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Transcript of Toyo-View 45C
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lntroductionCongratulat ion - on becoming the owner of a Toyo-View 45C camera.
Your Toyo-View 45C has been careful ly designed and craf ted using
our t ime proven technology and exper ience in large format cameraproduct ion for rugged use on locat ion or in the studio. The camera
w i l l open up an exc i t i ng new wor ld to you , a wor ld i n wh ich you can
exp lo re new d imens ions in pho tog raphy .
The fo l l ow ing pages w i l l rev iew bas ic opera t ion and w i l l exp la in thepurpose and the use o f many fea tu res bu i l t - i n to the camera . To useyour camera most ef f ic ient ly we recommend that the instruct ions are
caref u l ly read.
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ContentsNomenclatures . . .Basic Operation .
Assemb lyM o u n t i n g t h e l e n sChang ing the be l l ows and camera backBr inging the camera to the neutra l (zero) posi t ion
Pho tog raph ingUniversal BackCamera Movements
R ise and sh i f t con t ro l t he image pos i t i on ing fo rimproved composi t ion
A. To contro l image vert ical ly , use f ront and rearstandards r ise
B. To contro l image lateral ly , use f ront and rearstandards shi f t
T i l t and swing of rear standard compensate or
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emphasize perspect ive and distor t ion of subjectC. To contro l ver t ical ly , use rear standard t i l tD. To contro l hor izontal ly , use rear standard swing
Ti l t and swing of f ront standard contro l the focus anddepth of f ie ld regardless the aperture ef fect
E . To con t ro l ve r t i ca l l y , use f ron t s tandard t i l tF . To con t ro l ho r i zon ta l l y , use f ron t
s tandard sw ingAccessories to Increase Camera PerformanceChoosing View Camera LensesSpecifications .
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Basic OperationASSEMBLY
You r Toyo-V iew 45C is care f u l l y packaged as
th ree componen ts i n p re fo rmed s t y ro fo rms . l t
can be se t up o r d i sassemb led qu i ck l y f o r ease
in s t o r i ng o r ca r r y i ng i n r e l a t i ve l y sma l l spaces .
1 . Remove ca re fu l l y t he componen t o f f r on t
and rear s tandards assembled w i th be l lows,
camera back and l ensboa rd ; mono ra i l w i t h
removab le end caps ; and t r i pod moun t i ng
b lock f rom the package.
R e m o v e o n e o f t h e e n d c a p s f r o m t h e
m o n o r a i l . D e p r e s s t h e l o c k i n g b u t t o n
u s i n g a s h a r p p o i n t e d m a t t e r a n d s l i d e t h e
e n d c a p o f f t h e r a i l .
T h e m o n o r a i l i s f i n i s h e d i n m a t t e b l a c k s o
t h a t t o a v o i d g l a r i n g .
L o o s e n t h e f a s t f o c u s l o c k i n g k n o b s o n t h e
f r o n t a n d r e a r s t a n d a r d s , a n d r e m o v e t h e
c a r d b o a r d s h i p p i n g t u b e f r o m t h e s t a n d -
a r d s .
2 .
3 .
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S l i d e t h e m o n o r a i l t h r o u g h t h e f r o n t
s t a n d a r d g e n t l y . M a k e c e r t a i n t h a t t h e
r i b b e d g u i d e o n t h e m o n o r a i l f i t s t h e k e y -
w a y o n t h e f r o n t s t a n d a r d .
S l i d e t h e r e a r s t a n d a r d o n t h e m o n o r a i l
a n d r e p l a c e t h e m o n o r a i l e n d c a p .
L o o s e n t h e l o c k i n g k n o b o f t h e t r i p o d
m o u n t i n g b l o c k ; p l a c e a n d c e n t e r t h e
b l o c k o n t h e m o n o r a i l s o t h a t t h e k n o b
l o c a t e s o n t h e l e f t h a n d s i d e ; s e c u r e t h e
l o c k i n g k n o b .
T i g h t e n t h e f a s t f o c u s l o c k i n g k n o b s o n t h e
f r o n t a n d r e a r s t a n d a r d s .
P l a c e y o u r T o y o - V i e w o n a s t u r d y t r i p o d
o r s t a n d , a n d s e c u r e f i r m l y . T h e r e a r e t w o
t r i p o d m o u n t i n g s o c k e t s : o n e f o r 1 1 4 " a n d
o n e f o r 3 l B " t h r e a d s .
T o r e s u l t a b l u r r l e s s c l e a r n e g a t i v e , l a r g e
a n d s t a b l e t r i p o d o r s t a n d i s r e q u i r e d .
T o y o - P r o t r i p o d s , T o y o W e i g h t S t a n d s a n d
T o y o E l e v a t o r S t a n d a r e r e c o m m e n d e d .
l f r e q u i r e d , l o o s e n t h e l o c k i n g k n o b o n
t h e t r i p o d m o u n t i n g b l o c k a n d l e v e l t h e
c a m e r a l a t e r a l l y .
6 .
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M O U N T I N G T H E L E N S
To mount a lens on the lensboard , take the lens
and lensboard to a competent camera mechan ic
fo r p roper mount ing . Bes ides f la t lensboard ,
recessed lensboard f o r w ide ang le lens andvar ious adaptors to a l low the use o f o ther
cameras ' boards commonly a re a lso ava i lab le .
