Manajemen Stasiun Televisi

STUDIO & OUTDOOR PRODUCTION

Amelia DayPertemuan Ke-12

30 November 2010

Minggu Lalu

live production

Intro kuliah hari ini:

Produksi studio dan luar ruang:1. Kenali perangkat luar ruang2. Kenali perangkat studio3. Pelajari semua trik, gratis

outdoor what outdoor?

Berita – Siaran Langsung

wgaul.com

William George Wilson(1917-2007)Sports Cinematographer

http://en.wikipedia.org/wiki/William_George_Wilson

43rumors.com

Stereoscopic 1280x720 HD camera, with the video recorded to two Mac

CPU's mounted in the case (2006 model)

http://videothing.blogspot.com/

Stereoscopic 1280x720 HD camera, with the video recorded to two Mac

CPU's mounted in the case (2006 model)

http://videothing.blogspot.com/

www.schubincafe.comSeptember 9th, 2010

www.schubincafe.com

Rivet Moving Products shoots with the Panasonic AJ-HDX900

ww.rivet.tv

digitalunion.osu.edu

The Gigapan camera mount has 3 operations; -a left-right motor for horizontal panning, -An up-down motor for vertical movement, and -a servo which presses down on the camera’s shutter button.

http://weblogsurf.com/liquid-image-camera-mask-snowboard/

This is the Summit Series Snow Goggle Camera Model 335 which incorporates a great 5-megapixel sensor to record photos and video saved on internal memory 16MB or better yet on the coupon microSD / SDHC 16GB card slot. The other model is the Freestyle Swim Series Camera Goggle.

http://weblogsurf.com/liquid-image-camera-mask-snowboard/

etriboo.com

digideep.com

absea.net

ces-show.com

ces-show.com

Liquid Image has this new version of the Underwater HD Video Camera Mask that captures your real time scuba adventure up to 115 feet and is capable of capturing 720p video and 5 megapixel photos. Liquid Image will also be out will 3 new cameramasks spring 2009...so stay tuned. There's no word on the price of the Scuba SeriesHD 320, but we'd say somewhere around $200. (www.besportier.com)

fountainmagazine.com

www-clmc.usc.edu

www.dailymail.co.uk18

German researchers at the Technical University of Munich have developed a super speedy robotic camera that mimics the human eye.

In technical terms, "the camera mount features three degrees of movement, and can flick around at a rapid 2500 degrees per second." Video after the break.

http://eckiller.com/tag/robotic-camera

Itu tadi perangkat luar ruang.

Berawal dari fotografiopen.salon.com

w2jts.com

w2jts.comMaster Control at WPIX-TV - 1979

Hari ini di CNN…

blogs.ajc.com

consolecreatures.wordpress.com

media.myfoxdetroit.com/

jvrb.org

Digital Illumination for Augmented Studios

jvrb.org

Oliver Bimber, Anselm Grundhöfer, Stefanie Zollmann and Daniel Kolster

Projector-based illumination for creating global illumination effects synthetically,

©2003 IEEE.

jvrb.org

Oliver Bimber, Anselm Grundhöfer, Stefanie Zollmann and Daniel Kolster

Projector-based illumination for creating global illumination effects synthetically,

©2003 IEEE.

jvrb.org

Oliver Bimber, Anselm Grundhöfer, Stefanie Zollmann and Daniel Kolster

Result after structure-from-motion estimation.

jvrb.org

Thorsten Thormählen, Nils Hasler, Michael Wand, and Hans-Peter Seidel

After processing a long sequence 3D object points Pj and Pi are not at the

same position because of drift.

jvrb.org

Thorsten Thormählen, Nils Hasler, Michael Wand, and Hans-Peter Seidel

Registration of multiple moving cameras that capture the same scene

simultaneously

jvrb.org

Thorsten Thormählen, Nils Hasler, Michael Wand, and Hans-Peter Seidel

A ground truth data set with 30 hand-labeled unconnected feature tracks,

marked in green

jvrb.org

Thorsten Thormählen, Nils Hasler, Michael Wand, and Hans-Peter Seidel

Combined Relighting and Material Editing Overview

jvrb.org

Thorsten Thormählen, Nils Hasler, Michael Wand, anPeter Stroia-Williams, Adrian Hilton, and Oliver Grau†d Hans-Peter Seidel

