Lot Limit Estimation

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Lot Limit Estimation1 LARGE SHIVA NATARAJA

BronzeIndia, 19th century

Dimensions: 37 cm by 30 cm

Weight: 5.775 grams

Shiva is a principal deity of Hinduism and Nataraja isthe depiction of Shiva as the divine dancer and often asymbol of Indian culture and a popular motive in Hinduart. The translation is "lord/king of the dance". Here itis a rectangular, multistepped hollow base withvarious decorations topped by a round beaded rim.The God of Destruction is trampling on the dwarfcalled Apasmara purusha, symbol of evil andignorance, the left leg is tilted up in an ecstaticmovement. His right hand to the front is showing theabhaya mudra, gesture of fearlessness and has a snakecurled around the arm, while the other hand ispointing at the left foot and symbolizes the refuge fortroubled ones. The right raised hand is holding hisattribute the damaru drum and the left hand is holdingthe fire agni, the forces of creation and destruction.The strands expanding from the back of his handsignify the river Ganga. The cosmic dance is set in athreebanded halo of floral decorations, waves andflames. Shiva is wearing a high crown, a short dhotiand jewellery on his whole body. The smiling faceshows his calmness in spite of his energetic danceamid contrary forces.

300 € 500 €

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Lot Limit Estimation2 SHIVA NATARAJA


Dimensions: Height 25 cm by 21 cm

Weight: 1.496 grams

Another depiction of Lord Shiva's cosmic dance,standing on a lotus flower base on a rectangularplatform. He is standing with the right foot on theprostrate dwarf Apasmara purusha (standing forspiritual ignorance) which must be subdued but notkilled, as it would lead to attainment of knowledgewithout the necessary effort. The left foot is lifted andpointed at with Shiva's left hand and according tovarious historical texts can either symbolize the refugefor troubled souls or liberation and release in contrastto the grip of the right foot. The right hand with thecoiled snake around the arm shows the abhaya mudra,the raised right hand is holding the ritual drum, the leftraised hand is holding the fire agni. A scarf is billowingaround the deity's body and the holy river Ganges isdepicted by the strands expanding from the back of hishead. The expression is stern and a crown with thesevenheaded serpent Naga as protective shield sits onthe head. The lord of dance is surrounded by a fieryaureole.

300 € 500 €

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Lot Limit Estimation3 NARASIMHA

NARASIMHA

BronzeIndia , 18th century


Weight: 1.700 grams

The manlion is a fierce avatar of Vishnu, the torso andlower body usually in human shape and head of a lion,sometimes also claws instead of hands. He is seated ona lotus flower ona rectangular throne with inscriptions on the front andback, his legs are crossed at the ankles.Narasimha has four arms holding attributes linked toVishnu. The body is adorned with jewellery and he iswearing a fivepointed tiara. The dhoti he is wearinghas incisions of a delicate ornamental pattern. Thebase is hollow. He is a fierce avatar of the Hindu god.

300 € 500 €

4 BALA KRISHNA

BALA KRISHNA



Weight: 219 grams

Bala Krishna means literally "Baby Krishna" and is apopular motive in Hindu art, either depicted crawlingon hands and knees or dancing with a ball of butter inhis hand, like here. He is standing onelegged on around lotus base, a lotus flower bud is growing next tohis left foot while the right foot is lifted in motion,balancing with his left hand to the side. The face istilted upwards in playful joy, the hair done up in a bunfastened by a hairband. The chubby body is adornedwith a waistband, anklets, armlets, necklaces and earpendants.

300 € 500 €

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Lot Limit Estimation5 RISHI SITTING ON TURTLE


Dimensions: Height 8,5 cm by 5 cm

Weight: 284 grams

The Vedic word for an enlightened person is Rishi andcombines function of priest, seer, saint, ascetic,prophet and hermit into one person. They are said tocompose their knowledge into hymns to invoke thedeities by their poetry. The Rishi here is seated on theback of a tortoise on a square plinth with beaded rimsand incised lotuspetals. He is seated in lotus pose withboth his hands raised in abhaya mudra, one is holdinga rosary. He is wearing a striped dhoti and necklaces.His face is tilted upwards with opened eyes and apointy beard. The hair is done up in high, curled upbun.

300 € 500 €

6 STANDING PARVATI

STANDING PARVATI


Dimensions: Height 15 cm

Weight: 512,7 grams

Small standing Parvati on podest with her hips slightlytilted to one side. She is holding a lotus flowerin one hand, symbol for beauty, prosperity andfertility. She is wearing a striped dhoti and belts andjewellery and a conical headdress. Her expression isbenevolent.Parvati is the Hindu goddess of love, fertility andbeauty. Along with Lakshmi and Saraswati she is thetrinity of Hindu goddesses. Her iconography can befound all over Southeast Asia and South Asia.

300 € 500 €

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Lot Limit Estimation7 KRISHNA AS BUTTER THIEF

KRISHNA AS BUTTER THIEF

BronzeSouthIndia, 15th century

Dimensions: Height 7,5 cm by 7,5 cm

Weight: 170,3 grams

Bronze statue of Krishna as a baby boy holding a ball ofbutter in his lifted hand, crawling on his knees andhands. His face is lifted and he is smiling cheekily. Thisis a reference to the story where Krishna stole butterfrom his mother. He is wearing a cylindrical, highheaddress almost fallingdown and his body is adorned with the sacred thread.The left foot is missing.

300 € 500 €

8 KRISHNA AS BUTTER THIEF

KRISHNA AS BUTTER THIEF

BronzeSouthIndia, 16th century


Weight: 99,7 grams

Krishna as a baby boy holding a ball of butter in hislifted hand, crawling on his feet and hands. His face islifted and he is smiling cheekily. This is a reference tothe story where Krishna stole butter from his mother.His body is adorned with the sacred thread. Slightlyworn. Apart from this depiction, baby krishna, alsocalled "bal gopala" is also often shown dancing on oneleg with the butter ball in his hand.

200 € 300 €

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Lot Limit Estimation9 EXTREMELY RARE BLACK STONE JAMBHALA IN

YABYUM

Black StoneNorthIndia, 12th century Pala Dynasty

Dimensions: Height 10,5 cm

Weight: 282 grams

The God of Wealth and existing as five different kind ofJambhalas, this Buddhist god stands for material andspiritual wealth. The Hindu equivalent is Kubera.Jambhala with his shakti in a tender embrace on alotus with seven globular pots. Both minimallyornamented, save for his elaborate tiered conicalhelmet.

1.600 € 2.000 €

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Lot Limit Estimation10 DURGA SLAYING THE DEMON MAHISHASURA

BronzeIndia, Orissa, 19th century


Weight: 179,1 grams

A bronze figure of Durga slaying the Buffalo Demon(Mahisasuramardini), Bengal or Orissa, themultiarmed goddess holding various weapons,stabbing him with the trident. The specialcharacteristic of this bronze is the lined patterncovering the base and body parts of each creature,giving it a very distinctive look.In her most important manifestation, the HinduGoddess is known as Durga. Generally, she is depictedin combat with a demigod called Mahishasura, whichalso means „buffalo demon“. The basic iconography issimilar to that of the Iranian deity Mithra destroyingthe bull and symbolises the triumph of good over evil,or truth over falsehood.

200 € 300 €

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Lot Limit Estimation11 DELICATE GOOSE MINIATURE

DELICATE GOOSE MINIATURE



Weight: 48,6 grams

A small miniature bronze of a goose with square feetserving as surface.

100 € 150 €

12 PEACOCK

PEACOCK


Dimensions: 11,5 cm by 8 cm

Weight: 150 grams

Fantastic depiction of a peacock standing on a domedcircle with long legs, a round body with two smallwings on each side. The tails has the shape of a flowerpetal with spirals attached on the side, the pointedend formed by a feather. The neck is long, pointyfeathers on the head, big eyes and a beak.

200 € 300 €

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Lot Limit Estimation13 OWL

BronzeIndia , Orissa, 19th century


Weight: 30,1 grams

Small bronze of an owl standing on her two legs, around body and two small wings. On her head is ajewellike finial. She is leaning slightly to the back as ifto take off in any second.Miniature bronzes like these were crafted by a tribecalled Khond in Orissa, as ritual objects.

100 € 150 €

14 BIRD


Dimensions: Height 6 cm by 6,5 cm

Weight: 43,1 grams

Small bronze bird from Orissa, India standing on twolegs. The body is decorated with a lined pattern, asmall crown on the head. Two portruding balls withholes form the eyes. Created in the lostwax metalcasting process.

100 € 150 €

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Lot Limit Estimation15 OWL



Weight 53,6 grams

An owl standing on a circular openwork base withround, patterned body and two little wings. Small earsand a pointy feather at the top of the head. Theseminiature ritual objects were kept in house shrines.

100 € 150 €

16 BUFFALO

BronzeIndia ,Orissa, 19th century


Weight: 68,5 grams

Beautifully crafted miniature bronze of a buffalo withlong legs, the body is curved, the mouth open and withtwo little horns.

100 € 150 €

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Lot Limit Estimation17 DEER



Weight: 33,7 grams

A bronze deer standing on four feet, with decorativeline pattern all over and additional zigzag patternedband at chest height.

100 € 150 €

18 DEER



Weight: 97,4 grams

Larger depiction of a deer with curved line pattern.Created with the lostwax process from a clay base.

100 € 150 €

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Lot Limit Estimation19 DEER



Weight: 141,9 grams

Depiction of a deer with netpattern distinctive forKhond craftmenship, cast in bronze from clay base.

100 € 150 €

20 DEER



Weight: 139 grams

Miniature bronze of a deer with netlike pattern. Thesefigurines were also used as clan emblems and given asdowries.

100 € 150 €

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Lot Limit Estimation21 VISHNU AND PARVATI


Dimensions: Height 12,5 by 6 cm & 7 cm by 3 cm

Weight: 625,2 grams & 84,9 grams

Sitting Vishnu , right hand broken, front base slightlydamaged on a high base with expansive foot. Fourhands holding his distinctive attributes. Smallerfigurine of his wife Parvati standing on small baseholding a lotus flower.

300 € 500 €

22 BUFFALO



Weight: 175,6 grams

Miniature bronze most likely from Khond craftmenshipwith netlike pattern.

100 € 150 €

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Lot Limit Estimation23 BUFFALO



Weight: 201,2 grams

Bigger buffalo copper alloy with netlike pattern.

100 € 150 €

24 KRISHNA



Weight: 125,6 grams

Bronze of Krishna playing the flute with a buffalostanding behind him, lending him support. The statueis created with a line pattern in the lostwax process.

100 € 150 €

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Lot Limit Estimation25 SCULPTURE



Weight: 82,7 grams

Small bronze depicting a god sitting on a pointy basewith handles with both hands on them. An aureoleruns from one hand to the other with a bud at the topand a little net providing protection over the deity'shead. The face is smiling.

100 € 150 €

26 FOUR WARRIORS

FOUR WARRIORS


Dimensions: Height 13 to 10,5 cm

Weight: 414,1 grams all together

Four warriors in different shapes and forms. Two arestanding on a flat surface, one with arms raisedholding a vessel above the head, the other with armsheld in front of him. They both wear simple loinclothsand some jewellery and a high headdress or chignon. Athird warrior is standing on a higher step withsurrounding gate or aureole, a sword in the hand, alsowearing a long dhoti and high chignon and jewellery.The last warrior is standing on a high conical base witharms stretched out to the front holding a lotus flowerin his left hand. He is also wearing a short cloth aroundthe waist, decorated with bands and high hairbun orheaddress.

300 € 500 €

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Lot Limit Estimation27 THREE BUFFALOS


Dimensions: Height from 9 cm to 6 cm

Weight: 329,6 grams all together

Three small buffalo bronzes of different sizes andshapes, all with netlike pattern, possibly stemmingfrom Khond craftmenship.

200 € 300 €

28 BUFFALO



Weight: 68,4 grams

Miniature bronze of buffalo with netlike pattern.

100 € 200 €

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Lot Limit Estimation29 THREE WARRIORS



Weight: 117,8 grams

Three bronze figures of warriors. Two are standing ona rectangular throne with four feet, dressed inloincloths, holding a sword and possibly shield, whileanother sword or club is fastened in the belt. They alsowear a headdress or crown. The middle figure is seatedon a horse or buffalo creature, also wielding a sword inboth hands, another sword attached by a waistband.This warrior also wears a headdress or high bun.

100 € 150 €

30 SCULPTURE



Weight: 100,5 grams

Bronze sculpture possibly depicting a deity or god,seated in lotus position with legs crossed, both handslifted to the sides holding a round object. The face issmiling and has a broad nose, wearing a pointed crownand attaching to the top of the frame. The deity isseated on an arched surface with decorative pillars onthe sides. Additional fanshaped extensions on thepillars. The top of the frame is decorated with arounded shield with lines and beads, topped by asevenpointed ornamental shape.

100 € 150 €

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Lot Limit Estimation31 FOUR WARRIOR PAIRS



Weight: 132,1 grams

Four bronze sculptures of warrior pairs seated onvarious zoomorphic creatures resembling horse,elephant, goat and mouse. The warriors carryweapons.Two pairs are shaded by a parasol.

200 € 300 €

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Lot Limit Estimation32 STANDING VISHNU

BronzeSouthIndia, 15th century or earlier


Weight: 3117 grams

Fourarmed Vishnu standing on a square flat surface.The Preserver is dressed in a striped dhoti withbeautiful decorations like waistband and chains. Thechest is adorned with the sacred thread and numerousbeaded chains and necklaces. The front arms areshowing mudras, one with the palm facing towards us,abhaya mudra, while the other hand's ring finger isbent, slightly touching the thumb. The other hands areraised, holding two of his attributes, the DharmaWheel and the Conch Shell. He is wearing a high,conical headdress with geometrical pattern andopulent ear pendants dangle on the sides. The face islarge and friendly with open eyes and smiling lips. Theback of the statue is worked with the same fine detail.

1.500 € 2.500 €

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Lot Limit Estimation33 SITTING KALI

BronzeIndia, 18th century or earlier


Weight: 2.625 grams

A fourarmed Kali goddess is seated leisurely on arectangular throne with oval cushion with beadedrims. One leg is supported on the floor. She is wearinga short striped dhoti, her chest is adorned by manynecklaces and chains. In her arms she is holding fourobjects, among them a trident (trishul) and a skull cup(kapala). Her oval face is framed by wildly flying hairand she has large circular earrings.Although often called the "Goddess of Death" or"Black Goddess" in Hinduism and depicted in a quitemore frightening manner with skull garlands andlolling tongue, this representation of the goddess iscloser to her other name, Mother Goddess.

1.000 € 1.200 €

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Lot Limit Estimation34 RITUAL VESSEL WITH GANESHA



Weight: 3735 grams

A large ritual vessel from India with a round foot,expanding in the top. In the center is a domed,bellshaped throne with a seated Ganesha in royalease pose. The son of Shiva and Parvati here has fourarms, two raised at the back holding attributes like anoose, broken tusk or battle axe and a bowl of sweets.Remains of a beaded aureole can be seen on his sides.The big belly is portruding underneath his trunkreaching for the sweets. The sacred thread is spanningover the big belly which contains the entire cosmos.His face is additionally highlighted with ornamentalshapes along the trunk, eyes and forehead. A conicalcrown is on his head. A grande openwork archreaches from one end of the vessel's lip to the other,creating a large aureole around the remover ofobstacles. The openwork is beautifully crafted withbeaded or droplet lines and floral shapes. Two smallpeacocks flank the horrid face of a makara in thecenter top, who are guardians of gateways or temples.

1.500 € 2.000 €

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Lot Limit Estimation35 STANDING BUDDHA MAITREYA

Bronze firegiltTibet or Mongolia, 18th century


Weight: 920 grams

Most probably stemming from Mongolia, this standingBuddha Maitreya on a square lotus base has the lefthand raised in front of the chest with thumb and indexfinger touching, the left hand by his side showing thesame mudra. The arms are exceptionally long. TheBuddha of the Future is dressed in a long garmentcovered by a short one fastened around the waist withbelts. A bow and beaded chains decorate the waist.The upper body is adorned with various jewellery. Theface is almost square with large downcast eyes, higheyebrows and small smiling lips. Elongated earlobesframe the face and the hair is set apart by a hairline,done up in two buns with a decorative headpiece. Thebottom is sealed.

1.000 € 1.500 €

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Lot Limit Estimation36 STANDING GANESHA



Weight: 20.300 grams

Fourarmed Ganesha, the remover of obstacles,standing in dancing motion on a square plinth withlotus flower base. The square plinth is also carved withornamental designs. Ganesha's left foot is lifted fromthe ground, his four arms are holding his attributes, anoose, his broken tusk and a battle axe. The left arm ispointing to his right hip, the long trunk swings to hisleft, dancing. He is wearing a short striped dhoti,anklets, the thread wrapped around the belly,jewellery and a conical headdress. This depiction ofhim is very joyful and lively. He is probably the mostworshipped God in Hindu religion.

2.600 € 3.000 €

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Lot Limit Estimation37 STONE PANEL WITH VARIOUS SCULPTURES

Black StoneIndia, 12th century


Weight: 32522 grams

A rectangular stone panel with two frames, the left iswider and shows a man in an alcove of a pillar ortemple. The man is wearing a short striped dhoti and agarland around the hip, armlets, necklaces, earpendants and a conical headdress. His right hand islifted in front of the chest holding prayer beads calledmala and thumb touching ring finger. In his other handhe is holding a club or sword. His face is smiling gently.On the right, smaller frame we see a female figure withvoluminous hair done up in the back, kneeling in thecorner. Her face is shown in side profile and shows adistinctive nose, pointy chin, big eyes. She seems to besmiling mischievously. Above her is also an ornamentaldecoration. This panel of black stone was probablypart of a temple.

1.500 € 2.000 €

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Lot Limit Estimation38 STANDING PARVATI

BronzeIndia, 12th to 13th century


Weight: 444 grams

Standing Parvati, wife of Shiva, Mother Goddess, on alotus step attached to square plinth. She is standing intribhanga pose with left knee slightly bent and hiptilted to the right. She is holding a lotus flower in herleft raised hand, her right hand is casually hangingdown beside her hip. She is wearing a long stripeddhoti pants and some jewellery, a high conicalheaddress and large ear pendants. Her face is roundwith small features and a friendly expression.

Provenance: Purchased at an American Auction housefrom the present owner

1.000 € 1.200 €

39 SITTING PARVATI



Weight: 69 grams

A bronze statue from India of Parvati seated on around cushion attached to a square base. Her left legpendent, leaning to the left and supporting herself onher left hand on a small lotus flower stemming fromthe base. Her right raised arm is showing a mudra butalready heavily rubbed off. She is wearing simplegarments and plain jewellery, her small bellyportrudes. Her face is round with small features,smiling lips, one earlobe is missing. Her high headdressshows little detail due to ruboff.

400 € 600 €

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Lot Limit Estimation40 LAKSHMI NARAYAN



Weight: 2540 grams

Lakshmi Narayan describes a manifestation of theHindu god Vishnu, usually with his consort Lakshmitogether. Here he is seated in lotus position on a lotusflower base. He has eight arms, each holding attributeslike the discus, conch shell, lotus flower, a mace, a potand others. His body is only dressed in plain garmentsand jewellery. He is wearing circular ear pendants anda high headdress with geometrical pattern, the hair isdone up in a bun on the back of the head. The face isvery round with a broad nose, the expression seemsjoyful.

800 € 1.000 €

41 JAMBHALA OR VAMANA

Wood carvedIndia, 18th century


Weight: 3626 grams

A wooden figure from India depicting a Jambhala deityor Vamana. Standing on a small lotus flower with histwo hands raised at the chest, holding a vegetable likea radish or turnip. The deity is dressed in a short dhotiand covered with many belts, necklaces, amulets and agarland is hanging down from the shoulders. The deityhas a big portruding belly. The face is round with broadnose, bulging eyes and a curly, wild mane. There is acrack on the right side of the wood.

700 € 1.000 €

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Lot Limit Estimation42 STANDING GODDESS WITH PARROT



Weight: 3091 grams

This bronze oil lamp shows a Hindu goddess standingon a bellshaped base with expanding top. The base isdecorated with ornamental incisions. The goddess isdressed in a long dhoti with ornamental stripes and aflaring bottom. Her chest is also covered in a patternedtop with short sleeves, a beaded necklace with circularpendant is hanging around her neck. She is holding theoil lamp in her hands before her. A little parrot issitting on her right shoulder. She has a round face, herlips are smiling and she has a broad nose and largeeyes. The back of the bronze also shows the intricatedetail of the garment's patterns, the fine hairlines andlong braid. The Hindu goddess depicted here is mostprobably Deepalakshmi.

800 € 1.000 €

43 VISHNU AS KALI


Diemensions: Height 10 cm by 5 cm

Weight: 273 grams

Kali is the tenth avatar of the Hindu god Vishnu andthe final incarnation. Here depicted with a humanbody and the head of a horse, seated in lotus positionon a lotus flower attached to a square throne withexpanding base, both decorated with geometrical andornamental patterns and beaded rims. Dressed in along striped dhoti, the chest adorned with necklacesand chains. Four arms lifted, one with thumb and indexfinger touching, one holding a book, and two holdingthe conch shell and discus. Kali is wearing a high,conical headdress with pointed top.

400 € 500 €

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Lot Limit Estimation44 PREACHING BUDDHA

StoneIndia , Pala Style revival, 18th century



A seated Buddha in lotus position on a double reverselotus throne with beaded rim, positioned in an alcovesupported by two lionlike creatures and a beadedarch with ornamental decoration on the outside. TheBuddha has a fiery halo. He is dressed in a simple robecovering both shoulders and chest, fanning outunderneath his ankles. He is gesturing thedharmachakra mudra, the turning of the Dharmawheel or teaching the Dharma. The face is calm andsolemn with a faint smile, tiny curls cover the head andushnisha.

