ART • JU LIANA SPAHR• SEX - eVols

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Transcript of ART • JU LIANA SPAHR• SEX - eVols

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INKED• FENDI ART • JU LIANA SPAHR• SEX &ZEN

FESTIVAL DAY AUGUST 27th 3pm • 7pm In the Great Room at the Four Seasons Lodge at Koele

An Afternoon of Award Winning Slack Key Music at The Four Seasons Lodge at Koele, with Grammy, Na Hoku Hanohano & Hawaiian Music Award Winners: Dennis Kamakahi, John Keawe,

Sonny Lim, Cindy Combs, Brother Noland, Kevin Brown and Hula with Hope Keawe.

AUGUST 27th 8pm • 10pm Start Ute Day wlUt Music at

Kl H , I f' id J Coffee Works Slack Key 0 8 U lr85 8 8ffl 9am-11am Saturday August 27th

Enjoy Slack Key by the Fireplace care 565 with Grammy Winning friends Slack Key Lunch Stop

in The Great Room Saturday 11am-1pm

at The Lodge at Koele. S Venues of Slack Key

LanaiSlackKeyFestival.com FourSeasoris.com/Lanai HawaiiOnTV.com JazzAlleyTV.com

2 Honolulu Weekly • August 24-30, 20 11 • www.honoluluweekly.com

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-Letters

One of many [Aug. 17: "The Weekly Needs Your Kokua: An Appeal from the Publisher"] Mahalo Ma­halo Mahalo. We never donate usually. Money is tight, but we love the issues you cover. We especially appreciate your coverage of environmental is­sues as well as topics about Hawaiian rights. We'll gladly donate again to keep your pa­per running.

"he kama na mlinoa" Via Honolulu Weekly.com

Privacy, please [Aug. 10: "Island Sweeps"] The shelters are like prisons; it makes no sense having shelter rules that keeps the homeless away from them . How about

HONOLULU

Weekly Vol. 21 , No. 34

August 24-30, 2011

Our Mission: To create a high-quality, profitable

weekly O'ahu newspaper that provides its readers with independent,

entertaining, provocative coverage examining local issues, arts and events

in a visually striking format.

Publisher Laurie V. Carlson

Editor Lucy Jokiel

Managing Editor Shantel Grace

Arts & Entertainment Editor Ryan Senaga

Calendar Editor Matthew DeKneef

Food & Drink Editor Martha Cheng

Film Critic Bob Green

Copy Editor Ashley L. Angello

Contributing Writers Christa Wittmier, Kalani Wilhelm, Matthew Kain, Jane Callahan, Margot Seeto, Michal Jones-Smith, Maria Kanai , Joan Conrow

Staff Writer Niko Rivas

Editorial Intern Kathleen de Lara

Director of New Media & Production Joe Edmon

Production Assistant Hideyo Kusano

Photography Intern James Okemura

Cartoonists & Illustrators John Pritchett, Slug !,ignorino, Tom Tomorrow

Cover Illustration by Hideyo Kusano

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giving the homeless rooms with privacy so they can live their lives as they see fit, and look for work, like 95 percent of them want to?

"FreedomFighterlOO" Via Honolulu Weekly.com

Tusitala memory [Aug. 10: "My City of Ruins"] I returned to Hawai'i with my two daughters in March 1989. I called Ron Hewlett of Cen-Pac Properties who had been my landlord when I left and asked if he had anything available. He told. me about a plantation house at 2461C Tusitala St. for rent for $600 month . As soon as I saw it, I fell in love with it and immediately called him and said that I would take it. I didn't even need to see the in­side. It was the house that I had always dreamed of living in and believed that I would live there until I died.

When I went insid~, I saw beautiful wood floors , pocket doors between the kitchen and dining area and the living room and bedroom. There were a small back lanai that extended to the bathroom. The door from the shower to the outside had been closed off, but its rem­nants where still there. There was ginger in the front, an open car port and a stoop on either side of the steps to the front door and a door with glass pan­els. There was a clothes line in back where I hung my clothes and a space on the side for my washing machine . Big win­dows kept the place cool. I have numerous pictures of my house from when friends came over.

Nancy lived next door. She had come from the Big Island with her husband who had had a stroke and needed rehab at the Rehab Hospital of the Pa­cific. Her children came all the time to visit her and her cottage was like mine except she had a booth in the dining area.

She said that this land be­longed to the queen and could not have anything built on it higher than 5 stories and so it would not be developed.

When I got the notice of the eviction , I went before the WaikikI Neighborhood Board. I was told that there would be no coverage of this as they had been told to downplay the evic­tion of the Tusitala neighbor­hood. It was not to be presented as a neighborhood of people, but rather as "the jungle" where drugs were rampant and it was being "cleaned up." I spoke -be­fore the Honolulu City Council about the need for a demoli­tion moratorium rather than a building moratorium. Tusitala Street is one of many examples of that. When the first cottage was bulldozed down, I came from work, watched them and was ready to go up and stand in front of the bulldozer. My heart broke. Later, that picture of my house was on the evening news.

When the issue of devel­opment came up again and Tusitala Street was in the news, I called up the newspaper and volunteered for the story as I was a resident. A reporter came

Pritchett

IMITATION FLAVOR• LIES AND DECEIT

and took my picture holding onto the chain link fence in front of where my house was. The story was entitled some­thing about woman who lived here with two daughters now pays $1,400 a month rent.

I am currently up on the mainland . I came up here in 2006 to take care of my elderly parents. My mother passed in May 2008 and my father in October of that same year. I got ready to return home, but needed a hip replacement, which I had in February of this year. I had planned to return in August , however, the de­crease in my activity since my hip replacement has taxed my heart so sufficiently that now a congenital problem needs to be fixed. I will have open heart surgery on Sept. 21, 2011. I tell you this to let you know that I will be slightly delayed in my return home, however, I will be home early next year, as soon as I have recovered. In the mean­time, please let me know what I can do to help people know the story of the people who lived where vacant lots now stand. Perhaps, they will come to un­derstand the magic and beauty and it will come alive.

Mahalo for remembering.

One voice

Brandi Apana San Francisco

[Aug. 17: "The Weekly Needs Your Kokua: An Appeal from the Publisher"] For all the cop­ies you provide at the front desk of my building at 711 Kapi'olani Blvd. so I can dis­tribute to my fellow staff at the Office of Hawaiian Affairs without depleting your stand across on Cooke Street-Ma­halo. And here's to many more excellent years. Wish we could

give more kala right now from our own pockets ... hope your appeal helps. We need your voice.

JB Norris Honolulu

LBGTQ tradition Awesome article [June, 2007: "Historically Speaking"]! The world needs to know the truth about the positve places gays, lesbians, bi-sexuals and trans­genders held in many pre­Christian socities/cultures. I love reading about the aikane in traditional Hawaiian culture!

"DGM4PAGANMAN" Via Honolulu Weekly.com

Criminals, before it was illegal I am a Hawai'i inmate at the Red Rock Correctional Center in Eloy , Arizona. I am writ­ing to you in response to (June 2011: "Hawai'i Seperate from USA"].

The laws enforced on many of us are illegal and our convic­tion and incarceration are ille­gal. And many of us "prisoners" were born long before Hawai'i even became a US state.

These are the kinds of legal issues that the American Civil Liberties Union, Native Legal Corporation and other advocates should be fighting for, as they involve not just one or a hand­ful, but thousands in the Hawai'i prison system.

Meatheads

Lael Samonte Eloy, Arizana

COPYRIGHT JOHN S. PRITCHETT

are being created in the name of food "safety" for small farms. If one does a simple research on food contanimation events in recent history, they almost all invariably are linked to big fac­tory food production. The fact is the big corporate food industry can't_ fathom even the thought of losing any more market share to fhe organic food mov­ment, and consequently support measures like HB 667. As with other situaitons, we must follow the money.

I was very disapointed (but not surprised) to read that the Hawaii Farm Bureau so enthu­siasitcally backed the bill. Their relationship with the sponsors of the bill should be investigat­ed, and if any money changed hands or promises were made between people at HFB and the bills sponsors , then the people involved should step down or be made to step down . Under­mining small, local farmers is not a part of their (Hawaii Farm Bureau) mission statment.

"DAN" Via Honolulu Weekly.com

We love to get letters and print as many as space allows. Letters are often edited for length and clarity. Letters should be signed with the writer's full name and their town or city.and state, as well as phone number for confirmation only.

[July 13: "Safe for Whom?"] WRITE TO: The FDA is almost criminally Letters to the Editor, 1ax when it comes to regulating Honolulu Weekly, 1111 Fort meat safety (meat industry lob- Street Mall, Honolulu, HI, byists have rendered them this 96813. Fax to 528-3144 way) . So I find it suspect that or e-mail to editorial@ such rigorous and strict laws honoluluweekly.com.

www.honoluluweekly.com • August 24- 30, 2011 • Honolulu Weekly 3

honolulu diary END OF RURAL O'AHU?

The battle to "keep the country country" showed it was still alive and well

at a City Council meeting last Wednesday, where Ko'olau residents butted heads over a possible development in La'ie. The campaign, titled "Envision La'ie," was put together by the Mormon community, which operates the Bringham Young Unversity (BYU) campus and works with the Polynesian Cultural Center on the North Shore.

Supporters were easy to spot, clad in uniform blue shirts that read "I support the Ko'olau Loa Sustainable Communities Plan." The question was, sus­tainable for whom? While the supporters of the 222-unit hotel were made up mostly of mem­bers of the Mormon commu­nity, many others had made the trip downtown to voice their concerns over the proposal.

One woman questioned whether the the project was for the gain of just the Mormon Church, which also wants to expand its BYU campus, or for the community as a whole.

Of the all the O'ahu resi­dents who were polled, about the La'ie project, only 71 of them were from La'ie. Diana Ho, a homeowner from La'ie, said that the "price of keeping the country country is eternal vigilance," stating that even city folk need to escape to the country on occasion.

Resident Dave Crease claimed the project would cre­ate jobs ranging from construc­tion to hospitality positions.

"In these challenging eco­nomic times, we see our chil­dren moving to the mainland because there are no jobs close to home," said Crease, who added, "This is an opportunity for BYU students to find jobs in hospitality."

After the demolition of the previous local inn, one long­time resident of Ko'olau said that the only current lodging option is Turtle Bay, which is

too expensive for many visi­tors. Councilmember Romy M. Cachola then asked what developers believed the price range of the new lodging would be, to which one man answered "probably one-third less than Turtle Bay."

Cachola laughed and said, "When the time comes, I'm go­ing to nail you on that!"

Dell Samoi, also a North Shore resident, said that the hotel would prevent many from commuting into town and back each day for work, giving them more time to spend at home ·with their families.

For those not dressed in baby­blue, the upset was palpable.

"Don't let the blue shirts in the room trick you into think­ing everyone supports this ho­tel," said one Dotty K. to 'the council members. Whereas the former in,n was a modest 55-room building, the new project, she said, is "overkill."

North Shore resident Jim An­thony said that the hotel would be the beginning of the end of rural O'ahu. He stated any de­velopment is bad development, as "there is no such thing as be­ing a little bit pregnant."

Another testifier said that the addition would crowd the narrow local road, negatively impact the surrounding wild­life and "obliterate the mauka view" with a "huge, inappropri­ate design."

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Look at the city differently, Learn to hone your skills as a writer.

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4 Honolulu Weekly • August 24-30, 2011 • www.honoluluweekly.com

Andrea Anicks, who had moved from Kane'ohe to es­cape booming developments, pointed out that La'ie already exceeds the defined capacity of the rural master plan by 7,000 people. And the new hotel could add an extra 5,000 to the total. In addition, construction would remove the 106-year-old Ka'a'awa school. "People who live there do so to enjoy the ru­ral lifestyle," she said. "That's why we call this the 'Invasion La'ie' project."

Unfortunately, after what has already become a lengthy pro­cess, a decision on whether or not to give the green light for building was deferred until Sept. 16. Cachola expressed the hope that the opposing par­ties could reach a compromise before the next meeting. In addition, a flood study is still outstanding since the region is prone to flooding.

-Jane Callahan

TRADES AND BIG WIND

The viability of the con­troversial $3 billion "Big Wind" project may be un­

dermined by the global climate change it is intended to help mitigate.

Preliminary plans call for building dozens of windmills on Lana'i and Moloka'i to generate some 400 megawatts of power to be transmitted by undersea cables to O'ahu. The goal is to reduce the amount or imported oil that Hawaiian Electric Company (HECO) is burning to make electricity.

Much of the discussion about the project-known officially as the Hawaii Interisland Re­newable Energy Program, has focused on the cost, non-com­petitive bidding procedures and mounting opposition from Lana'i and Moloka'i residents. But a key question remains: as the global climate changes, can Hawai'i count on having brisk, steady trades to turn the windmills?

According to researchers, the question may not be fully

answerable right now, given the complex nature of wind and current limitations in modeling the climate system.

State Climatologist Dr. Pao­Shin Chu, who is also a profes­sor of meteorology at the Uni­versity of Hawai'i at Manoa, conducted a study last year on the number of trade winds days in the Islands. "We did find there [has been] a signifi­cant drop in trade-wind fre­quencies at major airports in Hawai'i over the last 30 years," he wrote in an email. "At pres­ent, it is hard to say for sure this phenomenon is caused by the global warming, although it cannot be ruled out."

The issue of wind intensity is less c1ear cut. Moloka'i and Lana'i were chosen, in part, for the strength of their winds, which are reportedly able to generate more energy than most other places in the nation. But whether that will remain true in the future is unknown.

"In response to anticipated global warming, we have a fairly robust expectation of weaker tradewinds in the Pa­cific, nearer the equator," wrote Dr. Kevin Hamilton, director of the IPRC and UH meteorology professor, in an email. '' [W]hat will happen around Hawai'i, up here at 20 degrees North, is less certain, however, and we can't be sure that the long-term trend will be for weaker trades here, or how much bigger the trend would be."

Dr. Charles "Chip" Fletcher III, chairman of th~ UH-Manoa geology and geophysics depart-

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ment, concurs, "There is wide disagreement on the validity of this idea.

"This area of climate science is highly debated and no clear consensus has emerged. Mod­els and observations do not uni­formly agree, so it is too early to tell what the future holds."

The assessment is further complicated by natural varia­tions in the wind cycle, limita­tions in available data and even the methods used to collect that data, according to Hamilton.

"Recent research at my cen­ter (led by Dr. Hiroki Toki­naga) has shown that just the overall trend to having larger ships in the commercial fleet has affected the observations of 'surface' winds over the ocean, which are taken on board ships somewhere above deck level," Hamilton wrote. "Since the wind speed generally increases with height, the trend to larger ships has introduced a spurious increase in the 'observed sur­face' winds over the ocean."

