Final Report on the 2013 Excavations at the Wilson-Victor (41HR1031) Site
160
FINAL REPORT ON THE 2013 EXCAVATIONS AT THE WILSON-VICTOR (41HR1031) SITE BY THE RICE UNIVERSITY ARCHAEOLOGICAL FIELD TECHNIQUES CLASS (ANTHROPOLOGY 362/562) DR. JEFFREY FLEISHER (RICE UNIVERSITY) MR. ROBERT MARCOM (CARI) DR. CAROL MCDAVID (CARI) EDITED BY JEFFREY FLEISHER
Transcript of Final Report on the 2013 Excavations at the Wilson-Victor (41HR1031) Site
FINAL REPORT ON THE 2013 EXCAVATIONS AT
THE WILSON-VICTOR (41HR1031) SITE
BY THE RICE UNIVERSITY
ARCHAEOLOGICAL FIELD TECHNIQUES CLASS
(ANTHROPOLOGY 362/562)
DR. JEFFREY FLEISHER (RICE UNIVERSITY)
MR. ROBERT MARCOM (CARI)
DR. CAROL MCDAVID (CARI)
EDITED BY JEFFREY FLEISHER
2
3
TABLE OF CONTENTS
1. Introduction 7
Jeffrey Fleisher
2. Excavation Methods and Stratigraphy 9
Joyce Jones and Kaitlyn Sisk
3. Ceramics 22
Aryn Neurock
4. Glass Artifacts 32
Isabella Adamiak
5. Metal Artifacts 55
Anja Franklin and Ryan Towart
6. Miscellaneous Artifacts 63
Jessica Anderson
7. Faunal Remains 72
Aimee Nguyen
8. Socioeconomic Salvation in the Post-Emancipation Era: African American 87
Ceramic Consumption Patterns in Freedman’s Town, Houston
Tatiana Fofanova
9. Conclusion 111
Jeffrey Fleisher
10. References Cited 113
11. Appendix 1: Analyzed Artifact Catalog, including ceramics from Unit D 118
4
5
ACKNOWLEDGEMENTS
I am grateful to the Board of Directors and Advisory Board, Rutherford B. H. Yates Mu-
seum, Inc. (RBHY), the Yates Community Archaeology Project (YCAP), and the Community
Archaeological Research Institute (CARI), for their support of excavations at the Yates House by
the Rice University Archaeological Field Techniques class. CARI/YCAP co-directors, Carol
McDavid and Robert Marcom gave generously of their time and energy during class time and
while excavations were ongoing. In the field, thanks are due especially to Robert Marcom who
helped oversee the excavations. Thanks also to Ruth Marcom, who helped orient the students to
the Yates cataloging system and provided important lab support during the excavations. Joyce
Jones was instrumental in pulling all the chapters together and assembling the report. Finally, I
gratefully acknowledge the financial support of the Center for Civic Engagement and the College
of Social Sciences at Rice University, which made our collaboration with the Yates Museum
possible.
I am pleased by another successful season in Houston’s Fourth Ward, and look forward
to future, productive collaborations with the Rutherford B. H. Yates Museum and CARI.
Jeffrey Fleisher
Assistant Professor of Anthropology
Rice University
6
7
INTRODUCTION
JEFFREY FLEISHER
Background and Goals
During the spring 2013 semester Rice University students and faculty conducted archae-
ological excavations at the property on the corner of Wilson and Victor Streets in Houston’s
Fourth Ward, owned by the Rutherford B. H. Yates Museum. These excavations were part of
the University’s course entitled ‘Archaeological Field Techniques’ (ANTH 362). Students were
supervised by Rice faculty member Dr. Jeffrey Fleisher as well as Mr. Robert Marcom and Ms.
Ruth Marcom, both affiliated with the Yates Community Archaeology Project (YCAP) and the
Community Archaeological Research Institute (CARI). Dr. Carol McDavid consulted on the
research as well. Students were guided through a hands-on course of excavation during four
weekends in late January and February, followed by artifact analysis and interpretation at the
Rice University Archaeology Laboratory. The aims of the excavation reflected objectives of
both the Archaeological Field Techniques course and the Yates Community Archaeology Pro-
gram.
This is the sixth year of collaborative work between Rice University’s Anthropology
Department, the Yates Museum, and CARI; this collaboration has provided students with a
unique and important opportunity for Rice students to learn archaeological excavation and anal-
ysis techniques, and to think about the place of public and community archaeology in the disci-
pline today. Excavations at Yates Museum properties have proven to be rich in historical arti-
facts (see previous reports, 2008-12; freedmanstownarchaeology.rice.edu) and the research pro-
vides students ample opportunity to examine how archaeological materials can connect with
historical documentation and community interests. From a technical standpoint, these excava-
tions offer an important setting for the field techniques class in that we are able to excavate,
over the course of one month, to sterile soil, providing a full stratigraphic accounting for a
trenches that we excavate.
In 2013, excavations were carried out on a property at the corner of Wilson and Victor
Streets (see Figures 1 and 2), and three 1m x 1m units were dug to sterile soil. These units were
placed based on topographic mapping by Robert Marcom previously on the project, in an area
8
with a slight depression. This area was close to where the northwest corner of a shotgun house
once stood. The Wilson-Victor property was a city lot that once contained a general store and
houses. Decisions about unit placement and excavation techniques were carried out in consul-
tation with YCAP and, as in the previous season, we followed the excavation and analysis pro-
tocols established by them.
The Report
As part of their coursework, students were assigned a particular class of archaeological
data, and asked to analyze, record and interpret patterns within these data. The goal is the cre-
ation of an excavation report that summarizes thoroughly the material recovered during the
research. The results are found in the following chapters. One undergraduate student, Tatiana
Fofanova, took the class in fulfillment of her capstone course requirement at Rice, and thus
carried out a more extensive project, analyzing ceramic material from a previous excavations
at the Yates Museum and comparing it to the material excavated by Rice students since 2008.
Her report is included as a chapter in this report as well.
Location of Units WVA and WVB
9
EXCAVATION METHODS AND STRATIGRAPHY
JOYCE JONES AND KAITLYN SISK
The Rice University Archaeological Field Techniques class, in conjunction with the
Rutherford B. H. Yates Museum, excavated the field site (site designation 41HR1031) located
at 1520 Wilson Street in the historic Fourth Ward of Houston. The site, located in Freedman’s
Town, once contained shotgun-style houses, a barbershop, and a general store. Students began
digging one-meter by one-meter units on Saturday, January 26, 2013 in shifts from 8:00 am un-
til 12:00 pm and from 1:00 pm until 5:00 pm. Students continued digging at this site on Sunday,
January 27, 2013 from 12:00 pm until 4:00 pm. These shifts continued on Saturday February
2nd, February 9th, and February 16th as well as on Sunday February 3rd and 17th. Originally on
Sunday, February 10th, there was another shift planned from 12:00 pm until 4:00 pm, however,
because of heavy rainfall, the students were not able to dig and washed artifacts on Wednesday,
January 13th.
First, the students split into two groups to work on two separate units, WVA subunit 2
and WVA subunit 3 (Figure 1). Students began digging until they reached the natural clay layer
of soil within each unit. For WVA subunit 2, students completed digging on February 3rd, and
for WVA subunit 3, students completed digging on February 2nd. On February 3rd, students be-
gan digging their third and final unit, WVB subunit 3 (Figure 1). The digging on this unit was
completed on February 16th. As students dug through both units, creating consistent and distinct
5 cm levels, it became apparent around the 3rd level of both units that a gas line ran through all
the units. The excavations revealed many artifacts, but there was some suspicion that the stra-
tigraphy in the area had been disturbed by the removal of the shotgun house to the east; the area
may have been bulldozed at this time, removing soil and disturbing the stratigraphy.
Excavation Methodology
To begin the excavation, students established the subunits, measuring out one by one
meter squares. To begin this process, students hammered nails into each of the four corners of
the one-meter by one-meter subunits, making sure that the subunit was correctly measured out,
using triangulation. Then, they tied white string to each of the nails in order to demarcate the
10
excavation area. After the subunits were established, the students removed the grass using shov-
els and root cutters, to prepare for digging. Once that was completed, students began digging in
precise five-centimeter increments for each level. For example, the first level was from zero
centimeters until five centimeters below the surface. This pattern continued through the entire
excavation. Only when the soil changed upon opening a new level was the subunit divided into
separate and distinct layers, such as levels 3A and 3B, which measured from ten centimeters
until approximately fifteen centimeters.
At the beginning of the excavation, students divided into two groups with approximately
six students assigned to each unit, WVA subunit 2 and WVA subunit 3. Within each group,
about two to three students worked on the actual digging of the unit (depending on the size of
the area dug), around two to three students screened the soil, and one student from each group
washed artifacts at the Yates Museum. For each unit, there was a supervisor who was responsi-
ble for filling out the paperwork, (a summary of the information recorded can be found in Table
1). Along with this information, the unit supervisors drew the unit at each level, at the opening
and the closing. In addition, the students took pictures of each level at the opening and closing
of each new level. Finally, once the students completed the entire subunit, they created profiles
of each of the walls within the unit.
A number of tools were used throughout the actual excavation process. Students mainly
used trowels to dig through the layers of soil. However, because of the very thick and heavy
clay found in all the units, the students used dabas, a tool with a wooden handle and a flat black
blade attached to the end. The dabas made excavating through the levels of dense clay much
faster, however, they were less precise than the trowels at digging through the soil. Also, stu-
dents used shovels and root-cutters in order to begin digging in each of the units as well as
when needed, such as when there was a large root that needed to be cut because it made digging
difficult. After screening through each soil level, the artifacts found were put in a labeled bag
that had the context information on it. These paper bags were later taken to washing, where the
artifacts were washed using water and toothbrushes. Once these artifacts were cleaned, students
catalogued them based on the Yates Museum catalog system and put into five main categories
of ceramics, bone, glass, metal and miscellaneous materials.
Excavated Levels
11
The stratigraphic and artifact contents of units WVA subunit 2, WVA subunit 3, and
WVB subunit 3 are discussed in detail here. The two subunits in unit WVA were opened simul-
taneously, and when it was realized that they had been dug to the natural clay deposit, WVB
subunit 3 was opened. WVB subunit 3 was also dug to the natural clay deposit.
WVA subunit 2 (Figure 2) was dug in six levels. Level 1 contained moist light loam and
was dug as a whole until 5 cm below the surface; however, the northwestern corner was discov-
ered to be sandier than the rest of the level in retrospect. Glass, ceramic, bone fragments, iron,
and a silver- tin object were found in this level, and it contained approximately 10 to 15 shell
pieces.
The soil in Level 2 was also moist light loam. There was a cluster of iron deposits along
the western wall, and iron, plastics (some showing evidence of burning), bone fragments, glass,
and wrappers were found throughout the layer. Level 2 had some sand and different types of
clay scattered throughout the level, which caused a reevaluation of the divisions of sublayers in
Layer 3 after Level 2 was dug to 10 cm below the surface.
Level 3A was dug at a depth of 10-15 cm. The soil was loamy sand and had little friabil-
ity. It contained approximately half a handful of shell, lots of iron, a red bead, and some bone
fragments, plastic, and charcoal.
Like the previous sublevel, Level 3B was dug at a depth of 10-15 cm. It contained light
clay, but some of the loamy sand from Level 3A seemed to extend into Level 3B on the north-
ern side. Iron, plastic, bone, glass, and two handfuls of shells were found in this level.
The fourth level was again excavated in multiple sublevels. Level 4A was dug in the
northwestern corner of the unit at a depth of 15-20 cm. The soil was friable sand, and the level
contained charcoal, glass, bone, plaster, plastic, and lots of iron. Part of a brick was also discov-
ered in this level.
Level 4B was composed of light loam that was not very friable and was dug at a depth
of 15-20 cm. There was lots of charcoal and iron found in this level, along with a fully intact
glass bottle with rocks inside, glass, plastic, and a glass ring. The light loam eventually revealed
clay similar to Level 4C.
Level 4C marks the beginning of the heavy clay that characterized this unit. The soil
was consistent throughout the 15-20 cm excavated. Iron, glass, plastic, ceramic, charcoal, and
brick pieces were found in this sublevel.
12
Level 5 was divided into two sublevels in the eastern and western portions, both of
which were dug to a depth of 20-25 cm. In Level 5A, the soil was friable loamy sand, and a gas
pipe coming out midway from the eastern wall was revealed. Multiple fragments of pearl ware
were found in this level, along with charcoal and iron.
The soil in Level 5B was heavy clay. The gas pipe was revealed to extend only partway
across the unit, and there was a different kind of soil along the pipe, probably due to the build-
ers unit dug to lay the pipe. Iron, glass, ceramics, and a handful of shells were found.
Level 6 was the final level of this unit. The soil was also heavy clay with ferrous inclu-
sions. The thickness of the natural clay made it difficult to excavate, and few artifacts were
found in this level compared to others. Among these artifacts were some brick fragments, glass,
shell, iron, and a rubber band.
WVA subunit 3 (See Figure 3) was southwest of WVA subunit 2 and was excavated in
5 levels. Level 1 was excavated in two parts because of the two different types of soil found.
The larger subunit, Level 1A, was excavated to a depth of 5 cm below the surface and contained
a moist yet friable light loam. Many cultural artifacts were found in this layer, including a bolt
and washer, an aluminum can, a button, wrappers, roofing, and concrete. Six handfuls of shells
were also collected. Level 1B was a small subunit in the northwest corner that consisted of a
loamy sand that was very gravelly and shelly.
Level 2 was excavated as a whole at a depth of 5-10 cm. It contained light loam that was
loose and powdery with lots of pieces of shell. Bone, some thin cloth, larger pieces of charcoal,
metal nails, a few small brick pieces, and a carved glass rose were found.
Level 3A spanned from 10-15 cm and was composed of a loose light loam with many
shell fragments. It contained some nails and a lot of charcoal, but since these pieces of charcoal
were largely crushed, they were not saved. Lots of rocks were also found in two sections of this
layer. Level 3B started with a loamy soil, but midway through the level, it became a lighter,
friable clay that gave way to a dark and thicker clay. It was excavated from 10-15 cm and con-
tained entire bricks, lots of iron with patches of nail concentrations, a button, a comb, and far
fewer shells than previous levels. This level included the gas pipe running from the northern to
the southern wall.
Level 4 was also excavated in two separate sublevels at a depth of 15-20 cm. In Level
4A, the soil in the corners was a light loam that was friable, which gave way to thick, non-
13
friable clay around the gas line. In the northwest corner, a thin glass bottle was taken out as a
special collection, and a thicker glass bottle was found beneath concrete pieces. This level also
contained small brick pieces. The soil in Level 4B was a light loam that was not very friable
except around the bricks that were removed in the northeastern and southeastern corner.
The last level of WVA subunit 3 was Level 5. The soil was light clay that was not very
friable, and towards the end, it contained the ferrous deposits of natural clay. Iron, brick frag-
ments, ceramics, and charcoal were excavated, and most were found under or around the gas
pipe. There was looser soil that contained brick fragments in the northeastern corner that was
separated as Level 5B.
WVB subunit 3 (See Figure 4) was excavated in 4 levels and contained one feature - a
trash pile. This unit was directly south of WVA subunit 3. In Level 1, the soil was very friable,
moist light loam. This layer had a lot of roots and many modern trash items were found, such as
plastic molding, beads, glass, nails, and plastics. About three quarters of a handful of shell were
found.
Level 2 was dug from 5-10 cm below the surface and contained a very friable and
grainy light loam. Around 8 cm below the surface, the light loam became mixed with clay. Big
pieces of plastic, shards of glass, wood (possibly burnt), bone, and about four and a half hand-
fuls of shell were found.
The trash pit feature was revealed in Level 3, which was dug from 10-15 cm. It consist-
ed mainly of various plastics with possible green carpeting that were tightly compacted in one
area approximately 10 cm southwest of the center of the unit. The soil in the layer was light
loam, and other artifacts found included glass, some bone fragments, charcoal, and ceramics. A
gas pipe running from the northern wall to the southern wall also emerged in this level.
The final level of WVB subunit 3, Level 4, was excavated from a depth of 15-20 cm in
two subunits because of the gas pipe. The soil in Level 4A was sticky clay, and artifacts found
included glass, ceramics, iron, charcoal bits, and a spark plug. In Level 4B, the clay was more
friable in the northern half than the southern half, and nails and glass were found in small quan-
tities.
14
Figure 1: Location of WVA Subunits 2, 3 and WVB Subunit 4
15
Figure 2: WVA Subunit 2 Profiles
16
Deposits in WVA Subunit 2 Profiles
Figure 4: WVB Subunit 3 Profiles
Label Description
A Loamy sand
B Light loam
C Heavy loam
D Light clay
E Clay
17
Deposits in WVB Subunit 3 Profile
Table 1: Unit, Level, Opening Elevation, Closing Elevation, Munsell Soil Color, Ahn
Label Description
A Sand
B Light clay
C Mixed, friable nonclay material
C1 Mixed, friable nonclay material of a
redder color
D Mixed, nonfriable clay
E Clay
18
Un
it
Lev
el
Op
enin
g
Ele
vati
on
C
losi
ng
Ele
vati
on
M
un
sell
A
hn
A
rtif
act
Ob
serv
ati
on
s G
enera
l O
bse
rvati
on
s
WV
A 2
1
15.2
15.2
8
10 Y
R 3
/1
Ver
y D
ark
Gra
y
Lig
ht
loam
G
lass
, si
lver
, ti
n o
bje
ct,
cera
mic
, bon
e fr
ag-
men
ts, lo
ts o
f ir
on
Sm
all
unit
of
exca
vat
ion
WV
A 2
2
15.2
8
15.1
7
10 Y
R 3
/1
Ver
y D
ark
Gra
y
Lig
ht
loam
S
hel
l fr
agm
ents
, lo
ts o
f
iron, pla
stic
, burn
t pla
s-
tic,
bone,
gla
ss, w
rap
-
per
s
Clu
ster
of
iron d
eposi
ts a
long w
est-
ern w
all,
rea
ched
cla
y, so
me
sand
and c
lay s
catt
ered
thro
ughout
level
WV
A 2
3A
15.1
7
15.0
2
7.5
YR
3/2
D
ark
Bro
wn
Loam
y
sand
S
hel
l fr
agm
ents
, re
d
bea
d, lo
ts o
f ir
on, bo
ne,
pla
stic
, ch
arco
al
Wes
tern
sec
tion o
f unit
, li
ttle
fri
able
soil
, poss
ible
burn
pit
, dif
fere
nt
bac
ksi
te s
o e
lev
atio
ns
are
not
con-
sist
ent
WV
A 2
3B
15.1
7
15.0
2
10 Y
R 3
/1
Ver
y D
ark
Gra
y
Lig
ht
clay
L
ots
of
iron, pla
stic
,
bone,
gla
ss, so
me
shel
l
frag
men
ts
Eas
tern
sec
tion o
f unit
, so
me
loam
y
sand f
rom
lev
el 3
A e
xte
nded
into
3B
in t
he
nort
her
n s
ecti
on o
f th
e
unit
W
V
A 2
4A
15.1
2
15.0
8
7.5
YR
3/2
Dar
k
Bro
wn
San
d
Lots
of
iron,
char
coal
,
gla
ss, bone,
pla
ster
,
pla
stic
Nort
hw
este
rn c
orn
er o
f u
nit
, fr
iable
soil
, par
t of
bri
ck r
evea
led, le
vel
mea
sure
men
t in
consi
sten
cy
WV
A 2
4B
15.1
2
15.0
8
7.5
YR
2.5
/1
Bla
ck
Lig
ht
loam
L
ots
of
char
coal
, ir
on,
gla
ss, pla
stic
, gla
ss
ring,
gla
ss b
ott
le w
ith
rock
s in
side
Cen
ter/
south
wes
tern
co
rner
of
unit
,
revea
led c
lay s
imil
ar t
o l
evel
4C
,
level
mea
sure
men
t in
con
sist
ency
WV
A 2
4C
15.1
2
15.0
8
7.5
YR
3/1
V
ery D
ark
Gra
y
Hea
vy
clay
Ir
on,
gla
ss, pla
stic
, ce
-
ram
ic, ch
arco
al, bri
ck
pie
ces
Eas
tern
hal
f o
f unit
, hea
vy c
lay
thro
ughout
level
, le
vel
mea
sure
men
t
inco
nsi
sten
cy
WV
A 2
5A
15.0
8
15.0
5
10 Y
R 3
/1
Ver
y D
ark
Gra
y
Loam
y
sand
P
earl
-war
e ce
ram
ics
(cir
ca 1
880s)
, ch
arco
al,
iron
Wes
tern
sec
tion o
f unit
, fr
iable
soil
,
gas
pip
e bei
ng u
nco
ver
ed m
idw
ay
out
from
wes
tern
wal
l
19
Un
it
Lev
el
Op
enin
g
Ele
vati
on
C
losi
ng
Ele
vati
on
M
un
sell
A
hn
A
rtif
act
Ob
serv
ati
on
s G
enera
l O
bse
rvati
on
s
WV
A 2
5B
15.0
8
15.0
5
7.5
YR
2.5
/1
Bla
ck
Hea
vy
clay
S
hel
l fr
agm
ents
, ir
on,
gla
ss, ce
ram
ic
Eas
tern
sec
tion o
f unit
, not
fria
ble
soil
, en
d o
f gas
pip
e is
bro
ken
off
,
dif
fere
nt
soil
type
surr
ou
ndin
g p
ipe
WV
A 2
6
15.0
5
14.9
8
10 Y
R 3
/2
Ver
y D
ark
Gra
yis
h
Bro
wn
Hea
vy
clay
S
om
e bri
ck f
ragm
ents
,
gla
ss, sh
ell,
rubb
er
ban
d. ir
on
Fri
able
soil
, dif
ficu
lt a
nd t
hic
k c
lay,
ferr
ous
incl
usi
ons,
ver
y f
ew a
rti-
fact
s, n
atura
l cl
ay
WV
A 3
1A
15.2
6
15.2
2
10 Y
R 3
/2
Ver
y D
ark
Gra
yis
h
Bro
wn
Lig
ht
loam
G
lass
shar
ds,
shel
l,
met
al (
bolt
, w
asher
,
alum
inum
can
, tw
iste
d
met
al),
pla
stic
, ro
ofi
ng
mat
eria
ls, so
me
bri
ck
frag
men
ts, co
me
pie
ces
of
concr
ete,
butt
on,
som
e co
al, bone,
clo
th,
wra
pper
s
Mois
t, c
rum
bly
soil
, la
rge
bolt
found, nort
hw
este
rn c
orn
er s
how
ed
signs
of
a n
ew, sa
nd
y l
ayer
WV
A 3
1B
15.2
2
15.2
2
10 Y
R 3
/1
Ver
y D
ark
Gra
y
Loam
y
sand
N
egli
gib
le (
smal
l ar
ea)
Nort
hw
este
rn c
orn
er o
f u
nit
WV
A 3
2
15.2
2
15.1
8
10 Y
R 3
/2
Ver
y D
ark
Gra
yis
h
Bro
wn
Lig
ht
loam
B
one,
thin
clo
th m
ater
i-
al, ch
arco
al, m
etal
nai
ls, ca
rved
gla
ss r
ose
,
few
sm
all
bri
ck p
iece
s,
shel
l
Loose
, po
wder
y s
oil
, sm
all
pie
ces
of
clay-l
ike
soil
wit
hin
unit
lev
el, le
vel
has
man
y s
hel
ls, peb
ble
s an
d s
mal
l
clay b
alls
, pat
ch o
f sh
ells
ben
eath
light
bro
wn s
oil
cla
y
WV
A 3
3A
15.1
8
15.1
3
10 Y
R 3
/1
Ver
y D
ark
Gra
y
Lig
ht
loam
N
ails
, sh
ell,
lots
of
char
coal
that
has
bee
n
crush
ed
Loose
soil
, ro
cks
in t
wo p
rim
ary
sect
ions
20
Un
it
Lev
el
Op
enin
g
Ele
vati
on
C
losi
ng
Ele
vati
on
M
un
sell
A
hn
A
rtif
act
Ob
serv
ati
on
s G
enera
l O
bse
rvati
on
s
WV
A 3
3B
15.1
5
15.1
3
10 Y
R 4
/2
Dar
k G
ray-
ish B
row
n,
10 Y
R 3
/1
(dar
ker
clay)
Ver
y D
ark
Gra
y
Loam
,
dar
ker
clay (
stil
l
loam
y,
put
pac
ks
easi
er)
Bri
cks,
iro
n (
2 m
ain i
ron
conce
ntr
atio
ns
wit
hin
unit
), b
one,
gla
ss, so
me
shel
l, b
utt
on, co
mb,
pla
ster
Lig
ht
colo
r cl
ay i
s m
uch
more
fria
ble
, dar
ker
cla
y a
pp
eare
d s
oli
d
and r
esis
tant
to t
row
el, m
easu
re-
men
t in
consi
sten
cies
WV
A 3
4A
15.1
3
15.1
3
10 Y
R 3
/1
Ver
y D
ark
Gra
y
Lig
ht
loam
S
om
e sh
ell,
bri
ck p
iece
s
(ori
gin
ally
nea
r no
rther
n
corn
er &
eas
tern
sid
e in
gen
eral
sm
all,
bri
ght
or-
ange
flec
ks)
, gla
ss
(thic
ker
gla
ss b
ott
le b
e-
nea
th t
he
con
cret
e in
nort
hw
este
rn c
orn
er)
Fri
able
corn
ers
that
giv
e w
ay t
o
thic
k, non
-fri
able
, d
ark c
lay,
clay
around g
as l
ine
(not
nat
ura
l cl
ay),
bott
le t
aken
as
par
t of
spec
ial
col-
lect
ion f
rom
the
nort
hw
este
rn c
or-
ner
WV
A 3
4B
15.3
15.0
9
7.5
YR
3/1
Ver
y D
ark
Gra
y
Lig
ht
loam
B
rick
rem
oved
fro
m
nea
r th
e no
rthea
ster
n
corn
er (
15.5
X 1
0 c
m),
anoth
er b
rick
rem
oved
from
so
uth
east
ern c
orn
er
(10 X
10 c
m)
Not
fria
ble
cla
y i
n t
his
lev
el
(ex
cept
for
clay n
ear
the
bri
cks
in
the
nort
hea
ster
n c
orn
er)
WV
A 3
5A
15.0
9
15.0
4
10 Y
R 4
/1
Dar
k G
ray
L
ight
clay
Ir
on n
ails
, ru
sted
pie
ces
of
met
al n
ear
the
left
of
the
gas
lin
e, b
rick
fra
g-
men
ts i
n n
ort
hea
ster
n
and s
outh
east
ern c
or-
ner
s, c
har
coal
found
nea
r le
ft o
f gas
lin
e, b
its
of
cera
mic
and g
lass
be-
nea
th g
as l
ine
Nort
hea
ster
n c
orn
er o
f th
e unit
,
soil
is
no
t fr
iable
, so
il c
lum
ps
to-
get
her
, lo
ts o
f ox
idat
ion i
mm
edi-
atel
y b
elow
the
gas
lin
e co
uld
be
ferr
ous,
most
art
ifac
ts f
ound
around o
r ben
eath
the
gas
lin
e
21
Un
it
Lev
el
Op
enin
g
Ele
vati
on
C
losi
ng
Ele
vati
on
M
un
sell
A
hn
A
rtif
act
Ob
serv
ati
on
s G
enera
l O
bse
rvati
on
s
WV
B
3
1
15.2
4
15.2
1
10 Y
R 2
/1
Bla
ck
Lig
ht
loam
P
last
ic m
old
ing i
n l
evel
pro
trudin
g f
rom
Lev
el 2
,
bea
ds,
gla
ss, nai
ls, pla
s-
tics
, sh
ell,
tri
angula
r m
et-
al p
iece
sti
ckin
g o
ut
ver
-
tica
lly
Fri
able
, so
mew
hat
mois
t an
d c
on-
sist
ent
soil
in u
nit
, m
ost
ly t
ook
gra
ss a
nd m
oder
n t
rash
off
lev
el
in o
rder
to b
egin
dig
gin
g d
eeper
into
the
unit
, lo
ts o
f pla
nt
roots
WV
B
3
2
15.2
0
15.1
5
10 Y
R 2
/1
Bla
ck
Lig
ht
loam
B
ig p
iece
s o
f pla
stic
,
shar
ds
of
gla
ss, sh
ells
,
wood (
burn
t an
d o
ld/
wet
), b
one
Ver
y f
riab
le s
oil
, sl
ightl
y g
rain
y,
mois
t, c
onsi
sten
t fe
el t
o s
oil
, to
-
war
ds
end o
f le
vel
, hit
cla
y s
oil
,
mea
sure
men
t in
consi
sten
cies
WV
B
3
3
15.1
5
15.1
3
7.5
YR
3/1
Ver
y D
ark
Gra
y
Lig
ht
loam
P
last
ics,
gla
ss, bones
,
min
imal
am
ounts
of
char
coal
, ce
ram
ics
Sli
ghtl
y m
ois
t, v
ery c
onsi
sten
t
and f
riab
le s
oil
, so
uth
ern h
alf
of
unit
sta
rts
bec
om
ing m
ore
cla
y-
like,
Fea
ture
1 g
oes
alo
ng w
ith
this
lev
el
WV
B
3
3
(Fea
t
ure
)
15.1
5
15.1
3
7.5
YR
3/1
Ver
y D
ark
Gra
y
Lig
ht
Loam
V
ario
us
pla
stic
s, p
oss
ible
gre
en c
arp
etin
g
Appro
xim
atel
y 1
0 c
m S
W o
f th
e
cente
r o
f th
e unit
, ti
ghtl
y c
om
-
pac
ted h
ow
ever
upon l
eavin
g t
he
soil
the
pla
stic
s quic
kly
sep
arat
ed
WV
B
3
4A
15.1
3
15.0
7
10 Y
R 3
/1
Ver
y D
ark
Gra
y
Cla
y
Gla
ss, ce
ram
ic, ir
on,
spar
k-p
lug, ti
ny b
its
of
char
coal
Wes
tern
sec
tion o
f unit
, fr
iable
soil
, sl
ightl
y s
tick
y a
nd m
ore
cla
y
-lik
e, g
as p
ipe
runnin
g t
hro
ugh
mid
dle
of
unit
WV
B
3
4B
15.1
3
15.0
7
10 Y
R 3
/1
Ver
y D
ark
Gra
y
Lig
ht
clay
G
lass
, ir
on
E
aste
rn s
ecti
on o
f unit
, nort
her
n
hal
f of
unit
has
more
fri
able
soil
than
the
south
, w
hic
h c
onta
ins
more
cla
y,
22
CERAMICS
ARYN NEUROCK
Introduction
This chapter assesses the ceramic artifacts found at the field site designated 41HR1031,
excavated in 2013. All subunits contained ceramic artifacts, as well as all but three of the levels
in those subunits. Each artifact was weighed and classified in accordance with the system pro-
vided by the Yates Museum. In some cases elaboration about the classification or description
beyond the Yates system was required. The artifacts from this site can be classified in the
broadest sense as either brick fragments or ceramic sherds.
Methodology and Approaches
The artifacts were divided and separated by level before any individual analysis could
occur. Artifacts were then analyzed individually noting their weight, classification according to
the Yates Community Archaeology Program Artifact Cataloging System, and any additional
qualitative traits not explained by the Yates Museum's system. Of the possible Yates Museum
sub-material classifications, porcelain (CA), stoneware (CB), earthenware (CC), china (CF),
fired clay (CH), clay (CI), composite materials (CJ) and indeterminate materials (CL) were rep-
resented. Earthenware was broken down further into whiteware and pearlware. Other subcate-
gories of earthenware, including creamware, were not represented at this site.
Discerning the different sub-materials of ceramic sherds is a subjective process. The dif-
ferences between the sub-materials arise from varying firing heats; higher heats lead to greater
vitrification, or the glassiness of the substance. Porcelain, the most "translucent" of the ceram-
ics, is the most vitrified of the sub-materials as a result of its high firing temperature
(Herskovitz 1978: 96). The glaze is typically smooth, appearing polished. China and porcelain
are very similar, but china has a glassier, shinier glaze. Earthenware lies on the opposite side of
the spectrum, "generally not fired to the point where vitrification occurs" and is identifiable by
its coarse appearance (Herskovitz 1978: 96). The coarseness yields higher levels of porosity and
water absorption than the finer grained ceramics. Additionally, earthenware is known for its
"opaque white or cream colored body [and] a granular fracture" (Herskovitz 1978: 96). Stone-
ware falls in the middle, behaving as an intermediate substance both in grain size and vitrifica-
23
tion and are often thicker, heavier, and darker colored than earthenware sherds (Babalola 15).
Only two subcategories of earthenware were present at this site: whiteware and pearl-
ware. Creamware, an early type of earthenware characterized by its cream-colored glaze, was
not found (Miller 2). Following creamware chronologically is pearlware, which derives its
name from potter's marks in the late 18th century. It is marked by a distinctive bluish tint where
the otherwise light-colored glaze has pooled (Miller 3). Decorative blue glaze also indicates
pearlware. Whiteware, chronologically the latest of the earthenwares, has a simple, granular
white glaze and body. In sherds without colored or pooled glaze, the line between whiteware
and pearlware was not always clear.
Additionally, each sherd was examined for decoration. For the purposes of this analysis,
decoration was expanded from colored glaze or paint to include decorative molding as well. In
a couple of cases, the ceramic was molded into a shape that would not have contributed to the
function of the object, and sherds with such evidence were considered decorated. The vast ma-
jority, however, were decorated with colored glaze or transfer printed marks.
In stark contrast to the sherds, noting the difference between terracotta and brick frag-
ments within the sub-material class was more straightforward. Compact and fine-grained, terra-
cotta stood out easily from the chalky brick.
Data Presentation
Although ceramic artifacts were present in all of the subunits excavated at the site, Lots
1623, 1638, and 1641 contained no ceramics. One small bag of artifacts was separated from its
provenience, presumably belonging to one of the unrepresented lots.
In total, there were 503 brick fragments and 236 sherds. All of the brick found was frag-
mented, and the artifacts tended to be small. Of the numerous brick fragments, 232 weighed
less than 1g and were consequentially described as 'small.' Only five brick artifacts weighed
more than 100g, the largest weighing 625g. Brick fragment analysis also included a note of
their color, typically pink or orange. In some, cases the color was a nondescript brown and the
color was left unspecified. Sixteen pieces were found with mortar still attached. Although brick
was prevalent, most of the resultant information was quantitative.
Quantitatively, the most brick was found in WVA subunit 3. Within that subunit, the
majority of the ceramics were found in Levels 3b through 5b, with the highest concentration in
24
Levels 5b and 3b. However, a large portion of these numbers result from a high quantity of very
small brick fragments weighing under 1g. These levels may have the highest amount of frag-
ments, but they may not have the greatest volume of brick (assessed by total weight). Excluding
the single fragment that weighed 324g, the level with the most volume of brick was 3b. Across
this subunit, there was no clear pattern to the quantities of brick fragments by level other than
much smaller quantities in Levels 1,3a and 5b (the first and last represented), relative to the oth-
er levels.
WVB subunit 3 held the least amount of brick fragments. Brick was only present in
Level 2 and deeper. The most brick fragments were in Lot 1636 (68 fragments), in Level 5b,
roughly at the same depth as the levels with high proportions of brick in WVA subunit 3 as
well.
Although WVA subunit 2 fell between the other two subunits with regards to quantity of
brick fragments, this subunit did have three large intact brick fragments (weighing over 100g).
The largest brick fragment found at the site, weighing 625g, came from Level 5b. Both WVA
subunit 3 and WVB subunit 3 held only one fragment that weighed more than 90g.
There were comparatively few fragments of terracotta at the site. The twelve fragments
were scattered across the three subunits and included Level 5b in WVA subunit 2 and Level 3
in WVB subunit 3. Although in different subunits, these lots occur at approximately the same
depth.
Analyzing the sherds provides rich quantitative and qualitative data. (It is important to
remember that the following data is based on quantity and not weight or volume.) Overall,
WVA subunit 2 contained the most sherds, and WVB subunit 3 the fewest. Earthenware is the
most prevalent sub-material class present at the site at 164 pieces, accounting for almost 70% of
the sherds (Fig. 1). Porcelain was the second most common, followed closely by china. Stone-
ware makes up less than 1% of the assemblage. (Fig. 2) Earthenware is present throughout the
layers but the highest concentrations of sherds were found in WVA subunit 3, Levels 3b and 4b.
Level 3 of WVB subunit 3, however, had the second highest concentration of earthenware
sherds. While porcelain seems more evenly distributed, a large concentration of china occurs in
WVB. Fragments that appear to be part of a figurine came from WVB subunit 3.
Within the earthenware subgroups, whiteware was by far the most common (Fig. 3). It
occurs across the subunits and throughout the levels, represented by 148 of the 164 total earth-
25
enware sherds. The large numbers of whiteware serves to support the 19th to 20th century site
dates (Babalola 17). This is underscored by the lack of pearlware, which precedes whiteware
chronologically.
Further analysis of the sherd assemblage requires an evaluation of their uses. Almost all
of the non-brick artifacts found were once part of vessels. Here, the definition of a vessel is ex-
panded to any object that held or served food, and can also be referred to as tableware. These
artifacts were identified by the presence of a rim or handle. Forty of the sherds were vessel rims,
six could be identified as parts of handles, and fourteen were vessel bases. The artifacts not
once part of tableware were either unmistakably a figurine fragment - as in the case of the rab-
bit's ear (Fig. 4) - or were thick porcelain pipes or sinks. Terracotta fragments were most likely
from flower pots.
Fifty nine sherds were classified as decorated, whether it be through a colored glaze, a
transfer printed design or a special molding. The majority of these decorated sherds had a sim-
ple colored underglaze (typically grey or black). Others had a glazed paint that clearly did not
encompass the entire object, instead used for an image or design. Less common than either of
these decorations were transfer printed sherds (Figs. 5 and 6). Many transfer printed effects
looked to be portions of makers' marks. Finally, five sherds appeared to be once part of a figu-
rine and one decorative molding (Fig. 7).
Of these decorated sherds, several mended together almost perfectly to form the scal-
loped rim of a pearlware plate in Lot 1633 (Fig. 8). The plate has a dark blue underglaze around
the rim which fades closer to the center of the plate, and decorative raised bumps and floral pat-
terns circle the edge. According to Sussman (1977: 11), the molded shell edge in conjunction
with the floral or geometric relief and the blue underglaze indicates that this plate is characteris-
tic of 19th century dinnerware. Although this is a broad date, it is in keeping with the historical
information about the site.
Intriguingly, sherds with a particular design that belonged to a single object were spread
out across WVA subunit 2 (levels 2, 3a, 4a, 4b, and 5a) and WVB subunit 3 (level 2). These
sherds had the characteristics of whiteware at first glance, but appeared to have a marbled blue
paint in no particular pattern on the underside (Fig. 9). It has been suggested that the markings
are the result of the 19th century flow blue technique, but these designs were often placed on
the topside of the vessel, which is not the case for these sherds (Collard 118). The scattering of
26
the artifacts across the levels beg questions of stratigraphic integrity.
Even though there are four sherds with evidence of a maker's mark of some sort, only
two have portions that are intact enough to decipher any of the mark. The first, in Lot 1640, de-
picts a scroll with the letters "A L L E" just below part of a crown, with the letter "N" under-
neath the scroll (Fig. 10). The second, in Lot 1619, simply bears the letters "S. P." above a "S --
". Unfortunately, I was unable to find reference to these maker's marks in the literature.
In conclusion, the ceramic artifacts found at this site exist as an important route to un-
derstanding the site as a whole. The prevalence of brick fragments provide insight into the
buildings that once stood on the lot. Both the abundance of whiteware and the fragmented
pearlware plate support the 19th and 20th century history of the site. The ceramic artifacts
found at this site, particularly the fragmented figurines and decorated tableware, also create a
more nuanced picture of the everyday life of the occupants.
27
Figure 1: Artifact classes by quantity throughout the entire site
Figure 2: Graph of the distribution of sub-materials across all three sub-units. Fired clay
is the most prevalent, but earthenware is the most abundant sherd type.
28
Figure 3: Graph of the quantities of the different types of earthenware. Whiteware is the
most common.
