Nippon 2007 Program Book - John Bray's files

Nippon ■ L ▲ A i

The 65th World Sience Fiction Convention and The 46th Japan Science Fiction Convention

Nippon2007August 30 - September 5,2007, Yokohama

SouvenirBook

Nippon2007

Author Guests of Honor

Sakyo Komatsu5i"'Tr5-< vy|~~’Z5lJZJ David Brin

Artists Guests of Honor

Yoshitaka Amano ^8?V'T>5"JD’O-<Michael Whelan

Fan Guest off Honor

All Rights Reserved. Rights to all materials are returened to the contributors upon publication.

"World Science Fiction Society", "WSFS", "World Science Fiction Convention", "Worldcon", "NASFiC" and "Hugo Award" are service marks of the World Science Fiction Society, an unincorporated literary society.

Yokohama, Kanagawa Japan Pacifico YokohamaHosted by

Nippon2007/JASFIC4-20-5-604, Mure, Mitaka, Tokyo 181 -0002 JAPAN

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the 46th Japan Science Fictian Convention & the 65th World Science Fiction Convention

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the 46th Japan Science Fiction Convention & the 65th World Science Fiction Convention

EENyENililHNWorld [Science! Fiction

Congratulates the 2007 Hugo Award NomineesLou Anders David G Hartwell Robert ReedPaolo Bacigalupi Teddy Harvia Mike ResnickJames Patrick Baen John Hertz Benjamin RosenbaumClaire Brialey Lee Hoffman Geoff RymanCharles N Brown Dave Langford John ScalziGinjer Buchanan Guy H Lillian III Stanley SchmidtRandy Byers Kelly Link Alison ScottAndy Cox Joseph T Major Mike ScottKathryn Cramer Kevin J Maroney William ShunnSteve Davies Stephan Martiniere Joe SiclariSamuel R Delany Sue Mason Steven H SilverGardner Dozois Bruce McAllister Steve StilesBob Eggleton Ian McDonald Charles StrossMichael F Flynn Paul Melko Geri SullivanBrad W Foster Patrick Nielsen Hayden Michael SwanwickNeil Gaiman Naomi Novik Gordon Van GelderChris Garcia John Jude Palencar Vernor VingeDonato Giancola Julie Phillips Peter WattsKirsten Gong-Wong John Picacio Sheila WilliamsGavin Grant Mark Plummer Robert Charles WilsonLiza Groen Trombi Tim Pratt Frank Wu

A Billion EvesA Scanner DarldyAbout Writing: Seven Essays, Four Letters,

and Five InterviewsAll the Things You AreAnsibleBanana WingsBattlestar GalacticaBlindsightChallengerChildren of MenCover Story: The Art of John PicacioDawn, and Sunset, and the Colours of

the EarthThe Djinn's WifeDoctor WhoThe Drink TankEifelheimEight EpisodesGlasshouseHeinlein's Children: The JuvenilesHis Majesty's Dragon

The House Beyond Your Sky How to Talk to Girls at Parties Impossible Dreams InclinationInterzoneJames Tiptree, Jr.: The Double Life of

Alice B SheldonJulian: A Christmas StoryKinLady Churchill's Rosebud WristletLord Weary's EmpirePan's LabyrinthPloktaPol Pot's Beautiful Daughter (Fantasy)The PrestigeRainbows EndScience-Fiction Five-YearlyStargate SG-1V for VendettaThe Walls of the UniverseWorldcon Guest of Honor Speeches Yellow Card Man

http://denvention3.org • [email protected] Mark Notice : "World Science Fiction Society", "WSFS, 'World Science Fiction Convention", ’Worldcon", "NASFiC" and "Hugo Award" are registered service marks of the World Science Fiction Society, an unincorporated literary society.

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mailto:[email protected]

Nippon2007—= CONTENTS —=—=

© Michael Whelan

English Side Cover: Michael WhelanJapanese Side Cover: Ybshitka Amano

E-033-Thc Histoiy of Japanese Science Fiction “Pnodom” -Between Japanese Science Fiction and Science-Fictional Japan

by Takayuki TatsumiE-046 - Hugo Awards NomineesE-048 - The complete list of Hugo Awards winnersE-060 - Seiun Award NominationsE-061 - The complete list of Seiun Awards winners E-067 - Brief history of modem Japan science fiction

- centering the science fiction boom of the early 20th century - by Junya Yokota

E-071 - List of Japanese SF ConventionE-072 - The long list of World Science Fiction

Conventions & NotesE-084 - ConstitutionE-087 - Standing rulesE-088 - Proposed AgendaE-089 - Program Participant Biographies

(organized by the committee overseas)

E-l 15 - Program Participant Biographies (organized by the committee Japan)

E-l30 - Nippon2007 MembersE-141 - Nippon2007 Members MapE-l42 - Nippon2007 CommitccE-l45 - In MemoriamE-l48- Funds

E-150, J-132 - Autographs

E-009 - From the ChairE-010 - Greetings from the Mayor

Sakyo KomatsuE-014 - Three Dimensional TV

for When You're Lonely

David BrinE-016 - Gawkers

Yoshitaka AmanoE-018 - This is only I know

about Amano-san by Baku Yumemakura

E-020 - An Essay OnYoshitake Amano And His Works

by Hideyuki KikuchiMichael WhelanE-040 - Michael Whelan

- His Journey of Imaginative Realismby Bob Eggleton

Takumi ShibanoE-023 - A History of Japanese Fandom

with "Uchujin" in the Center w by Tosaku Mori

'Things to come -NEXT WORLD-' by Eiji Yokoyama

rG°llery - Mie°k ^o?esPallery _ VI/

J-065 J-085 J-107 E-149

E-031E-058E-113 - #6

- #2- #4

- #1- #3- #5- final Things to come -NEXT WORLD "CON"- Eng ver.

IllustrationsEiji Yokoyama Kawasumi Nemuko Morino Kenji Mizuhara Noriko Ikeda

Nippon2007 Souvenir BookNippon2007/JASFIC604, 4-20-5, Mure, Mitaka-shi, Tokyo, JAPAN 181-0002Printing: KYOSHIN PRINTING CO., LTD

Aug 30, 2007

Printed in Japan

Color Ads:Jim Baen's UniverseMagazineOne Jump AheadKuroda Han PressRandom House

Inside of cover - HappinetE-004. E-008. E-022. E-042 ■ Ace/Roc/Daw BookslE-005 - Capricon 28E-006 - Denvention 3E-011 ■ BuybrowsrepeatE-012 - AnticipationE-013 ■ Thrilling Wonder StoriesE-032 - Kansas CityE-040 - Analog & Asimov'sE-043 - Andromeda SpacewaysE-047 - Astonishing Worlds .comE-059.146 - Tor BooksE-071 - PyrE-081 - Hayakawa Publishing —E-082 • Australia in 2010E-l 14 - Confux4

“Worldcon" and "World Science Fiction Convention" are Service Marks of the World Science Fiction Society, an unicorporated literary Society. "Nippon2007” is a service mark of Japanese Association for Science Fiction International Communication(JASFlC). a resistered non-profit organization, a kind of legal entity in Japan.

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Nippon2007

From the ChairmanWelcome to the first Worldcon in Asia!

When the Worldcon began in New York in 1939, I wonder whether Sam Moskowitz could possibly have imagined that the convention would one day cross the Pacific and come to Japan. Though already, during that Worldcon in New York, William Sykora had spoken of the drcam to make the SF convention a worldwide event as soon as possible; it has taken more than half a century until that dream has finally become true in Japan.

If you look at the list of past Worldcons the names of Chairmen and Guests of Honor are lined up like sparkling stars. Even in Japan, these SF writers and fans are well known.

In 1958, Tetsu Yano was the first Japanese SF fan who participated at a Worldcon; the toastmaster of that Worldcon was no less than Isaac Asimov. The history of the SF convention in Japan starts in 1962. In the beginning, like in America, many now well known writers and devoted fans gathered. Of course also this year’s Guests of Honor Takumi Shibano and Sakyo Komatsu were among these fans.

After 1962, the Japan SF convention took a slightly different path than the Worldcon. It developed its own originality, influenced not only by European and American SF but also by Japanese SF. In Japan, animation and comics (which are often closely related to SF) abound, in addition to SF novels. Japan's first TV animation was an SF work from the hand

of Osamu Tezuka, the god of manga. Consequently, in Japanese animation, SF has a lot of weight; it is also why many SF creators are choosing animation as their medium. Our Artist Guest of Honor Yoshitaka Amano often displays animation influence in his character design.

In many foreign comics you can see a lot of SF. In Japan you can look at science fiction, comics and animation as a sort of subculture. In this world not only professional books and magazines, but also fanzines are proliferating; Japan’s “Comic Market” held twice per year is a huge fanzine buy-and-sell show with more than 200,000 visitors. The late Yoshihiro Yonezawa, who to my greatest regret passed away last year, saw to it that the SF genre got its due space during this huge event.

I wonder how foreign Worldcon participants will perceive the grown and direction of Japanese SF? And I wonder how the Japanese fans will perceive the international writers

and fans led by David Brin and Michael Whelan? Perhaps it will be like when American Commodore Perry arrived in Yokohama. He opened the port; he ended Japan’s policy of isolation and ushered in a new era. Now in the same Yokohama a convention born in the USA will be held and I hope that the SF world steps into a new era with it!

Last but not least let me with all my heart thank Bruce Pelz who helped us taking the first steps to the Worldcon in Japan, and Peggy Rae Sapienza who has lovingly pummeled and encouraged us from the moment of winning the bid until today, for their incredible support.

Dear all! I hope you will enjoy our Worldcon!

Hiroaki InoueNippon 2007

Executive Committee Chairman

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Greetings from the Mayor

if -fe 4 «

Dear Nippon 2007 Members:Welcome to the 65th World Sci

ence Fiction Convention and welcome to Yokohama City. We are delighted to be able to host the first Worldcon in Japan and it is our pleasure to welcome each of you to our city.

Yokohama is a beautiful port city, located on the Tokyo Bay. Since the opening of the port in 1859, it has served as Japan’s gateway to the rest of the world.

Our convention site. Pacifico Yokohama is ideally situated in the heart of Minato Mirai 21 area, the center of shopping, dining and entertainment options. Yokohama’s attractions also include a tranquil Japanese garden Sankeicn, the bustling Chinatown, the luxurious bay cruises and expansive shopping districts throughout the city.

Yokohama also has a superb access to neighboring attractive destinations. Just 30 minutes away from

the city, you will find the ancient city Kamakura, the old capital of Japan in late 12th century. Hakone and Yuga- wara, the renowned hot spring resort towns nestling next to Mt. Fuji also shouldn’t be missed.

On behalf of the city, I wish you a rewarding experience at the Nippon 2007 and a pleasant and memorable time in Yokohama.

Yours sincerely,

Hiroshi NakadaMayor

City of Yokohama

E - O1O

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AnticipationMontreal w 2009

Worldcon Bid

August 6-10, 2009

www.anticipationsf.ca

YES!

YES!

YES!

Montreal has the facilities:The Palais des emigres (convention centre) is large enough to host the entire convention on two convenient floors connected by elevators, escalators and stairs. One floor has 198 820 sq.ft, of exhibit space and the other up to 65 meeting rooms totaling 131 700 sq.ft, giving a total rental space of 330 520 sq.ft.Everything is located right in the middle of downtown Montreal and a stone's throw away from Old Montreal.The convention centre is directly connected to the Montreal Metro and the underground city giving you access to countless other restaurants, stores, and attractions.

You can get there from here:Montreal is accessible by all the usual forms of transportation.Montreal has a major airport with over 500 flights per day bringing over 25 000 passengers from all over the world.Montreal connects by rail through New York City and through Detroit.Montreal is on the Interstate. Well, practically: a mere 45-minute drive from the border, where interstate 87 ends and highway 15 starts. Same road, different name.And once you've arrived, getting to the convention site is easy. Parking is available nearby. Both the train and bus stations are connected directly to the metro and are a few stops away from the convention centre, while shuttle services are available from the airport to most major hotels.

You can buy great food here:Not only do Montreal and Quebec have their own unique cuisine, Montreal also has one of the widest varieties of restaurants in any city, from Afghan to Vietnamese, you can find it here.There are over 300 restaurants of all kinds within 1 km (approx 0.6 miles) of the convention centre and over 800 within 2 km (approx 1.2 miles) of it.

Our committee:Robbie Bourget Brian Davis Bruce Farr Terry Fong

Eugene HellerPeter JarvisJohn MansfieldLinda Ross-Mansfield

MrShirt (Michael McConnell) Nicholas Shectman (Phi) Marie-Astrid Walling Rene Walling

"Worldcon" is a service mark of the World Science Fiction Society

http://www.anticipationsf.ca

STORIESFun!EXCITEMENT!INSPIRATION!

A Classic Novella from JACK WILLIAMSON!

Thought-Provoking Science Article!

EVER WONDER ilHBRE THE

A Rare Novelette h*om GEOFFR^ LANDIS!

THE FUTURE /< BACK... QUARTERLY!

Article by JAMES GUNN on Space Opei

•Classic Stories by STANLEY WEINBAUM, RAYMOND F. JONES, and CLEVE CARTMILL!

Uncollected Stories from RAY BRADBURY and ISAAC ASIMOV! • • Reviews of New DVDs by

SF/ilm Expert BILL WARR^I!

Interview with FORREST J ACKERMAN!

IN OUR FIRST BXQTING ISSUE: *

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Author Guest of HonorSakyo Komatsu

Three Dimensional TV for When You're Lonely

by Sakyo Komatsu

"When you are alone and feel lonely, three dimensional TV is your friend..." a voice said.

He was lying on a sofa in a comfortable, clean living room looking up at the ceiling with nothing special to do. Suddenly he sat up, as if he had thought of something. On the floor, about one-and-a half meters in front of him was a three dimensional TV set, flat and about the same size as a door mat.

He poured sake into a glass on a side table, and holding the glass he

turned on a switch at his elbow and again lay down on the sofa.

Slow, sweet music began to fill the room and the TV screen began to flicker. A misty, white shape began to glimmer in the area in front of the screen, and in a few moments, a man and a woman had materialized beside the sofa on which he was resting.

"Ah, ah,..." said the young, beautiful woman. "You will never know how much I love you."

The man and the woman were suddenly there. In the room. He smelt

the faint odor of the woman's perfume, he could feel her warm breath. If he reached out he could touch her skirt.

The images produced a three dimensional TV could now be even smelt and felt.

The man abruptly hugged the woman and kissed her.

"What a lovely melodrama..." intoned the voice.

When the man turned the channel selector, the couple disappeared in a flash, and in their place stood an African Negro brandishing a spear and a shield.

Before he knew it, a sturdy fence had also appeared before his eyes, and beyond it could be seen a dense jungle. From the jungle came the roar of a beast. The Negro turned, gave a piercing shout and stood with his spear ready. A fiercely roaring lion sprang from the jungle, and as the Negro leapt to one side it slamned into the fence.

As he lay on the sofa, the stinking breath of the beast, and its hot spittle was wafted into his face, and its tail lashing from side to side knocked over the sake bottle at his elbow.

"Such a dynamic drama filled with suspense and thrills..." said the voice. "Don't get too near the screen. It's dangerous."

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Nippon2007"A nature preserve in Africa, and

that Negro and the lion are the stars of the show," he thought and again switched channels.

There on the floor squatted a samurai, with his hair drawn back in a topknot, and the room became a field full of grass. A wind blew and the insistent calls of cicadas resounded through the room.

The samurai gave a great cry, rose to his feet, and brandishing his sword swept across the field.

Something warm and wet passed across his face. Previously hidden by the long grass, a man dressed in black sprang into view and fell to the floor. A dart swished through the air and buried itself with a thud in the door behind him.

"A thrilling historical spectacle ..." said the voice.

"Nonsense," he replied, turning the switch again. Then from a corner of the room came a stream of shots from a ray gun. The air became turbulent as if the room was about to be blown away, and a stout man dressed in a space suit popped intoview. A giant robot came from behind a rock and walked toward him with a harsh rasping sound as it shuffled over the carpet of rocks. Lying on the sofa he saw a vast transparent dome protecting him from the vacuum of outer space. An unlimited number of cold stars dotted the sky like tiny islands, glittering from afar, millions and millions of light years away.

"This is much better," he thought to himself, trembling in spite of himself in the face of the freezing void.

"But it is a little too cold and alien."

The voice boomed, "A stream of dramas chase across the face of the universe..." He changed the scene again. This time it was the party atmosphere of a night club. Cigarette smoke made clouds in the multicolored lights and the rustling of the clothes of well dressed people could be heard. "Now you have the pleasure

of peeping into the entertainment centers of the world without moving from where you are. Whenever you are alone and lonely, you are invited to join the programs of CNC three dimensional TV..."

A singer had the floor, singing none too expertly as she only recently made her debut. She was his sweetheart. He spoke to her in his mind. "Do you want to stay here tonight?" The girl, who was singing for all she was worth a song that no one was listening to, walked over and turned to him. Not only to him, but to millions of TV watchers like him. She smiled. He reached out and touched the shoulder of his sweetheart. There was the warm, soft feel of flesh. Running his hand from the shoulder to her breast, he thought, "Even if you are only a projected image created by an electronic trick, it has nothing to do with your real self. But I still feel sad to think that millions of other people are touching mil

lions of other copies of you. Dammit! My dear, it's a sad thing for both of us."

The voice came again, "We now bring today's programs to a close. Ladies and Gentlemen, sleep well. Goodnight."

Someone tuned off a switch, and in that same instant the room and its occupant disappeared as quickly and as finally as the commercial projected of CNC 3-D TV.

The Original story was written during the 1960% probably in 1965.The English version was printed in the "Z", a promotion magazine of Mitsubishi Heavy Industries, Ltd., March 1974.

illustrated By Noriko Ikeda

E-015

Author Guest of HonorDavid Brin

Gawkers by David Brin

As a little kid, I used to think every family was annoyed by time travelers.

After all, why should visitors from the future want to bother us, in particular? Dad piloted the island ferry. Mom ran the village bookstore and souvenir shop. We weren't special in any obvious way. So if people from some distant century chose to come back and stare at us, they must be doing the same thing to lots of folks, right?

"Just ignore them, son," my father used to say.

"Treat 'em like all the other tourists."

Good advice, though it was sometimes hard to disregard strange figures who popped into existence suddenly in some shadow or alley, or just beyond the corner of your eye, whispering in odd accents and weird dialects, peering about and pointing with obvious excitement.

Then there were those occasional, bungled assassination attempts. Things like that are kind of hard to overlook.

Still, in a sense Dad was right. We had plenty of experience dealing with tourists. Each summer the hotels and campgrounds of Sea Island filled with mainlanders from New York and other cities, eager to shrug off urban pressures, yet hauling their big city quirks and hangups with them.

Abandoning all fashion sense

and decorum, they roamed about in shorts and mini-tops gabbling loudly, complaining about cloudy days, then moaning when the sunshine flayed their shoulders.

Local businesses counted on the seasonal trade, though it took real effort to maintain a welcoming smile at times when our village seemed like one of those guano islets you hear about, with every square foot taken over by swarms of squawking goonics.

The madness would last till autumn winds blew most of them back to their roosts in sparkling Manhattan.

So we were already geared to handle outlandish visitors, and I guess the time travelers ought to be included. Only //they// showed up year-round, even as winter sleet lashed our seaside town. Also, they hardly spent a dime.

We called them gawkers. Dad thought they were frugal out of prudence, so as not to disrupt history with an economic paradox. But really, was it going to change the time-stream all that much to buy some picture postcards? Anyway, if they were so worried about temporal interference, why did so many century-hopping visitors grab free souvenirs? Pieces of our fence, paving stones off our walk, even stuff from the trash cans we put on the curb. Mom gave up trying to grow flowers and Dad stopped replac

ing the name placard on our mailbox. They'd only vanish in day or so.

1 deduced that our descendants were stingy bastards. <italic>Highly cvolvcd</italic> perhaps, but misers and petty thieves, nonetheless.

#Oh, they were a nuisance, all

right — wearing "authentic period costumes" while trying to feign some legitimate business in the neighborhood. Our little resort village always had plenty of unknown postmen, UPS drivers and meter readers roaming about, acting busy without ever delivering anything or reading any meters. If you ask me, they looked foolish with their camouflaged micro cameras, pretending not to look while aiming pinky rings and glassy buttons my way.

Usually they wore fancy sunglasses, and you could tell there were images flickering on the insides. If you brushed by one of them, real

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Nippon2007close, you could spot flesh-colored earpieces and often overhear faint whispers of commentary from some kind of audio guide.

Once, when I was twelve, I remember clearly overhearing my own name, murmured in awed tones from one of those ear-thingies. That was when I started catching on.

The gawkers weren't just tourists, coming to enjoy our sea views. They were traveling back in time to look at <italic>me.</italic>

I admit, I started experimenting at that point,changing direction to deliberately pass close by.

Unnerved gawkers reacted by getting all shaky and sweaty, as if I might slay them with a touch. One or two actually fainted. But if I tried to offer help, someone always appeared — a tour guide? a cop? — out of nowhere to hustle the stricken one away.

"Try to pretend you don't notice them," Mom advised one day, putting a stop to my experiments. "I think they get in trouble when we pay attention. Promise me you'll leave the poor things alone, will you Jack?"

Soberly, I told her that I would. And I kept my word, mostly. Except one time, when I guess I acted a little

Afterword to the story GAWKERS.

In the course of my career, I have begun many time travel stories... and I have finished none of them. I am not sure why. Perhaps it is because the artist in me comes up with a great situation, but then the scientist part of me interferes by complaining about "paradox" problems. Usually, I can get that guy to shut up. But time travel really seems to irk him!

And maybe that's actually the point about SF. It is not about the past - though history feeds us with dramatic examples. Nor is it about the future. No, what SF is all about, I believe, is our brave willingness to explore. To contemplate the strange. To argue with the universe and find out where it has a little "give".

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Artist Guest of HonorYoshittaka Amano

This is only I know about Amano-sanby Baku Yumemakura

: Original author of the novel" Chimera"

I think many people have been writing about paintings of Amano-san.

I also wrote about his paintings a few times.

So I would like to write something about Amano-san except his paintings.

Actually I have been writing calligraphy with Amano-san several times.

It’s about 3 times in total.First time, we visited Kouhei

Okamoto-san, the calligrapher who had taught me the basic and we wrote calligraphy there by using India ink and brushes all day.

The second time was in Silk Road.

The end of the traveling in

Silk Road, at night we got together in the room of the hotel in Changan where we choose as final stay, and we wrote calligraphy for the memory of the travel by using brush, paper and Indian ink bought in Changan.

The third time was in Japanese inn at Hagi.

After we had gone Shimane to see the stage of Tamasaburo Bando- san, we visited Hagi for 1 night.

We had sent a set of calligraphy tool to the Japanese inn in advance, we wrote calligraphy by littering the large room with Japanese paper.

As I am inexperienced in the brush and unable to move hand as I wanted, I tend to write sentence. But feeling good to see the brushwork

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Nippon2007

of Amano-san every time.Amano san always writes either 1 letter or 3 letters. He holds brush and instantly considered for a while and afterwards moves his hand and keeps moving without stop.The brush is moving smoothly and the space will be composed on the white Japanese paper.From the beginning, Amano- san's calligraphy is written freely.Stroke order, height and width, and the shape as well.‘Letter’ is the material for composing the space and he doesn’t care about refilling the ink and the thin spot.In addition, the line of the calligraphy is not just a line.For instance, the word MOUNTAIN’ has a meaning of the mountain of itself, and this meaning and the amusingness of the lines composed by Amano-san become the jointed 2 layers to be appeared out of the letters.We played with brushes for almost a night with drinking alcohol at Hagi.We used most of the papers included small paper as Japanese

"Chimera - Seiryu-hen" by Baku YUMEMAKURA

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Artist Guest of HonorYoshitaka Amano

An Essay On Yoshitaka Amano

And His Worksby Hideyuki Kikuchi: Original author of the novel

"Vampire HunterD"Which is of more importance to

the readers, the original character of the novel or the illustration ? This was what occurred to me when I first saw the sample book of “Vampire Hunter D”.

Yoshitake Amano's original design of “D” was far beyond my image. To me“D” was a young man easy on the eyes but frantic and mysterious. A man dressed in a black coat along with a pair of long gloves and boots, carrying a samurai sword on his shoulder.

My other novel of “Makaitoshi Shinjuku”(also known as “Demon City Shin-juku”) was illustrated by Jun Suemi. The illustrator's wife mentioned that “Aki Setsura”, hero of this novel, must have an androgynous look.

Admittedly,both heros'Aki Setsura” and “D” have something in common, but that does not

lead to the fact that “D” is androgynous. I created “D”to be masculine. In fact“D" was derived from nothing but cowboy films which caught on in my childhood. A maverick cowboy, wandering aimlessly and dustily in the vast wilderness, must be a muscular guy with tenacious spirit.

However, Yoshitake Amano got hold of “D” differently. When they first handed me his illustration of “D”, I was totally astonished, which was a memorable sight for the editor who witnessed it and later wrote about that day in some article.

Amano's “D" was not muscular at all. He looked like a young prince on a white horseback, who would come to a fair princess’s rescue in the moonlight.

This was a fairy tale, and that, I never wrote.

I told my editor perplexedly the picture was not my image or something like that. Hearing my opinion, the editor replied annoyingly,“Why so upset? Girls would love it.” I thought his words were just mere evasion!

My presumption ended up wrong.

“D” is now defined as the way he was illustrated by Yoshitake Amano. The entire English edition of the “D” series has his illustration on the cover, and that is an observable fact. His drawings were magnificent.

Amano is recently active as a painter and video artist, more than as an illustrator. Although, he would always manage to find time to draw “D ”.

With every volume his drawings become more exquisite and impeccable. It makes me feel

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Nippon2007that he might dedicate himself to “D” in exchange for his own life, and if such case happens, I would probably be in the same fate.With the absence of Amano's illustration, the novel series of “D” would not have continued successfully for this long.What if all books have no illustration? No one can tell which book is going to be picked first. Consumers will judge whether they buy books only by their contents. That would be ideal for writers, in a certain sense. However, their job would become far more demanding, and writers would be exposed to severe consequences. They would be the only ones to be blamed about sales performance and such circumstances would be nothing more than terrifying to them.With Amano's illustration, every book would be a great hit. Even a novel not too fascinating would sell well with the help of Amano's work. As an ironical consequence, it is sometimes the design that attracts people and not the story written inside.I used to imagine that Amano was a nervous artist of mystery, working in an atelier built in the foggy woods. So when I first met him, I inadvertently let my words slip out, “It can’t be him.”Why did I say so? ; Just take a look of his picture taken, and you will know.Just that day, I had my partner accompanied, who blurt out,“Oh, he's my typef’and I eventually started an argument with her.Afterwards, I heard that Amano mentioned that day,“I used to imagine Kikuchi is a tough guy, with brawny arms like tree trunks.”So that means, you can never tell anybody's character or appearance by his work of art.I still keep the initial and original drawing of “D”, which he

YOSHITAKA AMANO Art Book VAMPIRE HUNTER “D” n £«Dl). f L/C. Iff Ll'I MH'3

£§7571® oi'lzigig! •!.. 25..£«3990F? »«*3HOOH MS >7 7 7

"YOSHITAKA AMANO Art Book VANPIRE HUNTER 'D'“ by Yoshitoka Amano

gave me in exchange with a bottle of whiskey. There are also other drawings, which were purchased. My greatest concern is how they treat all these secret drawings after I’m gone. I would certainly want to know Amano's idea about this concern.

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PENGUIN GROUP (USA) PROUDLY SALUTES OUR HUGO® AND CAMPBELL® AWARD NOMINEESGinjer BuchananHugo Award finalist, Best Editor, Long Form (Roc)

Charles StressHugo Award finalist, Best Novel, Glasshouse (Ace)Sarah MonetteCampbell Award finalist, Best New Writer

BLOOD DRIVE

JEANNE C. STEINNbMmI JEFF CARLSONBLOOD DRIVE Jeanne C. SteinAce Mass Market • July 2007 PLAGUE YEAR Jeff CarlsonAce Mass Market • August 2007GLASSHOUSECharles StressAce Mass Market • July 2007

DEMONS ARE FOREVER Julie Kenner Berkley Trade Paperback July 2007THE ACCIDENTAL TIME MACHINE Joe Haldeman Ace Hardcover • August 2007

THE MIRADOR Sarah Monette Ace I lardcover • August 2007RoC Penguin Group (USA) | penguin.com

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penguin.com

Nippon2007

Fan Guest of Honor Takumi ShibanoA History of Japanese Fandom with "Uchujin" in the Center

by Tosaku Mori

On May 15, 1957, the first Japanese SF fanzine, Uchujin (Spacedust) (translator’s note: Uchujin is a clever play on words. It means “spacedust” but sounds like the Japanese word for “spaceman” or alien) was published. It is said there were SF fanzines before Uchujin but the details are unclear. The editor of Uchujin was Takumi Shibano, and it was published by the Science Creation Club (Kagaku So- saku Kurabbu). The fanzine was on A5 paper and was 54 pages long (including the cover), produced by handwritten mimeograph, and published monthly from the first issue.

At this time, SF fandom gave its first newborn cry in Japan.

After that, many fan groups were born in every part of the country, but

most of these disbanded after three to five years of activity. However, Uchujin, born at the beginning of fandom, gave many SF writers, translators and critics their start, and as the old-timer of SF fanzines, it has been around for 50 years. It continues to hold activities that embrace many members, and in the year 2007, it will reach its 200th issue.

It is said that Uchujin’s path occupied a big part in the history of Japanese SF fandom. This manuscript intends to trace the path of Japanese SF fandom through the footprints of Uchujin, using If One Heaps Up Even Dust: Uchujin’s 40 Year History (revised edition) Always Looking Forward (Edited and published by Uchujin, 2006).

Unless otherwise noted, words attributed to Takumi Shibano in this essay are quoted from this book.

1. The Start of Uchujin—A

Gathering of SF FriendsThe SF fanzine Uchujin’s proto

type was created by some friends who knew each other from The UFO Research Group (Enban Kenkyu Kai). Shibano and most of Uchujin’s coterie were drawn from the members of the UFO Flying In Japan’s Skies Research

The UFO Research Group (Enban Kenkyu Kai)

Group presided over by Kinichi Arai.UFOs Flying In Japan’s Skies Re

search Group began in 1956 (Showa 31). It wasn’t aimed at pure UFO researchers but gathered together people who loved “strange and impossible things.” Komatsu Kitamura, Yukio Mishima and Mayuzumi Toshiro were also in the lineup. Mingling among these friends were Shibano, Shinichi Hoshi and Morihiro Saito, who “liked SF.”

Shibano was part of the UFO Research Group just after it started, and helped Arai with the editing of the club newsletter. However, Shibano said, “It wasn’t that I was so enamored of UFO research, but that I was interested in those basic, fantastical science ideas, so I wanted to do SF.” He wanted to publish an extra issue of Space Machine (Uchuki) devoted to SF works. So he sought Arai’s co-operation and announced it at the meeting.

Shibano said about that time, “I was light-hearted about it, and I just threw out the idea of doing an SF fanzine at the regular meeting. But then I got a quick response. The very first to introduce himself was Shinichi Hoshi. He whipped out his business

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card and said, ‘I’m Hoshi. Please let me in on this,’ with the special tone of voice he had. And there were others who said they wanted in at once, including Morihiro Saito and some others. At that, I thought, ‘Hey, we can do this.’”

The first title was to be Space Machine Special Issue but after that it morphed into SpaceMan (Uchujin). Finally, “Just before we went to the printers with the originals of the first issue, I thought ‘dust’ would resonate better than ‘man’ so I went with Space Dust (still pronounced Uchujin). Really, I thought this issue was a once-in-a-lifetime thing for me, so I went with my own judgment. I didn’t consult with anyone.” And that’s how Shibano’s decision became today’s Uchujin.

The first issue included 18 top members: Tetsu Yano, Rei Kozumi (Shibano’s penname), Masao Segawa, Shinichi Hoshi, Masako Horiuchi, Motoki Kanazawa, Shintaro Kakure, Kaname Yoshida, Shuya Suisho, Mit- suo Mozai, Hideaki Kusaka, Mikio Sakurauchi, Kuniyoshi Arase, Shin- ichiro Kumagai, Morihiro Saito, Shinichi Nonomura, Ryuichi Ohira, and Shigeru Watanabe. There were about the same number of “magazine friends” (second rank members)

At about the same time, Tetsu Yano attended the 11th WorldCon in 1953 at the invitation of Forrest J. Ackerman and saw the “top names” in SF. Shibano heard about this, and proposed that as the chief of the literary coterie, Shibano should attend, too.

Yano readily agreed to Shibano’s attendance and introduced Shibano to Kcisuke Watanabe, the president of the Omega Club. The Omega Club was a group of young mid-list mystery writers who were aiming to publish in prozines and that club newsletter, “Science Novel” was subtitled “The Manuscript Showcase.”

As Shibano was announcing his plans to publish a fanzine, he received

advice on fanzine management from Aran Kyodomari who was interested. Kyodomari already knew about the world of mystery novels, and Shibano welcomed him as an associate member, and Kyodomari and Yano became his star writers.

Even the mass media took notice of the birth of Japan’s first fanzine as Uchujin’s first issue came out. Kawataro Nakajima, who understood SF, mentioned Uchujin in his column in Jewel (Hoseki) and gave the magazine a nice push with his kind introduction.

The new members were Ryu Mitsuse, Eisuke Ishikawa, Kosei Ono, Atsushi Miyazaki, Hajime Mo- chizuki, Tetsuo Saito and others. After that, as Uchujin’s pen grew more powerful, it came about that they had built up a stable of writers, translators and critics.

2. Getting Busy: Meetings and Creative Work

In 1957 (Showa 32) Japanese SF fans were reading a few British and U.S. translations and a few writers eked out a scanty number of SF-flavored stories. Everyone had a “king of the hill” feeling. Shibano himself said, “In Japan, people more or less felt that only they had a real understanding of SF. Even when I met Yano, I thought, ‘OK, this guy is pretty good because of overseas SF newsletters or something, but as far as SF theory goes, I’m not so bad myself.”

For these SF fans, it was the first time for them to realize through the appearance of Uchujin that there were other SF fans out there. It was two years before SF Magazine started up. Uchujin was “The Japanese SF World’s Only Regularly Published Magazine” and it had become the thing that satisfied SF fans’ thirst.

At first, Shibano only asked the Science Creation Club to be a fan group. “At that time, I only wanted to make a fan group, that is, some friends who could talk about science

fiction,” were Shibano’s words, but these friends from the dawn of the SF world were crying out for more.

However when it came to having an actual meeting after the club newsletter was done, even though it appeared that the meeting itself was full of vigorous discussion, not as many people came as were expected. “Perhaps our members, except for a small percentage, weren’t interested in this kind of nonsense,” thought Shibano, and he adjourned the meeting early.

At Jushiro Izumi’s suggestion, after the start of meetings by the so- called Editorial Committee (whose duties included collecting the administrative funds), people itching to talk about that SF nonsense were meeting again, and an elect few SF fans began competing for recognition of their encyclopedic knowledge and strong memory.

Japan’s first SF fanzine again began to see writers, translators and critics appear one after the other. Shinichi Hoshi was the beginning. Hoshi’s SexTrance (Sekisutora), which appeared in Uchujin no. 2 appeared in Jewel magazine thanks to the mediation of Udaru Oshita and a recommendation from Ranpo Edoga- wa. This was Hoshi’s debut story. Next, Bokkochan from issue nine also appeared in Jewel, and the SF author Shinichi Hoshi was born.

Also, there were 13 approximately annual “See Your Story in Print” contests and the competition between the members of the group added to the magazine’s excitement. The top prizewinners, chosen by member vote, were often bought by prozines.

3. SF Fanzines Multiply, and Interaction Expands

After Uchujin, in 1960 (Showa 35) the second SF fanzine Nuru started up. (Nuru can mean null, or to paint, and it has various SF echoes.) At first, Nuru was a family fanzine with the four Sasai brothers at the center. Carrying high quality stories

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Nippon2007from the beginning, one after another were re-published in prozines and before long, it recruited regular members and came to be called the Nuru Club. Shibano worked on exchanges between Uchujin and Nuru. Those expanded from 1961 when a regular meeting started to be held, and the Kansai SF Meeting was developed in 1962 for regular members.

In 1962, Shiro Shima became the first president of the SF Magazine Fan Club (later re-named the SFM Fan Club), and the newsletter Space Currents was called “the SF fan’s social magazine.”

The main pillar of that project was a regular meeting called “First- Day Meeting”. Every month, on days of the month that ended with a one, many fans got together for a meeting in a city coffee shop.

Uchujin started a monthly meeting again from 1960, but after the close of 1964, Tokyo fandom would devote itself for a span of about 10 years to the First-Day Club and after that the Thursday Club (held every Thursday) and other open regular meetings that started.

The Mutants Club published the club newsletter Mutants on the one hand, and put efforts into its meetings on the other. The Friday Club, which was held in Nagoya, left its mark on Chukyo fandom, and many active SF fans were recruited.

In this way, the main groups were created at the beginning era of Japanese fandom.

4. The Start of Japanese SF Conventions—the First Japanese SF Convention (MEG-CON)

The first Japanese SF convention (MEG-CON) was held on May 27, 1962 (Showa 37). SF Magazine Fan Club’s opening ceremony and Uchu- jin’s 5th anniversary coincided and it was planned to hold them together, but eventually the project expanded and they recruited a lot of regular members for the first Japanese SF

convention.MEG-CON, held in the Shimizu

Annex of the Meguro Public Hall of Meguro Ward, Tokyo, ran on a two- part system of afternoon and evening activities. The number of participants exceeded the planners’ estimates, and it is said that about 200 people attended. This first SF convention in

The first Science Fiction Convention

Japan saw major coverage from the Japanese media.

There is a group picture of the event, but only some of the participants’ names are known. Shibano said, “That picture it’s not everyone. It’s only the people remaining after the end of part 2. But except for the people I know, it’s impossible to know who’s there unless they declare themselves. Looking at it now, we were irresponsible, but at the time we didn’t think it would be inconvenient later.”

Then, that September, the Uchujin International Edition featuring Norio Ito was published. This was a point of contact with overseas fandom (particularly American) that grew from correspondence between Shibano and Roy Tackett which began the previous year (1961). It was published with the intention of introducing Japanese fandom to American fandom, but sadly it came to a standstill after only the first issue.

5. The Two Wheels of the Japanese SF World: Opposition and Peace-Making

From the beginning of the Japanese SF world to the development period, fandom drew strength from

Takumi Shibata, who presided over Uchujin, while prodom had SF Magazine’s editor-in-chief, Masami Fukushima.

The first SF Magazine published in Dec.1959

SF Magazine, the first successful prozine specializing in SF, began publishing in December 1959 (Showa 34). (In December 1954, Japan’s first SF magazine, Seiun (Nebula), was published by Morinomichisha, but disappeared after the inaugural issue.) At that time, Uchujin was on its 27th issue and was looking much smarter with type-set printing.

It was editor-in-chief Fukushima’s plan, at the founding of SF Magazine, to put efforts into convincing established writers to create SF rather than dig up new writers. However, that plan was brought to a standstill, and by and by, through activities like the SF Contest, he put his efforts into digging up new writers. From then until the end, mystery prozines like Jewel and Hitchcock Magazine provided a stage for aspiring SF writers, but new magazines specializing in SF began to attract them.

Fukushima filled the SF establishment with enthusiasm, but at the same time, as the posthumous work Untrodden Age said, fandom (as represented by Uchujin) was holding a grudge against the current state of affairs. Fukushima himself wrote about the details of the start of the Science Fiction and Fantasy Writers of Japan (SFWJ), which Fukushima helped found in March 1963.

From the first, “Uchujin was an

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undoubted leader of existing SF but we wanted to form a completely unrelated organization,” Fukushima said. “And so we dug the groundwork thoroughly.” (According to Untrodden Age, below also was found in this work.) As a result, “the SFWJ collected members of Uchujin and it was the beginning of Shibano’s removal.

The promotion meeting brought together all these people: Takashi Ishikawa, Sakyo Komatsu, Tetsuro Kawamura, Morihiro Saito, Hakko Saitou, Ryo Hammura, Masami Fukushima, Shinichi Hoshi, Yu Mori, Ryu Mitsuse and Tetsu Yano.

Actually, the proposal to form a group of writers, translators and critics had already been put forth on the occasion of Uchujin’s 50th issue, the memorial SF film fest. And in the following year at MEG-CON, Shiba- no proposed to Fukushima that a pro group be established.

Shibano recalled that time as follows: “I proposed to Fukushima, ‘It’s about time to form a pro group, isn’t it?’ And he replied, ‘It’s a little premature, I think.’ But the next March, they made the SFWJ without me.”

Shibano and Fukushima should be called the two wheels that supported the development of the Japanese SF world, but the details of what brought about this opposition are not clear. To borrow Shibano’s words, “It’s not like Fukushima and I had a fight or something, but several things built up, and it’s true that things got disagreeable quickly.”

Fukushima said, “The necessity of founding the SFWJ felt like it brought only one kind of irritation,” with him being conscious of Shibano’s influence. It’s not difficult to imagine that being one of the remote causes of the opposition.

However, as Fukushima looked back at that time, “At that time, we lived in a tiny box, and some people understood it only as a frog battle for leadership in the well of the SF world. I was me, and he was he, and we

each had a way of belief, and we had a common goal to achieve. At that point in time, we could only oppose each other,” he summed up.

Anyway, the opposing relationship dissolved after about a year. At that time, an interview by Shoji Oto- mo called “The People Who Make SF” appeared in SF Magazine. At first, it wasn’t planned that Shibano would appear, but Fukushima had a sudden turnabout and directed that Shibano’s interview be included at the last minute.

We’re guessing that Fukushima’s huge change in attitude toward Shibano was influenced by a dispute between Fukushima and Masato Ara, a literature critic. (Ara understood SF, and regarded Uchujin highly.)

6. Coterie Publishing and the Growth of Fandom

Uchujin’s coterie first published work was Shinichi Hoshi’s Artificial Beauty (Jinko Bijin) (Shinchosha, 1961). However, if we are talking about published books in general, Masao Segawa’s The Flowers that Bloom on Mars (Kasei ni Saku Hana) (Kodansha, 1956) was published and Tetsu Yano (who was also a translator) wrote A Sweet Mystery (Kanbi no Nazo) (Amatori, 1958).

In 1962 and 1963 (Showa 37 and 38) as fan activities and conventions became more concrete, the coteries’ first publications were the next to come. Aran Kyodomari’s Tower of Light (Hikari no To) (Tokyo Shobo) and Taku Mayumura’s Burning Inclination (Moeru Keisha) (Tokyo Shobo) went to the printers. Both works appeared in Uchujin (Kyodomari’s Kariezaru Tane (The Unharvestable Seed) and Mayumura’s Bunmeiko (Civilized Thought)) and were turned into full-length novels.

Also, Ryu Hirose’s Hakahimei 2007Nen (Grave Inscription 2007) and Sakyo Komatsu’s Chi ni wa Hci- wa O (Peace for a Place) were both printed by Hayakawa Shobo. These

also appeared in Uchujin.Other members who were pro

moted to prozines were Kosei Ono, Kazumasa Hirai, Yasutaka Tsutsui, Aritsune Toyota, Takashi Kusakawa, Tadashi Hi rose, Tsutomu Miyazaki, Shozo Tokura, Masahiro Noda, and the list goes on, and not just writers but critics and translators saw a broader market for their activities. This improved Uchujin’s already good reputation as a “Gateway to Honors in SF,” and as members increased, the numbers of great writers were pulled out by centripetal force.

SF writers had an increasing number of markets and after 1961, SF fandom could read the aforementioned SFM Fan Club’s Mutant’s Club, Paraclub’s privately published Paranoia, after which a fan club followed. Waseda Mystery Club/SF Department, SF Art Research Club, T/P (Time Patrol), Kyofu Bungaku Seminaa (Terror Lit. 101), Northern Kyushu SF Club (later called Kyushu SF Club, and Hokkaido SF Club were introduced, and they all competed in various projects. By and by, these joined to form the UC.

7. The Role of Fanzine Critics

Uchujin was well known for playing a “Gateway to the Pros” role for many SF writers, translators and critics, and was highly regarded in the Japanese SF world for that reason. At the same time, Uchujin played a big part in the development of Japanese fandom. For many fanzines that came after, the consistent ability of critics to give a frank standard of quality resulted in an improved quality of fan work, activated fan publishing, and led to the prosperity of fandom.

After Gcppyo (Monthly Review) (no. 68, June, 1963), Fandom Monthly Report, Fanzine Corner, and Fanzine Review, as it was called variously until issue 177 (1975, no. 2), there was a span of 12 years in almost every issue there was a criticism/introduction for

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Nippon2007Japanese fanzines by Shibano (C/R) and a fixed “Famous Regional Products Corner” (Meibutsu Conaa).

For fanzine editors and amateur writers all over the country, it became a goal to send one’s own fanzine to Uchujin and receive criticism. And then, many fans were gladdened and saddened by the judgments rendered there.

Shibano said this about the details of starting the “Famous Regional Products Corner”: “At this time, various fan groups were starting up in every area of Japan, and I thought it was important to spread that news, and as fanzines were sent from here and there, I felt an obligation to introduce them in the magazine’s pages.”

On the other hand, “I wasn’t really thinking, ‘Oh, we’ve got to make fandom bigger,’ or ‘grow!’ It looks irresponsible, but I thought, what will be, will be. On the other hand, this was one kind of confidence. ‘If I do nothing, it’ll probably grow anyway,’ is how I felt,” Shibano said. He didn’t have any special intention to plan the expansion of fandom through fan criticism.

This criticism made fan activity more exciting, but on the other hand it was much harder work than expected. Shibano himself said, “I didn’t expect the job to be so hard. As soon as I started it, I regretted it. No matter how hard it was to read, if I didn’t read it, I wouldn’t be able to do a review.”

At that time, most fanzines were hand-written and mimeographed. Because amateur printers were doing it, not a few were hard to read. Because of that, Shibano sometimes gave candid advice in the middle of fanzine criticism.

8. The Ups and Downs of Young Fandom

SF fandom expanded during 1963 and 1964 and “adult fan groups” aimed at grownups were born in each area, while “children’s fan groups”

aimed at junior high and high school students also began to be vigorous.

In that rush, Space Club (Kuu- kan Kurabbu) began in 1964 (Showa 39). Ippei Kimura was a member, and along with Noboru Sato’s SF Company and Masaki Honya’s God of Poverty (Bimbo-gami), and others, the groups co-operated to form the Japan Youth SF Fan Group Union (Planets). We can say that “youth fandom” got its real start here.

At the same time, Koaserube-to Kurabbu with Bin Ikeda at the center started. This group had subsidiaries called Core-cell Affiliated (Koa- seru-kei) which embraced the whole country, and Planets drew a clear line in the development of original activities.

Hiroyuki Nanpa wrote “A Brief History of Young SF Fan Activity” (Uchujin no. 168, no. 170-173) detailing the progress of young fan activity.

When Planets started, affiliated groups were Space Club, SF Company, God of Poverty, Dimension (Ji- gen), Against the World (Hansekai), Neptune, Paradox, SH Club, Jupiter, Homo superior (Homosuperioru), Prominence, and later came SF Fan Club (SF Aikokai, aka SFFC), Moonchild and SF Ladies, among others.

The young fans had high spirits, and in December 1965, the first Japanese Youth SF Convention (PuraCon 1) opened. (PuraCon had four conventions, and lasted until 1968.) They had their first contact with SF at an impressionable age, and some were in a faction called “pure SF fans.” Also, their actions did not have a small effect on the SF world.

The event that rocked the SF world was one young fan’s contribution (Ippei Kimura, “A Young SF Fan’s Complaint” in Space Currents no. 33, July 1965). Around 1963, the influence of the SF boom caused all youth magazines to look for SF-bascd stories, and when the supply could not catch up with the demand, a jumble of

good and bad came about. As a young SF fan, Kimura cried out against these conditions.

Kimura said that not only was the quality of stories in youth magazines “extremely bad,” this mass produced SF might attract readers for a time, but the result would be to increase the number of readers who hated SF. He included criticism which gave the real names of several authors.

This contribution, coming from Space Currents which after Uchujin was looked on as the representative “adult fanzine,” had a huge influence and the writers of SF proper were repulsed. Especially, Masami Fukushima in his SF Magazine column “Diary (Nikki)” refuted this. Also, a story called Night of SF (SF no Yoru), which featured a farcical SF- mania group leader who was modeled after Kimura, appeared. Then, the SF youth fans, determined not to be beaten, came out with a fan-published parody called Morning of SF (Yuu- suki Minami, Akira Waki).

In return, Yasutaka Tsutsui and Kazumasa Hirai, among others, published the SF Newspaper (SF Shimbun) (1966), and gave room on its pages for criticism aimed at SF fans.

In this confusion, what place did Uchujin have? Shibano carried a response to “A Young SF Fan’s Complaint” in Uchujin (no. 94, August, 1965). In it, Shibano pointed out the violent expressions and lack of data, and said, “Certainly, there is too much youth SF right now,” and “Authors have various circumstances . . . but I don’t think compromise is impossible. Taking a wider point of view, when writers cross the line into the essence of SF, in addition to propagating SF, it’s decidedly not a minus. Even authors have to tailor their work to meet demands.”

Nanpa summarized the first series of troubles. “There was a negative impression that writers and young fans were engaged in a mud-slinging match. There was a reaction that SF

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was not understood and the SF world itself was looked upon as a closed clique, and some were soaked in selfsatisfaction about their conclusions. I think that both sides spent all that energy on refining the central question of ‘what is SF?’ and I don’t regret it.” (A Brief History of Young SF Fans)

Youth fan activities included a gap between Kimura’s generation on Planets and after that Nanpa and Terayuki Ono’s All Japan Youth SF Terminal (SFTL). They were aiming at the SF fans of slightly advanced years, college students and working adults, and the term “youth fan” lost its meaning, and collapsed from the inside. Just then, influenced by the student protest movement, during the so-called “Fandom Anti-Establishment Furor,” youth fans became the seismic center, but as student campaigns ebbed, they became extinct, too.

During the total five or six years of Youth Fandom, the so-called student power combined with the energy of the regional fan groups, and were an influence. Also at that time, many people were participating in fan groups (many of which included “SF Research Club” in their names), spawned by high schools and colleges all over the country.

That meant that Japanese fandom was stimulated and contributions were expanding.

9. Union Conference (UC) Start

In November 1965 (Showa 40), the UC was Japan’s first united organization of fan groups. At the beginning of the start-up, the participating groups were the Science Creation Club, SFM Fan Club, SF Art Research Group, Mutants Club, Paranoia Club, Kyushu SF Club, SF Seminar, SFFC, Silent Star Club, Club of Tokai SF, Seto Inland Sea SF Fan Club and others. At that time, it was a group of lively activity for SF fandom.

As a reply to Shibano’s call, the first Mu-con (a regional convention

sponsored by the Mutants Club) gathered together representatives of each group, and they talked about a unified national organization. According to Shibano, talks were an “extremely smooth and peaceful” thing. “In effect we said, ‘start.’” And in this way UC got its start with Noda Koichiro (penname: Masahiro) as the first chairman (Shibano was the second chairman).

At the beginning, the first piece of business was the administration of next year’s Japanese SF convention, along with choosing the host, co-ordinating the supporting fan club groups, choosing the Japan SF Fandom prize and preparing the next year’s convention’s prize presentations as well as how to exercise Japanese fandom’s rights to an official representative in the case of overseas interaction.

Since the national organization was ratified with no objections, new groups from each region could advance intcr-group exchange.

At this time, a surface change of the aforementioned friction between youth fans, fandom and the SF writer’s prodom also occurred. There was an inclination to suspect that the UC made possible by Shibano’s call to action was pros vs. fans. However, Shibano strongly denied this in answer to the question: “Were you not aware that the fan organization had an image of being the opposition to the SFWJ?” He said “That was not there, I think. 1 still don’t think so when you say it now. At that time, I was desperate to take care of myself. Even if authors picked fights with me, and people got offended, if I answer honestly, when the fights happened, from the outside it looked like a private quarrel between the SF fans’ inner circle vs. the pros. People on the outside viewed SF as strange, and fights promoted that viewpoint.

“And so, I tried not to buy into quarrels, and ignored provocation, and was patient even with this. Really, besides the case with Fukushima

and the cartoon that appeared in Mr. Arai’s SF Newspaper, I never felt angry even once.”

So with UC being born in this way, and a “there is reason for being” feeling, the next year’s Japan SF convention candidacy system and publication of the Seiun Awards became the major convention events, and they are still being held. (By the way, through the good offices of Norio Ito, the Seiun Awards started at TOKON 5 and weren’t included as UC business at first.)

10. The Beginning of Exchange with Overseas Fandom

One of the UC’s projects was “exchange with overseas fandom” which started four years before when Roy Tackett (publisher of the American Dynatron) contributed one item. Roy Tackett, who served at Iwakuni’s U.S. army base in 1961 (Showa 36) sent a letter to SF Magazine, which he saw in town. It was carried in translation in the same issues as Tetsu Yano, Tsutae Yoshimitsu and Ishihara Akiko, and others had sent a reply, but, “Those guys all wrote ‘Contact SHIBANO!’ it seems.” So Roy Tackett sent a letter directly to Shibano.

Shibano’s reply to it appeared in Dynatron and Shibano began receiving letters from all over the U.S. And that’s the beginning of Japan-U.S. fan exchanges. After that, while more and more American SF fans were exchanging letters (and of course, there was an Uchujin International Edition), Mr. and Mrs. Shibano were invited to the 26th World Con (Bay- Con) through TOFF (Trans Oceanic Fan Fund) in 1968.

Actually, before the invitation, Los Angeles fandom and Japanese fandom (with Uchujin at the center) worked out between them a new style of WorldCom-Pan PacifiCon—was conceived. Shibano talked about the series of events of that time as follows: “I was corresponding with

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Nippon2007Roy Tackett and Albuquerque fandam people

Tackett. ‘Los Angeles and Tokyo are separated by an ocean, but we could do a simultaneous SF convention. And how about if we call it Pan PacifiCon?” I proposed. At the time, it was only an idea, but when Mr. and Mrs. Schultheis came, Masahiro Noda and others met with them and the Pan PacifiCon idea came up again. And those two showed a sudden interest. The same as Tackett, they were friendly with the Los Angeles group and in 1967 or 1968 when they were bidding for the WorldCon, I think that became an influential point.

“Then for awhile I got letters from Bjo Trimble, who was an influential member of LASFS (Los Angeles Science Fantasy Society) and we began to consider it in detail.” Based on a presentation from Japan, the L.A. bid committee did three issues of Maneki Neko and finally, BayCon was chosen as the 1968 convention winner.

However, the Shibanos went to America with the afore-mentioned TOFF (Pan-PacifiCon was a different program). Forrest J Ackerman met the Shibanos as they arrived in America. While staying in the States at John and Bjo Trimble’s home, Ackerman introduced them to fans from every attending region, and they visited the writers’ offices and generally cemented friendly relations (for details of this time, see Shibano’s TOFF Report No. 1 in Uchujin no. 127 through 133, no. 136 and no. 139).

After a 40-day visit to America, where he met writers and prominent fans, Shibano kept in touch. And he got closer when he was able to attend the WorldCon again, this time the

37th WorldCon (Seacon ’79). That exchange bore fruit when he was invited to the 54th WorldCon (L.A. Con III) in 1996 as Fan Guest of Honor.

11. Fandom: Changing of the Guards

Shibano took pictures at BayCon, and created a documentary slide show. He showed it to Japanese fandom at 1969’s 8th Japanese SF convention (Kyucon). After that, Shibano took the slides to regional fan gatherings and had lively showings, and the next year, in 1970, he worked as the committee chair for the opening of the 9thJapanese SF convention, TOKON5.

It so happened that this was the last period of youth fan activity, and the “Fandom Anti-Establishment Furor.” As anti-war and anti-Vietnam campaigns grew in the 70s, students were striking in colleges all over Japan, and demonstrations popped up everyday.

This movement spread to the SF world, where one part of SF fandom (mostly college students) cried out, “Crush the International SF Symposium!” and “Crush the Japan SF Convention (TOKON5)!” and rabble-rousing fanzines like Kosuke Hirai’s Leather Bag (Kawa Baggu) and Noboru Satou’s Be-Handbill (Be Bira) were published and popular. At SF gatherings (the SF Festival and

Three issues of "Maneki Neko" for PanPacifiCon

others), helmeted figures began to appear (this was a symbol of student demonstrators at the time) and jokes

and seriousness were mixed. The opposition movement, which diagnosed the existing SF fandom as “The System” was rapidly growing. Under these conditions, Shibano resigned from the TOKON5 committee chair and the UC chair.

Shibano said, looking back, “It’s interesting that the generation gap of fandom was bridged so smoothly. Until then, serious young people treated me with reserve, and I probably should have withdrawn earlier.” After Shibano’s resignation, TOKON5’s committee chair went to Norio Ito and the UC chair went to Nobumitsu Omiya. Of course, after this Shibano kept publishing and editing Uchujin and continued to launch many newcomers.

The opposition targeted one more event, the International SF Symposium, which originally was proposed by the British SF writer Brian W. Al- diss to Sakyo Komatsu and Hironari Endo to coincide with the Japanese world’s fair in Osaka (Expo ’70). In August and September 1970, from reception to general meeting, the venue moved from Tokyo to Nagoya to Otsu and finally ended up at Osaka’s world expo over a span of six days.

Shibano said with high praise, “This international SF symposium could be said to be Komatsu’s achievement from start to end. Anyway, during the height of the cold war, SF writers from the East and West gathered in one hall, and it was a heroic deed, without any question.” British, American, Canadian and Soviet SF writers and editors came for the big event. Overseas guests included Arthur C. Clarke, Brian W. Aldiss, Frederik Pohl, Judith Merril, Vassily Zaharchenko, Eremei Parnov, Vassily Berezhnoi, Yuri Kagharitsky, and Irina Kozhevnikov.

12. Fandom Variety and Changes in Uchujin's Publishing Policy

Uchujin published its 100th issue

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the 46th Japan Science Ficti< Convention & the 65th World Science Fiction Convention

in February 1966 (Showa 41). Shiba- no said about the changes around that time: “If you force me to talk about that time, from the first issue the big writers were almost all independent pros, but between them and the newcomers that followed, there was a bit of a gap, I suppose. You could say they were obviously a little short of breath. I vaguely thought, ‘Amateur writing probably can’t expand beyond this, can it?”’

After the 100th issue, Uchujin continued to publish at a monthly pace but finally, after issue 171 (January 1973, although the cover said “13/72”) it shifted to a quarterly, and after that followed an irregular publication schedule.

However, after the 100th issue, Yoshio Aramaki and Koji Tanaka were launched, and after the 171st issue, Masaki Yamada, Baku Yume- makura and many others were launched. Shibano said, “From the viewpoint of a new fanzine, it was quite a milestone for Uchujin to reach its 100th issue.”

Shibano said in the commentary section of Uchujin’s masterpiece anthology published by Kodansha (Japanese SF: An Invitation to the Origins, in three parts, 1977), that Uchujin’s history could be classified into the following four parts.

1. The first mimeograph era was “The Cradle Years” (1957 to 1959).

2. The typeset era around the time of of MEG-CON was “The Developing Years” (1960 to 1962).

3. The era when the fanzine acted as the gateway to honors for new writers around the 100th issue was called “The Golden Years” (1963 to 1964).

4. A rather stagnant span when monthly publishing came to a full stop was “The Groping Years” (1967 to 1972).

Because of the change in publishing policy, “This cycle I talked about from the founding to 1973 had gone through one circuit. So I guess you could call the time from this ‘The Re

launch Years,”’ Shibano said.Entering “The Re-launch Years,”

Uchujin’s publishing group, which had been known as the Science Creation Club, changed its name to Uchujin (same as the magazine name). And then, through the good offices of Ken Yamaoka, the long-neglected monthly meeting revived under the name of Chiri-con (“chiri” is an alternative pronunciation of the “jin” in Uchujin) (April 1973). After this Chiri-con, Yamaoka has managed the meeting for a span of about 30 years.

This change in publishing policy ended some famous columns like “Fanzine Review,” “Fandom News,” “Fan Journal” and “LoCs (News)” with the 178th issue (1977). With this as a background, fan groups were rapidly expanding and fandom was branching out, with regional groups having lively exchanges with each other. “Once more, we could say without stretching the truth that ‘Uchujin is the center of fandom.’” At the same time, “The SF market was expanding, and it was increasingly possible for new writers to debut directly. In that regard, Uchujin no longer had to feel responsible, and that was good,” he said about the circumstances.

Certainly, one after another, SF prozines like Fantastic Ideas (Kiso Tengai) (1974), SF Jewel (Kobunsha, 1979), and others were founded, and mainstream fiction magazines often carried SF writers’ works and essays. The SF writers’ field of activity had definitely expanded.

In addition, fan groups in 1975 numbered 280 (including dissolved and suspended groups) were listed in the SF Fan Group Survey I. Later, in 1982, 315 groups were surveyed, and 285 responding groups were listed (Nihon SF Model, 1982).

Thinking about these circumstances, this was the peak of the Japanese SF world’s fandom and prodom.

13. COSMICON: The Celebration of 20 Years of Uchujin

In May 1977 (Showa 52) through the good offices of Sakyo Komatsu, “COSMICON: The Celebration of 20 Years of Uchujin” was held in the Kyudan Kaidan in Tokyo. Shibano was the guest of honor, and Tetsu Yano and Mr. and Mrs. Forrest J Ackerman were honored guests at the event, which hosted about 500 fans from all over Japan. Komatsu, committee chair, said the following in the prospectus, praising Uchujin and Shibano’s distinguished service.

“The fanzine Uchujin not only caused an extremely big ripple at the beginning of the SF Founding Age, but after 20 years is still nurturing SF writers and (even though it’s a sober job), playing a really big role in fan group organization. For Uchujin’s role in organizing and starting widespread fan activities for fans from the youth demographic to working adults, and 20 years of constant, untiring efforts as an editor/publishcr, we can say Shibano’s distinguished service is something without limits.”

About the event, which followed the course of Japanese SF in a stage show, Shibano later said, “I can say that time was the third best day of my life.” (Incidentally, the first best day the successful completion of MEG- CON, the second was when he was invited to BayCon and the fourth was being invited to the 1996 L.A. Con III as a guest of honor.)

In conjunction with this event, Kodansha published the aforementioned master piece anthology, Japan SF: an Invitation to the Origins - a Masterpiece Anthology (in three parts). This kind of masterpiece anthology was published two more times: 1987’s Recommendations fora Catastrophe (Hakyoku no Osusume) and Infinite Whisper (Mugen no Sa- sayaki) and in 1997 was Japan SF Locus Uchujin Masterpiece Anthology I, II (Shuppan Geijutsusha).

14. Uchujin: Present and Future

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Nippon2007

Mr. & Mrs. Shibano

In 1997 (Hcisci 9), Uchujin celebrated 40 years since its inaugural issue. In addition to the afore-mentioned masterpiece anthology, Even Dust Piles Up . . . Uchujin’s 40 Year History was published, collecting 40 years of history. That book was revised and published in 2006 as Even Dust Piles Up . . . Uchujin’s 40 Year History (Revised Edition) Always Looking Forward.

In the revised edition’s afterword, Shibano said this about the future of the fan group Uchujin: “The old Uchujin was the oldest veteran of Japanese fandom, and it worked as an arbitrator. It has already returned to that position. We can begin to see that it’s old-fashioned to see overseas exchange as a diagram that draws a line between Japan and overseas. We need to form a more global viewpoint. I think the problem of one group being the leader and deciding what to do has naturally disappeared.”

Also, regarding the future of the fanzine Uchujin, “Fanzines are, to the end, why SF is SF. What doesn’t fit outside of SF is, on close examination, a deep well of thought that is necessary to the SF genre, and something we want to protect. Anyway, that has been the consistent stance of Uchujin since its founding,” he said.

Japanese SF fandom today, unfortunately, is not like the time long ago when each new, young generation of mostly college students participated one after the other. The older demo

graphic is higher. Still, among them is an equation that Uchujin equals Takumi Shibano, and the stance of closely examining that deep well of SF thought has not collapsed.

Maintaining that stance, Uchujin will continue as Japanese SF fandom’s oldest veteran, and be engraved on fandom history.

SourcesEven Dust Piles Up . . . Uchujin’s

40 Year History, Shuppan Geijutsu- sha, 1997

Even Dust Piles Up . . . Uchujin’s 40 Year History (Revised Edition) Always Looking Forward. Uchujin, 2006

Fukushima, Masami, Untrodden Age, Hayakawa Shobo, 1977

Shibano, Takumi, Japanese Fandom History, SF Notebook, Terror Lit. 101, 1965

Nanpa, Hiroyuki, “A Brief History of Young SF Fan Activity” Uchujin no. 168, no. 170 to no. 173

Mori, Tosaku, SF Fangroup Survey I, SF Fan Group Data Research Group, 1975

Nihon SF Model Editorial Committee, Nihon SF Model, 1982, Shin- jidaisha, 1982

Things to come-NEXT WORLD- Eiji Yokoyama

I caught a mysterious creature!

I'm Fuji Dog, the PR chief of Worldcon 2007!I'm completely innocent!

No! Just as I thought!I'm not! A spy from

the enemy camp.

To &E COAJT/AJU^-D /Good idea! I can take his shape

and leak false ___________ information!______

<Note> "* 'Dog' is a Japanese slang word for undercover investigator."

Kansas City in 2009A Bid for the 67th

World Science Fiction conventionOverland Park, Kansas, U.S.A.

Labor Day Weekend-September 3-7, 2009The Kansas City in 2009 Bid

Committee would like to congratulate the Nippon 2007 committee, and thank them for hosting the first Worldcon held in Japan.

We encourage all of the members of Nippon 2007 to exercise your right to vote on Site Selection for the 2009 Worldcon. Please stop by our bid table for information on

Jazzfire Phoenix Illustration by Rachael Mayo

our facilities and regional attractions, including the best barbecue in the known universe. Be sure to come to our bid party Friday night for a taste of Midwest hospitality. Thanks to all our supporters for their help these last two years, and we hope to see you in KC!

Kansas City in 2009 • wMfw.kc2OO9.org

wMfw.kc2OO9.org

Nippon2007

The History of Japanese Science Fiction "Prodom" —Between Japanese Science Fiction and Science-Fictional Japan

Takayuki Tatsumi (SF Critic)Christopher Bolton(Translation Supervisor)

1) SF's Century2) The Formation of Genre SF in Japan3) The First Three Generations - from the 1960s to the 1980s4) The Fourth Generation, the Appearance of J-SF, and the Transition to a New Century5) A Canon for Japanese Science Fiction - Selected Short Stories

1) SF's Century

The twentieth century was the century of science fiction.

It began in the 1920s when Hugo Gernsback conceived science fiction as a future prediction or “prophetic vision.” In the 1930s and 1940s, John W. Campbell re-envisioned science fiction as “extrapolation,” and then a decade later Arthur C. Clarke, Isaac Asimov, Robert A. Heinlein and others fixed a vision of “outer space” that

ushered in the golden era of genre SF.

But in the latter half of the twentieth century, from the atomic bombing of Hiroshima and Nagasaki to the height of the Cold War, interest in science fiction did not necessarily correspond to the American vision of outer space. The 1960s saw the rise of writers like Michael Moorcock, J. G. Ballard, Philip K. Dick, Stanislaw Lem, and others who explored “inner space” and reinterpreted science fiction as speculative fiction. In the 1970s Ursula K. Le Guin and James Tiptree, Jr. accelerated feminist science fiction to construct a new “gender space.” And in the 1980s, stories by cyberpunk authors like William Gibson and Bruce Sterling played out in cyberspace. In this fashion, the frontiers imagined by science fiction have edged closer and closer to our own present reality with each passing year.

In the 1990s, with the Cold War at an end, incidents of cult violence around the world showed us the dystopia that was the flip side (and also

part and parcel) of science fiction’s utopian imagination. And in the first year of the new century, these fears hardened into the 9/11 terrorist attacks, making us realize that we now live in a global space where values contest chaotically across multiple dimensions.

2) The Formation of Genre SF in Japan

Clearly the history of Anglo- American genre science fiction has been closely tied to the history of the twentieth century. Reviewing that past makes one keenly aware of how short the history of genre science fiction is in Japan—it has only been around for fifty years—and how shallow its discursive network is. But Japan is still the only country in history to suffer through it own nuclear post-apocalypse, and it has more than enough motive and experience to thematize and relativize Anglo-American science fiction in its own way.

Today as we transition to living

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Nippon SF ronsdshi. Keiso Shobo, 2000.

in a new century, it is probably true that Japanese SF is now unavoidably associated with manga and anime. From Tezuka Osamu’s Astroboy (first broadcasted in America in the 1960s and remade again repeatedly since then) to Miyazaki Hayao’s Spirited Away, which won the Academy Award in 2002, it would be only too easy to center our frame of reference for these fifty years of Japanese SF on the popular visual arts. But Japanese SF’s visual tradition, no less than its prose side, has been produced by consuming the accumulated history of Anglo-American prose SF—from Poe, Verne, and Wells down to the present. It is significant that science fiction in postnuclear Japan looks very different from its Anglo-American counterpart. Donald Hassler, Kent State professor and one-time president of the Science Fiction Research Association (SFRA), has noted that the Anglo-American vision for science fiction partakes of the escapism underlying genre science fiction, but also tends toward a more constructive and aggressive frontiersmanship underwritten by science and technology, a spirit that not infrequently verges on ationalism or even fas

cism. Japanese science fiction does owe something to this frontier spirit or Americanism; but from postwar SF by Abe Kobo and Komatsu Sakyo down to the present day, Japanese science fiction has not diverged radically from the values associated with the postwar democracy movement: transforming the adversity of the national defeat and the collective trauma of fascism into creative energy, through a psychological mechanism I have termed “creative masochism.” (For the details of this process, please see my book Full Metal Apache: Transactions Between Cyberpunk Japan and Avant-Pop America [Durham: Duke U P, 2006]).

