university of texas press spring & summer | rights catalog

2014u n i v e r s i t y o f t e x a s p r e s s

s p r i n g & s u m m e r | r i g h t s c a t a l o g

un i v er s i t y o f t e xa s pre ss

Dan Winters, Dolphin Tail (1989), from America: Icons and Ingenuity.

We live in an information-rich world. As a publisher of international scope, the University of Texas Press serves the University of Texas at Austin community, the people of Texas, and knowledge seekers around the globe by identifying the most valuable and relevant information and publishing it in books, journals, and digital media that educate students; advance scholarship in the humanities and social sciences; and deepen humanity’s understanding of history, current events, contemporary culture, and the natural environment.

| Index by Title |

Con t e n t s Acting Up and Getting Down, Mayo & Holt . . . . . . . . . . . . . . . . . . . .121Age of Globalization (e-book/app), UTAustinX. . . .129America (second edition), Winters . . . . . . . . . . . . . . . . . . . . . . .32–35American Christianity, Cox . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20–21Among Unknown Tribes, Broyles et al. . . . . . . . . . . . . . . . . . 48–51Arab Responses to Fascism and Nazism, Gershoni . . . . . . . . . 89Aransas (reissue), Harrigan . . . . . . . . . . . . . . . . . . . . . . . . . 111Ascomycete Fungi of North America, Beug et al. . . . . . . .56–57The Chora of Metaponto 5, Catti & Swift . . . . . . . . . . . . . . . . . . . . . 78City on Fire (reissue), Minutaglio. . . . . . . . . . . . . . . . . . . . . . 109Common Woody Plants and Cacti of South Texas, Taylor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116Conspiracy Theory in America (new in paper), deHaven-Smith . . . . . . . . . . . . . . . . . . 28Contesting Trade in Central America, Spalding . . . . . . . . . . . . . 64Cosmopolitan Minds, Weik von Mossner . . . . . . . . . . . . . . . 86El derecho en español, Fach Gómez. . . . . . . . . . . . . . . . . . . . . . . 54Evo’s Bolivia, Farthing & Kohl . . . . . . . . . . . .60–61The First Letter from New Spain, Schwaller & Nader . . . . . . . . .66–67For God and Country?, Rosman-Stollman . . . . . . . . . . . . . . . 91Founding Finance (new in paper), Hogeland. . . . . . . . . . . . . . . . 30Generation Multiplex (revised edition), Shary . . . . . . . 82Highland Park and River Oaks, Ferguson . . . . . . . . . . . . . . . . . . .118–119Ideas of the Twentieth Century (e-book/app), UTAustinX. . . .129Islands of Empire, Fojas . . . . . . . . . . . . . . . . . . . . . . . . . .84–85Israeli Feminist Scholarship, Fuchs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90Jacob’s Well (reissue), Harrigan . . . . . . . . . . . . . . . . . . . . . . . . . 110Jean-Claude Grumberg, Grumberg . . . . . . . . . . . . . . . . . . . .46–47Kalima wa Nagham, Abuhakema et al. . . . . . . . . . . . . . . . . 93Killer on the Road (new in paper), Strand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29Lake|Flato Houses, Lake|Flato . . . . . . . . . . . . . . . . . . . 22–25Land, Livelihood, and Civility in Southern Mexico, Cook. . . . . . . . . 62

Latina/os and World War II, Rivas-Rodriguez & Olguín . . .72–73The Making of Arab Americans, Bawardi . . . . . . . . . . . . . . . . . . . . . . . . . . . 88Man and Beast, Mark . . . . 10–13Maya Figurines, Halperin . . . . . . . . . . . . . . . . . . . . . . 76–77Mexican Americans and the Question of Race, Dowling . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74Midcentury Modern Art in Texas, Edwards . . . . . . . . . .112–115Native Evangelism in Central Mexico, Nutini & Nutini . . . . . . . . . 63One Hundred Love Sonnets (rede-sign), Neruda . . . . . . . . . . . . . . . . 18–19Organic Lawn Care, Garrett . . . . . . . . . . . . . . . . . . . . . . .36–37Oveta Culp Hobby, Winegarten . . . . . . . . . . . . . . . . . . . . . . .120Pillar of Salt, Novo . . . . . . .52–53The Power of Huacas, Brosseder . . . . . . . . . . . . . . . . . . . . . . . . . . 68Pretty/Funny, Mizejewski . . . . . . . . . . . . . . . . . . . .80–81Red Scare (reissue), Carleton . . . . . . . . . . . . . . . . . . . . . . . . 108

Remarkable Plants of Texas (new in paper), Turner. . . . . . . . 117Rethinking Iranian National-ism and Modernity, Aghaie & Marashi. . . . . . . . . . . . . . . 92Sanctioning Modernism, Kulic et al. . . . . . . . . . . . . . . . . . . . . . . . . 79Sin and Confession in Colonial Peru, Harrison . . . . . . . . . . . . . . . . . . 69Spike, Mike, Slackers, and Dykes (reissue), Pierson . . . . . . . . . . .26–27Surf Texas, Braun . . . . . .104–107The Surprising Design of Mar-ket Economies (new in paper), Marshall . . . . . . . . . . . . . . . . . . . . . . . . . . 31[Un]Framing the “Bad Wom-an,” Gaspar de Alba . . . . . . . . 70–71The Untranslatable Image, Russo. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65Wicked Cinema, Cutrara . . . . . 83The World at War, 1914–1918, Harry Ransom Center . .126–127Wynn Bullock, High Museum of Art . . . . . . . . . . 6–9Yucatán, Sterling . . . . . . . . . . .14–17

Copyright © 2013 by the University of Texas Press. All rights reserved. Front cover photo: Wynn Bullock, Edna (1956), from Wynn Bullock: Revelations;

Back cover photo: Dan Winters, Untitled (2012), from America: Icons and Ingenuity. Catalog design by Simon Renwick

Book s for t he Tr a de . . . . . . . . . . . . . . . . . . . . . 4–37

Trade Backlist. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38–39

Te x a s Book shel f . . . . . . . . . . . . . . . . . . . . . . . . . 40–43

General Interest . . . . . . . . . . . . . . . . . . . . . . . . . . . 44–57

Books for Scholars . . . . . . . . . . . . . . . . . . . . . . 58–93

New in Paper . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94–101

Texas on Tex as . . . . . . . . . . . . . . . . . . . . . . . . . . . . .102–121

Texas Backlist. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .122–123

Tow er Book s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .124–129

Journals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130–139

Sales Informat ion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140

Sales Representat ives . . . . . . . . . . . . . . . . .140–141

Staff L ist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142–143

Index by Author . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143

Mary Ellen Mark, Dancing Clown (2010), from Man and Beast

books for the trade

8 U N I v E R S I T y O F T E x A S P R E S S | S P R I N G 2 0 1 4

U N I v E R S I T y O F T E x A S P R E S S | S P R I N G 2 0 1 4 9

h i g h m u s e u m o f a r t

Wynn BullockRevelationsB y B R E T T A B B O T TWith contributions by Maria Kelly and Barbara Bullock-Wilson

| p h o t o g r a p h y |

With a collection of images that spans Wynn Bullock’s entire

oeuvre—some published here for the first time—this volume

offers the most comprehensive assessment in nearly forty

years of the extraordinary career of one of the leading pho-

tographers of the mid-twentieth century

Wynn Bullock was one of the most significant photographers of the mid-twentieth century. A close friend of influential West Coast artists Ansel Adams and Edward Weston and a contemporary of Minor White and Frederick Sommer, Bullock created work marked by a distinct interest in experimentation, abstraction, and philosophical exploration. Bullock’s photography received early recognition in 1941, when the Los Angeles County Museum of Art staged his first solo exhibition. His mature work appeared in one-man shows at the Bibliothèque nationale de France, Paris; the Royal Photographic Society, London; the Metropol-itan Museum of Art, New York; and the Art Institute of Chicago, among other prestigious venues. Bullock’s pictures Let There Be Light and Child in Forest have become icons in the history of photography, following their prominent inclusion in Edward Steichen’s landmark 1955 exhi-bition at the Museum of Modern Art, The Family of Man.

Wynn Bullock: Revelations offers the most comprehensive assess-ment of the photographer’s extraordinary career in nearly forty years. Produced by the High Museum of Art in partnership with the Center for Creative Photography to accompany a traveling exhibition, this retrospective traces Bullock’s evolution from his early experimental

Above: Color Light Abstraction 1025 (1962);Opposite page: Portrait of Edna,

Cannery Row (1955)

Rights: UT Press controls all

Permissions: image permissions needed


work of the 1940s, through the mysterious black-and-white imagery of the 1950s and the color light abstractions of the 1960s, to his late metaphysical photographs of the 1970s. The book presents 110 im-ages, including some from the Bullock estate that have never been published before. An essay by the High’s Curator of Photography Brett Abbott explores the nuances of Bullock’s approach to photography and its fascinating relationship to the history of science and philoso-phy. The volume also includes an illustrated chronology, bibliography, selected collections, an exhibition history, and a plates list.

Despite early acclaim, the true breadth and depth of Bullock’s career have remained largely in the shadows. Wynn Bullock: Rev-elations shines new light on this major photographer.

BRETT ABBOTTAtlanta, Georgia

A specialist in twentieth-century American photography, Abbott is Curator of Photography and Head of Collections at the High Museum of Art. He previously worked at the J. Paul Getty Museum, where his exhi-bitions and companion publications Engaged Observers: Documentary Photography since the Sixties and Edward Weston: Enduring Vision both received the Lucie Award for Curator/Exhibition of the Year.

Child in Forest (1951)


Copublished with the High Museum of Art

release date | may11 x 11 inches, 208 pages, 12 color and 133 duotone plates

ISBN 978-0-292-75777-6$65.00 | £43.00 | C$75.00hardcover

“[Bullock’s images] are inexhaustible, they just go on and on, each viewing

(and I have looked into some of them for upwards of an hour at a stretch, com-

pletely immersed, and that’s rare) leads me further and further into them. . . .

There’s such an abundance of treasures I want to weep for joy.” —A. D. CO LEMANVillage Voice

“In every photograph of this country which

Wynn Bullock has taken, there is present a note

of gratitude for the privilege of being alive and

seeing the world, not as a machine, not as a

drudge, not as a professional, but as a dreamer

divinely possessed.” —HENRy M I L L ER

Point Lobos Tide Pool (1957)


Maharaja of Udaipur and his dog (Udaipur, India, 1996)


Man and BeastPhotographs from Mexico and IndiaB y M A R y E L L E N M A R k


This remarkably engaging, occasionally unsettling photo essay by the

internationally acclaimed photographer of Seen Behind the Scene,

Exposure, Falkland Road, and Ward 81 presents powerful images,

most never before published, that probe the humanity of animals and

the lurking beast within humans

Mary Ellen Mark is an internationally acclaimed photographer who has long been fascinated by the complex relationships between people and animals—as she puts it, “the anthropomorphic quality of animals, and the animalistic quality of man.” This fasci-nation has lured her again and again to Mexico and India, two coun-tries that, despite their many differences, share “a primal force . . . that makes the relationship between man and beast even more obvi-ous. There is a more fundamental and intimate working relationship between the people and animals, and this relationship is something I am drawn to and try to convey in many of my photographs.”

Man and Beast presents an extended photo essay comprising im-ages from Mexico and India that span some forty years. Many of

Rights: Rights controlled by the Wittliff Collections


the Indian images were taken while Mark was working on her classic book Indian Circus (1983), but most of the photographs have never been previously published. Infused with an unsentimental poignancy and a fully intentional anthropomorphism, Mark’s photographs of animals, cir-cus performers, children, and others are sometimes ironic, occasionally unsettling, but always remarkably engaging. Accompanying the im-ages are a photographer’s statement and a conversation between Mark and Melissa Harris, editor-in-chief of Aperture magazine, covering Mark’s lifelong passion for animals, her experiences photographing them in circuses with their trainers, and her efforts to portray the humanity of animals and the lurking beast within humans.

Top: Three acrobats (Vázquez Brothers Circus, Mexico City, Mexico, 1997).

Bottom: Mother and daughter (Oaxaca, Mexico, 2000).


Southwestern & Mexican Photography SeriesThe Wittliff Collections at Texas State University David L. Coleman, Series Editor

release date | march12 x 12 inches, 168 pages, 116 duo-tone plates, 13 duotone photos

ISBN 978-0-292-75611-3$60.00 | £40.00 | C$70.00hardcover

MARy ELLEN MARkNew York, New York

Mark has published eighteen books, including Seen Behind the Scene, Exposure, Falkland Road, and Ward 81. Her photo essays and portraits have appeared in such publications as LIFE, New York Times Magazine, the New Yorker, Rolling Stone, and Vanity Fair. Mark’s many honors include the Cornell Capa Award from the In-ternational Center of Photography,

Ram Prakash Singh with his elephant Shyama (Great Golden Circus, Ahmedabad,

India, 1990)

the Infinity Award for Journalism, Photographer of the Year Award from the Friends of Photography, the World Press Award for Out-standing Body of Work throughout the Years, the Victor Hasselblad Cover Award, and two Robert F. Kennedy Awards. Her photographs have been collected by major muse-ums in the United States, Europe, and Australia.


index to ingredients 6968 the yucatecan market

CILANTRObotanical / Coriandrum sativum L. / Family Apiaceae

english / cilantro, coriandermayan / none

description: Opinions aside on this culinarily divisive herb, it is widely used in the cuisine of all of Mexico, lending a charac-teristically light, refreshing flavor. Cilantro belongs to the large botanical family that includes celery, cumin, fennel, carrots, and parsley. In some places in Mexico, it is still called “culan-tro”—an old Spanish word—but should not be confused with Eryngium foetidum (p. 000), a native of the region also known as culantro. Some colonial-era chronicles mention cilantro but use the archaic word: the Relaciones de Sucopó says, “There are in this land plants brought from outside, such as garlic, mint and culantro, parsley and mustard.” The statement establishes the fact that “culantro” was the name applied to Coriandum sativum, which was brought from “outside” (Europe), since Eryngium foetidum is native.

culinary uses: Chopped cilantro factors into almost every meal in Yucatán: with chopped chives, it is the typical garnish for Mondongo (p. 000); it lends its delicate aroma to table sal-sas, guacamole, and many other dishes consumed throughout Mexico. Occasionally, the seeds of the plant (known in English as coriander) are used, as in Recado para puchero (p. 000) and other vintage regional recipes.

CULANTRO / PEREJIL CRIOLLObotanical / Eryngium foetidum L. / Family Apiaceae

english / sawtooth coriander, long coriander, Mexican coriander, spiritweed

mayan / none

description: Culantro is one of those wonderful ingredients native to the tropical Americas that were dispersed throughout the world after European contact, forever impacting global cuisines. Today, culantro appears as one of the most important flavorings in the cuisines of Thailand, Malaysia, Singapore, and Vietnam. It is also a primary component in the sofritos of Puerto Rico. It is rarely if ever consumed in the northern lowlands of the Maya region, including Yucatán, although it is of some importance in the Petén of Guatemala and in Tabasco, zones more favorable to its growth. However, many vintage

Yucatecan cookbooks specify “culantro” seeds, even though history indicates what they meant was “cilantro” seeds, or coriander (see Cilantro, above). The two herbs are from the same family of Apiaceae, and they do have a rather similar flavor and aroma, but that of culantro is much stronger and longer lasting. Culantro features long, spiked leaves while cilantro has rounded, convoluted leaves. Even though culantro is not a fea-ture of Yucatecan cooking, I include it in this section in order to clarify the many instances of the incorrect usage of the word in vintage regional cookbooks.

culinary uses: In the regions where culantro grows, it is used in soups, stews, and even salads, as well as in certain popular table salsas in Tabasco.

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YucatánRecipes from a Culinary ExpeditionB y D Av I D S T E R L I N G

| c o o k b o o k s |

With over 275 authentic, easy-to-follow recipes, lively stories of their

origins, and luscious illustrations, here is the definitive work on the

foods of Yucatán, one of the world’s great regional cuisines

The Yucatán Peninsula is home to one of the world’s great regional cuisines. With a foundation of native Maya dishes made from fresh local ingredients, it shares much of the same pantry of ingredients and many culinary practices with the rest of Mexico. Yet, due to its isolated peninsular location, it was also in a unique position to absorb the foods and flavors of such far-flung regions

as Spain and Portugal, France, Hol-land, Lebanon and the Levant, Cuba and the Caribbean, and Africa. In recent years, gourmet magazines and celebrity chefs have popularized certain Yucatecan dishes and in-gredients, such as Sopa de lima and achiote, and global gastronomes have made the pilgrimage to Yucatán to tantalize their taste buds with smoky pit barbecues, citrus-based pickles, and fiery chiles. But until now, the full depth and richness of this cui-sine has remained little understood beyond Yucatán’s borders.

An internationally recognized authority on Yucatecan cuisine, chef David Sterling takes you on a gastronomic tour of the peninsula in this unique cookbook, Yu-catán: Recipes from a Culinary Expedition. Presenting the food in the places where it’s savored, Sterling begins in jungle towns where

mérida 341

SOPA DE LIMAchicken soup with sweet lime essence

Sopa de lima is the classic soup of Yucatán. The lima (Citrus limetta)—also known as limetta or sweet lime—is more aromatic and less acidic than the Persian or Mexican lime and gives this soup its characteristic floral taste. The traditional preparation method for Sopa de lima is gradually being lost. Nowadays, most cooks simply squeeze some lima juice (tightwads use lime juice) into a pot of chicken soup and call it a day. However, the original recipe evolved out of a Yucatecan stew known as Salpimentado, a potpourri of pork, chicken, and vegetables seasoned with a special recado. Like so many other recipes in the olla podrida family, the meats of Salpimentado are removed and served separately, while the cooking liquid is served in bowls on the side. It is this cooking liquid that was eventually transformed into Sopa de lima as cooks pondered what to do with leftovers. A quick sofrito with the special Recado para salpimentado and some slices of lima turn it into something special indeed. Since lima is not available beyond the growing zone, substitutions are suggested.

Prepare ahead note: Sopa de lima can be prepared in advance, refrigerated, and reheated just before serving. As noted below, it is also delicious served chilled.

yield: 10 servings

prepare soup basePlace the stock, chicken, and thyme in a stockpot and bring to a simmer, skimming fre-quently. Continue to cook gently until the chicken is cooked through, 25–30 minutes.

to prepare aheadRecado para escabeche (p. 000)

(Note: As described in Pantry Staples, Recado para escabeche is also known as Recado para sal-pimentado and is the requisite seasoning for this dish.)

for the soup base10 cups (2.5 L) stock from making

Salpimentado (p. 000; substi-tute: chicken stock or bouillon)

½ medium chicken (about 1½ lbs. / 680 g)

1 sprig fresh thyme (Substitute: ¼ tsp. dried)

for the sofrito and finishingZest of 1 lima or lime, finely

grated2 Tbs. (30 ml) Spanish olive oil1 medium white onion (10 oz. /

275 g), finely chopped4 cloves garlic (24 g), peeled,

charred, and finely chopped1 cup (140 g) green bell pepper,

cut to small dice½ tsp. (1.5 g) Recado para

escabeche3 medium Roma tomatoes

(10½ oz. / 300 g), seeded and finely chopped

⅓ cup (85 ml) fresh lima juice (Substitute: Mexican or Persian lime juice)

for servingChopped cilantroTotopos para sopa (p. 000)Slices of lima or limeChile con limón (p. 000)

Sopa de lima. [mr]Sopa de lima. Photo by Mark Randall.



index to ingredients 6968 the yucatecan market







mayan / none




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[mc]index to ingredients 6968 the yucatecan market







mayan / none




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Cilantro. Photo by Mario Canul.


Mayas concoct age-old recipes with a few simple ingredients they grow themselves. He travels over a thousand miles along the broad Yucatán coast to sample a bounty of seafood; shares “the people’s food” at bakeries, chicharronerías, street vendors, home restaurants, and cantinas; and highlights the cooking of the peninsula’s three larg-est cities—Campeche, Mérida, and Valladolid—as well as a variety of pueblos noted for signature dishes. Throughout the journey, Sterling serves up over 275 authentic, thoroughly tested recipes that will ap-peal to both novice and professional cooks. He also discusses pantry staples and basic cooking techniques and offers substitutions for local ingredients that may be hard to find elsewhere. Profusely illustrated and spiced with lively stories of the region’s people and places, Yuca-tán: Recipes from a Culinary Expedition is the long-awaited defini-tive work on this distinctive cuisine.

DAvID STERLINGMérida, Yucatán, México

Sterling is founder, proprietor, chef de cuisine, and teacher at Los Dos Cooking School, the first culinary institute in Mexico devoted exclu-sively to Yucatecan cooking. His work at Los Dos has been featured on The Martha Stewart Show (“Martha in Mexico”) and Mexico: One Plate at a Time with Rick Bay-less. He’s also been acclaimed by the New York Times, the New Yorker, Gourmet, Travel & Leisure, Globe & Mail, ELLE, National Geographic Traveler, Condé Nast Traveler, and Frommer’s.

Twilight at Mérida en domingo. Photo by Kevin Oke.


The William and Bettye Nowlin Series in Art, History, and Culture of the Western Hemisphere

release date | march9∏ x 11 inches, 576 pages, 385 color and b&w photos, 36 drawings, 3 maps

ISBN 978-0-292-73581-1$60.00 | £43.00 | C$70.00hardcover

ISBN 978-0-292-76067-7$60.00e-book

la cocina económica 267

266 the people’s food

CHILMOLE DE FRIJOL CON PUERCOblack beans with pork in charred chile sauceThis simple variation of Frijol con puerco takes on new life with the addition of Recado negro, Yucatán’s famous charred chile seasoning paste. I love this easy adaptation so much that I often make it instead of the basic Frijol con puerco. Seasonally, cooks add whole immature fruits of ciruela (Spondias purpurea L., p. 000), lending a tart burst to every few bites of meat and beans. If you are a fan of sourness, substitute tomatillos for the quantity of Roma tomatoes specified in the recipe.Prepare ahead note: As with so many bean dishes, the flavors of Chilmole de frijol con puerco only improve over the course of a few days. Keep it refrigerated or freeze and reheat just before serving, adding a bit more water if necessary.yield: 10 servings

cook beansProceed through the enrichment step of the instructions for Frijol con puerco. When the onions are almost caramelized and after adding the spices, add the tomatoes and cook until softened, 3–4 minutes. Transfer the tomato/onion mixture to the beans and stir to combine. Place the recado, chipotles, salt, if using, and water in the jar of a blender and process until thoroughly liquefied. Strain the liquid through a fine-mesh sieve into the beans, pressing out as much liquid as possible; discard the residue. Add more water if necessary (this dish should have a bit more liquid than Frijol con puerco.) Cook 30 minutes, or until the beans are tender but still intact and the flavors have amalgamated. Remove the chile and epazote and discard.for servingFollow the serving suggestions for Frijol con puerco, but serve white rice instead of black.

variationChilmole de frijol con costillas ahumadas (Smoked Ribs in Charred Chile Sauce): A spe-cial dish from the smokehouses of Temozón, this simply substitutes an equal quantity of your own smoked Costillas ahumadas (p. 000) for the pork. Or use your favorite mixture of smoked ribs, Longaniza de Valladolid (p. 000), and/or Carne ahumada (p. 000). Proceed with the recipe for Chilmole de frijol con puerco.

to prepare aheadRecado negro (p. 000)

for the beansIngredients for Frijol con puerco

(p. 000)3 medium Roma tomatoes

(10½ oz. / 300 g), seeded and finely chopped

4 Tbs. (60 g) Recado negro2 chiles chipotles in adobo

(¾ oz. / 20 g), drained2 tsp. (12 g) sea salt, or to taste

(Note: Be sure to taste first; if using commercial recado, additional salt may not be necessary)

1 cup (250 ml) water

COCINA ECONÓMICA “LA COCINA DE MAMÁ”Mérida, Yucatán

The sparkling eyes and vivacity of Elsy de Socorro Piña Argáez have built her a loyal cus-tomer following. Winking at me, she described herself as mañosa, meaning that she has her own special way of doing things—a polite way of say-ing “finicky.” With two of her daughters, doña Elsy serves breakfast to twenty-five to thirty-five people starting at 6:30 am, and lunch to around forty people, between 11:00 am and 5:00 pm. Not all of doña Elsy’s customers sit in the tidy din-ing area; many bring plastic containers—known here as “tupers”—which they fill with food and tote home for the family. Her Cocina Económica “La Cocina de Mamá” does a brisk business with employees of a nearby hardware store as well as neighborhood high school students. Customers come for the simply delicious food, but doña Elsy is the real attraction.

