Susquehanna Symphony OrchestraSheldon Bair, Founder & Music Director

October 6, 2012

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Please Note:•Silencepagers,cellphones,andsignalwatchesduringtheperformance.•Theuseofcamerasandrecordingdevicesisprohibited.•Latecomerswillbeseatedonlybetweenmovements/selections.•Allchildrenshouldbecarefullysupervisedsothattheyarenotdisruptivetothemusiciansortheaudience.

•Smokingisprohibitedanywhereonschoolproperty.Thank you for your cooperation.

Please enjoy this evening’s performance.

TheSusquehannaSymphonyOrchestrawasfoundedin1978bySheldonBairandisacommunityorchestraofprofessionalandamateurvolunteermusicians.TheSusquehannaSymphony’shomeisinHarfordCounty,Maryland,nearthemouthoftheSusquehannaRiver.TheOrchestraperformsasubscriptionseriesofconcertseveryyear inaddition tooutdoorandchambermusicconcerts.TheOrchestrahasperformedoperaandballet,aswellasstandardorchestralrepertoire,andisknownforitspremieresofnewworksandperformancesofunusualrepertoire.TheOrchestraperformedinSt.Patrick’sCathedral,NewYorkCityforover3,000peopleinNovember2007,andatCarnegieHallfor2,500peopleinOctober2009.

Thisyearmarksthe36thSeasonoftheSusquehannaSymphonyOrchestra.Suchlongevitywouldnotbepossiblewithoutyoursupport.Wethankyouforattending this evening’s concert, and look forward tomanymore years ofmakingmusic!

Mission StatementTheSusquehannaSymphonyOrchestra (SSO) strives tostimulatecreativityand intellectual growth in the local community and volunteer musiciansthroughtheperformanceofdiverseorchestralworks.

Thank You!TheSSOwouldliketothanktheTownofBelAirfortheirhelpincoordinatingtheBelAirHighSchoolaccommodations.WearealsoindebtedtoPaulLabe,DeanforVisual,Performing,andAppliedArtsatHCCforprovidingrehearsalspace. We thank BAHS Principal Greg Komondor; Terri Matthews, MusicDepartment Chair; and especially Paul Bowdon, Drama Department Chairforconcertnightsupport.Wethankourticketoutlets;TheOpenDoorCafé,forprovidingsuchdeliciousintermissiontreatsandafterconcertdinner;andourdonorswhomakesharingexcellentorchestralmusicwithourcommunitypossible.Pleasepatronizetheadvertisersandbusinesseswhichsupportus(bothinthisprogramandonourWebsite)andtellthemtheSSOsentyou.

Our 36th Season

Cover Photo of SSO: Stefan Antwarg

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Ludwig van Beethoven Symphony No. 6 in F Major, Op. 68 (1770–1827) “Pastoral”

AwakeningofCheerfulFeelingsonArrivalintheCountryScenebytheBrookMerryGatheringoftheCountryFolk– Thunderstorm– Shepherd’sSong,GladandGratefulFeelingsAftertheStorm

Intermission

Johannes Brahms Tragic Overture, Op. 81(1833–1897)

Johann Strauss, Jr. Du und Du Waltz from (1825–1899) “Die Fledermaus”

Johann Strauss, Sr. Radetzky March(1804–1849)

Note: When a symphony with multiple movements is performed, please hold all applause until after the final movement. Thank you.

The Susquehanna Symphony Orchestra is supported by funds from the Maryland State Arts Council, an agency dedicated to cultivating a vibrant cultural community where the arts thrive, and the Harford County Government through the Harford County Cultural Arts Board. Funding for the Maryland State Arts Council is provided by the National Endowment for the Arts, a federal agency, which believes that a great nation deserves great art.