Figure 4: Ear of a porcelain rabbit figurine
29
Figure 5: Sherd with screen printed flower and bench (garden?) scene in red
Figure 6: Sherd with screen printed green banner around the rim of the vessel
30
Figure 7: Sherd molded decoratively in the shape of a flower.
Figure 8: Pearlware plate fragments that fit together. Note the characteristic blue glaze
and scallopped rim
31
Figure 9: Example of intriguing blue marbled glaze on the back of whiteware
Figure 10: "A L L E" maker's mark with "N" below and half of a crown above
32
GLASS ARTIFACTS
ISABELLA ADAMIAK
Introduction
Many glass artifacts were found during the Spring 2013 Rice University Field Tech-
niques excavations at the Wilson-Victor site (41HR1031). On this property was once a general
store and barber shop and, adjacent to it, two shotgun houses, one of which still stands today, in
poor condition. We began with the excavation of two subunits within WVA, a 2 x 2 meter unit
located on the west side of the house no longer standing. We followed with a third subunit with-
in a unit WVB located near WVA. Thus the 1 x 1 meter subunits are as follows: WVA Subunit
2, WVA Subunit 3, and WVB Subunit 3. The purpose of this chapter is to provide a report of
the glass artifacts found in these units, including their distribution across subunits and analysis.
In doing so, it is our hope that the use of material culture in daily life at the Wilson property site
may come more clearly into view.
Although glass was found across all subunits, the vast majority was extremely fragment-
ed and unidentifiable. Furthermore, changes in the property over time due to human activity and
disturbance make it difficult to use glass to determine how the artifacts found relate to human
activity on the property or to provide relative dates for levels, as will be demonstrated below.
Methods
After washing the glass artifacts and sorting them by subunit and level (each corre-
sponding to a lot number), they were catalogued using the Yates Community Archaeology Pro-
gram Artifact Cataloguing System. The categories of this system assign each artifact a sub-
material and class, the former being delineated by color and the latter by shape, decoration, and
application. Eleven glass sub-material categories are listed: clear, red, green, blue, amber,
brown, black, white, violet, yellow, and other. “Artifact class” included 46 possible categories
ranging from flat and curved fragments (also distinguished as either decorated or plain), to bot-
tle parts (rim, neck, base), kitchenware, and tableware, to beads, buttons, and cut glass.
This cataloguing system poses some challenges. First, while assignment of color
and shape (flat or curved) is not too difficult, assessing artifact class is more challenging. Some
classes were easy to determine, such as marbles, beads, and cut glass, while others, such as ta-
bleware, kitchenware, and bottle parts were more difficult to identify. For one thing,
33
’tableware’ and ‘kitchenware’ may be interchangeable at times. For example, a bowl can be
used both in the kitchen for cooking as well as for serving and eating meals at the table. Second,
the cataloguing system did not take into account clarity, texture, and thickness of the glass,
characteristics which were highly variable within the sub-material (color) categories. Finally,
some artifacts had no suitable class, such as a piece of costume jewelry found.
Because of these challenges, I made the following decisions and applied them to
the analysis uniformly: all artifacts that appeared to be parts of plates and bowls, along with
anything that appeared to belong to a vase, coaster, or any other decorative table piece, were
listed as tableware. Items that belonged to classes not included in the catalogue were assigned
the most suitable and details were recorded in the comments field. Comments also served to
describe texture, decoration, and other characteristics. Decorated pieces included any fragment
that was molded, patterned, or had writing embossed in the glass.
Due to the fact that color and shape offered little possibility of determining man-
ufacture dates, emphasis was placed on artifacts that had complete maker’s marks or trademarks
as well as those with sufficient writing to pinpoint production location and date range. The
number of diagnostic items was small and for the most part included bottle bases and whole
bottles. These were analyzed further, after the initial job of cataloging. What follows is a gen-
eral overview of the distribution of the glass by weight and count, by level and across subunits
as well as an in-depth look at more diagnostic artifacts.
Subunit and Level Analysis
A total of 1,986 glass artifacts with a total weight of 2,913 grams were found. All three
subunits contained numerous glass fragments. While levels were sometimes split into different
sections (4A, 4B, etc.), quantification of data for these was combined to represent the data for
whole levels in order to better identify observable patterns. Finally, although in previous reports
the glass analysis was organized by subunit, I chose to organize it by trends. This allows me to
more readily compare and contrast data between subunits.
In total, WVA Subunit 2 produced 545 glass artifacts, weighing 1,092 g; WVA Subunit
3 yielded 656 fragments, weighing 1,002 grams; WVB Subunit 3 contained 786 artifacts, 820
grams. These data show that each subunit produced a nearly equivalent amount of glass by
weight. WVB Subunit 3 yielded a bit less, however it must be taken into account that within
34
this subunit only four levels were dug as opposed to the five and six levels in WVA Subunits 2
and 3 respectively. This indicates that glass was distributed somewhat evenly across the area of
excavation.
While total weight of the glass across subunits was quite even, weight across levels
within each subunit was not. In WVA Subunit 2, glass amounts were higher in lower levels:
from 23.8 g in Level 1 to a high of 343.9 g and 464.3 g in Levels 3 and 4 respectively (Figure
1). The same pattern is seen in the other two subunits as well, except it should be mentioned
that in the case of WVB Subunit 3, Levels 2 and 3 contained the peak numbers as opposed to
Levels 3 and 4 (Figures 2 and 3). This correlation across subunits suggests that glass deposition
decreased through time, with earlier levels containing the highest amounts. It also points to a
possibility of this location being used as a dump site for bottles and other trash during the time
period represented by Levels 3 and 4.
A third trend can be found in the analysis of clear curved and flat glass, the two most
common pieces in every layer of every subunit. Perhaps the most important aspect of these two
classes of glass is not their frequency but rather the ratio between them. These two types of
glass can act as an indicator of the use of space: flat glass from windows can suggest buildings
or homes and curved glass from bottles might represent trash deposition. In every level of
WVA Subunit 2, the ratio of flat glass to curved glass by weight is close to 1:1, excluding the
lowest Level 6 in which only 2 pieces of curved glass were found (Figure 4). Curved glass was
much more prevalent in WVA Subunit 3, usually comprising anywhere from 55-80 percent of
the total weight of curved and flat glass combined.
The higher percentage of flat glass in WVA Subunit 2 as compared to WVA Subunit 3
suggests that this subunit was closer to a building, which was the case. Thus, we suggest that
the flat glass from these subunits may have come from window panes broken in the burning or
demolition of the shotgun house that once occupied this site. One would think that certain levels
would show significantly more flat glass since the building was demolished at one point in
time. However, because the ratio is so uniform across all the levels of WVA Subunit 2 it might
indicate a major disturbance of the site by which layers were mixed. Finally, in WVB Subunit 3
we see a much higher percentage of flat glass in the lower two levels and lower percentages in
Levels 1 and 2. It may be that the deposits from this subunit were less disturbed and represent
evidence of the demolition of the shotgun house on site.
35
Fragmentation rates can also be examined. Fragmentation was calculated as the total
weight of all the artifacts in each level divided by the number of artifacts (Table 1). The result-
ing numbers give us the average size of a fragment in each level and consequently which levels
experienced more or less pressure and disturbance. This can be an indication of whether the ar-
tifacts were deposited and broken up over time or deposited and covered quickly – as with a
trash pit – which would allow the artifacts to remain fairly intact. In both WVA subunits, the
top two levels contained large average size of fragment (high fragmentation ratio). This is to be
expected as these layers undergo the least pressure assuming natural sediment deposition. In
Level 3 in both subunits the ratio falls, but then increases again (by more than 100 percent) in
Level 4. As already described, Level 4 in the WVA subunits also yielded the highest number of
glass artifacts by both weight and number. This is strong evidence that a number of whole bot-
tles and other glass objects were deposited there and covered during the time period corre-
sponding to Level 4. WVB Subunit 3 reveals a different fragmentation pattern. While Level 1
resulted in an expected fragmentation value above one, all subsequent levels dropped below
one. These data suggest that lower levels contained higher fragmentation, correlating with high-
er levels of human activity. This is contradictory to the fragmentation patterns in WVA.
Finally, let us look at the artifacts belonging to classes other than clear flat and curved
glass. The number of bottle fragments (rims, bases, necks) found in Levels 3 and 4 in WVA
was high compared to other artifacts types. Furthermore, these subunits contained the greatest
amount of well-preserved and identifiable glass artifacts, including two whole bottles. This data
support the idea that a pit in which the inhabitants of the Wilson property dumped their empty
bottles was present in this location at the time period corresponding to Levels 3 and 4 of WVA.
Among all the other classes of glass artifacts, WVB Subunit 3 yielded the highest portion of
tableware, especially in Levels 2 and 3, supporting the hypothesis that the inhabitants of this
property lived in a home nearby.
Additional evidence of this pattern might be found in other glass items that would have
been used or present in the house including:
a cut glass rose that appears to have been attached to a cabinet, door, or sink as a
knob or handle (Figure 5)
an ashtray fragment (Figure 6)
beads (Figure 7)
36
a glass button (Figure 7)
a piece of costume jewelry or garment embellishment (Figure 7)
fragments of an intricately cut crystal half sphere that was perhaps used as a paper-
weight or household decoration (Figure 8)
a jar rim (Figure 9)
a goblet vase with a partial stem (Figure 10)
Finally, I note a nearly complete bottle stopper found in WVA Subunit 3 Level 3B (Figure 11)
and a fragment of it found in Level 4B, evidence that these levels likely underwent some dis-
turbance. I will discuss the time period and function of this stopper and other identifiable arti-
facts in order to gain further insight into the activities suggested by the glass artifacts.
Identifiable Glass Artifacts
Only a handful of the glass artifacts found were able to be identified, but an equal num-
ber that contained markings or letters were not large enough to be identified (Figure 12). I will
begin by discussing artifacts from the lowest Levels and move onto to those in upper levels.
Two whole bottles were found, one in WVA Subunit 2 Level 4A, the other in WVA Subunit 3
Level 4A. The former is a small oval panel bottle with a packer lip (Figure 13) while the latter a
rectangular bottle found fragmented but with enough to reconstruct the shape (Figure 14). Both
bottles had a seam on either side up to the rim. Seams are one of the important identifying fea-
tures that reveal the methods by which a bottle was produced. The second half of the 19th centu-
ry up to the first quarter of the 20th century saw significant changes in bottle production in
which mold-blown bottles gave way to machine-made bottles (Jones 1971). Seams left by the
molds used to make the bottles differ between these two production types. Mold-blown bottles
have a seam that never reaches the top of the bottle rim; this is due to a finishing process that
uses a tool to mold the rim of the bottle removing any evidence left by the molds (Toulouse
1969). On the other hand, machine-made bottles do not require this finish and so the seams run
from the base to the very top of the rim.
On both bottles found, seams run continuously from base to top, indicating these are
machine-made. Furthermore, both bottles display a maker’s mark: an “O” encased in a square
(Figure 15). This is the trademark of the Owens Bottle Company. Owens manufactured glass
bottles and containers from 1903 to 1929, at which point it joined with the Illinois Glass Com-
37
pany to form the Owens-Illinois Glass Company (Toulouse 1971). The Owens Bottle Company
was known for their automatic machine, perfected by and introduced to industry in 1903
(Toulouse 1971). These two bottles then were produced sometime between 1903 and 1929 by
the Owens Automatic Bottle Machine.
Of further interest is the writing present on the bottle found in WVA Subunit 3 Level
4A: “Chas H Fletcher” and “CAST.” This particular bottle was manufactured to contain
“Fletcher’s Castoria,” an oral syrup containing ingredients to soothe the stomach along with
senna, a stimulant laxative (Whitten 2013). Charles H. Fletcher formed The Centaur Company
in 1871 and bought out the rights of Pitcher’s Castoria, a remedy patented to Dr. Samuel Pitch-
er. Castoria created one of the most significant campaigns in early advertising, of which the bot-
tles are evidence (Whitten 2013). The Owens Bottle Company did not add pharmaceutical and
proprietary medicine bottles to their manufacturing lines until 1912, which narrows down the
production date of this bottle to the period between 1912 and 1929 (Toulouse 1971).
WVA Subunit 3 Level 4A also contained a clear bottle base embossed with
“BB” (Figure 16). This maker’s mark belongs to the Berney-Bond Glass Company (1905-
1930), a merger of Berney Glass and Bond Glass both located in Pennsylvania (Hoenig et al.
2008). Berney-Bond placed a variety of maker’s marks depending on where, when, and for
what purpose the bottle was manufactured. Among them are BBGCo, BBGCO48, BB48, and
the one on our bottle, BB. This latter mark indicates that the base belonged to a cottage cheese
jar, the only type of glass container in which this particular form of their maker’s mark was em-
bossed (Hoenig et al. 2008, Figure 17). Also found in this same subunit (WVA 3) and level
(4A) was a large fragment of what appears to be a drinking glass, containing the entire base and
a partial side (Figure 18). The base contains a single marking: a shield with three stars and three
stripes (Figure 19); unfortunately, this mark could not be identified and thus the provenance of
this piece remains uncertain.
Another identifiable glass artifact is a tiny fragment of white glass embossed with
“CAP” found in WVA Subunit 3 Level 3B (Figure 20), a tiny fragment of zinc cap for a Ball
Mason jar (Figure 21). The Mason jar was invented in 1858 and named after its creator, John L.
Mason (Hinson 1996). What makes it unique is the sealing mechanism: a reusable tin, zinc, and
rubber lid that screwed onto a thread mold on the top of the jar. While the Ball Bros Glass
Company did necessarily advance the technology of home canning, it did make a major contri-
38
bution to the industry by becoming the most prolific and best-known manufacturer of fruit jars
in the world. They not only made the Ball Mason jar but also the Ball Perfect mason, the Ball
Ideal, the Ball Improved, the Ball Special, and the Ball Sure Seal, all types of glass fruit jars
(Whitten 2013). Ball Mason jars may be sealed with either Ball dome caps, or Ball zinc caps
and rubbers (Hinson 2008). No zinc cap actually had the cursive BALL logo on the top of it un-
til the 1930's. The oldest of the Ball Brothers zinc lids (early 1900s) had “GENUINE ZINC
CAP FOR BALL MASON JARS” embossed on the outer rim of the glass or porcelain insert
and in the 1920s this inscription changed to “GENUINE ZINC CAP FOR BALL MASON
JARS” (Roller 2008). Thus this fragment must date anywhere from 1900 to 1920.
WVA Subunit 3 Level 3B also contained a solid, utilitarian bottle stopper whose miss-
ing fragment was found in WVA Subunit 3 Level 4A (Figure 11). The shank of the stopper
shows no evidence of shape grinding for a specific fit and so it can be assumed that the bottle
was originally fitted with a strip of shell cork to ensure a tight seal (Lindsey 2009). The shape
of the stopper suggests that it is a club sauce stopper, a common form of the glass and cork
combination closure (Lindsey 2009). This type of stopper has a flat, circular, horizontal top por-
tion (finial) with a narrow shank on the underside (Figure 22). They were also called “flat hood
stoppers” and were used on an assortment of sauce and non-sauce types of bottles, including
medicine and liquor bottles, from the mid-19th century through early 20th century (Lindsey
2009).
WVA Subunit 2 Level 3A included two identifiable glass artifacts. The first is half a jar
base embossed with “No. 63, Pat. In US, Dec 22, 1903” (Figure 23). Unfortunately, a maker’s
mark was not found thus making it impossible to pinpoint the manufacturer. I was able to locate
mentions of a number of jars with identical bases on eBay, whose listings suggested the date of
manufacture was 17 July, 1906. The jar is described as cylindrical and approximately 4.5 inches
tall with a 3 cm diameter. From the shape, it appears to have been used for canning (Figure 24).
The patent date is apparent on these bases but not the patent number. Upon further inquiry, I
stumbled across two jar-related patents issued on the 22nd of December, 1903: US747450 and
US747451. Both relate to “improvements in hermetically-sealed cans and jars of the class em-
ployed for the exclusion of air from foods or other materials” (Lorenz 1903).
Two brown bottle fragments from WVA Subunit 2 Level 3A appeared to be pieces of a
medicine bottle. One of the fragments, while partially melted, contained the inscription
39
“KENTON COVING” (Figure 25). This was likely from Covington, Kenton County, Kentucky,
the location of the glasshouse operation of what was the best known and was the most prolific
glass insulator manufacturer in the world: Gray & Hemingray and later Hemingray Glass Com-
pany (Whitten 2013). They operated at Covington between 1852 and 1919. This, combined
with the indication of machine-made seams, places the production date between 1903 and 1919.
Both identifiable glass objects from WVB Subunit 3 were found in Level 3. The first,
perhaps one of the most interesting and oldest finds, is a whole brown bottle base embossed
with “R & Co. 12” (Figure 26). This mark belongs to Reed & Company, a glass manufacturing
business that operated in Massillon, Ohio from 1881 to 1904 (Lockhart 2011). Reed & Compa-
ny specialized in producing beer bottles and this mark is seen only on the bases of hand-made,
tooled blob-lip amber and aqua export-style beer bottles (Whitten 2013). The “12” inscribed
underneath the maker’s mark is the mold number. Second is a partial, also brown, geometric
(dodecagon) base of a bottle (Figure 27). The only inscription is ‘NOSBURG,’ the rest belong-
ing to the missing fragment(s). This could potentially read ‘Enosburg,’ referencing perhaps
Enosburg Falls, Vermont. One could also deduce that this fragment, wherever it may come
from, dates to the late 1800s or early 1900s due to it being found in the same level as a bottle
manufactured in that time period. Unfortunately, in this situation no information is available
with certainty.
An identifiable glass artifact in WVA Subunit 3 Level 2 was a clear partial base em-
bossed with “BF” (Figure 28). This mark belongs to the Ball Glass Company. However, this
piece takes us forward in time from the era of the Ball Mason jar and their zinc caps. Through-
out the company’s long history (1888-2000), multiple relocations and mergers occurred
(Whitten 2013). Glass-making at the Muncie Plant in Indiana, their first, ended in 1988 as a re-
sult of their merger with Indianhead Container Corporation; here the traditional cursive “Ball”
mark was discontinued and a “B” was adopted by Ball-InCon (Whitten 2013). Finally, after a
year the Ball-Foster Container Corporation was formed and “BF” became the new marker in
1996 and was used until 2000 when Ball sold the rest of its interests and assets to Saint-Gobain,
leaving the glass business altogether to pursue other industries (Whitten 2013). Thus, this final
piece can be dated to the four years between 1996 and 2000, corresponding to the higher level
within the stratification of our subunits.
40
Conclusion
The consistency of dates ascribed to glass artifacts from the same levels, along with
higher levels containing artifacts from more recent years (and vice versa), gives some credibil-
ity to the use of these identifiable artifacts to assign dates to the stratigraphy. Combining all the
information attained for these the rough periods are as follows: Levels 1-2 deposited from 1930
-2000 and Levels 3-4 from 1888-1930. To conclude, I will relate the trends first discussed to the
dates offered from identifiable objects.
First, the number and total weight of glass artifacts found increased significantly in low-
er levels, with Levels 3 and 4 containing the highest amount of material across both WVA Sub-
units and Level 3 in WVB. This is an indication that most of the activities on site occurred dur-
ing this period (1888-1930) when most glass was deposited.
Second, the higher percentage of flat glass in WVA Subunit 2 as compared to WVA
Subunit 3 suggests that this subunit was closer to a building; we can assume that the flat glass
came from several window panes that were broken in the burning or demolition of the shotgun
house that once stood there. Furthermore, because the ratio is so uniform across all the levels of
WVA Subunit 2 it could indicate major disturbance of the site by which layers were mixed and
artifacts from one moved to another as a consequence. This is supported by the glass stopper
and fragment found in WVA Subunit 3 Level 3B and Level 4B respectively.
Third, the high fragmentation ratio of Level 4 in both WVA subunits, combined with the
previously stated fact that this level in these subunits produced the highest weight and number
of glass artifacts, is strong evidence that a number of whole bottles and other glass objects were
deposited there (trash pit) and covered during the time period corresponding to Level 4.
Fourth, the number of bottle fragments (rims, bases, necks) found in Levels 3 and 4 of
the WVA subunits was high compared to other artifacts types. Furthermore, from these levels
comes the largest amount of glass artifacts preserved to the extent in which they can be identi-
fied, as well as our two whole bottles. These data support the idea that a pit in which the inhab-
itants of the Wilson property dumped their empty bottles was present in this location between
1888 and 1930.
Finally, evidence for the presence of a home nearby was provided by the high number of
glass tableware items found in WVB and artifacts such as beads, the cut glass rose, the goblet
base, jar lids, an ashtray fragment, costume jewelry, and buttons.
41
These trends and the in-depth analysis of identifiable glass artifacts have allowed us to
fill in a few gaps as to the use and human activity of the Wilson Property. However, artifacts
that could provide dates and detailed history of the area were relatively infrequent and the stra-
tigraphy of the site raises issues regarding possible disturbances and activity. While we begin
with specificity it is only with a wider frame that we will be able to see the picture of life in 19th
and 20th century Freedman’s Town, and in this way reconstruct history through the material life
that has been left behind to be discovered.
42
Figure 1: Glass Distribution in WVA Subunit 2 by Level (and corresponding lots)
Figure 2: Glass Distribution in WVA Subunit 3 by Level (and corresponding lots)
43
Figure 3: Glass Distribution in WVB Subunit 3 by Level (and corresponding lots)
Figure 4: Distribution of Curved and Flat Glass (Percent Weight) by Level in all Subunit
44
Table 1: Total number of fragments, total weight, and fragmentation of levels
Figure 5: Distribution of all other glass artifacts other than curved and flat glass by Lev-
el and Subunit
SUBUNIT & LEVEL TOTAL # OF
FRAGMENTS
TOTAL WEIGHT
(g)
FRAGMENTA-TION (g/#)
WVA Subunit 2, Lvl 1 9 23.8 2.64
WVA Subunit 2, Lvl 2 85 126.6 1.49
WVA Subunit 2, Lvl 3 187 343.9 1.84
WVA Subunit 2, Lvl 4 172 464.3 2.70
WVA Subunit 2, Lvl 5 90 123.9 1.38
WVA Subunit 2, Lvl 6 2 9 4.50
WVA Subunit 3, Lvl 1 50 93.5 1.87
WVA Subunit 3, Lvl 2 78 153.6 1.97
WVA Subunit 3, Lvl 3 314 336.8 1.07
WVA Subunit 3, Lvl 4 187 396.8 2.12
WVA Subunit 3, Lvl 5 27 21.7 0.80
WVB Subunit 3, Lvl 1 48 64.8 1.35
WVB Subunit 3, Lvl 2 218 63.2 0.29
WVB Subunit 3, Lvl 3 421 405.1 0.96
WVB Subunit 3, Lvl 4 99 86 0.87
45
Figure 6: Cut glass rose ornament or knob
Figure 7: Ashtray fragment
46
Figure 8: Beads, piece of costume jewelry, and glass button
Figure 9: Cut crystal half sphere in fragments
47
Figure 10: Jar rim
Figure 11: Goblet with partial stem Figure 12: Glass stopper and missing
fragment
48
Figure 13: Unidentifiable bottle fragments with writing
Figure 14: Small oval panel, packer lip bottle by Ownes Glass Company (1903-1929)
49
Figure 15: Fletcher's Castoria medicine bottle in fragments. Manufactured by the Owens
Glass Company (1912-1929)
50
Figure 16: Owens Glass Company maker's marks (1903-1929)
Figure 17: Base of a Berney-Bond Glass Company bottle with maker's mark (left) and the
cottage cheese bottle to which it would have belonged (right) (1905-1930)
51
Figure 18: Base and side fragment of a drinking glass (left) and the unidentifiable mark
on the base
Figure 19: Fragment of a zinc cap for a Ball Mason jar (left) and the lid and jar it would
have belonged to (right) (1900-1930)
52
Figure 20: Jar base embossed with “No. 63, Pat. In US, Dec 22, 1903” (left) and the jar it
would have belonged to (right)
Figure 21: Neck and side fragment embossed with "KENTON COVING", possibly
manufactured by Gray & Hemingray, Covington, Kenton County, Kentucky (1852-1919)
53
Figure 22: Bottle base belonging to a hand-made, tooled blob-lip amber export-style beer
bottles made by Reed & Company (1881-1904)
Figure 23: Partial, geometric (dodecagon) base of a bottle embossed with "NOSBURG"
54
Figure 24: Glass container base embossed with "BF", maker's mark of Ball-Foster Con-
tainer Corporation (1996-2000)
55
METALS
ANJA FRANKLIN AND RYAN TOWART
Introduction
The metal artifacts analyzed were excavated from the Wilson-Victor site 41 HR 1031.
Two units were excavated, WVA and WVB. In WVA, two subunits were excavated (2 and 3),
and one subunit was excavated in WVB (subunit 3). The units were near what would likely
have been a path at the back corner of a shotgun house, now removed. The foot traffic and loca-
tion at the back of the building accounts for the considerable amount of artifacts which were
recovered.
Large quantities of metal artifacts were found. When analyzing metals, identification is
often made difficult due to the large amount of rust and corrosion. As such, many artifacts were
catalogued solely by weight and sub material. Most of the identifiable artifacts were nails,
which vary by type, such as square wrought, square wire, and round (Figure 1). Other artifacts
which yielded more information upon analysis were several bullet casings and a Freemason pin.
Background
It is worth noting that datable artifacts can only provide us with accuracy to a certain
degree. Processes such as burrowing animals or soil displacement due to construction can
change the location of artifacts in the matrix from their original positions. An example of such
construction would be the laying of the pipe that is in all three of the units. This pipe could ex-
plain why Level 3 has the largest amount of artifacts (Figure 2). Additionally, datable artifacts
only define the year in which they were manufactured or made, not the year in which they were
deposited.
Analysis
In total, 5,722 separate metal fragments were recorded for a total weight of 14,269
grams. Many of these fragments were either indeterminate (3,230 fragments, 7,612.3g) or flakes
of metal (441 fragments, 280.8g). A large percentage of the identifiable metal objects found
were nails, totaling 743 with a weight 3,028.3g. Iron was the most common sub-material with
5,618 fragments and a weight of 14015.7g. The majority of the materials throughout all the
56
trenches were not diagnostic.
A large amount of the metal fragments came from Level 3 in all the subunits (Figure 2).
We hypothesized that this level may represent the building episode for the shotgun house, alt-
hough it does not have a high overall percentage of building materials. Lot 1626 from WVA 3
unit has the most metal artifacts of all of the lots. It is difficult to draw any other trends from the
material gathered, given that despite volumetrically accounting for only 20% of the excavated
dirt, approximately half of the uncovered artifacts came from Level 3. This means that all
trends that can be drawn across levels will indicate increased numbers in Level 3 for determi-
nate and indeterminate artifacts, weight and quantity of artifacts. There are more artifacts found
in Levels 2 and 4 than 1 and 5, which we hypothesis to be a result of the time period relevant to
Level 3, potentially one of increased activity or business, spilling over into the upper layer of
Level 4 and the bottom layer of Level 2.
Some of the metal artifacts that might have provided a date, such as the spark plug mak-
er’s mark (Figure 6), the ALO zipper and the Freemasons pin (Figure 7), did not yield any re-
sults upon research. However, analysis of the bullet casings from lot 1626, WVA 3, was more
successful (Figure 8). The analysis of the bullet casings focused on two measurements, the cas-
ing length and the caliber. Both of these values were measured using a caliper for accuracy;
however, both deformation of the casing and rust and corrosion could cause these values to be
slightly incorrect. The calibers that were thus determined should hence be taken with a grain of
salt; however, assuming them to be accurate two interesting calibers were found. One was
the .22 Extra Long, which was only manufactured up until 1935. The other was a pistol casing
which appeared to be .40 caliber. This is a very uncommon caliber for a pistol. Potentially
homemade, it could warrant further looking into by a specialist.
Artifacts of Interest
Of the identifiable artifacts, the following were of interest:
WVA Level 2:
ALO Jacket Zipper
WVA Level 3A:
.4 Caliber casing (2) (Fig. 8)
.22 Extra Long casing (Fig. 8)
57
.22 Short (2) (Fig. 8)
Jack (Fig. 8)
Clothing rivet that was made in France
Freemason pin (Fig. 9)
WVA 4C
Back of a Watch
WVA Level 5A
Iron Rings
WVB Level 2
Penny (indeterminate year)
WVB 3
Spoon
Jack (Fig. 7)
WVB 4A
AC Spark Plug (Fig. 6)
Snap Fastener
Conclusion
It is difficult to achieve any grand conclusions based on the metal artifacts found. There was a
considerable amount of metal found, both compared to other materials and compared to previ-
ous excavation in the area. We were unable to conclude if the large amount of metal was per-
haps due to a time of increased construction, as the metal found was not conclusively diagnos-
tic. The majority of non-nail items seem to confirm that the location was once a footpath, as
they are items which would be dropped by a person on foot: such as keys, jacks, watches, but-
tons and zippers. Level 3 showed a distinct increase in the density of artifacts. It is within Level
3 that the artifacts which had the potential to be dated were found. As discussed in analysis
however, we lack resources in order to date them.
58
Figure 1: Quantity and Weight of Indeterminate vs. Determinate Artifacts
Figure 2: Metals by Levels, Aggregate across Subunits
59
Figure 3: WVA 3 by Levels
Figure 4: WVA 2 by Levels
60
Figure 5: WVB 3 by Levels
Figure 6: AC Spark Plug
61
Figure 7: Freemason Pin
Figure 8: Bullets: (2) .40 Caliber (left) --- (2) .22 Short (top right) --- .22 Extra Long
(bottom right)
62
Figure 9: Jack
63
MISCELLANEOUS ARTIFACTS
JESSICA ANDERSON
Introduction
The miscellaneous artifacts found at the Wilson-Victor Site (Units A2, A3, and B3)
site were consistently found to fall under the classifications of “rubber” and “other” materials,
though these categories could be further broken down to represent building materials, includ-
ing rubber shingles and plastic molding from the former category and pieces of concrete and
asphalt from the latter, to the fabric and fiber materials of clothing and carpets, and the plastic
and rubber toys, tools, adornments, and castoffs commonly referred to as litter; the weathered
scraps of plastic bags and wrappers made delicate and transparent as the coloring, paper back-
ing, and identifying imagery and text faded away. In the tables, distribution of the material
and sub-material types is shown across lot numbers rather than levels to mark the distinction
between Units A and B; this occurs at the drop-off visible across lot numbers 1631 to 1638,
representing the deepest levels of the two subunits in A before resurging to high numbers
with renewed surface digging across Unit B (Table 1). A greater frequency of “other” and in
particular “rubber” (i.e. plastic) artifacts appears in the uppermost levels of subunit B3 than
A2 and A3 combined.
Soft Rubber and Hard Plastic
The most prolific of the miscellaneous artifacts fell under the classification of rubber
materials. Among these, the most common sub-material was hard plastic. The proliferation of
the plastic was met by its variety. Among the discrete and recognizable objects, often chil-
dren’s toys and colorful beads, as well as a number of comb tines, made a strong appearance
(Figure 1). Soft rubber toys, such as a multicolored rubber ball, were also found (Figure 2).
The most common plastic materials however were thin and crumpled films, with nearly negli-
gible weight (making it an ineffectual marker of artifactual presence) but a great range in size
from nearly entire snack or cereal bags to gauzy scraps on the verge of being invisible. They
also exhibited an assortment of stiffness and frailty. The most opaque plastics also appeared
the most flexible (Figure 3). Slightly stiffer and more translucent plastic films bore strong tex-
64
tural resemblance to other scraps which still evidenced faded texts and colors, which made
many of them identifiable as snack packages, containing words such as “spoons” and “crumbs,”
“BAR-B” and “POTATO.” Other plastics also contained texts or corporate logos such as the
McDonald’s “M” and “SOLO” were also found on plastic lids, as well as other food-related
products: plastic dining ware and the plastic tear-off tab from a milk jug (Figure 4).
Rubber Building Materials
The most common building substance under the rubber classification was composite
shingles and roofing material. Shingles carried the most visible presence among the rubber arti-
facts after hard plastics and appeared with red and green coatings as well as the natural black
coloring (Table 2). These shingles were never intact and were always represented by partial
fragments (Figure 5). Another rubber-classified building material that showed a strong presence
among the sites artifacts and were among the larger pieces recovered were partially melted
chunks of plastic molding (Figure
6).
Other Building Materials
Other building materials recovered at the site include concrete and asphalt. The concrete
was represented both by chalky, easily breakable materials and rust-colored materials that had
oxidized in the presence of metal and were quite hard. This was the heaviest miscellaneous ma-
terial, even though some of the pieces were quite small, and present at least once in nearly every
level. It was more common to find concrete in Unit A than Unit B and had the greatest frequen-
cy in a middle depth. Asphalt was not nearly as common, only showing up a few times in the
excavation but was recorded twice in Unit B and only once in one of the deepest levels of Unit
A.
Other Materials: Textiles
Fabrics and fiber materials maintained a relatively consistent presence regardless of
depth but peaked in both units in mediating levels (Table 3). The fabrics were very dirty but
occasionally included color. There was one piece of plaited rope and a number of threads in a
variety of colors, either surged as though they had been sewn into a material or knotted in such
65
a way that the threads may have at one point actually made up the fabric. A fruit of the loom tag
and fabric petals from fake flowers were unique finds within this category. Colored yarn also
appears among the textile artifacts (Figure 7). Small fibers in multiple colors, though primarily
a gray or dirtied white, often appeared to be the remains of a carpet or rug and in one case, a
large chunk of these carpet fibers were held together by clumped mud and congealed or melted
rubber or plastic. In addition to these types of fibrous materials there occasionally appeared cot-
ton batting or stuffing, such as would be found in a pillow, a plush toy, or furniture (Figure 8).
Indeterminate and Mixed Materials
Among the other miscellaneous materials were a number that were difficult to identify
within any particular type. Small pieces of crumpled silver foil and metallic paper, paint chips,
and fragments of colored sponge and foam-like materials are included in this category. Many of
these pieces were too melted or burned to identify. One frequent occurrence was lightweight,
porous rock-like shapes that may have been melted plastic/rubber or another material. Chalky
materials resembling plaster but coated in an acrylic appeared several times with different col-
oring. Fused materials were occasionally found in large bulky chunks, including plastic melted
around nails, or glass and fabric embedded in shiny plastic (Figure 9).
Conclusion
It became overwhelmingly clear that plastics made up the majority of the miscellaneous
artifacts, and that the quantifiable differences between them would be difficult to represent
through the classification process and perhaps, ultimately, were unnecessary. Some of the plas-
tic and fabric pointed to the area as a repository of less disposable materials such as toys and
carpeting. While most of the plastic film material would be qualified as trash clearly a good
amount of it had gone through quite a bit of weathering and so had been there and building up
for a while. Plastics could be found down to the deepest level, in equal if not greater amounts to
building materials such as concrete. It also seemed interesting that the single subunit in Unit B
provided even more plastic detritus with less frequent occurrences of concrete.
66
Table 1: Material Types IV and VII represented by lot number; Lot 1638, with no miscel-
laneous artifacts, marks the transition from Unit A data to Unit B
Figure 1: Multicolored rubber ball, Unit A3, Level 1
67
Figure 2: Plastic beads and rubber and plastic toy tire, Unit B3, Level 3
Figure 3: Crumpled plastic film, likely from plastic bag and “Fla-Vor-Ice” Popsicle wrap-
per, Unit B3, Feature 1
68
Figure 4: Plastic “SOLO” lid, milk jug tab, and fragment of a plastic spoon, Unit A2, Lev-
el 2
Table 2: Sub-material IV (rubber) by lot number; the majority of sub-type “RC” is made
up of roofing material
69
Figure 5: An assortment of colored and plain shingle fragments from Unit B3, Level 3
Figure 6: Melted plastic molding from Unit B3, Level 2
70
Table 3: Sub-material VII (other) by lot number; sub-type “OE” includes the fabric and
fiber artifacts unburied at the site
Figure 7: Yellow-green clump of yarn found in Unit B3, Feature 1
71
Figure 8: Cotton batting/stuffing material Unit A2, Level 2
Figure 9: Large chunk of melted blue plastic with embedded white surged thread, black
knit fabric and black tape or plastic film, Unit B3 Level 2
72
FAUNAL REMAINS
AIMEE NGUYEN
Introduction
Faunal analysis done near a general store, barber shop and shotgun house in Freedman’s
Town in Houston can provide insights into the use of animal products, such as meat, in a com-
mercial area as well as a residential one. Animal bone identification and analysis can help deter-
mine meat consumption and possibly the socio-economic background of those living in at the
site through the different types of butcher’s cuts. Additionally, analysis of the shell buttons can
help date the levels. Wood, charcoal, and coal also help enlighten us about the store’s and bar-
ber’s shop’s activities.
Methodology
All remains were sorted, counted, weighed and cataloged by lot number. The faunal re-
mains were first divided into two categories, diagnostic and non-diagnostic. The diagnostic cat-
egory was defined as remains that were likely to be identified to species, element and/or meat
cut. Identifying features included landmarks on the bones, complete bone specimens, and any
human modification like butcher cuts. After being sorted, the diagnostic remains were further
identified first by species, then element and finally, if possible, butcher’s cut using the HAS
collections in the Rice Archaeology Lab. In addition, all other modifications to the bones such a
burns, paint, or cut marks were noted independently from the two categories. All of the bones
with a specific modification within a lot number were counted and weighed together (ie. all
burnt bones were put together). If bones had multiple modifications (ie. burnt and cut marks),
they were counted and weighed independently from bones that only had one of the modifica-
tions.
Artifact Frequency of Wood, Charcoal, Coal, and Shell Buttons
All of the subunits at 41HR1031 contained relatively the same amount of ecological/
organic artifacts. Only WVA-3 had modified shell artifacts (buttons). In comparing the overall
distribution of artifacts among the three subunits (Fig. 1), Additionally, WVA-2 had the most
plant material and charcoal but the least amount of coal. There was some burnt slate in all of the
subunits, but not a significant amount.
73
The vast majority of the wood was recovered in WVA-2, specifically Level 3, but there
are no other trends. WVA-3 had a very small amount of wood (4.5 g total). WVB-3 had just
17.2 g of wood in Level 3. Additionally, there was 0.1 g of nut fragment in WVA-2.
WVA-2 had significantly more charcoal than either WVA-3 or WVB-3. This correlates
with the high frequency of burnt wood in WVA-2 (50.7 g). Figure 2 shows that WVA-2 has the
highest frequency of charcoal in Level 4 while WVA-3 has the highest frequency in Level 3.
This correlates with WVB-3, which only has charcoal in Level 3 and 4. The amount of charcoal
in WVA-2 increases from Level 6 to 4 and decreases from Level 4 to Level 1. WVA-3 had
amount of charcoal increases from Level 5 to Level 3 but had negligible frequencies in Level 1
and 2.
WVA-2 and WVB-3 only had coal in two levels (Fig. 3). WVA-2 has significantly low-
er amounts of coal than WVA-3 and WVB-3. WVA-3 had the highest frequency of coal in Lev-
el 4 and the amount of coal decreases in the higher levels.
WVA-3 Level 3 had 10 shell buttons (Fig. 4) as well as several shell button fragments
(7.5 g). There were two more shell buttons in WVA-3 Level 1 and 2 respectively. WVA-2 and
WVB-3 had no shell buttons. WVA-2 and WVA-3 both had one wooden button each (0.7g and
0.6 g respectively) while WVB-3 had none.
Analysis of Modified Plant Material
The only plant material found was wood fragments with the exception of one nut frag-
ment found in WVA-2. There were a number of variations in the modifications done to the
wood but no apparent trend in modification was found. WVA-2 Level 3 had wood that was
painted white (11.5 g), some of which was burnt. This suggests that some of the materials burnt
had been used for some other purpose. In addition, a piece of green-painted wood was found in
WVA-2 Level 2 which is the same level as the bones with green paint. The painted wood may
have been part of the original house or other woodcraft, and the paint was transferred to the
bone after they were discarded in the same trash. Alternatively, the green paint may be been
discarded in the trash and landed on top of the wood and bones. Further paint analysis may re-
veal its purpose. WVA-3 contained a sawed wood chip (1.6 g) and a few other burnt pieces of
wood (2.9 g). WVB-3 Level 3 contained small fragments of what appeared to be a wooden
plank (11.2 g). These weights exclude the two wooden buttons found.
