Jury Selected

Sponsors:PRS for Music Foundation (PRSF), UK Trade and Investment (UKTI) and Arts Council England

Hiroaki Takenouchi (Japan/UK)“double-eclectic”

www.hiroakitakenouchi.comContact: mu:arts (Akiko Yanagisawa)Label: Artalinna Productions

Thursday 20:30Porgy & Bess

Pianist Hiroaki Takenouchi was born in Japan but is now based in London, where he studied at the Royal College of Music. In 2012, reviewing his recording by Catoire and Sherwood on the Dutton Epoch label, Gramophone described him as “impeccable in his pianism and unfailing in his idiomatic grasp”. Takenouchi combines a focus on established composers – particularly Haydn, Beethoven and Chopin – with a passion for the music of lesser-known British composers such as Sterndale, Bennett and Parry. He has recently performed at festivals in Bath, Cheltenham and Salzburg and given recitals in the UK, Japan, Austria, Germany, Switzerland, Portugal, Italy and Canada. His discography includes recordings on Lorelt, NMC and Somm as well as Dutton Epoch. Since 2012, he has been teaching piano at the Royal Conservatoire of Scotland.

Hiroaki Takenouchi, piano

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Live Showcases (Official Selection)Porgy & BessThursday and Friday 20:30 – 23:10>Programme/Overview>Programme/Schedule

For full artist contact details> Delegates/Companies A – Z

For directions to the Porgy & Bess> Back Flap Inside

For details on the Jury> Network/The Jury

This year’s Classical:NEXT showcase artists will present themselves to delegates in a series of short live performances on Thursday, 15 May and Friday, 16 May at Porgy & Bess. Each live showcase act will deliver a short insight into the act or artist, with a maximum duration of 30 minutes. The live showcase ensembles and artists have been selected from a highly competitive field of proposals by an independent jury. They were chosen for their outstanding quality, new ideas and often unusual approaches.

The jury’s selection includes a wide range of high quality artists, from well-kept secrets and rising stars to established big names; from early to contemporary music; from traditional to experimental. There will be compositional adventures – including the artists’ own compositions – as well as pioneering arrangements of well-known masterpieces. Improvisation is an important element of some of the acts, while others focus on combining music with digital technology, or on the use of unusual and rarely heard instruments. The approaches and the material may differ, but all the 2014 showcases have one thing in common: they deliver the classical repertoire with quality and assurance, providing a positive concert experience.

You can find out more about the live showcase artists, including their labels and contact details, in the short descriptions on the following pages.

Live Showcases

Short live concerts offer a view into the current emerging scene

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Matthias JakisicLIVE in LOOPS, a solo performance for electric violin with live recorded loops

Jury Selected

Matthias Jakisic “Jig” (Austria)LIVE in LOOPS

www.jigmusic.bizContact: Cadence Artist Management (Stefan Eigenthaler)Label: unsigned

Thursday 22:00Porgy & Bess

Austrian violinist and composer Matthias Jakisic is best known for his pioneering live shows, which incorporate electric violin looping techniques. Currently employed as composer-in-residence at the Vienna Burgtheater, he has previously performed at the Sydney Opera House, the Istanbul Jazz Festival and the Ebu Festival in Varna. He has also collaborated with some of the world’s most famous classical and pop musicians, including the violinist Nigel Kennedy, Depeche Mode’s Christian Eigner, Level 42’s Phil Gould and rock/pop legend Peter Gabriel. He is a former member of the Austrian beatbox collective Bauchklang, with whom he worked as a producer and composer. Jakisic has participated in the production of more than 90 albums and composed 28 pieces of musical performance art. In 2014 he will be focusing on his solo live programme, with further performances scheduled in Sydney, Vienna, Istanbul and Varna.

