Post on 29-Apr-2023
NEWSSTAND PRICE $6.50
Mudd Make Mu ltiformat Splash Putt! le Of Mudd's "Blurry" holds on To the top spot on
R&R's Alternative and
Active Rock charts this
week. The Flawless/
Geffen/lnterscope song
is also No. 3 at Rock
and moves 25-17 at
CHR/Pop and 25-19 at
Hot AC. lt also debuts
at 27 at Triple A.
FEBRUARY 22, 2002
Annual Talk
Radio Special In conjunction with
R&R's annual Talk Radio
Seminar, going on right
now in Washington, DC.
Al Peterson paints the
picture of News/Talk
radio in a post-9/11
world. The special
begins on Page 23.
'YEW'S/TALK
KENNY CHESNEY "YOUNG" Irqk ir
*'"Young"- Top 10 in 4 weeks
* "Young"- fastest moving song of his career
"Young" - only single in the history of R&R Country
Chart to debut from MP3 file play
* Over 7 million in sales and counting
7* Back-to-back double platinum albums
* Greatest Hits debuted #1 and stayed in Top 10
for over one y3ar
* 1st Headlining Arena Tour, "No Shoes, No Shirt,
No Protlerns" kicks off January 2002
*"No Shoes, No Shirt, No Problems Tour," sponsored
by the GM Card and CMT
* Played to over 1 million fans in 2001
NEW ALBUM,
No Shoes, No Shirt,
No Problems
IN STORES APRIL 23
133 M
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vol murder inc.'s first lady of r &b with her debut single t foolish
introduced on the #1 hit song
ja rule's "always on time" debut album in stores
april 9, 2002
#1 MOST ADDED at Rhythm /Crossover AND Urban first week!!! On over 125 combined stations!!
Crossover Monitor 27 * -21 * ( +553) #1 GREATEST GAINER!
39 * -25* ( +334) A GREATEST GAINER! 0-0 ( +487) #2 MOST INCREASED!
(D-CI ( +478) #1 MOST INCREASED!
Rhythm Monitor R &R Rhythmic R &R Urban
Top 5 Phones Seattle, Denver, DC, Baltimore, Albuquerque Top 10 Callout with core KOKS
Top 5 Callout WXYV
Already Over 32 Million in
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#1 Phones Already at: Hot 97 KBMB
KYLD WWKX
KMEL WZMX KOHT (power rotation)
The first Pick in the new Rhythmic column by Dontay Thompson! www.murdenncrecords.com MURDER
A1MRecords
ADD
in r www.americanradiohistory.com
I N S I D E
management marketing sales According to the experts, there are signs of recovery in the radio- industry economy. At the recent RAB 2002 convention in Orlando, RAB President/CEO Gary Fries admitted that business last year fell to depths nobody could have imagined. But Fries said that business in January 2002 was actually
higher than it was a year earlier, and there are other signs that the radio industry could be in decent shape this year. Our Management, Marketing & Sales section also features our annual Spring Ratings Tuneup from consultant John Lund and our GM Spotlight, which this week features a
manager of Olympic proportions, KSUSaIt Lake City's Chris Redgrave.
Pages 10 -14
R &R '02 INDUSTRY ACHIEVEMENT
AWARD NOMINATIONS Here's your chance to nominate the best and the brightest for a 2002 R &R Industry Achievement Award. In this issue (and only this issue) you'll find an official ballot where you can suggest your favorite station, GM, PD, MD, personality, label and
label exec. A second round of balloting will occur in April; the winners will be
announced at R &R Convention 2002 in
Beverly Hills, CA.
Page 40
RUSH LIMBAUGH SPEAKS UP! As Talk radio executives from around the world gather in Washington, DC for the R &R Talk Radio Seminar, News/Talk/ Sports Editor Al Peterson put together another great special documenting the year in News/Talk radio. Anchoring this year's special is an interview with Rush
Limbaugh, who discusses at length his comeback from total deafness. Al also has
profiles of Sean Hannity, Glenn Beck, Kevin
Straley and Ken and Daria Dolan.
Begins on Page 23
CHR/POP NO DOUBT Hey Baby (Interscope)
CHR/RHYTHMIC JA RULE Always On Time (Murder lnc. /DefJam /IDJMG)
URBAN BRANDY What About Us? (Atlantic)
URBAN AC MICHAEL JACKSON Butterflies (Epic)
COUNTRY STEVE HOLY Good Morning Beautiful (Curb)
AC ENRIQUE IGLESIAS Hero (Interscope)
HOT AC CALLING Wherever You Will Go (RCA)
SMOOTH JAZZ BRIAN CULBERTSON All About You (Atlantic)
ROCK CREED My Sacrifice (Wind -up)
ACTIVE ROCK PUDDLE OF MUDD Blurry (Flawless /Geffen /Interscope)
ALTERNATIVE PUDDLE OF MUDD Blurry (Flawless /Geffen /lnterscope)
TRIPLE A ALANIS MORISSETTE Hands Clean (Maverick/Reprise)
FEBRUARY 22, 2002
Four Markets Get Sirius Ad campaign rolls out on terrestrial radio
BY JEFFREY YORKE R &R WASHINGTON BUREAU CHIEF yorke @rronline.com
More than 14 months after Sirius Satellite Radio had originally expected to launch its much -ballyhooed service, audiophiles in Houston; Den- ver; SI Phoenix; and Jackson, MS got their first opportunity to subscribe to the 100 -channel.,
digital- quality service for $12.95 per month.
Jackson, the market where Sirius CEO Joe Clayton f launched DIRECTV 10
MIKE
Sept. 11 Boosts Interest In Rush Limbaugh Paragon Research update: Limbaugh's appeal as strong as ever
Rush Limbaugh's listeners have taken a keen interest in the talk host following the Sept. 11,
2001 events and in their after- math. The surge in listening is particularly strong among younger listeners. The research - which also shows Lim - baugh's appeal to be stronger than it was three years ago - was conducted by Paragon Me- dia Strategies.
Of the 379 people queried by Paragon who said they listen to Limbaugh regularly or occa- sionally, a net 30% of listeners said they listen more since the terrorist attacks of Sept. 11. (Net gain is the percentage of those who listen more minus the percentage of those who lis- ten less.) Among listeners under 25, 52% said they listen more.
When asked a similar question about listening during the ongoing war on terrorism, a net 24% of the panel said they listen to Limbaugh more, with 44% of under -25s listening more.
Limbaugh's battle to hear is widely known among his listeners, but it has virtually no effect on his appeal. Almost three out of four listeners were aware of Limbaugh's hearing problems, and 44% said they have noticed some change in his speech. But 95% of listeners said the issue will have no ef- fect on their future listening.
To request the full report on Rush Limbaugh, go to www.paragonmediastrategies.com.
Limbaugh
Tracking Rush's Appeal
In 1999 and again this year, Paragon Media Strate-
gies asked Rush Limbaugh's listeners questions about
various aspects of his appeal. Percentages below are
those listeners who agreed with the statements.
The Push Limbaugh Radio Show still has the same
aggressive, political edge that it has always had.
2002:84% 1999:63%
Rush Limbaugh is now part of the conservative
establishment rather than an independent outsider.
2002: 60% 1999: 49%
The Rush Limbaugh Radio Show is the only
reason I listen to the radio station he's on.
2002: 31% 1999: 21%
The Rush Limbaugh Radio Show is less
enterta ping than it was six months ago.
2002:25% 1999:22%
I'm listening more to The Rush Limbaugh Radio
Show now than I was six months ago.
2002: 26% 1999: 18%
I'm listening less to The Rush Limbaugh Radio
Show now than I was six months ago.
2002 34% 1999: 35%
Source: Paragon Media Strategies survey of 379 people in
2002 and 296 people in 1999 (ages 15 -64) who said they
listen regularly or occasionally to Push Limbaugh. The 2001
sample was composed of 53% men and 47% women.
EXCLUSIVE RUSH LIMBAUGH INTERVIEW: SEE PAGE 24.
Universal South
Sets Switzer As
Sr. VP /Promotion BY LON HELTON R&R COUNTRY EDITOR Ihelton@rronline.com
Bryan Switzer has been named Sr. VP /Promotion for new Nashville - based label Universal South. He was formerly VP/ GM at Atlan- tic/Nashville.
"We are thrilled to have someone with Bryan's expe- rience, knowl- Switzer edge and pas- sion joining Universal South's senior management team," said
SWITZER/See Page 18
PART TWO OF A TWO -PART SERIES
Telecom Turns 6: Did The
Act Eliminate `The Little Guy'? BY JOE HOWARD R &R WASHINGTON BUREAU
jhoward@ rronline. corn
The Telecommunications Act of 1996 led to an un- bridled boom of consolidation in the radio industry, driving up the prices of radio stations and the stocks of companies that own them. Amid the economic flurry, many believe that radio lost some of its uniqueness and that delivering a healthy bot- tom line took precedence over radio's traditional focus on serving communities.
While he stopped short of calling the act bad for radio,
Entravision Radio President Jeffrey Liberman said that consolidation has put too much control in the hands of station owners and advertis- ers. "Since station groups are
now able to sell in clusters, this allows an ad-
vertiser to dominate the amount of dollars in each market," he told R &R. Liber- man also believes that larger operators have the power to dominate weaker competitors. "Controlling multiple formats has allowed operators to niche
Court Orders FC
TV Ownership C To Reconsider
Cap: Page 4
TELECOM/See Page 49
years ago, hosted a VIP kickoff gala with live
performances by Randy STravis, Earl Scruggs, Tom T.
Hall, Tracy Lawrence and Rhonda Vincent & The Rage.
SIRIUS /See Page 17
Revenue Drops As
Groups Work To
Better Cash Flow So far, without exception, the
titans of Radioland have sung a tune to investors that goes some- thing like this: "Our fourth -quar- ter net revenue was down X per- cent, and it's really looking glum out there. Our visibility is not good right now, but we hope things improve in the second half of the year." While there are some variations on the reasons revenue is down, the main theme is the same: a soft advertising en- vironment.
Infinity Broadcasting rev- enue dropped 11% in Q4, to $938 million, and 8% in 2001, to $3.97 billion. Cash flow for In- finity decreased 20% in Q4, to $385 million, and 13% in 2001, to $1.52 billion. But parent com- pany Viacom beat Wall Street estimates: It posted a Q4 net loss of $42.5 million, or 2 cents per share, compared to earnings of $30.4 million, or 2 cents, in the same period a year ago.
Excluding one -time gains and charges, Viacom's Q4 net loss was 8 cents per share. First Call analysts had predicted an 11 -cent
EARNINGS /See Page 6
Johnson Becomes Sr. VP /Marketing & Promo, Motown BY STEVE WONSIEWICZ R &R MUSIC EDITOR swonz @rronline.com
Motown Records has ap- pointed Michael Johnson Sr. VP/Marketing & Promotions. Based in New York and re- porting to Mo- town Presi- dent/CEO Ke- dar Massen- burg, Johnson will oversee radio promo- tion, as well as M. Johnson marketing and sales operations.
Massenburg said, "As a well - respected music -industry veteran, Michael's wealth of knowledge
MOTOWN/See Page 17
Fall 2001 Arbitron results from all markets: www.rronline.com
www.americanradiohistory.com
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R &R ISSUE NUMBER 1441
Johnson Joins J
As VP/Urban Promo J Records has tapped Cynthia
Johnson as VP/Urban Promotion. Based in New York, she reports to Sr. VP/Urban Promotion Ken Wilson.
"It is my plea- sure to welcome Cynthia to our promotion team, and I'm truly ex- cited to work with her again," Wilson said.
"She has an excellent understand- ing of this ever -changing promotion game, and her extensive experience, enthusiasm and dedication comple- ment what J Records is all about."
Johnson said, "I am extremely happy to work with the exception- ally talented people at J Records and to contribute to the company's overall success. Ken Wilson is my mentor and friend. I' m elated to work with him again. Having him on the J Records team assures our success.
"I am also honored to have the op- portunity to work with [J founder and Chairman/CEO] Clive Davis, whom I have admired for years, and [Sr. VP/Black Music] Ron Gillyard, who has the vision and ability to make the dream a reality."
Johnson was most recently Sr. VP/ Urban Promotion at Columbia Records. She was also named R &R Urban Promotion Executive of the Year in 2000 and 2001.
Johnson
CC Takes '80s To
The 'MAX In Atlanta Clear Channel on Monday com-
pleted its move -in and signal shift of WYAI/Atlanta from Bowdon, GA by unveiling a pop -based '80s format as "105.3 WMAX." WYAI was pre-
viously Country at 105.5 MHz, serving a rural area between At- lanta arrlAnniston, AL. The station
now boasts a class C signal that covers most of the city; WYAI's signal is weakest in the far northeast- ern portions of the metropolitan area.
WYAI has already changed its call letters to WMAX, which were- formerly located on the newly renamed WMGP/LaGrange, GA. Core artists of the new 'MAX include Prince, John Cougar Mellencamp and Bon Jovi. A PD
Dukes
WMAX/See Page 17
Talkin' 'Bout Freedom!
Paul McCartney recently sat down with MJI Broadcasting Sr. Direc- tor /Rock Programming & Specials Sal Cirrincione for an extensive in- terview about McCartney's latest album, Driving Rain. The special was a co- production between MJI and McCartney's MPL Communications.
Emmis Exits Denver With KALC Sale Entercom buys Hot AC `Alice' for $88 million
BY MOLLIE 7 reriiR R &R WASHINGTON BUREAU mziegler@rmnline.com
Emmis Communica- tions sold its second Den- ver radio station in as many days last week when Entercom agreed to pay $88 million for KALC. The deal came a day after Entravision said it would buy KXPK/Denver for $47.5 million.
Entercom will assume control of Hot AC KALC under a time- brokerage agreement once the deal passes mus- ter with the Department of Justice, ex- pected sometime this quarter, and the transaction should close in May.
On Feb. 1 Entercom took control of three other Denver stations - Tribune's KEZW, KKHK & KOSI - but the closing of that deal could
Smu lyan
be delayed by up to three years, at Tribune's option. Entercom President/COO David Field calls KALC "the perfect strategic com- plement to the Tribune properties."
While selling its two stations in Denver is a lucrative prospect for Emmis - it's pocketing $135.5 million for the pair - the company will no longer have a presence in
market No. 23 and will have to live without the $3.5 million in cash flow the two stations are expected to gen- erate this year.
But, referring to when he saw the prices Entercom paid for Tribune's Denver outlets, Enunis Chairman/CEO Jeff Smulyan said, "We realized it made
EMMIS /See Page 17
nenNiell
Clear Channel Ups Carls In Louisville Kelly Carls has been named to
the newly created Director /Opera- tions position for Clear Channel/Louisville. Carls rises from Director /AM Operations, in which posi- tion he oversaw News/Talk WHAS, Talk WKJK and Sports WXXA. Now he oversees the entire cluster, which also includes Coun- try WAMZ, Classic Rock WQMF, Rock WTFX, Country WYBL and CHR/ Pop WZKF.
"In an ongoing effort to better or- ganize and streamline our operation, I am pleased to announce the promo- tion of Kelly Carls," Clear Channel Regional VP/Market Manager Bill
Gentry said. "With heavy mandates and deadlines, new and expanded
acquisitions and responsi- bilities and increasing re- gional pressure, Kelly is the logical choice to help us sort it all out (so I don't have to). Kelly will be available to assist our award- winning PDs, to determine and coor- dinate priorities with engi- neering and to continue to try to force his news prod- uct on the FMs!"
Carls was previously OM of WHAS and Regional PD for Clear Channel's News/Talk stations in Kentucky (Louisville and Lex- ington), Tennessee (Memphis) and Shreveport, LA.
Ca
FEBRUARY 22, 2002
NEWS & FEATURES Radio Business Business Briefs
Transactions
MMS
4 4
6
10 Internet News & Views 15 National Music Formatsl9 Show Prep Zine Scene
National Video Charts
20 20
21
Legends Street Talk Sound Decisions Music Meeting Publisher's Profile
41 42 46 48
124
Opportunities Marketplace
119
120
FORMATS & CHARTS News/Talk /Sports Adult Contemporary 83 Special 23 AC Chart 84
CHR /Pop 51 AC RateTheMusic 86
CHR /Pop Chart 53 AC /Hot AC Action 87
Pop Action 55 Hot AC Chart 88
CHR /Pop RateTheMusic 56 Hot AC RateTheMusic 89
CHR /Rhythmic 60 Smooth Jazz 91
CHR /Rhythmic Chart 61 Smooth Jazz Chart 92
CHR /Rhythmic RateTheMusic 62 Smooth Jazz Action 93
Rhythmic Action 64 Rock 95 Urban 66 Rock Chart 96
Urban Chart 68 Active Rock Chart 100
Urban Action 71 Active Rock RateTheMusic 102
Urban AC Chart 72 Rock Action/
Country 73 Rock Specialty Show 103
Nashville 74 Alternative 104 Country Chart 75 Alternative Chart 105
Country Indicator 76 Alternative Action 106
Country Callout 77 Alternative RateTheMusic/
Country Action 78 Specialty Show 107
Country RateTheMusic 79 Triple A 110 Triple A Chart 112
Triple A Action 114
Christian 116 Christian Charts 117 -118
The Back Pages 122D
SBS/L.A. Promotes Radlovic To VP /GM As expected, KLAX (La
Raza) & KXOL (El Sol)/ Los Angeles VP /Station Manager Marko Radlovic has been promoted to VP/ GM of the Spanish Broad- casting System Regional Mexican duo. Radlovic be- came interim VP /GM of the stations when Bob Vi- sotcky, who had been VP/ GM since August 2001, ex- ited at the end of January.
"I am pleased that Marko has ac- cepted this increased responsibility," said SBS President/CEO Raul Alar-
Radlovic
con Jr., to whom Radlovic reports. "His knowledge of the L.A. marketplace is a valuable asset as we con- tinue to expand our share of the nation's largest His- panic market. Marko's combination of experience and demonstrated leader- ship bode well for his abil- ity to maximize our sales potential in Los Angeles."
Radlovic told R &R, "I want to thank Raul Alarcon Jr. and
RADLOVIC /See Page 17
KKRZ/Portland, OR Appoints Hayes PD Michael Hayes has been named
PD of Clear Channel's CHR/Pop KKRZ (Z100)/Portland, OR. Hayes transfers from a similar post at the company's WKST/Pittsburgh.
'1 grew up in the Pacific Northwest and consider my move to Portland and KKRZ a homecoming," said Hayes. "I still get an adrenaline rush when I hear great radio. Radio is more than just a job to me; it's an art form.
"My other passion is music; I can't
fathom anyone getting into the busi- ness without a love and passion for the music. KKRZ has long had a rep- utation as being one of the premier CHR stations in America, and it's our job to put Z100 back on top where it belongs in the Portland market."
Hayes is a 20 -year programming veteran, with stints at WIOQ/Phil- adelphia, KBEQ/Houston, WZOU/ Boston and KQKS/Denver on his resume.
HOW TO REAC
CIRCULATION:
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4 R &R February 22, 2002 Radio Business
FCC Proposes System For Noncom Auctions BUSINESS BRIEFS Also puts forward `consumer -friendly' complaints system
BY JOE HOWARD R &R WASHINGTON BUREAU jhoward @ rronline.com
In an effort to work around a Washington, DC Circuit Court decision that interfered with its plans for spectrum auctions, the FCC has proposed several solutions to the problem of commer- cial and noncommercial operators sharing the same spectrum and has asked for public comment on its proposals.
In July 2001 a DC federal appeals court vacated an existing FCC rule and said that noncommercial educational radio broadcasters are exempt from having to compete in auctions for commercial broadcast frequencies. That decision forced the FCC to come up with a new policy for licensing noncommercial stations on commer- cial channels.
At the FCC's Feb. 14 meeting the Mass Media Bureau introduced a pro- posal that it hopes will begin to resolve the issue. The bureau proposed three options: to limit noncom applicants to
the existing reserved noncommercial frequencies, to permit noncoms to ac- quire licenses for unreserved channels when no commercial entities apply or to allow noncoms to reserve additional channels.
However, the bureau stressed that these are not the only options it will consider and invited public comment and additional ideas. Mass Media Bu- reau Chief Roy Stewart said that, since there is a large backlog of applications, his bureau hopes to act quickly.
After the meeting FCC Chairman Michael Powell said his agency is in a
"very difficult situation" as it faces the challenge of handling this issue and admitted that he doesn't feel strongly about any one proposal. "We have to explore all of those and many more options to resolve what I believe was a court decision in error," he said.
Commissioner Michael Copps added that the delay caused by the court's ruling "is harming our ability to license new spectrum," but he com- mended the Mass Media Bureau for try- ing to find a creative solution within the narrow ruling.
Consumer -Friendly Complaints
Also at the Feb. 14 meeting, the FCC's Consumer Information Bureau proposed what it called "consumer -
FCC See Page 6
Court Orders FCC To Reconsider Ownership Cap BY MOLLIE ZIEGLER R &R WASHINGTON BUREAU CHIEF mail room @ rronl ine. com
A U.S. appeals court has rejected the FCC's defense of its regu- lations capping the national reach of broadcast owners at 35% of the television audience and has sent the issue back to the commis- sion for further consideration. Chief Judge Douglas Ginsburg wrote on behalf of the three judge panel that the FCC's decision to retain the rules was "arbitrary and capricious and contrary to law."
Viacom, which owns the CBS and Viacom issued a statement on Tues- UPN networks, joined FOX and NBC day that said, "We are pleased with the in challenging the rule. Viacom and court's ruling. It's a great decision for FOX both have reach above the cap viewers. We believe strongly that the imposed by FCC regulations, and FCC should eliminate its archaic re- Viacom has been a vocal opponent of strictions on broadcast ownership - the rule. rules that date back to the 1940s and
The larger television networks have are clearly an anachronism in today's long argued that the regulation on na- world of ever -expanding media tional reach is outdated. Developed in choices." an era when three networks competed NAB President/CEO Edward Fritts for market control, the rule now restricts disagreed. He said, "The 35% televi- seven broadcast networks in an increas- sion ownership cap has been critically ingly competitive environment that in- important in preserving the network- dudes radio, cable, Internet and digital affiliate relationship that has made the broadcasting. Independent broadcast- U.S. system of free, over -the -air ers and affiliates have supported the broadcasting the envy of the world. regulation, fearing that without it they This rule has been instrumental in pro- will lose bargaining power. moting localism and diversity. The
NAB will continue to build a solid record to convince the FCC, Congress and the courts to preserve the 35% cap." Viacom pulled its 35 CBS sta- tions and 175 Infinity stations out of the NAB last year over the issue.
The court on Tuesday also threw out the FCC's regulation prohibiting a single entity from controlling cable systems and broadcast stations in the same market.
The FCC is required to review its ownership rules every two years, and in May 2000 the commission voted to
uphold both the ownership cap and the broadcast -cable ownership ban. The commission's reasoning at the time was that too little time had passed since it increased the ownership cap from 25 %; that increase was enacted in 1998.
FCC Chairman Michael Powell, who was an FCC commissioner at the time, strongly opposed the 2000 deci- sion, claiming that the FCC refused to consider the new competitive land- scape.
NAB: The Time Is Ripe For IBOC I n comments filed in the FCC's in -band, on- channel digital -broadcasting
proceeding, the NAB said, "IBOC technology is the radio industry's preferred route to a digital future," and asked the commission to authorize iBiquity's technology for the service. The NAB pointed out that supporting a "vibrant and vital terrestrial radio service" for the public and creating digital opportunities for broadcasters have been policy goals for the FCC, and it said that IBOC technology "has now proven out for the FM band and is clearly the path to achieve these policy goals." The NAB noted that questions still exist about IBOC's effect on terrestrial radio stations but pointed out that iBiquity, NPR and the International Association of Audio Information Services have tests underway to address those concems. The NAB also asked the FCC to announce what final steps will be neces- sary to authorize digital radio transmissions.
Saga Pays $9 Million For New England Quartet Saga Communications purchased Tele -Media Co.'s WKNE -AM &
FM /Keene, NH and WKVT -AM & FM /Brattleboro, VT for $9 million in
a cash deal announced last week. The acquisition of WKNE -AM & FM expands Saga's presence in New Hampshire, where it already owns WFEA -AM, WQLL -FM & WZID- FM/Manchester. And, while WKVT -AM & FM are Saga's first stations in Vermont, the company owns four stations in a nearby market: It has WHMP -AM, WHNP -AM, WAQY -FM & WLZX- FM/Springfield, MA. Saga expects to close the deal in the second quarter. Robert Maccini of Media Services Group represented Saga in the deal, and Frank Boyle of Frank Boyle & Co. represented Tele- Media.
Millennium Completes $110M Press Deal illennium Radio Group has completed its $110 million purchase of
MI Press Communications' WBUD -AM & WKXW- FM/Trenton, NJ and WBSS -FM /Atlantic City, NJ. The deal, announced in June 2001, was red - flagged by the FCC over ad- revenue concerns. That holdup likely cen- tered on Millennium's acquisition of five Monmouth stations from Nassau Broadcasting -a deal Millennium announced just five days after the Press deal and that is still awaiting completion. Millennium also bought three Atlantic City stations from Citadel in March 2001.
Clear Channel Venture Buys Australian FM License The Australian Radio Network, Clear Channel Communications' joint - venture with Australia's APN News & Media and the U.K.'s DMG Radio
Continued on Page 18
R &R Stock Index This weighted index consists of all publicly traded companies that derive
more than 5% of gross earnings from radio advertising.
Change Since
2/15/01 2/08/02 2115/02 2/15101 218i02-2/15102
R &R Index 258.09 235.49 240.99 -6.6% +2.3%
Dow Industrials 10,891.02 9744.24 9903.04 -9% +1.6%
S&P 500 1326.61 1096.22 1104.18 -17% +0.7%
'DOWNSIZING
Creative Media Direct, Inc.
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THE ISSUES, THE PEOPLE, THE TECHNOLOGY
Make change your opportunity
April 6-11 2002 'r
Referred to by AJvedisingAçe as the advertising industry's soft- spoken visionary,
)DB Wor dwide Communications Group Chairman, Keith Reinhard, thinks Radio
delivers more personal, more precise images than any other advertising medium.
de will first inspire you arc then challenge you as he illustrates his keys of
advertising at The NAB Recio Luncheon, Tuesday, April 9. D ck Orkin, from
The Radio Ranci, well be inducted into the NAB Broadcastirg Hall of Fame.
Sponsored by:
AscAP WHELE MUSK BEGIN;
Keith Reinhard Chairman of DDB Wor'dwrie Communrcations Group, Inc.
Dick Orkin The Radio Ranch NAB Broadcastiro Hall of Fame
This April, NAB2002 prom ses to be a Show like no other - giving you the
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6 R &R February 22, 2002 Radio Business
DEAL OF THE WEEK
KALC- FM/Denver (Denver -Boulder), CO
$88 million
2002 DEALS TO DATE Dollars to Date: $247,572,911
(Last Year: $3,860,191,556)
Dollars This Quarter: $247,572,911 (Last Year $2, 202,699 600)
Stations Traded This Year: 90 (Last Year 1, 054)
Stations Traded This Quarter: 90 (Last Year 343)
TRANSACTIONS AT A GLANCE All transaction information provided by BIA's MEDIA Access Pro, Chantilly. VA.
KIDI -FM /Guadalupe (Santa Maria) and KTAP -AM /Santa Maria, CA $260,000
KXPK -FM /Evergreen (Denver -Boulder), CO $47.5 million WMID -AM /Atlantic City, WMID -FM /Cape May, WGBZ -FM/ Cape May Court House, WTTH -FM /Margate City, WZBZ- FM /Pleasantville and WBNJ -FM/Wildwood Crest (Atlantic City -Cape May), NJ $13 million
WYNT -FM /Upper Sandusky, OH $825.000
Emmis Exits Denver With Two Big Sales Entercom captures `Alice' for $88 million; Entravision to place `Radio Tri -Color' on `The Peak'
Colorado
KALC- FM/Denver (Denver -Boulder) PRICE: $88 million TERMS: Asset sale for cash BUYER: Entercom Communica- tions. headed by President /COO David Field. Phone: 610- 660 -5610. It owns 98 other stations. This repre- sents its entry into the market. SELLER: Emmis Communica- tions. headed by PresidentICEO Jeff Smulyan. Phone: 317 -266 -0100 FREQUENCY: 105.9 MHz POWER: 100kw at 1.470 feet FORMAT: Hot AC
Saga New England Purchase PRICE: $9.08 million TERMS: Asset sale for cash BUYER: Saga Communications Inc., headed by President/CEO Ed Christian. Phone: 313- 886 -7070. It
owns 56 other stations. This repre- sents its entry into the market. SELLER: Tele -Media Broadcasting Co., headed by VP /COO Radio Ira Rosenblatt. Phone: 603 -889 -1063 BROKER: Bob Maccini of Media Services Group and Frank Boyle of Frank Boyle & Co.
New Hampshire
WKNE -AM & FM/Keene FREQUENCY: 1290 kHz; 103.7 MHz POWER: 5kw; 12kw at 997 feet FORMAT: News/Talk; AC
Vermont
WKVT -AM & FM/ Brattleboro FREQUENCY: 1490 kHz; 92.7 MHz POWER: 1kw : 2kw at 610 feet FORMAT: News/Talk; Classic Rock
TERMS: Emerald Wave Media Presi- dent George Ruiz is buying out part- ner Palma Ann Case's shares in the company. Ruiz is purchasing 10,000 shares of common stock, valued at $26 per share. BUYER: Emerald Wave Media President George Ruiz. Phone: 415- 598 -9959. The company owns no other stations. SELLER: Emerald Wave Media Secretary Palma Ann Case. Phone: 805 -928 -4334 FREQUENCY: 105.5 MHz; 1600 kHz
POWER: 350 watts at 1,342 feet; 470 watts FORMAT: Regional Mexican; Re- gional Mexican
SELLER: Emmis Communica- tions. headed by President /CEO Jeff Smulyan. Phone: 317 -266- 0100 FREQUENCY: 96.5 MHz POWER: 100kw at 1,528 feet FORMAT: '80s
Donald Brooks. Phone: 609 -348- 4040 FREQUENCY: 1340 kHz; 102.3 MHz; 105.5 MHz; 96.1 MHz; 99.3 MHz: 93.1 MHz POWER: 890 watts; 3kw at 292 feet; 3kw at 295 feet: 3kw at 371 feet; 3kw at 328 feet; 4kw at 217 feet FORMAT: Adult Standards: Smooth Jazz: CHR: Urban AC; CHR; Urban AC
WMID -AM /Atlantic City, WMID -FM /Cape May, WGBZ -FM /Cape May Court House, WTTH -FM/ Margate City, WZBZ -FM/ Pleasantville and WBNJ- FM/Wildwood Crest (Atlantic City -Cape May) PRICE: $13 million TERMS: Asset sale for cash BUYER: Equity Communications LP. headed by President/CEO Gary Fisher. Phone: 609 -484 -8444. It owns three other stations: WCMC -AM, WAYV -FM & WZXL -FM /Atlantic City,
NJ. SELLER: Margate Communica- tions LP, headed by President
WYNT FM /Upper Sandusky PRICE: $825,000 TERMS: Asset sale for cash BUYER: Clear Channel Communi- cations. headed by Radio CEO Randy Michaels. Phone: 859 -655- 2267. It owns 1,213 other stations. This represents its entry into the mar- ket. SELLER: US Communications Inc., headed by owner /President Forrest Whitehead. Phone: 419- 294 -4903 FREQUENCY: 95.9 MHz POWER: 3kw at 299 feet FORMAT: AC /Country
KXPK- FM/Evergreen (Denver -Boulder) PRICE: $47.5 million TERMS: Asset sale for cash BUYER: Entravision Communica- tions Co., headed by Chairman /CEO Walter Ulloa. Phone: 310- 447 -3870. It owns 52 other stations, including KMXA -AM & KJMN -FM /Denver.
KIDI- FM/Guadalupe (Santa Maria) and KTAP- AM /Santa Maria PRICE: $260.000
Earnings Continued from Page 1
loss. For the full year, Viacom posted a net loss of $223.5 million, or 13 cents, compared to 2000's loss of $816.1 mil- lion, or 67 cents. Excluding one -time gains and charges, Viacom had a loss of 8 cents per share in 2001.
Viacom President /COO Mel Karmazin, paraphrasing what he told R &R last November that he feared would happen, told an investor's tele-
conference last week that advertisers "beat up on radio sales guys." Adver- tisers wanted sales reps "to sell them lower rates," Karmazin told analysts, trying to explain Infinity's revenue drop.
"It wasn't that we saw one cancel- lation of somebody who left radio be- cause it was too expensive," he said. "If advertisers were genuinely con- cerned about value, we would have seen an awful lot of dollars shift from
Ownership Continued from Page 4
friendly" procedures for filing infor- mal complaints. Only the Common Carrier Bureau now has a system in place for informal complaints; the new proposal calls for similar systems to handle complaints filed by consumers about any of the services regulated by the FCC.
Commissioner Kathleen Abernathy said a reworking of the FCC's com- plaint process is overdue. "We want to send a message to consumers that
their voices will be heard, and we want to tell businesses that infractions of commission rules will not be toler- ated," she said. But Copps believes the proposal comes up short. "I am con- cerned that the procedures proposed here may, in some cases, complicate rather than simplify the complaint pro- cess for consumers," he said. "In cre- ating a simplified consumer -corn- plaints process, we must not create new bureaucratic hoops through which consumers must jump before their complaints are addressed by this agency."
more expensive media like newspa- pers into radio. It was more of a per- ception that the advertising business was soft, and if the advertising busi- ness is soft, they still want to buy their spots - but they want to buy them at a lower rate. The sense is that the prices are firming up because the demand is finning up."
But Viacom had some good news for investors too. The company acquired KCAL -TV/Los Angeles for $650 mil- lion cash, giving Viacom - which owns and operates KCBS -TV in Los Angeles - its eighth TV duopoly in the country. It's unclear if the company will have to spin off one or more of its L.A. radio stations to comply with FCC market -ownership limits.
During the teleconference Viacom Chairman/CEO Sumner Redstone set out to soothe concerns that trouble was brewing between himself and Karma- zin. "Mel and I are getting along great!" declared Redstone. "Our man- agement team, led by Mel, came through with flying colors." Redstone added that Viacom's future is "bright because of top management" and said
he and Karmazin are "totally in synch and unequivocally committed" to Viacom.
Cumulus Sees Tough Comps In Q4
Cumulus Media's Q4 net revenue dropped 11 %, to $50.8 million. On Tuesday President/CEO Lew Dickey said the drop was the result of a com- bination of a very soft advertising en- vironment and outstanding sales per- formance in October and November of 2000 that made the most recent fall comparables more difficult to meet.
Broadcast cash flow dropped 3.5 %, to $16.6 million, while after -tax cash flow improved from a loss of $1.6 mil- lion, or 5 cents per share, to a gain of $1
million, or 3 cents. EBITDA jumped 14 %, to $13.1 million, generally due to the benefits from cost cuts made earlier in the year, Dickey said. Cumulus' per - share loss widened from 32 cents to 48 cents. On a same- station basis, revenue fell 10% and BCF increased 3 %.
"It's a pretty tough revenue envi- ronment, and no one can tell for sure when there will be an improvement,"
Dickey said. "We are focused on in- creasing shares in each market." Not only that, he said, but "it's a lot tougher to put ad dollars on our books" because of tighter advertiser guidelines adopted by the company.
Two years ago Cumulus was rav- aged by hard -to- collect debt. It has since improved its profit margin dramatically through better collections. Dickey said that the company has worked hard to cut costs and that costs are now in hand. "We are holding our own," he said. "Cumulus has made a great deal of progress in a relatively short time, and we are poised for expansion."
But Dickey noted that Cumulus will be picky about its growth and will choose deals that add to the bottom line. The recent deals to acquire Au- rora and Dickey Brothers outlets by using Cumulus shares has helped boost the company's stock value and eased its cash outlay. Dickey said the addition of Aurora, expected to close in late March, will add about $15 mil- lion in BCF; the Dickey Brothers sta- tions will kick in about $3.9 million.
Continued on page 18
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10 R &R February 22, 2001
*. Tune up for the spring book with John Lund, Page 13
M S Chris Redgrave in the GM Spotlight, Page 12 "If you lose hope, you're just not looking
far enough ahead." Pics and more from RAB2002, Page 14 - Joe Tye
0
management marketing sales
RADIO AD- REVENUE FORECAST: SIGNS OF RECOVERY RAB's Fries talks candidly about last year's decline, shares optimism for 2002
By Jeff Green Executive Editor
¡green @rronline.com
At a press meeting during the recent RAB2002 Sales, Manage- ment & Leadership Conference in Orlando, RAB President/CEO Gary Fries shared his perspec- tive on several issues and trends facing the radio industry.
Looking back at his 2001 forecast for radio revenues in light of what eventually became the first reve- nue downturn in nine years, Fries said, "None of us expect- ed it to go where it ended
G R E E N up. I remember mention- ing a year ago that we
were in a valley, but we could see the other side, and the other side was around the end of June. But when we got to July, it wasn't the other side, it was the Grand Canyon!"
Asked whether the recovery he predicted for 2001 ever began, Fries replied, "Although it was a lot slower than anybody had anticipated, I felt very good about things in August because I could see a steady re- bounding taking place. We had started to firm up in such categories as automobiles and financial institu- tions. We were still wounded, but the bleeding had stopped. But Sept. 11 broke that apart."
But with 2001 on record as the second -best year in radio-advertising history, Fries has good reason to feel positive about the numbers and radio's ad- revenue future, and he predicts a 1 % -2% gain in January 2002. That would mark the first revenue increase in 13 months and make radio the first medium to show growth since late 2000. Fries said, "There are things about radio that make it more resilient, the most important of which is the fact that we are so strongly a local medium and have the ability to create action faster than other media. The local environment did not get hurt as badly as the national.
"Remember that 2000 was absolutely phenomenal. That's why we started the RAB Index of Radio Revenue Pool Numbers [see box, right]. So you can see how 2000 actually related to a benchmark year. When you look at the last three years in succession, you can see that the radio industry has continued to grow and prosper. In 10 years our growth is 110 %, so we don't want to break our focus and say, 'Oh, my God, the business is going to hell in a handbasket."'
Fries pointed out, "There is still a substantial amount
of business out there," noting that certain categories are doing quite well. He continued, "Financial categories have been good, as have telecommunications, although not so much as three years ago. But that was when it was extraordinary. [Television] entertainment - one of our largest advertising categories - was pretty good last year."
The development of advertising subcategories also offers new opportunities, Fries said. "We're finally going to start seeing advertising for fuel- efficient autos and personal transporters [scooters and similar vehicles]. Health care interest in radio is very strong and
continues to grow - the general 'well-being' category that also includes over -the -counter and prescription drugs. I can remember, a few years ago, you would never have considered making a radio sales call on your local hos- pital, but in the past few years that's been huge.
A SIP OF NEW LIQUOR
BUSINESS
Though Fries acknowledged that, at $10 million -$12 million per year, liquor advertising isn't a major income stream yet, he predicted that when the liquor industry releases "both barrels," it could eventually develop into as much as a $100 million ad business for radio, putting it on a par with beer.
What's driving distillers to radio? Fries said, "There's a real problem in the liquor business. As the new generation converts from beer to liquor, they're buying the cheapest there is. So discount liquor is becoming too popular [and interfering with the sales of] a Smirnoff, Canadian Club or Jim Beam. Those companies have too much invested in their brand equity, and they can't get it across anymore. They've run all the magazines and billboards they're going to, .
and they can't get their lifestyle message across without using broadcasting. That's really where it's at."
The negative press television and radio broadcasters have received in regard to accepting liquor advertising, especially around the Olympics, has caused the beer industry to become concerned that all radio and TV alcohol advertising may be jeopardized. Fries said, "I work pretty closely with the beer companies and have seen their concern that the liquor industry will screw them up, that there will be legislation that will take away beer and wine on broadcast. There's fierce competition between Miller and Anheuser -Busch; they know they need brand equity and can't get it through any other media besides radio and television."
The RAB does not have standards and practices with respect to liquor advertising. "It's really a decision of [station licensing]; we don't really have a position," Fries said. "There is a very definite moral code among the beer, liquor and wine industries, and there are special runs done by Arbitron that track ratings for formats at 21 -plus to ensure that advertisers are not accused of targeting youth formats."
NTR: NO MORE 'DEER IN THE HEADLIGHTS'
Fries explained that the new reporting methods for a station's overall financial picture that take effect in 2002 will include "any revenue that is based on or comes
RADIO AD REVENUES BOX SCORE 2001 marked the radio industry's first decline in ad revenue since 1991. But, despite the recession and the tragedies of Sept. 11, it was still radio's second -best year on record.
Year Revenues' % change from previous year
2001 18.3 -7.4 2000 19.8 +11.9 1999 17.7 +14.9 1998 15.4 +11.6 1997 13.8 +11.3 1996 12.4 +7.8 1995 11.5 +8.5 1994 10.6 +11.6 1993 9.5 +9.2 1992 8.7 +1.2 1991 8.6 -2.3
'in billions Source: Radio Advertising Bureau, February 2002
from your listenership and position in the communi- ty, whether it be spot, national spot or NTR." He emphasized that these terms will not change the revenue of the industry compared to previous years and continued, "We've made some exclusions - specifically, real estate and tower rentals - things that are really business balance -sheet issues vs. listener revenue. The other exception, which came up because of 9/ 11, is pass -through of charity funds.
"At virtually every station NTR was probably being reported as local revenue - and, maybe, sometimes, as national. We're going to go back and recalculate so you don't get skewed numbers, where your local used to have NW and now it doesn't.
RAB INDEX OF RADIO REVENUE POOL NUMBERS To put the intermediate and long -term growth of the radio industry into perspective, the RAB has introduced the RAB Index of Radio Revenue Pool Numbers. The index treats 1998 as a benchmark year, equating it to base year 100. The index works similarly to the Consumer Price Index, and information can be monitored monthly. Local and national revenues are based on a pool of more than 100 markets as reported by the accounting firm of Miller, Kaplan, Arase & Co.
Dec. 2001 vs. Dec. 2000
Local Revenue
All Markets -3%
Local Sales Index 117.8
National Revenue
All Markets -15%
National Sales Index 101.4
Local & Nat'l Revenue
All Markets -6%
Combined Sales Index 113.9
YTD Jan. -Dec. 2001 vs. Jan. -Dec. 2000
Local Revenue
All Markets -4%
Local Sales Index 123.9
National Revenue
All Markets -19%
National Sales Index 111.4
Local & Nat'l Revenue
All Markets -7%
Combined Sales Index 122.0
04 2001 vs. 04 2000
Local Revenue
All Markets -5%
National Revenue
All Markets -16%
Local & Nat'l Revenue
All Markets -7%
We're pulling NTR out of the comparatives; the stations will report it and will show their last year's true NTR number vs. this year's."
Fries is optimistic about how much overall business NTR will account for in 2002 and is pleased with the way radio pursued nontraditional revenue during 2001. "Last year at this time I think this industry was standing like deer in the headlights. A lot of management people didn't know where to go. But as spot continued to struggle throughout the year, management ratcheted up NTR to make their numbers. I think you'll see a lot more NTR reported in the first quarter and, probably, the second quarter of this year than you saw last year.
"This is something I've spent a lot of time working on with Wall Street. At first some of the reaction was, 'I don't want a radio station [giving numbers] that aren't broadcast revenues.' I say, 'Radio-station revenues are the direct product of the station's relationship with a consumer group in the com- munity, whether it be economic or programmatic.' You're absolutely foolish not to use that relationship with your listener to gain any sort of revenue that you possibly can."
That said, the pressures from Wall Street on broadcasters concern Fries. "I'm worried that radio has the chance of becoming more of a commodity and losing its ability to adapt to and relate to its listeners," he said. "I want to make sure the radio industry understands that the assets on the balance sheet are not its fixed assets - buildings, land and towers - but its listeners. Those assets are far more valuable. "
For The Record - In last week's RAB2002 story, Midwest Express Airlines was misidentified.
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THE WORLD IS CHANGING. WHAT DO YOU WANT IT TO BE?
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12 R &R February 22, 2002
management * marketing * sales
/tit? J '' An aspiring Olympian provides
Her office overlooks the Winter Olympics Medals Plaza, and Canadian -born Chris Redgrave per- sonifies the Olympic spirit: She is team -oriented, hard -working and dedicated to winning, and she has a true sense of sportsmanship. Having climbed the ladder at News / Talk powerhouse KSL / Salt Lake City (the only station she has ever worked for) from AE to Bonneville's GSM of the Year in 1998 to, now, VP /GM, Redgrave brings dedica- tion and a commitment to excellence to her station, staff and company.
Whether she's sledding head -first at 70 mph down the Olympics skeleton track in a team - building exercise or at home cooking up a new recipe, Redgrave brings energy and enthusiasm to everything and everyone. It's no wonder she was nominated by so many colleagues for this week's GM Spotlight. Congratulations!
I decided to enter the world of broadcasting because....
"A friend, Sue Wollman, was Sales Supervisor here in 1989. I was in the restaurant business at a company here in town, and she said to me, 'You need to be in radio.' There was a sales opening at the time, and I trusted her. I was like a duck on water. I started with the phone book; I had no sales experience and definitely no radio experience."
Career highlights: "Over the years I've moved up from AE to
Local Sales Supervisor to LSM to GSM to VP / GSM, and two years ago I was offered the VP / GM position."
The most challenging aspect of being a GM is....
"People come to work inherently wanting to do
medalworthy inspiration a good job. It's our responsibility to acknowledge and bring out their abilities and talents and to make sure those skills are matched up with what we're asking of them in terms of job expectations. When you match up employees' responsibilities to their job talents and you watch them take off, there's nothing more rewarding. That, to me, is what it's all about.
"Now I'm not going to sit here and tell you that all 49 people here are humming along at peak 10 and couldn't be happier. We have some employees whom we would like to grow and advance in other areas. But because we don't have other stations here to move talent onward and upward, it's a huge challenge for me. We would love nothing more than to give them those opportunities."
My most unforgettable moment at a radio station was....
"Without a doubt, it was 9/ 11 and witnessing the professionalism and sensitivity of the KSL staff."
How did the events of Sept. 11, 2001 affect you? "I have to say I never thought I would ever
experience anything as devastating and heinous as 9 / 11. I had to consume the event through every news medium possible just to grasp the magnitude of what had taken place in this country. The effect that it has had on me was a major reality check on how much I
had taken freedom for granted. The true resiliency of the American people has been unbelievable."
My favorite album of all time is....
"Years ago it was The Rolling Stones' Sticky
CHRIS REDGRAVE VP /GM, KSL/Salt Lake City
Bonneville
Fingers, but now it's Susan Tedeschí s Just Won't Burn."
If I weren't in the radio business, I'd probably....
"Own a restaurant. It's a very tough business, but when you nail it, it's a blast." I'm most proud of....
"There are several: I have a sister, Joey Robinson, who works at the Children's Hospital here. She's a clinical educator of nurses. I'm extremely proud of her - she's fought two bouts with cancer and survived. She is a wonderful professional and mother to my 15- year -old niece, Emily, who's a great kid. Of course, I'm very proud of my husband, Jason, who really grounds me and is very sup- portive. And I have to mention my staff, a really dedicated group of professionals."
One of my mentors was.... "I have several: My mom is no longer with us,
but she's still my mentor now, as is my father. They taught me my work ethic, value systems and the importance of being honest and having integrity. The true mentor in my life from a business standpoint is Bonneville Salt Lake Group President Richard Mecham. Bonneville CEO Bruce Reese and COO Bob Johnson both do a wonderful job, and I've had important 'distant mentoring' through them as well."
The best words of advice I ever received were....
"From my mom, Grace, who told me, 'You can do anything you set your mind to.'"
You'd be surprised to know that.... "I want to compete in the skeleton at the
Olympics!"
The GM Spotlight is selected by your nominations. Acknowledge the GM who made a difference in your career! E -mail nominations to jgreen@rronline.com.
he Wall Street Journal Makes Sense
"Radio is an industry that touches people's lives and makes a difference1 And when it comes to helping
helping make sense of business and oney news, na one does it befter than the Wall Street Journal"
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Chairman, Ennis Communications
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February 22, 2002 R &R 13
gement marketing
THE EYES OF MARCH: YOUR SPRING RATINGS TUNEUP See your way to a great ratings sweep in 31 days
By John Lund Arbitron's spring book begins March 28, and every PD's goal is to attain the best possible ratings. The 31 days of March are crucial for planning and ex- ecuting the strategies that will have a positive influence on your spring. Follow the day - by -day checklist below to en- hance your strategic planning.
FRIDAY, MARCH 1
Thoroughly evaluate your fall
ratings. Review Arbitron software, the
mechanical diary, listener comments
and all pertinent ratings tracking data. You are the station's
Arbitron expert.
How much time do your P1 listeners spend with the station?
Create a strategy to get more P1s and to keep the core listening
longer.
Review your most recent perceptual study to discover
opportunities and where change is needed.
Aided by research and your personal evaluation, discuss your
conclusions with your consultants and the station GM. Consider
their recommendations, then plan your strategies.
SATURDAY -SUNDAY, MARCH 2 -3
Monitor the weekend programming on your station and air -
check the talents. Listen to the competition. What programming
qualities make your station unique and desirable?
Compare your station's website with those of its competitors.
Make yours the best in the market.
MONDAY, MARCH 4
The book starts in less than four weeks. Evaluate your media
budget and finalize the creative.
0 Order operational and promotional material - jingles, bumper
stickers, certificates, etc. - so everything arrives before the book
begins.
TUESDAY, MARCH 5
Consider your spring contest, keeping in mind what's hot,
timely and wanted by your listeners. Offer prizes in your big
contests that capture the imagination of your younger- thinking
core listeners. Award whatever is new and hard to get, whether it's
a car, video game, digital camera, wide -screen TV, leisure -time
activity or vacation destination, and consider the hot new N show
and movie for your core.
Meet with the station staff and discuss your marketing mission
and tactics for spring. Get their input and consensus.
WEDNESDAY, MARCH 6
Meet with the morning show talents. Outline the show's goals,
and develop a long -range strategy for features, community events,
stunts and advertising. Morning show stunts get the station
noticed and build star recognition. Pranks and stunts are to
morning personalities what hit movies are to actors.
0 Complete your music research for spring. Implement the
results within two weeks to ensure that core listeners hear their
favorite songs with the correct repetition.
THURSDAY, MARCH 7
Confirm advertising and marketing schedules and placement
before the book begins. Create new marketing paths to expose the
station and inspire new cume to tune in.
Use your consultants as a resource for programming and
promotion ideas, talent training, morning show interactives and
stunts, and music and marketing.
FRIDAY, MARCH 8
Meet with department heads to discuss the programming goals
that affect them. Identify and resolve potential conflicts now. Write
a sales promotion outline for spring that covers all the station's
programming needs.
Plan on -air events for every weekend in spring. Ask the sales
department for prizes.
Plan other appropriate weekend programming and obtain spon-
sorships and prizes from sales.
SATURDAY -SUNDAY, MARCH 9 -10
Conduct strategic planning this weekend. Design a marketing
planner for the station that includes contests, with official rules and a
contest history; advertising and media; and competitive programming.
For your strategic plan, consider ways to capitalize on your station's
strengths to garner more cume and longer time spent listening.
Write your strategic plan. Include a mission statement, demographic
goals, a listener profile, info on your competition and your own station's
positioning and staffing. List anticipated major cume -building and TSL-
enhancing promotions and your station's promotional strengths and
weaknesses. List local- market and national events, and note the
station's activities and involvement.
MONDAY, MARCH 11
Give your GM and consultants your marketing planner and your
strategic plan. Ask for their input on goals, budget and marketing.
Consider ways to shape the singular stationality that sets the station
apart from its competition. Enhance the station's passion, attitude and
enthusiasm.
The "Three M's" are clearly the most important ingredients for
ratings: Music, mornings and marketing should be set to win listeners
and conquer the competition.
TUESDAY, MARCH 12
Create an attention -getting April Fools' Day stunt. Monday, April 1 is
the fifth day of the spring book.
Tune up your music. Review your music software's playlist, rules and
rotations.
WEDNESDAY, MARCH 13
Plan your spring contests, using the marketing planner you created
last weekend.
Have your contests' rules approved by legal counsel. Print and post
the rules, and discuss them with your staff and receptionist. Contest info
should appear on your station's website.
Be sure everyone understands how the promotions work and when
they will run.
THURSDAY, MARCH 14
The book starts in two weeks. Is everything set to roll?
Consider public service promotions that include the airstaff and that
will be meaningful to your listeners.
Create and send press releases about contests, public service
involvement and major station activities.
FRIDAY, MARCH 15
Meet with the GM to discuss corporate and management goals,
station sales promotions and budgets and what's needed to ensure a
good book.
Develop new ways to make the station and its high -profile air talent
as visible as possible.
SATURDAY -SUNDAY, MARCH 16-17
Scrutinize your weekend programming, features, syndication and
station sound.
Monitor your competition for possible future employees for your
own station.
Be active and visible - Sunday is St. Patrick's Day!
MONDAY, MARCH 18
Concentrate on inventive production. Create knockout promos that
showcase and image the station and make it stand apart from the
competition.
Inventory the prize closet. Be sure you have everything you need to
get you through spring and summer: T- shirts, stickers, CDs, fast -food
certificates and morning show prizes.
Get in touch with your record -label contacts and request giveaway
product for spring.
TUESDAY, MARCH 19
Establish and post talent schedules for the spring book, including
Memorial Day weekend.
Review engineering operations. Everything in every studio
must function properly. Meet with the chief engineer and discuss
signal quality, apparent loudness and processing.
Update the station's programming style guide. Outline talent
rules for formatics and basics, then send the guide to your
consultants for feedback. Carefully scrutinize on -air formatics,
and be sure your present sound reflects your written plan.
Check into a local hotel tonight.
WEDNESDAY, MARCH 20
Spend the day at the hotel. Using a notebook, a laptop and
several radios, start at 5:30am and monitor the competition all
day. Unplug your phone and log all breaks, songs, music
rotations and listener benefits. Summarize the information and
your counterattack strategies for the GM and your consultants.
Revise your station's strategic plan accordingly.
THURSDAY, MARCH 21
The spring book starts in one week. Fine -tune your on -air
sound, production, promos and liners.
Review commercial unit count by daypart and hour. Is it
competitive?
Send airchecks to your consultants for their critique.
FRIDAY, MARCH 22
Schedule and post notice of a staff meeting for March 27;
schedule a part-timer to cover the airtime.
Discourage vacations during the spring book.
Once again, check your station's website and those of its
competitors. Is everything up date on your site? Is there any
content on a competitor's site that tips you off about planned
contests, promotions or staff changes?
SATURDAY- SUNDAY, MARCH 23-24
Listen attentively to Saturday midday; it's often the most
listened -to daypart in the week. Compare your programming to
your competitors'. What are they doing that you can counter?
Conduct an audit of your weekend air talent, and schedule
aircheck reviews with all the talent for next week.
Attend your station remotes and those of its competitors.
Evaluate the visual and functional setup, the signage and the size
of the crowd. Are the talents' formatics as tight as they are in the
studio? What creative listener incentives are awarded? Do your
station's appearances represent the station well? Suggest
improvements, in writing, to the GM and sales manager.
Plan to make your station more visible than your corn-
petition's every weekend throughout the book.
MONDAY, MARCH 25
Update liners and promos at least twice a week. Check for
station sells, brevity and creativity.
Researched gold music should be in place, and current and
recurrent music should be perfect. Send a backup music disc to
your consultants.
Review airchecks with all talents today and discuss ways to
enhance their shows.
TUESDAY, MARCH 26
Analyze your competitors' advertising and contest spending.
Be ready to track all competitive moves throughout the book.
Work closely with management to keep your station on course.
Outline tomorrow's staff meeting. Cover all topics, and be
ready to pump up the troops. Lead them into battle with your
spirited plan and positive attitude.
Continued on Page 14
John Lund is President of the Lund Consultants to Broadcast
Management and Lund Media Research, a full -service
multiformat radio consulting and research firm in San
Francisco. Contact Lund at 650 -692 -7777 or
johnclundradio.com. Visit the Lund website at
www.lundradio.com.
www.americanradiohistory.com
14 R &R February 22, 2001
(R)
management marketing sales
SALES TRAINING TAKES CENTER STAGE AT RAB CONFAB
After more than 100 learning sessions, hands -on workshops and inspirational keynote addresses, the 1,400 delegates to the RAB2002 Sales, Management & Leadership Conference in Orlando Feb. 7 -9 came away with new contacts, training skills and notebooks full of valuable ideas for developing additional advertising rev- enues for their stations and companies. In the weeks ahead R &R's MMS section will provide more coverage of sessions from this year's popular conference.
SISTERS ARE DOING IT FOR RADIO
R &R Publisher /CEO Erica Farber, Nassau Media Partners' Joan Gerberding (also the RAB's Conference Chair) and Southern California Broadcasters Association's Mary Beth Garber pause for pics after the popular "Most Influential Women - Strategies for Success, Creating Tomorrow's Radio Leaders" session.
Consultant Irwin Pollack (right), seen here with panel moderator and R &R Editor -in -Chief Ron Rodrigues, offers some of his many ideas for radio sales training programs. Other panelists for the "Formalized Training Programs" session were RadioActive Sales Development Services' Frank Kulbertis and Luce Performance Group's Sean Luce.
DOWNLOAD COOKIES HERE
Midwest Express Airlines Chairman /CEO Tim Hoeksema shares several examples of excellence in customer service during his RAB2002 luncheon keynote. To under- score his points, he provided plenty of Midwest Express'
famous fresh -baked chocolate chip cookies for dessert!
'LUCE -ID' THINKING
Luce Performance Group Head National Instructor Sean Luce offers managers 10 motivational strategies to direct AEs and hold them accountable at his "Leading and Managing in a Changed World" session at RAB2002.
STEPPING STONES TO LEADERSHIP
At the "Five Steps to Leadership" session, renowned consultant, author and speaker Jason Jennings offers insight on the differences between managers and leaders and provides a list of key traits he believes are shared by all great leaders.
YOU ARE NOT GETTING SLEEPY H Commercial copywriting guru and R &R columnist Dan
O'Day demonstrates one of his simple yet powerful methods of communicating during his "Hypnotic Advertising" RAB session.
THE R &R CONVENTION IS MOVING!
R &R Convention 2002 will be held at Mery Griffin's world- famous Beverly Hilton hotel in Beverly Hills, CA!
Already home to the Golden Globe Awards, the ASCAP Pop Music Awards and the Academy Awards Nominee Luncheon, the Beverly Hilton will now host radio and record industries' premier event: the R &R Convention. It
happens June 13 -15. Registration opens soon at
www.rronline.com.
7
SPRING RATINGS TUNEUP Continued from Page 13
WEDNESDAY, MARCH 27
The staff meeting is today. Discuss ratings objectives, the
formatic elements covered in the station's programming style guide
and all promotions, marketing, competitive moves and contests.
Critique your marketing efforts. Ride the billboard locations, and
check your TV schedule, telemarketing and direct mail. Are you
getting what was promised and impacting new cume?
The winter Arbitron ends today. Tomorrow, get ready to roll!
THURSDAY, MARCH 28
D -Day (as in "Diaries begin day! "), the first day of the spring
Arbitron. The countdown has begun, with 84 days until the end of
the book. Talent concentration is essential to performance, so place
this sign on the control room door: "Ratings in progress. Do not enter
until June 24."
Today the station sounds terrific, and the next 12 weeks will be no
different. Every on -air element sounds perfect: music, liners, contests
and air talent.
FRIDAY, MARCH 29
Second day of the spring book. Does the station sizzle with
excitement? Will it be promotionally active this week and every week this
spring?
At your morning show meeting, invent ways to get the show to stand
out, be noticed and obtain word -of -mouth in the three months ahead.
Arrange stunts and personal appearances.
SATURDAY -SUNDAY, MARCH 30-31
It's the first weekend of the spring Arbitron sweep. Is your station
involved, active and the best -sounding in the market? How about
remotes and personal appearances?
Evaluate your TV, outdoor, print and telemarketing media mix
in light of your cume -building goals and the competitive
pressures of the weekend. Create new ways to increase cume
and strengthen time spent listening. And remember: Sunday is
Easter; Monday is April Fool's Day.
MONDAY, APRIL 1
Execute your April Fool's Day morning show stunt, and create
a cume buzz that lasts throughout the month!
The course is now set for your spring ratings sweep. Update
the station website and the on -air music at least once a week.
Frequently refresh liners and promos. Network with PDs at your
sister stations via the Internet, and get ideas for new promotions
and programming ideas.
If you use the checklist above and your own programming
abilities, you'll have a fantastic book ahead.
www.americanradiohistory.com
February 22, 2002 R &R 15
The January Webcast Ratings Are In Virgin Radio U.K. still dominates, StreamAudio bursts onto Arbitron Network list
London -based broadcast By Brida Connoll y stream Virgin Radio U.K. bconnolly @rronline.com leads once again in the
January Arbitron Webcast Channel Ratings and in
MeasureCast's top 50 for the month. Arbitron reports
that the stream picked up listening again last month,
going from 874,300 aggregate tuning hours in Decem-
ber to 958,000 in January. That's enough to keep Vir-
gin at No. 1, but it's a considerable slowdown from
its November -December surge to 874,300 ATH from
360,600.
Virgin Radio did even better last month by Measure -
Cast's reckoning, rising from December total time spent
listening of 739,651 hours to more than a million hours
in January. Arbitron's ATH and MeasureCast's TTSL are
equivalent; both represent time spent listening to all
streams served by a measured webcaster, 24 hours a
day, during a calendar month. Differences in methodolo-
gy, however, mean that streams monitored by both
systems often show considerably different results, with
MeasureCast's numbers generally running higher.
After a drop from November to December, multichan-
nel 'Net -only MEDIAmazing moves up from No. 5 to No.
2 in Arbitron's channel rankings for January. Classical
broadcast stream KING -FM /Seattle remains in the top
three at Arbitron, picking up 581,400 ATH in January, up
from 473,100 in December. MeasureCast credits KING -
FM with TTSL of 585,378 in January, up from 474,319
the month before and good for No. 4. KING remains the
highest- ranked U.S. -based broadcast stream in both sets
of measurements.
Arbitron Webcast Channel Ratings
Channel Format URL DecemberATH (Rank) January ATH
1 Virgin Radio U.K. Hot AC www.virginradio.co.uk 874,300 (1) 958,000
2 MEDIAmazing Multichannel www.mediamazing.com 434,100 (3) 778,100
3 KING -FM /Seattle Classical www.king.org 473,100 (2) 581,400
4 WQXR -FM /New York Classical www.wqxr.com 391,600 (5) 384,200
5 KNAC.com Active Rock www.knac.com N/A 334,300
6 KPLU /Seattle Jazz www.kplu.org 222,100 (6) 281,200
7 Radio Margaritaville Classic Rock www.radiomargaritaville.com 205,100 (7) 270,800
8 Ministry Of Sound Electronica www.minishyofsound.com 188,200 (8) 254,200
9 WEEI -AM /Boston Sports www.weei.com N/A 248,600
10 CFNY- FM/Toronto Alternative www.edge102.com 139,500 (10) 237,500
MeasureCast Webcast Ratings
Channel Format URL December TTSL (Rank) January TTSL
1 Virgin Radio U.K. Hot AC wvvw.virginradio.co.uk 739,651 (1) 1,061,430
2 JazzFM Jazz www.jazzfm.com 682,224 (2) 1,043,490
3 MEDIAmazing Multichannel www.mediamazing.com 466,349 (5) 812,164
4 KING -FM /Seattle Classical www.king.org 474,319 (4) 585,378
5 ESPN Radio Sports www.espnradio.com 348,073 (6) 560,131
6 WQXR -FM /New York Classical wwwwqxr.com 275,039 (7) 401,962
7 Radio Margaritaville Classic Rock www.radiomargaritaville.com 210,915 (8) 277,620
8 3WK Undergroundradio Alternative www.3wk.com 182,682 (9) 270,626
9 WFXZ- FM/Wilmington, NC Classic Rock www.937thebone.com 112,421 (16) 263,577
10 WEEI -AM /Boston Sports www. weei.com N/A 258,903
Arbitron's Webcast Network Ratings measure multichannel 'Net -onlys and streams that are operated by compa-
nies that own broadcast stations. Live365, with its thousands of listener -programmed streams, takes the No. 1 spot
with better than 5.7 million hours of listening. Live365 has dominated the Arbitron network numbers since Septem-
ber, showing more than four times the listening of its nearest competitor in four of the past five months. But in
January ChainCast Networks /StreamAudio entered the arena, and it immediately becomes the first network other
than Live365 to top 2 million ATH in the Arbitron Webcast Network Ratings. Entercom, a StreamAudio partner, also
joins the Network Ratings for the first time, with 551,200 hours.
MeasureCast doesn't produce a separate network ratings chart (nor does it measure Live365), but it reports that
the combined TTSL for affiliates of broadcast- stream aggregator WARP Radio was an impressive 2.87 million in
January. StreamAudio's affiliates show a combined TTSL of 2.2 million hours on MeasureCast.
Arbitron Webcast Network Ratings
Network URL Programming Dec. ATH (Rank) Jan. ATH
1 Live365 www_live365.com Listener -formatted 3,847,300 (1) 5,702,600
2 ChainCast Networks/
StreamAudio www.streamaudio.com Broadcast aggregator N/A 2,124,400
3 SMG PLC www.scottishmediagroup.com Broadcast network 874,300 (3) 1,336,100
4 Public Interactive www.publicinteractive.com NPR affiliates 704,400 (4) 867,700
5 MEDIAmazing wwwmediamazing.com Multichannel 'Net -only 434,100 (6) 778,100
6 Classic Radio wwwreal.com Broadcast aggregator 473,100 (5) 581,400
7 Entercom Communications www.entercom.com Broadcast network N/A 551,200
8 Cablemusic Networks www.cablemusic.com Multichannel 'Net -only 978,100 (2) 508,100
9 ABC Radio www.abcradio.com Broadcast network 243,200 (8) 389,000
10 New York Times www.nytimes.com Broadcast network 391,600 (7) 384,200
The Next -Best Broadcast Streams Below are the highest- ranking U.S. -based broadcast
streams below the top 10 among streams measured by
Arbitron and MeasureCast.
Arbitron Channel Ratings
Rank Station Format AQH
11 WFUV -FM /New York NPR 193,800
18 KCRW -FM /Santa Monica, CA NPR 106,800
19 WBUR /Boston NPR 103,900
24 WNYC -FM /New York NPR 85,800
26 KGO -AM /San Francisco Talk 83,700
MeasureCast Ratings
Rank Station Format TTSL
11 KCRW -FM /Santa Monica, CA NPR 215,038
17 WSB -AM /Atlanta News/Talk 146,678
25 KDYA- AMNallejo, CA Gospel 85,565
26 KGO -AM /San Francisco Talk 84,880
27 WGTO -AM /Cassopolis, MI Oldies 84,375
A
NetRatings, Jupiter Call Off Merger
Internet audience- measurement company Net - Ratings and 'Net research and measurement firm
Jupiter Media Metrix agreed to merge in October of
last year, but the companies on Tuesday called off the
deal after Federal Trade Commission staffers told the
companies they would recommend that the com- mission challenge the merger. According to the
companies' joint statement, the FTC had problems specifically with the loan and security agreement connected with the deal and rejected the companies' proposed alternative loan structures. NetRatings CEO David Toth and Jupiter CEO Robert Becker both expressed their disagreement with the FTC's
conclusions. NetRatings' agreement to buy the
portion of ACNielsen eRatings.com that it doesn't already own was contingent on the Jupiter ac-
quisition; whether that deal will go forward has not yet
been decided.
LMiV Partners With ScreamingMedia
The Local Media Internet Venture is offering its
affiliate websites content customized by Scream - ingMedia's information -management technology. The
material, including USA Today news and features; celebrity, entertainment and health news; and
technology and video game news, will be filtered to match the interests of each affiliate site's audience. LMiV is the online -media venture founded by Emmis, Entercom, Bonneville, Jefferson -Pilot and Corus En-
tertainment.
www.americanradiohistory.com
16 R &R February 22, 2002
Now, About Those Patents
Three companies have now had their days in
court, and each has asked a judge to grant it rights to one or another of the most basic con-
cepts on the Internet. InTouch, British Tele-
com and SightSound have had varying de- grees of success in en- forcing their claims - dubious to some - that they created or have the David Lawrence right to legally control some of the very things that you and I might think no one would actually try to patent. On the face of it, their claims seem more akin to
trying to patent breathing or walking than a
product or business process. InTouch, which claims patent rights to the
concept of making a short clip of music avail- able for download, has not only enforced its
claim, it has pushed Internet heavyweight Amazon.com to settle out of court for the right to continue to offer song clips from the CDs it sells.
British Telecom has gone to court in New York to lay claim to hyperlinks. Yes, links. The things you click on to get from place to place on the World Wide Web. In this case the judge heard the laughter from all corners and threw the case out of court. But BT is a huge compa- ny that combs through the thousands of patent applications it files every year to mine them for income opportunities, and it isn't laughing. It is
going back to court to appeal the decision. Then there's SightSound. It claims it owns the
rights to the concept of transferring audio and video over the 'Net for a fee. No particular corn - pression scheme, no particular style of connec- tion, just the concept of sending a file from one point to another for money. SightSound is su-
ing CDNOW for violating its patent and has got-
ten a ruling against the online retailer. CDNOW has said that, if it loses at trial, it will appeal on the grounds that the patent is overly broad.
Is all this fair? Initially, common sense says no, these patents are for things that we take for granted every day. In the British Telecom case, Ted Nelson's hypertext concepts of the late '40s and Bob Bemer's "escape" concept both predate BT's attempt to patent links.
Interestingly, Amazon.com has found itself on
both sides of the patent fence: It recently went after - and got -a patent on what it calls One-
Click ordering, which al-
lows consumers to avoid
the plodding process of filling out forms when they buy some- thing online. In fact, Amazon took a lot of heat for patenting something that is decidedly more complex than the mere concept of transferring a file over the 'Net or clicking on a link or sim-
ply clipping a hook from a song.
David Lawrence is heard daily on more than 150 radio
stations on his nationally syndicated shows. Online To-
night. a nightly high -tech and pop culture talk show: the
East Coast morning drive news slot for CNET Radio and
XM's Channel 130; and Net Music Countdown, the official
countdown for music heard via the Internet. He is based in
Washington, DC and is heard on hundreds of stations,
including WGN /Chicago, KFBK/Sacramento and WBT -AM
& FM /Charlotte. You can reach him at davidCnetmusic
countdown.com or by calling 800 -396 -6546.
Know What Listeners Will - And Won't - Pay For
Web researcher Jupiter Media Metrix recently came out with a report that says that consumers refuse to pay for greeting cards - if they are just bits. We seem to have no problem with walking into a card store
and plunking down a few bucks for what amounts to 5 or 6 cents' worth of paper and ink, but online? Not a
chance. Jupiter examined the four biggest online greeting -card sites, and the results were pretty clear: Even
though online cards can be animated and customized and may even include audio, we don't really value them enough to pay for them. AmericanGreetings.com and BlueMountain.com (which used to dominate the e- card space and which American Greetings now owns) saw a drop of about 7% in traffic in December of last year - in a month that is traditionally huge for electronic greets. The reason for the drop? Jupiter Media Metrix says it's because those sites charge for e- cards. On the other hand, Yahoo! Greetings and HallmarkCards.com, two sites that are completely free, saw their traffic rise by 78% from November to December. ! Here's the two -part test I use to determine the real weight of online products: Would I miss it if it disappeared tomorrow? Would I be willing to pay to keep it around? When it comes to e- cards, the answer to both questions is no. So
keep those online greetings on your station website free if you want to keep listeners coming back. - David Lawrence
CHR /Pop LWTW ARTIST Cal
1 1 NICKELBACK Silver Side Up / "Remind"
2 2 CREED Weathered/ "Sacrifice"
5 3 LINKIN PARK Hybrid Theory / "End"
3 4 SHAKIER Laundry Service/ "Whenever"
4 5 USHER 8701/ "Bad"
8 6 NO DOUBT Rock Steady / "Baby"
6 7 PINK Missundaztood/"Party"
7 8 ALICIA KEYS Songs In A Minor / "Worth"
10 9 JA RULE Pain Is Love/ "Livia ," "Time"
9 10 ENRIQUE IGLESIAS Escape / "Hero"
11 11 JEWEL This Way / "Standing"
16 12 PUDDLE OF MUDD Come Clean/ "Blurry"
12 13 CALLING Camino Palmero/ "Wherever"
14 14 BRITNEY SPEARS Britney/ "Girl"
19 15 P.O.D. Satellite / "Alive"
17 16 CRAIG DAVID Bom To Do It/ "7"
20 17 MARY J. BLIGE No More Drama/ "Family," "Drama"
15 18 JENNIFER LOPEZ J. Lo / "Funny"
18 19 'N SYNC Celebrity/ "Girlfriend" - 20 LEANN RIMES Coyote Ugly/ "Fight"
Country LWTW ARTIST CD/Title
1 1 ALAN JACKSON When Somebody Loves You/ "Where"
2 2 GARTH BROOKS Scarecrow / "Wrapped"
3 3 GEORGE STRAIT The Road Less Traveled / "Run"
6 4 BRAD PAISLEY Part /1/ "Around"
4 5 TIM MCGRAW Set This Circus Down/ "Cowboy"
5 6 BROOKS & DUNN Steers & Stripes/"Goodbye"
7 7 AARON TIPPIN Where The Stars And Stripes.../"Stripes"
12 8 STEVE HOLY Blue Moon/ "Morning"
9 9 LEE ANN WOMACK I Hope You Dance/ "Ring"
13 10 CYNDI THOMSON My World/ "Always"
8 11 JO DEE MESSINA Burn / "Bring"
10 12 WILLIE NELSON Great Divide/ "Mendocino"
16 13 TRAVIS TRITT Down The Road I Go/ "Woman"
11 14 MARTINA MCBRIDE Greatest Hits/ "Blessed"
14 15 TOBY KEITH Pull MyChain/ "List" 17 16 TRACY BYRD Ten Rounds/ "Just" - 17 JEFF CARSON Real Life/ "Real"
15 18 DIXIE CHICKS Fly/ "Dance"
18 19 BLAKE SHELTON Blake Shelton/"All"
20 20 CHRIS CAGLE Play It Loud/ "Breathe"
LWTW
1 1
3 2
2 3
4 4
5 5
8 6
9 7
\ 11 8
10 9 \ 12 10
13 11
\ 7 12 - 13
14 14
\ 15 15
16 16 \ 19 17
17 18 \ 20 19
18 20
Hot AC ARTIST CD/Title
ENYA A Day Without Rain/ "Time"
NICKELBACK Silver Side Up/ "Remind"
CREED Weathered/ "Sacrifice"
DAVE MATTHEWS BAND Everyday / "Everyday"
NO DOUBT Rock Steady / "Baby"
JEWEL This Way / "Standing"
STAIND Break The Cycle/ "Awhile"
ALICIA KEYS Songs In A Minor / "Fallin U2 All That You Can't Leave Behind/ "Stuck"
COLOPLAY Parachutes/ "Trouble"
FIVE FOR FIGHTING America Town/ "Superman"
ENRIQUE IGLESIAS Escape / "Hero"
PUDDLE OF MUDD Come Clean/"Blurry"
PINK Missundazstood / "Party"
INCUBUS Morning View / "Wish"
CALLING Camino Palmero/ "Wherever"
ALANIS MORISSETTE Under Rug Swept/"Hands"
LEANN RIMES Coyote Ugly / "Fight"
MICHELLE BRANCH The SpiritRoom/ "Wanted"
RYAN ADAMS Gold/ "New York"
Urban LWTW ARTIST CD/Title
1 1 ALICIA KEYS Songs In A Minor/ "Worth"
2 2 USHER 8701/ "Bad," "Call"
4 3 AALIYAH Aaliyah/ "Boat," "Woman"
11 4 LUDACRIS Word Of Mouf/ "Roll"
5 5 JA RULE Pain Is Love/ "Time"
3 6 MICHAEL JACKSON Invincibile/ "Butterflies"
6 7 MARY J. BLIGE No More Drama/ "Drama"
8 8 FAITH EVANS Faithfully/ "Love"
g 9 CRAIG DAVID Bdm To Do 11/"7"
7 10 BRIAN MCKNIGHT Superhero / "Life"
12 11 ANGIE STONE Mahogany Sour Brotha"
13 12 JILL SCOTT Experience: Jill Scott/ "Loves"
15 13 NAS Stillmatic/ "Got"
20 14 ISLEY BROTHERS Eterrnal "Secret"
16 15 MAXWELL Now / "Lifetime"
14 16 JENNIFER LOPEZ JLo./"Funny" - 17 MR. CHEEKS John P. Kelly/ "Lights" - 18 JOE Better Days/ "Home" - 19 OUTKASTBigBoiAndDrePresent ...Outkast/ "Whole" - 20 BUSTA RHYMES Genesis/ "Break"
Smooth Jazz LWTW ARTIST CD/Title
2 1 ALICIA KEYS Songs In A Minor / "Fallin"'
1 2 STING ...All This Time /"Fragile"
3 3 MARC ANTOINE Cruisin% "Strip"
9 4 BRIAN CULBERTSON Nice And Slow / "About"
12 5 RUSS FREEMAN To Grover With Love / "East"
6 6 RICHARD ELLIOT Crush/ "Crush"
4 7 DIANA KRALL The Look Of Love/ "Look"
5 8 JEFF LORBER Kickin'It' "Nobody"
13 9 KIM WATERS From The Heart! 0 awn"
10 10 RICK BRAUN Kisses In The Rain/ "Use"
15 11 ACOUSTIC ALCHEMY Aartt/ "Wish" 11 12 CHRIS BOTTI Night Sessions/"Streets"
8 13 BONEY JAMES Ride! "See"
1 7 14 DAVID BENOIT Fuz rLogic/ "Snap"
18 15 BONA FIDE The Poe House/ "Charles"
16 16 EUGE GROOVE Euge Groove/ "Sneak"
7 17 SAOE Lovers Rock/ "Lovers" - 18 WAYMAN TISDALE Face To Face/ "Hide" - 19 RIPPINGTONS Life In The Tropics/ "Carribbean"
20 20 LARRY CARLTON Deep Into It/ "Deep"
Alternative LW TW ARTIST CD/Title
1 1 LINKIN PARK Hybrid Theory/ "End," "Papercut"
2 2 CREED Weathered/ "Sacrifice," "Bullets"
3 3 NICKELBACK Silver Side Up/ "Bad," "Remind"
5 4 PUDDLE OF MUDD Come Clean/"Blurry"
4 5 P.O.D. Satellite/ "Youth"
7 6 STROKES Is This It/ "Last"
6 7 INCUBUS Morning View / "Nice," "Wish"
8 8 STAIND Break The Cycle! "You"
9 9 HOOBASTANK Hoobastank/ "Crawling"
13 10 JIMMY EAT WORLD Bleed American/"Middle"
10 11 SYSTEM OF A DOWN Toxicity / "Toxicity," "Chop"
14 12 DEFAULT The Fallout/ "Wasting"
16 13 OFFSPRING Orange County/ "Defy"
12 14 BLINK -182 Take Oft Your Pants And Jacket/"First"
15 15 ALIEN ANT FARM Anthology / "Movies"
11 16 COLDPLAY Parachutes/"Trouble"
17 17 EDDIE VEDDER I Am Sam / "Hide" - 18 ADEMA Adema/ "Way" - 19 F00 FIGHTERS Orange County / "One"
20 20 DISTURBED Sickness/ "Game"
E -charts are based on weekly rankings of CD sales, downloads and streams of artists online compiled and
tabulated directly from the logfiles of reporting websites. Reporters include AandE.com Radio, About
Radio, Alfy Radio, Amazon.com, B &N Radio, BarnesandNoble.com, BellSouth Radio, bolt Radio,
CDNow.com, ChoiceRadio.com, City Internet Radio, Denver 93.3 Radio, DMX Music, Earthlink Radio,
Gracenote.com, iWonRadio, Lycos, MediAmazing, Music Choice, MusicMatch (Frozen), Radio.Beonair.Com,
RadioCentral Network, Radio Free Virgin, RealOne, Scour Radio, Spinner.com, The RadioAMP Network,
and Voice Of America -Music Mix is weighted based on traffic reports by web traffic monitor MediaMetrix.
Charts are ranked with a 50/50 methodology of sales data and streaming /airplay data for the six reporting
formats. © 2001 R &R Inc. © 2001 Online Today, Net Music Countdown.
gracenote. Gracenote has well over 1 million unique dai- ly users of the CDDB Music Recognition Ser- vice. Each time a consumer inserts an audio CD into a computer with a CDDB -enabled In-
ternet connection, track information for that CD
is displayed on the user's computer, and the
data is anonymously aggregated by CDDB. Here are the 50- most -played CDs last week:
ifiGITAL TOP 50 LW TW ARTIST Album Title Weeks On
1 1 LINKIN PARK Hybrid Theory 63
2 2 CREED Weathered 12
4 3 U2 All That You Can't Leave Behind 69
3 4 ENYA A Day Without Rain 49
6 5 NICKELBACK Silver Side Up 22
5 6 ALICIA KEYS Songs In A Minor 33
9 7 EMINEM Marshall Mathers LP 70
7 8 LIMP RIZKIT The Chocolate Starfish and... 70
8 9 PINK FLOYD Echoes (The Best of Pink Floyd) 14
14 10 SYSTEM OF A DOWN Toxicity 23
10 11 SHAKIRA Laundry Service 13
11 12 STAIND Break The Cycle 38
12 13 BRITNEY SPEARS Britney 14
28 14 JENNIFER LOPEZJ -Lo 32
13 15 BLINK -182 Take Off Your Pants & Jacket 35
15 16 NELLY Country Grammar 67
17 17 PUDDLE OF MUDD Come Clean 10
16 18 LUDACRIS Word Of Mouf 11
18 19 BEATLES One 56
20 20 JA RULE Pain Is Love 19
29 21 P.O.D. Satellite 8
23 22 DISTURBED The Sickness 27
22 23 USHER 8701 18
19 24 MICHAEL JACKSON Invincible 15
24 25 DAVE MATTHEWS BAND Everyday 48
30 26 SOUNDTRACK Coyote Ugly 39
25 27 LENNY KRAVITZ Greatest Hits 70
37 28 SOUNDTRACK Moulin Rouge 14
32 29 SOUNDTRACK 0 Brother, Where Art Thou? 9
43 30 PINK Missundazstood 6
26 31 NAS Stillmatic 8
34 32 SOUNDTRACK The Lord Of The Rings 7
35 33 CHEMICAL BROTHERS Come With Us 2
21 34 ALAN JACKSON Drive 4
31 35 MADONNA Music 70
27 36 'N SYNC Celebrity 29
38 37 INCUBUS Morning View 10
36 38 3 DOORS DOWN Better Life 68
42 39 TOOL Lateralus 34
46 40 JAY -Z The Blueprint 22
39 41 GORILLAZ Gorillaz 33
42 SADE Lover's Rock 28
43 43 SUM 41 All Killer No Filler 9
48 44 AALIYAH Aaliyah 16
45 ENRIQUE IGLESIAS Hero 6
- 46 CRAIG DAVID Born To Do It 15
- 47 COLDPLAY Parachutes 17
50 48 PAPA ROACH Infest 59
47 49 'N SYNC No Strings Attached 60
41 50 BRITNEY SPEARS Oops!...I Did It Again 48
www.americanradiohistory.com
Vineyard, Hanrahan To CC/Birmingham
Jimmy Vineyard has been named VP/Market Manager for Clear Channel/Birmingham, which includes News/Talk WERC, Coun- try WDXB, Oldies WENN, AC WMJJ and CHR/Pop WQEM & WQEN. He previously held a simi- lar post for Entercom/Greenville, SC.
Vineyard told R &R, "I am very excited to be rejoining Clear Chan- nel and moving to Birmingham for this opportunity."
Vineyard worked in Birmingham in the late '80s for Dick Broad- casting's WZRR and the former WVOK prior to their sale to Citadel. He also managed WQEN and WAAX in nearby Gadsden, AL, which are now owned by Clear Channel.
Vineyard spent most of his career in Knoxville, holding on -air, produc- tion, promotion and programming posts at legendary Country WIVK.
hi related news, Tom Hanrahan has been named OM for WDXB & WMJJ. He was most recently OM/ PD for Clear Channel/Panama City, FL, which includes Adult Standards WZIZ, Urban WEBZ, Soft AC WFSY, Country WPAP, Oldies WPBH and Rock WPPT.
"I'd like to thank Marc Chase and everyone at Clear Channel for this promotion," Hanrahan told R &R. "This company believes in promoting its people, and when they say that, they mean it I'm an example of it.
"Going back to Birmingham is a lifelong dream of mine. This is a tremendous oppbrtunity, and Bir- mingham is a fantastic, extremely aggressive radio market. I'm look- ing forward to working with GM
Ne wsbrealcers
Night Moves
Columbia Jazz executives recently met with Columbia recording art- ists Chris Botti and Shawn Colvin at Los Angeles' El Rey Theater dur- ing the taping of Botti's DIRECTV Freeview event. Pictured (l -r) are Columbia Sr. VP /Jazz Jeff Jones, Colvin, Botti and Columbia VP /Jazz Marketing Mark Feldman.
Durney Joins Entercom /Greenville, SC
Tom Durney has been named VP/Market Manager for Entercom/ Greenville, SC, which includes WORD, WYRD, WSPA -AM & FM, WFBC, WOLI & WOLT. He succeeds Jimmy Vineyard. (See story, this page.)
Durney joined Entercom in June 2001 as VP/Marketing Service in Kansas City. Before that he was a sales consultant and trainer for Sconnix Communications, EZ Communications and American Radio Systems. He has also man- aged stations for Broad Street
Communications in Hartford and New Orleans; Sconnix in India- napolis; Capstar in Columbia, SC; and Metromedia Broadcasting in Denver and Washington, DC.
"I'm very excited to have Tom run- ning our Greenville cluster," Enter- corn Regional VP Steve Godofsky said. "His impressive knowledge, ex- perience in the area and leadership will definitely move the cluster quickly forward. And it's always grati- fying to be able to promote from within the ranks of Entercom. I'm looking forward to the partnership."
Jimmy Vineyard and Clear Channel/ Birmingham OM Doug Hammond. Our cluster in Panama City has a combined 47 share, and I hope to bring some of that success to the great team already in place at Clear
Channel/Birmingham." Hanrahan worked in Birming-
ham in the early '90s at WMJJ, WZZK, WODL and the former WKXX. He has also been PD at WSTH/Columbus, GA.
Sirius Continued from Page 1
Mississippi Lt. Gov. Amy Tuck and Jackson Mayor Harvey Johnson Jr.
were also in the spotlight. Sirius plans to roll out its service nation- ally by Aug. 1, in the Southern mar- kets first, followed by the northern half of the U.S.
Sirius is using a different lure in each market to snag subscribers. In Jackson, customers are being of- fered a 30 -day money -back guaran- tee if they later reject the service. In Denver, subscribers get a $50 rebate after activating the service, while a no-frills $12.95 per month is the of- fer in Houston. In Phoenix, sub- scribers paying in advance for nine months get an additional three
months free. Terrestrial radio stations in all
four markets are airing 30- second commercials for Sirius, but the satcaster is mum on the terms of its radio ad schedule. Sirius - which, like rival XM Satellite Radio, has backed away from discussing the $100 million figure it once said it would spend on its ad campaign - intends to launch a heavy print cam- paign coupled with a television and movie -theater ad blitz.
Meanwhile, on the eve of Sirius' launch, XM announced a joint mar- keting pact with DIRECTV. XM President/CEO Hugh Panero and DIRECTV President/COO Rox- anne Austin said that, because satellite - TV customers "already understand the advantages that come with sat- ellite entertainment," the two corn-
panies are teaming to give those customers "value -added offers from XM."
Ladenburg Thalmann satellite analyst John Stone said of the deal that XM has "mined the mother lode," noting that DIRECTV sub- scribers "offer a nearly ideal demo- graphic for distributing XM Radio."
That deal may have been the spark for renewed discussion inside Sirius about whether it will cut a marketing deal with a satellite -TV operation. In the wake of the non- exclusive XM marketing agree- ment, there was chatter that Sirius has had on- again, off -again discus- sions with Denver -based Echostar about marketing Sirius with Echostar's DISH network. Echostar is awaiting federal regulators' ap- proval to buy DIRECTV.
Motown Continued from Page 1
and experience in marketing and promoting records, coupled with his solid relationships with radio pro- grammers and the retail community, further strengthen Motown's posi- tion as an industry leader. I'm really pleased to have Michael join the Motown family."
Johnson said, "It fills me with pride to join a label with such a rich legacy, especially returning to the label where I began my career. As
a record man who has been in the trenches as well as the executive suite, I look forward to providing Kedar with the necessary support to solidify Motown's re- emergence as the home of great artists and inno- vative musical styles."
Before joining Motown Johnson was Sr. VP /R &B Promotion at Arista Records. Prior to that he held various local, regional and national promotion posts at RCA Records, Mercury Records, Wing Records, EMI Records, CBS Records and Warner Bros. Records.
Emmis Continued from Page 3
more sense to be sellers than buyers." He added that the company's pri-
mary focus right now is on reducing debt and noted that these transactions - along with cost controls already in place - "have substantially moved the company in that direc- tion." He also assured investors that radio remains Indianapolis -based Emmis' "principal focus of growth."
February 22, 2002 R &R 17
EXECUTIVE ACTION KMXN /Anaheim -L.A. A `Super Cool' Alternative
he Los Angeles metro got a new Altemative station on Feb. 15 as Astor Broadcasting's KMXN/Anaheim -L.A. flipped from Hot AC to
"Super Cool 94.3, Orange County's independent Altemative station" un- der co -owned KFSD /Oceanside -San Diego PD Mike Halloran. He suc-
ceeds Craig Powers at KMXN. Halloran told R &R, "Art Astor likes the intelligent approach that we bring
to Alternative and the way we are performing in the north county of San
Diego with KFSD. He sat down with [KFSD Asst. PD] Randy Dewitt and
me a year ago, and our plan was to eventually take over both stations and simulcast them, depending on how things went at KFSD. With the perfor- mance of KFSD, the time seemed right. But we decided not to simulcast them because, at this point, we like the idea of keeping them focused locally. We are going to keep them separate, and, if we can make it work financially, then we will keep it this way."
KMXN's approach will be similar to KFSD's "independent" Alternative approach. "We're just going to remove five or six bands that don't need to
be played in Orange County that KROQ /Los Angeles covers," said Halloran. 'well still play Rage Against The Machine and System Of A
Down, but I don't see a need for us to play Metallica." Joining Halloran at the station are Dewitt and KFSD MD Ricky Sav-
age, both of whom will add similar duties at KMXN. Dewitt adds afternoon hosting duties at KMXN to his current morning shift at KFSD; Savage covers mornings in Anaheim and afternoons in Oceanside. Karen Kay
stays on for middays at KMXN.
Savery GM, McKay PD At 'QDR/Raleigh Curtis Media Group's Country WQDR/Raleigh has named Trip Savery
GM and Lisa McKay PD. Savery, who was previously NSM for Curtis' Raleigh cluster, replaces Larry Gorick. McKay, who has been PD at WRVQ and WMXB in Richmond, replaces Giant Curtiss.
"Trip began his radio career as a rookie salesman at WQDR nine years ago," Curtis Exec. VP Phil Zachary told R &R. "I can't think of a person more qualified or more deserving of this opportunity than Trip."
McKay, who starts her new job on March 11, will also take an airshift. The move is part of a plan to eliminate the station's voicetracked dayparts and return 'QDR to being live 24 hours a day. Zachary said of McKay, "She has a tremendous knack for working with talent and staging big events to create a station that's bigger than any musical genre. That's our goal for WQDR."
In related news, Clear Channel/Greensboro, NC NSM Adam Maisano joins Curtis/Raleigh as NSM. Cumulus/Fayetteville, AR Business Man- ager Carmen Pomeroy moves to Curtis in a similar capacity.
WMAX Continued from Page 3
and airstaff for WMAX will be hired shortly.
WMAX's launch will be over- seen by Tim Dukes, who rises to Director/Programming for Clear Channel's Atlanta cluster. He will continue in his role as PD for WKLS /Atlanta and add oversight duties for Classic Rock WMXV, News/Talk WGST and WPCH.
"Having seen the research from other markets, as well as this one,
it seems that there is a big appetite for '80s here," Dukes told R &R. "We identified it as an option, and it continued to be one of the formats to go with until we decided what to do with WYAI. It's the younger side of [AC sister WPCH] and will be more of a 25-44 product."
WMAX's biggest competitors will be crosstown Hot AC WSB- FM (B98.5) and adult- leaning CHR/Pop WSTR (Star 94). The lat- ter airs a Friday -night '80s program, while B98.5 spent all of last week- end airing "Totally '80s" special programming.
Radlovic Continued from Page 3
CFO Joseph Garcia for their sup- port and confidence in my abilities. I'm excited about my new position with SBS/L.A. and am looking for- ward to the growth and success of KLAX and KXOL. My primary goal and focus is to create value and demand for our two radio stations in Los Angeles."
When asked about the most re- cent performance of KLAX and KXOL, both of which lost audience in the fall Arbitron survey, Radlovic said, "I think both of these stations
are still very young in terms of their growth. We are committed to spending the marketing dollars nec- essary to ensure that the ratings for KLAX and KXOL are where they need to be."
Programming for La Raza and El Sol will continue to fall under the direct oversight of corporate Exec. VP/Programming Bill Tanner and National PD Pio Ferro.
Radlovic formerly served as Mar- ket Manager for Cumulus' stations in Oxnard -Ventura, CA and Santa Barbara, CA. Prior to that he spent three years as VP /GM of KCMG/ Los Angeles and was GSM at KPWR/L.A. from 1989 -98.
www.americanradiohistory.com
18 R &R February 22, 2002 Ne wsbreakers
National Radio
EXCELSIOR NETWORK an- nounces that it will syndicate Rock the Nation, a new four -hour weekend hard rock program hosted by Eddie Trunk. The show debuts March 23 and will be available on a barter basis nationwide. For more info, contact Stuart Green- blatt at 646- 254 -9148.
WESTWOOD ONE presents six two- hou r format- specific Grammy- nomina- tion specials for the CHR/Pop, Alter- native, Hot AC, Urban, Classic Rock and Country formats. The shows will air Feb. 22 -24. For more info, contact Abby McDorman at Westwood One, 212 -641 -2009 or amcdorman@west woodone.com.
UNITED STATIONS announces this year's lineup of four two-hour Country Giants programs, featuring Reba McEntire, Tim McGraw, The Dixie Chicks and Shania Twain; and one four -part, eight -hour series called The Best of the 21st Century Country (So Far). The Country Giants shows will begin airing nationally the second weekend in February and will be avail- able on CD on a market -exclusive, barter basis through United Stations. The Best of... series is scheduled to air in October.
JONES RADIO NETWORKS launches the following new programs: `Three Minutes With Nick Michaels," a weekday feature, and `The Hollywood Reporter," a daily entertainment report available between 6am and 7pm in all time zones. For more info, contact Shawn Smith at JRN, 800 -426 -9082 or shawn.smith@jmseattle.com.
CHRONICLE
CONDOLENCES
Broadcasting pioneer Glacus Merrill, 96, Feb. 9.
Founder of WHHY -AM & FM/ Montgomery, AL, Bob Robinson, 78, Feb. 5.
NBG RADIO NETWORK signs a contract with Brickman Concerts to pro- vide sales representation and affiliate clearance for the three -hour nationally syndicated Your Weekend With Jim Brickman. For more info, contact Gina DeWitt at NBG Radio Network, 800- 572 -4624, ext. 784 or gina @nbgradio. com.
REX BROADCASTING launches Wrestling Observer With Dave Meltzer, which will air Sundays from 10pm -1 am on more than 100 affiliates. For more info, contact Ed James or Andy Morris at 646- 495 -4918.
SYNDICATED SOLUTIONS has ac- quired affiliate -sales and ad -sales syn- dication rights to Winning on Wall Street, which will now air weekdays from 6 -8pm ET, with refeeds on week- ends via ABC Satellite or ISDN. For more info, contact Matthew Sullivan at 203 -4431 -0790.
ROBERT PIERCE is promoted to VP /Affiliate Relations at United Sta- tions, where he has served as Dir. /Af- filiate Relations since 1995.
MARC VANDERMEER becomes play -by -play host for the Houston Tex-
ans at KILT (SportsRadio 610) /Hous- ton. Most recently he was the play -by- play announcer for the Miami Hurri- canes at WQAM /Miami.
Records CURT EDDY is named VP /Sales for
Hollywood Records. He was most re- cently SVP /Field Sales & Marketing at Universal Music and Video Distribution.
DUTCH CRAM - BLITT is named VP /Sales at WEA. He was previ- ously VP /Sales at Hollywood Re- cords.
Cramblitt
Industry SPARKPLUG MARKETING, a stra-
tegic branding company specializing in
tour marketing, label consulting and product and advertising placement, is
formed by Dave Dannheisser and Jarid Neff. Dannheisser and Neff are both formerly of Wamer Bros., where they were VP /Rock Promotion and South- east Regional Marketing Manager, re- spectively.
Products & Services KELLY MUSIC RESEARCH
launches Pop, AC and Country ver- sions of its All- Market Callout service. Access free callout data at www. kellymusicresearch. com.
Earnings Continued from Page 6
"We are certainly not opposed to using our currency, which is part of the whole reason for being a public company to begin with - to use our public currency to grow," Dickey said. "This is certainly a business where you've got to grow or get out. We would like to prudently build this company over the next several quar- ters."
While Cumulus enjoyed a bump in ad sales in January, it expects to take a $700,000 hit in TV advertising on its airwaves in February due to the Olympic Games' being held in the U.S. "It's easier for viewers to see live competitions, and the other networks felt it would be difficult to compete against that for viewers," Dickey re- ported. "Hopefully, we will see a re- bound in May during the [television ratings] sweeps." He said that Cumu- lus did not budget for that and called that a "mistake." He added, "We did not see [the Olympics loss] when we were doing the budget last fall. It's very difficult, in this environment, to make up that money."
Westwood One's Q4 earnings dipped 9 %, to $16.3 million, or 15
cents per diluted share - ahead of First Call analysts' estimates by 2 cents. Free cash flow - often consid- ered a good barometer of a broad- caster's health - was up 2 %, to a record $31.9 million, or 29 cents per diluted share. Revenue dropped 12 %, to $136.7 million. A weak advertising environment contributed to a 6% de- crease in Q4 operating cash flow, to
$51.4 million. For the year, earnings climbed 2 %, to $43.2 million, or 38 cents per share. Operating cash flow remained relatively flat, rising from $165.6 million to $166 million. Free cash flow increased 9 %, to $104 mil- lion, or 93 cents per diluted share.
Along with the weak ad market, "Clear Channel defections" also hurt WW1's bottom line, said Metro Net- works /Shadow Broadcast Services Exec. VP Shane Coppola. He pointed out that the company lost between $8 million and $10 million in Clear Channel revenue.
While Clear Channel dropped plans late in the year to create its own traffic- reporting service and looked to WW1 to renew contracts with Metro/ Shadow, WW1 President/CEO Joel Hollander said the terms were not the same. "We'll give them the traffic, but with less compensation," he said. "My first goal is to never be the ATM machine. We don't have to be in the crazy comp business every day."
Westwood One also worked hard to replace lost business. Making up for losses in the wake of the 2000 dot - com advertising explosion, the 2000 Summer Olympics and the wild spending of an economy going gang- busters was difficult, but Hollander said that the company did a good job. Among the new advertisers signed on by Westwood One: Autozone, South- west Airlines, Verizon, Hewlett - Packard, Body Solutions, Circuit City and Krispy Kreme Donuts.
He said that advertisers began to "curtail, delay or outright cancel" ad- vertising schedules - especially in the areas of travel, tourism and related
industries - immediately after Sept. 11, 2001, but "the decline in revenue [for WW1] was not as great as that of our competitors."
WW1 said in its 2002 outlook that it expects fee cash flow to reach $112 million. Free cash flow per share should increase about 15% this year, and operating cash flow should be ap- proximately $183 million. The com- pany also expects to benefit from a significantly decreased 2002 tax rate and anticipates its full -year 2002 de- preciation and amortization expense to be about $12 million.
DG Systems' Q4 revenue soared
368 %, to $17.3 million. EBITDA in- creased to $2.5 million, compared to negative EBITDA of $2 million in Q4 2000. For the year, DG's revenue in- creased 391%, to á record $70.7 mil- lion. EBITDA rose to a record $10.9 million, compared to negative EBITDA of $6.6 million in 2000. DG Systems has more than 7,500 radio stations in its network.
Gaylord's media segment re- ported having had a "somewhat chal- lenging" Q4. The company said its media segment revenue dropped 9 %, to $5.9 million, as revenue declined at the company's three radio stations. Overall, Gaylord's net losses im- proved 78% in Q4, to $23.1 million, or 69 cents per share, and 69% for 2001, to $47.7 million, or $1.42.
Fisher Communications, which owns 28 radio stations in the North- west U.S., posted a Q4 net loss of $1.7 million, or 20 cents per share, compared to net income of $7.8 mil- lion, or 91 cents, in Q4 2000. Rev- enue for the quarter fell 28%, to $42.3
BUSINESS BRIEFS Continued from Page 4
Australia, has purchased an FM license in the city of Perth at an Austra- lian Broadcasting Authority auction for $25 million Australian. The group already holds a radio license in Brisbane, Australia.
House Rejects Political Ad Discount Requirement,
NAB Pleased
The U.S. House of Representatives voted 327 -101 last week to re- move from campaign finance -reform legislation a provision that would
have required broadcasters to sell political ads at a discount. The legisla- tion had radio broadcasters concerned because it could have been amended to include their medium.
NAB President/CEO Eddie Fritts welcomed the move, saying that the original proposal would have done "serious damage" to local broadcast- ers.
Gaylord Names Two To Board
Gaylord Entertainment has named Vanderbilt University Chancellor Gordon Gee and Strategic Hotel Capital CEO Laurence Geller to
its board of directors. Howard Wood resigned from the Gaylord board in January to pursue a new business venture, and members Joe Rodgers and Craig Leipold have announced their intention to step down. First Ten- nessee National Corp. Chairman /CEO Ralph Horn also recently joined the company's board.
Tribune Declares Quarterly Dividend
Tribune Co. has declared a regular quarterly dividend of 11 cents per share on common stock, payable March 14 to stockholders of record
at the close of business on Feb. 28.
Dick Clark Productions Sells For $140 Million
edia superstar and radio veteran Dick Clark has sold all the out- standing shares of Dick Clark Productions to an investment group
led by Mosaic Media Group, Capital Communications CDPQ and TV exec Jules Haimovitz. Shareholders will get $14.50 per share, while Clark will get $12.50 each for an unspecified number of his shares. Dick Clark Pro- ductions produces the American Music Awards, the Academy of Country Music Awards, the Golden Globe Awards and Dick Clark's New Year's Rockin' Eve, among other programs.
million. For the year, Fisher saw a net loss of $1.9 million, or 92 cents per share, compared to income of $31.9 million, or $3.71, in 2000. Fisher said that it has executed commitment let- ters to refinance its credit facilities. Once refinancing is complete, Fisher expects to be out of default with its lenders.
Analyst: 2% Radio Growth In 2002
Salomon Smith Barney's Niraj Gupta liked what he heard at the RAB.'s Sales & Management Confer- ence in Orlando earlier this month and figured his estimates for radio were
"too conservative - something that we have not seen in 18 months," he said.
Gupta, who had previously ex- pected radio -industry growth to be flat to down 1 %, raised that estimate to 2% growth. He also raised his 2002 cash flow estimates for Clear Channel from $1.9 billion to $2.16 billion; Cox Radio from $141 million to $145 million; and Entravision from $52 million to $57 million. Target prices were also upped for Clear Channel, from $53 to $60; Cox, from $26 to $28; Emmis, from $14 to $23; and Entravision, from $11 to $14.
- Jeffrey Yorke
Switzer Continued from Page 1
Tony Brown, a partner in Universal South with Universal and Tim Dubois. "He has a proven track record in working with and developing the careers of artists, and we are looking forward to his immediate contribu- tions."
DuBois said, "When you combine Bryan's extensive background in the record business with his success in promotion and the key relationships he already possesses, you have one very gifted and effective executive.
We are all pleased to welcome him to the Universal South family."
Switzer said, "I am grateful to Tony and Tim for this wonderful opportu- nity. Having been part of a success- ful start -up before, I know how grati- fying it can be. To be able to do it alongside a roster and staff that are the best in the business is rare."
Switzer joined Atlantic/Nashville when it opened in 1990. He started as a Regional Promotion Manager, was later elevated to VP/Promotion and ultimately became VP /GM.
www.americanradiohistory.com
National Music Formats r?, ?no? R&R 19
Ommixb I1 XIw SATELLITE ` RADIO V
moo
Lori Parkerson 202 -380 -4425
20on20 (XM20) Kane BRANDY What About Us?
VANESSA CARLTON A Thousand Miles
ENRIQUE IGLESIAS Escape
INDIA.ARIE Video
110 Rapture
MARY J. BLIGE No More Drama
BPM (XM81) Blake Lawrence DJ DISCIPLE I/MIA COX Caught Up
FELIX DA HOUSECAT Silver Screen Shower Scene
Real Jazz (XM70) Maxx Myrick TONY BENNETT Playing With My Friends
The Boneyard (XM41) Charlie Logan DEFAULT Sick And Tired
DEFAULT Deny
DROWNING POOL Tear Away
GODSMACK I Stand Alone
INJECTED Faithless
LENNY KRAVITZ Lets Get High
SOIL Breaking Me Down
The Heart (XM23) Johnny Williams CELINE DION A New Day Has Come
DARREN HAYES Insatiable
DON HENLEY For My Wedding
The Loft (XM50) Mike Marione
Watercolors (XM71) Steve Stiles BONEY JAMES Heaven
DIANA KRALL S Wonderful
X Country (XM12) Jessie Scott BILLY BRAGG 8 THE BLOKES England. Half...
HONKY TONK CONFIDENTIAL Your Trailer Or Mine
CHRIS ISAAK Always Got Tonight
GARY STIER The Albatross
STAR ROOM BOYS This World
XM Cafe (XM45) Bill Evans BILLY BRAGG 8 THE BLOKES England, Halt
KASEY CHAMBERS Barricades 8 Brickwalls
CRACKER Forever
ARTHUR GODFREY East Side Of Town
COLIN LINDEN Big Mouth
LISA LOEB Cake 8 Pie
CHUCK E WEISS Old Souls 8 Wolt Tickets
XMLM (XM23) Eddie Webb No adds
The Heart (XM23) Playlist DIANA KRALL The Look 01 Love
0 -TOWN All Or Nothing
DIAMON RIO One More Day
ALICIA KEYS Fallen'
S CLUB 7 Never Had A Dream Come True
CAROLE KING Loves Makes The World
LEE ANN WOMACK I Hope You Dance
BACKSTREET BOYS Drowning
SHELBY LYNNE Wall In Your Heart
ELTON JOHN I Want Love
MATCHBOX TWENTY If You're Gone
BBMAK Ghost Of You 8 Me
MICHAEL JACKSON Butterflies
YOUNGSTOWN Grow Old With Me
LONESTAR I'm Already There
ENRIQUE IGLESIAS Hero
ROBBIE WILLIAMSMICOLE KIDMAN Somethin'
JOY ENRIOUEZ With This Love
JOSH GROBAN To Where You Are
JIM BRICKMAN I/ R.L. HOWARD... Simple Thing
ALL -4 -ONE Not Ready For Goodbye
LUIS FONS Imagine Me Without You
DIDO Thankyou
DON HENLEY For My Wedding
J. SIMPSON d M. ANTHONY There You Were
ENYA Only Time
LONESTAR Not A Day Goes By
FAITH HILL There You'll Be
BRIAN MCKNIGHT Still
DARREN HAYES Insatiable
lP M O V I E
TUNES
100 million moviegoers 15.000 movie theaters
Movie Tunes plays current music in movie
theaters across the nation. Movie Tunes
then surveys moviegoers from five major
distribution areas of the country each
week. Respondents are sent a CD sam-
pler and asked to rate songs on a scale of
1 -5 This data is gathered and published by R&R
TOP FIVE SONGS PER REGION
WEST 1. ENRIQUE IGLESIAS Escape
2. BRANDY What Abcut Us?
3. JAHEIM Anything
4. RUFUS WAINWRIGHT Across The Univers-
5. BONEY JAMES Ride
MIDWEST 1. BRANDY What About Us?
2. ENRIQUE IGLESIAS Escape
3. JAHEIM Anything
4. BONEY JAMES Ride
5. LENNY KRAVITZ Sillness Of Heart
SOUTHWEST 1. BRANDY What Abcut Us?
2. ENRIQUE IGLESIAS Escape
3. JAHEIM Anything
4. HOLLY WYNNETTE My Future Ex- Boyfrienc
5. RUFUS WAINWRIGHT Across The Universe
NORTHEAST 1. ENRIQUE IGLESIAS Escape
2. BRANDY What Abcut Us
3. JAHEIM Anything
4. RUFUS WAINWRIGHT Across The Universe
5. HOLLY WYNNETTE My Future Ex- Boyfrienc
SOUTHEAST 1. ENRIQUE IGLESIAS Escape
2. BRANDY What About Us?
3. JAHEIM Anything
4. BONEY JAMES Ride
5 HOLLY WYNNETTE My Future Ex- Boyfnenc
FEBRUARY PLAYLIST
AIMEE MANN/MICHAEL PENN
BONEY JAMES Ride
BRANDY What About Us-
DONZ Give
ENRIQUE IGLESIAS Escape
HANK WILLIAMS Ill Mississippi Mud
HOLLY WYNNETTE My Future Ex- Boyfriend
JAHEIM Anything
LENNY KRAVITZ Stillness 01 Heart
NANCY WILSON Save Your Love For Me
NATURAL Medley
OUTERSTAR You Lose It When It Rains
RICK BRAUN Your World
RUFUS WAINWRIGHT Across The Universe
TA TA B BRANDO Let's Be Friends
TAE BO V -:'I,,
10 million homes 180,000 businesses
Rick Gillette 800 -494 -8863
DMX INFLIGHT
Jon Wheat
Selected tracks in the air on 31 airlines world-
wide.
TRAVELING WILBURYS Handle With Care
KINKS A Rock 'N' Roll Fantasy
M'IONAM Capercailhe LIZETA KALIMERI Diosmos Ke Kaneia
MARTIN TAYLOR Garden Of Dreams PLAS JOHNSON d RED HOLLOWAY Serenade NO DOUBT Hellagood ELBOW Asleep In The Back
KEKE WYATT I Don't Wanna AVANT Makin' Good Love ILL NINO With You
GORILLAZ Rock The House
This section features this week's new adds
on DMX MUSIC channels available via digi-
tal caOTe and direct broadcast satellite.
CHR/POP
Jack Patterson SHAKIRA Underneath Your Clothes
PINK Don't I et Me Get Me
CHR /RHYTHMIC
Mark Shands YING YANG TWINS Say I Yi Yi
JESSICA MORENO You Better Be Good To Me
URBAN
Jack Patterson RL Got Me A Model
LATHUN Fortunate
ALTERNATIVE
Dave Sloan No adds
ROCK
Stephanie Mondello 3RD STRIKE No Light
ADULT ALTERNATIVE
Stephanie Mondello CONCRETE BLOND Roxy
RES Thor -Sav Vision
ADULT CONTEMPORARY
Jason Shill VANESSA CARLTON A Thousand Miles SHERYL CROW Soak Up The Sun
LISA LOEB Someone You Should Know
INTERNATIONAL HITS
Mark Shands ENYA May It Be
ALIZEE Mel I olita
COUNTRY
Leanne Flask No adds
DANCE
Danielle Ruysschaert LADYTRON Playgirl
STAR PEOPLE Star People
MEDWAY Optical Illusion
RAP/HIPHOP Mark Shands YING YANG TWINS Say I Yi Yi
METHOD MAN/REDMAN Part II
KRS-ONE South Bronx 2002 KRS -ONE Come To The Temple
.1i list Tile
LMNT Juliet DREAM STREET I Say Yeah
DREAM STREET It Happens Every . .
'N SYNC Pop
AARON CARTER I'm All About You
AARON CARTER Leave It Up To Me
BACKSTREET BOYS Drowning LIL' ROMEO My Baby
JUMP5 God Bless The U.S.A.
BRITNEY SPEARS I'm Not A Girl.... CHRISTINA MILIAN AM To PM
BACKSTREET BOYS Girlfriend PINK Get The Party Started MICHELLE BRANCH Everywhere NINE DAYS Absolutely (Story Of ...)
SMASH MOUTH All Star
3LW No More (Baby l'ma Do Right)
SMASH MOUTH I'm A Believer
COREY f /LIL' ROMEO Hush Lil' Lady
BARA MEN Who Let The Dogs Out
Payhst for the week ending February 16
Total Plays
76
76
75
74
74
73
72
68
66
36
34
33
31
31
31
31
30
30
30
28
RADIO NETWORKS
ABC RADIO NETWORKS Phil Hall 972 -991 -9200
Hot AC
Steve Nichols MICHELLE BRANCH All You Wanted
StarStation Peter Stewart No adds
Classic Rock Chris Miller No adds
Touch Ron Davis No adds
Doug Banks Morning Show Gary Saunders No adds
Tom Joyner Morning Show Vern Catron GERALD LEVERT What Makes You Feel Good
Country Coast To Coast Kris Wilson LONESTAR Not A Day Goes By
ALTERNATIVE PROGRAMMING Gary Knoll 800- 231 -2818
Rock DISHWALLA Somewhere In The Middle
FLAW Whole
TRAIN She's On Fire
Alternative 311 Amber
GRAVITY KILLS One Thing
LENNY KRAVITZ Stillness 01 Heart
Triple A CRACKER Shine
LISA LOEB Someone You Should Know
CHR PINK Don't Let Me Get Me
P 0.0. Youth Of The Nation
Mainstream AC CELINE DION A New Day Has Come
Lite AC MARC ANTHONY I Need You
ENYA Wild Child
NAC SHILTS Your Place Or Mine
Christian AC ANNOINTED One Fine Day
POINT OF GRACE You Will Never Walk Alone
UC RUFF ENDZ Someone To Love You
GINUWINE Tribute To A Woman
LATHUN Fortunate
Country MARK CHESTNUTT She Was
Q JONES 1 1 1 1 1 0 1 0
Music Programming/Consulting Ken Moultrie 800 -426 -9082
Alternative Steve Young /Kristopher Jones No adds
Active Rock
Steve Young /Kristopher Jones No adds
Heritage Rock Steve Young /Kristopher Jones No adds
Hot AC
Steve Young /Josh Hosier adds
CHR No adds
Rhythmic CHR
Steve Young /Josh Hosler No adds
Soft AC
Mike Bettelli No adds
Mainstream AC
Mike Bettelli No adds
Delilah Mike Bettelli No adds
Dave Wingert Show Mike Bettelli No adds
Mainstream Country Ray Randall /Hank Aaron STEVE AZAR I Don't Have To Be Me..
GEORGE STRAIT Living And Living Well
New Country Hank Aaron STEVE AZAR I Don't Have To Be Me..
GEORGE STRAIT Living And Living Well
Lia Ken Moultrie /Hank Aaron EMERSON DRIVE I Should Be Sleeping
TRAVIS TRITT Modern Day Bonnie And Clyde
24 HOUR FORMATS
Jon Holiday 303 -784 -8700
Adult Hit Radio JJ McKay DARREN HAYES Insatiable
Rock Classics Adam Fendrich No adds
Adult Contemporary Rick Brady ELTON JOHN This Train Don't Stop There
CD COUNTRY
Rick Morgan No adds
US COUNTRY
Penny Mitchell ALAN JACKSON Drive (For Daddy Gene)
GEORGE STRAIT Living And Living Well
GREAT AMERICAN COUNTRY
Jim Murphy 303 - 784 -8700 GARY ALLAN The One
GENE WATSON The Man An' Me And You
Charlie Cook 661 -294 -9000
Adult Rock & Roll
Jeff Gonzer MICK JAGGER Visions Of Paradise
Sott AC
Andy Fuller ELTON JOHN This Train Don't Stop There
Bright AC
Jim Hays CELINE DION A New Day Has Come
Mainstream Country David Felker CAROLYN DAWN JOHNSON I Don't Want You To Go
GEORGE STRAIT Living And Living Well
TRAVIS TRITT Modern Day Bonnie And Clyde
Not Country Jim Hays STEVE AZAR I Don't Have To Be Me..
GEORGE STRAIT Living And Living Well
CHELY WRIGHT Jezebel
Young & Elder David Felker LONESTAR Not A Day Goes By
GEORGE STRAIT Living And Living Well
em jiO NETWORKS PREMIERE RADIO NETWORKS
After Midnite KEVIN DENNEY That s Just Jesse
WAITT RADIO NETWORKS
Alternative Chris Reeves 970 -949 -3339 DOVETAIL JOINT Cool Your Head
JEREMIAH FREED Again
LOSTPROPHETS Shinobi Vs. Dragon Ninia
ROB ZOMBIE Never Gonna Stop
SEVENDUST Live Again
SUGARCULT Bouncing ON The Walls
SYSTEM OF A DOWN Toxicity
THURSDAY Understanding
Country Jim West GARY ALLAN The One
KELLIE COFFEY When You Lie Next To Me
GEORGE STRAIT Living And Living Well
www.americanradiohistory.com
20 R &R February 22, 2002
MONDAY, MARCH 4
1933/At the height of the Great De-
pression, Franklin Delano Roosevelt is inaugurated as the
32nd President of the United States.
1952 /Actor and future U.S. President
Ronald Reagan marries actress Nancy Davis.
1994 /Actor John Candy, 43, dies of a
heart attack while on location for his new movie, Wagons East.
Born: Catherine O'Hara 1954, Patsy Kensit 1968
In Music History
1966 /London newspaper The Evening
Standard publishes an interview with Beatle John Lennon in
which he remarks, "We're more popular than Jesus Christ right now." The comment creates in-
ternational protest, and a series of Beatles record -burnings are
held worldwide.
Cooler than Jesus?
1973 /Pink Floyd begin their Dark Side
of the Moon tour in Madison. 1989 /Tone Loc's "Wild Thing" be-
comes the first single to go
double Platinum since "We Are
the World." 1993 /Whitney Houston and Bobby
Brown become parents to daughter Bobbi.
Born: Jason Newsted (ex- Metallica) 1963, Evan Dando (ex- Lemon-
heads) 1967
1982/In Los Angeles, actor -comedian John Belushi, 33, dies of a drug overdose.
Born: Penn Jillette 1955, Jake Lloyd 1989
In Music History
1955 /Elvis Presley makes his first TV
appearance, on the regionally telecast show Louisiana Hayride.
1963 /Country singer Patsy Cline, 30,
is killed in the crash of a single - engine plane near Camden, TN.
1965 /The Yardbirds' "For Your Love" is released in the U.K. on EMI/
Columbia records. The song will become a top 10 hit in both
the U.K. and the U.S.
1971 /Badfinger begin their first U.S.
tour, in Toledo.
Born: Bill Ward (Black Sabbath) 1948, Andy Gibb 1958 -1988, John Frusciante (Red Hot Chili Pep-
pers) 1970
WEDNESDAY, MARCH 6
1927/The German film Metropolis opens in the U.S.
Born: Rob Reiner 1947, Tom Arnold 1959, Shaquille O'Neal 1972
In Music History
1970 /Charles Manson releases an al-
bum called Lieto finance his de-
Show Prep
DATEBBDK fense in the Tate -LaBianca murder case. The album art is a mock -up
of a Life magazine cover photo of Manson with the "f" taken out of
Life.
Charles (not Marilyn) Manson releases album.
1976 /Fleetwood Mac release "Rhian- non."
1989 /Aerosmith's Steven Tyler and wife
Theresa become parents to daugh-
ter Chelsea Ann.
1993 /Metallica sweep the Bay Area Music Awards (a.k.a. The Bam-
mies), winning awards for Best
Group, Guitarist, Drummer and
Bassist. Neil Young's Harvest Moon wins Outstanding Album, and En Vogue are honored for Outstanding Female Vocal & Ur-
ban Contemporary Group.
Born: David Gilmour (Pink Floyd) 1947
1916 /Two German manufacturing firms merge to form the Bavarian Air-
craft Works. The company later
branches out beyond aircraft en-
gines and renames itself Bavarian
Motor Works, or BMW for short. 1982 /Harris Glenn Milstead, a.k.a.
transvestite actor and cult icon
Divine, dies at the age of 42 of a
heart attack.
1999 /Acclaimed film director Stanley Kubrick, 70, dies of natural causes
in England.
Born: Rachel Weisz 1970
In Music History
1969 /The Who release "Pinball Wiz- ard," their first selection from the
rock opera Tommy, in the U.K.
1983 /Willie Nelson receives a lifetime - achievement award at the Song- writers' Hall of Fame dinner in
New York City.
1996 /Neil Diamond does his first in-
store performance in 20 years, at
the Virgin Megastore in Los An-
geles.
1969 /The Pontiac Firebird Trans Am is
introduced. 1986/The film Mask, starring Cher and
Eric Stolz, opens. Cher wins the
Best Actress prize at the Cannes
Film Festival for her role in the film.
1999 /Baseball great Joe DiMaggio, 84,
dies in Hollywood, FL of lung can-
cer.
Born:Aidan Quinn 1959, Kathy Ireland 1963, Freddie Prinze Jr. 1976
In Music History
1970/In Framingham, MA, Diana Ross
opens an 11 -date cabaret engage-
ment, her first solo outing.
1973/Ron "Pigpen" McKernan, key -
boardist and vocalist of The Grateful Dead, dies in his Madera,
CA apartment at the age of 27. A
heavy drinker, he had been under the care of a doctor for cirrhosis.
1991 /L.L. Cool J makes his movie -
acting debut playing an under-
cover cop in The Hard Way, with James Woods and Michael J.
Fox.
Born: Micky Dolenz (The Monkees) 1945, Gary Numan 1958, Cheryl James (Salt -N -Pepa) 1964
1955 /Actor James Dean makes his
first major film appearance, in
East of Eden, for which he earns
an Academy Award nomination. 1996 /Actor -comedian George Burns,
100, passes away from natural
causes in New York City.
Born: Emmanuel Lewis 1971
In Music History
1961 /The Supremes release their first 45, "I Want a Guy."
1976 /Keith Moon, drummer for The
Who, collapses onstage at Bos-
ton Garden 10 minutes into a
show. The performance is im- mediately rescheduled for April.
1987/1J2 release The Joshua Tree.
1997 /Rapper Christopher Wallace, a.k.a. Notorious B.I.G., is shot to death in the passenger seat of
a GMC Suburban following a
Vibe magazine party in Los An-
geles.
R.I.P. B.I.G.
1918 /Warner Bros. releases its first film, Four Years in Germany.
1964 /The first Ford Mustang is pro- duced. It won't be released to the
public for a little over a month. 1998 /Actor Lloyd Bridges, 85, dies in
Los Angeles of natural causes.
Born: Chuck Norris 1940, Sharon Stone 1958, Christopher Titus 1966
to Music History
1972 /America's debut album goes Gold.
1977/In a ceremony in front of Buckingham Palace, A &M signs
The Sex Pistols two months af-
ter EMI voided its contract with the controversial punk group.
Nine days later, without having
released any Sex Pistols records, A &M will follow EMI's
lead and drop the band because
of their reputation. 1988 /Former teen heartthrob Andy
Gibb, 30, dies in a hospital of a
heart and stomach virus related
to drug use.
2000 /Country singer Vince Gill weds
pop gospel star Amy Grant in a
ceremony held outside of Nash-
ville.
Born: Tom Scholz (Boston) 1947, Jeff Ament (Pearl Jam) 1963
- Frank Correia
'zirzescerie Girls' Night Out At The Grammys!
Both Us Weekly and TV Guide provide female -friendly pre-
views of the Grammy Awards. "I
think I'm more song- writer than pop mogul," Song of the Year nominee Nelly Furtado tells TV Guide. "I'm just kind of a goofy musician ... I am equally inspired by Andy Warhol or Jack Kerouac as I am by Prince." Us Weekly cleverly asks the singer of the nominated "I'm Like a Bird" what kind of bird she would be. Furtado says a seagull, "because it's a blue -collar kind of bird, a scavenger on the beach, taking in
everything it sees." India.Arie tells UW that child-
hood in Atlanta wasn't always kind to her: "The kids were mali- cious, telling me they hated me because of the way I looked. I
had long braided hair, bell -bot- toms and patchouli oil." Arie also explains her Gap ad appearance to TV Guide: "For someone who looks like me and sings about what I sing about, to be on the back cover of Vogue when Britney Spears is on the front ...
if that's not a candle in the dark- ness, I don't know what is."
UW also looks at nominees Faith Hill, Sade, Bjork and the late Aaliyah, as well as the diva quartet of Pink, Mya, Christina Aguilera and Li!' Kim. There were no bruises from catfights among the four ladies during the filming of the video for their Mou- lin Rouge extravaganza, "Lady Marmalade." "I got bruises from being in a corset for 12 hours," says Mya. "And Christina's boots went up so high that she had trouble balancing."
Bush -Whacker .
"If you consider the fact that punk rock often has a social con- science, it's more called for now than it has been since Ronald Reagan," Bad Religion's Brett Gurewitz tells Alternative Press. "It will be used again as a platform for criticizing our government, and that's the most important thing we can do in a free society. In that sense, I think George Bush Jr. will be the best thing that's happened to punk in a long time."
Plenty, To Crow About Sheryl Crow is featured on the
cover of men's magazine Stuff. Despite the steamy photo spread, she says she's not interested in
following today's pop -star trends: "I'm not going to put out a high - production X -rated commercial video just to sell records. I think it's good for your art to speak louder than your image."
Nor is she impressed with awards shows: "With all the lip - synching on those things, Milli Vanilli should receive some kind of lifetime- achievement award. The performances all look like highly
PUTTING THE `F' IN FAMILY -TV Guide previews MTV's upcoming reality show The Osboumes, featur- ing famed singer Ozzy and his fam- ily. 'We're not the Partridge family" says wife Sharon. 'We don't even have dinner together." Papa Os- bourne was a little shocked upon viewing the first tape, however: 'It's like 25 minutes of bleeps. It's like, 'Good f -ing morning. How the f- ing hell was your f -ing night's sleep ?' We live in Beverly Hills, and we sound like we should live in a f-ing trailer park."
choreographed and pyrotechnic porn. I also have a hard time ad- dressing adults as P. Diddy or Puffy with a straight face."
Crow is also spotlighted in Us Weekly's "Look Who's Turning 40" feature. "If I was one of those ladies who was wearing tight de- signer jeans and Candies high heels, I'd freak out," she says of dressing to look younger. "I just don't feel my age. I'm just like ev- erybody else. Everybody feels like they're 22 inside." Other rockers hitting the big 4 -Oh: Tommy Lee, Jon Bon Jovi, AxI Rose and Red Hot Chili Peppers' Anthony Kie- dis and Flea.
Flex Appeal .
Who needs Tae Bo blowhard Billy Blanks when Men's Health brings you workout tips from the Thin White Duke himself, David Bowie? "Working out? Even when I'm in a hurry, I never rush anything," he says. Rap impresa- rio Russell Simmons and Naugh- ty By Nature's Treach also give tips. Best of all, bald muscleman Moby weighs in: "I joined a gym, and for a while I was being quite diligent. But of late I've been a
slob, drinking too much and eat- ing too much and not exercising. After the Trade Center attack, for the first couple of weeks all I
wanted to do was eat and drink and have sex and watch TV and read. Hopefully, things will get back to normal."
The Real-Burger King Forget about eating healthy
with Are You Hungry Tonight? Elvis' Favorite Recipes. Many of The King's personal chefs contrib- ute to the cookbook. But it's not all fried peanut butter -and -banana sandwiches. Presley's diet often included string beans ... laced with salt pork and sugar. (FHM)
- Frank Correia
Each week R &R sneaks a peek through the nation's consumer mag- azines in search of everything from the sublime to the ridiculous in
music news. R &R has not verified any of these reports.
www.americanradiohistory.com
Television/Films February 22, 2002 R &R 21
72 million households
Tom Calderone
VP /Programming
Plays
OUTKAST The Whole World 38
JERMAINE DUPRI f/LUDACRIS Welcome To Atlanta 37
LUDACRIS Roll Out (My Business) 33
PUDDLE OF MUDD Blurry 30
HOOBASTANK Crawling In The Dark 29
P.O.D. Youth Of The Nation 28
JENNIFER LOPEZ Ain't It Funny 28
NAS Got Ur Self A... 25
MYSTIKAL Bouncin' Back (Bumpin'. 25
BRANDY What About Us? 23
BLINK -182 First Date 23
MOBB DEEP Hey Luv (Anything) 23
X- ECUTIONERS It's Goir Down 23
FABOLOUS Young'n (Holla Back) 22
ALANIS MORISSETTE Hands Clean 22
CRAIG DAVID 7 Days 21
DEFAULT Wasting My Time 21
JIMMY EAT WORLD The Middle 20
MARY J. BLIGE No More Drama 19
ALIEN ANT FARM Movies 18
BRITNEY SPEARS I'm Not A Girl, Not Yet A Woman 17
GLENN LEWIS Don't You Forget It 17
SYSTEM OF A DOWN Toxicity 16
'N SYNC Girlfriend 14
DMX f /FAITH EVANS I Miss You 14
STROKES Last Nite 14
AALIYIAH More Than A Woman 14
VANESSA CARLTON A Thousand Miles 13
KYLIE MINOGUE Can't Get You Out Of My Head 13
FAITH EVANS I Love You 13
STAIND For You 12
FAT JOE f /ASHANTI What's Luv? 12
ENRIQUE IGLESIAS Escape 11
INCUBUS Nice To Know You 11
GORILLAZ 19 -2000 11
SUM 41 Motivation 10
ELTON JOHN This Train Don't Stop There Anymore 10
OFFSPRING Defy You
PETEY PABLOI
NICKELBACK Too Bad
ROB ZOMBIE Never Gonna Stop
OZZY OSBOURNE Dreamer
MICHELLE BRANCH All You Wanted
MASTER P Ooohhhwee
ADEMA The Way You Like It
UNWRITTEN LAW Seein' Red
KID ROCK Lonely Road Of Faith
GARBAGE Breaking Up The Girl
USHER U Don't Have To Call
SHAKIRA Underneath Your Clothes
CALLING Wherever You Will Go
B2K Uh Huh
ALICIA KEYS A Woman's Worth
F00 FIGHTERS The One
BACKSTREET BOYS Drowning
BEANIE SIGEL f /FREEWAY Roc The Mic
P. DIDDY f /USHER & LOON I Need A Girl
BRITNEY SPEARS From The Bottom Of...
Video playlist for the week ending February 16
55 million households
Peter Cohen,
VP /Programming
Rap Adds No Adds
Pop Adds No Adds
Urban Adds No Adds
Rhythmic Adds BASEMENT JAXX Where's Your Head At?
GORILLAZ 19 -2000
Rock Adds LENNY KRAVITZ Stillness Of Heart
Adds for the week of February 25.
75 million households
Paul Marszarek
VP/Music Programming
ADDS
JIMMY EAT WORLD The Middle
CREED Bullets
HOOBASTANK Crawling In The Dark
TWEET f/MISSY ELLIOTT Oops! (Oh My)
Plays
NICKELBACK How You Remind Me 24
NO DOUBT f /BOUNTY KILLER Hey Baby 24
ALANIS MORISSETTE Hands Clean 21
ALICIA KEYS A Woman's Worth 21
CHER Song For The Lonely 21
TRAIN She's On Fire 21
DAVE MATTHEWS BAND Everyday 20
PUDDLE OF MUDD Blurry 19
KYLIE MINOGUE Can't Get You Out Of My Head 18
ENRIQUE IGLESIAS Escape 17
JEWEL Standing Still 16
MARY J. BLIGE No More Drama 16
LENNY KRAVITZ Stillness Of Heart 14
DEFAULT Wasting My Time 14
NATALIE IMBRUGLIA Wrong Impression 13
MICK JAGGER Visions Of Paradise 13
SHAKIRA Underneath Your Clothes 13
BRITNEY SPEARS I'm Not A Girl, Not Yet A Woman 12
ELTON JOHN This Train Don't Stop There Anymore 12
CRAIG DAVID 7 Days
CHRIS ISAAK Let Me: Down Easy
BASEMENT JAXX Wiere's Your Head At?
INDIA.ARIE Video
LIFEHOUSE Breathing
RUFUS WAINWRIGHT Across The Universe
NICKELBACK Too Bad
KID ROCK Lonely Road Of Faith
RYAN ADAMS Answering Bell
P.O.D. Alive
SAGE Paradise
BEN FOLDS Still Fighting It
BRANDY What About Us?
REMY SHAND Take A Message
P.O.D. Youth Of The Nation
OZZY OSBOURNE Dreamer
GLENN LEWIS Don't You Forget It
AALIYAH More Than A Woman
INDIA.ARIE Ready For Love
FAITH EVANS I Love You
COURSE OF NATURE Caught In The Sun
RES They -Say Vision
LEANN RIMES Can't Fight The Moonlight
Video airplay for February 25 -March 3
Cindy Mahmoud VP /Music Programming
& Entertainment
VIDEO PLAYLIST
JA RULE f /ASHANTI Always On Time
MR. CHEEKS Lights, Camera. Action
FAITH I Love You
OUTKAST The Whole World
MARY J. BLIGE No More Drama
MYSTIKAL Bouncii' Back (Bumpin'...) BRANDY What About Us?
MONTELL JORDAN You Must Have Been
JERMAINE DUPRI f /LUDACRIS Welcome To Atlanta KEKE WYATT f /AVANT Nothing In This World
RAP CITY JA RULE f /ASHANTI Always On Time BUSTA RHYMES 6P. DIDDY... Pass The Courvoisier NAS U Got Ur Self A... DMX f /FAITH EVANS I Miss You
FABOLOUS Young n (Holla Back)
FAT JOE f /ASHANTI What's Luv
MASTER P Ooohhhwee
MYSTIKAL Bouncin' Back (Bumpin'...) LUDACRIS Saturday (0ooh! Oooh!)
JERMAINE OUPRI f /LUDACRIS Welcome To Atlanta
Video playlist for the week ending February 24.
DMX f /FAITH EVANS I Miss You
MOBB DEEP Hey Luv (Anything)
GLENN LEWIS Don't You Forget It
DEFAULT Wasting My Time
STARSAILOR Good Souls
THURSDAY Understanding In... P.O.D. Youth Of The Nation
FABOLOUS Young'n (Holla Back)
INCUBUS Nice To Know You
UNWRITTEN LAW Seeir Red
NAS Got Ur Self A... INDIA.ARIE Ready For Love
MYSTIKAL Bouncin' Back ( Bumpin',..) X- ECUTIONERS It's Goin' Down
FAITH I Love You
NICKELBACK Too Bad
BEANIE SIGEL f /FREEWAY Roc The Mic
David Cohn
General Manager
STAIND For You
CEE -LO Closet Freak
OFFSPRING Defy You
PUDDLE OF MUDD Blurry
REMY SHAND TakeA Message
HOOBASTANK Crawling In The Dark
ALANIS MORISSETTE Hands Clean
SADE Paradise
Video playlist is frozen.
T /GM
& Talent
COUNTRY MUSIC TILIVI$ION
56.8 million households
Brian Philips, Sr. VP
Chris Parr, VP /Music
ADDS CLINT BLACK Money Or Love
GARY ALLAN The One
TOP 20 TRISHA YEARWOOD Inside Out
MARTINA MCBRIDE Blessed
ALAN JACKSON Where Were You...
STEVE HOLY Good Morning Beautiful
MESSINA w /MCGRAW Bring On The Rain
EARL SCRUGGS Foggy Mountain Breakdown
RASCAL FLATTS I'm Movin' On
NICKEL CREEK A Lighthouse's Tale
TRACY BYRD Just Let Me Be In Love
TIM MCGRAW The Cowboy In Me
CYNDI THOMSON I Always Liked That Best
CHELY WRIGHT Jezebel
KENNY CHESNEY Young
TOBY KEITH My List
SARA EVANS Saints & Angels
TRAVIS TRITT Modern Day Bonnie & Clyde
ALISON KRAUSS & UNION STATION Let Me Touch...
MERLE HAGGARD If You've Got The Money...
GARTH BROOKS Wrapped Up In You
CAROLYN DAWN JOHNSON I Don't Want You To Go
HEAVY ALAN JACKSON Where Were You...
MESSINA w /MCGRAW Bring On The Rain
KENNY CHESNEY Young
MARTINA MCBRIDE Blessed
RASCAL FLATTS I'm Movin' On
TIM MCGRAW The Cowboy In Me
TRISHA YEARWOOD Inside Out
HOT SHOTS
DANNI LEIGH Sometimes
GARY ALLAN The One
SHANNON LAWSON Goodbye On A Bad Day
NELSON & WOMACK Mendocino County Line
Heavy rotation songs receive 2B plays per week.
Hot Shots receive 21 plays per week.
Information current as of February 19.
* * GREAT
* AMERICAN
4 =s * e
COUNTRY.
14.3 million households
ADDS GARY ALLAN The One
GENE WATSON The Man An' Me And You
TOP 10 CHELY WRIGHT Jezebel
KENNY CHESNEY Young
TOBY KEITH My List
TIM MCGRAW The Cowboy In Me
CHRIS CAGLE I Breathe In, I Breathe Out
MARK MCGUINN She Doesn't Dance
BLACKHAWK Days Of America
MINDY MCCREADY Maybe, Maybe Not
CYNDI THOMSON I Always Liked That Best
Information current as of February 22.
TELEVISION Due to the Presidents Day holiday, Nielsen ratings were delayed and not available at press time. Television ratings will return next week.
COMING NEXT WEEK
Tube Tops
CBS's telecast of the 44th annual
Grammy Awards is slated to feature
duets from Tony Bennett and Billy Joel and Al Green and Brian McKnight, along with a collabor-
ation on "Lady Marmalade" by
Christina Aguilera, Lil' Kim, Pink and Mya. Dave Matthews Band, Destiny's Child, Alan Jackson, Alicia Keys, 'N Sync, Nelly, Out - Kast, Train and U2 are also set to
perform on the three -hour show (Wednesday, 2/27, 8pm ET /PT).
Friday, 2/22
Country artists guest -star on WB programs: Andy Griggs on Sabrina
(8pm ET /PT); Deana Carter on
Raising Dad (8:30pm ET /PT); and
Naomi Judd on Maybe It's Me
(9:30pm ET /PT).
Goo Goo Dolls, The Tonight
Show With Jay Leno (NBC, check local listings for time).
Saturday, 2/23
Insane Clown Posse and Mas-
ter P guest -star on FOX's Mad TV (11 pm ET /PT).
Sunday, 2/24
Charlie Daniels and Vince Gill
lend their voices to the animated King of the Hill (FOX, 7:30pm ET/
PT).
Mary J. Bilge, Behind the Mu-
sic(VH1, 8pm ET /PT).
Monday, 2/25
Busta Rhymes and P. Diddy, Jay Leno.
Alanis Morissette, Late Show With David Letterman (CBS, 11:35pm ET/PT).
Hoobastank, Last Call With
Carson Daly (NBC, 1:35am ET /PT).
Tuesday, 2/26
Ryan Adams, Jay Leno.
Garbage's Shirley Manson, Late Show Wttth Craig Kilbom (CBS,
12:35am ET /PT).
India.Arie
India.Arie, Ludacris and NARAS President Michael Green, Politically Incorrect With
Bill Maher(ABC, check local list-
ings for time).
Alanis Morissette, Carson Daly.
Wednesday, 2/27
Nora Jones, Jay Leno.
Cher, David Letterman.
Thursday, 2/28
Train, Jay Leno.
Ice Cube, David Letterman.
- Julie Gidlow
FILMS BOX OFFICE TOTALS
Feb. 15 -18
Title Distributor $ Weekend $ To Date
1 John Q (New Line)* $23.61 $23.61
2 Crossroads (Paramount)* $17.01 $17.01
3 Return To Never Land (Buena Vista)* $15.62 $15.62 4 Big Fat Liar (Universal) $11.42 $24.91
5 Collateral Damage (WB) $9.61 $29.08 6 A Beautiful Mind (Universal) $9.42 $125.69 7 Hart's War (MGM)* $8.90 $8.90 8 Black Hawk Down (Sony) $7.25 $96.46 9 Super Troopers (FOX Searchlight)* $7.14 $7.14
10 Snow Dogs (Buena Vista) $6.70 $68.11
'First week in release. All figures in millions. Source: ACNielsen EDI
COMING ATTRACTIONS: Re-
cording artist Aaliyah, who was killed in a plane crash in August 2001, stars in Queen of the Damned.
The film's Warner Sunset/WB/ Reprise soundtrack contains Static -X's "Cold," as well as original
songs penned by Jonathan Davis and Richard Gibbs and performed
by Marilyn Manson ( "Redeemer"),
Static -X's Wayne Static ( "Not Meant for Me "), Disturbed's David
Draiman ( "Forsaken "), Orgy's Jay Gordon ( "Slept So Long ") and Linkin Park's Chester Bennington ( "System "). Disturbed's "Down With the Sickness," Papa Roach's "Dead Cell," Deftones' "Change," Godhead's "Penetrate," Tricky's "Excess," Earshot's "Headstrong," Kidney Thieves' "Before I'm Dead" and Dry Cell's "Body Crumbles" complete the ST. - Julie Gidlow
www.americanradiohistory.com
No one has more
on the ball
No one tackles the world of sports r the world in general, like Keith OlbermEnr. Plow,
Olbermann continues the legacy of legendary s)ortscaster Howard Cosell as Ins: DfABC
Radio Networks Speaking of Sports and Speaking of Everything.
Call Todd Fowler today at (972) 443 -3302.
Telling it like it is. Twice a day.
RADI NETWORKS
NE,BEwnnnn SPEAKING OF SPORTS... SPEAKING OF EVERYTHING
www.americanradiohistory.com
IN THE OF
September 11 our country
and our industry have more
than ever: an ongoing
war decreased
AD revenues
and a
economy. The question
eryone's
mind seems to be
Al Peterson
February 22, 2002 R &R 23
* Even before Sept. 11 the radio business was more challenging than ever as we all tried to
adapt to new ways of doing things in a consolidated business environment and an already
slowing economy. But on that dark day last September fate stepped in and rewrote the rules
again - both the new ones that we were just beginning to understand and most of the old
ones. As advertisers pulled back on spending, bottom -line realities began to take their toll on
radio stations across the country, forcing layoffs and cutbacks in nearly every sector. As we
continue to face a good deal of uncertainty in these early weeks of 2002, is it any wonder
that many of us are asking, "What's next ?" * Seeking some answers to that question, in this
issue we offer conversations with and the insights of some of our format's best and brightest
minds. From what's next for Talk radio's most successful personality of the past decade to
who's next when it comes to emerging talk hosts of the decade ahead, the next few pages
are designed to add balance to and offer perspective on what .few would disagree are the
most difficult times we have experienced in recent memory. * Along with the special articles
in this issue, in the pages ahead we're offering a print version of a popular Talk staple that
many stations and hosts call "Open Mike." Look for a cross -section of News/TElk radio
executives offering their candid opinions on what they think will be some of the challenges,
as well as the opportunities, our format will see in 2002.
CONTENTS What's Next For Rush Limbaugh? Following his much-publicized
hearing loss last year, America's most listened -to Talk radio host has had his
hearing restored through the miracle of modern medicine. In his first industry
interview since undergoing cochlear implant surgery, Limbaugh talks about the
experience and how it helped to spark a renewed commitment to his daily show.
PAGE 24
What's Next For Your Money? WOR Radio Network financial gurus
Ken and Daria Dolan outline some specific moves that those of us in radio should
make with our money now to ensure a better personal financial future in the post
Sept. 11 world. PAGE 29
What's Next For FM/Hot Talk? Are FM Talk stations that target young
males with content heavy on sex, drugs and rock n' roll less relevant than they
were last Sept. 10? A panel of true believers tells us why hot talk is as hot as
ever. PAGE 30
New Rules For Station Security Could your radio station or
personalities become targets for terrorists? Dan DiPaola of Los Angeles' High -
Tech Digital Security suggests cost -efficient products that you can buy right now
to make certain your people and facilities are as safe as you can make them.
PAGE 35
Who's Next? Exclusive one -on-one interviews with two of Talk radio's rising
stars: Premiere Radio Networks' Glenn Beck and ABC Radio's Sean Hannity.
PAGES 36 & 38
Satellite Radio Becomes Reality. XM Satellite Radio has been up
and running for nearly six months now. We get an update on how satellite -
delivered Talk radio is doing from XM Director/Talk Kevin Straley. PAGE 39
www.americanradiohistory.com
24 R &R February 22, 2002
w....S.../._TXL.
IT'S AGODSEND,
IS WHAT IT ISS Talk's most listened -to host is listening back ... again
In October of last year Rush Limbaugh stunned listeners with the announcement that he was
"for all practical purposes, deaf." Doctors diagnosed the Premiere Radio Networks talk host
with autoimmune inner ear disease, a rare condition that damages the hearing nerve and
causes progressive and rapid hearing loss.
Fast -forward to Jan. 21, 2002, when Limbaugh again used his daily radio show to
tell listeners that the cochlear implant surgery performed on him over the Christmas holidays had been a major success. Calling the surgery a "medi- cal marvel," Limbaugh said that he'd experienced about a 90% recovery in
his left ear when it came to one -on-
one conversations. "It's pretty great, I have to tell you,
given my expectations," an obviously enthusiastic Limbaugh said. "I have been pleasantly surprised, and I am
appreciative beyond my ability to express it."
Now, in his first industry interview since undergoing the surgery, "El Rushbo" talks in detail about the ordeal of the past several months and says that the end result of it all has
been a renewed commitment to doing what he loves most: hosting his daily
radio show.
RL: It was a bit of a shock because that
wasn't expected to happen. There wasn't one doctor who said that would happen. They all expected it to level off at some
the human voice from any other noise I was
hearing. When I said I didn't allow myself to
get excited, what I meant was that I didn't go
into it with..ir lot of high expectations. I
believed what they told me: that it was going
to be a process of a year or two to relearn how to hear. I asked the doctor if we would
be conversing on the first day, and he
laughed and said that we would be passing notes to one another for at least a week
or two. In my case, none of that has been
true. I was hearing and talking with my
wife and the audiologist within seconds
of the implant is being activated. I
understood everything they said tome right out of the box. It was honestly instantaneous -a car horn sounded like a car horn, a telephone ringing sounded like a telephone. I was even
able to talk with my brother on the phone within the first few minutes. I
didn't encounter any of the usual things that I was told that most patients should expect.
R &R: Any speculation by your doctors as to why?
RL: Probably one of the biggest factors is that I wasn't deaf for that long. I was only totally deaf- and by
that I mean that I was unable to hear anything even with the use of hearing aids - for a period of about 2 1/2
R &R: How did you cope with the thought that you might 'never hear again?
RL: 1 never really thought that. I always knew that I would hear something again. I
didn't know what or how well, but I always knew that the cochlear implant was an
option. That's why I never panicked or felt
like "Why me, Lord ?" or anything like that. Instead, I was constantly giving thanks for the era and the country into which I was born
because of the medical technologies that have been developed to the point of making a cochlear implant a reality.
R &R: Once you were diagnosed, were
you surprised at how rapidly you lost your hearing?
Rush Limbaugh
point. Whether or not they could restore any
of it with drug therapy was the only
question. Very few people actually go deaf once they start losing their hearing; if they
do, it usually takes half their lifetime. But in
my case it all happened in about six months. R &R: You stated that you hadn't allowed
yourself to get too excited in advance of the
surgery, but you sure sounded pretty excited on that first day back on the air after the
implant was activated. RL: The thing that I didn't allow myself
to get excited about was how well the
implant would work. I was told that, for the
first week, I wouldn't be able to distinguish
If there's anything that I have done that could be instructive to anyone,
it's that I stuck with what I wanted to do. I remained dedicated to my desire to do this
and was able to do so with the help of people who found ways to do It,even though
I couldn't hear. '
months. That's not really long enough for your brain to forget
how to hear or to forget what
sounds and people's voices
sound like. R &R: Is your life essen-
tially back to normal now? RL: I'm able to conduct as
much of a normal life as I want
to. I play golf, and I can talk to
people when I do. I can watch
TV, especially spoken -word programming, like news shows.
I can even watch a sporting event
with multiple voices talking at
once. I can take telephone call-
ers on the show, but, rather than listening through headphones, I
run them through the audio
processor that I wear on my
belt. It's a godsend, is what it is.
I don't expect to hear as I
used to hear. I've always known
that it was going to have an
electronic sound to it, but it
doesn't have nearly the elec-
tronic characteristics that I
thought it was going to have.
"Believe me, when you've been
totally deaf, and you
hearthlS-
the way I hear things now - coupled with my
low expectations to begin with,
it is just amazing."
l' d
going to sound like Donald Duck or like a
computer- voiced answering machine, but
people sound like they always sounded to
me. There's no question that I'm hearing them through a microphone, that's the best
Continued on Page 26
heard horror stories that everyone was
Lee
Larsen Clear Channel /Denver
When I reflect back
on last year, I am
reminded how vi-
tally important News/
Talk radio is to our
radio, everybody in this country had
breaking news available to them immedi-
ately. and they also had all of the issues of
the day being discussed by the leaders and
citizens of our country on radio. Going
forward, the challenges we face are really
no different from the ones that we face
every year, just a bit more intense. The key
to good radio has been and always will be
good people. Finding, training and reward-
ing those good people is our challenge.
www.americanradiohistory.com
GO WITH WHO YOU
KNOW
DR. JOY BROWNE
THE D O LAN S
JOAN RIVERS
JOEY REYNOLDS
DR. RONALD HOFFMAN
ENTERTAINING.
SMART.
SELLABLE.
www.americanradiohistory.com
26 R &R February 22, 2002
Continued from Page 24
EWS/TA LK
IT'S A GODSEND,
IS WHAT IT ISS
way that I can describe it to you. How I hear is different, but, believe me, when you've been totally deaf, and you hear this - the way I hear things now - coupled with my low expectations to begin with, it is just amazing.
R &R: Is there any possibility that your hearing could deteriorate again? Could it get even better?
RL: There's never any talk of it getting worse. There's nobody on record who's gotten worse. Yes, it can improve. Frankly, I didn't think it could improve from that first day - that's how good it was.
R &R: Can you do the same procedure on your still -deaf right ear?
RL: It can be done, but my doctors at the House Clinic convinced me not to, because they are still working on cures for the various causes of deafness. Their advice was that, since, at 51, I'm relatively young, I should keep my right ear available, because you destroy the inner ear to put the implant in; you will never hear naturally from that ear again.
I haven't found very many, if any, people who have had implants in both ears who say that having two made a significant dif- ference in understanding words, and that's really all you want out of this. You don't expect to hear music, you don't expect to be
able to hear everything as you once did, but you do expect to be able to participate in
conversations. And you really only need one to do that. I have no perception that sound is coming at me from the left side of my head; it sounds like it's coming from right in front of me.
R &R: Should you now, as some have suggested, become an advocate for the hearing- impaired?
RL: I have gotten some e-mails from people who have gone totally deaf who accuse me of selling out. They say that there is a deaf culture that they feel I could have done a lot for by staying deaf, learning sign language and calling attention to it. I've not been approached by anybody officially, and I have actively avoided trying to be some kind of symbol. That just isn't me. Whatever I do by sharing with people on the radio show is instructive enough to anybody who might encounter something like this.
Frankly, I don't think I've really done anything here. All I've done is allow the medical community to implant this device that was developed for people in my cir-
cumstances. The people who really deserve the credit during all of this are the support people I had, starting with my wife, Marta.
She had to write down everything she wanted to say to me for three months, and she never once complained. She had to write down most of what everyone else said too. It got to the point where we took a laptop computer everywhere we went and typed everything on a word processor.
Then there were the people at Premiere and all the people in the studio with me. They basically made my priorities, needs and desire to continue doing the show when I was deaf their No. 1 priority. They're the ones who significantly altered the way they
Last fall the conventional wisdom was that I could not continue, that I could not host a show without being able to hear. Well, I've proven that you can if you really want to and if you have a really dedicated staff around you. That's probably the lesson to be learned, but it doesn't have anything to do with deafness as a disability. I never looked at it as that; I looked at it as some- thing that happened to me that had to be dealt with. When it's something that you can't avoid in life, it need not stop you from doing what you want to do if you have the
passion and desire to do it. But I
certainly don't think I'm the first person to ever demonstrate that.
R &R: Let's move on to some cur- rent issues. Enron - your thoughts?
RL: I've been treating the Enron thing as though people are affected by it and as though I've got to per- suade them that it's not what the liberal Democrats in the country want you to think it is. But I don't have to, because, frankly, there aren't a lot of people out there all that worked up about it.
R &R: Even with Enron and the sluggish economy, President Bush continues to see high job -approval ratings. Why?
RL: It's because he's a decent, nice, honest guy. To people who are watching what goes on in Washing- ton, he really has brought
e tLast fall the
conventional wisdom was that I could not continue
that I could not host a show without being able
to hear.weii,i've proven that you can
if you really want to and
ifyou have a
really dedicated
staff around you.
did their jobs in order that I could continue to do mine. So, I don't know of anything I've done that would qualify me to be a
symbol for anything. R &R: Last October you said that you
couldn't imagine not doing your radio show and that you were committed to continuing. What kept you motivated, considering that all this had to have been pretty distracting and time -consuming?
RL: I could have quit and retired and told myself, "OK, it's been a good run. I've got the means to sit back and enjoy it, so, what the hell, why not quit ?" But what I really did was rediscover how much I love doing this and how much I want to continue to do it. It
was a re- energizing event, almost a rebirth. If there's anything that I have done that could be instructive to anyone, it's that I
stuck with what I wanted to do. I remained dedicated to my desire to do this and was able to do so with the help of people who found ways to do it, even though I couldn't hear.
a new tone to things. He's risen above poli- tics. What Bush is doing
is seen by people in this country as being real and necessary. Everyone carping at him just looks political. People are fed
up with the traditional ar- gumentativeness of politics in
general, and, if you watch Bush, he doesn't participate in it.
R &R: Even his critics have praised his performance since Sept. 11, 2001, but you've said that you are not surprised by it.
RL: No, not at all. What I was
surprised by was the way he was during the campaign. I first met him back in 1992, at the White
House, and he was confident and
cocky in a positive way. During the campaign he did all this self - deprecating stuff, and it was not the guy I knew.
The Bush who has trans- formed since becoming presi- dent has been a welcome sight
to me. I've always known that he is not some bumbling lightweight or intellectually va-
cant fiat boy. The fact that he is honest and has a tremendous amount of decency and integrity about him, that's what I am not surprised by.
R &R: Any bets on the Democratic front- runner in 2004?
RL: I have no feel for who could win it
now; we're too far out. Heck, I blew my prediction on the Super Bowl a couple of weeks ago, so what do I know?
R &R: Speaking of football, there was much speculation a year or so back that you would join the ABC Monday Night Football broadcast. Do you still harbor a desire to
contribute to the NFL in some way in the future?
RL: I really don't know what that role might be, but I think what's missing in
football broadcasting is what I'd call the "Cosell -ian Factor." I don't think there are
any announcers out there today who can make you sit through a game that's not any good like Howard Cosell could. I don't mean that as a slight to anybody, because TV isn't looking for that; it's looking for workmanlike analysts and cookie -cutter anchors, much like they have in TV news. When you talk about colorful, flamboyant personalities in
the booth today, John Madden is just about it. It's the entertainment value that Cosell brought to the broadcast that's potentially what I have to bring to it.
PEN MIKE Drew Hayes
BBM -AM /Chicago
ept. 11, 2001 changed
the way Americans live - 43t least for the intermedi-
ate term. We've become
more guarded, more in-
sular and more wired into
world events. Radio has provided instant,
portable access to information for a public
anxious for news that might provide insight and
security. As America's war on terrorism con-
tinues, stations programmed to serve the core
information needs of listeners - and that have
a track record of doing so - will prosper. As the
economy improves and the "good guys" prevail
over the "evildoers." stations that reflect the
changed needs of their listeners will become
relied -upon parts of those listeners' changed
lives.
www.americanradiohistory.com
The G. Gort Liddy
IRr MUM
L A U R A (NGRAHAM
So,
RIM" is SHOW
JÌM
B.ÖUA%NON America in the MORNING firstlight
r WESTWOOD ONE
OR VISIT
vi
www.americanradiohistory.com
Peons AQH Summer FaR Increase
WDBO - Orlando 12 +: 5.9 6.7 14% 25 -54: 2.3 10.1 339% 35 -64: 4.4 153 248%
KFAB - Omaha 12 +: 4.6 10.7 133% 25 -54: 3.5 11.3 223% 35 -64: 4.5 17.4 287%
WLAC - Nashville 12 +: 3.4 4.5 32% 25 -54: 2.6 5.6 115% 35 -64: 3.8 63 66%
WNIS - Norfolk, VA 12 +: 3.8 4.1 8% 25 -54: 4.1 4.5 10% 35 -64: 5.3 7.7 45%
KSTE - Sacramento 12 +; 2.8 3.8 36% 25 -54: 3.2 4.5 41% 35 -64: 2.9 5.1 76% WFIR - Ronoke/Lynchburg
12 +; 2.0 6.0 200% 25 -54: 2.4 4.1 71% 35 -64: 4.5 6.5 44%
Persons AQH Summer Fall Increase
KSFO - San Francisco 12 +: 5.3 6.9 30% 25 -54: 3.9 6.0 54% 35 -64: 6.0 7.5 25%
KDWN - Las Vegas 12 +: 2.3 4.2 83% 25 -54: 1.6 3.9 144% 35 -64: 1.9 5.6 195%
KVI - Seattle/Tacoma 12 +: 2.3 3.6 57% 25 -54: 3.2 3.3 3% 35 -64: 3.5 5.0 43%
KKOH - Reno 12 +: 7.5 6.9 -8% 25 -54: 2.0 7.9 295% 35 -64: 5.8 9.2 59%
KLIF - Dallas/Fort Worth 12 +: 0.5 1.1 120% 25 -54: 0.5 1.9 280% 35 -64: 0.7 1.9 171%
WSKY - Gainsville 12 +: 3.7 11.4 208% 25 -54: 4.0 13.6 240% 35 -64: 72 14.7 104%
More Success Stories...
