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TO OURREADERS

Billboard will publishits next issue on

April 5. Please checkBillboard.biz for 24-7business coverage.

28"I'm a 42 -year -oldwoman thatlikes to talk aboutsex, and I'vegot a foul mouth."

-IDINA MENZEL

CORRECTIONSIn the March 22 issue, a storyon EDM artist Porter Robinsonmisstated that Amy Milian ofStars is the featured vocalist on

his song 'Sea of Voices." Thesinger is Breanne Duren.In the March 15 issue, Bill-board's Money Makers reportmisstated Taylor Swift's age.She is 24.In the Jan. 4 issue, a story on theGrammy Hall of Fame induct-ees miscredited Artie Resnickas the co -writer of "DreamLover."

THIS WEEKSpecial Double Issue

Volume 126 / No.11

FEATURES28 Idina Menzel34 Ellie Goulding

TOPLINE2 The RollingStones postponetour.10 The Deal ThePandora rate ruling.12 Chart MoversThe Pretty Reckless,Ty Dolla Sign,Aloe Blacc

THE BEAT14 Parties SXSW,Woodie Awards,ASCAP LatinAwards20 Gear Designermen's sneakers6 Style Therooklyn megaclub

SIC

Jacknife Lee,X, Fostereopleeviews

ohnny Cash,Skripe Future

CHARTS45 Over theCounter Frozenreturns to No. 1.48 Charts72 Coda Blondie

ON THE COVERIdina Menzel photographed

by Miller Mobley onMarch 17 at LudlowStudios in New York.

For an exclusive interviewand behind -the -scenes

video from the photo shoot,go to Billboard.com orBillboard.com/ipad.

MARCH 29, 2014 I WWW.BILLBOARD.BIZ

ITC)F'LINIETOURING

How Jagger's Tragedy CouldCost The Rolling StonesLosses stemming from the postponement of14 On Fire in Australiaand New Zealand after the shocking death of L'Wren Scott couldapproach $10 million, as the grieving singer puts the tour on pauseBy Ray Waddell

By postponing the Australian leg of their 14 OnFire Tour following the death of Mick Jagger'slongtime girlfriend L'Wren Scott, The RollingStones and multiple parties involved in staging thetour potentially could be on the hook for as much

as $10 million, industry sources tell Billboard. That includeseverything from deposits on venues to the storage ofgear tolost revenue, though it's possible that some or all of those costswill be covered by insurance policies.

Moving a tour the magnitude of a Stonesouting is an epic, expensive affair, poten-tially involving millions of dollars in travel,transportation and other expenses. Whilesome production work would have beendone on the ground, the band had 6o truckson hold to transport its equipment, and just

chartering the gear could have cost as muchas $250,000, say sources.

Typically, such productions are coveredby insurance policies, and for 14 On Fire,the Stones and their promoters likely hadmultiple insurers, say industry sources.The exposure each party faces will depend

on the type of insurance they carried.It is unclear what any of the specificpolicies include.

For a cancellation of this sort,insured parties must be able to showthat the circumstances were beyondcontrol, and that the act is unableto perform for that reason, says amusic industry manager/producerexperienced in megatours. Policiesfor major tours usually allow artiststo name individuals whose severeillness, injury or death would justifycancellation. These lists gener-ally include wives, children andsometimes parents and longtimecompanions, says a source. Thecost of the premium rises in directproportion to the number of peoplenamed. Given Jagger's 13 -year rela-tionship with Scott, who was founddead of a suicide on March 17 inher New York apartment, it wouldbe difficult for an insurer to argue

Jaggerwith Scottin 2013.

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ihmnp

that the band must perform.The Stones' representatives were unavail-

able for comment. On March 18, the singerposted a statement on his official websitethat read in part: "I am still struggling tounderstand how my lover and best friendcould end her life in this tragic way."

Scott, 49, was a glamorous fashiondesigner with a high -wattage clienteleincluding Madonna and Nicole Kidman,

Azoff On KnicksAssist: SportsNot In My Future

Ws

0 BILLBOARD MARCH 29, 2014

az

....... ..

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but her business is said to have been crum-bling under $6 million in debt. She hadrecently been with Jagger on the set of theJames Brown biopic he is producing.

In the case of a death like Scott's, thecanceling artist typically is required toreschedule, provided those costs are lessthan the claim. The first show of the band'sAustralian leg had been slated for March19 in Perth. That performance was quickly

Megamanager Irving Azoffclearly played the pivotal rolein the process that led to NBAlegend Phil Jackson becom-ing the president of the NewYork Knicks, but he says hehas no designs on adding

"sports mogul" to his résumé.The music -industry deal -

maker and manager madeheadlines when he toldBloomberg News he bro-kered the deal that installedJackson in the Knicks' frontoffice. Azoff brought Knicksowner and Madison SquareGarden Co. executive chair-man James Dolan andJackson together at his L.A.house in December and

ROLLING

STONES

i/A

The Rolling Stonesperformed inShanghai on March12.

postponed, as were the remaining six appear-ances for the territory. Australian promoterMichael Gudinski, whose Frontier Touringis presenting the band locally with AEG Live,says talks are underway to bring the bandback in October/November.

Regardless of the level of insurance on 14On Fire, the Stones' visit to the territory islikely to be financially profitable. The bandhadn't played Sydney and Melbourne since2006, or Perth and Adelaide since 1995,and demand was high. The Stones hadsold more than 150,000 tickets, accord-ing to Gudinski, with a gross that Billboardestimates to be about $40 million.

If history is a guide, it is unlikely thecancellations will dampen sales for thefall replacement dates. In 2006, after theStones' Keith Richards fell out of a treein Fiji and injured his head, the Stonespostponed 15 European dates of their A

Bigger Bang Tour while Richardsrecovered from brain surgery. Thattour went on to gross $558 million,second only to U 2's 360° Tour.

14 On Fire is largely a continu-ation of last year's so & CountingTour, which grossed $126 mil-lion from 23 shows in NorthAmerica, along with appearancesat London's Hyde Park and theGlastonbury Festival. 0

attended four meetings withthe team and its future coach.

A longtime member of theLos Angeles Lakers' "floor -

seat mafia," he has knownJackson since his days as theteam's venerated coach.

He is also Dolan's friendand business partner. InSeptember they launchedAzoff Madison Square GardenEntertainment. AlthoughAzoff's Knicks assist does notseem directly under the aus-pices of AMSGE, it does provehis clout extends beyondmusic. Azoff also recentlybrought former NFL program-ming manager LawrenceRandall to AMSGE, and in

2012 he told Billboard, 'I lovethe representation business.I'd like to maybe expand thatbeyond just music."

But when asked March 19 ifhe intends to expand into thesports sector, a $470 billionindustry in 2013 accordingto Plunkett Research, Azofftold Billboard, "No. I love themusic. But in my MSG con-sulting role, I will do anythingto help Jim Dolan."

Later that night, after theKnicks played their first gameunder Jackson's watch, Azoffemailed from courtside at theLakers game: "Knicks won.Beat Indiana. Wow. I'm happyfor JD and for Phil!" -RW

THE

Action

Kanye West andKim Kardashian canmove forward withtheir lawsuit againstYouTube co-founderChad Hurley, a judgeruled, following a

post by the techentrepreneur to hisnew site MixBit thatfeatured secretlyrecorded video of thecouple's engagement.West and Kardashianallege Hurley had notbeen invited to theevent, held Oct. 22 atSan Francisco's AT&TPark.

Former UniversalMotown Recordspresident SylviaRhone, who launchedthe Vested in Culturejoint venture with SonyMusic Group's EpicRecords last year, hasbeen named presidentof Epic. Vested inCulture will remainan imprint of Epic.As president, Rhonewill supervise overallmanagement andoperations, reportingto chairman/CEOAntonio "L.A." Reid.

John Malone, thebillionaire chairmanof Liberty Media, haswithdrawn his bidfor a total takeoverof SiriusXM. Malone,who already controls53 percent of Siriusstock through Liberty,had proposed buyingout the remainderof the satellite radiogiant in a deal thatwould have valued thecompany at $23 billion.Liberty Media hasbeen simultaneouslyattempting to acquireTime Warner Cable.

John Mayer has filedsuit against watchdealer to the starsRobert Maron, who heclaims is responsiblefor selling him sevencounterfeit Rolexes.The Grammy -winningrocker purchased $5million in watchesfrom Maron during a

multiyear relationshipand was nonplussedto discover from Rolexthat several werefakes. An attorney forMaron called the suit"factually meritless.'

MARCH 29, 2014 WWW.BILLBOARD.BIZ

TV

A Twist InMorning TV'sBattle OfThe BandsJimmy Fallon's Tonight Showgives NBC a new edge asthe summer concert warsbetween Today and GoodMorning America escalateBy Roy Trakin

Jimmy Fallon's arrival on TheTonight Show is having anunlikely effect on the battleto book big music stars onmorning TV's summer concertseries. Sources tell Billboard

that NBC's Today is using Fallon's initialratings success as leverage in an espe-cially aggressive campaign to win topacts from ABC's Good Morning America.Both shows are booking 15 concerts thatoften air on the same days from late Maythrough the end of August, while keepingthe lineups close to the vest. Increasingly,the jockeying has become sharp -elbowed,

0 BILLBOARD I MARCH 29, 2014

with Today's Toyota Summer ConcertSeries aided by the sheer number of outletsNBC can offer artists' representatives inpackage deals.

Though Today lags behind GMA in theratings, with 5.5 million viewers, accord-ing to Nielsen, it's broadcast from NBC'sshowcase, 3o Rockefeller Plaza headquar-ters, also home to The Tonight Show, LateNight With Seth Meyers and the plum of allmusic bookings, Saturday Night Live.

That means an act can conceivablyappear on multiple programs without everleaving Rockefeller Center - giving Todaylogistical leverage in negotiations with acts.Further, NBC recently put all its propertiesunder one booker, Matt Zimmerman,who is said to be working with Todaybooker Julie Gurovitsch to give her showa boost. Zimmerman is also said to havebecome more willing to allow acts to playaway from Rockefeller Plaza, somethingthe network refused to do in the past.

GMA, which mostly broadcasts its sum-mer concerts from Central Park's RumseyPlayfield, has for the past two years hadthe advantage of eyeballs, averaging 5.8million viewers. But while ABC's JimmyKimmel Live! features a popular outdoorstage and good ratings in the 18-49 demo,it tapes in Los Angeles, requiring acts totravel to do both ABC shows. And with onlyone hour of late -night programming, GMAbooker Monica Escobedo has a smallerhand to play in her negotiations.

While a spot on Fallon or Kimmel canbe important for an up-and-coming actlooking for impressions and exposure, themorning programs are more likely to reachfemale viewers who typically make deci-sions about household purchases, talent

managers say. "It's the rare act that con-nects at night," says one top manager. "Youcan count the album sales in hundreds."

For either network, touring acts likeLady Gaga and Beyonce would be big

"gets" this summer, but there are limitsto the rivalry. "Threatening artists in thistown is never a very good business model,"says an NBC source, "which is why wedon't do it." 0

Late NightTunes Out MusicNBC's Late Night, whichin five years with JimmyFallon as host became a

playground for adventur-ous musical acts, has freshmarching orders from new

host Seth Meyers that are

leading it in a less tunefuldirection. Industry sources,

including several whoworked with the show on

its first two weeks of book-ings (when ratings openedat 2.7 million viewers, thendropped to 2.1 millionthe second, accordingto Nielsen), say Meyersis booking fewer perfor-mances overall and isn'tkeen, as Fallon was, on

incorporating music intothe broadcast.

Meyers, who started thenew gig on Feb. 24 after

eight years of serving as

head writer on SaturdayNight Live and hosting theshow's satirical news seg-

ment "Weekend Update,"is a current affairs wonkwhose young tenure atLate Night has often feltlike an expansion of the

"Update" formula. WhereFallon's show had musicin its DNA, leveraging thecool credibility of houseband The Roots for quirky,talked -about skits with thelikes of Justin Timberlake

ILLUSTRATION BY ED FOTHERINGHAM

GMA VS. TODAY: HOW THEY COMPARE

RATINGS 5.8 million viewersBOOKER Monica Escobedo

WHO'S PLAYEDMacklemore & Ryan Lewis

RihannaMariah Carey

PitbullMiley Cyrus

Kenny ChesneyImagine Dragons

Green DayJohn LegendAlicia Keys

and Miley Cyrus, sources

suggest that Meyers' affin-ities lie more with politicos,authors and the sportsworld. After premiere -weekperformances by KanyeWest, Brad Paisley and AGreat Big World, subse-quent weeks of Late Nighthave featured just twomusic acts. In interviews,artists' representativessaid they were told theshow is imposing a formallimit of two performancesper week.

By comparison, Fallon's

version of Late Nightaveraged four musicalguests per week, as does

ABC's Jimmy Kimmel Live!and CBS' Late Show With

David Letterman. The onlyother major late -night talkshow to book two or fewermusic acts per week is The

Late Late Show With Craig

Ferguson, also on CBS.

Meyers, who along

with music supervisorand former VH1 producerJeremiah Silva declinedto comment for thisstory, expressed early

ambivalence towardincorporating musicinto the showin promotionalinterviews last year.

He has recruitedSNL alum Fred

Armisen to writetheme musicfor the programand put a bandtogether.

Labels have

expressed hope

that Armisenand his 8G

Band will besympathetic ears

at Late Night.-Reggie Ugwu

RATINGS 5.5 million viewersBOOKER Julie Gurovitsch

WHO'S PLAYEDOne Direction

AdeleJustin Bieber

fun.Maroon 5

John MayerEd Sheeran

Chris BrownColdplay

Michael Buble

DIGITAL

As DownloadsTumble, AppleEyes SubscriptionsiPhone maker explores strategy toshore up double-digit declinesBy Ed ChristmanApple has opened exploratorytalks with senior label executives

about launching an on -demand

streaming service that wouldrival Spotify and Beats Music,according to three people famil-iar with the conversations.

The surprising discussions are

one part of a two -track strategyto deal with the double-digitdecline in U.S. download sales at

Apple's iTunes Music Store, the

largest music retailer.

The other approach that iTunes

executives Eddy Cue and Robert

Kondrk have broached wouldinstitute exclusive album -release

windows in which digital versions

would go on sale ahead of the CD

release. Individual tracks would

not be available for sale until the

CD versions hit shelves.

With iTunes accounting formore than 40 percent of U.S.recorded -music revenue, anydecision it makes about itsbusiness model will have a sig-

nificant impact.But it is the talks around

on -demand subscription thatwill most intrigue the market.Apple founder Steve Jobs isknown to have argued that fans

would never subscribe to music.

But nearly three years after

his death, iTunes' U.S. digitalalbum sales are down 13 percent

year to date for the week end-ing March 16, and digital tracksales are down 11 percent forthe same period, according toNielsen SoundScan.

Even as download saleshave deteriorated, revenuefrom streaming services hasgrown, according to two reports

released March 18. The first, from

the RIAA, showed that services

such as Spotify, Pandora andYouTube generated $1.4 billionin subscription, advertising andlicensing revenue in the UnitedStates last year, up 39 percentfrom 2012. That growth, however,

wasn't sufficient to make up forweakness elsewhere in the busi-

ness, including a 1 percent drop

in download sales. The secondreport, from the IFPI, painted asimilar picture on a global scale.

Streaming revenue grew 51 per-

cent worldwide, while downloads

slipped 2.1 percent.

These figures provide freshammunition to those in themusic industry who believestreaming services' all -you -

can -listen model has drawnconsumers away from download

safes, where Apple dominates.O

MARCH 29, 2014 I WWW.BILLBOARD.BIZ

TOPLINE

CHRISTIAN

ChristianRap GainsTraction,Chart CredSavvy marketing and awholesome image areturning religious rappers intomainstream playersBy Deborah Evans Price

"Hip -hop is an expression of what is dearestto you," says Christian rapper KB. "It's com-ing from who I love. And who I love is Jesus."

The religious artist's passion was rewardedearlier this month when his most recent EP,ioo, became a minor crossover success - in

part because of a special promotion thatinvolved free devotions for fans through theYouVersion Bible app. .1 oo went on to hit No.

on Billboard's Christian Albums chart, No. 4on Rap Albums and No. zz on the Billboard200, selling more than 14,000 the first week,

according to Nielsen SoundScan.The release, about living life with love,

is the latest hit for Atlanta -based ReachRecords, founded in 2004 by Christian rapstar Lecrae. The label is making inroadsinto the mainstream, much like its owner,who last year performed at Los Angeles'Rock the Bells concert with KendrickLamar and Wu -Tang Clan. In addition toworking with Christian hip -hop artists whoare appearing on secular charts, Reach hascreated a more receptive environment for

the genre, which a decade ago struggled tobe taken seriously.

"We live under the banner of Romans 1:16,which says: Tor I am not ashamed of thegospel, for it is the power of God for salvationto everyone who believes,' " says BradleyTomlinson, Reach director of marketing.

"We have a fan base. They support us. Peopleare looking for something new and outside ofthe typical messaging."

This year, Reach artists KB and AndyMineo have placed titles on the Rap Albums

Trip Lee, KB andAndy Mineo (fromleft) performing atthe Gospel MusicAssociation's 44thannual Dove Awardsin Nashville on Oct.15, 2013.

TheWordOfGodSongs byChristianrappers tackleeverythingfrom Molly tothe Dalai Lama

Church Clothes 2LecraeRelease date:Nov. 8, 2013Rap Albums debut:No. 3Label: Reach RecordsSales*: 15,000Rhyme: "I ain'tpopping, rolling andain't burnt, so tell

Mary and Molly Idon't need 'em toparty." -"I'm Turnt"

The Good LifeTrip LeeRelease date:April 10, 2012Rap Albums debut:No. 3Label: Reach RecordsSales: 22,000Rhyme: "I am notyour robot, am nota clone/You are notmy puppeteer andam not a drone/Gota new master andI follow him alone."

-"Robot"

storem*All sales according to Nielsen SoundScan

4111) BILLBOARD MARCH 29, 2014

DA TRUTH

HOPE

Love, Hope, WarDa' T.R.U.T.H.Release date:Jan. 29, 2013Rap Albums debut:No.10Label: Xist MusicSales: 5,000Rhyme: "Blackprofessors, whitescholars/Politicians,Dalai Lamas/Everybody in thewhole wide worldneed hope/If I'll behonest/I'm in thatnumber, but sincehe saved me/I'm a

urvivor." -"Hope"41g

I. A AI I.:

The 6thFlameRelease date:March 6, 2012Rap Albums debut:No. 8Label: Clear SightMusicSales: 7,000Rhyme: "I know a

place when you reachthe end of the road/You can't carry theweight on your own/Jesus will lift theweight from yoursoul/Let go."

-"Let Go"

MinorvilleDerek MinorRelease date:Sept.10, 2013Rap Albums debut:No. 6Label: Reach Records/RMG

Sales: 8,000Rhyme: "Believe whenI talk about God/It'snothing like corn onthe cob, or Wizard ofOz/It's realer thanmost of the killin' n'pimpin'/And most ofyou say what you spitin your bars/Insteadof Christian rapper,you should call metrail rapper."

-"Ready, Set, Go"

Never LandAndy MineoRelease date:Jan. 28Rap Albums debut:No. 2Label: Reach RecordsSales: 26,000Rhyme: "Two forkshigh, raise the stakes,risk it all, I take thehate/It's the win-ning team, get theGatorade/My Godgood, but he's notsafe, nah."-"You Can't Stop Me"

-Nick Williams

chart, with Mineo's Never Land EP bowingat No. 2 in February. Last year, three of the12 debuts by Christian hip -hop artists on thelist were Reach albums, including Mineo'sHeroes for Sale, which peaked at No. 4. Andin 2012, nine Christian rappers placed titleson that chart. Three of them were Reachartists, including Trip Lee, whose The GoodLift peaked at No. 3, and Lecrae, whoseGravity hit No. 1.

For the religious music market, the suc-cess of Christian rap is a welcome brightspot. Last year, sales of Christian/gospelmusic dropped 25 percent, to 19.5 millionunits, according to SoundScan. The categoryis down 31 percent from 2009, when 28.3million were sold. To compare, the overallalbum market was down 8.4 percent in 2013

and down 24 percent since 2009."We've seen explosive growth in

Christian rap in the past decade," saysGreg Davidson, CFO of Central SouthDistribution, a Nashville -based distributorthat is ending a nine-year deal with Reachbut still represents other Christian artists.

"The lines are starting to blur between whatis Christian rap and rap in general. A lot ofthe artists don't want to be identified asChristian rappers, but rather as rappers witha positive message."

While mainstream rap is sometimescriticized for glorifying materialism andmisogyny, Christian rap tends to emphasizecommunity and upbeat values, says Flame,whose album Royal Flush debuted at No. 11

on Rap Albums last fall.For corporations looking to connect with

the rap audience, those kinds of rhymes areless likely to conflict with a business agenda,notes Atlanta -based Christian hip -hopperShonlock. The singer's sophomore album, ANight to Remember, was released March 18;now its signature track, "I Like to Win," willget airtime during NCAA March Madness,thanks to a licensing deal with ESPN.

"You can only take so much death anddestruction in music before you wantsomething that will make you feel good andencourage you," says Shonlock, who gothis start as a choreographer working withR. Kelly and Aaliyah, and who toured for11 years with Christian rap/rocker TobyMacbefore going solo.

"There is absolutely a new energy behind[Christian rap] and a new acceptance forit," says KJ-52, a Christian rapper whohas been around the business for 20 years.

"The hip -hop generation has gotten older,so it's not something that's looked at justfor the youth. The parents are buying itand that's the difference now. Familiescome to these shows where people used todrop off their kids." 0

M.I.A.The rapper, jokingly asking for a loan from thepop star - with whom she performed at the2012 Super Bowl halftime show - after the NFLfiled a claim against her seeking $16.6 millionfor giving the middle finger on camera.

HEARSAYA look at who's saying what in musicCompiled by Jessica Letkemann

Michael Love

"I'm no expert,but up close this doeslook like a plane andan oil slick."

COURTNEY LOVEThe rocker, tweeting a satellite image of anocean area she suggested might be the crash siteof missing Malaysia Airlines flight MH370.

had such a big burstof creativity that I wasthinking, 'I should havebeen locked up years ago.I would have come upwith a couple ofgreatalbums by now!"

GEORGE MICHAELThe pop veteran, on feeling inspiredafter he served a jail sentence in 2010for driving under the influence.

TOPLINE

M.I.A.

"A huge problem with themusic industry is that theguys who started thebusinesses either sold out ordied. And the new guys left."

BEN HOROWITZThe Andreessen Horowitz co-founder/partner,whose venture capital firm has overseen $2.5 billionin tech and startup investments since 2009.

"Everyone try to kisschurch members who aresame sex as you.They will so love it.Christmas comin' earlyin Kansas City"

LORDEThe singer, tweeting in reaction to plansby the anti -goy Westboro Baptist Churchto protest her Kansas City, Mo., concert.Lorde later deleted the tweets.

Horowitz Lorde

MARCH 29, 2014 WWW.BILLBOARD.BIZ 0

TOPLINE

TOURING

Ola Lollapalooza!The longstanding American festival headsto South America where "the money's great"By Judy Cantor -Navas

A trio of South American Lolla-paloozas scheduled for this spring,including a first foray into Argentina,underscore how the events' orga-nizers are mining the buzzy SouthAmerican market and could providea road map for similar festivals look-ing to expand internationally.

The first leg of the Lollapalooza tour,which will feature such acts as RedHot Chili Peppers, Nine Inch Nails,Soundgarden, Arcade Fire, Pixiesand Lorde, is slated March 29-30 inSantiago, Chile. It will be followed bythe Argentine event in Buenos Airesand wrap up with a two-day festivalAprils -6 in Sao Paulo.

Red Hot Chili Peppers(top left) are amongthe acts headingto South America forthe Lollapaloozatour, whose pastperformers includeIlly° Kuryaki &TheValderramas (bottomleft). This years trekwill visit Argentina,Brazil and Chile, whichhosted Lollapaloozasin 2011, 2012 and 2013.

By bundling the three festivalstogether, event organizers includingLollapalooza founder Perry Fa r rell,William Morris Endeavor, C3 Presentsand local partners in each countrywere able to both lure bands to theLatin American market and save onproduction costs.

"The money's great. You've doubled,tripled what you're going to make,"says Farrell, adding that offering threefestivals as a package can help innegotiating with top acts who typi-cally receive $1 million and more pershow. "It gives us booking power."Reception by both fans and bands hasbeen so enthusiastic that organizers

are "actively looking for more Lollas"in international venues, and expect toannounce a site before the end of theyear, says Farrell.

South America has had a robustrock scene for years, but it isonly now that U.S.-style multi-

day festivals are catching on inmore countries, in part becauseLollapalooza paved the way. Thefestival debuted there in 2011, stag-ing Chile's first multi -day rock eventand drawing a crowd of 35,000. By

last year, attendance had reacheda capacity of 8o,000 per day. In2012, Lollapalooza moved into Brazil,attracting more than 65,000 fans.Those successes encouraged Farrelland his partners to try Argentina, acountry that has hosted many inter-national artists including Madonna,Metallica and Justin Bieber, buthas never attempted the festivalmodel on this scale.

For the upcoming dates, orga-nizers expect attendance to reach8o,000 in Chile and Brazil. InArgentina, advance sales havealready topped ioo,000 tickets, a

record for that country, accordingto Diego Finkelstein, presidentof Lolla Argentina producer FenixEntertainment Group. Prices rangefrom sold-out early -bird packages atthe equivalent in Argentine pesos ofabout $70 to full -price VIP passes setat about $445. In Brazil, the averageticket price is the equivalent of about$68 per day, with 85% of festivalgoerstaking advantage of a 50% studentdiscount. In Chile, tickets go for $140for one day and $2oo for both days.

The South American market couldbe valuable not only for Lollapalooza,but also for other U.S.-based festivalsas well as bands. Total ticket salesin Argentina are about $19 mil-lion a year, according to Fer Isella,an executive with MICA, a state -

sponsored culture agency, and digitalmusic sales in the country climbed57 percent between 2011 and 2012. InBrazil, where the live music marketis valued at $5.5 billion, the digitalmarket has grown 25 percent duringeach of the last three years, accordingto data cited at trade show MIDEM inJanuary. Growth has also been robust

0 BILLBOARD MARCH 29, 2014 RCP oolt foiLl MOM.. vOSENtELOMOMy offrAfi. viC TOR Rui2 AOALURO/LATOK041f1OKE I Ty OWES COO.: MILO vtla.LISKRUIER/LakfONTEVI/Gtrif Ma, 1.0..002f ARO.. W.: COMM' Of ffNm DARTA.. GROUP

TOPLINE

in Chile, where digital music down-loads rose by half between 2012 and2013, according to the IFPI, thoughonly about a quarter of Chileansattended a live concert in 2013.

Solo artists have been addingLatin America dates to their tours foryears. Miley Cyrus will kick off theLatin American leg of her BangerzTour in September, while AvengedSevenfold will head to the region thismonth. "South America is an extraor-dinarily important part of our touringcycle for bands," says Chris Dalston,an agent at Creative Artists Agencywho represents both artists.

In fact, the continent has proveda fairly easy sell for Lollapalooza, inspite of the challenges of wranglingmultiple bands to appear abroad.While festival organizers last yearwere forced to cancel a planned edi-tion in Israel for unspecified reasons,business in South America has onlygrown, according to Dalston, in partbecause there is an established infra-structure with promoters and theartists know they will get the sametreatment they would at home. 0

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3%, ,

VIt

CHARTS31

Van Halen's "Jump,"Cher's "Believe,"

Usher's "Yeah!," BrunoMars' "Grenade" and

Pharrell Williams'"Happy" (from left) all

topped the Hot 100.