Matthias Jakisic, electric violin and effectsFritz Fitzke, visuals

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Wayne SiegelJackdaw for baritone saxophone and computer

Llibre Vermell de Montserrat (Catalonia, ca. 14th Century) O Virgo Splendens

Jacob Ter Veldhuis Pimpin for baritone saxophone and boombox

Jury Selected

Joan Martí-Frasquier (Spain)COLOURS

www.joanmf.comContact: Joan Martí-FrasquierLabel: unsigned

Thursday 21:10Porgy & Bess

Joan Martí-Frasquier is a Catalonian saxophonist who studied with Christophe Bois in Bourges, Philippe Braquart in Montpellier and Damien Royannais in Limoges. He has performed saxophone works by Glazunov, Ibert and Caplet with many prominent chamber orchestras and has also premiered more than 30 new works by composers including Nino Díaz, Sergio Fidemraizer, Ramon Humet and Joan Arnau Pàmies. In 2011, he became a member of the Association Bar&Co, which promotes the baritone saxophone. He has been involved in a number of projects to promote the baritone saxophone and has performed on the instrument at festivals including the Rencontre International autour du Saxophone Baryton in Ambazac, France, the Eufònic Festival in Catalonia and the Andorra Sax-Fest. In this programme, he will perform contemporary works by Wayne Siegel and Jacob Ter Veldhuis as well as an ancient piece of 14th-century Catalonian music. His performance will include video footage by video artists Jesús Llungueras and Carles Pitarch from JuandesAFINAdo Produccions.

Joan Martí-Frasquier, baritone saxophone & electronics

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Conlon NancarrowPiece for Tape (for Percussion)

Graham FitkinChain of Command

Javier AlvarezTemazcal

Matthew FaircloughThe Boom and the Bap

Jury Selected

Powerplant (UK)

www.jobyburgess.comContact: Powerplant (Joby Burgess)Label: Signum Records

Friday 20:30Porgy & Bess

Powerplant is a percussion and electronica collective led by British percussionist Joby Burgess, incorporating sound design by Matthew Fairclough and visuals by Kathy Hinde. The group made its debut in 2005 with a sell-out performance at London’s Southbank Centre and has since performed extensively throughout the UK, Europe and beyond. Powerplant is currently touring its latest album, 24 Lies Per Second (Signum Records), which fuses minimalism and electronica with original video. The album includes music by Graham Fitkin, Max de Wardener and Conlon Nancarrow, linked by sampling and mechanical processes. Powerplant’s debut album, Electric Counterpoint (2008), included remixes of music by Kraftwerk and Steve Reich featuring the Elysian Quartet. Their second album, Import/Export, was a collaboration with Gabriel Prokofiev, released in 2010 on the Nonclassical label. This programme features content from their current album, 24 Lies Per Second.

Joby Burgess, percussion and electronicsMatthew Fairclough, sound designKathy Hinde, visual artist

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Gísli Jóhann GrétarssonVinterstilla

arr. Gísli Jóhann GrétarssonSofðu unga ástin mín(One of Iceland‘s most beloved folk songs)

arr. Gunnar HahnNorrländsk svit (Suite from Norrland)Senpolska

Björn SikströmWinterscapes

arr. Gísli Jóhann GrétarssonHärjedalenRheinländer-halling (Swedish folk song) Lisa StenbergHumming Power Lines

Isabelle AndöIsas polska

Emil RåbergMyggjakten

Jury Selected

Kristallkvartetten (Sweden)“Crystals from the North”

www.kristallkvartetten.blogspot.seContact: Isabelle ÄndoLabel: unsigned

Thursday 22:40Porgy & Bess

Kristallkvartetten (‘Crystal Quartet’) is a Swedish string quartet featuring a double bass instead of a cello. Its mission is to promote contemporary music from the north of Sweden and it has received funding from the Swedish Arts Council and the local government of Norrbotten. In 2013, the quartet toured Sweden with Crystals from the North, a concert programme featuring new music by four young composers: Lisa Stenberg, Björn Sikström, Gísli Jóhann Grétarsson and Emil Råberg. The show combines a work by each of these composers with folk music from Sweden alongside a slide show of winter pictures taken by the quartet members. The aim of the show is to evoke elements of northern Sweden such as snow, crystals, ice, cold and mosquitoes in the summer.