Please refer the paragraphes "Accessor ies to
f ncrease Camera Performance" on page 21 , and"Choosing View Camera Lenses" on page 27 .
9. To remove the lensboard, push the top
lensboard s l ide lock up , and the bo t tomlensboard s l ide lock down.
No te : A lways ho ld t he l ens w i t h one hand
wh i l e engag ing o r un fas ten ing t he
s l i de l ocks to p reven t i t f r om fa l l i ng .
10 . To mount the lensboard , p lace the board
on the groove o f be l lows f rame and re tu rn
the s l ide locks to the i r locked pos i t ions .
As the lensboard is square , i t can bemounted any o f four pos i t ions so tha t the
d iaphragm and shut te r speed cont ro ls a re
easi ly accessib le regardless of camera posi-
t i o n .
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C H A N G I N G T H E B E L L O W S A N D C A M E R A
B A C K
1 1 . B e l l o w s a n d c a m e r a b a c k a r e a l s o r e p l a c e d
b y t o p a n d b o t t o m s l i d e l o c k s a s l e n s b o a r d .
N o t e : C a m e r a b a c k i s o n l y a b l e t o m o u n t
o n e p o s i t i o n a s i t s r e v o l v i n g r e l e a s e
b u t t o n l o c a t e s a t l e f t t o p c o r n e r .
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B R I N G I N G T H E C A M E R A T O T H E N E U .
TRAL (ZERO) POSIT ION
By the prov is ion o f camera movements , the
front and rear standards of the camera can be
r i sed , sh i f t ed , t i l t ed and swung f r ee l y . The
neu t ra l pos i t i on i s t he po in t whe re t he camera
is leve l ; the f ron t and rear s tandards are ver t i ca l -
l y and ho r i zon ta l l y r i gh t ang le t o t he mono ra i l
w i th no f ron t and back r i se o r la te ra l sh i f t . The
deten ts fo r the t i l t s , sw ings and la te ra l sh i f t s ,
and re fe rence sca les w i l l he l p you b r i ng t he
camera to neut ra l eas i l y .
12 . Un lock bo th r i se l ock i ng knobs o f t he
f ron t s t anda rd , and b r i ng t he be l l ows
f rame to the lowest pos i t ion by tu rn ing
the r i s i ng knobs . Re lock t he knobs .
13 . Un lock bo th t i l t l o ck i ng knobs o f t he
f ron t s tandard , and se t the be l lows f rame
to t he ve r t i ca l ze ro pos i t i on . Re lock t he
knobs. The ver t i ca l t i l t pos i t ion is a t zero
when the de ten t i s engaged.
Note : There are two add i t iona l de ten ts a t
35" t i l t down and uP bes ides a t
zero . BeYond the de ten ts , f lo f i lm
ho lders can be inser ted a t hor izon ta l
com pos i t i on .
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1 4 . U n l o c k t h e s w i n g l o c k i n g l e v e r o f t h e
f r o n t s t a n d a r d , a n d s e t t h e s t a n d a r d t o t h e
z e r o p o s i t i o n . R e l o c k t h e l e v e r . T h e s w i n g
p o s i t i o n i s a t z e r o w h e n t h e d e t e n t i s
e n g a g e d .
N o t e : T h e s w i n g m o v e m e n t p r o v i d e s p o s i -
t i v e d e t e n t s a t e a c h 9 0 ' r i g h t a n g l e .
Un lock two sh i f t l o ck i ng knobs o f t hef ron t s tandard , se t the s tandard to theze ro pos i t i on . Re lock t he knobs . The sh i f tpos i t ion is a t zero when the de ten t i sengaged.
Repeat the above s teps 12 to 15 w i th therear s tandard .
The dua l sp i r i t leve l on the rear s tandardw i l l t e l l you when t he l eve l o f en t i r ecamera is needed.
1 5 .
1 6 .
1 7 .
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PHOTOG RAPH ING
Genera l l y i t i s recommended to p lace the t r ipodmoun t i ng b l ock a t t he cen te r o f mono ra i l f o rbe t te r ba lanc ing and suppor t ing the camera onthe t r ipod and eas ie r hand l ing . However , to usea w ide ang le lens i t i s recommended to se t thecamera as f ron t as poss ib le and to p lace thet r ipod mou n t ing b lock a t the back o f rears tandard in o rder to avo id v ignet t ing and fog-g i ng t he nega t i ve by mono ra i l .
18 . Open the shut te r b lades and aper tu re d ia -ph ragms f o r f ocus ing .
19 . l f f o l dab le f ocus ing hood i s p rov i ded , openthe hood by push ing the hood re leaselatch upwards.
To remove the hood, sw ing the c losedhood to a 90o pos i t ion para l le l tomono ra i l , and push t he hood up t o d i s -engage the lower p ivo t then lean back andpush down i t to d isengage spr ing loadedupper p ivo t .
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U n l o c k t h e r e a r s t a n d a r d f a s t f o c u s l o c k i n g
k n o b , a n d s l i d e t h e r e a r s t a n d a r d f o r w a r d
o r b a c k w a r d u n t i l t h e s u b j e c t c o m e s i n t o
f o c u s . l t m a y a l s o b e n e c e s s a r y t o m o v e
t h e f r o n t s t a n d a r d . R e l o c k t h e k n o b w h e n
t h e i m a g e a p p e a r s s h a r p .
