The Rarer Action: A Scene from Shakespeare's "The Tempest" (2012)

The Rarer ActionA Scene from Shakespeare’s The Tempest

for mezzo-soprano or baritone and ensemble

By Andrew McManus (b. 1985)

© 2012 Andelong Music Publishing5631 S Kenwood Ave #3B

Chicago, IL 60637(978) 397-5013

[email protected]

www.andrewmcmanusmusic.com

mailto:[email protected]

mailto:[email protected]

InstrumentationAlto Flute (A Fl) = C Flute (C Fl) = Piccolo (Picc)

Violin (Vln)

PROSPERA/PROSPERO: Mezzo-Soprano or Baritone

range:

Vibraphone (Vib) Mallets: 4 soft yarn, 3 hard yarn, 1 plastic, 2 bows

Piano (Pno)

Harp (Hp)

Lowest two strings: C b and D #

Performance NotesScore in C.Accidentals last throughout the measure, but they are often reiterated within the measure for the sake of clarity.

Harp: All harmonics are notated as they are produced. They sound one octave higher than written, save for the following third partials in

bars 37, 39 and 156:

Piano: For all stopped notes place the hand between the tuning pegs and the dampers. The sound should have a clear pitch.

Duration ca. 9’

Texts:Act V, Scene 1, lines 33-57:

[PROSPERO makes a circle on the stage.]PROSPERO: Ye elves of hills, brooks, standing lakes, and groves, And ye that on the sands with printless foot Do chase the ebbing Neptune, and do fly him When he comes back; you demi-puppets that By moonshine do the green sour ringlets make, Whereof the ewe not bites; and you, whose pastime Is to make midnight-mushrooms, that rejoice To hear the solemn curfew, by whose aid (Weak masters though ye be) I have bedimmed The noontide sun, called forth the mutinous winds, And twixt the green sea and the azured vault Set roaring war; to the dread rattling thunder Have I given fire, and rifted Jove’s stout oak With his own bolt; the strong-based promontory Have I made shake, and by the spurs plucked up The pine and cedar. Graves at my command Have waked their sleepers, oped, and let ‘em forth By my so potent art. But this rough magic I here abjure, and when I have required Some heavenly music (which even now I do) To work mine end upon their senses that This airy charm is for, I’ll break my staff, Bury it certain fathoms in the earth, And deeper than did ever plummet sound I’ll drown my book. [Solemn music. Here enters ARIEL before, then ALONSO with a frantic gesture, attended by Gonzalo; SEBASTIAN and ANTONIO in like manner attended by ADRIAN and FRANCISCO. They all enter the circle which PROSPERO had made, and there stand charmed...]

Program Note:

Shakespeare’s The Tempest finds Prospero, the rightful Duke of Milan and a learned magician, stranded on a remote island. Twelve years prior his own brother, Antonio, had conspired with his rival Alonso, King of Naples, to depose him. When Prospero divines that Antonio and others are on a ship passing close to the island, he conjures a tempest that wrecks the ship, bringing those who have wronged him ashore. Prospero then uses his powers and those of his servant, the spirit Ariel, to torment Antonio, Alonso and the others. But Prospero cannot sustain his quest for vengeance indefinitely. In this scene from the play’s last act, Ariel reports to Prospero on the suffering of his enemies, saying that “if [he] now beheld them, [his] affections would become tender...Mine would, sir, were I human.” Prospero responds: “Though with their high wrongs I am struck to th’ quick, Yet with nobler reason ‘gainst my fury Do I take part. The rarer action is In virtue than in vengeance.”

Believing them penitent, Prospero prepares to cast a a powerful spell to restore his enemies, end their punishment and, most importantly, exorcize his own demons. The Rarer Action traces the fantastic invocations of Prospero’s final spell and his (arguably) tragic resignation from magic. It concludes with a representation of Prospero’s enemies immobilized in the circle he had traced on the stage. The ending - the distant glow of a major triad in the piano and feeble, flickering harp harmonics - invokes the ambiguous tone of the play’s end, best summarized by Prospero’s final monologue:

And my ending is despair, Unless I be relieved by prayer, Which pierces so that it assaults Mercy itself and frees all faults. As you from crimes would pardon'd be, Let your indulgence set me free.

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Flute/Piccolo/Alto Flute

Violin

PROSPERO(Mezzo Soprano

or Baritone)

Vibraphone

Piano

Harp

◊

◊

∑

∑

∑

∑

∑

jœœ#-

œœ-jœœ-

œœjœœ œœ-3

∑

1

∑

Tenebroso q = 40

una corda

thick, heavy, pulsatingØ

molto con °

lowest: C b D #

∑

∑

∑

∑

∑

œœjœœ#

-œœ œœ-

œœ ..œœ-3

∑

2

∑

∑

∑

‰

∑

∑

Jœœ¿>

œœ#-

œœ œœ Jœœ-

..œœ Jœœ-3 3

∑

3

Œ œœœœbn# -

Œ ‰ œœœœ-Œ

3

∏

(stop with RH)p

∏

Ye elves of hills, brooks, standing lakes, and groves,

Whispered:

sempre Ø

thick, heavy

(2+3) ∑

∑

‰

∑

∑

œœ Jœœ œœ#

-œœ œœ

$ .j¿>

-

3

∑

4

jœœœœ#b fl‰ Œ ‰ œœœœ-

Œ3

meno π ∏

And ye that on the sands with printless foot Do chase the ebbing Neptune, and do fly him When he comes back;

( p )

Œ ŒÚb

∑

∑

∑

œœ œœ#fl

‰ ‰ .Rœœ-

œœ‰ j¿

>3

∑

5

Œ œœb fl

œœ# -Œ

sub.p

ñ ∏

Alto Flutewhistle tonesbreathe where necessary

( p )

( Ø )

≠

∑

$

∑

∑

Jœœ ..œœ#

-œœ œœ

fl

‰ Œ3

∑

6

Œ ‰ œœœœ#b -Œ $ rœ

œfl‰

3

you demi-puppets that By moonshine do the green sour ringlets make,

∏sub.

P

( Ø )

The Rarer ActionAndrew McManus (b. 1985)

© 2011 Andelong Music Publishing (ASCAP)

Score in CA scene from Shakespeare's The Tempest

(PROSPERO makes a circle on the stage.)

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Vln.

PROSPERO

Vib.

A. Fl.

Pno.

Hp.

(◊)

(◊)

≠b .≠

Œœb æ œæ æB jœb

‰ ¿ ¿ ¿ J¿- ¿ .¿- ¿ .¿> ¿3

Where of the ewe not bites;

∑

∑

‰Jœœ#

fl

‰ œœ-

œœ œœfl

œœ-

œœ$ .j¿

>œœb-

3

∑

7

œœ# -‰ jœ

œb fl‰ œœ-

$ rœœœœfl‰ Œ

3

ñ

con sord.molto sul pont.ghostly

Fp P pp.d.l.t.

P

quasi cresc.