Isabelle Andö, violinNina Sandell, violinMarie-Louise Klestrup Röijezon, violaPeter Danielsson, double bass

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Josquin DesprezAllégez Moy

Melchior FranckPavane

Josquin DesprezMa Bouche Rit

Jury Selected

Plenum + Katharina Ernst (Slovenia/Germany/Mexico/Austria)Broken Concert

www.plenum.klingt.orgContact: Plenum (Gobi Drab) Label: unsigned

Friday 22:00Porgy & Bess

Plenum is a collective of seven bass recorder players based in Vienna who specialise in early music, contemporary compositions and improvisation. The group’s members play exclusively on special bass recorders made by the instrument manufacturer Paetzold. The mechanism of the instruments allows the musicians to create a wide spectrum of sounds, from full-bodied chords that are reminiscent of a church organ to the softest hushed whispers. Founded in 2012, Plenum consists of Angélica Castelló, Gobi Drab, Katrin Hauk, Thomas List, Steffi Neuhuber, Maja Osojnik and Reni Weichselbaum. Despite their different backgrounds, all the members share the same goal: to promote openness and curiosity when it comes to both old and new music. In this concert, they will be joined by percussionist Katharina Ernst in a programme of music by Josquin Desprez and Melchior Franck. The ensemble will close the concert with an improvised outro.

Angelica Castello, Paetzold bass recorder Gobi Drab, Paetzold bass recorder Katrin Hauk, Paetzold bass recorder Thomas List, Paetzold bass recorder Steffi Neuhuber, Paetzold bass recorder Maja Osojnik, Paetzold bass recorder Reni Weichselbaum, Paetzold bass recorder Katharina Ernst, percussion and objects

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Heitor Villa LobosEstudo No.4

Daniel Murray Estudos sobre maneiras de tocar I, II, III ...sobre harmônicos e martelatos...

Daniel Murray Interlúdios para Archguitar I, II, IIIFolclore Imaginário

José Augusto MannisEstudo para MD (European Premiere)

Arthur KampellaHappy Days II for guitar and electronics

Jury Selected

Daniel Murray (Brazil)

www.danielmurray.com.brContact: Daniel Murray Santana De Vasconcellos Label: Delira Música, SESC Label

Friday 21:10Porgy & Bess

Daniel Murray is a Brazilian classical guitarist specialising in contemporary music. He maintains an active career as a performer and composer, playing both as a soloist and in chamber groups in Brazil and abroad with musicians such as Paulo Bellinati, Israel de Almeida and Toninho Carrasqueira. In 1997, at the age of 15, Murray won second prize at the Concours International de Guitare of Trédrez-Locquémeau in Brittany, France. During a tour of the region, he played in destinations including Rennes, Nantes, Lannion and Paimpol. Since 2009, he has been a member of the Tau Guitar Quartet together with Breno Chaves, José Henrique de Campos and Fábio Bartoloni. He has also made two solo recordings on the Delira Música label. After a concert in California in 2010, the late guitarist and composer Oscar Castro-Neves described Murray as “an impeccable artist with a beautiful tone and heart that we feel in every note”.

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Pascal DusapinTwo Walkings

Georges Aperghis RécitationsPubs

John Cage Living Room Music

Nikolett Burdjinska La Féminité

Ivan Solano Kyogen

Kaijia Saariaho From the Grammar of Dreams

Giacinto Scelsi Sauh IV

Jury Selected

Voix de Stras’ (France)Contemporary Music Program

www.voixdestrass.free.frContact: Voix de Stras’ (Catherine Bolzinger)Label: unsigned

Friday 22:40 Porgy & Bess

Voix de Stras’ is a contemporary vocal ensemble based in Strasbourg featuring up to 20 singers. The group’s conductor is Catherine Bolzinger, choral director of the Strasbourg Philharmonic Orchestra and a professor at the Strasbourg Conservatoire. Under her leadership, Voix de Stras’ has premiered a wide variety of works by contemporary composers such as François-Bernard Mâche, Christophe Bertrand, Suzanne Giraud and Andrea Manzoli. In 2014, Voix de Stras’ will embark on its first US tour, collaborating with a group of young musicians from Chicago. In addition, the group will also tour to Austria and Norway. The Voix de Stras’ programme at Classical:NEXT consists of a selection of a cappella music for four female voices, featuring composers such as John Cage, Kaijia Saariaho and Giacinto Scelsi. It also includes two works commissioned by Voix de Stras’: Nikolett Burdjinska’s La Féminité and Ivan Solano’s Kyogen.