74
Analysis of Buttons
There was one wooden button found in Level 3 of WVA-2 and WVA-3. These buttons
were both 4 holed, round, and 18 mm in diameter. There were no other distinguishing marks on
them.
There were 12 shell buttons and additional 0.3 g of button fragments found at
41HR1031. The buttons and fragments were all in WVA-3 Level 3 (Fig. 4) with the exception
of two buttons; one each was found in Level 1 and 2. All of the buttons are two-holed. The but-
tons’ diameter vary from 9.4 to 19.2 mm (mode is 9.5 mm) and have no visible decoration. The
production of shell buttons in the US began in 1889 and ended largely in the 1930 (United
States Fish and Wildlife Service 2006). In the United States, 1898 was the peak of popularity,
so these buttons are likely around 115 years old (Wise 2009: 143).
Frequency of Faunal Remains
WVA-3 had the most animal remains, but WVB-3 had the most diagnostic animal re-
mains (Fig. 5). WVA-2 Level 5 had the highest diagnostic frequency of bone, but Level 4 had a
higher frequency of bone overall. WVA-2 Level 1 and 6 had very low frequencies of bone, and
the frequencies of bone declined from Level 5 to Level 2 in terms of both overall and diagnostic
bone.WVA-2 Level 3 and 5 had roughly the same frequency of material. WVA-3 had extremely
high amount of bone in Level 3, moderate frequency of bone in Level 4, and very low amount
of bone in Levels 1, 2, and 5.The frequency of the overall and diagnostic amount of bone in-
creased from Level 4 to Level 2 in WVB-3 with very low frequencies in Level 1 and F1.
Species Identification
Majority of the bone fragments were not identifiable to species. The only species defini-
tively identified were Gallus domesticus (chicken) and Felis catus (domestic cat). The Felis ca-
tus is discussed separately in the next section. In addition, there are bones of fish, small mam-
mals, and some possible Sus scrofa (domesticated pig) or Bos taurus (domesticated cow) pre-
sent, but it was not possible to identify these with certainty. Because of the low number of
bones identified to species (10 in total), it was impossible distinguish any patterning in the data.
Table 1 shows a more complete breakdown of the species identification; Appendix I details all
75
of the species identifications and their modifications.
There were a total of five Gallus domesticus (chicken) bones in the excavation, one in
WVA-2, three in WVA-3, and one in WVB-3. The remains in WVA-2 and WVA-3 were long
bone fragments, but the one in WVB-3 was a lower thoracic vertebrae fragment. Although the
Gallus domesticus bones in WVA-3 were all found in Level 3, it was impossible to determine if
they were from the same chicken.
There were ten fish vertebrae of varying sizes. There were some in every subunit, and a
majority of the fish bones were found in WVA-3 Level 3. Further identification of these bones
was not possible.
There were several bones that appeared to be either cow or pig, but it was not possible
to identify which animal they were because the bones were very small and/or highly fragment-
ed. In WVB-3 Level 2, there are 8 whole bones that are most likely Sus scrofa because they
belong to a large mammal that is not Bos taurus, but the HAS collection does not have Sus
scrofa to use for comparison.
It is highly unusually that there are no Sus scrofa (domesticated pig) or Bos taurus
(domesticated cow) identified. This may be due to a number of factors: the fragments them-
selves may have been more fragmented than in past years, or I may have been more cautious in
identifying species and chose to leave the species identification as ‘large mammal’ or ‘cow or
pig’ rather than making a definitive decision.
Felis catus
The heads of the right humerus, right femur, right tibia, and right ulna of a Felis catus
(domestic cat) were found in WVA-3 Level 3 (Fig. 6) in addition to an unidentified long bone.
There is a high certainty in the identification of the bones: these bones were able to articulate
with each other and with bones of the Felis catus from the HAS collection.
Additionally, the shaft of the humerus is sawed half way through and then broken off.
The shaft of the femur may also have been partially sawed as well. There were no other modifi-
cations on these bones. These modifications raise two important questions: why are there
sawed cat bones and who sawed the cat? There were no signs of disease on the legs, which sug-
gests the amputation was not done to save the cat’s life. Perhaps the cat was eaten during a time
of scarcity, a horrible accident happened, or someone tortured the cat. However, there is no ad-
76
ditional information, so this is just speculation.
Analysis of Modified Bone
Figure 7 shows the distribution of the bone modification. The complete list and details
of the bone modifications are in Appendix I. In every level of every subunit, there was more
unmodified bone than modified. Unmodified bone constitutes 59.8% of the bone in WVA-2. In
WVA-3, 72.8% of the bone was unmodified, and WVB-3 had 81% of the unmodified bone. The
animal remains were often very small fragments which may explain the low number of modifi-
cations and identification of butcher’s cuts. There are no clear trends in this data. A few bones
in WVA-3 Level 3 (1.3 g) had green paint on them which were omitted from Figure 7 since
they were only in that level. Interestingly, there was not any bleached bone present. This sug-
gests that the bones were not exposed to the sun for a long period of time.
Burnt bone was primarily found in WVA-3 Level 3 and in WVA-2 Level 5. The burnt
bone in WVA-2 was primarily in Level 5 and was also sawed as well. WVA-3 Level had 0.5 g
of sawed and burnt bone, but 22.8 g was just burnt. This correlates with the amount of charcoal
found in WVA-3 Level 3 as well. There was 1.5 g of burnt bone in WVB-3 in total.
The vast majority of the modifications were sawed bones. There were a few sawed
bones that were also burnt or had cut marks or had cut marks. The sawed bone indicates the
possible presence of a butcher’s shop or store that sells meat, likely the general store to the
south of the excavation area.
Thirty-five of the bones were fragmented in ways that it possible to tell that it was part
of a butcher’s cut, but not exactly which cut (Table 2, Fig. 8). Specifically, the T-bone, chuck,
and pork loin cuts look similar, but the diagnostic features that would allow me to distinguish
different cuts were missing for 10 of the bone fragments. There were also 15 fragments that I
classified as beef shanks (labeled “caldo” meat in the HAS collection) and/or pork loin rib
chops. The pork loin rib chops in the HAS collection were unfortunately “assorted” so it was
not possible to determine the exact bone or location of the cuts. Additionally, the parts of beef
shanks appeared very similar to other parts of the assorted pork loin rib chops, so I was unable
to determine the precise cut. There were 8 round steak cuts found at the site and 10 fragments
that were possibly from round steak cuts. Because there were few cuts that were difficult to
identify precisely, it is difficult to analyze the socio-economic backgrounds of the people who
77
consumed the meat.
Conclusion
The materials found were most likely trash since there were many burnt materials in-
cluding painted wood which suggests that the wood was part of something that was later
deemed worth burning.
The shell buttons may be chronological markers. Since the buttons were mostly found in
the WVA-3 Level 3, which has the highest frequency of the total amount of material, it is prob-
able that those materials can be dated to 1898 at the earliest. However the presence of the gas
pipe indicates that the stratigraphy was disturbed, so the levels and the materials in them may
not represent distinct strata that can be associated with specific time periods. In WVA-2, the
end of the pipeline was found in Level 5. In WVA-3, the pipe was starting to show close to the
bottom of Level 3 and was fully exposed in Level 4. Additionally, the levels above the pipe
showed higher frequencies of artifacts followed by a sharp decrease in material in the top lev-
els, indicating a time period of heavy human activity and then sudden drop in human activity
over time. This trend is also shown in WVB-3 which also had some of the pipeline in it. How-
ever, it would be important to compare these results to the other chapters to confirm that they
had similar results.
While there were many bone fragments located, the majority of them were unidentifia-
ble and it was impossible to narrow down many of the bones to a definitive species and ele-
ments. This contributed to the difficulties in identifying particular butcher’s cuts. There was to-
tal count of 18 steak cuts if we assumed that possible round steak cuts are indeed steak cuts, so
the round steak cuts appear to be the most popular cut (Table 2). The second most popular cut
was the pork loin rib chops/beef shanks ones with a count of 15 fragments. The round steaks
and possible steak cuts appeared in WVA-2 Level 3, 4, 5 WVA-3 Level 2, 3, 4 WVB-3 Level 2
which shows that these fragments were spread throughout the subunits. The other cuts also ap-
peared in multiple levels in all of the subunits, but there are no temporary associations or clear
patterns to distinguish (Table 2). Additionally, there was most likely fish consumption due to
the presence of the fish vertebrae, but they had no discernible pattern which may be due to the
fragility and size of fish bones.
Making broad interpretations is very difficult due to the low amount of material and the
78
difficulties in bone analysis. However, it can be said that the general store and local population
had continual access to meats through time. Additionally, we are able to tentatively to put an
upper limit on the age of the materials thanks to the shell buttons even though the pipe does add
complications. The use of this chapter in conjunction with the other ones as well as further ex-
cavation will bring further insights into this site.
79
Figure 1: Organic/Ecological distribution by weight in grams in Subunits WVA-2, WVA-
3, WVB-3
Figure 2: Charcoal distribution by weight
in grams in WVA-2 (above left), WVA-3
(above right), WVB-3 (left)
80
Figure 3: Coal distribution by weight in
WVA-2 (above left), WVA-3 (above right),
WVB-3 (left)
Figure 4: Shell buttons from WVA-3, Lev. 3
81
Figure 5: Diagnostic (red) and undiagnostic (blue) animal bone distribution by weight in
grams in WVA-2 (top), WVA-3 (middle), WVB-3 (bottom)
82
Table 1: Number of Species Classifications by count, by Level,
WVA-2 (top), WVA-3 (middle, WVB-3 (bottom)
83
Figure 6: Felis catus: the heads of the right tibia, femur, and ulna in clockwise order
starting upper left. The humerus is partially sawed and part of the femur may have been
as well.
84
Figure 7: Animal bone modification distribution by weight in grams in WVA-2 (top),
WVA-3 (middle), WVB-3 (bottom)
85
Table 2: Butcher’s cuts identification by count, by Level, WVA-2 (top), WVA-3 (middle,
WVB-3 (bottom)
86
Figure 8: Sus scrofa or Bos taurus bones: butcher shank cut (top), possible T-bone, chuck
or loin cut (middle), round steak (cut), all from WVB-3 Lev.2
87
SOCIOECONOMIC SALVATION IN THE POST-EMANCIPATION ERA
AFRICAN AMERICAN CERAMIC CONSUMPTION PATTERNS IN FREEDMAN'S TOWN, HOUSTON
TATIANA FOFANOVA
Introduction to Site and Rationale
This is a paper on the ceramic artifacts found in the backyard deposits of the Rutherford
B. Yates household in Freedman’s Town in which I attempt to make sense of these deposits
through historical and anthropological contextualization.
The site, known as “Freedman’s Town,” is encompassed by the fourth ward of Houston,
Texas and is otherwise known as the “Mother Ward” in the African American community. Prior
to the Civil War, the area did not house a significant portion of Houston’s slave population.
However, the end of the war brought over one thousand slaves to freedom in Houston, and
thousands more flooded in from neighboring plantations (Kuhl 2012: 12). It is estimated that, in
the 40 years following emancipation, the population of Freedman’s Town quintupled!
Unfortunately, in 1866, “Texas began passing laws known as the ‘Black Codes’ [which]
greatly restricted their rights by imposing heavy fines for ‘vagrancy’ and legalizing ‘enforced
apprenticeship’”(12). These laws meant that unemployed or un-housed African Americans
could be punished by a form of loosely defined slavery. Community leaders quickly realized
that in order to avoid the post-emancipation hatred from white southern residents, they would
have to form a self-sustaining community that “kept to themselves” (Meeks 2011: 43). This
community of resilient freed men and women were remarkably successful: five years after the
war, 4.2% of African Americans owned their own homes in the area and by 1900 that number
rose to 12.1% (Kuhl 2012: 13). By 1910, a third of Houston’s African American owned busi-
nesses were in Fourth Ward.
Jack Yates, Rutherford’s father, was a slave who moved to Houston following emancipation
and established himself as a successful pastor and community leader. Motivated by his father’s
success, Rutherford B. Yates earned a degree at Bishop College in Houston and became the first
African American printer in Houston (DiFrancesco 2008: 5). The Rutherford B. Yates home
was constructed in 1912 and, because the Yates family resided in the household under investi-
gation well into the 20th century, this site lends itself well to a controlled study of the aspirations
88
and consumption patterns of this notable African-American family (5; Kuhl 2012: 13).
In this paper, I will first establish the background and analytical framework to which I will
relate my findings. Subsequently, I will describe the methodology employed in this study and
present an interpretive overview of the material culture. Finally I will argue that this ceramic
assemblage demonstrates the improving, and at some points relatively high, socioeconomic sta-
tus of the Rutherford B. Yates household. Furthermore, I will argue that their consumption pat-
terns suggest a desire for assimilation into Victorian culture through social and material dis-
plays of status. In order to substantiate my argument, I will use contextualized evidence of fau-
nal remains, tea equipage, children’s playthings, and decorative ware.
Victorian Ideals and Salvation through Consumption
In the Summer of 2002, the UT archaeological field school excavated the North Dallas
Freedman’s Town area home of Thomas Cole, a carpenter, and his family. The study produced
an assemblage of artifacts, ceramic and otherwise, that reflected African American consumer-
ism during the Victorian Age. Life was hostile for Post-Emancipation freed blacks in the South,
where swiftly implemented vagrancy laws committed African Americans to a year and a half of
labor (effectively, slavery) if they were discovered to be without work or residence within Dal-
las city limits. Freedmen and -women formed their own urban communities adjacent to, but le-
gally outside of, town (Davidson 2004: 76). The choices made by the Cole family were symbol-
ic of not only their socio-economic status, but also of their societal aspirations. In a sea of mass-
produced goods, choice can reflect identity construction and defiance—or, in this case, of a de-
sire for assimilation.
Paul Mullins argues that late 19th and 20th century consumerism “was perceived as a key
means by which blacks might cast off their white-imposed mantle of inferiority and achieve a
measure of equality through judicious consumption” (102). He describes this trend of Victorian
value-oriented consumerism among all middle- to lower-class people, and particularly those of
African-American descent, as “salvation through consumption” with Cole’s household as no
exception (102). Of all the items unearthed in this excavation, perhaps the most telling were
several ceramic cosmetic compacts associated with a company, founded by an African-
American, that is dedicated to the production of hair straighteners and skin bleachers. Presuma-
bly, such products “have been interpreted as signifying attempts made by African Americans to
89
emulate white conceptions of beauty and acceptability” (104).
In a more engendered analysis of this trend toward emulating Victorian ideals, middle-
and upper-class, typically white households, in Dallas visibly “ascribed to the Victorian era’s
ostentatious display of wealth, consumption, and implied morality” through their conceptions of
appropriate women’s roles (Teague 2011: 94). Due to intense discrimination, African American
men were often denied work and women were employed in much greater numbers than men.
Yet, in Dallas, the 1870 federal census shows that 80-95% of black women in some districts
were listed as homemakers. Supposedly, this illustrates the ideal that women were (at least on
paper) placed in the home as an effort by many African American families “to feel equal with
their white counterparts” by displaying the “genteel nature” of their women and adopting the
“prescribed social position for women in Victorian society.” However, this represents an un-
common social position for post-emancipation black women because they were usually required
to work outside the home (93). For a post-emancipation black woman, being able to maintain
the life of a homemaker meant that your husband was successful enough to afford it and women
who worked outside the home were defeminized and scorned for ignoring their children. So
while some white women at the turn of the century fought for the right to vote and work outside
the home, black women were fighting for the luxurious title of “homemaker” (93).
Ceramic assemblages from late in the second quarter of the nineteenth century tend to
reflect a set of ideals that developed as a response to changing social conditions brought on by
the industrialization and emergence of the middle class. Among all “races,” chief among these
notions was the “separation of the home and the workplace” (Beaudry et al. 1991: 172). Mary
Beaudry highlights the role of “leisure activities [ ] in self-definition and expression” as a meth-
od of ascribing to a group (154). And, subsequently, group-identity is inevitably linked to pow-
er and social differentiation (156). Thus, we can study the material culture of post-emancipation
blacks and the consumption patterns that embody the attitudes and aspirations towards Victori-
an group membership. Using this conceptual framework as a reference point, I will address
these ceramic consumption trends in relation to the Yates household and argue that this assem-
blage reflects their socioeconomic position as well as their ambitions towards refinement and
status through the adoption of middle-class standards of living, polite entertaining, and social
display.
90
Methodology
The ceramic artifacts analyzed in this chapter were excavated from Levels 1-10 in Unit
D, a 2 x 2 meter unit in the backyard of the Rutherford B. H. Yates Museum. Subunits 1 and 2,
making up the Northern half of the trench, are spatially further from the Yates home, while sub-
units 3 and 4 lie on the Southern half and are closest to the residence. All ceramics excavated
from this site were catalogued using the Yates Museum Cataloguing system. Using this system,
5 categories of sub-material were removed from the system: porcelain, stoneware, earthenware,
and Indeterminate. Earthenware was further sub-categorized into whiteware, pearlware, iron-
stone, and terra cotta, and “other.”
Ceramics were distinguished based on the practical guide to historical artifacts provided
by Parkland College (Stelle 2001). Ceramic sub-material classes can be distinguished by the
fabric-ware of the interior, its exposure to heat during the formation process, and by the type
and style of surface treatment. Often, porosity of the ceramic artifact was the indicator for clas-
sification, with earthenware being the most porous (sticky to the tongue), porcelain the least,
and stoneware falling in between. Sherds that had the finestand most vitrified paste, and were
often glassy in nature, were classified as porcelain. Generally, earthenware was interpreted to
have a relatively soft, porous fabric. Further, earthenware was sub-divided into 5 categories us-
ing Miller’s model, which bases classification on ceramic paste and glaze (Miller 1980: 4).
Whiteware is often the most abundant, and most recently developed ceramic type. As the name
implies, it is composed of a stark white, hard fabric that is often covered in a clear glaze. Pearl-
ware is distinguishable by its characteristic cobalt blue glaze, which tends to pool in crevices
and under rims. Temporally, pearlware predates whiteware. Ironstone was often difficult to dis-
tinguish as it is described as being more porous that porcelain yet let porous than whiteware. A
heavier weight and density were generally the identifying points for ambiguous classifications.
Terra cotta is a type of clay-based, porous earthenware often used in flower pots and other gar-
den vessels. It is also easily identified by its brownish-orange, unglazed color.
In addition to Sub-material classification, artifacts were also grouped into artifact classes,
the most common of which were plain sherds, decorated sherds, types of tile fragments, and
various parts of children’s’ dolls. For artifacts of sufficient size, vessel type and diameter were
recorded. Every artifact was weighed and quantified. Furthermore, color, form, and decorative
style were also considered during analysis.
91
General observations and Discoveries
Data analysis relies on the assumptions that (1) greater level depth correlates generally
with older artifacts, and (2) due to natural discrepancies in burial, there is a [+/- 1 level) leeway
for contemporaneous levels. In concordance with the assumptions, for example, artifacts from
level 6 would be interpreted to be from an earlier time period than artifacts from level 3 and
could still be relatively contemporaneous to artifacts from levels 5 and 7. Ceramics occur in all
levels (1-10) and all subunits (1-4).Overall, the number of ceramic artifacts by level follows a
bimodal distribution curve that peaks at levels 4 and 6 (Graph 1). This suggests a period of de-
creased occupation of the site in the period corresponding to level 5. Earthenware and stone-
ware also follow this bimodal pattern (Graph 2). Curiously, however, the distribution of porce-
lain according to level does not reflect a pattern of decreased occupation of the site during that
time (Graph 3). As shown in Graph 4, porcelain artifacts comprise a greater portion of total arti-
fact types in levels 4 through 6 suggesting increased socioeconomic status during this time peri-
od. This trend is also reflected in an analysis of artifact class according to level. The concentra-
tion of plain, undecorated sherds peaks at level 4, dips according to the bimodal pattern in level
5, and slowly diminishes as we go farther back in time. However, the number of decorated
sherds peaks at level 6 and follows a temporal pattern that is the reverse of that of the undeco-
rated sherds (Graph 5). This figure suggests an increase in purchasing power and status during
the time period associated with level 6. This was followed by a period of reduced occupation in
level 5 where the proportion of porcelain to earthenware still indicated elevated status. Level 6
marks a return to a high level of occupation that exhibited an increase in porcelain ownership
but a decreased interest or availability of decorative ceramics.
Overall, artifact distribution is equivalent across subunits (Graph 6) and sub-material
distribution is proportionately equivalent across subunits. Some trends are visible, however.
Subunits 1 and 2, which lie further from the house, contain a larger proportion of earthenware
than subunits 3 and 4. Similarly, subunits 3 and 4 contain a larger proportion of stoneware than
those closest to the Yates household. Porcelain concentration was only slightly greater in subu-
nit 2 when compared to others (Graph 7). Subunit 3 was found to have the lowest proportion of
artifacts overall, as well as the lowest variability of earthenware types. No other significant
trends in artifact class or earthenware sub-type were visible in the data. Fragments from (at least
two distinct) porcelain dolls were found in subunits 1-3 with the highest concentration found in
92
subunit 2.
An archaeological analysis of working-class, urban, white families in Lowell, Massachu-
setts revealed that 12.8% of their assemblage was porcelain, 2.32% pearlware, and 65% white-
ware (Beaudry 1991:172). This compares with our assemblage proportions of 22.4% porcelain,
1.7% pearlware, and 42.1% whiteware favorably. Given that whiteware is the cheapest and eas-
iest to acquire, while porcelain is most expensive and symbolic of Victorian displays of wealth,
this data indicates that between these two contemporaneous, urban households the Southern-
borne Yates family was socioeconomically better off than working-class, white families resid-
ing in the more tolerant North. Furthermore, this comparison implies that the Yates household
transcended, at least materialistically, the white conceptualization of “working class” and was
far more successful in their endeavors to display Victorian-era consumption patterns.
Patterns of Decoration and socioeconomic status
Because of the surge in mass-production and availability of ceramic tableware over the
turn of the century, Miller notes that “nothing seems to indicate that the ware type is related to
status with the exception of porcelain,” which retains its inflated social connotations up through
the 20th century. With porcelain being the most prized, pottery prices were then determined by
their decoration (Miller 1980: 3). He stratified price ranges in the following way:
Lowest Tier: Undecorated white earthenware with undecorated ironstone priced slightly
higher
Second Tier: Minimal decoration; glazed, sponge decorated, banded, shell edged (Figure
1)
Third Tier: Painted wares with motifs like flowers, leaves, or geometric patterns (Figure
2)
Fourth Tier: Willow Transfer Printing at lowest, then transfer print, and flow blue at
highest (Figures 3, 4, 5 respectively). Transfer printed vessels were “three to five
times more expensive than undecorated [whiteware] vessels but decreased to be-
tween one and a half to two time the cost of [whiteware] by the mid-19th centu-
ry” (4)
93
In this assemblage, the highest concentrations of decorated ceramics were found in Sub-
units 2 and 4, each with 41 artifacts. The lowest concentration of decorated artifacts was found
in Subunit 1. Overall 16.8% of decorated artifacts fell into Miller’s priciest tier of artifacts
(transfer, blue flow), and 13.8% fell into the third tier (painted) artifacts. Overall, 31% all deco-
rated artifacts fall into Miller’s top two tiers. However, it should be noted that decorated arti-
facts (tiers 2-4) comprise only 38% of the total assemblage. The complete representation of the
assemblage as stratified by Miller’s pricing tiers is represented on Graph 8 of the Appendix.
In their study of working-class, urban white tenements in Massachusetts, Mary Beaudry
and her research team state that 12.5% of their ceramic assemblage was (Tier 4) decorated with
transfer print or blue flow (Beaudry 1991: 172). This estimation shadows the 6.4% of Tier 4
artifacts in the total assemblage found at Freedman’s town. As referenced earlier, however,
these households had substantially smaller collections of porcelain than the Yates household.
This potentially hints at differences in preference rather that in purchasing ability. Perhaps these
white households preferred decorated whiteware rather than porcelain while the Yates house-
hold prized porcelain.
Material Artifacts and Socioeconomic Status
Makers Marks and British Influence
Surprisingly, very few intact makers’ marks were found in the assemblage. The first and
most complete marker’s marker was found in subunit 3, level 8 and serves as a prime chrono-
logical marker and indicator of tableware quality. In Figure 6, the mark can be seen with
"ORC," "D CLAR," and "URSLEM" printed clearly on the ceramic. This porcelain sherd origi-
nally hails from a pottery company with a long history in the English city of Burslem known as
“The Churchyard works.”
“The productions of the Churchyard Works, while carried on by Mr.
Clarke, were opaque porcelain of the finest and hardest quality (known as ‘white
granite’), for the American Market… The impressed mark was ‘bridgwood and
Clarke,’ and the printed mark of a royal arms, with the words ‘Porcelain Opaque,
B & C, Burslem.’”
(Jewitt 1878: 246)
Clarke came into the business after 1864. In 1874, “Mr. W.E. Withinshaw entered upon
the Churchyard Works” and changed the sorts of goods manufactured within the yard. During
94
his tenure, the maker’s mark associated with his work is “W.E. WITHINSHAW” (247). There-
fore, this particular porcelain item can be accurately traced to Churchyard Works in Burslem,
England—produced between 1864 and 1874, and imported into the United States for use. How-
ever, this is not to say that the residents of the Yates household acquired this item during this
narrow time window as it may have been a gift or an inheritance. However, this does place the
minimum date of possible ownership at 1864—thereby establishing the maximum date corre-
sponding to Level 8 of the excavation. This value is chronologically consistent with the maxi-
mum date of 1890 corresponding to Level 7 as established by the analysis of the Bennington
marble (examined in later sections). Additionally, tracing this item back to its maker visibly
illustrates an instance of a high-quality, “name-brand,” purchase that is potentially part of a
class-associated consumption pattern.
The second-most complete maker’s mark (see Figure 7) found in Unit D depicts a frag-
ment of the British Royal Crest, containing a portion of the royal motto with “pense” written
legibly on the exterior of the crest, and is underscored with the letters “NDLE.” Queen Victoria
came to the throne in 1837 and it was at this point in time that the center shield was removed
from the crest (Arnstein 2003: 120). The crest has since remained unchanged. Because the
mark lacks the additional shield in the center of the crest, it can be assumed that this item was
manufactured after 1837. The presence of the royal crest on a ceramic good simply denotes the
products and goods of Royal Warrant holders. The complete crest exterior reads “Hon Y Soit
Qui Mal Y Pense” and is the first of two royal mottos – this maker’s mark only contains one of
the royal mottos as the banner embellished with “Dieu et mon droit” is not present. However,
in the late 19th and early 20th centuries, many potters who did not have a warrant also used the
crest as part of their mark to gain prestige and value (Birks: 3). Therefore, the precise location
and date of production cannot be determined. The lion’s head in the third maker’s mark found
in level 6 (shown in Figure 8) is, potentially, another representation of the lion found on the
British Royal Crest.
Ceramics and Faunal Remains as Indicators of Status
It is well established that “faunal remains and material culture, specifically ceramics,
have been shown to reflect socioeconomic status” (Miller 1980; Spencer-Wood 1987). Howev-
er, some would argue (Miller in particular) that ceramics become murky indicators of status at
95
the turn of the 20th century due to an increased availability of ceramic goods and, therefore, a
simultaneous inclusion of faunal remains can bolster, and cement, a socioeconomic analysis. In
a study of both ceramics and faunal remains of a collection of working-class households in De-
troit, this argument is supported. Virtually no Tier 4 wares were noted in the extensive recovery
operations, suggesting that, although residents had full access to local, regional, and internation-
al markets, their access was limited by socioeconomic status (Spencer-Wood 1991: 303). To
determine the validity of this assemblage as an indicator of socio-economic status and not just
of cultural preference, the researchers also examine faunal remains. They found that these
households rarely, if ever, consumed the pork or choice cuts of meat that were generally pur-
chased and consumed by more affluent families.
Having established the validity of integrating ceramic and faunal data to yield a more
nuanced interpretation, I draw upon Yvana Rivera’s dietary analysis of Freedman’s town resi-
dents (including, but not limited to, data from the same Unit D excavation as this report). She
notes that “pig remains were found all throughout the levels indicating that the residents con-
sumed or raised pigs over periods of time [and] a high quality t-bone cut was found in level 6”
of Unit D. Although she is unsure of whether professional cuts of meat were being purchased or
if residents were cutting their own mean, she confirms the presence of both “expensive cuts of
meat [and] economical cuts of meat” (Rivera 2012: 11). This variable, or intermediate, con-
sumption pattern is reflected in the ceramic assemblage as well – where the Yates household
was of sufficient socioeconomic status to purchase more expensive goods as a visual indicator
of status and as a display of wealth, yet not of sufficient status to do so on a continual basis.
Tea time and Freedman’s Town Consumption
An assortment of teacup handles was collected from the site, numbering 12 in total and
split evenly between 6 whiteware and 6 porcelain artifacts. This was the most common and re-
vealing evidence of tea time practices in the Unit. Subunit 2 had the largest concentration of
teacup handles, 8 artifacts in total with subunits 3 and 1 lagging behind. This observation sug-
gests that the area corresponding to Subunit 2 was heavily used for the purposes of outdoor tea
drinking. Furthermore, Level 4 had the highest concentration of teacups (Graph 9), indicating
that tea drinking was at its temporal pinnacle during that time period. It should be noted that
Levels 4 and 6 show signs of increased occupation, yet Level 4 has the greatest evidence of tea-
96
time activities and level 6 has zero evidence. This might suggest a shift toward tea-oriented so-
cial interaction during this time period, however, the sample size is insufficient to draw con-
crete conclusions. Prior to the 1860s, in America, most teacups were un-handled (Miller
1980:30). We can therefore make the assumption that this assemblage of teacup handles and
their contexts do not predate this time period and this information does not contradict the
known era of occupation. Curiously, relatively contemporaneous tea-cup handles are all mis-
matched in sub-material, style, and decoration. This support the theory that tea-ware was col-
lected separately, rather than in sets, resulting in mismatch of tableware. Of the 7 artifacts found
in level 4, three unique styles were represented. Figure 9 of the Appendix shows three contem-
poraneous porcelain teacup handles, and effectively illustrates this point. Additionally, a single
sherd of Egyptian Black Basalt pottery was found in Subunit 3, Level 5 (see Figure 10). Black
basalt is stoneware, containing manganese oxide, made in the fashion of ancient Egyptian pot-
tery. This small sherd is significant to the assemblage because black basalt most commonly oc-
curs in “teapots, sugar bowls, [and] creamers” as well as “ornamental items” associated with tea
equipage (Miller 1980: 35).
Spencer-Wood’s analysis of 11 Boston area white households suggests that “while mod-
erate- and high-status households chose to display status through their selection of expensive
tea and/or coffee-wares, lower-status households chose to display status by the acquisition of
similar decorative types that were less expensive” (Spencer-Wood 1987: 352). So, because
porcelain tea-ware was so expensive, lower-class households purchased porcelain plates or oth-
er goods in their attempts to emulate Victorian displays of ostentatious wealth.
In the assemblage found at Freedman’s Town, a significant amount of tea-ware was
found, most of which was porcelain. However, the styles’ contemporaneous tea handles suggest
that tea-sets were often mis-matched and tea-equipage was acquired one at a time. This illus-
trates that the residents of this household were able to afford such displays of wealth to a much
greater degree than working or lower-class families in the urban environment of Boston but,
despite visible efforts, had not yet reached the level of consumption exhibited by middle- and
upper-class white urban families during the same time period.
Another applicable white-Victorian correlate to this data shows that the ceramic assem-
blages of working-class and middle-class households in nineteenth- and twentieth-century Low-
ell, Massachusetts were “remarkably similar” aside from their collections of tea- and coffee-
97
ware (Beaudry 1991: 170). They claim that the “increased availability of ceramic tableware
types and forms in the late nineteenth century lessens the number of observed differences be-
tween ceramic assemblages of households with [relatively similar] financial means” (170). This
study found that tenement houses emulated mainstream middle-class dining rituals by “adapting
their limited ceramic assemblage to reproduce as closely as possible a middle-class table ser-
vice” (171). Aspirations of wealth and Victorian displays of feminine activities, as shown in the
preceding two studies on urban white households and the assemblage at Freedman’s town, il-
lustrate that status-assertion through consumption is not limited to race or class. However, Vic-
torian value-oriented consumerism is far more significant for post-emancipation African Ameri-
cans because not only does it reflect their attempts to display Victorian values, it also reflects
desires of group membership and acceptance in a white community.
Childs Play
Unit D contains doll parts from at least 2 different porcelain dolls- two dissimilar styles
of doll’s ears were found (Figure 11). Three doll’s parts were found in level 5, subunit 2, as
well as a single artifact found in levels 2 and 10. Doll parts were found in all subunits except
subunit 4. Remarkably, the presence of porcelain dolls can serve as a crude indicator of socioec-
onomic status. Their production dates to the second quarter of the nineteenth century “when fi-
ne European porcelain factories [] began producing finely sculpted, expensive doll heads for the
children of comfortable bourgeois families” (Prichet & Pastron 1983: 326). Other companies
soon began to cater to less affluent families seeking to emulate this status symbol, and began to
mass produce crudely modeled, brightly colored versions of these ornamental figurines. Ceram-
ic dolls come in two main forms: 1) Figurines that are of one piece, the cheapest and most wide-
ly sold, known as the “Frozen Charlotte” in America and 2) jointed dolls that are made of com-
posite parts. In the 19th century, the ceramic parts of jointed dolls were produced in Germany or
France and then sent to doll manufacturers in the United States that “assembled, dressed, and
marketed the dolls” (Prichet & Pastron 1983: 327). The joints were often adhered to a cloth or
ceramic body.
As illustrated in the left-most and right-most artifacts in Figure 12, several of the doll
parts found at the site came from jointed dolls. It can therefore be inferred that the children of
the Yates household had access to well-made, jointed porcelain dolls. After jointed-ness, the
98
subsequent economic stratifications of dolls are then characterized by decoration of the doll
head, the style of clothing worn, and the degree of painting on the dolls shoes. None of the
specimens represented in this data set were whole enough to provide such further insight. Addi-
tionally, the ears cannot be de facto assumed to have come from jointed dolls, so the possibility
of these coming from “Frozen Charlottes” cannot be ruled out. At the very least, however, it can
be concluded that the Yates household has sufficient socio-economic power to acquire multiple
dolls with jointed limbs.
Yet another remnant of child’s play, a ceramic marble (Figure 13), was found in level 7,
subunit 4. Ceramic marbles were relatively inexpensive and constituted the “bulk of 19th-
century marble ‘assemblages’” in the United States (Carskadden & Gartley 1990: 55). Most ce-
ramic marbles were imported from Germany, but “workers in American potteries often made
marbles on the side for their children” (56). Like most ceramic artifacts, marbles can be classi-
fied into earthenware, stoneware, and porcelain. Common earthenware marbles (known as
“commies”) were still being manufactured into the late 1920s. Despite the introduction of hand-
made glass marbles from German manufacturers in 1846, and American manufacturers after
1902, poorer children continued to play with “commies” because they were inexpensive.
The marble in question, however, has been identified as a stoneware marble known as a
“Bennington.” These have a mottled brown glaze and are “characterized by numerous ‘eyes’ on
the surface—circular areas lacking glaze that were formed as the marbles touched each other in
the kiln during the glaze firing” (57). “Benningtons appeared in toy advertisements as early as
1876” but have not appeared in archaeological site in the Midwest or in the South until the
1890s (57). Therefore, this historical marker allows us to date Level 7 (+/- 1 level) to, at most,
1890. Although Benningtons were relatively inexpensive, still in the “commies” class, no de-
ductions can be made regarding socio-economic capability or aspiration given such a small
sample size.
Concluding Remarks
Following the detailed examination and historical contextualization of the ceramic assem-
blage excavated from the Rutherford B. Yates household, I present evidence that its members
were of sufficiently high socio-economic standing to purchase some of the unique goods uti-
lized in Victorian displays of status and ostentation. These include choice cuts of meat, exten-
99
sive tea equipage, children’s playthings, and an assortment of decorative wares. Overall, the
presence of mismatched ceramics in an assemblage that contains both expensive and economi-
cal goods points to aspirations of group membership through display, albeit not necessarily of
group inclusion.
Acknowledgements
I would like to thank Dr. Robert Marcom for allowing me access to this impressive ce-
ramic assemblage, Erick Miller for his advice on tea-related literature and interpretation, and
Dr. Jeffrey Fleisher for his guidance, support, and patience.
100
Graph 1
Graph 2
101
Graph 3
Graph 4
102
Graph 5
Graph 6
103
Graph 7
Graph 8
104
Graph 9
Figure 1: Tier 2; Brown (potentially Bennington) glaze on Earthernware
105
Figure 2: Tier 3; Painted ware with floral and leafy motif on whiteware
Figure 3: Tier 4; Low-priced Willow transfer print on whiteware
106
Figure 4: Tier 4; High-priced transfer print on whiteware
Figure 5: Tier 4; High-priced flow blue on pearlware
107
Figure 6: Maker’s mark associate with Bridgwood Clark Porcelain, Burslem
Figure 7: Maker’s mark containing the British Royal Crest and the letters “NDLE”
108
Figure 8: Maker’s mark with potentially corresponding manufacturer
Figure 9: Three contemporaneous, porcelain teacup handles
109
Figure 10: Sherd of black basalt pottery
Figure 11: Ears from two distinct porcelain dolls
110
Figure 12: Jointed porcelain doll parts
Figure 13: Bennington marble
111
CONCLUSION
JEFFREY FLEISHER
The 2013 excavations with the Yates Museum and CARI sought to build on excavations
carried out on the Wilson-Victor property in 2012, and to examine the stratigraphy of a part of
the property previously unexcavated. Based on Robert Marcom’s previous research at the prop-
erty, it was thought that the area excavated might represent an early feature on the property, ei-
ther a pit, cellar or other buried deposit. Over the course of four weekends we excavated three
1m x 1m subunits to subsoil, representing three subunits of two units (WVA and WVB). These
excavations located materials likely related to a shotgun house that once stood on this part of
the property, which was removed in the last ten years after it was ruined by a fire. The remains
of a second shotgun house still stand on the property, south of the excavated area.
The three excavated subunits, WVA 2, WVA 3, and WVB 3, all contained a large num-
ber of artifacts, including materials that span the 20th century. There were a number of indica-
tions from the excavations that this area was severely disturbed. First, the soil deposition ap-
peared to be quite mixed, with few areas that actually exhibited a clear topsoil to buried soil
stratigraphy. For example, in WVA subunit 2, natural clay subsoil was reached very quickly, as
exhibited in the south wall profile (see Figure 2, Chapter 2). Similarly, in the west profile of the
same trench, it was difficult to see any stratigraphic distinctions, which suggests that this area
had been graded, removed and/or mixing the cultural layers, leaving only a thin, disturbed layer
of cultural materials. Other indications of disturbance were the distribution of artifacts between
levels: for example, sherds from a single vessel were located in various levels in WVA 2, sug-
gesting that this unit includes a disturbed stratigraphy. WVB 2 seemed to have more intact cul-
tural layers, with more loamy fill at the top of the stratigraphy. However, this subunit did con-
tain a dense deposit of relatively modern trash in this layer, suggesting that this fill was also re-
lated to the destruction of the shotgun house and grading of the property. The area, however,
was not fully disturbed: the remains of a gas line was located in all the subunits (see Figure 2,
Chapter 2), with its terminus in WVA 2, suggesting that this was indeed the northwest corner of
the shotgun house. While the presence of this gas line suggests that the deposits may not be
fully disturbed, the installation of the line was likely destructive of earlier deposits on the prop-
112
erty.
Some artifacts classes, however, were useful in drawing out the full occupation range of
the property. Glass artifacts did reveal some patterning, with pre 1930s materials found lower
in the stratigraphy than those dating after this period. The presence of whole bottles lower in
the stratigraphy, and dating to earlier periods, suggest that some lower levels at the site might in
fact represent buried deposits. The distribution of flat glass was also potentially correlated with
proximity to the house itself.
In sum, the excavations on the Wilson-Victor property included a rich assemblage of
20th century materials related to the occupation of shotgun houses on the property.