T h e r e v o l v i n g c a m e r a b a c k r o t a t e s a f u l l
3 6 0 " . T o p o s i t i o n t h e b a c k i n a n y v e r t i c a l ,
h o r i z o n t a l o r i n t e r m e d i a t e p o s i t i o n , p u s h
t h e i n t e r m e d i a t e l o c k i n g l e v e r t o c l o c k w i s e
a n d h a v i n g d e p r e s s e d t h e r e v o l v i n g r e l e a s e
b u t t o n , r o t a t e t h e f o c u s i n g f r a m e e i t h e r
w a y t o b e s t f i t t h e c o m p o s i t i o n . T h e b a c k
w i l l b e d e t a i n e d a u t o m a t i c a l l y a t r i g h t
a n g l e s . A t a n i n t e r m e d i a t e c o m p o s i t i o n ,
s e c u r e t h e i n t e r m e d i a t e l o c k i n g l e v e r t o
c o u n t e r c l o c k w i s e .
F o r c r i t i c a l f o c u s i n g , l o o s e n t h e m i c r o f o c u s
l o c k i n g l e v e r o f t h e r e a r s t a n d a r d , a n d t u r n
t h e m i c r o f o c u s i n g k n o b .
I t i s r e c o m m e n d e d t o u s e f o c u s i n g a i d s v i z .
m o n o c u l a r l u p e , r e f l e x m i r r o r b o x w i t h
b i n o c u l a r l u p e s w h i c h c o n v e r t s t h e i m a g e
r i g h t - s i d e u p . S e e p a g e 2 5 f o r f u r t h e r
d e t a i l .
A f t e r c o m p o s i n g a n d f o c u s i n g , c h e c k
a p e r t u r e e f f e c t , a n d r e l o c k t h e m i c r o f o c u s
l o c k i n g l e v e r .
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23.
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C l o s e t h e l e n s a n d f o c u s i n g h o o d ; s e t t h e
e x p o s u r e ; c h a r g e t h e s h u t t e r .
I n s e r t a c u t - o r a p p r o p r i a t e - f i l m h o l d e r
w h i c h h a s b e e n l o a d e d w i t h t h e f i l m o f
y o u r c h o i c e f a c i n g i t s f i l m s i d e t o w a r d s
l e n s . L i f t t h e b a i l a r m a n d s l i d e t h e h o l d e r
i n t o p o s i t i o n g e n t l y . R e p l a c e t h e b a i l a r m ,
a n d r e m o v e t h e d a r k s l i d e f r o m t h e f i l m
h o l d e r .
T r i p t h e s h u t t e r t h r o u g h a l o n g f l e x i b l e
c a b l e r e l e a s e a s i t w i l l n o t t r a n s m i t t h e
m o v e m e n t o f y o u r h a n d t o t h e c a m e r a
d u r i n g l o n g e x p o s u r e s .
A f t e r e x p o s e d , r e p l a c e t h e d a r k s l i d e , a n d
r e m o v e t h e f i l m h o l d e r f r o m t h e c a m e r a .
T h e d r a w e r o f c u t f i l m h o l d e r i s c o l o u r e d
o n e s i d e i n w h i t e a n d t h e o t h e r s i d e i n
b l a c k e n a b l i n g t o i d e n t i f y t h e l o a d e d f i l m
i s f r e s h o r e x p o s e d .
R e c h e c k c o m p o s i n g a n d f o c u s i n g .
1 3 www.orphancameras.com
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Universal BackI n a d d i t i o n t o t h e f e a t u r e s o f a f u l l 3 6 0 " r e v o l v -
i n g a n d d i r e c t i n s e r t i o n o f t h i c k f i l m h o l d e r s v i z .
T o y o R o l l F i l m H o l d e r s 6 7 1 4 5 , 6 9 1 4 5 a n d
v a r i o u s P o l a r o i d h o l d e r s a s t h e b a c k o p e n s i t s
s l o t w i d e e n o u g h , t h e f o c u s i n g f r a m e o f t h e
c a m e r a b a c k o f T o y o - V i e w 4 5 C c a n b e r e m o v e d
e a s i l y . T h i s p r o v i s i o n i s n a m e d t h e U n i v e r s a l
B a c k . l f r e m o v e d t h e f o c u s i n g f r a m e , o t h e r f i l m
h o l d e r s w i t h G r a f l o k t y p e p r o v i s i o n c a n b e u s e d
r e g a r d l e s s t h e t h i c k n e s s .
1 . U p o n c o m p o s i n g a n d f o c u s i n g , h a v i n g d e -
p r e s s e d t h e k n u r l e d e d g e s o f t h e t o p a n d
b o t t o m f o c u s i n g f r a m e r e l e a s e a r m s t o d i s -
e n g a g e t h e h o o k e d p o r t i o n s o f t h e a r m s
f r o m t h e c o r r e s p o n d i n g p i n s , s h i f t t h e f o c u s -
i n g f r a m e t o w a r d s d i r e c t i o n a r r o w , a n d
r e m o v e t h e f o c u s i n g f r a m e .
2 . T o m o u n t a f i l m h o l d e r , p l a c e t h e h o l d e r o n
p o s i t i o n a n d s h i f t t h e t o p a n d b o t t o m s l i d e
loc ks i nwa rd .