Ariane Wohlhuter, a cappellaGayanée Movsysian, a cappellaClaire Trouilloud, a cappellaEugénie De Mey, a cappellaCatherine Bolzinger, artistic director and conductor

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NikolaDirector: Sjaron MinailoProducer: Michael de Roo, Jos RekYear of Release: 2013

Jury Selected

Nikola (The Netherlands) Composed by Paul Oomen

www.4d-opera.comContact: Stichting Human Expo (Eszter Marko)Label: unsigned

Friday 13:15MAK Lecture Hall

Presented by: Eszter Marko (The Netherlands)

Nikola is a five-hour interactive operatic experience created by composer Paul Oomen, combining elements of traditional opera with techno music. The work aims to represent the mental landscape of Nikola Tesla, the Serbian American inventor and futurist best known for his contributions to the design of the modern electricity supply system. The action takes place at a techno party, with various small performances gradually emerging and then growing into more dramatic scenes as the night goes on. The real-life setting becomes a stage from which Nikola encounters the world around him, whether as memories from the past, voices from the future or audience members in the here and now. Sounds and voices can appear anywhere in the performance space, moving around, above, beneath and in between the audience and creating a transforming spatial environment of sound. The music essentially becomes a virtual space in which audience members can choose their own paths and create personal interaction.

Kevin Walton : Harm Huson : Peter Schoenaker : Reut Rivka Shabi Anat Spiegel : Salvador Breed : Amsterdam Student Choir

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SOur first round of this new format takes in locations from all around the globe, including a musical reproduction of a Renaissance painting, concerts for the deaf and hard of hearing, and a 4-D techno opera inspired by the life of Nikola Tesla. Stop by and discover a lot in a very short time!

All Classical:NEXT video showcases will be screened at MAK Lecture Hall.

Video ShowcasesFriday 13:15 – 14:15, MAK Lecture Hall

For full artist contact details > Delegates/Companies A – Z> Programme/Overview> Programme/Schedule

Classical:NEXT’s video showcases offer artists and ensembles the opportunity to present their work to delegates on screen. The videos complement the live showcases, giving musicians and ensembles the chance to present recent projects using live footage, interviews or documentaries.

These showcases are a particularly good opportunity for larger ensembles or producers to present their work. The format is also designed to enable artists, ensembles or productions to present themselves at a time when travelling or scheduling issues make a live appearance impossible. They can also be used to present work in progress. By combining the audio-visual element with the onsite presence of one or several representatives, they allow ensembles that would not otherwise be able to perform to make a professional impression.

This year, for the first time, the Classical:NEXT video showcases have become ‘lightning pitches’ – targeted, fast-moving opportunities for creators and those on the lookout for new creations. This new format allows representatives from ensembles, music theatre productions and music projects to offer a rapid insight into their current offerings.

Video Showcases

Seek and Find: Artists and projects present themselves in lightning pitches

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Musica ReservataDirector: Georg and Stephan Schuetz (lensscapes)Producer: Florian WieningerYear of Release: 2012

Orlando di LassoPenitential Psalm Nr. 1 (from the “Mielich-Codex” of the Bavarian State Library)

Jury Selected

Profeti della Quinta Doron Schleifer, canto : David Feldman, cantoDino Lüthy, alto : Dan Dunkelblum, tenorJakob Pilgram, tenor : Elam Rotem, bass

dolce risonanza & Profeti Della Quinta (Austria)Orlando di Lasso – Musica Reservata

www.dolcerisonanza.atContact: Dolce Risonanza (Florian Wieninger)Label: unsigned

Friday 13:15MAK Lecture Hall

Presented by: Florian Wieninger (Austria)

dolce risonanza is a period music ensemble founded by the conductor Florian Wieninger in 2003. For its latest project, the group has joined forces with vocal ensemble Profeti della Quinta and other early music specialists to recreate a historic performance of Orlando di Lasso’s Psalmi Penitentiali. Written in the late 1500s, di Lasso’s expressive psalms were documented in an elaborate manuscript illustrated by the Munich court painter Hans Mielich. At the back of the manuscript is a picture of a group of musicians gathered for a performance in the Munich Hofkapelle. It is this performance that dolce risonanza has endeavoured to recreate. Historical string and wind instruments were reconstructed for the project by leading instrument makers, so that after around 450 years, it has once again become possible to experience this music exactly as it would first have been performed.