Persons
00 mer Fail Increase
KHVH - Honolulu 12 +: 2.7 5.9 119% 25 -54: 2.5 3.7 48% 35 -64: 3.9 7.9 103%
KXL - Portland 12 +: 2.9 4.1 41% 25 -54: 1.7 3.1 82% 35 -64: 3.3 4.3 30%
WOKV - Jacksonville 12 +: 2.7 4.1 52% 25 -54: 2.3 6.4 178% 35 -64: 4.1 5.0 22%
KERN - Bakersfield 12 +: 3.2 5.9 84% 25 -54: 2.4 5.6 75% 35 -64: 6.4 11.0 72%
KNSS - Wichita 12 +: 2.4 4.3 79% 25 -54: 1.3 4.3 231% 35 -64: 2.2 4.0 82%
KMJ - Fresno 12 +: 7.9 6.5 -18% 25 -54: 2.6 8.7 235% 35 -64: 8.4 13.0 55%
25 -54 Persons KPLS, Los Angeles WTNT, Washington, DC WWTC, Minneapolis WAPI, Birmingham
Up 100% Up 300% Up 83% Up 1500%
35-64 Persons KPLS, Los Angeles WTNT, Washington, DC KBTK, Albuquerque WWTC, Minneapolis
Up 167% Up 200% Up 64% Up 133%
Nominated for Syndicated Talk Show Host of the Year
ork.com
The Fastest Growing Sho in Talk Syndication Histor
888- 383 -3733 www.americanradiohistory.com
:-
[NEWS/TA
WHAT'S NEXT FOR
YOUR MONEY? Things to do now to protect your job and your finances
There is no question that the events surrounding Sept. 11, 2001 had an impact
on nearly all aspects of our lives, including the financial and job markets.
Few would dispute that the U.S. economy
took a direct hit from the terrorist attacks, but WOR Radio Network financial talkers Ken
and Dania Dolan say that the origins of our
present economic slowdown can be traced
even further back than September. "The
attack on Sept. 11 was a terribly traumatic
event, and it certainly didn't help things
economically," says Ken. "But a lot of the
problems with the underpinnings of our
economy were happening way, way before
Sept. 11."
Although cautionary in his assessment of near -term economic progress, Ken remains
fairly optimistic about things a year down the
road "I think it's going to be a very tough time
for the radio business in the near -term," he
says. "Clearly, we in the radio business
depend on the economy being a whole lot
stronger than it has been, and I am of the
opinion that the economy will not rally until, at
the earliest, the end of 2002. I think it is going
to be very challenging for all of us until then."
What Happened?
Commenting on whether George Bush
should get the blame for the slowdown or the
credit for any recovery this year, Dania says,
"No president ever elected can, on his own,
dictate where our economy is going, and for
that we should all give thanks. The economy
tends to work on its own, no matter who is in
the White House. It was on its way down
while Bill Clinton was still in office, and that
decline has continued since George Bush took over."
Dania says that the roots of the current recession date back a couple of years ago.
"The economy went into the tank in 2000
from the standpoint that the average American was losing money in the stock market at that point," she says. "The events of 2001 just exacerbated that problem."
A frequent critic of recent interest -rate cuts, Dania is characteristically blunt in her
assessment of whether Federal Reserve
Chairman Alan Greenspan has lost what
seemed to be an almost magical aura that
surrounded him during the booming economy of the 1990s.
"In my opinion, Greenspan never had it,"
she says. "He was never a sterling money
manager, by any means, and it was the
strength of the Internet and the dot -corn
bubble that made people believe he was
Ken and Daria Dolan
some kind of god who could pilot this
country through any kind of waters and
bring the boat ashore. The downward economic spiral will certainly be exacer- bated by some of this boneheaded lowering of interest rates."
Ken cites a recent Wall Street Journal article as one example of why he, too, thinks the numerous interest -rate cuts have not had a
positive impact on the economy while having a negative effect on America's burgeoning senior population. "Interest rates were dropped
ten times in the year 2000, assumedly to make borrowing cheaper for economic expansion," he says.
There are still that will keep you on the air:
only two things
ratings and revenues. I suggest that you leave your ego at the door and get into the trenches. 7
Ken _Dolan j
"Well, guess what: People didn't borrow,
it didn't expand, and millions of AARP
members saw their annual incomes cut in
half. It didn't work, and now seniors are
getting it both ways: The economy is down,
and their personal income is also down."
Protect Yourself
In a tight job market, when it comes to
planning your financial future, job one, say
the Dolans, is to keep your job. "The people in our industry - those who are in their 40s
and 50s, whether they are in programming, sales or on the air - need to reinvent themselves constantly," says Dania. "You
need to pick up new skills to help make
yourself the person management always sees
as someone who is on top of the situation as it
is today. "You need to constantly develop new
skills. You cannot simply do your job the
same old way you have done it for the last 20
years and survive a soft job market. You are
either going to be innovative, or you are
going to be gone." Ken echoes that sentiment, adding, "Learn
the jobs that nobody else wants to do, and do
them. If you're on the air, learn to work much,
much more closely with your sales reps. Bring
them ideas. There are still only two things that
will keep you on the air: ratings and revenues.
I suggest that you leave your ego at the door
and get into the trenches." In today's world, tapes are out and
networking is in when it comes to finding a
new job say the Dolans. "In today's business
environment, you simply have to do more
networking," says Ken. "Stop sending out a bunch of tapes and just looking for work. Join industry associations, read things like R &R, and get yourself involved in the whole business.
"Constantly talk to people out there who can help you not only find work,
but also do your job better. Remem-
ber, being in radio is like being a
baseball manager - every day you are on the job is one less day that you're going to be there."
In an era when traditional values are
once again "in," the Dolans offer
some advice for keeping your job that seems not only traditional, but downright quaint. `Be honest and
dependable, and take responsibility," says Ken. "If you're still one of those people pointing a finger at someone else when something isn't going right, get over it.
"Honesty, discipline, relevance and
responsibility have never been more important. There's been a lot of jive in
our business and other businesses in
the past few years, and 2002 is the
February 22, 2002 R &R 29
year for individuals to step up to the plate
with a renewed focus on honesty, depend-
ability and responsibility in the workplace."
Secure Your Financial Future
Asked for their No. 1 tip for radio
professionals looking to secure their finan-
cial future, both Dolans reply in well -
practiced unison, "Get out of debt!"
Adding that this is no time to keep up with
the Joneses, Dania suggests that the oft -given
advice by our politicians these days to go out
and spend is not really a good plan for a lot of Americans. "The average worker doesn't have a whole lot of extra to spend right now," she says.
"Many are little more than one paycheck away from bankruptcy. You are far better off securing your family's future by being debt -
free than by going out and spending more
than you have on goods and services, trying
to save the economy."
Another simple tip that is often overlooked,
says Ken, is tracking your spending. "If you
run out of paycheck before you run out of week, you need to identify how you are
spending your money by tracking it for a week
or two," he suggests.
"Attaining financial security in any business - but especially the radio business - is an
elusive but attainable goal. Set your goals now
and begin to take action. You'll be a much more
effective and successful radio professional if your family's money situation is under control.
But the longer you wait to begin working
toward your goals, the more difficulty you will
have reaching them."
OPEN MK Kipper McGee WDBO/Orlando
Winston Churchill
once said, To im-
prove is to change. To
be perfect is to change
often." 2002 will con-
tinue our century of change. Listener lifestyles,
attitudes and values are dramatically different
(especially after Sept. 11, 2001), and savvy
News/Talk folks will need to anticipate and
program to those changes. The skill set
required of all players continues to evolve. On-
air talent, especially on the local level, must
learn PR and working the crowd, as well as
working more closely with the sales team if they
aren't already. News people. as well as board
ops and producers who don't create Internet
content along with audio, better learn how.
because in 2002 anyone who says, "That isn't
my job," may well be right.
1
www.americanradiohistory.com
30 R &R February 22, 2002
- - -- ._NEWS /TALK
WHAT'S NEXT FOR
FM TALK? Is nonserious Talk radio less relevant in the post -9/11 world?
In the wake of the attacks of Sept. 11, 2001, a number of industry pundits suggested that one result would be an increased interest in traditional issues -oriented Talk at the expense of entertainment- focused FM Talkers.
With that in mind, I spoke to a number of sure what you're talking about is what two prominent players in the world of entertain- best friends in your target would be talking ment Talk radio - a.k.a. FM Talk - to get about. their thoughts on this debate. The question "If two best friends in your target posed to each was "Are FM Talk stations, audience would be talking about terrorism those that target young males with content or where bin Laden is hiding over lunch, heavy on sexual topics and risqué humor, you'd better be talking about that. We've less relevant today than they were on Sept. never recommended that a station that 10, 2001 ?" As you might expect, no one on wants to target a 30- year -old guy should our panel answered yes. In fact, these true only talk about girls or strippers. What believers are convinced that "Hot Talk" is we've said is that you must know that 30- hotter today than ever. year -old guy so well that your air talents
reflexively talk about what he's talking about on any given day.
"In September and October 2001 the attacks were pretty much what any two 30- year -old best friends would've talked about. For that matter, it's what any two 80- year -old best friends would discuss. The key to doing Talk successfully on FM or AM is knowing what your audience wants to talk about and then doing that."
Sabo doesn't see it as an us vs. them thing when it comes to traditional Talkers competing with entertainment -based Talk. "To a 30- year -old, what's being talked about on a traditional 55 -plus Talk station is not less interesting because it's more serious, it's less interesting because it's completely unimportant to him," he sug- gests.
"Conversely, to a 60- year -old guy, what is usually being discussed on a Talk station targeting a 30- year -old will always seem frivolous, because it's not relevant to him.
So, before and after Sept. 11, it's not about one approach being more or less relevant than the other; it's about talking to the audience you want to target with topics and content that they want to talk about, period."
Know Who You're Talking To
Sabo Media President/CEO Walter Sabo is widely credited as one of the earliest
proponents of talk programming on FM. The veteran broad- cast executive has
consulted numer- ous young- demo -tar- geted Talkers and has heard all too many premature re- ports of the format's demise.
Sabo suggests that those who doubt the format's relevance
really don't understand what makes it successful. "If a station is targeting an 18-
year -old, or a 30 -, 40- or 50- year -old, our advice is to know your audience better than any other medium in town," he says. "Make
Walter Sabo
Far from making it less relevant, l feel
that the strongly events of Sept. 11 actually helped FM
Talk show just how
much more
It is than its critics would like to believe.
Jack Silver
relevant
More Relevant Than Ever
KLSX/Los Angeles PD Jack Silver has long been one of FM Talk's most vocal cheerleaders, and the events of Sept. 11 have not dampened his enthusiasm. "The people suggesting that FM Talk is
somehow less relevant after Sept. 11 are the same ones who have been on the receiving end of the charge that AM Talk radio is dead as a result of aging demographics," he says.
"They finally have a little ray of sunshine - albeit, because of a
terrible tragedy - to make them think their radio stations are going
to be revitalized. Did the events of 9/11 help traditional Talk stations, whose average listener is 55 -plus? Yes. Does that gain have anything to- do with a death knell for entertainment -based FM Talk. radio? Abso- lutely not."
Silver bases his opinion on the fact that most FM Talk stations share very little audience with their AM Talk counterparts. "Did [Los Angeles Alternative] KROQ stop playing Blink -182 and Limp Bizkit to do
continuous Osama updates after Sept. 11 ?" he asks. "Of course not. Is it still as viable as it was on Sept. 10? Yes.
"To say that FM Talk is somehow less relevant today than it was only a few months ago is
just some program- mers reaching for straws to try to prove
that somehow their stations, which had very little relevance before Sept. 11, gained new relevance from those events. I'm not buying it."
In fact, Silver believes that the events of Sept. 11 gave new credibility to FM Talk stations, especially with regard to its personalities. "Howard Stern - who was at ground zero during this tragedy - was quite simply amazing," he says. "Nobody on any radio station in America was more relevant than Howard Stern through it all. In addition to raising millions of dollars for relief efforts, Howard did some of the most com- pelling radio I have ever heard. That goes for Tom Leykis, too, who was on the air live all that day and then did multiple extended live shows for days after Sept. 11.
"When all was said and done, I believe that FM Talk stations rose to the occasion. They adapted to talking about the issues that people needed to discuss, they helped raise money, and they gave listeners a place to vent. But they were also among the first to realize that the world was still revolving in the days after 9/11 and that it
was time for all of us to get back to some degree of
Jack Silver
normalcy in our lives and to talk about other things.
"Far from making it less relevant, I feel strongly that the events of Sept. 11 actually helped FM Talk show just how much more relevant it is than its critics would like to believe."
The Advantage Of FM Talk Hosts
Westwood One syndicated personality Tom Leykis echoes Silver's sentiment, saying that there's a key reason that FM Talk stations were relevant to listeners during and after the events of Sept. 11. "Just like music stations, we provided an escape from the nonstop drumbeat of bad news," he says. "Like music radio, we're an entertain- ment format. No- body ever asks if music radio stations are less relevant af-
ter 9/11, so why is
FM Talk any differ- ent?
"Sure, right after Sept. 11 we all changed, to a certain extent, what we normally do on -air. I did eight straight hours on the air that day, and we were not `blowing people up' or signing racks; we were giving people information
Continued on Page 32
Tom Leykis
PEN MIK Rob Balon
The Benchmark
Company
I've heard many pro-
grammers expressing
the fond, if unrealistic,
hope that the events of
Sept. 11, 2001 would
revive issue-oriented Talk radio among adults
under 40. Based on what we've seen, that didn't
happen. As the baby boomers age, Talk formats
on both AM and FM, but particularly on AM. are
about to go through seismic changes. Those
entities that propelled Talk through its great '90s
growth spurt have left office, faded away or just
gotten old. Rush no longer has Clinton as his foil,
and the show doesn't have nearly as much bite.
And if Rush slips. what's to become of the not
nearly as talented Rush clones who dot the Talk
radio landscape. What's next, indeed.
www.americanradiohistory.com
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32 R &R February 22, 2002
WHAT'S NEXT FOR
FM TALK? Continued from Page 30
and a place to vent and trying to find fresh angles on events for our audience."
Unlike many entertainment -oriented talk hosts, Leykis had a long career in traditional issues -based Talk before making the transi- tion to FM Talk. "I come from a News/Talk background," he says. "That gave me a leg up on a lot of people who do this format, because I can credibly do a serious talk show.
"We did about eight or nine pretty serious days in a row before we decided to try a few lighter things to see what the reaction would be. Because after about a week or so, I was beginning to have the same problem that traditional News /Talk
John and Jeff
stations have: figuring out how to talk about the same story over and over with little or no new information or angles.
"One of the biggest strengths of this format is that we can be serious when we have to be, but we're not locked into talking about the front page of the newspaper. When the front page is the attack on the World Trade Center, that's the best day for any talk host to be on the
"One of the
biggest strengths
of this format is
that We can be serious when
we have to be, but we're not locked into talking
about the front page of the newspaper.
Tom Leykis
radio. But when it's about some appropria- tions bill, that's when traditional News/ Talk hosts are left scratching and those of us in FM Talk have someplace else to go."
Deciding When To Move On
In addition to the confusion and discomfort that many hosts felt that September day, Fisher Entertainment syn- dicated hosts John and Jeff found them- selves in the unusual situation of being on opposite coasts and in separate studios when the tragedy struck.
Speaking for the duo, John Boyle says that, despite that, the pair felt comfortable and knew what they had to do once they got on the air. "You didn't have to be a terror- ism expert to have an opinion on what was happening or to offer a place for people to vent on the air," he says. "It's amazing to me that anyone could think that the 20- or 30- year -old listeners who make up most of FM Talk's audience could not have an intelligent opinion or discussion about the events of 9/11. You don't have to be 70 years old to have an intelligent opinion."
How did Boyle and his partner know when it was time to get back to normal content? "It was ac- tually pretty easy, if you just followed the listeners," he says. "After about three weeks we were beginning to notice that there were fewer and fewer original opinions coming from the audience. Jeff and 1 are in the demos, so we always strive to do a show that we would listen to.
"To some extent, this was like any other topic we pick to discuss. As a host, you have to have a sense of what's going to work and what's going to interest your listeners. You also have to have a sense of when it's the right time to move on. President Bush even said after a few weeks that it was time for us all to get back to our normal routines, and that's what we did."
Getting Back To Normal
WTKS -FM (Real Radio) /Orlando Pro- grammer Chris Kampmeier presides over a
station that has become one of FM Talk's most consistent winners. In fact, Real Radio saw its best numbers in a year in the fall 2001
Arbitron. The station's 7.4 12+ share was good for an overall second -place finish in O- Town, besting both of its traditional AM Talk competitors, Cox's WDBO (5.4) and co- owned Clear Channel Talker WFLF (2.4), by a substantial margin.
Chris Kampmeier
Kampmeier doesn't seem particularly surprised by those results. "From what I've seen, radio -listening patterns got back to normal pretty quickly after Sept. 11," he says. "One needed only to listen to the chatter in the halls to know that most people
weren't talking about America's war ef- fort all the time.
"It makes sense that listeners to tra- ditional News /Talk stations are those who are most inter- ested in the war story. But here in the entertainment world, where most radio stations exist, including younger -
targeted FM Talkers, on -air content has been back to normal for quite a while."
Because traditional News/Talkers were focused on getting and delivering the news aspect of the story, Kampmeier says Real Radio was able to be clearly different and provide a much -needed outlet. "The Real Radio formula may be out of the box, but it is not complicated," he says. "We take the same elements that make funny and enter- taining morning shows and do them in other dayparts. By 9 or 10am we are the only radio station that is doing funny - and funny always wins."
A Network Perspective
Westwood One VP /Affiliate Sales Den- nis Green says that, while Sept. 11 did change some things at radio in the short term, the long -term effects may not be as dramatic as some had predicted. "Without question, 9/I I changed the face of radio in the days and weeks after the attacks," he says. "What it will not do is change the depth and scope of FM Talk in the long run.
"While the numbers show that the format lost some of its over- all market share in the fall, FM Talkers still ranked at the top of the charts with audiences across the country in the format's key demographics -men 18 -34, 18-
49 and 25 -54." Green cautions that those
stations that might consider changing their approaches in the wake of Sept. 11 would do well to think twice. "What people throughout our industry have to realize about the FM Talk listener is that this audience is
extremely loyal," he says. "Ad-
Dennis Green
iiBy9orlOam We are the only radio station that
isdoingfunny - and funny
always Wllls.' I Chris Kampmeierl
vertisers that want to reach those listeners understand that. They will remain satisfied with the results because of that loyalty. Don't change the philosophy of the format; give the audience and the advertisers what they want."
Green agrees that the format's talents truly rose to the occasion when America came under attack. "I was never more proud to be associated with FM Talk than in the days after Sept. 11," he says. "Our talent did a fantastic job of reaching out to listeners across the country and handling the crisis in a professional manner. There was a maturity and focus that FM Talk talents do not always get credit for having that was evident both in how they handled the crisis and in how they knew when to get back to making listeners laugh on a day -to- day basis."
PEN MIK Erik Braverman KABC /Los Angeles
The biggest challenge
in the year ahead will
be to retain some of
the new audience that aiirAi has discovered our format since Sept. 11.
2001. With the events of the world and a
tough economic outlook domestically, now
more than ever listeners need a radio
station to 1) inform them and 2) entertain
them. The biggest opportunity I see is to
introduce new people to the AM band and
our format. people who are seeking news
and more in -depth discussion that they just
can't find on the FM dial. If just some of
these new people start to give our format
quarter -hours of listening, it will benefit all
of us in the long run.
www.americanradiohistory.com
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WESTWOOD ONE CONGRATULATES
CHARLES OSGOOD RECIPIENT OF THE R&R NEWS/TALK
LIFETIME ACHIEVEMENT AWARD
THE OSGOOD FILE
[cHAREs»p]
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CBS RAI)IO
CALL 2 I 2.64 I. 204 I OR VISIT
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.............. _. _.................... _.... ...............................................,
EWS.. TALK' February 22, 2002 R &R 35
NEW RULES FOR
STATION SECURITY Could your station or personalities become a target for terrorists?
It used to be that a black -and -white camera from Radio Shack transmitting a fuzzy video
image of your station's front door and a doorbell with a flashing light in case the mike was open
were considered state -of -the -art security at most radio facilities. Those days are long gone.
The need for security at your offices and studio facilities has never been more real than in the post -Sept. 11, 2001 environment. While no station or format is immune to the potential of being targeted for a criminal act by a disturbed individual or an extremist group, the very nature of our format and its controversial hosts puts Talk stations at even greater risk than other facilities. For that reason and many others, reviewing the security of your station's computer and physical facilities on an ongoing basis is a
must in today's uncertain world.
A Sense Of Security Since Sept. I I most Americans have a
reduced sense. of security. While only the naive would suggest that a sense of total security is possible, people still want to feel that their families are secure at home and that their loved ones are going to work each day in a security- conscious environment. With that in mind, I asked Dan DiPaola, Chief Technical Officer of Los Angeles' High -Tech Digital Security, to suggest a
few cost -efficient products to help you make your people and facilities safer.
A former systems designer in the entertainment industry, DiPaola, following the events of last September, turned his energies toward developing systems and strategies focused on homeland security. While security is certainly not free, DiPaola believes that it's something that can be
affordable to all.
"Most of the clients we talk to are tired of being overwhelmed and intimidated by the thought of building a security system," he
says. "Our motto is `No Techwhanese, just plain English.' I want to demystify all the mumbo -jumbo and give folks a bottom line on what's available and affordable out there today. lt's a matter of teaching people as
much as possible, then allowing them to make an educated decision based on our findings."
DiPaola says that, unlike security systems of the recent past, most of today's hottest technologies are becoming more affordable and much easier to administer. "Security systems are being built using the same machines that we do our word processing on," he says. "More than ever, security systems are designed around extremely reasonably priced CPUs."
He also says that some of those really cool systems we saw years ago in old James Bond films are now a reality. "We are just wrapping up a complete mobile control center that secures a perimeter, all
from a briefcase," he says. "Celebrities and
Dan DIPaola
other high- security -risk individuals - like controversial talk hosts - need assurance that they can hit the road and feel secure and that it's as simple as packing a laptop."
The Bio- Threat While "007" gadgets may appeal to
some, DiPaola says he finds that biohaz- ards remain a high concern for many businesses and municipalities that he's spoken to lately. With a combination of sales -pitch bravado and what seems to be sincerity and honesty he asks, "Are you ready for the next madman to deliver a
silent killer ?" To that end, DiPaola is marketing an
escape hood and respirator that provide rapid protection against chemical and biological warfare agents. "It's a very simple device that you pull over your head just like a ski mask and then adjust to create an airtight seal," he
says. "One size fits all, and the hood exceeds U.S. Army requirements. The typical amount of escape time that you can gain from use of the hood varies from 35 minutes to four hours. It's a compact and lightweight unit that can be worn on your belt. Beginning as a
standalone device, it sells for about $175 and goes all the way up to $350, which includes four hours of training, gloves, etc."
Since the discovery of Legionnaire's disease, we've learned that toxic air ema- nating from a building's heating and air - conditioning system is a real threat with potentially deadly consequences. "Along with the bio -hood kit, we are also selling and installing biochemical detectors for the ventilation systems in your office," Di Paola says.
"When a foreign chemical has been
detected in your HVAC, this device automatically shuts down all fans and
blowers before the contaminates can be pumped throughout your building. We also
offer hand -held bio- detectors that can sniff out anything from methamphetamine to
anthrax. These offer you a good way to check out the mailroom or any other areas that you feel may have been contaminated or are at risk."
Computer Virus Threats DiPaola says that the best offense when it
comes to computer viruses is a very basic defense. "Back up your machines daily," he
suggests. "This is a simple routine, the goal of which is never to lose more than one day's worth of work.
"And since most of the viruses out there today focus their energies and destruction on
Microsoft Windows, Word and Outlook, we
often tell clients who want to be operational 24/7 - even during one of the major virus alerts -that they may want to have an Apple computer somewhere in the office. Assum- ing that a virus infects even one of your PCs,
since Macs are rarely affected by them, you'll still have the luxury of being able to
send and receive e-mail and do many of those other necessary computer tasks that we've all
acquired in recent years." In today's consolidated radio business,
sharing information between regional cen-
ters and corporate offices has become more
important than ever. To do
this, many groups are taking advantage of VPN - virtual
private networking - which
allows you to use the Internet for secure, private communi- cations among partners, re-
mote offices, telecommuters
and even traveling employ- ees.
"One of the biggest vul-
nerabilities of your office's online network is the poten- tial for unauthorized users to
get access to it," says Di- Paola. "Effective firewalls that can keep strangers off your office network and VPNs start as low as $500. One solution we've found is
called WatchGuard VPN Solutions. Its innovative, ap-
pliance -based WatchGuard Firebox System delivers in-
tegrated firewall protection and VPN support. lt's easy to install and can be securely managed from a central lo-
cation anywhere on the Internet."
Do It Yourself
For do- it- yourself types, DiPaola says that many effective security tools can be installed easily by those with limited technical expertise and that many such devices cost less than $100. "Do you remember those guys who made the light - switch device that would work with the same clicker that opened your garage door ?" he asks. "Those same people are now building some of the most affordable `snoop cam' systems on the market."
Want to monitor your office with surveil- lance cams without running a single video wire? "We've found this to be the best home and office solution out there, and it's amazingly affordable and easy to install," says DiPaola. "In about two hours you can have your whole office up and running live on the Internet. We call this system, `Look, Ma, No Wires! "'
Although DiPaola says this can be an
effective option, he considers it to be a
temporary fix. "It's a very simple system to
install, but it's vulnerable to many security breaches," he cautions. "So, while it is a
good quick fix, it's still not reliable enough to trust your business to on a permanent basis."
For more information, contact DiPaola at 818- 842 -3035 or by e -mail at dan@htds.net, or find out more at www.hi- techdigital security.com.
Ho land Cooke McVay Media Alliance
While Talk radio is beating
Rush Limbaugh's material to
death, young people carry
cell phones the way baby
boomers toted transistor
radios. Our talk isn't relevant, so they chat without
us. Our commercial quality often disserves
advertisers with spots that are sound -alike and
cliché- ridden and that don't project benefits. We
accept ads that no parent with children in the car
would listen to, and some stations are even stupid
enough to accept XM ads.
Meanwhile, staffing cutbacks have systematically
trained listeners to find information elsewhere.
Research affirms that Sept. 11, 2001 was a television
event - ask people, "Where were you when you
heard ?" and they'll tell you how quickly they found a
TV. Radio's farm team? College stations are signing
off, and that overnight show that was a boomer's
entry-level job is now syndicated. Still, because many
stations are so shoddy, any station that makes the
effort to be useful and relevant will be conspicuous.
www.americanradiohistory.com
36 R &R February 22, 2002
--- N E W S / T A L K
NEW KID ON THE BLOCK Finding out who he really was led this host to Talk radio
If you're a talk host looking to make a name for yourself, there are few better ways to do it than to get yourself mentioned by the CEO of the world's largest radio company in front of an audience packed with News /Talk radio managers and program directors.
That's exactly what happened at last year's R &R Talk Radio Seminar when Clear Channel Radio CEO Randy Michaels singled out the talents of WFLA/Tampa talk host Glenn Beck during his keynote address to TRS attendees. Now, just one year later, Beck's daily show has been rolled out in national syndication by Premiere Radio Networks and is being heard on more than 50 affiliates nationwide.
Beck developed a decidedly different approach to Talk radio stemming from his more than 25 years in broadcasting, mostly as a CHR jock for major stations in cities including Houston, Washington, Phoenix, Baltimore and New Haven, CT. But the constrictions of the tight Top 40 format almost caused an unhappy Beck to bail out of radio until he found a home at Talk, where his maverick style, laced with wit, sarcastic bite and honesty, was welcomed with open arms.
With the ink now dry on a major network contract and more than a couple of friends in high places singing his praises these days, it would certainly seem that the 38- year -old Beck is poised to be an answer when broad- casters ask, "What's next at Talk radio ?"
R &R: Did you really get started in radio at 13 years old?
GB: I won a contest at a station in Mt. Vernon, WA. Imagine what kind of budget this station _ must have had when their
contest prize was an hour on the air. I was terrible, but I managed to turn it into a job
Glenn Beck
running tapes and reading news and stuff like that. When I was about 15, I was hired as a weekender as part of the original staff at KUBE /Seattle, where I got to work with Charlie Brown and Michael O'Shea, who were both were instrumental in shaping my career. Michael taught me a lot about the business of radio, and Charlie taught me a ton on the entertainment side of the business.
R &R: After a couple of decades of success in CHR, you basically walked away
from it all, right? GB: Yes. Even when I
was at the age that I was supposed to like Top 40, I
always felt like I was just sort of faking my way through it. So I decided to go back to school and take - and I don't know what the hell I thought I was going to do with this - theology, of all things. I didn't know what I was going to do with my life at that point. I just knew I couldn't be a CHR jock any- more; it wasn't who I really was.
R &R: How did you make the transition to Talk radio?
GB: While going to school I started doing this stupid little once -a -week talk show on WELI/New Haven, CT that they were nice enough to let me do. Ironically, I'm
l really believe that the only thing
that's left to say that
is truly shocking in any medium, or
just across a table, is to tell somebody exactly how you feel,
what you think and the truth as you perceive it.
now back on that station in syndication. I
got a call from [WABC/New York OM] Phil Boyce asking me to do some weekend fill - ins for them
Using all my years of training as a morning guy, I went in there to do a show with a ton of material. My producer, Stu - who is still with me - said I had prepped about six shows' worth of stuff for that one show. At the end of the first hour I looked up at the clock, and I had not used one single piece of material that I'd brought with me. That's when I realized that this is what I
should've been doing my whole career. R &R: You'd been a major- market CHR
morning personality, achieving ratings and financial success. Why were you so dis- illusioned?
GB: Even though I'd been fairly successful up to that point, I never really felt like I fit in radio. I always thought that radio was something where you told people what they wanted to hear and gave them what they thought they wanted. That night I found out that's not the secret to good radio. Good radio is being who you really are, rolling the dice and being confident enough to realize that, if listeners are going to hate you or love you, they're going to do it for who you really are and not for some act you do.
So, even though I'd had success at CHR, it never seemed real; it was all a formula. That night, along with some other events in my life, led me to the principle behind the talk show that I do now. I really believe that the only thing that's left to say that is truly shocking in any medium; or just acrdss a table, is to tell somebody exactly how you feel, what you think and the truth as you perceive it - that's it. Everything else has been said already.
R &R: For the uninitiated, can you describe your show?
GB: When you listen to this show, it's going to sound different from most talk shows. Everything about the show, including the phone calls, are production pieces. For example, the average time that we spend on the air with a caller is 37 seconds. Frankly, the show might even scare some trad- itional programmers, be- cause they have not heard a
talk show produced this way.
R &R: You are a conser-
vative, but this is not a political talk show, right?
GB: Not at all. When was the last time you went to a party with friends or sat around with your family and only talked about politics or only talked about funny stuff or only talked about serious stuff? People are three- dimensional. Conversa- tions have many facets, and that's what this show is all about. It's like real life, where you can be sitting around the dinner table and go from laughing hard about something to reminiscing seriously, in a heartfelt manner, about Aunt somebody, who just passed away. Those transitions can happen back to back, lightning -fast. That's real life, and that's what we do on this show.
R &R: What's something you 'd like read- ers to know about this show?
GB: I tell people that you need to listen to this show for eight weeks to get it. Because one day you'll tune in and hear something, and you'll say, "Oh, I get it; it's this!" Then the next day you'll tune in, and it will be something completely different. To me, it's like the difference between handing some- one a picture and saying "Here is what my family is all about" vs. handing them a photo album. If you look through the whole album, you'll find out that a family is usually a lot more than what you can get from one picture. That's what our show is like; you have to listen more than once to really get what it's all about.
Ken
Charles KTRH -KPRC /Houston
Our biggest continuing
challenge is coping with
consolidation - finding
new ways to partner our
New /Talkers with co-
owned stations, using our talent pools across
multiple formats and utilizing our nonradio co-
owned partners to create more power for our
clusters. With new resources and opportunities comes the challenge of recognizing them as a
positive, then utilizing them to create great radio
that will create greater revenues. Too many
people are fighting change in our industry. The
companies that will thrive in 2002 and the people
who will succeed will be those who embrace the
new environment, think out of the box, forget the
old rules and find new ways to do what we do
every day: create great products.
i
www.americanradiohistory.com
HEARD HOURLY ON 1010 WINS, NEW YORK CIiY)
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www.americanradiohistory.com
38 R &R February 22, 2002
1..N_ E W.._S _T.A LK.';
ABC RADIO'S
RISINGSTAR Sean Hannity is poised for success as part of Talk's next generation
In an April 1998 interview with R &R, WABC/New York OM/PD Phil Boyce described talk host Sean Hannity as "smart, passionate and entertaining -a fearless warrior who won't shy away from debating anybody." But it was Boyce's additional comment about his station's afternoon drive host that now seems prophetic: "I think he is a true rising star."
Four years later it certainly seems that commercial radio job by placing a "Posi- Hannity is ABC Radio Networks' rising tion Sought" ad in R &R? star. His show now clears on 125 stations, SH: Yes. As I recall, it said something to including stations in eight of the top 10 the effect of "Most talked- about, written - markets. Named Talk Personality of the about host in college radio history." From Year by R &R readers last year for his work at WABC, Hannity has been nominated for a 2002 R &R News/Talk Industry Achieve- ment Award as Syndicated Personality of the Year. During a recent chat, the 39 -year- old Hannity, an unabashed conservative, radiated the sort of confidence that comes with having long known what he wanted to achieve and keeping his eye on the prize while getting there.
R &R: Where did you get your politically conservative roots?
SH: I come from a very traditional Irish Catholic upbringing. I grew up in Nassau County, Long Island, NY, which was then mostly Republican. My dad, like many of his generation, signed up and fought for four years in World War II. When he came home, to be able to get out of Bed -Stuy and have a Cape Cod house in Franklin Square, Long Island on a 50 by 100 lot in your typical Levitt-style community was a big deal. So I
grew up in that kind of very traditional - values environment.
R &R: Did you really get fired from a college radio station for being too con- servative?
SH: Yes, at the University of California, Santa Barbara. The station was dominated by left -wing programming, and I was a 26- year -old kid who liked Ronald Reagan, so they didn't much like my political views right from the start. As it turns out, getting canned was the best thing that ever hap- pened to me, because it motivated me to go find another job. My motto then was, "Wherever they'll hire me, there shall I go."
R &R: At the risk of some shameless self - promotion, is it true that you got your first
Sean Hannity
that ad I got a call from Bill Dunnavant, who owns WVNN/Huntsville, AL. I sent him a
tape that was totally doctored and fake. I did it in a production room, and it was horrible. I spent a few hours on the phone with Dave Stone, who was the PD, and he ignored the tape and hired me over the phone, based on our conversations. Next thing I knew, I was packing everything I owned into my car and heading to Alabama, where I'd never even been before.
R &R: How does a New Yorker who was then living in Southern California make the transition to Huntsville, AL?
SH: I didn't think about it all that much. They liked me, I liked them, and they offered me a job - it was that simple. I really enjoyed living there, although I practically lived at the radio station the whole time. All I
wanted was to learn how to do radio, so I
made a pest of myself, hanging out at the radio station day and night. There was actually one point where I was vol- untarily doing both the morning and the afternoon shows.
R &R: You next moved to Atlanta, right?
66 I feel very blessed and fortunate to have
had some great opportunities and people who
have been Willing to take chances on me "
SH: I went to WGST /Atlan- ta about two months after Neal Boortz left to go over to WSB/ Atlanta. Going head to head with Neal was a great experi- ence forme. I really knew I was in the big leagues then. Know- ing he was there every day was a real motivator for me, be- cause Neal's really good, and he's very popular. Having him across the street made me work harder than ever.
R &R: A few years later, at WABC, you were placed into competition with another talk icon, Bob Grant, who was and still is opposite you at crosstown WOR. What 's that been like?
SH: I grew up listening to Bob and was a fan, but having already been through that kind of war, I honestly never thought about it much. I knew Bob had, and will always have, his loyal listeners, people I will never be able to win over. But I've never looked at it as Sean vs. Bob; I
look at it as Sean vs. 50 other radio stations on the dial in New York. We can sometimes get too myopic about these little personal radio wars and think that the only place we can gain listeners is from one place. I have never thought that was the case. But, again, just like with Neal in Atlanta, knowing that Bob was out there offering a compelling option to listeners made me push myself harder every show.
R &R: Before you hosted your own national show, many across the country were first exposed to you as the regular guest host for Rush Limbaugh. What was that like?
SH: Rush is a very good friend, and he is, by far, the best in the industry. The first time I filled in for him, I foolishly gave out my e-mail address on the air, and within minutes the system collapsed. That's when I
really understood just how big being there was. He's been a great suppor- ter and has been very helpful to me.
R &R: Did you always know that things would turn out as they have?
SH: When I was on 770 AM in
Alabama, I hoped that someday I'd be on 770 AM in New York. But, hon- estly, I'm so busy and enjoying it all so much every day that I don't really stop to think as much about how this all
happened as I probably should. I feel very blessed and fortunate to
have had some great opportunities and
As it turns out, getting canned was the best thing
that ever happened to me, because it motivated me
fipd to go. another , 0 MY motto then was,
`Wherever they'll
hire me, there shall I go?"
to have had people who have been willing to take chances on me. When I think back on that drive across the country from Santa Barbara to Huntsville - scared to death, having never done a two -hour radio show in
my life and not knowing if I could - I
guess you'd have to say it really is one of those stories you hear about where dreams come true.
PEN MIKE Jim Weiskopf WTNT/Washington
As News/Talk broad-
casters, we must build
stronger long -term re-
lationships with our
key clients and our
listeners. We need to uncover new revenue
streams by utilizing the interactivity that is
inherent in the News/Talk format. We should
better educate our clients to use our Internet
sites, on -air talent and our promotions and
marketing departments. We need to believe.
as a format, that we are worth more than the
going CPP, that people do listen differently to
News/Talk and that our listeners react to
what they hear because we have radio's most
foreground product.
www.americanradiohistory.com
IJIt... S... ./...T...a.._LK.:'
LOOK WHO'S
TALKING ON XM Satellite radio offers a mixed bag of talk shows
In recent years on these pages we have talked about what the coming of satellite radio would
mean to traditional terrestrial broadcasters. With the launch of XM Satellite Radio last fall and
Sirius Satellite Radio now also broadcasting, the effects should soon become apparent.
It's been just over five months since XM
fired up its satellites, and it reaches, at the moment, a reported 30,000 -plus subscribers,
so I thought this would be a good time to
check in again with Kevin Straley, XM's Director/Talk Programming. A year ago
Straley discussed some of the ideas the
company was working on for XM's Talk channels. This year we take a look at some of the channels already on the air and get
Straley's read on the essence and appeal of each of them for Talk radio listeners.
Where News Meets Talk
To lead off a rundown of what talk programming can be heard on XM, Straley suggests you tune to the "USA Today" channel. "It's a partnership with the news-
paper that utilizes our XM news staff to build
USA Today's brand on XM," he says. "A couple of programs on this channel fall
under the talk banner, including The News
Hour With Jim Lehrer, which airs nightly at
11pm ET, and a program that immediately follows it, A Day in the Life of America. It's a
two -hour program that is basically a look back on what happened today. It's produced by the
XM news department and hosted by Bob
Macowycz, who is PD of the channel.
"Over on our `CNBC' channel we have the audio portion of Chris Matthews' Hardball show. It's not a particularly visual show, so I
think it really works well on radio, and talk fans love it." XM also carries "CNET Radio," featuring a number of talk shows for pro- fessionals who need to know and understand what's going on in the world of new tech-
nologies and the digital economy.
!
Flipping through the channels, you'll next
come across "C -SPAN Radio," the radio
version of the public - affairs cable channel. "For the talk listener who wants in -depth
coverage of a press conference or congres- sional sessions without any commentary, it's a great alternative," says Straley.
Straight -Ahead Talk
Straley calls XM's "ABC News and Talk" channel "the golden gem in our news and talk
lineup." The channel features many of ABC's well -known personalities, including Sam Don-
aldson, Mitch Albom and Sean Hannity. "Those are three great radio stars that you
can really build a Talk channel on," says Straley. "Add in some of the other person- alities you'll hear on this channel, like Bob
Brinker, Bernie Ward and John Gambling,
and you can see why we are thrilled to offer it."
Next up is the "Ask" channel, described as the place you can go when you need to
know something. "This channel includes three legendary talk personalities: Bruce Williams, Art Bell and Dr. Dean Edell," says Straley. "Again, it's three great shows that are available here during hours when they are not traditionally available on
terrestrial radio stations. We're very pleased to have them on XM."
The next offering, "Buzz XM," features personalities that Straley says many listeners have probably not been exposed to in their
local markets. "Mike McConnell, Bill Cun-
ningham, Mike Trivisonno - these are guys
who have all been winning awards and
acclaim in their markets, and we're happy to
provide them with a national platform,"
he explains. "You'll also hear Glenn Beck, who
is a host with a very different perspective on things. I'm very impressed by his work. He's not a
clone; he's got something new to
share." Rounding out "Buzz XM" are Los Angeles radio drivetimers John &
Ken and Bill Handel. Next up is "Extreme XM," a channel
the company bills as morning madness all day long. "On `Extreme' we have The Regular Guys, who do morning drive in Atlanta," says Straley. "You'll also find Jamie and Danny from KYSR (Star) /Los Angeles on this channel, and The Monsters of the Midday and Drew
Garabo from Orlando. Again, all great personalities with some very fresh voices that many people cannot hear in
their cities."
!We're working
on Ideas for new Just channels
as hard as we are on the existing
We are
always working to elevate our
game."
ones.
Talk Hosts In Training
One of the interesting experiments on
XM is a channel called "BabbleOn," which
targets "the young and the restless" with an
irreverent approach to Talk radio. "This channel is programmed by Emma Wilson, who has put together a fabulous staff of people who have never done Talk radio
Kevin Straley
before," says Straley. "It's a niche position, but for the niche this channel is
targeting, it speaks the language. "`BabbleOn' is truly a format
that you can't hear anywhere else in America but on XM. In
the wake of Sept. 11, 2001, 1
heard things on this channel that just blew me away. That kid you see at the mall or the skate punk riding the rail at City Hall,
scaring old people - he's got
something to say, and this
channel speaks right to him." For the long -haul trucker,
"Open Road" is the channel of choice, according to Straley. "It's designed specifically for the trucking community," he
says. "They talk the talk spe- cific to that listener. If you're somebody who is into tradi- tional issues -oriented talk, this may not be the channel for you.
But if you own a rig or drive one for a ' living, these guys are
talking right at you.
"We've got Bill Mack and
Dale The Truckin' Bozo on this
channel. If you were going to
start a trucking channel, these are the two guys you'd want. The issues you'll hear about on
`Open Road' are things like whether we should open the
February 22, 2002 R &R 39
Mexican border and the problems of transporting hazardous materials. These
aren't issues you may hear much about on
traditional Talk radio, but they are definitely
issues that are of major concern to the target
audience." Finally, XM's Talk choices include a
channel called "The Power." "This is the first
ever 24/7 coast -to -coast African- American
Talk channel," says Straley. "This was another
of those channels where, post Sept. 11, you
could hear a different perspective on the issues.
With hosts like Joe Madison, Bernie McCain
and Butch McAdams - legendary African-
American talk hosts - and PD LaFontaine
Oliver, `The Power' is a unique program
offering that gives subscribers another first.
We're very proud of this channel."
Although the lineup of talk on XM doesn't yet include any channels that are commercial -
free, most channels air with limited spotloads,
far less than what you'd hear on typical Talk
stations. What threat these channels may be to
terrestrial Talk stations remains to be seen, but
Straley believes that XM is the future.
"We're working on ideas for new channels
just as hard as we are on the existing ones," he
says. "You can bet you'll see some more great
spoken -word programming from XM in the
year ahead. We are always working to elevate
our game."
Acknowledgments These are challenging days in which we are living.
Working together to find solutions to our mutual problems
and to identify potential new opportunities through the
sharing of information has been the goal of this year's
News/Talk special issue. I sincerely hope we have given
you food for thought along with greater hope and
optimism about our business and the power that Talk
radio has to allow average Americans to contribute to the
national discourse.
As always, my personal thanks to R &R Publisher /CEO
Erica Farber for her unwavering support and leadership; to
R &R Editor -in -Chief Ron Rodrigues for keeping an
experienced eye on all of the words you read here each
week; to Brida Connelly, Frank Correia, Julie Gidlow. Adam
Jacobson, Richard Lange and Katy Stephan - the best
damn posse ever - who all work tirelessly behind the
scenes to help make our News/Talk/Sports pages
eminently more readable each week; and to my eyes and
ears on the East Coast, Washington, DC Bureau Chief
Jeffrey Yorke and Associate Editor Joe Howard
The creative artistry of Design Director Gary Van Der
Steur and R &R's entire design staff and production
department is evident each week, and never more so than
on the pages of this special issue. Finally, thanks to Henry
Mowry, the R &R advertising staff and all of our supporting
advertisers who make these pages and every week's
News/Talk /Sports pages possible.
www.americanradiohistory.com
!!! ! FRAPIPI AeMMF!!ERfERIT APP
Here's your chance to celebrate excellence in the radio and record industries! Nominate your favorite radio stations, as well as radio and record professionals, for R &R's fifth annual Industry Achievement Awards. Your nominations will help our awards committee determine final nominations for each category. The final results will be announced at R &R Convention 2002, June 13 -15 in Beverly Hills, CA.
r
Here is the nomination process: 1. Nominations should be based on the highest standards of industry excellence and professionalism. 2. Any commercial, U.S. -licensed station, regardless of market size or Arbitron status, is eligible for
nomination. 3. Nominees must have been employed at the company for which they were nominated between
March 1, 2001 and February 28, 2002. 4. You can nominate yourself, your co- workers and your station. 5. Only one form per person will be accepted. Copies not acceptable. You must indicate your name and
affiliation on the nomination form. All responses will remain confidential. 6. You do NOT have to make nominations in every category. 7. Deadline: March 8, 2002!
R &R 2002 INDUSTRY ACHIEVEMENT AWARDS NOMINATION FORM
RADIO AWARDS GROUP EXECUTIVE OF THE YEAR: Name:
(Programming, Sales or Management at the group level)
RADIO STATION OF THE YEAR: Calls:
GENERAL MANAGER OF THE YEAR: Name:
PROGRAM DIRECTOR OF THE YEAR: Name:
PROMOTION /MARKETING DIRECTOR OF THE YEAR: Name:
MUSIC DIRECTOR OF THE YEAR: Name:
LOCAL AIR PERSONALITY OF THE YEAR: Name:
SYNDICATED /MULTIMARKET PERSONALITY OF THE YEAR: Name:
RECORD AWARDS RECORD LABEL OF THE YEAR:
SENIOR PROMOTION EXECUTIVE OF THE YEAR: Name: (Sr. VP- level)
PROMOTION EXECUTIVE FOR A FORMAT OF THE YEAR: Name: (VP or Director -level)
LOCAL PROMOTION EXECUTIVE OF THE YEAR: Name:
INDEPENDENT RECORD PROMOTION:
FILL IN BELOW TO VALIDATE BALLOT:
Your Name:
Title:
Station /Affiliation:
Company.
I
Format: Market: I
Format: Station /Market: I
Format: Station /Market'
Format: Station /Market:
Format: Station /Market: I
Format: Station /Market: I
Program /Network: I
Label:
Label:
Label /Market:
THIS FORM MUST BE RECEIVED BY MARCH 8, 2002!
Faxed copies not accepted Please mail to: R &R INDUSTRY AWARDS NOMINATIONS 10100 Santa Monica Blvd., 3rd Floor Las Angeles, CA 90067
__...,..
Wconvention:2002
www.americanradiohistory.com
'El/f, Talk Radio And Smelly Cheese
) r,w \ February 22, 2002 R&R 41 X
How Ed McLaughlin helped kick -start a legendary radio station and revitalize AM radio By Ron Rodrigues R &R Editor -In -Chief ronr@uonline.com
"Great people are different from us in a lot of ways. They change the world, and they change people's lives. Yeah, there's usually a bit of serendipity involved, but people who change the world have guts. They're fearless. They're unafraid to make change ... to leap into the unknown without knowing what's going to happen."
I wish I could take credit for those words, but they came from Dr. Dean Edell, who for years has been dispensing medical advice on network radio. Edell was describing his onetime boss and lifetime friend Ed McLaugh- lin, the pioneering radio executive who helped transform a sleepy San Francisco station into a Talk radio powerhouse and then moved on to add new dimensions to network radio.
Back in 1962, Talk radio wasn't the industry that it is today. In fact, other than a few attempts by attention- seeking owners, the format hadn't been successfully applied on a wide scale.
McLaughlin, a Bay Area native and graduate of San Francisco State University's broadcasting program, had his eyes set on New York, and if you're on the West Coast, the road to New York takes you through Los Angeles.
DAYTIME BLUES
McLaughlin hooked up with Storer Broad- casting's KGBS /Los Angeles (yes, the call letters stood for "George B. Storer "), which was fine, except that the station was a daytimer. Having to turn your station off at 4:45pm during the winter wasn't exactly McLaughlin's idea of a successful operation, so when a friend suggested that he apply for a GSM opening at ABC -owned KGO /San Francisco, Ed's ears perked up - sort of.
In those days KGO wasn't nearly the winner it is today. While it had a 50,000 -watt signal that, at night, boomed up the coast and through Alaska, its programming was a dreadful mishmash of local and network fare.
Trivia time: KGO's morning man at the time was none other than J.P. McCarthy, who, just a few years earlier, was plucked out of the Army for his first commercial radio gig by consultant Mike Joseph. McCarthy never caught on in San Francisco and bit on a huge offer to join WJR /Detroit, where he would become a legend.
Now, back to the story.... KGO's shortcomings notwithstanding, McLaughlin
saw no future in staying with KGBS, despite promises by Storer that the station would have nighttime authority in six months, so he packed up and became KGO's Sales Manager. McLaughlin bet smart: KGBS didn't get nighttime authority for another decade.
The brass at ABC corporate installed Don Curran, a TV promotion director with no radio experience, as KGO's GM. He was given the job of attempting a Talk format on a radio station that had never earned a dime in profit during its ABC ownership.
BLUE RADIO
McLaughlin was intrigued by some of Curran s ideas about radio - specifically, Talk radio. The station's most popular personality at the time was on from 10am -lpm. His name was Ira Blue, a sportscaster -turned -talk host who broadcast live from the Hungry I, a hip nightdub in the
city's North Beach district. Blue has been described as the Howard Cosell
of California, an abrasive fellow people loved to hate but couldn't ignore. McLaughlin and Curran used Blue's call-in program both as a prototype for the station's programming and a lure for advertisers.
Advertising time buys can come in from all parts of the country, and McLaughlin realized that he was missing out on business emanating from the Pacific Northwest. So he and Curran decided to use KGO's 50,000 watts to their advantage.
The pair flew to Seattle and invited regional advertisers to a late dinner. The guests arrived to find not just dinner on their tables, but a radio as well. At 10pm Curran instructed the guests to turn on their radios, already tuned to KGO's 810 dial position, to hear Ira Blue announce, "Ladies
and gentlemen, for the next hour, I'm taking calls only from Seattle."
"Think about that," McLaughlin says. "For the first hour he took calls from Seattle only. Can you imagine how our advertisers felt? Here was a guy in San Francisco taking calls from Seattle on the air in front of them."
The event was a success. KW drew new business from the then -thriving Olympia breweries and Western Airlines.
Ed McLa ughlin
PRICING HARVEY
Over the years both KGO and McLaughlin's career blossomed. When Curran was moved back to the TV division, McLaughlin assumed the GM post at KGO, and in 1972 he fulfilled his dream of reaching New York when he was named President of ABC Radio Networks.
McLaughlin's experience in selling the value of Talk radio proved valuable at the network level. Soon after settling into his office in New York, he opened a drawer and came across a rate card for Paul Harvey. It was blank. He called in his sales manager and quizzed him on exactly what the network was charging for Harvey.
Keep in mind that Harvey's show was on some 365 stations in those days, and McLaughlin expected his sales manager to quote a sizeable figure. He was shocked to hear
that the network was only getting about $850 per spot. At KGO he had charged nearly as much for a single station.
McLaughlin fired off a memo to the network sales staff and announced that he was immediately raising Paul Harvey's rate to $4,000 and that the first salesperson to sell a $4,000 spot would be awarded a $4,000 bonus.
Bingo! McLaughlin is proud to note that Harvey's program
commands north of $40,000 a spot these days.
A FATEFUL DECISION
McLaughlin started a network -distributed Talk format on ABC, but in the late '80s the brass decided to dose it down in a cost -cutting move. After nearly three decades with the network, McLaughlin made a fateful decision to leave the company and strike out on his own.
His first call was to Dean Edell, the man we began our story with. Edell was one of the personalities who would be left jobless as a result of the scaling back. As Edell recalls the conversation, McLaughlin said, "Dean, I've got good news and I've got bad news. The bad news is, tomorrow you're going to be fired. The good news is, I'm going to quit ABC, and you and I are going into business together. We're going to prove that syndicated talk radio can work."
"So, Ed flew out and wrote out an agreement on a napkin that said that, once we took expenses off the top, we'd split the money," Edell says.
It was a new territory for the two, but in almost no time Edell's show was in 350 markets. Hungry for more, McLaughlin called Edell once again and said, "Dean, we're in every market we can be in. We can't go any further, and I think we need to take on some more talent. I have this person in mind. He's a talk show host in Sacramento. He's got a last name that sounds like smelly cheese, and he does this conservative talk stuff."
To Edell, a conservative host with a last name like smelly cheese didn't sound like something that would be successful, so he told McLaughlin, "We can't go on like this. You go forward with the company. I'll just take a little percentage of the sales, and you go with the guy who sounds like smelly cheese."
Working out of office space provided to him by his former employer, CapCities / ABC, McLaughlin himself made affiliation Galls to general managers while his wife, Pat, fielded incoming calls.
The Rush Limbaugh Show began with 50-odd affiliates but quickly blossomed into the most successful network program in radio since the dawn of television. More than a few radio executives will tell you that the show revitalized AM radio and was the spark that made News /Talk the most popular format in the land.
McLaughlin sold his company and now enjoys the spoils of retirement. But he's not inactive, as he participates in several charitable organizations, most notably as President of the Broadcasters Foundation, an organization that provides financial assistance to broadcasting professionals in need.
"I miss the business," Ed says. He commands those who remain in it to "be proud of this business, and remember the old cliche 'Nothing happens until somebody sells something.'"
Roastee: Stu Olds
Katz Media Group, Inc.
Bayliss Radio Roast Your generosity funds
the Bayliss Radio Scholarship Program.
Roasters: Don Bouloukos ... Infinity Broadcasting Carl Butrum Katz Media Group David Crowl Clear Channel Ron Ruth Radio Advertising Bureau
Master of Ceremonies: Bill Stakelin .. Regent Communications
MARCH 14
The Pierre Hotel New York City
R.S.V.P. by February 28
For information, 831.655.5229 www.baylissfoundation.org
www.americanradiohistory.com
42 R &R February 22, 2002
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Street Talk. Infinity Prepares For Life Without Alijitron
Infinity's contract with Arbitron officially expired following the release of the fall 2001 ratings reports. As of press time, negotiations
between the two companies had hit a brick wall, with a new deal far from settled. Last week Infinity Radio President Dan Mason issued a memo to station managers suggesting that local sales executives prepare to go about their business without the benefit of Arbitron data. The first batch of winter 2001 Phase 1 Arbitrends roll Feb. 22, and Mason hopes Infinity will have a new deal in place before then. Viacom spokesperson Carl Folta wts unable to com- ment on the matter to ST, and Arbitron spokes- person Thom Mocarsky was unavailable for comment.
A 12- minute video produced by "Radio's Best Friend," Art Vuolo, focusing on New York radio's response to the Sept. 11, 2001 terrorist attacks was stopped eight minutes into its showing at last week's annual New York -area Achievement in Radio awards, apparently after many people in the audience began to cry. Clear Channel /New York's Scott Elberg tells N.Y.'s Daily News that at least a dozen people request- ed that the video be turned off because it was too upsetting. Vuolo said that many attendees were upset because they had lost family and friends in the attacks but added that many others asked for copies of the film. Vuolo's film will be screened in its entirety this week at R &R's Talk Radio Seminar in Washington.
The National Religious Broadcasters Association on Feb. 16 agreed to accept the resignation of Wayne Pederson as President/ COO, effective immediately. Pederson replaced E. Brandt Gustayson, who died of cancer in May 2001, and was the NRBA's unanimous choice for the top slot. However, a raging debate over the future direction of the evangelical media associ- ation ultimately came down to a question of confidence in Pederson's leadership, the association said in a statement. An NRBA spokesman tells ST there is no time frame for filling Pederson's former post and that a search will begin shortly.
THIS WEDDING'S RATED'XXX!
Who says Vermonters can't be cutting -edge? After all, it is the land of maple syrup, great skiing and Phish. WXXX (95 Triple X) /Burlington, VT decided to follow up its Valentine's Day 2001 civil union between two gay men by having morning duo Mike and Chantar host the wedding of two local resi- dents who exchanged their vows in the buff! The couple not only steamed up the studio as they be- came husband and wife (the PG version of the pho- to's shown here), they also spent the remainder of the wakeup show undressed - aside from their wedding bands, of course.
And this just in: Dave Lombardi becomes Sr. Director /Rock & Alternative Promotion at Arista.
MAX -imum Exposure For New At /anta FM
Leave it to the folks at Clear Channel to pull a stunt like the one involving WMAX's launch in Atlanta (see Page 3). Newly minted CC /Atlanta Director /Programming Tim Dukes tells ST that Clear Channel produced a 60- second spot for a compilation CD called '80s to the Max. Those interested in purchasing the CD were asked to call a toll -free number to order the item. The fun folks behind the CD bought time on crosstown WSB -FM, and the commercial aired throughout that station's "Totally '80s" weekend. The Max CD does indeed exist, and Clear Channel is giving the disc free of charge to those who ordered it - along with a thank -you note. After all, Clear Channel now has a great database filled with potential P1s of 'MAX. Dukes says, "We'd like to thank Cox for accepting our advertising and helping us grow our new radio station."
WOCQ/Salisbury -Ocean City, MD recently relocated to new offices and studios. To lighten the load, the CHR /Rhythmic held a Come Get It So We Don't Have to Move It promotion. PD Wookie tells ST the goodies included some carts with commercials dating back to 1988, old bumper stickers, the large brown plant from the lobby and Taco Bell gift certificates that expired 10 years ago. "We told people to try 'em anyway - just look for the dumbest guy at the counter," Wookie says.
By the way, this item originally appeared in something we like to call Street Talk Daily. If you're not receiving this little puppy every morning, call the friendly folks at 310 -788 -1625, and we'll hook you up.
From the ST Valentine's Day Update Desk: WKTU /N.Y. listener Dwayne Thomas picked up a vacation and $1,000 worth of jewelry from the station by winning its Nude With a Dude Valen- tine's Day contest. Thomas scored the prizes i''
when the man he shared a sleeping bag with got out after 25 hours.
Radio One Goes To The Ma //I
A search for new office space has ended for the company's KBFB & KTXQ /Dallas, and it's just down the hall from Lady Foot Locker, Chick - fil-A and Luby's, among other stores. The stations are now located in a former theater tucked inside Valley View Center, a shopping
Continued on Page 44
Records Christine Chiappetta joins IDJMG in a Sr.
Director /Promo post. She'll be based in Los An- geles.
Foodchain Records brings aboard consult- ant and former Wind -up Director/West Coast Promo Annie Eason -Lumby as its new VP/ Promo.
FOR THE RECORD: Pyramid is a secular label and does not focus its efforts on Chris- tian product.
www.americanradiohistory.com
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44 R &R February 22, 2002
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mall in North Dallas. The 140,000- square -foot space includes two broadcast studios, produc- tion studios, a small auditorium designed to hold private concerts and events and a basket- ball court that's open to the public. A welcome reception featuring air personalities Tom Joyner and Russ Parr took place Feb. 20.
Industry sources tell the Miami Herald that Howard David, a Westwood One NFL com- mentator, has emerged as the leading candi- date to succeed Jeff DeForrest on WQAM/ Miami's morning show. DeForrest was suspend- ed last month after pleading guilty to paying kickbacks to a Miccousukee Indian Gaming marketing director to ensure television contracts for DeForrest. Beasley /Miami VP /GM Greg Reed did not return ST's call seeking comment.
After less than a month as an in -house consultant and PD of WIMP -AM & FM/Tampa, Russ Allen turns in his keys and exits the Urban combo.
WZMR /Albany, NY PD Patrick Ryan resigns to become GM of Magnum Broadcasting's Valdosta, GA properties.
WOKL/Tallahassee, FL drops Oldies for CHR /Rhythmic as "100.7 The Beat." The station's new calls are WBWT, and Steve King adds PD duties for the station. King has been PD of Clear Channel/Tallahassee sisters AC WTLY and Alternative WXSR and will retain his 'XSR duties. Assuming his duties at 'TLY will be Chris Van Dyke. WOKL's former PD, J.L. Dunbar, will now be Asst. PD for The Beat.
Westwood One founder and Chairman Norm Pattiz will receive the Broadcast Educa- tion Association's Distinguished Education Service Award at the BEA's 47th annual convention. He'll receive the award, which salutes his leadership role in helping to bridge the gap between academia and the broadcast industry, at a luncheon banquet to be held in Las Vegas on April 7.
Kudos to Jones Radio Networks VP /COO Edie Hilliard, who'll receive the first -ever Dorothy Stimson -Bullett Award from American Women in Radio & Television's Northwest chapter at a ceremony to be held March 7 at Seattle's Harbor Club.
ST Reunion Center Twenty years as a,CHR is a rarity in this
business. On May 1, 1982, WSTO /Evansville, IN signed on as a Top 40 by playing one of ST's all -time favorites: -65 Love Affair" by Paul Davis. WSTO is now asking station alum to return to Indiana from May 3 -5 for a "big of par - tay!" If you'd like to attend and reminisce with friends new and old, e-mail PD Dave Michaels at drdave@wsto.com.
Promo Item 0' The Week FIRE- STARTING PUNK!
When Nitro Records sent us
a copy of its just- released compilation CD Punkzilla, the fun -minded promo folks at the label included this funky little toy the kids at ST
Central have dubbed Sparky. Sparky just loves shakin' his groove thing to such booty - movers as "Democracy ?" by The Damned and T.S.O.L.s "Wasted," among other tracks. We're sure you'll dig the album too.
, R A D I O& R EC O R D S
Jack Rovner becomes to President of RCA Records. Hispanic Broadcasting elevates Gary Stone to Sr. VP /COO, names David Lykes Exec. VP /Corporate Affairs. Clear Channel /Philadelphia sets Dave Allen as Sr. VP /Programming & Marketing as Joe "Butterball" Tamburro rolls into the WDAS- AM & FM /Philly VP /Station Manager post. Kipper McGee grabs PD duties at WDBO /Or- lando. v Chancellor Broadcasting and Evergreen Media merge, absorb Viacom's radio division in $5 billion deal. John Sigler signs on as VP /Rock Promotion at MCA Records. John O'Connell upped to PD at WPBZ/West Palm Beach.
Danny Goldberg becomes Sr. VP of Atlantic Records. Ken Nanus named GM of WIP /Philadelphia. KMPC /Los Angeles goes Sports with Len Weiner as PD.
117 AOR KMET /Los Angeles
adopts a New AC" approach as KTWV (The Wave).
Dave Anthony tapped as PD for KILT -AM /Houston.
KLOL /Houston ups Dayna Steele to Asst. PD and Harvey '_, "Dr. K" Kojan to MD.
Dave Anthony
Jeff Peck picked as VP /GM of KOGO & KPRI/ San Diego. Jim Pemberton boosted to Asst. PD at WFBQ /Indianapolis.
Jim Richards named MD of XTRA -FM (91X)/ San Diego.
Benjamin Cain appointed PD/ afternoons at KAKC/Tulsa. Ted Habeck named MD of KSHE /St. Louis. Tom Joyner returns to morn- ings at KKDA -AM /Grand Prai- rie (Dallas), TX.
Ted Habeck
The nomination round has begun for R &R's 2002 Industry Achievement Awards. Here's your .
chance to nominate the best and the brightest for the industry's most prestigious honors. Categories include Station of the Year, GM of the Year, PD of the Year, MD of the Year, Personality of the Year, Record Label of the Year, Promotion Executive of the Year and Independent Promo- tion Person of the Year. The ballot appears in this week's issue, and we kindly request that you return it by mail (no faxes or photocopied ballots accepted) before March 8. The official awards ballot will be mailed in April, and winners will be announced at R &R Convention 2002, June 13- 15 in Beverly Hills, CA.
If you have Street Talk, call the R &R News Desk at 310 -788 -1699, or e -mail streettalkCa?rronline.com
www.americanradiohistory.com
o-e, R &R Active Rock 100+ spin increase
Debut 35* Active Rock Monitor Debut (CD R &R Alternative
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Rock: WAAF KU FO
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On Tour: Feb 21 NYC
Feb 22 Worchester Feb 24 Washington Feb 27 Dallas Feb 28 San Antonio
he new e ro ac ire an usic ro the totion Picture
OUEENOF THE DAIVINEE') Lead song of "Queen of the Damned" soundtrack in stores now. Also
in all spots for the film as well as in the movie.
Film opens 2/22 P-oduced by Ulrich Wild and Wayne Static Worldwide Repoesentation: Rob McDermott for The Firm
www.americanradiohistory.com
46 R &R February 22, 2002
STEVE WONSIEWICZ swonz@rronline.corn
Sound Decisions
Botwìn Charts Columbia's Course New president talks artist development and label management
Columbia Records Group President Will Botwin has come a long way since beginning his music- _ industry career in 1980 as a local promotion rep for Capitol Records.
Now the veteran artist manager is fac- ing his biggest challenge yet: succeeding Columbia Chairman Don lenner as the eighth President in the 119 - year history of Columbia Records. Naturally, Ienner - who was the longest -serving President in the history of the company (over 13 years) - will continue his overall lead- ership of the company. But, for Botwin, the new post means more duties, more responsibil- ities and more pressure, espe- cially since the label is coming offa four -year sales and airplay winning streak.
Prior to joining Columbia in 1996 Botwin ran Side One Management for 15 years, founding it shortly after leav- ing his Capitol promo post. During that time he worked with some afire music industry's most talented singer-songwrit- ers, including Lyle Lovett, John Hiatt, Steve Earle, Los Lobos and Liz Phair. That experience showed him what is re- quired to develop career artists.
I caught up with Botwin soon after his promotion was officially an- nounced. Here's what he had to say.
WB: We just have to do better. We made a great transition of our artist roster during that time, from the staples
that Columbia is known for - like Aerosmith, Maxwell and Lauryn Hill - to having a nice blend of newer artists who have started to become established and who are start- ing to extend their careers, like Train, System Of A Down and Five For Fighting.
We have to do more of that. We have to find the best tal- ent, break more artists and ex- tend and create long -term ca-
reers. I think we've succeeded in doing that, which runs kind of counter to what the record industry has become over past several years. We've worked very hard to find artists who have something to say, who have a personality that will appeal to people, and who have the abil- ity to be more than a one -hit situation.
We've concentrated on being very patient with our artist -development process. Look at Train: It took two years for their first album to go Plati- num. Now the band's second album, as well as its first, is double Platinum.
Union Underground are another ex- ample. We worked three singles last year and only scanned about 400,000 copies, but we're confident that when we release their second album later this year, we'll be able to accomplish what we did with System OfA Down, which is take them to Platinum and beyond.
We're really just trying to create a staging situation where can continual- ly develop artists who can get a foot- hold in the market, as opposed to do- ing it in a way where we seem desper- ate for a hit or quick success. Our strength allows us to be patient.
R &R: Those must be gutsy calls, especially with the pressure to meet quarterly profit expectations and the quick bang for your buck mentality that often pervades the industry.
WB: We're fortunate that opr re- sults at Columbia have matched expec- tations. We're very aggressive in what we expect of ourselves. I'm fortunate to work with the most talented team in
the record industry. I have a lot of tools at my disposal and partners in my ef- forts. Obviously, Donnie is the guy who starts it all and allows us to do a lot of things that are different.
When you think of the Columbia brand, you think of classic artists like Bruce Springsteen and Bob Dylan. Well, I think Marc Anthony is a clas-
Will B
R &R: How will your role change within the company?
WB: I've been Exec. VP /GM for the past three years. This is just an ex- pansion of my same responsibilities. Obviously, the title of President - and being the eighth in the 113 -year histo- ry of the company - brings a level of leadership, responsibility and pressure, and I take the leadership and respon- sibility part very seriously, as I always have. We've been fortunate to be a sales and airplay leader for several years, so it's not like I'm coming into a new position. It's about taking it to a new level and new places.
R &R: What will be some of your new duties?
WB: I'll be more involved in over- all marketing and artist development. I have been overseeing marketing, but I will be taking an expanded role in artist development. I have been over- seeing A &R since I came to the corn - pany six years ago, and I've been in- volved more in the marketing and re- lated creative aspects over the past three years. Now I'll expand on that, which is great for me, because it's the lifeblood of what we do.
R&R: In 2001 Columbia was R&R Label of the Year for the fourth consec- utive year How will you build upon that?
otwin
sic artist. I think Pete Yorn can become a classic artist. Those are just some of the artists we want to work with.
We don't want to go to radio in a way where it's all about generating re- sults from a single. It's more about coming to radio with a story. It's more difficult than ever to launch artists at radio. We have to be more creative to fmd more avenues in which we can establish the first level of success for the artist so we can introduce them to radio with a story.
R &R: Columbia has been breaking singer -songwriters where several oth- er labels are struggling. Are you doing things differently, orjust executing bet- ter than other companies?
WB: We are doing things different- ly. If you look at some of those artists, like Train, Five For Fighting, Pete Yorn and, now, John Mayer, those are very song -based and live performance - based artists. They have been greatly influenced by the Dylans and Spring - steens. They happen to write great songs, possess unique voices and work tremendously hard on the road.
That lends itself to micromarketing strategies that are directed toward each local performance. It's about taking advantage of the small things and not trying to hit it out of the park every time. We want to generate a lot of sin- gles that lead to a lot of RBIs.
We look at each level and try to make a plan that's not just about one phase or one shot. We make plans to roll out artists and their records over years, plans that don't have an expira- tion date. It allows us a lot of freedom to do the small things right. [Exec. VP/ Promotion] Charlie Walk is absolute- ly the best, and when we get them teed up for promotion, they can hit the ball a long way.
R &R: There have been significant changes within the urban music divi- sion since you joined the company. That genre, given your background at the time, wasn't your strongest area. How has your team been able to continually regroup seemingly without missing a beat like other labels have?
WB: We've been able to hold it to- gether based on the strength of the art- ists. We have some wonderfully talent- ed people. Jermaine Dupri's label, for example, has been a great source of tal- ent for us. Even though we haven't had an overall, identifiable head of the de- partment, as some labels do, we have some incredible and inspiring A &R and product managers who have shown a
Atlantic Records executives and The Donnas celebrate the group's new record deal with the label. The band plan to begin recording their new album in March, with longtime producer Robert Shrimp. The disc is slated to be released this summer. Pictured here (l -r) are Atlantic Sr. Director/ A &R Nick Casinetli; attorney Kenny Meiselas; Atlantic co- President Ron
Shapiro; bandmembers Tony Castellano, Maya Ford, Brett Anderson and Allison Newman; Atlantic co- President Craig Kaltman and A &R executive Mary Gormley; and The Donnas' managers, Molly Newman and Joey Minkes.
great deal of responsibility and have come up with some great plans that have kept everything together.
R &R: How much have you learned working in the genre?
WB: I've had an amazing educa- tion. I have not worked on a manage- ment level in the urban space, and my six years at the label have been noth- ing short of a Harvard MBA education in that side of the business, with Don- nie being the biggest teacher. I've learned by staying involved in all as- pects - at first as more of an observ- er, and then a gradual participant, and then taking on more responsibility.
At Columbia, we don't try to seg- regate the urban department. It's part of the overall company. Records have to start at urban or with street market- ing in the city or region, but we make sure that it's connected to the overall company. That's helped me a lot while working with the artists.
R &R: What is Columbia doing to control costs? Are there areas - whether it's marketing, promotion or production - in which the company can become more efficient?
WB: We're always trying to be more efficient. Everything costs more, and we're getting squeezed from all sides: video production, promotion, making records - you name it. Every week we look at ways to be more efficient, like using the next hot video director or next talented creative person rather than the ones who are more established. We're also being smarter about our advertis- ing buys and promotion spending.
One of the things we focused on is
our artist roster. The label is smaller than when I joined, and that was a di- rect result of wanting to spend more time and resources on the artists on the label. We've tried to focus our efforts on a smaller group of artists, which has allowed us the resources to break those artists.
R &R: How many artists did you let go?
WB: We don't like talking about actual numbers, but our roster is now about a third smaller. Naturally, it didn't happen overnight. There was a lot of planning, plus some attrition, that led to the drop. We're fortunate now to have a concise, extremely tal- ented roster of artists that we're always trying to make better.
R &R: Are there any particular genres in which Columbia needs to get stronger?
WB: We're tying to extend even
further into hip -hop- and R &B -based artists. We've been building the rock side very well, and we'll probably see more pop breakthroughs this year.
R &R: You've been at Columbia for a while and have witnessed the tre- mendous change in the radio land- scape. Is it getting more difficult to get your artists exposed at radio? And, re- alistically, would you like to see change at radio?
WB: Please tell everyone at radio to front- and back -announce the songs. I'm a fan of radio and music. Only very rarely when I hear something on the radio am I told who the artist is. If radio did that, I believe we'd sell more records and people would get more fa- miliar with artists quicker.
Clearly, consolidation has made it
more difficult. We have the best promo- fion staff in the business, so we're hold- -
ing our own. But we're always trying I
to do new things and always battling research and that kind of programming.
R &R: Unit sales are down. Unau- thorized song copying on the Internet is as rampant as ever. When it comes to sales, do you think it's simply a mat- ter of a few more hit albums, ' or has the business fundamentally changed?
WB: Hit records and star artists al- ways make a lot of the ills go away. We're conscious of that. But it's def- initely a period of change in our busi- ness, thanks to the digital world, CD burners and the resulting copyright infringement. We need to develop new ways to use those resources - which our company is very on top of - but we're all still trying to fmd the best way to monetize them, and we need to continue to experiment. The industry still doesn't have all of the answers.
R &R: Will sales begin ratchetirtg back up, or is the business in for flat or slowly declining sales in the very near future?
WB: We'll see some bigger al- bums than we did last year, when nothing broke 5 million units. In these challenging times, with these new sets of circumstances and the economic realities in the U.S. and the rest of the world, I can only look at it optimisti- cally. I think that we'll emerge fleeter and more creative and come up with solutions that will motivate people to return to the stores and convince peo- ple to buy it and not burn it. I remain very optimistic, because we have the team in place to accomplish that.
www.americanradiohistory.com
Sound Decisions. February 22, 2002 R &R 47
LAUNCHING PAD LAUNCHING PAD LAUNCHING PAD LAUNCHING PAD LAUNCHING PAD LAUNCHING PAD LAUNCHING PAD LAUNCHING PAD LAUNCHING PAD
!LAUNCHING
Epic's Planet Becoming Stars The planets are finally aligned for Los Angeles alt pop
band Phantom Planet. After being caught up in the late
'90s restructuring at Interscope /Geffen/A &M, the group
has the industry buzzing once again, thanks to their Epic
Records debut song, "California." The track, which debuted last week at No. 48 on the
Alternative chart, is playing at some of the format's most
influential stations, such as WKQX/Chicago, WBCN/ Boston, WPLY/Philadelphia, WSUN/Tampa, WNNX/ Atlanta and KEDJ/Phoenix. At Triple A, stations that have added the track include WRNR/Baltimore, WKOC/
Norfolk and KCTY /Omaha.
Phantom Planet
Phantom Planet - lead vocalist -guitarist Alex Greenwald, guitarist- vocalist Jacques Brautbar, guitar-
ist Darren Robinson, bassist- vocalist Sam Farrar and drummer Jason Schwartzman - officially formed in
1994, when all of the members were barely teenagers. Greenwald and Schwartzman, in fact, attended elemen- tary school and Cub Scouts together.
The group signed to Geffen Records in 1996 and re-
leased their debut album, Phantom Planet Is Missing, in
1998. Soon after, the project was put on indefinite hold,
when Geffen was folded into Interscope/Geffen/A&M in the wake of Seagram's purchase of PolyGram. Even-
tually, the band and their label amicably parted ways.
Fortunately, it didn't take long before several other
major labels - Warner Bros., Virgin, Elektra and Epic,
among others - came calling. Sony Music Entertain- ment International Sr. VP /A &R David Massey met with
the group around the beginning of 2001 and was imme-
diately interested in signing them. "I really liked what
they had done in the past, but when I heard some of the
new songs they were working on, I knew I had to sign
them," he says. Within a month or two Epic signed the group, lined
up producers Mitch Froom (Tom Waits, Crowded House,
Elvis Costello, Paul McCartney) and Tchad Blake (Pearl
Jam, Peter Gabriel, Sheryl Crow) and put the band in the
studio. "Once they agreed to be with us, things happened
relatively quickly and smoothly," Massey says. "The guys already had a lot of material written. They just needed to spend some time with Mitch and Tchad to
work on the material." In the group's official bio, Greenwald says of the ses-
sions, "Mitch and Tchad really pushed us to be the best
we could. We would constantly throw ideas at one an-
other -at times it was hard to agree on certain things - but whatever ideas were left that we could agree on
would make the song 10 times better." Although the album was completed in late summer
2001, Epic chose to wait until the new year to release it
rather than rush it out to retail during the hyper- competi- tive fourth quarter. "We wanted the band to spend more
time on the road and get some more experience outside Los Angeles, where they had been playing for a long time," Massey says. "We used that time to introduce them to radio, retail and the press, and it made a big dif-
rence. It was one of our best setups for a new artist." fe " The resulting buzz definitely helped at radio, says
Exec. VP/Promotion Hilary Shaev. "It was a pretty ex-
tensive promo tour, where we visited a lot of major mar-
kets throughout the country," she says. "Nearly every- where they went we had them play for people, whether it
was in the conference room of a radio station or at a key
indie retail store. That tour proved invaluable in several
ways. Number one, people were able to see that not only
was `California' a great song, but the band's album has
several other hits as well. Number two, the tour gave many
important people an opportunity to meet the guys and hear
firsthand their vision for the group and their music." Not surprisingly, Schwartzman's acting resume (includ-
ing roles in the movies Rushmore and Slackers) and Greenwald's Hollywood credentials (he's appeared in
several commercials and had a co- starring role in the indie
movie Donnie Darko) helped pique the media's interest,
leading to appearances on Late Night With David Letterman, write -ups in several major music magazines
and support from MTV.
"There's no doubt that Jason's celebrity status helped
us get our proverbial foot in the door, especially with sta-
tions that don't necessarily put a lot music from new bands
on the air," Shaev says. "But it still comes down to the
music, and, fortunately, we now have a lot of fans out
there." As for radio, Epic opted to begin working the record
at Alternative and Triple A. Sr. VP /Promotion Joel Kleiman comments, "We knew from the band's previous
album there were a lot of fans at radio at those formats.
It's the ideal place for them to build a base, and it's where,
when we were doing the initial promo tour, we were get-
ting the best feedback. "After programmers had some time to listen to the en-
tire album, they'd not only tell us that `California' was a
great song, but would also mention two or three other tracks they really liked. We got the same comments from
several programmers at Hot AC and CHR/Pop." Going forward, Epic will continue building its base at
Alternative and Triple A before trying to cross "Califor-
nia" to other formats. Hot ACs KYSR/Los Angeles and
KZZO /Sacramento have already started playing the song.
"We have to build that base and superserve that audi-
ence, even though there are several Hot AC and CHR/Pop
stations expressing interest in the band and `California,'
Shaev says. "When the time is right and the demand is
there, we'll take it to those stations." Phantom Planet's Epic debut album, The Guest, hits re-
tail Feb. 26. Ready for Takeoff returns next week. - Steve Wonsiewicz
I rvua ruLt v1111 mrir I
RCA Records' Foo Fighters took time from record- ing their upcoming fourth album to play a spe- dal one -off benefit at the Anaheim House of Blues for the Musicians' Assistance Program, a nonprof- it organization founded in 1992 by Buddy Arnold
and his wife, Carole Fields, to provide treatment for musicians addicted to drugs and alcohol. The
benefit was organized by the band's Taylor Hawk- ins, who relied on MAP during his recent strug- gle with substance abuse. Pictured here (l -r) are Arnold, Fields and bandmembers Hawkins, Dave
Grohl and Chris Shiflett.
AOL To Webcast Grammy Awards The Grammy board and America Online have partnered
to provide extensive behind -the -scenes online programming for AOL's 33 million subscribers during the 44th Grammy Awards festivities. Included in the package are behind -the- scenes webcams that will provide footage of the Grammy re-
hearsals, live day -of -show "Red Carpet' webcasts, on- demand interviews with nominees and other celebrities, coverage of the MusicCares Person of the Year dinner and concert and a searchable database of Grammy winners and related trivia.
Additionally, AOL will be the exclusive webcaster of J Records Chairman/CEO Clive Davis' legendary pre- Grammy gala to be held the night before the awards show. The Grammy Awards will be televised on CBS -TV beginning at 8pm ET on Feb. 27 in Los Angeles.
Meanwhile, the Grammys has added a host of artists to its
performance slate, including Bob Dylan, OutKast and Joshua Bell. Also, the quintet of Christina Aguilera, Lil' Kim, Mya, Pink and Missy Elliott will perform "Lady Marmalade." These artists join Alan Jackson, Alicia Keys, Alejandro Sanz and Destiny's Child, Dave Matthews Band, 'N Sync and Nelly and a tribute to the soundtrack O Brother, Where Art Thou?
Rap, Hip -Hop Top Extreme Fest Some of rap and hip -hop's biggest stars will perform in the
inaugural Beyond 2002 Sports Festival. The music and ex- treme sports celebration, scheduled for April 12 -14 in Miami,
will feature artists such as Snoop Dogg, OutKast, Busta Rhymes, Ludacris, Method Man, Ice -T, Slick Rick, Doug E.
Fresh and Afrika Bambaataa. The festival will also feature some of electronica's newest stars, including Jackel And Hyde, Separate Entity, Monk and Rabbit In The Moon. Or- ganizers also expect to an- nounce a slate of alternative rock acts in the near future. In addition to the music lineup, the festival will fea- ture competition in skate- boarding, in -line skating, snowless ski jumping and BMX biking.
In other concert news. Green Day and Blink -182 will co- headline the Pop Di-
saster tour, which begins April 17 in Bakersfield. Opening for the first half of the 41 -date tour are Jimmy Eat World; Saves The Day will support the second leg ... Usher embarks on a national headlining tour April 25 in Denver ... Incubus kick off their headlining tour April
11 in Portland, OR ... Hip -hop group Dilated Peoples begin a national tour March 5 in San Francisco.
This 'n' that: Congrats to Britney Spears, whose feature film
debut, Crossroads, was the No. 2 movie at the box office over the Presidents Day weekend. The film grossed $21.9 million,
close behind the Denzel Washington drama John Q, which took in $24.1 million ... Oscar -winner Cuba Gooding Jr. has agreed to star as a hip -hop producer in the MTV Films pic The
Fighting Temptations ... Elektra Entertainment Group will re-
lease six more albums in the Live Phish series. The multi -CD
series, which debuted last fall, will feature songs from perfor- mances from Aug. 14, 1993; July 10, 1999; Aug. 26, 1989; June 22, 1994; Nov. 17, 1997; and Aug. 13, 1996.
Snoop Dogg
YUAAR. CONCERT PULSE
Pos. Artist Avg. Gross
(in 0005)
1 U2 $1,659.7
2 NEIL DIAMOND $956.6
3 BRITNEY SPEARS $791.6
4 AEROSMITH $665.6
5 AMY GRANTNINCE GILL $412.6
6 OZZY OSBOURNE $384.5
7 MANNHEIM STEAMROLLER $354.7
8 ROD STEWART $313.5
9 JERRY SEINFELD $307.5
10 BOB DYLAN $299.2
11 WIDESPREAD PANIC $243.3
12 PHIL LESH & FRIENDS $238.1
13 WEEZER $222.3
14 BARENAKED LADIES $221.9
15 MAXWELL $180.1
Among this week's new tours:
PRINCE
PUDDLE OF MUDD
SIR MIX -A -LOT
SOIL
TRICK PONY
USHER
The CONCERT PULSE is courtesy of Pollster. a publication of Promoters'
On -Line Listings. 800- 344 -7383: California 209- 271 -7900.
www.americanradiohistory.com
Music Meeting February 22, 2002
Something To Crow About
Headquartered in Los Angeles, we here at Music Meeting pretty much soak up the sun all year long. Well, we decided to share the love this week with an artist who's as hot as the sun itself -
Sheryl Crow! Last Wednesday Music Meeting beat everyone to the punch by making Crow's new single, "Soak Up the Sun," available for download online. Programmers flocked to our site to soak up the first single from her upcoming album, C'mon. For those of you who can't get enough of Crow, check out the singer's provoc- ative photo shoot and cover fea- ture for men's magazine Stuff
But the downloads don't end there. Adult Contemporary main- stay Michael Bolton uses digital delivery to turn programmers on to his first project for Jive, "Only a Woman Like..." It's avail- able for download in the CHR/Pop and AC formats today - why make your audience wait? The Lyric Street ladies of SHeDAI- SY also deliver their latest single, "Get Over Yourself," to your desktop via Music Meeting. Available for download in the Country section, this uptempo kiss -off is sure to win over pro- grammers. Find out why listen- ers will be eager to pick this Daisy.
We also have a big of dose of rock this week. There's lots of buzz surrounding Island Def Jam's Andrew W.K. We get the party started at Alter- native, Active Rock and Rock with his fist -pumping, beer -swillin' anthem, "Party Hard." While we're on the subject of having fun, Alien Crime Syn- dicate offer up a lighthearted ode to metal with "Ozzy." With the world's first heavy metal reality show, The Osbournes, set to premiere on MTV, it's the perfect time to "lift up your hands if you like Ozzy." Find it in Active Rock and Alternative.
For programmers looking for relief from rap metal, we've got some melodic rock courtesy of Universal's Jeremiah Freed and MCA's Familiar 48. Free yourself with Freed's "Again" in the Alternative, Active Rock, Rock and Triple A sections. 48's "The Question" leaves no doubt as to its poten- tial at Rock and Active Rock.
If you like your rock more dark and brooding, we've got your ticket as well, with Universal's Flaw, Maverick/Warner Bros. act Onesidezero and Wind-up upstarts 12 Stones at the Alternative, Active Rock and Rock formats. Flaw have perfected their nu -met-
al approach with "Whole," while Onesidezero's "Instead Laugh" has an evil sneer beneath its anguish. The Stones (not those Stones) provide plenty of guitar crunch with "Broken."
While 12 Stones hope to weigh in at Rock, Angie Stone is certainly rollín' with Urban listeners and critics alike. Lis- ten to her sexy and smooth vibe on "Wish I Didn't..." at Rhyth- mic and Urban. Add it today, or
you'll wish you had tomorrow. Meanwhile, Busta Rhymes checks in at Rhythmic and Urban with a song that would make the La- dies Man from Saturday Night Live proud. "Pass the Courvoisier is an intoxicating track featuring P. Diddy and Pharrell. Sidle on up to the bar and order a double shot of this one; your listeners will appreciate your generosity. Don't wait until last call to check out the latest releases - Music Meeting is open 24/7, offering free shots of the best stuff out there.
Sheryl Crow
SheDaisy
Busta Rhymes
- Frank Correia
LipGoing For AddsTM is based on information provided by record labels, which is subject to change without notice. R &R's Music Meeting is a secure and password -protected Inter- net service auditioning and /or downloading current music. Each week songs are posted online for participating radio programmers and record label executives. Not every title appearing in Going For Adds is available on Music Meeting.
Week Of 2 -25 -02
FAT JOE f /ASHANTI What's Luv? (Terror Squad,Atlantic)
KID ROCK Lonely Road Of Faith (Top Dog/Lava'Atlantic)
RES They -Say Vision (MCA)
CHR/RHYTHMIC
ANGIE STONE Wish I Didn't Miss You (J)
CITY HIGH City High Anthem (Interscope)
CODE 5 What's Ur Name Girl? ( Elektra/EEG)
JAGGED EDGE f/NAS I Got It (So So Def /Columbia)
LUDACRIS Saturday... (Def Jam South/IDJMG)
NAS One Mic (Columbia)
P. DIDDY f /USHER & LOON I Need A Girl
(Bad Boy /Arista)
RES They -Say Vision (MCA)
SASSEY f/GHETTO ROMEO Kiss You (Universal)
YING YANG TWINS Say I Yi Yi (Koch)
URBAN
ANGIE STONE Wish I Didn't Miss You (J)
BABYFACE I Keep Callin' (Arista)
JAGGED EDGE fMAS I Got It (So So Def /Columbia) NAS One Mic (Columbia)
LUDACRIS Saturday... (Def Jam South /IDJMG)
P. DIDDY f /USHER & LOON I Need A Girl
(Bad Boy /Arista)
No Adds
URBAN AC
COUNTRY
BRAD PAISLEY I'm Gonna Miss Her (Arista)
JOANNA JANE'T Since I've Seen You Last (Dream Works)
SARA EVANS I Keep Looking (RCA)
AC
CITIZEN COPE If There's Love (Dream Works)
MICHAEL BOLTON Only A Woman Like You (Jive)
RES They -Say Vision (MCA)
HOT AC
CITIZEN COPE If There's Love (Dream Works)
MARC ANTHONY I Need You (Columbia)
NATALIE MERCHANT Build A Levee ( Elektra/EEG)
RES They -Say Vision (MCA)
SHERYL CROW Soak Up The Sun (A &M /lnterscope)
SIMPLE PLAN I'm Just A Kid (Lava/Atlantic)
SMOOTH JAZZ
ACOUSTIC ALCHEMY Tuff Puzzle (Higher Octave)
RICHARD ELLIOTT Shotgun (GRP,/VMG)
STEVE COLE So Into You (Atlantic)
ROCK
ANDREW W.K. Party Hard (Island/IDJMG)
DOWN Beautifully Depressed (Elektra/EEG)
FAMILIAR 48 The Question (MCA)
FLAW Whole (Republic /Universal)
JAKE ANDREWS The Bitter End
(Texas Music Group /Antone)
12 STONES Broken (Wind -up)
ACTIVE ROCK
ANDREW W.K. Party Hard (Island IDJMG)
DOWN Beautifully Depressed (Elektra/EEG)
FAMILIAR 48 The Question (MCA)
FLAW Whole (Republic /Universal)
SLIPKNOT My Plague (Roadrunner /IDJMG)
12 STONES Broken (Wind -up)
ALTERNATIVE
ANDREW W.K. Party Hard (Island / IDJMG)
ELBOW Newborn (V2)
FLAW Whole (Republic/Universal)
12 STONES Broken (Wind -up)
TRIPLE A
BONNIE RAITT I Can't Help You Now (Capitol)
BRENDAN BENSON Tiny Spark (Star Time/Red Ink)
ELBOW Newborn (V2)
JAKE ANDREWS The Bitter End
(Texas Music/Antone's)
JENNIFER KNAPP Say Won't You Say (Gotee)
JILL COHN Oneness (Boxobeanies Music)
RES They -Say Vision (MCA)
SHERYL CROW Soak Up The Sun (A &M/Interscope)
TINSLEY ELLIS Mystery To Me (Telarc)
liquid audio _
-1 A
www.americanradiohistory.com
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their listeners to combat smaller com- petitors. Smaller operators cannot ef- fectively compete in today's radio industry, at least in mainstream for-
mats. However, if they niche their formats, they can minimally sur- vive."
Citadel CEO Larry Wilson pre- sented a different take. "In a small town, local operators are going to know all the key advertisers," he said.
"That's a real advantage over a big national company that tries to corn - pete in those little towns. That's one of the reasons we got out of doing that."
In between big companies like Citadel and mom -and -pop local op- erators are quite a few medium -sized companies, which resemble the nation's middle -class citizens in how they fit into the landscape: They can empathize with both sides.
New Northwest Broadcasters President/CEO Ivan Braiker told R &R that, while "some of the magic of radio" has been lost due to consoli- dation, the act has allowed companies like his to grow and flourish in ways that they couldn't have before its pas- sage. "Radio is no longer a cottage business," he said. "If we didn't have the ability to cluster, you'd only have four or five stations making a living in some markets."
And, believe it or not, there are still
singletons out there surviving in big, competitive markets. Karen Slade, VP /GM of Urban AC KJLH -FM/Los Angeles, said things have gotten tougher at her station since passage of the act. "It was challenging before consolidation," she said, "but the playing field was a little more level then. Post -Telecom Act, it's not one- on -one competition anymore. You have the muscle and might of a big company to contend with, with a net- work of stations, and they can close you out any way they choose."
Slade said that one of the toughest hurdles she faces is competing for ad
dollars against other stations in the same format. She expressed frustra- tion that, despite being minority - owned, KJLH still has a hard time competing for advertisers that simply buy nationally with the big compa- nies. "Even if they're trying to reach my demographic, they believe they've reached the entire market by buying nationally. They don't feel they have to buy that deep."
John Mielke, owner of KKNX- AM /Eugene, OR, said that he's watched the number of competitors in his market dwindle from seven to three. But, despite KKNX's being the only standalone in the market, he said, "It's not really harder to com- pete." In fact, Mielke said that he has several advantages over his larger competitors, including lower over- head costs (his wife and children are among the station's four -person staff) and a familiarity with the market that transplanted managers simply don't have.
Plus, with his station bought and paid for, Mielke's ad rates are stable and generally lower than the competition's, so he feels there's little threat of fail-
ure. He recalled an incident when another Eugene station manager de- cided to lower his ad rates to compete with KKNX. "I called my advertis- ers and told them that was a great rate on that station and they should buy. I
knew he couldn't stay in business at those rates, and I'd be alone in the market within a year."
Encouraging his advertisers to buy
time on other stations isn't Mielke's only creative business tactic. Since his is a stereo AM station, he offered free advertising to retailers that agreed to stock stereo AM receivers. Mielke also took his station into cyberspace early in the development of streamed audio and said that he now has more online listeners than traditional radio listeners.
While Mielke doesn't think the act has hurt radio, he believes that it has had costly repercussions. "I don't see the ad rates going down, and I don't see everybody keeping jobs," he said, contrary to forecasts he heard from the act's early supporters. He also be- lieves that community service has taken a backseat to profit margins and shareholder value, and he would like to see larger companies place a big- ger focus on service. "It's not nearly what it used to be," he said.
Braiker also laments how some stations are less willing to help with charity events now that pressure to
deliver a healthy bottom line has in- creased. "I work with the March of Dimes," he said, "and it's impossible for charities to get airtime. Getting exposure is like pulling teeth. Run- ning PSAs used to be part of the privi- lege of holding a license."
But Citadel COO Bob Proffitt said that larger companies have the re- sources to really step up their level of community involvement. "Instead of six or seven stations showing up at events all over town, we can have six or seven stations show up at one event," he said. "When we show up at an event, we're building a home in
that market. If we're doing our job and serving our communities, bigger is better." Proffitt also believes that larger operators can still deliver good local content. "We still feel live and local. There is good local program- ming out there."
Radio Unica CFO Steve Dawson believes that creativity has suffered. "Programming is becoming homoge- neous, with a lack of unique talent and program formats." he said.
Liberman also believes that the act has exacted a price from listeners. "Clustering has defeated diversity within formats, leaving behind the mi- nority listener," he said.
Minority- interests watchdog David Honig wonders if there is a way the FCC can address that very issue. Honig, Exec. Director of the Minority Media & Telecommunica- tions Council, asks, "Is there a way that the FCC can promote format di- versity or the number of different types of packages in which music or information can be contained - be it language or cultural style or what- ever - and simultaneously increase the diversity of viewpoints ?" He said that the MMTC will pose that ques- tion in the comments it is submitting for the commission's ongoing review of its radio -ownership limits.
February 22, 2002 R &R 49
While the FCC may never meddle in format issues, many wonder if it will
further loosen its radio -ownership rules in this latest rule review. Wilson and Regent CEO Terry Jacobs think the rules should remain as they are, but Braiker and Dawson think the FCC needs to tighten the reins. "In certain markets, loosening ownership limits will limit competition," Dawson said.
"In other markets, that may not be the
case. Each market needs to be ad- dressed individually."
Braiker said that the FCC should take a harder look at larger markets. "There are too many ways to fly un- der the radar," he said. While Jacobs said that there "may be some abuses" of the leeway afforded under the act, Adam Thierer - Director/I'elecom- munications Policy at DC -based think tank the Cato Institute - said that the wave of media mergers would have occurred with or without the act; the law's passage just made it easier.
"The economics of the industry were such that these companies just had to get up to scale," Thierer said. "It makes some people very uncom- fortable to think about the idea of hav- ing a handful of media conglomerates stalking the land, but one wonders why it doesn't make them equally un- comfortable to have only two primary providers of soda pop and only a hand- ful of major automotive manufactur- ers. I guess the answer is that we feel that media - especially radio and television - are special."
Thierer also believes that policy - makers are too "wrapped up" in en-
suring that the public interest is served by the media. "For that very arbitrary and undefined reason, we have all of this continuing regulation, and we probably won't see a complete phase- out of all these rules," he said.
Honig presented a unique analogy, comparing consolidation in radio to the clearing of the Brazilian rain for- est. "You may have a lot more corn grown, and maybe there are two or three different species of corn that's grown, but you're losing a lot of biodiversity," he said. "We're losing a lot of intellectual uniqueness. What you have is a more homogenous lo- cal media in many markets. Some markets have gone from 20 voices to eight. Is that better for radio? It's not better for radio listeners."
Proffitt presented an equally col- orful analogy to illustrate his belief that, as revenues and station values increase and radio finds more adver- tisers, all stations will benefit. "The seas have risen," he said, "and as long they keep rising, it's good for all the ships at sea."
Cumulus Chairman /CEO Lew Dickey offered a similar take, as he also believes larger operators can help boost their smaller competitors. "As the larger players with much greater platforms compete to take a larger share of the pie," he said, "it's going to create a rising tide. That ris- ing tide is going to bring along the single- station owner -operators. Single -station owner -operators will always be viable in this business as long as they have compelling con- tent. It's in their best interest to see large groups shift more dollars into the industry. That rising tide will bring them up as well."
www.americanradiohistory.com
For All Time "Play `For All Time' by Soluna for any woman in your demo and it's sure to be a hit!" -Brandon Edwards!WIOG
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CHR/Pop TONY NOVIA tnovia@rronline.com
PART TWO OF A TWO -PART SERIES]
Behind The Music
February 22, 2002 R&R 51
Daniel Glass is adept at identifying the drive and passion in people
mpowering could easily be the description for Artemis Records President Daniel Glass' im- pact on the careers of artists and those behind the artists. His unique insight and talent were evident early on, when he became one of Brooklyn College station WBCR's hottest R&B and
dance disc jockeys. Shortly thereafter, he used his in-
nate sense of what people want to hear to produce and promote sev- eral dance hits for Pilgrim Records. He kept his hand in radio but began to make his way in the record busi- ness, landing at cutting -edge indie label SAM Records
as VP.
Glass stood out from the record -exec pack by decid- ing to embrace street bands and devel- oping a philosophy of building an art- ist's career instead of just picking hits. He took this strategy to Chrysalis Records in 1983 as Director/New Music Marketing. In his six years at
the label he helped guide the careers of Pat Benatar, Billy Idol, Spandau Ballet and Sinead O'Connor, among others.
Not surprisingly, Glass was pro- moted to Exec. VP /GM of SBK Records, later moving up to co-Exec. VP /GM of the consolidated SBK, Chrysalis and EMI labels. Five years later Universal Music Group CEO Doug Morris joined forces with Glass to form Rising Tide Records, which later became Universal Records with Glass as President.
During his steady rise through the ranks, Glass not only guided the ca- reers of artists, but also those of the many interns who were lucky enough to work with him. He used his talent to help those who shared his love of music. While his star continued to rise, he never lost sight of the impor- tance of mentoring and sharing his passion.
Glass went back to his indie roots when he started the GlassNotes label, which was snatched up - along with Glass - by Danny Goldberg for his newly formed Artemis Records. Once again, artists have thrived because of Glass' devotion, among them Warren Zevon, Baha Men, Steve Earle and Kurupt.
This week we continue our salute to Glass, who has played a significant role in the careers of the record exec- utives he has hired and trained throughout his career.
Daniel Glass
Greg Thompson
Exec. VP /GM, Elektra
What Daniel saw in me was deter- mination and a willingness to work 24/7. Highlights from my job inter- view with Daniel? Three trips to New York, 100 -plus phone calls, and he told me to lose the suit for the inter- view. The qualities that I brought to the table were youth and passion. I
never stopped trying to close him - I wanted it bad.
My best day was when I was awarded a trip to London for my suc- cess on the Paul Carrack project. Worst day? The way that I found out that SBK, EMI and Chrysa- lis were merging: I read it in Variety.
What I learned from Daniel that I still use today is passion. You can never work too hard if you want Greg Thompson
to win. A funny moment was when I was a rookie Cleveland local, and I was driving Daniel to the airport. We got into an accident, and he missed his plane. Despite that, I learned a couple of hard lessons. First and foremost was "It's a business, and never forget that." I also learned that, when you run a staff, make them your family. When I see Daniel today, we always catch up on each other. Daniel, thanks for my shot.
Joe Reichling
VP/Promotion, Arista
I was in college at Syra- cuse working at WJPZ (Z89). A buddy of mine was a college rep for Sony, and he turned me on to a summer internship at Chrysalis, where Daniel was head of promotion. I was out of my mind with excitement at see- ing the inner workings of the promo world. I would hover in the hallway and listen to Daniel on the phòne. I was in
awe of the man - and the job - from the start.
My first impression of Daniel was that he was animated and passionate and exciting. But even though the at- mosphere was loose in the office, he always maintained a professional and dignified approach to the job. It was Daniel who taught me that promotion was a big responsibility. Artists' ca- reers were in our hands, and what we did impacted pop culture. He taught me how to carry myself, to always be prepared with facts, to know the mu- sic inside and out and to get to know the artists.
After college I once again went to Daniel. He had just launched SBK Records and was starting to get hot. I interned for him and Ken Lane in pro- motion. I ran errands, picked up sand- wiches, got dry cleaning - all the while Teaming as much as I could. Daniel was always amazing. He would invite me into his office to listen to a demo tape and ask for my feedback. He would let me sit in on strategy meet- ings. He really took an interest and cared and nurtured me.
He offered me an assistant's job in Los Angeles. For days he had been saying to me, "You want to do it? Are you ready ?" Then he called me in to his office and made me the best offer I've ever received, even to this day. He said, "Here's a one -way tick- et to L.A. and $300 a week." The re- location plan included my lugging my stuff to the office and UPS -ing it from the mailroom. I didn't deserve that job; I didn't earn it. Daniel gave it to me out of his love of giving back. How many people would relo- cate someone across the country to fill an assistant's job?
Daniel and I speak every few weeks - more often now that I'm
back in New York. His guid- ance and advice are now more geared toward becom- ing a well- rounded person by finding hobbies and inter- ests outside the business. He took me running in Central Park recently. It was a short three- or four -mile run. I was in such pain! He talked the whole time (I could barely breathe) about New York, his family and how I would
someday have a family of my own and learn to balance the work.
Joe Re ichling
THE LATEST LATIN R &B FUSION
Saucy Latin recording group Soluna stopped by the R &R offices in Los
Angeles to check out our new digs and drop off copies of their DreamWorks release For All Time. Seen here (back row, l -r) are R &R Sr.
VP /CHR /Pop Editor Tony Novia and Sr. VP /Music Ops. Kevin McCabe,
Soluna's Jessica Castellanos and Christina T. Lopez, R &R Electronic Pubs
Editor Kevin Carter, (front row, l -r) Music Meeting Ops. Manager Al
Machera, R &R sales diva Kristy Reeves, DreamWorks Rep Dave Barbis,
Soluna's Aurora Rodriguez, R &R Street Talk Daily guru Steve Resnik,
Soluna's America Olivo and R &R NTR Sales Rep Gary Well.
I owe a lot to Daniel, and I hold him in the highest esteem.
Chris Woitman
VP, J Records
Daniel saw a kid whose mind he could shape. I was six months out of college when I came to New York City for the interview. He has me run- ning around all day - meeting [SBK CEO Charles] Koppelman, sitting with Neil Lasher, meeting A &R, the whole run. The office is filled with Tuesday energy. After a day of run- ning, he calls me in around 7pm or so.
He's sifting behind his desk with such seriousness, and he asks me my thoughts on the day. He then moves in for the kill.
"Chris," he says, "I want you to work on my team. How much will it take?" Of course, I'm nervous about saying a dollar amount Should it be this? Should
it be that? What do I say? I throw out $30,000 with great
confidence, and Daniel looks at me, resting his chin on his index fingers, and shakes his head. "No, Chris Woltman," he says, "you are worth $35,000." What I brought
to the table was my love of music and my passion for the job. What he taught me was to be myself. It's hard to pick the best day, because the whole run was amazing. As for worst days, he could make you feel like shit, then call you at home that night and pick you back up.
Daniel possesses a tremendous fo- cus, which is crucial, but he also taught you to always get back up and get in the ring. I always know that he is watching and is always there to say, "Great job." He also reaches out to say, "What do you think about this ?" Daniel has had a tremendous influ- ence in my career and, therefore, my life. For that, I can only say thank you. I am honored to have done my time as one of his students.
Chris Woitman
Neil Lasher
VP, EMI Music Publishing
Daniel saw in me a great promotion person with a big heart (yeah, right). As Elektra was making cutbacks, Chrysalis had just let go of its DC lo-
cal. Mike Bone was my boss at EA and was friends with Rick Dobbis. Rick was Daniel's boss at the time. Bone told me he had mentioned me to Rick, and, as long as powder wasn't falling out of my nose during the interview, I'd probably get the job. I remember
we hit it off right away. There were too many best days to
single out one. Radio promotion was a lot of fun in those days. We had lot of hits. (Huey Lewis, Billy Idol, Pat Benatar, World Party and The Waterboys, to name a few.) OK, the best day was when he called me in DC and said he was going to run promotion at SBK. He then asked me if I would like to come home to New York City and run the SBK rock department. He was facilitating a dream come true for me. P.S.: I'm still on the 42nd floor of 1290 Ave- nue of the Americas, but now I'm working for the `B" in SBK, Marty Bandier, the publishing god of this solar system.
The worst day could also have been a pivotal day in my life. (I get choked up when I think about it.) I
was in a hotel room in Allentown. I
was working either a Billy Idol show or an Icehouse show (I can't remem- ber). It was Nov. 18, 1987. At mid- night, I was having a birthday. I had been battling personal demons, and I
just couldn't do it any longer. I called Daniel, and I told him I'd have to leave. I said I needed 28 days off, and if he needed to fire me, I didn't care. His response is the reason I'd jump through hoops for him forever. He
Neil Lasher
Continued on Page 56
www.americanradiohistory.com
52
Ca//out .4r»erica® EXCLUSIVE NATIONAL MUSIC RESEARCH ESTIMATES February 22, 2002
CAI Our AMERICA, song selection is based on the top 25 titles from the R &R CHR/Pop chart for the airplay week of January 27- February 2.
¡= Hit Potential
ARTIST TITLE LABELS)
CHR/POP
ó
ir m
0
REGIONS DEMOGRAPHICS TOTAL AVERAGE FAVORABIIJTY ESTIMATE (1-5)
TW LW 3W 4W WOMEN
12 -17 WOMEN
18 -24 WOMEN
25 -34 MID.
EAST SOUTH WEST WEST
NICKELBACK How You Remind Me (Roadrunner /IDJMG) 3.91 4.01 3.98 4.08 83.1 22.1 3.98 3.91 3.85 3.87 3.85 4.03 3.90
H0 JIMMY EAT WORLD The Middle (Dream Works) 3.88 40.0 7.1 4.03 3.83 3.65 3.82 4.03 3.36 4.17
LINKIN PARK In The End (Warner Bros.) 3.85 4.06 3.99 4.03 71.8 16.2 4.17 3.84 3.39 3.68 3.85 3.99 3.89
PUDDLE OF MUDD Blurry (Flawless /Geffen /Interscope) 3.81 3.76 3.89 3.95 49.3 8.3 4.07 3.76 3.46 3.82 3.76 3.91 3.75
R. KELLY The World's Greatest (lnterscope /Jive) 3.75 3.77 3.59 3.63 51.7 10.0 4.05 3.79 3.11 3.75 3.60 3.98 3.65
CITY HIGH Caramel (lnterscope) 3.72 3.70 3.64 3.89 60.8 14.2 3.87 3.56 3.65 3.57 3.76 3.85 3.72
H0 ALAN JACKSON Where Were You... (Arista) 3.70 40.0 6.9 3.38 3.68 3.95 4.00 3.51 4.03 3.28
USHER U Got It Bad (LaFace /Arista) 3.70 3.78 3.73 3.87 82.6 27.5 3.86 3.70 3.48 3.76 3.80 3.88 3.35
CREED My Sacrifice (Wind -up) 3.69 3.76 3.71 3.76 79.4 26.0 3.61 3.70 3.76 3.74 3.75 3.84 3.41
CALLING Wherever You Will Go (RCA) 3.67 3.74 3.81 3.83 80.9 20.6 3.78 3.58 3.63 3.76 3.82 3.69 3.46
Hj OUTKAST The Whole World (LaFace /Arista) 3.63 3.57 3.52 3.55 55.1 13.0 3.72 3.54 3.58 3.52 3.62 3.68 3.72
ALICIA KEYS A Woman's Worth (J) 3.62 3.52 3.43 3.52 68.4 20.1 3.72 3.58 3.50 3.63 3.60 3.81 3.44
JENNIFER LOPEZ Ain't It Funny (Epic) 3.60 3.66 3.61 3.71 62.0 16.9 3.77 3.53 3.40 3.61 3.59 3.63 3.57
JA RULE F /ASHANTI Always... (Murder Inc. /DefJam /IDJMG) 3.59 3.73 3.70 3.81 74.3 24.5 3.82 3.46 3.35 3.56 3.46 3.88 3.45
HO LUDACRIS Roll Out... (Def Jam South /IDJMG) 3.59 3.68 3.62 3.70 58.8 16.9 3.82 3.64 3.07 3.58 3.58 3.66 3.52
HP DEFAULT Wasting My Time (TV7) 3.58 3.62 41.9 9.8 3.58 3.67 3.49 3.91 3.78 3.41 3.26
HP> FABOLOUS Young'n ( Holla Back) (Desert Storm /Elektra/EEG) 3.58 3.71 48.0 9.8 3.80 3.52 3.15 3.43 3.70 3.66 3.58
LEANN RIMES Can't Fight The Moonlight (Curb) 3.57 3.64 3.68 3.56 72.5 18.1 3.78 3.61 3.29 3.53 3.56 3.60 3.59
`N SYNC Girlfriend (Jive) 3.55 3.73 3.51 51.2 12.7 3.54 3.77 3.24 3.34 3.72 3.53 3.67
CRAIG DAVID 7 Days (Wildstar /Atlantic) 3.53 3.58 3.56 3.78 64.2 19.1 3.72 3.64 3.05 3.68 3.45 3.81 3.11
SHAKIRA Whenever Wherever (Epic) 3.53 3.50 3.44 3.70 76.7 24.3 3.60 3.52 3.43 3.67 3.63 3.42 3.41
Hl BUSTA RHYMES Break Ya Neck (J) 3.52 3.71 3.55 3.74 50.0 14.0 3.63 3.50 3.28 3.50 3.61 3.56 3.42
NELLY #1 (Priority /Capitol) 3.51 3.45 3.58 3.63 64.2 21.8 3.67 3.48 3.18 3.45 3.46 3.67 3.43
NO DOUBT Hey Baby (lnterscope) 3.46 3.42 3.65 3.66 80.1 30.1 3.36 3.50 3.57 3.58 3.49 3.41 3.40
PINK Get The Party Started (Arista) 3.43 3.44 3.46 3.47 88.5 34.6 3.36 3.37 3.57 3.36 3.30 3.52 3.54
MARY J. BLIGE Family Affair (MCA) 3.41 3.45 3.50 3.38 80.4 34.6 3.31 3.40 3.56 3.55 3.26 3.60 3.24
JA RULE Livin' It Up (Murder Inc. /Def Jam /IDJMG) 3.38 3.41 3.48 3.52 76.5 31.6 3.54 3.24 3.31 3.52 3.31 3.51 3.18
ENRIQUE IGLESIAS Hero (lnterscope) 3.37 3.39 3.40 3.41 79.9 33.8 3.41 3.20 3.48 3.28 3.44 3.37 3.39
KYLIE MINOGUE Can't Get You... (Capitol) 3.35 3.31 47.5 14.7 3.46 3.20 3.36 3.43 3.30 3.38 3.28
MARY J. BLIGE No More Drama (MCA) 3.34 47.1 12.7 3.40 3.37 3.19 3.47 3.32 3.41 3.07
TOYA I Do (Arista) 3.28 3.27 3.44 3.49 70.3 26.5 3.34 3.29 3.14 3.14 3.29 3.53 3.11
BRITNEY SPEARS I'm Not A Girl... (Jive) 3.04 2.95 3.01 2.95 74.0 27.5 3.04 3.13 2.93 3.00 3.29 2.96 2.92
CALLOUT AMER /CAw
Hot Scores BY ANTHONY ACAMPORA
First Jimmy ate Alternative, and now Jimmy eats CHR/Pop: Jimmy Eats
World debut at No. 2 on Callout Ameri- ca with "The Middle" (DreamWorks). The top 10 Alternative hit is off to a lightning - fast start with CHR/Pop listeners, ranking fourth among teens and third with wom- en 18 -24 and fourth 25 -34.
"Where Were You (When The World Stopped Turning)" by Alan Jackson (Arista) has become one of the biggest Country hits of all time, and this week it debuts at No. 6 overall and No. 1 25 -34.
That Alternative-Rock flavor we men- tioned a few weeks back still holds true as the top four songs on this week's Call- out America survey have crossed from those formats. Along with newcomers Jimmy Eat World in second place, Nick - elback retain the top spot with "How You Remind Me" (Roadrunner/IDJMG), while Linkin Park (Warner Bros.) and Puddle Of Mudd (Flawless/Geffen/Interscope) rank third and fourth, respectively.
R. Kelly's recent TV performances have apparently launched his latest single,
"The World's Greatest," (lnterscope /Jive) into a new realm. The song ranks fifth overall, third with teens and fifth among women 25 -34.
OutKast vault nearly into the top 10
with "The Whole World" (LaFace /Arista). "World" is testing across the board and has
a solid seventh-place ranking 25 -34. Three Hit Potential tracks score solid
demo results this week: Ludacris is top 10 in one demo and approaching the top
10 in another with "Roll Out (My Busi- ness)" (Def Jam South). The track is
eighth with teens and 1 1th among worn- en 25 -34. Fabolous scores another week
in the top 10, ranking 10th with teens with "Young'n (Holla Back)" (Desert Storm/ Elektra/EEG). Default - after a strong debut last week - follow things up with a top 10 ranking in the 18 -24 cell with the
top five Alternative and Active Rock hit "Wasting My Time" (TVT).
Total sample size is 400 respondents with a +1 -5 margin of error. Total average favorability estimates are based on a scale of 1 -5 (1 = dislike very much, 5 = like very much). Total familiarity represents the percentage of respondents who recognized the song. Total burn represents the number of respondents who said they are tired of hearing the song. Songs must reach 40% familiarity before they appear in print. Hit Potential (HP) represents songs that have yet to chart in the top 25 on R &R's CHR/Pop chart. Sample composition is based on females aged 12 -34, who responded favorably to a CHR/Pop musical montage in the following regions and markets: EAST: Boston, Nassau -Suffolk, New York, Philadelphia, Pittsburgh, Providence, Washington, DC. SOUTH: Atlanta, Dallas, Houston, Miami, San Antonio, Tampa. MIDWEST: Chicago, Cincinnati, Cleveland, Colum- bus, Detroit, Kansas City, Milwaukee, Minneapolis, St. Louis. WEST: Denver, Los Angeles, Portland, Sacramento, Salt Lake City, San Diego, San Francisco, Seattle. © 2002, R &R Inc.
MARY f BLIGE "NO MORE DRAMA" KI1S zloo WXKS WKSC KHKS WWWQ KHTS KCHZ KMXV KDWB Y100 WBZZ WKST WKFS WDRQ WXSS KFMD KKRZ WNCI
PERFO 44th AN
MCA Y I Cle..,.,.n.,
AMERICA
Los Angeles New York Boston Chicago Dallas Atlanta San Diego Kansas City Kansas City Minneapolis Miami Pittsburgh Pittsburgh Cinncinati Detroit Milwaukee Denver Portland Columbus
RMING AT NUAL GRA
28x 37x 20x 20x 29x 25x 24x 40x 35x 32x 20x 34x 29x 32x 23x 32x 30x 30x 29x
THE MMYS
MUSIC FIRST
12
THE TITLE TRACK
FROM MARY'S MULTI -PLATINUM,
GRAMMY
NOMINATED ALBUM
NO MORE DRAMA
R&R CHR/POP 9-0+330
1_7
Written by James Harris IIl, Terry Lewis,
Barry Devorzan, and Perry Botkin, Jr.
Produced by Jimmy Jam & Terry Lewis
for Flyte Tyme Productions, Inc.
Executive Producer: Mary J. Blige
Management: Tra -La -Lee & The Firm www.mjblige.com www.mcarecords.com
©2002 MCA Records
www.americanradiohistory.com
CHR /Pop Top 50 February 22, 2002
LAST WEEK
THIS
WEEK ARTIST TITLE LABEL(S)
TOTAL PLAYS
1- PLAYS
GROSS IMPRESSIONS
WEEKS ON
CHART
TOTAL STATIONS/ ADDS
2 O NO DOUBT Hey Baby (Interscope) 8555 +181 96(1191 14 132/0
2 NICKELBACK How You Remind Me (Roadrunner /IDJMG) 8351 -438 1013071 17 131/0
4 © LINKIN PARK In The End (Warner Bros.) 8082 +524 1024081 10 107/2
3 USHER U Got It Bad (LaFace /Arista) 7027 -613 777931 15 128/0
9 CRAIG DAVID 7 Days (Wildstar /Atlantic) 6477 +186 753754 13 129/0
6 CALLING Wherever You Will Go (RCA) 6476 -145 848116 18 126/1
5 PINK Get The Party Started (Arista) 6391 -816 646983 17 132/0
11 0 KYLIE MINOGUE Can't Get You Out Of My Head (Capitol) 6249 +704 757308 7 132/0
10 Q JA RULE F /ASHANTI Always On Time (Murder lnc. /DefJam /IDJMG) 6085 +525 750481 8 121/3
8 10 CREED My Sacrifice (Wind -up) 5840 -562 646712 15 128/0
13 JENNIFER LOPEZ Ain't It Funny (Epic) 5646 +720 683107 7 127/0
12 ® LEANN RIMES Can't Fight The Moonlight (Curb) 5625 +231 750188 16 129/0
7 13 SHAKIRA Whenever Wherever (Epic) 5117 -1311 592275 17 130/0
16 (E) `N SYNC Girlfriend (Jive) 4559 +494 556032 6 127/0
15 15 CITY HIGH Caramel (Interscope) 4306 -45 535246 14 123/0
14 16 MARY J. BLIGE Family Affair (MCA) 4237 -400 442213 22 125/0
25 m PUDDLE OF MUDD Blurry (Flawless /Geffen /Interscope) 3513 +943 370055 5 125/3
17 18 TOYA I Do (Arista) 3379 -252 359267 28 121/0
22 MARY J. BLIGE No More Drama (MCA) 3357 +330 390818 6 119/1
24 ALANIS MORISSETTE Hands Clean (Maverick/Reprise) 3123 +369 373212 5 115/1
21 21 BRITNEY SPEARS I'm Not A Girl, Not Yet... (Jive) 2912 -134 308402 6 128/0
19 22 NELLY #1 (Priority/Capitol) 2820 -481 245585 17 119/0
30 ENRIQUE IGLESIAS Escape (Interscope) 2761 +985 339799 3 126/4
23 24 R. KELLY The World's Greatest (lnterscope /Jive) 2758 -135 245829 9 105/1
18 25 ALICIA KEYS A Woman's Worth (J) 2694 -856 229061 11 124/0
20 26 JA RULE Livin' It Up (Murder Inc. /Def Jam /IDJMG) 2642 -472 318073 17 119/0
26 MICHELLE BRANCH All You Wanted (Maverick/WB) 2637 +320 285174 6 110/4
28 BRANDY What About Us? (Atlantic) 2462 +540 296485 5 105/3
34 110 Rapture (Tastes So Sweet) (Universal) 1860 +474 217148 3 109/17
32 NATALIE IMBRUGLIA Wrong Impression (RCA) 1802 +200 180522 5 88/0
33 ® DARREN HAYES Insatiable (Columbia) 1723 +280 184375 4 95/1
29 12 JEWEL Standing Still (Atlantic) 1712 -153 224063 18 95/0
27 s3 BRIAN MCKNIGHT Still (Motown /Universal) 1478 -616 137808 10 114/0
35 LUDACRIS Roll Out (My Business) (DefJam South /IDJMG) 1441 +265 141018 4 79/8
36 GORILLAZ 19 -2000 (Virgin) 1323 +187 135648 4 87/6
39 OUTKAST The Whole World (LaFace /Arista) 1280 +262 143262 3 68/6
31 . GINUWINE Differences (Epic) 1246 -414 116760 17 116/0
37 CHER Song For The Lonely (Warner Bros.) 1188 +93 121868 4 66/0
40 NELLY FURTADO ...On The Radio (Remember...) (DreamWorks) 1133 +184 100409 2 90/8
46 PINK Don't Let Me Get Me (Arista) 1113 +548 200823 2 116/83
41 BUSTA RHYMES Break Ya Neck (J) 995 +124 92006 3 65/3
42 FABOLOUS Young'n (Holla Back) (Desert Storm /Elektra/EEG) 938 +97 113612 3 59/1
¡Debut> m P.O.D. Youth Of The Nation (Atlantic) 829 +346 102955 1 85/23
44 BLINK -182 First Date (MCA) 790 +177 83044 2 54/3
¡Debut> m SHAKIRA Underneath Your Clothes (Epic) 762 +512 131404 1 89/21
47 GLENN LEWIS Don't You Forget It (Epic) 745 +196 59944 2 73/6
50 m DJ ENCORE I See Right Through To You (MCA) 661 +122 64554 2 30/2
¡Debut> VANESSA CARLTON A Thousard Miles (A &M /Interscope) 629 +248 85912 1 83/58
38 49 EVAN AND JARON The Distance (Columbia) 615 -461 66220 13 78/0
¡Debut> ®i TOYA No Matta What (Party All...) (Arista) 605 +263 100008 1 65/12
132 CHR/Pop reporters. Monitored airplay data supplied by Mediabase Research, a division of Premiere Radio Networks. Songs ranked by total plays for the airplay week of 2/10/02- 2/16/02. Bullets appear on songs gaining plays or remaining flat from previous week. If two songs are tied in total plays, the song with the larger increase in plays is placed first. Songs below No. 20 are moved to recurrent after 20 weeks on the chart. Most Added is the total number of new adds officially reported to R &R by each reporting station. Songs unreported as adds do not count toward overall total stations playing a song. Most Increased Plays lists the songs with the greatest week -to -week increases iin total plays. Gross Impressions equals Average Quarter Hour Persons times number of plays (times 100). Average Quarter Hour Persons used herein with permission from the Arbitron Company (copyright 2002, The Arbitron Company). (C) 2002, R &R, Inc.
53
Most Added® www.rradds.com
ARTIST TITLE LABELrSr ADDS
PINK Don't Let Me Get Me (Arista) 83
VANESSA CARLTON A Thousand Miles (A &M/Interscope) 58
CELINE DION A New Day Has Come (Epic) 31
P.O.D. Youth Of The Nation (Atlantic) 23
SHAKIRA Underneath Your Clothes (Epic) 21
RES They -Say Vision (MCA) 21
110 Rapture (Tastes So Sweet) (Universal) 17
DEFAULT Wasting My Time (M) 15
TOYA No Matta What (Party All...) (Arista) 12
AMANDA PEREZ Never (Universal) 9
Top 40 Monitor: D34 *!!! R &R CHR /Pop: J!!
Rhythm Monitor: 3
Crossover Monitor: 6
2r$
Most Increased Plays
ARTIST TITLE LABEL(S)
ENRIQUE IGLESIAS Escape (lnterscope) +985
PUDDLE OF MUDD Blurry (Rawless/Geffen/Interscope) +943
JENNIFER LOPEZ Ain't It Funny (Epic) +720
KYLIE MINOGUE Can't Get You Out Of My Head (Capitol) +704
PINK Don't Let Me Get Me (Arista) +548
BRANDY What About Us? (Atlantic) +540
JA RULE F /ASHANTI Always... (Murder lnciDef JaMIDJMG) +525
LINKIN PARK In The End (Warner Bros.) +524
SHAKIRA Underneath Your Clothes (Epic) +512
`N SYNC Girlfriend (Jive) +494
TOTAL
PLAY
INCREASE
Most Played Recurrents
ARTIST TITLE LABEL: TOTAL PLAYS
ENRIQUE IGLESIAS Hero (lnterscope) 2290
NELLY FURTADO Turn Off The Light (DreamWorks) 2138
STAIND It's Been Awhile (Flip /Elektra/EEG) 1976
LIFEHOUSE Hanging By A Moment (DreamWorks) 1824
JENNIFER LOPEZ I'm Real (Epic) 1616
ALICIA KEYS Fallin' (J) 1561
`N SYNC Gone (Jive) 1543
EVE F /G. STEFAN! Let Me... (Ruff Ryders/lnterscope) 1486
BLU CANTRELL Hit 'Em Up Style (Oops!) (Arista) 1445
FIVE FOR FIGHTING Superman (It's...) (Aware/Columbia) 1367
JAGGED EDGE Where The Party At (So So Def/Columbia) 1325
TRAIN Drops Of Jupiter (Tell Me) (Columbia) 1244
3 DOORS DOWN Be Like That (Republic /Universal) 1158
CRAIG DAVID Fill Me In (Wildstar /Atlantic) 1131
DESTINY'S CHILD Emotion (Columbia) 1103
ExposENEW PRODUCTS AVAILABLE! CALL TODAY FOR A CATALOG!
r1
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Fax (2601 436-6739 www.nrstflash.com
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54
CHR /Pop Top 50 Indicator February 22, 2002
R &R'S EXCLUSIVE REPORTED OVERVIEW OF NATIONAL AIRPLA Y
WEEK WEEK
3 0 6 0 8
2
5
10 o 4 8
7 9
11 m 12 m 9 12
14 ® 17
18
21 0 15
22 m 13 19
23
29
19 22
16 23
20 24
27 a 28 0 32
30 0 34 m 26 30
24 31
31 32
25 33
37
33 35
38
50
35
42 0 40
39 m 36 42
¡Debut> m 44 m 41 m
m m m
43
48
¡Debut>
¡Debut>
¡Debut>
ARTIST TITLE LABEL(S)
NO DOUBT Hey Baby (Interscope)
CALLING Wherever You Will Go (RCA)
CRAIG DAVID 7 Days (Wildstar /Atlantic)
LINKIN PARK In The End (Warner Bros.)
NICKELBACK How You Remind Me (Roadrunner /IDJMG) USHER U Got It Bad (LaFace /Arista)
KYLIE MINOGUE Can't Get You Out Of My Head (Capitol)
CREED My Sacrifice (Wind -up)
PINK Get The Party Started (Arista)
LEANN RIMES Can't Fight The Moonlight (Curb)
JENNIFER LOPEZ Ain't It Funny (Epic)
SHAKIRA Whenever Wherever (Epic)
JA RULE F /ASHANTI Always On Time (Murder lnc. /DefJam /IDJMG)1743 ALANIS MORISSETTE Hands Clean (Maverick/Reprise)
N SYNC Girlfriend (Jive)
PUDDLE OF MUDD Blurry (Flawless/Geffen/Interscope)
CITY HIGH Caramel (Interscope)
MICHELLE BRANCH All You Wanted (Maverick/WB)
ALICIA KEYS A Woman's Worth (J)
MARY J. BLIGE No More Drama (MCA)
ENRIQUE IGLESIAS Escape (Interscope)
BRITNEY SPEARS I'm Not A Girl, Not Yet... (Jive)
MARY J. BLIGE Family Affair (MCA)
R. KELLY The World's Greatest (lnterscope /Jive) NATALIE IMBRUGLIA Wrong Impression (RCA)
BRANDY What About Us? (Atlantic)
110 Rapture (Tastes So Sweet) (Universal)
NELLY FURTADO ...On The Radio (Remember...) (DreamWorks)
DARREN HAYES Insatiable (Columbia)
TOYA I Do (Arista)
JEWEL Standing Still (Atlantic)
CHER Song For The Lonely (Warner Bros.)
NELLY #1 (Priority/Capitol)
GORILLAZ 19 -2000 (Virgin)
JA RULE Livin' It Up (Murder Inc./Def Jam/IDJMG)
LUDACRIS Roll Out (My Business) (DefJam South /IDJMG)
P.O.D. Youth Of The Nation (Atlantic)
BRIAN MCKNIGHT Still (Motown /Universal)
SMASH MOUTH Holiday In My Head (Hollywood /lnterscope)
FABOLOUS Young'n (Holla Back) (Desert Storm /E/ektra/EEG)
OUTKAST The Whole World (LaFace /Arista)
GINUWINE Differences (Epic)
PINK Don't Let Me Get Me (Arista)
AMANDA PEREZ Never (Universal)
BLINK -182 First Date (MCA)
LAURA DAWN I Would (Extasy)
REMY ZERO Save Me (Elektra/EEG)
M2M Everything (Atlantic)
DEFAULT Wasting My Time (TVT)
VANESSA CARLTON A Thousand Miles (A &M /Interscope)
TOTAL + 1- GROSS WEEKS ON TOTAL STATIONS! PLAYS PLAYS IMPRESSIONS CHART ADDS
l00l
3025 -62 91910 13 53/0
2731 +61 85988 19 50/1
2618 +149 78065 13 52/0
2567 +199 81971 9 49/0
2535 -188 80272 17 49/0
2403 -152 75854 15 50/0
2347 +419 72556 7 53/3
2307 -355 71098 14 49/0
2145 -320 65765 17 47/0
1955 +153 63735 16 49/0
1918 +126 56937 9 52/0
1788 -373 55583 16 40/0
+290 52842 8 51/1
1537 +282 46110 5 51/1
1520 +317 47293 5 50/2
1480 +316 47400 6 50/0
1324 -64 42583 12 45/0
1292 +175 40242 6 49/0
1253 -290 38417 11 38/0
1219 +250 37215 6 45/0
1143 +410 36494 3 52/4
1065 -116 35340 6 39/1
1020 -251 30916 20 32/0
992 -185 31451 11 37/0
976 +100 32324 5 42/0
932 +134 28178 5 43/2
898 +222 28040 3 44/5
868 +162 25618 4 45/1
816 +203 25745 5 43/3
803 -107 21699 26 27/0
712 -219 22227 19 27/0
677 -7 21223 5 36/0
597 -330 15621 16 23/0
467 +95 14424 3 34/4
436 -235 10332 17 16/0
430 +110 11833 4 32/3
351 +213 11306 2 33/5
339 -265 8924 10 15/0
331 +107 9966 2 27/2
327 +69 10293 4 20/2
327 +62 7793 3 18/1
316 -145 7664 17 12/0
252 +209 6339 1 32/27
246 +27 5615 7 11/0
243 +5 7340 2 19/2
230 +9 6386 3 23/0
192 +42 6186 2 18/1
190 +53 5763 1 19/1
190 +53 5710 1 13/4
189 +179 6062 1 32/28
53 CHR/Pop Indicator reports. Songs ranked by total plays for the airplay week of Sunday 2/10 -Saturday 2/16. © 2002, R &R Inc.
Most Added. ARTIST TITLE LABEL(S) ADDS
VANESSA CARLTON A Thousand Miles (A &M/Interscope) 28
PINK Don't Let Me Get Me (Arista) 27
SHAKIRA Underneath Your Clothes (Epic) 18
CELINE DION A New Day Has Come (Epic) 11
110 Rapture (Tastes So Sweet) (Universal) 5
P.O.D. Youth Of The Nation (Atlantic) 5
RES They -Say Vision (MCA) 5
TANTRIC Mourning (Maverick/Reprise) 5
ENRIQUE IGLESIAS Escape (Interscope) 4
GORILLAZ 19 -2000 (Virgin) 4
INDIA.ARIE Video (Motown /Universal) 4
DEFAULT Wasting My Time (TVT) 4
FAT JOE F /ASHANTI What's Luv? (Terror Squad/Atlantic) 4
KYLIE MINOGUE Can't Get You Out Of My Head (Capitol) 3
DARREN HAYES Insatiable (Columbia) 3
LUDACRIS Roll Out... (DefJam South /IDJMG) 3
SOLUNA For All Time (DreamWorks) 3
GLENN LEWIS Don't You Forget It (Epic) 3
KID ROCK Lonely Road Of Faith (Top Dog /Lava/Atlantic) 3
'N SYNC Girlfriend (Jive) 2
Most Increased Plays
TOTAL PLAY
ARTIST TITLE LABEL(S) INCREASE
KYLIE MINOGUE Can't Get You Out... (Capitol) +419
ENRIQUE IGLESIAS Escape (lnterscope) +410 `N SYNC Girlfriend (Jive) +317 PUDDLE OF MUDD Blurry (Rawless/Geffen/lnterscope) +316
JA RULE F /ASHANTI Always... (Murder Inc. /DelJam/IDJMG) +290 ALANIS MORISSETTE Hands Clean (Maverick/Reprise) +282
MARY J. BLIGE No More Drama (MCA) +250 110 Rapture (Tastes So Sweet) (Universal) +222 P.O.D. Youth Of The Nation (Atlantic) +213 PINK Don't Let Me Get Me (Arista) +209 DARREN HAYES Insatiable (Columbia) +203 LINKIN PARK In The End (Warner Bros.) +199 VANESSA CARLTON A Thousand... (A &M/Interscope) +179 MICHELLE BRANCH All You Wanted (Maverick/WB) +175 SHAKIRA Underneath Your Clothes (Epic) +174
NELLY FURTADO ...On The Radio... (DreamWorks) +162 LEANN RIMES Can't Fight The Moonlight (Curb) +153 CRAIG DAVID 7 Days (Wildstar /Atlantic) +149
SOLUNA For All Time (DreamWorks) +139 BRANDY What About Us? (Atlantic) +134
JENNIFER LOPEZ Ain't It Funny (Epic) +126
INDIA.ARIE Video (Motown /Universal) +116
LUDACRIS Roll Out... (DefJam South /IDJMG) +110 SMASH MOUTH Holiday In... (Hollywood/Interscope) +107
NATALIE IMBRUGLIA Wrong Impression (RCA) +100
GORILLAZ 19 -2000 (Virgin) +95
CELINE DION A New Day Has Come (Epic) +74
FABOLOUS Young'n... (Desert Storm /Elektra/EEG) +69
FAT JOE F /ASHANTI What's Luv? (TerrorSquad/Atlantic) +64
OUTKAST The Whole World (LaFace /Arista) +62
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CHR /Pop Action February 22, 2002 R &R 55
John Shannon PD/MD, KCRS -FM (103.3
KISS-FM)/Odessa-Midland, TX
One of our current hot tracks is Kylie
Minogue's "Can't Get You out of My Head ";
phones have been ringing about it since it
debuted last week. Also, Cher's "Song for
the Lonely" is finding a solid place in our
requests from women, along with the new
Matchbox Twenty, "Last Beautiful Girl,"
and The Calling's "Wherever You Will
Go." My personal jams are Puddle Of
Mudd's "Blurry "; Kylie Minogue; the new Staind
single, "For You" (I sing this one at karaoke all the
time); Sugar Ray's "Ours "; and the new Smash
Mouth, "Holiday in My Head." a I'm looking forward
to seeing the new Goo Goo Dolls release, plus the
full album from Alanis Morissette.
There's a new No. 1 this week as No
Doubt overtake Nickelback and move
to the top with "Hey Baby" (Interscope) ... No
Doubt's stay at the top maybe limites, how-
ever, as "In the End" by Linkin Park (Warner
Bros.) moves 4 -3* with +524 plays ... In just
"7 Days," Craig David (Atlantic) makes a nice
9 -5* leap ... It's been more than a decade
since Kylie Minogue had a hit in the States, but "Can't Get You out of My Head"
(Capitol) climbs into the top 10 at No. 8 ... Puddle Of Mudd vault 25 -17* with
their chart -topping Rock and Alternative smash "Blurry" (Flawless /Geffen/
Interscope) ... Alanis Morissette returns to the top 20 this week as "Hands Clean"
(Maverick/Reprise) moves 24 -20* ... Talk about a tight part of the chart: Brandy
increases more than 500 plays this week with 'What About Us ?" but holds at
No. 28 ... Three key songs enter the chart: P.O.D. debut at 43* with "Youth of the
Nation" (Atlantic); Shakira follows her top 10 hit "Whenever, Wherever" with "Un-
derneath Your Clothes," which enters at No. 45; and newcomer Vanessa Carlton
debuts at No. 48 this week with "A Thousand Miles" (A &M /Interscope). Record
of the Week: Res' "They Say Vision" (MCA)
- Anthony Acampora, Director /Charts
ARTIST: Fat Joe
LABEL: Terror Squad /Atlantic
By RENEE BELL /ASSISTANT EDITOR
Asignificant part of the recent surge in
popularity of hip -hop music at the CHR/ Pop format can be credited to this young man,
whose name emphasizes both his lyrical game
and his status: phat. South Bronx native Joe
Cartagena's rap life developed in the heart of hip -hop's source, and his success is a testament
to his ability to deliver rap in its purest form.
Fat Joe's current Terror Squad/Atlantic project, J.O.SE., contains the juice hip -hop heads fiend
for. It's hard -core music with intense hood tac-
tics. JO.S.E. (Jealous One Still Envy) stands as
a sequel to Joe's critically acclaimed 1995
sophomore album, Jealous Ones Envy, and
is the long- awaited followup to his 1998
Gold -certified Don Cartagena. In reaction to
the unfortunate passing of Big Punisher in
2000, Joe gathered himself up and headed
back to the studio to create a project that would express both his mourning and his perseverance in hard times. Though he was determined to continue Big Pun's Latin hip - hop legacy, Joe also felt he should focus on
making music relatable for people of every
ethnic background. JO.S.E. houses some tight flows and wicked
beats from the Bronx Don, from the boastful "King of N.Y," featuring Buju Banton, to the
backyard- boogie remit of "We Thuggin'," fea-
turing R. Kelly, Busta Rhymes, Noreaga and
Remy. On "Opposites Attract," Joe turns on the
street charm and claims to know exactly what
the ladies want; then he explains his controver-
sial way of life in "Definition of a Don" and
"My Lifestyle." On "Fight Club," Joe ex-
changes intense lyrical punches with M.O.P. and
Petey Pablo.
The party tune "We Thuggin'," the debut
single from JO.S.E., swept up the charts and
JEALOUS ONES STILL ENVY
Fat Joe
soon claimed a spot on nearly every dial, includ-
ing Urban, CHR/Rhythmic and CHR/Pop sta-
tions. Now Joe has unleashed "What's Luv ?"
featuring Ja Rule and Ashanti, on unsuspecting
radio peeps, and it's following the same chart-
topping pattern as its forerunner. The infectious
tune has already claimed several Pop stations,
including WPKF /Poughkeepsie, NY, which added the record last week with 41 plays.
Track 11 from J.O.S. E., "He's Not Real," fea-
tures Prospect and Remy, and it beams with un-
derground stardom. That's followed by the
chickenhead salute "Get the Hell on With That,"
featuring Ludacris and Armageddon, and'the streetwise cuts "It's OK" and "Murder Rap." In
"The Wild Life," Joe, Prospect and Xzibit nar-
rate a brief tale of growing up in the hood, and
the track "Still Real" hits even closer to home
for Fat Joe himself.
Joe was joined in the studio on JO.S.E. by
some of today's hottest producers, including Iry Gotti, Rockwilder, Psycho Les and Alche- mist, and the album combines street lingo and attitudes with waves of infectious beats.
"I had a lot to prove with this album," says
Joe, "and whenever I find myself at my most vulnerable point, I seem to step it up. I al-
ways knew the formula. I knew what I had
to do with this album."
On Irack Contemporary Christian music program with artist interviews hosted by Dave Tucker.
O WEEKLY PROGRAMS
O FREE!
o FOLLOWED BY A :24 PROMO SPOT
o VOICE OUT 28:00
o COMPACT DISC
www.americanradiohistory.com
56
CHR/Pop c February 22, 2002
BateineMasic.com 81 lIEIILIIIISE'"
America's Best Testing CHR /Pop Songs 12+ For The Week Ending 2/22/02.
Artist Title (Label) TW LW Familiarity Burn TD Familiarity Burn
LINKIN PARK In The End (Warner Bros.) 4.27 4.29 92% 22% 4.29 92% 21% CALLING Wherever You WW Go(RCA) 4.17 4.22 91% 22% 4.17 90% 22% LEANN RIMES Can't Fight The Moonlight(Curb) 4.08 4.14 93% 23% 4.03 94% 24% MICHELLE BRANCH All You Wanted (Maverick-WB) 4.05 3.98 68% 9% 4.05 67% 9% NICKELBACK How You Remind Me(Roadrunner;lDJMG) 4.03 4.13 96% 40% 4.07 97% 43% SHAKIRA Whenever, Wherever(Epic) 3.97 3.90 97% 36% 3.95 97% 37% PINK Get The Party Started (Arista) 3.93 3.93 99% 46% 3.94 100% 45% PUDDLE OF MUDD Blurry (Flawless /Geffen /Interscope) 3.91 3.96 64% 11% 4.05 64% 9% NO DOUBT Hey Baby(lnterscope) 3.89 3.89 97% 41% 3.94 98% 43% JENNIFER LOPEZ Ain't It Funny(Epic) 3.86 3.77 88% 19% 3.83 87% 19% CREED My Sacrifice(Wind -up) 3.85 3.91 95% 36% 3.90 96% 37% CRAIG DAVID 7 Days (WildstaoAtlantic) 3.83 3.80 90% 28% 3.92 89% 28% KYLIE MINOGUE Can't Get You Out Of My Head (Capitol) 3.83 3.69 72% 19% 3.76 75% 22% BRIAN MCKNIGHT Still (Motown /Universal) 3.78 3.84 60% 12% 3.88 60% 12% USHER U Got It Bad (LaFace /Arista) 3.78 3.86 96% 44% 3.88 96% 42% CITY HIGH Caramel (Interscope) 3.70 3.72 85% 27% 3.70 84% 27% ENRIQUE IGLESIAS Escape (Interscope) 3.70 - 60% 11% 3.68 61% 12% R. KELLY The World's Greatest(lnterscope /Jive) 3.70 3.67 79% 21% 3.59 78% 21% JA RULE Always On Time(Murder inc/Def Jarn/IDJMG) 3.67 3.68 88% 32% 3.74 87% 32% 'N SYNC Girlfriend (Jive) 3.62 3.58 92% 26% 3.77 93% 23% MARY J. BLIGE Family Affair(MCA) 3.60 3.66 92% 48% 3.63 93% 49% ENRIQUE IGLESIAS Hero (Interscope) 3.60 3.70 99% 56% 3.60 100% 57% MARY J. BLIGE No More Drama(MCA) 3.57 3.63 81% 26% 3.59 83% 27% TOYA I Do(Arista) 3.56 3.55 86% 44% 3.62 88% 45% JA RULE Livin' It Up(MurderInc. /DefJam /IDJMG) 3.56 3.50 92% 44% 3.61 92% 43% NELLY#1 (Priority /Capitol) 3.52 3.54 89% 38% 3.56 88% 35% ALICIA KEYS A Woman's Worth(J) 3.52 3.49 92% 36% 3.56 91% 38% BRANDY What About Us ?(Atlantic) 3.46 3.50 71% 17% 3.36 72% 20% ALANIS MORISSETTE Hands Clean(Maverick/Reprise) 3.43 3.54 65% 15% 3.35 68% 15% BRITNEY SPEARS I'm Not A Girl, Not Yet A Woman (Jive) 3.40 3.42 96% 31% 3.37 97% 32%
Total sample size is 990 respondents. Total average favorability estimates are based on a scale of 1 -5. (1= dislike very much, 5 =like very much). Total familiarity represents the percentage of respondents who recognized the song. Total burn represents the number of respondents who said they are tired of hearing the song. Sample composition is based on persons 12 +. TD = Target Demo (Females 18 -34). Persons are screened via the Internet. Once passed, they can take the music test based on their format/music preference. RateTheMusic.com results are not meant to replace callout research. The results are intended to show opinions of participants on the Internet only. RateTheMusic is a registered trademark of RateTheMusic.com. The RTM system is available for local radio stations by calling 818/377 -5300. RateTheMusic.com data is provided by Mediabase Research, A division of Premiere Radio Networks.
New &Active
PETEY PABLO Raise Up (Jive)
Total Plays: 542, Total Stations: 23, Adds: 1
DEFAULT Wasting My Time (TVT)
Total Plays: 520, Total Stations: 39, Adds: 15
INDIA.ARIE Video (Motown /Universal) Total Plays: 519, Total Stations: 59, Adds: 6
CELINE DION A New Day Has Come (Epic)
Total Plays: 365, Total Stations: 61, Adds: 31
REMY ZERO Save Me (Elektra/EEG)
Total Plays: 331, Total Stations: 31, Adds: 3
FAT JOE F /ASHANTI What's Luv? (Terror Squad /Atlantic) Total Plays: 328, Total Stations: 25, Adds: 8
SMASH MOUTH Holiday In... (Hollywood /Interscope) Total Plays: 314, Total Stations: 28, Adds: 2
BAHA MEN Move It Like This (S- Curve/Capitol) Total Plays: 308, Total Stations: 32, Adds: 2
LAURA DAWN I Would (Extasy)
Total Plays: 251, Total Stations: 30, Adds: 0
AARON CARTER I'm All About You (Jive)
Total Plays: 249, Total Stations: 31, Adds: 5
Songs ranked by total plays
Behind The Music Continued from Page 51
said, "Fire you? Are you crazy? We will support you 100 %. Now go get better."
Going on 14 years later, I'm a different person.
His work ethic was the best. Also his love of family and his spiritu- al pursuits. He had great advice on really knowing a market and its lo- cal color. He taught me to get the music not just to radio, but to the clubs and hip clothing stores, etc. He taught me to become the "go to" guy for my clients and to know where to get the best anything (from the best sushi to the best seats for a Broad- way show).
A good moment I recall was the time we had promotion meetings in Napa or Sonoma, CA. It was my first week back after my leave of ab- sence. Daniel wanted me to give out the Promotion Person of the Year award. The whole thing was so emo- tional, half the staff was in tears. The love in the room was heavy.
Daniel is and always will be one of my most trusted friends. As in any real relationship, there are ups and downs, but I know we would
always be there for each other in a fix. We speak often, and I always ask him for advice. And, yes, sometimes he asks me for advice too. Thank you, Daniel. Thank you for being what you are. Thank you for making me part of your fami- ly. Thank you for being a teacher and a friend.
Rob Stone
Cornerstone Promotion
My current partner and child- hood best friend, Jon Cohen, was working for Daniel at SBK. He called me to let me know that there was a position open in the urban department. I started working in the urban department as an intern for Virgil Simms. After about my first year we had an SBK retreat at SBK CEO Charles Koppel - man's house. We were divided into teams - promotion, sales, A &R and marketing. There were numer- ous events, and we competed for points in these events.
Daniel gave me insight into the business, but also insight into the spirit of being a person in the busi- ness. He opened my eyes to the op- portunities that were ahead of me
and urged me to take advantage of them.
Daniel often taught through his actions. Early in my career he founded Lifebeat. His tireless com- mitment is the reason it ex- ists today. Daniel always made a difference and al- ways pushed for what he believed in.
One of the great mo- ments for me with Daniel took place in his office at SBK.
Daniel has a gift of drawing people to him. He connects with them on a human and personal level and makes them feel great about it. To Daniel, people are people, no matter their title or position. He al- ways had an A list of visitors, friends, artists and acquaintances who would come to see him at his office. This encounter took place in my first month in the business and had to do with the mini arcade basketball game he had in his of- fice.
As busy as he was, he loved the energy of his employees being in his office talking about music and
shooting hoops, no matter the time of day. I happened to have the high-
est score on the basketball game, and he would call me in to challenge people in his office. While I was in the middle of working as an intern in the urban de- partment, Julie Oletsky (Daniel's assistant) comes running in and says, "Rob, Daniel wants you in his of- fice immediately." I'm thinking, "Oh shit, what did
I do now ?" I walk in, and he says, "Rob, say hello to Joe Kennedy and John Kennedy Jr." Speechless and shocked, I shake hands as Daniel an- nounces to them that I am the new star intern and a future superstar of the industry.
He then tells them to step aside from the arcade basketball game that they've been playing for the last 20 minutes and has me show off my skills. There I am, 22 years old, just got a job at a record la- bel, and the president of the com- pany calls me in to his office in the middle of the day to shoot hoops with Joe and John Kennedy Jr. Un- believable.
Rob Stone
Today, we talk often. There is al- ways a warm feeling whenever I
speak with him or see him. This past summer my girlfriend and I
visited Daniel and his family at his home in Connecticut. Something I feel compelled to emphasize - even though it is obvious if you know Daniel is the value he places on family and the time he spends with them.
Daniel gave me my first shot. From the list of people whom I
worked with for him - Monte Lipman, Jon Cohen, Ken Lane, Hilary Shaev (we all worked to- gether from '90 -'94), it is appar- ent that his ability to develop raw talents into top -level executives is
second to none. I thank him for the opportunity, but also for giving so much of himself to us. Daniel de- serves all successes and accolades that come his way.
TALK BACK TO R &R! Do you have questions, comments or
feedback regarding this column or
other issues?
Phone: 310- 788 -1663 E -mail: tnovia @rronline.com
Fax: (310) 203 -9763
www.americanradiohistory.com
CHR /Pop Reporters February 22, 2002 R &R 57 ...:48:34837sTaXA
Stations and their adds listed alphabetically by market
WFLY /Albany, NY VP/Prog: Michael Morgan PO: Donnie Michaels MD: Ellen Rockwell
- VANESSA CARL TON M. CELINE DION 'D3, AULA FURTADO -Radar PINK Don't"
KKSS /Albuquerque, NM P0: Tom Naylor APO: Jeff "Crash" Jacot MD' Alley Faith
PINK "Don'!" 1 ROD 'VOW, I [ORILUV E19.20810.
KOID /Alexandria, LA PO: Gilds Callaway MD: Trinity Scori
11 CELINA DION "Day"
3 SHAKIRA "Undemeatn" 1 VANESSA CARLTON'M,les'
SOLUNA "Time'
WAEB /Allentown, PA' PD: Brian Check APO: Laura SI. James MD: Mike Kelly
PINK Doni '/MESSA LARI TON'Mles'
KPRF/Amarillo, TX DirJProg.: Lee Montgomery 46 CHLING'Whmefer 25 JA RULE FIASMWT'M.ays' 20 'N SYNC 'Gare" 15 N SYNC 'GOken?
13 NANISMORISSETTE'Clean- 10 S14wIMVnknmth' 9 VANESSA CMLTON "MIIes-
KGOT /Anchorage, AK P0: Bill Stewart MO: Moe Rock
IO PO.D °opn CELIN'. DION "Da,
WKSZ/Appleton, WI' PD: Dayton Kane MD-Joel Malone
18 PINK "DORY"
12 VANESSA CARLTON -Mlles INDIA ARIE "LOes CELINE DION Day' MAO- EVeMn,-q
WSTR/Atlanta, GA Po: Dan Bowen MD: J.R. Ammons
No Arak
WWWO/Atlanta, GA
OM Dylan Dir./Prod.: Leslie Fram
PM: Ed Lamben ENRIQUE IGLESIAS 'Escape' LUDACRIS'RaA SHNQRA,nderlwtn'
WAYV /Atlantic City, NJ PD: Paul Kelly
VANESSA CMLTON Mks" DEFAUIT Wet m3
AMANDA PEPE'Neon'
WZNY /Augusta, GA OM: John Shomby PD: T.J. McKay MD'. Jay Crue
o Alm
KHFI /Austin, TX' PD: Jay Shannon M0: Johnnie Blaze
:ORA Matra'
WFMF/Baton Rouge, LA PD/MD: Flash Phillips II BRAND, About
B P 0 L oAn PINK Don!''
KOXY/Beaumont, TX PO: Brandin Shaw APD: Patrick Sanders MD: JOJo
' VANESSA CAI "'N NIAe CTUNE DIOM1 "mai
WXYK/Biloxi- Gulipod, MS PO'. Darien Kies APO/MD'. kyle Curley
Don1 BASEMENT An' Heat VANESSA 705 EA. AD ROCK
LENNY KFA8,17 '11ea't
WMRV/Binghamton, NY OM: Al Brock Interim PD: Marc Spenser MD: Megan Murphy
'. ANESSA Q ! 0. uvr,
WOENBirmingham, AL PD: Johnny Vincent MD: Madison Reeves
MICHELLE BRANCH WmAA' VANESSA CARLTON7,Lks' POD 'TWA" PINK -Dom"
KSASBoise, ID PD: Hoss Grigg APD/MD: Tim Davis
' o0"Raqurè I VANESSACMLTON -MIks-
RES'vsm' SdJ:NA :m1r
KZMG/Boise, ID PD/MD: Beau Richards APO: Scooter B
36 LOAN PARK EM , VANESSA CARL TON 'Mr.-
RES Yswn PINK- DO.nI'
WXKSBostan. MA VP/Prog. /PD- Cadillac Jack APO/MD: Kid David Corey
5 SHERYL
00 -Rapture' RES V um," SHAXmA "Omel> bh'
WKSE / Buttalo. NY PO'. Dave Universal MO. Brian B. Wilde
VANESSA CARLTON 'Mies' FIVE FOR SIGHING 001enman' PINK Tont'
WRZE/Cape Cod, MA 0M: Steve Marie PD: Kevin Matthews M0. Shane Blue
KZIA/Cedar Rapids. IA PD/MD: Bic Hanson
NY'JE MINOGUE "Cam' REMY :FPO -Save
WSSX/Charleston, SC 0M/PO: Mike Edwards MO: All O'Connell
WVSR/Charleston, WV OM: Jeff Whitehead PD: Chris Carmichael 3n RHERYL 8POW Sr
HOn RA u nderma n'.