But even after making adjust­ments for these effects, he wrote, "It is found that the trends near Hawai'i in surface winds have not been simple." Data seem to indicate that "the winds have significant natural fluctuations, as well as long-term trends that may be driven by human-in­duced climate change."

Ultimately, Hamilton wrote, both global warming and natu­ral fluctuations could impact local winds, and with them, wind farms in the Islands. "[U]nfortunately no one can provide a definitive forecast now of what to expect in 10 years, 50 years or 100 years."

-Joan Conrow

-Health

Body' Professionals in Honolulu urge tattoo seekers to think before they ink

lnk-orporated MATTHEW KAIN

I n the state of Hawai'i, it's illegal for anyone other than a licensed professional, working in a professional stu­

dio, to work as a tattoo artist. There are potential health risks involved, and tattooing is an especially easy way to transmit communicable diseases-like hepatitis, HIV, HPV and tuber­culosis-when proper health .guidelines aren't followed. Licensed tattoo artists are re­quired to take courses on blood borne pathogens, as well as the proper protocol for setting up, tearing down and sterilizing their studio or work area.

However, tattoo machines , needles, inks and other sup­plies, can be purchased by, well, anyone with enough money to buy them. A person doesn't need a license to pur­chase a tattoo gun, nor do they have to be educated on subjects like sterilization or blood borne pathogens. A person doesn't even need to be 18.

"There are a number of plac­es that people of any age can purchase equipment and have it in their hands ," -says Tattoo Hawai'i's Peggy Sucher, a·tat­too artist of 30-plus years and a health instructor for the Alli­ance of Professional Tattooists. "I don't care if the person is 30 years old. If they don't un­derstand the principles behind tattooing and the safety issues involved , it can be a deadly process."

The lack of regulations surrounding the sale of tat­too equipment puts tattoo guns right in the hands of the "scratchers," or the hacks of the body art industry. Scratch­ers are the people who will tattoo any willing person for a seemingly irresistible price, the whole of which is really paid for by having to live with a shitty tattoo for the rest of ones days. We've all seen them; the half-assed, faded , squiggly­lined, back-room toddler draw­ings that look like they belong more on a refrigerator than on a forearm. But the visual results of poor quality tattooing are a small inconvenience compared to a lifetime of health-related issues due to hepatitis or some other communicable disease.

Dr. Alan Tice, an internist at Queens Medical Center specializing in communicable diseases, treats patients for all kinds of ails, chief among them-hepatitis. He agrees on the importance of good stan­dards and education for tattoo

artists as well as the education of their clientele. Tice has also seen cases of communicable diseases contracted through tattooing firsthand. "I know of cases, a lot of cases actually. It 's not as frequent as injection drug use, but I clearly see it coming from tattoos. No ques­tion about it."

Hardly Skin Deep The glamorization in recent years of tattooing via reality television shows has induced an explosion of popularity , while simultaneously making the practice (formerly a pack­room subculture) mainstream cool. It has also flooded the industry with a plethora of not­so-reputable inkers .

"When I first started get­ting tattooed, you got tattooed because you wanted to be dif­ferent," says Mike Ledger, an O'ahu artist of both ink and canvas who boasts over 20 years of tattooing experience. " Nowadays , because of the popularity of it, the stigma is reversing. 'I want to be the cool kid; I want to get those sleeves' is the mentality. Whereas when I got it done, I wasn't the cool kid. I was definitely walking that different path."

Ledger wants to see tattooing preserved as both an art form and as a profession for the next generation of tattooists, not ex­ploited as a bandwagon move­ment by trendsetters . "People see tattooing-especially when they put it on TV-and these

' ..

tattooists on TV are buying Rolexes and Escalades in cash. These shows came on TV, and a lot of people got involved in tattooing that had nothing to do with tattooing other than trying to make a profit off of it."

Notwithstanding their main­land pop-ularity, tattoos have been a part of Polynesian cul­ture for over two centuries. Even the word tattoo-a result of Englishmen mispronounc­ing the Samoan word "tatau" -originated in the Islands. It goe,s without saying that to this day people in Hawai'i and all over the Pacific consider tat­tooing a mainstay in cultural bonding and showing pride in their heritage.

Ledger continues, "Tattoo­ing has been a big part of Poly­nesia, but also the people that were doing it were very well­respected members of the com­munity. And I think nowadays , being a tattooist , you have a tremendous amount of respon­sibility. Before you pick up that machine, it's your responsibil­ity to learn about what you're passing onto people, it's not just a tattoo."

Body art may no longer be privy to subcultures, but for those who freeze memories in ink, they're forever reminded of a significant time or event in their life; a whim or an ide­ology that they felt needed to be embedded deeply-and un­fortunately, sometimes not so deeply-beneath their skin. •

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www.honoluluweekly.com • August 24--30, 2011 • Honolulu Weekly S

' ( ,. . i. • 'l ',

In the age of plastic, how do we kick the habit?

p STIC Addiction is a sl-ippery downward

spiral that transforms substances

we once enjoyed in moderation to

something we can't seem to live

without. Think cigarettes, alcohol

and drugs. So for the sake of honesty,

I'm going to come clean: "My name

is Stuart, and I'm recovering from

an addiction to single-use plastics."

FANTASTIC LOVE

STUART COLEMAN

Like every other kid growing up in the Age of Plastic, I didn't realize how pervasive this petro-chemical sub­stance had become or how

dangerous it is to the environment and my own health. But after binging on single-use bottles and bags for de­cades, Americans are finally waking up to the fact that we've been drowning in a pool of our own plastic waste. Think of the North Pacific Garbage Patch, where plastic debris outweighs plank­ton and kills countless marine creatures. Think of the waterways, the beaches and the landfills, where plastic pollu­tion contaminates our lives and our environment.

"I didn't realize how plastic my world had become until I decided to go an entire day without touching anything plastic," writes Susan Freinkel in her new book Plastic: A Toxic Love Story. The experiment lasts less than a min­ute before the author realizes she can't avoid the stuff because it's everywhere. Look around: it's hard not to find some form of plastic, from ABC bags to water bottles to Styrofoam containers from Zippy's. Plastic should be required reading for recovering plastic addicts because it offers hope and simple solu­tions for people looking for a cleaner, healthier lifestyle.

The Rise of Plastics

Starting with the pioneers of plastic engineering, Freinkel gives a fas­cinating history about the rise of

plastics in the late 19th and early 20th century. She shows how the industry was intricately tied to the boom in oil and petro-chemical production. "The growing reliance on fossil fuels helped drive the growth of modern plastics industry," she says. Big oil companies began to use their waste products like

111 ethylene as a raw material for plastic

polymers. Now, the US produces and sells more than 100 billion pounds of plastics each year, making it the coun­try's third largest manufacturing indus-try, behind cars and steel.

To her credit, Freinkel accurately points out the many useful and diverse

6 HonoluluWeekly • August24--30,2011 • www.honolulu\Veekly.com

forms of plastic, from common combs to clothing to sophisticated medical equipment. She shows how large com­panies like Dow, DuPont and Exxon­Mobil have become modern alchemists, transforming plastic polymers into any shape, texture or product we desire, just by adding certain chemicals. But many of these chemicals are toxic and barely regulated. Recent scientific studies and medical research show how dangerous and pervasive these additives are to our environment and health.

Used in everything from baby bottles to food packaging, plasticizing agents like phthalates, bisphenolA (BPA) and DEHP have become so common in consumer and industrial products that they are literally leaching into our lives. "The result is that at least 80 [percent] of Americans," Freinkel states, "now carry measurable traces of DEHP and other phthalates in their bodies." These chemicals have been proven to be endocrine disruptors that are passed down to our children like "hand-me­down poisons." They can even lead to asthma, attention deficit disorder, dia­betes, cancer, heart disease, infertility, obesity and various hormonal disorders. Manufacturers produce half a billion pounds of these additives each year, .earning them more than $37 billion, while these chemicals drive up health care costs for the rest of us, especially in Hawai'i.

"US regulators at both the Food and Drug Administration (FDA) and En­vironmental Protection Agency (EPA) have lagged behind the changing sci­entific understanding about chemical risks," writes Freinkel. "But there is a bigger problem: US law tends to treat chemicals as safe until proven other­wise." Of the 82,000 chemicals in use today, almost all are presumed inno­cent until proven guilty. What hap­pened to the precautionary principle of "Do No Harm?" Big corporations should be responsible for proving that their products are non-toxic. Yet many companies pass the buck onto the con­sumer, and that's why so many apart­ments, condos and homes in Hawai'i have ceilings made out of asbestos, a known carcinogen.

But what can we do, you might ask? Ask government agencies like the

FDA and EPA to demand tougher regulations, as do our European allies. "Guided by the precautionary princi­ple, Europeans began limiting DEHP and other phthalates while Ameri­can regulators continued debating the risks," Freinkel wryly observes. "In es­sence, European regulators are treating chemicals the way US regulators treat [pharmaceutical] drugs: they're pre­sumed to be dangerous unless shown to be otherwise. American manufacturers are already selling products in Europe­an markets that have been reformulated to comply with the precautionary prin­ciple." Why can't they offer those same safe products to the people ofHawai'i and across the country?

The Drastic Effects of Plastic

Along with serious health concerns, the author focuses her critical gaze on disposable plastics and

the growing mountains of waste that end up overflowing our landfills and polluting our rivers and oceans. 'We've learned to throw away so well that to­day half of all plastics produced go into single-use applications." We use things like water bottles, Styrofoam contain­ers and grocery bags once and only for a short time, but they last in the envi­ronment for hundreds of years. H~w wasteful and short-sighted is that? Our addiction to plastics has clouded our judgment, making us crave immedi­ate comfort and convenience over a healthier, more sustainable lifestyle in the long run.

Plastic pollution has also caused ex­tensive environmental damage, espe­cially in our oceans, where it kills all kinds of marine creatures through en­tanglement and ingestion. "Plastic de­bris has been identified as the cause of injury or death in 267 different species," Freinkel writes, "including 86 [percent] of all species of sea turtles 44 [percent] of all seabirds, and 43 [percent] of all marine mammals." Simply because many of these creatures die out of our sight, we would be out of our minds to allow this kind of pollution to continue killing them at such an alarming rate. Have you ever seen Chris Jordan's dis-

- --- -

'1n essence, European

regulators are treating

chemicals the way

US regulators treat

{pharmaceutical} drugs: they're

presumed to be dangerous

unless shown to be otherwise."

-Author, Susan Freinkel

turbing photos of the albatross sent the collective sins of the carcasses filled with plastic age of plastic," Freinkel ob­debris? serves in a recent Rolling Stone

In order to illustrate this article. When confronted with ugly reality, local artist and this and any other problem, the writer Susan Scott has made American Chemistry Council beautiful yet poignant art out (ACC), the powerful lobbist of of the single-use plastic light- the plastics industry, always re­ers and bottle caps she found peats its mantra that recycling inside the decaying bodies of is the ultimate solution. Yet albatrosses on Midway Island. they are not practicing what Scott collaborated with the they preach. "Unlike the paper, Surfrider Foundation to make steel and aluminum industries, a public service announcment the plastics industry has done (PSA) about the issue and little to support recycling, ex­worked with other artists to cept when it's under political organize an exhibit made from pressure, as in the current fight plastic marine pollution at the over plastic bags," the author 5th International Marine De- says. "Those materials [paper, bris Conference in Honolulu in - steel and aluminum] are recy­March of this year. cled at three to eight times the

Plastics never biodegrade, rates of plastics." but rather only break up into "Though we believe that smaller and smaller pieces material recovery in the waste called micro-plastics. In the stream is important, plastic ocean, studies have shown recycling is not the ultimate that nurdles, or plastic pellets, solution," says Stiv Wilson, a act like sponges that attract journalist and ocean activist heavy concentrations of harm- who worked with the Surfrider fol chemical pollutants like Foundation to help pass bag PCB, DDT, BPA and phthal- bans in the Pacific Northwest. ates, making them 100,000 "Industry, by their own admis­to a million times more toxic sion, can't make a bag out of a than surrounding waters or bag. It takes 70 percent virgin sediment. These polluted mi- plastic to create a new bag, cm-plastics are often eaten and which means all we're doing digested by bottom feeders and by plastic recycling is creating bigger fish, and the toxins are more, not less plastic in the then magnified up the food world, while giving the aver­chain, ultimately ending up in age, good intentioned citizen our seafood. So plastic pollu- the illusion of progress. This is tion is an environmental and precisely why industry pushes human health issue. plastic recycling-it's a guaran­

The Plastic Bag Wars

The plastic bag is the world's most common consumer item, as well

as one of the most littered items, on Earth. Americans go through more than 100 billion bags per year-yet less than 5 percent are yver recycled. "The plastic bag has come to repre-

teed increase in consumption, but it ultimately does nothing to reduce the amount of plastic garbage entering the ocean."

Wilson should know. As the communications director for the 5 Gyres Institute, he and co-founders Dr. Marcus Eriksen and Anna Cummins have sailed on scientific ex­peditions across the world 's oceans, sampling plastic debris along the way. "The 5 Gyres Institute is the first scientific

research group to gather base­line data of plastic pollution in all five major subtropical oce­anic gyres," Wilson says. Most people have heard about the Great Pacific Garbage Patch a few hundred miles northeast of the main Hawaiian Islands, but few people have seen first­hand the plastic pollution that is growing in the other gyres, located in the South Pacific, the North and South Atlantic and the Indian Ocean.

So how do we reduce the amount of single-use plastics in the environment and stop the flow of grocery bags into our waterways, beaches and oceans? It's about changing behavior and the social norm by making single-use plastic and paper bags unacceptable. Responding to public demands to reduce pollution and waste, countries and cities across the globe have begun banning or imposing fees on all single-use plastic (SUP) bags. The mes­sage is simple: BYOB-bring your own (reusable) bag. In Ireland and Washington, DC, they charge a fee on single-use plastic bags, and reusable bags ar.e now the new norm of what's expected and acceptable.

In Hawai'i, a coalition of groups helped pass bans on Kaua'i and Maui, and they've been fighting for the last four years for a statewide Bag Bill (SB 1363), which would im­pose a small offset fee on all single-use plastic and paper bags. Their coalition includes environmental organizations (Surfrider Foundation, Sierra Club, Kanu Hawaii, Kokua Hawai'i Foundation, Plastic­Free Hawai ' i and many oth­ers), business groups and stores (Retail Merchants of Hawaii, Hawaii Food Industry Associ­ation, Safeway and Times Su­permarkets), local schools and citizens who are all concerned about the spread of plastic

pollution in Hawai'i. As part of their Rise Above Plastics campaign, the Surfrider Foun­dation's Hawaii Chapters have also been showing the popular and award-winning new docu­mentary Bag It to schools and community groups across the Islands. The film uses humor, serious research and an inspir­ing story to help people deal with the plague of single-use plastics in the environment.