October 6, 2012

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Music DirectorSheldon Bair is the Founder and Music Director of the Susquehanna Symphony Orchestra(Maryland), a community orchestra of over 90members. He holds a Bachelor’s degree fromElizabethtown College (Pennsylvania) wherehe studied conducting with Otis Kitchen andcomposition with James McVoy and DarrellDouglas, and a Master’s degree from TowsonUniversity (Maryland). In addition, his post-graduatestudiesincludeclassesatWestminsterChoirCollegeinPrinceton,NewJersey.SheldonBairhasstudiedconductingwithWitoldRowickiinVienna,andMarcMostovoy,WilliamHudson,andLeonidGrin.

Bair teaches orchestra for the Harford County Public Schools (Maryland), isadjunct faculty forHarfordCommunityCollege, ison theconductingstaff forthe Elizabethtown CollegeMusic Camp, and is often invited to conduct andadjudicateyouthorchestrasandsoloists.InNovember2000,Bairwasbestowedthe Paderewski Award for Contributions to Society and Culture at the PolishEmbassyinWashington,D.C.Inthefallof2007,Bairwastheguestconductorfor the FlowerMoundSymphonyOrchestra inDallas, Texas, and in February2011heconducted theOklahomaYouthOrchestra inNorman,Oklahoma. Inthefallof2007,93membersoftheSusquehannaSymphonyappearedatSt.Patrick’sCathedralinNewYorkCity,performingaprogramofPolishmusicwithseveralchoirsinfrontofanappreciative,standing-room-onlyaudience.Inthefallof2009,100membersoftheSusquehannaSymphonyperformedonthemainstageatCarnegieHall for thesamePolish impresario,performingaprogramofPolishworksunderthreedifferentconductors.BairparticipatedintheSixthMalcolmArnoldFestivalinNorthampton,UK,inthefallof2011byintroducingArnold’s9thSymphonyatthefinalGalaConcert.

Bair, amember of ASCAP, has written a number of works for student stringorchestra, threeworks for the Susquehanna Symphony, and threeworks forchurch choir. Ensembles in Maryland, New Jersey, Pennsylvania, New York,andTexashaveperformedhismusic.Bair’sstudentstringorchestramusicispublishedbyHowardPublications.He lives inBelAir,Maryland,withhiswifeBarbara(alsoamusician)andtwoofhisthreechildren(theeldestismarriedandlivesinVirginia).

11th Annual Daniel Pearl World Music DaysThankyouforjoiningusfortonight’sconcert,whichispartofDanielPearlWorldMusicDays.Rightnow,audiencesallover theworldare listening to livemusic just likeyou.Simply by being here andenjoying themusicwemake, youaremaking a statementthatmusiccanbridgegapsandcreatechannelsofcommunicationbetweendifferentpeoples.

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Personnel ‡ In Alphabetical Order

First Violins ‡WendyBohdel,ConcertmasterJoanBeckett-ArmstrongElizabethCaugheyShannon EatonMaryFolusAnneLehmanEnidMcClureAndrewNowakowskiTerryO’NeillKimPolitzChristineRobbinsWilliamSpencerLilyWangAmyWilkinson

Second Violins ‡ManfredReek,PrincipalSamanthaBittorfKatieBohdelBeverlyCaswellSarah FolusCristineLarsonDanielleMoyerJenniferNewberryHannahPottsNancyPurdyAllisonRedmanMarthaSchmidtSaraTwistAlexanderWeberJenniferYeager

Violas ‡JessicaConklin,PrincipalWillConwayColleenGrotkeKarynHetmanskiNoreenHiltzAylaJamesWilliamLehrCaitlinNorman

Violoncellos ‡LauraRuth,PrincipalClaireBrennanElaineBundyKimDamianJuliaDatherChelseaFriendFredGehrisMarkGrotkeBarbaraHillJasmineReevesCarolScanlanPhilipSchubart

Basses ‡Brian Folus, PrincipalZacharyBairCarolBenckDylanJenningsKarenShearmanBethWeed