Doña Elsy. [mr]

index to ingredients 67

66 the yucatecan market

CHILE DULCE

english / bell pepper / Mayan: ch’ujuk iik

scoville heat units: 0 / Diameter: 2½–3 inches (6–8 cm)

The bell pepper available in Yucatán looks rather different

from that with which we are familiar: it is round, smaller than

the varieties in the United States, and characterized by vertical

ridges from stem to base. Chile dulce is frequently grown in

solares, either in the ka’anché—raised growing beds—or in pots

to keep them away from animals.

culinary uses: Chile dulce is frequently used as an ingredi-

ent in sofrito along with onion and garlic; sofrito is a fragrant

vegetable sauté used throughout the Caribbean to flavor soups,

stews, and many other dishes.

CHILE MAX, PIQUÍN

english / bird pepper / Mayan: max iik

scoville heat units: 50,000–100,000 / Diameter ¼–½ inch

(0.75–1.5 cm)

Chile max is a relative of the world’s earliest chiles as they

evolved in the Amazon basin, which were quite small. While

the chile is cultivated in other parts of Mexico, in Yucatán it

continues to grow as a wild species, dispersed by birds.

culinary uses: The chile max is eaten fresh or dried, ground

and sprinkled onto fresh fruits and vegetables or onto the

maize beverages pozole and atole.

CHILE SECO, CHILE PAÍS,

CHILE DE PAÍS, CHILE VERDE

mayan / ya’ax iik

scoville heat units: 5,000–15,000 / Length: 1½ inches

(4 cm); width: ½ inch (1.5 cm)

The local fresh chile verde is a small, heart-shaped chile; it

is most commonly consumed in its dried state, known vari-

ously as chile seco, chile de país, or simply chile país. It is one

of the most popular chiles in the pueblos, and for this reason is

planted in quantities in the milpas.

culinary uses: Chile país is commonly used in a simple table

sauce—K’uut bi ik (p. 000)—but its most popular use is in the

pungent seasoning blend, Recado negro (p. 000). The chile is

set afire, the ashes gathered and mixed with other ingredi-

ents to create a thick paste that is then used as a marinade or

flavoring for stock, giving dishes in which it is employed a

characteristic black color and smoky flavor.

CHILE SERRANO

scoville heat units: 10,000–20,000 / Length: 1½–2 inches

(4–5 cm); width: ½ inch (1.5 cm)

The slender, finger-shaped serrano is quite picante but has a

light herbaceous flavor.

culinary uses: It is used on a daily basis throughout Mexico,

giving vigor to Salsa verde (p. 000) and Arroz rojo (p. 000).

CHILE XKAT IIK / X’CATIK

english / Anaheim chile, blond chile,

Italian sweet chile, banana pepper

scoville heat units: 1,000–10,000 / Length: 4 inches (10

cm) on average

The x’catik belongs to the family of blond chiles known in

Mexico as “güeros.” The flavor is lightly herbaceous.

culinary uses: The x’catik is usually charred and added whole

to many soups and stews, such as Pavo en escabeche oriental (p.

000). It is the chile of choice for stuffing, such as in Pib x’catik

(p. 000), or X’catiques rellenos de cazón (p. 000). It is also

used in an egg white–based mayonnaise—Crema de x’catik

(p. 000)—served in Lebanese restaurants as an appetizer with

pita. As suggested by its English names, all of those chiles are

from the same family and may be substituted for one another.

[mc][mc]

[mc]

“I know of no other book in print today, or

in the past for that matter, that explains so

meticulously the ingredients and history

of the foods of Yucatán.” —D IANA kENNEDy


One Hundred Love SonnetsCien sonetos de amorB y PA B L O N E R U D ATranslated by Stephen Tapscott

| p o e t r y |

Beautifully redesigned as a gift

edition, this bilingual Spanish-

English volume, which has sold

nearly 250,000 copies, presents the

joyfully erotic love poetry of Nobel

laureate Pablo Neruda

“The happiness I feel in offering these to you is vast as a savanna,” Pablo Neruda wrote his adored wife, Matilde Urrutia de Neruda, in his dedication of One Hundred Love Sonnets. Set against the backdrop of his beloved Isla Negra, these joyfully sensual po-

ems draw on the wind and tides, the white sand with its scattering of delicate wildflowers, and the hot sun and salty scent of the sea to celebrate their love. Gen-erations of lovers since Pablo and Matilde have shared these poems with each other, making One Hundred Love Sonnets one of the most popular books of poetry of all time. This beautifully redesigned volume, per-fect for gift-giving, presents both the original Spanish sonnets and graceful English translations.

“Erotic feeling and human

affection convey a warmth

and immediacy that is di-

rect, delicate, subtle, and

strong by turns.” —BOOkL I S T

Pablo Neruda and Matilde Urrutia

g i f t e d i t i o n

Rights: UT Press controls Eng-lish language rights to Tapscot translation


PABLO NERUDA

Neruda (1904–1973) won the Nobel Prize in Literature in 1971. A Chil-ean poet and diplomat, he was the author of many books, including 20 Love Poems and a Song of Despair. Gabriel García Márquez called him “the greatest poet of the twentieth century in any language.”

STEPHEN TAPSCOTTBoston, Massachusetts

Tapscott is Professor of Literature at Massachusetts Institute of Technol-ogy and a widely published poet.

“Sensual as a tropical

night swirling in honey-

suckle and jazz. . . .

With its lush textures

and effervescent lyri-

cism, this book is like

a smoky champagne,

which two lovers, mes-

merized by each other’s

presence, are sipping.”—SAN FRANC I SCO E xAM I NER

XLV

Don’t go far off, not even for a day, because—Because—I don’t know how to say it: a day is longand I will be waiting for you, as in an empty stationwhen the trains are parked off somewhere else, asleep.

Don’t leave me, even for an hour, becausethen the little drops of anguish will all run together,the smoke that roams looking for a home will driftinto me, choking my lost heart.

Oh, may your silhouette never dissolve on the beach;may your eyelids never flutter into the empty distance.Don’t leave me for a second, my dearest,

because in that moment you’ll have gone so farI’ll wander mazily over all the earth, asking,Will you come back? Will you leave me here, dying?

XLV

No estés lejos de mí un solo día, porque cómo,porque, no sé decirlo, es largo el día,y te estaré esperando como en las estacionescuando en alguna parte se durmieron los trenes.

No te vayas por una hora porque entoncesen esa hora se juntan las gotas del desveloy tal vez todo el humo que anda buscando casavenga a matar aún mi corazón perdido.

Ay que no se quebrante tu silueta en la arena,ay que no vuelen tus párpados en la ausencia:no te vayas por un minuto, bienamada,

porque en ese minuto te habrás ido tan lejosque yo cruzaré toda la tierra preguntandosi volverás o si me dejarás muriendo.

release date | january5∏ x 6∏ inches, 240 pages

ISBN 978-0-292-75651-9$14.95 | £10.99 | C$17.50paperback

ISBN 978-0-292-75760-8$19.95 | £13.99 | C$22.95cloth gift edition


American ChristianityThe Continuing RevolutionB y S T E P H E N C Ox

| r e l i g i o n | American Studies, History

This lively, provocative book argues that American Christianity can

best be understood as a faith always undergoing radical and unpre-

dictable change as believers seek new ways of connecting with God

STEPHEN COxSan Diego, California

Cox is Professor of Literature and Director of the Humanities Pro-gram at the University of Califor-nia, San Diego. He is the author of many books, including The New Testament and Literature and The Big House: Image and Reality of the American Prison.

Christianity takes an astonishing variety of forms in America, from churches that cherish traditional modes of wor-

ship to evangelical churches and fellow-ships, Pentecostal churches, social-action churches, megachurches, and apocalyptic churches—congregations ministering to be-lievers of diverse ethnicities, social classes, and sexual orientations. Nor is this diversity a recent phenomenon, despite many Ameri-cans’ nostalgia for an undeviating “faith of our fathers” in the days of yore. Rather, as Stephen Cox argues in this thought-provok-ing book, American Christianity is a revo-lution that is always happening, and always needs to happen. The old-time religion al-ways has to be made new.

American Christianity offers a lively, well-informed look at the ongoing process of radical and unpre-dictable change that has always characterized the faith. Cox ex-plores how both the Catholic Church and mainline Protestant churches have evolved in ways that would make them seem alien to their adherents in past centuries. He traces the rise of uniquely American Christian movements, from the Mormons to Seventh-day Adventists and Jehovah’s Witnesses, and brings to life the vivid personalities—Aimee Semple McPherson, Billy Sunday, and many others—who have taken the gospel to the masses. He sheds new

Taylor Prayer Chapel, Farmersburg, Indiana. Photo by Stephen Cox.



light on such issues as American Christians’ intense but constantly changing political involvements, their controversial revisions in the style and substance of worship, and their chronic expectation that God is about to intervene conclusively in human life. Assert-ing that “a church that doesn’t promise new beginnings can never prosper in America,” Cox demonstrates that American Christian-ity must be seen not as a sociological phenomenon but as the ever-changing story of individual people seeking their own connections with God, constantly reinventing their religion, making it more volatile, more colorful, and more fascinating.

From the book“American Christianity demands appreciation for itself as a structure

that is always visible but always mysteriously shifting its form, a struc-

ture that cannot be finished because, in a way, it was never really started:

no one agreed on its plans, and no one agreed on the revisions of the

plans. Everyone just built.

To put this in other words: if we want to appreciate what we see around

us, in the religious (or antireligious) attitudes of our friends or of ourselves,

we should stop trying to explain what nobody ever saw: the undeviating

‘faith of our fathers’ that is said to be ‘living still’ in our national life. Many

people think this faith has always existed in America and always will exist.

Others think it once existed, but it has gone to eternal death, the victim of

relentless ‘forces.’ Many others fear, or rejoice, that it will soon return. But

fortunately or unfortunately, that cathedral of unchanging stone was never

there to begin with.”

Mark Crispin Miller, Series Editor

release date | april5∏ x 9 inches, 286 pages, 24 b&w photos, 2 drawings

ISBN 978-0-292-72910-0$26.95 | £18.99 | C$30.95hardcover

ISBN 978-0-292-75861-2$26.95e-book


Top: Brown Residence. Bottom: Desert House.


Lake | Flato HousesEmbracing the LandscapeI N T R O D U C T I O N B y G U y M A R T I NS E C T I O N I N T R O D U C T I O N S B y F R E D E R I C k S T E I N E R

| a r c h i t e c t u r e |

This lavishly illustrated book presents an extensive se-

lection of landmark homes built since 1999 by the San

Antonio firm Lake|Flato Architects, an award-winning

leader in sustainable architecture that merges with the

landscape

Lake|Flato Architects of San Antonio, Texas, is nationally and internationally acclaimed for buildings that respond organi-cally to the natural environment. The firm uses local materials and workmanship, as well as a deep knowledge of vernacular traditions, to design buildings that are tactile and modern, environmentally re-sponsible and authentic, artful and crafted. Lake|Flato won the Global Award for Sus-tainable Architecture in 2013, and it has also received the American Institute of Ar-chitects’ highest honor, the National Firm Award. In all, Lake|Flato has won more than 150 national and state design awards.

Residential architecture has always been a priority for the firm, and Lake|Flato Houses showcases an extensive selection of landmark homes built since 1999. Color photographs and architectural commen-tary create a memorable portrait of houses from Texas to Montana. Reflecting the firm’s emphasis on designing in harmony with the land, the houses are grouped by the habitats in which they’re rooted—brushland, desert, hillside, mountains, city, and water. These groupings reveal how Lake|Flato works with the natural environment to create houses that merge into the landscape, blurring boundaries between inside and outside and accommodating the climate through

Dunning Residence




both traditional and cutting-edge technologies. The sections are opened by noted architect and educator Frederick Steiner, who dis-cusses Lake|Flato’s unique responses to the forms and materials of the various landscapes. An introduction by journalist Guy Martin summarizes the history of Lake|Flato and its philosophy, and explores the impact of its work on sustainable architecture.

GUy MARTINBerlin, Germany, and New York, New York

Martin has written for numerous magazines, including Condé Nast Traveler, Garden & Gun, the (Lon-don) Observer, the (London) Sunday Telegraph, and the New Yorker.

release date | april10 x 8∏ inches, 320 pages, 332 color and 5 b&w photos, 31 drawings

ISBN 978-0-292-75845-2$45.00 | £32.00 | C$52.50paperback

ISBN 978-0-292-76077-6$45.00e-book

FREDERICk STEINERAustin, Texas

Steiner, FAIA, is the Henry M. Rockwell Chair in Architecture and Dean of the School of Architecture at the University of Texas at Austin, and author of Design for a Vulner-able Planet.

Above: Mill Springs Ranch;Opposite page: Hillside House


| f i l m a n d m e d i a s t u d i e s |

The legendary figure who launched the careers of Spike Lee, Michael

Moore, and Richard Linklater offers a no-holds-barred look at the deals

and details that propel an indie film from a dream to distribution

B A C k I N P R I N T

Spike, Mike, Slackers, and DykesA Guided Tour across a Decade of American Independent CinemaB y J O H N P I E R S O N

“The most contentiously witty and revealing

view of off-Hollywood around.” —ROLL I NG S TONE

“John Pierson has faithfully chron-

icled the American independent

scene. He was there, he knows.”—SP I kE L E E

JOHN PIERSONAustin, Texas

Pierson hunted down, represented, and, in some cases, financed over twenty first-time independent features by directors including Spike Lee, Michael Moore, Richard Linklater, and Kevin Smith. After writing this chronicle of that era, he created and hosted IFCtv’s first original series Split Screen, a globe-trotting, magazine-format show by filmmakers for film aficionados, which eventually took him and his family to Fiji’s remote 180 Merid-ian Cinema. When he returned, Pierson moved to Austin to teach in the University of Texas Depart-ment of Radio-Television-Film, where he’s interviewed over seventy notable industry guests in his RTF master class.

“Mr. Pierson, who has lived, breathed,

and hunted film for most of his adult

life, covers his territory with urgency

and conviction, and his single-

mindedness is ravishing.”—NEW yORk T I MES BOOk REv I EW



release date | march6 x 9 inches, 381 pages, 46 b&w photos, 1 drawing

ISBN 978-0-292-75768-4$29.95 | £20.99 | C$34.50paperback

ISBN 978-0-292-76101-8$29.95e-book

“Pierson’s prose is quick-moving and witty and

reads like a Who’s Who of the off-Hollywood

mavericks who make the movies we’d like to see

but can’t always find.” —WASH I NG TON POS T

“Mr. Pierson might be described as the Ubermensch of Independentsville.”

—NEW yORk T I MES

“A marvelously entertaining, educational, and

caustic account of the rise of American indepen-

dent filmmaking.” —GLOBE AND MA I L

“A fast-moving

account of the

era bookended

by Stranger

Than Paradise

and Pulp Fic-

tion, SMS&D is

a highly personal

Baedeker of off-

Hollywood, where

all roads lead to

Park City.”—IN T ERv I EW

“A must-read book about independent films and

filmmaking. . . . [the] definitive indie tome.”—IND I EW I R E

“The bible for independents.” —PETER B I Sk I ND

Nation

“Sly, knowledgeable, deeply entertaining. . . . You couldn’t do much better than to hop aboard this ten-year wild ride. Grade: A.” —ENTER TA I NMEN T WEEkLy


| a m e r i c a n s t u d i e s | Politics

Asking tough questions and connecting the dots across decades of

suspicious events, from the Kennedy assassinations to 9/11 and the

anthrax attacks, this book raises crucial questions about the conse-

quences of Americans’ unwillingness to suspect high government

officials of criminal wrongdoing

Conspiracy Theory in AmericaB y L A N C E D E H Av E N - S M I T H

Discovering AmericaMark Crispin Miller, Series Editor

release date | february5∏ x 9 inches, 272 pages, 9 b&w photos

ISBN 978-0-292-75769-1$15.95 | £10.99 | C$17.95paperback

ISBN 978-0-292-74910-8$15.95e-book

Ever since the Warren Commission concluded that a lone gunman assassinated President John F. Kennedy, people who doubt that finding have been widely dismissed as conspiracy theorists, despite credible evidence that right-wing elements in the CIA, FBI, and Secret Service—and possibly even senior government officials—were also involved. Why has suspicion of criminal wrongdoing at the highest levels of government been rejected out-of-hand as paranoid thinking akin to superstition?

Conspiracy Theory in America investigates how the Founders’ hard-nosed realism about the likelihood of elite political miscon-duct—articulated in the Declaration of Independence—has been replaced by today’s blanket condemnation of conspiracy beliefs as ludicrous by definition. Lance deHaven-Smith reveals that the term “conspiracy theory” entered the American lexicon of political speech to deflect criticism of the Warren Commission and traces it back to a CIA propaganda campaign to discredit doubters of the commis-sion’s report. He asks tough questions and connects the dots among five decades’ worth of suspicious events, including the assassina-tions of John and Robert Kennedy, the attempted assassinations of George Wallace and Ronald Reagan, the crimes of Watergate, the Iran-Contra arms-for-hostages deal, the disputed presidential elec-tions of 2000 and 2004, the major defense failure of 9/11, and the subsequent anthrax letter attacks.

Sure to spark intense debate about the truthfulness and trust-worthiness of our government, Conspiracy Theory in America offers a powerful reminder that a suspicious, even radically suspicious, at-titude toward government is crucial to maintaining our democracy.

LANCE DEHAvEN-SMITHTallahassee, Florida

DeHaven-Smith is Professor in the Reubin O’D. Askew School of Public Administration and Policy at Florida State University. A former president of the Florida Political Science Association, deHaven-Smith is the author of more than a dozen books, including The Battle for Florida, which analyzes the dis-puted 2000 presidential election. DeHaven-Smith has appeared on Good Morning America, the Today show, NBC Nightly News with Tom Brokaw, CBS Nightly News with Dan Rather, the NewsHour with Jim Lehrer, and other national TV and radio shows.

N E W I N PA P E R B A C k



Killer on the RoadViolence and the American InterstateB y G I N G E R S T RA N D

| a m e r i c a n s t u d i e s | History

By the author of the acclaimed Inventing Niagara . . . True crime meets

cultural history in this fascinating story of how America’s interstate

highway system opened a world of mobility and opportunity—for se-

rial killers

GINGER STRANDNew York, New York

Strand is the author of Invent-ing Niagara, a Border’s Original Voices choice, and Flight, a novel. Her nonfiction has appeared in many places, including Harper’s, OnEarth, The Believer, and Orion, where she is a contributing editor. She grew up mostly in Michigan and now lives in New York City, but spends a lot of time on the road.


release date | february5∏ x 9 inches, 264 pages, 18 b&w photos, 4 maps

ISBN 978-0-292-75752-3$15.95 | C$17.95paperback

ISBN 978-0-292-74456-1$15.95e-bookNot for sale in the British Common-wealth, except Canada


“. . . part true-crime entertainment, part aca-

demic exegesis, part political folk ballad. . . .

Strand’s cross-threaded tales of drifters, strand-

ed motorists, and madmen got its hooks into me.

Reading Ms. Strand’s thoughtful book is like

driving a Nash Rambler after midnight on a

highway to hell.”—D W IGH T GARNER

New York Times

“. . . draws startling parallels between the inexo-

rable advance of the Interstate System and the

proliferation of killers who were pathologically

stimulated by that long, open road.”—MAR I LyN S TAS I O

New York Times Book Review

“. . . lively and hugely intelligent . . . a stunning

cavalcade of amazingly deranged characters . . . —OR ION

Rights: Rights controlled by the Andrew Wylie Agency


Founding FinanceHow Debt, Speculation, Foreclosures, Protests, and Crackdowns Made Us a NationB y W I L L I A M H O G E L A N D

| h i s t o r y | American Studies

Refuting claims from both the political right and left, this dynamic

narrative history brings to life the long-forgotten founding struggles

over American finance, economics, and taxes and reveals their im-

mense and startling relevance to political struggles today

Mixing lively narrative with fresh views of America’s founders, Founding Finance offers a new perspective on America’s economic infancy. Dissenting from both right-wing claims and cer-tain liberal preconceptions, William Hogeland brings to life the vio-lent conflicts over economics, class, and finance that played directly, and in many ways ironically, into the hardball politics of forming the nation and ratifying the Constitution—conflicts that still continue to affect our politics, legislation, and debate today.

“William Hogeland’s splendid book revisits the

founding era’s formative struggles over finance,

finding in that tumultuous time harbingers of

our twenty-first century battles over money,

banking, and speculation. The resulting medi-

tation on the enduring connections between past

and present is full of smart, unsettling observa-

tions that will enlighten—and discomfort—

liberals and conservatives alike.” —STEPHEN M I HMUniversity of Georgia


WILLIAM HOGELANDBrooklyn, New York

Hogeland is the author of the criti-cally acclaimed narrative histories Declaration and The Whiskey Re-bellion. His articles have appeared in the New York Times, Atlantic, American History Magazine, Boston Review, Salon, Huffington Post, and elsewhere. He has also appeared on CBS’s Good Morning, America, PBS’s History Detectives, and C-SPAN’s Book TV.


release date | february5∏ x 9 inches, 284 pages, 16 b&w photos

ISBN 978-0-292-75753-0$15.95 | £10.99 | C$17.95paperback

ISBN 978-0-292-74575-9$15.95e-book

Rights: Rights controlled by William Morris Endeavor Enetrtainment


The Surprising Design of Market EconomiesB y A L E x M A R S H A L L

| e c o n o m i c s |

This wide-ranging look at how market economies are designed and

constructed helps us understand how “the market” works and how we

can build fairer and more effective markets

ALEx MARSHALLNew York, New York

A journalist, writer, and former Loeb Fellow at Harvard University’s Graduate School of Design, Marshall is the author of How Cities Work: Suburbs, Sprawl, and the Roads Not Taken and Beneath the Metropolis: The Secret Lives of Cities. He is Senior Fellow at the Regional Plan Association in New York.

Constructs SeriesH. Randolph Swearer, Vivian Sobchack, and Robert Mugerauer, Editors

release date | february6 x 9 inches, 288 pages

ISBN 978-0-292-75675-5$17.95 | £12.99 | C$20.95paperback

ISBN 978-0-292-74568-1$17.95e-book

Alex Marshall takes us on a fascinating tour of the fun- damentals that shape markets and, through them, our daily eco-nomic lives. He debunks the myth of the “free market,” showing how markets could not exist without governments to create the struc-tures through which we assert ownership of property, real and in-tellectual, and conduct business of all kinds. Marshall also takes a wide-ranging look at many other structures that make markets pos-sible, including physical infrastructure ranging from roads and rail-roads to water systems and power lines; mental and cultural struc-tures such as common languages and bodies of knowledge; and the international structures that allow goods, services, cash, bytes, and bits to flow freely around the globe.


