Illegal Immigrants: Law, Fantasy, and Guts
Transcript of Illegal Immigrants: Law, Fantasy, and Guts
Philosophy in the Contemporary World 21:1 (Spring 2014)
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“Illegal” Immigrants:
Law, Fantasy, and Guts
Carlos Alberto Sánchez
San Jose State University
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ABSTRACT: This paper examines the construction and de-construction
of the “illegal” immigrant in media spectacle and public discourse. I
examine the manner in which immigrants (specifically, Mexican
immigrants) are rendered “illegal” and then processed through a
mechanism of dehumanization where they are simultaneously located
in and outside the space of law. In this process, the “illegal” immigrant
is stripped of rights, humanity, and intention. The “illegal” immigrant,
seen merely as a body or text, becomes (in the public discourse and
media spectacle) a thing—more precisely, a type of equipment, that as
equipment, as Martin Heidegger observed, eventually (via
historical/economic contingencies) becomes “obtrusive” and thus a
target of nativist violence.
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THE IMAGE IS FAMILIAR: three silhouettes painted on a yellow
background with the words CAUTION above them. The “father” figure in the lead,
the “mother” close behind pulling a little girl by the arm whose feet don’t seem to
touch the ground since they are obviously running at full speed. The original signs
were posted on certain San Diego-area freeways as a warning to drivers that there
might be immigrants crossing. Of course, nowhere do these signs say “immigrants
crossing,” but that is precisely what the signs suggest. The sign has become
simultaneously an avatar for the “immigrant problem” and a “quirky regional
souvenir” with commercial clout (Berestein, 2005).
The San Diego signs do not depict US citizens. They depict “illegal” Mexican
immigrants. They depict humans unexplainably, and irrationally, crossing a
dangerous highway without a proper right of way. We have to ask: What makes
them Mexican? And, furthermore, what makes them illegal? What makes them
“Mexican” is context—you will not see these images on Highway 280 near San
Francisco or on the New Jersey Turnpike. Of course, not all who cross the US-
Mexican border are Mexican, but the stereotype perpetuates that belief and hides the
fact those who run across might be Central Americans, Cubans, or Sri Lankan
refugees. What makes the figures “illegal,” furthermore, is much more complex, but
it involves a public discourse that defines the space of law and equates irrationality
with criminals, criminals with immigrants, and immigrants with Mexicans. The
public imagination appropriates the belief that these figures are Mexican illegal
immigrants based on a discourse itself founded on historical memory and the
perpetuation of that memory in media and novelty gift shops.
Regardless of their appropriation by a public discourse bent on characterizing
immigrants as criminals fleeing the scene of a crime, the signs are, indeed, a
fragmentary snapshot of the imagined immigrant experience.1 Here we have a
nuclear family unit composed of three distinct bodies. Each body tells a different
part of a larger story: the father, leaning slightly forward, clutches his fists and
leads; the mother, skirt above the knees, secures her daughter’s wrist with her right
hand, dragging the child off the ground in a show of strength and love. It is obvious
that they are running; what is not obvious is their destination. That the sign is posted
on the side of freeways tells us that they are running from one side of the road to the
other. But their bodies tell us something different: they are not stopping once they
get to the other side. They are running until they are safe, wherever that might be.
These are bodies in motion, fully present in their moment and intentionally, i.e.,
consciously and rationally, directed to an unknown horizon.
Again, this image is a generalization—a stereotype. But it is a stereotype that
speaks to the reality, not of the immigrant experience, but of the non-immigrant
1 I am not saying that the signs are meant as a malevolent caricature of life on the US-Mexican border; in
fact, the signs are meant to protect those crossing by alerting drivers to be cautious, and, ironically, to
care for those who might be running across. My point is one about appropriation by the anti-immigrant narrative.
“Illegal” Immigrants: Law, Fantasy, and Guts 3
experience of that experience. In the non-immigrant objectification of the
immigrant, that is, in the public imaginary, the immigrant body is taken as a source
of information and as probable evidence of the immigrant’s de facto criminality
(they run for a reason). In fact, anti-immigration legislation relies on the testimony
of the immigrant body; the behaviors of that body give the immigrant away, as well
as what the body wears, what it says when it speaks, or the color of its covering.
The body, it turns out, is a source for reasonable suspicion. Indeed, recent anti-
immigrant legislation fetishizes the immigrant body and demotes it to the space of
things.
