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Motivational Attributions of Second Grade Music Students
Transcript of Motivational Attributions of Second Grade Music Students
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I. Introduction
Educators have long been concerned with motivation.
Understanding motivation may help students reach a higher
level of academic achievement (Weiner, 1979). Student
achievement motivation has been studied substantially in
education (Bar-Tal, 1978; Frieze & Snyder, 1980; Medway &
Lowe, 1980; Nicholls, 1976). Music education researchers
have also studied motivation to investigate what students
believe to be the causes of their success or failure in
music (Asmus, 1985; Legette, 1998; Reimer, 1975).
Categorizing student attributions of their success and
failure at a task led to the development of Attribution
Theory (Asmus, 1986a). Weiner (1972) first used Attribution
Theory to classify students’ beliefs of success and failure
at achievement tasks using a two-dimensional model. The two
framework dimensions were locus of control and stability.
Locus of control, as defined by Weiner, was the belief that
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behaviors were caused by internal or external factors.
Stability was defined as no change over time. This dimension
was divided into stable and unstable through time. The four
attributions identified by the two-dimensional model were
ability, task difficulty, luck, and effort. Weiner revised
the classification system, adding a third dimension. The
supplementary dimension was controllability, which was
divided into whether the cause was within or outside the
learner’s control. The eight attributions identified by the
three-dimensional model are ability, task difficulty, luck,
mood, typical effort, immediate effort, teacher bias, and
unusual help (Weiner, 1979). Attribution Theory suggested
that what a student believes to cause success or failure in
a task will affect how that task is approached (Asmus,
1985).
In music education, Asmus (1985) researched Attribution
Theory in connection with students. Subjects surveyed
included 118 sixth grade general music students from three
different schools of varied socioeconomic status. Responses
were collected on special lined forms during their intact
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general music class. Learners were asked to give five
reasons why some students do well in music, and five reasons
why some students do not do well in music. Responses were
analyzed and sorted into one of the four attribution
categories in Weiner’s 1972 model. The internal
attributions, ability and effort, saw the highest frequency
of response for success and failure in music.
In a more extensive study, Asmus (1986b) investigated
the causal beliefs for success and failure in fourth through
twelfth grade music students. The survey form was very
similar to the previous study, but added items to collect
information on grade and gender. The survey was given to 589
subjects from eight different schools of varied
socioeconomic status. All subjects were enrolled in
instrumental, vocal, or general music classes. The surveys
were administered during regular meeting times, and
sufficient time was given to complete the form. Internal
causes, ability and effort, for success and failure were
cited 80 percent of the time. In addition, as grade-level
increased, the number of internal-stable attributions,
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namely ability, increased (Asmus, 1986b). The research
suggested that Weiner’s Attribution Theory models were not
germane to music education because of the uneven
distribution of attributions (Asmus, 1986a).
A study by Legette (1993) examined what third and
fourth grade students attribute to their success and failure
in music. This study used 261 subjects from two public
schools. The identified schools served a majority of
students who come from low socioeconomic status. Students
were administered Asmus’ (1986a) Music Attribution
Orientation Scale (MAOS), see Appendix A, during regular
music lessons. This scale was used because of the relevance
to music. The MAOS consisted of 35 items divided into five
sections. The five subscales were effort, background,
classroom environment, musical ability, and affect for
music. The MAOS described affect for music as the enjoyment
of listening and participating in music. Subjects indicated
the importance of each item on a scale from one to five,
with five being extremely important and one being not
important at all. The results indicated that ability and
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effort attributions were most frequently cited. Third grade
subjects, n = 146, placed more importance on background,
class environment, and affect for music than higher grade
levels (Legette, 1993).