15 PINK Don
12 SMASH MOUTH ne d'
WNKS/Charlotte, NC
OM/PD: John Reynolds MD: Jason McCormick
13 SHER/L CROW Soak'
PINK Dont
WKXJ/Chadanooga, TN PD: Tommy Chuck APD/MD:TnppBr
2 DMRENHAVES -Irmtsbe" 1 POO 'V out"
WKSC/Chicago, IL" PD: Rod Phillips MD: Jeff Murray
2 n0 " Rapture' VANESSA CARL TON "Mks' FAT JOE FiASHMTI' DA- MN Won!" NES'NSIn
KLRS/Chico, CA PO/MD: Eric Brown
cum ISAAd -Edsÿ VANESSA CALTON "Mks
ROD VOA, PINK Don! FA! JOE F 'ASLANT,
WKFS/Cincinnati, OH P0: B.J. Hams APO: "Action Jackson" M0: Donna Dueler
14 PINK -Donn 11 NELLY HIRT ADO -Rmm'
VANESSA CMLTON "Wes RAS ".Eon'
WAKS/Cleveland. OH ' PD: Dan Mason APD/MD: Kasper
DEFAULT 'Wasting PINK "Ow1 - TOYA'Wa'
KKMG/Colorado Springs, CO
OM: Bobby Irwin Inlerim PD/MD: Rob Ryan APO. Valens Hart
MR A A. IL NAnan
.,ELNE.DUN -Da/
-MP Nov
WNOK/CoIumbia, SC' OM: Jonathan Rush PD: Brad Kelly MD: Sue Tyler
PINK Don't' TO'!4'Mmi
WBFA/Columhus, GA PD/MO: Wes Carroll APD: Amanda Lister
3E VANESSACML:FIN -M R
CELINEDIDO Dry Nai.A AIE Vgeo" BAHA MEN MAN'
WNCl/Columbus, OH' PD: Jimmy Sleale APO/M0: Joe Kelly
VANESSA CMLTON' Mks' Dorn
cNAEnE': U,a.
KKPN/Corpus Christi, TX' PO,MD'. Chad Bennett
, ,F ,'W'HAND'ANrryf' stiSSA CMLTON'Awa'
:V.LWOA PEPE 'New NE RI PAZ F. ANGEIINA'RUrawaj FINK 'Don 1
NELIYFURTAOC Rad,p'
RV EmuOk'
KHKS/Dallas -Ft. Worth, TX
OM/PD: Todd Shannon MO'. Dave Morales
AARON C[ TER -AIN U' POD r h"
KRBV/Dallas -Ft. Worth, TX " OM: John Cook APD: Alex Valentine 39 CALLING RMMreve/ 11 SHAKINA 'Underseatn
POD -Youth' PINK WW1"
WOKE/Dayton, OH PD/MO: Dino Robilaille
BDKU SOLUNA "Tiro TWEET DOM
WGTZ/Dayton, OH OM: J.D. Kunes MD: Scott Sharp
PINK' Dont SHAKIM "Underreatk' TOPA -Matta"
WVYB/Daylona Beach, FL PD: Kotler
3 JA RULE FASHANTI "AMays- AMANDA PEREZ "New- SAUNA -Tune
DYA-Matta' PINK 'Don't" OUTKASe Wag RES Neon' ANRNIIF IGLESIAS 'Escape
CELINE DION Dav
KFMD/Denver- Boulder, CO PD: Jim Lawson MD: Chris Pickett
19 PINK Donn'
2 BUSTA RHYMES 'Break"
2 I101401ure" POD 7Wn'
KKDM/Des Moines, IA PD: Greg Chance M0: Steve Jordan
M2M "[...1819 POD'Ywh" PINK "Don
WDRO/Detroit, MI PD: Ales Tear APO: Jay Towers MD: Keith Curry
61 PINK -Doni 27 FAT JOE F ASHk', LUV
NELLY NRTAW Ha A
WKOI/Detroit, MI PD- Dom Theodore Co- APO/MD J. Love Co- APO /AMO. T. Booker
WBCD/Dothan, AL Interim PD/M): Sean K
39 USHER Lail
29 JAGGED EDGE-GM' 22 P SAME.. 'NAG 21 TWEET "Dope
Cm HIGH "Anthem' MADAM 'Norm" FAITH EMS love GORILLAZ-19 -20m"
WLVY/flmira- Coming, NY PD/MD: Mike Strobel
APD: Bnan Roll 24 PINK "Dort' 15 GUIDER "1&2000'
r CELINE DION Tay' 1 GLENN LEWIS ïamt'
VANESSA :MILT ems'
WRTS/Erie, PA
P0: Beth Ana McBride MD. Karen Black 40 VANES SA GMLTON'MIIes
KID ROCK "forever TANTRI Mourning' KVLIE MIW0GUE'Gant
KDUK/Eugene- Springfield, OR PD Valerie Steele MO: Steve Brown
srwlPA ur,rxi, Lu I _SIn
.r [o:
WSTO/Evansville, IN
PD: Dr. Dave Michaels APO/MD: CH Michaels
RES 'Vs.," VANESSA CARLTON'Mes' MO ROCK 'WM TANTIC '143.3mrp'
KMCK/Fayetteville, AR PD: Brad Newman APO/1A0 Mike Chase
NID Due - IRA S'gerrAam WUEDACRiS 666 t
KMXF/Fayelteville, AR BRINED( SPEARS DI LUDACRIS'Rat-
HODeASTANK-Gra.m:re' .. 'MIRA 'JrcknuTN
WOSM/Fayoleville, NC" PD: Scoff Free APD: Susanna James M0: Kid Caner
PINK Doi. VANESSA (ALTON Mrkf'
WWCK/Flinl, MI' OM: John Shomby PD' Beau Daniels
GEFAULT Wang. 1 >.NK'Dnoi
ANN E ENS' IGro 51AUINA IIMerrea!n
WJMX/Florence, SC PD: Kidd Phillips
SdAxIRA ne.nr.
úrM-E.erining .,1P11 18,2 19 290I SHERVL!P.OW >ml,
WXKB/Ft. Myers- Naples, FL' PS: Chris Cue MO: Rally Shiner
1 110'Palphre" 1 GOPILLY'ta20003
PEW Tarr AMANDA PERU lean'
KISR/Ft. Smith, AR OM'. Rick Hayes PD: Fred Baker, Jr. APDAAD: Mick Ryder
VANESSOAKR TON Va' CJ'INGEDGE -Poke OUrERSTV? lore BRANDY 41VS.n
KZBB/Ft. Smith, AR APO/M0: Cindy Wilson APDAnaggingp: Todd Chase
mLIE MINOGUE'Canï HIo Repplat,. VMESSA:MLION -M,ks
WYKS/Gainesville- Ocala, FL PD/MD: Jeri Banta APO: Mike Forte
1 TM.RIC "Ala rip' LLIDACRIS loll"
WSNX/Grand Rapids, MI PD: Jeff Andrews APDAAO'. Eric a'Brien
UOCLTl9rn" Gm
3 AMANCA 3:3131
2 110"W!,,'ß
2 KDNOCK tan, SHAAARA 'lawn
SnMIRA'Nndmreath"
WIXX/Green Bay, WI P0: Dan Stone M0: David Bums
No Adds
WKZL/Groensboro, NC PD: Jeff McHugh APD: Tenle Knight MD: Wendy Gatlin
SHERYL CROW -Soak' PINK Donr RESEDA'
WEROA'areenuille. NC
PD: Rob Carpenter 4 CELINEDION DaJ
TANTRIC-Mmmng
WRHT/Greenville, NC
OM/PD: Jon Reilly APO/M0: Gina Gray
4 VANESSA CARLTON TNIa' 1 TANTRIC 'Mourning' 1 RES', NW
DEFAULT W88088" POD 'WNW
WFBC/Greenville, SC' PD: Nikki Nile MO' Tias 51 05K 3m'
WHKF/Han'isburg, PA
PD: Jason Barsky VANESSA CIWLTON'MIIO" PD PINK "Don 1'
WNNK/Harrisburg, PA Po: John O'Dea MD: Denny Logan 10 E.ELINE0,0N -Da.
1 VANESSA CARLTON -Mlles SHAKI RA UrAe,RAn
WKSSMartford, CT Interim PDAMD: Mike McGowan
10 OUTNAST' WmO 10 "Ragte,
KRBEMouston- Galveston, TX PD: Tracy Austin APD/MD: Leslie Whittle
1 VANESSA CARLTON "Mlles LUDACmA' Noll"
REMY ZERO ''Saue
WKEEMuntington, WV PD: Jim Davis APDIMD: Gary Miller
CELINE DION' An,
WZYP/Huntsville, AL PD: Bill Wes' MD: AIN
V'NLS KBD ROC
51ANIPA .11gE¢L1''
WNOUMdianapolis, IN ' OM: Greg Dunkin PD: David Edgar APO: Chris OH
MD: Doc Miller I SHAKIRA Under r,eatR
FAT JOE F ASHAFí 1 "LI a
ULUACIS' Aal'
WDBT/Jackson, MS" PD/MD: Man Johnson
ASHANTI -FOAM FAITH EVANS"LoK PINII'DOn t' K{CUTIONERS "Son "
WYOY /Jackson, MS PD' Nick Vance APD: Jason Williams MD: Kris Fisher
No Ws
WAPE/Jacksonville, FL' OM/PD: Cat Thomas APDIMD: Terry Mann
SHANIIRA'Unrn,wath
WFKS /Jacksonville. FL
PD/MB: Brent McKay u'. ENN LEWIS' roger PINK Dort-
WAEUJohnson City. TN PD: Gary Blake
APD/MD'. Chris Mann
PINK 2,t SMOR.PA UMe, I ain' SMASH MOW, HeaC
WGLU /Johnstown, PA
PDAAD: Mit* Edwards JIMMY EA' WORLD Mand'e
VANESSA CARL ION -Mw uo P
TAI JOE fiOAHMTI' Lu. PINK Don
WKFR/Kalamazoo, MI PD: Woody Houston
Nick Taylor 'ULNA DION 'Day' PNK Don!'
2 VANESSA CM. TON -Mies'
KCHZ/Karlsas City, MO `
PD: Dave Johnson MD: Mike Austin
7 PINK Dm' 'Rapture
VANESSA CARLTON "Wits"
KMXV/Xansas City, MO OM/PD: Jon Zeller
SLINK 102'F4O' VANESSA CARLTON "Mes CLINE DION -Day" PINK 000m
WWST/Knoxvilte, TN P0: Rich Bailey MD: Stoll Bohamon
e JA RULE FIASHMTI 'Akmys' 5 PANTS MmiSSETTE -Clem'
PMI TORT
KSMBA.afayette, LA' PD: Bobby Novosad MD: Aaron Santini
ì SHMIRA- Underneath
5 DJ ENCORE -RAM" 1 NESSA CARL.ON -MIs Z ZERO fart'
AA/MICA PERT, Was,"
PNK Dun
WU1N/Lancasler, PA PD: Michael McCoy
CELINE OrON lA, EUDALRIS 'Roo r
PINK -Don't TMrRIC-Ma,mne' TOVA'Mma
WHZZ/tansing, MI PDIMD: Dave B. Goode
110'Raptme- CELINE DON -Day" PINK "Donl - SHAKIRA V m 8.9.3
KRRG/Laredo, TX POND: Michael J. Lang
17 PINK -pant' SHAKIRA"Uneen0010
R O O ',our VANESSA CMLTON Ahks
KFMS/Las Vegas, NV' PD: Rik McNeil MD: Scotty Valentine
O .OFCPI2 -Pull" : ANESSA EATON -/Alles
WLKT/Lexington- Fayette, KY
PD: Eddie Rupp
KFRXA.incoln, NE
PD: Sonny Valentine APD: Larry Freeze MD: A.J. Ryder
VANESSA CA.TON M. SHANlw,-1,naememR oUTIRí'M -Low
KLAL/Little Rock, AR PD: Randy Cain APO: Ed Johnson MD Sydney Taylor
d VANESSA.MI.TON IAks 3 NEMYZEPOSave
SES VA.,, PNK Do, II.NI DION Da,
KOAR/Litile Rock. AR PD: Gary Robinson MD: Kevin Cruise
9 PINK Dä11'
KIIS/Los Angeles, CA' PD: John Ivey APDIMD: Mchael Steele
12 PINK Don!' 4 SHEPYL CROW Sock' 2 GORILLAZ'19-2000
GLENN LEWIS Forget RES Vsnn
WDJX/Louisville. KY OM: Barry Fox PD: Shane Collins APO/MD: Jim Allen
.` PINK Don't
VANESSA CARLTON
]ESAULT W55urg .E.INI DION Dai AMANDA REH17NR,,'
WZKFA.ouisville, KY' PD: Chris Randolph
0
PINK " 't' 7 NW CHEEKS 'Lights 7 O'JTIVST World' 1 CELINE 0000 "Oar
RES "Vom'
KZII/Lubbock, TX P0: Bobby Ramos M0: Kidd Carson 30 [LRKAST World 28 DEFAULT -Wasnry 23 BUSTA RHYMES O'eok
19 FABOLVIS 14 FAT JOE FIMHM'II'an 2 AHAAIRO "UMNlram"
15 USHER Cau'
WMGB/Macon, GA PDIMD: Derek Wright
FABOL031 'Emig" CELINE DION "Dar' VANESSA CARLTON.mm
WZEE/Madison, WI PD: Tommy Bodean MD: Jonathon Reed
POD youth 4 SEWER/. L'.Merne,AO
am ran 1 ENS -Forget
WJYY/Manchester, NH PD: Harry Kozlowski APDAAO: A.J. DukeOe
w, AARIE '<a
DC,'
KBFMRetAlIen- Brownsville, TX
OM/PD: Billy Santiago MD'. Jeff DeWitt
WAOARrlelboume, FL
OM/PD: Mike Lowe MD: tarry hoCelt
VAN 55n cAALTON'Mbs PORMI Toni MADAM Maxreq"
WHYI/Miami. FL* PO: Rob Roberts APO: Tony Banks
2 MOO
RES /Nonn
WXSS/Milwaukee, WI PD: Brian Kelly APD/MD: JOJO Martinez
PINK
KDWB/Minneapolis. MN' PD: Rob Monis APD/MO: Derek Moran
WABB/Mobile, AL OM/PD: Jay Hastings
APDAAD: Pablo 6 MARY BRIGS Onora
VANESSA CARL TON Men DEFAULT W slop NELLY F11RTAf0 "Radio''
KID ROO,'Fai n' PINK Dan!'
WBBO/MOnmouth -Ocean, NJ PD: Gregg Thomas MD: Kid Knight 16 PINK 'Door'
1 OUTKAS1 Wore CELINE DION Day' NELLY FURTA00"Radi'
WHHY/Montgomery, AL PD Karen Rite
WVAO/Morgantown, WV Dir./Prog.: Lacy Neff MD: Bolan Mo
DARREN MAYES'Ir15amdale'
VANESSA CARLTON'Mika' LLKACRIS -Roll' IlOmapOAe' WD R000 FAI'
WWXM/Mylrtle Beach, SC
P0: Wally 8. LELI NEDION'wy'
RNK TORY Rao o'RaMA VRNESSACMLTma'MEa'
WOZO/Nashville, TN VP/Prog: Brian Krysz PD: Marco
2 DI ENCORE' VANESSA CARL ON VOA' DEFAULT 149011397 Hufft- "Ova
WRVWMashville, TN P0: Rich Davis MO: Tom Peace
8 VANESSA CARCON 'MileT PINK Dan'l
WBLIMassau- Suftolk, NY "
Interim PD: J.J. Rice AMMO: Al Levine
WKCl/New Haven, CT' PD: Danny Ocean
4 TORA Mea" POD GM 110 -Rapture'
WOGN/New London, CT
PD: Kevin Palana APO/MD: Shawn Murphy
5 SHAKIRA" 0FOerreath
BLINK 182 -F.'st GLENN LEWIS forget
WEZBMew Orleans, LA PO'. Jeff Scan
TWEET OOys'
AARON CAPT LR -MO1n CELINEDIEN Dayy
GENN aw.s Fçe, L . rd SCK UNA '. NO GOG ilG0,22 v.-
WHTZMew York, NY' VP/Prag.: Tom Poleman M0: Paul 'Tubby" Bryant
RESmsr
KC R S/0 d essa -M i d l a n d, TX PD. John Shannon APO: Kathy Redwine 40 r OLVIELESIAS !,api
'.ANEN HA,TS " ne01000 2H.q{KA UWE..
KJYO /Oklahoma City, OK' PD: Mike McCoy MD: Joe Friday
6 BRANDY -coop' 3 11 CHELL F SRANCH "Wanted
VANESSA LAR! TGV' Mks AMANDA PERE' Nere," RES ,..on
KOKO/Omaha, NE
PD: Tommy Austin APE', Nevin Dane
2. LEAK Don
_DDAGms'ROr AA, Void, RES -Vow,
WXXL/Orlando, FL' OMiRD: Adam Cook APOIMD: Pete DeGrat
INDU MIE "VOeó SHMIPA "Underneath' 0001 Men,
WJLO/Pensacola, FL OM: Dan McClintock PD: Jonathan Lund
NO Alm
WPPY/Peoria, IL PD/M0: B.J. Stone 12 n0"Ral'mri
8 MCKNGGER'Paradise
WI00/Philadelphia. PA' PD: Brian Bridgman APO/SID: Madan Newsome
VANESSA CALTON"MAN- CEFALLT'Watrq" CNKDOn1'
WBZZ/Pittsburgh, PA OM: Keith Clark NPD: Ryan MITI
12 'VANESSA CARLTON "Mlles' 5 O.ECUT1ONERS 'Don"'
WKST/Pitlsburgh, PA' Interim PD: Trout
No Mm
WJBO/Portland, ME PD: Tim Moore MD: Rob Steele
2 VANESSA CART TON Mlles CELINE Olof' Day' PINK -pp1' 'MURK NO8rn19 SOLUNA 'kne
KKRZ/Portland, OR PD: Michael Hayes APD: Dr. Doug
PINK "Don!"
WERZ/Portsmouth, NH
OM/PD: Mike O'Donnell APD: Jay Michaels MD: Sarah Sullivan
17 CELINE DION "Lay" PINK "Don't' VANESSA CARL TON "Miles TANTPIC "MOUnnnp'
WPKF/Poughkeepsie. NY
PD: Jimi Jamm GI'.
AUDE a,
WSPK/Poughkeepsie. NY PD: Scott Mac APD: Skyy Walker MD: Pau Cart
WENDY PHILLIPS "MI' SHANdU "UMmnean PINK 'DAM' VANESSA CARLTON'Mra-
WFHN/Providence, MA PD: Jim Reih APD: Christine Fos MD: David Duran
a VANESSA CARLTON Miles' 7 PINK 'WAD 2 FATJOE FIAMMAM 'Luv I BMA MEN "Mow'
WPRO/Proeidence, RI
PD: Tony Bristol MD: Davey Morris
2 VANESSA CAPI TON MA¢ PINK Don!
1 CELINE DION Day
NELLV FLATA.80 Rah° MAXWELL Womans
KBEA/Ouad Cities, IA -IL PD: Matt Williams MD: Rick Thames
PNK Don'
FLaz ,LIc
WHTS /Ouad Cities, IA -IL OM/PO: Tony Waitekus MO' Kevin Walker
PNK lm I VANESSA LMLTON M,NS'
WDCG/Raleigh- Durham, NC
PO: Chris Edge APO: Keith Scott MD: Allie Summers
.' JIMMY EAT WORLD'Mddle 2 TANTRIC'Mournng
WRVOMichmond, VA' PD: Billy Sud MD: Jake Glenn
8 LUDACRIB 'Roe 2 VANESSA CARLTON'Aiw, 1 1,0 -Bap.'
CELINE DION - VR,
WJJS/Roanoke- Lynchburg. VA' PD: David Lee Michaels APD: Melissa Morgan MD: Rich Minor
2 M2M E=rM111n VANERSA.ARON-MYes- -EUNE D'ON Day' SOL, NA Inne
WXLK/Roanoke- Lynchburg, VA
PD' Kevin Scoff MD: Travis Dylan
e PNK '.. VANESSA CALTON "Mugs
AMANDA PEPE: Nee EAM,rc
WKGSMochester, NY P0: Erick Anderson MO: Don Vincent
6 PUDDLE OF MUDD'81E8,8 000'HWI' RES Ys0e
WPXYMochester, NY' PO/MD: Mike Danger
No AA_
WZOKMocklord. IL
Joe Limardi APO: Todd Chance MO'. Jenna West
PINK :K SH. ;. Nat, TM-SSA
vnN'ESSa DAP .70r.
KDNDISacramento, CA' Station Mgr.: Steve Weed APD: Heather Lee MD'. Chrmopher K.
3 PINK Don' FM SSA UP. TON NNIn
t Mar,
WIOG/Saginaw, MI' PD: Mark Anderson APDAAO'. Brandon Edwards
JAESSA TON MJe, Do,
;AT JOE I A,HANL
KSLZBt. Louis, MO P0: Mike Wheeler APD: Boome'
6 PINK 'DORT VANESSA CARL TON "Mks' P 0.0. Yakn"
KUDD/Salt Lake City, UT POIMO: Rob Olson
23 PINK' WT BLINK-132 "Awl" SHMIPA-UNIerneln' BRANDY 'About' META RHYMES "Nona PETE, PABLO 'Rabe"
KZHTBalt Lake City, UT PD: Jett McCartney MD: Jagger,
2 DEFAULT Wasnrg' ,5010 APE Vale: 'AMO5A FAR'_ _111 'Mlles TO, MORO
KXXM/San Antonio, TX PD: Wash Kelly MD' Nadia Canales
BUNK 182 "First POD' Youth' PINK-oon
KHTS/San Diego, CA PD: Diana Laird APD: Rick Vaughn M0: Henan Haze
ROO Ysion'
KZOZBan Francisco, CA P0: Allan Hotten MD: Ivan Trujillo
Na AOE
KSLY/San Luis Obispo, CA PD: Adam Burnes M0: Craig Marshall
SEER UAL' '9 2000 PINK 'DCnt EL.NK'92'r,,l
KSXY/Santa Rosa, CA PD: Crash Kelly
6 DEFAULT Wet VANESSA CMLTON Wks CELINK NON "Oay- PINK 'Dm1n' RES "Veen'
WAR/Savannah, GA PO: Cruz APD/MD: Chele Alan
ENRIQUE IGLESUS'Escap BRANDY 'Mod' PBS 'ANA AA011 CARTER 'About'
WZAT/Savannah, GA
0M/PD. John Thomas MD: Dylan
PINK ,ant VANESSA C RLTON "Mt. SHAP IRA "Ifitemedllf
KBKS/Seattle- Tacoma, WA PD: Mike Preston MD: Martes D.
3 SHANRA- UR$rleo" Z VANESSA CARLTON'Noes"
KRUFIShreveporl, LA MD: BeHanPads
DEFAULT Werne' Pon 'ROMS' PINI Ton' SHA1IRA'Dlaernem'
WNOV/South Bend, IN
OM/PD: Casey Daniels MO: Beau Derek
MIEN 'O l-
KZZU/Spokane, WA PD: Ken Hopkins
WDBR/Springfield, IL PD -. David J
VANESSA CMLTON -Mks" SOLUNA Tame"
KHTOISpringtield, MO OM/PD: Dave DeFanzo
DEFAULT Yhsteq' RES YSmn' PINN Dm'
WNTO/Syracuse, NY OMRD: Tom Mitchell APD1KD: Jimmy Olsen
2 LINKIN PARK "Ere CELINE DION "Day" TANTRIC-Mourning'
WWHTISyraeuse, NY' PD/MD: Jason Kidd
4 FAT JOE f7ASHAMI 'Lw' NOD ARIE YOeo' PINK 'Don't'
WHTF/Tallahassee, FL PDfoD: Brian D'Comer
2 FAT JOE MASHMTI Yw' RES Neon'
1 VANESSACAALTON"Mks- CELINE DON'Day-
WFLZ/fampa, FL' OM/P0: Jell Kapugt APO. Toby Knapp MD' Stan Priest
1 GORR LA2'!dAAWi' VANESSA CM''ON'NAl AMEN TORT? Poop' GE, NE OZON Boo PES -rasa,'
WMGI/Terre Haute, IN
PD: Steve Smith MD: Man Luecdng
26 NSYNC"GImlpnO- 13 VANESSA CARLTON'MIMn
! P0O ,A, DEEP B:,IO 1000010 NU Vyv
WVKS/Toledo, OH PD: Bill Michaels MD: Mark Andrews
'k'G PLEA -10111
FAT JOE:. ASHANT, .1
SHANIFA- II000,mIn
WKHO/Traverse City, MI OM: Shawn Sheldon PP Ron Pritchard
6 GEUNE DON -0a, 6 PINK -Don't" n SHMIRA'Urderneath
WKPK/fraverse City, MI PD: Rob Weaver 110,01'
VANESSA CARLTON "Mks" PINK 'Omr'
WPST/frenton, NJ' PD: Dave McKay APDIMD'. Chris Puorro
5010 WE 'ME- NU), PRTADC Pad10
KROO/fucson, AZ' PD: Mark Medina APD/PAD: Ken Can
26 PINKTmr' 26 VANESSA CARLTON-Mlks In OEFMLT'Watey'
BAHR MEN 'MWe' GLENN LEWTS'FOoe- TOVA"Man-
KHTT/Tulsa. OK ' OM: Tod Tucker PS: Carly Rush MD: Dent* Hayes
RPO LAUS foWppp ' 1 PUDDLE OF MUDD "Sony'
ENRIQUE IBLESIAS`Fscapé PINK -Don,
KIZS/Tulsa, OK
PD: C.C. Mattheers M0: Kim Gower
6 PUDDLE OF MUDD'E 2 ENRIQUE IGLESIAS 1µL' I 110'Rapture"
ARTMAST Wok PINK 'Dont- SHAKIRA'UnCenva,n
WWKZ/fupelo, MS PDAAD: Risk Stevens
SHMIRA 'Underneath" VANESSA CARLTON 'ems' DEFAULT Watle'
I'
BV5TA RHYMES "Pea'
KM WVOOTS'Awmd
Id1E WYA7T TkNke'
WSKS/Utica -Rome, NY OM/P0: Stew Schantz
INC,AME TANTRIC' Maxnnlç
KWTX/Waco, TX PO Jay Charles MO John Oakes
NFL. I FUR TALE '.
tNP G ESUS E6.a1
FARS ;ow
WIHT/Washington, DC
P0: Jett Wyatt MD: Albie Dee
WLDI/Wesl Palm Beach. FL -
PD: Jordan Walsh APO. Dave Vayda
KKRD/Wichita, KS
PD: Jack Oliver APD/MO Craig Hubbard
A'
WBHT/Wilkes Barre, PA' PD'. Mark McKay APDAAD'. A.J.
`VANESSA CARL:ON M. 0 Papt1Ke
WKRZ/Wilkes Barre, PA' P0: Jerry Padden M0: Kelly K
VANESSA CARLTON 'Mks. CELINE DION 'Day' n li rime PI0 NK' T
WSTW/Wilmington. DE
PD: John Wilson APD/MD: Mae Rossi
I PINK' 0801 IC Rapture
KFFM/Yakima, WA PO'. Downtown Billy Brown
W PINK Don
5 ENRIQUE IGLESIAS- ESrape
VANESSA CARLTON Miles
K,D ROCK FAN
WYCR/York, PA PD: Davy Crockett MD: Sally Vicious
NK Don t-
WAKZ/YLwngstovm- Warren. OH ' PO/MD: Jerry Mac
1 PINK 'Don i Boo 'WEE MICHELLE BRANCH Waaec VANESSA CARLTON'Mks AARON CANTER -About"
WHO /Youngstown- Wanen. OH
PD: Tom Pappas APO/PAD: Jay Kline
5 DEFAULT Wegre' 4 PINK "Don't" 2 CELINE DION'
VANESSA CARLT 'MUes'
*Monitored Reporters 185 Total Reporters
132 Total Monitored
53 Total Indicator 51 Current Indicator Playlists
Note: WKRQ /Cincinnati, OH moves from CHR /Pop to Hot AC.
Reported Frozen Playlist (1): KISXJTyler- Longview, TX
Did Not Report, Playlist Frozen (1): WIFC/Wausau, WI
www.americanradiohistory.com
58 R &R February 22, 2002 CHR/Pop Playlists MARKET #1
WHTZ/New York Clear Channel (212) 239 -2300 Polemarg&yant
12. Cume 3,401,200
PLAYS
LW 1W
95 92
94 86
87 86 63 83
88 83
45 65
61 62 60 61
59 55 83 54
57 54 34 44 41 42
33 40 30 38 36 38 36 34 24 34 30 31
5 26
24 24 21 23 19 23 15 21
20 20 23 19 19 19 19 17 21 16 15 14 12 14 12 14 14 13
I 13
- 19
12 13
- 12
10 12
14 12 11 12
ARTIST/TITLE el (00e) LINKIN PARKnn The End 135976 JA RULE F /ASHANTVAIways On Time 127108 CALLING/Wherever You Will Go 127108 LEANN RIMES/Cant Fight... 122674 NICKELBACK/How You Remind Me 122674 JENNIFER LOPEZ/Ain't It Funny 96070 CITY HIGH /Caramel 91636 KYLIE MINOGUE/Can't Get You... 90158 CRAIG DAVID/7 Days 81290 USHERN Got It Bad 79812 NO DOUBT/Hey Baby 79812 'N SYNC/Girlfriend 65032 SHAKIRNWhenever Wherever 62076 STAIND/Outside 59120 BRANDY/What About Us? 56164 MARY J. BLIGE/No More Drama 56164 ALANIS MORISSETTEMands Clean 50252 CREED/My Sacrifice 50252 PINK/Don't Let Me Get Me 45818 ENRIQUE IGLESIAS/Escape 38428 DEBORAH COX/I Never Knew 35472 68)156Y SPEARS/I'm Not A Girl... 33994 TOYIVNe Matta What... 33994 MICHELLE BRANCWAI You Wanted 31038 INCUBUSNme 29560 JAGGED EDGE/Where The Party At 28082 USHER/U Remind Me 26604 EVE F/GWEN STEFANVLet Me Blow Ya Mira 25126 FABOLOUS F/NATE DOGG/Can't Deny It 22170 GORILLAZ/19 -2000 20692 DARREN HAYES/Insatiable 20692 JA RULE/LIL' MO.. /Put A On Me 20692 LIFEHOUSE/Hangimg By A Moment 19214 JA RULE F/C. MILIAN/Between Me And You 19214 110/Rapture (Tastes.) 19214 MONTELLJOROAN/GeI It On.. Tonde 19214 OUTKAST/The Whole World 17736 TRAIN/Drops Of Jupiter.. 17736 PINK/You Make Me Sick 17736 DAVE MATTHEWS BAND/The Space Between 17736
KRBV /Dallas -Ft. Worth Infinity (214) 630-3011 CookNalenBne
12+ Cume 485,200
PLAYS
LW TW ARTIST/TITLE 65 83 JA RULE F /ASHANTVAIWays On Time 80 82 LEANN RIMES/Cant Fight.. /7 77 LINKIN PARK/In The End 79 73 NICKELBACK/How You Remind Me 64 71 ENRIQUE IGLESIASMera 54 58 KYLIE MINOGUE/Can't Gel You... 52 56 NO DOUBT/Hey Baby 19 52 STAIND/Irs Been Awhile 78 51 SHAKIRMWhenever Wherever
53 49 NELLY FURTADOrfurn Off The Light 54 48 PINK/Get The Party... 39 48 'N SYNC/Girlhiend 15 47 AB/Most Beautdul Girl
76 47 CREED/My Sacrifice 17 45 110/Rapture (Tastes...) 43 40 JENNIFER LOPEZ/Ain't It Funny 44 40 AMANDA PEREZ/Never 14 39 VANESSA CARLTOWA Thousand Miles 47 39 a CALLING/Wherever You Will Go 44 38 3 DOORS DOWN/Be Like That 23 21 MARY J. BLIGE/Famiy Affair 16 21 JAGGED EDGE/Where The Parry At 35 19 ALANIS MORISSETTEMands Clean
- 17 a SHAKIRMIndemeath Your... 9 16 BRANDY/What About Us?
17 16 NELLY /Counlry Grammar 12 15 OUTKAST/MS. Jackson
7 15 LUDACRIS/Roll Out.. 13 15 PUDDLE OF MUDD/BIurry 18 14 NELLY/E.I.
22 14 DAFT PUNK/One More lime 13 13 JA RULE/Livin It Up
16 13 MISSY ELLIOTT /Gel Ur Freak On 12 13 JA RULULIL' MO.. /Put It On Me 44 12 USHER/U Got It Bad
11 11 NELLY /Ride WA Me 11 11 R.KELLY/The Worlds Greatest 13 11 ANGIE STONEBrotha 14 11 112/Peaches 8 Cream
23 10 CITY HIGH /What Would You Do?
Si (000) 13280 13120 12320 11680 11360 9280 8960 8320 8160 7840 7680 7680 7520 7520 7200 6400 6400 6240 6240 6080 3360 3360 3040 2720 2560 2560 2400 2400 2400 2240 2240 2080 2080 2080 1920 1760 1760 1760 1760 1600
MARKET #10
WORD /Detroit ABC (313) 871 -9300 Tear/Towers/Cudy
12e Cume 730,300
PLAYS
LW TW ARTIST/TITLE
91 92 'N SYNC/Gimriend 96 88 JA RULE F /ASHANTVAhvays On Tole 86 82 LINKIN PARK/In The End 92 79 KYLIE MINOGUE/Can'i Gel You...
54 72 CRAIG DAVID/7 Days
88 68 USHER/U Got II Bad
51 63 110/Rapture (Tastes..) 51 61 a PINK/Don't Let Me Get Me
55 57 CITY HIGWCararnei
59 57 JENNIFER LOPEZ/Ain't It Funny 20 49 ENRIQUE IGLESIAS/Escape 38 48 CALLING/Wherever You Will Go
42 46 NO DOUBT/Hey Baby 40 40 BRANDYAVhat Abcut Us? 32 36 TOYAMo Matta What... 33 33 MARY J. BLIGE/Tamiy Affair 48 32 BRITNEY SPEARS/'m Not A Girl... 43 30 SHAKIRNWhenever Wherever 21 28 LUDACRIS/Roll Out... 30 28 JAGGED EDLEANhare The Party At 24 28 NELLY FURTADO/Turn Off The Light 35 28 NICKELBACKMOw You Remind Me 13 27 a FAT JOE F /ASHANTI/What's Luv?
24 26 MARY J. BLIGE/No More Drama 35 26 TOYNI Do 31 28 JA RULEAivin' It Up
23 26 FABOLOUS/Yourg'n ( Holla Back) 36 22 CREED/My Sacrifice 30 22 PINK/Get The Parry.. 15 21 PUDDLE OF MUDDBIurry 7 20 BUSTA RHYMES/Break Ya Neck
20 20 LEANN RIMES/Cant Fight...
20 20 OUTKAST/The Whole Word 18 19 MR. CHEEKS/Lights. Camera... 23 19 'N SYNC/Gone 18 19 ALANISMORISSETTEMands Clean
51 18 NELLY/11
12 14 JAGGED EDGE/Let's Gel Married 18 13 112/Dance With Me 10 12 CRAG DAVIDMII Me In
GI (500)
27324 26136 24354 23463 21384 20196 18711 18117 16929 16929 14553 14256 13662 11880 10692 9801 9504 8910 8316 8316 8316 8316 8019 7722 7722 7722 7722 6534 6534 6237 5940 5940 5940 5643 5643 5643 5346 4158 3861 3564
MARKET #2
KITS /Los Angeles Clear Channel (818) 845-1027 Ivey/Steele
12. Cume 1,937,200
PLAYS
LW TW ARTIST/TITLE GI (000) 78 82 LINKIN PARMn The End 68552 74 74 NICKELBACK/How You Remind Me 61864 70 71 USHER/U Got It Bad 59356 49 65 JA RULFAiviri I Up 54340 81 60 NO DOUBT/Hey Baby 50160 68 56 CALLINGWherever You Will Go 46816 47 53 CRAIG DAVID/7 Days 44308 39 48 LEANN RIMES/Can't Fight... 40128 46 47 TOYNI Do 39292 42 46 CREED/My Sacrifice 38456 37 M KYLIE MINOGUE/Can't Get You... 36784 27 44 'N SYNC/Girlfriend 36784 26 33 SHAKIRAMMerneath Your... 27588 40 33 PINK/Get The Party.. 27588 51 33 SHAKIRAAVhenever Wherever 27588 26 31 CITY HIGH/Caramel 25916 28 31 PUDDLE OF MUDDBIurry 25916 24 31 INDIAARIENIdeo 25916 30 28 MARY J. BLIGE/No More Drama 23408 24 27 ALANIS MORISSETTEMands Clean 22572 33 26 JENNIFER LOPEZ/Ain't It Funny 21736 23 23 MICHELLE BRANCWAII You Wanted 19228 27 23 'N SYNC/Gone 19228 22 20 MARY J.BLIGE/Famiy Affair 16720 27 20 JA RULE F /ASHANTVANrays On Time 16720 19 20 BLINK- 1B2/First Date 16720 22 19 BRITNEY SPEARS/I'm Not A Girl... 15884 15 18 P.O.D/Yoidh Of The Nation 15048 14 17 DARREN HAYESAnsatiable 14212 17 16 CHER/Song For The Loney 13376 24 16 JENNIFER LOPEZ/1'm Real 13376 19 18 NELLY FURTADO/Turn Off The Light 13376 17 15 JEWEL/Standing Still 12540
4 14 AARON CARTERl'm All About You 11704 11 14 X- ECUTIONERS/Irs Goin' Down 11704 12 14 LIFEHOUSE/Hanging By A Moment 11704 12 14 ENRIOUEIGLESIASiEscape 11704 12 14 MICHELLE BRANCH/Everywhere 11704 18 12 NATALIE IMBRUGLINWrong Impression 10032 16 12 USHERN Remind Me 10032
MARKET #6
W)00 /Philadelphia Clear Channel (610) 667 -8100 Bridgman/Newsome
12. Cume 1,022,300
PLAYS
LW TW ARTIST/TITLE cl I0001 102 99 LENIN RIMES/Can't Fight. d411.h; 90 91 JA RULE F /ASHANTVAlways On Time 41314 85 86 LINKIN PARK/In The End 39044 47 71 NO DOUBT/Hey Baby 32234 74 63 CITY HIGH/Caramel 28602 58 61 KYLIE MINOGUE/Can't Gel You... 27604 57 53 JENNIFER LOPEZ/Ain'tlt Funny 24062 66 48 USHERN Got It Bad 21792 47 48 'N SYNC /GirOriend 20884 48 43 CALLINGWheever You Will Go 19522 39 38 CRAIG DAVID/7 Days 17252 29 32 PINK/Get The Parry... 14528 43 32 NICKELBACKMow You Remind Me 14528 32 30 CREED/My Sacrifice 13620 30 30 PUDDLE OF MUDDBIurry 13620 20 26 TOVM Do 11804 21 26 MARY J.BLIGBFamiy Affair 11804 23 24 JA RULE/TMn' It Up 10896 25 24 LIFEHOUSE/Breaming 10896 20 23 110/Rapture (Tastes...) 10442 10 23 MARY J. BLIGE/No More Drama 10442 19 22 ENRIQUE IGLESIAS/Hero 9988 26 22 FABOLOUS MATE DOGG/Can t Deny O 9988 23 22 'N SYNC/Gone 9988 15 20 BRANDY/What About Us? 9080 20 20 SHAKIRAAWhenever Wherever 9080 15 19 R. KELLY/The World's Greatest 8626 11 15 BRITNEY SPEARS/I'm Not A Girl... 6810 11 15 ALICIA KEYS/Fallin 6810
16 15 MISSY ELLIOTT/One Minute Man 6810 16 15 JAGGED EDGE/Where The Party Al 6810
5 14 ENRIOOEIGLESIAS/ESCape 6356 - 16 13 CRAIG DAVID/Fill Me In 5902
13 13 LUDACRIS/Roll Out... 5902 13 13 LINKIN PARK/Crawling 5902 12 13 EVE F /GWEN STEFANULet Me Blow Ya Mind 5902 8 12 CITY HIGH/What Would You Do? 5448 9 12 MELANIE CI Turn To You 5448
13 12 FABOLOUS/Young'n ( Holla Back) 5448 - 11 P.0.0./Youth 01 The Nation 4994
MARKET #10
WKOI /Detroit Clear Channel (248) 967 -3750
TheodoreAdve
12. Cume 706,500
PLAYS
LW TW ARTIST/1ITLE GI (000) 87 99 LINKIN PARK/In The od 24948 100 92 NICKELBACKMow Y u Remind Me 23184 96 77 USHER/U Got It Bad 19404 83 76 NO DOUBTOeey Baby 19152 73 72 MARY J.BLIGE/Famiy Affair 18144 97 68 CALLING/Wherever You Will Go 17136 55 65 PINK/Get The Party... 16380 56 64 KYLIE MINOGUE/Can't Get You... 16128 60 62 CRAIG DAVID/? Days 15624 55 56 LEANNRIMES/Cant Fight.. 14112 57 53 SHAKIRAWhenever Wherever 13356 51 50 JA RULE F /ASHANTVAways On Time 12600 35 46 CREED/My Sacrifice 11592 44 46 CITY HIGH/Caramel 11592 47 M TOYM Do 11080 35 39 JEWEL/Standing SOH 9828 42 36 'N SYNC/Girlfriend 9072 32 35 DESTINY'S CHILD/Emotion 8820 36 35 NELLY /#1 8820 19 33 PUDDLE OFMUDD/Blurry 8316 27 32 JA RULE/LNin' II Up 8064 29 28 NELLYMide Wit Me 7056 28 26 STAINDnt's Been Awhile 6552 19 24 ENRIQUE IGLESIAS/Escape 6048 15 28 ALANIS MORISSETTE/Hands Clean 5796 10 21 110/Rapture (Tastes...) 5292 24 21 LIFEHOUSEMangiOg By A Moment 5292 19 21 WILLA FORD /I Wanna Be Bad 5292 22 16 JENNIFER LOPEZ/Aint It Funny 4536 24 17 PINK/Don't Let Me Get Me 4284 14 17 PINK/Most Girls 4284 25 16 ENRIQUE IGLESIASMero 4032 15 16 ALICIA KEYS/Fa15n 3780 10 14 EVE F/GWEN STEFANl4.et Me Blow Ya Mind 3528 13 13 SHAGGY /Angel 3276 13 12 MARY J. BLIGE/No More Drama 3024 15 12 N SYNC/This I Promise You 3024 15 12 CRAZYTOWNBuneriy 3024 15 11 ALICIA KEYS/A Womany Worth 2772 9 10 ENYNOny Time 2520
MARKET #3
WKSC /Chicago Clear Channel (312) 255 -5100 Philips/Murray
12. Cume 873,200
KIEúFIVB
PLAYS
LW TW ARTIST/TITLE
98 96 LINKIN PARK/n The End 86 94 CRAIG DAVID/? Days
67 92 KYLIE MINOGUE/Can't Get You... 94 90 NICKELBACK/How You Remind Me 37 87 JENNIFER LOPEZ/Ain't It Funny 85 87 CALLINGAVherever You Will Ga
41 85 LEANN RIMES/Can't Fight... 58 59 'N SYNC/Girthiend 26 57 CITY HIGH/Caramel
100 55 SHAKIRNWhenever Wherever 53 54 BRANDY7Nhat About Us? 76 50 CREED/My Sacrifice 59 50 NO DOUBT/Hey Baby 49 49 LUOACRIS/RoII Out... 41 49 PUDDLE OF MUDDBIurry 98 49 JA RULE F /ASHANTUANrdys On Time 12 47 ENRIQUE IGLESIAS/Escape 44 39 TOYM Do
35 39 R. KELLY/The Word's Greatest 46 38 PINK/Get The Parry..
35 35 USHER/11 Remind Me 36 34 JA RULE/Livin It Up
48 32 USHER/U Got It Bad
29 26 3 DOORS DOWN/13e Like That 31 26 NELLY FURTADO/Tum Off The Light 29 25 'N SYNC/Gone 39 25 BRITNEY SPEARS/I'm Not A Girl... 19 23 MARY J. BLIGE/No More Drama 18 23 CRAIG DAVID/Fill Me In
25 23 ENRIQUE IGLESIAS/Hero 24 22 MARY J. BLIGE/Famiy Affair 17 22 BUSTA RHYMES/Break Ya Neck
26 21 FABOLOUSNOung n (Rota Back) 4 21 OUTKAST/The Whole World 25 20 JAGGED EDGE/Where The Party At
15 17 MR. CHEEKS/Lights, Camera... 23 17 BLAQUE/808 24 10 P..O.DNOulh Of The Nation
1 16 FAT JOEAVe Thuggin' 17 15 MICHELLE BRANCH/All You Wanted
GI (000)
29568 28952 28336 27720 26796 26796 26180 18172 17556 16940 16632 15400 15400 15092 15092 15092 14476 12012 12012 11704 10780 10472
9856 8008 8008 7700 7700 7084 7084 7084 6776 6776 6468 6468 6160 5236 5236 4928 4928 4620
MARKET #7
WIHT/Washingten, DC
Clear Channel (301) 468-9429 WYanee
12+ Cume 385,400
PLAYS
LW TW
88 89
86 87
8581 60 72 73 69 72 88 65 04 33 62 46 61
72 50
41 4a
ARTIST/TITLE JA RULE F /ASHANTVANrays On Time LINKIN PARK/n The End
NICKELBACKMOW You Remind Me CRAIG DAVID/7 Days
LEANN RIMES/Can't Fight..,
NO DOUBT/Hey Baby
CITY HIGH/Caramel
JENNIFER LOPEZ/Ain't It Funny FABOLOUS PIRATE DOGG/Cedt Deny It SHAKIRMUhenever Wherever NELLY /t1
50 48 CALLING/Wherever You Will On
34 47 'N SYNC/Girlfriend
38 45 USHERN Got It Bad
34 42 ENRIQUE IGLESIAS/Escape
31 37 a R. KELLY/The Worlds Greatest 28 33 ALICIA KEYS /A Woman's Worth 30 31 CREED/My Sacrifice 27 31 MARY J. BLIGE/No More Drama 15 30 TOYA/No Matta What._. 40 30 KYLIE MINOGUE/Can't Gel You... 28 29 NELLY FURTADO/Turn Off Tne Light 30 28 ENRIQUE IGLESIAS/Hero
25 27 LUDACRIS/Roll Out... 24 26 MICHELLE BRANCH/NI You Wanted 26 26 JESSICA SIMPSON/Irresistible 24 25 BRANDY/What About Us? 35 25 MARY J.BLIGE/Famiy Affair 27 24 AU STAR TRIBUTE/What's Going On
67 23 PINK/Get The Parry...
10 22 CITY HIGHWhaI Would You Do?
25 21 CRAIG DAVID/Fill Me In
19 21 ALICIA KEYS/Fallin 22 20 K-CI & JOJO/Crary 26 18 JAGGED EDGE/Where The Party At 13 16 DESTINY'S CHILDnndependent Women...
16 a PINK/Don't Let Me Get Me 19 15 JENNIFER LOPEZ/1'm Real 15 15 MONTELL JORDAN/Get It On...Tonite 16 14 TOYM Do
61 (0001 11214 10962 10206
9072 8694 8568 8064 7812 7686 6300 6048 6048 5922 5670 5292 4662 4158 3906 3906 3780 3780 3654 3528 3402 3276 3276 3150 3150 3024 2898 2772 2646 2646 2520 2268 2016 2016 1890 1890 1764
WSTR /Atlanta Jefferson -Pilot (404) 261 -2970 Bowen/Ammons
12+ Cume 579,300
PLAYS
LW TW
67 70
6870 58 69 7066 60 62
55 45
36 45 45 44
32 44
45 U 45 43
4542 5342 45 42
37 35
31 34
32 30 32 30 26 25
20 26
28 25 22 24 13 24 26 23 20 21
21 21
18 19 15 18 19 15
18 17 13 16 20 16
20 15 14 15
1914 13 14
15 14
15 14 11 14
1514
ARTIST/TITLE 61 (000( FIVE FOR FIGHTING/Superman (It's...) 17640 NICKELBACK/How You Remind Me 17640 CALLING/Wherever You Will Go 17388 3 DOORS DOWN/Be Like That 16632 CREED/My Sacrifice 15624 ENRIQUE IGLESIAS/Hero 11340 LENNYKRAVITZ/Dig In 11340 LFO/Every Other Time 11088 DAVE MATTHEWS BAND/rhe Space Between 11088 ALANIS MORISSETTEMands Clean 11088 JEWELStanding Still 10836 SUGAR RAYAWhen It's Over 10584 STAIND /It's Been Awhile 10584 FUEUBad Day 10584 NO DOUBT/Hey Baby 8820 SHAKIRA/Whenever Wherever 8568 MICHELLE BRANCH/PO You Wanted 7560 NATALIE IMBRUGLIA/Wrong Impression 7560 LINKIN PARK/In The End 7056 TRAIN/Drops Of Jupiter.._ 6552 DEFAULT/Wasting My lime 6300 NELLY FURTADO/...On The Radio... 6048 PUDDLE OF MUDDBIurry 6048 DARREN HAYES/Insatiable 5796 LIFEHOUSE/Haeging By A Moment 5292 ENYA/Ony Time 5292 PINK/Get The Party.. 4788 UNCLE KRACKER1F011ow Me 4536 JOHN MAYERMO Such Thing 4536 MOBY F/GWEN STEFANI/Soldhside 4284 NELLY FURTADO /l'm Like A Bird 4032 LEANN RIMES/Can't Fight... 4032 INCUBUS/Drive 3780 EVE 6MereS To The Night 3780 CHEF/Song For The Loney 3528 MATCHBOX TWENTY/Bent 3528 MATCHBOX TWENTY/Mad Season 3528 MADONNNDOn t Tell Me 3528 MADONNA/Music 3528 SMASH MOUTH4'm A Believer 3528
MARKET #4
K20Z/San Francisco Bonneville (415) 957-0957 HofeiVTrujillo
12. Cume 792,500
PLAYS
LW TA ARTIST/TITLE 0110001 81 82 LEANN RIMES/Can't Fight... 23862 65 78 NO DOUBT/Hey Baby 22698 76 70 CALLING/Wherever You Will Go 20370 61 66 NICKELBACKMaw You Remind Me 19206 75 65 SHAKIRA/Whenever Wherever 18915 54 60 JENNIFER LOPEZ/Ain't It Funny 17460 58 54 FIVE FOR FIGHTING/Superman (175...) 15714 38 53 NATALIE IMBRUGLINWrong Impression 15423 43 52 KYLIE MINOGUE/Can't Get You... 15132 53 51 MARY J.BLIGE/Family Affair 14841 49 50 CRAIG DAVID/7 Days 14550 69 45 PINK/Get The Party... 13095 54 45 ALANIS MORISSETTEMands Clean 13095 50 44 JANET/Son Of A Gun... 12804 37 44 MICHELLE BRANCH/All You Wanted 12804 26 39 PUDDLE OF MUDD/Blurry 11349 41 39 LINKIN PARK/In The End 11349 56 36 JEWEUStanding SOII 10476 29 35 DARREN HAYES/Insatiable 10185 19 34 BLINK- 182/First Date 9894 54 32 USHER/U Got It Bad 9312 24 31 BRITNEY SPEARS/'m Not A Gin... 9021 18 31 ENRIQUE IGLESIAS/Escape 9021 19 27 'N SYNC/Girlfriend 7857 23 23 STAIND/ITs Been Awhile 6693 22 23 AARON CARTER/I'm All About You 6693 20 20 R. KELLY/Ti1e World's Greatest 5820
- 20 INDIAARIEMdeo 5820 20 20 LIFEHOUSE/Hanging By A Moment 5820 14 19 ENRIQUE IGLESIAS/Hero 5529
1 19 VANESSA CARLTOWA Thousand Miles 5529 17 18 ALL STAR TRIBUTEWWhats Going On 5238 22 18 TRAIN/Drops OlJupoer... 5238 11 17 NELLY FURTADO /Turn Off The Light 4947 11 17 NELLY FURTADO/l'm Like Bird 4947 18 17 ALICIA KEYS/FaOhi 4947 14 17 K-CI & JOJO/Crazy 4947 20 17 LENNY KRAVITZ/Again 4947
1 16 PINK/Don't Let Me Get Me 4656 8 15 RED HOTCHILI.JOthersoe 4365
MARKET #8
WXKS/Boston
Clear Channel (781) 396-1430 McCartney/Corey
12. Come 881,400
PLAYS
LW TW ARTIST /TITLE W (088) 91 92 LINKIN PARK/In The End 35052 85 86 NICKELBACK/How You Remind Me 32766 61 73 SHAKIRNWhenever Wherever 27813 78 69 LEANN RIMES/Can't Fight.. 26289 63 69 JEWEL/Standing SOI) 26289 76 66 CALLING/Wherever You W11160 25146 70 63 PINK/Get The Parry... 24003 47 62 NO DOUBT/Hey Baby 23622 34 46 PINK/Don't Let Me Get Me 17526 44 44 CRAIG DAVID/7 Days 16764 37 44 ALANISMORISSETTEMands Clean 16764 32 42 JA RULE F /ASHANTI /Always On lime 16002 24 41 MICHELLE BRANCH/All You Wanted 15621 46 37 KYLIE MINOGUE/Cant Get You... 14097 30 33 DAFT PUNK/One More Time 12573 30 32 CREED/My Sacrifice 12192 32 32 JENNIFER LOPEZ/Ain't It Funny 12192 34 30 USHER/U Got It Bad 11430 30 30 VANESSA CARLTON/A Thousand Miles 11430 23 24 DAVE MATTHEWS BAND/The Space Between 9144 22 23 ATC/Nound The World... 8763 22 23 LIFEHOUSE/Hanging By A Moment 8763 24 22 LRIMy Own Worst Enemy 8382 23 22 STAINDAt's Been Awhile 8382 21 21 3 DOORS DOWN/Be Like That 8001 21 21 MARY J. BLIGE/No More Drama 8001 18 20 PUDDLE OF MUDDBIurry 7620 25 18 DAVE MATTHEWS BAND/Everyday 6858 12 18 ENRIQUE IGLESIAS/Escape 6858 18 18 'N SYNCJGir8nend 6858 17 17 3 DOORS DOWN/Kryptonite 6477 18 17 TRAIN/Drops OtJupiter.. 6477 21 18 CRAZYTOWN/Butterfy 6096 9 15 JENNIFER LOPEZ/Love Don't Cost... 5715
11 15 EVE F/GWEN STEFANVLeI Me Blow Ya Mimi 5715 15 15 NELLY FURTADO/...On The Radio... 5715 - 15 BACKSTREET BOYS/Drowning 5715
12 14 ALICE DEEJAYBetter Off Alone 5334 15 14 MOBY F/GWEN STEFANOSouthside 5334 14 14 DESTINYS CHILD /Jumpio Jumpin 5334
WWWO/Atlanta Susquehanna (404)266 -0997 Dyiarl/FranVlambert
12. Cume 191,300
PLAYS
LW 1W ARTIST/TITLE SI (000) 78 95 NO DOUBT/Hey Baby 5890 91 97 NICKELBACKMOW You Remind Me 5394 76 83 LINKIN PARK/In The End 5146 87 81 USHERN Got It Bad 5022 57 79 JA RULE F /ASHANTVAN2ys On Time 4898 88 64 CREED/My Sacrifice 3968 55 53 CRAIG DAVID/7 Days 3286 47 48 TOYNI Do 2976 68 47 SHAKIRNWhenevee Wherever 2914 43 46 ALICIA KEYS/A Woman's Worth 2852 54 45 KYLIE MINOGUE/Can't Get You... 2790 53 43 PINK/Get The Party... 2666 44 43 NELLY /11 2666 47 42 MARY J. BLIGE/Family Affair 2604 25 48 JENNIFER LOPEZ/Art It Funny 2480 50 48 NELLY FURTADO/Turn Ott The Light 2480 42 39 PUDDLE OFMUDDBlurry 2418 22 30 LEANN RIMES/Can't Fight... 2356 65 38 CALLING/Wherever You Will Go 2356 30 36 'N SYNC/Girlfriend 2232 37 38 STAINDnrs Been Awhile 2232 29 35 MARY J. BLIGE/No More Drama 2170 35 35 MICHELLE BRANCH/All You Wanted 2170 37 34 CRAIG DAVID/Fill Me In 2108 21 33 VANESSA CARLTON/A Thousand Miles 2046 31 29 110/Rapture (Tastes...) 1798 11 28 BRANDY/What About Us? 1736 32 27 ENRIQUE IGLESIAS/Hero 1674 42 23 FUELBad Day 1425 29 22 JENNIFER LOPEZA'm Real 1364 25 21 TRAIN/Drops 0l Jupiter... 1302 39 20 LIFEHOUSE/Hanging By A Mordent 1240 15 19 ALICIA KEYS/Fallin 1178 22 18 BRITNEY SPEARS/'m Not A Gkl... 1116 27 18 ALANIS MORISSETTEMands Clean 1116 17 18 EVE F/GWEN STEFANVLet Me Blow Ya Mind 1116 16 17 MICHELLE BRANCFVEverywhere 1054 24 16 NELLY FURTADO/I'm Like A Bird 930 15 14 'N SYNC/Gone 888 10 12 NELLY FURTADO/...On The Radio... 744
MARKET #5
KHKS /Dallas -Ft. Worth Clear Channel (214) 891-3400 Shannon/Morales
12+ Cume 725,600
PUYS LW TW
84 87 78 79 47 68 59 67
3366 64 64 69 60 74 58 75 56 48 52
52 49
37 44
33 44 42 43
35 37 34 37 25 36 52 36 18 31
37 31
26 30
32 30 47 29
33 28 13 28 26 26
30 25 12 25
21 22 27 21
18 19
14 19
18 19
21 18
18 18
9 17
10 16
29 15
15 14
12 14
ARTIST/TITLE
NO DOUBTMey Baby PINK/Get The Party...
CRAIG DAVID/7 Days
CALLING/Wherever You Will Go
JENNIFER LOPEZ/Ain't It Funny
NICKELBACKMow You Remind Me
CREED/My Sacrifice
LINKIN PARK/In The End
JA RULE F /ASHANTI /Always On Time NELLY/#T
CITY HIGH/Caramel
KYLIE MINOGUE/Can' Get You...
BRANDY/What About Us? SHAKIRAMhenever Wherever TOYM Do LEANN RIMES/Can't ROht... MARY J. BLIGE/No More Drama MARY J. BLIGE/Famiy Affair PUDDLE OF MUDDBIurry NELLY FURTADO/Turn Off The Light DESTINY'S CHILD/Emotion USHERN Remind Me USHER/U Got It Bad
'N SYNC/Girlfriend 110/Rapture (Tastes...) ENRIQUE IGLESIAS/Escape
MICHELLE BRANCH/Everywhere ALANIS MORISSETTEMands Clean INCUBUS/Drive
JA RULE/LNin It Up
STAIND /IYs Been Awhle ALICIA KEYS/Fallin'
LIFEHOUSE/Hanging By A Moment 3 DOORS DOWN/Be Like That
LUDACRIS/Roll Out... JANET /All For You
TRAIWDrops Of Jupiter...
ENRIQUE IGLESIASAiero
TOYAMA Matta What...
LFO/Every Other Time
GI (000) 27927 25359 21828 21507 21186 20544 19260 18618 17976 16692 15729 14124 14124 13803 11877 11877 11556 11556 9951 9951 9630 9630 9309 8988 8346 8346 8025 8025 7062 6741 6099 6099 6099 5778 5778 5457 5136 4815 4494 4494
KRBE/Houston- Ga(vesto Susquehanna (713) 266 -1000 AusenMhiale
12+ Cume 700,500
PLAYS
LW 1W
67 79
79 78
76 77
82 77 83 75
81 73 79 69 52 52 59 52 46 46 43 45 41 44
30 38
31 36 44 36 30 31
34 29
39 29
23 25 24 25 13 24 18 22 15 19
33 19 23 19
3 18
- 18
18 18 15 17
25 17
23 16
13 15 7 15 9 14
6 14 2 14 24 14 32 14.
15 13 29 13
ARTIST/TITLE 01 (0001 CALLING/Wherever You Will Go 24727 NICKELBACKMOw You Remind Me 24414 CREED/My Sacrifice 24101 SHAKIRNWhenever Wherever 24101 PINK/Get The Party... 23475 NO DOUBT/Hey Baby 22849 MARY J. BLIGE/Famiy Affair 21597 KYLIE MINOGUE/Can't Get You... 16276 USHER/U Got It Bad 16276 TOVA/I Do 14398 LEANN RIMES/Can't Fight... 14085 110/Rapture (Tastes...) 13772 LINKIN PARK/In The End 11894 JA RULE F /ASHANTVAIways On Time 11268 'N SYNC/Gone 11268 JENNIFER LOPEZ/Antt It Funny 9703 STAINDArs Been Awhile 9077 LIFEHOUSE/Hanging By A Moment 9077 JENNIFER LOPEZ/I'm Real 7825 CHER/Song For The Loney 7825 ENRIQUE IGLESIAS/Escape 7512 DJ ENCORE/I See Right.. 6886 MARY J. BLIGE/No More Drama 5947 ENRIQUE IGLESIAS/Hero 5947 ALANIS MORISSETTEMards Clean 5947 -
BRANDYM/hat Afoul Us? 5634 SHAKIRNUnderneath Youc.. 5634 DESTINY'S CHILD/Emotion 5634 'N SYNC/Girlfriend 5321 TRAIN/Drops Of Jupiter_. 5321 INCUBUS/Drive 5008 NELLYMicle Wit Me 4695 PUDDLE OF MUDDBIurry 4695 MICHELLE BRANCH/Alt You Wanted 4382 BLU CANTRELUHB 'Em Up Style ... 4382 PINK/Don't Let Me Get Me 4382 EVE F/GWEN STEFANI/Let Me Blow Ya Mind 4382 ENYNOnIy Time 4382 CRAZY TOWNBUtteny 4069 CRAIG DAVID/7 Days 4069
WHYIANiami
Clear Channel (954) 862-2000 Roberts/Banks
12+ Cume 530.100 °ï#
Puys LW 1W 54 77 58 75 54 75 n 74 74 72 74 70
75 68 44 49 43 46
68 45 42 44 40 42
39 42 41 39
38 37 54 35 4035 3632 31 29
2628 31 25
37 24
21 23 20 22 9 21
14 21 17 20
22 20
21 20 14 19 17 19 20 19 17 19 24 18 19 18
21 17
13 17
18 17
10 10
24 15
ARTIST/TITLE
JENNIFER LOPEZ/An t It Funny CREED/My Sacrifice
LEANN RIMES/Can't Fight... PINK/Get The Party...
NICKELBACKMOW You Remind Me NO DOUBT/Hey Baby
'N SYNC/Gone JEWEL/Standing Still
LINKIN PARK/In The End
JA RULE F /ASHANTVAhvays On lime ENRIQUE IGLESIAS/Escape
SHAKIRNUndemeam Your...
CRAIG DAVID/7 Days
KYLIE MINOGUE/Can't Get You...
KOSHEENMie U
DESTINY'S CHILD/Emotion CALLING/Wherever You Will Go FABOLOUSNOUng'n ( Holla Back) DEE DEE/Forever
'N SYNC/Girlfriend ALICIA KEYS/A Womanl Worth CITY HIGH/Caramel
MARY J. BLIGEMO More Drama
BRANDYMhat About Us?
CELINE DION/A New Day Has Come MARC ANTHONY /I Need You
IAN VAN DAHUCastles In The Sky
110/Rapture (Tastes...)
JA RULE/IA/in' II Up
ALANIS MORISSETTEMands Clean BRITNEY SPEARS/I'm Not A Girl...
LUDACRIS/Roll Out...
USHER/U Got II Bad
SHAKIRAANhenever Wherever
USHER/U Remind Me
OUTKAST/The Whole World MICHELLE BRANCH /AI You Wanted
MARY J. BLIGE/Famlly Adair
CHEWSong For The Lonely
MANDY MOORE/Cry
gl (000) 17633 17175 17175 16946 16488 16030 15572 11221 10534 10305 10076
9618 9618 8931 8473 8015 8015 7328 6641 6412 5725 5496 5267 5038 4809 4809 4580 4580 4580 4351 4351 4351 4351 4122 4122 3893 3893 3893 3664 3435
www.americanradiohistory.com
cHR/Pop Playlists February 22, 2002 R &R 59
MARKET #14
KBKS/S eattl e-Ta coma Infinity (206) 805-1061 Preston/Marcus 0.
12. Cume 436,400
PLAYS
LW 1W
65 76
67 74
59 73
62 69
62 69
40 64 36 55
53 54
57 44
40 44
39 40 50 35
32 39 29 38 24 37
36 36 28 35
29 33
31 32
29 29
30 27
26 26
21 25 31 25
23 25 17 21
17 19 14 16 15 18
17 18 2 18
17 17 13 16
13 16
30 16
15 15 8 15
8 15 15 14
6 14
ARTIST/NTLE
MARY J. BLIGE/Famiy Affair
NO DOUBT/Hey Baby
JA RULE F /ASHANTVAIways On Time
NICKELBACKHow You Remind Me
CALLINGANherever You Will Go
LINKIN PARK/In The End
CREED/My Sacrifice CRAIG DAVID/7 Days
SHAKIRA/Whenever Wherever KYLIE MINOGUE/Can't Get You...
USHERM Got It Bad
P.O.DJAlive
JENNIFER LOPE/Ain't It Funny
BRANDYNhat About Us? PINK/Don't Let Me Get Me
LEANN RIMES/Can't Fight... NELLY FURTADO/Fum Off The light JA RULE/Livin' It Up
MICHELLE BRANCH/id' You Wanted
PUDDLE OF MUDD/Blurry ALAN'S MORISSETTEMands Clean
ENRIQUE IGLESIAS/Hero
DAFT PUNK/One More Time PINK/Get The Party... 'N SYNC/Gimriend JAGGED EDGEAWhere The Party At
JANET /All For You
110/Rapture (Tastes...)
NELLY FURTADO/..Dn The Radio...
ALIEN ANT FARM/Smooth Criminal FAT JOE F /ASHANTUWhars Luv?
LIFEHOUSEManging By A Moment
CRAIG DAVIDMII Me In
USHER/U Remind Me
CITY HIGH/Caramel
BLU CANTRELLMR 'Em Up Style...
SHAGGVAt Wesel Me
BLINK- 182/First Date
BRITNEY SPEARS/I'm Not A Girl...
ENRIQUE IGLESIAS/Escape
6I (ORS)
13072 12728 12556 11868 11868 11008 9460 9288 7568 7568 6880 6708 6708 6536 6364 6192 6020 5676 5504 4988 4644 4472 4472 4300 4300 3612 3268 3096 3096 3096 3096 2924 2752 2752 2752 2580 2580 2580 2408 2408
WFLZ/Tampa
Clear Channel (813) 839-9393
Kapugi4(napp/Priest
12+ Came 603,500
PLAYS LW 1w
69 78
80 78
64 74
75 70
54 68
81 62
80 58
44 58
55 48
68 48
40 46
46 42
44 40
39 39 28 37 18 35
27 33
42 31
26 30
27 28 11 23 22 22
18 20 12 19
32 19
24 18
19 17
4 16
9 16
28 15
9 15
23 15
28 13 8 12
6 12 4 12
9 12
16 11
12 11
5 11
ARTIST/TITLE
LINKIN PARK/In The End
NO DOUBT/Hey Baby
JA RULE F /ASHANTVAlways On Time
NICKELBACK/How You Remind Me
'N SYNC/Girlfriend USHER/U Got It Bad
PINK/Get The Party.. JENNIFER LOPEZ/Ain't It Funny
MARY J. BLIGE/Famiy Affair
SHAKIRA/Whenever Wherever
CRAIG DAVID/7 Days
KYLIE MINOGUE/Cant Get You...
TOYM Do
CALLING/Wherever You Will Go
MARY J. BLIGE/No More Drama
LEANN RIMES/Can't Fight...
CREED/My Sacrifice
CITY HIGH/Caramel
GINUWINE/DBferences
CRAIG DAVID/FBI Me In
ENRIQUE IGLESIAS/Escape BRITNEY SPEARS/I'm Not A Girl.. 'N SYNC/Gone
PINK/Don't Let Me Get Me
JA RULE/11,9n' R Up
ALICIA KEYS/FaRin
GI (000)
24882 24882 23606 22330 21692 19778 18502 18502 15312 15312 14674 13398 12760 12441 11803 11165 10527 9889 9570 8932 7337 7018 6380 6061 6061 5742
ALAN'S MORISSETTE/4ands Clean 5423 PUDDLE OF MUDD/Blurry 5104 LUDACRIS/Roll Out... 5104 EVE F/GWEN STEFANULet Me Brow Ya Mind 4785 OUTKAST/The Whole World JAGGED EDGE/Where The Party At
JENNIFER LOPEZ/I'm Real
NELLY FURTADO/...On The Radio...
FAT JOE F/ASHANTI/What's Luv?
MPRESSMMaybe DARUDE/Sandstorm NELLY /t1 110/Rapture (Tastes...)
DARREN HAYES /Insatiable
4785 4785 4147 3828 3828 3828 3828 3509 3509 3509
WAKS/Cleveland Clear Channel (216) 520.2600 Mason/Kasper
12+ Cume 225,800
PLAYS
LW TW ARTIST/TITLE
92 90 JA RULE F /ASHANTVAMays On ime 81 88 NICKELBACK/How You Remind Me
83 88 SHAKIRNWhenever Wherever
82 85 R. KELLY/The Worlds Greatest
36 84 JENNIFER LOPEZ/Ain't It Funny
47 81 CITY HIGH/Caramel
76 77 PETEY PABLO/Raise Up
62 57 NO DOUBT/Hey Baby
91 56 LINKIN PARK/In The End
53 53 ENRIQUE IGLESIAS/Escape
42 51 'N SYNC/Gimriend 48 50 CALLING/Wherever You Will Go
50 49 CRAIG DAVID/7 Days 29 47 MICHELLE BRANCH/All You Wanted
36 42 GINUWINEBBIerences 39 36 PINK/Get The Parry...
1 36 SHAKIR/Wndemeath Your...
37 36 CREED/My Sacrifice 48 36 BRANDY/What About Us? 32 34 MARY J. BLIGE/Famiy Affair 30 32 TOYM Do
35 31 LUDACRIS41oIlOut...
32 29 USHER/U Got It Bad
28 29 NELLY FURTADO/...On The Radio...
27 29 KULIEMINOGUE/Can't Get You...
27 29 BLAOUE/808 19 27 OUTKAST/The Whole World
27 26 LEANN RIMES/Cant Fight... 25 25 BLU C/WTRELLJHR 'Em Up Style...
27 24 DARREN HAYES/Insatiable 78 24 FABULOUS FMATE DOGG/Can't Deny R
27 20 MARY J. BLIGE/No More Drama
20 20 JAGGED EDGE/Where The Party At
19 20 NELLY /A1
29 18 WILLA FORD /I Wanra Be Bad
17 17 DESTINY'S CHILD/Emotion 13 16 LUDACRIS/What's Your Fantasy
12 14 STAINDAt's Been Awhile
14 14 P.O.D./Youth Of The Nation
18 14 JA RULE/Uvin It Up
GI (000)
8910 8712 8712 8415 8316 8019 7623 5643 5544 5247 5049 4950 4851 4653 4158 3564 3564 3564 3564 3366 3168 3069 2871 2871 2871 2871 2673 2574 2475 2376 2376 1980 1980 1980 1782 1683 1584 1386 1386 1386
MARKET #16
KOWB / Minneapolis Clear Channel (612) 340 -9000 Morril/Moran
12+ Cume 647,500
PLAYS
LW TW
82 79
76 77
80 77
62 72
72 71
70 67
55 52
54 50 44 45
43 42
40
44
42
50
35
34
36
30 18
34
36
33
12
31
27
19
8
26
27
16
25
ARTIST/TITLE
JA RULE F /ASHANTVAIways On Time
NICKELBACK/How You Remind Me
LINKIN PARKnn The End
CITY HIGH/Caramel CRAIG DAVrD/7 Days NO DOUBT /Hey Baby
LEANN RIMES/Can't Fight.. CALLINGNAiere+er You Will Go
JAGGED EDGE/Lets Get Married
CREED/My Sacrifice
40 JENNIFER LOPEZ/AIn'I It Funny
40 112/Dance With Me
38 USHERB Got It Bad
37 JEWEI/Starding Still
36 'N SYNC/Girlfriend 36 KYLIE MINOGUE/Can't Get You...
35 R. KELLY/The World's Greatest 34 BMNDYAVhat About Us?
30 BRIAN MCKNIGHT/Still
29 MARY J. BUGE/Famiy Affair 28 SHAKIRSnWhenever Wherever
27 PINK/Get The Party...
27 FAROLOUS/Young'n ( Holla Back)
26 MARY J. BLIGEMo More Drama
24 LUDACRIS/Roll Out... 24 PUDDLE OF MUDD/Blurry 22 ENRIQUE IGLESIAS/Escape
21 ALICIA KEYS/A Woman's Worm
20 PETEY PABLO/Raise Up
20 3 DOORS DOWN/Be Like That
20 JA RULE/Livin It Up
16 ALAN'S MORISSETTE/Hands Clean
15 OUTKAST/The Whole World 15 BRITNEY SPEARS/I'm Not A Girt...
13 DESTINY'S CHILD/Emotion
13 BUSTA RHYMES/Break Ya Neck
12 BRITNEY SPEARS/I'm A Slave 4 U
12 112/Peaches & Cream -
12 SOULDECISION/Faded
11 FABULOUS FMATE DOGG/Can't Deny It
GI (000)
21646 21098 21098 19728 19454 18358 14248 13700 12330 11508 10960 10960 10412 10138
9864 9864 9590 9316 8220 7946 7672 7398 7398 7124 6576 6576 6028 5754 5480 5480 5480 4384 4110 4110 3562 3562 3288 3288 3288 3014
KFMD/Denver -Boulder
Clear Channel (303) 713 -8000
LawsorvPickett
12+ Cume 194,500
PLAYS
LW TW ARTIST/TITLE SI (880)
80 83 NO DOUBT/Hey Baby 5810 67 02 JA RULE F /ASHANTVAhvays On Time 5740 78 61 LINKIN PARK/In The End 5670 82 78 PINK/Get The Party... 5460 79 77 NICKELBACK/How You Remind Me 5390 80 74 SHAKIRA/Whenever Wherever 5180 42 67 CRAIG DAVID/7 Days 4690 45 49 KYLIE MINOGUE/Can t Get You... 3430 60 47 USHER/U Got It Bad 3290 43 46 LEANN RIMES/Can't Fight... 3220 49 44 'N SYNC/Girlfriend 3080 42 43 TOYNI Do 3010 43 42 ALICIA KEYS/A Woman's Worth 2940 28 40 MARY J. BLIGE/No More Drama 2800 27 39 JENNIFER LOPEZ/Ain't It Funny 2730 22 39 PUDDLE OF MUDD/Blurry 2730 22 37 MICHELLE BRANCWAH You Wanted 2590 77 35 MARY J. BLIGE/Fam'ly Affair 2450 33 33 CALLING/Wherever You Will Go 2310 10 27 BRANDY/What About Us? 1890 48 26 CREED/My Sacrifice 1820 34 26 DARUDE/Sandstorm 1820 39 24 JA RULE/L.iviò It Up 1680 27 21 CITY HIGH/Caramel 1470 28 25 ATCJNound The World... 1400
6 2/0 ENRIQUE IGLESIAS/Escape 1400 22 19 ENRIQUE IGLESIASMero 1330
11 19 ALAN'S MORISSETTE/Hands Clean 1330 14 19 BLU CANTRELIJHR 'Em Up Style... 1330 - 19 4 PINK/Don't Let Me Get Me 1330
21 18 'N SYNC/Gone 1260 17 16 DESTINYS CHILD/Emotion 1120 14 16 STAIND /It's Been Awhile 1120 17 15 EVE F /GWEN STEFANULeI Me Blow Ya Mind 1050 16 15 MR. CHEEKS/Lights, Camera... 1050 21 14 CRAZY TOW WBunedly 14 14 ALICIA KEYS/Tallin
23 14 NELLY /91
38 13 BRITNEY SPEARS/I'm Not A GAI...
15 13 JA RULE/LI_' MO /Put 110e Me
980 980 980 910 910
MARKET #26
WKFS/Cincinnati Clear Channel (513) 763-5477 Harris/Buchwald/Decoster
12+ Clime 313,900
PLAYS
LW TW ARTIST/TITLE GI (WB)
57 92 KYLIE MINOGUE/Can t Get You... 11316 79 87 LINKIN PARK/In The End 10701
74 84 JENNIFER LOPEZ/Ain't It Funny 10332 34 64 JA RULE F /ASHANTVAIways On Time 10332 82 82 CRAIG DAVID/7 Days 10086 86 82 NO DOUBT/Hey Baby 10086 69 61 USHER/U Got It Bad 7503 70 55 'N SYNC/Girmiend 6765 48 54 CITY HIGH/Caramel 6642 23 42 BRANDY/What About Us? 5166 27 41 MARY J. BLIGE/No More Drama 5043 13 39 PUDDLE OF MUDD/Blurry 4797 11 37 ALAN'S MORISSETTEHands Clean 4551 51 37 ALICIA KEYS/A Womans Worm 4551 20 36 ENRIQUE IGLESIAS/Escape 4428 40 36 LENIN RIMES/Can't Fight... 4428 51 36 BRIAN MCK.NIGHT5811 4428 57 36 NELLY /91 4428 44 34 PINK/Get The Party... 4182 79 34 NICKELBACK/How You Remind Me 4182 35 33 MISSY ELLIOTT /One Minute Man 4059 29 33 JAGGED EDGE/Let's Get Marred 4059 61 33 TOVNI Do 4059 35 32 MARY J. BLIGE/Tamily Altair 3936 37 31 GINUWINE7DRIerences 3813 26 30 USHER/U Remind Me 3690 31 29 CRAIG DAVID/Fill Me In 3567 32 29 EVE F /GWEN STEFANVLet Me Blow Ya Mind 3567 31 29 CALLINGANherever You Will Go 3567 34 28 WVCLEF JEAN/Perfect Gentleman 3444
1 26 110/Rapture (Tastes...) 3198 27 26 CREED/My Sacrifice 3198 16 26 'N SYNC /Gene 3198
2 23 OUTKAST/The Whole World 2829 23 23 LUDACRIS/ROII Out... 2829 29 21 MR. CHEEKS/Lights. Camera... 2583
2 21 SHAKIRNUndemeam Your.. 2583 22 29 TOVNNO Matta What_. 2460
3 17 DJ ENCORE/I See Right... 2091 44 16 BRITNEY SPEARS/'m Not A Girl._ 1968
MARKET #17
KHTS /San Diego
Clear Channel (858) 292 -2000 LairdNaughn/Hare
12+ Cume 459,300
PLAYS
LW TW ARTIST/TTLE
70 85 JA RULE F /ASHANTI /AFways On Time
84 84 NICKELBACKHow You Remind Me
64 67 JA RULE /Livin' It Up
62 58 USHER/U Got R Bad
75 57 PINK/Get The Parry...
54 52 CRAIG DAVID/7 Days
38 49 R. KELLY/The World's Greatest 48 47 LINKIN PARK/In The End
32 13 'N SYNC/Gone
44 40 CITY HIGWCaramel
35 39 KYLIEMINOGUE/Cant Get You...
52 36 NO DOUBT/Hey Baby
22 34 GINUWINE/Diferences 31 31 GORILLAZ/19 -2000
31 30 'N SYNC/GirTriend 24 28 LEANN RIMES/Cant RUht...
22 26 MARY J. BLIGE/Famiy Altair 41 26 SHAKIRA/Whenever Wherever
23 26 TOYA/I Do
16 25 VANESSA CARLTOWA Thousand Miles
22 25 BRIAN MCKNIGHTStill 24 25 MARY J. BLIGE/No More Drama
28 25 ALICIA KEYS/A Woman's Worth 27 23 BRITNEY SPEARS/'m Not A Girl...
30 23 AMANDA PEREZ/Never
20 23 JENNIFER LOPEZ/Ain't It Funny
18 23 TOYAMo Matta What...
33 22 NELLY /I1 19 20 DARREN HAYESnnsatiable
21 20 FABOLOUSNounp'n (Hallo Back) 19 20 NELLY FURTADO/Tum Off The Light
21 19 ENRIQUE IGLESIASMero
18 19 OUTKAST/The Whole World
7 19 I10/Rapture (Tastes...)
20 19 LUDACRIS/Roll Out...
8 18 FAT JOE F /ASHANTVW hat's Lao?
16 17 BUSTA RHYMES/Break Ya Neck
17 17 ALICIA KEYS/Fallin
28 16 BABA MEN/Move It Like This
17 16 LIFEHOUSEManging By A Moment
81 (0001
14620 14448 11524 9976 9804 8944 8428 8084 7396 6880 6536 6192 5848 5332 5160 4816 4472 4472 4472 4300 4300 4300 4300 3956 3956 3956 3956 3784 3440 3440 3440 3268 3268 3268 3268 3096 2924 2924 2752 2752
WBZZ/Pitisburgh Infinity (412) 920 -9400 MANN 12. Cume 411,900
PLAYS
LW TW ARTIST/TITLE
88 67 LINKIN PARK/In The End
83 78 USHERM Got R Bad
80 61 CALLING/Wherever You Will Go
44 55 NELLY /A1
46 51 CITY HIGH/Caramel
41 51 NO DOUBTMey Baby 43 49 KYLIE MINOGUE/Can't Get You_.
30 48 PETEY PABLO/Raise Up
41 45 'N SYNC/Girlfriend 43 45 CRAIG DAVID/ Days
78 45 JA RULE F /ASHANTI /Nways On Time
29 42 NICKELBACK/How You Remind Me
38 42 PUDDLE OF MUDD/Blurry 28 38 JENNIFER LOPEZ/An t It Funny
22 35 ENRIQUE IGLESIAS/Escape
54 35 CREED/My Sacrifice
34 34 DEFAULT/Wasting My Time 40 32 NELLY FURTADO/...On The Radio...
22 31 OUTKAST/The Whole World
37 30 MARY J. BLIGEMo More Drama
27 29 BRANDY/What About Us?
32 29 FABULOUS FMATE DOGG/Can't Derry It
32 29 BRITNEY SPEARS/I'm Not A Girt...
10 28 GORILLAZ/19 -2000
31 23 P.D.DJAINe
19 23 R. KELLY/The World's Greatest 49 23 PINK/Get The Parry...
30 23 SHAKIRA/Whenever Wherever
10 22 LUDACRIS/Roll Out...
23 18 BLU CANTREL/JHit 'Em Up WIN... 16 18 LEANN RIMES/Cant Fpm...
B 18 ALANISMORISSETTEMands Clean
18 17 MARY J.BLIGE/Famiy Affair
22 17 TOYM Do
4 15 GLENN LEWIS/Don't You Forget II 19 15 CHRISTINA MILIAN/AM To PM
14 15 LFO/Every Other Tune
16 15 NATALIE IMBRUGLINWrong Impression 17 13 GINIPNINE/Dmerences 4 12 a VANESSA CARLTON/A Thousand Miles
6I (0001
16182 14508 11346 10230 9486 9486 9114 8928 8370 8370 8370 7812 7812 7068 6510 6510 6324 5952 5766 5580 5394 5394 5394 5208 4278 4278 4278 4278 4092 3348 3348 3348 3162 3162 2790 2790 2790 2790 2418 2232
KDND/Sacramento Entercom (916) 334-7777
Weed/Lee/Chris K
12+ Cume 261,100
PLAYS
LW TW ARTISTmTLE 61 (000)
65 73 LEANN RIMES/Cant Figea... 7227 66 69 JA RULE F /ASHANTVA/ways On Time 6831 69 69 LINKIN PARK/In The End 6831 67 88 NICKELBACKHow You Remind Me 6732 44 83 CREED/My Sacrifice 6237 47 51 KYLIE MINOGUE/Can't Get You... 5049 41 48 NO DOUBT/Hey Baby 4752 64 44 CRAIG DAVID/7 Days 4356 48 43 PINK/Get The Party... 4257 39 42 CALLINGN/herever You Will Go 4158 29 41 PUDDLE OF MUDD/Blurry 4059 41 39 ALICIA KEYS/AWomans Worm 3861 43 38 SHAKIRANAhenever Wherever 3762 42 37 USHER/U Got It Bad 3663 31 34 MARY J. BLIGE/No More Drama 3366 32 33 JENNIFER LOPEZ/Ain't It Funny 3267 38 32 ENRIQUE IGLESIAS/Hero 3168 18 31 TOYM Do 3069 35 25 MICHELLE BRANCFVNI You Wanted 2772 32 28 BRITNEY SPEARS/I'm Not A Girl... 2772 34 25 DARREN HAYESnnsahable 2772 28 26 NATALIE IMBRUGLINWrong Impression 2574 31 25 ALAN'S MORISSETTEMands Clean 2475 14 23 EVAN AND JARON/Dre Dshance 2277 16 17 CHERSOrg For The Lonely 1683 18 17 MARY J. BLIGE/Famiy Affair 1683
18 16 BLU CANTRELL/Hit 'Em Up Style... 1584 17 16 BRANDY/What About Us? 1584 17 16 STAIND/R's Been Awhile 1584 20 16 NELLY FURTADO/Tum Off The Light 1584
21 15 LIFEHOUSEManging By A Moment 1485 17 15 BLINK-182/First Date 1485 10 14 EAGLE -EYE CHERRY/Fees So Right 1386 18 14 MICHELLE BRANCH/Everywhere 1386 10 13 ENRIQUE IGLESIAS/Escape 1287 10 12 LENNYKRAVITZ/Again 1188
8 11 SUGAR RAYAWhen Its Over 1089 20 11 ALICIA KEYS/Falin' 1089 14 11 NELLY FURTADO/...On The Radio... 1089
4 11 EVAN ANDJARON/Crary For This Gid 1089
MARKET #18
WBLI /Nassau -Suffolk Cox (631) 669-9254
Rice/Levine
12. Cume 958,905
PLAYS
LW TW
95
90 66
89
90 56
38 39 46 45
49
44
55 20
21
34
95
93
n 77 75
58 55
53 52 47
46
45
44 42
38
35
42 31
43 31
23 24
25 22
21 21
22 21
21 21
16 20
17 20
28 20 22 19
18 18
16 18
2 17 19 17
23 17 14 15
12 15 21 15
23 15
18 14 14 14 14 14 14 14
106'.1 1?Ll
ARTIST/TITLE
NO DOUBT/Hey Baby
KYLIE MINOGUE/Can't Get You...
LEANN RIMES/Can't Fight...
NICKELBACK/How You Remind Me
USHER/U Got It Bad
LINKIN PARK/In The End
CALLING/Wherever You Will Go
SHAKIRA/Undernealh Your...
VANESSA CARLTON/A Thousand Miles 'N SYNC/Girlfriend
JENNIFER LOPEZ/Ain't R Funny
CRAIG DAVID/7 Days
SHAKIRA/Whenever Wherever a PINK/Don't Let Me Get Me
JA RULE F /ASHANTVAIways On Time
ENRIQUE IGLESIAS/Escape
PINK/Get The Party,.. CREED/My Sacrifice
MODJO /lady (Hear...)
AMBER/Yes
MARY J. BLIGE/No More Drama NELLY/Ride Wit Me DAFT PUNK/One More Time PUDDLE OF MUDDBIurry JENNIFER LOPEZ/Play
MARY J. BLIGEIFamiy Adair CITY H'GHAWhat Would You Do?
JENNIFER LOPEZ/I'm Real
NATALIE IMBRUGLIA/Wrong Impression
110/Rapture (Tastes...)
UFEHOUSEManging By A Moment CITY HIGH/Caramel AARON CARTER/I'm All About You
DARREN HAVES/Insatiable
BRITNEY SPEARS/I'm Not A Girl...
SHAGGY /Angel
NELLY FURTADOI1'm Like A Bird
AMBER/Sexual (Li Da Di)
CHERSong For The Lonely
NELLY FURTADO/Turn OR The Light
6I (008)
34580 33852 28028 28028 27300 21112 20020 19292 18928 17108 16744 16380 16016 15288 13832 12740 11284 11284 8736 8008 7644 7644 7644 7280 7280 7280 6916 6552 6552 6188 6188 6188 5460 5460 5460 5460 5096 5096 5096 5096
WKST/Piltsburgh Clear Channel (4112) 937 -1441
Trout 12+ Cume 324,900
PLAYS
LW TV/
91 92
93 92
92 91
87 88
50 86
88 85
85 85
9 54
5254 5059 4752 88 52
47
49
45
45
31
52
26
28
25
14
28
52
51
51
50
44
43
33
33
31
31
30
29
28
28 26
25 24 23 24 21 22
22 22 19 20
21 20
20 20
22 19
24 19
17 19
19 18
14 17
15 16
18 16 16 16
ARTIST/TITLE
JA RULE F /ASHANTVAhvays On Time
LINKIN PARK/In The End
USHER/U Got It Bad
CRAIG DAVID/7 Days
GINUWINE/Ddlerences FABOLOUS MUTE DOGG/Can't Deny II
PETEY PABLO/Raise Up
PUDDLE OF MUDD/Blurry NELLY/A1
NO DOUBT/Hey Baby
CITY HIGH/Caramel NICKELBACK/How You Remind Me
JENNIFER LOPEZ/Ain't It Funny
OUTKAST/The Whole World PINK/Get The Party...
CREED/My Sacrifice
ALICIA KEYS/A Woman's Worm
KYLIE MINOGUE/Cant Get You...
'N SYNC/Girlfriend BRANDY/What About Us?
LEANN RIMES/Can't Fight...
LUDACRIS/ROII Out.. BRIAN MCKNIGHTStll MARY J. BLIGE/No More Drama
R. KELLY/The World's Greatest BUSTA RHYMES/Break Ya Neck
TOYM Do
112/Peaches & Cream
MISSY ELLIOTT/Get Ur Freak On
MISSY ELLIOTT /One Minute Man JAGGED EDGE/Where The Party At
NELLY/Ride Wit Me
JAY -Z/lao (H.O.V.A.I
MARY J. BLIGE/Family Affair
CRAIG DAVID/Fill Me In
BRITNEY SPEARS/I'm Not A Girl...
USHER/U Remind Me
CITY HIGH/What Would You Do?
JA RULE/Livio It Up
ENRIQUE IGLESIAS/Hero
6I (880)
14352 14352 14196 13728 13416 13260 13260
8424 8424 8268 8112 8112 7956 7956 7800 6864 6708 5148 5148 4836 4836 4680 4524 4368 4056 3744 3744 3432 3432 3120 3120 3120 2964 2964 2964 2808 2652 2496 2496 2496
KCHZ/Kansas City
Syncom (816) 356 -2400
JohnsorVAus/n
12+ Cume 212,600
PLAYS
LW TW ARTIS7mTLE
117122 NO DOUBTMey Baby 108121 KYLIEMINGGUE/Can'l Gel You...
76 95 JA RULE F /ASHANTVANrays On Time
11589 USHERM Got It Bad
74 81 LINKIN PARK/In The End
75 73 JENNIFER LOPEZ/A'n't It Funny
72 71 PINK/Get The Party...
25 70 ENRIQUE IGLESIAS/Escape
48 63 CRAIG DAVID/7 Days
39 46 MARY J. BLIGE/No More Drama
77 43 SHAKIRAAWhenever Wherever
38 41 CITY HIGH/Caramel
33 41 'N SYNC/Girmiend 42 40 BRITNEY SPEARS/'m Not A Girl...
37 40 BRANDY/What About Us?
31 38 NATALIE IMBRUGLIAN/rong Impression 26 33 R. KELLY/The World's Greatest 36 33 NICKELBACK/How You Remind Me
29 31 EVE F/GWEN STEFANULet Me Blow Ya Mind 29 31 JANETSomeone To Call...
74 31 NELLY /11
39 31 ALICIA KEYS/A Woman's Worth
28 30 'N SYNC/Gone 32 29 MARY J.BLIGE/Fam'y Affair
27 29 TOYNI Do
24 29 PUDDLE OF MUDD/Blurry 36 28 LEANN RIMES/Can t Fght... 26 28 JAGGED EDGEM/here The Party At
35 26 JA RULF/Livin It Up
21 23 DARREN HAYES/Insatiable
24 23 ALICIA KEYS/Fallin
21 23 NELLY/Ride Mt Me
14 22 NELLY FURTADO/Turn Off The Light 26 22 JENNIFER LOPEZ/I'm Real
28 21 BLU CANTRELUHR'Em Up Style.. 9 21 BLINK- 182/First Date
32 21 ENRIQUE IGLESIASMero 10 19 LUDACRIS/Roll Out... 10 18 CALLING/Wherever You Will Go
19 18 OUTKAST/The Whole World
GI (000)
10980 10890
8550 8010 7290 6570 6390 6300 5670 4140 3870 3690 3690 3600 3600 3420 2970 2970 2790 2790 2790 2790 2700 2610 2610 2610 2520 2520 2340 2070 2070 2070 1980 1980 1890 1890 1890 1710 1620 1620
MARKET #19
KSLZ/St. Louis
Clear Channel (314) 692 -5100 Wheeler/Boomer
12. Cume 374,700
PLAYS
LW 1W
85 85
84 84
83 82
82 82
82 81
83 80
&3 64 31 54 48 50
36 50 47 48
40 47
39 42 46 40
36 39
24 37 40 35 41 34
36 34 21 34
29 33 38 33
37 33
16 32 20 30 11 28
20 22
16 22
6 21 43 21
44 21
24 20
37 19
12 17
8 15 6 11
4 11
25 10 4 10
4 10
ARTIST/TITLE
NELLY /f1 LINKIN PARK/In The End
USHERM Got It Bad
JA RULFAivin II Up
CRAIG DAVID/7 Days
NICKELBACK/How You Remind Me
NO DOUBT/Hey Baby
CREED/My Sacrifice
JENNIFER LOPEZ/Ain't It Funny
'N SYNC/Gk1160nd
KYLIE MINOGUE/Can t Get You...
MARY J. BLIGE/No More Drama
PINK/Get The Party...
SHAKIRNWhenever Wherever
BLU CANTRELUHA 'Em Up Style...
LEANN RIMES/Can't Fght.. TOYM Do
R. KELLY/The World's Greatest NELLY FURTADO/Tum OR The Light
GOBILLAZ/19 -2000 'N SYNC/Gone
BRITNEY SPEARS/I'm Not A Gid...
CALLINGNAherever You Will Go
ALAN'S MORISSETTE/Hands Clean
JA RULE F /ASHANTVAIways On Time
ENRIQUE IGLESIAS/Escape
JAGGED EDGE/Where The Party Al
BRANDY/What About Us?
TOYNNO Matta What.. CITY HIGH/Caramel
BRIAN MCKNIGHTStill FIVE FOR FIGHTING/Superman (ICs...)
MARY J. BLIGE/Famiy Affair
MICHELLE BRANCFVAII You Wanted
NATALIE IMBRUGLIMNrorlg Impression I I OMaptu re (Tastes...) PINK/Most Girls
JEWEI/Standing 5811
PUDDLE OF MUDD/Blurry LUDACRIS/Roll Out...
61 LOBBI
16235 16044 15662 15662 15471 15280 12224 10314 9550 9550 9168 8977 8022 7640 7449 7067 6685 6494 6494 6494 6303 6303 6303 6112 5730 5348 4202 4202 4011 4011 4011 3820 3629 3247 2865 2101 2101 1910 1910 1910
KKRZ/Portland, OR
Clear Channel (503) 226-0100 Hayes/Dr. Doug
12+ Cume 280,900
PLAYS
LW TW ARTIST/TITLE
96 92 NO DOUBT/Hey Baby
85 84 NICKELBACK/How You Remind Me
67 81 LINKIN PARK/n The End
56 78 JENNIFER LOPEZ/A'nt RFunny 59 77 JA RULE F /ASHANTVAhvays On Time
60 62 GINUWINFJTlifferences
56 61 USHERN Got It Bad
86 59 PINK/Get The Party...
44 52 'N SYNC/Gü6riend 80 50 TOYM Do
43 50 KYLIEMINOGUE/Can't Get You...
41 43 CRAIG DAVID/7 Days
21 39 OUTKAST/The Whole World 29 36 NELLY /A1
15 35 BRANDY/What About Us?
22 35 CITY HIGH/Caramel
29 34 LEANN RIMES/Can 1 Fight..
38 34 CREED/My Sacrifice 7 34 PUDDLE OF MUDD/Blurry 2 29 BUSTA RHYMES/Break Ya Neck
18 24 MARY J. BLIGE/Famiy Affair 4 23 GLENN LEWIS/Don't You Forget It
- 23 PO.D/Youth Ol The Nation
7 23 PETEY PABLO/Raise Up 15 22 JAGGED EDGE/Where The Party At
19 21 NELLY FURTADO/Turn Off The Light 11 21 LUDACRISMOII Out...
18 20 112/Peaches & Cream
20 19 MARY J. BLIGE/No More Drama
9 19 ALICIA KEYS/Fallin'
5 19 X- ECUTIONERS/9's Goffri Down
13 17 EVE F/GWEN STEFANI/Let Me Blow Ya Mind
24 16 BRITNEY SPEARS/I'm Not A Gid...
31 16 ALICIA KEYS/A Woman's Worth
51 16 SHAKIRA/Whenever Wherever
9 15 FABULOUS FMATE DOGG/Can't Deny It
3 15 MISSY ELLIOTT/One Minute Man
16 14 JA RULE/Livin It Up
- 14 J. DUPRI F/LUDACRIS/Welcome To Atlanta
12 13 JENNIFER LOPEZ/I'm Real
SI (000)
10672 9744 9396 9048 8932 7192 7076 6844 6032 5800 5800 4988 4524 4176 4060 4060 3944 3944 3944 3364 2784 2668 2668 2668 2552 2436 2436 2320 2204 2204 2204 1972 1856 1856 1856 1740 1740 1624 1624 1508
MARKET 029
KMXV/Kansas City Infinity (816) 756 -5698 Zellner
12+ Cume 287,200 93.3
PLAYS
LW 1W ARTIST/TITLE
89 86 LINKIN PARK/In The End
80 01 PINK/Get The Party... 77 79 CREED/My Sacrifice
74 75 USHERM Got It Bad
71 74 MARY J. BLIGE/Famiy Affair
71 71 NICKELBACKHow You Remind Me
65 62 NO DOUBTAtey Baby
54 57 KYLIE MINOGUE/Can t Get You...
55 56 CRAIG DAVID/7 Days
43 54 TOVA/I Do
50 52 PUDDLE OF MUDD/Blurry 43 51 LEANN RIMES/Cant Fight._
43 51 JA RULE/LNiri It Up
54 49 CALLING/Wherever You Will Go
32 42 MARY J. BLIGE/No More Drama 40 41 JENNIFER LOPE/JA'nt It Funny
42 38 JA RULE F /ASHANTI/Ahvays On Time
34 32 CITY HIGH/Caramel
26 31 JEWEUStandirg Seal
40 30 ALAN'S MORISSETTE/Hands Clean
30 29 NATALIE IMBRUGLIANArong Impression
31 26 MICHELLE BRANCH/All You Wanted 38 25 NELLY FURTADO/Tum Off The Light 19 24 P.O.DJYOum Of The Nation
21 23 ENRIQUE IGLESIAS/Escape
17 22 EVE F/GWEN STEFANVLel Me Blow Ya Mind 11 20 II0/iapture (Tastes...)
57 20 SHAKIRNWhenever Wherever 20 20 'N SYNC/Girlfriend 25 19 LIFEHOUSE/Hanging By Moment
20 17 INCUBUS/DrNe 35 17 NELLY /91
14 16 SUGAR RAY/When ICs Over
10 14 BRITNEY SPEARS/I'm Not A Girl.. 17 14 TRAINBrops OlJup09r... 19 13 MATCHBOX TWENTY/Mad Season
7 12 DARREN HAYES/Insatiable
11 12 STAINDACs Been Awhile
12 12 FUEL/Hemorrhage...
- 12 BRANDY/What About Us?
61 10081
10492 9882 9638 9150 9028 8662 7564 6954 6832 6588 6344 6222 6222 5978 5124 5002 4636 3904 3782 3660 3538 3172 3050 2928 2806 2684 2440 2440 2440 2318 2074 2074 1830 1708 1708 1586 1464 1464 1464 1464
www.americanradiohistory.com
60 R &R February 22, 2002 CHR/Rhythmic DONTAY THOMPSON dthompson @rronline. corn
PART ONE OF A TWO -PART SERIES
Radio Speaks: The Definitions Of Rhythmic And Urban
PDs discuss the differences between the two formats
I've been working here for less than a month, and I already have a few things to get off my chest. So, if you don't mind, please hear me out. Recently, there's been a tremendous amount of con- _ cern raised about certain radio stations' reporting status to R &R. With the evolution of music,
especially hip -hop, you may now find CHR/Rhythmic and Urban stations playing the same music.
That said, how does one determine which panel a station reports to? What things should one take into consider- ation when a decision like this is made? Is it based on ethnic break- down? Is it station presentation? What about the station's music; should we use that to make the determination? To shed some light on this topic, I've reached out to influential members of both the radio and record communi- ties. This week we hear from the ra- dio side.
Orlando
PD, WLLD/Tampa About six months into my first gig
I asked my PD for the difference be- tween CHR/Rhythmic and Urban stations. He said, "Honestly, it's the color of the PD." "What do you mean?" I asked. He said that, when it comes to a Rhythmic station that may sound somewhat similar to an Urban station, just look at the pro- gram director. If you see a name or face that's not African- American, more than likely the station will get the nod to report as a Rhythmic sta- tion. That was a very old- school look at it, but it stayed with me.
When I look at Urban stations, it seems that they play the same records as Rhythmic stations. Now that we're in the politically correct millennium, the way it goes is that everything that surrounds the records dictates what a station is more so than what records are played. If you go after the MTV generation and you're playing "Hey Baby" from No Doubt along with records by Jay -Z, you're a Rhythmic station in the truest sense.
Where it gets gray is when two sta- tions are playing those hip -hop records, and one station is Urban and one is Rhythmic. It's like, where does it go? That's when you pick up on what's around the records. Where Urban cultivates its community, it's not just about the music. When you listen to Steve Harvey or Tom Joyner and they're talking about cholesterol and voting, it's more about uplifting the community. It's more about speak-
"No one has the right to
classify a radio station
except the station. I
don't think anybody else
has the right to say what
a station is; the station
decides that."
Tracy Cloherty
ing to the people instead of just try- ing to speak to the masses, like CHR/ Rhythmic does.
When I was at our Urban station, I talked to Joyner about it, because he was my idol when I was coming up in Chicago. He said that Urban is all about the community. It's all about taking care of the people. It's talking about voter drives, hair -care products and everything that speaks to us that doesn't get spoken about anywhere else.
I had to decide where I wanted to go in my career. Did I want to be Soul Train Awards or did I want to be Grammys? I said, "I want to be Gram - mys." I feel that what I say or program has to speak to everybody from the white 13- year -olds who are feelin' us to the 50- year -old black woman who's feelin' me on the morning show. Some feel like they want to give back and want to do their own thing, and I can't knock them for it,
but that's the difference in the presen- tation.
Dion Summers
PD, WERQ/Baltimore
Regarding the Rhythmic argument, two points need to be made. First, most stations today that sound Urban were, at one point, core Rhythmic sta-
tions. Ten years ago my station was playing The Red Hot Chili Peppers into Sir Mix -A -Lot. We have since realized that playing Sir Mix-A -Lot into The Red Hot Chili Peppers into Nirvana into Young MC wasn't real- ly happening for Baltimore. I remem- ber when WPGC /Washington first signed on in the late '80s and was playing Madonna. It has since evolved into what WERQ and WQHT/New York are.
When you have stations like KUBE /Seattle and WBBM -FM (B96)/Chicago, which, five years ago, were more across -the -board Dance with some hip -hop titles thrown in but are now playing Jay -Z and Ja Rule 80 times a week, it's the music.
In the early to mid -'90s, when grange and gangster rap were hot, you had to polarize yourself to say you were either this or that. That's when the line was a lot clearer and stations that were Rhythmic wouldn't touch Nirvana. They'd play a Snoop Dogg record followed by Real McCoy!
Now, when you have hip -hop, rock and so many different forms of mu- sic fusing together, it's like the line is
gone. When you've got hip -hop sta- tions playing 'N Sync, that's when you realize that the whole thing has come full circle. The Rhythmic label has stayed, even though the music and the stations have evolved.
Secondly, let's not kid ourselves that the Rhyth- mic reporting status that we have doesn't give us lever- age in the industry. It gives us a certain degree of com- petitiveness in the industry and sets us apart. It's no coincidence that some of Radio One's newer sta- tions have preferred to have CHR/ Rhythmic status.
In Charlotte you have WPEG, a heritage Urban. How do you fight a heritage Urban? Do you go up against it by classifying yourself as Urban, or do you flip and become a Rhythmic reporter? If you flip, you
J Records recording artist Busta Rhymes recently performed his cur- rent hit single, "Pass the Courvoisier," at a show put on by KMEL /San Francisco. Pictured here are (l -r) Lawman Promotions' Dan "Smokey" Posher, KMEL night jock /Asst. MD Big Von Johnson, Rhymes, J Records' Ant Live and Lawman Promotions' Gary "Spangadeez" Spangler.
have a different set of reps to rep- resent you, and you also increase your profile. Some of the heritage CHR/Rhythmics have kept that la- bel despite their musical adjust- ments. It's because of the extra le- verage and competitiveness that sta- tions like ours wish to retain Rhyth- mic status.
Tracy Cloherty
PD, WQHT/New York No one has the
right to classify a
radio station ex- cept the station. I
don't think any- body else has the right to say what a
station is; the sta- tion decides that.
I don't agree with the classifica- tion system. Tell me who it bene- fits. Does it benefit the radio station? From a ratings standpoint, it doesn't matter what it is classified as. I think you should look at a radio station based on its audience and not what music it plays.
Tracy Cloherty
Cat Thomas
PD, KQKS (KS 107.5) /Denver From my standpoint, the controver-
sy is a record and trades controversy. I don't really care that much. It's not going to affect the way I program KQKS at all. Simi- lar to other well -programmed stations throughout America, we do local market research, and we have our target audi- ence.
Denver is really interesting, because we're about 50% white, 25% African-American
mas and 25% Hispanic. The one common thread is that the
people who listen to KS 107.5 prima- rily want to hear two styles of music: hip -hop and R &B. Instead of worry- ing about what chart I report to, I fo- cus on the needs of our Pl listeners and deliver what they expect and what they want out of KS 107.5.
I can tell you that straight pop records don't work here. As much as I like No Doubt, I can't play them. We
Cat Tho
researched that song for six weeks and are well aware of how big it is, but our P Is do not like the record. No offense to Interscope or the band, but our listeners want and expect to hear hip -hop and R &B from us.
How does that affect the charts? It's not for me to say. The only thing I'd add is that I have relationships, and so does my MD, John E. Kage, based in
part on what chart we report to. I've worked years to forge those relation- ships, and I think they give us a corn - petitive advantage. I would hate to, in any way, lose those relationships or have them become less meaningful because somebody says that we report to a different chart.
Michael Newman
Consultant, Radio & Ratings
I don't know if there's a true any- thing. I think the music evolves, and it depends on what kind of audience you're going after. There are Urban stations that are going to play much more R &B and less hip -hop. There are crossover stations that are going to be breaking the new hip -hop records and targeting a certain audi- ence. There are Rhythmic stations that are probably not going to be breaking the hip -hop titles, but they will be able to incorporate the dance product and maybe some pop titles. They'll also play hip -hop but not really break it.
It really goes back to when stations were considered Urban, mainstream R &B, CHR/Rhythmic or mainstream CHR. Over the past five or six years a new category was created, called crossover. This has really evolved to hip -hop. These are the stations that are breaking all the hip -hop and that are very aggressive.
You have stations on the hip -hop panel that want to be CHR/Rhythmic and stations on the Urban panel that want to be on the hip -hop panel. Sta- tions are trying to get classified in cer- tain categories in which they do not belong because of politics. We have to realize that these systems and cat- egories will always be subject to change. You have to be able to adapt to the way music is. It really comes down to where the hits are and what audience they are targeting.
www.americanradiohistory.com
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CHR /Rhythmic Top 50 February 22, 2002
ARTIST 'ITLE LAPELS.
WrINFORSTME PO5fft5MMR=MM5105155A67550,545501M65:KME555WWOMIMU
TOTAL +I- GROSS WEEKS ON TOTAL STATIONS/
PLAYS PLAYS IMPRESSIONS CHART ADDS
JA RULE F /ASHANTI Always On Time (Murder Inc. /DefJam /IDJMG)
JENNIFER LOPEZ Ain't It Funny (Epic)
LUDACRIS Roll Out (My Business) (Def Jam South /IDJMG)
OUTKAST The Whole World (LaFace /Arista)
BRANDY What About Us? (Atlantic)
FAT JOE F /ASHANTI What's Luv? (Terror Squad /Atlantic)
USHER U Got It Bad (LaFace /Arista)
BUSTA RHYMES Break Ya Neck (J)
FABULOUS Young'n (Holla Back) (Desert Storm / Elektra/EEG)
TWEET Oops (Oh My) (Gold Mind / Elektra/EEG)
JERMAINE DUPRI F/LUDACRIS Welcome To... (So So Def /Columbia)
ALICIA KEYS A Woman's Worth (J)
NO DOUBT Hey Baby (Interscope)
USHER U Don't Have To Call (LaFace /Arista)
FAT JOE We Thuggin' (Terror Squad /Atlantic)
MR. CHEEKS Lights, Camera, Action (Universal)
MOBB DEEP F/112 Hey Luv (Anything) (Loud /Columbia)
AALIYAH Rock The Boat (BlackGround)
ASHANTI Foolish (Murder Inc. /Def Jam /IDJMG)
PINK Get The Party Started (Arista)
AMANDA PEREZ Never (Universal)
MARY J. BLIGE No More Drama (MCA)
MYSTIKAL Bouncin' Back (Bumpin' Me...) (Jive)
AALIYAH More Than A Woman (BlackGround)
FAITH EVANS I Love You (Bad Boy /Arista)
KYLIE MINOGUE Can't Get You Out Of My Head (Capitol)
'N SYNC Girlfriend (Jive)
GLENN LEWIS Don't You Forget It (Epic)
CRAIG DAVID 7 Days (Wildstar /Atlantic)
KEKE WYATT Nothing In This World (MCA)
MASTER P Ooohhhwee (No Limit'Universal)
NB RIDAZ F /ANGELINA Runaway (Upstairs)
R. KELLY The World's Greatest (Interscope /Jive)
NELLY FURTADO Turn Off The Light (Dream Works)
DMX F /FAITH EVANS I Miss You (Ruff Ryders /IDJMG)
JAY -Z Jigga (Roc- A- Fella/IDJMG)
MISSY ELLIOTT Take Away (Gold Mind /EastWest/EEG)
KNOC -TURN'AL Knoc (LA Confidential /Elektra/EEG)
MICHAEL JACKSON Butterflies (Epic) 722
LUDACRIS Saturday (Oooh! O000h!) (Def Jam South /IDJMG) 692
BEANIE SIGEL & FREEWAY Roc The Mic (Roc- A- Fella/IDJMG) 680
TOYA No Matta What (Party All...) (Arista) 678
NAPPY ROOTS Awnaw (Atlantic) 548
JAHEIM Anything (Divine Mill/WB) 519
JUVENILE From Her Mamma (Mamma Got...) (Cash Money /Universal) 519
EVE U. Me & She (Ruff Ryders /Interscope)
LIL BOW WOW Take Ya Home (So So Def /Columbia)
PETEY PABLO I (Jive)
METHOD MAN & REDMAN Part II (Def Jam /IDJMG)
MAXWELL This Woman's Work (Columbia)
(00)
4363 -270 688626 14 73/0
3962 +173 611821 10 70/1
3097 +2 419826 17 68/0
3053 -10 399942 11 71/0
3019 +191 469371 6 72/0
2857 +613 510044 5 69/4
2780 -451 395829 20 74/0
2548 -229 354386 16 61/0
2272 +34 294918 12 65/0
2230 +245 367741 5 72/4
2054 +15 293084 12 57/2
2009 -380 305410 17 61/0
1961 -25 243400 7 46/0
1878 +279 245289 4 66/3
1816 -462 289108 17 68/0
1787 -25 294482 15 57/0
1753 +24 293663 10 58/0
1534 -245 193009 24 54/0
1513 +487 284257 4 63/8
1400 -378 165806 16 36/0
1371 +111 145520 7 33/1
1265 -151 249639 12 53/0
1246 -169 110807 10 58/0
1227 +179 244917 6 15/6
1187 +231 188031 3 53/0
1163 +152 219971 6 33/1
1146 +434 176347 2 42/9
1134 +96 146630 5 53/5
1100 -84 173565 17 42/0
1032 +141 162876 5 42/3
1025 -88 126333 8 51/0
868 -11 77590 14 22/0
861 -115 147416 11 35/0
815 -38 87268 19 43/0
788 +54 116356 5 39/1
778 -330 104579 7 56/0
760 -118 125105 14 33/0
749 +202 76492 3 45/4
-123 116053 12 36/0
+176 153371 2 5/3
+91 171370 3 23/3
-62 49249 3 36/0
+95 45433 2 33/4
+103 73315 2 22/1
-129 55152 20 30/0
490 -245 74867 8 38/0
484 +79 64879 1 33/3
474 -71 32894 7 34/0
469 -62 151583 9 32/0
370 +28 66194 1 26/0
75 CHR/Rhythmic reporters. Monitored airplay data supplied by Mediabase Research, a division of Premiere Radio Networks. Songs ranked by total plays for the airplay week of 2/10/02- 2/16/02. Bullets appear on songs gaining plays or remaining flat from previous week. If two songs are tied in total plays, the song with the larger increase in plays is placed first. Songs below No. 20 are moved to recurrent after 20 weeks on the chart. Most Added is the total number of new adds officially reported to R &R by each reporting station. Songs unreported as adds do not count toward overall total stations playing a song. Most Increased Plays lists the songs with the greatest week -to -week increases in total plays. Gross Impressions equals Average Quarter Hour Persons times number of plays (times 100). Average Quarter Hour Persons used herein with permission from the Arbitron Company (copyright 2002, The Arbitron Company). (C) 2002, R &R, Inc.
61
Most Added® www.rradds.corn
ARTIST TITLE LABEL(S) ADDS
BUSTA RHYMES Pass The Courvoisier (J) 40
NO GOOD Ballin' Boy (ARTIST Direct) 18
CEE -LO Closet Freak (LaFace /Arista) 14
`N SYNC Girlfriend (Jive) 9
CITY HIGH City High Anthem (Interscope) 9
ASHANTI Foolish (Murder lnc./Def Jam /IDJMG) 8
RL F /ERICK SERMON Got Me A Model (J) 8
AALIYAH More Than A Woman (BlackGround) 6
JAGGED EDGE I Got It (So So Def /Columbia) 6
RAPHAEL SAADIQ You Should Be Here (Rookie/Universal) 6
Most Increased Plays
ARTIST -7LE LABELS)
TOTAL PLAY
INCREASE
FAT JOE F /ASHANT! What's Luv? (Terror Squad/Atlantic)
ASHANTI Foolish (Murder Inc. /Def Jam /IDJMG)
`N SYNC Girlfriend (Jive)
USHER U Don't Have To Call (LaFace /Arista)
P. DIDDY & THE FAMILY I Need A Girl (Bad Boy /Arista)
TWEET Oops (Oh My) (Gold Mind / Elektra/EEG)
FAITH EVANS I Love You (Bad Boy /Arista)
KNOC -TURN'AL Knoc (LA Confidential / Elekra/EEG)
BUSTA RHYMES Pass The Courvoisier (J)
BRANDY What About Us? (Atlantic)
+613
+487
+434
+279
+260
+245
+231
+202
+199
+191
New & Active 110 Rapture (Tastes So Sweet) (Universal) Total Plays: 364, Total Stations: 15. Adds: 0
RUFF ENDZ Someone To Love You (Epic) Total Plays: 363, Total Stations: 30, Adds: 1
BUSTA RHYMES Pass The Courvoisier (J) Total Plays: 362. Total Stations: 43, Adds: 40
COREY FILIL' ROMEO Hush Lil' Lady (Motown) Total Plays: 345. Total Stations: 29, Adds: 4
PRETTY WILLIE Roll Wit Me (Republic/Universal) Total Plays 319. Total Stations: 31, Adds: 3
JAGGED EDGE I Got It (So So Def /Columbia) Total Plays: 307, Total Stations: 12, Adds: 6
B2K Uh Huh (Epic) Total Plays: 245, Total Stations: 8. Adds. 2
DJ ENCORE I See Right Through To You (MCA) Total Plays: 235, Total Stations: 11, Adds: 1
TANTO METRO & DEVONTE Give It To Her (VP)
Total Plays 230. Total Stations: 11, Adds: 0
CITY HIGH City High Anthem (Interscope) Total Plays: 226, Total Stations: 18, Adds: 9
Songs ranked by total plays
1 3x4, 25 sheet, ocolor, Post -It pad
1 $.50 ea. {500 pc. minimum)
.180o-786-8011 1. www.resultsmarketing.com ¡-
www.americanradiohistory.com
62
CHR/Rhythmic February 22, 2002
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America's Best Testing CHR /Rhythmic Songs 12+ For The Week Ending 2/22/02.
Artist Title (Label) o TIN LW Familiarity Burn TD Familiarity Burn
JA RULE Always On Time(Murder Inc. /DefJam /IDJMG) 4.29 4.28 97% 28% 4.28 97% 28% LUDACRIS Roll Out (My Business)(DefJam South /IDJMG) 4.14 4.12 92% 20% 4.18 92% 18% USHER U Got It Bad (LaFace /Arista) 4.13 4.18 99% 43% 4.10 99% 46% MOBB DEEP F/112 Hey Luv (Anything)(Loud /Columbia) 4.12 4.06 55% 8% 4.18 54% 8% JERMAINE DUPRI & LUDACRIS Welcome To Atlanta(So So Def /Columbia) 4.07 3.94 79% 13% 4.13 78% 10% FAT JOE What's Luv?( Terror Squad/Atlantic) 4.07 3.91 44% 6% 4.12 41% 5% FABULOUS Young'n (Holla Back)(DesertStorm / Elektra/EEG) 4.04 4.01 82% 18% 4.08 83% 18% GINUWINE Differences (Epic) 3.97 3.91 90% 38% 4.00 90% 39% FAT JOE We T h ugg in' (Terror Squad /Atlantic) 3.95 3.83 81% 25% 4.00 80% 25% OUTKAST The Whole World (LaFace /Arista) 3.94 3.95 87% 20% 3.94 87% 20% USHER U Don't Have To Call (LaFace /Arista) 3.94 4.05 57% 8% 3.94 56% 8% AALIYAH Rock The Boat(BlackGround) 3.92 3.92 91% 30% 3.90 91% 30% CRAIG DAVID 7 Days(Wildstar /Atlantic) 3.90 3.96 96% 35% 3.89 96% 37% BUSTA RHYMES Break Ya Neck(J) 3.88 3.85 87% 24% 3.92 87% 23% FAITH EVANS I Love You(Bad Boy /Arista) 3.87 47% 7% 3.84 44% 7% JENNIFER LOPEZ Ain't It Funny(Epic) 3.86 3.79 91% 22% 3.86 92% 22% BRANDY What About Us ?(Atlantic) 3.84 3.85 82% 15% 3.85 81% 15% ALICIA KEYS A Woman's Worth (J) 3.82 3.81 96% 38% 3.78 96% 38% R. KELLY The World's Greatest(Interscope /Jive) 3.82 3.85 91% 24% 3.84 92% 25% GLENN LEWIS Don't You Forget It(Epic) 3.81 38% 7% 3.74 35% 6 °/O
KYLIE MINOGUE Can't Get You Out Of My Head(Capitol) 3.79 61% 15% 3.76 60% 15% MR. CHEEKS Lights, Camera. Action (Universal) 3.78 3.86 74% 23% 3.75 72% 24% JAY -Z Jigga(Roc- A- Fella/IDJMG) 3.76 3.75 66% 14% 3.79 65% 13% MYSTIKAL Bouncin' Back (Bumpin' Me)(Jive) 3.73 3.76 77% 20% 3.74 77% 20% MASTER P 0oohhhwee(No Limit/Universal) 3.73 3.55 62% 13% 3.80 61% 12% MARY J. BLIGE Family Affair(MCA) 3.72 3.67 96% 56% 3.63 96% 58% TWEET Oops (Oh My)(Gold Mind /EastWest/EEG) 3.69 3.71 41% 90 3.73 39% 8% MARY J. BLIGE No More Drama(MCA) 3.67 3.71 91% 33% 3.64 91% 34% NO DOUBT Hey Baby(lnterscope) 3.64 3.74 97% 44% 3.61 98% 46% PINK Get The Party Started (Arista) 3.51 3.57 98% 55% 3.44 98% 58%
Total sample size is 658 respondents. Total average favorability estimates are based on a scale of 1 -5. (1= dislike very much, 5 =like very much). Total familiarity represents the percentage of respondents who recognized the song. Total burn represents the number of respondents who said they are tired of hearing the song. Sample composition is based on persons 12 +. TO = Target Demo (Females 18 -34). Persons are screened via the Internet. Once passed, they can take the music test based on their format/music preference. RateTheMusic.com results are not meant to replace callout research. The results are intended to show opinions of participants on the Internet only. RateTheMusic is a registered trademark of RateTheMusic.com. The RTM system is available for local radio stations by calling 818/377 -5300. RateTheMusic. corn data is provided by Mediabase Research, A division of Premiere Radio Networks.
Most Played Recurrents
ARTIST TITLE LABEL(S)
MARY J. BLIGE Family Affair (MCA)
GINUWINE Differences (Epic)
CITY HIGH Caramel (lnterscope)
PETEY PABLO Raise Up (Jive)
'N SYNC Gone (Jive)
112 Peaches & Cream (Bad Boy /Arista)
JAGGED EDGE
Where The Party At (So So Def /Columbia) 860
NELLY #1 (Priority/Capitol) 848
EVE F /GWEN STEFANI
Let Me Blow Ya Mind (RuffRyders /lnterscope) 752
JENNIFER LOPEZ I'm Real (Epic) 737
JA RULE
Livin' It Up (Murder lnc. /DefJam /IDJMG) 712
FABULOUS F/NATE DOGG
Can't Deny It (Desert Storm /Elektra/EEG)
JAGGED EDGE Goodbye (So So Def /Columbia)
112 Dance With Me (Bad Boy /Arista) 678
MISSY ELLIOTT
Get Ur Freak On (Gold Mind /EastWest/EEG) 599
ALICIA KEYS Fallin' (J) 550
USHER U Remind Me (LaFace /Arista) 537
NELLY Ride Wit Me (Fo' Reel /Universal) 485
MISSY ELLIOTT
One Minute Man (Gold Mind /EastWest/EEG) 452
CITY HIGH What Would You Do? (lnterscope) 440
TOTAL PLAYS
1365
1344
1162
1014
909
863
686
684
Reporters KYLZ'Albuquerque, NM P O. Robb Royale
DE. Lopes APO:
CITY HIGH 5 CITY BUSTA
"MES"P" JOE" RHYMES Pass" JOE "Woman'
KFAT /Anclwm e, AN B OM: Mark Carlson
PD /M0: Marvin Nugent 48 KYLIE MINOGUE "Can 't-
COREY F/LII ROMEO 'Hush" 'N SYNC "Girltnend" NB RIDAI F /ANGELINA'Runaway"
WBTS /Allante, GA' PD. Sean Phillips APONO: Jeff Mlles 11 N SYNC RHYMES P
BUSTA RHYMES `Pass" TWEET 'Goss'
W. antic City, NJ PD' Rob Garcia
ASHANTI 'Foolish' GLENN NOEGO "Forget' NO GOOD "Ballin"
KOBT /Austin, TX PO -. Scooter B. Stevens APO: Mark MCCraY
No Adds
KISVABakefsfield, CA' OM/PD: Bob Levis ODMO: Plano
6 BUSTA RHYMES -Pá55" 1 KYLIE MINOGUE "Can't"
LIL)'Weekend"
KIODf/88KMSAeId, CA PO/MO: Malt Elliott
RLURICK SERMON 'Model"
WEROA3alm mers MO' Po: Dion Summers
AALIYAH Nate Al
'Woman" 25 R"Woman" 25 BUSTA RHYMES 'Pass'
WXYV/Bammore, MD PO Theo Mltcmm
11 N SYNC 'Girlfriend' 3 FAT JOE F /ASHANTI -LUV'
80 DIMES 'Whoa'
Mickey irmingham. AL
PD: Mickey Johnson APOMO: Mary Key
2 PRETTY WILLIE `Roll' BUSTA RHYMES 'Pass' RE f/ERICK SERMON 'Model"
WJMN/BOStCad MA' VP /prop. /PO Cadillac Jack APO: Dennis O'Heron MD: Chrls Tyler 56 OWV "Need' 5 LIE BOW WOW "Take'
W Bill Shahan NZ Bill Shahan
4 BEANIE SIGEL/FREEWAY'Mic 3 'N SYNC'GIHlnend"
WWBZAXIwlestal, SC
CEE-LO
P0: Rime Coot 31 BUSTA RHYMES "Pasá
RAPHAEL
WCHH/Chadotte, NC PO/MO: Boogie D
46 R KELLY a ayest" 27 LUOACRIS 12 BOWJWOW'
'Take" 12 LIE BOW ká 5 R KELLVa3av -z "Money
WBBM- FM/Chi IL' PD. Todd tannish MO'. Erik Bradley
Ns Adds
WKIE/Chicago, IL PD: sises SheMI
9 Da BUZZ `Warm' 2 DJ SAMMY A YANOU'HeanE
STEVO "Side"
KNOA/CDrpoS Christi, TX' PO' Riflard Leal MD: Eddie Memo 25 LIL FLIP "YOII' 19 CEE-LOURN'AL-Knoc" 2 CEE -LO 'Closet-
BASTA RHYMES 'Pass" CHOOBAKKA "Feeling" n7 JOE NAUGHTY NAUGHTY BY../3LW'Feels'
KZFM/Corpus Christ], TX P0: Ed Runes MO'. Arlene Modell
ASHANTI -Foolish' PRETTY
SERMON I"
RE F/ERICK SERMON "Model'
WDHT/Dayton, OH' OM'. I.O. Nunes APO'. Marcel Thornl0n MET J./ Jennings
F AVANT -Malin' AASTA Ii 'fns SASSA RHUM! T Wass'
KOKS/Denver- Boulder. CO P0: Cal Collins MD: John E. Cage 11 RE FAgICN SERMON "Model" 10 AALIYAH -Woman" 10 ALI f /MURPHY LEE "BOUphetO
KKUU/Denver- Boulder, CO PO. Brian Michel
FAT JOE HASHANI -Luv' ASHANTI -Foolish' AVANT `Makin'" NO GOOD"Bailin-
INSTO John
PASO, TX' ONTO: John so, TX APO: Paul War MD: Dina Lee Fuentes 14 N SYNC -Girlfriend" 2 G. FNN LEWIS "forger
WBTT/Ft. Myers, FL PD: Ba Mathews MO: Musa
BEANIE SMaoN
5 BEANIE $moolish' WAY'Mii 5 ASHANTI r 1 BUSTA RHYMES
CEE-LO 'Closet"
WJFX/Tl. Wayne, IN PO: PMI Beaker MD: Weasel
NO GOGO "Banni"
KBOS/Fresna, CA PD: E Curtis Johnson APO: Greg Hoffman M0: Pete Moreno
3 NO GERICK SERMON 3 JAGGER!CKSE RMON -MOtlel"
2 JAGGED EDGE 'Got-
KSEO/Fresno, PD/MD'.
OMRO. Mo: 22 16
WHZTATreenville. PO.
MO'.
WOSL/>àreenvilb, PO:
WZMXAIantord, DM.
PO. APD/MD:
KODBMonolulU, PI: M0:
KIKIMonoco PO:
MD: 23
KKMFJHOnolulu,
M0:KMnA
KBXXMOUSton- PB.
M0: 35 34 29
KTHTMouston- In a
3
3
1
WHHHAndianapolis, DM/PET:
MD: 46 -
-
CA Tommy Del Rio
2 BUSTA RHYMES "Pass" NO G000 "Ballin'
Brian°Dept. NC' Bilan Oouptas
Tap Money BUSTA "Pass' FAT JOE F /ASHANTI'LUV'
SC' Fisher Morph Dawg JAGGED EDGE -Got' PRETTY WILLIE -nor
NC Jed Spate
< GLENN RHODES reel" BUSTA RHUMES "Pass" NO GOOD 'Bailin-
CT Steve Wherry
VletOr Slur amid Simpson
7 BUSTA RHYMES 'Pass'
HI Leo BMdwin Ryan Sean BUSTA RHYMES
ROMEO 'Hush' COREY FAIL' ROMEO'HusE N° GOOD "Ban- RE F/ERICK SERMON -Model'
HI Fred RIN Pablo Salo 'N SYNC 'Girlfriend"
8 J.OUPnI HLUOALRI514eitomé BUSTA RHYMES 'Pass" CEE-E0 "Closet' RAPHAEL SAA0I0 "Should'
HI' L.
RHYMES BUSTA RHVME$'Pau" CEE-LO "Closer NO G000 `Ballin'
Galveston. TX' M /Ho Powell Peru AALIYAH
. Woman'
FAT JOE F /ASHANTI -Luv" 'N SYNC 'Girlfriend'
Galveston, TX Brim P0: Johnny Chiang
FAT JOE ['ASHANTI Luv- NOSHEEN "NKR-
USHER Tall' meant"
USHER'Lau' ASKANT! lowish" BUSTA RHYMES 'Pass- AMANDA PEREZ RAITNEv SPEARS 'GC
IN Brian Wallace
Lim Oixson AA VA W. a
" ..
-'
WJBT /Jacksonville, FL PO: Aaron Maxwell
25 NoAMILY'Minutas' 22 TVRESE `Gamet` 12 JENNIFER 'Funny' 12 BUSTA RHYMES x55' e GEE-ED-Closet'
WXIS /Johnson Ci TN City. P0. Blade Michaels MD: Todd Ambrose
BUSTA RHYMES 'Pass" CITY HIGH 'Anthem"
KLUC/Lho Vegas, NV PD: Cat Thomas APO' Mike Spencer MD'. J.8. King
No Adds
MITE/Little Rock. AR Olr /Prop.: Larry LeBlanc MD: Peler Gunn
N SYNC -Girlfriend' RHYMES
CEEFLO 'Closer' COREY RUE' ROMEO -Hush
KPWR/Lo5 Angeles. CA VPmrop- Jimmy stol APO'. Damson Young MO -. E Mao 12 RASTA RHYMES 'Pa
KLZN/Lubbodl, TX PO: Tony SamaMpa M0: DJ LOpu 2] FAT JOE "Tirupy
NO GOOD " Ballin-
KXHUTAenIpIKe, TN OMMutsu , P0. eCErOp 36 CEE- LO'Closet'
1 BUSTA RHYMES 'Pos 1 NO G000 "Ballin^
WPOWCurry ,FL PO. Kid Curry
APO: Tony The Tiger MD: Oldie MN 78 INA `Back"
BUSTA RHYMES -Pus' EYRA GAIL 'Heaven' USHER "Call'
KTTB/MÍnneep011i. MN' PD Randy James
APD: Broadway Joe 3 P DIDDV "Need' 3 NSA RHYMES 'Pass" 1 NO GOOO'GMIin`
JAGGED EDGE 'Got" WARREN G "Ghetto"
KHTft/TAodef6o, CA OMRD :Cam Roeeda APD: Orew8t
RHYMES BUSTA RHYMES -Pass' CEELO'Closet" CITY HIGH "Anthem' NO GOOD 'Balhn'" RES Vrswn
NBTUIMontere SatlToS, CA y- PD. Kenny Allen MO Diamond e
I,. . ARi hc; Pas :.
!'? V -"
NOON/Monterey- Salinas. CA' PO Dennis Martinez
Vi
N '' : 'N : : :
WJWZJMonigomery, AL POMO: D -Rock 30 LIL J'WeeNerM"
6' SHARISSA "Night- 5 AVANT -Makin 5 JOE `Woman' 5 BUSTA RHYMES "Pass"
WKTUMea York, NY' VP lops.: Franks. Blue APD/M0: Jeff z
3 MARC ANTHONY 'Need' 3 PINK 'Door 2 SHAKIRA'Underneath" 2 CELINE DION'Day 2 DJ ENCORE -Right'
RES vision' GOLOTRtO Tnppin"
WORT /New York. NY VP: Prop.. Tracy ClonerlY
tie A:...
WNVZJNortolk, VA' PO. Don London MO. Jay West
1 CITY HIGH -Anthem" NAPPY ROOTS "Awnaw' KEKE WYATT'Nothing`
KBAT/Odessa- Midland, TX PD. Leo Caro MD'. DJ SID- MO1iun
IN:- A AR, A 1.' F ' n '_
KMRN/Odessa- Midland TX POND'. Dana Garter 29 g2K`Huh' 15 BUSTABESA 'Pass 14 BABY BEESH "Keep' 5 COREY FAIL' ROMEO 'Hush'
'N SYNC "Glrtrieno
KKWD/Oklahome City, OK P0: Steve English MO'. Cisco Kidd 31 AB 'Anew -
1 LUDACRIS "SaturSay'
KOCH/Omaha, NE PO: Erik Johnson
3 J DUPRI fAUDACRIS'Weltame' 1 TWEET Oops
WJHMA)rlando, FL' Oir/Ops.. John Roberts PO: Stevie DeMann MD: Jar Lon
JAG EDE JAGGED EDGE "Gor-
WPYO/Orland0, FL Diem, PO'. Steve Barrel Interim MD: )III SUM.
LAUT SPRECHER'Omnibus' TWEET "OM'
KCAO/OXnard- Ventera, CA POND: Erika Gavle APO: Big Bear 15 CEELO Crase' 3 A SrHGHVM/S ''Pass
CITVHIGM'ailin- NAPHAEL "Bailin- RAPHAEL SAAOIO "Should
NNUUA'alm Springs, CA PD: Antdog
BUSTA RHose Pass'
gNMAEL SAA010'ShouM, RAPHAEL NO GOOD "Ballin- Ballin' CITY HIGH "Anthem'
Craig Springs, CA
PD Craig Michaels MD. CMSe Mammy
9 J OURS F/LUOACRIS "Welcome' 6 COREY FAIL' ROMEO 'Hush'
KKFR/Phoenio. AZ PD. Bruce SI. James
APO'. Charlie Huero MO: J Phille MO. Joey BOY
No Adds
NZZP/PhoentA, AZ PO. Torn Calmest MD: L 31 LINKIN PARK "End' 12 GLENN LEWIS`For W 12 N SYNC E/inT B NELLY NRTADO -Rada-
KXJM/Pontland, OR DIIRrag. Mock Adorns APO. Mario Devoe M0: Alba
7 BUSTA RHYMES- Pass" 2 COREY FAA' ROMEO "Hush
NAPPY ROOTS- Awnaw"
WWKX/Providence. RI' PD'. Jerry McKenna MO: Miley
-Hilt" tt G2N'NM" e BUSTY ROOTS'APásá
1 NAPPY g00T5'Awmw' KEKE WYATT 'Morning'
KWNZJABnu, NV' P0: fills Schalk MD: Connie Wry/
1 FERURN'AL"ON" 1 RE FhgICK SERMON -Nadel' 1 CITY HIGH 'Anthem"
WRHHAilchmald, VA PO: Denali Mimeo MD: Mg Nat 15 BUSTA RHYMES -Pass'
NO GOOD 'Bailin-
WBTJATINImond, VA PD: Dell Parker MO. Mike Street
9 BUSTA RHYMES 'Pass 5 AALIYAH 'Woman"
t ASHANTI "foolrsh'
NOW/Riverside. CA PD: Jesse Duran Interim MD: DOM
No Adds
KBMB/Sacramento. CA' DM Ibrahim 'Ebro- Jam!Ie PO. Travis Loughran APO MO Big Kid Boat,
...,
KSFMfSacramento. CA ' VPR g.: Mark Evans
Kennedy MD: Tony Tecate
3 TWEET /LIC COREY f /LIL'ROMEO "Hush"
WOCO/SalisMJry, MD PO'. Wookie. MD: Nellie
TINA NOVAK -World" BEANIE SIGEUFREEWAY'Mlt" JAGGED EDGE -Got"
K000alt Lake City, UT DM. Kayvon Meliee APD/MD' Zee Davis
7 LIE GOWWOW'Take° NO G000 'Bailin-
KBBT/See Antonio, TX PO: J.O. Gomales APO: Danny e MD: Romeo
9 KNOETURNAL 3 P GIDDY... Need"
ASHANTI "Foolish"
KTFM/San Antonio. TX v0: Men T. JacYNn
2 BUSTA RHYMES "Pass- 1 JAGGED EDGE -Got'
CEE- LO "Cimet" CITY HIGH'Mmem" LEANNGH'Antem- RIMES "Fiore"
OHTZUSao Diego, CA NMIPO: Lip 'Carotins M0: Dale 26 'N SYNC T. rdnend' 16 BEANIE SIGEL/FREEWAY "MIC'
BUSTA RHYMES 'Pass' NO GOOD 'Bailin-
KMEL/San Francisco, CA' VP/Pmp.: Michael Marlin AP 0/M0
RHYMES YM Archer
18 BUSTA RHYMES "Pass' 15 SIGEUFREEWAY 9 RAPHAEL 5ßA010 'Should"
KYLD/San Francisco, CA VPRrog.'. Michael Martin APO/MD: Jemmy Am Archer
6 BUSTA RHYMES "Pass' CITY HIGH 'Anthem' JAMEIM "ANminp' GLENN LEWIS 'Forget-
KUBEJSeattle- Tacoma, WA' OM. SKBIIIB Hart PO: Eric Powers APO MD. GED RIM 17 JAGGED EDGE 'Got" 3 X- ECUTIONERS'Goin"
KBTT/Shfeeeport, LA PO/MO: Qum Echols
16 CHOOBAKKA -Feeling' 7 KEKE WVATT-NoNing-
NO GOOD "Ballin - CEE-LO "Closet"
KSPWJS nn laid. MO PO'. Chris °caecen
N' Adds
KWIN/Stockton- Modesto. CA' VPRrop.. John Christian Pp: Amanda XI N
1 BUSTA RHYMES "Pass' CEE-L°-CloSet-
OBAKNA "feeling" NO GOOD 'Bailin-
WILD/Tampa, FL PD. Orlando APO. Scentman MD: Beta
3 PING YANG TWINS - ` 3 BUSTA RHYMES `Pau
ASHANTI -Foolish" ASHANTI'FOAMA
KOHT/NROn, AZ PO. Mark Medina
APO /MD. R Dub! 3 HUFFANDO /'Pass"
RUFF ENDO' Someone"
KBLZfyler -L view, TX PD: L, y, 0°g
MO: Manua Lon 4 CEE LO'Closet" 3 BUSTA RHYMES "Pass 2 AALIYAH "Woman"
WPGC/Wry Stevens
, DC VPRrop.:JaY Seven M0: Sarah O'Connor 12 AVANT'Makm"
7 RAPHAEL SAA01g'Should-
KDGSANÌChita, KS PO: Greg Williams M0: Jo Jo Collins
t AALIYAH 'Woman' NO GOOD -Belin'
Monitored Reporters 88 i 88 Total Reporters / Y T 2i I >
P 4. PP 75 Total Monitored
13 Total Indicator 12 Current Indicator Playlists
Did Not Report, Playlist Frozen (1): KWWV/San Luis Obispo, CA
www.americanradiohistory.com
CHR/Rhythmic P/ay/is is February 22, 2002 R &R 63
WKTU /New York
Clear Channel (201) 420.3700
Blue/L
12. Cume 2,619,900
PLAYS
Lw TW ARTIST/TITLE SI (000)
71 71 KYLIE MINOGUE/Cant Get You_. 88466 70 70 SHAKIRAWhenever Wherever 87220 68 66 MARY J. BLIGE/No More Drama 82236 42 55 AMBER/Ves 68530 29 53 JA RULE F /ASHANTVAIWays On Time 66038 61 47 USHER/U Got It Bad 58562 68 46 PINK/Get The Parry... 57316 47 42 ALICIA KEYS/A Woman's Worth 52332 28 41 I10/Rapture (Tastes...) 51086 42 38 TOM Do 47348 38 36 ENRIQUE IGLESIAS/Escape 44856 33 36 NO DOUBT/Hey Baby 44856 34 36 JENNIFER LOPEZ/Ain't It Funny 43610 30 33 MARY J. BLIGE/Family Affair 41118 23 26 IAN VAN DAHLJCastles In The Sky 32396 28 26 TAMIAStranger In My House 32396 22 26 NICOLE MCCLOUD/One Good Reason 32396 30 25 GREEN VELVET/ La La Land 31150 24 25 BRANDY/What About Us? 31150 21 25 AUBREY/Stand S811 31150 27 23 DA BUZZ/Let Me Love You 28658 26 22 MICHAELJACKSONBreak Of Dawn 27412 24 20 GIGI D'AGOSTINO/DI Fy With You 24920 16 19 ANGIE STONE/Wish I Didn't... 23674 22 19 JENNIFER LOPEZ/I'm Real 23674 17 18 ENRIQUE IGLESIAS/Hero 22428 11 17 MODJO/Lady(Hear...) 21182 13 14 KIM ENGLISH/Everyday 17444 10 12 MYAJCase Of The Ex... 14952 15 12 TINA ANN/In My Dreams 14952 15 12 DAFT PUNK /One More lime 14952 9 12 MASTERS AT WORK/Work 14952 10 12 DEBORAH COXA Never Knew 14952 8 11 PINK/Most Girls 13706 8 11 'N SYNCBìrfriend 13706
12 9 MICHAEL JACKSON/You Rock My World 11214 11 8 AALIYAH/Try Again 9968 10 0 JENNIFER LOPEZ/Love Don't Cost... 7476 8 6 DEE DEE/Forever 7476 6 5 JANET/All For You 6230
KMEL/San Francisco Clear Channel (415) 538-1061 Mar6NAmher
12. Cume 729,400
PLAYS
LW TW ARTIST/TITLE G) (000)
58 56 GLENN LEWIS/Don't You Forget It 18592 57 55 JAHEIM /Anything 18260 53 52 ANGIE STONEBrotha 17264
MARY J. BLIGE/No More Drama 16932 MAXWELL/This Woman's Work 16600 USHER/) Don't Have To Call 15272 KEKE WYATT/Nothing In This... 15272 MICHAEL JACKSON/Butterflies 14608 TWEET/Oops (Oh My) 13612 OUTKAST/The Whole World 12948 MR. CHEEKSAghts, Camera... 12948 FAT JOE F /ASHANTIWhars Lao? 12616 J. DUPRI F/LUDACRISWelcome To Atlanta 12616 MYSTIKALBounciri Back... 12616 BUSTA RHYMES/Break Ye Neck 12616 ASHANTI/Foolish 12284 MONTELL JORDAN/You Must Have Been 11952 FAITH EVANSA Love You 11288 JILLSCOTT/Gimme 10956 JA RULE F /ASHANTVAIways On lime 10956
69 51
59 50
35 46
39 46
62 44
26 41
40 39
49 39
26 38
42 38
47 38
52 38
45 37
38 36
30 34
41 33
37 33
43 29
24 29
24 28
17 28
23 25
32 24
31 23
18 23
20 23
22 22
31 20
8 18
14 17
18 16
17 15
11 15
3 14
5 12
12 12 6 11
FAITH EVANS/You Gets No Love
SHARISSNMy Other Night FAT JOE/We Thuggin JENNIFER LOPEZ/Ain't It Funny MLIYAH/More Than A Woman MISSY ELUOTT/Take Away LUTHER VANDROSSftake You Out
BRANDY/What About Us?
JOVMSSing You
AALIYAHRock The Boat
MUSIO/Love
e BUSTA RHYMES/Pass The Courvosier JILL SCOTT/The Way JAHEIM/Jusi In Case
JAGGED EDGE/I Got It
a BEANIE SIGELJFREEWAY /Roc The Mic AVANT/Makin' Good Love GINUWINE/Tribute To A Woman JADAKISS & SPAR/OWE e/ Ain't Ready
CAM'ROWOoh Boy
9628 9628 9296 9296 8300 7968 7636 7636 7636 7304 6640 5976 5644 5312 4980 4980 4648 3984 3984 3652
MARKET 49
KENT/Houston-Galveston
Cox (713) 963 -1200 Chiang
12. Cume 436.700
PLAYS
LW 1W ARTIST/TITLE
114 111 106 107
86 107
JENNIFER LOPEZ/Ain't R Funny JA RULE F /ASHANTVAlways On Time KYLIE MINOGUE/Can't Get You...
52 96 BRANDY/What About Us? 91 93 LUDACRIS/Roll Out... 106 65 NO DOUBT/Iley Baby
68 56 USHER/U Got It Bad
52 52 'N SYNC/Girlfriend
33 51 FABOLOUSMOUng'n (Honer Back)
34 49 BUSTA RHYMES/Break Ya Neck
51 49 GIGID'AGOSTINO/rll Fly With You
57 46 DJ ENCORE/I See Right...
53 48 CRAIG DAVID/7 Days
3 46 a FAT JOE F /ASHANTIWhat's UN? 35 46 110/Rapture (Tastes...)
50 46 OUTKAST/The Whole World 27 36 FATJOE/We Thuggin' 28 31 MARY J. BLIGE/Famity Affair 34 30 a KOSHEENMideU 30 30 a SHAKIRNUndemeath Your...
29 29 MARY J. BLIGE/No More Drama
30 29 TWEET/Oops (Oh My) 52 29 SHAKIRAWhenever Wherever 21 25 IAN VAN DAHUCastles In The Sky
19 25 NELLY/Ride Wit Me 20 24 MISSY ELLIOTT /Get Ur Freak On 23 24 GINUWINE/Differences 24 24 EVE F /GWEN STEFANULet Me Blow Ya Mind 24 22 ALICIA KEYS/Fallin 12 22 JENNIFER LOPEZI'm Real
23 21 CITY HIGH/What Would You Do?
23 21 MISSY ELLIOTT/One Minute Man 14 21 JARULE/LNin It Up
73 20 PINK/Get The Party...
19 a USHERN Don't Have To Call 19 19 'N SYNC/Gone
7 14 GLENN LEWIS/Don't You Forget It
14 14 FABOLOUS F/NATE DOGG/Can't Deny R
21 13 DARUDE/Sandstorm 8 11 TOVNI Do
SI (000)
19092 18404 18404 16512 15996 11180 9632 8944 8772 8428 8428 8256 8256 7912 7912 7912 6192 5332 5160 5160 4988 4988 4988 4300 4300 4128 4128 4128 3784 3784 3612 3612 3612 3440 3268 3268 2408 2408 2236 1892
FIND COMPLETE PLAYLISTS FOR ALL CHR/RHYTHMIC REPORTERS ON R &R ONLINE MUSIC TRACKING
MARKET #1
WORT /New York
Emmis (212) 229 -9797
Cloheny
12+ Cume 2,661,300
PLAYS
LW TW
38
46
38
43
31
38
41
30
41
33
21
32
22
20
23
18
22
25
20
24
24
39
23
12
14
667157,TITLE
51 BRANDYWhat About Us?
41 BEANIE SIGEUFREEWAY/Roc The Mic 41 JA RULE F /ASHANTVAMays On Time
40 NAS/One Mk 39 FAT JOE F /ASHANTIWhars Luv?
39 NAS/Got Ur Sell A...
39 TWEET/flops (Oh My)
35 METHOD MAN 8 REDMAN/PM II
35 ASHANTI/Foolish 34 OUTKAST/The Whole World
34 JAGGED EDGE/I Got It
33 MR. CHEEKSAJghts, Camera... 32 LUDACRIS/Saturday(Oo0h!...)
30 BUSTA RHYMES/Pass The Courwisier 29 TANTO METRO../Give It To Her
28 CAM'RON/The Roc
26 JA RULE/Never Again 26 FAITH EVANSA Love You
26 MLIYAH/More Than A Woman 25 LUDACRIS/Roll Out...
23 R. KELLY/The World's Greatest 23 MISSY ELLIOTT/Take Away 21 LUDACRIS/Fatry Girl 21 FAITH EVANS/Alone In The World
20 R. KELLY & JAY -UGet This Money 20 MARY J. BLIGE/Rainy Days 19 MOBB DEEP F /112/Hey Lay (Anything) 19 WU -TANG CLAN/Back In The Game
18 KEKE WYATT/Nothing In This... 17 DMX F/FAITH EVANSA Mks you 17 CAM'RCN/Ooh Boy
17 GLENN LEWIS/Don't You Forget It 16 EVE/U. Me & She
16 GHOSTFACE KILLAHBever Be The Same
14 MARY J. BLIGE/No More Drama 12 DUNGEON FAMILY/Trans DF Express 12 G. DEP/ ìpecial Delivery 11 JENNIFER LOPEZ/Ain't R Funny
11 R. KELLY & JAY- 2/Best Of Both...
11 JAGGED EDGE/Where The Party At
8I(0001
91953 73923 73923 72120 70317 70317 70317 63105 63105 61302 61302 59499 57696 54090 52287 50484 46878 46878 46878 45075 41469 41469 37863 37863 36060 36060 34257 34257 32454 30651 30651 30651 28848 28848 25242 21636 21636 19833 19833 19833
KYLD/San Francisco Clear Channel (415) 356 -0949
Marhn/Amher
12+ Cume 952,000
PLAYS
LW TW ARTIST/TITLE St (000)
64 56 AMANDA PEREZ/Never 25144 25 53 LINKIN PARKAn The End 23797 49 53 FABOLOLIS/VOUng'n (Holl Back) 23797 61 53 JA RULE F /ASHANTVAIways On Time 23797 58 48 NO DOUBT/Hey Baby 21552 47 47 FAT JOE F /ASHANTIWhat's Lw? 21103 52 46 BUSTA RHYMES/Break Ya Neck 20654
45 AALIYAWRock The Boat 20205 42 JENNIFER LOPEZ/Ain't It Funny 18858 39 ASHANTVFoolish 17511 38 J. DUPRI FAUDACRISWelcome To Atlanta 17062 36 31
29
28
27
26
23
34
33 41
50
28 31
34
25
14
23
10
28
36 22
21 2
26 2
8 1
10 1
18 1
21 1
16 1
33 1
- 1
7 1
36
22
8
9
6
to 5
13
4
4
4
'N SYNC/Girlfriend A7/Piece Of Heaven
OUTKAST/The Whole World
MOBS DEEP F/112/Hey Luv (Anything)
OUTLAWZ/Wor!dwide KYLIE MINOGUE/Cant Get You...
USHERN Dont Have To Call
FATJOEWe Thuggm FAITH EVANS/CARL.. /Cant Believe
LUDACRIS/Roll Out...
TWEET/Oops (0h My) P DIDDVJI Need A Girl
2PAC/AII About U
RUSNOOP DOGG../Do U Wanna Roll
LAUT SPRECHER/Omnibus GREEN VELVET/ La La Land
USHER/U Got It Bad
NB RIDA711 Wanne Love You
MASTER P /0oohhhwee CITY HIG WCammel
MODIO/Lady(Hear...) LIL BOW WOW/Take Ya Home
JUVENILE/Back That Thang Up
TOYABO Matta What... LUDACRISSaturday(0006!...) NB RIDAZ F /ANGELINNRu Wv2y NELLY /#1
DR. DRUT"kU FAITH EVANSA Love You
16164 13919 13021 12572 12123 11674 10327 9878 9878 9429 8980 8082 7184 7184 7184 6286 6286 5837 5837 5837 4490 4490 4041 4041
3592 3592 3592 3143 3143
MARKET #11
WETS /Atlanta Cox (404) 897 -7500 Phillips/Miles
12+ Clime 444,800
PLAYS
LW IV 100 97
102 96
68 83 94 83 98 74 53 W 55 W 57 57
56 57
50 56
53 55
55 54
61 54 44 53 45 47 52 47 16 43
55 40
18 37
30 36 36 33 40 31
27 31
39 30
51 30
40 29
30 29
29 29
28 27
27 23
22 21
20 21
5 21
27 20 25 20 16 17
15 15
5 12
5 12 4 12
ARTIST/TITLE SI (000)
LUOACRISBoll Out... 14744 JA RULE F /ASHANTI/Ahvays On Time 14592 JENNIFER LOPEZ/Ain't R Funny 12616 'N SYNC /Gone 12616 PINK/Get The Party... 11248 NO DOUBT/Hey Baby 9120 CRAIG DAVID/7 Days 8816 MLIYAFIBock The Boat 8664 OUTKAST/The Whole World 6664 BRANDY/What About Us? 8512 ALICIA KEYS/A Woman's Worm 8360 FAT JOE/We Thuggin' 8208 CITY HIGH /Caramel 8208 J. DUPRI F/LUDACRISWelcome To Atlanta 8056 FABOLOUS/1'oung'n (Hotta Back) 7144 BUSTA RHYMES/Break Ya Neck 7144 USHER/U Dont Have To Gall
JAGGED EDGE/Goodbye
MOBS DEEP F/112/Hey Lw (Anything) BLAOUE/808 MARY J. BLIGE/No More Drama NELLY/#1 MARY J. BLIGE/Family Affair PETEY PABLO/Raise Up
USHER/11 Sol It fad EVE/U, Me & She
JAGGED EDGE/Lets Get Married NELLY FURTADO/rurn 00 The Light CRAIG DAVID/Fill Me In
GINIIWINEBifferences JA RULE/Eiv19 It Up
JENNIFER LOPEZ/I'm Real FAT JOE F /ASHANTVWhats Luv? ALICIA KEYS4alliri MISSY ELLIOTT /One Minute Man 112/Peaches 8 Cream
DA BRAT F/T"RESEWhatchu like IIO/Rapture(Tastes...) MR. CHEEKSLigms, Camera... KYLIE MINOGUE/Can 1 Get You...
6536 6080 5624 5472 5016 4712 4712 4560 4560 4408 4408 4408 4104 3496 3192 3192 3192 3040 3040 2584 2280 1824 1824 1824
MARKET #2
KPWR/Los Angeles
Emmis (818)953 -4200 SteaVYourg/E -Man
12+ Cume 1,847,700
Purs LW TW
78 76 66 75 72 74
74 73 77 70
51 66
52 61
PrER 10611M L]
ARTIST/TITLE GI ( 00)
FAT JOE/We Thuggin 67564 J. DUPRI F/LUDACRISAVelcome To Atlanta 66675 DR. DRE 8 DJ OUIK/Put R On Me 65786 DR. DRE/Bad Intentions 64897 JENNIFER LOPEZ/Ain't It Funny 62230 FAT JOE F /ASHANTI/What's Lou'? 58674 JA RULE F /ASHANTVAkvays On Time
71 58 METHOD MAN & REDMAN/Part II
40 46 MOBB DEEP F/1124-ley Luv (Anything) 42 44 FABOLOUSNoung'n ( Holla Back)
68 39 BUSTA RHYMES/Break Ya Neck 42 37 LUDACRIS/Roll Out... 13 31 NAS/Got Ur Self A...
28 31 3DEEP/So Addicted
21 28 TWEET/Oops (Oh My)
25 28 JERMAINE DUPRVBaIli0 Out OI...
28 25 WARREN G/Ghetto Village 23 24 OUTKAST/The Whole World 23 24 MR. CHEEKS/Lights, Camera... 34 23 JAY- Z/Jigga 17 23 LIL BOW WOW/Take Ya Home
22 21 ALICIA KEYS/A Woman's Worth
22 21 R. KELLY 8 JAY -ZBest 01 Both.. 26 21 OUTLAWZWOrldwise 21 19 JA RULEJIivin' R Up
19 18 DJ OUIK/Erouble 28 18 USHER/U Got It Bad
24 17 MASTER P/Ooohhhwee 23 17 BRANDY/What About Us? 20 17 KNOC- TURN'AUKnoc
2 17 IMX/The First Time 20 16 ASHANTI/Foolish 13 16 GINUWINF/DMerences 14 13 BELL BIV DEVOE/Scandalous 10 12 NAUGHTY BY..JULW/Feels Good... 5 12 a BUSTA RHYMES/Pass The Courvosier
14 11 EVEN, Me & She
29 9 DR. DRE 8 SNOOP DOGG/The Wash
3 9 JAY -Z/1 Just Wanna Love...