1.400 € 1.800 €

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Lot Limit Estimation45 CROWNED BUDDHA

Black stoneIndia, Pala Style revival, 17th century


Weight: 41422 grams

A black stone stele with Buddha seated in the middleof an alcove on a throne with abstract lotus petals,gesturing the bhumispharsa mudra. Behind his head isa flower halo, two small pillars behind him. He isdressed in a translucent garment, wearing a necklaceand a high crown. His face is calm with downcast eyes.Above him a rounded archway with ornamentaldesigns. In the center of the archway is the face of amakara. All is framed by two smaller pillars withincised patterns, supporting two small standingdisciples or angels with instruments. At the very top isa level with a seated Buddha Amithaba in the centerforming the anjali mudra, flanked by two standingdisciples standing in tribhanga pose, showing theabhaya and varada mudra. The backside is flat.

2.000 € 3.000 €

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Lot Limit Estimation46 FEMALE GODDESS WITH CHILD

Black stoneIndia , 12th century Pala Dynasty


Weight: 15466 grams

A black stone stele with a female deity standing on alotus throne framed by a beaded archway. She isflanked by two smaller female disciples, one is holdingthe parasol for the goddess. The goddess is depicted asa nurturing mother, holding a small baby in one arm,as well as a warrior with a sword raised in one hand.Two other hands are showing mudras and holdingsomething. Her head is tilted to the left, she is smilinggently with attentive eyes, large ear pendants and atiara decorate her head.

2.000 € 3.000 €

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Lot Limit Estimation47 STANDING GANESHA

StoneIndia, 18th century or earlier


Weight: 38292 grams

A stone panel with Ganesha standing on a lotus thronesupported by disciples and a cow. Ganesha has fourarms, one is holding a mala rosary, one is supportingitself on the battle hatchet placed on the ground, hisleft hand is holding his broken tusk and his right handis holding the ball filled with sweets. He is adornedwith opulent jewellery, anklets, armlets, necklaces, ashort dhoti with ornamental pattern and beadedchains on the forehead and decorating the head. Astory tells of Ganesha riding home on his vehicle, themouse, after having eaten many sweets. The mousestumbled upon a snake, Ganesha fell and his tummyburst and all the sweet balls fell out. He quicklygathered them back and tied his belly together usingthe snake. The snake also represents all energy whichencloses the whole universe in Ganesha's belly. Thereare five more disciples, one kneeling to his left side,and a pair each sitting on the Lord's shoulders, twofemales holding garlands and two men playinginstruments. This statue is a beautiful representationof the remover of obstacle.

1.500 € 2.000 €

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Lot Limit Estimation48 TARA WITH OFFERING BOWL

Bronze with silver inlaysIndia 12th century , Pala Dynasty


Weight: 140 grams

A seated Tara on a lotus throne with rim, legs crossed,the hands both resting in the lap holding an offeringbowl. Her legs are covered in a striped dhoti. Her chestis decorated with necklaces, her arms with simplearmlets and bracelets. An openwork halo with adiamond at the center top surrounds her head, a scarfis billowing around her shoulders. The Tara is smilingwith open eyes, a high conical tiara sits on her head.The statue has some patina.

1.400 € 1.800 €

49 KRISHNA

Bronze with silver inlaysIndia, 18th century


Weight: 1080 grams

Krishna standing on a domed base with the right legcrossed over the left, standing on the toes. He iswearing an Indian loincloth fastened around the waist,otherwise he is free of any garment or jewellery. Hishands are lifted to the mouth as if playing a flute,which is missing. His head is tilted to the right, the hairis done up in two buns at the head. The eyes arehighlighted with silver inlay.

800 € 1.000 €

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Lot Limit Estimation50 DURGA

BronzeIndia, Bengal, 18th century


Weight: 2714 grams

A depiction of the Hindu Goddess of War standing on alion with her right leg, the other leg bent standingabove Mahishasura, the buffalo demon, who iscrouching beneath her on one knee, his right elbow inthe grip of the lion's sharp teeth. The buffalo head islying on the floor. The Goddess is dressed in a shortdhoti with decorations, a thread on her chest and bignecklaces around her neck. Her ten arms are alsoadorned with armlets, six arms are partly missing. Thearms are fanning out to the sides holding weapons likea big sword or a battle hatchet. The face is gazing atthe sky victoriously, the hair decorated with a diamondjewel and two rings. Two female disciples flank thegoddess.

800 € 1.000 €

51 SITTING BODHISATTVA

Bronze with silver inlays and cold gildingIndia, 12th century Pala Dynasty


Weight: 879 grams

Oxford TL Tested

Female Bodhisattva seated on a throne supported bythree elephants standing on a round lotus flowerattached to a square plinth. The Bodhisattva is seatedwith legs crossed in lotus pose, dressed in striped longdhoti, her arms are resting in her lap in meditativepose. Her chest is bare, the arms adorned witharmlets. The face is small and delicate, a highelaborate tiara decorates the head. Traces of gold onthe head and tiara.

1.500 € 2.000 €

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Lot Limit Estimation52 LARGE STANDING SURYA



Weight: 4062 grams

Also called the "Lord of Day and Light" or "God of theSun", here standing on a fourfooted base, he issupported by seven horses also standing for the sevendays of the week or the colours of visible light. In frontof his feet is a kneeling worshipper. The God issurrounded by a beaded gate or aureole with twoother adorents standing beside him, only reachingabove his knee, they are gesturing the abhaya andvarada mudra. All of the figures are dressed in shortdhotis and with their hair in a chignon or high pointyheaddress. Suryas dhoti is fastened around the waistwith a festooned belt, sacred thread runs along hischest, a necklace decorates the torso. His arms areadorned with bracelets and armlets, one hand ispointing to the ground with thumb and index fingertouching, the other hand is pointing to the sky withthumb and index finger touching. His face is smilingslightly with downcast eyes and a raised elongatedurna in the center of the eyebrows.

1.800 € 2.500 €

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Lot Limit Estimation53 SHIVA NATARAJA



Weight: 155 grams

Shiva as the Divine Dancer standing in his dancingmovement on a prostrate creature on a platform. He issurrounded by a round aureole. His two hands in theback are holding attributes, the other two hands arelifted to the front in a dynamic motion, one pointing tohis left raised foot, the other with palm facing towardsus. His hair is done up in a chignon. A lose scarf iswaving from his hip. Details are lost due to some ruboff.

1.000 € 1.200 €

54 STANDING GODDESS

Bronze, eyes inlaidIndia, 13th to 14th century


Weight: 228 grams

Standing female deity on a small square plinth in longdhoti fastened by waistband. She has both armssupported on her hips holding a flower in each hand.Her torso is naked and adorned with a big necklace.She is wearing a headdress and large circular earpendants. The eyes are inlaid with stones with noother facial details.

700 € 900 €

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Lot Limit Estimation55 DOUBLE SIDED KRISHNA



Weight: 162 grams

Standing Krishna on round base adorned withjewellery and headdress. The face is grinning widely.

700 € 900 €

56 SITTING DEVI



Weight: 249 grams

A goddess seated on a lotus flower on a square thronewith her left leg pendent, her right foot drawn to herbody. She is supporting herself with her left handbeside her, the right hand is lifted with middle and ringfinger rounded, thumb touching ring finger. She iswearing a long pants with short dhoti over it, sacredthread around her torso. Her arms are adorned witharmlets and bracelets. She is also wearing a highconical headdress. Her expression is serene.

800 € 1.000 €

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Lot Limit Estimation57 STANDING SHIVA AS DESTROYER



Weight: 233 grams

Standing Shiva on a high platform with high sandalsand four arms holding weapons, a large garlandhanging down from his hips, wearing a high headdresswith lotus bud finial. A consort or his wife Parvati isstanding on his right side with hands joined in front ofthe chest.

800 € 1.000 €

58 STONE FRAGMENT DEPICTING GANESHA AND SKANDAKatalognummer 58

StoneIndia, 11th to 12th century


Weight: 713 grams

A stone fragment with Skanda, the firstborn son ofShiva, holding a club and below him seated Ganesha,his brother.

600 € 800 €

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Lot Limit Estimation59 STANDING DEVI



Weight: 243 grams

Standing devi in a striped dhoti pants with decorativewaistband hanging loosely around her slender legs.Her torso is decorated with the sacred thread, armletsand bracelets and a necklace. Her right hand is liftedwith thumb touching the middle finger, the ring fingeralso rounded. Her other arm is loosely hanging downon her side. Her face is smiling friendly, she is wearinglarge ear pendants and a high threetiered headdresswith lotus bud finial.

500 € 700 €

60 SITTING GANESHA



Weight: 991 grams

Ganesha seated on a throne made of lotus petals withbeaded lines in between and a square bottom. He iswearing a striped dhoti, his portruding belly isdecorated with an ornamental rope and head of asnake on it. Beneath his left leg is his vahana, themouse. One hand is showing the abhaya mudra, theother is resting on the knee as if holding something.The other two hands are raised at the back, holding anoose and hatchet. He has small ears, his trunk iscurling up to his right cheek. He is wearing a crown.

800 € 1.000 €

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Lot Limit Estimation61 SITTING GANESHA WITH CONSORT



Weight: 223 grams

Ganesha is also called "The Remover of Obstacles" andis here seated on a round lotus flower on a squarethrone. To his feet we find his vehicle the mouse, aconsort, probably Shakti, is sitting on his left knee withher feet supported by a smaller lotus flower stemmingfrom the base. The consort is holding a lotus flower.Ganesha has ten arms holding his common attributes,like his broken tusk, the dharma wheel, conch shell,etc. His trunk is also holding a fruit or sweet.

800 € 1.000 €

62 SHIVA WITH CONSORT


Dimensions: Height 17cm

Weight: 1686 grams

Shiva is the Destroyer in Hinduism and part of theTrimurti with Vishnu and Brahma. The fiveheadeddepiction is known as "Sadashiva" or "Panchamuhkti",with the fifth head placed on top of the four others.The five heads represent the different forms of Shiva,which are all necessary for creation. His wife is Parvati,here depicted as his consort sitting on his left legholding a lotus flower and dressed in a long stripeddhoti. He is seated in lotus position on a high lotusthrone and has ten arms spanning out to the sides. Thehands are holding his attributes like a battle axe, aknife, the dharma wheel, a trident, a snake and others.He is wearing a chest plate and short dhoti.

800 € 1.000 €

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Lot Limit Estimation63 GANESHA

Black stoneIndia, 12th century


Weight: 1850 grams

A black stone panel with Ganesha seated on a doublelotus , below his mouse and a worshipper withsankskrit letters carved in between them. One hand isresting on the right knee, the other is holding sweetswhich he is reaching for with his trunk. In his otherhands he is holding his battle hatchet and a noose, histypical attributes. His head is decorated with a crownand the snake, tied around his belly is visible.

3.000 € 4.000 €

64 STANDING VISHNU



Weight: 323 grams

Standing Vishnu on a lotus flower base with four arms.Also known as the Preserver, he is usually depictedwith blue skin and four arms. Here he is dressed in ashort striped dhoti with loose ends hanging down onthe sides. His legs are adorned with anklets and footbracelets, his arms with armlets and bracelets, thetorso encircled by the sacred thread. His four arms arelifted, two at the back are holding the conch shell andthe discus. The other hands are lifted as if holding hisinstrument the flute. His face is gentle, a conical highheaddress on the head.

400 € 600 €

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Lot Limit Estimation65 SCULPTURE OF VISHNU

Copper alloySouthern India, circa 15th century Vijayanagar period


Weight: 8967 grams

Sculpture of Vishnu sitting in royal ease. The deitywears a high tiara and is richly adornedwith bracelets, necklace and sacred cord. He holds inhis hands his attributes : the wheel or discus andthe conch or shankha. The other hands are lifted infront of him, one with palm facing up and the otherwith palm facing down. He has a prominent nose, thelips are smiling.

Provenance : Parisian collection 20082020Christie's Paris June 2008European collection acquired in 1975

20.000 € 30.000 €

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Lot Limit Estimation66 NOBLEMAN OR MONARCH

Red sandstoneIndia, (185 BC 220 AC) Uttar Pradesh, Mathura area ,Kushan period



Sculpture belonging to the "Mathura art" of theKushan period depicting a nobleman or monarch withthe headdress and jewellery typical for that period.The "Mathura art" refers to a particular school ofIndian art, which survived almost entirely in the formof sculpture, beginning in the 2nd century BC, andwhich concentrated near the city of Mathura, in themiddle of northern India, at a time when Buddhism,Jainism flourished together with Hinduism in India.

Mathura is considered the first artistic centre toproduce sculptures for all three religions and was untilthe Gupta period the centre of the preeminentreligious artistic expression in India. It was India's mostimportant artistic production centre from the secondcentury BC, with its highly recognisableyellowspeckled red sandstone statues.

During the early Buddhist Kushan sculpture theanthropomorphic iconographic shape of the Buddhafigure was developed,and for this draw upon the basicconcept of "the characteristics of a large and noblebeing", the "mahapurusha lakshana", whose base isthe very old representation of the forest spirit"yaksha",

This monarch is therefore depicted as an uprightstrong figure, holding the end of his robe or dhoti in hisleft hand and holding a cord (possibly the Hindu"brahmin cord") in his right hand. The sculpture waspart of the parapet of a stupa and as such was alsosculpted at the rear. The holes on the sides served toconnect the sculpture with wooden or stone beamswith other sculptures of the parapet.

Provenance: The statue was part of a British privatecollection since 1950 and was acquired by the currentseller's family at an auction of Christie's in London in1985

12.000 € 15.000 €

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Lot Limit Estimation67 BUDDHA ON THRONE

BronzeIndia, 12th century Nalanda Style revival

Dimensions: Height: 10 cm by 8 cm

Weight: 338 grams

Buddha seated in dhyanasana on a hexagonal base ona fourfooted square throne with ornaments. TheBuddha's right hand is resting on the knee with fingertips touching the ground, while the other hand isplaced in the lap with palm facing the sky,bhumispharsa mudra or the subduing of demon Mara.He is leaning against a backrest decorated with twouprearing animals on the side, on top of the backrestare the remnants of an aureole, now partly missing.The Buddha is dressed in a simple robe thrown over hisleft shoulder exposing his right chest and arm. TheBuddha's expression is calm in deep meditation butwith a smile, a raised urna is on the center of theforehead.

800 € 1.000 €

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Lot Limit Estimation68 TSA TSA DEPICTING BUDDHA

ClayBurma, 12th century, Pagan Period

Dimensions: Height 17 cm x 15 cm without base

Weight: 950 grams with base

Traditional Buddhist art from Tibet, tsa tsas are usuallymade from clay in a metal mould with the reversedimage of a deity, stupa or other religious object. Themaking of tsa tsas is used by Tibetans to collect meritsand is one of the initial practices of VajrayanaBuddhism. Tsa tsas were placed in shrines, at stupas,holy caves or used in smaller version to be placed inthe mobile shrines called ghaus.This tsa tsa depicts a seated Buddha flanked by twostanding disciples showing the abhaya and varadamudra. The Buddha in the center is touching the earth,signifying the subduing of demon Mara. All threefigures are set in separate alcoves with beaded pillarsand decorative pointy arches. Above them are remainsof temple bells. There is a sanskrit inscription belowthe Buddha. The back is flat.

800 € 1.000 €

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Lot Limit Estimation69 SITTING BUDDHA

Bronze with silver and stoney inlayBurma, 12th century Pagan


Weight: 3739 grams

Seated Buddha in meditation pose with legs crossedon a lotus throne with rim. One hand is touching theearth, the other is placed in the lap with palm facing tothe sky, bhumipharsa mudra. The Buddha's slenderfigure is dressed in a simple robe draped over the leftshoulder and fanning out decoratively underneath theankles. The face is comparably round with slenderfacial features, small smiling lips, a thin nose anddowncast eyes. Tight small curls cover the head andushnisha topped by a jewel finial. Elongated earlobesframe the face.

2.000 € 2.400 €

70 HORSE STIRRUPS

IronTibet , 16th century


Weight: 1208 grams ( pair )

Two horse stirrups with fine incisions in geometricpatterns but simplistic in design.

800 € 1.000 €

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Lot Limit Estimation71 LARGE PHURBU

BronzeTibet , 19th century


Weight: 1348,2 grams

A phurba or phurbu is an ancient Tantric ritual object,a necessary tool for a shaman to battle negative anddistracting forces. The lower half of the shaft consistsof a three sided blade that emerges from the mouth ofa makara (mythical aquatic creature) guarding the jointof the hilt and the blade. Then a "vajra" giltthunderbolt with eight prongs. The finial has threewrathful heads of the phurbu deity, Hayagriva. A horsehead is at the top.

100 € 150 €

72 CROWNED BUDDHA

BronzeTibet , 15th century


Weight: 288,9 grams

A crowned Buddha seated in lotus position on a doublereverse lotus base with rim. The robe has a decorativebrim with floral pattern, is draped around his leftshoulder. His right hand is touching the earth,bhumispharsa mudra means calling the earth towitness and refers to the story of Buddha's victoryover demon Mara. The other hand resting in his lap isholding a jewel. His eyes are downcast in meditationand elongated earlobes frame the round face. Thestatue is hollow.

800 € 1.000 €

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Lot Limit Estimation73 BOOKCOVER WITH BUDDHIST SYMBOLS

Carved wood restpaintedTibet , 17th century


Weight: 473,1 grams

Wooden book covers like these were used in templesand monasteries to protect the written texts and to bestored in shelves. The more important the text themore elaborate these book covers were designed.With wood also being of scarcity in Tibet, it alsosignifies their reverence.The outer bands are of ornamental shapes of a lotusflower petal, followed by simple and beaded lines. Inthe center is a panel with eight circles showing the"Eight Auspicious Symbols of Buddhism" whichare:Parasol, Two Golden Fish, Lotus Flower, ConchShell, Treasure Vase, Endless Knot, Victory Banner,Dharma Wheel. Each symbol has its own meanings andthey are often the attribute of certain gods and deities.The backside of the book cover is restpainted witheight circles in the center panel.

1.000 € 1.500 €

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Lot Limit Estimation74 GREEN TARA

Bronze firegiltTibet, 18th century


Weight: 366,2 grams

Green Tara seated on a doublereverse lotus base withbeaded rim with one foot resting on a portrudent lotusflower in the front. The Bodhisattva's lower body isdressed in robes, her bare chest is decorated withnumerous jewellery with missing stone inlays. In herright hand resting on the knee she is holding a closedlotus bud called utpala, her other hand is lifted withthumb touching the ring finger. The head is slightlytilted to the left, the expression is friendly andwelcoming. She wears an opulent headdress withmissing stone inlay. To her left side is a lotus flower infull bloom. The bottom is sealed with a double vajrarelief.

3.000 € 3.500 €

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Lot Limit Estimation75 TARA ON ELEPHANT BASE

BronzeTibet, 18th century


Weight: 4.033 grams

This Tara deity is seated in the royal ease pose on alarge, expansive throne starting off with lotus petals,followed by a base supported by elephants and last adouble reverse lotus base. The front center of thethrone is further adorned with a drooping garland andcloth. The Tara's right foot is supported by aportruding lotus flower. The Tara is dressed in a longdhoti and adorned with numerous jewellery, beadedbelts and necklaces. One hand is resting on the knee,the other is raised with thumb and ring fingertouching, two lotus flowers are growing from both herpalms. Her face emits calmness and peace with closedeyes and delicate small lips and nose. Her head isfurther adorned with an opulent tiara made of beadedstrings and ornamental shapes and large circular earpendants. The back of the statue is kept very simple.

1.500 € 2.500 €

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Lot Limit Estimation76 KNEEING HAYAGRIVA

Gilt bronze with silver and stone inlaysTibet, 16th century


Weight: 243 grams

An avatar of Vishnu, this deity is here represented bythe horse head enclosed by the crown. The wrathfulfigure is kneeling on one leg with the right hand raisedin abhaya mudra, the left hand is holding a longcircular object, maybe a weapon or representing amanuscript roll.The face of the demon is gruesomewith sharp teeth and bulging eyes. The wrathfulemanation of Avalokiteshvara is adorned with manybeaded chains and necklaces, an opulent tiara andearrings, all highlighted with turquoise stone inlay.

2.000 € 3.000 €

77 FIVE BUDDHIST MANDALA SCULPTURES


Dimensions: Height 6 cm approximately

Weight: 935 grams all together with base

Five bronze figures, each attached to a plinth. Thefigures are depicted seated, either only on a surface,on a vase, on a mythical lion, a lotus flower and a fish.All of them are seated casually and are dressed inflowy scarves and adorned with jewellery highlightedwith stone inlay. Four of the figures seem female withleft hand lifted in abhaya mudra, the right hand restingon the hand in varada mudra. The male deity is holdinga long rod in the right hand, the other hand is restingon the knee with thumb and middle finger touching.

2.600 € 3.000 €

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Lot Limit Estimation78 MANJUSHRI



Weight: 2585 grams

Here Manjushri Bodhisattva is depicted seated in lotusposition on a double reverse lotus throne with beadedrim. The Bodhisattva is wielding a flaming sword in theright hand above the head, the other hand is raisedholding a lotus flower growing on his side. A wavy robewith ornamental brim covers the legs fastened with abeaded belt around the waist. Lots of jewellery adornthe Bodhisattva and is highlighted with stone inlay ofturquoise and red colour. From the slender waist theupper body is slightly tilted to the left, creating abeautiful curve. The face is gently smiling withdowncast eyes. The statue is sealed at the bottom.

1.500 € 2.000 €

79 STANDING BUDDHA

Bronze with silver and copper inlaysTibet, 18th century or earlier


Weight: 1993 grams

A standing Buddha on a lotus base on a square plinth.The Buddha is dressed in a translucent robe with floralpattern with copper and silver inlay. The right hand isshowing the gesture of fearlessness, the other hand islowered to the side of the body holding the end of thescarf falling down on the back over his left shoulder.The Buddha has very distinct necklines, a fleshy ovalface with small, smiling lips and a large nose. The eyesare open and attentive. Elongated earlobes frame theface and rich curls cover the head and ushnisha. Theback of the statue is free from intricate detail, the baseis hollow.