3 . T o r e a t t a c h t h e f o c u s i n g f r a m e , r e v e r s e t h e
r e m o v i n g p r o c e d u r e . R e p l a c e t h e s l i d e l o c k s
o u t w a r d , m a k e s u r e p r o p e r e n g a g i n g t h e
h o o k s a n d p i n s .
1 4
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OOSFIJ.' n r'- Effib)r.r={UE{ZE(Jrd U \ E D (2.' tEgDTElzE'5:(U\td" @CSHld.. f f i++O.<f, ! ,y+>2" ./)A\flbT. 4 7=> F tr -/' / ) Etr' .. 2" i> t-t" - TAnt.J.h-b ffi E q 6 ffiElzl#-AffiWJd tf t q. ffi M D)R t n I J' D, y 2 t- * d-"UEH^{3f, du5 lZ ld. lkt+c. 4 7affiu \(Td u r.
Camera MovementsWhen your Toyo-View is in the neutra l posi t ion, i t funct ions in the same manner as an ordinary r ig id camera. In addi t ion to a 4x5 inch large format,
Toyo-View 45C provides al l d i rect ional movements on i ts f ront standard ( lens) and rear standard ( f i lm) which real ize new creat ion of photography.
These movements are cal led r ise, shi f ts , swings, and t i l ts . Using camera movements is easy to learn. Just remember fo l lowing basic ru les.
R ISE AND SHIFTS CONTROL THE IMAGE POSIT IONING FOR IMPROVED COMPOSIT ION
A. TO CONTROL IMAGE VERTICALLY, USE FRONT AND REAR STANDARDS RISE
Photo (1) composes image too low as the camera can not be set at r ight posrt ron.
Photo (2) contro l led the composi t ion by r is ing f ront standard to desired improved composi t ion. Unlock both r ise locking knobs; turn r ise contro lknobs to desired composi t ion on the glass; re lock the locking knobs. To contro l image oppose di rect ion, use rear standard r ise.
1 5 www.orphancameras.com
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B . T O C O N T R O L I M A G E L A T E R A L L Y . U S E F R O N T A N D R E A R
S T A N D A R D S S H I F T
P h o t o ( 3 ) : A n o b j e c t i o n p l a c e s i n f r o n t o f s u b j e c t .
P h o t o ( 4 ) : R e p l a c e c a m e r a p o s i t i o n t o l e f t ; c o n t r o l t h e i m a g e t o
d e s i r e d c o m p o s i t i o n b y s h i f t i n g r e a r s t a n d a r d t o l e f t o r f r o n t
s t a n d a r d t o r i g h t . U n l o c k t w o s h i f t l o c k i n g k n o b s ; s h i f t t h e s t a n d a r d
m a n u a l l y ; r e l o c k t h e l o c k i n g k n o b s u p o n c o m p o s i n g t h r o u g h f o c u s -
i n g g l a s s .
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T I L T A N D S W I N G O F R E A R S T A N D A R D C O M P E N S A T E O R
E M P H A S I Z E P E R S P E C T I V E A N D D I S T O R T I O N O F S U B J E C T
l f t h e s u b j e c t p l a n e a n d f i l m p l a n e a r e p a r a l l e l , t h e s u b j e c t w o n ' t b e
d i s t o r t e d w h i c h c a u s i n g b y p e r s p e c t i v e . F o r a t h r e e d i m e n s i o n a l s u b j e c t ,
c h o o s e o n e p l a n e t o b e c o m p e n s a t e d . T o e m p h a s i z e t h e p e r s p e c t i v e ,
u n p a r a l l e l t h e p l a n e s .
C . T O C O N T R O L V E R T I C A L L Y , U S E R E A R S T A N D A R D T I L T
P h o t o ( 5 ) : D u e t o u n p a r a l l e l t h e f i l m a n d s u b j e c t p l a n e s , t h e v e r t i c a l
l i n e s c o n v e r g e d .
P h o t o ( 6 ) : U n l o c k t w o t i l t l o c k i n g k n o b s a t r e a r s t a n d a r d ; t i l t t h e
b e l l o w s f r a m e t o p a r a l l e l ( i n t h i s c a s e - v e r t i c a l ) t h e f i l m p l a n e w i t h
s u b j e c t ; r e l o c k t h e k n o b s u p o n c o m p l e t i o n t h e a d j u s t m e n t . U s e d u a l
s p i r i t l e v e l t o c h e c k p e r p e n d i c u l a r a c c u r a t e l y . T i l t i n g t h e l e n s m a y
b e n e e d e d t o r e f o c u s .1 7 www.orphancameras.com
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D . T O C O N T R O L H O R I Z O N T A L L Y . U S E R E A R S T A N D A R D
S W I N G
Pho to (7 l . Due t o unpa ra l l e l t he f i lm p l ane and sub jec t , ho r i zon ta l
l ines converged.
Pho to (B ) : Un lock t he sw ing l ock i ng l eve r a t r ea r s t anda rd ; sw ing
the f i lm p l ane t o pa ra l l e l w i t h sub jec t ; r e l ock t he l eve r upon comp le -
t ion the ad jus tment . Swing ing the lens may be needed to re focus .
