Formal Methods of Cultural Analysis by Mohr & Rawlings
Transcript of Formal Methods of Cultural Analysis by Mohr & Rawlings
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Formal Methods of Cultural Analysis
Draft 9/9/14
John W. Mohr and Craig Rawlings
(Word Count = 11,715)
(Forthcoming) International Encyclopedia of the Social
and Behavioral Sciences, 2nd edition. James D. Wright (ed.) Elsevier
Abstract: Our focus is on methods of cultural analysis, and specifically on those methods that are
formal in the sense that they rely upon the purposeful gathering (or simulating) of cultural data
and a systematic analysis that involves at least some mathematically based technique. The
meaning of culture is more complex, as scholars have understood cultural phenomena in very
different ways across the decades and across the disciplines. These different goals in cultural
analysis give rise to different types or styles of formal methods of cultural analysis. We briefly
review the history of these methods in the social sciences and finish with a description of some
of the main arenas within which formal methods of cultural analysis are being deployed and
actively developed today.
1. What is a formal method of cultural analysis?
We describe developments in the use of formal methods of cultural analysis in the social
sciences, focusing on approaches that rely upon the gathering (or simulating) of data concerning
matters of culture. By this classification, it is precisely the use (either ultimately or potentially) of
formal measurement practices and the construction of a data set that can be analyzed according to
logical, relational or other quantitative methods that define an approach to cultural analysis as
formal in the sense of the term used here. We begin our essay by describing different types or
styles of formal analysis of cultural data. We then review some of the history of how these
methods have been used for analyzing culture in the social sciences. We finish with a description
of a few of the main arenas in which formal methods of cultural analysis are currently being
developed and deployed by research scientists.
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Our title indicates a focus on formal methods of cultural analysis (suggesting a survey of
techniques) but a more accurate description would be to say that we focus here on alternative
research programs for studying culture (each of which includes a shared tradition, organized
communities with hierarchal social structures, shared ways of scientific knowing linked with
(articulated into) shared systems and styles of practice, (which also implies immediately that
these are also technological ways of knowing and technological ways of doing (see Bourdieu,
1990; Pinch, 1986). A focus on methods alone strikes us as less productive since methods are
never really neutral. For one thing, there are many examples where the same styles of data
collection (e.g., interviewing or surveying) or the same styles of analyzing data (network analysis,
linear modeling or Boolean algebras) have been deployed in the service of quite different types of
research goals.
The meaning of culture is inherently difficult to pin down, as scholars have understood
cultural phenomena in quite different ways across the decades and across the disciplines, a topic
that we take up here as well. As a start, recall that Raymond Williams (1977) traced the origins
of the concept of culture from its early roots referring to “the growth and tending of crops and
animals, and by extension the growth and tending of human faculties” (p. 11) through a series of
changes and developments. With the rise of Romanticism, Williams notes that culture takes on a
new meaning as something set against the character of modern life “as distinct from or actually
opposed to ‘civilization’ or ‘society’ in its new abstract and general sense …‘culture’ as a general
process of ‘inner’ development was extended to include a descriptive sense of the means and
works of that development: that is, ‘culture’ as a general classification of ‘the arts,’ religion, and
the institutions and practices of meanings and values” (p. 14-15). Williams identifies a second
break in the concept of culture that he traces back to the original (18th century) insights of
Giambattista Vico and Johann Gottfried Herder on culture as styles of life which then emerge
full-blown in the 19th century associated with the idea that “a fundamental social process which
shapes specific and distinct ‘ways of life’ is the effective origin of the comparative social sense of
culture and its now necessary plural ‘cultures’” (p. 17). While the theory of culture has changed,
in some ways this age old split in thinking about culture still resonates today with how formal
methods are applied to the study of culture today. On the one hand, a focus on culture as
primarily concerned with domains of creativity and the arts, and on the other, those who would
instead emphasize the study of culture as a “way of life” founded perhaps on core patterns of
understanding, believing, valuing or moralizing. In this case, as Clifford Geertz offered a
definition of culture as “an historically transmitted pattern of meanings embodied in symbols, a
system of inherited conceptions expressed in symbolic forms by means of which men
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communicate, perpetuate, and develop their knowledge about and attitudes toward life” (1973, p.
89).
For analytic purpose we distinguish between two types of formal research programs for
studying culture. The first type, which we classify as interpretative or hermeneutic styles of
cultural methods have as their goal advancing our ability to know or to understand a shared
cultural meaning or form of collective understanding (or to simply assist in providing a reading of
a cultural text). These are methods that are often grounded in views of culture that see systems of
shared meaning (or core logics of understanding) as being what most deeply anchors an effective
cultural analysis. Methods of content analysis are one example of a style of cultural research
programs that are frequently associated with hermeneutic research goals. Hermeneutic style
projects tend to focus on speech activity (including texts) and their formalisms are generally
geared toward helping the analyst to make sense of the speech data, system of discourse or other
forms of cultural expression. Here, cultural meanings can include larger types of shared cultural
patterns (like ideologies, fields and hierarchies of artistic tastes or institutional logics (Friedland
and Alford, 1991; Geertz 1964; Swidler 2003; Thornton, Ocasio and Lounsbury 2012; Wuthnow
1989). But they might just as well be directed at smaller groups or organization level meaning
systems, including those that Gary Fine calls idiocultures (Fine, 1979) or what Harrison White
describes as netdoms — conjunctures of identities, networked together in a time and a place, with
a foundation in shared collective meanings, ways of talking together and repertoires of stories.
White says that this “presupposes the mixture of relation and topic, plus understanding” (White,
2008, p. 7).
We classify other forms of measuring culture as non-hermeneutic. Here the goal is to
measure aspects or traces of cultural forms, and then to use those measures as indicators (or
factors) for understanding or explaining other social phenomena. One might also say that the goal
of a non-hermeneutic program of cultural analysis is at least potentially a simpler approach to
measurement since it comes without the added ambition of needing to also decipher the
hermeneutic meaning of the cultural data that has been collected. DiMaggio sums it up, “Nothing
is more central to the study of culture than the interpretation of meaning, yet nothing is more
difficult” (DiMaggio, 2011, p. 294).