P

( sempre Ø )

ben marc.

poss.

PSlightly voiced:

(una corda)

(whistle tones)

( ∏ )

(2+3)

≠bŒ Œ

ŒO## >

$ ¿ ¿>

and you,

Œ œ

O##

>Œ

∑

Jœœ ..œœb

-œœ œœ

fl

‰3

∑

8

Œfi

Œ œœœœœ##

-

ñ

∏ord.

whose pastime is to make midnight mushrooms, that rejoice To hear the solemn curfew;

π

ord.

Whispered:

ñ∏

loco

F

p

hard yarn

ossia 8va

Œ Œ œœœ#µK

Oœ Oœ.‰

Oœ## . $ Oœ.‰ J

Oœn .3

Œ Œ œ

O-

∑

Œ $ œœbfl

œœ-

œœ

∑

9

Œ ‰ jœœœ

#

>œœ# -

∏

sul pont.

∏ echo

p

molto sul pont.

ñ

P

( sempre Ø )

soft yarn

œœœ

œœœ J

œœœ- ˙

˙ ŒU3

Ó ¿æ ¿æ ŒU

‰ ¿- ¿- J¿-

J¿ ŒU

3 3

by whose aid

&

Ó Ó ŒU

Ó Ó ŒU

..œœj¿

>

Jœœb-

œœ œœ œœfl

‰ ŒU

Ó Ó ŒU

10

Œ œœœœ#-

‰ œœœœ-Œ ŒU

fi3

(weak masters though ye be)

p

F

∏π

behind the bridgeI

ñ poco f ñ

More voiced:

ñF

short(2+3)

∑

Ó˙b æ

‰.œb œ œ œ œ

3

I have be dimmed

∑

∑

‰ jœœ# -

œœ

œœ.

‰ ‰ jœœ.

Œ3

∑

11

œœœbJ

>Œ Ó

slow rollon the beat

ñ ∏

ord.

poco f

(loco)

A tempo q = 40

π

( Ø )

A

- -

2 McManus - The Rarer Action

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Vln.

PROSPERO

Vib.

A. Fl.

Pno.

Hp.

√

∑

œb æ œæ œn æ

œ œ-

œ- jœ œn

3

The noon tide

∑

∑

‰ ‰ jœœ# -

œœ

jœœ.

‰ ‰ jœœ

3 3 3

∑

12

Œ ‰J

œœœœœ#bJ -

Œ

P

sim.

p

P

F

(una corda)

(con sord.)

∑

œæ œæ ‰

œb‰ ‰

œ3

sun, called

∑

∑

.

.œœ J

œœ¿

>œœ#-

3

∑

13

‰ . rœœœbH‰ Œ

π π

leggieroquick roll

ñ

Ø

π

π

(3+2)

Œ ˙b æ

Œ Œ œ# œ œ œ œ œ# œ7

œb>

¿ ‰ $ .jœn œ3

for (th) the

jœb >œb jœ>

jœ œ œ> œjœ jœ jœ> œ

3 3 3

Œ jœœœbb .K ‰ Œ

jœœfl..œœ-

‰ jœœ-

∑

14

Œ Œ œœ#K >

P p

hard yarngrace notes on the beat, always as fast as possible

π lontano

π

p.d.l.t.p

∏

p sub. ∏

III IV etc.

π F

D b

FŒ $ .jœæ>

‰ jœæB

‰ ® œ>0

œ# œ œ œ# œ œn œ œ œn œ $ Œ8

œ>

œ# œ $ œn œ œ .¿3

mu tin ous win (ds),

˙jœb >

jœ ‰

Œ ‰ Jœœ

b .I Œ

œœ œœ.‰ Œ

œœ.‰ œœ-

3 3

‰ Jœb o> Œ Œ

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‰ Jœo>

Œ Œ

pF

∏

π echo

ord. F sub.

F π echo

III IV etc.

ñF

jœæ ‰ Œ Œ

∑

.¿ ‰ Œ

∑

JœœbK .

‰ ‰ Jœœb

.I‰ Œ

3

..˙

∑

16

Œœœœb#K >

Œfiπp.d.l.t.

∏perdendosi

ñ∑

∑

Œ $ .jœAnd

∑

∑

∑

∑

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∑

π

- - - - - - -

3McManus - The Rarer Action

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Vln.

PROSPERO

Vib.

A. Fl.

Pno.

Hp.

√

◊

√

◊

Ÿ~~~~~∑

Œ Jœ>

‰ Œ

œ˘ ‰ j¿

˚¿

.

twi (x) (t)

...˙˙˙bb -

Œ Jœ

‰ Œ

∑

∑

18

∑

π dolce

tre corde

bright

F

pizz.

senza sord.

G n

F

Suddenly brighter q = 60

F

soft yarn

subito molto accel.

ord.

B

∑

œo-Œ Œ

Œ ˙the

∑

Œ Œjœ œb (

∑

Œ œn o>Œ

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Œœo>

Œ

I

p

elegant

P

P

P

∑

Œ O> Œ

œ# ˙green

∑

Œ Œ œœb-

Œ Œ œœb -

∑

20

∑

p

II

p

Œ.o>

Œ ..O>

˙n œ# œsea and the

∑

..˙ œ# œ#

œn œ

?

..˙

Œ˙>

Œfi

21

∑

πarco

p

P

P

Agitated q = 120

F

F

E b

Œ Œ ˙b œ( )+

Œ Œ Œ ‰ . Rœb

wb -

a

Œ Œ˙

æ

wn >

∑

∑

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Œ ‰ jœœœbbb >

˙

F

F

marc.

F

(timbral)

π

hard yarn

∏

∑

œflŒ Œ

˙ œzured

∑

˙ œ> œb œ œb

∑

‰ jœœb fl

fiŒ Œ

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Œ Œ jœn flfi

‰

(only F and G b)

f marc.(only A)

clear

P

f

ß

fŒ Œ

œ> œ œb œb œn œ œn œ

Œ Œœ>

‰ Jœ>

œ#˘ Œ ‰ Jœn ˘ Œ

vault Set

Œœ# > œ œ œ

jœ

‰ Œ

.> œ> œ œ œ‰ . rœ œ.

Ó

Œ Œ Œ jœœb# fl

fi‰

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Œ ..˙b>

ß

pizz.

p

ƒ

ß

A #

f

sim.

f

f

Í

f

p π

Œ ‰œ œb œb œn œ# œ Œ

Œœœœ

b ˘Œ œœ

fl$ œ

œb

fl

>Jœ .œ

roa

Œ œœflŒ

œ$ œb ˘

Œ œœ#b˘ Œ œœb ˘ $ œb ˘

&

œ œ œ œn ‰ œ œ œ œ œb œn Œ

∑

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Œ ‰ œ œb œb œ# œb œ# Œfi

f p ß

ßf

arcoF ƒ

ß

ßp

F #

p f

ƒ f

f ß ß

- - - - -- - -


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Vln.