In this paper, I want to examine the contours of this demotion in the context of
an illegalist-discourse that fuels contemporary anti-immigration sentiments in law,
media spectacle, and public imagination. Without waddling too far into the murky
moral waters that surround this topic, I want to examine the manner in which the
immigrant body is rendered “illegal” in this discourse and then processed through a
mechanism of dehumanization where it is simultaneously constructed and
deconstructed. In this mechanism, the “illegal” immigrant is constructed as a
strange otherness that aims to take what “we” have, who labors in the intentional
pursuit of replacing “American culture” with her own, degenerate, culture, and who
schemes and plots a way to terrorize us all. Through a simultaneous process of
deconstruction, however, this “illegal” is stripped of rights, humanity, and intention.
The “illegal” immigrant is a thing, or a piece of equipment, that as equipment, as
Martin Heidegger observed, eventually becomes “obtrusive” and must be removed.
I divide my comments into 3 sections: in Section 1, I consider the place of the
“illegal” immigrant within a space of law and the space of rights. This is a space of
exclusion, outside of which we find “things” in the space of the non-human. In the
space outside the space of rights, the “illegal” immigrant body is objectified and can
thus be treated as disposable equipment. Martin Heidegger’s phenomenological
observations regarding the being of the “ready-to-hand” play a key role in this
discussion. In Section 2, I sketch what I call the “mechanism of dehumanization.”
This mechanism is fueled by, what Leo Chavez calls, “the Latino Threat Narrative,”
involving media spectacle and the illegalist-discourse of the public sphere. In the
final section, Section 3, I reflect on the “illegal” immigrant body as text and source
of information, concluding that whether perceived as equipment or text (and as such
an object of surveillance and interrogation) race is the data that defines this body.
1. Law and Objectification
Citizens exist within the space of law. To be a citizen means that, as Hannah
Arendt, as well as US Superior Court Chief Justice Earl Warren, declared, one has
“the right to have rights” [(Ngai, 10) (Benhabib, 50-51)]. In this way, citizenship is
defined by the boundaries of the space of law. Inside the space of law are those who
have the right to have rights, including the right to exist. The space of law is thus
the space of rights. Outside the space of law/rights is the space of no-law,
criminality, or “illegality.” This is the space occupied by entities without a world, or
without a role or place in the space of law; it is the space occupied by things,
objects, events, and actions deemed incompatible, disruptive, or destructive to the
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legal order, e.g., things like cocaine, events like dog fighting, acts like extortion,
rape or murder. Interestingly, we call those persons who engage in cocaine
trafficking, dog fighting, rape or extortion, criminals. They are placed in jail or
prison and an attempted “correction” ensues. Never do we call a cocaine trafficker
or a rapist an “illegal,” as this term is reserved for those objects or processes that
have no place in our ordered civilized world. However, when the crime is the
trespassing of a national boundary, the trespasser is deemed an illegal, and
immediately cast into that space of exclusion reserved for the act of pedophilia or
genocide. To be deemed an “illegal” is, therefore, not simply to be deemed a
criminal, as criminals can still take part, and sometimes the most visible part at that,
in the space of rights (they can be advocates for the victims they once victimized,
etc.). But to be deemed an “illegal” is to be cast out of the space of law and placed
in that vulnerable space where rights, including the right to breathe, think, or speak,
do not exist.2
The public imagination is well versed on “who” stands outside the space of law,
rights, and the human. Outside the bounded space of the San Diego signs, “illegals”
are easier to capture in perception. They are amongst us, and we known them when
we see them. They stand in front of home improvement warehouses; they populate
vegetable fields and fruit orchards; they build houses; they live in groups; travel in
groups; commit crimes; die violent deaths; steal jobs. The public knows their
language and the color of their skin. It cannot be any other way: we know who they
are because we “know” what they look like, or what they should look like, because
“illegality” is “written upon” their bodies (Chavez, 25). The public discourse about
immigrants, or the illegality-discourse, both writes and reads “illegality” onto and
off of the bodies of immigrants. It does this through stereotypes based on race. As
Michael Dummett puts it, immigrants will “always [be] understood as ‘coloured
immigrants” (2001, xi). But these stereotypes are also manufactured by the
exclusionary force of law. As Sarat et. al., have put it: “[aliens] are made through
law, rather than born through accidents of geography” (2010, 2).