Of course even before the world wars, Japan had proto-science fiction pioneers and speculative writers who were interested in science fiction: Os- hikawa Shunro in the Meiji Period (1868-1912), for example, or Edogawa Ranpo and Yumeno Kyusaku in the Taisho (1912-1926) and early Showa (1926-88). But Japanese science fiction as a genre established itself in the 1960s. This was a time when (despite the rise of NASA), Anglo-American science fiction had became skeptical of its own outer space dreams and traditional SF morphed into avant-garde speculative fiction. Japanese science fiction, which had existed in its own “outer” space beyond the notice of Britain and America, carried out its own corresponding critique, absorbing, examining, and transforming the half-century heritage of Anglo- American writing to suit Japanese tastes. In this sense, it is not accidental that Komatsu Sakyo (an early arbiter of those Japanese tastes) titled one of his first stories “The taste of green tea over rice,” (“Ochazuke no aji,” 1963). And Komatsu’s first full-length novel Nihon Apache zoku (The Japanese Apache, 1964 ) described the fate of a postwar tribe of metal-eating and metal licized mutants.

What, then, was the cultural milieu in which Japanese science fiction

grew and developed?It was fanzines and magazines

that fostered genre science fiction in Japan, not only by publishing creative writing but also by airing a number of important and heated debates. The first commercial magazine of science fiction in Japan was Sciun, published in 1954 by Morinomichi, but it ceased publication after just one issue. The movement grew from seeds sown by Yano Tetsu, a writer and translator who moved in American science fiction circles. Yano met and joined forces with Shibano Takumi, a high school mathematics teacher and an active member of the Flying Saucer Association, and Hoshi Shin’ichi, a popular writer who later became known as the “god of short short stories.” Together they formed Japan’s first science fiction club in 1957, and through it they launched the country’s first science fiction fanzine Uchujin (Cosmic Dust), which became the training ground for the first generation of Japanese science fiction authors. The first commercial science fiction magazine followed: issue one of Hayakawa’s SF Magazine was dated 1960, but it was actually published in December 1959. Its inaugural editor was Fukushima Masami, who also took on the role of writer, critic, and translator. Together with Hayakawa’s series of translated science fiction and Japanese science fiction, and Sogensha’s pocket book series of translations, SF Magazine has sustained and promoted Japanese SF for nearly fifty years. In 1963 Fukushima established Science Fiction and Fantasy Writers of Japan as a professional organization distinct from groups like the science fiction fan club that published Cosmic Dust, and SFFWJ included most of the country’s early professional writers, critics, and translators.

Other magazines followed: In the 1970s, there was the New Wave semi-professional NW-SF, edited by writer and critic Yamano Koichi, who had earned the praise of internation-

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Nippon2007ally-known Japanese literary authors Abe Kobo and Mishima Yukio. This was followed by two more commercial monthlies for professionals: Kisotengai, launched by the publisher Seikosha in 1974 with Sone Tadao at its helm, and SF Adventure, edited by Sugawara Yoshio and published by Tokuma Shoten starting in 1979. The 1980s saw the arrival of SFism in 1981, a quarterly review magazine edited by Yazaki Tetsu, and SF no Hon in 1982, a long-awaited critical quarterly from Shin Gendaisha, edited by Shiga Takao. Japanese writers from the 1960s through the early 1980s developed Japanese ideas about science fiction by publishing their own manifestos, weighing in during the ensuing debates, and critiquing both Anglo-American SF and Japanese science fiction that slavishly followed Anglo-American models.

3) The First Three Generations ------ from the 1960sto the 1980s

To explain the growth of Japanese science fiction and its writers, we may employ the widely accepted logic of generations, a scheme which divides Japanese science fiction history roughly into four decades.

The first and probably the most remarkable decade, the 1960s, saw the debut of the first generation of writers, among them Hoshi Shin’ichi, Komatsu Sakyo, Tsutsui Yasutaka, Mayumura Taku, Mitsuse Ryu, Hirai Kazumasa, Toyota Aritsune, Kozai Tadashi, Ishikawa Takashi, Hirose Tadashi, Yamano Koichi, Ishikawa Eisuke, Hanmura Ryo, and Aramaki Yoshio. For them, writing science fiction was an urgent task, and figures like Karel Capek, Ivan Efremov, Stanislaw Lem, Isaac Asimov, Arthur C. Clarke and Robert A. Heinlein provided them with beautiful examples of how to write about the far reaches beyond the earth. Ishikawa Takashi compared this project with the con

struction of a new suburban residential development he nicknamed “SciF Island” (SF Rando), and sketched how “Hoshi Shinichi and Yano Torn charted the route, Komatsu Sakyo graded the land with a monstrous bulldozer, Mitsuse Ryu surveyed the site by helicopter, Mayumura Taku shipped in raw materials by freight train, and a whistling Tsutsui Yasutaka careened around the district in his sports car, while Fukushima Masami acted as construction foreman for it all.”

The hopes these writers had for this new literary genre can be understood from Abe Kobo’s and Komatsu Sakyo’s ideas about SF: a devotee of Sartre and Poe, Abe conceived it as a “literature of hypothesis” whose value lay in its indescribable “monstrosity” (in “SF no ryuko ni tsuite” [“The Boom in Science Fiction] and “SF, kono nazukegataki mono” [“SF, the Unnamable], 1962 and 1966] ). Komatsu admired Abe, and in “Hai- kei Iwan Efureemofu-sama” (“Dear Ivan Efremov,” 1963), he defined science fiction as the “major literature of tomorrow,” and questioned head-on the socialist notion of SF as a literature of science, replacing this with a “science of literature.”

Even in this initial period, there was already a surprising range of visions for Japanese science fiction: the critic Ishikawa Takashi looked to SF to provide “a shock to everyday life”; Shibano Takumi defined it as “a literature conscious of the fact that the products of human reason will escape human control”; Fukushima Masami called it “a contemporary version of imaginative literature”; and Mayumura Taku developed a theory of “insider literature.” Yamano Koichi, influenced by Ballard and others, worked from the standpoint of speculative fiction and emphasized a “subjective logical system with science fiction as its starting point.”

In 1970 when the World Expo took place in Osaka, an International Science Fiction Symposium was con

vened by Komatsu Sakyo and members of Science Fiction and Fantasy Writers of Japan, with British writers Arthur C. Clarke and Brian Aldiss in attendance, along with American writer Frederik Pohl, Canadian writer Judith Merril, and Vasili Zakharchenko and Eremei Parnov from the Soviet Union. The success of this symposium should convince us that the 1960s represented the honeymoon, if not the golden age, of Japanese SF.

Judith Merril actually returned to Japan again in 1972, and lived for a time in Higashi Koganei, Tokyo, where she influenced Japanese writers by preaching the possibilities of science fiction as speculative fiction, as represented by the New Wave experiments of J. G. Ballard and other writers who were then in the ascendant. Moreover, Merril contributed much to the direction of Japanese science fiction by holding discussions with representative translators such as Ito Norio and Asakura Hisashi, and promoting the translation of Japanese science fiction into English. The latter project was not completed during her own lifetime, but her fellow writers and editors spent thirty-five years compiling a Japanese science fiction anthology called Speculative Japan: Outstanding Tales of Japanese Science Fiction and Fantasy (Kuroda- han Press), a triumph whose publication this year coincides with the first World Science Fiction Convention held in Asia, Nippon 2007.

In the 1970s, the second generation of Japanese science fiction writers made their debuts: Hori Akira, Kajio Shinji, Kawamata Chiaki, Yo- kota Jun’ya, Tanaka Koji, Yamada Masaki, Kanbe Musashi, Yume- makura Baku, Kamewada Takeshi, Aramata Hiroshi, Shiina Makoto, manga artist Nagai Go, women writers such as Suzuki Izumi and Yamao Yuko, and women manga artists like Hagio Moto. For them, writing came first, and “writing in science fiction” came naturally. They did inherit some

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of the hardcore tendencies of the first generation, but the British New Wave movement had been paving the way from outer space back to inner space since the late 1960s, and J. G. Ballard, Philip K. Dick and Stanislaw Lem became the idols of this new Japanese generation. This brand of science fiction also inevitably became intertwined with art history, from Dada and Surrealism to Pop Art.

For example, Kawamata Chiaki’s reinterpretation of science fiction centered not on out-of-control technology, but “out-of-control sensitivity.” His manifesto “Ashita wa dotchi da!” (Which way to tomorrow?!) references everything from literature (Lewis Carroll, Boris Vian, and Ballard), to the icons of rock 'n' roll and J-Pop. After the New Wave, science fiction changed from a take-it-or-leave-it way of life to a new style that could transform itself freely from the inside. While Japanese science fiction of the previous decade had treated the genre as a prediction of civilization’s future, the talents of the 1970s thought of it simply as one of many “cultures” that are arrayed together and interact or negotiate with one another. Although he is associated with the first generation, Tsutsui Yasutaka was sensitive to this trend. Absorbing influences from the French nouveau roman and American metafiction as well as the British New Wave, Tsutsui worked out a theory of science fiction based on chokyoko, which might be translated using Raymond Federman's term “surfiction.” The similarity between the ideas in Tsutsui’s “Gendai SF no tokushitsu to wa” (The essence of contemporary science fiction, 1974) and Federman’s 1975 book Surfiction, suggest a synchronicity between Japanese SF and the mainstream of World Literature.

However, the impulse that pushed Japanese science fiction toward its zenith in the 1970s was the publication of Komatsu Sakyo’s Nihon Chinbotsu (Japan Sinks, 1973), which sold more than 4 million copies, together with

George Lucas’s Star Wars (1977) and the attendant science fiction film boom. This was the trigger for science fiction’s infiltration and diffusion into broader popular culture. In 1970 and 1980, Japan established its own version of the Hugo and Nebula Awards for works written in Japanese: while the “Seiun Sho” translates literally as “nebula prize,” it is actually the equivalent of the Hugo, chosen by fan ballot at the Japanese national SF Convention. The Japan SF Grand Prize (Nippon SF Taisho) is chosen by Science Fiction and Fantasy Writers of Japan and sponsored by Tokuma Shoten. As much as anything else, the establishment of these awards speaks to the increase in the quantity and quality of Japanese science fiction during this decade..

The 1970s and the early 1980s was a golden era for Japanese science fiction—the time when many of the science fiction magazines mentioned above were published, a time when it was said that any kind of science fiction would sell. It was the era when the following authors began their careers: Arai Motoko, Kurimoto Kaoru, Noah Azusa, Kanbayashi Chohei, Ohara Mariko, Misaki Keigo, Hiura Ko, Mizumi Ryo, Morishita Katsuhito, Tani Koshu, Nanba Hiroyuki, Suga Hiroe, and the manga artists Otomo Katsuhiro and Tori Miki. For them, science fiction was not just something to thematize or stylize, but already an instance of multinational capitalism itself. “To do science fiction” was now common practice, and these writers went further—writing science fiction about science fiction, or meta-science fiction. In the process, writers like Ohara Mariko absorbed lessons from the likes of Samuel Dclany, John Varley, and Cordwainer Smith, while they polished their style into something that synced perfectly with the cyberpunk fiction of William Gibson and Bruce Sterling.

Within this hotbed of activity, there was one critic who perceived

Japanese SF with a cool eye and built the foundations for its subsequent theorization. This was Kiyoshi Kasai, a leftist critic and a mystery writer whose post-Marxist, post-structuralist approach had much in common with Darko Suvin’s. Kasai’s 1982 Kikaijikake no yume - Shiteki SF sakkaron (A clockwork dream) was a reappraisal of van Vogt, a critique of Komatsu, and a rigorous theory of science fiction that considered the essence and the potential of this genre in an era when many were focused more on its metamorphosis and deconstruction.

4) The Fourth Generation, the Appearance of J-SF, and the Transition to a New Century

The fourth generation joined the Japanese science fiction scene between the end of the 1980s and the 1990s. It included not only writers who debuted on the pages of magazines like Hayakwa’s SF Magazine— Tobi Hirotaka, Nakai Norio, Oba Waku, Masaki Goro, Matsuo Yumi, Morioka Hiroyuki, Tono Tsukasa, and Kusakami Jin—but also some who arrived by other routes. The Japanese Fantasy Novel Award, cosponsored by Shinchosha and the Yo- miuri newspaper, introduced readers to Suzuki Koji. Kitano Yusaku, Sato Aki, Sato Tetsuya, Onda Riku, and Takano Fumio; and the Japan Horror Novel Award sponsored by Kadoka- wa Shoten helped start the careers of Sena Hideaki and Kobayashi Yasumi. Nojiri Hosuke and Hayashi Joji made their debuts in the young adult market and became the new standard-bearers for hard science fiction, while Tanaka Hirofumi, winner of Shueisha’s Fantasy Roman Award, specialized in slapstick. Osamu Makino, who first appeared in Kisotengai in the 1970s, also repeatedly reinvented himself during the 1990s. In sum, the fourth generation of Japanese science fiction

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Nippon2007writers came to the field from many different literary genres.

At the same time, outside of genre fiction, writers associated with high literature (jun bungaku) and World Literature were starting to experiment with writing that deconstructed existing generic boundaries between science fiction and so-called pure literature. These included writers like Murakami Haruki. Shimada Masa- hiko, Shono Yoriko, Matsuura Rieko, Hisama Jugi, Kobayashi Kyoji, Naka- hara Masaya, and even Nobel Lauriat Oe Kenzaburd, who praised Tsutsui Yasutaka as a “pioneer.” One could call this phenomenon of genre disfiguration the “slipstream,” following Bruce Sterling, or “avant-pop,” following Larry McCaffery. Meanwhile SF combined with other popular genres as well: Miyabe Miyuki wrote the science fiction detective novel Gamotei Jiken (The Fall of the House of Gamo, 1996), and Anno Hideaki’s Shinseiki Evangelion touched off a new boom in science fiction anime.

For the Japanese writers who appeared at the turn of the twenty-first century, living in Japan in the age of advanced capitalism was far more science fictional than the canonical scenarios of Anglo-American SF. This was the end of the era when America's dreams defined the genre, and today even some Anglo-American writers like William Gibson prefer to rediscover the illusion of science fiction within the symbol of “Japan.” After the boom period of the 1980s referred to as “Pax Japonica,” Japanese came to realize that Japan as a nation had become a (science) fiction not unlike Ishikawa Takashi’s SciF Island. In other words, the Occidcntalist adoration of Euro-America that informed Japanese SF at its outset now collided the Orientalism of cyberpunk and its visions of Japan. I don't necessarily see this negatively. From out of the widening gap between “Japanese science fiction” and “science-fictional Japan” emerges a new blended sub

ject suited to this virtual nation and this time of transition, a subject I designate the Japanoid. Cultural studies scholar Donna Haraway expressed the collapsing boundaries of the individual subject and our increasingly hybrid nature by saying “we are all chimeras....we are cyborgs.” Following this, 1 can say that in Japan and the West, “we are all Japanoids.” This hybrid Japanoid subject writes with the generic self-consciousness of Japanese science fiction in mind, and this is how the next generation of science fiction—or post-science fiction—will be forged.

From that standpoint, it may be appropriate to redesignate this fourth generation of writers the “J-SF generation,” in the same way that Japanese post-contemporary popular music has become J-Pop and Japanese postcontemporary literature J-Lit. (Hay- akawa has also marketed the work of these authors in their “J collection.”) In 1997 and 1998, participants in the “Who killed science fiction?” debate in Britain and America and the corresponding kuzu SF ronso in Japan were considering the question of whether genre science fiction was in its death throes. But recent transformations in Japanese SF have been attended by a resurgence: In 1999, Science Fiction and Fantasy Writers of Japan established the Nippon SF Shinjin Sho (the Japan SF New Face Award, sponsored by the publisher Tokuma Shoten) and in 2006 the Nippon SF Hyoron Sho (the Japan SF Criticism Award, sponsored by Hayakawa). In addition, the publisher Kadokawa Haruki Jimusho set up the prestigious Komatsu Sakyo Sho (Komatsu Sakyo Prize) in 2000. These prizes arc finding and fostering new talent, and opening new territory in which Japanese science fiction and global science fiction exist side by side.

5) A Canon for Japanese Science Fiction - Selected Short Stories

Gorudiosu no musubime (The Gordian knot, The Japan Foundation, 2004)

To get a taste for Japanese science fiction, the best course is to sample some of the most outstanding works from each generation. Below I will introduce some of the works selected for Gorudiasu no musubime (The Gordian knot, The Japan Foundation), an anthology of translations into Russian in 2004 that I edited with the aim of establishing a canon of Japanese science fiction. I hope the reader can get some feel for the achievements of the genre from this outline of the works.

From the first generation I chose four writers: Hoshi Shin’ichi, Komatsu Sakyo, and Tsutsui Yasutaka (often referred to as “the big three”) plus Aramaki Yoshio. Rereading the selected works today, one finds that Hoshi Shin’ichi and Komatsu Sakyo are unexpectedly close to one another, even though the former was a master of the two-to-three-page short short, while the latter’s talent lay in full-length novels. Hoshi Shin’ichi's masterful short short “Oi, detekoi” (Hey, come out, 1958) is a story about a mysterious hole that appears in a new residential development after World War II. What is suprising is that this was written more than a quarter century before the likes of Carl Sagan, Kip Thorn, and Stephen Hawking popularized knowledge of

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black holes, wormholes and, superstrings, and long before John Cramer wrote his hard science fiction masterpiece Twistor (1989), based on these theories.

But if Hoshi Shin’ichi sensed these ideas intuitively in advance, Komatsu Sakyd's great novella Gorudiasu no musubime (The Gordian knot, 1976) conformed with the latest scientific theories about black holes, combining them with an occult landscape that recalled the 1970s blockbuster The Exorcist, and a fantastic world similar to Dante’s Inferno. (Komatsu majored in Italian literature in college.)

These two works could be seen to express the desire for a firm cosmology during the uncertain period of reconstruction following World War II. But add Tsutsui Yasutaka to the mix, and the results are closer to the New Wave. One of Tsutsui's controversial early masterpieces”Vetonamu kanko kosha” (Vietnam travel bureau, 1967) uses black humor in a way that recalls Brian Aldiss, Kurt Vonnegut, and Stanley Kubrick, to portray a Cold- War media capitalism that can turn even the most catastrophic reality into a comic farce.

Following right after these figures in the formation of the genre was Aramaki Yoshio, who was of the same generation and New Wave genealogy as Tsutsui Yasutaka. Aramaki also managed an art gallery; he associated science fiction with surrealist artists such as Rene Magritte and Giorgio de Chirico, and his own stories show his amazing talents as an architect of surreal worlds. Within SF Island, Yoshio Aramaki was the civil engineer who would establish the transportation routes between this new development and the big city. One of his early masterpieces was “Yawarakai tokei” (“Soft Clocks,” 1968/72), whose anorexic heroine is a reluctant cyborg who lives in an edible world built on Mars and modeled on images from Dali’s paintings. Significantly, “Soft Clocks” appealed to an international

audience, and it was translated in Interzone and a number of other magazines and anthologies in the UK and the United States.

My anthology includes three writers from the second generation: Kajio Shinji, a master of short science fiction, Yokota Jun’ya, well-known for his extensive research into classic science fiction as well as the idiosyncratic hacha hacha slapstick of his stories; and finally Yamao Yuko, a woman writer of fantastic SF. In contrast to the first generation, the second generation writers were mostly born after the war, members of the Japanese baby boom generation called dankai no sedai. If this generation grew up in the literary suburb called Seif Island, they now they took on the job of developing and expanding it. For example if we look at the history of the Japan SF Grand Prize, the first winner (hard science fiction author Hori Akira) and many subsequent awardees were members of this second generation, which shows the degree to which these writers naturalized the literary institutions that the first generation had set up.

Kajio Shinji specialized in lyrical, romantic hardcore science fiction reminiscent of Fredric Brown, Ray Bradbury and Robert F. Young. The story I chose for the anthology is “Mia ni ok- uru shinju” (A pearl for Mia, 1970), a time travel story based on the brilliant notion of a human time capsule, and a forerunner to Ian Watson's wonderful short story “The Very Slow Time Machine,” published in 1978. Yokota Jun’ya is a versatile writer who covers a range of subgenres from hardcore science fiction to heroic fantasy, alternate history novels, and hyperslapstick. He is represented in the collection by “Kosho kitan” (A strange tale from a used bookstore, 1990) which shows the author’s antiquarian tendencies as well as the horror elements that were storming Japanese science fiction in the 1990s. Even among the many talented women writers emerg

ing in the second generation, Yamao Yuko stands out for her literary abilities, and her metaphysical short story “Enkinho” (Perspective, 1977) shows off her ability to generate original fantastic worlds. This story recalls Jorge Luis Borges’ “The Library of Babel” or the American fantasy writer Steven Millhauser, in the way it offers us a glimpse into a gorgeously constructed microcosmos.

From the third generation, I chose three winners of the Hayakawa SF Contest. (Begun in the 1960s, it is still a gateway to success for many new writers.) As a group, Noah Azusa, Kanbayashi Chohei, and Ohara Mariko might be called the new big three. Noah Azusa made his debut in 1979 with his own unique “star system,” headed by the characters “Lemon Trotsky” and Kyosato, whose punning name might be translated “Mad Communist Tea Party.” This flamboyant world seemed to blend Karl Marx, Lewis Carroll, Shakespeare, and Oscar Wilde. The author’s “Ogonkyo” (El Dormido, 1988) was included in his ambitious omnibus Ogonkyo (The domain of Arnheim, 1994) which took ten years to complete. It springs from Edgar Allan Poe's landscape garden story “The Domain of Arnheim,” and portrays the fierce war for the incubus city Yumaginate, which is constructed from the fabric of people's dreams and continually under attack from its reality-based counterpart.

Kambayashi Chohei made his debut in the same year as Noah Azusa, with “Kitsune to odore” (Dance with the fox, 1979). Twenty-five years after it was recognized in the Hayakawa SF Contest, this story still seems as new and convincing as it did then. If the core scenario of science fiction is one of technology escaping the control of its creators, Kambayashi succeeded in creating a new type of alien science fiction, in which a human organ, a stomach, acts with its own will and becomes unstoppable.

A fan of the American writer

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Nippon2007Cordwainer Smith, Ohara Mariko has investigated the possibilities of hardcore science fiction while creating her own kind of cyberpunk or widescreen baroque. Her work includes many serious and post-feminist texts, but she is represented in the anthology by a wonderful comic piece, “Indeepen- densu dee in Osaka - Ai wa nakutomo shihonshugi” (Independence day in Osaka: Love Fails but Capitalism Prevails, 1997). This is a dinosaur story—a subgenre that has produced its share of great SF—but Ohara’s unique version is flavored with Osaka food culture: it describes the dinosaur meat trade between humans and a race of monster reptiles. It was first published in SF bakabon, an original series of anthologies focusing on outrageous comedy and slapstick science fiction, a series Ohara has co-edited with writer Misaki Keigo since 1996.

Finally the fourth generation, the J-SF generation, takes us into the twenty-first century. From the many talented, genre-crossing writers in this group, I selected two: Suga Hiroe, a figure at the vanguard of women’s science fiction, and the perennial but also perennially new author Makino Osamu.

Suga Hiroe published her first story in a commercial magazine in 1981 when she was in high school, so chronologically speaking she has something in common with the third generation, but her career took off in earnest after her first book in 1990. She is similar to Ohara Mariko in the way that the essence of her work is feminist hardcore science fiction, but she also has the geeky otaku sensibility seen in SF, manga, and anime fan culture. This is clearly in evidence in “Sobakasu no figyua” (“Freckled Figure,” 1992), which won the hearts of fans by tracing the destiny of an animated model figure, created and commercialized from an anime character using biotechnology. “Freckled Figure” was translated into English with the help of the important British writ

er Stephen Baxter, then published in Interzone and selected for Year’s Best SF 5, edited by David Hartwell. The story resonated not only with Japanese fans, but also with international otaku in Britain and America.

Makino Osamu debuted originally in the late 1970s under a different name, but since then he has repeatedly relaunched himself in different magazines. The inclusion of his 2002 novel Kugutsuko (originally serialized in SF Magazine, and later winner of the twenty-third Japan SF Grand Prize) in Hayakawa’s J-Collection connects him firmly with the J-SF generation. His unbelievably wide repertoire and ever-changing style sometimes produced an impression that he was jack of all trades and master of none; but his recent style—aesthcticized techno-gothic awash in nanotechnology—can go head to head with the work of Richard Calder, Paul McAuley, and his most advanced Anglo- American counterparts.

So how and why has Makino Osamu evolved so ceaselessly as a science fiction writer? To find out, you can read “Nigeyuku monogatari no hanashi” (A tale about tales running away) collected in 2001, the first anthology compiled by Science Fiction and Fantasy Writers of Japan (published by Hayakawa Shobo in 2000). There you will find some of the finest work from the first fifty years of Japanese science fiction, as well as a look at the future of J-SF, and with it perhaps the future of global science fiction as well.

<References>Ballard, J. G. "Which way to Innerspace?" New Worlds Science Fiction #118 (May 1962): 2-3, 116-118.Horaway, Donna. "A Manifesto for Cyborgs." Socialist Review #80 (1985): 65-108.Hassler, Donald. "The Academic Pioneers of Science Fiction Criticism, 1940-1980." Science-Fiction Studies 26.2 (July 1999): 213-231.McCaffery, Larry. "The North American Novel at the Quincentennial Moment: Everything is Permitted." In The Novel in the Americas, ed. Raymond Leslie Williams. Niwot, CO: U of Colorado P, 1992. 56-76.Judith Merril. “What Do You Mean: Science? Fiction?" Extrapolation 7 (May 1966): 30-46; 8 (December 1966): 2-19. Reprinted in SF—The Other Side of Realism: Essays on Modern Fantasy and

Science Fiction, ed. Thomas D. Clareson. Bowling Green, OH: Bowling Green U Popular P, 1971. 53-95.Scholes, Robert and Eric Rabkin. Science Fiction: HistoryScience'Vision. New York: Oxford U P, 1977.Seed, David, ed. A Companion to Science Fiction. Blackwell Companions to Literature and Culture 34. Oxford: Blackwell, 2005.Suvin, Darko. Metamorphoses of Science Fiction. New Haven: Yale U P, 1979.Tatsumi, Takoyuki, ed. opfleB Ysen (Goru- diasu no musubime-- Gendai Nippon SF kessakusen). Inostranka Publishers-Japan Foundation, 2004.---. Full Metal Apache: Transactions Between Cyberpunk Japan and Avant-Pop America. Durham: Duke U P, 2006.

eJapanese References>Fukushima Masami, ed. SF nyumon. Hayakawa Publishing,* 1965.Ishikawa Takashi. SF no jidai. Tokyo: Kisotengai- sho, 1977.Ito Norio. "Symposium: SF o kangaeru" 10-12 ("SF to hihyo," "Zoku SF to hihyo," "SF, Bungaku, hyoron"), Kisotengai (June, September, December 1979).Kasai Kiyoshi. "Kikaijikake no yume—Shiteki SF sakkaron." Kodansha, 1982.Kawamata Chiaki. Yume no kotoba, kotoba no yume. Kisotengaisho, 1982.Kotani Mari. Joseijo muishiki. Keiso Shobo, 1994. Nanba Hiroyuki. "Seishonen fan katsudo shoshi. " Uchujin 168, 170-173 (October, December, 1972 and 73-11).Nihon SF Sakka Kurabu, ed. "SF nyumon." Hay- qkawa Shobo, 2001.Omiya Nobumitsu. SF no boken. Shinjidaisha, 1984.Saisho Hazuki. Hoshi Shin'ichi------ lOOlwa o tsu-kutta hito. Shinchosha, 2007.Tatsumi Takayuki. Gendai SF no retorikku. Iwa- nami Shoten, 1992--------. Japanoido sengen. Hayakawa Shobo, 1993.------- . Nippon SF ronsoshi. Keiso Shobo, 2000.

‘All Japanese references published in Tokyo.

Editrial Native Check (Nippon2007) : Elsa Chen, David Hartwell, John T. Sapienza, Jr.

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DellMAGAZINES

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Extend a Warm Nippon 2007 Welcome to You and a Salute to Our Hugo Nominees

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Nancy Kress Kit Reed

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AsimovsScience Fiction\ SEPTEMBER 2007

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Andromeda Spaceways Inflight Magazine Every issue of this popular science fiction & fantasy mag contains over 40,000

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the 46th Japan Science Fiction Convention & the 65th World Science Fiction Conventio

Artist Guest of HonorMichael Whelan

Michael Whelan —His Journey of Imaginative Realism

By Bob Eggleton

Michael Whelan was born in Culver City California, in 1950. Like many of us who like to draw, he did this at a very early age. It’s no surprise he was attracted to imaginative imagery: the very stuff science fiction and fantasy arc made from. He attended San Jose State University, graduating with a B.A. in painting, as a President’s Scholar. Later he would attend Art Center College of Design, in Pasadena for a short while. He lived in California and did a lot of various jobs, as did we all, before his destiny of making pictures for a living finally became clear and he moved to Connecticut to be closer to the New York hub of publishers.

Ah, the good ol’ days. In the early 1970’s SF and Fantasy art was largely dominated by Kelly Freas, Frank

Frazctta, Paul Lehr, Jeff Jones, John Berkey and many others, all of whom made their very own special mark on the genre. In 1973, Whelan showed his portfolio to Don Wollheim, who had started his own DAW Books, publishing a new specialty line of SF/Fantasy and Horror titles. This got him his first cover work — a Lin Carter book called The Wizard of World’s End. Whelan then went on to do art for a variety of authors: Brian Lumley, M.A. Foster, C.J. Cherryh and many more. Those halcyon days of the yellow-spined DAW books were like windows into another world. What one has to consider is that back then, there were no home computers, no internet, no websites... no “immediacy” as there seems to be now. Seeing the cover paintings on these books was something one would wait for with baited breath, and would study them for hours.

It wasn’t long before one company after another wanted Whelan to paint covers to their books and magazines. Among them, Ace Books, Marvel Comics, Isaac Asimov’s SF Magazine, Del Rey and others all came calling. It was with Del Rey, he seemed his most prolific and, perhaps iconic, with regards to creating images that still burn brightly in the minds of many. It was here we first saw what Anne McCaffery’s White Dragon, Ruth,

looked like. His cover for The White Dragon was a benchmark in terms of not only technique, but, it also helped propel the book onto the New York Times bestseller lists of 1978, which was a benchmark for a science fiction book!

In 1980, my first Worldcon in Boston (Noreascon 2), Whelan won, after several years a nominee, the Hugo Award for Best Professional Artist. His work was everywhere by this time, so it’s no wonder he became the major artist of the 1980’s SF field. Early in the decade, he created some stunning covers to re-issues of Edgar Rice Burroughs’ “John Carter of Mars” series of books, as well as illustrations for Stephen King’s first Dark Tower - The Gunslinger book. Whelan went on to paint covers for every major author of SF or Fantasy. Everyone has their favorites, so it’s pointless for me to list them all whether it be his Asimov “Robot” covers, his McCaffrey covers, or Heinlein’s Friday...all became imagery that embedded itself into the very core of SF. I can personally remember seeing his knockout covers to Ace Book’s re-issues of Poul Anderson’s books — Ensign Flandry and The Man Who Counts. He’d go on to win another 14 Flugos, including one for Best Related Book (Michael Whelan’s Works of Wonder) 1988, and 1992 for the now

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Nippon2007defunct category of Best Original Artwork. Michael’s success would inspire a horde of other artists to enter the field, and thanks to that, the look of SF book cover art attained new heights never before seen. Many people who normally disavowed the “weird imagery” saw it in a new light. What was once seen as just “packaging” can now be viewed as wholly its own entity. That alone, I think makes him the most influential artist of SF and Fantasy in the latter half of the last century. There are several volumes of his work: Wonderworks: The Art of Michael Whelan (Donning, 1979), Michael Whelan’s Works of Wonder (Del Rey, 1987), The Art of Michael Whelan (Bantam Books, 1993), and Something In My Eye (1995, Underwood Books) — a collection of his horror and darker paintings.

Continuing into the 90s, cover art, bookselling and publishing changed a lot — in some ways, not for the better. Art directing of ideas, and images on covers, along with the “digital revolution” and “marketing” made cover art, in ways, less fun to do — any artist today will attest to this. Also, Whelan had some “life assessing” moments as it were, in the 90’s which made him realize he had lots more to say with his work, than what was on a book cover. It’s not to say that book covers are limiting, however, I see based on my own experiences, one can only take something so far... that it’s sort of like a caterpillar emerging from a cocoon, to be a butterfly. Which I think is the case with Whelan.

Whelan grew as an artist. I believe, and I know Michael would agree, it's any artist’s true evolution to mature and get into weightier subjects, concepts, and ideas. Art is about change, and external influences — a muse I guess you’d say— guiding our imaginations and hands. He started exploring his “Scenes and Visions” ideas: paintings based on how humans occupy the space around them, and

the concepts of isolation and division. All work that is gallery oriented, and which he’s had some good success with.

This year 2007, he has a show — along with fellow Connecticut artist Michael Mariano — at Tree’s Place Gallery on Cape Cod, Massachusetts. The work is no less than amazing: “The End of Nature” is my personal favorite (because I have a penchant for landscapes). “Island” is another great exploration with sweeping movement and a great color composition. “Eye” is an “abstract self portrait.” Whelan is featured in a prestigious magazine called American Art Collector, in which he states that his new paintings are a fresh approach. He says: “With these paintings, I am not aware of the meaning until later, when it comes to me during the process of making the painting”. A good way of being

Dragonflight by Ann McCaffrey, Hayakawa Publishing,Inc.

spontaneous, which is what all good art is about.

I had a breakfast with him in 2005, and we both agreed on a lot about what’s happening in the SF art field. Digital has affected it strangely.. .we agreed that the problem with a digital painting (and we have both dabbled in these digital caldrons) is that no actual painting exists afterward. It’s all photons of light stored on a disk. Where was the physical act of painting? The tactile feel of brushes and canvas...all that is lost in digital art.

There’s also an urban myth that we don’t like each other. I wouldn’t be writing this appreciation if that were true. We’re different people, but, we are kindred spirits in the universe of art, if you will. So at this Worldcon in Japan, we salute Michael Whelan.

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2007 Hugo Awards Nominees tz-Zi-H

Nippon 2007 is delighted to announce the nominees for the 2007 Hugo Awards (for work done in 2006). The Hugo Awards are science fiction's highest honor for professional and fan work.

The winners will be announced at the Hugo Awards Ceremonies during the 65th World Science Fiction Convention in Yokohama, Japan, on Saturday, September 1st.

The ceremony will begin at 6:00 p.m. J PT. The Worldcon will be held in the PACIFICO YOKOHAMA Convention Center on August 30th - September 3,2007.

The Hugo Awards (and site selection) ballots are being mailed to our members in a stand-alone mailing in addition to being included in Progress Report 5, due to be mailed in late April. Online voting will be available to all eligible voters, and printable versions of the ballot will also be included on the Nippon 2007 web site. Only supporting and attending members of Nippon 2007 may vote on the Hugo Awards.

To join Nippon 2007 and vote for the works and people you think were the best in 2006, write us at the address above or see our web pages (www.nippon2007.us) for more information.

The 2007 Hugo Awards nominations include finalists in 14 categories, plus the John W. Campbell Award (not a Hugo), listed below. As part of the transition between rule sets, the sponsors of the John W. Campbell award extended the eligibility for writers whose eligibility was reduced to one year because of the rules change that went into effect in 2006. This will only affect the awards for 2007.

As a result of a change ratified by the World Science Fiction Society in 2006, the former Best Professional Editor category has been replaced with two categories: Best Editor, Short Form and Best Editor, Long Form.

2007 Hugo Award Nominees (Total Voters : 409)NovelVotes: 1009 Voters: 327Range: 35 - 58

“Eifelheim” by Michael Flynn (Tor) "His Majesty's Dragon” by Naomi Novik (Del Rey: Voyager 1/06 as Tern- era ire)"Glasshouse” by Charles Stross (Ace)"Rainbows End” by Vernor Vinge (Tor)"Blindsight” by Peter Watts (Tor)

NovellaVotes: 424 Voters: 167Range: 26 - 34

"The Walls of the Universe” by Paul Melko (Asimov's April/May 2006) "A Billion Eves" by Robert Reed (Asimov's October/November 2006) "Inclination” by William Shunn (Asimov's April/May 2006)"Lord Weary's Empire” by Michael Swanwick (Asimov's December 2006)Julian: A Christmas Story by Robert Charles Wilson (PS Publishing)

NoveletteVotes: 564 Voters: 191Range: 21-34

"Yellow Card Man” by Paolo Bacigalupi (Asimov's December 2006) "Dawn, and Sunset, and the Colours of the Earth" by Michael F. Flynn (Asimov's October/November 2006) "The Djinn's Wife” by Ian McDonald (Asimov's July 2006)"All the Things You Are” by Mike Resnick (Jim Baen's Universe October 2006)"Pol Pot's Beautiful Daughter (Fantasy)" by Geoff Ryman (Fantasy and Science Fiction October 2006)

Short StoryVotes: 608 Voters: 214Range: 16-43

"How to Talk to Girls at Parties" by Neil Gaiman (Fragile Things, William Morrow)*‘Kin ” by Bruce McAllister (Asimov's February 2006)"Impossible Dreams" by Tim Pratt (Asimov's July 2006)"Eight Episodes” by Robert Reed (Asimov's June 2006)"The House Beyond Your Sky” by Benjamin Rosenbaum (Strange Horizons September 2006)

Related BookVotes: 403 Voters: 190Range: 21-93

"About Writing: Seven Essays, Four Letters, and Five Interviews” by Samuel R. Delany(Wesleyan University Press)"Heinlein's Children: The Juveniles” by Joseph T. Major (Advent: Publishing)"James Tiptree, Jr.: The Double Life of Alice Sheldon” by Julie Phillips (St. Martin's)"Cover Story: The Art of John Pica- cio” by John Picacio (MonkeyBrain Books)"Worldcon Guest of Honor Speeches” by Mike Resnick and Joe Siclari, eds. (ISFiC Press)

Dramatic Long FormVotes: 678 Voters: 242Range: 30 - 101

"Children of Men”Screenplay by Alfonso Cuaron and Timothy J. Sexton. Directed by Alfonso Cuaron. (Universal Pictures) "The Prestige”Screenplay by Jonathan Nolan and Christopher Nolan. Directed by Christopher Nolan. (Touchstone Pictures)"A Scanner Darkly”Screenplay by Richard Linklater.Directed by Richard Linklater.(Warner Independent Pictures)"Vfor Vendetta”

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http://www.nippon2007.us

Nippon2007Screenplay by David Lloyd. Directed by James McTeigue (Warner Bros.)

Dramatic Short FormVotes: 525 Voters: 179Range: 22 - 64Battlestar Galactica"Downloaded” Writers Bradley Thompson and David Weddle. Directed by Jeff Woolnough. (NBC Universal/British Sky)Doctor Who "Army of Ghosts” and "Doomsday" Written by Russell T. Davies. Directed by Graeme Harper. (BBC Wales/BBCl)Doctor Who "Girl in the Fireplace" Written by Steven Moffat. Directed by Euros Lyn. (BBC Wales/BBCl) Doctor Who "School Reunion" Written by Toby Whithouse. Directed by James Hawes. (BBC Wales/BBCl)" Stargate SG-1 "200" Written by Brad Wright, Robert C. Cooper, Joseph Mallozzi, Paul Mullie, Carl Binder, Martin Gero, and Alan McCullough. Directed by Martin Wood. (Double Secret Productions/ NBC Universal)"

Editor, LongVotes: 543 Voters: 191Range: 28 - 88

Lou Anders (Pyr)James Patrick Baen (Baen Books) Ginjer Buchanan (Ace Books / Roc) David G. Hartwell (Tor Books) Patrick Nielsen Hayden (Tor Books)

Editor, ShortVotes: 584 Voters: 211Range: 26 - 92

Gardner Dozois (The Year's Best Science Fiction)David G. Hartwell (Year's Best SF I New York Review of Science Fiction) Stanley Schmidt (Analog)Gordon Van Gelder (Fantasy and Science Fiction)Sheila Williams (Asimov's)

Pro ArtistVotes: 695 Voters: 199Range: 28-71

Bob EggletonDonato GiancolaStephan Martiniere John Jude Palencar

John Picacio

Fan WriterVotes: 493 Voters: 182Range: 21-39

Chris GarciaJohn HertzDave LangfordJohn ScalziSteven H Silver

Semi ProzineVotes: 361 Voters: 159Range: 22 - 76

"Ansible edited" by Dave Langford “Interzone edited” by Andy Cox “Lady Churchill's Rosebud Wristlet edited” by Gavin Grant and Kelly Link Locus edited by Charles N. Brown, Kirsten Gong-Wong and Liza Grocn Trombi"The New York Review of Science Fiction” edited by Kathryn Cramer, David G. Hartwell and Kevin J. Maroney

FanzineVotes: 362 Voters: 155Range: 23 - 28

"Banana Wings" edited by Claire Brialey and Mark Plummer"Challenger" edited by Guy H. Lillian III"The Drink Tank ” edited by Chris Garcia"Plokta edited” by Alison Scott, Steve Davies and Mike Scott"Science-Fiction Five-Yearly” edited by Lee Hoffman, Geri Sullivan and Randy Byers

Fan ArtistVotes: 305 Voters: 141Range: 23 - 59

Brad W. Foster Teddy Harvia Sue Mason Steve Stiles Frank Wu

Campbell AwardVotes: 551 Voters: 200Range: 24-81

Scott Lynch (1st Year)Sarah Monette (2nd year)Naomi Novik (1st year)Brandon Sanderson (2nd Year)Lawrence M. Schoen (2nd Year)

_

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The Complete List of Hugo AwardWINNERS

2006:Best Novel: Spin by Robert Charles WilsonBest Novella: "Inside Job" by Connie Willis (January

2005)Best Novelette: “Two Hearts" by Peter S. BeagleBest Short Story: "Tk'tk'tk" by David D. LevineBest Related Book: Storyteller: Writing Lessons and

More from 27 Years of the Clarion Writers' Workshop by Kate Wilhelm

Best Dramatic Presentation, Long Form: Serenity (Written & Directed by Joss Whedon)

Best Dramatic Presentation, Short Form: Doctor Who "The Empty Child" & "The Doctor Dances" (Written by Steven Moffat, Directed by James Hawes)

Best Professional Editor: David G. HartwellBest Professional Artist: Donato GiancolaBest Semiprozine: Locus ( Charles N. Brown, Kirsten

Gong-Wong, & Liza Groen Trombi, eds)Best Fanzine: P/oZ.7a(Alison Scott, Steve Davies &

Mike Scott,eds.)Best Fan Writer: Dave LangfordBest Fan Artist: Frank WuCampbell Award: John Scalzi

2005:Novel: Jonathan Strange & Mr Norrell by Susanna

ClarkeNovella: "The Concrete Jungle" by Charles Stress Novelette: "The Faery Handbag" by Kelly Link Short Story: "Travels with My Cats" by Mike Resnick Related Book: The Cambridge Companion to Science

Fiction (Eds. Edward James and Farah Mcndlesohn,cds.)Dramatic Presentation, Long Form: The Incredibles

(Written & Directed by Brad Bird)Dramatic Presentation, Short Form: "33 - Battlestar

Galactica" (Written by Ronald D. Moore, directed by Michael Rymer)

Professional Editor: Ellen DatlowProfessional Artist: Jim BurnsSemiprozine: Ansible (David Langford,eds)Fanzine: Plotka (Alison Scott, Steve Davies & Mike

Scott,eds.)Fan Writer: Dave LangfordFan Artist: Sue MasonBest Web Site: SciFiction

Campbell Award: Elizabeth BearSpecial Award: David Pringle

2004:Novel: Paladin of Souls by Lois McMaster Bujold Novella: "The Cookie Monster" by Vernor Vinge Novelette: "Legions in Time" by Michael Swanwick Short Story: "A Study in Emerald" by Neil Gaiman Related Book: The Chesley Awards for Science Fiction

and Fantasy Art (John Grant, Elizabeth L. Humphrey, and Pamela D. Scoville, eds.)

Dramatic Presentation, Long Form: The Lord of the Rings: The Return of the King

Dramatic Presentation, Short Form: "Gollum's Acceptance Speech, 2003 MTV Movie Awards"

Professional Editor: Gardner DozoisProfessional Artist: Bob EggletonSemiprozine: Locus (Charles N. Brown, ed.)Fanzine: Emerald C/7v(Cheryl Morgan,ed)Fan Writer: Dave LangfordFan Artist: Frank WuCampbell Award: Jay Lake

2003:Novel: Hominids by Robert J. SawyerNovella: "Coraline" by Neil GaimanNovelette: "Slow Life" by Michael SwanwickShort Story: "Falling Onto Mars" by Geoffrey A. Lan

disRelated Book: Better to Have Loved: The Life of Judith

Merril by Judith Merril and Emily Pohl-WearyDramatic Presentation, Long Form: The Lord of the

Rings: The Two TowersDramatic Presentation, Short Form: "Conversations

with Dead People"Professional Editor: Gardner DozoisProfessional Artist: Bob EggletonSemiprozine: Locus (Charles N. Brown, Jennifer A.

Hall, and Kirsten Gong-Wong, eds. )Fanzine: MimosatfYwk & Nicki Lynch, eds.)Fan Writer: Dave LangfordFan Artist: Sue MasonCampbell Award: Wen Spencer

2002:

___________________________

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Nippon2007Novel: American Gods by Neil GaimanNovella: "Fast Times at Fairmont High" by Vernor

VingeNovelette: "Hell is the Absence of God" by Ted ChiangShort Story: "The Dog Said Bow-Wow" by Michael

SwanwickRelated Book: The Art ofChesley Bonestellby Ron Mill

er and Frederick C. Durant 3rd with Melvin H. SchuetzDramatic Presentation: The Lord of the Rings: The Fel

lowship of the RingProfessional Editor: Ellen DatlowProfessional Artist: Michael WhelanSemiprozine: Locus (Charles N. Brown, ed.)Web Site: Locus OnlineFanzine: AnsiblefDave, Langford, ed.)Fan Writer: Dave LangfordFan Artist: Teddy HarviaCampbell Award: Jo Walton

2001:Novel: Harry Potter and the Goblet of Fire by J. K.

RowlingNovella: "The Ultimate Earth" by Jack WilliamsonNovelette: "Millennium Babies" by Kristine Kathryn

RuschShort Story: "Different Kinds of Darkness" by David

LangfordRelated Book: Greetings from Earth: The Art oj Bob

Eggleton by Eggleston and SucklingDramatic Presentation: Crouching Tiger, Hidden Drag

onProfessional Editor: Gardner DozoisProfessional Artist: Bob EggletonSemiprozine: Locus (Charles N. Brown, ed.)Fanzine: File 770 (Mike Glyer, ed.)Fan Writer: Dave LangfordFan Artist: Teddy HarviaCampbell Award: Kristine Smith

2000:Novel: A Deepness in the Sky by Vernor VingeNovella: "The Winds of Marble Arch" by Connie Wil

lisNovelette: "10 16 to 1" by James Patrick KellyShort Story: "Scherzo with Tyrannosaur" by Michael

SwanwickRelated Book: Science Fiction of the 20th Century by

Frank M. RobinsonDramatic Presentation: “Galaxy Quest”Professional Editor: Gardner DozoisProfessional Artist: Michael Whelan Semiprozine: Locus (Charles N. Brown, ed.) Fanzine: File 770 (Mike Glyer, ed.)

Fan Writer: Dave LangfordFan Artist: Joe MayhewCampbell Award: Cory Doctorow

1999:Novel: To Say Nothing of the Dog by Connie WillisNovella: "Oceanic" by Greg EganNovelette: "Taklamakan" by Bruce SterlingShort Story: "The Very Pulse of the Machine" by Mi

chael SwanwickRelated Book: The Dreams Our Stuff is Made Of: How

Science Fiction Conquered the World by Thomas M. DischDramatic Presentation: The Truman ShowProfessional Editor: Gardner DozoisProfessional Artist: Bob EggletonSemiprozine: Locus (Charles N. Brown, ed.)Fanzine: Ansible (Dave Langford, ed.)Fan Writer: Dave LangfordFan Artist: Ian GunnCampbell Award: Nalo Hopkinson

1998:Novel: Forever Peace by Joe HaldemanNovella: "...Where Angels Fear To Tread" by Allen

SteeleNovelette: "We Will Drink A Fish Together" by Bill

JohnsonShort Story: "The 43 Antarean Dynasties" by Mike

Res-nickNon-Fiction Book: The Encyclopedia of Fantasy (John

Clute & John Grant, eds.)Dramatic Presentation: ContactProfessional Editor: Gardner DozoisProfessional Artist: Bob EggletonSemiprozine: Locus (Charles N. Brown, ed.)Fanzine: Mimosa (Nicki & Richard Lynch, ed.)

Forever Peace by Joe HaldemanIllustration: Naoyuki KATO

TOKYO SOGENSHA Co., Ltd.

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Fan Writer: Dave LangfordFan Artist: Joe MayhewCampbell Award: Mary Doria Russell

1997:Novel: Blue Mars by Kim Stanley RobinsonNovella: "Blood of The Dragon" by George R. R. Mar

tinNovelette: "Bicycle Repairman" by Bruce SterlingShort Story: "The Soul Selects Her Own Society ..." by

Connie WillisNon-Fiction Book: Time & Chance by L. Sprague de

CampDramatic Presentation: "Severed Drcams" (Babylon 5)Professional Editor: Gardner DozoisProfessional Artist: Bob EggletonSemiprozine: Locus (Charles N. Brown, ed.)Fanzine: Mimosa (Nicki & Richard Lynch, cd.)Fan Writer: Dave LangfordFan Artist: William RotslerCampbell Award: Michael A. Burstein

1996:Novel: The Diamond Age by Neal StephensonNovella: "The Death of Captain Future" by Allen

SteeleNovelette: "Think Like a Dinosaur" by James Patrick

KellyShort Story: "The Lincoln Train" by Maureen F.

McHughNon-Fiction Book: Science Fiction: The Illustrated En

cyclopedia by John CluteDramatic Presentation: Babylon 5: "The Coming of

Shadows"Professional Editor: Gardner DozoisProfessional Artist: Bob EggletonOriginal Artwork: Dinotopia: The World Beneath by

James GurneySemiprozine: Locus (Charles N. Brown, ed.)Fanzine: Ansible (Dave Langford, ed.)Fan Writer: Dave LangfordFan Artist: William RotslerCampbell Award: David Feintuch

1995:Novel: Mirror Dance by Lois McMaster BujoldNovella: "Seven Views of Olduvai Gorge" by Mike

Res-nickNovelette: "The Martian Child" by David GerroldShort Story: "None So Blind" by Joe HaldemanNon-Fiction Book: /. Asimov: A Memoir by Isaac

AsimovDramatic Presentation: Star Trek: The Next Genera

tion: "All Good Things"Professional Editor: Gardner DozoisProfessional Artist: Jim BurnsOriginal Artwork: Lady Cottington's Pressed Fairy

Book by Brian FroudSemiprozine: Interzone (David Pringle, cd.)Fanzine: Ansible (Dave Langford, ed.)Fan Writer: Dave LangfordFan Artist: Teddy HarviaCampbell Award: Jeff Noon

1994:Novel: Green Mars by Kim Stanley RobinsonNovella: "Down in the Bottomlands" by Harry Turtle

doveNovelette: "Georgia on My Mind" by Charles Sheffield Short Story: "Death on the Nile" by Connie Willis Non-Fiction Book: The Encyclopedia of Science Fic

tion by John Clute and Peter NicholsDramatic Presentation: “Jurassic Park”Professional Editor: Kristine Kathryn RuschProfessional Artist: Bob EggletonOriginal Artwork: Space Fantasy Commemorative

Stamp Booklet by Stephen HickmanSemiprozine: Science Fiction Chronicle (Andrew Por

ter, ed.)Fanzine: Mimosa (Dick & Nicki Lynch, eds.)Fan Writer: Dave LangfordFan Artist: Brad W. FosterCampbell Award: Amy Thomson

1993:Novel: A Fire Upon the Deep by Pernor Pinge and

Doomsday Book, by Connie Willis (tie)Novella: "Barnacle Bill the Spacer" by Lucius Shepard Novelette: "The Nutcracker Coup" by Janet Kagan Short Story: "Even the Queen" by Connie Willis Non-Fiction Book: A Wealth of Fable: An informal his

tory of science fiction in the 1950s by Harry Warner, Jr.Dramatic Presentation: Star Trek: The Next

Generation:"T\\e Inner Light"Professional Editor: Gardner DozoisProfessional Artist: Don MaitzOriginal Artwork: Dinotopia by James GurneySemiprozine: Science Fiction Chronicle (Andrew Por

ter, ed.)Fanzine: Mimosa (Dick & Nicki Lynch, eds.)Fan Writer: Dave LangfordFan Artist: Peggy RansonCampbell Award: Laura ResnickSpecial Award: Takumi Shibano

1992:

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Nippon2007

Novel: Barrayar by Lois McMaster BujoldNovella: "Beggars in Spain" by Nancy Kress Novelette: "Gold" by Isaac AsimovShort Story: "A Walk in the Sun" by Geoffrey A. Lan

disNon-Fiction Book: The World of Charles Addams by

Charles AddamsDramatic Presentation: Terminator 2Professional Editor: Gardner DozoisProfessional Artist: Michael WhelanOriginal Artwork: cover of The Summer Queen by Mi

chael WhelanSemiprozine: Locus (Charles N. Brown, ed.)Fanzine: Mimosa (Dick & Nicki Lynch, eds.) Fan Writer: Dave LangfordFan Artist: Brad W. FosterCampbell Award: Ted Chiang

1991:Novel: The Vor Game by Lois McMaster Bujold Novella: "The Hemingway Hoax" by Joe Haldeman Novelette: "The Manamouki" by Mike Resnick Short Story: "Bears Discover Fire" by Terry Bisson Non-Fiction Book: How to Write Science Fiction and

Fantasy by Orson Scott CardDramatic Presentation: Edward ScissorhandsProfessional Editor: Gardner DozoisProfessional Artist: Michael WhelanSemiprozine: Locus (Charles N. Brown, ed.)Fanzine: Lan's Lantern (George Laskowski, ed.)Fan Writer: Dave LangfordFan Artist: Teddy HarviaCampbell Award: Julia EcklarSpecial Award: Andrew 1. Porter for many years of ex

cellence in editing SF ChronicleSpecial Award: Elst Weinstein for starting up and con

tinuing the Hogus

1990:Novel: Hyperion by Dan SimmonsNovella: "The Mountains of Mourning" by Lois Mc

Master BujoldNovelette: "Enter a Soldier. Later: Enter Another" by

Robert SilverbergShort Story: "Boobs" by Suzy McKee CharnasNon-Fiction Book: The World Beyond the Hill by Alex

ei & Cory PanshinDramatic Presentation: Indiana Jones and the Last Cru

sadeProfessional Editor: Gardner DozoisProfessional Artist: Don MaitzOriginal Artwork: cover of Rimrunners by Don Maitz Semiprozine: Locus (Charles N. Brown, ed.)

Fanzine: The Mad 3 Party (Leslie Turek, ed.)Fan Writer: Dave LangfordFan Artist: Stu ShiffmanCampbell Award: Kristine Kathryn Rusch

1989:Novel: Cyteen by C. J. CherryhNovella: "The Last of the Winnebagos" by Connie Wil

lisNovelette: "Schrodinger's Kitten" by George Alec Ef-

fingerShort Story: "Kirinyaga" by Mike ResnickNon-Fiction Book: The Motion of Light in Water by

Samuel R. DelanyDramatic Presentation: Who Framed Roger RabbitProfessional Editor: Gardner DozoisProfessional Artist: Michael WhelanSemiprozine: Locus (Charles N. Brown, ed.)Fanzine: File 770 (Mike Glyer, ed.)Fan Writer: Dave LangfordFan Artist: Brad Foster and Diana Gallagher Wu (tie)Campbell Award: Michaela RoessnerSpecial Award: SF-Lovers Digest for pioneering the use

of computer bulletin boards in fandomSpecial Award: Alex Schomburg for lifetime achieve

ment in science fiction art

1988:Novel: The Uplift War by David BrinNovella: "Eye for Eye" by Orson Scott CardNovelette: "Buffalo Gals, Won't You Come Out To

night" by Ursula K. Le GuinShort Story: "Why I Left Harry's All-Night Hamburg

ers" by Lawrence Watt-EvansNon-Fiction Book: Michael Whelan's Works of Wonder

by Michael WhelanOther Forms: Watchmen by Alan Moore and Dave Gib

bonsDramatic Presentation: “The Princess Bride"Professional Editor: Gardner DozoisProfessional Artist: Michael WhelanSemiprozine: Locus (Charles N. Brown, ed.)Fanzine: Texas SF Inquirer (Pat Mueller, ed.)Fan Writer: Mike GlyerFan Artist: Brad FosterCampbell Award: Judith MoffettSpecial Award: The SF Oral History Association

1987:Novel: Speaker for the Deadly Orson Scott CardNovella: "Gilgamesh in the Outback" by Robert Silver

bergNovelette: "Permafrost" by Roger Zelazny

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Short Story: "Tangents" by Greg BearNon-Fiction Book: Trillion Year Spree by Brian Aldiss

with David WingroveDramatic Presentation: AliensProfessional Editor: Terry CarrProfessional Artist: Jim BurnsSemiprozine: Locus (Charles N. Brown, ed.)Fanzine: Ansible (Dave Langford, ed.)Fan Writer: Dave LangfordFan Artist: Brad FosterCampbell Award: Karen Joy Fowler

1986:Novel: Ender's Game by Orson Scott CardNovella: "Twenty-four Views of Mount Fuji, by Hoku

sai" by Roger ZelaznyNovelette: "Paladin of the Lost Hour" by Harlan Elli

sonShort Story: "Fermi and Frost" by Frederik PohlNon-Fiction Book: Science Made Stupid by Tom

WellerDramatic Presentation: Back to the FutureProfessional Editor: Judy-Lynn del Rey (declined by

Lester del Rey)Professional Artist: Michael WhelanSemiprozine: Locus (Charles N. Brown, ed.)Fanzine: Lan's Lantern (George Laskowski, ed.)Fan Writer: Mike GlyerFan Artist: Joan Hanke-WoodsCampbell Award: Melissa Scott

1985:Novel: Neuromancer by William GibsonNovella: "Press Enter ■" by John VarleyNovelette: "Bloodchild" by Octavia Butler

"Tangents" by Greg Bear Illustration: Hldeki Ohmori Hayakawa Publishing,Inc.

Short Story: "The Crystal Spheres" by David Brin Non-Fiction Book: Wonder's Child: My Life in Science

Fiction by Jack WilliamsonDramatic Presentation: "2010”Professional Editor: Terry CarrProfessional Artist: Michael WhelanSemiprozine: Locus (Charles N. Brown, ed.)Fanzine: File 770 (Mike Glyer, ed.)Fan Writer: Dave LangfordFan Artist: Alexis GillilandCampbell Award: Lucius Shepard

1984:Novel: Startide Rising by David BrinNovella: "Cascade Point" by Timothy ZahnNovelette: "Blood Music" by Greg BearShort Story: "Speech Sounds" by Octavia ButlerNon-Fiction Book: Encyclopedia of Science Fiction

and Fantasy, vol. Ill, by Donald TuckDramatic Presentation: Return of the JediProfessional Editor: Shawna McCarthyProfessional Artist: Michael WhelanSemiprozine: Locus (Charles N. Brown, ed.)Fanzine: File 770 (Mike Glyer, ed.)Fan Writer: Mike GlyerFan Artist: Alexis GillilandCampbell Award: R. A. MacAvoySpecial Award: Larry T. Shaw for lifetime achievement

as a science fiction editorSpecial Award: Robert Bloch for fifty years as a science

fiction professional

1983:Novel: Foundation's Edge by Isaac AsimovNovella: "Souls" by Joanna RussNovelette: "Fire Watch" by Connie WillisShort Story: "Melancholy Elephants" by Spider Rob

insonNon-Fiction Book: Isaac Asimov: The Foundations of

Science Fiction by James E. GunnDramatic Presentation: "Blade Runner”Professional Editor: Edward L. FermanProfessional Artist: Michael WhelanFanzine: Locus (Charles N. Brown, ed.)Fan Writer: Richard E. GeisFan Artist: Alexis GillilandCampbell Award: Paul O. Williams

1982:Novel: Downbelow Station by C. J. Cherryh Novella: "The Saturn Game" by Poul Anderson Novelette: "Unicorn Variation" by Roger ZelaznyShort Story: "The Pusher" by John Varley

e-°52 Nippaniflw

Nippon2007

Non-Fiction Book: Danse Macabre by Stephen King Dramatic Presentation: Raiders of the Lost ArkProfessional Editor: Edward L. FermanProfessional Artist: Michael WhelanFanzine: Locus (Charles N. Brown, ed.)Fan Writer: Richard E. GeisFan Artist: Victoria PoyserCampbell Award: Alexis GillilandSpecial Award: Mike Glyer for "keeping the fan in fan

zine publishing"

1981:Novel: The Snow Queen by Joan D. VingeNovella: "Lost Dorsai" by Gordon R. DicksonNovelette: "The Cloak and the Staff by Gordon R.

DicksonShort Story: "Grotto of the Dancing Deer" by Clifford

D. SimakNon-Fiction Book: Cosmos by Carl SaganDramatic Presentation: The Empire Strikes Back Professional Editor: Edward L. FermanProfessional Artist: Michael WhelanFanzine: Locus (Charles N. Brown, ed.)Fan Writer: Susan WoodFan Artist: Victoria PoyserCampbell Award: Somtow SucharitkulSpecial Award: Edward L. Ferman for his effort to ex

pand and improve the field

1980:Novel: The Fountains of Paradise by Arthur C. Clarke Novella: "Enemy Mine" by Barry B. Longyear Novelette: "Sandkings" by George R. R. MartinShort Story: "The Way of Cross and Dragon" by George

R. R. MartinNon-Fiction Book: The Science Fiction En

cyclopedia (Peter Nicholls, ed.)Dramatic Presentation: "Alien” Professional Editor: George H. Scithers Professional Artist: Michael Whelan Fanzine: Locus (Charles N. Brown, ed.) Fan Writer: Bob ShawFan Artist: Alexis GillilandCampbell Award: Barry B. LongyearGandalf Award (Grand Master): Ray Brad

bury

1979:Novel: Dreamsnake by Vonda McIntyreNovella: "The Persistence of Vision" by

John VarleyNovelette: "Hunter's Moon" by Poul An

dersonShort Story: "Cassandra" by C. J. Cherryh

Dramatic Presentation: "Superman” Professional Editor: Ben Bova Professional Artist: Vincent DiFateFanzine: Science Fiction Review (Richard E. Geis, ed.) Fan Writer: Bob ShawFan Artist: Bill RotslerCampbell Award: Stephen R. DonaldsonGandalf Award (Grand Master): Ursula K. Le GuinGandalf Award (Book-Length Fantasy): The White

Dragon by Anne McCaffrey

1978:Novel: Gateway by Frederik PohlNovella: "Stardance" by Spider and Jeanne Robinson Novelette: "Eyes of Amber" by Joan D. Vinge Short Story: "Jeffty Is Five" by Harlan Ellison Dramatic Presentation: "Star Wars” Professional Editor: George H. Scithers Professional Artist: Rick SternbachAmateur Magazine: Locus (Charles and Dena Brown,

eds.)Fan Writer: Richard E. GeisFan Artist: Phil FoglioCampbell Award: Orson Scott CardGandalf Award (Grand Master): Poul AndersonGandalf Award (Book-Length Fantasy): The Silmaril-

lion by J. R. R. Tolkien (ed. by Christopher Tolkien)

1977:Novel: Where Late the Sweet Birds Sang by Kate Wil

helmNovella: "By Any Other Name" by Spider Robinson

and "Houston, Houston, Do You Read?" by James Tiptree,

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Jr. (tie)Novelette: "The Bicentennial Man" by Isaac Asimov Short Story: "Tricentennial" by Joe Haldeman Dramatic Presentation: (No Award) Professional Editor: Ben BovaProfessional Artist: Rick SternbachAmateur Magazine: Science Fiction Review (Richard

E. Geis, ed.)Fan Writer: Susan Wood and Richard E. Geis (tie)Fan Artist: Phil FoglioCampbell Award: C. J. CherryhSpecial Award: George Lucas for Star WarsGandalf Award (Grand Master): Andre Norton

1976:Novel: The Forever War by Joe HaldemanNovella: "Home Is the Hangman" by Roger Zelazny Novelette: "The Borderland of Sol" by Larry Niven Short Story: "Catch That Zeppelin!" by Fritz Leiber Dramatic Presentation: “A Boy and His Dog” Professional Editor: Ben Bova Professional Artist: Frank Kelly FreasFanzine: Locus (Charles and Dena Brown, eds.) Fan Writer: Richard E. Geis Fan Artist: Tim KirkCampbell Award: Tom ReamySpecial Award: James E. Gunn for Alternate Worlds,

The Illustrated History of Science FictionGandalf Award (Grand Master): L. Sprague de Camp

1975:Novel: The Dispossessed by Ursula K. Lc Guin Novella: "A Song for Lya" by George R. R. Martin Novelette: "Adrift Just Off the Islets of Langerhans" by

Harlan Ellison

The Dispossessed by Ursula K. Le Guin Illustration: Shiro TATSUMI Hayakawa Publishing,Inc.

Short Story: "The Hole Man" by Larry Niven Dramatic Presentation: "YoungFrankenstein” Professional Editor: Ben BovaProfessional Artist: Frank Kelly FreasAmateur Magazine: The Alien Critic (Richard E. Geis,

ed.)Fan Writer: Richard E. GeisFan Artist: Bill RotslerCampbell Award: P. J. PlaugerSpecial Award: Donald A. Wollheim as "the fan who

has done everything"Special Award: Walt Lee for Reference Guide to Fan

tastic FilmsGandalf Award (Grand Master): Fritz Leiber

1974:Novel: Rendezvous with Rama by Arthur C. ClarkeNovella: "The Girl Who Was Plugged In" by James Tip

tree, Jr.Novelette: "The Deathbird" by Harlan EllisonShort Story: "The Ones Who Walk Away from Ornelas"

by Ursula K. Le GuinDramatic Presentation: "Sleeper”Professional Editor: Ben BovaProfessional Artist: Frank Kelly FreasAmateur Magazine: Algol (Andy Porter, ed.) and The

Alien Critic (Richard E. Geis, ed.) (tie)Fan Writer: Susan WoodFan Artist: Tim KirkCampbell Award: Spider Robinson and Lisa Tuttle (tie) Special Award: Chesley Bonestell for his illustrations Gandalf Award (Grand Master): J. R. R. Tolkien

1973:Novel: The Gods Themselves by Isaac AsimovNovella: "The Word for World Is Forest" by Ursula K.

Le GuinNovelette: "Goat Song" by Poul AndersonShort Story: "Eurema's Dam" by R. A Lafferty and

"The Meeting" by Frederik Pohl and C. M. Kornbluth (tie)Dramatic Presentation: "Slaughterhouse-Five”Professional Editor: Ben BovaProfessional Artist: Frank Kelly FreasAmateur Magazine: Energumen (Mike Glicksohn and

Susan Wood Glicksohn, eds.)Fan Writer: Terry CarrFan Artist: Tim KirkCampbell Award: Jerry PournelleSpecial Award: Pierre Versins for L'Encyclopedie de

1'Utopie et de la science fiction

1972:Novel: To Your Scattered Bodies Go by Philip Jose

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Nippon2007Farmer

Novella: "The Queen of Air and Darkness" by Poul Anderson

Short Story: "Inconstant Moon" by Larry NivenDramatic Presentation: ‘‘A Clockwork Orange”Professional Magazine: Fantasy & Science FictionProfessional Artist: Frank Kelly FreasAmateur Magazine: Locus (Charles and Dena Brown,

eds.)Fan Writer: Harry Warner, Jr.Fan Artist: Tim KirkSpecial Award: Harlan Ellison for excellence in anthol

ogizing (Again, Dangerous Visions)Special Award: Club du Livre dAnticipation (France)

for excellence in book productionSpecial Award: Nueva Dimension (Spain) for excel

lence in magazine production

1971:Novel: Ringworld by Larry NivenNovella: "Ill Met in Lankhmar" by Fritz LeiberShort Story: "Slow Sculpture" by Theodore SturgeonDramatic Presentation: (No Award)Professional Magazine: Fantasy & Science FictionProfessional Artist: Leo and Diane DillonFanzine: Locus (Charles and Dena Brown, eds.)Fan Writer: Richard E. GeisFan Artist: Alicia Austin

1970:Novel: The Left Hand of Darkness by Ursula K. Le

GuinNovella: "Ship of Shadows" by Fritz LeiberShort Story: "Time Considered as a Helix of Semi-Pre

cious Stones" by Samuel R. DelanyDramatic Presentation: “News coverage of Apollo XI”Professional Magazine: Fantasy & Science FictionProfessional Artist: Frank Kelly FreasFanzine: Science Fiction Review (Richard E. Geis, ed.) Fan Writer: Bob TuckerFan Artist: Tim Kirk

1969:Novel: Stand on Zanzibar by John BrunnerNovella: "Nightwings" by Robert SilverbergNovelette: "The Sharing of Flesh" by Poul AndersonShort Story: "The Beast That Shouted Love at the Heart

of the World" by Harlan EllisonDramatic Presentation: ‘‘2001: A Space Odyssey" Professional Magazine: Fantasy & Science Fiction Professional Artist: Jack GaughanFanzine: Science Fiction Review (Richard E. Geis, ed.) Fan Writer: Harry Warner, Jr.

The Gods Themselves by Isooc Asimov Illustration :Shun KIJIMA Hoyakawa Publishing,Inc.