2. Some History
A. Early uses of data to measure culture
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As states and state apparatuses grew, so too did their capacities and appetites for the
gathering of systematic data on national, regional and local populations (for taxation,
conscription, tariff collection, and other administrative functions). They also developed measures
of “economic” indicators — the money supply, forms of wealth, the circulation and availability of
commodities, etc. (Porter, 1986; Spengler, 1961). These endeavors were constitutive of the basic
discursive, professional, and organizational cultures and informational infrastructures that
facilitated the rise of modern states, political economies, and systems of surveillance. As this data
was collected, so too were social scientists developing new mechanisms for measuring the types
and characteristic qualities of the people who made up these nations (Foucault, 1970; Fourcade,
2010; Hacking 1975, 1990; Lazarsfeld, 1961; Porter, 1986; Stigler, 1986). And as soon as these
official statistics were being gathered, researchers began to make creative use of those measures
to describe and analyze matters of culture.
In his classic review of the origins of quantification practices in sociology, Lazarsfeld
(1961) recounts numerous efforts by pioneering social scientists to take the measure of norms,
values, moral sentiments, and systems of shared meanings. Lazarsfeld (1961) dates the origins of
modern demography to the work of Graunt in 1662. Spengler (1961) tells us that estimates of the
supply of money were being made as early as 1694. State data efforts in this era were, however,
spotty, unreliable or altogether unavailable (in no small part because local populations were
properly suspicious of state enumeration efforts). For many years, clever estimation strategies
were relied on. As Lazarsfeld explains, “(T)he ingenuity of early scholars was directed mainly
toward obtaining estimates of population size and age and sex distributions from meager and
indirect evidence. Multiplying the number of chimneys by an assumed average family size or
inferring the age structure of the population from registered information regarding age at the time
of death were typical procedures in what was then called political arithmetic” (1961, pp. 149-
150). But it was not only demography that was being estimated. The specialists in these arts, the
political arithmeticians, prided themselves on showing the relationship between national
populations (which were thought to express very specific characters), the nature of particular state
administrations (which were often viewed in highly personalized terms), and the principles of
good governance (which were a curious mix of theistic moralities and Aristotelian inspired proto-
scientific rationalities). In the process, topics regarding culture were mixed in with demographic
facts, mercantilist tallies, and pseudo-sociological folk theories (often built around rhetorics of
national historical dramas) (Lazarsfeld, 1961, Porter, 1986).
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Elsewhere Lazarsfeld sums up what he sees as the main trend in the early years of culture
modeling by explaining that in the mid-nineteenth century, “Le Play assessed the religious
feelings of the families he studied by examining their budgets and noting how much money they
spent on candles for church masses. It was objected that church attendance might be a better
indicator of the religious feelings Le Play sought to measure, and thus slowly the notion of time
budgets – in addition to money budgets – developed. It was then further argued, that perhaps
church attendance is indicative only of conformity to social customs; it is the attitude toward
religion which really matters. And so attitude measures began their triumphant course”
(Lazarsfeld 1970, p. 65).
These early efforts at measuring culture have a distinctly Durkheimian flavor. The
importance of culture is its role in the collective conscious – or the social glue that provides
cohesion through shared beliefs and sentiments. Largely absent are the conscious deliberations
over various interpretations of cultural objects, as well as more complex systems of meaning in
which cultural processes unfold. Culture is subsumed by social structure, while the structures of
cultural systems are not an empirical concern. It would take some time for culture to escape the
confines of this larger functional edifice.
B. Kroeber’s analysis of fashion trends
An early example of a social scientist who sought to develop a precise set of formal
measures of cultural forms was Alfred Kroeber (1919) who studied changes in women’s dress
fashions. Kroeber systematically coded a sample of images from a collection of women’s fashion
magazines (measured annually from 1844 to 1918). By taking basic measurements of the models
and their gowns (the length of the figure, length of dress, width of dress at hem, width of dress at
waist, etc.) and analyzing these data across time Kroeber found some clearly visible and
apparently cyclic trends in women’s dress fashions. In one graph, for example, he shows the
quick and unidirectional growth in the width of the skirt, neatly capturing the fashion in crinoline
hoop skirts out to an apex, followed by a steep decline (save for a short sartorial diversion by way
of a the widening of trains on the dresses). The data that are used for these analyses are very
simple measures of size and ratio in women’s evening fashions. This is cultural data but it is not
hermeneutic data. In other words, whether meanings are ultimately at work in determining what
goes on here or not, what was actually being recorded as data by Kroeber are just a simple set of
measures assessing the geometric dimensions of the cultural forms (evening dresses), measures
that turn out to be useful for illustrating increments of change in cultural forms over time.
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Kroeber’s work is, in this sense, a classic and early demonstration of how non-hermeneutic
measures of culture could be collected and usefully analyzed.
Stanley Lieberson (2000) finds a similar type of effect (80 years later) when he studies
baby names. Lieberson calls this the ratchet effect. The cycle is explained by the idea that tastes
involve establishing a distinctiveness, a difference from less valued taste categories and that in a
system such as women's fashion, part of what is valued is the new (as distinct from the old) and
thus an important marker of the new is the length of the dress. If hem lines don't change, then the
newness of the fashion is harder to perceive. So they must be different than last year's hem line.
But if they go backwards, to the length of the previous year then again there will be a danger that
the new will be confused with the old, with the really old– that is, with the passé. As a result the
hem has to continue moving in the direction it has been moving in. And this continues until the
hem hits an obstacle (the floor or some measure of moral propriety) at which point it has to
reverse itself.
Lieberson (2000) shows that given names also exhibit the ratchet effect. Names turn out
to be a good source for cultural data because they are collected very systematically (e.g., in birth
records) and because they have increasingly become defined as free choices and thus they are
subject to the vagaries of style. Names become appealing to a lot of people at the same time. As
this happens the name becomes more and more popular until such point that a given name will
become too popular. As an explanation, Lieberson offers a basic thought experiment. Suppose
you are about to name your child and you were searching for a name that appealed to you. And
you hit upon a certain name. But you looked about you and you saw lots and lots of people with
that name. So many people that you wanted your child to be different, to be special, to be given
their own more unique name. And so you pick something else.