dolce risonanzaGunda Hagmüller, violino : Roswitha Dokalik, violinoSzabolcs Illés, violino : Eva Neunhäuserer, violaJudith Waldschütz, viola : Florian Wieninger, violoneKuniko Ueno, cornetto muto : Gawain Glenton, cornetto altoSven Schwannberger, fiffaro : Thomas List, flauto grossoBernhard Rainer, cornamusa : Christian Poitinger, tromboneBernhard Stilz, rackett : Orí Harmelin, liutoAnton Holzapfel, spinetto : Florian Wieninger, director

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PaternelDirector: Machteld TimmermansProducer: HardScore/Music Centre De BijlokeYear of Release: 2013

Frank NuytsPaternel, a Chamber Opera in one act

Jury Selected

Paternel, a Chamber Opera (Belgium) By Frank Nuyts & Philippe Blasband

www.hardscore.beContact: Hardscore (Iris De Blaere)Label: unsigned

Friday 13:15MAK Lecture Hall

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Presented by: Daan Bauwens (Belgium)

Composer Frank Nuyts teaches at the Royal Conservatory of Ghent and has produced an extensive list of orchestral, chamber, choral and music theatre works over a career spanning three decades. His latest stage work, Paternel, is a contemporary music theatre piece for four actors (three singers and one spoken voice) and five musicians (flute, three harps, double bass). The work is a kind of contemporary mourning ritual examining attitudes to death in contemporary Western society and how communities handle their common history. The story follows of the unmaking of a family, questioning what remains of the concept of ‘family’ when the founding father has died. All the characters are female: three sisters and a nurse. Musically, the opera veers away from early 20th-century modernist constructivism. The composer has opted for a fluent, post-tonal idiom, acoustically defined by the sounds of the three harps.

Laurence Servaes, sopranoYvette Loynaz, mezzo sopranoInês Madeira, mezzo sopranosAylin Yay, actressPhilippe Blasband, librettist

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JETZTDirector/Producer: Mathis NitschkeYear of Release: 2014

Mathis NitschkeJETZT

Jury Selected

JETZT – a New Opera (Germany)Mathis Nitschke

www.mathis-nitschke.com Contact: Mathis Nitschke Label: unsigned

Friday 13:15MAK Lecture Hall

Presented by: Mathis Nitschke (Germany)

Mathis Nitschke is a German composer who works not only in music but also in film, theatre and literature. He studied classical guitar, fine arts and composition at the Royal Conservatory in The Hague and also has a Master’s degree in media and communications from the European Graduate School in Saas-Fee. As well as composing operas, he also produces music for live theatre and film. JETZT was conceived by Mathis Nitschke, Jonas Lüscher and Urs Schönebaum and was commissioned by the Opéra National de Montpellier. JETZT aims to present the history of thought, ex-ploring how human beings relate to nature and their surroundings. It examines how man is constantly re-inventing himself and creating new descriptions of his surroundings, changing the way history is interpreted. The opera particularly focuses on the transformation of language through seven different eras of human history.

Susan Narucki, sopranoSarah Wolfson, sopranoMartina Koppelstetter, contraltoGilles Ragon, tenorMarco di Sapia, baritone

Choeurs de l‘Opéra national Montpellier Languedoc-RoussillonOrchestre national Montpellier Languedoc-Roussillon

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ensemble rhapsodie: Fusing the Arts – Finding New DimensionsDirector/Producer: ensemble rhapsodieYear of Release: 2013

Johann Sebastian Bacharr. S. LambertzCello Suite No. 1 – BWV 1007Allemande, Courante

Richard WagnerTristan & IsoldeMonologue of King MarkeAct II

H. MatsuzawaIn-Ei – WWV 90Piece for Clarinet and Live-Electronics

Jury Selected

ensemble rhapsodie (Germany)

www.ensemblerhapsodie.deContact: Sebastian Lambertz Label: unsigned

Friday 13:15MAK Lecture Hall

Presented by: Sebastian Lambertz (Germany)

ensemble rhapsodie is an interdisciplinary arts ensemble. Inspired by the craft of the ancient Greek rhapsodists, it doesn’t employ a strict form, but draws from a pool of highly qualified artists in various disciplines. The efforts of these individual artists combine to create an all-encompassing artistic vision. Musical compositions from all eras form the foundation of each performance. The underlying idea behind the musical work is then picked up by dance and media artists and translated into their own medium. In this way, the ensemble aims to develop a new artistic language in which individual disciplines are influenced by one another and employed to their highest potential. The result is a fresh, insightful artistic representation that is three-dimensional in scope. This video will provide an introduction to how the ensemble strives to create an exhilarating concert experience.