The Bag Bill

T-he Coalition was finally able to move their Bag Bill through all of the

committees in the House and Senate last legislative session, only to find it stuck in the final Conference Committee dur­ing the last day of debate. But the good news is that the bill is still alive and gaining popu­lar support. Coalition organiz­ers are confident they can pass it next year early in the session in a move to reduce the plastic wastes, which make up about a third of overflowing, municipal landfills across the country.

This kind of pollution policy is part of a global grassroots movement to embrace solutions like zero-waste and extended producer responsibility (EPR). Building towards a strong conclusion, Freinkel embraces these ideas: "Zero-waste poli­cies encourage people to re­duce consumption while also pushing industry to extend the lifespan of the things we use by designing and producing prod­ucts that can more readily be reused, repaired, or recycled." Like reusable bags. Taking this idea further, the author sug­gests that we shift the burden of disposal from consumers to the producers. "The basic con­cept of EPR is simple: make the producer responsible for a product's entire life, not just while it is in use but also after

it's been used. As one EPR ex­pert explained it: 'you make it, you deal with it."'

In the middle of his career, Ray Anderson, chief executive officer of the world's largest carpet company, came to the gruesome awakening that he and his fellow corporate lead­ers were basically "plunderers of the planet." So he changed ' his business model, reduced his environmental footprint, cut out the toxic plastics and chemicals in his carpets and became America's most suc­cessful green business leader. By encouraging his clients to bring back their used carpets to his company, Anderson guaranteed their return busi­ness while also promoting recycling and a more sustain­able and profitable business model. Although Anderson died on Aug. 9, his message about the benefits of EPR and zero-waste policies should re­verberate throughout the busi­ness world and help revamp the government's green jobs initiatives.

The first step in dealing with any kind of addiction is admit­ting that there's a problem. But a number of local' politicians, bureaucrats and corporate lob­byists are still in denial, refus­ing to deal with the growing amounts of plastic pollutants in our landfills, in our oceans and even in our bodies. Still, there are signs of hope and recovery. We are at the tipping point. And books like Freinkel's Plastic: A Toxic Love Story and popular documentaries like Bag It are motivating people to get involved and demand poli­cies that dramatically reduce plastic pollution.

If .you're recovering from your own addiction to single­use plastics, maybe it's time to kick the habit and embrace a healthier lifestyle and cleaner environment. •

www.honoluluweekly.com • August 24-30, 2011 • Honolulu Weekly 7

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Clubs Fade to Black

0 n July 23, Amy Wine­house died at the age of 27.

With smoky Cleopatra eyes and a deep contralto to match, Winehouse released two albums: her debut, Frank, and the critically acclaimed sophomore effort, Back to Black. Using her very public battle with drugs and alcohol, the singer poured herself into her music, composing pain­fully aching lyrics that were equally cool and self-critical ("I cheated myself I Like I knew I would"), while still striking nerves with anyone who's ever battled the bittersweet after­math of a breakup ("I want to touch you/ But that just hurts I When will we get the time to be just friends?").

Her jazz and blues stagger and sway-deliberately brusque phrasing and evocative play-it­as-it-lays attitude-influenced many, from compatriot singer Adele to Chanel designer Karl Lagerfeld. It's no surprise then that the first great soul singer of this century's legacy extends across two oceans to our own little Pacific version of Camden Town's soul scene.

Honolulu jazz fans gath­er in Chinatown for A Live Tribute to Amy Winehouse featuring soul and blues sing­ers Yoza, Taimane Gardner, Candy Diaz, Kings of Spade, Makke Farley, Kitty Chow and The Bentos, each of whom will pay homage in a celebration of the late singer's music-golden records chat' II surely grace jukeboxes for decades to come.

-Matthew DeKneef

Nextdoor, 43 N Hotel St., Fri., 8/26, 9 PM, $10, nextdoorhnl. com

J. ~"

Stage Donnie Barko Meets Wilfred

When grown men stare talking to imaginary animals, you can

bee something epic's about to happen. In Elwood P. Dowd's case, it's a play performed by The Actor's Group (TAG) and directed by Brad Powell. Dowd's mammal of choice? Well, apparently Frank from Donnie Darko has got a friend­lier, bigger cousin-a six-foot, chree-and-a-half7 inch rabbit named Harvey. He is much too large to go unnoticed, yet Dowd is the only one who can see him. Go figure.

The two of chem become fast friends and the best dynamic duo since Bugs Bunny and Elmer Fudd ... uncil Dowd 's

8 HonoluluWeekly • August24-30, 201l • www.honoluluweekly.com

freaked-our sister Veta sends him to a sanitarium for the sake of che family. (Ic's a comedy though, so no worries of angry bunny violence.) Let's just say things get complicated from there on, and man and rabbit must overcome outside perse­cution to make their friendship lase. -MK

Dole Cannery Square, 60 lwilei Rd. Suite IOI, Fri., 8/26-9/18, Thu.-Sat., 7:30PM, Sun., 2PM, $10-$20, taghawaii.net, 122-6941

Whatevas My Big Fat Greek l'estival

A !though the homeland of Greece has recently stepped into a whirl­

wind of economic misfortune, the Greek diaspora in Hawai' i seems to be doing quite well. In fact, it's almost time for the anticipated Greek Festival 2011 right here in the Islands, so put those euros away, they're no good here! (Or in Greece , apparently .. .yeesh.)

The festival will be armed with a row of booths cover­ing all of the Greek staples­expect to find Greek imports ranging from worry beads, pottery (made with the finesse of craftsman-god Hephaes­tus himself), Greek-chic jew­elry and more. The Athens­raised musician Sotos Kappas

anq the band Fotia, a Greek group led by vocalist Olym­pia, will serenade the crowd. This means we' ll also get to hear some bouzouki, Greece's national stringed instrument. The Nisiotes Dancers from Saints Constantine and Helen Greek Orthodox Cathedral will also perform and give dance lessons.

If that isn't enough, the adventurous cuisine might do the crick. At what other time will Dolmathes, kourabiedes, galaktoboureko, moussaka and other unpronounceable dishes be procurable? Olive Tree will be there, too . Learn about the origins of one of the oldest reli­gions from Father John Kue­hnle, or indulge in some Greek wine. Or both. There will be something for everybody.

-Niko Rivas

McCoy Pavilion Ala Moana Park, Sat., 8/27-Sun. , 8/28, 12PM-9PM, greekfestivalhawaii. com, 521-1220

'Ohana Face-to-Fin

I t wasn't until the tail end of the 19th century that scientists believed the

deep ocean could be a lodging place for marine life; instead, che common conviction was chat the deep sea was lifeless because it was very ... dark. Nowadays, we are spoiled with intimate glimpses of rare aquat-

ic life through the lens of an aquarium.

It's been six years since the WaikikI Aquarium unveiled a major exhibit, and with the hard work (and $300,000) chat went into the Northwestern Hawaiian Islands Exhibit, the six-year hiatus seems worth the wait.

The Papahanaumokuakea Marine National Monument, covering almost 140 thou­sand miles, is one of the larg­est marine protected zones in the world: "The Yellowstone of the Sea," as Bill Clinton calls it, is comprised of a cluster of small islands, atolls and shal­low lagoons, which are home to 7,000 marine species-a quarter of which aren't found anywhere else in the world.

Observe a living reef eco­system, representative of the most isolated archipelago in the planet, accompanied by unique alien-like sea creatures. Con­struction of angel-fish hats or masks will be on standby for those who desire, as well as edu­cational booths-more public awareness will build more sup­port for the protection of biodi­versity. -NR.

Waikiki Aquarium, 2111 Kaldkaua Ave., ongoing exhibit, 9AM-4:30PM daily, $9 for adults; $6 for Kamaaina, students, seniors, military; $4forages 13-17; $2forages 5-12; free for 4 and under, waquarium.org, 923-9741

•••••••••••••••••••••••••••••••••••••••••••••••••• THE SCENE

••••••••••••••••••••••••••••••••••••••••••••••••••

Gigs 24/Wednesday HAWAIIAN Art Kalahiki Duo, Hang Ten (5PM) 293-6000 BrothersCazimero, Chai's Bistro (7PM) 585-0011 Typical Hawaiians, Tapa Bar (8PM) 947-7875 Pi'ialoha, f!ku Bone Lounge (8PM) 589-2020 Ka'ala Boys Duo, The Edge, Sheraton Waikiki (6:30PM) 922-4422 KamuelaKahoano, RumFire (5PM) 921-4600 AlbertMaligmat, The Edge, Sheraton Waikiki (1:30PM) 922-4422 Cyril Pahinui, Kani Ka Pila Grille (6PM) 924-4990 Royal Hawaiian Band, 'Iolani Palace (12PM) 523-4674 Royal Hawaiian Band, Ala Moana Centerstage (1PM) 946-2811 Ellsworth Simeona, Duke's Waikiki (9:30PM) 922-2268 Haumea Warrington, Duke's Waikiki (4PM) 922-2268

JAZZ/BLUES Miles lee Trio, Terry's Place (8PM) 533-2322 Johnny Williams Trio, Hank's Cafe (8PM) 526-1410 Yoza,Apartment3 (8PM) 955-9300

ROCK/POP Jeremy Cheng, Hula Grill (7PM) 923-HULA DennisMcCleeseDuo, Cheesecake Factory (8PM) 924-5001 Keith Batlin, Kelley O'Neil's (1:30AM) 926-1777 Pirahna Brothers, Irish Rose Saloon (9PM) 947-3414 Gordon Freitas&local Folk, The Ground Floor (6PM) 538-6012 Chris Murphy, Cabanas Pool Bar (Ghana West) (9PM) 922-3143 TheOldies&GoodiesBand, Pacific Beach Hotel (6:30PM) 923-4511 Doolin'Rakes, Kelley O'Neil's (9PM) 926-1777 Tavana, O'Toole's Pub (9PM) 536-4138 John Valentine with Christina Souza, Hard Rock Cafe (5PM) 955-7383

WORLD/REGGAE Red Stripe Reggae, Boardriders (9PM) 261-4600

25/Thursday HAWAIIAN Beach S's, Tiki's Grill & Bar (9PM) 923-8454 Christian Yrizarry Duo, The Edge, Sheraton Waikiki (6:30PM) 922-4422 Shawn lshimoto, Beach Bar; Moana Surfrider (8PM) 921-4600 Sista Robi Kahakalau & Friends, Cha i's Bistro (7PM) 585-0011 Kawika Kahiapo, Del Beazley,Mike Ka'awa, Kani Ka Pila Grille (6PM) 924-4990 KonaChang Duo, Cheesecake Factory (8PM) 924-5001 littleAlbertMaglimat, Tapa Bar (8PM) 947-7875 Pakelelive!withTonySolis, Willows (6PM) 952-9200 Mana'o Trio, The Shack Waikiki (8PM) 921-2255 KaMomi,Aku Bone Lounge (9:30PM) 589-2020 Keawe'OhanaandFriends, Moana Terrace (6:30PM) 922-6611 Tahiti Rey, Elegant Dive, Hyatt Regency Waikiki (6PM) 923-1234 Ellsworth Simeona, The Edge, Sheraton Waikiki (1:30PM) 922-4422 SheilaWaiwaiole&MaraSagapolu, Hula Grill (7PM) 923-HULA Haumea Warrington, Duke's Waikiki (4PM) 922-2268 Welo, 'Ilikai Hotel (7PM) 949-3811 "AuntyPudgie"Youngand Puamelia, Kiihio Beach Hula Stage (6PM) 843-8002

JAZZ/BLUES Air, Dragon Upstairs (7:30PM) 526-1411 Mano Kane, Hank's Cafe (8:30PM) 526-1410 Steve Lucas, Dots (7PM) 622-4115 Simone Cole,Jive Nene, Kona Brewing Co. (6:30PM) 394-5662 Sunset Street, Thai Sweet Basil (6PM) 988-8811

ROCK/POP Open Mic with Larry Alota& Friends, Terry's Place (8PM) 533-2322 KeithBatlin, Kelley O'Neil's (1:30AM) 926-1777

TitoBerinobis, Chart House (6:30PM) 941-6660 Johnny Helm, RumFire (5PM) 921-4600 Colleen Knudsen, Bambu2 (7PM) MikeloveDuo, O'Toole'sPub (9PM) 536-4138 Ogletree, Coconut Willy's ( 9PM) 921-9000 On·Q, Warrior Lounge, Hale Koa (8PM) 955-0555 Jim Smart, Cha Cha Cha Salsaria (6:30PM) 395.:'7797 -

Taja, Kelley O'Neil's (9PM) 926-1777 John Valentine, Breakers, Hale'iwa (9PM) 637-9898 Pirahna Brothers, Irish Rose Saloon (9PM) 947-3414 . AIWaterson&Friends, Don Ho's Island Grill (6PM) 528-0807

WORLD/REGGAE DominicBallis, Tropics Cafe (9PM) 591-8009 UnNatural, Tiki's Grill & Bar (6PM) 923-8454

26/Friday COUNTRY/FOLK Kelli Heath, Peace Cafe (7PM) 951-7555

HAWAIIAN DavidAsing&AlikaSouzawithJaime, Hula Grill (7PM) 923-HULA Christian Yrizarry Duo, Sam Choy's Breakfast, Lunch and Crab (6PM) 545-7979 Eric lee Duo, Hang Ten (5PM) 293-6000 Harold Kama Jr., Barefoot Bar; Hale Koa Hotel (8PM) 955-9428 Kailua Bay Buddies, Jimmy Buffett's at the Beachcomber (9:30PM) 791-1200 Kaukahi, Kani Ka Pila Grille (6PM) 924-4990 Ko'olauSerenaders, Honey's at Ko'olau (6PM) 236-4653 Ku'uipo Kumukahi, Royal Hawaiian Center Royal Grove (6PM) 922-2299 Ku'uloa Duo, Kona Brewing Co. (7PM) 394-5662 MarkYim'sPilikia, Chart House (6PM) 941-6660 Maunalua, Duke's Waikiki (4PM) 922-2268 Glenn Mayeda, Mai Tai Bar; Royal Hawaiian (6PM) 923-7311 Toma Naito, Terry's Place (8PM) 533-2322 Delima'OhanaTrio, The Edge, Sheraton Waikiki (6:30PM) 922-4422 Olomana, TapaBar (8PM) 947-7875

You ~ow me, I love t?e I~ternet. I'm a serious lurker and don t really try to hide 1t. If I meet someone in person that I've lurked online, I get all giddy about it. "Haii!

