Materials and Techniques in Architectural Heritage. Bricklaying and Stonecutting. 4. Extraction and...

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Stonecutting and Bricklaying Extraction and dressing MSc in Architectural Heritage Universidad Politécnica de Cartagena Historic Materials and Techniques José Calvo López

Transcript of Materials and Techniques in Architectural Heritage. Bricklaying and Stonecutting. 4. Extraction and...

Stonecutting and Bricklaying

Extraction and dressing

MSc in Architectural Heritage

Universidad Politécnica de Cartagena

Historic Materials and Techniques

José Calvo López

Instrumentos de labra

Juanelo Turriano o Pedro Juan de Lastanosa, Los veintiún libros

de los ingenios y las máquinas, c. 1570The dressing process in the window of Saint Silvester in Chartres Cathedral, 13th century

Instrumentos de labra

Juanelo Turriano o Pedro Juan de Lastanosa, Los veintiún libros

de los ingenios y las máquinas, c. 1570

Cra

cks

in a

qu

arry

. Can

tera

Seb

asti

anC

ald

ente

y, S

. L.,

San

tan

Instrumentos de labra

Juanelo Turriano o Pedro Juan de Lastanosa, Los veintiún libros

de los ingenios y las máquinas, c. 1570

Extr

acti

on

inst

rum

en

ts.

Pseu

do

-Ju

ane

lo T

urr

ian

o, L

os

vein

ticu

atr

o li

bro

s d

e lo

s in

gen

ios

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s m

áq

uin

as,

c. 1

58

0

Instrumentos de labra

Juanelo Turriano o Pedro Juan de Lastanosa, Los veintiún libros

de los ingenios y las máquinas, c. 1570Dividing a block in the quarry using wedges. Cantera Sebastián Caldentey, S. L., Santanyí

La labra

Taller de cantería de la Escuela de Arquitectura de MadridStonecutting workshop in the School of Architecture of Madrid

Escafilador y maceta

Large chisel and mallet. Stonecutting workshop in the School of Architecture of Madrid

Escafilador y maceta

Using the chisel. Summer School CEU 2007

Cincel y maceta

Using the chisel on soft stone. Taller Sebastián Caldentey, S. L. en Santanyí

Mazas y macetas

Taller de cantería de la Escuela de Arquitectura de Madrid

Mal

lets

. Sto

nec

utt

ing

Wo

rksh

op

in t

he

Sch

oo

lof

Arc

hit

ectu

reo

f M

adri

d

Escodas

Stonecutters’ axes. Stonecutting Workshop in the School of Architecture of Madrid

Huella de la escoda

Taller de cantería de la Escuela de Arquitectura de Madrid

Dre

ssin

ga

sto

ne

wit

han

sto

nec

utt

ers’

axe

. St

on

ecu

ttin

g W

ork

sho

p in

th

eSc

ho

olo

f A

rch

itec

ture

of

Mad

rid

Instrumentos modernos: la bujarda

Stonecutters’ axe and boucharde. Stonecutting Workshop in the School of Architecture of Madrid

Labra con bujarda

Dressing a stone with a boucharde. Stonecutting Workshop in the School of Architecture of Madrid

Lab

ora

tori

od

eC

AM

del

Poli

técn

ico

de

Bar

i

Dre

ssin

gw

ith

a fi

ve-a

xis

mac

hin

e. P

olit

ecn

ico

di B

ari

Labra por robos

Dressing by squaring. Ginés Martínez de Aranda, Cerramientos y trazas de montea, c. 1600

Dressing a groin vault by squaringSummer School CEU 2007

Labra por robos

Dressing by squaring and by templates. José Calvo López, ‘Cerramientos y trazas de montea’, 1999

Métodos intermedios entre robos y plantas

Hybrid methods. José Calvo López, presentation of “Ortographic projection and true size in Spanish stonecuttingmanuscripts” in the First International Congress on Construction History, 2003

Métodos intermedios entre robos y plantas

Hybrid methods. José Calvo López, presentation of “Ortographic projection and true size in Spanish stonecuttingmanuscripts” in the First International Congress on Construction History, 2003

Caras alabeadas

Taller de cantería de la Escuela de

Arquitectura de MadridDressing warped surfaces. Stonecutting workshop of the School of Architecture of Madrid

Warped surfaces. Philibert de L’Orme, Le premier tome de l’Architecture, 1567

Plantillas para caras alabeadas

Ginés Martínez de Aranda, Cerramientos y trazas de montea, c. 1600

Dressing warped surfaces. Amédée-François Frézier, La théorie et la pratique de la coupe

des pierres..., 1737

Templates for warped surfacesGinésMartínez de Aranda,Cerramientos y trazas de montea, c. 1600.