Sebastian Lambertz, clarinetElise Hoffmann, danceBenjamin Schindler, video installation

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The worlds best-selling classical music magazine

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Orchestral Concerts for Deaf and Hard of Hearing Children and AdultsProject Concept: Andy Everton Producer: Suzanne HayPresenters: Dr. Paul Whittaker OBE and Andy PidcockYear of Release: 2013

Jury Selected

BBC National Orchestra of Wales (UK) Orchestral Concerts for Deaf and Hard of Hearing

www.bbc.co.uk/nowContact: BBC National Orchestra of Wales (Suzanne Hay)Label: unsigned

Friday 13:15MAK Lecture Hall

Presented by: Andy Everton and Suzanne Hay (Wales, UK)

During 2013, the BBC National Orchestra of Wales presented a series of five large-scale concerts designed to be as appropriate as possible for deaf and hard of hearing adults and children. The brainchild of trumpeter Andy Everton, the concerts featured the full orchestra performing to a total of more than 3,000 adults and children. The audience was invited to sit inside the orchestra, touch the instruments and literally feel the music as the musicians played. Communication methods were used to aid engagement, including sign language and text relay. Graphic representations of the music, along with live video feeds of the concert and signing, were also displayed via three large screens in the hall. This video includes clips from the concerts and interviews with key artists and participants, alongside footage captured during the concerts by five cameras.

Grant Llewellyn, conductorKatherine Mount, singer

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Anders HultqvistChaconne – A Night at Dawn

Das Orchester (Sweden)Chaconne – A Night at Dawn

www.dasorchester.seContact: Musikcentrum Riks (Ragnar Berthling)Label: dB-Productions

Thursday 19:00Musikverein (Metallener Saal)

Das Orchester is an alto recorder, trombone and cello trio founded in 1999 as the result of the staging of a theatre piece based on the book A Prayer for Chernobyl by the Belarusian writer Svetlana Aleksievich. The group’s unusual line-up was, to a certain extent, inspired by the subject of the book. However, there was very little existing repertoire for this combination of instruments, so the group decided to embark on a mission to create new music. The first piece they performed was a composition by the cellist Chrichan Larson. Since then, Das Orchester has collaborated with numerous composers, producing a solid repertoire base. Exploring the mystery of the three instruments as a constellation has been an exciting challenge. The ensemble has performed throughout Scandinavia, Germany and France and produced concerts in collaboration with singers and dancers. Here, Das Orchester performs a piece by the Swedish composer Anders Hultqvist.

Kerstin Frödin, recordersIvo Nilsson, tromboneChrichan Larson, cello

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The Korean showcases are presented by the Korea Arts Management Service (KAMS) and Korea National University of the Arts. Founded in 2006, KAMS provides services related to international cultural exchange and strives to enhance the competitiveness of the Korean performing arts. In particular, KAMS offers diverse research, consulting and educational programmes for people who work in the performing arts, helping to boost the industrial competitiveness of the Korean arts. The organisation runs various exchange schemes tailored to different regions around the world and helps artists to tap into overseas markets through its network of international partners.

Wiener Konzerthaus (Berio-Saal)Friday 18:00 – 19:00

Presented by: Korea Arts Management Service and Korea National University of Arts

> Programme/Overview> Programme/Schedule> Back Flap Inside

For full artist contact details A – Z> Delegates/Companies A – Z

Classical:NEXT’s off C:N showcases are an opportunity for countries to present the best of what their classical music scene has to offer. This year, it is the turn of Sweden and Korea, who will each introduce a selection of their most dynamic acts.

off C:N SwedenAfter the successful Swedish showcase at Classical:NEXT 2013, Sweden is now bringing a second showcase to Vienna to reflect both the core and the edge of Swedish music today. The showcase is presented by Musikcentrum Riks in collaboration with Export Music Sweden, Musikalliansen, the Society of Swedish Composers and STIM’s Council for Promotion of Swedish Music, and has been funded by Music Development and Heritage Sweden.