Legette (1998) expanded the previous examination by
including middle and high school learners, and a larger
sample size. Subjects were 1,114 students enrolled in two
neighboring schools, a city school with a majority of black
students and a county school with a majority of white
students. The learners were given Asmus’ (1986a) MAOS during
their weekly music lessons. Results showed that internal
causes, ability and effort, were the most important
attributions overall. However, students of the county school
attributed classroom environment as the most important cause
for success and failure in music. Research suggested that
race might have contributed to the difference (Legette,
1998).
While studies have examined the correlation between
Attribution Theory and musical achievement motivation for
third through twelfth grade students (Asmus, 1985, 1986b;
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Legette, 1993, 1998) there is a lack of research relating
Attribution Theory to second grade music students. This
investigation may benefit music educators, informing them of
second grade students’ attributions of success and failure
in music. With this, educators may employ strategies to
motivate these learners to achieve musically. The purpose of
this investigation was to examine motivation variables of
second grade music students.
1. What variables do second grade students cite as most
important for success or failure in music?
2. Does socioeconomic status impact the variables cited
as most important?
3. Does ethnicity impact the variables cited as most
important?
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II. Related Literature
The purpose of this investigation was to examine
motivation variables of second grade music students. The
specific research questions addressed in this study were
(1) what variables do second grade students cite as most
important for success or failure in music; (2) does
socioeconomic status impact the variables cited as most
important; and (3) does ethnicity impact the variables cited
as most important? The present study investigated topics
which included attribution models, importance of
attributions, effects of socioeconomic status on achievement
motivation, and effects of ethnicity on achievement
motivation.
In Attribution Theory, Weiner developed models that
illustrated the attributions believed to be associated with
educational motivation. According to Attribution Theory,
achievement motivation is effected by the student’s
perception of the task. How similar tasks are approached in
the future is determined by the learners’ believed causes of
success or failure (Weiner, 1972). Weiner’s first conception
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of Attribution Theory to categorize students’ beliefs of
success or failure at a task used two dimensions, locus of
control and stability. Locus of control was defined as
behaviors that were caused by internal or external factors.
Stability was defined as the dearth of change over time. An
attribution could be defined as either stable or unstable
through time. The four attributions exemplified in this
early model were ability, task difficulty, luck, and effort.
Weiner (1979) revised his classification system adding a
third dimension, controllability, which was divided into
whether the cause was within or outside the learner’s
control. The eight attributions identified by the three-
dimensional model are ability, task difficulty, luck, mood,
typical effort, immediate effort, teacher bias, and unusual
help.
The Music Attribution Orientation Scale by Asmus
(1986a) was developed as an attribution model specific for
music education. The development of the scale came from
prior research by Asmus (1985). Students were given lined
paper to indicate why some students succeed in music, and
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reasons why some students fail in music. Results determined
that there was an imbalance in the attributions cited from
Weiner’s (1972) model. The internal attributions, effort and
ability received the majority of attributions cited. Asmus’
(1986a) scale was divided into five subscales which were
effort, background, classroom environment, ability, and
affect for music.
The importance of motivational attributions has been
researched extensively in education. Nicholls (1976)
evaluated student responses to perceptions of effort and
ability. The purpose of the study was to evaluate responses
to imagined task outcomes. Subjects were 200 college
students, given a questionnaire that asked about specific
scenarios and the effects it would have. Subjects indicated
that they would feel more pride in the success of a task, as
well as less shame in the failure of a task, if sufficient
effort were given.
A study by Bar-Tal (1978) investigated the educational
research of achievement related behaviors. The research
suggested that educators should emphasize ability and effort
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as causes of success, and lack of effort as the primary
cause of failure to maximize learners’ academic performance.
Deiner & Dweck (1978) examined the cognitive and
motivational differences of subjects who had a wide range of
achievement. Subjects who were classified as helpless cited
uncontrollable variables as reasons for failure, such as
lack of ability. Subjects classified as mastery-oriented
cited more effort variables as a cause for success or
failure at a task.