21 21/ 19

18 18

17

ONE -WORD HITS ON THE BILLBOARD HOT 100

1989 1994 1999 2004 2009 2010 2011 2012 2013 2014

Why Hit SongsNow HaveOne-Word TitlesSimply named tunes are dominatingthe Billboard Hot 100By Gary Trust

"Roar." "Royals." "Timber." "Demons." "Happy."Notice a common thread among these recent hits?The number of charting songs with one -word titles

continues to grow, with single-monikered tracks nowmaking up nearly a third of the Billboard Hot 100 eachweek. This year, two single -word titles have set therecord for the Hot too's top two longest stays: ImagineDragons' "Radioactive" (up to 81 chart weeks as of theMarch 29 chart) and AWOLNATION's "Sail" (whichtotaled 79). On the March 29 Hot too, one-word titlesbookend the survey, from No. t (Pharrell Williams'

"Happy") to No. too (Disclosure's "Latch"), while 31

such hits also dot the chart. A decade ago, there wereonly 19 one-worders on the chart dated March 2o, 2004,while on the corresponding chart 25 years ago, therewere a mere nine.

Why the trend toward singles with one -word titles?Artists and writers say that the impact of social media,from how songs are marketed to the simpler manner inwhich people communicate online, has greatly influ-enced the craft of songwriting - and naming.

"Today people are overloaded and constantly beingsold on things," says The Chainsmokers' Al ex Paul.

ROM: NET ROBERTS/RENERK (MST. STMTIE/AP MOTO, ur.(1, GuST.0 CABALLERO/4,M WAGES. uSITER. TEAN.PAuL AuSSENARDAMTIM.E. wRUA. YAII ittONEK.R1311.

The band darts 28-18 on the March 29 Hot too with"#Selfie," its kitschy, club -ready satire of compulsive self-portraiture. "We wanted a very direct message aboutwhat the song is. The word is so identifiable, so we knewless was more." "#Selfie" serves not just as the song'stitle, but also as a promotional tool: The Chainsmokershave solicited fans to make their own selfie-driven vid-eos - and to circulate them using the hashtag - to helpgrow the track's popularity. "We like direct, minimalapproaches to our marketing," says Paul. " `#Selfie' isjust crystal-clear."

Bonnie McKee concurs about keeping it simple. Inaddition to Katy Perry's "Roar," which topped the Hot100 in September, she's co-written one -word -titled songsfor Taio Cruz ("Dynamite") and Kesha ("C'mon"). A sin-gle word is "clean, simple and bold especially ifyou finda really splashy one," says McKee. "I have a book of titlesthat I've compiled over the years, and I do find that one -

word titles are special, probably because it means a simplehook and an even simpler concept. I know that when I dostumble upon a one-worder that pops, I'm psyched. Ifoneword can sum it up, then the bones of the song are sturdy."

Even rising songwriters who have yet to crack the Hottoo are using shorter titles. Pop/folk artists Liz Longleyand Myla Smith are finalists in this year's InternationalSongwriting Competition with one -word titles, Longleywith "Memphis" and Smith with "Sparks." "Ina socialmedia -frenzied world, it's nice to have a short, memo-rable, hashtag-able word," says Longley. "When I waswriting a song with a hook that says, 'You wouldn't makeit to Memphis,' it was a no-brainer to call it 'Memphis.'Anything else would have given too much away."

"A lot of writers refer to songs as their children, and Ithink the naming conventions for songs follow the sametrends as names for kids," says Smith. "In the South, girlsused to be called by their first and middle names, likeMary Elizabeth. That's becoming much less common.Brevity has become more valuable." 0

MARCH 29, 2014 I WWW.BILLBOARD BIZ

TOPLINE

The Deal PANDORABY THENUMBERS

Pandora Wins Latest Royalty BattleBut Could Become Prisoner OfWarIs Pandora's box of money one stepcloser to opening?

Publishers and songwriterslong have complained thatthey're shortchanged by theInternet radio giant, whichoperates under a provision ofcopyright law that allows it toplay popular songs with a royaltyrate set by a court.

But a March 14 ruling in Pandora'sfavor actually could end up back-firing. Publishers could pull theircatalogs from collection societ-ies like ASCAP and BMI andtry to force Pandora into directnegotiations for access to theirmost popular songs.

In the latest battle, ASCAP hadsought an increase from 1.85% ofPandora's revenue to 3%, while Pandorawas seeking a reduction to 1.7%. The courtruled the 1.85% rate will stay in place through2015. But maintaining the status quo could endup being a Pyrrhic victory for Pandora becausebig publishers like Sony/ATV and UniversalMusic Publishing Group (UMPG) could use thestagnant rate as a rationale to withdraw partsoftheir catalog from ASCAP and BMI when in

Bandier

Horowitz

negotiations. If the courts allow this tohappen, Pandora would be forced

to negotiate directly with the pub-lishers for a much higher rate.

Pandora is the biggest U.S.streaming service with morethan 7o million users every

month. Because it operatesunder consent decrees dictated

by U.S. copyright law, publishershave complained that it pays less than

what they consider fair value fortheir music. "Songwriters will

never receive fair market ratesunless the consent decrees arechanged," says UMPG chair-man/CEO Zach Horowitz.

Sony/ATV chairman/CEOMartin Bandier calls the 1.85%

rate "woefully inadequate."Last year, publishers negotiated

directly with iTunes Radio and scored a pro-

rata share of 10% ofrevenue. Even if ASCAPsecured the upper-level rate it was asking for

- 3% of Pandora's revenue in 2014 and 2015 -that would still fall short of the iTunes Radiorate, once BMI and SESAC rates are added in.

That's why Sony/ATV and UMPG bothsigned short-term deals with BMI that willallow them to withdraw either at the midyearpoint or at the end of 2014 - that is, if theydon't think their discussions with the U.S.Department of Justice are moving in what theywould consider a positive direction.

Such withdrawals undoubtedly would leadto higher royalty rates for songwriters who arepublished by both companies. Such withdraw-als would force Pandora to either negotiatehigher royalty rates for songwriters who arepublished by both companies or risk losingaccess to their work. In response, Pandora hasexperimented with its play algorithm to see if it

could substitute music without disrupting thequality of its service. The company tested 1% ofits user base and found that substituting popu-lar songs didn't unduly affect user satisfaction.That could be Pandora's next move.

-Ed Christman

Pandora's royalty rate is "woefullyinadequate." -Martin Bandier, Sony/ATV

FURTHER DEALINGS

GEIGER BETS ON AUDIAMMarc Geiger, who's always been bull-ish about streaming music, has put hismoney where his mouth is. The headof William Morris Endeavor's musicdivision has personally invested anundisclosed amount in Audiam, a com-pany that collects YouTube payments onbehalf of artists and publishers whosecompositions appear in user-createdvideos. Geiger, who joins Audiam as anadviser, joins a list ofpower players inthe music business who have collectivelyinvested $z million in Audiam, whichTuneCore founder Jeff Price foundedin June 2013. They include Jason Mraz,Jimmy Buffett, promoter Bill Silvaand Brett Gurewitz, founder/owner ofEpitaph and Anti- Records. -Alex Pham

0 BILLBOARD MARCH 29, 2014

Gershwin

SONGS LANDS GERSHWINSONGS Music Publishing,whose roster includes Lordeand The Weeknd, has beentapped to creatively marketthe portion of the GeorgeGershwin catalog controlled

by the Godowsky familyand Heyward Memorial Fund.The fund representsthe Gershwin estate andPorgy authors Du Boseand Dorothy Heyward,respectively. The deal encom-passes Gershwin works fromsuch classic Broadway produc-tions as Porgy and Bess andShall We Dance. SONGS willshowcase the catalog for movie,TV and advertising musicsupervisors, as well as launchan aggressive social media

campaign. There are also plansto have contemporary artistsrecord the songs.

-Roy Trakin

ILLUSTRATION BY BRIAN STAUFFER

TOPLINE

$600m 1.85% 52%Pandora's revenue in the 11 months leading Share of Pandora revenue to beup to December 2013. paid to ASCAP songwriters.

Share of Pandora revenue paid for contentin the 11 months to December 2013.

MILESTONES

DEATHS

George Donaldson, frontman ofIrish vocal group Celtic Thunderand a successful solo artist, diedMarch n at his home in Glasgow,Scotland, after suffering a heartattack. He was 46.

South Carolina up-and-coming rap-per Speaker Knockerz died March6 from unknown circumstances afterhaving been missing for at least twodays before being found in his garage.He was 19.

Scott Asheton, the original drummer anda co-founder of legendary punk -rock bandThe Stooges, died March 15 in Ann Arbor,Mich., of a heart attack. He was 64.

Sixx andBingham(top);SpeakerKnockerz

Concert business pioneer Bill Ballard,who co-founded Concert ProductionsInternational, died March 14 after abattle with cancer. He was 67.

MARRIAGES

Singer-actress Jamie Lynn Spears,22, wed businessman Jamie Watson,

31, on March 15 in New Orleansbefore a crowd of about 150 guests,including bridesmaid BritneySpears, whose two sons served as

ring bearers.

Motley Crue bassist Nikki Sixx, 55, marriedmodel-blogger Courtney Bingham, 28,

on March 15 in Los Angeles. It is Sixx's thirdmarriage. -milestones@billboard.com

]EXECUTIVE

Turntable

MANAGEMENTAtom Factory Management, the enter-tainment, technology and branding firmfounded by Troy Carter, promoted Julius"J" Erving and Ty Stiklorius to co -presi-dents. Erving most recently served as SonyMusic Entertainment's vp artist relationsand brand integration, forging partnershipswith Reebok, AXE, GTV Vodka, PopWater,Songza and HarperCollins. Stiklorius, mean-while, first partnered with Carter in 2012 andco -manages such artists as John Legend,K'naan and Lindsey Stirling. She's also apartner with Legend and Mike Jackson inGet Lifted Film. Previously, Stiklorius was aconsultant in the media and entertainmentpractice at LEK Consulting.

LABELS

Island Def Jam Music Group namedSamWatters vpA&Rfor Island Records. As a

songwriter -producer, he has worked withCeline Dion, Afrojack and 5 Seconds ofSummer, among others.

PUBLISHINGRound Hill Music appointed Jonnie"Most" Davis senior vp A&R and head oflabel services. He's written, produced ormixed for artists including Pink, OutKastand Usher.

TOURINGAEG Facilities promoted Charles H.Steedman COO. He was senior vp/GM ofAEG Connecticut.

Madison Square Garden Co. announcedthat former Cablevision president of localmedia Tad Smith will succeed Hank Ratneras president/CEO of MSG. Ratner is nowvice chairman and joins the company'sboard of directors.

DIGITALBeats Electronics appointed An DeVooght executive vp/CFO. She was vp inter-nal audit at Red Bull.

-exec@billboard.com

MARCH 29, 2014 I WWW.BILLBOARD.BIZ

TOPLINE CHART MOVERS

[Numbers]CASE STUDY

Linkin Park

While Linkin Park has paired with rappersin the past for collaborative works -mostfamously with Jay Z on Collision Course-the band throws a curveball with its latestsong, featuring iconic MC Rakim. The new"Guilty All the Same" is the lead single fromthe rock group's forthcoming studio album,due this summer.

Q25"Guilty All the Same" arrives at No. 28on Billboard's Alternative airplay chart,marking the milestone 25th entry forLinkin Park. The song premiered throughthe Shazam app on March 5 and wenton sale two days later. The tune bowson Alternative in its second week ofavailability, as the chart's tracking weekended March 16. In comparison, LinkinPark's last studio album had its first single,"Burn It Down," blast in at No. 6 in its firstweek in 2012.

52%The new song is off to a so-so sales start:It bowed with 15,000 downloads in theweek ending March 9, but fell to 7.000 thefollowing week, a drop of 52 percent.

31%In the week ending March 16. LinkinPark was especially active on Facebook,earning a 31 percent increase in likes toits page. The act is the most -liked band on

Facebook, according to PageData, withmore than 60 million likes. Only a handful ofother artists - including Rihanna. Eminemand Shakira - have more. -Keith Caulfield

Birds Of Tokyo Take FlightAlready a breakout hit in the band's nativeAustralia, Birds of Tokyo's atmospheric"Lanterns" (Republic) bullets at No. 29on Triple A and No. 37 on Alternative.Last year, the track was the most -playedsong on commercial radio Down Under,according to Aircheck. The group is nowvisiting and performing at U.S. radiostations, notably throwing in fun, curve -ballcovers like Survivor's "Eye of the Tiger."

Taylor MomsenCracks RockRadio's Boys ClubFormer Gossip Girl star is just second femalesinger to top Mainstream Rock in 24 yearsBy Chris Payne

The same Taylor Momsen who oncestarred on the CW hit Gossip Girl is faraway from New York's tony Upper EastSide. She's half -naked, gothed up in blackeye shadow and surrounded by burningbooks and tatted-up teens in the video for

"Heaven Knows," the hit song from Goingto Hell, the sophomore album by her bandThe Pretty Reckless, released March 18

on Razor & Tie. Aided by the edgy video,"Heaven Knows" is spending its secondstraight week at the apex of Billboard'sMainstream Rock radio airplay chart datedMarch 29. But the song is notable notjust for Momsen's first breakthrough as amusician- it's also just the second No.1on Mainstream Rock in the last 24 years tofeature a woman singing lead.

Does today's mainstream rock radio havea gender problem? Momsen, zo, doesn'tthink she gets treated differently than hermale counterparts. "I mean, I get my ownbathroom once in a while," she jokes.

But Momsen concedes she models herselfafter male rock icons. "I grew up wanting tobe Robert Plant, Chris Cornell and JohnLennon," she says. "All my influences havealways been men."

It's not surprising: Rock has beendominated by men for Momsen's entirelifetime. Last April, singer Lzzy Haletopped Mainstream Rock when her bandHalestorm's "Freak Like Me" went toNo.1 for two weeks. Before that, one hasto go back to 1990, when Alannah Myles'

"Black Velvet" ruled for two weeks.

Momsen'smanager, DavidSonenberg, ismuch more scath-ing than her inhis assessment ofrock in 2014. "It'sa very misogynisticworld; people thinkthat girls are posing,"he says. "I don't wantto be misogynisticmyself, but maybeit's easier for girls tocraft a pop tune thana credible rock tune."

In the 1980s, theMainstream Rock chart featured13 female -fronted No. is, byHeart, Stevie Nicks and others.However, since the Alternativechart's debut in 1988, the main-stream rock format has becometougher, rougher and muchmore male. Grunge led alterna-tive in a gritty direction from themid-'9os to the mid-'oos, butthe format has recently shiftedto softer sounds with crossoverpotential (Mumford & Sons,Lorde) - leaving mainstream rockto focus on hard -rock acts like AvengedSevenfold and Volbeat.

Mainstream rock station WTZR JohnsonCity, Tenn., is the biggest supporter of

"Heaven Knows," leading all stations with

'Rain' RisesAnthony Lewis, 17, wasn't born whenSoul for Real's -Candy Rain" topped theMainstream R&B/Hip-Hop airplay chartin 1995, but that didn't stop him fromremaking the classic, which opens at No.

38. Lewis' version features labelmateBilly Bang and interpolates 2 Chains' "I'mDifferent?' It was the 10th -most -playedsong on SiriusXM channel The Heat forthe week ending March 16, according toNielsen BDS, and marks the first charthit for The Chemists, the entertainmentcompany that former Interscope executiveGarnett March launched last year.

Viennie V VaultsPop singer -songwriter Viennie V draws herfirst Billboard chart ink, as "How Could You"(Aurora) enters Adult Contemporary at No.30. With 250,000 YouTube views since itsDecember posting, the melodic ballad addsto her buzz: Her official YouTube channelalready boasts 4.5 million -plus clicks. TheLos Angeles -based artist also grew herfollowing by performing on Verizon's 2012APAHM Tour, which celebrates Asian -

American entertainers each May.

-Keith Caulfield, Rauly Ramirez andGary Trust

0 BILLBOARD I MARCH 29, 2014

Momsen'ssexed -upimageryis helpingher breakrock's glassceiling.

nearly soo plays through March 27, accord-ing to Nielsen BDS. "The format could usemore stuff like this - it's like Queen's 'WeWill Rock You' with Joan Jett vocals," saysPD Jay Patrix, adding that he hopes female -

fronted acts like In This Moment andButcher Babies will continue the trend.

Nonetheless, Momsen doesn't shy fromusing her sex appeal to push the song ina male -focused genre. At one point inthe "Heaven Knows" video, which sheco -directed with Jon J, she strips naked,obscured partly by body paint and strategiclighting. The cover of Going to Hell refer-ences the racy moment, featuring an imageof her nude back, cropped just so.

"Heaven Knows" also has been boostedby Momsen's fans from Gossip Girl, whereshe played social -climber Jenny Humphrey,before moving away from the show afterforming The Pretty Reckless in 2009. "Ithelped and hurt at first," she says. "It took aminute to have people see me outside of my

1

g character. But there was a fan base alreadythere that I could introduce to the music."

Going to Hell may sell between 25,000 and30,000 copies in the week ending March23, according to industry forecasters, a bigjump from The Pretty Reckless' 2011 debut,Light Me Up, which arrived with 9,000 sold.Momsen and her bandmates - all men, bythe way- are pushing the album by open-ing for Fall Out Boy in Europe, followed bya U.S. club headlining tour through May. Inthe meantime, Momsen is hoping her musi-cal talents will dispel any questions aboutsexism in rock: "I don't really think about itas gender-separate - ifyou can write a goodsong, you can write a good song." 0

Aloe Blacc: Here's how he did it

Soul singer Aloe Blacc'sLift YourSpirit debuts atNo. 4 on the Billboard200, with 45,000 copiessold, according to NielsenSoundScon.

1 YEAR AGO

After years on rap -centricindie Stones Throw,Blacc, 35, signed with XIXRecordings/Interscopeand began work on LiftYour Spirit with producerDJ Khalil (Eminem, Pink).Blacc wrapped the albumin early 2013. Around thesame time, he linked withAvicii in Los Angeles, co -

writing and singing the DJ/producer's "Wake Me Up!"The song debuted June 17,2013, and quickly took off.Blacc's challenge? Cluingthe song's fans to his solowork, as his name wasn'tcredited. "The lyric videowent to 80 million YouTubehits before it even went toradio," says Blacc. "That'sconfirmation to me that it'sjust good songwriting."

Ty Dolla SignDoublesHis Money

With "Wake Me Up!" flying48-17 on the BillboardHot 100 chart dated Aug.17, Blacc released theWake Me Up EP on Sept.24, featuring an acousticremake. On Oct. 25, LiftYour Spirit hit Germany,Austria and Switzerland,three of Blacc's paststrongest markets. In theUnited States, Interscope/Beats Music head Jimmy!ovine used Blacc's "TheMan" in a Beats ad thataired during a Jan. 12 NFLgame, sending the songto No. 7 on Digital Songsthe week of Jan. 20. Blaccinked a publishing deal withWarner/Chappell Music on

Jan. 21. A week later, "CanYou Do This" soundtrackeda Beats Super Bowl spot.

Rookie rapper/singer lands twohits with help from all-star friendsBy Dan Hyman

Ty Dolla Sign seems to be living up to his name. In theissue dated March 29, the Los Angeles rapper/singer/producer's newest single, "Or Nah" (featuring WizKhalifa), debuts at No. 91 on the Billboard Hot loo,jumps 30-24 in its third week on Hot R&B/Hip-HopSongs and has sold 54,000 units to date, according toNielsen SoundScan. It's his second current entry on thecharts: His B.o.B-featuring breakout hit, "Paranoid,"spends a second week at No.32 (after peaking at No. 29)on the Hot loo, remains at its peak (No. 9) on Hot R&B/Hip -Hop Songs. It has sold 406,000 copies to date.

"I knew it was going to cross over," says Ty, 28, of"Paranoid." "But I still can't believe it sometimes - it'sjust cool seeing the song's growth."

Remixes are part of the story: "Paranoid," producedby DJ Mustard, has one with Trey Songz and FrenchMontana. "Or Nah" has an unofficial remix featuringThe Weeknd; Ty says another with Drake is on the way.

Ty (real name Tyrone Griffith) first met success byproducing and appearing on YG's breakout hit "TootIt and Boot It," which hit No. 67 on the Hot ioo in

A week after the video for"The Man" debuted March3, Lift Your Spirit was finallyreleased stateside on

March 11, during South bySouthwest. Blacc lined upa whopping 16 showcasesat the festival, including aperformance of "The Man"on Jimmy Kimmel Live!with the University of TexasLonghorns' band on releaseday. "I don't know what therecord is for doing the mostshows at South By, but Imight be approaching it,"says Blacc with a laugh."It's release week - I

want to tell everybody."Meanwhile, the title trackwas iTunes' free Single ofthe Week, and Target soldan exclusive deluxe CDwith two bonus tracks.

Blacc will become an evenmore familiar face as a

mentor for Adam Levine'steam on the current seasonof The Voice. In April, he'llperform at the Coachellafestival, before hitting theroad to open for Bruno Marson 25 dates through July 18.Blacc also has a small rolein the forthcoming JamesBrown biopic Get On Up,out Aug. 1. Although Blacc'ssoul -music star is rising,his next project may be a

reunion of Emanon, theunderground -rap duo heformed with DJ Exile in theearly 2000s. "We've got twomixtapes and an album,"says Blacc. "Hip -hop is notlike when I was younger.I just do it because I stillenjoy it." -Nick Williams

Ty Della Signcracks theHot 100 with"Paranoid"and "Or Nah."

2010. He signed to Atlantic in 2012, released two mix-

tapes, Beach House and Beach House 2, then inked withKhalifa's Taylor Gang, an Atlantic imprint, last year.

"Out of every other rap guy, Wiz is the most humble,down-to-earth guy, like me," says Ty. "Who gives af- about this fame shit? I hate those type of people."

KBOS Fresno, Calif, has played "Paranoid" in excessof2,000 times, 400 more than any other station,according to Nielsen BDS. "Ty Dolla Sign is one of ourbiggest success stories," says station PD Tony Banks.

"He's a rapper, singer and songwriter- the trifecta.""I do a little bit of everything," says Ty, who's also

written for Jennifer Lopez and Chris Brown. Tyheads out on his first headlining tour on April 29, andhas begun recording a full-length debut, due later thisyear and tentatively titled Free TC - after his brother,who's currently incarcerated. "I'm going to get allthe money and get him a great lawyer - some 2014Johnnie Cochran shit," says Ty. "At the end of thismusic shit, what do we have? Family, and I'm defi-nitely family first." 0

MARCH 29, 2014 WWW.BILLBOARD.BIZ

THE BEATAn AustinGood TimeKany c West and jay Z dominatedat SXSW, Kelis served up barbecueand Tyler, The Creator was arrested

11

"Just run in right now.Do it, let's go." -Tyler, The Creator

1 Kanye West channels Yeezusonstage during his Samsung Galaxy -

sponsored show with Jay Z at SXSWon March 12 at the Austin Music Hall.

2 Tyler, The Creator leads moshersat the Thrasher/Converse dayparty at the Scoot Inn on March 13,wearing items from his Golf Wangclothing line. He was arrested atAustin -Bergstrom Airport on March15 for inciting an outdoor riot whilethe venue was at full capacity.

3 In celebration of new LP FOOD, outApril 22, Kelis passes out sliders tofans from her #KelisFoodies truckcourtesy of Roaming Hunger onMarch 13.

4 The Ghost of a Saber ToothTiger's Charlotte Kemp Muhl priorto her performance with bandmateSean Lennon at the eBay GivingWorks and Nylon Launch MusiCaresAuction at Malverde on March 14.

5 SESAC's Trevor Gale(left) and Jamie Dominguez(center) hang with DiarrheaPlanet ahead of the band'sPerformance at SESAC's SXSWShowcase at Lambert's Barbecueon March 12.

6 Mac Miller (left) and ScHoolboyQ go bowling on March 15 at thesecret basement alley at The Illmore,presented by Trukfit.

7 Sleigh Bells' Alexis Kraussperforming on March 14 at TheBelmont, sponsored by Red BullSound Select's '4 Days in Austin'series.

8 From left: Donald Glover,Erykah Badu and MotownRecords/Universal Music Group'sEthiopia Habtemariam duringMotown Toasts Erykah Badu atSamsung Galaxy Experience onMarch 14.

41, BILLBOARD I MARCH 29, 2014

ASCAP CONGRATULATES OUR HONOREES

LATIN HERITAGE AWARDThe Fania All -Stars

COMPOSITOR DR.I, Al;l0Romeo Santos

let,11474 //;'.27,t- 1 el

"A La Basura"compositores: Fred Huerta

Carlos Ra.zoeditors Corrido Publishing

"Como Un Huracin"compositores: Moises Amnon. Faust°

Hilda Garciaeditors: Musimex Publishing

"El Primer Lugar"compositor: Armando Gem. Silva mks+,editoras: Tres Islas Musk

Universal Musk -MGBSonpt

"La Original"compositor: Yoel Henriquezcditora: Tres Islas Musk

"Mentirosa"compositor: Jose Jesits Araujo Ruizeditors: Universal Polygram International

Publishing

"Mi Nina Traviesa"comp.itor. Ferroeditoras: Dcl World Song

Tres Islas Music

"Mujer De Piedra"compositor: Gerardo Ortizeditoras: Del World Song

House Of Badsin Publishing

"Que Dios Bendiga"compositor: Joan Sebastian

"Vaciando Botellas"compositor: Fidel Ruedaeditor.: Songs of Ilk Publishing

Versatil Latin Music

"Ando Por Las Nubes"compositor: Victor Manuelleeditor.: Songs 01Peer

VMR Publishing

"Bailar Contigo"compositor: Andres Castroeditor.: Baluarte Music Publishing

Sony/ATV Discos Musk Publishing

bio De Piel"`Awl HenriquezJulio Keyes

',Guns Miss Musk Publishing

1,,Fex!srmgs.

"Carnaval"oroposiv: Luis Dia

Quisqueya R . PublishingUniversal Musk,

"Como Le Gusts A Tu Cuerpo"compositor: Andrits Castroeditoras: Baluark Music Publishing

Sony/ATV Discos Mum,: Puble.111,

ASS` PEDITORA DEL Al1/410 - Sony ATV/Discos Music PublishingEDITORA INDEPENDIENTE DEL AN.0 - Mayimba Music

CANCION DEL ASIO - "LIMBO"Compositores: Daddy Yankee, Eliezer Palacios Rivera, Giencarlos Rivera, Jonathan C. Rivera

Editoras: Cangris Publishing, ICOB Publishing, WB Music Corp.

"Contigo Quiero Estar"compositor: Rigteditora: W5 Music Corp.