Lieberson describes both endogenous and exogenous effects. The former focus on the
means according to which taste moves. This depends on a largely tacit set of cultural affinity
processes. Choices happen because within the sea of available names, some are in one’s mind,
others aren't. Some sound nice to one’s ear and others don't. Some seem like good things to
choose and others don't. Culture in the end is about how the self is subjectively tuned into a
complex, flowing field of cultural meaning systems. The choice of a child’s name reflects how
some social constellation of influences, embedded within an interlocking set of family, friend,
and significant other networks, usually including a fantasized network of media personalities, are
affected by the rise and fall of aesthetic appeals, and the ebb and flow of identity dilemmas and
associations, all of which weigh down upon the moment when a child is announced to have a
given name. Compare this with the theory of culture held by Kroeber. Like Durkheim, Kroeber
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was trying to demonstrate institutional effects, seeking to show that there are things that occur in
cultural life that operate at a level which is not just at the experience of a particular individual.
But unlike Lieberson, he has little to turn to as a means of explanation. And, in the end, when he
ponders about what might account for the regularities of culture he suggests, “The super-organic
or superpsychic or super-individual that we call civilization appears to have an existence, an
order, and a causality as objective and as determinable as those of the subpsychic or inorganic”
(p. 263). In this sense, going beyond Durkheim, Kroeber creates a semi-autonomous realm in
which cultural processes unfold according to a guiding internal logic. The value placed upon
“newness” may derive from broader institutional contexts, but the cultural manifestation of this
value is guided by the logic of an inter-related set of symbols and their behavioral correlates.
C. Lévi-Strauss on Formal Methods for Interpreting Myths
Contrast Kroeber’s ambitions with those of the French anthropologist, Claude Lévi-
Strauss. Lévi-Strauss is famous for his contributions to the original development of structuralism.
Coming to the field a generation after Kroeber, Lévi-Strauss made a huge impact on anthropology
by applying the principles of structural linguistics (and formal semiotics) to non-linguistic matters
of culture. Following in the path originally pioneered by Swiss linguist Ferdinand de Saussure
and later by structural linguists such as Roman Jakobson (whom Lévi-Strauss met in New York
during World War Two while teaching at The New School), Lévi-Strauss used structuralist
principles to analyze anthropological data on kinship structures and myths (Lévi-Strauss, 1963).
Kinship structures are the single most important institution in traditional societies and Lévi-
Strauss began his career by showing that structuralism provided a new way of interpreting the
logic of kinship systems. Later he turned to the study of myths in traditional societies and it was
especially here that we can see how Lévi-Strauss provides an early example of a social scientist
seeking to use formal methods of analysis to approach what was an explicitly hermeneutic (or
interpretive) research goal.
For Lévi-Strauss, the goal was to understand how the interpretation of a myth can be
facilitated by analyzing the deeper relational structures (the bundles of relations linking concepts
and actions within the myth). Lévi-Strauss saw that these structures provided an order for the
content and the meaning of the myth, and ultimately it was the structural logic that made the
whole greater than the sum of the parts. Specifically, Lévi-Strauss looked to develop analogues
to the way that linguistic structures worked in language. Rather than investigating the
“morphemes” of language structure, however, Lévi-Strauss gathered up and analyzed the
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“mythemes” (or “gross constituent units” of meaning) that make up the content elements of
myths.
In his essay on “The Structural Study of Myth,” Lévi-Strauss illustrated this approach by
deconstructing the Oedipus myth. Lévi-Strauss’ technique depends on breaking the myth into
simple sentences (or “statements”) and then looking for commonalities in the semantic functions
that each sentence performs. In the case of the Oedipus myth, the statements are semantically
(and thus structurally) divided into common bundles of relations. Thus Lévi-Strauss’s
interpretation of Oedipus: “The myth has to do with the inability, for a culture which holds the
belief that mankind is autochthonous [born from the earth], to find a satisfactory transition
between this theory and the knowledge that human beings are actually born from the union of
man and woman. Although the problem cannot be solved, the Oedipus myth provides a kind of
logical tool which relates the original problem— born from one or born from two?—to the
derivative problem: born from different or born from the same? By a correlation of this type, the
overrating of blood relations is to the underrating of blood relations as the attempt to escape
autochthony is to the impossibility to succeed in it” (p. 216).
Lévi-Strauss’s approach is hermeneutic in the sense that his goal is to employ this style of
cultural analysis to facilitate his interpretation of the meaning of the myth. It is formal because he
gathers up data about the content of myths, he measures the distribution of the mythemes and the
relations between them, and he provides us with an analysis (based on a system of Boolean
transformations) that provide us with a plausible reading of one meaning of the myth. It is
explicitly through his linking of the analysis of patterns in his collected data to his research goal
of interpreting the meaning of the myth that Lévi-Strauss provides what is an especially useful
example of a hermeneutically oriented approach to formally measuring cultural data. But, as
Pierre Bourdieu would later show, Lévi-Strauss’s structural approach to culture leads to a largely
disembodied mapping of meaning, overlooking the important lived territories and material
conditions that shape meanings and give rise to various symbolic struggles.
D. Developments of Cultural Measurements in sociology through community studies
and social work theory
In the early years of professional social science there were a variety of quite different
programs of research that sought to develop formal measures of culture. One stream of work
developed out of the efforts to conduct neighborhood surveys such as those that were being used
by Charles Booth to study the London slums in the late 1890’s. These ideas were later applied (in
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1896) by W.E.B. Du Bois in his survey of a black neighborhood of Philadelphia which was
followed by the Pittsburgh survey of 1907 (and dozens of other city surveys that came after that).