Medway and Lowe (1980) examined the responses of 122
subjects in a cross-aged tutoring program regarding
motivational attributions and performance. The purpose of
this study was to compare attributions made for tutoring
outcomes prior to and during tutoring programs. Both tutors
and tutees indicated that learning was more dependant on
effort, rather than ability, when attributions were measured
at different times of the tutoring process.
A study by Frieze and Snyder (1980) interviewed first,
third, and fifth grade students, collecting their beliefs of
success or failure in four academic and non-academic
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activities. The four activities were taking an academic
test, completing an art project for class, playing football,
and catching frogs. Attributions differed across the
situations. Effort was the most important cause for success
or failure in an academic testing situation.
Anderson and Jennings (1980) investigated the effects
attributing initial failure to ineffective strategies on
performance expectancies. The results suggested that
subjects who attribute task outcomes to controllable
factors, such as strategy, would later attribute this effort
to their success. This differed from subjects who attributed
initial failure to lack of ability, an uncontrollable
variable. These subjects believed that they would not be
able to improve in performance.
Ames and Archer (1988) investigated how motivational
processes are related to mastery and performance goals in
classroom settings. Subjects were 176 junior and senior high
school students from a school for the academically advanced.
Subjects were randomly selected from one of their classes to
respond to a questionnaire about classroom goals, effective
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learning strategies, and their attitudes towards task
completions. Students who emphasized mastery goals reported
more effective task completion strategies, preferred
challenging tasks, enjoyed the class more, and felt that
their effort would bring them success. Subjects that
perceived performance goals as most important cited ability
causes to their academic success.
In music education, Reimer (1975) examined the
influence of subjects’ contributing attributions for music
achievement. Subjects were 128 undergraduates participating
in a piano practicum received instructions describing
successful piano performance in terms of ability, effort,
task difficulty or luck. All subject received feedback that
they were successful. The results showed that subjects who
received internal attribution instructions, such as effort
or ability feedback, reported a more positive effect than
those receiving external attribution instructions, such as
task difficulty and chance.
Asmus (1985) researched Attribution Theory in
connection with music students. Subjects surveyed included
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118 sixth grade general music students in intact classrooms
from three different schools of varied socioeconomic status.
Responses were collected on special lined forms during their
general music class. Learners were asked to give five
reasons why some students do well in music, and five reasons
why some students do not do well in music. Responses were
analyzed and sorted into one of the four attribution
categories in Weiner’s 1974 model. The internal
attributions, ability and effort, saw the highest frequency
of response for success and failure in music.
In a more extensive study, Asmus (1986b) investigated
the beliefs for success and failure in fourth through
twelfth grade music students. The survey form was very
similar to the previous study, but added items to collect
information on grade and gender. The survey was given to 589
subjects from eight different schools of varied
socioeconomic status. All subjects were enrolled in
instrumental, vocal, or general music classes. The surveys
were administered during regular meeting times, and
sufficient time was given to complete the form. Internal
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causes, ability and effort, for success and failure were
cited 80 percent of the time. In addition, as grade-level
increased, the number of internal-stable attributions,
namely ability, increased. The research suggested that
Weiner’s Attribution Theory models were not germane to music
education because of the uneven distribution of attributions
(Asmus, 1986a).
Asmus (1986) also researched undergraduate students.
Subjects were 143 enrolled in music education and music
therapy programs. Results showed that there was a difference
between attributions when discussing personal success or
failure and other’s success and failure. Results showed that
task difficulty was attributed to personal success and
failure, and effort was attributed to other’s success or
failure.
Chandler, Chiarella, and Auria (1988) researched high
school instrumental music students’ performance expectancy,
success, and instrument satisfaction. The purpose of this
study was to determine student motivation factors in band.
Subjects were 234 high school band students. Subjects were
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given a questionnaire to determine the sample demographics,
and determine attributional causes of motivation. The
results suggested that students who chose their instrument
again were satisfied with their performance level. In
addition, internal attributions, such as ability and effort
were the most important variables for successful
performance.