Musikverein (Metallener Saal)Thursday 19:00 – 19:45

Presented by Musikcentrum Riks

In collaboration with Export Music Sweden

Supported by

off C:N Showcases

Presentations of outstanding talent outside the official jury selection

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Antonio Vivaldiarr. Mattias Petersson, George KentrosThe Four Seasons: Autumn, Spring & Summer

There Are No More Four Seasons (Sweden) A High-Speed Journey into Pure Musical Energy

www.nomoremusic.seContact: Musikcentrum Riks (Ragnar Berthling)Label: SEKT Records

Thursday 19:00Musikverein (Metallener Saal)

There Are No More Four Seasons is the name of a duo comprising electronica musician Mattias Petersson and classical violinist George Kentros. They take ancient pieces of music and recompose them to make them more relevant to our times. They have performed at everything from rock festivals to concert halls, as well as conducting workshops for young people. Their self-titled debut CD was named one of the ten best classical recordings of the past decade by Sweden’s biggest daily paper, Dagens Nyheter, and Time Out New York called them a must-see concert last summer. Johanna Paulsson, a critic for Dagens Nyheter, wrote of the duo’s latest project: “From the ashes, something wholly new is created. It’s as if the melancholy violin rises from the ruins and, like a post-apocalyptic Mad Max, dusts himself off to continue towards new adventures. At that moment, I refuse to believe all the predictions that classical music is withering away.”

George Kentros, violinMattias Petersson, live electronics

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Anna ErikssonSeashore

Miriam Tally New Moon Morning

40f (Sweden)A Delicate Soundscape of Excellence and Innovation

www.40f.se Contact: Musikcentrum Riks (Ragnar Berthling)Label: unsigned

Thursday 19:00Musikverein (Metallener Saal)

Founded in 2008, this Gothenburg-based flute quartet aims to push the boundaries of music by incorporating poetry, electronics and improvisation into its performances. The group has developed a unique soundscape that truly touches its listeners. Over the years, 40f’s desire to expand the boundaries of what a flute quartet can do has earned the group a significant amount of interest among composers. The quartet has collaborated with electronica trio World Domination and recently finished a national tour as Artists in Motion for RANK, the Swedish national organisation for new music. Besides giving recitals, the quartet has also worked with young musicians, teaching music appreciation and free improvisation through a series of workshops.

Ann Elkjär, fluteJill Widén, fluteSareidah Hildebrand, fluteAnna Svensdotter, flute

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Soo-Nyeon Jeong haegeum

Soo-Nyeon Jeong is a professor at the Korea National University of Arts (KNUA) and director of the Korea Haegeum Ensemble, a group of players of traditional Korean string instruments. Her solo albums Beautiful Things in Life and Haegeum World of Soo-Nyeon Jeong have helped to popularise Korean music. She has performed numerous concerts in Korea and abroad, and has received the KBS Gugak Award.

Ji-Young Lee gayageum

Ji-Young Lee is a master of the gayageum, a zither-like string instrument. She has been playing Korean music since the age of five and is now a professor at Seoul National University and the National Center for Korean Traditional Performing Arts. She has performed around the world with ensembles such as the Shanghai Orchestra, Tokyo Metropolitan Orchestra and Jerusalem Philharmonic Orchestra.

Kwon-Soon Kang voice

Traditional vocalist Kwon-Soon Kang studied at Seoul National University. She has made two albums and worked as a freelance artist with ensembles including the KBS Traditional Music Orchestra, Seoul Philharmonic Orchestra and Slovenian Philharmonic Orchestra. She has incorporated contemporary music, dance, film and theatre into her performances in an effort to modernise traditional Korean music.