THE GOpS THEM$£LV£S

Fan Artist: Vaughn BodeSpecial Award: Neil Armstrong, Edwin Aldrin, and

Michael Collins for "The Best Moon Landing Ever"

1968:Novel: Lord of Light by Roger ZelaznyNovella: "Weyr Search" by Anne McCaffrey and "Rid

ers of the Purple Wage" by Philip Jose Farmer (tie)Novelette: "Gonna Roll Them Bones" by Fritz LeiberShort Story: "I Have No Mouth, and I Must Scream" by

Harlan EllisonDramatic Presentation: "City on the Edge of Forever"

(Star Trek, by Harlan Ellison)Professional Magazine: IfProfessional Artist: Jack GaughanFanzine: Amra (George Scithers, ed.)Fan Writer: Ted WhiteFan Artist: George BarrSpecial Award: Harlan Ellison for Dangerous VisionsSpecial Award: Gene Roddenberry for Star Trek

1967:Novel: The Moon Is a Harsh Mistress by Robert A.

HeinleinNovelette: "The Last Castle" by Jack VanceShort Story: "Neutron Star" by Larry NivenDramatic Presentation: Star TrekTThe. Menagerie"Professional Magazine: IfProfessional Artist: Jack GaughanFanzine: Niekas (Ed Meskys and Felice Rolfe, eds.)Fan Writer: Alexei PanshinFan Artist: Jack GaughanSpecial Award: CBS Television for 21st Century

1966:

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KI ■the 46th Japan Science Fiction Convention & the 65th World Science Fiction Convention

Novel: ... And Call Me Conrad by Roger Zelazny and Dune by Frank Herbert (tie)

Short Fiction: " 'Repent, Harlequin!' Said the Ticktock- man" by Harlan Ellison

Professional Magazine: IfProfessional Artist: Frank FrazettaAmateur Magazine: ERB-dom (Camille Cazedessus,

Jr., ed.)Best All-Time Series: the "Foundation" series by Isaac

Asimov

1965:Novel: The Wanderer by Fritz LeiberShort Story: "Soldier, Ask Not" by Gordon R. Dickson Special Drama: Dr. StrangeloveMagazine: AnalogArtist: John SchoenherrPublisher: BallantineFanzine: Yandro (Robert and Juanita Coulson, eds.)

1964:Novel: Way Station by Clifford D. SimakShort Fiction: "No Truce with Kings" by Poul Ander

sonProfessional Magazine: AnalogProfessional Artist: Ed EmshwillerSF Book Publisher: Ace BooksAmateur Magazine: Atnra (George Scithers, ed.)

1963:Novel: The Man in the High Castle by Philip K. Dick Short Fiction: "The Dragon Masters" by Jack Vance Dramatic Presentation: (No Award)Professional Magazine: Fantasy & Science Fiction Professional Artist: Roy G. Krenkel

Way Station by Clifford D. SimakIllustratiomShumio KAKUTAHayakawa Publishing.Inc.

Amateur Magazine: Xero (Richard and Pat Lupoff, eds.)

Special Award: P. Schuyler Miller for book reviews in Analog

Special Award: Isaac Asimov for science articles in Fantasy & Science Fiction

1962:Novel: Stranger in a Strange Land by Robert A. Hein

leinShort Fiction: the "Hothouse" series by Brian W. Ald-

issDramatic Presentation: The Twilight ZoneProfessional Magazine: AnalogProfessional Artist: Ed EmshwillerFanzine: Warhoon (Richard Bergeron, ed.)Special Award: Cele Goldsmith for editing Amazing

and FantasticSpecial Award: Donald H. Tuck for The Handbook of

Science Fiction and FantasySpecial Award: Fritz Leiber and the Hoffman Electric

Corp, for the use of science fiction in advertisements

1961:Novel: A Canticle for Leibowitz by Walter M. Miller,

Jr.Short Fiction: "The Longest Voyage" by Poul Ander

sonDramatic Presentation: The Twilight Zone Professional Magazine: Astounding/Analog Professional Artist: Ed EmshwillerFanzine: Who Killed Science Fiction? (Earl Kemp, ed.)

I960:Novel: Starship Troopers by Robert A. HeinleinShort Fiction: "Flowers for Algernon" by Daniel KeyesDramatic Presentation: The Twilight ZoneProfessional Magazine: Fantasy & Science Fiction Professional Artist: Ed EmshwillerFanzine: Cry of the Nameless (F. M. and Elinor Busby,

Burnett Toskey, and Wally Weber, eds.)Special Award: Hugo Gernsback as "The Father of

Magazine Science Fiction"

1959:Novel: A Case of Conscience by James BlishNovelette: "The Big Front Yard" by Clifford D. Simak Short Story: "That Hell-Bound Train" by Robert Bloch SF or Fantasy Movie: (No Award)Professional Magazine: Fantasy & Science FictionProfessional Artist: Frank Kelly FreasAmateur Magazine: Fanac (Ron Ellik and Terry Carr,

eds.)

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Nippon2007

New Author of 1958: (No Award, but Brian W. Aldiss received a plaque as runner-up)

1958:Novel or Novelette: The Big Time by Fritz LeiberShort Story: "Or All the Seas With Oysters" by Avram

DavidsonOutstanding Movie: The Incredible Shrinking ManMagazine: Fantasy & Science FictionOutstanding Artist: Frank Kelly FreasOutstanding Actifan: Walter A. Willis

1957:American Professional Magazine: AstoundingBritish Professional Magazine: New WorldsFan Magazine: Science-Fiction Times (James V. Taur-

asi, Sr., Ray Van Houten, and Frank Prieto, eds.)

1956:Novel: Double Star by Robert A. HeinleinNovelette: "Exploration Team" by Murray LeinsterShort Story: "The Star" by Arthur C. ClarkeFeature Writer: Willy LeyMagazine: AstoundingArtist: Frank Kelly FreasFan Magazine: Inside & Science Fiction Advertiser

(Ron Smith, cd.)Most Promising New Author: Robert SilverbergBook Reviewer: Damon Knight

1955:Novel: They'd Rather Be Right by Mark Clifton and

Frank RileyNovelette: "The Darfsteller" by Walter M. Miller, Jr.Short Story: "Allamagoosa" by Eric Frank RussellMagazine: AstoundingArtist: Frank Kelly FreasFan Magazine: Fantasy Times (James V. Taurasi, Sr.

and Ray Van Houten, eds.)Special Award: Sam Moskowitz as "Mystery Guest"

and for his work on past conventions

1954 (awarded in 2004):Novel: Fahrenheit 451 by Ray BradburyNovella: "A Case of Conscience" by James BlishNovelette: "Earthman, Come Home" by James BlishShort Story: "The Nine Billion Names of God" by Ar

thur C. ClarkeRelated Book: Conquest of the Moon by Wernher von

Braun, Fred L. Wipple, and Willey LeyDramatic Presentation, Long Form: "The War of the

Worlds" (Screenplay by Barre Lyndon, based on a novel by H. G. Wells :Directed by Byron Haskin)

The "Hothouse" series by Brian W. Aldiss Illustratio:Shumio KAKUTA Hayakawa Publishing,Inc.

Professional Editor: John W. Campbell, Jr.Professional Artist: Chesley BonestellFanzine: Slant ed. Walt Willis, art ed. James White Fan Writer: Bob Tucker

1953:Novel: The Demolished Man by Alfred Bester Professional Magazine: Galaxy and Astounding (tie) Excellence in Fact Articles: Willy LeyCover Artist: Ed Emshwiller and Hannes Bok (tie) Interior Illustrator: Virgil FinlayNew SF Author or Artist: Philip Jose FarmerNumber 1 Fan Personality: Forest J Ackerman

1951 (awarded in 2001):Novel: Farmer in the Sky by Robert A. HeinleinNovella: "The Man Who Sold the Moon" by Robert A.

HeinleinNovelette: "The Little Black Bag" by C. M. Kornbluth Short Story: "To Serve Man" by Damon Knight Dramatic Presentation: Destination Moon Professional Editor: John W. Campbell, Jr.Professional Artist: Kelly FreasFanzine: Science Fiction News Letter (Bob Tucker,

ed.)Fan Writer: Bob SilverbergFan Artist: Jack Gaughan

1946 (awarded in 1996):Novel: The Mule by Isaac AsimovNovella: "Animal Farm" by George OrwellNovelette: "First Contact" by Murray Leinster Short Story: "Uncommon Sense" by Hal Clement Dramatic Presentation: The Picture of Dorian Gray Professional Editor: John W. Campbell, Jr.

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Things to come by-NEXT WORLD- E'ji Yokoyama

Professional Artist: Virgil FinlayFanzine: Voice of the hnagi-Nation (Forest J Acker

man, ed.)Fan Writer: Forest J AckermanFan Artist: William Rotsler

We have just received word of the enemy's plan through this secret report!

It's a progress report.

On the day of the convention, we'll disguise ourselves as SFers and sneak in!

Um, I'm not very good at disguises ....

There's no info, but how's this?You're going as monsters?

77> BEI think we're just fine as samurai and ninja.

What kind of convention is this?

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Nippon2007

Congratulations to Worldcon 65/Nippon 2007

Guest of Honor

□AVID BRINSet in a perilous future where disposable human

duplicates fulfill every illicit whim of their decadent masters, Kiln People is the story of Albert Morris, an investigator on the trail of a revolutionary discovery that may change humanity forever.

“Brin is a skilled storyteller. His novels brim with invention.” —The Cleveland Plain Dealer

“Brin keeps the pages feverishly turning."—Kirkus Reviews

Visit our NEW website at www.tor-forge.com tor* and sign up for our free e-mail newsletter.

ISBN 13: 978-0-7653-4261-4ISBN 10: 0-7653-4261-8

PAPERBACK

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http://www.tor-forge.com


SeiunAwa rd NominationsThe ballot taking of Seiun Award has begun.Seiun Award is voted on by the attendees of the Japanese National SF

Convention.Following is the list of works and activities nominated as references for the Seiun Award which will be given 46th Japanese National SF Convention (held simultaneously with WorldCon) “Nippon 2007”.

You can also check the regulations on Science Fiction Fun Group Joint Conference Website:

Regulations of Seiun Awardhttp://www.sf-fan.gr.jp/regaward.html

How to Vote1) Voting by mailPlease circle the works and activities nominated as references which

are printed on the postcard enclosed in the Progress Report 5. If you want to vote on the works and activities which are not on the list of references, write the litle/publisher etc. of the works and activities on “Others” section in Japanese. Please forward the postcards to SF Fan Group Joint Conference with postage. We appreciate your payment for the postage.

2) Voting on the webpageYou can also vote online from the webpage of SF Fan Group Joint

ConferenceThe voting method is same as the voting by mail.http://www.sf-fan.gr.jp/index.html

[Japanese Long Stories]A "Tengai no Toride” Issui OgawaB "Mardock Velocity” Tow UbukataC "Ai no Monogatari” Hiroshi yamamotoD "Japan Sinks II” Sakyou Komatsu & Koshu TaniY Abstain / Z Others

[Japanese Short Stories]A "Laterna Magika"B "Close it. ”C "Ohburoshiki to Kuino no ito”D "Kamery gets onto TV"E “The Day Shion came"Y Abstain / Z Others

Hirotaka TobiHirotaka Tobi

Housukc NojiriYuusaku Kitano

Hiroshi Yamamoto

[Foreign Long Srories]A "Singularity Sky”

B "Mortal Engines”C “Mars Crossing"D “Ilium”E “The Collapsium"F “Chasm City”Y Abstain / Z Other

Charles Stross/Hiroshi Kaneko Philip Reeve/Rei Anno

Geoffrey A. Landis/Kazuko Onoda Dan Simmons/Akinobu Sakai

Wil McCarthy/Youichi Shimada Alastair Reynolds/Naoy Nakahara

[Foreign Short Stories]A "The Astronaut from Wyoming"

Adam-Troy Castro & Jerry Oltion / Hisashi Asakura

B "Sergeant Chip” Bradley Denton / Maoy NakaharaC "The Planck Dive" Greg Egan / Makoto YamagishiD "Almost Home" Terry Bisson / Toru NakamuraE "Reports of Certain Events in London"

China Mieville /Masamichi HigurashiF "The Eyeflash Miracles" Gene Wolfe / Kiichiro Yanashita Y Abstain / Z Others

[Media]A "THE GIRL WHO LEAPT THROUGH TIME"

Mamoru HosoyaB "Zegapain” Shimoda MasamiC "The Melancholy of Haruhi Suzumiya” Tatsuya IshiharaD "PAPRIKA” Shatoshi KonE “Nippon igai zenbu chinbotsu” Minoru KawasakiY Abstain / Z Others

[Comics]A "DEATHNOTE”B "Buso Renkin"C "Karakuri Circus"D "Alfheim no Kishi"E "Yokohama kaidashi kiko”Y Abstain / Z Others

[Artworks]AMikio MasudaB Yoshitaka AmanoC Iwasato JuryokuD Sasai IkkoE Kato RyoyuF Goto KeisukeG Tanaka HikaruY Abstain / Z Others

Obata KenWatsuki Nobuhiro

Fujita KazuhiroSeika Nakayama

Hitoshi Ashina

[Nonfiction]A "Spirit of Science Fiction ” Sakyo KomatsuB "How to Translate Science Fiction and Other Related Essays"

Nozomi OhmoriC "When I met a kangaroo" Hisashi AsakuraD "Passport into Space 3 Space Pioneers-A Frontline Report”

Yuichi SasamotoE "SF Gaka Katoh Naoyuki -Bijo Meka Powered suit”

Naoyuki KatoY Abstain / Z Others

[Free]A "M-VRocket” Japan Aerospace Exploration Agency (JAXA)B “Project OpenSky” Hachiya KazuhikoY Abstain / Z Others

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http://www.sf-fan.gr.jp/regaward.html

http://www.sf-fan.gr.jp/index.html

Nippon2007

The complete list of Seiun Awards winners2006: Michinoku SF festival ZUNCONBest Novel: "Summer/Time/Traveler" by Kazuma ShiragiBest Short Story: "Tadayotta Otoko (The man who drifted)" by Issui OgawaBest Foreign Language Novel: "Diaspora" by Greg Egan, Translated by Shin YamagishiBest Foreign Language Short Story: "The Human Front" by Ken MacLeod, Translated by Yoichi ShimadaBest Media: "Tokuso-Sentai DEK.A- RANGER" by Katsuya WatanabeBest Comic: "Onmyo-ji (A Yin Yang fortune-teller)" by Reiko OkanoBest Artist: Renji MurataBest Non-Fiction Book: "Shissou Nikki (A disappearance diary)" by Hideo AzumaFree Section: "USES-C Hayabusa Itokawa landing mission" by Japan Aerospace Exploration Agency2005: HAMACON 2Best Novel: "ARIEL" by Yuichi Sasa- motoBest Short Story: "Katadorareta Chi- kara (The power that was modelled)" by Hirotaka TobiBest Foreign Language Novel: "Distress" by Greg Egan, Translated by Shin YamagishiBest Foreign Language Short Story: "And Now the News" by Theodore Sturgeon, Translated by Nozomi OmoriBest Media: "Planetes"\yy Goro Tani- guchiBest Comic: "Bremen II" by Izumi

KawaharaBest Artist: Makoto ShinkaiBest Non-Fiction Book: "MAEDA Corporation fantasy Marketing department" by MAEDA Corporation fantasy Marketing department all membersFree Section: "A Venetia Biennale The 9th international building exhibition Japan building exhibition" by An international exchange fund I Kaichi- ro Morikawa and All the participation writersSpecial Prize: Tetsu Yano

2004: G-conBest Novel: "The sixth continent" by Issui OgawaBest Short Story: "Yomibito shirazu" by Shinji KajioBest Foreign Language Novel: "Heaven's Reach"by David Brin, Translated by Akinobu SakaiBest Foreign Language Short Story: "Hell is the Absence of God" by Ted Chiang, Translated by Yoshimichi HurusawaBest Media: "THE LORD OF THE RINGS: THE TWO TOWERS" by Peter JacksonBest Comic: "Kanata kara (From a distance)" by Kyoko HikawaBest Artist: Daisuke NishijimaBest Non-Fiction Book: "The passport 2 to the space: A M-V & H-IIA rocket coverage diary" by Yuichi Sa- samotoFree Section: "Royal science museum series 1" by TAKARA Co. & KAIY- ODO Co.

2003: Tochigi SF fan training camp T-con 2003BestNovel: "TaiyonoSandatsusha(The Sun Usurper)" by Hosuke NojiriBest Short Story: "Ore wa missile (I am a missile)" by Mizuhito Akiyama Best Foreign Language Novel: "Illegal Alien" by Robert J. Sawyer, Translated by Masayuki UchidaBest Foreign Language Short Story: "Luminous" by Greg Egan, Translated by Shin YamagishiBest Media: "Hoshi no Koe (The voice of the star)" by Makoto ShinkaiBest Comic: "Chrono eyes"by Yuichi HasegawaBest Artist: Makoto ShinkaiBest Non-Fiction Book: "A passport to the space" by Yuichi SasamotoFree Section: "Humanoid Robot HRP- 2"Promet" designed by Yutaka Izubu- chi" by KAWADA industories, INS.

2002: U-conBest Novel: "Fuwa-Fuwa no Izumi (A soft and fluffy spring)" by Hosuke NojiriBest Short Story: "Ginga-Teikoku no Kobo mo Fude no Ayamari (Propagating Buddhism is an error of the writing brush, too by Galactic Empire)" by Hirohumi TanakaBest Foreign Language Novel: "There and Back Again" by Pat Murphy, Translated by Hisashi AsakuraBest Foreign Language Short Story: "Story of Your Life" by Ted Chiang, Translated by Nariyuki KudeBest Foreign Language Short Story:

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"Reasons to be Cheerful" by Greg Egan, Translated by Shin YamagishiBest Media: "Masked Rider Kuuga" by tv asahi Co. & Toei Co.Best Comic: "Planetes" by Makoto YukimuraBest Artist: Katsuya TeradaBest Non-Fiction Book: "All of NHK the boy drama series" by Hisaaki Ma- suyamaFree Section: "Unit No. H-IIA rocket examination machine 1" by NASDA

2001: Future International ConferenceBest Novel: "Eien no rnori/ Hakubut- sukan wakusei (A forest of the eternity /the museum planet)" by Hi roe Suga Best Short Story: "Ashibiki Daydream" by Shinji KajioBest Foreign Language Novel: "Frameshift" by Robert J. Sawyer, Translated by Masayuki UchidaBest Foreign Language Short Story: "Oceanic" by Greg Egan, Translated by Shin YamagishiBest Media: "High movement fantasy gun parade march" by SCEI Alpha system

Best Comic: "Card capture Sakura" by CLAMPBest Artist: Kenji TsurutaBest Non-Fiction Book: "Motto Sugoi Kagaku de Mamori masu (I protect it in more terrible science!)" by Yuichi Hasegawa

2000: Zero-CONBest Novel: "A Good luck: battle fairy YUKIKAZE" by Chohei Kanbayashi Best Short Story: "A solar usurper" by Hosuke NojiriBest Foreign Language Novel: "Kir- inyaga" by Mike Resnick, Translated by Masayuki UchidaBest Foreign Language Short Story: "Out of the Everywhere" by James Tiptree Jr., Translated by Norio Ito Best Media: "Cowboy bebop" by

Shin-ichiro WatanabeBest Comic: "Ithiharsa" by Wakako MizukiBest Artist: Kenji TsurutaBest Non-Fiction Book: "AIBO" by Sony Co.

1999: YANECONBest Novel: "Suisei-gari (Comet hunting)" by Yuichi SasamotoBest Short Story: "Yoake no terrorist (Terrorist of the daybreak)" by Hi- royuki MoriokaBest Foreign Language Novel: "The Time Ship" by Stephen Baxter, Translated by Naoya NakaharaBest Foreign Language Novel: "Red Mars" by Kim Stanley Robinson, Translated by Yutaka OhshimaBest Foreign Language Short Story:

"This Year's Class Picture" by Dan Simmons, Translated by Yoichi Shi- madaBest Media: "Martian Successor Na- desico" by Tatsuo SatoBest Comic: "Runna-Hime Horoki (A description of Princess Runna roam)" by Eiji YokoyamaBest Artist: Takumi AkaiBest Non-Fiction Book: "Uchu wo kuso shitekita hitobito (The people who imagined space)" by Masahiro Noda

1998: CAPRICON 1Best Novel: "An enemy is an enemy of pirate / A grade" by Chohei Kan

bayashiBest Short Story: "Independence in Osaka" by Mariko OharaBest Foreign Language Novel: "Fallen Angels" by Larry Niven & Jerry Pournell & Micheal Flynn, Translated by Osamu AsaiBest Foreign Language Short Story: "The Death of Captain Future" by Allen Steele, Translated by Masahiro NodaBest Media: "Ultraman Tiga" by Tsuburaya Productions Co.Best Comic: "SF taisho (General SF)" by Miki ToriBest Artist: Shigeru MizukiBest Non-Fiction Book: "An independence walk human being type robot ( P2) " by Honda Motor Corporation

1997: AKICONBest Novel: "Seikai no Monsho (A crest of the star world)" by Hiroyuki MoriokaBest Short Story: "An equation of a diet" by Hitoshi KusakamiBest Foreign Language Novel: "End of an Era" by Robert J. Sawyer, Translated by Masayuki UchidaBest Foreign Language Short Story: "Heads" by Greg Bear, Translated by Kazuko OnodaBest Media: "Camera 2" by Syusuke KanekoBest Comic: "Ushio & Tora" by Ka- zuhiro FujitaBest Artist: Yuji KaidaBest Non-Fiction Book: "TONDEMO bon no gyakushu (The counterattack of the TONDEMO book)" by Togaku- kai

1996: KOKURANOMICONBest Novel: "Hikishio no toki (At the time of ebb)" by Taku MayumuraBest Short Story: "The experience value of the summer" by Ko HiuraBest Foreign Language Novel: "Timelike Infinity" by Stephen Baxter,

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Nippon2007

Translated by Kazuko OnodaBest Foreign Language Novel: "The Fall of Hyperrion" by Dan Simmons, Translated by Akinobu SakaiBest Foreign Language Short Story: "Robot Visions" by Isaac Asimov, Translated by Norio ItoBest Media: "Gamcra" by Shusuke KanekoBest Comic: "Kiseiju (A parasitism beast)" by Hitoshi IwaakiBest Artist: Akihiro YamadaBest Non-Fiction Book: "TONDEMO bon no sekai (The world of the TONDEMO book)" by Togakukai

1995: HAMANACONBest Novel: "Kishin-Heidan" by Ma- saki YamadaBest Short Story: "NONOKO no fu- kushu jig jig (A revenge jig jig of NONOKO)" by Kenji OtsukiBest Foreign Language Novel: "Hyperion" by Dan Simmons, Translated by Akinobu SakaiBest Foreign Language Short Story: "A Planet Named Shayol" by Cord- wainer Smith, Translated by Norio ItoBest Media: "ZEIRAM 2" by Keita AmemiyaBest Comic: "Nausicaa of the Valley of the Wind" by Hayao MiyazakiBest Artist: Keinojyo MizutamaBest Non-Fiction Book: "(Itoshi no Wonderland (Dear Wonderland)" by Masahiro Noda

1994: RYUCONBest Novel: "Owarinaki Sakuteki" by Koshu TaniBest Short Story: "Kuruguru tsukai" by Kenji OtsukiBest Foreign Language Novel: "Ento- verse" by James P. Hogan, Translated by Hiroaki IkeBest Foreign Language Short Story: "Tangents" by Greg Bear, Translated by Akinobu Sakai

Best Media: "JURASSIC PARK" by Steven SpielbergBest Comic: "DAI-HONYA" by Miki ToriBest Comic: "Gran Rover story" by Kyoko ShitoBest Artist: Hitoshi YonedaBest Non-Fiction Book: "Yasashii uchu Kaihatsu nyumon (An introduction to easy space development)" by Masahiro Noda

1993: DAICON 6Best Novel: "Venus city" by Goro Ma- sakiBest Short Story: "Sobakasu no figure (The figure of freckles)" by Hiroe SugaBest Foreign Language Novel: "Tau Zero" by Poul Anderson, Translated by Hisashi AsakuraBest Foreign Language Short Story: "Groaning Hinges of the World" by R. A. Lafferty, Translated by Hisashi AsakuraBest Media: "A mom is a fourth grader" by Hideaki luchiBest Comic: "OZ" by Natsumi ItsukiBest Artist: Keinojyo MizutamaBest Non-Fiction Book: "The Minds of Billy Milligan" by Daniel Keyes

1992: HAMACONBest Novel: "Melsas no shonen (A boy oj'Melsas)" by Hiroe SugaBest Short Story: "Kyoryu Laurentis no genshi (Visual hallucination of dinosaur Laurenthis)" by Shinji KajioBest Foreign Language Novel: "The McAndrew Chronicles" by Charles Sheffield, Translated by Akinobu SakaiBest Foreign Language Short Story: "Tango Charlie and Foxtrot Romeo" by John Varley, Translated by Hisashi AsakuraBest Media: "THE TERMINATOR 2 JUDGEMENT DAY" by James Cameron

Best Comic: "Yamataika" by Yukino- bu HoshinoBest Artist: Masamune ShiroBest Non-Fiction Book: "Denshi rik- koku Nippon no jijodenn (An autobiography of electronic nation Japan)" by NHK

1991: i-CONBest Novel: "Hybridchild" by Mariko OharaBest Short Story: "Jodan no tsuki wo kurau inoshishi (The wild boar which gets the stab of the upper section)" by Baku YumemakuraBest Foreign Language Novel: "The Uplift War" by David Brin, Translated by Akinobu SakaiBest Foreign Language Short Story: "Schrodinger's Kitten" by George Alec EffingerBest Media: "A Galactic Odyssey" by NHKBest Comic: "Uchu-Dai-Zakka (Large miscellaneous goods of the space)" by Eiji YokoyamaBest Artist: Eiji YokoyamaBest Non-Fiction Book: "SF handbook" by Hayakawa Publishing

1990: TOKON9Best Novel: "Jogen no tsuki wo taberu shishi (The lion which eats the waxing crescent moon)" by Baku YumemakuraBest Short Story: "Aqua planet" by Mariko OharaBest Foreign Language Novel: "Collision with Chronos" by Barrington John Bayley, Translated by Nozomi OmoriBest Foreign Language Short Story: "Think Blue, Count Two" by Cord- wainer Smith, Translated by Norio ItoBest Media: "Top wo nerae ! (Aim at the top !)" by Hideaki AnnoBest Comic: "So What?" by Megumi Wakatsuki

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Best Artist: Katsumi MichiharaBest Non-Fiction Book: "Future Magic; How Today's Science Fiction will Become Tomorrow's Reality" by Robert L. Forward

1989: DAINACON EXBest Novel: "Babylonia wave" by Akira HoriBest Short Story: "Kurage no hi (The day of the jellyfish)" by Jin Kusakami Best Foreign Language Novel: "Footfall" by Larry Niven & Jerry Pournell, Translated by Akinobu SakaiBest Foreign Language Short Story: "Eyes for Eye" by Orson Scott Card, Translated by Mariko FukamachiBest Media: "My Neighbor TOTORO" by Hayao MiyazakiBest Comic: "Mermaidforest" by Ruin iko TakahashiBest Artist: Yosuke Kato & Keisuke GotoBest Non-Fiction Book: "Space Opera no Kakikata (How to write space opera)" by Masahiro NodaSpecial Prize: Osamu Tezuka

1988: Mig-CONBest Novel: "Ginga eiyu de setsu (Legend of the Galactic Heroes " by Yoshiki TanakaBest Short Story: "Yamano Ueno Koukyoukyoku (A symphony on the mountain)" by Norio NakaiBest Foreign Language Novel: "Norstrilia" by Cordwainer Smith, Translated by Hisashi AsakuraBest Foreign Language Short Story: "The Only Neat Thing to Do" by James Tiptree Jr., Translated by Hisashi AsakuraBest Media: "ROYAL SPACE FORCE- Wings of Honneamise" by Hiroyuki YamagaBest Comic: "Kyukyoku Choji R (An ultimate superman R)" by Masami YuukiBest Artist: Jun Sumie

Best Non-Fiction Book: "Wizardry Nikki (A Wizardry diary" by Tetsu Yano

1987: URACON 87Best Novel: "Prism" by Chohei Kan- bayashiBest Short Story: "Kasei Kido (Mars orbit)" by Koshu TaniBest Foreign Language Novel: "Neu- romancer"by William Gibson, Translated by Hisashi KuromaBest Foreign Language Short Story: "Press EnterH" by John Varley, Translated by Jyun KazamiBest Media: "BRAZIL" by Terry GilliamBest Comic: "Uruseiyatsura" by Ruin iko TakahashiBest Artist: Michiaki SatoBest Non-Fiction Book: "Ishihara Hakase no SF kenkyushitsu (An SF laboratory of Dr. Ishihara)" by Fujio Ishihara

1986: DAICON 5Best Novel: "The Dirty Pair Strike Again" by Haruka TakachihoBest Short Story: "Lemon pie Oyas- hiki-Yokocho Zero-banchi" by Masahiro NodaBest Foreign Language Novel: "Elric Saga" by Michael Moorcock, Translated by Hitoshi Yasuda, Akemi Itsuji Best Foreign Language Short Story: No Award

Best Media: "BACK TO THE FUTURE" by Robert ZemeckisBest Comic: "Apple seed" by Masa- mune ShiroBest Artist: Yoshitaka AmanoBest Non-Fiction Book: "Tokusatsu hero retsuden (Special effects hero series of biographies)" by Kensho Ikeda

1985: GATACON SPBest Novel: "Sentou yousei Yukikaze (Battle fairy YUKIKAZE)" by Chohei

KanbayashiBest Short Story: No AwardBest Foreign Language Novel: "The Zen Gun" by Barrington John Bayley, Translated by Akinobu SakaiBest Foreign Language Short Story: No AwardBest Media: "Nausicaa of the Valley of the Wind" by Hayao MiyazakiBest Comic: "X+Y"by Moto HagioBest Artist: Yoshitaka AmanoBest Non-Fiction Book: "Hikari seiki no sekai (The world of the century of the light)" by Fujio IshiharaSpecial Prize: Jun-ichi Kadokura

1984: EZOCON 2Best Novel: "Teki ha kaizoku/kaizoku ban(The enemy is a pirate / a pirated edition)" by Chohei KanbayashiBest Short Story: "Super phoenix" by Chohei KanbayashiBest Foreign Language Novel: "The Garments of Caean" by Barrington John Bayley, Translated by Wataru FuyukawaBest Foreign Language Short Story: "Unicorn Variation" by Roger Zelazny, Translated by Jyun Kazami Best Media: "THE DARK CRYSTAL" by Jim Henson & Frank Oz, Translated by OzBest Comic: "DOMU" by Katsuhiro OtomoBest Artist: Yoshitaka Amano

1983: DAICON 4Best Novel: "Bye-bye, Jupiter" by Sa- kyo KomatsuBest Short Story: "Kotoba-Tsukai-shi (the words trainer)" by Chohei KanbayashiBest Foreign Language Novel: "Dragon's Egg" by Robert L. Forward, Translated by Akira YamatakaBest Foreign Language Short Story: "Nightflyers" by George R. R. Martin, Translated by Hitoshi YasudaBest Media: "BLADE RUNNER" by

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Nippon2007Ridley ScottBest Comic: "Gin no Sankaku (A silver triangle)" by Moto HagioBest Artist: Yoshitaka AmanoAt Con Media: "Aikoku-Sentai DAI- NIPPON" by Daicon Film / Takami Akai

1982: TOKON 8Best Novel: "Kirikirijin" by Hisashi InoueBest Short Story: "Neptune" by Mo- toko AraiBest Foreign Language Novel: "The Genesis Machine" by James P. Hogan, Translated by Akira YamatakaBest Foreign Language Short Story: "The Brave Little Toaster" by Thomas M. Disch, Translated by Hisashi AsakuraBest Media: No AwardBest Comic: "The feeling already the war" by Katsuhiko OtomoBest Artist: Shusei NagaokaSpecial Prize: "Uchujin" by Takumi ShibanoAt Con Media: "DAIC0N3 opening cartoon films" by A DAIC0N3 executive committee

1981: DAICON 3Best Novel: "Kaseijin senshi (Martian prehistory)" by Chiaki KawamataBest Short Story: "Green requiem" by Motoko AraiBest Foreign Language Novel: "Inherit the Stars" by James P. Hogan, Translated by Hiroaki IkeBest Foreign Language Short Story: "A Relic of the Empire" by Larry Niven, Translated by Rei KozumiBest Media: "Star Wars / The Empire Strikes Back" by Irvin KershnerBest Comic: "A legend" by Waka MizukiBest Artist: Yoshikazu Yasuhiko

1980: TOKON 7Best Novel: "Hoseki Dorobo (Jewel

thief)" by Masaki YamadaBest Short Story: "The great adventure of the dirty pair" by Haruka TakachihoBest Foreign Language Novel: "Rendezvous with Rama" by Arthur C. Clarke, Translated by Hiroshi Min- amiyamaBest Foreign Language Short Story: There is no pertinence work.Best Media: "ALIEN" by Ridley ScottBest Comic: "Star red" by Moto HagioBest Artist: Noriyoshi OuraiSpecial Prize: Motoichiro Takebe

1979: MEICON 3Best Novel: "Shometsu no Korin (A halo of the extinction)" by Taku Ma- yumuraBest Short Story: "Chikyu wa plane

illustrated By Kenji Mizuhara

yogurt (The earth is plane yogurt)" by Shinji KajioBest Foreign Language Novel: "Ringworld" by Larry Niven, Translated by Rei KozumiBest Foreign Language Short Story: "Inconstant Moon" by Larry Niven, Translated by Rei KozumiBest Dramatic Presentation: "StarWars" by George LucasBest Comic: "Fujori Nikki (An absurdity diary)" by Hideo AzumaBest Artist: Naoyuki Kato

1978: ASHINOCONBest Novel: "Chikyu/Seishinbunseki kiroku (The earth / a psychoanalysis record)" by Masaki YamadaBest Short Story: "A knot of Gordia- nus" by Sakyo KomatsuBest Foreign Language Novel: "I Will

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Fear No Evil" by Robert A. Heinlein, Translated by Tetsu YanoBest Foreign Language Short Story: There is no pertinence work.Best Dramatic Presentation: "SOLARIS"^ Andrei TarkovskyBest Comic: "To the earth- TERRA..." by Keiko Takemiya

1977: HINCONBest Novel: "Saikoro tokko Tai (Dice death-defying corps)" by Musashi KanbeBest Short Story: "Metamorphoses archipelago" by Yasutaka TsutsuiBest Foreign Language Novel: "The Dragon Masters" by Jack Vance, Translated by Hisashi AsakuraBest Foreign Language Short Story: "Rozprawa" by Stanislaw Lem, Translated by Dan FukamiBest Dramatic Presentation: No AwardSpecial Prize: Yoshiyuki Kato

1976: TOKON 6Best Novel: "NANASE hutatanbi (NANASE again)" by Yasutaka TsutsuiBest Short Story: "Vomi-sa" by Sakyo KomatsuBest Foreign Language Novel: "This Immortal(...And Call Me Conrad)" by Roger Zelazny, Translated by Misa KowoBest Foreign Language Short Story: "Wet Paint" by A. Bertram Chandler, Translated by Masahiro NodaBest Dramatic Presentation: "Star" by Yasutaka Tsutsui

1975: SHINCONBest Novel: "Ore no chi wa Tanin no

chi (My Blood is Someone Else’s)" by Yasutaka TsutsuiBest Short Story: "Kamigari (God hunting)" by Masaki YamadaBest Foreign Language Novel: "Up the Line" by Robert Silverbcrg, Trans

lated by Yasuo NakamuraBest Foreign Language Short Story: "Eurema's Dam" by R. A. Lafferty, Translated by Norio ItoBest Dramatic Presentation: "Space battleship YAMATO" by Reiji Matsumoto

1974: MIYACONBest Novel: "Japan Sinks" by Sakyo KomatsuBest Short Story: "It all sinks besides Japan" by Yasutaka TsutsuiBest Foreign Language Novel: "Dune" by Frank Herbert, Translated by Tetsu YanoBest Foreign Language Short Story: "A Meeting with Medusa" by Arthur C. Clarke, Translated by Hiroshi Min- amiyamaBest Dramatic Presentation: "SOYLENT GREEN" by Richard Fleischer

1973: EZOCONBest Novel: "Kagami no kuni no Alice (Through the Looking-Glass, and What Alice Found There)" by Tadasi HiroseBest Short Story: "A crystal star cluster" by Sakyo KomatsuBest Foreign Language Novel: "The Sirens of Titan" by Kurt Vonnegut Jr., Translated by Hisashi AsakuraBest Foreign Language Short Story: "The Black Ferris" by Ray Bradbury, Translated by Norio ItoBest Dramatic Presentation: "A CLOCKWORK ORANGE" by Stanley Kubrick

1972: MEICON 2Best Novel: "Ishi no Ketsumyaku" by Ryo HanmuraBest Short Story: "Shirakabe no moji wa yuhi ni haeru (The letter of the white wall shines in the setting sun)" by Yoshio AramakiBest Foreign Language Novel: "Nightwings" by Robert Silverbcrg, Trans

lated by Takako SatoBest Foreign Language Short Story: "The Blue Bottle" by Ray Bradbury, Translated by Norio ItoBest Dramatic Presentation: "THE ANDROMEDA STRAIN" by Robert Wise

1971: DAICON 2Best Novel: “Tsugu no wa dareka? (Who's Next?)" by Sakyo KomatsuBest Short Story: "Vitamin" by Yasutaka TsutsuiBest Foreign Language Novel: "The Andromeda Strain" by Michael Crichton, Translated by Hisashi AsakuraBest Foreign Language Short Story: "The Poems" by Ray Bradbury, Translated by Norio ItoBest Dramatic Presentation: "UFO" by Gerry Anderson

1970: TOKON 5Best Novel: "Reichorui Minami e (Primate to the south)" by Yasutaka TsutsuiBest Short Story: "Full Nelson" by Yasutaka TsutsuiBest Foreign Language Novel: "The Crystal World" by J. G. Ballard, Translated by Yasuo NakamuraBest Foreign Language Short Story: "The Squirrel Cage" by Thomas M. Disch, Translated by Norio ItoBest Dramatic Presentation: "The Prisoner" by Gerry AndersonBest Dramatic Presentation: "CHAR- LY" by Ralph Nelson

_

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Nippon2007

Brief history of modern Japan science fiction-centering the science fiction boom of the early 20th century -

Junya YokotaRoots of the Japanese science fiction

There are various view on which is Japan's first modern science fiction work. But I believe "Seisenkaishin- hen" to be it, written by a Confucian named Gesshu Iwagaki in 1857, just before the 300-year ruling of Tokugawa government came to an end. This was not written to entertain people. It is a short story written in Chinese classics, born from the real state of the world. Seeing the United Kingdom colonialize India and practically vassalize China(Qing) by provoking Opium War, the author wrote this story to alarm the government and its people to raise the sense of crisis.

The deputy general of a small country in the Far East Koukakoku(Japan) gathered 8,000 warriors by pep talking to 300 princes all over the country. Then organized a fleet of 10 fighting ships and four transport boats, asked China's emperor for cooperation to rise the Indian princes. China responded to this but India did not fearing the vengeance of UK. So Koukakku Army(Japanese Army) annihilated the British Army in India alone, headed to UK, won a series of victories to attack London, capturee Queen Victoria, driving UK to unconditional surrender.

As a result of the war, UK would be divided into four areas, Iceland into two, and prince from six neighboring countries were enthroned.

Gesshu lwagaki(1808-1873)

Koukakoku(Japan) demanded nothing but the six countries sent articles for presentation from the year after. No chemical weapons or new inventions appear in the story but this is real-time fictional war chronicle born from patriotism and anger to the domineeringness of UK and other European countries.

Fearing the trouble he could get himself into by writing this story, it spread black and white at the time of its issue, but it was first printed in 1901 and published six or seven times by 1945. This story was no serious science fiction but this can be considered the first science fiction work of modern Japan since it was different from the novels written prior in the sense that it was a national defense fiction war chronicle reflecting international conscious and international problems.

Translating "Shinmiraiki"In 1867 when the Tokugawa

government went down and a new government was born, written by a Netherlands naturalist Dioscorides was translated into Japanese. But its publication was 10 years later. Before it was published, the British version was translated and published as "Kouseyumemo- nogatari" in 1874. Makoto Kondo, the translator of "^T^^gE" specialized in Western studies and was the grandfather of Navy, also known well as educationist.

This story is about the world in 2065, when the city is placed inside a dome of glass and aluminum. The wires tell the world situation in a second, weather control and air conditioning facilities are developed, library is placed, color photos, museum, diffusion of radio, perfection of lighting facility and the independence of Holland colony is predicted. Most of the predictions were realized within 100 years but the author's prediction was surprisingly acurate.

The coming of Jules Verne boom

In 1878, "Le tour du monde en quatre-vingts jours(Around the World in Eighty Days)", written by Jules Verne who is the father of world science fiction together with H.G. Wells, was translated by Chunosuke Kawashima from the trading industry who was under the prodding of educationist Yukichi Fukuzawa. Taking this opportunity, most of the works of Verne such as "Le Voyage dans la lune(A trip to the moon)", "Cinq Semaines en ballon(Five Weeks in a Balloon)" and "Voyage au centre de la Terre(Journey to the Center of the Earth)" were published over 15 years, and the publishing world of Japan was divided between Shakespeare and Verne. To add to this, the translation of "Le tour du monde en quatre-vingts jours" was impressive adding English

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version description to the French text. Thomas More's "Utopia" was translated in the same year.

In 1882, Journalist Shunichi Nukina published "Senmanmuryo Seisekairyoko", a story about a trip around planets, which seems to have influence of Verne. The spirit of the leading character flies in the space to travel and in the planet where science had developed, the annual ruling country of the planet will be decided by lottery balloon popping game, and huge artificial sun, huge fan air blower and an artificial white elephant created by chemical substance synthesis appear. Through the leading character, the author expanded his theory that earth should be handed over to the android when a perfect one is made in the future. This might have been an adaptation, but I would like to admire it as creation of the Japanese.

In 1883, byAlbert Robida, a French satire writer and science fiction writer, was translated and published by several people but it did not start a big boom. There was the country's intention in the Verne works to make the Japanese people who had poor science knowledge to learn science and scientific rationalism. But Robida's works were humor satiric science fiction, so it did not gain a wide acceptance.

However, the Verne works changed to fantastic stories for children and women from the middle of the boom. It is obvious that there were problems in trying to teach science and rational ideas from science fiction.

The fusion of science fiction and political fiction

From around about 1885, political fiction with science-fictional element appeared in a stream. In 1886 alone, "Mirai no Yume" by Shoyo Tsubou- chi, "Secchubai" by Teccho Suemat- su, "Ryokusoudan" by Nansui Sudo, "Shin-Nippon" by Yukio Ozaki were published. The future, fantasized

country or parallel universe were

Alert Robida 's work translated into Japa- nese(1883)

used to present their political ideas which would be a target if presented directly. It should be noted that Yukio Ozaki used the world "science fiction" for the first time in Japan in the preface of "Secchubai".

Ozaki was a political known as god of constitutional government. "Shin-Nippon" was the only novel he wrote, and the story starts 10 years before the time he started writing to state how Japan should have been essentially. by W.P.Lyonwas translated. The theme of this story is Darwin's theory of evolution, a unique novel written in conversational style of the trial denying the theory of evolution but bring to a close that there is still room to study.

In 1887, Kamejiro Takayasu wrote "Sekai rckkoku no yukusue" which is about the war between America and Russia 300 years later. The succeeding country of Russia meditating the conquering of the East first aims for Japan. Japan asks the succeeding country of America for help to be denied. Then a young woman persuades the succeeding country of America and drawing cooperation from the European countries to overthrow Russia's succeeding country. It

is very rare to write about a war between America and Russia in this era. There are limits in portrait, using the weapons and tactics from when it was written in future war novel, but it is an interesting novel.

Toujiro Sugiyama's hilarious war epic science fiction "Toyotomi Saik- ouki" and "Gosui no yume" are odd works, the war epics of pre-modern age with science-fictional element added. This was like a mutation evolution from speech fiction which was popular at the time and was not the main stream of the Japanese science fiction.

In 1888, a work with the theme of the trip to the moon originally written by a Japanese writer was published, "Sekai no harctsu" by Genichiro Igu- chi. The leading character was reading Verne's novel when a emissary of the moon came riding the dragon, asking the character to intervene the two major countries fighting each other in the world of moon. Prevailed by the emissary, the leading character goes to the moon but fails to draw peace to the two countries. This is a political fiction with indirect science-fictional plot, everything was a dream after all. But this should be noted as Japan's first story on the world of moon.

In 1889, Mary Shelley's "The Monster of Frankenstein" was serialized in a magazine for female students under the title of "Shinzoukaibutsu". You may wonder why it was serialized in a magazine for female students. But it was serialized because the dedicated women's state of mind was expressed firmly through Frankenstein and it was interesting as a reading material. It is also highly important that most of the illustrations were drawn by Kiyo- chika Kobayashi who is said to be the last Ukiyoe artist.

Joke-like theory: Science fiction not fiction?

In 1980, Ryukei Yano, a journalist and politician, serialized in newspaper "Houchiibun" which was a

E - 068 Nippan

Nippon2007magnificent-scaled adventure science fiction novel, and became a book as "Ukishiro Monogatari" in the same year. This is an ocean adventure story which the leading character, from a slightest opportunity, begins to flourish worldwide, therefore escapes Japan and begins to fight together with a group trying to stop the high-handedness of the western powers.

There were no aspect of political fiction, and it can be called the first adventure science fiction which gained enormous popularity. People like Yukio Ozaki and literary magnate like Ogai Mori spoke very high of the piece. But this piece was highly attacked by a group of critics who insisted the fiction should be written to show subtleties of human nature and infantile stories like "Ukishiro Monogatari" should be eliminated.

The author insisted "Fictions should not be limited to subtleties of human nature, and it should have varieties. It should be admitted that this kind of story exist", but the critics did not listen and arouse great controversy involving the advocate and readers from each side. But the controversy became a pain for the author and he stopped writing the sequel. As a result of this controversy, the Japanese science fiction found its foot.

Gensai Murai, a pupil of Yano, started to write from this time of period one after another a new genre of science fiction called invention fiction. Murai later became a notability with "Kuidoraku", a kind of conceit fiction, but he wrote the most stories on useful inventions together with problems on romance such as "Koneko", "Mi- yama no Bijin", "Shashinjyutsu" and "Fuyoho". A long story "Hinodejima" which writes about the ship using solar power or electrical barbed wires was especially loved by the readers from the first time it was serialized in a newspaper. The claim of the critics that science fiction is not fiction disappeared.

As to translated works, H.R.

Haggard's "King Solomon's mines" and "She" was translated and adapted from time to time until about 1900.

E-F —-0£>0), andscience fiction revolution fiction

were read by large number of readers.

In the 1890s, the readers enjoyed science fictions, fictions about adventures in rarely-visited regions and mystery stories as entertainment. In the last year of the 19 th century, Shun- jo Oshikawa, said to be the "father of Japanese science fiction" in 1900, made his debut with "Kaiteigunkan", an ocean adventure story scaled-up and more of science fiction taste to Yano's "Ukishiro Monogatari".

Shunro wrote about 60 pieces of adventure fiction and science fiction such as "Kuchudaihikoutei", "Kaijin- tetto", "Tesshaoukoku" and "Sennen- go no Sekai", immediately becoming the charisma of the youngsters. The appearance of Shunro effected the birth of many adventure-science-fiction writers, with Kanan Masumoto left his mark in 1909 with "Kuchuryo- ko", a story about Japanese exploring the Mars.

Suiin Emi who was writing science-fictional adventure stories before Shunro published stories on airplanes such as "Kuchu no Hito" written in the same year, and masterpieces of science-fictional adventure stories. Tamotsu Shibue was also one of the writers stimulated by the appearance of Shunro. From 1905 to 1908, Shibue created and adapted about 60 science fiction or adventure stories like "Shingessekairyoko" and "Shinkait- eiryoko". But many of his works were moonshine and overproducted inferior works. He turned away from novels and went for metapsychics and art of divination.

The birth of exploration, adventure and science fiction magazines

In 1906, Japan's first exploration,

adventure and science fiction maga-

Shunro Oshikowa(1876-1914)

zine "Tankensekai" was issued by Dakuro Murakami, the favorate pupil of Rohan Koda, followed by "Bo- kensekai" which Shunro Oshikawa edited, "Bukyousekai" and others. All sorts of science fiction stories were created and adapted in these magazines. "Tankensekai" issued "Gesse- kai" in 1907, whose stories were all on moon, and "Bokensekai" issued "Sckaimiraiki" two years later whose stories were all on science fiction and science articles, both of which attracted the public attention.

I would like to specify that a popular science magazine "Kagakusekai" held supposedly the first science fiction contest in Japan in 1906. From 1900 until 1907 when Shunro Oshikawa appeared, the Japanese science fiction world experienced its first boom, and Takuboku Ishikawa, Shiki Masaoka and Rohan Koda also challenged writing science fiction. But when Shunro passed away in 1914, the science-fictional boom declined rapidly. After this, Japan promoted militarism and science fiction tied up with military novels, many of which used science-fictional implement and science fiction was lost as entertain-

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Bukyo-Sekai(1912)

ment.Science fiction tied with detec

tive novels and spy novels to be called military-science novels or science detective novels, but it did not develop as individual genre. The father of Japanese fiction Jyuza Unno appeared around about in 1925 but science fiction was treated as plagal detective novels.

After the death of Shunro Os- hikawa, translation of novels rather then the creation of novels attracted the reader, and works of H.G. Wells, Conan Doyle, Maurice Leblanc and others entertained the science fictional fans. But the second boom never arrived until after the defeat in Pacific War in 1945. There were of course individual masterpieces but did not go as far as creating a boom. After all, the 15 years from 1900 when Shunro Oshikawa made his debute with "Kai- teigunkan" to his death in 1914 could be said as the boom in the dawn of Japanese science fiction.

The diversity and future of Japanese fiction

Some people say Japanese science fiction did not exist before the Pacific War but this is wrong in my opinion. Japanese science fiction did in fact exist from 1900 including sto

ries on adventures in rarely-visited regions, science detective novels and fantasy bizarrerie novels. But putting aside Shunro Oshikawa's period, most of the science fiction novels were used as political agenda or raising of militarism. and it should be realized that they were out of luck in those days.

But his painful experience tied with the world science fiction after the war, resulting in bringing about Japanese original and various science fiction writers and works. The sense of wonder seen in the works of Shin- ichi Hoshi, Sakyo Komatsu, Yasutaka Tsutsui, Ryo Hanmura, Taku Mayu- mura and others draw a sharp line from those of Britain and America.

Now the Japanese science fiction has penetrated and spreaded that if you say science fiction is not fiction, you will be laughed at. However, the speed of evolution is too rapid that some of the writers arc showing patterns of throwback. 1 wanted to write about the ties between humor and science fiction but given space was not enough for that. I would like to give it a thought if there is an opportunity.

The Japanese science fiction is sure to stay in the future, but I cannot guess how it will evolve. I would like to say that I hope science fiction will never be just means again, and make this my peroration.

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Nippon2007

List of Japanese SF Convention

1962 MEG-CON Tokyo1963 TOKON Tokyo1964 DAICON Osaka1965 TOKON 2 Tokyo1966 MEICON Nagoya1967 TOKON 3 Tokyo1968 TOKON 4 Tokyo1969 KYUKON

Kumamoto Pref.1970 TOKON 5 Tokyo1971 DAICON 2 Osaka1972 MEICON 2 Nagoya1973 EZOCON

Hokkaido Pref.1974 MIYACON Kyoto1975 SHINCON Kobe1976 TOKON 6 Tokyo1977 HINCON Yokohama1978 ASHINOCON Kanagawa Pref.1979 MEICON3 Nagoya

1980 TOKON 7 Tokyo1981 DAICON 3 Osaka1982 TOKON 8 Tokyo1983 DAICON 4 Osaka1984 EZOCON 2

Hokkaido Pref.1985 GATACON special Nastu Matsuri Niigata Pref.

1986 DAICON 5 Osaka1987 URACON 87

Ishikawa Pref.1988 MiG-CON Gunma Pref.1989 DAINA CON EX

Aich Pref.1990 TOKON 9 Tokyo1991 i-CON Kanazawa1992 HAMACON Yokohama1993 DAICON 6 Osaka1994 RYUCON Okinawa Pref.1995 HAMANACON

Hamamatsu

1996 KOKURANOMICON Kita-kyushu

1997 AKICON Hiroshima 1998 CAPRICON1 Nagoya 1999 YANECON

Nagano Pref. 2000 Zero-CON Yokohama 2001 Mirai Kokusai Kaigi

Chiba Pref. 2002 U-CON Shimane Pref. 2003 T-3 Tochigi Pref.2004 G-CON Gifu 2005 HAMACON2 Yokohama 2006 Michinoku SF Matsuri

ZUNCON Miyagi Pref.2007 Nippon 2007

Yokohama 2008 DAICON7 Kishiwada

congratulates

Lou Anders Pyr® Editorial Director

On his Hugo nomination for Best Professional Editor, Long Form

John Picacio, Stephan Martiniere AND Bob Eggleton

On their Hugo nominations for Best Professional Artist

Ian McDonald and Mike ResnickOn their Hugo nominations for Best Novelette

Prometheus Books / www.promethcusbooks.comPyrs, an SF&F imprint of Prometheus Books I www.pyrsf.com

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http://www.promethcusbooks.com

http://www.pyrsf.com


The Long List of World Science Fiction Conventions

Number-Name Date City Site Guest(s) Chairman Attendance

1-Nycon 1

2-4 July 1939 New York Caravan Hall Frank R. Paul Sam Moskowitz(*1) 200

2-Chiconi

1-2 Sep 1940 Chicago Hotel Chicagoan E. E. ■tEtoc'SrfiWth Mark Reinsberg (‘2) 128

3-Convention 1

4-6 Jul 1941 Denver Shirley-Savoy Hotel Robert A. Heinlein Olon F. Wiggins 90

1942-1945 (Worldcon was not held due to World War II)

4-Pacificon I

30 Aug-1 Sep 1946 Los Angeles Park View Manor A. E. Van Vogt E. Mayne Hull

Walter J. Daugherty 130

5-Philcon 1

30 Aug-1 Sep 1947 Philadelphia Penn-Sheraton Hotel John W. Campbell, Jr. Milton Rothman 200

6-Torconl

3-5 Jul 1948 Toronto RAI Purdy Studios Robert Bloch (pro) Bob Tucker (fan)

Ned McKeown 200

7-Cinvention

3-5 Sep 1949 Cincinnati Hotel Metropole Lloyd A. Eshbach (pro) Ted Camell (fan)

Don Ford 190

8-NorWesCon

1-4 Sep 1950 Portland Multnomah Hotel Anthony Boucher Donald B. Day 400

9-Nolacon 1

1-3 Sep 1951 New Orleans St. Charles Hotel Fritz Leiber Harry B. Moore 190

10-TASFiC

30 Aug -1 Sep 1952 Chicago Hotel Morrison Hugo Gemsback Julian C. May 870

Illi th Worldcon

5-7 Sep 1953 Philadelphia Bellevue-Strafford Hotel Willy Ley Milton Rothman 750

12-SFCon

3-6 Sep 1954 San Francisco Sir Francis Drake Hotel John W. Campbell, Jr. Lester ColeGary Nelson

700

13-Clevention

2-5 Sep 1955 Cleveland Manger Hotel Isaac Asimov (pro)Sam Moskowitz (mystery GoH)

Nick Falasca,Noreen Falasca 380

14-(NyCon II)

31 Aug-3 Sep 1956 New York Biltmore Hotel Arthur C. Clarke David A. Kyle 850

15-Loncon I

6-9 Sep 1957 London King’ s Court Hotel John W. Campbell, Jr. Ted Camell 268

16-Solacon

29 Aug-1 Sep 1958 South Gate, Calf. Alexandria Hotel Richard Matheson Anna S. Moffatt 322

17-Detention

4-7 Sep 1959 Detroit Pick-Fort Shelby Hotel Poul Anderson (pro), John Berry (fan)

Roger Sims,Fred Prophet 371

18-Pittcon

3-5 Sept 1960 Pittsburgh Pem-Sheraton Hotel James Blish Dirce Archer 568

19-Seacon

2-4 Sep 1961 Seattle Hyatt House Robert A. Heinlein Wally Weber 300

20-Chicon III

31 Aug-3 Sep 1962 Chicago Pick-Congress Hotel Theodore Sturgeon Earl Kemp 550

21-Discon 1

31 Aug-2 Sep 1963 Washington,DC Statler-Hilton Hotel Murray Leinster George Scithers 600

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Nippon200722-Pacificon II

4-7 Sep 1964 Oakland Hotel Leamington Leigh Brackett(pro), Edmond Hamilton (pro), Forrest J Ackerman (fan)

J. Ben Stark 523

23-Loocon II

27-30 Aug 1965 London Mount Royal Hotel Brian W. Aldiss Ella Parker 350

24-Tricon

1-5 Sep 1966 Cleveland Sheraton-Cleveland L Sprague de Camp Ben Jason 850

25-Nycon3

31 Aug-4 Sep 1967 New York Statler-Hilton Hotel Lester del Rey (pro), Bob Tucker ((an)

Ted White,Dave Van Amam 1500

26- Baycon

29 Aug-2 Sep 1968 Oakland Hotel Claremont Philip Jose Farmer (pro), Walter J. Daugherty (fan)

Alva Rogers,Bill Donaho 1430

27-St. Louiscon

28 Aug-1 Sep 1969 St. Louis Chase-Park Plaza Jack Gaughan (pro), Eddie Jones (fan)

Ray Fisher,Joyce Fisher 1534

28-Heicon ‘7B0

20-24 Aug 1970 Heidelberg Heidelberg Stadthalle E. C.Tubb(UK), Robert Silverberg (US), Herbert W. Franke (Germany), Elliot K. Shorter (fan)

Manfred Kage, 620

29-Nofeascon 1

2-6 Sep 1971 Boston Sheraton-Boston Hotel Clifford D. Simak (pro), Harry Warner, Jr. (fan)

Tony Lewis 1600

30-LA.Con 1

1-4 Sep 1972 Los Angeles International Hotel Frederik Pohl (pro), Buck & Juanita Coulson (fan)

Charles Crayne .Bruce Pelz 2007

31-Ttxconll

31 Aug-3 Sep 1973 Toronto Royal York Hotel Robert Bloch (pro), William Rotsler (fan)

John Millard 2900

32-Discon II

29 Aug-2 Sep 1974 Washington,DC Sheraton Park Hotel Roger Zelazny (pro), Jay Kay Klein (fan)

Jay Haldeman, Ron Bounds 3587

33-Aussiecon One

14-17 Aug 1975 Melbourne Southern Cross Hotel Ursula K. Le Guin (pro), Susan Wood (fan), Mike Glicksohn (fan), Donald Tuck (Australian)

Robin Johnson 606

34- MidAmaiCon

2-6 Sep 1976 Kansas City, MO Radisson Muehlebach HotelPhillips House

Robert A. Heinlein (pro), Geo'ge Barr (fan)

Kai Keller 3014/4200

35- SunCon

2-5 Sep 1977 Miami Beach Hotel Fontainebleau Jack Williamson (pro), Robert A. Madle (fan)

Don Lundry 3240

36-IguanaCon II

30 Aug-4 Sep 1978 Phoenix Hyatt RegencyPhoenix Convention Center & Symphony Hall

Harlan Ellison (pro), Bill Bowers (fan)

Tim Kyger 4700

37-Seacon '799

23-26 Aug 1979 Brighton Metropole Hotel Brian Aldiss (UK), Fritz Leiber (US), Harry Bell (fan)

Peta Weston 3114

38-Noreascon Two

29 Aug-1 Sep 1980 Boston Sheraton-Boston Hotel Hynes Civic Auditorium

Darron Knight (pro), Kate Wilhelm (pro), Bruce Pelz (fan)

Leslie Turek 5850

39-Denvention Two

3-7 Sep 1981 Denver Denver Hilton Hotel Currigan Convention Center Exhibition Hall and Arena

Clifford D. Simak (pro), C. L Moore (pro), Rusty Hevelin (fan)

Suzanne Carnival,Don C. Thompson 3792

40-Chicon IV

2-6 Sep 1982 Chicago Hyatt Regency Chicago A. Bertram Chandler (pro), Frank Kelly Freas (pro), Lee Hoffman (fan)

Ross Pavlac,Larry Propp 4275

41-ConStellation

1-5 Sep 1983 Baltimore Baltimore Convention Center John Brunner (pro), David A. Kyle (fan)

Michael Walsh 6400

42-L.A.con II

30 Aug-3 Sep 1984 Anaheim Anaheim HiltonAnaheim Convention Center

Gordon R. Dickson (pro), Dick Eney (fan)

Craig Milla, Milt Stevens

8365

E - 073

’ MJ..;—,., ■ . ...•■; . ■>.„- «. , . 4 ' .J?’. J | « ’ I!

SOUVENIRB(the 46th Japan Science Fiction Convention & the 65th World Science Fiction Convention

43-Aussiecon Two

22-26 Aug 1985 Melbourne Southern Cross,Victoria,and Sheraton Hotels Gene Wolfe (pro), Ted White (fan)

David Grigg 1599

44.CocFederation

28 Aug-1 Sep 1986 Atlanta Marriott Marquis Atlanta Hilton Ray Bradbury (pro), Terry Carr (fan)

Ron ZiAowski, Penny Frierson

5811

45-Conspiracy ‘8S7

27 Aug-1 Sep 1987 Brighton Metropole HotelBrighton Conference Centre

Doris Lessing (UK), Alfred Bester (US), Arkady Strugatsky (USSR), Boris Strugatsky (USSR), Jim Bums (artist), Ray Harryhausen (film), Joyce & Ken Slater (fan), David Langford (special fan)

Paul Oldroyd 4848/5425

46-Nolacon II

1-5 Sep 1988 New Orleans Marriott.Sheraton.and International Hotels New Orleans Municipal Auditorium

Donald A. Wollheim (pro), Roger Sims (fan)

John H. Guidry 5300

47-Noreascon 3

31 Aug-4 Sep 1989 Boston Hynes Convention Center, Sheraton-Boston Hotel, Hilton Hotel, Park Plaza Hotel

Andre Norton(pro), Ian & Betty Ballantine(pro), The Stranger Club(fan)

Mark Olson 6837/7795

48-ConFiction

23-27 Aug 1990 The Hague Netherlands Congress Centre Harry Harrison (pro), Wolfgang Jeschke (pro), Joe Haldeman (pro), Andrew Porter (fan)

Kees van Toom 3580

49-Chicon V

29 Aug-2 Sep 1991 Chicago Hyatt Regency Chicago Hal Clement (pro), Martin H. Greenberg (pro) Richard Powers (pro) Jon & Joni Stopa (fan)

Kathleen Meyer 5661

50- MagiCon

3-7 Sep 1992 Orlando Orange County Convention and Civic Center The Peabody Hotel, The Clarion Hotel

Jack Vance (pro), Vincent Di Fate (artist), Walter A. Willis (fan)

Joe Siclari 5319/6368

51-ConFrancisco

2-6 Sep 1993 San Francisco Moscone Convention Center ANA Hotel Parc Fifty Five Nikko Hotel

Larry Niven,Alicia Austin, Tom Digby,Jan Howard Finder Mark Twain (Dead GoH)

David W. Clark 6602/7725

52-ConAdian

1-5 Sep 1994 Winnipeg Winnipeg Convention Centre C r o w n e Plaza, Place Louis Riel, andSheraton

Anne McCaffrey (pro), George Barr(artist), Robert Runte (fan)

John Mansfield 3570

53-Intersection

24-28 Aug 1995 Glasgow Scottish Exhibition and Conference Centre Moat House, Crest,and Central Hotels

Samuel R. Delany (writer), Gerry Anderson (media), Les Edwards (artist), Vincent Clarke (fan)

Vincent Docherty, Martin Easterbrook

5380/6820

54-L.A.con III

29 Aug-2 Sep 1996 Anaheim Anaheim Convention Center,Anaheim Hilton, Anaheim Marriott

James White (writer), Roger Corman (media), Elsie Wollheim (special), Takumi & Sachiko Shibano (fan)

Mike Glyer 6703

55-LoneStarCon 2

28 Aug-1 Sep 1997 San Antonio Henry B. Gonzales Convention CenterMarriott RivercenterMarriott Riverwalk

Algis Budrys (pro), Michael Moorcock (pro), Don Maitz (artist), Roy Tackett (fan)

Karen Meschke 4650

56-BucConeer

5-9 Aug 1998 Baltimore Baltimore Convention Center Lord Baltimore Hilton Towers Marriot Harbor Place The Holiday Inn Omni Inner Harbor

C. J. Cherryh, Milton A. Rothman, Stanley Schmidt, Michael Whelan, J. Michael Straczynski (special)

Peggy Rae Pavlat 6572

57-Aussiecon Three

2-6 Sep 1999 Melbourne World Congress Center Centra Hotel George Turner (pro),Greg Benford (pro),Bruce Gillespie (fan),J. Michael Straczynski (special)

Perry Middlemiss 1548

58-Chicon 2000

31 Aug-4 Sep 2000 Chicago Hyatt Regency Chicago Fairmont Hotel Swissotel

Ben Boca(author), Bob Eggletonfartist), Gardner Dozois(editor), Bob & Anne Passovoy(fan)

Tom Veal 5794/6574

59-The Millennium

30 Aug-3 Sep 2001 Philadelphia Pennsylvania Convention CenterPhiladelphia Marriott Hotel

Greg Bear (author), Stephen Youll (artist), Gardner Dozois (editor), George Scithers (fan)

Todd Dashoff 4840 / 6269

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Nippon200760- ConJose

29 Aug-2 Sep 2002 San Jose McEnery Convention Center, San Jose Civic Auditorium, Fairmont Hotel, Hilton Hotel, Crowne Plaza Hotel

Vemor Vinge (author), David Cherry (artist), Bjo & John Trimble (fan), Ferdinand Feghoot (imaginary)

Tom Whitmore,Kevin Standlee 5162/5916

61-Torcon3

28 Aug-1 Sep 2003 Toronto Metro Toronto Convention Centre Royal York Hotel

George R. R. Martin (author), Frank Kelly Freas (artist), Mike Glyer (fan)Robert Bloch (GoHst of Honor)

Peter Jarvis 3929 / 4990

62-Noreascon4

2-6 Sep 2004 Boston Hynes Convention Center Sheraton Boston Hotel Boston Marriott Copley Place

Terry Pratchett (pro) William Term (pro) Jack Speer (fan) Peter Weston (fan)

Deb Geisler 5651 / 7094

63-Interaction

4-8 Aug 2005 Glasgow Scottish Exhibition and Conference Centre(SECC)Glasgow Moat House Hotel,Hilton Glasgow

Greg Pickersgill Christopher Priest Robert Sheckley Lars-Olov Strandberg Jane Yolen

Vincent Docherty Colin Harris

???

64-LAcon IV

23-27 Aug 2006 Anaheim Anaheim Convention CenterAnaheim HiltonAnaheim Marriott

Connie Willis (author), James Gurney (artist) Howard DeVore (fan) Frankie Thomas (special)

Christian B. McGuire ???

65- Nippon2007

30 Aug-3 Sep 2007 Yokohama Pacifico Yokohama Sakyo Komatsu (author) David Brin (author) Takumi Shibano (fan) Yoshitaka Amano (artist) Michael Whelan (artist)

Hiroaki Inoue ???

66-Convention

36-10 Aug 2008 Denver Adams Mark HotelColorado Convention Center

Lois McMaster Bujold (pro) Tom Whitmore (fan)

Kent Bloom ???

illustrated By Kawasumi

E - 075


Notes on the Long List of Worldcons

General NotesThese notes have been carefully

researched by the WSFS Long List Committee. If you choose to publish them, please do not edit them in any way.

Number - Year - NameWe have normally listed a con

vention by the least confusing version of its name. Most of the time this is the name preferred by the convention (variants are noted) but we also follow fannish tradition in retroactively numbering the first Worldcon in a series 1 (or I or One). (I.e., Noreascon 1 was known at the time only as "Noreascon".) All known naming oddities are noted.

GuestsCustom in designating Guests of

Honor has varied greatly, with some conventions giving specific titles (Fan, Pro, Australia, US, Artist, etc.) and some simply call them all Guests of Honor. We have used specific labels where they existed. In general we do not note spelling issues like Honor/ Honour.

The Toastmaster is not a Guest of Honor, though some conventions gave the Toastmaster equal billing with the Guests. To confuse matters further, in at least one case a Guest was also designated as Toastmaster. In a few instances the Toastmaster was given a title other than "Toastmaster" such as "Master of Ceremonies". All toastmasters and MCs we are aware of are listed in the notes.

We have tried to note all cases where a guest did not attend.Site

Under Site we have listed:

* All facilities which hosted nontrivial convention functions

* The main sleeping room hotel* Any other hotel which ac

counted for 25% or more of the sleeping rooms.

ChairmanWho chaired a particular World-

con is sometimes less clear than one might expect. Our policy in constructing this list is to be as accurate as possible without being misleading. We have attempted to follow the convention's official record (where it exists) supplemented by other contemporary records. In all cases where we are aware of ambiguity, we have included notes. When multiple people with Chairman-like titles exist (including Co-Chairman, Deputy Chairman, Associate Chairman, Vice-Chairman, and Deputy Assistant Co-Vice Chairman) we list only the actual top manager at the time of the convention in the main list, and all other people who were in line management positions with titles including the word fragment "chair" in the notes (i.e., all line managers with titles matching *[cC]hair*). When the title is co-Chairman and it appears that both were functional top managers, both are included in the Long List. People in support positions (non-line management positions) with Chairlike titles (e.g., "Chairman's Staff or "Assistant to the Chairman") are not listed. This list does not include bid leadership — only leadership after the bid was won. Where we found ambiguity, we have documented it.

Additionally, we have attempted to document cases where there was a disconnect between the person holding the title of Chairman and the

person(s) who were the actual top manager(s) of the convention.