PROSPERO

Vib.

A. Fl.

Pno.

Hp.

◊

◊

Ÿ~~~~~~~~

◊

‰œ> œ œb œn œ œ# œ œ œb œb

‰œ> œn œb œn œ œ# œ> œ œb œb

˙ œ œ œb œb

ring

œb . œb flŒ Œ

‰ jœœb flŒ Œ

‰ œ œb œb œ œn œ œb > œ œn œ

œb > œb œb œ œb œb œ œ# œb œb œ œ

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∑

p

F

rough

ß

f

F

p ß

non legato

fJœb ˘ ‰ Œ Œ

œb fl œ.‰

œ# > œ œ. œ. œ.

.˙b >

war;

œb > œ œb œb ˙b >

œb >

.œ

œ# >.œb œ

Œ Œ

œb> .œb

œb > œ# > œ> œ>Jœ>

‰

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∑

loco

LH

pizz.

ƒ

Ï

ç

ƒ SfZ

ƒ

ç

ƒ

arco

ƒ

marcatiss.

off the string

SfZ

f ß

∑

œ# . œ. œ. œ. œ. œ. œ. œ. œ. œ.

œ .œ

∑

œ œ#

œ œb

œ# œ

œb œ œn œ

? &

‰

∑

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∑

ƒπ

π

(2+3)

molto

‰ .œ> ˙

‰.œb > ˙

˙ Ó

˙b Ó

wnŒ ˙b

-œ-

-

ww>

∑

29

jœb > jœb‰ Œ Ó

fi

Cavernous q = 60

π sub.

una corda

very intense

ƒ immense

ƒ poss.

SfZ

fÍ π

bowed

Ï

ñπ lontano

( e = x )

SfZ

molto

(let strings rattle)

C

.˙ œ( )+Œ

Jœ

‰ Œ Ó

∑

∑

œ ˙b - œ-

∑

∑

30

∑

Ï

(timbral)nervous

π

° through measure 40

ƒ ñ

take plastic mallet(for pitch bends)

∑

∑

∑

∑

œ Jœb - ˙3

∑

∑

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∑

∑

Œ Œ ‰ . Rœb >

∑

∑

˙b -Jœ

jœ> œ3

∑

∑

32

∑

tre corde

before the beat

marcatiss.R L

ƒ sub.

SfZ

pizz.

D # | E n F b

- - -~~~


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Vln.

PROSPERO

Vib.

A. Fl.

Pno.

Hp.

◊

◊

Ó Œœb o

Ó Œ ‰œb jœ>

œ. œ. œ.

∑

Œ˙b -

Ó3

Œ ‰ Jœb -Jœ .œ>

∑

wn wb

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∑

π

bend

una corda

∏bispigliando

lontano

p

∏ echo

col legno (batt.)jeté

p

soft yarn

F

( ° )

( ° )

Jœo

‰ ‰ Jœb o œoŒ

Ó $jœb œ œ. œ. œ.

>$ Œ

˙ ˙to the

Œ ‰ Jœb -Ó

œb -Jœ- œ Jœ

> œ œ- œ .œ-3 3

∑

wn wb

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∑

π molto

π p

∏sim.

∏

p

F

∑

Œ Œ œb

Jœb ˘ ‰ Œ œ>

œ œ ‰3

dread rat tl ing

Œœb >

Œ

‰jœb œ

Œ Œ3

∑

Œ Œ ‰ Jœb >

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∑

ƒ sub.

tre corde

R L

arco

ƒ

ñ

sim.

con sord.

rolled Rs

sul tasto

F

hard yarn

F

Œ œ

œ jœ œ#5

Œ ˙>3

thu

Œjœb Jœb ˘

‰

¿+>Œ

∑

‰ Jœb o- Œ

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∑

before the beat

ñ

p

∏ echo

(stopped)

fÍ

ord.

π

P

œ œ œb œ œ# jœ œ œ œ# œn œb œn œn œb7

œ œn œ œb œb œ œn œ œ# œ# Œ3

œ ˙ ˙#3

(n) der

Œœb -

Œ ‰ œ+3

Œ ‰ Jœb -Jœ .œ>

œœflœ. œœfl

œ.$ Œ Ó5

‰JœOœ#

##

o-( ) Œ Ó

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Ó Œ jœœœœb#K >‰

π

π

una corda

∏ echo

pochiss.

pochiss.

pesante

P

p π

ñ

p.d.l.t.

p π

p

dead stroke

Ó Œ œ œ# œ œ œ# œ6

œ> œ# œ# œ œn œ œ# ‰ . Ó5 5

œ Œ Ó

Ó ‰ ‰J

œ

Obb ˘

Œ3

.œ Jœb - ˙

∑

∑

38

Ó jœœœœbb# -‰ Œ

π

sul pont.

breathy

ñ

∏ echo

π echoord.

∏ echo ñ

ord.

- - --


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Vln.

PROSPERO

Vib.

A. Fl.

Pno.

Hp.

◊

Ÿ~~~~~~~~~~~∑

Œ œ œ# œ œ œ# œ œn œ œ œ œb œ œn œb œ7

∑

∑

∑

∑

œb >œb o- œ

Oœ##

#o-( ) Œ

3

39

∑

∏ molto

pF

( ° )

sul pont.

( ° )

(con sord.)

˙ œ( )+

∑

∑

‰œb >

Œ3

Œjœb Jœb ˘

‰

∑

Œ $ .Jœb >

40

∑

(timbral)

πord.

f

f

tre corde

R L

ƒ sub.

ƒ

molto

∑

∑

‰ .œ œ œbHave I

Ó ‰ œ- Œ3

Œœb -

Ó

Œ ‰ jœœ œ œ œ

> Ó

w wb

41

∑

π

p

∏

to C Flute

sim.

Pπ echo

Ï

D

∑

∑

œ œ> œ# >

giv'n fire,

Œ>

Œ Œœ# fl

∑

Œ œb > . .œ œb >

42

∑

ƒmolto

ƒ sub. ç

ç

ß

senza sord.

∑

‰..œœb >

˙

jœb œ>Œ

œ>3

Œjœ Jœn ˘

‰

∑

∑

43

∑

marcatiss.

ƒ

ord.

ƒ

marcatiss.

ç

C Flute ˙#æ

œæ

..œœ œœn > œœ jœœ#˘ œœn# >

Jœœ jœœn˘ œœn >3

.˙

‰œn > jœ .œ> œ> œ3

‰ j¿>‰ ¿> ¿>

$ .j¿>3

∑

œb > . .œ Œ œn > . .œ

44

∑

marcatiss.

F

f ç

F

f

p

F n

çç

stopped

œæ $

.Jœ#

æ>

Jœœ œœ˚ œœ ..œœb >3

˙

jœ# œ# > œ

∑

∑

‰ œb > .œ Œ

45

∑

ƒ

ƒ

Ï

ç

ç


&

&

&

&

&

?

&

?