"Darte Un Beso"compositor.: Andres Castro

Juan Riveroseditor.: Baluarte Rfusic Publishing

Juan Rivcros Music PublishingSony/ATV Discos Music Publishing

"Day 1"compositorcs: Leslie Grace

Israel Steven MercedesAnnexie Luz MiyaresDaniel Santacruz

editoras: Annexie Music PublishingMayimba MusicPenluis Music PublishingTop Stop PublishingWB Music Corp,Young God's Publishing

"Frio, Frio"compositor: Juan Luis Guerraeditors: Editors Del Caribe

"Llivame Contigo"compositor: Romeo Santoseditor.: Mayimba Music

Palabras De Romeo

"Loco"compositor.: D.center Bueno isow:

Enrique IglesiasLenny ReynosoRomeo Santos

editors,: EMI April MusicLenny Medina MusicMayimba MusicPalabras De RomeoSony/ATV Discos Music Publishing

"No Soy Un Hombre Malo"compositores: Yoel I ienriquez

Amerika Jimenezeditor.: Cosas Miss Music Publishing

La Venus MusicUniversal MOsica

"Por Qui Les Mientes"compositores: Luis Berrios Nieves

Tito 'El Bambino'editoras: On Fire Invencible Publishing

Tito El Patron PublishingSony/ATV Discos Music Publishing

"Propuesta Indecente"compositor: Romeo Santoseditoras: Mayimba Music

Palabras De Rotten

"Todo Mi Amor Eres Teecompositor: Rub. Bladeseditoras: Mystical Light Music

Sony/ATV Tunes

"A1go Me Gusta De Ti"cumpositores: Luis Angel O'Neill

Chris Jcdayeditors. Jelly Squat Music

Letras De Oro Music

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Daddy Yankeeeditonts: Cangris Publishing

Rayo Music Group IS..

"La Pregunta"compositor: Montanaeditors: Montana The Producer Publishing

"More"compositores: DJ IJrba

Ken -YRaphy PinsFernando Sierra

editoras: Los Magnifikos MusicMass Musa MusicSony/ATV Discos Music PublishingUrbani Music Publishing

"Rompe La Cintura"cumpositures: Alexis

FidoGiencarlos RiveraJonathan C Rivera

editoras: Alexis Y Fido Music PublishingKOH PublishingSony/ATV Discos Music PublishingWB Music Corp

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editor.:

Luis Berrios NievesTito 'El Bambino'Chris JedayLuis Ortiz RiveraOn Fire Invencible PublishingSony/ATV Discos Music PublishingTito El Patron Publishing

"Yo Te 1,o Dije"compositor. Jose Alvaro Osorio Balvin cutseditors: Universal Musics

"Zumba"compositor.: Ingeniero

Sykceditoras: EMI April Music

Just One Way MusicThazyl Music PublishingWB Music Corp.

per"Come With Me"compositores: Antonio Frances. Egizii WM)

Ilan Kidron urxAiDavid Nicholas NiUSUIlled WIN)

editoras: EMI Music Publishing Australia ism.Universal Polygram International

"Cuando Se Va El Amor"compositors: Kany Garciaeditors: WB Music Corp.

"Fiebre De Amor"compositor: Rafael Espana Ruizcditoras: Basic° Music

WO Music Corp.

en

VOICE OF MUSIC AWARDDaddy Yankee

COMPOSITOR DELAndres Castro

"Llorar"compositores: Mario Domm isno.

Hanna Huerta tsacsoJesse HuettaJoy Huertaissan

editors,: Sony/ATV Disc. Music PublishingUniversal Music - MGB SongsWB Music Corp.

"MU Y Mis"compositor. Luis Gomez Escolar MAKIeditors,: Hadem Music Corp.

Spirit Two Music

"Me Puedes Pedir Lo Que Sea"compositores: Mauricio L. Arriaga

Jorge Eduardo Murguiaeditor. Editors San Angel

EMI April Music

"No Te Quiero Ver Con El"compositor. Emile Ghantouseditors: Insomnitrax

"Se Vende"compositor. Alejandro Sanz MAR)editors,: Gazul Produccionesocs.

WB Music Corp

"Sin Ti"compositor.: Javier Diez

Marie Grill..Tommy Torres

editors. Mostlysadsontt:WB Music Corp.

"So What"compositor: Rodolfo totterseditors: WB Music Corp

"Tres Semanas"compositor: Marco Antonio Soliseditors: Crisma

"No Me Compares"compositor: Alejandro Sant cost,editora. Gazul Production...,

WIS Music Corp.

"Por Ella Soy Eva"compositor.: Ettore Crone' isacso

Monica Velez ,,scaneditors,: EMI April Music

Universal Music - MGR Songs

"Porque El Amor Manda"compositor Erick Rine.editors: Latin Power Music

"Premios Lo Nuestro 2013"compositor.: Agustin Barreto

Carlos Marroeditors: Nuestro Music

"Yo Soy La Mujer"compositor.: Alexis Roman F-stiz

Alberto Slezyngereditoras: Telemundo Music Publishing

Universal Music Corporation

I I

II

THE BEAT

Woodie AwardsBurn BrightLil Wayne gave a surprise performanceof "A Milli" at MTV college channelmtvU's music honors, while Drake,The 1975, Chance The Rapper andEd Sheeran took home the big prizes

3

4 04

stmenimil

"We don't endorse musicas a competition, but if

you're going to give us anaward, then give it here!"

1 From left: 5 The 1975's GeorgeEchosmith's Noah Daniel. Matt Healy,and Sydney Sierota Adam Hann andwith American Ross MacDonaldAuthors' Dave (from left) poseRublin and Zac with their BreakingBarnett at the mtvU Woodie Award, whichWoodie Awards and is presented to an

Festival in Austin on emerging act thatMarch 13. made the biggest

noise during the year.2 Fashion -forwardcouple Wiz Khalifaand wife AmberRose hit the Woodiesin style.

3 Australian rapperIggy Azalea channelssome Lone Star statestyle before ignitingthe stage with CheatXCX to perform theirhit "Fancy."

4 Bad Thingsguitarist andOlympiansnowboarder ShaunWhite (left) withPhantogram's SarahBarthel

0 BILLBOARD MARCH 29, 2014

-Matt Healy, The 1975

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THE BEAT

More SXSW& The ASCAPLatin AwardsConverse celebrated The Fader's15th anniversary, while in NewYork, ASCAP Latin honored thelegendary Fania All -Stars

U

/ 4

"These boys are playing in the same keythey did 40 years ago." -Fania All -Stars' Johnny Pacheco

BILLBOARD I MARCH 29, 2014

1 SZA (left) and JoJo backstageat the Fader Fort presentedby Converse on March 15.loin, who has signed a newdeal with Atlantic, treated thecrowd to her hits "Too Little,Too Late" and "Leave (Get Out),"plus songs from her #Lovekcovers EP.

2 Travis Scott warms upwith a dance ahead of hisperformance on March 15.

3 Theophilus London posesfor a portrait backstage onMarch 13 while decked out inNike Air Yeezy 2 sneakers (akaRed Octobers), which now sellfor upwards of $4,500.

4 Model Ashley Smith got a

lift from The Strokes' AlbertHammond Jr. backstage onMarch 15.

5 From left: VictorManuelle, Fania All -Stars

bandleader Johnny Pacheco,Ismael Miranda and RubenBlades performing at the22nd annual ASCAP Latin

3 Music Awards at New York'sHammerstein Ballroom on

March 18.

6 Daddy Yankee (left) wonsong of the year for "Limbo"and received ASCAP'sVoice of Music honor from

president -chairman PaulWilliams.

7 Snoop Dogg (left) andDamon Albarn aftertheir performanceat the Fader Fort onMarch 14.

g

THE BUZZ

Wall StreetTitansAnd TheirWarblingDaughtersBy Carson Griffith

The daughters of some ofthe most prominent financialexecutives are making musicinstead of money, from a

hedge fund billionaire's daugh-ter with four albums under herbelt to Morgan Stanley CEOJames Gorman's daughterCaroline, a 17 -year -old stu-dent at New York's exclusiveSpence school who's pound-ing the pavement to land a

record deal herself. "One thingabout Caroline, she's entirelyself -motivated," says the elderGorman. Whether or not this istomorrow's crop of rising popstars, these four young womencertainly aren't following intheir fathers' footsteps.

Caroline andJames Gorman

The daughter Caroline D'ArcyGorman, 17, high school seniorThe dad Morgan Stanley CEOJames Gorman (reported 2013compensation: $9.75 million)The music "We're definitelylooking for a label to take uson," says Caroline of her bandMadness & The Film, which ismade up of herself and 32 -year -

old British singer -songwriterDavid Breeze. The pair put outan EP, Scrapbook, last springand recently recorded newmusic in Los Angeles. "Byvirtue of [my father's] job I'vegotten a little bit of attention,"she says of her foray into music,but adds: "He really wanted meto do it on my own."

Tess andStanleyDruckenmiller

The daughter TessDruckenmiller, 20, student atBrown UniversityThe dad Hedge fund managerStanley Druckenmiller (networth: $3.1 billion)The music Tess signed a

distribution deal last summerwith Bob Frank's Red RiverEntertainment. Her debutalbum, Storyteller, which hasa cool folk sound, arrivedlast August and was reis-sued March 11 with a newsingle, "Black & White." Shehas performed at The BitterEnd in New York, Boston'sBerklee Performance Centerand The Listening Room Cafein Nashville.

Carolineand PaulTudor Jones

The daughter Caroline Jones,23The dad Hedge fund managerand Robin Hood Foundationfounder Paul Tudor Jones (networth: $4.3 billion)The music Perhaps the mostseasoned of the group, shehas released four albums ofpolished Americana - hermost recent, The Heart IsSmart, came out in 2012.She's also shared bills withJames Taylor, Paul Simon,Dave Matthews and PattiSmith. A regular live per-former, Caroline did a recentshow at New York's CafeCarlyle in February.

The daughter Emma Lasry, 21The dad Avenue Capital co-founder Marc Lasry (net worth:$1.7 billion)The music When Emmaposted a choreographed videoof her high-energy pop song

"Closet Bitch" on the Internetin 2010, she racked up 20,000views in a day - and dozensof hostile comments. Manyfocused on her wealthy back-ground. "I didn't realize peoplecould be that vicious," herfather told New York magazineat the time. The video, whichfeatured a cameo by KhloeKardashian, has disappearedfrom the Internet. Emma hasn'treleased any music since.°

Photo by Danny Clinch

Dave Grohl. BMI Writer Since 1991.

Our commitment to songwriters and composers endures.

We value you, your music, your rights.

BMIvaduleg mob lance ana

MARCH 29, 2014 I WWW.BILLBOARD.BIZ

STYLE FLYING COLORS

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Designer men's sneakers thatare every bit as vibrant asthe ruby -red Adidas

Originals that Pharrell wore at theAcademy Awards are blowing upthanks in part to their growing popu-larity with artists, including ASAPRocky, a fan of Rick Owens' andRaf Simons' collaborations withAdidas. "The business is on fire,"says Eric Jennings, men's fashiondirector of Saks Fifth Avenue, whichdevotes the first -floor rotunda ofits Beverly Hills men's store toluxury offerings from the likes ofGiuseppe Zanotti, Maison MartinMargiela and Paris newcomer LouisLeeman. Jennings says the typicallyrestrained designer sneaker is head-ing in bolder directions, followingthe lead of R&B and pop stars whofavor vivid colors (think Ka nyeWest's scarlet Air Yeezys), metallicfinishes and eye-catching hardware:

"They're showing a new way formen to experiment with fashion."Christian Louboutin credits dap-per pop star Mika with inspiring hismen's sneaker collection. And stylistDavid Thomas, who has workedwith John Legend and ChrisBrown, says sneakers "are increas-ingly the focal point of an outfit.I used to start by having guys decideon a jacket, but now I am buildingoutfits around the sneakers." WhenLegend sang the national anthem atthe Rose Bowl in January, Thomaspicked a pair of Jimmy Choo glit-ter and oil slick -patterned patentBarlowe high tops that dictated therest of the look: dark trousers and a

Balenciaga T-shirt topped by a deeppurple Versace leather jacket. Unlikea pair of Chuck Taylors, the designerfootwear can cost four figures -Legend's Choo high tops retail for$1,025 - but "there's no price resis-tance," says Jennings. "It's crazy." 0

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0 BILLBOARD MARCH 29, 2014 PHOTOGRAPHED BY JOSEPH SHIN

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MARCH 13 / Center: John Amato (standing), co -president of Billboard and The Hollywood Reporter, welcomes guests to the dinner ot Second Bar & Kitchen in Austin.Bottom right: Vector Management co -president Ken Levitan (left) and Rick Roskin, agent at Creative Artists Agency, check out the Samsung Galaxy Note Pro 12.2 tablets(above right; other tablets, top left). Guests included Island Def Jam president David Massey; Charles Chavez, Pitbull's manager; recording artist Motisyohu; and Twitterhead of music Bob Moczydlowsky.

BMI & BILLBOARDACOUSTIC BRUNCHAT SXSW

billbor

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MARCH 14 / Top left: American Authors perform their hit "Best Day of My Life" at the BMI & Billboard Acoustic Brunch held during South by Southwest at the Four SeasonsNote;. Top right: BMI assistant vp writer -publisher relations Samantha Cox and singer -songwriter -producer Jamie Scott (center) take a photo with John Amato, co -president ofBillboard and The Hollywood Reporter. Bottom left: BMI's Samantha Cox; dance -pop singer Betty Who; Dana Miller; executive vp marketing/brand development of Billboardand The Hollywood Reporter; and BMI associate director writer -publisher relations Joke Simon (from left). Bottom right: Psych -rockers Phox give the opening performance.

STYLE

It's MegaclubMania InWilliamsburgExpansive dancing and DJs areerupting all over Brooklyn's hot nabe -albeit with an egalitarian ethos

By Carson Griffith

The burgeoning Williamsburg nightclub scene justgot more crowded.

The trendy Brooklyn neighborhood's WytheAvenue, previously known for stereotypicalhipster bars, is looking a little like Manhattan's

Meatpacking District now that three neighboring dance clubshave opened there in the last year, and an established loungeis about to expand.

The most recent arrival is Verboten, a 750 -person perfor-mance space and megaclub on North iith Street and Wythethat opened quietly on March 14. "Verboten came out of ourexperience working at big clubs in Manhattan at a time whenthe city was shutting down nightlife left and right," says co-owner John Perez. "We'd come out ofwork and be greeted byNYPD klieg lights and mounted police." The Verboten brandinitially started as a pop-up house and techno party before mov-ing to its new Williamsburg home.

"We built the space to be a throwback to classic New Yorkhouse music clubs with an open floor plan, good flow, adjoin-ing side room, low DJ booth and amazing sound system,"says Perez, who adds that the club's piece de resistance is a

1,40o -square-foot sprung dancefloor made of reclaimed wood."Not only is it easy on the knees for dancing, you can feel thebass travel into your feet and up your leg."

Although these megaclubs are widely considered electronicdance music venues, the team behind Verboten disagrees: "Thewhole city is going through a nightlife renaissance that is mir-

"Now it's crazy how much is there. Thereis a kinetic energy that's happening."

-PETER SHAPIRO, BROOKLYN BOWL

roring the current EDM explosion, but these newer clubs likeVerboten are catering to a more mature audience of music lov-ers who favor the underground house and techno music," saysBetty Kang, president of Plexi PR and publicist for Verboten."This is not EDM."

Williamsburg has been a live -music mecca since the z000s,but Perez and his competition say the dance scene has caughtup in recent months. "We were late to the 'early' Williamsburgscene, but now it's crazy how much is there," says PeterShapiro, who opened Brooklyn Bowl on Wythe Avenue in2009, where Kanye West, Adele, Yeah Yeah Yeahs andDJs Skrillex, Girl Talk and Questlove of The Roots haveperformed. "Things just started happening. And then theWythe Hotel came across the street from us, and then Output,

and one thing led to another, and then a snowball. It just ledto people being here.

"There is a kinetic energy that's happening," adds Shapiro,and megaclubs are driving that energy right now. Output, atwo-story club with a rooftop bar that opened about a year ago,offers perks to clubgoers that are hard to come by in Manhattan:no cover charge, no discriminatory red-rope door policy, andno top 4o playlist. Instead, it hosts live DJs who have includedMatthew Dear, 0 -Tip and Trouble & Bass.

TBA, which is closer to the Williamsburg Bridge and inhabitsa former auto body shop, offers the same egalitarian policythat is driving those tired of velvet ropes and bottle serviceout of Manhattan. "It's a simple place, where you have noproblem getting in and you don't get bothered by security,"says co-owner/managing partner Gio Gulez. The dance club,which celebrated its one-year anniversary on March 15, hasplayed host to a mix of local and international DJs, includingStimming, Taimur & Fahad and Nick Hoppner.

The influx of megaclubs has also led to the expansion ofKinfolk Studios, a cof-fee shop by day and alounge by night whereDJs Disco Rude, JohnnySantos and Nick Mercerhave spun. According tobrand director JeremiahMandel, a larger perfor-

mance and nightlife space called Kinfolk 94 will open nextdoor by late April.

Although the density of nightclubbing that takes place onWythe Avenue is parallel to the Meatpacking District, thelatter's exorbitant bottle service, complicated handcraftedcocktails and dancing on banquettes instead of floors are not.In those respects and others, the Williamsburg venues are actu-ally throwbacks to the cavernous nightclubs of the late 198osand '9os that dotted the West Side of Manhattan, such as Twilo,Sound Factory and Tunnel.

"I can see why the comparison is being made," says Perez."[It's] a conveniently located manufacturing district that hasquickly become a nightlife center, based around a new hoteland surrounded by clubs, bars and restaurants." 0

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BILLBOARD I MARCH 29, 2014 ILLUSTRATION BY HAISAM HUSSEIN

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1 DJ Yip Deceiver opened for Dale Earnhardt Jr.Jr. at Brooklyn Bowl last October.

2 A mural on the outside of TBA, a dance clublocated closer to the Williamsburg Bridge.

3 Kinfolk Studios plans to expand next door onApril 24 to accommodate even more music.

4 The Wythe Hotel, which aided in theexpansion of the area.

5 RJD2 performed at Brooklyn Bowl, a venuethat helped shape Wythe Avenue, in February.

The Top DJsHot HangoutsWhere to shop, eat and drink inWilliamsburg, from those who know

Maison Premiere oyster bar (298 Bedford Ave.) "Theboldest Manhattan is at Maison Premiere - in-housebrandied cherries and a stiff tall rye make the mark."Saint Vitus bar and music venue (1120 Manhattan Ave.)"The most delicious yet evil Picklebacks are at Saint Vitus.This metal bar makes their pickle brine in house, spicywith a kick."

DANNY TENAGLIA A

San Marco Pizzeria (577 Lorimer St.) "For the bestpizza slice."Frost Restaurant (193 Frost St.) "Seafood. Been theresince I was a baby."

BAAUER A

Le Barricou bistro (533 Grand St.) "Yummy snails."LuckyDog bar (303 Bedford Ave.) "They let dogs hangout there and they have shuffleboard, which is my favegame to play when drunk." -Frank DiGiacomo

MARCH 29, 2014 I WWW.BILLBOARD.BIZ

"It's funny becausewhen I finally - no punintended - let gooftrying to fit

mold, that'swhen

certain mldwhen I h,

saysa,dt

the mostMenzel,success,"

photographed March 17in

NewatL rkuYdolowCSittuyd.

Studios

Styling by Kemal 8, Karl.On Menzel: Marchsagown, Stuart Weitzmanheels and Chelsea deLuc. earrings.

A Broadway actress whose new show has a song called "What the F-"breaks out as a pop sensation from a Disney kids movie? Suddenly, the songbird

dropped from earlier labels has a top 10 hit, obsessed fans and a name(even when mangled) that has gone household. How's that for a fairy tale?

BY SUZY EVANS PHOTOGRAPHED BY MILLER MOBLEY

COl'ER STORY

"He , it's me." The whistlesand screams that greet thisbit of dialogue are moreMadison Square Garden than Broadway. And in fact,the crowd looks younger than usual at the RichardRodgers Theatre. This house is dotted with tweenswho call themselves "Fanzels" and who have helpedmake Frozen the top -grossing original animated filmof all time, with worldwide box office of more than$1 billion, and pushed the soundtrack to six noncon-secutive weeks at No.1 on the Billboard 200.

They might prefer an uninterrupted Idina Menzelconcert, but if they're disappointed at this matineepreview of the new musical If/Then, they don't showit. When the show finishes with a sustained stand-ing ovation, little girls dart past slower audiencemembers out into the cold to wait for an autograph.They join an already -robust group crowding thestage door, holding CDs, pictures and posters.

Menzel, a Broadway fixture known for her turnsin Rent and Wicked, is having a moment more fit fora rock star than a theater actor. The soundtrack toFrozen - in which she voices the misunderstood icequeen Elsa - is the first album to sell more than amillion in 2014, and the hit "Let It Go," which wonthe best song Oscar on March 2, has made Menzelthe first Tony -winning actor to have a top io hit onthe Billboard Hot loo. (Adding to all this, Disneyreports it sold 3.2 million units of the Frozen Blu-rayand DVD on March 18, its first day of sales.)

It's a long time coming for Menzel, 42, who hasbeen trying to establish a pop career since starringin Rent in 1996 - her debut on the Disney -ownedHollywood Records, Still I Can't Be Still, came out in1998 and has sold only 18,000 albums, according toNielsen SoundScan. Four years later, a Warner Bros.album saw Menzel collaborating with Glen Ballard,

producer of Alanis Morissette's Jagged Little Pill. Itsold better (80,000) but not enough to keep herfrom getting dropped by the label.

After chasing pop success on its terms and failing,she connected with a song from theater composers(Robert Lopez and Kristen Anderson -Lopez) thatwas written to play to her strengths as a Broadwaybelter. "There are so many rules in the recordbusiness, and this just breaks them," says Menzel.To be sure, her version of "Let It Go" - anchoredby piano and her voice - has sold 1.8 million down-loads, while the Demi Lovato power ballad includedon the soundtrack has sold 738,000.

"How can you plan these things?" she asks. "Foryears, I've tried to pursue a recording career. I'vebeen signed and dropped a million times. Peoplesay Broadway actors can't cross over, but it seemssociety is ready to accept a theater person singinga song on the radio." But radio hasn't driven thesuccess of "Let It Go," which has charted basedlargely on sales and streams and is only just nowstarting to make progress at adult contemporaryand mainstream top 4o radio. "I'm just excited tosee it break some rules," she says. "People haveoften closed doors because they didn't think wewere capable of a hit song or some kind of pop -

culture moment."There's an unintended parallel between Menzel's

life and her new show. If/Then is about a woman inher 4os whose life is at a crossroads. Menzel finallyis basking in the pop -culture glow she arguably haschased her entire career. But there might be a betterway of ministering to the Fanzels than a Broadwayshow that features an unplanned pregnancy as a

1. Menzel (secondfrom left) performedat an If/Then free fanconcert in February inBelt York city.2. Menzel (I. t)guest -star: as LeaMichele's on Fox'sGlee in 20

plot point and a song (about trying to have sex withthree men in one night) called "What the F-."

"I'm committed to my show," says Menzel firmly.She developed If/Then with writers Tom Kitt andBrian Yorkey, who both won the Pulitzer for Nextto Normal. "I'm not going to abandon a show thatI've been a part of creating for years." And themainstream success she has found cuts both ways.Menzel worries that her newfound fame might bea detriment to her theater street cred. "I'm a littleconcerned that critics will use me as a target," sheconfesses. "Just because there might be a bunch ofyoung girls waiting outside doesn't take away fromthis amazing piece of work."

It's 10:3.0 on a Monday night, the end of Menzel'sone day off from the grueling eight -show-a-weekBroadway grind. She's unwinding in downtownManhattan, comfortable in black pants, a heather -

gray T-shirt and an army-print cardigan, whichshe wraps around herself. She sips a cup of tea andspeaks quietly to save her voice, seemingly Zen forsomeone amid one of the busiest times of her life.

On March 2, three days before the start of previewperformances for If/Then, she flew to Los Angeles toperform "Let It Go" at the Oscars. Admittedly, shewas nervous - "Just let me park and bark," she said

WHO'S BROADWAY'S NEXT GREAT SINGER?Idina Menzel's stage -to -screen crossover bodes well for Broadway's would-be stars

AARON TVEITIf Broadwayv..aw were

be its JustinTimberlake. Although the

dashing 30 -year -old hasn'tbeen onstage since 2011's

Catch Me if You Con, Tveit wowedthe world - and certainly itswomen - playing Enjolras in

the 2012 film adaptation of LesMiserables. A leading role on

TV's Graceland followed, alongwith a sold -out, multinight

cabaret show at New York's 54Below, which featured covers

of Bruno Mars and Taylor Swift.The resulting live album marked

Tveit's recording debut.

LAURA OSNESThis 28 -year -old set the

princess bar high with hertransformative, delightful turn

in the title role of Rodgers +

Hammerstein's Cinderella.A part made famous byJulieAndrews and then Brandy,

Osnes earned a Tony nominationin 2013 for the performance.

The Minnesota native alsoboasts two albums: Dreama Little Dream: Live at the

Cafe Carlyle and if I Tell You "tik,(Songs of Maury Yeston) .

Could her future include servingas the voice of Disney royalty

on the big screen?

COLIN DONNELLA Broadway debut as Billy in theRoundabout Theatre Company's

2010 revival of Anything Goesfound this 31 -year -old playingin the big leagues opposite Tonywinner Sutton Foster. It wasn't

long before Hollywood snatchedhim up for a regular role on TV'sArrow- but he was killed offat the end of season one. Hecouldn't stay away from the

stage for long, though, and willreturn in April in Violet.Thcnks

to his pop-tostic performance inlast summer's musicalized Love'sLobour's Lost, a crossover is not

out of the question.

NIKKI M. JAMESRemember when JenniferLawrence "beat Meryl" atthe Golden Globes? Well,

James, 32, beat Patti - LuPone,that is - at the 2011 Tonyswhen she took home the

statuette for featured actressin a musical for The Book

of Mormon. James is back onBroadway this season singing

the iconic ballad "On My Own"eight times a week as Eponine

in the new production ofLes Miser° hies. She also tried

her hand at cabaret in the fall,and fans are waiting for her

to record a live album.

PATINA MILLERA triple threat with a Tony already

under her belt (for her role inthe current revival of Pippin),Miller, 29, made her Broadwaydebut (and received her first

Tony nom) as nightclub singer -turned -undercover nun Deloris

Van Cartier in Sister Act. Shealso appears in the forthcomingThe Hunger Games: Mockingjay(Parts 1 and 2), and her recent

concert at Lincoln Center will bebroadcast March 28 on PBS. (Fun

fact: She was one of the finalcontenders to play Effie in the

film Dream girls -a role that wonJennifer Hudson an Oscar.)

0 BILLBOARD MARCH 29, 2014

to the producers - but she focused on her 4 -year -

old son, Walker, whose father is actor Taye Diggs.(The couple met when they starred in Rent togetherand in December announced their separation afterlo years of marriage.) It couldn't have helped hernerves when John Travolta mispronounced hername as "Adele Dazeem" in his introduction.("THANK YOU, JORN TROMOLTO!" read oneof the many tweets in response.) "That threw mefor a minute, but then I just got back on track andreminded myself of where I was," says Menzel. "Hewas really gracious and sent this gorgeous email,and we're buddies and it's all cool." (The actor alsosent flowers.) The result of all the social mediachatter and coverage of the flub is that she's now ahousehold name - two of them, in fact. "Please. Imean, I've only benefited from it."

Notes Robert Lopez: "You can tell that [peoplemispronouncing her name] always kind of bugsher, but she won't say anything about it. But now

1 the entire world was corrected in one fell swoop!"Two days after the Oscars - and just before If/

Then previews began - Menzel got to blow offsome steam on The Tonight Show when she did a

toy-instruments version of "Let It Go" with JimmyFallon and The Roots. The resulting video hasmore than 8 million views on YouTube (furtheringthe song's chart climb). "In a week of very nerve-racking moments, that was a way to let loose," saysMenzel. "But it was also nice to reinforce that I'mreally a live performer and I can sing that f-ing

g song. In a day and age where a lot of people have tobe fixed with [Auto -Tune], it's refreshing for peopleto know that some of us are not perfect all the time.But that's the thing. It's not about being perfect."