Most of the time, however, the “illegal” immigrant body is not seen at all.
Outside the realm of the visible, the illegal immigrant body represents human
capital, an affordable labor force, or an expandable commodity, all of which are
indispensible for the proper workings of the capitalist economy. But this
indispensability is left unsaid or underappreciated, and as such, remains outside the
realm of a discourse that would make it manifest. However, the indispensability of
the “illegal” immigrant body is suggested in certain contradictory views that
highlight the simultaneous objectification and dehumanization of “illegal”
immigrants in our social space. That is, certain legislative moves both thingify and
push the undocumented immigrant outside the space of the human.
The most blatant example is proposed Texas House Bill 1202 which would
make hiring illegal immigrants a crime punishable by fines and jail-time except
when that illegal immigrant is hired to do household work (Riddle, 2011; Dykes,
2 The UN Declaration of Human Rights of Non-Citizens does not cover “illegals.” So the “illegal” exists
not only outside a space of law that protects citizens of a nation, but also outside the space of law that protects citizens of the planet (see Lillich, 51).
“Illegal” Immigrants: Law, Fantasy, and Guts 5
2011).3 The bill failed to pass. However, what is significant is the fact that it was
written and presented as possible legislation and social policy. Bills such as these
are representations of the illegality-discourse and its consequences. In particular,
this bill affirms the need for the use of “illegal” immigrants in the household
economy while, simultaneously, denying illegal immigrants the opportunity
afforded to all members of society. This suggests that the illegal immigrant must
assume a certain role in that social economy, namely, the role of equipment
necessary for the maintenance of a lifestyle. The body of the illegal immigrant is
objectified so as to complement other household appliances; it becomes an
extension of the vacuum cleaner, the lawn mower, or the hoe.
When describing the ontological difference between beings capable of
questioning their own being, namely, human beings or Dasein, and beings incapable
of questioning their own being, Martin Heidegger proposed that the latter are
essentially dispensable. Those entities with which Dasein deals with in its
“everydayness” in order to do one thing or another, Heidegger’s Being and Time
refers to as “equipment ready-to-hand” (1962, 102). Equipment is what we use to
get things done; equipment is handy and economical. But equipment is equipment
only because it stands within a context of significance that makes it equipment
(Heidegger, 97). This context can be other equipment, tasks, or the economic
structures that give import to some tools and tasks over others. Within this context,
the equipment that we are used to may become an obstacle, instead of a handy aid,
to our goals. Our equipment can break down or become useless when it gets in our
way or when it is wrong for the occasion. A saw loses its teeth, becoming an
obstacle in our woodworking project or a safety hazard when thrown on the shop
floor. In such cases, equipment becomes burdensome. Heidegger writes: “When its
unusability is thus discovered, equipment becomes conspicuous. This
conspicuousness presents the ready-to-hand equipment as in a certain un-readiness-
to-hand” (1962, 102-103). In other words, when the equipment does not meet our
needs, it suddenly shows up everywhere; we see it every time we are set to engage
in our tasks. It will frustrate us, as it is there, unable to help us with our project.
Along with its conspicuousness, equipment may also become obtrusive and
obstinate when it fails to meet our demands.
Considered as equipment, the “illegal” immigrant will meet the immediate needs
of a flourishing economy. Society will be welcoming, or the very least, tolerant of
the “illegals” in our midst. However, if the social conditions change, e.g.,
recessions, depressions, or other ills that might plague society, the “illegal”
immigrant loses her perceived function. When there is an abundance of employment
opportunities, the “illegal” immigrant serves to fill them; she does this invisibly and
“behind the scenes.” If there are not enough jobs, the “illegal” immigrant becomes
unusable—and, hence, conspicuous, obtrusive, and obstinate. Anti-immigrant
legislation, treating the “illegal” immigrant body as equipment, is thus meant to
dispose of what was once useful to us in our everyday, and long-term, projects.
3 The bill, proposed by Texas State Representative Debbie Riddle, a Republican, would make the hiring
of an undocumented worker for any other purpose punishable by up to 2 years in prison an a $10,000 fine. The bill failed to make it to committee.
