Patterson, Christopher C. (2020) Using newspaper content ...
Truth Beauty Power- The Christopher Dresser project
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Transcript of Truth Beauty Power- The Christopher Dresser project
Some introductions: Me, Dr Dresser and Harry
The Dorman Museum: HLF bid > New Acquisition AHRC project> Interviewing Harry> Teesside University > The Dresser Society launch
The New Gallery The Dresser community – museums, scholars, Collectors, Dealers
OBJECTS and stories they tell.
‘Have nothing in your house that you do not know to be useful, or believe to be beautiful.’
Raising Handicraft and the Decorative Arts to the same status as Fine Art – and Raising the status of the craftsperson.
Joy in labour - humans should enjoy work rather than being drones enslaved by machines.
Improving lives through good, well-made, affordable design.
1834-1904 First professional design consultant?
Worked for over 50 manufacturers
Government School of Design ( now RCA) from 1847 – aged 13.
Owen Jones - mentor
1876 - Studies in Design
◦ 1999 Exhibition: Dresser: People's Designer, New Century Antiques
◦ 2004 Exhibition: Christopher Dresser : A Design Revolution V&A Cooper-Hewitt
◦ 2004-5 Exhibition: Christopher Dresser : Centenary Exhibition , Dorman Museum
◦ 2005 Book: Christopher Dresser the People’s Designer
◦ 2007 Exhibition: Into Africa – Dorman Museum
198 objects, supplement the 1060-item Linthorpe collection
Metalware; Furniture; Ceramics; Glass; Wallpaper and textiles; other miscellaneous items
Hukin and Heath Cruet
1878
Thomas Knight c.1884
Wedgwood Fish vase c.1866.
Clutha Vase, c.1888-92
Library: Books, Journals, Exhibition Catalogues and pamphlets.◦ 216 items ◦ 90 primary sources ◦ Include: exhibition catalogues, trade journals
Research resources: Papers and Photographs◦ Notes arranged by topic◦ Primary newspaper articles◦ Photographic research images
Audio recordings; summary of conversation and full transcripts
Reputation of Dresser Role of museums, experts, academics Debates over attributions Future plans
Teesside University and Dorman Museum
Paul Denison ( Senior Lecturer in Design History) and Chris Dresser