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T ILT AND SWING OF FRONT STANDARD CONTROL THE FOCUSA N D D E P T H O F F I E L D R E G A R D L E S S T H E A P E R T U R E E F F E C T
To sharpen the focus , the ru le tha t in te rsec t ing the th ree p lanes o fsub jec t , l ens and f i lm i s use fu l bes ides 1 . pa ra l l e l t he t h ree p l anes ;
2. apertu re ef f ect.
E . TO CONTROL VERTICALLY , USE FRONT STANDARD T ILT
Pho to (9 ) : The en t i r e p i c t u re i s no t sha rp enough as i t s dep th o ff ie ld depends on aper tu re e f fec t on ly .
Pho to ( 10 ) : Enab l i ng t o sha rpen t he en t i r e pho to , un lock two t i l tl o ck i ng knobs o f f r on t s t anda rd ; t i l t down t he l ens so t ha t t o i n t e r -sec t t he l ens p l ane w i t h t he i n t e r sec t i ng po in t o f sub jec t and f i lmp lanes ; re lock the knobs a f te r ad jus tment . Both photos used thesame ape r t u re open rng .
1 9 www.orphancameras.com
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F . T O C O N T R O L H O R I Z O N T A L L Y , U S E F R O N T S T A N D A R D
S W I N G
P h o t o ( 1 1 ) : N o t e a n a r r o w r a n g e o f s h a r p f o c u s i n g a s t h e p h o t o u s e s
a p e r t u r e e f f e c t o n l y .
P h o t o i 1 2 l : E n a b l i n g t o s h a r p e n t h e e n t i r e p h o t o , u n l o c k t h e s w i n g
l o c k i n g l e v e r o f f r o n t s t a n d a r d ; s w i n g t h e l e n s t o r i g h t s o t h a t t o
i n t e r s e c t t h e l e n s p l a n e w i t h t h e i n t e r s e c t i n g p o i n t o f s u b j e c t a n d
f i l m p l a n e s ; r e l o c k t h e l e v e r a f t e r a d j u s t m e n t . B o t h p h o t o s u s e d t h e
s a m e a p e r t u r e o p e n r n g .
N o r m a l l y , t h e a b o v e b a s i c r u l e s a r e c o m b i n e d t o u s e , a n d r e f o c u s i n g
a n d / o r r e c o m p o s i n g m a y b e r e q u i r e d w h e n u s i n g t h e m o v e m e n t s . I n
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i m a g e c i r c l e t o c o v e r f u l l m o v e m e n t s . R e f e r t h e p a r a g r a p h " C h o o s i n g
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Accessories to IncreaseCamera Performance
LENSBOAR DS AND ADAPTORS
Bes ides f la t s tandard lensboard , Toyo-V iewprov ides a recessed lensboard (No. 1129) , andvar ious f lat and recessed adaptors to use othercameras ' lensboards compat ib ly as fo l lows:*fiffiffiToyo SuperGraph i c N o . 1 O 5 0 N o . 1 O 5 5
L inhof MasterT e c h n i k a 4 x 5 N o 1 0 5 1 N o 1 0 5 6
Toyo-F ie ld 45A No 1O52 N o 1 0 5 7
S ina r No 8054
C O L L A P S I B L E L E N S H O O D N O . 8 0 6 0
The hood can be used w i th a range o f lensesf rom w ide ang le t o l ong f ocus by ad jus t i ngbe l lows, swung-up to se t shu t te r speed andaper tu res ; i s supp l ied w i th one each o f ge la t inf i f t e r ho lde rs f o r 3 , 4 and 5 i nch squa re wh i chinse r t e i t he r f r on t o r back o f t he hood .
No . 8062 Se t o f ex tens ion rods i s a l so f u rn i shedto accommodate ex t ra long focus and te lel enses .
21 www.orphancameras.com
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TE-d l-, - )U At \ dt? D Affi ffi E GFCE.. FF1250mmtCqHECd"
NoB311 trF T./ >- )tr250mmNoB312 iEFE / U- )t 500mmI\o8313 iEFE / l/- )t 1 50mmHEf^frU> Tl3F f U cfi5 ffl L, \rd U \2 5 0 mm OEF CA f.t= U \ t-l U - )t, ( NoBB 1 1) +'6Dtd "oq?trIlo8021 *q8tr 4" x5"
ft,fr)EDrrd.
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M O N O R A I L S
Standard monora i l o f Toyo-V iew 45C can no t
be connected or extended wi th other Toyo-V iew 's , bu t can be rep laced w i th them as the
ident ica l sec t iona l d imens ions adopted .
No. 831O Bas ic monora i l 25O mm accepts toconnect one o f fo l low ing ra i l s on i t s e i ther ends
to ex tend up to 1250 mm long.
No. 831 1 Ex tens ion monora l l 25O mm
No 8312 Ex tens ion mono ra i l 5OO mm
N o 8 3 1 3 E x t e n s i o n m o n o r a i l 1 5 0 m m
In add i t i on t o t he aboves , No . 8811 unex tend -
ab le shor t monora i l o f 25O mm is a lso ava i lab lewh ich conven ien t fo r w ide ang le lens , s to rage
and e tc .
BE L LOWS
No. BO21 Ba l l oon be l l ows 4x5 f o r w ide ang le
lenses .
No. 8022 Longer bel lows 4x5 is ef fect ive touse w i th long focus lenses or c lose up . To use
i t s f u l l ex tens ion , a se t s f Nos 831O and 8312
mono ra i l s r equ i r ed .