1.200 € 1.500 €

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Lot Limit Estimation80 SARASVATI

Bronze firegilt with stone inlayTibet, 18th century


Weight: 1305 grams

In Tibet known as the "Goddess of Music" or "Tara ofMusic", she is sometimes the consort of Manjushri. InIndian culture she is also known as the "Goddess ofWisdom". Here she is depicted seated on a lotus basewith beaded rim with an instrument called "veena", anIndian string instrument, here with the head of a duckor swan. She is often portrayed sitting on a swan orwith a peacock. Her lower body is dressed in a flowygarment fanning out underneath her feet. Her wholebody is covered in beaded chains and necklaceshighlighted with turquoise stone inlay. Her face issquary with small features, smiling. She is wearing ahigh bun topped by a small diamond bud finial whileher long hair is hanging down her back. On the back ofthe statue we see details of the garment's ornamentalbrim and beaded chains on the waistband. On thebottom of the statue is an incised double vajra symbol.

1.000 € 1.200 €

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Lot Limit Estimation81 BUDDHIST SCULPTURE

Bronze restgilt with stone inlaysSinoTibetan, 19th century


Weight: 3660 grams

This sixarmed, threeheaded Buddhist deity is holdingvarious attributes, a bow and arrow, a flaming swordand a lotus flower. Two hands are crossed in front ofthe chest with thumb and index finger touching. Thethree heads are crowned with an opulent tiaraenclosing a high chignon with diamond finial on thetop. The eyes are all downcast with smiling lips as if inmeditation. The seated deity is dressed in flowygarments with ornamental brim and fastened aroundthe waist by beaded belts. Many necklaces and armletsadorn the body. The figure is seated on a high, domedthrone with reverse long lotus petals with beaded rim,the lowest part is openwork with a line of vajras. Theback of the figure shows incised images of a vajra, adharma wheel flanked by two deers and six Chinesecharacters, probably naming the date of this sculpture.

2.000 € 2.500 €

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Lot Limit Estimation82 SEATED BODHISATTVA

Silver and bronzeTibet, 18th century


Weight: 3107 grams

This Bodhisattva is seated in lotus pose with the righthand lifted in the gesture of fearlessness, the otherhand resting on the knee with thumb and index fingertouching. The Bodhisattva is dressed in translucentrobe and adorned with extensive jewellery all overhighlighted with red and turquoise stone inlay. Theface is broad with small features, the lips smilinggently and eyes downcast, a sublime and peacefulexpression. Large ear pendants and an opulent tiaradecorate the head.

1.500 € 2.000 €

83 STANDING AVALOKITESHVARA

BronzeSinoTibetan, 17th to 18th century


Weight: 4322 grams

The thousandarmed and formerly elevenheadedBodhisattva of Compassion is standing on a plinth inlong garments with beaded chains and draped bands.Eight arms are spread forming different mudras withthe hands and a billowing scarf is intertwined in them.The many other arms are spanned out from the backcreating a winglike circle around the deity. Threeheads are smiling gently with downcast, small eyes.Elongated earlobes frame the face. Only three headsare remaining, usually three lines of three headsfollowed by two single heads in a column. The back ofthe sculpture shows the same detail as the front. Thispiece is worked with fine detail and is outstanding inits style.

2.000 € 2.500 €

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Lot Limit Estimation84 STANDING PADMAPANI



Weight: 771 grams

Standing Padmapani or "LotusBearer" on a small lotusflower with beaded rim. Standing in tribhanga posewith the upper body tilted to the right from the waist,the left hand is holding the stem of the flower whilethe other is lowered beside the hip with palm facingforward, varada mudra, gesture of dispensing ofboons. The head whereas is tilted to the left, his leftknee bent slightly, altogether creating an elegantScurve. Dressed in a short dhoti fastened around thewaist and a decorative waistband drooping from thehip. Beaded jewellery and a fine tiara adorn theBodhisattva.

800 € 1.000 €

85 VAJRAPANI

Bronze with silver and stone inlaysTibet, 13th century


Weight: 437 grams

The protector of Buddha and here depicted as wrathfulVajrapani standing in a wide stance with bent knees.His left hand is raised with palm facing the frontshowing a mudra with the ring and middle finger bent,karana mudra to expel evil. His right hand is liftedholding a vajra, a ritual object of Tantric Buddhism.The Dharmapala is wearing an armour and a flowyscarf is intertwined in his arms. A large garland, usuallymade of skulls, is dangling from his chest. The face israther calm and humanlooking with bulging eyes anda goat beard and moustache.

1.200 € 1.500 €

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Lot Limit Estimation86 SHADAKSARI

Bronze with silver inlaysWestTibet, 15th century


Weight: 259 grams

Known in Tibetan as Chenrezig and also a form ofBodhisattva Avalokiteshvara. Seated on a doublereverse lotus throne with beaded rim in lotus pose.The deity has four arms, two are joined together infront of the chest in anjali mudra, gesture of adoration.The other two hands are lifted holding a rosary and alotus flower. He is dressed in a robe with beaded brim.The arms are adorned with beaded bracelets, a largebeaded necklace decorates the chest. The ears are ofnormal size with circular earrings. A threepointedtiara sits on the head. The face is smiling with closedeyes as if in deep meditation, a third eye on theforehead. The base is hollow.

1.800 € 2.400 €

87 CROWNED BUDDHA



Weight: 357 grams

Seated Buddha on double reverse lotus base withbeaded rims. The Buddha is seated with legs crossed,touching the earth with his right hand while the otheris resting in the lap with palm upwards, bhumispharsamudra or calling the earth to witness. The Buddha isdressed in a simple robe draped over his left shoulderand fanning out underneath his ankles. The face isround with small features, elongated earlobes and ahairline separates the black curls from the forehead. Abud finial tops the ushnisha. The back of the bronze iskept simple with little detail.

1.000 € 1.200 €

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Lot Limit Estimation88 JAMBHALA

Bronze with silver inlaid eyesTibet, 12th to 13th century or NorthIndia Pala Dynasty


Weight: 860 grams

Jambhala seated on a lotus throne with beaded rim inroyal ease pose, the right foot supported on a moneypot. The God of Wealth's right hand is resting on theknee with the face palming up, usually he is holding alemon in this hand. The other hand is holding hisjewelspitting mongoose. He is wearing a big garlandaround his belly, necklaces, jewellery, a high conicalcrown with pointy top. He is generally depicted with awellnourished figure, another sign of wealth andabundance. His face is smiling broadly. The scarf isbillowing around his shoulders. Not only in Tibet, butalso in other countries like Japan he is a popular god.

1.500 € 2.000 €

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Lot Limit Estimation89 EXTREMELY FINE HEAD OF A TATHAGATA

Bronze with gold , silver and copper inlaysWestTibet, 14th century


Weight: 354 grams

This fine head bronze from WestTibet of a Tathagata,a term the Gautama Buddha used to refer to himself inthe Pali Canon. The head is attached to a metal rod.The face has very fine features, slender lips and nose,the eyes are downcast, thin eyebrows and a turquoisestone inlay as the third eye. The ears are slightlyelongated and adorned with a circular ear pendantwith beaded rim, the left ear pendant seems missing.The Buddha is wearing an elaborately crafted tiara andunderneath it the edge of the small haircurls is visible.The tiara has a larger decor in the center with a goldencircle and a small turquoise stone above it. The highchignon portruding in the middle is topped by aparasol with lotus bud flanked by what seems like deerantlers. Above the lotus bud is a crescent moon and asun, again topped by a closed lotus bud. This is a veryfinely crafted piece.

1.200 € 1.500 €

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Lot Limit Estimation90 BODHISATTVA

Bronze with silver and copper inlaysTibet, 12th century


Weight: 74 grams

A Bodhisattva seated in royal ease pose on a doublereverse lotus base with beaded rim. The Bodhisattva issupporting himself with the left hand on the groundbehind the leg, the right hand is raised with thumbtouching the bent middle finger and ring finger holdinga small object. Dressed simply but adorned withbeaded chains and threads, a high headdress withbows on the sides sits on the head, a lotus bud finialon top. Elongated earlobes are hanging down to theshoulders. The face is small with large eyes, higheyebrows, a long nose and grinning lips. The silverinlay of the eyes create a piercing gaze.

700 € 1.000 €

91 STANDING BODHISATTVA

BronzeTibet, 13th century Pala Style


Weight: 83 grams

A bronze stele with a standing Bodisattva in frontalposition, the top is arched. The deity is holding a slabin the right hand, the other hand is hanging down tothe thigh. It seems to be a female Bodhisattva withbreasts, wearing a long dhoti. A beaded necklacedecorates the chest as well as large ear pendants. Theface is rather square with a large nose, smiling lips,closed eyes. A high tiara decorates the head withdiamond bud finial and two round portruding circleson the side. Turquoise stone inlay highlights thejewellery. The figure is hollow in the back.

400 € 600 €

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Lot Limit Estimation92 HEVAJRA WITH CONSORT

StoneTibet, 17th century


Weight: 3958 grams

This is a delicate stone figure of one of the mainyidams, Hevajra with his consort. This depiction withfour heads and twelve arms in wide stance with left legbent is called "Citta Hevajra", further standing on alotus base with beaded rim, each foot trampling on acorpse. With two hands he is holding his consort in atight embrace, with another hand he is holding akhatvanga staff, the rest of the arms are fanning out tothe sides holding attributes like a lotus flower, vajraand others. A large garland is drooping from his waist.The right leg is wrapped around Hevajras waist. Herbody is naked but decorated with ornamentalpatterns, her right arm is lifted to the sky. A fieryaureole surrounds them.

1.000 € 1.200 €

93 LARGE VAJRA WITH MAKARAS

Bronze giltTibet, 18th century


Weight: 1175 grams

Vajras are called dorjes in Tibetan language and areritual weapons and each segment has its ownmeaning. This is a delicate bronze vajra from Tibet. Thecenter handle is decorated with geometric lines andflower motives. This is followed by lotus petals and abeaded rim. The prongs are built by four makara faces,whose tongues are joined together in the middle and acentral prong. The five prongs together build a lotusbud shape.Together with the ritual temple bell "ghanta" these aretwo most important objects in Tibetan Buddhism.

1.000 € 1.200 €

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Lot Limit Estimation94 EXTREMELY LARGE AVALOKITESHVARA WITH 11

HEADS

Bronze firegilt with traces of colourTibet, 17th century


Weight: 7222 grams

A wonderful piece from Tibet, BodhisattvaAvalokiteshvara with eleven heads and eight arms,standing on a double reverse lotus base. TheBodhisattva is dressed in flowy robes decorated withbeaded chains, threads and jewellery highlighted withblue stone inlay. Scarves are billowing around theankles. Two hands are almost joined together in frontof the chest, usually holding a jewel. Other two arelowered in front of the hips, one holding a small flask.Another pair is lifted to the side forming mudras andone holding a flower. Another pair is raised atwaistlevel holding a discus and bow, weapons. Theheads are arranged in a pyramid with three rows, tenof the heads peaceful and one ferocious at the toprepresenting Avalokiteshvara’s wrathful form withagain another peaceful effigy of Buddha Amithaba.

10.000 € 12.000 €

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Lot Limit Estimation95 VAJRAVARAHI

Bronze giltTibet, 17th century or earlier


Weight: 5645 grams

This is a wrathful version of the Tantric female BuddhaVajrayogini. Here the deity is shown in a dancingmotion, standing on her left leg, the right leg liftedfrom the ground. Eight arms are spanning out to theside holding various attributes like a skull cup, a drum,a noose, a vajra, a crescentshaped knife, an axe, atemple bell, a lotus flower, a lasso, a trident. A largeskull garland is hanging down from her shoulders. Herbody is adorned with various beaded necklaces andjewellery. The face is round with an opened mouthexposing teeth with tiny fangs. The eyes are bulgingwith angry eyebrows, the third eye in the center. Herhead is decorated with beaded chains and a skull tiarawith two sow's heads on the sides. In the center top ofthe hairbun is a diamond vajrahalf. The back of thefigure shows the remaining long hair hanging down theback and the jewellery decorating the hips and legs.

3.000 € 4.000 €

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Lot Limit Estimation96 LARGE SITTING GREEN TARA

BronzeTibet, Pala Style revival, 18th century


Weight: 2826 grams

Green Tara seated on a double reverse lotus thronewith beaded rim, her right foot pendent on a smallerlotus flower stemming from the base. The legs arecovered in a pleated dhoti fastened around her waistwith an ornamental band. Her chest and arms areadorned with intricate jewellery highlighted with stoneinlay. Her right hand is lifted in front of her showingabhaya mudra. Her left hand is resting on her leg,holding the stem of a large lotus flower. Her roundface has a gentle expression with downcast eyes, thethird eye in the center of the forehead. Elongatedearlobes with big circular earrings frame the face. Herhair is done up in a bun decorated with head jewellery.The Green Tara is known as the Goddess ofCompassion and is the most popular Tara in Tibet.

2.600 € 3.000 €

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Lot Limit Estimation97 LARGE STANDING AVALOKITESHVARA

Bronze with stone inlaysTibet, 18th century


Weight: 10494 grams

Bodhisattva Avalokiteshvara on a lotus base withbeaded rim, a network of flowers and ornamentalshapes flanks the Goddess. The Bodhisattva is dressedin a long, flowy robe from the waist, fastened by anornamental waistband with stone inlay. The left handis hovering beside the hip holding a flower stem, theright hand is lifted in front of her chest with thumb andtip of index finger touching. The upper body is alsodecorated with beautiful jewellery made of beads andflowers highlighted with stones. The round face is calmwith almost closed eyes, elongated earlobes withcircular ear pendants frame the face. Thin hairlines arevisible underneath the fivepointed tiara whichdecorates the hair done up in a chignon. A smallpagoda as finial. A thin scarf is wrapped around theshoulders and billows down to the ground. In Tibet theGod of Compassion is called Chenrezig and can beeither male or female.

2.600 € 3.000 €

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Lot Limit Estimation98 EIGHT AUSPICIOUS BUDDHIST SYMBOLS OF LUCK

Copper silveredTibet, 18th century

Dimensions: Height 21 cm by 14 cm approximately

Height: 1625 grams ALL

The Eight Auspicious Buddhist Symbols originated inIndia but became most important for TibetanBuddhism, especially in mandala, and represent thetransient universe. Here we have copper objects withan expanding base made of elongated lotus flowerpetals, followed by a knob and ornamental curls. Onerepresents the parasol with flowy bands underneath it.The "Parasol" or "Precious Umbrella" symbolizes royaldignity by providing shade from the sun, but alsoprotection from suffering.The other copper statue represents the "Two GoldenFish", originally standing for the rivers Ganges andYamuna. The fish also represent the fearlessness ofdrowning, the possibility to migrate and move freely inthe water, if the dharma teachings are practiced.Next represents the "Eternal Knot" which symbolizesthe mutual dependance of religious doctrine andsecular affairs.Then we have the "Conch Shell" representing the widereach of Buddha's teachings like the sound of a conchshell.The "Lotus Flower" is the most important symbol inBuddhism and represents enlightenment and mentalpurity.The "Dharma Wheel" represents the Noble EightfoldPath of the Buddhadharma with its eight spokes.The "Treasure Vase" symbolizes wealth and prosperitywithout limits.And last the "Victory Banner" signifies the victory overignorance, attaining the enlightenment and happinessby following the teachings of the Buddha.

1.200 € 1.500 €

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Lot Limit Estimation99 RARE SITTING TARA

Bronze with turqouise inlaysTibet , revival style, 18th century


Weight: 4255 grams

A beautiful and very humanlooking depiction of a TaraGoddess seated with one knee drawn to the chest, theother leg bent and foot placed behind the ankle. TheGoddess is supporting her upper body by her righthand placed on the ground beside her. Her left hand isresting on her left thigh with thumb and index fingertouching, index and middle finger are bent. Her upperbody is turned to the left. She is dressed in an almosttranslucent long dhoti with floral pattern, fastenedaround the waist with a long band drooping over herleg. Her armlets and necklace and tiara are highlightedwith turqouise stone inlay. Her face has elegantfeatures with a slender nose and a gentle smile. Thetiara is especially opulent.

1.200 € 1.500 €

100 CITIPATI SKULL MASK

Bronze paintedTibet, 18th century


Weight: 309 grams

Elaborate mask in good condition of a Citipati maskmounted on a stand. Usually the Citipati is a pair of afemale and male skeleton intertwined in a dance. He isalso known as the Master of the Cemetary and one ofthe 75 forms of the Mahakala. The skull is grinningwidely, the eyes are large and round. Wavy crackscover the skull. Fiery ornamental waves are extendingfrom between the teeth and meet on top of the skull.These masks were also used as protection atentrances. They are also a reminder of impermanenceand constant change.

600 € 800 €

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Lot Limit Estimation101 DAKA

TibetBronze, 15th to 16th century


Weight: 400 grams

A daka is the male aspect of a dakini, a female goddessof wisdom, sometimes also translated as "celestialbeing" or "sky walker". This daka is standing on around lotus base in long robes, his face is looking atthe sky with a mouth wide agap, exposing his fangs.The eyes are also wide open and bulging with strongeyebrows, the third eye spots the forehead. A skullcrown decorates the head. A beaded long necklace ishanging down to the belly. The hands are forming thebhutadarma mudra, gesture to ward off evil. He is alsoholding a vajra and ghanta sympolizing method andwisdom.

800 € 1.000 €

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Lot Limit Estimation102 PLAQUE DEPICTING MAHAKALA UPON GANESHA

GANESHA



Weight: 606 grams

A plaque with two fiery bands framing a fierceMahakala standing on a prostrate body upon a doublereverse lotus base. The Mahakala is the fierceemanation of the Bodhisattva of compassion and helpsto overcome obstacles on the way to enlightenment.He is wielding a sword in his right hand, the other israised in front of the chest with the index fingerpointing to the sky. He is wearing a short dhoti andjewellery, a large garland hanging down on his belly,armlets, anklets and big circular ear pendants. The facehas a menacing look. The hair is done up in a big bun, athreepointed tiara on the head. The backside showsthe Mahakala's negative relief.

1.000 € 1.200 €

103 SITTING BUDDHA

Bronze giltTibet or Nepal, 12th to 13th century


Weight: 1793 grams

A solemn depiction of a Buddha in meditation,showing the gesture of calling the earth to witness,bhumipharsa mudra, also known as the subduing ofdemon Mara. Attached to a square plinth, the Buddhais sitting with his legs crossed in lotus position. He isdressed in a robe with beaded brim draped over hisleft shoulder and bottom fanning out underneath hisankles. The eyes are closed in deep meditation. Ahairline separates the tiny curls from the forehead,and he is wearing a simple crown with a jewel in thecenter and over the ears.

2.000 € 2.500 €

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Lot Limit Estimation104 SHADAKSHARI



Weight: 1098 grams

Shadakshari is one of the 32 forms of Avalokiteshvara.Here he is seated in padmasana on a double reverselotus throne with beaded rim. He is wearing a longdhoti with beaded stripes fastened at the hip with adecorative waistband. He has four arms, two arejoined together in front of the chest, holding thewishgranting gem. The other two hands are raised, hisleft is holding a lotus flower, the right one has thethumb and index finger touching, formerly holding amala. The eyes are closed and the expression calm indeep meditation. The urna or third eye is depicted as arectangular stone on the forehead. The black hair isdone up in a bun and is decorated with a fine tiara. Bigcircular earrings adorn the elongated earlobes. TheBodhisattva's whole body is adorned with beadedjewellery and necklaces highlighted with numerousstone inlay. The bottom of the bronze is sealed.

1.500 € 1.800 €

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Lot Limit Estimation105 BUDDHA

Bronze giltTibet or Nepal, 15th century


Weight: 1450 grams

A seated Buddha in dhyanasana on a double reverselotus throne with beaded rim, the bottom lotus petalsare longer than the upper ones. The Buddha isgesturing the bhumispharsa mudra, calling the earth towitness. He is dressed in a long robe with doublebeaded brim draped over the left shoulder, the endfanning out decoratively underneath his ankles. Thebody is slender, the face oval with downcast eyes andgently smiling lips. Thin wavy eyebrows stem from thenasal root. The head with the tiny, black curls isdecorated with an elegant tiara with ribbons flowingon the side. The ushnisha is topped by a diamondjewel finial.

3.000 € 4.000 €

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Lot Limit Estimation106 VAJRADHARA

Bronze gilt with semiprecious stonesTibet, 16th century


Weight: 1084 grams

Also called the primordial Buddha and can betranslated as "The Vajra Bearer". Here seated inpadmasana on a double reverse lotus throne withbeaded rim and larger lotus petals on the bottom. Heis shown with his two arms crossed in front of thechest, one holding a vajra, a thunderbolt ritualweapon, and the other one holding a ghanta, a templebell. An elaborate fivepointed tiara encloses the highchignon topped by a vajra. He is clad in a wavy robeand decorated with armlets, necklaces, jewellery,earrings, bracelets, all highlighted with stone inlay. Athin scarf is draped around his arms. The expression isserene, a stone inlay also decorates the urna.

3.000 € 3.500 €

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Lot Limit Estimation107 MAHAKALA ON ELEPHANT

BronzeTibet, 16th to 17th century


Weight: 213 grams

The sixarmed Mahakala is considered a fierceemanation of Avalokiteshvara in Tibetan Buddhism,here standing in wide stance on Ganesha, heresymbolizing hindrances or obstacles. Anotherinterpretation explains the elephantheaded creatureto signify our instinctive, primitive animal force andurge. He is holding various objects in his six arms, like askull cup, a noose, a kartika, prayer beads, a trident.He is wearing a garland of skulls. His wild hair isdecorated with a fiveskullcrown. The face is lookinggruesome with clenched teeth and fierce eyes. He issurrounded by an openwork aureole of flames with acrescentshaped moon and diamond in the center.

800 € 1.000 €

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Lot Limit Estimation108 SHRINE OF A BODHISATTVA

Bronze gilt with silver inlaysTibet, 18th century


Weight: 241 grams

Unusual shrine of a Bodhisattva on a rectangular plinthwith decorative bands, openwork support with stoneinlay at the center and a round reverse lotus base withbeaded rim. The Bodhisattva is seated crossleggedwith soles of feet showing, wearing flowy garmentscovering the legs. The shoulders are also dressed withdecorative robes, the upper body seems to be dressedin aristocratic clothes with a chestarmour and puffysleeves. The hands are raised in front of the chest,showing the dharmachakra mudra. The face looksjuvenile with a light smile and downcast eyes, earlobeselongated. The Bodhisattva is wearing a pompouscrown of stone inlay. He is surrounded by a big flamingaureole with additional stone inlay, his head also bearsa halo in the same fashion with a lotus flower at thetop center. The back of this outstanding bronze isrelatively plain.