AttendanceWhere available, this column re

cords two numbers: how many paying members actually attended the Worldcon and how many total members there were.

Attendance includes all paid admissions including one-days. (One- day admissions are usually not technically members of WSFS, but we do count them for the purpose of computing total attendance. A one-day admission counts as one attendee.) It excludes freebies who did not participate in the convention (e.g., contractors), unpaid children, paid attending members who did not attend, and all supporting members, but it does include free memberships given to people who did participate in the convention (e.g. guests of honor).

Total members includes everyone who paid for a membership or admission whether full attending, one-day, child, or supporting, plus the Guests of Honor and other free memberships given to people participating in the convention. It does not include freebies who did not participate in the convention.

The available data is very incomplete and imprecise and many of these numbers are probably substantially in error. We have noted cases where we know the numbers to be doubtful. About 99% of the numbers ending in 00 arc estimates. The numbers are of the form aaaa/mmmm, where the first number is the attendance and the second the membership. When only one is known, the other is left blank (e.g., /2345 means an unknown attendance and 2345 total members). When only

E - 076

Nippon2007a single number is presented, we don't know if it is attendance or total members.

Convention Notes

1939 - Nycon IThe 1939 Worldcon did not have a

name, but simply called itself "World Science Fiction Convention". It has subsequently been called "Nycon I" and "The 1939 Worldcon".

The convention was controlled by a so-called 'Ruling Triumvirate' whose other members were William S. Sykora and James V. Taurasi.

1940 - Chicon IChicon I was run by a triumvi

rate. Mark Reinsberg held the title of chairman, with Erie Korshak (secretary) and Bob Tucker (treasurer) as equal partners. Korshak presided over the opening day of the con, when Reinsberg fell ill.

1947 - Philcon IL. Jerome Stanton was Toastmas

ter.

1949 — CinventionDon Ford carried out the duties of

Chairman, but was officially Secretary-Treasurer; Charles R. Tanner had the honorary title of Chairman.

Ted Carnell, the Fan Guest of Honor, was also toastmaster with the title "Entertainment Master of Ceremonies". He was brought to North America by the Big Pond Fund.

1950 — NorWesConDonald Day replaced Jack de

Courcy as Chairman after the latter's resignation.

Theodore Sturgeon was the toastmaster and had the title "Entertainment Master of Ceremonies."

1952 — TASFiC"TASFiC" stood for "Tenth Anni

versary Science Fiction Convention";

it was popularly known as Chicon II, and subsequent Chicons counted it as such.

1953 - 11th WorldconOfficially known as "The 11th

Worldcon," it was popularly known as Philcon II. Milton A. Rothman replaced James A. Williams as Chairman upon Williams' death. Tom Clareson, PhD was Vice-Chairman.

Isaac Asimov was Toastmaster.

1954 - SFConThough SFCon and Wester-

con shared the hotel and con chairs, Westercon was held on Friday, September 3rd, with Jack Williamson as GoH, while Worldcon was held Saturday-Monday September 4-6, with John W. Campbell, Jr., as GoH.

Robert Bloch was Toastmaster.

1955 — CleventionThe identity of the Special Mys

tery Guest was not revealed (even to the honoree) until the first night of the convention. The Program book noted that "Mr. Boucher [the Toastmaster] will make the presentation of the Achievement Awards and identify the Mystery Guest."

Anthony Boucher was Toastmaster.

1956 - NYCon IIOfficially known as "NEWYOR-

CON" but — in the words of a report at the time "The fans wouldn't have it" — and it has been NYCon II since.

Robert Bloch was Toastmaster.

1957 — Loncon ILoncon's program book does not

use the name "Loncon" but refers to the convention as the "15th World Science Fiction Convention."

1958 — SolaconCombined with West Coast Sci

ence Fantasy Conference (Westercon), sharing Guests of Honor and

Chairmen. Solacon was physically in Los Angeles, but (by mayoral proclamation) technically in South Gate, California, to fulfill their bid slogan of "South Gate in 58".


1959 — DetentionJohn Berry, the Fan GoH, was

brought to North America by a special fan fund.

Isaac Asimov had been listed as the Toastmaster in all promotional material prior to the convention. At the convention the program book added "...with the assistance of Robert Bloch" who acted as Asimov's foil at the banquet.

1960 — PittconRay Smith was Vice Chairman.

The Program Book lists a "non-con program" day on Friday, 2 Sept.


1961 — SeaconHarlan Ellison was Toastmaster.

1962 - Chicon IIIWilson Tucker was Toastmaster.

1963 — Discon IIsaac Asimov was Toastmaster.

1964 — Pacificon IICombined with West Coast Sci

ence Fantasy Conference (Westercon), sharing Guests of Honor and Chairmen. Pacificon II was held in Oakland, CA, which was not the same city (LA, 1946) where Pacificon I was held.


1965 — Loncon IITom Boardman was Toastmaster.

1966 — TriconOfficially jointly hosted by

Cleveland, Detroit, and Cincinnati

E - 077


(hence "Tricon"). The question of who chaired the convention is complicated. The Tricon program book lists Cleveland's Ben Jason as Chairman and Detroit's Howard DeVorc and Cincinnati's Lou Tabakow as Associate Chairmen, but included all three in the Long List as did NyCon 3 the following year. People involved with the convention confirm that it was run by the three of them working jointly, so they arc being treated as co-Chair- men here.


1967 - NyCon 3The convention's name was writ

ten as "NyCon 3" at the convention, but — somehow — subsequently got changed to Nycon III in versions of

the Long List, perhaps echoing NY- Con 11.

Harlan Ellison was Toastmaster.

1968 — BayconCombined with West Coast Sci

ence Fantasy Conference (Wester- con), sharing Guests of Honor and Chairmen.

Robert Silverberg was Toastmaster.

1969 — St. LouisconEddie Jones, the TAFF (Trans At

lantic Fan Fund) winner, replaced Ted White, who withdrew as Fan Guest to dramatize the TAFF winner.

Harlan Ellison was Toastmaster.

1970 — Heicon

Heicon had decided prior to the convention to select the TAFF winner as its Fan Guest. The subsequent winner of the 1970 TAFF election was Elliot Shorter.

Heicon also called itself "Heicon '70 International".

John Brunner was Toastmaster.

1971 — Noreascon IRobert Silverberg was Toastmas

ter.

1972 - L.A.Con IRobert Bloch was Toastmaster.

1973 - Torcon IILester del Rey was Toastmaster.

1974 - Discon IIJay and Alice Haldeman were

co-chairmen until the spring of 1974 when circumstances forced them to move out of Washington. Ron Bounds took over as de facto Chairman until Jay returned for the convention. At the convention, Jay and Ron functioned as co-chairmen. The Discon II program book continued to list Jay and Alice as co-Chairmen, and included a welcome from Jay (co-Chairman) and Ron (vice-Chairman).

Andrew J. Offutt was Toastmaster.

1975 — Aussiecon OneFan Guest of Honor Donald Tuck

did not attend the convention. (Fans had to go to his home in Tasmania to meet him.)

John Bangsund was Toastmaster.

1976 -- MidAmeriConThe membership totals are from

chairman Ken Keller who reports that the numbers announced during the convention were grossly wrong because one of the C&VB's loaned registrars did not turn in her records until afterwards. The previous Long

illustrated By Nemuko Morino

E - 078

Nippon2007List number of 2800 was an estimate made by a later compiler from the faulty at-con numbers.

Wilson Tucker was Toastmaster.

1977 — SunConSunCon was bid by "7 in '77", a

group of well-known con-runners who promised that if they won they would then select an ideal site. They selected a hotel in Orlando, Florida, which subsequently went bankrupt, upon which SunCon moved to facilities in Miami Beach.

According to Chairman Don Lundry, his wife Grace Lundry functioned as his co-Chairman; however, convention publications listed Don solely.

In 2003 Don Lundry provided a revised attendance figure of 3240, replacing the number of 2500 reported in publications at the time and subsequently in previous versions of this list. It is possible that this is a total membership and not attendance.

Robert Silverberg was Toastmaster.

1978 — IguanaCon IIThis was the first IguanaCon, but

was called IguanaCon II because of a previous hoax.

Greg Brown was the initial Chairman but was later replaced by Tim Kyger. After the convention, Gary Farber was recognized as having fulfilled the function of Vice-Chair.

Josef Nesvadba was announced as the European GoH for IguanaCon. He could not get travel papers and did not attend. He was not listed as a guest in PR3. In the program book, he was listed on the main GoH page, but was not listed in IguanCon's own entry in the Long List. Finally, he was not listed in IguanaCon's PR 5, which came out in 1980 and provided a detailed history of what went on, who resigned and who replaced who.

F. M. Busby was Toastmaster.

1979 — Seacon 79

Seacon 79 was held in Brighton, England, which was not the same city (Seattle, 1961) where Seacon I was held.

Bob Shaw was Toastmaster.

1980 -- Noreascon TwoRobert Silverberg was Toastmas

ter.

1981 — Denvention TwoEd Bryant was Toastmaster.

1982 - Chicon IVLarry Smith and Bob Hillis were

vice-chairmen of Chicon IV.Marta Randall was Toastmaster.

1983 — ConstellationJack L. Chalker was Toastmas

ter.

1984 - LAcon IILike South Gate, Anaheim is part

of the greater Los Angeles area.The Toastmaster and MC posi

tions were essentially equivalent, with Robert Bloch (Toastmaster) officiating at the Hugo Ceremony and Jerry Pournellc (Master of Ceremonies) at the Guest of Honor Speeches and Other Awards Ceremony.

This was the largest Worldcon to date

1985 — Aussiecon IIDavid Grigg replaced John Foys-

ter, who resigned for family reasons, as Chairman.

1986 — ConfederationBob Shaw was Toastmaster.

1987 — ConspiracyAlfred Bester did not attend the

convention due to poor health.Malcolm Edwards was Chairman

until about nine months before the convention when he resigned from the committee for personal reasons. To minimize possible bad publicity from this, he agreed to remain as titu

lar Chairman and presided at some at-con ceremonies. Paul Oldroyd took over all of his duties, but under the title of "Coordinator". Both Malcolm and Paul agree that that Paul was the de facto Chairman at the time of the convention.

Brian W. Aldiss was Toastmaster.

1988 - Nolacon IIMike Resnick was Toastmaster.

1989 — Noreascon 3The Stranger Club was the first

SF club in Boston and sponsor of the pre-War series of Boskones and the club was the Fan Guest of Honor of Noreascon 3. All of its known surviving members were invited to the convention as guests to represent the club and seven were located and attended: Art Widner, Chan Davis, Harry Stubbs (Hal Clement), Louis Russell Chauvenet, Timothy Orrok, Norman Stanley, and Robert D. Swisher.

The convention's name was officially agnostic: "Noreascon 3", "Noreascon Three" and "Noreascon III" were all declared correct forms of the name.

1990 — ConFictionChelsea Quinn Yarbro was Toast

master

1991 - Chicon VMarta Randall was Toastmaster

1992 -- MagiConBecky Thomson was Co-Chair

man for the first two years after the site was selected, then vice-chairman thereafter and at the convention.

Spider Robinson was Toastmaster, but Mike Resnick acted as Toastmaster for the Meet-the-Pros party.

1993 — ConFranciscoDavid Clark replaced Terry Biffel

as Chairman upon Biffel's death. Besides the Chairman, there were Vice Chairs: Peggy Rae Pavlat and Ruth L.

E - 079


Sachter; and Deputy Vice Chairs: Jeff Canfield and Judy Kindell.

The Guests of Honor were designated as "Honored Guests" and the Toastmaster, Guy Gavriel Kay, was called the "Master of Ceremonies". Mark Twain was "channeled" by Jon deCles.

1994 — ConAdianThe Canadian National Science

Fiction Convention (Canvention) was held 'in conjunction' with ConAdian — separate membership and mostly separate facilities.

Christine Barnson and Kevin Standlee were Deputy Chairs.

Barry B. Longyear was Toastmaster.

1995 — IntersectionIntersection was also the 1995

Eurocon.When Intersection won, Tim Ill

ingworth and Vincent Docherty were Co-Chairmen. Docherty moved to Oman, resigned and was replaced by Martin Easterbrook. Illingworth subsequently resigned and was replaced by Docherty. Easterbrook and Docherty were Co-Chairmen during the last 18 months of planning and at the convention.

TR. Smith was Vice-Chairman. Margaret Austin and Oliver Gr?ter- Andrew were Deputy Chairs.

Diane Duane and Peter Morwood were Toastmasters.

1996 - LACon IIISpecial Guest Elsie Wollheim

died before the convention.Connie Willis was Toastmaster.

1997 — LoneStarCon IIa.k.a. "The Second Occasional

LoneStarCon Science Fiction Convention & Chili Cook-off; the first LoneStarCon, held in Austin, was the 1985 NASFiC.

Neal Barrett, Jr. was Toastmaster.

1998 — BucconeerSpecial Guest J. Michael Strac-

zynski did not attend.Peggy Rae Pavlat has since

changed her name to Peggy Rae Sa- pienza.

Charles Sheffield was Toastmaster.

1999 — Aussiecon ThreeGoH George Turner died prior to

the convention. Special Guest J. Michael Straczynski attended

2000 - Chicon 2000Mike Jencevice and Becky

Thomson were associate chairmen of Chicon 2000.

Harry Turtledove was Toastmaster.

2001 — The Millennium Philcon

Laura Syms and Gary Feldbaum were Co-Vice-Chairmen.

Esther Friesner was Toastmaster.

2002 — ConJoseAfter the bid won, Tom Whit

more was appointed Chairman with Ruth Sachter as Vice-Chairman. Sachter resigned and subsequently Craige Howlett and Cindy Scott were appointed Co-Vice-Chairmen. Finally, Kevin Standlee was appointed Co- Chairman with Whitmore.

Tad Williams was Toastmaster.

2003 — Torcon 3Combined with the Canadian

National Science Fiction Convention (Canvention)

Artist GoH Frank Kelly Freas did not attend.

Spider Robinson was Toastmaster.

2005 — InteractionThe Guests of Honour were listed

with no designation as to type.Interaction was also the 2005 Eu

rocon.Initially Vince Docherty was

Chairman with Colin Harris and Paul Treadaway as co-Vice Chairmen. Subsequently, Harris moved to Co- Chairman, and Treadaway moved to Deputy Chairman.

KIM Campbell was Board convenor of Interaction until her death in Nov 2003. (The Board had designated the convenor position as a Convention Co-Chair.)

GoH Robert Sheckley was unable to attend the convention.

2006 - L.A.con IVBobbi Armbruster and Craig

Miller were Vice-Chairmen.Frankie Thomas was a special

guest.Fan GoH Howard DeVore and

Special Guest Frankie Thomas both died before the convention.

2008 — Denvention 3Wil McCarthy will be Toastmas

ter.

Produced by the WSFS Long List Committee

Service Mark Notice: "World Science Fiction Society", "WSFS", "World Science Fiction Convention", "Worldcon", "NASFiC" and "Hugo Award" are service marks of the World Science Fiction Society, an unincorporated literary society. You can contact the WSFS Mark Protection Committee at [email protected]

E - 080


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CONSTITUTIONof the World Science Fiction Society,

August 2006

Article 1 - Name, Objectives, Membership, and OrganizationSection 1.1: Name. The name of this organization shall be the World Science Fiction Society, hereinafter referred to as WSFS or the Society.Section 1.2: Objectives. WSFS is an unincorporated literary society whose functions are:(1) To choose the recipients of the annual Hugo Awards (Science Fiction Achievement Awards).(2) To choose the locations and Committees for the annual World Science Fiction Conventions (hereinafter referred to as Worldcons).(3) To attend those Worldcons.(4) To choose the locations and Committees for the occasional North American Science Fiction Conventions (hereinafter referred to as NASFiCs).(5) To perform such other activities as may be necessary or incidental to the above purposes.Section 1.3: Restrictions. No part of the Society's net earnings shall be paid to its members, officers, or other private persons except in furtherance of the Society's purposes. The Society shall not attempt to influence legislation or any political campaign for public office. Should the Society dissolve, its assets shall be distributed by the current Worldcon Committee or the appropriate court having jurisdiction, exclusively for charitable purposes. In this section, references to the Society include the Mark Protection Committee and all other agencies of the Society but not convention bidding or operating committees.Section 1.4 : Membership. The Membersnip of WSFS shall consist of all people who hove paid membership dues to the Committee of the current Worldcon.Section 1.5 : Memberships.1.5.1: Each Worldcon shall offer supporting and attending memberships.1.5.2: The rights of supporting members ot a Worldcon include the rightto receive all of its generally distributed publications.1.5.3: The rights of attending members of a Worldcon include the rightsof supporting members plus the right of general attendance at said Worldcon and at the WSFS Business Meeting held thereat.1.5.4: Members of WSFS who cast a site-selection ballot with the requiredfee shall be supporting members of the selected Worldcon.1.5.5: Voters have the right to convert to attending membership in theselected Worldcon within ninety (90) days of its selection, for an additional fee set by its committee. This fee must not exceed two (2) times the site-selection fee and must not exceed the difference between the site-selection fee and the fee for new attending members.1.5.6: The Worldcon Committee shall make provision for persons tobecome supporting members for no more than one hundred and twenty-five percent (125%) of the site-selection fee, or such higher amount as has been approved by the Business Meeting, until a cutoff date no earlier than ninety (90) days before their Worldcon.1.5.7: Other memberships and fees shall be at the discretion of the Worldcon Committee.Section 1.6 : Authority. Authority and responsibility for all matters concerning the Worldcon, except those reserved herein to WSFS, shall rest with the Worldcon Committee, which shall act in its own name and not in that of WSFS.Section 1.7 : The Mark Protection Committee.1.7.1: There shall be a Mark Protection Committee of WSFS, which shallbe responsible for registration and protection of the marks used by or under the authority of WSFS.1.7.2: The Mark Protection Committee shall submit to the Business Meeting at each Worldcon a report of its activities since the previous Worldcon, including a statement of income and expense.1.7.3: The Mark Protection Committee shall hold a meeting at eachWorldcon after the end of the Business Meeting, at a time and place announced at the Business Meeting.1.7.4: The Mark Protection Committee shall determine and elect its ownofficers.Section 1.8 : Membership of the Mark Protection Committee.1.8.1: The Mark Protection Committee shall consist of:(1) One (1) member appointed to serve at the pleasure of each future selected Worldcon Committee and each of the two (2) immediately preceding Worldcon Committees(2) One (1) member appointed to serve at the pleasure of each future selected NASFiC Committee and for each Committee of a NASFIC held in the previous two years, and(3) Nine (9) members elected three (3) each year to staggered three-year terms by the Business Meeting.1.8.2: No more than three elected members may represent any singleNorth American region, as defined in Section 1.8.5. Each elected member shall represent the region (if any) in which the member resided at the time they were elected.1.8.3: Newly elected members take their seats, and the term of office endsfor elected and appointed members whose terms expire that year, at the end of the Business Meeting.1.8.4: If vacancies occur in elected memberships in the Committee, theremainder of the position's term may be filled by the Business Meeting, and until then temporarily tilled by the Committee.1.8.5: To ensure equitable distribution of representation, North America isdivided into three (3) regions as follows:

(1) Western: Baia California, New Mexico, Colorado, Wyoming, Montana, Saskatchewan, ana all states, provinces, and territories westward including Hawaii, Alaska, the Yukon, and the Northwest Territories.(2) Central: Central America, the islands of the Caribbean, Mexico (except as above), and all states, provinces, and territories between the Western and Eastern regions.(3) Eastern: Florida, Georgia, South Carolina, North Carolina, Virginia, West Virginia, Pennsylvania, New York, Quebec, and all states, provinces, and territories eastward including the District of Columbia, St. Pierre et Miquelon, Bermuda, and the Bahamas.

Artide 2 - Powers aid Duties of Woddcon CommitteesSection 2.1 : Duties. Each Worldcon Committee shall, in accordance with this Constitution, provide for(1) administering tne Hugo Awards,(2) administering any future Worldcon or NASFIC site selection required, and (3) holding a WbFS Business Meeting.Section 2.2 : Marks. Every Worldcon and NASFIC Committee shall include the following notice in each of its publications:"World Science Fiction Society", “WSFS", "World Science Fiction Convention", "Worldcon", "NASFiC", and “Hugo Award" are service marks of the World Science Fiction Society, an unincorporated literary society.Section 2.3 : Official Representative. Each future selected Worldcon Committee shall designate an official representative to the Business Meeting to answer questions about their Worldcon.Section 2.4 : Distribution of Rules. The current Worldcon Committee shall print copies of the WSFS Constitution, together with an explanation of proposed changes approved but not yet ratified, and copies of the Standing Rules. The Committee shall distribute these documents to all WSFS members at a point between nine and three months prior to the Worldcon, and shall also distribute them to all WSFS members in attendance at the Worldcon upon registration.Section 2.5 : Bid Presentations. Each Worldcon Committee snail provide a reasonable opportunity for bona fide bidding committees for the Worldcon to be selected the following year to make presentations.Section 2.6 : Incapacity of Committees. With sites being selected two (2) years in advance, there are at least two selected current or future Worldcon Committees at all times. If one of these should be unable to perform its duties, the other selected current or future Worldcon Committee shall determine what action to take, by consulting the Business Meeting or by mail poll of WSFS if there is sufficient time, or by decision of the Committee if there is not sufficient time. Where a site and Committee are chosen by a Business Meeting or Worldcon Committee pursuant to this section, they are not restricted by exclusion zone or other qualifications.Section 2.7 : Membership Pass-along. Within ninety (90) days after a Worldcon, the administering Committee shall, except where prohibited by local law, forward its best information as to the names and postal addresses of all of its Worldcon members to the Committee of the next Worldcon.Section 2.8 : Financial Openness. Any member of WSFS shall have the right, under reasonable conditions, to examine the financial records and books of account of the current Worldcon or NASFiC Committee, all future selected Worldcon or NASFiC Committees, the two immediately preceding Worldcon Committees, and the Committees of any NASFiCs held in the previous two years.Section 2.9 : Financial Reports.2.9.1: Each future selected Worldcon or NASFiC Committee shall submiton annual financial report, including a statement of income and expenses, to each WSFS Business Meeting after the Committee's selection.2.9.2: Each Worldcon or NASFiC Committee shall submit a report on itscumulative surplus/loss at the next Business Meeting after its convention.2.9.3: Each Worldcon or NASFiC Committee should dispose of surplusfunds remaining after accounts are settled for its convention for the benefit of WSFS as a whole.2.9.4: In the event of a surplus, the Worldcon or NASFiC Committee, orany alternative organizational entity established to oversee and disburse that surplus, shall file annual financial reports regarding the disbursement of that surplus at each year's Business Meeting, until the surplus is totally expended or an amount equal to the original surplus has been disbursed.

Article 3 - Hugo AwardsSection 3.1 : Introduction. Selection of the Hugo Awards shall be made as provided in this Article.Section 3.2 : General.3.2.1: Unless otherwise specified, Hugo Awards are given for work in thefield of science fiction or fantasy appearing for the first time during the previous calendar year.3.2.2: A work originally appearing in a language other than English shallalso be eligible for the year in which it is first issued in English translation.3.2.3: The Business Meeting may by a 3/4 vote provide that works originally published outside the United States of America and first published in the United States of America in the current year shall also be eligible for Hugo Awards given in the following year.3.2.4: A work shall not be eligible if in a prioryear it received sufficient nominations to appear on the final award ballot.3.2.5: Publication date, or cover date in the case of a dated periodical,takes precedence over copyright date.3.2.6: Works appearing in a series are eligible as individual works, butthe series as a whole is not eligible. However, a work appearing in a number of parts shall be eligible for the year of the final part.3.2.7: In the written fiction categories, an author may withdraw a versionof a work from consideration if the author feels that the version is not representative of what that author wrote.3.2.8: The Worldcon Committee shall not consider previews, promotionaltrailers, commercials, public service announcements, or other extraneous material when determining the length of a work. Running times of dramatic presentations shall be based on their Tirst general release.

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Nippon20073.2.9: The Worldcon Committee moy relocote a story into a more appropriate cateqory if it feels that it is necessary, provided that the length of the story is within the lesser of five thousand (5,000) words or twenty percent (20%) of the new category limits.3.2.10: The Worldcon Committee may relocate a dramatic presentation work into a more appropriate category if it feels that it is necessary, provided that the length of the work is within twenty percent (20%) of the new category boundary.3.2.11: The Worldcon Committee is responsible for all matters concerning the Awards.Section 3.3: Categories.3.3.1: Best Novel. A science fiction or fantasy story of forty thousand(40,000) words or more.3.3.2: Best Novella. A science fiction or fantasy story of between seventeen thousand five hundred (17,500) and forty thousand (40,000) words.3.3.3: Best Novelette. A science fiction or fantasy story of between seventhousand five hundred (7,500) and seventeen thousand five hundred (1 7,500) words.3.3.4: Best Short Story. A science fiction or fantasy story of less than seventhousand five hundred (7,500) words.3.3.5: Best Related Book. Any work whose subject is related to the fieldof science fiction, fantasy, or fandom, appearing for the first time in book form during the previous calendar year, and which is either non-fiction or, if fictional, is noteworthy primarily for aspects other than the fictional text.3.3.6: Best Dramatic Presentation, Long Form. Any theatrical feature orother production, with a complete running time of more than 90 minutes, in any medium of dramatized science fiction, fantasy or related subjects that has been publicly presented for the first time in its present dramatic form during the previous calendar year.3.3.7: Best Dramatic Presentation, Short Form. Any television program orother production, with a complete running time of 90 minutes or less, in any medium of dramatized science fiction, fantasy or related subjects that has been publicly presented for the first time in its present dramatic form during the previous calendar year.3.3.8: Best Professional Editor. The editor of any professional publicationdevoted primarily to science fiction or fantasy during the previous calendar year. A professional publication is one which had an average press run of at least ten thousand (10,000) copies per issue.3.3.8: Best Editor Snort Form. The editor of at least four (4) anthologies, collections or magazine issues primarily devoted to science fiction and I or fantasy, at least one of which was published in the previous calendar year.3.3.9: Best Editor Long Form. The editor of at least four (4) novel-length works primarily devoted to science fiction and / or fantasy published in the previous calendar year that do not qualify as works under 3.3.8.[A Constitutional Amendment which created Sections 3.3.8 and 3.3.9 adopted at L.A.con IV included the following proviso, which could effectively repeal Sections 3.3.8 and 3.3.9:]Provided that this amendment may be repealed by a simple majority vote at either the 2009 or 2010 Main Business Meeting.[If this amendment is repealed in this way, the following amendments will be made to the Constitution:1. Section 3.3.8 will revert to:3.3.8: Best Professional Editor. The editor of any professional publicationdevoted primarily to science fiction or fantasy during trie previous calendar year. A professional publication is one which had an average press run of at least ten thousand (10,000) copies per issue.2. Section 3.3.9 will be removed.3. Sections 3.3.10 to 3.3.15 will be renumbered to 3.3.9 to 3.3.14, unless other changes have been made in the interim which would affect these numbers.] 3.3.10: Best Professional Artist. An illustrator whose work has appeared in a professional publication in the field of science fiction or fantasy during the previous calendar year.3.3.11: Best Semiprozine. Any generally available non-professionol publication devoted to science fiction or fantasy which by the close of the previous calendar year has published four (4) or more issues, at least one (1) of which appeared in the previous calendar year, and which in the previous calendar year met at least two (2) of the following criteria:(1) had an average press run of ot least one thousand (1000) copies per issue, (2) paid its contributors and/or staff in other than copies of the publication,(3) provided at least half the income of any one person,(4) had ot least fifteen percent (15%) of its total space occupied by advertising, (5) announced itself to be a semiprozine.3.3.12: Best Fanzine. Any generally available non-professional publication devoted to science fiction, fantasy, or related subjects which by the close of the previous calendar year has published four (4) or more issues, at least one (1) of which appeared in the previous calendar year, and which does not qualify as a semiprozine.3.3.13: Best Fan Writer. Any person whose writing has appeared in semiprozines or fanzines or in generally available electronic media during the previous calendar year.3.3.14: Best Fan Artist. An artist or cartoonist whose work has appeared through publication in semiprozines or fanzines or through other public display during the previous calendar year. Any person whose name appears on the final Hugo Awards ballot for a given year under the Professional Artist category shall not be eligible in the Fan Artist category for that year.3.3.15: Additional Category. Not more than one special category may be created by the current Worldcon Committee with nomination and voting to be the same as for the permanent categories. The Worldcon Committee is not required to create any such category; such action by a Worldcon Committee should be under exceptional circumstances only; and the special category created by one Worldcon Committee shall not be binding on following Committees. Awards created under this paragraph shall be considered to be Hugo Awards.Section 3.4 : Extended Eligibility. In the event that a potential Hugo Award nominee receives extremely limited distribution in the year of its first publication or presentation, its eligibility may be extended for an additional year by a three

fourths (3/4) vote of the intervening Business Meeting of WSFS.Section 3.5 : Name and Design. The Hugo Award shall continue to be standardized on the rocket ship design of Jack McKnight and Ben Jason. Each Worldcon Committee may select its own choice of base design. The name (Hugo Award) and the design shall not be extended to any other award.Section 3.6 : "No Award". At the discretion of an individual Worldcon Committee, if the lack of nominations or final votes in a specific category shows a marked lack of interest in thot category on the part of the voters, the Award in that category shall be canceled forthat year.Section 3.7 : Nominations.3.7.1: The Worldcon Committee shall conduct a poll to select the nominees for the final Award voting. Each member of either the administering or the immediately preceding Worldcon as of January 31 of the current calendar year shall be allowed to make up to five (5) equally weighted nominations in every category.3.7.2: The Committee shall include with each nomination ballot a copy ofArticle 3 of the WSFS Constitution and any applicable extensions of eligibility under Sections 3.2.3 or 3.4.3.7.3: Nominations shall be solicited only for the Hugo Awards and theJohn W. Campbell Award for Best New Writer.Section 3.8 : Tallying of Nominations.3.8.1: Except as provided below, the final Award ballots shall list in eachcategory the five eligible nominees receiving the most nominations. If there is a tie including fifth place, all the tied eligible nominees shall be listed.3.8.2: Tne Worldcon Committee snail determine the eligibility of nominees and assignment to the proper category of works nominated in more thon one category.3.8.3: Any nominations for “No Award" shall be disregarded.3.8.4: If o nominee appears on a nomination ballot more than once in anyone category, only one nomination shall be counted in that category.3.8.5: No nominee shall appear on the final Award ballot if it receivedfewer nominations than five percent (5%) of the number of ballots listing one or more nominations in thot category, except that the first three eligible nominees, including any ties, shall always be listed.3.8.6: Tne Committee shall move a nomination from another category to the work's default category only if the member has made fewer than five (5) nominations in the default category.3.8.7: If a work receives a nomination in its default category, and if the Committee relocates the work under its authority under subsection 3.2.9 or 3.2.10, the Committee shall count the nomination even if the member already has made five (5) nominations in the more-appropriate category.Section 3.9 : Notification and Acceptance. Worldcon Committees shall use reasonable efforts to notify the nominees, or in the case of deceased or incapacitated persons, their heirs, assigns, or legal guardians, in each category prior to the release of such information. Each nominee shall be asked at that time to either accept or decline the nomination. If the nominee declines nomination, that nominee shall not appear on the final ballot.Section 3.10 : Votinq.3.10.1: Final Award voting shall be by balloting in advance of the Worldcon. Postal mail shall always be acceptable. Only WSFS members may vote. Final Award ballots shall include name, signature, address, and membership-number spaces to be filled in by the voter.3.10.2: Final Award ballots shall list only the Hugo Awards and the John W. Campbell Award for Best New Writer.3.10.3: "No Award" shall be listed in each category of Hugo Award on the final ballot.3.10.4: The Committee shall, on or with the final ballot, designate, for each nominee in the printed fiction categories, one or more books, anthologies, or magazines in wnich the nominee appeared (including the book publisher or magazine issue date(s)).3.10.5: Voters shall indicate the order of their preference for the nominees in each category.Section 3.11 : Tallying of Votes.3.11.1: In each category, tallying shall be as described in Section 6.3. 'No Award' shall be treated as a nominee. If all remaining nominees are tied, no tie-breaking shall be done and the nominees excluding No Award shall be declared joint winners.3.11.2: No Award shall be given whenever the total number of valid ballots cast for a specific category (excluding those cast for "No Award" in first place) is less than twenty-five percent (25%) of the total number of final Award ballots received.3.11.3: "No Award" shall be the run-off candidate.3.11.4: The complete numerical vote totals, including all preliminary tallies for first, second, ... places, shall be made public by the Worldcon Committee within ninety (90) days after the Worldcon. During the same period the nomination voting totals shall also be published, including in each category the vote counts for ot least the fifteen highest vote-getters and any other candidate receiving a number of votes equal to at least five percent (5%) of the nomination ballots cast in thot category.Section 3.12 : Exclusions. No member of the current Worldcon Committee or any publications closely connected with a member of the Committee shall be eligible for an Award. However, should the Committee delegate all authority under this Article to a Subcommittee whose decisions are irrevocable by the Worldcon Committee, then this exclusion shall apply to members of the Subcommittee only.Section 3.13 : Retrospective Hugos. A Worldcon held 50, 75, or 100 years after a Worldcon at which no Hugos were presented may conduct nominations and elections for Hugos which would nave been presented at that previous Worldcon. Procedures shall be as for the current Hugos. Categories receiving insufficient numbers of nominations may be dropped. Once retrospective Hugos have been awarded for a Worldcon, no other Worldcon shall present retrospective Hugos for that Worldcon.

Article 4 - Future Worldcon Selection

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Section 4.1 : Voting.4.1.1: WSFS shall choose the location and Committee of the Worldcon tobe held two (2) years from the date of the current Worldcon.4.1.2: Voting shall be by written ballot cast either by mail or at the currentWorldcon with tallying as described in Section 6.3.4.1.3: The current Worldcon Committee shall administer the voting, collect the advance membership fees, and turn over those funds to the winning Committee before the end of the current Worldcon.4.1.4: The site-selection voting totals shall be announced at the BusinessMeeting and published in the first or second Progress Report of the winning Committee, with the by-mail and at-convention votes distinguished.Section 4.2 : Voter Eligibility.4.2.1: Voting shall be limited to WSFS members who have purchased atleast a supporting membership in the Worldcon whose site is being selected.4.2.2: The supporting membership rate shall be set by unanimous agreement of the current Worldcon Committee and all bidding committees who nave filed before the ballot deadline. If agreement is not reached, the default fee shall be the median (middle value) ot the US dollar fees used in the previous three (3) Worldcon site selections.Section 4.3 : Non-Natural Persons. Corporations, associations, and other non-human or artificial entities may cast ballots, but only for "No Preference”. "Guest of" memberships may only cast “No Preference" ballots. Memberships transferred to individual natural persons may cast preferential ballots, provided that the transfer is accepted by the administering convention.Section 4.4 : Ballots. Site-selection ballots shall include name, signature, address, and membership-number spaces to be filled in by the voter. Each siteselection ballot shall list the options "None of the Above" and "No Preference" and provide for write-in votes, after the bidders and with equal prominence. The supporting membership rate shall be listed on all site-selection ballots.Section 4.5 : Tallying.4.5.1: The name and address information shall be separated from theballots and the ballots counted only at the Worldcon. Each bidding committee should provide at least two (2) tellers. Each bidding committee may make a record of the name and address of every voter.4.5.2: A ballot voted with first or only choice for "No Preference" shall beignored for site selection. A ballot voted with lower than first choice for "No Preference" shall be ignored if all higher choices on the ballot have been eliminated in preferential tallying.4.5.3: "None of the Above" shall be treated as a bid for tallying, and shallbe the run-off candidate.4.5.4: All ballots shall be initially tallied by their first preferences, evenif cast for a bid that the administering Committee has ruled ineligible. If no eligible bid achieves a majority on the first round of tallying, then on the second round all ballots for ineligible bids shall be redistributea to their first eligible choices, and tallying shall proceed according to Section 6.3.4.5.5: If "None of the Above" wins, or if two or more bids are tied for firstplace at the end of tallying, the duty of site selection shall devolve on the Business Meeting of the current Worldcon. If the Business Meeting is unable to decide by the end of the Worldcon, the Committee for the following Worldcon shall moke the selection without undue delay.4.5.6: Where a site and Committee are chosen by a Business Meetingor Worldcon Committee following a win by 'None of the Above', they are not restricted by exclusion zone or other qualifications.4.5.7: Where a site and Committee are chosen by a Business Meeting orWorldcon Committee following a tie in tallying, they must select one of the tied bids.Section 4.6 : Bid Eligibility.4.6.1: To be eligible for site selection, a bidding committee must file thefollowing documents with the Committee thot will administer the voting: (1) an announcement of intent to bid;(2) adequate evidence of an agreement with its proposed site's facilities, such as a conditional contract or a letter of agreement;(3) the rules under which the Worldcon Committee will operate, including a specification of the term of office of their chief executive officer or officers and the conditions and procedures for the selection and replacement of such officer or officers.4.6.2: The bidding committee must supply written copies of these documents to any member of WSFS on request.4.6.3: For a bid to be allowed on the printed ballot, the bidding committee must file the documents specified above no later than 180 days prior to the official opening of the administering convention.4.6.4: To be eligible os a write-in, the bidding committee must file the documents specified above by the close of the voting.4.6.5: If no bids meet these qualifications, the selection shall proceed asthough "None of the Above" had won.Section 4.7 : Site Eligibility. A site shall be ineligible if it is within five hundred (500) miles or eight hundred (800) kilometres of the site at which selection occurs.Section 4.8 : NASFiCIf the selected Worldcon site is not in North America, there shall be a NASFiC in North America that year. Selection of the NASFiC shall be by the identical procedure to the Worldcon selection except as provided below or elsewhere in this Constitution:4.8.1: Voting shall be by written ballot administered by the following year'sWorldcon, if there is no NASFiC in that year, or by the following year's NASFiC, if there is one, with ballots cast at the administering convention or by mail, and with only members of the administering convention allowed to vote.4.8.2: NASFiC Committees shall make all reasonable efforts to avoidconflicts with Worldcon dates.4.8.3: The proposed NASFiC supporting membership rate can be set byunanimous agreement of the administering Committee ana all bidding committees who have filed before the ballot deadline. If agreement is not reached, the default fee shall be the median (middle value) of the US dollar fees used in the previous three (3) Worldcon site selections.4.8.4: If "None of the Above" wins, or if no eligible bid files by the deadline, then no NASFiC shall be held and any supporting membership payments

collected for the NASFiC site selection shall be refunded by the administering convention without undue delay.

Article 5 - Powers of the Business MeetingSection 5.1 : WSFS Business Meetings.5.1.1: Business Meetings of WbFS shall be held at advertised times ateach Worldcon.5.1.2: The current Worldcon Committee shall provide the Presiding Officer and Staff lor each Meeting.5.1.3: Standing Rules for the Governance of the Business Meeting andrelated activities may be adopted or amended by a majority vote at any Business Meeting. Amendments to Standing Rules shall take effect at the close of the Worldcon where they are adopted; this rule may be suspended by a two-thirds (2/3) vote.5.1.4: Meetings shall be conducted in accordance with the provisions of(in descending order of precedence! the WSFS Constitution; the Standing Rules; such other rules os may be published in advance by the current Committee (which rules may be suspended by the Business Meeting by the same procedure as a Standing Rule); the customs and usages of WSFS (including the resolutions and rulings of continuing effect); and the current edition of Robert's Rules of Order, Newly Revised.5.1.5: The quorum for the Business Meeting shall be twelve members ofthe Society physically present.Section 5.2 : Continuation of Committees. Except as otherwise provided in this Constitution, any committee or other position created by a Business Meeting shall lapse at the end of the next following Business Meeting that does not vote to continue it.Section 5.3 : Constitutional Pass-along. Within two (2) months after the end of each Worldcon, the Business Meeting staff shall send a copy of all changes to the Constitution and Standing Rules, and all items awaiting ratification, to the next Worldcon Committee

Article 6 - ConstitutionSection 6.1 : Conduct. The conduct of the affairs of WSFS shall be determined by this Constitution together with all ratified amendments hereto and such Standing Rules as the Business Meeting shall adopt for its own governance.Section 6.2 : Natural Persons. In all matters arising under this Constitution, only natural persons may introduce business, nominate, or vote, except as specifically provided otherwise in this Constitution. No person may cast more than one vote on any issue or more than one ballot in any election. This shall not be interpreted to prohibit delivery of ballots cast by other eligible voters.Section 6.3 : Tallying of Votes. Votes shall first be tallied by the voter's first choices. If no majority is then obtained, the candidate who places last in the initial tallying shall be eliminated and the ballots listing it as first choice shall be redistributed on the basis of those ballots' second choices. This process shall be repeated until a majority-vote winner is obtained. If two or more candidates are tied for elimination during this process, the candidate that received fewer first-place votes shall be eliminated. If they are still tied, all the tied candidates shall be eliminated together.Section 6.4 : Run-off. After a tentative winner is determined, then unless the run-off candidate shall be the sole winner, the following additional test shall be made. If the number of ballots preferring the run-off candidate to the tentative winner is greater than the number ot ballots preferring the tentative winner to the run-off candidate, then the run-off candidate shall be declared the winner of the election.Section 6.5 : Amendment. The WSFS Constitution may be amended by a motion passed by a simple majority at any Business Meeting but only to the extent that such motion is ratified by a simple majority at the Business Meeting of the subsequent Worldcon.Section 6.6 : Commencement. Any change to the Constitution of WSFS shall take effect at the end of the Worldcon at which such change is ratified, except that no change imposing additional costs or financial obligations upon Worldcon Committees shall be binding upon any Committee already selected at the time when it takes effect.

The above copy of the World Science Fiction Society's Constitution is hereby Certified to be True, Correct, and Complete:

Kevin Standlee, ChairPat McMurray, Secretary2006 Business Meeting

The Standing Rules and the Draft Agenda for 2007, including the proposed change to this constitution that received first passage at L.A.con IV, will be printed in Progress Report 5.Changes ratified at the L.A.con IV Business Meeting are shown as underline type for additions and strikethrough type for deletions.The full text of the Constitution and other WSFS papers are available at http://www.wsfs.org/bm/rules.html"

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http://www.wsfs.org/bm/rules.html

Nippon2007Standing Rulesfor the Governance of the World Science Fiction Society Business Meeting

Group 1 - MeetingsGroup 2 - New BusinessGroup 3 - Debate Time LimitsGroup 4 - Official PapersGroup 5 - Variations of RulesGroup 6 - Mark Protection Committee Elections Group 7 - Miscellaneous

Group 1: MeetingsRule 1.1: Meeting and Session. The Annual Meet

ing of the World Science Fiction Society shall consist of one or more Preliminary Business Meetings and one or more Main Business Meetings. The first meeting shall be designated as a Preliminary Business Meeting. All meetings at a Worldcon (preliminary, main, or otherwise) shall be considered a single "session" as defined in the Parliamentary Authority (sec section 5.1 of the WSFS Constitution), regardless of whether such gatherings are called "meetings" or "sessions."

Rule 1.2: Preliminary Business Meeting(s). The Preliminary Business Meeting may not directly reject, pass, or ratify amendments to the Constitution; however, all motions adhering to a Constitutional amendment are in order if otherwise allowed. The Preliminary Business Meeting may not refer a Constitutional amendment to a committee unless the committee's instructions are to report to the Main Business Meeting. The Preliminary Business Meeting may not postpone consideration of a Constitutional amendment beyond the last Preliminary Business Meeting. The Preliminary Business Meeting may not amend a Constitutional amendment pending ratification. The Preliminary Business Meeting may consider any business not expressly forbidden to it by the Standing Rules or expressly reserved to the Main Business Meeting.

Rule 1.3: Main Business Mecting(s). The Main Business Meeting may reject, pass, or ratify amendments to the Constitution. One Main Meeting shall be also be designated as the Site-Selection Meeting, where Site-Selection business shall be the special order of business.

Rule 1.4: Scheduling of Meetings. The first Main Meeting shall be scheduled no less than eighteen (18) hours after the conclusion of the last Preliminary Meeting. No meeting shall be scheduled to begin before 10:00 or after 13:00 local time.

Rule 1.5: Smoking. If smoking is allowed in the place where the Business Meeting is held, the Presiding Officer shall divide the room into smoking and nonsmoking sections at the beginning of each meeting.

Group 2: New BusinessRule 2.1: Deadline for Submission of New’ Busi

ness. The deadline for submission of non-privileged new business to the Business Meeting shall be two (2) hours after the official opening of the Worldcon or eighteen (18) hours before the first Preliminary Meeting, whichever is later. The Presiding Officer may accept otherwise qualified motions submitted after the deadline, but all such motions shall be placed at the end of the agenda.

Rule 2.2: Requirements for Submission of New Business. Two hundred (200) identical, legible copies of all proposals for non-privileged new business shall be submitted to the Presiding Officer before the deadline in Rule 2.1 unless such proposals arc distributed to the attendees at the Worldcon by the Worldcon Committee. All proposals must be legibly signed by a maker and at least one seconder.

Rule 2.3: Interpretation of Motions. The Presiding Officer shall reject as out of order any proposal or motion that is obviously illegal or hopelessly incoher

ent. In the absence of the maker of a motion or instructions to the contrary, the Presiding Officer shall be free to interpret the meaning of any motion.

Rule 2.4: Short Title. Any item of new’ business considered by the Business Meeting shall contain a short title.

Group 3: Debate Time LimitsRule 3.1: Main Motions. The Presiding Officer shall

designate the default debate time for main motions. The Business Meeting may, by majority vote, set the initial debate time limit for any motion to any positive whole number of minutes.

Rule 3.2: Allotment of Time. If a question is divided, the time limits applicable to the question before it was divided shall apply to each portion of the divided question. Debate time shall be allotted equally to each side of a question. Time spent on points of order or other neutral matters arising from a motion shall be divided equally and charged to each side.

Rule 3.3: Amendments. Debate on all amendments to main motions shall be limited to five (5) minutes, allotted equally to each side. Time spent on debate of an amendment shall be charged against the time for the main motion.

Rule 3.4: Motions Allowed After Expiration. Motions that adhere to the main motion shall not be out of order because of the expiration of debate time, but shall be undcbatable.

Rule 3.5: Minimum Substantive Debate. If the debate time expires before either or both sides of the question have had an opportunity for substantive debate, any side that has not had such an opportunity shall have two (2) minutes to be used solely for the purpose of substantive debate.

Group 4: Official PapersRule 4.1: Indicating Revisions. The Business

Meeting staff shall clearly indicate all changes (including deletions) from the previous year’s version when they provide the Constitution and Standing Rules for publication prior to the following Worldcon. However, the failure to indicate such changes shall not affect the validity of the documents.

Rule 4.2: Corrections. Any correction of fact to the Minutes or to the Constitution or Standing Rules as published should be brought to the attention of the Secretary of the Business Meeting in question and of the next available Business Meeting as soon as they are discovered.

Rule 4.3: Numbers, Titles, References, and Technical Corrections. Numbers and titles of the various parts of the Constitution and Standing Rules arc for the sake of easy reference only. They do not form a substantive part of these documents nor of any motion to amend these documents. The Business Meeting Secretary shall incorporate into these documents appropriate changes as required by newly adopted amendments. When making any such adjustments required by this section, the Business Meeting Secretary shall change article and section numbers, titles, and internal cross-references as necessary to maintain a consistent, parallel structure, which shall not be altered unless the Business Meeting explicitly so directs. The Business Meeting Secretary may change punctuation, capitalization, grammar, and other wording in the Constitution and Standing Rules only insofar as such changes clarify meaning and enhance consistency, and only insofar as such changes do not modify the substantive meaning of the documents.

Group 5: Variations of RulesRule 5.1: Nonstandard Parliamentary Authority.

If a Worldcon Committee adopts for the governance of the Business Meeting a parliamentary authority other than that specified in the Constitution, the Committee must in timely fashion publish information about how to obtain copies of the authority in question.

Rule 5.2: Constitutional and Standing Rule Amendments. Motions to Amend the Constitution, to Ratify a Constitutional Amendment, and to Amend the Standing Rules shall be considered ordinary main motions, except as otherwise provided in the Standing Rules or Constitution. An object to consideration shall not be in order against ratification of a constitutional

amendment.Rule 5.3: Postpone Indefinitely. The motion to

Postpone Indefinitely shall not be allowed.Rule 5.4: Amend; Secondary Amendments. Sec

ondary amendments (amendments to amendments) are not allowed except when the primary amendment is to substitute.

Rule 5.5: Previous Question. A person speaking to a motion may not immediately offer a motion to close debate. The motion for the Previous Question (also known as the motion "close debate," "call the question," and "vote now") shall not be in order when there is less than one minute of debate time remaining, nor when either or both sides of the debate have yet to speak to a question. Before voting on the motion for the Previous Question, the Presiding Officer shall, without debate, ask for a show of hands of those persons who still wish to speak to the matter under consideration.Rule 5.6: Lay on the Table. The motion to Lay on the Table shall require a two-thirds (2/3) vote for adoption.

Rule 5.7: Adjournment. The incidental main motion to adjourn sine die shall not be in order until all Special and General Orders have been discharged.

Rule 5.8: Suspension of Rules. Rules protecting the rights of absentees, including this rule, may not be suspended.

Group 6: Mark Protection Committee ElectionsRule 6.1: Nominations. Nominations for elec

tion to the Mark Protection Committee shall be allowed from the floor at each Preliminary Business Meeting. To be listed on the ballot, each nominee must submit to the Secretary of the Business Meeting the nominee’s consent to nomination and the nominee's current region of residence. A nominee shall be ineligible if the nominee could not be elected due to the regional residence restrictions. The deadline for submitting such consent to nomination shall be set by the Secretary.Rule 6.2: Elections. Elections to the Mark Protection Committee shall be a special order of business at a designated Main Business Meeting. Voting shall be by written preferential ballot with write-in votes allowed. Votes for write-in candidates who do not submit written consent to nomination and region of residence to the Presiding Officer before the close of balloting shall be ignored. The ballot shall list each nominee’s name and region of residence. The first seat filled shall be by normal preferential ballot procedures as defined in Section 6.3 of the WSFS Constitution. There shall be no run-off candidate. After a scat is filled, votes for the elected member and for any nominee who is now ineligible due to regional residence restrictions shall be eliminated before conducting the next ballot. This procedure shall continue until all seats are filled. In the event of a first-place tic for any seat, the tie shall be broken unless all tied candidates can be elected simultaneously. Should there be any partial-term vacancies on the committee, the partial-term seat(s) shall be filled after the full-term seats have been filled.

Group 7: MiscellaneousRule 7.1: Question Time. During the Site-Selec

tion Meeting, fifteen (15) minutes of program time shall be allocated to each future seated Worldcon committee. During the first five (5) minutes, each committee may make such presentations as they wish. The remaining time shall be allocated for questions to be asked about that committee’s Worldcon. Questions may be submitted in writing at any previous meeting. Questions submitted in writing shall have priority over other questions if the person who submitted the question is present and still wishes to ask the question. No person may ask a second question as long as any person wishes to ask a first question. Questions are limited to fifteen (15) seconds and responses to two (2) minutes. If time permits at the Site- Selection Meeting, committees bidding for the right to host any Worldcon whose selection will take place in the next calendar year shall be allocated five (5) minutes of program time to make such presentations as they wish. The time limits in this rule may be modified by majority vote.

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Rule 7.2: Dilatory Actions; Misuse of Inquiries. The sole purpose of a "point of information" or "parliamentary inquiry" is to ask the Presiding Officer for an opinion of the effect of a motion or for guidance as to the correct procedure to follow. The Presiding Officer shall treat as dilatory any attempts to circumvent the rules of debate under the guise of points of information, parliamentary inquiries, or other queries and requests.

Rule 7.3: Counted Vote. The Presiding Officer shall take a counted vote upon the request of ten percent (10%) of those members attending the meeting.

Rule 7.4: Carrying Business Forward. Motions other than Constitutional amendments awaiting ratification may be carried forward from one year to the next only by being postponed definitely or by being referred to a committee.

Rule 7.5: Continuing Resolutions. Resolutions

of continuing effect ("continuing resolutions") may be repealed or amended by majority vote of subsequent Business Meetings without notice, and shall be automatically repealed or amended by applicable amendments to the Constitution or Standing Rules or by conflicting resolutions passed by subsequent Business Meetings.

Rule 7.6: Committees. All committees arc authorized to organize themselves in any lawful manner and to adopt rules for the conduct of their business, which may include conducting balloting by mail and limiting debate, subject to any contrary provisions of the Constitution, the Standing Rules, or instructions given to the committee by the Business Meeting.

Rule 7.7: Nitpicking and Flyspecking Committee. The Business Meeting shall appoint a Nitpicking and Flyspecking Committee. The Committee shall:

(1) Maintain the list of Rulings and Resolutions

of Continuing Effect(2) Codify the Customs and Usages of WSFS

and of the Business Meeting.Rule 7.8: Worldcon Runners’ Guide Edito

rial Committee. The Business Meeting shall appoint a Worldcon Runners’ Guide Editorial Committee. The Committee shall maintain the Worldcon Runners’ Guide, which shall contain a compilation of the best practices in use among those who run Worldcons.

The above copy of the Standing Rules for the Governance of the WSFS Business Meeting is hereby Certified to be True, Correct, and Complete:

Kevin Standlee, Chair Pat McMurray, Secretary

2006 WSFS Business Meeting

A BE ^.1 B^ A Ctl^Nippon2007TlTt»nS. LA.CON4/P5'jIPROPOSED AGENDAFOR Nippon 2007 Including Business Passed On from L.A. con IV the World Science Fiction Society Business Meeting1. Committee ReportsCommittee reports may include motions. Motions made by committees consisting of more than one person need not be seconded.

1.1. Mark Protection Committee (Including Nominations forMPC)The Mark Protection Committee will meet at a time to be announced, probably on Thursday evening of the convention. A formal report is unlikely to be available until the Saturday Business Meeting at the earliest.Nominations for the WSFS Mark Protection Committee are in order at the Preliminary Business Meeting. Nominees must accept nomination and indicate their current residence zone within one hour of the end of the Preliminary Business Meeting.The members whose terms of office expire at this Worldcon are: Ben Yalow (East), Kevin Standlee (West), Tim Illingworth (RotW). Due to zone residency restrictions, we can elect at most two people from the Western zone, none from the Central zone, two people from the Eastern zone, and 3 people from the Rest of the World. Write-in votes are allowed, but write-in candidates must submit their consent to election by the close of balloting. (See the head table staff for a nomination acceptance form.) Mark Protection Committee members areElected 2004, term expires 2007: Ben Yalow (East), Kevin Standice (West), Tim Illingworth (RotW);Elected 2005, term ending in 2008: Lynn Anderson (Central), Stephen Boucher (RotW), Sue Francis (Central) Elected 2006, term ending in 2009: Scott Dennis (Central), Donald Eastlake 111 (East), Ruth Sachtcr (West) Worldcon Representatives: Interaction - Cheryl Morgan, L.A. Con IV - Craig Miller, CascadiaCon (NASFiC) - Linda Deneroff, Nippon 2007 - Bob Macintosh, Archon 31. the 9th NASFiC - Steve Norris, Dcnvention 3 - Kent Bloom.

1.2. Nitpicking & Flyspecking CommitteeThe Nitpicking and Flyspecking Committee members are Don Eastlake, Tim Illingworth, Pat McMurray and Kevin Standlec.

1.3. Worldcon Runners' Guide Editorial CommitteeThe Worldcon Runners’ Guide Editorial Committee member is Sharon Sbarsky (Chair) and others to be advised.1.4. Hugo Eligibility Rest of the World (HEROW) CommitteeThe HEROW Committee members are Vince Docherty (Chair), Perianne Lurie, Pam Frcmon, Paul Haggerty, Gayle Surcttc, Cheryl Morgan and Kevin Standlee.

1.5. Formalization of Long List Entries (FOLLE) CommitteeThe FOLLE Committee members arc Mark Olson (Chair), Craig Miller, Dave Grubbs, Joe Siclari, Kent Bloom. Richard Lynch, Kevin Standlec, Tim Illingworth,

Vince Docherty.

1.6. The Taming the Digital Wilderness Committee The Taming the Digital Wilderness Committee arc Glenn Glazer (Chair), Paul Haggerty. Gayle Surette, Ben Yalow. Seth Breidbart, Cheryl Morgan, Tim Illingworth and Peter Wilkinson.

2. Worldcon Reports2.1 Past Worldcons2.1.1. ConAdian (1994)2.1.2. The Millennium Philcon (2001)2.1.3 Torcon 3 (2003)2.1.4 Norcascon 4 (2004)2.1.5 Interaction (2005)2.1.6 CascadiaCon (2005)2.1.7 L.A. con IV (2006)2.2 . Seated Worldcons & NASFiC2.2.1 Nippon 20072.2.2 Archon 31, the 9th NASFiC (2007)2.2.4 Denvention 3 (2008)

3. Business Passed On from L.A. con IVThefollowing Constitutional Amendments were approved at L.A. con II' and passed on to Nippon 2007for ratification. If ratified, they will become part of the Constitution at the conclusion of Nippon 2007.3.1 Short Title: Best Artist 1 lugo EligibilityMoved to amend Section 3.9 of the WSFS Constitution by adding text as follows

Section 3.9: Notification and Acceptance. Worldcon Committees shall use reasonable efforts to notify the nominees, or in the case of deceased or incapacitated persons, their heirs, assigns, or legal guardians, in each category prior to the release of such information. Each nominee shall be asked at that time to either accept or decline the nomination. If the nominee declines nomination, that nominee shall not appear on the final ballot. In addition, in the Best Professional Artist category, the acceptance must include citations of at least three (3) works first published in the eligible year.

4. New Business4.1. ResolutionsItems under this heading may be voted upon and final action taken by the Preliminary Business Meeting.

4.2. Standing Rules AmendmentsItems under this heading may be voted upon and final action taken by the Preliminary Business Meeting. Standing rules amendments take effect at the conclusion of the 2006 Business Meeting unless given earlier effect by specific provision and a two-thirds vote. In all amendments, new text is shown in underline type and stricken text is shown in strikethru type.

4.3. Constitutional Amendments

Items under this heading have not yet received first passage, and will become part of the constitution only if passed at Nippon 2007 and ratified at Denvention 3. The Preliminary Business Meeting may amend items under this heading, set debate time limits, refer them to committee. and take other action as permitted under the Standing Rules.

4.3.1 Short Title: Gaughan Gone

Moved, To amend subsection 3.3.14 of the Constitution by striking the last sentence:

3.3.14:Best Fan Artist. An artist or cartoonist whose work has appeared through publication in semiprozines or fanzines or through other public display during the previous calendar year. Any person whose name appears on the final Hugo Awards ballot for a given year under the Professional Artist category shall not beeligiblc in the Fan Artist category for that year.

Discussion: The last sentence is the restriction that nobody can be on the final ballot in both the Pro/Fan Artist categories. This restriction goes against the basic model underlying fandom — that being a pro is not an attribute of a person that takes them outside of fandom, nor is fandom some sort of junior league that fan artists graduate from to become pro artists. Just as tie don’t stop pros from running as fan writers, if that’s what they're doing (and. in some cases, winning the Hugo for Best Fan Writer and a fiction Hugo in the same year), we should not impose that restriction on fan vs pro artists. If people are doing both (and there have been, and still are artists who are doing both kinds of work), then they should be eligible in both categories.

Moved: Ben YalowSeconded: Mark Olson

5. Site Selection Business5.1. Report of the 2009 Site Selection & Presentation by Winners5.2. Reports by seated Worldcons & NASFiC 5.2.1. Nippon 20005 J J Archon 31, the 9th HASFiC (2007)5.2.3 Denvention 3 (2008)5.3. Presentation by future Worldcon bids5.3.1. Presentation by bidders for 20095.3.2. Presentation by bidders for years after 20096. Adjournment6.1. Adjournment Sine Die

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Nippon2007List of program participants

Organaized by committee overseas

Andrew AdamsAndrew A. Adams is an academic

with a PhD in Computer Science and a Masters degree in Law. He currently teaches and researches Social, Legal and Ethical Aspects of Computer and Communications Technology. He is a lifelong SF fan and has been attending conventions for almost twenty years.

Alma AlexanderI was born with ink in my veins,

in a town on the banks of an ancient river, in a country which no longer exists. 1 lived in three different homes before I was ten years old, and then left the country of my birth, never to live there again. In the years that followed I attended six or seven different schools and a university famous for being linked to the hospital where the world's first heart transplant took place, learned to speak three-and-a- smattering languages and write fluently in two of them, and lived in five different countries. I once described myself as a professional tumbleweed, but the term probably doesn't being to cover my voyaging. I was, as the song goes, born under a wan'dring star. I am a voracious reader of anything book-shaped, but I have a particular soft spot for fantasy and science fiction, which is probably why I ended up writing it myself. I have probably written more than a million words in my lifetime so far, at a conservative estimate — two of the novels that I have finished weigh in at about 250,000 words apiece. One of these megavolumes is being published in a two-part series by HarperCollins. In the meantime, I have published 250+ book reviews in various newspapers and magazines on three different

continents, made an appearance in various story and poetry anthologies (including one published to mark the 30th anniversary of the prestigious "London Magazine" in England, and had three books published, a set of three fairy talcs (published in the UK by Longman) and an autobiographical book about my years in Africa (published in New Zealand), both of these coming out in 1995 which was an auspicious year for me. The third was an e-mail novel co-written with the man who subsequently became my husband (“Letters from the Fire”, Harper Collins, 1999). One of my short stories, “The Painting”, recently won an international BBC-sponsored competition and was read on air in the UK in January 2001. I have a cat named Murphy and a thoroughly soppy big dog called Ari, whom I tend to describe as being a cross between german shepherd,rottweiler, marshmallow and mule. Since moving to the States, I’ve also acquired a black-and- white feline con artist by the name of Domino. I like books, embroidery, music ranging from "The Rocky Horror Picture Show" to Dvorak's New World Symphony and "La Traviata", animals, coffee, chocolate, snow, velvet — and, in people, loyalty, kindness and intelligence (and an off-the-wall sense of humor helps). I dislike snakes, things with crunchy exoskeletons or more than four legs, high humidity, asparagus, mud, waiting, modern art - and, in people, pretentiousness, cruelty and high-handed arrogance. I am a punaholic, a chronic worrier, one of those people who proves that real pessimists are truly born and not made, very shy with strangers (which I have trained myself to hide

reasonably well), sometimes honest to the point of being tactless. I'm sentimental and I possess (sometimes to my detriment) an incredible memory for detailed trivia like dates, old song lyrics, the occasional complete movie (which sometimes annoys friends who mutter darkly about muzzles in dim cinemas) and other irrelevant facts. It is a quirk of this memory that I can remember phone numbers of ten or twenty years ago, and I still have to look up the current phone numbers of my closest friends. There IS a system of pigeonholes in my chaotic mind, it just isn't obvious to anyone else at all. I was born on the fifth day of July (the day after America), six years before man walked on the moon, which makes me cancer according to the western horoscope and a water rabbit according to the Chinese one, for those who into such things.Lou Anders

A 2007 Hugo Award nominee, Lou Anders is the editorial director of Prometheus Books' science fiction imprint Pyr, as well as the anthologies Outside the Box (Wildside Press, 2001), Live Without a Net (Roc, 2003), Projections: Science Fiction in Literature & Film (MonkeyBrain, December 2004), FutureShocks (Roc, January 2006), and Fast Forward (Pyr, February 2007 . He served as the senior editor for Argosy magazine's inaugural issues in 2003-04. In 2000, he served as the Executive Editor of Bookface.com, and before that he worked as the Los Angeles Liaison for Titan Publishing Group. He is the author of The Making of Star Trek: First Contact (Titan Books, 1996), and has published over 500 articles in such magazines as The Believer, Publishers Weekly, Dreamwatch, Star Trek Monthly, Star Wars Monthly, Babylon 5 Magazine, Sci Fi Universe, Doctor Who Magazine, and Manga Max. His articles and stories have been translated into Danish,Greek, German, Italian and French, and have appeared online at SFSite.com, RevolutionSF.

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com and InfinityPlus.co.uk. Visit him online at www.louanders.com

Charles ArdaiAn entrepreneur and business

person on one hand and a writer and editor on the other, Charles Ardai is best known as the founder and CEO of Juno, one of the nation's leading Internet services, and more recently as the founder and editor of Hard Case Crime, a line of mass-market paperback books reviving the style of the pulp crime novels of the 1940s and 50s. Hard Case Crime has been featured on CBS Sunday Morning and has won enthusiastic praise from publications ranging from The New York Times and USA Today to Reader’s Digest, Entertainment Weekly and The Stranger, where author Neal Pollack wrote, “Hard Case may be the best new American publisher to appear in the last decade.” Ardai also serves as a managing director at the D. E. Shaw group, in which capacity he is responsible for technology ventures such as Schrodinger, a leading developer of software for computational chemistry (Ardai serves as the firm’s chairman and president), and Attention, a pharmaceutical company developing a new generation of therapeutics for the treatment of cancer. As a writer, Ardai has been nominated twice for the Edgar Allan Poe Award by the Mystery Writers of America and twice for the Shamus Award by the Private Eye Writers of America, and he won the Edgar in 2007 for his novelette “The Home Front.” His writing has appeared in more than three dozen publications and anthologies ranging from Alfred Hitchcock’s Mystery Magazine, Ellery Queen's Mystery Magazine, and Twilight Zone to The Year’s Best Horror Stories and Best Mystery Stories of the Year. His first novel. Little Girl Lost, was published in 2004 (under the pseudonym “Richard Aleas”) and was nominated for both the Edgar and the Shamus as best first novel of the year. Ardai

graduated from Columbia University, summa cum laude, in 1991 with a BA in English and Comparative Literature. He is 37 years old and lives in New York with his wife, Hugo nominee Naomi Novik.

David AronovitzDavid Aronovitz / The Fine

Books Company: The Fine Books Company, which began purchasing rare and collectible items in 1976 and selling same in 1979, is located everywhere a computer may be accessed. A near 20 year member of the Antiquarian Booksellers Association of America and The International League of Antiquarian Booksellers, we have travelled to, purchased and sold books on, every continent ( save Antarctica as we arc unaware of any commercial book activity there). Although we may be biased towards the fields of creativity, namely all genres of fiction in first edition, we have branched out to include many areas of non-fiction as well so that our stock of over 40,000 items, which includes books, periodicals, letters and manuscripts, is now more balanced than it has ever been before. We issue occasional virtual catalogues (which only reveal a small portion of our newest inventory), quickly reply to all inquiries, do appraisals upon request and somehow have managed to publish 18 books along the way. A "Heritage" member of AbeBooks as well, our specialty is service.

Margaret AustinMargaret's first contact with fan

dom was in 1974 when she responded to a plug in the British publication "Radio Times" from the person running the Star Trek Action Group. This led to attending Britain's first ST con in Leicester where she became a steward in order to get a room as the hotel was full. Rather curiously Martin Easterbrook, who later became her partner, was a gatecrasher at this con although she never met him at the

time. He and his friend were evicted when found sleeping in the art show. As a steward she was warned to watch out for him! The story only came to light at a dinner party Margaret attended with Martin many years later. Close encounters of the second kind was later in 1974 when Margaret visited Andromeda (an SF bookshop) to purchase a copy of The Making of Star Trek and met Rog Peyton who told her all about SF cons and suggested she come to Birmingham's Novacon in November. Close Encounters of the third kind was with Gerry Webb in 1975. Both worked at the Science Research Council's Appleton Laboratory in Slough and met when Margaret brought in a 16 mm print of a ST episode "Empath", banned by the BBC, to screen in the office studio. Gerry also encouraged her to attend Novacon which she did with a bunch of (female) Trek fans. This was the beginning of the end as far as male domination of UK SF cons was concerned. In the same year she chaired her first con, a Star Trek Con in a village hall in Richmond with an attendance of around 100. Margaret's mother did the catering and very good it was too. Margaret's first Eastcrcon was Mancon in Manchester in 1976 and her first international con,Biccntennialcon in New York the same year - a Star Trek con with an attendance of 8,000. She first met Martin at Skycon in 1978 where he dropped his wallet. Margaret picked it up and gave it back to him. She attended Seacon in 1979 but missed the opening ceremony owing to the car she'd borrowed from Gerry Webb braking down outside Brighton fire station mere yards from the convention centre. Margaret abandoned Trek cons around 1980 when they started to bring over the big name actors and began charging extortionate membership rates to fund the actors' expenses. She attended Conspiracy in 1987 and worked a Green Room shift. She was Director of Administration and Dcp-

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Nippon2007uty Co-Chair to Intersection in 1995. Margaret has been going to Smof- cons most years since 1996. Nippon will be her 12th worldcon. Margaret used to write Star Trek fan fic back in the 1970s and was a contributor to the hugely popular UK zines Alnitah and Grope. At that time she also secretly wrote Starsky and Hutch slash fic under a pseudonym and has more recently written Buffyverse slash fic (under the same pseudonym). If you need further evidence of Margaret's media geekishness she “collects” movie locations, in the last few years having visited Stargate's Abydos, the place where Buffy met her spirit guide in season 6 BTVS and the site of Kirk's fight with the Gorn (Vasquez National Park). She's also stood on the very spot where Butch said to Sundance "Who are those guys?" and once met a guy in Udaipur who'd had that Roger Moore in the back of his rickshaw. She's followed in Indiana Jones' footsteps when he went in search of the Holy Grail and hopes to visit Tattouine in the near future.

Margerie BahmMargene has been active in fan

dom since the 1970s, when she was working cons from her stroller (ask her why William Shatner owes her 23 hours, what you say to a naked author in a hot tub [besides admiring his Hugo] and about her wake-up call from George Takei). A two-time chair of ConQuesT, she is currently spearheading the Kansas City bid for the World Science Fiction Convention in 2009 (vote early and often!). Having recuperated from partial knee replacement surgery performed two days after Christmas, she spends her copious free time (ha!) teaching Irish dance, doting on her grandchildren Connor and Lauren and enjoying the escapades of the newest feline members of the household, Siegfried and Yum!

Allen Batson

Allen attended his first Worldcon in 1974 and has been hooked ever since. He is a big fan and collector of Ray Bradbury.