44

44

44

44

44

44

44

44

42

42

42

42

42

42

42

42

44

44

44

44

44

44

44

44

Vln.

PROSPERO

Vib.

Pno.

Hp.

C Fl.

◊

œæ

œæ

˙æ Œ

œœ# > jœœb œœbn > œœ> œœ> œœ

˘ ..œœ3

∑

jœ#Jœ> œ> jœ

Jœ> jœ œ>

Œ

¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿> ¿> ¿> ¿>Œ

Ó Œ Œ

œ> . .œ# œ> œ .œ œb > œ œ œ œ>Œ

46

∑

Ï

marcatiss.

ç ç

Ïp

SfZ

Ï

h.

marcatiss.

molto

Ï poss.

( E )

molto

Œ Œœb >

.œb Jœ ‰ Œ

3

˙˙n

n oo-)(

Ó

Œ œ> œb > ˙3

and ri

Œœ>

.œ œ Œ œæ

3

Ó Œ œb

jœœ œ œb

> ‰ Œ Ó

Ófi

œ# - œb œ œb œ# œbŒ

6

47

œœ>

Œ Œ œ œb œ# œb œ œb

6

Î molto

ƒ

π

ossia:top note only

F

F b

SfZ

fÍ

p ñÏ

ƒπ ∏

SfZ

ñ

π

ñ

E

Œ ‰ . R¿b ˘ œ. $ œ. $rœ. ‰

∑

.œ œb œb Jœ Œ jœ˘

‰if ted

œæ Œ Ó

.œ Jœb > .œ jœ>

∑

∑

48

Ó Œ ‰ . Rœ

f

marc.

π

F

F p

tongue pizz. ord.

P

B n | G # A b

ñ

‰ . r¿fl‰ jœ

Ó

∑

˙ œ œ Jœ>3

Jove’s stout

∑

jœ .œ> ˙

Ó ‰ .œ# -

∑

49

$fiœ œb œ> œ œ œ œ œb œ# >

Œfi

pF

f P

ß F f

tongue pizz. ord.

‰ . Rœb > œ

∑

œb ˘ Œoak

‰ . Rœb > œ

∑

∑

∑

50

∑

fÍ

ß

- - - - - -


&

&

&

&

&

&

?

&

?

44

44

44

44

44

44

44

44

44

43

43

43

43

43

43

43

43

43

44

44

44

44

44

44

44

44

44

42

42

42

42

42

42

42

42

42

sounding:

Vln.

PROSPERO

Vib.

Pno.

Hp.

C Fl.

¤

¤

√

√

√◊ √

¤ ¤

.œ œn œ œ# œ# œ .œb ˚Œ

∑

$ œœb !. .

œœ!

. .œœn !. .

œœ! œ

œ# ! œ

œ! œœ# ! œœ!

œœb ˘!

œœ˘

!œœ˘

! Œ

Ó Œ œn>

œ#> œ>

3

With his own

Œ ‰œ! œ#! œ!

œ!> œ

!> œ

!>

Œ

∑

œb > œ œ> œ# œ œ> œ œœb > œœ> œœ> œœ> œœflŒ

‰ œ> œ œœb> œb

œb>

œ# œ œ>Jœ ‰

51

Œ ‰ . Rœ> œ œ œb > Œ

F

molto

ƒ

off the string

p

p

F

molto

ƒmolto

ƒ

molto

f

Ï

ƒ

molto

∑

Œ Œœ

Œ ŒOœb >

œn ˘ Œ Œbolt;

‰ Jœ

Œ Œ

Œ ‰.œ

∑

∑

52

∑

ƒÏ

Ï

E b F n G n

Extremely bright q = 120( q = h )

ƒ

F

∑.œ

Jœ# œ

..OœJ‚# > ‚

∑

∑

Jœ .œ œ

∑ &

∑

53

∑

P

p

II

fÍ

∑

˙˙b

OObb >

∑

∑

Jœ .œ .œJœb

Jœb ˘‰ Œ ‰ .œb -

Œ Œ Œ ‰ Jœ>

54

∑

ƒ

fÍ

π

ƒ

F

loco

∑˙

Jœ œb œ

3

OJOœ Oœbb > Oœ

3

∑

∑

.œ Jœ ˙

˙ ˙ œ3

œ Œ Œœb >

55

∑

Ï

p f

p

fÍ

∑œ œ .œ J

œœ#

Oœ‚ .‚

j‚‚fl

∑

∑

.œbJœb ˙

˙ ˙n

Œœ> .œb

Œ ‰ œ3

56

∑

P

F

ƒ

IV III

P

loco

∑

Œ Œ˙

Œ ŒO>

∑

∑

‰..œœb ˚ ˙b

Jœb ˘

‰ Œ Œœ> œb3

Œœœb> .œb

Œ Jœ> ‰

57

∑

Ï

ƒ

ƒ

f

f

fÍ

∑

Œ Œ ‰ .œ

Œ Œ ‰..Oœb >

∑

∑

.˙b œ>

œ ˙b Ó3

Œ ‰ Jœ>

œ ‰ Jœœb

b >

58

∑

F

ƒ

P

f P

Ï

ƒ

sub.

fÍ


&

&

&

&

&

&

&

&

?

42

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

43

44

44

44

44

44

44

44

44

44

42

42

42

42

42

42

42

42

42

44

44

44

44

44

44

44

44

44

42

42

42

42

42

42

42

42

42

sounding:

Vln.

PROSPERO

Vib.

Pno.

Hp.

C Fl.

(¤)

√

(¤) √ ¤

∑

˙

O

∑

∑

˙ œb3

œb -˙3

∑

59

∑

F espr.

F espr.

(loco)

∑

.˙

..O

∑

∑

œ œb œb œ3

˙ Jœ œb3

œb -.œ

Œ Œ

60

∑f

∑

œ ˙# ˙3

‚-OO# OO

3

∑

∑

˙ œn > œb .œb œb >3

˙b > œ> ˙3

Œ ‰ œ>œb -

‰ . rœb >3

61

∑ß

f

ß

III II

f sonore

F P

Œ Œ˙b o

Œ Œ Œ ‰œœ#3

Œ Œ Œ ‰ Oœ##‚>

3

∑

‰.œ-

Œ ‰ œ-3

‰œn ˚

Jœb œ ˙n3

˙b ˙ œb3

Œœœbb >

Œ œ-œ>

3

62

∑

Ï Psub.

ß F

π echo

III

p

soft yarn

f

F

ñ

π∑

..˙˙ Œ

.O ..O Œ

∑

∑

Œ ˙b > œ œn3

˙b >œb > ˙

3

œb > œb >Ó

63

∑

f

f

F

ñ

Ó ˙b >

∑

∑

∑

‰.œ-

Ó

œ œflŒ Ó

w

Ó˙˙b

b -

64

∑

P

P

espr.

F

F˙

∑

∑

∑

∑

∑

˙

∑

65

∑

∑

Ó ‰ .œ

Ó ‰..Oœ>

∑

∑

∑

œ œb œ- ˙3

Ó ‰.œ>

66

∑

p

espr.