10 B MARY J. BLIGE/No More Drama
54229 51562 40894 39116 34671 32893 27559 27559 24892 24892 22225 21336 21336 20447 20447 18669 18669 18669 16891 16002 16002 15113 15113 15113 15113 14224 13335 11557 10668 10668 9779 8001 8001 7112
MARKET #7
WPGC/Washington, DC
Infinity (301)918-0955 Stevens/O'Connor
12+ Cume 865,000
PLAYS
LW TW
38 60
57 60
5553 52 49
41 48 52 46
33 41
4240 34 39 2535 1835
23 34 30 29 26 27 15 26 29 25
18 24
31 22 25 21
29 21
31 20 1620 21 20
34 19
8 16
5 16
10 16
25 14
5 12 6 12
19 11
14 11
14 11
11 9
9 9
7 7
16 7
6 7
6 7
8 7
ARTIST/TITLE GI (000)
TWEET/Oops (Oh My) 23880 KEKE WYATT/Nothing In This... 23880 JENNIFER LOPEZ/Ain't It Funny 21094 MLIYAH/More Than A Woman 19502 PROPHET JONES/Cry Together 19104 MICHAEL JACKSONBuYedlies 18308 USHER/U Don't Have To Call 16318 BRANDY/What About Us? 15920 'N SYNC/Gone 15522 FAITH EVANSA Love You 13930 MAXWELL7This Woman's Work 13930 ASHANTVFoolish 13532 MR.CHEEKSAghls, Camera_. 11542 AALIYAH/Rock The Boat 10746 BEANIE SIGEUFREEWAY /Roc The Mic 9950 MUSIO/Haff Crazy 9950 MISSY ELLIOTT/fake Away 9552 OUTKAST/The Whole World 8756 MVSTIKAL/Bounciñ Back... 8358 JILL SCOTT/He Loves Me 8358 MARY J. BLIGE/No More Drama 7960 LUDACRISSalurday (Ocoh!...) 7960 GLENN LEWIS/Don't You Forget It 7960 USHERN Got It Bad 7562 BUSTA RHYMES/Pass The Courvosier 6368 MARY J. BLIGE/Rainy Days 6368 LUDACRIS/Roll Out... 6368 R. KELLY & JAY -Z/Best 01 Both... 5572 JAY -LSOng Cry 4776
a AVANT/Makin Good Love 4776 JAGGED EDGE/Goodbye 4378 'N SYNC/Girlfriend 4378 CITY HIGH/Caramel 4378 JAGGED EDGE/Where The Party At 3582 OUTKAST/Ms. Jackson 3582 EVE F /GWEN STEFANI/Let Me Blow Ya Mind 2786 FABOLOUSM000g0 (Holla Back) 2786 USHER/U Remind Me 2786 LUDACRIS/Southem Hospitality 2786 112/Peaches & Cream 2786
MARKET #12
WPOW/Miami Beasley (305) 653 -6796
Curry/Mix
12. Cume 723,400
PLAYS
LW 14 ARTIST/TITLE
64 78 a KHINMy Neck, My Back
61 75 FAT JOE F /ASHANTIWhats LIM 77 74 JA RULE F /ASHANTVAlways On Time
69 71 MOBB DEEP F/112/Hey Lw (Anything) 69 63 USHERN Got h Bad
47 60 AMANDA PEREZ/Never 65 58 ALICIA KEYS/A Woman's Worth 75 55 LUDACRIS/Roll Out... 24 52 LUDACR!SSaturday(Oooh!_.) 60 51 MR. CHEEKS/Lights, Camera_.
55 44 FABOLOUSfKourg'n (Holy Back)
62 43 JENNIFER LOPEZ/Ain't It Funny 42 41 JONELL 8 METHOD MANRound & Round 54 40 'N SYNC/Gone
1 27 TRINNfold VaT
25 ANDREABROWN/Tdppin' 23 24 JAY -Z/Jiooa
28 23 IIO/Rapture (Tastes_,) 43 22 OUTKAST/The Whole World 26 21 MARY J. BLIGE/Family Affair
1 19 'N SYNC/Girlfriend 17 19 BUSTA RHYMES/Break Ya Neck 18 17 NOGOODBallin Boy
26 17 GINOWINEJD9lerences 16 15 FAT JOE/We Thuggin 14 14 JAGGED EDGE/Where The Party At
2 14 ASHANTVFoolish 16 14 BASEMENTJAKXWheres Your Head At
/0 14 NELLY FURTADO/Turn ON The Light 21 13 KOSHEFN/HideU 13 13 MISSY ELLIOTT/Get Or Freak On
14 12 TRICK DADDY/Take It To Da House 3 12 KNOC-TURN'AUKnoc
14 12 BRITNEY SPEARS/I'm A Slave 4 U
8 11 ANGIEMARTINEZ/LNe At Jimmy's 9 11 JA RULE/Liviñ It Up
10 11 LIL' MO/Superwoman 2 11 FAITH EVANSA Love You 5 15 R. KELLY/Fiesla
46 9 TANTOMETRO..JGìve It To Her
GI (0001
28314 27225 26862 25773 22869 21780 21054 19965 18876 18513 15972 15609 14883 14520
9801 9075 8712 8349 7986 7623 6897 6897 6171 6171 5445 5082 5082 5082 5082 4719 4719 4356 4356 4356 3993 3993 3993 3993 3630 3267
MARKET #3
WBBM /Chicago Infinity (312)944 -6000 Cavarlah/Bradley
12+ Cume 1,360,600
PUYS LW 1W
90
91
70
50
22
5
60
65
50
44
19
32
61
92
91
78
75
68
63
53
53
52
47
45
45
45
88
51 44 47 43
29 39 34 37
2 36 32 34
38 30 4 30
53 29 26 28 61 27
31 2
41 2
24 2 - 1
7 1
20 1
1
1
1
ARTIST/TITLE
FAT JOE/We Thuggin JENNIFER LOPEZ/Ain't It Funny
CRAIG DAVID/7 Days R. KELLY/The World's Greatest
JENNIFER LOPEZ/Cm Real
BRIAN MCKNIGHT/Still
BRANDY/What About Us? BUSTA RHYMES/Break Ya Neck
PETIT PABLO/Raise Up
AALIYAWMOre Than A Woman
FAT JOE F /ASHANTI/Whars Lw? NO DOUBT/Hey Baby
USHER/U Got R Bad
JA RULE F /ASHANTVA ways On Time
KYLIE MINOGUE/Cao 1 Get You...
ALICIA KEYS/A Womans Worth LUDACRISROII Out...
'N SYNC/Girlfriend
CITY HIGH/Caramel
MARY J. BLIGE/Family Altair GINUWINE/Ditferences
USHER/U Don't Have To Cali
MOBB DEEP F/112/1-ley Luv (Anything) NELLY FURTADO/Turn Off The Light MARY J. BLIGE/No More Drama
FABOLOUSryoung'n ( Holla Back)
MR. CHEEKS/Lights. Camera...
JA RULEAiWi It Up
MAXWELL/This Woman's Work OUTKAST/The Whole World TWEET/Oops (Oh My)
JANET/Someone To Call...
SHAKIRA/Whenever Wherever PINK/Don't Let Me Gel Me
NELLY/#1
112/Dance With Me MLIVAI/Try Again FABOLOUS F/NATE DOGG/Can t Deny R
MISSY ELLIOTT/Ore Minute Man JAGGED EDGEWhere The Party At
SI (500)
48300 47775 40950 39375 35700 33075 27825 27825 27300 24675 23625 23625 23625 23100 23100 22575 20475 19425 18900 17850 15750 15750 15225 14700 14175 12600 12600 12600 9450 8400 6825 5775 5775 5775 5775 5250 4725 4725 4725 4725
WJMN/Boston Clear Channel (781) 663 -2500
McCaMey/O'HeroMyler
12+ Cume 943,600
PLAYS
LW 1W
82 102
95 94
95 64
72 91
43 80 94 64
50 57 7 56
48 51
51 50
75 49
69 49 34 44
43 44 41 41
11 39 34 31
46 27 14 26 24 25 21 25
22 24 23 23
22 23
21 22 18 19
13 18
18 17 13 17
16 17
16 16
16 16
15 15 17 15
17 15
15 15
16 14
17 14 17 14 49 13
ARTIST/TITLE
FAT JOE F /ASHANTVWhaI's Lw? CRAIG DAVID/7 Days
JENNIFER LOPEZ/Ain't It Funny BUSTA RHYMES/Break Ya Neck
LUDACRIS/Roll Out...
JA RULE F /ASHANTI /Always On Time
ASHANTI/Foolish P. DIDDY.JI Need A Girt
FABOLOUS/YOung'n (Holla Back)
MLIYAWMOre Than A Woman
FATJOE/We Thuggin USHER/U Got R Bad
MOBS DEEP F/112/1-ley Lou (Anything) PETEY PABLO/Raise Up TANTO METRO.../Give h To Her
TIMBALAND & MAGOD /AII Y'NI JAGGED EDGE/I Got It
BRANDYWhal About Us?
OUTKAST/The Whole World JAGGED EDGE/Where The Party At
LUDACRISWhats Your Fantasy
JA RULE/LIU MO.../Put It On Me
2PAC F /OUTLAWZBaby Don't Cry.. JA RULE/Livin' It Up
JENNIFER LOPEZ/I'm Real
MARY J. BLIGE/Family Affair
TWEET/Oops (Oh My)
NELLY/E.1.
USHER/U Remind Me
112/Peaches 8 Cream
DR. DRE/The Next Episode
CITY HIGHWhat Would You Do? OR ORE F/EMINEM/FOrgot About Dre
EMINEMBRch Please Part 2
CRAIG DAVID/Fill Me In
RUFF ENDZ/NO More
WYCLEF JEANAPertect Gentleman MISSY ELLIOTT /Get Ur Freak Olt
NELLY/Ride Wit Me
CITY HIGWCaramel
GI (000)
47022 43334 43334 41951 36880 29504 26277 25816 23511 23050 22589 22589 20284 20284 18901 17979 14291 12447 11986 11525 11525 11064 10603 10603 10142 8759 8298 7837 7837 7837 7376 7376 6915 6915 6915 6915 6454 6454 6454 5993
MARKET #14
KOBE/Seattle- Tacoma
Acherley (206) 285 -2295
Powers/Pilaf
12. Cume 418,700
PLAYS
LW 1W
52 66
55 63
56 61
51 59 50 57 56 55 58 55 49 54
36 53 47 W 44 48
39 43
30 42
50 41
32 31
30 30
40 30
38 27
2226 2 21
21 21
15 19 4 18 - 17
3 17 13 17 14 18 13 15
6 15
9 14 1 14
25 14 18 13
14 13
14 12
13 12 19 11
14 11
7 11
9 10
ARTIST/TITLE 0I (000)
BUSTA RHYMES/Break Ya Neck 15972 JENNIFER LOPEZ/Ain't It Funny 15246 MOBB DEEP F/112/1-ley Luv (Anything) 14762 ALICIA KEYS/A Woman's Worth 14278 J. DUPRI FAUDACRISWelcome To Atlanta 13794 FAT JOE F /ASHANTI/What's Lou? BRANDY/What About Us?
JA RULE F /ASHANTI /Always On Time
USHERN Got It Bad
OUTKAST/The Whole World ASHANTVFOOIish
CRAIG DAVID/Walking Away
NO DOUBT/Hey Baby TWEET/Oops (Oh My) JENNIFER LOPEZ/I'm Real
CRAIG DAVID(/ Days
MARY J. BLIGE/Family Affair
LUDACRIS/Roll Out... MASTER F/0000hhwee AALIYAHMbm Than A Woman
112/Dance With Me JAY -ZItazo (H.O.VA) JAGGED EDGE/Let's Get Married
13310 13310 13068 12826 12100 11616 10406 10164
9922 7502 7260 7260 6534 6292 5082 5082 4598 4356
a JAGGED EDGER Got R 4114 'N SYNC/Girlfriend 4114 GLENN LEWIS/Don't You Forget It 4114 EVE F /GWEN STEFANULeI Me Blow Ya Mind 3872 RL/SNOOP 5005,150 U Wanna Roll 3630 JAY -ZA Just Wanna Love... 3630 NELLY/RiOV WS Me 3388 RL F/ERICK SERMOWGot Me A Model 3388 PINK/Get The Parry... 3388 JA RULE/Livin' II Up 3146 ALICIA KEYS/Fallini 3146 CRAIG DAVID/Fill Me In 2904 FABOLOUS F/NATE DOGG/Cant Deny It 2904 FABOLOUSNOUng'n (Holy Back) 2662 NELLY/Country Grammar 2662 SNOOP DOGG/Lay Low 2662 JANET /AII For You 2420
MARKET #3
WKIE /Chicago Big City (312) 573 -9400 Shebel
12+ Cume 306,200
PLAYS
LW TW
56 54
55 54
49 53
46 53
53 52
52 61
54 50
42 47
41 43
3940 36 38 41 37 41 35
31 35
36 35 34 35
29 35 22 28
26 25 14 25
26 25
26 24 14 23
10 15
11 12
1 12
3 12
1 12
1 11
11
11
1 11
11
10 1 10
10 10
11 10
8 10
10 10
ARTIST/TITLE
ERIKA/Relations KYLIE MINOGUE/Can't Get You...
KIM ENGLISH/Everyday
KOSHEENMide U
WENDY PHILLIPS/Stay NICOLE MCCLOUD /One Good Reason
CHER/Song For The Lonely
LAUT SPRECHER/Omnibus BARTHEZZ/On The Move ABSOLOM/Stars
FUNKY GREEN DOGS/You Got Me Burning U
I IO/Rapture (Tastes...) SYLVER (EU)/Tum The Tide
GEORGIE PORGIEAove Is Gonda...
AUBREYStand 5811
USHERN Got II Bad
DJ ENCORENValkioo In The Sky CMTERBIinded TERRA SKYE/Is This Love
IAN VAN DAHLJWiII I
COLLABORATIONBreak 4 Love
BAHA MEN/Move It Like This
MASTERS AT WORK/Work DARUDESandstorm ATB/LeI U Go
GIGI D'AGOSTINOA'II Fy With You
WILLA FORD/Did Ya'...
BROOKLYN BOUNCE/Club Bizarre
CHEMICAL BROTHERS/Star Guitar
FRAGMO/Tocis Miracle
DANCE NATION/Sunshine PINK/Get The Party... PUSSY 2000/ICs Gonna Be...
PLUMET/Damaged FLOORKILLER/Dance Floor Killer
DEBORAH COX/Absolutely Not
BEKIWake Up
AMBERPYes
MADISON AVENUEWIto The Hell Are You DAFT PUNKMarder, Better...
0I (500)
7074 7074 6943 6943 6812 6681 6550 6157 5633 5240 4978 4847 4585 4585 4585 4585 4585 3668 3275 3275 3275 3144 3013 1965 1572 1572 1572 1572 1441 1441 1441 1441 1441
1310 1310 1310 1310 1310 1310 1310
KB)(/Houston -Ga Iveslon
Radio One (713) 623-2108 POwetVPetu
12+ Cume N/A
SzayaFM
PLAYS
LW 1W ARTIST/TITLE SI (OW)
65 64 JA RULE F /ASHANTVAlways On Time 27200 62 W KEKE WYATT/Nothing In This... 25500 54 59 JAGGED EDGE/Goodbye 25075 54 59 'N SYNC/Gone 25075 47 59 COREY F/LIL' ROMEO/Hush Lil' Lady 25075 58 55 MISSY ELLIOTT/Take Away 23375 58 55 LIL BOW WOW/Thank You 23375 43 45 MASTER P70oohhhwee 19125 45 45 BRANDY/What About Us? 19125 31 43 TWEET/Oops (Oh My) 18275 35 43 USHERN Don't Have To Call 18275 41 43 J. DUPRI F/LUDACRISWelcome To Atlanta 18275 28 40 JAHEIM/Anyming 17000 21 40 B2KNh Huh 17000 51 37 BIG MOEPurple Stuff 15725 5 35 a AALIYAH/Mare Than A Woman 14875 29 35 R. KELLY & JAY -Z/Best Of Both... 14875 12 34 0 FAT JOE F /ASHANTI/What's Loy? 14450 39 33 JENNIFER LOPEZ/Ain't It Funny 14025 41 31 LIL' KEKE /Platinum In Da... 13175 54 30 LUDACRIS/Roll Oul... 12750 17 29 a 'NSYNCJGirllrsno 12325 9 25 OUTKAST/The Whole World 10625
22 25 BUSTA RHYMES/Break Ya Neck 10625 22 22 FAITH EVANSA Love You 9350 - 17 LIL' TROY/Back To Bailin' 7225
18 17 RUFF ENDZ/Someone To Love You 7225 23 17 MARY J. BLIGE/Family Altair 7225 12 15 JAY -Z/0 Just Wanna Love... 6800 12 15 112/Peaches & Cream 6375 35 15 JUVENILE/From Her Mamma... 6375 15 14 R. KELLY/Fiesta 5950 36 14 MLIYAHRock The Boat 5950 12 13 CITY HIGHAVhat Would You Do? 5525 12 10 DESTINYS CHILD /Independent Women... 4250
6 10 MS. JADE/Feel The Girl 4250 10 10 MR. CHEEKS/lights. Camera... 4250
4 10 JA RULE/LMn' It Up 4250 to 9 JUVENILE/Set It OR 3825
6 9 JAGGED EDGE/Where The Parry Al 3825
MARKET #15
KKFPJPhgenix
Emmis (602) 274-6200
SL Jarrles4ieNJ Rio/Joe/Boy
12+ Cume 306,200
PLAYS
LW TW ARTIST/TTLE GI (000)
69 72 J.DUPRIF/LUDACRIS/WelcomeToAtlenta 10440 75 00
59 61
36 61
68 57 40 55 71 54 45 42
44 41
32 39
40 39
33 39
41 37
36 35
28 31
28 30
36 29 25 27 23 26 29 25 25
14
15
24
25
4
20
10
15
19
26 7
9
4
4
7
7
7
6
23 1
1
1
1
1
1
1
1
1
1
BUSTA RHYMES/Break Ya Neck
DR. DRE 8 W0UIK/Put It On Me
DR. DRE/Bad Intentions OUTKAST/The Whole World LUDACRIS/Roll Out...
JA RULE F /ASHANTVAIways On Time USHERN Got It Bad
FAT JOEWe Thugglri JAY- Z/Jigga FAT JOE F /ASHANTIWhats Luv? METHOD MAN 8 REDMA)I/Part II
USHER/U Don't Have To Call
TWEET/Oops (0h My) MARY J. BLIGE/Family Affair MLIYAH/Rock The Boat
DR. ORE & SNOOP DOGGRhe Wash CITY HIGH/Caramel MR. CHEEKS/Lights. Camera... PETEY PABLO/Raise Up GINUWINE/DRlerences JA RULE/LNin' It Up
RLJSNOOP DOGG../Do U Wanne Roll TRICK DADDY/I'm A Thug
BRANDYWhat About Us? ASHANTVFoolish
WARREN G/Gheno Village
DILATED PEOPLESWorst Comes To Worst FABOLOUSM000g'n ( Holla Back)
JENNIFER LOPEZ/Ain't It Funny NELLY/#T
JUVENILE/From Her Mamma... KNOC- TURN'AL/Knoc
USHER/U Remind Me R. KELLY/Fiesta
FAITH EVANSA Love You
NAS/Gol Ur Self A...
JAGGED EDGE/Where The Party At
LUDACRIS/Saturday (000111) MISSY ELLIOTT /One Minute Man
9860 8845 8845 8265 7975 7830 6090 5945 5655 5655 5655 5365 5075 4495 4350 4205 3915 3770 3625 3335 2755 2610 2610 2465 2320 2175 2030 2030 2030 2030 1740 1740 1595 1595 1450 1160 1160 1160 1160
www.americanradiohistory.com
64 R &R February 22, 2002
NOWNIMMMISINEW CHR/Rhythmic Action
t,
Travis Loughran PD, KBMB
(The Bomb) /Sacramento
A record that I'm really feeling right now
s Raphael Saadiq's new track "Be Here"
(Pookie /Universal). It features D'Angelo, and we're currently spinning it three times a day at KBMB. Our hottest hip -hop, club
and street record is Beanie Sigel's "Roc the
Mic" (Roc- A- Fella/Def Jam /IDJMG), which has the potential to be an all -day record
soon. I feel that the new Angie Stone single, "Wish I Didn't Miss You" (J), is a
solid R &B record. With neo -soul being as huge as it's been at KBMB, this will work for us. Our No. 1- requested song by far has been Ashanti's "Foolish" (Murder Inc. /Def Jam /IDJMG). Ever since we started playing this at The Bomb, its been consistently getting No. 1 phones. Who- ever has that remix I keep hearing about featuring Notori- ous B.I.G. needs to send it this way. We've been get- ting top -five phones on "Rainy Days" (MCA) by Mary J.
Blige featuring Ja Rule. It's crazy, but we've been getting top -five phones at night on the remix version of 'N Sync's "Girlfriend" (Jive), which features Nelly.
I need help! I've been trying to get things poppin'
in this section by being up on all the music that
goes through the hands of programmers, record executives, producers and mixers. You name it;
I'm trying to hear it. The only way that I can
achieve this goal and be an asset to both the radio and record communities alike is by my friends in the record industry getting the prod-
uct to me. You can be an artist. manager or pro-
ducer - I just need to get my hands on that next big record, ya dig. So hit me up at the R &R building. My direct line is 310- 788 -1677, or you can e -mail me at dthompson @rronline.com ... Moving on, one song that I have heard and continue to feel is Usher's "U Don't Have to Call" (LaFace /Arista). It continues to get positive movement on the Rhythmic chart with a total of 1,878 spins. This song is a hit! ... I finally came around on Tweet's "Oops (Oh My)" (Gold Mind /Elektra/EEG). I've always loved the track, but I wasn't too sure about the song - was I wrong! This week it jumps four slots to No. 10 on the Rhythmic chart ... And if radio needs another Ja Rule record, his next single is called "Down Ass Chick" (Murder Inc. /Def Jam /IDJMG). This will be another smash from Ja and producer Iry Gotti. Check it out when you can. Record of the Week: Aaliyah "More Than a Woman" (BlackGround).
- Dontay Thompson, CHR /Rhythmic Editor
ARTIST: Ashanti
LABEL: Murder Inc./Def Jam/ IDJMG
By RENEE BELL / ASSISTANT EDITOR aRe445,0,m4. R.A b
ile searching the Internet for biographi- cal information on new Murder Inc./
IDJMG songstress Ashanti, I came across an in-
teresting link that offered a historic safari through the lands of West Africa. It was during that jour- ney that I discovered the Ashanti Kingdom.
Ashantis are the people of South Ghana. Their instinctive desire to live independently makes them a most hard -working people. They are extremely ambitious and determined to suc- ceed in every venture they undertake. For Ashanti the singer, her determination to set off her solo career embodies the characteristics of the noble tribesmen she's named after.
Ashanti's discography includes recent col- laborations with famed emcees Ja Rule and At- lantic recording artist Fat Joe. Her appearance on labelmate Ja's "Always on Time" and Fat Joe's "What's Luv ?" created a following for the singer, which presented the perfect opportunity for a solo project.
"Always on Time" charted within a couple of weeks and eventually went to the top of the CHR/Rhythmic chart. The video gave listeners a chance to see the beautiful young lady whose signature vocals were responsible for the track's high -powered performance. Following her big break on Ja's single, Ashanti also lent
TELL US WHAT YOU THINK!
Share your opinion about this column - go to
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Ashanti
her skills to Joe's second single, "What's Luv ?" - another Rhythmic chart mainstay featuring Ja that is expected to be a No. I hit single. On it, Ashanti's delicate voice intertwines with Ja's rough edge for an infectious flow.
Ashanti's ambition took her well beyond hook singing. While perfecting her craft on other people's songs, she's been working on her own project. A creative arrangement and bor- rowed beats from the late Notorious B.I.G track "One More Chance" flavor Ashanti's debut single, "Foolish." In the single Ashanti shares her painful mistake of remaining in a troubled relationship despite her own intuitions. "See my days are cold without you/But I'm hurting while I'm with you/And I know my heart can't take no more /I keep on running back to you," cries Ashanti. Her character ponders over how to get out of the relationship pain -free, but she soon realizes that is impossible. She only has two choices: She can either stop the heartache and suffer the separation or continue to be deceived. "Boy I trusted you/So sad what love will make you do /All the things that we accept/Be the things that we regret."
WHAT'S UR NAME GIRL P
ADDED EARLY AT WJMN/Bos ton!
www.americanradiohistory.com
Urban February 22, 2002 R &R 65
Stations and their adds listed alphabetically by market
WAJZ /Albany, NY' PD/MD: Sugar Bear
APR: Marie Cristal
BUSTA RHYMES "Pass'
JOE "Woman'
KBCE /Alexandria, LA
PD: Kenny Smoov
MD: R.J. Polk
r,, Add,
/ eXas rla. P0: Jay Stevens
MD:Wade Hampton
í CEE -LO "Closet NO GOOD "Bailin" EXHALE "Star JOE Ode SSW'
WHTA /Atlanta, GA. PD: Jerry Smokin' B
APD: Ryan Cameron
MD: Ramona Debraue
Rao P.Ft.
WVEE /Atlanta, GA "
PD: Tony Brown
MD: Tocha Love
12 FAT JOE FIASHAN1J "LW 8 CEE -LO "Close' 7 LUDACRIS "Saturday"
2 JOE "Woman"
WFXA/Augusta, GA' OM: Ron Thomas
No Adds
WPRW /Augusta, GA' PO' Tim Snell MD: Nighttrain
20 CEE -LO "Closet"
ID BUSTA RHYMES "Pass"
BIG MOE "Purple"
JOE 'Woman' NINE20 "Would"
WEMXBaton Rouge. LA' OM: James Alexander
PO/AID: Adrian Long
7 BUSTA RHYMES "Pass"
6 JOE Woman"
3 CEE -LO "Close' 2 NO GOOD "Rollin"
MACK 10 "Damn"
KTCX /Beaumont, TX
PO/M0: Chris Clay Y
a KIRK FRANKLIN "911"
6 CEE -LO "Closet"
MACK 10 "Damn"
NO GOOD "Rollin" RL FEERICK SERMON "Model"
WJZDrBilmli- GutIport,MS' PD: Rob Neal
MD: Tabari Daniels
7 NAPPY ROOTS "Awnaw'
6 JOE -LO "Caner"
1 JOE "Woman" 1 BIG MOE "Purple"
BUSTA RHYMES Pass'
IXHAT "stir MacK10 "Damrt
WBOTBoston, MA' PD: SteveCuusby APD: Lamar Robinson
MD:.
No Add,
WBLKBuffalo, NY' PD/MD: Skip Dillard
1 NO GOOD "Bailin "'
CEE -LO "Closet" MACK 10 "Damn"
WU -TANG CLAN "Game"
WWWZ/Charieslon, SC' OM/PD: Terry Base
MD: Ron Splatdravellie
25 CEE -LO "Closer 3 BUSTA RHYMES "Pass"
JOE
MACK 10 "Damn"
NO 5000'Batin N0 WPEG /Charlotte, NC ' PD: Terri Ave Avery
MD: Nate Quick
32 AALIYAH "Woman"
17 BUSTA RHYMES "Pass"
3
NAUGHTY
BY.
2 NAUGHnY BY./JLW "Fads'
WJTTfChattanooga, TN' PD: Keagcandecker MD: Magic
15 RL F/ERICK SERMON "Model"
15 CEE -LO "Closet"
8 ASHANTI "Foolish"
7 NAUGHTY BY./JLW "Feels"
5 NINE20 'Would" 5 KNOC- TURN'AL "Knee
1 JOE "Woman"
AALIYA I Woman" BOSTA RHYMES "Pass' EXHALE "SBl" MACK 10 "Damn
WGCl/Chicago, IL
OM/PD:ElroySmith APD/MD: Carla Boatner
12JAHEIM "Anything" 1
LUDACRIS "Saturday" t LUDACRIS'SaNrday" FAT JOE F /ASHANTI "LW"
WPWX /Chicago. IL ' PO: Jay Alan
MO: Traci Reynolds
26 AALIYAH "Woman' 13 CEE- LO 'Close' 6 JOE 'Woman" 4 BUSTA RHYMES "Pass'
WIZF /Cincinnati, OH` PD: Hurricane Dave
APD/MD: Terri Thomas
No Add;
WENZ /Cleveland, OH' PD: Samsylk
rr ;, Alt
WHXT /Columbia, SC
PD: Chris Conner
MD:BiLB'Cck
22 cEE -LO 'Closer 20 AALIYAH "Woman"
6 MS. JADE "Girl"
6 BUSTA RHYMES "Pass"
JOE "Woman" RL KRICK SERMON
WWDM /Columbia, SC "
PD/MO: Mike Love
APO: Vemessa Pendergrass
20 AALIYAH Woman"
4 CEF -LO "Closer 2 BUSTARHYMES"Pass"
i NO GOOD "Bailin" 1 NAUGHTY BY. IJLW °Fads'
EXHALE'SIM" JOE Woman" KILLA BEE "Beet"
MACK 10 "Damn"
SIR CHARLES JONES "Loney'
WFXE/Columbus, GA
PD: Michael Soul
7 E3LHALE "stie" 7 BIG MOE 'Purple" 5 BUSTA RHYMES "Pass'
WCKX /Columbus, OH
PD: Paul Strong
MD: Warren Stevens
No Add;
KBFB/Dal R. Worth, TX" PD: Tony Fields
MD: Marie Kelly
No Adds
KKDA/Dallas -n. Worth, TX' PDRMD:SkipCheatham
2 ASHANTI i,.:' BUSTA RHYMES -Pass
CEE-LO
JOE Woman'
WROU /Dayton. OH
PD: Marco Simmons
MD: Thee Smith
25 AALIYAH "Woman"
2 BEANIE SIGEL/FREEWAY "MC 1 BUSTA RHYMES "Pass"
CEELO dose' JOE Woman"
Reporters WDTJ /Detroit, MI ' VP/Prog.: Lance Patton
OM:Monica Starr
PD/MD: Spudd
No Atlas
WJLB/Detroit, MI
PD: KJ
APD MD: Kris Kelley
7 CEE -LO "Closet
4 BUSTA RHYMES "Pass"
JOE Woman"
RL F/ERICK SERMON "Model"
WJJN /Dothan, AL
PD/MD: Tony Black
12 CEE-LO
10 BUSTA RHYMES "Pass"
8 NO GOOD "Bailin "'
7 BRIAN MCKNIGHT "Goon' BIG MOE "Purple"
EXHALE
WZFX /Fayetteville, NC
PO: Rod Cruise
APD: Garrett Davis
MD: TaylorMOrgan
24 AALIYAH 'Woman" 1 ASHANTI "Foolish"
JOE 'Woman' KNOC- TURN'AL
-
NINE20 "Would"
GOOD "Ballin'
WDZZ/Flint,MI' MAO: Chris Reynolds
5 CEE- LO"Closer MACK 10 "Damn"
GO "Would"
NO GOOD "Rollin" RL KRICK SERMON "Model"
ROYCE DA 5 9'... "Rock"
WIMCvGahlesville -Ocala FL' PD/MD: Oquincy
15 CEE -LO Closer
6 BUSTA RHYMES
t NO GOOD "Bain" EXHALE "Still"
MACK 10 "Damn"
WIKS /Greenville, NC' PD/MD: B.K. Kirldand
6 ASHANTI "Foolish' 2 FAT JOE F /asHANT1 "Lw'
WJMZ /GreeOVÌHe,SC PD/TAD: Doug Davis
No Ax;
WEUP /Huntsville, AL
PD/MD: Steve Murry
11 CEE-LO "Closer BUSTA RHYMES Pass
JOE "Woman"
NO GOOD
KNOC- TURN'AL "Knot'
WJMI /Jackson, MS' PO/MD: Stan Branson
14 CEE -LO "Closet"
7 JOE 'Woman" 1 BUSTA RHYMES "Pass"
EXHALE 'Star MACK 10 "Damn"
eve
Poston
MS ' PD: Steve POSton
MO: Lit Homie
CEE -LO "Closet'
JOE 'Woman" MACK 10 "Damn' NO GOOD "Bailin"- RAY -J "H"
KPRS/Kansas City, MO
PD: Sam Weaver
APD/MD: Myron Fears
13 JOE
6 BUSTA RHYMES
1 MS. JADE "Gil" CEE -LO "Closer EXHA E "stir NO GOOD "Bailin
KIIZ /Killeen -Temple, TX
PO/MD: Mychal Maguire
15 BIG MOE "Purple
10 BIS MOEman
NAUGHTY BY. /3LW "Feel,
KRRO/Latayette, LA ' OM: James Alexander
PO/MD:
8 BUSTA RHYMES "Pass'-
3 N0 GOOD "Bailin"
CEE -LO "Closer
MACK 10 "Damn'
WOHH /Lansing. Ml' PD/MD: Brant Johnson
8 NAUGHTY BY..iOLW "Feels 5 CEE -LO "Closet"
CHOOBAKKA "Feeling"
EXHALE "Soll"
MACK 10 -Damn"
NO GOOD "Bailin..
KVGS/Las Vegas, NV' PD/MD: Vic Clemons
No Adds
'KY. MAD: Jay Alexander
39'N SYNC 'Garland" 37 BRIANMCKNIGHT "Bmr
10 CEE -LO "Closet
COGOOD"Belt
JOE 'Woman MACK 10 "Damn'
KIPR/Little Rock, AR `
OM/PO/MD: Joe Booker
10 EXHALE "Still"
7 NO GOOD "Bailin"'
BUSTA RHYMES "Pass" BUSTA
JOE'Woman" MACK 10 "Damn"
KKBT /Las Angeles, CA" PD: Rob Scorpio
MD: Dorsey Fuller
Nc Lot.
W8LO/Louisville, KY' PD: Mark Gunn MD: Gerald Harrison
WGZBLOWSVIIIe,KY' PO: Mark Gunn
MO: Gerald Harrison
'.. -NC
WFXM/Macon, GA
PD M0: Derek Harper
26 GLENN LEWIS -Forget"
20KEKEWYATT`Nothing CEE-LO
WHRK/Memphis. TN' PD: Nate Bell
MD: Desin Steele
45 CEE -LO "Closer JOE "Woman"
MACK 10 "Damn"
NO GOOD Bailin"
ami, FL `
OM/PD/MD: Cedric Hollywood
15 CEE -LO "Closer
3 BUSTA RHYMES "Pass"
JOE 'Woman" MACK 10 "Damn"
WKKV /Milwaukee, WI
PO: Jamillah Muhammad MO: Love
7 JOE'Woman' 3 BOSTA RHYMES ''Pass-
NO "Rollin
CEE -LO "Closet"
WBLX/MohHe, AL' PO/MO: Myranda Reuben
3 CEE -LO "Closer 3 RL F/ERICK SERMON "Model"
NO GOOD Wallin"
WOOK/Nashville, TN
PD: Kevin Pena
APD: Bruce Lowe
(l:E {p" CEE-LOICloser SERMON "Merle"
WOUE /New Orleans. LA' OM/PD: Marvin Hankston
APD/MD: Angela Watson
24 CEELO'Cbser JOE "Woman"
1 NAPPY "Awnaw
MACK 10 "Damn"
WBLS/New York, NY ' PD: Vinny Brown
MD: Deneen Womack
5 JOE 'Woman-
WBHH /Norfolk, VA' PoAOO:HeaáAttack
29 BUSTA RHYMES "Pass"
11 NO GOOD "Ba0n" CILIA BE¢ Doe'
MACK 10 "Damn"
WOWI /Norfolk. VA' OM/PO': Daisy Davis
APD7MD: Michael Mauzone
25 BUSTA RHYMES -Pass
1 NO GOOD "Bailin- JOE `woman"
KVSP /Oklahoma City, OK' PO: Terry Monday
AMO: Eddie Brasca
3 CEE- LO 'Close 1 JOE "Woman"
p0{ALE"SW"
BOSTA RHYMES "Pass"
WPHI/Philadelphia. PA" PD: Luscious Ice
MD: Raphael "Ran" George
WUSL/Philadelphia, PA' PD:Glenn Cooper
APO: Colby Tyner
MD: Cola Tani
17 BUSTA RHYMES "Pass" 10 LUDACRIS "Saturday"
t PRETTY WILLIE "Roll"
CEE {o "Closet'
NO GOOD 'Woman"
WAMO/Pittshurgh, PA* Boog 11118ám 1b/MD: DJ le
No Adds
WOOKTialei fI- Dtrham, NC " g
PD: Cy Young
MO:SeanAlexander Na And
WCDXlR1Chmond,VA' PD: Lamonda Williams MD: B-
No -Rock ',,
WDKX Rochester, NY' PD: Andre Marcel
MD: Kola O'Neal
13 BUSTA RHYMES "Pass"
JOE 'Woman" 6 NAUGHTY BY./3LW "Feels"
2 NAPPY ROOTS'Awrlaw'
2 ANN NESBY HAL GREEN "Paper"
WTLZ/Saginaw. MI ' PO: Eugene Brown
JOE -Woman'
BRIAN MCKNIGHT "Gonna'
WEAS/Savannah. GA
PD: Sam Nelson
MD: Jewel Carter
11 CE-LO "Close' ND 50010 'Ban- RL SERiCK SERMON "Model"
KDKS /Shreve ort, LA' p
PO/MO: Queen Echols
6 CHEROKEE "Swear"
EXHALE 'Still" MACK 10 "Damn' NO GOOD "Bailin"'
KMJJ/Shreveport, LA' PD: Michael Tee
MO: Kelli Dupree
6 CEE -LO "Closer'
4 NO GOOD "Bailin "'
MACK 10 "Damn"
RL F/ERICK SERMON "Model"
KATZ/St. Louis, MO' PD: Eric Mychaels Y
26 BUSTA RHYMES "Pass"
17 BEANIE SIGEUFREEWAY "Mb" 16 ASHANTI "Foolish"
7 LIL BOW WOW 'Tale"
WFUN/SI. Louis, MO `
PD: Mo'Sha Y
APD: Craig Black
.0 '°
WPHR /$ racuse, NY Y
PD: Butch Charles
MD: Kenny Dees 1 BUSTA RHYMES "Pas
JOE "Woman' BRIAN MCKNIGHT "Gonna"
WTMP/Tampa, FL
Interim PD: Big Money Ced
Interim MD: Eno Storm
10 BUSTA RHYMES "Pass"
10 NO GOOD Oallin"
WJUC/Toleda, OH ' PD: Charlie Mack MD: Nikki G.
25 CEE -LO "Closet" 13 BUSTA RHYMES "Pass -
1 NAUGHTY BY./JLW`Feels EXHALE"Sell"
JOE 'Woman" MACK 10 *Damn" NO G00Ú "Betio`
KJMM/Tulsa, OK' PD: Terry Monday
APD: Aaron Bernard
14 EXHALE "Still" 15
JOE 'Woman" 1 BUSTA RHYMES "Pas"
WESE/TUpela, MS PD/MD: Pamela Miese
om an' FAT J
JOE "WASHANII "Loo'
ASHANTI "Foolish"
BIG MOE "Purple"
WKY$,MlaShin ton, DC ' g
PD: Darryl Huckaby
MD.P -Stew
WJKS/Wilmington, DE' PD: Tony Duarlarone MD: Manuel Mena
BUSTA RHYMES "Pass"
CEE -LO
CHAKADEMOSNPLIERS'Gentle EXHALE "Still"
JOE 'Woman" MACK 10 'Damn NO GOOD "Bailin "'
Monitored Reporters Gv r 1 79 Total Reporters z
a " 68 Total Monitored - P'
11 Total Indicator 9 Current Indicator Playlists y
Reported Frozen Piaylist (1):
WZHT /Montgomery, AL
Did Not Report, Pla list Frozen 1 Y ( )
WIBB/Macon, GA
Most Played Recurrents ARTIST TITLE LABEL /S)
TOTAL PLAYS
AALIYAH Rock The Boat (BlackGround) 1195
GINUWINE Differences (Epic) 691
MARY J. BLIGE Family Affair (MCA) 650
ANGIE STONE Brotha (J) 648
MAXWELL Lifetime (Columbia) 526
JA RULE Livin' It Up (Murder lnc. /DefJam /IDJMG) 493
JAGGED EDGE Where The Party At (So So Def /Columbia) 457
FAITH EVANS You Gets No Love (Bad Boy /Arista) 426
PETEY PABLO Raise Up (Jive) 403
ALICIA KEYS Fallin' (J) 360
JENNIFER LOPEZ I'm Real (Epic) 327
R. KELLY Feelin' On Yo Booty (Jive) 319
NELLY #1 (Priority /Capitol) 301
JAY -Z Girls, Girls, Girls (Roc -A- Fella/IDJMG) 298
R. KELLY Fiesta (Jive) 279
JAY -Z lzzo (H.O.V.A.) (Roc -A- Fella / IDJMG) 268
112 Peaches & Cream (Bad Boy /Arista) 264
JUVENILE Set It Off (Cash Money/Universal) 233
SUNSHINE ANDERSON Heard It All Before (Soulife/Atlantic) 227
Indicator Most Added®
NO GOOD Baillis' Boy (ARTIST Direct)
BIG MOE Purple Stuff (Priority /Capitol)
CEE -LO Closet Freak (LaFace /Arista)
EXHALE Still Not Over You (Real Deal)
JOE What If A Woman (Jive)
BUSTA RHYMES Pass The Courvoisier (J)
FAT JOE F /ASHANTI What's Luv? (Terror Squad /Atlantic)
GLENN LEWIS Don't You Forget It (Epic)
KEKE WYATT Nothing In This World (MCA)
ASHANTI Foolish (Murder lnc./Def Jam /IDJMG)
RL F/ERICK SERMON Got Me A Model (J)
BRIAN MCKNIGHT What's It Gonna Be (Motown)
NAUGHTY BY NATURE F/3LW Feels Good (Don't Worry...) (W)
www.americanradiohistory.com
66 R &R February 22, 2002 Urban babylove @rronline. corn
The TSL-Cume Connection Coleman's new music -research product, Fact With TSL Max
Around the end of 2001 I saw an ad from Coleman that talked about the significance of translating a station's TSL into overall cume for the week. I contacted Coleman's Warren Kurtzman to inquire about the company's findings in this area.
Kurtzman has
Warren Kurtzman
Appropriate Balance
I then asked him to explain the connection between TSL and cume that was touted in the teaser ad I
saw. "The fact is, the music -testing service that we've been offering since 1991 is very important. I think that if you were to talk with most PDs, they would tell you that their job really comes down to trying to balance cume and TSL. Everybody wants to appeal to the biggest and broadest cume possible. But, at the same time, they want to be able to generate as much TSL as possible from the cume they attract.
"There are a lot of different things that radio stations do that are sometimes designed to broaden cume and sometimes to generate TSL, trying to find that sweet spot. Finding the appropriate balance be- tween the two is really the day -to- day challenge that most PDs face.
"We've also seen - and most PDs would acknowledge this as well - that, when it comes to mu- sic, there are certain records and certain styles that help enhance the cume- appeal of a station, and there are other records and styles of mu- sic that help generate TSL. The key is keeping those two things in bal- ance. The new TSL enhancement to our Max service helps find that ap- propriate balance for each station."
been with Cole- man for approx- imately seven years. I asked him to tell me a little about the company. "We specialize in de- livering insights to our clients about music trends and branding op- portunities," he
I wanted to know how a station can improve its TSL and then trans- late that into total cume for the week. I asked Kurtzman if there are specific techniques to accomplish this for each format, or if there are different approaches and techniques for each genre.
"They are all very different," he said. "They vary tremendously by format, market and station. Some ra- dio stations that we work with des- perately need to attract a larger cume, because they have audiences that are too focused and too niched. Then we have stations that are terri- bly unfocused. They get these big cumes, but they can't manage to gen- erate any TSL.
"The question is, Would
you be better off losing
TSL in some cases and
growing cume ?"
"The key is understanding what strategies your station needs to fol- low and where you're sitting at the moment. I think that the most suc- cessful stations out there, in what- ever format, are very aware of their situation regarding cume and TSL, and they are implementing strate- gies to deal with that."
Urban Results
Everyone in our industry knows that Urban radio's consumers offer more TSL than any other group of radio listeners, but not such a big
"Everybody wants to appeal to the biggest and
broadest cume possible. But, at the same time, they
want to be able to generate as much TSL as possible
from the cume they attract."
cume. We're generalizing here, of course, but I wanted to know how our stations can help balance these two areas of listening.
"Quite honestly, the answer for some stations is that they can't," Kurtzman said. "The key is under- standing what's feasible, putting in place the strategies to do it, and then doing it. That said, many Urban sta- tions could have broader appeal in their marketplace. How much broader? It depends on the compet- itive circumstances. Certainly, for the Urban format, it's also going to depend on the ethnic makeup of the marketplace.
"If you're an Urban programmer sitting there saying, `Well, we've got this monster TSL, but it's corn- ing from this base of a very small cume,' you have to be asking your- self if there are styles of music that you could play and become imaged for that would help grow your cume without damaging your TSL on the other side.
"Styles of music often work against each other. The question is, Would you be better off losing TSL in some cases and growing cume? Can you essentially grow the cume at a faster rate than you lose the TSL, making the net effect positive to your ratings? The way to deter- mine that is through strategic re- search. Of course, we have a new tool for music testing, Fact With TSL Max, that we think helps im- plement whatever strategies come out of the research."
A Broader Approach Finally, I asked what's most im-
portant for programmers to know about this new Coleman product. Kurtzman summed it up by saying, "If you are a PD trying to figure out how to broaden the appeal of your radio station and you are doing any kind of music research, whether it's callout, auditorium testing or what- ever, you have probably found that there are certain songs and styles of music that have a lot of popularity in the broad market but that you can never get to test well with your au- dience.
"We take a somewhat broader ap- proach to sampling the audience than most people would in tradition- al callout or auditorium music test- ing. That really helps us to under-
WKKV /Milwaukee MD Doc Love (l) and J Record rep Alan Cole teach us a lil' sign language. White Love may be representing peace, Cole is
showing his approval of Alicia Keys dynamic performance during the station's concert.
KJLH /Los Angeles GM Karen Slade snuggled with the legendary Isleys during a station visit. Seen here (l -r) are Ron Isley, Slade and Ernie Isley.
TALK ABOUT BOOTTEE- LICIOUS!
Motown recording artist Benzino visited KKBT /Los Angeles during a
promotional run for his single "Boottee." Keeping theirs concealed are (l -r) Motown West Coast Promotion Manager Philipp "West Side!" Embuido, KKBT middayer Kesha Monk and Benzino.
stand which songs are driving cume and which songs are driving TSL,.
"What it helps you do is find those records that can grow the cume- appeal of your station and then figure out what quantity of those songs you can play without depleting your TSL."
1`7u can reach Warren Kurtzman at 919 -571 -0000, or by e-mail at warrenlnntzman @colemaninsights.can.
TALK BACK TO R &R!
Do you have questions, comments or feedback regarding this column
or other issues?
Call me at 310 -788 -1667 or e-mail:
babylove @rranline.com
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URBAN RADIO Listen for the clues, to break the code, to unlock the prizes! Details coming soon.
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68
gfçJUrban Top 50 February 22, 2002
LAT WEEK
THIS ARTIST TITLE LABEL(S)
TOTAL + I - GROSS WEEKS ON TOTAL STATIONS/ PLAYS PLAYS IMPRESSIONS CHART ADDS
(00)
+220 350882 6 66/0
-10 378494 19 59/0
-158 387276 13 65/0
+366 340762 5 66/0
-6 331944 24 56/0
-235 375490 15 63/0
-212 283004 11 65/0
+187 296558 7 55/0
+111 345161 7 59/0
-52 288292 10 63/0
+73 269238 13 61/0
+167 276766 5 61/0
-137 288678 14 62/0
-144 210593 13 59/0
+83 230686 13 61/1
-256 223954 18 66 /0
-249 188811 24 67/0
+147 252966 5 11/7
-68 169348 11 60 /0
-25 213510 11 57/0
-244 186754 16 57/0
+78 135723 8 57/0
-209 212576 17 60 /0
+3 144151 7 59/0
-125 135711 16 57/0
+159 140420 4 61/0
-136 189318 14 49/0
+73 162470 4 48/2
+311 132629 2 57/3
+478 126977 2 46/6
+46 109752 5 54/0
+144 108365 3 50/0
-1 119286 9 39/0
-8 108271 3 54/1
+160 104882 2 50/0
+33 62206 3 46/3
+185 101990 2 3/3
-292 75817 13 47/0
-50 102637 9 39/0
-128 83757 10 38/0
-19 86812 4 51/0
-2 71352 3 39/0
-86 65945 12 35/0
-41 37449 10 31/0
+109 106604 1 0/0
+167 121009 1 1/0
-12 67873 17 43/0
-81 58728 20 42/0
+7 42214 3 38/0
-90 49168 7 49/0
5 0 BRANDY What About Us? (Atlantic) 2448
2 2 KEKE WYATT Nothing In This World (MCA) 2420
1 3 JA RULE F /ASHANTI Always On Time (Murder lnc. /DefJam /IDJMG) 2360
8 0 TWEET Oops (Oh My) (Gold Mind / Elektra/EEG) 2302
6 5 MR. CHEEKS Lights, Camera, Action (Universal) 2187
3 5 MICHAEL JACKSON Butterflies (Epic) 2187
4 - MYSTIKAL Bouncin' Back (Bumpin' Me...) (Jive) 2116
10 0 JENNIFER LOPEZ Ain't It Funny (Epic) 2055
9 0 FAITH EVANS I Love You (Bad Boy /Arista) 2023
7 OUTKAST The Whole World (LaFace /Arista) 2023
13 0 GLENN LEWIS Don't You Forget It (Epic) 1780
16 ® USHER U Don't Have To Call (LaFace /Arista) 1713
11 MISSY "MISDEMEANOR" ELLIOTT Take Away (Gold Mind EastWest /EEG) 1631
12 1 MARY J. BLIGE No More Drama (MCA) 1569
18 0 JAHEIM Anything (Divine Mill/14/B) 1538
14 1c ALICIA KEYS A Woman's Worth (J) 1441
15 17 USHER U Got It Bad (LaFace /Arista) 1421
23 0 AALIYAH More Than A Woman (BlackGround) 1389
19 19 FABOLOUS Young'n (Holla Back) (Desert Storm /Elektra/EEG) 1380
22 20 JERMAINE DUPRI FILUDACRIS Welcome To Atlanta (So So Def /Columbia) 1330
17 21 LUDACRIS Roll Out (My Business) (Def Jam South /IDJMG) 1275
27 a SHARISSA Any Other Night (Motown) 1177
21 23 FAT JOE We Thuggin' (Terror Squad /Atlantic) 1170
26 m JAY -Z Jigga (Roc- A- Fella/IDJMG) 1129
24 25 BUSTA RHYMES Break Ya Neck (J) 1050
30 a AVANT Makin' Good Love (Magic Johnson /MCA) 1032
25 27 'N SYNC Gone (Jive) 1015
29 0 BEANIE SIGEL & FREEWAY Roc The Mic (Roc -A- Fella/IDJMG) 997
37 m FAT JOE F /ASHANTI What's Luv? (Terror Squad /Atlantic) 974
48 a ASHANTI Foolish (Murder Inc./Def Jam /IDJMG) 957
32 a DMX F /FAITH EVANS I Miss You (Ruff Ryders /IDJMG) 906
35 a MAXWELL This Woman's Work (Columbia) 875
31 33 MOBB DEEP F/112 Hey Luv (Anything) (Loud /Columbia) 869
33 34 LIL BOW WOW Take Ya Home (So So Def /Columbia) 786
44 a RUFF ENDZ Someone To Love You (Epic) 725
38 0 NAPPY ROOTS Awnaw (Atlantic) 679
47 a LUDACRIS Saturday (Oooh! O000h!) (Def Jam South /IDJMG) 666
28 38 JOE Let's Stay Home Tonight (Jive) 648
36 39 MONTELL JORDAN You Must Have Been (Def Soul /IDJMG) 639
34 40 MASTER P Ooohhhwee (No Limit/Universal) 634
40 41 GINUWINE Tribute To A Woman (Epic) 606
41 42 PROPHET JONES Cry Together (University /Motown) 580
43 R. KELLY The World's Greatest (Interscope /Jive) 547
44 CRAIG DAVID 7 Days (Wildstar /Atlantic) 527
0 R. KELLY & JAY -Z Best Of Both Worlds (Intro) (Roc -A- Fella/Jive/IDJMG) 523
e MUSK) Half Crazy (Def Soul /IDJMG) 518
46 47 JUVENILE From Her Mamma (Mamma Got...) (Cash Money /Universal) 508
43 48 CITY HIGH Caramel (Interscope) 487
50 0 COREY F/LIL' ROMEO Hush Lil' Lady (Motown) 469
45 50 PETEY PABLO I (Jive) 456
39
42
¡Debut>
¡Debut>
68 Urban reporters. Monitored airplay data supplied by Mediabase Research, a division of Premiere Radio Networks. Songs ranked by total plays for the airplay week of 2/10/02- 2/16/02. Bullets appear on songs gaining plays or remaining flat from previous week. If two songs are tied in total plays, the song with the larger increase in plays is placed first. Songs below No. 20 are moved to recurrent after 20 weeks on the chart. Most Added is the total number of new adds officially reported to R &R by each reporting station. Songs unreported as adds do not count toward overall total stations playing a song. Most Increased Plays lists the songs with the greatest week -to -week increases in total plays. Gross Impressions equals Average Quarter Hour Persons times number of plays (times 100). Average Quarter Hour Persons used herein with permission from the Arbitron Company (copyright 2002, The Arbitron Company). (C) 2002, R &R, Inc.
Powered Bÿ
Most Added® www.rradds.com
ARTIST TLE LABEL(S) ADDS
JOE What If A Woman (Jive) 36
CEE -LO Closet Freak (LaFace /Arista) 35
BUSTA RHYMES Pass The Courvoisier (J) 32
NO GOOD Ballin' Boy (ARTIST Direct) 25
MACK 10 Do The Damn Thing (Cash Money /Universal) 23
EXHALE Still Not Over You (Real Deal) 13
RL F /ERICK SERMON Got Me A Model (J) 8
AALIYAH More Than A Woman (BlackGround) 7
ASHANTI Foolish (Murder Inc. /Def Jam /IDJMG) 6
NAUGHTY BY NATURE F/3LW Feels Good (Don't..) (TVT) 6
Most Increased Plays
ARTIST TITLE LABEL(S)
TOTAL
PLAY
INCREASE
ASHANTI Foolish (Murderinc. /Def Jam /IDJMG) +478
TWEET Oops (Oh My) (Gold Mind /Elektra/EEG) +366
FAT JOE F /ASHANTI What's Luv? (Terror Squad/Atlantic) +311
BRANDY What About Us? (Atlantic) +220
JENNIFER LOPEZ Ain't It Funny (Epic) +187
LUDACRIS Saturday (Oooh...) (Def Jam South/IDJMG) +185
RL F/ERICK SERMON Got Me A Model (J) +174
USHER U Don't Have To Call (LaFace /Arista) +167
MUSH) Half Crazy (Def Soul /IDJMG) +167
RUFF ENDZ Someone To Love You (Epic) +160
CEE -LO Closet Freak (LaFace/Ansta) Total Plays: 417, Total Stations: 37, Adds: 35
B2K Uh Huh (Epic) Total Plays: 415, Total Stations: 17, Adds: 0
CHOOBAKKA She's Feeling Me (Big Daddy) Total Plays: 405, Total Stations: 35, Adds: 1
BUSTA RHYMES Pass The Courvoisier (J) Total Plays: 393, Total Stations: 32, Adds: 32
PRETTY WILLIE Roll Wit Me (Republic/Universal) Total Plays: 371, Total Stations: 34, Adds: 1
IMX The First Time (New Line) Total Plays: 367, Total Stations: 16, Adds: 0
CHEROKEE I Swear (Arista) Total Plays: 351, Total Stations: 31, Adds: 1
REMY SHAND Take A Message (Motown) Total Plays: 297, Total Stations: 28, Adds: 0
RL FIERICK SERMON Got Me A Model (J) Total Plays: 295, Total Stations: 31, Adds: 8
LIL' KEKE Platinum In Da Ghetto (Koch) Total Plays: 262, Total Stations: 22. Adds: 0
Songs ranked by total plays
R&R'S Year -End Chart Pack
RADIO & /IfCORDS, /NC.
AVAMAIg3Ull Includes year -end charts for all R &R formats from
1974 through 2001! Ca/I (310) 788 -1632 or email `jbennett @rronline. com "
IiOI111111it1Y=LI
Only
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Urban Playlists February 22, 2002 R &R 69
MARKET #1
WBLS /New York
Inner City (212)447 -1000 Brown/Womack
12+ Come 1,773,700
PLAYS
LW TW
55
54
50
56
54
53
49 46
48 46
50 43
43 41
33 32
23 30
30 29
28 27
30 27
29 27
27 25
25 24
24 22
24 21
15 20 21 20
22 20 12 20 8 19
12 18
18 17
18 17 17 17 19 16 13 16 12 14 18 12
ARTIST/TITLE GI (000)
MICHAELJACKSOWButtertlies 58464 GLENN LEWIS/Don't You Forget It 56376 FAITH EVANS/I Love You 55332 JA RULE F /ASHANTI /Always On Time 48024 ALICIA KEYS/A Woman's Worth 48024 JONELL & METHOD MAN/Round 8 Round 44892 AALIYAH/Rock The Boat 42804 MARY J. BLIGE/No More Drama 33408 JAHEIM/Anything 31320 BRANDY/What About Us? 30276 USHER/11 Don't Have To Call 28188 KEKE WYATT/Nothing In This... 28188 MISSY ELLIOTT/Take Away 28188 MUSIO/Haf Crary 26100 RUFF ENDZ/Someone To Love You 25056 OUTKAST/The Whole World 22968 MYSTIKAUBounciñ Back.., 21924 ASHANTI/Foolish 20880 BEANIE SIGEIJFREEWAY/ROc The Mil 20880 AALIYAH/More Than A Woman 20880 TWEET/Oops (Oh My) 20880 DONELL JONESNOU Know That... 19836 AVANT/Makin' Good Love 18792 J. DUPRI F/LUDACRIOIWelcome To Manta 17748 JOE/Let's Stay Home.. 17748 JENNIFER LOPEZ/Ain't II Funny 17748 MONTELL JORDAN/You Must Have Been 16704 SHARISSNAny Omer Night 16704 MR. CHEEKS/Lights, Camera... 14616 METHOD MM & REDMAN/Part II 12528
MARKET #2
KKBT /Los Angeles Radio One (323) 634 -1800 Scorpio/Fuller
12. Cume 1,394,200
PLAYS
LW TW
61 59
54 54 43 53 23 52 43 52
55 51
51 48 45 41
35 41
44 40
39 37
25 36
27 36
35 35
27 34
44 29
45 29
10 23 MARY J. BLIGE/No More Drama 24 23 ALICIA KEYS/A Woman's Worth 30 21 USHERN Got It Bad
9 21 FAT JOE F /ASHANTIANhat's Loo? 26 21 JAGGED EDGE/Goodbye 28 20 LUDACRIS/Fotty Girl 17 20 MAXWELL/This Woman's Work 14 19 JAHEIM/Anythirg 4 18 LIL BOW WOW/Thank You
14 13 DJ QUIK/Trouble 19 12 MASTER P/Ooohhhwee 4 12 MARY J. BLIGE/Fany Days
14 11 BEANIE SIGEUFREEWAY/Boc The Mic
ARTIST/TITLE
JA RULE F /ASHANTI /Always On Time
MICHAEL JACKSON4lutterflies MISSY ELLIOTT/Take Away AALIYAHM1ore Than A Woman BRANDY/What About Us? MR. CHEEKS/Lights, Camera.,.
FAITH EVANS/I Love You
FAT JOE/We Thuggin KEKE WYATT/Nothing In This...
'N SYNC/Gone OUTKAST/The Whole World
USHER/U Don't Have To Call
JENNIFER LOPEZ/Ain't It Funny TWEET/Oops (Oh My) R. KELLY 8 JAY- Z/Best Of Both... 22474 LUDACRIS/Roll Out... 19169
J. DUPRI F/LUOACRISNVelcome To Atlanta 19169 15203 15203 13881 13881 13881 13220 13220 12559 11898 8593 7932 7932 7271
GI (000) 38999 35694 35033 34372 34372 33711 31728 27101 27101 26440 24457 23796 23796 23135
MARKET #3
WGCl/Chicago Clear Channel (312) 986-6900
SmiooBoatner
12+ Cume 917,300
PLAYS
LW TW
40 57
55 55
40 55
52 51
41 49
51 47
50 46
57 44 31 42
35 39 46 39
34 37 40 34 41 33 35 32
36 31
28 29
3B 29 16 29
30 27 13 25
16 25
24 24
15 22
29 22 12 22
12 21
14 21
24 20
18 20
WGCI '1 for ti)o4lop and Rd&U
ARTISTNITLE
MISSY ELLIOTT/Take Away KEKE WYATT/Nothing In This... THREE PIECE/Ooh, Ahh FAT JOE/We Thuggin' TWEET/Oops (Oh My) LUDACRIS/Roll Out... MICHAEL JACKSON/Heaven Can Wait MICHAEL JACKSON/Butterflies 'N SYNC/Gone
TYRESEM/hat Am I Gonna Do
JA RULE F /ASHANTVAIWays On Time
MYSTIKAL/Bouncin' Back... JENNIFER LOPEZ/Ain't It Funny BRANDYAVhat About Us?
AALIYAFVMore Than A Woman
MR. CHEEKS/Lights, Camera... J. DUPRI F/LUDACRIS/Welcome To Atlanta AALIYAH/Rock The Boat MONTELLJORDAWYou Must Have Been
ANGIE STONE/Brotha
R. KELLY/The World's Greatest
JOE/What If A Woman JILL SCOTT/He Loves Me
ASHANTUFoolish
MAXWELL/Lifetime FABOLOUSNOung'n (Holla Back)
USHER/U Don't Have To Call
FAITH EVANSA Love You
JAY- Z/Jiggd
USHER/U Got It Bad
GI (080) 32433 31295 31295 29019 27881 26743 26174 25036 23898 22191 22191 21053 19346 18777 18208 17639 16501 16501 16501 15363 14225 14225 13656 12518 12518 12518 11949 11949 11380 11380
MARKET rt3
WPWX/Chicago Crawford (219)933 -4455 Alan/Reynolds
12+ Cume 447,900
PLAYS
LW 1W
51 52 41 47 40 46 40 45
50 45
36 42 46 37
32 37 27 31
30 31
40 31 MYSTIKAUBOUn0Jn' Back...
29 30 JENNIFER LOPEZ/Ain't It Funny
24 29 GLENN LEWIS/Don't You Forget It
25 29 MOBB DEEP F/112/Hey Luv (Anything) 28 27 FAITH EVANS/I Love You
19 26 MUSIOMa0 Crary 24 26 a AALIYAH/More Than A Woman
27 25 USHERN Don't Have To Call
24 25 IMX/fhe First Time
6 24 ASHANTI/Foolish
27 24 FABOLOUSNoung'n ( Holla Back)
22 23 MICHAELJACKSONMeaven Can Watt 21 23 JAHEIM/Anythreg 27 23 R. KELLY & JAY -Z/Best Of Both_. 27 22 MISSY ELLIOTT/Take Away
25 21 AVANT/Makin Good Love 13 19 BEANIE SIGEUFREEWAY/Roc The Mic
21 19 MASTER P/Ooohhhwee 40 14 MICHAELJACKSON/BUtterflles 12 14 JAY -USorre Cry
ARTIST/TITLE 6I (000)
MR. CHEEKS/lights, Camera... 17680 LUDACRIS/Roll Out... 15980 TWEET /Oops (Oh My) 15640 KEKE WYATT/Nothing In This... 15300 FAT JOE/We Thuggin' 15300 BRANDY/What About Us? 94280 JA RULE F /ASHANTI /Always On lime 12580 THREE PIECE/Ooh, Ahh 12580 MARY J. BLIGE/No More Drama 10540 J. DUPRI F /LUDACRIS,WAcome To Allama 10540
10540 10200 9860 9860 9180 8840 8840 8500 8500 8160 8160 7820 7820 7820 7480 7140 6460 6460 4760 4760
MARKET #5 MARKET #6
WUSL/Philadelphia Clear Channel (215) 483 -8900
CoopW/Tyner/Lani
12. Come 744,900
WKYS/Washington, Radio (301)306.1111 Huckaby
12+
DC
One
/P -Stew
Cume 653,700
KKDA/Dallas -Ft. Worth Service (972) 263 -9911
Cheatham
12. Cume 525,400 riot,
GI (000)
WPHI/Philadelphia Radio One (215) 884 -9400 Ice/George
12+ Cume 413,600
rCIWER.
Ar;
GI (000) GI (100)
PLAYS
LW TW ARTIST/TITLE PLAYS
LW TW ARTIST/TITLE PUYS LW TW ARTIST/TITLE
PLAYS
LW TW ARTIST/TITLE 59 53 FAITH EVANSA Love You 20564 62 60 BEANIE SIGEL/FREEWAY/Roc The Mic 11940 55 50 BEANIE SIGEL/FREEWAY/Floc The Mic 21450 43 46 MYSTIKAL/Bounciri Back... 34 49 JAHEIM/Arnything 19012 42 50 1 WEET/ORPO (Oh My) 9950 34 47 FAITH EVANSA Love You 20163 36 46 JENNIFER LOPEZ/Ain't It Funny 37 48 AALIYAH/More Than A Woman 18624 41 49 MICHAEL JACKSON/Butterflies 9751 34 43 JAHEIWAnyming 18447 30 44 KEKE WYATT/Nothing In This.. 48 48 JA RULE F /ASHANTVAIways On lime 18624 38 48 BRANDY/What About Us? 9552 40 41 MR. CHEEKS/Lights, Camera... 17589 49 44 MICHAEL JACKSON/Butterflies 52 48 MISSY ELLIOTT/Take Away 17848 37 48 MR. CHEEKStights, Camera.. 9552 19 37 JAY- Z/Jigga 15873 34 41 OUTKAST/The Whole World 29 48 JOE/Let's Stay Home.. 17848 39 44 FABOLOUSNoung n ( Holla Back) 8756 35 34 MICHAEL JACKSON/Butterflies 14586 43 37 TWEET/Oops (Oh MY) 54 45 MONTELL JORDAWYou Must Have Been 17460 37 43 JA RULE F /ASHANTI /Always On Time 8557 25 31 TWEET/Oops (Oh My) 13299 45 37 PROPHET JONES/Cry Together 45 45 USHERN Got II Bad 17460 40 42 AALIYAH/More Than A Woman 8358 20 31 AALIYAHIMOne Than A Woman 13299 19 36 LUDACRISSaturday(0ooh!...) 35 43 USHER/U Don't Have To Call 16684 36 42 JENNIFER LOPEZ/Ain't It Funny 8358 1930 'N SYNC/Gone 12870 38 36 ALICIA KEYS/A Woman's Worth 47 42 AALIYAH/Rock The Boat 16296 33 41 USHERN Don't Have To Call 8159 1628 USHERN Don't Have To Call 12012 46 35 MR. CHEEKS/Lights, Camera... 44 40 KEKE WYATT/Nothing In This... 15520 38 35 LUDACRIS/Fatty Girl 6965 26 26 KEKE WYATT/Nothing In This... 11154 31 35 BRANDYNVIOat About Us? 34 40 ANGIE STONE/Brotha 15520 23 34 FAT JOE F /ASHANTIAVhat's Luv? 6766 6 25 MUSIO/Ha0 Crazy 10725 35 33 AALIYAH/More Than A Woman 46 44 JENNIFER LOPEZ/Ain't It Funny 15520 25 34 FAITH EVANSA Love You 6766 1625 JENNIFER LOPEZ/Ain't It Funny 10725 34 30 USHER/U Don't Have To Call 23 38 TWEET/Oops (Oh My) 14744 27 33 KEKE WYATTA4othug In This... 6567 38 24 FAT JOE/We Thuggin 10296 43 29 JA RULE F /ASFIANTVAIways ()Grime 47 37 MYSTIKALJBOuncIn' Back... 14356 25 32 GLENN LEWIS/Don't You Forget It 6368 24 24 NAS/Ethen 10296 24 27 MUSIOMalf Crazy 39 36 MARY J. BLIGE/No More Drama 13968 24 32 MOBB DEEP F /112Mry Luv (Anything) 6368 25 24 BRANDY/What About Us? 10296 24 27 GLENN LEWIS/Don't You Forger It 10 34 FAT JOE F /ASHANTVWhars Luv? 13192 33 31 MASTER P/Ooohhhwee 6169 1722 GLENN LEWIS/Don't You Forget It 9438 28 27 FABOLOUS/Young'n ( Holla Back) 22 34 DIRTY /Candyman 13192 30 30 FAT JOE/We Thuggin' 5970 1320 MS. JADE/Feel The Gld 8580 25 24 BEANIE SIGELJPREEWAY/Roc The Mic 35 33 LUDACRIS/Freaky Thongs 12804 28 29 BUSTA RHYMES/Pass The Courvoisier 5771 3 19 MISSY ELLIOTT/Take Away 8151 21 23 DMX F/FAITH EVANSA Miss You 36 31 GLENN LEWIS/Don't You Forget It 12028 23 27 ALICIA KEYS/A Woman's Worth 5373 4 19 CAM'RON/Ooh Boy 8151 18 23 ASHANTVFOOIish 14 28 MR. CHEEKS/Lights, Camera... 10864 23 21 OUTKAST/The Whole World 4179 13 18 LIL BOW WOW/Take Ya Home 7722 - 23 LAURYN HILL/Perfect Match 44 28 ALICIA KEYS/A Woman's Worth 10864 12 18 MUSIOMah Crazy 3781 14 17 I BUSTA RHYMES/Pass The Courvoisier 7293 13 21 FAT JOE/We Thuggin 20 27 B2KNh Huh 10476 12 19 LUDACRIS/Salurday (Oooh!...) 3781 29 16 FAB0L0US/1'oung'n ( Holla Back) 6864 21 18 CITY HIGH/Caramel 33 27 OUTKAST/The Whole World 10476 22 19 MYSTIKAUBouncin Back.. 3781 1 15 ANGIE STONE/Brotha 6435 17 17 METHOD MAN 8 REDMAN/Part II
14 25 R. KELLY 8 JAY- Z/Best Of Both... 9700 16 18 R. KELLY 8 JAY- 7/Best 01 Both.. 3582 11 15 JADAKISSMnock Yourseff Out 6435 4 17 BUSTA RHYMES/Pass The Courvoisier 29 22 GINUWINE/rrfbute To A Woman 8536 15 18 CITY HIGH/Caramel 3582 12 14 R. KELLY/Feelin On Yo Booty 6006 19 17 JAHEIM/Anythrng 11 21 NAPPY ROOTS/Awnaw 8148 16 17 JAGGED EDGE/Where The Party Al 3383 13 13 JAGGED EDGUGoodbye 5577 11 17 R. KELLY 8 JAY- Z/Best 01 Both.. 30 20 MICHAEL JACKSON/Butterflies 7760 16 16 MS. JADE/Feel The Girl 3184 12 12 MUSIO/Mary Go Round 5148 19 18 AALIYAH/Rock The Boat 20 20 BRANDY/What About Us? 7760 16 16 AALIYAH/Rock The Boat 3184 6 11 FAT JOE F /ASHANTI/What's Luv? 4719 16 16 NAPPY ROOTS/Awnaw 35 19 LUDACRIS/Roll Out... 7372 8 16 BUBBA SPARXXXNgIy 3184 26 11 JA RULE F /ASHANTI /Always On Time 4719 17 15 CHEROKEE/I Swear
GI inn) 15042 15042 14388 14388 13407 12099 12099 11772 11772 11445 11445 10791 9810 9483 8829 8829 8829 7848 7521 7521 7521
6867 5886 5559 5559 5559 5559 5232 5232 4905
MARKET #10 MARKET #10 MARKET All MARKET #11
WDTJ/Detroit Radio One (313) 259 -2000
SPIIdd
12+ Cume 535,000
1050 WJLB/Detroit Clear Channel
Holiday/Kelley
12. Come 610,800
WHTA/Allanta Radio One (404) 765 -9750 B/Cameron/Debraux
12. Cume 417,800
;AI. A 1'079 WVEE/Atlanta Infinity (404) 8984900 Brown/Low
12+ Cume 660,300
PLAYS PLAYS PLAYS PLAYS LW TW ARTIST/TITLE 01 (000) LW TW ARTIST/TITLE GI (000) LW TW MIDST/TITLE SI (000) LW TW ARTIST/TITLE 66 68 J. DUPRI F/LUDACRIS Welcome To Atlanta 18088 60 65 'N SYNC/Gone 22035 55 58 JUVENILE/From Her Mamma... 12296 43 40 FAITH EVANS/I Love You 61 68 MR. CHEEKS/Lights, Camera... 18088 63 58 KEKE WYATT/Nothing In This... 19662 4952 OUTKAST/The Whole World 11024 33 39 '9 SYNC /Gone 63 68 KEKE WYATT/Nothing In This.. 18088 56 56 J. DUPRI FNUDACRIS/Welcome To Atlanta 18984 57 50 JA RULE F /ASHANTI /Always On Time 10600 3638 KEKE WYATT/Nothing In This... 65 61 JA RULE F /ASHANTI /Ahvays On Time 16226 40 53 GLENN LEWIS/Don't You Forget It 17967 50 50 ARCHIE/We Ready 10600 31 38 USHER/U Don't Have To Call 59 59 MICHAEL JACKSONButtemies 15694 35 52 DMX F/FAITH EVANS/I Miss You 17628 46 46 LUDACRIS/Roll Out... 9752 30 37 OUTKAST/The Whole World 63 57 BUSTA RHYMES/Break Ya Neck 15162 32 51 BUSTA RHYMESBneak Ya Neck 17289 47 43 MASTER P/Ooohhhwee 9116 23 36 TYRESE/What Am !Gonna Do 62 53 'N SYNC/Gone 14098 40 51 JONELL 8 METHOD MAN/Round 8 Round 17289 46 42 USHERN Got It Bad 8904 35 34 MICHAEL JACKSOWButterflies 43 50 JUVENILE/From Her Mamma... 13300 62 48 DR, DRE/Bad Intentions 16272 38 41 MYSTIKAUBounciñ Back... 8692 25 33 BRANDY/What About Us? 41 43 MYSTIKALJBouncio Back... 11438 29 45 MICHAEL JACKSON/Butterflies 15255 34 41 BRANDYNVhal About Us? 8692 35 31 AALIYAH/Rock The Boat 36 39 OUTKAST/The Whole World 10374 28 42 FAITH EVANSA Love You 14238 32 41 JAY- Z/Jigga 8692 35 29 JA RULE F /ASHANTVAIways On Time 37 37
36 as
BRANDY/What About Us? 9842 MISSY ELLIOTT/Take Away 9576
52 39 51 36
OUTKAST/The Whole World 13221 MISSY ELLIOTT/Take Away 12204
36 39
3238 NAS/Got Or Se9 A... 8268 JIM CROW/Hotta At Me 8056
36 24 USHERN Got It Bad
14 23 J. DUPRI F/LUDACRIS/Welcome To Atlanta 37 35 FAT JOE/We Thuggin 9310 24 36 TWEET/Oops (Oh My) 12204 40 35 J. DUPRI FAUDACRIS/Welcorne To Atlanta 7420 21 22 SHARISSA/A y Other Night 40 35 FAITH EVANSA Love You 9310 36 35 AALIYAH/Rock The Boat 11865 36 35 P. DIDDY..JDlddy 7420 27 22 62K/Uh Huh 29 32
32
JAGGED EDGE/I Got It 8512 GLENN LEWIS/Don't You Forget It 8512
32 31
24 30
MUSIOMIary Go Round 10509 JADAKISSNVe Gory Make It 10170
33 34
27 34
M006 DEEP F /112Mey Luv (Anything) 7208 COREY F/LI7 ROMEO/Hush LW Lady 7208
22 20 LIL BOW WOW/Thank You
25 20 JENNIFER LOPEZ/Ain't It Funny 27 31 MUSIONa9 Crazy 8246 21 27 LUDACRIS/Satrrday (Oooh!...) 9153 33 34 82K/Uh Huh 7208 10 19 YING YANG TWINS/Say 1'0 Yi
37 30 JENNIFER LOPEZ/An't It Funny 7980 49 25 LUDACRIS/Roa Out.. 8475 24 33 MICHAEL JACKSON/Butterflies 6996 32 19 MARY J. BLIGE/No More Drama 29 29 MARY J. BLIGE/Family Affair 7714 10 23 JILL SCOTTNe Loves Me 7797 31 32 LUDACRIS/SaIurday /0006!...) 6784 18 17 ALICIA KEYS/A Woman's Worth 22 27 JAHEIM/Amything 7182 30 22 JA RULE F /ASHANTI /Always On Time 7458 2928 USHER/U Don't Have To Call 5936 18 16 LUDACRIS/Roll Out... 31 27 LUDACRIS/Saturday (Oooh!...) 7182 19 22 AALIYAH/More Than A Woman 7458 3327 BEANIE SIGEL/FREEWAY /Roc The Mic 5724 14 15 GINOWINE/Differences 29 27 AALIYAH/Rock The Boat 7182 - 21 R. KELLY 8 JAY -UGet This Money 7119 23 26 PETEY PA13104 5512 16 14 ARCHIE/We Ready 18 27 TWEET/Oops (0h My) 7182 18 19 JAHEIM/Anything 6441 33 26 YING YANG TWINS/Say I '0 '0 5512 5 14 JAGGED EDGE/I Got It
26 26 JUVENILE/Set It Off 6916 24 18 ALICIA KEYS/A Woman's Worth 6102 24 23 PROJECT PAT/Gel And Weave 4876 18 13 COREY FAIL' ROMEO/Hush is Lady 24 26 MC BREED /Clubbin' 6916 1 18 ASHANTVFooksh 6102 1620 IMX/Fhe First Time 4240 - 12 e FAT JOE F /ASHANTEWhat's Luv? 28 26 TYRESEN/hat Am I Gonna Da 6916 11 17 MAXWELL/Lifetime 5763 23 18 FABOLOUSNOUng'n ( Holla Back) 3816 9 12 JAY- UGirls. Girls, Girls 28 25 MAXWELL/Lifetime 6650 17 16 BEANIE SIGEIJFREEWAY/Roc The Mk 5424 7 17 JAGGED EDGE/I Got It 3604 9 12 PETEV PABLO/Raise Up 29 25 JANET/Son Of A Gun... 6650 31 16 FAT JOE/We Thuggin' 5424 17 15 LIL' JON..JPut Yo Hood Up 3392 9 12 112/Peaches 8 Cream 25 24 SINSWINUDiterences 6384 21 16 LUOACRIS/Fatly Girl 5424 12 16 NO G00D/Ballìn' Boy 3392 11 12 MISSY ELLIOTT /Get Ur Freak On 22 24 PETEV PABLO/Raise Up 6384 17 15 USHER/U Don' Have To Call 5085 16 15 GLENN LEWIS/Don't You Forget It 3180 10 12 R. KELLY/Fiesta
MARKET #19
KATZ/St. Louis Clear Channel (314) 692 -5108
MYchaels
12+ Cume 220,800
PLAYS
LW TW 881101/TITLE
61 63 AALIYAH/More Than A Woman 63 59 MUSIQ/Mary Go Round 61 55 KEKE WYATT/Nothing In This... 52 52 JOE/What If A Woman 51 50 MAXWELL/This Woman's Work 44 46 NAS/Ether 41 44 JENNIFER LOPEZ/Ain't It Funny 42 43 OUTKAST/The Whole: World 40 42 MYSTIKAUBouncin Back,.. 36 38 'N SYNC/Girlfriend 27 36 TWEET /Oops (0h My) 32 34 EIGHTBALL/Stop Playio Games 30 34 J. DUPRI FAUDACRIS7rVelcome To Atlanta 35 33 MICHAELJACKSOWDutterRles 26 32 B210Uh Huh 28 32 R. KELLY & JAYZMoney 26 31 FAT JOE F /ASHANTIANhat's Luv? 32 31 LUDACRIS/Roll Out.. 34 29 BUSTA RHYMES/Break Ya Neck 22 28 '&1X/the First Time 15 27 ALI F/MURPHYLEE/Boughetto 26 26 JAY-ZBenegade 25 26 a BUSTA RHYMES/Pass The Courvoísier 34 26 JA RULE F /ASHANTI /ANvays On Time 26 26 USHER/U Don't Have To Call 9 23 FABOLOUSNoung'n ( Holla Back)
22 23 MUSIOAfalt Crazy 16 22 JAY- 2/1z0) (H.O.VA) 26 21 CEE -LO /Closet Freak 19 20 'N SYNC/Gone
01 (OGO)
7119 6667 6215 5876 5650 5198 4972 4859 4746 4294 4068 3842 3842 3729 3616 3616 3503 3503 3277 3164 3051 2938 2938 2938 2938 2599 2599 2486 2373 2260
MARKET #19
WFUNISt. Louis Radio One (314) 989-9550 SuicklancVBlack
12. Cume 178,900
PLAYS
LW TW
48
28
49
50 48
48
35 41
37 21
44
39
33
26
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25
31
8
27
23
25 13
22
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33 29
27
25
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20
20
19
10
18
18
17
17
17
095.5 81AZ1N' NIP HOP ANO RAS
ARTIST/TITLE
JA RULE F /ASHANTVAIWays On Time
TWEET /Oops (Oh My)
MR. CHEEKS/lights, Camera... MYSTIKAUBouncin' Back._ MICHAEL JACKSON/ButterYies KEKE WYATT/Nothing In This...
ALI F/MURPHY LEE/Bougheho
LUDACRIS/Roll Out...
BEANIE SIGEUFREEWAY/Roc The Min BRANDY/What About Us? J. DUPRI F/LUDACRISNJelcome To Atlanta OUTKAST/The Whole World FAT JOE F /ASHANTVM1at's Luv? USHER/U Don't Have To Call AALIYAH/More Than A Woman JENNIFER LOPEZ/Ain't It Funny JAY- Z/Jlgga 'N SYNC/Girlfriend MARY J. BLIGEAIo More Drama GLENN LEWIS/Don't You Forget It
MISSY ELLIOTT/Take Away 411 OUARTER/Beller Freak CEE- LO/Closet Freak FABOLOUSNoung'n (Holla Back) PROJECT PAT /Gel And Weave SHARISSNAny Other Night JAHEIM/Amything FAITH EVANSA Love You
BUSTA RHYMES/Break Ya Neck LIL BOW WOW/fake Ya Home
al (000)
5512 5408 5304 5304 5200 4888 4368 4264 3952 3952 3848 3848 3640 3640 3640 3640 3432 3016 2808 2600 2288 2080 2080 1976 1872 1872 1872 1768 1768 1768
MARKET #23
WAMO/Pitisburgh Sheridan (412) 471-2181 DJ Boogie
12. Cume 170,700
PLAYS
LW tw 43 46
35 44
4 43
34 41
47 41
33 41
46 40 47 40
36 40
36 40
30 39 41 39 37 39 40 38 41 38 35 38
36 37
25 37
31 38 41 36 46 34 4233 12 30 40 20 33 19 10 17
10 15
14 14 - 13
11 12
WAMO 106IMMM
WIII 1O7-I.WAMOAM400
ARTIST/TITLE
JENNIFER LOPEZ/N t It Funny
PROPHET JONES/Cry Together 'N SYNC/Girlhiend MUSIQBatt Crazy MYSDKAL/Bouncio Back...
MARY J. BLIGE/Rainy Days FAITH EVANSA Love You OUTKAST/The Whole World GLENN LEWIS/Don't You Forget It
BRANDY/What About Us? MONTELL JORDAN/You Most Have Been ASHANTUFoolish
TWEET/Oops (Oh My) EVE/U, Me 8 She
JAY- O/Jlgga
JOE/What If A Woman RAY- J4(eep Yo Head Up AALIYAH/More Than A Woman MOBB DEEP F /112Mey Luv (Anything) JAHEIM/Anyhing MICHAEL JACKSON/Butterflies R. KELLY/The World's Greatest USHER/U Don't Have To Call CRAIG DAVID/7 Days REGINA BELLE/Ooh Boy MAXWELLJThis Woman's Work MAD SKILLLVa Favorite Joints LUTHER VANDROSS/l'd Rather
FAT JOE F /ASHANTUWhats Lou? AVANT/Makin Good Love
GI (G08)
4922 4708 4601 4387 4387 4387 4280 4280 4280 4280 4173 4173 4173 4066 4066 4066 3959 3959 3852 3852 3638 3531 3210 2140 2033 1819 1605 1498 1391 1284
9I (000)
19240 18759 18278 18278 17797 17316 16354 15873 14911 13949 11544 11063 10582 10582 9620 9620 9139 9139 8177 7696 7215 6734 6734 6253 5772 5772 5772 5772 5772 5772
MARKET #25
WEN2/ClevelaBd Radio One (216) 579.1111 55
12+ Cume 356,400
PLAYS
LW Tw
58 58
51 54
51 54 4753 58 51 49 50
42 50
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41 44 34 43
53 38 23 38 38 37 38 34
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19 27
26 26 16 25
22 25
22 25
22 21
10 21
22 20
1820 28 19
ARTIST/TITLE
JA RULE F /ASHANTI Always On Time
MICHAEL JACKSON/Butterflies MYSTIKAUBounrrn Back... BRANDY/What About Us? MR. CHEEKS/Lights. Camera...
JAHEIM/Anything AALIYAH/More Than A Woman AVANT/Makin Good Love FAT JOE/We Thuggin BUSTA RHYMES/Break Ya Neck MARY J. BL1GEMO More Drama
TWEET/Oops (Oh My)
FAITH EVANS/I Love You
OUTKAST/The Whole World MISSY ELLIOTT/Take Away
JAY- Z/Jigga
LUDACRISSaturday )000h!...) JENNIFER LOPEZ/Ain't It Funny KEKE WYATT/Nothing In This... ALICIA KEYS/A WOmans Worm GLENN LEWIS/Don't You Forget It
USHER/U Don't Have To Call
MOBS DEEP F/112/11ey UN (Anything) JLNENILE/Set It Off AALIYAH/Rock The Boat JAGGED EDGEANhem The Party At
MUSIWfa9 Crazy USHER/U Got It Bad
TYRESE/What Am I Gonna Do
LUDACRIS/Roll Out...
cl (000) 13340 12420 12420 12190 11730 11500 11500 11270 10120 9890 8740 8740 8510 8280 8050 7820 7590 7590 7360 6900 6210 5980 5750 5750 5750 4830 4830 4600 4600 4370
MARKET #5
KBFB/Dallas -R. Worth Radio One (214) 521 -461 Fields/Kelly
12+ Cume 390,400
PLAYS
LW TW
78 71
82 70
74 64
42 63
77 60 40 58
44 52
43 50
44 45
42 45
68 41
46 36
30 33
27 32
29 32
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29 28
17 26
21 26
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- 24 22 24 17 20
1 17
24 17
9 .
`. 11.4... MAI I PON NM Mw A000 ass
ARTIST/TIRE 61 (000) JENNIFER LOPEZ/Ain't It Funny 14697 JA RULE F /ASHANTVAlways On lime 14490 USHERN Got It Bad 13248 RUFF ENDZ/Someone To Love You 13041 MR. CHEEKS/Lights, Camera... 12420 BUSTA RHYMES/Break Ya Neck 12006
J. DUPRI F/LUDACRIS/Welcome To Atlanta 10764 FABOLOUSNOUng'n (Hotta Back) 10350 BRANDY/What About Us? OUTKAST/The Whole World LUDACRIS/Roll Out... MYSTIKAUDOUncin Back... MISSY ELLIOTT/Take Away TWEET/Oops (Oh My) MOBS DEEP F/115110/ Luv (Anything)
JAY- ZJJigga
MASTER P/Ooohhhwee FAT JOE/We Thuggin
JUVENILE/From Her Mamma...
PETEY PABLO/Raise Up
KEKE WYATT/Nothing In This...
GLENN LEWIS/Don't You Forget tt
LIL' KEKE/Platinum In Da...
NELLY/t1
AALIYAH/More Than A Woman FAT JOE F /ASHANTINVhars Luv?
NB RIDAZ F /ANGELINA/Runaway DMX F/FAITH EVANS/I Miss You
EVE/U, Me 8 She JA RULE/Livin' It Up
9315 9315 8487 7452 6831 6624 6624 6210 6003 5796 5796 5796 5382 5382 5382 5382 5175 4968 4968 4140 3519 3519
MARKET #8
WBOT/Boston Radio One (617) 427 -2222 Gousby /RobinsoNClark
12+ Cume 215,600
PLAYS
LW TW
56 56
47 50
46 49
44 48
38 48
49 48
44 47 49 47
47 46
37 44
44 44
38 42
33 41 42 38
37 37
36 35
22 33
31 32
30 30
24 29
37 28 29 28
29 28
32 26
32 25
3222 8 21
17 20
25 19
15 18
ARTIST/TITLE 6I (0001
MR. CHEEKS/Lights, Camera... 6776 JENNIFER LOPEZ/Ain't It Funny 6050 AALIYAHMtom Than A Woman 5929 MICHAELJACKSON/Bunertlies 5808 BRANDY/What About Us? 5808 JA RULE F /ASHANTUAIways On Time 5808 ALICIA KEYS/A Woman's Worth 5687 GLENN LEWIS/Don't You Forget It 5687 FABOLOUS/Young'n ( Holla Back) 5566 ASHANTI/Foolish 5324 KEKE WYATT/Nothing In This... 5324 MYSTIKAL/BOUnciri Back_. 5082 USHERN Don't Have To Call 4961 MARY J. BLIGE/No More Drama 4598 OUTKAST/The Whole World 4477 1WEET/Oops (Oh My) 4235 BEANIE SIGEL/FREEWAY/Roc The Mic 3993 JAY -LJigga - 3872 MORO DEEP F/112/Hey Luv (Anything) 3630 NAS/Got Or Sett A. 3509 USHER/U Got It Bad 3388 JAHEIM/Anyth'ng 3388 FAT JOE F /ASHANTUWhat's Lw? 3388 METHOD MAN & REDMAN/Part II 3146 FAT JOEMe Thuggin 3025 FAITH EVANS/I Love You 2662 BUSTA RHYMES/Pass The Courvoisier 2541 MONTELL JORDANNOU Most Have Been 2420 AALIYAH/Rock The Boat 2299 NAS/One Mic 2178
MARKET #12
WEDRUMtami
Cox (305) 623-7711 Hollywood
12+ Cume 612,200
W EUR- ílM 11(44-4/. ef7 /Ivsiri47e
PLAYS
LW TW ARTST/TITLE
44 40 TWEET/Oops (Oh My) 36 38 MISSY ELLIOTT/Take Away 41 36 OUTKAST/fhe Whole World 33 36 FAITH EVANSA Love You
29 35 MOBS DEEP F/112/Hey Lov (Anything)
34 34 USHER/U Don't Have To Call
33 34 GLENN LEWIS/Don't You Forget It
35 33 MAXWELL/This Woman's Work 31 33 BRANDY/What About Us? 24 32 MR. CHEEKS/Lights, Camera... 35 28 R. KELLY 8 JAY -ZBest 01 Both... 24 25 TANTO METRO.. /Give It To Her
22 24 FAT JOE F /ASHANTI/What's Lou? 23 23 MICHAEL JACKSON/Butterflies 17 21 KHIAM1y Neck, My Back
19 21 AALIYAH/More Than A Woman
18 20 JA RULE F /ASHANTVAIways On Time
22 19 SHAHISSNAny Other Night 14 19 MARY J. BLIGE/Family Affair 17 18 MYSTIKAL/BOUncin' Back...
11 18 MUSIOHa9 Crary 14 17 TRINARold Y81I
22 16 KEKE WYATT/Nothing In This.. 13 16 FAT JOE/We Thuggin' 17 16 JAY- Z/Jigga 22 15 MARY J. BLIGE/No Mom Drama 14 15 a CEE- LO/Closet Freak 20 15 RUFF ENDZ/Someone To Love You
12 15 PROPHET JONES/Cry Together
11 15 FABOLOUSNoung'n ( Holla Back)
GI 1000)
17440 16568 15696 15696 15260 14824 14824 14388 14388 13952 12208 10900 10464 10028 9156 9156 8720 8284 8284 7848 7848 7412 6976 6976 6976 6540 6540 6540 6540 6540
MARKET #26
WIZF /Cincinnati Blue Chip (513) 679-6000
Dave/Thomas
12+ Come 161,400
PLAYS
LW 1W ARTIST/TITLE
35 35 BR8NDY/What About Us? 30 35 JAHEIM/Anything 36 35 KEKE WYATT/Nothing In This_. 29 32 GLENN LEWIS/Don't You Forget It 30 32 JA RULE F /ASHANTVAIways On Time 29 30 FAITH EVANS/I Love You 35 30 MICHAEL JACKSON/Butterflies 28 29 JENNIFER LOPEZ/Ain't It Funny 22 29 AALIYAH/More Than A Woman 28 28 TWEET/Oops (Oh My) 25 28 MR. CHEEKS/Lights, Camera... 33 20 MYSTIKAUeuuncin' Back... 29 28 OUTKAST/The Whole World 26 26 SHARISSAJAny Other Night 25 24 ALICIA KEYS/A Woman's Worth 27 23 ANGIE STONE/Brotha 19 23 MONTELL JORDAN/You Must Have Been 18 23 USHERN Don't Have To Call
29 23 MARY J. BLIGE/No More Drama 25 22 DMX F/FARH EVANS/I Miss You 13 20 AVANT/Makiri Good Love 15 20 ASHANTVFOotish 26 20 USHERN Got It Bad
20 18 TINA NOVAKBeen Around... 15 18 MAXWELLJThis Woman's Work 14 17 RL F/ERICK SERMON/Got Me A Model 17 17 FAT JOE F /ASHANTVWhat's LAN 20 17 'N SYNC/Gh9riend 29 16 LUDACRIS/Roll Out... 23 16 MISSY ELLIOTT/Take Away
GI (000) 4620 4620 4620 4224 4224 3960 3960 3828 3828 3696 3696 3696 3696 3432 3168 3036 3036 3036 3036 2904 2640 2640 2640 2376 2376 2244 2244 2244 2112 2112
www.americanradiohistory.com
MARKET #10 MARKET #10
WDMK/Detroit Radio One (313)259 -2000 Starr/Gray /Anderson
12+ Cume 139,500
10001
WMXD /Detroit Clear Channel (313) 965 -2000 G./Stevens/Little
12+ Cume 360,600
GI (0001 61
PUYS 3W TW ARTIBT/TTLE
PLAYS
3W 1W ARTIST/TITLE
21 31 ANN NESBY F /AL BREEN/PUt It On Paper 2077 .19 23 ALICIA KEYS/A Woman's Worm 5520 22 27 BONEY JAMES/Something Inside 1809 21 22 INDIA.ARIEBrown Skin 5280 28 27 ALICIA KEYS/A Woman's Worm 1809 15 22 ALICIA KEYS/Fallin 5280 30 25 JOE/Let's Slay Home... 1675 12 1 ANN NESBY F /AL GREEN/Put It On Paper 4320 17 24 LUTHER VANDROSS/l'd Rather 1608 19 1 JILL SCOTT /Ore Way 4080 18 20 KIRK FRANKLIN/911 1340 14 1 MAXWELULBetlme 3840 12 1 MONTELL JORDAWYOu Must Have Been 1206 11 1 JILL SCOTT /A Long Walk 3600 17 1 PAM 8 00DI,Whal's Wrong 1139 11 1 KEKE WYATT/Nothing In This... 3360
21 1 MAXWELL/This Woman's Work 1139 17 1 MICHAEL JACKSONBuOedlies 3360 16 1 DRAMATICS/Looka Like Rain 1072 9 1 MAXWELUThis Woman's Work 2880 8 1 GERALD LEVERT/What Makes I1... 1005 11 1 DONNIE MCCLURKINAWe Fall Down 2880
28 1 ANGIE STONE/Brotha 938 7 1 LUTHER VANDROSS/Take You Out 2880 9 1 BABYFACEA Keep Callin' 804 B 1 SADE/Somebody Already.., 2640
11 1 KENNY LATTIMORE/Don't Deserve 737 16 1 GLENN LEWIS/Don't You Forget It 2400 11 1 BLU CMJTRELLRII I'm Gone 737 13 BONEY JAMES/Something Inside 2160 13 1 DIDO/ThanI ou 737 6 ANGIE STONF/Brolha 1920 12 1 YOLANDA ADAMS /A Song Of Faith 737 10 YOLANDA ADAMS /Open My Head 1920 10 1 JOLM issing You 670 8 JAHEIM/Just In Case 1920 10 THEO/Listen To Your Heart 603 9 MUSIO/Love 1920
6 JEFF MAJORS/Lift Every Voice.. 603 5 REGINA BELLE/0o0 Boy 1680 BRIAN MCKNIGHTAWhat's It Gonna Be 603 6 SHARISSA/Any Omer Night 1680
9 INDIA ARIEStrength. Courage... 603 5 BABYFACEA Keep Callen 1680 8 AVANT/Makin' Good Love 603 5 ERIC BENETSpend My Life... 1680 5 YOLANDA ADAMS/Open My Heart 536 10 ISLEY BROTHERS/Secret Lover 1680 9 HIDDEN BEACH /One More Chance 536 6 JAGGED EDGE/Let's Get Marded 1580
12 GLENN LEWIS/Don't You Forget O 469 2 TEMPTATIONS/How Could He Hurt... 1680
6 ERIC BENET/ When You Think 01 Me 469 7 J0I/Misstrig You 1440 6 AVANT/My First Love 402 8 REMY SHAND/Take A Message 1440 6 ANGIE STONE/No More Rain (In_.) 402 5 DAVE HOLLISTER/Take Care 01 Home 1440 5 CARL THOMAS/I Wish 402 10 USHERN Gol O Bad 1440
70 R &R February 22, 2002 Urban AC
Reporters Stations and their adds
listed alphabetically by market
WALK :Atlanta. GA' WING/Greensboro. NC ' WYBC /New Haven, CT' PD. Alvin Stowe 0M: Wayne Schmidt
No Adds PD: Juan Castillo APD: Steven Richardson MD: Doe -P
6 BEBE WINANS "Know" WWIN /Baltimore. MO'
4 JOE "Woman" VP/Prog.: Kathy Brown KMJO /Houston -Galveston, TX RUFF ENDZ "Someone" P0: Tim Watts
PD: Carl Conner MD: Keith Fisher MD Sam Choice
fin Adds No Adds
WYLD/New Orleans, LA' 0M/PD: Marvin Hankston APO/D: Aaron "A.J." Appleher
KOXL /Baton Rouge, LA WTLC /Indianapolis, IN No Adds OM: James Alexander
OM/PD: Brian Wallace PD/MD: Mya Vernon
MO: Garth Adams
JOE "Woman- No Adds
BE BE WINANS "Know' WRKS /New York, NY
PD: Toya Beasley MD: Julie Sardines
WBHKBirmingham, AL WKXI /Jackson, MS PD/TAD: Stan Branson
No Adds
PD: Jay Dixon
MD: Darryl Johnson LATHUN "Fortunate"
15 ANN NESBY F /AL GREEN "Paper" BRIAN MCKNIGHT "Gonna"
"Someone" 1 MAXWELL 'Woman 's"
RUFF ENDZ WSVY /Norfolk, VA BEBE WINANS "Know"
POMID: Michael MaI¢ane
No Adds
WMGL/Charleston, SC WSOL/Jacksanville, FL PD: Terry Base
APD/M0: Belinda Parker P0: Aaron Maxwell APORAD: K.J. WVKLMgrfolk, VA
2 JOE "Woman" PO: OC
NINE20 "Would- No Adds
MO: Sunny Andre
BEBE WINANS "Know' 7 ANN NESBY F /AL GREEN "Paper
JOE "Woman"
RUFF ENDZ "Someone" KOKY /Little Rock, AR
WBAV /Charlotte, NC' PD: Mark Dylan MO: Jamal Quarles
PO/MD: Terri Avery "Woman"
No Adds JOE
"Someone" WCFB /Orlando. FL'
RUFF ENDZ
"Know" PD: Steve Holbrook
BEBE WINANS MD: Joe Davis
No Adds
WVAZ/Chicago, IL
PO: Elroy Smith KHHT /Los Angeles, CA APD: Armando Rivera
PD: Michelle Santosuosso No Adds WDAS/Philadelphia, PA
No Adds SM. Mgr./PD: Joe Tamburro
MD: Joann Gamble
JOE "Woman"
WZAK/Cleveland. OH' KJLH/Los Angeles, CA
PD: Kim Johnson PD/MG: Cliff Winston
No Adds 2 JOE -Woman" WFXC/Raleigh- Durham, NC'
OM/PO: Cy Young
APD/MD: Jodi Berry
No Adds WLXC /Columbia, SC WRBV/Macon, GA Int. PD: Doug Williams MD: Tre Taylor
PD/MD: Lisa Charles
JOE 'Woman' BRIAN MCKNIGHF "Gonna"
JOE "Woman" WKJS/Richmond, VA BEBE WINANS "Know" PD/M0: Kevin Kolar PHIL PERRY "Wait"
No Adds
WAGH /Columbus, GA
PD: Rasheeda MG: Ed Lewis
No AOds KJMS /Memphis, TN KMJM /St. Louis, MD
PO: Nate Bell OM/P0: Chuck ABAns
MD: Eileen Nathaniel M0: Brian Anthony
JOE "Woman" JOE - Woman'
KRNB /Dallas -Ft. Worth, TX BEBE WINANS "Know
PD: Al Payne MO: Rudy "V"
3 JOE "Woman" WHOT WLVH /Savannah, GA
LATHUN "Fortunate" /Miami, FL
PD: Dertick Brown P0: Roshon Vance
MUSIO "Crazy" APD/MD: Karen Vaughn 5 BEBE WINANS "Know'
11 YOLANDA ADAMS "Battle" 5 SIR CHARLES JONES "Loney
JOE "Woman"
KTXO/Dallas -Ft. Worth, TX
PD: Garry Leigh WHUR/Washington, DC No Adds WMCS /Milwaukee, WI PO/MD: David A. Dlddlnon
PD/MD: Tyrene Jackson 24 ANN NESBY F /AL GREEN "Paper -
6 JOE "Woman" 6 BRIAN MCKNIGHT "Gonna"
5 BRIAN MCKNIGHT "Gonna" 5 JOE 'Woman"
WOMK /Detroit Ml' 5 LATHUN "Fortunate" RUFF ENDZ "Someone"
VP/Prog.: Lance PaBon 5 NINE20 "Would" OM/PD: Monica Starr APO: Benita "Lady B" Gray
MD: Sunny Anderson
No Adds DC' WMMJ/WasBrown WDLT /Mobile, AL VP/Prog./PD: Kathy thy Brown P0: Ron Anthony MD: Mike Chase MD: Kathy Barlow AMD: James Pair
No Adder, No Adds
WMXD /Detroit, MI
PO: Janet G.
APO: Oneil Stevens MD: Sheila Lime
JOE Woman
*Monitored Reporters
43 Total Re or z° -' r
p WUKS /Fayetteville, NC'
38 Total Monitored o p PD: Rod Croise APD: Garrett Davis M0: Calvin Pee
5 Total Indicator BRIAN MCKNIGHT "Gonna
RUFF ENDZ "Someone" 4 Current Indicator Playlists
WFLM/Ft. Pierce, FL No Longer A Monitored Reporter (1):
MAD: Michael James WGPR/Detroit, MI
5 ANN NESBY F /AL GREEN "Paper" Did Not Report For Three Consecutive 2 BEBE WINANS "Know"
19(HALE'Still" Weeks; Data Not Used (1):
JOE "Woman" WILD/Boston, MA
MARKET #1
WRKS/New York Emmis (212) 242-9870 Beasley/Gusbues
12+ Cume 1,593,200
PLAYS
LW TW
30 31
34
21
29
24
21
29
31
22
24
18
20
20
12
10
11
24
4
29
29
26
20
20
25
23
2
1
1
1
1
2 1
5 1
6
13
5
4
4
5
5
16
4
.98.7 KISS
ARTIBT/TITLE GI (0001 MAXWELUThis Woman's Work 30659 BRIAN MCKNIGHT/Love Of My Lile 28681 GERALD LEVERT/Made To Love Ya 28681 GINUWINE/Differences 25714 LUTHER VANDROSS/Take You Out 25714 GLENN LEWIS/Don't You Forget It 25714 MICHAEL JACKSON/You Rock My World 24725 R. KELLY/The World's Greatest 22747 MICHAELJACKSONButterflies 20769
KEKE WYATT/Nothing In This... JAHEIM/Anything MAXWELULBetime INDIA ARIE/Strengm, Courage.. JILL SCOTT/He Loves Me
MISSY ELLIOTT/fake Away
MARY J. BLIGF/No More Drama INDIA.ARIEButlerVy
LUTHER VANGROSS/l'd Rather DONELL JONES/U Know What's Up
JAHEIM/Could It Be
BABYFACEAWhat It
NEXT/Wdey MUSIO/Just Frends (Sunny) ALICIA KEYS/Fallin' USHER/U Remind Me ANGIE STONE/No More Rain (In...) JILL SCOTT /A Long Walk BRANDY/What About Us?
R. KELLYA Wish
14835 14835 12857 12857 11868 11868 10879 10879 9890 9890 8901 8901 7912 6923 6923 6923 6923 5934 4945 4945
MARKET #3
WVAZ/Chicago Clear Channel (312) 360 -9000 Smith/Rivera
12+ Cume 585,700
PLATO
9W TW
8 28
26 27
22 27
19 26 20 25
21 23
23 22
9 2
24 2
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4 1
5 1
24 1
1 1
11 1
18 1
4 1
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Ptsäl ARTIST/TITLE ANN NESBY F /AL GREEN/Put It On Paper
MAXWELL/Iitebme MICHAEL JACKSON/Butterflies YOLANDA ADAMS/The Battle Is Not... JILL SCOTT/He Loves Me JILL SCOTT /A Long Walk LUTHER VANDROSS/rd Rather MICHAEL JACKSON/Heaven Can Wait
LUTHER VANDROSS/Take You Om DONNIE MCCLURKINIWe Fall Doom
JILL SCOTT/The Way
MAXWELL/This Woman's Work MARY J. BLIGE/Famiy Attain
YOLANDA ADAMS/Open My Heart R. KELLY/The World's Greatest ALICIA KEYS/A Woman's Worth FAITH EVANS/I Love You
ANGIE STONE/Brotha KEKE WYATT/Nothing In This...
JOE/Let's Stay Home.. BONEY JAMES/Something Inside GINOWINE/Difterences GLENN LEWIS/Don't You Forget It
ANGIE STONEiWIsh I Didn't.. MICHAEL JACKSON/You Rock My World
GERALD LEVERT/Dream With No Love ERICK SERMON/Music REMY SHAND/fake A Message
BILAI/Soul Sisla
SADE/Somebody Already...
GI (000) 13748 13257 13257 12766 12275 11293 10802 10311 10311 9329 8838 8838 8838 5892 5401 5401 4910 4419 4419 4419 3928 3928 3437 3437 1964 1964 1964 1964 1964 1964
MARKET #8
WDAS/Philadelphia Clear Channel (610) 617 -8500
Tamburro/Gamble
12+ Cume 515,v500
PAYS 3W TW ARTIST)TITLE
32 30 MAXWELULBetime
28 29 GERALD LEVERT/Made To Love Ya
25 29. JILL SCOTT/The Way 25 27 ANGIE STONE/Brotha 26 26 INDIAARIEBrown Skin 18 26 YOLANDA ADAMS/The Battle Is Not...
23 26 BABYFACE/Wtat If
14 23 GLENN LEWIS/Don't You Forget It
23 23 REGINA BELLE/Ooh Boy
12 21 BONEYJAMESSomething Inside 34 21 MICHAEL JACKSONBUBerilies
25 10 JOE/Lets Stay Home...
18 18 ALICIA KEYS/A Woman's Worth 7 16 REMY SHAND/Take A Message
15 16 JILL SCOTT/He Loves Me
13 15 BRIAN MCKNIGHT/Love Of My Life 24 15 USHERAJ Got It Bad
15 15 SHARISSA/Any Other Night
7 13 MARY J. BLIGE/Family Affair
7 13 R. KELLY/The World's Greatest 9 12 TEMPTATIONS/Four Days
9 12 SADE/Somebody Already... 12 11 LUTHER VANDROSS /Take You Out
15 11 GINUWINEBBIerences 7 11 LUTHER VANDROSS/I'd Rather
9 11 MARY J. BLIGEMO More Drama
10 10 ISLET BROTHERS/Secret Lover
7 9 BABYFACE/I Keep Callin' 6 6 GERALD LEVERTAWhat Makes It_.
5 6 ISLET BROS/R. ISLEY/Conagious
si (0001 14700 14210 14210 13230 12740 12740 12740 11270 11270 10290 10290 8820
8820 7840 7840 7350 7350 7350 6370 6370 5880 5880 5390 5390 5390 5390 4900 4410 2940 2940
KMJO/Houston- Galveston
Radio One (713) 623-2108 Conner /Choice
12+ Cume 406,700
MAJIC102
PUYS 3W TW ARTIST/TITLE
28 26 KEKE WYATT/Nothing In This... 29 26 GLENN LEWIS/7on't You Forget It
22 25 MONTELL JORDAN/You Must Have Been
20 22 TONY TERRY /I Dont Wanna Stop 26 22 JOE/Let's Stay Home...
28 21 MICHAEL JACKSON/Buttertlies 22 21 SHARISSA/Any Omer Night 22 19 FAITH EVANS/I Love You
26 19 JAHEIM/Anything 15 19 INDIA.ARIE/Strenglh, Courage.. 18 18 FAITH EVANS,VOu Gets No Love
20 18 USHER/U Got It Bad
20 18 YOLANDA ADAMS/Never Give Up
21 17 REGINA BELLE/Ooh Boy
23 17 ALICIA KEYS/A Woman's Worth 18 17 GERALD LEVERT/What Makes It,..
19 16 BONEY JAMES/Something Inside
19 16 ANGIE STONE/Brotha
17 15 BABYFACEAWhat If
16 14 SHELUNDIAA Love Me
16 14 LUTHER VANDROSS/I'd Rather
9 13 DESTINY'S CHILD/Emotion
15 12 JILL SCOTT/He Loves Me
16 11 MAXWELULBetime 7 11 GINUWINE/Dmerences 10 11 JAHEIM /Just In Case
10 10 ERICK SERMON/Music 9 9 GERALD LEVERT/Made To Love Ya
10 0 BRIAN MCKNIGHT/Love Of My LOe
7 0 LUTHER VANDROSS/Can Heaven WaO
8110001 9308 9308 8950 7876 7876 7518 7518 6802 6802 6802 6444 6444 6444 6086 6086 6086 5728 5728 5370 5012 5012 4654 4296 3938 3938 3938 3580 3222 2864 2864
MARKET #2
KHHT/Los Angeles Clear Channel (818) 845-1027 Santosuosso
12+ Cume N/A
PUYS 3W TW
45 39 42 38
48 37 43 37 43 35 44 3
28 2
32 2
29 2
43 2
17 2
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23 1
-22 1
7 1
10 1
6 1
7 1
4
13
20
8
6
20
7
4
7
7
1
4
ARTIST/TITLE
AALIYAWR0ok The Boat MAXWELULOetìme
MICHAEL JACKSON/Butterflies GINUWINEBWerences ALICIA KEYS/A Woman's Worth USHER,U Got B Bad
JILL SCOTT/The Way FAITH EVANSA Love You INSIAARIE/Video BABYFACE/What B
CASE/Missing You JOEA Wanna Know MARY J. BLIGE/Famiy Affair MAXWELL/This Woman's Work ALICIA KEYSFallin' JAGGED EDGE/Let's Get Married ISLET BROS./R. ISLEY/Contagious JANET/AA For You
USHER/U Remind Me ANGIE STONE/ Wish I Didn't... ALICIA KEYS/Dupe JON B /Don't Talk
MAXWELUFortunate GLENN LEWIS/Don't You Forget It
112/Peaches & Cream
SHAGGY /Angel RUFF ENDZ/No More MUSIO/Just Friends (Sunny) AALIYAH/Try Again
AALIYAWI Don't Wanna
GI (000)
MARKET #5
KRNB /Dallas -Ft. Worth Service nn 9sn
12+ Cume 176,900
PLAYS
3W TW ARTIST/TITLE 61 (000) 38 42 BONEY JAMES/Something Inside 4410 37 40 MONTELL JORDAN/You Must Have Been 4200 35 37 GLENN LEWIS/Don't You Forget O 3885 39 37 USHER/U Got It Bad 3885 39 37 JILL SCOTTMe Loves Me 3885 29 35 KEKS WYATT/Nothing In This... 3675 29 34 ANGIE STONE/Brotha 3570 33 34 MAXWELL/Lifetime 3570 32 34 JOE/Let's Slay Home... 3570 3833 MICHAELJACKSONButtertlies 3465 33 33 REGINA BELLE/Ooh Boy 3465 29 32 ALICIA KEYS/A Woman's Worth 3360 33 29 ISLET BROTHERS/Secret Lover 3045 17 18 MARY J. BLIGF/Family Affair 1890 11 17 REMY SHAND/Take A Message 1785 16 15 ANN NESBY F /AL GREEN/Put It On Paper 1575 16 15 SHARISSA/Any Other Night 1575. 13 15 JAHEIM/Anything 34 15 MAXWELL/This Woman's Work 1575 15 14 FAITH EVANSA Love You 1470 14 14 USHER/1J Don't Have To Call 1470 14 14 MARY J.BLIGEMO More Drama 1470 12 14 INDIAARIE/Shengm, Courage... 1470 11 13 BABYFACEA Keep Callin' 1365 12 13 GERALD LEVERT/What Makes It... 1365 11 13 AALIYAHBOCk The Boat 1365 11 ' 13 R. KELLY/The World's Greatest 1365 12 13 BRIAN MCKNIGHT /Love Of My Life 1365 so 13 GINUWINE/DiYerences 1365 18 13 YOLANDA ADAMS/Never Give Up 1365
WHUR/Washington Howard University (202) 806 -3500 Dickinson
12+ Cume 510,700
DC
WHUR 96.3
PLAYS
3W TW ARTIST/TITLE 61
24 24 a ANN NESBY F /AL GREEN/Put It On Paper 23 22 GLENN LEWIS/Don't You Forget It
18 1 REMY SHAND/Take A Message
14 1 BABYFACEA Keep Callki 16 1 MICHAEL JACKSOWButterhies 16 1 KENNY LATTIMORE/Kenny Lattimore 14 1 YOLANDA ADAMS/Never Give Up
17 1 DRAMATICS/Looks Like Rain
13 1 RANDY CRAWFORD/Permarent 7 1 LATHUN/Fortunate
8 1 OLETA ADAMS/All The Love - 1 WILL DOWNING/Cool Water
8 1 LUTHER VANDROSS/I'd Rather
18 JILL SCOTT/He Loves Me
3 ANGIE STONE/Wish I Didn't... 6 TEMPTATIONS/Four Days 6 COOLY'S HOT BOX/Make Me Happy 4 INDIA.ARIEBIrenglh, Courage...
6 TINA MOORE /Time Will Tell
- MAXWELUf his Woman's Work 7 MUSIOMalf Crary
6 INOIA.ARIEBeady For Love
8' GERALD LEVERT/What Makes It ..
7 a BRIAN MCKNIGHT/What's It Gonna Be
13 BONEY JAMES/Somelhing Inside 4 WALTER BEASLEY/Things I Do For Love 4 SOMMERS/LES NUBIANS/Menage A Trois
- JANET/Feels So Right
3 LUTHER VANDROSS/Take You Out
3 RACHELLE FERRELL/Satisfied
MARKET #2
KJLH /Los Angeles Taxi
(310) 330 -5550 Winston
12+ Cume 421,400
PLAYS
3W TW
32 3
29 2
26 2
29 2
26 2
17 2
28 2
20 2
11
5
8
5
9 4
7
I,JL/lr >029F.t1
ARTIST/TITLE MICHAEL JACKSONButterflies LUTHER VANDROSS/Take You Out
GINUWINE/Diierences MAXWELL/Lifetime MUSIO/Love ALICIA KEYS/A Woman's Worth KIM WATERS/Love Don't Love..,
USHER/U Got N Bad KIRK FRANKLINBT t JILL SCOTT/The Way
GLENN LEWIS/Don't You Forget It
FAITH EVANSA Love You AALIYAH/Rock The Boat INDIAARIEMdeo PROPHET JONES/Cry Together
JOE/I Wanna Know TONY TERRY /I Don't Wanna Stop MAXWELUThis Woman's Work JAHEIM/Could It Be
GERALD LEVERT/Vhat Makes B...
JOIMltssing You
BABYFACE/I Keep Calls' JOE/Let's Stay Home,.. URBAN KNIGHTS../Strung Out
JILL SCOTT/He Loves Me DONNIE MCCLURKIN/We Fall Down INDIA.ARlEuBrown Skin BONEY JAMES/Something Inside JILL SCOTT /A Long Walk GERALD LEVERT /Dream With No Love
GI (0001 10045 8036 8036 7749 7462 6888 6027 5740 4305 3731 3731 3157 3157 3157 3157 2870 2583 2583 2296 2296 2296 1722 1722 1722 1722 1722 1722 1435 1148 1148
MARKET #5
KTXO/Dallas -Fl. Worth Radio One (214) 521 -4661
Leigh
12v Cume 123,300
MAGIC 94.5
PLAYS
3W TW ARTIST/TITLE 91 (0001 23 26 MICHAELJACKSOWButtedlies 1092 28 26 JOE/Let's Stay Home... 1092 26 25 USHER/U Got It Bad 1050 28 23 ALICIA KEYS/A Woman's Worth 966 13 1A ANN NESBY F /AL GREEN/Put It On Paper 672 28 15 ANGIE STONE/Brotha 630 11 14 BONEY JAMES/Something Inside 588 10 14 REGINA BELLE/Ooh Boy 588 12 13 JILL SCOTTMe Loves Me 546 7 11 JEFF MAJORS/Litt Every Voice... 462
11 10 GLENN LEWIS/Don't You Forget It 420 9 9 SADE/Somebody Already... 378 5 7 MAXWELL/This Woman's Work 294 6 7 GERALD LEVERT/What Makes lL_ 294
12 6 YOLANDA ADAMS/Never Give Up 252 6 5 JAHEIM/Just In Case 210 6 5 REMY SHAND/Take A Message 210 3 5 MICHAEL JACKSOWYou Rock My World 210 5 4 TONIBRAXTOWThe Art Of Love 168 3 4 ERIC GENET /Lave Don't Leve Me 168
4 DONELLJONESAJ Know What's Up 168 4 4 KIRK FRANKLIN/911 t68* 4 4 INDIAARIE/Strengt, Courage... 168 2 4 TAMIA/Stmnger In My House 568 5 3 RANDYCRAWFORD /Permanent 126 3 3 ERIC BENET/Spend My Life... 126 6 3 LUTHER VANDROSS/I'd Rather 126 2 3 TANK/Maybe I Deserve 126 2 3 ERICK SERMOWMusic 126
- 3 BRIAN MCKNIGHT/Back At One 126
WMMJ/Washington, DC
Radio One (301) 306 -1111 Brown/Chase
12+ Cume 411,100
-4%MJ.p 102.3
+...sF PUYS
(000) 9W TW ARTIST/TITLE G110001 6672 27 27 USHER/U Got It Bad 8478 6116 27 26 ALICIA KEYS/A Woman's Worth 8164 5282 29 24 MAXWELLAiletlme 7536 5282 '23 23 MICHAEL JACKSON/Butterflies 7222 5004 24 22 ANGIE STONEBrotha 6908 4726 15 1 KEKE WYATT/Nothing In This... 4082 4726 11 1 MAXWELUThis Woman's Work 3454 4448 16 1 ANN NESBY F /AL GREEN/Put It On Paper 3454 4448 8 1 BABYFACEA Keep Catlin 3454 3614 5 1 PROPHET JONES /Cry Together 3454 3336 8 1 KENNY LATTIMOREMenny Lattimore 3140 3058 11 1 MONTELL JORDAN/You Must Have Been 3140 2780 10 1 GLENN LEWIS/Don't You Forget It 3140 2502 9 BONEY JAMES/Something Inside 2826 2502 1 ISLET BROTHERS/Secret Lover 2512 2502 10 JOE/Let's Stay Home... 2512 2502 8 PHIL PERRYA Can't Wait,.. 2512 2224 9 JILL SCOTTBe Loves Me 2512 2224 7 GERALD LEVERT/What Makes It.. 2512 2224 10 SADE/Somebody Already... 2512 2224 5 JAHEIM/Just In Case 2198 1946 JEFF MAJORS/LA Every Voice... 2198 1946 JAHEIWArything 2198 1668 9 LUTHER VANDROSS/l'd Rather 2198 1668 4 R. KELLY/The World's Greatest 2198 1668 4 MUSIO/Just Friends (Sunny) 2198 1668 10 KIRK FRANKLIN/911 1884 1668 5 JILL SCOTT /A Long Walk 1884 1668 9 FAITH EVANSA Love You 1884 1668 5 KOFFEE BROW WAtter Party 1570
www.americanradiohistory.com
Urban Action February 22, 2002 R &R 71
11'NE.
RECORD M!.'h
Talitha Gibson Asst. MD, WOHN/Lansing, M
Ludacris is everywhere. He's blowing up our lines and holding down our top re-
quest charts with two songs: "Roll Out," which is the heaviest in our rotation, and the duet with Jermaine Dupri, "Welcome to Atlanta" Another top- request song is, of course, Usher's "U Got It Bad." This is a heartfelt song for many listen- ers because of its universally appealing theme, and it has been one of the long-
est- running hits for us thus far. Missy Elliott's "Take Away" is another hot commodity. The arrangements, both vocally and instrumentally, have listen- ers vibing, especially after hearing the hypnotic voice of Tweet. This is an
artist whom I am sure will bring mad competition. Last, but definitely not least, is the young'n from Columbus, OH who has stolen the hearts of young girls, young fellas, grown women and MCs everywhere: Lil Bow Wow. His
song "Thank You" places him right next to Ludacris in the top request charts. Upon first listen, Brandy's "What About Us ?" instantly became an
anticipated hit and will surely climb the charts and knock someone out of the top 10. Ruff Endz's "Someone to Love You" is a good R &B song to keep your eyes on. Overlooked and underrated good R &B tracks that are hold- ing it down are Jaheim's "Anything" and Keke Wyatt's duet with Avant, "Noth- ing in This World." 'Nuff said.
Atlantic recording artist Brandy seizes the No. 1 slot with the debut single from Full
Moon, 'What About Us ?" ... Two Island Def Jam
Music Group acts debut on the Urban chart this week: Via the Def Soul path, Musiq's "Half Crazy," the first single from his forthcoming Juslisen, debuts at No. 46*, while the Roc -A- Fella/Jive /IDJMG duo of R. Kelly and Jay -Z
enter the chart at No. 45* with the title track from The Best of Both Worlds ... Speaking of
Def Jam, Murder Inc.'s Ashanti and "Foolish" jump 18 slots to land at No. 30* - and pack away an additional 478 plays in the process ... Tweet surges 84" with
"Oops (Oh My)" (Gold Mind /Elektra/EEG) ... Stations remember to play Glenn Lewis' "Don't You Forget It," scooting the Epic artist 13-11* ... Motown diva Sharissa teaches a lesson about dropping by without calling first with her single "Any Other Night," which gains +78 plays, putting it at No. 22* ... Divine Mill/WB
crooner Jaheim moves 18 -15* with "Anything" on the Urban chart while easing from No. 20 -No. 19` on the Urban AC side ... Yep, you're seeing double. The top five songs of last week are the top five songs for this week on the Urban AC chart.
"Butterflies" (Epic), "A Woman's Worth" (J), "Lifetime" (Columbia), -U Got It Bad"
(LaFace /Arista) and "Brotha" (J) keep Michael Jackson, Alicia Keys, Maxwell, Usher and Angie Stone at the top of the chart for another week.
- Tanya O'Quinn, Assistant Editor
P H U N 'I D A M E N T A L L Y
ARTIST: Knoc- Turn'ai
LABEL: L.A. Confidential/Elektra /EEG
By TANYA O'QUINN /ASSISTANT EDITOR
Born Royal Harbor, the L.B.C.'s own Knoc- Turn'al is in the process of making his
alias a household name. After serving four years in prison, Knoc was determined to turn his life
around, and being discovered by L.A. Confi- dential founder /CEO Big D. was just the thing he needed to accomplish that goal. Big D intro- duced the rapper to superproducer Dr. Dre, who was so impressed with Knoc's skills that he had him lay down some rhymes that very day. Sub- sequently, Knoc was featured on four songs on Dr. Dre's Chronic 2001, and he co -wrote three songs on Dre's and Snoop Dogg's The Wash
soundtrack. "I pull quick/It's useless /I'm fully clipped/
64 ", fully dipped," warns this tall, light- skinned, braided rapper at the beginning of the single "Knoc." As police pursue him in squad cars and helicopters, he proceeds to share with you a day in the life of a West Coast lyricist. As I'm vibing, feeling pride in hearing familiar territory men- tioned, I find the Dr. Dre- Prophecy Entertain- ment beat hypnotic. I have to admit that, at first,
I didn't really like this joint, but once I put on
my headphones and turned up the volume to
"call the police" I begin to understand its appeal. It's a West Coast party!
As I listen to Knoc rap of sipping "cranberry juice on rocks with vodka," I reach under my desk and pop open the Belvedere - don't need the juice, just gets in the way. As if Knoc isn't doing enough self -hyping, Missy Elliott's cho-
TELL US WHAT YOU THINK!
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Knoc-Turn'at
rus adds a few steps to the pedestal upon which he rests: "Ooh, take it easy /'Cause it's that boy you call Knoc /Hotter than your block full of black -and -white cops/Bow down when you see me/Knoc the truth, best believe it/Take it easy, 'cause it's that boy you call Knoc /Hotter than a
freak who giving brain and won't stop /Bow down when you pass through /Knoc- Turn'al, how dare you!" - of course, these are the words to the radio version.
"Knoc" contains a mesmerizing track bang- ing underneath passionate lyrics from a rapper proud of his hood and the surrounding areas. To
introduce a new MC with a boastful rap is damn near suicide. However, Knoc comes out basi- cally celebrating (with a lit' self -hype thrown into the mix), while Elliott, a producer- rapper- singer -writer embraced around the world, sup- plies the swank necessary for the point to be made subliminally.
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www.americanradiohistory.com
72
LAST THIS WEEK WEEK ARTIST " TL_ LABEL
2 2
3 3
4 4
5 5
8 Q 6 Ï
7 3
19 Q 9
11 m 12 ® 10 13
16 m 13 15
15 m 22 m 17 13
21
23
20 ® 25 ® 18 23
m
28
Urban AC Top 30 February 22, 2002
30
24
29
26
27
[Debut> ¡Debut> m
TOTAL + I - GROSS WEEKS ON TOTAL STATIONS! PLAYS PLAYS IMPRESSIONS CHART ADDS
MICHAEL JACKSON Butterflies (Epic)
ALICIA KEYS A Woman's Worth (J)
MAXWELL Lifetime (Columbia)
USHER U Got It Bad (LaFace /Arista)
ANGIE STONE Brotha (J)
BONEY JAMES Something Inside (Warner Bros.)
GLENN LEWIS Don't You Forget It (Epic)
JOE Let's Stay Home Tonight (Jive)
ANN NESBY F /AL GREEN Put It On Paper (It's Time Child)
REGINA BELLE Ooh Boy (Peak)
GINUWINE Differences (Epic)
LUTHER VANDROSS I'd Rather (J)
JILL SCOTT He Loves Me (Hidden Beach /Epic)
MAXWELL This Woman's Work (Columbia)
KEKE WYATT Nothing In This World (MCA)
MONTELL JORDAN You Must Have Been (Del Soul /IDJMG)
SHARISSA Any Other Night (Motown)
ISLEY BROTHERS Secret Lover (DreamWorks)
JAHEIM Anything (Divine Mill/WB)
GERALD LEVERT What Makes It Good To You... (EastWest/EEG)
FAITH EVANS I Love You (Bad Boy /Arista)
BABYFACE I Keep Callin' (Arista)
YOLANDA ADAMS Never Give Up (Elektra/EEG)
REMY SHAND Take A Message (Motown)
PROPHET JONES Cry Together (University/Motown)
KIRK FRANKLIN 911 (Gospo Centric /Jive)
INDIA.ARIE Strength, Courage & Wisdom (Motown)
AALIYAH Rock The Boat (BlackGround)
SADE Somebody Already Broke My... (Epic)
R. KELLY The World's Greatest (Interscope /Jive)
1001
845 -79 133746 15 34/0
780 -64 105704 17 37/0
718 -104 112909 29 37/0
668 -93 79100 16 32/0
639 -83 101235 22 36/0
609 +38 69752 16 34/0
597 -14 103650 12 31/0
500 -121 68069 13 36/0
458 +149 69684 4 13/4
454 -27 56754 18 34/0
453 +23 78466 27 27/0
440 +68 70387 4 37/0
405 -31 64957 12 26/0
397 +40 83440 4 35/1
367 -5 62138 14 24/0
357 +16 41792 7 21/0
321 +42 35998 6 19/0
307 -25 43008 14 26/0
305 +15 42169 9 14/0
304 +27 35090 4 29/0
287 +6 36942 5 23/0
280 +32 33232 4 25/0
267 -64 29394 14 27/0
253 +63 31685 2 21/0
252 -14 31662 7 20/0
222 +18 26635 5 16/0
199 -39 37250 15 23/0
188 -44 20260 19 9/0
181 +27 23373 1 19/0
180 -13 55839 1 9/0
38 Urban AC reporters. Monitored airplay data supplied by Mediabase Research, a division of Premiere Radio Networks. Songs ranked by total plays for the airplay week of 2/10/02- 2/16/02. Bullets appear on songs gaining plays or remaining flat from previous week. If two songs are tied in total plays, the song with the larger increase in plays is placed first. Songs below No. 15 are moved to recurrent after 20 weeks on the chart. Most Added is the total number of new adds officially reported to R &R by each reporting station. Songs unreported as adds do not count toward overall total stations playing a song. Most Increased Plays lists the songs with the greatest week -to -week increases in total plays. Gross Impressions equals Average Quarter Hour Persons times number of plays (times 100). Average Quarter Hour Persons used herein with permission from the Arbitron Company (copyright 2002, The Arbitron Company). (C) 2002, R &R, Inc.
New & Active BRIAN MCKNIGHT What's It Gonna Be (Motown) Total Plays: 136. Total Stations: 23, Adds: 3
AVANT Makin' Good Love (Magic Johnson /MCA) Total Plays: 124, Total Stations: 15, Adds: 0
PHIL PERRY I Can't Wait (Til Morning...) (Peak) Total Plays: 89, Total Stations: 11, Adds: 0
JOI Missing You (Universal) Total Plays: 89, Total Stations: 10. Adds: 0
GINUWINE Tribute To A Woman (Epic) Total Plays: 85, Total Stations: 7, Adds: 0
RANDY CRAWFORD Permanent (Warner Bros.) Total Plays: 82, Total Stations: 7, Adds: 0
TONY TERRY I Don't Wanna Stop (Golden Boy) Total Plays: 81, Total Stations: 8. Adds: 0
OLETA ADAMS All The Love (Pioneer Music Group) Total Plays: 78, Total Stations: 9, Adds: 0
LATHUN Fortunate (Motown) Total Plays 69, Total Stations: 13, Adds: 2
WALTER BEASLEY Things I Do For Love (Shanachie) Total Plays: 62, Total Stations: 11, Adds: 0
Songs ranked by total plays
Most Added® www.rradds.com
ARTIST TITLE LABELiS)
JOE What If A Woman (Jive)
BEBE WINANS Do You Know Him (Motown) RUFF ENDZ Someone To Love You (Epic)
ANN NESBY F /AL GREEN Put It On Paper (It's Time Child)
BRIAN MCKNIGHT What's It Gonna Be (Motown) LATHUN Fortunate (Motown)
ADDS
15
7
6
4
3
2
Most Increased Plays
TOTAL PLAY
ARTIST TIL lac5I.5 INCREASE
ANN NESBY F /AL GREEN Put It On Paper (Ifs Time Child) +149
BRIAN MCKNIGHT What's It Gonna Be (Motown) LUTHER VANDROSS I'd Rather (J)
REMY SHAND Take A Message (Motown) SHARISSA Any Other Night (Motown) LATHUN Fortunate (Motown)
MAXWELL This Woman's Work (Columbia)
BONEY JAMES Something Inside (Warner Bros.)
+83
+68
+63
+42
+41
+40
+38
BRANDY What About Us? (Atlantic) +37
Most Played Recurrents
ARTIST TITLE 2-,8EL,S TOTAL PLAYS
LUTHER VANDROSS Take You Out (J) 398
GERALD LEVERT Made To Love Ya (EastWest/EEG) 365
JILL SCOTT The Way (Hidden Beach /Epic) 349
BRIAN MCKNIGHT Love Of My Life (Motown) 307
BABYFACE What If (Arista) 249
MUSIO Love (DefSoul /IDJMG) 229
YOLANDA ADAMS Open My Heart (Elektra/EEG) 228
JILL SCOTT A Long Walk (Hidden Beach/Epic) 220
JAHEIM Just In Case (Divine Mill/WB) 208
ALICIA KEYS Fallin' (J) 201
INDIA.ARIE Brown Skin (Motown) 190
DONNIE MCCLURKIN We Fall Down (Verity) 181
ISLEY BROTHERS F/RONALD ISLEY Contagious (DreamWorks) 177
LUTHER VANDROSS Can Heaven Wait (J) 161
SUNSHINE ANDERSON Heard It All... (Soulife /Atlantic) 152
INDIA.ARIE Video (Motown) ERICK SERMON Music (J)
MARY J. BLIGE Family Affair (MCA)
AVANT My First Love (Magic Johnson /MCA)
MICHAEL JACKSON You Rock My World (Epic)
146
142
140
139
137
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Country LON HELTON lhelton @rronline. corn
What A Difference A Year Makes Lots of changes in Nashville radio since last CRS
February 22, 2002 R &R 73
Programming a Country station in Nashville is like living in a fishbowl. Not only do you have _ artists and music -industry execs as listeners, but once a year a couple of thousand other experts descend on Music City to lend a critical ear.
So, as many of you prepare for your annual sojourn to Nashville for the Country Radio Seminar, I thought it
might be useful to have a handy -dan- dy guide to Nashville Country radio. Here's what's on the air - and what's changed since you were here, a scant year ago.
Citadel's WKDF In many respects WKDF at 103.3
is a very different radio station today than it was a year ago. A year ago Wes McShay was PD; today former WSIX PD Dave Kelly is at the programming helm. A year ago Rusty Walker was WSIX's consultant. Today he consults WKDF. A year ago John King was a Regional VP for Clear Channel, and WSIX fell under his purview. Today he is a Regional President for Cita- del, and WKDF is among his respon- sibilities.
On -air changes include the depar- ture in December 2001 of 'KDF pm driver (and former WSIX middayer) CC McCartney. MD Eddie Foxx moved from evenings to afternoons a couple of months ago. Last week Jeff Lyon replaced Gina Donegan in nights.
The first thing you'll notice when you punch 103.3 is that WKDF has dropped its "Music City 103" identi- fier in favor of "103 WKDF." The slo- gan has also changed: It is now "Mu- sic City's No. 1 for new country and the legends." The slogan had been "Today's best country and all -time country legends."
Also, David Kaye has replaced Paul Turner as the imaging voice, and the KYGO/Denver "Real World" jin- gle package is gone. Kelly says he's currently looking for his "next jingle opportunity."
WKDF's music mix is also differ- ent from what it was a year ago. Kelly says, "The biggest change is that we're trying to establish 103 WKDF as being not only the legends station, but the station that plays new records too."
Toward that end, there's an empha- sis on setting up every new record. Some have produced stagers, and oth- ers are set up by the talent, but there's something going in and out of every new record - so the station can, as Kelly says, "take ownership of those songs and that position."
Explaining his more aggressive approach to currents, Kelly says, "We're no longer looking for songs
that fill a specific niche. In the past we had issues putting a song on the air if it didn't sound like a legend or a traditional- sounding oldie. Now we're much more open to contemporary- sounding songs."
But he also says that there has been an increased focus at the sta- tion on taking ownership of the leg- ends. "We're not going any deeper into the music, we're just concentrating a little more on the best of those songs," he explains. "Plus, we're telling peo- ple a little more often that we're fol-
lowing through on the promise and playing those songs."
"In the past we had
issues putting a song
on the air if it didn't
sound like a legend or
a traditional- sounding
oldie. Now we're much
more open to
contemporary-
sounding songs." Dave Kelly
Kelly adds that, overall, "The packaging of the station is more fo- cused on the music than it's ever been." He also said that there's a more contemporary approach on the air, although there's still "lots of at- titude and lots of fun."
One other rather important change that's a little less noticeable during a couple of days of listening: WKDF is ever -so- carefully trying to move its audience composition of 60% male - 40% female toward 50 -50 as it aims at a target of 25 -54 adults.
Gaylord's WSM -AM
The fact that you even have WSM -AM to listen to is fortunate. Depending on who you talk to, the station's flip to Sports was either a done deal or merely a rumor. Re- gardless, Gaylord decided to stay the course, something that can also be said for the station.
The most visible change at WSM - AM during the past year was the adoption last spring of the slogan "Too country ... and proud of it." Asked if the line was inspired by last year's CRS panel "Too Pop? Too Country?" PD John Malone laughs and says it was actually inspired by Bill Ander- son's song - also on Brad Paisley's CD - "Too Country." Malone ex- plains, "It's not that we were trying to be defiant. We were embracing what we are. The slogan makes a statement and tells the story of what we're trying to accomplish.
"That's an attitude we've had for some time. It's an attitude about the music, with the personalities and for the people who listen. We're not just a Country station. We're Country be- cause we live it and love it, and that's what it's all about. With the station's historic position in the world of coun- try and with the competitive position we're in as one of four Country sta- tions in Nashville, we've been using the line to set us apart."
That line never replaced WSM - AM's primary positioner, which has long been "America's Country Sta- tion." Indeed, since Sept. 11, 2001, WSM -AM has leaned a bit more heavily on that line than on the "Too country" line. Malone adds, "`Too country' is more of a marketing cam- paign than an on -air slogan."
The music has been tweaked just a bit in the last 12 months. Malone says, "We've gone a bit more tradi- tional, in particular with the cur- rents. Our currents don't necessari- ly reflect what every other station is playing. And, unlike most Coun- try stations, we have embraced blue- grass music, which our listeners have enthusiastically accepted." In the last year WSM -AM has also ex- panded its presentation of live pro- grams from legendary local venues like the Bluebird Cafe and the Sta- tion Inn.
There have been no airstaffchang- es in the last year. The most recogniz- able voice to you may be morning tal- ent Bill Cody, who hosts the Jones Radio Networks -syndicated Classic Country Weekend and cable TV's Classic on Great American Country.
Gaylord's WSM -FM
Suffice it to say that almost noth- ing at WSM -FM is the same as it was a year ago. PD Kevin O'Neal arrived
JERRY! JERRY! JERRY!
Cross -dressing football players and the women who - oh, wait, this isn't The Jerry Springer Show! This is Jerry Springer co- hosting with
Randy Price and Dave McKay, WQYK/TamPa s No. 1 afternoon show.
Pictured here (t -r) are Price, Springer and McKay.
three months ago, and, as extensively chronicled in the R &R Country Hot - fax on Feb. 5, he turned the station on its ear when he relaunched it as "Nashville's Live 95" on Feb. 4.
As part of its everyday program- ming, WSM -FM is playing live ver- sions of hit songs culled from a vari- ety of sources. It will also be playing live "special moments" - that is, art- ists' live collaborations on songs they may otherwise not have recorded. Live songs are being played two or three times an hour.
Recent developments include the exits of pm driver Taylor Morgan and middayer Rich Miller. WSOC /Char- lotte middayer Mike Terry will take the midday shift on WSM -FM on March 4. O'Neal hopes to name a pm driver soon and may have one picked by the time you read this. You'll also hear new jingles; O'Neal just added Jam's "After Burner" CHR package.
One of WSM -FM's new features debuted on Feb. 13, with Clint Black as the guest: an every- other -Wednes- day morning -show remote from the Alabama Grille, complete with The Big House band. The next big show is Feb. 27 - Wednesday of CRS week - with Joe Diffie, Michael Peterson and Little Big Town. They're holding a session for visiting radio types, and Monument is providing a
bus from the Renaissance Hotel to the Alabama Grille. If you'd like to go, contact Monument's Larry Pareigis at 615- 742 -4321.
WSM -FM launched its Friday morning -show chats with NASCAR legend Darryl Waltrip Feb. 8. Talk about debuting with a bang: DW called in from Salt Lake City, where he was walking with, ahem, the president and his entourage, who were on their way to the Olympics site.
While you're in town, you'll hear promos for the Strait Bus Strait to Memphis contest and ticket give- aways during Bill Whyte's morning show. Whyte has 40 ducats for the G- Man in Memphis on March 1.
Finally, pay close attention to O'Neal's sweepers. Some are definite- ly very inside. For instance, WSIX PD Mike Moore called `offensive, in
light of today's circumstances" O'Neal's staff -meeting remarks that WSM -FM is "at war" with WSIX and WKDF. Last week WKDF PD Dave Kelly released a tongue -in -cheek statement saying 103 had adopted a "non- live -music policy," and added, "If there is not anoticeable adjustment by ProTools, it will not get on the air." O'Neal's sweeper response: "We call it war. Some people call it offensive. We just fixed it with ProTools."
Clear Channel's WSIX
We're not slighting WSIX in space here - there's just not much to say. The station has been very consistent over the past 12 months. The bulk of the changes WSIX has experienced in recent times came before last year's CRS. PD Mike Moore says that, for over a year, WSIX's focus has been on three messages: morning host Ger- ry House, "New country and all your country favorites" and "12 -in -a -row" - the latter two slogans both adopt- ed prior to CRS 2001.
WSIX has shuffled its personality lineup since you were here a year ago. In July pm driver Johnny Mac (who has been heard on WSM -FM of late) exited and was replaced by Dean Warfield, who returned to af- ternoons after 10 months in middays. Imported from WQDR/Raleigh for middays was Billy Greenwood, who was also tapped as MD. In August 'SIX weekender J.P. Miller joined af- ternoons as sidekick/producer /stunt boy /man on the street.
Outside of that, Moore said WSIX's focus right now is on the spring book.
Oh, he did ask that I leave you with this: WSIX has a truly cutting -edge contest that is set to debut the week- end you're in Nashville. Just listen to 97.9, the Big 98, and be ready to dial 737 -9800 for your chance to win. (No promotions or flyaways accompanied this announcement.)
TALK BACK TO R &R!
Do you have questions, comments
or feedback regarding this column
or other issues?
Call me at 615- 244 -8822 or
e -ma i I: Ihelton @rronline. coni
www.americanradiohistory.com
74 R &R February 22, 2002
CALVIN GILBERT giibert@rroniine. com
Another Icon Exits
Nash ville .................
Waylon Jennings made history throughout his career
When Waylon Jennings died last week, many Country stations expressed the loss by playing George Jones' "Who's Gonna Fill Their Shoes ?"
New artists will build solid careers and eventually leave big shoes for others to fill, but we don't really expect anyone to replace a legend like Waylon Jennings. In his case, though, it's not just a matter of the footwear, but Waylon the charisma of a Jennings man who remained exceedingly cool throughout his entire life without ever trying.
Bigger Than Life Waylon Jennings was bigger than
life and a true country-music icon. None of that changes in the wake of his Feb. 13 death at his home near Phoenix, following a lengthy battle with diabetes. The 64- year -old Jennings underwent surgery in December to amputate his left foot due to compli- cations from the illness.
Born June 15, 1937 in Littlefield, TX, Jennings grew up in West Texas, working as a disc jockey in Lubbock in 1954. After Jennings joined Buddy Holly's band in 1958, Holly produced Jennings' first single, "Joie Blon," for Brunswick Records.
Even before Jennings achieved fame as an artist, though, he became a part of music history on Feb. 3, 1959, when he gave up his seat on a chartered plane to Jiles Perry Richardson, a.k.a. The Big Bopper. The plane crashed in Iowa, claiming the lives of all aboard, includ- ing Holly and Ritchie Valens. "Mainly what I learned from Buddy was an at- titude," Jennings once said. "He loved music, and he taught me that it shouldn't have any barriers to it."
In the early '60s Jennings was the frontman for a bar band in Phoenix, where he honed his "chicken- pickin "' guitar technique and developed his distinctive vocal style. When RCA re- cording artist Bobby Bare heard Jen- nings in Phoenix, he immediately called RCA/Nashville chief Chet At- kins to tell him about the singer -gui- tarist. Jennings had recorded for sev- eral labels, including A &M, before moving to Nashville in 1965 and sign- ing with RCA.
Jennings' earliest RCA hits include "The Chokin' Kind," "Walk on out of My Mind" and one of his signature songs, "Only Daddy That'll Walk the Line." In 1969 he collaborated with another act, The Kimberlys, for a Grammy- winning cover of "Mac-
Arthur Park." At RCA, Jennings' fierce determination to control his own mu- sic often created headaches for Atkins and staff producer Danny Davis.
The Outlaw Movement Jennings once said, "Every business
has its system that works for 80% of the people who are in it, but there's al- ways that other 20% who just don't fit in. That's what happened to me, and it
happened to Johnny Cash, and it hap- pened to Willie Nelson. We just couldn't do it the way it was set up.
"It wasn't until I started producing my own records and using my own mu- sicians and working with people who understood what I was about that I first started having any real success."
Current Acuff -Rose Music Publish- ing President Jerry Bradley was in charge of RCA's Nashville operations during the '70s, the height of the `out- law" movement. Bradley assembled a collection of studio recordings for the 1976 album, Wanted: The Outlaws, which featured Jennings, Willie Nel- son, Tompall Glaser and Jennings' wife, Jessi Colter. It was the first coun- try album to be certified Platinum by the RIAA.
Bradley was facing a production deadline when he took the proposed cover artwork for Wanted: The Outlaws to Jennings office. In 1997 Bradley told R &R, "At that time his compadres would take all our ads and put 'em on the door and throw knives at them."
After seeing the artwork for the first time, Jennings handed it back to Brad- ley and looked at his friends, saying, "It's his idea. Let him do whatever he wants with it." Jennings had his first crossover hit with one of the album cuts, a duet with Willie Nelson on "Good Hearted Woman."
In 1985 Jennings teamed up with Nelson, Johnny Cash and Kris Kris - tofferson to record The Highwaymen, a project that included a hit album, sin- gle, video and tour. A year later Jen- nings exited RCA to sign with MCA/ Nashville.
Jennings also released a children's album called Cowboys, Sisters, Rascals & Dirt and frequently spoke to students about the importance of staying in school. A 10th grade dropout, Jennings completed studies for his GED in 1989.
A New Audience
Jennings reached a new audience in
1996 when he joined the Lollapalooza tour, where he shared the stage with rock acts like Metallica, Soundgarden and Rancid. He appeared in the mov-
ies Nashville Rebel and MacKintosh and T.J. and provided the theme song and narration for CBS -TV's Dukes of Hazzard. His film credits also include Stagecoach (a CBS -TV movie with The Highwaymen), Oklahoma City Dolls (an ABC -TV movie with Eddie Albert and Susan Blakely) and Follow That Bird (a Sesame Street movie). He had a cameo in the Mel Gibson film Maverick, for which he also contribut- ed "You Don't Mess Around With Me" to the soundtrack. He also recorded several songs for the soundtrack of the film Ned Kelly, starring Mick Jagger.
Jennings was inducted into the Country Music Hall of Fame in Octo- ber, although he didn't attend the in- duction ceremony. Whether it was one of his final statements or mere coinci- dence, Jennings was in Nashville just days after the Hall of Fame induction banquet to sign a portrait on display at The Palm, a restaurant located just around the corner from the new Hall of Fame building.
An outspoken critic of the Nashville establishment, especially the Country Music Association, Jennings did tour the new Hall of Fame building before it opened to the public last May. His entourage included his wife and WKDF/Nashville's Carl P. Mayfield, who frequently featured Jennings live on the air during "Waylon Wednesday" on his morning show.
Hall Of Famer At the time of that tour, Hall of Fame
Director Kyle Young had already re- ceived confidential information that Jennings would be one of the 2001 in- ductees. Young says that Jennings spent most of his time in the building's ro- tunda, where the plaques for the Hall of Fame members are displayed.
"He spent more time in there than he did in any other place, talking about those people who were in there," he recalls. "That was surreal for me, be- cause I knew he was going in. But he was clearly reverential."
Here's a list of Jennings' work that hit No. 1 on the R &R Country chart:
"This Time" (1974) "I'm a Ramblin' Man" (1974, two
weeks) "Are You Sure Hank Done It This
Way" / "Bob Wills Is Still the King" (1975)
"Luckenbach, Texas" (1977, four weeks)
"Wurlitzer Prize " / "Lookin' for a Feeling" (1977, two weeks)
"I've Always Been Crazy" (1978) "Amanda" (1979, two weeks)
The late Waylon Jennings was remembered during last Saturday's sold - out performance of the Grand Ole Opry at Nashville's Ryman Audito- rium. Opry members Travis Tritt and Marty Stuart joined Hank Williams Jr. in opening the segment with "Eyes of Waylon," a song from Will- iams' 1995 album, Hog Wild. The empty stool onstage remained in honor of Jennings. Pictured are (l -r) Stuart, Tritt and Williams.
"I Ain't Living Long Like This" (1980)
"Lucille" (1983) -
"Rose in Paradise" (1987) Jennings' collaborations with Nel-
son also resulted in three more chart- toppers: "Good Hearted Woman" (1976, two weeks); "Mamas Don't Let Your Babies Grow Up to Be Cowboys" (1978, five weeks); and "Just to Satis- fy You" (1982, two weeks).
Carson Makes CRS Plans Despite a broken vertebra, Jeff
Carson is looking forward to the up- coming Country Radio Seminar, set for Feb. 27 -March 2 in Nashville. Carson sustained the back injury Feb. 8, when he slammed into a tree while snow -sledding at his Nashville -area home.
An ambulance transported Carson to Vanderbilt Medical Center, where doc- tors determined that he broke his T6 vertebra. He was released from the hospital the following day. No surgery will be needed, although Carson will be wearing a body brace for the next 12 weeks.
By Feb. 11 Carson was already doing radio interviews to promote his new Curb single, "Until We Fall Back in Love Again." He won't re- sume touring until early April, but manager Sheila Shipley Biddy says Carson intends to participate in the upcoming CRS to the best of his abil- ities.
With Carson's career on the upswing following his recent hit "Real Life," his manager says, "He asked me not to cancel anything at CRS. He can walk, but if I have to, I'll put him in a wheel- chair just to get him from point A to point B. With this new single just out, he doesn't want anything to stand in his way."
Jackson, Chicks, Grammys Alan Jackson and The Dixie Chicks
will be making appearances on the 44th annual Grammy Awards. On Feb. 11, officials announced that Jackson will perform "Where Were You (When the World Stopped Turning)" and The Dixie Chicks will appear as presenters.
The awards show also pays tribute
to the O Brother, Where Art Thou? soundtrack with a performance by Dan Tyminski and Pat Enright (as The Sog- gy Bottom Boys), Emmylou Harris, Alison Krauss, Ralph Stanley and Gil- lian Welch. The Grammy show takes place Feb. 27 at Staples Center in Los Angeles. It will be broadcast live on CBS -TV.
Womack Recording Rock producer Matt Serletic is
working with Lee Ann Womack on a track that serves as the working title for her fourth album. Womack will go to Los Angeles to record the song "Some- thing Worth Leaving Behind," written by Brett Beavers.
Serletic, best -known for his work with Santana and Matchbox Twenty, is Chairman/CEO of Virgin Records. Womack met him when she and Willie Nelson recorded "Mendocino Country Line," a track from Nelson's new al- bum, The Great Divide. Other tracks will be produced by Mark Wright and Frank Liddell, who produced Wom- ack's multi- Platinum album I Hope You
Dance
Bits 'N' Pieces Brooks & Dunn's second Neon
Circus & Wild West Show tour kicks off April 12 in Minneapolis. Tour dates are confirmed through June 30, with additional shows to be an- nounced in the near future. The April roadwork will take the tour through Illinois, Connecticut, Pennsylvania, New York, California and Arizona. The tour also stars Dwight Yoakam, Gary Allan, Trick Pony and Chris Cagle.
The 20th annual George Strait Team Roping Classic is set for March 15 -16 at the San Antonio Rose Palace. Some of the best team ropers in the country will compete for more than $200,000 in cash and prizes, including two 2002 Chevy twin -cab pickup trucks.
Trace Adkins heads to Rocking- ham, NC on Feb. 24 to sing the nation- al anthem prior to the Subway 400 NASCAR Winston Cup Series race at the North Carolina Speedway. Adkins' performance will be shown live as part of the FOX Network's race telecast.
www.americanradiohistory.com
LAST THIS
WEEK WEEK
1
2
5
3
4
6
7
10
1
2
Q 0 © 0 0 Q
8 0 12 0
9 12
14 a ,3 0 15 0 16 0 21 D 19 a 17 0 25 m 20 ® 22 ® 18 23
23
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33 39
43 m 41 41
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Country Top 50 February 22, 2002
75
ARTIST TITLE L45EL S,
STEVE HOLY Good Morning Beautiful (Curb)
BRAD PAISLEY Wrapped Around (Arista)
TIM MCGRAW The Cowboy In Me (Curb)
BROOKS & DUNN Long Goodbye (Arista)
JO DEE MESSINA W/TIM MCGRAW Bring On The Rain (Curb)
MARTINA MCBRIDE Blessed (RCA)
DIXIE CHICKS Some Days You Gotta Dance (Monument)
KENNY CHESNEY Young (BNA)
CHRIS CAGLE I Breathe In, I Breathe Out (Capitol)
RASCAL FLATTS I'm Movin' On (Lyric Street)
JOE DIFFIE In Another World (Monument)
TRACY BYRD Just Let Me Be In Love (RCA)
TOBY KEITH My List (DreamWorks)
PHIL VASSAR That's When I Love You (Arista)
TOMMY SHANE STEINER What If She's An Angel (RCA)
BLAKE SHELTON All Over Me (Warner Bros.)
TRAVIS TRITT Modern Day Bonnie And Clyde (Columbia)
EMERSON DRIVE I Should Be Sleeping (Dream Works)
CYNDI THOMSON I Always Liked That Best (Capitol)
GARTH BROOKS & TRISHA YEARWOOD Squeeze Me In (Capitol)
CAROLYN DAWN JOHNSON I Don't Want You To Go (Arista)
STEVE AZAR I Don't Have To Be (Till...) (Mercury)
LEE ANN WOMACK Does My Ring Burn Your Finger (MCA)
KEVIN DENNEY That's Just Jessie (Lyric Street)
TAMMY COCHRAN I Cry (Epic)
CHELY WRIGHT Jezebel (MCA)
ALAN JACKSON Drive (For Daddy Gene) (Arista)
TRICK PONY Just What I Do (H2E/WB)
KELLIE COFFEY When You Lie Next To Me (BNA)
MARK WILLS W /JAMIE O'NEAL I'm Not Gonna Do Anything... (Mercury)
LONESTAR Not A Day Goes By (BNA)
MARK MCGUINN She Doesn't Dance (VFR)
GARY ALLAN The One (MCA)
ANDY GRIGGS Tonight I Wanna Be Your Man (RCA)
TY HERNDON Heather's Wall (Epic)
REBA MCENTIRE Sweet Music Man (MCA)
W. NELSON/L. A. WOMACK Mendocino... (Lost Highway /Mercury)
SHANNON LAWSON Goodbye On A Bad Day (MCA)
BLACKHAWK Days Of America (Columbia)
BRAD MARTIN Before I Knew Better (Epic)
JESSICA ANDREWS Karma (Dream Works)
SAWYER BROWN Circles (Curb)
PAT GREEN Three Days (Republic /Universal)
GEORGE STRAIT Living And Living Well (MCA)
DIXIE CHICKS Travelin' Soldier (Monument)
MARK CHESNUTT She Was (Columbia)
TRACE ADKINS Help Me Understand (Capitol)
BRIAN MCCOMAS I Could Never Love You Enough (Lyric Street)
MINDY MCCREADY Maybe, Maybe Not (Capitol)
LITTLE BIG TOWN Don't Waste My Time (Monument)
TOTAL TOTAL GROSS WEEKS ON TOTAL STATIONS POINTS PLAYS IMPRESSIONS CHART ADDS
(00)
15524 5580 652753 29 153/0
14710 5404 622299 24 152/0
14505 5229 608969 12 153/0
14370 5255 602756 16 153/0
13993 5237 595028 23 152/0
13069 4728 550507 15 153/1
10975 4175 466641 20 145/2
10790 3957 455204 9 153/1
10578 3966 454124 20 152/0
9739 3588 399779 19 147/0
9713 3859 414442 30 147/0
9434 3519 396675 26 151/0
9321 3292 388744 7 152/1
8855 3248 378421 16 148/3
8503 3079 360583 9 147/3
6981 2749 292175 17 144/0
5899 2253 246864 7 136/2
5833 2176 240371 13 143/2
5812 2308 247151 15 137/1
5262 1958 229701 5 138/7
5182 2023 209795 9 139/5
5114 2066 211564 19 129/5
5038 2076 234248 13 127/1
4458 1688 185775 10 130/9
4095 1653 166538 12 124/6
3813 1400 165303 9 107/3
3810 1257 160931 5 124/45
2936 1151 126642 6 108/11
2929 1193 117371 8 114/8
2735 1168 108409 11 104/2
2671 1088 107165 5 96/13
2603 1171 120987 11 97/3
1949 843 75636 6 81/11
1816 747 78790 5 93/14
1644 693 70664 8 77/1
1616 612 63421 5 65/3
1485 453 60823 7 46/23
1426 529 61504 3 76/11
1409 609 68573 15 69/0
1086 506 43220 3 78/8
909 310 35896 3 45/0
882 321 34490 4 41/4
874 247 35248 7 39/10
800 275 31965 2 32/25
599 133 29315 5 4/0
555 192 21794 4 32/14
504 233 21063 1 61/19
489 234 18639 2 40/5
488 203 18984 4 25/2
483 156 19736 1 11/7
153 Country reporters. Monitored airplay data supplied by Mediabase Research, a division of Premiere Radio Networks. Songs ranked by total points for the airplay week of 2110/02- 2/16/02. Bullets appear on songs gaining in points or remaining flat from previous week. If two songs are tied in total points, the song with the larger increase in points is placed first. Songs below No. 1 and down in points for three consecutive weeks are moved to recurrent. Most Added is the total number of new adds officially reported to R &R by each reporting station. Songs unreported as adds do not count toward overall total stations playing a song. Most Increased Points lists the songs with the greatest week -to -week increases in total points. Breaker status is awarded to songs reported by 60% of the panel for the first time. Station Weight = AQH Persons + (Market rank X 10) divided by 4180. Gross Impressions equals Average Quarter Hour Persons times number of plays (times 100). Average Quarter Hour Persons used herein with permission from the Arbitron Company (copyright 2002, The Arbitron Company). (C) 2002. R &R, Inc.