There is no doubt that the destruction and removal of the shotgun house has had a negative im-
pact on the archaeological deposits, causing great disturbance to the post-1930 materials and
mixing early and later materials. However, the materials recovered from the excavation contin-
ue to help build a more robust material assemblage related to the life of the residents of Freed-
man’s Town.
113
REFERENCES CITED
Arnstein, Walter L
2003 Queen Victoria. New York: Palgrave Macmillan.
Babalola, Abidemi Babatunde.
2009 Ceramics. Final Report on the 2009 Excavations at the Rutherford B. H. Yates
House Site by the Rice University Archaeological Field Techniques class. Dr. Jeffrey
Fleisher, ed.
Beaudry, Mary
1991 Artifacts and Active Voices: Material Culture as Social Discourse. In The Ar-
chaeology of Inequality. Randall H. Mcguire and Robert Paytner, eds. Pp. 150-191. Ox-
ford: Basil Blackwell.
Birks, Steve
2004 American Potters use of the Royal Coat of Arms. Electronic document, http://
www.thepotteries.org/mark/arms/american.htm , accessed April 16.
Branstner, Mark and Martin, Terrance
1987 Working-Class Detroit: Late Victorian Consumer Choices and Status. In Con-
sumer Choice in Historical Archaeology. Spencer-Wood, Suzanne, ed. Pp. 301-320.
New York: Plenum Press.
Carskadden, Jeff and Gartley, Richard
1990 A preliminary seriation of 19th-century decorated porcelain marbles. Historical
Archaeology 24(2): 55-69.
Collard, Elizabeth.
1967 Nineteenth-Century Pottery and Porcelain in Canada. Montreal: McGill Universi
ty Press.
114
Davidson, James M
2004 Living Symbols of their Lifelong Struggles: In search of the home and house-
hold in the heart of Freedman’s Town, Dallas, Texas. In Household chores and house-
hold choices : theorizing the domestic sphere in historical archaeology. Spencer-Wood,
Suzanne, ed. Pp. 75-106. Tuscaloosa: University of Alabama Press.
DiFrancesco, Amara
2008 History of Freedman’s Town and the Yates Family. Final Report on the 2008
Excavations at the R.B.H Yates House. J. Fleisher ed. Pp. 4-7. Houston: Rice University
Herskovitz, Robert M.
1978 Fort Bowie Material Culture. Tucson: The University of Arizona Press.
Hinson, David
2008 A Primer on Fruit Jars. Electronic document, http://home.qnet.com/~glassman/
info/b&e/primer.htm, accessed March 31, 2013.
Hoenig, Russ et al.
2008 The Dating Game: Berney-Bond Glass Company, in Bottles and Extras,
v. 19, no. 5, pp. 33-42.
Jewitt, Llewellynn and William, Frederick
1878 The Ceramic Art of Great Britain from Pre-historic Times down to Present Day.
Virtue and Company.
Jones, Olive
1971 Glass Bottle Push-Ups and Pontil Marks.
Kuhl, Annie
2012 History of Houston and Freedmans Town. Final Report on the 2012 Excavations
at the Wilson-Vector and Ruthven Sites. J. Fleisher ed. Pp. 9-18. Houston: Rice Univer-
115
sity
Lindsey, William
2009 Bottle and Glass Makers Markings. Electronic document,
http://www.sha.org/bottle/makersmarks.htm, accessed March 31, 2013.
2009 Bottle Body Characteristics and Mold Seams. Electronic document,
http://www.sha.org/bottle/body.htm, accessed March 31, 2013.
Lockhart, William et al.
2011 The Dating Game: Reed & Co. and the Massillon Glass Works. Electronic docu-
ment, http://www.sha.org/bottle/pdffiles/OwensIll_BLockhart.pdf, accessed March 31,
2013.
Lorenz, William A.
1903 Patent US747450 and US747451 – Design for a Can or Jar and Hermetically
Sealed Jar, in The United States Patent Office records. Electronic document from
Google Patent. Accessed March 31, 2013.
Meeks, Tomiko
2011 Freedmen’s Town, Texas: A lesson in the Failure of Historic Preservation. Hou-
ston History 8(2): 42-44.
Miller, George L.
1980 Classification and Economic Scaling of 19th Century Ceramics. Journal of the
Society for Historical Archaeology 14:1-40.
Prichett, Jack and Pastron, Allen
1983 Ceramic dolls as chronological indicators: implications from a San Francisco
dump site. In In Forgotten Places and Things: Archaeological Perspectives on American
History. Ward, Albert ed. Pp. 321-334. Albuquerque
116
Rivera, Yvana
2012 Comparative Analysis of Faunal Remains from Freedmans Town Sites: Ruther-
ford B. H. Yates, Wilson-Victor, and Ruthven Properties. Final Report on the 2012 Ex-
cavations at the Wilson-Vector and Ruthven Sites. J. Fleisher ed. Pp 95-105. Houston:
Rice University
Roller, Dick
2008 The Standard Fruit Jar Reference.
Spencer-Wood, Suzanne, ed.
1987 Late Nineteenth- and Twentieth-Century Urban sites. New York: Plenum Press.
1987 Miller’s Indices and Consumer-Choice Profiles: Status-Related Behaviors and
White Ceramics. New York: Plenum Press.
Stelle, Lenville
2001 An Archaeological Guide to Historic Artifacts of the Upper Sangamon Basin.
Electronic document, http://virtual.parkland.edu/lstelle1/len/archguide/documents/
arcguide.htm , accessed April 8.
Sussman, Lynne.
1977 Changes in Pearlware Dinnerware, 1780-1830. Journal of the Society for Histori
cal Archaeology 11.
Teague, Megan Ann
2011 Victorian Ideals and Evolving Realities: Late-Nineteenth- and Early-Twentieth
Century Black Dallas and an Engendered African America. In The Materiality of Free-
dom: Archaeologies of Post Emancipation Life. Jodi A. Barnes, ed. Pp. 87-114. Colum-
bia: University of South Carolina Press.
Toulouse, Julian
1969 A Primer on Mold Seams. Electronic document, http://www.sha.org/bottle/
117
pdffiles/moldseams4.jpg, accessed March 31, 2013.
1971 Bottle Makers and their Marks.
U.S. Fish & Wildlife Service
2006 History of Mussel Harvest on the River. U.S. Fish & Wildlife Service
http://www.fws.gov/midwest/mussel/harvest.html, accessed April 16, 2013
Wise, Brittany
2009 Artifacts of Personal Adornment. In Final Report on the 2009 Excavations at the
Rutherford B. H. Yates House Site. Jeffery Fleisher, ed. Pp. 141-179. Rice University.
118
APPENDIX 1: ANALYZED ARTIFACT CATALOG
Ceramics
UnitSub-Unit Level Lot Material
Sub-Material
Artifact Class Quantity
Weight (g) Comments
WVA 3 1 1619 I CA 1005 1 1.4 Curved, part of a figurine?WVA 3 1 1619 I CC 1003 1 2 Whiteware, with maker's mark?WVA 3 1 1619 I CC 1003 1 4.5 Whiteware, remnants of glaze decorationWVA 3 1 1619 I CC 1001 1 <1 WhitewareWVA 3 1 1619 I CF 1001 1 3.2WVA 3 1 1619 I CF 1003 1 7.9 Plate fragment, one black lineWVA 3 1 1619 I CH 1027 1 1 Brick fragment, pink tintWVA 3 1 1619 I CH 1027 1 2 Brick fragment, orange tintWVA 3 1 1619 I CH 1027 1 3 Brick fragment, pink tintWVA 3 1 1619 I CH 1027 1 5 Brick fragment, pink tintWVA 3 1 1619 I CH 1027 1 8 Brick fragment, pink tintWVA 3 1 1619 I CH 1027 1 <1 Brick fragment, orange tintWVA 3 1 1619 I CL 1001 1 2.1 BurntWVA 2 1 1620 I CH 1027 1 <1 Small brick fragment, orange tintWVA 2 1 1620 I CH 1027 1 <1 Small brick fragment, orange tintWVA 2 2 1621 I CB 1003 1 3.3 Black glazeWVA 2 2 1621 I CB 1003 1 5.6 Black glazeWVA 2 2 1621 I CC 1001 1 1 Whiteware, blue marbleWVA 2 2 1621 I CC 1001 1 1.3 WhitewareWVA 2 2 1621 I CC 1001 1 2.7 WhitewareWVA 2 2 1621 I CC 1001 1 3.1 Whiteware; cup handle baseWVA 2 2 1621 I CC 1001 1 5.2 WhitewareWVA 2 2 1621 I CC 1001 1 <1 WhitewareWVA 2 2 1621 I CL 1003 1 2.3 White glaze with black specklesWVA 2 2 1621 I CL 1003 1 3.1 White glaze, burnt, waffled indentationsWVA 2 2 1621 I CL 1003 1 3.8 White glazeWVA 2 2 1621 I CL 1003 1 4.9 White glaze with black paint; chalkboard fragment?WVA 2 2 1621 I CL 1003 1 <1 White glaze with black specklesWVA 3 2 1622 I CC 1001 1 1.2 Whiteware, cup handle baseWVA 3 2 1622 I CC 1001 1 2.5 WhitewareWVA 3 2 1622 I CL 1003 1 1 White glaze, burntWVA 3 2 1622 I CL 1003 1 2 White glaze, burntWVA 2 3a 1624 I CB 1003 1 55 Dark brown glaze, very thickWVA 2 3a 1624 I CB 1003 1 <1 Dark brown glazeWVA 2 3a 1624 I CC 1001 1 2.5WVA 2 3a 1624 I CC 1003 1 2.6 otherWVA 2 3a 1624 I CH 1027 1 1 Brick fragment, orange tint, appears to be a flakeWVA 2 3a 1624 I CH 1027 1 2 Brick fragment, orange tintWVA 2 3a 1624 I CH 1027 1 3 Brick fragment, pink tintWVA 2 3a 1624 I CH 1027 1 4 Brick fragment, lighter pink WVA 2 3a 1624 I CH 1027 1 10 Brick fragment, light pinkWVA 2 3a 1624 I CH 1027 1 12 Brick fragment, orange tint with deep striationsWVA 2 3a 1624 I CH 1027 1 25 Brick fragment, pink tintWVA 2 3a 1624 I CH 1027 1 <1 Small brick fragment, very orangeWVA 2 3a 1624 I CH 1027 1 <1 Small brick fragment, orange tintWVA 3 3a 1625 I CB 1003 1 6.5 Thick, white glazeWVA 3 3a 1625 I CC 1001 1 3 WhitewareWVA 3 3a 1625 I CH 1027 1 <1 Small brick fragment, orange tintWVA 3 3a 1625 I CH 1027 1 <1 Small brick fragment, orange tintWVA 3 3a 1625 I CH 1027 1 <1 Small brick fragment, orange tintWVA 3 3a 1625 I CH 1027 1 <1 Small brick fragmentWVA 3 3a 1625 I CH 1027 1 <1 Small brick fragment, pink tintWVA 3 3b 1626 I CA 1003 1 1.1 Molded in the shape of a flowerWVA 3 3b 1626 I CA 1033 1 4.8 IndustrialWVA 3 3b 1626 I CA 1003 1 <1 Flower and bench print in redWVA 3 3b 1626 I CA 1001 1 <1WVA 3 3b 1626 I CA 1003 1 <1 Green glaze
WVA 3 3b 1626 ICA or Ironstone 1025 1 7.9 Hexagonal floor tile
WVA 3 3b 1626 I CB 1003 1 <1 Black glazeWVA 3 3b 1626 I CC 1001 1 1 WhitewareWVA 3 3b 1626 I CC 1001 1 1 WhitewareWVA 3 3b 1626 I CC 1001 1 1.5 Whiteware, rimWVA 3 3b 1626 I CC 1001 1 1.6 Whiteware, baseWVA 3 3b 1626 I CC 1001 1 2.1 Whiteware, baseWVA 3 3b 1626 I CC 1001 1 2.5 WhitewareWVA 3 3b 1626 I CC 1001 1 3.3 Whiteware, rimWVA 3 3b 1626 I CC 1003 1 4.8 Whiteware, plate base with blue glaze (maker's mark?)WVA 3 3b 1626 I CC 1001 1 27.1 Thick, whiteware?WVA 3 3b 1626 I CC 1001 1 <1 WhitewareWVA 3 3b 1626 I CC 1001 1 <1 WhitewareWVA 3 3b 1626 I CC 1001 1 <1 WhitewareWVA 3 3b 1626 I CC 1001 1 <1 Whiteware, rust stainsWVA 3 3b 1626 I CC 1001 1 <1 Whiteware, rimWVA 3 3b 1626 I CC 1001 1 <1 WhitewareWVA 3 3b 1626 I CC 1001 1 <1 WhitewareWVA 3 3b 1626 I CC 1003 1 <1 Whiteware, gray glaze marksWVA 3 3b 1626 I CC 1001 1 <1 WhitewareWVA 3 3b 1626 I CC 1001 1 <1 WhitewareWVA 3 3b 1626 I CC 1001 1 <1 WhitewareWVA 3 3b 1626 I CC 1001 1 <1 WhitewareWVA 3 3b 1626 I CC 1001 1 <1 WhitewareWVA 3 3b 1626 I CC 1001 1 <1 WhitewareWVA 3 3b 1626 I CC 1001 1 <1 WhitewareWVA 3 3b 1626 I CC 1001 1 <1 WhitewareWVA 3 3b 1626 I CC 1001 1 <1 WhitewareWVA 3 3b 1626 I CC 1001 1 <1 WhitewareWVA 3 3b 1626 I CC 1001 1 <1 WhitewareWVA 3 3b 1626 I CC 1001 1 <1 WhitewareWVA 3 3b 1626 I CC 1001 1 <1 WhitewareWVA 3 3b 1626 I CF 1001 1 1WVA 3 3b 1626 I CF 1001 1 1.3WVA 3 3b 1626 I CF 1001 1 2.1 Plate fragment with baseWVA 3 3b 1626 I CF 1003 1 2.5 Plate rim, remains of geometric decoration around rimWVA 3 3b 1626 I CF 1001 1 2.7 Plate fragment with baseWVA 3 3b 1626 I CF 1001 1 4WVA 3 3b 1626 I CF 1003 1 4.8 MoldedWVA 3 3b 1626 I CF 1003 1 <1 Plate rim, remains of geometric decoration around rimWVA 3 3b 1626 I CF 1001 1 <1WVA 3 3b 1626 I CF 1001 1 <1WVA 3 3b 1626 I CF 1001 1 <1WVA 3 3b 1626 I CF 1001 1 <1WVA 3 3b 1626 I CF 1001 1WVA 3 3b 1626 I CH 1027 1 1 Small brick fragmentWVA 3 3b 1626 I CH 1027 1 1 Small brick fragment, orangeWVA 3 3b 1626 I CH 1027 1 1 Small brick fragment, orangeWVA 3 3b 1626 I CH 1027 1 1 Small brick fragmentWVA 3 3b 1626 I CH 1027 1 1 Small brick fragmentWVA 3 3b 1626 I CH 1027 1 1 Small brick fragmentWVA 3 3b 1626 I CH 1027 1 1 Small brick fragment, pink tintWVA 3 3b 1626 I CH 1027 1 2 Brick fragmentWVA 3 3b 1626 I CH 1027 1 2 Brick fragment, orange tint with rust markWVA 3 3b 1626 I CH 1027 1 2 Brick fragmentWVA 3 3b 1626 I CH 1027 1 2 Brick fragment, orangeWVA 3 3b 1626 I CH 1027 1 2 Brick fragment, dark pink with rust markWVA 3 3b 1626 I CH 1027 1 2 Small brick fragment, dark pinkWVA 3 3b 1626 I CH 1027 1 3 Brick fragment, pink tintWVA 3 3b 1626 I CH 1027 1 4 Brick fragment, pink tintWVA 3 3b 1626 I CH 1027 1 4 Brick fragment, orange tint with rust markWVA 3 3b 1626 I CH 1027 1 5 Brick fragment, pink tintWVA 3 3b 1626 I CH 1027 1 8 Brick fragment, pink tint with rust mark on corner
WVA 3 3b 1626 I CH 1027 1 8 Brick fragment, orangeWVA 3 3b 1626 I CH 1027 1 9 Brick fragment, dark pink with rust splotchWVA 3 3b 1626 I CH 1027 1 11 Brick fragment, orange tint with mortar on one sideWVA 3 3b 1626 I CH 1027 1 14 Brick fragment, pink tintWVA 3 3b 1626 I CH 1027 1 29 Brick fragment, pink tint with dark red mark (paint?)WVA 3 3b 1626 I CH 1027 1 40 Brick fragment, pinkWVA 3 3b 1626 I CH 1027 1 61 Brick fragment, pink tintWVA 3 3b 1626 I CH 1027 1 66 Brick fragment, light orange tint and grey intrusionsWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, rust markWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, red WVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, red WVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, pink tintWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, pink tintWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, pink tintWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, pink tintWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragmentWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragmentWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragmentWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragmentWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, dark pinkWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, dark pinkWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, dark pinkWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, dark pinkWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, dark pinkWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, dark pinkWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, pink tintWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, pink tintWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, pink tintWVA 3 3b 1626 I CH 1027 1 <1 Small brick fragment, pink tintWVA 3 3b 1626 I CI 1033 1 2 Orange/red paint on exterior, burnt on one cornerWVA 2 3b 1627 I CA 1001 1 1.4WVA 2 3b 1627 I CA 1001 1 2.4 BurntWVA 2 3b 1627 I CA 1001 1 4.3 Vessel rim?WVA 2 3b 1627 I CB 1003 1 3.9 Black glazeWVA 2 3b 1627 I CC 1001 1 1 WhitewareWVA 2 3b 1627 I CC 1003 1 1.8 Whiteware, light green paintWVA 2 3b 1627 I CC 1033 1 3.4 Undecorated sphereWVA 2 3b 1627 I CC 1001 1 6.9 WhitewareWVA 2 3b 1627 I CC 1001 1 22.1 Whiteware, plate rimWVA 2 3b 1627 I CC 1001 1 <1 WhitewareWVA 2 3b 1627 I CH 1027 1 1 Brick fragment, redWVA 2 3b 1627 I CH 1027 1 1 Small brick fragment, orangeWVA 2 3b 1627 I CH 1027 1 1 Small brick fragment, orange
WVA 2 3b 1627 I CH 1027 1 1 Small brick fragment, orangeWVA 2 3b 1627 I CH 1027 1 1 Small brick fragment, orangeWVA 2 3b 1627 I CH 1027 1 1 Small brick fragment, pink tintWVA 2 3b 1627 I CH 1027 1 1 Small brick fragment, pink tintWVA 2 3b 1627 I CH 1027 1 1 Small brick fragment, pink tintWVA 2 3b 1627 I CH 1027 1 2 Brick fragment, orangeWVA 2 3b 1627 I CH 1027 1 2 Brick fragment, orangeWVA 2 3b 1627 I CH 1027 1 2 Brick fragment, orangeWVA 2 3b 1627 I CH 1027 1 2 Brick fragment, orangeWVA 2 3b 1627 I CH 1027 1 2 Small brick fragment, orangeWVA 2 3b 1627 I CH 1027 1 3 Brick fragmentWVA 2 3b 1627 I CH 1027 1 3 Brick fragment, pink tint with mortar on two sidesWVA 2 3b 1627 I CH 1027 1 4 Brick fragment, pinkWVA 2 3b 1627 I CH 1027 1 4 Brick fragmentWVA 2 3b 1627 I CH 1027 1 4 Brick fragmentWVA 2 3b 1627 I CH 1027 1 4 Brick fragment, pink tintWVA 2 3b 1627 I CH 1027 1 4 Brick fragment, pink tintWVA 2 3b 1627 I CH 1027 1 5 Brick fragment, orange tintWVA 2 3b 1627 I CH 1027 1 5 Brick fragment, orange tintWVA 2 3b 1627 I CH 1027 1 5 Brick fragmentWVA 2 3b 1627 I CH 1027 1 11 Brick fragment, orangeWVA 2 3b 1627 I CH 1027 1 12 Brick fragmentWVA 2 3b 1627 I CH 1027 1 17 Brick fragment with mortar, pink tintedWVA 2 3b 1627 I CH 1027 1 19 Brick fragment, partially pink tintedWVA 2 3b 1627 I CH 1027 1 <1 Small brick fragment, pink tintWVA 2 3b 1627 I CH 1027 1 <1 Small brick fragment, orange tintWVA 2 3b 1627 I CH 1027 1 <1 Small brick fragment, orange tintWVA 2 3b 1627 I CH 1027 1 <1 Small brick fragment, orange tintWVA 2 3b 1627 I CH 1027 1 <1 Small brick fragment, orange tintWVA 2 3b 1627 I CH 1027 1 <1 Small brick fragment, orange tintWVA 2 3b 1627 I CH 1027 1 <1 Small brick fragment, orange tintWVA 2 3b 1627 I CH 1027 1 <1 Small brick fragment, orangeWVA 2 3b 1627 I CH 1027 1 <1 Small brick fragment, orangeWVA 2 3b 1627 I CH 1027 1 <1 Small brick fragment, orangeWVA 2 3b 1627 I CH 1027 1 <1 Small brick fragment, orangeWVA 2 3b 1627 I CH 1027 1 <1 Small brick fragment, orangeWVA 2 3b 1627 I CH 1027 1 <1 Small brick fragment, orangeWVA 2 3b 1627 I CH 1027 1 <1 Small brick fragment, orangeWVA 2 3b 1627 I CH 1027 1 <1 Small brick fragment, orangeWVA 2 3b 1627 I CH 1027 1 <1 Small brick fragment, orangeWVA 2 3b 1627 I CH 1027 1 <1 Brick fragment, orangeWVA 2 3b 1627 I CH 1027 1 <1 Small brick fragment, pink tintWVA 2 3b 1627 I CH 1027 1 <1 Small brick fragment, pink tintWVA 2 3b 1627 I CH 1027 1 <1 Small brick fragment, pink tintWVA 2 3b 1627 I CH 1027 1 <1 Small brick fragment, pink tintWVA 2 3b 1627 I CH 1027 1 <1 Small brick fragment, pink tintWVA 2 3b 1627 I CH 1027 1 <1 Small brick fragment, pink tintWVA 2 3b 1627 I CL 1033 1 8 Hardened clay against the pipe? with metal attached?WVA 2 4b 1628 I CC 1001 1 1.5 WhitewareWVA 2 4b 1628 I CC 1001 1 1.7 WhitewareWVA 2 4b 1628 I CC 1001 1 2 WhitewareWVA 2 4b 1628 I CC 1001 1 <1 WhitewareWVA 2 4b 1628 I CH 1027 1 1 Small brick fragment, orangeWVA 2 4b 1628 I CH 1027 1 4 Brick fragment, light orange tintWVA 2 4b 1628 I CH 1027 1 4 Brick fragment, orange tintWVA 2 4b 1628 I CH 1027 1 7 Brick fragment, pink tint with natural rust?WVA 2 4b 1628 I CH 1027 1 <1 Small brick fragment, orangeWVA 2 4b 1628 I CH 1027 1 <1 Small brick fragment, orangeWVA 2 4b 1628 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 4a 1629 I CA 1005 1 1.5 Figurine fragment?WVA 3 4a 1629 I CA 1005 1 3 Figurine rabbit earWVA 3 4a 1629 I CA 1005 1 <1 Figurine fragment?
WVA 3 4a 1629 I CC 1003 1 2 Pearlware, blue glazeWVA 3 4a 1629 I CC 1001 1 3.7 Whiteware, plate rim, scalloped with raised bumpsWVA 3 4a 1629 I CC 1001 1 <1 WhitewareWVA 3 4a 1629 I CC 1001 1 <1 WhitewareWVA 3 4a 1629 I CF 1001 1 <1WVA 3 4a 1629 I CH 1027 1 1 Brick fragment, light orangeWVA 3 4a 1629 I CH 1027 1 2 Brick fragment, orangeWVA 3 4a 1629 I CH 1027 1 2 Brick fragment, orangeWVA 3 4a 1629 I CH 1027 1 3 Brick fragmentWVA 3 4a 1629 I CH 1027 1 3 Brick fragment, pink tintWVA 3 4a 1629 I CH 1027 1 3 Brick fragment, pink tintWVA 3 4a 1629 I CH 1027 1 3 Brick fragment, pink tintWVA 3 4a 1629 I CH 1027 1 4 Brick fragment, redWVA 3 4a 1629 I CH 1027 1 4 Brick fragment, orangeWVA 3 4a 1629 I CH 1027 1 5 Brick fragment, pink tintWVA 3 4a 1629 I CH 1027 1 6 Brick fragmentWVA 3 4a 1629 I CH 1027 1 9 Brick fragment, pink tintWVA 3 4a 1629 I CH 1027 1 12 Brick fragment, pink tintWVA 3 4a 1629 I CH 1027 1 23 Brick fragment, pink tint with rust markWVA 3 4a 1629 I CH 1027 1 27 Brick fragment, pink tintWVA 3 4a 1629 I CH 1027 1 <1 Brick fragment, redWVA 3 4a 1629 I CH 1027 1 <1 Small brick fragmentWVA 3 4a 1629 I CH 1027 1 <1 Small brick fragmentWVA 3 4a 1629 I CH 1027 1 <1 Small brick fragmentWVA 3 4a 1629 I CH 1027 1 <1 Small brick fragment, pink tintWVA 3 4a 1629 I CH 1027 1 <1 Small brick fragment, pink tintWVA 3 4a 1629 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 4a 1629 I CH 1027 1 <1 Small brick fragment, light orangeWVA 3 4a 1629 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 4a 1629 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 4a 1629 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 4a 1629 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 4a 1629 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 4a 1629 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 4a 1629 I CH 1027 1 <1 Small brick fragmentWVA 3 4a 1629 I CH 1027 1 <1 Small brick fragment, redWVA 3 4a 1629 I CH 1027 1 <1 Small brick fragment, redWVA 3 4a 1629 I CH 1027 1 <1 Small brick fragment, pink tintWVA 3 4a 1629 I CH 1027 1 <1 Small brick fragment, pink tintWVA 2 4a 1630 I CA 1003 1 1.4 Grey glazeWVA 2 4a 1630 I CA 1003 1 1.6 Grey glazeWVA 2 4a 1630 I CA 1001 1 9.6 Thick, base of a serving vessel?WVA 2 4a 1630 I CC 1003 1 1 Whiteware, rim, green screen printed patternWVA 2 4a 1630 I CC 1001 1 1.4 Whiteware, rimWVA 2 4a 1630 I CC 1001 1 1.5 Whiteware, rimWVA 2 4a 1630 I CC 1001 1 1.5 Whiteware, plate base?WVA 2 4a 1630 I CC 1001 1 1.5 WhitewareWVA 2 4a 1630 I CC 1001 1 2.4 WhitewareWVA 2 4a 1630 I CC 1001 1 4.1 Whiteware, plate base?WVA 2 4a 1630 I CC 1001 1 <1 Whiteware, rimWVA 2 4a 1630 I CC 1001 1 <1 WhitewareWVA 2 4a 1630 I CC 1001 1 <1 WhitewareWVA 2 4a 1630 I CC 1001 1 <1 WhitewareWVA 2 4a 1630 I CC 1001 1 <1 WhitewareWVA 2 4a 1630 I CF 1003 1 1.1 fragmentWVA 2 4a 1630 I CF 1003 1 1.4 fragmentWVA 2 4a 1630 I CF 1003 1 1.5 white leaf pattern glazeWVA 2 4a 1630 I CF 1001 1 1.9WVA 2 4a 1630 I CH 1027 1 1 Small brick fragment, orangeWVA 2 4a 1630 I CH 1034 1 1 Terracotta fragment, slight curve, flower pot?WVA 2 4a 1630 I CH 1034 1 2 Terracotta fragment, flower pot?WVA 2 4a 1630 I CH 1034 1 2 Terracotta fragment, flower pot?
WVA 2 4a 1630 I CH 1027 1 3 Brick fragment, pink tintWVA 2 4a 1630 I CH 1027 1 3 Brick fragment, orangeWVA 2 4a 1630 I CH 1027 1 4 Brick fragment, pink tintWVA 2 4a 1630 I CH 1034 1 9 Terracotta fragment, bottom of flower pot?WVA 2 4a 1630 I CH 1027 1 <1 Small brick fragment, pink tintWVA 2 4a 1630 I CH 1027 1 <1 Small brick fragment, pink tintWVA 2 4a 1630 I CH 1027 1 <1 Small brick fragment, orangeWVA 2 4a 1630 I CH 1027 1 <1 Small brick fragment, orangeWVA 2 4a 1630 I CH 1027 1 <1 Small brick fragment, orange tintWVA 2 4a 1630 I CH 1027 1 <1 Small brick fragment, orange tintWVA 2 4a 1630 I CH 1027 1 <1 Small brick fragment, orange tintWVA 2 4a 1630 I CJ 1033 1 7.7 Whiteware with blue marble, attached to slag?WVA 2 4c 1631 I CA 1001 1 1.8WVA 2 4c 1631 I CA 1001 1 2.5WVA 2 4c 1631 I CA 1005 1 3.4 Ribbed, light blue glaze, part of a figurine?WVA 2 4c 1631 I CA 1001 1 <1WVA 2 4c 1631 I CB 1003 1 1.8 Dark colored, speckled, rimWVA 2 4c 1631 I CC 1001 1 2.6 WhitewareWVA 2 4c 1631 I CC 1001 1 2.7 WhitewareWVA 2 4c 1631 I CC 1001 1 3.5 WhitewareWVA 2 4c 1631 I CC 1001 1 6.4 Whiteware with rust stainsWVA 2 4c 1631 I CC 1001 1 6.9 Whiteware with rust stainsWVA 2 4c 1631 I CC 1001 1 7.1 Whiteware, plate rimWVA 2 4c 1631 I CC 1001 1 <1 PearlwareWVA 2 4c 1631 I CC 1001 1 <1 WhitewareWVA 2 4c 1631 I CC 1001 1 <1 WhitewareWVA 2 4c 1631 I CC 1001 1 <1 Whiteware with rust stainsWVA 2 4c 1631 I CC 1001 1 <1 WhitewareWVA 2 4c 1631 I CC 1001 1 <1 WhitewareWVA 2 4c 1631 I CH 1027 1 1 Brick fragment, pink tintWVA 2 4c 1631 I CH 1027 1 3 Brick fragment, red/orange colorWVA 2 4c 1631 I CH 1034 1 3 Terracotta fragment, very slight curve, flower pot?WVA 2 4c 1631 I CH 1027 1 4 Brick fragment, red/orange colorWVA 2 4c 1631 I CH 1027 1 6 Brick fragment, pink tintWVA 2 4c 1631 I CH 1027 1 10 Brick fragment, pink tint
WVA 2 4c 1631 I CH1027 or 1028 1 19
Brick fragment, light orange tint, with mortar or white paint
WVA 2 4c 1631 I CH1027 or 1028 1 125
Part of brick, pink tint, looks burnt or painted with black on one side
WVA 2 4c 1631 I CH 1027 1 <1 Small brick fragment, pink tintWVA 2 4c 1631 I CH 1027 1 <1 Small brick fragment, redWVA 3 4b 1632 I CA 1001 1 <1WVA 9 4b 1632 I CC 1001 1 1 Whiteware, cylindrical cup handleWVA 16 4b 1632 I CC 1001 1 1.2 WhitewareWVA 13 4b 1632 I CC 1001 1 1.3 WhitewareWVA 15 4b 1632 I CC 1001 1 2.5 WhitewareWVA 17 4b 1632 I CC 1001 1 2.6 WhitewareWVA 19 4b 1632 I CC 1001 1 2.9 WhitewareWVA 14 4b 1632 I CC 1001 1 3.1 Whiteware with rust stainsWVA 8 4b 1632 I CC 1003 1 3.8 Grey glazeWVA 12 4b 1632 I CC 1001 1 4.3 WhitewareWVA 5 4b 1632 I CC 1001 1 5.8 WhitewareWVA 4 4b 1632 I CC 1003 1 12 Whiteware, blue marbleWVA 6 4b 1632 I CC 1001 1 <1 WhitewareWVA 7 4b 1632 I CC 1001 1 <1 WhitewareWVA 10 4b 1632 I CC 1001 1 <1 WhitewareWVA 11 4b 1632 I CC 1001 1 <1 WhitewareWVA 18 4b 1632 I CC 1003 1 <1 Grey glazeWVA 3 4b 1632 I CH 1023 1 1 Brick fragmentWVA 3 4b 1632 I CH 1023 1 1 Brick fragmentWVA 3 4b 1632 I CH 1023 1 1 Brick fragmentWVA 3 4b 1632 I CH 1023 1 1 Brick fragment, orange
WVA 3 4b 1632 I CH 1023 1 1 Brick fragment, orangeWVA 3 4b 1632 I CH 1023 1 1 Brick fragment, orangeWVA 3 4b 1632 I CH 1023 1 1 Brick fragment, orangeWVA 3 4b 1632 I CH 1034 1 1 Terracotta fragment, flower pot?WVA 3 4b 1632 I CH 1023 1 2 Brick fragmentWVA 3 4b 1632 I CH 1023 1 2 Brick fragmentWVA 3 4b 1632 I CH 1023 1 2 Brick fragmentWVA 3 4b 1632 I CH 1023 1 2 Brick fragment, orange/red WVA 3 4b 1632 I CH 1023 1 2 Brick fragment, orangeWVA 3 4b 1632 I CH 1023 1 3 Brick fragmentWVA 3 4b 1632 I CH 1023 1 3 Brick fragment, orange with mortar and rust stainWVA 3 4b 1632 I CH 1023 1 4 Brick fragment, orange/redWVA 3 4b 1632 I CH 1023 1 10 Brick fragment, orange tintWVA 3 4b 1632 I CH 1023 1 10 Brick fragment, orange tintWVA 3 4b 1632 I CH 1023 1 11 Brick fragment, orange/redWVA 3 4b 1632 I CH 1023 1 13 Brick fragment, pink tintWVA 3 4b 1632 I CH 1023 1 14 Brick fragment, pink tintWVA 3 4b 1632 I CH 1023 1 15 Brick fragment, pink tintWVA 3 4b 1632 I CH 1023 1 20 Brick fragmentWVA 3 4b 1632 I CH 1023 1 33 Brick fragmentWVA 3 4b 1632 I CH 1023 1 33 Brick fragmentWVA 3 4b 1632 I CH 1023 1 34 Brick fragmentWVA 3 4b 1632 I CH 1023 1 <1 Red, appears burntWVA 3 4b 1632 I CH 1023 1 <1 Small brick fragment, pink tintWVA 3 4b 1632 I CH 1023 1 <1 Small brick fragment, pink tintWVA 3 4b 1632 I CH 1023 1 <1 Small brick fragment, pink tintWVA 3 4b 1632 I CH 1023 1 <1 Small brick fragmentWVA 3 4b 1632 I CH 1023 1 <1 Small brick fragmentWVA 3 4b 1632 I CH 1023 1 <1 Small brick fragment, orangeWVA 3 4b 1632 I CH 1023 1 <1 Small brick fragment, orangeWVA 3 4b 1632 I CH 1023 1 <1 Small brick fragment, orangeWVA 3 4b 1632 I CH 1023 1 <1 Small brick fragment, orangeWVA 3 4b 1632 I CH 1023 1 <1 Small brick fragment, orangeWVA 3 4b 1632 I CH 1023 1 <1 Small brick fragment, orangeWVA 3 4b 1632 I CH 1023 1 <1 Small brick fragment, orange/redWVA 3 4b 1632 I CH 1023 1 <1 Small brick fragment, orange/redWVA 3 4b 1632 I CH 1023 1 <1 Small brick fragment, orange/redWVA 3 4b 1632 I CH 1023 1 <1 Small brick fragment, orange/redWVA 3 4b 1632 I CH 1023 1 <1 Small brick fragment, orange/redWVA 3 4b 1632 I CH 1034 1 <1 Terracotta fragment, flower pot?WVA 2 5a 1633 I CC 1001 1 1 Whiteware, rimWVA 2 5a 1633 I CC 1001 1 1 WhitewareWVA 2 5a 1633 I CC 1003 1 1.2 Whiteware, blue marbleWVA 2 5a 1633 I CC 1003 1 1.5 Pearlware, blue flow glaze, plate rimWVA 2 5a 1633 I CC 1001 1 1.5 WhitewareWVA 2 5a 1633 I CC 1003 1 1.9 Pearlware, blue flow glaze, plate rimWVA 2 5a 1633 I CC 1001 1 2 Whiteware, rimWVA 2 5a 1633 I CC 1001 1 2.3 Whiteware, cup rim?WVA 2 5a 1633 I CC 1001 1 3.7 WhitewareWVA 2 5a 1633 I CC 1001 1 3.8 Whiteware, plate rimWVA 2 5a 1633 I CC 1001 1 3.9 PearlwareWVA 2 5a 1633 I CC 1003 1 4 Pearlware, blue flow glaze, plate rimWVA 2 5a 1633 I CC 1001 1 4.1 WhitewareWVA 2 5a 1633 I CC 1001 1 6.6 WhitewareWVA 2 5a 1633 I CC 1003 1 7.2 Pearlware, blue flow glaze, plate fragmentWVA 2 5a 1633 I CC 1003 1 10.5 Pearlware, blue flow glaze, plateWVA 2 5a 1633 I CC 1001 1 11 PearlwareWVA 2 5a 1633 I CC 1001 1 <1 WhitewareWVA 2 5a 1633 I CC 1001 1 <1 WhitewareWVA 2 5a 1633 I CH 1034 1 1 Small brick fragment, orangeWVA 2 5a 1633 I CH 1034 1 1 Small brick fragmentWVA 2 5a 1633 I CH 1033 1 2 Could be painted orange or orange/red