P

poco rit.

p

to Alto Flute

p∑

w

Ow

Ó Œ ‰ jœbthe

Œ ˙bb-H ‰

.œ-3

∑

w

∑

67

∑

F

πP

F


&

&

&

&

&

&

&

?

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

42

42

42

42

42

42

42

42

44

44

44

44

44

44

44

44

42

42

42

42

42

42

42

42

44

44

44

44

44

44

44

44

Vln.

PROSPERO

Vib.

Pno.

Hp.

A Fl. ∑

∑

>

strong

∑

‰.œ>

∑

∑

68

∑

More relaxed, lyrical q = 100

P

G

∑

∑

˙ œ œb >

based

Œ Œ ‰ jœb >

˙ œ œb >

∑

Œ œb.œ>

Œ

69

∑

hard yarn

F

P

∑

‰ .œn >

˙

∑

˙b -

∑

‰ .œ>

70

∑

F

espr.II

p

ß

∑

œ ˙b

.˙

∑

˙ œ œb

∑ ?

Œ Œ ‰ Jœb -

71

∑f

Œ Œ ‰ Jœb >

Œ Œ ‰ Jœb >

œb > œ œ œ ‰ Œ5

pro mon to ry

∑

- œ œb >

.>

∑

72

∑

f

poco f p

p

marc.

G b

marc.

marc.

f

PJœ

œ>Jœb >

Jœœ>

Jœb >

∑

∑

Jœœ>

Jœb >

˙

Œ ‰ jœœb >

73

Œ ‰ Jœœb >f

.œb -‰ Ó

.˙b -Œ

Œ ˙b œbHave I

‰ jœb

‰œ œb ‰ œ ‰ œ3 5

wb -

w

∑

74

Ó ˙>

f

f

F

πsenza °

sputtering

ƒ

ß

p

p

˙b æ

∑

œ ˙b3

made

‰œb œ ‰ œ œ ‰ œ œ

‰7

˙

˙

∑

75

∑

pœ>

æ j¿fl

‰ ‰ j¿fl

‰œæ>

3

‰œœ>

œ

.œ

.œ

. ‰ jœfl

‰œœ>

œ

.œ

.œ

. ‰ jœfl

3 5

œn˘ Œ œb œ œ

3

shake, and by the

‰œœb >

‰ œ œ ‰ œ œ‰ Œ

œ> œ ‰ œ œ$7 7

‰.œb > ˙

Œ.˙b >

∑

76

‰ Jœb >.˙b -

f sonore

fF

Í Ísputtering

ƒ sonore

F # G n

ß ßjeté

tongue pizz. ord.sputtering

F

- - -


&

&

&

&

&

?

&

?

43

43

43

43

43

43

43

43

44

44

44

44

44

44

44

44

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

Vln.

PROSPERO

Vib.

Pno.

Hp.

A Fl.

◊

‰œæ>

j¿fl

Œœæ>

‰œœ>

œ

.œ

.œ

. ‰ jœ˘ ‰ j

œ˘

œœ œ

.œ

.œ

.> ‰5 5

w>

spurs

Œœœb >

‰ œ œŒ

œ> œ œ‰3 3

Œ.˙

∑

œœœœn#b>

Iœ>

Ó

77

∑

espr.

ƒ

ƒ

Í

ç

ß Í

sim.

( F )

( F )

‰ j¿fl

Œ ‰ j¿.

‰3

‰œ

jœ>

œ

.œ

.œ

. Œ jœfl

‰3

.œ Jœb ˘ Œplucked

jœœb >

‰ Œ Œ

.œJœb >

œb

∑

Œ ‰J

œœœœbb

#>

Œ

78

∑

ß F

P

ß

ç

Œ ‰ Jœ> ˙

‰ jœfl

Œ Ó

jœ. ‰ ‰ Jœ œ>

jœ œ#3

up The pine and

∑

.œ jœ- ˙

Ó ˙

∑

79

Ó Œ ‰ œœ#

#>

3

p

ß

F

ord.

P

p∑

∑

.œ# jœ ˙ce dar.

∑

w

w#

∑

80

œœ

Œfi Ó

subito p

p

∑U

∑U

∑U

∑U

∑U ?

∑U

∑U

81

∑U

short∑

‰ jœ>Œ

˙b -Graves

∑

‰œ> œ.

$ œb . œ.

‰œ> œ.

$ œb . œ.

∑

82

∑

Menacing (suddenly faster) q = 110

secco, marcatiss.

ƒ powerful

ß

Spp

pizz.

H

∑

Œ Œ ‰ . rœ>

˙ œat

∑

$ œn . œ# .$ œn > œ. œ# > œ# œn

$ œn . œ# .$ œn > œ. œ# > œ# œn

∑

83

∑

arco

f

∑

œ.œb fl≥

œfl≥

.œmy

∑

œ.œb . œ

fl

œ.œœb

b.

œœfl

∑

84

∑

ƒ

˙b æ

jœb fl≥ ‰ Œ

rœb > . .œ>com mand

∑

∑

∑

∑

85

∑

ƒ

p ƒ

--


&

&

&

&

?

?

&

?

43

43

43

43

43

43

43

43

42

42

42

42

42

42

42

42

44

44

44

44

44

44

44

44

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

Vln.

PROSPERO

Vib.

Pno.

Hp.

A Fl.

◊

∑

Œ $œ œ œ.

˙

∑

‰ œ# > œ# .$ œn œ œ.

‰ œ# > œ# .$ œn œ œ.

∑

86

∑

Spp

p

∑

$œ. œ# .

$ œ. œ.$ œn > œ

.˙Have

∑

$ œ. œ# . $ œ. œ. $ œn > œ.

$ œ. œ# . $ œœ.

œœ.$ œ

œn

> œn .

∑

87

∑

ƒ

ƒ

∑

∑

∑

∑

∑

∑

∑ ?

88

∑

vuota ∑

∑

wwaked

∑

Œ œ> œ œb œ. œ. œ# . œ.Œ

Œ œ>œ œb œ.

œ. œ# .œ. Œ

Œ ˙b - Œ &

89

Œ ˙b -Œ

misteriosoπ sub.

πmisterioso

una corda

π

ord.p.d.l.t.

B n | F n

I

∑

∑

œ >3

œ>

˙#>3

∑ &

∑

œœ>

˙#>3

90

∑ƒ

ƒ

ƒ sub.

∑

˙O

>oŒ

œ œb œ

their slee

œœ>

˙b >

.>?

∑

..˙n>

Mgggggg fi

91

..˙n >

Ï

ç

ç

III

tre corde

fÍ poss.

∑

∑

.˙

∑

œ# >œ œ œ# >

œ œ# > œ œ> œb œ œ> œb

œ# >œ œ œ# >

œ œ# >œ œ>

œb œ œ>œb

∑

92

∑

F

- - - - -


&

&

&

&

?