22
: TOYO-YTEW45,C
471)VLfJU9-N01041 h,y })4 )ULNV9- 4"x5"I\o8031 F= . n -)U7 4 )\rL ))19-67 t45
4"y.5"V979-{SAN08032 F= . D1U)4 )I,,LNU9-67ItoB033 F= ' n -)D) 4 )ULNU9 -69 /45
4"xs"V979-.lSEN08034 F= . D -)U)4 )DLNU9-69@N08032 t NoB034!-/ D) 4 )U bNrg- ld.
No1 035X l*No1 0452 4,y2!-/ D7- 4 I- t .€{z f f iu \ td .
F I L M H O L D E R S
N o . 1 0 4 1 C u t F i l m H o l d e r 4 x 5 i n c hNo . 1 O42 Cu t F i lm Ho lde r 9x 1 2 cmN o . 8 0 3 1 T o y o R o l l F i l m H o l d e r 6 7 1 4 5 w i t h
4 x5 adaptor p la teNo . 8032 Toyo Ro l l F i lm Ho lde r 67No . 8033 Toyo Ro l l F i lm Ho lde r 69145 w i t h
4x5 adaptor p la te
No . 8034 Toyo Ro l l F i lm Ho lde r 69
Note : Nos . 8032 and 8034 ho lders a re to beused w i t h Nos . 1035 o r 1045 Ou i ck Ro l lS l i de r s .
23 www.orphancameras.com
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OffiED7V-L 4'x5o N08081qUtrEFO Q F=1 t*cq. ES trl*Sffi O 77-t.. =t-zNlDg -A.'lzf|Jffi CE td.
O U I C K R O L L S L I D E R S
Ou ick Ro l l S l i de r sw i t ches f ocus ing and pho to -g raph ing pos i t i ons i ns tan t l y w i t h r o l l f i lmho lder mounted , and o f fe rs a conven ience fo rrepeat photography .
No . 1033 Accep t s r o l l f i lm ho lde rs f o r MamiyaPress camera , bu t except mode l 3 .Useab le fo r Toyo 4x5 cameras on ly .
No . 1035 Accep t s Toyo Ro l l F i lm Ho lde rs No .8 0 3 2 6 x 7 c m a n d N o . 8 0 3 4 6 x 9 c m ,
and ho lders o f Graph ic 2 -1 l4x3-1 l4i nch s tanda rd v i z . Mam i ya R 867 andHorseman . Useab le f o r Toyo 4x5cameras on l y .
No . 1043 Same as No . 1033 , useab le w i t h 4x5
cameras o f Gra f lok type prov is ion .
No . 1045 Same as No . 1035 , useab le w i t h 4x 5cameras o f Gra f lok type prov is ion .
S U B F R A M E 4 x 5 N O . 8 0 8 1
Conven ien t as an in te rmed ia te s tandard fo r
add i t iona l be l lows, sub jec t s tage fo r repro , andc lose-up photograph ies , mi r ro r ho lder and e tc .
24
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@F=' C: - -45C.F= ' C: t - -G>t ) -ZCr- n ,'=AflEAu(..5 x TtrB x104> 7 n r,- tzftF-- u 6 -. Dc6 * d.#t- < {dFFftJE l: 1"ffi 6tT d u r"
FOCUSING HOODS
N o . 2 0 0 6 F o l d a b l e F o c u s i n g H o o d 4 x 5 i n c hsh ie l ds t he g round g l ass f r om amb ien tl i gh t t o b r i gh ten image , and p ro tec t s
the g l ass .
1024 F lex i b l e Rubbe r Monocu la r Lupe 4x5i n c h .
1026 Ref lex Mi r ro r Box 4x5 conver ts theimage r i gh t s i de up t h rough b i nocu la rl u pes .
N o . 1 0 3 9 F o l d a b l e F o c u s i n g H o o d f o r O u i c kR o l l S l i d e r .
N o . 1 0 4 0 M o n o c u l a r L u p e f o r O u i c k R o l l S l i d e r .
STANDSN o . 4 0 T o y o W e i g h t S t a n d 1 O 1 , m a x . h e i g h t
2185 mm.No . 41 Toyo We igh t S tand 1 O 1 L , max . he igh t
2985 mm.N o . 4 2 T o y o W e i g h t S t a n d 8 1 , m a x . h e i g h t
1735 mm.
Your Toyo-V iew 45C is ab le to combine w i th
Toyo-V iew G Ser ies v iew cameras so tha t to
expand f o rma ts 5x7 and 8 x 10 i nches . Fo r
f u r t he r de ta i l , p l ease consu l t t o you r dea le r .
N o .
N o .
25 www.orphancameras.com
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ll>7-6qil.ffiplra d lZ &D.. Rrd 6 Z t /Jb D &d "
lvfr- }>-l- : 210^-300 mmE'R
: 1 50^-21 0mm
I 65-300mm
26
Choosing View Camera LensesEnab l ing to fu l l y u t i l i ze the fea tu res o f Toyo-V iew 45C, i t i s impor tan tto choose r ight lenses, and recommended to choose one consider ing thesuggent ions below:
1 . F O C A L L E N G T H
General suggest ion of focal length to choose 4x5 inch lenses is asfo l l ows :
G e n e r a l : 1 5 0 t o 2 1 0 m mCommercia l : 65 to 300 mmPor t ra i tu re : 210 to 300 mmNature & landscape : 65 to 300 mmArchi tecture & wide angle : 65 to 90 mmSemi w ide ang le : 120 to 150 mm
Excel lent general purpose focal lengthes for the Toyo-View 45C are180 to 210 mm, because the lenses w i l l a l l ow comp le te cameramovements and can be used for most port ra i t , commercia l , andother appl icat ions.
