Dance & Media

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EMLP > DANCE & MEDIA Oskar Schlemmer: “Ambulant architecture” GARETH PUGH costumes for Royal Ballet (UK) Carbon Life http://www.youtube.com/watch?v=UkT54BetFBI Loie Fuller, Serpentine Dance 1899 http://vimeo.com/15058318 http://www.youtube.com/watch?v=87jErmplUpA Triadic Ballet, 1927 Alwin Nikolais, Imago, 1963

Transcript of Dance & Media

EMLP > DANCE & MEDIA

Oskar Schlemmer: “Ambulant architecture”

GARETH PUGH costumes for Royal Ballet (UK) Carbon Life

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Loie Fuller, Serpentine Dance 1899

http://vimeo.com/15058318 http://www.youtube.com/watch?v=87jErmplUpA

Triadic Ballet, 1927Alwin Nikolais, Imago, 1963

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After arriving in NYC in 1932, already well known, prestige dates followed the Nicholas Brothers through the thirties: Lew Leslie’s Blackbirds in London (1936), the Ziegfeld Follies of 1936, and the Broadway show Babes in Arms (1937) where their choreographer was Ballanchine.

A Study for Choreography of the Camers, 1945

100 Denishawn dancers appeared in the temple dance sequence of D.W. Gri�th’s 1916 �lm “Intolerance”

The "By A Waterfall" production number from Footlight Parade (1933) made use of one of the largest soundstages ever built, constructed especially by Warner Bros. to �lm Berkeley's creations.

http://www.ubu.com/�lm/deren_study-in-choreography.html

http://www.youtube.com/watch?v=H-uwuH_Qix4&list=PLb6NZAmUioB3cRpDkaAiew3u5cnq9HqZ0&feature=share&index=7

Norman McLaren’s Pas De Deux, 1968

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Life Forms was created at Simon Frasier University, British Columbia, Canada beginning in 1986. The Life Forms software portrayed outlines of the human �gure in a three-dimensional space. The computerized �gures had movable joints, and could be made to do all kinds of movements, including spins, jumps, leaps, reaches, and bends.

“It seems clear that electronic technology has given us anew way to look. Dances can be made on computers ,pictures can be punched out on them, why not a notationfor dance that is immediately visual?”

(Merce Cunningham, Notes on Dance, 1968)

The �rst known use of computers in the creation of a choreography occurred in 1964 when Jeanne Beaman and Paul Le Vasseur at theUni-versity of Pittsburgh used a computer to gener-ate random,performable dance sequences.

Noll, M. (1967), "Choreography and Computers", Dance Magazine ,January 1967.

Lansdown, J., (1978), “The Computer in Choreography.” IEEEComputer Vol. 11,No.8. August 1978, pp. 19-30.

1984 Peggy Brightman Choreo

1989 Troika Ranch, Isadora http://troikatronix.com/isadora/about/

EMLP > DANCE & MEDIA

http://www.youtube.com/watch?v=C4He543_a80

http://www.vdb.org/titles/merce-merce-paik http://www.youtube.com/watch?v=NSeT4i5zWEs

MERCE

CHUNKY MOVE

http://www.youtube.com/watch?v=YHeoYdDMbLI

FORSYTHE

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PPS DansePôles, 1996

http://vimeo.com/86553654

http://youtu.be/YoF2UCGj_NwDumb TypeMemoRandum, 1999

http://www.culturebase.net/artist.php?195

http://youtu.be/ZHU5QLEjGAg

NibrolSee/Saw, 2011 http://youtu.be/GzKNzrVdSEI

LaLaLa Human StepsAmelia, 2002

Random DanceUndance, 2011 http://youtu.be/t1AWij9twWc

DV8 Physical TheaterThe Cost of Living, 2002

http://youtu.be/0ZTMyWt50kkhttp://www.youtube.com/watch?v=-q5NugYveAs

David ParsonsCaught, 1982

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Degas Dances (Act 1) by Ballet Pixelle, 2010http://www.youtube.com/watch?v=2610ggGN2-M

Second Life Ballet, Olmannen, 2007http://www.youtube.com/watch?v=twrlfOyAtNM

Pygar Dancing, 2013http://www.youtube.com/watch?v=BqCPnnttB7I

One Billion Rising, 2013http://www.youtube.com/watch?v=ODrdMQbZmN8

Lady Gaga *Paparazzi* Second life versionhttp://www.youtube.com/watch?v=vHsmPjUvzrY

Synthetic Performances, 2009http://www.0100101110101101.org/home/performances/

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