Vispoel and Austin (1995) examined 211 junior high
school music students. The investigation looked at what
attributions seventh and eighth graders cited, and if there
were differences between genders. A questionnaire of 105
items was administered to collect demographic information
and success or failure attributions. Results showed that
students cited internal causes for success, and external
causes for failure. In addition, there were significant
differences in attribution citations, such as effort, due to
grade level and gender.
In a more specialized study, Austin and Vispoel (1998)
administered 261 seventh graders Asmus’ (1986a) Music
Attribution Orientation Scale and Magnitude of Motivation.
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The results suggested that, in comparison with previous
research (Vispoel & Austin, 1995), attributions change as
students get older. Further, attributional beliefs
concerning ability were strongly linked to the learners’
self-concept of music and music achievement test scores.
A study by Legette (1993) examined what third and
fourth grade students attribute to their success and failure
in music. This study used 261 subjects from two public
schools. The identified schools served a majority of
students who came from low socioeconomic status. Subjects
were administered Asmus’ (1986a) Music Attribution
Orientation Scale (MAOS) during regular music lessons. This
scale was used because of the relevance to music. The MAOS
consisted of 35 items divided into five sections. The five
subscales were effort, background, classroom environment,
musical ability, and affect for music. The MAOS described
affect for music as the enjoyment of listening and
participating in music. Subjects indicated the importance of
each item on a scale from one to five, with five being
extremely important and one being not important at all. The
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results indicated that ability and effort attributions were
most frequently cited. Third grade subjects, n = 146, placed
more importance on background, class environment, and affect
for music than higher grade levels (Legette, 1993).
Legette (1998) expanded the previous examination by
including middle and high school learners, and a larger
sample size. Subjects were 1,114 students enrolled in two
neighboring schools, a city school with a majority of black
students and a county school with a majority of white
students. The learners were given Asmus’ (1986a) MAOS during
their weekly music lessons. Results showed that internal
causes, ability and effort, were the most important
attributions overall. However, students of the county school
attributed classroom environment as the most important cause
for success and failure in music. The data suggested that
race might have contributed to the difference, but this
statement was speculative and must be approached with
caution.
Studies in music achievement motivation (Asmus, 1985,
1986; Legette, 1998) partially address socioeconomic status.
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Although these studies mention school setting, there is a
dearth of supportive data, making these views speculative,
and should be approached with caution. Socioeconomic status,
according to Conger, Ge, Elder, Lorenz, & Simons (1994) is
the level of economic pressure in which material needs are
met, debts are paid, and expenses are managed to live within
a mean.
Ginsburg and Bronstein (1993) examined the relationship
between socioeconomic status and motivation. Family and
parent measures were collected from ninty-three fifth-grade
subjects. Results showed that learners from low
socioeconomic status do poorer academically, are rated as
less intrinsically motivated, and rely on more external
sources of motivation.
Marjoribanks (1986) researched Australian high school
adolescents to determine their sources of motivation
relating to social class. Subjects were 512 Australian
adolescents who were administered questionnaires collecting
demographic, and aspiration information. Results suggested
that middle class adolescents attributed motivation to their
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attitudes towards school and specific subjects. However,
lower class adolescents reported more parental influences
for motivation.
Oysterman, Harrison, & Bybee (2001) conducted an
investigation to determine if racial identity has a negative
effect on academic efficacy, the belief that one can succeed
at academic tasks. Subjects included 92 African American
eighth graders from a high-poverty school. Questionnaires
were administered in the fall and spring, containing items
on academic efficacy, racial identity, and self-reported
grades. Results suggested that high levels of racial
identity had strong implications for motivation, academic
achievement, and academic self-concepts. These implications
effected subjects academic motivation, achievement, and
self-concept negatively.
Banskton and Zhou (1997) investigated how cultural
identity plays a role in one’s social relationships. Subject
surveyed were 402 Vietnamese Americans enrolled in the ninth
through twelfth grades. The questionnaire collected
demographic data and information on social relationships.