900 € 1.200 €

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Lot Limit Estimation109 MAHAKALA

SilverTibet, 16th century



In Tibetan Buddhism this is a wrathful emanation ofBodhisattva Avalokiteshvara, here standing in widestance on a plinth. Mahakala is dressed in a shortdhoti, wearing a skull garland, anklets and with barefeet. His two hands are holding a skull cup or kapalaand a crescentshaped knife or chopper. His face isgrim with a broad nose and bulging eyes and a thirdeye on the forehead. His crown of five skulls encloses asecond head of a Mahakala with fierce face, skullcrown and wild hair.

1.200 € 1.500 €

110 BUDDHA

Bronze with copper inlaysTibet, 15th century


Weight: 202 grams

Seated Buddha on double reverse lotus throne, legscrossed in lotus position. Bhumipharsa mudra, callingthe earth to witness. The simple robe is draped overthe left shoulder and end is fanning out underneath hisankles. In spite of some rub off, the smiling lips andclosed eyes are still visible on the face, the earlobesare slightly elongated. A hairline separates the tinycurls from the forehead, the ushnisha is topped by asmall diamond.

Provenance: Moreau Gobard, Paris 1.4.1977

1.500 € 2.000 €

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Lot Limit Estimation111 PRAYING BUDDHA

Bronze gilt with turqouiseTibet, 14th century


Weight: 134 grams

Praying Buddha seated on a high double reverse lotusthrone with large petals, in dhyanasana and showinganjali mudra. Dressed in simple robe, a necklacearound the chest. The Buddha's figure is slender andface long with smiling lips and closed eyes in a serene,meditative state. The ears are elongated. The head andushnisha are highlighted with turquoise inlay.

400 € 600 €

112 JAMBHALA GOD OF WEALTH

Bronze firegiltTibet or China, Ming Dynasty (1368 1644)


Weight: 208,8 grams

Jambhala or the God of Wealth seated on a lotusthrone with beaded rim. He is holding thejewelspitting mongoose in his left hand, a pile ofjewels already lying to his feet. The other hand is mostprobably holding a citrus fruit. A large beaded necklacehangs around the shoulders and covers the belly. Thedeity has a grim expression and wears lots of jewelleryand a crown.

500 € 700 €

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Stone with traces of PujasTibet or Nepal, 18th century or earlier


Weight: 25,3 grams

A seated Jambhala on a throne, his big round bellyportruding, his right hand resting on his right kneeholding a citrus fruit. With his left hand he is holdingthe gemspewing mongoose. Jambhala is the God ofWealth and adorned with various jewellery and acrown. His eyes are bulging, but expression calm.

300 € 500 €

114 BLACK JAMBHALA

Stone with traces of pujasTibet or Nepal , 18th century or earlier


Weight: 30,2 grams

Black Jambhala standing in wide stance on a doublereverse lotus flower base.

300 € 500 €

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Lot Limit Estimation115 TSA TSA DEPICTING BUDDHA

ClayTibet, 19th century


Weight: 282 grams

Tsa Tsa of Buddha seated on a double reverse lotusthrone showing the bhumipharsa mudra. Dressed inred robe over brown garment. The face is calm inmeditation, a raised urna between the eyebrows. Theearlobes are only slightly elongated. The black curlyhair covers the ushnisha with lotus diamond finial.

200 € 300 €

116 BUDDHA



Weight: 579 grams

Buddha seated on an expanding double reverse lotusbase with beaded rims. He is showing thebhumispharsa mudra with his left hand resting in hislap holding a small cup in his palm. He is dressed in arobe with decorative brim thrown over his leftshoulder and fanning out on the throne underneathhis crossed ankles. The face is calm, the eyes closed indeep meditation. A raised urna sits between theeyebrows. Elongated earlobes frame the face. The hairis made of tiny dots covering the head and ushnishatopped by a lotus bud finial.

300 € 500 €

- Page 78 / 156 -


BronzeChina or Tibet, 15th century


Weight: 880 grams

A friendly looking Green Tara seated on a doublereverse lotus throne with beaded rims, her right footsupported by an extra lotus flower stemming from theside, her other leg is drawn to her body. She is dressedin a flowy garment covering her legs. Her left hand israised in front of her chest with thumb and ring fingertouching, the other hand is resting on her right knee,palm facing the sky and thumb and ring fingertouching, a gesture of good fortune. Her face is roundwith small features, downcast eyes, a high foreheadand a tiara decorates her head. Her ears are adornedwith flower ear pendants. Her body is slightly tilted tothe right from her waist.

1.000 € 1.500 €

118 BUDDHA

Bronze with cold gilt faceTibet , 15th century


Weight: 461 grams

Buddha showing the bhumispharsa mudra seated indhyanasana on a double reverse lotus base withbeaded rims made of bronze. A simple robe with brimis draped over the right shoulder, exposing his rightshoulder. He has a small head, slightly elongatedearlobes. The face is calm and focused in deepmeditation with closed eyes, a raised urna betweenthe eyebrows. Small curls cover the head and ushnishatopped by a lotus bud.

1.200 € 1.500 €

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Weight: 1137 grams

The God of Wealth is here depicted as a corpulent manseated on a double reverse lotus throne with beadedrims, his right leg pendent and standing on an extralotus flower stemming from the base, the other leg isdrawn to his body. The body has the shape of a pearand is dressed in a long garment with floral incisedpattern. The torso is decorated with armlets, bracelets,a large necklace and a flower garland. He is holding thegemspewing mongoose in his left hand and a citrusfruit in the right with index and little finger stretched.The face is round with small features, downcast eyes,calm expression, a raised urna on the forehead. Hewears large circular ear pendants and a fivepointedtiara. His chignon is topped by a lotus bud or diamond.Jambhala is found in five principal colours, black,yellow, white, green and red. He can appear as a king,peaceful, semipeaceful or semiwrathful and wrathful.

3.000 € 4.000 €

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Bronze firegiltTibet , 14th century


Weight: 198 grams

Seated in lotus position on a double reverse lotus basewith beaded rim, gesturing the dharmachakra mudra.Two lotus flowers are growing besides him, one withthe Prajnaparamita sutra on top of it and the otherwith the hilt of the sword which he uses to cut throughignorance. He has a relatively broad face with smallfeatures, a raised urna in the center of the forehead.The chignon is enclosed by a tiara.

1.200 € 1.500 €

121 BUDDHA

Bronze with silver inlayTibet, 15th century


Weight: 496 grams

Buddha seated with legs crossed on a double reverselotus throne with beaded rim. Dressed in a flowy robecovering the right shoulder, no jewellery at all. He istouching the earth with his right hand, bhumispharsamudra and holding a small vessel in his other hand.The Buddha used this gesture when he attainedenlightenment under the bodhi tree. His earlobes areelongated and bear stretchedout ear holes, the face issmiling with downcast eyes, a raised urna between theeyebrows. Tiny balls cover the head and ushnishawhich is topped by a lotus bud finial.

800 € 1.000 €

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Lot Limit Estimation122 AMITAYUS OR AMITHABA



Weight: 866 grams

Buddha Amithaba, Buddha of Long Life and Longevity,seated in dhyanasana on double reverse lotus base,with hands folded into each other in the lap holding asmall bottle. It is the vase of long life. Dressed in flowygarments and adorned with jewellery and necklaces,The face is calm with fleshy features, downcast eyes.An elaborate tiara decorates the head.

600 € 800 €

123 BUDDHA VAJRADHARA

BronzeTibet, 17th century or earlier


Weight: 610 grams

Buddha seated in dhyanasana on a double reverselotus throne with rim. His hands are crossed holding aghanta temple bell and vajra thunderbolt, symbolizingwisdom and compassion. Every part of each Tantricritual object has a specific meaning. The PrimordiaBuddha is dressed in flowy robe with a thin scarfbillowing around the arms. His neck is adorned with abig necklace, large circular ear pendants hang downonto the shoulders. The head is decorated with afivepointed crown. The face is calm with closed eyesand a gentle smile.

500 € 800 €

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Lot Limit Estimation124 MAHASIDDA ON GOAT



Weight: 344 grams

Seated on a goat standing on a rock.Mahasidda has a calm expression andis wearing a dhoti, silk scarf around hisshoulders and many beaded necklacesand arm bracelets. The base isengraved with a double vajra symbol.

800 € 1.000 €

125 LOKESHVARA

Bronze firegiltTibet, 13th century style


Weight 1758 grams

Bodhisattva Avalokiteshvara wearing a threepointedcrown, in the middle panel, he has an effigy of BuddhaAmithaba,wearing large earrings. He is adorned with ornamentalarmlets and bracelets and a beaded necklace. His faceis calm with a gentle smile and closed eyes, a peacefulexpression. He stands on a double lotus base, his righthand quite far from his hip palm open in thegenerosity mudra. His legs are covered in flowygarment hanging down to his bare feet.

800 € 1.000 €

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Lot Limit Estimation126 SITTING BUDDHA ON LION THRONE

Bronze with cold gilt faceTibet or Kashmir


Weight: 1877 grams

Seated Buddha with legs crossed and soles showing.The throne is made of a double reverse lotus flowerattached to a thin surface and two lions stand on theflower, supporting the throne on the side. The Buddhais holding his right palm upwards resting on the knee,left hand is raised also palm facing to the sky. The robeis covering his torso and legs forming waves. The earsare elongated, the face is smiling widely, the eyes areopen and attentive. The hair and ushnisha is black.

16.000 € 20.000 €

127 PADMASAMBHAVA WITH CONSORTS

Bronze with copper and silver inlaysTibet, 18th century

Dimension: Height 24 cm by 13,5 cm

Weight: 1288 grams

Also known as Guru Rinpoche, Padmasambhava is hereseated on a high waisted throne attached to a lotusflower base. His legs are crossed, one hand resting inthe lap with palm facing to the sky, the other raised infront of the chest. The khatvanga staff is on his leftside, he is flanked by two consorts.

4.800 € 5.500 €

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Lot Limit Estimation128 CHAKRASAMVARA

Bronze firegilt on silver base with cold gilt facesTibet, 18th century


Weight: 2734 grams

Translated as "The Wheel of Bliss", Chakrasamvara isone of the main Tantric Buddhist deities in Tibet. Herestanding in wide stance with his left leg bent, the rightleg stretched in alidhasana, on two prostrate bodies ona lotus base with beaded rims. He is shown in yabyumposition with his consort Vajravarahi, embracing herwith two of his twelve arms, showing the vajramudraand holding the dorje and ghanta. The other arms arefanning out to the side holding various ritualimplements. His lower body is adorned with a net ofskulls and severed heads weaved together, jewelleryand a skull tiara. The expression is fierce with angryeyes and teeth showing. The consort is wrapping herlegs around his waist. She is holding a curved knife inher right hand and a skull cup in her left. Together,they signify the perfect union of wisdom andcompassion.

6.000 € 8.000 €

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Lot Limit Estimation129 DRAGON

BronzeChina , Tang Dynasty (618907 AD)


Weight: 1004 grams

Dragon seated on his hind legs with front legsstretched out. The body is covered in scales and thelimbs are slender in nature. The mouth is opened andbears a beaklike shape with beardhair on the chin.The eyes are squinted and the dragon seems to beroaring or snarling. Two horns are shaped to the backfrom the front head and on top of its head is a lotusbud.

Sitting dragons are extremely rare. The dragons wereprobably an ornament on the royal vehicle and theroyal throne.

7.600 € 10.000 €

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Lot Limit Estimation130 SIX LITHOGRAPHS FROM H.D. COLLISONSMORLEY

(BRIT. 18771915) DEPICTING SCENES OF HONG KONG

Colour lithographChina , 1908

Dimensions: each 24.4 x 45.9cm without frame

text with monogram in image lower left, title in lowermargin

6 Lithographs from the South China Morning Post ,which was founded 1903 in Hong Kong and which wasbought 2015 by Alibaba Group

Text reads “Litho. by South China Morning Post,Copyright.” Harold Duke CollisonMorley studied art atthe Slade School (UK) and at Académie Julian in Paris.He began contributing drawings to the Graphic andDaily Graphic and other papers early in his career.Around 1899 he went to Australia, where he joined theQueensland Imperial Bushmen during the Boer War,and obtained a commission in the Lancashire Fusiliers,receiving the Queen’s Medal. In 1909 he went to HongKong for a year. While there he worked for the SouthChina Morning Post and produced a series of sixhumorous illustrations of life in Hong Kong. Ref:Lancashire Fusiliers Annual 191415, BuckhamshireMembers Organisation.

500 € 1.000 €

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Lot Limit Estimation131 BRACELET

White JadeChina

Dimensions: Diameter 8cm

Weight: 58,3 grams

Jade bracelet of white colour in circular shape. In ChinaJade bracelets are often gifted from parents to theirdaughters.

300 € 500 €

132 SNUFF BOTTLE IN FORM OF A KOI

BeewaxChina


Weight: 23,8 grams

Snuff bottles were used by the Chinese andMongolians to keep tobacco powder. The fish koi wasa popular subject as it signifies abundance, wealth andharmony. Snuff bottles are collected widely all overthe world.

200 € 300 €

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Lot Limit Estimation133 AMITAYUS

Bronze fire giltChina 18th century, Qing Dynasty


Weight: 384,6 grams

Buddha seated with crossed legs on a doublereverselotus throne with beaded rim with both his handsfolded in his lap in meditative pose. The lower body isdressed in robes with decorative rim. A flowy, thinscarf is draped over the shoulders and is falling downover the arms and emerging in front of the throne. Thebody is adorned with necklaces, armlets and anklets.The head is comparably small and the face is createdvery finely, with downcast eyes. An opulent headdressand big circled earrings ornate the head. The statue ishollow.

Provenance: Nagel Auctions, Stuttgart, May 2004

3.600 € 4.000 €

134 BUDDHA

Bronze rest gilt, face lacqueredChina, 18th century


Weight: 1895 grams

A very well preserved bronze Buddha from China withlacquer remains on the face. The Buddha is seated on adouble lotus flower on an oval plinth with ornamentalrelief in the center front. The Buddha is gesturing thebhumispharsa mudra, calling the earth to witness. Heis dressed in an elaborate robe with decorative brimover a long undergarment fastened at the waist withan ornamental band and bow. The face is round andfleshy with two necklines, the eyes are downcast, thelips and nose are small, the earlobes slightly elongated.The head and relatively small ushnisha are covered intiny curls. The Buddha bronze is hollow.

800 € 1.000 €

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Lot Limit Estimation135 JADE RING

JadeChina

Dimensions: Height 5 cm Wide 5,3 cm

Weight: 31,3 grams

Double finger ring made of Jade (index and middlefinger ) with beautiful ornamental shapes.

200 € 300 €

136 AN ANTIQUE CHINESE JADE PLATE

JadeChina, Qing Dynasty


Weight: 25,6 grams

An antique Chinese circular jade plate, depicting abuffalo head on the bottom, standing on the horns aretwo mythical dragons in profile, their mouths joining inthe center. Details of the dragon's face and mouth arelost to rub off.

100 € 150 €

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Lot Limit Estimation137 SEATED BODHISATTVA

BronzeChina, Qianlog ( 17111799)



This Chinese Bodhisattva from the Qing Dynasty haseight arms, each forming a different mudra and fourfaces. The deity is seated in lotus position on a lotusbase with beaded rims and a panel in the center withseven Chinese characters referring to the dateQianlong Period in Qing Dynasty. The lower body isdressed in a long wavy garment, a flowy scarf coversthe shoulders. The arms are adorned with armlets andbracelets, the chest bears numerous necklaces. Thefaces have downcast eyes and a solemn andwelcoming expression, a third eye on the forehead.Large circular ear pendants with flowers hang form theelongated earlobes. A fivepointed tiara with diamondbud finial decorates the head.

Provenance: Lesli Hindman 2006

1.500 € 2.000 €

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Lot Limit Estimation138 ARHAT OR LOHAN

Bronze fire giltTibet or China, 18th century


Weight: 812 grams

An Arhat, or Luohan in Chinese, is a disciple ofBuddhism who has achieved true enlightment, but notthe higher stage of Nirvana. This Luohan is seated withone leg tucked in, the other bent with the left handholding a brush resting on the knee. The surface he isseated on is round and has incised ornamentalpatterns. In the right hand resting on the leg he isholding a rectangular object, probably a Buddhistscript. He is dressed in a wide garment withornamental brim fastened around the waist with abow, a patterned scarf around the shoulders. Thechest is adorned with beaded jewellery with turquoisestone inlay. The face is calm and friendly, with blackcurly hair at the back and a goat beard.

1.000 € 1.200 €

139 STUPA

Bronze giltChina, 15th century


Weight: 420 grams

Bronze stupa from China on threestepped hexagonalbase, incised lotus petals on a round base, followed bya bowlshape with ornamental incision. An expansiveround shape decorated with the incision of a seatedBuddha portrudes from the center of two shallowrings, topped by a threestorey tower withfivestepped pagoda. Little chains dangle from theroof.

1.200 € 1.500 €

- Page 92 / 156 -


Stone with natural stone pigmentsChina, 16th century or later


Weight: 112 grams

The Green Tara is a form of peaceful Buddha orBodhisattva of the Tibetan Buddhism. This stonestatue is worked with great detail and still has strongremnants of colour. Here she is seated on a lotusthrone with the right leg pendent, foot standing on asmaller lotus flower that stems from the base. Usuallyher right hand is resting on the knee with palm facingthe front, fingers pointing to the floor, varada mudrameaning gesture of dispensing of boons or generosity.The other hand is lifted at heart level with thumb andtip of ring finger touching, kartari mudra meaningbestowing refuge. From the same hand also runs thestem of a lotus flower with missing bud.To her rightside is also a lotus flower, also called utpala. The Tara'shead is slightly tilted to the left. Her whole body isadorned with many armlets, bracelets, beaded chainsand pendants. She is wearing a short decorated dhotiover a longer, red one with lined brim. She wears anopulent tiara with a small Amithaba effigy in thecenter. She is framed by an ornamental aureole.

800 € 1.000 €

- Page 93 / 156 -

Lot Limit Estimation141 BIG LACQUER WARE PLATE

Carved cinnabar lacquer ware plateChina, Made by Qian Long workshop (17111799)

Dimensions: Diameter 33 cm, Height 5,8 cm

Weight: 1010 grams

The bowl is decorated with a repetitive pattern of batsover ocean waves, a common depiction for blessings oflongevity "as deep as the ocean". Known to be hangingupside down and in still motion for long time, bats area symbol of longevity. Also, their Chinese translation is"fu", which is the same word for "good luck" or"blessing". The center is decorated with three peaches,also a symbol of immortality and longevity, and someleaves floating about.

800 € 1.000 €

- Page 94 / 156 -

Lot Limit Estimation142 BIG RECTANGULAR LACQUER WARE FRUIT TRAY

Carved cinnabar lacquer wareChina, Xuan de period(14261435), Ming Dynasty

Dimensions: Length 30.5 cm Width 9 cm Height 4.7cm

Weight: 730 grams

A red lacquer food tray with vines stemming fromwood on the outer side. On the ground we can see alandscape of hills, rocks and the ocean. The sky is filledwith clouds. Two mystical dragons are frolicking in thesky around a pearl, a reference to a popular folklorestory about a boy providing for this sickish mother indrought times. He manages to find a secret place withlush grass and eventually, a beautiful pearl. It turns outto be magical and doubles the amount of anything itgrazes. They start sharing their food with others andword eventually gets around. Greedy people(sometimes the emperor's soldiers) force them tohand in the pearl and the boy swallows it in hisdesperation. His throat and body start burning like fireand he runs to the little water left in the river to drinkit. Upon his mother running up to him, she finds adragon soaring up to the sky, hence protecting theland.

800 € 1.000 €

- Page 95 / 156 -

Lot Limit Estimation143 SQUARE BOTTLE

Carved cinnabar lacquerChina, early Qing Dynasty (16161661)

Dimensions: Height 23,2 cm Length 11,5 cm Width11,5 cm

Weight: 780 grams

Square lacquer bottle with hourglassshaped neck.The bottom shows two scholars dressed in robes, oneyoung and bald, the other old with long beard andhunched back. They are standing amid a beautifullandscape of grass, rocks, trees, a lake and hills. Thebottleneck is decorated with a flower in the centersurrounded by ornaments.

800 € 1.000 €

144 BLUE AND WHITE PLATE

PorcelaineChina, Qing Dynasty, Kang Xi period (16611722)

Dimensions: Height 2,8 cm , Diameter: 26,4 cm

Weight: 519,3 grams

Blue and white glazed porcelain plate with a thin lineon the lip. The plate is decorated with The EightImmortals, each standing on a curly cloud hoveringaround each other. They are signs for prosperity andlongevity.

400 € 600 €

- Page 96 / 156 -

Lot Limit Estimation145 BLUE AND WHITE BOWL

PorcelaineChina, Qianlong imperial porcelain (17361796)

Dimensions: Height 6,4 cm , Diameter 13,4 cm

Weight: 165,8 grams

Blue and white underglazed bowl with mystical dragonand cloud decoration.

1.600 € 2.000 €

146 BLUE AND WHITE PLATE AND JAR

PorcelaineChina, 18th century

Dimensions:Plate: Height 3,3 cm , Diameter 14,1 cmJar: Height 14,5 cm Diameter 12 cm

Blue and white underglazed porcelain plate with avarious scenes painted on the well, a landscape of atemple in the water and a boat, a peony with smallerflowers and a flower stand.Blue and white underglazed painted jar with big bellyand smaller lid with white plum blossoms on branches.

400 € 600 €

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Lot Limit Estimation147 DRAGON & PHOENIX LIDDED BOTTLE

Sapphire carvingChina, made by late Qing's workshop (18201911)


Weight: 860 grams

A fine vase with lid carved in sapphire on a red base. Amystical dragon on the right side and a phoenix on theleft side decorate the bottle. The top of the lid isdecorated with the magical pearl nestled inornamental clouds.