FlutesDorisReinhardtCarolThompsonMarjorieRoberts

OboesBarbara BairLindsayEvans

ClarinetsFionaSparksKellyRhodesJaneMammana

BassoonsBenjaminSchuhartAliciaBourassa

HornsTimothyByrnesBruceKovacs,AssistantDawnZipayKelleyMoormanMichael DeZearn

TrumpetsDavidStaufferRobertStoreyKellyHall

TrombonesLewisBlandonPhillipHubbsDonaldRaff,Bass

TubaDonaldMcClure

TimpaniAllanAndreycak

PercussionMaryEilermanWellesStillJoanneMitaro

LibrarianLauraRuth

Personnel ManagersAliciaWattsAnneLehman

Stage ManagerWellesStill

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Symphony No. 6 in F Major, Op. 68 “Pastoral”Ludwig van Beethoven (1770–1827)

OfBeethoven’sninesymphonies,fivearemostoftenperformed.Fourofthemaretheoddnumbered3rd,5th,7th,and9th.The6th(Pastoral)istheonlyoneoftheeven-numberedsymphoniestoenjoyregularperformance.Itisoneofonlyafewworkshewrotecontainingexplicitlyprogrammaticcontent.

Firstsketchesofthesymphonywerewrittenin1802andheslowlynurturedit, while simultaneously composing the 5th Symphony. Coincidentally, boththe5thand6thsymphonieswerepremieredinalongconcertinViennaonDecember22,1808.Thesymphonyhasfivemovementsinsteadofthetypicalfourmovementsymphoniesofthetime.

The first movement depicts the composer’s feelings as he arrives in thecountry. It is in sonata formwith extensively developedmotifs. The slowersecondmovement in 12/8meter and the key of Bbmajormay be one ofBeethoven’smostbeautifulandserenecompositions.Towardtheendthereisacadenzaforthreewoodwindinstrumentsthatimitatesbirdcalls.Beethovenidentifiedthebirdspeciesinthescore:nightingale(flute),quail (oboe),andcuckoo(clarinet).Thethirdmovement,backinthekeyofFmajor,isascherzodepicting country folk dancing and reveling. The movement leads straight

Program Notes

Title of WorkComposer Name (birth–death)

NotestextnotestextnotestextProgram notes compiled by Don Raff

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Program Notes (Cont’d)intothefourthmovement(Thunderstorm)inFminor.Inthismovement,thecomposer adds piccolo, two trombones, and timpani to add to the effect.Thismovement also leads directly into the next, finalmovement. The fifthmovementinFmajorand6/8timeiswritteninsonatarondoform.

Tragic Overture, Op. 81Johannes Brahms (1833–1897)

TheTragic Overture,aswellasthebetterknownAcademic Festival Overture, waswrittenduring thesummerof1880.Together, theycouldnotbemoredifferentinmood.Brahmssaid,“Oneweeps,theotherlaughs.”ConsideringBrahms’acknowledgement that they compliment eachother, it is odd thattheyareneverprogrammedtogetherinconcerts.

Theworkisnotdescriptiveofanyspecifictragedy,but intendstocaptureasombermood.Althoughpartsoftheovertureareaslyricalasanythingheeverwrote,itsbasiccharacterissolemndrama.Thepieceiscomprisedofthreesections,all in thekeyofDminor.The form isbasicsonata form,butwiththreemainthemesandarecapitulationthatplacesthesecondthemebeforethefirst.Somehaveevensuggestedthatitcouldhavebeenamagnificentfirstmovementofasymphony.

Title of WorkComposer Name (birth–death)

NotestextnotestextnotestextProgram notes compiled by Don Raff

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Program Notes (Cont’d)PaulSerotskystates,“Admittedlyit’sdramatic,somber,evengrimmusic,butforallthat,Idon’tgetanyfeelingofdefeat.It’smorelikeavictoryinwhich,conqueringanobleenemy,thevictorcantakenopleasure.Thatis,forme,whatmakesthissuchanextraordinarypieceofmusic.”