Most Added® www.rradds.com
ARTIST TITLE LABEL(S'
ALAN JACKSON Drive (For Daddy Gene) (Arista)
GEORGE STRAIT Living And Living Well (MCA)
W. NELSON/L. A. WOMACK Mendocino... (Lost Highway/Mercury)
TRACE ADKINS Help Me Understand (Capitol)
ANDY GRIGGS Tonight I Wanna Be Your Man (RCA)
MARK CHESNUTT She Was (Columbia)
LONESTAR Not A Day Goes By (BNA)
TRICK PONY Just What I Do (H2E/WB)
GARY ALLAN The One (MCA)
SHANNON LAWSON Goodbye On A Bad Day (MCA)
DAVID BALL She Always Talked About Mexico (Dualtone)
BRAD PAISLEY I'm Gonna Miss Her (Arista)
ADDS
45
25
23
19
14
14
13
11
11
11
11
11
Most Increased Points
ARTIST TITLE LABEL(SI POINT
INCREASE
ALAN JACKSON Drive (For Daddy Gene) (Arista) +1475
G. BROOKS & T. YEARWOOD Squeeze... (Capitol) +1304
TRAVIS TRITT Modem Day Bonnie And Clyde (Columbia) +870
TOBY KEITH My List (DreamWorks) +706
KENNY CHESNEY Young (BNA) +702
TIM MCGRAW The Cowboy In Me (Curb) +693
TOMMY SHANE STEINER What If She's An Angel (RCA) +618
STEVE AZAR I Don't Have To Be (Till...) (Mercury) +426
GEORGE STRAIT Living And Living Well (MCA) +419
LONESTAR Not A Day Goes By (BNA) +408
Most Increased Plays
ARTIST TITLE LABEL(S)
TOTAL
PLAY
INCREASE
ALAN JACKSON Drive (For Daddy Gene) (Arista)
G. BROOKS & T. YEARWOOD Squeeze Me In (Capitol)
TRAVIS TRITT Modern Day Bonnie And Clyde (Columbia)
TOBY KEITH My List (DreamWorks)
KENNY CHESNEY Young (BNA)
TIM MCGRAW The Cowboy In Me (Curb)
TOMMY SHANE STEINER What If She's An Angel (RCA)
TRACE ADKINS Help Me Understand (Capitol)
STEVE AZAR I Don't Have To Be (Till...) (Mercury) MARTINA MCBRIDE Blessed (RCA)
+520
+495
+322
+298
+290
+255
+232
+169
+159
+150
Breakers®
ALAN JACKSON Drive (For Daddy Gene) (Arista)
45 Adds Moves 31 -27
LONESTAR
Not A Day Goes By (8NA) 13 Adds Moves 32 -31
ANDY GRIGGS
Tonight I Wanna Be Your Man (RCA)
14 Adds Moves 36 -34
Songs ranked by total plays
PAT GREEN"Th Days" NEW THIS WEEK:
WWYZ KTEX KSSN KHKI KZSN KKCS WYYD WKCQ KRYS and many more!
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76
Country Top 50 Indicator ° February 22, 2002
R &R'S EXCLUSIVE REPORTED OVERVIEW OF NATIONAL AIRPLAY
4 0 6 0 2 4
3 5
5
9 1D
8 O 7 9
11
12
13 ® 14 ® 15
10
16 16
17 17
20 m 18
24
19 ® 21
22 e 23
26 ® 25 e 32 ® 29
28 ED
27
30 ® 31 32
35
33
34 ® 36
37
39
40
44 ( 42 CD
48
(Debut> m 43
45
46
47
¡Debut>
¡Debut>
ARTIST TLE LABE S, TOTAL PLAYS
.i- PLAYS
GROSS IMPRESSIONS
los
WEEKS ON
CHART
TOTAL STATIONS ADDS
BROOKS & DUNN Long Goodbye (Arista) 1329 -4 48843 17 36/0
TIM MCGRAW The Cowboy In Me (Curb) 1300 +22 48378 13 36/0
MARTINA MCBRIDE Blessed (RCA) 1269 +63 46781 16 36/0
JO DEE MESSINA W/TIM MCGRAW Bring On The Rain (Curb) 1264 -28 46294 23 35/0
BRAD PAISLEY Wrapped Around (Arista) 1198 -83 42629 28 34/0
STEVE HOLY Good Morning Beautiful (Curb) 1172 -94 42094 29 36/0
CHRIS CAGLE I Breathe In, I Breathe Out (Capitol) 1131 +124 42485 22 36/0
DIXIE CHICKS Some Days You Gotta Dance (Monument) 1051 +26 40130 19 36/1
JOE DIFFIE In Another World (Monument) 1042 -30 39073 29 33/0
KENNY CHESNEY Young (BNA) 1010 +59 37910 8 36/0
PHIL VASSAR That's When I Love You (Arista) 956 +45 36061 18 36/0
RASCAL FLATTS I'm Movin' On (Lyric Street) 938 +53 35834 21 35/0
TOBY KEITH My List (Dream Works) 935 +84 35012 7 35/0
TOMMY SHANE STEINER What If She's An Angel (RCA) 909 +59 33939 8 36/0
TRACY BYRD Just Let Me Be In Love (RCA) 774 -207 27340 28 30/0
BLAKE SHELTON All Over Me (Warner Bros.) 746 -4 26934 19 33/0
CYNDI THOMSON I Always Liked That Best (Capitol) 722 -17 26411 16 33/0
TRAVIS TRITT Modern Day Bonnie And Clyde (Columbia) 706 +75 26401 8 34/0
LEE ANN WOMACK Does My Ring Burn Your Finger (MCA) 705 -18 26563 16 33/0
GARTH BROOKS & TRISHA YEARWOOD Squeeze Me In (Capitol) 690 +209 26114 5 34/3
EMERSON DRIVE I Should Be Sleeping (Dream Works) 686 +39 26327 16 35/0
CAROLYN DAWN JOHNSON I Don't Want You To Go (Arista) 600 +52 22474 10 32/0
CHELY WRIGHT Jezebel (MCA) 565 +39 20966 10 32/1
KEVIN DENNEY That's Just Jessie (Lyric Street) 554 +31 21373 11 32/1
STEVE AZAR I Don't Have To Be (Till...) (Mercury) 510 +71 19318 18 28/1
TRICK PONY Just What I Do (H2E/WB) 494 +19 19131 7 32/1
ALAN JACKSON Drive (For Daddy Gene) (Arista) 492 +164 19402 3 33/6
LONESTAR Not A Day Goes By (BNA) 457 +58 17372 6 32/0
TAMMY COCHRAN I Cry (Epic) 448 +43 17493 11 32/4
GARY ALLAN The One (MCA) 422 -6 16169 6 31/0
MARK WILLS W /JAMIE O'NEAL I'm Not Gonna... (Mercury) 421 +26 15978 13 24/0
MARK MCGUINN She Doesn't Dance (VFR) 340 -4 13413 14 21/1
KELLIE COFFEY When You Lie Next To Me (BNA) 307 +48 11993 9 23/4
REBA MCENTIRE Sweet Music Man (MCA) 296 +21 11434 6 22/0
ANDY GRIGGS Tonight I Wanna Be Your Man (RCA) 293 +34 11143 5 23/3
SHANNON LAWSON Goodbye On A Bad Day (MCA) 250 +57 9323 4 27/7
TY HERNDON Heather's Wall (Epic) 171 -9 6809 9 12/1
W. NELSON /LEE ANN WOMACK Mendocino... (Lost Highway /Mercury) 154 +49 6165 4 13/4
MARK CHESNUTT She Was (Columbia) 108 +18 3900 4 11/2
TRACE ADKINS Help Me Understand (Capitol) 106 +39 4067 2 17/9
BRIAN MCCOMAS I Could Never Love You Enough (Lyric Street) 95 +16 2900 3 10/0
SAWYER BROWN Circles (Curb) 80 +30 3153 3 7/1
PAT GREEN Three Days (Republic /Universal) 79 +51 3053 1 10/4
JESSICA ANDREWS Karma (Dream Works) 79 +3 3010 5 8/1
TRACY LAWRENCE What A Memory (Atlantic/WB) 72 +10 3012 3 7/1
MINDY MCCREADY Maybe, Maybe Not (Capitol) 70 +13 2426 3 8/0
BRAD MARTIN Before I Knew Better (Epic) 69 +17 2667 2 8/2
GEORGE STRAIT Living And Living Well (MCA) 54 +54 2646 1 9/9
CLINT BLACK Money Or Love (RCA) 43 +27 1277 1 6/2
BLACKHAWK Days Of America (Columbia) 43 -37 1852 16 4/0
36 Country Indicator reports. Songs ranked by total plays for the airplay week of Sunday 2/10- Saturday 2/16 © 2002. R &R Inc.
Most Added. ARTIST ADDS
TRACE ADKINS Help Me Understand (Capitol) 9
GEORGE STRAIT Living And Living Well (MCA) 9
SHANNON LAWSON Goodbye On A Bad Day (MCA) 7
ALAN JACKSON Drive (For Daddy Gene) (Arista) 6
TAMMY COCHRAN I Cry (Epic) 4
KELLIE COFFEY When You Lie Next To Me (BNA) 4
W. NELSON/LEE ANN WOMACK Mendocino... (Lost Highway /Mercury) 4
PAT GREEN Three Days (Republic /Universal) 4
G. BROOKS & T. YEARWOOD Squeeze Me In (Capitol) 3
ANDY GRIGGS Tonight I Wanna Be Your Man (RCA) 3
MARK CHESNUTT She Was (Columbia) 2
BRAD MARTIN Before I Knew Better (Epic) 2
CLINT BLACK Money Or Love (RCA) 2
SARA EVANS I Keep Looking (RCA) 2
DIXIE CHICKS Some Days You Gotta Dance (Monument) 1
KEVIN DENNEY That's Just Jessie (Lyric Street) 1
TRICK PONY Just What I Do (H2E/WB)
CHELY WRIGHT Jezebel (MCA)
STEVE AZAR I Don't Have To Be (Till...) (Mercury)
MARK MCGUINN She Doesn't Dance (VFR)
Most Increased Plays
TOTAL
PLAY
ARTIST TITLE LABEL(S) INCREASE
G. BROOKS & T. YEARWOOD Squeeze Me In (Capitol) +209
ALAN JACKSON Drive (For Daddy Gene) (Arista) +164
CHRIS CAGLE I Breathe In, I Breathe Out (Capitol) +124
TOBY KEITH My List (DreamWorks) +84
TRAVIS TRITT Modern Day Bonnie And Clyde (Columbia) +75
STEVE AZAR I Don't Have To Be (Till...) (Mercury) +71
MARTINA MCBRIDE Blessed (RCA) +63
KENNY CHESNEY Young (BNA) +59
TOMMY SHANE STEINER What If She's An Angel (RCA) +59
LONESTAR Not A Day Goes By (BNA) +58
SHANNON LAWSON Goodbye On A Bad Day (MCA) +57
GEORGE STRAIT Living And Living Well (MCA) +54
RASCAL FLATTS I'm Movin' On (Lyric Street) +53
CAROLYN DAWN JOHNSON I Don't Want... (Arista) +52
PAT GREEN Three Days (Republic/Universal) +51
W. NELSON;IEE ANN WOMACK Mendocino... (Lost Highway/Mercury) +49
KELLIE COFFEY When You Lie Next To Me (BNA) +48
PHIL VASSAR That's When I Love You (Arista) +45
TAMMY COCHRAN I Cry (Epic) +43
EMERSON DRIVE I Should Be Sleeping (DreamWorks) +39
CHELY WRIGHT Jezebel (MCA) +39
TRACE ADKINS Help Me Understand (Capitol) +39
ANDY GRIGGS Tonight I Wanna Be Your Man (RCA) +34
TOBY KEITH I'm Just Talkin' About Tonight ( DreamWorks) +34
KEVIN DENNEY That's Just Jessie (Lyric Street) +31
SAWYER BROWN Circles (Curb) +30
JAMIE O'NEAL When I Think About Angels (Mercury) +28
CLINT BLACK Money Or Love (RCA) +27
TRAVIS TRITT It's A Great Day To Be Alive (Columbia) +27
DIXIE CHICKS Some Days You Gotta Dance (Monument) +26
LOG ON 8c LEAP AHEAD Get music first @
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Bullseye Country Ca //outs 77
EXCLUSIVE NATIONAL MUSIC RESEARCH ESTIMATES February 22, 2002 BULLSEYE© song selection is based on th e top 35 titles from the R &R Country chart for the airplay week of January 20 -26.
ARTIST Tide ¡Label) LIKE A LOT
TOTAL POSITIVE NEUTRAL FAMILIARITY DISLIKE RR RN
STEVE HOLY Good Morning Beautiful (Curb) 46.3% 76.8% 12.8% 96.8% 4.5% 2.8% CHRIS CAGLE I Breathe In, I Breathe Out (Capitol) 32.0% 73.0% 16.0% 96.8% 5.0% 2.8%
JO DEE MESSINA/TIM MCGRAW Bring On The Rain (Curb) 45.5% 70.5% 18.8% 99.3% 6.3% 3.8%
TIM MCGRAW Cowboy In Me (Curb) 28.8% 69.0% 19.8% 97.0% 6.3% 2.0%
JOE DIFFIE In Another World (Monument) 33.3% 68.8% 22.0% 98.0% 3.0% 4.3%
BRAD PAISLEY Wrapped Around (Arista) 36.8% 66.8% 18.5% 97.8% 7.0% 5.5%
PHIL VASSAR That's When I Love You (Arista) 25.0% 65.5% 25.3% 95.8% 3.8% 1.3%
BROOKS & DUNN Long Goodbye (Arista) 30.3% 65.3% 24.8% 99.3% 5.3% 4.0%
TOMMY SHANE STEINER What If She's An Angel (RCA) 24.0% 64.5% 25.3% 94.3% 3.0% 1.5%
TRACY BYRD Just Let Me Be In Love (RCA) 24.8% 61.0% 22.5% 95.5% 7.5% 4.5%
CAROLYN DAWN JOHNSON I Don't Want You To Go (Arista) 27.0% 60.8% 24.8% 94.3% 6.8% 2.0%
BLACKHAWK Days Of America (Columbia) 20.5% 59.8% 26.0% 93.0% 5.3% 2.0%
DIXIE CHICKS Some Days You Gotta Dance (Monument) 28.3% 59.3% 20.0% 93.3% 8.8% 5.3%
TOBY KEITH My List (Dream Works) 24.8% 57.8% 27.3% 90.8% 4.5% 1.3%
ALAN JACKSON Drive (For Daddy Gene) (Arista) 21.8% 55.8% 22.3% 89.3% 8.8% 2.5%
TRISHA YEARWOOD Inside Out (MCA) 23.8% 54.8% 27.8% 94.0% 9.3% 2.3%
KEVIN DENNEY That's Just Jessie (Lyric Street) 19.0% 54.8% 27.3% 90.8% 7.0% 1.8%
MARTINA MCBRIDE Blessed (RCA) 24.0% 54.0% 26.8% 94.5% 9.0% 4.8%
KENNY CHESNEY Young (BNA) 17.3% 53.8% 29.5% 89.5% 4.5% 1.8%
STEVE AZAR I Don't Have To Be Me... (Mercury) 24.8% 53.5% 32.8% 95.3% 7.0% 2.0%
LONESTAR Not A Day Goes By (BNA) 25.3% 53.0% 23.3% 85.3% 7.0% 2.0%
TRAVIS TRITT Modern Day Bonnie And Clyde (Columbia) 22.0% 52.5% 22.3% 89.8% 12.8% 2.3%
MARK WILLS /JAMIE ONEAL I'm Not Gonna Do... (Mercury) 17.0% 52.0% 34.5% 94.0% 5.3% 2.3%
EMERSON DRIVE I Should Be Sleeping (Dream Works) 22.5% 51.8% 32.3% 95.0% 7.3% 3.8%
TAMMY COCHRAN I Cry (Epic) 18.5% 51.5% 32.0% 92.5% 7.5% 1.5%
RASCAL FLATTS I'm Movin' On (Lyric Street) 19.8% 50.8% 28.8% 89.5% 8.0% 2.0%
CYNDI THOMSON I Always Liked That Best (Capitol) 22.8% 49.5% 25.3% 93.8% 14.8% 4.3% KELLIE COFFEY When You Lie Next To Me (BNA) 20.0% 47.5% 31.3% 90.3% 8.5% 3.0%
GARY ALLAN The One (MCA) 14.0% 47.0% 27.8% 85.8% 9.0% 2.0%
GARTH BROOKS/TRISHA YEARWOOD Squeeze Me In (Capitol) 18.8% 46.5% 21.5% 84.8% 13.3% 3.5%
BLAKE SHELTON All Over Me (Warner Bros.) 18.3% 46.3% 34.0% 93.5% 10.3% 3.0%
LEE ANN WOMACK Does My Ring Burn Your Finger (MCA) 17.5% 45.0% 28.5% 88.3% 11.0% 3.8%
CHELY WRIGHT Jezebel (MCA) 18.5% 44.5% 33.8% 91.3% 11.3% 1.856
MARK MCGUINN She Doesn't Dance (VFR) 16.5% 42.3% 30.3% 81.3% 5.5% 3.3%
TRICK PONY Just What I Do (H2ENVB) 14.0% 36.8% 28.0% 77.5% 9.8% 3.0%
: ul lsye ALLOUT
Password of the Week: Palmer Question of the Week: Think about
how you listen and when you listen to your favorite Country station. Now, think about how you have been listening to that station since the 9/11 tragedy. On a scale of I to 5 - with 1 meaning you are lis- tening "a lot less" and 5 meaning you are listening "a lot more" - how would you rate your listening habits since 9/11? Total A lot more: 11% A little more: 20% About the same: 49% A little less: 14% A lot less: 6% PI A lot more: 10% A little more: 20% About the same: 55% A little less: 12% A lot less: 3% P2
A lot more: 14% A little more: 20% About the same: 36% A little less: 18% A lot less: 12% Men A lot more: 8% A little more: 17% About the same: 51% A little less: 17% A lot less: 7% Women A lot more: 15% A little more: 22% About the same: 47% A little less: 11%
A lot less: 5% 25 -34 A lot more: 11% A little more: 23% About the same: 51% A little less: 12% A lot less: 3% 35 -44 A lot more: 14% A little more: 17% About the same: 48% A little less: 15% A lot less: 6%
Total sample size is 400 persons weekly with a +/- 5% margin of error. Scoring is done each week using live interviewers conducting the interview with each respondent. Scores are: a) I Like It A Lot, In Fact It's One Of My Favorites b) I Like It c) It's Okay..Just So -So d) I Don't Like It e) I'm Tired Of Hearing It On The Radio f) I Don't Recognize It. To be included in the weekly callout songs must enter the top 40 positions on R &R's Country airplay chart. The sample is composed of 400 25 -54 year -old persons who identify Country as their favorite music and who listen daily to competitive country radio in the sample markets. The sample is 50% male/female ...1 /3rd each in the 25 -34, 35 -44, and 45 -54 demos. The sample is balanced by region, and markets within that region. Bullseye Callout is conducted in these regions and markets. Market selection is determined by Bullseye. NORTHEAST: Washington, DC., Harrisburg, PA., Providence, Rochester, NY., Springfield, MA., Hartford, Portland, ME., Portsmouth, NH. SOUTHEAST: Charlotte, Atlanta, Tampa, Nashville, Chattanooga, Mobile, AL., Charleston, SC., Jackson, MS., MIDWEST: Milwaukee, Cincinnati, Cleveland, Kansas City, Lansing, MI., Ft Wayne, IN., Rockford, IL., Indianapolis. SOUTHWEST: Dallas -Ft. Worth, Tucson, Albuquerque, Oklahoma City, Houston -Galveston, Phoenix, Lafayette LA., San Antonio. WEST: Portland, OR., Salt Lake City, Fresno, Bakersfield, Spokane, WA., Riverside -San Bernardino, Boise, Denver, Monterey -Salinas. © 2002 R &R Inc. © 2002 Bullseye Marketing Research Inc.
Fast HooksNo Snags Digital, Clear, Consistent Custom Production - Callouts & Montages 60,000+ Song Library All Formats & International Titles On -Time Delivery
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78 R &R February 22, 2002 Country Action
Lost Highway Records' Willie Nelson -Lee
Ann Womack single, "Mendocino County
Line," is a perfect fit for WESC. We are a
heritage station that has been Country for
more than 40 years, and when I heard this
b +.~ record, I just knew it was right for us. Willie
has a great, unique quality to his voice,
and Lee Ann Womack sounds golden. WESCIGreenville, SC We've been playing it for three weeks
now, and the phones are already coming
in for it. People just like it. They like the sound
and the familiarity of Willie's voice, which has
been missing from radio for a long time. It's kind
of like your favorite weekend sneakers; they may
be kind of old, but they sure are comfortable.
John Landrum Asst. PDIMD
04:3=. 925 WE3C
0 OYEARS AGO
YEAR AGO
No. I: "One More Day " - Diamond Rio
No. 1: "Running Out Of Reasons..." - Rick Trevino cc:
No. I : "Better Class Of Losers" - Randy Travis
15 YEARS AGO
J No. I : "I'II Still Be Loving You"- Restless Heart ® YEARS AGO
No. I: "Mountain Of Love " - Charley Pride
@ YEARS AGO
No. I: "Moody Blue /She Thinks... "- Elvis Presley (second week)
PLEASE SEND YOUR PHOTOS R &R wants your best snapshots (color or black & white).
Please include the names and titles of all pictured and send them to:
R &R, c/o Mike Davis: 10100 Santa Monica Blvd., 3rd Floor, Los Angeles, CA 90067
e -mail: mdavis@rronline.com
The New Album Gallery
Various Artists Music From And Inspired By We Were Soldiers (Combustion /Columbia) The Nashville music community is well- represented along-
side several of today's hottest non -country acts on this
compilation that complements the new film We Were Sol-
diers, starring Mel Gibson. Based on a true story about the First
Battalion of the Seventh Cavalry and a vicious battle during the Vietnam War, the
film pays tribute to the valor and loyalty of those men. Set for March 1 release, We
Were Soldiers also stars Madeleine Stowe, Greg Kinnear and Sam Elliott. The
companion CD is being released by Columbia Records, Combustion Music and Sony
Music Soundtrax. Produced by Chris Farren, Ken Levitan and Randall Wallace, the
CD includes new tracks by Train, India.Arie, Five For Fighting, Jars Of Clay and
Steven Curtis Chapman. It begins with a Johnny Cash -Dave Matthews duet, "For
You," and other artists include Carolyn Dawn Johnson ( "Some Mother's Son "), Mary
Chapin Carpenter ( "My Dear Old Friend "), Tammy Cochran ( "I Believe ") and Ras-
cal Flatts ( "The Glory of Life "). Jamie O'Neal teams with another Nashville resident
- former Doobie Brother Michael McDonald - for a duet on "Not So Distant
Day." 0 The first single from the project is Montgomery Gentry's "Didn't I," a
song written by Anthony Smith. Eddie Montgomery says, "Vietnam was heavy stuff.
When you hear those guys talk, you know there's no way you can imagine the hell
they went through." The song deals with the U.S.'s failure to honor Vietnam veterans
when they returned home. Troy Gentry says, "The veterans are something Eddie and
I have stood up for and singled out since we started touring. When you hear these
guys talk, telling their stories, you have to be humbled. And for us to have the oppor-
tunity to sing a song to let the returning soldiers who were spat on and dishonored at
the time know their sacrifice is appreciated - what better opportunity can having a
record deal or an audience provide you ?" Montgomery Gentry visited the National
Cemetery in Los Angeles last week to film the video for "Didn't I." The single ar-
rives at Country radio on March 4.
Get the word out anywhere with rugged,
weather -proof Banners On A Roll ®. These plastic
banners work where other signage won't. They
keep promoting your brand - no matter what!
Give us a call today and let us help
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www.americanradiohistory.com
kai:117 ° February 22, 2002
Country 79
RatelneMasíc.cam BI' J1I'sIILlB<tSL".
America's Best Testing Country Song Among Persons 25 -54 For The Week Ending 2/22/02.
Artist Title (Label) TW LW Familiarity Burn 12+ Familiarity Burn
ALAN JACKSON Where Were You (When...)(Arista) 4.53 4.59 99% 36% 4.29 100% 46%
TOBY KEITH My List(DreamWorks) 4.34 4.37 85% 6% 4.27 86% 7%
BROOKS & DUNN The Long Goodbye(Arista) 4.27 4.31 95% 19% 4.14 96% 20%
BRAD PAISLEY Wrapped Around(Arista) 4.27 4.27 98% 23% 4.11 99% 31%
MARTINA MCBRIDE Blessed(RCA) 4.21 4.15 94% 19% 4.11 96% 21%
STEVE HOLY Good Morning Beautiful(Curb) 4.20 4.27 98% 26% 4.19 99% 28%
TRACY BYRD Just Let Me Be In Love(RCA) 4.19 4.21 94% 15% 4.02 94% 22%
JO DEE MESSINA W/TIM MCGRAW Bring On The Rain(Curb) 4.18 4.18 99% 29% 4.07 99% 33%
RASCAL FLATTS I'm Movin' On(Lyric Street) 4.17 4.32 93% 16% 4.16 95% 18%
TIM MCGRAW The Cowboy In Me(Curb) 4.16 4.24 98% 21% 4.20 98% 21%
KENNY CHESNEY Young(BNA) 4.15 4.08 84% 11% 4.21 86% 10%
PHIL VASSAR That's When I Love You (Arista) 4.14 4.08 83% 8% 4.11 85% 10%
CHRIS CAGLE I Breathe In, I Breathe Out(Capitol) 4.11 4.21 94% 19% 4.09 96% 20%
GEORGE STRAIT Run (MCA) 4.09 4.18 96% 29% 4.02 97% 32%
TOMMY SHANE STEINER What If She's An Angel(RCA) 4.07 4.03 69% 10% 4.11 76% 10%
JOE DIFFIE In Another World(Monument) 4.06 4.16 90% 16% 3.95 89% 20%
MARK WILLS W /JAMIE O'NEAL I'm Not Going To Do Anything...(Mercury) 4.02 4.03 64% 6% 4.06 67% 7%
EMERSON DRIVE I Should Be Sleeping(DreamWorks) 3.97 3.98 80% 12% 4.07 82% 10%
STEVE AZAR I Don't Have To Be Me Til Monday(Mercury) 3.92 4.00 77% 10% 3.94 79% 10%
CAROLYN DAWN JOHNSON I Don't Want You To Go(Arista) 3.90 3.90 73% 12% 3.99 75% 10%
TRAVIS TRITT Modern Day Bonnie And Clyde(Coiumbia) 3.88 3.84 78% 11% 3.77 77% 12%
DIXIE CHICKS Some Days You Gotta Dance(Monument) 3.88 3.95 95% 30% 3.77 96% 33%
TAMMY COCHRAN I Cry(Epic) 3.80 3.81 70% 9% 3.78 72% 11%
TRICK PONY Just What I Do(H2E/WB) 3.79 68% 13% 3.82 67% 12%
CHELY WRIGHT Jezebel(MCA) 3.77 3.79 81% 17% 3.85 84% 17%
GARTH BROOKS W/TRISHA YEARWOOD Squeeze Me In(Capitol) 3.73 69% 12% 3.76 65% 11%
LEE ANN WOMACK Does My Ring Burn Your Finger(MCA) 3.71 3.72 87% 24% 3.62 87% 25%
BLAKE SHELTON All Over Me (Warner Bros.) 3.70 3.87 90% 25% 3.64 90% 26%
KEVIN DENNEY That's Just Jessie(Lyric Street) 3.68 3.72 59% 8% 3.77 64% 9%
CYNDI THOMSON I Always Liked That Best(Capitol) 3.46 3.61 87% 26% 3.71 89% 22%
Total sample size is 812 respondents. Total average favorability estimates are based on a scale of 1 -5. (1= dislike very much, 5 =like very much). Total familiarity represents the percentage of respondents who recognized the song. Total burn represents the number of respondents who said they are tired of hearing the song. Songs are ranked by favorability among persons 25 -54. Persons are screened via the Internet. Once
passed, they can take the music test based on their format/music preference. RateTheMusic.com results are not meant to replace callout research. The results are intended to show opinions of participants on the Internet only. RateTheMusic is a registered trademark of RateTheMusic.com. The RTM system is available for local radio stations by calling 818/377 -5300. RateTheMusic.com data is provided by Mediabase Research, A division of Premiere Radio Networks.
Most Played Recurrents
ARTIST - - E/ _, ALAN JACKSON Where Were You (When...) (Arista) 3526
GEORGE STRAIT Run (MCA)
TOBY KEITH I Wanna Talk About Me (Dream Works)
AARON TIPPIN Where Stars And Stripes... (Lyric Street) 2634
BROOKS & DUNN Only In America (Arista) 2064
GARTH BROOKS Wrapped Up In You (Capitol) 1885
ALAN JACKSON Where I Come From (Arista) 1869
TRACE ADKINS I'm Tryin' (Capitol) 1722
TRAVIS TRITT Love Of A Woman (Columbia) 1695
TRICK PONY On A Night Like This (H2E/WB) 1606
DAVID BALL Riding With Private Malone ( Dualtone) 1545
BLAKE SHELTON Austin (Warner Bros.) . _..
1437
TIM MCGRAW Angry All The Time (Curb) _... ...
1411
JAMIE O'NEAL When I Think About Angels (Mercury)
MONTGOMERY GENTRY
She Couldn't Change Me (Columbia) 1286
LONESTAR I'm Already There (BNA) 1258
DIAMOND RIO One More Day (Arista) 1257
TRAVIS TRITT It's A Great Day To Be Alive (Columbia) 1233
TOBY KEITH
I'm Just Talkin' About Tonight (DreamWorks) 1212
TOTAL PLAYS
3466
2723
1363
BROOKS & DUNN Ain't Nothing 'Bout You (Arista) 1163
New & Active TRACY LAWRENCE What A Memory (Atlantic/WB) Total Plays: 197, Total Stations: 26, Adds: 2
CLINT BLACK Money Or Love (RCA) Total Plays: 138, Total Stations: 22, Adds: 8
BRAD PAISLEY I'm Gonna Miss Her (Arista) Total Plays: 138, Total Stations: 11, Adds: 11
NICKEL CREEK The Lighthouse's Tale (Sugar HilWanguard) Total Plays: 108, Total Stations: 11, Adds: 2
DAVID BALL She Always Talked About Mexico (Dualtone) Total Plays: 28, Total Stations: 13, Adds: 11
Songs ranked by total points.
MONTGOMERY GENTRY AND K92FM
Montgomery Gentry woke up early to co -host WWKA (K92FM) /Orlando's morning show. After the show, the guys had breakfast with K92FM listeners and performed at a listener - appreciation party. Pictured (l -r) are Eddie Montgomery; K92's Officer Mike, PD Len Shack- elford, Shadow Stevens and Jo Jamie; and Troy Gentry.
Taking a break from a special Up Close With Rascal Flatts concert in Akron are Rascal
Flatts members Jay DeMarcus, Gary LeVox and Joe Don Roney. The sold -out event includ- ed a concert and onstage interview session with questions from listeners and loyal fans.
Pictured (l -r) are DeMarcus, LeVox, WQMX /Akron OM Kevin Mason and Roney.
www.americanradiohistory.com
80 R &R February 22, 2002 Country Reporters Stations and their adds listed alphabetically by market
WQMX/Akron. OH `
OM: Kevin Mason
MD: Toni Fou ANDY GRIGGS "Tonight'
WGNA/Albany, NY ' PD. Buzz Brindle
MD: Bill Earley Y
2 ANDY GRIGGS "Tonight" 1 ALAN JACKSON " Drive"
GEORGE STRAIT "Living'
KBOI /Albuquerque. NM' PD: Tommy Carrera
Y
MO: Sammy Cruise ALAN JACKSON "Drive" BRAD MARTIN "Better"
KRST /Albuquerque. NM
PD: John Richards GEORGE STRAIT "Living"
WCTO /Allentown. PA' PO: Chuck Geiger
APD/MD: Bobby Knight Y 9 DAVID BALL Always TRICK PONY 'w ut"' HANK WILLIAMS JR. "Word" BRAD MARTIN "Better"
KGNC /Amarillo, TX
D: Tim Butler APO/MD: Patrick Clark
PO TRACE ADKINS "Help"
WWWW /Ann Arbor, MI
Barry PD: Bar Mordit
MD: Tom Baker 18 CHELY WRIGHT "Jezebel" 8 TAMMY COCHRAN "Cry" 5 ALAN JACKSON -Drive"
WNCY /A Jeton. WI McCarthy Y
DM Je Randy
MD Marcy Braun Y
IN,S WOMAfi( "Medorm" N VCKSON "Drive"
WKSF /Asheville. NC
OM/PD: Jet Davis
Andy Y
Idr. Ad r
WKHX /Atlanta, GA` OM/PD: Gene Hallam
MD: Johnny Gray 30 TOMMY SMVESTEINER "Anger 11 NELSON &WOMALI 'Madoùn"
2 CAR0.YNITnMJ,pFfNUF1'Vat
1 WILLS WIONFAL "Gonna' TRACE ADKINS "Help"
WYAY /Atlanta, GA' OM: Dene Hallam
PD: Steve Mitchell MD: Johns Gray '1 MARTINA MCBRIDE "Blessed'
TOMMY SHANE STEINEA "AmJei'
City. NJ ' PD/MD: Joe Kelly ty
LITTLE BIG TOWN "Waste''
ELBERT WEST "This"
WKXC /Augusta. GA' OM/PD: Tommy Gentry
APO/MO: Zach Taylor ' ANDY GRIGGS -Tonight''
KASE/AUStin, TX
M0: Bob Picket No Adds
KUZZBakersfield. CA' PO Evan Bridwell
E S1 n -I 1,,r ,.
WPOCBaltimore, MD
Pp: Scott Linde Y
MO: Michael J. Fou B ALAN JACKSON "Dove"
WTGE/Baton flou e, LA ` g
PO Randy Chase / ANDY GRIGGS "Tonight
TRACY LAWRENCE "Memory" SHANNON LAWSON "Goodbye"
WYNKBaton Rouge, LA
PD: Paul Orr
APD/MO: Austin James I GARY ALLAN "Om" 3 GEORGE STRAIT "Living"
TRACE ADKINS "Help" SHANNON LAWSON "Goodbye"
PDYDm West TX "
PD: Jim West
APD/MD: Jay Bernard 1 GEORGE STRAIT °wing' 1 BRAD MARTIN "Better"
TRACE ADKINS "Help"
WKNNBiloxi- Gulfport, MS
PD/MD: Ki Gre o PP Greggory 1 BROOKS & YTARWUOD "Sgonm
WHWKBinghamton. NY
PD: Ed Walker APD RAD: John Davison
LINT RACK Money' N ee
Kl I It ;oFFE 3e"
WZZKBirmingham, AL
PD: Rick Shockley
APD/MD: Scott Stewart No Atli.
KIZNBoise. ID
OM: Rich Summers
PD/MO: Spencer Burke 1 AWN JACKSON í n:è 1 NELSON 8 WOMACK Mendocino'
CUNT BLACK "Money" MARK CHESNUTT "She'
WKLBBoston,MA" PD: Mike Brophey P Y
APD/MD: Gin Rogers Ginny 9 ANDY GRIGGS "Tonight" g
WYRKButaIo,NY'
APOAMOKS Chris SENT ó0o °Squeeze
ALAN JACKSON Drive
PD: Jeff Winfield
MD: Dawn Johnson e SHANNON LAWSON "Goodbye"
3 TRACE ADKINS "Help"
WEZUCharleston, SC
PO: T.J. Phillips MD: Gary riffin
1 GARY ALL N "One TRACE ADKINS "Hep" GEORGE STRAIT "Living"
WNKT/Cllarleslon, SC
Lloyd Ford
MD:
TOWN 'Waste" DAVID BALL -AMa rs'
GEORGE STRAIT "Living"
WKI(T /Charlotte. NC ' Kevin King
Keith Todd MO., ACE ADKINS 'Help"
CLINT BLACK "Money- .:LAN JACKSON Doves
WSOC /Charlotte, NC' OM /PD: Jet Roper
MD: Rick McCracken 4 HOMETOWN NEWS "Minivan
SHANNON LAWSON "Goodbye" MARK MCGUINN "Damé'
WUSY /Chattanooga. TN "
PD: Clay Hunnicutt Y
MD: Bill JACKSON 'Dove--
WUSN /Chicago. IL
PD: Justin Case
MD: Tñcia Biondo 6 LONESTAR "Day"
9 TAMMY COCHRAN 'Cry"
WUBE/Cincinnali, OH ' OM/PD: Tim Closson
M0: Duke Hamilton ,,,
WYGY /Cincinnati, OH
PD: Jay Phillips
APD/MD: VASSAR "When' 1 PHIL VASSAR "When
WGAR /Cleveland, OH' PD: Meg Stevens
MD: Chuck Collier TOMMY SHANE STNN "Angel"
KCCY/Colorado Springs, CO
PD: Travis Daily Y
MD: Bryan Waters 5 NELSON 8 WOMMK "Mendocino
3 CHELY WRIGHT "Jezebel` 2 MARK MCGUINN "Dame"
GARY ALLAN "Ono"
KKCS /COIOradr Springs, CO `
PD: Shannon Stone
MD: SI'm Franklin 12
PAT ON 8 WOMA
K "Mendocino" 7 ALAN JACKSON "Dove"
BRIAN MCCOMAS
WCDS/Celumbia, SC
OM/PD: Ron Gn Brooks
MD: Glen Garrett 4 TRICK PONY'What' 2 KELLIECOFFEI' "LIT
WCOUColumbus.OH PD: John Crenshaw
MD: Dan E. Zuko KEVIN DENNEY "Jessie
WHOK/Columbus, OH' PD: Charley Lake
MD: George Wolf ANDY GRIGGS "Tonight" LONESTAR "Day"
KRYS /Corpus Christi, TX
PD: Clayton Allen
MD: Caduc LOU
2 GARY ALLAN "One"
2 PAT GREEN "Three" 1 BROOKS B BY WOOD'Squm e
ALAN JACKSON "Drive"
KPLX/Dal las -FI. Worth, TX ' PD: Paul Williams APD: Smokey Rivers MD: Cody Alan 24 ALAN JACKSON "Orne" 15 GEORGE STRAIT "wing"
KSCSBallas- F1.WOrth, TX
PD: Dean James
APO/MD: 1 DAVID BALL "Always
1 GARY ALLAN "One
WGNE/Daytona Beach, FL `
PD/MD: Bill Kramer BRIAN MCCOMAS "Never"
PD: Joel Burke
MD: aid PAen un
IdecCO
SL
KHKI/Des Moines. IA' P0: Jack O'Brien
APO/MD:Jim Olsen MARK CHESNIJTT "She"
PAT GREEN "Three' ALAN JACKSON "Drive"
KJJY /Des Moines. IA "
Jack O'Brien
Eddie a te
ALAN JACKSON "Drvì c GEORGE TPAITLimnq'
WYCO /Detroit. Ml
PD: Mac Daniels
APD/MD: Ron Chatman No Adds
WOJR /Dothan, AL
PD/MD: David Sommers 9 ANDY GRIGGS 'Tonight" 4 TY HERNDON "Heather"
KHEY/EI Paso, TX' PO/MD. Chu Malibu 5 TRAVIS TRITT "Modern-
GARY ALLAN "One"
1001U/Eugene-Springfield. OR
MD: Matt `Dmæ
GEORGE STRAIT "Mang" CLINT BLACK "Money" SHANNON LAWSON "Goodbye"
BRAD MARTIN Beber"
WKDOBvansville,IN PD: Jon Prell
MD: K.C. Todd
SHANNON LAWSON "Goodbye"
KKIX/Fayetteville. AR
P0: Tom Travis
APD/MD: Tone Marconi 2 PAT GREEN Three 2 KELLIE COFFEY "Le
WKMUFayettevi Ile, NC "
PD/MO: Andy Brown 3 BROOKS AYFARWOOD 5queeté
ALAN JACKSON "Drive.
WFBE/FIin1, MI' PO/MD: Brian Cleary rY 4 ALAN JACKSON "Drive
DAVID BALL -Always"
KURD /Ft. Collins, CO
PD: Mark Callaghan
MD: Brian Gary 4 EMERSON DRIVE "Sleeping 4 STEVE AZAR "Door
ALAN JACKSON "Drive"
GEORGE STRAIT "Lmrg" TRICK PONY "What'
WCKT /FI. Myers. FL
PO: Kerry abb ry
MD: Dave Logan 1 STEVE AZAR "Dont"
WWGR /Ft. Myers, FL' O: Mark Phillips
MD: Steve Had SARA AN, sFmq
BRACE ADKINS -Alp
WGHK/Ft. Wayne, IN' OM /PD: Dean McNeil
APD/MD: Mark Allen 1 CLINT BLACK "Money-.
KSKS /Fresno. CA' PD: Mike Peterson
MD. Steve Montgomery do A3:
WBCT /Grand Rapids, MI ' OM/PD: Doug Montgomery MD: Dave Tat
ALAN JACKSON "Orrvè'
ANDY GRIGGS "Tonight" BRIAN MCCOMAS "Never"
Ili/TOR/Greensboro, NC
PD; Paul Franklin
MD: Angie Ward L BRAD MARTIN "Setter"
ALABAMA "Woman" SHANNON LAWSON "Goodbye" SAWYER BROWN "Circles"
WRNS /Greenville, NC' PD: Wayne Carlyle Y Y
APO: Mike Farley Y
MD: Boomer Lee 7 BRAD PAISLEY "Misse
APD/MD: John Landrum 1 CYN01 THOMSON "Always" . ALAN JACKSON THMSND
WSSUGreenville. SC "
PO: Bruce Logan 9
PO /MD: Kix Layton 3 ALAN JACKSON "Drive"
2
MMARKCHDESÑLITT "She'
WAYZ/Hagerstewn, MD
Ilg PD/MD: Dennis Hughes 21 NELSON 8 WOMACK'Merdoci n" 14 PAT GREEN "Three' 14 GEORGES "Living"
WRBT/Harrishur . PA g
D: Shelly Easton
P, M D Joey Dean
A , In, Ti ,. _
WRKZMarrisburg, PA' PD: Sam McGuire
MD: Oandalion, 5 RUIN JACKSON "Drive"
DAVID BALL " "
SHANNON BROWN "Heart" MARK CHESNUTT "She" NELSON 8WOMACKMeldocino"
WWYZ Ha tford, CT' PD: Jay McCarthy
MD: Jay Thomas MARK CHESNUTT "She' PAT GREEN 'Three'
ALAN JACKSON "Drive"
Nil" BW°"14 "Medoom" SAWYER BROWN "Circles"
Group MPD: Darien Davis
APD/MO: John Trapane ADKINS "Help
KILT/Houstn-Gahestln, TX' Group PD: Darren Davis
APB/MD: John Trapane ï
TRACE ADKINS TRADE ADKINS "Help"
KKBO/Houston, TX
PD: Michael Croise
MD: Christi Brooks 33 BROOKS 8 YFMWOOD "Squeezé'
TRAVIS AR "Modem"
WTCR/Hunlington, WV
PD: Chuck Black
MD: Dave Poole 5 TRACE ADKINS -Help' 5 MARK CHESNUTT 'She"
WORM/Huntsville. AL
OM/PD: Wes McShay
APD: Stuart Langston
MD: Dan McClain 9 STEVE AZAR "Don't" 5 CAROLYN DAWN JOHNSON Want'
ALAN JACKSON Drive'
WFMS/lndianapolis, IN
PD: Bob Richards
MD: J.D. Cannon 2 coaayN DAWN JOHNSON 'Wart'
DAVID BALL "Anvays"
WMSI /Jackson, MS ' PO: Rick Adams
MD: Van Haze REBA MCENTIHE Sweet"
SAWYER BROWN encres'
WpIKJacksonville,FL' MD:John Scott
t LONESTAR 'Day"
WROO /Jacksonville. FL
MD: obit Scot John NUAns
WXBO/Johnson City. TN `
PD/MD: Bill Hagy 12 NICKEL CREEK L hthouse" g
8 SHANNON BROWN "Heart " 5 BROOKS B YEMW'000 "Squeeze
WMTZ/Jrhnslown. PA
PD: Steve Walker MD: Lara Mosby S ALAN JACKSON "Drive"
TAMMY COCHRAN " ry
SHANNON LAWSON "Goodbye- MARK MCGUINN "Dance"
KBEO Kansas City. MO ' PO: Mike Kennedy Y
MD: T.J. McEntire 2 LITTLE BIG TOWN "Waste"
KFKF/Kansas City, MO ' PD: Dale Carter
APD/MD: Ton Stevens Y
TRACE ADKINS 'Help"
ALAN JACKSON "Drive
WDAF/XansasCity,MO'
6
JACKSON
Ä N 'WN "Circles'
no %VI e,
M/ D:
Michael
ael Hammond
"Lighthouse" ..
NICKEL CREEK
"She" MARK CHESNUTT She
OERNLERS "Bar"
KKKC afa ette LA / V
PD: Renee Revett
MD: Sean Riley Y 4 CLINT BLACK "Money"
2 LONESTAR "Daayy"
1 NELSON 8NAh1MJ( "MeMocrtc
KMDL/Lata ette. LA' V
PD: Bruce Mikells APD: Woody B.
MD: T.D. Smith 14
BRAD
JACKSON
WPCV/Lakeland, FL' OM: Steve Howard
PD: Dave Wright MD: Jeri Taylor
1 ANDY GRIGGS 'Tonight" . CHELY WRIGHT "Jezebel"
WIOV/Lancaster. PA
PO: Jim Radler
MD: Miss GOrtri Missy gM hFLSCA S WOMACK( 'Mendocino
WITL/Lansing, MI
PD: Jay . McCrae y MD: Chris Tyler
ra V`OK hender,no
° 'ae
KWNR/Las Vegas. NV
OM/PD: John Marks
MD: Brooks O'Brian No Adds
- KY
POIIAD: Ric Larson 1 TAMMY COCHRAN "Cry
KEVIN DENNEY "Jessie
WULWLe.7drCl:o-Fay¢Üe, KY ̀
PD/MO: Brian Landrum 16 DIXIE CHICKS "Days
1 BRAD MARTIN "Bette STRAITHelp
GEORGE STRAIT 'Living"
KZKX/Linc0ln, NE
PD: Brian Jennings
MD: Carol Turner 18 NELSON
GRIGGS
ACK "Mendocino. 8 ANDY GRIGGS "Tonght" 2 SHANNON LAWSON -Goodbye
KSSN/Little Rock, AR
P0/MD: Bill Dotson 1 ALAN JACKSON "Drive"
MACK CHESNUTT "Shi' PAT GREEN "Three" LONESTAR "Day"
KZLA/LOS Angeles, CA' OM/PD: R.J. Curtis
MD: Tanya Campos KEVIN DENNEY "Jessie'
WAMZ/Louisville, KY' PO: Coyote Calh0un MD: Nightrain Lane
5 GARYGALLAÑ O Living'
3 BRAD MARTIN "amer' 3 NELSON BWOMACK "Mendocino'
KILL/Lubbock, TX
PD: Jay Richards
MDAL
ALAN JACKSON 9 ALAN JACKSON'Drivti' 9 TRACE ADKINS "Help"
WWOM/Madison, WI' PD: Mark Grantin
MD: Mel McKenzie MARK CHESNUTT "She SARA EVANS "Looking" BRAD PAJSLEY "Miss GEORGE STRAIT "Living"
KTEX/McAllee, TX `
PD: Jojo
MD: Patches MARK CHESNUTT "She PAT GREEN "Three" ALAN JACKSON "Drive"
WGKX/Mem his, TN P
PD: Greg Mozing0
MD: Mark Billingsley gsleY No Adds
WKIS /Miami. FL' PD: Robert Walker
APO: R.J. McCoy Y MD: DadeneEvars 2 KEVIN DENNEY "Jessé
TRACE ADKINS "Help' HOMETOWNNEWS -Minivan
WMIL/Milwaukee. WI
OM/PD: Kerry Wolfe
P0: Scott Dolphin
MD: Mitch Morgan TRICK PONY what"
KEEP /Minnea Otis. MN ' P
OM/PD:
APD/MD: Travis
Svedberg Travis Moon
"-
KSJ/Mobile, AL' PD/MD: Bill Black
BPS' Steve Kelley
to CA KATM/MOdesl
PD: Randy Black
APD Chris Costa
MO: D.J. Walker 4 NELSON &NATMM(TLdu.io" 3 ALAN JACKSON "Drivé"
KTOMRAonterey, CA' OM/PD: Cory Mikhals
1 RaODBE &Wq¡rWX 1a1e a,o" 1 TRICK PONY "What" 1 BRAD PAISLEY "Mes"
WLWI/Montgomery.AL PO: Bill Jones
MD: Darlene Dixon TAMMY COCHRAN "Cry' TRICK PONY "What" JESSICA ANDREWS "Karma" GEORGE STRAIT "Liang"
g KEVIN DENNEY "Jessie
WGTRRRyrtle Beach. SC
OM Kris Van Dyke
PDMHD: Johnny Walker ORGE ST9
`
WKDFMashvdle, TN ' PO: Dave Kelly
MO: Eddie Fana REBAMCENTIRE "Sweet
BRAD PAISLEY "Miss"
WSIX/Nashville. TN ' PD: Mike Moore
MD: Billy Greenwood GARY AL AN "osé' SHANNON BROWN "Heart"
MARK MCGUINN "Dance"
WSMMashville. TN
OM: Kyle Cantrell
PD: Kevin O'Neal
APD: Frank Sures
3 PAT GREEN "Three' 2 NELSON&WONIMA( "Medotrn" 1 BRAD PAISLEY "Miss'
GEORGE STRAIT "Living"
WNOEMew Orleans. LA `
PD: Les
CaAcree MD: Cäsey Carter sey TRACE ADKINS "Help"
WYNY,Mew York, NY `
PD/MO: Marty Mitchell
WCMS /NOñolk, VA `
OM/PD/MD: 2 STEVE AZAR -Don r
WGH/Norlolk, VA
OM/PD/MD Randy Brooks 5 BRAS = LE ^
2 LEE ANN 10000K 'Hero
SARA EVANS Loekmg'
KGEE/Odessa- Midland, TX
PO/ MID: Boomer Kingston 1p" TRACE ADKINS "Help' GEORGE STRAIT "Liang"
KTST /Oklahoma City, OK `
APD/MD: Crash rio Adds
KXXY /Oklahoma City, OK
APO/MD: Bill Reed 2 GEORGE
KXKT /Omaha. NE ` PD: Tom Goodwin
MD:John Glenn 1 REBA MCENTIRE 'Sweet" 1 ALAN JACKSON "Drive'
TRACE ADKINS "Help' ,.
SHANNON AWSON "Good NELSON 8 WOMACK'Madddm'
KMXM/Omaha, NE' OM: Tom Lard 2 TAMMY COCHRAN "Cry"
WWKAOrland0,FL' PD: Len Shackelford
MD: Shadow Stevens 2 KNNYCHESNEY "Young"
DAVID BALL "Ahva
ys
KHAY /OXnard, CA `
PD/MD: Mark Hill JAMIE O'NEAL "Frarric" GEORGE STRAIT "Living"
KPLM Palm Springs, CA
PD: Al Gardon
APD/MD: Kory James SHANNON BROWN "Heart" BRAD PAISLEY "Miss"
WXBM/Pensacola, FL `
PD/MD: Lynn West TRACE ADKINS "Help" DAVID BALL °
"Money" MARK CHESNUTT "She
WXTU Philadelphia. PA' PD: Bob McKay
APD/MD: Cadillac Jack 2 KEVIN DENNEY "Jesse 1 KELLIE COFFEY "Lie"
ALAN JACKSON "Drive"
KMLE/Phoenix. AZ
PD: Jeff Garrison
APD/MD: Chris Loss 3 HOMETOWN NEWS "Minoan'
KNIX/Phoenix, AZ
PD: George King
MD: Gwen Foster 1 TRICK PONY "What"
ALAN JACKSON "Orbi' GEORGE STRAIT "Lm
WDSY/Pittsbur h, PA 9
OM/PD: Keith
Richards APD/MO: Stoney 3 CAVOYSaAFN'VYVOD S'.jur 2 LAPOLVr DAM JOHNSON Wait
1 'PICK PONY w`:o0'
WPORBOrtland, ME
PD: Rick Jordan
MD: Glori Marie SHANNON L, r TN , r I re "Art , K, Ill`
KUPUPOnland, OR' OM: Lee Rogers
PD: Cary Rolle
MD: Rick Taylor 2
1
TOBY KEITH list" JACKSON "Ome'
KWJJ/Porlland, OR ' PG: Ken Boesen
APO/MD: Craig Lockwood No Adds
WOKO/Portsmouth, NH -
PD: Mark Jennings 9
APD/MD: Dan Lunnie 2 ALAN JACKSON "Drive"
2 WILLS "Gonna' 1 KELLIE COFFEY "Lié'
ANDY GRIGGS 'Tonight" SHANNON LAW'SON "Goodbye"
WCTK/Providence, RI ' PD: Rick Everett
MD: Sam Stevens 1 TRACE ADKINS "Help 1 KELLIE COFFEY -Lie
WLLR /Quad Cities. IA -IL `
PO: Jim O'Hara
MD: Ron Evans 1 LONESTAR "D "
CLINT BLACK on,
VJODR/Ralegh- Durham. NC'
PO'. Lisa McKa Y
'.AH -
KBUL/Reno. NV' OM/PD: Tom Jordan
APOIHD: Chuck Reeves 3t GEORGES "Days" ï GEORGE STRAIT ' Leang'
MINDY MCCREADY "Maybe"
WKHK/Richmond, VA' PO: Jim Tice 2 TAMMY ,ncHRAII Cr o'
1 KEVIN DENNEY esse ANDY GRIGGS Toolght
KFRG/Riverside, CA' OM/PD: Ray Massie MD: Don Jeffrey
No Ados
NSLfifèvaloleiyrrfög.W1' P0: Brett Sharp
MD: Robin James 1 ANDY GRIGGS "Tonght"
ALAN JACKSON"Ori' SHANNON LAWSON "Goodbye-
RAD MARTIN "Beer" "Better"
WYY4Hoade l.kall , VA* PO: Chris O'Kelley 8
GEORGE
8WOIW K'Vencxan" 5 GEORGE STRAIT "Living"
ALAN JACKSON
LITTLEBIGTOWNWasté' PAT GREEN "Three"
PO/MD: CoyoteondseY' 6 LONESTAR "Da9'.
2 GARY ALLAN "One"
MARK CHESNUTT "She"
GABBIENOLEN'There
WXXO/ROCkferd. IL
D. Jesse HsGarcia M Kathy Hess MD
KNCl/Sacramento, CA
Dir./Prog.: Mark Evans
APD/MD: Jennifer Wood 5 EMERSON DRIVE "Sleeping"
WKCEOSaginaw
Livie 9
MI
OMR D: Rick Walker AWN JACKSON "Drive"
NEISON8WOWCK'Merdomo" PAT GREEN''nr ce
KSD/St, Louis, MO
M0: Mark Langston 6 PHIL vASSAR "When" 4 LONESTAR "Day"
3 WJMLYN SRNAJJ ' SONVJat
WIL/St. Louis, MO' PO: Russ Schell
APD/MD: Danny Montana 1 T AWN JACKSON 'Dove
KKATSat Lake City, UT pp: Eddie Haskell
APD: Bill Williams Y
MD: Jim Nickelson ao Orr,!;
KSOPSaIt Lake City, UT' PD: Don Hilton
APD/MD: Debb Turpin Y rp
12 GEORGE STRAIT "Living" 2 TRACE ADKINS "Help" t SHANNON LAWSON'Goodbye"
NELSON 8 WOMACK "Mach e
KUBUSa
Ed
Lake City, UT' OM/PD: Ed Hill
MD: Pat Garrett BRIAN MCCOMAS "Never"
MARK CHESNUTT "She" MINDY MCCREADY'Maybe"
KAJASan Antonio, TX
OM/P0: Keith Montgomery APD/MD: Jennie James 2 ALAN JACKSON "Drive' 2 GEORGE STRAIT "LMng"
ROCS LAWRENCE "Memory' 1 NELSON &WRENCE "Memdotin..
BRIAN MCCOMAS "Never"
KCYY/Sar Antonio, TX
WARD: JACKSON
ON'Ton 4 ALAN JACKSON "Drive' 3 GARY ALLAN "One"
3 BRAD PAISLEY "Mas" 2 TRICK BONY' what'
CLINT 2 BLACK "Money' 2 LONESTAR "pay"
1 GEORGE STRAIT "LMng"
KSON/San Diego. CA
OM/PO: John Dimick
APORRO: Grog Frey KELLIE COFFEY "Lé' ANDY GRIGGS "Tonght" AWN JACKSON "Drive"
KRTY/San Jose. CA `
PO MD: Julie Stevens
APO: NateDealon 1 TAMMY COCHRAN "Cry"
KELLIE COFFEY "Lie"
WCTIJBaraso Wilson PD/MD: Mark Wilson
No Adds
WJCLBavannah, GA
PD/MD: Bill West TRACE ADKINS Help
TAMMY COCHRAN Cr "'
KMISSeatleTacoma. WA
PD:
Tony Thomas MD: Tony Thomas 1 BRAD PAISLEY 'Miss 1 GEORGE STRAIT "Living°
KRMD/Shrevepon, LA" OM /PD: Greg Cole
MD:James Anthony 1 TRICK PONY'WBet' 1 BRAD MARTIN "Better"
TRACE ADKINS "Help"
KXKSShreve Ort. LA' P
OM: Gary McCoy
PO/ MD: Russ Winston SHANNON LAN150N'Guxhe"
WBYT/South Bend, IN
PD: Tom Oakes
: Lisa Itstl
7 SARA EVANS "Looking" he'
KDRK/Spokane, WA' Ray Edwards OM PD
Tony Trovato APD/MD:
KIXZSpokane. WA' OM: Scott Rusk
PD/MO: Paul Neumann 2 JAMIE O'NEAL "Frantic" 2 BRAD PAISLEY "Miss" 1 HOMETOWN NEWS "Minivan'
DAVID BALL' SHANNON
BALL 'Always" "Heart"
SARA EVANS "Looking" BIG TOWN'Waste'
WPKXB nn field, MA P g
PD: Chi Miller P
MX ;Jessica Tyler 3
MARK CFIESÑ 55
ALAN JACKSON "Drive"
LONESTAR "Day"
WFMBBpringfield, IL
PD: Dave Shepel
MD: John Spaulding SARA EVANS " Looking" GEORGE STRAIT "Ching"
KTTS/Springfield, MO
OM/PD: Brad Hansen MD: Chris Cannon 22 Ut16&N VVC Ta m 21 DIXIE CHICKS -Days
W
Rich
Lau,
Lauber OM/PD: Rich Lauber
MD: Skip Clark 3 STEW NAR "Door
WOYK/Tampa, pa, FL ' OM. Eric Logan
PD: Beecher Martin
APO/MD:Jay Roberts 3 ANDY GRIGGS "Tonight'
1 KELLIE COFFEY "Lie" i AWNUJ US/ACN 'nocb/e"
WRBO/Tampa. FL' PD: Eric Logan g
Jay MD: Ja Roberts LONESTAR Day
WTHI/Terre Haute, IN R OM/PD: Barry Kent
MD: Party Marty BRAD MARTIN 'Bever" ANDY GRIGGS "Tonight' TRACE ADKINS "Help"
WIBW/Topeka, KS
MD: Patti Cheek 33 GEORGE STRAIT "Living" 32 ALAN JACKSON "Drive' 10 KELLIE COFFEY "Le" 10 TRACE ADKINS "Help"
10 STEVE PZAR "Dont" 10 PAT GREEN 'Three" 10 TRACY LAWRENCE "Memory.' ry'
KIIM/Tucson. Al ' P0: Bun Jackson
MD:John Collins 2 NEISEN8NAvWXYdadño-
DAVID BALL "Always
OK
OM: Moon Mullins KVOO/Tulsa.
Mullins MO: Scott Woodson t TRICK PONY "What' 1 KELLIE COFFEY "Lie" 1 KEVIN DENNEY "Jessie" 1 CHELY WRIGHT "Jezebel"
WZD Tupelo. MS
OM/PD: Tom Freeman
APO/MO: Matt Chatham GEORGE STRAIT "Living
KNUE/Tyler- Longview, TX
PD/MO: Larry Kent 12 SAWYER BROWN "Circles"
B &v
NBVON 'Marino" DAVDBALL "Aways"
OM: Don
shish me, N
PD/MD: Matt Ralisman
NY
EARL THOMAS CONLEY "Voice'
KJUGNfsa Dave Daniels PD/MD: Dave Dam
6 MD: JACKSON "Orion"
2 STTLE BIG
BROWN
'Waste" SHANNON BROWN "Heart"
WACO/Waco, TX
PD /OM: Zack Owen
APD/MD: Jennifer Allen 10 SHANNON LAWSON "Goodbye' 10 BR00KS 8 YhARWOOD'Sgaw'
WMZO/Washington. DC
OM /PD: Jeff Wyat APD/MO: Jon Anthony 4 SARA EVANS looking'
1 KEVIN DENNEY "Jessie
WOEZ/Wausau, WI
PD: Robb Rose
MD: T.K. Michaels KE iE r " ""
WIRKANest Palm Beach. FL' PD. Mitch Mahan
APD/MD: J.R, Jackson 4 NELSON 8WOMACKMemrin' 2 KEVIN DENNEY "Jessie 1 LONESTAR "Day
KFOI/Wichita.KS' Brannigan PD: Beverlee Branni an
APD/MD: Pat James LONESTAR "Day
KZSNANichita, KS' OM/PD: Jack Oliver APD: Tracy Garrett
MD: Dan Holiday 2 LITTLE BIG TOWN "Waste"
TRACE ADKINS "Help" PAT GREEN "Throe' ALAN JACKSON "Drivé"
WGGY/Wilkes Barre, PA ' P0: Mike Krinik MD: Jaymie Gordon 7 NELSON B WOMACK'Merdma"
MARK CHESNUTT "she' ANDY GRIGGS 'Tonight" ALISON KRAUSS... "Touch"
0(0/Yakima, WA
PD/MD: Dewey Boynton Y Yin TRACE ADKINS "Help"
NELSON & WOMACK nleodocrn
WGTY/York, PA ' OM /PD: John Pellegrini
MD: Tom Jackson 1 CLINT BLACK -Money
. PD/MD: Burton Lee
2 PHIL VASSAR' when'
* Monitored Reporters F r 189 Total Reporters
gw
-_ r 153 Total Monitored
36 Total Indicator 32 Current Indicator Playlists
Did Not Report, Playlist Frozen (4): WQBE/Charleston, WV WXTA/Erie, PA
WDEN /Macon, GA WTCM/Traverse City, MI
www.americanradiohistory.com
Country Playlists February 22, 2002 R &R 81 11T824. 41810888.11188444.124T ::.: , TO
WYNY/New York Big City (914) 592-1071 Mitchell
12+ Cume 402,300
PLAYS
LW TW ARTIST/TITLE
34 30 MARTINA MCBRIDE/Blessed 30 30 BRAD PAISLEY/Wrapped hound 37 29 MESSINA W/MCGRAW/Bring On The Rain
41 29 BROOKS 8 DUNN/Long Goodbye 27 21 DIXIE CHICKS /Some Days You...
31 25 TRACY BYRD/Just Let Me Be In...
32 24 CHRIS CAGLE/I Breathe In_. 23 23 SARA EVANS/Saints & Angels 25 21 KENNY CHESNEY/Young
23 21 JOE DIFFIEM Another World
21 21 RASCAL FLATTS/I'm Movin On
22 20 PHIL VASSARRhat's When I...
22 20 BLAKE SHELTON/All Over Me
23 20 EMERSON DRIVE/I Should Be Sleeping
22 19 CAROLYN DAWN JOHNSON/I Don't Warr You..
15 18 JESSICA ANDREWS/Karma
38 17 STEVE HOLY/Good Morning... 25 17 TAMMY COCHRANA Cry 24 17 WILLS W /O'NEAUfm Not Gonna... 16 16 TOMMY SHANE STEINER/What If She's M 24 16 CYNDI THOMSOWI Always Liked...
22 16 TOBY KEITWMy List 38 15 TIM MCGRAW/The Cowboy In Me
21 15 LEE ANN WOMACK/Does My Ring... 12 14 ANDY GRIGGS/Tonight I Wanna... 10 13 REBA MCENTIRE/I'm ASuryivor 14 19 CHELY WRIGHT /Jezebel 16 13 DAVID BALURiding With... 15 12 STEVE AZAR/I Don't Have To...
14 12 MARK MCGUINNShe Doesn't Dance
9 12 LONESTAR/I'm Already There 12 12 GARTH BROOKS/Wrapped Up In You
16 12 BLACKHAWK/Days Of America 12 12 REBA MCENTIRE/Sweet Music Man
7 12 FAITH HILUThere You'll He
8 11 FAITH HILL /The Way You Love Me
9 11 ALAN JACKSONANhere Were You... 16 11 BROOKS & YEARWOOD/Squeeze Me In
12 11 AARON TIPPIN /Where Stars And... 8 10 JAMIE O'NEAL/When I Think About..
SI (088) 7920 7920 7656 7656 7128 6600 6336 6072 5544 5544 5544 5280 5280 5280 5016 4752 4488 4488 4488 4224 4224 4224 3960 3960 3696 3432 3432 3432 3168 3168 3168 3168 3168 3168 3168 2904 2904 2904 2904 2640
WXTU /Philadelphia Beasley (610)667 -9000 McKay /Jack
12+ Cume 495,500
Puys LW TW
38 44
39 42
37 41
41 40
39 39
28 35
26 35
40 30
39 25
30 24
25 24
22 23
20 23
23 23
24 22
20 22
11 1
23 1
16 1
21 1
13 1
18 1
14 1
12 1
12 1
12 1
10 1
6 1
11 1
11 1
10
8
5
9
11
10
7
3
7
9
92ía15C..w
ARTIST/TITLE GI (000) DIXIE CHICKS/Some Days You... 15840 MARTINA MCBRIDE/Blessed 15120 TIM MCGRAW/The Cowboy In Me 14760 BROOKS & DUNN/Long Goodbye 14400 JOE DIFFIEnn Another World 14040 RASCAL FLATTS/l'm Movin' On 12600 KENNY CHESNEYNoung 12600 BRAD PAISLEYMIrapped Around 10800 STEVE HOLY/Good Morning... 9000 MESSINA W/MCGRAW /Bring On The Rain 8640 PHIL VASSAR/That's When I... 8640 BLAKE SHELTON/All Over Me 8280 TOBY KEITH/My Ust 8280 CHRIS CAGLE/I Breathe In... 8280 LEE ANN WOMACK/Does My Ring... 7920 TOMMY SHANE STEINER /What If She's M... 7920 BROOKS & YEARWOOD/Squeeze Me In 6840 TRACY BYRD /Just Let Me Be In.. 6480 TRAVIS TRITT/Modern Day Bonnie... 6480 CAROLYN DAWN JOHNSON/I Don't Want You... 6480 CYNDI THOMSON/I Always Liked... 6120 TAMMY COCHRAWI Cry 5400 EMERSON ORIVEA Should Be Sleeping 5040 CHELY WRIGHT /Jezebel 5040 STEVE AZARII Don't Have To... 4680 TOBY KEITH/I Wanna Talk... 4320 NELSON 8 WOMACK/Mendocino County... 4320 TRICK PONY /Just What I Do 3600 REM MCENTIRE/I'm A Survivor 3600 BROOKS 8 DUNN/Only In America TRICK PONY/On A Night Like This
TOBY KEITH/How Do You Like...
AARON TIPPIN /Where Stars And...
JESSICA ANDREWS/Karma
TRAVIS TRITT /It's A Great Day...
KEITH URBANANhere The 8ac!aop.. TIM MCGRAW /Grown Men Don't Cry KEITH URBAWIFS A Love Thing JESSICA ANDREWS /Who I Am
BROOKS 8 DUNN/Ain't Nothing...
3600 3240 3240 3240 3240 3240 2880 2520 2520 2520 2520
MARKET #9
KKBOMIwstm -Galveston
Cox (713) 961 -0093 CrAseBrooks
12+ Come 374,600
THE NEW
PLAYS
LW TW ARTIST/TITLE 100 100 STEVE HOLY /Good Morning... 97 95 GEORGE STRAIT/Run 96 76 BRAD PAISLEVNVrapped Around 43 69 BROOKS it DUNN/Long Goodbye 40 66 TIM MCGRAW/The Cowboy In Me 44 66 CHRIS CAGLEI Breathe In_.
71 61 TOBY KETTWMy List
95 60 TIM MCGRAW /Angry All The Time 73 60 PHIL VASSAR /That's When I...
94 59 ALAN JACKSONNNhere Were You... 44 43 GARY ALLANMtan Of Me 42 43 SARA EVANS/Saints 8 Angels 44 41 MARTINA MCBRIDEBlessed
- 33 a BROOKS & YEARWOOD/Squeeze Me In
- 30 a TRAVIS TRITT /Modern Day Bonnie... 20 22 KEITH URBAN/But For The Grace... - 22 TRACY BYRD /Just Let Me Be In...
41 21 AARON TIPPINNVhere Stars And...
20 20 TRAVIS TRITT/Love 01A Woman 18 20 KENNY CHESNEYBon t Happen Twice 21 20 DIAMOND RIO /One More Day
16 17 GEORGE STRAIT#(You Can Do...
20 17 GARY ALLAN/Right Where I...
18 16 DIXIE CHICKS/Without You
12 15 CHAD BROCKNesi 14 15 FAITH HILL/The Way You Love Me 14 14 JESSICA ANDREWSWho I Am 12 14 TOBY KEITHNOU Shoudnl... 16 14 SHEDAISY /I WIII...But 12 19 LONESTARWhat About Now 12 13 JO DEE MESSINA/That's The Way
10 13 BROOKS & DUNN/Only In America 14 13 JOEDIFFIEAt's Always... 13 12 DIXIE CHICKS/Cowboy Take Me Away 9 12 LEANN RIMES/I Need You
16 12 TOBY KEITWIWanna Talk...
12 12 SARA EVANS/Bom To Ry
12 12 MARTINA MCBRIDE/I Love You
12 12 AARONTIPPIN4(iss This 13 12 ALAN JACKSON/Where I Come From
GI (000) 18800 17860 14288 12972 12408 12408 11468 11280 11280 11092
8084 8084 7708 6204 5640 4136 4136 3948 3760 3760 3760 3196 3196 3008 2820 2820 2632 2632 2632 2444 2444 2444 2444 2256 2256 2256 2256 2256 2256 2256
MARKET #2
K2LA/Los Angeles Emmis (323)882 -8000 Curti/Campos
12+ Cume 729,600
PLAYS
LW TW
COUNTRY 93.9 KZlA
ARTIST/MIA GI (000) 47 50 STEVE HOLY/Good Morning... 20900 44 46 TIM MCGRAW /The Cowboy In Me 19228 39 42 RASCAL FLATTSA'm MoOri On 17556 30 40 MARTINA MCBRIDE/Blessed 16720 25 34 MESSINA W/MCGRAW/Bring On The Rain 14212 40 34 GARTH BROOKS/Wrapped Up In You 14212 36 32 ALAN JACKSON/Where Were You... 13376 32 31 FAITH HILL/There Will Come A... 12958 27 31 DIXIE CHCKSSome Days You... 12958 24 28 TOBY KEITH/My List 11704 29 27 TOMMY SHANE STEINEMNhat I She's An... 11286 29 26 PHIL VASSARifhat's When I... 10868 36 26 AARON TIPPIN /Where Stars And... 10868 25 23 BRAD PAISLEY/Wrapped Around 9614 23 23 DIXIE CHICKS/Fmvelin Soldier 9614 19 22 SHANNON LAWSON/Goodbye On A Bad Day 9196 22 19 BROOKS 8 DUNN/Long Goodbye 7942 19 19 TRACY BYRD /Just Let Me Be In... 7524 14 17 FAITH HILL/The Way You Love Me 7106 13 17 DAVID BALL /Riding With... 7106 15 18 JESSICA ANDREWS/Who I Mr 6688 14 16 BLAKE SHELTON/All Over Me 6688 18 14 TRAVIS TRITTAt's A Great Day... 5852 16 14 BROOKS 8 DUNN/Only In America 5852 13 14 PHIL VASSAR/Just Mother Day... 5852 11 13 STEVE AZARI Don't Have To... 5434 12 13 EMERSON DRIVE/I Should Be Sleeping 5434 16 13 TOBY KEITWI Wanna Talk... 5434 10 13 LONESTARI'm Broady There 5434 18 12 SARA EVANS/Born To Fly 5016 17 12 BROOKS 8 YEARWOOD/Squeeze Me In 5016 14 12 ' LEE ANN WOMACKA Hope You Dance 5016 13 12 SARA EVANS/I Could Not Ask... 5016 15 12 CAROLYN DAWN JOHNSO kT Dont Want You... 5016 9 12 CYNDI THOMSOWI Always Liked... 5016
11 12 TIM MCGRAW /Grown Men Don't Cry 5016 8 12 CHRIS CAGLEA Breathe In... 5016 16 11 KENNY CHESNEY /Young 4598 11 11 LONESTAWAmazed 4598 12 11 DIXIECHICKSM7dhout You 4598
WMZO/Washington, OC
Clear Channel (301)231 -8231
Wyatt/Anthony
12+ Cume 515,000
PLAYS
LW TW
44 48
34 47
45 44 44 49
39 39
31 36 37 35 25 32
36 32 26 32
35 31
28 29
22 28
34 24
21 24 22 23
28 23
21 20 33 2
19 1
14 1
17 1
19 1
19 1
14 1
18 1
7 1
1 1
12 1
6
9 1
29
5
to 10
9
20
7
9
4
rear. a..r Cs.,
ARTST/TITLE 61 (668) STEW HOLY/Good Morning... 13152 BRAD PAISLEYNRapped Around 12878 TIM MCGRAW/The Cowboy In Me 12056 MESSINA W/MCGRAW/Bring On The Rain 11782 AARON TIPPIN/Wtere Stars And... 10686 MARTINA MCBRIDE/Blessed 9864 ALAN JACKSON/Where Were You... 9590 TOBY KEITH/My List 8768 BROOKS 8 DUNNLong Goodbye 8768 KENNY CHESNEYNoung 8768 TRAVIS TRITT/Love Of A Woman 8494 RASCAL FLATTS/I'm Movin' On 7946 TOMMY SHANE STEINERAVIat If She's An... 7672 TRACY BYRD /Just Let Me Be In... 6576 STEVE AZARA Don't Have To... 6576 SARA EVANS/Saints & Angels 6302 GEORGE STRAIT/Run 6302 BROOKS 8 DUNN/Only In America 5480 TOBY KEITH/ Wanna Talk... 5480 GARY ALLAWRight Where L. 4658 TRAVIS TRITT/Modern Day Bonnie... 4658 TOBY KEI'WI'm Just Takin'... 4658 TRISHA YEARWOOD /I Would've Loved... 4384 TIM MCGRAW /Angry All The lime 4110 EMERSON DRIVE/I Should Be Sleeping 4110 CHELY WRIGHT /Jezebel 4110 BROOKS & YEARWOOD/Squeeze Me In 3836 LONESTAN/Not A Day Goes By 3836 DIXIE CHICKS/Some Days You... 3562 ALAN JACKSON/Drive (For Daddy_.) 3562 CAROLYN DAWN JOHNSON/I Dont WardYou... 3014 JOE DIFFIE/In Another World 2740 DIAMOND RIO/One More Day 2466 PHIL VASSAR/That's When I... 2466 FAITH HILUThe Way You Love Me 2466 JAMIE O'NEAUWhen I Think About.. 2192 DAVID BALL/Riding With... 2192 BLAKE SHELTOWAII Over Me 2192 CHAD BROCK/Yes! 2192 KENNY CHESNEYA Lost It 2192
MARKET #10
WYCDBetroit Infinity (248)799 -0600 Daniels/Clatman
12+ Came 448,000
PLAYS
LW TW
44 41
43 40 43 39
33 37 31 35 37 31
43 31
23 29
33 28 8 27
20 27 32 26 33
23
20
2
1
1
1
2
25 24 21
21
1
1
1
1
1
1
1
1
1
i 1
1
1
ARTIST/TITLE SI 1080) DIXIE CHICKS/Some Days You... 10619 STEW HOLY /Good Morning... 10360 BRAD PAISLEY/Wrapped Around 10101 BROOKS 8 DUNN/Long Goodbye 9583 TIM MCGRAW/The Cowboy In Me 9065 ALAN JACKSONANhere Were You... 8029 AARON TIPPINAWhere Stars And... 8029 TOBY KEITH/My List 7511
MARTINA MCBRIDE/Blessed 7252 MESSINA W/MCGRAW/Bring On The Rain 6993 BLAKE SHELTON/All Over Me 6993 CHRIS CAGLEO Breathe In... 6734 JOE DIFFIEtn Another World 6475 KENNY CHESNEYNoung 6216 CYNDI THOMSON/I Always Liked... 5439 RASCAL FLATTSA'm Movie' On 5439 TOMMY SHANE STEINER/What If She's M... 4662 KEVIN DENNEY/That's Just Jessie 4403 EMERSON DRIVE/I Should On Sleeping 4403 BROOKS 8 YEARWOOD/Squeeze Me In 4144 TRACY BYRD/Just Let Me Be In... 4144 PHIL VASSAR/That's When I... 3626 ALAN JACKSON/DrNe (For Daddy...) 3626 JAMIE O'NEALAWhen I Think About.. 2849 TRISHAYEARWOODAnside Out 2849 CAROLYN DAWN JOHNSOWComplicated 2590 PHIL VASSARBIx -Pack Summer 2590 LEE ANN WOMACK/Does My Ring... 2590 BLAKE SHELTON/Austin 2590 TRICK PONY /On A Night Like This 2331 REBA MCENTIRE/I'm A Survivor 2331 JEFF CARSOWReal Life... 2331 GARY ALLAN/Man 01 Me 2072 SARA EVANS/Saints & Angels 1813 TOBY KEITH# Wanna Talk... 1813 BROOKS 8 DUNN/Only In America 1813 ALAN JACKSONANhere I Come From 1813 TRAVIS TRITT /B's A Great Day... 1813 CYNDI THOMSONAWhat I Really... 1813 TRISHAYEMWOOD /I Would've Loved... 1813
WUSN/Chicago Infinity (312) 649-0099 Case/Biondo
12+ Cume 594,100
PLAYS
LW TW
41 43
44 43 46 43 17 41
44 40 43 39 16 37 4 28
17 27 23 24
22 24
19 24 22 24
20 23 23 23
24 23
23 22
22 21
21 21
18 19
20 18 12 18
17 16
11 16
42 16
17 15
21 15 14 15 16 14 12 14 14 14 14 12 14 12
14 12 41 12 13 11
14 9
9 9
3 9
6 9
115*-99.,
ARTIST/TITLE BROOKS & DUNN/Long Goodbye STEVE HOLY /Good Morning... BRAD PAISLEY/Wrapped Around TRACE ADKINS/l'm Tryln MESSINA W/MCGRAW/Bring On The Rain
ALAN JACKSONNVhere Were You... TOBY KEITHA Wanna Talk_.
JOE DIFFIEAn Another World
EMERSON DRIVE/I Should Be Sleeping TRACY BYRD /Just Let Me He In...
PHIL VASSAR/That's When I...
CHRIS CAGLEA Breathe In_.
TIM MCGRAW/The Cowboy In Me
TOMMY SHANE STEINERAhat It She's An DIXIE CHICKS/Some Days You... KENNY CHESNEY/Young RASCAL FLATTS/I'm Movin On
TOBY KEITH/My List MARTINA MCBRIDE/Blessed CYNDI THOMSON/I Always Liked...
GEORGE STRAIT/Run BROOKS 8 YEARWOOD/Squeeze Me In
BLAKE SHELTON/All Over Me ALAN JACKSONNVhere I Come From GARTH BROOKSNArapped Up In You
MONTGOMERY GENTRY/She Couldn't... LEE ANN WOMACK/Does My Ring... BLAKE SHELTON/Austin
TRAVIS TRITT/Modem Day Bonnie... ALAN JACKSON/Drive (For Daddy...) AARON TIPPINNMere Stars And...
JAMIE O'NEAUWhen I Think About. TRICK PONY/On A Night Like This
LONESTAR/'m Already There
BROOKS 8 DUNWOnly In America
TRAVIS TRITT/Love Of A Woman TRISHAYEARW00D /I Would've Loved...
KEITH URBAN/Where The BlacMOp..
11M MCGRAW/Something Like That
DAVID BALURiding With...
81 (050) 14276 14276 14276 13612 13280 12948 12284 9296 8964 7968 7968 7968 7968 7636 7636 7636 7304 6972 6972 6308 5976 5976 5312 5312 5312 4980 4980 4980 4648 4648 4648 3984 3984 3984 3984 3652 2988 2988 2988 2988
WKLBBoston Greater Media (617)822 -9600 Brophey/Rogers
12+ Cume 366,500
PLAYS
LW TW
30 37
3635 35 35
37 34
27 34
2933 23 27
27 27
25 27
26 25
12 23
2629 1723 1522 2221 24 21
27 21
2021 15 19 10 17
19 17
10 16
13 14
12 14 15 14
13 11 13
11 12
8 12
12 12 14 12
6 12 11 11
1 11
13 11
14 11
6 10 10 10 14 10 9 9
Cou
ARTIST/NTLE MESSINA W/MCGR W/Bting On The Rain
BROOKS & DUNN/L ng Goodbye
STEVE HOLY /Good Morning... BRAD PAISLEYANra ped Around TIM MCGRAW/The Cowboy In Me
MARTINA MCBRIDE/Blessed
TOBY KEITH/My List
JOE DIFFIE/In Another World KENNY CHESNEY/Young
RASCAL FLATTS/I'm Movin' On
EMERSON DRIVE/I Should He Sleeping PHIL VASSAR/That's When I...
GARTH BROOKSWrapped Up In You
CYNDI THOMSON/I Always Liked...
TOMMY SHANE STEINERAhat It She's An. CHRIS CAGLE/I Breathe In...
GEORGE STRAIT/Run STEVE AZARA Don't Have To...
BROOKS 8 DUNN/Only In America BLAKE SHELTOWAII Over Me TRACE ADKINS/1'm Tryin
AARON TIPPINAWhere Stars Md... JAMIE O'NEAL/When I Think About.. DIXIE CHICKS/Some Days You... TOBY KEITH/How Do You Like...
CHELY WRIGHT /Jezebel
CAROLYN DAWN JOHNSON4 Don1 War4 You...
TAMMY COCHRANA Cry
BROOKS & YEARWOOD/Squeeze Me In
REM MCENTIRE/I'm A Survivor LONESTAR/I'm Already There RASCAL FLATTSANhile You Loved Me TRAVIS TRITT/Love Of A Woman ALAN JACKSON/Dríve (For Daddy...)
MARK MCGUINN/She Doesn't Dance
BLAKE SHELTON/Austin
FAITH HILL/There You'll Be
DAVID BALL/Riding With... JO DEE MESSINA/Downtime TIM MCGRAW /Angry All The Time
GI (050) 8436 7980 7980 7752 7752 7524 6156 6156 6156 5700 5244 5244 5244 5016 4788 4788 4788 4788 4332 3876 3876 3420 3192 3192 3192 2964 2964 2736 2736 2736 2736 2736 2508 2508 2508 2508 2280 2280 2280 2052
MARKET #11
WKHX/A)laeta
ABC (770) 955 -0101 HallanVGrdy
12+ Cume 401,200
PLAYS
LW TW
53 48
42 47
5445 33 35 34 31
35 31
35 30 30 30 33 28
34 28
27 27
35 26
34 25 42 25 27 23 2323 2722 22 21
1820 27 20
25 20 15 17
15 17
17 15
20 15 14 14
18 14
15 13
12 13 12 12 10 12
15 12
15 12
8 12
14 12
16 12
12 11
13 11
17 11 12 11
ARTIST/TITLE CI 10001
TOBY KEITHMy List 11184 MARTINA MCBRIDE/Blessed 10951 RASCAL FLATTS/l'm Movin On 10485 TRACY BYRD/Just Let Me Be In... 8155 KENNY CHESNEYNoung 7223 BRAD PAISLEY/Wrapped Around 7223 DIXIE CHICKS/Some Days You... 6990
a TOMMY SHANE STEINER/What If She's An... 6990 MESSINA W/MCGRAW/Bring On The Rain 6524 BROOKS 8 DUNNLong Goodbye 6524 AARON TIPPINNNhere Stars And... 6291 TIM MCGRAW/The Cowboy In Me 6058 GEORGESTRAITBun 5825 TRICK PONY /On A Night Like This 5825 TOBY KEITHO Wanna Talk... 5359 KELLIE COFFEYANhen You Lie Next... 5359 ALAN JACKSON/Where Were You... 5126 TRAVIS TRITT/Modern Day Bonnie... 4893 STEVE HOLY/Good Morning_,. 4660 CHRIS CAGLE/I Breathe In._ 4660 KEVIN DENNEY/Thats Just Jessie 4660 PHIL VASSAR/Just Another Day.. 3961 SARA EVANS/I Could Not Ask... 3961 MONTGOMERY GENTRY/She Couldnt... 3495 ALAN JACKSON/Drive (For Daddy...) 3495 KEITH URBAN/But For The Grace... 3262 JAMIE O'NEAUWhen I Think About.. 3262 SARA EVANS/Bom To Fly 3029 DIAMOND RIO/One More Day 3029 LONESTAR4'm /Weedy There 2796 TRAVIS TRITT/Love 01 A Woman 2796 BROOKS 8 DUNN/Aint Nothing... 2796 KENNY CHESNEV /Don't Happen Twice 2796 LONESTAR/Amazed 2796 ALAN JACKSONNVhere I Come From 2796 TRAVIS TRITT /Its A Great Day... 2796 BLAKE SHELTON/Austin 2563 TIM MCGRAW/My Next Thirty Years 2563 JESSICA ANDREWS/Who I Am 2563 GARTH BROOKS/Wrapped Up In You 2563
MARKET #5
KPLX/Dallas -Ft. Worth Susquehanna (214)526-2400 Williams/Rivers/Nan
12+ Cume 504,000
995''. theWolf
PLAYS
LW TW ARTIST/TITLE
54 55 KEVIN DENNEY/Tlat's Just Jessie 55 49 BROOKS 8 DUNN/L ng Goodbye 43 49 TIM MCGRAW/The Cowboy In Me
49 46 GEORGE STRAIT/Ru 44 41 CHRIS CAGLE/I Breathe In... 47 41 JACKSON 8 STRAIT/Designated Drinker 37 40 TRACY BYRD /Just Let Me He In...
42 36 KENNY CHESNEY/Young 57 36 BRAD PAISLEYANrapped Around 38 35 PAT GREEN/Three Days
38 33 TOBY KEITH/My List
30 30 DERYL DODD/Pead Snaps
35 29 NELSON 8 WOMACK/Mendocino County.. 26 28 EMERSON DRIVE/I Should Be Sleeping 30 27 CHELY WRIGHT /Jezebel
32 27 MARTINA MCBRIDE/Blessed
- 24 a ALAN JACKSOWDdve (For Daddy...) 25 19 GABBIE NOLEN/Almost There
20 19 TRACY LAWRENCE/Life Don 1 Have...
15 18 BROOKS & DUNN/Only In America 15 18 RADNEY FOSTER.. /Texas In 1880
37 16 G. JONES & G. BROOKS/Beer Run 17 16 KEITH URBANN Mere The Blacktop.. 20 16 STEVE HOLY/Good Morning...
15 a GEORGE STRAIT/Living And Living... 14 15 BROOKS & DUNN/Ain t Nothing... 16 15 CLAY WALKER/If You Ever Feel...
15 15 GARTH BROOKSANraDped Up In You
11 14 PATGREEWrake Me Out To...
14 14 GREEN 8 MORROW/Texas On My Mind 14 13 TOBY KEITH/I'm Just Talldn'... 11 13 TRAVIS TRITT/Love Of A Woman
16 13 CHARLIE ROBISON/I Want You Bad
12 13 CYNDI THOMSOWWhat l Really..
11 12 TIM MCGRAW /Grown Men Doni Cry 12 12 MESSINA W/MCGRAW/Bring On The Rain
11 11 ALAN JACKSON/Where Were You... 7 11 TIM MCGRAW /Angry All The Time
10 10 MONTGOMERY GENTRY/She Couldn't... 11 9 ALAN JACKSON/Where I Come From
SI (005) 18755 16709 16709 15686 13981 13981 13640 12276 12276 11935 11253 10230 9889 9548 9207 9207 8184 6479 6479 6138 6138 5456 5456 5456 5115 5115 5115 5115 4774 4774 4433 4433 4433 4433 4092 4092 3751 3751 3410 3069
KIKK/Houston-Galvest Infinity (713) 881 -5957
Davis/Trapane
12+ Cume 211.300
PUYS LW 1W 33 33
32 32
29 31
32 29
32 26
18 21
20 20
22 1
21 1
20 1
20 1
22 1
12 1
20 1
17 1
21 1
19 1
11 1
21 1
15 1
10 1
- 1
10 1
13 1
8 1
10 1
16
10
10
8
12
)0 7
12
9
10
7
7
8
7
ERIK ARTIST/TITLE GEORGE STRAIT/Stars On The Water NELSON & WOMACK/Mendocino County.
TIM MCGRAW/The Cowboy In Me
TRAVIS TRITT/Modem Day Bonnie...
PAT GREEN/Three Days
KENNY CHESNEY/Yusng
BROOKS & YEARWOOD/Squeeze Me In
ALAN JACKSOWDrive (For Daddy..) TRICK PONY /Just What I Do
BRAD PAISLEY/Wrapped Around GARY ALLAN/The One
TOBY KEITH/My List KEVIN DENNEY/Ttats Just Jessie BROOKS 8 DUNN/Long Goodbye GARY ALLAN/Man Of Me CHRIS CAGLE/I Breathe In.. LEE ANN WOMACK/Does My Ring... CHARLIE ROBISON/I Want You Bad
BLAKE SHELTON/All Over Me
ROGER CREAGER/Everclear PAT GREEN/Carry On
GEORGE STRAIT/Living Md Living... EMERSON DRIVE/I Should Be Sleeping RADNEY FOSTER/Tonight
STEVIE NICKS/Foo Far From Texas GREEN 8 MORROW /Are You Sure Hank... SOGGY BOTTOM BOYS/I Am A Man...
TRICK PONY/Pour Me GREEN 8 MORROW/Stuck In...
TRACY LAWRENCE/Lessons Learned TOMMY ALVERSON/Una Mas Ser Vasa
MONEY FOSTER../Texas In 1880 ALAN JACKSON/Pop A Top
JERRY JEFF WALKENIt Doni Matter LONESTARAWhat About Now GARY ALLAN/Right Where I...
TRACE ADKINSA'm Tryin DIXIE CHICKS/Some Days You...
ALAN JACKSON/Where I Come From
BROOKS 8 DUNN/Only In America
GI (000) 3069 2976 2883 2697 2418 1953 1860 1767 1674 1674 1674 1581 1581 1581 1395 1395 1302 1302 1302 1209 1116 1116 1023 1023 1023
930 837 837 837 837 837 837 744 744 744 744 744 651 651 651
MARKET #11
WYAY /Atlanta ABC (770) 955 -0106 Mitchell/Gray
12+ Cume 236,000
=LI EAGLI: 106.7FM
PLAYS
LW TW ARTIST/TITLE SI (000) 25 26 BROOKS & DUNN/Long Goodbye 2964 26 24 STEVE HOLY/Good Morning... 2736 24 22 TIM MCGRAW/The Cowboy In Me 2508 27 19 GEORGE STRAIT/Run 2166 18 17 RASCAL FLATTSA'm Moo' On 1938 18 17 BRAD PAISLEY/Wrapped Around 1938 4 17 TOBY KEITH/My List 1938 3 17 KENNY CHESNEYNoung 1938 20 16 TRICK PONY/On A Night Like This 1824 20 14 MESSINA W/MCGRAW/Bring On The Rain 1596 24 12 ALAN JACKSOWWhere Were You... 1368
11 a MARTINAMCBRIDEBlessed 1254 2 11 AARON TIPPINNAhere Stars And... 1254 1 11 TOBY KEITWI Wanna Talk... 1254
9 JOE DIFFIE/In Another World 1026 8 LEE ANN WOMACK/Does My Ring... 912 8 DIXIE CHICKS/Some Days You... 912
t 7 TRACE ADKINS/1'm Tryin 798 1 7 GARTH BROOKS/Wrapped Up In You 798
5 BLAKE SHELTOWAII Over Me 570 5 CHELY WRIGHT /Jezebel 570 5 DIXIE CHICKS/Cowboy Take Me Away 570 5 LEE ANN WOMACWI Hope You Dance 570 4 KEITH URBAN/But For The Grace... 456 4 CHRIS CAGLE/I Breathe In.. 456 4 REBA MCENTIRE /Sweet Music Man 456 4 ALAN JACKSONANhere I Come From 456 3 TIM MCGRAW/Something Like That 342 3 TIM MCGRAW/My Ned Thirty Years 342 3 BLAKE SHELTOWAuslin 342 3 KEVIN DENNEY/That's Just Jessie 342 3 LONESTAWI'm Already There 342
1 3 KENNY CHESNEYBon t Happen Twice 342 4 3 ALAN JACKSON/It Must He Love 342 3 3 TRAVIS TRITT/Modem Day Bonnie... 342
3 TOBY KEITH/I'm Just Talkin'... 342 4 2 CAROLYN DAWN JOHNSON/ Don't Want You... 228 3 2 JOE DIFFIEACSANrays... 228 4 2 TRAVIS TRITT /Love Of A Woman 228
2 CHAD BROCKNes! 228
MARKET #5
KSCS/Dallas -Ft. Worth ABC (817) 640 -1963
James/O'Brian
12+ Cume 462,000
PLAYS
LW 1W
50 50 40 49
6 39 51 35 36 27
34 26 35 26 28 25 18 24 27 22
34 22
19 21
21 20 22 20 21 1
20 1
18 1
22 1
18 1
15 1
4 1
12 1
18 1
9 1
8 1
10 1
11 1
6
11
10
3
6
4
9
11
11
3
8
10
6
ARTIST/TITLE GI (5001 TIM MCGRAW/The Cowboy In Me 12400 ALAN JACKSON/Drive (For Daddy...) 12152 GEORGE STRAIT/Living And Living... 9672 KENNY CHESNEY/Young 8680 TRAVIS TRITT/Modem Day Bonnie.,. 6696 TRACY BYRD /Just Let Me He In... 6448 CLAY WALKER/La Samba 6448 BROOKS 8 DUNN/Long Goodbye 6200 STEVE HOLY/Good Morning... 5952 BRAD PAISLEYAWrapped Around 5456 TOBY KEITH/My List 5456 CHRIS CAGLE/I Breathe In... 5208 CHELY WRIGHT /Jezebel 4960 PHIL VASSAWThat's When I... 4960 KEVIN DENNEY/t ats Just Jessie 4712 PAT GREEN/Three Days 4712 TOMMY SHANE STEINER/What If She's An... 4464 TRACE ADKINS/1'm Tryin 3968 NELSON 8 WOMACK/Mendocino County.. 3968 MESSINA W/MCGRAW/Bring On The Rain 3968 BROOKS & YEARWOOD/Squeeze Me In
SOGGY BOTTOM BOYS/I Am A Man...
GEORGE STRAIT/Run
KEITH URBAN/But For The Grace...
AARON TIPPIWNhere Stars Md... JESSICA ANDREWSNNw I Am DARRYL WORLEY /A Good Day To Run
MONTGOMERY GENTRY/She Couldn't.. RASCAL FLATTS/I'm Movin On
JAMIE O'NEAL/fhere Is No Arizona GREEN 8 MORROW/Texas On My Mind
GARTH BROOKS/Wild Horses BROOKS & DUNN/Ain t Nothing... LONESTAR/Tell Her
CHRIS CAGLE/My Love Goes On...
JOE DIFFIF/In Mother World MARK WILLS/Loving Every Minute TOBY KEITWI Wanna Talk...
EMERSON DRIVER Should Be Sleeping TIM MCGRAW/My Next Thirty Years
3968 3224 2976 2728 2728 2480 2480 2232 2232 2232 1984 1984 1984 1984 1984 1984 1984 1984 1984 1736
KILT/Houston -Galveston
Infinity '
(713) 881 -5100 Davii/Erapane
12+ Cume 402,100
PLAYS
LW TW
54 50 48 50 49 49 47 48
47 48 48 42
27 28
25 26
32 26
18 24
28 24
27 24
5 22 1922 17 21
15 21
23 21
19 21
18 20
20 20 19 1
18 1
19 1
17 1
18 1
18 1
20 1
14 1
16 1
to 1
10 1
25 I 34
11
8
9
3
11
8
KILT ARTIST/TITLE 0) (5001 MESSINA W/MCGRAW/Bring On The Rain 16000 TIM MCGRAW/The Cowboy In Me 16000 STEVE HOLY /Good Morning.,. 15680 BRAD PAISLEY/Wrapped Around 15360 BROOKS 8 DUNN/Long Goodbye 14720 MARTINA MCBRIDE/Blessed 13440 CHRIS CAGLE/I Breathe In._ 8960 BLAKE SHELTON/All Over Me 8320 KENNY CHESNEYNoung 8320 PHIL VASSAR/That's When I... 7680 TOMMY SHANE STEINER/What If She's An... 7680 LEE ANN WOMACK/Does My Ring... 7680 SARA EVANS/Saints 8 Angels 7040 AARON TIPPINANhere Stars And... 7040 GEORGE STRAIT/Run 6720 TOBY KEITH/ Wanna Talk... 6720 CYNDI THOMSONA Always Liked... 6720 DIXIE CHICKS/Some Days You... 6720 TRAVIS TRITT/Modem Day Bonnie... 6400 CAROLYN DAWNJOHNSON4 DontWantVou.- 6400 TOBY KEITH/My List 6080 REBA MCENT1REA'm A Surv'IVor 6080 SAWYER BROWWCircles 6080 ALAN JACKSON/Where Were You... 5760 DAVID BALURiding WOE... 5440 ALAN JACKSON/Drive (For Daddy...) 5440 TRICK PONY /Just What I Do 5440 BROOKS & DUNWOnIy In America 4800 BLAKE SHELTON/Austin 4480 TIM MCGRAW /Angry All The Time 3520 KEVIN DENNEY/Thats Just Jessie 3200 JOE DIFFIE/In Mother World 3200 TRACY BYRD /Just Let Me He In... 2880 CHELY WRIGHT / Jezebel 2880 BROOKS & YEARWOOD/Squeeze Me In 2560 LONESTARMOt A Day Goes By 2560 TAMMY COCHRANA Cry 2560 CLINT BLACK/Money Or Love 2560 REBA MCENTIRESweet Musk Man 2560
a GEORGE STRAIT /Living And Living... 2240
MARKET #12
WKIS /Miami Beasley (305) 654 -1700
Walker/McCoy/Evans
12+ Cume 312,600
PLAYS
LW 1W 37 41
37 38
35 36
35 36
37 36
38 34 25 34
3632 37 29
23 28 1827 26 25 25 25 18 24 14 20 1720 17 1
13 1
13 1
21 1
23 1
17 1
16 1
13 1
21 1
31 1
16 1
16 1
10 1
11 1
13 1
11 1
9 1
10 1
11 1
9
8
12
9
13
Kies0Skr5P
COUNTRY
ARTST/TITLE BROOKS & DUNN/Long Goodbye DIXIE CHICKS/Some Days You...
MESSINA W/MCGRAW/Bring On The Rain
BRAD PAISLEY/Wrapped Around STEVE HOLY /Good Morning... TIM MCGRAW/The Cowboy In Me JOE DIFFIE/In Another World
TOMMY SHANE STEINER/What R She's An GEORGE STRAIT/Run MARINA MCBRIDE/Blessed RASCAL FLATTS/I'm Movin' On TOBY KEITH/My List TRACY BYRD /Just Let Me Be In...
TRAVIS TRITT/Modern Day Bonnie... ALAN JACKSON/Where Were You... STEVE AZARO Doni Have To...
CHRIS CAGLE/I Breathe In...
KENNY CHESNEYNoung BLAKE SHELTON/All Over Me
BROOKS 8 YEARWOOD/Squeeze Me In
TRACE ADKINS/1'm Tryiri CAROLYN DAWNJOHNSON4 Dont Want You..
CYNDI THOMSON/I Always Liked...
PHIL VASSAR/That's When I...
TRICK PONY /Just What I Do TOBY KEITWI Wanna Talk..
ALAN JACKSON/Drive (For Daddy...) ANDY GRIGGS/Tonight I Wanna... GARTH BROOKS/Wrapped Up In You
BROOKS 8 DUNN/Only In America LEE ANN WOMACK/Does My Ring... ALAN JACKSON/Where I Come From TRICK PONY /On A Night Like This KENNY CHESNEYBon t Happen Twice
AARON TIPPINNVhere Stars And...
JAMIE O'NEAUWhen I Think About.. FAITH HILUIf My Heart Had... DIAMOND RIO/One More Day MONTGOMERY GENTRY/She Couldn't.. KEITH URBAN/Where The Bbo cop..
GI 10001
8733 8094 7668 7668 7668 7242 7242 6816 6177 5964 5751 5325 5325 5112 4260 4260 4047 3621 3621 3408 3408 3408 3195 2982 2769 2769 2556 2556 2343 2343 2343 2343 2130 2130 2130 1917 1917 1917 1917 1917
www.americanradiohistory.com
82 R &R February 22, 2002 AC Playlists 'wk.+ , mys. . i3n+4. a:._ïwe . . ._
MARKET #1 MARKET #2 MARKET #3 MAIMET #3
WLTW /New York
Clear Channel (212)6034600 Ryan
12+ Cume 2,976,400
106.7 Ltefm
KOST/Los Angeles
Clear Channel
Ka18)
5 12+ Cume 1,263,160
KOS 703.5 F M
WLIT /Chicago Clear Channel (312) 329 -9002 Kaake
12+ Cume 593,600
98.9. WLIT WNN0 Chicago
Bonneville (312) 297 -5100
Hamlin/Johns
12+ Cume 543,300
wHd fOOf/v
PLAYS PLAYS PLAYS PLAYS
LW TW ARTIST/TITLE GI (000) LW TW ARTIST/TITLE Cl (000) LW TW ARTIST/TITLE GI 0001 LW TW ARTIST/TITLE GI (000)
25 26 ENRIQUE IGLESIAS/Hero 50778 22 25 ENYA/Only Time 15350 29 31 5150fIhankyou 9517 33 33 ENRIQUE IGLESIAS/Hero 8547
25 25 MARC ANTHONY /I Need You 48825 23 25 LEE ANN WOMACK/I Hope You Dance 15350 28 30 LEE ANN WOMACK/I Hope You Dance 9210 20 33 CELINE DION/A New Day Has Come 8547
23 25 LONESTAR/I'm Already There 48825 24 24 ENRIQUE IGLESIAS/Hero 14736 28 30 MATCHBOX TWENTY /If You're Gone 9210 18 32 LONESTAR/I'm Already There 8288 14 24 CELINE °IOWA New Day Has Come 45872 23 24 LONESTARA'm Already There 14736 29 2 ENYA/Ony Time 8903 33 29 BACKSTREET BOYS/Drowning 7511
24 24 FIVE FOR FIGHTING/Superman (It's...) 46872 24 24 DIDO/Thankyou 14736 20 2 ENRIQUE IGLESIAS/Hero 8289 28 1 LEANN RIMES/Soon 4662
23 20 UNCLE KRACKER/Follow Me 39060 21 23 MATCHBOX TWENTY /If You're Gone 14122 14 1 LEWIS & PALTROW/Cruisin' 3991 27 1 BRICKMANMOWARDSimple Things 4403
12 1 DARREN HAYESAnsatiable 33201 11 22 CELINE DION/A New Day Has Come 13508 15 1 FAITH HILL/Breathe 3991 13 1 'N SYNCJThis I Promise You 3885
15 CHRIS ISAAK/Let Me Down Easy 33201 16 1 BARRY MANILOW/Tum The Radio Up 11666 5 1 BBMAK/Back Here 3684 14 1 ELTON JOHN/This Train Don't... 3885
15 ELTON JOHN/This Train Don't.. 31248 9 1 PHIL COLLINS/You'll Be In My... 7982 9 1 MARC ANTHONY/You Sang To Me 3684 14 1 DARREN HAYESAnsatiable 3626
22 CHER/Song For The Lonely 27342 12 1 98 DEGREESAvty Everything 7368 10 1 'N SYNC/This I Promise You 3377 15 1 ENYA/Ony Time 3626
1 ALICIA KEYS/Falliù 27342 13 1 N SYNC/This I Promise You 7368 11 1 BACKSTREET BOYS/Shape Of My Head 3377 11 1 LEANN RIMES/I Need You 3626
LEANN RIMES/Can't Fight... 23436 10 1 BRIAN MCKNIGHT/Back At One 6754 11 1 0-TOWN/All Or Nothing 3377 15 1 BRIAN MCKNIGHT/Still 3626
LIONEL RICHIE/Angel 21483 11 1 MARC ANTHONYA Need To Know 6754 11 1 SAVAGE GARDENA Knew I Loved You 3377 24 i MATCHBOX TWENTY /II You're Gone 3367
FAITH HILUThe Way You Love Me 21483 13 1 SAVAGE GARDENA Knew I Loved You 6754 10 1 STING/Desert Rose 3070 7 1 MARC ANTHONY /I Need You 3367
JOHN MELLENCAMP/Peacetul World 21483 8 1 FAITH HILUBreathe 6140 10 1 S CLUB 7/Never Had A Dream_. 3070 5 1 FIVE FOR FIGHTING/Superman 111'5...1 3367
MATCHBOX TWENTY /If You're Gone 19530 9 1 DAVID GRAY/Babylon 6140 10 1 MARC ANTHONYA Need To Know 3070 12 1 DIDO/Thankyou 3108
TRAIN/Drops Of Jupiter... 19530 11 1 ENRIQUE IGLESIAS/Be With You 6140 10 1 BACKSTREET BOYS/I Want It That Way 3070 11 1 FAITH HILUBreathe 3108 MARC ANTHONY/My Baby You 19530 11 1 EVAN AND JARON/Crazy For This Girl 6140 12 1 LONESTARA'm Akeady There 3070 11 1 LIONEL RICHIE/Angel 3108 DON HENLEY/Taking You Home 19530 10 1 BACKSTREET BOYSA Want It That Way 6140 9 BACKSTREET BOYS/Drowning 2763 14 1 BBMAK/Back Here 3108 MARC ANTHONYA Need To Know 19530 9 1 CELINE DION/That's The Way It Is 6140 13 SANTANA F/ROB THOMAS/Smooth 2763 12 1 LEE ANN WOMACKA Hope You Dance 3108 LEE ANN WOMACK/I Hope You Dance 19530 12 BACKSTREET BOYS/Show Me... 5526 12 FAITH HILL/The Way You Love Me 2763 12 i SAVAGE GARDEN4 Knew I Loved You 2849 FAITH HILUBreathe 19530 BACKSTREET BOYS/More Than That 5526 8 ENRIQUE IGLESIAS/Bailamos. 2763 13 1 FAITH HILL/Them You'll Be 2849 PHIL COLLINS/You'll Be In My... 19530 10 MARC ANTHONYNou Sang To Me 4912 3 CELINE DION/A New Day Has Come 2456 11 1 FAITH HILL/The Way You Love Me 2849 BACKSTREET BOYS/More Than That 17577 19 FAITH HILL/The Way You Love Me 4912 3 LEANN RIMES/I Need You 2456 10 1 BACKSTREET BOYS/I Want It That Way 2849
NELLY FURTADO/l'm Like A Bird 17577 11 LEANN RIMESA Need You 4912 3 UNCLE KRACKER/Follow Me 2456 13 1 CELINE DION/That's The Way It Is 2849 0 -TOW WAIT Or Nothing 17577 6 BR ICKMANMOWARDSimple Things 3070 5 CELINE DIOWThat's The Way It Is 1842 14 1 DIAMOND RIO/One More Day 2590 SHAKIRNWhenever Wherever 17577 4 FAITH HILL/There You'll Be 2456 4 CELINE DION/God Bless America 1842 10 1 CELINE DION/God Bless America 2590
SANTANA F/ROB THOMAS/Smooth 17577 1 S CLUB 7/Never Had A Dream... 1842 3 FIVE FOR FIGHTING/Superman (It's...) 1535 9 BACKSTREET BOYS/Show Me._ 2331
N SYNC/This I Promise You 15524 3 LONESTAR/Amazed 1842 4 CHER/Believe 1535 CHER/Song For The Lonely 2072
MARC ANTHONY/You Sang To Me 15624 4 SARAH MCLACHLAWI Will Remember You" 1842 4 BACKSTREET BOYS/Show Me... 1228 10 BARRY MANILOW/Turn The Radio Up 2072
MARKET #6 MARKET #7 MARKET #8 MARKET #10
WBEB/Philadelphia WEAZ Radio Inc (610) 538-1223
Conley
12+ Cume 752,000
D 41VGS.S
WASH/Washington, DC
Clear Channel (301) 984-9710
Allan
12+ Come 452,100
SoiERock 97/ WMJXBostan Greater Media (617) 822-6324 Kelley/OTerry/tawrence
12. Cume 604,500
MAGIC 106.7 WNIC/Detrsit Clear Channel (313)846 -8500
Bennett
12+ Cume 634,700
wNicFH3 w A f M- i M Iltectevkave-Rxe
PLAYS PLAYS PLAYS PLAYS
LW TW ARTIST/TITLE SI (000) LW 1W MUST/TITLE GI 10001 LW Tw ARTIST/TITLE 6I(000) LW TW ARTIST/TITLE GI (0001
29 29 ENRIQUE IGLESIAS/Hero 14239 24 24 LONESTARA'm Already There 4992 24 27 ENRIQUE IGLESIAS/Hero 9639 ENYNOny Time 7676
2 29 FIVE FOR FIGHTING/Superman (Iris...) 14239 23 24 BACKSTREET BOYS/Drowning 4992 24 26 ALICIA KEYS/Falliù 9282 CELINE DION/A New Day Has Come 7676
2 28 LEE ANN WOMACKA Hope You Dance 12766 23 23 TRAIN/Drops Of Jupiter... 4784 25 25 FIVE FOR FIGHTING/Superman (X's...) 8925 LONESTAR/I'm Already There 6868
2 2 BACKSTREET BOYS/Drowning 12275 2 23 ENRIQUE IGLESIAS/Hero 4784 15 25 CELINE DION/A New Day Has Come 8925 ENRIQUE IGLESIAS/Hero 6868
2 2 TRAIN/Drops Of Jupiter... 11784 1 20 MARC ANTHONY /I Need You 4160 25 22 MATCHBOX TWENTY /If You're Gone 7854 TRAIN/Drops Of Jupiter... 6868
2 2 UNCLE KRACKER/Follow Me 11784 1 20 CHER/Song For The Lonely 4160 20 20 UNCLE KRACKER/Follow Me 7140 LEE ANN WOMACK/I Hope You Dance 6464
1 CELINE DION/A New Day Has Come 8347 1 1 CELINE DIOWA New Day Has Come 3744 12 DIDO/Thankyou 4641 FIVE FOR FIGHTING/Superman (It§...) 6060
1 DARREN HAYESAnsatiable 7856 1 1 FIVE FOR FIGHTING/Superman (It's._) 3536 10 BACKSTREET BOYS/Drowning 4641 CHERSong For The Lonely 5656
1 FAITH HILL/Breathe 7365 1 FAITH HILL/There You'll Be 3536 to SAVAGE GARDENA Knew I Loved You 4641 LEANN RIMES/Cant Fight... 5656 1 SAVAGE GARDENA Knew I Loved You 6874 1 UNCLE KRACKER/Follow Me 3120 11 LEWIS & PALTROW/Cruisin' 3927 'N SYNC/This I Promise You 4040
1 USHER/11 Sot It Bad 6874 0- TOWN/All Or Nothing 3120 8 PHIL COLLINS/You'll Be In My... 3927 MATCHBOX TWENTY/If You're Gone 4040
BRIAN MCKNIGHTStIII 6874 BRICKMAN/HOWARD/Simple Things 2912 10 TRAIN/Drops 01 Jupiter... 3927 BRIAN MCKNIGHT/Back At One 3636
LEANN RIMES/I Need You 6383 MATCHBOX PNENTY /n You're Gone 2912 10 FAITH HILL/There You 'll Be 3570 DIDO/Thankyou 3636
i MACY GRAYA Try 5892 BRIAN MCKNIGHTStill 2912 11 LONESTAR/Amazed 3570 SANTANA F/ROB THOMAS/Smooth 3232
1 THE COMAS/Breathless 5892 ENYA/Ony Time 2912 8 FAITH HILUBreathe 3570 UNCLE KRACKER/Follow Me 3232
SARAH MCLACHLAN/1 Will Remember You 5401 MESSINA W/MCGRAWBring On The Rain 2704 12 0-TOWN/MI Or Nothing 3570 FAITH HILL/The Way You Loue Me 3232
PHIL COLLINS/You'll Be In My.. 5401 SAVAGE GARDEN/I Knew I Loved You 2704 12 1 JANET/Someone To Call... 3570 SAVAGE GARDENA Knew I Loved You 3232 LONESTAR/Amazed 5401 DIDO/Thankyou 2080 8 1 BACKSTREET BOYS/I Want It That Way 3570 NELLY FURTADO/I'm Like A Bird 3232 DIDO/Thankyou 4910 LEANN RIMES/I Need You 2080 11 1 EDWIN MCCAINA Could Not Ask... 3570 FAITH HILL/Breathe 3232
SANTANA F/ROB THOMAS/Smooth 4910 CHER/Believe 2080 9 MACY GRAY /I Try 3213 PHIL COLLINS/You'll Be In My... 2828 MATCHBOX TWENTY /11 Yoùre Gone 4910 HOUSTON 8 IGLESIAS/Could I Have This.. 1872 9 MARC ANTHONY/YOu Sang To Me 3213 BBMAK/Back Here 2828 ENYA/Ony Time 4910 BBMAK/Back Here 1872 11 CHRISTINA AGUILERA/I Turn To You 3213 BACKSTREET BOYS/Show Me... 2828
R. KELLY/The World's Greatest 4910 FAITH HILL/The Way You Love Me 1872 6 SANTANA F/ROB THOMAS/Smooth 3213 BACKSTREET BOYS/I Want It That Way 2828
S CLUB 7/Never Had A Dream_. 4419 LEE ANN WOMACKA Hope You Dance 1872 13 LEANN RIMES/I Need You 3213 CELINE DION/That's The Way It Is 2424 FAITH HILUThe Way You Love Me 4419 PHIL COLLINS/You'll Be In My... 1872 LEANN RIMES/Can't Fight.. 2856 'N SYNC/Bye Bye Bye 2424
CHER/Song For The Lonely 4419 SADE Oh Your Side 1664 10 DON HENLEY/Taking You Home 2856 BACKSTREET BOYS/The One 2424
0- TOWN/All Or Nothing 3928 MARC ANTHONYA Need To Know 1664 5 SARAH MCLACHLAWI Will Remember You 2499 99 DEGREES/My Everything 2020 'N SYNC4t's Gonna Be Me 3928 LEWIS 8 PALTROW/Cruisin' 1664 7 FAITH HILUThe Way You Love Me 2142 CELINE DION/God Bless America 2020 BHMAIOBack Here 3928 MACY GRAVA Try 1664 7 BRIAN MCKNIGHTStill 2142 SARAH MCLACHLAN/I Will Remember You 2020 SUGAR RAY/When its Over 3928 B CLUB 7/Never Had A Dream... 1664 5 ENRIQUE IGLESIAS/Ballamos 2142 LONESTAR /Amazed 2020
MARKET #14 MARKET #14 MARKET #15 MARKET #15
KLSY/Seafle- Tacoma Sandusky (425) 653-9462
Cotes
12+ Cume 269,800
KRWM /Sea9le-Tacoma Sandusky (425)373 -5545 Coles
12+ Come 286,900
Alarm 106.9fN KESZ/Phoenix
Clear Channel (480)966.6236 Holly
12+ Cume 311,000
999KEZ ....
KKLT/Ph see ix
Emmis (602)274 -6200 Grey
12+ Cume 217,800
LïteRod<987 _...... !Kite
92.5 KLSY
PLAYS PLAYS PLAYS PLAYS
Lw 1W ARTIST/TITLE GI (000) WTw ARTIST/TITLE GI (0001 LW TW ARTIST/TITLE GI 10001 LW 1W ARTIST/TITLE GI (080)
23 41 ENYA/Ony Trme 5207 26 24 ENRIQUE IGLESIAS Hero 3912 18 2 0-TOWN/All Or Nothing 3591 34 37 FIVE FOR FIGHTING/Superman 4847
40 41 ENRIQUE IGLESIAS/Hero 5207 4 21 CELINE DION/A New Day Has Come 3423 19 2 MATCHBOX TWENTY/1f You're Gone 3420 33 34 LONESTARA'm Already There 4454
38 39 TRAIN/Drops Of Jupiter .. 4953 5 20 BACKSTREET BOYS/Drowning 3260 18 1 ENRIQUE IGLESIAS/Hero 3249 23 34 LEANN RIMES/Soon 4454
34 36 FIVE FOR FIGHTING/Superman (It's...) 4572 3 1 MARC ANTHONYA Need You 3097 21 1 ENYA/Ony Time 3249 35 33 BACKSTREET BOYS/Drowning 4323
30 28 DIDO/Thankyou 3556 7 1 LONESTARA'm Already Them 2608 21 1 LONESTAR/I'm Already There 3078 35 33 ENRIQUE IGLESIAS/Hero 4323
17 26 CELINE DION/A New Day Has Come 3302 4 1 SAVAGE GARDENA Knew I Loved You 2608 16 1 S CLUB 7/Never Had A Dream... 3078 24 23 JEWEUStanding Still 3013
24 25 UNCLE KRACKER/FOliow Me 3175 7 1 ENYNOny Time 2445 20 1 BACKSTREET BOYS/Drowning 2907 22 23 DARREN HAYES/Insatiable 3013
25 25 MATCHBOX TWENTY/1f You're Gone 3175 1 'N SYNC/This I Promise You 2445 9 FIVE FOR FIGHTING/Superman (It's...) 2394 23 23 CHERSOng For The Loney 3013
28 25 LEE ANN WOMACKA Hope You Dance 3175 1 LEANN RIMES/I Need You 2445 7 DARREN HAYES/Insatiable 2052 21 22 R. KELLY/The World's Greatest 2882
25 24 BACKSTREET BOYS/Drowning 3048 1 BRICKMAN/HOWARD/Simple Things 2445 9 DIDO/Thankyou 2052 24 22 TRAI WDrops Of JUpAer... 2882
14 24 MADONNA/Don't Tell Me 3048 1 FAITH HILL/There You'll Be 2282 13 1 BRICKMAN/HOWARD/Simple Things 1881 12 21 ELTON JOHN/This Train Don't... 2751
21 22 CHER/Song For The Lonely 2794 1 LONESTAR/Arnazed 1956 11 1 LEANN RIMES/Soon 1710 16 16 MATCHBOX TWENTY /11 You're Gone 2358
19 22 SANTANA F/ROB THOMAS/Smooth 2794 0100/Thankyou 1793 9 LEE ANN WOMACKA Hope You Dance 1710 13 10 LEANN RIMES/Can't Fpm... 2358
9 22 NELLY FURTADO /I'm Like A Bird 2794 BRIAN MCKNIGHT/Back At Or/ 1793 7 SAVAGE GARDENA Knew I Loved You 1710 2 17 CELINE DION/A New Day Has Come 2227
33 2 LONESTAR/I'm Already There 2667 MATCHBOX TWENTY /If You're Gone 1630 8 LEWIS 8 PALTROW/Cruisin' 1710 16 16 ENYNOnIy Time 2096
18 1 SMASH MOUTHA m A Believer 2413 0- TOWN/All Or Nothing 1630 12 1 MARC ANTHONYNou Sang To Me 1710 17 16 BRIAN MCKNIGHTStill 2096
15 FAITH HILL/The Way You Love Me 1143 LEE ANN WOMACK/I Hope You Dance 1630 7 SANTANA F/ROB THOMAS/Smooth 1539 15 16 DIDO/Thankyou 2096
to CELINE DION/That's The Way It Is 1143 BACKSTREET BOYS/Shape Of My Heart 1467 7 LONESTAR/Amazed 1539 34 16 BRICKMANMOWARDSimple Things 2096
8 CHERBelieve 1143 LEANN RIMES/Soon 1467 7 FAITH HILUBreathe 1539 23 15 0-TOW WAlI Or Nothing 1965
8 BACKSTREET BOYS/1 Want It That Way 1016 FNTH HILL/Breathe 1304 12 BBMAK/Back Here 1368 15 15 MESSINA W/MCGRAWBnng On The Rain 1965
5 LONESTAR/Amazed 1016 S CLUB 7/Never Had A Dream... 1141 8 ELTON JOHN/I Want Love 1368 15 15 S CLUB 7/Never Had A Dream_. 1965
9 SAVAGE GARDENA Knew l Loved You 1016 FAITH HILUThe Way You Love Me 1141 3 CELINE DION/A New Day Has Come 1368 18 15 UNCLE KRACKER/Follow Me 1965
4 LEWIS 8 PALTROW/Cruisin' 889 CELINE DION/That's The Way It Is 978 7 FAITH HILL/The Way You Love Me 1197 1 14 MARC ANTHONY /I Need You 1834
9 LEANN RIMES/Soon 889 PHIL COLLINS/You'll Be In My 978 9 FAITH HILL/There You'll Be 1197 18 13 FAITH HILL/There You'll Be 1703
7 BBMAKBack Here 889 BOYS/Show Me... 978 4 BACKSTREET BOYS/I Want It That Way 1197 16 13 THE CORRS/Breathless 1703
9 THE CORRS/Breamless 889 MARC ANTHONYNou Sang To Me 815 10 CHER/Song For The Loney 1197 14 13 BBMAK/Back Here 1703
DARREN HAVES/Insatiable 889 CHRISTINA AGUILERA/I Turn To You 652 7 LEANN RIMES/I Need You 1197 13 13 DIAMOND RIO/One More Day 1703
5 'N SYNCBye Bye Bye 762 CHER/Believe 652 8 MARC ANTHONY /I Need To Know 1026 10 12 BRITNEY SPEARS/I'm Not A Girl... 1572
4 BACKSTREET BOYS/Show Me. 762 EDWIN MCCNWI Could Not Ask... 652 BRIAN MCKNIGHTSti6 1026 8 7 LEE ANN WOMACK/I Hope You Dance 917
14 FAITH HILL/Breathe 762 FIVE FOR FIGHTING/Superman 652 BRIAN MCKNIGHT/Back At One 1026 8 7 CHER Relieve 917
MARKET #18 MARKET #18 MARKET #19 MARKET #20
WALK/Nassau- Suffolk Clear Channel (631) 475 -5200
Miller
12+ Cume 650,200
liRf LA " / 5
GI (000)
There 12038 You 11575
(It's...) 11575 Day Has Come 11575
11112 11112 10186
7408 World 6945
Dont... 6945 You're Gone 5556
Wherever 5556 Hope You Dance 5556
5556 5093
Down Easy 5093 Be In My... 5093
The Way It Is 5093 5093
You Home 5093 Fight._ 5093
You 4630 4630 4630
Baby You 4630 You Love Me 4630
4630 I Loved You 4630
4167 Sang To Me 4167
WKJY/Nassau- Suffolk Barnstable (631)770-4200 George/Vale
12+ Cume 325,800
ÿJKd,
lALuft
The Best mi.' .vt.,:c/
GI 10001
ow Me 5232 5232
er... 5014 (It's._) 4796
There 4796 Lonely 4578
Things 3924 3488
Dort._ 3270 3270
World 3052 3052
You 2834 A Dream.. 2834 You Home 2398 Hope You Dance 2398
2180 Baby You 2180 'll Be 2180
2180 Sang To Me 2180
You Love Me 1962 You're Gone 1962
Down Easy 1962 Wherever 1962
Than That 1962 You 1962
1962 1962 1744
KEZKBt. Louis Infinity (314) 531 -0000 Rivers/Doyle
12+ Cume 332,200
WLIF/Baltimore Infinity (410) 823-1570 Thoner
12+ Cume 290,700
WLIF ' 102 KEZK 102.5
Soór eaE
GI (000)
3451 Hope You Dance 3248 /II You're Gone 3248
Things 3045 3045
(It's...) 3045 2842 2842
You 2639 Sang To Me 2639
There 2639 Be 2639
You 2436 2436 2436
At One 2233 2233
Day Has Come 2030 I Loved You 2030
Will Remember You 1827 More Day 1827
You Home 1624
1624 1624
Be In My.. 1624 1421
The Way It Is 1421 1218
You Love Me 1218 1218
GI (0001
3860 3860
There 3667 You're Gone 3474
Hope You Dance 3474 You 3281
Me 2702 2702
Not Ask... 2316 Want It That Way 2316
AI One 2316 You 2316
2123 2123 2123
Baby You 2123 You Home 2123 The Way It Is 2123
Me... 2123 I Loved You 1930
1737 Day Has Come - 1737 You Love Me 1737
1544 1544
Be In My.. 1544 1351
To Know 1351 1351
1158
PLAYS
LW 1W ARTIST/TITLE
25 25 LONESTAR/l'm Already
25 25 MARC ANTHONYA Need
26 25 FIVE FOR FIGHTING/Superman
14 25 CELINE DION/A New
24 24 ENRIQUE IGLESIAS/Hero
24 24 CHER/Song For The Lonely
24 22 TRAINBrops Of Jupiter...
15 16 DARREN HAYESAnsatiable
14 16 JOHN MELLENCAMP/Peaceful
15 15 ELTON JOHN/This Train
12 12 MATCHBOX TWENTYAI
13 12 SHAKIRA/Whenever 11 12 LEE ANN WOMACK/I
11 12 FAITH HILUBreathe 11 11 LEWIS 8 PALTROW/Cruisin'
13 11 CHRIS ISAAK/Let Me
11 11 PHIL COLLINS/Yeah I
10 11 CELINE DION/That's
11 11 LIONEL RICHIE/Angel
12 11 DON HENLEY/Taking
11 11 LEANN RIMES/Can't 12 10 N SYNC/This I Promise 11 10 ALICIA KEYS/Fallie
10 10 LONESTAWAmazed 10 10 MARC ANTHONY/My
12 10 FAITH HILL/The Way
9 10 ENYA/Ony Time
12 10 SAVAGE GARDENA Knew
9 9 DIDO/Thankyou 9 MARC ANTHONYNou
PLAYS
LW TW
24 24 23 24
23 23 22 22
23 22
20 2
16 1
14 1
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15 1
16 1
8 1
1
16 1
8 1
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10 1
10 1
10
9
9
11
12
6
9
9
10
to 12
ARTIST/TITLE
UNCLE KRACKER/Fo
ENRIQUE IGLESIAS/Hero
TRAINBrops OtJup ENE FOR FIGHTING/Superman LONESTARA'm Already CHER/Song For The
BRICKMANMOWARDSimple DARREN HAYES/Insatiable
ELTON JOHN/This Train
LEANN RIMES/Soon
JOHN MELLENCAMP/Peacelul
ALICIA KEYSFFalllù
MARC ANTHONY /I Need
S CLUB 7Mever Had
DON HENLEY/Taking
LEE ANN WOMACK/I
FAITH HILUBreathe MARC ANTHONY/My FAITH HILL/There You
LIONEL RICHIBAngel MARC ANTHONY/You
FAITH HILUThe Way
MATCHBOX TWENTY/If
a CHRIS ISAAK/Let Me
SHAKIRMMIenever BACKSTREET BOYS/More 'N SYNC/This I Promise
DIDO/Thankyou 0- TOWN/All Or Nothing BACKSTREET BOYS/Drowning
PUYS W TW
16 1
13 1
14 1
14 1
14 1
5 1
17 1
16 1
10 1
12 1
16 1
15 1
10 1
15 1
11 1
11 1
5 1
1 1
9 1
8
11
12
10
10
10
9
10
1
5
ARTIST/TITLE
DIDO/Thankyou LEE ANN WOMACK/I
MATCHBOX TWENTY
BRICKMANMOWARDSImple BACKSTREET BOYS/Drowning FIVE FOR FIGHTING/Superman
ENRIQUE IGLESIASHero
0- TOWN/All Or Nothing
'N SYNC/ his I Promise
MARC ANTHONY/You
LONESTARA'm Already
FAITH HILL/There You'll
LEANN RIMES/I Need
ENYA/Ony Time LEWIS 8 PALTROW/Cruisin
BRIAN MCKNIGHT/Back LONESTAR/Amazed
CELINE DIOWA New
SAVAGE GARDENA Knew
SARAH MCLACHLAN4 DIAMOND RIO/One
DON HENLEY/Taking THE CORRS/Breathless BBMAK/Back Here PHIL COLLINSNoù ll FAITH HILL/Breathe CELINE DION/That's
JEWEUStandirg Still FAITH HILUThe Way
SANTANA F/ROB THOMAS/Smooth
PLAYS
LW TW
17 20 18 20
19 1
16 1
17 1
20 1
15 1
19 1
11 1
11 1
9
12 1
10 1
10 1
11 1
12 1
10 1
11 1
11 1
9 1
9
9
9 9
12
19
9 8
5
ARTIST/TITLE
DIDO/Thankyou ENRIQUE IGLESIAS/Hero
LONESTARA'm Already
MATCHBOX TWENTY/If LEE ANN WOMACK/I
LEANN RIMES4 Need
UNCLE KRACKER/Follow
ENYA/Ony Time
EDWIN MCCAIWI Could
BACKSTREET BOYS/I
BRIAN MCKNIGHT/Back
'N SYNC/This I Promise FAITH HILUBreathe LONESTAWAmazed LEWIS & PALTROW/Cruisin' MARC ANTHONYIBAY
DON HENLEY/Taking
CELINE DION/That's BACKSTREET BOYS/Show
SAVAGE GARDENA Knew
BBMAK/Back Here
CELINE DION/A New
FAITH HILL/The Way SANTANA F/ROB THOMAS/Smooth CHER/Believe
PHIL COLLINS/You'll
DESTINY'S CHILD/Emotion MARC ANTHONY /I Need
ENRIQUE IGLESIAS/Bailamos
MACY GRAY/I Try
MARKET #5
KVIL /Dallas -Ft. Worth
Infinity (214)691 -1037 Johnson
12+ Cume 413,700
PLAYS
LW 1W
25 24
23 24
20 24
23 23
22 22
2 2
2
1
1
i
ARTIST/TITLE
ENRIQUE IGLESIAS/Hero
MATCHBOX TWENTY /If You're Gone
DIDO/Thankyou BRICKMAN/HOWARD/Simple Things
FIVE FOR FIGHTING/Superman (Ito...)
LONESTAR/I'm Already There BACKSTREET BOYS/Drowning
LEANN RIMES/Soon
DIANA KRALL/The Look Of Love
FAITH HILL/There You'll Be
ENYNOnly lime LEWIS 8 PALTROW /Cmìsiri LEANN RIMES/Can't Fight.. CHER/Song For The Lonely
MARC ANTHONYA Need You
DIAMOND RIO/One More Day
'N SYNC/This I Promise You
DARREN HAYESAnsatiable
0- TOWN /AII Or Nothing ELTON JOHN/This Train Don't_ BACKSTREET BOYS/More Than That ELTON JOH WI Want Love
S CLUB 7/Never Had A Dream...
LEANN RIMES/I Need You
THE CORRS/Breathless DON HENLEY/Taking You Home LEE ANN WOMACK/I Hope You Dance
ENRIQUE IGLESIASBailamos CELINE DION /A New Day Has Come
BENNETT 8 JOEL/New York State...
GI (000)
4872 4872 4872 4669 4466 4263 4263 3451 3248 3248 3248 3248 3045 3045 3045 3045 2842 2639 2639 2436 2233 2030 2030 2030 2030 2030 2030 1827 1827 1827
WPCH /Atlanta Clear Channel (404) 367-0949 Silvers/Goss
12+ Cume 399,400
PLATS
LW 1W
23 22
2221 22 1
15 1
18 1
7.1 1 1
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13 1
12 1
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11 1
22
13
13
13
8
9
5
2
7
6
7
7
5
2
4
4
rk949 ARTIST/TITLE
ENRIQUE IGLESIAS/Hero
ENYA/Ony Time
LEE ANN WOMACKA Hope You Dance
MATCHBOX TWENTY7I You're Gone
DIAMOND RIO/One More Day
UNCLE KRACKER/Follow Me
CELINE DION/A New Day Has Corne
MARC ANTHONY /I Need To Know FAITH HILL/Breathe SAVAGE GARDEN/) Knew I Loved You
PHIL COLLINS/You'll Be In My...
LONESTAR/Amazed BRIAN MCKNIGHT/Back At One
LEANN RIMES/I Need You
0- TOWN/All Or Nothing DIDO/Thankyou
FAITH HILL/There You'll Be
CELINE DION/That's The Way It Is
LONESTAR/l'm Already There FAITH HILUThe Way You Love Me
FIVE FOR FIGHTING/Superman (It's...)
'N SYNC/This I Promise You
BACKSTREET BOYSDrowning LEWIS 8 PALTROW/Cruisin'
BBMAKBack Here
BRICKMAN/HOWARD/Simple Things
MARC ANTHONY/You Sang To Me
DARREN HAYES/Insatiable
LEANN RIMES/Soon
S CLUB 7/Never Had A Dream...
GI (0001
4554 4347 3933 3726 3726 3105 3105 2484 2484 2277 2277 2277 2277 2070 1863 1863 1656 1656 1449 1449 1449 1242 1242 1242 1242 1035 1035
828 828 828
MARKET #16
WLTE /Minneapolis Infinity (612) 339-1029 Nolan
12+ Cume 306,000
PLAYS
LW TW
18 20
19 19 19 19
17 18
15 18
20 17 11 16 18 16
14 13
13 13 14 12 12 12
9 12 10 11
9 11
11 11
11 11
15 11
13 11
13 10 12 10
9 10
12 10
6 9
8 8
7 7
6 7
7 7
5 7
3 5
WLTE ARTIST/TITLE
MATCHBOX TWENTY/If You're Gone DIDO/Thankyou ENRIQUE IGLESIAS/Hero
ENVA/Ony Time LEE ANN WOMACK/I Hope You Dance
LONESTAR/I'm Already There
a CELINE DION/A New Day Has Come
S CLUB 7 /Never Had A Dream.,.
LEANN RIMES/1 Need You
LEWIS 8 PALTROW/Cruisin' FAITH HILUBreathe BACKSTREET BOYS/Shape Of My Heart
CHER/Believe BACKSTREET BOYS/I Want It That Way
FAITH HILL/The Way You Love Me
LONESTAR/Amazed PHIL COLLINS/You'll Be In My.. BBMAK/Back Here
SAVAGE GARDENA Knew I Loved You
SANTANA F/ROB THOMAS/Smooth
EDWIN MCCAIWI Could Not Ask...
BACKSTREET BOYS/Show Me.. CELINE DIOB7That's The Way It Is
FIVE FOR FIGHTING/Superman (It's._) BACKSTREET BOYS/Drowning
SARAH MCLACHLAN/I Will Remember You
LEANN RIMES/Soon THE CORRS/Breathless DARREN HAYES/Insatiable ELTON JOHN/This Train Don't..
GI ROM
3840 3648 3648 3456 3456 3264 3072 3072 2496 2496 2304 2304 2304 2112 2112 2112 2112 2112 2112 1920 1920 1920 1920 1728 1536 1344 1344 1344 1344 960
MARKET #22
KOSI/DenverBoulder Tribune (303) 696 -1714
Martini/Hamilton
12+ Cume 265,300
PLAYS
LW TW ARTIST/TITLE
16 1
18 1
14 1
18 1
18 1
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18 1
6 1
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BACKSTREET BOYS/Drowning ENRIQUE IGLESIAS/Hero
MATCHBOX TWENTY /It You're Gone
FIVE FOR FIGHTING/Superman 10h...)
FAITH HILL/There You'll Be
LONESTARA'm Already There
DIDO/Iankyou a CELINE DION/A New Day Has Come
LEE ANN WOMACKA Hope You Dance
SAVAGE GARDENA Knew I Loved You
ENYA/Ony Time
MARC ANTHONY/You Sang To Me
LIONEL RICHIE/Angel
SANTANA F/ROB THOMAS/Smooth UNCLE KRACKER/Follow Me
DIAMOND RIO/One More Day
LEWIS 8 PALTROW/Cruisin'
BRICKMAWHOWARDSimple Things
LONESTAR/Amazed
BBMAK/Back Here
BRIAN MCKNIGHTSBII
MARC ANTHONYA Need To Know
BACKSTREET BOYS/More Than That
S CLUB 7/Never Had A Dream...
LEANN RIMES/Soon
BACKSTREET BOYS/Shape 01 My Head
FAITH HILL/The Way You Love Me
CELINE DION/That's The Way It Is
JEWEL/Standing Still
FAITH HILUBreathe
GI (000)
3097 2771 2771 2771 2771 2608 2608 2445 2119 1630 1630 1467 1467 1304 1304 1304 1304 1304 1304 1304 1141 1141 1141 1141
978 978 978 978 978 978
www.americanradiohistory.com
KID KELLY kkelly@rronline.com
Adult Contemporary
A Crash Course In
Contract Negotiations Pointers from someone who's been there, done that
Last week I was able to speak to many of you and find out which topics you think are impor- - tant. It seems that there is a hot -button issue for many of us, but we are cautious about dis- cussing it in an open forum. The topic: c- o- n- t- r -a -c -t n- e- g- o- t- i- a- t- i- o -n -s.
Because of consolidation and evolving technology, our positions in the radio industry are less secure than they ever were before. Let the record reflect that I'm not an attorney, but since I've received an overwhelming number of discreet inquiries, I'd be happy to share a little of what I've learned in my years in the biz and from being on both sides of the nego- tiating table.
With the continuing trend toward consolidation, new technology and hyper -multitasking, it is more impor- tant than ever to make sure that your employment agreement is solid before
you accept a job. When I accepted my first full -time
position at WHTZ (Z100)/New York in 1988, I didn't even look at the con- tract to see what my deal was. I had no idea what a "right of first refusal" clause was or what "hold harmless" meant. I was a kid in a candy store, and since it was all bright lights, big city to me, I didn't even ask how much I was going to be paid. I first saw my salary when I was filling out the com- pany paperwork after I moved to town. True story.
Fast -forward to this millennium. After being an OM and PD for a few years and being married to an attor- ney (not an easy job in and of itself!), I have learned how foolish I was not to go out of my way to totally under- stand every word of the deal I was being offered. Here are a few tips.
From Background To Bonuses
First of all, you need to have a little information about the market and sta- tion that you are going to. If you are a programmer who is also on -air and the city that you're heading to is an Amer- ican Federation of Theater and Radio Artists market, make sure you get and read a copy of the collective- bargain- ing agreement that AFTRA has already negotiated on behalf of the employees of that particular station so that you can see if some of your concerns may be addressed by the existing agreement. Why bargain for something that you already have?
You also need to research the sta- tion's history and know the competi-
rive landscape of the market, ratings and ranking -wise, so you can see how your prospective station compares to its competitors. This will help you to negotiate a competitive salary and bonus structure.
If a bonus structure is applicable, make sure it's realistic and attainable. If your potential employer offers you an annual salary of $25,000, plus $100,000 for achieving first place in
an exclusive demo, and the station is in 20th place, this is probably not a realistic goal. A typical structure for bonuses is three tiers deep, but I've seen some as deep as five tiers.
Make a list of things
that are important to
you, and politely ask
for what you want. If you don't ask, you
don't get.
When deciding on what a comfort- able and fair salary should be, try as- sessing the cost of living and tax situ- ation in the market that you are going to by using the Internet. It's great for this type of research. If you feel com- fortable, ask the station for a copy of the latest Arbitron book. It lists just about all the info you'll need in the Metro Market Profile.
Noncompetes
Probably the hottest issue right now is the noncompete clause. Don't bargain for this unless it real- ly matters to you. If you are in a market that you don't want to stay in long -term, no matter what, then why worry about this provision? If you intend to stay in a market be- cause it's your hometown or because it's personally desirable, read on.
Many states (including Illinois,
California, Massachusetts and Maine) have enacted or are explor- ing laws to make noncompetes in broadcasting agreements unenforce- able. Or you may be lucky enough to be working in a right -to -work state. If this is not the case, here's some important info.
The noncompete should be as short in duration and as limited in location as you can get it. For example, if you work for station X in Mexico City, that's whom you should have the non- compete with. Try your best not to have the noncompete apply to the en- tire company that owns X and all of its stations in 100 different markets. If you agree to that type of noncom- pete, you are essentially limiting your- self, if not preventing yourself from working.
You also want to be paid for the noncompete. Many companies are now inserting a provision into non- compete clauses saying that a portion of your base salary is being paid as a consideration for the noncompete. What this means is that your base sal- ary is really lower, as you are essen- tially being prepaid for your noncom- pete now. You will get nothing more when you are let go and have to sit out the noncompete.
Even in states that might be in- clined to invalidate your noncompete, if you've been paid for it, it might still be enforceable. The other problem is that even if you are paid for your non- compete, you may have to sit out for so long that you'll lose marquee val- ue, equity and marketability.
Without -Cause Woes
Another hot button is the onerous without -cause provision. This basical- ly means that a company can sign you to a long -term deal, say for five years, and, although you are obligated to them for that period of time, they are only obligated to pay you according to the terms of their without -cause provision.
Let's say the agreement specifies that they can fire you without cause and pay you for 90 days. Ladies and gen- tlemen, this is a 90-day deal, not the big, fat five-year deal you would love to believe it is. You can potentially be
February 22, 2002 R &R 83
CHRISTMAS MEMORIES
Atlantic Artist Linda Eder performed a Christmas show at Boston's Sym-
phony HaLL Seen here after the festive event are (back row, l -r) WMJX/
Boston MD Mark Laurence, Atlantic's Lou Rizzo, Eder, Atlantic VP Mary
Conroy, Tour Manager Dave Hart, WSNE /Boston OM /PD Bill Hess, (middle row, l -r) legendary Boston impresario Fred Taylor, WMJX Promotion Di-
rector Susan Rosenberg and (front, kneeling) McD Promotion's Kevin
McDonald.
let go and paid for only what the with- out- cause provision specifies.
The good news is that you still can- not be fired for any discriminatory reason. Also, sometimes the policies set forth in a company's handbook or past precedent might protect you, but usually you will not be so lucky.
Severance pay and notice of non - renewal are merely courtesies of the employer, not obligations. In our cur- rent economy, they should be greatly appreciated. An employer does not have to pay you for two weeks - or even one hour - that you do not ac- tually work, unless you have negoti- ated for this.
You might want to ask for a term of severance to coincide with any non- compete. You can also ask to be noti- fied prior to the date of your deal's expiration if it will not be renewed so that you are not stuck on the last day of your contract with no place to go and no money to carry you over.
When I accepted my
first full -time position
at WHIZ (Z1OO) /New
York in 1988, I didn't
even look at the
contract to see what my
deal was.
`Hold Harmless' Provisions Mother concern is the new trend
of companies adding an indemnifica- tion or "hold harmless" provision to an employee's contract. This obligates you to pay the station for whatever they ask to be indemnified for.
Say you write a sweeper that in- advertently upsets an activist, who then sues or threatens to. Far- fetched? I've seen it happen. Indem- nification is not just an air -talent con- cern for an off -the -cuff comment. Many companies now ask to be in- demnified from claims, litigation,
trademark rights, FCC fines, etc. Much of this is covered by the com- pany's liability policy.
This means that you may or will have nothing except your salary, which is likely to be less than a major judgment, to cover your losses. You want the indemnification to flow to you from the company instead of the other way around, or at the very least to be mutual.
Also, you should only be obligat- ed to indemnify the company for will- ful misconduct (not that you're plan- ning any). To indemnify for anything less could really tie your hands, in terms of creativity.
You also want to be cautious about provisions that allow the company to terminate or discipline you for reasons that are not clearly defined or for something that is not totally in your control, such as a corporate mandate that you are not comfortable with, a consecutive decrease in two Arbitron books or the dreaded format switch.
Name Your Perks Make a list of things that are im-
portant to you, and politely ask for what you want. If you don't ask, you don't get. If name ownership, daypart specificity and trade for a computer or cell phone are important, ask for them upfront.
In some of the medium and small- er markets, where a large salary may not be attainable, inquire about trade for perks, such as season tickets to sporting events. Don't forget, items such as tickets are taxable benefits. Make sure you won't mind paying the taxes on something before you ask for it.
This column touches only on a few important issues and should not be a substitute for having a real authority review what's being offered. The best advice I can give is to learn what ev- ery word of your agreement truly means and to not be shy about asking as many questions as possible about the areas you do not understand.
Decide what is important to you and which items are potential deal - breakers. Again, be sure to get your deal done before you actually start working. You have a lot less lever- age once you've moved your fami- ly and life. Good luck!
www.americanradiohistory.com
84
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24
28
25 27
29 28
30 29
27 30
February 22, 2002 ARTIST TITLE LABEL(S)
TOTAL PLAYS
1 - PLAYS
GROSS IMPRESSIONS
(00)
WEEKS ON TOTAL STATIONS/ CHART ADDS
ENRIQUE IGLESIAS Hero (Interscope) 2557 -78 330936 18 110/0
LONESTAR I'm Already There (BNA) 2069 -143 268762 24 104/0
ENYA Only Time (Reprise) 1969 -56 218851 53 109/0
MATCHBOX TWENTY If You're Gone (Lava/Atlantic) 1912 +125 220644 60 104/0
FIVE FOR FIGHTING Superman (It's Not Easy) (Aware /Columbia) 1897 +196 245486 14 102/2
BACKSTREET BOYS Drowning (Jive) 1813 -5 187566 19 101/0
DIDO Thankyou (Arista) 1802 +3 202924 49 109/0
LEE ANN WOMACK I Hope You Dance (MCA/Universal) 1524 +68 195641 63 111/0
JIM BRICKMAN/REBECCA L. HOWARD Simple Things (Windham Hill) 1439 -244 126880 26 103/0
0 -TOWN All Or Nothing (J) 1361 -58 144990 33 97/0
FAITH HILL There You'll Be (Warner Bros.) 1269 -171 130789 38 106/0
CELINE DION A New Day Has Come (Epic) 1253 +786 209400 2 106/29
TRAIN Drops Of Jupiter (Tell Me) (Columbia) 1187 -14 150589 31 73/0
LEANN RIMES Soon (Curb) 1152 -52 100811 23 98/0
UNCLE KRACKER Follow Me (Top Dog /Lava/Atlantic) 1121 -36 158518 41 81/0
DARREN HAYES Insatiable (Columbia) 1076 +195 138431 6 93/3
CHER Song For The Lonely (Warner Bros.) 1027 +52 133249 5 91/3
ELTON JOHN This Train Don't Stop There... ( Rocket/Universal) 926 +140 117135 4 103/5
JEWEL Standing Still (Atlantic) 677 -81 53211 16 53/0
BRIAN MCKNIGHT Still (Motown /Universal) 579 -23 60833 5 64/0
BARRY MANILOW Turn The Radio Up (Concord) 438 -1 52232 10 61/0
MARC ANTHONY I Need You (Columbia) 425 +253 102031 1 73/22
DIANA KRALL The Look Of Love (VerveNMG) 378 -50 44322 11 58/0
JO DEE MESSINA Bring On The Rain (Curb) 372 +73 28542 2 62/9
BRITNEY SPEARS I'm Not A Girl, Not Yet... (Jive) 288 +20 23091 3 46/1
LEANN RIMES Can't Fight The Moonlight (Curb) 266 +34 57174 16 33/1
ALICIA KEYS Fallin' (J) 264 -26 59058 17 18/0
R. KELLY The World's Greatest (Interscope /Jive) 254 -12 26452 6 36/0
DAKOTA MOON Looking For A Place To Land (Elektra/EEG) 249 -5 20973 4 36/0
CELINE DION God Bless America (Epic /Columbia) 215 -56 27667 19 23/0
114 AC reporters. Monitored airplay data supplied by Mediabase Research, a division of Premiere Radio Networks. Songs ranked by total plays for the airplay week of 2/10/02 -2/16/02. Bullets appear on songs gaining plays or remaining flat from previous week. If two songs are tied in total plays, the song with the larger increase in plays is placed first. Songs below No. 15 are moved to recurrent after 20 weeks on the chart. Most Added is the total number of new adds officially reported to R &R by each reporting station. Songs unreported as adds do not count toward overall total stations playing a song. Most Increased Plays lists the songs with the greatest week -to -week increases in total plays. Gross Impressions equals Average Quarter Hour Persons times number of plays (times 100). Average Quarter Hour Persons used herein with permission from the Arbitron Company (copyright 2002. The Arbitron Company). (C) 2002, R &R. Inc.
New & Active USHER U Got It Bad (LaFace /Arista) Total Plays: 165, Total Stations: 24. Adds: 0
ENYA Wild Child (Reprise) Total Plays: 155. Total Stations: 51, Adds: 15
DANIEL DEBOURG I Need An Angel (Dream Works) Total Plays: 122, Total Stations: 22, Adds: 2
EVA CASSIDY Fields Of Gold (Blix Street) Total Plays: 102, Total Stations: 20, Adds:1
LINDA EDER Until I Don't Love You Anymore (Atlantic) Total Plays: 83, Total Stations: 15, Adds: 1
CHRIS ISAAK Let Me Down Easy (Reprise) Total Plays: 58. Total Stations: 32. Adds: 26
CHRIS BOTTI F /SHAWN COLVIN All Would Envy (Columbia) Total Plays. 49, Total Stations: 12. Adds. 3
TINA MOORE Time Will Tell (Music Mind) Total Plays: 48, Total Stations: 11, Adds: 2
JONATHA BROOKE I'll Try (Walt Disney /Hollywood) Total Plays: 31, Total Stations: 17, Adds: 9
MARILYN SCOTT Don't Let Love Get Away (Prana) Total Plays: 28, Total Stations: 17, Adds: 7
Songs ranked by total plays
Most Added® www.rradds.com
ARTIST TITLE LABEL,SI ADDS
CELINE DION A New Day Has Come (Epic) 29
CHRIS ISAAK Let Me Down Easy (Reprise) 26
MARC ANTHONY I Need You (Columbia) 22
ENYA Wild Child (Reprise) 15
JO DEE MESSINA Bring On The Rain (Curb) 9
JONATHA BROOKE I'll Try (Walt Disney /Hollywood) 9
MARILYN SCOTT Don't Let Love Get Away (Prana) 7
ELTON JOHN This Train Don't Stop... (Rocket/Universal) 5
DARREN HAYES Insatiable (Columbia) 3
CHER Song For The Lonely (Warner Bros.) 3
CHRIS BOTTI F/SHAWN COLVIN All Would Envy (Columbia) 3
Most Increased Plays
TOTAL PLAY
ARTIST TITLE LABEL(S) INCREASE
CELINE DION A New Day Has Come (Epic) +786
MARC ANTHONY I Need You (Columbia) +253
FIVE FOR FIGHTING Superman (It's...) (Aware/Columbia) +196
DARREN HAYES Insatiable (Columbia) +195
LONESTAR Amazed (BNA) +193
ENYA Wild Child (Reprise) +148
'N SYNC This I Promise You (Jive) +145
ELTON JOHN This Train Don't Stop... ( Rocket/Universal) +140
MATCHBOX TWENTY If You're Gone (Lava/Atlantic) +125
MICHAEL BOLTON Only A Woman Like You (Jive) +97
Most Played Recurrents
ARTIST TITLE LABELJS
`N SYNC This I Promise You (Jive)
FAITH HILL Breathe (Warner Bros.)
LONESTAR Amazed (BNA)
SAVAGE GARDEN I Knew I Loved You (Columbia)
S CLUB 7 Never Had A Dream... (A &M /Interscope) HUEY LEWIS & G. PALTROW Cruisin' (Hollywood)
DIAMOND RIO One More Day (Arista)
LEANN RIMES I Need You (Curb)
MARC ANTHONY You Sang To Me (Columbia)
BBMAK Back Here (Hollywood)
FAITH HILL The Way You Love Me (Warner Bros.)
CELINE DION That's The Way It Is (Epic)
PHIL COLLINS You'll Be In My Heart (Hollywood)
BRIAN MCKNIGHT Back At One (Motown /Universal)
SANTANA F/ROB THOMAS Smooth (Arista)
BACKSTREET BOYS Shape Of My Heart (Jive)
DON HENLEY Taking You Home (Warner Bros.)
CHER Believe (Warner Bros.)
TOTAL PLAYS
1032
948
938
919
916
892
880
831
790
790
736
672
643
641
621
594
539
521
THIS IS OUR TIME (To Burn our Torch Light Before the World)
41,4Pyr VVI41,7 2002 Grammy Award Nominee
GDING FOR 4/C /HOT 4/C #DD NOW! Now on WMJX, WLRQ, and 30+ other stations!
For service call Denise Ericksen at r3media. (801)299 -5532 *From the album "Light Up the Land, an Inspirational Commemorative CD of the 2002 Olympic Winter Games. " Gladys Knight appears courtesy of MCA Records.
SALT LAKE 2002 OFFICIAL LICENSEE OF SLOG
999
www.americanradiohistory.com
MICHAEL BOLTON Only A Woman Like You
BC L7:0N Only A Wansa tike Yate
r'' r .
L r r
ciad l Bolton's C from
ords debut album 43***,
Woman like You
Written legendary songwriters
Max Martin, Rami, Lange and Shania Twain;
co-produced by Max Ntlartin, Rami and "Mutt" Lange
Look for Michael Bolton's new album in stores 4/23!
Exer_ti ÍC Produ.-ers Louis Levin and NI &act BiAlhir,
Permtadl Rot% Roscp.avoi, ..I he C. mrts.itieffi 01111,1t1t, t fd.
t CNitl..bianctg0010 - -et
www.americanradiohistory.com
86
February 22, 2002
RatelbeMluícacom Itt )Ii:IlLtittsE'"
America's Best Testing AC Songs 12+ For The Week Ending 2/22/02.
Artist Title (Label) TW LW Familiarity Burn TD Familiarity Burn
FAITH HILL There You'll Be(Warner Bros.) 4.18 4.10 96% 28% 4.24 97% 30%
LONESTAR I'm Already There(BNA) 4.16 4.10 94% 23% 4.28 96% 21%
CELINE DION God Bless America(Epic /Columbia) 4.10 4.04 97% 32% 4.16 99% 33%
MATCHBOX TWENTY If You're Gone(Lava/Atlantic) 4.06 4.05 94% 31% 4.16 94% 29%
JIM BRICKMAN F/REBECCA LYNN HOWARD SimpleThings(Windham Hill) 4.05 4.10 79% 16% 4.12 82% 16%
BACKSTREET BOYS Drowning (Jive) 4.03 4.01 91% 21% 4.21 91% 18%
LEE ANN WOMACK I Hope You Dance(Universal) 4.01 3.99 98% 38% 4.05 98% 39%
S CLUB 7 Never Had A Dream Come True(A &M /Interscope) 3.91 3.84 83% 23% 4.03 82% 22%
ENRIQUE IGLESIAS Hero(lnterscope) 3.84 3.86 96% 32% 3.99 96% 29%
FIVE FOR FIGHTING Superman (It's Not Easy)(Aware /Columbia) 3.84 3.76 85% 25% 3.90 83% 24%
JO DEE MESSINA Bring On The Rain(Curb) 3.82 50% 8 °/D 3.90 54% 8 °/D
JOHN MELLENCAMP Peaceful World (Columbia) 3.82 3.72 75% 15% 3.81 76% 14%
BRIAN MCKNIGHT Still(Motown /Universal) 3.82 3.88 63% 11% 3.97 65% 9 °/D
ENYA Only Time(Reprise) 3.81 3.93 95% 38% 3.89 95% 38%
0 -TOWN All Or Nothing(J) 3.76 3.71 88% 32% 3.85 87% 30%
ELTON JOHN This Train Don't Stop There Anymore (Rocket/Universal) 3.76 3.79 66% 90 3.80 65% 7%
BARRY MANILOW Turn The Radio Up(Concord) 3.75 3.71 77% 16% 3.82 81% 15%
TRAIN Drops Of Jupiter (Tell Me)(Columbia) 3.72 3.64 85% 28% 3.82 84% 28%
LEANN RIMES Soon (Curb) 3.70 3.73 81% 20% 3.75 84% 21%
CHER Song For The Lonely (Warner Bros.) 3.65 3.69 76% 15 °/0 3.62 78% 16%
UNCLE KRACKER Follow Me(Top Dog /Lava/Atlantic) 3.58 3.45 85% 39% 3.79 83% 32%
JEWEL Standing Still (Atlantic) 3.58 3.65 76% 21% 3.57 73% 22%
R. KELLY The World's Greatest(lnterscope /Jive) 3.54 3.55 61% 17% 3.76 61% 12%
DAKOTA MOON Looking ForA Place To Land(Elektra/EEG) 3.52 3.54 43% 9% 3.65 42% 8%
DIDO Thankyou(Arista) 3.51 3.54 94% 51% 3.58 93% 50%
DARREN HAYES Insatiable(Columbia) 3.48 3.57 52% 14% 3.57 50% 12%
ALICIA KEYS Fallin'(J) 3.40 3.34 80% 33% 3.51 78% 29%
DIANA KRALL The Look Of Love(VerveNMG) 3.35 3.34 64% 19% 3.40 68% 21%
USHER U Got It Bad (LaFace /Arista) 3.05 3.27 51% 22% 3.16 46% 17%
BRITNEY SPEARS I'm Not A Girl, Not Yet A Woman(Jive) 2.97 2.92 76% 29% 2.94 75% 29%
Total sample size is 360 respondents. Total average favorability estimates are based oil a scale of 1 -5. (1= dislike very much, 5 =like very much). Total familiarity represents the percentage of respondents who recognized the song. Total burn represents the number of respondents who said they are tired of hearing the
song. Sample composition is based on persons 12 +. TO = Target Demo (Females 25 -54). Persons are screened via the Internet. Once passed, they can take the
music test based on their format/music preference. RateTheMusic.com results are not meant to replace callout research. The results are intended to show opinions
of participants on the Internet only. RateTheMusic is a registered trademark of RateTheMusic.com. The RTM system is available for local radio stations by
calling 818/377 -5300. RateTheMusic. corn data is provided by Mediabase Research, A division of Premiere Radio Networks.