“Offers keen insights into urban planning,

public works, and even the history of New York’s

onetime ambivalence toward a professional

police force.” —NEW yORk T I MES

Rights: Rights controlled by Dunow, Carlson & Lerner Literary Agency


AmericaIcons and IngenuitySecond EditionB y D A N W I N T E R SAdditional essays by Courtney A . McNeil and John Grzywacz-Gray


Winner of the 2012 Los Angeles Book Festival Photography/Art Book

Award, this lavishly illustrated volume surveys the entire oeuvre of

internationally award-winning photographer Dan Winters, including

iconic celebrity portraits, scientific photography, photojournalism,

and lyrical personal expressions

Winner of the 2012 Los Angeles Book Festival Photography/ Art Book Award, Dan Winters’ America: Icons and Ingenuity is the first retrospective of the career of this talented artist. Win-ters has spent more than two decades creating memorable pho-tographs for such publications as the New York Times Magazine, Vanity Fair, GQ, and Rolling Stone. Best known for his iconic celebrity portraits, Winters has pho-tographed public figures ranging from the Dalai Lama to President Barack Obama, Hollywood ce-lebrities from Leonardo DiCaprio to Helen Mirren, and artistic luminaries from Jeff Koons to William Christenberry. His style of portraiture is instantly recognizable, characterized by impeccable lighting, muted backgrounds, and the contemplative pos-tures of his sitters.

Winters’ lifelong fascination with science, technol-ogy, and human ingenuity finds similar expression in significant groups of photographs: close-up studies of honeybees and airplanes and a magnificent series devoted to the last three launches of NASA’s space shuttles. These photographs reveal an aspect of Win-ters’ career that is less familiar than his commercial work but equally compelling.


Above: Larry Winters (2007); Opposite page: Fred Rogers’s Sweater (1998)

Rights: Rights controlled by the artist


“I have been asked to describe this photographer

with 1,000 words. Given the profound affection I

feel towards him and his work, it will be a challenge

to wrap it up so briefly. Humor, beauty, erudition,

skill, generosity, fun. There’s six . . . Dan’s portraits

of human beings, from anonymous citizens to

luminaries, are deceptively simple renderings of

personality and nuance. They are pregnant with

pathos. I’ve never seen photos of celebrities that

made them seem like such, well, human beings.

He suggests that the viewer really think about the

person depicted, in a

different way than we’ve

been taught by modern

fashion. His haunting

plates of honeybees are

shot with the efficient

scrutiny of the ento-

mologist combined

with a surrealist’s

élan. The works on paper are laced with specific

meaning and emotional truth, in turn beauti-

ful, humorous, and chilling. He takes on sumi-e

black ink painting and writes an entire poem

with three strokes of his brush. The longer I’ve

known Dan Winters, the more I am astonished at

the breadth of his ability to convey relevant and

powerful emotions with his images.”—N ICk O F F ERMAN , TIME LightBox

DAN WINTERSAustin, Texas; Los Angeles, California; and Savannah, Georgia

Winters is widely recognized for his unique celebrity portraiture, scientific photography, drawings, collages, and photojournalism. He has been the recipient of more than one hundred national and international awards. In 1998, he received the Alfred Eisenstaedt Award for Magazine Photography; in 2003, he received a World Press Photo Award and was honored by Kodak as a photographic “icon” in their Legends series. Winters has been the subject of four solo exhibi-tions in galleries in New York City and Los Angeles. His most recent book, Last Launch, was published in 2012. Winters’ work is repre-sented in many private and public collections, such as the National Portrait Gallery in Washington, D.C.; the Harry Ransom Center at the University of Texas at Austin; the Museum of Fine Arts, Houston; and the Wittliff Collection at Texas State University.

COURTNEy A. MCNEILSavannah, Georgia

McNeil is Curator of Art at Telfair Museums in Savannah, Georgia.

JOHN GRZyWACZ-GRAyMoorpark, California

Grzywacz-Gray is Professor Emeritus of Photography at Moorpark College.

release date | june9∏ x 12¼ inches, 176 pages, 120 color photos

ISBN 978-0-292-75809-4$55.00 | £37.00 | C$63.50hardcoverLeft: Morgan Freeman (2006). Above: Untitled (2012).


Organic Lawn CareGrowing Grass the Natural WayB y H O W A R D G A R R E T T

| n a t u r a l h i s t o r y | Gardening

Organic gardening expert Howard Garrett offers step-by-step instruc-

tions for planting and maintaining lawns, golf courses, and other turf

with organic methods that he has proven to be easier, less expensive,

and less water-intensive than conventional lawn care

HOWARD GARRETTDallas, Texas

An experienced landscape architect and a leader in the natural-organic marketplace, Garrett provides ad-vice on natural-organic gardening, landscaping, pet health, pest control, and green living. His many books include Texas Gardening the Natu-ral Way: The Complete Handbook.

release date | june6 x 9 inches, 176 pages, 58 color and 20 b&w photos

ISBN 978-0-292-72849-3$24.95 | £17.99 | C$28.95paperback

ISBN 978-0-292-76062-2$24.95e-book

A lush green lawn is one of the great pleasures of the natural world, whether it’s right outside your front door or on a ma-jestic fairway at a legendary golf course. But anyone who has tried to grow the perfect lawn the conventional way knows it requires an endless cycle of watering and applying synthetic fertilizers and toxic chemical pesticides that costs a lot of money and kills all the life in the soil, on the surface, and on the grass. Fortunately, there’s a better

way. Organic lawn care is not only healthier for the envi-ronment, it’s actually cheap-er and less water-intensive, whether you’re managing a small yard or acres of turf.

In Organic Lawn Care: Growing Grass the Natural Way, Howard Garrett, the renowned “Dirt Doctor,”

takes you step-by-step through creating and maintaining turf or-ganically. He begins with the soil, showing you how to establish a healthy habitat for grass. Then he discusses a variety of turfgrasses, including Bermudagrass, bluegrass, buffalograss, fescue, ryegrass, St. Augustine, and zoysia. Garrett explains in detail how to establish and maintain a lawn, including planting, mowing, watering, fertil-izing, composting, and managing weeds and pests. And he offers alternatives to lawn grasses and turf, describing the situations in which they might be your best choice.

Rights: UT Press controls rights

U N I v E R S I T y O F T E x A S P R E S S | S P R I N G 2 0 1 4 39Centipedegrass


Food

Politics

My MexicoA Culinary Odyssey with Recipes

Updated Editionby diana kennedy

ISBN 978-0-292-74840-8$39.95 | £28.99

hardcoverISBN 978-0-292-75447-8

$39.95e-book

The PecanA History of America’s Native Nut

by james mcwilliams

ISBN 978-0-292-74916-0$20.00 | £13.99


$20.00e-book

Barbecue CrossroadsNotes and Recipes from a

Southern Odysseyby robb walsh

photographs by o. rufus lovett

ISBN 978-0-292-75284-9$24.95 | £17.99

paperbackISBN 978-0-292-74590-2

$24.95e-book

Front Row SeatA Photographic Portrait of the Presidency of George W. Bush

by eric draperForeword by President

George W. Bush

ISBN 978-0-292-74547-6$50.00 | £36.00

hardcover

Let the People InThe Life and Times

of Ann Richardsby jan reid

ISBN 978-0-292-75449-2$16.95 | £11.99


$16.95e-book

The Family JewelsThe CIA, Secrecy, and

Presidential Powerby john prados

ISBN 978-0-292-73762-4$24.95 | £17.99


$24.95 e-book


Literature

Photography

Two ProspectorsThe Letters of Sam Shepard

and Johnny Darkedited by chad hammett

ISBN 978-0-292-73582-8$35.00 | £24.99


$35.00e-book

The Eye of the MammothSelected Essays

by stephen harriganForeword by Nicholas Lemann

ISBN 978-0-292-74561-2$29.95 | £20.99


$29.59e-book

The Plain in Flamesby juan rulfo

Translated from the Spanish by Ilan Stavans

with Harold Augenbraum

ISBN 978-0-292-74385-4$19.95paperback

Not for sale in the British Common-wealth, except Canada, or Europe

The Big BookVolumes One and Two

by w. eugene smithIntroduction by

William S. JohnsonEssay by John Berger

Notes by Leslie Squyres and Jennifer Jae Gutierrez

ISBN 978-0-292-75468-3$185.00 | £124.00

hardcover

ColorAmerican Photography

Transformedamon carter museum

of american artby john rohrbach

With an essay by Sylvie Pénichon

ISBN 978-0-292-75301-3$75.00 | £50.00

hardcover

Reading MagnumA Visual Archive of the Modern World

harry ransom centeredited by

steven hoelscherForeword by Geoff Dyer

ISBN 978-0-292-74843-9$75.00 | £50.00

hardcover


the texas bookshelfbookshelfthe texas


The Texas Bookshelf

The University of Texas Press announces a major new initiative

unprecedented in publishing

This will be the most ambitious and comprehensive publishing en-deavor about the culture and history of one state ever undertaken. The Texas Bookshelf will comprise sixteen books and a companion website launching in 2017 with a sweeping, full-length history of Texas to be written by New York Times best-selling author and fac-ulty member at the University of Texas at Austin’s Michener Center for Writers, Stephen Harrigan. His work is widely lauded for com-bining historical accuracy with a novelist’s storytelling skills, and this book promises to be the essential history of Texas for a new gen-eration of readers.

Fifteen additional titles will follow, released over a five-year pe-riod. Drawing on the state’s brightest writers, scholars, and intellec-tuals—all distinguished faculty members at the University of Texas at Austin—the engagingly written narratives of the Texas Bookshelf will reveal the many fascinating stories that have played out in Texas from pre-Columbian times to the twenty-first century. The Bookshelf will also be supported by an interactive website that will facilitate an extended online community. Visitors to the site can access re-lated supplemental content including audio, video, photography, and downloadable readers guides, as well as links to rich primary source materials located in the magnificent research archives and special collections on the UT Austin campus. Additionally, a schedule of special programs and public events for the university community and general public will be developed in conjunction with the publi-cation of each book.

Books by the state’s brightest writers, scholars,

and intellectuals—all distinguished faculty

members at the University of Texas at Austin


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1 Elizabeth Engelhardt foodways

2 Shirley Thompson the african american experience in texas

3 Larry Speck architecture

4 Martha Menchaca the tejano/tejana experience in texas

5 Bob Abzug as others see us: the idea of texas

6 Charles Ramírez Berg film

7 Cecilia Ballí a memoir of the texas borderlands

8 Annette Carlozzi art

9 Greg Curtis books and writers

10 Frank Guridy sports

11 Stephen Harrigan a narrative history of texas

12 Charlotte Canning theatre

13 Bill Minutaglio politics and business (2 books)

14 Karl Hagstrom-Miller music

15 Dave Hamrick university of texas press director

16 Roy Flukinger photography

photograph by michael o’brien

t h e t e x a s b o o k s h e l f

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general i n t eres t

Tarahumara, Nararachic, Chihuahua, probably 1892. Tarahumara. American Museum of Natural History Library no. CL0759. From Among Unknown Tribes.


Jean-Claude GrumbergThree PlaysT RA N S L AT E D A N D I N T R O D U C E D B y S E T H L . W O L I T Z

| d r a m a |

Introducing the English-language audience to the work of one of

France’s leading contemporary dramatists—winner of seven Molières,

the Pulitzer Prize of France—these plays offer vivid insights into

French Jewish life in post-Holocaust Europe

Winner of seven Molières, the Pulitzer Prize of France, Jean-Claude Grumberg is one of France’s leading dramatists and a distinguished voice of modern European Jewry after the Shoah. His success in portraying contemporary Parisian Jews on the stage represents a new development in European theater and a new aes-thetic expression of European Jewish experience and sensibility of the Holocaust and its aftermath, a perspective quite different from either the American or the Israeli one. Grumberg’s Jews are French to their fingertips, yet they have been made more consciously Jewish by the war and the difficulties of reintegrating into a society in which too many neighbors denounced them or ignored their pleas to save their children. Affirming the new status of Jewish culture in Europe, Grumberg’s plays insist on the recognition of Jewish identity and uniqueness within the majority societies of Europe.

This volume offers the first English translation of three of Grum-berg’s prize-winning plays: The Workplace (L’ Atelier, 1979), On the Way to the Promised Land (Vers toi Terre promise, 2006) and Ma-ma’s Coming Back, Poor Orphan (Maman revient, pauvre orphelin, 1994). Presented in the order of the history they record and steeped in Grumberg’s personal experience and insights into contemporary Parisian life, these plays serve as documentary witnesses that begin with the immediate postwar reality and continue up to the end of the twentieth century. Seth Wolitz provides notes on the plays’ themes, structures, characters, and settings, along with an introduction that discusses Grumberg’s place within the emergence of French-Jewish drama and a translation of an interview with the playwright himself.

Exploring Jewish Arts and CultureRobert H. Abzug, Series EditorDirector of the Schusterman Center for Jewish Studies

release date | july5∏ x 8∏ inches, 164 pages, 3 b&w photos

ISBN 978-0-292-75458-4$19.95 | £13.99 | C$22.95paperback

ISBN 978-0-292-75457-7$19.95e-book

Rights: UT Press controls English language, print only


JEAN-CLAUDE GRUMBERGParis, France

Grumberg has been a successful man of theater for over forty years as a playwright of thirty plays, an actor, a film screenwriter for Truffaut (The Last Metro) and Costa-Gavras (Amen), a writer of eight children’s plays and stories, and even a stage director. He has won the Grand Prix for theater from the Académie Francaise, and he has been honored by having his plays performed on the stage of the French National Theater, the Comédie Francaise, and L’Odéon, as well as having his plays studied as part of the curriculum in the French public school system.

SETH L. WOLITZAustin, Texas

Wolitz is L. D., Marie, and Edwin Gale Chair Emeritus of Jewish Studies at the University of Texas at Austin, where he has also served as Professor of Comparative Literature and Theatre and Professor of French and Slavic. His books include The Songs of Bernard de Ventadorn, The Proustian Community, and The Hidden Isaac Bashevis Singer. He has also written many articles on Jewish/Yiddish theater and espe-cially on Ansky’s The Dybbuk.

Exploring Jewish Arts and Culture

Jews in the realms of the arts and culture have

imagined extraordinary worlds and shaped

dominant cultures in ways that are only now

being fully recognized and studied. The books

in this series, produced by established scholars

and artists, will further this revelation and

make substantive contributions to both schol-

arly and public understandings of art, drama,

literature, photography, film, dance, music,

foodways, cultural studies, and other expres-

sions of humanity as filtered through the Jew-

ish experience, both secular and religious.

R O B E R T H . A B Z U GSeries Editor

Director of the Schusterman Center for Jewish Studies

From a performance of On the Way to the Promised Land. Photo by Brigitte Enguerand.


Among Unknown TribesRediscovering the Photographs of Explorer Carl LumholtzB y B I L L B R O y L E S , A N N C H R I S T I N E E E k , P H y L L I S L A FA R G E , R I C H A R D L A U G H A R N , A N D E U G E N I A M A C í A S G U Z M á N

| p h o t o g r a p h y | Mexico

Featuring high-quality reproductions of images newly scanned from

the original negatives and printed uncropped, this book presents the

most complete and beautifully produced catalogue of photographs of the

Tarahumara, Huichol, Cora, Tepehuan, Southern Pima, and Tohono

O’odham tribes of Mexico and southwest Arizona

Internationally renowned as an exciting guide to unknown peoples and places, Norwegian Carl Lumholtz was a Victorian-era explorer, anthropologist, natural scientist, writer, and photographer who worked in Australia, Mexico, and Borneo. His photographs of the Tarahumara, Huichol, Cora, Tepehuan, Southern Pima, and Tohono O’odham tribes of Mexico and southwest Arizona were among the very first taken of these cultures and still provide the best photographic record of them at the turn of the twentieth century.

Ancient statue of Ta-Té-Wa-Li, the Huichol god of fire, and officers of the temple, near Santa Catarina, Jalisco, 1895. Huichol. Museum of Cultural History no. UEMf09972_15_CL.



“At my request the Indians brought the statue of the God

of Fire outside to be photographed. Some of the chairs

and ceremonial objects were also brought along, and the

principal men seated themselves behind.” —CARL L UMHOLT Z


Lumholtz published his photographs in several books, including Unknown Mexico and New Trails in Mexico, but, because photo-graphic publishing was then in its infancy, most of the images were poorly printed, badly cropped, or reworked by “illustrators” using crude techniques.

Among Unknown Tribes presents more than two hundred of Lum-holtz’s best photographs—many never before published—from the ar-chives of the American Museum of Natural History in New York and the Museum of Cultural History in Oslo, Norway. The images are new-ly scanned, most from the original negatives, and printed uncropped, disclosing a wealth of previously hidden detail. Each photograph is fully identified and often amplified by Lumholtz’s own notes and captions. Accompanying the images are essays and photo notes that survey Lumholtz’s career and legacy, as well as what his photographs reveal about the “unknown tribes.” By giving Lumholtz’s photographs the high-quality reproduction they deserve, Among Unknown Tribes honors not only the Norwegian explorer but also the native peoples who continue to struggle for recognition and justice as they actively engage in the traditional customs that Lumholtz recorded.

Bill and Alice Wright Photography Series

release date | may8¼ x 11¾ inches, 328 pages, 233 duotone photos

ISBN 978-0-292-75463-8$75.00* | £50.00 | C$87.50hardcover

ISBN 978-0-292-75465-2$75.00*e-book

BILL BROyLESTucson, Arizona

Broyles is a research associate at the University of Arizona’s South-west Center.

ANN CHRISTINE EEkOslo, Norway

Eek is a photo historian, photogra-pher, and digital supervisor in the Department of Documentation at the University of Oslo’s Museum of Cultural History.

PHyLLIS LA FARGENew York, New York

La Farge, author of Painted Walls of Mexico, has worked extensively as an editor and writer.

RICHARD LAUGHARNPhoenix, Arizona

Laugharn is a photographer who has documented the Pinacate region chronicled by Lumholtz in New Trails in Mexico.

EUGENIA MACíAS GUZMáNMexico City, Mexico

Macías Guzmán is an anthropolo-gist with a special interest in Carl Lumholtz and his work among indigenous people in Mexico.

Tarahumaras, Norogachic, Chihuahua, 1892. Tarahumara. American Museum of Natural History Library no. CL1616.

U N I v E R S I T y O F T E x A S P R E S S | S P R I N G 2 0 1 4 53Tarahumara man, Nararachic, Chihuahua, 1892. Tarahumara.

American Museum of Natural History Library no. CL0158.


Pillar of SaltAn Autobiography, with 19 Erotic SonnetsB y S A LvA D O R N O v OIntroduction by Carlos MonsiváisTranslated by Marguerite Feitlowitz

| l a t i n a m e r i c a n s t u d i e s | Memoir, Queer Studies

Written with exquisite sensitivity and wit, this memoir by one of

Mexico’s foremost men of letters describes coming of age during the vio-

lence of the Mexican Revolution and “living dangerously” as an openly

homosexual man in a brutally machista society

Salvador Novo (1904–1974) was a provocative and prolific cultural presence in Mexico City through much of the twentieth cen-tury. With his friend and fellow poet Xavier Villaurrutia, he cofounded

Ulises and Contemporáneos, landmark avant-garde journals of the late 1920s and 1930s. At once “outsider” and “insider,” Novo held high posts at the Ministries of Culture and Public Education and wrote volumes about Mexican history, politics, literature, and culture. The author of numerous collections of poems, including XX poemas, Nuevo amor, Espejo, Dueño mío, and Poesía 1915–1955, Novo is also considered one of the finest, most original prose stylists of his generation.

Pillar of Salt is Novo’s incomparable memoir of growing up during and after the Mexican Revolution; shuttling north to escape the Zapatistas, only to see his uncle murdered at home by the troops of Pancho Villa; and his initiations into literature and love with colorful, poignant, complicated men of usually mutually exclusive social classes. Pillar of Salt portrays the codes, intrigues, and dynamics of what, decades later, would be called “a gay ghetto.” But in Novo’s Mexico City, there was no name for this parallel universe, as

full of fear as it was canny and vibrant. Novo’s memoir plumbs the intricate subtleties of this world with startling frankness, sensitiv-ity, and potential for hilarity. Also included in this volume are nine-teen erotic sonnets, one of which was long thought to have been lost.

Salvador Novo, ©Colette Urbajtel/ Archivo Manuel Álvarez Bravo, SC

Rights: UT Press controls English language only


CARLOS MONSIváIS

Monsiváis was Mexico’s most beloved and esteemed journalist, critic, essayist, and activist. The recipient of over thirty prizes and awards, including the Guadalajara International Book Fair Prize, Mex-ico’s National Prize for Journalism, and multiple honorary degrees, Monsiváis was prolific.

MARGUERITE FEITLOWITZBennington, Vermont

Feitlowitz is the author of the inter-nationally acclaimed A Lexicon of Terror: Argentina and the Legacies of Torture. She teaches literature at Bennington College.

From the book

So it was that the cinema, and not my early

reading, became my evening escape and the

refuge for the loneliness I knew so well. The

Vicente Guerrero was basically a shed with un-

comfortable seats, where everything smelled of

the urinals, and the total silence of the films was

punctuated by the notes played on the piano by

an old, virtuously dressed señorita, who seemed

to be practicing her next day’s lesson with ex-

tremely languid waltzes. I would sink into the

exciting and seductive delight of that darkness

in which the luminous screen kept presenting,

parading, itemizing, aggrandizing all those

beautiful characters in the films. The nobility,

strength, and bravery of the heroes worked in me,

germinating an adoration of their mythology,

and little by little, I discovered with astonish-

ment that I was in love with one of those heroes.

When the final close-up homed in on his strong

bare arms around the girl, and he sealed her lips

with his own, I substituted myself for her, not for

him, so as to savor the delectable, warm, moist

contact with his mouth. That passion obsessed

me, that desire infused with anguish, given the

impossibility of its ever being fulfilled.

Also by Salvador Novo

The War of the Fatties and Other Stories from

Aztec Historytranslated by

michael alderson

ISBN 978-0-292-75554-3$24.95 | £17.99

paperback

Texas Pan American Literature in Translation Series Danny J. Anderson, Editor

This project is supported in part by an award from the National Endow-ment for the Arts.

release date | march5∏ x 8∏ inches, 192 pages

ISBN 978-0-292-70541-8$35.00 | £24.99 | C$40.50hardcover

ISBN 978-0-292-76063-9$35.00e-book


El derecho en españolTerminología y habilidades jurídicas para un ejercicio legal exitosoP O R kAT I A FA C H G ó M E Z

| i d i o m a | Ayuda para el estudio del español, derecho

Éste libro monolingüe en español—el único de su clase en el mercado

español—entrena a los hispanohablantes de nivel intermedio (ya sea

en el aula o para el auto-estudio) en la terminología jurídica y los

contextos en los que se utiliza en América Latina y España

kATIA FACH GóMEZZaragoza, España

Fach Gómez es Profesora Titular de Derecho Internacional Privado, Comercio Internacional, Arbitraje Internacional e Inglés Jurídico en la Universidad de Zaragoza, España.

release date | may

El español es el segundo idioma más hablado en el mundo. Un número creciente de personas en los Estados Unidos y en otros países son conocedores de este idioma y además lo utilizan profe-sionalmente en el ámbito jurídico. No obstante, a muchos de ellos les gustaría mejorar su comprensión idiomática y jurídica del mismo. El derecho en español: Terminología y habilidades jurídicas para un ejercicio legal exitoso es el único libro actualmente en el mercado que ofrece al mismo tiempo instrucción avanzada en español jurídi-co e información selecta sobre los marcos legales contemporáneos en los que este idioma se utiliza.