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The results suggested that subjects with a closer social
embeddedness to Vietnamese cultures did better in school
because of the promotion of academics. Conversely,
Vietnamese American adolescents who identified more closely
with mainstream American culture had lower academic
achievement.
A study by Eaton and Dembo (1997) investigated the
differences in motivational beliefs between Asian American
and Non-Asian ninth grade students. Subjects included
154 Asian American students and 372 Non-Asian students.
Subjects answered a questionnaire about their academic
beliefs and completed an academic task to assess achievement
behavior. The results suggested the Asian American students
had lower academic self-efficacy, however they performed
significantly better on the academic achievement task. It
was suggested that Asian American’s fear of consequence due
to academic failure best explained their performance.
Overall, the research suggested that motivational beliefs
elicit different responses in different ethnic groups.
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III. Method
Subjects were N = 1,010 second grade students enrolled
in intact general music classes from sixteen schools, School
1 n = 54, School 2 n = 50, School 3 n = 82, School 4 n = 56,
School 5 n = 58, School 6 n = 49, School 7 n = 76, School 8
n = 79, School 9
n = 63, School 10 n = 51, School 11 n = 78, School 12 n =
46, School 13 n = 67, School 14 n = 70, School 15 n = 62,
and School 16 n = 69.
Socioeconomic background data for each school was
collected based on district economic disadvantage
percentages determined by state enrollment data reports,
which were 26%, 63%, 42%, 46%, 42%, 47%, 14%, 14%, 7%, 7%,
7%, 72%, 72%, 83%, 83%, and 83%, respectively. Subjects were
divided into three levels of socioeconomic status (SES),
which were high SES n = 347, middle SES n = 299, and low SES
n = 364.
Subjects also represented the following heritages and
ethnic backgrounds, Non-Hispanic White or Euro-American n =
724, Hispanic or Latino n = 84, Black or African American n =
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121, and Asian n = 81. For a more accurate statistical
comparison, smaller populations were combined. This
investigation looked at the difference between White
n = 724 and Non-White n = 286 subjects. Students with
disabilities, as well as English language learners, were
included in this investigation. A pilot study with n = 104
subjects of a similar demographic was conducted to assess
the data collection procedure.
Subjects were administered Asmus’ (1986a) Music
Attribution Orientation Scale (MAOS) during regular class
meeting times. This scale was chosen because of the
relevance to music, and as a comparison to previous research
(Austin & Vispoel, 1998; Legette, 1993, 1998). The MOAS
consisted of thirty-five items divided into five sections.
The five subscales were effort, background, classroom
environment, musical ability, and affect for music. There
were seven items corresponding to each subscale. Subjects
indicated the importance of each item on a scale from one to
five with five meaning extremely important to one meaning
not important at all. A cover page was attached to the MOAS
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to collect ethnic demographic information. The assessment
was administered in accordance with subjects’ Individualized
Education Programs and Section 504 plans. The directions for
the MAOS were read aloud by a recording of the researcher,
and each item was read twice. Based on subjects’ needs,
breaks were provided at determined intervals between
sections. A mean score and standard deviation were developed
for each subscale. This determined which variables were
believed to be most important. A
two-way multivariate analysis of variance (MANOVA)
determined the relationships between subjects the two
different race groups, and three different levels of
socioeconomic status.
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IV. Results
A mean score and standard deviation was developed for
each of the five subscales. This determined which variables
were believed to be most important. A
two-way multivariate analysis of variance determined the
relationships between subjects of the two race groups, and
three different levels of socioeconomic status. The
reliability for all subject answers, calculated by
Cronbach’s Alpha Reliability, was .897.