Menzel definitely isn't about perfection, andthat's something she has struggled with as she'sworked to figure out her identity as a performer.She arrived on Broadway as a raw talent, not a care-fully trained singer. A New York native, she grewup going to Broadway shows with her parents -atherapist and a salesman - and as a teen took a

job as a wedding and bar mitzvah singer. Tryingto learn enough songs to make it through a four-hour reception turned her into a walking "musiclexicon," as she spit back favorites from ArethaFranklin, Whitney Houston and Billie Holiday. Andit furthered her career - the song that helped her

Can Rio 2 Follow inFrozen's Footsteps?

soundtrack market heats ul mother animated moN a rives with a

companion album featuring Janelle NIonae, Bruno Mars and Esther Dean

When Rio was released in2011, the soundtrack marketwas less than promising -the animated feature grossed$143.6 million, though thewill.i.am-helmed soundtracksold only 148,000 cop-ies, according to NielsenSoundScan. But since then,audiences have begun buy-ing movie music - the PitchPerfect soundtrack has sold1 million, and the Frozensoundtrack has sold 1.4 mil-lion, returning to No. 1 on theBillboard 200 for the weekending March 16.

"Kids' movies at some pointlooked over, and it's a realplaying field now," says Fox

Music executive vp DanielleDiego, who provided in-housemusic supervision on Rio 2."It's a different world now."

Rio 2 was conceived asa musical from the start,with songs contributing tothe story. Janelle Monae,recruited by writer -directorCarlos Saldanha two yearsago, provides the film's epicopening number, the sweep-ing "What Is Love?" thataccompanies a party in Riode Janeiro during Carnaval.And unlike the first film,music - and specifically theMonae track - is driving theprerelease marketing of thefilm and providing distribu-tor 20th Century Fox with an

element unavailable on thefirst go -round.

Atlantic released theMonae track on March 11,nearly three weeks ahead ofthe film's. The label populatedthe Internet with lyric vid-eos, tied "Where Is Love?" tothird -party promotions like anAngry Birds Rio 2 game andbanked on Monae's appear-ances on Fox's American Idol,NBC's Today, BET's 106th &Park and at the premiere inMiami to drive interest.

"We really encourage [Fox]

to use music from the filmwith third parties," says KevinWeaver, president of film andtelevision music at AtlanticRecords Group. "Normallywe would charge additionalfees for [advertising] uses,but I have tried to bend overbackward to extend thatopportunity to the studio andtheir partners at little or noadditional cost."

Songs from Rio 2 were cre-ated the same way as for Rio.

Music executive producersSergio Mendes and CarlinhosBrown met with Saldanhain the studio of composerJohn Powell to write songsbased on Saldanha's script.As the film progresses andthe Blue Macaws make theirway into the Amazon, themusic's rhythms increasinglybecome tribal and rooted inthe folk music of northernBrazil. "We wanted to showthe diversity of Brazilianmusic," says Mendes.

Bruno Mars, Esther Dean,B.o.B and Kristin Chenowethall appear on the Rio 2soundtrack. Those involvedsay the key was to not forceartists to adapt to Brazilianstyles but to stay true totheir own musical identi-ties. The Dean-B.o.B pop -raptrack, "Rio Rio," has beendiscussed for promotiononce the film opens or nearits DVD window.

"This is almost a traditionalmusical," says Weaver. "Manyof the characters performon camera. I think there isdefinitely more of an appetitefor animated films that aremusic -heavy and are verygood. Everyone should keepan eye on them.

"Will this be Frozen? No.Do I think we're going to dofine? Absolutely."

-Phil Gallo

nab Rent right after receiving her bachelor's fromNew York University's Tisch School of the Artswas a wedding classic. "She sang the hell out of`When a Man Loves a Woman,' " the show's direc-tor, Michael Greif - who also is helming If/Then- recalls of her audition.

Rent was a pop-rock sensation that was sup-posed to redefine Broadway, but Menzel pointsto the music business' prejudice against the stage- "No one is going to let a theater person in," shesays -when talking about her deal with HollywoodRecords. It yielded an album of mostly forgettable,generic songs that weren't quite rock, pop or R&B,and it focused on the breathy, raw qualities of herlower register instead of the bold, belting upperrange that got her attention in the first place.

When Hollywood dropped Menzel, she was leftlooking back longingly at the parts she passed up.Trying to balance those two ambitions still troublesher. "I feel really badly," says Menzel of the break.

The theater community welcomed her back, thoughnot with carte blanche - she still had to audition,eventually landing the role of Elphaba in Wickedthat would win her the Tony.

Menzel's pop dreams never faded, but subse-quent albums failed to light up the charts, and shehad even more trouble ditching her theater label.Aside from a popular guest arc as the biologicalmother to Lea Michele's character on Glee and a

supporting role in Disney's Enchanted, those yearsbrought a lot of rejection. Even her journey toFrozen began with a "no." Menzel initially tried outfor Disney's 2010 animated feature Tangled. Thatdidn't work out, but the casting director recordedher audition singing The Beatles' "Blackbird" onher phone, which led Menzel to come in for earlyreadings of Frozen. She and Kristen Bell, who voicesElsa's sister, Princess Anna, in the film, recorded"Wind Beneath My Wings" around the piano atMenzel's L.A. home, and that helped solidify her

MARCH 29, 2014 I WWW.BILLBOARD.BIZ

Jukebox Heroes?How BroadwayMusicals Add Upfor Sony/ATV

I lie music publisher behino.11otown: The .11usical and ler,

revenue on the Great White

Music publishing giant Sony/ATV,which in the past licensed rightsto songs in two of Broadway'stop -grossing hits, Mamma Mia! andJersey Boys, is exploring a poten-tially more lucrative, albeit riskier,role on the Great White Way:producer and backer of jukeboxmusicals, the stage productionswhere scores are based on previ-ously released songs instead oforiginal material.

The publishing company, whichis co -owned by Sony Corp. andthe estate of Michael Jackson,already has taken the first steps.It is one of two top -billed produc-ers for Beautiful, a show featuringsongs from the early career ofsinger -songwriter Carole King thatopened in January. The com-pany also is a financial backer ofMotown: The Musical, the story ofMotown founder Berry Gordy. DougMorris, CEO of sister companySony Music Entertainment, alsois one of three lead producers on

the show, which opened in March.Sony/ATV chairman and CEOMartin Bandier declines to specifythe size of the company's invest-ment in either property but sayshe has begun seeking partners toget other Sony/ATV material intoBroadway jukeboxes and has fourprojects in development.

There are risks in moving intolive theater, but given the currentmusic landscape, Sony/ATV needsto think outside of the box, says

Bandier, whose company controlspublishing catalogs that generateabout $1.2 billion annually. In thepast decade, CD sales have fallenprecipitously, and more recently,digital music has faltered as well.

"You need to be able to find otheropportunities to exploit and pro-mote and market the great musicthat you have," says Bandier, notingthat Sony/ATV is such a largecompany, fees for licensing musicfor shows is "another one of thosethings that adds up."

Broadway long has been an

By Jeff Lunden

alluring but fickle business part-ner even for seasoned producers,whose responsibilities can involvemarshaling talent, shaping a

show's plot or contributing or rais-ing money. It can take $10 millionor more to capitalize a Broadwaymusical, and investors typically putin a minimum of about $25,000.They only begin to see a returnonce the show goes into the black,at which time producers and inves-tors begin to split profits.

An industry rule of thumbholds that three-quarters of allproductions lose money, and theeconomics can be hard to parse.There are times when plays get a

tepid reaction on Broadway butearn back their investment witha touring company. Conversely, a

show that is successful in roadtryouts can bomb in New York.

Jukebox productions face the

same financial realities. The 2005musical Good Vibrations, builtaround the music of The BeachBoys, lost its entire $7 millioninvestment. Similarly, Lennon, a

2005 showcase for the songsof John Lennon, lost $7.5 mil-lion. More recently, A Night WithJanis Joplin, about the legendaryrocker who died in 1970, lastedonly 144 performances after itsSeptember opening.

"I didn't think it was disappoint-ing in the slightest," says Jeff

BROADWAY'S JUKEBOX HITS ...Mamma

Mia!

BOX OFFICE*

569M

OPENEDOct. 18, 2001

PERFORMANCES*5,119

BUDGET$10 million

Jersey

Boys

BOX OFFICE

$450M

OPENEDNov. 6, 2005

PERFORMANCES3,444

BUDGET$7 million

Rock

of Ages

BOX OFFICE

$113M

OPENEDApril 7, 2009

PERFORMANCES1,960

BUDGET$7.3 million

Motown:

The Musical

BOX OFFICE

$67M

OPENEDApril 14, 2013

PERFORMANCES369

BUDGET$12 million (Est.)

... AND FLOPS

Good Vibrations

BOX OFFICE

$5.51 M

OPENEDFeb. 2, 2005

CLOSEDApril 24, 2005

PERFORMANCES94

BUDGET$7 million

Lennon

BOX OFFICE

OPENEDAug. 14, 2005

CLOSEDSept. 24, 2005

All Shook Up

BOX OFFICE

OPENEDMarch 24, 2005

CLOSEDSept. 25, 2005

PERFORMANCES PERFORMANCES49

BUDGET$7.5 million

213

BUDGET

$14 million*ALL PERFORMANCE AND BOX-OFFICE NUMBERS AS OF MARCH 2. SOURCES: PLAYBILL, INDUSTRY ESTIMATES

From top:The musicolsBeautifuland Motownhaveboostedsales ofthe musicfeaturedin theirproductions.

Jampol, who administers Joplin'sestate and co -produced themusical. He points out the showsold -out performances in regionaltheaters and that it will reopen off-Broadway in April.

While traditional musicals likePhantom of the Opera go after a

general audience, the jukeboxesthat Sony/ATV is embracing targetaging baby boomers nostalgic forthe sounds of the past.

"It's basically in that sweet spotof the 45- to 60 -year-old bringingtheir families, their teenage chil-dren," says Kevin McCollum, a topproducer on Motown.

For Sony/ATV, one of theadvantages of producing is theability to represent its catalog.When Beautiful was in develop-ment, it initially only used King'sBrill Building songs; nothing fromher 1971 megahit Tapestry, one ofthe best-selling albums of all time.Bandier was among the voices whofelt it was important for the showto use those tunes as well.

For the artists featured in a

jukebox show, the exposure canlead to a bump in sales. In the fourmonths since Beautiful startedpreviews, Tapestry's sales nearlyhave doubled. The cast album forMotown has been driving salesfor several of the individual artistssuch as Smokey Robinson andMarvin Gaye, says Bandier.

The jukebox initiative is part ofwhat Bandier refers to as the "col-lecting crumbs" approach to musicpublishing. He says, "You takeall those crumbs and put themtogether, and before you know it,you have a loaf of bread." 0

BILLBOARD MARCH 29, 2014

COVER STORY

involvement in the project.Now, with the success of Frozen, the If/Then pro-

ducers have a different type of star on their hands."To have the movie and this song become nationalphenomenons right as we were about to start per-formances is unprecedented," says If/Then's leadproducer David Stone, who also worked withMenzel on Wicked. "She's made me look smarterthan I actually am." Stone says he's not expectingyounger ticket buyers and discourages parents frombringing kids, given the show's adult themes.

"I'm a 42 -year -old woman who likes to talk aboutsex, and I've got a foul mouth," says Menzel unapol-ogetically. "Moms bring their little 6 -year -olds tomy shows in Elphaba costumes or Elsa costumes,and I have a responsibility. Sometimes that's chal-lenging to figure out how to continue to be myselfeven though there's a little girl in the front row."

Once If/Then opens March 3o and Menzel's daysfree up from rehearsal, she'll have more time tofocus on her fans and possibly make another album,this time with a hit song to her credit. "When I feellike I can handle singing in the studio in additionto eight shows a week, I'd love to," she says. Box-office sales for If/Then are strong. The first weekearned $909,159, 85 percent of potential gross, ararity for a new musical early in previews, and thatnumber grew to $929,267 in the second week end-ing March 16, with houses at 99 percent capacity.

Menzel can trust that her theater devotees willcontinue to support her stage career, but if shewants pop -star power, she likely will have to finda route outside of Broadway. In a way, it's an oldstory: Be careful what you wish for. Only this time,Menzel is resolute that her days of compromise areover. "I feel grateful people are giving me a shot. It'snot something I take lightly," she says. "Maybe peo-ple didn't know me before John Travolta f-ed upmy name, but I'm not going to chase anything any-more. ... Every time I've ever tried to do that, I'vemissed it. When you sit back and you just do whatyou love, things happen." 0

ys Menzel (on Ludlow St.) ofbeing dropped by two labels: "Itwas the theater that opened its

arms and welcomed me back.It's the place I've always been the

most comfortable."

On Menzel: Philosophy coat,Armani blouse, Moschino pants,

La Canadienne shoes, Chelsea deLuca earrings and ring.

For an exclusive interview andbehind -the -scenes video from the

photo shoot, go to billboard.comor billboard.com/iPod.

WHO'S BROADWAY'S NEXT HIT SONGWRITER?The Lopezes scored Oscar gold with "Let It Go" and kicked open the door for future composers of stage and screen

BENJ PASEKANDJUSTIN PAUL

Before you scoff at A ChristmasStory, keep in mind it earned

the two co -writers a Tony Awardnomination. They also won the

Lucille Lortel Award for bestoff-Broadway musical for

Dogfight. With a long futurein front of them, Pasek, 28 (left),

and Paul, 29, are working ona movie for Disney, and director

Michael Greif (Rent, If/Then)is slated to helm their next

musical. Also on their résumé:music for Smash and the

Disney Channel showJohnny and the Sprites.

4

JASON ROBERTBROWN

A fan of Stephen Sondheimand Billy Joel (thoughhe leans more toward

Sondheim), Browncomposed the score for theadaptation of The Bridgesof Madison County, whichcurrently is on Broadway.A big -screen version of

his 2001 musical The LastFive Years will star AnnaKendrick this year. The43 -year -old New York

native already is hailed asone of the quintessentialwriters of his generation.

JEANINE TESORICounting such shows as

Thoroughly Modern Millie andCaroline, or Change in her stable,

the 52 -year -old, four -timeTony -nominated composer is

in the middle of a pretty majormoment. Her off-Broadway

musical Fun Home, with bookwriter and lyricist Lisa Kron,played to rave reviews of the

Public Theater in the fall, and herfirst musical, Violet, with BrianCrawley, will see its Broadwaydebut in April. Tesori's screencredits include the animated

The Little Mermaid: Ariel'sBeginning and Shrek the Third.

JOE ICONISA graduate of NYU's Tisch

School of the Arts GraduateMusical Theatre Writing

Program, the 32 -year -oldnever hos been on Broadway,

but he wrote some of themost memorable music forNBC's short-lived stage -set

Smash, including "Broadway,Here Come" and "The

Goodbye Song." His musicalThe Black Suits premiered thisseason in Los Angeles to greatacclaim, positioning the NewYork native as a leader in thenew musical theater scene.

He's one to watch.

TOM KITTAND BRIAN YORKEY

Writer and lyricist Yorkey(right) and composer

Kitt made a splash in 2008with their first Broadwaymusical, Next to Normal,which won the Tony and isone of only eight musicalsthat have taken home thePulitzer Prize for drama. In

If/Then, their contemporaryrock sound stands out. To

that end, they're pros withrock stars, too. Kitt, 40,

orchestrated the Broadwayversion of Green Day's concept

album American Idiot.

MARCH 29, 2014 I WWW.BILLBOARD.BIZ

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"I NEED TOSORT MYLIFE OUT,"

says Ellie Goulding with a sigh, fiddling with her bright blonde hairas she talks. "And if I don't do it soon, I may as well just be forever onthe road, because that's what it feels like."

Curled up in the corner of a black leather couch in her modestdressing room backstage at a Washington, D.C., venue, Gouldingdescribes her next six months as if she's been asked to runendless wind sprints. (Although, as it turns out, that might makethis fitness addict happier.) This is what you dream of when youimagine being a pop star: hit singles, a world tour, award showperformances, screaming fans.

But the reality is not exactly a dream. It's work, and a long stringof empty dressing rooms like this one that tend to look the samewhether you're in North America, where Goulding will be untilMay, or Australia, New Zealand and Asia, where she'll travel toimmediately after. Some stars favor drink or drugs to combat theboredom. Goulding, a self -professed "shy geek," brings books.(Latest faves: Laurent Binet's historical fiction novel HHhH andEckhart Tolle's self-help best-seller A New Earth: Awakening toYour Life's Purpose.)

She runs her fingers through her hair again, and the silver sparkleson her gold nail polish catch the light. It's a mixture of awkwardnessand disco glamour that pretty much define the 27 -year-old U.K. singer.

"As much as I love what I do, and music is obviously everything to me,I'm being pulled home, and I've got to do that soon, I think," she says.But in the United States, Goulding's career has been building slowlyto this point, and it's too late to stop now. A little less than three yearsafter she performed a selection of understated songs at the April29, 2011 wedding reception of Prince William and Kate Middleton,Goulding has transitioned from an acoustic -leaning pop songwriterto an electro-dance siren.

Her debut album, Lights, was released stateside throughCherrytree/Interscope in March 2011, a year after its U.K. bow. Ittook more than another year to connect, when the sixth single -the ethereal title track - became a surprise summer hit, peakingat No. 2 on the Billboard Hot ioo in its 33rd week on the chart inAugust 2012. That was just two months before the release of hersecond album, Halcyon, which has spawned a growing collection

"I'm not a pop artist in the sense that I just get a bunchof strong songs and say, 'Cool, I've got an album.'I want to be hopefully in one place and for it to have a

specific theme." -Ellie Goulding

of radio hits, as well as tour after tour and music video after musicvideo, each one designed to feed the other.

Onstage, Goulding displays the same mix of goofy and glam thatshe does in conversation. Her dazzling live show is dominated byuptempo dance tracks. She speaks to the audience in a warm, upbeattone, and she's visually magnetic, constantly in motion. Somemoments she gyrates with sexual abandon, while in others she busts

out a running man. Goulding says that she gets lost in her dancing,which is equal parts geeky and joyful. "When I'm onstage, I'm like amonster," she says with a laugh.

To stay in shape for the stage, Goulding exercises religiously.(In 2011, she teamed up with Nike for a short film about trainingfor a half marathon - "I'm a runner. I've got no choice but to keeprunning, and I can't stop," she says in the movie, which soundsoddly like her current tour schedule.) At home she does boxingand gymnastics, along with running. But on tour she uses theInsanity video, sometimes in a hotel room (if it's big enough to rundrills in - she describes it as "boot camp kind of stuff, with lotsof squatting"), or at a venue if she's working out with other tourmembers. "I feel like people associate keeping fit with somethingnegative, but with these fun gyms, you don't even realize thatyou're working out," says Goulding, mentioning a free -runningparkour gym she likes in Los Angeles.

Goulding grew up in the countryside of Herefordshire, England,worshiping electronic music, and discovered the joys of BasementJaxx before the appeal of Bob Dylan. Her debut album hinted at thatpassion, but was more steeped in alternative, synth-pop and folkmusic. Halcyon (and its accompanying deluxe edition Halcyon Days)marked a move toward the dance scene, with singles like "AnythingCould Happen," "Burn" and "Goodness Gracious" currently keepingGoulding's collection of strobe lights busy on her current tour.

"I always imagine her when she first came out as playing acousticguitar and singing - that's my image of her," says Greg Kurstin, whoproduced "Burn," "Goodness Gracious" and Goulding's new single

"Beating Heart." "But I think her voice really lends itself to electronicmusic. It's the perfect voice for that."

Even with her opening spot on Katy Perry's California DreamsTour in late 2011, Goulding's first album hadn't achieved anythingclose to a major hit in the States. But then the title track to Lightsbegan to click slowly but surely with one audience after another. Itwent top 20 on Billboard's Mainstream Top 4o, Dance/Mix ShowAirplay, Adult Top 4o, Rhythmic and Adult Contemporary chartsalong with the Hot 100.

That's part of the reason Cherrytree Records chairman MartinKierszenbaum uses the word "multifaceted" when talking aboutGoulding. "She's a musical egalitarian," he says. "Often with anartist, you'll have to target a niche area, grow it and 'cross over,' asthey say. With Ellie, it's always been a multipronged approach -targeting the alternative audience, the electronic audience, the popaudience, the folk audience."

"Lights" is still Goulding's biggest hit to date, with 4.3 milliondownloads, according to Nielsen SoundScan, but more importantly,the song triggered a steady stream of well -received U.S. singlesbeginning in late 2o12, including Halcyon lead single "Anything CouldHappen" (1.2 million downloads), the Calvin Harris collaboration "INeed Your Love" (1.3 million) and "Bum" (1.7 million). As thesesongs expanded Goulding's fan base, the singer embarked on aEuropean headlining run in spring 2013, then on Bruno Mars' NorthAmerican tour as an opener last summer, then a U.K. tour in late 2013

and a European tour in early 2014.Instead of departing the Halcyon campaign last year and turning

toward Goulding's next project, seven new songs were added toHalcyon, and the Halcyon Days deluxe edition arrived last August."The way our audience wants to consume music is changing,especially in the pace in which they consume it," says Kierszenbaum,whose Cherrytree released Robyn's three-part Body Talk series ofmini -albums in 2011.

Kierszenbaum adds that "Burn" is still being worked at pop radio,but that the label will start focusing on "Beating Heart," Goulding'ssingle from the Divergent film soundtrack. "I grew up just beingobsessed with soundtracks, and the thing I would always rememberfrom the film was the music, and so I loved the idea of setting mymusic to a film," says Goulding. She contributed three songs to thesoundtrack for the big -budget adaptation of the dystopian best-seller,and "Beating Heart," which she performed acoustically on NBC'sToday on March 12, is the most vulnerable. "Beating Heart" findsGoulding sorrowfully crooning over echoing drums, "And I don'tknow where I'm going, but I know it's gonna be a long time/'Cause

0 BILLBOARD MARCH 29, 2014

1 Goulding performedatthe 02 Arena inLondon on March 9.

2 Goulding withMatt Lauer on Todayon March 12.

3 Goulding at theDivergent worldpremiere inLos Angeles onMarch 18.

45krillex and Gouldingattended the 2012Coachella festival.

5A young ElenaJane "Ellie"Goulding in theearly '90s.

1.

g I'll be leaving in the morning, come the white wine bitter sunlight."British singer -songwriter Joe Janiak wrote "Beating Heart" on

banjo in 2012, before Goulding heard the song and reworked some= of the lyrics. "[Goulding] brought the middle section of the song

back to life with her own touch on it," says Janiak, who is in Swedenworking with Max Martin's publishing company, MXM Music.

g Janiak's original was inspired by dropping off his American girlfriendat the London airport, while Goulding lent her own long-distanceexperiences to the Divergent version.

"It's about touring," says Goulding of the song, "about being awayand never being able to spend enough time with someone, andhoping we'll end up colliding again, somehow." In late 2012, Gouldingand dubstep star Skrillex ended their months -long romance becauseit was too difficult to sync schedules, and although Goulding doesn'tspecify the partner that "Beating Heart" is connected to, she admitsthe song "did remind me of someone, recently. It's just such a sadsong, and so relevant to what I do - not being able to have a physical

E closeness with someone, because you're just never around."Goulding doesn't consider "Beating Heart," which has sold

20,000 downloads, to be a starting point for her third studio album,which she'll begin from scratch when the time is right. "I'm not a popartist in the sense that I get a bunch of strong songs and say, 'Cool,I've got an album,' " she says. "I want to be hopefully in one place andfor it to have a specific theme."

But being in one place isn't in the cards for her until September.Assuming Goulding's tour isn't extended yet again, that's when she'llbe free from obligations. The hope is she'll start focusing on herHalcyon follow-up by the end of the year. But first some time off is inorder. And as for the theme, something she says about her "all-timehero" - mysterious London electronic artist Burial, who workedcompletely anonymously before 2008, never appears in public anddoesn't perform live- might offer a clue.

"Burial's one of the most wonderful people I've ever met," saysGoulding. "Obviously I make money for what I do and promotemyself, but I always remember him, in everything. The noblenessof it, where you're just making music and making people happy ...

I use a bit of that for myself." Maybe, just maybe, by the next timeshe makes an album she'll have sorted out her life, and there will beroom for a little more of that. 0

so

It

5.

2. 3.

Goulding's Big Screen MomentShe has three songs on the Divergent soundtrack asyoung -adult music wildly fluctuates

Divergent isn't justthe third young -

adult franchise to beadapted for the bigscreen by Summit/Lionsgate, follow-ing Twilight and TheHunger Games. It'salso the recentlymerged studio'slatest bid to createan equally lucrativesoundtrack series,after five Twilightsoundtracks forAtlantic/Chop Shopand two (and count-ing) Hunger Gamesalbums for Republic.

Where those al-bums often skewedtoward indie-rockand alt -folk, respec-tively, Divergent(released March 11 onInterscope, debut-ing at No. 29 on theMarch 29 Billboard200) is a blend ofEDM and pop befit-ting the film's setting

in a dystopian future.Zedd's lead single,"Find You" (featuringMiriam Bryant andMatthew Koma), hasstarted slow, peak-ing at No. 11 on HotDance/ElectronicSongs. But it's EllieGoulding's "BeatingHeart" that has beenfeatured in the film'sTV ads, and is theend -credits song ofthe film itself. Gould-ing does doubleduty in Divergent asthe singing voice oflead character Tris(Shailene Woodley),contributing vocalsto the original scorefrom Junkie XL(executive -producedby Hans Zimmer).

"We had alwayshoped to work withEllie on this release,"says Tony Seyler,vp film marketingand soundtracks forInterscope GeffenA&M. "Very early onthere was a specificscene that had setover some of hermusic from [2012album] Halcyon. Thevocal textures on Hal-cyon are so cinematic

that it was easy toimagine her voiceagainst our picture."Divergent musicsupervisor RandallPoster, owner -founderof Search PartyMusic, latched ontoHalcyon's "Dead inthe Water" and a re -

mix of "Hanging On"for key scenes andrecommended Gould-ing for additionalsessions with JunkieXL in London as hefinished the score tothe film's final cut inJanuary. "They werefinishing the score inLondon and I got tojam," says Goulding."It was just playingguitar and jammingwith my voice."

After reachinga seeming nadir in2011, a year when thelittle -seen SuckerPunch was thebiggest -selling filmalbum, soundtrackshave been on anupswing thanks toPitch Perfect and theunstoppable Frozen,which stands as2014's strongest -

selling album to date.But Summit's big -

budget approach tooriginal soundtracks(which often payartists $15,000to $100,000 forapproved tracks, de-pending on use casesin the film and inmarketing) has seendiminishing returnsever since the firstTwilight soundtracksold 2.8 millioncopies for Atlanticin 2008 and 2009,according to NielsenSoundScan. Thefirst Hunger Gamescompilation sold just488,000 copies (withthe Taylor Swift cut"Safe and Sound"selling 1.7 milliontracks), while lastNovember's Catch-ing Fire sequel hasmoved 181,000. Theonly true breakouthits from the young -

adult soundtrackmarket have beenBruno Mars'"It WillRain" and ChristinaPerri's "A ThousandYears," both from TheTwilight Saga: Break-ing Dawn - Pt. 1, withsales of 3.5 milliondownloads apiece.