Jack BellJack William Bell is a native son

of the Pacific Northwest, a rare thing to find around Seattle in this day and age. Born the same year Sputnik was launched, he is as old as the space age. Jack wants to be a modern Renaissance man, but has had to settle for being a 'Jack of All Trades, Master of None'. At one time or another he has supported himself selling shoes, fixing aircraft, programming computers, writing manuals, creating glass art, repairing houses, cooking breakfasts, wrenching on cars, commercial fishing, playing in a Rock and Roll band, and balancing books. He still doesn't know what he wants to be when he grows up! Today Jack pays the bills writing code for embedded systems and satisfies his muse writing SF and futurism. The latter, posted mainly to his blog, has resulted in his being quoted in Scientific American as an 'amateur futurist'. He thinks that is just the bee's knees! Don't you?

Gregory BenfordGregory Benford has published

over thirty books, mostly novels. Nearly all remain in print, some after a quarter of a century. His fiction has won many awards, including the Nebula Award for his novel Timescapc. A winner of the United Nations Medal for Literature, he is a professor of physics at the University of California, Irvine. He is a Woodrow Wilson Fellow, was Visiting Fellow at Cambridge University, and in 1995 received the Lord Prize for contributions to science. He won the Japan Seiun Award for Dramatic Presentation with his 7-hour series, A Galactic Odyssey. In 2007 he won the Asimov Award for science writing. His 1999 analysis of what endures, Deep Time: How Humanity Commu

nicates Across Millennia, has been widely read. A fellow of the American Physical Society and a member of the World Academy of Arts and Sciences, he continues his research in both astrophysics and plasma physics and biotech.

John D. BerryJohn Berry is an editor and ty

pographer who specializes in complex publishing projects. He is the former editor and publisher of “U&lc” (“Upper and lower case”) and of “U&lc Online”. He is the author and designer of “Dot-font: talking about fonts” and “Dot-font: talking about design” (Mark Batty Publisher, 2006), and the editor of “Language Culture Type: international type design in the age of Unicode” (ATypI/Graphis, 2002), “Contemporary newspaper design”, and “U&lc: influencing design & typography”. John has a deep and eclectic background in both editing and typography; he has made a career for more than twenty-five years in Seattle, New York, and San Francisco as an editor and book designer. He writes and consults extensively on typography, and he has won numerous awards for his book designs. He has been on the board of directors of ATypI (Association Typographique Internationale) since 2000. He lives in Seattle with the writer Eileen Gunn.

Kirsten (KJ) BishopKirsten (KJ) Bishop is the author

of one novel, The Etched City, nominated for a World Fantasy Award, and several short stories. A native of Melbourne, Australia, she now lives and works in Bangkok. Kitstcn's hobbies include art, piano, tai chi/wushu and travel. She is currently working on a second (non-speculative fiction) novel and a piece of collaborative fiction with Preston Grassmann. Website: www.kjbishop.net

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Kent BloomKent Bloom started reading SF

before he was 10 years old (a long time ago). He attended Discon II in 1974, MidAmeriCon in 1976, and haven't missed a Worldcon since. Kent joined the Washington Science Fiction Association in 1975, and was active in that club and its Disclave conventions until he was transferred to Colorado Springs in 1991; where he is a founding member of First Friday Fandom of Colorado Springs. Over the last 25 plus years, Kent has worked as a gopher at many conventions, beginning with the 1975 Disclave. He has worked on Disclaves, Baiticons, Boskones, Westercons, Eastercons, Loscons, as badge checker, art show assembler, registration clerk, ops staff, and whatever else needed to be done.

Christopher BoltonChristopher Bolton teaches Japa

nese literature and comparative literature at Williams College in Massachusetts. His work centers on modern Japanese fiction and Japanese animation, particularly interfaces between literature and science. He has written extensively on the work of anime director Oshii Mamoru, as well as on Abe Kobo, the Japanese avant-garde writer often credited with helping to establish prose SF in Japan. Bolton is co-editor of “Robot Ghosts and Wired Dreams: Japanese Science Fiction from Origins to Anime” (forthcoming in 2007). He is also associate editor of “Mechademia”, an annual forum for critical writing about anime and manga that is trying to bridge the divide between the ways academics and fans talk about anime.

Ken BradyKen Brady is a writer, actor, di

rector, producer, media whore, and multiple kinds of geek. His stories have appeared in Analog, Writers of the Future, Strange Horizons, Ideo- mancer, Fortcan Bureau, Weird Tales, Modern Magic, Rosebud, The Wil

liam and Mary Review, Frequency, Midnight Street, and many others. Additionally, his work has been reprinted in 8 languages, he’s sold a screenplay to Miramax, has produced an award-winning feature film, and produced and sold several stage plays. Ken has worked many different jobs. Process server for a private investigator. Video/audio producer for an educational consultant. XML editor for a software company. Magazine editor. Pizza dude. Planning aerial surveillance. Producer, director, props, production assistant, casting director, director’s assistant, screenwriter, development executive, actor and a bunch of other movie jobs. Now he’s Director, International Strategies for Centric, a new new media agency in Los Angeles run by SF writer Jason Stoddard. He’s also General Manager, Asia for Centric’s Tokyo and soon-to- open Shanghai offices, and will likely relocate to one of those two cities in the near future. Additionally, he’s North American Coordinator for On the One, a concert promoter based in Tokyo. He currently travels to Japan and China every few months. Ken has a bachelor’s degree in political science from the University of Oregon, and a Masters of International Management from Portland State University. He was born in California, and has lived throughout California and Oregon. Other places he’s spent time (say, more than a month) include: Tokyo, Japan; Shanghai, China; Bangkok, Thailand; Chiang Mai, Thailand; Krabi, Thailand; Seattle, Washington; Vancouver, British Columbia; Columbia, South Carolina; and Baja, Mexico. He has many friends and very few enemies in all of those places.

David BrinDavid Brin is a scientist, public

speaker, and author. His novels have been New York Times Bestsellers, winning multiple Hugo, Nebula and other awards. His 1989 ecological thriller, Earth, foreshadowed global

warming, cyberwarfare and near-future trends such as the World Wide Web*. A 1998 movie, directed by Kevin Costner, was loosely based on The Postman. His fifteen novels have been translated into more than twenty languages. Brin serves on advisory committees dealing with subjects as diverse as national defense and homeland security, astronomy and space exploration, SETI and nanotechnology. His non-fiction book — The Transparent Society: Will Technology Force Us to Choose Between Freedom and Privacy? — deals with secrecy in the modern world. It won the Freedom of Speech Prize from the American Library Association. As a public "scientist/futurist" David appears frequently on TV... including, most recently, as a cast member in the new History Channel show — The Ar- ciTECHS. Brin's papers in scientific journals cover an eclectic range of topics from astronautics, astronomy, and optics to alternative dispute resolution and the role of neoteny in human evolution. His Ph.D in Physics from the University of California at San Diego (the lab of nobelist Hannes Alfven) followed a masters in optics and an undergraduate degree in astrophysics from Caltech. He was a postdoctoral fellow at the California Space Institute and the Jet Propulsion Laboratory. David's novel - Kiln People - has been called a book of ideas disguised as a fast-moving and fun noir detective story, set in a future when new technology enables people to physically be in more than two places at once. A hardcover graphic novel "The Life Eaters"explored alternate outcomes to WWII, winning nominations and high praise in the nation that most loves and respects the graphic novel. David's science fictional Uplift Universe explores a future when humans genetically engineer higher animals like dolphins to become equal members of our civilization. He also recently tied up the loose ends left behind by the late Isaac

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Nippon2007Asimov. Foundation's Triumph brings to a grand finale Asimov's famed Foundation Universe. As a founding contributor to Amazon.com/shorts, the online publishing venture for short stories and essays, David was a "Top Ten Author." His essays poke at convention and question comfortable assumptions. As a speaker, David Brin shares unique insights -- serious and humorous — about ways that changing technology may affect our future lives. Brin lives in San Diego County with his wife, three children, and a hundred very demanding trees. For more information, drop by http:// www.davidbrin.com/

Rachel BrownRachel Manija Brown writes

manga, TV, books, and a livejournal. Her first book, "All the Fishes Come Home to Roost: an American Misfit in India," has been published in the USA, Canada, the UK, New Zealand, Australia, South Africa, and India. It's the true story of how her post-hippie parents raised her on a bizarre ashram in India. "USA Today" called it “hilarious.” Rachel and artist Ayudya “Bayou” Riadini created the fantasy manga "The Nine-Lives" for Tokyopop. Rachel and artist Stephanie Folse created the manga "Project Blue Rose," about gay secret agents, and "Spindrift," about gay martial artists. Rachel worked for the Jim Henson Company for many years. She and novelist Sherwood Smith are currently creating an animated sf TV series for the company. Her website is www.rachelmanijabrown.com.

Julianne BuescherJulianne Buescher is a whimsi

cally versatile actor, writer, voice artist and Improv performer with a freakish ability to voice-match most celebrities and singers. She is also a Jim Henson puppeteer and original member of Puppet Up! Uncensored (and also designed many of the puppets, including "Piddles" the pug).

Credits include "The Simpsons," Star Wars, "Naruto" (as "Anko"), "Dawn the Fairy" (for NVidia), "Jimmy Kimmel Live," "Robot Chicken," "Angel," "Babel," "Everquest," "Ratchet 'n' Clank," "Mr. & Mrs. Smith," and Pirates of the Caribbean. She also created and starred in the award-winning film Resculpting Venus: A Comedy about Breast Cancer, www.newvenus.com

Kelly Buehler1 am a co-founder of Traife Buffet,

a small press specializing in high-end limited edition books and subcontracting design and production of books, slip cases and presentation boxes for individuals and small presses. I work as a book designer and graphic artist. I am a long-time fan who is always willing to help out at conventions. In my spare time, 1 volunteer for “first readings” and continuity checks for some of my author friends.

Pat CadiganPat Cadigan has spent thirty

years working in the science fiction field. She and Arnie Fenner published

illustrated By Kawasumi

the semi-prozine Shayol, for which they won the World Fantasy Award. She is the author of fifteen books and many pieces of shorter fiction. In 1992,she won the Arthur C. Clarke Award for Synners and then won it again in 1995 for Fools. After spending most of her life in the Kansas City area of the US, she married Chris Fowler and moved to the United Kingdom. She now lives in North London with her husband Chris, her son Rob Fenner, and Miss Kitty Calgary, Queen of the Cats.

James CambiasJames L. Cambias is a writer and

game designer. Originally from New Orleans, he currently lives in western Massachusetts with his wife and family. He is the author of a dozen short stories, which have appeared in F&SF and several anthologies. Two stories, "The Eckener Alternative" and "The Ocean of the Blind" appeared in different Year's Best anthologies in 2005. Mr. Cambias is also a designer of roleplaying games, and has been working in that field since 1990, with a dozen

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http://www.davidbrin.com/

http://www.rachelmanijabrown.com

http://www.newvenus


books and countless articles bearing his name. His most recent title is GURPS Space, Fourth Edition, for Steve Jackson Games. Since 2004 he has been a partner in Zygote Games, a small company dedicated to producing high quality card games based on science and nature.

Grant CarringtonGrant Carrington discovered sci

ence fiction on Galaxy's radio show on CBS "Tales of Tomorrow" in 1951. He attended Caltech and was a computer programmer at NASA's Goddard Space Flight Center from 1962-1968 and at the Savannah River Ecology Lab 1977- 1980. Fie has bachelors and masters degrees in math. He was associate editor at Amazing/Fantastic from 1972-74 and contributing editor at Eternity in the late 70s. He published 20-30 sf stories in the 1970s, including "His Hour Upon the Stage," which was on the final Nebula ballot in 1976, and one novel "Time's Fool" was published by Doubleday in 1981. He has also been involved with amateur theatre since high school and has had 5 plays produced in Baltimore. His non-sf story, "Andromeda Unchained," won the short story award at Sandhills Writers Conference in 1977. A singer/ songwriter since 1966, his CD "Songs Without Wisdom" is available at www.cdbaby.com/cd/carrington. He is 69 years old.

Ted ChiangBorn in 1967. Since his first story

'Tower of Babylon' in 90, he won a lot of awards including three Nebulas, a Hugo, a Ted Sturgeon, and a Seiun.

Flick ChristianUK fanzine fan, via ZZ9 and

Croydon, married to Mike Scott. Having been a planetary scientist and an accountant, now quite happily making and conserving books.

Chris CooperLong time UK conrunning fan

of SF&F who has attended/worked 100+ cons in 9 countries and about 19 US states. Interested in SF/Fantasy in general but drawn to hard, humour, detective, military SF. Heavy interest in juvenile SF, golden age and the magazines. Software Engineer (30 years) currently working on the leading smartphone OS used by Nokia, SonyEricsson, Motorola, DoCoMo, LG... Other interests: Real Ale (and good bcer/brewing in general), Malt Whisky, international food - and drink :-), Fireworks, Science, Space, Travel, meeting people, history of computing, privacy/human rights. Oh, and Eric Frank Russell should be deified.

Paul CornellPaul Cornell is a novelist, televi

sion writer and comics writer. Among his credits are the Doctor Who episodes 'Father's Day' and 'Human Nature', Wisdom for Marvel Comics and the novels British Summertime and Something More. He is the creator of ongoing audio and prose character Bernice Summerfield, and blogs about his adventures in television and his love for anime at Paul Cornell's House of Awkwardness. He's an Anglican and a pagan. Coming soon: an episode of ITV's Primeval, a new dark fantasy novel, many more comics and some stuff too exciting to talk about.

Jon Courtenay GrimwoodJon Courtenay Grimwood was

born in Malta and christened in the upturned bell of a ship. He grew up in the Far East, Britain and Scandinavia. Apart from writing novels he works for magazines and newspapers. For the last five years he wrote a monthly review column for the Guardian. JCG's novel Felaheen, featuring his North African detective Ashraf Bey, won the BSFA Award for Best Novel. End of the World Blues, his latest nov

el (set in Tokyo), also won the BSFA Award and was short-listed for the Arthur C Clarke Award. His work has been published in French, German, Spanish, Polish, Czech, Hungarian, Turkish, Japanese, and American, among others. He is married to the journalist and novelist Sam Baker, currently editor of Red magazine. They divide their time between London and Winchester...

Lillian CsernicaAt age 5, Lillian Csernica discov

ered the Little Golden Books fairy tales. From there she moved on to the works of Ray Bradbury, Harlan Ellison, Tanith Lee, and Terry Pratchett. Her very first short story sale, "Fallen Idol," appeared in After Hours and was later reprinted in DAW'S YEAR'S BEST HORROR STORIES XXL Ms. Csernica has gone on publish stories in DAW'S YEAR'S BEST HORROR STORIES XXII, 100 WICKED LITTLE WITCH STORIES, and HORRORS! 365 SCARY STORIES. Her Christmas ghost story “The Family Spirit” appeared in Weird Tales #322 and “Maeve” recently appeared in #333. Her historical romance SHIP OF DREAMS, an adventurous tale of an English lady and a French pirate, is available from Dorchester Publishing. Ms. Csernica has also written a considerable amount of nonfiction in the field of science fiction, fantasy, and horror. She has been a columnist for Speculations, writing "The Fright Factory" and "The Writer's Spell- book." Her controversial column of literary criticism and short fiction reviews, "The Penny Dreadful Reader," ran in Tangent, earning praise from such leading lights of the field as editor Ellen Datlow. Born in San Diego, California, Ms. Csernica is a genuine California native. She currently resides in the Santa Cruz mountains, tucked away in a little corner not found even on the local maps. With her dwell her sons Michael and John, her husband Chris, and three cats,

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Nippon2007along with various forms of wildlife including but not limited to acorn woodpeckers, raccoons, coyotes, and wild boar.

Cecilia Dart-ThorntonCecilia was discovered, as a baby,

in a wooden lifeboat that washed ashore on the rugged coastline of a remote isle in the southern oceans, between Australia and Antarctica. She spent her early years on Si-Sique Island, raised with the family of the lighthouse-keeper, Albert Ross, who found and adopted her. . . Her origins could not be traced. Who were her parents? Had they been drowned in a boating accident? Where had she come from? Was she of noble blood? Did she have hidden magical powers? Alas, no answers could be found. Cecilia flourished like a rare orchid on that windswept isle, where her favourite hobby was writing stories. Eventually, wishing to gain an honours degree in Sociology at Monash University, Cecilia departed ? not without regret. After obtaining her degree she was ‘discovered’ on the Internet when she posted some of her work to an Online Writing Workshop. An editor contacted her by email, and within a few weeks Time Warner U.S.A, had signed Cecilia in a six-figure deal. They published her first trilogy, THE BITTERBYNDE, in hardcover - the first time they have ever done so with a new author. Cecilia now lives with her husband on mainland Australia, where she writes full-time, supports animal rights and is fascinated by digital media. Her second series, THE CROWTHISTLE CHRONICLES, is being published world-wide. Meanwhile her first series has been translated into several languages and is distributed throughout more than seventy countries. Cecilia’s life alternates between seen and unseen worlds of vivid strangeness, beauty, peril and passion. Like most authors she writes her own ‘short biographies’, and some people might say that for

her the boundaries between virtuality and reality are blurred. That is for the reader to decide. Suffice to say, not all implausible fairytales are devoid of a grain of truth...

Ellen DatlowEllen Datlow was editor of SCI

FICTION, the multi award- winning fiction area of SCIFI.COM for six years, editor of Event Horizon: Science Fiction, and Fantasy for one and a half years, and fiction editor of OMNI and OMNI online for over seventeen years. During her career she has worked with an array of writers including Susanna Clarke, Neil Gaiman, Bruce Sterling, Peter Straub, Jonathan Carroll, George R. R. Martin, William Gibson, Jeffrey Ford, Kelly Link, Joyce Carol Oates, and Cory Doctorow. Her most recent anthologies are The Dark, Salon Fantas- tique, and The Coyote Road: Trickster Tales, (the latter two with Terri Windling) Her horror anthology Inferno will be out in December. She’s been co-editing The Year's Best Fantasy and Horror for over twenty years. Datlow has won multiple World Fantasy Awards, Bram Stoker Awards, Hugo Awards, Locus Awards, and the International Horror Guild Award, for her editing. She lives in New York City. For more information and lots of photos see: www.datlow.com.

James Stanley DaughertyJames Stanley Daugherty, M Phil,

MFA: camera artist, con-runner, and dilettante. Internationally known for his fantasy, feminist, fine art, figurative, photography, this award winning artist continually pushes the boundaries of reality with his camera. James has also worked as an archaeologist, postman, technical writer, lab technician, librarian, photo journalist, cat breeder, and international investor. He is fascinated by the boundaries between fantasy and reality. If photography is concerned with the real, and art focuses on the visionary, then art

photography deals with where the real and the not-quite-real converge. Between conventions and gallery openings, he balances his time between San Francisco, Maui, and Las Vegas, three places where imagination and history have become so intermingled, that no one can no longer tell where fantasy begins and reality ends. He feels right at home. He also enjoys excursions into ruined abbeys, ancient temples, and Tiki bars. He lists his current occupation as coconut plantation owner, his current photo project as chronicling nude fire dancers in the jungles of Maui, and his current fannish crusade as luring convention fans to a Wcstercon in the sinful city of Las Vegas. He is currently Secretary of the Peninsula Museum of Art, President of Conventional Wisdom, and President of the Ultimate Eye Foundation.

Grania DavisGrania Davis is co-editor with

Gene van Troyer of Speculative Japan, Outstanding Tales of Japanese SF&F to be published by Kurodo- han Press. She has lived in Japan and worked with Honyaku Benkyokai. Grania is interested in Japanese SF in translation.

John DavisJohn A. Davis Professional Bio

(June 2007) John’s film credits include writing, directing, producing, and animating. In 1987 he and partner, Keith Alcorn, founded DNA Productions, Inc., a full service animation company based in Dallas, Texas, that currently produces 3D animation for feature films and television. DNA has created animation for such projects as the Jimmy Neutron: Boy Genius feature film for Paramount, The Ant Bully feature for Warner Brothers, as well as the Adventures of Jimmy Neutron television series on Nickelodeon. In 1997 Davis wrote and directed the first all-3D animated special for primetime — Santa Vs.

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The Snowman. It aired as an ABC Christmas special, and it won a Gold Award from the World Fest-Houston International Film Festival, as well as a Lone Star Award. The film currently runs in IMAX 3D theaters during the Christmas season. In 1999, Davis served as animation director for Fox’s Christmas special Olive the Other Reindeer for Simpson’s creator Matt Groening. The project was produced at DNA Productions and earned Davis an Emmy nomination in 2000. John A. Davis graduated from Southern Methodist University in 1984 with a BFA in film production, receiving the first ever Nash Clay Parsley award for outstanding graduating senior in film. He currently resides in Dallas, Texas.

Stephen DavisStephen Davis was born in Cali

fornia in 1938 and received his Ph.D. in biophysics in 1965 from the University of California in Berkeley and his MD from the University of California at San Francisco in 1969. Stephen has practiced medicine since 1969 including two years as a physician for the US Army at Camp Zama in Japan.

Susan de GuardiolaSusan de Guardiola is best-known

for her role as a masquerade emcee at various eastern U.S. conventions and worldcons. Along with making costumes, collecting bad vampire novels, and knitting chainmail, Susan can be found in musty library stacks researching historic social dance, which she teaches at workshops and dance events across the United States. In her spare time, she herds pathologists.

Cory DoctorowCory Doctorow (craphound.com)

is a science fiction novelist, blogger and technology activist. He is the co-editor of the popular weblog Being Boing (boingboing.net), and a contributor to Wired, Popular Science, Make, the New York Times, and many other newspapers, maga

zines and websites. He was formerly Director of European Affairs for the Electronic Frontier Foundation (eff. org), a non-profit civil liberties group that defends freedom in technology law, policy, standards and treaties. Presently, he serves as the Fulbright Chair at the Annenberg Center for Public Diplomacy at the University of Southern California. His novels are published by Tor Books and simultaneously released on the Internet under Creative Commons licenses that encourage their re-use and sharing, a move that increases his sales by enlisting his readers to help promote his work. He has won the Locus and Sunburst Awards, and been nominated for the Hugo, Nebula and British Science Fiction Awards. His latest novel is Someone Comes to Town, Someone Leaves Town and his latest short story collection is Overclocked: Stories of the Future Present.

Tom DohertyTom Doherty has been in pub

lishing for 50 years. He started as a salesman for Pocket Books and rose to be Division Sales Manager. From there, he went to Simon and Schuster as National Sales Manager, then became publisher of Tempo Books. He was Publisher and General Manager of the Ace and Tempo divisions of Grossett & Dunlap before founding his own company, Tom Doherty Associates, LLC (publishers of Tor/ Forge Books) in 1980. In 1982, with Jim Baen and Richard Gallen, he cofounded Baen Books. Many authors of the Tor and Forge lines have won honors as diverse as the Nebula, Hugo, Locus, Edgar, Spur, Tiptree, Stoker, and Western FIcritage awards. In 1993 Tom Doherty was the recipient of the Skylark, awarded by the New England Science Fiction Association for outstanding contributions to the field of science fiction. Tom received a “Lifetime Achievement Award” at the 2005 World Fantasy Convention. In 2007, he was awarded the Lariat from

The Western Writers of America, and The Silver Bullet from The Thriller Writers of America, for lifetime contribution in their respective fields. For the last 20 consecutive years, the Locus poll has voted Tor “Best Publisher.”

Candas Jane DorseyCandas Jane Dorsey is an inter

nationally-known writer and editor whose novel Black Wine (Tor, 1997) won the Tiptree, Crawford and Aurora Awards. Her book of short fiction, Vanilla, published by NeWest Press (Edmonton, Canada) in 2000, won the WGA Short Fiction Award in May 2001, and her second novel, A Paradigm of Earth, published in hardcover October 2001 by Tor Books (New York) and issued in trade paperback November 2002, was shortlisted in 2002 for the Spectrum Best Novel Award and the Sunburst Award for best Canadian fantastic fiction. Her other books include Machine Sex and Other Stories (Tesseract, 1988) (short fiction), Leaving Marks (River, 1992) (poetry) and Dark Earth Dreams (Tesseract/Phoenix 1994) (short fiction and audio CD).

Martin EasterbrookCo chair 1995 Worldcon, Co

Chair of the UK National Convention, editor of the UK news Fanzine 'Small Mammal'. Co founder of the SF societies at Royal Holloway College and at the University of London.

Scott EdelmanScott Edelman is currently the

editor of both Science Fiction Weekly (www.scifi.com/sfw/), the internet magazine of news, reviews and interviews, with more than 635,000 registered readers (since September 2000), and SCI FI, the official print magazine of the Sci-Fi Channel (since September 2001). He is probably most well known as the founding editor of Science Fiction Age, which he ed-

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boingboing.net

http://www.scifi.com/sfw/

Nippon2007ited during its entire eight-year run from 1992 through 2000. He also edited Sci-Fi Entertainment, the official magazine of the SCI-FI Channel under a previous incarnation, for almost four years, and two other sf media magazines, Sci-Fi Universe and Sci- Fi Flix. He was the founding editor of Rampage, a magazine covering the field of professional wrestling, which was called the "best" such magazine by the Washington Post. He was also briefly the editor of Satellite Orbit, the country's largest satellite-TV entertainment guide. From 1983 through 1986, he published and edited five issues of Last Wave. He has been a fourtime Hugo Award finalist for Best Editor. His first novel, The Gift (1990, Space and Time), was a finalist for a Lambda Award. His short fiction has appeared in the chapbook Suicide Art (Necronomicon, 1993)?its quasi-title story "The Suicide Artist" appeared in Best New Horror 4 (Jones and Campbell, eds.)?and in Tales of the Wandering Jew (Stableford, ed.), MetaHorror (Etchison, ed.), and Quick Chills II, as well as Twilight Zone, Science Fiction Review, Pulphouse, Nexus, Fantasy Book, Infinity Cubed, Ice River, New Pathways, Pulpsmith, The Journal of Pulse-Pounding Narratives, Weirdbook, and others. A Plague on Both Your Houses, his five-act play that crosses Night of the Living Dead with Romeo and Juliet, was reprinted in Best New Horror 8, and was a Stoker Award finalist in the category of Short Story. His short story "The Last Supper," published in the zombie-themed anthology The Book of Final Flesh, was also a Stoker Award finalist in the category of Short Story. His most recent anthology publications are in the DAW anthology Men Writing SF as Women (edited by Mike Resnick), plus the Tor anthology Crossroads: Southern Tales of the Fantastic (edited by Andy Duncan and F. Brett Cox), and others. His most recent magazine appearance was in the latest issue of Nemonymous. His next

appearance will be in November in the DAW anthology Forbidden Planets, edited by Peter Crowther. These Words Are Haunted, a collection of his short horror fiction, was published in 2001 by Wildside Press. His poetry has appeared in Asimov's, Amazing, Dreams and Nightmares, and elsewhere. His writing for television includes Saturday morning cartoon work for Hanna-Barbera and treatments for the syndicated TV show Tales From The Darkside. He attended Clarion in 1979, and then returned as an instructor in 1999 and 2003. Scott lives in Glengary, West Virginia, with his wife, romance editor Irene Varta- noff.

Laurie Toby EdisonLaurie Toby Edison has been a

jeweler since 1969 and a photographer since 1989. She has been exhibiting her work at conventions for over 25 years; retrospectives of her jewelry and sculpture have been featured at LACon, Noreascon and ConJose. In 1994 she published Women En Large: Images of Fat Nudes, a black & white fine art photography book (edited and text by Debbie Notkin). Edison’s photographs have been exhibited in New York City, Tokyo, Kyoto, Toronto, Boston, London, and San Francisco. Familiar Men: A Book of Nudes was published in 2004. Her recently completed work on Women of Japan, clothed portraits of women from many cultures and backgrounds, is an exhibition at Nippon 2007. 100 of her photographs were shown in her exhibition “Meditations on the Body: Recent Work” at the National Museum of Art in Osaka in August 2001.

Bob EggletonBob Eggleton is a successful sci

ence fiction, fantasy, horror, and landscape artist, encompassing twenty years of putting brush to canvas or board. Winner of 9 Hugo Awards, 12 Chesley Awards, as well as various magazine awards, his art can be seen

on the covers of magazines, books, posters and prints, and of late, trading cards, stationery, drink coasters, journals, and jigsaw puzzles. He also works as a conceptual illustrator for movies and thrill rides. The most recent movie work includes concept and character design for the animated feature ‘The Antbully’ for DNA Produc- tions/Playtone Co./Warncr Bros. Previous to that, Bob did conceptual art for the Academy Award nominated animated film ‘Jimmy Neutron: Boy Genius’. Between demanding deadlines for book covers and movies, Bob has managed to squeeze in time to illustrate two books of experimental artwork about dragons. ‘Dragonhenge’ (2002) and ‘The Stardragons’ (2005), allowed Bob to stretch his talents in a range of mediums and also to indulge in exercising his beloved pencil work. Both are narrated dragon-myth original stories conceived and written by the award winning author, John Grant. Other books of Bob’s artwork include: ‘Alien Horizons: The Fantastic Art of Bob Eggleton’, ‘Greetings From Earth: The Art of Bob Eggleton’, and ‘The Book of Sea Monsters’. Currently, ‘Primal Darkness: The Gothic and Horror Artwork of Bob Eggleton’ is available from Cartouche Press. And in amongst all of this, Bob still manages to sneak away sometimes and watch his beloved Japanese monster films, buy toys, fit in travel to strange and wondrous places, and do the odd bit of landscape painting. Bob has been elected as a Fellow of The International Association of Astronomical Artists (FIAAA), and is a Fellow of The New England Science Fiction Association (NESFA). His work has appeared on professional publications and books in the world of SF, Fantasy & Horror across the world. *** Other Interesting and Trivial Facts About Bob Eggleton: - He is married to Australian Artist, Marianne Plumridge and they live in a condo in Rhode Island largely populated by a legion of

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Godzilla toys; movies; books...many books; music cds; art materials; and the resultant paintings. - "Life is a Rock But the Radio Rolled Me": An asteroid, or minor planet, has been named after Bob Eggleton: ‘13562 Bobeggleton’, which was discovered in 1992 by Spacewatch at Kitt Peak.

Michele EllingtonI've been interested in science

fiction and fantasy since I was small. As I got older, I started drawing and writing my own SF/F. Eventually I discovered that there are conventions where people like me gather to share interests, and I have been to at least a hundred conventions since then. I started working on my art seriously, and showing it at conventions all over the world. I am a founding member of a medieval recreation club called AM- TGARD, which has spread though many countries over the past 25 years. Our gaming group has been meeting to play board and role-playing games for almost 30 years. My film and anime collection are the 237th wonder of the world. I am active in Great Dane Rescue, and currently share my home with Simba, a fawn Great Dane, and Jasmine, a Siamese cat. In my dayjob as a city planner I get to spend $2 million each year clothing poor children, housing the homeless and providing home-delivered meals to frail elderly. The paycheck finances my real life as an artist, gamer and SF/F fan. Life is good.

Jennie FariesJennie is a graphic designer for

Baen Books, creating book jackets, CDs, catalogs, and other items to promote Bacn's titles. She also worked, and still consults, in marketing and design for companies in the technology testing field. She is also a master costumer who has been competing for over 15 years. Her more recent awards

include Best in Master class workmanship at the Millenium Philcon and the first place special Discworld prize at Norescon 4. She holds a masters degree in theatrical design and worked for several years as a freelance lighting and costume designer. She is also a member of TechnoFandom and has crewed and designed for Arisia, Baiticon, and Magicon.

Paul FischerPaul Fischer lives on the bleeding

edge of technology and likes it. He introduced the first Podcast and New Media track at a SF&F convention as well as the first podcast dedicated to a single SF&F convention: Baiticon. As the voice of the Baiticon Podcast he has interviewed luminaries and up and coming stars of the SF&F world. When he isn't behind a computer or a microphone, Mr. Fischer is an avid bird watcher and wildlife photographer.

Esther FriesnerEsther Friesner is the author of

over thirty novels and over 150 short stories, in addition to published poetry, nonfiction articles, a professionally produced comedy, and an advice column, "Ask Auntie Esther." She is also the editor of seven anthologies including the popular CHICKS IN CHAINMAIL series. Her stories, "Death and the Librarian" and "A Birthday" won the Nebula Award in successive years. In addition, she has been a Nebula finalist three times and a Hugo finalist once. Educated at Vassar College, she went on to receive her M.A. and Ph.D. in Spanish form Yale University, where she taught before becoming a full-time writer. She lives in Connecticut, is married, and is the mother of two. This is her second visit to Japan.

Tom GallowayTom Galloway works for Google

in Silicon Valley. His adventures in

clude winning on a game show, Neil Gaiman telling an audience "You should all get together and burn [Tom] as a witch", Harlan Ellison trying to get him dates via public radio, raising $10,000 for the Comic Book Legal Defense Fund due to the result of a program item, being a Starfleet Admiral in a Trek comic book, organizing an MIT hack on the Harvard-Yale football game, creating the Google Gulp flavor Glutamate Grape, and being a practice dummy for teaching Nobel Prize winners the Macarena.

Helen GbalaHelen Gbala is a current member

of the Board of Directors of the Golden Duck Awards. The Golden Duck Awards for Excellence in Children's Science Fiction consist of three cash awards given annually in the catego-


ries of Picture Book, Middle Grades (Eleanor Cameron Award), and Young Adult (Hal Clement Award).

Gavin GrantGavin J. Grant runs Small Beer

Press and with Kelly Link co?edits the zine Lady Churchill’s Rosebud Wristlet and fantasy half of St. Martin’s Press’s The Year’s Best Fantasy & Horror. He co?hosts the KGB Fantastic Fiction Reading Series with Ellen Datlow. He has written for the LA

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Times, Clamor, Herbivore, Strange Horizons, Lone Star Stories, and SCI- FICTION. He lives in Northampton, MA.

Eileen GunnEileen Gunn is a Nebula-award-

winning short-story writer and the editor/publisher of the Infinite Matrix website. Her collection Stable Strategies and Others (2006) was shortlisted for the Philip K. Dick, James Tiptree, Jr. and World Fantasy awards. It was published in Japan in 2006, as DhT

bySince 1988, she has served on

the board of directors of the internationally known Clarion West Writers Workshop. She is at work on a biography of the short-story master Avram Davidson.

Joe HaldemanBiographical Outline Joe Halde

man Mrs. Haldeman and Old Knobbly-Knees during Bike Florida Born in Oklahoma 9 June 1943. Grew up in Puerto Rico, New Orleans, Washington, D. C., and Alaska. Currently lives in Gainesville, Florida and Cambridge, Massachusetts with his wife Gay Haldeman. As of August 2000, they will have been married thirty-five years. Education B. S. in astronomy, University of Maryland, 1967. Graduate work there in math/ computer science, 1969-70; no degree (dropped out to write). Went to the Iowa Writers Workshop for an M.F.A. in Creative Writing, 1975. Teaching Currently Adjunct Professor, Massachusetts Institute of Technology (teach writing every fall semester). Visiting Professor, MIT, Writing Department, 1983-84. One semester of Rhetoric ("Bonehead English") at the University of Iowa, as well as an advanced course and writing workshop in modern science fiction. Have also taught writing workshops at Michigan State (Clarion), Clarion West Seattle, SUNY Buffalo, Princeton, University of North Dakota, Kent State,

and the University of North Florida. At UNF I taught a workshop in writing the novel. At MIT I am teaching a science fiction writing workshop and (in alternate years) Reading and Writing Longer Fiction and Reading and Writing Genre Fiction. (In college, tutored astronomy, mathematics, and English; coached the fencing team, and taught classical guitar at a music store.) Military Drafted 1967, fought in the Central Highlands of Viet Nam as a combat engineer with the 4th Division (l/22nd Airmobile Bn.). Purple Heart and other standard medals. Jobs All part-time, mostly teaching. Have also worked as statistician's assistant (HEW), librarian, computer programmer, musician, laborer, occasional platform speaker and consultant. (In the spirit of Eric Sevareid's definition: a consultant is any ordinary guy fifty miles away from home.) For one disastrous month I was Senior Editor of Astronomy magazine (best issue they ever put out). Have considered myself a full-time writer since 1970, except for that short editorial excursion. I try to write a little every day even while teaching at MIT. Books WAR YEAR (short novel) Holt, 1972 COSMIC LAUGHTER (anthology) Holt, 1974 THE FOREVER WAR (novel) St. Martin's Press, 1975 MINDBRIDGE (novel) St. Martin's Press, 1976 PLANET OF JUDGMENT (Star Trek novel) Bantam, 1977 ALL MY SINS REMEMBERED (novel) St. Martin's Press, 1977 STUDY WAR NO MORE (anthology) St. Martin's Press, 1977 INFINITE DREAMS (short story collection) St. Martin's Press, 1978 WORLD WITHOUT END (Star Trek novel) Bantam, 1979 WORLDS (novel) Viking, 1981 WORLDS APART (novel) Viking, 1983 NEBULA AWARDS 17 (anthology) Holt, 1983 DEALING IN FUTURES (short story collection) Viking, 1985 TOOL OF THE TRADE (novel) Morrow, 1987 BUYING TIME (novel) Morrow, 1989 THE HEMINGWAY HOAX (short novel) Morrow, 1990 WORLDS

ENOUGH AND TIME (novel) Morrow, 1992 VIETNAM AND OTHER ALIEN WORLDS (essays, fiction, poetry) NESFA Press, 1993 1968 (novel) Hodder & Stoughton, U.K., 1994, William Morrow, Inc., June 1995 SAUL’S DEATH (poetry chapbook) Anamnesis Press, May 1997 FOREVER PEACE (novel) Berkley, October 1997 FOREVER FREE (novel) Ace, 1998 THE COMING (novel) Ace, 2000 GUARDIAN (novel) Ace, 2002 CAMOUFLAGE (novel) Ace 2004 OLD TWENTIETH (novel) Ace 2005 WAR STORIES (collection, two novels and short stories) Night Shade, 2005 A SEPARATE WAR and other stories (short story collection) Ace, 2006 My next novel, THE ACCIDENTAL TIME MACHINE, will come out from Ace in 2007. In addition, I wrote two adventure novels for Pocket Books, under the "house name" Robert Graham. Many of these books are still in print. Every volume has appeared or will appear as a paperback (Pocket, Ballantine, Bantam, Avon, Ace). Various of the titles have been published in as many as 19 foreign languages. The novel MINDBRIDGE reputedly sold to paperback for a record advance (since surpassed) for a science fiction novel. I collaborated on an adventure novel, THERE IS NO DARKNESS, with my brother, Jack C. Haldeman II. WORLDS, WORLDS APART, and WORLDS ENOUGH AND TIME comprise what I consider to be my best work, a trilogy that I worked on from 1975 to 1992. Ace published the novel FOREVER FREE in December '99, and will bring out THE COMING this December. A few dozen of my short stories, novelettes, and novellas have appeared in various science fiction magazines, along with a few appearances in "mainstream" magazines like Playboy. My songs and poetry come out mostly in tiny little magazines, with one poem in Harper's and two in Omni. Articles and editorials have appeared in various magazines and

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the 46th Japan Science Fiction Convention & the 65th Science Fiction Convention

newspapers (an article on the space shuttle won the Analog Readers' Poll for "best nonfiction" of the year). I'll write just about anything but criticism. (Actually, I have written criticism, but always limiting myself to writers I can praise without reservation.) Theatrical Adaptations Movie options have been taken on various titles, and the movie rights to THE FOREVER WAR were bought in '97, but it's dormant right now. I adapted THE FOREVER WAR for live stage; it opened in Chicago, October '83, done by the Organic Theater Company (and didn't lose money, which is unusual for a first shot). I've written a few short movie and TV things for Disney, but none has been produced. A short story, "I of Newton," appeared on the Twilight Zone show in 1985. I wrote the screenplay for a science fiction adventure film that was released on about 800 screens on 21 November 1990. Over my strong objections, they titled it ROBOT JOX (I wanted to call it THE MECHANICS, but they didn't think that was sci-fi enough.) Awards THE FOREVER WAR won the Hugo, Nebula, and Ditmar Awards as Best Science Fiction Novel of 1975. "Tricentennial" won the Hugo Award for Best SF Short Story of 1976. In 1978, MINDBRIDGE won the Galaxy Award for "Science Fiction and Spirituality." "Saul's Death" won the Rhysling Award for best science fiction poem of the year, 1983. "The Hemingway Hoax" novella won the Hugo and Nebula Awards for Best Novella of 1990. THE HEMINGWAY HOAX novel won the Italian "Future Remoto'Award as Best Novel of 1991. "Eighteen Years Old, October 11th" won the Rhysling Award for 1990. "Graves" won the World Fantasy Award and the Nebula Award for Best Short Story of 1993. "None So Blind" won the short story Hugo in 1995. FOREVER PEACE won the Hugo, Nebula, and John W. Campbell Awards in 1998, the first such "triple crown" in 22 years. "January

Fires" won the Rhysling Award in 2002. CAMOUFLAGE won the 2006 Nebula Award and the James Tiptree Award (for science fiction or fantasy about gender issues). Organizations Member of Author's Guild, Writer's Guild, Science Fiction Writers of America, National Space Society (on Board of Advisors), Space Studies Institute. Served as SFWA Treasurer for 2-1/2 years; Chairman of their Grievance Committee for 18 months; President of Science Fiction and Fantasy Writers of America, 1992-1994. Travel Most of the United States, Canada, Mexico, the Caribbean, Central and South America, the Arctic, Europe, Asia, Africa, Australia, New Zealand, and various Pacific Islands. Guest of honor at science fiction conventions in Melbourne, Australia; Ghent, Belgium; Glasgow and Edinborough, Scotland; Wellington, New Zealand; Timisoara, Romania; Albo- raia, Spain; Freiburg, Germany, and Lisbon, Portugal. In 1982 visited the USSR as a guest of the Soviet Writers Union. In 1986 did a lecture tour of Yugoslavia for the US Information Agency. In 1990 was Guest of Honor at the annual World Science Fiction Convention in The Hague, Netherlands. Pastimes Travel, obviously. Omnivorous and indiscriminate reading. Cooking for daily relaxation. Casino gambling (won a poker tournament in Nassau, 1989). Amateur astronomy, drawing and painting, guitar playing; a lot of bicycling and a little fishing, canoeing, swimming, and snorkeling. Email to Joe can be sent to haldeman"at"mit.edu

Gay HaldemanGay Haldeman (Mary Gay Potter

Haldeman) has a Master's degree in Spanish Literature from the University of Maryland and another in Linguistics, from the University of Iowa. She teaches in the Writing Center at Massachusetts Institute of Technology (MIT) every fall, specializing in English as a second language. The

rest of the year she resides in Florida, where she manages writer Joe Haldeman's career, dealing with editors, answering correspondence (in Spanish and French as well as English; isn't e-mail wonderful?), serving as travel agent, answering the phone, typing and filing, arranging publicity, selling Joe's out-of-print books, etc. She's been going to SF conventions since 1963 (so has Joe) and loves to meet new people. After 41 years of marriage, she still thinks Joe's the best thing that ever happened to her.

Karen HaberHugo-nominated editor Karen

Haber is the author of nine novels including Star Trek Voyager: Bless the Beasts, and co-author of Science of the X-Men. Other recent publications include Exploring the Matrix: Visions of the Cyber Present, a collection of essays by leading science fiction writers and artists, and Transitions with Todd Lockwood, a retrospective of the artist's work. In 2001 she edited the Hugo-nominated essay collection celebrating J.R.R. Tolkien, Meditations on Middle Earth. Her short fiction has appeared in Asimov's Science Fiction magazine, the Magazine of Fantasy and Science Fiction, and many anthologies. She is the art book reviewer for LOCUS magazine and profiles artists for various publications including Realms of Fantasy. With her husband, Robert Silverbcrg, she co-editcd Best Science Fiction of 2001, 2002, and the Best Fantasy of 2001 and 2002 for ibooks and later, co-edited the continuation with Jonathan Strahan. Recent Publications include: Crossing Infinity a science fiction novel of gender identity and confusions (ibooks, November 2005) Kong Unbound an original anthology (ibooks, November 2005) The Unauthorized X-Men edited by Len Wein essay: "A Plea for Mystery" (BenBella Books, April 2006) website email: [email protected]

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Nippon2007Anne Harris

Anne Harris' first novel, The Nature of Smoke, is in translation in Japan, where it is on the short list for the Sense of Gender Award, to be announced at the Hugo Ceremonies. It also received a starred review in Publishers Weekly and a listing in Locus Magazine's recommended reading list. Her short story, "Still Life with Boobs," was a 2005 Nebula Award finalist. It was published in Talebones Magazine and reprinted in Year's Best Fantasy 6. Harris' second novel, Accidental Creatures, won the Spectrum Award for science fiction with glbt characters, themes and issues in the first year the award was given. Her latest book, Inventing Memory, is a Book Sense 76 pick. Harris is a mentor in the Seton Hill University Master of Arts program in Writing Popular Fiction. She holds a bachelor of science degree from Oakland University. She has worked as a cook in a vegetarian restaurant, an operations research analyst for the Department of Defense, a small-town reporter and a doggy daycare worker. She lives in Michigan with her husband. She is online at anneharris.typepad.com.

Peter HeckPeter J. Heck has been a full-time

writer and editor since 1983. He has collaborated with Robert Asprin on 4 novels in the comic SF series, "Phule's Company," most recently Phule’s Errand (2006). In between fiction deadlines, Heck works as a free-lance editor for several New York publishers. He is also a regular book reviewer for Asimov's Science Fiction and Kirkus Reviews Heck and his wife Jane Jewell live in Maryland, where he has recently become a staff writer for his local newspaper. He also plays guitar and banjo in Col. Leonard’s Irregulars, a popular local band.

John HERTZHugo nominee for Best Fanwrit

er. Infected fandom with English Regency ballroom dancing. At cons, moderator of panels, leader of Art Show tours, judge or M.C. of Masquerades; host of Fanzine Lounge at 2004 Worldcon. Big Heart Award, 2003. Fan Guest of Honor, Con-Version (Calgary, ’06), Westercon (Phoenix, ’04), Lunacon (New York, ’01), Incon (Spokane, ’00). Anthologies, Dancing and Joking (’05), West of the Moon (’02). Fanzine, Vanamonde. Favorite non-SF writers, Chuang Tzu, Maimonides, Nabokov, Sayers. Drink, Talisker.

Inge HeyerInge Heyer was born and raised

in Berlin, Germany. She completed her secondary education there, after which she accepted a scholarship to attend Tenri University in Tenri, Japan. Following a life-long dream she studied martial arts and the Japanese language, as well as travelled extensively in this fascinating country. After this two-year academic "detour" she decided to follow her interest in astronomy (fuelled by watching way too much Star Trek in high school), and came to the US to pursue an undergraduate degree at Smith College in Massachusetts. With an BA in physics and astronomy Inge then attended the University of Hawaii at Manoa, where she obtained a master's degree in astronomy, and pursued many years of research, which often took her to the observatories atop beautiful Mauna Kea. From 1992 to 2005 Inge was a senior data analyst at the Space Telescope Science Institute in Baltimore, working on images obtained by the Hubble Space Telescope's Wide-Field and Planetary Camera 2 (WFPC2) as well as the Advanced Camera for Surveys (ACS). Space Telescope has a very active educational and public outreach program, in which Inge participated as a volunteer. Still watching way too much Star Trek and also Babylon 5, Inge has been very in

volved in Baltimore-Washington Science Fiction activities. She gives presentations about astronomy and space science at conventions throughout the nation and Europe. She has also done this for schools of all levels, libraries, and community groups. In March of 2006 Inge moved back to Hawaii to lead the outreach efforts for the Joint Astronomy Centre in Hilo. She is looking forward to visiting all the Big Island schools and community groups to talk about the exciting astronomy work on Mauna Kea. She misses the East Coast fans and conventions, but it appears that there are many fans right here on the Big Island as well. Something fannish has already started at Imiloa... And in case you were wondering how the Hubble images got into episodes of Babylon-5 and Star Trek, you're looking at the trouble-maker who instigated this...

Robin HobbRobin Hobb is the author of The

Farseer Trilogy, The Liveship Traders Trilogy, The Tawny Man Trilogy and most recently The Soldier Son Trilogy. In Japan, she is published by Tokyo Sogensha Company. She has previously published work as Megan Lindholm, including Wizard of the Pigeons and The Windsinger Quartet. She currently resides in Tacoma Washington. This will be her first visit to Japan.

Tore HoieFive books published. Now work

ing on new book Nordic Management. One book got a national prize in 2006. Participating in political project to "create the best school system in the world." Guest lectures on technology in nursing. Experience from consulting in more than 50 organisations. PhD computer science, HND management, BSc(hons)civil engineering. One novel about the Russian Mafia abandoned(too dangerous!).

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Elizabeth HullCurrently retired, Elizabeth

Anne Hull taught SF at Harper College in Palatine Illinois for over 30 years and served as president of the Science Fiction Research Association and editor of the SFRA Newsletter/ Review. She's written some sf short fiction and many articles for literary magazines and reference works, as well as for SF Chronicle and Locus. She's been a member of the panel for the John W. Campbell Memorial Award for best SF novel for over 20 years. She has lectured on SF around the world, and led numerous writing workshops. She's received numerous recognitions and awards for service to her profession. With her husband, Frederik Pohl, she co-edited the international anthology, TALES FROM THE PLANET EARTH. She ran as the Democratic Party nominee for the U.S. House of Representatives for the 8th Congressional District of Illinois in 1996. She has served as president of the Palatine Area League of Women Voters and done extensive volunteer work on behalf of hospitals in Illinois. Further information in WHO'S WHO IN AMERICA and WHO’S WHO IN THE WORLD.Keith Kato

Keith G. Kato has attended Worldcons since 1972, and is best known for 33 years of the "Keith Kato Chili Party." In the mundane world, he holds a Ph.D. in plasma physics (SF author Gregory Benford was his dissertation advisor), and performs research and development on high power microwaves at Raytheon Company. He is also a martial arts student of 42 years in Kodokan Judo and Sho- tokan Karatc-do, and was Head Instructor of the Orange County Karate Club in California.

Yoshio KobayashiI've been a neophile and promot

ing new writers in our genre for past 26 years. I've promoted cyberpunk from 1982 to 1994, new generation of

Slipstream from 2001 to this day, and our own new generation of SF writers for a couple of years now. The most recent translated works are lllumina- tus! trilogy and THE DOGWALKER by Arthuc Bradford. I've edited THE BEST SF OF THE EIGHTIES and Shueisha's WORLD SF line. I teach translation skills at two schools in Japan. A wife, a child, a dog and three cats, I live with.

Ellen KushnerA graduate of Barnard College's

Program in the Arts, Ellen Kushner also studied anthropology, ethnomusicology, and folklore at Bryn Mawr College. She first worked in New York City as a fiction editor, copywriter, and artists' representative before moving to Boston to join WGBH Radio as the host of some memorably eclectic local programs. She was invited to create and host Sound & Spirit, which first went on national air in April 1996, and is now heard on over 100 stations nationwide.

Kushner's family holiday story, The Golden Dreydl: A Klezmer 'Nutcracker' for Chanukah, which she performs live every year with Shirim Klezmer Orchestra, is now commercially available on CD from Rykodisc. For Rykodisc she and her staff also created the Sound & Spirit collection Welcoming Children into the World. Her adult performance piece, Esther: the Feast of Masks (2004 Gracie Allen Award), tours the U.S.

Her first novel, Swordspoint, a Melodrama of Manners, was reissued by Bantam Books in 2003 in connection with the publication of its sequel, The Fall of the Kings, co-written with Delia Sherman. Kushner's second novel, Thomas the Rhymer, won the Mythopoeic and the World Fantasy Awards, and was rcreleased by Bantam in 2004. Her short fiction and poetry have appeared in many anthologies, including The Year's Best Fantasy and Horror, and her work has been translated into seven languages.

Her new novel, THE PRIVILEGE OF THE SWORD, will be out from Bantam in August 2006, with a limited edition hardcover from Small Beer Press,

She lives in NYC with Delia Sherman and too many books. She dreams of being invited to play HAMLET someday.http://www.EllenKushner.com http://ellen-kushner.livejournal. com/

Geoffrey LandisGeoffrey A. Landis is a scientist

and a science fiction writer. As a scientist, he is researcher working at the NASA John Glenn Research Center. He works on projects related to advanced power and propulsion systems for space and planetary exploration. He is currently a member of the science team for the Mars Exploration rovers mission, and was a member of the Sojourner rover team on the Mars Pathfinder mission in 1997. For 2005 and 2006, he was the Ronald E. McNair Visiting Professor of Astronautics at MIT. He holds four patents, and is the author of 400 scientific papers. As a writer, Geoffrey Landis won the Hugo award for best short story in 1992 for the story "A Walk in the Sun," and again in 2003 for the story "Falling onto Mars." He won the Nebula award in 1990 for "Ripples in the Dirac Sea". His novel MARS CROSSING from Tor books won the Locus award for best first novel in 2001. It appeared in Japanese in 2006. His many science fiction stories has been translated into nineteen languages, ranging from Chinese through Turkish. His short story collection IMPACT PARAMETER (AND OTHER QUANTUM REALITIES) was published by Golden Gryphon Books. It was named as a notable book of 2001 by Publisher's Weekly. It will appear in Japanese next year. He lives in Berea, Ohio with his wife, writer Mary A. Turzillo, and his cats Lurker and Sam.

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Nippon2007

Jessica LangerJessica Langer is a PhD candi

date at Royal Holloway, University of London. Her research interests include postcolonial representations/ implications in science fiction and fantasy literature, film, and other forms of media such as video games. She is also interested in postcolonial- ity in Japanese literature and cinema, and will be spending this summer as a JSPS Summer Program research fellow, doing archival research in Tokyo on Japanese SF.

David LevineMy short story "Tk'Tk'Tk" won

the 2006 Hugo Award for Best Short Story. My story "The Tale of the Golden Eagle" was a previous Hugo nominee; it also appeared on the Nebula preliminary ballot and was a finalist for the Sturgeon Award and Locus Award. I'm a John W. Campbell Award nominee (2004 and 2003), Writers of the Future Contest winner (2002), James White Award winner (2001), and Clarion West graduate (2000). I've sold to F&SF, Asimov's, Realms of Fantasy, and anthologies including Mike Resnick's New Voices in SF and four Year's Best volumes (two Fantasy, two SF). My most recent sales are "I Hold My Father's Paws," originally published in Albedo One, resold to Gardner Dozois for his Year's Best SF, and "Babel Probe" in the inaugural issue of the online magazine Darker Matter.

Jean LorrahJean Lorrah is the author of a

number of novels, and three children's books (with Lois Wickstrom). Her novel BLOOD WILL TELL won two awards: the Lorry for best Paranormal Romance (given by the Romance Writers of America), and Best Vampire Novel of 2001 (given by the Lord Ruthven Assembly). NESSIE AND THE LIVING STONE, co-authored

with Lois Wickstrom,was named the best children's ebook of 2000 by the Independent Ebook Association. Jean also writes Sime-Gen novels (a science fiction series) with Jacqueline Lichtenberg, and together with Jacqueline owns simegen.com. She is currently pursuing a new career in scrccnwriting. Jean lives in Kentucky, where she and her cat, Dudley, do pct therapy with the Humane Society, while her dog Kadi is just bemused by the whole thing.

Dave LuckettWest Australian, b 1951, came

into fandom about 1979 and started writing SF. First published short fiction in Eidolon magazine, 1992, and then had lead story in "The Patternmaker" collection (ed Lucy Sussex), which shortlisted for an Aurealis Award. Followed this with a number of short books for children, and then with "The Tenabra Trilogy", a fantasy trilogy that won two Aurealis Awards, for "Best YA" and "Best Fantasy". This was followed with the Wild Magic trilogy, which sold in the US as "The Rhianna Chronicles" (Scholastic). Outside Australia is mainly known fannishly as a filker - wrote "The Dice Lice Blues" and "Parasite's Anthem".

Perrianne LuriePcrriannc Lurie is a long-time

fan who has worked on local, regional and Worldcons and local sf in various capacities. In her day job as a public health physician she works on infectious disease epidemiology.

Heidi LysholHeidi Lyshol has been active in

Norwegian fandom since 1984, and has attended numerous cons in the UK, plus a few in the US, Sweden, Denmark and Russia. Nowadays, she has a "real job" in public health, but tries to keep up with friends from her fannish past. An active BookCrosser.

Patricia MacEwenPatricia MacEwen is a physi

cal anthropologist (translation: bone freak) with 9 years experience as a CSI working on urban crime scenes for the Stockton Police Department. She was a member of SPD's Critical Incident Response Team for 3 years. She has also worked on war crimes investigations for the UN's International Criminal Tribunal in Yugoslavia, and is conducting research on the phenomenon of genocide. Her sordid past also includes a B.S. in marine biology and early childhood infection with the spec fic virus. She has published short SF, fantasy, horror, cross-genre work and mysteries in magazines such as F & SF, and in various anthologies. Her not-so-private passions include using alien sex to build interesting alien species and cultures, and she is also getting heated up about global warming.

Elisabeth MalartreElisabeth Malartre is the pen

name of a biologist and writer living in Laguna Beach. She specializes in hard biological science fiction and is married to Gregory Benford.

Kari MaundKari Maund has written five

books and many articles on Wales, Ireland and Scotland in the middle ages, and has taught the history of these countries in several British universities. With Phil Nanson, she is also the author of The Four Musketeers: the true story of d'Artagnan, Porthos, Aramis and Athos. As Kari Spurring, she writes fantasy with a French twist: her first novel Living With Ghosts is due to appear shortly from DAW books. She's mostly Welsh, but was born and lives in England.

Maura McHughBorn in the USA, but raised and

educated in Ireland, Maura now re-

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sides in Galway, Ireland, where she writes screenplays, short stories, plays and novels, and works as a web developer, IT consultant, and blogger. She's a graduate of the 2006 Clarion West Writers Workshop. Her web site is: http://splinister.com

Paul MelkoPaul lives in Ohio with his beauti

ful wife and four fairly wonderful children. He studied nuclear engineering at the Universities of Cincinnati and Michigan. He is an active member of the Science Fiction Writers of America, where he sits on the board of directors as the South-Central Regional Director and works on the Grievance Committee, handling all short fiction cases. Paul's fiction has appeared in Asimov's Science Fiction, Realms of Fantasy, Spider Magazine, The Year's Best Science Fiction, and other magazines and anthologies. His work has been translated into Spanish, Czech, and Russian. A collection of his science fiction stories, TEN SIGMAS AND OTHER UNLIKELIHOODS, is scheduled for release in 2007. Paul's work has been nominated for the Sturgeon, Nebula, and Hugo Awards. SINGULARITY'S RING (Tor Book, Feb 08) is his first novel, though it is based on stories published in Lou Ander's anthology LIVE WITHOUT A NET and Asimov's Science Fiction. The theme of Anders' anthology is one where humanity is not dependent on a computer-networked world. Paul immediately conceived the main character of SINGULARITY'S RING and his world as a response to this theme. Strom's story "Strength Alone" (part of SINGULARITY'S RING) made the Nebula preliminary ballot.

Farah MendlesohnFarah Mendlesohn is Editor of

Foundation, and winner of the Hugo for co-editing The Cambridge Companion to Science Fiction. She published a book on Diana Wynne Jones in 2005, and her book Rhetorics of

Fantasy is out later this year. She is currently working on a book on children's literature, and will have a Japanese translation of a short extract available for anyone who stops her. She has waist length red hair so you should be able guess who she is.

Betsy MitchellBetsy Mitchell received a degree

in journalism from the University of Nebraska/Omaha and spent two years as a reporter for the Omaha World- Herald before moving to New York City. She served as managing editor at Analog magazine, senior editor of Baen Books, associate publisher of Bantam Spectra, and founded the Aspect line at Warner Books before joining the Random House Publishing Group in 2002 as Vice President/ Editor-in-Chief of Del Rey. She has edited such works as the upcoming Gentlemen of the Road by Michael Chabon; Armageddon’s Children by Terry Brooks, Virtual Light by William Gibson, and Star Wars: Heir to the Empire by Timothy Zahn (all New York Times bestsellers); the Hugo Award-winner Hyperion by Dan Simmons and the Nebula Award-winner Parable of the Talents by Octavia Butler; and received a World Fantasy Award for co-editing the anthology Full Spectrum 4. In May 2004 she oversaw the launch of Del Rey Manga with the publication of Tsubasa and xxxHOLiC, both by CLAMP; Negi- ma! by Ken Akamatsu; and Gundam SEED by Masatsugu Iwase. Del Rey Manga was named “Best New Publisher of the Year” by ICv2.com, celebrated its first anniversary with the publication of its millionth volume of manga in print.

Mary MormanMary Morman attended her first

Worldcon (and her first science fiction convention) at Baycon in Berkeley in over Labor Day of 1968. She vividly remembers seeing a naked Astrid Anderson as Dejah Thoris at the mas

querade, reveling in table after table of used paperbacks in the dealers room, having a pass made at her by Harlan Ellison in said dealer's room. This eye-opening weekend led her into fandom and she attended cons for the next forty years while she finished college, married, and even had babies - reading SF all the while. Bidding for, and winning, the 2008 Worldcon has been full of more cons than Mary felt it possible to actually attend. Mundanely, Mary works as a Business Intelligence Manager for the support organization of a major software firm - dealing with global hiring, budgets, and expense management. Mary lives with her husband Kent, her chum Terry, and her cat Sappho in Colorado Springs, Colorado. She used to have a basset hound, and would like to have another someday.

Fred MoultonFred C. Moulton works with com

puters for an information services and communications provider with a primary focus on Linux and Solaris systems administration and also project management. Interests and hobbies include hiking, visiting new places and reading in a wide variety of fields including science fiction, economics, science, technology, philosophy and the history of Freethought and Libertarianism.

Kate NepveuKate Nepveu has always liked

to read, talk about, and write about books. Recently, she's started liking to do all that for anime, manga, and the occasional tv show or movie. She is an appellate lawyer in the Office of the New York State Attorney General.

Patrick Nielsen HaydenPatrick Nielsen Hayden is a senior

editor, and the manager of the SF and

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Nippon2007fantasy lines, at Tor Books, where he has worked with authors ranging from Arthur C. Clarke, David Weber, and Terry Goodkind to Emma Bull, Ken MacLeod, and Charles de Lint. He has been responsible for publishing the first novels of many notable writers, including Maureen F. McHugh, Susan Palwick, Jonathan Lethem, Cory Doctorow, Jo Walton, and John Scalzi. He is a nine-time Hugo finalist and a winner of the World Fantasy Award. With his wife, Teresa Nielsen Hayden, he co-edited the Hugo- nominated fanzine Izzard, won TAFF in 1985, and helped found the New York Review of Science Fiction; today, the Nielsen Haydens are among the regular instructors at the Viable Paradise writers' workshop, and co-write the weblog Making Light. Together, in 2003, they were awarded the Edward E. Smith Memorial Award (the "Skylark"), for service to the field. In the rest of his life, Patrick teaches at other workshops, edits the occasional anthology, and plays lead guitar for the New York City band Whisperado.

Larry NivenBorn 1938 in Los Angeles.

Raised in Beverly Hills. Bachelor in Math from Washburn U. First story sale 1964. 50-60 novels and collections. Some TV work. Most well- known works: Ringworld, The Integral Trees, Destiny's Road, Lucifer's Hammer (with Jerry Pournelle).

G. David NordleyG. David Nordley (pen name of

Gerald David Nordley) is a retired Air Force major, astronautical engineering consultant, and writer with over 50 published works of non-fiction and short fiction, as well as a Mars-related story collection, “After the Vikings “ from Scorpiusdigital.com. He has won four “Anlab” readers’ awards, and has been nominated for a Hugo and a Nebula. A Minnesota native, he has lived in California for over 30

years now and is married to a retired Macintosh computer programmer. In the last year, parts of a novel he has written with C. Sanford Lowe have been published as a series in Analog, and a story with Winston Churchill as its protagonist appeared in the “Golden Age SF” anthology.

Naomi NovikNaomi Novik is the Hugo-nomi

nated author of the Temeraire series, His Majesty's Dragon, Throne of Jade, and Black Powder War. She was born in New York in 1973, a first-generation American, and raised on Polish fairy tales, Baba Yaga, and Tolkien. She studied English Literature at Brown University and did graduate work in Computer Science at Columbia University before leaving to work on computer games and novels. Naomi lives in New York City with her husband, Edgar Award-winning writer Charles Ardai, and <strike>six</strike> eight computers. (They multiply.)

Dave O'NeillA former aerospace engineer,

turned recruitment consultant, turned mobile technology business specialist. Currently spending far too long flying around the world.

Chad OrzelChad Orzel is a professor in the

Department of Physics and Astronomy at Union College in Schenectady, NY (where the ideas come from). He also runs the weblog "Uncertain Principles" as part of the ScienceBlogs collective, where he posts regularly about physics, politics, pop culture, and anything else that seems interesting. He was a graduate student at the University of Maryland, where he worked in the group of William Phillips, who shared the 1997 Nobel Prize in Physics. In 1998, he spent about three months working in a research lab outside of Tokyo, and has been looking for an excuse to come back to

Japan ever since. He lives in Niskayuna, NY, with his wife, Kate Nepveu, and their dog Emmy, the Queen of Niskayuna.

Joe PearceJoe Pearce has been a profes

sional game programmer for 21 years and was a co-founder in 1991 of The Dreamers Guild, developers of the award-winning adventure game "I Have No Mouth and I Must Scream" based on the Harlan Ellison short-story. Joe has been involved in the development of over 25 products, on over 10 different platforms, and in roles as varied as designer, producer, writer and technical director. He is currently the co-author of the webcomic Inherit the Earth (http.7/www.InheritTheE- arth.net).

Lawrence PersonLawrence Person is a science fic

tion writer living in Austin, Texas. His short fiction has appeared in Asimov's, Analog, Postscripts, Fear, and several anthologies. His non-fiction has appeared in National Review, Reason, Whole Earth Review, The Freeman, The World & I, Science Fiction Eye, The New York Review of Science Fiction, and Slashdot.org. He edits the Hugo-nominated SF critical magazine Nova Express and used to run the Turkey City Writer's Workshop. He owns such a large library (mostly science fiction first editions) he had to buy a two-story house to put it in, and then adopted a golden retriever to drag him out of his house on a regular basis. He also makes a mean batch of salsa.

John PicacioJohn Picacio is an award-win

ning illustrator who has created covers for works by Harlan Ellison, Michael Moorcock, Robert Silverberg, Neil Gaiman, Robert Heinlein, Joe R. Lansdale, Jeffrey Ford, Graham Joyce, Stephen Jones, Lucius Shepa-

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the 46th Japan Science Fiction Convention & the 65th Science Fiction Convention

rd, Justina Robson, David Gemmell, L.E. Modesitt, Jr., Frederik Pohl, Hal Clement, and many, many more. In 1992, he earned a Bachelor of Architecture degree from the University of Texas at Austin. Four years later, he illustrated his first book?the 30th Anniversary Edition of Michael Moorcock’s Behold the Man. In May 2001, he chose a career in illustration over a career in architecture and devoted himself fulltime to the craft of illustration. Since then, his client list has continued to grow, including companies such as Random House/Del Rey; HarperCollins/Eos; Tor Books; Pocket Books; Pyr; MonkeyBrain Books; Viking Children’s Books; Roc Books; Tachyon; Golden Gryphon Press; Orion/Gollancz; Night Shade Books; Earthling; and Realms of Fantasy Magazine. Some of his most notable covers include The Fantasy Writer’s Assistant by Jeffrey Ford (Golden Gryphon); Live Without A Net, edited by Lou Anders (Roc); Ghosts of Columbia by L.E. Modesitt, Jr. (Tor Books); A Canticle for Leibowitz by Walter Miller, Jr. (HarperCol- lins/Eos); Gateway by Frederik Pohl (Ballantine/Del Rey); Her Smoke Rose Up Forever by James Tiptree, Jr. (Tachyon); The Cat’s Pajamas by James Morrow (Tachyon); Wizardry & Wild Romance by Michael Moorcock (MonkeyBrain Books); Star of Gypsies by Robert Silverberg (Pyr); Bumper Crop by Joe R. Lansdale (Golden Gryphon); Here, There & Everywhere by Chris Roberson (Pyr); Face by Tim Lebbon (Night Shade); More Tomorrow & Other Stories by Michael Marshall Smith (Earthling); The Mammoth Book of New Terror (edited by Stephen Jones) and the 35th Anniversary Edition of Dangerous Visions, edited by Harlan Ellison (iBooks). In 2002, he received the International Horror Guild Award for Best Artist. In 2005, he received a Chesley Award (for Best Paperback Cover) and the much-coveted World Fantasy Award (Artist). In 2006, he

received the Chesley Award for Artistic Achievement (the most prestigious honor given by the Association of Science Fiction & Fantasy Artists). In 2007, he received his second consecutive Locus Award nomination in the Artist category, and another in the Best Art Book category. In addition, he’s a Hugo Award finalist (Best Professional Artist) for the third consecutive year. Cover Story: The Art of John Picacio, a 200-pagc major hardcover of the best of his cover work, is available in bookstores everywhere, courtesy of MonkeyBrain Books. A 2007 Locus Award finalist for Best Art Book, Cover Story is also a 2007 Hugo Award finalist for Best Related Book. He and his wife, Traci, live in San Antonio, Texas. For more info and images, please see www.johnpicacio. com.

Marianne Plumridge-Egg- leton

Marianne Plumridge is an Australian artist who lives in Rhode Island, USA, with her husband, illustrator Bob Eggleton. They share their home with approximately 1,000 Godzilla monsters, and about twice that many dinosaurs, toys, and other odd beasties and creatures. The rest of the house is occupied by: numerous books, paintings, art materials, and CDs. It really is a creative atmosphere, where inspiration is never lost for long. Marianne has shown her paintings of fantasy and marine fantasy at many convention art shows over the last three years, and has won several prizes. She was a nominee for three Chesley Awards for 1999, one of which was 3D. Her illustration work can be viewed at www.marianneplumridg.com . Currently, Marianne has returned to her fine art roots, and is participating in a personal ‘Painting of the Day’ project, to refine her oil painting techniques. Subjects include birds, still life, many flowers, some landscape work, and whatever else catches her eye. Most of these

arc painted very small, because Marianne is indulging her love of working miniature ‘alia prima’ ? wet into wet style, in one sitting. The results can be found online at: ‘Daub du Jour’ ? http://daubdujour.blogspot.com/ In connection with her long held writing ambitions, Marianne writes book reviews and notes on her second Blog, ‘Muse du Jour’ ? http://musedujour. blogspot.com/ Finished works of fiction have found their way into magazines and anthologies over the years, as well as articles and essays.