We're friends on Facebook! I love your cat." If people ever come at me like that, I am beside myself (on the inside) that my own life can be that interesting to another person. We are human.

The greatest thing to ever happen online as far as I'm con­cerned is blogs. Not so much the actual word "blog" (I never liked_ that word: Blawg), but more just the idea of regular people creatmg content and putting it out there. It's not really for anyone in particular, just the people that are interested. If you're not in to it, click away. If you are, oh dear, you might be late for work. It's like throwing something sticky on the wall to see if it will stick. You're talking to whoever will read it. We all know the so­cial networks blew up like crazy, but before that, the blogs were killing it. This was before everyone had their own world online on Xanga or Myspace. Now it's amplified times a thousand, but there are still some killer blogs, and you can bet that I'm spending more time flipping through my Google Reader than I am through ranty, emo or overly show-offy Facebook status updates.

Enter, Sweet Lychee. Kristen Oshiro. The sweetest girl with a blog I ever met. She celebrated her blog's first birthday recently at Mercury Bar. With a modest rate sheet and excellent cover­age, I'm actually surprised she doesn't have her own dot com yet. Her write-ups are thorough and researched, and she always gets

Check it out rudified.com/

sweetlycheeproductions.blogspot.com/

all of the details includ­ed and correct. That's something that seems miniscule but has a very

loud impact. She even takes the time to use proper grammar and spelling. Woah!

The stance I've had on Internet blogs is there can never be too many. Nobody has identical perspectives. I've lurked recaps from as many as five different people in the same room and still loved each one.

The best is when these people collaborate. Be on the lookout for 808 Speakerbox, a joint project by bloo­

ger Kristen Oshiro and Photographer Riana Stelburg. Riana is°a bit elusive, but her images and design are fantastic. She's recently been recapping events with Contrast magazine as their intern, b~t her own website has her on the right path to being an art d1rector for some kind of killer visual arts or entertainment pub­lication in the future. Together they plan to raise awareness for the local hip-hop community. There's some damn good hip-hop talent here, and whenever I think about it, the first person that comes to mind is Justin Bone Kaneshiro from the Got Rice show on KTUH. He's one of the hardest working guys in show business, promoting local hip-hop shows with little in return be­sides the satisfaction of raising awareness. I know it, the girls know it, and the revenue raised from the 808 Speakerbox event planned for January will be re-invested into the Hawai'i hip-hop community through his show. So all we have to do is get through the holidays (which are pretty much tomorrow), and we get this epic showcase of some world-class acts born and bred right here. Keep these things corning, people. I'm lurking you.

WITH SILLY EVENTS LIKE JIVE TURKEY BOWLING DIVA PILLOW FIGHTS, AND SEA-KITIEN RACES,

1

IT'S GONNA BE WHACKY FUN! COME DOWN AND WATCH THE HILARIOUS COMPETITION!

www.ho,n~lu,luweekly.com • August 24-30, 2011 • Honolulu Weekly 9

••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• THE SCENE

••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• KawikaOrtiz, Terry's Place (7PM) 533-2322 Cecilio Rodriguez, Tropics Bar, Hilton Hawai­ian Village (8PM) 949-4321 Royal Hawaiian Band, 'Iolani Palace (12PM) 523-4674 MihanaSouza, Don Ho's Island Grill (5PM) 528-0807 Kawika Trask, 'Ilikai Hotel (6PM) 949-3811 CherieYuen&Friends, Uncle's Fish Market & Grill (6PM) 275-0063

JAZZ/BLUES Stewart Cunningham Trio, Hank's Cafe (9PM) 526-1410 YOZADuo, RumFire (4:30PM) 921-4600 TheHotaubofHulaville, Cafe Che Pasta (6PM) 524-0004 Zach Shimizu, Chiba Okonomiyaki (10PM) 922-9722 Tennyson Stephens, Rocky Holmes, Lewers Lounge (8:30PM) 923-2311 Chris Yeh Quartet, Dragon Upstairs (7:30PM) 526-1411

ROCK/POP Brendan, Kelley O'Neil's (1:30AM) 926-1777 Piranha Brothers, O'Toole's Pub (9PM) 536-4138 FUNKSHUN with Yvette Moore, Hawaiian Bri­an's (8PM) 946-1343 John Helm Duo, Cheesecake Factory (8:30PM) 924-5001 Jason Laeha and Friends, Pablo's Cantina (8PM) 591-8307 MaNel, Pueo Restaurant at Coral Creek Golf Course (7PM) 479-0576 Masters of OZ, Irish Rose Saloon (9PM) 947-3414 Chris Murphy, Jimmy Buffett's at the Beach­comber (6PM) 791-1200 CoryOliveros, The Edge, Sheraton Waikiki (1:30PM) 922-4422 KimoOpiana, The Shack Waikiki (7PM) 921-2255 Brian Robertshaw, Roy's (6:30PM) 396-7697 Stinkeye, Coconut Willy's (9PM) 921-9000 Taimane, Elegant Dive, Hyatt Regency Waikiki (6PM) 923-1234 Arseniothe Band, Beeman Center, Pearl Har­bor (9PM) 471-2581 Vaihi, Tiki's Grill & Bar (7:30PM) 923-8454 John Valentine, Longboards Bar & Grill (6PM) 679-4700 Vinyl Wine, Lulu's Waikiki (10PM) 926-5222

WORLD/REGGAE Most High, Tropics Cafe (9PM) 591-8009 Kunoa, Tiki's Grill & Bar (5PM) 923-8454 HotOubofHulaville, Cafe Che Pasta (6PM) 524-0004

• pin one

A SELECTIVE GUIDE TODJ NIGHTS WEDNESDAY,AUGUST24 ACID WASH 2.0@ Nextdoor DJ ANARCHY@ Bar 35 DJ gRAD@ Board riders DJs QUIKSILVA, LOSTBOY, AUDISSEY @Indigo THE GET RIGHT@ Manifest (9PM) H.U.M.P. (hip-hop) (mainstream) (pop) @ Hula's Bar & Le, Stand LISTENING PARTY@ Apartment3 MARTINI NIGHTS@ bambuTwo SALSA NIGHT@ 4Play SOUL BY THE POUND@ thirtyninehotel UNDER $9 AT 9PM @Giovanni Pastrami W.T.F.@ V-Lounge & Bar 7 WILD WEDNESDAYS@ Zanzabar

THURSDAY,AUGUST25 J's@ Apartment3 BROADCAST@ Nextdoor THE CORNER@ Visions FLIRT@ Paparazzi JET BOY, JET GIRL@ Mercury Bar LATIN HEATTHURSDAYS@ Blue Ocean Night Club SALSA AFTER HOURS@ Indigo SKYLARKING@ Manifest THE SPEAKEASY@ Hush

27/Saturday HAWAIIAN 2Point0, Chart House (8PM) 941-6660 Danny Couch, Chai's Bistro (7PM) 585-0011 Kai po Dabin and Buzzy Kealoha with Sherina, Hula Grill (7PM) 923-HULA Manoa DNA, Kani Ka Pila Grille (6PM) 924-4990 Eric Lee, Peter Milo, Uncle's Fish Market & Grill (6PM) 275-0063 Shawn lshimoto, Princess Ka'iulani Hotel (8:30PM) 922-5811 Kamuela Kahoano, The Edge, Sheraton Waikiki (1:30PM) 922-4422 Kailua Bay Buddies, Jimmy Buffett's at the Beachcomber (9:30PM) 791-1200 Kamaka Fernandez Duo, The Edge, Sheraton Waikiki (6:30PM) 922-4422 Lawrence Kidder, Beach Bar, Moana Surfrid­er (8PM) 921-4600 Kale Pawaiand Halau Na Pua Mai Ka Lani, Kuhio Beach Hula Stage (6:30PM) 843-8002 Ellsworth Simeona, RumFire (5PM) 921-4600 Alika Souza, Don Ho's Island Grill (5PM) 528-0807

JAZZ/BLUES Boogie, Kana Brewing Co. (7PM) 394-5662 Chris Murphy Duo, Duke's Canoe Club (9:30PM) 922-2268 Ta'ltoshCollective, Dragon Upstairs (7PM) 526-1411 Jimmy Funai, Roy's (6:30PM) 396-7697 Ginai&Friends, Brasserie Du Vin (9PM) 545-1115 Jim Hubbard, Kelley O'Neil's (5PM) 926-1777 Souled Out, Dragon Upstairs (9PM) 526-1411 Reggie Padilla, Bruce Hamada,Jim Howard, Darryl Pellegrini,MihokoM, Byodo-in, Valley of the Temples (12:30PM) 239-8811

ROCK/POP Analog, Coconut Willy's (9PM) 921-9000 Brendan, Kelley O'Neil's (1:30AM) 926-1777 Piranha Brothers, Tropics Bar, Hilton Hawai­ian Village (3PM) 949-4321 Marti Caldeira, Moana Terrace (6:30PM) 922-6611 KonaChang Band, Duke's Waikiki (4PM) 922-2268 Da Smokin'Tubes, Terry's Place (8PM) 533-2322 Elephant, Irish Rose Saloon (9PM) 947-3414 Jasmin ldica, The Shack Waikiki (8:30PM) 921-2255 JohnValentine,DennisAhYek, The Grand Waikikian (2PM) 953-2700 JohnValentine,DennisAhYek, Moana Terrace (6PM) 922-6611 Juke Joint, Tropics Bar, Hilton Hawaiian Village (6:30PM) 949-4321

SPIN @ Hula's Bar & Lei Stand TAP THAT THURSDAYS@ Soho TGIT@Lotus THIRSTY THURSDAYS@ Zanzabar

FRIDAY, AUGUST 26 DJ 45 REVOLVER & DJ QUIKSILVER@ Indigo DJ/VJ RACER-X@ Hula's (5PM) DJ/VJ KSM@ Hula's (9PM) FADED FRIDAYS@THAI SWEET BASIL FUNKY FRESH FRIDAYS@ Paparazzi HANDLEBAR@ Soho LIVE @4PLAY FRIDAYS@ 4Play Nightclub POSH@ Oceans808 PRE@Nobu PUSSYCAT LOUNGE@ Apartment 3 ROCK SOLID FRIDAYS@ Showbox SALSA@ Sand Island Sports Club THE SESSION@ Lulu's Waikiki SINSUAL FRIDAYS@ Zanzabar FRENCH TOAST FRIDAYS@ The Villa TOAST @ Bonsai VJ's Back Yard BBQ@ Fresh Cafe

SATURDAY, AUGUST 27 THE BOILING POINT@ RumFire CLUB CARIB/REGGAGE NIGHTS@ Tiki's ENERGY@ The Warehouse FLIRT@Soho FLASHBACK SATURDAY@ T-Spot FLASHBACK SATURDAYS@ The House of Fortune GOOD LIFE SATURDAYS@ Letta HUGS AND KISSES@ Bonsai KA-BOOM SATURDAYS@ Ka NOIR@ Brasserrie Du Vin PAPERDOLL REVUE@ Fusion Waikiki PRESTIGE @ Paparazzi SATURDAY NIGHT LIVE@ Lulu's Waikiki SIZZLING SALSA SUMMER NIGHTS@ Indigo

10 HonoluluWeekly • August24-30,2011 • www.honoluluweekly.com

Melveen Leed, International Marketplace (11AM) 971-2080 Chris Murphy, Jimmy Buffett's at the Beach­comber (6PM) 791-1200 Chris Murphy, Duke's Waikiki (9:30PM) 922-2268 Doolin'Rakes, O'Toole's Pub (9PM) 536-4138 Soul Revival Sound System, Mercury Bar (9:30PM) 537-3080 Tiki Taboo, La Mariana Restaurant (9PM) 841-2173 John Valentine, Princess Ka'iulani Hotel (8:30PM) 922-5811 Vinyl Wine, Kailua Town Pub (9PM) 230-8444 Paradise XS, Kelley O'Neil's (9PM) 926-1777

WORLD/REGGAE Guidance, The Shack Waikiki (6PM) 921-2255 Kunoa, Tiki's Grill & Bar (7:30PM) 923-8454

28/Sunday HAWAIIAN Beach S, Tropics Bar, Hilton Hawaiian Vil­lage (5:30PM) 949-4321 DavidAsing, Tropics Bar, Hilton Hawaiian Village (3PM) 949-4321 Brother Noland, Kani Ka Pila Grille (6PM) 924-4990 KonaChang, RumFire (5PM) 921-4600 Waipuna Duo, Mai Tai Bar, Royal Hawaiian (6PM) 923-7311 Ericlee Duo, Cheesecake Factory (8PM) 924-5001 George Kuo, Martin Pahinui,AaronMahi, Moana Terrace (6:30PM) 922-6611 Ledward Ka'apana, Kana Brewing Co. (6PM) 394-5662 Kalani Maio and LeilaniVakautawith Tyra, Hula Grill (7PM) 923-HULA Twyla Ululani Mendez and Halau Na Pua A Lei, Kuhio Beach Hula Stage (6:30PM) 843-8002 Mike Kawa'a, Ocean Kaowili, AnaluAina, Paul Kim, Honey's at Ko'olau (3:30PM) 236-4653 Nalani Productions, Waikiki Beach Walk (5PM) Royal Hawaiian Band, Kapi'olani Park Band­stand (2PM) 523-4674 Sean Na'auao, Tapa Bar (8PM) 947-7875 Ellsworth Simeona, Tiki's Grill & Bar (9PM) 923-8454

JAZZ/BLUES Dr.J's Blues Review First Anniversary Party: Featur­ing The BlueStones, Anna's (5PM) 946-5190 NolyPa'a, Lewers Lounge (8:30PM) 923-2311 KellyVillaverde, Kahala Hotel & Resort (7:30PM)

SLOW & LOW @ Lotus SUGARHILLSATURDAYS@ lge's SUPPER CLUB @ Apartment3 SUPER HANDSOME SATURDAY@ Manifest THE SURF SHACK@ The Shack Waikiki

SUNDAY, AUGUST 28 BEACH PARTY BLAST@ Hula's Bar & Lei Stand (5PM) DOUBLEDOUBLE SUNDAYS@ Hula's w/ DJ RACER-X (9PM) INDUSTRY NIGHT@ Nobu SIZZLIN SUNDAYS@ Zanzabar, 18+ THE VITAL LOUNGE@ V Lounge

MONDAY, AUGUST 29 BROKE ASS MONDAYZ@ Red Lion Waikiki MAD MEN MONDAYS@ Apartment 3 MAD HOUSE MONDAYS@ Aiea Bowl MOTOWN MONDAYS@ Next Door SWITCH MONDAYS@ V-Lounge UNDERGROUND PLAYGROUND@ Mercury Bar WII PLAY MONDAY@ Bar 35

TUESDAY,AUGUST30 $5 FOOTLONG TUESDAYS@ Paparazzi DIAMOND @ V Lounge EYE CANDY@ Hula's Bar & Lei Stand HAPPY HOUR@ Apartment3, 21+ HUSH HUSH TUESDAYS@ Hush, 21+ KALEIDOSCOPE@ thirtyninehotel (9PM)

Promoters, get your event listed in SpinZone! E­mail details two weeks in advance to SpinZone@ honoluluweekly.com.