-Andrew Hampp

MARCH 29, 2014 I WWW.BILLBOARD.BIZ

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Hitmaker InThe HillsInside the Topanga Canyonstudio of Jacknife Lee, theproducer behind standoutsongs from U2, Taylor Swiftand the Divergent soundtrackBy Matt Diehl

The words "Abandon Taste" glow on a neonsign in the main room of Jacknife Lee'sTopanga Canyon recording studio, part of a

three-structure compound that also includeshis home - and a yurt. It's an ironic state-ment, considering Lee, real name Garret Lee,is the acclaimed, Grammy -winning producerfeatured on Taylor Swift's Red, U2's How toDismantle an Atomic Bomb, R.E.M.'s Accelerateand Weezer's The Red Album. More recently, heproduced "Cannibal," the crunchy new singlefrom Silversun Pickups' The Singles Collection,released Feb. 25; and "I Won't Let Go" by fre-quent collaborator Snow Patrol, a heartfelthighlight from the Divergent soundtrack (seestory, page 37), released March ii. Like most ofLee's recent (and best) work, it was recordedhere, on an impossibly picturesque bluff over-looking the hills of Malibu.

If the Irish-born producer/songwriter,45, boasts an eclectic client roster - OneDirection to Crystal Castles to Bloc Party- his studio's contents are no less diverse.Kraftwerk posters hang next to Mexican folkart, and original Banksy prints cover everyavailable surface. But what defines the spaceis the beguiling sprawl of tactile hardware,wired and ready for action. Rare synths fromKorg, Moog, Arp and Roland lie alongsidehigh -end compressors and pre amps andobscure '8os drum machines.

"You go to studios that have amazing gear,but it's often all packed away," says the press -

shy Lee, in one of only a handful of interviewshe's done over his two -decade career. "I try tohave everything so it can be ready to be used

econds, so whertpe9ple come in here theywant to start playing." qua

The musicians who have enimi Cose-knit warren of rooms have proved more thanup to the task. It was here Lee recorded The

Jacknife LeephotographedJan. 15 at hishome studioin TopongaCanyon.

PHOTOGRAPHED BY ANDY J. SCOTT MARCH 29, 2014 WWW.BILLBOARD.BIZ

MUSIC

Ghost ofthe Mountain- the latest album fromTired Pony, the tweaked country combo heformed with Snow Patrol frontman GaryLightbody and R.E.M. guitarist Peter Buck."That's Peter's chair," says Lee with a laugh,pointing to a seat in the corner. "Peter picksthe place he wants to play the first day, and henever leaves it. Once he picks it, you have tosort ofarrange the studio around that area."

Lee's profile exploded in 2004 when hehelped produce Uz's comeback smash Howto Dismantle an Atomic Bomb along with SteveLillywhite, Brian Eno, Chris Thomas, NelleeHooper and other A -list names. The albumwent on to win nine Grammys, tying Santana'sSupernatural for the most honors bestowedupon a single album in one year. "U2 was aturning point," says Lee. "Make one recordthat sells, and people start trusting you."

After U2, Lee produced R.E.M.'s Accelerate(20 08) and Collapse Into Now (non), thegroup's last albums before it broke up. Leesays both projects were key to his evolutionas a producer. "From R.E.M., I learned mostthings - what's a good take, what's a bad one,really committing to things," says Lee.

"Garret possesses more curiosity than anyman I've ever met," says R.E.M. frontmanMichael Stipe. "His interest in everything thathas ever been, and will ever be, is unfathom-able. If there is something in the world thatcompletely stumps me, profoundly moves meor makes me laugh so hard I can't type, I writeto Garret. I know that he will understand."

With his wide-ranging projects, Lee doesn'thave a trademark sound that can be easilyquantified and characterized- and that's howhe prefers it. "I like to get people in a room andhave them play," he says, "and then I processthe results the way I'd do with dance music."

Indeed, dance is familiar ground for Lee.While he first gained notice in the early'9os as guitarist for Dublin post-punk bandCompulsion, he went on to some acclaim as a

DJ and solo act signed to Howie B.'s PussyfootRecords during the electronica boom a fewyears later. At the time, Lee considered him-self more of an artist than someone aspiringto a full-on production career. His currentpath stems from a 12-inch remix he tossedtogether the day that his first daughter wasborn in zoos. "I wanted to leave the house fora breather, but I didn't want to plug my guitar

"If there is something in the world thatcompletely stumps me, moves me or makes melaugh so hard I can't type, I write to Jacknife.I know he'll understand." -MICHAEL STIPE, R.E.M.

in," says Lee. "I ended up putting a song ofmine together with a Missy Elliott track, andcreated one of the first -ever bootleg mashups:I called it 'Get Ur 9-lb Cock On. "

The track's word-of-mouth success wasthe first thing Lee had done that resembleda hit, and it taught him to always trust hisinstincts. "Before I'd try too hard, but withthat I didn't care - I just did it," he says.These days, Lee preaches that effortless

gospel in the studio, encouraging musiciansto loosen up, have fun and take risks.

"What I bring is an unorthodox approachto capturing an atmosphere," he says. "I'mhere to deconstruct what it means to be ina band - to stop musicians from just doingwhat's automatic. Sometimes I'm asked toshake things up for artists that are stuck, ormake them feel safe - or to take safe peopleout of their comfort zone."

ALLIE XOn March 6, Katy Perrytweeted that she is 'ob-sessed" with "Catch." the

h million followers."That was crazy; Allie X

tells Billboard in her first

major interview. "I'd beenlocked in my shoeboxapartment for two yearsmaking music and not

aring it with anyone -ause I wasn't ready."

Ferry likely heard "Catch"through Cirkut, who co -

produced seven songs onher latest album, PRISM,

including "Roar The"20 -something" Allie X,who frequently performedon Toronto's indie sceneunder her real name, AllieHughes, began workingwith Cirkut after scoringa publishing deal last Julyand moving to Los Angeles,where she also linked

with producer -songwriterBillboard (Britney Spears'"Hold It Against MO.

A song Allie X madewith Cirkut will surfacelater this year, but mostof the singer's material isself -produced, like ''Catch"and just -released follow-up,'Prime." Although she ap-

preciates Perry's shout -out,Allie X doesn't want to fol-low her pop -star footsteps.

"Labels are interested inme now; she says, "but I'mnot looking for some bigadvance or someone to say,'We're gonna make you astar!' None of that interestsme." -Jason Lipshutz

4:1) BILLBOARD I MARCH 29, 2014

MUSIC

"I'm here todeconstruct what

it means to be ina band," says Lee,

photographed in hisMalibu studio.

Worn down by a spate of full-length proj-ects from with Weezer, R.E.M., Snow Patroland The Cars, Lee took himself out of hisown zone a few years ago, putting his pro-duction career on hold and devoting himselfto pop songwriting with a rotating roster ofcollaborators. These sessions, which Leecalls "speed -dating songwriting," found him(often with Lightbody as his cohort) workingwith the chart -topping likes of Ed Sheeranand Bonnie McKee. "I had a lot more free-dom," says Lee. "Gary and I finished a songfor Taylor in one day."

Fortunately, that sort of instant gratifica-tion didn't ruin Lee's appetite for production.Rather, it has informed how he's approach-ing his upcoming projects -a new SilversunPickups album, work with Michelle Branch,the upcoming Snow Patrol LP, which is justgetting underway, and a hush-hush collabora-tion with Don Was and a legendary songwriterthat recently wrapped.

"The discipline I brought back from thatexperience doing pop songwriting is huge,"explains Lee. "I'm old school, and I've alwayslooked at the album as a whole entity. Butnow, I'm really about making every singlesecond of my music count." 0

THE ANXIETY AFTER SUCCESSFoster The People suffered while making the follow-upto its 2011 breakthrough: "I was at war with myself"For Foster The People, the antidote to writer's blockwas hiding on the coast of Morocco.

"There's something mystical that floats in the airthere," says frontman/multi-instrumentalist MarkFoster, calling in from somewhere between Franceand London on the band's recent tour. "Everythingaround us had a golden haze of beautiful, Dr. Seuss-like strangeness."

Foster decamped to Essaouira, a city on theAtlantic coast of Morocco, for eight days withGrammy -winning producer Paul Epworth (Adele,Florence &The Machine, Coldplay) to begin work onthe Los Angeles group's second album, Supermodel(released March 18 on Columbia) - and to conquerthe anxiety that plagued him about following up therunaway success of the trio's hit single, "PumpedUp Kicks." Foster, a former jingle writer, released thesong for free online in 2010 and it caught fire, landingthe group (which also features bassist Cubbie Finkand drummer Mark Pontius) a label contract, hittingNo. 3 on the Billboard Hot 100 and selling 5.3 millioncopies, according to Nielsen SoundScan. It waslater released on the band's 2011 full-length debut,Torches, which peaked at No. 8 on the Billboard 200and has sold 1 million copies.

Foster, 30, had already been traveling extensivelyaround the Middle East and India searching forpeace and inspiration, but to no avail.

"I was at war with myself to keep the fear out,"says Foster. "Fear just crushes creativity, and if letfear into the studio and into the songwriting, I wasgoing to let it kill the artist inside of me."

But in Essaouira, with Epworth, Foster finallyfound an oasis. "Those eight days recording wereso creatively alive," says Foster. "There was nojudgment in the room - only expression. It gaveme the courage to write honestly instead of letting

my ego serve as the gatekeeper to my innermostthoughts. It's a really vulnerable record."

You can hear that artistic sigh of relief, the gratefulexhale of a shipwrecked soul who finally catchesa glimpse of dry land, on the anthemic lead single"Coming of Age," a hopeful mix of hand claps,reverbed guitars and stacked vocals. The song,released in January, jumps 5-2 on Billboard's TripleA chart dated March 29. It has sold 82,000 throughthe week ending March 16. Foster says "Coming ofAge" served as "a good bridge for our fans from ourfirst record" - heavy on keyboards, vocal effects anddance -rock drum -machine beats - "into a morehuman, guitar -driven album."

Album highlight "A Beginner's Guide toDestroying the Moon" is indicative of Foster's shiftfrom electronic to organic textures: It begins witha hazy, stuttering sample of ASAP Rocky's "LVL" (areturn favor of sorts: Rocky recorded a freestyle over"Pumped Up Kicks" in 2012), which quickly getsobscured by a massive, muddy wall of bass fuzz,guitar grunge and Foster's soaring falsetto. Insteadof the hip -hop and dance tempos of Torches, Fosterlooked to the North and West African rhythms heheard on his travels, most evident on the opener, "Are

You What You Want to Be?" (Foster compares thealbum's international tones to those of The Clash's1980 classic, Sandinista!)

Will any of the album's 11 songs share the surprisecrossover success of "Pumped Up Kicks"? Probablynot, but Foster seems to have deeper, more personalgoals for Supermodel. "It was painful," he says. "I

went through a lot personally on this record. But it'salways more interesting to write about the thingsthat make me uncomfortable than to write about thethings I've already figured out."

-Emily Zemler and Alex Gale

From left: Foster thePeople's Fink, Foster

and Pontius

MARCH 29, 2014 I WWW.BILLBOARD.BIZ CI)

MUSIC

Reviews

PRODUCERS: Billy Sherrill,John Carter Cash, SteveBerkowitz

LABEL: Legacy

RELEASE DATE: March 25

ALBUM

Johnny Cash,Out Amongthe StarsIt's a fine thing when music that's historicallyvaluable also happens to be a good listen.Such is the case with Out Among the Stars- so much so you'd hardly know that whenthese long -lost performances were recorded,in the early 198os, Johnny Cash was at oneof his lowest career ebbs.

His style of country music had faded outofvogue, his record sales were tanking, andhe had become, as he put it in 1997's Cash:The Autobiography, "invisible" to his label,Columbia. In an attempt to change the situ-ation, Cash teamed up for a few sessionswith producer Billy Sherrill, who'd recentlybeen named vp at CBS Nashville. The tacticmade sense: Sherrill had displayed his hit -

making mojo time and again with GeorgeJones, Tammy Wynette and many others.Still, the records he was famous for were slick

"countrypolitan" stuff with masses of backingsingers and string sections, the antithesis ofCash's more traditional, hardscrabble sound.

In the end, Sherrill and Cash reached anaesthetic compromise. They tailored the pro-duction to fit then -current tastes - makingit a tad antiseptic in the process - but went

Skrillex's firstfull-length

may do whatthree EPs andtwo Grammys

couldn't: Silencethe skeptics.

ALBUM

easy on the aural sweeteners andhired a top-notch band that fea-tured Marty Stuart on guitar andmandolin and Pete Drake on steel.Columbia didn't find the resultsvery enticing. The label issuedone disc's worth of the Cash/Sherrill material in 1981 (TheBaron) and passed on the rest,including further sessions from1984. Within a few years, Cashwas off Columbia, but he hung onto the Sherrill tapes until his 2003death. They languished in a vaultuntil last year, when his son JohnCarter Cash discovered them anddecided to release them, aftersome extra polishing and newoverdubs by Stuart and others.

The album that never was turnsout to be a charming addition toThe Man in Black's catalog. Cashis in rich voice throughout, evenwhen he betrays some discom-fort on the maudlin ballad "AfterAll" and the double-entendre fest

"If I Told You Who It Was." But forthe most part, the force of hispersonality overcomes any mawkishness inthe arrangements. It seems far more Cash'salbum than Sherrill's, despite the fact that onlytwo songs were self -penned. One of them, "ICame to Believe," seems to reference the1968 spiritual rebirth Cash underwent afterattempting suicide in a Tennessee cave, and

Skrillex, RecessAfter winning two consecutive best dance/electronicalbum Grammys (for 2010'S Scary Monsters and NiceSprites and 2011'S Bangarang), Skrillex has released thefirst thing his own team is actually willing to call a realalbum. And he did it without warning, through a video -

game app that slowly started unlocking songs on March9 - servicing the fans first, as is his way.

It's a slight distinction, really, from his past efforts:Recess is 11 tracks, about four more than his three pre-vious EPs, which were still long enough to qualify forthose Grammy nods. But this album is his biggest,grandest statement to date - and that statement mightjust be, "I told you so."

The world judged Skrillex, born Sonny Moore in LosAngeles - "the world" in this case being music critics,bloggers, European dance -music gatekeepers and peopleolder thani8. Theywholly rejected his shocking, squelching

it closes the album in stirring fashion.Not surprisingly, the darker songs provide

many of the high points. The title track getsphilosophical about a liquor store heist, while

"I Drove Her Out of My Mind" details a murderplot with sinister relish. The breakup songs aresplendid too, both wistful ("She Used to Love

bass drops, which were labeled "dubstep" atthe beginning, raising the ire of the genre's pur-ists. They derided his artistic integrity, lumpinghim in with the laptop producer trend - thesame one they say is lowering the musical baracross the board, 'natch. They made fun of hishair, his fans, his screamo band origins.

But the 26-year -old never changed hisstory or his process, keeping close to a tightteam that supported him doing his thing.He always presented himself as a fan andstudent of all types of music, wide open tocollaboration (and willing to share the love),and generally sub -hype.

Recess displays all of those qualities, with afocus sometimes lacking in Skrillex's eagerearly work. Of its 11 tracks, nine are collabo-rations - with other dance producers, yes(including Diplo and Kill the Noise), but alsoChance The Rapper, Fatman Scoop, atmo-spheric Swedish band Niki & The Dove and

BILLBOARD I MARCH 29, 2014

Johnny Cash's sonunearthed this lostalbum, recorded at

o career low pointin the 1980s.

is

Me a Lot") and witty ("Call Your Mother").But the most heartwarming moments are

the duets with old pal Waylon Jennings andwife June Carter Cash. On a rollicking cover ofHank Snow's "I'm Movin' On," Jennings andCash trade verses like wisecracks, encouragedby the muscular twang of Stuart and fellow

PRODUCER: Sonny Moore

LABEL: OWSLA/Big Beat/Atlantic

RELEASE DATE: March 18

guitarist Jerry Kennedy. And on"Baby Ride Easy," you can prac-tically hear the smiles in Johnnyand June's voices as they har-monize, a further testament toone of the great partnerships inAmerican music. -Mac Randall

K-pop stars G -Dragon and CL. Each cut has momentsof bass, for sure, but they're not the dominant feature;more like Skrillex's calling card, declaring his identity inthis wider sonic world. The consistent vibe is rowdy fun,underpinned by a wide-eyed worldview - just like, well,recess. It's a bro hug at a barbecue, a hand -hold at a rockconcert. And for uninitiated ears, it's Skrillex's mostlistenable collection to date, even by hater standards.

Check out the unexpectedly soulful "Stranger" withKillaGraham (from Los Angeles production outfit Milo& Otis). Or funky party -starter "Coast Is Clear" featur-ing Chance, who's trying to get lucky over jazzy live hornlines. Or a set of two closing tracks that invoke Burial("real" dubstep) and Florence & The Machine (anthe-mic standout "Ease My Mind"). There are also severalmoments of juiced -up drum'n'bass ("Ragga Bomb," "F-That"), buoying the burgeoning return of that genre.

"Dance like it hurts to stand still," Chance commandsplayfully on "Coast Is Clear." That might as well beSkrillex's new credo. Because Recess proves that untilnow, he was just warming up. -Kerri Mason

SINGLES

Future, "MoveThat Dope"If "Move That Dope" (A1/Freebandz/Epic) is any indication, Future hasrefound his footing for his forthcoming sophomore album, Honest. Thesong's skull -rattling production by Mike Will Made It is raw power, instant-ly disposing any lingering memory of the album's previous soft -landingsingles - by comparison, the title track, released last September, soundslike a kitten purring. The guest stars carry the baton nicely: Pusha T spinsanother signature coke -slinging yarn, and Pharrell Williams goes backto his Skateboard P days, taking a break from disco -pop stardom with a

surprisingly nimble rapid-fire rap about his "Gandalf hat." (Rapper Casinoalso appears on the track.) But Future, Atlanta's favorite shape -shiftingrapper -singer, carries the load here, setting his Auto -Tune melodies asideto deadpan about turning back to the streets: "Keepin' it soft like a mink/Gold on my link/Coke in the sink." "Move That Dope" commands theutmost attention - and a quality subwoofer. -Dan Hyman

CAPITAL CITIES SIA

"One MinJte More

Capitol Records/Lazy HooksAfter Capital Cities' unexpectedhit "Safe and Sound," the duodelivers a follow-up earworm wor-thy of its predecessor's crossoverfootsteps. "One Minute More"finds the band back in the realmof glitzy synths, disco beats andutopian travel -guide lyrics. "Justthink of a destination/I'll be yourtransportation," the pair promises.Just like their first hit, "Minute" iscatchy, escapist and eye-rollinglyridiculous. -Andrew Unterberger

WHITE LUNG

"Drown With the Monster"

Domino

Canadian punks White Lung takethe plunge into the indie spotlight,polishing their visceral hard -rockattack for their first single forDomino, a two -minute rabbitpunch. Guitarist Kenneth Williamconjures thunder -cloud distor-tion over drummer Anne -MarieVassiliou's thick cavewoman thud,but the true star is vocalist MishWay, who wails about outrunningher demons with a commanding,bone -chilling shriek. -Ryan Reed

"Chandelier"

RCA Records

After years of co -writing hits forartists like Rihanna, Beyonce andBritney Spears, Sia has steppedout with an unabashedly epic popsingle of her own, ahead of herfirst full-length since 2010. Whilemany will be drawn to the hook'sbellowing defiance, the charmof "Chandelier" is nestled in thequieter verses, where the bleary-eyed Australian songstress tries toconvince herself that "party girlsdon't get hurt." -Jason Lipshutz

LEE BRICE

"I Don't Dance"

Curb RecordsCountry bro Lee Brice lets hisguard down on his latest single,begrudgingly shuffling his "twoleft feet" for his girl even thoughit clashes with his rugged, pick-up -truck style. There's a steady,thoughtful nature to Brice's deliv-ery of the metaphor, and the bal-lad's pulse quickens alongside hisbuilding emotions. All told, Briceshould probably consider hittingthe dancefloor more often.

-Jill Menze

After his softer,melodic singlesfell flat, Future's"Move That Dope"is o triumphantreturn to the trap.

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BILLBOARD MARCH 29, 2014

CHARTSOVER KEITH CAULFIELD

Frozen Won't Let Go OfNo. 1 As DVD Spurs SalesThe Disney soundtrack becomes the first albumof 2014 to sell 1 million copies, leaving Luke Bryanblocked from his third chart-topper

Spring has arrived, but don't tellthe Frozen soundtrack. The win-try Disney album returns to No. 1on the Billboard zoo for a sixthweek, selling 99,000 copies in

the week ending March 16 (down less than1 percent), according to Nielsen SoundScan.A week ago, Frozen sold loo,000 and camein at No. 3.

With its latest sales sum, Frozenbecomes the first album to sell a millionunits in 2014 (1.1 million so far this year).Its total sales stand at 1.4 million, as theset was released last November and sold338,000 in 2013.

Last year, the industry waited untilthe week ending March 31 for 2013's firstmillion -seller: Justin Timberlake's The20/2o Experience. It crossed the millionmark after two weeks on sale.

Since SoundScan began powering theBillboard zoo with its point -of -sale datain May 1991, Frozen is one of just foursoundtracks that has logged six or moreweeks at No. 1.

The Frozen party isn't likely to stop nextweek, as industry forecasters suggest thealbum will top the chart for a seventh week.The home video release of the movie onMarch 18 is doing wonders for the album'ssales. It's too early to forecast what thealbum might sell, but sources indicateits sales could be very brisk, and easily

0°'

ttBR

outpace all other albums by a fair margin.The album is being positioned along-

side the DVD and Blu-ray versions ofthe film at all major retailers, includingTarget, Walmart and Best Buy. Notably,the soundtrack is not being sale -pricedat those outlets during the home video'srelease week. (Why discount somethingthat's such a hot seller?)

Frozen is primed to be a strong seller atleast through Easter (April zo). The holi-day is traditionally a strong gift -givingopportunity for children and families,and anything Frozen -related will probablybe at the top of many shopping lists.

After Easter, Frozen will likely run itscourse as spring turns to summer. Whileno plans have been announced for a late -

2014 rerelease of the film or album, itwould make sense for the movie to revisittheaters for the Christmas season.

Speaking of spring, coming in at No. 2 onthe Billboard zoo is Luke Bryan's SpringBreak 6... Like We Ain't Ever EP with 74,0 o ocopies sold. The digital -exclusive six-songset is the latest in the country star's springbreak-themed EPs, which launched in2009 with Spring Break With All My Friends.Last year, he topped the chart with SpringBreak ... Here to Party, which was a compi-lation of previously released tracks fromthe series.

On the Top Country Albums chart,Bryan nets his fourth No. 1 title - andeighth top lo. In the span of time since hisdebut on Top Country Albums on Sept.2007, only Toby Keith has logged moretop los, with nine. (Keith has notched 21

top los overall.)Bryan's economically priced EP (it sells

for $6.99 at iTunes and Amazon MP3)is one of many EPs to reach the top toin recent years. In 2011, Justin Biebertopped the list with the seven -song NeverSay Never: The Remixes. In the last fiveyears, the top lo has hosted EPs from art-ists including Lady Gaga, Blake Shelton,Lana Del Rey and Michael Buble. 0

ROCK VINYL ALBUMSALES YEAR TO DATE

1.1 MILLION30%

'Brotherly' LoveSwedish DJ Avicii makeshis bow on the CountryAirplay chart, as 'HeyBrother" bows at No. 59.With its club -ready beats,the song crowned theMarch 22 Hot Dance/Electronic Songs chart. Itsvocal from Union Station'sDan Tyminski, however,helped spur its countryinroads, most notably atClear Channel -ownedstations." 'Hey Brother'is a country song at itscore," says Clear Channelexecutive vp/GM ofnational programmingplatforms Clay Hunnicutt."We talked to Island DefJam about remixing thesong to bring a little lessthump, and they did a greatjob. This is a no-brainer forevery country station toplay." -Gary Trust

THE BIG NUMBER

4.9MThe Frozen soundtrack'ssongs have sold 4.9 milliondownloads, led by ldinaMenzel and Demi Lovato'stakes on 'Let It Go," whichhave moved 1.8 million and740.000, respectively.

Read moreChart Beat atbillboard.com/chartbeat.

R&B DIGITAL ALBUMSALES YEAR TO DATE

2 MILLION5 . 5 %

RICK ROSS'MASTERMIND SALES

49,00073% THIS WEEK

MARKET WATCHA WEEKLY NATIONAL MUSIC SALES REPORT

Weekly Unit sales

ALBUMS DIGtTALALBUMS.,

DiGtTALTRACKS

This Week 4,587,000 1,982,000 21,781,000

Last Week 5,001.000 2.192.000 23,035,000

Change -8.3% -9.6% -5.4%

This Week last Year 5,579,000 2,381,000 24,571,000

Change -17.8% -16.8% -11.4%

'0 gnat album sales are aim...of. WW1. Altx m

Weekly Album Sales million units)

20142013

4.6M

A $ ON

YEAR-TO-DATE

Overall Unit Sales

Albums

2013 2014 CHANGE

61,431,000 52.336,000 -14.8%

Meth! Tracks 303,395,000 268,915,000 -11.4%

Store Singles 730.000 433.000 -40.7%

Total

Album w/TEA

365,556,000 321,684,000 -12.0%

91,770,500 79,227.500 -13.7%

album sales (TEA)with 10 track 0oHnl0ads equivalent to

Album Sales

2013

2014 52.3 Million

Sales by Album Format

CD

Digital

Vinyl

2013 2014 CHANGE

32.976.000 26.904,000 -18.4%

27,237.000 23,783.000 -12.7%

1,127.000 1.515,000 34.4%

Other 91,000 134,000 47.3%

Sales by Album Category

2013 2014 CHANGE

Current 30,211,000 25.592.000 -15.3%

Catalog 31,220.000 26,744,000 14.3%

Deep Catalog 25,018,000 21,868,000 -12.6%

Current Album Sales

2013

2014 25.6 Million

Catalog Album Sales

2013

2014

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Album ChartsRecording Industry Assn. ofAmerica (RIAA) certificationfor physical shipments &digital downloads of 500.000albums (Gold).

A RIAA certification forphysical shipments & digitaldownloads of I millionunits (Platinum). Numeralnoted with Platinum symbolindicates album's multi.platinum level.Rion certification forphysical shipments & digitaldownloads of 10 millionunits (Diamond). Numeralnoted with Diamond symbolindicates album's multi -

platinum level.0 Latin albums certification for

physical shipments & digitaldownloads of 50.000 units(Oro).

p Latin albums certification forPhysical shipments & digitaldownloads of 100.000 units(Platino). Numeral noted withPlatinum symbol indicatesalbum's multi -platinum level.

Digital Songs ChartsRIAA certification for 500.000Paid downloads (Gold).

A RIAA certification for 1 millionpaid downloads (Platinum).Numeral noted with platinumsymbol indicates song'smultiplatinum level,

AwardsHG (Iteatseeker Graduate)PS (PaceSetter for largest %

album sales gain)GG (Greatest Gainer for largest

volume gain)DG (Digital Sales Gainer)AG (Airplay Gainer)SG (Streaming Gainer)

Publishing song index availableon billboard.com/biz.

visit billboard.com/biz forcomplete rules and explanations.

P.L.WITLIAMS (P.L.WILLIAMSI BACK LOT/COLUMBIA

/INK LAST THIS TITLE CERTIFICATION

AGO WEEK WEEK PRODUCER (SONGWRITER/

ArtistPEAK 1/15.011

IMPRINT/PROMOTION LABEL Pis CHART

t WKS. LAST THIS TITLE CERTIFICATION

AGO WEEK WEEK PRODUCER (SONGWRITER)

HAPPY A Pharrell Williams1 11 18 18

2 20 DARK HORSE A Katy Perry Featuring Juicy J

DP. tuNe,vax LIARTMORRUT IIPOUSTON.LCATIWAID.S.TJIUDSONMAx IIARTiN.HwALTER) CAPITOL

1 26

0 0 ALL OF ME A John LegendD.TOZERJOHN LEGEND (KINN LEGEND.T.GAD) 6.0.0.0./COLUMBIA

3 23

TALK DIRTY Jason Derulo Featuring 2 Chainz0 0 R.REED U.DESROULEAUX.T.EPPS.E.FREDERIC,1.EVIGAN,S.DOUGLAS.O.KAPLAN,T.MUSKAT.T.YOSEFI BELUGA HEIGHTS/WARNER BROS.