Este libro monolingüe en español puede ser utilizado en el aula y también como herramienta de auto-aprendizaje por parte de uni-versitarios y profesionales que posean un nivel intermedio de cono-cimiento del idioma. El libro contiene diez lecciones, cada una de ellas dedicada a un área clave del derecho: constitucional, contratos, actividades bancarias, penal, familia, inmigración, derechos huma-nos, litigios internacionales y arbitraje. Todas estas lecciones pre-sentan un vocabulario escogido sobre el tema jurídico abordado en ellas, y después ofrecen una serie de ejercicios basados en documen-tos jurídicos reales procedentes de diversos países de habla hispana. A través de todos estos materiales, los lectores aprenderán a utilizar el vocabulario español jurídico en su contexto operativo adecuado, y podrán entender las diferencias lingüísticas y conceptuales entre los distintos países de América Latina y España.

5∏ x 8∏ inches, 166 pages

ISBN 978-0-292-75653-3$29.95* | £20.99 | C$34.50paperback

ISBN 978-0-292-75859-9$29.95*e-book



More Spanish study guides

Breaking Out of Beginner’s SpanishBy Joseph J. keenan

ISBN 978-0-292-74322-9$19.95 | £13.99


$19.95e-book

Becoming a

Bilingual FamilyHelp Your Kids Learn Spanish (and Learn Spanish Yourself in

the Process)By Stephen Marks and

Jeffrey Marks

ISBN 978-0-292-74363-2$24.95 | £17.99


$24.95e-book

Manual for (Relatively) Painless Medical Spanish

A Self-Teaching CourseBy Ana Malinow Rajkovic

ISBN 978-0-292-75146-0$21.95 | £15.99


$21.95e-book

Spanish Verbs Made Simple(r)

By David Brodsky

ISBN 978-0-292-70653-8$14.95 | £10.99


$14.95e-book

Spanish VocabularyAn Etymological Approach

By David Brodsky

ISBN 978-0-292-71668-1

$29.95* | £20.99paperback

ISBN 978-0-292-78334-8$29.95*

e-book

The Writer’s Reference Guide to Spanish

By David William Foster, Daniel Altamiranda, and

Carmen de Urioste

ISBN 978-0-292-72512-6$16.95 | £11.99


$16.95e-book


Ascomycete Fungi of North AmericaA Mushroom Reference GuideB y M I C H A E L W. B E U G , A L A N E . B E S S E T T E , A N D A R L E E N R . B E S S E T T E

| n a t u r a l h i s t o r y | Mushrooms, Field Guides

With more than 850 color photographs and more than 600 described

species, as well as an easy-to-use color key to aid visual identifica-

tion, this is the most complete guide ever published to North American

Ascomycetes, which include morels and truffles

Approximately 75 percent of all fungi that have been described to date belong to the phylum Ascomycota. They are usu-ally referred to as Ascomycetes and are commonly found and col-lected by mushroom enthusiasts. Ascomycetes exhibit a remarkable range of biodiversity, are beautiful and visually complex, and some, including morels and truffles, are highly prized for their edibility. Many play significant roles in plant ecology because of the mycorrhi-zal associations that they form. Thus it is remarkable that no book dedicated to describing and illustrating the North American Asco-mycetes has been published in over sixty years.

Filling the gap between technical publications and the limited representation of Ascomycetes in general mushroom field guides, Ascomycete Fungi of North America is a scientifically accurate work dedicated to this significant group of fungi. Because it is im-possible to describe and illustrate the tens of thousands of species that occur in North America, the authors focus on species found in the continental United States and Canada that are large enough to be readily noticeable to mycologists, naturalists, photographers, and mushroom hunters. They provide 843 color photographs and more than 600 described species, many of which are illustrated in color for the first time. While emphasizing macroscopic field identification characteristics for a general audience, the authors

The Corrie Herring Hooks Series

release date | march7 x 10 inches, 472 pages, 843 color photos

ISBN 978-0-292-75452-2$85.00* | £61.00 | C$100.00hardcover

ISBN 978-0-292-75454-6$85.00*e-book



MICHAEL W. BEUGHusum, Washington

Beug is a mycologist, environmen-tal chemist, and Professor Emeritus at Evergreen State College. He is on the editorial board of Fungi magazine, and his mushroom photographs have appeared in over thirty books and articles. He is co-author of MatchMaker, a free online mushroom identification program covering over 4,000 taxa of fungi.

also include microscopic and other advanced information useful to students and professional mycologists. In addition, a color key to the species described in this book offers a visual guide to assist in the identification process.

ALAN E. BESSETTESt. Marys, Georgia

Bessette is a mycologist and distin-guished Professor Emeritus of Biol-ogy from Utica College of Syracuse University. He has published nu-merous professional papers in the field of mycology and has authored more than twenty books.

ARLEEN R. BESSETTESt. Marys, Georgia

Bessette is a psychologist, mycolo-gist, and botanical photographer. She has authored or coauthored several scientific papers and fourteen books, has won numerous awards for her photography, and teaches classes on mycology and the culinary aspects of mycophagy.

Morchella cf. americana

books forscholars

West Side Story (1961). From Islands of Empire.

books forscholars


Evo’s BoliviaContinuity and ChangeB y L I N D A C . FA R T H I N G A N D B E N J A M I N H . kO H L

| lat in american studies |

An accessible account of Evo Morales’s first six years in office, offer-

ing analysis of major issues as well as interviews with a wide variety

of people, resulting in a valuable primer on Bolivia and Morales’s

“process of change”

LINDA C. FARTHING AND BENJAMIN H. kOHLPhiladelphia, Pennsylvania

Farthing is a writer and educator with twenty-five years of experience in Latin America as a solidarity activist, study-abroad director, field producer for films, and journalist /independent scholar. Kohl was Associate Professor in the Department of Geography and Urban Studies at Temple University. They are coauthors of From the Mines to the Streets: A Bolivian Activist’s Life with Félix Muruchi and Impasse in Bolivia: Neoliberal Hegemony and Popular Resistance, as well as numer-ous articles.

In this compelling and comprehensive look at the rise of Evo Morales and Bolivia’s Movimiento al Socialismo (MAS), Linda Farthing and Benjamin Kohl offer a thoughtful evaluation of the transformations ushered in by the western hemisphere’s first contemporary indigenous president. Accessible to all readers, Evo’s Bolivia not only charts Evo’s rise to power but also offers a history of and context for the MAS revolution’s place in the rising “pink tide” of the political left. Farthing and Kohl examine the many social move-ments whose agendas have set the political climate in Bolivia and describe the difficult conditions the administration inherited. They evaluate the results of Evo’s policies by examining a variety of mea-sures, including poverty; health care and education reform; natural resources and development; and women’s, indigenous, and minority rights. Weighing the positive with the negative, the authors offer a balanced assessment of the results and shortcomings of the first six years of the Morales administration.

Anthropology, Politics and Government



release date | may6 x 9 inches, 264 pages, 8 b&w photos, 1 map

ISBN 978-0-292-75868-1$24.95* | £17.99 | C$28.95paperback

ISBN 978-0-292-75727-1$55.00* | £44.00 | C$63.50hardcover

ISBN 978-0-292-75774-5$24.95*e-book

At the heart of this book are the voices of Bolivians themselves. Farthing and Kohl interviewed women and men in government, in social movements, and on the streets throughout the country, and their diverse backgrounds and experiences offer a multidimensional view of the administration and its progress so far. Ultimately the “process of change” Evo promised is exactly that: an ongoing and complicated process, yet an important example of development in a globalized world.

Evo Morales (second from left), Álvaro García Linera (left), and two military

officers, 2011. Photo by Benjamin Kohl.


Land, Livelihood, and Civility in Southern MexicoOaxaca Valley Communities in HistoryB y S C O T T C O O k

| l a t i n a m e r i c a n s t u d i e s | Anthropology

Based on thirty-five years of fieldwork, this is a masterful ethnographic

historical account of the struggle to maintain landholding, livelihood,

and civil-religious society in the peasant-artisan communities of

Oaxaca from colonial times to the present

SCOT T COOkSan Marcos, Texas

Cook is Professor Emeritus of Anthropology at the University of Connecticut, where he also directed the Center for Latin American and Caribbean Studies and the Puerto Rican/Latino Studies Institute.

Joe R. and Teresa Lozano Long Series in Latin American and Latino Art and Culture

release date | may6 x 9 inches, 430 pages, 64 b&w photos, 7 maps

ISBN 978-0-292-75476-8$75.00* | £54.00 | C$87.50hardcover

ISBN 978-0-292-75478-2$75.00*e-book

In the Valley of Oaxaca in Mexico’s Southern Highland region, three facets of sociocultural life have been interconnected and interactive from colonial times to the present: first, community land as a space to live and work; second, a civil-religious system managed by reciprocity and market activity wherein obligations of citizenship, office, and festive sponsorships are met by expenditures of labor-time and money; and third, livelihood. In this book, noted Oaxacan scholar Scott Cook draws on thirty-five years of fieldwork (1965–1990) in the region to present a masterful ethnographic his-torical account of how nine communities in the Oaxaca Valley have striven to maintain land, livelihood, and civility in the face of trans-formational and cumulative change across five centuries.

Drawing on an extensive database that he accumulated through participant observation, household surveys, interviews, case stud-ies, and archival work in more than twenty Oaxacan communities, Cook documents and explains how peasant-artisan villagers in the Oaxaca Valley have endeavored over centuries to secure and/or de-fend land, worked and negotiated to subsist and earn a living, and striven to meet expectations and obligations of local citizenship. His findings identify elements and processes that operate across communities or distinguish some from others. They also under-score the fact that landholding is crucial for the sociocultural life of the valley.



Native Evangelism in Central MexicoB y H U G O G . N U T I N I A N D J E A N F. N U T I N I

| l a t i n a m e r i c a n s t u d i e s | Anthropology, Religion

A foundational work by a revered pioneer in the study of native

evangelism, this book illuminates the psychological, theological, and

pragmatic elements of conversion to two of Mexico’s pivotal Protestant

evangelical sects, La Luz del Mundo and Amistad y Vida

HUGO G. NUTINI AND JEAN F. NUTINI

Hugo G. Nutini (1929–2013) was University Professor in the Department of Anthropology at the University of Pittsburgh. He au-thored numerous articles and books on central Mexico, including The Mexican Aristocracy: An Expressive Ethnography, 1910–2000; Social Stratification and Mobility in Cen-tral Veracruz; and Social Stratifica-tion in Central Mexico, 1500–2000 (with B. L. Isaac). Jean Nutini, who holds the Maestría en Antropología Social from the Universidad Iberoamericana in Mexico City, has conducted extensive ethnographic research in Mexico.

release date | august5∏ x 8∏ inches, 224 pages

ISBN 978-0-292-74412-7$55.00* | £39.00 | C$63.50hardcover

ISBN 978-0-292-75843-8$55.00*e-book

Evangelical Christianity is Mexico’s fastest-growing religious movement, with about ten million adherents today. Most belong to Protestant denominations introduced from the United States (e.g., Jehovah’s Witnesses, Seventh-day Adventists), but per-haps as many as 800,000 are members of homegrown, “native” evangelical sects. Based on ten years of fieldwork (1996–2006) and contextualized by nearly fifty years of anthropological study in the region, Native Evangelism in Central Mexico presents the first eth-nography of Mexico’s native evangelical congregations.

The authors focus on two sharply contrastive native evangelical sects in Central Mexico: Amistad y Vida (Friendship and Life) and La Luz del Mundo (The Light of the World). The former, founded in 1982, now has perhaps 120,000 adherents nationwide. It is nonhi-erarchical, extremely egalitarian, and has no dogmatic directives. It is a cheerful religion that emphasizes charity, community service, and personal kindness as the path to salvation. It attracts new mem-bers, mainly from the urban middle class, through personal example rather than proselytizing. La Luz del Mundo, founded in 1926, now has about 350,000 members in Mexico and perhaps one million in the hemisphere. It is hierarchically organized and demands total devotion to the sect’s founder and his son, who are seen as direct links to Jesus on Earth. It is a proselytizing sect that recruits mainly among the urban poor by providing economic benefits within the congregations, but does no community service as such.



Contesting Trade in Central AmericaMarket Reform and ResistanceB y R O S E J . S PA L D I N G

| l a t i n a m e r i c a n s t u d i e s | Political Science, Economics

Through detailed case studies on Costa Rica, El Salvador, and Nica-

ragua, Spalding examines the debate surrounding the adoption of

CAFTA alongside the simultaneous changes to the economic and politi-

cal landscape of Central America at the turn of this century

ROSE J. SPALDINGChicago, Illinois

Spalding is Professor of Political Science at DePaul University. Her previous books include Capitalists and Revolution in Nicaragua and The Political Economy of Revolu-tionary Nicaragua.

release date | april6 x 9 inches, 334 pages, 6 b&w photos, 6 drawings, 1 map

ISBN 978-0-292-75459-1$60.00* | £43.00 | C$70.00hardcover

ISBN 978-0-292-75462-1$60.00*e-book

In 2004, the United States, five Central American coun- tries, and the Dominican Republic signed the Central American Free Trade Agreement (CAFTA), signaling the region’s commitment to a neoliberal economic model. For many, however, neoliberalism had lost its luster as the new century dawned, and resistance movements began to gather force. Contesting Trade in Central America is the first book-length study of the debate over CAFTA, tracing the agreement’s drafting, its passage, and its aftermath across Central America.

Rose J. Spalding draws on nearly two hundred interviews with representatives from government, business, civil society, and social movements to analyze the relationship between the advance of free market reform in Central America and the parallel rise of resistance movements. She views this dynamic through the lens of Karl Po-lanyi’s “double movement” theory, which posits that significant shifts toward market economics will trigger oppositional, self-protective social countermovements. Examining the negotiations, political dy-namics, and agents involved in the passage of CAFTA in Costa Rica, El Salvador, and Nicaragua, Spalding argues that CAFTA served as a high-profile symbol against which Central American oppositions could rally. Ultimately, she writes, post-neoliberal reform “involves not just the design of appropriate policy mixes and sequences, but also the hard work of building sustainable and inclusive political coalitions, ones that prioritize the quality of social bonds over raw economic freedom.”



The Untranslatable ImageA Mestizo History of the Arts in New Spain, 1500–1600B y A L E S S A N D RA R U S S OT RA N S L AT E D B y S U S A N E M A N U E L

| l a t i n a m e r i c a n s t u d i e s | Art History

Moving beyond the dominant model of syncretism, this extensively

illustrated volume proposes a completely different approach to the field

known as Latin American “colonial art,” positioning it as a constitu-

tive part of Renaissance and early modern art history

ALESSANDRA RUSSONew York, New York

Russo is an art historian study-ing and teaching the early modern worlds in the Department of Latin American and Iberian Cultures at Columbia University. She is author of El Realismo Circular: Tierras, espacios y paisajes de la cartografía novohispana and the coeditor of Images Take Flight: Feather Art in Mexico and Europe.


release date | april6 x 9 inches, 368 pages, 35 color and 150 b&w photos

ISBN 978-0-292-75413-3$60.00* | £43.00 | C$70.00hardcover

From the first contacts between European conquerors and the peoples of the Americas, objects were exchanged and treasures pillaged, as if each side were seeking to appropriate tangible fragments of the “world” of the other. Soon, too, the collision between the arts of Renaissance Europe and pre-Hispanic America produced new objects and new images with the most diverse usages and forms. Scholars have used terms such as syncretism, fusion, juxtaposition, and hybridity in describing these new works of art, but none of them, asserts Alessandra Russo, adequately conveys the impact that the European artistic world had on the Mesoamerican artistic world, nor treats the ways in which pre-Hispanic traditions, expertise, and techniques—as well as the cre-ation of post-Conquest images—transformed the course of Western art.

This innovative study focuses on three sets of paradigmatic images created in New Spain between the sixteenth and seventeenth centu-ries—feather mosaics, geographical maps, and graffiti—to propose that the singularity of these creations does not arise from a syncretic impulse, but rather from a complex process of “untranslatability.” Foregrounding the distances and differences between incomparable theories and practices of images, she demonstrates how the constant effort to understand, decode, actualize, and condense Mesoamerican and European aesthetics, traditions, knowledge, techniques, and con-cepts constituted an exceptional engine of unprecedented visual and verbal creativity in the early modern transatlantic world.

Rights: UT Press controls English language only


The First Letter from New SpainThe Lost Petition of Cortés and His Company, June 20, 1519B y J O H N F. S C H W A L L E R W I T H H E L E N N A D E R

| l a t i n a m e r i c a n s t u d i e s | History

The founding of la Villa Rica de la Veracruz (the rich town of the True Cross) is prominently mentioned in histories of the con-quest of Mexico, but scant primary documentation of the provocative act exists. During a research session at the Spanish archives, when John Schwaller discovered an early-sixteenth-century letter from Ve-racruz signed by the members of Cortés’s company, he knew he had found a trove of historical details. Providing an accessible, accurate translation of this pivotal correspondence, along with in-depth ex-aminations of its context and significance, The First Letter from New Spain gives all readers access to the first document written from the mainland of North America by any European, and the only surviving original document from the first months of the conquest.

The timing of Cortés’s Good Friday landing, immediately before the initial assault on the Aztec Empire, enhances the significance of this work. Though the expedition was conducted under the author-ity of Diego Velázquez, governor of Cuba, the letter reflects an at-tempt to break ties with Velázquez and form a strategic alliance with Carlos V, the Holy Roman Emperor and King of Spain. Brimming with details about the events surrounding Veracruz’s inception and accompanied by mini-biographies of 318 signers of the document—socially competitive men who risked charges of treason by renouncing Velázquez—The First Letter from New Spain gives evidence of entre-preneurship and other overlooked traits that fueled the conquest.


release date | may6 x 9 inches, 306 pages, 8 color and 39 b&w photos, 1 map

ISBN 978-0-292-75671-7$65.00* | £47.00 | C$75.00hardcover

ISBN 978-0-292-76069-1$65.00*e-book

Presenting an authoritative translation and analysis of the only surviv-

ing original document from the first months of the Spanish conquest,

this book brings to life a decisive moment in the history of Mexico and

offers an enlarged understanding of the conquerors’ motivations


Permissions: some image permissions needed


JOHN F. SCHWALLERPotsdam, New York

Schwaller is a distinguished histori-an of colonial Latin America. He has served as Director of the Academy of American Franciscan History at the Franciscan School of Theology in Berkeley, California; Associate Pro-vost and Associate Vice President for Academic Affairs at the University of

HELEN NADERTucson, Arizona

Nader is Emeritus Professor of His-tory at the University of Arizona. She is the author of numerous books, including Power and Gen-der in Renaissance Spain: Eight Women of the Mendoza Family, 1450–1650 and Liberty in Absolut-ist Spain: The Habsburg Sale of Towns, 1516–1700.

Montana, Missoula; Vice Chancellor for Academic Affairs and Dean at the University of Minnesota, Morris; and President of SUNY Potsdam. His previous books include The History of the Catholic Church in Latin America: From Conquest to Revolution and Beyond.

Petition of the town of Veracruz, folio 1, recto


The Power of HuacasChange and Resistance in the Andean World of Colonial PeruB y C L A U D I A B R O S S E D E R

| l a t i n a m e r i c a n s t u d i e s | Religious Studies, Anthropology

Based on extensive archival research, The Power of Huacas is the first

book to take account of the reciprocal effects of religious colonization as

they impacted Andean populations and, simultaneously, dramatically

changed the culture and beliefs of Spanish Christians

CLAUDIA BROSSEDERHeidelberg, Germany

Brosseder is a Privatdozentin at Munich University and holds a research position in the Excellence Center for Transcultural Studies at Heidelberg University. She is the author of Im Bann der Sterne. Caspar Peucer, Philipp Melanch-thon und andere Wittenberger Astrologen.

release date | july6 x 9 inches, 474 pages, 13 color and 18 b&w photos, 3 maps

ISBN 978-0-292-75694-6$65.00* | £47.00 | C$75.00hardcover

ISBN 978-0-292-75696-0$65.00*e-book

The role of the religious specialist in Andean cultures of the sixteenth, seventeenth, and eighteenth centuries was a com-plicated one, balanced between local traditions and the culture of the Spanish. In The Power of Huacas, Claudia Brosseder recon-structs the dynamic interaction between religious specialists and the colonial world that unfolded around them, considering how the discourse about religion shifted on both sides of the Spanish and Andean relationship in complex and unexpected ways.

In The Power of Huacas, Brosseder examines evidence of trans-cultural exchange through religious history, anthropology, and cul-tural studies. Taking Andean religious specialists—or hechizeros (sorcerers) in colonial Spanish terminology—as a starting point, she considers the different ways in which Andeans and Spaniards thought about key cultural and religious concepts. Unlike previous studies, this important book fully outlines both sides of the colonial relationship; Brosseder uses extensive archival research in Bolivia, Chile, Ecuador, Peru, Spain, Italy, and the United States, as well as careful analysis of archaeological and art historical objects, to pres-ent the Andean religious worldview of the period on equal footing with that of the Spanish. The Power of Huacas deepens our under-standing of the complexities of assimilation, showing that, within the maelstrom of transcultural exchange in the Spanish Americas, European paradigms ultimately changed more than Andean ones.



Sin and Confession in Colonial PeruSpanish-Quechua Penitential Texts, 1560–1650B y R E G I N A H A R R I S O N

| l a t i n a m e r i c a n s t u d i e s | Colonial History, Religion

Drawing from Spanish ecclesiastic literature written in Quechua, the

language of the Incas, Sin and Confession in Colonial Peru is the first

detailed study of how the European sacrament of confession was imple-

mented in the early modern context of the Andes

REGINA HARRISONCollege Park, Maryland

Harrison is Professor of Spanish, School of Languages, Literatures, and Cultures; Professor of Comparative Literature, Department of English; and Affiliate Professor of Anthropol-ogy at the University of Maryland, College Park. She is the author of the award-winning Signs, Songs, and Memory in the Andes: Translating Quechua Language and Culture.


release date | june6 x 9 inches, 324 pages, 8 b&w drawings

ISBN 978-0-292-72848-6$60.00* | £43.00 | C$70.00hardcover

ISBN 978-0-292-75886-5$60.00*e-book

A central tenet of Catholic religious practice, confession relies upon the use of language between the penitent and his or her confessor. In the sixteenth and seventeenth centuries, as Spain colo-nized the Quechua-speaking Andean world, the communication of religious beliefs and practices—especially the practice of confes-sion—to the native population became a primary concern, and as a result, expansive bodies of Spanish ecclesiastic literature were translated into Quechua. In this fascinating study of the semantic changes evident in translations of Catholic catechisms, sermons, and manuals, Regina Harrison demonstrates how the translated texts often retained traces of ancient Andean modes of thought, de-spite the didactic lessons they contained.