?

&

?

83ˆ163

83ˆ163

83ˆ163

83ˆ163

83ˆ163

83ˆ163

83ˆ163

83ˆ163

44

44

44

44

44

44

44

44

43

43

43

43

43

43

43

43

Vln.

PROSPERO

Vib.

Pno.

Hp.

Picc. ∑

∑

.˙

pers,

∑

œ> œn œ> œb œ> œb œn œ> œ œ> œ# œ

œ>œn œ>

œb œ>œb œn œ>

œ œ> œ# œ

∑

93

∑

ƒ

∑ †

Œ . .Jœ# .Jœ

œ>jœ# œ# > œ

oped, and let ‘em

∑

Jœ>

Œ ‰ .

Jœ> Œ ‰ .

..œœ>

.Jœb >

94

∑ƒ

p molto

ç

ç

Œ .˙# -

∑

Jœ# ˘ ‰ Œ Óforth

˙# Œœ-

∑

∑

Ó Œ ‰œb o>

3

95

Œ ‰ jœœ# >Ó

ƒ

∏ echo

π echo

∏ echo

soft yarn

p

Piccolo

ƒ

∑

Ó Œ $ rœœ# fl‰

∑

Ó Œ Œ

Ó Œ $ œ>

œb œ

Ó Œ $ œ œb œ

Œ œo> fiŒ Œ

96

Ó Œ Œfi

ñ

π

ƒ

ç

molto

∑

∑

œ ˙b

By my

‰ . rœ>

$œ> œb >

‰ jœ>

œb œ œb œ>œb œn >

œb œb >œ œn œ> œb

œb œ œb œ>œb œn >

œb œb >œ œn œ> œb

∑

97

∑

p

p

p

hard yarnmarcatiss.

J


†

&

&

&

?

?

&

?

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

Vln.

PROSPERO

Vib.

Pno.

Hp.

Picc. ∑

∑

.˙b

so

œb > œn >$ œ# >

œ>

$ œ> œ>

œb > œ œn > œ œ œ# > œ œ>œ œ>

œ# œ>&

œb>

œnœn >

œ œ œ# >œ œ>

œ œ> œ# œ> &

∑

98

∑

P

P

∑

∑

.>

po

$ œœ> œ

œ## > $ R

œœ>

‰œœ#

# > œœ>

œ œ> œb œ#

> œ œ> œ# œ œ# > œn œn > œ#

œ œ>œb œ# >

œ œ>œ# œ œ# >

œn œn > œ#

∑

99

∑

f

f

f

∑

∑

˙tent

œœb

b > œœn

n > œœ

..œœ>

œb > œ œn > œ# œ# œn > œ# œn

œb > œ œn >œ# œ# œn >

œ# œn ?

∑

100

∑

ƒ

ƒ

∑

∑

.>

art.

∑

∑ ?

∑

∑

101

∑

ƒ

non rit.

Ï

- - - - - -


†

&

&

&

&

?

?

&

?

43

43

43

43

43

43

43

43

43

sounding:

Vln.

PROSPERO

Vib.

Pno.

Hp.

Picc.

◊

◊

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

œŒ ÓU ∑ Ó ÓU ∑U

˙#U wwU

ww## >U

œ( ) ww œ œ# œ œ œ œ œ œ œ œ œ œ O##U OOw

U

∑U ∑ Ó ÓU ∑U


wwU>

Ó ÓU OOOOU

&

wwwU

>

œb

œ

œn

œ

œ

œ

œ#

œ

œ

œ

œ#

œ

œ

œ

œ>

œ

œ

œ

œb

œ

œn

œ

œb

œ

œn

œ

œ

œ

œb

œÓ ÓU OOOO

U


102


p

II

depress silently*catch resonance

*Or rearticulate imperceptibly immediately before the pedal change.

Îf Pthunderous

tutta forza

SffZ

poss. molto

( p )

SffZ

short long

F

molto rit.

SfZ

long

long

( F )

1 2 3 4 5

end abruptly

K16 McManus - The Rarer Action

ca. 25"ca. 4" ca. 8" ca. 10"ca. 3"

†

&

&

&

&

&

?

&

?

43

43

43

43

43

43

43

43

43

83

83

83

83

83

83

83

83

83

43

43

43

43

43

43

43

43

43

87

87

87

87

87

87

87

87

42

42

42

42

42

42

42

42

87

87

87

87

87

87

87

87

44

44

44

44

44

44

44

44

sounding:

Vln.

PROSPERO

Vib.

Pno.

Hp.

Picc. ∑..˙˙

.O ..O

œ Œ œ

But this

∑

....OOOO

....OOOO

˙˙#J -œœ>

103

˙bb -ggggggg Œ

P

P

Gentle, Resigned (in tempo) q = 65

( p )

L

∑..œœ

.O ..Oœ

jœ# fl‰ ‰

rough

∑

∑

∑

Jœœœ#

# ˘‰fi

‰

104

∑ßpoco

D b

secco

∑..˙˙

..O .O

- œ#ma gic

∑

∑

∑

œœœœb

>œœ Œ

105

Œ Œœœb

b

∑..˙˙

..O .O

œn œ# œI here ab

Œ Œœ-

..˙## -

˙˙#

#-

œ-

...˙bb# -J

106

˙˙#

#-

ggggggggggœ>

una corda

∏

π

fsonore

F

‰ . .œ .œn .œ

∑

.œ# - ‰ Œjure;

œ# - œb - ‰ Jœœ#

Œ ‰ Jœ# > Œ

∑

œ# >œb œ# > Œ

fi

107

∑

ñ

πmolto espr.

f

.œb .œ .œ> .œb

œ œ# œ œb œ œ œb ˚7

∑

Œ Œœœb -

∑

∑

Œ œ> œ# œ œb œn œ œb ˘

108

∑

II

p

P

D n

f

∏ echo

appass.

appass.

ƒ

ƒ

∑

∑

∑

˙˙ ..œœ

Œ œ> .œn

Œœœœ### - ...œœœ

∑

109

∑

∏ echo

Slower, very distant q = 50

D b | G #

ƒ

(4+3)to C Flute

∑

∑

∑

œ-

œœ##H

‰..œœb >

-

∑

110

∑

∑

∑

∑

..œœ œb œ œœb-I œ

œ3

œœ œb œœI> ˙

˙

.œ ˙

∑

111

∑

(3+2+2)

- -


†

&

&

&

&

?

&

?

44

44

44

44

44

44

44

44

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

44

44

44

44

44

44

44

44

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

Vln.

PROSPERO

Vib.

Pno.

Hp.