3 13

0 0 POMPEII AM.CREW ASMiTH (0.SMIDO

BastilleVIRGIN/CAPITOL

5 31

V-4 ;^. 6

1.-,--,ak TEAMw Lorde

LI, ILE (E.Y.VCONNORALIT ILE) LAVA/REPUBLIC6 25

8 7COUNTING STARS OneRepublicR.B.TEDDER,NIANCANEL LA (R.O.TEDDER1 MOSLEY/INTERSCOPE

2 39

7 8 DETAIL.B.KNOWLES (8.KNOWLES.N.C.FISHER.S.C.CARTER.

DRUNK IN LOVE Beyonce FeaptAuRKrwioong,,,JoaLuyZA

A.E.PROCTOR,R.DIALB.SOKOT.V.MOSLEY.J.HARMON)

2 13

10 10

9 11

17

14 15

12 14

11 13

44

16 19

SHED GOODMAN.A.ACCETTA (LBARNETT.LSHELL EY,D.RUBLIN.M.SANCHEZ.M.GOODMAN.S.ACCETTAI DIRTY CANVAS/ISLAND/(DING

WE MIGHT BE DEAD BY TOMORROW Soko 9 INOT LISTED MOT LISTED) BABYEAT/COMMUNITY

Soaring onto Streaming Songs at No. 1 with 11.5 million streams,

thanks to its audio accompanying

clothier Wren's' new viral ad (see

page 57). Soko nets the year's first

top 10 Hot 100 bow and the first top

10 debut for an act's first entry since

Ariana Grande began at No. 10 with

"The Way" (April 13, 2013).

THE MAN A Aloe BlaccIT/YDAIII!.1411121.11=1/15:E.10HI4.13.TAUPINI ALOE BLACC/XIX/INTERSCOPE

After not receiving credit on Avicii's No. 4 -peaking "Wake Me

Up!" (No. 25), Blacc scores his first top 10.

With "The Man" interpolating Elton John's

"Your Song," John and Bernie Taupin

notch their first top 10 as writers since

"Candle in the Wind 1997"/"Something

About the Way You Look Tonight" reigned

for 14 weeks in 1997-98.

TIMBER Pitbull Featuring Ke$haW. tux! .0.ul.SEINSIME (4CP(.2.,SEStarl.GOIrrai.D.P,.m1,10kISMCEPSON.85.C....1PA.DSKAP..51,1.0,17,01 411,...D.00,OuADS.Pts

SAY SOMETHING A A Great Big World & Christina AguileraD.ROMER (LAXEL.C.VACCARINO.M.CAMPBEL BLACK MAGNETIC/EPIC

10 2

23

4 19

BEST DAY OF MY LIFE A American Authors13 18

The song reaches the top 10

on Radio Songs and Digital 4Songs. On the former (13-10),

it bumps by 10 percent to 71

million audience impressions

On the latter (11-10), its

82,000 sold boosts its to -

date total past 1 million.

LET IT GO A Idina MenzelK.ANDERSON,LOPEZ.R.LOPE2 (K.ANDERSON-LOPEZ.R.TOPED WALT DISNEY

SHOW ME Kid Ink Featuring Chris BrownDI MUSTARD (B.T.COLLINS.D.MCFARLANE.C.JONES.J.FELTON.C.M.BROWN.A.GEORGE.C.MCFARLANE) THA ALUMNI GROUP/88 CLASSIC/RCA

STORY OF MY LIFE One DirectionSYCO/COLUMBIA

LET HER GO A PassengerC.VALLEJO.M.ROSENBERG IM.D.ROSENBERGI BLACK CROW/NET TWERK /WARNER BROS.

9 16

14 19

6 20

5 33

#SELFIEA.TAGGART IA.TAGGART)

The Chainsmokers18 3

DIM MAK/REPUBLIC

BURN:;'<<`,;:FT:Z.ZATNE,DAZETLG.:IUTTLGth

Ellie GouldingEHERRYTREE/INTERSCOPE

13 28

44 01

20ROYALS Amina (FY..., NOR.

IQ

ArtistPEAK

IMPRINT/PROMOTION LAM pos CHART

LordeLAVA/REPUBLIC

37

TURN DOWN FOR WHAT. DJ Snake & Lil Jon21 12

DI SNAKEJSMITH 0.H.SMITH.W.GRIGANCINE.M. BRESSO) COLUMBIA

04 00 0 HEY BROTHER C!!AVICII (T.BERGLING.A.POURNOURI.V.PONTARE.S. AL FAKIR) 0 G

ANDVii!pam.sLA 20 15

15THE MONSTER Eminem Feat. Rihanna

17 23 FRTOLIENCYAAVASOAMATHERSIIIELTRYOEL.AKIERISTUIVAAINANASIOU.R.FENPUBELLION.B.HAI WEB/SHADWATTERMATHANTERSCOPE

1 20

20 22 24 DEMONS Imagine DragonsALEX DA KID IMAGINE DRAGONS.A.GRANTAMOSSER) KIDINAKORNER/INTERSCOPE

6 47

22 23 25WAKE ME UP! A AviciiAVICII (T.BERGLING.ALOE BLACC.M.EINZIGER) PPM/ISLAND/ID/MG

4 38

N 06 0 ANIMALS Martin GarrixM.GARRIX (M.GARRIXI SPINNIN./511.ENT/CASABLAN,CA/REPUBLIC

26 26

24ROAR A Katy Perry

25 27 OR.,,,,,L.G011WALt.=IfiZVAVEE,ITALTER)CAPITOL

1 32

14

MY NITTA A YG Feat. Jeezy & Rich Homie Quan2 28 DE MUSTAROIA.LEE (K.D.R.JACKSON,D.MCFARLANE.J.W./ENKINS.

D.LAMAR.C.C.BROADUS JR..A.)OHNSON.E.LAWSON.C.MILLER) CTE/DEE LAM/(DING

19 24

4 ,--46 0 THIS IS HOW WE ROLL Florida Georgia Line Featuring Luke Plan

/MI (B.KELLEY.T.HUBBARD.C.SWINDELL.L.ORYAN1 REPUBLIC NASHVILLE29 6

JO 40 CO BOTTOMS UP Brantley GilbertO HUFF (6.GILBERT.BRETT IAMES./..AVER) VALORY

30 13

CAN'T REMEMBER TO FORGET YOU Shakira Feat. Rihanna2931 =======. RCA

15 9

09 40 0 PARANOID Ty Dolla Sign Featuring B.o.B 29 13

DI MUSTARD (T.GRUTIN JR.D.MCFARLANE.B.R.SIMMONS. Al ATLANTIC/RRP

27 31RADIOACTIVE A Imagine Dragons 3 81ALEX DA KID (IMAGINE DRAGONSA.GRANT.J.MOSSER) KIDINAKORNER/INTERSCOPE

"Radioactive" continues to extend its record Hot 100 stay (81

weeks). meanwnne. Pr, 1 7,1-

runner-up AWOLNATION's

"Sail" departs the chart %,,

after 79 frames. (To read 6.

about the growing trend V,

of one -word song titles,

see page 9.)

34

II-1

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Apt LOYAL Chris Brown Feat. DI Wayne & French Montana Or Too PortMK NA( HIBAIDDIGM.KRAGEN/M BROVOITGPIEFIN IRA BR...MUIR), KHARBOUCHMOADAKINLOLD.0 MIMS MESE WALLACE,. SHANA PuTHILCATANGELLIDLI RCA

%.,,,

44 44 0 NA NA Trey SongsIN MUSTARO 0.NEVERSON.D.MCFARLANE.S.HLOOKOFF1 SONGBOOK/ATLANTIC

35 8

PARTITION BeyonceP 33 - T.T=ILITI.A=KM.ZILAKRITR=.1.1=IV.C7;111" PA RMOOD/COL U M B A

23 10

45 49 0 DOIN' WHAT SHE LIKES Blake SheltonS.HENDRICKS (P.O.DONNELL.W.X1RBYI WARNER BROS. NASHVILLE/WAIN

37 9

0 34 38YOUNG GIRLS Bruno MarsTHE SIAEUING TONS (BRUNO 1AARS.P.LAWREKE 11.A.LEVINELBHASKER.E.HAYNI0 ATLANTIC

32 11

46 0 0 NEON LIGHTS7:vViTy,a4if.ANZIRL..TAZVIVAT.16....,

Demi LovatoHOLLYWOOD

36 12

35 37 40 WRECKING BALL Miley CyrusDR. TUKE,CIRKUT IT.GOTTWATD.M.MCDONALD.S.R.1.1000IO.S.SKARBEKAWALTER) RCA

1 30

49co n COP CAR Keith Urban

'....., tCROWELL.K.URBAN a GROWELLIAJENKINS.S.HUNT) HIT RED/CAPITOL NASHVILLE

41 7

©m TNOT A BAD THING Justin TimberlakeT.=/TI IA=.1E E.F 'ARACI VETEtn)LA' RCA

42 3

37HOLD ON, WE'RE GOING HOME A Drake Feat. Majid Jordan

38 43 MAUD /ORDAN.NINETEENSS,N.SHEBIB (A.GRANAM.IAMASKADJ.K.COOKE UILLMAN,P. lECEERIES,N.SHEBIB) YOUNG MONEY/CASH MONEWREPUBLIC

4 32

40 4 0 I HOLD ON Dierks BentleyR. COPPERM AN (BRETT IAMES.D.BENTL EY) CAPITOL NASHVILLE

4o 13

5)- - Ak DRINK TO THAT ALL NIGHT Jerrod Niemann,ii wit,

LixtrzuRir8S.WDAZP:)". SEA GAYL E./ARISTA NASHVILLE

45 11

36 40 46 BRAVE A Sara BareillesMINDER, (5.0.E11.114.14,00^/OF, El. C

23 40

0 Go to BILLBOARD.COM/BIZ for complete chart data Data for week of 03.29.2014

2 WKS. LAST THIS TITLE CERTIFICATION ArtistAGO WEE. WEEK PRODUCMSONGWRITER, IMPRINT/PROMOTION LABEL

30 47 47 ADORE YOU Miley Cyrus0.YOEL IS.BARTHE,O.YOEL) RCA

PEAK WKS.ONp, CHART

21 14

39 43 48 BLURRED LINES A Robin Thicke Feat. T.I. + PharrellPA WILLIAMS (P.L.WILLIAMS.R.THiCKE) STAR TRAK/INTERSCOPE

1 48

NEW0 LOVE IS AN OPEN DOOR Kristen Bell & Santino Fontana

K.ANDERSON.LOPE2.R.LOPEI (K.ANDERSONLOPEZ.R.LOPE2) WALT DISNEY

49 1

50 0 0 GIVE ME BACK MY HOMETOWN Eric Church1.10YCE (E.CHURCH.L.LAIRD) EMI NASHVILLE

44 10

0 51MAGIC Coldplay211:).8PEWYWN.J.LITUDC.=11HTMSFZ,E.A.1.MARTIN) PARLOPHONE/ATLANTIC

24 2

RI 0 0 STONERDUN DEAL 0.WILLIAMS.O.CUNNINGHAM)

Young ThugASYLUM/ATLANTIC/RRP

52 5

66 0 0 THE WORSTFISTICUFFS I/.A.E. CHILOIABO) ARTCLUB/ARTJhene

AikoIUM/DEF IAM/IDMAG

53 6

54 0 0 HELLUVA LIFE Frankie BallardMALIMAN.S.HENDRICKS (R.CLAWSON.C.TOMPKINSAKEAR) WARNER BROS. NASHVILLE/WAR

51 15

jg 41 55WHEN SHE SAYS BABY Jason AldeanMKNOX (R.AKINS.B.HAYSLIP) BROKEN BOW

38 16

64 60 0 GET ME SOME OF THAT Thomas RhettLL AIRD (C.SWINDELL.M.CARTER.R.AKINS) VALORY

56 10

§1 §9 0 TAKE ME HOME Cash Cash Feat. Bebe RexhaCASH CASH 11.P.MAKBLOUF.S.W.FRISCH.A.L.MAKHLOUF.B.REXHA.8.LOWRY) BIG 8EAT/RRIT

57 9

§i §4 58 SEE YOU TONIGHT Scotty McCreeryKROGERS (S.MCCREERY.A.GORLEY.2.CROWELL) 19/iNTERSCOPE/MERCURY NASHVILLE

52 16

)9 62 CD REWIND Rascal FlattsI.DEMARCuS.RASCAL PLATYS((. DESTEFANO.A.GORLEY.E.PASL AY) BIG MACHINE

58 9

Ig /1 13) LA LA LA Naughty Boy Feat. Sam SmithNOT LISTED (NOT LISTED) NAUGHTY BOY/RELENTLESS/VIRGIN/CAPITOL

60 4

69 0 0 GOODNIGHT KISS Randy HouserD.GEORGE (R.HOUSER.R.HATCH.J.SELLERS) STONEY CREEK

61 10

44 55 62 DRINK A BEER Luke BryanJ.STEVENS 0.BEAVERS.C.STAPLETON) CAPITOL NASHVILLE

31 19

96 0 AIN'T IT FUNIMELDA.JOHNSEN.T.YORK (H.WILLIAMS.T.YORK)

ParamoreFUELED BY RAMEN/RRP

63 3

ei HUMAN Christina Perri§1 , 64

AIJOHNSON (C.J.PERRI.M.10HNSON) ATLANTIC/RRP

51 6

,..0 0 TROPHIES,. Young Money Featuring DrakeIUTOBOYMC.HOLLIS.M.THOMA.S.N.SHEBIB)

. YOUNG MONEY/CASH MONEY/REPUBLIC

65 7

34 48 66 LOVE ME AGAIN John NewmanS.BOOKER.J.NEWMAN.M.SPENCER (LNEWMAN.S.BOOKER) REPUBLIC

30 17

UP DOWN (DO THIS ALL DAY) T -Pain Featuring B.o.B62 66 0 rAVASITIANI=8.=12)41CrXL A' KONVI(T/NAPPY BOY/RCA

62 17

COMPASS Lady Antebellum41 50 68 N.C.PMANT. ADY ANTEBELLUM (T.E.HERMANSEN.

M.S.ERIKSEN.A.MALIK.R.GOLAN.0.011ELIO.E.FIATNIE) CAPITOL NASHVILLE

46 19

60 62 6919 YOU + ME Dan + ShayDAN SHAY.S.HENDRICKS (0.SMYERS.S.1100NEY.D.ORTON) WARNER BROS. NASHVILLE/1Y.

60 11

0 MMM YEAH Austin Mahone Feat. Pitbull92 W.1,670004 LASSKS,A.11A.E.SWELI30.07101AILDORIA,

wt.. BFIX.F UTAL,LAILOYELIMBERRY.CSIMPILIKWUCMI(SELL) (HASECA)K.ITTEPELK

60 4

LET IT GO Demi Lovato61 61 71

E.KIRIAKOU.A.GOLDSTEIN (K.ANDERSON.LOPELR.LOPED WALT DISNEY38 16

op, MAN OF THE YEAR ScHoolboy Q62 68 uf

RI.EllAtitl rT.41..1.111.Z LEV.ii".LW.VTIV.1:41NLY'IVEZ2L 1 TOP DAWG/INTERSCOPE

62 5

/I 0 0 EVERYTHING I SHOULDN'T BETHINKING ABOUT Thompson SquareNV (K.THOMPSON.D.L.MURPTIY.BRETT LAMES) STONEY CREEK

69 9

1 o C) Co DO I WANNA KNOW?I.FORD ().TURNER)

Arctic MonkeysDOMINO/().TURNER)

70 15

NO CO 0 BEAT OF THE MUSIC Brett EldredgeR. COPPERMAN.B.ELDEROGE 0).ELDREDGE.R.COPPERMAN.H.IAORGAN) ATLANTIC/W.

75 6

@I 0 0 CLASSIC MCOLUMBIAE.KIRIAKOU.A.GOLDSTEINIE.KIRIAKOILEJCBOGART.A.GOLOSTEIN.L.ROOBINS).KLIp

76 5

co 420 PART IKON THE RUN) Jay Z Feat. BeyonceTIMBALANDA0C (S.C.CARTER.I.E.FAUNTLEROY II.T.V.MOSLEY.KHARMON) ROC-).FELLA/ROC NATION

77 5

2 WKS. LAST THIS

AGO WEEK WEEK

NEWDI0TITLE CERTIFICATION Artist,,,,,,,,,,,,o,,,,,,,,,,,,, IMPRINT/PROMOTION LABEL

WHO DO. YOU LOVE? E. YG Featuring DrakeMUSTARD

A.GRATIAM.A.FORTE.W.BELL.8.T.10NES) CTE/DEF TAM/IDAIG

PEAK WKS.011POS. CHART

78 1

- ""75 0, 79 DO YOU WANT TO BUILD A SNOWMAN? Kristoi Bell Agatha tee Bonn & Katie Lopez

/TANDERSONT.OPE2.R.LOPE2 (K.ANDERSONLOPEZ.R.LOPED WALT DISNEY55 12

16 , 80 RIDE SOMO

-_i(.TARPLEY.M.SCHULT2 11.SOMERS.MORALES.O.C.TARPLEY JR.) REPUBLIC

76 10

0 PLAY IT AGAIN Luke BryanNEW

ESTE,/ NS (A.GORLEY.O.DAVIDSON) CAPITOL NASHVILLE81 1

0 A)% AUTOMATIC Miranda Lambert14° F4TA'agirGLAAgZ,MucK.,,,By) RCA NASHVILLE

63 4

n 0 0 ON TOP OF THE WORLD Imagine DragonsALEX DA KID.IMAGINE DRAGONS(D.REYNOLDS.W.SERMON.B.IACKEE.A.GRANT) KIDINAKORNER/INTERSCOPE

79 7

IOU 0 0 SLEEPING WITH A FRIEND Neon TreesT.PAGNOTTA (T.GLENN.T.PAGNOTTA) ME RCURY/IDAIG

84 3

87 0 85 FOR THE FIRST TIME IN FOREVER Kristen Bell & Idina MenzelK.ANDERSON.LOPE2.R.LOPE2 (K.ANDERSON.LOPE2.R.LOPE2) WALT DISNEY

57 12

HEADLIGHTS Eminem Featuring Nate Ruess 86

VRTETLITASBE:IXITAVER.IIRESTO) WEB/SHADWAFTERMATH/INTERSCOPE

Eminem logs his 50th Hot 100 hit,

becoming the seventh rapper to

reach the milestone. Lil Wayne leads

all rappers (and all soloists) with 121

entries, followed by Jay Z (82), Drake

(69), Kanye West (61), Ludacris (54)

and T.I. (53).

0 87 0 OCEANS (WHERE FEET MAY FAIL) Hillsong UNITEDM.G.CHISLETT (MCROCKER.I.HOUSTON.S.LIGTHELM) HILLSONG/SPARROW/CAPITOL CMG

83 8

@§0 LETTIN' THE NIGHT ROLL Justin Moore

L.S.STOVERILMOORE.J.S.SIOVER.R.CLAWSON) VALORY88 4

NEW0 SLOW ME DOWN Sara Evans

ALBRIGHT (M.GREEN.H.MORGAN.J.ROBBINS) RCA NASHVILLE

89 1

0 THE WALKER Fitz And The Tantrums92 96THOFFER (A.FIT2PATRICK.J.KARNES.

J.KING.).RIMUMNA.N.SCAGGS.1.WICKS) DANGERBIRD/ELEKTRA/ATLANTIC

90 3

0 OR NAH Ty Dolla sign Feat. Wiz Khalifa & 111 MustardNEW DJ MUSTARD.M.ADAM (T.GRIFFIN JR.

D.MCFARLANE.M.ADAM.C.J.THOMALL.CROCKEN) ATLANIIC/RRP

91 1

UN 0 92WILD WILD LOVE Pitbull Featuring G.R.L.MLIZLERTAII").4tRLTIal ICA<SUTTILAL=SCPTI=ALD. MR. 305/POLO GROUNDS/RCA

81 3

RE-ENTRY 0 INVISIBLE Hunter HayesD.HUFF.H.HAYES (H.HAYES.B.BAKER.K.ELAM1 ATLANTIC/WMN

44 4

7 85 94ODIO Romeo Santos Featuring DrakeA.SANTOS.RICO LOVE.E.HOOD (A.SANTOS.A.GRAHAM.RICO LOVE.K.RODRIGUELE.HOOD.E.GOUDY II.D.NESMITH.N.SHEBIB) SONY MUSIC LATIN

45 7

ON 0 0 CAN'T RAISE A MAN K. MichelleT.TAYLOR.E.LEWIS (K.PATE.T.TAYLOR,E.LEWIS.M.TIMOTHEE.N.MCDOWEL LI ATLANTIC

94 6

0 ,,T.,

FANCY Iggy Azalea Featuring Charli XCXTHE INVISIBLE MEN.T.M.ROBERTS. IR. (A. KELLY.C.AITCHISON.G.ASTASIO,PEEIWORTH.I.SHAVE.K.LICKENZIE.J.DYERAMILLS) ISLAND/IDLMG

88 2

NEW 0

NEW 0NEW 0NEW II

RED LIGHTS Tiesto1:.:AC=11.=OR.:171=IfIrChNBERG) MUSIUL FREEDOWPMAIINASABIANCA/REPUBLIC

The Dutch D1 makes his second

Hot 100 appearance (and first

since 2010). The track reaches

the Hot Dance/Electronic Songs

top 10 (11-10) and spends a fourth

week at No. 1 on Dance/Mix Show

Airplay. -Gary Trust

I LUH VA PAPI Jennifer Lopez Feat. French MontanaNOT LISTED (1.0T LISTED) 2101/CAPITOL

97

98 1

MOVE THAT DOH Future Feat. Pharrell, Pusha T & CasinoMIKE WILL IAADE.IT.P NASTY °MILBURN CASH.P.L.WILLIAMS.T.THORNTON.R.BUKEM.L.WILLIAMS.P.R.SEAULHTER.H.AZOR.R.DAYIS) A.I/FREEBANDI/EPIC

99 1

LATCH Disclosure Featuring Sam SmithDISCLOSURE (H.LAWRENCE.G.LAWRENCE.S.SMITH.I.NAPIER) PMR/UNIVERSAL ISLAND/CHERRYTREE/INTERSCOPE

100 1

gLA

ChristinaPerri

"Human," No. 64 on theBillboard Hot 100, is a

ballad, like your previoushits. Why did you chooseit as your first single?When we had to pick a firstsingle, we couldn't decidebetween an uptempoand a ballad. I said, "It's'Human,' " but we startedhaving that label/artistthing that happens, andnow there's seven chefs inthe kitchen with me.

"I Don't Wanna Break,"from your upcomingalbum Head or Heart, is

featured on the new Girlssoundtrack. How did thatcome about?My manager is friendswith Jack Antonoff (fun.guitarist and Girls creatorLena Dunham's boyfriend].He suggested we hang andbe nerdy, and talk about ourweird homeopathic stuffwe bring on tour and ourhypochondria. We talkedfor hours, and 20 minutesbefore he was supposed toleave, we wrote this songvery quickly. Months laterI finally went to New Yorkwith him and John Hill, andthey produced it at ElectricLady Studios. I showed up,

and Lena and their dogand lack's parents came,and we're all eating sushitogether.

Your biggest hit, "AThousand Years," wasfeatured prominently inthe Twilight films. Areyou still a Twi-hard?Definitely. it catapultedme to a global level. I wasNo. 1 in Brazil again fourweeks ago. I've nevereven been there. I thinkit's because people are

constantly getting marriedto "A Thousand Years." It'sthe coolest thing ever. If

someone wants to proposeto their girlfriend at myshow, we always do itduring that song. I'm such a

romantic - my little heart isexploding. -Nick Williams

Data for week of 03.29.2014 For chart reprints call 212.493.4023 Go to BILLBOARD.COM/BIZ for complete chart data

When youarrive refreshed,

you've truly arrived.The true measure of a flight is how you feel when you land.Between New York and Los Angeles or San Francisco. sleep

on fully flat seats with quilted comforters in our First andBusiness Class cabins. Savor fine cuisine, a refined

selection of wines and spirits or perhaps an inflightcappuccino. All so that when the wheels touch

the ground. you'll be ready to fly.

The legend is back.

aa.com/reinvented

JULIANNA MARGULIES // ACTRESS

American Airlines. aa.com. the Flight Symbol logo and the Tad Symbol are marks of American Airlines. Inc oneworld is a mark of the oneworld alliance. LIC 0, 2014 American Airlines. Inc All rights reserved.

Today, we reinventSixty years ago, an American Airlines DC -7 took to th- skies forthe first -ever nonstop transcontinental service. It wasthe mostluxurious and advanced flight of its day. Today, we're bringingthe legend to a new generation. Introducing our new A321Transcontinental fleet. Enjoy refinement and exclusivity moreoften found on private jets, both on the ground and aboardthe only true First Class from coast to coast. Only on American.

The legend is back.

L'4

JULIANNA MARGULIES /1 ACTRESS

American Airlines

KS LAST

AGO WEEK

THIS

WEEK

ARTIST cER.ATi.IMPRINT/DISTRIBUTING LABEL

El SOUNDTRACK A FrozenWALT DISNEY

PEAK

POS.

1

1YNS.ON

CHART

16

HOT SHOT

DEBUT

LUKE BRYAN Spring Break 6 ...Like We Ain't Ever (EP)CAPITOL NASHVILLE/UMGN

2 1

3 RICK ROSS MastermindMAYBACH/SLIP.N.SLIDE/DEF JAM/ 011.11,

1 2

NEW 0 ALOE BLACC Lift Your SpiritALOE BLACC/M/INTERSCOPE/IGA

4

141II I. C C:

Blacc notches his best week

as his third album bows

with 45,000, according to

Nielsen SoundScan. His last

full-length set, Good Things,

arrived in 2010 but missed

the Billboard 200.

5 PHARRELL WILLIAMSAIA OTHER/COLUMBIA

GIRL 2 2

NEW 0 311311

Stereolithic 6 1

NEW 0 YOUNG MONEYYOUNG MONEY/CASH NIONEY/REPth3L IC

Rise Of An Empire 7 1

11 8 LORDE 1 AVA/REPUBL IC

Pure Heroine 3 24

NEW 0 SARA EVANSRCA NASTWILLFJSMH

Evans nabs her fourth top

10 album as Slow Me Down

starts with 27,000. It's also

her fourth straight top 10 set,

stretching back to 2005's No.

3 hit, Real Fine Place.

Slow Me Down 9

--.....--1

7 10 ERIC CHURCHEMI NASHVILLE/UMGN

Outsiders 1 5

10 12 11 BEYONCE APARKWOOD/COLUIABIA

Beyonce 1 14

9 11 12 VARIOUS ARTISTSSONY MUSIC/UNIVERSAL/UME

NOW 49 1 6

T 6 13 BECKFONOGRAF RECORDS/CAPITOL

Morning Phase 3 3

NEW 0 LEDISIVERVE/VG

The Truth 14 1

1 15 SCHOOLBOY QTOP DAWG/INTERSCOPE/IGA

Oxymoron 1 3

14 17 16 KATY PERRYCAPITOL

PRISM 1 21

18 20 17 IMAGINE DRAGONS AKIDINAKORNER/INTERSCOPE/IGA

Night Visions 2 80

22 23 0 LUKE BRYAN ACAPITOL NASHVILLE/UMGN

Crash My Party 1 31

24 26 0 FLORIDA GEORGIA LINE AREPUBLIC NASHVILLE/BIALG

Here's To The Good Times 4 67

17 19 20 EMINEM The Marshall Mathers LP 2VI EB/SHADY/AFTERMATH/INIERSCOPE/IGA

1 19

20 24 21 JOHN LEGENDG.O.O.D./COLUMBIA

Love In The Future 4 28

2 WKS

AGO

LAST THIS

WEEK WEEKARTIST CERTIFICATION

IMPRINT/DISTRIBUTING LABEL

TIT, PEAK

POS.