In Sin and Confession in Colonial Peru, Harrison draws directly from confession manuals to demonstrate how sin was newly defined in Quechua lexemes, how the role of women was circumscribed to fit Old World patterns, and how new monetized perspectives on labor and trade were taught to the subjugated indigenous peoples of the Andes by means of the Ten Commandments. Although outwardly confession ap-pears to be an instrument of oppression, the reformer Bartolomé de Las Casas influenced priests working in the Andes; through their agency, confessional practice ultimately became a political weapon to compel Spanish restitution of Incan lands and wealth. Bringing together an unprecedented study (and translation) of Quechua religious texts with an expansive history of Andean and Spanish transculturation, Harri-son uses the lens of confession to understand the vast and telling ways in which language changed at the intersection of culture and religion.



[Un]Framing the “Bad Woman”Sor Juana, Malinche, Coyolxauhqui, and Other Rebels with a CauseB y A L I C I A G A S PA R D E A L B A

| g e n d e r s t u d i e s | Chicana Studies

One of America’s leading interpreters of the Chicana experience dis-

mantles the discourses that “frame” women who rebel against patri-

archal strictures as “bad women” and offers empowering models of

struggle, resistance, and rebirth

ALICIA GASPAR DE ALBALos Angeles, California

An activist scholar who uses theory, pedagogy, and fiction for social change, Gaspar de Alba is Professor of Chicana/o Studies, English, and Gender Studies and Director of the LGBT Studies Program at UCLA. She has published ten previous books.

release date | july6 x 9 inches, 406 pages, 8 color and 37 b&w photos

ISBN 978-0-292-75850-6$27.95* | £19.99 | C$32.50paperback

ISBN 978-0-292-75761-5$60.00* | £48.00 | C$70.00hardcover

ISBN 978-0-292-75763-9$27.95*e-book

“What the women I write about have in common is that they are all rebels with a cause, and I see myself represented in their mirror,” asserts Alicia Gaspar de Alba. Looking back across a ca-reer in which she has written novels, poems, and scholarly works about Sor Juana Inés de la Cruz, la Malinche, Coyolxauhqui, the murdered women of Juárez, the Salem witches, and Chicana lesbian feminists, Gaspar de Alba realized that what links these historically and socially diverse figures is that they all fall into the category of “bad women,” as defined by their place, culture, and time, and all have been punished as well as remembered for rebelling against the “frames” imposed on them by capitalist patriarchal discourses.

In [Un]Framing the “Bad Woman,” Gaspar de Alba revisits and expands several of her published articles and presents three new es-says to analyze how specific brown/female bodies have been framed by racial, social, cultural, sexual, national/regional, historical, and religious discourses of identity—as well as how Chicanas can be liberated from these frames. She shows how the “bad women” who interest her are transgressive bodies that refuse to cooperate with patriarchal dictates about what constitutes a “good woman” and that queer/alter the male-centric and heteronormative history, politics, and consciousness of Chicano/Mexicano culture. By “unframing” these bad women and rewriting their stories within a revolutionary frame, Gaspar de Alba offers her compañeras and fellow luchadoras empowering models of struggle, resistance, and rebirth.



Woman with Frames (2010). UNAM Sculpture Garden, Ciudad Universitaria, Mexico City. Photo by Raymond Meier, courtesy Trunk Archive.


Latina/os and World War IIMobility, Agency, and IdeologyE D I T E D B y M A G G I E R I vA S - R O D R I G U E Z A N D B . v. O L G U í N

| l a t i n a / o s t u d i e s | History

This eye-opening anthology documents, for the first time, the effects of

World War II on Latina/o personal and political beliefs across a broad

spectrum of ethnicities and races within the Latina/o identity

MAGGIE RIvAS-RODRIGUEZ Austin, Texas

Rivas-Rodriguez is Associate Professor of Journalism at the University of Texas at Austin and the founder and director of the U.S. Latino & Latina World War II Oral History Project (now Voces Oral History Project). Her previous books include, most recently, Beyond the Latino WWII Hero: The Social and Political Legacy of a Generation.

B. v. OLGUíNSan Antonio, Texas

Olguín is Associate Professor of English at the University of Texas at San Antonio. A poet, translator, and literary critic, he is the author of La Pinta: Chicana/o Prisoner Literature, Culture, and Politics.

The first book-length study of Latina/o experiences in World War II over a wide spectrum of identities and ancestries—from Cuban American, Spanish American, and Mexican American segments to the under-studied Afro-Latino experience—Latina/os and World War II probes the controversial aspects of Latina/o soldiering and citizenship in the war, the repercussions of which de-fined the West during the twentieth century. The editors also offer a revised, more accurate tabulation of the number of Latina/os who served in the war.

Spanning imaginative productions, such as vaudeville and the masculinity of the soldado razo theatrical performances; military segregation and the postwar lives of veterans; Tejanas on the home-front; journalism and youth activism; and other underreported aspects of the wartime experience, the essays collected in this vol-ume showcase rarely seen recollections. Whether living in Florida in a transformed community or deployed far from home (including Mexican Americans who were forced to endure the Bataan Death March), the men and women depicted in this collection yield a multidisciplinary, metacritical inquiry. The result is a study that challenges celebratory accounts and deepens the level of scholarly inquiry into the realm of ideological mobility for a unique cultural crossroads. Taking this complex history beyond the realm of war narratives, Latina/os and World War II situates these chapters within the broader themes of identity and social change that con-tinue to reverberate in postcolonial lives.

Rights: UT Press controls all except audio and film



ISBN 978-0-292-75625-0$55.00* | £39.00 | C$63.50hardcover

ISBN 978-0-292-75863-6$55.00*e-book

release date | april6 x 9 inches, 328 pages, 37 b&w photos

Simon D. Botello. Voces Oral History Project, Nettie Lee Benson Latin American Collection, University of Texas at Austin.


Mexican Americans and the Question of RaceB y J U L I E A . D O W L I N G

| l a t i n a / o s t u d i e s | Race, Sociology

This groundbreaking and timely study explores how Mexican Ameri-

cans and Mexican immigrants develop their racial ideologies and

identifications and how they choose to present them to others

JULIE A. DOWLINGUrbana, Illinois

Dowling is Associate Professor of Latina/Latino Studies at the University of Illinois, Urbana-Champaign. She coedited Govern-ing Immigration Through Crime: A Reader.

release date | march6 x 9 inches, 184 pages, 1 map

ISBN 978-0-292-75401-0$55.00* | £39.00 | C$63.50hardcover

ISBN 978-0-292-75403-4$55.00*e-book

According to the 2010 Census, Latinos now comprise 16 percent of the U.S. population and account for over half of the nation’s growth over the preceding ten years. In light of these demographics, headlines across the country have focused on how an increasing presence of Latinos will shape the “new” face of America. Some believe Mexican Americans are following the path of European immigrants toward full assimilation into whiteness, while others argue that Mexican Americans remain racialized as nonwhite. Re-search in this area often relies on racial identifications in national surveys such as the U.S. Census to make such claims. Julie Dowl-ing’s research challenges common assumptions about the meaning of such formal racial identification for this population, drawing on interviews with Mexican Americans and Mexican immigrants from three locations in Texas—the Dallas/Fort Worth metroplex, Del Rio, and Mission/McAllen.

Mexican Americans and the Question of Race is an exploration of what shapes racial labeling practices for Mexican Americans and Mexican immigrants who identify either in or outside the bounds of whiteness, emphasizing the link between racial ideology and racial identification both formally and in daily life. Skillfully weaving togeth-er the narratives of her interviewees, Dowling demonstrates the intri-cacies of widely varying racial ideologies and identifications. Dowling’s racial ideology continuum is groundbreaking, and the immense detail present in her interview summaries and excerpts further strengthens her argument that racial identification is highly contingent.



Recently published

Black-Brown SolidarityRacial Politics in the

New Gulf Southby john d. márquez

ISBN 978-0-292-75387-7$60.00* | £43.00


$60.00*e-book

Democratizing Texas Politics

Race, Identity, and Mexican Ameri-can Empowerment, 1945–2002

by benjamin márquez

ISBN 978-0-292-75384-6$60.00* | £43.00


$60.00*e-book

When Mexicans Could Play Ball

Basketball, Race, and Identity in San Antonio, 1928–1945by ignacio m. garcía

ISBN 978-0-292-75377-8$55.00* | £39.00


$55.00*e-book

The Latina Advantage

Gender, Race, and Political Success

by christina e. bejarano

ISBN 978-0-292-74564-3$55.00* | £39.00


$55.00*e-book

Califia WomenFeminist Education against

Sexism, Classism, and Racismby clark a. pomerleau

ISBN 978-0-292-75294-8$55.00* | £39.00


$55.00*e-book

The Panza MonologuesSecond Edition

written, compiled, and

collected by virginia grise and irma mayorga

foreword by tiffany ana lópezISBN 978-0-292-75405-8

$24.95* | £17.99paperback

ISBN 978-0-292-75407-2$24.95*

e-book


Maya FigurinesIntersections between State and HouseholdB y C H R I S T I N A T. H A L P E R I N

| p r e - c o l u m b i a n s t u d i e s | Anthropology, Archaeology

The first systematic analysis of ceramic figurines from multiple re-

gions of the Southern Maya Lowlands, this book explores the construc-

tion of the Late Classic period Maya state by considering how figurines

found in household refuse deposits mirror the relationships the state

had with households and individuals

CHRISTINA T. HALPERINPrinceton, New Jersey

Halperin is Lecturer at Princeton University in the Department of Art and Archeology. She coedited Mesoamerican Figurines: Small-Scale Indices of Large-Scale Social Phenomena.

This book is a part of the Latin American and Caribbean Arts and Culture publication initiative, funded by a grant from the Andrew W. Mellon Foundation.

release date | may6 x 9 inches, 300 pages, 83 color and b&w photos, 22 drawings, 3 maps

ISBN 978-0-292-77130-7$55.00* | £39.00 | C$63.50hardcover

ISBN 978-0-292-70987-4$55.00*e-book

Rather than view the contours of Late Classic Maya social life solely from towering temple pyramids or elite sculptural forms, this book considers a suite of small anthropomorphic, zoomorphic, and supernatural figurative remains excavated from household re-fuse deposits. Maya Figurines examines these often neglected ob-jects and uses them to draw out relationships between the Maya state and its subjects.

These figurines provide a unique perspective for understanding Maya social and political relations; Christina T. Halperin argues that state politics work on the microscale of everyday routines, lo-calized rituals, and small-scale representations. Her comprehensive study brings together archeology, anthropology, and art history with theories of material culture, performance, political economy, ritual humor, and mimesis to make a fascinating case for the role poli-tics plays in daily life. What she finds is that, by comparing small-scale figurines with state-sponsored, often large-scale iconography and elite material culture, one can understand how different social realms relate to and represent one another. In Maya Figurines, Hal-perin compares objects from diverse households, archeological sites, and regions. Ultimately, she argues, ordinary objects are not simply passive backdrops for important social and political phenomena. Instead, they function as significant mechanisms through which power and social life are intertwined.




Finely modeled male warrior figurine, Naranjo (NRFC005)


The Chora of Metaponto 5A Greek Farmhouse at Ponte FabrizioB y E L I S A L A N Z A C AT T I A N D k E I T H S W I F TJ O S E P H C O L E M A N C A R T E R , Series Editor

| c l a s s i c s | Archaeology

The fifth volume in the Institute of Classical Archaeology’s series on

rural settlements in the countryside (chora) of Metaponto presents the

excavation of a Greek farmhouse, illuminating the lifeways of fourth-

century BC farmers of modest means

ELISA LANZA CATTI is Chair of the Departments of Humanities and Fine Arts at St. John Interna-tional University in Turin, Italy.

kEITH SWIFT is a research fellow for the Institute of Classical Archaeology at the University of Texas at Austin.

JOSEPH COLEMAN CARTER is Director of the Institute of Classi-cal Archaeology at the University of Texas at Austin.

This volume in the Institute of Classical Archaeology’s series on rural settlements in the countryside (chora) of Metaponto is a study of the fourth-century BC farmhouse known as Fattoria Fabrizio, located in the heart of the surveyed chora in the Venella valley (at Ponte Fabrizio). This simple structure richly illustrates the life of fourth-century BC Metapontine farmers of modest means.

Thorough interpretations of the farmhouse structure in its wider historical and socioeconomic contexts are accompanied by compre-hensive analyses of the archaeological finds. Among them is detailed evidence for the family cult, a rare archaeological contribution to the study of Greek religion in Magna Grecia. The entire range of local Greek ceramics has been studied, along with a limited number of imports. Together they reveal networks within the chora and trade beyond it, involving indigenous peoples of southern Italy, mainland Greeks, and the wider Mediterranean world. Along with the studies of traditional archaeological finds, archaeobotanical analyses have illuminated the rural economy of the farmhouse and the environment of the adjacent chora. Abundant Archaic pottery also documents an important occu-pation, during the first great flowering of the chora in the sixth century BC. This study provides an ideal complement to the four volumes of The Chora of Metaponto 3: Archaeological Field Survey—Bradano to Basento and an eloquent example of hundreds of farmhouses of this date identified throughout the chora by their surface remains alone.

release date | august8∏ x 11 inches, 502 pages, 187 color and 35 b&w photos, 43 maps & plans, 45 graphs & charts, 281 drawings, and 12 3-D virtual reconstructions

ISBN 978-0-292-75864-3$75.00* | £54.00 | C$87.50hardcover

ISBN 978-0-292-76103-2$75.00* e-book

Copublished with the Institute of Classical Archaeology, University of Texas at Austin, and the Packard Humanities Institute



Sanctioning ModernismArchitecture and the Making of Postwar IdentitiesED I T ED By v LAD IM I R kU L I C , T I MO TH y PARkER , AND MON I CA P EN I CkForeword by Frederick Steiner

| a r c h i t e c t u r e |

With new research on building programs in political, religious, and

domestic settings in the United States and Europe, this collection of

essays offers a fresh look at postwar modernism and the role that archi-

tecture played in constructing modern identities

vLADIMIR kULIC is Assistant Professor in the School of Architec-ture at Florida Atlantic University in Fort Lauderdale.

T IMOTHy PARkER is Assistant Professor in the School of Architec-ture and Art at Norwich University in Northfield, Vermont.

MONICA PENICk is Assistant Professor in Design Studies at the University of Wisconsin–Madison.

Roger Fullington Series in Architecture

release date | june7 x 10 inches, 336 pages, 88 b&w photos

ISBN 978-0-292-75725-7$60.00* | £43.00 | C$70.00hardcover

ISBN 978-0-292-76065-3$60.00*e-book

In the decades following World War II, modern architecture spread around the globe alongside increased modernization, urbanization, and postwar reconstruction—and it eventually won widespread acceptance. But as the limitations of conventional con-ceptions of modernism became apparent, modern architecture has come under increasing criticism. In this collection of essays, expe-rienced and emerging scholars take a fresh look at postwar modern architecture by asking what it meant to be “modern,” what role mod-ern architecture played in constructing modern identities, and who sanctioned (or was sanctioned by) modernism in architecture.

This volume presents focused case studies of modern architecture in three realms—political, religious, and domestic—that address our very essence as human beings. Several essays explore developments in Czechoslovakia, Romania, and Yugoslavia and document a modernist design culture that crossed political barriers, such as the Iron Curtain, more readily than previously imagined. Other essays investigate various efforts to reconcile the concerns of modernist architects with the tradi-tions of the Roman Catholic Church and other Christian institutions. And a final group of essays looks at postwar homebuilding in the United States and demonstrates how malleable and contested the image of the American home was in the mid-twentieth century. These inquiries show the limits of canonical views of modern architecture and reveal instead how civic institutions, ecclesiastical traditions, individual consumers, and others sought to sanction the forms and ideas of modern architec-ture in the service of their respective claims or desires to be modern.



Pretty/FunnyWomen Comedians and Body PoliticsB y L I N D A M I Z E J E W S k I

| f i l m a n d m e d i a s t u d i e s | Women’s Studies

Focusing on star writer/performer comedians—Kathy Griffin, Tina

Fey, Sarah Silverman, Margaret Cho, Wanda Sykes, and Ellen DeGe-

neres—Pretty/Funny demonstrates that women’s comedy has become a

prime site of feminism in the twenty-first century

Women in comedy have traditionally been pegged as either “pretty” or “funny.” Attractive actresses with good comic timing such as Katherine Hepburn, Lucille Ball, and Julia Roberts have al-

ways gotten plum roles as the heroines of ro-mantic comedies and television sitcoms. But fewer women who write and perform their own comedy have become stars, and, most of-ten, they’ve been successful because they were willing to be funny-looking, from Fanny Brice and Phyllis Diller to Lily Tomlin and Carol Burnett. In this pretty-versus-funny history, women writer-comedians—no matter what they look like—have ended up on the other side of “pretty,” enabling them to make it the topic and butt of the joke, the ideal that is ex-posed as funny.

Pretty/Funny focuses on Kathy Griffin, Tina Fey, Sarah Silverman, Margaret Cho, Wanda Sykes, and Ellen DeGeneres, the groundbreaking women comics who flout the pretty-versus-funny dynamic by target-ing glamour, postfeminist girliness, the Hol-lywood A-list, and feminine whiteness with their wit and biting satire. Linda Mizejewski

demonstrates that while these comics don’t all identify as feminists or take politically correct positions, their work on gender, sexuality,

Wanda Sykes. Photo courtesy of Photofest.



LINDA MIZEJEWSkIColumbus, Ohio

Mizejewski is Professor of Women’s, Gender, and Sexuality Studies at the Ohio State University. Her most recent book, It Happened One Night, is a study of the original romantic comedy film.

and race has a political impact. The first major study of women and humor in twenty years, Pretty/Funny makes a convincing case that women’s comedy has become a prime site for feminism to speak, talk back, and be contested in the twenty-first century.

release date | march6 x 9 inches, 288 pages, 15 b&w photos

ISBN 978-0-292-75691-5$55.00* | £39.00 | C$63.50hardcover

ISBN 978-0-292-75693-9$55.00*e-book

Top: Tina Fey; Bottom: Sarah Silverman. Photos courtesy of Photofest.


Generation MultiplexThe Image of Youth in American Cinema Since 1980 | Revised EditionB y T I M O T H y S H A R yForeword by Stephen TropianoAfterword by Catherine Driscoll


Now updated and expanded to cover developments in teen films since

2002, Generation Multiplex remains the most comprehensive study of

the representation of teenagers in American cinema from Fast Times at

Ridgemont High to The Hunger Games

T IMOTHy SHARyMillsboro, Delaware

Shary is the author of Teen Movies: American Youth on Screen, coeditor with Alexandra Seibel of Youth Cul-ture in Global Cinema, and editor of Millennial Masculinity: Men in Contemporary American Cinema.


ISBN 978-0-292-75662-5$29.95* | £20.99 | C$34.50paperback

ISBN 978-0-292-76071-4$29.95*e-book

Generation Multiplex (2002) was the first comprehensive study of the representation of teenagers in American cinema since David Considine’s Cinema of Adolescence in 1985. This updated and expanded edition reaffirms the idea that films about youth constitute a legitimate genre worthy of study on its own terms. Identifying four distinct subgenres—school, delinquency, horror, and romance—Timo-thy Shary explores hundreds of representative films while offering in-depth discussion of movies that constitute key moments in the genre, including Fast Times at Ridgemont High, A Nightmare on Elm Street, The Breakfast Club, Say Anything. . . , Boyz N the Hood, Scream, American Pie, Napoleon Dynamite, Superbad, The Twilight Saga, and The Hunger Games. Analyzing developments in teen films since 2002, Shary covers such topics as the increasing avail-ability of movies on demand, which has given teens greater access to both popular and lesser-seen films; the recent dominance of supernatural and fantasy films as a category within the genre; and how the ongoing commodification of teen images in media affects real-life issues such as school bullying, athletic development, sexual identity, and teenage pregnancy.



Wicked CinemaSex and Religion on ScreenB y D A N I E L S . C U T RA RA

| f i l m a n d m e d i a s t u d i e s | Religious Studies

With close readings of films such as The Last Temptation of Christ, Crimes

and Misdemeanors, and Closed Doors, this book investigates cinematic

representations of transgressive sexuality within Christianity, Judaism,

and Islam to argue that religious believers have become the new “Other”

DANIEL S. CUTRARATempe, Arizona

Cutrara is Assistant Professor of Film and Media Studies at Arizona State University.


ISBN 978-0-292-75472-0$55.00* | £39.00 | C$63.50hardcover

ISBN 978-0-292-75474-4$55.00*e-book

From struggles over identity politics in the 1990s to current concerns about a clash of civilizations between Islam and Chris-tianity, culture wars play a prominent role in the twenty-first centu-ry. Movies help to define and drive these conflicts by both reflecting and shaping cultural norms, as well as showing what violates those norms. In this pathfinding book, Daniel S. Cutrara employs queer theory, cultural studies, theological studies, and film studies to in-vestigate how cinema represents and often denigrates religion and religious believers—an issue that has received little attention in film studies, despite the fact that faith in its varied manifestations is at the heart of so many cultural conflicts today.

Wicked Cinema examines films from the United States, Europe, and the Middle East, including Crimes and Misdemeanors, The Circle, Breaking the Waves, Closed Doors, Agnes of God, Priest, The Last Temptation of Christ, and Dogma. Central to all of the films is their protagonists’ struggles with sexual transgression and tradition-al belief systems within Christianity, Judaism, or Islam—a struggle, Cutrara argues, that positions believers as the Other and magnifies the abuses of religion while ignoring its positive aspects. Uncovering a hazardous web of ideological assumptions informed by patriarchy, the spirit/flesh dichotomy, and heteronormativity, Cutrara demon-strates that ultimately these films emphasize the “Otherness” of the faithful through a variety of strategies commonly used to denigrate the queer, from erasing their existence, to using feminization to make them appear weak, to presenting them as dangerous fanatics.


Permissions: one text permission needed


Islands of EmpirePop Culture and U.S. PowerB y C A M I L L A F O J A S

| f i l m a n d m e d i a s t u d i e s | American Studies

Examining a broad range of pop culture media—film, television, jour-

nalism, advertisements, travel writing, and literature—Fojas explores

the United States as an empire and how it has narrated its relationship

to its island territories

CAMILLA FOJASChicago, Illinois

Fojas is Vincent de Paul Professor of Latin American and Latino Studies at DePaul University. Her most recent books are Border Ban-dits: Hollywood on the Southern Frontier and Transnational Cross-roads: Remapping the Americas and the Pacific, coedited with Rudy Guevarra.


ISBN 978-0-292-75630-4$55.00* | £39.00 | C$63.50hardcover

ISBN 978-0-292-75632-8$55.00*e-book

Camilla Fojas explores a broad range of popular culture media—film, television, journalism, advertisements, travel writ-ing, and literature—with an eye toward how the United States as an empire imagined its own military and economic projects. Impres-sive in its scope, Islands of Empire looks to Cuba, Guam, Hawai‘i, Puerto Rico, and the Philippines, asking how popular narratives about these island outposts expressed the attitudes of the conti-nent throughout the twentieth century. Through deep textual read-ings of Bataan, Victory at Sea, They Were Expendable, and Back to Bataan (Philippines); No Man Is an Island and Max Havoc: Curse of the Dragon (Guam); Cuba, Havana, and Dirty Dancing: Havana Nights (Cuba); Blue Hawaii, Gidget Goes Hawaiian, and Paradise, Hawaiian Style (Hawai‘i); and West Side Story, Fame, and El Can-tante (Puerto Rico), Fojas demonstrates how popular texts are in-separable from U.S. imperialist ideology.