The first research question examined which subscale
variables from Asmus’ (1986b) Music Attribution Orientation
Scale were most attributed to success or failure in music
(see Table 1). The means and standard deviations
respectively for all subject responses with each subscale
were effort (4.16, .65), background (2.96, 1.10), classroom
environment (3.98, .90), musical ability (3.70, .82), and
affect for music (3.03, 1.21). Subjects cited effort, with a
mean score of 4.16, as the most important attribution,
followed by classroom environment, with a mean score of
3.98.
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Table 1A Comparison of the Means and Standard Deviations of the Five Subscales
EffortSubscal
e
Background
Subscale
ClassroomEnvironme
ntSubscale
MusicalAbilitySubscal
e
Affectfor
MusicSubscal
eMean 4.16 2.96 3.98 3.70 3.03
StandardDeviation .65 1.10 .90 .82 1.21
In comparison with previous research (Asmus, 1985,
1986c; Legette, 1993, 1998), second grade music students
cite different attributions as most important than students
in more advanced grade levels. One possible reason for the
discrepancy is the developmental and academic immaturity of
the subjects examined. Overall, second grade subjects may
have lower academic ability than more advanced grades. It is
possible that the subjects did not understand the task of
completing the scale, due to their language and vocabulary
limitations. In addition, second grade subjects do not hold
high levels of academic self-regulation, the process of
turning cognitive ability into academic skill. Metacognition
and the ability to attribute a cause to an effect are not
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simple tasks for this age, which may have affected the mean
scores (McClelland, Morrison, & Holmes, 2000).
The second research question investigated whether
socioeconomic status impacted the variables cited as most
important. The independent variables for the two-way
multivariate analysis of variance were socioeconomic status
and ethnic group. The dependant variables for the MANOVA
were the five subscales from Asmus’ (1986a) MAOS. The
descriptive statistics for the independent and dependent
variables used in the two-way MANOVA are presented in Table
2.
Table 2Descriptive Statistics for Socioeconomic Status and Ethnicity on the Five
SubscalesMAOS
SubscalesSocioeconomi
cStatus
EthnicGroup Mean
StandardDeviatio
n NEffort High SES Whites 4.05 .66 304
Non-Whites
3.78 .81 43
Total 4.02 .69 347Middle SES Whites 4.02 .69 285
Non-Whites
4.07 .68 14
Total 4.02 .69 299Low SES Whites 4.33 .54 135
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Non-Whites
4.45 .41 229
Total 4.41 .47 364Total Whites 4.09 .66 724
Non-Whites
4.33 .56 286
Total 4.16 .65 1010Background High SES Whites 2.70 1.04 304
Non-Whites
2.66 1.14 43
Total 2.69 1.05 347Middle SES Whites 2.70 1.05 285
Table 2 (cont.)Descriptive Statistics for Socioeconomic Status and Ethnicity on the Five SubscalesMAOS Subscales Socioeconomi
cStatus
EthnicGroup
Mean StandardDeviatio
n
N
Non-Whites
2.69 1.05 14
Total 2.70 1.05 299Low SES Whites 3.21 1.08 135
Non-Whites
3.53 .97 229
Total 3.41 1.02 364Total Whites 2.80 1.07 724
Non-Whites
3.36 1.06 286
Total 2.96 1.10 1010
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ClassroomEnvironment
High SES Whites 3.72 .87 304Non-
Whites
3.36 .95 43
Total 3.68 .88 347Middle SES Whites 3.69 .90 285
Non-Whites
3.68 .66 14
Total 3.69 .88 299Low SES Whites 4.32 .82 135
Non-Whites
4.64 .52 229
Total 4.52 .66 364Total Whites 3.82 .90 724
Non-Whites
4.40 .77 286
Total 3.98 .90 1010Musical