These were intensive collections of data, even though the procedures were not the same as what
we might imagine when we think of a modern, systematic, door-to-door canvassing with a survey
questionnaire. “Rather it was an effort to provide an inventory and an overview of the state of the
city, for which the investigators were omnivorous in their methods of data collection” (Converse
2009 [1987]: 24). Much of the data came in the form of the schedule, which “in the hands of the
social surveyors was an instrument for making observations or for conducting interviews with
respondents, or a mixture of both” (Converse 2009 [1987]: 34). With funding from the Russell
Sage Foundation, the Pittsburgh initiative had seventy-four field staff compiling a mass of
detailed information about all kinds of social phenomena. For example, the checklist for
observing clothing worn by inhabitants included categories for, “spotted… dusty… torn…
worn… patched… mussed… wrinkled…” (p. 34). Researchers compiled information by
collecting “case–history interviews, which were gathered and then counted and compared among
some dimensions, thus providing a ‘casemounting’ that represented a merger of the case study
and statistical methods” (p. 34). But, as Bulmer points out, “the Survey used quantitative data in
more of an exploratory and descriptive than analytic way” (1996, p. 18). Here and elsewhere, “It
was as if there was an intuitive sense of the value of collecting extensive data about individuals in
the population being studied, without the necessary knowledge either about sampling or how to
handle the data once collected other than to compute simple counts of characteristics and then
treat respondents on a case-by-case basis” (p. 26).
A different force for developing measures of culture came from another wing of the
professional social work community. While community workers (including settlement house
workers) had been visiting and surveying slum residents since the mid 1880’s, by the turn of the
century social workers were becoming more professionalized, and this included a strong push to
rationalize and quantify social workers’ field observations and to use those data in productive
analytic ways. From her post as director of the Charity Organization Department at the Russell
Sage Foundation, Mary Richmond (1917) sought to promote a style of professionalization in the
field of social work that was explicitly modeled after the medical profession. Social workers
were encouraged to gather systematic data from their cases in order to create a coherent system of
data about behavior, character and culture that could be used for diagnosing and treating the
social pathologies that lead to poverty and ruin.
Meanwhile, professional sociologists were also studying communities. One of the most
important of the early studies was the research collaboration between W.I. Thomas and Florian
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Znaniecki (1918) concerning the lives of Polish immigrants. Drawing particularly on letters
written to and from family members in Poland, they emphasized the utility of using these types of
documents for sociological research. “We are safe in saying that personal life-records, as
complete as possible, constitute the perfect type of sociological material, and that if social science
has to use other materials at all it is only because of the practical difficulty of obtaining at the
moment a sufficient number of such records to cover the totality of sociological problems, and of
the enormous amount of work demanded for an adequate analysis of all the personal materials
necessary” (Thomas and Znaniecki 1958: 1832, as cited by Łuczewski, 2009).
Using these materials, Thomas and Znaniecki combined their intellectual interests.
Thomas was mostly focused on attitudes while Znaniecki was concerned with values, but together
they produced a solid grounding and advance for social science’s understanding of how to
analyze cultural forms. Łuczewski (2009) points out that for Znaniecki “The great mistake […]
was to treat the problems of values […] as ultimate and self-sufficient, instead of taking them
only as starting-points of future investigations”. Thus he described values on two levels: content
(ability to become an object of experience either sensual or imaginative) and meaning … In his
relational perspective, meaning of a given value depended on its relations with other values.
Simply put, the meaning is the relation (2009, p. 8). These studies helped early on to situate the
formal analysis of culture within the lived experience of groups seeking to use culture to achieve
practical ends. This more Pragmatic view of culture, and thus the reasons for measuring cultural
artifacts, resurfaces much later in the work of Pierre Bourdieu, which we discuss below.
E. Surveying Values, Attitudes and Opinions
The invention of attitude measurements provided the means to use sample surveys to
measure cultural content systematically. Not long after Thomas and Znaniecki published their
work (1918) both Floyd Allport and Emory Bogardus published independent methods for
formalizing the study of attitudes through the use of “attitude scaling.” Later, Thurstone, Likert,
and others produced rapid advances in the use of social surveys for measuring subjective
experience, including cultural orientation, values, systems of meanings and beliefs, and subjective
understandings of social situations (Converse 2009 [1987]). These developments coincided with
the emergence of independent polling bureaus and university centers that conducted independent
surveys, as well as the growing sophistication of population sampling and statistical methods for
gauging significance and for interpreting scales measuring subjective experience. This includes
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cultural orientation, values, systems of meanings and beliefs, and subjective understandings of
social situations (Converse 2009 [1987]).
World War Two was a critical juncture. It brought academics together into large, multi-
disciplinary, state-funded research teams. In the case of survey research, Samuel Stouffer led a
team of social scientists who surveyed over a half million U.S. Military personnel through the
war years. Surveys asked about complicated matters like troop morale, racial integration, and
officer performance. By the end of the war, survey methodologies had been improved and their
legitimacy had been secured. Over the course of the next two decades, social scientists like Paul
Lazarsfeld (Director of the Columbia Bureau for Social research) helped to build up the
conceptual, theoretical and practical foundations of modern social survey science, writing essays
and commissioning papers about how to construct effective survey questions, how to use the data
to build variables, how to use cross-tabulations to compare variables, how to assess statistical
significance and to run regression models, eventually establishing survey research as the new
“language of empirical social research” (Lazarsfeld 1968: vii).
Survey research has continued to improve since those years, developing into what is the
social sciences’ most mature and essential means of collecting data about culture and social life
(Schuman, 2008). In recent years, survey analysis methodologies have been undergoing a
renaissance as new scholars have come to the field and challenged traditional assumptions. Steve
Vaisey (2009) helped to bring the dual-process model of information processing over from
cognitive science, arguing that much of how people operate is indeed non-reflexive and driven by
habit, but that other parts of human cognition is active and deliberative and that we should use our
surveys more strategically to unearth these effects. Vaisey and Lizardo (2010) applied the dual-
process model to look at how people’s world views impact the character of the types of social
networks that they form. Amir Goldberg’s (2011) development of relational class analysis is
another example of recent innovations in survey research. Instead of comparing respondents on
the basis of having similar attitudes, relational class analysis emphasizes comparing respondents
that have similar beliefs about the relations between attitudes.