Most Played Recurrents
ARTIST TITLE LABEL(S)
'N SYNC This I Promise You (Jive) 1032
FAITH HILL Breathe (Warner Bros.) 948
LONESTAR Amazed (BNA) 938
SAVAGE GARDEN I Knew I Loved You (Columbia) 919
S CLUB 7 Never Had A Dream... (A &M /Interscope) 916
H. LEWIS & G. PALTROW Cruisin' (Hollywood) 892
DIAMOND RIO One More Day (Arista) 880
LEANN RIMES I Need You (Curb) 831
MARC ANTHONY You Sang To Me (Columbia) 790
BBMAK Back Here (Hollywood) 790
FAITH HILL The Way You Love Me (Warner Bros.) 736
CELINE DION That's The Way It Is (Epic) 672
PHIL COLLINS You'll Be In My Heart (Hollywood) 643
BRIAN MCKNIGHT Back At One (Motown /Universal) 641
TOTAL
PLAY
Indicator Most Added®
CELINE DION A New Day Has Come (Epic)
ENYA Wild Child (Reprise)
MARC ANTHONY I Need You (Columbia)
SHERYL CROW Soak Up The Sun (A &M /Interscope)
CHRIS ISAAK Let Me Down Easy (Reprise)
NATALIE IMBRUGLIA Wrong Impression (RCA)
STACIA Get Sexy (Raystone)
NO DOUBT Hey Baby (Interscope)
PINK Get The Party Started (Arista)
Reporters WYJB /Albany. NY' OM. Michael Morgan PD: Chris Holmberg MD: Chad O'Hara
MAID, Pa.. ",
INVA'ChMld'
KMGNAIbuquerque. NM "
OWPD: Kris Abrams Jenne James
No Adds
VernlAndersn. PA PD: Vern Anderson
BRITNEY SPEARS'Gd"
MD: , AK MD: Dave Flavin 1 MARC ANTHONY "lee<i"
WPCH /Attarda, GA' PD: Jett Slivers
No Adds
WFPGryGroVcCity.NJ' PD: Gary Gelds MO: Marlene Aqua
L r1VA'ChMld
WBRolnuatrick GA' PD John Patrick
BOT [DOD D; 'I r "'
KKMJIAuslin, TX' PD: Alex O'Neal MD: Doyle Osbum
LEI ISMK Ear,
KGFMBakersfieltl, CA OM: Bob Lewis PD/PAD: Chris Edwards
No Adds
WLIFaltimore. MD B MD. Mark Thuner
Iii A:IS
W.WeSerozi- Gulfport. MS PO: Walter Br
1 CÉLINE DION "Do -Irv" IS BROOKE
CHRIS ISAAK Easy
WYSffTysongham.AL' AD Jeff Tyson APO/MD. Valerie Vining 9
JON'IHA REPAINT EM:-
ENYA "Chah:
CUP'S ISAAK 'Lao" MARILYN BE ITT "WE l'
KXLTBOISe.ID' PD Tobin Jeffries
EE II !' '`
WMJXB011ey A' PD DOn Kelley APO, Candy O'Terry MD: Mark Lawrence
No 005e
WEBE/Bridgepart, CT
PD: Curtis Hanson MD: Danny Lyons
MARCANTHONY -Need-
WEZS:Stev MgreveT` PO/MD: Steve Marcus
N; ri L r
WJYee Chtive NY PD.
No
crone Nowles
WHTerry Simmons
OH MD: TarrySmms MD: Kaylegh Kriss
NATAL IF IMBRIIGLIA'Wnon g
W Cod, MA OM: Gregg G egg Cassidy MD: Cheryl Park
34 NATALIE IMBRLIGLIA'Wrong' 21 NO DOUBT "Baby- 12 OEWAYL CROW "Soak'
B PINK
WDEF/Chadanooga, TN' PD' Danny Howard
"T Add`
9 Bob
ra o. IL ` PD: BOD Kaake
No Adds
W Hamlin IL "
PD. Mark Hamlin MD: e Johns
WRRM/Cincmnati, OH' OMETS: TJ. Holland APD/MD: Ted Morro
Nn Adds
WDOK/Cleveland. OH PD: Scott Miller
JoNATHABROOKE "Try-
KKLVColorado Springs, CO ' PD/MD: Jack Hamilton
i DARKEN HAVES' aailaMA' 2 CELINE DION -Day'
WTCB/CotntJoh SC' PDMONADIA3H on
JONAíHA BROOKE "Trv-
WSNY/Columbus, OH Knight PO: Chuck Kni hl
MO: Steve Cherry
No Arlo.
Jason PD. Jason Reed
MARILYN SCOTT "Dohf
KVILfDallas -Ft. Worth, TX' P0: Kurt Johnson
No Adds
WLOT/Dayton, OH
PD Sandy Collins MD: Steven Scott
'1.b.las
RICkMeryreOU10er,C0' PD'. Rick Martini APD/MD: Steve Hamilton h LSIINE DI(IN "Day
MARC ANTHONY "Na*]
POND, Moines, IA'
pD MD: rim White ELTON JOHN "Tra t
Lori MI
PD: Lori Bennett No Adds
WOOF/Dothan, AL GM/PD: Leigh Simpson
No Adds
KTSM: llTole TX AP/MD:BilCass APD: Sam C8/MGGR
MESSINA WM1CtiRAW "Bring.'
WIKYA:vansville, IN POND:
ANTHONY
ak' MARC MANC ANTHONY "lJ d"
No. rledgele, AR PD: Chip Arledge
CÉLINE DION "Day'
MD J. Patrick ntyre
CHRIS ISAAK "Easy"
MESSINA WMICGMW `Bring'
KTRR/Ft. Collins. CO
PD/MD. Mark Callaghan
No Adds
WGYL/Ft.Pterce,FL PD: Mike FrtegersJd APO/MD: Juan O'Reilly
1 ILION
-Easy" CHRIS ISAAN- TINA MOORE'Teily
IN' OM Lee Tobin PD. Barb Richards MD: JIte Barton
1 CHRIS ISAAK "Easy-
MARC ANTHONY "Need"
MARIIYN SCOTT Di I I
WAFY/Fredenck, MD MO: Henry Scnmatli
1 MART vil 1NV'rknrMr
sill nYl P r W 'Soak'
WKTKIGainesville. FL' PD: Briton Jon APD: Kevin Ray
No Adds
WLHT/Grand Rapids, MI' PD. Bill Bailey APDMID: Mary Turner .t CFI IF DION 11.MV'
E Nr4 'J v.
WOOD/Grand Rapids, MI PD: John Patrick 5 DARRI N HAYES Insaluble"
CEUNE MON" Day-
WMAG/Gre Alters , NC' PD/ MD: Nick Alen
1 MAF AMI Iil"'Nos'-
WMYI/Greenvil e. SC' PD: Greg WETS rey
MESSINA W/MCGRAW'Brig'
WSPWGreenville, SC' PD/CID: Brian Taylor 14 GEE ENE DION "Day-
MARC ANTHONY 'NW" ENYA "Child"
WRCllan CT PD: Allan Camp MD: Jos Henn 15 CELINE DION "Daÿ
CHRIS ISAAK "Easy-
MARILYN SCOTT "Door
KRTRAf le HI ` PD: wayne Maria MD: Ch b Han
LINDA EDER' "Until" CHRISISAAK "Easy-
POIMD: P DION oert
i CHAIS ISAAK'Easy"
WAHRMunls ille,AL PD: Rab Harde MD: Bonny O'Brien
JONAJHA BROOKE "'Try-
WTPIAndianapolis, IN PD: Gary Havens MD: Steve Cooper
MARC ANTHONY Need"
WYXBAndianapohs,IN' PD, Greg Dunk n
APD/MD,
3 DARREN HAVES -Insatiable"
WJKK/Jadsen, MS' PD/MD: Tom Freeman
2 CÉLINE DION "Day MARC MARCANTHONV "Need"
WTFM /JohirsenCity,TN' VP/Prog Mark E. McKinney
2 E AIASVOA ì CHRIS ISAAK Easy'
MARIIYII SI,DI I'Pero"
WKYE/Johllstmvn, PA PD: Jack Michaels MD: Brian Wolfe
CHRIS ISA4K"Easy
WOLR/Kalamazoo, MI OM: Ken Lanphear PD: Brian WerD
CNYA "ChM"
PDJvnaelleer ty.MO' Pp Jon Zellner MO Jeanne Ashley
No Adds
Dan City, MO PD: Dan Hurst
ENYA "Child' MESSINA WMICGRAW -Boo"
WJXB/Kn neville. TN' PD/ MD: Vance Dillard
ENYA Cold"
KTDYA abrade, LA' P0. C.J. Clements MD: Steve Wiley
2 CELINE DION "Day' CHAIS ISAAK MARC ANTHONY "Need"
WFMKltarxing, Ml' PD: Chris Reyrglos 3 CEUNE DION 'Bay- 2 CHRIS ISAAK "Easy
KMZO/LMS Vegas, NV ` PD: Duncan Payton MD: Mel McKay
15 CEUNE DION "Day
5 CHER "Loney" 3 MARC ANTHONY "Need'
KSNE Las Vegas, NV g Po'. Tom Chase MD. John Berry
H OFORHGH NS Dupa an'
KOST/LosAngeles,CA` PD
-. Jhani Kaye PD,JhaStella yesnnwam
No Adds
WVEZ/LoudWIle. KY' APD/MD: Joe Fedele
No Adds
WPEZ1MMCOn, GA PD: Laure Worth
ENYA Coe
WMGN/Madison, WI VPIP Om Fisch NIAI MD Kim Fischer
14 (LANE DION'Dav THONy Need
SHERYL CROW Doak' CARIS ISAAK "Law
KVLY/McAIIen, TX' PD/MO: Alex Duran
No Adds
WLRO/Melboume, FL PD: Jeff McKee'
a 'IW\ M(1(;11` ''ell' CHRIS ISAAS'TasV GI JOYS ',GOD I 'Toe htARII ENS ]II'üon't"
WRVR Memphis. TN' OM: Jerry Dean PD'MD: Key Manley
No odds
WMGO(Middlese%. NJ PD: rim Tefn MD: Lou Russo
No Adds
WLTO/Milwaukee WI' POND: Stan Atkinson
JONATHA BROOKE "Try' CHAIS ISAAK "E
WLTFJMrnnealwlis, MN PMAD: Gary Nolen i6 CELINE DION-Day"
2 ENYA "TDodV
MARC ANTHONY 'Need' CHRIS IS44K fear'
WMXCRAOhile. AL` PD: Dan Mason M0: Mary Booth
Nd Anne
!USN/Modesto, CA ` PD'MD: Gary Michaels
ENYA "Child'
WORM Monmouth -0 Caen, NJ PD: Steve Gallagher MD: LW Jere55i
No Adds
KWAV Mamerey- Salinas, CA' POLMD, Bernie Moody
CHRIS 1000v E:SAS
WEMD:Be Miller
O01k,NY PD/MD: Rob Miller
No Adds
WKJYBassauSuffolk,NY PD: Bill George MD, Jodi Vale
U CHAIS IWIIN
MANA!
11111111ÚE r 4n. J,I
WLMGMew Orleans. LA' PD/MD: Si e Suter Itl CLLINE I)N'D.a,
ENYA COO'
WLTW Ryan
k, NY' OM Jim Ryan
'^ : Adds
WWDEModoIk, VA' OWPD: Don London APD/MD: Jeff Moreau
MI SSINA WMCGRAW AOS:J
KMGLiOklahoma City. OK' PD. Jeff Couch MD: Steve O'Brien
MARC ANTHONY "Need"
maha,NE POND: Steve Alberlsen APD: Jeff Larson 2 CFI INE DION -Cray-
, FL' P0: Ken Payne MD: Brenda Matthews
No Adds
WMEZ/Pevin a. FL PD/ MD: Kevin Pearson
MAR('. ANTHONY "New ENYA Chad"
WBEBRhiladel his PA' P PD: Chris Conley
No Adds
KESZ/Phoeniz, AZ' PD: Shaun Holly
1 MESSINA WMICGRAW `Brag"
KKülPhoenà, AZ' PD: Joel Grey 2 NATALIE IIARRtWit IA "Wrong-
WLTJ/Pekgh, PA' PD: Chuck Stevens S e
CÉLINE DION "Oar"
CHRIS ISAAK "E - CH
'/`
WSHH Plttsbur h, PA' PO/MD: Ron Anrll
E. Adds
KKCWPortland,OR' PDM1D BIT' M tickler '4 CFI NI ILION "Day'
E MARL ANTHONY
wwu,mrovidence.RI' PDMOD T Hit
JOTWTHA BROOKE "Try
DONAT DEROIRG "ArgH CHR ISMK l 5y
WRSN TSIeI h Durham. NC g PD: Bob Bronson MD: Dave Horn
ENYA CS ld
KRNOIReno, NV' PD: Dan Fric
MARI Jl TH(7N\'rywd' CHRIS SMN Iasv
WTVRIAichmond. VA' P0: B II Cahill
Ne Adds
WSLOAiaartdLyildóug,lA' PD, Don Moo sen MD /APD: Dick Daniels
No Adds
WRMMIRochester. NY' PD. John McCrae MD: Teresa Taylor
No Adds
WGFB/AoIOS 'Day" 9 CELINE DION -Day"
KGBYISacramento. GA' PD/NID: Brad Waldo
No ndd<
KYMXBacrament0 GA' DIrJPr : Mark Evans
°g PD/MD. Bryan) Jackson NI EEN n.
KFZK/St. Louis, MO PD Smoker Ri ers MD: Jim Doyle
FELON JOHN 11,1111
KSFIBah Lake City, UT OM/PD: Alan Hague APDIMD:LencoBelence
MARC ANIIIO Balano
KOXTBMn Mtonio, TX' PD: Ed Scarborough g
D Tom Grays
Nd Adds
KBAY/SanJose, CA' PD.JimMU h p y
MD Bob Kohl 3 ELTON JOHN'Lam'
S MARC
L Sa
ANTHONY
róaNra CA
MO' Nancy Newcomer 5 CÉLINE DION 'Day
LEVA 'ChM
KLSY/Seattle- Tacoma, WA' PD: Tony Cobs 4 LEANN (LIMBO TBIri"
KRWM/SeaNle- Tacoma. WA' PD Tony Coles
N L,
KVKVShrevepod, LA' PO.StephanbH omen
5 CÉLINE DION H -
MAHCANTHONY 'Noel' MARIIYN S. Ir'ES.:::
WNSNBouth Bend. IN
PD/MD J Roberts
II LI [NE DION -.. N011 ter
s, IDEA o
KISC/Spbkane. WA PD: Rab Harder
MD :DaMarcel 1 CHE mLowly -LNG "Suparmañ 1 CHE FOR FI 'Lowly-
CELINE DION Tay- CHRIS ISAAK "Easy'
KXLY/Spokane. WA' PD: Beau Tyler MD: Steve Knight
">IIIIS'S,tiu'I M:.
WMAS pnngfieltl. PD: Paul Cannon MD Rob Anthony
- AIM,
PDB Paul
Kelleyield, MO PD. P ul Kelley APDMID: Dave Roberts
r ,.Mals
KJ: n. CA "
PD: Julie Logan BOIDF /COL IN'Fnvl" JONAIHA BROOKE -fry' CELINE DION Day' CHRIS LSO( Easy
WRVF/Totedo, OH PD Cary POI MD: Mark Andrews
'.;'Bill LION "0æi'
KMXZ/fucson, AZ' PD: Bobby Rich APD/MD: Leslie Lois
iELINE DION 'Da,' CITER -I .roan
Rvndtica -Rome. NY
Jay MD Trudy Y
CELINE UION "Dav'
SH/Was Steve Allan
DC WA PD an
ITO "Chad'
WEAT,West Palm Beach, FL OMPD: Les Howard Jacoby APDRAD: Chad Perry
MESSINA WMICGRAW -Bony
MARC AMHONY "Need -
WHUDhgestchesteL NY' OM/PD. Steve Petrone MD /APD: Tom Fur ci
CHRIS ISAAK Easy"
KRBB/Wichila, KS' PD: Lyman James MD: Tom Cook
MARC ANTHONY 'Need"
WMGS/Wilkes Barre, PA' PD/MD: Stan Phillips
No Adds
WJBR/Wilmington, DE
PD. Michael Waite MD: Katey Hill
MESSINA WMICGRAW 'DER;
MARC ANTHONY 'Need"
WGNI/Wilminglon. NC WGNI Mike Farrow MD: Craig Thomas
No Adds
WSRS/Worcester, MA' PD: Steve Peck MO: ELIEDBrush 14 CELINE DION'Day-
WARM/York, PA' PD: KNry weal MD: Rick Wes
ceuNE DION "nW ENYA' Child"
* 1 \
Monitored Reporters r
132 Total Reporters i P /. =
_- 114 Total Monitored
18 Total Indicator 15 Current Indicator Playlists
Did Not Report, Playlist Frozen (3): WXKC /Erie, PA WSWT /Peoria, IL WHOM /Portland, ME
www.americanradiohistory.com
AC /Hot AC Action
Oo C vcL RECORD
Pat McMahon Po. KDMX (Mix 102.9)/Dallas
It's hard to believe that it's been two
years since Celine Dion stepped out of the
spotlight, but the reaction to her latest
single has been really strong! Our Mix
morning show, Jeff & Anna, debuted "A
New Day Has Come" in Dallas last week.
THE NEW It was amazing how our listeners latched on to it
right away. I'm betting that any parent can easily re-
KDMX -FM late to the lyrics. From a programming perspective,
since we need some balance in terms of sound codes, another mainstream
female pop song doesn't hurt. Speaking of mainstream female pop
songs, LeAnn Rimes' "Can't Fight the Moonlight" has been one of the great
stories of tenacity. It's the little song that could. I think it's going to really keep
picking up steam as we roll into the spring. It doesn't hurt that she's a home-
town girl, either.
Special thanks to Brenda Romano, Chris
Lopes, Scott Emerson and the folks at
Interscope /Geffen /A &M for the invite to Sheryl
Crow's performance last week at the El Rey
Theater in Los Angeles to celebrate the
singer's 40th birthday. Crow was incredible, as
were guests Don Henley, Bonnie Raitt and Gwyneth Paltrow ... It's a great
week for RCA as The Calling spend another week on top at Hot AC with "Wher-
ever You Will Go." Meanwhile, the label's Natalie Imbruglia vaults 14 -10` with
"Wrong Impression." ... John Mayer's top three Triple A hit "No Such Thing"
(Aware /Columbia) debuts at 26* at Hot AC ... Celine Dion is Most Added at AC
- for a second time, we might point out with "A New Day Has Come" (Epic).
And a 21 -12* chart move ain't bad either.
AC/Hot AC
- Kid Kelly, AC/Hot AC Editor
February 22, 2002 R &R 87
artist ARTIST: Trickside
LABEL: Wind -up
t1Vlt. . y
By TANYA O'QUINN /ASSISTANT EDITOR
People have always asked me what I really wanted to do in life, and I would always tell
them the same thing: I want to be in a band with my brother," says Trickside's Jeff Mendelsohn. Dreams do come true.
David and Jeff Mendelsohn share a New York City apartment, but lately they've spent much of their time in a midtown Manhattan studio, working on their debut CD for Wind- up. The siblings known as Trickside have al- ready released the single "Under You," and it's on radio across America. It seems listen- ers in such cities as Boston, Seattle, Austin and Chicago expressed interest in the tune, and radio programmers have obliged. Now caught in a musical whirlwind, the brothers have been working overtime to get their CD completed.
In fact, "Under You" garnered such intense interest that David and Jeff jumped into the stu- dio as soon as they were signed. "It's been a blur, honestly. I feel like we might as well be sleeping in the studio. That's how hard we're working," confesses David.
It was the general public's requests for "Un- der You" that alerted radio programmers to the bubbling that was taking place for Trickside. That, in turn, caught the attention of record ex- ecutives. Sought -after video director Marcos Siega (Papa Roach, Blink -182) shot the "Under
TELL US WHAT YOU THINK!
Share your opinion about this column - go to
www.rronline.com and click the Message Boards button.
Trickside
You" clip with the duo during a two -day break from the studio. Do you think Trickside are onto something explosive here? I think so.
How did the frenzy begin? It seems that some relaxation at Club Med in Huatulco, Mexico turned into an official gig for the guys. They sat outside and played songs, and vacationers crowded around to hear them. Once the head of the resort noticed a fan base was developing, he hired the Mendelsohns as the club band. They weren't paid for their performances, but they soon became local celebrities. Of course, every- one needs to hustle, and these musically gifted brothers paid their way to Club Med with money they earned singing in the subway by a New York Bloomingdale's.
But those subway listeners weren't paying for artistic talent alone. "Little old ladies from the Upper East Side would slip us $20 because they thought we were cute," remembers older brother David.
Though their songwriting skills are impres- sive, it's the combination of Jeff's vocals and David's guitar -strumming that's gotten the at- tention of radio. Trickside have made a dy- namic entry into the music industry, and the spark that "Under You" has ignited just may turn into a four -alarm fire once their debut CD is released.
Are you endorsing Body Solutions?
YOU SHOULD BE! For more information please call: (210) 477 -4745
www.americanradiohistory.com
88
LAST WEEK
1
2
THIS WEEK ARTIST TITLE LABEL(S)
February 22, 2002
Q
Q 9 Q 14 m 10 11
16 ® 11 13
12 14
18 0 15 16
19 17
17 16
25 0 21
22 ® 23 ® 20 23
27
26 25
/Debut>
30 27
¡Debut> a ¡Debut> a ¡Debut> ®i
TOTAL +I- GROSS WEEKS ON TOTAL STATIONS/ PLAYS PLAYS IMPRESSIONS CHART ADDS
CALLING Wherever You Will Go (RCA)
NICKELBACK How You Remind Me (Roadrunner /IDJMG)
CREED My Sacrifice (Wind -up)
JEWEL Standing Still (Atlantic)
ALANIS MORISSETTE Hands Clean (Maverick/Reprise)
FIVE FOR FIGHTING Superman (It's Not Easy) (Aware /Columbia)
TRAIN Drops Of Jupiter (Tell Me) (Columbia)
DAVE MATTHEWS BAND Everyday (RCA)
LIFEHOUSE Hanging By A Moment (Dream Works)
NATALIE IMBRUGLIA Wrong Impression (RCA)
LENNY KRAVITZ Dig In (Virgin)
NO DOUBT Hey Baby (Interscope)
STAIND It's Been Awhile (Flip /Elektra/EEG)
U2 Stuck In A Moment... (Interscope)
MICHELLE BRANCH All You Wanted (Maverick/WB)
ENRIQUE IGLESIAS Hero (Interscope)
LIFEHOUSE Breathing (Dream Works)
JOHN MELLENCAMP Peaceful World (Columbia)
PUDDLE OF MUDD Blurry (Flawless /Geffen /Interscope)
CHRIS ISAAK Let Me Down Easy (Reprise)
LEANN RIMES Can't Fight The Moonlight (Curb)
PINK Get The Party Started (Arista)
ALICIA KEYS Fallin' (J)
LINKIN PARK In The End (Warner Bros.)
DAKOTA MOON Looking For A Place To Land ( Elektra/EEG)
JOHN MAYER No Such Thing (Aware /Columbia)
CHER Song For The Lonely (Warner Bros.)
DARREN HAYES Insatiable (Columbia)
EDDIE VEDDER You've Got To Hide Your... (V2)
SHAKIRA Whenever Wherever (Epic)
(00)
3950 -18 402916 22 92/0
3795 -24 376292 16 83/0
3209 -26 301744 15 82/1
3139 -24 320493 18 89/0
2690 +88 278056 6 89/0
2645 -167 256829 36 88/0
2388 -52 232046 50 90/0
2029 +4 242646 13 68/1
2006 +20 221059 51 89/0
1900 +226 201330 5 84/5
1785 -144 165104 18 71/0
1767 +148 229608 7 56/2
1750 -55 175995 32 68/0
1690 -74 181496 25 61/0
1626 +125 144292 6 72/0
1524 -143 112531 17 52/0
1437 -22 104706 10 56/0
1414 -117 174670 20 48/0
1254 +273 92011 4 55/3
1231 +159 118711 4 75/2
1119 +18 110713 9 56/0
1096 +75 142111 7 28/0
1039 -94 103820 19 46/0
829 +172 71613 2 22/3
756 -25 65908 6 40/1
713 +232 101458 1 44/6
583 -38 63132 3 35/0
575 +57 37862 1 35/0
571 +30 68719 1 32/5
528 +61 89752 1 20/0
95 Hot AC reporters. Monitored airplay data supplied by Mediabase Research, a division of Premiere Radio Networks. Songs ranked by total plays for the airplay week of 2/10/02- 2/16/02. Bullets appear on songs gaining plays or remaining flat from previous week. If two songs are tied in total plays, the song with the larger increase in plays is placed first. Songs below No. 15 are moved to recurrent after 20 weeks on the chart. Most Added is the total number of new adds officially reported to R &R by each reporting station. Songs unreported as adds do not count toward overall total stations playing a song. Most Increased Plays lists the songs with the greatest week -to -week increases in total plays. Gross Impressions equals Average Quarter Hour Persons times number of plays (times 100). Average Quarter Hour Persons used herein with permission from the Arbitron Company (copyright 2002, The Arbitron Company). (C) 2002, R &R, Inc.
SENSE FIELD Save Yourself (Neuwerk) Total Plays: 521, Total Stations: 29, Adds: 1
DEFAULT Wasting My Time (TVT) Total Plays: 452, Total Stations: 29, Adds: 8
INCUBUS I Wish You Were Here (Immortal /Epic) Total Plays: 436, Total Stations: 13, Adds: 0
PETE YORN Strange Condition (Columbia) Total Plays: 434, Total Stations: 31, Adds: 2
NELLY FURTADO ...On The Radio (Remember...) (Dream Works) Total Plays: 406, Total Stations: 30, Adds: 4
REMY ZERO Save Me (Elektra/EEG) Total Plays: 336, Total Stations: 21, Adds: 1
ELTON JOHN This Train Don't Stop There... (Rocket/Universal) Total Plays 286. Total Stations: 30, Adds: 1
CELINE DION A New Day Has Come (Epic) Total Plays: 284, Total Stations: 33, Adds: 19
BEN FOLDS Still Fighting It (Epic) Total Plays. 215. Total Stations: 20, Adds: 2
SMASH MOUTH Holiday In My Head (Hollywood /Interscope) Total Plays: 210, Total Stations: 23, Adds: 5
Songs ranked by total plays
Most A dded® www.rradds.com
ARTIST TIT_E LABELS!
TRAIN She's On Fire (Columbia) 24
CELINE DION A New Day Has Come (Epic) 19
VANESSA CARLTON A Thousand Miles (A &M/Interscope) 18
SHERYL CROW Soak Up The Sun (A &M /Interscope) 16
DEFAULT Wasting My Time (TVT) 8
TANTRIC Mourning (Maverick/Reprise) 8
JOHN MAYER No Such Thing (Aware /Columbia) 6
311 Amber (Volcano) 6
NATALIE IMBRUGLIA Wrong Impression (RCA) 5
EDDIE VEDDER You've Got To Hide Your... (V2) 5
SMASH MOUTH Holiday In My Head (Hollywood/Interscope) 5
ADDS
Most Increased Plays
TOTAL PLAY
ARTIST TITLE LABEL(S) INCREASE
PUDDLE OF MUDD Blurry (Hawless/Gelfen/Interscope) +273
JOHN MAYER No Such Thing (Aware /Columbia) +232
NATALIE IMBRUGLIA Wrong Impression (RCA) +226
CELINE DION A New Day Has Come (Epic) +223
SHERYL CROW Soak Up The Sun (A &M /Interscope) +177
LINKIN PARK In The End (Warner Bros.) +172
CHRIS ISAAK Let Me Down Easy (Reprise) +159
NO DOUBT Hey Baby (Interscope) +148
DEFAULT Wasting My Time (TVT) +128
MICHELLE BRANCH All You Wanted (Maverick/WB) +125
Most Played Recurrents
ARTIST TITLE LABELS)
ENYA Only Time (Reprise)
3 DOORS DOWN Be Like That (Republic /Universal)
DAVE MATTHEWS BAND The Space Between (RCA)
SUGAR RAY When It's Over ( Lava/Atlantic)
INCUBUS Drive (Immortal /Epic)
DIDO Thankyou (Arista)
MATCHBOX TWENTY If You're Gone (Lava/Atlantic)
UNCLE KRACKER Follow Me (Top Dog /Lava/Atlantic)
U2 Beautiful Day (Interscope)
LENNY KRAVITZ Again (Virgin)
SMASH MOUTH I'm A Believer (Interscope)
SANTANA F /ROB THOMAS Smooth (Arista)
MICHELLE BRANCH Everywhere (Maverick/WB)
VERTICAL HORIZON Everything You Want (RCA)
NELLY FURTADO I'm Like A Bird (Dream Works)
MOBY F /GWEN STEFANI Southside (V2)
TOTAL
PLAYS
1583
1567
1304
1267
1256
1133
1092
1084
864
862
838
828
744
714
704
697
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February 22, 2002
RateTneMasíc.cM 81,:111;11L1B;iSE'"-
America's Best Testing Hot AC Songs 12+ For The Week Ending 2/22/02.
Artist Title (Label) TW LW Familiarity Burn TD Familiarity Burn
4.31 4.36 93% 22% 4.32 92% 25% CALLING Wherever You Will Go(RCA)
LIFEHOUSE Breathing(DreamWorks) 4.23 4.26 78% 10% 4.30 80% 90 NICKELBACK How You Remind Me(Roadrunner /IDJMG) 4.22 4.26 99% 42% 4.25 98% 41% LINKIN PARK In The End (Warner Bros.) 4.22 4.34 89% 25% 4.22 88% 23% PUDDLE OF MUDD Blurry(flawless /Geffen /lnterscope) 4.19 4.24 77% 12% 4.17 74% 12% LIFEHOUSE Hanging By A Moment(DreamWorks) 4.17 4.16 98% 47% 4.25 99% 47% 3 DOORS DOWN Be Like That(Republic /Universal) 4.02 4.01 95% 37% 4.06 95% 38% TRAIN Drops Of Jupiter (Tell Me)(Co/umbia) 3.93 3.94 98% 52% 3.92 98% 53% FIVE FOR FIGHTING Superman (It's Not Easy)(Aware /Columbia) 3.93 3.95 95% 42% 3.82 95% 47% TRAVIS Side(Independiente /Epic) 3.91 3.93 52% 8% 3.85 51% 10% CREED My Sacrifice(Wind -up) 3.90 3.96 98% 40% 3.81 98% 42% DAVE MATTHEWS BAND Everyday(RCA) 3.89 3.82 86% 24% 3.87 87% 28% MICHELLE BRANCH All You Wanted(Maverick /WB) 3.85 3.95 69% 12% 3.73 71 % 15%
JEWEL Standing Still (Atlantic) 3.79 3.86 94% 27% 3.74 96% 31% ALANIS MORISSETTE Hands Clean (Maverick/Reprise) 3.77 3.80 76% 14% 3.77 82% 14% STAIND Its Been Awhile(Flip /Elektra/EEG) 3.73 3.77 98% 58% 3.78 98% 57% EDDIE VEDDER You've Got To Hide Your Love Away(V2) 3.70 3.81 44% 8% 3.63 48% 9% U2 Stuck In A Moment You Can't Get Out Of(lnterscope) 3.67 3.67 93% 38% 3.66 94% 39% NATALIE IMBRUGLIA Wrong Impression(RCA) 3.67 3.69 58% 8% 3.60 62% 9% LEANN RIMES Can't Fight The Moonlight(Curb) 3.65 3.68 79% 26% 3.68 79% 25% JOHN MELLENCAMP Peaceful World(Columbia) 3.58 3.63 71% 27% 3.43 73% 29% NO DOUBT Hey Baby(Interscope) 3.53 3.55 96% 41% 3.65 96% 38% DAKOTA MOON Looking For A Place To Land (Elektra/EEG) 3.52 3.56 39% 9% 3.50 38% 9% RYAN ADAMS New York. New York(Lost Highway / IDJMG) 3.50 3.48 66% 22% 3.35 67% 25% CHRIS ISAAK Let Me Down Easy(Reprise) 3.47 35% 6% 3.50 37% 6% LENNY KRAVITZ Dig In(Virgin) 3.31 3.26 93% 47% 3.18 93 °/J 48% ALICIA KEYS Fallin'(J) 3.29 3.29 94% 58% 3.43 93% 55% ENYA Only Time (Reprise) 3.29 3.30 89% 49% 3.46 89% 45% ENRIQUE IGLESIAS Hero (Interscope) 3.15 3.28 95% 58% 3.14 95% 57% CHER Song For The Lonely(Warner Bros.) 2.87 2.95 45% 18% 2.89 46% 17%
Total sample size is 800 respondents. Total average favorability estimates are based on a scale of 1 -5. (1= dislike very much. 5 =like very much). Total familiarity represents the percentage of respondents who recognized the song. Total burn represents the number of respondents who said they are tired of hearing the song. Sample composition is based on persons 12 +. TO = Target Demo (Females 18 -34). Persons are screened via the Internet. Once passed, they can take the music test based on their format /music preference. RateTheMusic.coin results are not meant to replace callout research. The results are intended to show opinions of participants on the Internet only RateTheMusic is a registered trademark of RateTheMusic.com. The RTM system is available for local radio stations by calling 4818/377 -5300. RateTheMusic.com data is provided by Mediabase Research, A division of Premiere Radio Networks.
89
Indicator Most Added®
CELINE DION A New Day Has Come (Epic)
SMASH MOUTH
Holiday In My Head (Hollywood /lnterscope)
JOHN MAYER No Such Thing (Aware /Columbia)
KYLIE MINOGUE
Can't Get You Out Of My Head (Capitol)
CHER Song For The Lonely (Warner Bros.)
DAVE MATTHEWS BAND Everyday (RCA)
NO DOUBT Hey Baby (lnterscope)
SENSE FIELD Save Yourself (Nettwerk)
NELLY FURTADO
...On The Radio (Remember...) (Dream Works)
VANESSA CARLTON
A Thousand Miles (A &M /lnterscope)
SHERYL CROW Soak Up The Sun (A &M /lnterscope)
DEFAULT Wasting My Time (TVT)
ENRIQUE IGLESIAS Escape (lnterscope)
INDIA.ARIE Video (Motown)
R. KELLY The World's Greatest (lnterscope /Jive)
TANTRIC Mourning (Maverick/Reprise)
EDDIE VEDDER You've Got To Hide Your... (V2)
WKDD /Akron. OH PD: Keith Kennedy MD: Lynn Kelly 2 TRAIN "She's"
DEFAULT "Wasting" ONION PARK 'End" TRICKSIDE 'Avalon'
nY, Randy
NY PD: Randy McCarter
1 NATALIE IMBROGLIA Wrong' TRAIN "Sties'
KPEK/Alhu uer ue,NM' g g OM: Bill May PD: Mike Parsons MD: Deeya
Jai Barreras Y
2 TRAIN "Sher`
KMXS1Ay Lennox PD: Ro Lennox MD: Monica Thomas
11 JOHN MAYER 'Such' SHERYL CROW -Soak"
LEHNE DION Tay'
WKOE/Atlantic City, NJ' PD/MD: Brad Carson
18 VANESSA CARLTON -MAs` t6 SHEAVE CROW "Soak- 11 311-Amber
B flES Viciai 6 NELLY FURTAD°'Radio"
KAMX/Austin,TX' PD: Jim Robinson MD: pay Culver
311 "Amber" JAMB YOUNG "Good"
PD: Told, CA PD: E.J. Tyler APD: Erik Fox
ON 'Mdus'
WWMXA3altimoe,MD'
Steve Bill Pasha
PD: Steve MOnz MD: Ryan Sampson
No Adds
WLTB/Bi hamton,NY M GN1/MD: Steve Gilensky PD: Dana Potter APD: Tefay Schwartz
CELINE DION Tay" VANESSE ON CARLTON De 'Mds" TANTRIC "Mourning"
WMJJ/Birmingham, AL PENTAD: John Stuart
tiwdi IF IMBRUGLIA -MILK'
WBMI(Basion, MA ` VP/Proo.:Grreeggstraasell MD: Mikkee Mulferey A SHERYL CROW 6 PINK "Dont 4 VANESSA CARLTON "Miles'
TRAIN 'She's'
WTSS/Buflalo, NY PD: Sue O'NeH MD: Rob Lucas
BRITNEY SPEARS "MI"
WZKL/Canton, OH Interim PD: Taylor Morgan
'Amber" CELINE DION Tay' CECIN FURTADO D adä TRAIN She's' EDDIE VEDDER Hide"
WMT/CedarRa ids, IA p PD/MD: Erin Bristol
SMASH MOUTH "Wad CELINE DION 'Day" ENRIQUE IGLESIAS "Escape'
WALC/Charleslon, SC PD/MD:
VANESSA
Walker VANESSA CARLTON -Miles"
WLNK/Charlotte. NC
OM: Tom Jackson PD' Neal Sharpe APD. Chris Allen
LE, ,NIUnI,U.,.
Sta.
MINT'
Bongo. L' Ba James mY
APD Ellen KachAnske No Adds
WKROCincinnati.OH' OM: Chuck Finney PD- Tommy Frank APD: Grover Collins MD: Brian Douglas
SHERYL CROW "Soak"
CHRIS 'Easy" RTON JOHN 'Train"
WVMXCincmnati3OH' PD: Steve Bender MD: Storm Bennett 11 CELINE DION "Day
NATAIFIMBRUGLIAWrog'
WMVX/Cleveland,OH pp; pave P h MD: J Hudsm Jay
SHEgrLCflOW'Saak" MICK JAGGER"ParadrsP'
WOAt/Cleveland, OH ` PD: Allan Fee MD: Rebecca Wilde
23 CELINE
VANESSA ay-
n JDRNME ARLT ill "Mie JOHN MAYER "Such' M2AI "Everything"
KVUU/Colorado Springs. CO ' PD Kevin Callahan APDAMD:AndyCarisle 2 TRAIN SheY"
VANESSA CARLTON-Miles" SMASH MOUTH -Head" TANTAIC -Mou TRICKSIDE "Avalon
WBNS/Columbus, OH' PD: Jeff Ballenbne MD: Robin Cole
12 JOHN MAYER Such" SHERYL CROW Soak" EDDIE VEDDER -Hide'
PD/MD: Al H
20 ÖI PAIU
Balme 20 NELLY FURTADO'Aadá' 20 NO DOUBT'
5 KYLIE MINOGUE Tana" 5 CHINE DION "Day'
SMASH MOUTH "Head"
KDMX/Oallas-Ft. Worth, TX ' PD: Pat McMahon MD: Lisa Thomas
1 CHRIS ISMK'Easy"
roba DT PD: Bill Tronc MD: Sharon Kelly
15 CELINE DION "Day' 0 KVLIC MINOGUE "Cant"
WMMX/Daytoo,OH' PD: Jeri Stevens MD: Shaun Vincent
10 CRIME
I(ALCNemer- Roulder, CO
OM: Mike Stem APD/MD: Kozmen
'Ifde Eí11 MUDD Tim,"
KIMN/Denver- Boulder. CO " PD: Ron Harrell APD/MD: Michael Gifford
No Adds
KSTZNes Moines, LA* OM/PD: Jim Sc Schaefer
sHERVLCROw "soak" CELINE DION "Da' JOHN MAYER "Such'
WDVDNetmit, MI' PD: Tan O'Brien APD: Rob Hazelton MD: Ann Del
1 DEFAULT "Wasting- 1 TRAIN "She's"
WKMX/Dothan. AL OMRAD: Thomas
21 R KELLY Ttealmi EDDIE VEDDER'Hgé JOHN MAYER -such" DEFAULT Wasting'
WNKI/Elmira, NY OM/PD: Bob 0ulck
CHER 'I unary'
KSIIIEI Paso, TX OM/PD: Courtney Nelson APD/MD: Eh Milano
1 SMASH MOUTH "Head"
WINK/Ft. Mye Myers, FL PD/MD: Bob Grisslrhger
WMEEFht Wayne IN PD: John O'Rourke MD: Boomer
r8 PEIJNE DION 'Day.
CA PD: E. Curtis Johnson MD: Dave Craig
911 'Amber
/RAIN CORI TON 'Mils- TRAIN "She s`
I(VSR/Tresno, CA PD: Mike Yeager APD: Andy \Milford
On Adds
WVT/G2nd Rapids, MI PD/MD: Jeff Andrews APD Ken Evans
AIN ; ry _,,,
Vlfl l'et-
WKSICreefshoro,NC' PD: Stephen Williams
," Ad4.
WKZMagerstown. MD
M OJeEf RA earn BAND,, ryday,,
WTIC/Harttord. CT PD: Stevesaihan Y APDMD:JeannineJ Y
i TRAIN "Shéi ries
KUCD/Honolulu, HI PD.Jamk Hyatt
Na Adds
KHMX/Rouston-GGalveston, TX PD: Marc Sherman 2 Nr, DOIMIT "flou,
WENS/Indianapolis. olis. IN p OM/PD: Greg Dunkin MD: Jim Cerone
No Adds
WZPLAndianapolis.IN' PD: Scott Santls MD: Dave Decker
No Adds
Reporters KRBLXansas City. KS' PD: Valode Knight MD: Todd Violette
22 VANLSSA CARLTON N -Miles 21 001001E IMBRUGLIA Wrong'
2 NO DOUBT 'Baby" I RES Vs
PO ORILLYo "19 2000`
PIryK "Drm I'
g y PD:XDuncan Payton
APD:O:l:i. ragé No. ^bid':
WMXL/Lexington-Fayette, KY' PD: Jill Meyer
No Add,
KURRandy Rock. AR' PD: Randy Cain App; Aaron Anthony it CELINE DION 'Day"
VANESSA CARLTON "Miles" PETE ROAN "Shame'
KBIG/Los Angeles, CA` PD: Jhanl e APD/MD: Robert Archer
ENRIQUE 'Escape-
KY$R/LOSM Angeles, OA' g PD: John Ivey APDAND: Chris P a
24 VANESSAROWSu'MIAW- 16 SHERYL CROW "Soar 16 ZERO 7'Desa `"
WMBZ/Mem his TN p OM: Jerry Dean
2 DEFAULT
VANESSA íARITON 'Miles
WMC/Memphis.TN' MD,POl Steve Kelly MD Jill Bucco
.n =' , " WKTI/Mllwaukee, WI' OM: Rick Belcher PD: Bob Welker
CELINE DION -Uay'
WMYX/Mílwaukee, WI PD: Brian Kelly APO/MD: Mark Richards
Ne:,: .
KSTP/Minnea olis, MN p
OM: Leighton Peck MD: JIIIAcen
ILA...
KOSOArtodesto,CA' PD: Max Miller MD: Donna Miller
No Adds
WHTG/Monmouth- Ocean, NJ' PD: Damn Smith MD: Brian Zanyor
16 TRAIN'Shes` 16 STARSAILOR "Good' 13 =JOHNSON 'flake"
9 311 'Amber' SENSE FIELD Savé
APD/MD: Ch o Henderson a, NJ
KCOU/MOnte liras, CA' PD/MO: Mike Scott APD: Maverick 2 TRAIN "She's"
DEFAULT "Wasting. CELINE DION "Day TANTRIC 'Mourning"
WKZN/NeW Orleans, LA PD: Steve Suter
KID ROCK "Faim.
JOHN MAYER Such" TANTRIC 'Mourning' TRAIN
JACOB YOUNG "Good
WPLJMewYork.NY' VP/Pr :Tom Cuddy og' y PD: Scott Shannon MD: Tony Mascara
12 EDDIE ADDER "Ridé' 2 SHERYL CROW "Soak'
CEUNEDION "Day
WPTFINorPolk, VA' PD, Steve McKay 5 DEFAULT "Wasting"
EDDIE Sties" EDDIE VEDDER "Hine'
KY
/O lahomaCity,OK' l(ylSrok
OM: Chris Baker /MD Ra Kalusa Y
KSRZ/Omaha. NE
Po. Erik Johnson MD Dave swan
'
,
WOMX/Orlando. FL VP/Prog John Roberts APD: Jeri Cushman MD: Laura Francis
KBBY /0 xnard- Ventura, CA OM/PD: MD: Darren McPeake
SHERRI CROW 'Sdak
WLCEPhiladel hla PA' p PD: Brian Bridgman
Danny W M No Adds
WMWX/Philadelphia. PA
PD: Chris Ebbott APD/MD: Amy Navarro
14 JOHN MAYER "Such'' I SHERYL CROW 'Soak"
VANESSA CARLTON 'Miles"
Ron ds' PO: Trent rice
10 IANTRIC'Wourmng" TRAIN SheY
WLPTIPitlsburgh.PA' PD: Keith Clark APO/MD: Jonny Hartwell
No Adds
WMGX/Portland. ME PD: Randl Kirshbaum APD/MO
SENSE
Ethan 'Nive ton SENSE HH L 'Nive
KRSK!Portland, OR PD: pan Persigehl MD: Sheryl Stewart
uNKANPARK "End
F MUDirg' PUDULE DE MUDD 'Dhur;-
K$TE/P0Kland, OR' Sm^n
APD/MD: Larry Thompson 14 JIMMY EAT WORLD "Middle"
1 DEFAULT Wasting` BEN FOLDS S011'
ULTRAPULL "Lose` EDDIE VEDDER
WSNFJProvideltce, Rl'
MD: Gary era
MD: Ge DION t CELINE
FURTADO NELLOmgTADO "Fada
WRAL,Alaleigh- Durham. NC' MD/ Ji Joe Wade Formicola MD. Jim Kelly
N, :i, :,I. Y
WRFY/Readin g, PA' PD/MD:
1 TRNN "She s VANESSA CARLTON-Miles" NATALIE IMBRUGLIA "Wrong' TANTRIC- Mgrtnirg'
KLCMieno, NV PD: Carlos Cam P
Gina Hart 20 LINKAN PARK "End" 18 POD Nive 13 TRAIN She's`
KNEV/Aeno,NV Pa Conroy Fared MD: BillShakesPe
VANESSA CARLTON "Wes" CELINE DION D
REDE HORN- PETE YORN'Strangé
KNVO/Reno, NV' PD: Panama
SMASH MOUTH "Head' TRAIN "She's" TRICKSIDE'Avalon"
Ialdwind. VA
PD. Baldwin JHERYOW k'
WVOR/Rochester, NY PD: Dave LeFrois MD:
VANESSA CARLTON "Odes'
KZZO/Sg Mark0l0, CA Mark Evans
PD: Alan Oda APO: Jim Matthews
f SHERYL CROW Soak i TRAIN 'She's
KYKY/SI. Louis, MO PD: $mokey Rivers APD/MD: Greg Hewitt
NoAdds
WVRVI$t. Louis. MO' OMIPD: Mark Edwards
t iRA1N "SheY" DEFADLI'Wastilg" ANIKA MOA "YOUmNI'
KBEE/Sait Lake City, UT PD: Rusty Keys
No Adds
KOMB/Salt Lake City. UT Hague OM: Alan Hague
PD: Mike Nelson APD/MD: J.J. Riley
CELINE DION
PuoDLEOFMUO "Rwrr;' TANTRIC "Mourning"
KFMB San OiegO. CA' VP /GNVPD:T Johnson APD: Jeri Sewell 8 KYLIE MINOGUE Tani' 8 SHERYL CROW 'Soak"
KLLC/San Francisco, CA' PD: John Peake MD: Julie Stoeckel
No Adds
KEZR/San Jose, CA PD: Jim Murphy APD/MD: Michael Martinez 8 SHERYL
WILTON S VANESSA MJes" RÉMY ZERO 'Saw
KMHX/Saida Rosa, CA' PD: Mark Thomas
I SHERYL CROW Soak" 311 "Amber" 0000000 CARLTON "Miles-
PD: Phillips
illTacoma. WA PD: Kent
Hashimoto moto P MD: Alisa Hash'
II MmHg ,es
WHYN/Springfield, OM/PO: Pat McKay
I DA64 ALA1HEW'BP1Diwydy- CÉLINE DION
NELLV FURTADO "Red*"
WMTXny , FL
MD: Bobby oFl Rk;hn MARC ANTHONY 'Need'
WSSRTampa,F1' OM: Jeff I(apuy Interim PD: Jofin SRwart 9 SHERYL CROW Swk" 0 UITRAPULL 'Lose" 2 DAKOTA MOON "Place`
WWWM/TOledo.OH' OM'. Tm Roberts PD Ron Finn APD/M0: Steve Marshall
Re A,! I::.
KZPT/Tucson, AZ' PO: Carey Edwards APD/MD: Leslie Lois , IRAIN"Slhe's
WROpnJPD: SteleO. DC' MID.
Carol Steve Kosbau
MD: (Farol Parker a tom"
WWII/Washington, DC ` PD: Mike Edwards APD/MD: Sean Sellers
No Adds
FL' WJBWMIohn O'Donnell OM/PD John O'Donnell
APDAND: Jeri Clarke CELINE DION 'Day
KYLIE E'fan't" TRAIN cher
WRMFANASt Palm Beach. FL' PD: Russ Morley MD: Dave Brewster
MARC ANTHONY SPOSOMouH"Wad°
WXLO/Wofcester,MA' OM: Pete
Chase Murphy PD/MD: Chase Mu h rP Y
CF LINE DION 'Tv,"
y IXT/yp y,OH* OM/PD: Dan Rivers MD: Mark French
CELINE DION "Day` SMASH MOUTH "Head"
Reporters Monitored Re Orters 1
105 Total Reporters
95 Total Monitored 0
10 Total Indicator 9 Current Indicator Playlists
Note: WKRO/Cincinnati, OH moves fromCHR /PoptoHotAC. Did Not Report, Playlist Frozen 1 P Y (1): KRUZ/Santa Barbara, CA
www.americanradiohistory.com
90 R &R February 22, 2002 Hot AC Playlists eíä
. -. ` N..rRPI3?
MARKET #1
WPUINew York ABC (212)613 -8900 Cuddy/Shannon/Mascaro
12. Cume 2,256,300
PLAYS
LW TW ARTIST/TITLE SI (000)
47 46 LIFEHOUSEManging By A Moment 40848 43 45 ALAN'S MORISSETTEMands Clean 39960 47 45 CREED/My Sacrifice 39960 44 45 CALLWNGNAherever You Will Go 39960 43 44 NO DOUBT/Hey Baby 39072 46 44 JOHN MELLENCAMP/Peaceful World 39072 49 43 NICKELBACK/How You Remind Me 38184 46 42 U2/Stuck In A Moment... 37296
27 28 SHAKIRAAMhenever Wherever 24864 28 27 TRAIN/Drops Ol Jupiter... 23976 34 27 JEWEUStanding Still 23976 24 27 LENNY KRAVITZ/Dig In 23976 23 27 LEANN RIMES/Can'! Fight.. 23976 25 26 DAVE MATTHEWS BAND/Everyday 23088 21 25 PINK/Get The Party... 22200 25 24 MATCHBOX TWENTY /Last Beautiful_. 21312 24 23 DAVE MATTHEWS BAND/The Space Between 20424 16 20 STAIND /II's Been Awhile 17760
15 20 JOHN MAYER/No Such Thing 17760
19 18 NATALIE IMBRUGLIANVrong Impression 15984 19 17 MICHELLE BRANCH/All You Wanted 15096
9 16 3 DOORS DOWN/Be Like Thal 14208
15 15 ALICIA KEYS/fafiñ 13320
8 14 02/Beautiful Day 12432
18 14 CHERSong For The Lonely 12432
9 13 ELTON JOHN/This Train Don't.. 11 544
10 12 THE CORRS/Breamless 10656
14 12 ENYA/Only Time 10656
1 12 I EDDIE VEDDERNoti ve Got To... 10656
12 12 NELLYFURTADOn'm Like A Bbd 10656
MARKET #5
KOMX /Dallas -Ft. Worth
Clear Channel (972)991 -1029 McMahonffhomas
12+ Cume 435,500
PLAYS
LW TW
35
37
38
28
24
36
28
27
24 16
7
15
16
15
13
16
10
5
18
6
1
5
4
3
4
4
5
7
8
5
36 34
33
33
26
26
26
26
25
22
21
41102e9
ART1ST/TITLE
NICKELBACK/How You Remind Me
CALLING/Wherever You Will On
STAIND /It's Been Awhile
LIFEHOUSEManging By A Moment
ENYNOny Time SMASH MOUTH/I'm A Believer
TRAIN/Drops Of Jupiter...
INCUBUS/Drive
SUGAR RAYANhen (l's Over
ENRIQUE IGLESIASMero
AEROSMITWJaded
CREED/My Sacrifice
3 DOORS DOWN/Be Like That
NATALIE IMBRUGLIA Wrong Impression ALANIS MORISSETTEMands Clean
LEANN RIMES/Can't Fight...
JACOB YOUNG/Life Is Good
THE CORRS/Brealhless
RYAN ADAMS/New York New York
EVAN AND JARON/Crazy For This Girl
CELINE DION/A New Day Has Come
MADONNA/Donl Tell Me
MATCHBOX TWENTY/Bent
STING/Desert Rose
CREED/Wdh Arms Wide Open
DIDO/Tbankyou
FASTBALUOut Of My Head
VERTICAL HORIZON/You're A God
NELLY FURTADO/I'm Like A Bird
SANTANA FMOB THOMAS/Smooth
61 (000) 7128 6732 6534 6534 5148 5148 5148 5148 4950 4356 4158 2772 2772 2376 2376 2376 1782 1782 1782 1782 1584 1386 1386 1188 1188 1188 990 990 990 990
WBMXBoston Infinity (617) 779.2000 Strasse6/Mullaney
12* Cume 752,700
PLAYS
LW TW
49 52
32 50
49 49
46 48
33 48
48 44
33 42
49 40
50 40
43 35
35 34
15 34
28 32
46 31
28 30
29 30
18 24
22 23
21 21
19 21
16 19
14 19
14 18
19 18
18 18
20 18
15 18
1.7 17
15 16
17 18
ARTiST/TITLE SI (0001
CREED/My Sacrifice 16796 DAVE MATTHEWS BAND/Everyday 16150 NICKELBACK/How You Remind Me 15827 FIVE FOR FIGHTING/Superman (It's...) 15504
ALAN'S MORISSETTE/Hands Clean 15504 PINK/Get The Party_. 14212
U2/Stuck In A Moment._ 13566 CALLING/Wherever You Will Go 12920
NO DOUBT/Hey Baby 12920 SHAKIRAJWhenever Wherever 11305
LENNY KRAVITZ/Dig In 10982 112/Elevation 10982 SARAH MCLACHLANBlackbird 10336
JOHN MELLENCAMP/Peacelul World 10013
3 DOORS DOWN/Be Like That 9690 JEWEL/Standing Still 9690 MICHELLE BRANCH/id! You Wanted 7752
SENSE FIELD/Save Yourself 7429
NATALIE IMBRUGLIAÑWrong Impression 6783
JOHN MAYER/No Such Thing 6783
DAVE MATTHEWS BAND/The Space Between 6137 6137 5814 5814 5814 5814 5814 5491 5168 5168
ENYA/Only Time
DIDO/Thankyou
LIFEHOUSEManging By A Moment
TRAIN/Drops OIJUplfer... CHRIS ISAAK/Let Me Down Easy
NELLY FURTADO/I'm Like A Bird
UNCLE KRACKER/Follow Me
GORILLAZJ19 -2000
SMASH MOUTH /'m A Believer
MARKET #16
KSTP/Mioneapolis Hubbard (651) 642-4141
Roen
12+ Cume 409,500
PLAYS
LW 1W
54 52
54
49
43
47
49
30
35
38
32
33
26
20
33
24
20
7
24
8
51
49 46 46
44
42 40 35
34 33 33
30 30 28
27 25 24 21
15 21
17 21
16 20 7 19
8 18 7 18
14 17
14 17
13 17
17 17
16 16
ARTiST/TITLE
CALLING/Wherever You Will Go
NICKELBACK/How You Remind Me
JEWEUStanding Still
JOHN MELLENCAMP/Peaceful World
PINK/Get The Parry...
TRAIN/Drops Of Jupiter...
FIVE FOR FIGHTING/Superman (it's...)
CREED/My Sacrifice
LENNY KRAVITZ/Dig In
NATALIE IMBRUGLUVWrong Impression
DAVE MATTHEWS BAND/Everyday
SHAKIRNWherever Wherever
CHRIS ISMK/Let Me Down Easy
ALAN'S MORISSETTEMands Clean
DAKOTA MOON/Looking For..
STAIND/It's Been Awhile
EDDIE VEDDER/You ve Got To...
LIFEHOUSEManging By A Moment
SMASH MOUT WI'm A Believer
MICHELLE BRANCWAII You Wanted
MOON F/GWEN STEFANVSouhside
NELLY FURTADO/I'm Like A Bird
02/Beautiful Day
MATCHBOX TWENTY/Mad Season
SMASH MOUTH/All Star
EVE 6Meres To The Night
SANTANA FBOB THOMAS/Smooth
EVAN AND JARON/Crary For Mrs Girl
LENNY KRAVITZ/Again
VERTICAL HORIZON/Everything You Want
GI (KM 7290 6885 6615 6210 6210 5940 5670 5400 4725 4590 4455 4455 4050 4050 3780 3645 3375 3240 2835 2835 2835 2700 2565 2430 2430 2295 2295 2295 2295 2160
KBIG /Los Angeles
Clear Channel (818) 546-1043
Kaye/Archer
12+ Come 1,140,200
big 110111
PAYS LW TW ARTIST/TITLE
29 3 FIVE FOR FIGHTING/Superman (ICS...)
27 2 SHAKIRAAMhenever Wherever
30 2 PINK/Get The Party_.
27 2 LEANN RIMES/Can t Fight..
23 2 JEWEUStanding Still 16 1 ENRIQUE IGLESIAS/Hero
16 1 ALICIA KEYS/Fallin
12 1 NATALIE IMBRUGLIANVrong Impression
18 1 BACKSTREET BOYS/Drowning
16 1 SUGAR RAY/When It's Over
15 1 EVAN AND JAROWrhe Distance
15 1 JENNIFER LOPEZ/I'm Real
16 1 CHER/Song For The Lonely
15 1 EVE 64iere'S To The Night
10 1 JENNIFER LOPEZ/Love Don't Cost...
9 1 SANTANA FMOB THOMAS/Smooth
10 1 CELINE DION/That's The Way R Is
9 1 FAITH HILL /The Way You Love Me
10 1 JENNIFER LOPEZ/If You Had My Love
10 1 SAVAGE GARDEN/I Knew I Loved You
10 1 'N SYNC/It's Gonna Be Me
9 1 MARC ANTHONY/I Need To Know
10 1 BACKSTREET BOYSA Want It That Way
8 1 LENNY KRAVITZ/Again
11 1 JANET/Someone To Call...
9 1 BRIANMCKNIGHT/Back At One
8 MARC ANTHONYNou Sang To Me
11 DIDO/Thankyou
10 EVAN AND JARON/Crary For This Girl
9 LEANN RIMES/' Need You
GI (000)
14760 14268 13776 13284 12300
8856 8364 8364 7872 7380 7380 7380 7380 6888 5412 4920 4920 4920 4920 4920 4920 4920 4920 4920 4920 4920 4428 4428 4428 4428
MARKET #6
WICE/Philadelphia Clear Channel (610) 668-0750
Bridgman/Wright
12+ Cume 556,000
PLAYS
LW TW ARTIST/TITLE
43 41 SMASH MOUTH/I'm A Believer
41 39 TRAIN/Drops Of Jupiter...
34 38 NICKELBACK/How You Remind Me
32 38 UNCLE KRACKER/Folbw Me
41 35 CALLING/Wherever You Will Go
41 34 FIVE FOR FIGHTING/Superman (105..J
33 33 SUGAR RAYAMhen Its Over
33 30 LIFEHOUSEManging By A Moment
17 29 MATCHBOX TWENTY /If You're Gone
23 25 CREED/My Sacrifice
24 23 DAVE MATTHEWS BAND/The Space Between
26 22 ALANIS MORISSETTE/Hands Clean
25 21 JEWEUStanding S811
18 20 LENNY KRAVITZ/Dig In
1 18 LIFEHOUSE/Br thing 15 16 DIDO/Thankyou
12 14 SANTANA FBOB THOMAS/Smooth
27 14 STAINDnt's Been Awhile
22 12 NATALIE IMBRUGLIM'/rong Impression
12 12 3 DOORS DOWN/Kryptonite 13 12 LENNY KRAVITZ/Again
13 12 VERTICAL HORIZONSveMhirg You Want
8 12 INCUBUS/Drve
10 10 MATCHBOX TWENTY /Bent
7 10 CREEDMigher
12 9 CREED/Wmi Arms Wide Open
12 9 SMASH MOUTH/All Star
6 7 SARAH MCLACHLAN/I WA Remember You
5 6 ELTON JOHN/This Train Don't.. 2 5 TRAIN/Meet Virginia
Si (000)
0733 8307 8094 8094 7455 7242 7029 6390 6177 5325 4899 4686 4473 4260 3834 3408 2982 2982 2556 2556 2556 2556 2556 2130 2130 1917 1917 1491 1278 1065
MARKET #9
KHMX/Houston- Galveston
Infinity (713) 790-0965
Sherman
12+ Cume 388,400 W96.5
PLAYS
LW TW ARTIST/TITLE
33 33 TRAIN/Drops OfJupeer...
31 32 INCUBUS/Drive
33 32 ENRIQUE IGLESIAS/Hero
30 30 SMASH MOUTWI'm A Believer
32 28 ENYA/Only Time
16 19 LEANN RIMES/Can't Fight...
18 18 LIFEHOUSEManging ByA Moment 12 18 SUGAR RAY/When It's Over
18 18 MADONNA/Don't Tell Me
19 18 SAVAGE GARDEN/I Knew I Loved You
16 18 LEANN RIMES/I Need You
16 18 NICKELBACKHOW You Remind Me
17 18 VERTICAL HORIZON/Everything You Ware
8 17 CREED/My Sacrifice
14 17 JEWEUStanding Still 17 17 LEE ANN WOMACK/1 Hope You Dance
19 17 DIDO/Thankyou 17 17 LENNY KRAVITZ/Dig In
14 17 BON JOVNrs My Loe
19 16 CREEDMigher 15 16 CREEDMrdi Arms Wide Open
18 16 UNCLE KRACKER/T011ow Me
15 16 TRAIWMeet Virginia
17 16 SANTANA F/ROB THOMAS/Smooth
17 16 SMASH MOUTH/Then The Morning...
18 15 MATCHBOX TWENTY/1f You're Gone
16 15 ALAN'S MORISSETTEMands Clean
15 15 CALLINGANherever You Will Go
13 14 SIXPENCE..JTBere She Goes
15 13 SMASH MOIJT WAII Star
61 (000)
4290 4160 4160 3900 3640 2470 2340 2340 2340 2340 2340 2340 2340 2210 2210 2210 2210 2210 2210 2080 2080 2080 2080 2080 2080 1950 1950 1950 1820 1690
KFMB/San Diego Midwest (858) 571-8888 Johnson/Sewell
12. Cume 318,300
MARKET #17
PLAYS
LW TW
47 49
52 47
31 43
33 41
47 39 32
32
49
31
22
20
23
22
22
19
25
22
23 19
24
22
34
36
34 94
33
30 24 24 23
23 22 22
22
21
19
18
18 16
13 14
14 13 11 12
16 11
15 11
7 11
11 11
15 11
ARTIST/TITLE
NICKELBACK/How You Remind Me
JEWEUStanding Still
PINK/Get The Party..
NO DOUBT/Hey Baby
CALLINGAVberever You Will Go
DAVE MATTHEWS BAND/Everyday
LENNY KRAVITZ/Dig In
JOHN MELLENCAMP/Peaceful World
ALANIS MOPISSETTE/Hands Clean
MICHELLE BRANCH/All You Wanted
CHER/Song For The Lonely
3 DOORS DOWNBe Like That
02/Stuck In A Moment...
DARREN HAYES/Insatiable
EWE FOR FIGHTING/Superman Offs...)
ENYA/Only Tune
DAKOTA MOON/Looking For...
LIFEHOUSEManging By A Moment
CHRIS ISAAK/Let Me Down Easy
MATCHBOX TWENTY/Last Beautiful..
NATALIE IMBRUGLINWrang Impression
LEANN RIMES/Can't
MATCHBOX TWENTY/Bent
TRAINDrops Of Jupiter...
ALICIA KEYS/Fallei
02/Beautiful Day
MICHELLE BRANCH/Everywhere
CELINE DIOWA New Day Has Come
SUGAR RAY/When Its Over
LENNY KRAVITZ/Again
61 Root 7105 6815 6235 5945 5655 5220 4930 4930 4785 4350 3480 3480 3335 3335 3190 3190 3190 3045 2755 2610 2610 2320 2030 1885 1740 1595 1595 1595 1595 1595
MARKET #2
KYSRILos Angeles Clear Channel (8181955 -7000 Ivey/Palyk
12. Cume 1,265,300
PAYS LW TW ARTIST/TITLE
42 83 NO DOUBTMey Baby
85 81 CALLING/Wherever You WII Go
79 77 JEWEUStanding Still
78 76 NICKELBACK/How You Remind Me
48 75 DAVE MATTHEWS BAND/Everyday
61 40 LINKIN PARK/In The End
36 39 FIVE FOR FIGHTING/Superman Qt's._)
23 38 NATALIE IMBRUGLIANVrong Impression
38 37 PETE YORWStrange Condition
66 36 CREED/My Sacrifice
37 33 EDDIE VEDDERNoú ve Got To...
SI (000)
46563 45441 43197 42636 42075 22440 21879 21318 20757 20196 18513
31 31 JOHN MAYER/No Such Thing 17391
33 30 ALAN'S MORISSETTE/Hands Clean 16830 19 25 02/Beautiful Day 14025
21 25 U2/Stuck In A Moment... 14025 7 24 a VANESSA CARLTOWA Thousand Miles 13464
18 22 DEFAULT/Wasting My Time 12342
20 21 STROKES/Last Nee 11781
21 21 LEWIS W /DURST /Outside 11781
21 20 MICHELLE BRANCH/All You Wanted 11220
25 19 STAINDnt's Been Awhile 10659
10 18 JACK JOHNSON/Flake 10098
18 18 PUDDLE OF MUDD/Blurry 10098
20 17 TRAVIS/Side 9537
30 17 COLDPLAY/Trouble 9537 21 16 COLDPLAYNeIbw 8976
- 16 a SHERYL CROW/Soak Up The Sun 8976
12 18 a ZERO7/Destiny 8976
16 15 CHRIS ISAAK /Let Me Down Easy 8415 to 15 DAVE MATTHEWS BAND/The Space Between 8415
MARKET #6
WMWX/Philadelphia Greater Media (610) 771-0933
EbbotVNavaoo
12+ Cume N/A
PLAYS
LW TW
66 66
5765 68 62
62 61
59 60
62 58
4043 44 43 4242 46 41
32 40
44 40
23 38 36 38 29 36
3336 4234
9 28
23 23
15 n 43 n 21 22 2321 23 21
2321 21 21
21 20 12 20 22 20
21 19
ARTIST/TITLE
CREED/My Sacrifice
NICKELBACKMOw You Remind Me
CALLING/1Mlerever You Will Go
FIVE FOR FIGHTING/Superman (It's...)
3 DOORS DOWN/0e Like That
DAVE MATTHEWS BAND/The Space Between
BETTER THAN EZRABxha Ordinary
INCUBUS/Drive
EVE 6Mere's To The Night
FUE//BAd Day
PUDDLE OF MUDD/Blurry PINK/Get The Party...
JOHN MELLENCAMP/Peaceful World
LENNY KRAVITZ/Dig In
LIFEHOUSE/Breathing NATALIE IMBRUGLIA/Wrong Impression
ALANIS MORISSETTEMands Clean
JEWEL/Standing Still
DAVE MATTHEWS BAND/Everyday
SENSE FIELD/Save Yourseif
STAINDArs Been Awhile
CHRIS ISAAK/Let Me Down Easy
TRAIN/Drops Of Jupiter...
LENNY KRAVITZ/Again
LIFEHOUSE/Hanging By A Moment MADONNA/Dont Tell Me
MATCHBOX TWENTY /If You're Gone
SUGAR RAY/Ours
MATCHBOX TWENTY/Bent
MOBY F /GWEN STEFANISouthside
GI 10
MARKET #10
WDVD/Detroit ABC (313) 871-3030
O'BrienMazelton/Delisi
12. Cume 473,400
PLAYS
LW TW
52 57
50 56
50 56
33 54
2942 29 31
30 31
27 30
2730 26 30
43 28
18 26
26 26
24 26
27 24
25 24
26 23
21 23
20 23 16 22
20 n 20 21
20 21
20 21
21 20
21 20 20 20
19 19
18 19
19 19
-963 ARTIST/TITLE
NICKELBACKMow You Remind Me
CREED/My Sacrifice
CALLING/Wherever You Will Go
DAVE MATTHEWS BAND/Everyday
LENNY KRAVITZ/Dig In
NATALIE IMBRUGLI/AW5OYg Impression
JOHN MELLENCAMP/Peaceful World
JOHN MAYERMO Such Thing
ALAN'S MORISSETTEMands Clean
MICHELLE BRANCWNI You Wanted
FIVE FOR FIGHTING/Superman (it's...)
SENSE RELDSave Yourself TRAIN/Drops Of Jupiter...
LIFEHOUSEBreathing
LIFEHOUSEManging By A Moment FUEL/Bad Day
STAIND /l1s Been Awhile
3 DOORS DOWN/Be Like That
SUGAR RAYAMhen Its Over
AMERICAN HI- FI/Flavor 01 The Weak
MATCHBOX TWENTY/Bent
U2/Beautiful Day
U2/Stuck In A Moment... INCUBUS/Drive MOBY F /GWEN STEFANISouthside
JEWEL/Slanding Still
EVE 6Meres To The Night
ENYA/Only Time
CREED/With Arms Wide Open
LENNY KRAVITZ/Again
61 room
9234 9072 9072 8748 6804 5022 5022 4860 4860 4860 4536 4212 4212 4212 3888 3888 3726 3726 3726 3564 3564 3402 3402 3402 3240 3240 3240 3078 3078 3078
MARKET #19
KYKY/St. Louis
Infinity (314) 53t -0000 Rivers/Hewitt
12+ Cume 256,700
PLAYS
LW 1W
46 44
44 43
43 42
38 99
34 38
37 37
35 38
4236 27 35 29 32 18 32
2932 38 29
36 23
1723 17 22 19 21
30 20
20 19
10 18
20 16
11 14
1 13
8 12
16 12
11 12
10 12
11 12
11 12
12 11
ARTIST/TITLE
JOHN MELLENCAM /Peaceful Wodd
NICKELBACKMow Y u Remind Me
CALLING/Wherever You Will Go
FIVE FOR FIGHTING/Superman (Ks._)
BETTER THAN EZRA/Extra Ordinary
LENNY KRAVITZ/Dig In
ALANIS MORISSETTEMands Clean
JEWEUStanding Still
LIFEHOUSEManging By A Moment
DAKOTA MOON/Looking For...
PINK/Get The Party...
3 DOORS DOWNBe Like That
CREED/My Sacrifice
ALICIA KEYS/Fallin'
NATALIE IMBRUGLIA/Wrnng Impression
NELLY FORTADO/...0e The Radio._
MICHELLE BRANCH/All You Wanted
TRAIN/Drops 01 Jupiter...
CHRIS ISAAK/Let Me Down Easy
JOHN MAYER/No Such Thing
NO DOUBT/Hey Baby
EVAN AND JARON/Crazy For This Girl
VERTICAL HORIZONNOti re A God
SMASH MOUTH/Then The Morning...
LEANN RIMES/Can't Fqm...
U2/Beautiful Day
MADONNA/Music NELLY FURTADO/I'm Like A Bed
VERTICAL HORIZOWBesI I Ever Had...
SISTER HAZEL/Change Your Mind
Si (0001
5192 5074 4956 4602 4484 4366 4248 4248 4130 3776 3776 3776 3422 2714 2714 2596 2478 2360 2242 2124 1888 1652 1534 1416 1416 1416 1416 1416 1416 1298
MARKET #3
WTMX/Chicago
Bonneville (312) 946 -1019
Kachinske
12. Cume 874,000
PLAYS
LW TW ARTIST/TITLE
48 48 DAVE MATTHEWS BAND/Everyday
43 45 NO DOUBT/Hey Baby
48 44 ALAN'S MORISSETTE/Hands Clean
52 44 CAKE/Shod SkirtLong... 45 39 JEWEUStanding Still 41 39 JOHN MELLENCAMP/Peaceful World
45 38 CALLING/Wherever You Will Go
39 38 U2/Stuck In A Moment...
39 36 TRAVIS/Side
21 30 BETTER THAN EZRA/Extra Ordinary
29 30 BEN FOLDS/Still Fighting 11
22 29 NATALIE IMBRUGLIA/Wrong Impression
42 27 BLUES TRAVELER/Back In The Day
29 26 TRAIN/She's On Fire
27 24 JOHN MAYER/No Such Thing
28 23 MICHELLE BRANCH/Everywhere
23 23 FIVE FOR FIGHTING/Superman (Its...) 18 23 LENNY KRAVITZ/Dig In
27 22 RYAN ADAMS/New York, New York
18 19 LIFEHOUSEManging By A Moment
15 19 MICKJAGGERNisions 01 Paradise
14 19 STAIND /It's Been Awhile
19 19 INCUBUS/Drive
24 18 DAKOTA MOON/Looking For...
18 18 LIFEHOUSEJBreathing 15 16 TRAIN/Drops Of Jupiter...
12 16 3 DOORS DOWN/Be Like That
16 15 CHRIS ISAAK/Let Me Down Easy
17 15 SUGAR RAY /When Ifs Over
14 14 NICKELBACK/How You Remind Me
GI l5oo) 20016 18765 18348 18348 16263 16263 15846 15846 15012 12510 12510 12093 11259 10842 10008 9591 9591 9591 9174 7923 7923 7923 7923 7506 7506 6672 6672 6255 6255 5838
MARKET #7
WRDX/Washington, DC
ABC 12021686 -3100 KosbaWParker
12+ Cume 568,000
PLAYS
LW 7W
35 37
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38 37
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36 35
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3 13
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9 10
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14 10
10 10
9 10
MIX 10Te3FM Washingmn's Best Music Mix
ARTIST/TITLE GI (0001
FIVE FOR FIGHTING/Superman (It's...) 10878
CALLING/Wherever You Will Go 10878
LIFEHOUSEManging By A Moment 10878
TRAIN/Drops Of Jupiter... 10584
DAVE MATTHEWS BAND/The Space Between 10290
ENRIQUE IGLESIAS/Hero 6762
LENNY KRAVITZ/Dig In 6468 JEWEtJStarding Still 6468
U2/Stuck In A Moment... 6174
ENYA/Ony Time 6174
ALAN'S MORISSETTE/Hands Clean 6174
NATALIE IMBRUGLI/VWrong Impression 6174
SMASH MOUTH/I'm A Believer 5880 MATCHBOX TWENTY /If You're Gone 5880
NICKELBACKMow You Remind Me 5586
EVE 6Mere's To The Night 4998
DAVE MATTHEWS BAND/Everyday 4704
EVERCLEAFUWondertul 4116 BARENAKED LADIES/Pinch Me 4116 NELLY FURTADO/I'm Like A Bird 4116 CREED/WM Arms Wide Open 3822
COUNTING CROWSManginaround 3822 NINE DAYS/Absolutely.. 3822
UNCLE KRACKER/Follow Me 3528 DIDO/Thankyou 3234
THECORRS/Breathless 2940 STAIND /It's Been Awhile 2940
STING/Desert Rose 2940
LENSteal My Sunshine 2940 THIRD EYE BLIND/Never Let You Go 2940
MARKET #14
KPLZ/Seattle- Tacoma Fisher (206) 223 -5700 Phillips/Hashimoto
12+ Cume 318,400
PUYS LW TW
54 49 49 49
48 43 48 43 48 42 48 42
31 39 46 37 33 35 32 32
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26 19 7 18
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STARIE1015
ARTIST/TITLE
CALLING/Wherever You Will Go
FIVE FOR FIGHTING/Superman (Irs...)
TRAINDrops Of Jupiter...
NICKELBACK/How You Remind Me
STAIND /Its Been Awhile LIFEHOUSE/Hanging By A Moment
ENYA/Only Time
INCUBUS/Drive
3 DOORS DOWN/Be Like Thal
ALICIA KEYS/Fallin
DAVE MATTHEWS BAND/Everyday
U71BeauGtul Day
JEWEL/Standing Still
DAVE MATTHEWS BAND/The Space Between
JOHN MELLENCAMP / Peaceful World
CREED/My Sacrifice LONESTARI1'm Already There
MATCHBOX TWENTY /I1 You're Gone
PINK/Get The Party...
ALANIS MORISSETTEJHands Clean
NATALIE IMBRUGLWWrong Impression
JOHN MAYER/No Such Thing
CHRIS ISAAK/Let Me Down Easy
MICHELLE BRANCH/All You Wanted
LENNY KRAVITZ/Again
LEANN RIMES/Can't Fight..
CELINE DION/A New Day Has Come
EDDIE VEDDERNOu ve Got To...
STING/Desert Rose
SHAKIRMAthenever Wherever
61 (8001
6076 6076 5332 5332 5208 5208 4836 4588 4340 3968 3844 3844 3844 3720 3596 3596 3596 3224 3224 3224 2976 2976 2852 2852 2728 2356 2232 2108 1984 1860
MARKET #19
WVRV/St. Louis
Bonneville (314) 231-3699
Edwards
12+ Cume 324,600
PUYS LW TW
53 54
54 54
47 48
45 48
42 45
48 45
44 45
53 44
41 44
29 43
22 27 13 25
20 21
2 21
46 20
28 19
12 17 17 16
15 15
15 15 14 15
15 15
13 15
27 15
15 14
- 14 16 14
t2 13
13 13
12 13
ARTIST/TIRE
CALLING/Wherever You Will Go
NICKELBACK/How You Remind Me
JEWEUStanding Still
CREED/My Sacrifice
ALANIS MORISSETTE/Hands Clean
DAVE MATTHEWS BAND/Everyday
MATCHBOX TWENTY/Last Beautiful...
LIFEHOUSE/Brealhing PUDDLE OF MUDD/Blurry JOHN MAYER/No Such Thing
NATALIE IMBRUGLIANVrong Impression
SENSE FIELD/Save Yourself
INCUBUS/ Wish You Were Here
EDDIE VEDDER/Yoti ve Got To...
TRAVIS/Side
DAKOTA MOON/Looking For...
LOUISE GOEFIWSomellmes A Circle
FIVE FOR FIGHTING/Superman BETTER THAN EZRA/Extra Ordinary
LENNY KRAVITZ/Dig In
02/Beautiful Day
VERVE PIPE/Never Let You Down
TRAINDrops 01 Jupiter...
EAGLE-EYE CHERRY/Feels So Right
JOHN MELLENCAMP/Peaceful World
SHERYL CROW/Soak Up The Sun
STAIND/it's Been Awhile
LIFEHOUSE/Hanging By A Moment
LEWIS W/DURST/Outside SUGAR RAY/When It's Over
GI (8W)
8262 8262 7344 7344 6885 6885 6885 6732 6732 6579 4131 3825 3213 3213 3060 2907 2601 2448 2295 2295 2295 2295 2295 2295 2142 2142 2142 1989 1989 1989
MARKET #4
KLLC/San Francisco
Infinity (415) 765-4000
Peale/Stoeckel
12. Cume 616,700
PLAYS
LW TV/
49 58
56 55
57 55
56 55
54 53
37 39
38 38
34 35
38 35
31 35
36 35 28 34
31 34 44 33
31 31
35 31
14 23
33 22
30 20
18 18
12 16
26 16
16 16
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5 15
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15 13
14 12
11 11
10 11
Alice @ 97.3
ARTIST/TITLE GI 1000)
CREED/My Sacrifice 12006 PINK/Get The Parry... 11385
NICKEIBACK/HOW You Remind Me 11385
CALLING/Wherever You Will Go 11385
ALICIA KEYS/Falliri 10971
JEWEL/Standing S811 8073 ALAN'S MORISSETTE/Hands Clean 7866 NO DOUBT/Hey Baby 7245
FIVE FOR FIGHTING/Superman 1105.4 7245
NELLY FURTADOITum OR The Light 7245
DAVE MATTHEWS BAND/Everyday 7245 TRAIN/Drops Of Jupiter... 7038
U2/Stuck In A Moment... - 7038
STAIND /It's Been Awhile 6831
NATALIE IMBRUGLIANVrong Impression 6417 THOMAS NEWMANSiO Feet Under 6417 TRAVIS/Side 4761
COLDPLAY/Trouble 4554 MICHELLE BRANCH/All You Wanted 4140
LINKIN PARK/In The End 3726 JOHN MAYER/No Such Thing 3312 CHER/Song For The Lonely 3312 ENYA/Only Time 3312 MADONNA/Don't Tell Me 3105
MATCHBOX TWENTY/Bent 3105 CHRIS ISAAK/Let Me Down Easy 2898 LIFEHOUSEManging ByA Moment 2691
MOBY F /GWEN STEFANISOUthside 2484 VERTICAL HORIZON/Everything You Want 2277 DAVE MATTHEWS BAND/The Space Between 2277
MARKET #7
WWZZ/Washington, DC
Bonneville 7031 522 -1041
Edwards/Sellers
12. Cume 617,700
PLAYS
LW TW
48 49 4B 47
45 47 47 46
34 44
49 39
33 38
35 37
31 35
33 33
23 31
31 30
19 29
23 28
26 25 24 27
28 26 18 n 20 22
1520 1820 3 19
34 19
21 18
7 17
17 17 13 16
14 15
13 15
15 15
ARTIST/TITLE GI (5081
CALLINGNJherever You Will Go 10388
CREED/My Sacrifice 9964
NICKELBACK/How You Remind Me 9964 DAVE MATTHEWS BAND/The Space Between 9752 STAINDnt's Been Awhile 9328
JEWEUStanding Still 8268 8056 7844 7420 6996 6572 6360 6148 5936 5936 5724 5512 4664 4664 4240 4240 4028 4028 3816 3604 3604 3392 3180 3180 3180
TRAIN/Drops 01Jupiter.. 3 DOORS DOWN/Be Like That
COLDPLAY/Trouble LIFEHOUSE/Hanging ByA Moment FIVE FOR FIGHTING/Superman (It's...)
DAVE MATTHEWS BAND/Everyday
PUDDLE OF MUDD/Blurry TRAVIS/Side ALANIS MORISSETTE/Hands Clean
REMY ZERO/Save Me
LIFEHOUSEBreahing ENYNOny Time BARENAKED LADIES/Pinch Me
INCUBUS/Drive
DIDO/Thankyou
FUEUBad Day
U2/Stuck In A Moment...
MOBY F /GWEN STEFÀNISouthside
MICHELLE BRANCH/Everywhere
SUGAR RAYANhen It's Over
EVERCLEARNVOndedul
INCUBUS/I Wish You Were Here
SMASH MOITTWAll Star
MATCHBOX TWENTY /If You're Gone
MARKET #15
KMXPIPheenio Clear Channel (602)279 -5577
Price/Edwards
12+ Cume 249,900
PUYS LW TW
3840 37 38
34 37
30 36
38 35
24 29
36 29
25 24
29 24
38 24
20 22 1922
21 n 21 22
2322 21 20
1920 15 18
18 17
17 16 20 15
23 15
3 14
n 13
1 12 1 12
10 11
1 11
5 10
12 9
ARTIST/TITLE
LENNY KRAVITZ/Dig In
DIDO/Thankyou
LIFEHOUSE/Hanging By A Moment
NICKELBACK/How You Remind Me
02/Beautiful Day
DAVID GRAY/Babylon
EVE 6/Here's To The Night
CALLING/Wherever You Will Go
SMASH MOUTH/I'm A Believer
COLDPLAY/Trouble 3 DOORS DOWN/Kryptonite TRAIN/Drops Of Jupiter...
SANTANA FBOB THOMAS/Smooth
VERTICAL HORIZON/Everything You Want
U2 Stuck In A Moment... EDDIE VEDDERNoú ve Got To...
FIVE FOR FIGHTING/Easy Tonight
STAINDnt's Been Awhile
STING/Desert Rose
COLDPLAYNellow LIFEHOUSEBreathing ALANIS MORISSETTFJHands Clean
PETE YORN/Strange Condition
FIVE FOR FIGHTING/Superman (ICs...)
SUGAR RAY/When ICs Over
DAVE MATTHEWS BAND/Everyday
MATCHBOX TWENTY/Bent
MOBY F/GWEN STEFANI/Soumside
a TANTRIC/Mouming INCUBUS/' Wish You Were Here
SI (000)
4360 4142 4033 3924 3815 3161 3161 2616 2616 2616 2398 2398 2398 2398 2398 2180 2180 1962 1853 1744 1635 1635 1526 1417 1308 1308 1149 1199 1090
981
WWMX/Baltimore Infinity (410) 825-1065
Mon7/Sampson
12. Cume 324,908
MARKET #20
PUYS LW TW
67 67
66 66
51 66
65 66
55 65
3235 31 31
30 31
29 31
28 31
30 31
41 30
2930 29 29
31 29
31 29
21 25
27 25 28 24
27 23 26 23 17 22 18 20
1720 18 17
16 17
16 17
17 16
16 16
31 16
ARTIST/TITLE
CALLING/Wherever You Will Go
PINK/Get The Party._
CREED/My Sacrifice
NICKELBACK/How You Remind Me
NO DOUBT/Hey Baby
DAKOTA MOON/Looking For...
NATALIE IMBRUGLIANVrong Impression
LAURA DAWN/I Would
JEWEUStanding Still
LEANN RIMES/Can't Fight...
ALAN'S MORISSETTEMands Clean
ENRIQUE IGLESIAS/Hero
JOHN MELLENCAMP/Peaceful World
JOHN MAYER/No Such Thing
MICHELLE BRANCH/Everywhere
DAVE MATTHEWS BAND/Everyday
TRANSMATIC/Come
SHAKIRA/Whenever Wherever
MICHELLE BRANCH/All You Wanted
LIFEHOUSEBreathing BEN FOLDS/Still Fighting It
CHRIS ISAAK/Let Me Down Easy
PUDDLE OF MUDD/Blurry TRAIN/Drops M Jupiter... SMASH MOUTH/Tm A Believer
BARENAKED LADIES/Falling For...
U2/Stuck In A Moment...
3 DOORS DOWN/Be Like That
DAVE MATTHEWS BAND/The Space Between
BETTER THAN EZRA/Extra Ordinary
GI (age)
9112 8976 8976 8976 8840 4760 4216 4216 4216 4216 4216 4080 4080 3944 3944 3944 3400 3400 3264 3128 3128 2992 2720 2720 2312 2312 2312 2176 2176 2176
www.americanradiohistory.com
Smooth Jazz
The Concord Records Story Glen Barros reveals how it all went down
February 22, 2002 R &R 91
with nearly 900 titles in its catalog and a diverse current artist roster, Concord Records is a
formidable presence in the world of jazz and has been since its founding nearly 30 years ago. This weelc, Concord President Glen Barros traces the label's evolution.
In the 1960s Carl Jefferson owned the eighth -largest Lincoln- Mercury dealership in America, in suburban Concord, CA in the eastern San Francisco Bay Area. Jeffer- son was also a huge jazz fan and a mover and a
shaker on the local scene; he made history when he presented the first Concord Jazz Festival in 1969.
At 1973's festival, musi- cians Joe Pass and Herb El- lis lamented the fact that they couldn't get recording deals. Jefferson was in- trigued and asked what it would take to make a record. They said, "You put up the money. We sell at gigs; you sell to whoever you can" Jefferson thought it sounded like fun, and he agreed.
Ellis and Pass, along with Ray Brown and Jake Hanna, recorded Concord's first release. When Capitol passed on the project, Jefferson lined up national distributors himself, and Concord Records came into being.
Passing The Baton
Word of the new jazz label spread. It wasn't long before Dave Brubeck, Stan Getz, Carmen McRae, Rosemary Clooney and neo -swing sax player Scott Hamilton jumped aboard Con- cord's burgeoning roster. When the gas crisis of the late -'70s put a dent in car sales, especially those of cruis- ers like Lincolns, Jefferson sold the dealership to focus full -time on his passion for recording jazz.
Jefferson's health diminished as he battled emphysema in the early '90s. This prompted his decision to sell the label. Jefferson didn't want to sell Concord to a major or a company in- terested only in the catalog, but to one that would continue his vision. Nu- merous suitors came to call, but it
wasn't until 1994 that Jefferson found the right match.
Barros remembers, "I worked for Alliance Entertainment at the time, which had amassed a couple of inde- pendent distributors and the three largest one -stops in the country. It was looking for proprietary product to put through that chain. I'd been hired to build a label group, and the first label I looked at was Concord. Originally, I was a musician. and I'd been a big fan of Concord.
"We closed on the label at the end
of 1994. Carl was to stay on for a cou- ple of years, but he was diagnosed with terminal cancer. He was sup- posed to have some time, but he died
a month later. During that month he asked me if I
would step down from Alli- ance and run the label.
"He had flown to New York to get his family affairs in order and to do a session with Hal Alden and Jimmy Bruno. He called one night from the hospital in St. Hele- na, CA, where he had been sent via Med -Evac, to say that he had to know my an-
swer. I flew from New York and spent a few hours with him on what turned out to be his last day of consciousness.
"He wanted to know that the com- pany was going to be looked after. When I said yes, there was a peace in
him, knowing that his affairs were in
order. I got the sense that he had had a blast and that his legacy would be that this little thing he started would turn into an important label. I told him that he had built something beautiful that was beyond reproach and that I
wanted to turn it into a real business and build upon the foundation to real- ly make a statement. He was happy this was something that could be achieved for posterity."
Glen Barros
"An instrumental jazz
artist may not have the
same ultimate potential
as an R &B artist, but
that doesn't mean there
isn't a real growth curve
that can be achieved."
Continuing The Vision
"Coming to California to run Con- cord was a very personal thing," Bar- ros continues. "It wasn't just a busi- ness decision. In my very first meet- ing with Carl, when I'd tried to buy the company for Alliance, I came
away from dinner feeling as though I'd asked for his daughter's hand in mar- nage, because it wasn't so much a dis- cussion of what he would get as much as 'State your intentions, young man.'
"I wanted to build out the infra - structure and expand upon what was in place. When I arrived, Concord was churning out 55 new records a
year without marketing and sales functions. I would have to update ad- ministration and accounting, which, to a large extent, were manual.
"Then, I wanted to expand musi- cally. Carl had always been into tra- ditional pop, with artists like Rose- mary Clooney, and I wanted to get into different forms ofjazz, including the popular forms, like smooth jazz, R &B and adult contemporary.
"We made a lot of progress toward that until 1997, when Alliance, like a
lot of the industry, got itself into finan- cial problems and filed for Chapter 11
protection. We were not part of its core distribution business, so we be- came part of its debt -reduction pack- age. They put Concord on the block. We thought it would be a quick pro- cess, but it turned out to be two years before we were successful in finding investors who would back us in con- tinuing the vision.
"Act Ill Communications, a part- nership between Norman Lear and Hal Gaba, bought Concord. We knew Hal before the sale occurred, because he is a friend of the drummer Greg Field, who's done some production work for us. Hal was our champion in
all this. He understood our vision and took the idea to Norman, who thought Concord was something we could all do together."
Back On Track
"They bought the company and put us back on track with the resources to do what we thought we could do and to expand into most of the genres that we wanted to be in," Barros contin- ues. "The common denominator has been to work with great, self- fulfill- ing artists - ones with purpose and vision. Our job is to nurture that and give them a platform. Whether it's AC or traditional jazz, it's the same ap- proach. Our responsibility is to figure out how to bring that record to the greatest possible audience.
"The company is divided into musical parts by different label names. Concord Jazz is our original
. .
The ri F
cunt lowers F-14 Ffly fhousad and Y/ - 5o,"()
t..l - _ MANHATTAN COMPASSION 1-----
"America's tenor," Manhattan Records artist NYPD officer Daniel Rodriguez, donated the first installment check from the proceeds from
his single "God Bless America" to NYPD First Deputy Commissioner George Grasso at a ceremony at New York's Lure restaurant. Proceeds
benefit the Twin Towers Fund. Seen here sharing the moment are (l -r) Manhattan Records VP /co -GM Arif Mardin, Capitol President /Jazz & Clas-
sics Bruce Lundvall, Manhattan VP /co -GM Ian Ralfini, Grasso, Rodriguez
and producer and manager Tom Scott.
mainstream jazz label. The second label that we formed back in the '70s was Concord Picante, a Latin imprint formed for Cal Tjader. It's a fabulous collection of artists.
"Peak Records is a joint venture with Andi Howard and Russ Freeman for contemporary jazz and R &B. We
wanted to be in that business, and our idea was to partner with people who understood it better than we did. I'm thrilled at how well Peak has done. We've got half a dozen records out there, and two of them got Grammy nominations. That's very gratifying.
"Our job as an industry is
to aim at the kids 12 -18
whose taste is forming
and show them how
exciting jazz can be."
"We also have Stretch Records, an earlier joint venture with Chick Corea, who has been so successful at identifying new jazz musicians who went on to have great recording ca- reers of their own.
"Playboy Records isn't necessari- ly a different musical direction, be- cause it may encompass all of them, but it acknowledges the fact that the Playboy organization has been a ma- jor supporter of jazz since its incep- tion. The very first issue of Playboy had an article on The Dorsey Broth- ers, and, if you trace the evolution of Playboy and jazz, it's staggering.
"In 1959 they put on their first festival, which looked like Ken Burns' Jazz special, with Louis Armstrong, Miles, Ella - every- body. The joint venture with Play- boy was really to say, 'Look, we've got to make jazz hip.' Education is great, but it's got to be a visceral thing, where kids and young adults think that jazz is hip and want to get
into it. Playboy is a trendsetter. The idea is to show that jazz has been part of Playboy since Day One."
Making It New
Concord's business model allows the label to remain committed to de- veloping less commercial artists. "We use the bigger sellers and the catalog to generate cash flow that is reinvest- ed in new artists in all genres," Bar- ros says. `It's different orders of mag- nitude. An instrumental jazz artist may not have the same ultimate po- tential as an R &B artist, but that doesn't mean there isn't a real growth curve that can be achieved.
"We look to grow Concord not just by increasing the size of our roster or our catalog, but also by seeing growth within each of those artists. The prob- lem today, of course, is that it is get- ting increasingly more difficult to make sense of the market at any of these levels.
"The new audience for jazz has to
come out of an organic process. We
did a study last summer that looked at the top 15 best- selling catalog artists whose main body of work was pre- 1970 compared to those whose main body of work was post- 1 970. Pre - 1970 was Miles Davis, post -1970 was Herbie Hancock. But the scary part is
that the ratio of sales was three -to-one old to new. After Ken Burns, it went to four -to -one.
"It's harder to develop younger artists, because consumers have the whole history ofjazz to choose from. They go to see the greatest perform- ers of today, but because they can't see the classic pre -1970s artists live, they buy their records instead. What we learned is that, when faced with a decision of what to buy, if you're into jazz, you feel obligated to have a collection that includes all the greats of yesterday.
"Our job as an industry is to aim at the kids 12 -18 whose taste is forming and show them how exciting jazz can be. The next generation should check out Miles, of course, but, to get into jazz, they don't have to start at the be- ginning. Jazz has to be living and cur- rent. That must happen, or we'll con- tinue to see a diminishing market."
www.americanradiohistory.com
92
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i»ooth Jazz Top 30 February 22, 2002
ARTIST TITLE LABEL(S) TOTAL PLAYS
+/- PLAYS
GROSS IMPRESSIONS
(00)
WEEKS ON TOTAL STATIONSI CHART ADDS
BRIAN CULBERTSON All About You (Atlantic) 866 -7 113428 16 42/1
CHUCK LOEB Pocket Change (Shanachie) 866 +15 114306 16 41/0
CHRIS BOTTI Streets Ahead (Columbia) 776 +4 94209 22 39/0
BONEY JAMES See What I'm Sayin' (Warner Bros.) 717 -167 100129 19 40/0
LARRY CARLTON Deep Into It (Warner Bros.) 667 -1 78282 14 41/0
MARC ANTOINE On The Strip (GRPNMG) 661 +110 84372 10 41/1
PETER WHITE Turn It Out (Columbia) 609 -153 89033 25 33/0
DAVID BENOIT Snap! (GRPNMG) 572 +52 77614 6 43/1
LEE RITENOUR W /GERALD ALBRIGHT Jammin' (GRPNMG) 533 -2 74510 9 41/0
SADE Lovers Rock (Epic) 528 -21 54903 15 36/0
JEFF LORBER Ain't Nobody (Samson /Gold Circle) 491 -20 60953 29 30/0
DIANA KRALL The Look Of Love (VerveNMG) 468 +5 61803 20 33/1
PIECES OF A DREAM Night Vision (Heads Up) 452 +3 56048 10 36/0
GREGG KARUKAS Night Shift (N- Coded) 423 +9 45483 12 37/0
DAVE KOZ Beneath The Moonlit Sky (Capitol) 388 -11 48278 12 33/1
FISHBELLY BLACK Ven A Gozar (Rhythm & Groove /Q) 386 +7 40694 8 31/0
JIMMY SOMMERS Lowdown (Higher Octave) 379 +51 68822 4 34/2
ALFONZO BLACKWELL Funky Shuffle (Shanachie) 305 +33 38499 8 28/3
STING Fragile (A &M /Interscope) 293 +12 24449 8 19/1
KIRK WHALUM I Try (Warner Bros.) 292 +37 59897 4 27/2
ALICIA KEYS Fallin' (J) 280 -13 43507 8 22/3
MICHAEL MCDONALD To Make A Miracle (MCA) 277 -12 18242 14 19/0
SPYRO GYRA Feelin' Fine (Heads Up) 241 +24 22866 5 23/2
BONA FIDE Club Charles (N- Coded) 234 +5 40942 6 19/0
MARILYN SCOTT Don't Let Love Get Away (Prana) 197 -24 6565 13 14/0
ERIC MARIENTHAL Lefty's Lounge (Peak) 183 -18 32802 6 20/5
BOZ SCAGGS Payday (Virgin) 182 -133 12268 20 14/0
JEFF GOLUB Cut The Cake (GRPNMG) 177 +145 43055 1 23/9
EVERETTE HARP F/BRIAN BROMBERG Rock With You (Native Language) 144 +73 20756 1 14/2
ENYA Only Time (Reprise) 138 +27 10784 1 9/0
44 Smooth Jazz reporters. Songs ranked by total plays for the airplay week of 2/10/02- 2/16/02. Bullets appear on songs gaining plays or remaining flat from previous week. If two songs are tied in total plays, the song with the most stations is placed first. Songs below No. 15 are moved to recurrent after 20 weeks on the chart. Most Added is the total number of new adds officially reported to R &R by each reporting station. Most Increased Plays lists the songs with the greatest week -to -week increases in total plays. Gross Impressions equals Average Quarter Hour Persons times number of plays (times 100). Average Quarter Hour Persons used herein with permission from the Arbitron Company (copyright 2002, The Arbitran Company). (C) 2002, R &R, Inc.
New & Active KEVIN TONEY Passion Dance (Shanachie) Total Plays: 130. Total Stations: 15, Adds: 2
PAMELA WILLIAMS Lifeline (Fome/Red Ink) Total Plays. 121. Total Stations: 14, Adds: 4
WAYMAN TISDALE Love Play (Atlantic) Total Plays: 119, Total Stations: 8, Adds: 0
OLETA ADAMS All The Love (Pioneer Music Group) Total Plays: 115. Total Stations: 9, Adds: 2
WALTER BEASLEY Good Times (Shanachie) Total Plays: 111, Total Stations: 13, Adds: 1
JIM WILSON Can't Find My Way Home (Hillsboro) Total Plays: At Total Stations: 12. Adds: 3
CELINE DION A New Day Has Come (Epic) Total Plays: 86, Total Stations: 11, Adds: 7
SHILTS Your Place Or Mine (Higher Octave) Total Plays: 83, Total Stations: 5, Adds: 0
BOZ SCAGGS Miss Riddle (Virgin) Total Plays: 80. Total Stations: 7, Adds: 1
DAVID LANZ That Smile (Decca) Total Plays: 74, Total Stations: 10, Adds: 2
Songs ranked by total plays
Most Added® ARTIST TITLE LABEL(S)
JEFF GOLUB Cut The Cake (GRPNMG)
CELINE DION A New Day Has Come (Epic)
ERIC MARIENTHAL Lefty's Lounge (Peak)
PAMELA WILLIAMS Lifeline (Forre /Red Ink)
ALFONZO BLACKWELL Funky Shuffle (Shanachie)
ALICIA KEYS Fallin' (J)
JIM WILSON Can't Find My Way Home (Hillsboro)
RICHARD ELLIOT Shotgun (GRPNMG)
ADDS
9
7
5
4
3
3
3
3
Most Increased Plays
ARTIST TITLE LABELISI
JEFF GOLUB Cut The Cake (GRPNMG)
MARC ANTOINE On The Strip (GRPNMG)
CELINE DION A New Day Has Come (Epic)
E. HARP FB. BROMBERG Rock... (Native Language)
DAVID BENOIT Snap! (GRPNMG)
JIMMY SOMMERS Lowdown (Higher Octave)
BOZ SCAGGS Miss Riddle (Virgin)
PAMELA WILLIAMS Lifeline (Forre /Red Ink)
DAVID LANZ That Smile (Decca)
KIRK WHALUM I Try (Warner Bros.)
TOTAL PLAY
INCREASE
+145
+110
+76
+73
+52
+51
+44
+42
+41
+37
Most Played Recurrents
TOTAL
ARTIST TITLE LABEL(S) PLAYS
JOYCE COOLING Mm -Mm Good (GRPNMG) 330
RUSS FREEMAN East River Drive (0/Atlantic) 320
GERALD VEASLEY Do I Do (Heads Up) 302
RICHARD ELLIOT Crush (GRPNMG) 235
KIM WATERS Until Dawn (Shanachie) 232
FATTBURGER Evil Ways (Shanachie) 188
EUGE GROOVE Sneak A Peek (Warner Bros.) 159
STEVE COLE From The Start (Atlantic) 158
RICK BRAUN Use Me (Warner Bros.) 134
URBAN KNIGHTS High Heel Sneakers (Narada) 91
FREDDIE RAVEL Sunny Side Up (GRPNMG) 72
WAYMAN TISDALE Can't Hide Love (Atlantic) 69
DIDO Thankyou (Arista) 68
RIPPINGTONS Caribbean Breeze (Peak) 60
J. KASHIWA Hyde Park ( "Ah, Oooh" Song) (Native Language) 56
JEFF KASHIWA Around The World (Native Language) 55
WILL DOWNING Is This Love (GRPNMG) 53
ACOUSTIC ALCHEMY Wish You Were Near (Higher Octave) 52
PIECES OF A DREAM R U Ready (Heads Up) 49
WALTER BEASLEY Comin' At Cha (Shanachie) 46
"Opportunity is missed by most people because it is dressed in overalls and
looks like work. " -Thomas Edison
Michele Clark Promotion Smooth Jazz & Triple A
818 - 223 -8888 www.americanradiohistory.com
Smooth Jazz Action February 22, 2002 R&R 93
RECORD With
Ben Casey PD/MD, WEIB /Springfield, M
We're playing the Everette Harp -Brian Bromberg "Rock With You" track with the vo- cals. It's a nice tune that stays close to the original, but without the words. Everybody does Michael Jackson instrumentals, but this track has something refreshing. With Brian in the mix, there's a new twist to the song. Just about everything Everette Harp does, we play it. We've got his stuff in our recurrent and oldies categories, and he's become one of the staple saxes on the
station. He's a mainstay, like Sade is as a vocalist. It may hit home for a lot of programmers once they hear it at the Smooth Jazz Awards in March. In fact, for those who haven't added it yet, I bet they'll go back after the awards and add it
after the fact. For listeners who are novices to this for- mat, it gives them something familiar that they can connect with immediately. Before you know it, they're listening to other tunes. I often program a cover tune to attract those who say, "I don't listen to Smooth Jazz." When they hear a remake of
a song they like or have known for a lifetime, it makes an impact. Listening to some of the new and creative stuff becomes rather easy to them after that. You have to provide some type of entree to those listeners. I want to draw in new listeners and show them that this sound is not what they may have thought; it's much better.
Brian Culbertson's All About You" (Atlantic) takes the top slot this week - deservedly
so, because it's a fantastic record - but it is tied with another outstanding track, Chuck Loeb's "Pocket Change" (Shanachie), which also earns 866 plays. But one more station is playing Culbertson than Loeb, and the total number of stations on a track is our first criterion for break- ing a tie in Smooth Jazz. ü At 6 °, Marc Antoine's "On the Strip" (GRPNMG) continues its dramatic ascent. No. 1 Most Increased with +110 plays, Antoine was added by KJCD /Denver and is already getting 28 plays at KTWV (The Wave) /Los Angeles, 27 on KWJZ/Seattle, 22 on KYOT /Phoenix and 20 at WNUA/Chicago. Only two reporters - KIFM /San Diego and KCIY /Kansas City - are not on this in- pocket track. Jeff Golub's "Cut the Cake" (GRPNMG) earns No. 1 Most Added for the second consecutive week and debuts at 28 ". New adds include WVMV /Detroit, KYOT, KWJZ, KCIY and KJCD. With five new adds, among them those at KYOT, KCIY and KSSJ /Sacramento, Eric Marienthal's "Lefty's Lounge" (Peak) is third Most Added. Early believers demonstrate their confidence with heavy airplay, including 26 plays on KWJZ and 20 at The Wave. Pamela Williams "Lifeline" (Red Ink) continues to spread, with four new adds this week, including WSJT/Tampa and KMGQ /Santa Barbara, CA. A previous No. 1 track at several other formats - Urban AC, CHR /Pop, CHR /Rhythmic and Urban - Ali- cia Keys' classic "Fallin "' (J) is now receiving airplay on half of our SJ reporting sta- tions. This week KJCD, KSSJ and KJZY /Sacramento join the pack.
- Carol Archer, Smooth Jazz Editor
Reporters Stations and their adds listed alphabetically by market
WZMR/Allbany, NY PD: Patrick Ryan MD: Pete Logan
to DIANA KRALLlook' 1 RICHARD ELLIOT'Shotoln'
BRIAN CULBERTSON'About"
KROS/Albuquerque, NM PD: Paul Lavoie MD: Jeff Young
STEVE COLE "Into" URBAN KNIGHTS 'Message' WALTER BEASLEY'ATOO RICHARD ELUOT'Shotgun KEN NAVARROFme
KNIK/Anchorage, AK OM: Aaron Wallender PD: J.J. Michaels MD: Jennifer Summers
NDA °da
WJZZ/Atlanta, GA PD /MD: Nick Francis
" ° " ° °a
KSMJ/Bakersfield, CA PD/MD: Chris Townshend
JEFF GOLUB'Cake'
WNUA/Chicago, IL P0: Bob Kaake APD /MD: Carl Anderson
PETER WHITE'Bueno'
WNWV /Cleveland, OH PD /MD: Bernie Kimble
5 CELINE DION May"
WJZA/Columbus, OH OM/PD/MD: Bill Harman APD: Gary Wolter
BARRY MANILOW "Hear
KOAI /Dallas -Ft- Worth, TX PD: Maxine Todd
APD /MD: Bret Michael No 0005
KJCD/Denver- Boulder, C CO PD: Steve Williams MD: Marty Lenz
MARC ANTOINE 'Stop' JEFF GOLUB'Cake' JIM WILSON'Flnd' auaakE'YS-Fa1lI"
KVJZ/Des Moines, IA PD: Mike Blakemore MD: Becky Taylor
/k ALFONZO BLACKWELL'Sho1Be'
.VMV /Detroit, MI PD: Tom Sleeker MD: Sandy Kovach
6 JEFF GOLUaTake"
KUJZ/Eugene, OR PD: Chris Crowley
PAMELA WILLIAMS "beeline'
KEZL/Fresno, CA J. Weidenheimer
KEVIN TONEY'PassIoñ ERIC MAR "EXTRAS 'Lefty s'
WYJZ/Indianapolis, IN PD /MD: Carl Frye
CELINE DION "Day"
KCIY/Kansas City, MO PD: Mark Edwards MD: Michelle Chase
ERIC MARIENTHAL'L0 M e JEFF GOLUB "Cake"
WSMJ/Knoxville, TN PD /MD: Tom Miller
5 BARRY MANBOW'Hear
KOAS/Las Vegas, NV PD/MD: Erik Foxx
CELINE DION 'Day'
KTWV/Los Angeles, CA PD: Chris Brodie APD /MD: Ralph Stewart
No Adds
WJZN/Memphis, TN PD: Norm Miller
CELINE DION "Der JIM WILSON
WLVE/Miami, FL PD: Rich McMillan
No Adds
WJZI/Milwaukee, WI OM/PD /MD: Chris Moreau
ERIC MARIENTHAL LARVA
KSBR/Mission Viejo, CA OM/PD: Terry Wedel MD: Logan Parris
No Arias
KRVR/Modesto, Bryan
desto, CA PD: Jim Br MD: Doug Wulff
CELINE DION "Day" MARK DOATHIT'Heart' DAVID LANZ'Smil' SOJOURN 'JAW
WOCD/NewYork, NY OM: John Mullen PO /MD: Charley Connolly
No Arias
WJCD/Norfolk, VA MD: Larr Hollowell Y
7 RIONS'Caribbean' 7 PIECES OF A DREAM 'Ready' 7 ERIC CULBETITAL "VenCI 6 BRIAN CULBERTSON"Get' 1 RITENOUR OGRUSIN "Stang
WJJZ/Philadelphia, PA OM: Anne Gress PD: Michael Tozzi
MD: Joe Proke No Adds
KYOT/Phoenix, AZ PD: Shaun Holly APD/MD: Greg Morgan
18 CELINE DION 16 SING 'Fragile' ry 12 SPYRO GYRA'EatIn' 12 ERIC MARIENTHAL'AKye' 12 YVHITE
11 JEFF GOLUB 'Cake' n ALFONZOBLACKWELL'Shufe' 11 DAVID BENOIT'Sneer tl DAVE KOZ 'Moonla"
KJZS/Reno, NV PD: Jay Davis
n RICHARDELLIOT'SNapun 11
AMAWAMLIAne' PELAiüSIPD/MD:
WJZV/Richmond, VA OM/PO: Tommy Fleming
OLETA
JEFF GOLDO LUB'C akO ' KIRK WHALUM "Try' HARP EABROMBERG'RAM KEVIN TONEY'PASSion'
KSSJ /Sacramento, CA PO: Lee Hanson APO: Ken Jones
td CELINE DION DAY ERIC THAL "Letry's" ALICIA KEYS 'Fein -
WSSM /St. Louis, MO OM: Mark Edwards PD: David Myers
1 ENYA'Chile DAVID LANZ'Smite' HARP OBROMBERG'Rock'
KBZWSaIt Lake City, UT PD /MD: Rob Riesen
JJEEFF GOLUB le"
'Cake
KIFM/San Diego, C CA g
PD: Mike Vasquez APD /MD: Kelly Cole
No adds
KKSF /San Francisco, CA PD: Paul Goldstein APD /MD: Samantha Weidmann
2 FREDDIE RAVEL Sh
t BL'Fire L'SMltee' t JIM WILSON 'Fire
KMGO/Santa Barbara, CA PD: Mark De Anda APD/MD: Steve Bauer
PAMELA WILIIAMG'Lifelme'
KJZY /Santa Rosa, CA PD: Gordon
Rob APD/MD: Rob Singleton A ALICIA KEYS 'Fain '-
KWJZ/Seattle- Tacoma, WA PD: Carol Handley MD: Dianna Rose
JEFF GOLUB 'Cake
WEIB /Springfield, MA PD: Ben Casey MD: Darrel Cutting
12 NOAMBI"Cell" Ti GLADYS KNIGHT 'Time'
SEAN FRANKS 'Perfect-
( 1 WSJT/ lt amps, FL Y
OM /PD: Ross Block MO: Kathy Curtis
JEFF GOLUB "Cake' SPVRO GYRA'Feted KIRK WHALUM 'To' PAMELA WILLIAMS 'beeline' JIMMY SOMMERS'LOwdown'
WJZW/Washington, DC PD /MD: Kenny King
JIMMY SOMMERS'Laxdown'
KWSJ/WichiAa , KS PD: Ron Allen MD: Patrick Murphy
No
JRW(Jones NAC)/National PD: Steve Hibbard MD: Cheri Marquart
°LETA ADAMS love"
44 Total Reporters 43 Current Playlist
44 Total Indicator
Did Not Report For Two Consecutive Weeks Data Not Used (1): WLOO/Orlando, FL
March o Dime s
Saving babies, together
Thank you radio, for giving every baby a fighting chance to be born healthy by joining in on the excitement of the 2001/2002 March of Dimes Achievement in Radio Awards ®.
Atlanta, Baltimore, Boston, Chicago, Cleveland, Houston, Miami, A.I.R. AWARDS
Milwaukee, Nashville, New York, Philadelphia, Phoenix, San Diego, St. Louis, Washington
Presented Nationally By: Ford Motor Company
Sponsored Nationally By: Arbitron, Katz Media Group, Metro Networks /Shadow and R &R
Co- Sponsored By: CURB Records, Interep, McLeod USA, Miller Lite and Viejas Casino
Achievement In Radio
A Broadcast Competition Celebrating
Excellence in Radio to Benefit the
March of Dimes Birth Defects Foundation
For more information, contact the A.I.R. Awards at: eschultz @modimes.org; or call: (312)596 -4701.
www.americanradiohistory.com
94 R &R February 22, 2002 Smooth Jazz Playlists MARKET #1
WDCD /New York
Ennis (212) 352-1019
Connolly
12+ Cume 1,618,200
PLAYS
LW TW
24 24 24 24 24 24
24 23
24 23
24 23
22 24
16
17
17
16
6
7
7
7
7
7
7
7
7
7
16
CD1.101.9 ARTIST/TITLE
BONEY JAMES/See What I'm Sayin' CHUCK LOEB/Pocket Change
JIMMY SOMMERS/Lowdown BONA FIDE/Club Charles
CHRIS BOTTI/Streets Ahead
BRIAN CULBERTSOWAII About You
RITENOUR W /ALBRIGHT /Jammin LARRY CARLTON/Deep Into It
KIRK WHALUM/I Try
HARP FBROMBERG/RTock With You ALFONZO BLACKWELUFunky Shuffle JEFF GOLUB/Cut The Cake ANDRE WARD/Make You Fall In .
SPECIAL EFX/Two Hearts
FISHBELLY BLACKNen A Gozar
GREGG KARUKAS/Night Shift BRIAN JACKSON/GOfta Play
KEVIN TONEY /Passion Dance WALTER BEASLEY /Good Trues MARC ANTOINE/On The Step DAVID BENOIT/Snap!
PAUL TAYLOR/Hypnotic
SPIRO GYRNFeelin fine DAVE KOZBeneath...
ERIC MARIENTHAL/Lefty's Lounge
GI (GGG)
23400 23400 23400 22425 22425 22425 21450 17550 17550 16575 16575 11700
8775 7800 7800 6825 6825 6825 6825 6825 5850 5850 5850 5850 5850
MARKET #6
WJJZ/Philadelphia Clear Channel (215) 508-1200 TozzhProke
12+ Cume 600,400
PLAYS
LW TW
28 28
28
28
13
28
28
18
20
20 13
11
13
13
12
13
13
12
12
12
12
12
28
20 28 28 28 20
19 18 13
13 13
19 13 13
12 12
12 12
12 12
11
Smo N Jazz wJJz 106.1
ARTIST/TITLE
BONEY JAMES/See What I'm Sayin BRIAN CULBERTSOWAII About You PETER WHITE/Turn 8 Out
DAVID BENOIT/Snap!
DAVE KOZ/Beneam...
RICHARD ELLIOT /Crush ALICIA KEYS/Fallin SADE/Lovers Rock
DIANA KRALL/The Look 01 Love
WALTER BEASLEY/Sweet Nothings GREGG KARUKAS/Night Shift
CHRIS BOTTI/Streets Ahead
SPIRO GYRA/Feeliñ Fine
CHUCK LOEB/Pocket Change
KIM WATERS/Until Dawn EUGE GROOVE/Sneak A Peek
JEFF GOLUB/Cut The Cake
LARRY CARLTON/Deep Into It
PIECES OF A DREAM/Night Vision RITENOUR W /ALBRIGHT /Jammin JIMMY SOMMERS/Promise Me
MARC ANTOINE/On The Strip
G110001
11060 11060 11060 11060 11060 11060 7900 7505 7110 5135 5135 5135 5135 5135 5135 4740 4740 4740 4740 4740 4740 4345
MARKET #14
KWJZ/Seattle- Tacoma Sandusky (425) 373-5536 Handley /Rose
12+ Cume 235,600
mó LWA Jazz lIIIIVVV%%%
LA
PLAYS
LW 1W ARTIST/TITLE
26 28 CHUCK LOEB/Pocket Change 10 27 MARC ANTOINE/On The Strip 26 28 ERIC MARIENTHAULeIy's Lounge 26 26 CHRIS BOTTI/Streets Ahead
26 26 WAYMAN TISDALE/Love Play
27 26 LARRY CARLTON/Deep Into It
16 17 BOZ SCAGGS/Miss Riddle 15 16 WILL DOWNING /Is This Love
14 16 STING/Fragile
16 15 SA13E/Lovers Rock
18 14 ALICIA KEYSTallie 9 11 BRIAN CULBERTSOWAII About You
27 11 BONEY JAMES/See What I'm Sayin' 11 11 BOB JAMES/Brighton By The Sea
11 11 JEFF LORBEWAin1 Nobody 10 11 PAUL TAYLORPalsades 11 11 PETER WHITE/Turn It Out
10 11 DAVID BENOIT/Snap!
11 11 FISHBELLY BLACKNen A Gazer
11 11 PIECES OF A DREAMWIght Vision - 11 FREDDIE RAVEL/Sunny Side Up
12 10 RITENOURW /ALBRIGHT /Jammin 11 10 RUSS FREEMAN /East River Drive 11 10 GREGG KARUKAS/Night Shm 10 10 SPIRO GYRNTreelie Fine
12 10 RICHARD ELLIOT/Crush
9 10 MICHAEL LINGTON/Twice In A Lifetime 8 10 PAUL JACKSON JR /Bounce WM It
10 10 FOUR 80 EAST/Bumper To Bumper - 10 RIPPINGTONS/Caribbean Breeze
GI (000)
4200 4050 3900 3900 3900 3900 2550 2400 2400 2250 2100 1650 1650 1650 1650 1650 1650 1650 1650 1650 1650 1500 1500 1500 1500 1500 1500 1500 1500 1500
MARKET #22
KJCD/Denver- Boulder
Jefferson -Pilot (303) 321-0950 Williams/Lenz
12+ Cume 182,700
PLAYS
LW TW
17
17
17
17
14
14 15
10
12
17
15
15
9
9
10
8
12
9
9
10
10
12
12
6
9
10
11
10
6 10
CD `Ú104.3 DENVER'S SMOOTH JAZZ
ARTS1 /TLE SADE/Lovers Rock DIDO/Thankyou RIPPINGTONS/Caribbean Breeze
ENYNOny Time
JEFF LORBE WAin t Nobody FATTBURGER/Evil Ways KIM WATERS/Until Dawn DIANA KRALL/The Look Of Love
PETER WHITE/rum ft Out
STEVE COLE/From The Start
RICK BRAUN/Use Me
GERALD VEASLEY/Do I Do
URBAN KNIGHTS/High Heel Sneakers
RUSS FREEMAN/East RNer Drive
LARRY CARLTON/Deep Into It
BRIAN CULBERTSON/All About You
BONEY JAMES/See What l'm Sayin'
WAYMAN TISDALE/Cant Hide Love
PIECES OF A DREAM/Night Vision
CHUCK LOEB/Pocket Change
EVERETTE HARP/Right Back At Ya
PAUL TAYLOR/Hypnotic
JIM BRICKMANSerenade CHRIS BOTTVStreets Ahead FISHBELLY BLACKNen A Gozar
RITENOUR W /ALBRIGHT /Jammin' ACOUSTIC ALCHEMY/Wish You Were Near
DAVE KOZ/Beneam...
JIMMY SOMMERS/Lowdown GREGG KARUKAS/Night Shift
GI (000) 2040 2040 1920 1920 1920 1920 1920 1800 1800 1800 1800 1680 1320 1320 1320 1200 1200 1200 1080 1080 960 960 960 960 960 960 840 840 840 840
MARKET #2
KTWV/Los Angeles Infinity (310) 840 -7180 Brodie/Stewart
12+ Cume 966,100
PLATS
LW TW
25 28
26 28 26 25 26 25 24 25
26 24
17 21
15 20
16 20
16 20
21 19
19 19
18 18
17 18
13 17
16 17
10 15
13 14
11 13 14 19 16 13 13 11
11 8
7 8
8 7
94.7 KT WV
ARTIST/TITLE
KIRK WHALUWI Try
MARC ANTOINE/On The Strip JEFF LORBER/Ain't Nobody JIMMY SOMMERS/Lowdown RICK BRAUNNse Me
PETER WHITEflam II Out BRIAN CULBERTSON/AII About You WAYMAN TISDALE/Love Play ERIC MARIENTHAL/Lefy's Lounge DAVID BENOIT/Snap!
CHUCK LOEB/Pocket Change
LARRYCARLTONBeep Into R
BONEY JAMES/See What Im Sayin
BONA FIDE/Et Dorado
RTTENOUR W /ALBRIGHT /Jammin JOYCE COOLING/Mm -Mm Good JEFF GOLUB/Cut The Cake
ALICIA KEYS/Fallid
DIANA KRALL/Ihe Look Of Love STING/Fragile DIDO/Thankyou
SADE/Lovers Rock
DAVE KOZBeneath... BOZ SCAGGS/Miss Riddle
JIM WILSON/Can't Find My_.
61 (000) 16996 16998 15175 15175 15175 14568 12747 12140 12140 12140 11533 11533 10926 10926 10319 10319
9105 8498 7891 7891 7891
6677 4856 4856 4249
MARKET #7
WJZW/Washington, DC
ABC 1202) 895-2300 King
12+ Cume 364,100
PLAYS
p/:0r'°' - _
105.9
LW TW ARTIST/TITLE
28 28 CHRIS BOTTUStreets Ahead
28 28 PIECES OF A DREAMMight Vision 28 28 PETER WHITE/Turn It Out
28 28 BRIAN CULBERTSON/All About You
28 20 RHYTHM LOGIC/Tuesday's Love
11 27 CHUCK LOEB /Pocket Change 15 18 ENYA/Ony Time 15 16 SADEBy Your Side 16 16 DIANA KRALUThe Look Of Love 18 16 ALICIA KEYS/Fallie 16 14 STING/Fragile 10 12 RICHARD ELLIOT/Crush 11 12 RUSS FREEMAN /East River Drive 12 11 GERALD VEASLEY/Do I Do
10 11 KIRKWHALUM/I Try
11 11 BONEI JAMES/See What I'm Sayin'
10 11 RITENOURW /ALBRIGHT /Jammin' - 11 FREDDIE RAVELBunny Säe Up
9 11 STEVE COLE/From The Start 11 EUGE GROOVE/Sneak A Peek
10 10 GREGG KARUKAS/Night Shift
9 10 LARRY CARLTON/Deep Into It
12 10 DAVID MANN/Above And Beyond 9 10 RONNY JORDAN/On The Record
11 10 KIM WATERS/Until Dawn 9 10 JEFF LORBER/Ain't Nobody
9 10 JORDAN F/AYERS/Mystic Voyage 9 10 JEFF GOLUB/Droptop - 10 KIM WATERS/In The Groove
9 BONA FIDE/Club Charles
GI (000) 6188 6188 6188 6188 6188 5967 3978 3536 3536 3536 3094 2652 2652 2431 2431 2431 2431 2431 2431 2431 2210 2210 2210 2210 2210 2210 2210 2210 2210 1989
KYOT/Phoenix
Clear Channel (480)966 -6236 Holly/Morgan
12+ Cume 302,900
PLAYS
LW TW ARTIST/TITLE
26 25 PAUL TAYLOR/Hypnotic
11 24 FATTBURGERBviI Ways 23 23 CHRIS BOTTI/Streets Ahead 12 22 JIMMY SOMMERS/Lowdown 11 22 MARC ANTOINE/On The Strip 29 22 BRIAN CULBERTSON/All About You 22 19 BONEY JAMES/See What I'm Sayin'
18 a CELINE DION/A New Day Has Come
15 17 DIANA KRALL/The Look 01 Love
16 a STING/Fragile 18 15 SADE/Lovers Rock 3255 16 15 MICHAEL MCDONALD/To Make A Miracle 3255 13 13 RITENOUR W /ALBRIGHT /Jammin 2821 11 12 GREGG KARUKAS/Night Shill 2604
12 a SPIRO GYRA/Feelin Fine 2604 12 a ERIC MARIENTHAULefty's Lounge 2604 12 a PETER WHITEBueeo Funk 2604 11 a JEFF GOLUB/Cut The Cake 2387 11 a ALFONZO BLACKWELUFunky Shuffle 2387 11 a DAVID BENOTBnapl 2387
B 11 PIECES OF A DREAMMiOht Vision 2387 11 a DAVE KOZBNíeath... 2387
11 11 ACOUSTIC ALCHEMY/Wish You Were Near 2387 9 11 CHUCK LOEB/Pocket Change 2387
11 11 LARRY CARLTON/Deep Into II 2387 7 8 RICHARDELLIOTBhotgun 1736
F
GI (000) 5425 5208 4991 4774 4774 4774 4123 3906 3689 3472
MARKET #25
WNWV /Cleveland Elyria- Lorain (440) 236 -9283 Kimble
12+ Cume 261,600
PLAYS
LW TW
27
27
27
27
27
27
18
15
17
15 11
11
11
12
12
11
12
8
8
10
11
11
11
11
6
12
10
11
27 28 26
26 25
23 17 16 16
15 14 13
13 12 12
11
11
11
11
11
11
11
11
10 10
10 10 10 10
10
THE WAVE
ARTIST/TITLE
CHUCK LOEB/Pocket Change
JEFF LORBER/Ain't Nobody CHRIS BOTTI/Streets Mead PETER WHITE/Turn It Out
BONEY JAMES/See What l'm Sayin'
BRIAN CULBERTSON/All Maul You
DIANA KRALL/The Look Or Love
MICHAEL MCDONALD/To Make A Miracle
ALICIA KEYS/Fallin
SADE/Lovers Rock
JEFF KASHIWAMyde Park...
MARC ANTOINE/On The Strip GERALD VEASLEY/DO I Do
LARRY CARLTON/Deep Into IT
DAVID BENOIT/Snap!
PIECES OF A DREAMMiOM Vision
KEVIN TONEY/Passion Dance
HARP FBROMBERGBock With You
RITENOUR W /ALBRIGHT /Jammin KIM WATERS/Until Dawn
STEVE COLE/From The Start
EDGE GROOVE/Sneak A Peek
FREDDIE RAVEIJSunny Side Up
BONA FIDE/Club Charles
JIMMY SOMMERS/Lowdown DAVE KOZBeneath... ALFONZO BLACKWELUFunky Shuffle KIRK WHALUWI Try
SPIRO GYRA/Teelin Fine
WAYMAN TISDALE/Can t Hide love
SI (000) 5022 4836 4836 4836 4650 4278 3162 2976 2976 2790 2604 2418 2418 2232 2232 2046 2046 2046 2046 2046 2046 2046 2046 1860 1860 1860 1860 1860 1860 1860
MARKET #3
WNUA?Chicago
Clear Channel (312) 645-9550
Kaake/Anderson
12+ Cume 800,300
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LW 1W
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26 PIECES OF A DREAMMight Vision 24 CHUCK LOEB/Pocket Change 24 WARREN HILL/Sax In The City
24 STEVE COLE/So Into You
21 JIMMY SOMMERS/Lowdown 20 DAVID BENOIT/Snap! 20 MARC ANTOINE/On The Strip 19 BONA FIDE/Club Charles 18 RICHARD ELLIOT/Still Sweet On You
1S DIANA KRALUThe Look Of Love
19 DIDO/Thankyou 12 LUTHER VANDROSS/Bring Your Heart...
12 SADE/Lovers Rock
11 BONEY JAMES/RPM 11 JEFF GOLUB/Cut The Cake
11 FISHBELLY BLACKNen A Gozar
10 PETER WHITE/TUrn It Out
10 ALICIA KEYS/Fallie 10 DOWN TO THE BONE/Bridgeport Boogie
7 URBAN KNIGHTS/The Message
7 RITENOUR W /ALBRIGHT /Jammid 8 PETER WHITEBueno Funk
WN(IJA95.5 TT``
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MARKET #10
WVMV /Detroit Infinity (248)855 -5100 Sleeker/Kovach
12+ Cume 484,900
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ARTIST/TITLE
FISHBELLY BLACKNen A Gozar
CHRIS BOTTI/Streets Ahead
BRIAN CULBERTSON/All About You
CHUCK LOEB/Pocket Change
PETER WHITE/Turn It Out
GERALD VEASLEY/Do I Do
WAYMAN TISDALE/Love Play
PIECES OF A DREAM/Night Vision
KIRK WHALUM/ Try
ALFONZO BLACKWELUFunky Shuffle LARRY CARLTON/Deep Into It
RITENOUR W /ALBRIGHT /Jammin DIANA KRALL/The Look Of Love
DAVID BENOIT/Snap! MARC ANTOINE/On The Strip DAVE KOZ/The Bright Side
KIM WATERS/Until Dawn
CELINE D106/A New Day Has Come
JIMMY SOMMERS/360 Groove URBAN KNIGHTSAiigh Heel Sneakers
RUSS FREEMAN/East River Drive
JOYCE COOLING/Mm -Mm Good
FATTBURGER/Evil Ways
DAVE MCMURRAY/7 Day Love
RONEY JAMES/See What l'm Sayin' ALEXANDER ZONJICnts Too Late
JEFF LORBER/Ain't Nobody RICHARD ELLIOT/Crush PAUL JACKSON JR/Bounce Wid' II ALICIA KEYSiTallin'
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MARKET #17
KIFM/San Diego
Jefferson -Pilot (619) 297 -3698 Vasquez/Cole
12+ Cume 271,500
PLAYS
LW TW
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171 17 1
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ARTIST/TITLE
STEVE COLE/From The Start JEFF LORKER/AInï Nobody PETER WHITE/Tum It Out
KEIKO MATSUI/Across The Sun
STING/Fragile SADE/King 01 Sorrow FATTBURGER/Evil Ways
ENYNOnly Time
BOZ SCAGGS/Miss Riddle
RITENOUR W /ALBRIGHT /Jammin DAVE KOZ/The Bright Side
JEFF KASHIWNAround The World
RIPPINGTONS/Caribbean Breeze
KIM WATERS/Until Dawn
PAUL TAYLOR/Hypnotic
SADE/Lovers Rock
LARRY CARLTON/Deep Into It
ALFONZO BLACKWELUFunky Shuffle
CHRIS BOTTVStreets Mead DIDO/Thankyou ERIC MARIENTHAUOne Day In Venice
BONEY JAMES/See What l'm Sayin'
BRIAN CULBERTSON/All About You
RUSS FREEMAN/East River Drive
FREDDIE RAVEUSunny Side Up DAVE KOZBenealh... PIECES OF A DREAM/Night Vision
JIM BRICKMANSereeade JEFF GOLUB/Walkie On The Sun
CHUCK LOEB/Pocket Change
981
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MARKET #27
KSSJBacramento Entercom (916) 334-7777 HarlsoNJones
12+ Cume 146,200
PLAYS
LW TIR
26 28
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106.5 UTheg1Y
ARTIST/TITLE
RUSS FREEMAN/East RNer Drive
CHRIS BOTTI/Streets Ahead
KIM WATERS/Until Dawn
BONEI JAMES/See What l'm Sayin' BRIAN CULBERTSON/All About You
CHUCK LOEB/Pocket Change
ENYNOnIV Time
SADE/Lovers Rock DIANA KRALL/1he Look 01 Love
CELINE DION/A New Day Has Come
PIECES OF A DREAM/Night Vision RITENOUR W /ALBRIGHT /Jammin
JEFF LORBER/Ain't Nobody DAVID BENOIT/Snap!
JOYCE COOLING/Mm -Mm Good
MARC ANTOINE/On The Strip PETER WHITE/Tum R Out
KIRK WHALUM/I Try
LARRY CARLTON/Deep Into It
GREGG KARUKAS/Night Shift DAVE KOZ/Benealh...
JIMMY SOMMERS/Lowdown GERALD VEASLEY/Do I Do
BONA FIDE/X -Ray Hip
STEVE COLE/From The Start
RITENOUR FBRUSINBet Up Sand Up
FATTBURGER/Evil Ways
URBAN KNIGHTSMigh Heel Sneakers
RIPPINGTONS/Cruisiñ Down...
RICHARD ELLIOT/MOomba
G110001
2464 2464 2288 2288 2288 2288 1408 1232 1232 1232 1056 1056 1056 1056 968 968 968 968 968 880 880 880 880 792 792 792 792 704 704 704
MARKET #4
KKSF/San Francisco
Clear Channel (415) 975-5555 Goldstein Weidman
12+ Cume 587,900
PLAYS
LW TW ARTIST/TITLE
23 27 RICHARD ELLIOT/Crush 22 25 SHILTS/YOur Place Or Mine 22 25 GREGG KARUKAS/Night Shift 22 24 GERALD VEASLEY/Do I Do
22 24 EULE GROOVE/Sneak A Peek
22 24 RUSS FREEMANBast River Drive
8 16 PETER WHITE/Who's That Lady?
10 16 BLAKE AARON/Overtoyed
13 15 ERIC MARIENTHAULeffy's Lounge 11 15 JIMMY REID/Cool Vibe
11 14 MARC ANTOINE/On The Strip 13 14 BONEY JAMES/See What I'm Sayln'
12 14 DAVE KOZBeneam... 10 14 JOYCE COOLING/Mm-Mm Good 11 13 CHRIS BOTTVSIreets Ahead 11 13 DAVID BENOIT/Snap! 12 13 LARRY CARLTON/Deep Into It
11 12 KIRKWHALUM4 Try
9 12 BRIAN CULBERTSON/I Wanna Know
'8 11 JEFF LORBEWAin t Nobody
8 11 PETER WHITE/Turn It Out
6 10 SADE/Lavers Rock 7 10 BRIAN CULBERTSON/AII About You
7 7 DIANA KRALL/The Look 01 Love 7 6 HIL ST.SOUWnffl You Come...
- 2 a FREDDIE RAVEUConversaliats - 1 a ALFONZO BLACKWELL/Funky Shuffle
- 1 a JIM WILSON/Cant Find My...
Ir. {jl,
KKSF03.7
61 (000) 9585 8875 8875 8520 8520 8520 5680 5680 5325 5325 4970 4970 4970 4970 4615 4615 4615 4260 4260 3905 3905 3550 3550 2485 2130
710 355 355
MARKET #11
WJZZ /Atlanta Radio One 004) 765 -9750 Francis
12. Cume N/A
PLAYS
LW TW
28 28
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ARTIST/TITLE
CHRIS BOTTI/Sheels head FISHBELLY BLACKNen A Gozar
LARRY CARLTON/Deep Into ft
JOYCE COOLING/Mm-Mm Good BONEY JAMES/See What I'm Sayin
CHUCK LOEB/Pocket Change
MICHAEL MCDONALD/To Make A Miracle
ALICIA KEYS/Fallin
LUTHER VANDROSS/l'd Rather
DIANA KRALL/The Look 01 Love
SADE/Lovers Rock
ALFONZO BLACKWELL/Funky Shuttle
JEFF LORBER/Ain't Nobody
GREGG KARUKAS/Night Shift
DAVID LANZ/That Smile SPIRO GYIìNFeelin Fine
DAVID BENOIT/Snap! JAY BECKENSTEINAet It Flow RITENOUR W /ALBRIGHT /Jammin KIRK WHALUWI Try
JEFF GOLUB/Cut The Cake
BRIAN CULBERTSON/All About You
GERALD VEASLEY/Do I Do
KIM WATERS/Until Dawn
PETER WHITE/rum It Out
MARC ANTOINE/On The Strip
GI (00
MARKET #19
WSSM/St. Louis Bonneville (3781 -9600
12. Cume 164,900
SA100111 106.5
PEArs LW TW ARTIST/TITLE
22 23 PIECES OF A DREAM/Night Vision
20 22 BONEY JAMES/See What I'm Sayin 16 22 CHUCK LOEB/Pocket Change
23 22 LARRY CARLTON/Deep Into O
22 21 FISHBELLY BLACKNen A Gozar
13 20 DAVID BENOIT/Snap! 12 18 RITENOUR W /ALBRIGHT /Jammin 14 13 SADE/Lovers Rock
8 13 BONEY JAMES/Something Inside 12 13 GREGG KARUKAS/Night Shift 12 13 STING/Fragile 11 12 BOZ SCAGGS/Payday
22 12 BRIAN CULBERTSON/All About You
21 12 CHRIS BOTTIBtreets Ahead
8 12 SPIRO GYRA/Feelky Fine
11 12 DAVE KOZBeneath_. 12 12 MARC ANTOINE/On The Strip
7 12 KIRK WHALUWI Try
10 11 JIM WILSON/Can't Find My...
12 11 ERIC MARIENTHAULely's Lounge 10 11 JIMMY SOMMERS/Lowdown - 10 BOTTI F/COLVIN/All Would Envy
9 LUTHER VANDROSS/l'd Rather
8 KEVIN TONEY/Passion Dance
- 1 a ENYNWild Child
- a DAVID LANZ/That Smile
- a HARP FBROMBERG/ROck With You
GI 10501
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MARKET #29
KCIY/Kansas City
Entercom (913) 677-8998
Edwards/Chase
12+ Cume 160,800
PLAYS
LW TIR
27 2
27 2
27 2
27 2
26
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6
=rtL.2°93t áíï
ARTIST/TITLE
FISHBELLY BLACKNen A Gozar
BRIAN CULBERTSON/All About You
CHUCK LOEB/Pocket Change
CHRIS BOTTI/Streets Ahead
PETER WHITE/Turn It Out
BONEY JAMES/See What l'm Saylri OLETA ADAMS/All The Love OLICW KEYS/Fallin
MARILYN SCOTT/Don't Let Love...
DIANA KRALUThe Look Of Love
WALTER BEASLEY/Good Times ALFONZO BLACKWELUFunky Shuffle
KIRK WHALUM7 Try DAVE KOZBeneattl... GREGG KARUKAS/Night Shift
JOYCE COOLING/Mm-Mm Good
KEVIN TONEY/Passion Dance
RITENOUR W /ALBRIGHT /Jammin DAVID BENOIT/Snap! PIECES OF A DREAM/Night Vision KIM WATERS/Until Dawn RICK BRAUWUSe Me
RUSS FREEMAN/East RNer Drive
SPIRO GYRA/Open Door
SPECIAL EFXBVeryone's A Star
GERALD VEASLEY/Do I Do
BONA FIDE/X -Ray Hip
BRIAN MCKNIGHT/What's O Gonna Be
FREDDIE RAVEL/Sunny Side Up
RICK BRAUN/Kisses In The Rain
SI 1000)
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MARKET #5
KOAI/Dallas -Ft. Worth Infinity (214)630.3011 Todd/Michael
12+ Cume 356,500
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ARTIST/TITLE
BONEY JAMES/See What I'm Sayin' PETER WHITE/rum It Out
FATTBURGER/Evil Ways
BRIM CULBERTSOWAII About You
JEFF LORBER/Ain't Nobody GERALD VEASLEY/Do I Do
DIANA KRALL/The Look Of Love SADE/Lovers Rock PIECES OF A DREAM/Night Vision
RICK BRAUN/Use Me
CHRIS BOTTI/Streets Ahead
CHUCK LOEB/Pocket Change
MARC ANTOINE/On The Strip GREGG KARUKAS/Night Shift WAYMAN TISDALE/Love Play
JAARED/Love's Taken Over
RITENOUR W /ALBRIGHT /Jammin KIRK WHALUM/ Try
DAVID BENOIT/Snap!
ALFONZO BLACKWELUFunky Shuffle Hll ST. SOULNntiI You Come...
SADF/By Your Side
JEFF GOLUB/Cut The Cake JOSEPH VINCELLIBtop Six
GI 1000)
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MARKET 012
WLVE /Miami Clear Channel 1954) 862 -2000
McMillan
12+ Come 363,400
PLAYS
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sMOOr.I , ARTIST/TITLE
CHRIS BOTTI/Streets Ahead
PETER WHITE/TUm It Out JEFF LORBER/Ain't Nobody CHUCK LOEB/Pocket Change BRIAN CULBERTSON/All About You
MARC ANTOINE/On The SOip
ALICIA KEYSBallin
BOZ SCAGGS/Payday MICHAEL MCDONALD/To Make A Miracle DIANA KRALL/The Look Of Love
CELINE DION/A New Day Has Come
BONEY JAMES/See What l'm Sayin' GREGG KARUKAS/Night Shift JOYCE COOLING/Mm-Mm Good
RUSS FREEMANBast River Drive
DAVE KOZBeneath... LARRY CARLTON/Deep Into It
KIRK WHALUWI Try
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JEFF GOLUB/Cut The Cake
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MARKET #21
WSJT/Tampa Infinity (727) 568-0941 Block/Curtis
12+ Cume 327,500
WSIT,. _,, 94.1
5.0..44,77.4e
PLAYS
LW TW ARTIST/TITLE
23 24 BONEY JAMES/See What I'm Sayin' 23 24 CHRIS BOTTVStreets Ahead 24 23 BRIAN CULBERTSON/NI About You
23 23 JEFF LORBER/Ain't Nobody 23 23 CHUCK LOEB/Pocket Change 23 23 PETER WHITE/Tum B Out 14 23 LARRY CARLTON /Deep Into It
17 1 DIANA KRALL/The Look Of Love
5 1 MICHAEL MCDONALD/To Make A Miracle 17 1 BOZ SCAGGS/Payday 10 1 RIPPINGTONS/Club Paradiso 10 1 JIM BRICKMAN/Serenade 10 I ALFONZO BLACKWELUFunky Shuffle
3 I FISHBELLY BLACKNen A Gozar
10 1 GREGG KARUKAS/Night Shift 9 1 WARREN HILUSax In The City
3 I DAVID BENOIT /Snap!
10 1 DAVE KOZBeneath_. 9 ALICIA KEYS/Fallin 7 ALICIA KEYS/Goodbye
9 GERALD VEASLEY/Do I Da
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10 SADE/Lovers Rock
9 SAOEMIng Of Sorrow - a JEFF GOLUB/Cut The Cake
- a SPIRO GYRNFeelin Fine
- a KIRK WHALUWI Try
- a PAMELA WILLIAMS/Lifeline
O110001
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MARKET #32
WJZI/M i Iwaukee- Racine Milwaukee (414) 778 -1933
Moreau
12+ Cume 120,000
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LW TW
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TM Brows 97,9
ARTIST/TITLE
BRIAN CULBERTSON/All About You
CHUCK LOEB/Pocket Change MARC ANTOINE/On The Ship CHRIS BOTTUStreels Ahead
PETER WHITE/Turn It Out
JEFF LORBER/Ain't Nobody
LARRY CARLTONBeep Into It
JOYCE COOLING/Mm -Mm Good
GERALD VEASLEY /Do I be PIECES OF A DREAM/Night Vsion DIANA KRALUThe Look Of Love
DAVID BENOIT/Snap!
GREGG KARUKAS/Night Shift RITENOUR W /ALBRIGHT /Jammin BONEY JAMES/See What l'm Sayin'
RUSS FREEMAN/East River Drive
SA13E/Lovers Rock
MARILYN SCOTT/Don't Let Love...
JEFF GOLUB/Cut The Cake KIRK WHALUM4 Try
ALFONZO BLACKWELUFunky Shuffle
BONA FIDE/Club Charles
JIMMY SOMMERS/Lowdown MICHAEL MCDONALD/To Make A Miracle
BOZ SCAGGS/Payday DAVE KOZBeneath...
SPIRO GYRA/Feelio Fine
a ERIC MARIENTHAL/Lefy'S Lounge
01 (000) 1992 1992 1909 1909 1909 1826 1411 1411 1328 1245 1245 1245 1245 1162 1162 1162 1162 1162 1079 1079 1079 1079 1079 1079 1079 1079 996
0
www.americanradiohistory.com
February 22, 2002 R &R 95
The Adveitiser: Rock's Silent Producer? C Content is king, but who rules the palace is up for debate
By Keith Cunningham
his week Media Positioning Keith Cunningham offers a guest column on the topic of Rock stations that feel pressure from the sales department to change their content. Cunningham founded his programming, marketing and positioning consultancy after spending 10 years in
Rock, Active Rock, Alternative, Classic Rock and Triple A radio.
My favorite radio station website is
now lame. I used to be able to waste at least an hour a day check- ing out all the cool things they had on their web page. Their hits were in the multi - millions each month. But now all the great content is gone. It's become a boring and plain site that is no more worthy of my attention than www.sewing.com - and not because the PD or the web - master lost his or her edge, but because of client pres- sure.
aren't equal. Rock has to deal with commercials, NTR, value- added,
cost -per -point, power ratios and everything else that the other formats have to deal with, but Rock must also worry about content issues.
The content war is raging in many markets, and, right or wrong, content has be- come the default excuse for financial woes among many Rock stations. When refer-
/63M Cunningham ring to content issues in this piece, I'm talking about
blue -collar, attitude -driven content that some may find objectionable, but that most Rock listeners expect to hear on their favorite radio station.
Deals Of The Century
Has the advertiser become the si- lent producer of our Rock radio pro- gramming? Is creative content taking a backseat to advertising? If you ask a sales executive or a creative pro- grammer, you'll get varied opinions. With the increased pressure of meet- ing quarterly and annual budgets, the war for the dollar has never been more vicious - and the client's voice is louder than ever.
There are "deals of the century" being made, value -added vs. dollar - spent ratios are through the roof, and programmers are being forced to ei- ther modify their products for reve- nue, incorporate an amazing number of sales messages into programming or both. To quote Metallica, sad but true.
Today's media consumers (listen- ers, viewers, readers, customers) have become immune to being hammered over the head by the sales messages that have been integrated into their en- tertainment vice of choice. So it must be OK to clutter up and modify all our products in the interest of revenue, right?
Capitalism is alive and well, but at what point does it begin to kill the cre- ative flow - which is actually the engine of our profit machines? Ask a PD if his or her product has been modified by sales or is cluttered by sales messages, and the answer will be yes. Ask a GM if this is the case, and he or she will say, "No. In fact, we're not maximizing all of our op- portunities."
Both are right, to an extent. If all things were equal, this would
be just another boring NTR article. However, for Rock radio, all things
If the GM wants the
station to be the
upscale, upper -demo,
BMW and American
Express station, you may
want to think twice
about doing the Porn
and Korn or We've Got
Bush promotions.
Advertiser- Approved?
Do the following comments sound familiar? "I don't care how big the ratings are: Advertisers are pulling their spots because we're too dirty!" "We're going to lose all our clients if we don't clean up the web page!" "The morning show content is killing us!" "We can't do that promotion; we'll never get a sponsor for it!"
Certainly, situations exist in which such remarks are valid, but these statements are overused and unneces- sary in many other cases. In radio, programmers believe that the goal is to get ratings in order to get revenue. But, apparently, in today's world rat- ings aren't enough; we must get rat- ings with programming that's adver- tiser- approved. It makes sense, but
only from the proper perspective. Are we going to have to put "Advertiser - Approved" labels on all our merchan- dise?
It's a sad day when a No. 1- ranked Rock station has trouble selling. Who is at fault - the content or the sell- ers? Perhaps the advertisers have been given too much power. Should a me- dia buyer who isn't doing daily re- search about your audience be telling you what content is right or wrong for your airwaves?
Overcoming content issues seems to be an area where many sales de- partments struggle. With a slowing economy and the fight for dollars so fierce, power is sitting in the hands of our clients - and we gave it to them. We've entered an age in which some of our radio products are being creat- ed with the advertiser in mind first and the listener second. Scary!
Advertisers have become the silent producers for Rock radio (and for television). When radio has to make an event or promotion less controver- sial to keep advertisers from pulling their ads, then someone outside the building is producing our content. We already have sponsor messages all over our radio stations - pitched as value -added, of course - but how fit- ting is that, really?
Meanwhile, client expectations continue to increase. There are clients who want blocks of evening time with which to do whatever they want, and, sadly, some stations go for it. I recent- ly heard of a situation where a client wanted to sponsor a station's local - music show, but only if the show didn't include really heavy music like Metallica - and this was on a Rock station.
Moreover, we all know about that large beer company that threatens to, and often does, pull dollars based on its own standards. It has the right, of course, but if it wants to attract the Rock listener, it needs to accept the rock content. This is something that our sellers must realize and commu- nicate.
You Are Your Content
How do you overcome content is- sues with a stubborn media buyer? Remember this: Your content is who you are, whether it's loud music, dick jokes, strippers, satirical comedy, a
Continued on Page 97
WAAF/Boston's Patriot Games All right already, I know the Super Bowl was two weeks ago. But when a station rallies around an event, it deserves all the accolades that come its way. That's the case with how WAAF /Boston made the most of this year's Super Bowl. Here's a quick blow by blow of how WAAF scored promotionally with the New England Patriots and the team's big Super Bowl win.
It started with the Patriots going to the AFC Championship game against the Pittsburgh Steelers. Afternoon drive team Rocko & Matty threw out this challenge: "What would you do to win tickets to Sunday's game ?" An avalanche of e -mail hit the duo, and the three craziest en- tries were selected to perform their stunts at the WAAF studio the Fri- day before the game.
The winner drank a mixture of raw eggs and live crickets out of one of Rocko's old sneakers and spit it into his sister's mouth, she spit it back into his mouth, and he swallowed it. PD Dave Douglas wryly points out, "Yes, it was very gross."
After the Patriots defeated the Steelers, the WAAF programming and promotions staff huddled and brainstormed another contest. Listeners were invited to stop by a local athletic club with a large indoor swim- ming pool on the Thursday before the Super Bowl. Five hundred mini - footballs were submerged at the bottom of the World's Largest Football Pool. One lucky listener emerged with the winning football and won a trip to the Super Bowl in New Orleans.
On Monday, the day after the Patriots won the game, the WAAF staff scrambled to get ready for the huge victory parade and celebration sched- uled for Tuesday in Boston.
Step 1: Put together a live broadcast of the morning show from the beginning of the parade. WAAF Marketing Director Mike Kramer was also successful in securing a box of Wheaties featuring the Super Bowl cham- pion New England Patriots before the boxes hit store shelves. It was auc- tioned off Tuesday morning for $800. and the proceeds went to the New England Patriots Charitable Foundation.
Step 2: Put a midday broadcast together from two locations on Gov- ernment Plaza, which was where the parade would end. Engineering got the job done.
Step 3: Produce a 10 -foot by 30 -foot banner and get it hung from a tall building overlooking Government Plaza.
Douglas credits his great staff, including Kramer, Promotions Director John Gazerro and Promotions Coordinator Adam Ralston. "We got the job done, and WAAF looked big and sounded bigger," Douglas says.
BOBBING FOR RAUS The winner of WAAF /Boston's World's Largest Football Pool found the winning mini -football that sent him to New Orleans for the Super Bowl.
These Patriots fans are true blue - and they painted themselves blue to prove it. Here they pose with WAAF's Rocko & Matty (the two who are not blue).
Continued on Page 97
www.americanradiohistory.com
96 p Top 30 ® February 22, 2002
LAST WEEK
THIS WEEK ARTIST TITLE LABELS)
TOTAL PLAYS
+ / - GROSS WEEKS ON TOTAL STATIONS/ PLAYS IMPRESSIONS CHART ADDS
(00)
1 1 CREED My Sacrifice (Wind -up) 916 -69 82907 17 43/0
2 NICKELBACK How You Remind Me (Roadrunner /IDJMG) 905 +7 90018 30 40/0
4 0 PUDDLE OF MUDD Blurry (Flawless/Geffen /Interscope) 900 +80 83199 16 39/0
3 0 DEFAULT Wasting My Time (M) 850 +18 77984 23 39/0
5 0 NICKELBACK Too Bad (Roadrunner /IDJMG) 686 +2 60358 12 39/0
6 6 OZZY OSBOURNE Dreamer (Epic) 542 -70 47891 12 40/0
7 7 LINKIN PARK In The End (Warner Bros.) 541 -4 47227 20 22/0
9 0 STAIND For You (Flip /Elektra/EEG) 539 +43 45174 8 36/0
8 Q COURSE OF NATURE Caught In The Sun (Lava/Atlantic) 516 +19 40812 7 36/1
10 10 P.O.D. Alive (Atlantic) 412 -44 39676 27 25/0
19 Q GODSMACK I Stand Alone (Republic /Universal) 404 +90 35022 3 31/1
14 ® CREED Bullets (Wind -up) 386 +15 28217 4 35/0
11 13 PUDDLE OF MUDD Control (Flawless /Geffen/Interscope) 370 -75 35362 33 30/0
16 m KID ROCK Lonely Road Of Faith (Top Dog /Lava/Atlantic) 365 +14 24757 5 26/0
12 15 INCUBUS I Wish You Were Here (Immortal /Epic) 354 -53 28245 26 26/0
15 16 TANTRIC Mourning (Maverick/Reprise) 333 -21 27311 17 22/0
17 17 INCUBUS Nice To Know You (Immortal /Epic) 332 -6 25731 8 30/1
20 18 HOOBASTANK Crawling In The Dark (Island /IDJMG) 285 -3 19772 16 19/0
23 Q P.O.D. Youth Of The Nation (Atlantic) 259 +20 16765 6 20/0
18 20 OFFSPRING Defy You (Columbia) 250 -76 23859 12 22/0
22 21 NEIL YOUNG Let's Roll (Reprise) 247 -20 23977 7 20/0
25 ® ROB ZOMBIE Never Gonna Stop (The Red...) (Geffen / Interscope) 233 +25 18102 4 20/1
21 23 F00 FIGHTERS The One (Columbia) 233 -40 20300 7 23/0
26 m FU MANCHU Squash That Fly (Mammoth) 222 +32 17079 3 23/0
28 ® HEADSTRONG Adriana (RCA) 173 +17 11513 2 20/1
29 INJECTED Faithless (Island /IDJMG) 169 +22 12856 3 20/0
30 ® EDDIE VEDDER You've Got To Hide Your... (V2) 144 +15 16507 2 13/2
27 28 TOOL Lateralus (Volcano) 132 -29 12745 14 13/0
¡Debut> LENNY KRAVITZ Stillness Of Heart (Virgin) 127 +24 8052 1 17/1
¡Debut> GRAVITY KILLS One Thing (Sanctuary /SRG) 123 +12 7101 1 16/0
43 Rock reporters. Monitored airplay data supplied by Mediabase Research, a division of Premiere Radio Networks. Songs ranked by total plays for the airplay week of 2/10/02- 2/16/02. Bullets appear on songs gaining plays 'or remaining flat from previous week. If two songs are tied in total plays, the song with the larger increase in plays is placed first. Songs below No. 15 are moved to recurrent after 20 weeks on the chart. Most Added is the total number of new adds officially reported to R &R by each reporting station. Songs unreported as adds do not count toward overall total stations playing a song. Most Increased Plays lists the songs with the greatest week -to -week increases in total plays. Gross Impressions equals Average Quarter Hour Persons times number of plays (times 100). Average Quarter Hour Persons used herein with permission from the Arbitron Company (copyright 2002, The Arbitron Company). (C) 2002, R &R. Inc.