WVA 2 5a 1633 I CH 1027 1 2 Brick fragment, pink tintWVA 2 5a 1633 I CH 1027 1 3 Brick fragmentWVA 2 5a 1633 I CH 1027 1 3 Brick fragment, pink tintWVA 2 5a 1633 I CH 1033 1 6 Pink tint with gray intrusionsWVA 2 5a 1633 I CH 1027 1 7 Brick fragment, pink tintWVA 2 5a 1633 I CH 1027 1 17 Brick fragmentWVA 2 5a 1633 I CH 1033 1 95 Has three smooth curved indentations, with mortarWVA 2 5a 1633 I CH 1034 1 372 Part of brick, with mortar (maybe burnt?)WVA 2 5a 1633 I CH 1034 1 <1 Small brick fragment, light orangeWVA 2 5a 1633 I CH 1034 1 <1 Small brick fragment, orangeWVA 2 5a 1633 I CH 1034 1 <1 Small brick fragment, orangeWVA 2 5a 1633 I CH 1034 1 <1 Small brick fragmentWVA 2 5a 1633 I CH 1027 1 <1 Brick fragment, pink tint with rust stainWVA 2 5a 1633 I CH 1033 1 <1 Brick fragment, orangeWVA 2 5a 1633 I CH 1033 1 <1 Brick fragment, orangeWVA 2 5a 1633 I CH 1027 1 <1 Brick fragment, light orangeWVA 2 5a 1633 I CH 1027 1 <1 Brick fragment, redWVA 2 5a 1633 I CH 1033 1 <1 Brick fragment, orangeWVA 2 5a 1633 I CH 1033 1 <1 With mortar?WVA 2 5a 1633 I CI 1033 1 4 Dried clay? Light grayWVA 2 5a 1633 I CI 1033 1 9 Dried clay? Dark grayWVA 2 5a 1633 I CI 1033 1 <1 Dried clay? Dark grayWVA 2 5a 1633 I CI 1033 1 <1 Dried clay? Dark grayWVA 3 5a 1634 I CH 1027 1 1 Brick fragment, orangeWVA 3 5a 1634 I CH 1027 1 1 Brick fragment, pink tint with rust stainsWVA 3 5a 1634 I CH 1027 1 1 Brick fragment, pink tint with rust stainsWVA 3 5a 1634 I CH 1027 1 2 Brick fragment, red with mortarWVA 3 5a 1634 I CH 1033 1 2 Brick fragment, orangeWVA 3 5a 1634 I CH 1033 1 2 Brick fragment, orangeWVA 3 5a 1634 I CH 1027 1 3 Brick fragment, orangeWVA 3 5a 1634 I CH 1027 1 3 Brick fragment, orangeWVA 3 5a 1634 I CH 1027 1 13 Brick fragment, redWVA 3 5a 1634 I CH 1027 1 14 Brick fragment, redWVA 3 5a 1634 I CH 1027 1 23 Brick fragment, light pinkWVA 3 5a 1634 I CH 1027 1 29 Brick fragment, redWVA 3 5a 1634 I CH 1027 1 67 Brick fragment, pink tintWVA 3 5a 1634 I CH 1027 1 324 Part of brick, pink and gray with rust stainsWVA 3 5a 1634 I CH 1027 1 <1 Small brick fragment, redWVA 3 5a 1634 I CH 1027 1 <1 Small brick fragment, pink tintWVA 3 5a 1634 I CH 1027 1 <1 Small brick fragment, light pinkWVA 3 5a 1634 I CH 1027 1 <1 Small brick fragment, pink tintWVA 3 5a 1634 I CH 1027 1 <1 Small brick fragment, pink tintWVA 3 5a 1634 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5a 1634 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5a 1634 I CH 1033 1 <1 Brick fragment, orangeWVA 3 5a 1634 I CH 1033 1 <1 Brick fragment, orangeWVA 3 5a 1634 I CH 1033 1 <1 Brick fragment, orangeWVA 3 5a 1634 I CH 1033 1 <1 Brick fragment, orangeWVA 3 5a 1634 I CH 1033 1 <1 Brick fragment, orangeWVA 3 5a 1634 I CH 1033 1 <1 Brick fragment, orangeWVA 3 5a 1634 I CH 1033 1 <1 Brick fragment, orangeWVA 3 5a 1634 I CH 1033 1 <1 Brick fragment, orangeWVA 3 5a 1634 I CH 1033 1 <1 Brick fragment, orangeWVA 3 5a 1634 I CH 1033 1 <1 Brick fragment, orangeWVA 3 5a 1634 I CH 1033 1 <1 Brick fragment, orangeWVA 3 5a 1634 I CI 1033 1 1 Clay with rust stains?WVA 2 5b 1635 I CC 1001 1 4.1 Cylindrical handleWVA 2 5b 1635 I CC 1001 1 29 Thick, rim of jug or large vesselWVA 2 5b 1635 I CF 1003 1 <1 Plate rim, remains of geometric decoration around rimWVA 2 5b 1635 I CH 1027 1 1 Brick fragment, pink tintWVA 2 5b 1635 I CH 1027 1 2 Brick fragment, light pinkWVA 2 5b 1635 I CH 1027 1 2 Brick fragment, red
WVA 2 5b 1635 I CH 1034 1 4 Terracotta fragment, rim of somethingWVA 2 5b 1635 I CH 1027 1 6 Brick fragment, may have been pink but is now dark grayWVA 2 5b 1635 I CH 1027 1 8 Brick fragment, pink tintWVA 2 5b 1635 I CH 1027 1 8 Brick fragment, orangeWVA 2 5b 1635 I CH 1027 1 15 Brick fragment, pink and orange with a little mortarWVA 2 5b 1635 I CH 1027 1 625 burnt on one sideWVA 2 5b 1635 I CH 1027 1 <1 Brick fragment, orangeWVA 2 5b 1635 I CH 1027 1 <1 Brick fragment, orangeWVA 2 5b 1635 I CI 1033 1 1 Brick fragment, orangeWVA 2 5b 1635 I CI 1033 1 1 Brick fragment, orangeWVA 2 5b 1635 I CI 1033 1 2 Brick fragment, orangeWVA 2 5b 1635 I CI 1033 1 <1 Brick fragment, orangeWVA 2 5b 1635 I CI 1033 1 <1 Brick fragment, orangeWVA 2 5b 1635 I CI 1033 1 <1 Brick fragment, orangeWVA 2 5b 1635 I CI 1033 1 <1 Brick fragment, orangeWVA 2 5b 1635 I CI 1033 1 <1 Brick fragment, orangeWVA 2 5b 1635 I CI 1033 1 <1 Brick fragment, orangeWVA 2 5b 1635 I CI 1033 1 <1 Brick fragment, orangeWVA 2 5b 1635 I CI 1033 1 <1 Brick fragment, orangeWVA 2 5b 1635 I CI 1033 1 <1 Brick fragment, orangeWVA 2 5b 1635 I CI 1033 1 <1 Brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 2 Brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 2 Brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 2 Brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 2 Brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 2 Brick fragment, pink tintWVA 3 5b 1636 I CH 1027 1 2 Brick fragment, pink tintWVA 3 5b 1636 I CH 1027 1 4 Brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 4 Brick fragment, pink tintWVA 3 5b 1636 I CH 1027 1 6 Brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 6 Brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 10 Brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 10 Brick fragment, pink tintWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orange
WVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, orangeWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, redWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, redWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, redWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, pink tintWVA 3 5b 1636 I CH 1027 1 <1 Small brick fragment, pink tintWVA 3 5b 1636 I CI 1033 1 2 Dried clayWVA 3 5b 1636 I CI 1033 1 2 Dried clayWVA 2 6 1637 I CH 1027 1 6 Brick fragment, pink tintWVA 2 6 1637 I CH 1027 1 <1 Small brick fragment, pink tintWVA 2 6 1637 I CH 1027 1 <1 Small brick fragment, pink tintWVA 2 6 1637 I CH 1027 1 <1 Small brick fragment, orangeWVA 2 6 1637 I CI 1033 1 <1 Dried clayWVA 2 6 1637 I CL 1033 1 14 Smooth, curved edgeWVA 2 6 1637 I CL 1033 1 60 Smooth, curved edgeWVA 2 6 1637 I CL 1033 1 88 Smooth, curved edgeWVB 3 2 1639 I CA 1033 1 4.9 Thick, industrial, part of sink or tub?WVB 3 2 1639 I CA 1001 1 <1 RimWVB 3 2 1639 I CA 1001 1 <1 RimWVB 3 2 1639 I CB 1003 1 11.7 Brown glaze, jar topWVB 3 2 1639 I CC 1001 1 1 Whiteware, slightly burntWVB 3 2 1639 I CC 1001 1 1.1 Whiteware, rimWVB 3 2 1639 I CC 1001 1 1.5 WhitewareWVB 3 2 1639 I CC 1001 1 1.7 WhitewareWVB 3 2 1639 I CC 1001 1 2 WhitewareWVB 3 2 1639 I CC 1003 1 2.1 Whiteware, black (maker's?) marksWVB 3 2 1639 I CC 1001 1 2.3 WhitewareWVB 3 2 1639 I CC 1001 1 2.6 Whiteware, bowl base?WVB 3 2 1639 I CC 1001 1 2.9 Whiteware, rimWVB 3 2 1639 I CC 1003 1 8.3 Whiteware, blue marbleWVB 3 2 1639 I CC 1001 1 9 WhitewareWVB 3 2 1639 I CC 1001 1 <1 Whiteware, rimWVB 3 2 1639 I CC 1001 1 <1 Whiteware, plate base?WVB 3 2 1639 I CF 1003 1 7.1 Green and brown raised paint, (decorative?) plate baseWVB 3 2 1639 I CF 1003 1 <1 White raised paintWVB 3 2 1639 I CH 1027 1 2 Brick fragment, pink tintWVB 3 2 1639 I CH 1034 1 2 Terracotta fragment, flower pot?WVB 3 2 1639 I CH 1027 1 <1 Small brick fragment, redWVB 3 2 1639 I CH 1034 1 <1 Terracotta fragment, flower pot?WVB 3 3 1640 I CA 1001 1 <1WVB 3 3 1640 I CA 1001 1 <1
WVB 3 3 1640 I CA 1003 1 <1 Green and gold faded paint, rim, teacup?WVB 3 3 1640 I CC 1001 1 1 WhitewareWVB 3 3 1640 I CC 1001 1 1 Whiteware, cylindrical portion of handleWVB 3 3 1640 I CC 1001 1 1 WhitewareWVB 3 3 1640 I CC 1001 1 1 WhitewareWVB 3 3 1640 I CC 1003 1 1 Yellow and green glazeWVB 3 3 1640 I CC 1003 1 1 Whiteware, yellow glazeWVB 3 3 1640 I CC 1001 1 1.2 WhitewareWVB 3 3 1640 I CC 1001 1 1.2 WhitewareWVB 3 3 1640 I CC 1001 1 1.5 WhitewareWVB 3 3 1640 I CC 1001 1 1.6 WhitewareWVB 3 3 1640 I CC 1001 1 1.7 Whiteware, base of cup handleWVB 3 3 1640 I CC 1001 1 2 Whiteware, rimWVB 3 3 1640 I CC 1001 1 3 Whiteware, baseWVB 3 3 1640 I CC 1003 1 3.5 Pearlware, blue flower glazeWVB 3 3 1640 I CC 1001 1 4.3 WhitewareWVB 3 3 1640 I CC 1001 1 4.6 WhitewareWVB 3 3 1640 I CC 1003 1 6.4 Whiteware, rim, plate?WVB 3 3 1640 I CC 1001 1 <1 WhitewareWVB 3 3 1640 I CC 1001 1 <1 WhitewareWVB 3 3 1640 I CC 1001 1 <1 WhitewareWVB 3 3 1640 I CC 1001 1 <1 Whiteware, rimWVB 3 3 1640 I CC 1001 1 <1 WhitewareWVB 3 3 1640 I CC 1001 1 <1 WhitewareWVB 3 3 1640 I CC 1003 1 <1 Whiteware, gray glaze marks, rimWVB 3 3 1640 I CC 1001 1 <1 WhitewareWVB 3 3 1640 I CC 1003 1 <1 Whiteware, blue makers markWVB 3 3 1640 I CC 1003 1 <1 Whiteware, yellow glazeWVB 3 3 1640 I CF 1001 1 <1WVB 3 3 1640 I CH 1035 1 2 Brick fragment, pink tint, with mortarWVB 3 3 1640 I CH 1035 1 2 Brick fragment, pink tintWVB 3 3 1640 I CH 1035 1 2 Brick fragment, orangeWVB 3 3 1640 I CH 1035 1 4 Brick fragment, pink tintWVB 3 3 1640 I CH 1035 1 4 Brick fragment, orangeWVB 3 3 1640 I CH 1034 1 4 Terracotta fragment, flower pot?WVB 3 3 1640 I CH 1035 1 6 Brick fragment, pink tint, with mortarWVB 3 3 1640 I CH 1035 1 6 Brick fragment, orangeWVB 3 3 1640 I CH 1035 1 10 Brick fragment, pink tintWVB 3 3 1640 I CH 1035 1 10 Brick fragment, pink tintWVB 3 3 1640 I CH 1035 1 112 Part of brick, with mortar, pink tintWVB 3 3 1640 I CH 1035 1 <1 Brick fragment, pink tintWVB 3 3 1640 I CH 1035 1 <1 Brick fragment, pink tintWVB 3 3 1640 I CH 1035 1 <1 Brick fragment, pink tintWVB 3 3 1640 I CH 1035 1 <1 Brick fragment, orangeWVB 3 3 1640 I CH 1035 1 <1 Brick fragment, orangeWVB 3 3 1640 I CH 1035 1 <1 Brick fragment, orangeWVB 3 3 1640 I CH 1035 1 <1 Brick fragment, orangeWVB 3 3 1640 I CH 1035 1 <1 Brick fragment, orangeWVB 3 3 1640 I CH 1035 1 <1 Brick fragment, orangeWVB 3 3 1640 I CH 1035 1 <1 Brick fragment, orangeWVB 3 3 1640 I CH 1035 1 <1 Brick fragment, orangeWVB 3 3 1640 I CH 1035 1 <1 Brick fragment, orangeWVB 3 3 1640 I CH 1035 1 <1 Brick fragment, orangeWVB 3 3 1640 I CH 1035 1 <1 Brick fragment, orangeWVB 3 3 1640 I CH 1035 1 <1 Brick fragment, orangeWVB 3 3 1640 I CH 1034 1 <1 Terracotta fragment, flower pot?WVB 3 3 1640 I CI 1033 1 <1 Dried clayWVB 3 4a 1642 I CA 1001 1 <1WVB 3 4a 1642 I CC 1001 1 2 WhitewareWVB 3 4a 1642 I CH 1027 1 <1 Brick fragment, thin and pointyWVB 3 4a 1642 I CI 1033 1 <1 Dried clayWVB 3 4a 1642 I CI 1033 1 <1 Dried clay
WVB 3 4b 1643 I CA 1033 1 1.7 Thick, industrialWVB 3 4b 1643 I CA 1001 1 <1WVB 3 4b 1643 I CC 1003 1 1.1 Whiteware, rim, grey glaze or burntWVB 3 4b 1643 I CC 1001 1 1.5 Whiteware, rimWVB 3 4b 1643 I CC 1001 1 2.1 WhitewareWVB 3 4b 1643 I CC 1001 1 <1 WhitewareWVB 3 4b 1643 I CH 1027 1 2 Brick fragment, pink tintWVB 3 4b 1643 I CH 1027 1 2 Brick fragment, pink tintWVB 3 4b 1643 I CH 1027 1 2 Brick fragment, pink tintWVB 3 4b 1643 I CH 1027 1 2 Brick fragment, pink tintWVB 3 4b 1643 I CH 1027 1 2 Brick fragment, pink tintWVB 3 4b 1643 I CH 1027 1 2 Brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 2 Brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 2 Brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 4 Brick fragment, with mortarWVB 3 4b 1643 I CH 1027 1 4 Brick fragment, pink tintWVB 3 4b 1643 I CH 1027 1 4 Brick fragment, pink tintWVB 3 4b 1643 I CH 1027 1 4 Brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 6 Brick fragment, pink tintWVB 3 4b 1643 I CH 1027 1 6 Brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 8 Brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 12 Brick fragment, with mortarWVB 3 4b 1643 I CH 1027 1 30 Brick fragment, pink tintWVB 3 4b 1643 I CH 1027 1 30 Brick fragment, pink tintWVB 3 4b 1643 I CH 1027 1 40 Brick fragment, with mortarWVB 3 4b 1643 I CH 1027 1 52 Brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Brick fragment, pink tintWVB 3 4b 1643 I CH 1027 1 <1 Brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, orangeWVB 3 4b 1643 I CH 1027 1 <1 Small brick fragment, redWVB 3 4b 1643 I CL 1033 1 <1 Dried clay? Burnt
Glass
UnitSub-Unit Level Lot Materials
Sub-Material
Artifact Class Quantity
Weight (g) Comments
WVA 3 1A 1619 II GA 2001 17 13.1
WVA 3 1A 1619 II GA 2005 23 43thickness); the bottle of which we have part of the base (next entry)
WVA 3 1A 1619 II GA 2008 1 22.5 Patterned edge of rim; "0" embossedWVA 3 1A 1619 II GA 2006 1 1.3 "OFT" embossed (perhaps from "soft drink")WVA 3 1A 1619 II GF 2005 7 8.5WVA 3 1A 1619 II GA,GB, G 2037 1 5.1 Marble with red, yellow, and green inner decorationWVA 2 1 1620 II GA 2001 4 14WVA 2 1 1620 II GA 2005 4 9.5WVA 2 1 1620 II GF 2005 1 0.3WVA 2 2 1621 II GA 2001 29 52WVA 2 2 1621 II GA 2005 45 56WVA 2 2 1621 II GA 2007 1 8.1 Has a tiny "18" on itWVA 2 2 1621 II GA 2011 1 2.5 Small part of rim to small glass plate or coasterWVA 2 2 1621 II GA 2009 1 1 Base to bottle with small diameterWVA 2 2 1621 II GC 2005 2 1.8WVA 2 2 1621 II GD 2005 1 0.5WVA 2 2 1621 II GE 2005 2 0.8
WVA 2 2 1621 II GF 2006 3 3.9embossed lines, and the last a tiny bit of an unidentifiable symbol
WVA 3 2 1622 II GA 2001 37 30WVA 3 2 1622 II GA 2005 33 32WVA 3 2 1622 II GA 2011 1 8.4 Appears to be rim to a vaseWVA 3 2 1622 II GF 2005 4 3.5WVA 3 2 1622 II GA 2010 1 24.4 "BF"embossedWVA 3 2 1622 II GA 2030 1 55.1 Glass rose finial WVA 3 2 1622 II GE 2005 1 0.2WVA 2 3A 1624 II GA 2001 33 50WVA 2 3A 1624 II GA 2005 45 38WVA 2 3A 1624 II GA 2006 2 5.1 Tiny square dot pattern embossedWVA 2 3A 1624 II GA 2009 1 32 Number "3" embossed; narrow oval shape; thick glassWVA 2 3A 1624 II GA 2007 2 12.9 2 cm diameterWVA 2 3A 1624 II GA 2013 2 22.5 pieces fitWVA 2 3A 1624 II GA 2030 1 0.8 Tiny piece of cut crystal WVA 2 3A 1624 II GE 2005 2 0.8WVA 2 3A 1624 II GF 2005 1 0.7 "BR" marked (letters continue but cut off)WVA 2 3A 1624 II GD 2005 1 0.6WVA 2 3A 1624 II GC 2005 4 1.8WVA 2 3A 1624 II GA 2014 1 23.2 Goblet base with partial decorated stemWVA 2 3A 1624 II GA 2010 1 32.3 "NO. 63. PAT.IN.US.DEC.22.1903" embossedWVA 2 3A 1624 II GF 2006 1 5.2 "KENTON" "COVING" embossed WVA 2 3A 1624 II GF 2045 1 4.6 Belongs to fragment listed aboveWVA 2 3A 1624 II GB 2026 1 7.3 Red cut bead with 6 square faces WVA 3 3A 1625 II GA 2001 5 3WVA 3 3A 1625 II GA 2005 12 7.2WVA 3 3A 1625 II GA 2030 1 3.5 jewelry? WVA 3 3A 1625 II GE 2005 1 0.5WVA 3 3B 1626 II GA 2001 67 44WVA 3 3B 1626 II GA 2005 185 164WVA 3 3B 1626 II GA 2007 1 0.8WVA 3 3B 1626 II GA 2009 2 12.6
WVA 3 3B 1626 II GA 2010 2 5.8One has embossed lines (unidentifiable but part of a letter most likely) and the other has a stylistic "L"
WVA 3 3B 1626 II GA 2006 4 7.3"RY" with top part of triangle; "OB" something; "2" something; very fine emossed lines in a row
WVA 3 3B 1626 II GF 2005 4 3.4WVA 3 3B 1626 II GC 2005 11 18.8WVA 3 3B 1626 II GD 2005 4 8.4
WVA 3 3B 1626 II GE 2005 1 0.4WVA 3 3B 1626 II GA 2005 3 6.6 Pie crust outer patternWVA 3 3B 1626 II GB 2044 1 2.3WVA 3 3B 1626 II GD 2031 1 0.1 goes in to hangWVA 3 3B 1626 II GA 2045 1 9.1WVA 3 3B 1626 II GA 2033 1 14.2 Missing tiny fragment of topWVA 3 3B 1626 II GD 2006 1 6.9 "NE" with part of design
WVA 3 3B 1626 II GA 2030 4 14.4Beautifully cut and intricate crystal; appears to be fragments from a whole half sphere
WVA 3 3B 1626 II GH 2014 1 2.8 "CAP" embossedWVA 3 3B 1626 II GH 2005 1 0.7WVA 2 3B 1627 II GA 2001 47 59WVA 2 3B 1627 II GA 2005 32 27WVA 2 3B 1627 II GA 2043 2 7.5WVA 2 3B 1627 II GA 2007 1 2.4 Has part of corkscrew on itWVA 2 3B 1627 II GD 2005 1 0.1WVA 2 3B 1627 II GC 2005 2 0.3WVA 2 3B 1627 II GH 2011 1 3.1 Looks like pieces of coasterWVA 2 3B 1627 II GH 2018 1 6.1 baseWVA 2 3B 1627 II GD 2019 1 0.6WVA 2 4B 1628 II GA 2001 3 3.3WVA 2 4B 1628 II GA 2005 13 10.3WVA 2 4B 1628 II GA 2011 2 5.6WVA 2 4B 1628 II GF 2005 2 2.9WVA 2 4B 1628 II GA 2006 1 3 "UREOL" embossedWVA 3 4A 1629 II GA 2001 19 7.5WVA 3 4A 1629 II GA 2005 83 82WVA 3 4A 1629 II GA 2010 1 26.3 identifiable markWVA 3 4A 1629 II GA 2033 1 1.2 Small fragment of top of bottle stopperWVA 3 4A 1629 II GA 2007 1 4.7WVA 3 4A 1629 II GC 2005 1 9.6WVA 3 4A 1629 II GH 2001 1 0.2WVA 3 4A 1629 II GH 2005 1 0.5WVA 3 4A 1629 II GF 2005 1 0.5WVA 3 4A 1629 II GA 2010 1 13 "BB" maker's mark WVA 3 4A 1629 II GA 2010 1 53.4 Shield symbol with three stars and stripes
WVA 3 4A 1629 II GA 2042 1 116"CAST", "Chop Htletc" (in cursive), and maker's mark of square with "O" in it
WVA 2 4A 1630 II GA 2001 50 82WVA 2 4A 1630 II GA 2005 61 60WVA 2 4A 1630 II GA 2007 3 29 3 fragments can be put back togetherWVA 2 4A 1630 II GA 2006 1 9.2 Bumpy patternWVA 2 4A 1630 II GI 2045 1 45WVA 2 4A 1630 II GC 2006 1 0.5 Round painted gold dotsWVA 2 4A 1630 II GC 2001 1 17.9WVA 2 4A 1630 II GC 2005 2 1.2WVA 2 4A 1630 II GD 2005 1 4WVA 2 4A 1630 II GH 2001 1 5.7WVA 2 4A 1630 II GE 2005 3 1.4WVA 2 4A 1630 II GF 2043 1 2.1 "NE" embossed and "1 Co"WVA 2 4A 1630 II GA 2042 1 120 "O" in it WVA 2 4C 1631 II GA 2001 8 9WVA 2 4C 1631 II GA 2005 12 22WVA 2 4C 1631 II GA 2007 1 2.1WVA 2 4C 1631 II GC 2009 1 27.4 Base plus part of sidesWVA 2 4C 1631 II GG 2043 1 0.5WVA 2 4C 1631 II GE 2005 1 0.2WVA 3 4B 1632 II GA 2001 16 22WVA 3 4B 1632 II GA 2005 44 32 10 fragments very cracked and bubbledWVA 3 4B 1632 II GA 2012 1 3.6 Rim that has little gumdrop bumbs around outside WVA 3 4B 1632 II GA 2006 1 2.6 "BA" and "1c C" embossedWVA 3 4B 1632 II GA 2043 2 2.4
WVA 3 4B 1632 II GC 2005 2 5.2WVA 3 4B 1632 II GH 2005 3 5.8WVA 3 4B 1632 II GH 2016 1 5.9 "CREA" embossed insideWVA 3 4B 1632 II GF 2005 4 1WVA 3 4B 1632 II GG 2043 1 1.4 Has a rounded end, some melted iron residueWVA 2 5A 1633 II GA 2001 27 52WVA 2 5A 1633 II GA 2005 29 26WVA 2 5A 1633 II GA 2015 2 17 Appear to be jar rimsWVA 2 5A 1633 II GA 2043 1 1WVA 2 5A 1633 II GF 2005 1 1.8WVA 2 5A 1633 II GC 2005 2 3.4WVA 2 5A 1633 II GH 2005 1 0.7WVA 3 5A 1634 II GA 2001 6 7WVA 3 5A 1634 II GA 2005 16 12WVA 3 5A 1634 II GJ 2005 4 2.1 sectionsWVA 2 5B 1635 II GA 2001 2 1.6WVA 2 5B 1635 II GA 2005 20 16.5 5 pieces of bubbled very cracked/bubbled glassWVA 2 5B 1635 II GC 2005 1 1.7WVA 2 5B 1635 II GF 2005 2 1.6WVA 2 5B 1635 II GH 2005 1 0.6WVA 3 5B 1636 II GA 2006 1 0.6 "OR" embossedWVA 2 6 1637 II GA 2005 2 9WVB 3 1 1638 II GA 2001 20 22WVB 3 1 1638 II GA 2005 26 38WVB 3 1 1638 II GA 2006 2 4.8 "O" embossed on one, "E CU" on the otherWVB 3 2 1639 II GA 2001 100 66WVB 3 2 1639 II GA 2005 85 120WVB 3 2 1639 II GA 2011 3 14WVB 3 2 1639 II GA 2002 3 7 Painted backing, two green, one goldWVB 3 2 1639 II GC 2007 1 3.7 Mostly neck, small part of rimWVB 3 2 1639 II GF 2005 12 28WVB 3 2 1639 II GE 2005 2 1.1WVB 3 2 1639 II GH 2012 1 1 Looks like pieces of coasterWVB 3 2 1639 II GH 2001 4 2.2WVB 3 2 1639 II GH 2005 4 4.3 Three white, one greenish whiteWVB 3 2 1639 II GA 2030 1 5.2 Geometric cut glassWVB 3 2 1639 II GB,GH,GA2037 1 4.8 Red and white swirly decorated marbleWVB 3 2 1639 II GA 2006 1 5.9 "OF …ACNES" embossed WVB 3 3 1640 II GA 2001 287 190 3 pieces very cracked and bubblyWVB 3 3 1640 II GA 2005 94 84.7 One piece has a "30" on itWVB 3 3 1640 II GA 2006 1 1.2 V-Y embossedWVB 3 3 1640 II GA 2031 1 0.6 1 cm tall, 0.2 cm diameterWVB 3 3 1640 II GF 2005 4 5.6 Parallel lines of tiny dotsWVB 3 3 1640 II GF 2006 1 0.5WVB 3 3 1640 II GH 2012 4 12.9 Looks like pieces of coasterWVB 3 3 1640 II GA 2009 1 14WVB 3 3 1640 II GF 2001 2 0.6WVB 3 3 1640 II GH 2005 4 2WVB 3 3 1640 II GC 2005 1 0.5WVB 3 3 1640 II GG 2006 1 2 embossedWVB 3 3 1640 II GE 2005 5 1.6WVB 3 3 1640 II GF 2005 4 3WVB 3 3 1640 II GI 2001 2 0.6 Very light violet/pinkWVB 3 3 1640 II GC 2006 1 0.7 Parallel lines of tiny dotsWVB 3 3 1640 II GH 2005 1 0.4 Pearly sheen
WVB 3 3 1640 II GA 2006 1 3.9Symbol that looks like a 3 with extra zigzag in middle, dashed line after the symbol at top
WVB 3 3 1640 II GA 2045 2 7.2WVB 3 3 1640 II GA 2006 1 0.9 Shard with waves on top (like the crust of a pie)WVB 3 3 1640 II GI 2005 1 1.3WVB 3 3 1640 II GF 2010 1 60.7 "R & Co 12" embossedWVB 3 3 1640 II GF 2012 1 10.2 Geometric bottle base, "NOSBURG" inscribed
WVB 3 4A 1642 II GA 2001 53 40WVB 3 4A 1642 II GA 2005 28 14 Few pieces could be crystalWVB 3 4A 1642 II GA 2012 1 2.5 Decorated with small parallel lines; vase rim?WVB 3 4A 1642 II GA 2009 1 3.7WVB 3 4A 1642 II GA 2030 1 1.8WVB 3 4A 1642 II GC 2005 2 10.8WVB 3 4A 1642 II GE 2005 1 0.3WVB 3 4B 1643 II GA 2001 7 6WVB 3 4B 1643 II GA 2005 4 3.7 Two pieces very bubbledWVB 3 4B 1643 II GA 2007 1 3.2
Metals
Unit Sub-Unit Level Lot MaterialsSub-Material
Artifact Class Quantity
Weight (g) Comments
WVA 3 1 1619 Metal MA 3015 1 354 Hex Bolt
WVA 3 1 1619 Metal MA 3178 1 0.4 Paper clip
WVA 3 1 1619 Metal MA 3006 3 8.2 Round nails
WVA 3 1 1619 Metal MA 3008 5 14.8 Indeterminate nails
WVA 3 1 1619 Metal MA 3012 1 5.8 Self drilling sheet metal screw with attached washer
WVA 3 1 1619 Metal MA 3083 1 10 Top to a tin
WVA 3 1 1619 Metal MH 3179 1 0.3 Pull tab
WVA 3 1 1619 Metal MA 3176 12 104 Indeterminate iron
WVA 3 1 1619 Metal MI 3176 2 4.6 Indeterminate
WVA 2 1 1620 Metal MA 3008 1 2.4 Indeterminate nail
WVA 2 1 1620 Metal MA 3178 1 0.9 Slag
WVA 2 1 1620 Metal MH 3176 1 6 Indeterminant. Cylindrical
WVA 2 1 1620 Metal MA 3173 3 1.8 Flat flakes
WVA 2 1 1620 Metal MA 3176 38 90 Indeterminate iron
WVA 2 2 1621 Metal MH 3179 2 0.2 Pull tab
WVA 2 2 1621 Metal MH 3103 3 0.9 Aluminum can
WVA 2 2 1621 Metal MH 3103 1 8.2 Aluminum can
WVA 2 2 1621 Metal MH 3136 1 5.5 Aluminum tube
WVA 2 2 1621 Metal MA 3032 1 0.6 Plain button
WVA 2 2 1621 Metal MA 3033 1 0.7 Blue button
WVA 2 2 1621 Metal MI 3176 1 0.5 Indeterminate
WVA 2 2 1621 Metal MH 3176 1 2.2 Indeterminate
WVA 2 2 1621 Metal MH 3176 1 0.1 Semi-circle
WVA 2 2 1621 Metal MA 3176 291 748 Indeterminate iron
WVA 2 2 1621 Metal MA 3008 17 85.5 Indeterminate nails
WVA 2 2 1621 Metal MA 3012 1 3.5 Screw
WVA 2 2 1621 Metal MA 3178 2 8 Slag
WVA 2 2 1621 Metal MA 3173 4 2.6 Flat flakes
WVA 3 2 1622 Metal MA 3176 116 279.9 Indeterminate iron
WVA 3 2 1622 Metal MA 3173 1 0.3 Flat flake
WVA 3 2 1622 Metal MA 3008 36 165 Indeterminate nails
WVA 3 2 1622 Metal MI 3178 1 4 ALO jacket zipper
WVA 3 2 1622 Metal MA 3012 1 3.4 Screw
WVA 3 2 1622 Metal MI 3176 1 5.8 Cylinder with rubber
WVA 3 2 1622 Metal MI 3176 1 2 Half of a flat circle
WVA 3 2 1622 Metal MA 3176 1 1 Flat metal band
WVA 3 2 1622 Metal MA 3178 1 0.2 Slag
WVA 3 1B 1623 Metal MA 3012 1 2.5 Iron screw
WVA 2 3A 1624 Metal MA 3176 580 1517 Indeterminate iron
WVA 2 3A 1624 Metal MB 3012 3 6.7 Brass screws
WVA 2 3A 1624 Metal MB 3178 1 1.9 Zipper
WVA 2 3A 1624 Metal MA 3006 1 2.3 Round nails
WVA 2 3A 1624 Metal MI 3178 1 4.9 Cylindrical
WVA 2 3A 1624 Metal MA 3176 1 0.9 Wavy and flat
WVA 2 3A 1624 Metal MA 3173 38 32.6 Flat flakes
WVA 2 3A 1624 Metal MA 3008 50 151.2 Indeterminate nails
WVA 2 3A 1624 Metal MA 3178 20 36 Slag
WVA 3 3A 1625 Metal MA 3006 1 2.3 Round nail
WVA 3 3A 1625 Metal MA 3173 10 5 Flat flakes
WVA 3 3A 1625 Metal MA 3008 9 36.2 Indeterminate nails
WVA 3 3A 1625 Metal MA 3176 66 63 Indeterminate iron
WVA 3 3A 1625 Metal MB 3176 1 2.4 Indeterminate wire
WVA 3 3A 1626 Metal MA 3106 1 5.8 SC004: A jack
WVA 3 3A 1626 Metal MB 3113 3 1.6Rim fire casing: (2) .22 Short and a .22 Extra Long, not produced after 1935
WVA 3 3A 1626 Metal MB 3114 2 6
Center fire casing: (2) .4 caliber; unusual as there is no rim of note as is expected for such a large caliber. also rather short casing; best guess .41 Action Express
WVA 3 3A 1626 Metal MA 3004 1 204 Wrought nail
WVA 3 3A 1626 Metal MA 3171 2 18 Bottle caps
WVA 3 3A 1626 Metal MA 3178 69 244 Slag
WVA 3 3A 1626 Metal MA 3013 2 1.6 Hooks, small
WVA 3 3A 1626 Metal MA 3012 1 9.2 Screw
WVA 3 3A 1626 Metal MA 3008 200 804 Indeterminate nails
WVA 3 3A 1626 Metal MA 3175 21 44 Thick metal fragment
WVA 3 3A 1626 Metal MA 3176 880 1536 Miscellaneous
WVA 3 3A 1626 Metal MA 3173 162 69.2 Flat metal flake
WVA 3 3A 1626 Metal MB 3035 1 2 1.1mm copper wire
WVA 3 3A 1626 Metal MB 3035 1 0.9 .6mm copper wire with something attached to it
WVA 3 3A 1626 Metal ME 3176 1 6.6 Indeterminate
WVA 3 3A 1626 Metal MB 3020 1 0.4 Clothing rivet, made in France
WVA 3 3A 1626 Metal MB 3012 1 2.1 Brass screw
WVA 3 3A 1626 Metal MB 3010 1 0.6 Round tack
WVA 3 3A 1626 Metal MB 3176 7 4.6 Indeterminate
WVA 3 3A 1626 Metal MH 3131 1 0.2 Small gear
WVA 3 3A 1626 Metal MI 3178 1 0.9 Screw cap
WVA 3 3A 1626 Metal MI 3176 1 32 Indeterminate
WVA 3 3A 1626 Metal MB 3178 1 0.3 Freemason pin
WVA 2 3B 1627 Metal MB 3012 1 2.9 Brass flat top screw
WVA 2 3B 1627 Metal MH 3103 5 4.8 Aluminum can
WVA 2 3B 1627 Metal MF 3176 1 0.8 Tin can
WVA 2 3B 1627 Metal MA 3171 1 2.6 Heineken Beer bottle cap
WVA 2 3B 1627 Metal MI 3176 1 2.4 Round and has a whole in the middle of it
WVA 2 3B 1627 Metal MH 3176 1 6.6 Has black paint, one side is almost square
WVA 2 3B 1627 Metal MH 3176 2 0.4 Maybe pull tab or zipper
WVA 2 3B 1627 Metal MA 3178 12 77.4 Slag
WVA 2 3B 1627 Metal MA 3176 189 671 Indeterminate iron
WVA 2 3B 1627 Metal MA 3175 17 15.9 Thick flakes
WVA 2 3B 1627 Metal MA 3173 11 4.9 Flat flakes
WVA 2 3B 1627 Metal MA 3008 25 64.4 Indeterminate nails
WVA 2 3B 1627 Metal MA 3006 2 2.4 Round nails
WVA 2 4B 1628 Metal MA 3176 49 65 Indeterminate iron
WVA 2 4B 1628 Metal MA 3008 5 13 Indeterminate nails
WVA 2 4B 1628 Metal MA 3178 1 2.4 Slag
WVA 2 4B 1628 Metal MI 3176 3 1.8 Indeterminate
WVA 3 4A 1629 Metal MA 3176 112 164 Indeterminate iron
WVA 3 4A 1629 Metal MA 3173 5 1.7 Flat flakes
WVA 3 4A 1629 Metal MA 3178 7 19.6 Slag
WVA 3 4A 1629 Metal MA 3008 27 127 Indeterminate nails
WVA 2 4A 1630 Metal MB 3012 2 4.5 Brass screw
WVA 2 4A 1630 Metal MH 3179 1 0.3 Pull tab
WVA 2 4A 1630 Metal MB 3176 1 2 Nail
WVA 2 4A 1630 Metal MA 3176 334 766 Indeterminate
WVA 2 4A 1630 Metal MA 3178 1 1.1 Slag
WVA 2 4A 1630 Metal MA 3008 41 255.6 Indeterminate nails
WVA 2 4A 1630 Metal MA 3173 31 24.4 Flat flakes
WVA 2 4C 1631 Metal MA 3178 1 5.9 Slag
WVA 2 4C 1631 Metal MA 3012 1 6.2 Countersunk Hexagonal Socket Screw
WVA 2 4C 1631 Metal MH 3179 2 0.5 Pull tab
WVA 2 4C 1631 Metal MH 3176 1 2.7 Indeterminate
WVA 2 4C 1631 Metal MA 3176 69 172 Indeterminate iron
WVA 2 4C 1631 Metal MA 3173 1 0.5 Flat flake
WVA 2 4C 1631 Metal MA 3008 8 34 Indeterminate nails
WVA 3 4B 1632 Metal MA 3176 189 217.4 Indeterminate iron
WVA 3 4B 1632 Metal MB 3012 1 2 Brass screw
WVA 3 4B 1632 Metal MB 3033 1 2.1 Brass button
WVA 3 4B 1632 Metal MB 3176 1 2.6 Indeterminate
WVA 3 4B 1632 Metal MI 3176 1 2.9 Indeterminate
WVA 3 4B 1632 Metal MA 3008 29 124 Indeterminate nails
WVA 3 4B 1632 Metal MA 3173 18 5.8 Flat flakes
WVA 3 4B 1632 Metal MA 3178 4 3.8 Slag
WVA 2 5A 1633 Metal MA 3008 28 89.4 Indeterminate nail
WVA 2 5A 1633 Metal MA 3176 286 867.3 Indeterminate iron
WVA 2 5A 1633 Metal MA 3173 32 15.8 Flat flakes
WVA 2 5A 1633 Metal MI 3176 9 19 Indeterminate (not metallic)
WVA 2 5A 1633 Metal MA 3178 2 4.8 Rings
WVA 3 5A 1634 Metal MB 3012 2 4.3 Brass screw
WVA 3 5A 1634 Metal MA 3178 9 6.3 Slag
WVA 3 5A 1634 Metal MA 3173 15 6.9 Flat flakes
WVA 3 5A 1634 Metal MA 3176 116 348 Indeterminate iron
WVA 3 5A 1634 Metal MA 3008 29 187.7 Indeterminate nails
WVA 2 5B 1635 Metal MA 3176 61 190 Indeterminate
WVA 2 5B 1635 Metal MA 3008 14 64 Indeterminate nails
WVA 2 5B 1635 Metal MA 3175 2 2.3 Thick flake
WVA 2 5B 1635 Metal MA 3173 5 1.7 Small flake
WVA 2 5B 1635 Metal MH 3179 1 0.3 Pull tab
WVA 2 5B 1635 Metal ME 3176 1 3.5 Circular
WVA 2 5B 1635 Metal MI 3176 8 12.8 Indeterminate
WVA 2 5B 1635 Metal MA 3178 6 22.7 Slag
WVA 3 5B 1636 Metal MA 3008 2 3 Indeterminate nails
WVA 3 5B 1636 Metal MA 3173 1 0.5 Flat flake
WVA 3 5B 1636 Metal MA 3176 6 6.2 Indeterminate iron
WVA 3 5B 1637 Metal MA 3006 1 2 Round nail
WVA 3 5B 1637 Metal MA 3008 3 16 Indeterminate nails
WVA 3 5B 1637 Metal MA 3176 26 90 Indeterminate iron
WVA 3 5B 1637 Metal MA 3173 1 2 Flat flake
WVA 3 5B 1637 Metal MA 3178 1 0.4 Slag
WVB 3 1 1638 Metal MA 3176 1 5.9 Indeterminate
WVB 3 1 1638 Metal MA 3016 1 0.4 Multiple staples
WVB 3 1 1638 Metal MA 3176 36 96 Indeterminate iron
WVB 3 1 1638 Metal MB 3006 1 2 Headless brass round nail
WVB 3 1 1638 Metal MA 3008 9 14 Indeterminate nails
WVB 3 2 1639 Metal MB 3164 1 2.3 Penny
WVB 3 2 1639 Metal MA 3016 6 3.1 Staples
WVB 3 2 1639 Metal MI 3176 1 0.3 Zipper
WVB 3 2 1639 Metal MI 3176 1 3.9 Motor
WVB 3 2 1639 Metal MB 3176 1 0.4 Rivet
WVB 3 2 1639 Metal MA 3019 1 2.3 Nut & washer
WVB 3 2 1639 Metal MA 3012 1 1.5 Iron screw
WVB 3 2 1639 Metal MA 3176 336 502 Indeterminate iron
WVB 3 2 1639 Metal MA 3173 18 21.5 Flat flakes
WVB 3 2 1639 Metal MA 3008 90 324.2 Indeterminate nails
WVB 3 3 1640 Metal MB 3178 1 1.6 Oval shaped and flat
WVB 3 3 1640 Metal MA 3046 2 25.7 Indeterminate
WVB 3 3 1640 Metal MA 3005 1 3.2 Spike
WVB 3 3 1640 Metal MA 3003 2 7.5 Square nails
WVB 3 3 1640 Metal MA 3006 10 42.8 Round nails
WVB 3 3 1640 Metal MA 3008 50 242.7 Indeterminate nails
WVB 3 3 1640 Metal MA 3016 10 5.2 Are clumps of individual staples
WVB 3 3 1640 Metal MA 3173 23 6.9 Flat flakes
WVB 3 3 1640 Metal MA 3175 14 11.3 Thick metal fragment
WVB 3 3 1640 Metal MA 3176 304 658 Indeterminate iron
WVB 3 3 1640 Metal ME 3178 1 7.5 Miscellaneous
WVB 3 3 1640 Metal MB 3093 1 22 Spoon
WVB 3 3 1640 Metal MI 3178 1 11.6 Battery, made January 2007
WVB 3 3 1640 Metal MA 3012 2 26.5 Large, spiral at the end
WVB 3 3 1640 Metal MF 3178 1 2.5 A top to a tube
WVB 3 3 1640 Metal MH 3176 1 2.8 Circle
WVB 3 3 1640 Metal MB 3178 1 2.4 Penny
WVB 3 3 1640 Metal MI 3012 1 0.4 Screw head
WVB 3 3 1640 Metal MA 3106 1 8.7 Jack
WVB 3 3 1640 Metal MA 3178 12 23.6 Slag
WVB 3 F1 1641 Metal MA 3008 2 7 Indeterminate nails
WVB 3 F1 1641 Metal MA 3173 2 1.1 Flat flakes
1641 4 8.1 Totals
WVB 3 4A 1642 Metal MA 3178 1 114 AC spark plug
WVB 3 4A 1642 Metal MA 3032 2 2.1 Buttons, only stud metal
WVB 3 4A 1642 Metal MA 3178 1 0.2 Snap fastener
WVB 3 4A 1642 Metal MA 3176 54 102 Miscellaneous
WVB 3 4A 1642 Metal MA 3173 9 3 Metal flakes
WVB 3 4A 1642 Metal MA 3006 1 2.7 Round nail, un-rusted metal visible
WVB 3 4A 1642 Metal MA 3008 26 46 Indeterminate nails
WVB 3 4B 1643 Metal MA 3016 4 1.5 Staples
WVB 3 4B 1643 Metal MA 3178 33 74.7 Slag
WVB 3 4B 1643 Metal MA 3176 39 86.3 Indeterminate iron
WVB 3 4B 1643 Metal MA 3173 5 1.1 Flat flakes
WVB 3 4B 1643 Metal MA 3008 16 87 Indeterminate nails
WVB 3 4B 1643 Metal MA 3035 1 4 1.5 mm round wire
Miscellaneous
UnitSub-Unit Level Lot Materials
Sub-Material
Artifact Class Quantity
Weight (g) Comments
WVA 3 1 1619 VII OA 7001 2 14
WVA 3 1 1619 VII OE 7005 1 2 Plaited piece of string/rope
WVA 3 1 1619 VII OE 7005 1 0.2Red hem binding, machine-stitched red thread and some (hand-stitched?) white thread
WVA 3 1 1619 VII OE 7005 1 0.9 Thin dirty fabric, roughly rectangular
WVA 3 1 1619 VII OF 7002 2 <0.1 Silver foil, embossed with grid pattern (candy wrapper?)