3. Some Contemporary Approaches to the Formal Analysis of
Culture
A. Measuring Meanings with Cognitive Science
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Other areas of social science have also focused on the formal analysis of culture and
meaning. In 1957 Charles Osgood (and his first two graduate students, George Succi and Percy
Tannenbaum) published The Measurement of Meaning. The monograph introduced and
demonstrated their efforts to use “the semantic differential” as a tool for formally measuring the
connotative aspects of word meanings. Their basic idea was to present respondents with a key
word (such as “father”) followed by a series of paired opposites presented as 7 point scales,
happy/sad, hard/soft, slow/fast, and the respondent is asked to rank their association of the key
word to each of the scales. Osgood and colleagues explain, “The semantic differential is
essentially a combination of controlled association and scaling procedures. We provide the
subject with a concept to be differentiated and a set of bipolar adjective scales against which to do
it” (1957, p. 20). Factor analysis was used for simplifying the data. Of course a critical issue was
identifying the right paired oppositions and these types of matters occupied Osgood and his
colleagues for many years. Nonetheless by the time the Snider and Osgood volume, “Semantic
Differential Technique: A Sourcebook,” was published in 1969, the editors could report that “the
semantic differential technique has gradually captured the imagination of psychologists…in
recent years, hundreds of articles using the technique have appeared in professional journals”
(1969, p. v). One direction these studies moved in was in the application of semantic differential
tools to comparative studies of cultural meaning.
Much of the research by cognitive scientists tends to focus on the more cognitive and or
biological sides of cognitive processes. But these types of tools were quickly embraced by one
group of anthropologists who had an explicit focus on culture, a story that is effectively told by
one of the field’s leaders, Roy D’Andrade (1995). About the time that Osgood and his colleagues
were preparing to publish their book on meaning measurement, a pair of anthropologists, Floyd
Lounsbury and Ward Goodenough, were publishing two new papers on the use of componential
analysis, a method that was used to break down and analyze the core meanings of kinship systems
(1995, 21). As D’Andrade explains, “The reason that the kinship terminology papers by
Lounsbury and Goodenough had such a large impact was that they presented a rigorous method
for identifying “idea units” and analyzing the organization or structure of these units. While
developed specifically for the analysis of kinship terms, it appeared that the general principles
involved in identification and analysis could be extended to other domains. It was this body of
methods and goals which was to become the agenda of cognitive anthropology” (1995, p. 17). By
the mid-1960’s this field was growing. D’Andrade recounts the move from formal studies of
kinship terms to a variety of studies of language terms (such as words for firewood) and from the
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use of simple schema toward more elaborate models for measuring cognition. DiMaggio (1997)
provides an account of how studies in cognitive science intersect with research on culture.
B. Content Analysis
While the careful and ordered reading of texts goes back many centuries through various
traditions of hermeneutics, the systematic treatment of texts as data in the more formal sense that
we have employed in this essay is relatively new. Harold Lasswell was an important contributor
to these developments. After having studied the use of propaganda during the First World War
for his doctoral dissertation at the University of Chicago, Lasswell was well prepared to step into
the position as director of the ‘‘experimental division for the study of wartime communications,
established at the Library of Congress during World War II’’ (Lasswell and Leites, 1949;
Lasswell et al., 1952, p. 40). In this position he helped devise rigorous sets of procedures for
coding textual material in a way that was intended to measure cultural and group level discourse
processes. After the war, Lasswell used these methods to coordinate a study of a corpus of
20,000 newspaper editorials sampled from ten major newspapers (in five countries) between the
years of 1890-1945 during which many of these conventions and strategies were published
(Lasswell, Lerner, and Pool, I.d.S., 1952).
Content analysis tools continued to improve. Philip Stone and colleagues at Harvard
(1966) developed the General Inquirer which was a general purpose computer based content
analysis program that relied upon the building of specific dictionaries for various focused
investigations. By the 1980’s sociologists like Roberto Franzosi (1989) were using semantic
grammars as a way to code the meaning of texts. These formal methods and project styles come
together especially well in John Markoff’s (1996 [2004]) analysis of the origins of the French
revolution (which builds on collaborative work done with Gilbert Shapiro). Drawing upon rich
textual material preserved in the cahiers de doléances, (the official lists of grievances drawn up in
1789 by rural communities, and others), Markoff is able to follow the flow of discourse back and
forth between the legislators and the peasants across both time and space. Here the texts are
interpreted with the help of formal tools and the lessons that are learned imply changes in how we
now understand the role of the peasantry within the system of discourse and political maneuver
around the years of the revolution.
One of the most productive off-shoots of the content analysis tradition has been in the
area of scientometrics – that is, a branch of formal analysis concerned with the sociology of
knowledge and its measurement in research publications. A key component of this lineage is
14
citation studies as represented, for example, in the many achievements of Loet Leydesdorff
(2001) and his colleagues. This perspective also reflects an early blending of text analysis and
network analysis, as authors, articles, and even journals are analyzed through the networks they
form in co-authorships and co-citations. Still, in a number of ways, research projects in this field
are being supplanted by new problems and new methods coming from the developments in
computational analysis that are now being incorporated into fields like sociology, linguistics, and
the humanities (see below).
C. Cultural Capital Studies
In a sense the French sociologist Pierre Bourdieu was foundational to the modern use of
formal methods of cultural analysis in several important ways. One way was in the stream of
research concerning the role of culture in social stratification and especially research surrounding
the concept of cultural capital (Bourdieu and Passeron, 1977). The original insight was linked to
the argument that participation in forms of high culture was a mechanism by which elite
households were able to pass along hidden advantages to their children. Children from privileged
households are inculcated with elite styles of cultural knowledge and forms of practice that enable
them to display the required levels of what Bourdieu and his colleagues call cultural capital. The
key insights here — that culture was a resource, one that was associated with mechanisms of
class reproduction, and that these forms of cultural mastery could be identified using standard
survey techniques proved to be a powerful catalyst for new streams of measuring culture. Paul
DiMaggio borrowed the notion of cultural capital from Bourdieu and used a factor analysis to
construct a set of measures of cultural capital that proved to be effective in predicting success in
both educational and marital attainment (DiMaggio, 1982; DiMaggio and Mohr, 1985). Both the
DiMaggio research and the ongoing stream of work by Bourdieu himself led to the production of
a wide stream of research concerning the effects of cultural capital on stratification outcomes in
different countries and across different institutional systems (e.g., DeGraaf, De Graaf, and
Kraaykamp, 2000; Kane, 2000; Roscigno and Ainsworth-Darnell 1999; Van Rees, Vermunt,
Verboord, 1999). One especially influential reformulation grew out of a classic paper on the
phenomena of “cultural omnivores” by Peterson and Kern (1996) showing that increasingly, high
status culture consumers focused less on specializing entirely on exclusive cultural tastes and
instead began to acquire a broad set of cultural engagements.