Ability High SES Whites 3.71 .81 304
Non-Whites
3.42 .88 43
Total 3.67 .82 347Middle SES Whites 3.68 .84 285
Non-Whites
3.80 .66 14
Total 3.69 .83 299Low SES Whites 3.78 .82 135
Non-Whites
3.72 .82 229
Total 3.75 .82 364Total Whites 3.71 .82 724
Non-Whites
3.68 .83 286
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Total 3.70 .82 1010
Table 2 (cont.)Descriptive Statistics for Socioeconomic Status and Ethnicity on the Five SubscalesMAOS Subscales Socioeconomi
cStatus
EthnicGroup
Mean StandardDeviatio
n
N
Affect for Music
High SES Whites 3.03 1.20 304Non-
Whites
2.63 1.29 43
Total 2.98 1.22 347Middle SES Whites 3.00 1.23 285
Non-Whites
3.05 1.11 14
Total 3.00 1.23 299Low SES Whites 3.19 1.23 135
Non-Whites
3.05 1.18 229
Total 3.10 1.20 364Total Whites 3.05 1.22 724
Non-Whites
2.99 1.20 286
Total 3.03 1.21 1010
The independent variables (IVs) for the two-way MANOVA
were socioeconomic status and ethnic group. The dependent
variables (DVs) for the two-way MANOVA were the five MOAS
subscales, effort, background, classroom environment,
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musical ability, and affect for music. The main effects and
the interaction between the IVs, socioeconomic status and
ethnicity, are represented in Table 3. Pillai’s Trace was
substituted for Wilks’ Lambda because there was no
homogeneity of covariances (Wilcox, 2012), illustrated by
Box’s Test of Equality of Covariance, Box M = 367.06,
F = 4.67 df = 75, 17620, p < .001.
Table 3Main Effects of the Independent Variables and their Interaction
Variable Pillai’sTrace
F Significance
df Power
SES .19 20.68 < .001 10, 2002 1.00Ethnicity .00 .56 < .73 5, 1000 .21SES x Ethnicity
.03 2.77 < .01 10, 2002 .97
For socioeconomic status (see Table 3), Post-Hoc
analyses of variance (ANOVAs) revealed main effects,
significance differences, for three of the MAOS subscales,
effort, background and classroom environment.
The third research question investigated whether
ethnicity impacted the variables cited as most important. No
significant difference, no main effects, were found in the
Post-Hoc ANOVA for ethnicity (see Table 3).
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There was a significant interaction between
socioeconomic status and ethnicity variables. According to
Wilcox (2012) significant interactions between independent
variables are highly important. Two MAOS subscales varied as
a function of both socioeconomic status and ethnicity,
effort F = 5.32, df = 2, 1004, p < .01, Power = .84, and
classroom environment F = 9.41, df = 2, 1004, p < .001,
Power = .98. The estimated marginal means for these two
subscales are illustrated below in Table 4.
Table 4Estimated Marginal Means
MAOSSubscale
s
Socioeconomic
Status
EthnicGroup
Mean StandardError
95% Confidenc
eInterval
Effort High SES Whites 4.05 .04 3.98-4.12Non-
Whites
3.78 .09 3.60-3.97
Middle SES Whites 4.02 .04 3.95-4.09Non-
Whites
4.07 .17 3.75-4.39
Low SES Whites 4.33 .05 4.23-4.43Non-
Whites
4.45 .04 4.37-4.53
Classroom High SES Whites 3.72 .05 3.63-3.82
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Environment Non-Whites
3.36 .12 3.12-3.60
Middle SES Whites 3.69 .05 3.60-3.78Non-
Whites
3.68 .22 3.26-4.11
Low SES Whites 4.32 .07 4.18-4.45Non-
Whites
4.64 .05 4.53-4.74
Results indicated that this interaction was highly
complex (see Table 4). For effort, high socioeconomic status
Non-White subjects had a lower mean than high socioeconomic
status White subjects; whereas low or middle socioeconomic
status Non-White students placed more importance on effort
than White learners.