C Fl. ∑

Œ $ .Jœb > œ $ œ. Œ

Œ Jœ> œ# œ# œ œ# œn >

‰ Jœb3

and when I have re quired Some

˙˙ ˙nn

˙˙ ˙

˙## -

˙b-

˙##-

Œ œœb# - œœ œ. Œ

fi

112

Œœœb

b - œœ Œ

F parlando

sempre ∏

leggiero

F p

hesitating

Quasi recit. (stesso tempo)

sempre ∏

π echo

M∑

$ .jœ> .œ..œ#

. $ Ó

œb> œ œ œn >

œn ‰ . Rœb œ œ œ# œ œn5

hea ven ly mu sic (which e ven now I do)

œœ ..

˙˙n

b

œœ

.˙n -

œœ ..˙# -

Œ œœn# >œœ œb œ. Œ

fi

113

Œœœb#> œ Œ

F p

D n

∑

.œ> .œ# . .œ# . .œn . ‰ Ó

∑

.

.˙˙ œœb

.˙ œb -

..˙ œœb -

Œ ‰Jœœn#> œœ œœ œ œb œ œ œ $

fi

7

114

Ó œœb

b > œ#poco f p

leggiero

∏

E n

∑ &

∑

∑

..œœ Jœœ

b -I

œœ-

.œn

œœœœb

b -

∑

115

∑

dolente

D b B n | G n

Œ ˙

∑

Œ Œ œTo

.

.˙˙

.˙‰ œœ

-˙

3

.

.˙˙

∑

116

∑

C Flute

ñ

P

œ œ .œ Jœ

∑

œ œ .œ Jœwork mine end up

∑

.˙ ..˙ Œ

wwwwbb-

Œ œœb >œœ

jœ Œ3

117

Œ œn >Jœ œ Œ3

P

espr.

Slightly faster q = 60

π espr., dolente

Nœ# J

œ œ3

∑

œ# Jœ œ3

on their

œ# -jœ

œœ#I

3

˙#>

˙˙n

n>

L

Œ ‰ œœb >3

118

˙˙n

n -

π

p

tre corde

p

πPsub.

F

A #

- - - - --


&

&

&

&

&

?

&

?

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

87

87

87

87

87

87

87

87

44

44

44

44

44

44

44

44

43

43

43

43

43

43

43

43

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

Vln.

PROSPERO

Vib.

Pno.

Hp.

C Fl.Jœ œ#

∑

Jœ œ#sen ses

∑

..œœ

..œœ

Jœœ œ>

œn>

œb3

119

‰ œ# >

œ# œ>

∑

œ# œ>

that This

Œœ

O

o>

˙

˙˙

Œ œœœ#>

120

Œ œœ>

Jgggggggg

ƒ

f

D n

f

f

˙nŒ .

Ó.œ

æ

˙n - .œ .œb-

.œ .œbair y charm is for,

∑

˙b > ..œœ

˙˙

Œ .

˙n# >..œœ#

-

121

Œ œœ>

.

.œœ

fi

fi

sul tastowhispering, molto flaut.rapid but relaxed tremelo

con sord.II

π

(4+3)

F

p∑

œbæ

- œbæ

œæ

œnæ

-

œ Œ Ó

∑

∑

∑ &

∑

122

∑C #

p lontano ma espr.

∑

œæœ

æ œæ

œ .œ jœ#I’ll break my

.

.˙˙#-

‰œœ# >

Jœn .Œ

‰ Jœ#jœ# ˙

˙n

.o-

123

..˙## >

p

π echo

∏ echo

∏ echo

hesitatinglight accents

P espr.

*LH much softer than RH*

O∑

œ#æ- œ#æ

œ# œb>

œ œ3

staff, Bu ry it

˙˙b

# -

‰ Jœœ## > œœb œ.

‰3

‰ Jœœœ

b

˙# o-

124

˙#>

Œ Œ ‰ œ œb œ œ

œnæ œæ œbæ

œ œn œ œb œ œcer tain fa thoms in the

œb -˙b -

‰œœ>

Jœœb œœ

$ Rœb - ..œœ

nŒ ?

œo-œ>

Œ Œ

125

˙˙# >

Œ

Fp

foreground (not an echo)

not an echo

P

∑

œæ Œ Œ

˙ Œearth,

∑

Œ ‰ Jœ- œ

Œ ‰ jœ# - œ

-Œ

126

˙# - Œfi

ñ

π echo

π echo

A n

œ œ œ œb œ œ œ7

∑

∑

∑

˙

˙

∑

127

∑

∏ echo

to bows

molto rit.

C n | F n

- - - --


&

&

&

&

&

?

&

?

43

43

43

43

43

43

43

43

83

83

83

83

83

83

83

83

43

43

43

43

43

43

43

43

42

42

42

42

42

42

42

42

23

23

23

23

23

23

23

23

44

44

44

44

44

44

44

44

Vln.

PROSPERO

Vib.

Pno.

Hp.

C Fl.

√

◊

jœ ‰ Œ Œ

∑

Œ Œ ‰ jœ#And

∑

Œ Œ ‰ jœ#

Œ Œ œœnb

.œn œn-

œ œ- jœ Œ

3

?

128

˙b - Œfiπ

p

p

B b

ñ

to Piccolo

∑

∑

œ- jœb

dee per

∑

.œb

..œœbb

I

-gggggggg

‰ œœn -

129

‰ œœnb -

una corda

π

Psub.

foreground (not an echo)

Much slower e = 75P

∑

∑

œb œ œ œ# œn œthan did e ver plum met

∑

œ˙# -

œœ˙n -

∑

130

Œ

∏

distinto

più rit.

p

∑

∑

..œœb

- ‰sound

∑

Œœb -

Œ œœbb -

Œ œb -

131

π

solemn

p

solemn

(ossia)

π

tre corde

Ó Ó .U Œ †

Ó Ó .U Œ

˙ .U œ

I’ll drown my

Ó ..˙U Œ

.wU

..wwU

Ó Ó .U Œ

132

Ó Ó .U Œ

Very Slow (colla voce)

bowed

F

Fp

Ó ˙

Œ ˙˙ 0 œœo

-

Jœ ‰ Œ Óbook.

∑

wwb -

wwwbbb -

∑ &

133

∑

una corda

dolente

to soft yarn

Piccolodolente

πIII

IIIII

π

π

ord.

p

Spellbound q = 50

Epilogue: Ariel's Solemn Music

Q

˙ >

œœ ˙## - œœn

∑

∑

∑

∑

Óo>

134

∑

p

P

F

w

˙ Ó

∑

‰ œœœ-jœœœ-

œœœœœœ-

œœœ...

œœœ-

∑

∑

∑

135

∑

soft yarnrhythmic but almost imperceptiblelontanissimo

Ø

π

° to measure 155

ñ

E b F #

∑

∑

∑

jœœœœœœ>

œœœœœœ>

jœœœ...

œœœœœœ>

3 3

Ó Œ ‰ .œœ#>

.œ-Ó Œ ‰ .

∑

136

∑

pochiss. sim.

subitopiercingbell-like

gong-like,misterioso

SfZ

tre corde

p

ñ

to Alto Flute

- - -


(Solemn music. Here enters ARIEL before; then ALONSO with a frantic gesture, attended by GONZALO; SEBASTIAN and ANTONIO in like manner attended by ADRIAN and FRANCISCO. They all enter the circle which PROSPERO had made, and there stand charmed...)