TRAIN She's On Fire (Columbia) Total Plays: 120, Total Stations: 15, Adds:1
COL. PARKER All The King's Horses (V2) Total Plays: 106, Total Stations: 13, Adds: 0
NO. MISSISSIPPI ALLSTARS Sugartown (Tone -Cool) Total Plays: 97, Total Stations: 15, Adds:1
STATIC -X Cold (Warner Bros.) Total Plays: 85, Total Stations: 12, Adds: 0
ADEMA The Way You Like It (Arista) Total Plays: 79, Total Stations: 8, Adds: 0
New & Active DROWNING POOL Tear Away (Wind -up) Total Plays: 69, Total Stations: 9, Adds: 1
DOPE Slipping Away (Flip /Epic) Total Plays: 63, Total Stations: 13, Adds: 3
LOCAL H Half Life (Palm) Total Plays: 58, Total Stations: 8, Adds: 0
JOE BONAMASSA If Heartaches Were Nickels (Medalist) Total Plays: 53, Total Stations: 5, Adds: 1
ALIEN ANT FARM Movies (Dream Works) Total Plays: 53, Total Stations: 5, Adds: 0
Songs ranked by total plays
Most Added, www.rradds.com
ARTIST TITLE LABELS) ADDS
JEREMIAH FREED Again (Republic /Universal) 12
SEVENDUST Live Again (M) 9
REVEILLE Inside Out (Can You Feel...) (Elektra/EEG) 5
ONESIDEZERO Instead Laugh (Maverick/WB) 4
DOPE Slipping Away (Flip /Epic) 3
FAMILIAR 48 The Question (MCA) 3
EDDIE VEDDER You've Got To Hide Your... (V2) 2
MICK JAGGER Visions Of Paradise (Virgin) 2
BLACK LABEL SOCIETY Bleed For Me (Spitfire) 2
DAVID DRAIMAN Forsaken (Reprise) 2
BIG HEAD TODD & THE MONSTERS Wishing Well (Big) 2
TABITHA'S SECRET Unkind (Pyramid) 2
Most Increased Plays
TOTAL PLAY
ARTIST TITLE LABELS) INCREASE
GODSMACK I Stand Alone (Republic /Universal) +90
PUDDLE OF MUDD Blurry (Flawless/Geffen/Interscope) +80
TRAIN She's On Fire (Columbia) +50
DOPE Slipping Away (Flip /Epic) +50
STAIND For You (Flip / Elektra/EEG) +43
STATIC -X Cold (Warner Bros.) +38
FU MANCHU Squash That Fly (Mammoth) +32
DROWNING POOL Tear Away (Wind -up) +30
ROB ZOMBIE Never... (The Red...) (Geffen/Interscope) +25
FUEL Hemorrhage (In My Hands) (Epic) +24
LENNY KRAVITZ Stillness Of Heart (Virgin) +24
Most Played Recurrents
ARTIST TITLE LABEL(S)
TOTAL
PLAYS
STAIND It's Been Awhile (Flip /Elektra EEG) 350
STAIND Fade (Flip /Elektra/EEG) 343
FUEL Hemorrhage (In My Hands) (Epic) 260
DISTURBED Down With The Sickness (Giant/Reprise) 242
3 DOORS DOWN Kryptonite (Republic /Universal) 239
TOOL Schism (Volcano) 222
OZZY OSBOURNE Gets Me Through (Epic) 222
3 DOORS DOWN Loser (Republic /Universal) 221
GODSMACK Awake (Republic /Universal) 217
LENNY KRAVITZ Dig In (Virgin) 198
METALLICA I Disappear (Hollywood) 187
TRAIN Drops Of Jupiter (Tell Me) (Columbia) 173
PRIMUS W /OZZY N.I.B. (Divine /Priority) 171
STAIND Outside (Flip / Elektra/EEG) 171
LIFEHOUSE Hanging By A Moment (Dream Works) 160
GODSMACK Greed (Republic/Universal) 157
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Rock February 22, 2002 R &R 97
Reporters WONE/Akron, OH '
PD: T.K. O'Grady APD: Tim Daugherty
SEVENDUST "Again
WPYX/Albany, NY V OM/Stn Mgr John Cooper APD/MD: Terry O'Donnell
No !aids
KZRR /Albu ue ue, NM' 4 Dir/Prog: BIlI May PD: Phil Mahoney MD: Rob Brothers
No Adds
KZMZ/Alexandria, LA PD: Terry Manning MD: Pat Cloud
6 LENNY KRAVITZ "Heart"
5 TRAIN "She's"
SEVENDUST "Again"
WZZO /Allentown, PA' PD. Robin Lee MD: Keith Moyer
KWHL/Anchorage, AK PD: Larry Snider rry MD: Kathy Mitchell
6 BLACK LABEL
'Hide"
"Demise`
EDDIE VEDDER "Hine"
WAPL/Appleton, WI' POI Joe Ca APD/MD: Cramer
FAMILIAR 48 "Question"
JEREMIAH FREED "Again"
KLBJ /Austin, TX' OM: Jeff Carrot MD: Lods Lowe
13 BIG HEAD TODD... "Juliana" TRAIN She's"
KIOC/Beaumont, TX' Dlr/Prog: Debbie Wylde POND: Mike Davie
BLACK LABEL SOCIETY "Bleed'
SEVENDUST "Again"
WKGB/Binghamton, NY PD: Jim Free MD: 11m Boland
STATIC -% "Cold"
WBUFBuffalo, NY PD: John Paul
MICK JAGGER "Paradise'
JEREMIAH FREED "Again"
WROK/Canton, OH' PD/MD: Todd Downerd
3 DAVID DRAIMAN "Forsaken"
2 REVEILLE "Inside"
WPXC/Cape Cod, MA Steve McVle
PD: Suzanne Tonaire
JEREMIAH FREED Again"
SETENTAS! "Again
WYBB/Chadeston, SC' PD/MD: Mike Alen
13 JOE BONAMASSA "Heartaches" 13 EDDIE VEDDER "Hide"
JEREMIAH FREED ugh"in"
ONESIDEZERO "Laugh" REVEILLE "Inside"
TABITHA'S SECRET "Unkind"
WKLC /Charleston, WV PD/MD: Mike Rappaport
TABITHA'S SECRET "Unkind"
JEREMIAH FREED "Again' ONESIDEZERO "Laugh"
SEVENDUST "Again'
WEBN/Cincinnati, OH' OM: Scott Reinhart PD: Michael Walter MD: Rick "The Dude" Vaske
SEVENDUST "Again"
WMMS /Cleveland, OH ' PD: Jim Trapp MD: Mark Pennington
3 COURSE OF NATURE "Sun"
WVRK/Columbus, GA OM; elan Waters
12 STONES "Broken' FAMILIAR 48 "Question"
KNCN/Co us Christi, TX' PD: Paula Newell MD: Monte Montana
1 SEVENDUST "Again'
WTUE/Dayton, OH ' PD: Tony TlIord APO/MO: John Beaulieu
INCUBUS "Nice
KLAO/EIPaso,TX' PD: Magic Mike Ramsey Y
APD/MD:
FREED
Garza
JEREMIAH FREED "Again" REVEILLE "Inside"
SEVENDUST "Again"
WPHD/Elmira- Corning, , NY GM:
g Harris
MD: Jay Wulf 13 COURSE RY NATURE
ZOO STORY "Star"
LENNON "Brake"
JEREMIAH FREED" in"
12 STONES "Broken"
WXKE/Ft. Way ne, IN PD/MD: Doc West
JEREMIAH FREED. Again"
KLOL/Houston, TX' OM/PD: Vince Richards MD: Steve Firs
ROB ZOMBIE Never
WRTT/Huntsville, AL ' OM: Rob Harder PD/MD: Jimbo Wood
JEREMIAH FREED "Again'
ONESIDEZERO "Laugh" SEVENDUST "Again"
WRKR/Kalamazoo, MI PD: Mike McKeily APD/MD: Jay Deacon
MICK JAGGER "Paradise"
WTFX/Louisville, KY OM: Michael Lee Interim MD: Frank Webb
DOPE .'Away"
DROWNING POOL "Tear'
WOBZ/Macon, GA PD: Chris Ryder MD: Sabina Scotl
n FAMILIAR 48 "Question"
REVEILLE "Inside" TOMMY LEE °HaH"
KFRO/McAllen, TX ,
PD: Alex Duran MO Keith West
2 MICK JAGGER "Faadme"
JEREMIAH FREED "Again"
ONESIDEZERO "Laugh"
REVENUE Inside" lAdINASS"CRET "
TABITHA'S SECRET "Unitind"
WCLG/Morgantown,
MD: Deve Mudock JEREMIAH FREED "Again"
WDHA/Momstown, NJ' PD/MD: Tense Cart
2 BLACK LABEL SOCIETY "Bleed"
1 JEREMIAH FREED "Again" 1 DOPE "Aral,"
WBAB/Nassau- Sutfolk, NY' PD: John Olsen MD: John Paine
JEREMIAH FREED "Again"
WPLR/New Haven, CT' PD: John Griffin MD: Pam Landry
No Adds
KFZX/Odessa -Midland, TX PD/MO: Steve Driscoll
No Adds
City, OK ` K0M Chris Baker OM: Chris Baker
MD: Jake Daniels
No Adds
KEZO/Omaha, NE' PD/MD: Bruce Patrick
No Adds
KCLB/Palm Springs, CA PD/MD:
JEREMIAH FREED "Again"
WRRX/Pensacola, FL' OMIPD: Dan McClintock
No Adds
WWCT/Peoria, IL p Jamie MD: Debbie Hurler
JEREMIAH FREED "Rg n"
SEVENDUST "Again"
WMMR/Philadelphia, PA' PD: Sara man Milk APaIA'Ken apeto
FAMILIAR 48 "Question"
KDKB/Phoenix, AZ' pD: Joe Bona donna MD: Dock Ellis
LENNY KRAVITZ "Heart"
WHEB/Porismouth, NH ' PDIMD: Alex Janes
DAVID DRAIMAN "Forsaken'
WHJY/Providence, RI ` P0: Joe Bevllacqua APD: Doug Palmieri MD: John LaurenB
FAMILIAR 48 "Question"
JEREMIAH FREED "Again'
WBBB/Raleigh- Durham, NC' OM: Andy Meyer
14 GODSMACK 'Alone'
WRXL/Aichmond, VA' PD: John Lassman MD: Casey IWkowaki
NO. MISSISSIPPL. "Suganown"
KCAL/Riverside. Hoffman
CA' PD: Steve Hffm MD: M.J. Matthews
DISTURBED "Game"
WROBou Casee{yrdüxg, VA' OM: Buzz Casey MD: Hindi Krummert
DOPE
HEADSTRONG HEADSTRONG "Adrom"
WPM John
oMÇ er, NY'
MD: Dave Kale BIG HEAD TDDD...wishing JEREMIAH FREED "Again" LENNON "Brake'
ONESIDEZERO "Laugh"
WXRX/Racktord, IL PDIMD: Jim Stone
FU MANCHO "Squash"
KBER/SaIt Lake City, UT OW Bruce Jones PD: Kelly Hammer APD/MD: Helen Powers
SEVENDUST "Again
KSJO/San Francisco, CA OM: Gary Schoenwetter MD: Zakk Tyler
No Adds
KZOZ)San Luis Obispo, CA PD: Donne
10 CUTTING EDGE "Ti"ime"
10 ONESIDQERO "Laugh'
KXFX/Sarita Rosa, CA' PD: Don Harrison MD: Howard Freele
1 SEVENDUST "Again' REVEILLE "Inside"
WAQX: Dell NY' APUID:vebrislea APD: Dave Fdslrna
LONDON OUIREBOYS "Rock"
M BIG HEAD TODD ' string"
WIOT/foledo. OH ` N,-
WKLT/fraverse City, MI PD/MD: Terri Ray
5 JEREMIAH FREED "Again" BIG HEAD TODD... "Wishing'
THURSDAY "far" ZOO STORY 'Star"
KLPX/fucson, AZ ' PD/MO: Jonas Hunter
2 EDDIE VEDDER "Hide -
KMOD/Tulsa, OK' PD/MD: Rob Hurt
JEREMIAH FREED "Again"
WMZK/Wausau, WI PD/MD: Nick Summers
DOPE
"Again"
DOPE "Away'
KATS/Yakima, WA OW RRon Hants
REVEILLE -Inside"
WNCD/Youngstown. OH ' PD Chris Patrick
r ", Aids
Reporters Total Reporters I\2' <;
43 Total Monitored 4.*
20 Total Indicator 18 Current Indicator Playlists
Note: KOMP/Las Vegas, NV and WKQZ/Saginaw, MI move from Rock to Active Rock. Reported Frozen Playlist 2 P Y (2): KXUS/Springfield, MO W RQR/VVilminrz.,fon, NC gt
The Advertiser: Rock's.... Continued from Page 95
blue -collar attitude or all of the above. Those elements are why your listen- ers identify you as their favorite radio station. If a client wants your listen- ers, it must want your station - and your personality is a critical part of that equation.
So, to overcome content arguments, start by selling your personality. It's who you are, and your listeners iden- tify with it, period. Don't suddenly change or modify your product pro- file just to meet a client's profile. Most Rock stations don't just meet listen- ers' musical requirements, they strive to satisfy lifestyle or psychographic requirements as well, which is where nonmusic content plays its role.
Content arguments often stem from your competition's being different - i.e., your competition doesn't have con- tent problems; they're squeaky clean. In this case, it's what your competition doesn l' offer that you do. That's an easy win. In Rock, boring is bad. Contro- versy can be good. Content that some may find objectionable can also be de- scribed as content that makes people laugh or cry; that pulls on heartstrings; that is thought -provoking, cutting - edge, topical, entertaining, etc.
You can overcome your content is- sues. If you're a guy, do you want to go on a date with a boring girl who has to be home at 9:30pm or a fun girl with a personality who can stay out late? Advertisers will understand that con-
cept when it's illustrated properly. There are other predictable things to
do to overcome obstacles: If you out- rank your competitors, show advertis- ers your amazing cume and TSL num- bers. Who doesn't want to go to the dance with a winner? Most important, sell the other attributes of your station vs. your competition (music, comedy, promotion, etc.), and talk about your loyal and passionate listeners. In other words, tell the story of your station.
Most buyers or clients don't really know your station. They may know the ratings situation, but, other than that, they only know what they've been told. They want to attract your listeners. When overcoming content objections, represent your product. The client may not personally approve of your product, but your listeners do, and the client wants your listeners; otherwise, you wouldn't be consid- ered. Don't let content close the door.
Sell By Association
Another effective tactic to overcome content issues is to sell by association. In general, Rock stations cater to men. When confronting content issues, it might benefit you to educate the ob- jecting client on other successful male - targeted products. For example: Max- im magazine, the WWF, The Man Show on Comedy Central, Playboy, lin- gerie catalogs, websites, movies, etc.
Those products' content could be considered objectionable by some. Maxim uses profanity. The WWF is vi- olent. Playboy features nudity. The Man
Show promotes beer- drinking and satir- ical humor. Lingerie catalogs merchan- dise sex, websites contain porn, and movies contain all of the above. They all have advertising streams as well.
The same beer company that doesn't like what you're doing on the air would probably jump at the chance to be featured on The Man Show or in Maxim. Why shouldn't your radio sta- tion be able to offer the same benefits as your nonradio competitors, as long as those benefits aren't considered indecent or obscene by FCC defini- tions? Stand up for your product!
As sophomoric as this may sound, another way to prevent content argu- ments is to make sure that the PD and GM are on the same page. If the GM wants the station to be the upscale, upper -demo, BMW and American Express station, you may want to think twice about doing the Porn and Korn or We've Got Bush promotions.
If management has different opin- ions from programming about what the product is all about, there will be trouble. However, if everyone agrees about the demo and the ratings are good, don't cave in to pressure. Some- one once said, "If you build it, they will come."
Catalyst For Ratings
In Rock radio, it's guaranteed that some content will cause you head- aches, but it may also be a catalyst for ratings, which is what the sales depart- ment wants in the first place. Neverthe- less, some content can be detrimental
WAAF/Boston's Patriot Games Continued from Page 95
Here is the WAAF listener who paid $800 in an auction for this com- memorative box of Wheaties featuring the Patriots on the front. The proceeds benefited the New England Patriots Charitable Foundation.
to your product. "Ratings at all costs" is not necessarily the answer, and it's the PD's responsibility to know where to draw the line.
But if your ratings are up and the FCC is not fining you, your station is fulfilling its programming mission. At that point, the sellers need to get in the game and overcome the content obsta- cles. Otherwise, as soon as you start changing everything to make the beer companies and car dealers happy, your listeners may jump ship - and then the
beer companies and car dealers won't want you anymore.
Right or wrong, advertiser approval is a reality these days. I can hear PDs praying in their beds tonight, "Please, dear God, don't let the morning show say something that will piss off Pepsi." The irony is that Rock listeners prob- ably want the morning show to say something that will piss off Pepsi.
Keith Cunningham can be reached at 310- 452 -7126 or mediapositioning @aol.com.
www.americanradiohistory.com
98 R &R February 22, 2002 Rock Playlists T :arrsxisx1. ?<nIseresiaricsi
MARKET #4
KSJO/San Francisco
Clear Channel (408)453 -5400 Schoenwetter/Tyler
12+ Cume 473,500
PLAYS
LW 1W
42 41
40 40
37 38
23 22
14 21
22 21
15 1
20 1
17 1
20 1
14 1
19 1
16 1
9 1
13 1
11 1
5 1
10
fi
4
9
5
4
6
1
2
9
2
3
3
ARTIST/TITLE
LINKIN PARK/In The End
NICKELBACKMOw You Remind Me
TOOUSchism PUDDLE OF MUDDBlurry DEFAULT/ Wasting My Time
OZZY OSBOURNE/Gets Me Through NICKELBACK/Too Bad
GODSMACKANhatever
GODSMACK/Awake P.O.DJAIive
GODSMACKA Stand Alone TOOULateralus
DROWNING POOUBodies
STAIND/For You
DISTURBED/Down With...
Onze OSBOURNEBreamer ILL NINOAVhat Cornes Around
HOOBASTANK/Crawling In The Dark CREED/Bullets
GODSMACK/Keep Away SYSTEM OF A DOWN/Chop Suey ADEMA/GNing In
GODSMACK/Greed INCUBUSMice To Know You
SYSTEM OF A DOWN/Toxicity
LIMP BIZKITMIy Way CREED/My Sacrifice DISTURBED/The Game
3 DOORS DOWN/Kryptonite PUDDLE OF MUDD/Control
GI (000)
10209 9960 9462 5478 5229 5229 4731 4731 4731 4482 4233 3984 3984 3735 3486 2988 2490 1992 1494 1494 1494 1245 1245 1245
996 996 996 747 747 747
WMMS/Cleveland Clear Channel (216)520.2600 Trapp/Pennington
12+ Cume 339,700 41/re.rem
PLAYS
LW TW ARTISTRITLE
32 35 PUDDLE OF MUDDBlurry 34 34 LINKIN PARK/n The End
38 34 NICKELBAGVHow You Remind Me
33 31 P.O.D /Alive 19 17 PUDDLE OF MUDD/Control 10 16 GODSMACK/Greed 14 16 FUELMemorrhage... 12 14 PRIMUSW /OZZYM.I.B. 13 14 STAIND /It's Been Awhile 12 14 INCUBUS// Wish You Wem Here
13 13 TANTRIC/Astounded 14 13 CREED /Are You Ready
10 19 3 DOORS DOWN/Loser 16 13 DEFAULT/Wasting My Time
11 12 DISTURBED/Down With... 15 12 3 DOORS DOWNWryptonee 5 12 KID ROCK/Only God Knows Wfty
12 12 STAIND/Outside 11 12 CREED/My Sacrifice 15 12 GODSMACK/Awake
8 12 LINKIN PARK/Crawling
5 11 STAIND/Fade
6 11 SALNM'our Disease
10 10 LINKIN PARK/One Step Closer
12 10 STAIND/For You
16 10 OFFSPRING/Defy You 14 10 SALIVA/Click Click Boom
11 10 P.0.0 /Youth Of The Nation
10 9 ADEMAGiving In
13 9 HOOBASTANK/Crawling In The Dark
GI (000)
6965 6766 6766 6169 3383 2985 2985 2786 2786 2786 2587 2587 2587 2587 2388 2388 2388 2388 2388 2388 2388 2189 2189 1990 1990 1990 1990 1990 1791 1791
KLBJ/Austin LBJS (512) 832-4000 CarroVLowe
12+ Cume 116,900
PUYS LW TW ARTST/TITLE
24 24 DEFAULT/Wastng My Time
24 24 NICKELBACK/Too Bad
18 24 CREED/Bullets
24 23 PUDDLE OF MUDDBlurry 17 22 STAIND/For You
13 1 COURSE OF NATURE/Caught In The Sun 8 1 a BIG HEAD TODD..1Julianrla
14 1 JOE BONAMASSAB Heartaches... 13 1 INCUBUS/Nice To Know You
15 1 P.O.DIAINe
23 1 OZZY OSBOURNE/Dreamer 10 JEFF BECK/Dirty Mind
9 STAINDnt's Been Awhile 4 HOOBASTANK/Crawling In The Dark
7 IOMMI F/DAVE GROHUGoodbye Lament
3 GODSMACKA Stand Alone
7 NICKELBACKMow You Remind Me
9 VALLEJO /Into The New
9 OZZY OSBOURNE/Gets Me Through HEADSTRONG/Adriana
6 OFFSPRING/Defy You
7 F00 FIGHTERS/The One
4 LENNY KRAVITZStillness Of Hean
2 PUSHMONKEY/Myselt 15 NEIL YOUNG/Let's Roll
4 INJECTED/Faithless
5 CANVAS/In These Walls 4 DREAM THEATER/Misunderstood
5 ROB ZOMBIE /Never Gonna Stop... 4 HEDDER/Dave YOW Face
GI (000)
1440 1440 1440 1380 1320 1080
780 720 720 600 600 540 540 540 480 480 480 420 420 420 420 360 360 360 360 300 300 300 300 240
WTFX/Louisville Clear Channel (502) 479-2222 Lee
12+ Cume 122,400
PUYS LW TW
36
34 36 22 19
39
6
21
21
22
20
6 19
8
19
37
20
20
20
20
21
15
17
22
16
18
4
15
6
36 34
33 32
29 24
23 23 23 22
22
21
21
20 20 19
19 18
18 17
17 16 16
le 13 19
10 10
9
9
ARTIST/TITLE
NICKELBACKMOw You Remind Me
STAIND/For You
DISTURBED/Down With... LINKIN PARK/n The End
PUDDLE OF MUDDBlurry Po DIAeve DISTURBED/The Game
DEFAULT/ Wasting My Time
HOOBASTANK/Crawling In The Dark
KID ROCK/Loney Road 01 Faith
NICKELBACK/Too Bad
TANTRIC/Mourning GODSMACK/I Stand Alone P.O.D.Noath Of The Nation
SALIVA/Click Click Boom
INCUBUS/I Wish You Were Here
TOOL/Lateralus
DROWNING POOL/Bodies
LINKIN PARK/Crawfing
TOOUSchism
CREED/My Sacrifice
INCUBUS/Pardon Me
GODSMACK/Greed
PUDDLE OF MUDD/Control GODSMACK/Awake DISTURBEDNOices RED HOT CHILI_ JOtherside
KID ROCK/Forever
STAIND/Outside INCUBUS/Nice To Know You
GI 10001
2196 2074 2013 1952 1769 1464 1403 1403 1403 1342 1342 1281 1281
1220 1220 1159 1159 1098 1098 1037 1037 976 976 915 793 793 610 610 549 549
MARKET #6
WMMR/Philadelphia Greater Media (610) 771-0933
MilkmaMipelo
12+ Cume 661,700
PLAYS
LW TW
34 38
30 34
21 34 20 30
32 27 34 26 17 23 18 22
21 22 19 20
12 13 9 13
16 13 13 13 11 12
13 12
8 11
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8 10
4 8
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11 6
5
6
- 5 8 5
9 5
7 4
ARTIST/TITLE
PUDDLE OF MUDDBlurry OZZY OSBOURNE/Gets Me Through BUSWHeadlul OlGhosts NICKELBACK/Too Bad
DEFAULT/Wasting My Time
CREED/My Sacrifice
STAIND/For You
EDDIE VEDDER/YOu've Got To...
OFFSPRING/Defy You
COURSE OF NATURUCaught In The Sun
NICKELBACKMow You Remind Me
STAINDAYs Been Awhile
METALLICA/I Disappear
METALLICA/No Leal Clover
GODSMACKMeep Away
STAIND/Fade
INCUBUS/Nice To Know You OZZY OSBOURNEJDreamer
GODSMACKA Stand Alone
FU MANCHU/Squash That Fly
F00 FIGHTERS/The One
GODSMACK/Awake F00 FIGHTERS/Learn To Fly
PUDDLE OF MUDD /Control
TONIC/You Wanted More
BUCKCHERRY/Lit Up
P.O.D /ABve RED HOT CHILI... /Otherside
BUSH/The Chemicals.._ TANTRIC/Mourning
G11000)
11058 9894 9894 8730 7857 7566 6693 6402 6402 5820 3783 3783 3783 3783 3492 3492 3201 3201 3201 3201 2910 2328 2037 1746 1746 1746 1455 1455 1455 1164
MARKET #26
WEBN/Cincinnati Clear Channel (513) 621-9326 WaUerNaske
12+ Cume 264,400
PUYS LW 7W
31 31
32 30 28 29
30 28
19 21
31 21
21 21
20 21
21 20
14 1
13 1
15 1
14 1
16 1
10 1
16 1
16 1
13 1
11 1
9 1
11 1
9 1
11 1
18 1
8 1
10 1
11
4
8
7
ARTIST/TITLE
DISTURBED/Down With...
LINKIN PARK/In The End
STAIND/Fade
NICKELBACK/HOw You Remind Me
PO.DIAIive TANTRIC/Astounded
NICKELBACK/Too Bad
DEFAULTNasting My Time STAIND/For You
ROB ZOMBIE/Never Gonna Stop... OFFSPRING/Defy You PUDDLE OF MUDDBlurry GODSMACK/Bad Magick
DROWNING POOUTear Away
ALIEN ANT FARM/Movies
CREED/My Sacrifice TOOULateralus INCUBUS/Nice To Know You
INCUBUS// Wish You Were Here
DISTURBEDNOices
GODSMACK/I Stand Alone
3 DOORS DOWN/Loser
SOIUUnreal LINKIN PARK/Crawling
COURSE OF NATURE/Caught In The Sun
LINKIN PARK/One Step Closer
SYSTEM OF A DOWN/Toxicity INJECTED/Faithless TOOUSchism
GRAVITY KILLS/One Thing
GI 10001
5363 5190 5017 4844 3633 3633 3633 3633 3460 3287 2768 2768 2595 2595 2422 2422 2249 2249 2076 2076 1903 1903 1903 1903 1730 1730 1557 1384 1384 1384
MARKET #46
WBBB/Raleigh- Durham Curtis (919) 876-3831 Meyer
12+ Cume185,200
PUYS LW TW
42 46
43 42
40 41
41 40
39 40
39 39
35 37
34 37
35 37 34 37
43 35
39 34
40 34
24 32
25 32
24 25
22 23
15 23
21 22
18 21
22 20
14 20
19 19
16 16
14 16
20 16
20 16
16 16
16 16
12 15
ARTIST/TITLE
PUDDLE OF MUDDBlurry CREED/My Sant/tice DEFAULT/Wasting My Time NICKELBACKMow You Remind Me COURSE OF NATURE/Caught In The Sun
STONE TEMPLE PILOTS/Revolution
TONTO /C/Mourning STAIND/Fade LENNY KRAVITUDg In
LINKIN PARK/In The End
INCUBUS// Wsh You Were Here
P.D.D./Alive
TRIK TURNER/Friends + Family
LIFEHOUSEBreathing NICKELBACK/Too Bad
ALIEN ANT FARM/Smooth Criminal AMERICAN HI- FI/Flavor Of The Weak
F00 FIGHTERS/The One
AEROSMITWJaded
3 DOORS DOWNBe Like That
TRAINBrops Of Jupiter_.
P0.0 /Youth 01 The Nation
3 DOORS DOWWDuck And Run
DAVE MATTHEWS BAND/The Space Between HOOBASTANK/Crawling In The Dark
LIFEHOUSEManging By A Moment U2/Beautiful Day
INCUBUS/Drive
EVERCLEAWAM Radio
INCUBUS/Nice To Know You
GI (0001
2898 2646 2583 2520 2520 2457 2331 2331 2331 2331 2205 2142 2142 2016 2016 1575 1449 1449 1386 1323 1260 1260 1197 1008 1008 1008 1008 1008 1008 945
MARKET #56
WRXL/Richmond Clear Channel (804) 474.0000 Lassman40ukOwsld
12e Cume 111,300
PUYS LW TW
34 30
31 30
33 29
29 28
14 1
16 1
12 1
11 1
16 1
13 1
13 1
13 1
11 1
12 / 11 1
14 1
12 1
8 1
15 1
14 1
10 1
11 t 10 1
12 1
12 1
13
13
12
XL /02 ARTIST/TITLE
PUDDLE OF MUDDBlurry LINKIN PARK/In The End
PUDDLE OF MUDD/Control NICKELBACKMOw You Remind Me
TANTRICiMourning DEFAULT/Wasting My Time
GODSMACK/I Stand Alone
P.O.DJAlive INCUBUS/I Wish You Were Here
FUEL/Hemorrhage_. STAIND/For You
CREED/My Sacrifice STAIND /Outside
CREED/Bullets PAPA ROACH/Last Reson
NICKELBACK/Tue Bad
STAIND/Fade
GODSMACK/Greed TOOUSchism STAINDAYs Been Awhile
PO.D/Youth Of The Nation
INCUBUS/Drive
GODSMACK/Awake
INCUBUS/Nice To Know You
DISTURBED /Down With...
SALIVANour Disease LINKIN PARK/Crawling
072Y OSBOURNE/Gets Me Through
LIFEHOUSE/Hanging By A Moment
CREEDMigher
6I (000)
1830 1830 1769 1708
915 915 915 854 854 793 793 793 732 732 732 732 732 732 671 610 610 610 610 610 610 549 549 549 488 427
KLOIJHouston- Galveston
Clear Channel (713) 830 -8000
Richards/fin
12+ Cume 345,000
PLAYS
LW TW ARTIST/TITLE
27
28
26
25
26
10
11
14
13
11
12
9
11
9
14
7
10
11
8
7
6
10
15
7
9 10
8
6
8'aCiÌC 3 %l nr.wr.
CREED/My Sacrifice NICKELBACKMow You Remind Me PUDDLE OF MUDD/Control STAIND /Outside
GODSMACK/Awake
GODSMACKA Stand Alone
KID ROCK/Loney Road 01 Faith
PUDDLE OF MUDDBlurry NICKELBACK/Too Bad
CREED/Bullets OZZY OSMOURNE/Dreamer OFFSPRINGBely You
METALLICA Disappear DEFAULT/Wasting My Time
STAIND/For You
COURSE OF NATURE/Caught In The Sun
3 DOORS DOWN/Loser U.P.OIGodless EU MANCHU/Squash That Fly
BUCKCHERRY/Lit Up METALLICA/No Leal Clover
KID ROCK/Cowboy LINKIN PARK/In The End
a ROB ZOMBIE/Never Gonna Stop... STAIND/Fade TOOL/Schism PRIMUS W/0IZYM.I.13. P.O.D1Alive
GODSMACKBreed FUELMemarrhage...
MOM) 5684 5488 5096 4900 4508 2548 2548 2548 2352 2156 1960 1764 1764 1764 1568 1568 1568 1568 1568 1568 1568 1372 1372 1372 1372 1176 1176 1176 1176 1176
MARKET #28
KCAL/Riverside Anaheim (909) 793-3554 Hoffman/Matthews
12+ Cume 134,200
PLAYS
LW 1W
40u 38 M 45 44
4149 44 41
42 40
44 36
26 23
2322 21 20 19 19 17 19 18 10 16 17
17 17
24 17 18 16 16 15
14 15 16 13
19 13
11 13
15 13
14 12
10 12
15 12
12 12
11 11
14 11
12 11
-IRA4(4W
ARTIST/TITLE
NICKELBACKMow You Remind Me GODSMACKA Stand Alone
DISTURBED/Down With...
LINKIN PARK/In The End
PO.DJAkve
CREED/My Sacrifice DROWNING POOLBodies
SYSTEM OF A DOWN/Chop Suey ROB ZOMBIE/Never Gonna Slop... PUDDLE OF MUDD/Control
3 DOORS DOWN/Kryptonite RED HOT CHILI..JOtherside FOO FIGHTERS/The One
RED HOT CHILI.../Caleomicalion TOOL/Schism OFFSPRING/Dey You
METALLICM Disappear
OFFSPRING/Original Prankster
STAIND /It's Been Awhile
LEWIS W/DURST/Oulside 3 DOORS DOWN/Loser NICKELEACK/Toe Bad
RED HOT CHILI.. 'Scar Tissue
GODSMACK/Awake LIMP BIZKIT/My Way DISTURBEDNOices PUDDLE OF MUDDBlurry LINKIN PARK/Runaway
PAPA ROACH/Last Resort
GOOSMACK/Greed
01 (0001
3344 3344 3344 3268 3116 3040 2736 1748 1672 1520 1444 1368 1368 1292 1292 1292 1216 1140 1140 988 988 988 988 912 912 912 912 836 836 836
WBUF /Buffalo Infinity (716) 852-9292
Paul
12+ Cume 117,700
MARKET #50
PUYS LW TW
30 31
28 01
28 31
32 30
21 24
25 24
1822 2222 18 21
23 21
20 20
18 1
21 1
- 1
- 1
22 1
10 1
8 1
8 1
11 1
13 1
12
9
10
9 10
8
6
10
6
ARTIST/TITLE
OZZY OSBOURNE/Dreamer CREED/My Sacrifice
DEFAULT/Wasting My lime NICKELBACKMOw You Remind Me
STAIND/Tade PUDDLE OF MUDDBlurry NEIL YOUNG/LeIs Roll TANTRIC/Mourning NICKELBACK/Too Bad
KID ROCK/Loney Road Of Faith
RYAN ADAMS/New York, New York
STAIND/For You
COURSE OF NATURE/Caught In The Sun LENNY KRAVITZBWIness 01 Hean
TRAIN/She's On Fire
INCUBUS// Wish You Wem Here
3 DOORS DOWNWryptonite LIFEHOUSEManging By A Moment PRIMUS W/OZZYIN.I.B. PUDDLE OF MUDD/Control MICK JAGGER /God Gave Me...
LENNY KRAVITZ/Dig In
AEROSMITH/Jaded
CREED/Bullets
3 DOORS DOWN/Loser
STAIND /IFS Been Awhile
HOOBASTANK/Crawling In The Dark
FU MANCHUBquash That Fly
INCUBUS/Nice To Know You
OZZY OSBOURNE/Gets Me Through
GI 1060)
1798 1798 1798 1740 1392 1392 1276 1276 1218 1218 1160 1044
986 870 870 754 638 638 638 580 580 522 522 522 522 522 522 522 464 464
MARKET #58
WTUE/Dayton
Clear Channel (937) 224 -1137 TìfordBeaulieu
12+ Cume 155,100
PUYS LW TW
27 25
2821 12 1
18 1
7 1
13 1
18 1
7 1
'11 1
11 1
6 1
7
9
4
4
3
3
3
3
4
4
2
2
ARTIST/TITLE
NICKELBACKMOW You Remind Me
CREED/My Sacrelce NICKELBACK/Too Bad
OZZY OSBOURNE/Dreamer
GODSMACK/I Stand Alone
LENNY KRAVITZ/Dig In
DEFAULT/Wasting My Time
OZZY OSBOURNE/Gets Me Through
COL. PARKER/All The King's...
KID ROCK/Lonely Road Of Faith
STAIND/For You
PUDDLE OF MUDDBlurry COURSE OF NATURE/Caught In The Sun
GODSMACK/Awake
PUDDLE OF MUDD/Control
STAIND /h's Been Awhile
INCUBUS// Wish You Were Here
3 DOORS DOWNA(ryptonne GOOSMACKNoodoo TODD SNIDERBeer Run
CREED/Higher
3 DOORS DOWN/Loser
U.P.O.Modless PRIMUS W /OZZYM.I.B. STAIND /Outside
CREED/Bullets GODSMACK/Greed CREED/With Arms Wide Open
ILL NINO/What Comes Around
IRON MAIDEN/The Wicker Man
GI (000)
2200 1848 1584 1408 1408 1232 1144 968 880 880 880 792 704 704 528 528 440 352 352 352 264 264 264 264 176 176 176 176
88 88
MARKET #15
8088/Phoenix Sandusky (480) 897 -9300
Bonadonna/Ells
12+ Cume 212,300
933 r , ' 3 .
réöcJis PLAYS
LW TW ARTIST/TITLE
14 22 NICKELBACK/How You Remind Me
7 20 PUDDLE OF MUDDBlurry 16 20 DEFAULT/Wasting My Time
17 18 CREED/My Secmice
8 11 OZZY OSBOURNE/Dreamer 9 11 AEROSMITWSunshine 4 10 U2/Walk On
6 10 3 DOORS DOWWKryptonde 9 10 NICKELBACK/Too Bad
10 9 FOO FIGHTERS/Die One
9 0 NEIL YOUNG/Let's Roll
9 7 CREEDANith Arms Wide Open
6 6 U2/8eau0lul Day
7 6 SAMMY HAGAWI Can't Drive 65
2 6 TRAIN/Meet Virginia
5 5 NO. MISSISSIPPI..ISuganown 4 5 MATCHBOX TWENTY/Bent
6 5 RED HOT CHILI..ICal0ornkation 4 5 TRAIN/Drops Of Jupiter.. 8 5 AEROSMHH/JOOed
6 5 RED HOT CHILI.. /Scar Tissue
6 5 RED HOT CHILI..JOtherside
5 5 HEDDER/Save Your Face
7 5 FUEL/Hemorrhage...
5 5 FOO FIGHTERS/Leam To Fly
4 4 CREED/Higher
5 4 CREED/Riders On The Stone 3 3 SANTANA FBOB THOMAS/Smooth
6 2 BON JOVVIts My Lee
4 1 3 DOORS DOWN/Loser
GI 1000)
2310 2100 2100 1890 1155 1155 1050 1050 1050 945 840 735 630 630 630 525 525 525 525 525 525 525 525 525 525 420 420 315 210 105
MARKET #18
WBAB/Nassau- Suffolk Cox (631) 587 -1023
Olsen/Parise
12+ Cume 695,300
PLAYS
LW TW ARTIST/TITLE
95.3/102.3
GI (000)
32
30 15
31
30
18
19
17
15
32 11
12
13
10
11
11
10
12
10
7
13
9
3
8
3
4
4
34
33 30
30 29 1
NICKELBACKMow You Remind Me
CREED/My Sacrifice
DEFAULT/Wasting My Time
STAIND/Outside
AEROSMITH/Just Push Play
OZZY OSBOURNEBreamer NEIL YOUNG/Let's Roll
LENNY KRAVITZ/Dig In
U2Beautiful Day
STAIND /n's Been Awhile
PRIMUS W /OZZYM.I.B. FUEL/Hemorrhage... SANTANA FBVERLAST/Put Your Lights On
MICK JAGGEWGod Gave Me...
3 DOORS DOWN/Loser TRAIN/She's On Fire
PUDDLE OF MUDDBlurry AC/DC/Satellite Blues
TANTRIC/Mourning TRAIN/Drops Of Jupiter.. COURSE OF NATURE/Caught In The Sun
STONE TEMPLE PILOTS/Revolutron
MICK JAGGERNisrons Of Paradise
AEROSMITWJaded
CREED/With Arms Wide Open
NICKELBACK/Too Bad
METALLICA/I Disappear
METALLICA/No Leaf Clover
3 DOORS DOWN/Kryptonite RED HOT CHILI..JOtherside
9996 9702 8820 8820 8526 5586 5292 4998 4704 4116 3528 3528 3528 3528 3528 3234 3234 2940 2940 2940 2646 2646 2646 2058 1764 1470 1470 1470 1176 1176
WHJY/Providones Clear Channel (401) 228 -0032 BedlacglWPalmierinaurenti
12+ Cume 270,900
!A4 HAY
PLAYS
01 (000) LW TW ARTIST/TITLE GI 1000)
1568 26 34 P.O.D /Nhe 5236 1568 30 31 CREED/My Sacrifice 4774 1456 26 27 STAIND/Fade 4158
896 34 26 NICKELBACKMow You Remind Me 4004 896 14 25 PUDDLE OF MUDDBlurry 3850 728 31 22 PUDDLE OF MUDD/Control 3388 728 16 21 DEFAULT/Wasting My Time 3234 728 18 16 HOOBASTANK/Crawling In The Dark 2464 672 14 16 3 DOORS DOWN/Kryptonite 2464 672 13 15 GODSMACK/Awake 2310 672 13 15 TANTRIC/Mouming 2310 672 11 14 FUEUHemorrhage... 2156 672 17 14 NICKELBACK/Too Bad 2156 672 18 14 NEIL YOUNG /Let's Roll 2156 872 15 14 3 DOORS DOWWDuck And Run 2156 616 11 14 LENNY KRAVITZ/Dg In 2156 616 13 14 TANTRIC/Astounded 2156 616 15 14 SALIVM'our Disease 2156 616 17 14 OZZY OSBOURNE/Gets Me Through 2156 616 9 13 EDDIE VEDDER/You've Got To._ 2002 560 14 13 GODSMACK/Greed 2002 560 12 19 TOOUSchism 2002 560 16 13 TANTRICBreakdown 2002 560 13 13 OZZY 0S80URNE/Dreamer 2002 560 10 12 PRIMUS W /07ZY/N. /.B. 1848 560 11 12 GODSMACKA Stand Alone '1848 504 10 11 CREED/Bullets 1694 504 12 10 STAIND/For You 1540 392 10 9 COL. PARKER/All The King's... 1386 280 11 9 COURSE OF NATURE/Caught In The Sun 1386
MARKET #34
KBER/Sall Lake City
Citadel (801) 485 -6700 Hammer/Powers
12+ Cume 122,100
PLAYS
LW TW
27 20
27 28 25 26
12 16
12 16 14 13 14 13
10 13
12 12 15 12
B 12
10 12
11 12 13 12
17 12 2 11
9 11
8 11
11 11
12 11
10 10
7 10 7 10
9 10 12 10 15 10 11 9
9 9
3 7
2 5
ARTIST/TITLE
NICKELBACK/Too Bad
DEFAULT/Wasting My Time
PUDDLE OF MUDDBlurry HEAOSTRONG/Adriana
STAIND/For You
CREED/Bullets HOOBASTANK/Crawling In The Dark
INJECTED/Faithless
OZZY OSBOURNE/Gets Me Through
ROB ZOMBIE/Never Gonna Stop._ INCUBUS/Nice To Know You
STAIND /It's Been Awhile
FUEL/Hemorrhage... GODSMACK/I Stand Alone
CREED/My Sacrifice KID ROCK/Lonely Road 01 Faith
3 DOORS DOWN/Kryptonite METALLICA/I Disappear SEVENDUST /Praise
INCUBUSA Wlsh You Were Here
SYSTEM Of A DOWN/Toxicity
P.O.DJYomh Of The Nation
COURSE OF NATURE/Caught In The Sun
PUDDLE OF MUDD /Control
3 DOORS DOWWDuck And Run
OFFSPRING/DeIy You
A PERFECT CIRCLE/Judith NICKELBACKMow You Remind Me
CREEDMgher METALLICA/No Leaf Clover
WCMF/Rochester, NY
Infinity (716) 399-5700 MCClae/KWW
12+ Cume 139,000
PLAYS
LW 1W
17 1
13 1
16 1
11 1
11 1
1 1
1 1
1 1
Yr.. n.ae a..m..
ARTIST/TITLE
OZZY OSBOURNE/Oreamer
CREED/My Sacrifice NICKELBACKMow You Remind Me
CREED/Bullets
COURSE OF NATURE/Caught In The Sun
NICKELBACK/Too Bad
KID ROCK/Loney Road Of Faith
DEFAULT/Wasting My Time FU MANCHU/Squash That Fly
JOE BONAMASSNColour 8 Shape JIMMY EAT WORLD/The Middle CRACKER/Shine
LENNY KRAVITZ/Stillness Of Heart
HEADSTRONG/Adriana
NO MISSISSIPPI ../Suganown COL. PARKER/All The King's... TRAIN/She's On Fire
LOSTPROPHETS/Shinobi Vs...
JOEY RAMONE/What A Wonderful.., P.O.DJYOum Of The Nation
METALLICA/I Disappear
PETE YORN/Strange Condition MICK JAGGER/ isions Of Paradise
METALL /CAMO Leaf Clover
GRAVITY KILLS/One Thing
APEX THEORY/Shhh... (Hope Dggy) INJECTED/Faithless
SYSTEM OF A OOWWTOxlciy RED HOT CHILL. /Scar Tissue
DOPE/Slipping Away
GI (000) 76
72
64
48 48 48 40 40 36 36 32 32 32 32 32 32 32 28 20 20 16 16 16 16
12 12 12
8
8
8
MARKET #61
WPYX/Albany, NY
Clear Channel (518) 452-4800
Cooper/O'Donnell
12+ Cume 128,500
PUYS LW TW ARTIST/TITLE
1 18 NEIL YOUNG/Let's Roll
1 17 LIFEHOUSEManging By A Moment
1 17 NICKELBACKMow You Remind Me 1 15 EDDIE VEDDER/You've Got To...
1 14 CREED/My Sacrifice
1 12 CALLING/Wherever You Will Go
10 PUDDLE OF MUDDBlurry 9 O72V OSBOURNE/Dreamer
8 KID ROCK/Loney Road 01 Faith
7 STAIND /IYs Been Awhile
6 CREED/Higher
6 DAVE MATTHEWS BAND/Everyday
5 DEFAULT/Wasting My Time 1 5 3 DOORS DOWN/Kryptonite
5 JOE BONAMASSA/Colour 8 Shape
5 TRAIN/Drops Of Jupiter_. 5 CREED/Bullets 5 CREED/With Arms Wide Open
4 LIT/My Own Worst Enemy
4 INCUBUS/Nice To Know You
1 3 INCUBUS/Drive
3 RYAN ADAMS/New York, New York
3 TRAIN/Meet Virginia
2 RED HOT CHILI..IOtherside 2 TONIC/YOU Wanted More
2 SANTANA FBOB THOMAS/Smooth
2 COURSE OF NATURE/Caught In The Sun 146
1 NICKELBACK/Too Bad 73
1 WILLIAM S. BURROUGHS/Is Everybody In? 73
1 1 AC/DC/Satellite Blues 73
GI (0001 1314 1241 1241 1095 1022 876 730 657 584 511 438 438 365 365 365 365 365 365 292 292 219 219 219 146 146 146
MARKET #54
KATT /Oklahoma City
Citadel (405) 848 -0100
Baker/Daniels
12+ Come 140,500
PLAYS LW TW
3232 32 31
31 30 23 29 1627 1925 20 24
25 24 25 22
2322 2021
1 21
23 18 30 17
20 17
13 16
32 16 10 15
15 14
- 14 12 14
13 19
to 12
15 12 10 11
to 10
8 10 10 10
15 10 13 10
ARTIST/TITLE
LINKIN PARK/In The End
NICKELBACKMow You Remind Me
DEFAULT/Wasting My Time PUDDLE OF MUDDBlurry CREED/Bullets POD/Youth Of The Nation
STAIND/For You
DISTURBED/Down Wim.. KID ROCK/Loney Road 01 Faith
STAIND/Fade
P.0.0IAlive GODSMACK/I Stared Alone
NICKELBACK/Too Bad
PUDDLE OF MUDD /formol INCUBUS// Wish You Were Here
ROB ZOMBIE/Never Gonna Stop.. CREED/My Sacrifice
INJECTED/Faithless COURSE OF NATURE/Caught In The Sun
FAMILIAR 4R/The Question
SYSTEM OF A DOWN/Chop Suey
X- ECUTIONERSnts Goio' Down
A PERFECT CIRCLER Libras
TOOULateralus MAYFIELD FOUR/Eden (Turn The Page)
CALLING/ Wherever You Will Go
FUEL/Bad Day
CULT/Rise KITTIE/Run Ube HBO
STONE TEMPLE PILOTS/Revolution
GI (000)
3232 3131 3030 2929 2727 2525 2424 2424 2222 2222 2121 2121 1818 1717 1717 1616 1616 1515 1414 1414 1414 1313, 1212
1212 1111
1010 1010 1010 1010 1010
MARKET 463
KFRO/McAllee Entra vision (956) 661 -6000
DuraruWesl
12+ Cume 113,500
PUYS LW TW
34 34
38 34
31 33 37 29
14 2
10 1
13 1
21 1
12 1
10 1
13 1
15 1
8 1
11 1
12 1
9 1
11 1
13 1
10 1
9 1
12 1
10 1
10 1
8 1
15 1
13 1
10
10
6
10
C(-) 94.5 ARTIST/TITLE
NICKELBACKAIOW You Remind Me
PUDDLE OF MUDDBlurry CREED/My Sacrifice LINKIN PARK/In The End
LENNY KRAVITZMi0 In
FU MANCHIIBquash That Fly
KID ROCK/Loney Road 01 Faith
OZZY 0380URNE/Dreamer DEFAULT/Wasting My Time
AEROSMITILBunshine PUDDLE OF MUDD /Control COURSE OF NATURE/CaugM In The Sun
PO.DINiue H008ASTANK/Crawling In The Dark
OfFSPRING/Dey You
STAINDIO's Been Awhile
OLEANDER/Are You There?
TANTRIC/MOummg
METALLICN Disappear
INCUBUS/Drive BUCKCHERRY/Lit Up 3 DOORS DOWN/Kryptonite ADEMA/The Way You Like It
FUEL/Hemorrhage... NICKELBACK/Too Bad
INCUBUS// Wish You Wem Here
LIFEHOUSEManging By A Moment FILTER/Take A Picture FOO FIGHTERS/The One
3 DOORS DOWN/Be Like That
G110001
2754 2754 2673 2349 1701 1450 1458 1215 1053 1053 1053 1053 1053 1053
972 972 972 972 972 972 891 810 810 810 810 810 729 729 648 648
www.americanradiohistory.com
Active Rock Playlists MARKET #5
KEGL/Dallas -Ft. Worth Clear Channel (972) 991 -1029 Doherty/Ryan/Scull
12. Cume 399,300
PLATS
Lw TW
22 36
31 35 33 32 25 29
8 23
23 22 22 21
23 20 19 2
20 1
2 1
1 1
I
1 1
1 1
1 1
1
1
1
2
2
ARTIST/TITLE
DEFAULT/Wasting My Time PUDDLE OF MUDDBlurry LINKIN PARK/In The End DROWNING POOUBodies GODSMACKA Stand Alone STAIND/For You
ROB ZOMBIE/Never Gonna Stop... T000tateralus SYSTEM OF A DOWN/Chop Suey OZZY OSSO(JRNE/Ureamer NICKELBACK/roo Bad ADEMA/The Way You Like It
KID ROCK/Loney Road 01 Faith
PO.DNouth Of The Nation DROWNING POOL/Tear Away CREED/Bullets INCUBUS/Nice To Know You
HOOBASTANK/Crawling In The Dark INJECTED/Faithless ILL NINO/What Comes Around F00 FIGHTERS/The One CUSTOM/Hey Mister DISTIlROED/Stupily
METALLICA/I Disappear GODSMACKNJhatever PUDDLE OF MUDD /Control LINKIN PARK/One Step Closer NICKELBACK/How You Remind Me SYSTEM OF A DOWN/Toociy DISTURBED/Down WM...
St MOO)
7668 7455 6816 6177 4899 4686 4473 4260 4260 4047 4047 3408 3408 3408 2982 2769 2769 2130 2130 1917 1917 1917 1704 1704 1491 1491 1491 1278 1278 1278
FLAW "Whole"
Going For Adds This Week
Over 100,000 Sold
UNIVERSAL RECORDS
MARKET #22
KBPI/Denver- Boulder Clear Channel (303) 713 -8000 Richards/B.
12+ Cume 222,500
PLAYS
LW 7W ARTIST/TITLE
33 33 SYSTEM OF A DOWN/Chop Suey 31 33 LINKIN PARK/In The End
33 33 P.O.D /Nave 26 31 P.OD/Youth 01 The Nation
27 31 TOOLAateralus 20 28 H000ASTANK/Cawling In The Dark
9 24 ROB ZOMBIE/Never Gonna Stop... n 23 CUSTOMNey Mister 25 22 NICKELBACK/Too Bad
25 22 PUDDLE OF MUDDBlurry 22 20 DISTURBED/The Game
20 20 STAIND/For You 18 19 GODSMACKA Sand Alone 6 18 ADEMA/The Way You Like It
7 16 MESH ST/Believe Me
6 16 APEX THEORY /Shhh... (Hope Dggy) 11 15 PUDDLE OF MUDD /Control 12 15 NICKELBACK/How You Remind Me 7 15 STAIND/Fade
n 15 DISTURBED/Down With...
16 14 INCUBUS/Nice To Know You
15 14 X- ECUTIONERS/It's Goio Down 17 14 SALIVA/After Me
15 14 GODSMACK/Greed 14 13 SYSTEM OF A DOWN/Toxícity 14 12 OUARASHOStkk'Ern Up
11 12 LINKIN PARK/Crawling 12 11 INCUBUS/Pardon Me 18 11 ILL NINO/What Comes Wound 10 11 SALIVA/Your Disease
0I (0001
4785 4785 4785 4495 4495 3770 3480 3335 3190 3190 2900 2900 2755 2610 2320 2320 2175 2175 2175 2175 2030 2030 2030 2030 1885 1740 1740 1595 1595 1 595
MARKET #32
WLUM/Mi Iwaukee- Racine
Milwaukee (414) 771-1021 Hawke
12+ Cume 118,000
PLATS LW TW
35
37
34
33
35
17
30 17
19
16
17
8
15
17
13
11
14
11
39 39 37 36
35 35
35 19 18 1B
18
17 17 16 16
15 15 15
16 15
32 14 11 14 12 14 12 14
12 14 14 14
13 13 18 12 15 12
9 11
11 11
ARTIST/TITLE
PUDDLE OF MUDDBlurry LINKIN PARK/In The End CREED/My Sacrfice DEFAULT/Wasting My Time P.O.DNouth 01 The Nation
STAIND/For You
CUSTOM/Hey Mister JIMMY EAT WORLD/The Middle NICKELBACK/roo Bad
HOOBASTANK/Crawling In The Dark STROKES/Last 90e UNWRITTEN LAW/Seein' Red COURSE OF NATURE/Caught In The Sun INCUBUS/Nice To Know You
SYSTEM OF A DOWN/Toxicity CREED/Bullets GODSMACKA Sand Alone HEADSTRONG/Adriana OFFSPRING/Dey You INCUBUSA Wish You Were Here ADEMA/GNing In
IKE REILLY /Commie Drives A Nova ILL NINOMAIat Comes Around SALIVA/Click Click Boom FU MANCHU/Squash That Fly
DISTURBED/Down WM... ALIEN ANT FARM/ Movies ovies SYSTEM OF A DOWN/Chop Suey TANTRIC/Mourning
PO.DJNIve
Si L0001
2067 2067 1961 1908 1855 1855 1855 1007 954 954 954 901 901 848 848 795
795 795 795 742 742 742 742 742 742 689 636 636 583 583
MARKET #6
WYSP/Philadelphia Infinity (215)625 -9460 SabeatlsPalumbo
12+ Cume 828,700
94WYSP Tac ROCK ETATma
PLATS
LW TW ARTIST/TITLE
44 44 DISTURBED /Doom With...
42 42 OZZY DSBOURNEIGets Me Through 42 40 LINKIN PARKAn The End 19 32 TOOLA.ateralus
19 20 CREED/Bullets
21 20 PUDDLE OF MUDDBlurry 19 20 NICKELBACK/Too Bad
17 19 STAIND/For You
18 19 DEFAULT/Wasting My Time 13 19 FAMILIAR 48/The Question 19 17 FOO FIGHTERS/The One 12 16 GODSMACKA Stand Alone 11 14 ROB ZOMBIE/Never Gonna Stop... 13 14 HOOBASTANK/Crawling In The Dark
13 13 KID ROCK/Loney Road Of Faith
10 12 OFFSPRING/Defy you 13 12 ILL NINON/hat Comes Around 12 12 SYSTEM OF A DOWN/Toxicity 18 12 OZZY 05B0URNEBreamer 12 11 INCUBUS/ Moe To Know You
1 9 ADEMAThe Way You Like It
1 8 DROWNINGPOOIJTear Away 7 7 KITTIE/Run Like Hell
6 7 3 DOORS DOWNBuck Md Run
5 6 SLIPKNOT/My Plague 6 6 ALIEN ANT FARMSmooth Criminal 5 6 GOOSMACK/Greed
4 6 STONE TEMPLE PILOTSNDllywood Bitch 5 5 WEEZERNash Pipe
5 5 LIMP BIZKIT/My Way
G, (0001
18612 17766 16920 13536 8460 8460 8460 8037 8037 8037 7191 6768 5922 5922 5499 5076 5076 5076 5076 4653 3807 3384 2961 2961 2538 2538 2538 2538 2115 2115
KXXR /Minneapolis ABC 1612) 617-4000 Linder/Pablo ablo
12+ Cume 334,400
PLAYS
LW TW
37 35
26 34
31 32
36 31
35 31
36 30
27 30
22 29 19 24
15 n 21 22 17 19
14 19 17 19
20 19
18 17 17 17
17 15
12 13 17 13 15 13 15 13 12 12 12 12
11
13 11
9 11
13 11
10 11
12 11
ARTIST/TITLE
PUDDLE OF MUDDB urry DEFAULT/Wasting M Tinte
STAIND/For You
HOOBASTANK/Crawling In The Dark PO.DNouth Of The Natron
OFFSPRING/Defy You NICKELBACK/Too Bad
LINKIN PARK/In The End
INCUBUS/Nice To Know You F00 FIGHTERS/The One
ROB ZOMBIE/Never Gonna Stop... INJECTED/Faithless
REVEILLEAnade Out.. GRAVITY KILLS/One Thing
GODSMACKA Stand Alone
SYSTEM OF A DOWN/Toxicity
CREED/Bullets SYSTEM OF A DOWN/Chop Suey DISTURBEDBtupiy STAIND /It's Been Awhile NICKELBACK/How You Remind Me DISTURBED/Down WM... DROWNING POOL/Bodies TANTR IC/Breakdown DISTURBED/The Game LOSTPROPHETS/Shinobi Vs...
CREED/My Sacrfice KID ROCK/Lonely Road Of Faith
P.O.D /Nive WEEZERNash Ape
cl (0001
7455 7242 6816 6603 6603 6390 6390 5964 5112 4686 4686 4047 4047 4047 4047 3621 3621 3195 2769 2769 2769 2769 2556 2556 2343 2343 2343 2343 2343 2343
MARKET #24
KUFO/Portland, OR
Infinity (503) 222-1011 Numme/Scgtt
12+ Cume 209,600
PUYS LW TW
25 31
24 30
19 3
26 2
29 2
21 1
17 1
19 1
16 1
13 1
16 1
1
14 1
16 1
28 1
24 1
11 1
25 1
12 1
11 1
4 1
11 1
13 1
8 1
5
9
5
13
1
7
ARTIST/TITLE
PUDDLE OF MUDD /BIw ry
NICKELBACK/Too Bad
P.ODNOUth 01 The Nation
DISTURBED/The Game
GODSMACK/I Sand Alone
HOOBASTANK/Crawling In The Dark
LINKIN PARK/In The End
INCUBUSMke To Know You
STAIND/For You
ROB ZOMBIE/Never Gonna Stop... F00 FIGHTERS/The One ADEMA/The Way You Like It
SYSTEM OF A DOWN/Toxicity LINKIN PARK/Runaway SYSTEM OF A DOWN/Chop Suey OFFSPRING/Defy You
P0.0 /Alive TOOULateralus PAPA ROACH/Last Resort SEVENDUST/Praise STAIND/Fade TOOUSchism
NICKELBACK/How You Remind Me DEFTONES/Change... METALLICA/No Leaf Clover
HEADSTRONG/Adriana
APEX THEORY/Shhh... (Hope Diggy) DISTURBED/Down Mt... STATIC- X/Cold
GDDSMACK/Keep Away
Cl (900)
3255 3150 3150 3045 2625 1995 1995 1785 1785 1785 1785 1785 1785 1785 1470 1470 1365 1365 1260 1155 1155 1155 1050 1050 945 945 945 945 945 945
MARKET #32
W LZR/Mi Iwa ukee- Racine
Saga (414) 978 -9000 Hastings/Mee
12. Cume 220,100
PLAYS
LW 1W
35 37
36
37
24
28
24
22
37 36
32 31
27 25
25
ARTIST/NTLE
PUDDLE OF MUDDB urry LINKIN PARK/In The End
DEFAULT/Wasting M Time P.O.ONomh Of The Nation
CREED/Bullets GODSMACKA Stand Alone NICKELBACK/Too Bad
22 HOOBASTANK/Crawling In The Dark 27 22 INCUBUSNice To Know You 23 18 SYSTEM OF A DOWN/Chop Suey 15 17 STAIND/For You 17 17 APEX THEORY/Shhh... (Hope Diggy) 17 16 HEADSTRONG/Adrana 14 16 CREED/My Sacrifice 15 18 STAIND /It's Been Awhile 15 16 PUDDLE OF MUDD /Control 18 16 CUSTOMNey Mister 6 16 DAVID DRNMAN/Forsaken
14 15 ROB ZOMBIE/Never Gonna Stop.,. 15 14 INCUBUSA Wish You Were Here 16 14 LINKIN PARK/Crawling
13 14 NICKELBACK/How You Remind Me 15 14 DISTURBED /Down With... 15 14 KITTIE/Run Like Hell
15 14 STAIND/Fade 17 13 P.0.0./Alive
15 11 DISTURBEDBtupiy 8 8 ADEMA/The Way You Like It
8 8 SYSTEM OF A DOWN/Toxicity 7 7 LOCAL H/HaR Lee
L.. 1TE P 193
SI 10001
5254 5112 4544 4402 3834 3550 3550 3124 3124 2556 2414 2414 2272 2272 2272 2272 2272 2272 2130 1988 1988 1988 1988 1988 1988 1846 1562 1136 1136
994
MARKET .8
WAAF/Boston
Entercom (617) 779-5400 Douglasl&ang0one
12 Cerne 462,400
Puys LW TW
31 41
37 39 34 34 35 33
33 33
36 33
34 32
29 32
32 30
38 29
31
19
22
20
29
29 23
28 19 19
22 18
20 18
- 16
17 15
8 15
20 14
17 14
18 13
13 13
38 11
5 11
9 11
10 11
7 10 8 10
0'/ 07.3 FM ARTIST/TITLE
NICKELBACK/Too Bad
SYSTEM OF A DOWN/Toxicity INCUBUS/I Wish You Were Here
GODSMACKA Stand Alone
DISTURBED/The Game PUDDLE OF MUDDBlurry T00LAateralus DROWNING POOUTear Away
STAIND/For You
LINKIN PARK/In The End
ROB ZOMBIE/Never Gonna Stop... ALIEN ANT FARM/Movies ILL NINO/What Comes Wound
DOPE/Slipping Away
DAVID DRAIMAN/FOrsaken FU MANCHU/Squash Thal Fly
APEX THEORY/Shhh... (Hope Diggy) SEVENDUST/Live Again SALIVA/After Me INJECTED/Faithless
MUSHROOMHEAD/Solitaire/Unraveling HEADSTRONG/Adriana
HOOBASTANK/Crawling In The Dark
SYSTEM OF A DOWN/Chop Suey SEVENDUST/Praise OZZY OSBOU RNE/Dreame r KITTIE/Run Like Hell PO.D/BDOm
BIOHAZARD/Last Man Standing LOSTPROPHETSShirrobi Vs...
Si (0001 11480 10920 9520 9240 9240 9240 8960 8960 8400 8120 8120 8120 6440 5600 5320 5040 5040 4480 4200 4200 3920 3920 3640 3640 3080 3080 3080 3080 2800 2800
MARKET #10
WRIF /Detroit Greater Media (248) 547 -0101 PodelUHanson
12+ Cume 552,600
PATS LW TW
32 35 34 31
1 29 3 27
6 27
2 20 2 20
6 1
1 1
20 1
1
1
1
1
1
1
1
1
1
1
ARTIST/117LE
STAIND/For You PUDDLE OF MUDDBlurry LINKIN PARK/In The End
DEFAULT/Wasting My Time
CREED/Bullets PO.DJYouth Of The Nation
INCUBUSNice To Know You
0/Z1' OSBOURNE/Facing Hell NICKELBACK/Too Bad
OFFSPRING/Dey You GODSMACK/I Stand Alone
EDDIE VEDDER/YOu've Got To...
KID ROCK/Lonely Road 01 Faith
ROB ZOMBIE/Never Gonna Stop... F00 FIGHTERS/The One INJECTED/Faithless
HOOBASTANK/Crawling In The Dark
CUSTOMNey Mister DISTURBED/The Game
GRAVITY KILLS/One Thing
SOIL/Unreal
LOCAL HAal Life
KITTIE/Run Like Hell
SYSTEM OF A DOW WTowcey
ECHOBRAIN /Colder World
HEADSTRONG/Adriana
CREED/My Sacrifice
ADEMA/The Way You Like It
FUELNemormage... HEDDER/Save Your Face
01 (000)
12740 11284 10556
9828 9828 7280 7280 6916 6916 6552 6188 5824 5096 4368 4004 4004 4004 4004 4004 3640 3640 3276 3276 3276 3276 3276 3276 2912 2548 2548
February 22, 2002 R &R 99
MARKET #12
WZTA/Miami Clear Channel (954) 862-2000 SteeWDaniels
12. Cume 296,100
PLATS
LW 1W ARTIST/TITLE
43 42 LINKIN PARK/In The End
42 41 STAIND/For You
32 39 SYSTEM OF A DOWN/Chop Suey 43 38 DEFAULT/Wasting My Time 21 37 NICKELBACK/Too Bad
38 36 HOOBASTANK/Crawling In The Dark
36 24 PUDDLE OF MUDDBlurry 18 23 ADEMA/The Way You Like It
25 21 CREED/Bullets 21 21 INCUBUS/Nice To Know You
9 20 GODSMACK/I Stand Alone 20 20 DASHBOARD../Screaming._ 19 19 DISTURBED/Down WM... 17 19 POD/Nive 12 18 ROBZOMBIENever Gonna Stop... 17 18 SUM41/Fat Lip 14 18 X- ECUTIONERS/It's Goiri Down 13 18 SYSTEM OF A DOWN/Toxlcity 17 18 P.O.DNOuth Of The Natron 11 16 HEADSTRONG/Adriana 17 16 RAGEAGAINST..JTesTRy
18 16 JIMMY EAT WORLD/The Middle 20 15 DROWNING POOL/Bodies
16 15 RAGE AGAINST../Guerrilla Radio 17 14 GODSMACK/Awake 13 14 PUDDLE OF MUDD /Control 16 14 NICKELBACK/How You Remind Me
8 13 LINKIN PARK/Crawling 10 13 APEX THEORY/Shhh... (Hope Diggy) 13 13 KID ROCK/Cocky
OI 10001
5880 5740 5460 5320 5180 5040 3360 3220 2940 2940 2800 280o 2660 2660 2520 2520 2520 25211
2520 2240 2240 2240 2100 2100 1960 1960 1960 1820 1820 1820
MARKET #17 MARKET #20 MARKET #21
K102 /San Diego Clear Channel (858) 292 -2000
Moanteder 12. Cume 331,600
WIYY /Baltimore Hearst (410) 889 -0098 Strauss/Heckman
12. Cume 426,900
WXTB/Tampa
Clear Channel (813) 832 -1000 Schmidt/Harris
12. Cume 297,800
PLAYS PUYS PLAYS
LW TW ARTIST/TITLE SI (000) LW TW ARTIST/TITLE SI (000) LW TW ARTIST/TITLE SI 10oa1 29 29 LINKIN PARK/In The End 5771 33 32 NICKELBACK/Too Bad 6464 22 44 DEFAULT/Wasting My Time 10472 25 24 DISTURBEDBown With... 4776 31 31 DEFAULT/Wastng My Time 6262 18 43 P.ODNouth Of The Nation 10234 29 24 PUDDLE OF MUDDBlurry 4776 28 31 PUDDLE OF MUDDBlurry 8262 43 43 LINKIN PARK/n The End 10234 2t 21 TOOUtateralus 4179 30 30 LINKIN PARK/In The End 6060 45 41 NICKELBACKNOw You Remind Me 9758 10 21 INCUBUSNice To Know You 4179 32 29 HOOBASTANK/Crawling In The Dark 5858 43 41 PUDDLE OF MUDDBlurry 9758 20 21 INCUBUSA Wish You Were Here 4179 23 28 STAIND/For You 5656 43 40 DISTURBED /Down With... 9520 19 20 PO.D/Youth Of The Nation 3980 25 25 CREED/Bullets 5050 21 22 SALIVA/Click Click Boom 5236 11 20 STAIND/For You 3980 28 25 CREED/My Sacrifice 5050 36 21 P.O.D /Alive 4998 26 20 LINKIN PARK/Crawling 3980 16 24 COURSE OF NATURE/Caught In The Sun 4848 4 21 DROWNING POOLncer Away 4998 17 19 SOIL/Halo 3781 21 23 INCUBUSNice To Know You 4646 1820 A PERFECT CIRCLE/Judith 4760 25 18 TOOUSchism 3582 23 22 ROB ZOMBIE/Never Gonna Stop... 4444 17 20 HOOBASTANK/Crawling In The Dark 4760 18 ti NICKELBACK/Too Bad 3383 1520 POD/Youth 01 The Nation 4040 11 20 ROB ZOMBIE/Never Gonna Stop... 4760 20 17 ADEMNGiving In 3383 10 19 PUDDLE OF MUDD/Control 3838 10 19 KID ROCK/Loney Road 01 Faith 4522
7 16 ROB ZOMBIE/Never Gonna Stop... 3184 15 19 GODSMACK/I Stand Alone 3838 19 19 DROWNING POOUBodles 4522 16 16 SYSTEM OF A DOW WChop Suey 3184 17 18 PUDDLE OF MUDD/Drift 8 Die 3636 16 19 STAIND/For You 4522 11 13 HOOBASTANK/Crawling In The Dark 2587 19 18 OFFSPRING/Dely You 3636 16 19 PUDDLE OF MUDD /Control 4522 21 12 CREED/My Sacrifice 2388 16 16 STAIND/Fade 3232 37 19 SYSTEM OF A DOWN/Chop Suey 4522 11 11 FU MANCHU/Squash That Fly 2189 14 16 TOOUSchism 3232 17 19 GODSMACK/I Stand Alone 4522 9 11 GODSMACKA Stand Alone 2189 18 15 INCUBUSA Wish You Were Here 3030 20 18 NICKELBACK/Too Bad 4284
11 8 CREED/Bullets 1592 5 13 HEADSTRONG/Adriana 2626 19 18 GODSMACK/Greed 4284 10 0 OZZY OSBOURNE/Gets Me Through 1592 9 13 FOO FIGHTERS/The One 2626 19 18 CREED/Bullets 4284 12 8 OFFSPRING/Dety You 1592 17 19 OZZY OSBOURNF/Gets Me Through 2626 19 16 BLINK- 182/Say Together For.. 3808 7 7 SOIINnreal 1393 13 19 LINKIN PARK/Crawling 2626 17 16 DISTURBEDNOices 3808 5 7 LINKIN PARK/One Step Closer 1 393 13 12 a EDDIE VEDDER/Yodve Got To... 2424 17 18 CREED/My Sacrifice 3808 8 7 ADEMA/The Way You Like II 1393 13 11 DISTURBED/Down With... 2222 16 16 CREED/Weathered 3808 2 6 a APEX THEORY/Shhh... (Hope Diggy) 1194 10 11 SYSTEM OF A DOWN/lb/deity 2222 16 15 LINKIN PARK/Runaway 3570 6 6 PRIMUS W /OZZYN.I.8. 1194 12 11 LINKIN PARK/One Step Closer 2222 18 15 SEVENDUST/Praise 3570 7 6 PAPA ROACH/Last Resod 1194 18 9 P.O.D /Alive 1818 10 14 LINKIN PARK/Crawling 3332 6 5 STAINDNIudshovel 995 8 7 NICKELBACK/How You Remind Me 1414 16 13 GODSMACK/Awake 3094 7 5 NICKELBACK/How You Remind Me 995 - 7 8 ADEMAThe Way You Like It 1414 12 12 STAIND /Ouaide 2856
MARKET #27 MARKET #29 MARKET #31
KRXO/Sacramento
Entercom (916) 334-7777
Martin/Marshall
12+ Cume 196,800
KORC/Kansas City
Entercom (913) 677-8998 Micky /Jansen
12. Cume 265,900
Bieck! KISS/San Antonio Cox (210) 646-0105 Vargas/Cruz
12e Cume 235,700
Orl AI/Ó
PLAYS PLAYS PLATS
LW 1W ARTIST/TITLE 81 (000) LW TW ARTIST/TITLE Si (war LW TW ARTIST/TITLE Si (0001
29 30 P.O.D./Youth Of The Natron 3510 33 37 TOOUSchism 7400 29 30 LINKIN PARK/In The End 3930 31 28 NICKELBACKNever Again 3276 34 36 PUDDLE OF MUDDBlurry 7200 1 29 STAIND/For You 3799 23 27 LINKIN PARK/In The End 3159 28 33 DEFAULT/Wasting My Time 6600 2 28 CREED/My Sacrifice 3668 3221 SEVENDUST/Praise 3159 32 32 LINKIN PARK/In The End 6400 27 NICKELBACKNow You Remind Me 3537 30 26 DISTURBED/The Game 3042 1723 NICKELBACK/Too Bad 4600 2 26 TOOIJLateralus 3406 25 2 CREED/Stand Here WM Me 2925 16 2 HOOBASTANK/Crawling In The Dark 4200 1 23 ADEMA/The Way You Like R 3013 22 PUDDLE OF MUDDBlurry 2808 15 2 STAIND/For You 4000 1 20 DEFAULT/Wasting My lime 2620
3 1 DEFAULT/Wasting My Time 1989 17 1 PO.DNUUth Of The Nation 3800 1 20 PUDDLE OF MUDDBlurry 2620 14 1 SYSTEM OF A DOWN/Toxicity 1989 16 1 ROB ZOMBIE/Never Gonna Stop... 3800 1 20 P.O.DNouth Of The Nation 2620 19 1 OFFSPRING/Defy You 1989 13 1 MESH STL /Believe Me 3600 1 1 HOOBASTANK/Crawling In The Dark 2489 15 1 HEADSTRONG/Adriana 1872 14 1 CREED/Bullets 3600 2 1 GODSMACK/I Stand Alone 2489 17 1 SOIUUnreal 1872 12 1 GODSMACK/I Stand Alone 3600 1 1 NICKELBACK/Too Bad 2358 18 1 SYSTEM OF A DOWN/Chop Suey 1872 19 1 CUSTOMNey Mister 3400 2 1 P.O.D /Nive 1572 19 1 GODSMACKA Stand None 1755 20 1 INCUBUSNice To Know You 3400 1 1 DROWNING POOL/Bodies 1572 17 1 SEVENDUSTBhine 1521 14 1 KID ROCK/Loney Road Of Faith 3200 1 1 PUDDLE OF MUDD /Control 1441
5 1 PUDDLE OF MUDD/Control 1521 22 1 TANTRICIMourning 3200 1 DISTURBEDBtupiy 1310 18 1 HOOBASTANK/Crawling In The Dark 1521 17 1 HEADSTRONG/Adriana 3200 t 1 SYSTEM OF A DOWN/Chop Suey 1310
15 1 PUDDLE OF MUDD/Out Of My Head 1521 16 1 F00 FIGHTERS/The One 3200 1 GODSMACK/AWake 1310 16 1 STAIND/For You 1521 19 1 OFFSPRING/Defy You 3200 1 1 GODSMACWGreed 1310 17 1 TOOLA.atealus 1404 1 1 SEVENDUST/Live Again 3000 SYSTEM OFA DOWN/Toxicity 1179
15 1 LINKIN PARK/Pushing Me Away 1404 16 1 COURSE OF NATURE/Caught In The Sun 3000 CREED/Bullets 1179 15 1 OZZY OSBOURNE/That I Never Had 1404 18 1 P.O.D /Nive 2600 DISTURBEDNoices 1179
3 1 FUELNemorrhage... 1287 - 1 FAMILIAR 48/The Question 2400 DISTURBED/Down Wdh... 1179 13 1 NICKELBACK/Too Bad 1287 9 1 DAVID DRAIMAN/FOrsaken 2200 F00 FIGHTERS/The One 1179 15 1 P.O.D /Nive 1287 - 1 DROWNING POOUTear Away 2000 ADEMNGNirtp In 1048
9 TOOLBchism 1053 7 1 NICKELBACK/How You Remind Me 2000 ROB ZOMBIE/Never Gonna Stop... 1048 2
8
WEEZERHash Pipe 1053 GODSMACK/Greed 1053
9
12
INJECTED/Faithless 1800 SALIVA/After Me 1800
GRAVITY KILLS/One Thing 1048 KITT /E/Run Like Hell 1048
5 STAIND/Fade 936 10 SYSTEM OF A DOWN/Toxicity 1800 TOOUSchism 1048 4 CREED/My Sacrifice 936 2 KITTIE/Run Like Hell 1800 GODSMACKMeep Away 917
MARKET #36 MARKET 4138 MARKET #39
WBZX/Columbus, OH
North American (614) 481 -7800 FloE/Conter
12+ Cume 195,800
, / A '_ WNOR /NdrIo1k
Saga (757) 366 -9900 KojanrParker
12+ Cume 177,200
WJRR /Orlando Clear Channel (407) 916 -7800 Lynch/Dickerman
12. Cume 270,500
-1/JR0 ,r....a...+Rw
FM 1 r WNOB
PLAYS PUYS PUYS LW TW ARTIST/TITLE SI (0081 LW 1W ARTIST/TITLE Si (8001 LW 7W ARTIST/TITLE cI L0001 37 37 PUDDLE OF MUDDBlurry 3737 31 29 LINKIN PARK/n The End 3335 49 51 P.O.DNouth 01 The Nation 7089 37 36 SYSTEM OF A DOWN/Chop Suey 3636 29 28 NICKELBACK/How You Remind Me 3220 49 51 LINKIN PARK/In The End 7089 39 35 DEFAULT/Wasting My Time 3535 31 28 P.0.0/Youth Of The Nation 3220 49 49 JIMMY EAT WORLD/The Middle 6811 35 33 LINKIN PARK/In The End 3333 24 27 PUDDLE OF MUDDBlurry 3105 50 49 NICKELBACK/Too Bad 6811 34 33 PO.D /Alive 3333 21 26 STAIND/Fade 2990 51 49 PUDDLE OF MUDDBlurry 8811 3332 STAIND/For You 3232 3 23 DAVID ORAIMAN/FOrsaken 2645 48 49 DEFAULT/Wasting My Time 6811 25 32 P.O.DNouth 01 The Nation 3232 1722 ROB ZOMBIE/Never Gonna Stop... 2530 50 48 HOOBASTANK/Crawling In The Dark 6672 1723 COURSE OF NATURE/Caught In The Sun 2323 24 21 GODSMACK/I Stand Alone 2415 22 37 STROKES/Lasl Nia 5143 1923 HOOBASTANK/Crawling In The Dark 2323 20 21 DEFAULT/Wasting My time 2415 19 36 STAIND/For You 5004 17 23 CREEDBullets 2323 20 20 CREED/Bullets 2300 42 34 GODSMACKA Stand Alone 4726 23 21 NICKELBACK/Too Bad 2121 19. 20 INCUBUS/I Wish You Were Here 2300 47 28 INCUBUS/I Wish You Were Here 3892 14 21 ROB ZOMBIE/Never Gonna Stop.. 2121 20 19 HOOBASTANK/Crawling In The Dark 2185 21 24 NICKELBACK/How You Remind Me 3336 18 19 TOOI/Lateralus 1919 20 19 INCUBUSNice To Know You 2185 25 24 CREED/My Sacrifice 3336 14 18 DAVID DRAIMAN/FOrsakee 1818 22 19 OFFSPRING/Defy You 2185 22 24 S011lUnreal 3336 21 18 INCUBUS/I Wish You Were Here 1818 18 18 NICKELBACK/Too Rad 2070 19 23 ADEMA/The Way You Like It 3197 15 18 INCUBUS/Nice Te Know You 1818 23 17 COURSE OF NATURE/Caught In The Sun 1955 36 22 SEVENDUST /Praise 24 17 CREED/My Sacrifice 1717 12 16 DROWNING POOL/Bodies 1840 21 22 INCUBUSNice To Know You 19 17 JIMMY EAT WORLD/The Middle 1717 18 15 TOOL/Latealus 1840 21 21 ROB ZOMBIE/Never Gonna Stop... 17 17 ALIEN ANT FARM/Smooth Criminal 1717 15 15 CUSTOM/Hey Mater 1725 20 20 OFFSPRING/Defy You P/8ll 15 16 TOOL/Schism 1616 15 14 STAIND/For You 1610 24 20 CUSTOM/Hey Mister ?780 15 16 SALIVM/our Disease 1616 12 14 ILL NINONIttat Comes Mound 1610 17 20 BLINK- 182/Stay Together For.. 2780 15 18 X- ECUTIONERSAIS Goio Down 1616 20 14 DISTURBED/Down With._ 1610 21 19 X- ECUTIONERS/It's Coln' Down 2641 19 16 NICKELBACKATOW You Remind Me 1616 13 14 SYSTEM OF A DOWN/Chop Suey 1610 20 19 CREED/Bullets 2641 14 15 LINKIN PARK/Crawling 1515 12 14 SYSTEM OF A DOWN/Toxicity 1610 22 18 SYSTEM OF A DOWN/Chop Suey 2502 16 15 DROWNING POOLAtodles 1515 14 13 ALIEN ANT FARM/Smooth Criminal 1495 16 18 DISTURBED/Down With... 2502
7 15 GODSMACKA Stand Alone 1515 13 12 SALIVA/After Me 1380 22 18 PO.DJNive 2502 14 15 LINKIN PARK/One Step Closer 1515 21 12 SEVENDUST/Praise 1380 7 17 SUM 41/Motivation 2363 12 15 PUDDLE OF MUDD/Control 1515 13 12 3 DOORS DOW WDuck And Run 1380 16 16 TOOL/Latealas 2224 15 14 DISTURBED/Down WM... 1414 15 12 LIFEHOUSENanging By A Moment 1380 19 16 BLINK-182/First Date 2224 16 14 SALIVNClick Click Boom 1414 18 12 P.O.D /Nhre 1380 4 15 FU MANCHU/Squash That Fly 2085
www.americanradiohistory.com
100
LAST
WEEK ARTIST TITLE LABEL(S) TOTAL PLAYS
+ 1- PLAYS
GROSS IMPRESSIONS
(00)
WEEKS ON
CHART TOTAL STATIONS/
ADDS
PUDDLE OF MUDD Blurry (Flawless /Geffen /Interscope) 1819 -8 164753 18 56/0
2 Q LINKIN PARK In The End (Warner Bros.) 1694 +2 163536 24 55/0
3 0 DEFAULT Wasting My Time (TVT) 1497 +51 131162 23 48/0
4 Q NICKELBACK Too Bad (Roadrunner /IDJMG) 1484 +53 133010 12 55/0
6 Q STAIND For You (Flip /Elektra/EEG) 1447 +115 132845 9 56/0
5 0 P.O.D. Youth Of The Nation (Atlantic) 1415 +61 114127 10 53/0
7 0 HOOBASTANK Crawling In The Dark (Island /IDJMG) 1308 +53 109883 17 56/0
8 GODSMACK I Stand Alone (Republic /Universal) 1109 +129 103319 3 56/0
14 Q CREED Bullets (Wind -up) 1003 +81 88747 7 53/0
9 m INCUBUS Nice To Know You (Immortal /Epic) 973 +27 82076 9 53/1
15 a ROB ZOMBIE Never Gonna Stop (The Red...) (Geffen /lnterscope) 967 +89 91955 7 54/1
11 12 SYSTEM OF A DOWN Chop Suey (American /Columbia) 905 -34 71404 30 49/0
13 13 TOOL Lateralus (Volcano) 796 -124 74920 16 47/0
12 14 CREED My Sacrifice (Wind -up) 750 -183 58500 17 48/0
18 15 NICKELBACK How You Remind Me (Roadrunner /IDJMG) 730 -2 61092 30 53/0
16 16 P.O.D. Alive (Atlantic) 728 -91 56292 28 50/0
10 17 OFFSPRING Defy You (Columbia) 721 -256 59834 12 45/0
20 m ADEMA The Way You Like It (Arista) 688 +59 56056 12 49/1
17 19 DISTURBED Down With The Sickness (Giant/Reprise) 683 -77 75761 37 54/0
22 m SYSTEM OF A DOWN Toxicity (American /Columbia) 654 +58 61820 7 52/1
21 ® COURSE OF NATURE Caught In The Sun (Lava/Atlantic) 629 +11 41580 8 40/1
29 ® HEADSTRONG Adriana (RCA) 536 +49 47366 6 46/0
24 23 CUSTOM Hey Mister (ARTIST Direct) 526 -24 40882 16 35/0
27 24 DISTURBED The Game (Giant/Reprise) 514 -15 45711 10 29/0
30 ® KID ROCK Lonely Road Of Faith (Top Dog /Lava/Atlantic) 477 +23 42379 5 38/2
23 26 F00 FIGHTERS The One (Columbia) 474 -109 43359 9 39/0
25 27 ILL NINO What Comes Around (Roadrunner /IDJMG) 470 -60 38804 11 47/0
31 m INJECTED Faithless (Island /IDJMG) 436 0 35629 6 46/2
33 m SOIL Unreal (J) 428 +29 36291 6 40/1
35 a GRAVITY KILLS One Thing (Sanctuary/SRG) 408 +54 32930 3 45/1
32 31 FU MANCHU Squash That Fly (Mammoth) 405 -6 32993 6 41/2
26 32 SEVENDUST Praise (TVT) 388 -113 30138 19 32/0
28 33 SALIVA After Me (Island /IDJMG) 382 -113 28425 8 39/0
40 m DAVID DRAIMAN Forsaken (Reprise) 372 +130 30426 2 36/5
37 a X- ECUTIONERS It's Goin' Down (Loud /Columbia) 325 +65 24553 4 29/0
42 a STATIC -X Cold (Warner Bros.) 320 +103 23145 3 39/5
46 m DROWNING POOL Tear Away (Wind -up) 283 +135 32525 2 38/7
38 a LOCAL H Half Life (Palm Pictures) 275 +22 19030 5 30/1
41 m APEX THEORY Shhh... (Hope Diggy) (DreamWorks) 258 +15 25849 4 30/1
39 m JIMMY EAT WORLD The Middle (DreamWorks) 254 +12 20087 4 13/0
36 41 ALIEN ANT FARM Movies (DreamWorks) 222 -53 21153 15 17/0
34 42 OZZY OSBOURNE Dreamer (Epic) 205 -180 22515 12 26/0
¡Debut> m DOPE Slipping Away (Flip /Epic) 192 +90 18401 1 31/7
44 KITTIE Run Like Hell (Artemis) 186 +3 21598 4 20/0
43 45 HEDDER Save Your Face (Gold Circle) 169 -36 9980 10 21/0
47 m MESH STL Believe Me (Label /Jive) 168 +37 17414 2 18/0
m LOSTPROPHETS Shinobi Vs. Dragon Ninja (Columbia) 161 +66 15142 2 29/5
45 48 TANTRIC Mourning (Maverick/Reprise) 153 -22 14733 17 15/0
¡Debut> REVEILLE Inside Out (Can You Feel...) ( Elektra/EEG) 143 +55 16878 1 33/20
50 m STROKES Last Nite (RCA) 120 +9 9043 6 7/0
56 Active Rock reporters. Monitored airplay data supplied by Mediabase Research, a division of Premiere Radio Networks. Songs ranked by total plays for the airplay week of 2/10/02- 2/16/02. Bullets appear on songs gaining plays or remaining flat from previous week. If two songs are tied in total plays, the song with the larger increase in plays is placed first. Songs below No. 20 are moved to recurrent after 20 weeks on the chart. Most Added is the total number of new adds officially reported to R &R by each reporting station. Songs unreported as adds do not Count toward overall total stations playing a song. Most Increased Plays lists the songs with the greatest week -to -week increases in total plays. Gross Impressions equals Average Quarter Hour Persons times number of plays (times 100). Average Quarter Hour Persons used herein with permission from the Arbitron Company (copyright 2002, The Arbitron Company). (C) 2002, R &R, Inc.
Most Added® www.rradds.com
ARTIST TITLE LABEL(S) ADDS
REVEILLE Inside Out (Can You Feel...) ( Elektra/EEG) 20
SEVENDUST Live Again (M) EARSHOT Get Away (Warner Bros.)
DROWNING POOL Tear Away (Wind -up)
DOPE Slipping Away (Flip /Epic)
STATIC -X Cold (Warner Bros.)
DAVID DRAIMAN Forsaken (Reprise)
LOSTPROPHETS Shinobi Vs. Dragon Ninja (Columbia)
JEREMIAH FREED Again (Republic /Universal)
LENNON Brake Of Your Car (Arista)
ONESIDEZERO Instead Laugh (Maverick/WB)
20
15
7
7
5
5
5
5
5
5
Starsailor "Love Is Here"
Most Increased Plays
ARTIST TITLE LABELS)
DROWNING POOL Tear Away (Wind -up)
DAVID DRAIMAN Forsaken (Reprise)
GODSMACK I Stand Alone (Republic /Universal)
STAIND For You (Flip /Elektra/EEG)
STATIC -X Cold (Warner Bros.)
DOPE Slipping Away (Flip /Epic)
ROB ZOMBIE Never... (The Red...) (Geffen/lnterscope)
CREED Bullets (Wind -up)
LOSTPROPHETS Shinobi Vs. Dragon Ninja (Columbia)
X- ECUTIONERS It's Goin' Down (Loud /Columbia)
TOTAL
PLAY
INCREASE
+135
+130
+129
+115
+103
+90
+89
+81
+66
+65
Most Played Recurrents
TOTAL
ARTIST TITLE LABELS) PLAYS
INCUBUS I Wish You Were Here (Immortal /Epic) 638
TOOL Schism (Volcano) 553
PUDDLE OF MUDD Control (Flawless/Gelfen/Interscope) 548
LINKIN PARK Crawling (Warner Bros.) 517
DROWNING POOL Bodies (Wind -up) 454
SALIVA Your Disease (Island /IDJMG) 431
STAIND Fade (Flip / Elektra/EEG) 418
LINKIN PARK One Step Closer (Warner Bros.) 414
PAPA ROACH Last Resort (DreamWorks) 374
GODSMACK Greed (Republic /Universal) 356
GODSMACK Awake (Republic /Universal) 350
FUEL Hemorrhage (In My Hands) (Epic) 336
DISTURBED Stupify (Giant/Reprise) 313
STAIND It's Been Awhile (Flip /Elektra/EEG) 307
A PERFECT CIRCLE Judith (Virgin) 279
FAMILIAR 48 "'l'HE UIA.STION THE FIRST TRACK FROM THE DEBUT ALBUM WONDERFUL NOTHINL
Going For 2O Early Believers Including:
Adds NOW! WHJY WQXA KTTUXR LA KQ KATTP WLUM
Produced by Don Gellman for Rhapsody Productions The Answer: Be There! www.farniliar4B.com I www.mcarecords.com
www.americanradiohistory.com
r44
lit OVER 100,000 SOLD!
(AE NFKOn tHEA3W41
Tto-f FIN PR®DucaD DF\yI- NiAe,AUg-Niat9fi: sco-Ft fRAluR
WwW.fL>aW.c®rn viWW.u4niveF.sALF.ec®R)S.e®rn
"Flaw is blowing up! They're a band we
believe in & the audience is responding. We're two tracks deep on the album,
and they are both Top 10 Phones!" - Kelli Cluque, PD /KCXX
"Flaw shows a true sense of dynamics that a lot of new artists just don't get." - Paul Cannell, PD /KTUX
GOING FOR ADDS NOW © 2002 Universal Records, a Division of UMG Recordings, Inc. R ubbic) UNIVERSAL
COPDS
www.americanradiohistory.com
102
lillFebruary 22, 2002
Active Rock
RateTbeMasic.coin ß1)IEIIEtII)1E"
America's Best Testing Active Rock Songs 12+ For The Week Ending 2/22/02.
Artist Title (Label) TW LW Familiarity B rn TD Familiarity Burn
GODSMACK I Stand Alone (Republic /Universal) 4.17 67% 7 °/D 4.11 73% 8%
SEVENDUST Praise (TVT) 4.11 4.16 85% 15% 4.09 89% 17%
SYSTEM OF A DOWN Chop Suey(American /Columbia) 4.10 4.08 94% 32% 4.14 94% 32%
PUDDLE OF MUDD Blurry (Flawless /Geffen /Interscope) 4.07 4.03 94% 27% 3.89 95% 33%
SYSTEM OF A DOWN Toxicity(American /Columbia) 4.07 4.04 82% 13% 4.05 84% 15%
DISTURBED Down With The Sickness(Giant/Reprise) 4.05 4.10 96% 34% 4.07 97% 38%
ROB ZOMBIE Never Gonna Stop (The Red, Red Kroovy)(Geffen /Interscope) 4.01 4.01 80% 12% 4.01 85% 15%
NICKELBACK Too Bad (Roadrunner /IDJMG) 3.98 3.93 92% 20% 3.89 92% 23%
HOOBASTANK Crawling In The Dark(lsland /IDJMG) 3.95 3.97 84% 23% 3.87 87% 24%
LINKIN PARK In The End (Warner Bros.) 3.95 3.92 97% 44% 3.83 96% 45%
TOOL Lateralus(Volcano) 3.94 3.96 88% 22% 3.88 92% 24%
TOOL Schism(Volcano) 3.94 3.95 93% 40% 3.92 95% 43%
ADEMA The Way You Like It(Arista) 3.91 3.88 73% 13% 3.68 76% 17%
OFFSPRING Defy You(Columbia) 3.90 3.93 91% 19% 3.87 92% 18%
STAIND For You (Flip /Elektra/EEG) 3.90 3.89 90% 25% 3.74 92% 28%
DEFAULT Wasting My Time(TVT) 3.88 3.84 85% 26% 3.71 84% 28%
NICKELBACK How You Remind Me(Roadrunner /IDJMG) 3.85 3.90 98% 52% 3.78 98% 55%
SOIL Unreal(J) 3.83 3.83 50% 7 °/0 3.81 56% 7 °/0
P.O.D. Youth Of The Nation(Atlantic) 3.83 3.71 93% 26% 3.78 93% 28%
ILL NINO What Comes Around (Roadrunner /IDJMG) 3.79 3.74 51% 8 °/D 3.86 50% 9%
SALIVA After Me(lsland /IDJMG) 3.75 3.64 60% 11% 3.78 66% 14%
P.O.D. Alive (Atlantic) 3.73 3.68 96% 46% 3.66 97% 49%
INCUBUS I Wish You Were Here (Immortal/Epic) 3.73 3.74 95% 37% 3.61 96% 40%
FOO FIGHTERS The One(Columbia) 3.71 3.68 82% 19% 3.72 81% 17%
COURSE OF NATURE Caught In The Sun(Lava/Atlantic) 3.68 38% 6% 3.61 38% 8%
INCUBUS Nice To Know You(lmmortal /Epic) 3.67 3.63 88% 26% 3.52 87% 28%
CREED Bullets(Wind -up) 3.40 3.43 72% 21% 3.44 76% 22%
CUSTOM Hey Mister(Artist Direct) 3.31 3.28 48% 15% 3.20 49% 15%
CREED My Sacrifice(Wind -up) 3.29 3.31 98% 57% 3.28 98% 57%
KID ROCK Lonely Road Of Faith(Top Dog /Lava/Atlantic) 2.81 2.74 69% 31% 2.86 76% 32%
Total sample size is 762 respondents. Total average favorability estimates are based on a scale of 1 -5. (1= dislike very much, 5 =like very much).
Total familiarity represents the percentage of respondents who recognized the song. Total burn represents the number of respondents who
said they are tired of hearing the song. Sample composition is based on persons 12 +. TD = Target Demo (Females 18 -34). Persons are
screened via the Internet. Once passed, they can take the music test based on their format /music preference. RateTheMusic.com results are not meant to replace callout research. The results are intended to show opinions of participants on the Internet only. RateTheMusic is a registered
trademark of RateTheMusic.com. The RTM system is available for local radio stations by calling 407/523 -7272. RateTheMusic.com data
is provided by Mediabase Research, A division of Premiere Radio Networks.
New & Active EDDIE VEDDER You've Got To Hide Your... (V2) Total Plays: 90, Total Stations: 8, Adds: 1
SEVENDUST Live Again (TVT) Total Plays: 88. Total Stations: 25, Adds: 20
FAMILIAR 48 The Question (MCA) Total Plays: 51. Total Stations: 8, Adds: 3
BLACK LABEL SOCIETY Bleed For Me (Spitfire) Total Plays: 26, Total Stations: 7, Adds: 2
EARSHOT Get Away (Warner Bros.) Total Plays: 18, Total Stations: 15, Adds: 15
Songs ranked by total plays
Indicator Most Added®
SEVENDUST Live Again (TVT)
JEREMIAH FREED Again (Republic/Universal)
REVEILLE Inside Out (Can You Feel...) (Elektra/EEG)
DOPE Slipping Away (Flip /Epic)
ONESIDEZERO Instead Laugh (Maverick/WB)
DROWNING POOL Tear Away (Wind -up)
DAVID DRAIMAN Forsaken (Reprise)
EARSHOT Get Away (Warner Bros.)
LENNON Brake Of Your Car (Arista)
HOOBASTANK Crawling In The Dark (Island /IDJMG)
HEADSTRONG Adriana (RCA)
CUSTOM Hey Mister (ARTIST Direct)
LOSTPROPHETS Shinobi Vs. Dragon Ninja (Columbia)
BLACK LABEL SOCIETY Bleed For Me (Spitfire)
CROSSBREED Breathe (Artemis)
12 STONES Broken (Wind -up)
FLAW Whole (Republic/Universal)
WOBK/Albany, NY 6 REVEILLE ,rsde
EMSH01 FLYING
nRS
JEREMIAH
JERDAWiFREEO'Ags,n
ONES°EIERa taA SEVENDUST "AAA
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DAVID
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WWWXI Bay, VA
PD/MD: Guy Dark
WCHZ/Augusta, GA
OM Harley Drew PD/MO: Chuck Williams
Twna Apo
KRABBakersfield CA' PDMiD: Danny Spanks
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WIYYBallimore, MD' PD Strauss APDMID Rob Heckman 12 EOR _G,' n r, l ADEMA L
5 RI MANCnu 5a,asE
WCPRBiloxi- Gulfport, MS' OM: Kenny Vest PD: Scot Fox APD :WaneWatkins Y
Mitch Cry ATM-DlSr n
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LENNONHroEED -asor LtxNDx-eaM' °NESIDFZERD' two
WAAFBoston.MA' PD Dave Douglas MD Mike Bran (forte g
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WRXR /Chattanooga, TN
PD: Boner MUDave spar
KFMF/Chico, CA
PD. Marty Griffin MD: Tim Buc Moore
N, -. ti;,
CA
PDIDh1R/Có1C0 Sandoval
KILO/Colorado Springs, CO ' PD: Ross Ford APD: Man Gen MD:..,iir tder
l CRÉE E-raert,g' CREED 'Hew-
WBZX/Columhus, OH' PD Hal F
APDIMD Fish
Ronne Hunter
KEGLJDallas -Ft. W°rth. TX
PD: Duane Doherty APD: Chris Ryan MD: Cindy Stull ? GRAVTKLLS1C - 1 El MANCHU'Spam
KBPI/Db Boulder, CO ' PD Bob Richards APD/MD'. Willie B.
KAZRBeS Moines. IA' PD: Sean Elliott
Jo Michaels BAwwe BLACK LE 5le-' 50.00
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WRIFNetroiL Ml' OM'. Doug Potlell APDRAD Troy Hanson
WGBFEvansville, IN
OM/PD: Mike Sanders APD/MD: Fatboy
WRCO/Fayetteville, NC -a DERa rSaN roee, ' LE
WWBN/Fhrd, MI' LaBdo MD: Brian
MD_
Tony L r...,e
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KRZH/Fresnc CA
OM E Curtis Johnson s DAVID DRaMAN -F ken
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WROC/Ft. Myers. FL' PD: twice Brooks MD: Fritz
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OK Ft Wayne, IN'
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WRUFIGaineville- Ocala, FL' PD: Harry Gascon MD: Ryan North
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WKLO/Grand Rapids, MI' OM: Tony Gates PD/MD: Mark Feurie AMO :Tom Stavrou
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WTPTBreenVÍlle, $D' PD/MO Mark Hendrix
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WOXAMarnshur PA 9 PD Claudine DeLorenzo MD: Nixon
Reporters WCCCMartford, CT
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REVEILLE .VING PURE
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City, MO' PD: Neal Mlrsky APD/MD: Don Jantzen
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OM Bo Olson MD Kevin Conrad
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KOMP/Las Vegas, NV' PD: John Griffin MD: BI Marty
EAF19aT'Ga FNAILMA 4B-OUestb,-
KIBZ/Lincoln, NE
PD: E.J. Marshall APD:sparky M0: Samantha Knight ST HOOBASTANA w,nç
BLACK EARL cI[n 'srH SEVENDUST ÁJ0. i
REVEILLE ,a
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OM: Wes Nessmann
WJJOIMadison, WI `
Glen Gardner APD/MD Blake Patton
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OMUCh/ elMworeaue WI PD/MD: Randy Hawke
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WLZRMilwaukee, WI D. Keith Hastings
MD Marilynn Mee
-
KXX innea ohs. MN P
OM: Dave Hamilton PD: Wade Linder MO Pab Pablo
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KMRO/Modesto, CA
PD/MD: Jack Paper APO Man Foley
WRAT/Monmouth- Ocean. NJ' PD Carl Craft APDMID: Robyn Lane
...
WNPLTIashville.TN'
WNORModolk, VA' y
APDM10 t Tim Parker
tit T OUT
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MD: Jon NE Sheridan MD Jon Ter e
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WJRR/Ortando, FL ' PD Pat Lynch MD Dickerman
WTKXIPensacola. L' iP
APDMID: Mark Tue Shark" DYE
WIXO/Peoria, LNxax PD/MD: Man Behan
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WYSP/Philadelphia, PA' OM: rim Sabean MD Nancy Palumbo
A.A.,
KUPD/Phoeniz, AZ PD: J.J. Jeffries MD La McFeelle -
KUFO/Portland.OR' OM: Dave Numme APDIMD: Al Scott ; EARSHOT Ge
KORB/Ouad Cities, IA-IL' OM Danny Sullivan PD/MD, Rick Thames
, ,,,
KDOTMeno, NV' PD Jaye Patters. MD Martina Davis
WNVE/Rochester, NY' PD: Erick incenton MD Don Vincent
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Stn. Pat urns Johnson P0: Pat Martin MD. Paul Marshall y,
WKOZISaginaw, MI' PO Hunter Scott APD Sean Kelly MD Todd Kan as g
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PD: JohniMurphy maOO
MD: Miki Hunter "Bars"
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KISS/San Antonio, TX' OM' Virgil Thompson re PD: Kevin Vargas MD C.J. Cruz
KIOZ/San Diego, CA` Dir/P Jim Richards rag: PD: Moran APO/MD:ShanonLetler
KDRO$a0 Luis urées , CA
PD /MD Adam Burnes
KTUXBhreveport, LA
OM: Dale Baird PD/MD: Paul Canncll
KHTOISpokane, WA PM
Ken Michaels
PD Ken Richards MD Barry Bennet)
0 1 LN ,,,:gip.
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WOLZ.BPnn field, IL g MD: Michael T.
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MD Georges ankmeister
WYZR/Tallahassee, FL
PD' Jeff Horn APDMID: B.C.
CUTTING ED'Roof JERERStAF R rd' JEREMIAH FREEDpay ONESIDEZERO laugh" SEVENDUST v,
WXTB/Tampa, FL .
OM: Brad Hardin PD Rick Schmidt APO. Carl Harris MD: fauna Phillips
_
-
KRTO/Tulsa, OK' PD: Chris Kelly APDORO Kelly Garrett
KID ROCK
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KIGTAI/IChlid, IV KS` PD: D.C. Carter MD: R.J. Devis
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1
Monitored Reporters , r
74 Total Reporters :Q ,
- 56 Total Monitored
18 Total Indicator 15 Current Indicator Playlists
Note: KOMP /Las Vegas, NV and WKQZ/Sa inaw, MI move from g Rock to Active Rock-
Reported Frozen Playlist (1): WZOR /Green Bay, WI
Did Not Report, Playlist Frozen 2 : p Y ( )
WKZQ/Myrtle Beach, SC WRBR /South Bend, IN
www.americanradiohistory.com
Active Rock Action Februai ?? zoo,' R&R 103
I©©1 Paul Marshall
Music Director /Afternoons,
KRXQ (98 Rock) /Sacramento
The band that's most surprised us here
at 98 Rock is P.O.D. When we heard the
last record, we thought. "Here's a pretty
cool band." We were the first Active Rock
station in the country to support them.
So, naturally, when Satellite came across
our desk, the interest level was auto-
matic. But we never expected the matu-
ration or genuine buzz that surrounds this band right
now. "Alive" has consistently come back as a song that
KRXQ listeners not only embrace. but do so with the kind
of passion that indicates real longevity for the band. "Youth
of the Nation" is a modern -day "Jeremy" and shows both
thoughtful lyrical insight and a musicality that are often
missed by bands who've hopped aboard the "rap- rock"
bandwagon. We expect "Boom" to be an anthem by summer. P.O.D. are
that rare band who seem to have really crossed over. You need not look any
further than NBC, which has used the band's music as bumpers during the
Olympics. That's textbook mainstream acceptance. It's truly satisfying to see
a band you really believe in do well. The fact that they're really nice guys
doesn't hurt either. As far as other favorites go, we hope that the masses
finally embrace Sevendust as the band that (it seems) everyone in the in-
dustry believes they are. And Headstrong could make a nice run for them-
selves as well.
It didn't take long for Godsmack to debut at
the top of the RateTheMusic.com chart! "I
Stand Alone" was released just two weeks ago,
and it has already scored 73% familiarity with
men 18 -34 ... Most Added at Active was a tie
between Reveille and Sevendust, with each
getting 20 adds. Earshot take the next spot
with 15 big- station, before -the -box adds, in-
cluding WAAF /Boston; WZTA /Miami; KUPD /Phoenix; KXXR /Minneapolis;
WXTB/Tampa; KUFO /Portland, OR: WLZR /Milwaukee; WJRR /Orlando; and
KOMP /Las Vegas ... Both Dope and Drowning Pool score seven adds as each
of their stories continues to build ... On the Rock side, Jeremiah Freed leads
the Most Added pack with 12 stations, including WHJY /Providence: WBUF /Buf-
falo; WCMF /Rochester, NY: KFRQ /McAllen; KMOD/Tulsa; and KLAQ /EI Paso
... Sevendust add nine Rock stations on "Live Again" ... Reveille and
Onesidezero round out the Most Added with five and four adds, respectively.
MAX PIX: 12 STONES "Broken" (Wind -up)
- Cyndee Maxwell. Active Rock /Rock Editor
Contributing Stations /Shows WOBK/Albany, NY
KZRR/Albuquerque. NM
KWHL/Anchorage, AK
WPXC/Cape Cod. MA
KEGL/Dallas. TX
KBPI/Denver. CO
KAZR/Des Moines, IA
KLAO/El Paso. TX
WROC/Ft. Myers. FL
WKLO/Grand Rapids
WXOR/Greenville, NC
KIBZ/Lincoln. NE
WTFX/Louisville. KY
KFMX/Lubbock. TX
KXXR/Minneapolis, MN
WBAB/Nassau-Suffolk, NY
WJRR/Orlando, FL
KATT/Oklahoma City, OK
WYSP/Philadelphia, PA
KUPD/Phoenix, AZ
WHEB/Portsmouth, NH
WHJY/Providence, RI
KDOT/Reno. NV
KRXQ/Sacramento. CA
KBER /Salt Lake City. UT
KIOZ/San Diego, CA
KXFX /Santa Rosa, CA
KLPX/Tucson, AZ
Harddrive
L.A. Lloyd's Rock 30
Pile Driver
Tour Bus Radio
ARTIST: X- ecutioners LABEL: Loud /Columbia By FRANK CORREIA /ROCK SPECIALTY EDITOR
Rap and rock - two great tastes that can, but often don't, taste great together. For
as much critical ire as the often -dunderheaded genre receives, it more than makes up for it at the cash register, where legions of alternative and active rock listeners shell out their Taco Bell paychecks for more Nookie -flavored rhymes. Small wonder that many suburban white kids are trading in their Fenders for DJ equipment.
But what happens when actual turntablists from the streets of New York try their skilled hands at the rap rock game? If the scratchers in question are Loud Records' X- ecutioners, the answer is success. The group's foray into rock has turned heads as well as turntables with 'It's Goin' Down," an energetic excursion featuring the talents of Linkin Park members Mike Shinoda and Mr. Hahn. The X- ecutioners have cracked Active Rock's top 50 with support from outlets like KBPI/Denver and WJRR/Orlando. Over at Alternative, the story is even stronger: The group looks to go top 20 with huge spins at WHFS /Washington, WXTM /Cleveland, WOCL/Orlando, WPBZ/West Palm Beach and WMRQ/Hartford, among others.
Although the X- ecutioners are just now stepping into the light, this wax -wrecking crew has been around since 1989. Back then, under the name X -men, the group assembled with the stated intention of overthrowing reigning battle-
X-ecutioners
DJs Clark Kent's Supermen. After many member changes and lots of practice on the wheels of steel, the X -men officially became the X- ecutioners as they moved from being battle -DJs to becoming recording artists in their own right. Now made up of Rob Swift, Total Eclipse, Roc Raida and Mista Sinista, this four -man unit is hitting hard with their second full- length for Loud Records, the aptly titled Built From Scratch.
Along the way, group members have contributed beats and scratches to hip -hop heavies such as Common, The Beatnuts and Pharoah Monch, among others. For Scratch, you can only scratch your head at how they've lined up so many great guest appearances. Besides the Linkin Park cameo, the X -men get down with DJ Premier, Everlast, Gorillaz' Dan The Automator, Xzibit and many more. There's even a posthumous appearance by rapper Big Pun on the track "Dramacyde." The group's accomplishments are more than this white boy can list in one column, so head on over to wwwloud.com for more info.
fe Top 20 Specialty Artists February 22, 2002
1. BLACK LABEL SOCIETY (Spitfire) "Bleed For Me." "Battering Ram"
2. HATEBREED (Universal) "I Will Be Heard." "Proven"
3. ENTOMBED (Koch) "I For An Eye." "Chief Rebel Angel"
4. KITTIE (Ng /Artemis) -Run Like Hell." "Oracle"
5. DREAM THEATER (Elektra/EEG) "The Test.._" "The Glass Prison"
6. 3RD STRIKE (Hollywood) "Flow Heat." "No Light"
7. SLAYER ( American /IDJMG) "Disciple." "God Send Death"
8. MUSHROOMHEAD ( Universal) " Solitaire /Unraveling," "Xeroxed"
9. CROSSBREED (Artemis) "Breathe." "Severed." "Underlined"
10. SEVENDUST (TVT) "Live Again." "Dead Set"
11. INJECTED (island,IDJMG) "Faithless." "Bullet"
12. ROB ZOMBIE (Geffen /lnterscope) "Never Gonna Stop." "Iron Head"
13. MEGADETH (Loud) "Killing Is My Business...," "Mechanix"
14. SYSTEM OF A DOWN (American /Columbia) "Toxicity," "Prison Song"
15. KING DIAMOND (Metal Blade) "The Storm," "The Crypt"
16. HEADSTRONG (RCA) " Adriana," "All Of The Above"
17. LOSTPROPHETS (Columbia) "Shinobi vs. Dragon...," "The Fake Sound..."
18. DOPE ("Flip /Epic) "Slipping Away," "Die MF Die"
19. PEACH GB (Volcano) "Naked," "Spasm"
20. DRY KILL LOGIC (Roadrunner /IDJMG) "Rot," "Snap Your Fingers..."
Ranked by total number of shows reporting the artist. with titles listed in order of most airplay.
www.americanradiohistory.com
104 R &R February 22, 2002 Alternative JIM KERR jimkerr @rronline. corn
PART ONE OF A TWO -PART SERIES
The Formation Of A
Successful Morning Team L How KCXX /Riverside's Dick and Justice became morning stars
There is no doubt that one of the hardest, if not the hardest, thing a PD can do is build and nurture a talented and winning morning show. One of the newest and certainly one of the brightest wakeup shows was recently built in California's Inland Empire,
where KCXX/Riverside PD Kelli Cluque paired two very different personalities and created the Dick & Justice morning show.
A vast majority of these combinations fail miserably. But that hasn't been the case at KCXX, where Dick and Justice have dominated the press and surged in
the ratings with their provocative and downright funny show. This week, in
the first of a two -part interview, I dis-
cuss with the hosts how they were able to grow together and find that incredi- bly elusive morning show element: chemistry.
R &R: What's the background on how the two of you were paired up at KCXX?
J: I started here back in 1997 and worked my way up. I came here from KFMA in Tucson. I was paired with John Michael in mornings, and I left the station and ended up here doing weekends. The previous morning show, Howie & Lisa, was on its way out, so the position opened up. By that time Kelli was talking with Dick and looking for someone to co -host the show with him. I happened to be in the right place at the right time, and I was on the air about two weeks before Dick
Dick & Justice
got here. R &R: Dick, where were you before
you arrived at KCXX? D: The last market I was in was ac-
tually Pensacola, FL. I was at WTKX and paired with Joel Sampson there for about three years. Before that I was in
Orlando for two years. Before that, it was Missouri for two years. Every two years or so I move as part of the radio witness- protection program.
I was in Pensacola doing mornings and doing really well, but I knew that I
Universal's done it "Again"
Jeremiah freed
#1 Most Added Rock
Most Added Active
Most Added Alternative
RECORDS
wanted to move on. A friend of mine who was doing news for us out of Los Angeles told me that this position would be the perfect fit for me, so I
called Kelli between 30 and40 times. I then flew out to check out the station, and I really liked the sound of it. I sat down for an interview and pursued it
from there. R &R: Chemistry is so important for
a morning show How did it go when you two first sat down in the booth to- gether?
J: We actually talked on the phone two or three weeks before Dick even got out here. That was different, at first, because our personalities are so different. Over the phone it was near- ly impossible to get a bead on Dick. I
had left a fairly successful situation at KFMA, and after talking with Dick on the phone - although he seemed like
a nice enough guy - at one point I
started to wonder what I had gotten myself into. But, you know, it's just so hard, over the phone, to connect. You really have to wait until you meet them.
D: In Pensacola Joel was the PD, so I
was used to doing the lion's share of the work on the show. And I enjoyed that;
I'm a workaholic. But that meant I could make all the decisions about the direc- tion of the show and decide what guests
were going to be on, and I still had that
mentality as I approached Justice. So I'm sure he spent a good part of the time dur-
ing our phone calls making faces toward his wife and wondering to himself 'What does this guy think he's doing?"
J: And it was the same thing for me. When I was at KFMA with John Michael, I had had morning show ex- perience, and he didn't have any. So I
was handling the work load in a simi- lar way to what Dick was doing. When we got on the phone, it was a clash of people used to getting their ideas on the
show. I'd be like, "But this worked for me over here," and he'd be like, "Yeah, well this worked for me over here."
R &R: I can see that being tough to
reconcile over the phone. Did you cov-
er much ground over those three weeks,
or did you really need to be in the stu-
dio together to make progress? D: It took airtime, but it didn't take
"When you're comfortable enough to sit back
and let the other guy get the joke and you don't
try to one -up it or tag it, that's the moment
where you can say, 'We're a team :" Dick
long. You sit down with somebody, and you tend to go through an intense rela- tionship. I could easily say that I've spent more time with Justice the entire time we've been together than I've spent with my wife. I mean, you're sit-
ting down anywhere from at least four to sometimes 12 hours a day with a person. Where a regular relationship would take a year to get that much time in, a morning team find themselves covering it in six weeks. We moved very fast through the stages of a rela- tionship.
J: It didn't take long for the ideas to sort of mesh together into what we wanted to do here, without it being all
of what Dick used to do or all of what I used to do.
R &R: Whenyou talk to PDs, they will
admit that one ofthe most dolt things they can do is match up personalities for a cohesive morning show. Can you give me an idea ofhow dolt it was for you two? Did you just click, or were there some rough spots?
D: I think it is like any relationship. You need some kind of thread to hold
on to and to keep coming back to when things aren't going so well. For me, I
had faith in Justice's ability to do this job. I knew he had been successful, and even when I was muttering, "This guy is an idiot," I knew that he had the abil- ity and he had a reason for his point of view. He wasn't just trying to be the al-
pha male, trying to push some idea of his through.
Also, in context, it wasn't just us two. The PD and the GM were coming off a
morning show that wasn't as well -re-
ceived as they wished, so they all had input. We had at least four people, all
trying to create the show. There was a
lot of give- and -take, and it was more give than take in those initial stages.
J: It wasn't easy. There were days when it wasn't working right at all, and I'd cry on the drive home and bitch to
my wife. Then I'd bounce back and say,
"I guess it wasn't that bad," and head
to work the next day.
I really think that during the entire time we've been together there was only one moment where I felt every- thing was crashing down around me,
and in hindsight it was one of those sit-
uations that probably had to happen. That moment was more about me than
anything. I'm a sensitive guy, which is also the
role I play on the show. I wear my heart on my sleeve, and Dick certainly doesn't do that. It took some time for us to real-
ly understand each other's personalities off the air to make it work on the air.
Luckily, it's worked very well for us.
Like I said, there was only one time that I felt it was a little out of control. As it
was, the battle raged for a day, and then it was fine.
D: You have to have those days though.
J: Yes. I wouldn't go back and change that day for anything. It was kind of that one step out into the wil- derness, then we got through it, and now we're beyond it.
R &R: How did that breakthrough happen?
J: I'm a very nonconfrontational person, but I'm also a very open per- son. Dick's personality is one where he comes across as very blunt in the sense of "This is what I want to do, and this is what I want to see happen." For a while there were things that we would disagree about, and he'd bend some and try to make things work. But it hit a point where I felt that I was being snubbed and that my ideas weren't be- ing used.
The problem was that if I had brought up this concern the first time - it occurred three months before - it wouldn't have developed into a prob- lem. But I shut up for too long. So by the time I opened up to air my griev- ances, I was ready to explode. The great thing was that I did explode, and when we sat back and talked about it, the impression I had had of Dick wasn't the reality.
R &R: Would you mind giving us the details of what exactly happened?
J: We were working on the show after we did our Homeless Survivor promotion. Things were going well, and it had gotten to the point that some of the ideas that I had weren't being considered or accepted. I had a differ- ent take on the direction of the show, and I felt my ideas were being pushed by the wayside. At certain times I felt that, in discussing the show, I wasn't even being listened to. It wasn't even necessarily Dick so much as everything that was happening at the time.
It boiled up and hit a point at which I fired offa laundry list of complaints that I had. I did it via e-mail, which was a
very dumb thing for me to do.
D: Justice is very brave with e-mail. J: Although I learned my lesson on
that one. Dick's first line in his e-mail back to me was, "We really should have
done this face to face." There was a rea-
son why he said that, too, because that e -mail back hurt. But it was like two or
three e-mails in the course of one evening. The next day we did the show,
got off the air and. in a roundabout way,
Continued on Page 108
www.americanradiohistory.com
Alternative Top 50 February 22, 2002
WEEK WEEK ARTIST TITLE LABEL(S)
1
2
4
5
3
7
6 7
8
9
11
12 11
17
18
10 14
16 ® 13 16
14 17
23
19 19
24
15 21
26 ® 22 23
21 24
30 ® 27
20 27
28 28
32
36
31 ® 29 32
34 ® 33 34
35 ® 39 f 40 ® 37 38
41
49 0 42
38 42
47 0 43 44
48
/Debut>
[Debut>
[Debut>
/Debut>
o o o
o
o o m
e e
m
50 50
PUDDLE OF MUDD Blurry (Flawless /Geffen /Interscope)
P.O.D. Youth Of The Nation (Atlantic)
DEFAULT Wasting My Time (M) HOOBASTANK Crawling In The Dark (Island /IDJMG)
LINKIN PARK In The End (Warner Bros.)
JIMMY EAT WORLD The Middle (Dream Works)
STROKES Last Nite (RCA)
STAIND For You (Flip / Elektra/EEG)
NICKELBACK Too Bad (Roadrunner /IDJMG)
INCUBUS Nice To Know You (Immortal /Epic)
INCUBUS I Wish You Were Here (Immortal /Epic)
BLINK -182 First Date (MCA)
TRIK TURNER Friends + Family (RCA)
OFFSPRING Defy You (Columbia)
ADEMA The Way You Like It (Arista)
SYSTEM OF A DOWN Chop Suey (American /Columbia)
NICKELBACK How You Remind Me (Roadrunner /IDJMG)
SYSTEM OF A DOWN Toxicity (American /Columbia)
P.O.D. Alive (Atlantic)
X- ECUTIONERS It's Goin' Down (Loud /Columbia)
F00 FIGHTERS The One (Columbia)
UNWRITTEN LAW Seein' Red (Interscope)
CUSTOM Hey Mister (ARTIST Direct)
CREED My Sacrifice (Wind -up)
GODSMACK I Stand Alone (Republic /Universal)
SUM 41 Motivation (Island /IDJMG)
TOOL Lateralus (Volcano)
CREED Bullets (Wind -up)
INJECTED Faithless (Island /IDJMG)
ROB ZOMBIE Never Gonna Stop (The Red...) (Geffen /Interscope)
COURSE OF NATURE Caught In The Sun (Lava/Atlantic)
TANTRIC Mourning (Maverick/Reprise)
BAD RELIGION Sorrow (Epitaph)
EDDIE VEDDER You've Got To Hide Your... (V2)
STARSAILOR Good Souls (Capitol)
SOMETHING CORPORATE If You C Jordan (Drive -Thru /MCA)
LENNY KRAVITZ Stillness Of Heart (Virgin)
APEX THEORY Shhh... (Hope Diggy) (Dream Works)
LOCAL H Half Life (Palm Pictures)
LOSTPROPHETS Shinobi Vs. Dragon Ninja (Columbia)
LINKIN PARK Papercut (Warner Bros.)
DISTURBED The Game (Giant/Reprise)
ABANDONED POOLS Remedy (Extasy)
BASEMENT JAXX Where's Your Head At (A stralwerksNirgin)
PHANTOM PLANET California (Daylight/Epic)
LINKIN PARK My December (Warner Bros.)
311 Amber (Volcano)
JACK JOHNSON Flake (Enjoy /Universal)
STATIC -X Cold (Warner Bros.)
SOIL Unreal (J)
105
TOTAL PLAYS
I- PLAYS
GROSS IMPRESSIONS
(00)
WEEKS ON
CHART TOTAL STATIONS/
ADDS
3084 -43 344532 17 74/0
2826 +102 316217 9 75/1
2496 +9 225090 22 68/0
2476 +131 234925 17 75/0
2474 -105 273138 30 76/0
2245 +95 267295 14 68/0
2171 -32 253648 15 70/0
2081 +153 221123 8 73/0
1905 +82 160776 9 73/1
1815 +51 189103 10 74/0
1577 -180 169492 26 74/0
1562 +163 179322 6 69/0
1513 +115 161843 7 70/3
1504 -281 168264 12 62/0
1480 +60 126227 12 66/2
1429 -123 190263 29 64/0
1319 -122 157230 29 69/0
1219 +93 150089 7 67/3
1176 -192 145261 27 73/0
1168 +118 132105 6 64/0
1135 -306 96039 9 63/0
1132 +165 148904 6 64/3
1124 -16 74281 14 55/2
1065 -172 104557 17 57/0
1035 +269 87202 3 62/1
965 +18 97706 6 62/0
947 -348 71470 14 55/0
899 -22 65464 4 56/1
759 +91 50781 6 49/4
743 +211 65201 3 52/3
727 +46 46334 7 42/0
620 -155 39533 13 31/0
575 +26 63691 8 34/0
572 -6 81286 7 39/0
562 +17 51302 7 43/3
506 +88 71862 3 35/1
467 +64 37066 2 35/0
439 -12 41309 4 41/4
424 +38 34105 5 30/0
423 +136 39708 3 35/4
389 +5 112694 4 13/0
389 -46 36532 7 24/1
388 +100 26288 2 36/3
343 -23 35722 7 21/0
338 +51 34443 2 29/3
302 +56 49056 1 6/0
299 +201 23906 1 32/7
279 +110 36224 1 24/6
272 +116 32075 1 27/2
264 -4 10490 3 24/0
76 Alternative reporters. Monitored airplay data supplied by Mediabase Research, a division of Premiere Radio Networks. Songs ranked by total plays for the airplay week of 2/10/02- 2/16/02. Bullets appear on songs gaining plays or remaining flat from previous week. If two songs are tied in total plays, the song with the larger increase in plays is placed first. Songs below No. 20 are moved to recurrent after 20 weeks on the chart. Most Added is the total number of new adds officially reported to R &R by each reporting station. Songs unreported as adds do not count toward overall total stations playing a song. Most Increased Plays lists the songs with the greatest week -to -week increases in total plays. Gross Impressions equals Average Quarter Hour Persons times number of plays (times 100). Average Quarter Hour Persons used herein with permission from the Arbitron Company (copyright 2002, The Arbitron Company). (C) 2002, R &R, Inc.
Most Added. www.rradds.com
ARTIST TITLE LABEL(S)
SEVENDUST Live Again (TVT)
REVEILLE Inside Out (Can You Feel...) ( Elektra/EEG)
MOTH I See Sound (Virgin)
MESI Mother's Prayer (Maverick/WB)
311 Amber (Volcano)
LENNON Brake Of Your Car (Arista)
JACK JOHNSON Flake (Enjoy /Universal) JEREMIAH FREED Again (Republic /Universal) WHITE STRIPES Fell In Love With A Girl (V2)
EARSHOT Get Away (Warner Bros.)
ADDS
22
21
14
8
7
7
6
6
6
ANDREW W.K. "PARTY HARD"
Early Adds: WBRU (Top 5 Phones) WZZN
WEND WEQX WOXY
FIADD! IT 2 Officially Going For Adds This Week
THE ISLAND DEF JAM MUSIC GROUP A UNIVERSAL MUSIC COMPANY
Most Increased Plays
TOTAL
PLAY
ARTIST TRLE LABELS) INCREASE
GODSMACK I Stand Alone (Republic /Universal) +269 ROB ZOMBIE Never... (The Red...) (Geffen/lnterscope) +211
311 Amber (Volcano) +201
UNWRITTEN LAW Seein' Red (Interscope) +165 BLINK -182 First Date (MCA) +163
STAIND For You (Flip /Elektra/EEG) +153 PETE YORN Strange Condition (Columbia) +139 LOSTPROPHETS Shinobi Vs. Dragon Ninja (Columbia) +136 HOOBASTANK Crawling In The Dark (Island /IDJMG) +131
DROWNING POOL Tear Away (Wind -up) +130
Most Played Recurrents
ARTIST TITLE LABEL(S)
DISTURBED Down With The Sickness (Giant/Reprise) PUDDLE OF MUDD Control (Rawless/Geffen/Interscope)
STAIND Fade (Flip /Elektra/EEG)
ALIEN ANT FARM Movies (Dream Works)
WEEZER Hash Pipe (Geffen /Interscope) TOOL Schism (Volcano)
SUM 41 Fat Lip (Island /IDJMG) ALIEN ANT FARM Smooth Criminal (Dream Works) LINKIN PARK Crawling (Warner Bros.) BLINK -182 Stay Together For The Kids (MCA) PAPA ROACH Last Resort (Dream Works) FUEL Hemorrhage (In My Hands) (Epic)
STAIND It's Been Awhile (Flip / Elektra/EEG)
INCUBUS Drive (Immortal /Epic) SALIVA Your Disease (Island /IDJMG)
TOTAL PLAYS
973
868
809
791
783
752
733
682
666
607
576
532
524
497
419
R&R Packages The Reach & Frequency You Need!
Complete /V? Classified R&R Today: the leading management daily fax rronline.com: Radio's Premiere Web Site R&R: The Industry's Newspaper with the largest help wanted section
Contact Karen Mumaw at kmumaw @rronlíne.com or (310)788 -1621 for information. www.americanradiohistory.com
106 R &R February 22, 2002 .4 /terna tive .4 c tion
tit
Mat Dia bot Asst
It Hurts When I Pee, KXTE
(XtremeRadio X107.5)ILas Vegas
Musically, right now I'm really stoked on
the new Mates Of State record, Our Con-
stant Concern (Polyvinyl). Also, The Dis-
memberment Plan's Change (Desoto), The
Faint (whom you can see on tour with No
Doubt), Thursday (Victory) and The Law-
rence Arms (on Fat Wreck ... it reminds
me of the late, great Jawbreaker).
There is an unreleased Finch song
called "What It Is to Burn" that I honestly think is the best
song we are playing on Pee right now. When I'm not
listening to music, most of my time is spent on
www.makeoutclub. corn. a, The Pee show is often a pre-
view of things to come on the station, in terms of future
adds. On that tip, I'm really excited about the whole
Onesidezero record. "Instead Laugh" is huge. Most of our requests on It
Hurts When I Pee are for the harder -edged stuff that we wouldn't play during
normal hours, i.e., Slayer, Mudvayne, Insane Clown Posse, Slipknot, etc. It's
that kind of audience - disenfranchised, pissed -off, stoned young males.
Last week it was Volcano with 311 at the
top (they're still in the Most Added column
this week with seven more). This week it's
TVT's scrappy team of John Perrone and Gary
Jay on the top of the heap with Sevendust's
"Live Again." Three cheers as Sevendust's 22
adds score another one for the indie world ...
I don't want to belabor that point too much, however, since there is
some extraordinary music coming out consistently from the major labels too. This
week radio puts its arms around Elektra's Reveille and their song "Inside Out...,"
which hauls in 21 adds. Virgin's Moth (a huge record at specialty shows for a
while now) also hit double -digit adds with 14 ... Also notable this week are Mav-
erick/WB's group Mest, who are also top five Most Added behind some nice call
letters, including WKQX/Chicago. RECORD OF THE WEEK: White Stripes
"Fell In Love..." - Jim Kerr, Alternative Editor
ARTIST: Elbow
LABEL: V2
By KATY STEPHAN /ALTERNATIVE SPECIALTY EDITOR
II be the corpse in your bathtub." Note to I self: Why tax weary brain cells trying to
think up an opening for Elbow article when you can just quote the first line of "New- born"? "Call me Ishmael" - also good. File for possible Moby use.
And why risk thesaurus- induced paper cuts looking for new ways to describe Elbow's al-
bum, Asleep in the Back, when the British press has been oozing about it for months? Note use of words like "poignant" and "harrowing."
Oh. Hi. Forgive me if I'm getting a little lost
in these notes to myself, but Elbow's music doesn't so much inspire introspection as de- mand it.
Asleep in the Back is designed in high prog- rock style. Each track takes its time to unfold,
allowing plenty of breathing space between melodic lines while mesmerizing the listener with a hazy texture of luxurious vocal harmo- nies and cloudy guitars. When "Powder Blue," the druggiest, spaciest track, is cut off abruptly by the sound of shattering glass, the effect is
more shocking than anything Marilyn Manson could dream up.
"Newborn" begins simply, with Guy Garvey's plaintive vocal out front and acoustic guitar behind. But, after a couple of choruses, it opens up into a sweeping instrumental section that swells into a huge psychedelic storm and
times out at over seven minutes. Like their music, Elbow's path to success has
been complex and often dark. Frontman Guy Garvey told me the tale: "We've been together for 11 years. It picked up when we decided to
stop trying to get a record deal and make the music we wanted to make, about 1997.
"We won something called In the City, sort
of the English equivalent of South by South- west. We were signed by Island records and
Elbow's Asleep in the Back
spent a year writing and recording the first ver-
sion of Asleep in the Back. Before anything was released, Universal took over Island, and we were dropped, which was crushing. It was very tough.
"We then had a flirtation with EMI. They told us everything we wanted to hear, and that was fantastic. At the last minute they pulled out. It
was crushing, a double whammy." But when Elbow put out an EP on the in-
dependent Manchester label Ugly Man, the road finally straightened out. A record they produced for I Am Kloot (another Ugly Man band) became Single of the Week in NME and on Radio One. V2 took notice, and Elbow fi- nally had a label home, not to mention a Mer- cury Prize nomination and, this year, a Brit Prize nomination.
Garvey cites Genesis' "Entangled" as a
blueprint for "Newborn" and explains the band's vision of songwriting: "The music grows organically. Sometimes a song only needs to be a couple of minutes, and some- times it has to be longer. The songs are as long as they need to be."
Note to self: The Elbow article should be as long as it needs to be. Ask editor for four more pages.
SUGARCULT *- "BOUNCING OFF THE WALLS ,, From their album
Start Static
The lead single from the upcoming film, National Lampoon's Van Wilder, and featured in Artisan Entertainment's $20 million advertising campaign.
On Tour Now with Unwritten Law!
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and more...
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u ULTIMATUM
ARTEMISI RE CORDS
Produced, Recorded, and Mixed by Mark Trombino Album Produced by Matt Wallace Managed by: Raspier Management sugarcult.com
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Alternative February 22, 2002
107
lIt IIFIUItIIaSIK7r
America's Best Testing Alternative Songs 12+ For The Week Ending 2/22/02.
Artist Title (Label) TW LW Familiarity Burn TD Familiarity Burn
LINKIN PARK In The End(WarnerBros.) 4.32 4.32 99% 37% 4.34 99% 36%
HOOBASTANK Crawling In The Dark(Island /IDJMG) 4.26 4.22 87% 15% 4.18 89% 17%
PUDDLE... Blurry (Flawless /Geffen /Interscope) 4.20 4.26 93% 23% 4.16 95% 25%
JIMMY EAT WORLD The Middle(DreamWorks) 4.16 4.18 84% 17% 4.12 88% 19%
DEFAULT Wasting My Time(TVT) 4.15 4.13 86% 22% 4.10 91% 23%
INCUBUS I Wish You Were Here(Immortal /Epic) 4.14 4.15 94% 31% 4.06 97% 35%
NICKELBACK Too Bad(Roadrunner /IDJMG) 4.12 4.04 85% 14% 4.08 89% 15%
NICKELBACK ...Remind Me(Roadrunner /IDJMG) 4.05 4.00 99% 54% 4.07 99% 53%
STAIND For You (Flip /Elektra/EEG) 4.04 4.09 86% 18% 3.97 90% 21%
INCUBUS Nice To Know You(Immortal /Epic) 4.03 4.02 87% 17% 3.95 90% 19°/e
P.O.D. Youth Of The Nation(Atlantic) 4.02 4.04 94% 25% 3.93 96% 27%
P.O.D. Alive(Atlantic) 3.99 3.97 97% 42% 3.96 98% 43%
SYSTEM... Chop Suey(American /Columbia) 3.99 4.03 92% 31% 4.04 93% 30%
ALIEN ANT FARM Movies(DreamWorks) 3.99 3.96 91% 25% 3.95 94% 27°/e
OFFSPRING Defy You (Columbia) 3.98 3.97 88% 18% 3.92 91% 20%
ADEMA The Way You Like lt(Arista) 3.97 3.98 69% 11% 3.90 70% 12%
FOU FIGHTERS The One(Columbia) 3.94 3.95 81% 15% 3.90 86% 16%
BLINK -182 First Date(MCA) 3.90 3.83 83% 16% 3.76 84% 19%
GODSMACK I Stand Alone(Republic /Universal 3.80 - 54% 8% 3.83 58% 9%
DISTURBED Down With The Sickness(GiantReprise) 3.79 3.80 92% 37% 3.75 95% 41%
SUM 41 Motivation( Island /IDJMG) 3.79 3.75 78% 15% 3.68 78% 16%
SYSTEM OF A DOWN Toxicity(American/Columbia) 3.75 3.84 76% 15% 3.73 78% 15°/e
TOOL Lateralus(Volcano) 3.70 3.76 73% 23% 3.74 78% 24%
X- ECUTIONERS It's Goin' Down(Loud /Columbia) 3.66 39% 7% 3.62 39% 7%
EDDIE VEDDER ...Hide Your Love Away(V2) 3.64 3.64 51% 11% 3.63 58% 12%
STROKES Last Nite(RCA) 3.61 3.66 80% 27% 3.51 83% 31%
CUSTOM Hey Mister(ArtistDirect) 3.56 3.57 48% 13% 3.46 52% 14%
CREED My Sacrifice(Wind -up) 3.49 3.47 990/0 58% 3.45 99% 61%
TRIK TURNER Friends And Family(RCA) 3.43 40% 10% 3.33 43% 12%
CREED Bullets(Wind -up) 3.41 3.33 58% 16% 3.38 63% 18%
Total sample size is 779 respondents. Total average favorability estimates are based on a scale of 1 -5. (1= dislike very much, 5 =like very much). Total familiarity represents the percentage of respondents who recognized the
song. Total burn represents the number of respondents who said they are tired of hearing the song. Sample composition is based on persons 12 +. TD = Target Demo (Males 18 -34). Persons are screened via the Internet. Once passed, they can take the music test based on their format/music preference. RateTheMusic.com results are
not meant to replace callout research. The results are intended to show opinions of participants on the Internet only. RateTheMusic is a registered trademark of RateTheMusic.com. The RTM system is available for local radio stations by calling 818/377 -5300. RateTheMusic.com data is provided by Mediabase Research. A division of Premiere Radio Networks.
7 Top 20 Specialty Artists L Februa ry 22, 2002
1. MOTH (Virgin) "I See Sound"
2. DUARASHI (Columbia) "Stick `Em Up"
3. ANDREW W.K. (Island /IDJMG) "Party Hard"
4. B.R.M.C. (Virgin) "Love Burns"
5. SOUTH (Kinetic) "Too Much Too Soon"
6. CRACKER (Back PorchNirgin) "Shine"
7. LAWRENCE ARMS (Fat Wreck) "Brickwall Views"
8. PHANTOM PLANET (Daylight/Epic) "California"
9. LOST PROPHETS (Columbia) "Shinobi vs..."
10. HAVEN (Radiate/Virgin U.K.) "Let It Live"
11. KMFDM (Metropolis) "Boots"
12. TENACIOUS D (Epic) "Tribute"
13. SOUL HOOLIGAN (Maverick) "Algebra"
14. REGENCY BUCK (DreamWorks) "Free to Change Your Mind"
15. CHEMICAL BROTHERS (Astralwerks) "Star Guitar"
16. DON'T LOOK DOWN (Iguana) "On My Own"
17. DASHBOARD CONFESSIONAL (TV7) "Screaming Infidelities"
18. ELBOW (V2) "Newborn"
19. MILLION YEN (Veronica) "Velveteen"
20. JOSH ROUSE (Slow River /Ryko) "Nothing Gives Me Pleasure"
Ranked by total number of shows reporting artist.
Record Of The Week Artist: Don't Look Down Single: On My Own" Label: Iguana Contact: Roger Stein, 212 -226 -0300
Can we stop with the "pop punk" name -calling? Yeesh.
You don't have to have lived through 1977 to be punk. You don't have to have a rusty safety pin stuck through your cheek. Ask any I 5-year-old how much he hates his parents, and you're talking to a very punk rocker, indeed. When people try to slap the dread- ed pop punk label on Don't Look Down, just be like, "Yeah, 'On My Own' is
cool. Hooky, energetic, fast, yep, tight little vocal licks, uh huh. It's great. It sounds perfect next to Blink and Incubus. But if you call it pop punk, I will spread your sorry ass all over the pavement, DO YOU UNDERSTAND ME, JACKASS ?" -_ That's what I'm going to do, anyway.
- Katy Stephan, Alternative Specialty Editor *tawa;monaw,rmome:.. :..INOMM . :M,MMON:'
"This great `Sublime- esque' song has hit home big with Edge listeners.
Number 1 phones after only 40 plays!" - Nancy Stevens KEDJ /Phoenix
50 Adds in 2 weeks New This Week:
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Tour Starts Feb. 25th with special guest hoobastank
Big Early Phones! 400,000 Sold
Adam Raspier Management
www.americanradiohistory.com
108 R &R February 22, 2002 Alternative Staffons and their adds listed alphabetically by market
WHRL /Albany, NY ' OM/PD: Susan Groves
APD/MD: Lisa Biello
8 JEREMIAH FREED "Again"
2 SYSTEM OF A DOWN 'loudly" MOTH -Sound" SEVENDUST "Again"
KTEG /Albuquerque, NM ' P0: Ellen Flaherty
No Adds
WNNX /Atlanta, GA" PD: Leslie Pram
APD/MD: Chris Williams 1 SEVENDUST "Again"
CREED "Stand"
EARSHOT "Get"
GGDSMACK "Alone"
LOSTPROPHETS "Shiny"
WJSE /Atlantic City, NJ
PD: Al sonn lao
MD: Jason Ulanet
FU
JEflEMWiFflEED'Again" EMNCHF'EE
"Again"
MEST "Prayer"
MOTH "Sound' ONESIDEZERO "laugh" REVEILLE "Inside"
SEVENDUST "Again"
KROX /Austin, TX' PO: Melody Lee
MD: Toby Ryan
INJECTED "Faithless"
MOTH "Sound"
PHANTOM PLANET "Calrfomia"
KNXXBaton Rouge, LA' PO/MD: Randy Chase
APO: Bill Jadson JEREMIAH FREED "Again"
MOTH "Sound"
REVEILLE "Inside"
SEVENDUST "Again'
WRAXBirmingham, AL" Acting PD: Hurricane Shane
MD: Mark Lindsey
No Adds
KQXR/Boise, ID
PD: JaceFd Jackson
MD: Kallao
CUSTOM -Mater'
WBCNBoston, MA ` VP/Programming: edipus n9L
APD/MD: Steven Strick
JEREMIAH FREED "Again"
WHITE STRIPES "Fee'
PETE VORN "Strange'
WFNXBoston,MA' PO: Crone
APD/MD: Kevin Mays
No Adds
WEDGBuffalo, NY' PD: Lenny Diana
MD: Ryan Patrick
8 JEREMIAH FREED "Again"
3 ADEMA "like" 1 SEVENDUST "Again"
1 MOTH "Sound"
1 REVEILLE "Inside' 1 JOCK JOHNSON TI
SUGARCULT "Bouncing"
WAVF /Charleston, $G' P0: Greg Patrick
APD/MD: Danny Villalobos
STARSAILOR "Good"
PETE PORN "Strange"
WEND/Charlotte, NC' PD: Jack Daniel
eycutt APDAAD: Kristen Honeycutt
1
JOHNSON
SON "-
1 JACK JOHNSON "Flake"
ANDREW W K. "Party"
WKOX/Chicago, IL ' PD: Tim Richards APDAND: Mary Shemina5
AMO: Nicole Chuminano
MEST "Prayer"
OUARfSHI "Stick'
WHITE STRIPES "Fell"
WZZN /Chicago, IL
PD: Bill Gamble APO: Steve L
MD: James
12 B HMG. "Love" 4 WEEZER "Nose"
2 ANDREW W K. "Pa " 2 WHITE STRIAED "Fell' 1 SYSTEM OFA DOWN 'TOxicM"
WADZ/Cincinnati, OH ' PD: Rick Jamie
APO/MD: Odd Shaggy
No Adds
WXTM /Cleveland, OH
PD: Kim Monroe
MD: Dom Nardelle
14TOeYMAC °Yours"
EARSHOT "Get"
KID ROCK "Lay'
WARD/Columbia, SC
OM/PO/MD: Gina Juliano
1 REVEILLE "Inside"
JACK JOHNSON -Flake"
SEVENDUST 'Again"
WWCD /Columbus, OH" PD: Andy Davis
MD: Jack DeVoss
1 TENACIOUS D "Tribute"
KDGE/Dallas- R. Worl1,TX' PD: Duane Doherty
APDAND: Alan Ayo
No Adds
WXEG/Dayton, OH ' PD: Steve Kramer
MD: Boomer
1 JEREMIAH FREED "Again"
ABANDONED POOLS "Remedy" APEX THEORY "Shhh._"
REVEILLE "Inside"
SEVENDUST "Again"
KTCL/Denver- Boulder, CO ' PD: Mlke O'Connor
MD: Sabrina Saunders
28 NICKELBACK "Too" 22 Rao .Youth"
311 "Amber"
CIMXNehoH, MI
PD: Money &OOlshaw APO: Vince Canonna
MD:MHB
DASHBOARD...
Franklin
1 DASHBSTRIPE "screaming" WHITE STRIPES'Felr
IOJRQAIgette,SprKllJldd,OR PD: Chris Crowl Crowley
APD/MD: Stu Allen
TENACIOUS D'Tdbute" ROB ZOMBIE "Never'
KXNA/Fayetteville, AR
PD: Margot Smith
SEVENDUST "Again"
JACK JOHNSON "Flake
WJBX/Ft. Myers, FL ' PD: John Roa MD: Lance
1 R100ILEPHETS"Shinobï' REVEILLE "Inside"
WXTW/Ft. Wayne, IN
PD/MD: JJ Fabini
2 REVEILLE "Inside"
1 MOTH'Sound" FU MANCHU "Squash"
LENNON "Brake"
SEVENDUST "Again"
KFRR /Fresno, I:A' PD: Chris Squires
Reverend
1 ADEMA "Like "Again'
WGRD /Grand Rapids, MI ' PD: Bobby Duncan
2 MOTH "Sound"
1 SENSE FIELD "Save"
INJECTED "Faimlass"
_
WXNR /Greenville, NC' PD: Jell Sander APD: Turner Watson
REVEILLE "Inside' SEVENDUST 'Again'
Reporters WEEO/Hagerstown, MD
PD/MD: Austin Davis
FU MANCHU "Squash"
SUGARCULT "Bouncing'
WMRO/Hartford, CT' PD: Todd Thomas
MD: l haz Kelly
EARSHOT "Get"
SOMETHING CORPORATE "Jordan"
KPDIIH0001Dltt, HI
Interim PO: Joe Hart
No ands
' Tñ'
PD/MD: Steve Robison
1 MEST 'Prayer"
JACK JOHNSON "Flake'
WRZXttJamnapolis,IN' PD: Scott
MD: Michael Young
2 MOTH "Sound'
2 EJMANCHU -Squash"
1 CREED Stand
REVEILLE "Inside"
SEVENDUST "Again"
WPLA/Jacksonville, FL PD; Scott Pegbong
APD/MD: Chad CMlmley
1 TRIK TURNER " Frends"
EARSHOT "Get"
HEADSTRONG "Adrian" LENNON'Brake"
SEVENDUST "Again'
WRZK /Johnson City, TN "
VPAProg. Ops.: Mark E. McKinn
LENNON " Brake"
PHANTOM PLANET "Calgorne"
RE\ LEinstle"
KXTE /Las Vegas, NV *
PD: Dave Wellington APD/MD: Chris Ripley
No Adds
INXZZAedlgbr-Fayele,KY' PD: B.J. Kinard
MD: Suzy Boe
JACK JOHNSON "FWæ"
R08 ZOMBIE "Never"
KLEC/LiNle Rock, AR
Dir Larry LeBlan MD: Peter Gunn
LENNON "Brake"
KROO/Los Angeles, CA' VPA'<op.: Kevin Weatherly
APD: Gene Sandblomn MD: Lisa Woolen
WXRK /New York, NY' PD: Steve Kingston
MD: Mike Peer
13 LINKIN PARK "Runaway'
9 STATIC -X "Cold"
WROX/Norfolk,VA PD: Michele Diamond
MD: Mike Powers
17 311 "Amber"
9 LOSTPROPHETS 'shirwhF' 1 MOTH "Sound"
REVEILLE "Inside"
SEVENDUST "Again"
KDRX/OdeSSa- Midland, TX
POIMD: Michael Mobley
MOTH "Sound'
REVEILLE "Inside"
JEREMIAH FREED "Again"
WOCL/Orlando, FL
PD: Alan Smith
MD:BobbySmith 311 "Amber"
WPLY/Philadelphia, PA *
PD: Jim McGuinn
MD: Dan Fein
3 TENACIOUS D "Tribute"
KEDJ/Phoenix, AZ "
Nancy Sievers APO: Dead Air Dave
MD: Robin Nash
ABANDONED POOLS "Remedy"
MEST "Prayer
ROB ZOMBIE "Never"
KZON/Phoenix, AZ ' OM/PD: Tim Maranville APD/MD: Kevin Maonien
DASHBOARD... "Screaming"
WXOX /Pittsburgh, PA
PD: John Moschiaa
M0: Yinnie
No Adds
WCYY/Porlland, ME
PD: PD: Herb lvy
MD: Brian James No Adds
KNRK/Portland, OR' PD: Mark HamittOO APD/fAD;Jayn
3 REGENCY BUCK "Change'
REVEILLE 'Inside"
W RUProvide WBRU/Providence, R7'
MD: Annie Shapiro
No Adds
KRZO/Reno, NV' PD: Wendy Rollins
APDAND: Scott Sanford
11 311 "Amber"
JACK JOHNSON "Flake"
WDYL/Richmond,VA PD: Mike Murphy
MD:Keith Dahin
2 APE( THEORY 'DAL." 1 MOTH "Sound"
DASHBOARD.. 'screaming" REVEILLE "Inside"
KCX)(IRiverside, CA "
APO: John OeSaMis Rpm
MD: Daryl James
DROWNING POOL "Tear'
TRIK TURNER "Friends"
UNWRITTEN LAW "Red"
WF elbidi 1g, IA* PDAND:DonWalker
LENNON "Brake"
MEST "Prayer'
MOTH "Sound"
ONESIDEZERO "Laugh"
REVEILLE "Inside'
SIMPLE PLAN "Kid"
WZNE/Rochester, NY
PD/TAD: Mite Danger
No Adds
KWOD/Saeramenta, CA ` PD: Ron Bence
APO' Boomer
11 INCUBUS 'Warning"
2 MOTH 'Sound" ONESIDEZERO "Laugh"
REGENCY BUCK "Change"
12 STONES " Broken"
MEST "Prayer'
REVEILLE "Inside'
KPNT/St. Louis, MO
PD: Tommy Mattem
MD: Eric Schmidt
No Adds
KXRK/Salt Lake City, UT ' VP/Ops. 8 Ping.: Mike Semmes APD/MD: Todd Honer
17 311 "Amber"
8 TENACIOUS D "Tribute
5 SEVENDUST -Again'
3 ABANDONED POOLS "Remedy'
XTRA/5an Diego, CA' PO: Bryan School(
MD: Chris Medley STARSAILOR -Good"
KITS/San Francisco, CA ` PD: Jay Taylor
MD: Aaron Axelsen
No Adds
KJEE/Santa Barbara, CA
GM/PD: Eddie Gutierrez
MD: Dakota
MOTH "Sound" REVEILLE "Inside"
WWW/Savannah,GA PDAAD: Phil Conn
LENNON"Brake'
KNDD/Seattle-Tacoma, WA' PD: Phil Manning
APD: Jim Keller
MD: Seth Resler
2 UNWRITTEN IAW'Retl" DISTURBED "Game"
KSYRIShreveporl, LA' PD/TAD: Craig Cooper
1 311 .Amber,.
1 CUSTOM MSter hinobi"
REVEILLE
WKRLByracuse, NY' OMW D: Mimi Griswold
APORND: Abbie Weber
2 REVEILLE "Inside"
NEST "Prayer" MOTH "Sound" MOTH
"Change"
SEVENDUST "Again'
WXSR/Tallahassee, FL
PD: Steve Ong
MD:Meabcead
MEST "Prayer"
SEVENDUST "Again"
FU MANCHU "Squash"
OUTERSTAR "Round"
WSUN/Tampa, FL
OM: Chuck Beck
PD: Shark
1 MOTH "Sound"
APIXTHEORY -Shhh.'
KFMA/Tucson, AZ' PD: John Michael
MD: LibbyCarstensen
7 FURTHER SEEMS... "Say"
KMYZ/Tulsa, OK' PD: Lynn Barstow
MD: Corbin Pierce
2OUARASHI "sck° 1 STATIC -% "Cold"
STARSAILOR'Gootl"
WHFS/Washington, DC * g PD: Robert Benjamin
APO: Bob Waugh MD: PatFerrise
6 WHITE STRIPES "Fell"
REVEILLE "Inside'
WWOC/Washington, DC ' MD: &LreeMnCurtis
JOHN MAYER "Such"
1 UNWRITTEN LAW "Red' CREED "Stand"
SYSTEM OF A DOWN "Tolac4y"
WPBZ/W eä1 Palm Beach, FL' OM/PD: John O'Connell
MD: Eric Kristermen
REVEILLE `Inside' REVEILLE
"Again"
WBSX/Wilkes- Barre, PA' PD: Chris Lloyd
APD: Jay Hunter
MD: Freddie
CPÉD THEORY
"Bullets
Ohh.
INJECTED 'Faithless"
REVEILLE "Inside"
SEVENDUST "Again"
WSFM/Wilmingtun, NC
PD: Knothead
4 LENNON "Brake"
2 LENNON"FREED "Altai
2 JACK JOHNSON "Flake'
1 REGENCY BUCK "Change'
SEVENDUST "Again"
DROWNING POOL "Tear"
14 WEEZER "Nose"
4 ROB ZOMBIE
WHITE STRIPES °Fed"
WLRS/Louisvifle,KY' liderim PO: J.D. Kairo MD: Kyle Meredith
311 "Amber°
REVEILLE "Inside"
SEVENDUST "Again"
WMAD/Madison, WI ' PO; Pat Frawley
MD: Amy Hudson
SUGARCULT -Sounang"
TENACIOUS O'Tribute"
WMFS/Memphis, TN ' PO: Rob Cressman
MD: Mike Killebrew
EARSHOT "Get"
PUDDLE OF MUDD "Onto"
bYBYAAuieleySaW, CA. OM/PD:Chris White APO: Opie Taylor
ENNON "Brake"
MEST "PrayLr"
ONESIDEZERO "Laugh"
REGENCY BUCK "Change"
SEVENDUST "Again'
WBUZ/Nashville, TN ' PD: Brian Klysì
No Adds
WRRV/Newburgh, NY
PD: Andrew Boris
HOOBASTANK "Crawling"
KKND/New Orleans, LA' OMRD: Dave Stewart MD: Sig
2 12 STONES "Broken'
SEVENDUST "Again'
WNFZ/Knoxville, TN
PD: Dan eozyk
APD/MD: Anthony Protfitt
AMD: Opie Hines
5 SEVENDUST "Again' "
DOPE "Away DROWNING POOL 'Tear'
-
KFTE/Lafayette, LA
PD: Rob Summers MD: Scott Perrin
PHANTOM PLANET"Caldoma`
SEVENDUST 'Again
WWDX/Lansing, MI ` PD: Chili Walker
7 LENNON "Brake 1 TRIK TURNER "Farads"
INJECTED "Faithless"
Monitored Reporters O I '
86 Total Reporters
76 Total Monitored
10 Total Indicator
The Formation Of A Successful Morning Team Continued from Page 104
got back to that conversation, even though we had kind of resolved it
via e-mail.
D: The funny thing about hearing Justice talk about that and me remem-
bering back is that it reminds me of husband -and -wife arguments. I don't
even remember what we were arguing about, to be honest.
J: Oh, I can't even really remember either. All I remember is that Dick
made some weird kind of Star Wars reference to him being a Jedi and me
being lower than a Jedi, and it set me off.
D: That's because he's a big Star Wars fan, and I used it against
him. J: Yeah, I was like, "Don't ever call me lower than a Jedi, damn
it." The thing of it is that, after that day, there hasn't been a problem
since.
D: Well, maybe not in your mind....
R &R: Was that the moment that you guys realized that not only
was the show sounding good, you were also a good team?
D: In my mind it is like that initial stage when you're on the air
and trying to one -up each other. When you're comfortable enough to
sit back and let the other guy get the joke and you don't try to one -up
it or tag it, that's the moment where you can say, "We're a team."
You allow your partner the joke. You allow them the spotlight. You
have to be comfortable doing that, because it's not just about how
well Dick did and how well Justice did, it's how well Dick and Jus-
tice did. J: That actually happened pretty early for us. I honestly think that
after a couple of months we were thinking that we may actually be
able to make a go of this.