Adam RakunasAdam Rakunas is a professional

geek. He used to make video games and help car companies shift bits, but now he builds virtual worlds, which is a pretty good gig. He works for Centric, alongside fellow writers Jason Stoddard and Ken Brady, though he usually gets stuck with all of the dirty work. He lives in Santa Monica, CA, with his wife and vegetable garden, and writes about all of this stuff on www.giro.org.

Linda RobinettI have been a science fiction

reader most of my life attending my first convention about 30 years ago. I have worked in computers for about 20 years and as a technical reference librarian about 10 years.

John T. Sapienza, Jr.John T. Sapienza, Jr., loves music

and photography as well as SF, fantasy, and naval historical fiction. He has sung in the chorus at school and in Summer Gilbert & Sullivan productions. He has a very large classical CD collection, and has subscribed to the Washington National Opera for over 30 years.John has worked on Worldcons

and regional conventions at staff and committee level since Constellation (1983). He worked on the bids for a

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blogspot.com/

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Nippon2007prospective 1992 D.C. Worldcon (Magicon won), Bucconeer (1998), and Nippon (2007). John was active in rolegaming fanzines in the 1970s and 1980s and was a contributing editor for Chaosium's prozine, Different Worlds.John worked as a tax lawyer until he retired in 2006. He is married to Peggy Rae Sapienza, and thanks to their two children they have eight grandchildren.

Stanley SchmidtStanley Schmidt was born in

Cincinnati and graduated from the University of Cincinnati in 1966. He began selling stories while a graduate student at Case Western Reserve University, where he completed his Ph.D. in physics in 1969. He continued freelancing while an assistant professor at Heidelberg College in Ohio, teaching physics, astronomy, science fiction, and other oddities. (He was introduced to his wife, Joyce, by a serpent while teaching field biology in a place vaguely resembling that well-known garden.) He has contributed numerous stories and articles to original anthologies and magazines including Analog, Asimov's, Fantasy & Science Fiction, Rigel, The Twilight Zone, Alfred Hitchcock's Mystery Magazine, American Journal of Physics, Camping Journal, Writer's Digest, and The Writer. He has edited or coedited about a dozen anthologies. Since 1978, as editor of Analog Science Fiction and Fact, he has been nominated 27 times for the Hugo award for Best Professional Editor. He is a member of the Board of Advisers for the National Space Society and the Science Fiction Museum and Hall of Fame, and has been an invited speaker at national meetings of those organizations, the American Institute of Aeronautics and Astronautics, and the American Association of Physics Teachers, as well as numerous museums and universities. In his writing and editing he draws on a varied background includ

ing extensive experience as a musician, photographer, traveler, naturalist, outdoorsman, pilot, and linguist. Most of these influences have left traces in his five novels and short fiction. His nonfiction includes the book Aliens and Alien Societies: A Writer's Guide to Creating Extraterrestrial Life-Forms and hundreds of Analog editorials, some of them collected in Which Way to the Future?. He was Guest of Honor at BucConeer, the 1998 World Science Fiction Convention in Baltimore, and has been a Nebula and Hugo award nominee for his fiction.

Lawrence M. SchoenLawrence M. Schoen holds a

Ph.D. in cognitive psychology, with a special focus in psycholinguistics. He spent ten years as a college professor, and has done extensive research in the areas of human memory and language. His background in the study of the behavior and the mind provide a principal metaphor for his fiction. He currently works as the director of research and chief compliance officer for a series of mental health and addiction treatment facilities. He's also one of the world's foremost authorities on the Klingon language, having championed the exploration of this constructed tongue and lectured on this unique topic throughout the world. He's also the publisher behind a new speculative fiction small press, Paper Golem, aimed at serving the niche of up-and-coming new writers. In 2007 he was nominated for the John W. Campbell Award for best new writer. His fiction has been translated into Catalan, Chinese, Dutch, Finnish, German, Greek, Hebrew, Polish, Portuguese, Spanish, and more. He lives in Philadelphia with his wife, Valerie, who is clearly the best and brightest part of his life.

Marah Searle-KovacevicMarah Searle-Kovacevic was co

division head of operations at Casca

dia Con. She has been volunteering on Worldcons since the late 1990s, mostly in Operations roles. She had nine different jobs at Torcon, including running the After Hugos party at Con Jose and writing for and editing the restaurant guide. She has been active at many conventions in the Toronto area, including Gaylaxicon, Ad Astra, Toronto Trek, Anime North, Primedia, Bloody Words, and World Horror. She has also run the green room for Confusion, and has helped with hospitality at Midwest Construction and Smofcon, and helped run the con suite at FilkONtario. During the 1990s, she was president (and \"captain\") of the USS Hudson Bay fan club, one of CanadaVs largest and oldest media fan organizations. Marah is a hard-core Star Trek fan, having met most of the cast of the original series and many from later series. She commands an extreme level of Star Trek trivia knowledge.

Stephen SegalBack when he was editor of the

alternative newsweekly In Pittsburgh, Stephen Segal's colleagues used to gently tease that all of his story ideas were based on strange analogies and juxtapositions — e.g., "Meet the artificial-heart researcher who gets all his ideas while he's busy inventing an electric harmonica!" "Here's what Samuel Delany's science fiction has in common with surrealist video installation art!" Stephen, who believes strongly in the transcendent and often untapped interstitial power of "the imagination culture," responded by writing more profiles of creative problem-solving teachers, ministers who marry transgendered couples, and Warren Zevon. He has been an editor at WQED's Pittsburgh Magazine, a regional judge for the Reading Rainbow Young Writers & Illustrators competition, a publication designer for Carnegie Mellon University, a Chancellor's Scholar at the University of Pittsburgh Honors College, and an

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Odyssey of the Mind world finalist. Currently Stephen serves as creative director for the Wildsidc Press magazine group, including Weird Tales (currently undergoing a 21st-century renaissance), Fantasy Magazine, and H.P. Lovecraft's Magazine of Horror. He also designs book covers for the company's Prime and Juno imprints. A native of Atlantic City, New Jersey, Stephen now lives just outside Washington, D.C.

Delia ShermanDelia Sherman was born in To

kyo, Japan, and brought up in New York City. She spent much of her early life at one end of a classroom or another, at Brown University where she earned a Ph.D. in Renaissance Studies in 1981 and at Boston University and Northeastern, where she taught Freshman Composition and Fantasy as Literature. Her first novel, Through a Brazen Mirror (Ace, 1989), was an Ace Fantasy Special. In 1990,

illustrated By Noriko Ikedashe was nominated for the Campbell Award for Best New SF Writer. Her second novel, The Porcelain Dove (Dutton, 1993; Plume, 1994), won the Mythopoeic Award. She made her debut in the world of children’s literature with short stories in The Green Man and Faery Reel (edited by Terri Windling and Ellen Datlow) and Firebirds (Viking, 2003). Her first novel for children is Changeling (Viking, 2006). Delia has been a judge for the Crawford Award for Best First Fantasy Novel, served on the Motherboard of the James Tiptree Jr. Award, and is a founding member of the Interstitial

Arts Foundation (www.interstitialarts.org). As an editor of books and anthologies, Delia’s continuing quest is to get more of the kind of fantasy she likes out to readers. She has been a contributing editor for Tor Books and has co-editcd, with Ellen Kushner and Don Keller, the fantasy anthology The Horns of Elfland (Roc) as well as the Bordertown punk-elf anthology The Essential Bordertown with Terri Windling. With Theodora Goss, she edited Interficitons: An Anthology of Interstitial Writing (Small Beer Press, 2007). She teaches SF and Fantasy writing whenever she can at Odyssey, Clarion, and workshops at regional and national science fiction conventions. Delia lives with fellow author and fantasist Ellen Kushner in a rambling apartment in New York City. She is a social rather than a solitary writer, and can work anywhere, which is a good thing because she loves to travel, and if she couldn’t write on airplanes, she’d never get anything done.

William ShunnSince his first professional sale in

1993, William Shunn's short fiction and essays have appeared in “Salon”, “Storyteller”, “Asimov's”, “F&SF”, “Science Fiction Age”, “Realms of Fantasy”, “Electric Velocipede”, “Sybil's Garage”, “On Magazine”, and various anthologies. He has been nominated for the Hugo and Sturgeon Awards, and twice for the Nebula Award. His chapbook, “An Alternate History of the 21st Century”, is just out from Spilt Milk Press. He is also at work on a novel, “Inclination”, and a memoir, “The Accidental Terrorist”. He has worked as a computer programmer for companies as diverse as WordPerfect and Sesame Workshop. On September 11, 2001, he created the first online "survivor registry," a site where New Yorkers without phone service could post messages saying they were okay. Bill was born in Los Angeles and raised near Salt

Lake City. After twelve years in New York City, he has recently moved to Chicago with his wife Laura Cha- voen, whom he married on the Travel Channel television series "Two for Las Vegas." His web site can be found at www.shunn.net, as can his podcast, "William Shunn's ShunnCast."

David SilverMr. Silver was born in Cleveland,

Ohio, USA, in 1942. He served in the US Army during the Vietnam War. In 1967, released from active duty, he studied literature at UCLA and law at Loyola University of Los Angeles. He was a government hearing officer while studying nights at law school and, thereafter, a federal prosecutor until he entered private practice. He also served his community as a director and officer for charities and youth organizations. He was the founder of the Internet Robert A. Heinlein Reading Group on July 7, 1997, which was joined by Virginia Heinlein anonymously in 1999, who after she revealed her identity asked him to become a director of The Heinlein Society when she founded it in 2000. A charter member of the Heinlein Society, he became a board member on incorporation and was re-elected to two three-year terms. Appointed by Virginia Heinlein as its Secretary- Treasurer one month after joining the board, he served as Secretary-Treasurer until 2003, at which time he was elected as President and Chairman, successively, for four annual terms. David is married to Andrea Joyce Manongdo Silver. They have one daughter with whom they reside in Santa Monica, California, USA. And a pesky cat named Robert.

Robert SilverbergRobert Silverberg has been a pro

fessional science fiction writer since 1955. He is the author of more than 100 books and hundreds of short stories and has won five Hugo and five Nebula awards. In 2004 the Science

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Nippon2007Fiction Writers of America named him a Grand Master. Among his best- known books are LORD VALENTINE’S CASTLE, DYING INSIDE, NIGHTWINGS, and THE BOOK OF SKULLS.

Daniel SpectorI'm one of the founders of Traife

Buffet, a small press specializing in high-end limited edition books and subcontracting design and production of books, slip cases and presentation boxes for individuals and small presses. In addition to my glamorous life in publishing I have been around the convention "scene" for about 25 years, mostly on one of the US coasts. I am a fiend for the road, preferably in an ancient car or on a vintage motorcycle, am a former car show judge and am used as a willing “subject matter expert” on the topic by various authors. Like msny of you here, I believe if mankind is to survive, we must make things better here and must also expand beyond this one, lone sphere.

Kevin StandleeKevin Standlee was co-Chair of

ConJos?, the 2002 Worldcon. He is a director of SFSFC, Inc., parent corporation of the 2002 and 1993 World- cons; CWSFA, parent corporation of the 2005 Westercon; and UK2005 Ltd., parent corporation of the 2005 Worldcon. Kevin’s first SF convention was the 1984 Worldcon, and he has worked on conventions in roles from gopher to Worldcon Chairman. He was Fan Guest of Honor of the 2005 NASFiC. Kevin is an expert on the official rules of the Worldcon and Westercon. His other hobbies include a love of trains and rail transit.

Halle StanfordHalle Stanford joined The Jim

Henson Company in 1995 and since 2004 she has served as the Head of Children’s Television, leading the

company's development and production of all preschool and children's programming for both television and direct-to-video projects in animated and live-action formats. At present, Ms. Stanford is working on Skrumps, a CG animated project she acquired for the company that is currently appearing exclusively at www.yahookids.com. Her previous Henson projects have included Animal Jam and Telling Stories with Tomie dePaola, which she executive produced, Donna’s Day which she co-produced, and the successful franchises Farscape, Bear in the Big Blue House (the rights to which are currently owned by The Walt Disney Company), Brats of the Lost Nebula, The Wubbulous World of Dr. Seuss!, as well as Muppet Classic Theater, Muppets Tonight!, and Muppet Treasure Island. Apart from her work at Henson, Ms. Stanford is the founder of 7 Crows Stories, a children’s creative company responsible for consulting on such upcoming projects as Krypto and Baby Looney Toons, two animated preschool series for Warner Brothers Animation Studios, as well as executive producing the Pat the Bunny DVD series for Classic Media. Ms. Stanford holds Bachelor of Arts degrees in Film and Theater from Wesleyan University and lives in Los Angeles with her son Max.

Edie SternEdie Stern has been a lifelong

S-F reader and a fan since the early 70’s. Her Worldcon experiences include co-editing the LAcon IV Souvenir Book, co-editing the Noreascon 4 Progress Reports and being Program Division Head for MagiCon, the 50th Worldcon. An avid reader, she was welcomed into Second Fandom when Lee Hoffman explained to Roger Sims (who was the gatekeeper at the time) that Edie was her twin sister, albeit 20 years younger! Edie has pubbed her ish (mostly clubzines and convention pubs), worked on conven

tions (regionals to Worldcons, gofer to chair to Worldcon division head), filked with enthusiasm, collected art and pulps and subways. She has been co-Fan Guest of Honor with Joe Si- clari at DeepSouthCon and Minicon and is a founder and honorary lifetime member of the South Florida Science Fiction Society (SFSFS). In her spare time, she has had a career in technology with 68 issued patents in telecommunications and related aspects of computer science. Her great remaining ambition in fandom is to keep her husband from volunteering to chair another Worldcon.

Alan StewartSecretary of Melbourne Science

Fiction Club for over 20 years, now a life member. FFANZ delegate 1991 DUFF delegate 1994 Editor 'Thyme' fanzine" "Discovered SF while in primary school, and fandom at University, and haven't left since. First convention was Aussiecon 2! I then became involved with the Melbourne Science Fiction Club and was Secretary for over 20 years straight. Also edit fanzines 'Thyme' (once a Hugo nominee)and 'Ytterbium' (an ANZA- PA zine). Over 50 poems professionally published, mainly SF or fantasy themed. I was Bid Chair for the Aus- trali in 99 bid, and am on the board for the 2010 bid. In 1991 I was the FFANZ delegate to New Zealand, and in 1994 the DUFF delegate to North America where I attended Conadian.

Jason StoddardJason Stoddard is the founder

and Managing Partner/Interactive for Centric, Agency of Change (www. centric.com). For 13 years, Jason has helped Centric’s clients stay in front of the "new marketing" train?from Centric’s first websites in 1994 to online marketing in 1999 to social media and virtual marketing today. He’s spoken at Loyola Marymount University, at entertainment industry forums such as DVD’s 9 Lives, and is

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a respected resource for information on current and developing market trends. In his spare time, Jason is also a professional science fiction writer, covering near-future developments such as virtual worlds and monetization. His work has been seen in national and international publications, and he’s been a finalist for both the Theodore Sturgeon Memorial Award and the Sidewise Award for Alternate History.

Charles StrossCharles Stross was born in 1964

in Leeds, England, and currently lives in Edinburgh, Scotland, with his wife, Feorag. He studied in London and Bradford, acquiring degrees in pharmacy and computer science, and worked a variety ofjobs, ending up as head Perl manglerat a British dot-com startup, before switching to writing full time in 2000. (If you grok Perl, you can still find his unmaintained spoor in CPAN.) From 1994 onwards he covered Linux and free software in the British computer magazine, Computer Shopper; between 1999 and 2004 he wrote their monthly Linux column. Charlie began reading SF in his early years and started writing in his mid-teens. (He wrote his first novel at the age of 16 which, if ever found, he promises to burn.) In 1986 he made his first professional sale to Interzone, and went on to sell many SF short stories in the UK through the mid-'90s; at the same time gaining a sideline in freelance computer journalism. After a writing hiatus of a few years he began selling stories in U.S. markets; and soon after, novels. His Hugo-shortlisted SF novels include the post-singularity space opera Singula rity Sky (Ace, 2003 ? written 1995-98), its sequel, Iron Sunrise (Ace, 2004 ? written 1998-2002), Accelerando (2005) and Glasshouse (Ace, 2006). In addition to those tech-heavy novels, he's writing a series of crossuniverse economic-minded SF novels Tor, The Merchant Princes: currently

comprising The Family Trade (2004), The Hidden Family (2005), and The Clan Corporate (2006), to be followed by The Merchants War and two more. Finally, he's produced a series of Lovecraftian British spy thrillers, published in hardcover by Golden Gryphon and in paperback by Ace: The Atrocity Archives (2003/05 ? includes the 2005 Hugo-winning novella “The Concrete Jungle”) and The Jennifer Morgue (November 2006). His current projects are Halting State, a near-future thriller set in the world of software companies that produce MMORPGs, due from Ace in September 2007, and Saturn's Children, a space opera set 200 years after the extinction of the hu man species, due in 2008.

Bill SuttonBill Sutton is a responsibility

junkie who has been active in fandom since the early 1980s. He has chaired over a dozen conventions, staffed dozens more, and usually pitches in wherever needed while walking past. Bill is a two-time Pegasus award winner, a member of the Dorsai Irregulars, and is married to Brenda Sutton of Three Weird Sisters. Long of Atlanta, he and Brenda recently returned home to the Midwest of the USA where he started down the slippery slope to fandom lo these many years ago.

George TakeiGeorge Takei is best known as

"Mr. Sulu" in the “Star Trek” television and film series and as “Kaito Nakamura” on NBC's "Heroes". Takei has acquired numerous film and television credits. During World War II, Takei and his family were placed in internment camps in the United States along with 120,000 other Japanese Americans. Takei spent most of his childhood at Camp Rohwer in Arkansas and Camp Tule Lake in northern California. At the end of the war, Takei's family returned to their native

Los Angeles.Now a community activist,

Takei serves as chair of the council of governors of East West Players, the nation's foremost Asian Pacific American theater. He is also a member of the Human Rights Campaign, the largest national lesbian, gay, bisexual, and transgender political organization.

The Government of Japan recognized Takei’s contribution to the Japan-United States relationship by giving him the Order of the Rising Sun, Gold Rays with Rosette. The decoration was conferred by His Majesty, Emperor Akihito, at the Imperial Palace in Tokyo in November 2004.

George Takei and his life partner, Brad Altman, are residents of Los Angeles. His birthday is April 20.

Bill ThomassonBill Thomasson was born in 1936,

the only son of a working-class Arkansas family. Only the third member of his extended family to complete high school, he eventually received a PhD in biochemistry. He discovered, however, that he was not cut out for research: Writing about science was easier than doing it. So he became a science/mcdical writer and continues active in the field today because learning all that new stuff is just too much fun to give up. In addition to being an active science fiction fan and amatuer futurist, Bill became politically active when he was already 67 and legally blind. If you encounter him at a US con you'll probably see him wearing some candidate's button and a tee shirt advertising the Disability Pride Parade.

Amy Thomson1 was born in Miami, where I sur

vived the Cuban Missile Crisis, half a dozen hurricanes, and twelve years of school. I grew up with the space

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Nippon2007program, watching rocket launches, including several moon launches on trips to Cape Canaveral/Kennedy. My brothers surfed, and I played on the beach and watched rockets take off. When I wasn’t dodging hurricanes, or watching launches, 1 had my nose in a book. After high school I headed for Idaho, believing it to be like Colorado, only John Denver hadn’t sung about it yet. I went to the University of Idaho in Moscow, with some vague idea about learning how to live on the side of a mountain and raise goats. The idea began to pall along about the time I learned how to father a chicken. By then I had met up with a bad crowd: science fiction fans, and it was downhill from there. I started going to science fiction conventions, even helping to organize a few. From there the tragic slide into writing science fiction was all too easy. Especially with the Moscow Moffia a local writers workshop, there to help me. That workshop included Dean Wesley Smith and Nina Kiriki Hoffman, who both managed to survive reading my first short story, though they did require emergency treatment for bad grammar burns. Eventually my sordid activities caught up with me and I had to leave town. Which is how I wound up in Seattle. I started off easy, writing short stories, then I attended Clarion West in 1984, and started to hit the hard stuff, first reviews, and then novels. I started hanging around other writers, schmoozing with editors, staying up all night deconstructing Samuel R. Delaney, and Ursula K. Le Guin. Then I sold my first novel, Virtual Girl, and a second, The Color of Distance. It was then I realized the depths of iniquity to which I had sunk. I found myself waking up in the middle of the night, fingers twitching as though 1 were typing. If I missed a day of writing I would begin to tremble and sweat. After two days, I would get shooting pains in my arms and legs, and I would stagger to the keyboard and write. I would write

anything to make the withdrawal pains go away: short stories, novels, reviews. I even, in the depths of my extremity, committed poetry. Even as I write this there is yet another book forcing its way toward completion. It starts innocently enough, reading books, first mainstream novels, then maybe a little experimental fiction. Then perhaps some Heinlein or Le Guin. You begin daydreaming, getting story ideas. Then you sit down to write.... Friends, don’t let this happen to you. Don’t let yourself be dragged down into the gutter with me. When that urge to write strikes you, seek help. Call a friend, a minister, your doctor. Talk about the weather, or sports until the urge passes. Think on me and rejoice in the narrowness of your escape.

Don TimmDon was graduated from the Uni

versity of Iowa College of Law with a Juris Doctorate, and somehow got a magna cum laude in the process. He worked in the private international law sector for a number of years before a slick-talking government official persuaded him to try his hand at public service. For the next three decades, he worked in numerous countries in Europe, Asia and Africa in public international law and negotiations, serving in various positions including Chief of International Agreements for the United Nations Command in Korea and as a special arbitor on a NATO panel, and currently is a Special Assistant for International Law with the United States European Command. During his career he has been involved in international negotiations with the governments of over forty countries and has somehow also managed to accumulate a number of publication credits and millions of Frequent Flyer miles.

Mary TurzilloMary Turzillo's “Mars Is no

Place for Children” won the 1999

Nebula, and “An Old-Fashioned Martian Girl”, her first novel, appeared in Analog. Among other magazines, “Asimov's”, “F& SF”, “Interzone”, “SF Age”, “Weird Tales”, “Oceans of the Mind”, “Electric Velocipede”, “Lady Churchill’s Rosebud Wristlet”, “Goblin Fruit”, and “Strange Horizons” have published her fiction and poetry. Her story “Scout” is slated for publication in George Scithers’ cool new magazine Cat Tales. Your Cat & Other Space Aliens, her poetry collection, will appear from vanZeno press this year. Her longer stories Ewaipano- ma (Sam’s Dot, ed.Tyree Campbell) and American Portmanteau Theater (Scrybe Press, ed. Nathaniel Barker) will appear as chapbooks in 2008. She is working on a splendid collaboration of poetry, art, and fiction with awardwinning artist/writer Marge Simon. A novel about the adventures of Marcus and Zora Smithe (parents of her plucky Martian girl hero Kapera) is in the works. An Emeritus Professor at Kent State University, she founded Cajun Sushi Hamsters and has taught in NASA's Science through Arts. Her favorite people include her son, Jack Brizzi, Jr., and her husband, writerscientist Geoffrey A. Landis. Geoff and Mary have two cats: Lurker At The Threshold and Mahasamatman- But-His-Friends-Call-Him-Sam. The cats claim that her fascination with the color turquoise is evidence of a forgotten alien abduction.

Mark Van NameMark L. Van Name, who John

Ringo has said is "going to be the guy to beat in the race to the top of SF- dom," has worked in the high-tech industry for over thirty years and today runs a technology assessment company in the Research Triangle area of North Carolina. A former Executive Vice President for Ziff Davis Media and national technology columnist, he's published over a thousand computer-related articles and multiple science fiction stories in a variety of

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magazines and anthologies, including the Year's Best Science Fiction. His first novel, One Jump Ahead, begins the Jon & Lobo series and appeared in June. The next book in the series, Slanted Jack, will appear in June, 2008.

Edd VickEdd Vick, the son of a pirate, is a

2002 Clarion SF Workshop gratduate and a short fiction writer with recent stories in Asimov's, Baen's Universe, and elsewhere. Anthologies to publish his work include Northwest Passages, Distant Planes, and Fundamentally Challenged. His recent story "Moon Does Run" from Electric Velocipede was chosen for inclusion in the current Year's Best SF 12. Visit him at eddvick.livejournal.com or read his flash fiction at dailycabal.com

Alexander von ThornAlexander von Thorn won the

Aurora award in Canada for fan writing, for writing articles, interview, and reviews on SF Site, The Voyageur, and other media. He is well-known to gamers, both as a game designer for Steve Jackson Games, Victory Games, and TSR, but also as manager of The Worldhouse game store in Toronto for many years. He is a veteran of several Worldcon and NASFiC bids and is active in convention fandom in Toronto, Chicago, Seattle, and elsewhere, having been introduced to fandom by costumers and gamers. His non-fiction publications cover topics as diverse as intelligence organizations, emerging democracies, fantasy economics, and demonology. He is descended from scientists, engineers, and utopian pioneers, but to their collective disappointment his academic background is in business, computer science, and economics. In his day job he manages a technical support team for a global communications company.

Rene Walling

A fan of animation, comic books and science fiction, Rene Walling chairs Anticipation (www.anticipationsf.ca), a bid to bring the Worldcon to Montreal in 2009. He also writes for fps magazine (www.fpsmagazine.com) and has occasionally been known to work as a graphic designer.

Michael WhelanMichael Whelan has been inter

ested in the imagery of the fantastic since his early childhood. Combined with a love of drawing and painting, Michael turned this fascination into a career as the premier fantasy illustrator of the last 24 years. He has created hundreds of paintings seen on book covers, calendars, magazines, and record albums.During that time, Whelan garnered virtually all available illustration or art awards in the international fields of science fiction and fantasy. For example, he is a fourteen-time HUGO (World Science Fiction) Award winner and three-time (the maximum) winnerofthe HOWARD (World Fantasy) Award for Best Artist. The readers of LOCUS magazine, the #1 professional and fan resource publication for the Fantasy and Science Fiction genre, have awarded Whelan "Best Professional Artist" twenty-one yearsrunning.Severalpublications have named Whelan as one of the 100 most influential people in the field, a list which includes authors, editors, directors, special effects masters, etc. In 1994 he won a Grumbacher Gold Medal and in 1997 he was awarded a Gold Medal from the Society of Illustrators and an Award for Excellence in the Communication Arts Annual. The September 1998 Art Forum International Magazine referred to one of his works as "an absolute stunner," and continued, "Whelan excels in creating dead worlds that are tentatively beginning to flower again..." Most recently, he

was awarded a Spectrum Annual gold medal for his painting "The Reach."

Nevertheless, throughout his illustration career Michael Whelan has found time to work on "self-commissioned" pieces not initially intended for publication, created solely to realize personal artistic themes. These non-illustrative works differ somewhat in theme and execution from his cover art (though he is quick to point out that all his artwork is, at its most fundamental level, about creating a "sense of wonder"). Most closely allied to the scope and feeling of what is referred to as contemporary "Visionary Art," his gallery painting is imbued with a strong sense of the mystical or dreamlike, and often employs symbolism to convey themes and ideas. After successful one-man shows of his personal works in 1997 and 1999, he now devotes his time exclusively to his gallery work. Michael’s original paintings have been displayed and sold at galleriesand museums throughout the United States and around the world. He has had three art books published, the most recent being THE ART OF MICHAEL WHELAN, a deluxe 208-page collection of Whelan art published by Bantam Books. Posters, prints and other items featuring Whelan art are available through Glass Onion Graphics in Danbury, CT.

Robert Charles WilsonBorn in California, Robert

Charles Wilson has lived most of his life in Canada. His first novel, A HIDDEN PLACE, was published in 1986; he has since published a dozen others, including Hugo finalists DAR- WINIA and BLIND LAKE and the 2006 Hugo Award winner SPIN. His novella "Julian: A Christmas Story" is a finalist for the 2007 Hugo. He has also received three Aurora Awards, the John W. Campbell Memorial Award, and the Philip K. Dick Memo-

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eddvick.livejournal.com

dailycabal.com

http://www.anticipa-tionsf.ca

http://www.fpsmaga-zine.com

Nippon2007rial Award. His next novel is AXIS, a sequel to SPIN, and he is working a book-length version of "Julian."

Ben YalowI've been to 37 Worldcons, and

worked on most of them, with jobs ranging from gofer to Division Head, and 600+ cons, working on over a third of them. I've edited 4 books for NESFA Press, two of which were nominated for the Hugo Award.

Marc ZicreeMarc Scott Zicree has over

100 script sales to his name, including credits on STAR TREK ? THE NEXT GENERATION, SLIDERS, DEEP SPACE NINE and BABYLON 5, plus multiple pilots for NBC, ABC and Showtime. He has written for virtually every major studio and network, has been nominated for the Humanitas Prize, Diane Thomas Award and American Book Award, and has won the prestigious Hamptons Prize. Zicree served as Executive Producer on REAL STORY, a pilot presentation he wrote and executive produced in association with OZ’s Tom Fontana, starring BUFFY’s Armin Shimerman. In addition, Zicree has served on staff on four series: as Producer on SLIDERS; Co-Producer on LAZARUS MAN; Executive Story Editor on BEYOND REALITY; and Story Editor on FRIDAY THE 13TH ? THE SERIES. His screenplay work has included stints for New Line, MGM, Orion and the Jim Henson Company. Zicree was also a commentator for three years on NPR’s MORNING EDITION, and is well-known as the author of the best-selling TWILIGHT ZONE COMPANION (named in 2006 by the New York Times as one of ten “science fiction books for the ages”). As a media expert, he has appeared on hundreds of radio and TV shows, including AMERICAN

MASTERS, ALL THINGS CONSIDERED, COAST TO COAST, WEEKEND EDITION, BIOGRAPHY, ENTERTAINMENT TONIGHT, E! TRUE HOLLYWOOD STORY, BBC and THE TODAY SHOW. Zicree’s novel MAGIC TIME was named one of Barnes and Noble’s Best Books of the Year. Its sequel MAGIC TIME ? ANGELFIRE got a five- star rating from Amazon.com and rave reviews from PUBLISHERS WEEKLY and BOOKLIST. His third book in the series, MAGIC TIME ? GHOSTLANDS, which was released in hardcover from HarperCollins and Blackstone Audio, hit the L.A. Times Bestseller List, making Zicree a bestselling author both in the fiction and non-fiction categories. Zicree has had recent TV series development deals with Fox and Universal and has just completed co-writing, directing and executive producing a new STAR TREK episode starring George Takei.

Things to come by-NEXT WORLD- Eiji Yokoyama

Well, we only have to wait for the convention and are you finish preparing for convention?“Yes"

I finish digging a hole front of convention center.

"I will bury later!"

I made trap ceiling inside the convention...

"Oh? What’s that..."

COM/A/G ZOOM"Is this the convent ion?"

"No, this is!?"

Amazon.com

■ HEROES FROM NERR RND RFRRCanberra. September 28 Guests

Graham JoyceGarth NixSimon BrownKaaron WarrenDonna Maree HansonKevin J Anderson Rebecca Moesta Jonathan Strahan

Featuring -Regency Banquet(in honour of Mary Shelley and her creation Frankenstein)Masquerade in Bobby McGees discotheque 12 workshops Mass book signing Great DebateShort Story CompetitionAnd much, much, more!

For more informa Non, go fo tuiuiu.conflux.org.au

tuiuiu.conflux.org.au

Nippon2007

List of Program ParticipantsOrganaized by committee in Japan

Abe AtsukoTranslator. Works (translation):

“Rikushouhou denki” (Gu Long), “Shuu-shuu no Kisetsu” (Yan Wenjing), “Itentoryuuki” (Jin Yong), “Ren- jouketsu” (Jin Yong), “Hiko gaiden” (Jin Yong), “Shichi-ken ka tenzan” (Liang Yusheng), “Kanju Hi me” (Ch- ingYao), “Rikushouhou denki, Kin- hou Ouchou” (Gu Long)

Adachi HirofumiCEO of the Wright Staff Co.,

Ltd.

Akai TakamiIllustrator, Born in Tottori pref.

He worked for the opning animation of Japanese SF convention “DAICON III”, founded Ginax with the main members of the convention, have been creating Animes. He is the director of the simulation game “Princess Maker” series.

Akao HidekoTranslator. Works: Wen Spencer

“Tinker”, Anne McCaffrey “In Exchange of Gifts”

AKITA KiaAnimator of Nippon 2007 open

ing animation movie. He had wished if there were an opening animation like DAICON III or IV for the first Worldcon in Japan, at last he himself started making it. He admireres Alfred Bester.

Akiyama MizuhitoWriter. Works; "EG Combat",

"The sky for Iriya, the summer of UFO", "Orewa missile (I'm a missile)" and "minaminominamino". Award: “Orewa missile" (2003 Seiun-Awards best short story)

Arai MotokoWriter. Works: “Tigris and Eu

phrates”,etc. Awards: “Greenrequiem” (1981 Seiun Award best short story) “Neptune” (1982 Seiun Award best short story), “Tigris and Euphrates” (1999 Japan SF grand prize )

Aramaki YoshioWriter . Born in Hokkaido pref.

Works: ’’Yawarakai tokei”, “Shirokihi Tabidateba Hishi”, “Dcepbluc Fleet series”, “Fleet of Rising Sun series”, “Jutu no shousetu-ron” (critical essay)

Asagure MitsufumiWriter. Works: "Ishi no Naka

no Kumo", "10 Centimeter no Sora", "Hari", "Shikken Shosetsu NU". Awards: 1998Mephisto Award with "Dabu (e)suton Kaido", 2003 Mystery Writers of Japan Award with "Ishi no Naka no Kumo"

Asakura HisashiTranslator, essayist.Works: ”Slan” (A.E. van Vogt),“Do androids dream of electric

sheep?” (P.K. Dick), “Bokuga kangaroo ni deatta koro” (essay)

Asao NorihikoWriter, Event planner,Managing Director of YumeJin-

tou. Works: ’’Shin Eigahouko Books” (Planner, Writer), “reading book of Anime, SFX, SF-Movies”,

“How to make a Writer of novel for young-adult”, Cooperations: ’’The Lord of the Rings” (advertising in japan), “Ice Age” (advertising in japan), “Short-short films festival”, “Kagai- jugyou/ Youkoso Senpai”

Azuma Hiroki

Born inTokyo in 1971. Critic (contemporary thought, subculture), Pro- fessorofTokyoInstituteofTechnology. Works: ’’Doubutuka suru Postmodern”, “Tokyo kara Kanngaeru”, “Game teki realism no tanjou”

Dietsche KayokoInterpreter, producer. Works:

"Kuringu Kurangu (songbook, produce)

Dietsche VernGraphics designer, photographer,

web designer. Works: "Ray Harry hausen official site" (web design), "Brian Yuznaofficialsite" (webdesign), "The Medulla"and "Supurbman: the other movie"

Dorsey, Candas JaneWriter, Poet. Works: "Black

wine", "Machine Sex and other stories", "Hardwired Angel" (with Nora Abercrombie)

Awards: Crawford Fantasy ward, 1997 ("Black Wine"), Tiprtee Award, 1998 ("Black Wine"), Canadian Science Fiction and Fantasy Award for Best Short-Form Work in English, 1988 ("Sleeping in a Box")

Driscoll MarkResearcher of Japanese literature,

associate professor of The University of North Carolina. Works: Kannani ; and Document of flames : two Japanese colonial novels I Yuasa Katsuei ; translated and with an introduction and critical afterword by Mark Driscoll. — Durham, N.C.: Duke University Press, 2005.

Ebihara YutakaCritic. Works: "Spiral dance with

Greg Egan" (article). Awards: 2007 Japan SF critique award

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Eggleton, BobIllustrator. Works: "Greetings

from Earth: The Art of Bob Eggleton”, “Dragonhenge” (with John Grant)

England, NormanWriter, moviedirector. Works:

"The iDol (2006)"

Enjoe TohWriter. Works: "Of the baseball",

"Self-Reference ENGINE". Awards: ungakukai award for new Writers

Enomoto AkiWriter. Works: "Sengoku, gunshi

nyuumon"

Eto IwaoCritic of a space development.Born in 1950. Works: "Space

watching" (Air World magazine, running story for longer than 10 years)

Fujita MasayaWriter, plant breeder, Doc

tor of Agriculture born in Kyoto Works: "Kusobukuro", "Tuki toban", "Kiseki no Ishi", "Daahu no Shima", "Nomi no Circus", "Hoshi no Watagc" and othres "

Fukazawa MishioWriter. Works: "Fortune quest se

ries", "Duan Sark series”, “IQ detective series"and others.

Gardner WilliamResearcher of Japanese literature

Works: "Advertising Tower: Japanese Modernism and Modernity in the 1920's", "Tsutsui Yasutaka and the Multimedia Performance of Authorship. "

Goto AtsushiFounder member and vice presi

dent of Moekabu-kai. Recently he uses lot of his time for mixi, SNS site in Japan, tends to neglect the resarch of the stocks.

Gozen, Jire EmineJire Emine Gozen [Gozen with

umlaut “o”] was born 1979 in Frank

furt/Main in Germany and studied Theater, Film and Media Studies at the Johann-Wolfgang-Goethe University, getting her Master's Degree in 2004. At the moment she is a Ph.D. student working on her dissertation titled “Science Fiction an der Schwelle zum 21. Jahrhundert. Eine Cyberpunk Monographic” [“Science Fiction at the Threshold to the 21st Century. A Cyberpunk Monography”] and teaches media studies at the Heinrich-Heine University in Dusseldorf [Dusseldorf with with umlaut “u”].

Hachiya KazuhikoMedia-artist, born in Saga pref.

developerofe-mailsoftwcar“PostPet” Works: “Shityoukaku koukann machine”, and “Mirukotoha Shinjiru- koto” (Special Communicatio-Tools series), Jet-engined skateboard”Air Board”, personal flight-system”Open sky” and many gizmo and gadget.

Hagio MotoOne of the best Comic-creators.

Works: "Poe no ichizoku", "Tooma no sinzou", "Unin iru!", "Star Red", "Gin no sankaku”, "Zankokuna Kami ga shihaisuru", "Barubara Ikai", "X +Y", "Mesh" and many stories Awards: "Poe no ichizoku", "Unin iru!" (1976 Shougakukan manga-award), "Star Red" (1980 Seiun-Award (Japan Hugo) best comic) "Gin no sankaku" (1983 Seiun-Award best comic) "X+Y" (1985 Seiun Award best comic) "Zankokuna Kami ga shihaisuru" (1997 Tezuka Osamu Bunka Yuushuushou)

Han SongBorn in 1969. Writer, M.A. of lit

erature. Works: " A Journey to west 2066, or Red Star Shines on USA", "AGraveMarkerinSpace" (anthology), “Great Wall” (short story)

Haramaki-nekoWriter. Works: soundtrack CD of

Pre-Cure TV series (producer, commentator) , etc.

Hasegawa Shoji

lllusturator, member of Space Authors Club. Cover illustration: “The Ghost from the Grand Banks”, ” Prelude to Space”, ’’Rendezvous with Rama” by Arthur C.Clarke, ”Cradle”by Clarke & Gentry Lee, “Redshift Rendezvous”by John E.Stith, ” “Antares Dawn” by Michael McCollum.

Hasegawa YuichiCartoonist, critic of SFX movies

Works: “MAPS”, “Chrono-eyes”, “Crossbone GUN DAM (comic-version)” and many stories. Awards: 2003 Seiun Award (Japan Hugo) best comic, 2001 Seiun Award best nonfiction .

Hashimoto TakashiPh.D., Associate Professor of Dc-

pertment of Knowledge System Science, School of Knowledge Science, Japan Advanced Institute of Science and Technology (JAIST). Awards: Complex Systemx Analysys. Books: ’’Kyoukai Chi no Dynamism” (joint author)

Hattori AyumiAnimator, Cartoonist. She cre-

ats mystery and horror comics. She worked for many animation films, for example, 1st. Gundum. She likes free imaginations and logical plots in Science Fictions.

Hayakawa MasaruWriter, producer, commentator

Works: Godzilla CD-BOX and other soundtrack CD of Animation or SFX- movies.

Hayashi HisayukiWriter, Translator (Chinese).

Translation: “Setsusan Hiko (The Flying Fox OfThe Snowy Mountain)” by Jin Yong, Tokuma Shoten Publishing, “Katen Toryu Ki” by Jin Yong, Tokuma Shoten Publishing, a joint translator. Books: “Chugoku Kagaku Genso Bungakukan” collaboration with Takeda Masaya, Taishukan Shoten.

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Hayashi JoujiWriter, Books: “Stringer no

Chinmoku”, “Uroboros no Hado”, “Shinryakusha no Heiwa”.

Hayashiya HikoichiBorn in 1969, Kagoshima pref.

Japanese traditional style comic storyteller (Rakugo-KA). He became a professional Rakugo performer in 1989. His original and unique style of story telling has been popular in Tokyo. Also known as a storywriter. He has started performing Rakugo in English in 2005, performed in New York and Los Angels's comedy theater “Laugh Factory”. He has won Rakugo Performance Award in 2000 and 2004. His crest on the Kimono is a snail on a fist (Den-den-Kobushi). Books: “Rakusha”, “Itadaki Jinsei Kun”, “Rakugo Subaru Yose (collaboration with SWA, original storytelling workshop)” etc.

Hazuki HironoriFree-lance writer who wish to be

SF writer for some years. His main works are plot making of PC games and cell phone games. Works (PC games): “Oshiete Re:Maid”, “CHUx- CHU Idol”, “Shutter Chance Love”. (Cell phone games): “Boreas”, “Bis- toro Cupid another story” series. (Books) “Gunjo no Sora o Koete, Tsu- kuba Sento Koukudan Shohou”.

Hidaka ShinkuWriter: Books: “Metalasia 1, 2”

Konami Novels, “Night Wizard Novel Hoshi o Tsugu Mono” Famitsu Bunko, Supervised by Kikuchi Takeshi.

Higuchi HaruhikoProfessor of the National Police

Academy.

Higuchi ShinjiMovie Director. Works: “Japan

Sinks” (2006) Aim for a movie director by having watched “Japan Sinks” (1973). At the time of movie “Bye- Bye Jupiter”, made miniature models as part-time job staff of the Toho Bi-

jutsu. Became the movie director of “Japan Sinks” (2006), and the wish to “drink with Sakyo Komatsu” came true.

Hijiri SakiWriter, Researcher. Books: “Flush

Gordon no Shishunki” Asahi Sonora- ma, “Denshi Zunou Eiga Shi” ASCII, “Hyakumann Nin no Cho Genjitsu” Asahi Sonorama.

Hikawa ReikoWriter. Books: “King Arthur

Kyuutei Monogatari” trilogy Chiku- ma Shoten, ’’Kurisenian Nendai-ki” Shogakukan, “Fantasy Shisetsu” Tokyo Shoseki, etc. "

Hirabayashi TakayukiI was born in Nagano in 1984. I

belong to New Moon Tea Party and SF Association in the University of Tokyo. A staff of SF Fan Exchange Association.

Hirata MasaoMember of SF writer's workshop

“Denarai Zoushi” seminar. In other to be trained there more than 10 years, 1 cannot yet graduate. Mr.Yokoyama of the lecturer and I are alumni of Tokyo Institute of Technology SF society.

Hobb RobinWriter. Books: “The Farseer Tril

ogy” Now writing “The Tawny Man”, the sequel which regards the six principalities 15 years after.

Hori AkiraWriter. Books: “Taiyo-fu Koten”,

“Umeda Chika Odyssey”, “Babylonian Wave”, Awards: “Taiyo-fu Koten” Winner of the 1st Nihon SF Taisho Awards in 1980, ’’Babylonian Wave” Winner of the 20th Seiun Awards in 1989"

Hoshi TakashiSF Researcher. Born in Tokyo,

Jan. 17, 1956. He graduated Nihon University College of Humanities and Science Department of Philosophy in 1980. When he was an university

student, he study under Toyoda Arit- sune. After the graduation, he started to write articles for “SF Magazine”, “SF Adventure” etc. Japanese SF is his special field. He is known as a bibliographer of SF and related books.

Ichikawa KoichiFan. From 1980's, he was engaged

in administration of various “Do-jin shi” spot sales society mainly on the Comic Market. In September, 2006, he became a Comic Market Preparation Committee joint representative with the retirement of Yoshihiro Yo- nezawa. He is the representative of “the COMIC1” preparation committee established in April, 2007.

Igarashi HiroshiTranslator, Editor. Works: “Das

Bio-Program” by H.G. Francis, “Operation Bumerang” by H.G. Ewers, “Schach dcr Finsternis” by Kurt Mahr, “Der Bund der Sieben” by William Voltz. Unification editor of “Perry Rhodan” series translation.

Iguchi KenjiSF film critic. Works: “The Mak

ing of Bye-bye Jupiter”. Member of SFWJ.

Ikacho (Satoshi Ikarashi)

He is an expert of Information security and CISSP holder. He is working hard to defend the Earth (?) from invader.

Ikeda NoriakiBorn in 1955. Producer , Editor.

A member of SFWJ (Science Fiction and Fantasy Writers of Japan) and Mystery Writers of Japan, Inc. The Leading Person of the critic of Japanese animation and SFX.

Ippongi BanComic artist. Books: “Ippongi

Ban no Campus Nikki”, ’’Jitensha Nikki”

Ishida HajimeMovie scholar, Editor, Writer.

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Works: “Horror World” publish (The Japan's first horror movie specialized magazine), “FANGOR1A Japan” the first chief editor. Books: “Zanma kyo- to Hen”.

Ishii Ryo (fuchi-koma)I was born in Tokyo in 1984. I

belong to Toyo University SF Association. The chief of SF Fan Exchange Association.

Ishikawa TakashiWriter, critic. Books: “SF no Ji-

dai- Nippon SF no Taido to Tenbo” Kiso Tengai Sha in 1997, “Mahout- sukai no Natsu” etc. Award: “SF no Jidai” the 31st Mystery Writers of Japan Award in 1978.

Ito GoCritic. Book: “Tezuka Is Dead

Hirakareta Manga Hyougen e”. He write for “Quick Japan” Ohta Shoten, “Koukoku” Hakuhoudo, etc.

Izubuci Yu takaIllustrator, Designer, Director.

Books: “Masked Rider Agito - Art Works”, “Anam - Tamashii”, “Neos - Izubuchi Yutaka design arts”, Works: “Record of Lodoss War” as illustrator, “Mobile Police Patlabor” as designer. “Super Sentai”series as designer “Gundam” series as designer. “RahXephon” as director. “Humanoid Robot HRP-2 (Promet)” as designer (visual). Awards: “Humanoid Robot HRP-2 (Promet) designed by Yutaka Izubuchi” Winner of the 34th seiun awards (Free section).

Kadokura Jun'ichiFan. SFWJ member. The chair

person of association of SF fan group meeting. Main presenter of NHK radio “Radio SF Corner”. He is a SF movie sound tracks collector.

Kaida AyaWriter, Cosplayer. Books: “Maku-

ra-e no onnna midara eshi seijiro”

Kaida YuujiIllustrator. Works: “Kaijyuu

Giga”, “Kaijyuu Garou”, “Kaijyuu Nendaiki - Chronicles “ Awards: Winner of the 28th seiun awards (Best Artist section)

Kajio ShinjiWriter. Books: “Omoide

Emanon”, “Yomi Gaeri”. Awards: “Salamander Semmetsu” (Salamander Omniside) . Winner of the 12th Nihon SF Taisho Award

Kajita ShujiDoctor of Engineering. Books:

“Arukidashita Miraino Kikaitachi”, “Humanoid Robot”. Awards: Best Paper Awards from the Society of Instrument and Control Engineers in 1996. Best Paper Awards from the Robotics Society of Japan in 2005. Award from the ministry of Education, Culture, Sports, Science and Technology in 2007 Researcher of Humanoid Robotics Group, Intelligent Systems Research Institute, National Institute of Advanced Industrial Science and Technology.

Kanda SanyouBorn in Hokkaido pref. , 1966. In

1990 he became a disciple of professional storyteller Sanyo Kanda Jr. and took the name of Hokuyo Kanda. In 2002 he got the name of Sanyo Kanda the 3rd and acquired the qualification ”Sin-uchi (The best rank of professional storytellers)”. He works on not only his original Kodan stories but also traditional Kodan stories which learned from Sanyo Kanda Jr. As a Kodan-shi, he has made collaboration with theatrical companies, an orchestra, and other various genres of artists. In 2002, he challenged a narrator of old silent movies at Bantsuma Film Festival. In 2003 he appeared in the movie “Mibu Gishi Den”. In 2005 he went Italia as a mission member of cultural exchange program of the Agency of Cultural Affairs.

Kaneda JunkoSociologist, Yaoi Critic. Works:

Article: “Fu-joshi Manga Taikei” EU

REKA special edition, June 2007.

Kanou AzamiWriter. Books: “Hakurousa Ibun”,

“Tennyu no Ryouen”, “Ware Ten no Ko Taran”, “Asyu Ouryu Denki” series, “Kayou Kokusi” series. Awards: “Hakurousa Ibun” Winner of the 15th Historic literature Awards.

KarisuKarisu has been doing costuming

and cosplay since 1978. She has won major awards at SF&F conventions, Anime cons, and Costume Con. She has been judging at Anime and Science Fictions cons for the past few years, including LACon IV.

Kashiwazaki ReonaBook reviewer. She is working

for “SF Magazine”, ’’Katsuji Club” etc. and inroduce books for Young- Adults (So called Right Novels). She is a member of the Japanese Association for Gender Fantasy & SF.

Kasuya ChiseWriter. Books: “Croica - Taiyou

to Shisha no Kiroku”, “Amazonia”. Awards: “Taiyou to Shisha no Kiroku” winner of the 13th Japan Fantasy Novel Awards, “Amazonia” winner of 4th Sense of Gender Awards.

Kato KatsuyukiFan. Once game programmer lov

ing SF, Anime, and games. When he became the staff of the Japan SF Convention in 1990, he suggested “The Dark Nebula Award”. He continues sponsoring the Award from 1991.

Kato NaoyukiIllustrator. Works: “SF Gaka Kato

Naoyuki Jikuukan Gasho”, “SF Gaka Kato Naoyuki - beautiful girl / Machine / Powered Suit”, “Chinmoku no Bijyo”, “Guin Saga” series by Kaoru Kurimoto (Cover Illustration &Cut). “Ginga Eiyu Dcnsetsu (Legend of the Galactic Heroes)” series by Yoshiki Tanaka (Cover Illustration & Cut), “Rim World” series by A.Bertram Chandler (Cover Illustration & Cut),

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Nippon2007“Ginga Kojiki Gundan” series by Masahiro Noda (Cover Illustration & Cut). Awards: Winner of the 10th Seiun awards (Best Artist section), Winner of the Japanese publication artist league awards. His illustration of the powered suit of “Starship Troopers” gave Japanese SF world big influence.

Kato NoriyukiHe have attended the battles

which the top of all SFer come together and fight as hard as “Hokuto No Ken” for many years, from Capri- con 1. His lethal weapon is Kijo Riron, but the weak point of the weapon is absence of audience. Though recent years he often lost points, he plans to entry this year's battle in order to his old wounds and frozen shoulder.

Kato TakeoConsultant of Fuji Electric hold

ing Co., Ltd. Director of Japan Management Association. Books: ‘^Manga Shonen> Monogatari - Henshusha Kato Kenichi Den”

Kawai YasuoCritic of SF Arts. Articles: “SF

Gallery e Youkoso” SF Magazine Jan. 1995 -Dec. 1996.

Kawamata ChiakiWriter. Books: “Hanzaishi no Ka-

gami”, “Jikan Teikoku”, “Tenkai no kyo-senshi”, “Hoshi Karyudo” series, “Ningyo Toshi”, “1+1=0”, “Yume no Kotoba, Kotoba no Yume”, “Tsubasa ni Hinomaru”. Award: “Kasei-jin Sen- shi” winner of the 12th Seiun Awards, “Gensi Gari” winner of the 5th Nihon SF Taisho Award. FIc is a part-time lecturer of the College of Cross-cultural Communication and Business, Shukutoku University.

Kawato MitsuoDirector of ATR Computational

Neuroscience Laboratories. His research area is Computational Neuroscience. Books: “Nou no Keisan Riron” Sangyo Tosho 1996. Awards:

Excellent paper award and Yonczawa Founder's Medal Memorial Special Award of the Institute of Electronics, Information and Communication Engineers in 1991, Persons of scientific and technological research merits of commendation by the Ministry of state for Science and Technology in 1993, 10th Tsukahara Naka-akira Memorial Award in 1996, The Asahi Prize in 2007.

Kaya ma RikaPsychiatrist. Books: “Spiritual

ni Hama-ru Hito, Hama-ranai Hito”, “Shirazu ni Tanin wo Kizutukeru Hito Tachi”. She have a profound knowledge of a subculture.

Kihara HirotakaChair of the 31st Japan SF Con

vention (2000) executive committee.


Kikuchi MacotoPhysicist (But don't ask him about

cosmology). Loves P.K. Dick and W.Gibson. Loves progressive rock as well. Plays Theremin (If you're lucky enough, you may see him play Theremin sometime/somewhere during Nippon2007).

Kim YonhuaWriter. Books: “Ginyoutei Sawa”,

“Ryu no Nemuru Umi”, “Gin Shu no Hana”. Awards: “Ginyoutei Sawa

Kongou-zan Kitan” Winner of the 23rd Cobalt Novell Awards.

Kitahara NaohikoBorn in Tokyo, 1962. Writer,

translator. He graduated Aoyama Gakuin University department of physics. He wrote many Victorian- era novels. He is famous of a collector of old books and wrote some essays about his collection. As an investigator of Sherlock Holmes, he translated some books about Doyle and Holmes. In this summer, his short stories “Kubi Tsuri Shoujo Tei” Geijutsu Shuppansha, an essey of old books “SF Kisho Tcngai” Tokyo Shogen Sha, and “Sherlock Holmes Mange- kyo” Hon no Zasshi Sha, are planed to publish until Worldcon.

Kitano YuusakuWriter, Actor. Born in Hyogo

pref. Books: “Mukashi kasei no Atta Basho”, “Kamekun”. Award: “Kamekun” winner of the 22nd Nihon SF Taisho Awards. Actor of a theatrical company “Kyokou Sendan parametric orchestra”

Knighton, MaryScholar of Japanese literature.

Paper: “’’Paltai” kara “Sukiyakisuto Q no Bouken” e - Yomiko Kurahashi no Bunngaku ni Okeru Shnbiteki Sei- jiteki kakumei”.

Knudsen TrevorA Fan, resident of Japan for the

past 7 years, Nippon2007 staff translator. His bilingual and bicultural experience is a precious source for all fans in Japan and the US.

Kobayashi MegumiWriter. Books: “Neko no Me”,

“Kyoku To Shonen”. Awards: “Neko Tama” winner of the 2nd fantasia Full-length Novel awards (semi-winner), “Uchu Seimei Zukan” winner of the 2nd Sense of Gender Awards.

Kobayashi YasumiWriter. Books: “Gangu Shuuri-

sha”, “Umi wo Miruhito”, “A Q”,

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“Nefirimu Cho Kyuketuki Gensou Tan”. Awards: “Gangu Shuuri-sha” winner of the 2nd Japan horror novel awards (Short Story section), ”Umi wo Miru Hito” winner of the 10th SF magazine readers awards (Domestic section)"

Kohama TetsuyaBorn in 1962, in Tokushima Pref.

An alumnus of Kyoto Univ. Science Fiction Association. Since 1986, as an editor of Tokyo Sogensha, Co., Ltd. , a publishing company of translated science fiction and mystery, has produced Japanese editions of L.M. Bujold, Greg Egan, J.P. Hogan, Doc Smith, Edmond Hamilton, to name a few. Recent works include titles of Japanese authors. Won the Takumi Shibano Award in 2000.

Komori KeisukeFrom his debut as a professional

musician in 1984 he participated a lot of recordings, tours, and sessions. Now he is a member of progressive rock band “KENSO”, and fusion band “Yaju Okoku”.

Komuro KazuyukiIn 1978 he started his career of

a professional musician as a member of “Blue Berry Jam”. He joined “Sail Away”, “Sense Of Wonder”, “Box”. He is now a music composer, CM creator, studio musician, and producer.

Konaka KazuyaMovie director. Works: “Hoshizo-

ra no Mukouno Kuni”, “Keitai Deka Zenigata Kai”. He have affected many young visual artists in Japan. Recently he works for Tsuburaya Production works. His latest work as chief director is “Keitai Deka Zenigata Kai”.

Kosai TadashiWriter. He wrote many books

about automobile, motorcycle and auto/moto racing. Books: “Honda ga Race ni Fukki Suru Toki”, “Suke Suke Camera”, etc.

Kotani Mari

Writer, Critic. Books: “Techno Gothic”, “Seibo Evangel ion”. Awards: “Cyborg Feminism” (by Donna Haraway, Jessica Amanda Salmonson, Samuel R. Delany) Winner of the 2nd Japan translation Awards (Ideology section), “Joseijo Muishiki” Winner of the 15th Nihon SF Taisho Awards.

Kovalenin DomitryRussian. Japanese literature

translator. He translated “A Wild Sheep Chase” (Hitsuji wo Meguru Bouken) by Haruki Murakami.

Kumi SaoriWriter. Books: “Shinjin-sho no

Torikata Oshiemasu”, “Oka no ue no Mickey”, “Akeme-yami, Tojime- yami”, “Half-boiled Serika (no Tantei Gokko)” series.

Kuniyoshi YasuoProfessor of Lab. for Intelligent

Systems and Informatics, Dept, of Mechano-Informatics Grad. School of Information Science and Technology, Univ, of Tokyo. Research field: Intelligent Systems. Books: “Robot Intelligence” Iwanami Shoten. Awards: Best Paper Awards of the Robotics Society of Japan (2006), Best presentation award from the Society of Instrument and Control Engineers division of System Integration.

Kurimoto KoruWriter. Born in Tokyo. Books:

“Guin Saga” series. Awards: Winner of the 20th Gunzou new face literary awards (Criticism section as Azusa Nakajima), Winner of the 24th Ranpo Edogawa awards. Fler novel “Guin Saga” series starts in 1979, and 28 years old this year. She use two names (“Azusa Nakashima” and “Kaoru Kurimoto”), and writes various kinds of works.

Kusaka SanzoWriter. Born in 1968, Kanagawa

Pref. He worked for a book publisher at first, from 1998 he became freelance editor, critic of mystery novels

and SF. Editorial Works: “HachuKan Jiken” Kadokawa Horror Bunko, “Kaiki Tantei Shousetsu Kessakusen” Chikuma Bunko, “Honkaku Mystery Collection” Kawaide Bunko, “Showa Mystery Hihou” Fusosha Bunko, “Yamada Futaro Mystery Kessakusen” Koubunsha Bunko, “ Tsuduki Michio Shonen Shosetsu Collection” Hon no Zasshi Sya, “Amagi Hajime no Misshitsu Hanzaigaku Kyotei” Nihon Hyoron Sha, etc.

Kushida AkiraSinger. He is known well by a lot

of works of his ANIME/SFX (Toku- satsu) theme songs. His best known work is “Taiyou Sentai Sun valcan

Kushner, EllenA graduate of Barnard College's

Program in the Arts, Ellen Kushner also studied anthropology, ethnomusicology, and folklore at Bryn Mawr College. She first worked in New York City as a fiction editor, copywriter, and artists' representative before moving to Boston to join WGBH Radio as the host of some memorably eclectic local programs. She was invited to create and host Sound & Spirit, which first went on national air in April 1996, and is now heard on over 100 stations nationwide.

Kushner's family holiday story, The Golden Dreydl: A Klezmer 'Nutcracker' for Chanukah, which she performs live every year with Shirim Klezmer Orchestra, is now commercially available on CD from Rykodisc. For Rykodisc she and her staff also created the Sound & Spirit collection Welcoming Children into the World. Her adult performance piece, Esther: the Feast of Masks (2004 Gracie Allen Award), tours the U.S.

Her first novel, Swordspoint, a Melodrama of Manners, was reissued by Bantam Books in 2003 in connection with the publication of its sequel, The Fall of the Kings, co-written with Delia Sherman. Kushner's second novel, Thomas the Rhymer, won the Mythopoeic and the World

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Fantasy Awards, and was rereleased by Bantam in 2004. Her short fiction and poetry have appeared in many anthologies, including The Year's Best Fantasy and Horror, and her work has been translated into seven languages. Her new novel, THE PRIVILEGE OF THE SWORD, will be out from Bantam in August 2006, with a limited edition hardcover from Small Beer Press.

She lives in NYC with Delia Sherman and too many books. She dreams of being invited to play HAMLET someday.

http://www.EllenKushner.com http://ellen-kushner.livejournal.

com/

Lankard WakeGibson Affectionado. A SF

“otaku” living in Japan. "

Link KellyWriter, editor. “Magic for Be

ginners”: 2005 Nebula Award for Best Novella, “The Faery Handbag”: 2005 Hugo and Nebula Award for Best Novelette, Locus Award winner, “Louise's Ghost”: 2001 Nebula Award for Best Novelette, “The Specialist's Hat”: 1999 World Fantasy Award, “Travels with the Snow Queen”: 1997 James Tiptree Jr. Award

Maeda TaroProfessoroftheGraduateSchoolof

Information Science and Technology, Osaka University. Wearable robot that supports man's behavior: Human Parasite research. Development of sensemovement interface using mistake. Works: “Robot opera”, Kobunsha Publishing, 2004. (The chapter of “Science of a powered suit”). Thesis prize from corporation Society of Instrument and Control Engineers in July, 1990 Technological prize from corporation Robotics Society of Japan in November, 1991 Science encouragement prize from corporation Society of Instrument and Control Engineers in March, 1997 Thesis prize from Japanese

corporation virtual reality society in September, 1999 Thesis prize from Information Processing Society of Japan Corp, in May, 2000 VR News Best Award from IEEE Virtual Reality2001 in March, 2001 Thesis prize from Japanese corporation virtual reality society in September, 2001

Maki Noriko (Meamet)Born in 1962 and graduated from

Kyoto Junior Collage of Art. A magazine editor and Kimono consultant. A SF Fan Exchange Association staff and chairperson of the Federation of the SF Fan Groups of Japan.

Makino OsamuWriter. “Shikabane no ou” and

“Ou no nemuru oka””Kugutsukou” “Na no nai ie” (Makino Neko) Kisou tengai SF Shinjin r award in 1976. “Mesareshimachi” (MakinoMichi koi) Gensou bungaku Shinjin of the year award fine work selecting in 1985. “Ou no nemuru oka” the first Hai novell grand prize winning in 1992 The 23th Nihon SF grand prize in 2002 (“Kugutsukou”)

Man RichardRichard Man is a semi-profes

sional photographer specializing in Fine Arts and Costume Photography. He is the official photographer for many of the California SF&F conventions and anime conventions. For more information, please visit http:// www.imagecraft.com/photostudio.

Masuda MamoruBorn in Miyagi Prefecture.

Translator. It participates in Koichi's Yamano NW-SF while . . Waseda University. . attending school. A lot of translations such as dish “334” and ballard “The United Dream Company”, Colder “Dead girls”, Martine “Fever dream”, and Macormack “Inspecting The Vaults”.

Matsubara HitoshiProfessor of Future University-

Hakodate. Doctor of Engineering. “Tetsuwan Atom wa jitsugen dekiru- ka” (Kawade Shobo Shinsya) “Robot jouhou gaku2 (NTT Syuppan) “Saki wo yomu zunou” (Shincyou sya) His specialty is artificial intelligence research, RoboCup, computer Japanese chess, and the online gamings. He won Jinkou chinou gakkai Ronbun prize and Nippon ninchi kagakukai ronbun prize, etc.

Matsuoka ShujiBorn in 1956. Surgeon. Sci-Fi

TV critic. Won a grand prize at the SF Magazine Award for the self-published book “BJ PRESS”

Mimura MiiBorn in Aichi Prefecture in 1962

and raised in Osaka. She reviews books for Hayakawa's SF Magazine, The Sankei, and The Katsuji Club. She is joint author of Right-Novels Mettagiri (published by Ota Publishing).

Minakami RyuutaroBorn in 1958. Pseudoscience

watcher. With the society management committee. Books: “Da Vinchi Code saisyuu kaidoku” (Bungei sya) “Kodai bunmei no nazo wa dokom- ade toketaka” 1-3, “Shin Tondemo cy- oujou gensyou 60 no shinsou “ “Jinrui no getsumen cyakuriku ha attannda ron-to gakkai repo-to” (gakkousya) etc.

Mori NatsukoWriter. ’’Saijo Hideki no okage

desu” “Karakuri anmoraru” , etc.

Morioka HiroyukiWriter. Born in Hyogo Prefec

ture. In 1991 his work “Yume no ki ga tsugetanara” won Hayakawa SF contest. He presented “Seikai no monsyou (Crest of the Stars) “ in 1996, and SF fan love it. It was evaluated high as a new generation of space opera with its sequel, “Seikai no senki”.

Morishita KatuhitoBorn in Kouchi Prefec-

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http://ellen-kushner.livejournal

http://www.imagecraft.com/photostudio


ture in 1951. SF writer and critic. Books: ’’Kosmos hoteru”, “Gen- dai SF saizensenn”, and “Shikou suru monogatari” The main book: And others.

Nagai GoCartoonist. In 1972 “Devil man”

and “Cutie Honey”, etc. are made TV animation, and the new front of the robotcartoon isopcnedby“MagengarZ”. The TV animation work such as “Dororon enma kun”, “Great Maz- ingar”, and “UFO Robo Grendaizar” will continue since then, and it is telecasted, and is worldwide popular at the same time also in Europe. It the 4th Kodansha cartoon prize wins by “Susano oh” on 1980. 1997 and the 30th debut anniversary come.

Nagasawa TadashiProfessor of American Literary

at Sugiyama jogakuen University. Works: ”Nichi-bei eizou bungaku wa scnsou wo dou mitaka?” (Collaboration), Thesis “Nikutai/text: Avant-Pop novel on Harold Jaffe”etc.

Nagase TadashiBorn in 1952. The commen

tary activity that centers on the history of SF and the history of making to technical writings, and includes many things is developed. Books: ’’GUNDAM CENTURY” (Ginga syobou) “Yokubou no mirai” (suiseisya), “Nikutai no nu-to pia” (Seikyuu sya), “Nihon SF ronsou shi” (Keiso syobou) “Gibogibo 90pun!-to gakkai report” (Gakkou sya)

Nagayama KaoruCritic. Book: ”Ero Manga Stud-

ies-Kairaku souchi to shite no Manga Nyuumon”

Nakagaki KotaroA scholar of American culture

and a literary critic. Main interests are reality TV, documentaries, sf, and popular music.

Nakajima ShigeoComposer. It is from the compo

sition of musical “Heike monogatari” of the circle of harmony (2002) with Shirotani because of all the soundmakings.

Nakashima HideyukiPresident of Future Univcrsity-

Hakodate. “Chienonazo” (Kodansha Burubakkusu) “Al jiten” (Kyoritsu Shuppan) “Chiteki e-jento no tameno syuugou to ronnri” (Kyoritsu Shuppan) “Shikou2 (Iwanami kouza nin- chikagaku 8) “Prolog” (Sangyo tosyo) Information Processing Society of Japan thesis prize (1985. 5. 17) Motooka prize (1987. 11. 7) Nihon jinkou chinougakkai Syouwa 60th Ronbun prize (1988. 6. 24) Nihon ninchi kagaku kai ronbun prize (1993. 5. 29) Denshigijutsu sougou kenkyuu- jo gyoseki prize (1997), etc.

Nakazato YujiBorn in 1957. Writer, he is work

ing actively on the fields of right novel, historical novel, virtual record of past wars, and other wide genres. “Automatic Interceptor”, “Kyo- ukagaku Hunter- REI”, “Arawashi no Taisenn”, “Scngoku Ryoukoden”, “Demons Summoner”, etc.

Namba HiroyukiHe have made collaboration with

various artists and participated lives as a keyboard player and those who arrange the work. Many announce the work that makes SF a theme in solo and band “Sense Of Wonder”. He is a member of SFWJ. He is now associate professor of Tokyo Ondai.

Nihei TsutomuCartoonist. “BLAME!”, “BIO

MEGA”

Nishimura HajimeJapan Agency for Marine-Earth

Science and Technology ( JAM- STEC), Organaizer of “The best earth/ocean SF fan voting”

Nishimura YuujiManager of the collector shop

“Ml gou”and event planner.

Nishizawa YasuhikoWriter. Works: “Fukusei syouk-

ougun” and “Morinatsco series”., etc. He is a prize winner of the 2nd Scense of Gender Award special prize in 2002 (“Ryouseiguyuu mciro”).

Noa AzusaWriter. “Baberu no kaori”

Seat the first in “Hanakaryuudo” selecting in the 5th Hayakawa SF contest in 1979.

Nojiri HousukeBorn at Tsu in Mie Prefecture in

1961. Novelist whose works include The Sun Usurper, The Rocket Girl, and many more.

Nomura TakemasaThe 37th Nihon SF taikai in-

dhi-zu eizou grand prize examination chairman prize winning. Birth April 26, 1968. When it is a school child, the independent special effects filmmaking is started with late father's 8milli film camera.

Numano MitsuyoshiProfessor of the University of To

kyo, Russia, Eastern European literary researcher, and translator. Book “Yane no ue no bilingual” Hakusui Sha, etc. Translation Stanislaw Lem “Solaris” (Kokusyokansoukai), etc.

