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Index to Volume 85

Alteration in Handel: A Fresh Approach, John Byrt 194 American Compositional Theory in the 1930s:

Scale and Exoticism in "The Nature of Melody" by Henry Cowell, Nancy Yunhwa Rao 595

Analysis and Criticism, Leon Botstein [editor] 225 Ariadne's Clew: Politics, Allegory, and Opera

in London (1734), Suzanne Aspden 735 Artur Schnabel and the Ideology of Interpretation,

Leon Botstein [editor] 587 Aspden, Suzanne, Ariadne's Clew: Politics, Allegory,

and Opera in London (1734) 735 Avant-Garde, Metapolitics and, Siegfried Mattl,

trans. Irene Zedlacher 184 Black Music, Critical Bias, and the Musicological Skin

Trade: Who Hears Here?, Guthrie P. Ramsey, Jr. 1 Betz, Marianne, New Light on George Whitefield Chadwick:

Recent Discovery of Unknown Material 641 Biography, Bungled, Robert Craft 391 Bohlman, Philip V. and Brian Currid, Suturing History,

Healing Europe: German National Temporality in Wolokolamsk Highway 681

Botstein, Leon [editor] Analysis and Criticism 225 , Artur Schnabel and the Ideology of Interpretation 587 , In the Shadows of September 11, 2001 405 , Pfitzner and Musical Politics 63

Brody, Martin, "Haunted by Envisioned Romance": Harbison's Gatsby 413

Bungled Biography, Robert Craft 391 Busch [Fritz], A Friend Remembered, Thomas Eisner 458

, Introduction, Michael P. Steinberg 456 Byrt, John, Alteration in Handel: A Fresh Approach 194 Cage [John], Cunningham, and Collaborators:

The Odyssey of Variations V, Leta Miller 545 Cavell, Stanley, Impressions of Revolution 264 Chadwick [George Whitefield], New Light on: Recent

Discovery of Unknown Material, Marianne Betz 641 Chopin [Frederic], [His] Sonata Op. 35, a Dilemma of the

First Movement of: Repeat with Caution, Anatole Leiken 568 Copland [Aaron], [His] Music of Wide Open Spaces:

Surveying the Pastoral Trope in Hollywood, Neil Lerner 477 , [His] Third Symphony (1946), The Reception

History of: Critical Politics, Elizabeth B. Crist 232

773

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774 The Musical Quarterly

Cowell [Henry] Scale and Exoticism in "The Nature of Melody" by: American Compositional Theory in the 1930s, Nancy Yunhwa Rao 595

Craft, Robert, Bungled Biography 391 Crist, Elizabeth B., Critical Politics: The Reception

History of Aaron Copland's Third Symphony 232 Critical Politics: The Reception History of Aaron Copland's

Third Symphony, Elizabeth B. Crist 232 Criticism, Analysis and, Leon Botstein [editor] 225 Cunningham [Merce], Cage, and Collaborators:

The Odyssey of Variations V, Leta Miller 545 Currid, Brian, and Philip V. Bohlman, Suturing History,

Healing Europe: German National Temporality in Wolokolamsk Highway 681

Eisner, Thomas, Fritz Busch: A Friend Remembered 458 Fairclough, Pauline, Mahler Reconstructed: Sollertinsky

and the Soviet Symphony 367 "Father Knows Best": Paternity and Mise-en-scene in

Pfitzner's Palestrina, David J. Levin 167 Fritz Busch: A Friend Remembered, Thomas Eisner 458 Gottlieb, Jane, On "The Training of Musicians" by

Leon Botstein [editor] 401 Handel [George Frideric], Alteration in: A Fresh

Approach, John Byrt 194 , The Politicization of, and His Oratories in

the Weimar Republic, the Third Reich, and the Early Years of the GDR, Pamela M. Potter 311

Harbison [ohn], [His] Gatsby: "Haunted by Envisioned Romance", Martin Brody 413

"Haunted by Envisioned Romance": Harbison's Gatsby, Martin Brody 413

Herrmann [Bernard], [His] Score for Vertigo, Ambivalence and Order in: "The Moment That I Dreaded and Hoped For", Antony John 516

Horton, Julian, Postmodernism and the Critique of Musical Analysis 342

Image of Giovanni Pierluigi da Palestrina in Pfitzner's Palestrina, The, Gottfried Scholz, trans. Irene Zedlacher 76

Impressions of Revolution, Stanley Cavell 264 In the Shadows of September 11, 2001, Leon Botstein [editor] 405 Introduction, Michael P. Steinberg 456 John, Antony, "The Moment That I Dreaded and Hoped For":

Ambivalence and Order in Herrmann's Score for Vertigo 516 Leiken, Anatole, Repeat with Caution: A Dilemma of

the First Movement of Chopin's Sonata Op. 35 568

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Index to Volume 85 775

Lerner, Neil, Copland's Music of Wide Open Spaces: Surveying the Pastoral Trope in Hollywood 477

Levin, David J., "Father Knows Best": Paternity and Mise-en-scene in Pfitzner's Palestrina 167

London, Politics, Allegory, and Opera in (1734): Ariadne's Clew, Suzanne Aspden 735