2 . I M A G E C I R C L E
ls a d iamete r o f useab le image and i l l um ina t ion tha t p roduced bythe lens focused at inf in i ty . To use the features of th is camera com-pletely, the image c i rc le to cover fu l l camera movements is desirable.l f movements are not necessary, i t should cover the negat ive area atI east .
3 . FLANGE FOCAL LENGTH AND FLANGE BACK
Flange foca l l eng th (F f ) i s the d i s tance be tween the moun t ing p lane
o f l e n s a n d t h e f i l m p l a n e a t i n f i n i t y . M i n i m u m f l a n g e b a c k ( F b M i n . )is the distance between the lensboard f ront surface and the f i lmp lane o f the camera a t fu l l y co l l asped be l l ows . A lens o f i t s F f i sshor te r than the Fb M in . o f t he camera does no t focus a t i n f i n i t y .Fo r examp le , Fb M in . o f Toyo-V iew 45C i s 82 mm, so any lens w i than F f o f sho r te r than th i s va lue shou ld be moun ted on No . 1129Recessed lensboard or recessed adaptors which shorten the Fb Min.under 45 mm. Re fe r the fo l l ow ing pa rag raph .
Maximum f lange back (Fb Max.) is the distance between the lens-board f ront surface and the f i lm plane at fu l ly extended bel lows.Genera l l y , a be l l ows ex tens ion a t i n f i n i t y i s approx ima te l y same asthe focal length of the lens being used (except te lephoto formulalens ) . As the Fb Max . o f Toyo-V iew 45C w i th f l a t l ensboard i s 449mm, lenses upto 420 to 450 mm (600 mm of te lephoto) may beused a t i n f i n i t y .
To pho to 1 :1 magn i f i ca t i on , i t i s requ i red a doub le ex tens ion* o fbel lows of the focal length of the lens in use. For instance, wi th210 mm lens , the be l l ows i s ab le to d raw 1 :1 pho to , bu t no t w i th250 mm lens .
* Subject to the factors i .e. , the di f ference of actual and nominalfoca l l eng th , l ens fo rmu la , cons t ruc t i on and e tc .
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4.F=.E:.-45CL€FAV>.47h-1{.7)*it\ 'y2,24)t/L,f.Jlr9-dftAAE-,;trA0)Fd\t&t7i)91\,v2(Fb Min.tFoMax.)4.Flange back dimensions (Fb Min. & Fb Max)of Toyo-View 45C wi th Combinat ions of var ious lensboards, adaptors and camera backs.
lt *f|t"y?4 x'5Camera back,: . ' 4 x 5
, f\b1033..: ,hh{035, C4,,Y9 '
[J'*J'LXA4g;Quick RCIll ,$[ider
f,J011043,.' hh.,l045' Ql,v:9:
f];}tr7.?1'g-Ouick Roll:S,lider
rffiWtr>Xfi;t{ Flat standard' lensboard 82-449 100-467 120-487tft11z9fifrffi<{tAiF\ $ No . :l'Ii29,, Recessed,le,n,s.b,0:ard 43-410 61 -428 81 -448
Notl fi $fl 7,F, l,t F,P' $ V.,,8, * M5081F*U'+,1,yQ,r. ,J f}ffi :H,' : i; l
N,o, 105-0 'Fla{ aoaptor wi ih N,o. 5081 ,Flatlensbaad fo,r Toys e'per Graphic 81 - 448 99-466 1 1 9-486
P6{$i,4 ?ff', }2979-tNo1t7tJ,yffi?mlnof#fitf r , ,,
No 1051 F la t adaptor w i th No. 1 1 7 L rnhofstandard f lat baard 81 - 448 99-466 1 1 9-486
It01*b?y5,y: Fgygr,4ffiif fi,gil,.F = . 7 < * jUF45Allt- F Offi6tf
Nb:: I 052 Flat adabtor::wifh: No , 1,SO1' F-latlensboar:d for Torlro- F,ield 45A . 81-448 99-466 1 1 9-480
1h66b4? fr ', y l ?,t W #,+- fry*,-U)Xr$;l-lfi,f,fi tf
No,8054 F la t adaptor wr th ' S inarlensboa rd 85-452 103-470 123-490
thl 055fi ffi ffi < I&ArP'gY g ; tI'b50817 3? 4'y27fr- F 0#E6tf
No. 1O55 Recessed adaptor,wi th No. 5081Flat, lensbr:ard for Toyo S,uper Graphic 43-410 61 -428 B1 - 448
r'ro1 056ffiffi ffi <Itr u ;w,$ 7, p ; yMIXT J>ffi?ffi ."*l-iff#frffitf ,,,,