The Seeds from Old Future Concert for new composition of Korean Ensemble

June-Hee Lim Dancing Sanjo 2 (gayageum, cello, piano)

June-Hee Lim Honbul (gayageum, voice)

Won Il Bardo-Kokdu(gayageum, saenghwang, cello)

Won Il Gung (janggo, cello, piano)

Theodore Wiprud Mudang(piri, cello)

Gamin The Stars (saenghwang) 

June-Hee Limarr. Soo-Nyeon Jeong Sigim(haegeum)

June-Hee Lim Sum-Gyeol(saenghwang, haegeum, piano, janggo)

off C:N Koreawww.daewonculture.orgContact: Daewon Cultural Foundation (Moon-Seon Park)Friday 18:00Wiener Konzerthaus (Berio-Saal)

June-Hee Lim is a composer of operas, traditional Korean cantatas, orchestral works, chamber music, Korean art songs and electronic music. She has been praised for her ability to break down the barriers between Korean and western music. She has released two albums on the Sony label: Yearning For You and Dancing Sanjo. She is a professor at the Korea National University of the Arts and an exclusive composer with the Korea Music Service (KMS).

June-Hee Lim composer

Won Il is a composer, conductor, percussionist and master of the piri, the traditional Korean double reed instrument. He was the leader of Puri, the experimental percussion group, and was also a member of Baramkkot, an ensemble that expanded the compositional style of Puri into melodic instrumental music. His work incorporates many other art forms including theatre, dance and film. He is artistic director of the National Orchestra of Korea.

Won Il composer, janggo

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Programme First WordNetworkC:N A – Z Destination ViennaExpoConferenceFilm ScreeningsShowcasesDELEGATESCredits

Gamin piri and saenghwang

Gamin is perhaps today’s most celebrated player of traditional Korean wind instruments. Her main instrument is the piri, a double reed instrument similar to the oboe. She also plays the taepyeonso (a double-reed horn) and saenghwang (a type of mouth organ). Her performances combine passion, elegance and subtlety with an element of surprise and she has a talent for communicating with audiences.

Jinsang Lee piano

Jinsang Lee has won top prizes at numerous piano competitions and performed with conductors including Vladimir Ashkenazy, Christian Ludwig and Nikolaj Znaider. He has also performed with orchestras including the Graz Philharmonic Orchestra, Shanghai Philharmonic Orchestra, Tonhalle Orchestra Zurich and WDR Radio Orchestra Cologne. He studied at the Korea National University of Arts and in Cologne.

Joon-Ho Shim cello

Cellist Joon-Ho Shim won the 40th International Jeunesses Musicales Competition in 2010, with the judges unanimously choosing him as the first Korean winner. He is now studying with Truls Mørk at the Norwegian Academy of Music. He has performed with the Seoul Philharmonic Orchestra and Zagreb Philharmonic Orchestra, among others, and is a member of the Kallaci String Quartet and Ensemble Alba.

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Westcott, PaulChandos Records

Whittier, MattNaxos of America

Widauer, ChristopherWiener Staatsoper

Widenius, JoonasAlba Records Oy

Widenmayer, BarbaraBRmedia Service GmbH

Wiedamann, MeikeAlbion Media LTD

Wiedemann, Sabineaudite Musikproduktion

Wiegold, PeterInstitute of Composing

Wieninger, Floriandolce risonanza

Wienrich, RalfWienrich, Ralf

Wilckens, UlrikeOphelias Culture PR

Wildner, GüntherAustrian Music Council

Wilfer, SusiGramola

Wilgotsson, PeterMusik i Syd

Wilkin, FabienneLe Manège.Mons/Musiques Nouvelles

Wilkinson, EdwinProper Note

Wilkinson, JeremyOpus Arte, Royal Opera House

Wilson, EleanorNMC Recordings

Winter, RichardGramola

Wolf, Heinzdeparture – Vienna Business Agency

Wollenberg, ReinoudHarmonia Mundi

Wouters, Marie-PauleFlanders Music Centre

Wülker, Janine Hélènefinetunes GmbH

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Yanagisawa, Akikomu:arts

Young, AllegraThe Canadian Music Centre

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Zuke, EstherGramophone

Zvirbule, KristineLatvian Music Information Centre

Programme First WordNetworkC:N A – Z Destination ViennaExpoConferenceFilm ScreeningsShowcasesDelegatesCREDITS

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Classical:NEXT Team

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Rudolf Buchbinder, Pianist

»Ich lese crescendo«

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