Mahler [Gustav], Reconstructed: Sollertinsky and the Soviet Symphony, Pauline Fairclough 367

Mattl, Siegfried, Metapolitics and the Avant-Garde, trans. Irene Zedlacher 184

Metapolitics and the Avant-Garde, Siegfried Mattl, trans. Irene Zedlacher 184

Miller, Leta, Cage, Cunningham, and Collaborators: The Odyssey of Variations V 545

"Moment That I Dreaded and Hoped For, The": Ambivalence and Order in Herrmann's Score for Vertigo, Antony John 516

Monophonic Motets: Sampling and Grafting in the Middle Ages, Judith A. Peraino 644

Morris, Christopher, "Sympathy with Death": Narcissism and Nostalgia in the Post-Wagnerian Orchestra 85

Motets, Monophonic: Sampling and Grafting in the Middle Ages, Judith A. Peraino 644

Musical Analysis, Postmodernism and the Critique of, Julian Horton 342

Music Composition, as a Profession, Servility, Opportunity, and Freedom in the Choice of, Frederic M. Scherer 718

New Light on George Whitefield Chadwick: Recent Discovery of Unknown Material, Marianne Betz 641

On "The Training of Musicians" by Leon Botstein [editor], Jane Gottlieb 401

Opera and Cultural Analysis: The Case of Hans Pfitzner's Palestrina, Michael P. Steinberg 53

Painter, Karen, Symphonic Ambitions, Operatic Redemption: Mathis der Maler and Palestrina in the Third Reich 117

Peraino, Judith A., Monophonic Motets: Sampling and Grafting in the Middle Ages 644

Politicization of Handel and His Oratories in the Weimar Republic, the Third Reich, and the Early Years of the GDR, The, Pamela M. Potter 311

Postmodernism and the Critique of Musical Analysis, Julian Horton 342

Potter, Pamela M., The Politicization of Handel and His Oratories in the Weimar Republic, the Third Reich, and the Early Years of the GDR 311

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776 The Musical Quarterly

Pfitzner [Hans], and Musical Politics, Leon Botstein [editor] 63 , [His] Palestrina, The Image of Giovanni Pierluigi

da Palestrina in, Gottfried Scholz, trans. Irene Zedlacher 76 , [His] Palestrina: Opera and Cultural Analysis,

Michael P. Steinberg 53 , [His] Palestrina, Paternity and Mise-en-scene in:

"Father Knows Best", David J. Levin 167 , Symphonic Ambitions, Operatic Redemption:

Mathis der Maler and Palestrina in the Third Reich, Karen Painter 117

Ramsey, Guthrie P., Jr., Who Hears Here?: Black Music, Critical Bias, and the Musicological Skin Trade 1

Rao, Nancy Yunhwa, American Compositional Theory in the 1930s: Scale and Exoticism in "The Nature of Melody" by Henry Cowell 595

Repeat with Caution: A Dilemma of the First Movement of Chopin's Sonata Op. 35, Anatole Leiken 568

Revolution, Impressions of, Stanley Cavell 264 Scherer, Frederic M., Servility, Opportunity, and Freedom

in the Choice of Music Composition as a Profession 718 Schnabel [Artur], and the Ideology of Interpretation,

Leon Botstein [editor] 587 Scholz, Gottfried, The Image of Giovanni Pierluigi da

Palestrina in Pfitzner's Palestrina, trans. Irene Zedlacher 76 Senici, Emanuele, Verdi's Falstaff at Italy's Fin de Siecle 274 September 11, 2001, In the Shadows of, Leon Botstein [editor] 405 Servility, Opportunity, and Freedom in the Choice of Music

Composition as a Profession, Frederic M. Scherer 718 Sollertinsky [Ivan], Mahler [Gustav], Reconstructed: [He]

and the Soviet Symphony, Pauline Fairclough 367 Steinberg, Michael P., Introduction, 456

, Opera and Cultural Analysis: The Case of Hans Pfitzner's Palestrina 53

Suturing History, Healing Europe: German National Temporality in Wolokolamsk Highway, Philip V. Bohlman and Brian Currid 681

"Sympathy with Death": Narcissism and Nostalgia in the Post-Wagnerian Orchestra, Christopher Morris 85

Symphonic Ambitions, Operatic Redemption: Mathis der Maler and Palestrina in the Third Reich, Karen Painter 117

Verdi [Giuseppe], [His] Falstaff at Italy's Fin de Siecle, Emanuele Senici 274

Wagner [Richard], "Sympathy with Death": Narcissism and Nostalgia in the Post-Wagnerian Orchestra, Christopher Morris 85

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Index to Volume 85 777

Who Hears Here?: Black Music, Critical Bias, and the Musicological Skin Trade, Guthrie P. Ramsey, Jr. 1

Wolokolamsk Highway, Suturing History, Healing Europe: German National Temporality in, Philip V. Bohlman and Brian Currid 681

Zedlacher, Irene, trans. Metapolitics and the Avant-Garde, Siegfried Mattl 184

, The Image of Giovanni Pierluigi da Palestrina in Pfitzner's Palestrina, Gottfried Scholz 76

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