Combined Relighting and Material Editing Overview

jvrb.org

Thorsten Thormählen, Nils Hasler, Michael Wand, anPeter Stroia-Williams, Adrian Hilton, and Oliver Grau†d Hans-Peter Seidel

Material Edited Examples

jvrb.org

Thorsten Thormählen, Nils Hasler, Michael Wand, anPeter Stroia-Williams, Adrian Hilton, and Oliver Grau†d Hans-Peter Seidel

Material Edited and Relit Example.

jvrb.org

Thorsten Thormählen, Nils Hasler, Michael Wand, anPeter Stroia-Williams, Adrian Hilton, and Oliver Grau†d Hans-Peter Seidel

Comparison of reflectance estimation methods. The first column shows the estimated normal maps, the second shows the acquired albedo maps and the remaining columns show relit results under different illumination conditions. (a) Creases do not respond to changing light position. (b) Dynamic lighting of creases but texture contaminates shape data instead of being captured in reflectance map. (c) Dynamic lighting of creases with texture detail separated from shape detail.

jvrb.org

Thorsten Thormählen, Nils Hasler, Michael Wand, anPeter Stroia-Williams, Adrian Hilton, and Oliver Grau†d Hans-Peter Seidel

Video frames of Roxanne Twirl sequence with hand labelled markers in red

jvrb.org

Ashish Doshi, Jonathan Starck, Adrian Hilton

jvrb.org

Ashish Doshi, Jonathan Starck, Adrian Hilton

Identification of features using (a)-(d) SIFT; (e)-(h) SURF and (i)-(l) Scale Saliency.

jvrb.orgAshish Doshi, Jonathan Starck, Adrian Hilton

3D multiple view video sequence tracking results using SIFT

jvrb.org

Thorsten Thormählen, Nils Hasler, Michael Wand, and Hans-Peter Seidel

3. A real-world example of drift. After the camera revisits the same part of the scene the 3D object points of the current image (red) differ strongly from the 3D object points

generated earlier in the sequence (blue). The right image shows a detail magnification from the left image. The squared shape of the yellow paper is clearly visible in the

shifted blue point cloud.

Bisa juga untuk luar ruang.

jvrb.org

Thorsten Thormählen, Nils Hasler, Michael Wand, and Hans-Peter Seidel

a) result without drift removal after two loops around the column,

b) result with drift removal,

c) first frame of the sequence as drift-free reference. Only the 3D object points that were generated in the first frame are shown as blue dots.

The second row shows detail magnifications of the above images.

jvrb.org

In example 2, four moving cameras simultaneously capture a street scene. Top row: Two sample images out of the sequence for each of the four cameras. Bottom row: The scene is augmented with a 3D model of a gate.

Thorsten Thormählen, Nils Hasler, Michael Wand, and Hans-Peter Seidel

Enrich your knowledge:

The Journal of Virtual Reality and Broadcasting - abbreviated "jvrb" - is an open access online journal covering topics related to the fields of Virtual Reality, Interface Techniques, Computer Graphics and Interactive Broadcasting. A detailed description of all topics can be found in the scope section. jvrb is part of the DiPP-NRW-Project.

jvrb is issued continuously and in electronic form only.

wikipedia

Pertemuan Ke-14

NEXT? Contract & Legal Issues

(of all cretive works)

Bibliografi

- Alan Bermingham, Ken Angold-Stephens, The Video studio, Focal Press, 1994 - 200 pages

- David Miles Huber, Robert E. Runstein, Modern recording techniques, Focal Press, 2005

- Jonathan Higgins, An introduction to SNG and ENG microwave, Elsevier, 2004

- Philip J. Cianci, HDTV and the transition to digital broadcasting: understanding new television technologies, Elsevier, 2007

- Ben Goldsmith, Tom O'Regan, The film studio: film production in the global economy, Rowman & Littlefield

- Eve Light Honthaner, The Complete Film Production Handbook, Focal Press, 2010