Du und Du Waltz from “Die Fledermaus”Johann Strauss, Jr. (1825–1899)

TheJohannStrausses,fatherandson,epitomizedtheeleganceof19thcenturyVienna,producingmuchofthemostpurelypleasurablemusicevercomposed.Theirbestworkwasindanceforms,especiallythewaltz.TheVienneseloveofthewaltzwasdescribedbyWagneras“anarcoticmorepotentthanalcohol.”

Afterachievingtremendoussuccess,theyoungerStraussbecameintriguedby the possibility of the musical theater. On a visit to Vienna, Offenbach,who himself had achieved fame with his operettas, suggested Strauss trythat lightmusicalmedium.After two less-than-successfulattemptsStrausswasprovidedagoodlibretto.SixweekslaterhecompletedDie Fledermaus (The Bat).AlthoughnotinitiallyagreatsuccessinVienna,perhapsduetoaneconomicdepression, theworkhadahundredperformances inBerlinandsoonaftergainedpopularityinVienna.

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Program Notes (Cont’d)Straussalwaysextracteddancenumbersfromhisstageworksandpublishedthem separately.Du und Du (You and You) includes three waltzes of ABAthematic structure. The ending coda contains fragments of the first twowaltzes.

Radetzky MarchJohann Strauss, Sr. (1804–1849)

Thispopularmarch,dedicatedtoAustrianFieldMarshalJosephRadetzkyvonRadetz,wascomposedin1848.StrausshadbeencommissionedtowritethepieceforacelebrationofRadetzky’svictoryattheBattleofCustoza,whichbrieflyendedanItalianattempttogainindependencefromAustriancontrol.

PriortoWellington’sdefeatofNapoleonleadingtohisabdicationandfirstexilein1818,RadetzkywasChiefofStafftothealliedcoalitionof1813–14.HecreatedthestrategythatdefeatedNapoleoninGermanyandthenFrancewhenneitherRussianorPrussiahadbeenabletodefeattheEmperor“inbattle.”TheseAustrianledvictoriesdecisivelytippedthebalanceagainstNapoleon.ItwasRadetzky,too,attheageofeighty-two,whodefeatedtheItaliansin1848and1849thatsavedEuropeonceagain fromtheprospectof internationalwarandrevolution.Yettodayheisalmostforgotten—rememberedonlyinthemusicofStrauss,Sr.’smarch.

harfordyouthorchestra.org

TheHarfordYouthOrchestra(grades9-12) and String Orchestra (grades5-8) will perform a free concert onNovember17,2012at2:00p.m.inTheAmossCenter.

The orchestras are offered as non-credit classes through HarfordCommunityCollege.

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WhenthemarchwasfirstplayedinfrontofAustrianofficers,theyclappedandstomped their feetwhen theyheard thechorus. This tradition is continuedtodaywhenthemarchisplayedinViennaandelsewhere.ItisalmostalwaysplayedasthelastpieceattheViennaNewYearConcert.

Program notes compiled by Don Raff

Program Notes (Cont’d)

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Join the SSO for an after concert dinner at The Open Door Café (see their ad, page 12).

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The SSO is on Facebook!Onwww.facebook.com,

search “Susquehanna

SymphonyOrchestra”Board of DirectorsSheldon Bair, Founder and Music DirectorMark Grotke, PresidentDiane Sengstacke, Esq., Vice PresidentJim Weed, TreasurerShannon Raum, Secretary and HistorianLaura Ruth, LibrarianKathy Frawley, Orchestra ManagerAlicia Farrell, Personnel ManagerAnne Lehman, Student Personnel ManagerColleen Grotke, Publicity Manager

Über-VolunteersPrograms: Jerry Potter and Sharon WielechowskiLibrary: Emily AndrewsUsher: JeanSfikasWeb Site: Ernest Wang

Directors at LargeJessica ConklinKarmen Kater-SlezakBruce KovacsD. Henry Ruth, M.D.Amy Wilkinson

(The SSO is currently accepting applications for Board Membership)

Season TicketsToorderseasonticketspleasecontactKathyFrawleyat<manager@ssorchestra.org>.YoumayalsopurchaseticketsatTicketLeap.com.