†

&

&

&

&

?

&

?

43

43

43

43

43

43

43

43

Vln.

PROSPERO

Vib.

Pno.

Hp.

Picc.

√

◊

√

◊

√

◊ ◊

∑

∑

∑

œœœœœœ

œœœœœœ>

œœœœœœ

œœœ>...

œœœœœœ>

∑

∑

∑

137

∑

sempre Ø

sim.

( ° )

∑

∑

∑

jœœœœœœ

œœœ>...

œœœjœœœ>

3

œœ#>

.œ-

$ ‰ Œ Ó

$ ‰ Œ Ó

∑

138

∑

SfZ

p

∑

∑

∑

jœœœ...

œœœœœœ

jœœœœœœ>

3

Ó $œœ#>

œ-

œœ#

flŒ

Ó $ ‰ Œ

∑

139

∑

SfZ

p

SfZ

∑

∑

∑

œœœjœœœ

œœœ-˙˙

3

Ó ‰œœ#>

. .œ-

®..

Rœœ# >

‰

Ó ‰ Œ

∑

140

∑

SfZ

p

SfZ

Œ Ó .U

Œ Ó .U

Œ Ó .U

œœœœœœ-

...˙˙

U

œœ#>

.œ-

$ ®..

Rœœ# > œ> œ> œ> œ> œ> œ> œ> œ> œ> œ> œ>

U

œ> œ> œ> œ> œ> œ> œ> œ> œ> œ> œ> œ> œ>

$ ‰ Œ Ó

Œ Ó .U

141

Œ Ó .U

SfZ SfZ p Îposs.

brilliantemartellato

R R RR LR etc.R L

p

h.

ad lib.

ad lib.21McManus - The Rarer Action

†

&

&

&

&

?

&

?

43

43

43

43

43

43

43

43

44

44

44

44

44

44

44

44

43

43

43

43

43

43

43

43

44

44

44

44

44

44

44

44

Vln.

PROSPERO

Vib.

Pno.

Hp.

A Fl.

√

◊

√

◊ ◊

√

◊

∑

Jœœœ

#b˘

‰œœœ#

nb

˚œœn

#-

∑œœœ>

œœœœœœ

...œœœ>

∑

∑

∑

142

∑

ƒ molto appass.

broad, with abandonquasi cadenza

sempre Ø

A tempo q = 50

con sord. ad lib.

R

( ° )

∑

œœœœn#

fl‰

œœœn

#n˚

œœœ- œœ#n -3

∑œœœ

œœœjœœœ>

œœœœœœ

œœœœœœ>

œœœ

3 3

∑

∑

∑

143

∑

ç ç f

∑ &

œ

Jœœœ##

˚ œ# - œ-

∑œœœ

œœœ>œœœ

...œœœ

∑

∑

∑

144

∑

ç F

molto espr.

‰ ...œœœ#>

µK ˙˙

œœœ

#bb˚

$ .jœn - œ œœb> œ3

∑˙˙

œœœ>...

œœœjœœœ

œœœ>

3

$œœ#>

œ-

œœ#

flŒ Ó

$ Œ Ó

∑

145

∑

SfZ

SfZ

p

SfZ

Alto Flute

III 0

fÍ

F

IV

poss.

∑

œœœœ

nb> œ# œ œb > œ œ œ œ œ œ

Jœ œ33

∑œœœ

œœœ>

jœœœ...

œœœ>

∑

∑

∑

146

Œ jœœœœ#bb fl‰ Ó

çÏ ben sost.

very intense

Ï

SfZ

to Piccolo

∑

œ œ œ .œ .œ œ

∑...

œœœjœœœ

˙˙

Óœœ#>

. .œ-

Œ

Ó ‰ Œ

∑

147

∑

molto

meno f

π

∑

.œJœ- .œ

Jœ-

∑jœœœ

œœœ>œœœ

œœœjœœœ

œœœ

3 3

Ó Œ Jœœ#˘

‰

∑

∑

148

Œ œœœœ#bb -Ó

p

p

F


&

&

&

&

&

?

&

?

42

42

42

42

42

42

42

42

44

44

44

44

44

44

44

44

Vln.

PROSPERO

Vib.

Pno.

Hp.

Picc.

¤

∑

w

∑

œœœ...

œœœ>œœœ

œœœœœœ

...œœœ>

œœœœœœ-

∑

∑

∑

149

Ó Ó &

emerging

F n before the beat

(con sord. ad lib.)

( ° )

molto

∑

w-

∑

J

œœœœ˚ œœœœ J

œœœœ>

J

œœœœœœœœ

œœœœœœœœ>3

∑

∑

œœ>

JŒ Ó

150

œœ

n>

gggggggggggggggggfi

Œ Ó

dolente

poco f

poco f

F

S

molto

∑ †

.˙Œ

∑œœœœ J

œœœœœœœœ

œœœœ> œœœœ

œœœœ

3

∑

∑

∑

151

∑

Ø

lontano(come sopra)

ñ

Ó ˙#

∑

∑œœœœ

œœœœ J

œœœœœœœœ> œœœœ

œœœœ

3

∑

‰ ‰ jœœ# - ..˙

3

Œ ‰ . rœœ-Ó

152

∑∏

π misterioso

una corda

Piccolo

ñ ˙ Ó

∑

∑œœœœ

....œœœœ> œœœœ J

œœœœ>

J

œœœœ....

œœœœ

3

$ .Jœ Œ Ó

∑

Ó Œ ‰ œœ-fi3

153

∑

tre corde

∏

F

SffZ

end abruptly

F b G #

∑

∑

∑....

œœœœ> œœœœ

œœœœ

∑

∑ &

∑

154

∑


†

&

&

&

&

&

&

&

44

44

44

44

44

44

44

44

Vln.

PROSPERO

Vib.

Pno.

Hp.

Picc. ∑

∑

∑œœœœ

œœœœ J

œœœœ>

Ó3

Œ..˙## -

Œ ..˙## -

∑

155

∑

una corda

dolcissimolike a distant glowenter imperceptibly

Ø poss.

sub.F

abrupt cutoff

D # | E n

( Ø )

∑U

∑U

∑U

∑U

wwU

wwU

œb>

œœo

œ#œ# o

œ œœo

œœo œo

œOœ#

##

( ) œb o œoœOœ

( ) œ

Uo

œOœ

( ) œoœOœo

( ) œOœo

( )

156

f

flickering, fragile

ca. 12"

p Ø

rit. ad lib.

∑U

∑U

∑U

∑U

∑U

∑U

∑U

157

∑U

very long


duration ca. 9'February 27, 2012Chicago, IL

The Rarer Action: A Scene from Shakespeare's "The Tempest" (2012)

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Transcript of The Rarer Action: A Scene from Shakespeare's "The Tempest" (2012)