ROCK/POP ArtofWhimsyStompinSunday, O'Toole's Pub (9PM) 536-4138 Cecilio&Kompany, Terry's Place (7PM) 533-2322 Dean&Dean, Chart House (6PM) 941-6660 Erica Sunshine Lee, Kelley O'Neil's (5PM) 926-1777 Henry Kapono, Duke's Waikiki (4PM) 922-2268 Melveen Lee( Chai's Bistro (6PM) 585-0011 Masters of OZ, Kelley O'Neil's (9PM) 926-1777 Chris Murphy, Arnold's Beach Bar (5PM) 924-6887 Jim Smart, Cha Cha Cha Salsaria (6:30PM) 395-7797 SuperHeroslnTraining, Coconut Willy's (9PM) 921-9000 John Valentine, Beach Bar, Moana Surfrider (8PM) 921-4600 JohnValentinewithChristinaSouza, Hard Rock Cafe (5PM) 955-7383 Paradise XS, Irish Rose Saloon (9PM) 947-3414 Robert Young, Uncle's Fish Market & Grill (5PM) 275-0063

29/Monday HAWAIIAN Christian YrizarryDuo, Cheesecake Factory (8PM) 924-5001 Naluhoe Duo, The Edge, Sheraton Waikiki (6:30PM) 922-4422 Na Kama, Hula Grill (7PM) 923-HULA Ericlee, Hula Grill .(7PM) 923-HULA LittleAlbertMaglimat, Beach Bar, Moana Surfrider (8PM) 921-4600 JerrySantosand Friends, Chai's Bistro (7PM) 585-0011 Ellsworth Simeona, Duke's Waikiki (9:30PM) 922-2268 Haumea Warrington, Duke's Waikiki (4PM) 922-2268

JAZZ/BLUES Pau Hana Blues Band, OnStage Drinks & Grinds (6:30PM) 306-7799 Absolute Joy, The Ground Floor (6PM) 538-6012 The Rhythm Klub, Terry's Place (8PM) 533-2322 JG Syndrome, Dragon Upstairs (7PM) 526-1411 Tennyson Stephens, Rocky Holmes, Lewers Lounge (8:30PM) 923-2311

ROCK/POP Jeremy Cheng, RumFire (5 PM) 921-4600 Dux Deluxe, Irish Rose Saloon (9PM) 947-3414 FVP Music All-Star Acoustic Showcase, Terry's Place (8PM) 533-2322 Jherard&MicahDuo, Hang Ten (5PM) 293-6000

And Shoes Too ...

N ew Jersey, New York, Las Vegas, Colorado and Hawai'i, this is just this week's itinerary and a

small sample size of the life and times of being a DJ on top of the world.

Introduced to the club scene by the late DJ AM, DJ Vice has become synonymous with Vegas A-list nightlife. His pow­erhouse residencies at Tao at the Venetian and Vice Sunday's at the Palazzo's Lavo put the Vice-man in the highest regard in all possible facets of music, entertainment and pop culture. Best thing of all is that he ain't Top 40.

Vice's zest and innate ability to remove people out of their safe-guarded elements and place them into his energetic feel-good realm has attributed to over 600 club appearances in his illustrious 20-year career. You could categorize him as the ultimate DJ workaholic, only if he considered DJ-ing work.

Owner of the CRSVR Shoe

Mike Love, O'Toole's Pub (9PM) 536-4138 Masters of OZ, Kelley O'Neil's (9PM) 926-1777 John Valentine; The Edge, Sheraton Waikiki (1:30PM) 922-4422 John Valentine, Moana Wine Bar (6:30PM) 922-3111

30/Tuesday COMEDY Johnny"Sparkles" Medina, Jose Ver, Anthony Siano, SeanKoegel,Aaron Pughes, Hawaiian Brian's (8PM) 946-1343

HAWAIIAN Art Kalahiki Duo, Cheesecake Factory (8PM) 924-5001 Kapena Delima, RumFire (5PM) 921-4600 Maunalua Duo, The Edge, Sheraton Waikiki (6:30PM) 922-4422 Ainsley Halemanu and Ka Liko O Kapalai, Kuhio Beach Hula Stage (6PM) 843-8002 Kamuela Kahoano, Hula Grill (7PM) 923-HULA Ellsworth Simeona, Duke's Waikiki (9:30PM) 922-2268 Haumea Warrington, Duke's Waikiki (4PM) 922-2268

JAZZ/BLUES JazzM.O.G.I., Indigo (6:30PM) 521-2900 Kelly Villaverde, The Edge, Sheraton Waikiki (1:30PM) 922-4422

ROCK/POP Jenna, Erika Elona & The Best Dudes Ever, Zack Shi­mizu Band, Apartment3 (8PM) 955-9300 Erica Sunshine Lee, O'Toole's Pub (9PM) 536-4138 Masters of 01, Kelley O'Neil's (9PM) 926-1777 ChrisMurphy, Arnold's Beach Bar (5PM) 924-6887 TheOldies&Goodies Band, Pacific Beach Hotel (6:30PM) 923-4511 Vinyl Wine, Sandbox Waikiki (10PM) 923-8848

Concerts 6 Clubs 'i'Amy Winehouse Tribute (Hot Picks)

Nextdoor, 43 N. Hotel St.: Fri., 8/26, (9:30PM) $10. nextdoorhnl.com

America America hits 50th state. Blais­dell Concert Hall, 777 Ward Ave.: Thu.,

8/25, (7:30PM) $35-$65. ticketmas­

ter.com, (800) 745-3000 Gagaku Golden Anniversary Concert 50 years of Japanese court music and

dance. Orvis Auditorium, 2411 Dole

St.: Sat., 8/27, (7PM) Free. 944-2697

Boutique, the only thing that rivals his shoe game, which is a little over 200 pairs deep, is his passion for the party rock.

In June, he travel~d into uncharted DJ territory by play­ing the Electric Daisy Carnival in Las Vegas, his first ever music massive experience. Summer Wonderland is out to prove that it's not about your first time, it's always about your best time.

-Kalani Wilhelm

Summer Wonderland, Wet 'N' Wild, 400 Farrington Hwy., Sat., 8/27, 9PM-4AM,

18+

••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• Literature

~-/-,~[~ • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • BLACK SPARROW BOOKS

Hardison Poetry Prize winner Juliana Spahr delivers a politically charged book

well · Juliana ~ .- [i· -~ 1 spahr ,P- ··[ f. .,

__ 1·~= _ y · I t h e n - ·--C-a Do We Belong Here?

SHANTEL GRACE

'' e were tourists in France," writes Juli­an a Spahr in her new

book, Well Then There Now, "There were long lines. My mother waited in them. I sat outside and took notes. In the park, someone was singing we are all in this world together. There were some grapes. Someone was feeding sparrows, making them perch on the thumb and eat out of the hand if they wanted any food . The sparrows preferred to eat on the ground . .. I thought about who owned what. And divisions. And songs sung in bars ... "

It's unclear, from the contents of Spahr's book exactly how much time she spent in Hawai'i, or France, or Ap­palachia, but one can immediately gath­er that she pays attention to more than most temporary "settlers." Her concerns, during these epic odysseys are ecologi­cal complications in places where lan­guage is as touchy as pin-pricking or coral stabs . In Hawai'i, the shrinking of public beachfront and the inevitable extinction of indigenous species are all among the physical and theoretical

concerns of a poet, who has disdain for ordinary language, but respect for the alphabet.

"Some of we and the land that was never ours" is a response to this wit­nessing. In this poem, Spahr illustrates monotony and repetitiveness better than a 1920s French photograph, and yet, somehow, she finds the ability to sustain our attention. "But the ground was never sure with us. Is never some of ours. Be never certain with us. Never will be rightly some of ours. Be cor­rectly never certain with us. Never to be owned. Never to be had. And the land's green is the land's owning of us. And the green of the ground is the posses­sion of the ground of us."

In the chapter entitled, "Dole Street," Spahr reaches beyond the street's physi­cal coordinates. She explores bumper stickers-"Giant girls bathing in suits with provocative poses" -stickers about desire and ownership and identity and place. She historicizes the streets she walks and speaking of what was once an industry town, Spahr writes, "Then it was sugar, now it is tourism ... Yet his­tory continues."

It's obvious that, during her time here, Spahr grappled with being an outsider on an island where being an insider is

•••••••••••••••••••••••••••••••••••••••••• THE SCENE

••••••••••••••••••••••••••••••••••••••••• laughs for lions Dat Phan with local comedian Shawn Felipe. Mamiya Theatre, St. Louis High School, 3142 Wai'alae Ave.: Sat., 8/27, (5:30-lOPM) $45-$75. laughsforlions.com, 528-1073 Wanted Dead or Alive Spinning the best of the '80s new wave and dance with a Wild Wild West twist. Bar 35, 35 N. Hotel St.: Sat., 8/27, (9PM-2AM) $5. djnocturnaandlana.com, 573-3535 Soul Revival Sound System Nine piece outfit blends rocksteady, reggae, funk and jazz rock. Mercury Bar, 1154 Fort Street Mall: Sat., 8/27, (9:30PM) $5. 537-3080

On Sale Flock of Seagulls and When In Rome Dust off the keytar, synthpop lives! Hawaii Theatre, 1130 Bethel St.: Fri., 9/9, (8PM) $26-$51. hawaiithe­atre.com, 528-0506 Godsmack Boston-bred rock band slaps you into submission. Blaisdell Concert Hall, 777 Ward Ave.: Fri., 9/9, (8PM) $49.50-$79.20. ticketmas­ter.com, (800) 745-3000 little Dragon Sweden's ethereal addition to the hipster musical landscape. Nextdoor, 43 N. Hotel St.: Sat., 9/10, (9PM-2AM) Ages 19+, $30. next­doorhnl.com The 39 Steps Hitchcock meets hilarious in this season opener. Mti.noa Valley Theatre, 2833 East Manoa Rd.: From Fri., 9/9-Sun., 9/25 $15-$30. manoavalleytheatre.com, 988-6131

Stage 'i'Anime Momotaro (Hot Picks) Tenney Theatre, St. Andrew's Cathedral, Queen Emma Sq.: Opens Fri., 8/26. Runs through Sat., 10/1, (7:30PM) $10-$20. htyweb.org, 839-9885 Don Barnhart Comedy Show Winner of the "Bob Hope Award" for entertaining the troops is one of Vegas' best. Sheraton Princess Ka'iulani, 120 Ka'iulaniAve.: Wed., 8/31 $25. 'i'Harvey (Hot Picks) TAG, 650 Iwilei Rd., Dole Cannery Square: Opens Fri., 8/26. Runs through Sun., 9/18, (7:30PM) $10-$20. taghawaii.net, 722-6941

'I,

Learning Aloha Tamanos Butoh Master Workshop & Perfor­mance Series Informal Butoh Jam workshops with other Butoh enthusiasts on a first come first serve basis. Japanese Cultural Center of Hawai'i, 2454 South Beretania St.: Sun., 8/28 (5-7PM), Mon., 8/29-Tues., 8/30 (1-4PM), Sun., 9/4 (5-7PM) $35-$50. jcch.com, 945-7633 Art of Origami Workshop for beginners/experts on how to make a variety of easy to complex models. Hawaii Kai Public Library, 249 Lunalilo Home Rd.: Sat., 8/27, (1-4PM) Free. 397-5833 Art, Consciousness, and the Spirit of Creativity Art­ist Dieter Runge illuminates on the conceptual creative process. thirtyninehotel, 39 N. Hotel St.: Wed., 8/24 and 8/31, (6-7:30PM) $12. offhrs. blogspot.com, 599-2552 Drawing Immersion Artist Reem Bassous will challenge your skill set. thirtyninehotel, 39 N. Hotel St.: Sun., 8/28, (12-3PM) $24. 599-2552 Sit-Com/Comedy Film Acting Super-charged sit­com/comedy class devoted to teaching you the skills needed for TV. For ages 7-17. Film Actor's Studio, 827A 17th Ave.: Mon., 8/29, (5:30-7PM) $25. filmactorsstudiohawaii.com, 382-2835

'Ohana Get "Greenies" with Petronella Meet local chil­dren's author Petronella Evers, author of "The Little Greenies: Manu the Seabird," followed by a craft activity. Kailua Public Library, 239 Ku'ulei Rd.: Sat., 8/27, (10:30AM) Free. 266-9911

Botanical Green Hands "Seed" for yourself how organic, hydroponics and aquaponics can brighten your lifestyle. Green Hands of Aloha, 1713 Mary Rd.: Tue., 8/30, (6-8PM) Free. 847-4263 The Grass Is Always Greener Gardening class focuses on organic, hydroponics, aquaponics and more. Green Hands of Aloha, 1713 Mary Rd.: Tue., 8/30, (6-8PM) Free. 847-4263

more precious than gold. Yet, there is a "place" where most foreign poets/writ­ers/journalists go, but Spahr resists the temptation. She holds back during the very moments when you think she might just say the words many of us ask with­out hesitation-do I belong here?

"What we know is like and unlike/ as it is kept in different shaped containers/ it is as the problems of analogy/ it as the view from the sea/ .. .it as the opinion of the sea/ it as the occidental concepts of government, commerce, money and imposing/ what we know is alike and unalike .. . "

Spahr makes no apologies for being a guest in other people's houses. Her guid­ance into a city, onto an island where the illusion is thick with delusion, is worthy of a hefty fee .

"Shortly after I moved to Hawai'i," she writes later in the book, "I began to loudly and hubristically proclaim whenever I could that nature poetry was immoral. There is a lot of nature poetry about Hawai'i. Much of it is written by those who vacation here and it is often

~ .~ 1~., .. /l-1 1 ~·-~--' there -!

• '<~ 1, 1 {~_I - f1_ ·111'1 now

full of errors ... I was more suspicious of nature poetry because even when it got the birds and the plants and the ani­mals right it tended to show the beauti­ful bird but not so often the bulldozer off to the side that was destroying the bird's habitat."