Drawing on an impressive array of archival evidence to provide historical context, Islands of Empire reveals the role of popular culture in creating and maintaining U.S. imperialism. Fojas’s tex-tual readings deftly move from location to location, exploring each island’s relationship to the United States and its complementary role in popular culture. Tracing each outpost’s varied and even con-tradictory political status, Fojas demonstrates that these works of popular culture mirror each location’s shifting alignment to the U.S. empire, from coveted object to possession to enemy state.



John Wayne in Back to Bataan (1945)

Colin Farrell and Jamie Foxx in Miami Vice (2006)


Cosmopolitan MindsLiterature, Emotion, and the Transnational ImaginationB y A L E x A W E I k v O N M O S S N E R

| l i t e r a t u r e | Cognitive Literary Studies, American Studies

Reading transnational American literature from a cognitive perspec-

tive, this book argues that our emotional engagements with others—

real and imagined—are crucially important for the development of

cosmopolitan imaginations

ALExA WEIk vON MOSSNERKlagenfurt, Austria

Weik von Mossner is Assistant Professor of American Studies at the University of Klagenfurt.

Cognitive Approaches to Literature and Culture SeriesEdited by Frederick Luis Aldama, Arturo J. Aldama, and Patrick Colm Hogan

release date | may6 x 9 inches, 264 pages

ISBN 978-0-292-73908-6$55.00* | £39.00 | C$63.50hardcover

ISBN 978-0-292-75765-3$55.00*e-book

During World War II and the early Cold War period, fac-tors such as race, gender, sexual orientation, or class made a num-ber of American writers feel marginalized in U.S. society. Cosmo-politan Minds focuses on a core of transnational writers—Kay Boyle, Pearl S. Buck, William Gardner Smith, Richard Wright, and Paul Bowles—who found themselves prompted to seek experi-ences outside of their home country, experiences that profoundly changed their self-understanding and creative imagination as they encountered alternative points of views and cultural practices in Europe, Asia, and Africa.

Alexa Weik von Mossner offers a new perspective on the affective underpinnings of critical and reflexive cosmopolitanism by draw-ing on theories of emotion and literary imagination from cognitive psychology, philosophy, and cognitive literary studies. She analyzes how physical dislocation, and the sometimes violent shifts in un-derstanding that result from our affective encounters with others, led Boyle, Buck, Smith, Wright, and Bowles to develop new, cos-mopolitan solidarities across national, ethnic, and religious bound-aries. Reading these texts as emotionally powerful indictments of institutionalized racism and national violence inside and outside of the United States, Weik von Mossner demonstrates that our emo-tional engagements with others—real and imagined—are crucially important for the development of transnational and cosmopolitan imaginations.



Cognitive Approaches to Literature and Culture Series

Literature and Social Justice

Protest Novels, Cognitive Politics, and Schema Criticismby mark bracher

ISBN 978-0-292-74778-4$60.00* | £43.00


$60.00*e-book

On AngerRace, Cognition, Narrative

by sue j. kim

ISBN 978-0-292-74841-5$55.00* | £39.00


$55.00*e-book

Cognitive Literary Studies

Current Themes and New Directions

edited by isabel jaén and julien jacques simon

ISBN 978-0-292-75442-3$25.00* | £17.99

paperback

Analyzing World FictionNew Horizons in Narrative Theory

edited by frederick luis aldama

ISBN 978-0-292-74764-7$30.00* | £20.99


$30.00*e-book

Of Space and MindCognitive Mappings of Contempo-

rary Chicano/a Fictionby patrick l. hamilton

ISBN 978-0-292-74397-7$25.00* | £17.99

paperback

Literature, Analytically SpeakingExplorations in the Theory of

Interpretation, Analytic Aesthetics, and Evolution

by peter swirski

ISBN 978-0-292-72887-5$25.00* | £17.99


$25.00*e-book

E D I T E D B y F R E D E R I C k L U I S A L D A M A , A R T U R O J . A L D A M A , A N D PAT R I C k C O L M H O G A N


The Making of Arab AmericansFrom Syrian Nationalism to U.S. CitizenshipB y H A N I J . B A W A R D I

| m i d d l e e a s t e r n s t u d i e s | History

Using previously untapped archives to reclaim a forgotten history, this

groundbreaking study traces Arab American advocacy to the early twen-

tieth century, when mass immigration as a result of Arab grievances

with Ottoman Turks fostered a unified Arab American political identity

HANI J. BAWARDIDearborn, Michigan

Bawardi is Assistant Professor of History at the University of Michigan–Dearborn, where he has contributed to the development of the university’s first minor in Arab American studies.

release date | may6 x 9 inches, 394 pages, 47 b&w photos

ISBN 978-0-292-75748-6$65.00* | £47.00 | C$75.00hardcover

ISBN 978-0-292-75994-7$65.00*e-book

While conventional wisdom points to the Arab-Israeli War of 1967 as the gateway for the founding of the first Arab Ameri-can national political organization, such advocacy in fact began with the Syrian nationalist movement, which emerged from immigration trends at the turn of the last century. Bringing this long-neglected history to life, The Making of Arab Americans overturns the notion of an Arab population that was too diverse to share common goals.

Tracing the forgotten histories of the Free Syria Society, the New Syria Party, the Arab National League, and the Institute of Arab American Affairs, the book restores a timely aspect of our under-standing of an area (then called Syria) that comprises modern-day Syria, Lebanon, Jordan, Israel, and Palestine. Hani Bawardi exam-ines the numerous Arab American political advocacy organizations that thrived before World War I, showing how they influenced Syr-ian and Arab nationalism. He further offers an in-depth analysis exploring how World War II helped introduce a new Arab American identity as priorities shifted and the quest for assimilation intensi-fied. In addition, the book enriches our understanding of the years leading to the Cold War by tracing both the Arab National League’s transition to the Institute of Arab American Affairs and new cam-paigns to enhance mutual understanding between the United States and the Middle East. Illustrated with a wealth of previously unpub-lished photographs and manuscripts, The Making of Arab Ameri-cans provides crucial insight for contemporary dialogues.


Permissions: one image permission needed


Arab Responses to Fascism and NazismAttraction and Repulsion


This collection rethinks old paradigms and widely accepted assump-

tions about the Arab response to fascism and Nazism, bringing to light

Arab support for the Allied forces during World War II and its effect on

the fate of the Middle East

trol over the Middle East.

ISRAEL GERSHONITel Aviv, Israel

Gershoni is a professor in the Department of Middle Eastern and African History and Kaplan Chair for the History of Egypt and Israel at Tel Aviv University. He is the author of Dame and Devil: Egypt and Nazism, 1935–1940, volumes 1 and 2, and coauthor of Confront-ing Fascism in Egypt: Dictatorship versus Democracy in the 1930s.

release date | july6 x 9 inches, 372 pages, 6 b&w photos, 20 cartoons

ISBN 978-0-292-75745-5$65.00* | £47.00 | C$75.00hardcover

ISBN 978-0-292-75747-9$65.00*e-book

E D I T E D B y I S RA E L G E R S H O N I

The first book to present an analysis of Arab response to fascism and Nazism from the perspectives of both individual coun-tries and the Arab world at large, this collection problematizes and ultimately deconstructs the established narratives that assume most Arabs supported fascism and Nazism leading up to and dur-ing World War II. Using new source materials taken largely from Arab memoirs, archives, and print media, the articles reexamine Egyptian, Syrian, Lebanese, Palestinian, and Iraqi responses in the 1930s and throughout the war.

While acknowledging the individuals, forces, and organizations that did support and collaborate with Nazi Germany and fascist Ita-ly, Arab Responses to Fascism and Nazism focuses on the many oth-er Arab voices that identified with Britain and France and with the Allied cause during the war. The authors argue that many groups within Arab societies—elites and non-elites, governing forces, and civilians—rejected Nazism and fascism as totalitarian, racist, and, most important, as new, more oppressive forms of European imperi-alism. The essays in this volume argue that, in contrast to prevailing beliefs that Arabs were de facto supporters of Italy and Germany—since “the enemy of my enemy is my friend”—mainstream Arab forc-es and currents opposed the Axis powers and supported the Allies during the war. They played a significant role in the battles for con-



Israeli Feminist ScholarshipGender, Zionism, and DifferenceE D I T E D B y E S T H E R F U C H S

| j e w i s h s t u d i e s | Women’s Studies

More than a dozen scholars give voice to cutting-edge postcolonial trends

(from ecofeminism to gender identity in family life) that question tradi-

tional approaches to Zionism while highlighting nationalism as the core

issue of Israeli feminist scholarship today

ESTHER FUCHSTucson, Arizona

Born in Tel Aviv, Fuchs is Professor of Hebrew Literature at the Univer-sity of Arizona. Her many previous books include Israeli Women’s Studies and Sexual Politics in the Biblical Narrative.

release date | july6 x 9 inches, 328 pages

ISBN 978-0-292-75844-5$60.00* | £43.00 | C$70.00hardcover

The last two decades have given rise to a proliferation of scholarship by Israeli feminists working in diverse fields, ranging from sociology to literature, anthropology, and history. As the Is-raeli feminist movement continually decentralizes and diversifies, it has become less Eurocentric and heterocentric, making way for pluralistic concerns. Collecting fifteen previously published es-says that give voice to this diversity, Israeli Feminist Scholarship showcases articles on Ashkenazi, Mizrahi, Palestinian, and lesbian identities as well as on Israeli women’s roles as mothers, citizens and activists, and soldiers.

Citing evidence that these scholars have redefined their object of inquiry as an open site of contested and constructed identity, lu-minary Esther Fuchs traces the history of Israeli feminism. Among the essays are Jewish historian Margalit Shilo’s study of the New Hebrew Woman, sociologist Ronit Lentin’s analysis of gendered representations of the Holocaust in Israeli culture, peace activist Erella Shadmi on lesbianism as a nonissue in Israel, and cultural critic Nitza Berkovitch’s examination of womanhood as constructed in Israeli legal discourse.

Creating a space for a critical examination of the relationship between disparate yet analogous discourses within feminism and Zionism, this anthology reclaims the mobilizing, inclusive role of these multifaceted discourses beyond the postmodern paradigm.



For God and Country?Religious Student-Soldiers in the Israel Defense ForcesB y E L I S H E vA R O S M A N - S T O L L M A N

| j e w i s h s t u d i e s | Religion, Politics

Challenging conventional assumptions about religious believers, this

study reveals how religious student-soldiers negotiate the sometimes

conflicting goals and norms of their Orthodox Jewish faith and the

Israel Defense Forces in which they serve

ELISHEvA ROSMAN-STOLLMANRamat Gan, Israel

Rosman-Stollman is Assistant Professor of Political Studies at Bar-Ilan University and a founding member of the Association of Civil-Military Scholars in Israel.

Binah Yitzrit Foundation Series in Israel StudiesDistributed for the Center for Middle Eastern Studies,University of Texas at Austin

release date | august6 x 9 inches, 274 pages

ISBN 978-0-292-75851-3$55.00* | £39.00 | C$63.50hardcover

In many modern armies the religious soldier is suspect. Civilians and officers alike wonder if such a soldier might represent a potential fifth column. This concern is especially prominent in the public discourse over the presence of religious Orthodox Jews serv-ing in the Israel Defense Forces. Will they obey their commanding officer or their rabbi? With research collected over almost a decade, including hundreds of hours of interviews, Elisheva Rosman-Stollman examines this question of loyalties and reveals how religious soldiers negotiate a place for themselves in an institution whose goals and norms sometimes conflict with those of Orthodox Judaism.

For God and Country? focuses on the pre-service study programs available to religious conscripts. Many journalists and scholars in Israel are suspicious of the student-soldiers who participate in these programs, but in fact, as Rosman-Stollman’s research demonstrates, the pre-service study programs serve as mediating structures between the demands of Religious Zionism and the demands of the Israel De-fense Forces and do not encourage their students to disobey orders. This was especially apparent during the disengagement from Gaza in 2005. Many in Israeli society predicted student-soldiers would defy their orders, per the instruction of their religious leaders, but this did not happen as expected. In high profile cases such as this and in mat-ters encountered daily by religious soldiers—the mixing of the sexes, for instance—Rosman-Stollman has discovered that the pre-service study programs can successfully serve as agents of civil society.

Rights: Rights controlled by the Center for Middle Eastern Studies at the University of Texas at Austin


Rethinking Iranian Nationalism and ModernityE D I T E D B y k A M RA N S C O T A G H A I E A N D A F S H I N M A RA S H I


An illuminating anthology of more than a dozen

innovative perspectives on the making of mod-

ern Iranian nationhood, from Orientalism and

historiography to the role of land/place, identi-

ty, religion, and contested visions of modernity

in twentieth-century Iran

kAMRAN SCOT AGHAIE Austin, Texas

Aghaie is Associate Professor of Islamic and Iranian History at the University of Texas at Austin, where he is also Director of the Cen-ter for Middle Eastern Studies.

AFSHIN MARASHINorman, Oklahoma

Marashi is the Farzaneh Family Associate Professor of Iranian Stud-ies at the University of Oklahoma, where he is also Director of the Iranian Studies Program.

release date | july6 x 9 inches, 380 pages, 12 b&w photos

ISBN 978-0-292-75749-3$55.00* | £39.00 | C$63.50hardcover

ISBN 978-0-292-75751-6$55.00*e-book

While recent books have explored Arab and Turkish nationalism, the nuances of Iran have received scant book-length study—until now. Capturing the significant changes in approach that have shaped this specialization, Rethinking Iranian National-ism and Modernity shares innovative research and charts new areas of analysis from an array of scholars in the field.

Delving into a wide range of theoretical and conceptual perspec-tives, the essays—all previously unpublished—encompass social his-tory, literary theory, postcolonial studies, and comparative analysis to address such topics as:

• Ethnicity in the Islamic Republic of Iran• Political Islam and religious nationalism• The evolution of U.S.-Iranian relations before and

after the Cold War• Comparing Islamic and secular nationalism(s) in Egypt

and Iran• The German counterrevolution and its influence on Iranian

political alliances• The effects of Israel’s image as a Euro-American space• Sufism• Geocultural concepts in Azar’s Atashkadeh


Kalima wa NaghamA Textbook for Teaching Arabic, Volume 1B y G H A Z I M . A B U H A k E M A , N A S S E R M . I S L E E M , A N D RA’ E D F. Q A S E M

| l a n g u a g e | Study Aids, Arabic

This introductory level textbook presents an

innovative Teaching Arabic as a Foreign Lan-

guage (TAFL) curriculum that uses dialogues

and songs to enhance language learning and

build cultural awareness

GHAZI M. ABUHAkEMACharleston, South Carolina

Abuhakema is Assistant Professor of Arabic and the Director of the Arabic Program at the College of Charleston.

NASSER M. ISLEEMAbu Dhabi, UAE

Isleem is Senior Lecturer at New York University at Abu Dhabi.

RA’ED F. QASEMHampstead, North Carolina

Qasem is a seasoned practitioner in foreign language instruction and for-eign language program management with over twenty years of experience in the United States, Jordan, and the United Arab Emirates.

release date | august8∏ x 11 inches, 324 pages, 46 b&w photos

ISBN 978-0-292-75775-2$39.95* | £28.99 | C$45.95paperback

ISBN 978-0-292-75776-9$39.95*e-book

Presenting a new Teaching Arabic as a Foreign Language (TAFL) curriculum that can be used in secondary and postsec-ondary educational settings, Kalima wa Nagham (Volume I) is a textbook that uniquely and simultaneously introduces Modern Standard Arabic (MSA) and salient aspects of Educated Spoken Arabic (ESA) to beginning language students. Students who fully utilize this book should be able to develop the different language skills: listening, speaking, reading, writing, and expressing deep cultural knowledge.

Written by Arabic language teaching practitioners and expe-rienced educators who are certified language testers, Volume I of Kalima wa Nagham employs a threaded story that introduces lan-guage concepts along with music to enhance vocabulary retention and recall. At the core of the textbook are dialogues that present students and teachers with examples of Arabic grammatical con-cepts and important cultural aspects, as well as related vocabulary. These are supplemented by drills and activities that can be used in a classroom setting or pursued individually. Dialogues, pronuncia-tion and listening drills, and charts to accompany the lessons are available on the UT Press website. This volume is student-centered in content and methodology, which will enable learners to meet and exceed linguistic and cultural proficiency expectations.

new i n paperback

Photo from Ancient Origins of the Mexican Plaza by Logan Wagner et al.


Psycho-SexualMale Desire in Hitchcock, De Palma, Scorsese, and FriedkinB y D a v i d G r e v e n

Examining the intertextual reverberations between canoni-cal Hitchcock films and the New Hollywood of the 1970s, this revisionist reading challenges the received opinion of misogyny, racism, and homophobia presented in male desire featured in works by Hitchcock, De Palma, Scorsese, and Friedkin.


Disney’s Most Notorious FilmRace, Convergence, and the Hidden Histories of Song of the SouthB y J a s o n S p e r b

Analyzing histories of film reception, convergence, and race relations over seven decades, this pioneering book undertakes a superb, multifaceted reading of one of Hollywood’s most notori-ous films, Disney’s Song of the South.


isbn 978-0-292-75676-2$30.00* | £20.99 | paperback

isbn 978-0-292-74204-8$30.00* | e-book

isbn 978-0-292-75677-9$25.00* | £17.99 | paperback

isbn 978-0-292-74981-8$25.00* | e-book

The University of Texas Press is pleased to announce that

the following titles, which were published in hardcover in

the fall of 2012, are now available in paperback and as e-books.


Speech Presentation in Homeric EpicB y D e b o r a h B e c k

Drawing on narratology and linguistics, this first systematic examination of all the speeches in the Iliad and the Odyssey reveals a unified system of speech presentation in the Homeric epics that includes supposedly “modern” techniques such as free indirect speech.

The Fictional Christopher NolanB y To d d M c G o w a n

With close readings of Memento, Insomnia, Batman Begins, The Prestige, The Dark Knight, and Inception, this intellectually sophisticated study explores how Christopher Nolan has devel-oped a politically engaged filmmaking that makes explicit use of cinema’s tendency toward the lie.

| c l a s s i c s |


Conspiracy Theory in Latin LiteratureB y v i c t o r i a E m m a Pa g á nFo r e w o r d b y M a r k Fe n s t e r

This provocative new companion to Conspiracy Narratives in Roman History shows how viewing an array of Latin texts through the lens of conspiracy theory reveals a host of socioeconomic tensions from the Roman Republic through the age of the emperors.

| c l a s s i c s |

isbn 978-0-292-75679-3$25.00* | £17.99 | paperback

isbn 978-0-292-73882-9$25.00* | e-book

isbn 978-0-292-75678-6$25.00* | £17.99 | paperback

isbn 978-0-292-74278-9$25.00* | e-book

isbn 978-0-292-75680-9$19.95* | £13.99 | paperback

isbn 978-0-292-74979-5$19.95* | e-book


Américo ParedesCulture and CritiqueB y J o s é E . L i m ó n

Here is a rich critical study of the literary legacies bestowed by the late Américo Paredes (1915–1999) and the intellectual paths he created as a distinguished folklore scholar and one of the fore-bears of Mexican American Studies.

| l a t i n a / o s t u d i e s |

The Informal and Underground Economy of the South Texas BorderB y C h a d R i c h a r d s o n a n d M i c h a e l J . P i s a n i

This first comprehensive, multidisciplinary, longitudinal study of the “off-the-books” economic systems that fuel the Laredo-to-Brownsville corridor examines the complex repercussions of these legal and illegal forms of border commerce.

| l a t i n a / o s t u d i e s |

Monumentality in Etruscan and Early Roman ArchitectureIdeology and Innovation Edited by Michael L. Thomas and Gretchen E. MeyersA f t e r w o r d b y I n g r i d E . M . E d l u n d - B e r r y

| c l a s s i c s |

Experts explore what factors drove the emergence of scale as a defining element in ancient Italian architecture and how these factors influenced the origins and development of Etruscan and early Roman monumental designs.

isbn 978-0-292-75682-3$25.00* | £17.99 | paperback

isbn 978-0-292-73879-9$25.00* | e-book

isbn 978-0-292-75683-0$30.00* | £20.99 | paperback

isbn 978-0-292-73928-4$30.00* | e-book

isbn 978-0-292-75681-6$25.00* | £17.99 | paperback

isbn 978-0-292-74982-5$25.00* | e-book


Mexican Women in American FactoriesFree Trade and Exploitation on the BorderB y C a r o ly n Tu t t l e

Drawing on a rich data set of interviews with over 600 women maquila workers, this pathfinding book offers the first rigorous economic and sociological analysis of the impact of NAFTA and its implications for free trade around the world.

| l a t i n a m e r i c a n s t u d i e s |

Americans AllGood Neighbor Cultural Diplomacy in World War IIB y D a r l e n e J . S a d l i e r

This study of the most fully developed and intensive use of “soft power” diplomacy in U.S. history explores how the U.S. govern-ment enlisted Walt Disney, Orson Welles, John Ford, and other cultural leaders and institutions to bolster inter-American cul-tural ties and combat Axis infiltration during World War II.


Kuna Art and ShamanismAn Ethnographic ApproachB y Pa o l o Fo r t i s

This is the first book to study woodcarving and its relation to shamanism among Kuna people from the San Blas Archipelago, providing a rich new lens for understanding the Kuna worldview.


isbn 978-0-292-75686-1$25.00* | £17.99 | paperback

isbn 978-0-292-74355-7$25.00* | e-book

isbn 978-0-292-75684-7$25.00* | £17.99 | paperback

isbn 978-0-292-73915-4$25.00* | e-book

isbn 978-0-292-75685-4$25.00* | £17.99 | paperback

isbn 978-0-292-74980-1$25.00* | e-book


Tomorrow We’re All Going to the HarvestTemporary Foreign Worker Programs and Neoliberal Political EconomyB y L e i g h B i n f o r d

This exceptional study examines the experience of Mexican workers in the Canadian Seasonal Agricultural Worker Program (SAWP), widely considered a model program by the World Bank and other international institutions despite the significant violations of labor and human rights inherent in the terms of employment.

| a n t h r o p o l o g y |

Reclaiming IraqThe 1920 Revolution and the Founding of the Modern StateB y A b b a s k a d h i m

An essential exploration of the pivotal rebellion whose repercus-sions continue to be felt throughout the West, this timely study reclaims the early twentieth-century Iraqi revolution narrative to emphasize the voices of the vanquished, who lost the battle but ultimately won the war for Iraq’s independence.

| m i d d l e e a s t e r n s t u d i e s |

Corporate CropsBiotechnology, Agriculture, and the Struggle for ControlB y G a b r i e l a P e c h l a n e r

Here is an eye-opening examination of four legal cases concern-ing genetically modified seeds in Saskatchewan and Mississippi, using the lens of political economy to make crucial connections between sociological repercussions and legal proceedings involv-ing Monsanto, the leading producer of genetically engineered seed.

| s o c i o l o g y |

isbn 978-0-292-75688-5$25.00* | £17.99 | paperback

isbn 978-0-292-74978-8$25.00* | e-book

isbn 978-0-292-75689-2$25.00* | £17.99 | paperback

isbn 978-0-292-73926-0$25.00* | e-book

isbn 978-0-292-75687-8$25.00* | £17.99 | paperback

isbn 978-0-292-73947-5$25.00* | e-book


Desert PassionsOrientalism and Romance NovelsB y H s u - M i n g Te o

Ranging from “high” literature to erotica and popular fiction, this pioneering cultural history explores the gendered societal and political purposes that have been served by tales of romance between Western women and Arab men.

| m i d d l e e a s t e r n s t u d i e s |

The Texas Supreme CourtA Narrative History, 1836–1986B y J a m e s L . H a l e y

The award-winning author of Sam Houston, Passionate Nation, and Wolf: The Lives of Jack London offers a lively narrative his-tory of Texas’s highest court and how it helped to shape the Lone Star State during its first 150 years.

| t e x a s |

isbn 978-0-292-75848-3$29.95* | £20.99 | paperback

isbn 978-0-292-74883-5$29.95* | e-book

isbn 978-0-292-75690-8$30.00* | £20.99 | paperback

isbn 978-0-292-73940-6$30.00* | e-book

t e x a s o n t e x a s

Kenny Braun, The Lineup (South Padre Island, 2012), from Surf Texas


Surf TexasP H O T O G RA P H S B y k E N N y B RA U NForeword by Stephen Harrigan

| t e x a s | Photography

Evocative and nostalgic, this extended photo essay presents an in-

sider’s portrait of the surf culture of Texas, one of the top six surfing

states in America, as well as the singular and sometimes unexpected

beauty of the Texas coast

The urge to ride a wave, the search for the next perfect swell, is an enduring preoccupation that draws people to coast-lines around the world. In recent decades, surfing has grown into a multimillion-dollar industry with over three million surfers in the United States alone and an international competitive circuit that draws top surfers to legendary beaches in Hawaii, California, and Australia. But away from the crowds and the hype, dedicated surf-

ers catch waves in places like the Texas Gulf Coast for the pure pleasure of being in har-mony with life, their sport, and the ocean. Kenny Braun knows that primal pleasure, as both a longtime Texas surfer and a fine art photographer who has devoted years to capturing the surf culture on Texas beaches. In Surf Texas, he presents an eloquent photo essay that por-Jesus/Buddha Board (South Padre Island, 2001)


U N I v E R S I T y O F T E x A S P R E S S | S P R I N G 2 0 1 4 107Hurricane Isaac #1 (South Padre Island, 2012)


release date | march11 x 12 inches, 144 pages, 86 duo-tone photos

ISBN 978-0-292-75770-7$55.00 | £44.00 | C$63.50hardcover

ISBN 978-0-292-75772-1$55.00e-book

trays the enduring fascination of surfing, as well as the singular and sometimes unexpected beauty of the coast.