New & Active PETE PORN Strange Condition (Columbia) Total Plays: 254, Total Stations: 20, Adds: 2
DROWNING POOL Tear Away (Wind -up) Total Plays: 252, Total Stations: 25, Adds: 2
SUGARCULT Bouncing Off The Walls (Ultimatum /Artemis)
Total Plays: 230, Total Stations: 24, Adds: 2
SENSE FIELD Save Yourself (Nettwerk) Total Plays: 225, Total Stations: 11, Adds: 1
DAVID DRAIMAN Forsaken (Reprise) Total Plays: 210, Total Stations: 21, Adds: 0
CREED Stand Here With Me (Wind -up) Total Plays: 192, Total Stations: 10, Adds: 3
ALANIS MORISSETTE Hands Clean (Maverick/Reprise) Total Plays: 185, Total Stations: 8, Adds: 0
GRAVITY KILLS One Thing (Sanctuary /SRG) Total Plays: 160, Total Stations: 16, Adds: 0
TENACIOUS D Tribute (Epic) Total Plays: 154, Total Stations: 17, Adds: 4
FU MANCHU Squash That Fly (Mammoth) Total Plays: 144, Total Stations: 15, Adds: 3
Songs ranked by total plays
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13 17
22 15
15 15 18 15 14 15 13 14 16 14
15 14 17 14
ARTIST/TITLE
PUDDLE OF MUDDBlurry P.ODJYouth Of The Nation LINKIN PARK/In The End
LINKIN PARK/Papercut STAIND/For You DISTURBED/Down Well... SYSTEM OF A DOWN/Chop Suey P.O.OJBoom
NICKELBACKAiow You Remind Me BLINK- 182/Stay Together For...
CREED/Stand Here With Me UNWRITTEN LAW/Seein Red
BLINK-182/First Date PUDDLE Of MUDD /Drift 8 Die
JIMMY EAT WORLD/The Middle STROKESI ast Rite SYSTEM OF A DOWWTmdc6y OFFSPRING/Dey You
T000Schism INCUBUS/Nice To Know You P.O.Di/dive HOOBASTANK/Crawling In The Dark CREED/My Sacrifice
PAPA ROACH/Last Resorl TRIK TURNER/Friends Famiy GORILLAZ/Clim Eastwood PUDDLE OF MUDD/Control ALIEN ANT FARM/Smooth Criminal INCUBUS/I Wish You Were Here WEEZER/Hash Pipe
GI 10001
49686 47138 47138 47138 39494 39494 39494 34398 34398 33124 31850 30576 29302 28028 28028 28028 28028 25480 25480 25480 24206 21658 19110 19110 19110 19110 17836 17836 17836 17836
The FLAKES are starting to fall
Jack Johnson This week at:
KTBZ WEND WEDG
WARQ WXEZ KRZQ
and more
Over 140,000 Scanned
MARKET #8
W FNX /Boston MCC (781) 595-6200 Cruze/Mays
12+ Cume 197,200
PLAYS
LW TW ARTIST/TITLE
40 43 PUDDLE OF MUDDBlurry 38 41 OEFSPRING/Dey You
38 40 P.O.DNouth 01 The Nation 34 39 G00SMACK/I Stand Alone 36 37 STAIND/For You 36 37 DISTURBED/The Game 38 36 T0OLAaleralus 74 25 DEFAULT/Wasting My Time 26 25 SYSTEM OF A DOWN/Toeaciy 20 24 LOSTPROPHETSBhinobi Vs... 70 23 X- ECIITIONERS/ICs Goin Down 22 23 UNWRITTEN LAW/Seein' Red
23 22 ILL NINONVhat Comes Around 16 22 ROB ZOMBIE/Never Gonna Stop... 15 22 TRIKTURNER/Friends+ Family 17 22 WEEZERMash Pipe 21 22 ADEMA/The Way You Like It 31 22 HOOBASTANK/Crawling In The Dark 25 21 SYSTEM OF A DOWN/Chop Suey 20 20 CREED/Bullets 10 20 DROWNING POOL/rear Away 25 20 F00 FIGHTERS/The One 17 19 PAPA ROACH/Last Resort 19 19 PUDDLE OF MUDD /Control
21 19 STROKES/Last NKe 18 18 NICKELBACK/Too Bad 18 18 TANTRIC/Mourning 17 17 NICKELBACK/How You Remind Me 17 17 LINKIN PARK/M The End
13 16 SALIVA/Your Disease
GI (000) 3526 3362 3280 3198 3034 3034 2952 2050 2050 1968 1886 1886 1804 1804 1804 1804 1804 1804 1722 1640 1640 1640 1558 1558 1558 1476 1476 1394 1394 1312
MARKET #15
KEDJ/Phoenix Big City (480) 423 -9255 Stevens/Dead Air Dave/Nash
12+ Cume 179,200
PLAYS
W TW
55
55
54
52
55 49
48
36
33
36
15
35
27
62
59
59
56
55
50
45
32
32
90
30 29
28
29 27
28 27
32 27
26 26
23 26 24 26 22 25 30 25
30 25
30 25
21 24 28 24 18 23
28 21
21 20 26 20 20 19
ARTIST/TITLE
TRIK TURNER/Friends + Family PUDDLE OF MUDDBlurry BLINK-182/First Date HOOBASTANK/Crawling In The Dark JIMMY EAT WORLD/The Middle INCUBUS/I Wish You Were Here LINKIN PARK/In The End
UNWRITTEN LAW/Seein' Red STROKES/Last Nite BAD RELIGIONBorrow 311 /Amber AUTHORITY ZERO /One More Minute LINKIN PARK/My December CUSTOMMey Mister SYSTEM OF A DOWN/TOwciy P.0.0./Youth Of The Nation NICKELBACKBOw You Remind Me ADEMA/GNing In
P.O.DJAINe
PUDDLE OF MUDD /Control LOCAL HMaO Life
SYSTEM OF A DOW WChop Suey STAIND/For You DISTURBED/Down With... ALIEN ANT FARMMIOVies SOMETHING CORPORATE/If You C Jordan INCUBUSAIice To Know You TOOL/Schism LINKIN PARK/Papercut SUM 41/Motivation
GI (000)
4588 4366 4366 4144 4070 3700 3330 2368 2368 2220 2220 2146 2072 1998 1998 1998 1924 1924 1924 1850 1850 1850 1850 1776 1776 1702 1554 1480 1480 1406
.4 /terna ti ve P/ay/is is MARKET #2
KROQ /Los Angeles Infinity (323) 930-1067
Weathery/Sandbloom/Worden
12* Cume 1,550,800
PLAYS
LW TW
42 46
39 44
35 42
38 41
18 32 16 31
17 28 26 26
35 26 24 25
21 25
19 25
14 23 19 22 16 22
16 22
21 20
19 20
22 20
12 19
29 18
17 18 17 17
21 17
15 17
24 16 12 16 18 16
19 15
21 15
ARTIST/TITLE
STROKES/Last Nee
JIMMY EAT WORLD/The Middle PUDDLE OF MUDDBlurry PO.DNouth Of The Nation LINKIN PARK/Papercut UNWRITTEN LAWBeeiT Red X- ECUTIONERS/ICS GOiri Down OFFSPRING/Defy You
SYSTEM OF A DOWN/CEOD Suey NO DOUBT/Hella Good SYSTEM OF A DOW WToxkiy SOMETHING CORPORATEAf You C Jordan HOOBASTANK/Crawling In The Dark BLINK-182/First Date
PUDDLE OF MUDDBritl 8 Die
BAD RELIGION/Sonow STAIND/For You
TOOL/Schism P.O.DJAItve EDDIE VEDDER/You've Got To... LINKIN PARK/In The End
JACK JOHNSON/Flake SENSE FIELD/Save Yourself COLDPLAY/Trouble INCUBUS/Pardon Me
LINKIN PARK/My December INCUBUS/Nice To Know You WEEZER/Hash Pipe INCUBI/SA Wish You Were Here NICKELBACK/How You Remind Me
GI (080)
42642 40788 38934 38007 29664 28737 25956 24102 24102 23175 23175 23175 21321 20394 20394 20394 18540 18540 18540 17613 16686 16686 15759 15759 15759 14832 14832 14832 13905 13905
MARKET #8
WPLY/Philadelphia Radio One (610) 565-8900 McGuinn/Fein
12+ Cume 584,950
PLAYS
Lw TW
38 42
40 42
36 41
35 40
36 40
44 39
28 37
34 35
31 35
28 33
27 32 31 31
24 29 27 27
19 25
20 25
24 22
18 22 27 22 14 21
20 19
22 18
20 18
9 17
15 17
13 17
13 16 8 16
13 16 14 16
ARTIST/TITLE
OFFSPRING/Dely You LINKIN PARK/In The End PO.DNouth Of The Nation INCUBUS/Nice To Know You DEFAULT/Wasting My Time PUDDLE OF MUDDBlurry STROKES/Last Nile JIMMY EAT WORLD/The Middle AVALANCHES/Frontier... ALIEN ANT EARN/Movies STAIND/Fade HOOBASTANK/Crawling In The Dark NICKELBACK/Too Bad
BLINK- 182/First Date TRIK TURNER/Friends+ Family PUDDLE OF MUDD /Control TANTRIC/Mourning
ADEMA/The Way You Like It FOCI FIGHTERS/The One X- ECUTIONERS/It's Gairi Down M.D./Alive SYSTEM OF A DOWN/Chao Suey PHANTOM PLANET/California
DASHBOARD../Screaming... CREED/My Sacrifice DISTURBED/Down With... PETE YORNSlrange Condition FAMILIAR 48/The Question SYSTEM OF A DOWN/Toxicity BASEMENT JAXX/Where s Your Head At
ci Noe)
8904 8904 8692 8480 8480 8268 7844 7632 7420 6996 6784 6572 6148 5724 5300 5300 4664 4664 4664 4452 4028 3816 3816 3604 3604 3604 3392 3392 3392 3392
MARKET #9
KTBZ/Houston -G a Iveslo n
Clear Channel (713) 968 -1000 Robison
12+ Cume410,500
PLAYS
LW TW
41 45
39 43
43 43
40 42 44 42
41 40 43 38 31 37
39 36
36 36
39 35
24 26
19 23
23 23
21 23 20 23 19 20 15 17 12 17 17 17
18 17
20 17 19 16
17 16 18 16 13 15 17 15
18 14 17 14
13 14
ARTIST/TITLE
HOOBASTANK/Crawling In The Dark INCUBUS/ Wish You Were Here
LINKIN PARK/In The End CREED/My Sacrifice DEFAULT/Wasting My Time PUDDLE OF MUDD/Contrcl ADEMA/Giving In
PUDDLE OF MUDDBlurry BUSH/The People That... OFFSPRING/Defy You BLINK-182/Slay Together For...
JIMMY EAT WORLD/The Middle M.D./Youth Of The Natron
F00 FIGHTERS/The One
STROKES/Last Nee
STAIND/For You TANTRIC/Mourning
P.O.DJAIive
T000Schsm SALIVA/Your Disease SUM 41/Fat Lip COLDPLAY/Yellow STAIND/Fade SUM 41 /In Too Deep
OLEANDER/Are You There? STAIND/Outside
3 DOORS DOWN /Duck And Run TANTRIC/Breakdown
NICKELBACKMow You Remind Me LINKIN PARK/Crawling
GI (000)
9270 8858 8858 8652 8652 8240 7828 7622 7416 7416 7210 5356 4738 4738 4738 4738 4120 3502 3502 3502 3502 3502 3296 3296 3296 3090 3090 2884 2884 2884
MARKET #15
KZON/Phoenix Infinity (602) 258-8181 Maranville/Mannion
12e Cume 300,600
PLAYS
LW ne 38 37 38 36 41 36 33 35
38 34
32 34
37 33 27 33
30 31
30 31
28 31
14 31
29 29 33 29 27 29 27 27
25 25
17 22 20 20 15 20 18 18
36 18
4 18
19 18 19 17 I1 17 16 16
13 16 17 16 13 16
ARTIST/TITLE 0I (goo) PUDDLE OF MUDDBlurry 4588 DEFAULT/Wasting My lime 4464 PUDDLE Of MUDD /Control 4464 JIMMY EAT WORLD/The Middle 4340 LINKIN PARK/In The End 4216 STROKES/Last Nile 4216 CREED/My Sacrifice 4092 NICKELBACK/Too Bad 4092 HOOBASTANK/Crawling In The Dark 3844 SUM 41/Fat Lip 3844 P.O.D /Alive 3844 INCUBUS/Nice To Know You 3844 COURSE OF NATURE/Caught In The Sun 3596 P.O.DNouth Of The Nation 3596 TANTRIC/Mouming 3596 SENSE FIELD/Save Yourself 3348 MICHELLE BRANCH/All You Wanted 3100 NATALIE IMBRUGLIA/Wrong Impression 2728 LENNY KRAVITZ/Stillness Of Heart 2480 TRIK TURNER/Friends u Family 2480 CALLING/Wherever You Will Go 2232 NICKELBACK/How You Remind Me 2232 JACKJOHNSOWFlake 2232 BLINK- 182/Fest Date 2232 BEN FOLDS/Still Fighting It 2108 KID ROCK/Loney Road Of Faith 2108 ALIEN ANT FARM/Smooth Criminal 1984 INCUBUS/Drive 1984 DAVE MATTHEWS BAND/The Space Between 1984 FUEOHemorehage... 1984
MARKET #3
WKOX/Chicago
Emmis (312) 527-8348 RichardsBhuminas
12+ Cum 766,800
PLAYS
LW TW
44 47 46 44 45 44 43 43 36 42 23 39
24 37 43 37
36 33 17 31
31 29 29 28 24 28
32 25
32 24
21 23
20 22 22 21
24 20
21 20 18 19
22 19 13 17
17 17 17 17
16 16
6 16 17 16 15 16 13 16
Q1O1 ARTIST/TITLE
JIMMY EAT WORLD/The Middle PUDDLE OF MUDDBlurry P.O.DIYouth Of The Nation DEFAULT/Wasting My Time
HOOBASTANK/Crawling In The Dark PETE YORN/Strange Condition PHANTOM PLANET/California TRIK TURNER/Friends + Family NICKELBACK/Too Bad
LINKIN PARK/In The End
CREEDBullets LOCAL HMa# Lite BLINK- 1827Tirst Date UNWRITTEN LAW/Seeiri Red
STROKES/Last Rite
EDDIE VEDDERNou ve Got To... SOMETHING CORPORATE/If You C Jordan STARSAILOR/GOOd Souls INCUBUS/Nice To Know You STAIND/For You
COURSE OF NATURE/Caught In The Sun X- ECUTIONERS/ItS Goiri Down STAIND/Fade TOOLSchsm INCUBUS/I Wish You Were Here
CREED/My Sacrifice
2 SKINNEEJS/Grown Up
LINKIN PARK/Papercut
SYSTEM OF A DOWWChap Suey SYSTEM OF DOWN/Toxkdty
01 (0001
15322 14344 14344 14018 13692 12714 12062 12062 10758 10106 9454 9128 9128 8150 7824 7498 7172 6846 6520 6520 6194 5868 5542 5542 5542 5218 5216 5216 5216 5216
MARKET #7
WHFS/Washington. DC
Infinity (301) 306-0991
Ben¡amiruFerrise
12e Cume 694,100
PLAYS
LW TW
59 68
546,5 66 64
63 62
64 60
50 56
61 52
44 47
46 39
31 38 46 38 64 37 38 37
32 36
33 36
34 33 41 30
34 29
21 29 31 28 25 27
23 20
27 20 24 19
- 19 16 18
20 17
15 16
9 13
17 13
ARTIST/TITLE
Po DJYouth 01 The Nation
JIMMY EAT WORLD/The Middle STROKES/Last Nee
LINKIN PARK/Runaway
SYSTEM OF A DOWN/Chop Suey PUDDLE OF MUDDBlurry INCUBUS/I Wish You Were Here X- ECUTIONERS/It's GOtri Down DROWNING POOL/rear Away INCUBUS/Nice To Know You CREED/Stand Here With Me F00 FIGHTERS/The One TRIK TURNER/Friends o Family BLINK-182/First Date
STAIND/For You ALIEN ANT FARM/Movies GODSMACKA Stand Alone OFFSPRING/Dety You
SYSTEM OF A DOWN/Toxicity DEFAULT/Wasting My lime LINKIN PARK/n The End PUDDLE OF MUDD/Control ADEMA/The Way You Like It
P.O.DJAINe
GOBI Hear You Caning DISTURBED/Down With... CITIZEN COPE/Let The Drummer... NICKELBACK/How You Remind Me STAIND /It's Been Awhile TOOLJSchism
111 (01101
17680 16900 16640 16120 15600 14560 13520 12220 10140 9880 9880 9620 9620 9360 9360 8580 7800 7540 7540 7280 7020 5200 5200 4940 4940 4680 4420 4160 3380 3380
MARKET #10
CIMX/Detroit Chum Ltd. (313) 961 -6397 Brookshaw/Canova/Fmnklin
12e Cume 419,700
PLAYS
LW TW
31 40
38 39 36 37 39 37 38 36
35 36 3435 36 35
36 35
30 30
26 29
28 25
24 25
27 25 2223 23 23 24 23
24 22
25 22
2822 26 21
22 20 1720 20 18 28 17 1 15
2 15
9 13
8 13
15 13
ARTIST/TITLE
LINKIN PARK/My December P.O.D./Youth 01 The Natron
SYSTEM OF A DOWN/Chop Suey PUDDLE OF MUDDBlurry BLINK- 182/First Date STAIND/For You FINGER ELEVEN/Bones And Joints INCUBUS/Nice To Know You
DEFAULT/Wasting My lime CUSTOM/Hey Mister TRIK TURNER/Friends + Family UNWRITTEN LAW/Seein' Red
SUM 41/Motivation DASHBOARD.../Best Deceptions ALIEN ANT FARMMtovies DAVE MATTHEWS BAND/Waste ALANIS MORISSETTEAlands Clean BIF NAKED /I Love Myself Today STROKES/Last Rite CREED/Bullets HOOBASTANK/Crawling In The Dark
JIMMY EAT WORLD/The Middle KID ROCK/Lonely Road Of Faith OFFSPRING/Defy You
LINKIN PARK/In The End X- ECUTIONERS/It's Geil Down GODSMACKA Stand None SYSTEM OF A DOW WToxicity HOMETOWN HERO/Eighteen NICKELBACK/Too Bad
GI (000)
7680 7488 7104 7104 6912 6912 6720 6720 6720 5760 5568 4800 4800 4800 4416 4416 4416 4224 4224 4224 4032 3840 3840 3456 3264 2880 2880 2496 2496 2496
MARKET #17
XTRA/San Diego Clear Channel (858) 292 -2003 Schock/Muckley
12+ Cume 391,900
PLAYS
Lw Tw 4242 37 41 40 40
40 40
41 39 41 37 18 27 22 26 37 26
24 25 1923 2722 22 21
20 21 16 21
2220 21 20 2420 24 20
18 20 20 19 15 19
22 18
18 18 17 17
18 17
15 16 17 15
7 14 12 14
ARTIST/TITLE
BAD RELIGION/Sorrow LINKIN PARKAn The End
JIMMY EAT WORLD/The Middle STROKES/Last Nite PO.DNouth 01 The Nation PUDDLE OF MUDDBlurry WEEZER/Photograph FENIX TX/Threesome JACK JOHNSONBubble Toes OFFSPRING/Dey You 311 /Amber P.O.D./Alive NICKELBACK/How You Remind Me VINES/I'm Only Sleeping
3114'11 Be Here Awhile BLINK- 182/Rrsl Date CONVOY/Caught Up In You INCUBUS/Nice To Know You
F00 FIGHTERS/The One
STROKES/Someday
GREEN DAYiPoprocks 8 Coke STAIND/For You
UNWRITTEN LAW /Actress, Model... SNEAKER PIMPS/Sick ERIK TURNER/Friends+ Family INCUBUS/I Wish You Were Here ALIEN ANT FARMMtovies JACK JOHNSON/Flake JACK JOHNSON4Aiddle Man SAVES THE DAY /At Your Funeral
GI (ODO)
6720 6560 6400 6400 6240 5920 4320 4160 4160 4000 3680 3520 3360 3360 3360 3200 3200 3200 3200 3200 3040 3040 2880 2880 2720 2720 2560 2400 2240 2240
MARKET #3
WZZN/Chicago ABC (312) 984 -9923
Gambbe/LevyNanOsdel
12+ Cume 531,300
PUYS LW TW
65 68
31 65
63 62 46 60
62 58
26 46
61 44 34 36 20 35 23 35 35 34 33 33
36 33 30 30 18 28 31 20
25 27 40 26 30 26 29 24 16 23 11 22 6 21
2 21
30 21
15 20 19 19 26 18
30 17 18 17
94.7 ZONE ARTIST/TITLE GI (0001
PUDDLE OF MUDDBlurry 12784 TRIK TURNER/Friends n Family 12220 LINKIN PARK/In The End 11656 SENSE FIELD/Save Yourself 11280 JIMMY EAT WORLD/The Middle 10904 DEFAULTM7a5Ang My Time 8648 STAIND/For You 8272 HOOBASTANK/Crawling In The Dark 6768 LINKIN PARK/Papercut 6580 DISPATCH/Open Up 6580 STROKES/Last Nile 6392 INCUBUS/Nice To Know You 6204 CREED/Hide 6204 BLINK- 182/First Date 5640 P.O.DNOUth 01 The Nation 5264 INCUBUSA Wish You Were Hem 5264 2 SKINNEE J'S/Grown Up 5076 CREED/My Sacrifice 4888 NO DOUBT/Helle Good 4700 JOHN MAYERMo Such Thing 4512 JACK JOHNSON/Flake 4324 EDDIE VEDDER/You've Got To... 4136 PETE YORNStrange Condition 3948 BASEMENT JAXX/WhereS Your Head At 3948 BLINK-182/Stay Together For... 3948 UNWRITTEN LAW/Seeiñ Red 3760
FOO FIGHTERS/The One 3572 SOMETHING CORPORATE/If You C Jordan 3384 NICKELBACK/Too Bad 3196 WEEZER/Hash Pipe 3196
MARKET #7
WWDCIWashington, DC
Clear Channel (301) 587 -7100 Riter/CurSs
12+ Cume 756,400
PLAYS
LW TW
36 39
38 37
35 35
3636 29 29 33 28
23 28 26 27
33 26
25 25 14 16 16 15 16 15
11 14
14 14
6 14
7 14 14 14
13 14
12 14
15 14
16 13
11 13
14 13
13 13
11 13 13 13
13 12
13 12 12 12
ARTIST/TITLE
LINKIN PARK/In The End
P.O.DJAIIve
JIMMY EAT WORLD/The Middle CREED/My Sacrifice DEFAULT/Wasting My Time PUDDLE OF MUDD/Blurry NICKELBACK/How You Remind Me HOOBASTANK/Crawling In The Dark
STROKES/Last Nite REMY ZERO/Save Me PAPA ROACH/Last Resort COLD/No One F00 FIGHTERS/The One
CALLING/Wmerever You Will Go
SOMETHING CORPORATE/if You C Jordan LIT/My Own Worst Enemy STAIND /It's Been Awhile WEEZER/Hash Pipe CAKE/Short Skirt/Long...
ADEMA/The Way You Like It FUELMemorrhage...
311/You Wouldn't Believe SUM 41/Fat Lip GREEN DAY/Waiting 3 DOORS DOWN /Loser TRIK TURNER/friends. Family PUDDLE OF MUDD /Control RED HOT CHILL./Scar Tissue ALIEN ANT FARM/Movies
CUSTOMMey Mister
GI (0001
12324 11692 11376 11376 9164 8848 8848 8532 8216 7900 5056 4740 4740 4424 4424 4424 4424 4424 4424 4424 4424 4108 4108 4108 4108 4108 4108 3792 3792 3792
MARKET #11
WNNX/Atlasta Susquehanna (404) 497-4828 FraneWilliams
12+ Come 453,400
PLAYS
LW TW
39 39
39 39 37 39 33 37 37 37 27 32
22 28 29 28
25 27 25 26 23 26 24 26
19 24
34 24
38 23 25 23 21 22
24 22 21 22
21 21
21 21
19 21
11 20 18 19
17 18
19 18
19 18 18 18 17 17
16 17
9gx ARTIST/TITLE
OFFSPRING/DeyYou PUDDLE OF MUDDBlurry LINKIN PARK/In The End PO.DNouth Of The Nation DEFAULT/Wasting My Time HOOBASTANK/Crawling In The Dark INCUBUS/Nice To Know You
JIMMY EAT WORLD/The Middle ALIEN ANT FARMMtovies INJECTED/Faithless
INCUBUSA Wish You Were Here STROKES/Last Nee
SENSE FIELD/Save Yourself NICKELBAC7C/How You Remind Me SYSTEM OF A DOWN/Chop Suey BLINK- 182/First Date NICKELBACK/Too Bad
PHANTOM PLANET /California TOOL/Lateralus PETE YORNBfrange Condition APEX THEORYBhhh... (Hope Diggy) BASEMENT JAMehere's Your Head At UNWRITTEN LAW/Seein' Red 3 DOORS DOWN/Duck And Run
STAIND/For You
3 DOORS DOWN/Loser CREED/My Sacdtice PUDDLE OF MUDD /Control P.O.DJAIive SUM 41 /In Too Deep
GI (000)
10218 10218 10218 9694 9694 8384 7336 7336 7074 6812 6812 6812 6288 6288 6026 6026 5764 5764 5764 5502 5502 5502 5240 4978 4716 4716 4716 4716 4454 4454
MARKET #19
KPNT/St. Louis Emmis (314) 231 -1057 Menem/Schmidt
12+ Cume 244,400
PLAYS
LW TW
34 36
32 31
36 31
30 31
34 29
32 28
32 27
23 26
24 24
24 24
25 23
25 23
21 22 24 21
24 21
11 20 23 20 23 19 27 18
20 18 22 17 11 16 13 16
19 15 13 15
23 15
13 15 12 14 11 13 10 12
zifi ARTIST/TITLE
STAIND/For You
LINKIN PARK/In The End PUDDLE OF MUDDBlurry INCUBUS/Nice To Know You
DEFAULT/Wasting My Time BLINK- 182/Stay Together For...
SYSTEM OFA DOWN/Chop Suey JIMMY EAT WORLD/rhe Middle HOOBASTANK/Crawling In The Dark OFFSPRING/Defy You
BASEMENT JAXX/ Mreee 5 Your Head At NICKELBACK/Too Bad P.O.D./Youth Of The Nation
STROKES/Last Nite F00 FIGHTERS/The One
SYSTEM OFA DOWN/Toxicity TRIK TURNER/Oriends + Family ALIEN ANT FARMMIovies TOOULateralus X- ECUTIONERS/It's Goiri Down DISTURBED/The Game CUSTOMMey Mister PUDDLE OF MUDD /Control PAPA ROACH/Last Resort NICKELBACK/How You Remind Me LOCAL WHalf Life MESH STLBelieve Me P.O.D./Alive LINKIN PARK/Papercut
BLINK- 182/Fkst Date
GI (0001
4032 3472 3472 3472 3248 3136 3024 2912 2688 2688 2576 2576 2464 2352 2352 2240 2240 2128 2016 2016 1904 1792 1792 1680 1680 1680 1680 1568 1456 1344
February 22, 2002 R &R 109
MARKET #4
KITS/San Francisco Infinity (415) 402 -6700 Taylor/Axelsen
12+ Cume 611,100
PLAYS
LW TW
42 49 43 49 48 47
ARTIST/TITLE
SYSTEM W A DOWN/Chop Suey PUDDLE OF MUDDBlurry STROKES/Last Nite
50 44 LINKIN PARKA* December 46 43 P.O.DNouth Of The Nation 33 39 OFFSPRING/Dey You 29 29 JIMMY EAT WORLD/The Middle 19 24 NICKELBACKMOw You Remind Me 24 24 STAINO/For You 20 24 BLINK- 182/Rrsl Date 19 24 INCUBUSA Wish You Were Here
24 23 CREED/Stand Here With Me 15 22 PAPA ROACH/LOU Resort 21 21 DISTURBED/Down WOh...
22 21 TOOL/Schism 22 20 INCUBUS/Nice To Know You
21 17 ALIEN ANT FARM/Smooth Criminal 12 17 STAIND /It's Been Awhile 21 16 RAGE AGAINST.../Renegades Of Funk 4 16 PUDDLE OF MUDD/Drift 8 Die
14 16 SYSTEM OF ADOWN/TOxicity 20 15 BLINK- 182/Stay Together For... 7 15 NICKELBACKITOO Bad
21 15 EDDIE VEDOERNou've Got To... 15 15 P.0.1)JAlive 11 14 STAIND/Ouside 10 13 RED HOT CHILI..JParallel Universe 16 12 DEFAULT/Wasting My Time
10 11 LINKIN PARK/In The End
6 11 X- ECUTIONERS/It5 Goiv' Down
GI 10001
11515 11515 11045 10340 10105 9165 6815 5640 5640 5640 5640 5405 5170 4935 4935 4700 3995 3995 3760 3760 3760 3525 3525 3525 3525 3290 3055 2820 2585 2585
MARKET #8
WBCN /Boston Infinity (617) 266-1111 Oedipus/8trick
12+ Come 594,100
PLAYS
LW TV/
34 42 38 41
34 38 34 31
71 29 19 28 1923 19 23 2222 10 22 2222 2421 71 21
1920 15 20 1620
4 20 18 17 16 16
14 16 13 16 18 15 10 15 15 15 17 14 10 14 12 12
10 12 19 10
20 9
ARTIST/TITLE
EDDIE VEDDER/You ve Got To... P.O.ONouth Of The Nation
STROKES/Last Nite
LINKIN PARK/In The End
PUDDLE OF MUDDBlurry SYSTEM OF A DOWN/Toxicity JIMMY EAT WORLD/The Middle TOOLJLateolus
INCUBUS/Nice To Know You
TOOLJSChism
HOOBASTANK/Crawling In The Dark SYSTEM OF A DOWN/Chop Suey PEARL JAM/I Am A Patriot INCUBUS/I Wish You Were Here TRIK TURNER/F lends+ Family DISTURBED/Down STAIND/For You
BLINK-182/Stay Together For...
SUM 41/Motivation NICKELBACK/Too Bad UNWRITTEN LAW/Seein Red
BLINK-182/First Date
LOCAL HMan Life ADEMA/The Way You Like It
CUSTOM/Hey Mister BAD RELIGION/Sorrow STARSAILOR/Good Souls ABANDONED POOLS/Remedy ALIEN ANT FARM/Smooth Criminal GORILLAUI9 -2000
GI 1000)
10752 10496 9728 7936 7424 7168 5888 5888 5632 5632 5632 5376 5376 5120 5120 5120 5120 4352 4096 4096 4096 3840 3840 3840 3584 3584 3072 3072 2560 2304
MARKET #14
KNDD/Seattle- Tacoma Entercom (206) 622-3251 Manning/Keller/Resler
12+ Cume 336,200
PLAYS
LW 1W
22 43
38 40
44 38
38 37
20 37 39 36
24 31
36 31
22 31
39 31
25 28
25 27
39 26 27 26
14 25
25 25 19 24
18 24 19 23 2222 19 22 19 22
20 21
20 21
19 20 18 20 23 20 18 20 20 19 18 17
T H Ee-n-d
ARTIST/TITLE GI 10001
SYSTEM OF A DOWN/Toxicity 5633 HOOBASTANK/Crawling In The Dark 5240 PUDDLE OF MUDDBlurry 4978 LINKIN PARK/Papercut 4847 STAIND/For You 4847 BLINK-182/Stay Together For... 4716 TENACIOUS D/Tribute 4061 P.O.DNouth Of The Nation 4061 SOMETHING CORPORATE/f You C Jordan 4061 ALIEN ANT FARM/Movies 4061 NICKELBACKMow You Remind Me 3668 SYSTEM OF A DOWN/Chop Suey 3537 STROKES/Last Nite 3406 WEEZERBope Nose 3406 X- ECUTIONERSAt's Gein' Down 3275 P.0.13/Alive 3275 TOOL/Schism 3144 MOTHA See Sound 3144 DISTURBED/Down With... 3013 NICKELBACK/Too Bad 2882 CUSTOM/Hey Mister 2882 DEFAULTAVassrg My lime 2882 INCUBUS/Nice To Know You 2751 INCUBUS/I Wish You Were Here 2751 DASHBOARD_ /Screaming... 2620 BLINK-182/First Date 2620 SUM 41/Motivation 2620 TOOL/Lateralus 2620 BAD RELIGIONSonow 2489 LINKIN PARKIn The End 2227
MARKET #21
WSU N('Ta In pa
Cox (727) 577-7131 Shark 12+ Cume 188,500
PLAYS
LW TW
51 54 50 53
52 52 49 51
48 51
50 50 4945 32 43
33 38
3735 33 33
31 33 32 31
32 30
26 30
28 28 26 27 27 27 26 26 25 25 22 25 19 24 27 23
23 23 20 22 16 22
17 22
9 21
14 21
29 21
ARTIST/TITLE
LINKIN PARK/In The End PUDDLE OF MUDDB urry P.0.0Nouth Of The Nation STAIND/For You
DEFAULT/Wasting My Time
INCUBUS/I Wish You Were Here
JIMMY EAT WORLD/The Middle HOOBASTANK/Crawling In The Dark TRIK TURNER/Friends. Family STROKES/Las/ Nile SUM 41/Motivation BLINK-182/First Date NICKELBACK/Too Bad LINKIN PARK/Papercut
ADEMA/The Way You Like It
SUM 41/Fat Lip INCUBUS/Nice To Know You
DASHBOARD../Screaming... ALIEN ANT FARM/Smooth Criminal PUDDLE OF MUDD /Control NICKELBACKA ow You Remind Me BLINK-182/Stay Together For... PO.DJAIIve
DISTURBED/Stupiy STAIND/Fade SYSTEM OF A DOWN/Chop Suey SYSTEM OF A DOW WFoxicily OUARASHOStick 'Em Up UNWRITTEN LAWBeeln' Red
ALIEN ANT FARM/Movies
C1(000) 5022 4929 4836 4743 4743 4650 4185 3999 3534 3255 3069 3069 2883 2790 2790 2604 2511 2511 2418 2325 2325 2232 2139 2139 2046 2046 2046 1953 1953 1953
www.americanradiohistory.com
110 R &R February 22, 2002 Triple A JOHN SCHOENBERGER jschoenberger @rronline. corn
the Right Balance Of Music And News News and lifestyle information play an important role at Triple A
News has always been part of the programming at Triple A stations large and small, and it obvi- - ously took on tremendous importance in the aftermath of Sept. 11, 2001. But, as meaningful as news may be in day -to -day programming, music still rules the roost.
Almost all the programmers I sur- veyed for this column agreed that they need to pay attention to national, in-
ternational and local news and life- style events, and each has found a way to present those things to the audience. After all, Triple A listeners are gen- erally well- educated and ac- tive within their communi- ties, and they want-to know what's going on in the world, as well as in their own back- yards. However, these pro- grammers also realize that the main reason people lis- ten to their stations is for the music.
Triple A programmers are very aware that the majority of their listen- ers turn to other sources for news - other radio stations, television or (dare I say it) the printed word. On the ra- dio side, their primary news provider is most often the NPR affiliate in town or, perhaps, a News/Talker that's al- ready within the Triple A's cluster.
As SBR Creative's John Bradley puts it, "News is ancillary, but it's the stuff that makes the station sound timely, topical, connected and live. It's not the reason for listening, but, done properly, it enhances the listening ex- perience. Triple A stations without news can survive, but those with news can thrive."
interaction that go on in the morning - it takes knowledge about what af- fects listeners' lives the most. "The more you know about the target audi-
John Bradley
The Morning Rules
Rather than trying to take on na- tionally syndicated shock jocks, morning zoos or other high -profile morning shows, most Triple A stations have adopted a "more music in the morning" approach. But most pro- grammers understand that mornings are the best time for them to connect with their listeners on the news, lo-
cal- interest and lifestyle levels that play a crucial part in Triple A program- ming strategy.
"Of all the music formats, I think Triple A has the most opportunity to do real news well," says KBXR/Co- lumbia, MO PD Lana Tresize. I grab that opportunity wherever I can, with
well- chosen, concise stories in the morning as part of our regular head- line news breaks. We also tend to have at least one serious discussion of lo-
cal or national affairs sometime dur- ing the morning show."
To develop the right kind of news breaks - along with the music, en- tertainment, contesting and co -host
ence, the more you know what they want to hear about and what sounds the most in- teresting," Bradley says. "Local stories, for example, don't get a free ride just be- cause they're local. They, like everything else, have to be relevant and interesting."
Outside mornings, the daypart that can best accom- modate news and informa- tion is afternoon drive. As
people begin to wind down their days, they often wish to catch up on events. However, many fewer stations include news in afternoons - or in other day - parts - than air news in mornings.
Community concerns can also be addressed with special programs. These programs, usually scheduled for weekends, often have open phone lines so the public can participate. The programs give the station an opportu- nity to fulfill its public service require- ments and, at the same time, go into
more depth on issues that affect the local community.
For example, KAEP /Spokane has a
Sunday -morning show called Commu- nity Forum. "It's where we focus on general local and regional topics of in-
terest," says KAEP PD Scott Rusk.
"Of all the music
formats, I think Triple A
has the most
opportunity to do real
news well."
Lana Tresize
When a station is in a smaller mar- ket, local involvement is even more important. According to KMTN /Jack- son Hole, WY PD Mark Fishman, "A small community means a lot of community- oriented programming. In
the event of something major happen- ing locally, we'll even cover impor- tant press conferences or town hall meetings."
Other stations, such as KGSR/Aus- tin and WRNX /Springfield, MA, run specially produced PSAs or interac- tive news capsules throughout the day.
"At 'RNX, we run something called `Donnie's Used Cars' during after- noon drive," says station GM/PD Tom Davis. "It's an ongoing forum, with short, edited interactions with listen- ers presented between the records."
The NPR Model
No radio organization has news as interesting, as in -depth and as engag- ing as National Public Radio. Grant- ed, NPR's news airs on public radio stations, which have a different agen- da and competitive paradigm than commercial radio, but there are cer- tain lessons that can be learned from NPR nonetheless.
Such shows as Morning Edition and All Things Considered cover all
the hot topics, but they also go much more deeply into the issues. In addi- tion, these programs make a point of reporting on events that are largely ignored by other major news outlets.
It's very likely that a Triple A lis- tener will be drawn to that type of news coverage. A grand experiment was tried a few years back on Wyo- ming Public Radio: With research and guidance from Paragon's Mike Hen- ry, KUWR/Casper aired several hours of news filled out with a Triple A-
based music mix. KUWR, with its programming re-
peated on other signals throughout the state, quickly became one of the most listened -to stations in Wyoming - beating almost all the commercial sta- tions. The state's commercial broad- casters' association eventually put pressure on the University of Wyo-
ming, which owns KUWR, to pull the format because it was too competitive.
But that almost -equal balance of news and music is proving successful at other public stations. KCRW/Los Angeles, for example, draws a cume
of several hundred thousand listeners with NPR and extensive local news programming, but it also holds a con- siderable audience with its music pro- gramming from 9am -noon daily, in the
evenings and all weekend long. And
WDET/Detroit has also found a suc-
cessful balance, with news and music as its twin programming pillars.
Other public stations have opted to be more music- intensive. WXPN/ Philadelphia tried to create a differ-
ent formula for success more than 10
"News is ancillary, but it's the stuff that makes the
station sound timely, topical, connected and live.
It's not the reason for listening, but, done properly,
it enhances the listening experience."
John Bradley
years ago: It decided to become an alternative to the market's other all - news and public -information station, rather than trying to compete. How- ever, WXPN still makes news part of its on -air product.
"We feel it's very important to make news part of our programming, be- cause our listeners want to be connect- ed to the world, as well as to the local events in our community," says WXPN PD Bruce Warren. "During morning drive we use the NPR news feed at the top of the hour, plus we include three local newscasts each hour, covered by our own in -house anchor. We also include the NPR headlines feed during afternoon drive."
Borrow The Attitude It would be suicidal for commer-
cial radio programmers to try to take on National Public Radio's news head -on; they don't have the resources or the staff. But it certainly couldn't hurt them to adopt the NPR attitude when fashioning news ele- ments for their own stations.
Perhaps the best example of that is KBCO /Denver- Boulder's morning show, hosted by Bret Sanders. It's regularly described as a rock 'n' roll -NPR approach to morning drive. "Bret's per- sonality is very appealing, but the show's success also has to do with the tireless work of the morning show pro- ducer, Ron Bostwick," says 'BCO PD Scott Arbough.
"It's no accident that this show is a
big winner. We work very hard to find
the right kind of news and local- inter-
est stories to provide it with an attitude
and service listeners can't get from any
other commercial station in town." To one extent or another, most com-
mercial programmers realize that they can take the reporting style of NPR and apply it to their own particular sit-
uations. But - as is true of almost ev- erything Triple A radio does - doing that requires making an extra effort to
mold the approach to fit the market.
KTCZ (Cities 97)/Minneapolis PD
Lauren MacLeash is also among those who have learned from NPR's approach. About a year ago, when she
was formulating the station's new morning show, with B.T. and Kelly Guest, she realized that she couldn't compete with NPR directly. But, Mac - Leash says, "That didn't mean we couldn't borrow their attitude and style and localize it for our market.
Rather than news' being several hours, we give it to our listeners in capsule versions.
"The morning show's position is
`Entertaining and useful information that won't insult your intelligence.' We
have some fun, but, at the same time, we hold our credibility to be very im-
portant when it comes to whatever it is that we're saying. Kelly came from a News/Talk background, and she has a way of talking about the news with- out reading it"
When Worlds Collide
Certainly, the events of Sept. 11,
2001 threw the rule book out the window for a few days. The vast majority of Triple A stations, like most music -for- matted stations, opted to go all -news. Many tapped into news feeds from outside sources, usually ones they were already associated with, or simulcast a sister News/Talk station.
A significant number of sta- tions also added ad hoc call in discussion shows to allow their communities to become part of the history that was unfolding.
But, after a few days, mu- sic returned, as a soothing ointment for the wounds the country had sustained. News reports and special late- break-
ing news segments remained part of daily programming,
but, as time has passed, most stations have returned to their regular music agendas.
When I surveyed Triple A program- mers about whether the terrorist at-
tacks made music a more important consideration, more than half said yes. Those programmers are of the mind that the average listener's desire to remain informed has been heightened. Some have expanded top -of -the -hour news segments into dayparts other than mornings, particularly afternoon drive. The programmers are also more willing now to interrupt regular pro- gramming with breaking news.
"Outside the music - which is still
the most important thing to us, being a music station - the news is a very im-
portant part of what we do," says Mac - Leash. "It represents our integrity.
"Cities 97 had a Beat fall book, and I think that setting up and maintain- ing that integrity between the records
is what gave us the edge. I'm certain it helped through the whole 9/11 thing,
because our listeners knew they were still being informed as well as enter- tained by us, and that kept them from staying with the News/Talk station."
Lau MacL
ren eash
á
;,- *e7
www.americanradiohistory.com
Think of everything you love about Bonnie Raitt.
Now get ready to hear it again. Going For Adds February 25th!
BONNIE RAITT Can't Het You Now The first single from her much-anticipated album SILVER LINING
April 24-The Late Show with David Letterman, April 29-The Today Show, April 30-The Rosie O'Donnell Show
ON TOUR 6 Louisville, KY 19 Wallingford, CT S Atlaraa, G4 28 San Antiyi o, TX 7 Phoenix, AZ March 7 Indiannapolis, IN 21 Washington, DC 18 jack tn, 'S 29 Dallas, 11 8 Santa Fe, Nil 30 Madison, WI 10 Columbus, OH 23 Philadelphia PA 19 Penz:.ol, FL 30 Houston, IX 10 San Diego. CA 31 St. Louis, MO 11 Cleveland, OH 25 New York, NY 21 Tampa, FL Lire I Los Angeles, CA April 12 Detroit, MI 27 Boston. MA n Orlaldo, FL 1 Austin, -: 12 Oakland, CA 2 Minneapolis, MN 13 Toronto, ON lay 24 Andtrson SC 2 Tulsa, OI( 14 Portland, OR 3 Milwaukee, WI 16 Buffalo, NY I West Faim Beach, FL 25 jack.onvi le, FL 3 Kansas :tv, MO 15 Seattle, WA 4 Chicago, IL 18 Portland, ME 3 New Olean, LA/Jazz fest. 26 Mor gomery, AL E Denver, CC 16 Vancouver itbd)
Produced by Bonnie Raitt, Mitchell Froom and Tchad B ake Management: Rc'ì Stone and Kathy Kine fc- Gold Mountain Entertainment.
©2002 Capitol Records, Inc. bidnnieraitt.com mallywoodandvine.com
www.americanradiohistory.com
112
LAST WEEK
2
1
3
5
4
6
7
15
THIS WEEK
February 22, 2002 ARTIST TITLE LABEL(S)
Q ALANIS MORISSETTE Hands Clean (Maverick/Reprise)
Q DAVE MATTHEWS BAND Everyday (RCA)
Q CHRIS ISAAK Let Me Down Easy (Reprise)
Q U2 In A Little While (lnterscope)
Q CALLING Wherever You Will Go (RCA)
Q PETE YORN Strange Condition (Columbia)
7 JOHN MAYER No Such Thing (Aware /Columbia)
Q EDDIE VEDDER You've Got To Hide Your... (V2)
14 0 TRAIN She's On Fire (Columbia)
8 10 JEWEL Standing Still (Atlantic)
11 11 CREED My Sacrifice (Wind -up)
13 Q TRAVIS Side (Epic)
12 13 NICKELBACK How You Remind Me (Roadrunner /IDJMG)
9 14 COLDPLAY Trouble (Nettwerk/Capitol)
10 15 RYAN ADAMS New York, New York (Lost Highway /IDJMG)
16 16 INDIGO GIRLS Moment Of Forgiveness (Epic)
17 m MICK JAGGER Visions Of Paradise (Virgin)
18 m STARSAILOR Good Souls (Capitol)
19 19 GARBAGE Breaking Up The Girl (Almo Sounds /lnterscope)
20 m WILLIAM TOPLEY Back To Believing (Lost Highway /IDJMG)
21 ® RYAN ADAMS Answering Bell (Lost Highway /IDJMG)
24 ® ROBERT BRADLEY'S BLACKWATER... Train (Vanguard)
¡Debut> ® LENNY KRAVITZ Stillness Of Heart (Virgin)
23 24 REMY ZERO Save Me (Elektra/EEG)
¡Debut> ® JACK JOHNSON Flake (Enjoy /Universal)
¡Debut> MIDNIGHT OIL Golden Age (Liquid 8)
¡Debut> ® PUDDLE OF MUDD Blurry (Flawless /Geffen /lnterscope)
25 28 NATALIE MERCHANT Just Can't Last (Elektra/EEG)
FIVE FOR FIGHTING America Town (Aware /Columbia)
DEFAULT Wasting My Time (M) 26 29
¡Debut> m
TOTAL +1- GROSS PLAYS PLAYS IMPRESSIONS
100)
573 +14 35398 5 24/1
568 +6 39090 16 24/0
500 +21 37845 6 26/0
454 +67 31275 6 24/1
436 +23 29599 20 16/0
397 +18 28330 8 26/1
366 -10 30656 25 23/0
337 +48 28006 6 22/0
321 +27 21910 5 23/0
312 -6 22350 18 18/0
308 -2 14567 15 12/0
305 +2 19459 13 17/1
302 -4 20616 15 11/0
297 -20 25135 17 22/0
289 -26 26716 24 24/0
274 -5 22535 5 20/1
238 0 15998 5 20/0
217 0 12738 4 21/1
209 -5 12573 5 18/0
199 +8 12451 11 16/0
197 +20 14752 3 18/0
169 +8 12285 3 18/0
167 +64 14196 1 17/2
152 -10 5428 4 11/0
142 +62 12146 1 15/3
141 +17 13862 1 16/0
139 +36 4662 1 6/1
137 -22 9050 20 15/0
132 -24 6792 10 14/0
129 +5 4161 1 8/1
WEEKS ON TOTAL STATIONS/ CHART ADDS
27 Triple A reporters. Monitored airplay data supplied by Mediabase Research, a division of Premiere Radio Networks. Songs ranked by total plays for the airplay
week of 2/10/02- 2/16/02. Bullets appear on songs gaining plays or remaining flat from previous week. If two songs are tied in total plays, the song with the larger
increase in plays is placed first. Songs below No. 15 are moved to recurrent after 20 weeks on the chart. Most Added is the total number of new adds officially
reported to R &R by each reporting station. Songs unreported as adds do not count toward overall total stations playing a song. Most Increased Plays lists the
songs with the greatest week -to -week increases in total plays. Gross Impressions equals Average Quarter Hour Persons times number of plays (times 100).
Average Quarter Hour Persons used herein with permission from the Arbitron Company (copyright 2002, The Arbitron Company). (C) 2002, R &R, Inc.
JOHNNY A. Oh Yeah (Favored Nations/Red Ink) Total Plays: 125, Total Stations: 9, Adds: 0
CRACKER Shine (BackporchNirgin) Total Plays: 116, Total Stations: 12, Adds: 1
SHERYL CROW Soak Up The Sun (A&M/Interscope) Total Plays: 98, Total Stations: 3, Adds: 3
LUCE Good Day (Joe's) Total Plays: 91, Total Stations: 10, Adds: 0
LLAMA Too Much Too Soon (MCA) Total Plays: 86, Total Stations: 9, Adds: 0
WILLIE NELSON Maria (Shut Up And Kiss Me) (Lost Highway /IDJMG) Total Plays: 84, Total Stations: 7, Adds: 0
STROKES Last Nite (RCA) Total Plays: 82, Total Stations: 6, Adds: 0
SENSE FIELD Save Yourself (Nettwerk) Total Plays: 81, Total Stations: 4, Adds: 0
JONATHA BROOKE Out Of Your Mind (Bad Dog) Total Plays: 72, Total Stations: 9, Adds: 0
CAKE Love You Madly (Columbia) Total Plays: 70, Total Stations: 5, Adds: 0
Songs ranked by total plays
Most Added www.rradds.com
ARTIST TITLE LABEL(S) ADDS
NATALIE MERCHANT Build A Levee (Elektra/EEG) 14
BIG HEAD TODD & THE MONSTERS Wishing Well (Big) 10
JACK JOHNSON Flake (Enjoy /Universal) 3
SHERYL CROW Soak Up The Sun (A &M /lnterscope) 3
LENNY KRAVITZ Stillness Of Heart (Virgin) 2
LISA LOEB Someone You Should Know (Geffen/lnterscope) 2
PHANTOM PLANET California (Daylight/Epic) 2
GARY STIER Miss America And I (33rd Street) 2
JOSH ROUSE Feeling No Pain (Rykodisc) 2
Most Increased Plays
TOTAL PLAY
ARTIST TITLE LABEL(S) INCREASE
SHERYL CROW Soak Up The Sun (A &M /lnterscope) +98
U2 In A Little While (lnterscope) +67
LENNY KRAVITZ Stillness Of Heart (Virgin) +64
JACK JOHNSON Flake (Enjoy /Universal) +62
LISA LOEB Someone You Should Know (Geffen/lnterscope) +54
EDDIE VEDDER You've Got To Hide Your... (V2) +48
ZERO 7 Destiny (Quango /Palm) +40
PUDDLE OF MUDD Blurry (Flawless/Geffen/Interscope) +36
JOHNNY A. Oh Yeah (Favored Nations /Red Ink) +32
BIG HEAD TODD & THE MONSTERS Wishing Well (Big) +31
Most Played Recurrents
TOTAL
ARTIST TITLE LABEL(S) PLAYS
LENNY KRAVITZ Dig In (Virgin)
TRAIN Drops Of Jupiter (Tell Me) (Columbia)
FIVE FOR FIGHTING Superman (It's...) (Aware/Columbia)
AFRO- CELT... F/P. GABRIEL When... (Real Worid/Virgin)
INCUBUS Drive (Immortal /Epic)
JOHN MELLENCAMP Peaceful World (Columbia)
LIFEHOUSE Hanging By A Moment (Dream Works)
DAVID GRAY Babylon (ATO /RCA)
WEEZER Island In The Sun (Geffen /lnterscope)
COLDPLAY Yellow (Nettwerk/Capitol)
MOBY F /GWEN STEFANI Southside (V2)
U2 Stuck In A Moment... (lnterscope)
DAVE MATTHEWS BAND The Space Between (RCA)
U2 Beautiful Day (lnterscope)
DAVID GRAY Sail Away (ATO /RCA)
3 DOORS DOWN Be Like That (Republic /Universal)
JOSH JOPLIN GROUP Camera One (Artemis)
STAIND It's Been Awhile (Flip / Elektra/EEG)
PETE YORN Life On A Chain (Columbia)
243
210
196
193
191
187
183
155
151
149
136
132
129
119
116
115
115
113
111
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www.americanradiohistory.com
ruf Triple A Top 30 Indicator 113
February 22, 2002
WEEK THIS
4
O o
2 3
3 0 o O
8
O 10
15 m 12 12
19 ® 16 m 11 15
23 m 14 17
20 m 22 m 18 20
29 a 25 a 9 23
¡Debut> w 26 ® 17 26
¡Debut>
28
m 28 30
10
5
8
6
13
7
21
¡Debut>
ARTIST TITLE LABEL(S) TOTAL PLAYS
+ I - PLAYS
GROSS IMPRESSIONS
1O)
WEEKS ON
CHART TOTAL STATIONS/
ADDS
CHRIS ISAAK Let Me Down Easy (Reprise) 337 +29 9883 6 21/0 RYAN ADAMS Answering Bell (Lost Highway /IDJMG) 274 +32 6690 4 21/0 PETE YORN Strange Condition (Columbia) 262 -12 3580 11 16/0 WILLIAM TOPLEY Back To Believing (Lost Highway /IDJMG) 260 +13 3820 16 17/0 INDIGO GIRLS Moment Of Forgiveness (Epic) 220 +19 5214 5 19/0 ALANIS MORISSETTE Hands Clean (Maverick/Reprise) 218 +1 3310 4 14/0 STARSAILOR Good Souls (Capitol) 213 +4 6271 9 19/0
SUZANNE VEGA Last Year's Troubles (A &M /Interscope) 210 -4 6556 6 18/0 ROBERT BRADLEY'S BLACKWATER... Train (Vanguard) 192 +7 4710 5 19/0 BRUCE COCKBURN My Beat (True North /Rounder) 190 -20 4680 10 19/0 DAVE MATTHEWS BAND Everyday (RCA) 184 +5 1058 19 9/0 JOHN MAYER No Such Thing (Aware /Columbia) 182 -6 2479 31 10/0 KASEY CHAMBERS Not Pretty Enough (Warner Bros.) 178 +29 6192 3 18/0 MIDNIGHT OIL Golden Age (Liquid 8) 175 0 3704 5 17/0 SHANNON MCNALLY Down And Dirty (Capitol) 168 -29 4998 15 14/0 WILLIE NELSON Maria (Shut Up And Kiss Me) (Lost Highway /IDJMG) 160 +22 5193 4 15/0 JOHN HIATT Everybody Went Low (Vanguard) 158 -27 2582 15 14/0 CRACKER Shine (Backporch/Virgin) 152 +8 3322 3 16/0 U2 In A Little While (Interscope) 150 +8 2210 9 9/1
EDDIE VEDDER You've Got To Hide Your... (V2) 147 -4 1937 6 11/0 TRAIN She's On Fire (Columbia) 130 +21 1951 3 11/0 MICK JAGGER Visions Of Paradise (Virgin) 129 +7 2776 5 12/0 NATALIE MERCHANT Just Can't Last (Elektra/EEG) 129 -73 2365 23 11/0 JACK JOHNSON Flake (Enjoy /Universal) 127 +55 4630 1 15/1
BEN FOLDS Still Fighting It (Epic) 124 +10 2669 11 12/1
NEIL YOUNG Let's Roll (Reprise) 124 -47 1635 8 11/0 ZERO 7 Destiny (Quango /Palm) 121 +74 4028 1 15/2 COLDPLAY Trouble (Nettwerk/Capitol) 106 -38 1788 21 7/0 CITIZEN COPE If There's Love (DreamWorks) 104 +30 5536 1 11/1
LOUISE GOFFIN Sometimes A Circle (DreamWorks) 104 -6 3079 3 10/1
21 Triple A Indicator Reports. Songs ranked by total plays for the airplay week of Sunday 2/10 -Saturday 2/16. © 2002, R &R Inc.
Most A ddedd ARTIST TITLE LABEL(S) ADDS
NATALIE MERCHANT Build A Levee (Elektra/EEG) 17
BIG HEAD TODD & THE MONSTERS Wishing Well (Big) 11
SHERYL CROW Soak Up The Sun (A &M /Interscope) 5
CHARLIE MUSSELWHITE Blues Overtook Me (Telarc) 3
ZERO 7 Destiny (Quango /Palm) 2
JAY FARRAR Feed Kill Chain (Artemis) 2
LISA LOEB Someone You Should... (Geffen/lnterscope) 2
KELLER WILLIAMS Freaker By... (SCI Fidelity) 2
JOSH CLAYTON -FELT Building Atlantis (DreamWorks) 2
OMAR AND THE HOWLERS Muddy Springs... (Blind Pig) 2
Most Increased Plays
ARTIST TITLE LABEL(S)
ZERO 7 Destiny (Quango /Palm) JACK JOHNSON Flake (Enjoy /Universal)
JOSH ROUSE Feeling No Pain (Rykodisc) +49
NATALIE MERCHANT Build A Levee (Elektra/EEG) +46
LENNY KRAVITZ Stillness Of Heart (Virgin) +43
LISA LOEB Someone You Should... (Geffen/Interscope) +33
RYAN ADAMS Answering Bell (Lost Highway /IDJMG) +32
CITIZEN COPE If There's Love (DreamWorks) +30
CHRIS ISAAK Let Me Down Easy (Reprise) +29
KASEY CHAMBERS Not Pretty Enough (Warner Bros.) +29 BIG HEAD TODD & THE MONSTERS Wishing Well (Big) +27
WILLIE NELSON Maria... (Lost Highway /IDJMG) +22
TRAIN She's On Fire (Columbia) +21
LLAMA Too Much Too Soon (MCA) +21
NEIL FINN Don't Dream It's Over (Nettwerk) +21
INDIGO GIRLS Moment Of Forgiveness (Epic) +19 BE GOOD TANYAS The Littlest Birds (Nettwerk) +19 GRAHAM PARKER If It Ever Stops Rainin' (Razor & Tie) +19
VOICES ON THE VERGE Heaven Release Us (Rykodisc) +17 BILLY BRAGG NPWA (Elektra/EEG) +15
WILLIAM TOPLEY Back To... (Lost Highway /IDJMG) +13 JONATHA BROOKE Linger (Bad Dog) +13 FIVE FOR FIGHTING Superman... (Aware /Columbia) +13
TOTAL
PLAY
INCREASIE
+74
+55
Reporters WAPS /Akron, OH
PD /MD: III Gruber MARTI JONES -Lonesome" SHERYL CROW Soak' NATALIE MERCHANT "Levee' JOSH RITTER 'Tugs" BIG HEAD TWO.. 'Wishing" JOHN MAYER "Body'
KTZO /Albuquerque, NM PD: Scott Souhrada MD: Don Kelley
COURSE OF NATURE "Sun' PUDDLE OF MUDD'Derry'
KGSR /Austin, TX P : Jody Denberg MD: Susan Castle
LUKA BLOOM "Monsoon" BE GOOD TANYA$ "Birds' U2 "Link" CAITLIN CARY "ShalioW OMM AND THE HOWLERS 'M W dy' SHE ARC CROW "Seat"
WRNR/Baltimore, MD OM: Jon Peterson PD: Alex Cortright MD: Damien Einstein
BIG HEAD TODD "Wishing' LISA LOEB "Know' NATALIE MEACHANT "Levee' INDIGO GIRLS -Moment'
KRVB/Boise, ID PD /MD: Brandon Dawson
JOCK JOHNSON 'Flake"
WBOS/Boston, MA PD: Chris Herrmann MO: Michele Williams
1 LISA LOEB 'Know' NATALIE MERCHANT 'Leveé
WXRV/Boston, MA PD: Joanne Doody MO: Dana Marshall
1 BIG HEAD TODD 'WShmp" NATALIE MERCHANT "Levee" JOSH ROUSE Tan' ZERO 7'DesOny"
CKEY/Buflalo, NY PO/MD: Rob White
CRUSH 'LW VANESSACMLTON "Miles NATALIE MERCHANT 'Lem'
WNCS/Rurlington, VT P : Jody Petersen A D: Eric Thomas MD: Mark Abu,nhab
BIG HEAD TODD 'Waten0' CONCRETE BLONDE "ROM NEW ORDER TO' CATIE CURTIS "Takes" FAEEDYJOHNSTON "Mirror" BOB DYLAN 'Honest" NATALIE MERCHANT 'Levee" HEATHER NOVA 'Vow" U2'LAI.'
WMVY/Cape Cod, MA PD/MD: Barbara Decoy
1 BIG HEM TODD_'WIMna' 1 NATALIE MERCHANT 'Levee'
WDOD /CheDanooga, TN OM/PD/MD: Danny Howard
SHERYL CROW "Soak" NATALIE MERCHANT "Levee"
WXRT /Chicago. IL PD: Norm Winer APD/MD: John Pomade
2 BIG HEAD TODD.. 'Johann KASED CRAMBERS-earr40ees" AMR ̀ Heart" BONNIE RAITT'Help"
KBXR/Columbia, MO PD/MD: Lana Trezise
J SEER AH REED SW ¡C
KBCO/Denver- Boulder, CO PD: Scon Arbough MD: Keefer
12 BIG HEAD TODD. "Manna" 4 NATALIE MERCHANT "Levee"
WDETATetrelt, MI PD: Judy Adams MO: Martin Bandyke AND: Chuck Horn
3 NATALIE MERCHANT 'Levee' 3 JOHN SCOFIELD'IdeUiunk" 3 CHARLIE MUSSELWHITE 'Blues'
WVOD/Elizabeth City, NC P0: Man Cooper M0: Tad Abbey
ABANDONED POOLS "Remedy" BIG HEAD TODO.. "WiaMng' KELLER WILLIAMS "Speaker' NATALIE MERCHANT Lewd
WNCW /Greenville, SC PD: Mark Keefe APD: Kim Clark
16 ZERO 7'DaB "
BIG HEAD TODD WisHin5 BOTTLE ROCKETS "Mawr CHARLIE MUSSELWHITE "Blues' OMARANO THE HOWLERS "Muddy'
JOSH ROUSE 'Pain" LONGVIEW 'Stone'
JAMIE O'HARA "Surrender'
VMS/Indianapolis, IN PD: Jim Ziegler APO/MD: Marie McCollister
4 LENNY KRAVIIZ'HeAR 2 CRACKER "Shine 2 BIG HEAD TODD.. Wishing-
WOKI/Knoxrille, TN PD: Shane Cox MO: Sarah McClung
DEFAULT"WasSng'
KMTN /Jackson, WY PO /MD: Mark Fishman
BIG HEAD TODD. Wishing' NATALIE MERCHANT "Lever ZERO7'DesSnyy' PAUL RUSERMAN'AYER
WFPK/Louisville, KY PD: Dan Reed APD: Stacy Owen
NEIL HALSTEAD'Seaso ,s- LIAMA"MOOh" LISA LOEB 'Know' NATALIE MERCHANT Levee' TONI PRICE 'HSS'" CHUCKS WEISS LAO'
KTBG/Kansas City, MO PO: Jon Hart MD: Byron Johnson
BIG HEAD T00D. 'Waning"
WMMM /Madison. WI -
PD /M0: Tom Tauber 13 BIG HEAD TODD. "Wishing" 8 NATALIE MERCHANT 'Lem"
WMPS/Memphis, TN PDEMD: Alexandra Inter
1 NATALIE MERCHANT "Levee'
KTCZ/Minneapolis, MN PD: Lauren MacLeash APD /MD: Mike Wolf
9 NATALIE MERCHANT -Twee" 2 BIG HEAD TODD. "Wishing'
WZEW/Mobile, AL' P0: Brian Had M0: Linda Woodworth
TRAVIS 'Side
KPIG/Monterey, CA PO/MO: Laura Ellen Hopper
8 NATALJE MERCHANT -Lowe" 8 TOM WAITS "Home" 4 JAMIE OHARA "Obsesson 2 OMAN AND THE HOWLERS "Muddy-
GREAT BIG SEA -Penelope"
KTEE/Monterey, CA PD: Linda Roberts MD: Carl Witting 10 INNOCENCE MISSION "Today"
WRLT/Nashville, TN OM/PD: David Hell APD/MD: Kevin Coes
11 GARY STIER'Amenca" 8 BIG HEAD TODD "Wishing"
1 NATALIE MERCHANT "Leer' BILLY BRAGG "NPWA" PHANTOM PLANET "Cailam,a" JOSH ROUSE "Pant
WFUV/New York, NY PD: Chuck Singleton M0: Rita Houston AMD: Russ Berrie
9 NATALIE MERCHANT levee' 7 JOSH ROUSE "Nothing' 4 BEN FOLDS -SAIT
SHERYL CROW "Soak- JOSH CLAYTON-FELT "Mantis" MARC MAUL IN SoiN NEIL F INN 'LLtgqM'
NEAISSA O KATRYNA..'House'
WM/Norfolk, VA PD: Paul Shugrue MD: Kristen Crept
3 SHERYL CROW "SW 3 BIG HEAD TODD. "Woiong"
NATALJE MERCHANT-Levee'
KCTY /Omaha, NE P0: Max Bumoardner MD: Christopher Dean
Mn Adds
WAPN:PhllaoelAlria, PA PD: Bruce Warren APD/MD: Helen Leicht
6 SOLOBI "SNrce" LUCE"Good' NATALIE MERCHANT 'Levee" CHUCK E. WEISS- Congo" KELLER WI W0MS'SPOSSAC CHARLIE MUSSELWHITE "Blues" PAT METHENY GROUP AC BIG HEAD T000...'JUlianri SUR( HOG- IPA -SORE" HEM "Acre'
WYEP/Pltlsburgh, PA PD: Rosemary Welsch APO /MD: Chris Griffin
LOUISE COFFIN "Instant" NATALIE MERCHANT "Levee" MYSTERIES OF LIFE "True" NEIL FINN WAS KARL MULLEN "Sugar-
WCLZ/Portiand, ME PO: Herb ley MO: Brian James
LENNY KRAVITZ- Heart" LISA LOEB "Know NATALIE MERCHANT 'Levee
SHERYL CROW 'Sow
KINK/Portland, OR - PS: Dennis Constantine M0: Kevin Welch
Na Adds
MST/Poughkeepsie, NY PD: Greg Canine APD: Christine Martine, MD: Roger Merrell
NATALIE MERCHANT 'Levee" BIG HEAD TOOD 'Wisn,RQ SHERYL CROW 'Soak"
KTH)/Rend, NV - P0: Harry Reynolds M0: Dave Herold
BIG HEADT00D Vishnu- NATALIE MERCHANT "Levee ALANIS MORISSETTE'Seso
KENZJSal1 Lake City, UT OM/PD: Bruce Jones MD: Karl Bushman
2 JACKJOHNSON -Face'
KXST/San Diego. CA PD/MD: Dona Shaleb
3 STARSAILOR `Good" 2 NATALIE MERCHANT lease"
KFOG /San FrancIAC0, CA' PO: Dave Benson APD /M0: Haley Jones
2 PETE MORN "Strang;
KOTR/San Luis Obispo, CA PD: Drew Ross MD: Greg Pinter
7 NATOIE MERCHANT 'Lowe" 4 NEIL FINNWeanpr 4 JOSH CLAYTON-FELT "Atlantis' 4 BIG HEAD TODD,,. Wishing
KBAC/Santa Fe, NM GM/PO: Ira Gordon
BIG HEAD T000. Waning" NATAJE MERCHANT 'Letter JAY FMPoNt Teel" SHERYL CROW 'Soak- JAMIE O'HARA "Way'
KTAO/Sente Fe, NM PD: John Hayes MD: Michael Dean 12 BIG HEAD TODD.. "WKhing" 5 LOUISE GOFFIN 'Cade" 4 CITIZEN COPE ' ere's' 3 JAY FARRAR "Feed" 3 NATALIE MERCHANT 'Levee' 3 JACKJOHNSON'Rake' 3 CLEM SNIDE "Jett-
KRSH/Santa Rosa, CA PD: Bill Bowker MD: Pam Long
2 HANK WILLIAMS III -Mar BIG HHADTODD Waainp' NATALIE MERCHANT'Lewe" GARY STIER- Amen.'
KMTT/DeeDle- Tecoma,WA GM/PD: Chris Mays APD/R10: Shawn Stewart
11 LENNY KRAVITZ "Heart" 5 JACKJOHNSON'Flaki 4 PHANTOM PLANET "California" 3 NATAJE MERCHANT "Levee'
KAEP/Spokane, WA PO: Scott Rusk M0: Karl Bushman
MEST'Pmyer REGENCY BUCK Stange'
WRNX/Sprtngteld, MA GM/PD: Tom Davis MD: Donnie Moorhouse
No Adan
*Monitored Reporters 48 Total Reporters
27 Total Monitored
21 Total Indicator
National Programming
Added This Week
Ali Castelinni 215 -898 -6677
DERAILERS Your Guess Is A Good As Mine
lt)U)iiC C81C
Rob Reinhart 734 -761 -2043
JOSH ROUSE Summer Kitchen Ballad
PAUL KELLY Change Your Mind
PLEASE SEND YOUR PHOTOS
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www.americanradiohistory.com
114 R &R February 22, 2002 Triple A Action
While at first I thought it was a conflict of interest to write about my husband's (Chris Isaak) new song, I realized that we were playing it before we were married, so that it would be OK to do. Heck, we
were playing it before we were engaged. (Actually, I just realized we were never engaged!) o Anyways, back to Chris' new song, "Let Me Down Easy." The song begins with his gentle guitar pick-
ing. Chris then whispers, "Here she comes," as if to signal the start of something wonderful. While his backing band carries his vocals over a wave of gentle rhythms, it isn't until
his falsetto kicks in during the chorus that the song deliv- ers its romantic trump card. With his cries of "Pleeeeease, let me down easy," the track practically melts in your ears! o I've gotten a chance to preview the whole album (being his wife and all), and the whole thing delivers. It kicks
off with the guitar- driven "One Day" - another hit, with nice layering of Chris'
voice. Plus, there's the melancholy "Worked It out Wrong," with him hittin' all
the high notes; the very sly "Always Got Tonight," where his band gets funky;
and the self -produced "Notice the Ring," the first Isaak track to ever feature
a flute, which gives the tune a slick, rockin', '70s vibe. o My husband, I think
I'll keep him!
Editor's Note: Chris Isaak was recently corralled into a surprise "wedding" with Joanne Doody while visiting WXRV for an interview and live performance.
I t was a neck -and -neck battle for Most Added
I this week between Natalie Merchant's "Build
a Levee" (31 total adds) and Big Head Todd &
The Monsters' "Wishing Well" (21 total adds)
... Jack Johnson. Lenny Kravitz, Lisa Loeb, Phantom Planet. Gary Steir, Josh Rouse, Zero 7 and Omar & The Howlers also see
good add action this week ... Some early
Sheryl Crow adds on "Soak Up the Sun" also
sneaked through this week, but expect that
song, along with Bonnie Raitt's "I Can't Help You Now," to dominate next week
... On the monitored airplay chart, Alanis Morissette takes over at 1', Dave
Matthews Band dip to 2 *, Chris Isaak holds at 3 *, U2 move to 4`, and The Call-
ing round out the top 5 at 5* ... Eddie Vedder and Train both crack the top 10, at
8` and 9`, respectively ... Lenny Kravitz, Jack Johnson ( "Flake "), Midnight Oil,
Puddle Of Mudd and Default debut ... On the Indicator airplay chart, Chris Isaak
holds at 1', Ryan Adams jumps to 2 *, Indigo Girls move 10` -5 *, Robert Bradley's
Blackwater Surprise jump 13 * -9`, Kasey Chambers climbs 19' -13`, and Willie
Nelson gains 23 " -16" ... Jack Johnson, Zero 7 and Citizen Cope debut.
- John Schoenberger, Triple A Editor
OF THE WEEK
ARTIST: Josh Clayton -Felt
LABEL: DreamWorks
By JOHN SCHOENBERGER / TRIPLE A EDITOR
Most of us first became aware of the im-
mense talent of Josh Clayton -Felt when he was the guitarist, vocalist and primary songwriter for the band School Of Fish. They
released their striking, hook -laden eponymous
debut in 1991 and followed that up with 1993's Human Cannonball (both on Capitol). Unfortunately, the band's momentum stalled
with the arrival of grunge. Shortly thereafter,
Clayton -Felt embarked on a solo career, sign-
ing with A &M. In 1996 he released Inarticulate Nature Boy,
on which he wrote, sang and played everything.
He was in the midst of working on a second al-
bum, tentatively called Center of Six, when the
Universal -PolyGram merger put everything on
hold. Ultimately, he was dropped from the ros-
ter, but the company eventually let him have the
rights to the album, and he dove in enthusiasti-
cally to finish it.
During the recording process Clayton -Felt
began to complain of severe back pain, the
cause of which was difficult to diagnose. Even-
tually, it was determined that he had cancer, and,
in January of 2001, he died at the age of 32, just a month after putting the final touches on the
project. The disc has since been picked up by
DreamWorks and appropriately renamed Spirit Touches Ground.
According to Chad Fischer, a close friend who
played on the album and mixed the disc at his
home studio, "After years of making albums with
all the production bells and whistles, Josh decided
that it was best to stick with the tried- and -true,
blue jeans and T -shirt kind of rock 'n' roll." An- other co- musician, Steve Scully, says, "Josh's
pure approach to music, his love of how it felt to
play music, mirrored his vision of daily life." As you listen to songs such as lead single
"Building Atlantis," "Diamond in Your Heart,"
Josh Clayton -Felt
"Love Sweet Love," "Too Cool for This World
(Rise)," "Deer in the Headlights" and "Already Gone," it's quite clear that Clayton -Felt had be-
come much more articulate in the music and
message that he wanted to convey, and his vo-
cals are chillingly compelling. Said a fan on
Clayton- Felt's posthumous website, "From the
first time I heard Josh's voice, I felt him. Through the beauty and honestly of his music,
I feel he is an old friend. Be assured he will live on in his music: I will pass it down to my son
and he to his." Clayton -Felt was recognized by all as an ex-
tremely nice guy who was warm and caring. He
has been described by his girlfriend, Raina Lee
Scott, as "a man who walked with one foot here
on earth and one in the spirit world." With all
of this in mind, listening to Spirit Touches Ground invokes a deeper meaning. Whether he
knew his days were numbered or not, Clayton -
Felt was telling us all to cherish life and make
every moment count. Every person involved in the promotion and
marketing of this project is donating his or her
time and energy. The proceeds from the sales
will benefit VH l's Save the Music Foundation
and the Nature Conservancy.
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Triple .4 Playlists February 22, 2002 R &R 115 .6.0lner 7/1)1.,L tr/ tcx...ttti99.1 ;re1791,1Ti._._ -
MARKET #3
WXRT/Chicago Infinity (773) 777 -1700 Winer/Fameda
12. Cume 484,800
Puys Lw TW
26
13
18
12
14
14
22
18
16
13
13
13
12
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12
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9
4
6
21
8
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1
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8
8 10
25
93 ARTIST/TITLE
JOHN MAYER/No Such Thing PETE YORN/Strange Condition TRAVIS/Side JEWEL/Standing Still WEEZER/Island In The Sun TRAINShe's On Ore
SHERYL CROW/Soak Up The Sun INDIGO GIRLS /Moment Of...
CHRIS ISAAK /Let Me Down Easy CRACKER/Shine
MIDNIGHT OIUGoden Age DAVID GRAY/Sail Away JOHN MELLENCAMP /Cumri Heads
JOHN HIATT/Everybody Went Low COLDPLAY/Trouble STROKES/last Nile BETTER THAN URA/Extra Ordinary GARBAGE/Breaking Up The Girl PSYCHEDELIC FURS/Alive
WIDESPREAD PANIC/This Part 01 Town LENNY KRAVITZ/Stillness Of Heart LIFEHOUSEMangirg By A Moment RYAN ADAMS/New York New York EDDIE VEODERNon ve Got To...
MOBY F /GWEN STEFANUSouthside RYAN ADAMS/Answering Bell
DAVE MATTHEWS BAND/Everyday LUCINDA WILLIAMS/Essence CAKE/Short SkirVLong... NO. MISSISSIPPI..JSuganown
9118001
7225 5491 5491 5491 4624 4624 4335 4335 4046 3757 3757 3757 3468 3468 3468 3468 2890 2890 2890 2890 2601 2601 2601
2601 2601
2312 2312 2312 2312 2312
MARKET #16
KTCZ/Minneapolis Clear Channel (612) 339.0000 MacLeasUWolf
12. Cume 314,400
Puys LW TW
38
35
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22 22
24 21
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cities97. ARTIST/TITLE
JOHN MELLENCAMP/Peaceful World NICKELBACKMow You Remind Me DAVE MATTHEWS BAND/Everyday EDDIE VEDDERNOÚ ve Got To...
CALLING/Wherever You Will Go
U2/In A Little While AFRO-CELT/P. GABRIEUWhen You're Falling COLDPLAY/Trouble BOB SCHNEIDERBIg Blue Sea CHRIS ISAAK/Let Me Down Easy
20 21 CREED/My Sacrifice 29 20 WEEZER/Island In The Sun 20 20 ALANIS MORISSETTEMands Clean 29 18 DAVID GRAY /Please Forgive Me 10 17 JEWEL /Standing Still 24 16 NATALIE IMBRUGLINWrong Impression 10 18 JOHN MAYER/No Such Thing 8 15 LENNY KRAVITZ/Dig In
9 15 PETE YORN/Strange Condition 24 15 BEN FOLDS/Still Fighting It
- 12 SHERYL CROW/Soak Up The Sun 5 12 DAVID GRAY/Sail Away 12 11 DIDO/Thankyou 9 18 MICK JAGGERAAsions Of Paradise
10 10 INDIGO GIRLS/Moment Of . 9 10 TRAIN/Drops 01Jupler... 10 10 FIVE FOR FIGHTING/Easy Tonight 8 10 IKE REILLY/Put A Little Love...
12 10 3 DOORS DOWN/Be Like That 12 10 JOSH JOPLIN GROUP/Camera One
01 (8001
5544 5544 5082 4620 4466 4004 3542 3542 3388 3234 3234 3080 3080 2772 2618 2464 2464 2310 2310 2310 1848 1848 1694 1540 1540 1540 1540 1540 1540 1540
MARKET #34
KENZ/Salt Lake City Citadel (801) 485 -6700 Jones/Bushman
12. Cume 148,000
107.5 the end.
PLAYS
LW TW ARTIST/TITLE
36 36 JOHN MAYER/No Such Thing 28 36 DAVE MATTHEWS BAND/Everyday 35 35 ALANIS MORISSETTEAiands Clean 32 34 FIVE FOR FIGHTING/Superman (It's...) 32 33 CREED/My Sacrifice 33 80 U2/Elelration 19 29 LIFEHOUSEBreathirg 22 23 NICKELBACKMow You Remind Me 17 22 EDDIE VEDDER/Yoú ve Got To...
21 21 STAIND /Its Been Awhile 15 21 DEFAULT/Wasting My Time 23 20 PETE YORN/Strange Condition 13 20 JIMMY EAT WORLD/The Middle 23 19 LIFEHOUSEManging By A Moment 34 19 CALLING/Wherever You Will Go 19 19 3 DOORS DOWWBe Like That
21 19 TRAVIS/Side 21 18 U2/Beautiful Day
18 18 INCUBUS/Drive
21 18 TRAINBrops Of Jupiter... 13 18 EVE 6/Here's To The Night 18 17 GREEN DAY/Warning to 15 ENYNOny Time 12 15 SENSE FIELD/Save Yourself 8 14 CHRIS ISAAK/Let Me Down Easy
14 13 DAVE MATTHEWS BAND/The Space Between 10 12 COLDPLAY/Trouble 11 12 PUDDLE OF MUDDBIurry 10 12 FILTER/Take A Picture 9 11 VERTICAL HORIZON/Everyming You Want
01 (0001
2268 2268 2205 2142 2079 1890 1827 1449 1386 1323 1323 1260 1260 1197 1197 1197 1197 1134 1134 1134 1134 1071 945 945 882 819 756 756 756 693
MARKET #50
CKEY/Bultato Niagara (905) 356 -6712 White
12+ Cume 71,100
PLAYS
Lw 1W
42 46 45 46 35 45 44 45 41 42 35 38
37 37
3 26
22 23 18 23
21 22
20 22
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18 19 14 18
17 18 17 16
13 16 10 16
15 16
17 18
17 16
14 16
15 16
15 15
10 14
12 14
101.1 7141 Ì
ARTIST/TITLE GI (000) LENNY KRAVITZ/Dig In 1104 JEWEUStanding SOI 1104 DAVE MATTHEWS BAND/Everyday 1080 ALANIS MORISSETTEAlands Clean 1080 CALLINGM/herever You Will Go 1008 NATALIE MERCHANT/Just Can't Last 912 CREED/My Sacrifice BOB SLOAN/The Other Man 624 DAVID USHER/Black Black Heart 552 SNOWMoOnie' On Me 552 BARENAKED LADIES/Thanks, That Was Fun 528 AMANDA MARSHALJEverybody's Got... 528 JACKSOUL/Never Say Goodbye 480 GREAT BIG SEA/Sea DI No Cares 480 NELLY FURTADO/.. On The Radio... 480 U2An A Little Whle 456 UNIVERSAL HONEY/Think You Know 456 NATALIE IMBRUGLINWrong Impression 432 NICKELBACKMOw You Remind Me 432 DEFAULTAWasting My lime 384 RYAN ADAMS/New York, New York 384 ATOMIC KITTEN/Whole Again 384 CHRIS ISAAK/Let Me Down Easy 384 MAREN 0R0/Perfecl 384 LIFEHOUSEManging By A Moment 384 TRAIN/She's On Fire 384 UNCLE KRACKER/FWkrw Me 384 INCUBUS/Drive 360 STARSAILOR/Good Souls 336 NELLY FURTADOA'm Like A Bird 336
MARKET #4
KFOG/San Francisco Susquehanna (415) 543-1045 Benson/Jones
12. Cume 563,000
PLAYS
LW TW ARTIST/TITLE al1000) 27 32 CALLING/Wherever You Will Go 9312 32 32 RYAN ADAMS/New York. New York 9312 27 31 JOHNNY AJOh Yeah 9021 16 22 ALANIS MORISSETTE/Hands Chan 6402 17 20 EDDIE VEDDER/Yoúve Got To... 5820 21 19 COLDPLAY/Trouble 5529 21 19 NEIL YOUNG/Let's Roll 5238
21 18 CHRIS ISAAK/Let Me Down Easy 5238 17 17 TRAIN/Drops Of Jupiter... 4947 12 13 PETE YORN/Llfe On A Chain 3783 17 13 JACK JOHNSON/Bubble Toes 3783 11 11 AFRO- CELT /P GABRIEL/When You're Falling 3201
11 11 DAVID GRAY/Babylon 3201 10 11 MIDNIGHT 011 /Golden Age 3201 6 11 NATALIE MERCHANT/Build A Levee 3201
11 11 LIFEHOUSEMangirg By A Moment 3201 11 11 MOBY F/GWEN STEFANISouthside 3201
6 11 ROBERT BRADLEY'S../Train '3201 13 11 BLUES TRAVELER/Back In The Day 3201
1 11 JACKJOHNSONMIake 3201 9 11 LENNY KRAVITZ/Stillness 01 Heart 3201 8 10 INDIGO GIRLS/Moment Of... 2910
11 10 DAVE MATTHEWS BAND/Everyday 2910 B 10 SANTANA F/E. CHERRY/Wishing It Was 2910
10 10 LUCE/Good Day 2910 11 10 INCUBUSBrWe 2910 13 10 DAVE MATTHEWS BAND/The Space Behveen 2910 4 10 TRAIN/Shés On Fire 2910 9 9 JOHN MAYER/No Such Thing 2619
10 9 U24n A Little While 2619
MARKET #17
KXST/San Diego Compass (858) 678 -0102
Shaid 12. Come 124,600
Puys LW TW
29 3
29 2
29 2
22 2
7 1
16 1
17 1
11 1
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ral ARTIST/TITLE
CHRIS ISAAK/Let Me Down Easy ALANIS MORISSETTEJHands Clean DAVE MATTHEWS BAND/Everyday U2An A Little While LENNY KRAVITZ/Stillness 01 Heart JACK JOHNSONBubble Toes
CALLING/Wherever You Will Go
JACK JOHNSON/Flake INDIGO GIRLS/Moment UI... MICK JAGGERNisions Of Paradise
EDDIE VEDDERWoú ve Got To... PETE YORN/Strange Condition RYAN ADAMS/Answering Bell ENE FOR FIGHTING/Superman (It 's...)
RYAN ADAMS/New York, New York TRAIN/Drops OlJupiter_. MIDNIGHT Oli/Golden Age
EVERCLEARMbndedul GARBAGEBreaking Up The Girl JOHN MAYER/No Such Thing JOHN MELLENCAMP/Peaceful World STING/Fragile TRAINShes On Fire
BLUES TRAVELER/Back In The Day NATALIE MERCHANT /Just Cant Last PETE YORN/LRe On A Chain SANTANA FBOB THOMAS/Smooth INCUBUS/Drive JEWEUStanding Still LIFEHOUSEManging By A Moment
81 (000) 1710 1596 1596 1368 1083 912 798 798 798 741
741
684 684 627 627 570 570 513 456 456 456 399 399 399 399 399 399 399 342 342
MARKET #38
WKOC/Nortolk
Sinclair Telecable (757) 640 -8500 Sha9NP/Croot
12+ Cume132,900
Puys LW Tw
23 2
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WKOC 93.7 FM
ARTIST/TITLE
COLDPLAY/Trouble JEWEL/Standing Still CALLING/Wherever You Will Go ALANIS MORISSETTEMands Clean TRAIN/Something More JOHN MAYER/No Such Thing CHRIS ISMI(/Let Me Down Easy RYAN ADAMS/Answering Bell PETE YORN/Strange Condition EDDIE VEDDER/Yoú ve Got To... KASEY CHAMBERS/Not Pretty Enough CARBON LEAF/The Boxer LUCE/Good Day WILLIE NELSON/Maria (Shut Up...) CREED/My Sacrifice NICKELBACK/How You Remind Me U2An A Little While TRAIN/She's On Fire
TRAIWDrops OWJunder...
STARSAILOR/Good Souls KIRSTY MACCOLLtn These Shoes INDIGO GIRLS/Moment Of._ INCUBUS/Drive
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www.americanradiohistory.com
116 R &R February 22, 2002
IfiaMET Christian
RICK WELKE rwelke @rronline. corn
Lof What Do I Know About Talk Radio?
Thankfully, Talk experts come to the rescue
Being predominantly a music guy, I know very little about Talk radio. Now, don't get me
wrong, I have nothing against Talk. Give me a good sports -talk show to listen to, and I'm good to go. Throw a microphone in front of me with a hip music bed playing, and I'll talk
your ear off about any subject -at least for a few minutes.
But writing a column on Talk ra- dio? Not without a little research. So
I took a straw poll of GMs in differ- ent parts of the country to find out what people thought was the No. 1
Christian Talk station in the country. Hands down it was KKLA/Los An- geles.
Why? For starters it has the most cume of any Talk -formatted Chris- tian station in the country, presently around 250,000. It also seems pretty strong in the advertising depart- ment. According to the station, it is
billing clients at levels that I have seen from very few stations in any Christian format.
I decided to dig a little deeper into the numbers and talk to Dave Armstrong, VP /GM of Salem's Los Angeles cluster, which includes KKLA, KRLA, KRLH, Christian Pi-
rate Radio and KFSH "The Fish."
"A Talk and teaching
station like ours is used
like television, with
significant appointment
listening."
The Big Picture
Most Talk stations around the country use nationally syndicated or prerecorded shows to fill most of their programming slots. Not so at KKLA. "Our objective is to encour- age our core listeners with a mixture of teaching programs, a local show
called Duffy and Co. Live From L.A.
and a veteran staff of on -air person- alities who hold it all together," Armstrong says. "We presently have a support staff of about 100 in
the cluster. These people are vital to the big picture of what all of our L.A. stations are accomplishing."
KKLA uses some of the premier nationally syndicated shows, includ- ing Insight for Living and Focus on the Family, to complement its locally
driven shows. "Our station is usually at the top of the leading ministry pro- gram lists for charitable giving, listenership and listener communica- tion," Armstrong says. "We know they work."
Talk radio isn't what it used to be, even a short decade ago. "A Talk and teaching station like ours is used like television, with signifi- cant appointment listening," Arm-
WONU (Shine 89.7) /Chicago recently hosted a sold -out concert with
Essential artists True Vibe. Here the guys of True Vibe are pictured
with WONU Station Manager Bill DeWees (c).
strong says. "People turn it on for their favorite programs several times a day. This translates into high cume but relatively small quarter- hours. The Fish, for ex- ample, is not listened to in this way.
The impact that it generates creates much longer TSL."
Promoting and marketing a solid Talk station is key to solidifying its
position within the community for the
long haul. "We have a very active promotions department that puts KKLA in front of over 3 million people each year," Armstrong says. "The station is also active in raising funds for local charities such as the
Union Rescue Mission and the L.A. Mission.
"Also in place is a very aggressive marketing campaign that includes giving away 12 vans to listeners. We
will also continue to do extensive tar-
geted outdoor advertising this year."
Invest In Personality
There are hundreds of Christian Talk stations in the U.S. Many of them struggle to establish their iden- tities within their marketplaces while others continue to do the same thing for years without much modification. What advice does the top Christian Talk station have to share with the rest
of us on this subject? "Invest more in developing the per-
sonality of your radio station," Arm-
strong says. "We have created high -
profile personalities throughout the day who contribute not only to higher listenership, but also to greater sales revenue through daypart selling. The
standard needs to be raised to that of general -market stations within your community. Good enough just won't work anymore."
D ove Nominees Continued Last week we printed the first half of Awards. This week we finish it up by remaining categories. The Doves will
the Grand Ole O House in Nashville. Opry
Rap/Hip Hop/Dance Album Of The Year
the nominee list for this year's Dove supplying you with the nominees in the be handed out on Thursday, April 25, at
Pop /Contemporary Album Of The Year
STEVEN CURTIS CHAPMAN Declaration (Sparrow) POINT OF GRACE Free To Fly (Word) FFH Have I Ever Told You? (Essential) SHAUN GROVES Invitation to... (Rocketown) AVALON Oxygen (Sparrow) NICOLE C. MULLEN Talk About It (Word)
Inspirational Album Of The Year
DAVID PHELPS David Phelps (Spring Hill)
MARTINS Glorify, Edify, Testify (Spring Hill)
BROOKLYN TABERNACLE CHOIR Light Of The World (M2.0) SELAH Press On (Curb) NEWSONG The Christmas Shoes (Reunion)
Urban Album Of The Year
REMIXX Dear Lord (Word) FRED HAMMOND Just Remember... (Verity)
LONDA LARMOND Love Letters (EMI Gospel)
RUFUS TROUTMAN No Compromise (Marxan) LEJUENE THOMPSON Soul Inspiration (EMI Gospel) VIRTUE Virtuosity! Virtue (Verity)
Traditional Gospel Album Of The Year
DOUG WILLIAMS & MELVIN WILLIAMS Doug And Melvin Williams Duets (Blackberry) SHIRLEY CAESAR Hymns (Word) LOU RAWLS I'm Blessed (Malaco) RICHARD SMALLWOOD WITH VISION Persuaded - Live In DC (Verity)
BLIND BOYS OF ALABAMA Spirit Of The Century (EMI Gospel)
Contemporary Gospel Album Of The Year
CECE WINANS CeCe Winans (Wellspring Gospel /Sparrow) JOE PACE Joe Pace Presents - Let There Be Praise (Integrity) YOLANDA ADAMS The Experience (Elektra) BISHOP T.D. JAKES & THE POTTER'S HOUSE
MASS CHOIR The Storm Is Over (EMI Gospel) PAUL WRIGHT III Worship In His Presence: In His Presence Live (Harborwood)
Instrumental Album Of The Year
MANNHEIM STEAMROLLER Christmas Extraordinaire (American Gramaphone) MICHAEL W. SMITH Freedom (Reunion) DOTTIE LEONARD MILLER Gospel Instrumental (Vital) CHRIS RICE Living Room Sessions: Hymns (Rocketown) FLETCH WILEY Redeemer (Word)
Praise & Worship Album Of The Year
CAEDMON'S CALL In The Company Of Angels
-A Call To Worship (Essential) PHILLIPS, CRAIG & DEAN Let My Words Be Few (Sparrow) TEN SHEKEL SHIRT Much; Ten Shekel Shirt (Vertical) MICHAEL W. SMITH Worship (Reunion) DARLENE ZSCHECH You Are My World (Hillsong /Integrity)
Spanish- Language Album Of The Year
FERNANDO ORTEGA Camino Largo (Word) KATINAS Destino; The Katinas (Gotee) ILEANA GARCES El Amor Tiene Un Valor (One Voice) JACI VELASQUEZ Mi Corazon (Word)
SUSANA ALLEN Ssana Allen ( Piedra Angular)
Special Event Album Of The Year
VARIOUS Happy Christmas 3 (BEC) VARIOUS In Case You Missed It
... And Then Some (Verity) VARIOUS Kingdom Come, The Soundtrack (GospoCentric) VARIOUS Prayer Of Jabez (ForeFront) VARIOUS Soul Lift (Flicker) VARIOUS We Will Know Peace (Daywind)
Recorded Music Packaging Of The Year
DJ MAJ Full Plates Mix Tape 002 (Gotee) PRIESTHOOD Keepin' It Real (Metro One) TOBY MAC Momentum (Forefront) APT. CORE Rhythm Of... (Rocketown) T -BONE The Last Street Preacha (Flicker)
Modern Rock /Alternative Album Of The Year
OUT OF THE GREY 6.1 (Rocketown) CADET Any Given Day: Earth To... (BEC) MICHAEL W. SMITH Freedom (Reunion) CAEDMON'S CALL In The Company Of Angels -A Call To Worship (Essential) ZAO Zao (Solid State)
Short -Form Music Video Of The Year
SKILLET Alien Youth (Ardent) BY THE TREE Invade My Soul (Fervent) KEVIN MAX Stereotype Be (ForeFront) ELMS The Big Surprise (Sparrow) BENJAMIN GATE Untitled (ForeFront)
Hard Music Album Of The Year
HANGNAIL Facing Changes (BEC) SPOKEN Greatest Hits (Metro One) JUSTIFIDE Life Outside The Toybox (Culdesac /Ardent) LIVING SACRIFICE The Hammering Process (Solid State) EAST WEST The Light In Guinevere's Garden (Floodgate) BEANBAG Well- Adjusted (Inpop)
Rock Album Of The Year
BIG TENT REVIVAL Big Tent Revival Live (Ardent) THIRD DAY Come Together (Essential) TAIT Empty (ForeFront) SUPERCHICK Karaoke Superstars (Inpop) G.S. MEGAPHONE ...My Mind (Spindust)
BENJAMIN GATE All Over Me (ForeFront) NICOLE C. MULLEN Call On Jesus (Word) DELIRIOUS? Everything (Sparrow) TOBY MAC Extreme Days (ForeFront) MARK SCHULTZ I Have Been There (Word)
RECECCA ST. JAMES Reborn (ForeFront) SWITCHFOOT You Already Take... (Sparrow)
Long -Form Music Video Of The Year
PAYNES 30th Anniversary Reunion (Daywind)
BILL & GLORIA GAITHER AND THE HOMECOMING FRIENDS Bill & Gloria Gaither Present A Billy Graham Music Homecoming, 1 (Spring House) g' VARIOUS He Chose The Nails (Here To Him)
THIRD DAY Third Day Live In Concert - The Offerings Experience (CT Ventures) DARLENE ZSCHECH You Are My World
(Hillsong Australia/Integrity)
www.americanradiohistory.com
Christian 117
February 22, 2002
CHR Top 30 WEEK
THIS ARTIST TITLE LABELS)
TOTAL PLAYS
+l - WEEKS ON PLAYS CHART
1 o JARS OF CLAY I Need You (Essential) 960 +83 10
NEWSBOYS It Is You (Sparrow)
OUT OF EDEN Different Now (Gotee)
PLUS ONE Camouflage (Atlantic) '
815
748
670
+64 8
-82 14
+78 8
4 5 JENNIFER KNAPP Breathe On Me (Gotee) 634 -98 17
5 6 JAKE Army Of Love (Reunion) 605 -71 12
10 0 JENNIFER KNAPP w /MAC POWELL Sing... (Essential) 603 +24 10
7 8 DOWNHERE Larger Than Life (Word) 584 -33 14
14 0 REBECCA ST. JAMES Breathe (Forefront) 566 +66 8
6 10 ZOE GIRL With All Of My Heart (Sparrow) 559 -109 20
15 le SHAUN GROVES After The Music Fades (Rocketown) 550 +60 11
16 ® STEVEN CURTIS CHAPMAN See The Glory (Sparrow) 504 +49 6
9 13 TAIT Loss For Words (Forefront) 503 -80 21
11 14 THIRD DAY Come Together (Essential) 491 -79 23
12 15 KEVIN MAX Existence (Forefront) 478 -68 20
13 16 JOY WILLIAMS No Less (Reunion) 472 -74 14
17 ® TRUE VIBE You Are The Way (Essential) 443 +41 5
25 o SKILLET One Real Thing (Ardent) 424 +137 2
20 WAITING Wonderfully Made (Inpop) 416 +43 9
18 CD FFH Open Up The Sky (Essential) 406 +18 10
26 ® MERCY ME I Can Only Imagine (INO) 398 +112 5
22 ® CAEDMON'S CALL Before There Was Time (Essential) 377 +27 4
19 ® LIFEHOUSE Breathing (Dream Works) 375 0 6
27 a) NATALIE LARUE, T-BONE & DJ MM King Of... (Flicker) 362 +77 3
24 e P.O.D. Youth Of The Nation (Atlantic) 337 +46 3
29 m BY THE TREE Invade My Soul (Fervent) 299 +37 2
23 27 KINDRED 3 Blessed Day (Red Hill) 275 -43 4
(Debut> GINNY OWENS I Am (Rocketown) 272 +139 1
¡Debut> a THIRD DAY Show Me Your Glory (Essential) 271 +43 1
30 TREE 63 Joy ( lnpop) 254 -4 4
30 CHR reporters. Songs ranked by total plays for the airplay week of Sunday 2/10 -Saturday 2/16. © 2002 Radio & Records.
AC Top 30 LAST THIS
WEEK WEEK ARTIST TITLE LABELS)
2 MERCY ME I Can Only Imagine (INO)
1 2 STEVEN CURTIS CHAPMAN God Is God (Sparrow)
5 0 NEWSBOYS It Is You (Sparrow)
TOTAL PLAYS
1602
1580
1477
4 4 SHAUN GROVES After The Music Fades (Rocketown) 1369
6 0 JENNIFER KNAPP w /MAC POWELL Sing.. (Essential) 1367
8 0 JARS OF CLAY I Need You (Essential)
7 0 AVALON I Don't Want To Go (Sparrow)
3 8 FFH Open Up The Sky (Essential)
10 Q TRUE VIBE You Are The Way (Essential)
1361
1318
1309
1087
11 Q CAEDMON'S CALL Before There Was Time (Essential) 1080
13 D ANOINTED One Fine Day (Word)
9 12 ZOE GIRL With All Of My Heart (Sparrow)
17 0 REBECCA ST. JAMES Breathe (Forefront)
18 0 PLUS ONE Forever (Atlantic)
15 15 THIRD DAY Show Me Your Glory (Essential)
12 16 KATINAS You Are (Gotee)
20 e RACHAEL LAMPA No Greater Love (Word)
14 18 JOY WILLIAMS Touch Of Faith (Reunion)
16 19 4HIM Psalm 112 (Word)
22 m GINNY OWENS I Am (Rocketown)
923
869
823
823
763
709
705
692
656
613
29 ® POINT OF GRACE You Will Never Walk Alone (Word) 586
21 0 MICHAEL W. SMITH Breathe (Reunion)
23 ® NICOLE C. MULLEN Talk About It (Word)
579
507
26 BROTHER'S KEEPER Take Me To The Cross (Ardent) 467
25 ® DOWNHERE Great Are You (Word) 439
24 26 CECE WINANS For Love Alone (Wellspring /Sparrow) 422
19 27 MARK SCHULTZ I Have Been There (Word)
28 28 SCOTT KRIPPAYNE Deeper Still (Spring Hill)
/Debut> m OUT OF THE GREY Brave (Rocketown)
Debu) m MICHELLE TUMES King Of My Heart (Sparrow)
392
309
297
287
PLAYS
-53
-103
+99
WEEKS ON
CHART
17
14
8
-29 15
+97 12
+150 11
+104 6
-213 16
+99 8
+94 8
+57 5
-326 19
+66 8
+70 4
-59 23
-190 18
+134 3
-159 17
-139 21
+131 3
+270 2
+41 4
+54 3
+76 3
+15
-18 10
-248
-20
25
25
+32 1
+113 1
55 AC reporters. Songs ranked by total plays for the airplay week of Sunday 2/10 -Saturday 2/16. © 2002 Radio & Records.
REBECCA ST. JAMES )
NOMINATED FOR EIGHT DOVE AWARDS (TIED FOR TOP, ONORS): f 1
Female Vocalist of the Year l ,
Song of1the Year > "Wait For Me" r g
Rap /Hip'Hop /Dance Recorded Song > "Reborn" - artist Rap /Hip Flop /Dance Recorded Song > "Reborn" - songwriter Modern Rock/ Alternative Recorded Song > For The Love Of God" - artist, Modern Rock /Alternative Recorded Song > For Tlíle Love of pod" - songwriter Short Form Music Video > "Reborn" ,
Special Event Aldum > The Prayer oflabez ,
WORSHIP GOD
in stores/ February 26
.'Breathe" .
;
\ orimmowommimmeirm
www.rsiames.com www.förefrontrecortls.com
www.americanradiohistory.com
118
1Lf Christian
WEEK WEEK
1 o 2 0 6 0 4 4
5
3 6
11 o 8 8
9
10 0 Q
13 0 15 ® 12 14
17 ® 22 0 20 0 19 0 27 0 21 m 25 ® 18 22
16 23
26
14 25
28 m 24 27
30 m (Debug
29 m
February 22, 2002
Rock Top 30 ARTIST TITLE LABEL(S)
TOTAL PLAYS
+1- PLAYS
WEEKS ON
CHART
P.O.D. Youth Of The Nation (Atlantic) 421 +33 11
TOBY MAC Yours (Forefront) 341 +3 12
BENJAMIN GATE Lay It Down (Forefront) 265 +24 5
ESO To Confront (Bettie Rocket) 237 -7 9
LADS Creator (Cross Driven) 227 -2 9
SKILLET Vapor (Ardent) 212 -75 14
STAVESACRE Keep Waiting (Tooth & Nail) 211 +19 8
AUDIO ADRENALINE Lonely Man (Forefront) 209 -3 14
THIRD DAY Come Together (Essential) 208 -34 22
JUSTIFIDE Our Little Secret (Culdesac /Ardent) 202 +9 6
PLANET SHAKERS Phenomena (Crowne) 196 +2 6
MONDAY MORNING Amazed (Independent) 196 +7 6
TAIT Spy (Forefront) 179 +7 7
FIVE IRON FRENZY Far Far Away (5 Minute Walk) 152 -39 17
ROD LAVER The Kind That Could (BEC) 149 +2 13
RELIENT K Those Words Are Not Enough (Gotee) 143 +19 3
STEVE My Ever, My All (Forefront) 142 +8 5
LIFEHOUSE Breathing (Dream Works) 137 +3 4
SPOKEN This Path (Metro One) 135 +28 4
EVERYDAY SUNDAY Just A Story (Independent) 134 +1 5
THOUSAND FOOT KRUTCH Supafly (OGE) 133 +19 2
SUPERCHICK Big Star Machine (Inpop) 127
COMMON CHILDREN Entertaining Angels (Galaxy 21) 126
-14
-35
19
20
SQUIRT No Turning Back (Absolute)
G.S. MEGAPHONE Out Of My Mind (Spindust)
120
115
+12
-59
6
12
JENNIFER KNAPP Breathe On Me (Gotee)
BUCK ENTERPRISES Silent Ruin (Galaxy21)
112
108
+11
-11
6
18
SEVENTH DAY SLUMBER My Struggle (Mercy Street) 105 +16 2
JARS OF CLAY I Need You (Essential) 96 +16 1
AMONG THORNS No... (Worship Extreme /Here To Him) 95 +2 17
46 Rock reporters. Songs ranked by total plays for the airplay week of Sunday 2/10 -Saturday 2/16. © 2002 Radio & Records.
Specialty Programming
RA.N1
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
Rhythmic ARTIST TITLE LABELS)
OUT OF EDEN Different Now (Gotee)
T -BONE Turn This Up (Flicker) TUNNEL RATS Bow Down (Uprok)
TOBY MAC f /KIRK FRANKLIN J Train (Forefront)
JOHN REUBEN Gather In (Gotee)
ELLE ROC Blindfolded (Bettie Rocket)
KNOWDAVERBS If I Were Mayor (Gotee)
TRIN -I -TEE 5:7 It's Alright (B -Rite)
NATALIE LARUE, T -BONE & DJ MAJ King Of My Life (Flicker)
DEEP SPACE 5 Stick This In Your Ear (Uprok)
NICOLE C. MULLEN Talk About It (Word)
DJ MAJ f /PIGEON JOHN Deception (Gotee)
PREISTHOOD Luv For My Thugs (Metro One)
MARS ILL Rap Fans (Uprok) PLUS ONE Camouflage (Atlantic)
SMOOTH Smooth Be Tha Name (Metro One)
CLOUD2GROUND Slow Down (N'Soul)
ZOE GIRL With All Of My Heart (Sparrow)
APT. CORE Life Inverted (Rocketown) PEACE 586 The Difference ( Uprok)
Reporters
KLYT/Albuquerque, NM
WHMX/Bangor, ME
KWOF/Cedar Rapids, IA
WCFL/Chicago, IL
KYIX/Chico, CA
WUFM/Columbus, OH
KZZQ/Des Moines, IA
WJLF/Gainesville, FL
WORD/Green Bay, WI
KAIM/Honolulu, HI
WAYK/Kalamazoo, MI
CHR WYLV /Knoxville, TN
WJTL /Lancaster, PA
WLGH /Lansing, MI
WNCB /Minneapolis, MN
WAYM /Nashville, TN
KOKF /Oklahoma City, OK
KSFB /San Francisco, CA
KLFF /San Luis Obispo, CA
KCMS /Seattle- Tacoma, WA
KTSL /Spokane, WA
KADI /Springfield, MO
WBVM/Tampa, FL
WYSZ/Toledo, OH
KTWY/Tri-Cities, WA
KMRX/Tulsa, OK
KDUVNisalia, CA
WCLQ/Wausau, WI
AIR1/Network
KNMI/Network
30 Reporters
KAEZ/Amarillo, TX KLRC/Fayetteville, AR WRXT/Roanoke, VA
KAFC/Anchorage, AK WPSM/Ft. Walton Beach, FL WXPZ/Salisbury, DE
WFSH/Atlanta, GA WLAB/Ft. Wayne, IN WJIS/Sarasota, FL
WVFJ/Atlanta, GA WCSG/Grand Rapids, MI WHPZ/South Bend, IN
WOCK/Baton Rouge, LA WBFJ/Greensboro, NC WIBI/Springfield, IL
KTSY/Boise, ID KSBJ/Houston-Galveston, TX KWND/Springfield, MO
WCVK/Bowling Green, KY WTCR/Huntington, WV KHCR/St. Louis, MO
WBGL/Champaign, IL WBGB/Jacksonville, FL KTLI/Wichita, KS
WRCM/Charlotte, NC WCOR/Johnson City, TN WGRC/Williamsport, PA
WBDX/Chattanooga, TN KOBC/Joplin, MO WXHL/Wilmington, DE
WONU/Chicago, IL KFSH/Los Angeles, CA WPER/Winchester, VA
WZFS/Chicago, IL WJIE/Louisville, KY
WAKW/Cincinnati, OH KOFR/Lubbock, TX HIS RADIO/Network
WFHM/Cleveland, OH WMCU/Miami, FL SALEM/Network
KBIQ/Colorado Springs, CO WBSN/New Orleans, LA KLOVE/Network
WMHK/Columbia, SC KLGH/Oklahoma City, OK KJIL/Network
WCVO/Columbus, OH WPOZ/Orlando. FL
KLTY/Dallas, TX WZZD/Philadelphia, PA
WCTL /Erie, PA KFIS /Portland, OR
KYTT /Eugene, OR KSLT /Rapid City, SD 55 Reporters
WDCD/Albany, NY
WWEV/Atlanta, GA
WCVK/Bowling Green, KY
WVOF/Bridgeport, CT
WBNY/Buffalo, NY
WCFL/Chicago, IL
WONC/Chicago, IL
KYIX/Chico, CA
WUFM/Columbus, OH
KTPW/Dallas, TX
WSNL/Flint, MI
WKLQ/Grand Rapids, MI
WORD/Green Bay. WI
WRGX/Green Bay, WI
WROQ/Greenville, SC
WBOP/Harrisonburg, VA
KSBJ/Houston-Galveston, TX
Rock WNCM/Jacksonville, FL
WYLV/Knoxville, TN
WLGH/Lansing, MI
KSLI/Lincoln, NE
WDML/Marion, IL
WCWP/Nassau-Suffolk. NY
WVCP/Nashville, TN
WCNI/New London, CT
KOKF/Oklahoma City, OK
WZZD/Philadelphia, PA
WMSJ/Portland, ME
KPSU/Portland, OR
WITR/Rochester, NY
KSFB/San Francisco, CA
KWND/Springfield, MO
WTRK/Saginaw, MI
WJIS/Sarasota, FL
KCLC/St. Louis. MO
KYMC/St. Louis, MO
WBVM/Tampa. FL
WTXR/Toccoa Falls, GA
WYSZ/Toledo, OH
KMOD/Tulsa, OK
KMRX/Tulsa, OK
WCLO/Wausau, WI
KZZD/Wichita, KS
WEXC/Youngstown, OH
KNMI/Network
ZJAM/Syndicated
46 Reporters
Specialty Programming Loud
YANK ARTIST TITLE LABEL(S)
1 BROKEN Cage (Mercy Street)
2 GRYP Lessons Of Distance (W)
3 REAL Let It Be (Mercy Street)
4 ESO To Confront (Bettie Rocket)
5 THESE 5 DOWN Revelation War (Absolute)
6 BIOGENESIS Fat Man From China (Rowe)
7 ESO CHARIS The Narrowing List (Solid State)
8 REAL Downfall (Mercy Street)
9 EAST WEST Wake (Floodgate)
10 DISCIPLE Coal (Rugged)
www.americanradiohistory.com
Opportunities 4. ................ _ _ .... . ... _.._. _.. . ,.. ............
NATIONAL
J_. 1 /.1 I Per 1 0111 Resume and Web Site Design For Media Professionals
Jack Kratoville 516- 909 -5150 www.resumedesign.com fax: 801 -383 -5052
Your Exclusive Independent Urban & Urban AC (NTR)
O
Contact
Teddy Astin
Phone 404 -298 -1666 Fax 404 -298 -0005
MARKETING, I N C .
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Stone Mountain, Georgia 30083
Email: tap@aticom.net Website: www.toughact.net
I http://onairjobtipsheet.com
EAST
TV TALK SHOW HOST Are you a hot radio talk show host? Are you highly knowledgeable on the biggest social and political issues of today? Can you go toe -to -toe with the best on -air debate artists?
We need a polished professional who can make the transformation to television talk. You must be bold, brash and have an in -your -face atti- tude on the air, but be a great co- worker-.
We need someone with the confi- dence to generate big audiences and be able to deal with criticism and controversy with flare. EOE /Drug Free. Send resume, tape and your philosophy to: Radio & Records, 10100 Santa Monica Blvd., # 1028, 3rd Floor, Los Angeles, CA 90067.
i- )/w SiT IV RADIO E
TOP -NOTCH NEWS ANCHOR NEEDED
XM Satellite Radio is looking for a serious News Anchor, who can trans- late content into modern conversa- tional delivery at our world -class fa- cility in Washington, DC. At least 5 years experience in major or medium market radio news, knowledge of digital audio and experience with broadcast equipment required. Gen- erous salary, benefits, stock options. Send air check and resume to: Irina Lallemand, Director of News Pro- gramming, XM Satellite Radio, 1500 Eckington Place NE, Washington, DC 20002 -2194. No phone calls please. www.xmradio.com. EEO
Opportunity Knocks in the pages of
R &R every Friday
Call: 310-553-4330
February 22, 2002 R &R 119
Lead Our Morning Show
1. Are you passionate about mornings? 2. An upbeat personality who can produce
a Mainstream AC show that crackles with entertainment and connects with women 30 to 49?
3. Are you ready to lead an experienced team of pro's who've kept the show #1
for a decade? 4. Do you have a burning desire to win?
Is the answer yes to ALL of the above?
Then rush to us yourT & R. Excellent $$$.
Stable, people oriented company. Superb
facility. Terrific resources. Our market here
in the Northeast is a great place to live
with a wonderful family environment. Committed to diversity in communica- tions. Radio & Records. 10100 Santa
Monica Blvd., #1029, 3rd Floor, Los An-
geles, CA 90067. EOE
Cox Radio Long Island Heritage Rock WBAB is seeking fulltime
on -air talent. At least 3 years major market experi- ence preferred. Production and im- aging skills are a major plus. If your cover letter isn't very good to great, your stuff will immediately go into the "no" pile. Cox radio is an equal op- portunity employer. Send package to:
WBAB
John Olsen
555 Sunrise Hwy.
West Babylon, NY 11704
SOUTH
FIN BROADCASTING
VP FINANCE & CHIEF FINANCIAL OFFICER
Unique opportunity for exceptional finan- cial executive to join senior management team at rapidly growing entrepreneurial com- pany. First Broadcasting creates new major market radio stations throughout the coun- try and is currently expanding its station operating capabilities. Media -savvy profes- sional needed to direct all financial functions with an emphasis on budgeting, financing and tax strategy. Individual will also play a signifi- cant role in overall company decision -mak- ing. Winning applicant for this new position must be a highly intelligent, experienced exec with a history of success as VP Finance /CFO
for either a sizeable broadcast company or a
transactional business such as venture capi- tal or real estate development. Recent radio industry experience and involvement with rollups are strongly preferred.
Personal qualities required include high mo- tivation to succeed, strong work ethic, "hands - on" management style with an attention to detail, strategic thinking and a reputation for high ethical standards and integrity.
Generous salary, significant bonus oppor- tunity and long -term profit participation based on experience and past earnings. All applica- tions held in strict confidence. Please send detailed résumé with salary history to CEO,
First Broadcasting, 750 North St. Paul, Tenth Floor, Dallas, Texas 75201. ceoef!rstbroadcasting.com. EUE
News Director, 4- FMs/NewsTalk AM/PA. Market home to numerous national compa- nies and SEC University. Females and Mi- norities encouraged. T/R to: HR, 24 E.
Meadow, Ste. 1, Fayetteville, Arkansas 72701. R/MP3 to newstalk1030.cumulus.com. Cumulus Broadcasting - EOE, M /F.
MIDWEST
Talk Radio Opportunity New national radio network launch- ing this Summer is accepting demo tapes for lifestyle, political, financial, entertainment, hi -tech, and other focused programming. Weekday and weekend opportunities avail- able. Initial investment required but can be recouped. Send tape or pro- gram idea to New Radio Network, PO Box 118193, Chicago, IL 60611- 3204. Email to newntwrkradio@aol.com or fax 208 -361 -5119.
WEST
Program Director/ Morning Show Host and
Air Talent Needed! South Western Modern AC station is
seeking a Program Director /Morning Show that will take us to a new level.This position requires a winning attitude, skills to train on -air talent, thinking out of the box, able to motivate and culti- vate air -talent. Are you a well rounded individual who is not afraid of a challenge and would enjoy making people and the station successful? Station is also looking for talented air PERSONALITIES to fill all on -air posi- tions! Send T &R to: Radio & Records, 10100 Santa Monica Blvd., #1023, 3rd Floor, Los Angeles, CA 90067. EOE
MUSIC DIRECTOR/ EVENINGS
Incredible opportunity to join KUZZ AM/FM Bakersfield as MD /evening talent. Here's your chance to work for one of country radio's most re- spected stations with solid, local ownership. We want to talk with you if you have at least 2 years on air full -time, ex- citing and compelling phones, a pas- sion for. the music and your listen- ers, love personal appearances, and have music or programming experi- ence. Help us continue the KUZZ legacy by sending CD /tape, resume with solid references, brief philoso- phy of your approach to evening re- quest radio, and photo to: Evan Bridwell PD, 3223 Sillect Ave., Bakersfield, CA 93308. No phone calls please but look for me at CRS! Buck Owens broadcasting is an equal opportunity employer.
www.rronline.com
www.americanradiohistory.com
120 RaR February 22, 2002 Opportunities
POSITIONS SOUGHT
Behind the scene and love it. 1 have worked in broadcast and produc- tion for the past 10 years. A B.A. in Com- munication Design and have worked at
KCBQ, KXGL, KSON, KCSC. I have done
promotions, programming, production, producing, engineering and more. What can I do for you? Scott 619 -561 -9237 or scottgrizzle ©hotmail.com
Who let HOLIDAY & KING out?
They're loose again, looking to domi- nate AM drive 25- 54/35 +, major, midmajor. The critics say, "FUNNY" - "CREATIVE" - "UNIQUE" - "DISTANT" (Mrs. King) - "NEVER HELPS AROUND THE HOUSE" (Mrs. Holiday).
Ask for CD at RSalmon107@aol.com
Sports Director /PBP /Sales experience available. JOE:
1- (888) 327 -4996. (02/22)
25 year broadcasting professional. Management, on-
air, programming, production and more! Currently look-
"The best traffic reporter I've ever heard" -noted broadcast consultant
Traffic with Personality! - 8,000 hour commercial pilot Multiengine, IFR
- Mature, Experienced Air Talent - Ace Broadcast Engineer - Excellent Production skills - 25+ years in the business
How can I help you win?
Tony Scott (808) 254 -0333, (808) 351 -6636c
traffic @inix.com
ing, and exploring new opportunities. (781) 640 -1589
email: VINLEWIS2001 @ AOL.COM. (02/22)
Veteran Oldies host is looking for a new home. My
show contains personality, lot's of lost Odies and clas-
sic jingles. Delivered weekly on CD. Check out:
ww.hitsofyesteryear.com Email: glenn @hitsofyesteryear.com. (02/22)
American Broadcasting School graduate, 2 years
experience in CHR, available now ! Excellent produc-
tion, voice, copywriting and delivery skills. Have voice,
will travel. References upon request. DOUG: 214-
215 -8686. TexasCobra99 @evl.net. (02/22)
18 Year rock veteran. 7 years programming, all 18 in
promotions and on -air. 91X, XHRM, KCXX, Y107. Also
have over 2,000 artist interviews spanning 20 years.
(760) 751 -4330 or dwightarnoldmedia @yahoo.com.
(02/22)
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Fresh voice for major market UrbanAC /RhyCHR/
Jammin Oldies. Production /promotions. `Tight and
bright" afternoons or eves. Request aircheck: TonyBear@cox.net (02/22)
Experienced Play -By -Play Announcer. Broadcaster
for Div. I Basketball (including NCAA Tournament),
Football, Minor League Baseball. Call RAY: (516) 931-
3047.
Rookie Graduate of American Broadcasting School.
Announcer, Sports, Production. Willing to travel. Ready
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122
The Back Pages. Monitored Airplay Overview; February 22, 2002
CHR/POP LW TW
2 0 NO DOUBT Hey Baby (Interscope) 1 2 NICKELBACK How You Remind Me (Roadrunner /IDJMG) 4 0 LINKIN PARK In The End (Warner Bros.) 3 4 USHER U Got It Bad (LaFace /Arista) 9 0 CRAIG DAVID 7 Days (Wildstar /Atlantic) 6 6 CALLING Wherever You Will Go (RCA)
5 7 PINK Get The Party Started (Arista) 11 KYLIE MINOGUE Can't Get You Out Of My Head (Capitol)
10 JA RULE F /ASHANTI Always On Time (Murderinc./DefJam/IDJMG)
8 10 CREED My Sacrifice (Wind -up) 13 JENNIFER LOPEZ Ain't It Funny (Epic)
12 LEANN RIMES Can't Fight The Moonlight (Curb)
7 13 SHAKIRA Whenever Wherever (Epic)
16 0 'N SYNC Girlfriend (Jive) 15 15 CITY HIGH Caramel (Interscope) 14 16 MARY J. BLIGE Family Affair (MCA) 25 0 PUDDLE OF MUDD Blurry (Flawless /Geffen /Interscope) 17 18 TOYA I Do (Arista) 22 MARY J. BLIGE No More Drama (MCA)
24 I ALANIS MORISSETTE Hands Clean (Maverick/Reprise)
21 21 BRITNEY SPEARS I'm Not A Girl, Not Yet.. (Jive)
19 22 NELLY #1 (Priority /Capitol) 30 a ENRIQUE IGLESIAS Escape (Interscope) 23 24 R. KELLY The World's Greatest (Interscope /Jive) 18 25 ALICIA KEYS A Woman's Worth (J)
20 26 JA RULE Livin' It Up (Murder Inc. /DefJam /IDJMG) 26 MICHELLE BRANCH All You Wanted (Maverick/WB) 28 : BRANDY What About Us? (Atlantic) 34 IIO Rapture (Tastes So Sweet) (Universal) 32 NATALIE IMBRUGLIA Wrong Impression (RCA)
#1 MOST ADDED PINK Don't Let Me Get Me (Arista)
#1 MOST INCREASED PLAYS ENRIQUE IGLESIAS Escape (Interscope)
TOP 5 NEW & ACTIVE PETEY PABLO Raise Up (Jive)
DEFAULT Wasting My Time (TVT)
INDIA.ARIE Video (Motown/Universal)
CELINE DION A New Day Has Come (Epic)
REMY ZERO Save Me ( Elektra/EEG)
CHR/POP begins on Page 51.
AC LW
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ENRIQUE IGLESIAS Hero (Interscope) LONESTAR I'm Already There (BNA) ENYA Only Time (Reprise) MATCHBOX TWENTY If You're Gone (Lava/Atlantic) FIVE FOR FIGHTING Superman (It's Not Easy) (Aware /Columbia) BACKSTREET BOYS Drowning (Jive) DIDO Thankyou (Arista) LEE ANN WOMACK I Hope You Dance (MCA/Universal) J. BRICKMAN/REBECCA L. HOWARD Simple Things (Windham Hill)
0 -TOWN All Or Nothing (J) FAITH HILL There You'll Be (Warner Bros.) CELINE DION A New Day Has Come (Epic)
TRAIN Drops Of Jupiter (Tell Me) (Columbia) LEANN RIMES Soon (Curb)
UNCLE KRACKER Follow Me (Top Dog/Lava/Atlantic) DARREN HAYES Insatiable (Columbia)
CHER Song For The Lonely (Warner Bros.)
ELTON JOHN This Train Don't Stop There... (Rocket/Universal) JEWEL Standing Still (Atlantic) BRIAN MCKNIGHT Still (Motown /Universal) BARRY MANILOW Turn The Radio Up (Concord) MARC ANTHONY I Need You (Columbia) DIANA KRALL The Look Of Love (VerveNMG) JO DEE MESSINA Bring On The Rain (Curb)
BRITNEY SPEARS I'm Not A Girl, Not Yet... (Jive)
LEANN RIMES Can't Fight The Moonlight (Curb)
ALICIA KEYS Fallin' (J)
R. KELLY The World's Greatest (Interscope /Jive)
DAKOTA MOON Looking For A Place To Land ( Elektra/EEG)
CELINE DION God Bless America (Epic/Columbia)
#1 MOST ADDED CELINE DION A New Day Has Come (Epic)
#1 MOST INCREASED PLAYS CELINE DION A New Day Has Come (Epic)
TOP 5 NEW & ACTIVE USHER U Got It Bad (LaFace /Arista)
ENYA Wild Child (Reprise)
DANIEL DEBOURG I Need An Angel (Dream Works)
EVA CASSIDY Fields Of Gold (Blix Street)
LINDA EDER Until I Don't Love You AnymoreUntil I Don't... (Atlantic)
AC begins on Page 82.
CHR/RHYTHMIC LW
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JA RULE F /ASHANTI Always On Time (Murder lnc./DefJam/IDJMG)
JENNIFER LOPEZ Ain't It Funny (Epic)
LUDACRIS Roll Out (My Business) (Def Jam South /IDJMG)
OUTKAST The Whole World (LaFace /Arista) BRANDY What About Us? (Atlantic) FAT JOE F /ASHANTI What's Luv? (Terror Squad /Atlantic) USHER U Got It Bad (LaFace /Arista) BUSTA RHYMES Break Ya Neck (J)
FABOLOUS Young'n (Holla Back) (Desert Storm /Elektra/EEG) TWEET Oops (Oh My) (Gold Mind / Elektra/EEG)
J. DUPRI F/LUDACRIS Welcome To Atlanta (So So Def /Columbia)
ALICIA KEYS A Woman's Worth (J)
NO DOUBT Hey Baby (Interscope) USHER U Don't Have To Call (LaFace /Arista) FAT JOE We Thuggin' (Terror Squad /Atlantic) MR. CHEEKS Lights, Camera, Action (Universal)
MOBB DEEP F/112 Hey Luv (Anything) (Loud /Columbia) AALIYAH Rock The Boat (BlackGround) ASHANTI Foolish (Murder lnc. /DefJam /IDJMG) PINK Get The Party Started (Arista)
AMANDA PEREZ Never (Universal) MARY J. BLIGE No More Drama (MCA)
MYSTIKAL Bouncin' Back (Bumpin' Me...) (Jive)
AALIYAH More Than A Woman (BlackGround) FAITH EVANS I Love You (Bad Boy /Arista) KYLIE MINOGUE Can't Get You Out Of My Head (Capitol)
'N SYNC Girlfriend (Jive) GLENN LEWIS Don't You Forget It (Epic)
CRAIG DAVID 7 Days (Wildstar /Atlantic) KEKE WYATT Nothing In This World (MCA)
#1 MOST ADDED BUSTA RHYMES Pass The Courvoisier (J)
#1 MOST INCREASED PLAYS FAT JOE F /ASHANTI What's Luv? (Terror Squad/Atlantic)
TOP 5 NEW & ACTIVE 110 Rapture (Tastes So Sweet) (Universal)
RUFF ENDZ Someone To Love You (Epic)
BUSTA RHYMES Pass The Courvoisier (J)
COREY F/LIL' ROMEO Hush Lil' Lady (Motown/Universal)
PRETTY WILLIE Roll Wit Me (Republic/Universal)
CHR/RHYTHMIC begins on Page 60.
HOT AC LW TW
1 1 CALLING Wherever You Will Go (RCA)
2 2 NICKELBACK How You Remind Me (Roadrunner /IDJMG) 3 3 CREED My Sacrifice (Wind -up) 4 4 JEWEL Standing Still (Atlantic) 6 0 ALANIS MORISSETTE Hands Clean (Maverick/Reprise)
5 6 FIVE FOR FIGHTING Superman (It's Not Easy) (Aware /Columbia) 7 7 TRAIN Drops Of Jupiter (Tell Me) (Columbia) 8 DAVE MATTHEWS BAND Everyday (RCA)
9 ' LIFEHOUSE Hanging By A Moment (Dream Works)
14 NATALIE IMBRUGLIA Wrong Impression (RCA)
10 11 LENNY KRAVITZ Dig In (Virgin) 16 0 NO DOUBT Hey Baby (Interscope) 11 13 STAIND It's Been Awhile (Flip / Elektra/EEG)
12 14 U2 Stuck In A Moment... (Interscope)
18 0 MICHELLE BRANCH All You Wanted (Maverick/WB)
15 16 ENRIQUE IGLESIAS Hero (Interscope)
19 17 LIFEHOUSE Breathing (Dream Works)
17 18 JOHN MELLENCAMP Peaceful World (Columbia)
25 ' PUDDLE OF MUDD Blurry (Fla wless/Geffen/Interscope)
21 t CHRIS ISAAK Let Me Down Easy (Reprise)
22 LEANN RIMES Can't Fight The Moonlight (Curb)
23 PINK Get The Party Started (Arista) 20 23 ALICIA KEYS Fallin' (J)
27 a LINKIN PARK In The End (Warner Bros.)
26 25 DAKOTA MOON Looking For A Place To Land ( Elektra/EEG)
m JOHN MAYER No Such Thing (Aware/Columbia)
30 27 CHER Song For The Lonely (Warner Bros.)
DARREN HAYES Insatiable (Columbia)
EDDIE VEDDER You've Got To Hide Your... (V2)
SHAKIRA Whenever Wherever (Epic)
#1 MOST ADDED TRAIN She's On Fire (Columbia)
#1 MOST INCREASED PLAYS PUDDLE OF MUDD Blurry (Flawless/Geffen/Interscope)
TOP 5 NEW & ACTIVE
SENSE FIELD Save Yourself (Nettwerk)
DEFAULT Wasting My Time (TVT)
INCUBUS I Wish You Were Here (immortal /Epic)
PETE YORN Strange Condition (Columbia)
NELLY FURTADO ...On The Radio (Remember...) (Dream Works)
AC begins on Page 82.
URBAN LW TW
5 0 BRANDY What About Us? (Atlantic) 2 2 KEKE WYATT Nothing In This World (MCA)
1 3 JA RULE F /ASHANTI Always On Time (Murderinc./DefJarMDJMG)
8 0 TWEET Oops (Oh My) (Gold Mind / Elektra/EEG)
6 5 MR. CHEEKS Lights, Camera, Action (Universal)
3 6 MICHAEL JACKSON Butterflies (Epic)
4 7 MYSTIKAL Bouncin' Back (Bumpin' Me...) (Jive)
10 8 JENNIFER LOPEZ Ain't It Funny (Epic)
9 FAITH EVANS I Love You (Bad Boy /Arista) 7 10 OUTKAST The Whole World (LaFace /Arista)
13
S GLENN LEWIS Don't You Forget It (Epic)
16 USHER U Don't Have To Call (LaFace /Arista) 11 13 MISSY ELLIOTT Take Away (Gold Mind /EastWest/EEG)
12 14 MARY J. BLIGE No More Drama (MCA)
18 0 JAHEIM Anything (Divine Mill/WB) 14 16 ALICIA KEYS A Woman's Worth (J)
15 17 USHER U Got It Bad (LaFace /Arista) 23 0 AALIYAH More Than A Woman (BlackGround)
19 19 FABOLOUS Young'n (Holla Back) (Desert Storm / Elektra/EEG)
22 20 J. DUPRI F/LUDACRIS Welcome To Atlanta (So So Def /Columbia) 17 21 LUDACRIS Roll Out (My Business) (DefJam South /IDJMG)
27 a SHARISSA Any Other Night (Motown) 21 23 FAT JOE We Thuggin' (Terror Squad /Atlantic) 26 a JAY -Z Jigga (Roc- A- Fella/IDJMG)
24 25 BUSTA RHYMES Break Ya Neck (J)
30 a AVANT Makin' Good Love (Magic Johnson /MCA) 25 27 'N SYNC Gone (Jive) 29
: BEANIE SIGEL & FREEWAY Roc The Mic (Roc -A- Fella/IDJMG)
37 FAT JOE F /ASHANTI What's Luv? (Terror Squad /Atlantic) 48 ASHANTI Foolish (Murder Inc. /Def Jam /IDJMG)
#1 MOST ADDED JOE What If A Woman (Jive)
#1 MOST INCREASED PLAYS ASHANTI Foolish (Murder Inc. /Def Jam /IDJMG)
TOP 5 NEW & ACTIVE CEE -LO Closet Freak (LaFace /Arista)
B2K Uh Huh (Epic)
CHOOBAKKA She's Feeling Me (Big Daddy)
BUSTA RHYMES Pass The Courvoisier (J)
PRETTY WILLIE Roll Wit Me (Republic/Universal)
URBAN begins on Page 65.
ROCK LW TW
1 1 CREED My Sacrifice (Wind -up)
2 NICKELBACK How You Remind Me (Roadrunner /IDJMG) 4 PUDDLE OF MUDD Blurry (Flawless/Geffen/Interscope)
3 ' DEFAULT Wasting My Time (TVT)
5 NICKELBACK Too Bad (Roadrunner /IDJMG) 6 6 OZZY OSBOURNE Dreamer (Epic)
7 7 LINKIN PARK In The End (Warner Bros.)
'
9 STAIND For You (Flip /Elektra/EEG)
8 COURSE OF NATURE Caught In The Sun (Lava/Atlantic)
10 10 P.O.D. Alive (Atlantic) 19 GODSMACK I Stand Alone (Republic/Universal) 14 CREED Bullets (Wind -up)
11 13 PUDDLE OF MUDD Control (Flawless/Geffen /Interscope)
16 0 KID ROCK Lonely Road Of Faith (Top Dog / Lava/Atlantic)
12 15 INCUBUS I Wish You Were Here (Immortal /Epic)
15 16 TANTRIC Mourning ( Maverick/Reprise) 17 17 INCUBUS Nice To Know You (Immortal /Epic)
20 18 HOOBASTANK Crawling In The Dark (Island /IDJMG)
23 0 P.O.D. Youth Of The Nation (Atlantic)
18 20 OFFSPRING Defy You (Columbia) 22 21 NEIL YOUNG Let's Roll (Reprise)
25 a ROB ZOMBIE Never Gonna Stop (The Red...) (Geffen/Interscope)
21 23 F00 FIGHTERS The One (Columbia)
26 FU MANCHU Squash That Fly (Mammoth)
28 HEADSTRONG Adriana (RCA)
29 INJECTED Faithless (Island /IDJMG)
30 EDDIE VEDDER You've Got To Hide Your... (V2)
27 28 TOOL Lateralus (Volcano) LENNY KRAVITZ Stillness Of Heart (Virgin)
GRAVITY KILLS One Thing (Sanctuary/SRG)
#1 MOST ADDED JEREMIAH FREED Again ( Republic/Universal)
#1 MOST INCREASED PLAYS GODSMACK I Stand Alone (Republic/Universal)
TOP 5 NEW & ACTIVE TRAIN She's On Fire (Columbia)
COL. PARKER All The King's Horses (V2)
NORTH MISSISSIPPI ALLSTARS Sugartown (Tone -Cool)
STATIC -X Cold (Warner Bros.)
ADEMA The Way You Like It (Arista)
ROCK begins on Page 05.
www.americanradiohistory.com
123
Monitored Airplay Overview: February 22, 2002 URBAN AC
LW
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MICHAEL JACKSON Butterflies (Epic) ALICIA KEYS A Woman's Worth (J) MAXWELL Lifetime (Columbia) USHER U Got It Bad (LaFace /Arista) ANGIE STONE Brotha (J) BONEYJAMES Something Inside (Warner Bros.) GLENN LEWIS Don't You Forget It (Epic) JOE Let's Stay Home Tonight (Jive) ANN NESBY F /AL GREEN Put It On Paper (It's Time Child) REGINA BELLE Ooh Boy (Peak) GINUWINE Differences (Epic) LUTHER VANDROSS I'd Rather (J) JILL SCOTT He Loves Me (Hidden Beach /Epic) MAXWELL This Woman's Work (Columbia) KEKE WYATT Nothing In This World (MCA) MONTELL JORDAN You Must Have Been (Def Soul /IDJMG) SHARISSA Any Other Night (Motown) ISLEY BROTHERS Secret Lover (Dream Works) JAHEIM Anything (Divine Mill/WB) GERALD LEVERT What Makes It Good To You... (EastWest/EEG) FAITH EVANS I Love You (Bad Boy /Arista) BABYFACE I Keep Callin' (Arista) YOLANDA ADAMS Never Give Up (Elektra/EEG) REMY SHAND Take A Message (Motown) PROPHET JONES Cry Together (University /Motown) KIRK FRANKLIN 911 (Gospo Centric /Jive) INDIA.ARIE Strength, Courage & Wisdom (Motown) AALIYAH Rock The Boat (BlackGround) SADE Somebody Already Broke My... (Epic) R. KELLY The World's Greatest (lnterscope /Jive)
#1 MOST ADDED JOE What If A Woman (Jive)
#1 MOST INCREASED PLAYS ANN NESBY F /AL GREEN Put It On Paper (It's Time Child)
TOP 5 NEW & ACTIVE BRIAN MCKNIGHT What's It Gonna Be (Motown) AVANT Makin' Good Love (Magic Johnson /MCA) PHIL PERRY I Can't Wait (Til Morning...) (Peak)
JOI Missing You (Universal)
GINUWINE Tribute To A Woman (Epic)
URBAN begins on Page 65.
ACTIVE ROCK LW
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PUDDLE OF MUDD Blurry (Flawless /Geffen /lnterscope) LINKIN PARK In The End (Warner Bros.) DEFAULT Wasting My Time (TVT) NICKELBACK Too Bad (Roadrunner /IDJMG) STAIND For You (Flip /Elektra/EEG) P.O.D. Youth Of The Nation (Atlantic) HOOBASTANK Crawling In The Dark (Island /IDJMG) GODSMACK I Stand Alone (Republic /Universal) CREED Bullets (Wind -up) INCUBUS Nice To Know You (Immortal /Epic) ROB ZOMBIE Never Gonna Stop (The Red...) (Geffen /lnterscope) SYSTEM OF A DOWN Chop Suey (American /Columbia) TOOL Lateralus (Volcano) CREED My Sacrifice (Wind -up) NICKELBACK How You Remind Me (Roadrunner /IDJMG) P.O.D. Alive (Atlantic) OFFSPRING Defy You (Columbia) ADEMA The Way You Like It (Arista) DISTURBED Down With The Sickness (Giant/Reprise) SYSTEM OF A DOWN Toxicity (American /Columbia) COURSE OF NATURE Caught In The Sun (Lava/Atlantic) HEADSTRONG Adriana (RCA) CUSTOM Hey Mister (ARTIST Direct) DISTURBED The Game (Giant/Reprise) KID ROCK Lonely Road Of Faith (Top Dog /Lava/Atlantic) F00 FIGHTERS The One (Columbia) ILL NINO What Comes Around (Roadrunner /IDJMG) INJECTED Faithless (Island /IDJMG) SOIL Unreal (J) GRAVITY KILLS One Thing (Sanctuary /SRG)
#1 MOST ADDED REVEILLE Inside Out (Can You Feel...) ( Elektra/EEG)
#1 MOST INCREASED PLAYS DROWNING POOL Tear Away (Wind -up)
TOP 5 NEW & ACTIVE EDDIE VEDDER You've Got To Hide Your... (V2)
SEVENDUST Live Again (TVT)
FAMILIAR 48 The Question (MCA)
BLACK LABEL SOCIETY Bleed For Me (Spitfire)
EARSHOT Get Away (Warner Bros.)
ROCK begins on Page 95.
COUNTRY LW TW
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STEVE HOLY Good Morning Beautiful (Curb) BRAD PAISLEY Wrapped Around (Arista) TIM MCGRAW The Cowboy In Me (Curb) BROOKS & DUNN Long Goodbye (Arista) JO DEE MESSINA W/TIM MCGRAW Bring On The Rain (Curb) MARTINA MCBRIDE Blessed (RCA) DIXIE CHICKS Some Days You Gotta Dance (Monument) KENNY CHESNEY Young (BNA) CHRIS CAGLE I Breathe In, I Breathe Out (Capitol) RASCAL FLATTS I'm Movin' On (Lyric Street) JOE DIFFIE In Another World (Monument) TRACY BYRD Just Let Me Be In Love (RCA) TOBY KEITH My List (Dream Works) PHIL VASSAR That's When I Love You (Arista) TOMMY SHANE STEINER What If She's An Angel (RCA) BLAKE SHELTON All Over Me (Warner Bros.) TRAVIS TRITT Modern Day Bonnie And Clyde (Columbia) EMERSON DRIVE I Should Be Sleeping (Dream Works) CYNDI THOMSON I Always Liked That Best (Capitol) G. BROOKS & T. YEARWOOD Squeeze Me In (Capitol) CAROLYN DAWN JOHNSON I Don't Want You To Go (Arista) STEVE AZAR I Don't Have To Be (Till...) (Mercury) LEE ANN WOMACK Does My Ring Burn Your Finger (MCA) KEVIN DENNEY That's Just Jessie (Lyric Street) TAMMY COCHRAN I Cry (Epic) CHELY WRIGHT Jezebel (MCA) ALAN JACKSON Drive (For Daddy Gene) (Arista) TRICK PONY Just What I Do (H2E/WB) KELLIE COFFEY When You Lie Next To Me (BNA) MARK WILLS W /JAMIE O'NEAL I'm Not Gonna... (Mercury)
#1 MOST ADDED ALAN JACKSON Drive (For Daddy Gene) (Arista)
#1 MOST INCREASED PLAYS ALAN JACKSON Drive (For Daddy Gene) (Arista)
TOP 5 NEW & ACTIVE TRACY LAWRENCE What A Memory (Atlantic/WB)
CLINT BLACK Money Or Love (RCA)
BRAD PAISLEY I'm Gonna Miss Her (Arista) NICKEL CREEK The Lighthouse's Tale (Sugar HillNanguard)
DAVID BALL She Always Talked About. (Dualtone)
COUNTRY begins on Page 73.
ALTERNATIVE LW TW
1 1 PUDDLE OF MUDD Blurry (Flawless /Geffen /lnterscope) 2 P.O.D. Youth Of The Nation (Atlantic) 4 DEFAULT Wasting My Time (TVT) 5 HOOBASTANK Crawling In The Dark (Island /IDJMG) 3 5 LINKIN PARK In The End (Warner Bros.) 7 0 JIMMY EAT WORLD The Middle (Dream Works) 6 7 STROKES Last Nite (RCA) 8 STAIND For You (Flip / Elektra/EEG) 9 NICKELBACK Too Bad (Roadrunner /IDJMG) 11 i INCUBUS Nice To Know You (Immortal /Epic) 12 11 INCUBUS I Wish You Were Here (Immortal /Epic) 17 ® BLINK -182 First Date (MCA) 18 ® TRIK TURNER Friends + Family (RCA) 10 14 OFFSPRING Defy You (Columbia) 16 ® ADEMA The Way You Like It (Arista) 13 16 SYSTEM OF A DOWN Chop Suey (American /Columbia) 14 17 NICKELBACK How You Remind Me (Roadrunner /IDJMG) 23 0 SYSTEM OF A DOWN Toxicity (American/Columbia) 19 19 P.O.D. Alive (Atlantic) 24 X- ECUTIONERS It's Goin' Down (Loud /Columbia) 15 21 FOU FIGHTERS The One (Columbia) 26 a UNWRITTEN LAW Seein' Red (lnterscope) 22 23 CUSTOM Hey Mister (ARTIST Direct) 21 24 CREED My Sacrifice (Wind -up) 30 GODSMACK I Stand Alone (Republic /Universal) 27 SUM 41 Motivation (lsland/IDJMG) 20 27 TOOL Lateralus (Volcano) 28 28 CREED Bullets (Wind -up) 32 INJECTED Faithless (lsland/IDJMG) 36 t ROB ZOMBIE Never Gonna Stop (The Red...) (Geffen /lnterscope)
#1 MOST ADDED SEVENDUST Live Again (NT)
#1 MOST INCREASED PLAYS GODSMACK I Stand Alone (Republic /Universal)
TOP 5 NEW & ACTIVE PETE PORN Strange Condition (Columbia)
DROWNING POOL Tear Away (Wind -up) SUGARCULT Bouncing Off The Walls (Ultimatum /Artemis)
SENSE FIELD Save Yourself ( Neowerk)
DAVID DRAIMAN Forsaken (Reprise)
ALTERNATIVE begins on Page 104.
SMOOTH JAll LW TW
2 1 BRIAN CULBERTSON All About You (Atlantic) 3 © CHUCK LOEB Pocket Change (Shanachie) 4 © CHRIS BOTTI Streets Ahead (Columbia) 1 4 BONEY JAMES See What I'm Sayin' (Warner Bros.) 6 5 LARRY CARLTON Deep Into It (Warner Bros.) 7 0 MARC ANTOINE On The Strip (GRPNMG) 5 7 PETER WHITE Turn It Out (Columbia)
10 0 DAVID BENOIT Snap! (GRPNMG) 9 9 LEE RITENOUR W /GERALD ALBRIGHT Jammin' (GRPNMG) 8 10 SADE Lovers Rock (Epic)
11 11 JEFF LORBER Ain't Nobody (Samson /Gold Circle) 12 DIANA KRALL The Look Of Love (VerveNMG) 13 PIECES OF A DREAM Night Vision (Heads Up) 14 GREGG KARUKAS Night Shift (N- Coded) 15 15 DAVE KOZ Beneath The Moonlit Sky (Capitol) 16 FISHBELLY BLACK Ven A Gozar (Rhythm & Groove /Q) 17 JIMMY SOMMERS Lowdown (Higher Octave) 22 ALFONZO BLACKWELL Funky Shuffle (Shanachie) 21 ' STING Fragile (A &M /Interscope) 23 I KIRK WHALUM I Try (Warner Bros.) 19 21 ALICIA KEYS Fallin' (J) 20 22 MICHAEL MCDONALD To Make A Miracle (MCA) 26 SPYRO GYRA Feelin' Fine (Heads Up) 24 BONA FIDE Club Charles (N- Coded) 25 25 MARILYN SCOTT Don't Let Love Get Away (Prana) 27 26 ERIC MARIENTHAL Lefty's Lounge (Peak) 18 27 BOZ SCAGGS Payday (Virgin)
iJEFF GOLUB Cut The Cake (GRPNMG) E. HARP F/B. BROMBERG Rock With You (Native Language) ENYA Only Time (Reprise)
#1 MOST ADDED JEFF GOLUB Cut The Cake (GRPNMG)
#1 MOST INCREASED PLAYS JEFF GOLUB Cut The Cake ( GRPNMG)
TOP 5 NEW & ACTIVE KEVIN TONEY Passion Dance (Shanachie)
PAMELA WILLIAMS Lifeline (Fome /Red Ink)
WAYMAN TISDALE Love Play (Atlantic)
OLETA ADAMS All The Love (Pioneer Music Group)
WALTER BEASLEY Good Times (Shanachie)
Smooth Jazz begins on Page 91.
TRIPLE A LW
2 ALANIS MORISSETTE Hands Clean (Maverick/Reprise) 1 DAVE MATTHEWS BAND Everyday (RCA) 3 CHRIS ISAAK Let Me Down Easy (Reprise) 5 U2 In A Little While (lnterscope) 4 CALLING Wherever You Will Go (RCA) 6 PETE PORN Strange Condition (Columbia) 7 7 JOHN MAYER No Such Thing (Aware /Columbia)
15 EDDIE VEDDER You've Got To Hide Your... (V2) 14 TRAIN She's On Fire (Columbia) 8 10 JEWEL Standing Still (Atlantic) 11 11 CREED My Sacrifice (Wind -up) 13 a TRAVIS Side (Epic) 12 13 NICKELBACK How You Remind Me (Roadrunner /IDJMG) 9 14 COLDPLAY Trouble (Nettwerk/Capito /) 10 15 RYAN ADAMS New York, New York (Lost Highway /IDJMG) 16 16 INDIGO GIRLS Moment Of Forgiveness (Epic) 17 MICK JAGGER Visions Of Paradise (Virgin) 18 STARSAILOR Good Souls (Capitol) 19 19 GARBAGE Breaking Up The Girl (Almo Sounds /lnterscope) 20
I WILLIAM TOPLEY Back To Believing (Lost Highway /IDJMG)
21 RYAN ADAMS Answering Bell (Lost Highway /IDJMG) 24 ROBERT BRADLEY'S BLACKWATER... Train (Vanguard)
LENNY KRAVITZ Stillness Of Heart (Virgin) 23 24 REMY ZERO Save Me (Elektra/EEG)
JACK JOHNSON Flake (Enjoy /Universal) MIDNIGHT OIL Golden Age (Liquid 8) PUDDLE OF MUDD Blurry (Flawless /Geffen /lnterscope)
25 28 NATALIE MERCHANT Just Can't Last (Elektra/EEG) 26 29 FIVE FOR FIGHTING America Town (Aware /Columbia)
m DEFAULT Wasting My Time (TVT)
#1 MOST ADDED NATALIE MERCHANT Build A Levee (Elektra/EEG)
#1 MOST INCREASED PLAYS SHERYL CROW Soak Up The Sun (A &M /lnterscope)
TOP 5 NEW & ACTIVE JOHNNY A. Oh Yeah (Favored Nations /Red Ink)
CRACKER Shine (Backporch/Virgin)
SHERYL CROW Soak Up The Sun (A&M/Interscope)
LUCE Good Day (Joe's)
LLAMA Too Much Too Soon (MCA)
TW
TRIPLE A begins on Page 110.
www.americanradiohistory.com
aving worked in radio for the last 21
years, Greg Noack has the job he was
born for. As Exec. VP /Talk Programs at Premiere Radio Networks, he is
responsible for the marketing and affiliation of all Premiere Radio talk programs.
When he joined the company in 1996, the talk division consisted of two hosts: Michael Reagan and Jim Rome. It has since grown to include such important headliners as Rush Limbaugh, Dr. Laura Schlessinger and Art Bell, to
name just a few. In addition, Noack was instrumental in
the creation of the FOX Sports Radio Network. Getting into the business: "It started in high
school. I learned about Junior Achievement, and there was a JA company that produced a one -hour weekend radio show with high school students. Students picked
the music, did the voice -work, sold the ads and sold stock in the company. I was already an avid Talk radio listener, and I thought it would be neat to get on the radio and learn about the business. It was mentored by a local radio
station. I got to do the radio show and became the Sales
Manager of the little company while I was in high school.
I said then, 'This is what I'm going to do; I'm going to work in radio: Out of college I started working for Katz Radio."
Joining Premiere: "When I was at Katz, I worked with Kraig Kitchin in the Los Angeles office in 1985.
Shortly after that, Kraig left to go to Premiere. Ten years
later we were talking about Premiere, and he told me that one of the things they were looking to get into was Talk
radio. He knew of my interest in Talk and thought it would be a natural, if Premiere were to start a talk division, to bring me on board to help get it started. The
first two shows we had were Jim Rome and Michael
Reagan. That was in early 1996." His responsibilities: "I oversee the affiliation
process for all of our talk programs, as well as the business aspects of all of the talk shows. I also look for
and bring to the company new talk talent." Long -range plans for his division: "To continue to
grow the programs we have right now and, additionally, to find new talent who can get huge ratings on affiliated stations so both the stations and Premiere can profit from
the success of the programs." Biggest challenges: "Finding the new talent." What he looks for in talent: "Individuals who,
preferably, have radio experience with a proven track
record of ratings success in a local market. It doesn't have
to be a major market, but that helps. Also, individuals
who have had success in another area, be it financial,
television or public speaking. If they have the talent to
turn what they know into a radio show, that can be very
compelling.
124 R &R February 22, 2002
ANNWN
GREG NOACK Exec. VP /Talk Programs, Premiere Radio Networks
"If it's somebody who has not done Talk radio but who has written successful books or done television
successfully, the first thing I suggest is that they do some
local radio. Do it at an individual station, even if it's just on the weekend. Learn how to do radio. A lot of people
think it's easy to go from television to radio or from
writing to radio. The fact is, it's very difficult. It's easier
to go from radio to writing or television. "When you're doing a two- or three -hour talk show a
day, you really are doing something without a net. In
television, producers have a lot to do with the product. When you write books, there are people who help with that; but when you're talking to a listener on the radio,
listeners will be able to find out what you know and what you don't know and whether or not what you're talking about is something that you really have strong
convictions about. You can't hide. You've really got to know your stuff if you want to do Talk radio."
The decision to move into sports talk: "It came
about from the success we saw with Jim Rome on so
many stations where his show was spiking above the ratings of the other talent locally in the marketplace. We
looked at that and said, 'Why are so many men coming to
these stations for three hours a day ?' It was because the show was about a lot more than sports; it was about Jim Rome. We thought there would be a marketplace out there to take sports talk to with credible hosts who could
talk intelligently about sports, but who were good
entertainers as well. "We felt that by joining with FOX Sports and taking
advantage of the FOX Sports attitude we could develop a
24/7 format that would be informational but also very entertaining. It's going phenomenally well. We started this format a little over a year ago and have 150 affiliates at this point."
State of radio: "To my ear, radio sounds better than it has in a long time. There axe more and better talents being heard around the country than ever before. That
benefits the industry." State of Talk radio: "It's tremendous. The format has
grown so much in the past 10 years from being what predominantly were MOR stations that stopped playing music and said, 'We're not playing music anymore, so I
guess we're Talk: Now there's Sports and successful FM
Talk stations that target younger men. What I think we'll
continue to see is a splintering of the format. Five years
from now there will be a lot more Talk stations than there are today. The other great thing about the format is that it's such a sellable format, both locally and on a network basis."
Future trends: "Trends are driven by the talent. There were conservative talk show hosts before Rush
Limbaugh, and there have been conservative shows since
Rush launched. There were sports talk shows before Jim
Rome. There were shows about the paranormal before Art
Bell. I don't know that those are really trends. What it comes down to is the ability of that host to communicate thoughts and information in an extremely entertaining way. Having said that, there will continue to be
splintering, but it will be driven by talent who look at
the world in a different way. The talent will create the next format. On the FM side, it was the success of Howard
Stern that created the success of FM Talk."
National programming vs. local talent: "I
understand there's got to be a balance on a station between local and national. Just recently someone said to
me, 'We really want our station to be more local: I asked
what they meant by that. They said they needed to take
advantage of the local market. What I wished I would
have heard that person say was, 'We really want to be
great:
By Erica Farber
"If you put a billboard up that said, 'Local 9am-
noon; nobody would listen. If the billboard said it was a
great program with a great host, people would go there. I
understand that there needs to be a balance, but since
the ultimate goal is to drive as many people as possible to
listen to the station, in many cases broadcasters are
doing themselves a disservice by thinking that 'local' is a
marketing concept, when really it's just got to be very good programming."
Something about his division that might surprise our readers: "About 70% of the audience that listens to
all of our talk programs listens to them on stations not owned by Clear Channel."
Most influential individual: "My first boss, Jerry Stehney. He hired me straight out of college, taught me
the radio rep business and also taught me it was OK to
make mistakes, as long as I learned from them." Career highlight: "When I was in high school, I was
one of those guys who really did have the transistor radio
under his pillow. My dad would come in and tell me to
turn it off. I grew up in Grand Rapids, listening to WBZ/
Boston, KDKA /Pittsburgh, KMOX /St Louis and WGN/
Chicago. I was listening to their talk shows. To have
attained the position that I have and my responsibilities at Premiere - all of it has been a highlight.
"What makes it so enjoyable is that my wife knows
my passion for Talk radio. She's very supportive of what I
do and the time that it takes to do it. My daughter, Natalie, sees me go to bed each night with this little thing in my ear and wonders what it is. It's my radio
earplug. She keeps asking me why I do that. I tell her
Daddy's working. She thinks I work all the time. I find it very difficult to get to sleep at night without listening to a talk show."
Career disappointment: "As I've gotten older, I've
learned that I have learned more from the mistakes I've
made and the disappointments I've had than from the successes. Because of that, I don't dwell on the disappointments; I look at them as learning experiences and try to look ahead from there."
Favorite radio format: "Talk." Favorite television show: "Curb Your Enthusiasm." Favorite song: "'Let's Stay Together' by Al Green."
Favorite book: "Barbarians at the Gate."
Favorite movie: "Lost in America. It's very funny,
and the first voice you hear in the movie is Larry King
doing his radio talk show." First talk host he remembers hearing: "An easy
answer: The first guy I really heard whom I thought was
really great and unique was a guy named Larry Glick on
WBZ /Boston." Favorite restaurant: "In Chicago, Topo Gigio, named
after the mouse on The Ed Sullivan Show."
Beverage of choice: "Iced tea." Hobbies: "Golf, reading biographies, playing with my
3 1 /2- year -old daughter Natalie." E -mail address: "gnoack @premiereradio.com." Advice for broadcasters: "It's been said that the
play's the thing. That is so true. Focus on the best talent you can find, and don't be afraid to take chances. Too
many times I see stations make changes, and the decision
is made to take the safer route rather than taking a
chance and trying something new. We really are an
industry that has, in many ways, a herd mentality. Fortunately, there are a few people willing to take chances. More stations need to be willing to try something new. Also, let's not take all this too seriously.
If we didn't know it before, we all learned on Sept. 11,
2001 that it's family and friends that matter. The great thing about this industry is that we are, in many ways, a
family. We can't lose sight of that."
www.americanradiohistory.com
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