What is remembered from a journey through Well Then There Now is the book's collection of words about ob­jects, its political and social clarity and its impressive ability to endure. •

Well Then There Now Juliana Spahr Black Sparrow Books $17.95, 155p., blacksparrowbooks.com

OPACIFIC ISLANDERS IN COMMUNICATIONS

One Voice Our journey begins with song· ...

OP[NING AUGUST 26 CONSOllDAT[D TH[ATR[S

WARD16 KAHAlA 8

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HAWAII TERNATIONAL ILM FESTIVAL

2010

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!11 PACIFIC ISLANDERS

~J: IN COMMUNICATIONS

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2011

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www.onevoicemovie.com www.honoluluweekly.com • August24-30, 2011 • Honolulu Weekly 11

.. ,,.

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••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• THE SCENE

•••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••

Sun, Moon & Tides - Honolulu Harbor Daytime Hghttime

Wednesday 6AM Noon 6PM 6AM

Moon Phom: NEW MOON-Aug 28 FIRST QUARTER-Sep 4 FUU MOON-Sep 11 LAST QUARTER-Sep 20

' _... • - /'. - . ~,.. ! .

~lJndays 9-_f :.:~:- in th~ heart:~t!:iale'iwa traffic signal at -Kamehem~ba Hwy & JP{eong.Bypass

-~-~ - _:_ _ .. __:~ ·~ ~-~ ~-~ ~- - ~. ,·_._·~~~- J,~, .>"'\'-~~!';.., -

Saturdays 9-1 ... at the Ala Moana Center Upper deck by Sears at Ala Moana Blvd & Piikoi

12 HonoluluWeeldy • August24-30, 201 I • www.honoluluweekly.com

Saturdays 9-1 ... at Kaiser High School 511 Lunalilo Home Road, Hawaii Kai

Tropical Flower Fest Featuring tropical orchids to anthurium. Hale'iwa Farm­ers' Market, Kamehameha Hwy./83 & Leong Bypass: Sun., 8/28, (9AM-1PM) Free. haleiwafarmersmarket@gmail. com, 388-9696

Outside Hike Luaalaea Two mile stream hike to a waterfall. Meet at Iolani Palace, 364 S. King Street: Sat., 8/27, (8AM) $3 donation requested. 864-8130 Ocean Craft Day Fish print t-shirts, decorated 'ipu, name carvings into a Cowry shell - it's up to you. Living Art Marine Center, 3239 Ualena Street, #100: Sun., 8/28, (1-5PIM) $3. livin­gartmarinecenter.com, 841-8080

Green Amazing Tide Pools Explore shallow reefs in a safe and eco-friendly reef walk.AlaMoanaBeach Park. Sat., 8/27 and Sun., 8/28, (9AM) $6-$10. Reser­vations required at livingartmarine­center.com/reefwalk.htm, 841-8080 Farm Bill Programs 101 Don't miss this free talk on protecting Hawai 'i ecosys­tems. ING Direct Cafe, 1958 Kalakaua Ave.: Wed., 8/31, (5:30PM) Free. hawaiiconservation.org, 687-6152

Whatevas 8th Annual u1 Love Liliha" Town Festival Block party gathers community for a day of fresh local produce, plant and flower sales, handmade arts and live music. Sun., 8/28, (10AM-4PM) Art & Flea: Wild West Edition Monthly vintage market hosts a style shoot out and pickle eating contest. Fresh Cafe, 831 Queen St.: Thu., 8/25, (5-lOPM) $2. freshcafehi.com, 688-8055 Charlie Chan Mystery Birthday Party Honor creator of the Charlie Chan mystery novels with a tour through the Chinatown streets of the Hono­lulu detective. Chinatown: Fri., 8/26, (7:30PM) $35. Reservations at film­[email protected], 395-0674 Creativity in Interior Design for F.A.B. - Function, Art, Budgets Free seminar from interior designer Kathy Gurski with exclusive insider tips on how to bring creativity into your home, hospitality or business. Gentry Pacific Design Center, 560 N. Nimitz Hwy.: Sat., 8/27, (1-2PM) Free. seminars@ kathygurskidesign.com, 396-6668 'il>uke's OceanFest 2011 Hail the king of the beach in a week of events. See dukefoundation.org for schedule of events. From Sun., 8/21-Sun., 8/28 Lion Dance Journey Nepalese priest comes to Hawaii for series of presen­tations including a rare and ancient lion dance brought out from the Kathmandu Valley. Foster Botanical Garden, 50 N. Vineyard Blvd.: Sun., 8/28, (5PM) $10-$15. 522-7064 Physical Theater with Marcus Quinio­nes Creative physical outlet for art­ists. thirtyninehotel, 39 N. Hotel St.: Through Sun., 8/28, (6:30-8PM) $12. offhrs.blogspot.com, 599-2552 The eX-Change: A Barter Fair Bring art, handicrafts, produce, gently used treasures for trade in this alt to con­sumer culture. Ong King Arts Center, 184 N. King St.: Sat., 8/27, (10AM-2:30PM) $5 suggested donation. the­ex-change.blogspot.com, 450-8324 Women in Filmmaking with uone Voice" Director Lisette Flanary, director of "One Voice," a look at the Kame­hameha Schools Song Contest. The ARTS at Marks Garage, 1159 Nu'uanu Ave.: Wed., 8/31, (6:30-8PM) Free. artsatmarks.com, 521-2903 ~orthwestem Hawaiian Islands Exhibit (Hot Picks). Waikiki Aquarium, 2777 Kalakaua Ave.: Ongoing, daily. (9AM-4:30PM) $2-$9. waquarium. org, 923-9741

The Straight Dope

illustration: slug signorino

But that's misleading too, she contin­ued. Problems: (1) Whales aren't always active. (2) Typical size for a mature male blue whale is more like 107 tons, not 80. (3) Computation of per capita US energy consumption is based on gross usage­how much energy gets pumped into the system. But not all that energy finds its way to us; some leaks away. Likewise, the prodigious quantity of krill eaten by a blue whale isn't all digested; some is wasted. The true comparison, therefore, should be per capita US energy consumption vs. how much food a whale actually eats. D

oes the average American use more energy than a blue whale? The New York Times says it's true. Is it? -petew83, via the Straight

Dope Message Board

We need to clear up a cou­ple levels of confusion here. First, The New York Times didn't say the average American

uses more energy than a blue whale. The paper quoted someone as saying this. The Times doesn't have a policy of only quot­ing people who say true things. If it did, all coverage of politics would come to a screeching halt.

Second, the more pertinent question isn't whether this is true. It's who the hell cares? The average American sits at the top (or the bottom, depending on how you look at it) of a vast industrial enterprise that has harnessed a sizable percentage of the earth's resources in the service of our present rock 'n' roll lifestyle. The av­erage whale swims in the ocean all day and eats krill. If you're telling me the lat­ter approach has less"impact on the planet, I'm not going to argue with you. But if you're offering it up as a model, we hu­man spendthrifts can learn from, all I can tell you is it's going to be a tough sell.

Nonetheless, here we are, tackling the

By Cecil Adams

issue anyway. Why? Blame my assistant Una. So what if this line of investigation is in basic respects inane, she said. It would still be cool to know.

The Times piece you refer to, "A Physi­cist Solves the City" (it ran in the maga­zine section last Dec. 17), describes the work of physicist Geoffrey West, who compares himself to Isaac Newton and claims to have discovered the mathemati­cal Jaws that govern how cities work. West thinks urban living, while intrinsically en­ergy-efficient, nonetheless drives up over­all power consumption, to the point where Americans now burn through energy at a rate of 11 kilowatts per person. "What you find is that we have created a lifestyle where we need more watts than a blue whale," the Times quotes him as saying.

To ascertain the truth of this, we first looked into the human end of things. Ac­cording to the Department of Energy, gross energy use for the US is about 103 quadrillion BTUs per year. If we divide this by the US population, then convert it into continuous average energy use, sure enough, we end up with about 11 kilo­watts per person.

Next we checked the energy require­ment of a blue whale . Here we ran into

cording

Aha! said Una. That's more than hu­mans, not less. West screwed up.

Come now, I said. It's in the ballpark. This fellow West has done high-profile work on animal.metabolism and is clearly no dope. Parties of his stature don't make mistakes; they merely misspeak. We'll as­sume he meant to say we use almost as many watts as a (smallish) blue whale, not more.

Fine, said Una, make excuses. But it's still not fair to compare per-person energy consumption for all human activity in the US with the resting rate for blue whales. Whales are plenty active-ask Captain Ahab. Perusing the biological literature, we find disagreement about the active metabolic rate of blue whales, but the con­servative figure seems to be three times_ the basal rate. In other words, an active 80-ton whale might consume energy at a rate of 36 to 75 kilowatts, considerably more than the average American.

I conceded the wisdom of this. We turned again to Lockyer. She calculates that a 107-ton young adult male blue whale (who eats less than the female) consumes 491 million kilocalories annu­ally. That works out to a continuous rate of 65 kilowatts. So the average Ameri­can doesn't use more energy than a blue whale, but rather much less.

OK, I said, but II kilowatts per person is still a lot. Assuming the average blue whale weighs 1,200 times what the aver­age American does, pound for pound the American is using roughly 200 times as much energy as the whale, an ominous­sounding ratio sustainability-wise.

True, said Una. But there's another way of looking at it. For all our frantic con­sumption of resources, there's a simple creature of the ocean that uses six times as much.

Send questions to Cecil via straightdope.com or write him c!o Chicago Reader, 11 E. Illinois, Chicago 60611. Subscribe to the Straight Dope podcast at the iTunes Store.

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www.honoluluweekly.com • August 24-30, 20ll • Honolulu Weekly 13

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•••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••

Bite This BOB GREEN

A s the vampire Jerry, recently transplanted into a brand-new Las Vegas suburb,

Colin Farrell, a twinkle in his eye and shooting one-liners from the hip, is bliss itself about his trade; he's a blood-sucker who is happy in his work. He's a charmer to boot and quite inter­ested in his new neighbor (Toni Collette, yet) and her teenage son (Anton Yelchin, Chekov from Star Trek); but sonny is onto Jerry pronto. Meanwhile, sonny's high-sc_hool friends start disappearing, later to re­appear as vampire proteges.

The first 15 minutes of Fright Night is pretty conventional for a horror film (except for Jerry's disposition and sense of hu­mor); the second goes into high

comedy (part of which might elude some Hawai'i kids) and the third act pours on the gore, special-effects and also makes good use of 3D, if you should select that route.

Colin Farrell scares up laughs in the sly horror-comedy Fright Night

The cast is great, including Imogen Poets (28 Weeks Later), as sonny's hot girlfriend, and David Tennant (Doctor Who) as a Russell Brand-type magi­cian, whose Las Vegas show is a hit but whose personal life is drug-and-alcohol-addled.

14 Honolulu Weekly • August 24-30. 2011 • www.honoluluweekly.com

The aforementioned Collette is good, too, but is soon side-lined in the hospital, mare's the pity.

So it's a vampire-chase mov­ie, right? Yep, and it's a first­rate one-whenever Farrell is on-screen-but he's really the only cast member who fully re­alizes the potential of the mate­rial. Farrell's role is secondary to Yelchin's and shouldn't be: More sly comedy would have helped this heaps. Still and all, the "serious" Farrell acquits himself honorably: He knows how to give good fangs while keeping tongue in cheek.

This re-boot is an improve­ment over the original (1985), although some of the hipster stuff might be too high-flown for the families (with babies) who bring the entire unit to horror films. But Farrell, who has recently stolen movies like Crazy Heart (in which he was

unbilled), Horrible Bosses and a recent Peter Weir adventure, is in top form here: He's turn­ing into one of best young ac­tors under 36. And he's just completed the remake of Total Recall.

As Peter Vincent, the stage magician/ersatz vampire stalk­er, Tennant (a big draw in Eu­rope because of Doctor Who) becomes a reluctant hero when he is recruited in chasing Jerry. Armed with a special weapon (the powers of which are in­vented for this film), Vincent

approaches this killer, who whacked his mom and dad. Vincent shoots at Jerry, so close that Jerry can say, "You have your mother's eyes." The bullet only wounds Jerry, who then says, " ... And your father's aim." It's that kind of movie, Bunky.

I'm recommending this mov­ie as a DVD enhanced by drink and smoke at home. In the the­ater, you're likely to deal with squalling babies-and their parents who are not yet out of their teens. Auwe. •

••••••••••••••••••••••••••••••••• O'ahu Films

••••••••••••••••••••••••••••••••• A selection of films currently playing in island theaters. Unattributed film synopses indi­cate moyies not yet reviewed by HWstaff. ~ Indicates films of particular interest.

Opening Amigo The latest film from John Sayles is a fictional account of events during the Philippine-American War. Columbiana Zoe Saldana is an assassin out to kill the Columbian drug lord who murdered her folks. Action! Don't Be Afraid of the Dark Guy Pearce and Katie Holmes are parents of a young girl who is being bothered by strange creatures that want her to become one of them. ~ One Voice See Hot Pick on page 8. Our Idiot Brother Paul Rudd stars in this comedy about a family who don't seem to hold one of their sib­lings in the highest esteem. Sex & Zen 3D: Extreme Ecstasy See review on page 15. Sunny A group of high school girls meet 25 years later in this Korean blockbuster. Tabloid The latest documentary from Errol Morris (The Thin Blue Line) examines a former Miss Wyo­ming who is charged with abducting and imprisoning a young Mormon Missionary. Way Back HomeAlonglostdaugh­ter returns to her family in this Pinoy drama.

Doris Duke Theatre Honolulu Academy of Arts, 900 S. Beretania St., honoluluacademy.org, 532-8768 ~ El Bulli: Cooking in Progress See Food Box on page 16. Wed.-Fri., 8/24-8/26, 1 & 7:30PM Sat.-Sun., 8/27-8/28, 1, 4 & 7:30PM The First Movie Filmmaker Mark Cousins and his crew travel to Gop­tapa, a Kurdish village in Northern Iraq devastated by Saddam Hussein's regime. They discover children who have never seen a movie. The film­makers play them children's classics before giving each kid a Flip cam­corder to make their own movies. Tue.-Wed, 8/30-8/31, 1 & 7:30PM

Movie Museum 3566 Harding Ave. #4, $4 members, $5 general, 735-8771

The Killers (1946) Two killers are after down on his luck boxer Burt Lancaster in this film noir clas­sic also starring Ava Gardner and adapted from an Ernest Hemingway short story. Thu., 8/25, 12:30, 2:30, 4:30 & 6:30PM A Wednesday! (2008) Five bombs will explode in Mumbai if four terrorists aren't released from prison in this intense thriller. Thu., 8/25, 8:30PM ~ Queen to Play (2009) Kevin Kline takes on his first completely non-English speaking role in Queen to Play. This drama about a woman drawn to the game of chess isn't a flashy flick-or even a significant one-but it's still a powerful film that is luxurious in

•••••••••••••••••••••••••••••••••••••••••••••••••• Film Review

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Suck That RYAN SENAGA

W ith a title like JD Sex & Zen: Ex­treme Ecstasy, one

would think the movie would be arousing or at least tant­ric-ly titillating in a zen kinda way. Wrong-o. It's none of the above.