Texas is one of the top six surfing states in America, and Braun uses evocative black-and-white photography to reveal the essence of the surfers’ world from Galveston to South Padre. His images catch the drama of shooting the waves, those moments of skill and dar-ing as riders rip across the breaking face, as well as the downtime of bobbing on swells like seabirds and hanging out on the beach with friends. Braun also photographs the place—beaches and dunes, skies and storms, surf shops, motels, and parking lots—with a native’s knowing eye for defining details. Elegant and timeless, this vision of the Texas Coast is redolent of sea breezes and salt air and the memo-ries and dreams they evoke. Surfer or not, everyone who feels the pri-meval attraction of wind and waves will enjoy Surf Texas.

kENNy BRAUNAustin, Texas

Braun is best known for his environmental portraiture, landscape, and editorial photog-raphy. His work has appeared in Texas Monthly, Texas Highways, Southern Living, Wired, Spirit, and Women’s Health, as well as The Salt Lick Cookbook.

Cross Step (South Padre Island, 2012)

U N I v E R S I T y O F T E x A S P R E S S | S P R I N G 2 0 1 4 109End of the Road (South Padre Island, 2001)


| t e x a s | History

Winner of the Texas State Historical Association Coral Horton Tullis

Memorial Prize for Best Book on Texas History, this authoritative

study of red-baiting in Texas reveals that what began as a coalition

against communism became a fierce power struggle between conserva-

tive and liberal politics

Red ScareRight-Wing Hysteria, Fifties Fanaticism, and Their Legacy in TexasB y D O N E . C A R L E T O NForeword by John Henry Faulk

“A valuable and sometimes engrossing

cautionary tale.”—NEW yORk T I MES BOOk REv I EW

“Judicious, well written, and reliable, Red

Scare ranks among the top dozen books in the

field. . . . A splendid book that deserves the atten-

tion of everyone interested in the South and civil

liberties.”—AMER I CAN H I S TOR I CA L R Ev I EW

“This outstanding study of the McCarthy era

in Houston is not only the definitive work on

‘Scoundrel Time’ in that city, but also presents in

microcosm a brilliant picture of the phenomenon

that blighted the entire nation in the 1950s.”—PUBL I SHERS WEEkLy




City on FireThe Explosion That Devastated a Texas Town and Ignited a Historic Legal BattleB y B I L L M I N U TA G L I O

| t e x a s | History

First published in 2003, City on Fire is a gripping, intimate account

of the explosions of two ships loaded with ammonium nitrate fertil-

izer that demolished Texas City, Texas, in April 1947, in one of most

catastrophic disasters in American history

“Remarkable. . . . A terrific nonfiction work that

has the narrative force of an adventure novel.”—WASH I NG TON POS T

“[Among] the greatest life-or-death tales ever told.”—ESQU I R E

“History at its best, at once thrilling and illumi-

nating. The story of ambition, hubris, tragedy,

and bravery . . . is as timeless today in all of

America as it was back in Texas more than half

a century ago.”—DAv I D MARAN I SS

author of Barack Obama: The Story and First in His Class: A Biography of Bill Clinton

“City on Fire will stand on its own as one of the

finest books ever written about Texas.”—TExAS OBSERvER

BILL MINUTAGLIOAustin, Texas

Minutaglio is author or coauthor of eight books, including Dallas 1963, In Search of the Blues: A Journey to the Soul of Black Texas, First Son: George W. Bush and the Bush Family Dynasty, and Molly Ivins: A Rebel Life. His writing has appeared in the New York Times, Esquire, Newsweek, Outside: The Bulletin of the Atomic Scientists, and Texas Monthly, among other publications. He has been interviewed on the Today Show, CNN, NPR, PBS, and the BBC.

release date | february6 x 9 inches, 280 pages, 12 b&w photos

ISBN 978-0-292-75923-7$19.95 | £15.99 | C$22.95paperback

ISBN 978-0-292-76105-6$19.95e-book




STEPHEN HARRIGANAustin, Texas

Harrigan is the author of nine books of fiction and nonfiction, including the award-winning novels The Gates of the Alamo and Remember Ben Clayton and the critically acclaimed essay collection The Eye of the Mam-moth. He is a writer-at-large for Texas Monthly and a faculty fellow at the University of Texas’s Michener Center for Writers.

| t e x a s | Fiction

Originally published in 1984, Stephen Harrigan’s passionate, emo-

tionally intense second novel takes readers deep into the mysterious

passageways of a Central Texas aquifer—and of the human heart

Jacob’s WellA NovelB y S T E P H E N H A R R I G A NWith a new afterword by the author

“Stephen Harrigan makes every page of his book

seem new . . . When Sam, Libby, and Rick make

their climactic dive into the well’s nether pas-

sages, the suspense functions on several levels

at once. Will they come out alive? How is the

triangle going to resolve itself? Can the novelist

succeed in fusing his several strands of plot and

character with a single blaze of action?

My conscience won’t let me answer the first

two questions in the presence of anyone inclined

to read the book, but I have no qualms about the

third: yes, indeed.”—WASH I NG TON POS T


ISBN 978-0-292-75815-5$19.95 | £15.99 | C$22.95paperback

ISBN 978-0-292-76075-2$19.95e-book

B A C k I N P R I N T W I T H A N E W A F T E R W O R D

Rights: UT Press controls all except film


AransasA NovelB y S T E P H E N H A R R I G A NWith a new afterword by the author

| t e x a s | Fiction

A critically acclaimed debut novel first published in 1980, Aransas

recounts a young man’s attempt to find his place in the world as he

navigates the moral dilemma of training an “exquisitely conscious

being” to perform in a seaside dolphin circus

“A resonant first novel. Beneath

its genial surface, allusive under-

currents tug.” —NEW yORk T I MES BOOk REv I EW

“The sureness and poise of this first novel are as

remarkable as the sharpness, oddity, and clari-

ty of its feelings . . . Aransas is an elegant debut.”—NEWSWEEk

“Harrigan’s eye for locale and its

effect is superb.” —WASH I NG TON POS T BOOk WORLD

“Harrigan . . . has a sharp eye for observing

man, beast, seashore, and town in a vividly

drawn setting.” —PUBL I SHERS WEEkLy


ISBN 978-0-292-75814-8$19.95 | £15.99 | C$22.95paperback

ISBN 978-0-292-76073-8 $19.95e-book

B A C k I N P R I N T W I T H A N E W A F T E R W O R D

Rights: UT Press controls all except film


Midcentury Modern Art in TexasB y kAT I E R O B I N S O N E D W A R D S

| t e x a s | Art History

Extensively illustrated with works that have not been previously pub-

lished, Midcentury Modernism in Texas gives Texas artists their due

place in American art during this vital and canon-defining period,

while also valuing the quality of Texan-ness that subtly undergirds

much of their production

Before Abstract Expressionism of New York City was can- onized as American postwar modernism, the United States was filled with localized manifestations of modern art. One such place where considerable modernist activity occurred was Texas, where artists absorbed and interpreted the latest, most radical formal les-

sons from Mexico, the East Coast, and Eu-rope, while still responding to the state’s dramatic history and geography. This bare-ly known chapter in the story of American art is the focus of Midcentury Modern Art in Texas.

Presenting new research and artwork that has never before been published, Katie Robinson Edwards examines the contri-butions of many modernist painters and sculptors in Texas, with an emphasis on the era’s most abstract and compelling artists. Edwards looks first at the Dallas Nine and the 1936 Texas Centennial, which offered local artists a chance to take stock of who

they were and where they stood within the national artistic setting. She then traces the modernist impulse through various manifesta-tions, including the foundations of early Texas modernism in Hous-ton; early practitioners of abstraction and non-objectivity; the Fort Worth Circle; artists at the University of Texas at Austin; Houston artists in the 1950s; sculpture in and around an influential Fort Worth studio; and, to see how some Texas artists fared on a national scale, the Museum of Modern Art’s “Americans” exhibitions.

Above: Toni LaSelle, Study for Puritan (1947–1950). Courtesy of private collection, Dallas, and courtesy of Barry Whistler Gal-

lery and the Estate of Toni LaSelle. Photo by Allison V. Smith.

Opposite page: Marjorie Johnson, Still Life with Grapes (1951). Collection of the

Old Jail Art Center, Albany, Texas.




Forrest Bess, Untitled (1947). Menil Collection. Photo by Paul Hester.


kATIE ROBINSON ED -WARDSAustin, Texas

Edwards, Ph.D., is Curator of the Umlauf Sculpture Garden & Museum. In addition to curating exhibitions and writing on Texas art, she has written on Chuck Close, Jackson Pollock, Robert Rauschen-berg, Jessica Stockholder, Andrew Wyeth, and Jamie Wyeth. She taught modern and contemporary art at the Allbritton Art Institute at Baylor University for eight years.

Top: Henri Gadbois, Watermelon and Pomegranate (1953). Courtesy of the Collection of Linda and William

Reaves and of Henri Gadbois. Bottom: Robert O. Preusser, Receding Transit (1940). Courtesy of George

and Beverly Palmer and of Eric Preusser.

release date | july8 x 9¾ inches, 392 pages, 207 color plates

ISBN 978-0-292-75659-5$60.00 | £48.00 | C$70.00hardcover

ISBN 978-0-292-75665-6$60.00e-book


Common Woody Plants and Cacti of South TexasA Field GuideB y R I C H A R D B . TA y L O R

| t e x a s | Nature, Field Guides

With seven new species, new photographs, and a quick plant iden-

tification key, here is a completely updated and expanded edition of

A Field Guide to Common South Texas Shrubs, which has sold over

10,000 copies

RICHARD B. TAyLORUvalde, Texas

Taylor is a certified wildlife biologist with over thirty years’ experience in natural resource management. He provides technical assistance with white-tailed deer and other game species manage-ment, game bird management, non-game wildlife management, livestock management, water man-agement, habitat management, and prescribed burns.

Texas Natural History Guides™

release date | august4½ x 7¼ inches, 152 pages, 117 color photos

ISBN 978-0-292-75652-6$22.95 | £17.99 | C$26.50paperback

Woody plants and cacti are vital staple foods for cattle, deer, and other wildlife in drought-prone South Texas. Ranchers, hunters, and land managers who need to identify these plants relied on A Field Guide to Common South Texas Shrubs (published by Tex-as Parks & Wildlife Press and distributed by UT Press), which is no longer in print. Responding to ongoing demand for the book, Rich-ard B. Taylor has completely updated and expanded it with seven new species, new photographs, and a quick plant identification key.

Common Woody Plants and Cacti of South Texas is an easy-to-use plant identification field guide to fifty species that comprise an estimated 90 percent of the region’s woody canopy cover north of the Rio Grande Valley. The species accounts include photographs, de-scriptions, values to livestock and wildlife, and nutritional informa-tion. The book also provides historical perspectives and information on brush management techniques and strategies, as well as habi-tat appraisal. All of these resources will enable readers to analyze stocking rates for deer and cattle, evaluate a prospective hunting lease, or buy property.



Remarkable Plants of TexasUncommon Accounts of Our Common NativesB y M AT T W A R N O C k T U R N E R

| t e x a s | Nature, Botany

Now available in trade paperback, this extensively illustrated book

presents the remarkable natural and cultural history of eighty of

Texas’s most fascinating native plants

To fully appreciate how Texas’s native plants have sus- tained people and animals from prehistoric times to the present, you need Remarkable Plants of Texas. In this intriguing book, Matt Warnock Turner explores the little-known facts—be they archaeo-logical, historical, material, medicinal, culinary, or cultural—behind our familiar botanical landscape. In sixty-five entries that cover over eighty of our most common native plants from trees, shrubs, and wildflowers to grasses, cacti, vines, and aquatics, he traces our vast array of connections with plants. Turner looks at how people have used plants for food, shelter, medicine, and economic subsistence; how plants have figured in the historical record and in Texas folk-lore; how plants nourish wildlife; and how some plants have unusu-al ecological or biological characteristics. Illustrated with over one hundred color photos and organized for easy reference, Remarkable Plants of Texas can function as a guide to individual species as well as an enjoyable natural history of our most fascinating native plants.

MAT T WARNOCk TURNERAustin, Texas

Turner is a naturalist, teacher, and freelance writer who works at the University of Texas McCombs School of Business. An active member of the Native Plant Society of Texas, he has written articles and given lectures on botanical topics, as well as conducted nature walks at the Lady Bird Johnson Wild-flower Center.

The Corrie Herring Hooks Series

release date | published7 x 9 7/8 inches, 352 pages, 101 color photos, 1 map

ISBN 978-0-292-75703-5$29.95 | £23.99 | C$34.50paperback

ISBN 978-0-292-77371-4$29.95e-book


“An encyclopedia of excellent reference material

as well as . . . a satisfying read, both valuable

assets to have in any Texas naturalist’s library.”—TExAS PARkS & W I LD L I F E

“A book for those who really want the full story

on particular plants.” —FOR T WOR TH S TAR -T E L EGRAM



Highland Park and River OaksThe Origins of Garden Suburban Community Planning in TexasB y C H E R y L C A L D W E L L F E R G U S O N

| t e x a s | Urban Studies,

Tracing the development of Texas’s most prestigious suburban com-

munities, this book explores why community planning in the state has

sometimes succeeded in the suburbs while gaining only limited or no

acceptance at the city-wide level

CHERyL CALDWELL FER-GUSONAustin, Texas

Ferguson, an independent scholar with interests in architecture, sub-urban and city planning, fine arts, historic preservation, and decora-tive arts. She is the coauthor of Buildings of Texas: Central, South, and Gulf Coast.

In the early twentieth century, developers from Baltimore to Beverly Hills built garden suburbs, a new kind of residential com-munity that incorporated curvilinear roads and landscape design as picturesque elements in a neighborhood. Intended as models for how American cities should be rationally, responsibly, and beauti-fully modernized, garden suburban communities were fragments of a larger (if largely imagined) garden city—the mythical “good” city of U.S. city-planning practices of the 1920s.

This extensively illustrated book chronicles the development of the two most fully realized garden suburbs in Texas, Dallas’s Highland Park and Houston’s River Oaks. Cheryl Caldwell Ferguson draws on a wealth of primary sources to trace the planning, design, financing,

Architecture



implementation, and long-term management of these suburbs. She also analyzes homes built by such architects as H. B. Thomson, C. D. Hill, Fooshee & Cheek, John F. Staub, Birdsall P. Briscoe, and Charles W. Ol-iver, demonstrating how the “suburban country house” allowed the gar-den suburb to avoid undesirable associations with city neighborhoods and their uncontrolled industrial, commercial, and working-class resi-dential development. She also addresses the evolution of the shopping center by looking at Highland Park’s Shopping Village, which was one of the first in the nation. Ferguson sets the story of Highland Park and River Oaks within the larger story of the development of garden sub-urban communities in Texas and across America to explain why these two communities achieved such prestige, maintained their property values, became the most successful in their cities in the twentieth cen-tury, and still serve as ideal models for suburban communities today.

Roger Fullington Series in Architecture

release date | august8 x 10 inches, 302 pages, 202 color and b&w photos

ISBN 978-0-292-74836-1$70.00 | £56.00 | C$81.00hardcover

ISBN 978-0-292-75937-4 $70.00e-book

Miss Ima Hogg House, “Bayou Bend.” Courtesy Museum of Fine Arts,

Houston Archives, RG08-341-001. Photo by Rick Gardner.


Oveta Culp HobbyColonel, Cabinet Member, PhilanthropistB y D E B RA L . W I N E G A R T E N

| t e x a s | Young Adult Biography

This young adult biography introduces middle school readers to a

remarkable woman who founded the Women’s Army Corps, served as

Secretary of Health, Education, and Welfare, and ran a media empire

that included the Houston Post newspaper and radio and TV stations

DEBRA L. WINEGARTENAustin, Texas

Winegarten is a freelance writer whose previous books include There’s Jews in Texas?, Katherine Stinson: The Flying Schoolgirl, and Strong Family Ties: The Tiny Hawkins Story. She teaches sociol-ogy at a university in Austin.

Louann Atkins Temple Women & Culture Series

release date | april5∏ x 8∏ inches, 128 pages, 23 b&w photos

ISBN 978-0-292-72268-2$14.95 | £11.99 | C$17.50paperback

ISBN 978-0-292-75810-0$14.95e-book

Oveta Culp Hobby (1905–1995) had a lifetime of stellar achievement. During World War II, she was asked to build a wom-en’s army from scratch—and did. Hobby became Director of the Women’s Army Corps and the first Army woman to earn the rank of colonel. President Eisenhower chose her as Secretary of Health, Education, and Welfare, making her the second woman in history to be appointed to a president’s cabinet. When she wasn’t serving in the government, Hobby worked with her husband, former Texas governor William P. Hobby, to lead a media empire that included the Houston Post newspaper and radio and TV stations. She also supported the Houston community in many ways, from advocating for civil rights for African Americans to donating generously to the Houston Symphony and the Museum of Fine Arts.

Oveta Culp Hobby is the first biography of this important woman. Written for middle school readers, it traces her life from her child-hood in Killeen to her remarkable achievements in Washington, DC, and Houston. Debra Winegarten provides the background to help young adult readers understand the times in which Hobby lived and the challenges she faced as a woman in nontraditional jobs. She shows how Hobby opened doors for women to serve in the military and in other professions that still benefit women today. Most of all, Oveta Culp Hobby will inspire young adults to follow their own dreams and turn them into tangible reality.

Rights: UT Press controls all except film and audio


Acting Up and Getting DownPlays by African American TexansE D I T E D A N D W I T H I N T R O D U C T I O N S B y S A N D RA M A y O A N D E Lv I N H O LT

| t e x a s | African American Studies, Drama

A collection of seven compelling plays from award-winning Texas

writers, spanning turning points in history, intergenerational strug-

gles, and cultural triumphs while exploring the complexity of African

American life from a dazzling array of perspectives

SANDRA MAyOSan Marcos, Texas

Mayo is Director of Graduate Stud-ies for the Department of Theatre and Dance and Associate Professor of Theatre at Texas State University.

ELvIN HOLTSan Marcos, Texas

Holt is Professor of English at Texas State University.

Southwestern Writers Collection SeriesThe Wittliff Collections at Texas State UniversitySteven L. Davis, Editor


ISBN 978-0-292-75480-5$24.95* | £19.99 | C$28.95paperback

ISBN 978-0-292-75479-9$55.00* | £44.00 | C$63.50hardcover

ISBN 978-0-292-72766-3$24.95*e-book

One of the few books of its kind, Acting Up and Getting Down brings together seven African American literary voices that all have a connection to the Lone Star state. Covering Texas themes and universal ones, this collection showcases often-overlooked liter-ary talents to bring to life inspiring facets of black theatre history.

Capturing the intensity of racial violence in Texas, from the Battle of San Jacinto to a World War I–era riot at a Houston train-ing ground, Celeste Bedford Walker’s Camp Logan and Ted Shine’s Ancestors provide fascinating narratives through the lens of history. Thomas Meloncon’s Johnny B. Goode and George Hawkins’s Br’er Rabbit explore the cultural legacies of blues music and folktales. Three unflinching dramas (Sterling Houston’s Driving Wheel, Eu-gene Lee’s Killingsworth, and Elizabeth Brown-Guillory’s When the Ancestors Call) examine homosexuality, a death in the family, and child abuse, bringing to light the private tensions of intersections between the individual and the community.

Supplemented by a chronology of black literary milestones as well as a playwrights’ canon, Acting Up and Getting Down puts the spotlight on creative achievements that have for too long been ex-cluded from Texas letters. The resulting anthology not only provides new insight into a regional experience but also completes the Ameri-can story as told onstage.

Rights: UT Press controls all except dramatic, film, and audio


Nature

uchi T H E C O O K B O O K

B Y T Y S O N C O L E A N D J E S S I C A D U P U Y

F O R E W O R D B Y L A N C E A R M S T R O N G

Food & Drink

Edible and Useful Plants of the SouthwestTexas, New Mexico, and Arizona

Revised Editionby delena tull

ISBN 978-0-292-74827-9$29.95 | £23.99


$29.95e-book

How to Grow Native Plants of Texas

and the SouthwestRevised and Updated Edition

by jill nokes

Illustrated by Kathryn Miller BrownISBN 978-0-292-75573-4

$29.95 | £23.99paperback

Texas WildflowersA Field Guide

Revised Editionby campbell and lynn loughmiller

Updated by Damon Waitt, Lady Bird Johnson Wildflower Center

ISBN 978-0-292-71286-7$19.95 | £15.99


$19.95e-book

¡Viva Tequila!Cocktails, Cooking, and Other Agave Adventuresby lucinda hutson

ISBN 978-0-292-72294-1$34.95 | £27.99


$34.95e-book

UchiThe Cookbook

by tyson cole and jessica dupuy

Foreword by Lance ArmstrongISBN 978-0-292-77129-1

$39.95 | £32.00hardcover

The Salt Lick CookbookA Story of Land,

Family, and Loveby scott roberts and

jessica dupuy

ISBN 978-0-292-74551-3$39.95 | £32.00

hardcover


Music

Now in Paperback

Mojo HandThe Life and Music of

Lightnin’ Hopkinsby timothy j. o’brien and david ensminger

ISBN 978-0-292-74515-5$29.95 | £23.99


$29.95e-book

In Search of the BluesA Journey to the Soul

of Black Texasby bill minutaglio

Foreword by Linda JonesISBN 978-0-292-72289-7

$24.95 | £19.99paperback

ISBN 978-0-292-77856-6$24.95

e-book

Texas TornadoThe Times and Music

of Doug Sahmby jan reid,

with shawn sahm

ISBN 978-0-292-72244-6$19.95 | £15.99


$19.95e-book

Stirring It Up with Molly Ivins

A Memoir with Recipesby ellen sweets

Foreword by Lou DuboseISBN 978-0-292-75423-2

$15.95 | £12.99paperback

ISBN 978-0-292-74220-8$15.95

e-book

A Thousand DeerFour Generations of Hunting

and the Hill Countryby rick bass

ISBN 978-0-292-75628-1$16.95 | £13.99


$16.95e-book

One Ranger Returnsby h. joaquin jackson,

with james l. haley

ISBN 978-0-292-74839-2$15.00paperback

ISBN 978-0-292-77966-2$15.00

e-bookFor sale in the USA and its

dependencies only

t o w e r books

Harry Ransom Center, University of Texas at Austin. Courtesy TxDOT/Stan A. Williams.