Ogasa EijiPh. D, Research Field: High di

mensional space Writer: ’We can see four dimensional space and greater than four dimensional space' Recently I begun to go to SF activities. I am surprised that I know that one of the books which I read in my childhood is written by Hugo Gernsback and another is by William Olaf Stapledon. My hobby is windsurfin.

Ogushi HisayoWorks: “Hybrid romance-Ameri-

ca bungaku ni mini hosyuu to konkou no dentou”

Ohara MarikoWriter. Works: ’’Hybrid Child “,

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Nippon2007’’Sensou o Enjita Kamigami Tachi” The 21st Seiun syou nihon tanpen bu- mon winner in 1990 (“Aqua planet”) The 22th Seiun syou nihon cyouhen bullion winner in 1991 (“Hybrid child”) The 15th Nihon SF Award grand prize winner in 1994 (“Sensou o Enjita Kamigami Tachi”) The 35th Galaxy encouragement prize winner in fiscal year 1997 (radio drama “Psycho Sound Machine” (NHK-FM broadcasting) original story) , The 29th Seiun Award short storysection winner in 1998 (“Independence day In Oosaka (Ai wa nakutomo shihon syugi)

OHSAWA RulisaLibrary staff of an National Uni

versity. “Library SF” collector and lax Anime fan. Participated Japan SF Convention from EZOCON-2 (1984). Born and grew up in Yokohama, now lives in Tsukuba.

Okabe IsakuMilitary commentator. “Sekai no

dassakuki” (pen name: Okabe Da- saku) “Kuruma ga saki ka? Hikouki ga saki ka?”

Okanoya KazuoRikagaku Kenkyujo (RIKEN)

Brain Science Institute team leader. Works: “Kotori no uta kara hito no kotoba e” (Iwanami Shoten). He conducts Theoretical studies in biological origin of language, Neural mechanisms for syntax in birds and humans, and Neural mechanisms for sound and meaning in rodents, etc.

Okubo MasakoParcasshonist. She performed

various sounds with the percussion in the performance of “Kenjo no tenarai narabini shingoyomi” in 2007, and that was the first time of co-starred with Shirotani .

Ono NorihiroTranslator, prize winner of 1999

SF grand prize of Russia. He is representative of “Roshia Touou SF society

“ troika no kai”.

Onouchi MinA DiscWorld freak who attended

the worldcons in Boston and Glasgow, just to get the author's autographs. Loves Britain and its Arthurian Legends. A member of The Japanese Association of Feminist Science Fiction and Fantasy.

Oomori NozomiTranslator, book critic. Born

in Kochi pref. , 1961. He graduated Kyoyo University Faculty of Letters. He is writing for magazines such as Weekly Shincho and Hon no Zasshi. Books: “Gendai SF 1500satsu Rantou hen”, ” Gendai SF 1500satsu Kaiten hen”, “Tokumori! SF Honyaku Koza”, ’’Bungaku sho Metta giri!”series (joint author). Translations: “Passage”, ” The Last of the Winncbagos and other stories”by Connie Willis, ’’Bright Segment and other stories”, ”A Touch of Strange and other stories” by Theodore Sturgeon, etc. His translation of “And Now the News. . . ”by Sturgeon won Seiun Award.

Oono SyuuichiEditor of Tokuma Shoten, An-

ime-ju generalization producer, editor in chief of RYU COMIC, and former editor in chief of SF JAPAN"

Oota TadashiWriter. Works: ’’Tsukuyomi”

“Shinjuku syounen tanteidan”, “Ki- kyou (Hosh Shinichi short-short contest excellent work in 1981)” “Ougoncyou hitori (Utsunomiya Kodomo award in 2005)”.

Osako MasamichiTechnical translator/interpreter.

Chairman of CONTACT Japan equal to CONTACT in US. in which you enjoy simulating first contact with ET civilizations. His first Worldcon was Chicon IV in 1982 and I visited the Ackermansion then.

Osawa minamiI belong to the academy of outra

geous books for 13 years.Majoring “Questionnaire in Sho-

nen Magazine” and other questionnaires and outrageous inventions and the outrageous patents, etc. I brought a technique of the numerical analysis method to those themes above and make a presentation with Power Point. My hobbies are visiting museums and collecting figures.

Osii MamoruBorn in 1951. Movie director,

producer, writer. He is active in various field of creation. Works: “Urusei Yatsura”, “Patlabor” , ’’Ghost in the shell”, etc. His movie “Innocence” won Nihon SF Taisho awards.

Otobe JunkoPresident of of Io Ltd. Komatsu

Sakyou office. It is 30 years as the manager in Komatsu Sakyo. When movie “Bye-bye Jupiter” was produced, she had done the overall management as “Slave head” in the office.

Oyama EimeiChief researcher of Intelligent

Systems Institute The National Institute of Advanced Industrial Science and Technology (AIST). He also work for Council for Science and Technology Policys as a foresight of next generation robot technology. He is conducting researches on learning control of robot and tele-existence (or telepresence, is an advanced form of teleoperation, which enables a human operator to remotely perform tasks with dexterity, providing the user with the feeling that he or she is present in the remote location). He won IJCNN'99 (International Joint Conference on Neural Networks, Washington, 1999) Best Presentation Award.

Oyama NormaCosplayed conqueror. She is a

master of the Cafe Sci-fi tique, a cafe of mad scientist group. She is a member of the Japanese Association for Gender Fantasy & SF.

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Qin LiCEO of Chinese book publisher

“Kehuan shijie Zazhi (Science Fiction world)” and editor in chief of “Kehuan shijie Zazhi”. Born in 1969.

Saisho HazukiNonfiction writer. Born in 1963.

She is interested in education, sports, relation between technology and humanity, etc. and eagerly covering these fields. Books: ’’Zettai onkann” (Shogakukan nonfiction grand prize) “Aoi Bara”, “HOSHI SHINICHI 1001 wa wo tsukutta hito”etc.

Saito EiichiroBorn in Tokyo. Writer. He partic

ipated in SF literary coterie magazine “Ucyuujin” when he was a student of . Tokai University. His first book is “Akuukansenkan wo ute”. He published a lot of books like “High Speed Jecy” and “Kaitou senshi T’T” series etc.

Saito TamakiPsychiatrist. Works: ’’Sentou bi-

syoujo no seishinnbunnseki”, “Bun- gaku no cyoukou”.

Sakurai HiromitsuI am a computer programmer of

the TV drama enthusiast SF, comedy. 1 stray away from a way by coming across RED DWARF. I am fighting desperately recently to compile the voice actor information.

Sakurazaka HiroshiBorn 1970 at Tokyo. Writer. He

is known to the writer who write unique novels based on computer culture. Books: ’’Yokuwakaru gcndai mahou”series, “ALL YOU NEED IS KILL”, “Suramu online”

Sakuta YuichiroYuichiro Sakuta is the Masquer

ad Director and has enthusiastically been involved in anime/Sci-Fi conventions in U.S. as his fan activities. He also works for Sakura-Con held in Seattle, WA as the Japanese Publicity Manager. He's been working hard to

make the first Western style Masquerade held in Japan this time a huge successful one.

Sanbi (Carole) ParkerSanbi has been working behind

the stage at local, regional, and World- Con masquerades for more than twenty-five years. Almost all of these years have been spent helping the masquerade contestants feel more comfortable about going on stage as a den mother, lead den mother, or assisting the Masquerade Green Room Manager. Sanbi has also competed as a masquerade contestant and has won workmanship awards for her dyework, but has never won a presentation award. Sanbi has created a website for Western-language costumers to share costuming resources, general information, and humor: <http://ww w.costum i ngtips. org/costuming.html>

Sasamoto YuichiBorn in Tokyo in 1963. He have

written wide range of books, such as right-novels (Novels for young adults) ’’ARIEL”, scripts, and nonfiction “Passport to Space” and more.

Satomi NaonoriShe started making coterie

magazine when she was high school student. In 1988, when she was an university student , she participated Comic Market Preparation Committee as a staff. She consistently work for arranging circles and arrange the trafic in Comic Market halls. She is the model of “Nazo no ginkouinn OL Satomi-cyan “ that appears in comic market catalog.

Satou TetsuyaWriter. Works: ’’Tsuma no tei-

koku”, “Ncttai”, “Irahai ( 1993 Japanese Fantasy Novel Award Grand Prize)”

SausuAmateur game designer. Kijou

Riron Gakkai always calls for papers, and he, the of the new face (Howev

er, participated several years ago) is pleased with that.

Schnellbacher ThomasScholar of Japanese literature.

Books: ”Abe Kobo, literary strategist”, ’’World Weavers (Collaboration)”, Thesis: ’’Has the Empire Sunk Yet?—The Pacific in Japanese Science Fiction”

Sena HideakiWriter, Professor (by Special

Appointment), Division of Mechanical Engineering, Tohoku University. Books: ’’BRAIN VALLEY”, ’’Descartes no missitsu” Awards: Winner of Japanese Horror novel grand prize, Winner of Nihon SF novel grand prize.

Senowo YufukoWriter, Works: ’’Mahoh no niwa”

’’Palais de Reine, bara no syugo” Awards: ’’Mahoh no niwa”Winner of SF online prize, Winner of Fantasy Horror novel section,

Sherman DeliaWriter, Works: ’’The FaericCony-

catchcr”,Awards: ’’The Fall ofthe Kings”by

Ellen Kushner and Delia Sherman nominated to World Fantasy Awards Novellete section in 1998. "

SHICHIRI ToshikoMember of “Nuigurumishin-

posha”. Chair of The 45th Japan SF Convention Michinoku SF Festival ZUNCON in 2006. My first attennd- ing of Japan SF Convention was i-con in 1991, Worldcon was L.A. Con4 in 2006.

Shigema KeiWriter, Scenario Writer, Repre

sentative of scenario kohboh ’’Gekko”, Works: ’’LUNAR”, ’’LUNAR2”

(Original, Scenario of the Game), “Samurai-doh2” (Scenario of game), ’’Silent mebius (Novel version)” and other many books, project directions.

Shikano Tsukasa

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Born in 1959. Science Writer, SF Critic. Graduates from Nihon University College of Humanities and Science, Department of Physics. Books: ’’All that Ultra Kagaku”, ’’Kyodai Robot tanjou”.

Shikina AkiyoshiScholar of German literature,

professor of Keio University. Books: ’’Jinzou bijo ha kanouka?” Translation: ”DER ALTE TRAUM VOM NEUEN REICH” (Jost Hcrmand), “E.T.A. (Rudiger Safranski)”.

Shimada KimikoAlien HRM consultant. She is

studying alien ability such as Sergeant Keroro, Wetman etc. She is a member of the Japanese Association for Gender Fantasy & SF.

Shimada KimikoJMA (Nihon nourithu kyoukai),

Presider of “Baku-dan”, Yumimaku- ra Baku Fan Club. Member of Local SF Fandam ’’BAKU”, the Japanese Association for Gender Fantasy & SF. Awards: Winner of Shibano Takumi Prize, (by Fandam activity)

Shimada YoichiTranslator. Books: ’’Night Hunt

er” (Robert Faulcon), ’’Elenium” (David Eddings), ’’Neanderthal” (John Darnton), ’’House of Leaves” (Mark Z.Danielewski), ’’Newton's Wake: A Space Opera” (Ken MacLeod), and so on. Awards: ’’This Year's Class Picture44 (Dan Simons) Winner of The 30th Seiun Awards, Overseas short story section, in 1999. “House of Leaves” (Mark Z.Danielewski)Winner of The 10th BABEL International translation grand prize, in 2003, ’’The Human Front 44 (Ken MacLeod). Winner of The 37th Seiun Award, Overseas short section, in 2006.

Shimizu KazuoBorn in 1954. Writer, Sciencecom-

mentator, Member of “TO” Gakkai, Books: ”UFO no uso”, ’’Daiyogen no

uso”, ’’Gibogibo 90pun! “TO” Gakkai Report”, “Jinrui no Gethumen tyakuriku wa Attanda Ron “TO” Gakkai Reporf’and so on.

Shimizu TakashiMovie director. Movies: ’’Yurei

VS Utyuujin”Vol. 1-3 (2002-2007), ’’THE GRUDGE2” (2006), ”Rin-ne” (2005), ’’THE GRUDGE” (2004), ”Mare-bito” (2004), “JYUON2 Geki- jo-ban” (2003), ’’JYUON Gekijo- ban” (2002), ’’Tomie re-birth” (2001). Awards: ”Mare-bito”Winncr of Brussels Internationaal Festival van de Fantastische Film Grand Prize ’’Golden Raven”.

Shimomura KenjuMedical doctor, and Postdoctoral

Fellow of University of Oxford Department of Physiology, Anatomy and Genetics from 2004. He is working for diabetes research and electrophysiology. He have contributed articles to “Komatsu Sakyo Magazine”about the criticism of movies of Komatsu Sa- kyo's works overseas. He also wrote an article about the movie “Bye-bye Jupitor” for “G-fan magazine” No. 80.

Shinoda MayomiWriter, Books: ’’Kenchiku Tantei

Sakurai Kyosuke no Jiken-bo”Series, “Ryu no mokusiroku”Series.

Shinohe SatoruCEO of Olympos Ltd. , so called

the only company which develops airplanes in Japan. He graduated Nihon University Department of Aerospace Engineering. After the graduation he immediately established Olympos Ltd. in 1985. He conducts not only original glider development, but also translation and software programming business.

From 2003 he have worked for OpenSky Project, from concept making and design to manufacture of the plane.

Shinosaki Sami

Writer, “Fire emblem”, ’’Otonari no Mahou-Tukai”.

Shiozawa YoshihiroBorn in 1968. Editor in chief’SF

Magazine”. He established “Hay- akawa SF Series J Collection”, introduced up-and-coming SF Writers such as Ubukata Toh, Tobi Hirotaka etc. , makes every effort to activate Japanese SF.

Shirotani SayokoCEO of the Grobal Theater Wa

no Wa. Actress. Producer. Lecturer/ instructor of Japanese dance & Kabuki fighting, at Drama Academy in St.Petersberg, Russia, and Yale Univ, in the U.S.A. Joined Zenshin-za Theater in 1976, quit in 2000. Her life work is “the oil hell of wemcn killer” by Monzaemon Chikamatu, played 19 charactors by herself with the original version of Hitori (playing alone) Kabuki, and it performed in Edinburgh and Russia.

Shito ReisaCartoonist. She is writing a cell

phone novel. In this summer she plans to publish a commie about urban legends by digital publishing. For this comic is not only written in English and Japanese bilingally but also has sound effects, all people can enjoy it. She and Ayumi Hattor edited books about urban legend as private publishing.

Shono YorikoWriter. Books: ”Kon-Pira”, ”Sui-

syo nai seido”, ”haha no hattatsu”. Awards: ”Goku-Raku”Winner of The 24th Gunjo Shinjin Bungaku Prize (1981), “Nani mo Shitenai”Winner of The 13th Noma Bungei Sinjin Prize (1991), “Nihyaku-kaiki”Winner of The 7th Mishima Yukio Prize (1994), “Time slip Konbinato”Winner of The 111th Akutagawa Prize (1994), “Yuu- kai Mori MusumeIbun”WinnerofThe 29th Izumi Kyouka Bungaku Prize (2001), “Suisyo nai seido”Winner of Sense of Gender Awards Grand Prize

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2003 (2004), “Kon-Pira”Winnerof The 16th Ito Sei Bungaku Prize (2005), "

Silverberg, RobertRobert Silverberg has been a pro

fessional science fiction writer since 1955. He is the author of more than 100 books and hundreds of short stories and has won five Hugo and five Nebula awards. In 2004 the Science Fiction Writers of America named him a Grand Master. Among his best- known books are LORD VALENTINE'S CASTLE, DYING INSIDE, NIGHTWINGS, and THE BOOK OF SKULLS.

Sindo MasaakiBorn in 1948, Writer, Researcher

of Nikola Tesla, Head of Nikola Tesla Laboratory. Guraduated from Yokohama City University. He is interested in Nikola Tesla, great inventor in 19c., and eagerly introduce his achievement. Books: ’’Hatsumci Chojin Nikola Tesla”, ’’Babbage no Computer”

Sinjow KazmaA Writer (of SF, fantasy, and light

novels) and a designer of imaginary languages. Having won the 37th Sci- un Award with “The Summer/Time/ Traveler” in 2006, his recent hobbies are collecting old books, studying Latin, 'flaneuring' around Tokyo, and anything to do with bicycles. "

Soumare MassimoMassimo Soumare, born 1968

in Turin, Italy, is an Italian translator, writer, editor, Japanese language teacher, Japanese culture consultant etc. He translates Japanese stories into Italian and carries them on Italian magazine "ALIA giapponc". He have translated the work of Asamatsu Ken, Bandou Masako, Dazai Osamu, Eguni Kaori, Kikuchi Hideaki, Mina- gawa Hiroko, Miyabc Miyuki, Onda Riku, Tachihara Michizo, Yumcno Kyusaku, etc.

Sumiya Kazuo

SF Fan. Nippon2007 is his 6th Worldcon. He loves Hard SF and pictures. He is addicted to make Origami of SF charactors several years. He edits individual databooks of Ifukube Akira, Tsuburaya Production, World wide Science Fiction TV program, railways of various countries in the world.

Suter RebeccaScholar of Japanese literature,

Works: ’’Murakami Haruki and the Power of Imagination”

Suzuki CJ (Shige)A PhD candidate at UC Santa

Cruz. Studying Japan, US, and Rus- sian/East European science fiction and speculative fiction. Writing a dissertation about technology and race in sf. "

Suzuki YouetsuCouncilor

Tachihara TouyaWriter, Lecturer of Hokusei

Gakuen University. Books: ’’kusir- aku Seiyu-Dcn”series, ’’Meikai Bu- kyou-Tan”scries, ”CITYVICE”series, Awards: Winner of Cobalt reader grand prize in the latter six months of the term in 1991.

Takaakira UBorn at Tanegashima in 1976. Af

ter graduating college, he worked for eight years for the Japan Coast Guard because they claim to let you study physics in higher education organization, and bacame a free editor. "

Takachiho HarukaWriter, born in Aichi pref. Es

tablished Studio Nue in 1972 when he was still a student, to work as an Anime producer and senario Writer. His debut as a Writer was made by “Crusher Joe: Wakusci Pizan no Kiki” (Crisis on Planet Pizan) in 1977. In 1980, he started “DirtyPair”series in which Yuki & Kei are heroines, won Seiun Award (Japanese short story) by “DirtyPair no Dai Boken” (The Great

Adventure of DirtyPair). In 1986, won Seiun Award (Japanese novel) by “DirtyPair no Dai Gyakuten” (The DirtyPair Strike Again).

Takagi JunzoHead of FX Ltd. He edited “Star

Wars Weekly” Fact File, one hundred and more of Star Wars novels and a lot of related books published in Japan. He also wrote other movies' publications.

Takahara EiriWriter, Critic. Books: ’’Syojo Ry-

ouiki”, ”Muku no Tikara (Syounen Hyousyou Bungaku-Ron)”, ’’Gothic heart”, Awards: ’’Syoujo no Tame no OusatsuSahou”WinnerofThe IthGen- sou Bungaku Shinjin Awards (1985), “Katari no Jiko Genba”Winner of Commentary section, The 39th Gunjo Shinjin Bungaku Awards.

Takahashi MakotoHe first attended Japanese SF

Convention since 1980 (TOKON7). He loves J.R.R. Tolkien and Arthur Ransome. Joined the project of translation of “Unfinished Tales” of J.R.R. Tolkien. For details ; WWW page. http://www.fibcrbit.net/user/hobbit- m/english

Takano FumioWriter, Books: ”Aion”, ’’Musica

Macchina”, ’’Vaslav”. In 1988 her play Elevation won the accessit prize of 2nd Aoyama Round Thatre Play Concour. In November 2005, she at- teded the 12th Russian Fantasy Novelist Conference””, as the first Japanese Writer participant.

Takanuki NobuhitoBorn in 1956, at Kanagawa pref.

Writer, Military analyst. Books: ”Dai-Nihon TeikokuOusyu Taiscn”, ”Kita Tyouscn Houkai”, ’’Project dragon killer”, “A&Z Zukai Doitsu Soukou Shidan”, ’’Soutou Washi no Monsyou”and so on.

Takayanagi KayokoPhysician. The existence of she

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http://www.fibcrbit.net/user/hobbit-m/english

Nippon2007herself is Gothic. If you cannot understand, come Cos-Play Panel.

Takekuma KentaroEditor, Writer, Original story

writer of cartoon. Books: ”Saru demo Kakeru Manga Kyousitsu”, ’’Manga Genkouryou wa Naze Yasui noka?”

Tamaki NozomuCartoonist. Books: ’’Dance in

the Vampire Bund”. This August he begins “Hakodate Youjin Burai Cho” comic series on Kodansha Magazine Z. He will talk eagerly about Anime and Jidai Gcki at the Nippon2007 Programming.

Tan-no ShinobuHe learned the art of drawing by

himself and started his career as a free-lance illustrator in 1997. We can sec his various works on cover illustration of some novels, illustrations of movies, CD jackets, and characters of Animes.

Tanaka HicaruIllustrator. Works: Cover illus-

traton of “Ten Thousand Light-Years from Home and Other Stories”by James Tiptree, Jr, and “Singleton and Other Stories” by Greg Rgan. Awards: Winner of Reader prize, SF Magazine (1997, 1998, 2001).

Tanaka HirohumiWriter. Books: ’’Boukyaku no

Hune ni Nagare wa Hikari”, ’’Keritai Tanaka”, “Ginga Teikoku no Kou- bou mo Fudc no Ayamari”, Awards: ”Kyou no Kenshi”Winner of The 20th Fantasy romance grand prize, “Ginga Teikoku no Koubou mo Fude no Ayamari”, Winner of The 33th Sei- un Awards, short section in 2002.

Tanaka KatsuyoshiHead of “Kaoru no Kai”, the

fan club of Kurimoto Kaoru. He edited “Kurimoto Kaoru and Nakajima Azusa BOOKLIST”. He works as a story checker of Guin Saga, gives his cooperation for related books, such as “THE GUIN SAGA HAND BOOK”.

Tanaka KojiWriter. His speciality is ocean

action novels. Books: ”Waga Omo- muku wa Aoki Daichi”, ’’Eden no Senshi”and so on. Awards: ’’Ougon no Wana”Winner of The 1th Yo- shikawa Eiji Shinjin Prize, “Chi to Ougon”Winner of The 6th Kadokawa Syousetsu Prize.

Tanaka YoshikiBorn in 1952. He won the Award

for New Writers of “Gen-ei Jo” magazine by “Midori no Sogen ni. . . . ”in 1978. In 1988, he won Seiun Award Novel section by “Ginga Eiyu Denset- su (Legend of the Galactic Heroes)”. His latest novel is “Gesshoku Jima no Mamono”Riron Sha.

Tani KoshuWriter, Chairman of SFWJ.

Books: ”Owari-naki Sakuteki”, ”Shi- roki Mine no Otoko”, Awards: ”Ka- sei-Tetsudo Ichi-Kyu”Winner of The 18th Seiun Awards, Short section in 1987. “Owari-naki Sakuteki” Winner of The 25th Seiun Awards, Novel section in 1994. “Shiroki Mine no Otoko”Winncr of Nitta Jiro Bungaku Awards.

Tatsumi TakayukiPh.D. (born in 1955), literary

critic and professor of English, teaching American literature at Keio University (Tokyo, Japan), is the author of Cyberpunk America (Tokyo: Keiso Publishers, 1988; the 1988 Japan-US Friendship Commission American Studies Book Prize). He won the 5th Pioneer Award (SFRA) in 1994 with the collaboration essay with Larry McCaffcry “Towards the Theoretical Frontiers of Fiction- From Metafiction and Cyberpunk through Avant- Pop” (1993), and the 21st Japan SF Grand Prize (SFWJ) in 2001 with Science Fiction Controversies in Japan: 1957-1997 (Tokyo: Keiso Publishers, 2000). Having published a variety of essays in SF Eye, Extrapolation, Para*Doxa, American Book Review, Mechademia, PMLA and elsewhere,

he recently published a book entitled Full Metal Apache: Transactions between Cyberpunk Japan and Avant- Pop America (Durham: Duke UP, August 2006).

Tobi HirotakaWriter. When he was an Univer

sity student, he won Sanseido SF Story contest in 1981. After 1992 he had stopped releasing stories, came back in 2004 and published “Gran Va- cance”. He won the 36th Seiun Award short story section and the 25th Nihon SF Taisho Award by “Katadorare- ta Chikara”. The latest his work is “Ragged Girl”

Tohno TsukasaWriter, Technical Writer, Secre

tary-general of SFWJ. Books: ’’Milky Pia”, ”Den-noh Kitoh-shi”, etc.

TrinityCyberpunk Navigator, Producer,

lecturer, diver, gourmet seeker, spa & hot spring mania, and Costume player.

Tsuchiya YutakaFounder chairman of

“Komatsu Sakyo Kenkyukai”. He worked for the movie “Bye-bye Jupiter” from the beginning of the production. He was the director of CG creation of the movie, conduct all works from the PC level to Super Computer level.

Tsuji MasakiWriter, Scenario Writer. Works

(Plot Making): “Testuwan Atom (Asto Boy)”, ”8 man”, “Kyojin no Hoshi”, “Jungle Taitei”, “Gegege no Kitaro”, “Cyborg 009”, “Devil Man”, “Captain Future”, “Unico”, “Watano Kuni Boshi”, “Sazae San”, “Ikkyu San”, “Doraemon”, “Arare Chan”, etc. In 1982, He won Mystery Writers of Japan Award for “Alice no Kuni no Satsujin”.

Ushijima EssaiEssai Ushijima is one of Presenta

tion Judges for Nippon 2007 Masquer-

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ade. He has been working for Comic Market as the Cosplay Division Manager for more than 10 years and one of the top person of the Cosplay scene in Japan. He's also involved in the World Cosplay Summitt held in Aichi, Japan every year as one of the Judegs. He has written many books regarding Cosplay too.

Uzukibara HaruakiWriter. Books: ’’NOBUNAGA

Aruiwa Taikanseru Androgynous”, ”Hon-noh-ji no Magatu-hoshi Reimei ni Somuku Mono”, ’’Antoku Ten- noh Hyoukai-ki”, ”Ten-noh Bune”, Awards: ’’NOBUNAGA Aruiwa Taikanseru Androgynous ’’Winner of The 11th Nihon fantasy novel grand prize, in 1999. “Antoku Ten-noh Hy- oukai-ki”Winner of The 19th Yamamoto Syu-goro Awards, in 2006.

Wakagi MioWriter, Books: ’’Highschool Aura

Buster”, ’’Izumi Gensen-ki”, and so on. Awards: ”AGE”Fine work selecting of The 13th Cobalt Novell grand prize.

Wakasa ShinichiSpecial make-up, Monster form

ing, Works: ’’Godzilla 2000 Millennium” (1999), “GODZILLA VS MEGAGUIRUS THE G ANNIHILATION STRATEGY” (2000), “Godzilla Against Mechagozilla” (2002), ’’Godzilla x Mothra x Mc- chagodzilla” (2003), “Godzilla: Final Wards” (2004)

Watanabe ChumeiComposer He have created the

music of a lot of ANIME/SFX (Toku- satsu) movies and TV programs. His best known work is “Mazingcr Z"

Watanabe YasuhiroEditor of Kijo-riron Gakkai Aca

demic society magazine, Thesis collection, Web site management charge of Kijo-riron Gakkai, Works: ’’Ozone hole Syu-zen Saku”, ”Kaku no Rakuen (Nuclear Haven country) Kousou”, “Aisyou ni Mini Ketsuekigata Ikino-

kori Simulation”

Wise, DavidScenario Writer, Cartoon pub

lisher “GO MEDIA” management, Works: ’’Star Trek (Animated cartoon version)”, ’’Mutant ninja turtle (Animated cartoon version)” Awards: ’’Star Trek (Animated cartoon version)”Winner of Emmy Award.

WuYanMember of Chinese Writer so

ciety. Chinese public science education Writers’ society Science Fiction committee vice chair. Master of Education. As a Associate professor of Beijing Normal University College of Education Administration, he directs the course of SF research. Born in 1962 at Beijing, Manchu tribes. He began to write SF at 16 years old. Books: Nobel, ’’Xinling Tanxian”, ’’Shcngsi Diliutian”, Novella ’’Xingji Jingcha de Zuihou Anjian”, ”Min- gyun Shuijiangqiu”, Comic ’’Sailiken Dazhan 22Shiji ’’etc. "

Yabunaka HiroakiMusician. Works: (Music

charge): ’’Osaka Gokudo Senso Sinoi- dare” (Movie), ”Han-nin ni Negai wo” (Movie)

Yakushiji MitsuhideBorn in 1966. The great

est Tesla Coil performer in Japan. Books: ’’Ranyo Yakubutsu Mitsuzo no Kagaku”, ’’Arienai Rika no hon” (Joint Author)

Yamada MasakiWriter, Books: ’’Kami Gari”,

’’Houseki Dorobou”and so on. Awards: ’’Houseki Dorobou”Winner of The 11th Seiun Awards, Novel section, “Saigo no Teki”Winner of Nihon SF Awards, “Mystery opera” Winner of Honkaku Mistery Award, Nihon Suiri Sakka Kyoukai Award,

and so on.

Yamagishi Makoto

Translator, Book Reviewer, Books: ” Permutation City”, ’’Distress”, ’’Diaspora”, by Greg Egan, Awards: Winner of The 32rh, T he 33th and The 34th Seiun Awards, Oversea Short section, The 36th, The 37th Seiun Awards, Overseas Novel section, etc.

Yamamoto HiroshiBorn in Kyoto in 1956. Chairper

son of TO-Gakkai (Society for Outrageous Books). His SF novels include Kami Wa Chinmoku Sezu, and Al no Monogatari. Flis latest book is a collection of essays; “Uchu wa Manjuu de Horobiru ka”.

Yamano KoichiBorn in Osaka City. Writer, Sce

nario Writer and horse racing critic.He debuted with the short story

"Take a X Train". He established the new wave magazine “Quarterly NW- SF”, flourished as one of key persons of new wave movement. He labored for introducing SF books from U.S. , for example, “The Visual Encyclopedia of Science Fiction” by Brian Ash. He is famous for studying horse breeding for horse racing.

Yamanoguchi YouWriter, Books: ’’Ware wa Fran

cois”, ”Ruri no Tsubasa”, ’’Kanzen Engi-sha”, Awards: ’’Organist” Winner of The I Oth Nihon fantasy novel grand prize."

Yamazaki Takashi"Movie director,

Works: ’’Juvenile” (Movie), ’’Returner” (Movie), ’’ALWAYS 3cho- me no Yuu-hi” (Movie), “Oni Mu- sha” (Opening Movie of the game), Awards: ’’ALWAYS 3cho-me no Yuu- hi” (Movie)Winner of The 30th Hoh- chi Eiga Prize, Picture of the Year, and Nihon Academy Prize, Director of the Year, in 2005.

Yao HaijunVice chief editor of Chinese mag

azine “Science Fiction World”, manager of its foreign book publishing

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division. Born in 1967. He is the chief editor of “Shijie Qihuan Dashi”series and “Shijie Liuxing Kehuan” series.

Yasuda KaoruHe worked for the Comic Market

from the bigininng. After the event moving into the Tokyo Bigsite, he tried to set up the business booth and worked as the operation representative. For Mr.Yonezawa Yoshihiro retired the representative of Comiket Preparation Committee in September 2006, he took over the task.

Yasuhiko YoshikazuBorn in Hokaido pref. Cartoon

ist, Illustrator. He designed a lot of animations’ character, such as “Yu- sha Raideen”, “Kidou Senshi Gun- dum (he was also the key animation director )”, etc. Now he is working for the comic version of “Kidou Senshi Gundam”.

YasukoMusician, Works: ”Sakura-gai wo

Hirou gogo”, ’’Imrava”. She is playing live shows of her original musics and Irish trad music, etc. in Tokyo.

Yokomichi HitoshiCritic, Awards: ”Cho-ki Den

(“Bridge of Birds”, Barry Hughart, 1984) Hyouron Danzetsu ni Kakaru Ippon no Hashi”, Winner of The 1st Nihon SF Hyouron Prize.

Yokota Jun'yaBorn in 1945, at Saga pref.

Books: ”Uchu Gomi Dai-sensou”, ’’Taijin Kamereon Sho”, ’’Kasei Jin- rui no Gyakusyu”, “Bouken Hiroku Kikka Daisakusen”, ’’Kosyo Gari”, ’’Benkyou-shitewa ikemasen!”, “Osikawa Shunrou Kaisou-tan”, etc. Awards: ’’Kaidanji Oshikawa Shunrou” (Collaboration), Winner of The 9th Nihon SF Award, in 1987.

Yokoyama NobuyoshiBorn in 1958. Writer, Books:’’Koutetsu no Revaiasan”, ”Jyun-

yo Senkan Asama”, ’’Tooki Shokoh”, “Umi no Gajoh”, etc.

Yoneda YutakaIllustrator, Member of Nihon SF

Writer club. He worked for making clean copy of the storyboards of the movie “Bye-bye Jupitor” as a member of Komatsu Sakyo Kenkyu Kai. He also made a paper model of the spaceship cockpit for discussion of the special effect.

Yonezawa EikoOne of co-founders of Comic

Market. In 1984 she married Yonezawa Yoshihiro, worked with him. For Mr. Yonezawa passed away in 2006, she assumed the Assistant of Comic Market Preparation Committee Representative and the President of Comiket, Ltd.

Yumemakura BakuWriter, Books: ’’Johgen no Tsuki

wo Taberu Shishi”, ’’Kamigami no Itadaki”, “Shamon Kuh-kai Tou no Kuni nite Oni to Utagesu”, ’’Psycho diver”, “Garou-den”, ”On-Myoh- ji”, ”Yami-gari-shi”series, and so on. Awards: ’’Johgen no Tsuki wo Taberu Shishi”Winner of The 10th Nihon SF Award, in 1989. “Johgen no Tsuki wo Taberu Shishi”Winner of Seiun Awards, Novel section in 1990. “Johdan no Tsuki wo Kurau Inoshishi”Winner of Seiun Awards, Short section in 1991. “Kamigami no Itadaki”Winner of The 11th Shibata Renzaburou Award, in 1998. m


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Nippon2007 Membersas of 31 July

Membership ID Family Name

Membership Status 3367 M.

A ANDERSENMortenFirst Name Middle Name

2910 A ABBE John C. 0807 S ANDERSON0785 S ABBOTT Joseph Claire2341 A ABBOTT Stuart 0808 S ANDERSON5429 A ABE Hiroyuki Dave5732 A ABE Kohei 0617 S ANDERSON6238 A ABE Masahito David-Glenn6412 A ABE Masahito 0160 A ANDERSON5016 A ABE Ryozo Koren K.1722 A ABE Toshiko 0809 S ANDERSON5669 A ABE Yasutaka Lorelle2831 S ABELL Paul 5596 A ANDO Makoto0786 S ABRAHAM Daniel 5770 S ANDO Masanori0787 s ABRAHAM Vivian 0810 S ANDREWS Craig K.0788 s ABRAM Peggy A. 08ll s ANDREWS France0789 s ABRAM Steven R. 2917 A ANDROLOWICZ0154 A ABRAMOWITZ MatthewAlyson L. 0812 S ANGELI Joey0790 s ACHESON Steve 0813 S ANGELI KatI7ll A ACHORN Brett 0814 S ANGELI Ron0155 A ACKERMAN 1861 A AOI MikaBrad 5533 A AOKI Kazunori0791 S ACKERMAN 5721 A AOKI ShigeyukiEve 5889 A AOKI Yutaka0156 S ACKERMAN 5891 A AOYAGI MakotoForrest J 5892 A AOYAGI Masako0792 s ACKROYD Justin 6020 A AOYAMA Masashi6093 A ADACHI Hirofumi 6287 A AOYAMA Niki6139 A ADACHI Masaki 1720 A AOYAMA Tomoki5233 A ADACHI Mavumi 53ll A AOYAMA Yoko0037 A ADAMS Andrew A. 0815 A APKE Birute J.0042 A ADAMS lain 0816 A APKE Edward3172 S ADAMS John M.Joseph 1723 S ARAI Katsuhiko2867 A ADAMS Nadia 5349 A ARAI Kazuhiro0793 S ADAMS Pamela C. 0817 S ARCHER Sharon3318 A ADAMS Ruth 3106 A ARDAI Charles0794 S ADAMS-WATTERS 6266 A ARI GA YukiFrank 5698 A ARITA Kenji0795 S ADAMS-WATTERS 5637 S ARITA NaokiSuzanne M. 0818 A ARMBRUSTER1698 S ADKINSON BobbiPeter D. 2468 A ARMSTRONG0796 A ADLER Adina Robert2961 A ADLER Lars 3133 A ARONOVITZ1095 S ADLER-GOLDEN DavidLisa 3134 A ARONOVITZ0797 S AGIN Gary P. Nancy3263 A AGUILAR Juan 5000 A ASANO RumiCarlos 5778 S ASANO Terumi2425 A AHERN Robert 6157 A ASHIKARI Yoshihiro0798 S AHSH F. L. 3361 S ASPLER Joseph5639 A AIKAWA Yuichi 0819 S ATKINSON Thomas1721 S AKABANE Taro G.6141 A AKAGAMI Hideyuki 0161 A ATLAS Alia5395 A AKANO Masako 3174 S ATTIYA Yoel6398 A AKIMOTO Yoshihiro 0162 S ATWOOD Bonnie2896 S AKIN George D 0820 S ATWOOD Deb5774 A AKUNE Tomonaru 0163 S ATWOOD Ted0799 S ALEXANDER 0821 S AU ER BACH RoyBrian P. 0164 A AUL Billie0800 A ALIVOJVODI? 3252 S AUSTIN KevinRobert G.0801 S ALLEN Danielle 0676 A AUSTIN Margaret0802 S ALLEN Deborah 0822 S AVERY B.M. Shirley0674 A ALLEN Duncan 3041 A AVERY Fiona0803 A ALLEN James 0823 S AXLER David0804 S ALLEN Kevin 0824 S AYRES Donald E.0805 S ALLEN Ryan 5620 A AZUMATEI Akemi2853 A ALLEN Stewart 5967 A AZUMATEI Yuki3069 A ALLERY Charlie 5672 S BABA Takayuki2854 A ALLIS Todd 0825 S BABCOCK Alan28ll A ALMOND Andrew 0826 A BABCOCK Karen0615 A ALVES Carol Ann 0827 S BABCOCK Rue Ann0158 A ALVES James 2395 A BACHARACH0159 A ALVORD J. William ScratchClinton 3357 A BADDELEY Jonathan2232 A ALVORD Nathan 0165 A BADEN Chaz5688 A AMANO Sunao Boston0003 A AMANO Yoshitaka 0828 S BADEN Lynn0806 S AMOROSO 3233 A BAEN JessicaThomas A. 0166 A BAHM Margene S.0616 A AMOS Ken 0829 A BAILEY James0675 A AMSHEY Christopher 0830 S BAILEY Mark3213 A ANDERS Lou W.

0831 S BAILEY-MATTHEWSAlexander 0832 S BAKER Tara2818 A BALEN Henry0167 S BALTER Gerri0833 S BALTHROP Sylvia0834 S BAMBROUGHBrian5855 A BANNO Hajime5856 A BANNO Hiromi0836 S BANTZ Jonni0835 s BARD Barry3258 A BARER Amy3257 A BARER Daniel6410 A BARKARSONBirkir A. 5802 A BARKER Mike3052 S BARNETTE Mark3135 A BARRICKLOWCarolyn Ruth0840 S BARTLETT Mark0430 A BARTON Alison0838 S BARTON Andrew0839 S BARTON Kate3160 A BARTS Jennifer0841 S BARTTER Martha A.3261 A BARTZ Maria E.0843 S BATEMAN Gary2989 S BATES Catherine0844 s BATES Kenn0677 A BATSON Allen0678 A BATSON Barbara3214 A BATSON Jacob3215 A BATSON Rebecca0141 A BATY Kurt3lll A BAUCH Andy0082 A BAUM Allen J.1702 A BAXTER Stephen0679 A BAXTER Zara2874 A BEAL Roberta0680 A BEAN Paul0845 S BEATTS Alan0846 S BECK Christine0168 S BECK ThomasN.2892 S BECKMANNMarkus1561 A BECKSTEADCathy0848 A BECKSTEADScott0849 S BEECHAM David2893 A BELL Christopher3120 A BELL Jack0170 A BELL Sheri L.0681 A BELLINGHAMAlan0171 A BEMIS JudithCarol0172 A BENDER Jan1300 A BENFORD ElisabethMalartre 0851 A BENFORD Gregory1497 A BENNECKERod2488 A BENNECKESandra2489 A BENNECKEWilliam 1297 A BENNETT Kristen0977 A BENNETT Sandra0173 A BENOUN Sherri L.5747 A BENSKY Xavier Benja-min 0852 S BENTLEY Mary0618 A BENVIE Janis0853 S BERANGERKelly0854 s BERGER Theresa0855 s BERLANT Joseph T.2999 s BERMAN Steven3274 s BERRY Curtis0856 A BERRY John D.3275 s BERRY Marilyn0857 s BERTKE Mary0858 s BEST Gregg2235 A BETSCHKE Sabina3216 A BIANCAMANONancy J.3000 A BILLING Wayne0859 A BILMES Joshua3001 A BINGELIS Katie0860 S BIRKHEAD Sheryl0861 S BISENIEKS Dainis0862 S BISHOP JamesDaniel 3365 A BISHOP Kirsten

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08632416

S A

BISHOPBITLER

William Amber

00170015

AA

BRINBRIN

Benjamin Cheryl

0690Christine

A CARPENITO2789 S BLACK Tina 0014 A BRIN David 2208 A CARPENITOLorraine 0018 A BRIN Terren Russell3286 A BLACKMORE 0186 S BRINCEFIELD 2860 A CARPENTERRyan Tom Scott0864 S BLACKWOOD 2965 S BRIND Mike 2206 A CARPENTIERDiane 0888 S BRINICH Stephen Paul M.0865 S BLACKWOOD 0889 S BRINN Jennifer 0200 A CARRINGTONRobert 2201 S BRIONES Leon Grant C.0866 s BLAKER John R. 0890 S BROCKWAY 0620 S CARRUTHERS0643 A BLATTEL Mark Christine Johnny0174 A BLISS David 0684 A BROOMHEAD 0914 S CARSON Dana0175 A BLOG Gary Ann A. 0915 S CARSON Melinda3293 A BL?NDAL Au?ur 0685 A BROWN Ben 0916 S CASEY CareenJ?hanna 0686 A BROWN Charles 0201 A CASWELL Dennis0682 A BLOOM David N. 0917 S CATELLI Ann0867 S BLOOM Elaine 0891 S BROWN Debbie 5735 A CATTON John Paul6356 A BLOOM John 0687 A BROWN Felicity 0202 S CAVIN Bill0644 A BLOOM Kent 0187 A BROWN Jordan 0203 S CAVIN Cokie0683 A BLOOM Stella 0188 A BROWN Kimberlee 0204 s CECIL Ann0176 A BLOTKAMPPaul Marks 6052 A CEVEY Sebastien3185 A BLUM R S 0189 A BROWN Phylis 0918 s CHALKER Dave0868 S BLUTE Mary-Rita 3288 A BROWN Rachel 0919 s CHALKER Jack L.0869 S BOARDMAN Manija 0920 s CHALKER StevenAndrew 0190 A BROWN Rebekah 0921 s CHAPER-CARLETON0177 A BOBO Scott Memel Lori0870 S BOCHERER 0892 S BROWN Scott 2428 A CHAPMAN JamesJoe 0893 S BROWN Wayne 0922 S CHARLTON0871 s BOGIN Nino 2439 A BROWNE Joanne Galen1710 A BOHACZUK C. 2209 A CHARNAS SuzyTed 0879 S BROWNE Michael P. 3228 S CHAVOEN Laura0872 S BOLGEO Robert L. 0191 A BRUCE Nancy 1692 S CHEE Philip0873 s BOLGEO Tim Kathleen 0205 A CHEESEMAN0874 s BOLLERUDR. 0894 S BRUESSELBACH KathleenMerrill Janet 0206 A CHEESEMAN3292 A BOLON Corinna 3003 A BRUMMEL David H. Mitchell3223 A BONDI Gail 3004 A BRUNISH Bonnie 0207 A CHEN Elsa3224 A BONDI-ERNOEHAZY 2205 A BRYANT Raven 0923 S CHERNOFFJohn 2944 A BUCHANAN Anton3332 A BONTRAGER Kelly 0924 S CHERNOFFConrad 0688 A BUDGE George Peggy Orrill

CHIANG Ted3282 A BORGNE Kurt 3315 A BUECHLEY Paige 3265 A3295 A BOROS Chris 1044 A BUEHLER Kelly 5112 A CHIBA Kaoru3296 A BOROS Laura 3336 A BUESCHER Julianne 3051 A CHICK Frank3273 S BOSS Janyce 0689 A BUMBY Margaret Jason

CHIKU Yoshihiro0875 s BOSTER Alex 0192 A BUNCE Erik L. 5347 A3116 s BOT Randy 0193 A BUNCE Jennifer 0131 A CHILDRESSSandra0178 A BOTWIN Mitchell T.B. 0926 S CHING Lisa1205 s BOUCHER Stephen 0895 S BURGARD Jill 0927 S CHISHOLM0179 A BOURGET Robbie 0896 S BURKE Kathleen Walter S.0877 S BOYD Karen 3082 s BURNHAM Karen 3206 A CHITTENDEN2994 s BOYES Walt 0897 s BURSTEIN Michael A. David0180 A BOYKIN Jacky 0898 s BURSTEIN Nomi S. 6244 A CHO Takahiro0645 A BOYLE Bridget 2936 s BURTON Gerald 5099 A CHO TomonoriJoyce 0899 s BUTLER Lillian 2446 A CHOLEWA Michal3200 S BOYLES Cory 3046 A BUTLER Padraig 0928 A CH RISTIAN Flick3201 S BOYLES Shawn 0900 s BYNUM Diana L. 0208 A CHRYSTAL Ewan3166 A BOYNTON Charlotte 0084 A CADIGAN Pat 0929 S CHU Alina0181 A BRADLEY Amy 2828 A CADY Chuck 0930 S CHWEDYK Richard0878 S BRADLEY James F. 2827 A CADY Tasha 2237 A CIBULSKIS Liz0646 A BRADLEY John 0194 S CAHILL Colleen R. 3347 A CITRIN NeilM. 6423 A CAIRO Stash 0931 S CIUFFREDA2345 S BRADLEY Lee 0901 S CALDWELL Dan Pat2422 A BRADSHAW 0902 S CALHOUNJeff 0932 S CLANCY GerryBridget 0903 s CALKINS D. 0209 A CLARK David2423 A BRADSHAW Cameron 3188 A CLARK FionaSimon 0195 s CALLAHAN 3086 A CLARK George3002 A BRADY Ken Christine T. 0933 S CLARK Gerald2200 S BRAITHWAITE 2984 A CALLEN Rob M.Michael 0904 S CALLICOTTE 0934 S CLARK Steven0880 S BRANDSHAFT Cori 0935 S CLARK WinifredRichard 0905 S CALLICOTTE 5682 A CLARKE Alexander0182 A BRANG William J. John 2210 A CLAYPOOL0881 S BRANNONJ. J. 1083 A CAMBIAS James L. Gavin0882 S BRAVIAK Joseph 2959 S CAMERONCaryn 0936 S CLEMENT BeverlyW. 2391 A CAMPBELL REES 0937 S CLEMENT Joe0883 s BRAVIAK Susan John 2832 S CLEMMER Melissa3337 A BRAZIER John H. 0691 A CAMROUX Kathleen 0210 A CLIFFORD Robert J.0183 A BRElDBARTSeth 0196 A CAPES Eileen 0211 A CLIFFORD Ruie0184 A BRENNAN Elaine 2396 A CAPEWELL Diane LueM. 2397 A CAPEWELL Stuart 2830 A CLIFT Grantham2862 A BRENNAN Michael 0906 S CAPLAN Jack Mark2863 A BRENNAN Nancy 0197 A CARD Peter 0212 A CLINK Carolyn0884 S BRICE L. 0198 S CAREY Doug 0213 S CLOWNEY VincentM. Piero 0963 S COAD Richard0885 S BRICK Barrett L. 0907 S CAREY Elisabeth 0938 S COATES Melinda0886 S BRICKNER George S. 0908 s CAREY Mary 0144 A COBB Nancy0130 A BRIGGS James Piero 0939 S COCHRANEM. 0909 s CAREY Stephen

4H. David

2967 S BRIGHT Lyndie 0910 s CARLETOh 0214 A COHEN Sandy0185 S BRIM M. Gordon 0940 S COHEN SusanDavid 0911 s CARLSON Gertrud 2820 A COLBY Bob0887 s BRIM Marsha 0912 s CARLSON Lorna 0215 A COLE Anita L.J.W. 0199 s CARLSON Vivian 0941 S COLE Larry0016 A BRIN Ariana 0913 s CARLSON Wendy 0942 S COLE Susan A.

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0943 s COLEMAN Art 2821 A DAVIDSONTom 1002 S DRAKE Jenny0945 S COLLINS Christina 2211 A DAVIS Brian A. 0245 A DRUMMOND0946 s COLLINS Gerald L. 3338 A DAVIS Grania Douglas E.3305 A COLSON Lars A. 0974 S DAVIS Jennifer 1003 S DRYSDALE David0217 A COLTER Sue Ellen 3313 A DAVIS John A. 2938 A DU PISANI AL3005 S CONDER Cary A. 3299 A DAVIS Jon 1004 S DUANE Diane3321 A CONLEY Chris 2375 A DAVIS Kammi 1005 S DUARTE Fred0947 S CONNELL Byron P. 0975 S DAVIS Kevin 1006 s DUCK Darien K.0948 S CONNELL Christine 3339 A DAVIS Stephen 0695 A DU FAULT Bobbie0949 s CONNELL Karen 0976 S DAVIS Warren 0696 A DUFF John2433 A CONNINGTON 0235 A DAY John A. 1007 S DUFF Lynn E.Nelson 0236 A DAZZO Genevieve 1008 A DUFF Sarah0218 A CONRAD Judith 0345 A DE GUARDIOLA 0697 A "DUNN, JR."2482 A CONRAD Phillip Susan Thomas A.0950 S COOK Glen 1286 A DE LONGPRE 0698 A DUNNAVANT0951 S COOK Norman L. John Bonnie V.0952 S COOKSON 0589 S DEWEERDT 0699 A DUNNAVANTRobin E. Peter Jonathan0219 A COOPER Chris 2430 A DE WOLFE Simon 2903 A DUPLER Peter0953 S COOPER Dave Mark 1009 S DURGIN Nancy0220 A COOPER Stephen 0978 S DEANER Frank 0700 A DUVAL Chris0954 S COOPER Suzanne 2440 A DEARN Simon 0246 A DUVAL Kathryn2913 A COPELAND 3043 A DECKERT Alma 0247 A DYER AndrewElizabeth Hromic 1010 S DZIADOSZ Christine0221 A COPELAND 0979 S DELAURENTIS 0701 A EASTERBROOKJeffery L. Linda Martin G.3234 A CORNELL Paul 3277 A DEMARCO Tim 1012 A EASTLAKE Jill0955 S CORNETTE 0980 A DEMARCOTom 1011 A "EASTLAKE, III"John 0981 S DEMETRI Patricia Donald E.0956 S CORWIN Brendan 3006 S DENEBEIMJay 1013 A EBENHOE Theresa0957 S CORWIN Scott 3285 A DENISON-EDSON 0248 A ECHTERNACHT2372 A COTTERILL David Edward Gary0958 S COULSON Juanita 0238 S DENNETT Gay Ellen 3007 A EDELMAN Scott0959 s COULSON Lori R. 0982 A DENNIS Jane 0249 S EDISON Laurie0960 s COURT Aaron 3156 A DENNIS Michele Toby0961 s COURTNEY 0983 S DENNIS Richard 0250 A EDWARDS ChrisCarol 0984 A DENNIS Scott Logan2478 A COWAN Bego?a 3236 A DENTON Timothy 3008 A EGAN Emily0962 s COWAN Christina 0647 A DERN Daniel P. 5313 A EGASHIRA ToyohiroM. 2977 A DESAI Apurva 3114 A EGELAND John2479 A COWAN David 0985 S DESJARDINS Gunnar2477 A COWAN Jeremy Steven 1015 S EGGLESTON2202 S COX F. 0986 S DEUTSCH Martin RodBrett 0239 s DEVNEY Bob 1014 S EGGLESTON0964 s COX Melissa I. 3146 A DEVNICH Melissa Shari0222 s COXEN Tammy 3155 A DICKSON Gillian 0425 A EGGLETON0223 A CRAMER Kothryn 3157 A DICKSON Kethry Bob0224 S CROCKETT 0240 A DIETZ Frank 2843 A EGGLETONCatherine 0988 S DIGGS Lois Marianne0225 S CROCKETT 0241 A DIGGS Patricia 5728 A EGUCHI MakotoDavid 0989 S DILLON Ramona 5916 A EGUCHI Shoichi0226 S CROSSMAN 0990 s DING Carolyn S. 1016 S EISEN JaniceDon 0991 s DIONNE Joanna M.0227 A CROSSON Jerry M. 0649 A EISENBERG0965 S CRUM Adria 0992 s DIONNE Wayne Lise T.0966 S CRUTCHERJerry 2469 A DIRK Joseph A. 2458 S EISENHOUR2988 A CSERNICA Lillian 2982 A DISEKER Andrew Susan0153 S CTEIN 0993 S DIX Jody 0702 A EIVINS Thomas2417 A CULVER Harriet L. M. 1017 S ELEY Anna0692 A CURTIS S. L. 3368 s DIXON-MACCOLLUM 1018 S ELEY Steohen0228 A CYRUS Raymond Brendan 2383 A ELLINGSEN3180 S CZERNEDAJulie E. 2419 A DOBSON Dermot B. Herman2815 A DAHLIN Alexia 3326 A DOBSON Neil 2915 A ELLINGTON2816 A DAHLIN Graeme 0043 A DOCHERTY Michele0229 A DAHLIN llsook Guest of Vincent 1019 S ELLIOTT Russ0969 A DAHLIN Luke 0038 A DOCHERTY 1020 S ELLIS Doug0970 A DAHLIN Stephanie Vincent 3317 A ELLIS Vanessa0230 A DAHLIN Stephen 2203 S DOCTOROW 0251 S ELMS Alan5421 A DAIJIMA Masaki Cory C.3102 A DAKE Justin 2804 A DOHERTY Tatiana 1719 A EMMERICH0967 S DALESSIO Angelo 5086 A DOHI Rieko Udo0231 S D'ALESSIO Charlene 5480 A DOI Motohisa 2348 A ENBERG ChristopherToylor 0994 A DOLENAC Paul 2346 A ENBERG Jason2399 s DAMERELL David G. 2347 A ENBERG Satomi3098 s DANIELS Dr. Charles F. 0243 S DOMITZ Laura 5463 A ENDO Akiko3279 s DANIELSON 3333 A DONAHUEAndrew 5836 A ENDO Jun-ichiroScott D. 0648 A DONEWITZ 5231 A ENDO Keisuke0232 A DANN Michael B. Ira 5781 A ENDO Ryo0968 S D'ANTONIO 0693 A DONOVAN 5780 A ENDO YasuhiroDavid Regis 5230 A ENDO Yumi2401 S DARRAGH Al 0996 S DORFFNERRosy 6069 A ENDO Yumi0971 S DASHOFF Jared 0995 S "DORFFNER, JR.1' 0252 S ENEY Richard0233 A DASHOFF Joni Joseph C. 0621 A ENFRANCABrill 0694 A DORMER Paul Kathleen0234 A DASHOFF Todd 0997 S DOROSCHENKO 1022 S ENGLE James3073 A DATLOW Ellen Leo M.0136 A DAUGHERTY 0842 A DORSEY Candas 1023 S ENSLING JeanJames Stanley 0998 S DOUCETTE 1024 s ERICHSEN Kurt0137 A DAUGHERTY Douglas P. 3113 A "ERNOEHAZY, JR., M.D."Kathryn 0999 s DOUGLAS Cheri W. S.2475 A DAVENPORT 0244 s DOUGLAS John R. 1025 S ESTES WilmaJason 2836 s DOUGLASS 2799 A EVANBY Paul0972 S DAVIDOFF Elka John 0253 A EVANS AndreaTovah 3283 s DOWNEY Rebecca 0254 A EVANS David0973 S DAVIDOFF Solomon 5953 A DOYLE Aidan 1026 S EVANS Mark2998 A DAVIDSONCorwin 1001 S DRAKE Andy 1027 S EVANS Phil

E132 NippirjziJO

Nippon20071028 S EVANS Russell Denise Feather2857 A EXLINE Darrel 0268 A FREITAG Lisa 1081 S GEISLER Deb1029 S FABISH Martha C. 1082 S GELB Janice1030 S FAIRCHILD B. 1062 S FREMON Pam 0706 A GELFAND LarryDan 1063 A FRENCH Chris 0707 A GELLIS Sarah3192 s FALLER Nicholas 2487 A FRENCH Ian 3198 A GENIS Nina2239 A FARIES Jennie 1064 S FREYER John 1084 S GERST Jay1031 S FARMER Dole 1065 S FRIAUF Douglas 0708 A GIESE Tom0256 A FARMER David 0269 A FRIESNER Esther 0709 A GIESEKE JerryC. 2456 A FRIHAGEN Anders 2409 S GILLEN Brendan1032 S FARRIOR Paula 6131 A FUDETANI Yoshiyuki 1086 s GILLE-ROWLEY0257 A FAUNT Doug 5499 A FUJIHIKO Yuuki Lucinda E.1033 S FAWCETT William 5133 A FUJII Naomi 1087 S GILLESPY Valerie0258 A FEDER Moshe 5135 A FUJII Satoru 1088 S GILLEY Kerry2207 A FEENEY Martin 5134 A FUJII Shoii

FUJII Takuya2484 S GILLIAM Richard

0619 A FEIMSTER Louisa 5136 A 0651 A GINTER Erica0259 A FELDBAUMGary 5269 A FUJINAMI Kiyohisa 0652 A GINTER KarlKeith 5042 A FUJINO Yuko 2215 A GINTER Lydia1034 S FELDHUSEN 5972 A FUJITA Kazuki 1089 S GIOVANNOCCIAllison 1810 A FUJITA Kazumi

FUJITA KiyoshiKelley

1035 S FELDHUSEN 6227 A 1090 S GIUFFRE FranMichael 6137 A FUJITA Megumi 1709 A GLANZ Miriam1036 S FELDMAN Jude 5823 A FUJITA Naoya 0277 A GLASSER Wendy0260 S FELLER Thomas R. 5854 A FUJITA Sakuya

FUJITA Shounei1085 S GLAUB Robert

2904 A FELLOWS Steve 5595 A 0057 A GLAZER Glenn2212 S FENELON Robert 5142 A FUJITANI Setsuko Micah0261 S FINDER jan 5467 A FUJIWARA Takashi 5842 A GLEI Reginahoword 6202 A FUJIWARA Takeki 1091 A GLYER Mike1037 S FINKELSTEIN 5376 A FUKAWA Kiyonori 3278 A GOBLER JerryEd 5644 A FUKAWA Taiji 6399 A GODA Tomokazu3328 A FINNERAN Edward 5387 A FUKAZAWA 0278 A GODDIN Jean2966 A FIRNER Louise Syogo 3148 A G?ZEN Jir?0148 A FISCHER Paul 5877 A FUKUDA Jun-ichi Emine3306 S FISH Laura 5094 A FUKUDA Mayuko 1092 S G?KCE NeyirJean 5020 A FUKUI Sayoko Cenk2980 A FISHER Glen 6197 A FUKUMOTO 1093 S GOLD Barry1038 S FISHER Jonathan K. Atsushi 1094 S GOLD Lee0132 A FISHER Naomi 6091 A FUKUNAGA 0279 S GOLD Lynn0262 S FITZSIMMONS Hiroshi 0925 S GOLDHAMMERCatherine 5422 A FUKUSHI Kumiko M. E.1713 A FLANAGAN 6001 A FUKUSHIMA 0653 A GOLDMANJames Kazumi Diane63ll A FLANAGAN 5029 A FUKUSHIMA 3122 S GOMBERT RichardMegumi Nobuhiro 1096 S GOMEZ Larry1039 S FLANAGAN 6421 A FUKUSHIMA 0349 A G?MEZ LAGERL2FSally Shin-ya Carolina1714 A FLANAGAN 5690 A FUKUYA Joji 1097 A GONSALVESWest 5978 A FUKUYAMA Cynthia6310 A FLANAGAN Makoto 1098 S GONZALEZWilliam 1809 A FUKUZONO Jean2995 S FLEMING Stephen Akio 6013 A GOTO Daisuke0263 S FLETCHER Lyndon 1066 S FULTON Deborah 2912 A GOTO Edward0622 S FLETCHER Melanie 0704 A FULTON Kathleen 6271 A GOTO Masako3165 S FLOCKHART Ann 6270 A GOTO MasayukiDina 5169 A FUNAOKA Kotaro 5470 A GOTO Miki3169 S FLOCKHART 6214 A FURUHATAShun-ichiro 5471 A GOTO NaekoIan 1842 A FURUKAWA 5440 A GOTO Ritsushi1040 S FLYNN Darrell Taeko 6106 A GOTO Shin jiC. 1811 A FURUKI Takeshi 5298 A GOTO Shuichi1041 S FLYNN Francesca 6017 A FURUTA Shin-ichi 5089 A GOTOH Atsushi0703 A FLYNN John L. 5164 A FURUUCHITatsuo 2916 A GOTT Robert0517 A FOLSE Stephanie 5069 A FUSADA Yasuji 3078 A GOUN Roger1042 A FONG Terry 2448 A FYFE Carol 1099 S GOWEN William1043 S FORD John Johnson C.M. 0270 A GAEDDERTDavid 1100 A GRANT Gavin2418 A FORNANDER Allen 3250 A GRASSMANNErik 1068 S GAGNE Benita Donald R.1045 S FOSS Janice 1069 A GAHLON Dean 3251 A GRASSMANN1046 A FOSTER Adrienne C. Preston O.1047 S FOX Angelo 1070 S GAILLARD Edward 2437 A GRAY Angella0650 A FOX Bobbi 1071 S GAILLARD Elena 2438 A GRAY Michelle1048 S FOX Den 1072 s GALECKAS Janice 1101 S GREEN Cathy1049 S FOX Richard 0271 A GALLAHER David 1102 A GREEN Deborah1050 s FOX Sharon 1073 s GALLAHER Mitch 0280 A GREEN Ed1051 s FOY Jack 0705 A GALLOWAY 1103 S GREEN Eleanor0541 A FOZARD Charles Tom 1706 A GREEN Estelita0264 A FOZARD Colette H. 0272 S GALT John 2474 A GREEN Priscilla1052 S FRANCE Richard David 1104 S GREENBERG1053 S FRANCE Susette 1715 A GARB Gordon Megan0265 S FRANCIS Steve 3183 S GARCIA Chris J. 1105 S GREENBERG0266 S FRANCIS Sue 1074 S GARDINER Michael Scott1054 S FRANKLIN C. W. 0281 A GREENE EdithShell 3308 A GARDNER Tim 0282 A GREENE Robert3307 S FRANKLIN Deborah 1075 S GARRISON-RAGSDALE 2914 A GREENLAW1055 S FRANKLIN-HUDSON Lisa M. DovidAriel 1076 S GASKINS Judith 0283 A GREENWALD1056 S FRANKOS Laura Ann John F.1057 S FRANTZ Shirley J. 1077 S GAWRONSKI 1106 S GRIFFITHS Ward1058 S FRAZIER Paul Christopheer 2891 A GRIMWOODM. 0274 A GBALA Helen Jon Courtenay1059 S FRECH James R. 0273 A GBALA Tayonon E. 0710 A GROSS Elizabeth1060 S FRECHETTE 0275 A GBALA Tylr E. 0284 A GROSS MerrylMarica 1078 S GEAR Barbara B. 1107 S GROSSBERG0267 A FREEDMAN 1079 s GEAR Martin MichaelGail 0276 A GEARY Mark 1108 A GRUBBS David1061 S FREEMAN H. 1080 S GEIGER D a n c i r> 9 G.

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1109 S GRUDY Katie 6184 A HASEGAWA 0305 S HINZ Colin5618 A GRYGIER Mark Takao 2216 A HIPP Nicholas0285 A GUNN Eileen 1866 A HASEGAWA 2413 A HIPP Samantha2384 A GUNNARSON Yuichi 0306 A HIPP ScottKjetill 5873 A HASHIMOTO 5906 A HIRABAYASHI3267 A GUNNARSON Jun TakayukiMagne Rolf Lyshol 5581 A HASHIMOTO 5469 A HIRAGA Maseru0286 A GUNNARSSON Noriko 5782 A HIRAGA MegumiFritz Urban 0623 S HASTINGS Susan 1803 A HIRAI Chizue2927 S “GUY, JR." Alfred E. 1122 S HASTY Christine K. 1804 A HIRAI Hirohide2432 A GUZADHUR H23 s HASTY Rocky 0027 A HIRAMOTOYves Shobah 6338 A HATAKEYAMA Miho07ll A HAAG Halmer D. Nozomi 6331 A HIRASAWA Noboru5984 A HABU Akihisa 1798 s HATANO Toshiaki 5495 A HIRASHIMA5985 A HABU Kazuko 1799 s HATANO Yosuhiko Nobuyuki6223 A HACHIYA Hiroko 1800 A HATAYAMAHiroyuki 5506 A HIRATA Hiroshi5982 A HACHIYA Miyuki 0715 A HATCHELL Andrew 6178 A HIRATA Keiichi0033 S HACHIYA Shoichi 1124 S HATLY Robert 5505 A HIRATA Makikollll S HAGEMANN Michael 5504 A HIRATA MascoTrace 5126 A HATSUMURA 5532 A HIRATA Naru0287 A HAGEN Vanora Yoshiaki 1805 A HIRATA Takahiro0712 A HAGGERTY 5158 A HATTORI Hiroki 1808 S HIROHATA YukioPaul 5157 A HATTORI Naoko 6170 A HIROI Daichi5176 A HAGINO Jun-ichiro 1125 S HAVEN Les 1807 A HIROSE Manabu2462 A HAIL Elizabeth 0295 A HAWKINS Andrew 6034 A HIROSE Masako2463 A HAIL Guy 1126 S HAWKINS Heather 6033 A HIROSE Yoshikazu0288 A HALDEMAN 1127 s HAWKINSON 5575 S HIROSHIMAGay John Yasuo0713 A HALDEMAN 6236 A HAYAFUNEKatsuya 5758 A HIROTA JunkoJoe 5415 A HAYAKAWA 5521 A HISANAGAMiyukilll2 S HALL Anna Satoshi H46 S HISE JanMacy 5890 A HAYASHI Hiroaki 1147 S HISE Tom2844 A HALL Gary 5462 A HAYASHI Takahiro H48 S HITCHCOCK2845 A HALL Melinda 6006 A HAYASHI Yoshitaka Chip6042 A HALLDORSSON 0032 A HAYASH I DA 5715 A HIZUKA SachiyoHalldor Haukur Shigeru 0739 A HUNOVSKY0289 A HALLMAN Stacey 1128 S HAYES Pat Jan5894 A HALVERSON 1129 S HAYMAN Dave 0756 A HUNOVSKYR.W. 1130 S HAYMAN Judith SatuIll3 S HAMAD Katie H3l S HAYS Timothy R. 0307 S HOARE Martin6105 A HAMADA Akira H32 S HAYTER Jim 3136 A HOBB Friend of Rob-5543 A HAMADA Kazuho 2412 A HAYWARD Dana in5365 A HAMADA Takashi 6337 A HAZU Hiroaki 3047 A HOBB Robin5591 A HAMADA Yoshiaki 1133 S HEAP Bronwen 3229 A HOCH Arondell T.5544 A HAMADA Yuko M. 1149 S HODGELL P.2410 A H?M?L?INEN TJ 0297 S HEATON Caroline J. C.