Billed as "the world's first erotic 3D movie," the Hong Kong sensation is actually numbingly stupid and unfun­ny, and, worse, the latter third of the film is downright offen­sively misogynistic.

A loose adaptation of the novel The Carnal Prayer Mat, the film follows Ming Dy­nasty scholar Wei Yangsheng. He marries, but in bed, his sexual congress with the mis­sus all turn out to be a bit... premature. At the suggestion of a friend, he hits up the most exclusive brothel in China to learn all about the ways of pleasure.

Yes, we get bumping and grinding, but everything is played for laughter in an ex­tremely silly way. The humor is broad to say the least. At one point, a man oofs a concubine

mid-air while swinging from a chain looped around the sculp­ture of a penis. Okay ...

Also plentiful are the boobs. If yQu're an Asian breast man, you should have the time of your lechy, pervy life. While there is no full-on sex depicted here, there is still tons of breast mashing. Not carressing, mind

The worlds first erotic 3D movie is a total turn-off you. Mashing. The partners of the poor women in this movie all seem to be under the impression that mammaries should be squished over and over again like the stress ball on your office desk.

There are also the occasion­al chaste bush shots, but those looking for ding-ding are go­ing to be sorely disappointed. Suffice to say, the only thing pointing out of the screen at you is the giant organ of a ... horse. The horse's dong is re-

••••••••••••••••••••••••••••••••• O'ahu Films

••••••••••••••••••••••••••••••••• its subtle nuance.-Ryan Senaga Fri., 8/26, 12:15, 2, 3:45, 5:30, 7:15 & 9PM, Mon., 8/29, 12:15, 2, 3:45, 5:30, 7:15 & 9PM The Concert (2009) A janitor at the Bolshoi who is also a former conductor gets a chance at one more concert. Sat., 8/27, 12:30, 2:30, 4:30, 6:30 & 8:30PM 'l Win Win (2011) One of the best movies of the year, this sleeper with Paul Giamatti, as unexpected as can be, could be McCarthy's big hit. It's audience-accessible. It's not overly long. It's smart as hell and it knows what it's doing. We have an expression for this on the sacred 'aina: Chance 'um.-Bob Green Sun., 8/28, 12:15, 2, 3:45, 5:30 & 7:15PM

Movie Cafe The Venue, 1146 Bethel St., $10, half price for HPU students, 528-1144

'l Vanishing of the Bees For years, Hawaii has managed to avoid many of the problems afflicting bees elsewhere, but recently, mites have struck local honeybee colonies, making this documentary very timely to Hawaii's own honeybee crisis.-Martha Cheng Mon., 8/29, 7PM

STARTS FRIDAY, AUGUST 26 IN THEATERS EVERYWHERE CHECK LOCAL LISTINGS FOR THEATERS ANO SHOWTIMES

quired for a transplant opera­tion. Don't. Ask.

But then the film takes a nas­ty turn in the last third. There is a point where none of this is remotely fun anymore. Its scenes of violent rape is down­right offensive and misogynis­tic. In Asian cinema, there has always been a market for this type of hentai nonsense, but a certain line has been crossed here. In one scene, there is the graphic implication of gyne­cological torture, and it's just plain offensive.

There will probably be a huge curiousity to see JD Sex & Zen: Extreme Ecstasy for the whack-off factor, but it's clear that this film simply hates women. If you really want to see something to keep in the spank bank, just stay home and download porn . •

TI~ISH EXPERIMENTAL POETRY.

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w-.honoluluweekly.com • August24-30,2011 • HonoluluWeekly 15

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The Weekly Digest 'i'Greek Festival of Honolulu (See Hot Picks) Quit clutching your worry beads, the Greek Festival is here! Bring cash because debit/ credit cards aren't accepted. You know, like Olq Town Plaka days. McCoy Pavilion, Ala Moana Beach Park From Sat., 8/27-Sun., 8/28, (12-9PM) greekfestivalhawaii.com, 521-7220

Old World Merlot Five blind tastings shed a new light on grape varieties and wine perceptions. Vino, Restaurant Row, 500 Ala Moana Blvd. Suite6 D-1 Thu., 8/25 $39. [email protected], 533-4476

BYOB Dinner Vino serves up two new dishes plus dessert in a family-style large plat­ter table setting and participants bring what they think are the ap­propriate wines. Compare, contrast and learn the art of pairing with old and new friends. Vino, Restaurant Row, SOO Ala Moana Blvd. Suite 6 D-1 Sat., 8/27, (6PM) [email protected], 533-4476

Eat the Street: Spicy Edition Street grinds take over in this traffic jam of an event where the trucks come to you. Kaka'ako heats up with an array of spicy dishes and a hot pepper eating contest. Talk about exhaust. SSS South St., Kaka'ako Fri., 8/26, (4-9PM) streetgrindz.com

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Natsu Matsuri Summer Festival Enjoy a traditional bon dance, tai­ko drums and other cultural enter­tainment with flavorful yakisoba and chicken karaage food booths scattered between. Portion of the proceeds to help Japan on its path to recovery. Pacific Beach Hotel, 2490 Kalakaua Ave. From Fri., 7/29-Sun., 8/28, (Fri., Sat. and Sun., 5:30-9PM) Free entrance; food and game tickets sold separately. 956-8204

Ho'olako-A Taste of He'eia Paepae of He'eia invites you to at­tend its third annual benefit event of savory fishpond-grown delica­cies and fresh local produce pro­duced by renowned Hawai'i chefs. He'eia State Park, 46-465 Kamehameha Hwy., Kane'ohe Sat., 8/27, (5:30-9:30PM) $100. Tickets available at ad min@ paepaeoheeia.org, 236-6178

Nourish Yourself The Ola Loa Wellness team gets together with Whole Foods for an educational event on amazing benefits to eating "whole." Sample unique recipes while receiving affordable tips on reclaiming a healthy lifestyle. Whole Foods, Kahala Mall, 4211 Wai'alae Ave. Sat., 8/27, (11AM) Free. 738-0820

Sunny Side Up Want to learn how to cook with only Nature's resources? Join expert Markus Faigle who has been using the sun to cook nutritious foods, like beans and beets, for years in this sustainable demo. Slow Food O'ahu, For specific location and details, RSVP Michelle at [email protected] Sat., 8/27, (11AM-1PM)

The Art of the Dessert The elegant Veranda offers Chef Mochizuki's exclusive dessert se­lection-a confectionary of fine Japanese creations-during these afternoon tea hours. So call up Grandma and take her out this Sunday because what have you done for your G-ma lately? Halekulani Hotel, 2199 Kalia Rd. Daily. Through Wed., 8/31, (3-5:30PM) $28. halekulani.com, 923-2311

Want to be a Food Network star? Then attend the open casting call for passionate culinary enthusiasts (chefs, line cooks, home cooks, caterers). Tuesday, Aug. 30 from 10AM-2PM at the Sheraton Waikiki. For more info and to apply

online visit:Joodnetworkstarcasting.coml

Got a favorite recipe that reminds you of Kaua'i, Tokyo or any other Hawaiian Airlines destination? Enter Hawaiian Airlines' challenge: Chef Chai's Flavors Take Flight. Post a destination-inspired recipe (food or drink), and then rally your friends co vote for you. The 10 most "liked" recipes will then be judged by Chef Chaowasaree and the winner will receive a free travel package for two, which includes a stay at The Waikiki EDITION hotel and a guest TV appearance on Sunrise on Hawaii News Now {KHNL/KGMB) with Chef Chai. Enter your recipe between Aug. 16 and Sept. 25. More details and to enter: alolza.hawaiianairlines. com/?pid=Flavors_lzomepage-posl _201108/6

Got food news? Send 'em in to [email protected]

Treat Yourself Well Take a break from cooking and bring the family to dinner. Each weekday night chefs will be pre­paring a special three course din­ner. Indulge in beef goulash, seared salmon hash and pot du creme. 3660 On The Rise, 3660 Wai'alae Ave. Mon., 8/29-Thu., 9/1, (Evenings) $30. 737-1177

Vegetarian 101 with Wellness Cuisine Cooking In this basic "starter" class, chef Rebecca Woodland shows would­be vegetarians with limited culi­nary skills, time and/or space how to make a flavorful and healthy transition to a plant-based diet. Wellness Auditorium, Castle Medical Center Wed., 8/24, (6:30PM) $10-$20. castlemed.org, 263-5400

Whisky A-Go-Go Slip into that flat-topped 50s/ long-maned 60s window where the times they were a-changin', with food and drink provided by Town and the museum's Pavilion Cafe. Honolulu Academy of Arts, 900 S. Beretania St. Fri., 8/26, (6-9PM) 532-8700

Wine Down Wednesday A hip way to enjoy wine and learn about four different varieties from local experts with optional food pairings. Town, 3435 Wai'alae Ave. Wed., 8/24 and 8/31, (6PM) $24-25. townkaimuki.com, 735-5900

Beat Down Brunch with Downbeat Indulge in a hearty meal before heading to the beach. Enjoy veg­etarian options and vegan chicken waffles, Need some meat? Try a loco moco, maybe wash it down with a Guiness milkshake; now we're talking. Downbeat Diner, 42 N. Hotel St. Sun., 8/28, (11AM-3PM) 533-BEAT

Mango Throwdown Dishes Chef Wayne Hirabayashi and his culinary team competed with 12 other local celebrity chefs in the third annual Mango Throwdown, winning top honors in the "Peo­ple's Choice Award." Now you can sample these dishes for lunch throughout the month and see why it was such a fan favorite. Kahala Hotel and Resort, sooo Kahala Ave. Through Wed., 8/31 [email protected], 739-8760

Tango the Sundays Away ' Enjoy Sundays with homemade red velvet waffles, braised beef loco moco and breakfast burritos. Can't wait until dinner? Have a gourmet meal for brunch instead. Tango Cafe's sister restaurant is now open every Sunday, offering late risers a chance to indulge in good eats. Tango Market, 1200 Ala Moana Blvd. Sun., 8/28, (8AM-5PM) $6-$11.

Tapas at Nobu

El Bu/Ii: Cooking in Progress

The ultimate power pau hana, the Lounge is perfect for that well deserved cocktail after closing a business deal. Summer marks some new menu items featuring savory tapas, desserts and award­winning drinks. Nobu, 2233 Hemuloa Rd. Daily, (5PM-12AM) Each under $10.

A documentary

on the research

and development

at our era's

most influential

restaurant

Inever ate at El Bulli, and now I never will, since the most influential restaurant to

modernist cuisine served its last dinner on July 30. But on the same day, the documen­tary El Bul/i: Cooking in Progress opened, offering a glimpse into the hallowed restau­rant for the 2 million of us who couldn't get reservations (actually, I never tried). The film, however, is less focused on the dining experi­ence at El Bulli than on the creative process

of developing a gorgonzola tree, vacuumized mushrooms and vanishing ravioli. In this way, it's fascinating for more_than the food-obsessed.

Cooking in Progress premieres in Hawai'i at the Doris Duke Theater. The opening night featuring dinner and a movie is sold out, but there are additional screenings Aug. 23-26 at I and 7:30PM; Aug. 27 at 1 and 4PM; and Aug. 28 at l, 4 and 7:30PM.

-Martha Cheng

For listings and tickets: www.honoluluacademy.org

•••••••••••••••••••••••••••••••••••••••••••••••••• Food & Drink

••••••••••••••••••••••••••••••••••••••••••••••••••

An Unwritten Map to Highway Food

MATIHEW DEKNEEF

'

..-,_ _____ ; Exploring the uncharted terrain of remote curbside food vendors MATTHEW DEKNEEF

The open road of drive-by delica-cies (what we'll af­fectionately call "highway food") can

consist of anything from a lady selling pickled mango out of her trunk to the guy popping Kettle Korn passenger side. More often than not, we'll just drive right past these institu­tions and leave them in the dust as we watch their humble reflections grow faint in our rearviews because really, who's in the mood for that one little fill-in-the-blank they're selling?

But after a lazy, dazed 'n' confused afternoon spent zon­ing out on waves and babes at the beach, you might find yourself driving home with the sun blaring down at you during its highest peak, and the sight of a highway food stand will peek out over the horizon to greet you like a Pacific mirage. Most tend to sell one simple specialized something, but whatever it is, at that precisely moody moment, whatever their scribbled cardboard signs prophetically boast from the curb ahead, sounds like perfec­tion. In an unplanned intersec­tion of Desperation Avenue meets Surprise Street, highway food is food that feels fated.

Last weekend, we took a drive out to the North Shore where many such mini-mir­acles set up shop. With zero expectations we went to seize these embraceable meals-on­wheels. No Google maps. No web research. No clue what we wanted to eat. Just an empty stomach on a full tank of gas with an iPod jacked with Best Coast tunes and a few hours to kill. This is by no means a comprehensive and/or "Best of. .. " highway food vendors list. Simply a three-course meal of the more interesting ones we found - or found us, rather - that Saturday afternoon.

First stop ...

BBQ CORN 59-360 Kamehameha Hwy.

Open: Saturdays, 8am-2pm

We approach this stand-a gridiron full of organic corn on

the cob-hidden in the parking

lot of Sunset Beach Elemen­tary School and overhear its owner use the words "soil," "Kahuku crops" and "nutri­ents" in a passing conversation. If learning there's some in­vested TLC behind what we're about to eat isn't welcoming enough, a booming "Aloha!" from Uncle Woody does it.

Dressed in overalls, a straw hat and tortoise-shell Ray­Bans, Uncle Woody (known at his regular makeshift shop in Hau'ula as "The Corn Guy" by neighborhood kids) is like a friendlier The Dude and as Coen Brothers fans we're re­ally excited about it. At $3 each, or two for $5, he of-fers two barbecue styles with enough flavorful personalities to match: 'Island Style,' a clean and simple glaze of butter, sea and garlic salt and black pep­per; or the more flavorful 'Baja Style,' which is glazed in butter, mayo, lemon lime, Parmesan and Baja seasonings. Using a tip he picked up from the street food of his youth surf­ing days in Mexico, he grills each cob to a slight burn to bring out a nutty-caramelized quality that naturally adds to its sweet 'n' salty properties.