5 0

CHART

16 21 22 BRUNO MARS A Unorthodox JukeboxATLANTIC/AG

1 66

§ 14 23 ROMEO SANTOS Formula: Vol. 2SONY MUSIC LATIN

5 3

15 27 24 COLE SWINDELL Cole SwindellWARNER OROS NASHVILLE/WMN

3 4

21 28 25 MILEY CYRUS A BangerzRCA

1 23

§ 18 26 DIERKS BENTLEY RiserCAPITOL NASHVILLE/UMGN

6 3

30 35 CD BASTILLE Bad BloodVIRGIN/CAPITOL

11 28

19 29 28 TONI BRAXTON & BABYFACE Love, Marriage & DivorceMOTOWN/1D/MG

4 6

NEW 0 SOUNDTRACK DivergentINTERSCOPE/IGA

29 1

31 30 30 ARCTIC MONKEYS AMDOMINO

6 27

NEW 0 KXM KXMRAT PAK

31 1

O 32 LEA MICHELE LouderCOLUMBIA

4 2

33 38 015 JHENE AIKO Sail Out (EP)...' ARTCLUB/ARTIUM/DEF JAII/IDIMG

8 17

0 34ELI YOUNG BAND 10,000 TownsREPUBLIC NASHVILLE/BMLG

5 2

27 36 35 KIDZ BOP KIDS Kidz Bop 25RAZOR & TIE

3 9

NEW 0 JUANES Loco de AmorUNIVERSAL MUSIC LATINO/UMLE

36 1

25 33 37 DRAKE Nothing Was The SameYOUNG MONEY/CASH MONEY/REPUBLIC

1 25

23 31 38 VARIOUS ARTISTS 2014 Grammy NomineesGRAMMY/ATLANTIC/AG

2 8

4!) 39 DAVID NAIL I'm A FireMCA NASHVILLE/UM.

13 2

36 39 40 CASTING CROWNS ThriveBEACH STREET/REUNION/PLG

6 7

44 CI 41 ONEREPUBLIC NativeMOSLEY/INTERSCOPE/IGA

4 51

32 40 42 ONE DIRECTION A Midnight MemoriesSYCO/COLUMBIA

1 16

O 43 ASHANTI BraveheartWRITTEN/EONS

10 2

O 44 AMERICAN AUTHORS Oh, What A LifeDIRTY CANVAS/ISLAND/ID/MG-.,

15 2

a5 THIRTY SECONDS TO MARS Love Lust Faith + DreamsIMMORTAL/VIRGIN/CAPITOL

6 16

jil 46 46 KENDRICK LAMAR A good kid, m.A.A.d cityTOP DAWG/AFTERMATH/INTERSCOPEUGA

2 73

it) 50 47 CELTIC WOMAN Emerald: Musical GemsMANHATTAN

29 3

41 44 48 VARIOUS ARTISTS WOW Gospel 2014MOTOWN GOSPEL/WORD CURB/RCA INSPIRATION/RCA

26 6

26 49 49 JUSTIN TIMBERLAKE A The 20/20 Experience (2 Of 2)RCA

1 24

0 32 50 JAMES FORTUNE & FIYA Live Through ItFIYA WORLD/EONS

13 3

0 Go to BILLBOARD.COM/BIZ for complete chart data Data for week of 03.29.2014

97 103

WEEK

ARTIST CERTIFICATION

IMPRINT/DISTRIBUTING LABEL

MIELLIE GOULDINGCHERRYTREE/INTERSCOPENGA

The singer performed on NBC's Today

(March 12), lifting her album by 61

percent to 6,000 - its biggest week

since Dec. 29. 2013.

ITKS ON

CHART

Mk-52 9145 52 52 SOUNDTRACK

MADISON GATE/LEGACY

American Hustle

40 53 53 MACKLEMORE & RYAN LEWIS A The HeistMACKLEMORE

2 75

42 56 sa VARIOUS ARTISTSSONY NIUSICAINIVERSAL/UME

NOW 48 3 18

34 51 55 B. KELLYRCA

Black Panties 4 14

12 43 56 ST. VINCENTSEVEN FOUR/LOMA VISTA/REPUBLIC

St. Vincent 12 3

o 57 57 BLAKE SHELTON AWARNER BROS. NASHVILLE/VAIN

Based On A True Story ... 3 51

55 59 58 VARIOUS ARTISTSPROVIDENT/WORD CURB/CAPITOL CMG

WOW Hits 2014 25 25

59 75 el......

LANA DEL REY APOINOOR/INTERSCOPC/IGA

Born To Die 2 111

66 69 0 AVICIIPRMD/ISLANONEUMG

True 5 26

0 61 DRIVE -BY TRUCKERS English OceansATO

16 2

46 60 62 BRUNO MARS AfLEKTRA

Doo-Wops & Hooligans 3 177

39 55 63 PASSENGERCLACK CROW/NETTWERK

All The Little Lights 26 33

53 72 all......

JENNIFER NETTLESMERCURY NASHVILLE/UMGN

That Girl 5 9

50 71 65 KID INKTHA ALUMNI GROUP/88 CLASSIC/RCA

My Own Lane 310

51 67 66 JASON ALDEAN ABROKEN BOW/BRIG

Night Train 1 74

47 62 67 BROKEN BELLSCOLUMBIA

After The Disco 5 6

327 0 0 HAIMCOLUMBIA

Days Are Gone 6 22

REENTRY SOUNDTRACK Inside Llewyn Davis 14 15

STURIOCANAIJMIKE ZOSS PRODUCTIONS/LONGS/RANGE TRIP/NONESUCH/WARNER BROS.

77:7 The music -filled movie's home video release on

March 11 prompts a 123 percent sales increase.

88 99 12)1....'

KEITH URBANHIT RED/CAPITOL NASHVILLE/111.N

Fuse 1 27

(ID ID.....-

NEWSBOYSSPARROW/CAPITOL CMG

Restart 38 14

58 76 72 ADELE*XL/COLUMBIA

21 1 160

69 79 73 RYE FINGER DEATH PUNCHPROSPECT PARK

The Wrong Side Of Heaven...Volume 2 2 17

18la 58 74 P!NK ARCA

The Truth About Love 1 78

TIMMO

52

LAST

WEEK

68

THIS

HUB

75

ARTIST CERTIFICATION ,,,,,

IMPRINT/DISTRIBUTING LABEL

PEAK

P05.

1

WKS 0

CHART

43DAFT PUNK A Random Access MemoriesDAFT LITE/COLUMBIA

NEW fla......

VARIOUS ARTISTS WOW Worship (Lime)YORE CURB/CAPITOL CMG/PROVIDENT/PIG

76 1

8 47 n THE FRAY HeliosEPIC

8 3

43 73 78 A GREAT BIG WORLD Is There Anybody Out There?BLACK MAGNETIC/EPIC

3 8

63 78 79 JOHNNY CASH A The Legend Of Johnny CashLEGACY/COLUMBIA NASHVILLE/AIAERICAN/ISLAND/UME

5 157

56 63 80 K. MICHELLE Rebellious SoulATLANTIC/AG

2 21

62 85 81 KACEY MUSGRAVES Same Trailer Different ParkMERCURY HASHVILLE/UMGN

2 45

70 83 82 AVENGED SEVENFOLD Hail To The KingWARNER BROS.

129

cp HG ELBOW The Take Off And Landing Of Everything 83 2

FICTION/POLYDOR/CONCORD

0 84 REAL ESTATEDOMINO

Atlas 34 2

108 129 0 THE 1975DIRTY HIT/VAGRANT/INTERSCOPE/IGA

The 1975 28 18

102 120 0 THE NEIGHBOURHOOD I Love You.IRIEVOLVE/COLUMBIA

25 47

93 108 0...."

TAMELA MANNTIL TYIAANN

Best Days 14 79

65 92 88 CHILDISH GAMBINOGL ASSNOTE

Because The Internet 7 14

60 82 89 LINKIN PARK WARNER BROS.

[Hybrid Theory] 2 128

0 90 DONNIE MCCLURKINRCA INSPIRATION/RCA

Duets 45 2

78 96 91 LINDSEY STIRLINGLINDSEYSTOMP

Lindsey Stirling 23 68

CD 0 NEWSBOYSINPOP/CAPITOL CMG

God's Not Dead as 53

45 81 93 PHANTOGRAMBARSUK/REPUBLIC

Voices 11 4

54 86 94 LAKE STREET DIVESIGNATURE SOUNDS

Bad Self Portraits 18 4

64 93 95 THE BEATLES APPLE/CAPITOL/UME

1 1 165

79 88 96 EMINEM 0YiTIPATTERMATH/ INTERSCOPE/UME

The Eminem Show 1 156

4 42

90 105

72 87

JESUS CULTURE Reconstructed Volume 1JESUS CULTURE

A week after Hillsong United made

news as the first Christian act to top

Billboard's Dance/Electronic Albums

chart. Jesus Culture places this set at

No. 4 on that list. It also begins at No.

5 on Christian Albums.

KID CHDI SATELLITE FLIGHT: The journey to Mother MoonREPUBLIC

BOB HARLEY AND THE WAILERS 4> Legend: The Best Of...TUFF GONG/ISLAND/LIME

OF MICE & MENRISE

Restoring Force

97 1

3

18 304

7

YoungAdultArrivalsThe latest young adultnovel series -turnedmajor motion pictureevent - Divergent - sees

its companion soundtrackbow at No. 29 on theBillboard 200 with 10.000sold, according to NielsenSoundScan.

The set, which features a

slew of new music by EllieGoulding, Snow Patrol,Kendrick Lamar, M83and ASAP Rocky, amongothers, follows similarmovie/soundtrack comboslike Twilight and TheHunger Games.The Divergent album

arrived slightly more thana week before the filmopened, as the set bowedMarch 11 and the moviehit U.S. screens on March21. That could explain thealbum's tepid start, as

audiences have yet toconnect the film to itsmusic. If the movie driveshome the importance of itsmusic to memorable scenesin the film (as was the case

with Twilight, for example).then there could be growthfor the set.

The first Twilight albumdebuted Nov. 3, 2008. whileits accompanying filmdidn't open until Nov. 2t.But that didn't hurt sales ofthe album, as it launchedwith 165,000 at No. 1. Itthen sold in excess of100.000 in each of its firsteight weeks of release.

-Keith Caulfield

Data for week of 03.29.2014 I For chart reprints call 212.493.4023 Go to BILLBOARD.COM/BIZ for complete chart data

EminemBeatsStraitEminem manages twosignificant sales feats: Hislatest album reaches a

milestone threshold andhis cumulative sales growever larger.

The Marshall MathersLP 2 sold another 13,000copies in the week endingMarch 16. accordingto Nielsen SoundScan.bringing its cumulativetotal to 2 million. All ofEminem's albums havenow each sold more than 2million copies. led by TheMarshall Mathers LP. with10.8 million. (He's also oneof only two acts with two10 -million sellers sinceSoundScan began trackingsales in 1991. The other:Backstreet Boys.)Thanks to the continued

sales of The MarshallMathers LP 2 - and

Eminem's catalog ingeneral - the rap icon'scumulative album saleshave grown to 44.91 million.In the week ending March 9,Eminem overtook countryking George Strait (44.89million) to become thesecond -largest -selling maleartist of the SoundScan era.

Among all acts during thatspan. Eminem is in sixthplace, displacing Strait toNo. 7 on the best-sellingartists list. Garth Brooksis tops with the mostalbums sold, with 69.5million. The Beatles are in

second (65.6 million) andMetallica is third (54.26million). Mariah Carey(54.24 million) and CelineDion (52.21 million) roundout the top five.

-Keith Caulfield

USTWEER

REITRY

ARTIST CERTIFICATION

IMPRINT/DISTRIBUTING LABEL

MILE

RUBEN STUDDARD,ERNE/VG

Unconditional Love 46 4

Following publicity and promotion in

the week ending March 16. the former

American Idol winner zips back with

a 128 percent gain. During the week

he performed on Dr. Phil while Centric

premiered Being: Ruben Studdard.

RUBEN

STIMARD 41.10.

'ite ;Or4. /,

81 124 0 GARTH BROOKS Blame It All On My Roots: Five Decades Of InfluencesPEARL

1 16

91 110 103 THOMAS RHETT It Goes Like ThisVALORY/BMLG

6 20

114 0 104 JOURNEY* Journey's Greatest HitsCOLUMBIA/LEGACY

10 296

98 142 0........

JAMIE GRACE Ready To FlyGOTEE/COLUMBIA

32 7

164 106 BLAKE SHELTON Loaded: The Best Of Blake SheltonREPRISE NASHVILLE/VAIN

18 133

NEW THE DIRTY GUV'NAHSSUMMERTOWN/GOOD TIME

The Tennessee band earns its first entry with

its third studio album, selling 3,000. Of that

'-'12iitt'7P1111"4'' sum, 43 percent came from the South Central7'24;47

region, which includes the act's home state.

Hearts On Fire 107 1

III 136 (C) HUNTER HAYES A Hunter HayesATI ANTIC/MIN

7 109

192 CD in PARAMORE ParamoreFUELED BY RAMTN

1 44

73 90 110 YO GOTTI I AmCOCAINE MUZIK/EPIC

7 17

- 147 SKILLET RiseATLANTIC/AG

430

149 95 PANIC! AT THE DISCO Too Weird To Live, Too Rare To Die!DECMDANCE/FUELED BY RAMEN

2 23

57 84 113 TAMAR BRAXTON Love And WarSTREAML INF IFPIC

2 28

96 114 114 FALL OUT BOY Save Rock And RollDECAYDANCE/ISL ANDIICOMG

1 48

116 164 Q TASHA COBBS Grace (EP)SIOTOWN GOSPEL/CAPITOL CMG

61 42

105 131 Q LADY ANTEBELLUM GoldenCAPITOL NASHVILLE/UMGH

1 45

95 122 117 MUMFORD & SONS A BabelGENTLEMAN OF THE ROAD/GL ASSNOTE

1 77

74 94 118 NICKELBACK A All The Right ReasonsROADRUNNER

1 184

Co no SOUNDTRACK The Hunger Games: Catching FireLIONS GATE/REPUBLIC

5 14

148 181 0 ARIANA GRANDE Yours TrulyREPUBLIC

1 28

157 Q 121 ZAC BROWN BAND A UncagedROAR/SOUTHERN GROUND/ALL ANTIC/AG

1 87

SOUNDTRACK Glee:The Music:Season Five: City Of Angels (EP) 122

20TH CENTURY FOX TV/COLUMBIA

The show's 23rd charting album is its lowest

debut (3,000). Between 2009 and 2011, all but

one of Glee's 14 entries hit the top 10. Since

then, it has returned to the region only once.

LAST

WEIN

4

131 152

ARTIST CERTIFICATION

IMPRINT/DISTRIBUTING LABEL

TITLE

107 132

115 128

142 156

THE NOTORIOUS B.I.G.BAD COY/AG

DON WILLIAMSSUGAR HILINCELK

Greatest Hits I 1

The country veteran (who charted 56

hits on Hot Country Songs between

1972 and 1992) delivers his second

album for Sugar Hill. He's visited the

Billboard 200 only five times, reaching

No. 57 in 1980 with I Believe in You.

MONCHART

28

Reflections 124 1

ARCHITECTS UK Lost Forever // Lost Together 125 1

EPITAPH

LUKE BRYAN A Tailgates & Tanlines 2 136

CAPITOL NASHVILLE/UMGN

NICKELBACK The Best Of Nickelback: Volume 1 21 17

ROADRUNNER

AC/DC Back In Black 156

COLUMBIA/LEGACY

OF MONSTERS AND MEN A My Head Is An Animal 6 102

REPUBLIC

With another 3,000 sold, the rock act's

album creeps past the 1 million sales

mark. The set's total song sales (led by

the No. 1 Triple A and Alternative hit

"Little Talks") stand at 4.4 million.

113 133 Do SCOTTY MCCREERYIWINTERSCOPF/MERCURY/UMGH

See You Tonight 6 22

119 139 131 SOUNDTRACK AUHF

Pitch Perfect 3 73

125 15o 0Q BRANTLEY GILBERT...we,.

Halfway To Heaven 4 115

109 143 133 ERIC CHURCH AEMI NASHVILLE/UMGN

Chief 1 126

133 185 0 VAMPIRE WEEKEND Modern Vampires Of The Cityx,

1 41

71 117 135 BRUCE SPRINGSTEENCOLUMBIA

High Hopes 1 9

75 gm 136 SARA BAREILLESEPIC

The Blessed Unrest 2 32

156 168 0-...

CREEDENa CLEARWATER REVIVAL AFANTASY/CONCORD

throokle The 20 Greatest Hits 22 209

RE-ENTRY 0 DR. DRE AAFTERMATH/INTERSCOPE/UME

Dr. Dre - 2001 2 108

86 106 139 SOUNDTRACKBACK LOT

Despicable Me 2 86 6

117 144 140 JUSTIN MOOREVALORY/EALG

Off The Beaten Path 2 26

0.....

THE NATIONALAAD

Trouble Will Find Me 3 23

35 74 147 CANDICE GLOVER19/INTERSCOPE/IGA

Music Speaks 14 4

147 138 143 THE LUMINEERS ADUALTONE

The Lumineers 2 102

130 146 144 HILLSONG UNITEDHILLSONG/SPARROW/CAPITOL CMG

Zion 5 21

121 145 ins TAYLOR SWIFT ABIC MACHINE TAG

Red 1 73

CIGo to BI LLBOARD.COM / BIZ for complete chart data Data for week of 03.29.2014

USTIKEA

DNS

WEEK

ARTIST CIRTWICATION

IMPRINT/DISTRIBUTING LABEL

IIILE IIKS.ON

(MART

103 130 146 DAUGHTRY Baptized19/RCA

6 17

RE-ENTRY 0 JAKE OWEN Days Of GoldRCA NASHVILLE/SMN

15 13

184 Oiti Ns BLACK SABBATH A ParanoidWARNER BROS.

121 75

101 126 149 JAY Z A Magna Carta... Holy GrailROC A FELLA/ROC NATION

1 36

122 137 150 PENTATONIX PTX: Vol. IIMADISON GATE

10 14

0 151 HILLSONG UNITED the white album [remix project)HILLSONG/SPARROW/CAPITOL CMG

48 2

170 175 0 METALLICA MetallicaBLACKENED/WARNER BROS.

1 297

132 148 153 FIVE FINGER DEATH PUNCH The Wrong Side Of Heaven...Volume 1PROSPECT PARK

2 32

100 154 154 BEASTIE BOYS A Licensed To IIIDEE MM/UME

1 129

84 112 155 ROBIN THICKE Blurred LinesSTAR TRAK/INTERSCOPE/IGA

1 33

87 140 156 LADY GAGA ARTPOPSTREAMLINE/INTERSCOPE/IGA

1 18

RE-ENTRY 0 BIG DADDY WEAVE Love Come To LifeFERVENT/WARNER.CURB

145 8

99 Q 150 LITTLE MIX SaluteSYCO/COLUIABIA

6 6

185 CD 359 VOLBEAT Outlaw Gentlemen & Shady LadiesVERTIGO/REPUBLIC

9 34

CD 160 GEORGE STRAIT Love Is EverythingMCA NASHVILLE/LIMA

2 35

151 153 161 DEMI LOVATO DemiHOLLYWOOD

3 38

68 121 162 SOUNDTRACK The Lego MovieWATERTOWER

376

160 G 163 ORIGINAL BROADWAY CAST RECORDING A WickedDUCA BROADWAY/DECCA

66 104

138 159 164 A DAY TO REMEMBER Common CourtesyADTR

37 15

RE-ENTRY 0 MATT MAHER All The People Said AmenESSENTIAL/PIG

The album returns to the chart for the

first time since May 11, 2013, courtesy

of sale -pricing at Family Christian

stores, where it was discounted to $5

during the tracking frame.

-Keith Caulfield

115 2

Illigal11 35166 193 0

'..."BRING ME THE HORIZON SempiternalEPITAPH

123 167 167 JUICY J Stay TrippyKENIOSABE/COLUMBIA

4 25

RE-ENTRY 0 LUKE BRYAN Spring Break... Here To PartyCAPITOL NASHVILLE/W.16N

130

150 161 169 ROSANNE CASH The River & The ThreadBLUE NOTE

11 9

155 179 170 ZAC BROWN BAND A You Get What You GiveSOUTHERN GROUND/ROAR/BIGGER PICTURE/ATLANTIC/AG

1 151

RE-ENTRY 49 THE STATLER BROTHERS Best From The Farewell ConcertGAITHER/CAPITOL CMG

145 2

tinAGO

LAST

WEEKNIS

WEEK

ARTIST mi..... TITLE

IMPRINT/DISTRIBUTING LABEL

PEAK

P05.MNCHART

RE-ENTRY 0 SKILLET A AwakeARDENT/FAIR TRADE/ATLANTIC/AG

2 144

RE-ENTRY 0 MANDISA OvercomerSPARROW/CAPITOL CMG

29 21

RE-ENTRY 0 KATY PERRY A Teenage DreamCAPITOL

1 174

154 178 175 WILLIE NELSON A Super HitsCOLUMBIA/LEGACY

98 74

RE-ENTRY 0 JASON ALDEAN A My Kinda PartyBROKEN BOW/BBMG

2 157

167 190 177 PINK FLOYD* The Dark Side Of The MoonCAPITOL

12 859

128 180 178 TLC 0 CrazySexyCoolLAFACE/ARISTA/SONY MUSIC CMG

3 119

RE-ENTRY 0 LED ZEPPELIN A MothershipSWAN SONG/ATLANTIC

7 175

O. 180 PHILLIP PHILLIPS A The World From The Side Of The Moon19/INTERSCOPE/IGA

4 60

118 157 181 VINCE GILL & PAUL FRANKLIN BakersfieldMCA NASHVILLE/UMGN

25 11

89 149 182 EMINEM * The Marshall Mathers LPWEB/AFTERMATH/INTERSCOPE/UME

1 154

RE-ENTRY 0 LANA DEL REY Paradise (EP)POLYDOR/INTERSCOPE/IGA

10 46

143 194 184 MUMFORD & SONS A Sigh No MoreGENTLEMAN OF THE ROAD/GLASSNOTE

2 206

136 189 185 TYLER FARR Redneck CrazyCOLUMBIA NASHVILLE/SMN

5 17

RE-ENTRY 0 EAGLES A The Very Best Of The EaglesWARNER STRATEGIC MARKETING

3 119

RE-ENTRY 0 MICHAEL JACKSON A The Essential Michael JacksonEPIC/LEGACY

53 88

RE-ENTRY 0 IN THIS MOMENT BloodCENTURY MEDIA

15 33

124 171 189 SWITCHFOOT Fading WestLOWERCASE PEOPLE/ATLANTIC/AG

6 9

126 174 190 FOREIGNER Juke Box HeroesTRIGGER/RAZOR & TIE

109 27

176 184 191 COMMODORES* 20th Century Masters The Millennium CollectionMOTOWN/UME

167 7

180 197 192 THE TEMPTATIORSA The 60's: NIth Century Masters The Millennium CollectionMOTOWN/LOAF

73 54

0 193 KB 100 (EP)REACH

22 2

135 162 194 DARIUS RUCKER True BelieversCAPITOL NASHVILLE/UMGN

2 43

RE-ENTRY 0 ZEDD ClarityINTERSCOPEOGA

38 23

4:12) 196 PRINCE AND THE REVOLUTION Purple Rain (Soundtrack)WARNER BROS.

1 84

177 198 197 ARCADE FIRE ReflektorMERGE/CAPITOL

1 20

RE-ENTRY 0 CAPITAL CITIES In A Tidal Wave Of MysteryLAZY HOOKS/CAPITOL

66 23

RE-ENTRY 0 FITZ AND THE TANTRUMS More Than Just A DreamDANGERBIRD/ELEKTRA

26 7

141 191 200 THE BEATLES 0 Abbey RoadAPPLE/CAPITOL/UM(

1 174

11g.LA

SaraEvansIt seems like a lot of thesongs on your new album,Slow Me Down, whichenters the Billboard 200at No. 9, are about peoplewho are at a crossroads.You're right. "Let My HeartDown." if Run" and "NotOver You" are super sadand definitely depict peoplewho are struggling. I likedrama and sad songs, and Ilove to be the person who'sthe victim in the song. I'vealways said I hate strong -

woman songs.

It sounds like you'resinging a little differentlyon this album. There'smore vibrato this time.Especially on "If I Run." I

wrote that with ShaneStevens and KarynRochelle. We thought we

would pitch it to Beyonce,because Shane andBeyonce are friends, andwe knew she was lookingfor songs. I kept listeningto the work tape and I waslike, "This is so good. I'mkeeping this." But becauseit's a different kind ofmelody for me, or pocket. Inoticed that I was doing awider vibrato than usual.

Why did you duet withIsaac Slade of The Fray?I'm a huge fan of the band.Isaac's voice is amazingand has such drama. Everytime he sings, he soundslike he's about to lose it, orscream or cry. But he kind

of chews his words up andyou can't understand thelyrics, so we had to pull hisvocals up incredibly loudin the mix. I'm like, "What?Are we going to needsubtitles in the video?"

-Tom Roland

Data for week of 03.29.2014 I For chart reprints .11 212.493.4023 Go to BILLBOARD.COM/BIZ for complete chart data 1111)

_C (NJ

0tJ

RADIO SONGSim

0:00010010010

TITLEIMPRINT/PROMODON IA.

Artist

Pharrell Williams

DARK HORSE Katy Perry Feat. Juicy ICAPITOL

TEAMLAVA/REPUBLIC

ALL OF MEG.O.O.D/COMMIBLA

POMPEIIVIRGIN/CAPITOL

Lorde

John Legend

Bastille

COUNTING STARS OneRepublic

TALK DIRTY Jason Derulo Feat. 2 ChainzULM. HEIGHTS/WARNER BROS

DRUNK IN LOVE Beyonce Feat. Jay ZPARKWOOD/COLUME.

STORY OF MY LIFE One DirectionSYCO/COLUMBIA

BEST DAY OF MY LIFE American AuthorsDIRTY CANVAS/ISLAND/10114

BURNCHERRYTREENNTERSCOPT

Ellie Goulding

SHOW ME Kid Ink Feat. Chris BrownTHA ALUMNI GROUP/88 CLASSIC/.

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SokoPlants'Kiss' OnCharts

"We Might Be Deadby Tomorrow," by altsinger -songwriter Soko(below), debuts at No. 1on Billboard's StreamingSongs chart with 11.5million U.S. streams,according to Nielsen BDS.The quickly building viralhit concurrently launchesat No. 9 on the BillboardHot 100.

Of the song's streamingsum (in the week endingMarch 16). 99 percent isfrom YouTube, the majorityof which stems from userswho viewed the viral video

"First Kiss," which hit theInternet on March 10. Thethree -minute. 28 -second

"Kiss" clip captures 20strangers sharing theirfirst kiss."Tomorrow" bows on theHot 100 with 96 percent ofits points from streaming. Italso sold 10.000 downloadsin the week ending March16, up. like its parent album,from a minuscule amountthe prior week.