No,. 1056 Recessed adaptr : r , 'wrth, No, '1,1 7Linhof's,tandard:f lat boar,d ' ' : l I , l 42-409 60-427 B0-447
N01fi$Zffiffiffi.< tt alV'979Jft.",,,,,',,' -',',,,
fitotffif i5,i,..ip. I 41,ts4SA/{tJ m,ffi&€No 1057 Fecessed adaptor:wi th Nol 1 601Flat fensboard, for, Toyo-F:ield 45A ',, ,
' 45-412 63-430 83-450
N010$?7fr,:t:FFFUFUft ' ,f\b-t 640ffiffi ffi { ftra'fi " [t mffieu
No. 1 052 Flat adaptor with No', 1 640-fiecessed lensboard for: TorTo Field 45A 54-421 72-439 92-459
f-loX057Effi ffi < ffi ArP g'7 I ; t'No1 S40fiftffi < l*efr * Fr O#EA-E
No , ,1 057, Recessed'ada$tof wi th rNo, 1 640Recessed lensboar,d for Toyo Field'45A 1 6-383 34- 401 54-421
28
x ToYo-vIEw4EC KXXSWXW* K** || W "*'--w'
4SHEe{tffi Specifications
ffi6 e&ffi IIIoBB TV45C
& E./ 1,, - ) l/47 2 =h )U{. t-h J'-
Hffi.t'-rX Effiffifi8 41>7x54>'( E H *E4 x 5 4 > +^t AAf62 I ) V L/1\) t 9 -, f=a1S405. 545.550. !-/ 17 < ), l-',tll'g -)
l t l i l \ ,y2 | )^ ) lra> J fi( + F€ft E{effi qHE. 690"2 t ) y ) }1, y) ) 6 x 9cmt6x7 anAAWQ -2 \010nn(' vAEJtffiEJ ->Si -7, 7l/7?Jl),>X{SA. r - I \-fl , I \, y 2 E fi ,lZ&6i.>l:i. 7) L-, - LrE,M, "
E-/V-)Ir E€ 39mm. E0F 452mm, 1A(EF7FQ)
a*7r")t-": 3 4 7
7*-ib) r7 t -: 747 jsi<l! l -
Ef++ 'e&
120mm 120mn
45mm*45nm 45mm*45rm360' 360'48'+48' 48"+48' (E)^/19-tFfiiEld35"
Tt* €*6-Lreu cAE{E
474nn352mm274nn
Eg 4.lkg
77))t\,y? B2mm-449mm FBU{SEffi . t\frt/>7^-SlFffi l:SD. &.tJ\7=>t/ \'y2!-X43rrl[no
,)xrli-f{ 1 58x1 SBmm(P )r=9 4 +p 7S8'
a49n l7^-hr>i Etl4 42nun '&t4 42nn
No, and Code No.89 TV45C
Formst ,l n te rna t iona l s tandard 4 x 5 i nch , i nc lud ing Po la ro id4O5,545 & 550 ; and 6x7 & 6x9 cm w i th d i rec tmoun t ro l l f i lm ho lde r o r v ia Ou ick Ro l l S l i de r
Lensboard 158x 158 mm Toyo-V iew s tandard
Front standard Rear standard
R i s e : 1 2 0 m m R i s e : 1 2 0 m mSh i f t : 45 + 45 mm Sh i f t : 45 + 45 mmTilt '. 48" + 48" Tilt : 48o + 48o (3s" +
35" at hor izontalcompos i t i on )
Swing : 360o Swing : 360o
Un ive rsa l back w i th revo lv ing , i n te rmed ia te l ock ,co rne r cu t g round g lass w i th 10 mm gr id & 6x7 &6x9 cm f i e ld i nd i ca t ions , and ba i l a rm, bu t w i thou tf resnel screen
Microfocusing 42 mm each on both standards
Monorai l ,unextendable ,
Overal l fength : 474 mmActual length : 452 mmDiameter : 39 mm
DimensionsLength : 474 mmHeigh t : 352 mmWid th : 274 mm
UVeight 4 . 1 k g s
Flange back{ F b }
With f lat lensboard : 82 to 449 mmWith recessed lensboard: 43 to 4 '1.0 mm
29. .dlr. -
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il
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TEL03-5800-3900{1, ff i , ' . 9'Y2'h }-V-a7P>g-
T060-0053 fL|trEffi+Rxffi3*H4TtrTEL011-221-8507
€68 '. iTJlht'-v-c7T 460-001 1 €68ffi + ExF4-1-71 (ffi:#C )U7W)TEL052-241-5148
X ffi:ffi^ffimnx-T 542-0081 xFffi +*tr'ffiME,2T =7 -1 4
(AFSHAHH4Fg)TEL06-261-1601
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r 1 05-0021 RFffiEXRffi|F.1 -2-B(ffi?EC/ r3F)TEL03-3572-4668
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30
rfr,*tzrttt=t6ilfi il= 3I ]6ttffi [fifr l4z]*EtcffiT561 -0852 t$,'fiT€+;,58f*l3^El1 T trz-B rEL. (06)864 -0466ff0
FAX. (06)866 -2934
rEL. (03) 5800 - 3900FAX. (03) 5800 - 3905
SAKAI SPECIAL CAMERA MFG. CO., LTD.r-2-8, HATTORI-HONMACHI. TOYONAKA CITY. OSAKA 56I-0852. JAPAN.TEL: (06)8644466 ,/ FAX: (06)86G2934
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