Tower Books is named in honor of the University of Texas at Austin’s most

prominent landmark. Acting as a consul-tant and publisher, the University of Texas Press partners with colleges, schools, and

other divisions of the university to produce institutional histories, commemorative

anniversary editions, and similar volumes under the Tower Books imprint.


h a r r y r a n s o m c e n t e r

The World at War, 1914–1918B y J E A N M . C A N N O N A N D E L I Z A B E T H L . G A R v E R

| t o w e r b o o k s | History

This catalogue of a centennial exhibition of

World War I literary and visual materials in

the collection of the Harry Ransom Center at the

University of Texas at Austin illuminates the

lived experience of the war and its impact on

soldiers and civilians

JEAN M. CANNON AND ELIZABETH L. GARvERAustin, Texas

Cannon and Garver are cocurators of the Harry Ransom Center gallery ex-hibition The World at War, 1914–1918. Cannon is Literary Collections Research Associate at the Ransom Center. Prior to joining the Center, she completed a Ph.D. in English at the University of Texas at Austin, where she specialized in British and Ameri-can literature of the First World War. Garver is French Collections Research Associate at the Ransom Center, where she has worked since 2000. She is cur-rently a Ph.D. candidate in modern European history at the University of Texas at Austin.

The exhibition The World at War, 1914–1918 marks the centenary of the start of World War I. Once thought to be “the war to end war,” such naïve optimism was quickly shattered by the experi-ence of civilian and soldier thrust into the shared horror of industrial warfare. The war lasted four long years and killed ten million people. Wilfred Owen eulogized those killed in battle as “our undying dead.” Siegfried Sassoon called them “the nameless names.” And Gertrude Stein famously pronounced the casualties as well as the survivors of the war the “Lost Generation,” whose worldview had been changed forever. The geopolitical causes, the war’s global expansion, and the out-comes of the war are well documented. The collective personal and national trauma inflicted on all who experienced the war, however, remains a potent touchstone that speaks to a contempo-rary world still embroiled in conflict.

Drawing on the Ransom Center’s extensive cultural collections, this exhibition and companion publication illuminate the lived experi-ence of the war from the point of view of its participants and observ-ers, preserved for a twenty-first-century generation through letters, drafts, and diaries; memoirs and novels; photographs and works pro-duced by battlefield artists; and propaganda posters and films.

Distributed for the Harry Ransom Center at the University of Texas at Austin

release date | february9 x 10¾ inches, 96 pages, 152 color and b&w illustrations

ISBN 978-0-292-75754-7$20.00* | £13.99 | C$22.95paperback

E. J. Kealey, “Women of Britain Say—GO!” (1915)

U N I v E R S I T y O F T E x A S P R E S S | S P R I N G 2 0 1 4 129Manuscript of Siegfried Sassoon’s poem “The General” (1918)


UTAustinX Massive Open Online Courses

Announcing an exciting new venture in twenty-first century education

Through its newly launched UTAustinX, the University of Texas

at Austin is offering tuition-free massive open online courses

(MOOCs) to students around the globe who want to explore some of

the most topical issues of our day with some of the university’s

most distinguished faculty. Created by the College of Liberal Arts

Instructional Technology Services and distributed by the University

of Texas Press, the content from two of the initial MOOCs being

offered will be available as reasonably priced enhanced e-books.

Presenting the course material through video, audio, and text, these enhanced e-books will provide a useful summary for en-rolled students, but they are also designed for nonstudents with a general interest in the topic. They are available through app stores at Apple, Amazon, Kobo, Barnes & Noble, and Google. Readers who prefer using a desktop or laptop with a standard web browser can purchase them from Vook.com.

UTAustinX is a partnership with edX, an online nonprofit learning initiative founded by Harvard University and the Massa-chusetts Institute of Technology (MIT) in 2012. UTAustinX’s first set of nine showcase courses were selected by the UT System’s Insti-tute for Transformational Learning with support from the Provost’s Center for Teaching and Learning. They are taught by faculty from the Colleges of Liberal Arts, Natural Sciences, Fine Arts, Engineer-ing, and Pharmacy. For more information on UTAustinX visit: www.edx.org/school/UTAustinX/allcourses.

| t o w e r b o o k s | Enhanced E-Books/Apps


Age of Globalizationjohn hoberman, instructor

Globalization is a fascinating spectacle that can be understood as global systems of com-petition and connectivity. These man-made systems provide transport, communication, governance, and entertainment on a global scale. International crime networks are also outgrowths of the same systems. In this course, you will learn how to identify and ana-lyze global systems and better understand how they are changing societies around the world.

John Hoberman, Professor and former Chair of the Department of Germanic Stud-ies at the University of Texas at Austin, has taught courses on globalization many times over the past ten years.

release date | published

ISBN 978-0-292-75999-2$7.99 | e-book /app

Ideas of the Twentieth Centurydaniel bonevac, roy flukinger, and daniel muñoz, instructors

The twentieth century ushered in significant progress, as philosophers, scientists, artists, and poets across the world improved the way we lived. Yet the last century also brought in-creased levels of war, tyranny, and genocide, and people lost faith in values. Now, thinkers and leaders are reconstructing theories of val-ue and creating institutions to embody them. In this thought-provoking, broad-sweeping course, you will learn how philosophy, art, lit-erature, and history shaped the past century and continue to impact our world today.

Daniel Bonevac is Professor of Philoso-phy at the University of Texas at Austin. Roy Flukinger is Senior Research Curator of the Harry Ransom Center. Daniel Muñoz, a ju-nior at the university studying philosophy and linguistics, serves as coeditor of Ex Ni-hilo, UT’s undergraduate philosophy journal.

release date | published

ISBN 978-0-292-75998-5$7.99 | e-book /app

Distributed for Liberal Arts Instructional Technology Services, University of Texas at Austin

Distributed for Liberal Arts Instructional Technology Services, University of Texas at Austin

j o u r n a l s

“School Project.” From the Milwaukee Journal Sentinel newspaper, April 22, 1967. © Journal Sentinel, Inc., and used with permission

from the Wisconsin Historical Society (Image ID: 7382).


ArchaeoastronomyThe Journal of Astronomy in CultureE D I T O R : J O H N B . C A R L S O NCenter for Archaeoastronomy

The study of the astronomical practices, celestial lore, mythologies, religions, and worldviews of all ancient cultures is the essence of Archaeoastronomy. This annual journal is published for the Center for Archaeoastronomy and ISAAC, the International Society for Archaeoastronomy and Astronomy in Culture.

Number 24SPECIAL ISSUE: THE MAyA CALENDAR AND

“2012 PHENOMENON” STUDIES

Mark Van StoneIt’s Not the End of the World: What the Ancient Maya Tell Us about 2012

Carl D. CallawayPrimordial Time and Future Time: Maya Era Day Mythology in the Context of the Tortuguero 2012 Prophecy

Michael J. GrofeThe Sidereal Year and the Celes-tial Caiman: Measuring Deep Time in Maya Inscriptions

Erik BootMaya Mythology: Only One Reference to 2012?

Barbara MacLeodHolding the Balance: The Role of a Warrior King in the Reciproc-ity between War and Lineage Abundance on Tortuguero Monument 6

Asian MusicE D I T O R : R ICARDO D. TR IM ILLOS

Asian Music, the journal of the Society for Asian Music, is the leading journal devoted to ethnomusicology in Asian music, publishing all aspects of the performing arts of Asia and their cultural context.

Volume 45, Number 1Winter / Spring 2014

Jereon Groenewegen-Lau Steel and Strawberries: How Chi-nese Rock Became State-Sponsored

Gibb Schreffler“It’s Our Culture”: Dynamics of the Revival and Reemergence of Punjabi Jhummar

Roald MaliangkayThere Is No Amen in Shaman: Traditional Music Preservation and Christianity in South KoreaAnnual

ISSN 0190-9940Ind iv iduals $44/yrInstitutions $92/yr


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Lisa M. CookVenerable Traditions, Modern Manifestations: Understanding Mayuzumi’s Bunraku for Cello

Cinema JournalE D I T O R : W I L L B R O O k E RKingston University, UK

Cinema Journal is a quarterly journal sponsored by the Society for Cinema and Media Studies, a professional organiza-tion of film and media scholars.

Brooke Belisle Depth Readings: Ken Jacobs’s Digital, Stereographic Films

Julie WilsonStardom, Sentimental Educa-tion, and the Shaping of Global Citizens

Jens AndermannExhausted Landscapes: Refram-ing the Rural in Recent Argen-tine and Brazilian Films

Michele AaronCinema and Suicide: Necroman-ticism, Dead-already-ness, and the Logic of the Vanishing Point

Karl SchoonoverHistrionic Gestures and Histori-cal Representation: Masina’s Cabiria, Bazin’s Chaplin, and Fellini’s Neorealism

Volume 53, Number 2Winter 2013

QuarterlyISSN 0009-7101Ind iv iduals $55/yrInst itut ions $183/yr

SemiannualISSN 0044-9202Ind iv iduals $38/yrInst itut ions $82/yrStudents $25/yr


Journal of the History of SexualityE D I T O R : M AT H E W k U E F L E RSan Diego State University

Journal of the History of Sexuality spans geographic and temporal boundaries, providing a much-needed forum for his-torical, critical, and theoretical research in its field. Its cross-cultural and cross-disciplinary character brings together original articles and critical reviews from historians, social scientists, and humanities scholars worldwide.

Volume 23, Number 1 January 2014

Information & CultureE D I T O R : W I L L I A M F. A S P RA y, J R .University of Texas at Austin

Information & Culture, formerly Libraries & the Cultural Record, publishes high-quality historical studies of topics that fall under information studies as it is practiced by the interdisciplinary information schools. New topics include the intellectual history of the concept of information; the historical development of informa-tion as an aspect of societies; the history of information work and information workers across society; and the history of information seeking behavior in everyday life, both within and beyond tradition-al information institutions such as libraries and museums.

Volume 49, Number 1 2014

Patricia GallowayFrom Archival Management to Archival Enterprise to the Infor-mation Domain: David Gracy and the Development of Archival Edu-cation at the University of Texas

Randall C. JimersonArchives and Society: David B. Gracy II and the Value of Archives

Anne GillilandProfessional, Institutional, and National Identities in Dialog: The Development of Descriptive Practices in the First Decade of the US National Archives

Deanna MarcumArchives, Libraries, Museums: Coming Back Together?

Martha Doty FreemanPreservation of Texas’s Public Records, a Vital Work in Progress

QuarterlyISSN 2164-8034Ind iv iduals $52/yrInst itut ions $176/yrStudents/Retired $30/yr

Sanjay GautamThe Courtesan and the Birth of Ars Erotica in the Kamasatra: A History of Erotics in the Wake of Foucault


Sarah Toulalan“Is He a Licentious Lewd Sort of a Person?”: Constructing the Child Rapist in Early Modern England

B. R. BurgSodomy, Masturbation, and Courts-Martial in the Antebel-lum American Navy

Dominic JanesOscar Wilde, Sodomy, and Mental Illness in Late Victorian England

Heather Murray“This Is 1975, Not 1875”: Despair and Longings in Women’s Let-ters to Cambridge Lesbian Lib-eration and Daughters of Bilitis Counselor Julie Lee in the 1970s

S. Kathleen La Voy, Matthew J. L. Brand, and Collin R. McFaddenAn Important Lesson from Our Past with Significance for Our Future: Alfred Adler’s Gemein-schaftsgefühl

Kelly Gfroerer, Jane Nelsen, and Roy KernPositive Discipline: Helping Children Develop Belonging and Coping Resources Using Individual Psychology

The Journal of Individual PsychologyE D I T O R S : W I L L I A M L . C U R L E T T E A N D R O y M . k E R NGeorgia State University

The Journal of Individual Psychology provides a forum for the finest dialogue on Adlerian practices, principles, and theoreti-cal development. Articles relate to theoretical and research issues as well as to concerns of practice and application of Adlerian psy-chological methods. The Journal of Individual Psychology is the journal of the North American Society of Adlerian Psychology.

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TriannualISSN 1043-4070Ind iv iduals $57/yrInst itut ions $288/yrStudents $36/yr


Jill Duba Sauerheber and James Robert BitterAn Adlerian Approach in Premarital Counseling with Religious Couples

Volume 69, Number 4Winter 2013

Rocky Garrison and Daniel EcksteinEthical Considerations Involv-ing Informed Consent in Adle-rian Open Forum Counseling


Studies in Latin American Popular CultureE D I T O R : M E L I S S A A . F I T C HThe University of Arizona

Studies in Latin American Popular Culture, an annual in-terdisciplinary journal, publishes articles, review essays, and in-terviews on diverse aspects of popular culture in Latin America. Since its inception in 1982, the journal has defined popular cul-ture broadly as “some aspect of culture which is accepted by or consumed by significant numbers of people.” This definition has had one caveat: it does not normally include what is frequently called folk culture or folklore.

Latin American Music ReviewE D I T O R : R O B I N M O O R EUniversity of Texas at Austin

Latin American Music Review explores the historical, ethnographic, and sociocultural dimensions of Latin American mu-sic in Latin American social groups, including the Puerto Rican, Mexican, Cuban, and Portuguese populations in the United States.

Volume 34, Number 2 Fall / Winter 2013

Darien LamenClaiming Caribbeanness in the Brazilian Amazon: Lambada, Critical Cosmopolitanism, and the Creation of an Alternative Amazon

Gabriel Ferr azHeitor Villa-Lobos e Getúlio Vargas: Doutrinando crianças por meio da educação musical

Maria Caridad Cumaná and K aren DubinskyBeginning a New Cuban Dream: An Interview with Carlos Varela

Lani MilsteinToward an Understanding of Conga santiaguera: Elements of La conga de Los Hoyos

Eduardo Herrer aEl compositor uruguayo Coriún Aharonián: Música, ideología y el rol del compositor en la sociedad

SemiannualISSN 0163-0350Ind iv iduals $42/yrInst itut ions $128/yr


Texas Studies in Literature and LanguageE D I T O R - I N - C H I E F: k U R T H E I N Z E L M A NUniversity of Texas at Austin

Texas Studies in Literature and Language is an established journal of literary criticism publishing substantial essays reflect-ing a variety of critical approaches and covering all periods of literary history.

Volume 56, Number 1 Summer 2014


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Volume 31, 2013

AnnualISSN 0730-9139Ind iv iduals $38/yrInst itut ions $96/yr

Kerry T. HegartyFrom Superhero to National Hero: The Populist Myth of El Santo

Paul SneedActs of Love: Popular Performance and Community Encounters in the Favela

John TytellBeat Mexico

Rafael Arreaza-ScrocchiThe Latin American Liberator Simón Bolívar in Miami: Six Images, Five Locations

Susan Wiebe DrakeHeroic Journeys: The Immigrant Experience as the Hero’s Journey in El Norte/The North and La misma luna/Under the Same Moon

Annie McNeill GibsonSambando New Orleans: Dancing Race, Gender, and Place with Casa Samba

Robert W. Smith, Michael A. Morris, and Juan Pablo RiverosEthics, Political Symbols, and Comparative Cultural Analysis: The Case of Chile

Richard A. GordonThe Role of Cafundó’s (2005) Offi-cial Website in the Film’s Revision of Brazilianness

César Jesús Burgos DávilaNarcocorridos: Antecedentes de la tradición corridística y del narco-tráfico en México

Derek Updegraff The Translatability of Manu-script Pages Containing Old English Verse (with an Illustra-tive Translation of The Exeter Book, Folios 98r–101r and 124r–124v)

Lara Dodds“To due conversation accessible”: or, The Problem of Courtship in Milton’s Divorce Tracts and Paradise Lost

Karen GuendelJohnny Foy: Wordsworth’s Imaginative Hero

Marius HenteaThe End of the Party: The Bright Young People in Vile Bodies, Afternoon Men, and Party Going


The Velvet Light TrapThe Velvet Light Trap offers critical essays on significant issues in film studies while expanding its commitment to television as well as film research. Each issue provokes debate about critical, theoretical, and historical topics relating to a particular theme.

The Velvet Light Trap is edited at the University of Wisconsin at Madison and the University of Texas at Austin, with the support of media scholars at those institutions and throughout the country.

Number 73 Spring 2014

EARLy COLD WAR MEDIA

Michael BaskettJapan’s Film Festival Diplomacy in Cold War Asia

Abby HinsmanUndetected Media: Intelligence and the U-2 Spy Plane

Ken ProvencherBizarre Beauty: 1950s Runaway Production in Japan

Noah TsikaSoft Power Cinema: Corporate Sponsorship, Visual Pedagogy, and the Cultural Cold War in West Africa

SemiannualISSN 0149-1830Ind iv iduals $36/yrInst itut ions $120/yr

Fred TurnerThe Corporation and the Coun-terculture: Revisiting the Pepsi Pavilion and the Politics of Cold War Multimedia


Journal of Latin American GeographyE D I T O R : D Av I D R O B I N S O NSyracuse UniversityDistributed by the University of Texas Press

The Journal of Latin American Geography is a publica-tion of the Conference of Latin Americanist Geographers. This triannual publishes a collection of articles representing the wide-ranging interests of geographers who research and write on Latin American topics.

TriannualISSN 1545-2476Ind iv iduals $70/yrInst itut ions $120/yrStudents $20/yr

For complete subscription information on all

UT Press journals, write to:

Journals DivisionUNIVERSITY OF TEXAS PRESS

PO BOX 7819AUSTIN TX 78713-7819

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Prices subject to change September 1, 2014. • Electronic versions of all jour-nals, except Archaeoastronomy, are available to libraries and institutions through Project Muse. • Electronic sub-scriptions are available for Informa-tion & Culture, Journal of the History of Sexuality, Latin American Music Review, Studies in Latin American Popular Culture, Texas Studies in Lit-erature and Language, and The Velvet Light Trap, as well as electronic legacy content for Genders (1988–1993) and the Joyce Studies Annual (1990–2003). See the University of Texas Press web-site for ordering information. • Back issues of Asian Music, Cinema Journal, Information & Culture, Journal of the History of Sexuality, Journal of Latin American Geography, Latin American Music Review, and Texas Studies in Literature and Language are available electronically through JSTOR.

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journals

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Abuhakema et al., Kalima wa Nagham . . . . . . . . . . . . 93Aghaie & Marashi, Rethinking Iranian Nationalism and Modernity . . . . . . . . . . . . . . . . . . . 92Bawardi, The Making of Arab Americans . . . . . . . . . . . . . . . . . . . . . . . . 88Beug et al., Ascomycete Fungi of North America . . . . . . . . . . . . . .56–57Braun, Surf Texas. . . . . . .104–107Brosseder, The Power of Huacas . . . . . . . . . . . . 68Broyles et al., Among Unknown Tribes. . . . 48–51Carleton, Red Scare (reissue). . . 108Catti & Swift, The Chora of Metaponto 5. . . . . . 78Cook, Land, Livelihood, and Civility in Southern Mexico . . . 62Cox, American Christianity . . . . 20–21Cutrara, Wicked Cinema. . . . . . 83deHaven-Smith, Conspiracy Theory in America (new in paper) . . . . . . . . . . . . . . . . . . . . 28Dowling, Mexican Americans and the Question of Race . . . . . . . 74Edwards, Midcentury Modern Art in Texas. . . . . . . . . . . . . . . .112–115Fach Gómez, El derecho en español . . . . . . . . . . . 54Farthing & Kohl, Evo’s Bolivia . . . . . . . . . . . . . . . . .60–61Ferguson, Highland Park and River Oaks . . . . . . . . . . .118–119Fojas, Islands of Empire. . .84–85Fuchs, Israeli Feminist Scholarship. . . . 90Garrett, Organic Lawn Care . . . . . . . .36–37Gaspar de Alba, [Un]Framing the “Bad Woman” . . . . . . . . . . . 70–71Gershoni, Arab Responses to Fascism and Nazism. . . . . . . . . . . . 89Grumberg, Jean-Claude Grumberg . . .46–47Halperin, Maya Figurines. . . . . . . . . . . . . 76–77Harrigan, Aransas (reissue) . . . . . . . . . . . . . . . . 111Harrigan, Jacob’s Well (reissue) . . . . . . . . . . . .110Harrison, Sin and Confession in Colonial Peru . . . . . . . . . . . . . . . . . 69Harry Ransom Center, The World at War, 1914–1918 . . . . . . . . . . . . . . . . .126–127High Museum of Art, Wynn Bullock . . . . . . . . . . . . . . . . . . 6–9Hogeland, Founding Finance

(new in paper) . . . . . . . . . . . . . . . . . . . . 30

Kulic et al., Sanctioning Modernism . . . . . . . 79

Lake|Flato, Lake|Flato Houses. . . . . . . . . . 22–25

Mark, Man and Beast. . . . . .10–13

Marshall, The Surprising Design of Market Economies (new in paper). . . . . . 31

Mayo & Holt, Acting Up and Getting Down. . . . . . . . . . . . . .121

Minutaglio, City on Fire (reissue). . . . . . . . . . .109

Mizejewski, Pretty/Funny . . . . . . . . . . . . . . .80–81

Neruda, One Hundred Love Sonnets (redesign) . . . .18–19

Novo, Pillar of Salt. . . . . . . . .52–53

Nutini & Nutini, Native Evange-lism in Central Mexico . . . . . . . . . 63

Pierson, Spike, Mike, Slackers, and Dykes (reissue) . . . . . . . .26–27

Rivas-Rodriguez & Olguín, Latina/os and World War II . . . . . . . . . . . . . . . . 72–73

Rosman-Stollman, For God and Country?. . . . . . . . . . 91

Russo, The Untranslatable Image . . . . . 65

Schwaller & Nader, The First Letter from New Spain . . . . .66–67

Shary, Generation Multiplex (revised edition) . . . . . . . . . . . . . . . . . . 82

Spalding, Contesting Trade in Central America . . . . . . . . . . . . . . . . . . 64

Sterling, Yucatán. . . . . . . . . . .14–17

Strand, Killer on the Road (new in paper) . . . . . . . . . . . . . . . . . . . . 29

Taylor, Common Woody Plants and Cacti of South Texas. . . . . . 116

Turner, Remarkable Plants of Texas (new in paper) . . . . . . . . . . 117

UTAustinX, Age of Globalization (e-book/app) . . . . . . . . . . . . . . . . . . . . 129

UTAustinX, Ideas of the Twenti-eth Century (e-book/app) . . . . . 129

Weik von Mossner, Cosmopolitan Minds . . . . . . . . . . . . 86

Winegarten, Oveta Culp Hobby. . . . . . . . . . . . . . 120

Winters, America (second edition). . . .32–35

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university of texas press spring & summer | rights catalog

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