800 € 1.000 €

148 ELEGANT CUP WITH BEAST HEAD

Sapphire carvingChina, made by Qianlong workshop (17111799)

Dimensions: Height 6 cm Wide 17,3 cm Depth 10,2 cm

Weight: 630 grams

An elegant cup carved in blue sapphire with a handlein shape of a beast's head, comes with a red base.

1.000 € 1.200 €

- Page 98 / 156 -

Lot Limit Estimation149 DRAGONEAR TRIPOD FURNACE

JadeChina, Min Guo period (19111949)

Dimensions: Height 12,8 cm Width 14,3cm Depth 9 cm

Weight 710 grams

A Jade carved furnace or incense burner on afourfooted stand. The furnace has three feet, the earshave the shape of dragons. The lid is also decoratedwith handles and jade rings dangling from them.

200 € 400 €

150 INCENSE TUBE

PorcelaineChina, DENG BI SHAN (18741930) mark, Qing Dynasty


Weight: 149 grams

An incense tube made of white porcelain withunderwater painting showing ocean grass and a biggerfish accompanied by six smaller fish.

800 € 1.000 €

- Page 99 / 156 -

Lot Limit Estimation151 FOUR SHOU SHAN STONE CARVING

Shoushan Stone

Double lions carving: Height =6.6cm Weight =60 gramsDragon carving: Height =6cm Weight =70 gramsLotus carving: Height =8.9cm Weight =80 gramsLotus & Mandarin ducks: Height =9.1cm Weight =120grams

Four seals with stand made from Shoushan stoneoriginating from Fujian Province, China.

1.600 € 1.800 €

152 LIDDED BOTTLE

JadeChina, Min Guo Period (19111949)

Dimensions: Height 12,5 cm, Bore 4,5 cm

Weight: 476 grams

A Jade carved bottle with ornamental decoration onthe body and openwork handles with attached chains.Standing on a wooden circular base attached to asquare base with openwork footing and archsurrounding it.

100 € 400 €

- Page 100 / 156 -

Lot Limit Estimation153 JADE PHOENIX

JadeChina, Min Guo Period (19111949)

Dimensions: Height 22,5 cm Width 10,5 cm

Weight: 1320 grams

A Jade carving of a phoenix, symbol for union of maleand female, virtue and grace, standing on a rock.

200 € 400 €

154 WITHDRAWN 0 € 0 €

155 FLOWER BOWL

PorcelainChina, Min Guo Period (19111949)

Dimensions: Height 7 cm , Diameter 19 cm

Weight: 283,2 grams

Bowl with small foot, inside in light green colour, thebody is decorated with red dragons frolicking amidclouds.

1.200 € 1.400 €

- Page 101 / 156 -

Lot Limit Estimation156 BOWL

PorcelaineChina, Jiaqing (17961820)

Dimensions: Height 8 cm, Diameter 17,5 cm

Weight: 474,5 grams

Repaired flatter bowl with small foot, inside white. Thebody is of gold colour with floral decorations ofdifferent size, a round panel with white backgroundand peony flowers on branches highlight the design.

2.000 € 3.000 €

157 LI YAN ZHI

PaperChina, Qing Dynasty (16451911)


Weight: 253 grams

Hanging scroll with Chinese scripture.

600 € 900 €

- Page 102 / 156 -

Lot Limit Estimation158 PAINTING DEPICTING 16 ARHATS

SilkChina, Qing Dynasty (1645 1911)


Weight: 376 grams

罗汉Title: Sixteen ArhatsHanging scroll with Chinese ink painting of the 16Arhats, standing on a large cloud, a landscape of rockymountains and trees is visible beneath them. One ofthe arhats is descending from the sky on a mysticaldragon. The sages are accompanied by a tiger.

3.200 € 4.000 €

159 GAI QI ( 1773 1828 )

( 1773 1828 )

PaperChina, Qing Dynasty (1645 1911)


Weight: 426 grams

对Title: Chess Playing

Hanging scroll with brush painting of two aristocraticmen sitting at a table and playing chess. A third man,possibly a servant, is showing a piece of paper to theman facing us. The painting has four seals.

2.600 € 3.000 €

- Page 103 / 156 -

Lot Limit Estimation160 斋 PU XUE ZHAI (18931966)

PaperChina, late Qing to Min Guo (19111949)


Weight: 378 grams

马Title: Thoroughbred at Dusk

Hanging scroll with brush painting of two aristocraticmen getting their horses ready. One is holding a brownhorse at the rein while the other is fastening a blanketto the white horse's back. A title and possibly poemdecorate the left side of the scroll together with a redseal.

2.600 € 3.000 €

161 HUANG SHEN (1687 approx. 1770)

PaperChina, Qing Dynasty, Qianlong era (1735 1796)


Weight: 541 grams

鸭图Title: Reeds & Ducks

Painted by One of the Eight Eccentrics of Yangzhou扬 , this hanging scroll shows acalligraphic painting of ducks swimming in watersurrounded by reed. A colourful nuance in the blackbrush work are their orange beaks and feet.

2.000 € 3.000 €

- Page 104 / 156 -

Lot Limit Estimation162 陈: CHEN MEI ( 1694 1745 )

SilkChina, Qing Dynasty (1645 1911)


Weight: 866 grams

图Title: Sophis�cated Ladies

Hanging scroll with colourful painting of a lively sceneat court. We see the architecture of a lush garden withpalm trees and farns, providing the glance into a roomof the court, where three women are seated at a tablewith scripts, possibly discussing or philosophizing. Twoother ladies are chatting on the veranda, as anotherlady is ascending the steps, bringing a child with her. Inthe garden we see two women and two childrenenjoying the flora.

2.600 € 3.000 €

- Page 105 / 156 -

Lot Limit Estimation163 岚 GE XIANG LAN (19041964)

PaperChina , late Qing to Min Guo

马师鸿(19111949), “ ”


Weight: 904 grams

荫骏Title: Horses

Hanging scroll showing grassy hills on rocks in front ofa lake or sea backed by a mountain landscape withbirds sailing at the summits. Two horses are grazingamong a willow tree.

2.000 € 3.000 €

- Page 106 / 156 -

Lot Limit Estimation164 张 ZHANG ZHI WAN ( 18111897 )

PaperChina, late Qing Dynasty (1645 1911)张绪,


Weight: 632 grams

Two hanging scrolls with Chinese calligraphy writing.

1.500 € 2.000 €

165 HETIAN JADE DEPICTING GUANYIN

JadeChina

Dimensions Height 11 cm by 6 cm

Weight: 190 grams

White Jade carving of the Bodhisattva Guanyin, hereseated, dressed in bulky robes with hair done up in achignon, holding a lotus flower in both her hands. TheBodhisattva of Compassion is backed by an aureole.

2.600 € 3.000 €

- Page 107 / 156 -

Lot Limit Estimation166 SEAL DEPICTING A FOX approx. ( 1781 1860 )

Shou shan stone sealChina, late Qing Dynasty (1645 1911)

Dimensions: Height 2,6 cm Width 4 cm Depth 4 cm

Weight: 110 grams

赵闲Seal cu�ng master: ZHAO CI XIAN(17811860)

Seal in amber colour carved in the shape of a foxresting curled up in a ball.

3.600 € 4.000 €

167 DOUBLE DRAGONS PLAYING A BALL ( 1879 1960 )

Shou shan stone sealChina, late Qing to Min Guo (19111949)

Dimensions: Height 5,3 cm Width 6,2 cm Depth 5,8 cm

Weight: 330 grams

Seal cu�ng master: WANG FUAN 18791960

Seal in amber colour with carving of two dragonsfrolicking and playing with the magical pearl.

4.400 € 5.000 €

- Page 108 / 156 -

Lot Limit Estimation168 DRAGON CARVING ( 1849 1902 )

Shou shan stone sealChina, late Qing Dynasty (1645 1911)


Weight: 220 grams

Seal cu�ng master: HUANG SHILING(18491902)

Seal of strong amber colour with carving of a dragonwith long body flying on clouds.

2.000 € 3.000 €

169 GODDESS GUANYIN

BronzeChina, Liao Dynasty (907 1125)


Weight: 205,4 grams

Guanyin or Avalokiteshvara seated in lotus position onan open lotus flower on a stand, holding a water vasein her hands resting in the lap. Dressed in a robe andcrowned with high tiara, the face is calm. The vase isone of the Eight Auspicious Symbols of Buddhism andcontains pure water able to relieve from suffering.

500 € 700 €

- Page 109 / 156 -

Lot Limit Estimation170 FOUR ARMED GUANYIN

BronzeChina, Qing Dynasty (1636 1911)


Weight: 947,8 grams

Fourarmed Guanyin Bodhisattva seated on a doublereverse lotus throne with beaded rim in lotus positionwith legs crossed, soles of feet showing. Dressed in aflowy robe, the torso adorned with jewellery. Twohands are joined together in front of the chest,praying, the others are lifted to the side showingdifferent mudras. The face has small features, headadorned with elaborate tiara encircling a small effigyof Amithaba Buddha.

1.500 € 2.000 €

171 AMITAYUS

Bronze firegiltTibet or China, Qian Long Period (1736 1796)


Weight: 836 grams

Buddha Amitayus seated crosslegged on doublereverse lotus throne with beaded rim. The bottom ofthe robe is fanning out underneath his anklesdecoratively. The two hands are placed in each otherin the lap, dhyana mudra, holding the Vase ofLongevity containing the Amrita nectar, therefor alsocalled Amrita Vase. He is adorned with lots ofjewellery, the high chignon and hair also decoratedwith a plaque and chains.

2.600 € 3.000 €

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Lot Limit Estimation172 FOURARMED GUANYIN

Bronze firegiltChina or Tibet, Qian Long Period (1736 1796)


Weight: 1184 grams

Fourarmed Guanyin Bodhisattva seated indhyanasana on a double reverse lotus throne withbeaded rim. Dressed in flowy robes tightened aroundthe waist with a scarf thrown over the shoulders andits two ends drooping over the front of the throne.Two hands are joined in front of the chest, anjalimudra, the other two are raised at the back holding alotus flower and prayer beads. The face has a calmexpression with downcast eyes, decorated with afivepointed tiara enclosing the head of AmithabaBuddha. Guanyin is the embodiment of compassion.

3.000 € 4.000 €

173 BUDDHA VAJRADHARA

Bronze firegiltTibet or China, Ming Dynasty (1368 1644)


Weight: 753 grams

Seated on a double reverse lotus throne with beadedrims in dhayasana, dressed in robe with ornamentalbrim and fastened around the waist with a doubledcord also spreading out underneath the ankles. Thetorso is adorned with many beaded necklaces, armlets,bracelets and the shoulders are also decorated withshoulder pads. The hands are crossed in front of thechest holding the temple bell ghanta and thunderboltvajra, vajramudra. His face is calm, elongated earlobeswith large pendants frame the face. A raised urna is inthe center on top of the eyebrows, the hair is visibleunderneath the elaborate tiara enclosing the chignontopped by a vajra prong. Vajradhara literally means"The VajraHolder" and is the primordial Buddha.

3.000 € 4.000 €

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Lot Limit Estimation174 LU DUAN BEAST

Gilt bronzeChina, Qing Dynasty (1636 1911)

Dimensions: Height 24 cm Width 42 cm Depth 10 cm

Weight: 3900 grams

Bronze sculpture of a mystical animal with the body ofa deer, called Lu Duan, seated on its hind legs, the tailof a horse waving at the back, the body is crouchingand the head turned towards its back with mouthagap, exposing the fangs. The beast has one horn andtwo small wings behind the front legs. The Lu Duan candetect every truth, can travel over great distances inshort time and speak all languages of the world. Duringthe Ming and Qing Dynasty many incense burners,seals and doorway statues were shaped like Lu Duans.

500 € 800 €

175 BRIDGEEAR BURNER

CopperChina, Early Qing Dynasty (1616 1661)

Dimensions: Height 10,5 cm Diameter 11,5 cm

Weight: 1341 grams

An incense burner of copper with two small handlesand Kufic script on the body. The Chinese knew aboutthe avid use of incense burners in the Arab world andalso exported their ware, decorating them with theKufic script.

1.000 € 1.200 €

- Page 112 / 156 -

Lot Limit Estimation176 INCENSE BURNER WITH DRAGON BADGING

BronzeChina, Middle Qing Dynasty (1661 1820)


Weight: 942 grams

Copper incense burner with three feet and twohandles attached on the lip.

Mindestpreis 2000,0000 Schätzpreis 3000,0000

2.000 € 3.000 €

177 XUAN DE INCENSE BURNER

BronzeChina, Middle Qing Dynasty (1661 1820)

Dimensions: Height 10,5 cm Diameter 13 cm

Weight: 1903 grams

Xuan De was the reigning emperor in the MingDynasty, their characteristic is their smooth, thickbodies which make them a heavy burner in the hand.Xuan De incense burners were only used for royalcourt and temples or bestowed on importantministers.

2.000 € 3.000 €

- Page 113 / 156 -

Lot Limit Estimation178 INCENSE BURNER WITH 16 CHARACTERS

BronzeChina, Early Qing Dynasty (1616 1661)


Weight: 1764 grams

A bowlshaped incense burner with two beastfaces onthe sides as handles.

2.000 € 3.000 €

179 BRIDGEEAR XUAN DE INCENSE BURNER

BronzeChina, early Qing Dynasty (1616 1661)

Dimensions: Height 12 cm including base Diameter15,5 cm


Incense burner with two handles extending from thelip and a decorative foot in ornamental shape.

4.000 € 5.000 €

180 FROG EAR FURNACE BOTTLE

BronzeChina, Qing Dynasty (1616 1661)

Dimensions: Height 12 cm Diameter 9,3 cm

Weight: 251 grams

Furnace bottle made of copper with belly and a widemouth, two frogshaped handles on the side.

500 € 800 €

- Page 114 / 156 -

Lot Limit Estimation181 FAMILY ROSE PORCELAIN PLATE

PorcelainChina, Qing Dynasty, Yong Zheng period (1722 1735)

Dimension: Diameter 21 cm

Weight: 396 grams

Porcelain plate decorated with lotus flowers andmandarin ducks in the center of the well, surroundedby a decorative band with floral patterns in light pink.The rim is decorated with The Eight Immortals on ablue background and a golden line on the edge.

700 € 1.000 €

182 STANDING BUDDHA

BronzeChina, Five Dynasties (907960) to Northren SongDynasty(960 1127)


Weight: 320 grams

Standing Buddha in Bronze in a flowy robe with largesleeves, the feet are sticking out at the bottom. Hisright hand is raised showing abhaya mudra, gesture offearlessness, the other is pointing the fingers to theground, varada mudra, gesture of dispensing of boons.The face is broad with a serious and calm expressionand slightly elongated earlobes. The voluminous hair isdone up in a bun and ushnisha. A raised urna is visiblein the center of the forehead.

200 € 400 €

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Lot Limit Estimation183 DHARMAPALA

BronzeChina, Yuan Dynasty (1271 1368)


Weight: 421 grams

Dharmapala standing on a base supported by a club orsword resting on the ground. He is holding a sword inhis hands, looking to the side. The body and look arecomparably human and normal thinking of their usualfearsome looks.

400 € 600 €

184 BOSHAN CENSER

BronzeChina, Western Han Dynasty (206 B.C. A.D. 24)

Dimensions: Height 41 cm Diameter 16 cm

Weight: 2093 grams

Boshan censers are common in the Han Dynastydepicting the mountain Bo, a mythical land ofimmortality. Typical is the round base with animals,like here. The body is decorated with an eternal knotpattern. The lid has the typical mountainshape withopenwork landscape designs, topped by a bird alsoserving as knob. When the incense was lit, the smokewould raise from the openwork lid, creating amountain covered in misty clouds.The idea of portraying a whole natural site in miniatureform dates back at least to the Han period where itwas associated with religious, folkloric and mysticalbeliefs belonging especially to Daoism.

600 € 800 €

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Lot Limit Estimation185 TEA BASIN

PorcelainChina , Qing Dynasty, Kang Xi period (16621722)


Weight: 226 grams

Underglaze technique with red glaze, shape of anapple with peony flower design on the body.

800 € 1.000 €

186 JADE BEAST

JadeChina, Six Dynasties (222 589)

Dimensions: Height 6,5 cm Length 6 cm

Weight: 165 grams

Chinese Jade carved in the shape of a fourfootedbeast with plump body, the mouth is slightly agap.Wings are carved into the sides of the body.

400 € 600 €

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Lot Limit Estimation187 BADGER

Hetian white JadeChina, Qing Dynasty (1616 1912)


Weight: 20 grams

White jade carving of a badger on a branch.

200 € 400 €

188 THUMB RING

JadeiteChina, Qing Dynasty (1636 1912)

Dimensions: Diameter 3 cm Height 2,5 cm

Weight: 30 grams

Broad thumb ring carved in Jadeite of translucentwhite and green colour.

200 € 400 €

- Page 118 / 156 -

Lot Limit Estimation189 BI CARVED DRAGON

JadeiteChina, The Western Zhou Dynasty (11th century 771B.C.)

Dimensions: Diameter 11,5 cm Depth 0,5 cm

Weight: 78 grams

A bi disc of light brown, white and dark brown colourwith ornamental carvings.

200 € 400 €

190 TURTLE DOVE

Hetian topazChina, The Western Han Dynasty (206 B.C.A.D. 24)

Dimensions: Height 4,5 cm Length 9 cm

Weight: 51 grams

Hetian topaz carved in the shape of a dove or bird.

400 € 600 €

- Page 119 / 156 -

Lot Limit Estimation191 GE KILN MALLET VASE

StonewareChina , Yuan Dynasty (1271 1368)

Dimensions: Height 12,5 cm Bore 4,2 cm

Weight: 321 grams

The Ge kiln is known for the wares it produced duringthe early Song dynasty, the exact location is stillunknown. Like this vase, glazes were often coveredwith fine cracks and were mooncoloured, pale blue,white grey or greenish yellow in colour.

400 € 600 €

192 DING KILN BUDDHA

StonewareChina, Five Dynasties (907 960)


Weight: 923 grams

Seated Buddha on a high, circular throne with lotuspetals, legs crossed, hands showing the abhaya andvarada mudra. The robe is loosely draped around theshoulders. The face is broad and smiling with downcasteyes, elongated earlobes. The urna is visible innegative relief, possibly a missing stone inlay. Theushnisha is relatively flat and broad.The Ding kiln in Hebei province produced whiteporcelain with elegant ivorywhite hue and wascounted one of the five classic wares of Song China.

400 € 600 €

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BronzeChina, Ming Dynasty (1368 1644)


Weight: 1250 grams

Manjushri seated on a lion laying prostrate on a lotusflower base. Manjushri Buddha is holding one handlifted in front of the chest with thumb and middlefinger touching. The other hand is lifted in front of hisbelly holding something, possibly an utpala flower. Heis wearing a robe over the shoulders, a broad bandaround the waist and decorative necklaces on thechest. The head is also elaborately adorned withflower earrings and a high tiara. The oval face is fleshyand has tiny lips, a pointy nose and downcast eyes.

400 € 600 €

194 GURU

BronzeChina, 18th century


Weight: 1650 grams

A Guru or Lohan seated on a podest. He is dressed inlarge robes with ornamental brim and floral pattern, acoat is draped over the shoulders and flowing to theground. One hand is holding the temple bell calledghanta, the other a round object. It might be thedepiction of a Tibetan monk. He is bald and he has afriendly and awake expression.

400 € 600 €

- Page 121 / 156 -

Lot Limit Estimation195 BOWL

Lemon yellow glazed porcelainChina , Qing Dynasty, Yong Zheng Mark (1722 1735

Dimensions: Height Diameter 15 cm

Weight: 241 grams

Yellow glazed bowl with small foot, inside white.

600 € 800 €

196 DOUBLE EAR CENSER

BronzeChina , Qing Dynasty, Kang Xi Period (1661 1722)

Dimensions: Height Diameter 17 cm

Weight: 2050 grams

Incense burner with broad foot, large belly and ears inshape of makara.

Mindestpreis 400,0000 Schätzpreis 600,0000

400 € 600 €

197 MANGERSHAPED CENSER

BronzeChina, Early Qing Dynasty (1616 1661)

Dimensions: Height Width 15 cm Depth 11 cm

Weight: 2200 grams

Bulky censer in geometrical shape standing on fourfoot with two handles on the side.

600 € 800 €

- Page 122 / 156 -


JadeChina, Qing Dynasty (1636 1912)

Dimensions:Inner Diameter 5,8 cmOuter Diameter 7,9 cm

Weight: 38,7 grams

Round bracelet carved from Jade in a translucentwhite, green and amber colour.

400 € 600 €

199 SMALL PLATE

Hetian JadeChina, Qin Dynasty (221 B.C. 206 B.C.)

Dimensions: Diameter 6,5 cm Depth 0,7 cm

Weight: 43 grams

Small ring with openwork extension on the top anddecorative carvings on the body.

400 € 600 €

- Page 123 / 156 -

Lot Limit Estimation200 DOU CAI LOTUS BOWL

PorcelaineChina, Qianlong Periode (1736 1796)


Weight: 82,2 grams

Dou cai describes the process of painting porcelainwith blue underglazed, then firing it and adding othercolours in overglazed enamels before firing it again.This bowl has a small foot, two thin lines in blue at thelip and on the bottom. The body is decorated withornamental shapes and a lotus flower in red, yellowand green glaze.

1.000 € 1.500 €

201 LONG QUAN KILN GALLSHAPED VASE

StonewareChina, The Southern Song Dynasty (1127 1279)

Dimensions: Height 15 cm Bore 4,8 cm

Weight: 356 grams

A vase from the Long Quan Kiln in Province Zhejiang, inceladon colour of a light olivegreen, no decoration.The celadon ware from this kiln draws its exquisitenessfrom the glaze itself and the shape.

400 € 600 €

- Page 124 / 156 -

Lot Limit Estimation202 GUISHAPED CENSER

TBronzeChina, Qing Dynasty (1644 1911)


Weight; 545 grams

This censer resembles the guivessels from the Shang(18 12 ct BC) and Zhou (111 255 BC) periods, with awide mouth, a ring base and a bowlshaped body. Thebase and body are decorated with Taotiepatterns,two handles on the side. The gui formerly served as afood container but was later used as funerary utensil.