Further down StreamingSongs, another viral videodrives the popularity ofanother track from theFrozen soundtrack. "LoveIs an Open Door" byKristen Bell & SantinoFontana bows at No. 14 onStreaming Songs thanks toits use in a viral video. In

a the clip, a couple lip-syncsthe song while their childrides along in the backseat. The views on YouTubeaccount for 87 percent ofthe title's 3.2 million totalduring the charting week.

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'Papi'PushesLopez ToTop 10Jennifer Lopez (above)jumps 19-7 on the Social 50

144 thanks to her beefcake -

filled new video for "1 Luh172 Ya Papi." The fleshy clip

made its Vevo debut on69 March 13.

The clip has racked up173 more than 9.5 million

global plays since its debut,contributing mightily tothe 23 million plays (up18 percent) on her Vevochannel in the weekending March 16. The rise

163 in conversation resultingfrom the video's splash

23 is evidenced by the 67percent rise in weekly

9

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AVRIL LAVIGNEEPIC

115 26 percent rise in weeklyfan acquisition (adding

122 630,000 new fans to heraudience).

25 This is Lopez's first visitto the top 10 since the Aug.17. 2013, when she rankedat No. 5.

Elsewhere. A rianaGrande climbs 33-12thanks to her fans on

Instagram, similar to34

122

23

how Nicki Minaj (10.5)has made recent inroads.During the tracking week,Grande posted a series ofclips with two of her friends

17 goofing around in theirhome in California. The

140 videos generated a 558

39percent increase in likes toher account. In turn, that

137helped her add 376.000new fans to her audienceacross Instagram. Facebookand Twitter.

Lastly, Skrillex re-entersat No. 27 as new albumRecess became availablefor streaming on iTunes

170 during the charting week.The excitement caused a

163 51 percent increase in fanacquisition for the week,

MICHAEL JACKSONPA/EPIC

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55

171

79

133

Data for week of 03.29.2014 For chart reprints call 212.493.4023 Go to BILLBOARD.COM/BIZ for complete chart data

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3 Thicke's "Blurred Lines"for 10 weeks last year.

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7 Gospel Airplay No. I as "ICan Only Imagine" lifts3-1. The song follows her25 -week leader "Take Meto the King" in 2012 and2013. Mann's latest updatesMercyMe's 2003 Christianand AC signature crossoversmash. -Gary Trust

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Data for week of 03.29.2014 I For chart reprints call 212.493.4023 Go to BILLBOARD.COM/BIZ for complete chart data 0

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FG L,Bryan'Roll'Florida Georgia Line(above) becomes the firstduo since Brooks & Dunnin 1991 and 1992 to notchat least three No. Is on HotCountry Songs from a debutfull-length album, as "ThisIs How We Roll" (featuringLuke Bryan) rises 2-1 withdual Digital and StreamingGainer honors. The songis the third No. I from theduo's introductory album,Here's to the Good Times,which has sold 1.7 millioncopies, according to NielsenSoundScan. Lead track"Cruise" led for a record 24weeks beginning on Dec.22, 2012, and fourth radiosingle "Stay" reigned for sixframes beginning on Dec.14. 2013. "Roll" appearson the deluxe version ofHere's to the Good Times,released in November.

"Roll" returns to the topof Country Digital Songs(2-1; 80,000. up 37 percent,according to NielsenSoundScan) and rockets11-2 on Country StreamingSongs (1.2 million U.S.streams, up 92 percent,according to Nielsen BDS)as the survey period coversthe first full week followingits official video release(March 8).

Bryan collects his seventhHot Country Songs No. 1,while his new EP, SpringBreak 6 ... Like We Ain'tEver, debuts at No. 1 on TopCountry Albums (see story,page 45).

On Country Airplay (seepage 59), Frankie Ballardlands his first No. 1 with"Helluva Life." The trackleaps to a new peak (12-8)on Hot Country Songs.

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Ill 4000. according toNielsen SoundScan.

2 This is 311's third albumto reach the rock chart

33 since it launched in 2006.Of course. the group hasbeen around much longer,having released its firstfull-length set in 1990.The group arrived on theBillboard 200 in 1994 withGrassroots.

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THE NEIGHBOURHOOD I Love You.

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2 and peaked at No. 4. A No.1 album continues to elude

17 the group.With nine top 105, the

46 group is tied with SherylCrow and BrooksDunn for the most top105 by an artist withouta No. I in the SoundScan

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Songs. Paramore reaches

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32 MUMFORD & SONS AGENTLEMAN OE THE ROAD/GLASSNOTE

Babel

32 the top 10 with "Ain't ItFun," which climbs 11.10

23 with Digital and StreamingGainer honors. It likewise

48 enters the Rock DigitalSongs top 10 (13-9; 34,000

77 downloads sold, up 43percent) and gains by33 percent to 712,000U.S. streams, accordingto Nielsen BDS. -KeithCaulfield and Gary Trust

33

'0 0SOUNDTRACK The Hunger Games: Catching FireLIONS GAIE/REPUBLKE

12

ARCHITECTS UK Lost Forever // Lost TogetherEFTIAPII

35 NICKELBACK The Best Of Nickelback: Volume IROADRUNNER

17

36 OF MONSTERS AND HEN A My Head Is An AnimalREPUBLIC

102

MOIRE WEEKEND Modern Vampires Of The CityXL

38

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VARIOUS ARTISTS I'm Goma Make Wu Dame Jar% 14WATERT..

'Beautiful'MusicThough no stranger to theBillboard charts, Fresno,Calif. -based singer -

songwriter -producer MaliMusic posts his first hit on

Hot R&B/HipHop Songs as"Beautiful" opens at No.36 with Hot Shot Debuthonors. The impressiveentrance is due primarilyto the digital explosioncaused by his performanceof the song on the March13 broadcast of Fox'sAmerican Idol. According 1to Nielsen SoundScan, thetrack was downloadednearly 22,000 times in the g 1

week ending March 16, a

1,300 percent increase overthe previous period. Thetrack also debuts at No.16 on R&B/Hip-Hop DigitalSongs (see page 60).

Before signing withMark Pitts' ByStormEntertainment label (underRCA) in 2013. Mali Musicwas primarily a Christianact, peaking at No. 15 onGospel Albums with his2009 debut. The 2econdComing. Stand-alone single"The Job Experience" ifpeaked at No. 2 on GospelDigital Songs in 2012.followed by his featuredturns on Kirk Franklin's"Give Me" (No. 7, 2012) andLecrae's "Tell the World"(NO. 4, 2013).

Not surprisingly, newsingle "Beautiful" catapults11-1 on Gospel Digital Songsand 12.1 on Hot Gospel

Songs, his first No. is oneither list. "Beautiful" wasone of a handful of tracksMali Music posted on his g.1

SoundCloud page last 1 2

October. previewing hissecular, major -label debutMali is..., which is scheduledfor release this spring.

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Top R&B/Hip-Hop Albums.Although surpassing theopening figure of last year'sYoung Money/Cash Moneycompilation Rich Gang(24,000), Rise of an Empirefalls far short of its properpredecessor We Are YoungMoney, which debuted inJanuary 2010 with 142,000.

The Young Moneylabel was just takingform in 2009. the yearthat Drake and NickiMinaj signed with the LilWayne -founded venture.In setting up We AreYoung Money, the crewreleased the singles "EveryGirl" and "Bedrock" (thelatter featuring Lloyd).both of which peaked atNo. 2 on Hot R&B/Hip-HopSongs. The ensemble alsoembarked on a 14 -cityYoung Money, Cash MoneyTour in support of thealbum.

The rollout of Rise ofan Empire has broughtmuch less fanfare, withonly two pseudo -singlesin Drake's "Trophies" andMinaj's "Lookin Ass," bothinitially released as onlinefreestyles before beingtapped for the album. Nowcredited to Young Money.the freestyles-turned-singles reach new Hot R&B/Hip -Hop Songs peaks ofNos. 15 and 28. respectively.

Since 2010, the YoungMoney/Cash Money cliqueis one of four rap crews topost top 105 on Top R&B/Hip -Hop Albums. RickRoss' Maybach Music hastaken three albums tothe region, while KanyeWest's 0.0.0.0. Music andTyler, The Creator's OddFuture have posted oneeach. -Rawly Ramirez

Data for week of 03.29.2014 I For chart reprints call 212.493.4023 Go to BILLBOARD.COM/BIZ for complete chart rota (1)

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JuanesFor OneJuanes enters Latin PopAlbums at No.1 with Loco deAmor, moving 9,000 copiesin its first week, accordingto Nielsen SoundScan. TheColombian rocker notcheshis fifth leader on the listwhile single "La Luz" leaps18-13 on Hot Latin Songs,taking Digital and StreamingGainer honors. The tracksold 3,000 downloads (a 97percent increase), enoughto also climb 22-9 on LatinDigital Songs.

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again ties the record formost No. Is on TropicalAirplay as "Una Vez Mas"featuring Reik lifts 8-1 on

the chart (up 67 percentto 600 plays, according toNielsen BDS). Manuellematches Marc Anthony'ssum of 23 No. Is as bothsalseros have jockeyed forthe crown in recent years.Anthony pulled aheadjust this past January with"Cambio de Piel."

Wisin ascends 5-1 on Latin

Airplay with "Adrenalina"featuring Jennifer Lopez &Ricky Martin, notching theurban act's third No.1 as a

lead artist. The track, whichalso grants Martin his 13thNo. I and Lopez her fourth,claims Greatest Gainerhonors (up 37 percent to 12.9million impressions). Wisin'ssophomore solo album, ElRegreso del Sobreyiyiente,is set to impact the chartsnext issue.

On Regional MexicanAirplay, Julion Alvarez y SuNorteno Banda attain theirthird chart -topper as "Te

Hubieras Ido Antes" rises6-1. The song posts a 42percent surge, to 9.2 millionaudience impressions, in itsninth week on the chart.

-Amaya Mendizabal

0 Go to BILLBOARD.COM/BIZ for complete chart data Data for week of 03.29.2014

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ChainsmokersTake '#Selfie'To No. 1

The upward surge by TheChainsmokers (above) on

Hot Dance/Electronic Songswith "#Selfie" culminatesin the track taking overthe top spot (5-1). "#Selfie"reigns with Airplay andDigital Gainer honors, alsobolting up Dance/ElectronicStreaming Songs (16-7;1.4 million U.S. streams,with 30 percent fromSpotify users, accordingto Nielsen BDS), Dance/Mix Show Airplay (4-2),Dance Club Songs (33-19)and the Billboard Hot 100(28-18). It ranks at No.1 fora second week on Dance/Electronic Digital Songs(111,000 downloads sold;up 26 percent, according toNielsen SoundScan).

With "Hey Brother" slidingto No. 2 after a week at No.1, Avicirs unprecedented27 -week lock on the summit(dating to the Sept. 21, 2013,issue, when "Wake MeUp!" first reached No.1) isbroken.Calvin Harris starts

at No. 26 on Hot Dance/Electronic Songs with

"Summer." The first songfrom Harris' forthcomingalbum features his vocalsfor the first time. The debutis based on a split of radioairplay points (3.1 millionaudience impressions) andstreams (215,000), whilesales will affect the chartfollowing the song's March15 digital release.

Meanwhile, DJ Snake& LB Jon improve with

"Turn Down for What," theStreaming Gainer on HotDance/Electronic Songs(3-3) and the Hot 100 (27-21).Following the premiere ofits video, it cruises 5-2 on

Dance/Electronic StreamingSongs (2.9 million, up 61percent). "Turn Down forWhat" also increases on

Dance/Electronic DigitalSongs (2-2; 83,000, up 10percent) and Dance/MixShow Airplay (12-9).

-Gordon Murray

Data for week of 03.29.2014 For chart reprints call 212.493.4023 Go to BILLBOARD.COM/BIZ for complete chart data 0

DANCE CLUB SONGST"LAST THIS TITLE.1. IMPRINT/MOMOTION LAM

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INTO THE BLUEPARLOPHONE/WARNER BROS.

Kylie Minogue 5

TIME AFTER TIME 2014 Cyndi Lauper 5EPICAEGACY

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Beyonce 8

CELEBRATE Empire Of The Sun 7THE SLEEPY MCKSON/ASTRALWERKS/CAPITOL

FIND YOU Zedd. Matthew Koma. Miriam BFYant 4MTFRSCOPF

SHINY DISCO BALLS Scotty Boy Feat. Sue ChoPOP ROx

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SAYSOIETHING AGreat BigWorld&Ovistina AguiletaBLACK MAGNETIC/EPIC

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Betty Who

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HANDS UP IN THE AIR Audio PlaygroundSONY MUSIC CANADA

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MIND BLOWN Noelia Feat. TimbalandVN STAR

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7

3

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2

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IF ONLY TONIGHT Assia Ahhatt 7SEIZE THE DAY

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FREE Rudimental Feat. Emeli SandeBLACK BUTTER/ASYLUM

SAY SOMETHING A Great Big World & Christina AguileraBLACK MAGNETIC/EPIC

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CORAZONES INVENCIBLES Aleks Syntek

LOLIPP ED ILL IL Ili, PDS

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Pharrell Williams

OneRepublic

El Bebeto

BURNREE/iNTERSCOPE/uNivERSAL

Ellie Goulding

HERMOSA EXPERIENCIA Banda SinaloenselAS de Sergio lizarraga

CONSECUENCIA DE miSACTOS Banda El Recodo de Cruz lizarraga

SOY DE RANCHOIWINIS

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EL PERDEDOR Enrique Iglesias Feat. Marco Antonio SolisUNIVERSAL

41) Go to BILLBOARD.COM/BIZ for complete chart data Data for week of 03.29.2014

BRAZILBRAZIL HOT 100 AIRPLAY

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GAVETASOM LIVRE

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Pharrell Williams

2

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GROSSPER TICKET PRICE.)

$5,554,170(I4.004.652)022.05/897.09

$3,702,8335175/14930

ARTISTVENUE

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BEYONCE, MONSIEUR ADI02. °Nun. IRELAND.11018 9. 1112

ATTENDANCE PROMOTER

CAPACITY

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FOUR SELLOUTS

JUSTIN TIMBERLAKE, DJ FREESTYLEUNITED CENTER. 011000 251.263

FEB. 16.17 TWOSELLOUTS

AIKEN PROMOTIONS

LACE NATION GLOBAL

TOURING

$3,663,7905195/54900

JUSTIN TIMBERLAKE, DJ FREESTYLEMADISON SQUARE CARDEN. NEW YORK 27.763

FEEL 2021 TWOSELLOUTS

LIVE NATION GLOBAL

TOUR.

$3,324,289 JUSTIN TIMBERLAKE, DJ FREESTYLE(93453.128 CANADIAN) MR CANADA CENTRE. TORONTO 30.0595159.25/145.04 FEB. 13.14 TWOSELLOUTS

LIVE NATION GtOrsTOURING

$2,465,920 CELINE DIONE250/51754140/555 THE COLOSSEUM AT CAESARS PALACE. LAS VEGAS

MARCH 11.12.1445

25.801.4887 FOUR CONCERTS WEST/AEG LIVE.

AWNS ONE SELLOUT CAESARS ENTERTAINMENT

$2,124,230 LIONEL RICHIE & JOHN FARNHAM(52.345930AUSTRAUAN) BRISBANE ENTERTAINLLENE CF NIRF. BRISBANE. AuSTRAt IA 1,922S176.72/5104.22 MARCH 1011 172134 TWO SHOWS

$1,787,1421m/649.s°

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JUSTIN TIMBERLAKE, DJ FREESTYLEWELLS FARGO CENTER. PRILADLL PIMA 15.648FEB. 25 SELLOUT

$1,759,759s JUSTIN TIMBERLAKEMORON CENTER. WASHINGTON. D.C.

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$1,703,300 BILLY JOEL, JON MCLAUGHLINMAK. CANADIAN) AIR CANADA CENTRE. TORONTO

$6134.55448 MARCH.

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LIVE NATION GLOBAL

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16.616 LIVE P1ATION

SELLOUT

f.W56,525 JUSTIN TIMBERLAKE, DJ FREESTYLEXCEL ENERGY CENTER. ST. PAUL, MINN. 15.102 LIVE NATION GLOBAL

FEB. 9 SELLOUT TOURING

$1,675,690 BRUNO MARS, MIGUEL(51473093AUSTRAUAN) PERTH ARENA. PERTH. AUSTRALIA

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LACE NATION

$1,622,639 JUSTIN TIMBERLAKE, DJ FREESTYLESus/Pm ID GARDEN. BOSTON 13.815

FEB. 27 SELLOUT

LIVE WIN GLOBALTOUR.

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FEB. 10 SELLOUT

LIVE NATION GLOBAL

TOURING

$1,609,449 JUSTIN TIMBERLAKE, DJ FREESTYLE5175/549.90 MAERICAN AIRUNES ARENA. MIAMI 13.008

MARCH 5 SELLOUT

LIVE NATION GLOBALTOURING

$1,517,577 JUSTIN TIMBERLAKE, DJ FREESTYLE5175/549.50 BBET CENTER. SUNRISE. FU. 12.629

MARCH 4 SELLOUT

LIVE NATION GLOBAL

TOURING

$1,329,810swon

JUSTIN TIMBERLAKE, DJ FREESTYLEFARGOOOME. FARGO. N.D. 15.639

FEB. 7 SELLOUT

LIVE NATION GLOBAL

TOUR.

$1,327,680 BRUNO MARS, MIGUEL(51.481.272 AUSTRALIAN) BRISBANE ENTERTAINMENT CENTRE. BRISBANE. AUSTRALIA 11346SI28.80/1.94.29 MARCH 13 13.011

LIVE NATION

$1,285,055 ENRIQUE IGLESIAS & FRIENDSS179/5129/S89/539 MADISON SQUARE GARDEN. NEW YORK

FEEL 15

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LATIN EVENTS

$1,234,000 DOLLY PARTON34372.94 AU1RAUAN) PERTH ARENA, PERTH, AUSTRALIA

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LIVE NATION

Arm EVENTS

$1,206,561,,99 ANTONY SANTOS, TO/10 ROSARIO, LUIS VARGAS3 LAAKDISON. SQUARE GARDEN. NEW YORK

$1,194,850 MARDI GRAS AFTER PARTY: TINA ARENA,::3SAMANTHA JADE & OTHERS0133,763 AUSTRALIAN) HORDERN PAM°, St.( V HSA.0111V.GAI b E S81.8136.34/S11.3 MARCH 1

9.859

$1,111,68404.807.737 PESOS)

11824/934.16

MARC ANTHONYAUDITORIO NACIONAL. MEXICO CITY

MARCH 4.5

16.944 OCESA.CIE

19.148 TWO SHOWS

$1,085,870 TOBY KEITH, ELI YOUNG BAND, KELLIE FICKLER($1.200./27 AUSTRALIAN) BRISBANE ENTERTAINMENT CENTRE. BRISBANE. AUSTRALIA 9.405 OlUGG ENTERTAINMENT

$160.06489.58 MARCHES 9475

$889,025564.50/541.50

KINGS OF LEON, GARY CLARK JR.MADISON SQUARE GARDEN, NEW YORK 15181

FEB. 14 SELLOUT

LIVE NATION

$855,292 QUEENS OF THE STONE AGE & NINE INCH NAILS, BRODY DALLE394E566 AUSTRALIAN) BRISBANE ENTERTAINMENT CENTRE. BRISBANE. AUSTRALLA 8221 FRONTIER TOURING

1112.831994.78 MARCH 11 9759

$816,934 QUEENS OF THE STONE AGE & NINE INCH NAILS, BRODY DALLE(1904.288 AUSTRALIAN) PERTH ARENA. PERTH. AUSTRALIA 8372 FRONTIER TOURING

6115.41/59734 MARCH II 9.397

$748,059$99.50/935

311SMOOTHIE KING CENTER. NEW ORLEANS

MARCH II

11.000

SELLOUT

BEAVER PRODUCTIONS

$646,404 IMAGINE DRAGONS, THE NAKED AND FAMOUS, X AMBASSADORS3715.724 CANADIAN) BELL CENTRE. MONTREAL 18042 LIVE NATION, EVENKO

149.22/526.64 MARCH 3 SELLOUT

tZ,75,00 84 MICHAEL JACKSON THE IMMORTAL WORLD TOUR BY CIRQUE DU SOLEILBLUE CROSS ARENA. ROCHESTER. N.Y. 7.104 CIRQUE DU SOLEIL

MARCH 1011 10.000 TWO SHNK

$518,9061I0/599/579/959

MASTERS OF CEREMONY HIP HOP REUNION: DMX, EPMD & OTHERSRADIO CITY MUSIC HALL. NEW YORK 5942 SWING FKTORY MANAGE

JAN. 24 SELLOUT MERE d PROMOTIONS

$505,132 LAURA PAUSINI,IL VOLO,IVETESANGALO, GLORIA ESTEFAN &OTHERS193.50/5124.50/584.50/564.50 140016 4.955

THE THEATER AT MADISON SQUARE GARDEN. NEW YORK 4.767 VALIENTE CONCERTS CORP.

$487,720 INVASION DEL CORRIDO5200/5LSO/S65/52S NOKIA THEATRE L.A. LIVE. LOS ANGELES

PARCH IS.80.82

AEG LIVE

$407,7915145/594.50/

582.50/547.50

CHARLIE WILSON, DWVTHE THEATER AT MADISON SQUARE GARDEN. NEW YORK 5.458

FEEL I SELLOUT

YMF MEDIA

$406,158 EMMANUEL & MIJARES(5340.000 PESOS) COUSEO Df MERIDA YUCATAN, MEXICO 4.996 OCESA.CIE

5167.33/122.82 MARCH 8 7.262

$392,479169.75435

LADY ANTEBELLUM, KIP MOORE, KACEY MUSGRAVESVAN ANDEL ARENA GRAND RAPID, LIKH. 6.959 LIVE NATION

FEB. 9 9,1

DublinVisionBeyonce (above) tops theBoxscore chart with $5.5million in ticket sales fromher second appearance atthe 02 in Dublin during TheMrs. Carter Show WorldTour, currently nearingthe end of its final leg. Sheplayed the same arena lastMay during the first leg ofthe tour, which originallykicked off on April 15, 2013.The pop star played a totalof six concerts at the venue- two last year and four thisMarch. With sellout crowdsat all six shows, the finalattendance count from bothengagements was 76,636,setting a new record at thevenue for Beyonce. Shesold out six concerts at thesame arena in 2009, sellinga total of 75,660 ticketsduring her I Am... WorldTour.

Justin Timberlakeoccupies 11 slots on theBoxscore chart, withrevenue reported from thelast dates on the first NorthAmerican leg of his 20/20Experience World Tour. Astop at Chicago's UnitedCenter produced the topgross, landing at No. 2 with$3.7 million in sales fromtwo performances. Thetour's first leg wrappedMarch 5 in Miami after a

four -month swing throughU.S. and Canadian markets.With 619,782 tickets soldat 44 concerts, the tourgrossed $70.7 millionduring its opening jaunt.

-Bob Allen

Data for week of 03.29.2014 For chart reprints call 212.493.4023 Go to BILLBOARD.COM/BIZ for complete chart data

REWINDINGTHE CHARTS

Blondie Brought`Rapture' - AndRap - To No.

"Debbie Harry doing rap disco may seem bizarre, but itworks here. The production is expectedly slick and theplaying is tight."

Despite seeming bemused, Billboard praisedBlondie's "Rapture" in its review of the song in theissue dated Jan. 31, 1981 - the same day the track'svideo premiered on Solid Gold. That week, the MikeChapman -produced song debuted on the Billboard Hotwo at No. 61, just as Blondie's previous single, "TheTide Is High," crowned the chart. Eight weeks later,

"Rapture" blasted from No. 6 to No. 1.

The key word in Billboard's review of "Rapture,"clearly, was "rap." The song is widely regarded as theHot ioo's first No.1 to feature the genre. MTV alsochose "Rapture" as the first rap video to air on the

visionary Fab 5 Freddy appeared in the clip, as did fel-low rap founding father Grandmaster Flash.

Blondie earned induction into the Rock and Roll HallofFame in 2006, while 4o years after its formation, theband continues to wield its influence on a new genera-tion of fans. The group recently performed at South bySouthwest to throngs of adoring hipsters, and the docu-mentary Blondie's New York premiered March 21 on theSmithsonian Channel. In the film, Harry, now 68, saysthat helping propel rap into the mainstream was part ofher life's mission to dismantle social barriers."It always annoyed me when I was growing up that I

was expected to raise a family and 'be the woman,' bethe wife,' " she says in the documentary. "It didn't par-ticularly appeal to me." -Gary Trust

RAPTURE -A*air.d. Nn /14

WOMAN -1. wart. anier.NAN

THE BEST OF TIMES - vriMOMS CPI LLY

KEEP ON LOVING WEI- no16..

.1,0113 WINCASINGAin arr.a

mc.

HELLO AGAIN Ova.41.14 MA ClY

Harryperforming

in 1980.

(Copyright 2014 by Prometheus Global Media. LLC. All rights reserved. No part of this publication maybe reproduced. stored in any retrieval system or Vipsmitted. in any form or by an ectronic mechanical. photocopying. ecorqg or otherwise.without the prior written planission ofthe publisher. BILLBOARD MAGAZINE (ISSN 0006.2510: USPS 056.100) is published weekly except for the 2nd week in January. ist and 3rd week inAprilst week in tune. 2nd week in Jul eel% Sepiggliper. and ist and 4th week in 0 ber by Prometheus Global Media.... 770 Broadway,New York. N.Y. 100039595.Subscription rate:annual rate, Continental U.S. S299.00. Continental Europe 229 pounds. Billboard. Tower House, Sovereign Market Harborough. hae.f.egfSnd.LE16 OFF. figgistered as at r at the British Post Office. Japan 109,000 yen. Periodicals postage paid at New York, N.Y., and at additional mailing offices. Postmaster: Please send all UAA to CFS. Send Non -Postal and Military Facilitirgigh s of address to Billboard, P.O. Box N.Y.,1111970045.Curre a ' k copies of Billboard are available on microfilm fromKraus Microform, Route 100, Millwood. N.Y. 10546 or Xerox University Microfilms. P. O. Box 1346, Ann Arbor, M140106. For reprints contact: Wriglaftedi pgm wrightsmedia.com. 1.877.6546g. *Canadian Publication Mail ment No.41450540 return undeliverable Canadianaddressesto MSI PU.41450540. P.O.Box 2600, Mississauga. ON LAT O.. Vol.126 Issue 11. Printed in the U.S.A. For subscription information. cal1800-1184-18731U.S. Toll iree): 84,267.3007onte io email Subscriptions 4.8' bi7. Forany other information, call 212.493.4100.

72 BILLBOARD MARCH 29, 2014

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THROUGH

MY BABY JUST CARES FOR ME

A DIFFERENT CORNER

PRAYING FOR TIME

LET HER DOWN EASY

THE FIRST TIME EVER I SAW YOUR FACE

FEELING GOOD

JOHN AND ELVIS ARE DEAD

ROXANNE

ONE MORE TRY

GOING TO A TOWN

COWBOYS AND ANGELS

IDOL

BROTHER CAN YOU SPARE A DIME

HAVE YOU BEEN LOVED

WILD IS THE WIND

YOU'VE CHANGED

Music produced byPHIL RAMONE and GEORGE MICHAEL

Executive Producer DAVID AUSTIN

SYMPHONICA(DELUXE EDITION)

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LIVE RECORDINGS FROM THE

SYMPHONICA TOUR

FEATURING THE NEW SINGLE

"LET HER DOWN EASY"ALSO INCLUDES THE HITS

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