More recently this field of work has morphed again as a range of new projects on
measuring the relationship between culture and social structure have begun to take center stage.
15
Omar Lizardo (2006), for example, using data from the General Social Survey, finds that
measures of cultural tastes predict an individual’s network style. Specifically, individuals with
higher levels of culture participation are found to be more likely to have a greater number of
strong network ties whereas engagement with popular culture tends to be associated with larger
weak-tie nets. The general sense here, as articulated in an important essay by Pachucki and
Breiger on “cultural holes” (2010), is that scholars are increasingly coming to pay attention to
how it is that culture acts as a general social resource that leads to the creation of things like
social networks, thereby inverting the more traditional assumption that it is networks which are
primary and culture that is epiphenomenal.
D. Field theory
A second important legacy of Bourdieu’s research program is the recent growth in what is known
as field theory. The idea of describing social situations as being defined by “field effects” goes
back to several sources. The Berlin Gestalt psychology made famous the notion of fields in
structuring perceptions. In social psychology, Kurt Lewin was instrumental in developing models
of how to formally model social fields. Lewin himself drew upon the time he had spent with the
Gestalt scholars and also the German philosopher Ernst Cassirer during his years at the University
of Berlin. Borrowing also from physics and especially Einstein’s conception of fields, Lewin
(1951) sought to measure cultural phenomena by applying the idea of a field to an understanding
of socially constructed interactional space. Much of his work drew upon studies of children’s
behavior conducted during his years as director of the Child Welfare Research Station at the
University of Iowa.
Lewin began to use the field concept to construct models of an individual’s “life space”
which he described as “the person and the psychological environment as it exists for him”
(1951:57). These were essentially cognitive maps of individual’s choice situations. They included
“specific items as particular goals, stimuli, needs, social relations, as well as more general
characteristics of the field as the atmosphere (for instance, the friendly, tense, or hostile
atmosphere) or the amount of freedom.” The definition was pragmatic. The life space included
within it “everything that affects behavior at a given time” (1951:241). The key goal for Lewin
was to bring a level of formal analysis to the study of social psychology. Field theory worked
well because of the type of mathematics that defined it. Inspired by the work of the German
philosopher Ernst Cassirer on relationalism vs. substantialism, Lewin was convinced that life
spaces were essentially relational systems. Objects in the life space stood in particular relation to
one another but their location could not be defined in precise metric terms. It was impossible to
16
specify precise dimensions, linear measurements, or definable coordinate systems within which
objects could be located inside an individual’s life space, but field theory provided a way to
measure these things in the purely relational sense of topology theory. Extensions of Lewin’s
ideas about measurement theory found their way into modern social network analysis which is
like Lewin’s field space in that it is based on purely relational measures (Mohr, 2013).
Later in his career, Pierre Bourdieu began to focus on the study of fields, a term he used
to designate “relatively autonomous social microcosms” corresponding to regions of institutional
life. For example, Bourdieu studied the fields of art, academia, religion, and law. Each field is
understood to be defined by a set of social relationships and a shared collective understanding
about the meaning of what goes on inside the field or, as Bourdieu puts it, each field consists of
“spaces of objective relations that are the site of a logic and a necessity” (Bourdieu and
Wacquant, 1992, p. 97). Like Lewin, a primary reason that Bourdieu adopts a field approach is
that it made it easier to theorize and measure social life and especially matters of culture. As
Bourdieu explains with respect to his preference for correspondence analysis models, “if I make
extensive use of correspondence analysis, in preference to multivariate regression for instance, it
is because correspondence analysis is a relational technique of data analysis whose philosophy
corresponds exactly to what, in my view, the reality of the social world is. It is a technique which
‘thinks’ in terms of relation, as I try to do precisely with the notion of field” (p. 96). Bourdieu
(1984) famously employed correspondence analysis techniques in his studies of the association
between social class and cultural tastes in France.
Field theory therefore brings together the embodied agency of actors and the
meaningfulness of relational systems that enable and constrain action. The formal analysis of
culture – the arraying of categories and identities in some relational space defined by those
participating in these cultural forms – therefore reveals a state of the struggle for positions and
dominance according to the underlying logic of a field. Inspired by Bourdieu’s research, a
number of other areas of social science have spawned studies of field. Institutional theorists in
organizational studies have focused on studying fields (Powell and DiMaggio, 1991; Fligstein
and McAdam 2012; Martin 2003; Padgett and Powell 2012). Within this group, a strong
emphasis on cultural analysis has emerged among those who study organizational fields as being
fundamentally grounded in a system of meanings described as institutional logics (Friedland and
Alford, 1992; Friedland, Mohr, Roose and Gardinali, 2013; Thornton, Ocasio and Lounsbury,
2012).
E. Networks and Culture Perspective
17
Paul DiMaggio argues that “network analysis is the natural methodological framework
for empirically developing insights from leading theoretical approaches to cultural analysis”
(2011, p. 286). He goes on to suggest that “Social scientific work on culture has three analytic
foci: formally organized systems that produce and distribute cultural products; expressive
symbols that facilitate the production of individual and group identities and intergroup
boundaries; and the symbolic organization of meaning. Relational theories are central to each of
these topics” (DiMaggio, 2011, p. 286).
The interest in relationality comes up again and again in these research projects and this
is partly a reflection of the common lineages of the work. Jacob Moreno observed network effects
in his study of small groups during the 1930s, providing the first real example of modern network
analysis. But Kurt Lewin’s work on field theory was also connected to the emergence of modern
network science. One link occurred through the work of Lewin’s student Alex Bavelas (1950)
who applied ideas from Lewin’s hodological analysis of field space to assess the properties of
networks. Later, Lewin’s ideas were recast in graph theoretic terms by Dorwin Cartwright,
Lewin’s successor as Director of the University of Michigan Research Center for Group
Dynamics (Harary, Norman and Cartwright, 1965; Mohr, 2013). Network theory also has deep
connections with formal traditions of kinship analysis that were being conducted by
anthropologists (Breiger, 2004). Indeed, Harrison White who went on to become the leading
figure in social network analysis in American sociology during these years, started out his career
in sociology in part due to his fascination with Lévi-Strauss’s work on kinship algebras (White
1963).