1707 s HECK Peter 2441 A HODKINSON6121 A HAMAMOTO 1134 s HEDIGER Suzanne RobertRina 2454 A HEGGDAL Olaf 0308 A HOEY Dan6279 A HAMANO Chihiro 3351 A HEIDEMANN 1150 S HOFF Gary6278 A HAMANO Ken-ichiro Martin 0718 A HOFFMAN Joanlll4 S HAMILTONKathryn A. 2958 A HELD Edgar H5l S HOFFMAN Julielll5 S HAMMOND 2466 A HELLER Eugene 2406 S HOFFMAN LindaMichael 1135 S HELLINGER 2405 S HOFFMAN Tonylll6 s HAMMOND S. Stuart C. 2387 S HOFMEISTERElektra 0298 A HENDERSON Rainer5067 A HANAHARA Arthur 1152 S HOFSTETTERKazuyuki 0299 A HENDERSON Joan5843 A HANASAKI Toshiki Rebecca R. 30ll A H?IE Torelll7 S HANCOCK D. 0300 A HENEGHAN AvdunLarry Jack 1155 S HOLLAND Michael J.lll8 s HANLON Tom 1137 S HENRY Margaret 1153 A HOLLANDER0290 A HANNA Michael 1138 S HENRY Tracy L. Kathryn0291 S HANSEN Marcie H36 S “HENRY, III'' 1154 S HOLLIS John3055 A HANSON Elaine Jim A.R.0062 S HANZAWA Michimaru 0624 S HEPPERLE Robert 0149 A HOLLOWAY6369 A HARADA Hirofumi 1139 S HERALD Geoff Martha5369 A HARITA Yoshikazu H40 S HERRINGTON 2213 S HOLMBERG0292 A HAROLD John David A. John-Henri0655 A HARRIS Cloy 0301 A HERRUP Mark 5501 A HONDA Akihito0293 A HARRIS Colin 0063 A HERSHEY Allison 1812 S HONDA Hirofumilll9 S HARRIS Marlene Fiona 5525 A HONDA Keiko0294 A HARRISON Irene 2229 S HERTEL Lisa 5524 A HONDA Ken-ichi1120 S HARSH Claudia H4l S HERTZ Joe 5526 A HONDA RyoheiH2l S HART Minda 0083 A HERTZ John H57 S HONECK Susan3356 A HARTELL Victoria 0303 A HERZ Melanie 0837 A HOOPER Joyce3125 S HARTMAN Jed 3147 S HEUER Alan 0309 A HOOPER William0714 A HARTWELL David 1142 S HEWETT Kevin B. EdwardG. 0304 A HEYER Inge 1158 S HOPKINS Priscilla6064 A HASEBE Masashi 1143 S HICKS Dino 2810 A HOPLEY Steven6396 A HASEGAWA 1144 S HICKS Sue 5357 A HORI HirokazuKyo H45 S HICKS Wayne 6242 A HORI Ken-ichi5080 A HASEGAWA 6122 A HIGA Masahiro 1159 S HOROWITZMakiko 5879 A HIGASHI Akiko Mirriam5676 A HASEGAWA 1851 A HIGURASHI H60 S HORSEMANMasao Masamichi Marian L.1797 A HASEGAWA 5221 A HIHARA Yuichi 2435 A HORT ColinMichiko 3010 S HIKIDA Susan H6l S HORTON Richard R.1796 S HASEGAWA 6005 A HIKOSAKAAkitoshi 2380 A HORVEI SidselNaoaki 5759 A HI KOTA Kazutoshi 5933 A HOSHI Ryosaku6095 A HASEGAWA 3309 A HILDEBRAND 1850 A HOSHINO KumikoRikiya Stig 1162 S HOSLER Ronald L.1795 A HASEGAWA 3221 A HILL Daniel 5853 A HOSOI TakeoSatoru 0717 A HILLIS Robert L. 1843 A HOSOKAI Hitoshi6063 A HASEGAWA 3101 A HILTON Neil 5835 S HOSOKI Ken-ichiShoji 1802 A HIMENO Kazuhiro 5939 A HOTTA Shinji

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Nippon2007H63 S HOUGHTON 5624 A ISHIKAWA Hitoshi 0318 A JUOZENASJoanJames E. 5719 A ISHIKAWA Kazumasa G.2230 S HOUSEKNECHT 5433 A ISHIKAWA Naomasa 5487 A JURI RodrigoKirsten 5720 A ISHIKAWA Yukiko 6230 A KABASHIMA0719 A HOUSTON Birgit 5297 A ISHIMOTO Ken-ya Katsuyuki5734 A HOWARD Bruce 6417 A ISHINO Hirokazu 5128 A KADO Toshikazu0720 A HOWELL Dave 5558 A ISHINO Hiroyasu 5941 S KADOMURA5385 A HOZUMI Toru 5834 A ISHIYAMA Motohiro Hiroaki5530 A HOZUMI Yuko 5406 A ISHIZAKI Takashi H86 s KAFKA Anita1164 S HRANEK Bob 5866 A ISHIZUKA Kuninori 3067 s KAFTAN Vylar2851 A HRUBETZ Rachelle 5694 A ISOMURA Takeshi 6241 A KAGA Sayaka1165 S HUBBARD Robert P. 5093 A ITO Koichi 1187 S KAHN Jeanne3159 A HUBBELL Earl 6087 A ITO Makoto 1188 s KAHN Walter1166 5 HUBER Charles F. 5214 A ITO Mitsumaso 6275 s KAIHANA Daisuke1167 S HUDSON Jim 6261 A ITO Norihito 3199 s KAIL AndreaH68 S HUIBERS Sandra 5184 A ITO Shigehito 5413 A KAINO Toshifumi1169 A HULL Elizabeth 5952 A ITO Yukari 5636 A KAJI YasukoAnne 6291 A ITOI Takaaki 5693 A KAJINO Akihiko1170 S HULSE Charles 5145 S ITONO Taisuke 5049 A KAJITA Toshiya1156 S HULTEN Jeffrey 6163 A IVORY David 6175 A KAJITANI Masataka0310 A HUMPHRIES 5739 A IWABUCHI Yoshiko 1189 A KALB LarryBill 5431 A IWAI Shingo H90 A KALB Maribeth2905 A HUNT Diana 5077 A IWAMA Takeo H9l S KALISZ Frank2906 A HUNT George 5696 A IWAMI Takeshi 1192 S KALISZ Millie2233 A HUNT Katherine 5414 A IWAMOTO Kazuhisa 5604 A KAMATA Shin-ichi2907 A HUNT Kathyrn 5723 A IWAMOTO Shigehito 5551 A KAMIKOKURAH7l S HUTSON Melinda 5350 A IWAMOTO Toaahiro Akihiro1172 5 HUXFORD Gordon 5059 A IWASAKI Naoko 5896 A KAMOSHITA2865 A HYDE Leigh 1729 A IWASAKI Tsutomu Yoshimasa2866 A HYDE Sandra 5348 A IWASAKI Yoko 6305 S KANAMITSU0721 A IANNACCONE 5401 A IWASAKI Yoshiya OsamuDavid A. 5542 A IWAWAKI Nagayoshi 5808 A KANAMORI5323 A ICHIHARA Tomomi 2970 A IYAMA-KURTYCZ Shigeru6130 A ICHIKAWA Koichi Christina M. 5372 A KANAMOTO5913 A ICHINO Masashi 2969 A IYAMA-KURTYCZ Akio1727 S IDE Satoshi Daniel Frank 3013 S KANE Louise5999 A IDO Tasuku 2971 A IYAMA-KURTYCZ 5227 A KANEKO Hiroki6185 A IIDA Hajime David Masayuki 5859 A KANEKO Takayuki5588 A IIDA Ken-ichi 2972 A IYAMA-KURTYCZ 1747 S KANEKUTSU5418 A IIDA Noritaka Jonathan Frank Tomokazu5162 A IIDA Yosuke 5386 A IZAWA Katsuhiko 5702 A KANEYASUMiho6383 A UNO Masaaki 1174 S JACKOWSKI 5964 A KANI Takuma5437 A IJIRI Maseru Ann Marie 5275 A KANNO Mikiko1725 A IKARASHI Satoshi 1175 s JACKOWSKI 1193 S KANTER Muriel5840 A IKEDA Kazushi Walter W.6232 A IKEDA Koichi 03ll s JAFFE Saul 2833 S KARAHASHI5071 A IKEDA Satoshi 3255 A JAHR Martine Takayuki0048 A IKEDA Takeshi Durban 1195 A KARASOFF Michael6428 A IKEGAMI Iwao 2824 S JAHR Rasmus 0319 A KARASOFFSusan6035 A IKENOYA Kazumi Durban Ferer0075 S IKOMA Kentaro 3077 s JAKUSZEWSKI 0320 A KARE Jordin6262 A IKUNO Tsuyoshi Michal 0321 A KARE Mary Kay6228 A IKUTA Hideki 2390 A JAMES Simon 5332 A KARIYA Yoshinobu5479 A IKUTA Takehiro David H99 S KARPIERZ Joe0656 A ILLIGWORTH 2930 A JAMIESON Andrew 5159 S KASAHARAYasukoMarcia 3316 A JAMIESON David 1746 A KASAI Kotsunori0722 A ILLIGWORTH 2931 A JAMIESON Eileen 5626 A KASAI MasatomoTim 2940 A JAMIESON Gail 6416 A KASAI Taketo5373 A IMADA Satoru 2939 A JAMIESON Ion 5707 A KASHIHARA5035 A IMADA Toshiko H77 S JANSEN Phil Yasuo1726 S IMAI Hisao 3110 A JANSSENS Scott 5041 A KASHIWAGI5378 A IMAI Hotaka 3012 A JANZ Kristin Akemi5391 A IMAI Toshihiko 1178 S JEAN Laura 6104 A KASHIWAZAKI0034 A IMAOKA Masaharu 1179 S JENCEVICE Reona0050 A IMAOKA Mutsumi Michael 1200 A KASTEN-LOWERRE6420 A INABA Masashi 1176 S JENKINS Stacey A. Lorinda5921 A INAGAKI Koji 0053 A JENSEN Bill 5975 A KATAOKA Yasuhiko58ll A INOGUCHI 3045 A JERRMAN Toni 6231 A KATAYAMA NobueKazunori 1708 S JEWELL Jane 3301 A KATO Guest5812 A INOGUCHI 1696 A JEWELL Mary Jane KeithTomoko 5017 A JOENOUCHI 6371 A KATO Hayato0030 A INOUE Hiroaki Azuma 5946 A KATO Hiroshi6115 A INOUE Hiroki 2963 A JOHNSEN Mattias 6171 A KATO Hiroyasu5555 A INOUE Hisae H?heim 5265 A KATO Katsuyuki5484 A INOUE Kozue 2394 A JOHNSONErik 0322 A KATO Keith1856 A INOUE Ken-ichi N. 5270 A KATO Manabu6347 A INOUE Kineo 1180 S JOHNSON Janice 0076 A KATO Meiko5748 A INOUE Naotoshi H8l S JOHNSONLaura 5998 A KATO Misako5601 A INOUE Natsuko 1182 S JOHNSON Lisa 5266 A KATO Miyoko5962 A INOUE Noriyo 3266 A JOHNSONPaul 5367 A KATO Noriyuki0031 A INOUE Tamie 0313 A JOHNSONRobin 5445 A KATO SonosukeH73 S IRWIN Mark 1183 S JONES Angela 5419 A KATO Takahiro5018 A ISHIDA Jun-ichi 0314 A JONES Bonnie K. 6138 A KATO Takashi6097 A ISHIDA Junko 2829 A JONES Karen 5095 A KATOU Masahiro5474 A ISHIDA Kaori H84 S JONES Kate 5306 A KATSUTA Yukihiro5208 A ISHIDA Megumi 0315 A JONES Lenore 6066 A KATSUYAMA5653 5 ISHIDA Takuji Jean Yuko5833 A ISHIDA Yasuyuki 1531 S JONES Tamara 0323 A KATZ Caitlin5472 A ISHIDA Yuka Siler 0324 A KATZ Ronni5987 A ISHIGAMI Miyuki 6085 A JONO Tomoyuki 2492 A KATZ Ronnie5986 A ISHIGAMI Yoshitaka 2236 A JOSSERAND 2485 A KAUDERERAmy5179 A ISHII Hiroshi Earl 2486 A KAUDERER Shannon1862 A ISHII Keiichi 2426 A JOVIC Melony J. 1201 S KAUFMAN Dave5907 A ISHII Ryo 5599 A JOZUKA Akira 2464 S KAUFMAN Jerry5895 A ISHII Yuichi 5600 A JOZUKA Miharu 1202 s KAVANAUGH5173 A ISHIKAWA Hiroyuki 1185 S JULIAN Hubert Celia c.

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SOUVENIRBOOKthe 46th Japan Science Fiction Convention & the 65th World Science Fiction Convention

62575345

AA

KAWABATAKiyoshiKAWABE Naomi

Yasuki 5256 A KITAMURA Masashi

55946lll

A A

KONDO TadahiroKONDO Toshiki

6265 A KAWADA Fuka 1752 8 KITANO Yoshiki 6065 A KONDO Wataru

6219 A KAWADA Jun-ichi 1753 8 KITAYAMA Shio 5039 S KONDO YukiKORN Daniel

6263 A KAWADA Tadashi 0333 A KITCHEN Gary S. 1229 s6264 A KAWADA Yuko 6150 A KITO Motoi 3284 s KO RO GO DS KI

58995170

A S

KAWAGOEHisaoKAWAGUCHI

5751 Ushio

A KIYOMOTO Leonid 3015 A KORONAKOS

Koto ro 6377 8 KIYOSHIMA DamonKORRA'TI Anqela S.6027 A KAWAGUCHI Hideki 0338 A

Mosaki 5382 A KIZAKI Hiroaki 0339 A KORRA’TI R'ykandar5478 A KAWAI Hideaki 3302 8 KLASSEN Sionna 1759 A KOSAKI Osamu5375 A KAWAI Keiichi 0723 A KLEIN Robert 2879 A KOSICK Mel Jane6402 A KAWAI Yasuo 0626 8 KLEINER David 5363 A KOTOKU Toshiro5576 A KAWAKATA 1219 8 KLEINER Robyn B. 5205 A KOUNO MichitakeYuhi 1694 A KLEIN-LEBBINK 0340 S KOVALCIK Richard5568 S KAWAMATA Elizabeth 0341 S KOVAR ElspethTakuro 3197 A KLEVITSKY Alex 3139 S KOWAL Mary5857 A KAWAMURA 3220 8 KLIMA John Robinette

KOZORA KathrynTakashi 0627 A KLIMAN Lincoln 2921 A5068 A KAWANAMI W. 6380 A KOZU KimihikoDaisuke 1220 8 KLOEB Susanne T. 6334 A KOZUKI Hinowa6286 A KAWASAKI Chika 0334 A KNAPP Brian 3253 S KRAHN Laurel5554 A KAWASAKI Hideko Keith 3050 S KRAL Douglas1749 A KAWASAKI Toshihiro 0335 A KNAPP Mary 1232 s KRAMER Ann5678 A KAWASE Hiroyasu

KAWASE HisakiC. 1233 s KRAMER Chris

1751 A 3280 S KNIGHT Bryan 1234 s KRANZER Ellen1750 A KAWASE Shizue 1221 8 KNIGHT Paul 0724 A KRASNOPOLSKY6364 A K AWASH IMA 3323 8 KNOX Andrew J. RubenMasayuki 0066 A KNUDSEN Trevor 0342 s KRAUSE Dina S.2834 8 KAWAZOE Yozo 5081 A KOBAYASHI 0343 s KRAUSE George1203 S KAYE Neva Hideaki 0628 s KRAUSE Sydnie5507 A KAZANO Haruki 5493 A KOBAYASHI 3016 s KRENTZ Bradley5508 A KAZANO Mami Hideyuki 1235 A KRENTZ Laura0326 A KEATON William 5514 A KOBAYASHI 0344 A KROLAK Jack P.0327 A KEESAN Morris Hiroaki 0346 A KRUGER Grant2835 S KEIM Carl 5057 A KOBAYASHI 6390 A KRUMHOLZ5199 A KEIRA Mari Junji Walter1206 8 KEITH Lorna 5058 A KOBAYASHI 0347 S KRUPP Roy S.1207 8 KELLEY Alice Kaoru 1236 A KRZYWICKI3204 A KELLEY Elliott 5516 A KOBAYASHI Stefan3203 A KELLEY Marylin Kazuha 3070 A KUAN Chris0447 A KELLY Diane 54H A KOBAYASHI 2386 A KUBIER Sarah3363 8 KELLY Shaun Kei 5851 A KUBO Masahiro2943 8 KELTNER Timothy E. 5492 A KOBAYASHI 6174 A KUBO Mayumi0625 A KENDERDINE Megumi 1757 S KUBO TakaakiBonnie J. 5224 A KOBAYASHI 5228 A KUBO Yukio5075 A KENJO Seiko Mika 6274 A KUBOKI Hiroshi6352 A KENNARD Mary 6078 A KOBAYASHI 5255 A KUBOTA Mitsuru1704 A KENNEDY Melita Misuzu 2404 S K?CH Lutz2975 8 KENNEDY Michael D. 5517 A KOBAYASHI 5447 A KUDOU Hiroyuki

KUGA Naoyuki1208 8 “KENNEDY, JR." Mizuki 1755 ARobert 5. 5515 A KOBAYASHI 1237 S KUIPER Laura0328 A KENT Allan Nobuko 2807 A KUJAWA Cheryl2493 A KEPNER Linda 5494 A KOBAYASHI 2933 A KUM Tessa2494 A KEPNER Quinn Sahoko 5003 A KUMAKURA1209 A KEPNER Terry 5223 A KOBAYASHI Akio2932 8 KERMAN Ada Yoshio 5005 A KUMAKURA0329 A KETTER Greg 6321 A KOBAYASHI Rio2495 A KETTER William Yuki 6344 A KUMAKURA5539 A KIHARA Hirotaka 1222 8 KOBEE Eileen Yoshiaki5040 A KIKUCHI Emiko 1223 8 KOBEE Robert F. 5004 A KUMAKURA5915 A KIKUCHI Makoto 1224 8 KOBEE Sally Yumiko5374 A KIKUCHI Yoko 5366 A KODAI Aki 1758 S KUMAZAKlShuntaro6339 A KIKUKAWAMotoko 5150 A KODAMA Etsuko 2447 A KUMMINGWaldemar0060 8 KIKUKAWAYukio 5149 A KODAMA Tomoki 3044 A KUMPULAINEN5559 A KIMATA Nozomu 5460 A KODERA Mitsuo Minna1210 8 KIMMEL Daniel 1225 8 KOEHLER April 6144 A KUNII KazueM. 1226 8 KOEHLER August 6145 A KUNII Ken-ichiI2ll 8 KIMMEL Leigh 0336 A KOEHLER Lynn E. 6315 A KUNITOMO5870 A KIMURA Kazuhiro Cohen Harumasa5871 A KIMURA Mikako 1227 A 'KOEHLER, III” 0348 A KUNSMANTom5590 A KIMURA Yukari William F. 5171 A KU RAK ATA Koji3074 A KIND Lance 5285 A KOEZUKA Seiji 6252 A KURATA Takashi0330 8 KINDELL Judith 5971 A KOGAN EZAWA 5151 A KURIHARATomoaki1212 8 KING David Chiho 5765 A KUROSAWAW. 5878 A KOHAMA Shoko Hitoshi1213 8 KING Deborah A. 0102 A KOHAMA Tetsuya 5545 A KUSAKABE Kaori1214 8 KING Shane 5426 A KOIZUMI Yuji 1756 A KUSAYANAGI1215 S KING Sheba A. 5509 A KOJI Kei Daisuke0331 A KING Trina 1228 8 KOL Ken 1238 S KUSCHEL Ernst0332 8 KINGSLEY Michael Kon 0073 A KUSHIMOTO5980 A KINOSHITA 1760 A KOMATSU Hiroaki KatsumiKen-ichi 6127 A KOMATSU Hisashi 2376 A KUSHNER Ellen0657 A KINSELLA Dan 6246 A KOMATSU Makoto 5466 A KUSUMI Eiko1754 A KIRIYAMA Yoshio 1761 8 KOMATSU Miki 5107 A KUWAJIMAShin-ichi1217 5 KIRSTEIN Sabine 5023 A KOMATSU Noriko 6281 A KUWANO Motoshi5746 A KISHIGAMIKyoten 0001 A KOMATSU Sakyo 1240 S KWANDRANS5523 A KISHIMOTO 5H6 A KOMATSU Sawori Stephanie M.Akane 0337 A KOMINS Arin 1716 A KYLE David A.5522 A KISHIMOTO 5276 A KOMOSHITA 0725 A LA CROIX FionaKoji Takehiro 3331 A LABICK David1393 8 KISS Mike 1762 A KONDO Hiroyuki 1241 S LABONVILLE5901 8 KITADA Takashi

KITAJIMA Tsuyoshi5785 A KONDO Kuniko 'Zanne

5814 A 5030 A KONDO Satoru 1242 A LACEY Diane5439 A KITAMADO 5368 A KONDO Syuji 1243 S LACZKO Valerie

E-136 HippoiV^o

Nippon20070658 A LADUE Ruth Anne Jim 0734 A MARBLE Beth0550 A "LAKE, JR." Jose 1277 S LOHR Janet 0388 A MARBLE Chris0726 A LAMBERT Kyle 1278 S LOHR Judson 3144 A MARCUS Gideon0727 A LAMBERT Marcia 1279 S LONEHAWK 3143 A MARCUS Janice2373 A LANCASTER Brendan 1305 S MARINELLI MichaelRick 1280 S LOOMIS Ann 3132 S MARJANOVICH1247 A LANDIS Geoffrey A. 1281 S LOOMIS Austin Masha0350 A LANDIS James 1282 S LOOMIS P. 0389 A MARKMANM.M. Burr C.1245 S LANDON Michele 0372 S LOPATA Steven 2374 A MARNOCH1246 S LANDON Stephen 1284 S LORENTZ John Craig

03902403 S LANG Eva 1283 A LORRAH Jean S MARSHALL Keith3358 A LANGER Jessica 1285 S LOUDEN Mike 1306 S MARTENSSON0351 S LANGFORD 2837 S LOVE J. PaulElizabeth Phread Spencer 3018 S MARTIN Cheryl1248 5 LANGFORD 2342 A LOWE Karen 1307 S MARTIN DianeLaura 1288 A LOWERRE Jim M.2919 A LANGHAMMER 1289 S LOWRY Margaret 1308 s MARTIN GeorgeAndrew 3093 S LOYAL Susan H. 0735 A MARTIN George1249 S LANGSAM Devra 0374 A LUDWIG Gaye A. R.R.M. 3259 A LUM Jill 0391 s MARTIN Lee6313 A LANKARD Naoko Snider 1309 s “MARTIN, M.D.”6312 A LANKARD Woke 1290 A LUNDRY Donald Mary M.1250 5 LAPPEN Paul 2875 A LUNER Celia 1310 s MARTINO Joseph3260 A LARNER Rusty 2873 A LUNER David 3168 A MARTINSSON1251 S LAROSE Jennifer K. 0375 A LUOMA Robert Christina3276 S LASKA Alan 0630 A LURIE Perrianne 6181 A MARUYA KyubeDavid 1291 S LUSSIER David 6403 A MARUYAMA0352 A LATZKO Alexander 1717 A LYAU Bradford Hiroshi1252 A LAUBENHEIMER 1292 S LYMAN David 5187 A MARUYAMAWilliam J. G. Hiroyuki1253 S LAWLER Joann 1293 S LYMAN Deanna L. 5188 A MARUYAMA0353 A LAWRENCE 0730 A LYNCH Keith F. KumikoMatt 0376 S LYNCH Nicki 5989 A MASAKI Teruo1254 S LAY Toni 0377 S LYNCH Richard 6397 A MASHIKO Yujiro0354 A LAYTON Alexis 3167 A LYSHOL Heidi 0392 A MASON Michael0355 5 LAZAR Judy T. 1294 S MAAS Ron 2928 S MASRI Heather1255 5 LE Thuy 0085 A MACBRIDE Craig 3245 A MASSEL-CASTATER0728 A LEAVELL Jane 2885 A MACEWAN Patricia H. Gina1256 S LEBOVITZ Nancv 1824 A MACHIDA Hatsuo 3346 A MASTERS Gerald3354 A LEDBETTERThomas H. 5312 A MACHIDA Kazuhiko 0736 A MASTROIANNI3124 S LEDBETTERWilliam 5320 A MACHIDA Tashika Claudia1257 S LEE Stephen 0052 A MACINTOSH 1817 S MASUBUCHIC. Robert Akiko1259 s LEGARE Joanne 0732 A MACLANEY 1818 S MASUBUCHI1772 s LEGARE Joanne Thomas Izaya1258 s LEGER Matt 2389 A MACMHICEAN 1821 S MASUBUCHIG. Seumas Jun0629 s LEHEW Laura 2801 A MACNEIL Helen 0054 S MASUBUCHI2496 s LEHMANN Liz 2800 A MACNEIL Justin Kaku0356 A LEIBIG Ruth 1296 S MADDEN James R. 1820 S MASUBUCHI0357 A LEIBOWITZHope 3186 A MADISON Ines Karin

MASUBUCHI1260 S LEIGH Bob 5232 A MAEDA HiroyukiNaokuni

1819 S1394 S LENKMAN Sheila 5943 A MAEDA Kazumi

MASUBUCHI0069 A LEONARD Sean 5663 A MAEDA Tamaki 1822 S1262 A LERNER Fred 5589 S MAEDA Yuko Midori1263 5 LERNER Neil S. 1857 A MAEGAWAYoshiko 1823 S MASUBUCHI1264 S LERNER Rachell 1846 A MAEKAWA Hiroyuki Yoshia0729 A LEVINE David D. 5408 A MAGARA Masayoshi 6318 A MASUDA Mamoru1265 S LEVINE Rennie 6224 A MAID-STATION CAFE 0087 A MASUDA Tomoko1266 S LEVINSON Deborah A. 5218 A MASUDA Yoko1267 5 LEVY Sandra 0378 A MAIZELS John P. 1697 A MATHENY Charles0359 A LEWIS Anthony 1298 S MAJOR Joseph T. 5398 A MATSUBARA0360 S LEWIS Brian 1299 S MAJOR Lisa Hideyuki0361 A LEWIS Judith 0379 A MAK Christine 5090 A MATSU BARA0362 A LEWIS Suford 0380 A MAK Derwin Hiroyuki1268 S LIANG Mabel 1813 A MAKI Noriko 5612 A MATSUFUSA1269 S LIBBY J. H. 1815 A MAKITA Hisayo Ichiro

MATSUI Chizuko1270 s LIBERMAN Julia B. 1814 A MAKITA Kazuhiko 5832 A1271 s LICHTENBERG 0634 A MALIK Julia 6385 A MATSUI KeisukeJacqueline 0381 A MALINOWYCZ 6024 A MATSUI Oki1273 s LIDRAL Bob Marci 5396 A MATSUI Tadao0363 A LIEBERMAN 1392 S MALLORY-RICKER 5564 A MATSUMOTODanny Pamela Kinuyo0364 A LIEBERMAN 1301 S MAMI Carl D. 5828 A MATSUMOTOPaula 1302 S MAMI Elaine Satoshi0365 A LIEBMANN Michael 0382 A MAN Richard 5565 A MATSUMOTO1274 A LIEN Anton 5435 A MANA Hiroyuki Yoshimosa1275 S LIEVEN Andre 5436 A MANA Ikumi 5371 A MATSUMURA0366 S LIGUORI Michele 5556 A MANASE Ikkei Yoshihide3230 S LILLIAN III Guy 1826 A MANASE Kozuhiro 5076 A MATSUN AGA0367 S LIM Keith 0733 A MANCINOSteve Naoichi1840 5 LIN Jia-Li 3017 A MANION Patrick 5117 A MATSUO Daisuke3137 A LINDHOLM 0383 S MANN Jim 5021 A MATSUO TadahiroJennifer 0384 A MANN Jon 5417 A MATSUOKA0368 S LINDSAY Tamar 0385 S MANN Laurie Shu ji3366 A LINK Kelly 1303 S MANNELL Sharon 1855 A MATSUSAKI0369 A LINNEMAN 1844 A MANPOH Masayuki NorikoMark 1304 A MANSFIELD 5341 S MATSUSHIMA2490 S LIPARI Philip John Hidehiro5997 A LIPSETT Edward 0386 A MAN-WILLRICH 5423 A MATSUSHIMA0370 S LITT Elan Ariane Ken-ichiJane 0387 A MAN-WILLRICH 6301 A MATSUSHIMA0371 A LOESCHKEPaul Silvione MegumiEric 3264 A MANZO Jon 5196 A MATSUYAMA1276 5 LOHMANN C. Kiyomi

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5195 A MATSUYAMA Olukunle 0518 A MONSON HeatherTadamichi 6239 A MIKI Mari 0654 A MONSON Joe1863 A MATSUZAKI 1347 S MILLER Alan F. 1342 A MONTGOMERYTakako 04H A MILLER Arthur Helen

MOORE Kenneth5392 A MATSUZAWA W. 1343 SNaomitsu 0412 A MILLER Craig F. 1361 S MOORE Marion

A.1312 A MATTHESEN 0413 S MILLER Mary 0741 A MOORE MurrayElise C. 2881 A MORGAN Brian3092 S MATTHEWS 0414 s MILLER Tim 2976 S MORGAN CherylJaymie 1349 s MILLS C. J. 2398 A MORGAN Lyn0393 A "MATTHEWS, JR." 1350 s MI?AMBRES McLeish

MORGAN RichardWinton E. Teresa c. 2908 AI3ll S MATTHEWS-BAILEY 5258 A MINAMIYAMA 1362 S MORGAN Sharon K.Gail E. Shingo 5036 A MORI Fumihiko1313 S MATTSON Barbara 5713 A MINE Koichi 1831 A MORI HiroakiJean 2858 S MINNE Joe 5037 A MORI Mayumi0394 A MAUGHAN 1351 S MINNEMAN 5061 A MORI NorikoIan Lynn I. 5797 A MORI Takuya1314 S MAULUCCI 6418 A MINOR James 1852 A MORI Tosoku

Mary K. 6010 A MISAKI Norihiro 3334 A MORIARTY Joanna2956 A MAUND Kari 6210 A MISAWA Jun 6395 A MORIMITSU1315 S MAXWELL Jeff 0740 A MISENER Bonita Osamu0398 A MAYER Sally 2838 S MISENER David 6368 A MORIMITSU1316 S MAYER Warren 5131 A MISHIMA Eriko Reiko1239 A MAYFIELD Jason 5143 A MISHIMA Kumi 1832 A MORIMOTO3019 A MAYNARD J. D. 1858 A MITA Motohito Katsuya1317 S MAZZOLA Dale 3319 A MITCHELL Betsy 0065 A MORIOKA Atsushi0399 S MCABEE Kyle 2978 A MITCHELL Elliott 5648 S MORIOKA3Scott 1353 S MITCHELL John Atsushi1318 S MCABEE Monica 1354 A MITCHELL Petr?a 5649 S MORIOKA42848 A MCALONAN 0325 A MITCHELL Rose AtsushiJen 5529 A MITERA Akihiko 5650 S MORIOKA52849 A MCALONAN 5528 A MITERA Miyuki AtsushiKevin 5527 A MITERA Takeshi 0418 S MORIONDO1319 S MCBRIDE Parris 1356 S MITIAS B. J. Christophier0400 A MCBRINE Marian 1357 S MITO Kozuko T. 5498 A MORIYAMA1320 S MCCALLA Wayne 5534 A MIURA Daisuke Akinori1321 A MCCARTY Dave 6099 A MIURA Daisuke 1363 S MORMAN Brian1322 S MCCARTY Diane 6194 A MIURA Fuyumine 0742 A MORMAN Mary2878 A MCCAW Ken 5963 A MIURA Makiko 1358 S MORMAN Melissa0133 A MCCONNELL 1827 S MIURA Norihisa 1359 A MORRIS HenryMichael Edward 5377 A MIURA Yoshio 2429 A MORRIS Neil0401 A MCCORMACK 0415 A MIX Marilyn Jane 3187 A MORRIS SimonPatrick 0419 A MORRIS Skip1323 S MCCUNNEY 6349 A MIYABE Yasuko 1360 S MORRISONDennis 5168 A MIYAGAWA Kathleen1324 S MCGARRY Terry Takuya 3269 A MORSE Andrew D.0402 A MCGRAIN Tim 5455 A MIYAHARA Kazue 2964 A MORSE Lynne Ann0737 A MCGRATH Danny 5309 A MIYAHARAYuii 0420 A MORTENSEN1325 S MCGREGOR 6143 A MIYAMAE Sakiko LizAlayne 6142 A MIYAMAE Yoshihiko 1364 S MORWOOD0145 A MCGUIRE Christian 6376 S MIYAMOTO Peter0146 A MCGUIRE LeAnna Dojin 1365 S MOSKOWITZ1326 S MCGUIRE Michelle 5012 A MIYAMOTO Jim2450 A MCHUGH Maura Hideo 0743 A MOSS Miriam1327 S MCKEAN Jody 5013 A MIYAMOTO 1848 A MOTOKAWA1328 S MCKEAN Mark D. Ritsuko Yuji3355 S MCKEE Gabriel 6208 A MIYAMURA 0421 A MOULTON Fred1329 S MCKENNA Marjorie Machiko 1366 A MOURA Mary0403 A MCKERSIE Joe 5875 A MIYAO Akemi W.1330 S MCLAUGHLIN 5874 A MIYAO Norio 0661 A MOURSUNDNina 5403 A MIYASATO Nariaki Beth3109 S MCLEOD Bonnie 5667 A MIYATAKE Masaaki 1367 S MOZES Eyal0404 A MCMENAMIN 0045 S MIYAUCHI Takahiro 0422 S MOZZICAATOMark G. 5281 A MIYAZAKI Keiko Susan0659 A MCMILLANMichael 1828 A MIYAZAKI Yoshihiko 1829 A MUKAI Jun0405 A MCMURRAY 6089 A MIYOSHI Hiroshi 5002 A MUKAIDA TaizoPatrick 5884 A MIZOGUCHI 1368 S MULHOLLAND0738 A MCMURRIAN Tetsuro Mary A.Althea

MEAD Gale6268 S MIZUKAMI Keita 0423 A MUMAW Donnalyn E.

3091 S 5388 A MIZUMACHI 0424 A MUMAW Lorraine1331 A MEAD Sean Hiroaki 5550 A MURAKAMI2986 A MEHRING Brent 5052 A MIZUOCHI Jun1332 S MELDER Zane Hirohisa 6328 A MURAKAMI3181 A MELKO Paul 5065 A MIZUTANI Hiroshi Shin3151 A MELTON Erick 5066 A MIZUTANI Mika 5132 A MURAKAMI1333 S MELTSNER Bill 5722 A MOCHIDA Kanemitsu Toshihiko0406 A MELTZER Joseph 6307 A MOCHIZUKI 5097 A MURAMATSU0660 A MELTZER Lori Jiro Keita1334 S MENZIES Margaret A. 1336 S MODELL Celia 5405 A MURAMATSU5278 A MERA Akemi 1337 S MODELL Howard S. Toshimichi5277 A MERA Ken-ichiro 1338 s MOEWS David 5106 S MURAMORI1335 A MERIWETHER 3075 s MOHAPEL Charles AkiraCary 1339 s MOHAREB Cynthia 5547 A MURANAKA1700 S MERLINO Mark Huckle Tomohiro0408 S MERRILL Michael H. 3130 A MOHYLA Jason 1369 S MURASKIN Elaine0409 S MERRITT Scott 1340 s MOIR Debby 6169 A MURATA Noriko0410 S MESCHKE Karen 3020 s MOIR Lillian E. 1830 S MURATA Shigeru0631 S MESKYS Edmund R. 1341 s MOIR Mike 0059 S MURATANI Masayuki1344 S MEYER Erik J. 2806 A MOK Anne 5801 A MURAYAMA2480 A MEYER Harry R. 3021 A MOLLOY Grace Hiroshi2481 A MEYER Stephanie Keiko Eloise 0426 A MURRAY James J.0056 A MIDORIKAWA 0416 A MOLLOY Patrick 2461 A MURRAY JaniceAoi 3108 S MOLPUS Jane J. 1370 A MURRAY Paula1346 S MIESEL Marie L. 6354 A MONACHON Helm2895 S MIKE Ayegbusi Sacha 3190 S MYERS Inger

E - 138

Nippon20073191 S MYERS Joseph 3023 S NESFA William G.D.3158 A MYKKANEN 5664 A NEVINS Preston 5944 A ODA HirokazuSanna 1376 S NEWCOMER 6388 A ODA Minoru1371 S MYKYTKA Mary J. Leslie 5661 A ODANAKA Norio6407 A NAGANO Katsuyuki 1377 S NEWELL J. R. 1402 S ODBERT Elspeth0077 A NAGANUMA 1378 s NEWROCKBruce 1403 S ODBERT James R.Nobuyuki 1379 s NEWROCKFIo 2869 A ODELL James6039 A NAGANUMA 0428 A NEWTON Barry L. 1397 S O'DELL TomYukiko 1380 s NEWTON Charles 1404 S “ODOM, JR."6200 A NAGASAKA W. James CarlFumiko 0429 A NEWTON Judith J. 5441 A OE Takayuki6092 A NAGASAKI Mitsunobu 1381 S NEWTON Karen 1405 S OEFFLER Mark5333 A NAGASE Kuninori W. 5259 A OGASA Eiji5062 A NAGASE Norio 2884 A NEWTON Meridel H. 5810 A OGASAWARA5475 A NAGASE Yoshie 2929 A NGUYEN Ha T. Isao5326 A NAGATA Hideki 1382 S NICBHR?DE 5582 S OGATA Naomi5130 A NAGATOMO Fe?rag 5537 A OGAWA HiromiSokiko 1383 A NICHOLASBeverly L. 5838 A OGAWA Masumi5120 A NAGAYASU 0632 A NICKELSON 3048 A OGDEN FredKazuyoshi Debra 3049 A OGDEN Ruth2434 A NAGGS Anthony 3024 A NICKERSON 5807 A OGISO Ayako6146 A NAGURA Ryoma Kevin Joh 6348 A OGUCHI Hideki1372 S NAGY Steve 3081 A NIELSEN HAYDEN 1744 S OGURI Yuji5381 A NAKADA Kazuko Patrick 0434 A O'HALLORAN5236 A NAKADA Yuki 1110 S NIELSEN HAYDEN Chris5677 A NAKAEGAWA Teresa 0435 A O'HALLORANYasuko 3173 A NIEZINK Jan John5909 A NAKAGAKIKotaro Willem 0436 A O'HANLON5007 A NAKAGAWA 6207 A NIIJIMA Susumu RoderickKunihiko 6211 A NIIMI Kiyoshi 6086 A OHASHI Hiroyuki5822 A NAKAGAWA 5959 A NIKI Minoru 6217 A OHASHI TamakoYoshiyuki 1384 S NIKKEL Shelagh 5364 A OHMICHI Mariko6019 A NAKAI Ken-ichiro 3149 A NILSEN Rune 5731 A OHMORI Satoshi0051 S NAKAJIMAMari 6404 S NISHIDE Hideko 1732 A OHSAWA Rurisa1790 S NAKAJIMAToru 5733 A NISHIHARA 5249 A OISHI Mitsuko1859 A NAKAJIMAYosutoshi Takeomi 5250 A OISHI Yukino5845 A NAKAJOH Hiroyuki 5156 A NISHIJIMA Shigeru 5876 A OKABE Isaku5692 A NAKAKOJI Mitsuho 0070 S NISHIKORI Masayoshi 1741 A OKADA Hiroyuki6250 A NAKAKOSHI 5847 A NISHIMURA 5083 A OKADA MasakazuAkiko Hajime 1740 A OKADA Tadahiro6249 A NAKAKOSHI 5485 A NISHIMURA 5956 A OKADA TomonoriRyoji Hazime 1742 A OKADA Yasushi6022 A NAKAMA Kunikazu 5118 S NISHIMURA 5736 A OKAMOTO6023 A NAKAMA Rei Naoki Aya5538 A NAKAMURA 5486 A NISHIMURA 5839 A OKAMOTOAkemi Shihoko Kazuhisa5666 A NAKAMURA 5701 A NISHIMURA 5793 A OKAMOTOAkihiko Tsutomu Kazuhito5940 A NAKAMURA 5844 A NISHIWAKIMasato 6333 A OKAMOTOKazuhiro 5260 A NISHIZAKA Nakako5476 A NAKAMURA Haruko 1743 A OKAMOTOMosoaki 0431 A NIVEN Lorry Satoshi6128 A NAKAMURA V.C. 5328 A OKAMOTOTeppei 0432 A NIVEN Marilyn Yoko6002 A NAKAMURA 5949 A NOA Azusa 5354 A OKANO ShigeruToshihito 5307 A NOBORI Yoshihiro 5108 A OKAZAKI Miyuki1847 A NAKAMURA 0035 A NODA Koichiro 5500 A OKAZAKI TomoyasuToshiyuki 1793 A NODA Reiko 6292 A OKI Shin-ichi5335 A NAKANE Eiji 5360 A NODERA Kimiyuki 5319 A OKU Keiko5977 A NAKANE Osamu 6409 A NOGAMI Hirotumi 5318 A OKU Nooko5490 A NAKANISHI 5055 A NOGUCHIHideki 5317 A OKU YoshitakaYusuke 6297 A NOGUCHI Mariko 5137 A OKUBO Hirotsugu5054 A NAKANO Hisako 6258 A NOJIRI Mako 5129 A OKUBO Kazutako6234 A NAKANO Ken-ichi 0633 S NOLAN Pat 5346 A OKUBO Masakatsu5237 A NAKANO Yukari 6405 A NOMIYAMA 0437 A OLBRIS Frank2856 A NAKASHIMA Motomu C.Lex 5968 A NOMOTO Mitsunori 1406 S OLDHAM Joseph5410 A NAKASHIMA 5969 A NOMOTO Shiho 1407 S OLDHAM KathyTakeshi 5305 A NOMURA Kazuhiro 0438 A OLEYAR Maxine5560 A NAKATA Aki 5738 A NOMURA Takemasa 0439 A OLMSTEAD5446 A NAKATA Takeo 1794 S NOMURA Toshio Gene6209 A NAKATA Yoshinori 1385 A NORDLEY Gerald D. 1408 S OLSON Mark L.6256 A NAKAYA Yoko 1386 S NORRIS Randy 1409 S OLSON Priscilla1792 S NAKAYAMA 1387 s NOVAK John 0440 A OLYNYK FrankMayumi 1388 s NOVALES Johanna 6038 A OMIZO Noriko5468 A NAKAZATO 3105 A NOVIK Naomi 5060 A OMORI KanjiYuji 1389 s NOYCE Abby 5742 A OMORI Nozomi5217 A NANAO Noriko 5548 A NUKAYA Toshimasa 6247 A OMURA Ken-ichi2955 A NANSON Philip 1390 S NUTT Nancy 1398 S O'NEAL Dave1373 S NAPIER Sheley 1391 s NYE Jody 2420 A O'NEILL David6384 A NARITA Hideto Lynn 2421 A O'NEILL Maryse3237 A "NASH, JRJ'Edward F. 1400 s OAKES Deborah 1410 A ONG Marisa1374 S NATHANSON 3127 s OAKES Ronald 5459 A ONISHI KoyoPhillip M. 3128 s OAKES Tara 5027 A ONO Haruo5606 A NAYUKI Kenji 3262 A OAKLEY Peter 6309 A ONO Kiyomasa5880 A NEFF Joel 1739 A OASHI Koichi 5976 A ONO Mitsugu3268 S NEIDENGARD 2922 A O'BRIEN Terry 5908 A ONO NorihiroMark 5336 A OCHI Futoshi 1735 A ONO Sayaka1218 A NEIDENGARD 1401 S OCHS Pamela 1737 A ONO TetsuiiSionna 1395 S O'CONNOR 1738 A ONO YoshiKO6355 A NELSON Ahnnawake Deborah E. 5712 A ONODA Kazuko1375 S NELSON Emily 0433 A O'CONNOR 3176 A ONODERAH. Roderic3239 A NELSON John T. Mary W. 5683 A ONOUCHIAtsuko0427 A NELSON Michael R. 1396 S O'CONNOR 5685 A ONOUCHIMaya3022 S NELSON Stephen Patrick J. 5684 A ONOUCHITakashi3090 A NEPVEU Kate 2472 A O'CONNOR 5706 A ONOUE Toshihiko

E - 139


0441 A ONTELL Ron0442 A ONTELL Vai0443 S O'REILLY Myles F.2846 A ORMAN Chris2941 A ORMAN Cyndi2987 A ORMAN Frances2847 A ORMAN Sheryl0444 A ORTH Jeff3089 A ORZEL Chad5625 A OSAKO Kenichiro6213 A OSAKO MosamichiI4l I A OSBORNE Elizabeth1691 A O'SHEA Chris5282 A OSHIBUCHIShin-ichi5761 A OSHIDA Yuri5572 A OSHIKIRI Kazuko1733 S OSHIMA Yuko5754 A OSHIO Chie5399 A OTA Hirosuke6056 A OTA Naoki0064 S OTAKA Hiroyuki1734 5 OTAKA Yuki5920 A OTSUKA Kenii2471 S OUW Nadia2470 S OUW Shirley0744 A OVERTON Kathi D.5609 S OWADA Kaoru6123 A OWAKI Mariko2864 A OWEN James A.0445 S OWENS Arielle2455 A OWENS Nancy0446 S OWENS Sammi1745 A OYAMA Noruma5852 A OYAMA Ryuta5056 A OYAMA Takashi5370 A OZAKI Hideyuki5730 A OZAKI Hirokazu5535 A OZAKI Noriyuki1412 S PADDOCK Greg3085 A PAFORT Catja0745 A PAGE John0448 A PAGE Kristin1413 S PALTIN Josephine0449 A PAOLUCCI Carol2962 A PARGMAN Michael0450 A PARKER Bill1414 A PARKER Carole I.1415 S PARKER HelenM.0451 A PARKER Tony E.0452 S PARKER Walter2991 S PARMENTIERGregg2992 s PARMENTIERMyrna1416 s PARSLOW Dennis0746 A PARTRIDGEMark E.0454 S PATCH Terry0455 A PATTEN Frea2459 A PATTERSONBiu2812 A PATTON Andrew0456 S PAUL Crystal0457 A PAUL Sara0134 A PAULEY Donald1417 S PAULK Mark3364 A PAULSEN Joakim1418 5 PAVLAT Eric1419 S PAVLAT Wendy0784 A PEARCE Joe1421 S PEARLMANCid1422 S PEARLMANEileen D.1420 s PEARSON Emily3025 A PEART James A.0039 A PELZ Elayne1423 S PENGELLY Megan1424 s PENICK Micnael1425 A PERELGUT Alan1426 A PERELGUT Mary3054 A PERRY Cally3217 S PERRY Sheila2981 A PERSON Lawrence0459 A PERSONS Kelly3026 A PERSSON Tommy1427 S PESHEK Jo1428 5 PETERS Becky D.3123 S PETERSON Amy1429 S PETERSON David S.2217 A PETERSON John D.2393 r

A PETERSON Joyce

1430 S PETERSON Judith S.0460 A PETERSON Polly Jo3231 S PETERSON Robert

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2859 A PINCUS Michelle0747 A PINKERTONMax 0465 A PINS Michael0748 A PIRINEN Anetta0147 A PIRINEN Pekka0466 A PLASKON K.Down 33ll A PLUM

E - 140

Nippon2007

NIGERIA

FRANCEAUSTRIA

CROATIA

ITALY

ISRAEL

INDONESIA Ishikawa

Fukui Gifu

SOUTH AFRICA

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Hiroshima Os^a ' VYamaguchi Kagawa "i^ara

Fukuoka Ehime TokushimaSaU Oita Kochi Wakayama

NagasakiKumamoto

Miyazaki

Kagoshima Okinawa

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NEW ZEALAND

VENEZUELA

CHILE

E - 141

Nippon2007 Comittee ■A^79y7«« Bi IS »S( TIE *ffl

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Interpreter Staff

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Takayukl KarahashiMinoru ShintanlKaori FujiwaraHirohlde HiraiKyoko Ogushi

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ChairHiroaki Inoue

ViceChairShigeru Hayashida Shouichl Hachiya

Secretary General Masaharu hnaoka

AdvisersTakumi Shlbano Masahiro Noda John Hertz.

Chairman s Division Cliairman's Division

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P 7 9 — • v y Laurie Mann♦JfiE Proofreaders

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General affairsEms® General affairs Manager

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7IS3 IMi/k Mutsumi ImaokaKouji Kurakata

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Kaku MasubuchiDesigner

Hitomi Ono Yoshifumi Senukt Shin-nosuke Fujiwara

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SJfft TreasurerUH I i? Aoi Midorikawa

Bank Account ftPf MariNakaJIma

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x n. — X lz 7— Newsletterlx—Xlz7—Newsletter Editor Chief (Japanese)

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V—7 • th P 7 x 7 Martha HollowayXx—XU7—B*aWzWSSX7'y7 Newsletter Staff(Japanese)

ft* L'ffi Nanase Tominaga®K( XHIF Mariko Kuwahara

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b Iz-A— • 77—7 > Trevor Knudsen17 * J5® 91 Western Name Translation

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Atsushl MoriokaTranslation Staff

Katsukl Kushimoto

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Koichi Satoh

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Editorial TeamEditorial Manager

Kaku Masubuchi Editorial Coordinator

Tomoko Masuda Editor

Mutsumi Imaoka Nanase Tominaga Tadaaki Yokota Hideaki Kawai Daisuke Suyama Noriko Ikeda

Leslle J.FurlongMicki Haller YamadaEriko Zlelke

Miyuki Hara Yasuko Miyabe Kazushl Kimura Regina Glei Tadaaki Yokota

Perpetua Jones Alexander Clarke

9— >V7—-r-f ff.—9— Mail CoordinatorE/b • 73.77.7 Bill Jensen

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Data English Translation iS® iEH Masayoshi Nishikori

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Mayuko Imamura Takako Tanaka Youko Nakajima Shigeri Sumura Momoko Matsuo Hiroml Maeda Hiroko Saeki

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7 a 7 • P 77 "7 John LorentzEx—d—ft77 b 7 x7ffi3 Hugo Software Application

7x7 • 3777 b' Jeff CopelandEx—d—ft-trlz-tx— Hugo Awards Ceremony

7 a 7 • .dt 9 7'7 John PomeranzEx—d— ftAWilitt: Deputy for Hugo Awards Ceremony

4 -V X 9 7 • b’ 7 T y- 7 Kathryn DaughertyEx—d— ft AS? X 9 y 7 Hugo Awards Ceremony Staff

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73 7 X • 7—z<— Joyce Hooper7 3 7 • 4?9 7 7 "7 John PomeranzJt.h Hiroaki Inoue

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E— 9— • 7 x X 9 7 Peter WestonEx—d—ft b P7 Y—Hugo Trophy Bases

KAIYODO Co. Ltd.Takashi Kinoshita

Ex—d— zb—7— X<—7 Y— 3ft Hugo Losers'PartyL.A.con IV Ex —d—zb—7—X-A—r Y—JBftHugo Losers' Party at L.A.con IV

I-' 7 • 7vb E IzX Sandra ChildressJET: RJ® Tamle Inoue

ttlfiKil") Technical Consultantsd—7y-*7t—b> KathlOverton

WSFS E >' d- X 5—y~ 479 WSFS Business Meeting7 E > • X 9 7 E 9 — Kevin Standlee

WSFS E7^X5-7Y>7ftffi WSFS BusinessMeeting Secretary

zJ-y b • v7 viz y Pat McMurrayWSFS EzEX5-7 Y 79 WSFS Business Meeting Deputy Presiding Officer

EX/bE • 7—Xblz77=tS DonaldEastlake III77 b 7 7 7 7 a 7 Site Selection

T Y• izx 'y-tfX7 YZb TimSzczesuil7 7 b <’ lz 7 •> 3 > X 7 -y 7 Site Selection Staff

77 • A • 7zb— L<y E Ann A. Broomhead9 'J — • > 7- V 7 X Kelly Persons

77 b -t 79 7 3 IzRSJWMSR Site Selection BallotTranslation

3777 a 7 3 Yuko YoshikawaCommittee Badges

77 y E • 7 y 7—v7 Brad AckermanA9—-3X—b> Barry Newton

SSfSfXJS Mark Protection Committee Representative4i7-V-y*>b-yizx Bob Macintosh

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X77.t.-?b Main Hall77>d>—ZbSft Main Hall Operations

K® Tamle Inoueififfl n D C Noriko Ikeda

IHIftiV Opening Ceremony■r7 E y b‘ • v -fi—r y David McCarty

fiflftR Closing Ceremony7>E7 -7-rbElzX Sandra Childress

7zX>b Events■r 7 E y E • v 7—7 Y David McCarty

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91-777 • 7 7 — y 73. • X7'y7 Strange FannlshStuff

v77;b-' 5X7—.iz-vv V3-^/b Michael'Mr.Shirt' McConnell

Administration Administration

Nippon2007Registration

§f-t Registration CoordinatorW11 35 Aol Midorlkawa

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E - 143

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E - 144 Nlpp^l

Nippon2007

In Memoriam

Lloyd Alexander - Author Dave Alway - FilkerCliff Amsbury - Fan, very early fanzine editor Pierce Askegren - Author Ron Bennett- UK fanIvar Berggren- Swedish fanJamie Bishop - Teacher/ artistNelson S. Bond - Author Peter Boyle - Actor rich brown- FanJayge Carr (Margery Krueger) - AuthorDave Cockrum- Comic artistFran D'Orazio - FanDon Dailey - Fan, First FandomMike Damesick - UK fan Walter J. Daugherty - Fan, First FandomYvonne De Carlo - Actress Patrice Duvic - Editor, translatorLeigh Eddings - Author Peter Ellenshaw - Artist Roger Elwood - Editor Dick Eney - FanCharles L. Fontenay - AuthorJohn M. Ford - Author Freddie Francis - Director Doug Friauf - Fan Philip Friedman - Fan Frank Gasperik - Filker, fan David Gemmell - Author Bernard Gordon - Screenwriter Charles L. Grant - Author Lisa Greene - Fan

Liz Gross - FanJohnny Hart - Cartoonist Don Herbert - Mr, Wizard Philip E. High - Author Douglas Hill - Author Lee Hoffman - Fan, author David Honigsberg - Author Dale Hoover - Author Nigel Kneale - Author/ screenwriterSterling Lanier - Author/ editorMartin Last - Author (nonfiction)Bob Leman - Author David I. Masson - Author Patricia Matthews - Author Angus McBride - Artist Stanley Meltzoff - Artist John Miesel - Fan Peter Mottley - Author Brant Parker - Cartoonist Leena Peltonen - Fan, editorGerry Perkins - Author, fanBobby "Boris" Pickett - SongwriterPatri Pugliese - Dancemaster, SCASara Purdom - Fan Charles Nelson Reilly-Actor, directorMarshall Rogers - Comic artistFred Saberhagen - Author Walter Schirra, Jr. - AstronautCarol Smith - Fan Ralph A. Sperry - Author Joseph Stefano - Producer/ screenwriter

Herman Stein - Composer Dave Stewart - Fan Linda Stoops - FanLeon E. Stover - Author (non-fiction)Iwao Takamoto - Animator Pat Taylor - FanSuzanne Lenore Tees - Fan, costumerWilson "Bob" Tucker - Fan, AuthorVirgil Utter - Author (nonfiction)James Van Allen - AstronomerBertie van Asseldonk - FanLiese van Santen - Fan Michael Simanoff - Fan John Vaughan - Fan Kurt Vonnegut, Jr. - AuthorPaul Walker - Author/critic Lenny Wenshe - Fan Helen Wesson - Fan Logan Whitehurst - Filker Jack Williamson - Author Robert Anton Wilson - AuthorJane Wyatt - Actress

Special Thanks for the people looked forward to enjoy the first worldcon in Japan.

Bruce PelzYukihiro Hasumitsu Kazuya SasakiMarino Nishizaki

Yoshihiro Yonezawa

E - 145

Congratulations to our Hugo and Campbell Award finalists

ISBN 13: 978-0-7653-1910-4ISBN 10: 0-7653-1910-1TR.WE PAPERBACK

ISBN 13: 978-0-8125-3636-2ISBN 10: 0-8125-3636-3PAPERBACK

ISBN 13: 978-0-7653-1218-1ISBN 10: 0-7653-1218-2HARDCOVER

A small German town infiltrated by aliens during medieval times is transformed by the physics of the future.

“Wonderful, mesmerizing.A finely written and deeply considered SF novel that deserves to stand with the classics in the field.”

—Robert Charles Wilson, Hugo Award-winning

author of Spin

A near-future epic adventure that focuses on a family dealing with the challenges of technological advancement in the first quarter of the twenty- first century.

“Vinge is on the cutting edge of technology, and it’s a delight when tomorrow’s wonders are displayed with humor.”

—Denver Post

Earth’s undesirables are sent to space to meet the aliens that have started to descend while the world hopes that they are more alien than the thing they’ve been sent to find.

“A hard science fiction writer through and through—and one of the very best alive.”

— The Globe and Mail

Best NovelEifelheimMichael Flynn

Rainbows EndVernor Vinge

BlindsightPeter Watts

John W. Campbell Award for Best New WriterSarah MonetteBrandon Sanderson

Best Editor, Long FormDavid G. HartwellPatrick Nielsen Hayden

M (Companion

Wbat length.' will you go to— for your honor am)for the lore of your wolf?

SARAH MONETTE and ELIZABETH BEAR

ISBN 13: 978-0-7653-5037-4ISBN 10: 0-7653-5037-8

PAPERBACK

ISBN 13: 978-0-7653-1816-9ISBN 10: 0-7653-1816-4AN OCTOBER 2007 HARDCOVER

The story of Isolfr, a young nobleman selected to become a wolfcarl—a warrior who is bonded to a fighting wolf. When trolls from the north invade during the winter of Isolfr’s bonding, he must learn where his honor lies.

★“Monette is a highly original writer with her own unique voice.”

—Publishers Weekly, starred review, on Melusine

Elantris was once an opulent place—until a curse made the city decay. The Prince is stuck in the rotting city as a group of religious fanatics take over the land. His bride-to-be, thinking he is dead, refuses to relinquish his beloved kingdom.

“Brandon Sanderson has created a truly original world of magic and intrigue, and with the rigor of the best science fiction writers, he has made it real at every level.”

—Orson Scott Card

TOR

Visit our NEW website at www.tor-forge.com

and sign up for a free e-mail newsletter.

http://www.tor-forge.com


JETSby

The Japanese Expeditionary Travel Scholarship (JETS) is a special, one-off fund created for the purpose of assisting a European science fiction fan, elected by popular vote of other European fans, to travel to and attend Nippon 2007. It is funded by a grant from Interaction, the 63rd World Science Fiction Convention held in Glasgow, Scotland in 2005, and by the fees paid by those fans that choose to vote. The race was administered by the League of Fan Funds (Claire Bri- aley, Alison Scott, and Flick).

European fans are particularly excited about the concept of JETS, as there is currently little contact between Japanese and European fans. It is hoped that this trip will form contacts that can be built upon in fu-

Vincent Docherty

ture, possibly leading to an ongoing exchange between the different cultures.

The winner of JETS, is Chris O'Shea ('The Magician'), who will attend the Worldcon in Yokohama.

It is up to Chris how he uses the funds, how he accounts for this, and how he reports back on his trip more generally. However, there was a stated expectation for the JETS race that the winner will produce some form of report about their trip — not least to inform and/or entertain those voters who weren't able to make the trip themselves — within a year.

After hearing of his win, Chris O'Shea said (amongst many other things!): "I'm really happy to have won. I intend to do a lot of traveling

as part of this and see different bits of Japan, though the primary focus will be on meeting Japanese fandom and learning as much as possible from them, and building ties for future exchanges.

"I will be blogging as often as I can during the actual trip. There will be at least one main paper trip report produced, which I expect to have available at next year's Eastercon (the UK National Convention), with all proceeds going to the fan funds. And I'm consulting with knowledgeable fans about the best way of offsetting the carbon emissions from the flights."

Chris would be delighted to meet Japanese fans at the Worldcon and during other parts of his trip: please make him feel welcome and get to know him! M

HANA FundLos Angeles, California fan John

Hertz is here at the first Japanese Worldcon because of the one-shot special trip fund named HANA - Hertz Across to Nippon Alliance (in Japanese, hana means flower). Donations and auction income totaling $2,500, and other support from English and Japanese supporters and admirers, made his presence at Nippon 2007 possible. HANA is the second Japan/ USA special trip fund. TOFF (Transoceanic Fan Fund) brought Takumi Shibano to the United States to attend the 1968 Worldcon, Baycon. Any HANA unspent money will be divided equally among the three perma-

by Murray Moorenent international trip funds: DUFF (Down Under Fan Fund); GUFF (Get Up-and- over Fan Fund); and TAFF (TransAtlantic Fan Fund).

E - 148

-NEXT WORLD "CON"- Eiji YokoyamaThings to come

On Page J63. E29, J82. E56. J105 and El 11. there are previos "Things to come" carried in Progress Reports.


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DEL REY SALUTES

NAOMINOV1KFINALIST FOR THE HUGO

AND JOHN W. CAMPBELL AWARDS

“A new writer is soaring on the wings of a dragon.”

—The New York Times

------------------------------- THE TEMERAIRE SERIES-----------------------

His Majesty's dragon

Coining September 25www.temeraire.org

http://www.temeraire.org

JJJ JJJJJJJJ Advance praise from

JUJ jjjj jjjw^ JJJ

1-4165-2085-6 $24.00 US/S28.99 Can.

“Just when I was thinking science fiction might be over, Mark Van Name proves that there are still smart, exciting, emotional sci-fi stories to be told. In One Jump Ahead, he plunges us into a world where your gossipy neighbors are washing machines and snack dispensers, your best friend is a tank, and superpowers sometimes cost more than they’re worth.

“But this isn’t a fantasy of power—it’s no superhero comic book. Everything in One Jump Ahead feels completely real. As I read this book, sometimes I wished I could live in this future; other times, I was deeply grateful I did not. (Though, come to think of it, the most terrible things in this future are the human beings who don’t care whom they hurt to get what they want. And we have plenty of those right now.)

“Jon Moore, the sole survivor of an experiment combining nanotech with human biology, has all kinds of unusual abilities, but his most powerful weapons are the human ones: courage and intelligence. The book begins when he interrupts a vacation to take on the simple job of rescuing a kidnapped girl. He only makes one mistake while carrying out the mission—and spends the rest of the book trying to make it right.

“In Jon Moore, Van Name has created a hero who is worth at least a dozen more novels. I want this to be a series. I want to read a new one every year. More often would be nice.”

Advance praise from

“Holy Squidlets, Batman! One Jump Ahead is like well-aged white lightning: it goes down smooth then delivers a kick that knocks you on the floor. I want to kidnap Mark Van Name and steal his brain. I also want an illegal, souped-up racing ray. Mark's going to be the guy to beat in the race to the top of SFdom.”

Advance praise from

www.baen.com

“Hard real science smoothly blended into action that blazes like a pinball from one exotic setting to another. This one is very, very good.”

http://www.baen.com

Science Fiction from Kurndahan Press

Gene van Troyer and Grania Davis

The stories you’ll find collected here-will broaden your view of what is. passible o'Hmaginable.” y >■'from the preface by David Brin n fer'i

INCLUDING ,TsutsuiYasutaka, Komatsu Sakyo, Hirai Kazumasti> Mayumura Taku, Shibano Takumi, Tatsumi Takayuki, and more...

Nippon

9^5SfrbM£ffiW20K'/bTAmazomfc<£OTffi-1777.

7i7'tf-<b (www.kurodahan.com)

*■

on sale at Nippon 2007 for the first time anywhere^

SELECTED £ EDITED BY

OUTSTANDING TALES OF JAPANESE SCIENCE FICTION AND FANTASY

Tales in the Cthulhu Mythos from JapanLairs of the Hidden Gods: the one and only!edited BYAsamatsu Ken ■ introduced by Robert Price

I cannot say enough good things about this book.All of the stories are good with some being fantastic.-Brian M. Sammons, in Book of Dark Wisdom

ISBN 4-902075-11-3(vi); 4-902075-12-1 <V2); 4-902075-13-X(V3);4-90207S-14-8 (v4) • us$2o.oo (each) • Covers by Yamada Akihiro

Available at Nippon 2007 at a special preview price of us$15.00, and through Amazon worldwide from September 5 at us$20.00, or order through our website at www.kurodahan.com

/ JifchlGJ 11MU /

/ JI l±t>5^ /

Kuradahan PressBringing the finest in Asian fiction to the English- speaking world, and opening newworlds of the imagination to readers around the globe.

JltfWbtu J&B7 -PPK4^M^c:

ISBN 4-902075-06-7 (£-g) / ISBN 4-902075-07-5 (M“^) ®£:2,200H /»:JimTetlow

At last! NewEdogawa Rampo in English!Two novels: The Black Lizard £ Beast in the Shadows translated by Ian Hughes • illustrated by Kawajiri Hiroaki

Recommended reading for any English-speaking mystery fan.- The Daily Yomiuri

ISBN 4-902075-21-0 • US$15.00coming next year: The Edogawa Rampo Reader - Rampo’s best fiction and non-fiction, for the first time in English. Check our website for news!

http://www.kurodahan.com

http://www.kurodahan.com

Nippon2007

GALLERY

GALLERY

The Divining Heart

The Ultimate Sandbox

Nippon2007

EECIIEEEI1 -

GALLERY

TRANTORIAN DREAM __

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WHO's AMANO!1983# (H#SF*&±fll)Won 14th annual Seiun Award in the category of "art"

1984# (H#SF^^±flli)Won 15th annual Seiun Award in the category of "art"

1985# (H*SF*&±flli)Won 16th annual Seiun Award in the category of "art"

1986# (0#Sg^±flg)Won 17th annual Seiun Award in the category of "art"

2000# E-x-zf'iVST'-b.Nominated for Hugo Award and won Eisner Award

2000# b'7=f> •Dragon Con, received Dragon Con Award and Julie Award

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Why don't you come and visit Dealer’s room!You will be able to buy YOSHITAKA AMANO’Sart works at there during the term of SF exhibition! (except not for sale)

Amano Yoshitaka Official Web Site

http://www.amanosworld.jp/

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ARTVIVANT CO..Ltd is the only official agent of AMANO YOSHITAKA dealing with original paintings, his limited prints and domestic solo exhibition's promotion activities and etc., For more information please visit our Web Site.

ARTVIVANT Web Site

Art Gallery (ÎJl/^7- B1F)t1 63-1590 SsW8EBSil8l-6-lTEL.03-5325-5366 FAX.03-5325-5368

ART SQUARE SHINJUKUB1F SHINJUKU L TOWER BLDG. 1-6-1 NISHI SHINJUKU SHINJUKU-KU TOKYO 163-1590 TEL.03-5325-5366 FAX.03-5325-5368

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Rule 7.5: Continuing Resolutions.7.5 Bi Resolutions of continuing effect ("continuing resolutions") may be repealed or amended by majority vote of subsequent Business Meetings without notice, and shall be automatically repealed or amended by applicable amendments to the Constitution or Standing Rules or by conflicting

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Rule 7.6: Committees.7.6 5? •All committees are authorized to organize themselves in any lawful manner and to adopt rules for the conduct of their business, which may include conducting balloting by mail and limiting debate, subject to any contrary provisions of the Constitution, the Standing Rules, or instructions given to the committee by the Business Meeting.P»WWW§gA'

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Rule 6.1: Nominations.6.1 E? : 5S Nominations for election to the Mark Protection Committee shall be allowed from the floorat each Preliminary Business Meeting. To be listed on the ballot, each nominee must submit to the Secretary of the Business Meeting the nominee- s consent to nomination and the nominee- s current region of residence. A nominee shall be ineligible if the nominee could not be elected due to the regional residence restrictions. The deadline for submitting such consent to nomination shall be set by the Secretary.SB -M S£ GE( [Mark Protection Committee] Q-^zSPlT' M-=AJCiW^PW

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Rule 7.1: Question Time.7.1 U? I WST n“ During the Site-Selection Meeting, fifteen (15) minutes of program time shall be allocated to each future seated Worldcon committee. During the first five (5) minutes, each committee may make such presentations as they wish. The remaining time shall

next available Business Meeting as soon as they are discovered.[Minutes]'PKPA = 2! p > ?

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Rule 4.3: Numbers, Titles, References, and Technical Corrections.4.3 ’£? : wnnwnm' «'Numbers and titles of the various parts of the Constitution and Standing Rules are for the sake of easy reference only. They do not form a substantive part of these documents nor of any motion to amend these documents. The Business Meeting Secretary shall incorporate into these documents appropriate changes as required by newly adopted amendments. When making any such adjustments required by this section, the Business Meeting Secretary shall change article and section numbers, titles, and internal cross-references as necessary to maintain a consistent, parallel structure, which shall not be altered unless the Business Meeting explicitly so directs. The Business Meeting Secretary may change punctuation, capitalization, grammar, and other wording in the Constitution and Standing

Rules only insofar as such changes clarify meaning and enhance consistency, and only insofar as such changes do not modify the substantive meaning of the documents.S'

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Group 5: Variations of RulesRule 5.1: Nonstandard Parliamentary Authority.5.1If a Worldcon Committee adopts for the governance of the Business Meeting a parliamentary authority other than that specified in the Constitution, the Committee must in timely fashion publish information about how to obtain copies of the authority in question. |\-ax n ' AJ 'A p K

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Rule 5.2: Constitutional and Standing Rule Amendments.5.2 W • SjâjMotions to Amend the Constitution, to Ratify a Constitutional Amendment, and to Amend the Standing Rules shall be considered ordinary main motions, except as otherwise provided in the Standing Rules or Constitution. An object to consideration shall not be in order against ratification of a constitutional amendment.$&£©&«' &’0<oE

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Rule 2.3:2.3 ff : ?S S 52Interpretation of Motions. The Presiding Officer shall reject as out of order any proposal or motion that is obviously illegal or hopelessly incoherent. In the absence of the maker of a motion or instructions to the contrary, the Presiding Officer shall be free to interpret the meaning of any motion.X12WP I ®

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Rule 1.1: Meeting and Session. 1.1'S? ’ "f — >S v A A aj <4 H>The Annual Meeting of the

World Science Fiction Society shall consist of one or more Preliminary Business Meetings and one or more Main Business Meetings. The first meeting shall be designated as a Preliminary Business Meeting. All meetings at a Worldcon (preliminary, main, or otherwise) shall be considered a single "session" as defined in the Parliamentary Authority (see section 5.1 of the WSFS Constitution), regardless of whether such gatherings are called "meetings" or "sessions."

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of* Science Fiction Criticism, 1940-1980." Science-Fiction Studies 26.2(July 1999):213-231.McCaffery, Larry. "The North American

Novel at* the Quincentennial Moment: Everything is* Permitted." In* The Novel in* the Americas. Ed. Raymond Leslie Williams. Niwot:U of* Colorado. P* 1992. 56-76.Merril, Judith. IV h a t Do You Mean,Science,Fiction? (1971).

Scholes,Robert.& Eric Rabkin. Science Fiction: History • Science • Vision. New York: Oxford UP, 1977.

Seed, David, ed. Companion to* Science Fiction:Blackwell Companions to* Literature and Culture. Oxford: Blackwell. 2005.Suvin, Darko. Metamorphoses of Science Fiction. New Haven: Yale UP, 1979.Tatsumi Takayuki, ed. opjjeB Y3cji (Il Tl^ i^v ------

. Inostranka Publishers- Japan

Foundation, 2004.Tatsumi Takayuki Full Metal Apache: Transactions between Cyberpunk Japan and Avant-Pop America. Durham: Duke UP, 2006. * *

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largest anime convention in Pacific Northwest.)

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