WVA 3 1 1619 VII OF 7002 1 <0.1 One side silver, one side pink crumpled foil (candy wrapper?)
WVA 3 1 1619 VII OF 7002 1 7.5Dark gray, lightweight porous rock,1/2 of surface has red/purple tint
WVA 3 1 1619 IV RA 4011 1 12.5 Multicolored, cracked bouncy ball
WVA 3 1 1619 IV RA 4011 1 0.4 Gray, outer layers have cracked texture
WVA 3 1 1619 IV RC 4013 52 69 5 portions have green coloring on top, 7 have red
WVA 3 1 1619 VII RD 4014 1 0.2 Clear plastic back of thumb tack
WVA 3 1 1619 VII RD 4014 4 0.4 3 orange and 1 yellow beads
WVA 3 1 1619 IV RD 4014 2 <0.1 Small, thin pieces of crumpled transparent film
WVA 3 1 1619 IV RD 4014 1 <0.1 Small, thin piece of orange and yellow film (wrapper?), red letters "n" and "s"
WVA 3 1 1619 IV RD 4014 4 0.5Brittle and yellow, slightly curved, one piece has a thin raised ridge down the center
WVA 3 1 1619 IV RD 4014 2 0.4Small red, slightly curved pieces, one with a shape like the inside of a rounded corner
WVA 3 1 1619 IV RD 4014 1 <0.1 Very small semi-transparent piece of green film
WVA 3 1 1619 IV RD 4012 1 <0.1 Styrofoam
WVA 3 1 1619 IV RD 4014 1 <0.1 Pale yellow sliver of plastic, grid pattern on one side
WVA 3 1 1619 IV RD 4014 2 1.8 White beads with decorative metal jewelry hardware
WVA 3 1 1619 IV RD 4014 1 0.5 Pink, flat plastic, partial circle shape
WVA 3 1 1619 IV RD 4014 1 0.2 Stiff, thin, transparent folded piece of plastic
WVA 3 1 1619 IV RD 4014 1 0.4Pink plastic "V" shape with a bead suspended between the two points, a hole goes through the bead
WVA 2 1 1620 VII OF 7002 2 <0.1 Crumpled silver foil
WVA 2 1 1620 VII OF 7002 1 <0.1 Black chunk of foam or sponge
WVA 2 1 1620 VII OF 7002 1 <0.1 Very small, thin, and red
WVA 2 1 1620 IV RA 4011 1 3.6Gray, cracked texture, rounded, potentially spherical (inside of ball?)
WVA 2 1 1620 IV RC 4013 8 6.5 5 with green coating
WVA 2 1 1620 IV RD 4014 1 0.7 White with raised lip, fleck of green pain
WVA 2 1 1620 IV RD 4014 1 <0.1 About half a spherical white bead
WVA 2 1 1620 IV RD 4014 1 0.8Black cylinder partially flattened on one end, portion of glasses earpiece
WVA 2 1 1620 IV RD 4014 1 0.4 Curved, thin, semi-transparent brown sliver
WVA 2 1 1620 IV RD 4014 1 <0.1 Stiff, thin, transparent
WVA 2 2 1621 VII OA 7001 5 18.8
WVA 2 2 1621 VII OA 7001 11 4.7 Rust-colored
WVA 2 2 1621 VII OE 7006 1 0.3 White-gray batting or stuffing
WVA 2 2 1621 VII OE 7006 1 0.2Green tangle of thread, probably multiple pieces surged for fabric hem
WVA 2 2 1621 VII OF 7002 1 <0.1 Small metallic circle with hole in center
WVA 2 2 1621 VII OF 7002 2 <0.1 Crumpled silver foil
WVA 2 2 1621 VII OF 7002 1 <0.1 Small torn metallic circle with hole in center
WVA 2 2 1621 VII OF 7001 1 <0.1 White paint or molding
WVA 2 2 1621 VII OF 7002 1 0.4Flat piece of chalky white substance, dark interior and one rounded edge
WVA 2 2 1621 VII OF 7002 3 6.5 Dark gray, lightweight porous rock with purple/orange spots
WVA 2 2 1621 VII OG 7001 1 32.8Melted shingle/rubber material, with brown glass, white fibers, a thin white fabric attached to white plastic or tape, red melted plastic, and small pieces of wood embedded in one side
WVA 2 2 1621 IV RA 4011 1 0.2 Cracked, hardened red balloon
WVA 2 2 1621 IV RA 4011 1 1.4Rectangular strip of black rubber, one side flat and one side with short tines, part of hairbrush?
WVA 2 2 1621 IV RC 4013 40 72 Shingle materials, 3 pieces with green coloring on top
WVA 2 2 1621 IV RD 4001 1 <0.1 Semi-transparent yellow tine
WVA 2 2 1621 IV RD 4014 1 0.2White curved plastic shard, raised lip on one edge, disposable fork or spoon?
WVA 2 2 1621 IV RD 4014 2 <0.1 Pink/faded red, small, thin and flat
WVA 2 2 1621 IV RD 4014 1 0.2 Orange, thin, slightly curved
WVA 2 2 1621 IV RD 4014 1 0.2Semi-transparent green, raised lip on one edge, one side textured with raised diamonds
WVA 2 2 1621 IV RD 4014 1 0.5 Purple bent strip of flexible plastic, milk jug tab?
WVA 2 2 1621 IV RD 4014 1 0.4 Black bent cylinder, raised letters "DURAFLE"
WVA 2 2 1621 IV RD 4014 1 0.6 Round, transparent plastic lid, "SOLO"
WVA 2 2 1621 IV RD 4014 1 <0.1 Thin, folded piece of stiff plastic, white on one side and green on the other
WVA 2 2 1621 IV RD 4014 2 3.8Flat piece of transparent plastic, raised lip on straight edge of one piece
WVA 2 2 1621 IV RD 4014 1 0.2 Semi-transparent blue chunk, raised line in center
WVA 2 2 1621 IV RD 4001 1 0.3 Multicolored plastic tine, mottled pink, white, and gray
WVA 2 2 1621 IV RD 4014 2 <0.1 Thin, flat, mottled yellow and blue, textured orange on other side
WVA 2 2 1621 IV RD 4014 5 <0.1 Thin pieces of crumpled transparent film
WVA 2 2 1621 IV RD 4012 1 <0.1 Thin (or flattened) yellow styrofoam
WVA 2 2 1621 IV RD 4014 1 <0.1 Small, thin rectanglular strand of brown film (cassette tape?)
WVA 2 2 1621 IV RD 4014 1 <0.1 White plastic film, blue lettering "spoons" and "crumbs."
WVA 2 2 1621 IV RD 4014 1 <0.1 Glossy light green plastic film with ridges and white stripe along bottom of piece
WVA 2 2 1621 IV RD 4014 1 <0.1 Metal green plastic film with ridges, silver foil visible inside, white partial lettering on green side "g)"
WVA 2 2 1621 IV RD 4014 1 <0.1 Yellow and white and transparent plastic layers of film fused, corner piece, dark green lettering "AL," "RECOT," "FUSS-6102 " "5710 " "12640"
WVA 2 2 1621 IV RD 4013 1 0.2 Red coating
WVA 3 2 1622 VII OA 7001 6 41.8
WVA 3 2 1622 VII OE 7006 1 <0.1 Red thread (portion in center surged to another red thread)
WVA 3 2 1622 VII OE 7006 1 <0.1 Purple thread
WVA 3 2 1622 VII OE 7006 2 <0.1 Long pieces of blue thread tied together
WVA 3 2 1622 VII OE 7005 1 <0.1 Torn portion of fabric, possibly white
WVA 3 2 1622 IV RC 4013 44 58 4 green, 4 red
WVA 3 2 1622 IV RC 4014 1 0.6Black hardened rubber corner (2 straight sides) with yellowed coating, faded blue lines in "T" shape
WVA 3 2 1622 IV RD 4012 1 <0.1 Styrofoam
WVA 3 2 1622 IV RD 4014 1 <0.1 Thin piece of crumpled film, white on one side, yellow-green on the other
WVA 3 2 1622 IV RD 4014 2 <0.1 Small, thin pieces of crumpled transparent film
WVA 3 2 1622 IV RD 4014 1 <0.1 Small, thin piece of yellow film (wrapper?), red letters "ARTER," "5235," "Coast," "G"
WVA 3 2 1622 IV RD 4014 1 <0.1 Small, thin rectangle of brown film (cassette tape?)
WVA 3 2 1622 IV RD 4014 2 0.3 Transparent hollow cylinder and partial cylinder
WVA 3 2 1622 IV RD 4014 1 0.3White broken off piece of disposable silverware handle, raised edges, three stright sides
WVA 3 2 1622 IV RD 4014 1 <0.1 Transparent, bendable, flat rectangular piece of blue plastic
WVA 3 2 1622 IV RD 4014 1 <0.1 White, slightly rounded but still flat, thin, stiff plastic
WVA 3 2 1622 IV RD 4014 2 0.6 Black, flat, thin, stiff plastic
WVA 3 2 1622 IV RD 4014 1 0.4 Pink plastic "G" shape attached to a bead with hole in center
WVA 3 2 1622 IV RD 4014 1 0.2 Yellowed plastic rectangle, circular bump on one side
WVA 3 2 1622 IV RD 4014 1 0.2 Stiff, rounded flat piece of red plastic
WVA 3 2 1622 IV RD 4014 1 <0.1 Thin, flat,stiff orange-red curved plastic, broken sliver of raised edge or corner
WVA 3 2 1622 IV RD 4014 1 4.6
Melted piece of rectangular plastic, credit-card sized, faded white on one side with black (magnetic?) strip, burned yello-brown to black on the other side with red lettering "Sign Here" following by a white strip, "ard is a Federal Registered Trademark of XCP" "nsert " "Venda d"
WVA 3 1b 1623 IV RC 4013 4 8
WVA 2 3a 1624 VII OA 7001 7 41.2
WVA 2 3a 1624 IV RA 4011 1 1 Cracked, hardened rubber band, oval shape
WVA 2 3a 1624 IV RC 4013 28 22.4 1 red and 4 green pieces
WVA 2 3a 1624 IV RC 4011 1 <0.1 Thin, stiff, flat, black on one side, red/brown on the other side
WVA 2 3a 1624 IV RD 4014 2 <0.1 Small, thin pieces of crumpled transparent film
WVA 2 3a 1624 IV RD 4014 1 <0.1 Very small semi-transparent piece of green film
WVA 2 3a 1624 IV RD 4001 1 0.2 Multicolored plastic tine, mottled pink, white, and gray
WVA 2 3a 1624 IV RD 4014 1 0.2 Gray flat rectangle, curved lip along one long edge
WVA 2 3a 1624 IV RD 4014 1 <0.1 Thin, partially curved yellow chunk
WVA 2 3a 1624 IV RD 4014 1 <0.1 Small yellow rectangle, very slightly raised edges
WVA 2 3a 1624 IV RD 4014 1 0.2 Semi-transparent stiff, thin pink plastic
WVA 2 3a 1624 IV RD 4014 1 <0.1 Pale yellow sliver of plastic, grid pattern on one side
WVA 3 3a 1625 VII OA 7001 1 1
WVA 3 3a 1625 VII OA 7001 2 6.3
WVA 3 3a 1625 VII OE 7006 1 <0.1 Strands of black thread, surged
WVA 3 3a 1625 VII OF 7002 2 0.4 Crumpled or compressed silver foil/paper
WVA 3 3a 1625 IV RC 4013 3 3 All 3 green
WVA 3 3a 1625 IV RC 4013 10 4.4 5 green, 3 red coating
WVA 3 3a 1625 IV RD 4014 1 <0.1 Thin piece of crumpled film, white on one side, yellow-green on the other with black lettering "BCBC"
WVA 3 3a 1625 IV RD 4003 1 1.1 Partially visible intaglio letters, "or" and swirly design
WVA 3 3a 1625 IV RD 4014 1 <0.1 Flat black triangle with rounded point, doesn't look like comb tine (too thin)?
WVA 3 3a 1625 IV RD 4014 1 0.2 Light blue cylindrical bead with silver sparkles
WVA 3 3a 1625 IV RD 4014 2 <0.1 Thin pieces of crumpled film, white on one side, yellow-green on the other
WVA 3 3a 1625 IV RD 4014 1 <0.1 Orange, thin, flat but slightly curved, ridge through center of concave side
WVA 3 3a 1625 IV RD 4014 1 <0.1 Thin, flat green shard
WVA 3 3b 1626 VII OA 7001 54 189
WVA 3 3b 1626 VII OA 7001 3 1878
WVA 3 3b 1626 VII OE 7006 1 <0.1 White fibers
WVA 3 3b 1626 IV RC 4013 30 21 9 green, 5 red
WVA 3 3b 1626 IV RD 4002 1 4.7Small, black, snapped off one side, faded letters "Harva (?) MARK"
WVA 3 3b 1626 IV RD 4014 1 2.7 White disposable knife, handle melted/chewed
WVA 3 3b 1626 IV RD 4014 1 7Snapped-off black rectanglular end narrows to 2-sided pointed oval with raised lip, uncentered hole, pipe stem?
WVA 3 3b 1626 IV RD 4005 1 2.1Yellow brown convex, half-sphere button, eyelet on back, spiral straitions from center, one side smooshed/melted
WVA 3 3b 1626 IV RD 4014 1 <0.1 Green, thin shard
WVA 3 3b 1626 IV RD 4014 2 <0.1 Black, thin, brittle
WVA 3 3b 1626 IV RD 4014 1 <0.1 Black, very thin, flexible
WVA 3 3b 1626 IV RD 4014 1 <0.1 Small yellow square, flat on one side, white powder on other side, 2 rounded humps with depression along center
WVA 3 3b 1626 IV RD 4004 1 0.6 Smooth black, one eyelet on back
WVA 3 3b 1626 IV RD 4014 1 0.5Yellowed, flat round piece connected to small half-cylinder by thin cylinder…fastener?
WVA 3 3b 1626 IV RD 4004 1 0.4 Gray, 4 holes
WVA 3 3b 1626 IV RD 4004 2 1.9 White, 4 holes
WVA 3 3b 1626 IV RD 4004 1 0.3 White, semi-transparent and small, 2 holes
WVA 3 3b 1626 IV RD 7014 1 1 Red multi-sided geometic bead
WVA 3 3b 1626 IV RD 7014 1 0.5 Red, spherical semi-transparent bead
WVA 2 3b 1627 VII OA 7001 7 44
WVA 2 3b 1627 VII OA 7001 5 6.5
WVA 2 3b 1627 VII OA 7001 5 3.9
WVA 2 3b 1627 VII OE 7005 2 <0.1 Purple fabric flowers, 1 plastic stem
WVA 2 3b 1627 VII OE 7006 4 1.5 White/gray stuffing
WVA 2 3b 1627 VII OE 7006 1 <0.1 White and blue strands
WVA 2 3b 1627 VII OE 7006 1 <0.1 Red carpet fiber
WVA 2 3b 1627 VII OE 7005 1 <0.1 Woven blue fabric
WVA 2 3b 1627 VII OF 7002 19 85Dark gray, lightweight porous rock, surface has red, purple or orange tint
WVA 2 3b 1627 VII OF 7002 1 0.2 Black and yellow, melted plastic? 2 fused layers?
WVA 2 3b 1627 VII OF 7002 1 <0.1 Stiff, thin, white, green, and brown flat shape
WVA 2 3b 1627 VII OG 7007 1 13.9 Red, bottom half melted
WVA 2 3b 1627 VII OG 7002 1 4.4 Melted white.semi-transparent plastic around gray fabric/fiber
WVA 2 3b 1627 IV RA 4011 2 0.2 Black rectangle, curved
WVA 2 3b 1627 IV RC 4013 27 19.8 5 pieces with green coating
WVA 2 3b 1627 IV RC 4013 7 1.9
WVA 2 3b 1627 IV RC 4011 1 <0.1 Black base, thin red /white coating
WVA 2 3b 1627 IV RD 4004 1 <0.1 White, semi-transparent and small, 2 holes
WVA 2 3b 1627 IV RD 4004 1 0.5 Red, concave, pearly finish, one eyelet on back
WVA 2 3b 1627 IV RD 4014 1 <0.1 Flat, thin black rectangle, comes to point on one side, textured
WVA 2 3b 1627 IV RD 4014 1 3.1 White wire cap
WVA 2 3b 1627 IV RD 4001 1 <0.1 Red, semi-transparent tine
WVA 2 3b 1627 IV RD 4014 2 10.6Pieces fit together, dark plastic covered in copper paint, ridge along one end and another wall/ridge parallel alongside it
WVA 2 3b 1627 IV RD 4014 1 2 Long shard, stiff, transparent, raised lip on one end
WVA 2 3b 1627 IV RD 4014 1 0.3 Small chunk white plastic, 3 straight sides, 1 with raised lip
WVA 2 3b 1627 IV RD 4014 1 0.8Black, rounded piece with a hole and raised lip around the hole in the center, rectangular piece on one side
WVA 2 3b 1627 IV RD 4014 1 0.4Long pink cylindrical tine, chewed or melted on one end, depressed oval on the other end
WVA 2 3b 1627 IV RD 4014 1 <0.1Lime green oval shape, mold seam along center, one flat side, thin cylindrical piece snapped off
WVA 2 3b 1627 IV RD 4014 4 0.2Brittle, thin, yellowed plastic; one piece curved with some silver paint on convex side
WVA 2 3b 1627 IV RD 4014 1 <0.1 White sliver, raised lip on one side
WVA 2 3b 1627 IV RD 4014 1 <0.1 Very small stiff, thin, and transparent folded piece of plastic
WVA 2 3b 1627 IV RD 4014 1 0.3Stiff, crumpled piece of semi transparent plastic, pink irridescent costing
WVA 2 3b 1627 IV RD 4014 1 20.3White rectangle, flat (but textured) on one side with parallel ridges and raised edges on the other, two tabs on either short end (one broken)
WVA 2 3b 1627 IV RD 4014 3 2Melted plastic, large piece white on one side with green and yellow portions, 2 small pieces the same green color
WVA 2 3b 1627 IV RD 4014 1 0.6 Yellow, flat, one partial corner/raised edge
WVA 2 3b 1627 IV RD 4014 1 <0.1 Very small, thin, metallic green
WVA 2 3b 1627 IV RD 4014 1 <0.1 Red and transparent crumpled plastic film
WVA 2 3b 1627 IV RD 4014 1 <0.1 Very thin, white, crumpled film
WVA 2 3b 1627 IV RD 4014 1 <0.1 Long, thin, semi-transparent piece of pink film
WVA 2 3b 1627 IV RD 4014 2 <0.1 Thin film, white on one side, green on the other with white, yellow, and black text, fruit snack wrapper?
WVA 2 3b 1627 IV RD 4014 9 0.3 Thin pieces of crumpled transparent film
WVA 2 3b 1627 IV RD 4014 5 <0.1 Very thin, crumpled pieces of opaque/milky film, shopping bag?
WVA 2 3b 1627 IV RD 4014 1 <0.1 White, smooth rectangular film, ribbon, or strip of tape?
WVA 2 3b 1627 IV RD 4014 1 <0.1 White corner piece of wrapper, foil or film
WVA 2 3b 1627 IV RD 4014 1 <0.1 Thin, semi-transparent rectangular strip of pink(tinted/faded) film
WVA 2 3b 1627 IV RD 4014 1 <0.1 Small, thin piece of crumpled transparent film
WVA 2 3b 1627 IV RD 4014 1 <0.1 Very thin, brittle opaque white plastic, one side has orange (rust?) discoloration
WVA 2 3b 1627 IV RD 4014 1 <0.1 Thin, stiff, nearly flat but slightly curved, black rectangular piece of plastic
WVA 2 3b 1627 IV RD 4011 1 0.4Trapezoidal piece of white plastic with three rasied, curved ridges
WVA 2 4b 1628 VII OA 7001 1 0.3
WVA 2 4b 1628 VII OE 7006 1 <0.1 Thin white string/strand of fibers
WVA 2 4b 1628 VII OF 7002 2 0.9
WVA 2 4b 1628 IV RA 4011 2 0.7 Cracked, hardened rubber band pieces, 2 pieces form oval
WVA 2 4b 1628 IV RD 4014 6 0.2 Brittle, thin, yellow plastic
WVA 2 4b 1628 IV RD 4014 1 1.4 Red chewed pen cap
WVA 2 4b 1628 IV RD 4014 1 <0.1 Small, thin rectanglular strand of brown film (cassette tape?)
WVA 2 4b 1628 IV RD 4014 1 <0.1 Small rectangular strand of plastic film, silver on one side, gold on the other
WVA 2 4b 1628 IV RD 4011 1 0.2 Triangular piece of white plastic, one raised corner
WVA 3 4a 1629 VII OA 7001 4 19.1
WVA 3 4a 1629 IV RD 4011 1 <0.1 Concave disc, brown and black spotted pattern inside and black on outside
WVA 2 4a 1630 VII OA 7001 4 6.8
WVA 2 4a 1630 VII OE 7006 1 <0.1 Brown/dirty string, appears to be carpeting fiber
WVA 2 4a 1630 VII OE 7005 1 <0.1 Rectangular fruit of the loom tag, "size 6"
WVA 2 4a 1630 VII OF 7002 1 5.5Dark gray, lightweight porous rock, surface has red, purple or orange tint
WVA 2 4a 1630 VII OF 7002 2 0.4One rounded edge, thick layer of black and thinner white coating
WVA 2 4a 1630 IV RA 4011 1 <0.1 Flexible, textured, light green
WVA 2 4a 1630 IV RC 4013 1 0.7 Green coating
WVA 2 4a 1630 IV RC 4013 1 0.5
WVA 2 4a 1630 IV RC 4011 2 0.2 Black base, thin red /white coating
WVA 2 4a 1630 IV RD 4012 1 <0.1 Styrofoam
WVA 2 4a 1630 IV RD 4014 1 <0.1 Thin piece of crumpled transparent film
WVA 2 4a 1630 IV RD 4014 1 <0.1 Stiff, thin, transparent piece of plastic
WVA 2 4a 1630 VII RD 4014 9 0.7 Brittle, thin, yellowed plastic
WVA 2 4a 1630 IV RD 4014 1 <0.1 Long, thin, semi-transparent piece of pink film
WVA 2 4a 1630 IV RD 4004 1 <0.1 White and small, 4 holes
WVA 2 4a 1630 IV RD 4004 1 1.1 Large, yellow-white, rim around outside, 2 holes
WVA 2 4a 1630 IV RD 4004 1 1 Medium, tellow, smooth pearly surface, one eyelet on back
WVA 2 4a 1630 IV RD 4014 1 0.5 Black, trapezoidal, raised circles on one side
WVA 2 4a 1630 IV RD 4014 1 0.3Curved triangular sliver, yellow on concave side, purple/blue on convex with partially visible text "Health Services"
WVA 2 4a 1630 IV RD 4014 1 <0.1 Flat, thin black rectangle, comes to point on one side, textured
WVA 2 4a 1630 IV RD 4001 1 0.2 Rounded, black
WVA 2 4a 1630 IV RD 4014 2 0.3Pink, nearly oval shapes, thinner at snapped off side, circular holes at wider end, one flat and one rounded surface, 1 piece has raised lettering "10 U.S.A."
WVA 2 4a 1630 IV RD 4011 1 0.2Triangular piece of white plastic with a split down the center, one raised corned and slight circular impressions
WVA 2 4c 1631 IV OA 7001 1 20.4 1/2 of surface has oxidation
WVA 2 4c 1631 VII OE 7006 1 <0.1 Brown/dirty string, appears to be carpeting fiber
WVA 2 4c 1631 VII OF 7002 1 <0.1 Orange-brown strip of foam or sponge
WVA 2 4c 1631 VII OF 7002 8 87Dark gray, lightweight porous rock,1/2 of surface has red, purple or orange tint
WVA 2 4c 1631 IV RC 4013 12 3.5 4 portions have green coloring
WVA 2 4c 1631 IV RC 4013 1 0.2 Shingle materials with red and white layers of flaking material
WVA 2 4c 1631 IV RC 4013 7 2.7 One piece with green coating
WVA 2 4c 1631 IV RD 4014 14 0.2 Small, thin pieces of crumpled transparent film
WVA 2 4c 1631 IV RD 4014 1 0.8Three sided clear plastic corner, small hole in one side (casette tape case?)
WVA 2 4c 1631 IV RD 4014 1 <0.1 Very small semi-transparent piece pink plastic, somewhat wavy
WVA 2 4c 1631 VII RD 4014 4 <0.1 Brittle, thin, yellowed plastic
WVA 2 4c 1631 IV RD 4014 1 <0.1 Small tube of transparent plastic, probably a bead
WVA 2 4c 1631 IV RD 4014 1 0.8 Yellow, partial sphere
WVA 2 4c 1631 IV RD 4014 1 <0.1 One side silver, one side yellow, red, blue and green plastic film, partial letter "d" (candy wrapper?)
WVA 2 4c 1631 IV RD 4011 2 0.5Layers of white, flexible material with top layer of brittle green-yellow plastic
WVA 3 4b 1632 VII OE 7006 1 <0.1 White string/fiber, possibly carpet
WVA 2 5a 1633 VII OA 7001 13 21.3 White, chalky, very easy to break
WVA 2 5a 1633 VII OA 7001 1 14.6
WVA 2 5a 1633 VII OC 7002 1 2.2
WVA 2 5a 1633 VII OF 7002 1 1.2Dark gray, lightweight porous rock,1/2 of surface has red/purple tint
WVA 2 5a 1633 VII OG 7002 1 0.6 Round yellow bead or button partially covered in cement
WVA 2 5a 1633 IV RD 4014 1 <0.1Clear half ring of stiff clear plastic, broken off ridges along both edges
WVA 3 5a 1634 VII OF 7002 4 5.8Dark gray, lightweight porous rock, surface has orange, red, and purple
WVA 3 5a 1634 VII OF 7002 1 2.4 Dark gray, lightweight porous rock with red/purple tint
WVA 3 5a 1634 IV RC 4013 1 0.5 Green coating
WVA 3 5a 1634 IV RD 4014 1 <0.1 Faded white piece of thin plastic film, white lettering in blue curving lines "PEPPERMINT FLAVOR" and "CHEWING GUM," between them in faded red letters "Canel's"
WVA 2 5b 1635 VII OA 7001 6 8.6
WVA 2 5b 1635 IV RC 4013 7 8.9
WVA 2 5b 1635 IV RD 4014 1 <0.1 Very thin, white, crumpled film
WVA 2 5b 1635 IV RD 4014 1 <0.1 Corner of plastic packet, white with red and green image, multiple layers
WVA 3 5b 1636 VII OF 7002 15 70Dark gray, lightweight porous rock, 1/2 of surface has red, pruple or orange tint
WVA 2 6 1637 VII OF 7002 2 0.6 Orange-brown strip of foam or sponge
WVA 2 6 1637 IV RC 4013 4 5.1
WVB 3 2 1639 VII OA 7001 3 14.6
WVB 3 2 1639 VII OC 7002 1 0.4
WVB 3 2 1639 VII OE 7005 1 <0.1 Blue petals of fabric flower, plastic center
WVB 3 2 1639 VII OE 7006 2 5.4 White carpet, very hard base
WVB 3 2 1639 VII OE 7006 1 <0.1 White threads stuck together
WVB 3 2 1639 VII OE 7006 2 <0.1 Batting or stuffing
WVB 3 2 1639 VII OF 7002 1 <0.1 One side silver, one side red crumpled foil (candy wrapper?)
WVB 3 2 1639 VII OF 7001 2 171Large chunks of melted and folded plastic molding or building material, dark gray and aged white/yellow, partially visible embossed serial numbers on one piece
WVB 3 2 1639 VII OF 7001 11 35.1
Chunks of melted and unmelted plastic molding/building material, still primarily dark gray on one side and glassy yellow on the other, many of these pieces are flat and have stright edges or ridges
WVB 3 2 1639 VII OF 7002 1 0.3 Red painted pebble/fake rock
WVB 3 2 1639 VII OG 7008 1 <0.1 Very small piece of light blue paint
WVB 3 2 1639 VII OG 7002 1 68Large chunk of melted blue (glossy, smooth) plastic, embedded white surged thread, black knit fabric and black tape or plastic film
WVB 3 2 1639 IV RA 4011 1 <0.1 Hardened rubber, flat rectangular strip, with one smooth side and one side with pattern of zigzag lines
WVB 3 2 1639 IV RC 4013 24 31 6 pieces with red coating and 3 pieces with green
WVB 3 2 1639 IV RD 4014 1 <0.1 Yellowed piece of thin, stiff transparent plastic
WVB 3 2 1639 IV RD 4014 1 0.2Transparent, nearly rectangular snapped off chunk, raised circle on one side
WVB 3 2 1639 IV RD 4014 1 <0.1 Flat broken circle with hole in center, transparent
WVB 3 2 1639 IV RD 4012 2 0.3 Styrofoam
WVB 3 2 1639 IV RD 4014 1 <0.1 Very thin, crumpled piece of opaque/milky film, shopping bag?
WVB 3 2 1639 IV RD 4014 16 0.4 Thin pieces of crumpled transparent film
WVB 3 2 1639 IV RD 4014 8 0.2Plastic film, one side metallic silver, other side yellow, red, blue, white,or black imagery, text "LANCE POTATO CH," "Don’t go 'round hun," "special"
WVB 3 2 1639 IV RD 4014 1 <0.1 Very thin torn piece of opaque white plastic film, plastic shopping bag
WVB 3 2 1639 IV RD 4012 1 <0.1 Styrofoam
WVB 3 2 1639 IV RD 4012 1 5.2 Yellow and red cat-eye marble, chipped
WVB 3 2 1639 IV RD 4014 1 22Plastic bag melted around rusted nails, nails make up the majority of the weight
WVB 3 2 1639 IV RD 4001 1 <0.1 Flat, triangular blue-tinted plastic tine
WVB 3 2 1639 IV RD 4014 1 <0.1 Semi-transparent stiff, thin pink plastic, slightly curved, raised bumps on convex side
WVB 3 2 1639 IV RD 4014 1 1.2 Yellow plastic hair barrette
WVB 3 2 1639 IV RD 4014 1 0.5 Flat red disk with textured edge, poker or game chip
WVB 3 2 1639 IV RD 4004 5 1.6Buttons, two yellow with four holes that appear to match and three white, none of which match (one has four holes and two have two, but they are different sizes)
WVB 3 2 1639 IV RD 4014 1 0.6 Green electrical wirecap
WVB 3 2 1639 IV RD 4014 1 0.4Transparent, stiff plastic, with a slight bend and pattern of raised bumps on one side
WVB 3 2 1639 IV RD 4014 1 0.4 Thin, gray circular cap or seal, slightly raised edge
WVB 3 2 1639 IV RD 4014 1 10.6Black cylinder, broken lipstick lid with silver text and line "TRUCCO" on side and "SEBASTIAN INT'L USA" in raised lettering on the bottom
WVB 3 2 1639 IV RD 4014 1 0.9Stiff, flat piece of red plastic with an odd shape, including a small oval divet
WVB 3 2 1639 IV RD 4014 1 1.4Thick curve of red plastic, depressed center and raised edges, one end looks torn and partially melted
WVB 3 2 1639 IV RD 4014 2 1.1Long, thin but stiff pieces of transparent plastic, both have raised lip and the longer piece has another bend.change in level near the bottom
WVB 3 2 1639 IV RD 4014 1 0.6Orange-yellow plastic, one edge is folded over on itself and rounded, the other has only one layer and a snapped edge
WVB 3 2 1639 IV RD 4014 3 0.3Very thin, crumpled piece of opaque/milky film, shopping bag?
WVB 3 2 1639 IV RD 4014 8 0.5 Thin pieces of crumpled transparent film
WVB 3 2 1639 IV RD 4014 2 <0.1 Stiff, thin, transparent pieces of plastic, diamond embossed pattern
WVB 3 2 1639 IV RD 4014 1 <0.1 Transparent tube of plastic film, straw wrapper
WVB 3 2 1639 IV RD 4014 1 <0.1 Chewed/torn portion of white plastic straw, 2 red stripes
WVB 3 2 1639 IV RD 4014 1 <0.1 End piece of torn or cut clear plastic straw
WVB 3 2 1639 IV RD 4014 4 0.7Rectangular strips of stiff plastic, one side with brown with white polka dots and some other patterns, the other side is white with grooves like the closures of a ziploc bag
WVB 3 2 1639 IV RD 4014 2 <0.1 Small chunks of porous/melted plastic, black and yellow
WVB 3 2 1639 IV RD 4014 2 0.2Yellow, orange, red and black plastic film, black lettering "BAR-B / FLAVORED /POTATO"
WVB 3 2 1639 IV RD 4014 4 0.2Tranparent plastic with metallic tint and yellow, black, red and blue striping or partial coloring
WVB 3 2 1639 IV RD 4014 1 <0.1 Transparent plastic film with partial black lettering, "OZ.85"
WVB 3 2 1639 IV RD 4011 2 <0.1 Flat rectangular strips of plastic or ribbon, yellow, red, and white pattern/coloring on one side, white on the other --fraying
WVB 3 2 1639 IV RD 4014 3 <0.1 Thin plastic film with white and pink coloring, partial black barcode
WVB 3 2 1639 IV RD 4014 1 <0.1 Transparent plastic film with yellow, white, pink, and blue text and imagery, little girl with hat, "PATTYCAKE"
WVB 3 2 1639 IV RD 4014 1 0.6Opaque plastic inside metalic wrapper, blue and white, black text "My", "Upjohn", and "Ointment"
WVB 3 2 1639 IV RD 4014 1 <0.1 White smooth rectangular film, forms a corner
WVB 3 2 1639 IV RD 4014 1 <0.1 White brittle film, two pieces fused, one white and slightly textured with dots and th other cracked and brown
WVB 3 2 1639 IV RD 4014 2 0.3 Off-white glossy brittle plastic, some black discoloration
WVB 3 3 1640 VII OA 7001 7 27.8 1 piece discolored by oxidation
WVB 3 3 1640 VII OA 7001 7 8.5
WVB 3 3 1640 VII OE 7006 1 <0.1 White stuffing
WVB 3 3 1640 VII OE 7006 1 <0.1 White or gray strands wrapped together, yarn or carpet?
WVB 3 3 1640 VII OE 7006 1 <0.1 Red carpet fiber
WVB 3 3 1640 VII OE 7006 1 <0.1 Small chunk white fibers, potentially a cigarette filter?
WVB 3 3 1640 VII OF 7001 2 38.9
Large chunks of partially plastic molding or building material, dark gray and aged white/yellow, both pieces are relatively flat, the larger piece is long and straight, has an embedded and rusted metal staple
WVB 3 3 1640 VII OF 7001 1 1Pink/white material with one flattened side containing three raised bumps, possibly plaster
WVB 3 3 1640 VII OF 7002 1 0.2 Stiff, thin, partial cylinder, mottled green and tan
WVB 3 3 1640 VII OF 7002 2 <0.1 Very small, broken gray cylinder, possibly graphite from a pencil
WVB 3 3 1640 VII OF 7002 6 5.8Dark gray, lightweight porous rock,1/2 of surface has red/purple tint
WVB 3 3 1640 VII OF 7002 1 0.2 Rounded corner of chalky white substance
WVB 3 3 1640 VII OF 7002 1 0.2 Green painted white pebble/fake pebble
WVB 3 3 1640 VII OG 7002 1 3.6Curve of plaster or other white material coated in black rubber/plastic
WVB 3 3 1640 VII OG 7001 1 1.9 Concrete and brick
WVB 3 3 1640 IV RC 4013 4 3.5
WVB 3 3 1640 IV RC 4013 9 10.9
WVB 3 3 1640 IV RC 4011 5 0.5Thin, flexible plastic pieces, white and textured on one side, smooth and mottled yellow and brown on the other side
WVB 3 3 1640 IV RC 4011 1 0.3Thin piece of plastic, white and textured on one side, brown grid pattern with black spots on the other side
WVB 3 3 1640 IV RD 4001 1 <0.1 Red, semi-transparent tine
WVB 3 3 1640 IV RD 4014 2 <0.1 Brittle, thin yellowed plastic
WVB 3 3 1640 IV RD 4014 1 <0.1 Portion of white drinking straw, red stripes
WVB 3 3 1640 IV RD 4014 1 <0.1 Stiff, thin, transparent piece of plastic
WVB 3 3 1640 IV RD 4014 1 <0.1 Thin transparent film with ribbed texture and red stripe
WVB 3 3 1640 IV RD 4014 1 <0.1 very thin, white, semi-transparent
WVB 3 3 1640 IV RD 4014 1 <0.1 Very small white, flexible
WVB 3 3 1640 IV RD 4014 1 2.7Semi-transparent, brown, cracked plastic cylinder, hollow, thinner on one side with raised lip, grooves on inside of other end
WVB 3 3 1640 IV RD 4014 1 <0.1 White cylinder, inflexible, grooves on either side for most of portion's length
WVB 3 3 1640 IV RD 4014 1 0.3 Pearly, light pink/white, curved corner makes up one side
WVB 3 3 1640 IV RD 4014 3 0.2 Yellow and black, ripples/ridges, melted plastic?