In its early years (1960’s-1970’s) the sociological field of network analysis was explicitly
anti-cultural in its approach, the feeling being that network ties were material, concrete and
measurable while culture was none of those things. But by the early 1990s that sentiment had
begun to change. Harrison White made a pivot toward culture when he published the first edition
of Identity and Control (1992) in which he lays out an expansive theory of social life that relied
quite explicitly on theorizing the intersection of culture and networks. Karen Cerulo (1988) had
already been working on matching semiotic theory with the empirical analysis of data from
cultural artifacts that included visual symbols and written music. A number of other scholars had
begun merging social network methodologies with the analysis of cultural data. Carley (1994)
used network models to analyze the meaning structure of science fiction novels, Bearman and
Stovel (2000) used network graphs to analyze narrative structures in Nazi party members’ life
stories, and Smith (2007) did something similar with people’s narratives about conflicts they have
18
lived through in Istria. Network analysis reveals how some narrative elements can link disparate
narrative structures together as a kind of cultural bridge.
Much of this work makes use of two mode data, meaning that relationships are examined
that span across two categories or domains of things — relations that link individuals and groups,
members and committees, or categories of persons and categories of treatments. Breiger (1974)
did the original work on this in his development of a formal model for analyzing the linkages
between individuals and groups as a structural duality. These types of cultural models were then
used by Mohr and Duquenne (1997) when they analyzed the implicit institutional logic of 19th
century poverty directories with Galois lattices to assess how organizations matched categories of
poor with poverty treatments regimes. Mische and Pattison (2000) also used lattices as a way to
analyze the duality between Brazilian youth organizations and their projects which they define as
"evolving, imaginatively constructed configurations of desired social possibility, accompanied by
an implicit or explicit theorization of personal and~or collective capacity to act to achieve that
possibility." Yueng (2005) uses lattices to compare members of different communes according to
the types of ways that commune members characterize their relationships with one another.
Martin (2000) compares the kinds of animals and the types of occupations that they hold in
Richard Scarry’s children’s books.
4. The New Computational Approach to Culture
A. Computational Linguistics
Linguistics has long been more scientifically advanced than the other social sciences in
the sense that more progress has generally been made in understanding the basic rules and
principles of linguistic operations, and much of that is due to the elaboration of sophisticated
theories and methods of structural analysis of language systems. But with the rise of the digital
society, linguistics has also become both a data science (dedicated to processing large amounts of
textual data) and an engineering science focused on trying to create useful technologies.
Whether linguistic projects of cultural analysis are also grounded in hermeneutic styles of
culture analysis depends. In some sense, all of linguistic science has an interpretive goal since it
is all geared toward analyzing and understanding language and speech activity. But on the other
hand, there are also many different levels and styles of understanding in linguistic science.
Syntax tries to account for language use at the level of the sentence while semantics and
19
pragmatics deal with the relation between these lower level language processes and the broader
problems of meaning and language use. Moreover, modern linguistic science has moved well
behind purely structural analysis. As Hajic (2004) notes, “Today we can say that one of the
turning points for linguistics was Claude Shannon’s work (1948)” (p. 80). Shannon provided the
research that lays out the grounding for modern communication theory. It was built upon a long
tradition of mathematical equations that had been developed to manage the engineering of
telegraph signals. Shannon and Weaver introduce their formulation by writing, “The fundamental
problem of communication is that of reproducing at one point either exactly or approximately a
message selected at another point. Frequently the messages have meaning; that is they refer to or
are correlated according to some system with certain physical or conceptual entities. These
semantic aspects of communication are irrelevant to the engineering problem. The significant
aspect is that the actual message is one selected from a set of possible messages” (1949, p. 3).
Shannon’s approach to communication theory has come to provide one foundation for how
engineering researchers such as computer scientists approach the measuring of culture, through
the use of stochastic based models, an issue that turns out to have relevance in other fields of
computational social science today.
Applied computational linguistics today is divided into a number of sub-specialties, “on
the analysis side it deals with phonetics and phonology (sounds and phonological structure of
words), morphological analysis (discovering the structure of words and their functions), tagging
(disambiguation of part-of-speech and/or morphological function in sentential context), and
parsing (discovering the structure of sentences; parsing can be purely structure-oriented or deep,
trying to discover the linguistic meaning of the sentence in question). Word-sense disambiguation
tries to solve polysemy in sentential context, and it is closely related to lexicon
creation…Language modeling (probabilistic formulation of language correctness) is used
primarily in systems based on stochastic methods” (p. 82).
All of these technologies provide powerful tools for social scientists seeking to analyze
meanings in texts. One of the technologies that is already finding fast adoption among social
scientists are topic models. The most important of this class of stochastic models is latent
Dirichlet allocation (LDA) introduced by Blei and colleagues (Blei 2003). This is a method that
provides an automated procedure for coding the content of a corpus of texts (including very large
corpora) into a set of substantively meaningful coding categories called “topics”. The algorithms
work with little or no human intervention. Instead of beginning with pre-defined codes, the
researcher begins by specifying the number of topics for the algorithm to find. The program then
identifies that number of topics and returns the probabilities of words being used in a topic as
20
well as an accounting of the distribution of those topics across the corpus of texts. While not
infallible, when used thoughtfully and applied carefully, the method seems to consistently yield
very plausible readings of the texts, demonstrating what DiMaggio, Nag and Blei, (2013) describe
as high levels of “substantive interpretability.” Natural Language Processing tools are another
class of text analysis tools that should be of interest. Bail (2014) provides a useful overview of the
range of tools from computational linguistics that are of use to social scientists who want to study
culture.