400 € 600 €

203 WATERING POT

Teaflake glazedChina, Qing Dynasty, Yong Zheng period 17221735)

Dimensions: Height 25,5 cm Bore 7 cm

Weight: 1249 grams

Beautiful watering pot with big belly with decoration inshape of elongated lotus petals and band in the center.

800 € 1.000 €

- Page 125 / 156 -

Lot Limit Estimation204 TEA CUP

Jun kilnChina, Jin Dynasty (1115 1234


Weight: 120,7 grams

Jun ware is one of the Five Great Kilns of Song Dynasty.The most striking are the blue and purple glazedwares, often a splash of purple on blue, as is the casewith this tea cup.

600 € 800 €

205 TRIPOD CENSER

Gilt bronzeChina, by Qian Long's workshop (1736 1796)

Dimensions: Height 12 cm Bore 8 cm

Weight 900 grams

Pompous tripod censer in gold and brown or black. Thehandles are two mystical lion faces with a ring danglingin their mouth. The body consists of panels, eachshowing relief decoration of flowers, birds and the like.The lid is formed by a golden band with endless knotdecoration, openwork clouds where the smoke canescape through and the knob formed by a sitting shishior foo dog.

1.600 € 1.800 €

- Page 126 / 156 -


JadeiteChina, Min Guo Period (1912 1949)

Dimensions: Diameter 6 cm

Weight: 80 grams

Bracelet made of radiant green Jadeite.

600 € 800 €

207 BOWL

BowlChina, Ming Dynasty, Jia Jing Period (1522 1566)


Weight: 443 grams

Small bowl with blue and red underglaze painting, anornamental band at the lip in blue, a thin line on thebottom and clouds painted in blue. Frolicking dragonsare painted in red underglaze.

600 € 800 €

- Page 127 / 156 -

Lot Limit Estimation208 GLOBULAR SHAPED VASE

Red glazed porcelainChina, Middle Qing Dynasty (1728 1820)


Weight: 499,4 grams

Beautiful vase with round belly and thin neck in deepred glaze.

600 € 800 €

209 DRAGON BOWL

Dou caiChina, Qing Dynasty, Yong Zheng mark (1723 1735)


Weight: 156,4 grams

Small bowl with glaze painting of a dragon frolickingwith a pearl among clouds.

600 € 800 €

- Page 128 / 156 -

Lot Limit Estimation210 BRUSH POT

PorcelainChina, 3rd year of XUAN TONG (1911)


Weight: 229,4 grams

White brush pot with Chinese script in black colourwritten all over the body.

200 € 400 €

211 GARLIC HEAD SHAPED VASE

Flambé glazedChina, Qian Long period (1736 1796)

Dimensions: Height 30 cm Bore 4,5 cm

Weight: 1291 grams

Deepred glaze slashed with purple colour.

600 € 800 €

- Page 129 / 156 -

Lot Limit Estimation212 BOTTLE FOR BUDDHIST RELICS

SilverChina, Tang Dynasty to the Five Dynasties (618 960)


Weight: 93 grams

Small bottle on foot, round belly, slim neck, broader lipand the lid is made from six rings. The foot isdecorated with raised lotus flower petals, the body isdecorated with the image of a seated Buddha.

800 € 1.000 €

213 BOTTLE FOR BUDDHIST RELICS

SilverChina, Five Dynasties (907 960)


Weight: 61 grams

Small bottle with tiny foot. The bottom of the bottle isdecorated with raised reversed lotus petals, followedby a ring. The body is decorated with a lotus flower.The neck is slim. The lid of the bottle has the shape ofa blossom with a stem in the center serving as knob.

800 € 1.000 €

- Page 130 / 156 -

Lot Limit Estimation214 BEAST

Hetian white jadeChina, Song Dynasty (960 1279)

Dimensions: Height 3,3 cm Length 5,1 cm

Weight: 80 grams

Small fanged beast carving, possibly the depiction of abear or tiger.

600 € 800 €

215 MOUNTAIN

Dehua kiln blue glaze porcelainChina, late Ming to early Qing (circa 1630 1650)


Weight: 286 grams

The kilns of Dehua are most popular for their whiteporcelain ware but they also produced underglaze blueware. Their ware arrived in Europe in the 18th centuryand was copied by Meissen and others. This exampleshows a crooked mountain on a rectangular base. Thecolour is white and blue and fine cracks cover theporcelain.

200 € 400 €

- Page 131 / 156 -

Lot Limit Estimation216 PLATE DEPICTING DRUNKY LI BAI

Hetian white jadeChina, Qing Dynasty (1636 1912)


Weight 49 grams

White plate or amulet with Chinese inscription.

400 € 600 €

217 PRUNUS VASE

Blue and white porcelainChina, Qing Dynasty, Yong Zheng period (1723 1735)


Weight: 156,9 grams

White vase with scene in blue underglaze of twoelderly men standing underneath a large tree andwillow, talking to each other.

600 € 800 €

- Page 132 / 156 -

Lot Limit Estimation218 LIDDED JAR

Famille rose porcelainChina, Qing Dynasty, Qian Long period (1736 1795)


Weight: 212,8 grams

Jar with extending foot with openwork ornaments ingold. The body is painted with two men, one holding astick or fly whisk, the other a scroll. Behind them is anatural landscape. The lid with knob is also painted.

600 € 800 €

219 GREEN TARA

Gilt bronzeChina, Ming Dynasty, Yong Le mark (1403 1424)


Weight: 597,6 grams

Seated Tara on double reverse lotus base with beadedrims. She is seated with her right foot supported by alotus flower stemming from the base, her other footdrawn to her body. She is wearing a long wavygarment on her legs fastened by a festooned beltaround the hips. Her right hand is showing the gesturedispensing of boons, the other is lifted in front of herheart with thumb and ring finger touching. A lotusflower is growing from each of her hand palm. Hertorso and arms are decorated with lots of jewelleryand chains. Her head is looking to the right side,wearing ear pendants and a fivepointed tiaraenclosing her chignon.

200 € 400 €

- Page 133 / 156 -

Lot Limit Estimation220 PLATE

Famille rose porcelainChina, Qing Dynasty, Yong Zheng period (1725 1735)


Weight: 38,6 grams

White porcelain plate with paintings of differentflowers, leaves and a butterfly in light pink on the top.

100 € 200 €

221 BO GU PLATE

Ironred glazedChina, Qing Dynasty, Dao Guang period (1820 1850)


Weight: 145 grams

Red Bo Gu Porcelain plate with lively scene of a manand children. Also in the picture is a table with jars andpaper scrolls, flower pots and lanterns. Another tablewith a bowl filled with fruit. Two small bats as goodluck symbol at the top. One boy is playing with a smalldragonlike animal.

300 € 500 €

- Page 134 / 156 -

Lot Limit Estimation222 WENCHANG EMPEROR

PorcelainChina, Ming Dynasty, He Chao Zong mark (17 ct.)


Weight: 1082 grams

Wenchang is the God of Culture and Literature andusually depicted as an elderly scholar. Here he isseated on a stool, his pointy shoes are sticking outunderneath the flowy garment also covering his leftarm. His big belly is portruding and framed by a bandwith restgold painting. He is holding a ruyi scepter inhis right hand. His head is dressed with the headdressof a Chinese scholar.

200 € 400 €

223 WATER MAN WITH BOY

Hetian jadeChina, late Ming and early Qing (1600 1644)


Weight: 60 grams

A man holding a bird in his hand, while a little boy isclinging to the man on the side, also touching the bird.The man's shoulders are burdened with water bags.

1.600 € 2.000 €

- Page 135 / 156 -

Lot Limit Estimation224 LYING HORSE

Hetian jadeChina, Qing Dynasty, Qianlong period (1736 1795)


Weight: 20 grams

Jade carving of a prostrate horse with its head turnedto its rear.

1.200 € 1.500 €

225 CUP

Dang Yang Yu oil droplet cupChina, Song Dynasty 9601279)


Weight: 182,9 grams

Beautiful cup with tiny foot in black colour with brownsplashes.

400 € 600 €

- Page 136 / 156 -

Lot Limit Estimation226 EWER

Purple gold glazed porcelainChina, Ming Dynasty, Xuan de period (1426 1435)


Weight: 510 grams

An ewer of brown colour with white circles on the top.The body is decorated with halfcircles in differentbrown shades.

600 € 800 €

227 LONG QUAN GUISHAPED BURNER

PorcelainChina, The Southern Song Dynasty (1127 1279)


Weight: 1032 grams

Vessel in pale blue colour with two handles.

400 € 600 €

- Page 137 / 156 -

Lot Limit Estimation228 DOUBLEGOURD SHAPED VASE

Blue and white porcelainChina, Ming Interregnum period (1436 1464)


Weight: 1922 grams

Vase with many floral and geometrical decorations butalso depictions of humans in a natural landscape.

600 € 800 €

229 STAFFSHAPED VASE

Blue and white porcelainChina, Qing Dynasty, Kang Xi period (1662 1722)


Weight: 4730 grams

Large vase with blue glaze showing a landscape with apeasant on a little raft boat navigating his way on theriver through rocky cliffs. The neck is slimmer withgeometrical decoration and ornamental band above it.The lip of the vase again is broader than the neck.

2.000 € 3.000 €

- Page 138 / 156 -

Lot Limit Estimation230 MAN WITH CUP

Gilt bronzeChina, Ming Dynasty (1368 1644)

Dimensions: Height 5 cm Width 6,8 cm

Weight: 100 grams

Bronze of a man in simple robe holding a large cupwith ornamental decoration on the body.

600 € 800 €

231 MYSTICAL BEAST

Hetian JadeChina, Yuan Dynasty (1271 1368)

Dimensions: Height 6 cm Length 8,5 cm

Weight: 200 grams

A mystical beast with hoofed legs, horse tail, mane andears lying prostrate with its head turned towards itsrear. The colour is mainly black with a hue of whiteand grey on the bottom.

600 € 800 €

- Page 139 / 156 -

Lot Limit Estimation232 PLATE DEPICTING DRAGON CARRYING PLANT

Hetian JadeChina, Ming Dynasty (1368 1644)

Dimensions: Diameter 6,5 cm

Weight: 95,4 grams

Small circular plate with a dragon carrying a flower inits mouth.

200 € 400 €

233 GOBLET

Blue and white porcelainChina, Yuan Dynasty (1271 1368)


Weight: 168 grams

Goblet with high foot, main colour in white, floraldecorations in underglaze blue all over the body andinside. The foot is mainly white with small wshapedpaintings on the bottom.

200 € 400 €

- Page 140 / 156 -

Lot Limit Estimation234 SET OF BOWLS

Pair of blue and white porcelainChina, Qing Dynasty, Qianlong period (1736 1795)


Weight: 346,9 grams together

Small delicate white bowls with architecturallandscape painting.

200 € 50 €

235 SITTING BUDDHA

BronzeChina, Xinjiang Region, Sixteens Kingdom period (303 439)


Weight: 119 grams

Seated Buddha on a lotus throne with three rims, hisleft leg pendent, the right leg drawn to his body. Hisleft elbow is resting on the knee with hand palm facingthe ground. The other hand is raised with thumb andindex finger touching. His robe is flowy and exposingthe torso. He is wearing a necklace, earrings and a hightiara. He is surrounded by a flaming aureole. Thebronze is attached to a wooden plinth.

6.400 € 7.000 €

- Page 141 / 156 -

Lot Limit Estimation236 TEMPLE LION

BronzeNepal , 18th century


Weight: 589,7 grams

Beautifully crafted temple lion standing on four legswith ornamental decorations over its whole body. Themouth is agape with protruding tongue and a lushmane covers the head. The tail is curled up andattached to the back. Usually temple lions come in setsof two, one female and one male lion. They are placedat entrances as guardians.

100 € 150 €

237 STANDING PADMAPANI

BronzeNepal, 19th century


Weight: 2.365 grams

A standing Padmapani on a doublereverse lotus basewith beaded rim and flat backside. The Bodhisattva ofCompassion can be translated as "the lotus holder"and is like here depicted with lotus flowers. Padmapaniis wearing a beautiful dhoti with beaded garlandsattached at her hip with an ornate waistband. Herright arm is lowered to her side with the palm facingthe front, varada mudra the gesture of generosity. Theother hand is lifted in front of the chest holding thestem of a lotus. The upper body is also adorned withjewellery. The head is slightly tilted to the left andadorned with an intricate headdress. The expression isfriendly.

200 € 300 €

- Page 142 / 156 -

Lot Limit Estimation238 DVARAPALA OR GUARDIAN GODDESS

Grey StoneNepal, 18th century


Weight: 1.382 grams

Dvarapala means "door/gate guardian" and iscommonly armed with a gada or mace, like here. It isoften found in architectural spaces all over Hindu,Buddhist, Jaina as well as Java cultures. Here theguardian is depicted in a wide stance with left kneebent standing on a lotus base. The left hand is raisedwith thumb and ring finger touching, while the other isholding the mace in front of his legs. The guardian iswearing a striped dhoti and a lamellar armour withfringes on the bottom. The head is adorned with afivepointed crown and beaded top. Large circularpendants hang on the elongated earlobes. The roundface resembles a human with bulging eyes but has afriendly expression. The Dvarapala is surrounded by afiery pointed aureole. The back is flat.

600 € 800 €

- Page 143 / 156 -


Grey stoneNepal, 18th century


Weight: 1.334 grams

The Bodhisattva of Wisdom is seated in lotus pose on alotus throne and surrounded by a pointed flaminghalo. Manjushri is considered a fully enlightenedBuddha in Vajrayana Buddhism and usually depictedwielding a flaming sword symbolizing transcendentwisdom with which he cuts down ignorance. The otherlifted hand is holding the vajra (dorje in Tibetanlanguage), the symbol of Vajrayana and a ritualweapon resembling a diamond and a thunderbolt inunion. The other left hand is raised in front of thechest with thumb and ring finger touching, while theright hand is holding a lotus flower while resting on theknee. A striped dhoti covers the legs and a thin scarf ishanging from the shoulders around the arms. Thechest is adorned with necklaces and the head is tiltedto the right with a serious expression, ear pendantsand a tiara on the head. An additional, smaller pointyaureole surrounds the head. The backside is flat.

400 € 600 €

- Page 144 / 156 -

Lot Limit Estimation240 GARUDA

Grey stoneNepal, 18th century

Dimensions: 14,5 cm by 11 cm

Weight: 628,7 grams

Garuda is a deity of halfbird and halfhuman body andworshipped in Indian, Jain and Buddhist religion.Garuda is also the mount or vehicle (varada) of Vishnu.He represents birth and heaven and conqueror oversnakes. This Garuda is standing widelegged on a lotusbase, trampling on two snakes. His two arms arewidely spread, a pair of wings also spread from hisback. The deity is wearing a short cloth and a platedarmour with necklaces and armlets. The face is fiercewith a spiky mane, a tiara with a crescent moon andlotus bud decorates his head. He is surrounded by apointy flaming halo. The backside is flat.

300 € 500 €

241 TEMPLE LION

BronzeNepal, 18th century


Weight: 465,2 grams

Beautifully crafted temple lion standing on four legswith ornamental decorations covering its whole body.The mouth is agape with protruding tongue and a lushmane covers the head. The tail is curled up andattached to the back. Usually temple lions come in setsof two, one female and one male lion. They are placedat entrances as guardians in a vast area reaching fromChina to Japan, over Taiwan, South East Asia to SriLanka. They are sometimes also referred to as StoneLions, Shishi or Foo Dogs.

300 € 500 €

- Page 145 / 156 -

Lot Limit Estimation242 DELICATE BASE WITH HORSES

BronzeNepal, 13th to 14th century


Weight: 361 grams

Here we see a base step with seven horses and threeriders. This is probably a depiction of the Sun GodSurya, usually depicted with a sevenhorse chariot,flanked by two disciples. The Sun God is sitting on thecenter horse, while the two disciples are both standingin wide stance supported by two horses in a dynamicmovement. Details of the faces and attributes arehardly visible due to wear and patina.

800 € 1.200 €

- Page 146 / 156 -

Lot Limit Estimation243 NAMASANGHITI



Weight: 2811 grams

Manjushri Namasanghiti is a very rare form and onlyfound in Nepal, here seated crosslegged on a plinth.Three lotus flowers are sunken into the ground beforehim. The Buddha has twelve arms. The lowest pair isresting in the lap holding a bowl with amrita nectar.The second pair of hands gesture tarpana mudrasprinkling ambrosia into the bowl. The third pair inabhaya mudra is raised in front of the chest. supportsthe bowl in his lap. The fourth pair is holding a mudrawith thumb and small finger touching. The fifth pair isalso outstretched with rounded hands, thumbtouching index finger. The sixth pair is joined abovethe head in uttarabodhi mudra, gesture ofenlightenment. The Buddhas head is relatively smallwith fine facial features, almost closed eyes and with apeaceful expression. The head is adorned with anelaborately designed crown. The whole body is alsoadorned with jewellery, which is highlighted withstone inlay. This bronze piece is of rare and delicatequality.

1.500 € 2.000 €

- Page 147 / 156 -

Lot Limit Estimation244 GANESHA

StoneWesternHimalaya, 17th century or earlier


Weight: 4570 grams

A stone figure of Ganesha with parts of trunk, arm andleg missing. The remover of obstacles and mostworshipped god in India is seated on a double reverselotus throne with a closed aureole with pointy top. Theelephantking is seated on a lion, dressed in a shortcloth drooping from his waist, exposing his big roundbelly decorated with beaded chains. In the threeremaining hands he is holding a noose, a broken tuskand the battle axe. The face is long, the trunk curlingon the right side, small ears, open eyes. He is wearing apointy headdress or crown. The back is without design.

1.500 € 2.000 €

245 NAMASANGHITI

Clay mold or TsaTsaNepal, 18th century


Weight: 1153 grams

A depiction of the rare Namasanghiti form ofManjushri, seated crosslegged on a double reverselotus base with beaded rim, a pointy aureole at theback. One pair of hands is holding a cup in the lap,another is pouring the nectar into the cup. A third pairof hands is lifted in front of the hear, one with back ofhand and one with palm facing out. The other two pairof arms are fanning out to the side, holding a bow andarrow and a sword and mace. The last pair of hands isjoined together above the hand showing uttarabodhimudra, gesture of enlightenment. The Buddha iscrowned with a tiara, the hairbun is topped by adiamond. The backside is flat.

400 € 600 €

- Page 148 / 156 -

Lot Limit Estimation246 SHIVA SITTING ON ANIMAL



Weight: 83 grams

Bronze of Shiva seated on a bull prostrate onopenwork lotus throne. Shiva has four arms, twolifted to the sides, one in front of the chest gesturing amudra and another one resting on his knee holdingsomething. His head is backed by an aureole. Thebronze figure shows heavy ruboff which suggests aviduse possibly as talisman.

700 € 900 €

247 STANDING VISHNU

Bronze firegiltNepal, 16th century



Standing Vishnu attached to plinth with four armsholding attributes, like flower, conch shell, discus andmace wearing a long dhoti with floral pattern andloose ends on the sides. The sacred thread or upavitaencircles the torso also decorated with a necklace. Thearms are also adorned with armlets and bracelets, alarge tiara and ear pendants decorate the head. Theface is serene and friendly with halfclosed eyes, araised urna between the eyebrows. The head is backedby a flaming aureole.

Provenance:Ex Dutch collectionEx Pollak Collection Amsterdam

2.000 € 3.000 €

- Page 149 / 156 -

Lot Limit Estimation248 LARGE SITTING BUDDHA

BronzeThailand, 14th to 15th century, Ayutthaya U Thong 1Style


Weight: 8.895 grams

This statue is an exquisite example of the U Thongstyle, which flourished between the 1215th century.These include the hairline between the forehead andcurls, a rather square face, fingers of different length, asimple concave base, the robe ends in a long flap overthe left shoulder. The ushnisha is an elongated flame, acharacteristic of later U Thong style. The expression isstern with big lips and a prominent nose. Most UThong sculptures are shown in this position, calling theearth to witness or subduing Mara, otherwise alsostanding with the hands in the gesture of dispellingfear.

3.000 € 3.500 €

249 BUDDHA IN MEDITATION

BronzeThailand, 16th century , Sukothai Influence


Weight: 857,5 grams

Sukothai influence is drawn from Ceylon with sinuouscurves and rounder shapes. This Buddha is seated inlotus position on a simple concave base with handsresting in his lap in meditation. A robe is draped overthe left shoulder. The head is oval and fleshy with asmall face, but eyelids unusually oval. Necklines and achin line create a stout image. The ears are elongatedand small curls cover the head with ushnisha toppedby a flame. The statue is sealed at the bottom.

2.000 € 2.500 €

- Page 150 / 156 -

Lot Limit Estimation250 CROWNED BUDDHA

Silver repousse around clay, inscribed and datedCambodia , 2442 = 1899


Head slightly cracked

Weight 1085,8 grams

A triangularshaped lotus base with four differentlydecorated tiers and a carpet in the center. The Buddhais seated in lotus pose gesturing the bhumipharsamudra, calling the earth to witness. The whole body isdressed with ornamented fabric with various patternsand crossed belts covering the chest with a centralchestplate. The expression is meditative and serious.The head with tiny curls is covered by a headdress withgeometric shapes topped by a threestepped ushnishaand flame finial. The back has a Cambodian inscriptionwith the Buddhist year 2442.

900 € 1.200 €

251 HEAD OF FEMALE DEITY

Volcanic stoneIndonesia, 9th century

Dimensions: Height 16 cm by 9 cm without base

Weight: 751 grams without base

This head of a deity is made of Andesite and shows around, fleshy face with thick lips, a high forehead,broad nose and downcast eyes. The expression isfriendly and calm and the deity is wearing a headdresswith a floral decor in the center. The backside is flat.