WVB 3 3 1640 IV RD 4014 1 <0.1 Stiff, thin plastic, one side textured white, one side patterned yellow and brown
WVB 3 3 1640 IV RD 4014 1 0.9 Melted chunk of red plastic, nonspecific shape
WVB 3 3 1640 IV RD 4014 1 2.6 Black toy tire with white rim, raised letters on tire
WVB 3 3 1640 IV RD 4014 1 0.3 Pink letter "L" attached to round bead
WVB 3 3 1640 IV RD 4014 1 0.6 White plastic cap with rectangular piece for attachment
WVB 3 3 1640 IV RD 4014 1 1.2 Black heart with decorative raised designs on both sides
WVB 3 3 1640 IV RD 4014 1 0.3 Purple bead with embedded silver glitter
WVB 3 3 1640 IV RD 4001 1 <0.1 Flat, triangular blue-tinted plastic tine
WVB 3 3 1640 IV RD 4004 1 1.1 Round white button, two holes
WVB 3 3 1640 IV RD 4014 1 <0.1 Chewed/torn portion of white plastic straw, 2 red stripes
WVB 3 3 1640 IV RD 4014 1 <0.1 End piece of torn or cut clear plastic straw
WVB 3 3 1640 IV RD 4014 1 0.3 Triangular piece of flat black plastic, ridges on one side
WVB 3 3 1640 IV RD 4012 2 <0.1 Styrofoam
WVB 3 3 1640 IV RD 4014 1 3.8 Cracked black ball, portion of white suggests originally white
WVB 3 3 1640 IV RD 4014 1 <0.1 Orange, thin, slightly curved
WVB 3 3 1640 IV RD 4014 1 <0.1 Light orange small sqaure of plastic, slightly bent/curved
WVB 3 3 1640 IV RD 4014 2 <0.1 Pale yellow pieces of plastic, grid pattern on one side
WVB 3 3 1640 IV RD 4014 1 0.2 Light pink plastic bend
WVB 3 3 1640 IV RD 4014 1 0.2 Thin, flat piece of pale green plastic with ridges on one side
WVB 3 3 1640 IV RD 4014 1 0.7 Small black cylindrical cap, green and orange discoloration
WVB 3 3 1640 IV RD 4014 1 <0.1 Very small sliver of flat black and white speckled plastic
WVB 3 3 1640 IV RD 4014 56 1.4 Small, thin pieces of crumpled pieces transparent film
WVB 3 3 1640 IV RD 4014 8 0.2Thin, crumpled film with faded red coloring, yellow logo and black text, McDonald's ketchup packet
WVB 3 3 1640 IV RD 4014 1 <0.1 White, smooth rectangular film, ribbon, or strip of tape?
WVB 3 3 1640 IV RD 4014 10 0.2Stiff, thin, transparent pieces of plastic; two of the pieces have ridged texture and two have diamond embossed pattern
WVB 3 3 1640 IV RD 4014 4 <0.1Thin, brittle, white/opaque plastic, one piece has top of McDonald's "M" hump, plastic lid
WVB 3 3 1640 IV RD 4014 13 <0.1
Thin, crumpled film with orange or yellow coloring, some pieces have silver foil on back and some are faded/nearly transparent, some pieces have text in black or red and blue stripes letters read "IPS"
WVB 3 3 1640 IV RD 4014 1 <0.1Thin, crumpled film with red and white stripe and fragment of white text, "rack"
WVB 3 3 1640 IV RD 4014 2 <0.1Silver plastic foil, one piece has slight copper coloring on one side
WVB 3 3 1640 IV RD 4014 9 0.5 Very thin, very worn opaque plastic with metallic silver tint
WVB 3 3 1640 IV RD 4014 4 <0.1Very thin opaque plastic film, shopping bag? One piece has faded red lines, partial outlines of letters
WVB 3 3 1640 IV RD 4014 1 <0.1Light brown folded plastic with blue or faded black square logo, visible letter "M" within logo
WVB 3 3 1640 IV RD 4014 1 <0.1White, flexible strip of plastic tape or ribbon, red paint or paper flecks on one side and yellow flecks on the other side
WVB 3 3 1640 IV RD 4014 1 0.2 Small circular cap, edges broken off, teal color inside
WVB 3 3 1640 IV RD 4014 1 <0.1White strip of plastic fencing, "T" shape with squat body and long arms
WVB 3 F1 1641 VII OE 7005 1 4.6 Bright green yarn, several strands in a knot
WVB 3 F1 1641 VII OF 7002 10 0.7 Crumpled silver foil
WVB 3 F1 1641 IV RC 4011 1 1.8Thin curved piece of flexible plastic, white and textured on one side, smooth and mottled yellow brown, with lines indicating shapes and a decorative image in the lighter color
WVB 3 F1 1641 IV RD 4012 1 <0.1 Styrofoam
WVB 3 F1 1641 IV RD 4012 5 0.2 Styrofoam
WVB 3 F1 1641 IV RD 4014 5 0.7Stiff, thin, transparent pieces of plastic, 3 with diamond embossed pattern
WVB 3 F1 1641 IV RD 4014 31 3.2 Crumpled transparent film
WVB 3 F1 1641 IV RD 4014 2 0.6 Stiff, thin, opaque strips of plastic
WVB 3 F1 1641 IV RD 4014 1 0.8 Crumpled transparent film attached to red strip of plastic tape
WVB 3 F1 1641 IV RD 4014 1 <0.1Red, white and blue film, "BRAND", "CHEESE FLAVORED PU"
WVB 3 F1 1641 IV RD 4014 8 0.4Pink/faded red plastic film, with yellow and white stripes and black text
WVB 3 F1 1641 IV RD 4014 1 1.1Long rectangular strip of opaque white plastic, blue text "Fla-Vor Ice"
WVB 3 4a 1642 VII OC 7002 1 1.6
WVB 3 4a 1642 IV RC 4013 2 1.1 Both pieces have green coating
WVB 3 4b 1643 VII OA 7001 9 8.7
WVB 3 4b 1643 VII OE 7006 1 <0.1 White thread
WVB 3 4b 1643 VII OE 7006 1 <0.1 Batting or stuffing
WVB 3 4b 1643 VII OE 7006 1 <0.1 White thread/fiber
WVB 3 4b 1643 IV RA 4011 1 <0.1 Flat rectangular strip of hardened rubber
WVB 3 4b 1643 IV RC 4013 1 0.2 Green coating
WVB 3 4b 1643 IV RD 4012 4 0.2 Styrofoam
WVB 3 4b 1643 IV RD 4014 1 <0.1White brittle film, two pieces fused, one white and slightly textured with dots and th other cracked and brown
WVB 3 4b 1643 IV RD 4014 1 1.9White plastic cylinder or cap, two square holes and several ridges along the side
WVB 3 4b 1643 IV RD 4014 1 <0.1 White strip of plastic fencing, two sides of a triangle
WVB 3 4b 1643 IV RD 4014 5 0.2Thin, brittle, white/opaque plastic, several pieces have portion of raised McDonald's "M" hump, plastic lid
WVB 3 4b 1643 IV RD 4014 5 <0.1 Thin, brittle transparent plastic with ribbed texture
WVB 3 4b 1643 IV RD 4014 22 0.4 Small thin pieces of crumpled transparent film
WVB 3 4b 1643 IV RD 4014 2 <0.1 Silver foil/film
WVB 3 4b 1643 IV RD 4014 6 <0.1Crumpled transparent film with pink, yellow, and white coloring
WVB 3 4b 1643 IV RD 4014 1 <0.1 Crumpled plastic film, orange color, white and black text
Bon
eU
nit
Su
b-U
nit
Lev
elL
otM
ater
ial
Su
b-M
ater
iCla
ssQ
uan
tity
Wei
ght
(g)
Com
men
tsS
pec
ies
Ele
men
tM
odif
icat
ion
sC
ut
WV
A3
116
19V
IE
G60
091
0.2
Tw
o ho
led,
dia
met
er: 9
.7 m
m
WV
A3
116
19V
IE
J60
085
2.2
Bur
nt
WV
A3
116
19V
IE
J60
081
1.6
Saw
ed w
ood
chip
WV
A3
116
19V
IE
J60
32-
0.9
WV
A3
116
19V
IE
M60
413
1.9
WV
A3
116
19V
IE
N60
015
5.3
Bon
e fr
agm
ent
WV
A3
116
19V
IE
N60
401
0.6
Saw
ed
WV
A2
116
20V
IE
J60
32-
0.1
WV
A2
116
20V
IE
N60
013
0.7
Bon
e fr
agm
ent
WV
A2
216
21V
IE
J60
081
0.3
Has
gre
en p
aint
, bur
nt
WV
A2
216
21V
IE
J60
085
3.4
Bur
nt
WV
A2
216
21V
IE
J60
32-
2.4
WV
A2
216
21V
IE
N60
0114
7B
one
frag
men
t
WV
A2
216
21V
IE
N60
011
3.4
Has
met
al r
uste
d on
bon
e fr
agm
ent
WV
A2
216
21V
IE
N60
372
3.2
Bon
e fr
agm
ent
WV
A2
216
21V
IE
N60
401
0.3
Bon
e fr
agm
ent
Saw
ed
WV
A2
216
21V
IE
N60
403
4.6
Bon
e fr
agm
ent
Saw
ed
WV
A2
216
21V
IE
N60
401
0.3
Bon
e fr
agm
ent
Saw
ed a
nd b
urnt
WV
A3
216
22V
IE
B60
401
6.4
Sus
scr
ofa
or B
os
taur
us?
Saw
ed, s
ever
al c
ut
mar
ksR
ound
ste
ak
WV
A3
216
22V
IE
B60
401
3.1
Sm
all m
amm
alR
ight
hum
erus
Saw
ed p
art w
ay
thro
ugh,
then
br
oken
off
WV
A3
216
22V
IE
G60
091
0.5
Tw
o ho
led,
dia
met
er: 1
0.4
mm
WV
A3
216
22V
IE
J60
32-
0.9
WV
A3
216
22V
IE
M60
411
1.9
WV
A3
216
22V
IE
N60
013
2.7
Bon
e fr
agm
ent
WV
A3
216
22V
IE
N60
012
4.6
Has
met
al r
uste
d on
bon
e fr
agm
ent
WV
A3
216
22V
IE
N60
371
0.3
Bon
e fr
agm
ent
WV
A2
3A16
24V
IE
A60
011
1.4
Gal
lus
dom
esti
cus
(chi
cken
)H
ead
of r
ight
long
bon
e
WV
A2
3A16
24V
IE
B60
011
1S
mal
l mam
mal
Hea
d of
rig
ht u
lna
(?)
WV
A2
3A16
24V
IE
J60
083
37.1
Bur
nt
WV
A2
3A16
24V
IE
J60
083
4.3
Saw
ed li
ke a
rou
nd s
teak
cut
, tr
aces
of
whi
te p
aint
WV
A2
3A16
24V
IE
J60
32-
1.3
WV
A2
3A16
24V
IE
N60
011
0.5
Bon
e fr
agm
ent
Sha
ft w
ih p
arti
al h
ead
WV
A2
3A16
24V
IE
N60
0114
8.6
Bon
e fr
agm
ent
WV
A2
3A16
24V
IE
N60
374
2.9
Bon
e fr
agm
ent
WV
A2
3A16
24V
IE
N60
403
4.3
Bon
e fr
agm
ent
Saw
ed
WV
A2
3A16
24V
IE
N60
401
0.5
Bon
e fr
agm
ent
Saw
ed a
nd b
urnt
WV
A2
3A16
24V
IE
N60
402
3.5
Bon
e fr
agm
ent
Saw
ed to
p an
d bo
ttom
WV
A3
3A16
25V
IE
B60
011
2.5
Sus
scr
ofa
or B
os
taur
usS
awed
Por
k lo
in r
ib c
hops
or
beef
sha
nks
WV
A3
3A16
25V
IE
J60
32-
0.9
WV
A3
3A16
25V
IE
N60
014
1.7
Bon
e fr
agm
ent
WV
A3
3A16
25V
IE
N60
371
0.5
Bon
e fr
agm
ent
WV
A3
3B16
26V
IE
A60
011
0.7
Gal
lus
dom
esti
cus
Hea
d of
rig
ht lo
ng b
one
WV
A3
3B16
26V
IE
A60
011
1G
allu
s do
mes
ticu
sH
ead
of r
ight
long
bon
e (f
emur
?)
WV
A3
3B16
26V
IE
A60
011
1.4
Gal
lus
dom
esti
cus
Rig
ht lo
ng b
one
WV
A3
3B16
26V
IE
B60
012
1S
us s
crof
a or
Bos
ta
urus
Saw
edP
ork
loin
rib
cho
ps o
r be
ef s
hank
s
WV
A3
3B16
26V
IE
B60
011
4.5
Art
icul
ates
wit
h fe
mur
Fel
is c
atus
Hea
d of
rig
ht ti
bia
WV
A3
3B16
26V
IE
B60
011
1.3
Art
icul
ates
wit
h hu
mer
usF
elis
cat
usH
ead
of r
ight
uln
a
Saw
ed a
t sha
ft
half
way
, bro
ken
off
half
way
WV
A3
3B16
26V
IE
B60
011
4.4
Art
icul
ates
wit
h ti
bia
Fel
is c
atus
(d
omes
tic
cat)
Hea
d of
rig
ht f
emur
Saw
ed?
WV
A3
3B16
26V
IE
B60
011
3.1
Art
icul
ates
wit
h ul
naF
elis
cat
us
(dom
esti
c ca
t)H
ead
of r
ight
hum
orou
s
WV
A3
3B16
26V
IE
B60
011
0.5
Fel
is c
atus
Hea
d of
sm
all l
ong
bone
WV
A3
3B16
26V
IE
B60
011
2.6
Sm
all m
amm
alH
and
or f
eet b
one
(?)
look
like
big
pha
lang
e
WV
A3
3B16
26V
IE
B60
401
4.6
Odd
sha
pe, d
oesn
't lo
ok li
ke
long
bon
e sh
aft
Sus
scr
ofa
or B
os
taur
us?
Saw
edR
ound
ste
ak
WV
A3
3B16
26V
IE
B60
401
0.6
Fra
gmen
tS
us s
crof
a or
Bos
ta
urus
?S
awed
Rou
nd s
teak
?
WV
A3
3B16
26V
IE
D60
011
0.7
Gia
nt v
erte
brae
WV
A3
3B16
26V
IE
D60
014
0.8
Sm
all v
erte
brae
? A
ll
roug
hly
sam
e si
ze
WV
A3
3B16
26V
IE
G60
0910
6.5
All
two
hole
d, d
iam
eter
s:
9.5,
9.4,
16.
9,9.
5, 1
2.7,
14,
19
.2, 1
2.4,
14.9
, 14.
7 m
m, v
ery
frag
ile
WV
A3
3B16
26V
IE
G60
0921
0.3
Fra
gmen
t cou
nt in
accu
rate
be
caus
e so
man
y/fr
agil
e
WV
A3
3B16
26V
IE
J60
084
0.7
Bur
nt
WV
A3
3B16
26V
IE
J60
091
0.7
4 ho
led,
dia
met
er: 1
8 m
m
WV
A3
3B16
26V
IE
J60
32-
16.1
WV
A3
3B16
26V
IE
M60
4119
10.6
WV
A3
3B16
26V
IE
N60
011
0.4
Bon
e fr
agm
ent h
as g
reen
pa
int
Han
d or
fee
t bon
e (?
) lo
ok li
ke p
hala
nge
or
tail
?
WV
A3
3B16
26V
IE
N60
014
1.1
Bon
e fr
agm
ent
Sm
all m
amm
al?
Sm
all h
eads
of
vari
ous
shaf
ts
WV
A3
3B16
26V
IE
N60
018
1.2
Bon
e fr
agm
ent
Unk
now
n
Han
d or
fee
t bon
es (
?)
look
like
pha
lang
es o
r ta
il?
WV
A3
3B16
26V
IE
N60
0117
013
5.7
Bon
e fr
agm
ent
WV
A3
3B16
26V
IE
N60
011
0.4
Bon
e fr
agm
ent h
as g
reen
pai
nt
WV
A3
3B16
26V
IE
N60
3723
22.8
Bon
e fr
agm
ent
Bur
nt
WV
A3
3B16
26V
IE
N60
404
1.8
Bon
e fr
agm
ent
Sm
all m
amm
al?
Sm
all h
eads
of
vari
ous
shaf
tsS
awed
WV
A3
3B16
26V
IE
N60
401
0.5
Bon
e fr
agm
ent h
as g
reen
pai
ntS
awed
and
bur
nt
WV
A3
3B16
26V
IE
N60
404
2.9
Has
som
e m
etal
rus
t on
bone
f ra
gmen
tS
awed
WV
A3
3B16
26V
IE
N60
409
8.9
Saw
ed
WV
A3
3B16
26V
IE
N60
401
1W
VA
33B
1626
VI
EO
6033
33
Bur
nt s
late
WV
A2
3B16
27V
IE
B60
013
3S
us s
crof
a or
Bos
ta
urus
Saw
edP
ork
loin
rib
cho
ps o
r be
ef s
hank
s
WV
A2
3B16
27V
IE
B60
011
0.6
Sm
all m
amm
al
WV
A2
3B16
27V
IE
B60
018
5.1
Sus
scr
ofa
or B
os
taur
us
WV
A2
3B16
27V
IE
B60
403
3.8
Sus
scr
ofa
or B
os
taur
us?
Saw
ed
Pos
sibl
e lo
in c
hop
or t-
bone
or
chuc
k fr
agm
ents
WV
A2
3B16
27V
IE
B60
401
0.8
Sus
scr
ofa
or B
os
taur
us?
Saw
edP
ossi
ble
roun
d st
eak
cut
frag
men
t
WV
A2
3B16
27V
IE
B60
401
2.4
Med
ium
m
amm
al?
Rib
fra
gmen
tS
awed
on
one
end,
st
raig
ht c
ut d
own
WV
A2
3B16
27V
IE
J60
071
0.1
WV
A2
3B16
27V
IE
J60
087
2B
urnt
WV
A2
3B16
27V
IE
J60
082
0.7
Loo
ks li
ke b
ark
WV
A2
3B16
27V
IE
J60
085
0.9
Pai
nted
whi
te
WV
A2
3B16
27V
IE
J60
081
6.3
Pai
nted
whi
te a
nd b
urnt
WV
A2
3B16
27V
IE
J60
082
0.4
WV
A2
3B16
27V
IE
J60
091
0.6
4 ho
led,
dia
met
er: 1
8 m
m
WV
A2
3B16
27V
IE
J60
32-
14.6
WV
A2
3B16
27V
IE
M60
413
2W
VA
23B
1627
VI
EM
6041
20.
8W
VA
23B
1627
VI
EN
6001
10.
1B
one
frag
men
tF
ish?
WV
A2
3B16
27V
IE
N60
015
1.1
Bon
e fr
agm
ent
WV
A2
3B16
27V
IE
N60
373
1.3
Bon
e fr
agm
ent
WV
A2
3B16
27V
IE
N60
372
2.7
Iron
rus
t on
bone
fra
gmen
t
WV
A2
3B16
27V
IE
N60
406
12.2
Bon
e fr
agm
ent
Cut
mar
ks
WV
A2
4B16
28V
IE
B60
011
0.4
Sus
scr
ofa
or B
os
taur
usS
awed
Por
k lo
in r
ib c
hops
or
beef
sha
nks
WV
A2
4B16
28V
IE
D60
011
0.3
Ver
tebr
ae?
WV
A2
4B16
28V
IE
J60
32-
1.1
WV
A2
4B16
28V
IE
N60
012
0.3
Bon
e fr
agm
ent
WV
A2
4B16
28V
IE
N60
372
0.3
Bon
e fr
agm
ent
WV
A2
4B16
28V
IE
N60
402
1.8
Bon
e fr
agm
ent
Saw
ed to
p an
d bo
ttom
WV
A2
4B16
28V
IE
N60
401
2.4
Bon
e fr
agm
ent
WV
A3
4A16
29V
IE
J60
32-
5.2
WV
A3
4A16
29V
IE
M60
412
4.2
WV
A3
4A16
29V
IE
N60
011
0.2
Bon
e fr
agm
ent
Pos
sibl
e ph
alan
ge
WV
A3
4A16
29V
IE
N60
011
0.3
Bon
e fr
agm
ent
Sm
all c
ompl
ete,
tars
el
or c
arpe
l bon
e?
WV
A3
4A16
29V
IE
N60
0116
13B
one
frag
men
t
WV
A3
4A16
29V
IE
N60
011
0.3
Has
met
al r
uste
d on
bon
e fr
agm
ent
WV
A3
4A16
29V
IE
N60
375
5.3
Bon
e fr
agm
ent
WV
A3
4A16
29V
IE
N60
401
5.5
Bon
e fr
agm
ent
Big
mam
mal
?B
ig s
haft
Saw
ed
Saw
ed p
erpe
ndic
ular
, br
oken
off
a ti
ny b
it a
t on
e en
d
WV
A3
4A16
29V
IE
N60
401
0.3
Tin
y sh
aft a
nd h
ead
Saw
ed
perp
endi
cula
r
WV
A3
4A16
29V
IE
N60
402
1.2
Saw
ed
WV
A3
4A16
29V
IE
N60
402
1.5
Saw
ed to
p an
d bo
ttom
w
WV
A2
4A16
30V
IE
A60
011
0.8
Big
ger
than
chi
cken
, sm
alle
r th
an w
ild
turk
ey
Ver
tebr
ae th
at is
not
th
orac
ic n
or p
art o
f th
e sy
nsac
rum
WV
A2
4A16
30V
IE
B60
402
5.3
Sus
scr
ofa
or B
os
taur
us?
Saw
edP
ossi
ble
t bon
e, c
huck
or
loin
cut
WV
A2
4A16
30V
IE
B60
402
9.4
Sus
scr
ofa
or B
os
taur
us?
Saw
edR
ound
ste
ak
WV
A2
4A16
30V
IE
J60
32-
13.3
WV
A2
4A16
30V
IE
M60
411
3.1
WV
A2
4A16
30V
IE
N60
0120
10.6
Bon
e fr
agm
ent
WV
A2
4A16
30V
IE
N60
379
8.6
Bon
e fr
agm
ent
WV
A2
4A16
30V
IE
N60
405
10.6
Bon
e fr
agm
ent
Saw
ed
WV
A2
4C16
31V
IE
J60
0813
8B
urnt
woo
d
WV
A2
4C16
31V
IE
J60
32-
8.3
WV
A2
4C16
31V
IE
N60
011
0.1
Bon
e fr
agm
ent
Pos
sibl
e ph
alan
ge
WV
A2
4C16
31V
IE
N60
0122
22.9
Bon
e fr
agm
ent
WV
A2
4C16
31V
IE
N60
371
0.1
Bon
e fr
agm
ent
WV
A2
4C16
31V
IE
N60
401
1.4
Bon
e fr
agm
ent
Saw
ed
WV
A3
4B16
32V
IE
B60
402
2.5
Sus
scr
ofa
or B
os
taur
us?
Saw
edP
ossi
ble
t-bo
ne, c
huck
, or
cho
p?
WV
A3
4B16
32V
IE
B60
401
8S
us s
crof
a or
Bos
ta
urus
?S
awed
Rou
nd s
teak
WV
A3
4B16
32V
IE
D60
011
2B
ig v
erte
brae
WV
A3
4B16
32V
IE
J60
32-
4.5
WV
A3
4B16
32V
IE
M60
418
8.6
WV
A3
4B16
32V
IE
N60
0132
17B
one
frag
men
t
WV
A3
4B16
32V
IE
N60
011
0.2
Bon
e fr
agm
ent
WV
A3
4B16
32V
IE
N60
372
1.4
Bon
e fr
agm
ent
WV
A2
5A16
33V
IE
B60
401
4.6
Sus
scr
ofa
or B
os
taur
us?
Saw
edP
ossi
ble
loin
cho
p or
ch
uck?
WV
A2
5A16
33V
IE
B60
401
4.8
Sus
scr
ofa
or B
os
taur
us?
Saw
edR
ound
ste
ak?
WV
A2
5A16
33V
IE
D60
011
0.7
Ver
tebr
ae?
WV
A2
5A16
33V
IE
J60
32-
17.1
WV
A2
5A16
33V
IE
N60
011
3.6
Bon
e fr
agm
ent
Rib
fra
gmen
t
WV
A2
5A16
33V
IE
N60
017
4.6
Bon
e fr
agm
ent
WV
A2
5A16
33V
IE
N60
011
0.3
Bon
e fr
agm
ent
WV
A2
5A16
33V
IE
N60
3719
9.4
Bon
e fr
agm
ent
WV
A2
5A16
33V
IE
N60
402
1.4
Bon
e fr
agm
ent
Saw
ed a
nd b
urnt
WV
A2
5A16
33V
IE
N60
404
5.4
Bon
e fr
agm
ent
Saw
ed a
nd b
urnt
WV
A2
5A16
33V
IE
N60
402
2.5
Bon
e fr
agm
ent
WV
A3
5A16
34V
IE
J60
32-
2.4
WV
A3
5A16
34V
IE
M60
411
0.1
WV
A3
5A16
34V
IE
N60
017
3.5
Bon
e fr
agm
ent
WV
A3
5A16
34V
IE
N60
372
0.1
Bon
e fr
agm
ent
WV
A3
5A16
34V
IE
N60
401
2.6
Saw
ed
WV
A3
5A16
34V
IE
N60
401
1.4
Saw
ed tw
ice
WV
A2
5B16
35V
IE
B60
402
10.6
Sus
scr
ofa
or B
os
taur
us?
Saw
edP
ossi
bly
roun
d st
eak
frag
men
ts
WV
A2
5B16
35V
IE
J60
082
0.2
Bur
nt
WV
A2
5B16
35V
IE
J60
32-
3.5
WV
A2
5B16
35V
IE
N60
016
1.8
Bon
e fr
agm
ent
WV
A2
5B16
35V
IE
N60
402
3B
one
frag
men
t
Has
cut
mar
ks,
saw
ed a
t top
and
bo
ttom
WV
A2
5B16
35V
IE
N60
403
2.2
Bon
e fr
agm
ent
Saw
ed a
t top
and
bo
ttom
WV
A2
5B16
35V
IE
O60
331
0.7
Bur
nt s
late
WV
A3
5B16
36V
IE
J60
32-
0.7
WV
A3
5B16
36V
IE
N60
371
1.1
Has
cha
rcoa
l stu
ck o
n it
WV
A2
616
37V
IE
J60
084
2W
VA
26
1637
VI
EJ
6032
-3.
8W
VA
26
1637
VI
EN
6037
45.
2B
one
frag
men
t
WV
B3
116
38V
IE
N60
401
1S
awed
WV
B3
216
39V
IE
B60
013
11.7
Com
plet
e bo
nes,
too
smal
l to
be c
ow,
Lar
ge M
amm
al,
Sus
scr
ofa?
Saw
edP
ork
loin
rib
cho
ps o
r be
ef s
hank
s
WV
B3
216
39V
IE
B60
011
1.1
Sus
scr
ofa
or B
os
taur
usS
awed
Por
k lo
in r
ib c
hops
or
beef
sha
nks
WV
B3
216
39V
IE
B60
015
20.6
Com
plet
e bo
nes
Lar
ge M
amm
al,
Sus
scr
ofa?
Fee
t bon
es?
WV
B3
216
39V
IE
B60
401
2.5
Sus
scr
ofa
or B
os
taur
usS
awed
Por
k lo
in r
ib c
hops
or
beef
sha
nks
WV
B3
216
39V
IE
B60
401
6.3
Fra
gmen
tS
us s
crof
a or
Bos
ta
urus
?S
awed
Pos
sibl
e ch
uck
or T
-bo
ne c
ut
WV
B3
216
39V
IE
B60
401
3.4
Sus
scr
ofa
or B
os
taur
us?
Saw
ed
Pos
sibl
e lo
in c
hop
or t-
bone
or
chuc
k fr
agm
ents
WV
B3
216
39V
IE
B60
402
8F
ragm
ents
Sus
scr
ofa
or B
os
taur
us?
Saw
edP
ossi
ble
roun
d st
eak
WV
B3
216
39V
IE
B60
402
7.7
Bot
h w
hole
Sus
scr
ofa
or B
os
taur
us?
Saw
edR
ound
ste
ak
WV
B3
216
39V
IE
D60
011
0.8
Ver
tebr
ae?
WV
B3
216
39V
IE
J60
32-
0.1
WV
B3
216
39V
IE
N60
0176
53.5
Bon
e fr
agm
ent
WV
B3
216
39V
IE
N60
011
4.6
Lar
ge m
etal
stu
ck o
n bo
ne
frag
men
t
WV
B3
216
39V
IE
N60
3718
14.6
Bon
e fr
agm
ent
WV
B3
216
39V
IE
N60
403
2.4
Saw
ed to
p an
d bo
ttom
WV
B3
316
40V
IE
B60
011
0.7
Sus
scr
ofa
or B
os
taur
usS
awed
Por
k lo
in r
ib c
hops
or
beef
sha
nks
WV
B3
316
40V
IE
B60
011
7L
arge
mam
mal
Met
atar
sel,f
oot b
one?
WV
B3
316
40V
IE
B60
011
1.4
Sm
all m
amm
alH
ead
and
part
ial s
haft
of
left
hum
erus
WV
B3
316
40V
IE
B60
402
4F
ragm
ents
Sus
scr
ofa
or B
os
taur
us?
Saw
edP
ossi
ble
roun
d st
eak
WV
B3
316
40V
IE
B60
401
2.5
Bon
e fr
agm
ent
Sus
scr
ofa
or B
os
taur
us?
Saw
ed, h
as c
ut
mar
ks o
n si
deP
ossi
ble
stea
k cu
ts
WV
B3
316
40V
IE
B60
401
1.9
Sus
scr
ofa
or B
os
taur
us?
Saw
edR
ound
ste
ak
WV
B3
316
40V
IE
D60
011
0.4
Sm
all v
erte
brae
WV
B3
316
40V
IE
J60
086
11.2
One
is a
pla
nk o
r si
ding
of
som
e so
rt
WV
B3
316
40V
IE
J60
088
6B
urnt
WV
B3
316
40V
IE
J60
32-
12.5
WV
B3
316
40V
IE
M60
41-
14.6
WV
B3
316
40V
IE
N60
014
2.6
Bon
e fr
agm
ent
Saw
ed tw
ice
WV
B3
316
40V
IE
N60
0163
33.3
Bon
e fr
agm
ent
WV
B3
316
40V
IE
N60
013
19.2
Bon
e fr
agm
ent
WV
B3
316
40V
IE
N60
011
3.8
Who
le b
one
that
art
icul
ates
w
ith
unk
bone
fra
gmen
tF
oot b
one?
WV
B3
316
40V
IE
N60
3711
6B
one
frag
men
t
WV
B3
316
40V
IE
N60
401
3.3
Bon
e fr
agm
ent a
rtic
ulat
es w
ith
othe
r w
hole
unk
Foo
t bon
e?S
awed
and
dri
lled
ho
le
WV
B3
316
40V
IE
N60
401
1.5
Saw
ed a
nd b
urnt
WV
B3
316
40V
IE
O60
334
7.6
Bur
nt s
late
WV
B3
F1
1641
VI
EN
6037
10.
2B
one
frag
men
t
WV
B3
F1
1641
VI
EN
6040
20.
8S
awed
WV
B3
4A16
42V
IE
B60
011
1.4
Sus
scr
ofa
or B
os
taur
usS
awed
Por
k lo
in r
ib c
hops
or
beef
sha
nks
WV
B3
4A16
42V
IE
N60
0120
8.5
Bon
e fr
agm
ent
WV
B3
4A16
42V
IE
N60
373
0.3
Bon
e fr
agm
ent
WV
B3
4A16
42V
IE
N60
401
3.9
Saw
ed to
p an
d bo
ttom
WV
B3
4B16
43V
IE
A60
011
0.6
Fra
gmen
tG
allu
s do
mes
ticu
sL
ower
thor
acti
c ve
rteb
rae
frag
men
t
WV
B3
4B16
43V
IE
B60
401
0.6
Sus
scr
ofa
or B
os
taur
usS
awed
Por
k lo
in r
ib c
hops
or
beef
sha
nks
WV
B3
4B16
43V
IE
J60
32-
3.3
WV
B3
4B16
43V
IE
M60
416
3.6
WV
B3
4B16
43V
IE
N60
0119
24B
one
frag
men
t
WV
B3
4B16
43V
IE
N60
372
1.7
Bon
e fr
agm
ent
WV
B3
4B16
43V
IE
N60
401
1.2
Cer
amic
s fr
om U
nit
D
Un
itS
ub
-Un
itL
evel
Lot
#M
ater
ials
Su
b-M
Su
b-M
ater
ial.
Qu
anti
tyW
eigh
t (g
)C
omm
ents
Art
ifac
t C
lass
Art
ifac
t C
lass
Typ
eV
esse
l dia
met
erC
olor
/dec
orat
ion
D2.
15
0423
Ear
then
war
eC
CW
hite
war
e3
5M
olde
d ri
mP
lain
bod
y sh
erd
1001
Pla
te16
cmW
hite
D2.
43
0664
Ear
then
war
eC
CW
hite
war
e1
2P
lain
bod
y sh
erd
1001
Whi
te
D3.
14
0365
Ear
then
war
eC
CW
hite
war
e1
>1
Pla
in b
ody
sher
d10
01W
hite
D1.
3.3
604
74E
arth
enw
are
CC
Whi
tew
are
21
Pla
in b
ody
sher
d10
01W
hite
D1
202
05P
orce
lain
CA
1>
1D
ecor
ativ
e bl
ue tr
ansf
er p
rint
Dec
orat
ed s
herd
1003
Whi
te w
/ de
cora
tion
D?
?04
07S
tone
war
eC
BU
ngla
zed
plai
n3
10P
lain
bod
y sh
erd
1001
D04
07S
tone
war
eC
BS
alt g
laze
d1
6P
lain
bod
y sh
erd
1001
D2.
44
0359
Sto
new
are
CB
23
Pai
nted
blu
e li
neD
ecor
ated
she
rd10
03W
hite
w/
deco
rati
on
D2.
44
0359
Sto
new
are
CB
Alb
any
Sli
p1
4P
lain
bod
y sh
erd
1001
D3.
35
0439
Sto
new
are
CB
Bri
stol
gla
zed
116
Pla
in b
ody
sher
d10
01W
hite
D3.
43
0314
Sto
new
are
CB
128
Pla
in b
ody
sher
d10
01B
lack
D4.
14
0385
Por
cela
inC
A1
>1
Pla
in b
ody
sher
d10
01W
hite
D1
202
05F
ired
Cla
yC
H1
4D
ecor
ated
she
rd10
03B
row
n
D1.
2.1
604
61E
arth
enw
are
CC
Iron
ston
e3
10P
lain
bod
y sh
erd
1001
Sha
llow
bow
l19
cmW
hite
D1.
24
0331
Por
cela
inC
A2
>1
Abn
orm
al s
hape
, pot
enti
ally
fi
gure
or
a de
sign
. Pin
k st
ain
wit
h re
mna
nts
of p
ink
tran
sfer
Inde
term
inat
e10
33P
ink
D4.
210
0872
Sto
new
are
CB
121
App
ears
to b
e th
e su
ppor
ting
bo
ttow
por
tion
or
a bo
wl,
deep
pl
ate,
or
basi
nP
lain
bod
y sh
erd
1001
Bas
e of
bow
l or
plat
e7.
5W
hite
D2.
25
0427
Por
cela
inC
A2
21-
flo
wer
rim
, 2-
curv
ed c
onve
r (v
ine?
) dé
cor
Dec
orat
ed s
herd
1003
Whi
te
D1.
14
0327
Ear
then
war
eC
CW
hite
war
e1
3B
ondy
she
rd w
ith
a sm
all e
dge
of
flow
blu
eD
ecor
ated
she
rd10
03F
low
blu
e, w
hite
D2.
44
0359
Ear
then
war
eC
CW
hite
war
e2
3P
lain
bod
y sh
erd
1001
Whi
te
D3.
33
0253
Ear
then
war
eC
CW
hite
war
e1
2C
ame
from
ext
erio
r F
eatu
re B
Pla
in b
ody
sher
d10
01W
hite
D1.
44
0338
Por
cela
inC
A1
2P
lain
bod
y sh
erd
1001
Whi
te
D4.
4.3
607
59E
arth
enw
are
CC
Whi
tew
are
15
Pla
in b
ody
sher
d10
01W
hite
D3.
43
0255
Ear
then
war
eC
CY
ello
ww
are
1>
1P
lain
bod
y sh
erd
1001
Ben
ning
ton
D1.
18
0822
Ear
then
war
eC
CP
earl
war
e2
2P
earl
war
e w
ith
blue
tint
and
m
olde
d ri
mP
lain
bod
y sh
erd
1001
Blu
e ti
nt
D1.
2.3
604
67E
arth
enw
are
CC
Whi
tew
are
11
Pla
in b
ody
sher
d10
01W
hite
D2.
43
0664
Ear
then
war
eC
C1
6D
ecor
ated
she
rd10
03B
lack
D4.
44
0401
Sto
new
are
CB
Sal
t gla
zed
110
Unm
olde
d ri
mP
lain
bod
y sh
erd
1001
Whi
te
D1.
48
0802
Por
cela
inC
A2
4B
ase
of s
auce
r or
bow
lP
lain
bod
y sh
erd
1001
Bow
l/sa
ucer
10cm
Whi
te
D1.
24
0331
Ear
then
war
eC
CT
erra
Cot
ta1
1P
lain
bod
y sh
erd
1034
Ter
ra c
otta
D2.
29
0843
Ear
then
war
eC
CIr
onst
one
122
Dec
orat
ed s
herd
1003
Poo
ling
not
unl
ike
Pea
rlw
are,
blu
e ti
nt
wit
h de
cora
tive
rim
as
pai
nted
bla
ck
line
D3.
17
0774
Ear
then
war
eC
CW
hite
war
e4
9O
ne v
ery
larg
e ri
m p
iece
and
3-4
sm
all/
tiny
pie
ces
Pla
in b
ody
sher
d10
01W
hite
D1.
1.2
604
56E
arth
enw
are
CC
Pea
rlw
are
1>
1P
earl
war
e w
ith
Flo
w b
lue
pain
tD
ecor
ated
she
rd10
03F
low
blu
e pa
int
inte
rior
, blu
e ti
nted
ex
teri
or r
idge
D2.
44
0361
Sto
new
are
CB
Bri
stol
gla
zed
138
Pla
in b
ody
sher
d10
01W
hite
D1.
15
0417
Ear
then
war
eC
CW
hite
war
e1
1A
ppea
rs to
be
a te
acup
han
dle
Pla
in b
ody
sher
d10
01H
andl
e (o
f te
acup
?)W
hite
D1.
15
0417
Ear
then
war
eC
CW
hite
war
e4
2P
lain
bod
y sh
erd
1001
Whi
te
D1.
19
0836
Sto
new
are
CB
115
Yel
low
Ext
erio
r G
laze
, cle
ar
inte
rior
gla
zeD
ecor
ated
she
rd10
03Y
ello
w
D1.
19
0836
Sto
new
are
CB
11
Pla
in b
ody
sher
d10
01S
trip
ed b
lack
and
br
own
D2.
34
0354
Sto
new
are
CB
Sal
t gla
zed
23
Pla
in b
ody
sher
d10
01O
ff w
hite
, spe
ckle
d
D4.