B. Information Sciences
The digitalization of numerous types of texts and archival records has led to the
increasing demand for quick and efficient information search and retrieval – and, thus, revitalized
the interdisciplinary field of information science. With respect to the formal analysis of culture,
information science scholars most closely resemble their colleagues in computer science – that is,
the research program is one focused upon developing automated tools for quickly (and
efficiently) processing and summarizing the content of a large amount of textual data. The
purpose is not to understand culture within a broader theoretical framework of human behavior,
but to create rapid-fire queries that extend scaling and clustering techniques to more readily
handle very large corpora. Salient examples include the work of Katy Börner and colleagues who
have developed a number of appealing visualization technologies applied to texts (e.g. Börner,
Chen, & Boyack 2005). Social scientists have picked up on some of these tools, and developed
their own, in ways that are more theoretically informed. Kathleen Carley and colleagues, for
example, have worked closely across technical and social science disciplines in producing a suite
of tools for optimizing organizational communication and performance. This work is grounded in
network and organizational theories, and can therefore be considered a line of work that is
consistent with paradigms at the center of operations research or management science – that is,
scholars may create more optimal and rational complex organizations. This is done in part by
seeing an organization as a type of machine or system in which an integrated circuitry of contact
and communication is essential for proper goal attainment. To the extent that culture and
meanings (i.e. interpretations) are essential to the day-to-day workings of and long-term learning
within a complex organization, information science scholars play a vital role by developing tools
for quickly retrieving and summarizing such qualitative data through a number of reduction
techniques. Of course, once created, these tools are available for adapting to projects seeking to
build upon theories of culture as it pertains to understanding and predicting human behavior.
21
C. Computational Humanities
In a sense, the humanities were a natural place to bring computing together with the study
of culture. Early work by Roberto Bursa, for example, who, beginning in 1949, began creating
the first computer based concordance of the writings of Thomas Aquinas was carrying out a style
of work which was in many ways a logical extension of the very sort of systematic archival
analysis and linking that biblical scholars had been doing for centuries. Similarly, there was a
natural adaptation of classics studies to the computer analysis of texts, precisely because scholars
in the field were already used to thinking in terms of carefully classified and categorized bits of
information (Crane, 2004). However, the digital humanities movement has really accelerated
over the last decade or so as massive quantities of digital texts began to become available.
An article published in Science by Michel and colleagues (2011) captured something of
the excitement about this new state of affairs. The essay, “Quantitative analysis of culture using
millions of digitized books” drew upon the availability of digitized texts in the Google Books
project. In this case, over 5 million books (in multiple languages) were included in the database, a
number that according to the authors, represents about 4% of all the books ever published. The
corpus contains over 500 billion words and the authors use this material as a means for marking
off what they call the new science of Culturomics, defined as “the application of high-throughput
data collection and analysis to the study of human culture” (p. 181). Although the corpus itself is
extremely large, the actual analysis of these 5 million texts was fairly simple, the authors focused
on identifying the most frequent n-grams (clusters of words) and then tracking their distributions
across time.
There are other contributors to this field who are themselves accomplished humanist
scholars who have begun using the availability of digitalized texts as an opportunity to continue a
more traditional humanistic style of research, but to do so through a decidedly different
observational lens. Franco Moretti, for example, Director of the Stanford Literary Lab, has
recently published a new book entitled Distant Reading, an obvious nod to the traditional style of
literary methodology known as “close reading.” In this book (and in the series of downloadable
SLL pamphlets) Moretti recounts a number of the ways in which he and his colleagues have
effectively transformed the kinds and styles of research questions that they pursue as a response
to the new opportunities of pursuing “distant readings.” This includes, to cite just one example,
the development of automated procedures that can be used to transform a corpus of thousands of
22
dramas and plays into network graphs (in which speakers are connected in these graphs to other
speakers with whom they share direct dialogue). Describing his analysis of Shakespeare’s play
Hamlet using these techniques, Moretti writes, “You see the possibility here: different uses of
language emerging in different network regions. Style, integrated with plot as a function of plot.
It would be a breakthrough, and not just for literary analysis — but for the analysis of culture
more broadly” (p. 229).
D. Computational Sociology
The rise of digital information also is relevant for a variety of emerging new projects
among sociologists interested in measuring culture. Bail (2014) tells us, “More data were
accumulated in 2002 than all previous years of human history combined. By 2011, the amount of
data collected prior to 2002 was being collected every two days” (p. 465).
To take one example, Brian Uzzi and his colleagues (Saavedraa, Hagerty, and Uzzi 2011)
collected information from commercial day traders, a task that they were able to do remarkably
easily given the fact that all of the relevant information about every transaction, including all
email and text conversations with clients, was automatically recorded and stored as a part of the
modern way of conducting business. By measuring the meaning of texts written (using
automated sentiment analysis algorithms) and correlating those measures with real-time
performance measures, every trade made, the value of the trade obtained and the possible value of
that trade, Uzzi and his colleagues are able to directly connect the style and the tone of a trader’s
conversations with the rationality (as measured by money earned) of that trader’s performance.
It is the ready availability of digital data that makes all the difference here. Social
scientists have traditionally been severely hampered by the difficulties of designing, gathering
and analyzing social data. Now clever researchers have the ability to turn toward the simplicity
of our new digital lives to their advantage. For another example, McFarland, Jurafsky, and
Rawlings (2013) take advantage of this in their study of speed dating encounters by using digital
microphones and other types of real-time data gathering devices whose output can be formally
measured and analyzed in order to provide a far richer record of (in this case) the many small
cues, intonations and emotional markers that characterize everyday interactions.
Bail (2014) provides an overview of the types of digital data sources that are becoming
available for use as well as an assessment of the many kinds of algorithmic tools and measures
that computational researchers have developed to facilitate the exploration and analysis of large
scale text corpora and internet network systems. He reports that there are a great many
23
opportunities as well as a number of definite drawbacks to simply making use of computational
tools that have been designed and crafted by scientists and engineers with very different
ambitions and goals. Here we are reminded again of the wisdom of Ernst Cassirer who warns us
that any attempt to measure culture will be dependent upon our conceptual framework for
theorizing culture. Cassirer writes, “Everywhere physical thought must determine for itself its
own standards of measurement before it proceeds to observation…. It is not clocks and physical
measuring-rods but principles and postulates that are the real instruments of measurement.
(Cassirer 1923, p. 364–365).
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