6 Carlos Alberto Sánchez
The bill cited above, which explicitly “thingifies” the “illegal” immigrant,
simultaneously values and devalues the very being of persons. It devalues a person
by turning her into a tool; it values her by emphasizing her irreplaceable importance
in the American economy, one in which her absence would be immediately felt.
Heidegger points to this phenomenon: “when something ready-to-hand is found
missing, though its everyday presence has been so obvious that we have never taken
any notice of it, this makes a break in those referential contexts which
circumspection discovers. Our circumspection comes up against emptiness, and
now sees for the first time what the missing article was ready-to-hand with, and
what it was ready-to-hand for” (Heidegger, 105). The thought of preserving a
certain comfort motivates the Texas attempt to simultaneously deny the humanity of
the “illegal” immigrant and affirm the usefulness of their bodies in the economy of
everyday life.
But bodies are not merely material means of production. Bodies constitute the
human being and that being’s interaction with its environment. But a discourse
which aims to “allow” the “illegal” immigrant to exist insofar as its existence is
limited to the realm of things, forgets that hiding beneath the skin of this particular
thing is a mind, culture, history, and language. It is, indeed, quite surprising when
an “illegal” immigrant speaks out for her rights, or complains about being outside
the space of law and the space of recognition. The citizenry seem shocked to learn
that, yes, this “thing” has a mind after all. It makes front-page news when the
object holds political protests, organizes resistance movements, or speaks and
demands recognition.4
The “illegal” immigrant thus finds herself paradoxically outside the space of law
but inside the realm of capitalist production, as equipment. She is both in and
outside the space of life and culture while always outside the space of rights—she is
both valued and reified.
It is clear however, that while the “illegality” of the immigrant might suggest its
inhumanity, the suggestion is preposterous. Like all bodies, the immigrant body
constitutes space, time, and its world—something that shovels just cannot do. In
Heideggerean terms, the immigrant is Dasein, whether state-sanctioned (i.e.,
documented) or not. But, as incredible as Texas House Bill 2012 might seem, it
places in high relief the paradoxical manner in which the immigrant body is
objectified, the way in which this objectification reduces that body (male or female)
to the space of things and, simultaneously, places it external to the space of law and
conviviality but internal to the workings of our economy.
2. Mechanism of Dehumanization
Recent legislative trends target unauthorized Mexican and Central American
immigrants specifically. This is mostly due to the proximity of these nations to the
4 As is often the case when “illegal” immigrants participate in non-violent protests. They are aware that they will be deported, and they nonetheless ask for recognition (see Preston, 2010). This kind of behavior
surprises us: why would they risk deportation? My point is that we are surprised at such actions because,
again, we would not expect such human behavior from those deemed “inhuman” by our social and political discourse.
“Illegal” Immigrants: Law, Fantasy, and Guts 7
US southern border, and thus to the conspicuousness of these foreign nationals
along the US southwest. They are the bodies we encounter on the side of the
highway; they are our roofers, our gardeners, and our street vendors. Their
conspicuousness is partly due to a political discourse, that when amplified in the
media portrays these bodies as taking up a fillable space that could be easily filled
by citizens, who, for economic reasons, need a space to fill. The numbers feed the
fear: in some States, legal Latin American immigrants account for 55% of the total
immigrant population—or at least the population that felt comfortable enough to be
counted in such surveys (Armendariz, 2011). So the conspicuousness of the
immigrant (legal or not) becomes a problem; immigrants become obstacles in our
perpetual search for the good, comfortable, life, and as such the most visible targets
of an anti-illegalist discourse.
Michel Foucault argues that visibility is central to a disciplinary power that
means to objectify. “It is the fact of being constantly seen, of being able always to
be seen, that maintains the disciplined individual in his subjection” (Foucault, 187).
The political and social discourse that highlights the “illegal” immigrant as problem
aims, in this way, to make them visible so as to maintain them in their marginality,
i.e., in their subjection. But “illegal” immigrants are aware of this surveillance, so
they refuse to be counted. As invisible, the body of the immigrant poses no threat
and becomes unproblematic. Disciplinary power, however, demands its object to be
seen. Moreover, it requires that its object be highlighted in its visibility. Media
spectacle becomes the manner in which this highlighting must take place.