33
0272
Ear
then
war
eC
CW
hite
war
e1
1D
ecor
ated
she
rd10
03B
lue
flow
gla
ze
D3.
33
0256
Ear
then
war
eC
CW
hite
war
e1
18U
nmol
ded
rim
Pla
in b
ody
sher
d10
01V
esse
l, m
ug?
9cm
Whi
te
D4.
17
0782
Ear
then
war
eC
CT
erra
Cot
ta2
2P
lain
bod
y sh
erd
1034
Ter
ra c
otta
D4.
110
0871
Ear
then
war
eC
CT
erra
Cot
ta1
2P
lain
bod
y sh
erd
1034
Ter
ra c
otta
D4.
4.4
607
60E
arth
enw
are
CC
Iron
ston
e1
5M
olde
d in
teri
orP
lain
bod
y sh
erd
1001
Pla
te b
ase
D1.
34
0334
Sto
new
are
CB
14
Mol
ded
Dec
orat
ed s
herd
1003
D4.
17
0782
Ear
then
war
eC
CIr
onst
one
11
Pla
in b
ody
sher
d10
01B
uff
D1
202
06S
tone
war
eC
B1
3S
peck
led
Pla
in b
ody
sher
d10
01W
hite
D3.
23
0251
Ear
then
war
eC
C1
11N
o gl
aze,
bro
wn/
grey
col
orT
ile
frag
men
t, pl
ain
1023
D4.
18
0831
Por
cela
inC
A1
3P
lain
bod
y sh
erd
1001
Sau
cer,
sha
llow
bow
l13
cmW
hite
D4.
18
0832
Por
cela
inC
A1
2S
tain
due
to s
oil
Pla
in b
ody
sher
d10
01W
hite
D1.
4.2
604
80P
orce
lain
CA
1>
1D
ecor
ated
she
rd10
03W
hite
wit
h pa
inte
d gr
een
line
D2.
15
0423
Ear
then
war
eC
CIr
onst
one
210
Mol
ded
ridg
e, p
erha
ps o
f pl
ate
Pla
in b
ody
sher
d10
01W
hite
D2.
15
0423
Ear
then
war
eC
C1
9R
idge
Pla
in b
ody
sher
d10
01W
hite
D2.
3.2
607
22E
arth
enw
are
CC
Whi
tew
are
213
Gol
d fl
oral
fil
igre
on
mol
ded
rim
of
pla
te a
nd b
lue
pain
t on
insi
de
of p
late
Dec
orat
ed s
herd
1003
Pla
teba
se r
im a
t 20c
mG
old,
blu
e, w
hite
D4.
24
0410
Sto
new
are
CC
433
Pla
in b
ody
sher
d10
01S
peck
led
buff
D3.
1.3
604
92P
orce
lain
CA
11
Ext
ensi
vely
mol
ded
rim
, pos
sibl
y w
ith
bran
ches
Dec
orat
ed s
herd
1003
Whi
te
D3.
1.3
604
92E
arth
enw
are
CC
Whi
tew
are
11
Dec
orat
ed s
herd
1003
Whi
te w
ith
gree
n tr
ansf
er p
rint
D2.
48
0825
Por
cela
inC
A1
>1
Mol
ded
rim
Pla
in b
ody
sher
d10
01W
hite
D1.
44
0340
Por
cela
inC
A1
>1
Pla
in b
ody
sher
d10
01W
hite
D1.
35
0420
Ear
then
war
eC
CW
hite
war
e2
4P
lain
bod
y sh
erd
1001
Whi
te
D4.
28
2832
Ear
then
war
eC
CIr
onst
one
316
Rim
, unk
now
n ve
ssel
type
Pla
in b
ody
sher
d10
01W
hite
D2.
38
0805
Por
cela
inC
A1
27P
lain
bod
y sh
erd
1001
Ves
sel,
vase
or
mug
?8.
5W
hite
D1.
44
0340
Ear
then
war
eC
CW
hite
war
e1
>1
Pla
in b
ody
sher
d10
01W
hite
D2.
33
0241
Ear
then
war
eC
CW
hite
war
e3
7U
nmol
ded
rim
Pla
in b
ody
sher
d10
01W
hite
D4.
13
0259
Sto
new
are
CB
116
Pla
in b
ody
sher
d10
01W
hite
D2.
15
0425
Por
cela
inC
A1
>1
Pla
in b
ody
sher
d10
01W
hite
D2.
44
0361
Ear
then
war
eC
CW
hite
war
e5
10P
lain
bod
y sh
erd
1001
Whi
te
D2.
44
0361
Ear
then
war
eC
C1
14P
lain
bod
y sh
erd
1001
Whi
te
D2.
27
0768
Ear
then
war
eC
CW
hite
war
e1
2P
lain
bod
y sh
erd
1001
Whi
te
D1
101
90E
arth
enw
are
CC
12
Til
e fr
agm
ent,
plai
n10
23W
hite
D4.
2.2
607
47P
orce
lain
CA
76
Pla
in b
ody
sher
d10
01W
hite
D3.
14
0231
Sto
new
are
CB
11
Pla
in b
ody
sher
d10
01B
row
n
D2.
25
0428
Ear
then
war
eC
CW
hite
war
e2
6P
lain
bod
y sh
erd
1001
Whi
te
D1.
33
0232
.1E
arth
enw
are
CC
Whi
tew
are
1>
1U
nkno
wn
desi
gnD
ecor
ated
she
rd10
03B
row
n an
d gr
ey
tran
sfer
pri
nt
D3.
1.3
604
92E
arth
enw
are
CC
Whi
tew
are
34
Pla
in b
ody
sher
d10
01W
hite
D1
202
06P
orce
lain
CA
1>
1P
lain
bod
y sh
erd
1001
Whi
te
D1.
47
0764
Ear
then
war
eC
CW
hite
war
e1
7D
ecor
ated
she
rd10
03W
hite
wit
h go
ld
line
on
rim
D1.
47
0764
Ear
then
war
eC
CW
hite
war
e3
5P
lain
bod
y sh
erd
1001
Whi
te
D2.
15
0425
Ear
then
war
eC
CW
hite
war
e1
3D
ecor
ated
she
rd10
03W
hite
wit
h bl
ue
pain
ted
desi
gn
D2.
25
0427
Ear
then
war
eC
CW
hite
war
e3
14P
lain
bod
y sh
erd
1001
Whi
te
D2.
25
0427
Por
cela
inC
A1
1P
lain
bod
y sh
erd
1001
Whi
te
D1.
3.4
604
76E
arth
enw
are
CC
Whi
tew
are
17
Unm
olde
d ri
mP
lain
bod
y sh
erd
1001
Sha
llow
bow
l, de
ep
plat
e14
cmW
hite
D2.
45
0433
Por
cela
inC
A1
4P
ink
spon
ged/
mat
te s
tain
Dec
orat
ed s
herd
1003
Bas
e of
ves
sel
5 cm
Pin
k
D4.
29
0854
Ear
then
war
eC
CT
erra
Cot
ta1
11P
lain
, rai
sed
rim
Pla
in b
ody
sher
d10
34P
ot14
cmT
erra
cot
ta
D3.
27
0776
Por
cela
inC
A2
4P
lain
bod
y sh
erd
1001
Whi
te
D3.
27
0776
Ear
then
war
eC
C3
7P
lain
bod
y sh
erd
1001
Whi
te
D3
101
96E
arth
enw
are
CC
23
Til
e fr
agm
ent,
plai
n10
23G
reyi
sh b
eige
D4.
24
0410
Sto
new
are
CB
14
Dec
orat
ed s
herd
1003
Ora
nge
glaz
e ou
tsid
e, y
ello
w
insi
de
D4
403
97P
orce
lain
CA
1>
1P
lain
bod
y sh
erd
1001
Whi
te
D3.
44
0677
Ear
then
war
eC
C1
8P
lain
bod
y sh
erd
1001
Whi
te
D3.
3.2
605
09F
ired
Cla
yC
H1
2R
ed, b
rick
inte
rior
wit
h w
hite
pa
int
Pla
in b
ody
sher
d10
01W
hite
D3.
45
0441
Ear
then
war
eC
CW
hite
war
e1
1D
ecor
ated
she
rd10
03W
hite
wit
h bl
ue
flow
y ri
m
D2.
34
0358
Por
cela
inC
A1
>1
Dec
orat
ed s
herd
1003
Pin
k
D2.
34
0354
Ear
then
war
eC
CW
hite
war
e2
18P
lain
, unm
olde
dP
lain
bod
y sh
erd
1001
Tea
cup
wit
h pa
rts
of
hand
le m
issi
ng
not c
irul
ar, b
ut
roun
ded
squa
re
shap
edW
hite
D4.
4.4
607
60E
arth
enw
are
CC
Whi
tew
are
11
Dec
orat
ed s
herd
1003
Whi
te w
ith
pain
ted
blue
line
D2.
24
0412
Ear
then
war
eC
C10
48G
rey
poss
ibly
fro
m a
ge o
r su
bmer
sion
?P
lain
bod
y sh
erd
1001
Whi
te
D1.
43
0802
Ear
then
war
eC
CT
erra
Cot
ta1
3P
lain
bod
y sh
erd
1034
Ter
ra c
otta
D1.
24
0330
Ear
then
war
eC
CW
hite
war
e3
5B
otto
m h
alf
of te
acup
han
dle
stil
l at
tach
ed to
cup
rem
nant
Pla
in b
ody
sher
d10
01T
eacu
p ha
ndle
she
rdW
hite
D4.
13
0317
Ear
then
war
eC
C3
17P
lain
bod
y sh
erd
1001
Whi
te
D2.
3.3
607
23P
orce
lain
CA
11
Bot
tom
qua
rter
(?)
of
teac
up
hand
le a
nd c
upP
lain
bod
y sh
erd
1001
Tea
cup
hand
leW
hite
D1.
24
0330
Sto
new
are
CB
12
Dec
orat
ed s
herd
1003
Blu
e gl
aze
D3.
15
0434
Ear
then
war
eC
CW
hite
war
e1
>1
Tra
nsfe
r pr
int o
f a
gree
n le
af w
ith
brow
n ou
tlin
eD
ecor
ated
she
rd10
03W
hite
wit
h tr
ansf
er
prin
t
D3.
15
0434
Por
cela
inC
A1
1L
ight
blu
e pa
int l
ooks
as
if
spon
ged
or m
atte
'd o
n, w
hite
in
teri
orD
ecor
ated
she
rd10
03L
ight
blu
e
D4.
23
0265
Ear
then
war
eC
CT
erra
Cot
ta1
>1
Pla
in b
ody
sher
d10
01T
erra
cot
ta
D4.
23
0265
Sto
new
are
CB
1>
1P
lain
bod
y sh
erd
1001
Bro
wn
glaz
e
D2.
26
0715
Ear
then
war
eC
CP
earl
war
e1
8P
late
bot
tom
wit
h co
ncen
tric
ri
ngs
and
mol
ded
inte
rior
of
plat
eP
lain
bod
y sh
erd
1001
Pla
te b
otto
mW
hite
D1.
15
0416
Sto
new
are
CB
Sal
t gla
zed
16
Pla
in b
ody
sher
d10
01G
rey
D2.
25
0427
Ear
then
war
eC
CW
hite
war
e3
23P
lain
bod
y sh
erd
1001
Whi
te
D1.
4.2
604
80E
arth
enw
are
CC
Whi
tew
are
11
Pla
in b
ody
sher
d10
01W
hite
D2.
14
0345
Por
cela
inC
C1
>1
Pla
in b
ody
sher
d10
03W
hite
D4.
18
0831
Ear
then
war
eC
CW
hite
war
e1
3P
lain
bod
y sh
erd
1001
Whi
te
D3.
34
0373
Por
cela
inC
C1
1R
imP
lain
bod
y sh
erd
1001
Whi
te
D4.
26
0744
Ear
then
war
eC
CIr
onst
one
34
Pla
in b
ody
sher
d10
01W
hite
D2.
16
0709
Ear
then
war
eC
CW
hite
war
e1
7P
lain
bod
y sh
erd
1001
Whi
te
D4.
34
0679
Ear
then
war
eC
CW
hite
war
e1
1P
lain
bod
y sh
erd
1001
Whi
te
D4.
43
0325
Por
cela
inC
C1
3P
lain
bod
y sh
erd
1001
Whi
te
D3.
23
0313
Ear
then
war
eC
CW
hite
war
e1
2P
lain
bod
y sh
erd
1001
Whi
te
D1.
4.3
604
82E
arth
enw
are
CC
Whi
tew
are
13
Yel
low
gla
zeD
ecor
ated
she
rd10
03Y
ello
w
D1.
4.2
604
82E
arth
enw
are
CC
Whi
tew
are
1>
1B
row
n gl
aze
Dec
orat
ed s
herd
1003
Bro
wn
D1.
19
0836
Ear
then
war
eC
CW
hite
war
e1
2P
lain
bod
y sh
erd
1001
Whi
te
D1.
45
0421
Por
cela
inC
A1
>1
Dec
orat
ed s
herd
1003
Pin
k
D3.
18
0806
Ear
then
war
eC
CW
hite
war
e1
1P
lain
bod
y sh
erd
1001
Whi
te
D1.
3.2
604
71E
arth
enw
are
CC
Whi
tew
are
25
Pla
in b
ody
sher
d10
01W
hite
D3.
45
0693
Ear
then
war
eC
CW
hite
war
e1
>1
Pla
in b
ody
sher
d10
01W
hite
D2.
48
0825
Ear
then
war
eC
CY
ello
ww
are
16
Yel
low
ext
erna
l gla
ze w
ith
ungl
aze,
rid
ged
inte
rior
Dec
orat
ed s
herd
1003
Yel
low
gla
ze
D2.
4.1
607
26E
arth
enw
are
CC
Whi
tew
are
12
Pla
in b
ody
sher
d10
01W
hite
D3.
13
0249
Por
cela
inC
A1
>1
Tea
cup
hand
le a
ppea
rs to
hav
e be
en c
reat
ed a
s a
mou
nted
hal
f-te
acup
Pla
in b
ody
sher
d10
01D
ecor
ativ
e te
acup
ha
ndle
Whi
te
D2.
25
0427
Por
cela
inC
A1
>1
Dec
orat
ed s
herd
1003
Pin
k
D1.
14
0328
Por
cela
inC
A1
1D
ecor
ated
she
rd10
03B
lue
flow
gla
ze
D1.
14
0327
Ear
then
war
eC
CW
hite
war
e2
2P
lain
bod
y sh
erd
1001
Whi
te
D4.
1.3
607
42E
arth
enw
are
CC
Whi
tew
are
21
Pla
in b
ody
sher
d10
01W
hite
D2.
14
0347
Ear
then
war
eC
CW
hite
war
e1
>1
Pla
in b
ody
sher
d10
01W
hite
D3.
34
0372
Sto
new
are
CB
Sal
t gla
zed
110
Sal
t-gl
azed
Pla
in b
ody
sher
d10
01B
uff
D2.
4.2
607
27P
orce
lain
CA
12
Pla
in b
ody
sher
d10
01W
hite
D3.
24
0369
Por
cela
inC
A1
>1
Dec
orat
ed s
herd
1003
Pin
k
D4.
47
0788
Ear
then
war
eC
CB
enni
ngto
n1
2B
enni
ngto
nD
ecor
ated
she
rd10
03R
ich
blac
k an
d br
own
D4.
44
0401
Por
cela
inC
A1
>1
Pla
in b
ody
sher
d10
01W
hite
D2.
3.1
607
21S
tone
war
eC
B1
3O
dd, a
mor
phou
s ha
ndle
sha
pe?
Dec
orat
ed s
herd
1003
Tan
gla
ze w
ith
dist
orti
ons
D1.
1.4
604
60E
arth
enw
are
CC
Whi
tew
are
13
Pla
in b
ody
sher
d10
01W
hite
D1.
25
1176
Por
cela
inC
A1
>1
Pla
in b
ody
sher
d10
01W
hite
D4.
4.2
607
58S
tone
war
eC
B2
11S
peck
led
Dec
orat
ed s
herd
1003
Tan
gla
ze w
ith
dist
orti
ons
D3.
42
0215
Sto
new
are
CB
15
Dec
orat
ed s
herd
1003
Lig
ht b
lue
D3.
42
0215
Sto
new
are
CB
13
Pla
in b
ody
sher
d10
01B
uff
D4.
15
0446
Ear
then
war
eC
CW
hite
war
e1
1P
lain
bod
y sh
erd
1001
Whi
te
D4.
48
0807
Ear
then
war
eC
CW
hite
war
e2
1P
lain
bod
y sh
erd
1001
Whi
te
D1.
3.4
604
77E
arth
enw
are
CC
Whi
tew
are
1>
1P
lain
bod
y sh
erd
1001
Whi
te
D1
202
04E
arth
enw
are
CC
Whi
tew
are
33
Pla
in b
ody
sher
d10
01B
otto
m r
im o
f ve
ssel
Whi
te
D4.
13
0261
Sto
new
are
CB
24
Spe
ckle
dP
lain
bod
y sh
erd
1001
Buf
f
D3.
33
0253
Sto
new
are
CB
11
Pla
in b
ody
sher
d10
01G
rey
D4.
24
0391
Ear
then
war
eC
CW
hite
war
e1
2P
lain
bod
y sh
erd
1001
Whi
te
D4.
2.4
607
49P
orce
lain
CA
22
Mod
ed d
esig
n on
ext
erio
rD
ecor
ated
she
rd10
03W
hite
D4.
14
0386
Ear
then
war
eC
CW
hite
war
e1
3P
lain
bod
y sh
erd
1001
Whi
te
D4.
44
1001
Ear
then
war
eC
CW
hite
war
e2
8R
emna
nts
of b
lue,
pin
k, a
nd g
reen
pa
int
Dec
orat
ed s
herd
1003
Dee
p ve
ssel
, may
be a
va
seW
hite
D2.
44
0361
Por
cela
inC
A1
2P
lain
bod
y sh
erd
1001
Whi
te
D3.
24
0371
Ear
then
war
eC
CP
earl
war
e1
4P
lain
bod
y sh
erd
1001
Whi
te
D3.
4.1
609
12E
arth
enw
are
CC
Whi
tew
are
14
Pla
in b
ody
sher
d10
01W
hite
D2.
25
0689
Por
cela
inC
A1
>1
Dec
orat
ed s
herd
1003
Whi
te
D3.
23
0808
Ear
then
war
eC
CW
hite
war
e1
>1
Pla
in b
ody
sher
d10
01W
hite
D1.
2.2
604
64E
arth
enw
are
CC
Whi
tew
are
21
Whi
te w
ith
gree
n an
d bl
ack
tran
sfer
pri
ntD
ecor
ated
she
rd10
03T
rans
fer
prin
t
D3.
47
0780
Ear
then
war
eC
CW
hite
war
e1
4P
lain
bod
y sh
erd
1001
Bas
e of
pla
te s
auce
rba
se r
im a
t 6cm
Whi
te
D3.
37
0778
Por
cela
inC
A3
1P
lain
bod
y sh
erd
1001
Whi
te
D2.
47
0770
Sto
new
are
CB
17
Dec
orat
ed s
herd
1003
Tan
wit
h st
rip
of
yell
ow p
aint
D4.
27
0784
Ear
then
war
eC
CW
hite
war
e2
3P
lain
bod
y sh
erd
1001
Whi
te
D2.
13
0237
Ear
then
war
eC
CW
hite
war
e2
3D
ecor
ated
she
rd10
03W
hite
wit
h gr
een
deco
rati
on
D3.
48
0829
Sto
new
are
CB
22
Dec
orat
ed s
herd
1003
Yel
low
gla
ze
D1.
16
0703
Ear
then
war
eC
CT
erra
Cot
ta1
>1
Pla
in b
ody
sher
d10
01T
erra
cot
ta
D2.
2.1
607
16S
tone
war
eC
B2
11P
lain
bod
y sh
erd
1001
Ung
laze
d
D4.
44
0400
Por
cela
inC
A1
>1
Pla
in b
ody
sher
d10
01W
hite
D1.
2.2
604
64S
tone
war
eC
BS
alt g
laze
d1
6D
ecor
ated
she
rd10
03G
rey
wit
h bl
ue
pain
t
D1.
44
0341
Ear
then
war
eC
C1
>1
Pla
in b
ody
sher
d10
01W
hite
D3.
17
0774
Por
cela
inC
A2
>1
Pla
in b
ody
sher
d10
01W
hite
D1.
34
0334
Ear
then
war
eC
CW
hite
war
e2
2P
lain
bod
y sh
erd
1001
Whi
te
D4.
37
0786
Por
cela
inC
A2
>1
Dec
orat
ed s
herd
1003
Whi
te w
ith
yell
ow
D3.
43
0314
Sto
new
are
CB
14
Dec
orat
ed s
herd
1003
Bas
e of
pla
te o
r sa
ucer
base
rim
10c
mD
ark
grey
D1.
3.3
604
74P
orce
lain
CA
1>
1P
lain
bod
y sh
erd
1001
Whi
te
D1.
17
0761
Por
cela
inC
A2
1P
lain
bod
y sh
erd
1001
Whi
te
D3.
47
0781
Ear
then
war
eC
CW
hite
war
e2
2P
lain
bod
y sh
erd
1001
Whi
te
D4.
47
0788
Sto
new
are
CB
112
Pla
in b
ody
sher
d10
01B
uff
D2.
34
0355
Ear
then
war
eC
CW
hite
war
e1
10P
lain
bod
y sh
erd
1001
Whi
te
D3.
15
0413
Sto
new
are
CB
14
Pla
in b
ody
sher
d10
01W
hite
D4.
13
0260
0E
arth
enw
are
CC
Whi
tew
are
1>
1P
lain
bod
y sh
erd
1001
Whi
te
D2.
24
0351
Ear
then
war
eC
CW
hite
war
e1
>1
Pla
in b
ody
sher
d10
01W
hite
D1.
49
0839
Por
cela
inC
A1
>1
Pla
in b
ody
sher
d10
01W
hite
D3.
23
0323
Ear
then
war
eC
CW
hite
war
e4
7P
lain
bod
y sh
erd
1001
Whi
te
D4.
2.4
607
49E
arth
enw
are
CC
Whi
tew
are
33
Pla
in b
ody
sher
d10
01W
hite
D2.
2.1
607
16E
arth
enw
are
CC
Whi
tew
are
1>
1P
lain
bod
y sh
erd
1001
Whi
te
D1.
35
0706
Ear
then
war
eC
CW
hite
war
e1
2P
lain
bod
y sh
erd
1001
Whi
te
D4.
24
0410
Ear
then
war
eC
CW
hite
war
e1
3W
ith
mol
ded
rim
Dec
orat
ed s
herd
1003
Blu
e fl
ow g
laze
D4.
24
0410
Ear
then
war
eC
CW
hite
war
e1
1
Blu
e ta
nfer
pri
nt d
esig
n on
one
si
de, m
aker
s m
ark
on o
ppos
ite
side
. Onl
y a
"2"
and
a li
ne a
re
disc
erna
ble
Dec
orat
ed s
herd
1003
Blu
e tr
ansf
er p
rint
D4.
36
0781
Ear
then
war
eC
CB
enni
ngto
n1
>1
Dec
orat
ed s
herd
1003
Ric
h br
own
benn
ingt
on g
laze
D2.
37
0770
Por
cela
inC
A1
>1
In s
trip
esD
ecor
ated
she
rd10
03P
ink
and
deep
blu
e gl
aze
D3.
33
0253
Ear
then
war
eC
CW
hite
war
e1
1In
dot
ted
desi
gnD
ecor
ated
she
rd10
03B
lue
flow
gla
ze
D1.
14
0327
Sto
new
are
CB
16
Dec
orat
ed s
herd
1003
Coa
l fle
cked
dar
k gr
ey g
laze
D4.
43
0324
Ear
then
war
eC
CW
hite
war
e1
1D
ecor
ated
she
rd10
03B
lue
flow
gla
ze
D3.
4.3
604
98S
tone
war
eC
BS
alt g
laze
d3
7P
lain
bod
y sh
erd
1003
Gre
y
D07
62P
orce
lain
CA
1>
1D
ecor
ated
she
rd10
03P
ink
wit
h do
tted
tr
ansf
er p
rint
D07
62S
tone
war
eC
B4
2D
ecor
ated
she
rd10
03D
ark
brow
n
D3.
42
6215
Ear
then
war
eC
CW
hite
war
e3
3P
lain
bod
y sh
erd
1001
Whi
te
D2.
34
0354
Por
cela
inC
A1
>1
Pla
in b
ody
sher
d10
01W
hite
D1.
2.3
604
66P
orce
lain
CA
1>
1P
lain
bod
y sh
erd
1001
Whi
te
D3.
46
0739
Sto
new
are
CB
Sal
t gla
zed
12
Pla
in b
ody
sher
d10
01G
rey
D2.
48
0825
Ear
then
war
eC
CW
hite
war
e1
>1
Pla
in b
ody
sher
d10
01W
hite
D2.
45
0432
Ear
then
war
eC
CW
hite
war
e3
4P
lain
bod
y sh
erd
1001
Whi
te
D4.
27
0784
Por
cela
inC
A1
>1
Dot
ted
form
Dec
orat
ed s
herd
1003
Whi
te w
ith
blue
tr
ansf
er p
rint
leaf
D1.
1.1
604
54E
arth
enw
are
CC
Whi
tew
are
2>
1P
lain
bod
y sh
erd
1001
Whi
te
D3.
28
0827
Ear
then
war
eC
CW
hite
war
e1
>1
Pla
in b
ody
sher
d10
01W
hite
D4.
44
0399
Ear
then
war
eC
CW
hite
war
e1
>1
Pla
in b
ody
sher
d10
01W
hite
D2.
4.1
607
26E
arth
enw
are
CC
Whi
tew
are
1>
1D
ecor
ated
she
rd10
03L
ight
blu
e, g
reen
, an
d ye
llow
pai
nt
D1.
45
0421
Ear
then
war
eC
CW
hite
war
e2
5P
lain
bod
y sh
erd
1001
Whi
te
D3.
15
0413
Ear
then
war
eC
CW
hite
war
e1
>1
Pla
in b
ody
sher
d10
01W
hite
D4.
14
0402
Por
cela
inC
A1
>1
Pla
in b
ody
sher
d10
01W
hite
D1.
4.4
604
83E
arth
enw
are
CC
Iron
ston
e1
>1
Pla
in b
ody
sher
d10
01W
hite
D2.
44
0359
Sto
new
are
CB
12
Pla
in b
ody
sher
d10
01W
hite
D1.
3.1
604
69E
arth
enw
are
CC
Whi
tew
are
1>
1P
lain
bod
y sh
erd
1001
Whi
te
D4.
23
0268
Ear
then
war
eC
C3
3P
lain
bod
y sh
erd
1001
Cle
ar
D2.
18
0823
Por
cela
inC
A1
1P
lain
bod
y sh
erd
1001
Whi
te
D1.
14
0326
Por
cela
inC
A1
1F
lora
lly
mol
ded
Dec
orat
ed s
herd
1003
Whi
te
D4.
1.4
607
43E
arth
enw
are
CC
Whi
tew
are
11
Pla
in b
ody
sher
d10
01W
hite
D3,
44
0377
Por
cela
inC
A1
>1
Pla
in b
ody
sher
d10
01W
hite
D4.
48
0807
Por
cela
inC
A1
2D
ecor
ated
she
rd10
03D
eep
plat
e, o
r bo
wl
Whi
te w
ith
pink
pa
inte
d ri
m
D3.
34
0376
Ear
then
war
eC
CW
hite
war
e1
>1
Pla
in b
ody
sher
d10
01W
hite
D1.
15
0416
Ear
then
war
eC
C1
1P
lain
bod
y sh
erd
1001
Whi
te
D3.
34
0698
Ear
then
war
eC
CW
hite
war
e1
>1
Pla
in b
ody
sher
d10
01W
hite
D1.
1.2
604
56E
arth
enw
are
CC
Whi
tew
are
1>
1P
lain
bod
y sh
erd
1001
Whi
te
D1.
44
0339
Por
cela
inC
A1
>1
Pla
in b
ody
sher
d10
01W
hite
D3.
47
0781
Ear
then
war
eC
CB
enni
ngto
n1
>1
Dec
orat
ed s
herd
1003
Ric
h br
own
benn
ingt
on g
laze
D1.
2.4
604
68E
arth
enw
are
CC
Sal
t gla
zed
11
Sal
t-gl
azed
Pla
in b
ody
sher
d10
01G
rey
D1.
44
0339
Ear
then
war
eC
CW
hite
war
e1
1P
lain
bod
y sh
erd
1001
Whi
te
D2.
4.4
607
29P
orce
lain
CA
1>
1P
lain
bod
y sh
erd
1001
Whi
te
D3.
44
0377
Ear
then
war
eC
CW
hite
war
e1
>1
Pla
in b
ody
sher
d10
01W
hite
D1
202
06E
arth
enw
are
CC
Whi
tew
are
1>
1D
ecor
ated
she
rd10
03D
ark
oliv
e on
one
si
de, g
reen
on
the
othe
r
D4.
27
0783
Ear
then
war
eC
CW
hite
war
e1
2U
nmol
ded
rim
Pla
in b
ody
sher
d10
01W
hite
D3.
35
0438
Por
cela
inC
A1
1P
lain
bod
y sh
erd
1001
Whi
te
D1.
2.4
604
68E
arth
enw
are
CC
Whi
tew
are
1>
1P
lain
bod
y sh
erd
1001
Whi
te
D4.
13
0260
Sto
new
are
CB
1>
1C
lear
gla
ze is
ato
p a
oran
ge p
aste
Dec
orat
ed s
herd
1003
Whi
te g
laze
, cle
ar
glaz
e
D2.
1.4
607
11P
orce
lain
CA
12
Pla
in b
ody
sher
d10
01D
eep
vess
el8c
mW
hite
D2.
16
0708
Por
cela
inC
A1
>1
Dec
orat
ed s
herd
1003
Blu
e an
d gr
een
pain
t
D4.
47b
0799
Ear
then
war
eC
C1
>1
Pla
in b
ody
sher
d10
01W
hite
D1.
25
0419
Ear
then
war
eC
C1
>1
Pla
in b
ody
sher
d10
01W
hite
D1.
25
0419
Por
cela
inC
A1
1P
lain
bod
y sh
erd
1001
Irre
gula
rly
shap
ed
shal
low
ves
sel
Whi
te
D2.
48
0825
Ear
then
war
eC
CW
hite
war
e1
>1
Dec
orat
ed s
herd
1003
Blu
e tr
ansf
er p
rint
D2.
48
0825
Ear
then
war
eC
CB
enni
ngto
n2
1D
ecor
ated
she
rd10
03R
ich
brow
n be
nnin
gton
gla
ze
D3.
43
0257
Ear
then
war
eC
CW
hite
war
e1
>1
Pla
in b
ody
sher
d10
01W
hite
D3.
27
0776
Ear
then
war
eC
C1
>1
Dec
orat
ed s
herd
1003
Dul
l bro
wn
glaz
e
D4.
33
0274
Ear
then
war
eC
C1
4P
lain
bod
y sh
erd
1001
Buf
f
D3.
45
0441
Por
cela
inC
A1
7P
lain
bod
y sh
erd
1001
Sha
llow
bow
l or
ba
sin,
bot
tom
rim
base
rim
at 2
0cm
Whi
te
D3.
1.2
604
91E
arth
enw
are
CC
Whi
tew
are
1>
1P
lain
bod
y sh
erd
1001
Whi
te
D2.
27
0768
Por
cela
inC
A1
>1
Dec
orat
ed s
herd
1003
Tea
cup
hand
leL
ight
blu
e st
ain
D2.
38
0805
Ear
then
war
eC
CB
enni
ngto
n2
1D
ecor
ated
she
rd10
03R
ich
brow
n be
nnin
gton
gla
ze
D2.
35
0430
Ear
then
war
eC
CW
hite
war
e1
>1
Pla
in b
ody
sher
d10
01W
hite
D4.
14
0402
Sto
new
are
CB
13
Dec
orat
ed s
herd
1003
Yel
low
D1.
18
0800
Ear
then
war
eC
C1
>1
Pla
in b
ody
sher
d10
01N
o gl
aze
D3.
2.2
604
94E
arth
enw
are
CC
Whi
tew
are
12
Pla
in b
ody
sher
d10
01W
hite
D1.
27b
0793
Ear
then
war
eC
C(r
edw
are?
)1
>1
Red
cla
y w
ith
clea
r gl
aze
Pla
in b
ody
sher
d10
01C
lear
D2.
14
0343
Por
cela
inC
A1
>1
Pla
in b
ody
sher
d10
01W
hite
D1
302
31E
arth
enw
are
CC
Whi
tew
are
2>
1D
ecor
ated
she
rd10
03W
hite
wit
h sq
uare
go
ld f
leck
s
D2.
27B
0797
Ear
then
war
eC
CW
hite
war
e1
2P
lain
bod
y sh
erd
1001
Whi
te
D1.
27
0762
Ear
then
war
eC
CW
hite
war
e1
>1
Pla
in b
ody
sher
d10
01W
hite
D4.
24
0678
Sto
new
are
CB
1>
1P
lain
bod
y sh
erd
1001
Gre
y
D3.
14
0366
Ear
then
war
eC
CW
hite
war
e1
>1
Pla
in b
ody
sher
d10
01W
hite
D2.
26
0714
Ear
then
war
eC
CIr
onst
one
1>
1P
lain
bod
y sh
erd
1001
Whi
te
D3.
14
0368
Por
cela
inC
A1
>1
Impr
int o
n le
tter
sD
ecor
ated
she
rd10
03W
hite
D3.
23
0808
Por
cela
inC
A1
>1
Pla
in b
ody
sher
d10
01W
hite
D3.
16
0732
Ear
then
war
eC
CW
hite
war
e1
>1
Pla
in b
ody
sher
d10
01W
hite
D2.
25
0427
Sto
new
are
CB
19
Dec
orat
ed s
herd
1003
Bla
ck g
laze
D1.
44
0339
Ear
then
war
eC
CW
hite
war
e1
3P
lain
bod
y sh
erd
1001
Whi
te
D3.
17
0773
Ear
then
war
eC
CW
hite
war
e1
>1
Pla
in b
ody
sher
d10
01W
hite
D4.
23
0263
Ear
then
war
eC
CW
hite
war
e1
>1
Dot
ted
form
Dec
orat
ed s
herd
1003
Blu
e tr
anfe
r pr
int
D3.
13
0250
Ear
then
war
eC
CW
hite
war
e1
>1
Pla
in b
ody
sher
d10
01W
hite
D3.
23
0808
Sto
new
are
CB
1>
1D
ecor
ated
she
rd10
03R
ich
brow
n on
one
si
de, g
reen
on
the
othe
r
D4.
24
0678
Ear
then
war
eC
CW
hite
war
e1
>1
Pla
in b
ody
sher
d10
01W
hite
D4.
23
0262
Ear
then
war
eC
CW
hite
war
e1
>1
Pla
in b
ody
sher
d10
01W
hite
D4.
2.1
607
46S
tone
war
eC
B1
1P
lain
bod
y sh
erd
1001
Whi
te
D2.
3.2
607
22S
tone
war
eC
B1
3D
ecor
ated
she
rd10
03Y
ello
w g
laze
D2.
24
0675
Ear
then
war
eC
CW
hite
war
e1
>1
Pla
in b
ody
sher
d10
01W
hite
D4.
34
0392
Ear
then
war
eC
CY
ello
ww
are
22
Dec
orat
ed s
herd
1003
Yel
low
pal
e gl
aze
D3.
1.1
604
90S
tone
war
eC
BS
alt g
laze
d1
1P
lain
bod
y sh
erd
1001
Gre
y
D2.
24
0412
Por
cela
inC
A1
1P
lain
bod
y sh
erd
1001
Whi
te
D2.
25
0428
Por
cela
inC
A1
>1
Pla
in b
ody
sher
d10
01W
hite
D3.
3.2
605
09E
arth
enw
are
CC
Whi
tew
are
1>
1P
lain
bod
y sh
erd
1001
Whi
te
D3.
46
0738
Sto
new
are
CA
1>
1D
ecor
ated
she
rd10
03R
ich
brow
n gl
aze
D2.
27B
0797
Sto
new
are
CB
1>
1W
ith
rais
ed le
tter
OD
ecor
ated
she
rd10
03B
lack
D3.
37
0778
Sto
new
are
CB
Whi
tew
are
1>
1P
lain
bod
y sh
erd
1001
Whi
te
D2.
1.4
607
12E
arth
enw
are
CC
Whi
tew
are
1>
1P
lain
bod
y sh
erd
1001
Whi
te
D1.
2.1
604
61S
tone
war
eC
B1
>1
Pla
in b
ody
sher
d10
01G
rey
D1.
25
0685
Por
cela
inC
A1
2P
lain
bod
y sh
erd
1001
Whi
te
D1.
3.3
604
74S
tone
war
eC
B1
>1
Pla
in b
ody
sher
d10
01N
o gl
aze
D1.
2.3
604
66S
tone
war
eC
B1
1D
ecor
ated
she
rd10
03B
row
n gl
aze
D4
1007
Ear
then
war
eC
CT
erra
Cot
ta1
2P
lain
bod
y sh
erd
1001
Ter
ra c
otta
D4.
17
0782
Ear
then
war
eC
CIr
onst
one
230
Pla
in b
ody
sher
d10
01P
late
rim
18cm
Whi
te
D1.
44
0338
Ear
then
war
eC
CW
hite
war
e10
17P
lain
bod
y sh
erd
1001
Whi
te
D4.
35
0694
Ear
then
war
eC
C1
8W
hite
inte
rior
Dec
orat
ed s
herd
1003
Lig
ht b
lue
D4.
44
0400
Sto
new
are
CB
263
Wit
h ri
m s
crub
bed
free
of
glaz
eD
ecor
ated
she
rd10
03Ju
g18
cm
Gre
y
D4.
24
0678
Por
cela
inC
A1
>1
Pla
in b
ody
sher
d10
01W
hite
D3.
2.1
605
04E
arth
enw
are
CC
Ben
ning
ton
1>
1D
ecor
ated
she
rd10
03R
ich
brow
n be
nnin
gton
gla
ze
D3.
1.3
604
92S
tone
war
eC
B1
3D
ecor
ated
she
rd10
03B
lue
pain
t
D1
202
05E
arth
enw
are
CC
110
Pla
in b
ody
sher
d10
01N
o gl
aze
D1
202
05E
arth
enw
are
CC
Whi
tew
are
42
Pla
in b
ody
sher
d10
01W
hite
D1
202
05P
orce
lain
CA
1>
1P
lain
bod
y sh
erd
1001
Whi
te
D1
202
05E
arth
enw
are
CC
Pea
rlw
are
1>
1D
ecor
ated
she
rd10
03B
lue
pear
lwar
e w
ith
whi
te d
ots
D2.
1.3
607
10E
arth
enw
are
CC
Whi
tew
are
31
Pla
in b
ody
sher
d10
01W
hite
D1.
2.1
604
61P
orce
lain
CA
1>
1U
nkno
wn
desi
gnD
ecor
ated
she
rd10
03B
lue
tran
sfer
pri
nt
D2.
3.2
607
22E
arth
enw
are
CC
Whi
tew
are
14
Dec
orat
ed s
herd
1003
Blu
e an
d ye
llow
pa
inte
d w
avy
desi
gn
D2.
1.1
604
85E
arth
enw
are
CC
Whi
tew
are
46
Bas
e of
sm
alle
st p
iece
has
dar
k bl
ue d
otte
d tr
iang
les
Dec
orat
ed s
herd
1003
Blu
e an
d ye
llow
pa
inte
d w
avy
desi
gn
D1.
3.3
604
74P
orce
lain
CA
1>
1A
ppea
rs to
be
an a
ntiq
ue
depi
ctio
n of
a r
ed s
wal
low
's ta
il
and
the
edge
of
a bl
ue w
ing
Dec
orat
ed s
herd
1003
Blu
e an
d re
d pr
int
D2.
2.3
607
18E
arth
enw
are
CC
16
Eit
her
bric
k or
terr
a co
tta
Til
e ,
who
le/r
esto
red
plai
n10
25R
ed ti
le2x
2 cm
Pla
in