For classroom environment (see Table 4), Non-White
means differ variably from White means depending on
socioeconomic status. Lower socioeconomic status Non-White
subjects cited classroom environment as more important than
lower socioeconomic status White subjects. Middle
socioeconomic status Non-White students placed a relatively
equal importance on classroom environment than White
students. Lastly, high socioeconomic status Non-White
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learners cited classroom environment as less important than
White learners.
According to Santrock (2006) achievement motivation
levels among various ethnicities differ widely. However,
when ethnicity and socioeconomic status are investigated in
the same study, socioeconomic status tends to be a better
predictor of achievement (Santrock, 2006). This possibly
explains the results of the Post-Hoc ANOVAs. Significant
differences were found for the socioeconomic status
independent variable, and not for the ethnicity variable.
Limitations were discovered in the output while
producing the two-way MANOVA. Box’s Test of Equality of
Covariance Matrices revealed no homogeneity of covariances,
and Levene’s for Equality of Variances showed that the means
of the variances between groups were unequal. According to
Wilcox (2012), the two-way MANOVA is a robust test, and
results can be interpreted. Larger sample sizes of Non-White
subjects in future research may diminish these limitations.
V. Conclusion
35
The first research question examined which subscale
variables from Asmus’ (1986b) Music Attribution Orientation
Scale were most attributed to success or failure in music.
The results of this investigation indicated that second
grade music students believed that effort and classroom
environment were the most important variables for success or
failure in music with mean scores of 4.16 and 3.98,
respectively.
The second research question investigated whether
socioeconomic status impacted the variables cited as most
important. Socioeconomic status had a significant impact for
the effort, background, and classroom environment subscales.
The third research question investigated whether
ethnicity impacted the variables cited as most important.
Ethnicity did not significantly impact any of the MAOS
subscales. A significant interaction between socioeconomic
status and ethnicity was found. The levels of two MAOS
subscales, effort and classroom environment, varied as a
function of the socioeconomic status and ethnicity
variables.
36
In music education, teachers may consider encouraging
second grade students with effort attributions. With these
actions taken, students may be more likely to carry the
belief that if they work hard at a musical task, they can
achieve more in music. In addition, the educator must
provide a positive classroom environment. When the educator
builds a positive rapport with the students, and supports
positive relationships among their pupils, second graders
may feel like they can achieve in music at a higher level.
Sociocultural variables could also be considered when
music educators are trying to motivate their learners.
Different motivational techniques may benefit certain
populations of socioeconomic status or ethnicity more than
others. As results in the present investigation suggested,
the interaction between socioeconomic status ethnicity is
highly complex. In highly diverse populations, employing
many motivational techniques may benefit the greatest
percentage of students.
Limitations found in this study warrant further
research into this topic. More data should be collected on
37
Non-White populations for a more accurate, and in-depth
comparison. Further, a new scale could be developed for use
with younger populations. It is encouraged that, after the
development of a new scale, a more comprehensive examination
be done including second grade music students in comparison
to younger and older students.
38
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Appendix A
Music Attribution Orientation Scale(MAOS)
Directions: Thank you very much for completing thefollowing survey. Please follow the directions on
the tape very carefully, and do not begin thesurvey until instructed to do so. The purpose ofthis survey is to determine your attitudes towardvarious aspects of music and musical activities.Because the items determine only your attitudes,
there are no right or wrong answers.
Indicate how important you believe each cause is indetermining success and failure in music by
circling 1 through 5. Where,1 is not important at all to
5 which is extremely important.
For example, if you read, “Having long fingers,”and felt that it was not very important, you would
circle the number 2.
1 2 3 4 5
On the other hand, if you read the cause, "Being acareful worker," and felt that it was somewhat
important, you would circle the number 4.
1 2 3 4 5
Please indicate the heritage or ethnic backgroundyou identify with:
43
_____ American Indian or Alaska Native
_____ Asian
_____ Black or African American
_____ Hispanic or Latino
_____ Native Hawaiian or Other Pacific Islander
_____ White, Not Hispanic or Latino