Ticket OutletsPreston’s Stationery319SMainSt.,BelAir 410-838-5858

MusicLand200GatewayDr.,BelAir 410-838-2079

Music & ArtsFestival,BelAir410-569-3500

Harford Pharmacy1510ConowingoRd.,BelAir410-838-0990

TicketLeap.comPricesareonourWebsite: www.ssorchestra.org

Use the Amazon.com link on theSSOWebsite.AmazonwilldonateaportionofsalestotheSSOifyouusethislinkwhenyoushopthere.This works year-round—not

just for the holidays!

SSOrchestra.orgVisitournewWebsiteforconcertreviews, musician bios, links tosmallensemblesforhire,andthebusinesseswhichsupportus.

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Become a Contributor—The SSO needs your support!Contribute to the SSO Operating Budget—$45,000 (approximately $9,000 per concert)

INCOME StateandCountyGrants $5,500CorporateCashSupport $500IndividualCashContributions $6,000Advertising $2,000TicketSales $25,000Fundraising $3,500TOTAL INCOME $42,500

EXPENSES Production(Artists,Scores, Audio,Auditoriumrental) $24,000ProgramandotherPrinting $5,000Marketing $2,500Admin(Insurance,Copies,Postage, Librarian,OrchManager) $8,800StorageRental $2,300TOTAL EXPENSES $42,400

The SSO’s presence contributes toHarford County’s quality of life whichmakes our area an attractive place tolive and work. Your contributions willallowustobringnewartiststothestageand purchase/rent new compositions.Pre-concert lectures, the Judith L.FamousScholarshipBenefitconcert,andanother SCOR workshop for wannabestring players are proof of the SSO’sdedication to community enrichment.TheSSOAnnual Fund is underwayandweneedyourfinancialsupporttosustainfine orchestral programming right hereinHarfordCounty.(Thereisfreeparkingand you don’t have to fight traffic onI-95!)

To give you an idea of what it takesto implement five concerts a year, asimplified budget is provided (right).

Even with all the volunteer hours, theSSO continues to need your financialsupport through direct donations andyourparticipationinourfundraisers.

Memorial Fund: $102,963! Help Us Reach our $400,000 Goal!TheSSOMemorialFundisanimportantpart of the Susquehanna SymphonyOrchestra’s ability to sustain itscommitment to providing a qualityorchestral music experience to HarfordCounty residents. Begun by a bequestfrom Sibyl Davis Gunther, long timeviolinistandpatron, theMemorialFundwill provide operating funds for theorchestrafrominterestgeneratedwhileleavingtheprincipalintact.

How Do I Contribute?Donations to the operating budget ormemorialfundcanbemadewithacreditcardonourWebsiteorwithacheckmadepayable to Susquehanna SymphonyOrchestra,P.O.Box963,Abingdon,MD21009.TheSSOisa501(c)(3)non-profiteducationalorganization.

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SSO Cancellation PolicyIn the event of a cancellationof a concert due to weatheremergencies, patrons mayredeem their cancelled ticket foraticketatthenextconcert.

Adopt a Percussion Instrument for the SSO!Belowisawishlistofpercussioninstrumentsthatyourdonationcanhelpusacquire.Individuals,families,businesses,orothergroupscanadoptapercussioninstrument.Wewillannounceyourgiftinfutureprogramsandrecognizeitwithaplaqueontheinstrumentwhenpossible.ThankYou!