In The Society of the Spectacle, Guy Debord defines the spectacle as “a world-view
that has actually been materialized, a view of a world that has become objective”
(2002, 7). In other words, the spectacle is the avatar of the real, the metaphor of
what could otherwise be explained in long form, through stories or paragraph, but
which is not. The spectacle is a slice of our life radicalized and wrapped up into
images, blurbs, or talking-points meant for mass consumption.
We can see that the spectacle that re-presents the “illegal” immigrant body is not
only the result of media presentations and representations which depict this body in
one way or another, but, rather, it is a “world-view” that is taken as fact without
question. This world-view filters media representations themselves, communal
prejudices, and personal perspectives of the “illegal” immigrant body. The spectacle
of the “illegal” immigrant is internalized, and this internalization serves as an axis
upon which society can refine its ever-changing ideas of citizenship, equality, and
freedom.
But more than that: the spectacle, an object for mass consumption, pulls the
invisible out into the light of day. Media spectacle inserts itself into the public
imaginary with a pre-fabricated image meant to shock the public into seeing
something that is not there, that is, into seeing an unstoppable saturation of our
society by “illegals.” The image it reproduces in the discourse of illegality takes the
form of statistics taken from official government data; these numbers are repeated
constantly. The point of this constant repetition is to transform the image of the
“illegal” immigrant into a bloodless and boneless representation; it aims at what
Debord calls “separation” which splits “reality and image” and presents the image
as truth (2002, 8). The separation makes it possible to treat the “illegal” immigrant
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as object. This is because, as Leo Chaves puts it, “[i]t is easier to lack empathy for
those objects and to pass policies and laws to govern their behavior” (2008, 6).
A political discourse and its corresponding rationality realized in law, together with
a media spectacle that authenticates that rationality as a reflection of an accepted
narrative, constitute a process of dehumanization at the end of which we encounter
the “illegal” immigrant body as disposable thing or equipment. The process is
experienced as a self-perpetuating “threat narrative" justified by racial prejudice,
recreated in spectacle, and deployed into the social sphere where an already fearful
and hesitant public adopts its grammar and vision. This mechanism, which includes
law, spectacle, and narrative perpetuates the fear of otherness and simultaneously
creates and deconstructs the “illegal” immigrant as presence and problem.
Hence, the mechanism of dehumanization simultaneously constructs and
deconstructs immigrants. This involves juridical reality, the laws which are passed
and enforced targeting immigrants, or those reasonably suspected of being such; it
involves the imaginary placing of these “illegals” outside the space of law or the
space of rights, where they do not have “the right to have rights” and are thus
considered, by the public at large, non-human artifacts of failed immigration laws;
and it involves the media spectacle that characterizes and firmly places them in our
consciousness.
3. Beyond Fantasy
If Plato is right and that which is portrayed (an image, illustration, etc.) is twice
removed from reality, then popular representations of “illegal” immigrants are
likewise alien to the real lives of immigrants. Citing Debord, Leo Chavez rightly
observes that in this spectacle, immigrants live “virtual lives…devoid of the
nuances and subtleties of real lived lives” (2008, 5-6). The lives that are imagined
for them are indeed devoid of suffering, desire, and love.
It is in this popular imaginary that the “illegal” immigrant is “seen.” They take
their place in that space of illegality where, as Foucault would say, they are
“exposed,” or unprotected, and, as a consequence, marginalized (1995, 69). This
exposure, however, is constructed by the mechanism of dehumanization discussed
above. The exposure hides more than it shows, as it is a fabricated exposure, in
other words, it is a myth.
What do we get when we look past this myth? Confronting the “illegal”
immigrant in flesh, blood, and guts is necessary to the process of deconstructing
these necessary myths—necessary because they, in turn, serve as the limit and
preconditions to any sense of citizenship to which we can appeal. There is nothing
beyond the “illegal” immigrant; citizenship is constructed in their presence and
because of them. If I am not one, I must be the other.
But what is this talk of guts? The physiogomy of the illegal immigrant is
identical to the physiogamy of the citizen—there's a spleen, and a liver, and a heart
palpitating and pumping blood, intestines that digest, and kidneys that filter. Take
away his outer covering, and the illegal immigrant is just, as Epictetus would say, “a
little soul carrying around a corpse.”
“Illegal” Immigrants: Law, Fantasy, and Guts 9
The problem is that we can't take away his outer covering. Hence, the skin of the
immigrant is the filter through which he is seen.