Provenance: Michael Phillips Collection since 1960's

1.600 € 200 €

- Page 151 / 156 -


BronzeJava, 12th century


Weight: 592 grams

Green Tara, probably the most popular of the 21different emanations of Tara, is here seated on asquare base with reverse lotus petals, one foot drawnto the body and the other supported on an extra lotusflower stemming from the base. Her right hand isplaced on the leg with palm facing up showing thevarada mudra and a little object, possibly a lotusflower seed. The other hand is lifted in front of theheart holding the stem of a lotus flower betweenthumb and middle finger. She is dressed in a stripeddhoti fastened with a waistband, her torso is adornedwith armlets, a big necklace and bracelets. Big earpendants hang down onto her shoulders, a large tiarawith dangles sits on her head enclosing the chignonwith flaming top.

600 € 800 €

- Page 152 / 156 -

Lot Limit Estimation253 BUDDHA ON LIONBASE

BronzeKashmir or WestTibet, 12th century


Weight: 604 grams

This Buddha on a lotus base from the Kashmir orWestTibetan region is seated on a square thronesupported by lions. Seated crosslegged and showingthe dharmachakra mudra, meaning the turning of theDharma Wheel, teaching the Dharma. The Buddhistgod is dressed in a simple robe draped over his leftshoulder. The face is smiling lightly, the eyes aredowncast, a welcoming expression. Tiny curls coverthe head and ushnisha.

800 € 1.200 €

254 BUDDHA IN PREACHING MUDRA

Bronze with silver inlaysKashmir or Gandhara, 12th century


Weight: 405 grams

A Buddha seated in lotus position on a round lotusthrone, the hands gesturing the teaching of theDharma or turning the Dharma Wheel, dharmachakramudra. The preaching god is dressed in a fine, stripedrobe which is fanning out under his ankles and it iscovering his shoulders. The face is oval with a gentlesmile and almondshaped eyes with a piercing gazeand a snub nose, giving this Buddha a childlike look.The earlobes are slightly elongated. The curls of thehead are arranged in lines and the ushnisha formedlike two round discs on top of each other. The base ishollow.

800 € 1.000 €

- Page 153 / 156 -

Lot Limit Estimation255 MASK OF SHIVA

BronzeKashmir or WesternHimalaya, 15th century


Weight: 1867 grams

Mask attached to a square surface showing a fierceversion of Shiva with a broad nose, large, bulging eyes,angry eyebrows, elongated earlobes. The mouth isslightly opened and the teeth are showing. A third eyeis in the center of the forehead and thin hairlines arecarved in. The mask is hollow.

1.000 € 1.200 €

256 STANDING TARA

SilverKashmir or WesternHimalaya, 10th century


Weight: 278 grams

Standing Tara on a square plinth, slightly bent to theleft. She is dressed in a long garment. She is holdingtwo objects, and is wearing jewellery like earrings anda high tiara. There is a small metal loop on her back,possibly to be worn as an amulet.

500 € 700 €

- Page 154 / 156 -

Lot Limit Estimation257 PENSIVE BODHISATTVA

Bronze with inlaysKashmir, 7th to 8th century


Weight: 5400 grams

Bodhisattva seated on a square base with his rightankle resting on his left thigh. The left hand is placedon the waist. The right elbow is placed on the rightthigh, the hand is lifted towards the sky with slightlybent fingers, as if about to rest his right cheek in it,thinking. The head is tilted to his right side and theexpression is calm, lost in thought. The eyes areslightly closed and have a dreamy look, with silverinlay. The Bodhisattva is dressed in a simple garmentwith a decorative brim, the bottom fanning out anddrooping over the seat. A long necklace adorns thechest. The head is decorated with a high tiara with aseated Amithaba effigy. The back of the statue is keptsimple, the open hair is falling on the shoulder.

4.000 € 5.000 €

- Page 155 / 156 -


Bronze with silver and copper inlaysKashmir, 11th century


Weight: 356 grams

Manjushri seated on a waisted double reverse lotuspose attached to a square wooden plinth. Seated withlegs crossed and dressed in striped dhoti fastenedaround waist with belt. The chest is bare and onlydecorated with a necklace with tiger claw pendant, agift parents gave their children as talisman. A thin scarfis billowing around his arms. He is holding the sword tocut ignorance in his right hand, the other is holdingsomething small and is close to the waist. Behind hisbody and his head are two separate aureoles withopenwork flames. The large eyes of Manjushri have apiercing gaze with silver inlay, a raised silver urnabetween the eyebrows. Small braids hang down theforehead and are done up in a ponytail, enclosed by atiara.

10.000 € 12.000 €

- Page 156 / 156 -

Lot Limit Estimation259 BEG TSE CHEN

Bronze firegiltMongolia, 18th century Zanabazar


Weight: 793 grams

This armoured god of protection, whose name Begtsemeans "concealed coat of mail" is brandishing a swordwith his right hand while his left holds a bow andarrow and a lance with a triangular pennant.The backside of the sword might have been in scorpionshape. Begtse’s facebears an extremely wrathful expression, includingfeatures that compare well to eighteenthcenturycentralTibetan paintings of this deity. However, thefacial features, stylized hair, and strongrelationship to the region, all suggest that thissculpture is Mongolian in origin.

compare: "The Mongols" page 94 and 95

6.000 € 8.000 €

260 STANDING BUDDHA

Bronze with traces of gildingCeylon, 12th century or earlier


Weight: 341 grams

Buddha standing on a circular base of larger andsmaller lotus petals with rim. Both hands are raised,the right hand flat with fingers pointing to the sky, theleft hand is drawn to a fist. A simple patternless robedraped over the left shoulder exposing the rightshoulder, the edge of the robe dangling on theBuddha's left side. The Buddhist god has a broad neckand round face, the eyes are closed as if in meditation.Elongated earlobes frame the face. The curls on thehead are almost rubbed off, a diamond jewel as theushnisha. The bronze has a heavy patina.

1.000 € 1.200 €

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1. Das Auktionshaus handelt im Namen und für Rechnung seiner Auftraggeber (Einlieferer).

Die Versteigerung erfolgt zu den nachstehenden Bedingungen, die durch die persönliche,

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trennen, außerhalb der Reihenfolge auszubieten oder zurückzuziehen.

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und geprüft werden. Die Sachen sind gebraucht. Sie werden in dem Zustand zugeschlagen, in

dem sie sich zum Zeitpunkt des Zuschlags befinden. Die nach bestem Wissen und Gewissen

vorgenommenen Katalogangaben sind keine vertraglichen Beschaffenheitsangaben oder

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er die ihm obliegenden Sorgfaltspflichten erfüllt hat. Er erklärt sich jedoch bereit, ihm

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beträgt die Verjährungsfrist zwölf Monate vom Zeitpunkt des Zuschlags an. Eine

Rückabwicklung setzt aber jedenfalls voraus, dass der ersteigerte Gegenstand sich in

unverändertem Zustand seit der Versteigerung befindet.

4. Jeder Bieter hat vor Beginn der Auktion seinen Namen und seine Anschrift anzugeben.

Dies gilt auch, wenn er sich als Vertreter an der Auktion beteiligt. In diesem Fall hat er

zusätzlich Namen und Anschrift des Vertretenen anzugeben. Im Zweifel erwirbt der Bieter im

eigenen Namen und auf eigene Rechnung.

Jeder Bieter hat vor Beginn der Auktion auf Aufforderung ein Bargeld-Depot zu hinterlegen.

5. Um die Ausführung schriftlicher Gebote sicherzustellen, müssen diese auf dem dafür

vorgesehenen Formular - mindestens 24 Stunden vor Beginn der Auktion beim Auktionshaus

eingehen. Der Bieter ist für den Zugang beweispflichtig. Zur wirksamen Abgabe eines

schriftlichen Gebotes ist die genaue Angabe der Person oder Firma des Bieters sowie der

Lot-Nummer erforderlich. Mit der Abgabe des Gebots muss eine Telefonnummer angegeben

Versteigerungsbedingungen

1. Das Auktionshaus handelt im Namen und für Rechnung seiner Auftraggeber (Einlieferer).

Die Versteigerung erfolgt zu den nachstehenden Bedingungen, die durch die persönliche,

schriftliche, telefonische oder online Teilnahme per Internet an der Versteigerung anerkannt

werden.

2. Der Versteigerer behält sich das Recht vor, Nummern des Katalogs zu vereinen, zu

trennen, außerhalb der Reihenfolge auszubieten oder zurückzuziehen.

3. Sämtliche zur Versteigerung kommenden Gegenstände können vor der Auktion besichtigt

und geprüft werden. Die Sachen sind gebraucht. Sie werden in dem Zustand zugeschlagen, in

dem sie sich zum Zeitpunkt des Zuschlags befinden. Die nach bestem Wissen und Gewissen

vorgenommenen Katalogangaben sind keine vertraglichen Beschaffenheitsangaben oder

Garantien im kaufrechtlichen Sinne. Auf Wunsch des Interessenten abgegebene

Zustandsberichte (Condition Reports) dienen nur der näheren Orientierung über den

Äußeren Zustand des Objekts nach Einschätzung des Versteigerers. Der Versteigerer

übernimmt gegenüber einem Käufer, der Unternehmer ist keine Haftung für Mängel, soweit

er die ihm obliegenden Sorgfaltspflichten erfüllt hat. Er erklärt sich jedoch bereit, ihm

rechtzeitig vorgetragene, begründete Mängelrügen dem Einlieferer bekannt zu geben; dabei

beträgt die Verjährungsfrist zwölf Monate vom Zeitpunkt des Zuschlags an. Eine

Rückabwicklung setzt aber jedenfalls voraus, dass der ersteigerte Gegenstand sich in

unverändertem Zustand seit der Versteigerung befindet.

4. Jeder Bieter hat vor Beginn der Auktion seinen Namen und seine Anschrift anzugeben.

Dies gilt auch, wenn er sich als Vertreter an der Auktion beteiligt. In diesem Fall hat er

zusätzlich Namen und Anschrift des Vertretenen anzugeben. Im Zweifel erwirbt der Bieter im

eigenen Namen und auf eigene Rechnung.

Jeder Bieter hat vor Beginn der Auktion auf Aufforderung ein Bargeld-Depot zu hinterlegen.

5. Um die Ausführung schriftlicher Gebote sicherzustellen, müssen diese auf dem dafür

vorgesehenen Formular - mindestens 24 Stunden vor Beginn der Auktion beim Auktionshaus

eingehen. Der Bieter ist für den Zugang beweispflichtig. Zur wirksamen Abgabe eines

schriftlichen Gebotes ist die genaue Angabe der Person oder Firma des Bieters sowie der

Lot-Nummer erforderlich. Mit der Abgabe des Gebots muss eine Telefonnummer angegeben

werden, unter welcher der Bieter regelmäßig zu erreichen ist. Das Gebot beschränkt sich

ausschließlich auf die angegebene Lot-Nummer. Schriftliche Gebote werden vom

Auktionshaus nur mit dem Betrag in Anspruch genommen, der erforderlich ist, um ein

anderes abgegebenes Gebot zu überbieten. Voraussetzung für die telefonische Teilnahme ist

eine schriftliche Anzeige, die spätestens 24 Stunden vor Beginn des Auktionstages beim

Auktionshaus eingeht. Das Auktionshaus übernimmt keine Haftung für das

Zustandekommen oder die Aufrechterhaltung von Telekommunikationsverbindungen sowie

die ordnungsgemäße Übermittlung und den rechtzeitigen Zugang von Onlineangeboten an

das Auktionshaus. Maßgeblich für die Versteigerung bzw. deren Ablauf ist das Saalgeschehen

(z.B. hinsichtlich Berichtigungen gem. Ziffer 1 b). Verbindlich sind lediglich die im Saal

abgegebenen Gebote.

Das Auktionshaus kann Gebote bei Vorliegen sachlicher Gründe ablehnen. Dies gilt

insbesondere, wenn Bieter auf Verlangen des Auktionshauses keine ausreichenden, dem

Wert des Gebots entsprechende Sicherheiten vor der Auktion erbringen können. Bei

Ablehnung eines Gebots bleibt das unmittelbar zuvor abgegebene Gebot verbindlich.

6. Der Zuschlag erfolgt nach dreimaligem Ausruf an den Höchstbietenden. Der Versteigerer

kann den Zuschlag verweigern oder unter Vorbehalt erteilen; in letzterem Fall bleibt der

Bieter 2 Wochen an sein Gebot gebunden. Wenn mehrere Bieter das gleiche Gebot abgeben

und nach dreimaligem Ausruf kein höheres Gebot erfolgt, entscheidet das Los. Der

Versteigerer kann den Zuschlag zurücknehmen und den Gegenstand erneut ausbieten, wenn

irrtümlich ein rechtzeitig abgegebenes höheres Gebot übersehen worden ist oder wenn der

Höchstbietende sein Gebot nicht gelten lassen will oder sonst Zweifel über den Zuschlag

bestehen.

7. Der Versteigerer darf für den Einlieferer bis zum vereinbarten Mindestverkaufspreis

(Limit) auf das Lot bieten, ohne dies anzuzeigen und unabhängig davon, ob andere Gebote

abgegeben werden oder nicht. Zum Schutz des eingelieferten Objekts kann der Versteigerer

den Zuschlag unterhalb des Limits an den Einlieferer erteilen; in diesem Falle handelt es sich

um einen Rückgang.

8. Gebote können vor der Auktion in schriftlicher Form oder per Email abgegeben werden.

Sie werden vom Versteigerer nur in dem Umfange ausgeschöpft, der erforderlich ist, um

anderweitige Gebote zu überbieten.

9. Auf Lots die mit einem (R) gekennzeichnet sind, wird auf den Zuschlagpreis ein Aufgeld

von 28 % erhoben und auf die Summe (Zuschlagspreis + Aufgeld) wird die gesetzliche

Umsatzsteuer von 19 % erhoben.

Bei nicht gekennzeichneten Objekten wird Differenzbesteuert, im Aufgeld von 33 % ist die

MWST bereits enthalten und kann nicht extra ausgewiesen werden.

10. Von der Umsatzsteuer befreit sind Auslieferungen in Drittländer und - bei Angabe der

UST.-ID-Nr. - auch an Unternehmen in EU-Mitgliedsländer. Verbringen Erwerber ersteigerte

Gegenstände selbst in Drittländer, wird Ihnen die Umsatzsteuer erstattet, sobald dem

Auktionshaus der zollamtliche Ausfuhrnachweis und der Einfuhrnachweis des Importlandes

vorliegt.

Während oder unmittelbar nach der Auktion ausgestellte Rechnungen bedürfen der

Nachprüfung; Irrtum bleibt insoweit vorbehalten.

Das Umschreiben von Rechnungen ist mit Aufwand verbunden und daher gebührenpflichtig.

11. Der Gesamtbetrag ist mit dem Zuschlag fällig und zahlbar in bar oder durch

bankbestätigten Scheck. Zahlungen auswärtiger Ersteigerer, die schriftlich, per Email oder

telefonisch geboten haben, sind binnen 7 Tagen nach Rechnungsdatum fällig.

12. Das Auktionshaus ist ermächtigt, die dem von ihm vertretenen Auftraggeber

zustehenden Ansprüche im eigenen Namen - auch gerichtlich - geltend zu machen.

13. Das Eigentum an den ersteigerten Sachen erwirbt der Käufer erst mit vollständigem

Zahlungseingang beim Auktionshaus.

14. Bei Zahlungsverzug können unbeschadet weitergehender Schadensersatzansprüche - zu

denen auch Rechtsverfolgungskosten gehören - Verzugszinsen in Höhe des banküblichen

Zinssatzes, mindestens jedoch in Höhe des gesetzlichen Verzugszinses nach§§ 288, 247 BGB

verlangt werden. Wird wegen der verspäteten Zahlung Schadensersatz statt der Leistung

gefordert, kann dieser auch so berechnet werden, dass der Gegenstand in einer neuen

Auktion nochmals versteigert wird und der säumige Käufer, dessen Rechte aus dem

vorangegangenen Kauf erlöschen und der zu einem weiteren Gebot nicht zugelassen wird,

für einen Mindererlös und durch den zusätzlichen Verkauf entstehende Kosten

aufzukommen und auf einen eventuellen Mehrerlös keinen Anspruch hat.

9. Auf Lots die mit einem (R) gekennzeichnet sind, wird auf den Zuschlagpreis ein Aufgeld

von 28 % erhoben und auf die Summe (Zuschlagspreis + Aufgeld) wird die gesetzliche

Umsatzsteuer von 19 % erhoben.

Bei nicht gekennzeichneten Objekten wird Differenzbesteuert, im Aufgeld von 33 % ist die

MWST bereits enthalten und kann nicht extra ausgewiesen werden.

10. Von der Umsatzsteuer befreit sind Auslieferungen in Drittländer und - bei Angabe der

UST.-ID-Nr. - auch an Unternehmen in EU-Mitgliedsländer. Verbringen Erwerber ersteigerte

Gegenstände selbst in Drittländer, wird Ihnen die Umsatzsteuer erstattet, sobald dem

Auktionshaus der zollamtliche Ausfuhrnachweis und der Einfuhrnachweis des Importlandes

vorliegt.

Während oder unmittelbar nach der Auktion ausgestellte Rechnungen bedürfen der

Nachprüfung; Irrtum bleibt insoweit vorbehalten.

Das Umschreiben von Rechnungen ist mit Aufwand verbunden und daher gebührenpflichtig.

11. Der Gesamtbetrag ist mit dem Zuschlag fällig und zahlbar in bar oder durch

bankbestätigten Scheck. Zahlungen auswärtiger Ersteigerer, die schriftlich, per Email oder

telefonisch geboten haben, sind binnen 7 Tagen nach Rechnungsdatum fällig.

12. Das Auktionshaus ist ermächtigt, die dem von ihm vertretenen Auftraggeber

zustehenden Ansprüche im eigenen Namen - auch gerichtlich - geltend zu machen.

13. Das Eigentum an den ersteigerten Sachen erwirbt der Käufer erst mit vollständigem

Zahlungseingang beim Auktionshaus.

14. Bei Zahlungsverzug können unbeschadet weitergehender Schadensersatzansprüche - zu

denen auch Rechtsverfolgungskosten gehören - Verzugszinsen in Höhe des banküblichen

Zinssatzes, mindestens jedoch in Höhe des gesetzlichen Verzugszinses nach§§ 288, 247 BGB

verlangt werden. Wird wegen der verspäteten Zahlung Schadensersatz statt der Leistung

gefordert, kann dieser auch so berechnet werden, dass der Gegenstand in einer neuen

Auktion nochmals versteigert wird und der säumige Käufer, dessen Rechte aus dem

vorangegangenen Kauf erlöschen und der zu einem weiteren Gebot nicht zugelassen wird,

für einen Mindererlös und durch den zusätzlichen Verkauf entstehende Kosten

aufzukommen und auf einen eventuellen Mehrerlös keinen Anspruch hat.

15. Der Ersteigerer ist verpflichtet, die Gegenstände sofort nach der Auktion in Empfang zu

nehmen. Mit der Übergabe geht die Gefahr für nicht zu vertretende Verluste und

Beschädigungen auf den Käufer über. Die Versendung ersteigerter Sachen auf Wunsch des

Käufers, der Unternehmer ist, geschieht auf dessen Kosten und Gefahr. Die Kosten einer

Transportversicherung trägt der Käufer. Nach Anlieferung hat der Käufer, der Unternehmer

ist, die Sachen unverzüglich auf Transportschäden zu untersuchen und diese dem

Transportunternehmen anzuzeigen; spätere Reklamationen wegen nicht verdeckter Schäden

sind ausgeschlossen.

16. Erfüllungsort und Gerichtsstand für den kaufmännischen Verkehr ist NN. Es gilt

deutsches Recht; das UN-Abkommen über Verträge des internationalen Warenkaufs (CISO)

findet keine Anwendung.

17. Diese Bedingungen gelten entsprechend auch für den Nachverkauf, der Teil der

Versteigerung ist; das Widerrufs - und Rückgaberecht bei Fernabsatzverträgen findet darauf

keine Anwendung.

18. Sollte eine der vorstehenden Bestimmungen ganz oder teilweise unwirksam sein. so

bleibt die Gültigkeit der übrigen davon unberührt.

19. Soweit die Auftragsbedingungen in mehreren Sprachen vorliegen, ist die deutsche

Fassung maßgebend.

Conditions of auction

1. The auction house acts in the name of and for the account of its client (vendor).

The auction shall be conducted in accordance with the conditions listed below, which are recognised by means

of the personal, written, telephone or online participation via the Internet in the auction.

2. The auctioneer retains the right to combine, separate, offer in different sequence or withdraw items from

the catalogue.

3. All objects to be auctions may be viewed and inspected prior to the auction. The objects are used. They are

purchased in the state in which they are found at the point in time of the purchase. The catalogue information,

which is provided according to the best knowledge and in the best conscience, is not contractually bound

information regarding quality, or guarantees in the sense of sale of goods law. At the request of the interested

party, condition reports provided serve merely as improved orientation regarding the external condition of the

object according to the assessment of the auctioneer. The auctioneer bears no liability towards the purchaser

for faults insofar as they have fulfilled the duty of care to which they are subject. However, they declare

themselves willing to make known to the vendor complaints regarding faults that are communicated to him in

due time and are well-founded; here, the period of limitation is twelve months from the point in time of the

purchase. However, in all cases, a precondition for a reverse transaction is that the auctioned item remains in

an unchanged state since the time of auction.

4. Every bidder must give their name and address before the start of the auction. This also applies when they

participate in the auction as a representative. In this case, they must also give the name and address of the

person they are representing. In cases of doubt, the bidder makes a purchase in their own name and on their

own account.

Every bidder must provide a cash deposit before the start of the auction.

5. In order to make sure that the written rules are implemented, they must be entered onto the form provided

for the purpose – at least 24 hours before the start of the auction at the auction house. The bidder must

provide evidence that they have been received. Precise information regarding the individual or company of the

bidder and the lot number must be submitted in order for a written bid to be effective. When a bid is

submitted, a telephone number must be given at which the bidder can be regularly contacted. The bid is

restricted solely to the given lot number. Written offers will only be considered by the auction house with the

amount required in order to out-bid another bid that has been submitted. A precondition for telephone

participation is a written notice received at least 24 hours prior to the start of the auction day by the auction

house. The auction house bears no liability for the realisation or maintenance of telephone communication

connections and the correct transfer and receipt in due time of online offers to the auction house. Of decisive

importance for the auction and its progression are the events in the hall (e.g. with regard to revisions in

accordance with item 1b). Only those bids submitted in the hall are binding.

