Material Matters Louise Bourgeois and the Question of Materiality
'Recording Byzantine Mosaics in 19th-century Greece: the case of the Byzantine Research Fund Archive.', in New Light on Old Glass: Recent Research on Byzantine Glass and Mosaic, ed.
“BODY/DEATH" and “Jeffrey Mongrain: Januarius and Dr. Hirsch.” In Objects of Devotion and Desire: Medieval Relic to Contemporary Art, exh. cat., Cynthia Hahn, ed. New York City:
Zorn in Boston: Isabella Stewart Gardner's "faithful painter"
‘Le songe du paradis d’Orient’, Matisse, 1904-1914
Pierre Klossowski, Decadence of the Nude, Maurice Blanchot, Laughter of the Gods
Tadeusz Kantor’s art from informel to installation
Bergson before Deleuze. How to read informel painting
From Monuments to Fast Cars: aspects of Cold War art, 1946-57
Ruth Francken. Photographie enracinée, déracineée
Alina Szapocznikow in Paris: worlds in action and in retrospect
The Right to Indifference Part 1
Mediating Generation: the mother-daughter plot
‘L'influence des mots, le pouvoir des images : acheter de l'art à distance en Italie aux XVI et XVII siècles', in Luisa Capodieci and Isabelle His, eds, La Noblesse et les arts,
The retables of Jacques de Baerze and Melchior Broderlam made for the Chartresue de Champmol: A reconsideration of their creation and meaning, in The Retables of the Chartreuse de
“Sculture e scultori nella Mantova di Giulio Romano. 2. Giovan Battista Scultori e il monumento di Girolamo Andreasi (con una precisazione per Prospero Clemente)”, Prospettiva,
"Travellers from an Antique Land"... part 6
"Travellers from an Antique Land"... part 3 (appendix part 1)
Selfies and Self-Portraiture - Undergraduate dissertation, University of Kent, 2015
‘This threatening, and possibly functioning object: Lee Bontecou and the Sculptural Void,’ Art History, 29:3, June 2006, 476-502