Instrument Costs5Tympani(32″,29″,26″,23″,20″)......................$18,000.00Marimba............................... $9,000.00Vibraphone........................... $7,000.00Xylophone............................ $5,000.00Chimes.................................. $4,500.00Orchestral Bells.................... $2,350.0040″Gong............................... $1,800.004TomTom(Concert)............ $1,800.0030″Gong(Tam-Tam)............ $1,700.00TrapSet................................. $1,500.00BassDrum........................... $1,400.00SnareDrum............................. $700.002CongaDrums........................$470.00SuspendedCymbal (medium)................................. $450.00TempleBlocks......................... $450.00BellTree................................... $325.00WoodBlocks (3differentpitches)................ $200.00#4BellsonStrap.....................$185.00#2BellsonStrap.....................$145.00BongoDrums........................... $123.00LargeSleighBells.....................$100.00MountedCastanets....................$70.00Guiro............................................$60.00TrophySleighBells.....................$50.00Cabasa........................................$50.00Shaker.........................................$40.00Ratchet.......................................$30.00Maracas......................................$26.00

Underwriter $2,000+BattelleMemorialInstituteDr.&Mrs.MarkGrotke,COL,USArmy(Ret)HarfordCountyCulturalArtsBoardDr.&Mrs.D.HenryRuth

Gold Baton $1,000–$1,999MarylandStateArtsCouncilErnestWang(In-KindWebmaster)SharonWielechowski(In-KindGraphicArts)

Silver Baton $500–$999JerryPotter(In-KindProgramDevelopment)Dr.DonaldH.RuthandDr.LauraE.Peter

Conductor’s Club $250–$499Harold&RachelCooperDr.&Mrs.AndrewNowakowski

Sponsor $50–$124EmilyAndrewsinmemoryofAnthonyAndrewsDennisHertzogHerbertLesserAndrusNiilerTom&JanetRuckleRichardSt.Clair

Friend $10–$49MarilynAnikisMrs.RaymondDombrowskiDr.&Mrs.PatFetcheroClarenceA.FryNancyMcDormanMargePotterDianaWaescheCharlesE.Walter

Contributors 2012–2013As of 09/28/2012

TheSSOthankstheseindividualsandbusinessesfortheirsupportthisseason.

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Mozart and Tchaikovsky (Jazzed Up!) for the HolidaysSaturday, December 8, 2012, Bel Air High School, 7:30 p.m.ErichWolfgangKorngold............... TheSnowmanOvertureWolfgangA.Mozart....................... SleighRidefromGermanDances,K.605WolfgangA.Mozart....................... BassoonConcertoinB-FlatMajor,K.191PiotrI.Tchaikovsky........................ Decemberfrom“TheSeasons”PiotrI.Tchaikovsky........................ RussianDance(Trepak)from“The

Nutcracker”PiotrI.Tchaikovsky........................ NutcrackerSuitearr.BrianFolus.............................. AChanukahCelebration

Be-Knighted MasterworksSaturday, March 9, 2013, Bel Air High School, 7:30 p.m.SirHamiltonHarty......................... TheLondonderryAirSirMalcolmArnold........................ SymphonyNo.5,Op.74SirWilliamWalton......................... TouchHerSoftLipsandPartfrom“HenryV”SirEdwardElgar............................ CelloConcertoinE-Minor,Op.85

Reflections on the Civil War—An Anniversary ConcertSaturday, May 4, 2013, Bel Air High School, 7:30 p.m.JerryBilik.........................................AnAmericanCivilWarFantasyKermitPoling................................. NoSoundofTrumpetnorRollofDrumJayUngar.........................................AshokanFarewellErnst Bacon.................................... Ford’sTheatreAaronCopland............................... LincolnPortrait

Ifyouwouldliketoreceiveinformationaboutnextseason’sconcertsand/ornoticesaboutupcomingevents,pleasesendane-mailrequestto <manager@ssorchestra.org>.

36th Season Upcoming Concerts

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