Conditions of auction

1. The auction house acts in the name of and for the account of its client (vendor).

The auction shall be conducted in accordance with the conditions listed below, which are recognised by means

of the personal, written, telephone or online participation via the Internet in the auction.

2. The auctioneer retains the right to combine, separate, offer in different sequence or withdraw items from

the catalogue.

3. All objects to be auctions may be viewed and inspected prior to the auction. The objects are used. They are

purchased in the state in which they are found at the point in time of the purchase. The catalogue information,

which is provided according to the best knowledge and in the best conscience, is not contractually bound

information regarding quality, or guarantees in the sense of sale of goods law. At the request of the interested

party, condition reports provided serve merely as improved orientation regarding the external condition of the

object according to the assessment of the auctioneer. The auctioneer bears no liability towards the purchaser

for faults insofar as they have fulfilled the duty of care to which they are subject. However, they declare

themselves willing to make known to the vendor complaints regarding faults that are communicated to him in

due time and are well-founded; here, the period of limitation is twelve months from the point in time of the

purchase. However, in all cases, a precondition for a reverse transaction is that the auctioned item remains in

an unchanged state since the time of auction.

4. Every bidder must give their name and address before the start of the auction. This also applies when they

participate in the auction as a representative. In this case, they must also give the name and address of the

person they are representing. In cases of doubt, the bidder makes a purchase in their own name and on their

own account.

Every bidder must provide a cash deposit before the start of the auction.

5. In order to make sure that the written rules are implemented, they must be entered onto the form provided

for the purpose – at least 24 hours before the start of the auction at the auction house. The bidder must

provide evidence that they have been received. Precise information regarding the individual or company of the

bidder and the lot number must be submitted in order for a written bid to be effective. When a bid is

submitted, a telephone number must be given at which the bidder can be regularly contacted. The bid is

restricted solely to the given lot number. Written offers will only be considered by the auction house with the

amount required in order to out-bid another bid that has been submitted. A precondition for telephone

participation is a written notice received at least 24 hours prior to the start of the auction day by the auction

house. The auction house bears no liability for the realisation or maintenance of telephone communication

connections and the correct transfer and receipt in due time of online offers to the auction house. Of decisive

importance for the auction and its progression are the events in the hall (e.g. with regard to revisions in

accordance with item 1b). Only those bids submitted in the hall are binding.

The auction house may reject bids if objective reasons are provided. This applies in particular when at the

request of the auction house, bidders can provide no sufficient securities prior to the auction which correspond

to the value of the bid. If a bid is rejected, the bid submitted immediately prior to it remains binding.

6. The bid is accepted after it has been called to the highest bidder three times. The auctioneer may refuse to

accept the bid or accept it on condition; in the latter case, the bidder is bound to their bid for a period of 2

weeks. If several bidders submit the same bid, and no higher bid is offered after the bid is called three times,

the matter is decided by lot. The auctioneer may withdraw acceptance of the bid and offer the object again if a

higher bid that has been submitted in due time has erroneously been overlooked, or if the highest bidder does

not wish their bid to remain valid, or if there is any other doubt regarding acceptance of the bid.

7. The auctioneer may offer the lot for the vendor up to the agreed minimum purchase price (limit) without

indicating this, and regardless of whether other bids have been submitted or not. In order to protect the object

provided for sale, the auctioneer may accept a bid below the limit to the vendor; this is a case of reversal.

8. Bids may be submitted prior to the auction in written form or by e-mail. They are brought into play by the

auctioneer only to the extent required in order to outbid other bids.

9. On lots marked with (R), the commission of 28% is added to the hammer price, and the legally valid VAT of

19% is also added to the total (hammerer price + commission).

On all other lots, the commission of 33 % is added to the hammer price. The VAT is included and cannot be

separately shown (margin scheme).

10. Dispatches to third countries are not subject to VAT and – on provision of the VAT ID no. – this also applies

to companies in EU member states. Should purchasers bring purchased objects into third countries themselves,

they are reimbursed the VAT as soon as the auction house receives the certificate of export from the customs

office and the certificate of import from the importing country.

Invoices presented during or directly after the auction must be checked; errors are to this extent excepted.

The re-writing of invoices entails additional effort and is therefore subject to a fee.

11. The total amount is due on acceptance of the bid, and is payable in cash or through a cheque confirmed by

the bank. Payments from successful external bidders who have bid in writing, via e-mail or by telephone, are

due within 7 days following the date of invoice.

12. The auction house retains the right to assert claims due to the client which it is representing in their own

name – including before a court.

13. Ownership of the purchased items is only transferred to the purchaser following full receipt of payment by

the auction house.

14. If payment is delayed, default interest at the level of the standard bank interest rate, although at least at

the level of the legal default interest rate in accordance with §§ 288, 247 of the German Civil Code, can be

demanded without prejudice to any further damage compensation claims – including legal costs. If due to the

delayed payment damage compensation is demanded in lieu of performance, this can be calculated such that

the object is re-auctioned in a new auction, and the defaulting purchaser, whose rights from the previous

purchase are void and who is prohibited from making a further bid, is liable for a minimum revenue and costs

arising through the additional sale, and has no claim to any potential profit.

15. The successful bidder is obliged to take receipt of the objects immediately after the auction. With the

transfer, the risk for losses and damage for which there is no responsibility is transferred to the purchaser. The

dispatch of purchased items at the request of the purchaser who is the contractor occurs at their own cost and

at their own risk. The costs of transport insurance are borne by the purchaser. Following delivery, the

purchaser, who is the contractor, must immediately inspect the objects for transport damage and report this to

the transport company; later complaints arising from non-covert damage are excluded.

16. The place of fulfilment and place of jurisdiction for the commercial transaction is NN. German law applies;

the UN Convention on Contracts for the International Sale of Goods (CISG) does not apply.

17. These conditions also apply accordingly for post-auction sale which is a part of the auction; the right of

revocation and return for long-distance contracts does not apply.

18. Should one of the above conditions be entirely or partially ineffective, the validity of the others remains

intact.

19. Insofar as the conditions of contract are provided in several languages, the German version is decisive.

delayed payment damage compensation is demanded in lieu of performance, this can be calculated such that

the object is re-auctioned in a new auction, and the defaulting purchaser, whose rights from the previous

purchase are void and who is prohibited from making a further bid, is liable for a minimum revenue and costs

arising through the additional sale, and has no claim to any potential profit.

15. The successful bidder is obliged to take receipt of the objects immediately after the auction. With the

transfer, the risk for losses and damage for which there is no responsibility is transferred to the purchaser. The

dispatch of purchased items at the request of the purchaser who is the contractor occurs at their own cost and

at their own risk. The costs of transport insurance are borne by the purchaser. Following delivery, the

purchaser, who is the contractor, must immediately inspect the objects for transport damage and report this to

the transport company; later complaints arising from non-covert damage are excluded.

16. The place of fulfilment and place of jurisdiction for the commercial transaction is NN. German law applies;

the UN Convention on Contracts for the International Sale of Goods (CISG) does not apply.

17. These conditions also apply accordingly for post-auction sale which is a part of the auction; the right of

revocation and return for long-distance contracts does not apply.

18. Should one of the above conditions be entirely or partially ineffective, the validity of the others remains

intact.

19. Insofar as the conditions of contract are provided in several languages, the German version is decisive.

拍拍卖卖条条件件

1.拍拍卖卖行行以以卖卖方方的的名名义义并并代代表表委委托托方方（（卖卖方方））进进行行拍拍卖卖。。

拍拍卖卖以以下下文文中中的的条条件件为为基基础础，，该该条条件件将将以以当当面面、、书书面面、、电电话话或或网网页页在在线线的的

方方式式就就拍拍卖卖进进行行说说明明。。

2.拍拍卖卖行行有有权权统统一一或或分分开开拍拍品品编编号号，，无无需需提提供供或或参参考考一一定定的的顺顺序序。。

3.在在拍拍卖卖前前可可对对所所有有参参加加拍拍卖卖的的物物品品进进行行检检查查和和检检测测。。参参拍拍物物品品均均为为二二手手

物物品品。。物物品品在在拍拍板板时时间间点点上上，，处处于于拍拍板板状状态态。。拍拍卖卖行行所所采采用用的的目目录录详详细细信信

息息不不是是购购买买法法意意义义上上的的物物品品质质量量保保证证或或担担保保。。根根据据潜潜在在买买家家的的要要求求，，拍拍卖卖

行行所所提提供供的的品品相相报报告告 (Condition Reports) 仅仅可可作作为为拍拍卖卖行行自自身身评评估估拍拍品品外外

部部状状态态的的大大致致参参考考。。只只要要买买家家履履行行谨谨慎慎行行事事的的职职责责，，则则其其不不对对缺缺陷陷承承担担责责

任任，，拍拍卖卖行行则则须须接接受受该该买买家家。。并并须须及及时时将将提提供供给给拍拍卖卖行行的的、、有有依依据据的的缺缺陷陷

反反馈馈告告知知卖卖方方；；同同时时，，有有效效期期限限为为落落锤锤后后的的十十二二个个月月。。但但在在任任何何情情况况下下，，

退退货货的的前前提提为为：：拍拍品品的的品品相相状状态态与与拍拍卖卖时时相相比比未未发发生生任任何何变变化化。。

4.在在拍拍卖卖前前，，每每名名参参拍拍者者都都需需给给出出其其姓姓名名和和地地址址。。参参与与拍拍卖卖的的代代理理人人也也需需

给给出出上上述述信信息息。。在在此此情情况况下下，，其其还还需需给给出出被被代代理理人人的的姓姓名名和和地地址址。。如如有有疑疑

问问，，则则参参拍拍者者以以自自己己的的名名义义代代表表自自己己进进行行咨咨询询。。

在在拍拍卖卖前前，，每每名名参参拍拍者者都都需需交交付付一一定定的的现现金金押押金金。。

5.为为确确保保书书面面竞竞拍拍的的执执行行，，必必须须在在拍拍卖卖开开始始前前至至少少 24 小小时时将将针针对对此此规规定定的的

表表格格寄寄送送到到拍拍卖卖行行。。参参拍拍者者进进入入拍拍卖卖场场时时须须出出示示证证件件。。为为了了确确保保竞竞价价有有效效，，

参参拍拍者者或或参参拍拍公公司司须须提提供供拍拍品品的的确确切切信信息息和和拍拍品品编编码码（（LOT 号号））。。竞竞价价时时

须须给给出出参参拍拍者者可可正正常常接接听听的的电电话话号号码码。。仅仅可可用用给给出出的的竞竞拍拍号号进进行行竞竞拍拍。。针针

对对书书面面竞竞拍拍，，拍拍卖卖行行仅仅采采纳纳为为超超出出其其他他参参拍拍者者所所给给竞竞价价而而所所需需的的金金额额。。电电

话话参参拍拍的的前前提提为为：：最最迟迟在在拍拍卖卖日日开开始始前前的的 24 小小时时前前将将书书面面文文件件送送抵抵拍拍卖卖

行行。。拍拍卖卖行行不不对对电电话话联联系系的的执执行行或或维维持持成成功功与与否否、、正正常常通通知知、、在在线线竞竞拍拍及及

时时出出价价负负责责。。拍拍卖卖和和其其流流程程的的决决定定性性因因素素为为拍拍卖卖现现场场情情况况（（例例如如基基于于第第 1

b 点点的的调调整整））。。仅仅在在拍拍卖卖现现场场给给出出的的竞竞价价具具有有购购买买约约束束力力。。

拍拍卖卖行行有有权权在在出出示示客客观观原原因因后后拒拒绝绝接接受受参参拍拍者者。。此此条条尤尤其其适适用用于于：：当当参参拍拍

者者在在拍拍卖卖前前无无法法满满足足拍拍卖卖行行的的要要求求，，为为竞竞拍拍提提供供足足够够价价值值的的担担保保时时。。在在拒拒

绝绝某某一一竞竞拍拍的的情情况况下下，，此此前前最最近近所所提提供供的的竞竞价价仍仍然然有有约约束束力力。。

6.三三次次报报告告最最高高竞竞价价后后，，可可落落锤锤。。拍拍卖卖行行可可拒拒绝绝落落锤锤同同时时保保留留该该拍拍品品；；2

周周内内最最后后一一次次竞竞价价对对参参拍拍者者具具有有购购买买约约束束力力。。如如果果多多个个参参拍拍者者给给出出同同一一竞竞

价价额额，，且且三三次次报报告告最最高高竞竞价价后后没没有有更更高高竞竞价价，，则则抽抽签签决决定定中中拍拍者者。。如如果果错错

过过了了及及时时提提交交的的更更高高竞竞价价，，或或最最高高竞竞价价者者欲欲取取消消出出价价，，或或对对落落槌槌价价存存在在质质

疑疑，，则则拍拍卖卖行行可可撤撤回回落落锤锤价价，，并并重重新新举举锤锤该该物物品品。。

7.拍拍卖卖行行可可为为卖卖方方将将物物品品以以高高达达协协定定的的最最低低价价格格（（底底限限））的的价价格格售售至至拍拍品品

编编号号，，无无需需对对此此做做出出说说明明, 且且与与是是否否存存在在其其他他竞竞价价无无关关。。为为保保护护出出售售物物品品，，

拍拍卖卖行行将将拍拍品品以以低低于于最最低低价价格格落落锤锤给给卖卖方方，，此此种种情情况况视视为为退退回回物物品品。。

8.可可在在拍拍卖卖前前以以书书面面形形式式或或邮邮件件形形式式进进行行参参拍拍。。当当有有必必要要时时，，仅仅出出于于超超出出

其其他他参参拍拍者者的的竞竞价价的的目目的的，，拍拍卖卖商商才才会会采采纳纳其其全全额额。。

9.在在落落锤锤价价的的基基础础上上加加上上 28% 的的差差价价，，在在总总数数（（落落锤锤价价+差差价价））的的基基础础上上

再再加加上上 19% 的的营营业业税税。。

10.发发往往第第三三国国和和（（在在给给出出营营业业税税号号的的情情况况下下））欧欧盟盟国国家家内内的的企企业业时时，，无无

需需支支付付营营业业税税。。如如果果竞竞价价成成功功者者自自主主将将所所获获拍拍卖卖物物品品运运送送至至第第三三国国，，则则向向

拍拍卖卖行行出出示示海海关关过过关关凭凭证证和和抵抵达达国国入入关关凭凭证证后后，，将将立立即即向向其其退退返返营营业业税税。。

需需对对在在拍拍卖卖期期间间或或拍拍卖卖刚刚结结束束时时生生成成的的发发票票进进行行核核查查；；其其中中可可能能存存在在错错误误。。

重重开开发发票票时时会会产产生生一一定定耗耗费费，，因因此此需需支支付付一一定定费费用用。。

11.总总金金额额应应付付附附加加费费，，并并以以现现金金或或银银行行认认证证支支票票支支付付。。通通过过电电子子邮邮件件或或

电电话话以以书书面面形形式式提提交交的的外外国国竞竞拍拍者者应应在在发发票票日日期期后后 7 天天内内完完成成付付款款。。

时时出出价价负负责责。。拍拍卖卖和和其其流流程程的的决决定定性性因因素素为为拍拍卖卖现现场场情情况况（（例例如如基基于于第第 1

b 点点的的调调整整））。。仅仅在在拍拍卖卖现现场场给给出出的的竞竞价价具具有有购购买买约约束束力力。。

拍拍卖卖行行有有权权在在出出示示客客观观原原因因后后拒拒绝绝接接受受参参拍拍者者。。此此条条尤尤其其适适用用于于：：当当参参拍拍

者者在在拍拍卖卖前前无无法法满满足足拍拍卖卖行行的的要要求求，，为为竞竞拍拍提提供供足足够够价价值值的的担担保保时时。。在在拒拒

绝绝某某一一竞竞拍拍的的情情况况下下，，此此前前最最近近所所提提供供的的竞竞价价仍仍然然有有约约束束力力。。

6.三三次次报报告告最最高高竞竞价价后后，，可可落落锤锤。。拍拍卖卖行行可可拒拒绝绝落落锤锤同同时时保保留留该该拍拍品品；；2

周周内内最最后后一一次次竞竞价价对对参参拍拍者者具具有有购购买买约约束束力力。。如如果果多多个个参参拍拍者者给给出出同同一一竞竞

价价额额，，且且三三次次报报告告最最高高竞竞价价后后没没有有更更高高竞竞价价，，则则抽抽签签决决定定中中拍拍者者。。如如果果错错

过过了了及及时时提提交交的的更更高高竞竞价价，，或或最最高高竞竞价价者者欲欲取取消消出出价价，，或或对对落落槌槌价价存存在在质质

疑疑，，则则拍拍卖卖行行可可撤撤回回落落锤锤价价，，并并重重新新举举锤锤该该物物品品。。

7.拍拍卖卖行行可可为为卖卖方方将将物物品品以以高高达达协协定定的的最最低低价价格格（（底底限限））的的价价格格售售至至拍拍品品

编编号号，，无无需需对对此此做做出出说说明明, 且且与与是是否否存存在在其其他他竞竞价价无无关关。。为为保保护护出出售售物物品品，，

拍拍卖卖行行将将拍拍品品以以低低于于最最低低价价格格落落锤锤给给卖卖方方，，此此种种情情况况视视为为退退回回物物品品。。

8.可可在在拍拍卖卖前前以以书书面面形形式式或或邮邮件件形形式式进进行行参参拍拍。。当当有有必必要要时时，，仅仅出出于于超超出出

其其他他参参拍拍者者的的竞竞价价的的目目的的，，拍拍卖卖商商才才会会采采纳纳其其全全额额。。

9.在在落落锤锤价价的的基基础础上上加加上上 28% 的的差差价价，，在在总总数数（（落落锤锤价价+差差价价））的的基基础础上上

再再加加上上 19% 的的营营业业税税。。

10.发发往往第第三三国国和和（（在在给给出出营营业业税税号号的的情情况况下下））欧欧盟盟国国家家内内的的企企业业时时，，无无

需需支支付付营营业业税税。。如如果果竞竞价价成成功功者者自自主主将将所所获获拍拍卖卖物物品品运运送送至至第第三三国国，，则则向向

拍拍卖卖行行出出示示海海关关过过关关凭凭证证和和抵抵达达国国入入关关凭凭证证后后，，将将立立即即向向其其退退返返营营业业税税。。

需需对对在在拍拍卖卖期期间间或或拍拍卖卖刚刚结结束束时时生生成成的的发发票票进进行行核核查查；；其其中中可可能能存存在在错错误误。。

重重开开发发票票时时会会产产生生一一定定耗耗费费，，因因此此需需支支付付一一定定费费用用。。

11.总总金金额额应应付付附附加加费费，，并并以以现现金金或或银银行行认认证证支支票票支支付付。。通通过过电电子子邮邮件件或或

电电话话以以书书面面形形式式提提交交的的外外国国竞竞拍拍者者应应在在发发票票日日期期后后 7 天天内内完完成成付付款款。。

12.针针对对其其所所代代表表的的委委托托人人产产生生的的权权利利要要求求，，拍拍卖卖行行被被授授权权以以自自己己的的名名义义

（（也也包包括括司司法法上上））进进行行有有效效处处理理。。

13.仅仅当当买买主主支支付付全全部部款款项项后后，，才才能能从从拍拍卖卖行行处处获获得得被被拍拍卖卖物物品品的的所所有有权权。。

14.如如果果付付款款延延迟迟，，则则需需要要支支付付等等同同于于银银行行当当时时利利率率的的违违约约利利息息，，至至少少为为

符符合合 §§288，，247 BGB（（德德国国民民法法典典））规规定定的的金金额额，，保保留留进进一一步步的的损损害害赔赔偿偿

要要求求（（包包括括法法律律费费用用））。。如如果果由由于于逾逾期期付付款款而而要要求求赔赔偿偿而而不不是是支支付付款款项项，，

则则也也可可将将物物品品进进行行再再一一次次拍拍卖卖，，而而因因为为在在上上一一次次拍拍卖卖中中推推迟迟付付款款而而丧丧失失其其

权权利利、、不不得得继继续续竞竞拍拍的的买买方方，，须须支支付付最最低低佣佣金金并并承承担担额额外外出出售售而而产产生生的的费费

用用，，并并不不得得对对可可能能产产生生的的额额外外收收益益提提出出权权利利要要求求。。

15.拍拍卖卖行行有有义义务务在在拍拍卖卖后后将将物物品品立立即即寄寄送送收收货货人人。。随随着着物物品品的的转转交交，，未未

受受代代理理的的损损失失和和损损坏坏的的风风险险也也转转移移给给买买方方。。出出于于买买方方（（即即中中拍拍者者））的的要要求求，，

由由其其承承担担拍拍卖卖物物品品的的运运输输费费用用和和风风险险。。运运输输保保险险费费用用由由买买方方承承担担。。送送货货后后，，

买买方方（（中中拍拍者者））须须立立即即检检查查是是否否存存在在运运输输损损坏坏，，如如存存在在须须向向运运输输公公司司呈呈报报；；

如如当当时时未未发发现现损损坏坏，，则则之之后后不不得得提提出出投投诉诉反反馈馈。。

16.商商务务往往来来的的处处理理地地和和受受理理法法院院所所在在地地为为 NN。。适适用用德德国国法法律律；；不不适适用用

““联联合合国国国国际际货货物物销销售售合合同同公公约约””(CISG)。。

17.本本条条件件同同样样适适用用于于属属于于拍拍卖卖范范畴畴内内的的后后续续售售卖卖；；远远程程销销售售合合同同的的撤撤销销

和和退退回回权权不不适适用用。。

18.如如果果已已存存在在的的规规定定部部分分无无效效，，则则不不影影响响其其他他部部分分的的效效力力。。

19.本本订订单单条条件件具具有有多多语语言言版版本本，，其其中中德德语语版版本本为为最最权权威威版版本本。。

Lot Limit Estimation

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