KULIAH 1 APRESIASI
Transcript of KULIAH 1 APRESIASI
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UK01402 APRESIASI SENI
(Pengenalan kepada Apresiasi dalam Catan
Tel: 019 8990375
mailto:[email protected]:[email protected] -
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The appreciation of art requires a structured
discipline to achieve the following objectives:
Understanding, knowing and
acknowledging the work of art
Analysis with emphasis on perception,description, analysis, interpretation,
hypothesis and evaluation of the work of
art.
Elaboration of the iconographic imagepresented.
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Observation,INTERPRETATION
Hypothesis
Experience,Reading &
KnowledgeThisdisciplinecan only beachievedthrough thefollowingaspects.
This disciplinary experience can be achieved
through the following activities
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Observation
HypothesisInterpretation
Experience
ReadingKnowledge
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There are three basic components to the question that
explains the content of this discipline:
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WHAT
ICON
HYPOTHESIS
Requires descriptive &
perceptive answer
Requires analytical &
interpretive answer
Consideration & evaluationrequired to arrive at the answer
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Malay Couple, 1988, Mixed media collage, 60 x 50 cm
Malay Couple is a
particularly richcollage from the
artists MalaysianSeries, begun in the
early 1980s, in which
he appropriated
images from old
photographs of
figures and families of
the different races,
expressing ideas
about community,
history and memory
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Untitled (Harvesting), 1961, Oil on canvas, 89 x 120 cm
In 1960, the artist
travelled to north
Borneo, in search
of new subject
matter.Harvesting is an
exceptional painting
which grew out of
his visit to Dayak
longhouses and
their culture.
Applying a typicallyFauvist approach,
he picks out the rich
dyes and textures
of cloth and
basketry, and the
bright grains of the
harvest. against the
dark earthy tones of
the figures and
background.
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Amron Omars (b. 1957) , Study for Pertarungan II, 1980,
Charcoal on paper, 78 x 108 cm
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Sarawak Wedding, 1964, Oil on board, 60 x 83.5 cm
Graduating from Nanyang
Academy of Fine Art in
1959, Khoo Sui Hoes (b.
1939) unique stylisationof the Asian figure has
become almost iconic in
the history of modern
Malaysian figuration. His
best paintings create a
state of inner peace, joyfreedom and humour. The
human being is depicted
in serene harmony with
the elements: water, air,
earth and its vegetation.
The artists unique brandof gentle surrealism
expresses a Southeast
Asian ideal without losing
its universal appeal.
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Untitled, 1953, Watercolour on paper, 48.5 x 62.5 cm
Yong Mun Sen (b.1896
- 1962) has sometimes
been referred to as the
father of Malaysian
art, being one of thevery earliest practising
artists in the country.Born in Sarawak, he
eventually settled in
Penang, where he set
up his first studio in
1922.
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revealing of secrets
Appreciation is also known as
revealing of secrets
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Ismail Ibrahim:
Penunggang Kuda dari Kota
Belud, Siri IV,
1988. 54cm x 74 cm,
Papier mache.
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1905-1925
Expressionism is an
artistic style in which the
artist attempts to depict
not objective reality butrather the subjective
emotions and responses
that objects and events
arouse in him. Heaccomplishes his aim
through distortion,
exaggeration,
primitivism, and fantasy
The Scream by Edvard Munch
(1893) which inspired 20th
century Expressionists
http://en.wikipedia.org/wiki/The_Screamhttp://en.wikipedia.org/wiki/Edvard_Munchhttp://en.wikipedia.org/wiki/Edvard_Munchhttp://en.wikipedia.org/wiki/The_Scream -
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Bagaimana hendak
membuka rahsia?Membolehkan penghayat menghuraikan segala rahsia
yang tersirat dari sesebuah karya melalui bahasa-bahasa visual yang disampaikan.
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How secrets are revealed
An appreciator needs to be skilled in the waysof getting visible information through works of
arts.
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What are the criteria necessary in an art
appreciator?
Skilled and knowledgeable in the history of art
Understands the style and functions of objet dart
Knows the social and cultural background of the
community where the work of art is produced.
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What are the criteria necessary in an art critic?
Knows some techniques that can produce effects onthe work of art
Ability to evaluate without prejudice
Has his own personal taste and is able to evaluatethe artists creativity in a wide context.
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Aesthetics gained through
appreciation
This approach classifies image observation into four
stages: First, the description stage
Second, the formal analysis stage
Third, the interpretation stage
Fourth, the hypothesis stage
Edmund B.Feldman, Varieties of Visual Experience
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THEORY OF APPRECIATION First, the description stage
Second, the formal analysis
stage
Third, the interpretationstage
Fourth, the hypothesis
stage
FORMALISTIC
ASPECT
ICONOGRAPHIC
ASPECT
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Analytical observation
(by Zoy)
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Theory of Appreciation
This approach classifies image observation into
four stages: First, the description stage
Second, the formal analysis stage
Third, the interpretation stage
Fourth, the hypothesis stage
Edmund B.Feldman, Varieties of Visual Experience
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Description
The Description Stage: In this stage, we try to
identify the basic images depicted by the artist,
that is:
a middle-aged woman, three young women and two
young men.
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Formal analysis
Formal Analysis Stage:
This stage limi ts the observat ion to theformal elements found on the surface, such
as co lou r, space, shape, form , l ines and
texture.
How far these elements interact to produceeffects of m otion, balance, contrast,
harmony and focus. Inc lud ing the design
struc ture.
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Interpretation
This stage requires in-depth exp lorat ion . We the
images portrayed as symbols to enable us to
analyse in m ore detai l . We begin b y ask ing qu est ions as a s imp le guide in our search for
answers
who is the middle-aged woman?,
what is her character l ike?
what is her character l ike?,
how is the character /sty le presented by the youths ?.
These quest ions m ust b e answ ered to obtain a rat ional
analysis.
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Hypothesis
This stage enables us to make assumpt ions
based on the answers to the quest ions
posed. The assumptions are,
the art ist is try ing to make a social cr i t ic ism on the
youth s of today.
The art ist made a comparison between Bosn ia where
there is an ethnic war happening in their f ight to
defend rel ig ious values, and Kuala Lumpu r wheretheBohs ia phenomenon is d i ff icu l t to com bat.
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TQ