Uncle Woody's BBQ corn stand is a great introduction to everything we're looking for in our highway food: simple, fa­miliar produce with character.

Only problem, is when we get back in the car, we're wishing we had something to wash the golden ker-nels from our teeth ...

FRESH COCONUTS 59-158 Kamehameha Hwy.

Open: Daily, "Hawaiian time"

See what I mean by "fated." Less than a quarter

mile away from the BBQ corn stall is another of cold coconuts for $4-$5. On the perimeter of the three-acre family-owned plumeria farm Smokie Acre Blossoms, lo-cals and tourists alike beat the heat with fresh, humon­gous coconuts cut straight from the palm trees provid-ing shade to this grass shack.

In between sipping on our coconut juice topped with blood orange nectarine slices and, of course, a fresh-picked plumeria flower, the owner

insists everyone try compli­mentary apple bananas and juicy lilikoi on the house. He runs this tiny enterprise with such friendliness you'd think he was running for some­thing big like mayor. Actu­ally, scratch that, he's way too genuine to be a politician; the guy just has so much country running through his veins, it reminds jaded townies like us that people still do smile regu­larly around here. Shocker!

THAI FOOD 66-472 Kamehameha Hwy.

Open: Wed-Sun, llam-6pm

At this point, it's around 2pm and we're craving "food,"

something that'll hold us over until the evening.

Across the McDonald's in Haleiwa Town is a gravelly cul-de-sac of food truck op­tions. Of the three stationed there, only one isn't boast­ing the ever-popular Kahuku shrimp, so already, Opal Thai Food is the unexpected nov­elty lunch we rush in line for.

Not familiar with authen­tic Thai food, the owner Opal makes it a breeze to order. "I don't know what I want,'' I admit. "Do you like spicy food?" he asks. "A lit­tle spicy," I answer vaguely. "But not too spicy!" I add because I'm so helpful like that. "Sweet basil chili," he says. Sweet basil chili it is!

While the plates at Opal are nothing fancy to look at, when you're pupils are shrinking into an oblivion from being in the sun all day, presentation isn't a total priority here. Luck­ily, flavor is. If my entree-a simple chicken satay served on jasmine brown rice-is an indication of the rest of the menu, you're in for generously sized portions, all customiz­able, for the price of $8-$9. Also, the heat on the plate was at the perfect not-too-hot temperature; whether it was in consideration of the cli­mate could've been a coinci­dence. But after noticing how many people were interacting with Lio, Opal and his wife's son and lunch wagon mas-cot, you get the feeling that maybe they just care about their customers a lot here.

Sometimes when it comes to a quick bite, instead of seek­ing out that snack your body isn't sure it's craving, letting the answer reveal itself to you out-of-the-blue can be more rewarding. When you stumble along that out-of­the-blue highway vendor, we suggest you stop ... and go. If you find the time one week­end, then get on the H-1/2/3 and chart out your own per­sonal roadmap to H-Food. •

All Hawaiian coffee ... all the time

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Frequent Drinker cards now available

OPEN M-F 6AM-4PM SAT 7AM-1PM

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Saturday & Sunday

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+~ii and delight, they located more than 1,200, including beetles, worms, lichens and fungi that had never before been identified. An equally fertile phase of discovery could very well be imminent for you, Virgo. All you have to do is make that your intention, then be-come super extra double-wildly receptive.

WILL LI~~~ (Sept. 23-0ct. 22) "Two dangers threaten the universe: order and disorder," said poet Paul Valery. I think that's especially true for you right now, al-

~~T.ROLOGV though the "danger" in question is psycho-logical in nature, not physical, and it's a rela-lively manageable hazard that you shouldn't stay up all night worrying about. Still, the looming challenge to your poise is something

by Rob Brezsny that requires you to activate your deeper in-telligence. You really do need to figure out how to weave a middle way between the ex-tremes of seeking too much order and allow-ing too much disorder. What would Gold-

~~IU ilocks do?

(March 21-April 19) ~CO~PIO I predict that in the coming weeks, you will (Oct. 23-Nov. 21) be able to extract an unexpected perk or ben- Readers of Reddit.com were asked to describe efit from one of your less glamorous respon- their lives in just six words. It would be a sibilities. I also predict that you will decide not to ram headfirst into an obstacle and try

good time for you to try this exercise. You've

to batter it until it crumbles. Instead, you'll reached a juncture in your unfolding destiny

dream up a roundabout approach that will when you could benefit from a review that

turn out to be more effective at eliminating pithily sums up where you've been up until

the obstacle. Finally, I predict that these de-now, and where you've got to go next. To in-

partures from habit will show you precious spire your work, here are some of the most

secrets about how to escape more of your interesting from Reddit: 1. Early opportuni-

own negative conditioning in the future. ties wasted, now attempting redemption. 2. Searching tirelessly for that one thing. 3. Liv-

T~U~U~ ing my dream requires modifying dream. 4. Must not turn into my mom. 5. Insane ambi-

(April 20-May 20) tion meets debilitating self-doubt. 6. Do you

"Dear Astrologer: My life is stagnant and want to have sex? 7. Slowly getting the hang

slow. It suffers bone-deep from a lack of of it. 8. These pretzels are making me thirsty.

changes, good or bad or in between. Why has

rnGITT~~IU~ my karma been deprived of all motion? Why must I go on frozen in such eerie peace and (Nov. 22-Dec. 21) quiet? I seek your help. Can you cast a spell Go where the drama is, Sagittarius, but not for me so that I will be happily disrupted and agitated? Will you predict my sorry state of

where the melodrama is. Place yourselfin the

stillness to be ended soon? Arvind Agnimuka, path of the most interesting power, but don't

Taurus from Darjeeling." Dear Arvind: Funny get distracted by displays of power that are

you should ask. According to my analysis, dehumanizing or narcissistic. You are in a

members of the Taurus tribe are about to be phase of your astrological cycle when you

roused out of their plodding rhythm by a bolt have a mandate to intensify your excitement

of cosmic mojo. Get ready to rumble-and I with life and increase your ability to be deep-

mean that in the best sense of the word. ly engaged with what attracts you. I urge you to be as brave as you once were when you

G!ffilNI conquered a big fear and to be as curious as you were when you discovered a big secret

(May 21-June 20) about who you are. For extra credit, be highly

I found this unusual classified ad in a small demonstrative in your expression of what

California newspaper. "Wanted: Someone to you care about.

travel backwards in time with me. This is not

rnP~ICO~N a joke. You must be unafraid to see the per-son you used to be, and you've got to keep a (Dec. 22-Jan. 19) wide-open mind about the past-I mean In his older years, after steadfastly cultivat-more wide-open than you have ever been able to. I have made this trip twice before,

ing his vices with the care of a connoisseur,

and I don't expect any danger, but there may the agnostic actor W. C. Fields was caught

be a bit of a mess. Please bring your own reading the Bible by an old friend. Ques-

'cleaning implements,' if you know what I tioned at this departure from his usual be-

mean." As crazy as it sounds, Gemini, I'm havior, Fields said he was "looking for loop-

thinking you'd be the right person for this holes." I suspect a comparable shift may be in

gig. The astrological omens suggest you'll be the offing for you, Capricorn. In your case,

doing something similar to it anyway. you may be drawn to a source you've perpet-ually ignored or dismissed, or suddenly inter-

, I

rnNU~ ested in a subject you've long considered to be irrelevant. I say, good for you. It 's an excel-

(June 21-July 22) lent time to practice opening your mind in

Of your five senses, which is the most under- any number of ways.

developed? If you're a typical Westerner, it's

~DU~~IU~ your sense of smell. You just don't use it with the same level of acuity and interest you have (Jan. 1!0-Feb. 18) when you're seeing, hearing, tasting and I watched a You Tube video that showed eight touching. You may speak excitedly about an image you saw or song you heard or food you

people competing in a weird marathon. They

ate or massage you experienced-what they ran two miles, ate 12 doughnuts, then ran

were like, how they made you feel-but you another two miles. I hope you don't try any-

rarely do that with odors. You easily tolerate thing remotely similar to that, Aquarius. If

an ugly building or loud traffic noise or medi-you're in the mood for outlandish feats and

ocre food or itchy fabric, and yet you feel a exotic adventures (which I suspect you might

deep aversion to an unappealing smell. Hav-be), I suggest you try something more life-

ing said that, I want you to know it's an excel-enhancing, like making love for an hour, eat-

lent time to upgrade your olfactory involve-ing an organic gourmet feast, then making

ment with the world. You'd benefit greatly love for another hour. It 's a good time for you

from the emotional enrichment that would to be wild, maybe even extreme, about get-

come from cultivating a more conscious rela-ting the healing you need.

tionship with aromas. Pl~CU uo (Feb. 19-March 20) In the out-of-print book In Portugal, A.F.G.

(July 23-Aug. 22) "Enlightenment is simply this," said the Zen

Bell defines the Portuguese word saudade as

master. "When I walk, I walk. When I eat, I follows: "a vague and constant desire for

eat. When I sleep, I sleep." If that's true, Leo, something that does not and probably can-

you now have an excellentchance to achieve not exist, for something other than the pres-

at least temporary enlightenment. The uni-ent, a turning towards the past or towards

verse is virtually conspiring to maneuver you the future; not an active discontent or poi-

into situations where you can be utterly unit-gnant sadness, but an indolent dreaming

ed with whatever you are doing in the pres-wistfulness." In my astrological opinion, Pi-

ent moment. You'll be less tempted than sees, it is imperative that you banish as much

usual to let your mind wander away from the saudade from your system as you can. If you want, you can bring it back again later, but

experience at hand, but will instead relish the for now, you need to clarify and refine your opportunity to commit yourself completely desires for things that are actually possible. to the scene that's right in front of you. And that requires you to purge the delusional

. t· · ·

I

Yl~GO ones.

(Aug.23-Sept.22) In August 2009, 120 scientists and their help- Go to RealAstrology.com to check out Rob Brezsny's

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:ON YOUR IPOD

A Mighty Wind : Afriend of mine told me a while j back that after living on the : US West Coast for several ! years, he walked into a new, island­: style restaurant, sat at a table and ! the sudden sound of Hawaiian mu­! sic caused him to break into what ! he called a "Norwegian-style ugly : cry." What makes the story even ! better was that he happened to : be on a first date. She was a Yan­! kee. He was born and raised in ! Hawai 'i and that was the end of : their affair.

I had a similar experience recent­! ly when, on a Saturday morning, I : listened to Hi'ikua's Aia I Hi'ialo : while eating breakfast. In between ! spooning an avocado into a bowl ! and listening to "He Aloha No 'O : Halawa" and "Maunaloa Slack Key," ( I felt a similar ugly cry making its ! way up through my esophagus and : out of my facial extremities. In the ! midst of all this emotion I grappled

with the fact that this island isn't even tech­nically my home. And my connection to Ha­waiian music is only 156 weeks old.

But that's the thing about genres we preface with the word "tradi­tional" -traditional bluegrass, traditional folk music, traditional Spanish-Mexican music, tradi­tional Hawaiian music-who in­fluenced whom? What was once functional in nature became back­ground music for the frying pan, for the hotel lobby, for the West Coast neighborhood eatery.

Perhaps we connect to genres outside of our musical memory because of residue left behind. In other words, maybe seven conti­nents and hundreds of traditional styles of music are as familiar as nursery rhymes are to rap. Ya'llgon'

make me lose my mind. Up in here. Up in here. (Clap, clap, clap!)

Hi'ikua is a trio that honors tra­ditional Hawaiian stories in a con­temporary blend of slack key and seamless musicality. Their harmo­nies are unbroken. Their musician­ship is near perfect. What they are able to accomplish by the record's end is a moment where the music transcends the space in which it's being played, and becomes some­thing else entirely. Expression. Familiarity. Tradition. Home.

-Shantel Grace

www.mour,tair wn/h11kua/

................................. ............................................................................................... ·

· IN YOUR FRIDGE

Know Your Land and Eat It Too

Farmers' market manag­ers, Pamela Boyer and Annie Suite have joined hands with local farmers to create Oahu Agri-Tours. There's no fancy farmhouse or massive farm machinery; what you see is what you get. You'll experi­ence first-hand how farmers are committed to practicing

is;::...,..._• clean, organic farming.

Poamoho Farms is one of the farms on tour, and guests learn how the fruit orchard

m;:.;;..;,,._.• uses natural pest manage-

WHERE THE WILD THINGS ARE

Wallabydarn ... In 1916, three wallabies were brought to an O'ahu zoo from Australia. When dogs attacked their poorly constructed cage, one of the younger wallabies was killed, while the older two escaped. They settled in Kalihi and established the first colony in Hawai'i.

The elusive pack of wild bush­tailed rock wallabies, tucked away from view in the steep cliffs of Kalihi Valley, seem to have taken on a shroud of mys­tery. The population of wallabies haven't been monitored by the state since the early '90s, and then funding "like, ran out or whatever." Wallabies are calm and gentle creatures, so unless they become a threat to natural

resources, rob banks or steal babies, their under-the­

radar lifestyle is likely to

continue. -Niko Rivas

ment and fertilization meth­ods. Tin Roof Ranch farmers Luann Casey and Gary Gunder butcher their chickens the day before sell­ing them at the market.

Na Mea Kupono wetland taro farm practices old school taro farming methods that most locals don't even know about. Here you can also watch a traditional poi­pounding demonstration.

At Mohala Farms you'll see how simple and natural farming is still possible (and still exists). After a tour of their herb garden, guests enjoy farm-made treats in the hale. And if that simply isn't enough to get you excited about organic farms, there's of course, chocolate. Waialua Estate Cacao, a local chocolate and coffee farm that serves up world class chocolate and coffee, rivals that of our neighbor Island.

Yes, all the hype of organic pro­duce at chain markets may sound a little cliche, and the truth is, it is simple and true to Hawai 'i's histo­ry. These tours are a reminder that sustaining people on what the land can naturally give is a deep respect for our resources.

-Michal Jones-Smith

Visit oahuagritours.com for times and schedules. Kama'a.ina rates available!

Serving quality food and the Spirit of Aloha to everyone!

Welcome Back Students Try Kokua's Deli

Free 8 oz Soup of the Day Buy any redi-made deli sandwich at regular

price - receive an 8 oz Soup of the Day - Coupon Required

Must present Student ID or propf of Kokua ownership at time of purchase

No duplications or reprints - not valid with other discounts

Organic & local ingredients are always used whenever possible

~ 'kua market a natural foods cooperative 8am - 9pm Daily 12643 Sou~h King Street

941-1922 www.kokua.coop

www.honoluluweekly.com • August 24-30, 2011 • Honolulu Weekly 19

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