Driving north past the Los Angeles County line, one is bound to encounter the
presence of laboring bodies. They populate green fields wearing hats and holding
tools. While the landscape changes between Oxnard, California, and Salinas 250
miles north, the spectacle of field workers at their task retains a seemingly
consistent aesthetic: groups of bodies doing, clothed in protective clothing, wearing
gloves, sneakers, and impervious to the atmospheric conditions or the time of day.
From the safety of our cars, they seem resilient. If pressed, we would say that they
are surely Mexicans, a belief whose internal coherence implies that these bodies
belong to immigrants, and, more than likely, to illegal immigrants.
We read the bodies we encounter as we would an open book. We might look for
information in the body’s posture, its position, or its performance. We read its
posture as suggesting a certain degree of vitality. If it is upright it gives us a
different impression than if it is bent over or slouching. We read its position relative
to its environment as referring to its willingness to engage or disengage from that
environment. We read the act of its performance, of what it does, as suggesting its
own limits—suggesting what it is capable or not capable of doing. Looking for
these cues is not only true of our experience of immigrants, but of all bodies.
In the field, the field worker’s body immediately invites objectification because
of its particular posture, position, and performance. It is hunched, or bent—signs of
submissiveness or fear; it is surrounded by like bodies, by familiar bodies, and it
shelters itself in the group, signaling conspiracy or terror; and it is working the
earth, digging a trench, lifting a pipe, or hacking at weeds with a hoe—it is doing
what it knows and what it is capable of doing. And the observer understands these
cues and racializes that body, extending that understanding outside the fields and
into the social imaginary.
But if we can free ourselves from prejudice, or relate to it phenomenologically,
the “illegal” immigrant body is, simply, a body. What this “unprejudiced” sort of
reading drives us to conclude is that we don't know anything about the person with
the body, since it is clear that the body is a mystery. Famously, Descartes is so
troubled by this mystery that he relegates his own body to the realm of things (the
res extensa), since things are easier to figure out. For us, it tell us that if knowledge
of one’s body is an enigma, knowledge of the other’s body and of what it hides, or
protects, is an (philosophical) impossibility.
Our attempts to read the skin of the other always fall short. Hence, we lazily
objectify bodies to make them easier to digest. But what we digest are usually our
own prejudices—or the prejudices fed to us by media spectacle or other public
discourses. Linda Alcoff rightly observes that we racialize the immigrant body to
make it intelligible (2005). We racialize in order to digest, to consume, to feed our
desire to remain unique, or different, or individual, or informed.
Conclusion
Our post-911 condition has normalized the objectification of bodies for the sake
of freedom and security. As we inch closer to accepting the “truth” of a post-racial
10 Carlos Alberto Sánchez
world, as we buy into what Ian Heney-Lopez has called “the ideology of
colorblindness” (2006, 148ff), we turn our xenophobic rhetoric away from race and
toward suspect behavior. We hear that the perpetrator was acting suspiciously
before his arrest, before we hear anything about his race or ethnicity. But our
perception is all encompassing: we seek the suspected behavior because we seek
race!
Consequently, the immigrant is reasonably suspected because there is always a
reason—for instance, he is a Mexican or a Muslim who has been given away by his
body! The perverse rationality of anti-immigration legislation takes advantage of the
fact that our senses are, at least in pre-theoretical life, the privileged source of
justification. So those looking for illegal immigrants will believe they will find them
by simply looking into a crowd, and looking for bodies which fit the prejudice; for
bodies that bend a little at the neck; for bodies with callous hands and dark burnt
skin; for bodies draped in ethnic uniforms.
The “illegal” immigrant problem is really about society’s inability to allow a
mystery to remain a mystery and an incapacity to treat the other with respect and
generosity—this is too much to ask given our current age of suspicion and terror.
The problem is exacerbated by the fact that “illegals” cannot participate in the
process of their own legitimization. There is no game that allows that. Those that
proclaim that “illegals break the law,” do not understand that there is no alternative.
To be an “illegal” immigrant is to be outside the law. Hence, the phrase “illegals
break the law” is a phrase couched in the very paradox of illegality that wants
“illegals” to both be and not be within the space of law. It is a stubborn paradox
simply because it seems to cohere nicely with a discourse of illegality that, as we’ve
seen, is itself couched in irrational fear, prejudice, and myth.
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