Greek Civil War and Representations of Power in Greek Cinema (1948-2010)
Transcript of Greek Civil War and Representations of Power in Greek Cinema (1948-2010)
of CRITICAL STUDIESin Business & Society
Journal
Volume 4Number 1
2013
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SPECIAL ISSUEVisual forms of power in the era of crisis
Guest Editor: Vicky Karaiskou
The new form of the Journal of Critical Studies in Business & Society - a sociallyresponsible academic journal - aims to bridge the gap and provide a site for the growingnumber of scholars and researchers who realize that conventional theories are inextricablyconnected with the intensifying disfigurements and dislocations of the modern social,cultural and environmental realms. In view of this, a new literature is emerging that seeksboth to examine corporate or economic globalization as well as social or cultural activityin a critical perspective and to readjust the theoretical accounts and the methodologicalarteries by which academics and practitioners affect these particular activities.
Furthermore, the Journal of Critical Studies in Business & Society encourages integrationof critical knowledge among those disciplines that underpin the complex interrelation andintersection between organizations and society. Articles cover a wide range of topical areaswithin the realm of critical studies, with emphasis on identifying and investigating in aninterdisciplinary manner important organizational, cultural and societal issues and problems.
Aims & Scope
The Journal of Critical Studies in Business & Society is an international, peer reviewed,socially responsible academic publication. It explores the issues and ideas of concern andinterest to both the (post) modern sociocultural discourses and the wider social formationsor/and transformations.
The Journal of Critical Studies in Business & Society is international in readership andcritical in approach and analysis. Genuinely interdisciplinary in scope, it offers acomprehensive locus to critical thinking about the most significant tendencies,contradictions and key issues of our society.
The Journal of Critical Studies in Business & Society seeks manuscripts that providecritique of contemporary arrangements in societal, cultural and organizational contexts,particularly from the standpoint of the marginalized, as well as manuscripts that offeralternatives to these arrangements.
The Journal of Critical Studies in Business & Society publishes original and challengingarticles - that make a contribution to critical theory - which aim at moving discoursesforward.
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Guest Editor’s Note . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Preliminary Reflections on the Visible, the Invisibleand Social Regulation: Panopticism, Biopolitics,Neoliberalism and Data ConsumptionMike Featherstone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
From the “nobility of vision” to the “eye of power” Irini Stathi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Going Public: Accounting for/in the InternetGreg Elmer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
The Gaze that Blinds Us: Myth, Technologyand Power in Orphée, 2001: A Space Odyssey and HugoWilliam Anselmi, Lise Hogan . . . . . . . . . . . . . . . . . . . . . . . . 67
Greek civil war and representations of powerin Greek cinema (1948-2010)Ifigeneia Vamvakidou . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Visions of power: How to explain pictures to a dead hareVicky Karaiskou . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
Note on Contributors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
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